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(QUIET, TENSE MUSIC)
2
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¶¶¶
3
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JULIANNA CALLAGHAN,
4
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I VOW TO BE TRUE ALWAYS,
5
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TO GIVE YOU ALL OF MYSELF -
NO SECRETS -
6
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UNTIL DEATH PARTS US,
AND EVEN AFTER...
7
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'CAUSE I'VE BEEN YOURS
8
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SINCE THE FIRST DAY
I SAW YOU
9
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AND MADE A FOOL OF MYSELF.
10
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(GIGGLES)
11
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'CAUSE I KNEW RIGHT AWAY,
12
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I KNEW THAT IT WAS YOU
OR NO ONE...
13
00:00:46,047 --> 00:00:47,212
EVEN THOUGH
YOU DIDN'T KNOW IT YET,
14
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AND I HAD TO BE PATIENT.
15
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I WAS RIGHT.
JUST SAYING.
16
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(GUESTS CHUCKLE)
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SAMUEL BRADDOCK,
18
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I VOW TO ALWAYS BE YOURS.
19
00:01:06,267 --> 00:01:08,834
(VOICE CATCHES,
SIGHS HAPPILY)
20
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I TRIED TO...
THINK OF WORDS,
21
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BUT THERE'S SO MANY...
22
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THERE'S SO MANY WORDS.
23
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SO, I VOW, TO YOU,
THIS...
24
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(GUESTS LAUGH AND APPLAUD)
25
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YEAH!
26
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(CHEERING)
27
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SO UM... SINCE YOU GUYS
ARE ALL HERE,
28
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WE WOULD HAVE
TOLD YOU EARLIER,
29
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BUT WE DIDN'T WANT
TO JINX ANYTHING.
30
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WE'RE THREE MONTHS
ALONG;
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WE'RE HAVING A BABY.
32
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(GUESTS GASP IN DELIGHT
AND APPLAUD)
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CONGRATULATIONS.
GOOD FOR YOU.
THANK YOU.
34
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ED: RIGHT ON!
SPIKE: COME HERE, YOU!
35
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(SWITCHES BEEP)
36
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(TOOLS THUNK IN TOOLKIT,
LID CLICKS SHUT)
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(PHONES RING,
ROOM BUZZES WITH CHATTER)
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911,
WHAT IS YOUR EMERGENCY?
39
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I'M WEARING A PEACH DRESS,
40
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SO IF YOU WEAR
A PEACH ROSE,
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IT MEANS... GRATITUDE.
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CLARK:
OH, RIGHT,
'CAUSE HE SHOULD BE GRATEFUL
43
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THAT YOU ASKED HIM
TO PROM.
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DEAN:
WHAT COLOUR'S YOUR BOUTONNIER?
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00:02:50,404 --> 00:02:51,904
UH, WHATEVER COLOUR
MEANS "NO CURFEW
46
00:02:51,906 --> 00:02:52,905
'CAUSE IT'S PROM."
47
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SERIOUSLY?
YEAH,
48
00:02:54,207 --> 00:02:55,506
MY PARENTS HAVE LATE-NIGHT
PLANS OF THEIR OWN.
49
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THEY'RE GOING
TO SOME HOTEL DOWNTOWN.
50
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PLUS THEY TRUST ME.
IT'S WEIRD.
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PLUS YOU'RE NOT GONNA
TELL THEM.
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(CHUCKLES) SCARY.
JUST LIKE YOUR DAD.
53
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YOU SURE YOU WANNA DATE
A WALKING POLYGRAPH?
54
00:03:05,719 --> 00:03:07,753
(LAUGHS)
YEAH, I'M SURE.
55
00:03:07,755 --> 00:03:09,221
CLARK:
ALL RIGHT.
YOU GUYS NEED A RIDE?
56
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NAH.
WE'RE GONNA BE OKAY, MAN.
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00:03:10,291 --> 00:03:11,290
CLARK:
ALL RIGHT.
SEE YOU LATER.
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DEAN:
LATER.
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JULES:
SO YOU'VE MET
MY INFAMOUS BROTHERS.
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GOOD TO MEET YOU.
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WORDY:
YOU TALKED THE BOSS
OUTTA THE BROWN SUIT.
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WELL, WORDY,
SOMEBODY HAD TO.
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PARKER:
HEY, I HEARD THAT.
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ED:
I MEAN, REALLY,
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IT'S A FABULOUS DRESS.
I LIKE IT.
66
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?
YES, DONNA.
67
00:03:26,240 --> 00:03:27,840
SUCH A GENTLEMAN,
68
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AND ALWAYS A KIND WORD;
THAT'S WHY I LOVE YOU.
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DEBRIEF WENT LONG;
70
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SOME PEOPLE HAVE
TO WORK HARD.
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HOW'S TEAM THREE?
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I'M KICKING 'EM
INTO SHAPE.
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I TOLD YOU SHE COULDN'T
STAY AWAY FROM THE JOB.
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HOW ARE YOU,
WORDY?
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00:03:37,251 --> 00:03:38,584
I'M GOOD.
GIRLS ARE GOOD.
76
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I MISS THE DAYS THOUGH.
77
00:03:39,720 --> 00:03:41,320
DAYS MISS YOU
RIGHT BACK.
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YOU GOING TO THE RECEPTION
TONIGHT?
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ABSOLUTELY.
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ED:
YOU KNOW WHAT? TEAM ONE'S GOT
A SHIFT TO GET THROUGH FIRST
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BECAUSE SOME OF US
WORK EVEN HARDER.
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NOT A WORD.
NOT A WORD!
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911 RESPONDER:
YOU'RE DOING GREAT, HON,
STAY WITH ME, OKAY?
84
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I'M GONNA NEED YOU
TO BREATHE OUT FOR ME...
85
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NICE.
86
00:04:00,441 --> 00:04:02,341
FOUR MINUTES
BETWEEN CONTRACTIONS,
87
00:04:02,343 --> 00:04:03,559
WHICH IS AWESOME.
88
00:04:03,560 --> 00:04:04,776
I'M SENDING ALL THIS
TO THE PARAMEDICS
89
00:04:04,778 --> 00:04:07,479
AS SOON AS THEY GET THERE...
90
00:04:08,415 --> 00:04:11,583
WHICH WILL BE IN TWO MINUTES,
OKAY?
91
00:04:11,585 --> 00:04:13,785
YOU GOT A NAME PICKED OUT
FOR THE LITTLE MAN YET?
92
00:04:13,787 --> 00:04:15,420
TRISH:
SO SLOW...
93
00:04:15,422 --> 00:04:16,955
I THINK ONE OF THE SERVERS
NEEDS REBOOTING.
94
00:04:16,957 --> 00:04:18,440
NINA:
(WHISPERS)
CAN YOU DO IT?
95
00:04:18,441 --> 00:04:19,924
I'M WRAPPING UP
THE MIRACLE OF LIFE OVER HERE.
96
00:04:19,927 --> 00:04:21,226
YES.
97
00:04:21,227 --> 00:04:22,526
NINA:
YOU GOT A BAG PACKED
FOR THE HOSPITAL?
98
00:04:22,529 --> 00:04:23,562
NOW DON'T WORRY.
99
00:04:23,563 --> 00:04:24,596
I'M GONNA STAY RIGHT HERE
WITH YOU...
100
00:04:31,038 --> 00:04:34,306
(POWER BUTTON BEEPS,
SERVER REBOOTS)
101
00:04:37,444 --> 00:04:38,577
(SPIKE AND WINNIE LAUGH)
102
00:04:38,579 --> 00:04:39,578
AW...
103
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SPIKE:
I KNOW.
104
00:04:41,315 --> 00:04:42,981
WINNIE:
MAN, GETTING MARRIED
AND GOING TO WORK,
105
00:04:42,983 --> 00:04:44,583
THAT IS DEDICATION.
106
00:04:44,585 --> 00:04:46,551
WELL, IT'S THE ONLY DAY
SAM'S DAD COULD BE HERE.
107
00:04:46,553 --> 00:04:49,855
YOU KNOW, RECEPTION'S
AT THE PARTY BOAT TONIGHT.
108
00:04:49,857 --> 00:04:51,623
I WISH I COULD'VE
BEEN THERE.
109
00:04:51,625 --> 00:04:52,758
ME TOO.
110
00:04:52,760 --> 00:04:54,026
SPIKE,
YOU WERE THERE.
111
00:04:54,028 --> 00:04:55,778
NO, I MEAN I WISH
112
00:04:55,779 --> 00:04:57,529
YOU COULD'VE BEEN THERE
TOO, TOO.
113
00:04:57,531 --> 00:04:58,897
"TOO, TOO?"
114
00:04:58,899 --> 00:05:01,566
"TOO, TOO,"
AS IN TOO, ALSO.
115
00:05:01,568 --> 00:05:02,601
GOTCHA.
116
00:05:02,603 --> 00:05:03,935
(SRU PHONE RINGS)
117
00:05:03,937 --> 00:05:05,220
(PICKS UP)
SRU.
118
00:05:05,221 --> 00:05:06,504
NINA:
HEY, WINNIE,
THIS IS NINA FROM 911.
119
00:05:06,507 --> 00:05:07,862
WINNIE:
HEY, NINA.
WHAT'S GOING ON?
120
00:05:07,863 --> 00:05:09,218
NINA:
WE'VE GOT SOMETHING
IN OUR SERVER ROOM
121
00:05:09,219 --> 00:05:10,574
THAT DOESN'T LOOK LIKE IT
SHOULD BE THERE.
122
00:05:10,577 --> 00:05:12,511
911'S GOT A PROBLEM.
123
00:05:12,513 --> 00:05:13,912
NINA,
I'VE GOT TEAM ONE HERE.
124
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NINA:
IT'S SOME KIND OF A DEVICE
IN A BOX,
125
00:05:15,649 --> 00:05:17,282
IN OUR SERVER ROOM.
126
00:05:17,283 --> 00:05:18,916
IT'S GOT EXPOSED WIRES
AND A BLINKING LIGHT.
127
00:05:18,919 --> 00:05:20,469
ED:
WAS IT LEFT
IN PLAIN SIGHT?
128
00:05:20,470 --> 00:05:22,020
NINA:
NO. NO, IT WAS CONCEALED
IN ONE OF OUR SERVER CABINETS.
129
00:05:22,022 --> 00:05:23,722
WE ONLY FOUND IT
WHEN WE WENT TO DO A REBOOT.
130
00:05:23,724 --> 00:05:25,324
PARKER:
GET ANY NON-ESSENTIAL STAFF
OUT OF THERE,
131
00:05:25,326 --> 00:05:26,491
WE'RE ON OUR WAY.
132
00:05:26,493 --> 00:05:27,976
ED:
WINNIE, CALL STAINTON,
133
00:05:27,977 --> 00:05:29,460
GET HIM TO SEE IF THERE'S
A SPIKE IN TERRORIST CHATTER.
134
00:05:29,463 --> 00:05:30,996
YOU GOT IT.
135
00:05:30,998 --> 00:05:32,698
SPIKE?
136
00:05:32,700 --> 00:05:34,833
JUST... YOU KNOW.
137
00:05:34,835 --> 00:05:36,702
I'M ALWAYS CAREFUL.
138
00:05:39,039 --> 00:05:40,906
(SIRENS CHIRP AND WAIL)
139
00:05:41,842 --> 00:05:44,710
(911 STAFF MURMUR, CURIOUS,
TRUCKS ARRIVE, SIRENS WAILING)
140
00:05:48,549 --> 00:05:50,299
ED:
HITTING 911?
141
00:05:50,300 --> 00:05:52,050
PARKER:
THE NERVE CENTRE FOR THE CITY'S
EMERGENCY SERVICES.
142
00:05:52,052 --> 00:05:53,485
SAM:
WE CAN'T SHUT THE PLACE DOWN
143
00:05:53,487 --> 00:05:54,586
WITHOUT LEAVING THE CITY
STRANDED.
144
00:05:54,588 --> 00:05:56,688
BABYCAKES IS READY TO ROLL.
145
00:05:57,624 --> 00:05:59,157
TRISH:
MA'AM, THEY ARE ON THEIR WAY
RIGHT NOW,
146
00:05:59,158 --> 00:06:00,691
SO I'M GONNA NEED YOU
TO CALM DOWN FOR ME, OKAY?
147
00:06:00,694 --> 00:06:02,394
NINA:
WE'RE DOWN TO THREE OPERATORS
AND THREE DISPATCH.
148
00:06:02,396 --> 00:06:04,046
THE EVAC'D STAFF
IS OUT FRONT.
149
00:06:04,047 --> 00:06:05,697
SAM:
'KAY, LEAH, LET'S CHECK OUT
THE REST OF THE BUILDING.
150
00:06:05,699 --> 00:06:07,466
I'M GONNA TALK TO STAFF,
START PROFILING.
151
00:06:07,468 --> 00:06:08,900
ED:
WE'RE GONNA NEED
CCTV FOOTAGE.
152
00:06:08,902 --> 00:06:10,018
ALREADY PULLED IT.
GREAT.
153
00:06:10,019 --> 00:06:11,135
TRISH:
YOU'RE HUSBAND IS PINNED
BY THE STEERING WHEEL,
154
00:06:11,138 --> 00:06:12,671
IS THAT CORRECT?
155
00:06:22,583 --> 00:06:25,484
DAYCARE WORKER:
HOWIE? HOWIE, GIVE ETHAN
HIS BLANKIE BACK, PLEASE.
156
00:06:25,486 --> 00:06:26,852
HOWIE? I NEED YOU TO LISTEN,
OKAY?
157
00:06:26,854 --> 00:06:28,687
THAT BELONGS TO ETHAN,
HONEY.
158
00:06:28,689 --> 00:06:29,721
FINE!
159
00:06:29,723 --> 00:06:32,090
THANK YOU, HOWIE,
GOOD CHOICE.
160
00:06:36,530 --> 00:06:39,931
KIDS:
LET'S GO! BACK AT SCHOOL!
HERE WE COME!
161
00:06:39,933 --> 00:06:42,167
(BABYCAKES WHIRS)
162
00:06:48,442 --> 00:06:49,641
SPIKE:
I SEE THE BOX.
163
00:06:49,643 --> 00:06:51,410
SENDING OUT ELECTRONIC
COUNTER-MEASURES
164
00:06:51,412 --> 00:06:53,645
AGAINST REMOTE DETONATION.
165
00:06:55,716 --> 00:06:57,816
HA! SEE, ETHAN?
I TOLD YOU WE'D FIND IT.
166
00:06:57,818 --> 00:06:59,184
RUN!
167
00:06:59,186 --> 00:07:01,753
ETHAN:
THERE YOU ARE!
(GIGGLES HAPPILY)
168
00:07:03,957 --> 00:07:07,159
(LOUD BOOM, FIRE ROARS,
GLASS BURSTS)
169
00:07:07,161 --> 00:07:08,727
(DEBRIS CRASHES ALL AROUND)
170
00:07:08,729 --> 00:07:10,529
(PHONES RING OFF THE HOOK)
171
00:07:10,531 --> 00:07:12,030
(OVERLAPPING VOICES
ANSWER CALLS)
172
00:07:12,032 --> 00:07:15,734
TRISH:
911, WHAT IS YOUR EMERGENCY?
SIMCOE AND WELLINGTON?
173
00:07:15,736 --> 00:07:18,136
NINA:
HOW MANY ARE INJURED?
HOW MANY DO YOU SEE?
174
00:07:18,138 --> 00:07:19,771
WHAT'S GOING ON?
175
00:07:19,773 --> 00:07:22,207
NINA:
911, WHAT IS YOUR EMERGENCY?
176
00:07:22,209 --> 00:07:25,644
IT'S A FEDERAL BUILDING,
HEALTH AND WELFARE.
177
00:07:26,580 --> 00:07:27,612
TEAM, WE'RE LOOKING
AT ANOTHER BOMB
178
00:07:27,614 --> 00:07:29,014
THAT JUST WENT OFF DOWNTOWN.
179
00:07:29,016 --> 00:07:30,682
MASS CASUALTIES
IN A BUSY BUILDING -
180
00:07:30,684 --> 00:07:32,684
NO WAY THIS WAS ACCIDENTAL.
181
00:07:32,686 --> 00:07:34,453
WE ARE LOOKING AT TERROR.
182
00:07:35,889 --> 00:07:45,997
¶¶¶
183
00:07:45,999 --> 00:07:51,470
¶¶¶
184
00:07:51,472 --> 00:08:03,882
¶¶¶
185
00:08:08,555 --> 00:08:10,789
(SIRENS WAIL AND CHIRP
IN THE DISTANCE)
186
00:08:10,791 --> 00:08:12,724
NEWS ANCHOR:
IT IS DIFFICULT TO GET
A CLEAR PICTURE,
187
00:08:12,726 --> 00:08:15,894
BUT IT APPEARS THAT
THE EXPLOSION TOOK PLACE...
188
00:08:15,896 --> 00:08:17,512
PARKER:
SPIKE, TALK TO ME.
189
00:08:17,513 --> 00:08:19,129
SPIKE:
I'M WORKING IT,
BUT THIS IS GONNA TAKE TIME.
190
00:08:19,132 --> 00:08:20,232
GUYS, GO.
I GOT THIS.
191
00:08:20,234 --> 00:08:21,533
NO, SPIKE, LISTEN-
192
00:08:21,535 --> 00:08:22,767
ED, GO!
193
00:08:22,769 --> 00:08:24,202
OKAY, COPY!
GUYS, SIMCOE AND WELLINGTON.
194
00:08:24,204 --> 00:08:27,239
SAM, YOU'RE WITH ME.
LET'S MOVE!
195
00:08:28,175 --> 00:08:29,207
PARKER:
WE'RE GONNA NEED
ALL EMERGENCY PERSONNEL
196
00:08:29,209 --> 00:08:30,992
ON STANDBY.
197
00:08:30,993 --> 00:08:32,776
CROWD CONTROL,
CASUALTY TRANSPORT.
198
00:08:32,779 --> 00:08:34,246
OKAY, THANK YOU.
199
00:08:34,248 --> 00:08:36,214
NINA, ALL OF YOU HAVE
TO GET OUTSIDE
200
00:08:36,216 --> 00:08:37,576
WITH THE REST
OF YOUR STAFF.
201
00:08:37,577 --> 00:08:38,937
NINA:
WE CAN SPLIT SOME OF THE LOAD
WITH DURHAM REGION,
202
00:08:38,938 --> 00:08:40,298
BUT THEN THEY'LL BE
OVERLOADED.
203
00:08:40,299 --> 00:08:41,659
WE NEED TO STAY
AND KEEP ANSWERING CALLS.
204
00:08:41,660 --> 00:08:43,020
NEGATIVE. THIS BOMB COULD
STILL GO OFF.
205
00:08:43,023 --> 00:08:44,623
THE BOMB COULD STILL
GO OFF,
206
00:08:44,625 --> 00:08:46,625
BUT PEOPLE DEFINITELY NEED
OUR HELP.
207
00:08:46,627 --> 00:08:49,127
IT'S NOT JUST OUR LIVES
ON THE LINE.
208
00:08:49,129 --> 00:08:52,063
(RESPONDERS FRANTICALLY
RESPOND TO CALLS)
209
00:08:52,065 --> 00:08:53,765
OKAY.
210
00:08:53,767 --> 00:08:55,133
WINNIE, I'M NOT LIKING THE WAY
THIS DAY IS GOING.
211
00:08:55,135 --> 00:08:58,036
I NEED ALL SRU TEAMS REUPPED
RIGHT NOW.
212
00:08:58,038 --> 00:08:59,571
YOU GOT IT.
213
00:08:59,573 --> 00:09:01,072
(BABYCAKES WHIRS)
214
00:09:01,074 --> 00:09:03,592
SPIKE:
THE X-RAY IS UP.
215
00:09:03,593 --> 00:09:06,111
I SEE BATTERIES, I SEE WIRES,
I SEE A TIMER...
216
00:09:06,113 --> 00:09:08,547
AND I GOT ANTI-HANDLING
MEASURES.
217
00:09:09,283 --> 00:09:11,583
THIS IS GONNA
COMPLICATE THINGS.
218
00:09:11,585 --> 00:09:13,652
NINA:
PLEASE, MA'AM,
STAY WHERE YOU...
219
00:09:13,654 --> 00:09:14,953
(SIRENS WAIL)
220
00:09:15,889 --> 00:09:17,822
JULES:
EVERYTHING'S FINE, DAD.
221
00:09:17,824 --> 00:09:20,025
JUST MAKING SURE YOU GUYS
GOT ALL CHECKED IN OKAY.
222
00:09:20,027 --> 00:09:21,226
WE'RE GONNA SEE YOU
AT THE HOTEL
223
00:09:21,228 --> 00:09:23,662
AFTER WORK,
ALL RIGHT?
224
00:09:23,664 --> 00:09:24,996
BYE, DAD.
225
00:09:26,867 --> 00:09:28,700
YOU'D DO ANYTHING TO JUST...
WRAP 'EM UP
226
00:09:28,702 --> 00:09:30,201
AND KEEP 'EM SAFE.
227
00:09:30,203 --> 00:09:32,637
YOUR PARENTS WERE IN HAITI
DURING THE EARTHQUAKE, RIGHT?
228
00:09:34,174 --> 00:09:35,273
ALL YOU CAN DO
IS DO YOUR BEST.
229
00:09:37,311 --> 00:09:38,577
YUP.
230
00:09:40,113 --> 00:09:42,213
NO, SOPHIE, I'M OKAY.
I'M OKAY.
231
00:09:42,215 --> 00:09:43,582
LOOK, I'M SURE CLARK'S
OKAY, TOO.
232
00:09:43,584 --> 00:09:44,967
HE'S PROBABLY
JUST SOMEWHERE NOISY,
233
00:09:44,968 --> 00:09:46,351
WHERE HE CAN'T HEAR HIS PHONE,
ALL RIGHT?
234
00:09:46,353 --> 00:09:47,686
I NEED YOU TO CALL ME
235
00:09:47,688 --> 00:09:49,621
AS SOON AS YOU HEAR FROM HIM,
OKAY?
236
00:09:49,623 --> 00:09:51,256
I LOVE YOU.
237
00:09:51,258 --> 00:09:52,257
SHE HEARD ABOUT
THE BOMB?
238
00:09:52,259 --> 00:09:53,775
YEAH.
239
00:09:53,776 --> 00:09:55,292
GUESS YOUR WIFE KNOWS
WHERE YOU ARE.
240
00:09:55,295 --> 00:09:56,661
"WIFE."
241
00:09:56,663 --> 00:09:58,229
FEELS FUNNY, HUH?
242
00:09:58,231 --> 00:09:59,831
IT FEELS GOOD.
243
00:09:59,833 --> 00:10:01,366
SPIKE:
NO CHEMICAL DETECTION,
NO NERVE AGENTS,
244
00:10:01,368 --> 00:10:04,269
NO BLOOD AGENTS,
NO RADIATION.
245
00:10:04,271 --> 00:10:06,004
I'M GOING IN MANUAL.
246
00:10:08,275 --> 00:10:09,741
(BABYCAKES WHIRS)
247
00:10:19,786 --> 00:10:21,119
24 MINUTES.
248
00:10:21,121 --> 00:10:22,988
OKAY.
249
00:10:22,990 --> 00:10:24,673
CAN YOU SEVER
THE POWER SOURCE?
250
00:10:24,674 --> 00:10:26,357
SPIKE:
YEAH, I THINK SO,
BUT IT'S UNDERNEATH.
251
00:10:26,360 --> 00:10:28,293
I CAN'T REACH IT
WITHOUT TRIGGERING
252
00:10:28,294 --> 00:10:30,227
THE ANTI-HANDLING DEVICE
EMBEDDED IN THE C4.
253
00:10:30,230 --> 00:10:32,964
I'M GONNA HAVE TO DISABLE IT
BY HAND.
254
00:10:38,271 --> 00:10:40,839
(KNIFE TOUCHES SOMETHING HARD)
255
00:10:47,948 --> 00:10:49,381
IT'S A MERCURY TILT SWITCH.
256
00:10:50,317 --> 00:10:53,351
THAT DROP SLIDES OVER
BY A HAIR,
257
00:10:53,353 --> 00:10:56,888
AND TOUCHES THOSE TWO WIRES,
AND I LOSE MY 24 MINUTES.
258
00:10:56,890 --> 00:10:58,423
22 MINUTES.
259
00:10:58,424 --> 00:10:59,957
ED:
HOW DO YOU DISABLE
A MERCURY TILT SWITCH?
260
00:10:59,960 --> 00:11:01,192
ACETONE.
261
00:11:01,194 --> 00:11:02,661
AND WHERE ARE WE GONNA
GET THAT?
262
00:11:05,265 --> 00:11:07,899
(CROWD BUZZES WITH CHATTER)
263
00:11:07,901 --> 00:11:10,168
SPIKE:
(YELLING) ANYBODY HAVE
ANY NAIL POLISH REMOVER?
264
00:11:10,170 --> 00:11:11,903
SERIOUSLY!
ANYBODY?!
265
00:11:14,374 --> 00:11:15,440
THANKS!
266
00:11:16,276 --> 00:11:17,976
ED, THAT WAS STAINTON.
267
00:11:17,977 --> 00:11:19,677
THERE'S BEEN NO CHATTER-SPIKE
ON THE TERRORIST CHANNELS.
268
00:11:19,680 --> 00:11:20,979
ED:
OKAY. THANKS, WINNIE.
269
00:11:20,981 --> 00:11:22,313
SO IF IT IS
A COORDINATED STRIKE,
270
00:11:22,315 --> 00:11:24,249
IT'S A GROUP
THAT'S NOT ON OUR RADAR.
271
00:11:24,250 --> 00:11:26,184
OR IT'S A LONE WOLF
WITH NO GROUP TO CHATTER WITH.
272
00:11:26,186 --> 00:11:28,086
PARKER:
ALL RIGHT, ASSUMING
IT'S THE SAME INDIVIDUAL,
273
00:11:28,088 --> 00:11:29,921
WHAT'S HIS NEXT STEP?
274
00:11:29,923 --> 00:11:31,389
HE HIT THE HEART OF THE CITY'S
DEFENSE SYSTEM
275
00:11:31,391 --> 00:11:32,691
AND A SYMBOL OF GOVERNMENT.
276
00:11:32,693 --> 00:11:33,992
IT SOUNDS MORE POLITICAL
THAN PERSONAL.
277
00:11:33,994 --> 00:11:35,894
HE WANTS TO SHOW HE CAN MAKE
A WHOLE CITY VULNERABLE.
278
00:11:35,896 --> 00:11:37,395
PARKER:
WELL, IF IT IS STATEMENT
ORIENTED,
279
00:11:37,397 --> 00:11:38,730
HE'LL COME OUT
FROM BEHIND THE CURTAIN,
280
00:11:38,732 --> 00:11:40,298
AND SHARE HIS WORLD VIEW.
281
00:11:40,300 --> 00:11:42,367
SPIKE, WHAT'S GOING ON?
282
00:11:42,369 --> 00:11:43,935
SPIKE:
SUBMERGING THE MERCURY
IN ACETONE.
283
00:11:43,937 --> 00:11:45,153
PARKER:
TWO MINUTES,
284
00:11:45,154 --> 00:11:46,370
I'M MOVING THE REST
OF THESE PEOPLE OUTTA HERE,
285
00:11:46,373 --> 00:11:47,739
UNLESS YOU TELL ME DIFFERENT.
286
00:11:47,741 --> 00:11:48,807
SPIKE:
COPY THAT.
287
00:11:50,811 --> 00:11:54,279
ADDING DRY ICE
TO LOWER THE TEMPERATURE.
288
00:11:55,182 --> 00:11:56,381
(DRY ICE FIZZES)
289
00:12:02,355 --> 00:12:03,788
(THERMOMETER BEEPS)
290
00:12:04,725 --> 00:12:05,790
(FIZZING)
291
00:12:07,160 --> 00:12:09,177
MINUS 36 DEGREES...
292
00:12:09,178 --> 00:12:11,195
TWO MORE DEGREES
AND THE MERCURY FREEZES OVER.
293
00:12:15,469 --> 00:12:17,168
COME ON... COME ON...
294
00:12:18,105 --> 00:12:19,404
COME ON!
295
00:12:19,406 --> 00:12:20,872
COME ON!
296
00:12:20,874 --> 00:12:21,873
(FIZZING)
297
00:12:21,875 --> 00:12:23,308
MINUS 38.8 DEGREES.
298
00:12:23,310 --> 00:12:26,311
GOING FOR THE POWER SOURCE.
299
00:12:28,982 --> 00:12:30,315
I SEE IT.
300
00:12:32,319 --> 00:12:34,452
CUTTING THE POWER SUPPLY.
301
00:12:36,323 --> 00:12:38,356
(SNAP) DONE!
WE'RE CLEAR!
302
00:12:39,292 --> 00:12:40,909
(SIGHS WITH RELIEF)
303
00:12:40,910 --> 00:12:42,527
SPIKE:
CALL CENTRE'S
BACK IN BUSINESS.
304
00:12:44,798 --> 00:12:46,831
WE'RE OKAY;
305
00:12:46,833 --> 00:12:49,901
THE BOMB'S DISABLED,
YOUR COLLEAGUES CAN COME BACK.
306
00:12:49,903 --> 00:12:51,770
(EXHALES, RELIEVED)
307
00:12:53,173 --> 00:12:55,774
(CHOPPER'S ROTORS BEAT LOUDLY)
308
00:12:56,510 --> 00:12:59,844
(SIRENS WAIL,
PEOPLE SHOUT FRANTICALLY)
309
00:12:59,846 --> 00:13:02,180
(SIRENS CHIRP,
HORNS BLAST)
310
00:13:08,221 --> 00:13:12,957
(LOUD BUZZ OF FRANTIC VOICES,
PAPERS FLUTTER IN THE AIR)
311
00:13:12,959 --> 00:13:17,462
(SIRENS WAIL ALL AROUND,
PEOPLE CRY OUT IN DISTRESS)
312
00:13:17,464 --> 00:13:20,231
ED:
OKAY, JULES, LEAH,
HELP EMS IDENTIFY THE WOUNDED,
313
00:13:20,233 --> 00:13:21,399
30 SECONDS PER PATIENT.
314
00:13:21,401 --> 00:13:23,501
SAM, SAME THING INSIDE -
FIND SURVIVORS.
315
00:13:23,503 --> 00:13:24,569
GO!
316
00:13:24,571 --> 00:13:29,541
(PEOPLE SHOUT, SIRENS WAIL,
THE STREET'S IN CHAOS)
317
00:13:31,478 --> 00:13:33,511
ED:
GUYS, REMEMBER,
FOUR LEVELS OF PRIORITY HERE:
318
00:13:33,513 --> 00:13:35,046
GREEN IS FOR MINOR INJURIES;
319
00:13:35,048 --> 00:13:36,080
YELLOW IS FOR URGENT;
320
00:13:36,082 --> 00:13:37,448
RED IS FOR IMMEDIATE.
321
00:13:37,450 --> 00:13:39,367
JULES:
BLACK'S FOR DEAD.
322
00:13:39,368 --> 00:13:41,285
ED:
OR BEYOND SAVING -
IT'S A JUDGMENT CALL HERE.
323
00:13:41,288 --> 00:13:43,454
SIR! SIR!
CAN YOU HEAR ME?
324
00:13:44,391 --> 00:13:45,590
CHECK HIS PULSE.
325
00:13:45,592 --> 00:13:48,126
SIR, I NEED YOU
TO CLOSE YOUR EYES, PLEASE.
326
00:13:48,128 --> 00:13:49,494
OKAY, HE'S IN SHOCK.
RAISE HIS LEGS.
327
00:13:49,496 --> 00:13:52,163
JULES: LET'S PUT THIS UNDER.
LEAH: ALL RIGHT, GENTLY.
328
00:13:52,165 --> 00:13:53,965
ED:
(CALLS OUT)
WE GOT A RED HERE!
329
00:13:53,967 --> 00:13:55,500
TAG AND MOVE!
LET'S GO!
330
00:13:55,502 --> 00:13:57,502
LET'S MOVE!
LET'S MOVE!
331
00:13:59,573 --> 00:14:14,519
¶¶¶
332
00:14:14,521 --> 00:14:24,629
¶¶¶
333
00:14:24,631 --> 00:14:30,201
¶¶¶
334
00:14:32,472 --> 00:14:34,038
TRISH:
911, WHAT IS YOUR EMERGENCY?
335
00:14:34,040 --> 00:14:35,573
NINA:
911, WHAT IS YOUR EMERGENCY?
336
00:14:35,575 --> 00:14:36,608
TRISH:
WHERE ARE YOU LOCATED, SIR?
337
00:14:36,610 --> 00:14:38,576
OKAY, IS ANYONE WITH YOU
RIGHT NOW?
338
00:14:38,578 --> 00:14:42,614
NINA:
NO, STAY ON THE LINE WITH ME.
BREATHE...
339
00:14:42,616 --> 00:14:44,015
PARKER:
WHAT ARE YOU THINKING,
SPIKE?
340
00:14:44,016 --> 00:14:45,415
SPIKE:
I'M THINKING ONE BOMB,
THAT'S PROBABLY YOUR DAY.
341
00:14:45,418 --> 00:14:46,551
TWO BOMBS...
342
00:14:46,553 --> 00:14:49,387
I THINK YOUR DAY
MIGHT NOT BE OVER.
343
00:14:49,389 --> 00:14:50,388
LET'S FIGURE OUT
WHO MADE THIS.
344
00:14:50,390 --> 00:14:52,156
COPY THAT.
345
00:14:52,158 --> 00:14:56,027
NINA:
911, WHAT IS YOUR EMERGENCY?
346
00:14:56,029 --> 00:14:57,629
LEAH:
MA'AM, CAN YOU HEAR ME?
347
00:14:57,631 --> 00:14:59,564
ARE YOU ABLE TO WALK?
348
00:15:00,634 --> 00:15:02,166
(CALLS OUT)
WE'VE GOT A YELLOW!
349
00:15:02,168 --> 00:15:03,668
JULES:
ALL RIGHT,
PARAMEDICS ARE COMING.
350
00:15:03,670 --> 00:15:05,303
YOU'RE GONNA BE JUST FINE,
OKAY?
351
00:15:05,305 --> 00:15:09,207
LEAH: LET'S GO.
JULES: JUST KEEP ON BREATHING.
352
00:15:12,145 --> 00:15:15,113
ALL RIGHT,
HOLD HER NECK.
353
00:15:15,115 --> 00:15:16,481
LEAH:
MA'AM, CAN YOU HEAR ME?
354
00:15:16,483 --> 00:15:18,383
DAYCARE WORKER 2:
(WEAKLY) ETHAN...
355
00:15:18,385 --> 00:15:19,450
ETHAN...
356
00:15:20,654 --> 00:15:21,920
ETHAN...
357
00:15:27,427 --> 00:15:29,260
OKAY... HI, HONEY.
358
00:15:30,196 --> 00:15:31,629
MY NAME IS JULES.
359
00:15:32,565 --> 00:15:34,532
I'M GONNA HELP YOU,
OKAY?
360
00:15:35,468 --> 00:15:36,534
(NO RESPONSE)
361
00:15:41,107 --> 00:15:43,241
(JULES WELLS UP,
WEEPING)
362
00:15:57,023 --> 00:15:59,657
I'M SO SORRY...
I'M SO SORRY, HONEY.
363
00:16:03,697 --> 00:16:05,697
(WEEPING)
364
00:16:05,699 --> 00:16:07,332
LEAH:
(PANICKED) JULES!
365
00:16:07,333 --> 00:16:08,966
SHE SAYS THERE'S A DAYCARE
IN THERE.
366
00:16:08,969 --> 00:16:10,601
THERE'S MORE KIDS!
367
00:16:10,603 --> 00:16:12,704
ED! INSIDE!
THERE'S A DAYCARE!
368
00:16:12,706 --> 00:16:14,572
ED:
COPY! SAM,
CHECK THE FLOORPLANS;
369
00:16:14,574 --> 00:16:15,606
WE GOTTA GET THERE.
370
00:16:15,608 --> 00:16:17,308
I'M ON IT!
371
00:16:17,309 --> 00:16:19,009
ED:
MA'AM, SOMEBODY'S GONNA BE
RIGHT WITH YOU, ALL RIGHT?
372
00:16:22,716 --> 00:16:24,215
JULES:
IS THIS THE DAYCARE?
373
00:16:24,217 --> 00:16:25,450
SAM:
I CAN HEAR A WOMAN, KIDS.
374
00:16:25,452 --> 00:16:27,318
SOMEBODY MIGHT BE HURT,
I CAN'T BE SURE.
375
00:16:27,320 --> 00:16:30,488
JULES:
(CALLING OUT) HELLO!
THIS IS THE POLICE!
376
00:16:30,490 --> 00:16:32,557
WE'RE GONNA HELP YOU!
CAN YOU HEAR US?
377
00:16:32,559 --> 00:16:34,692
ED:
GUYS, THE DAYCARE'S FRONT DOOR'S
FIFTEEN FEET IN.
378
00:16:34,694 --> 00:16:36,361
THEY CAN'T HEAR US
WITH ALL THIS DEBRIS.
379
00:16:36,363 --> 00:16:37,662
SAM:
CONTROLLED DEMOLITION
TO OPEN THE WAY?
380
00:16:37,664 --> 00:16:39,631
ED:
SAM, WE CAN'T DO IT.
381
00:16:39,632 --> 00:16:41,599
IT'S TOO UNSTABLE.
WE GOTTA GO IN.
382
00:16:41,600 --> 00:16:43,567
DAYCARE WORKER:
(THROUGH PARABOLIC MIC)
SASHA, PLEASE, HONEY,
STAY CALM ALL RIGHT?
383
00:16:43,570 --> 00:16:44,803
SAM:
YOU GONNA FIT THROUGH
THAT HOLE?
384
00:16:44,804 --> 00:16:46,037
DAYCARE WORKER:
WE'RE GONNA GET OUTTA HERE,
OKAY?
385
00:16:46,039 --> 00:16:47,572
ED:
I'M GONNA TRY.
386
00:16:47,574 --> 00:16:51,642
(RUBBLE GROANS AND SHIFTS,
COLLAPSING FURTHER)
387
00:16:52,579 --> 00:16:55,580
SAM:
ED, THERE'S NO WAY,
IT'S TOO RISKY!
388
00:16:55,582 --> 00:16:57,415
DAYCARE WORKER:
JUST... JUST LEAVE HOWIE!
389
00:16:57,417 --> 00:16:59,050
LOOK,
HE CAN'T MOVE RIGHT NOW.
390
00:16:59,052 --> 00:17:00,251
HE'S... HE'S SLEEPING.
(KID CRIES IN BACKGROUND)
391
00:17:00,253 --> 00:17:01,669
JULES:
(UPSET) OKAY,
THERE'S A KID...
392
00:17:01,670 --> 00:17:03,086
THERE'S A KID PINNED DOWN
IN THERE.
393
00:17:03,089 --> 00:17:04,756
I'M SMALL ENOUGH;
I CAN FIT THROUGH THAT HOLE.
394
00:17:04,758 --> 00:17:06,591
ED:
JULES, THE STRUCTURE'S
BEEN COMPROMISED HERE.
395
00:17:06,593 --> 00:17:08,526
WE CAN'T LET YOU GO IN,
IT MIGHT COLLAPSE.
396
00:17:08,528 --> 00:17:09,694
I CAN DO THIS!
397
00:17:09,695 --> 00:17:10,861
SAM:
JULES, STOP.
WE'LL FIND ANOTHER WAY.
398
00:17:10,862 --> 00:17:12,028
JULES:
SAM, YOU'VE GOTTA
LET ME DO THIS!
399
00:17:12,029 --> 00:17:13,195
JULES, YOU'RE NOT
THINKING STRAIGHT!
400
00:17:13,196 --> 00:17:14,362
THERE ARE CHILDREN
IN THERE
401
00:17:14,367 --> 00:17:15,500
AND WE ARE RUNNING
OUT OF TIME!
402
00:17:15,502 --> 00:17:16,801
NOW, SAM, RIGHT NOW,
403
00:17:16,803 --> 00:17:19,804
ARE YOU MY TEAMMATE
OR MY HUSBAND?!
404
00:17:23,476 --> 00:17:25,476
(DETERMINED)
I CAN DO THIS.
405
00:17:25,478 --> 00:17:26,744
ED:
LET'S GO. LET'S GO.
406
00:17:26,746 --> 00:17:30,681
JULES:
(CALLING OUT)
HELLO! I'M COMING IN!
407
00:17:30,683 --> 00:17:32,550
(STRUGGLING GRUNTS)
408
00:17:42,695 --> 00:17:44,562
(CAR PUTTERS ALONG)
409
00:17:53,807 --> 00:17:55,106
(SHOCKED, FRANTIC CHATTER)
410
00:17:55,108 --> 00:17:58,109
WOMAN:
WHAT'S HAPPENING HERE?
411
00:17:58,845 --> 00:18:00,445
MIRA:
OH MY GOD...
412
00:18:03,316 --> 00:18:05,316
(LOUD BOOM NEARBY,
ANOTHER EXPLOSION)
413
00:18:05,318 --> 00:18:07,452
(PANICKED GASPS AND SHOUTS)
414
00:18:08,388 --> 00:18:09,720
TRISH:
OH MY GOD...
415
00:18:09,722 --> 00:18:11,522
ANOTHER BOMB'S GONE OFF!
416
00:18:12,459 --> 00:18:14,358
(FRANTIC CHATTER
THROUGHOUT CALL CENTRE)
417
00:18:14,360 --> 00:18:15,993
NINA:
SIR, COULD YOU REPEAT THAT,
PLEASE?
418
00:18:15,994 --> 00:18:17,627
TRISH:
I'M SORRY, MA'AM,
I'M HAVING TROUBLE HEARING YOU,
419
00:18:17,630 --> 00:18:19,530
DID YOU SAY CITY HALL?
420
00:18:19,532 --> 00:18:21,566
(PHONE BUZZES)
421
00:18:21,568 --> 00:18:23,568
NINA:
SERGEANT,
422
00:18:23,570 --> 00:18:25,169
WE HAVE A MAN
CLAIMING RESPONSIBILITY.
423
00:18:25,171 --> 00:18:27,605
HE WANTS TO TALK
TO THE "DECISIONMAKER."
424
00:18:27,607 --> 00:18:30,842
(PHONES RING,
RESPONDERS ANSWER CALLS)
425
00:18:31,778 --> 00:18:33,467
THIS IS SERGEANT GREG PARKER
426
00:18:33,468 --> 00:18:35,157
WITH THE POLICE STRATEGIC
RESPONSE UNIT.
427
00:18:35,158 --> 00:18:36,847
DIGITALLY ALTERED MALE VOICE:
YOUR RANK DOESN'T IMPRESS ME.
428
00:18:36,850 --> 00:18:38,483
ARE YOU THE ONE
RUNNING THE SHOW?
429
00:18:38,485 --> 00:18:40,785
SIR, VERY BUSY DOWN HERE.
I'M GONNA HAVE TO HANG UP
430
00:18:40,787 --> 00:18:43,354
IF I'M NOT CONVINCED YOU ARE
WHAT YOU SAY YOU ARE.
431
00:18:43,356 --> 00:18:45,456
I'M GONNA GIVE YOU TEN SECONDS.
NINE, EIGHT...
432
00:18:45,458 --> 00:18:47,325
MALE VOICE:
THE BUILDING YOU'RE IN
IS STILL STANDING.
433
00:18:47,327 --> 00:18:48,326
NICE WORK, PUPPET.
434
00:18:48,328 --> 00:18:49,327
I'M LISTENING.
435
00:18:49,329 --> 00:18:50,528
MALE VOICE:
THREE BOMBS...
436
00:18:50,530 --> 00:18:51,662
YOU THINK IT ENDS THERE,
BUT IT DOESN'T.
437
00:18:51,664 --> 00:18:53,042
PARKER:
WHOA...
438
00:18:53,043 --> 00:18:54,421
MALE VOICE:
THIS IS JUST THE BEGINNING.
439
00:18:54,422 --> 00:18:55,800
PARKER:
SIR, THERE ARE MORE BOMBS?
HOW MANY MORE?
440
00:18:55,802 --> 00:18:57,268
MALE VOICE:
LOTS MORE.
441
00:18:57,270 --> 00:18:58,503
SHOULDN'T BE LONG
'TIL THE NEXT ONE.
442
00:18:58,505 --> 00:18:59,637
HOW LONG, SIR?
443
00:18:59,639 --> 00:19:01,372
MALE VOICE:
ABOUT HALF AN HOUR,
444
00:19:01,374 --> 00:19:03,274
AND ONE AFTER THAT,
AND AFTER THAT...
445
00:19:03,276 --> 00:19:04,642
LOOK, WHO IS THIS?
446
00:19:06,679 --> 00:19:08,446
WHO IS THIS?!
447
00:19:08,448 --> 00:19:10,915
YOU'RE TALKING TO THE ONE
RUNNING THE SHOW.
448
00:19:10,917 --> 00:19:13,317
(LINE CLICKS
AS HE HANGS UP)
449
00:19:19,225 --> 00:19:22,793
(DISTANT EERIE HOWL
OF CAR ALARMS AND SIRENS)
450
00:19:22,795 --> 00:19:24,762
NEWS ANCHOR:
A SECOND DETONATION
IN THE DOWNTOWN CORE
451
00:19:24,764 --> 00:19:26,898
HAS GIVEN WEIGHT
TO THE SPECULATION
452
00:19:26,900 --> 00:19:29,767
THAT THESE INCIDENTS
ARE TERROR-RELATED.
453
00:19:29,769 --> 00:19:31,536
BUT WE REPEAT,
454
00:19:31,538 --> 00:19:34,639
THIS IS ONLY SPECULATION
AT THIS POINT.
455
00:19:34,641 --> 00:19:38,442
ALL NON-CRITICAL CASUALTIES
ARE BEING TRANSPORTED...
456
00:19:38,444 --> 00:19:41,579
NINA:
BUT WHAT'S AVAILABLE?
457
00:19:41,581 --> 00:19:44,215
EVERY TRUCK YOU CAN SPARE,
EVERY AMBULANCE, EVERY CREW,
458
00:19:44,217 --> 00:19:46,184
WE NEED THEM ON THE ROAD
TO TORONTO IMMEDIATELY.
459
00:19:46,186 --> 00:19:47,718
PARKER:
I UNDERSTAND.
(PHONE BEEPS OFF)
460
00:19:47,720 --> 00:19:49,220
ALL RIGHT, TEAM,
THEY'VE JUST UPGRADED THIS THING
461
00:19:49,222 --> 00:19:51,455
TO A CATEGORY ONE EMERGENCY.
462
00:19:51,457 --> 00:19:53,457
FIRE AND EMS FROM DURHAM
ARE ON THEIR WAY.
463
00:19:53,459 --> 00:19:55,293
WE'RE REACHING OUT TO HALTON,
PEEL AND YORK.
464
00:19:55,295 --> 00:19:56,727
IT'S ALL HANDS ON DECK.
465
00:19:56,729 --> 00:19:58,262
SAM:
HAVE YOU CONTACTED
THE MILITARY?
466
00:19:58,264 --> 00:20:00,364
(PARKER'S CELL BUZZES)
467
00:20:01,301 --> 00:20:02,900
PARKER:
YEAH, WE'VE GOT UNITS
FROM CFB BORDEN.
468
00:20:02,902 --> 00:20:04,902
THEY'RE GONNA CONTROL
THE STREETS
469
00:20:04,903 --> 00:20:06,903
AND SET UP A MASS CASUALTY
TRIAGE AT THE STADIUM,
470
00:20:06,906 --> 00:20:08,873
ALL THE HOSPITALS
ARE GONNA BE OVER CAPACITY.
471
00:20:08,875 --> 00:20:10,341
WINNIE:
ED, I'VE GOT YOUR WIFE
ON THE LINE.
472
00:20:10,342 --> 00:20:11,808
ED:
WINNIE, TELL HER I'LL CALL HER
AS SOON AS I CAN.
473
00:20:11,811 --> 00:20:13,211
TELL HER WHAT'S GOING ON HERE.
474
00:20:13,213 --> 00:20:14,946
PARKER:
SPIKE, WHAT'RE WE LOOKING AT?
475
00:20:14,948 --> 00:20:17,248
SPIKE:
I CAN'T TRACE IT.
IT'S A DISPOSABLE CELL.
476
00:20:17,250 --> 00:20:18,749
THE VOICE HAS BEEN
DIGITALLY ALTERED.
477
00:20:18,751 --> 00:20:19,917
I CAN'T UNSCRAMBLE IT
478
00:20:19,919 --> 00:20:21,252
BUT IT'S A FAIR GUESS
IT'S A "HE."
479
00:20:21,254 --> 00:20:22,253
THAT NARROWS IT DOWN.
480
00:20:22,255 --> 00:20:23,354
ANYTHING IN THE BACKGROUND?
481
00:20:23,355 --> 00:20:24,454
NO. I'VE FILTERED IT,
I'VE BOOSTED IT,
482
00:20:24,457 --> 00:20:25,923
BUT ALL I'M GETTING IS HIM.
483
00:20:25,925 --> 00:20:28,259
MALE VOICE:
YOUR RANK DOESN'T
IMPRESS ME.
484
00:20:28,261 --> 00:20:30,028
ARE YOU THE ONE
RUNNING THE SHOW?
485
00:20:30,029 --> 00:20:31,796
PARKER:
HE HATES AUTHORITY.
HE'S SETTING HIS OWN TERMS.
486
00:20:31,798 --> 00:20:33,297
MALE VOICE:
THE BUILDING YOU'RE IN
IS STILL STANDING.
487
00:20:33,299 --> 00:20:34,398
NICE WORK, PUPPET!
488
00:20:34,400 --> 00:20:35,399
"PUPPET."
489
00:20:35,401 --> 00:20:37,868
HE'S THE MASTER...
490
00:20:37,870 --> 00:20:39,637
AND HE'S PULLING ALL
THE STRINGS.
491
00:20:40,573 --> 00:20:43,341
(PHONES RING,
RESPONDERS ANSWER)
492
00:20:43,343 --> 00:20:45,309
(SOUND OF VOICES NEARBY)
493
00:20:45,311 --> 00:20:46,978
JULES:
(CALLS OUT) HELLO!
494
00:20:46,980 --> 00:20:49,313
(DEBRIS SCRAPES)
CAN YOU HEAR ME?!
495
00:20:49,315 --> 00:20:50,281
DAYCARE WORKER:
(SLIGHTLY MUFFLED)
HEY! HEY! OVER HERE!
496
00:20:50,283 --> 00:20:51,482
JULES:
WHAT'S YOUR NAME?!
497
00:20:51,484 --> 00:20:53,401
DELLA:
DELLA!
498
00:20:53,402 --> 00:20:55,319
JULES:
DELLA, MY NAME'S JULES.
MY TEAM'S HERE.
499
00:20:55,321 --> 00:20:56,787
WE'RE GONNA COME GET YOU,
OKAY?
500
00:20:56,789 --> 00:20:58,022
DELLA:
THERE'S A HURT LITTLE BOY
IN HERE!
501
00:20:58,024 --> 00:20:59,390
PLEASE HURRY!
502
00:20:59,392 --> 00:21:00,958
(WHISPERS)
CAREFUL, JULES.
503
00:21:04,831 --> 00:21:06,330
(JULES CRIES OUT IN PAIN)
504
00:21:06,332 --> 00:21:07,331
SAM:
JULES!
505
00:21:07,333 --> 00:21:09,333
ED:
JULES, WHAT'S GOING ON?!
506
00:21:09,335 --> 00:21:11,769
JULES:
(TAKING DEEP BREATHS)
507
00:21:11,771 --> 00:21:13,271
I'M OKAY.
508
00:21:13,273 --> 00:21:16,540
REBAR DUG INTO MY LEG.
I'M OKAY.
509
00:21:16,542 --> 00:21:19,677
(GRUNTS IN PAIN
AS SHE MOVES FORWARD)
510
00:21:22,715 --> 00:21:24,048
(PARKER'S CELL BUZZES)
511
00:21:24,984 --> 00:21:26,851
PARKER:
(PHONE BEEPS)
DEAN. SON.
512
00:21:26,853 --> 00:21:29,353
DEAN:
DAD. (SIGHS, RELIEVED)
513
00:21:29,355 --> 00:21:30,788
YOU DIDN'T ANSWER.
I JUST...
514
00:21:30,790 --> 00:21:31,789
WE DIDN'T KNOW.
515
00:21:31,791 --> 00:21:32,790
PARKER:
I'M FINE, I'M FINE.
516
00:21:32,792 --> 00:21:34,081
DEAN:
ED?
517
00:21:34,082 --> 00:21:35,371
PARKER:
ED'S FINE,
WE'RE ALL FINE.
518
00:21:35,372 --> 00:21:36,661
HOW ABOUT YOU?
YOU'RE STILL AT SCHOOL, RIGHT?
519
00:21:36,663 --> 00:21:37,995
DEAN:
IT'S STUDY DAY,
REMEMBER?
520
00:21:37,997 --> 00:21:40,698
I'M DOWNTOWN WITH MIRA,
WE'RE SHOPPING FOR PROM.
521
00:21:40,700 --> 00:21:41,699
(ALARMED)
WHERE ARE YOU?
522
00:21:41,701 --> 00:21:42,700
DEAN:
I'M ON GERRARD.
523
00:21:42,702 --> 00:21:44,035
PARKER:
IS CLARK WITH YOU?
524
00:21:44,037 --> 00:21:45,403
DEAN:
(WORRIED) HE WAS.
HE SPLIT OFF, DAD.
525
00:21:45,405 --> 00:21:46,404
HE WENT TO GET A PERMIT.
526
00:21:46,406 --> 00:21:47,705
PARKER:
A PERMIT FOR WHAT?
527
00:21:47,706 --> 00:21:49,005
DEAN:
FOR THE PROM -
THAT OUTDOOR PARTY.
528
00:21:49,008 --> 00:21:50,007
DO YOU KNOW WHERE?
529
00:21:50,009 --> 00:21:51,409
DEAN:
NO.
530
00:21:51,411 --> 00:21:52,843
PARKER:
DID YOU TRY HIS CELL?
531
00:21:52,845 --> 00:21:54,845
YEAH, NO ANSWER.
DAD, WHAT'S GOING ON?
532
00:21:54,847 --> 00:21:56,647
EVERYBODY'S FREAKING OUT,
THEY'RE SAYING IT'S TERRORISM.
533
00:21:56,649 --> 00:21:58,349
PARKER:
DEAN, WE'RE FIGURING IT OUT,
BUDDY, ALL RIGHT?
534
00:21:58,351 --> 00:21:59,617
I WANT YOU AND MIRA
TO GO TO THE STATION.
535
00:21:59,619 --> 00:22:00,618
WAIT FOR ME THERE.
536
00:22:00,620 --> 00:22:01,986
DEAN:
OKAY.
537
00:22:01,987 --> 00:22:03,353
PARKER:
DON'T GO INTO THE SUBWAYS
AND AVOID PUBLIC BUILDINGS,
538
00:22:03,356 --> 00:22:04,355
YOU HEAR ME?
539
00:22:04,357 --> 00:22:05,756
AVOID PUBLIC BUILDINGS.
540
00:22:05,758 --> 00:22:08,059
JUST KEEP YOUR EYES OPEN,
ALL RIGHT?
541
00:22:08,061 --> 00:22:09,093
DEAN?
542
00:22:09,095 --> 00:22:10,661
(LINE GOES DEAD)
543
00:22:10,663 --> 00:22:12,330
PARKER:
DEAN. DEANO!
544
00:22:13,066 --> 00:22:14,716
(COMPUTER BEEPS)
545
00:22:14,717 --> 00:22:16,367
NINA:
HEY, WE JUST LOST A WHOLE
CELL PHONE ZONE DOWNTOWN.
546
00:22:16,369 --> 00:22:17,424
LINES ARE OVERLOADED.
547
00:22:17,425 --> 00:22:18,480
PARKER:
THAT'S JUST GONNA ACCELERATE
EVERYBODY.
548
00:22:18,481 --> 00:22:19,536
SPIKE:
THAT'S JUST WHAT
OUR GUY WANTS -
549
00:22:19,539 --> 00:22:20,939
FEAR FOR FEAR'S SAKE.
550
00:22:20,940 --> 00:22:22,340
PARKER:
WHAT IF WE MAKE
A PUBLIC ANNOUNCEMENT ON TV,
551
00:22:22,342 --> 00:22:23,564
ACKNOWLEDGE
WHAT'S HAPPENING HERE.
552
00:22:23,565 --> 00:22:24,787
SPIKE:
IT'LL MAKE OUR GUY
EVEN HAPPIER.
553
00:22:24,788 --> 00:22:26,010
MORE ATTENTION,
MORE VALIDATION,
554
00:22:26,012 --> 00:22:27,261
MORE MASS PANIC.
555
00:22:27,262 --> 00:22:28,511
PARKER:
BUT IF WE DON'T WARN PEOPLE
TO BE VIGILANT,
556
00:22:28,514 --> 00:22:29,613
WE COULD BE PUTTING THEM
AT RISK.
557
00:22:29,615 --> 00:22:31,816
FEAR'S ABOUT
NOT HAVING ANSWERS.
558
00:22:31,818 --> 00:22:33,484
WINNIE,
GET ME THE MAYOR'S OFFICE.
559
00:22:33,486 --> 00:22:34,819
WE NEED TO GO PUBLIC, NOW.
560
00:22:34,821 --> 00:22:36,354
SOMEONE NEEDS TO TALK
TO THE CITY.
561
00:22:36,356 --> 00:22:37,889
WINNIE:
COPY.
562
00:22:37,890 --> 00:22:39,423
(DELLA'S MUFFLED VOICE CARRIES
AS SHE REASSURES KIDS)
563
00:22:39,425 --> 00:22:41,926
JULES:
I SEE IT!
THE DAYCARE'S UP AHEAD.
564
00:22:41,928 --> 00:22:43,861
(RUBBLE SCRAPES
AS JULES CLEARS PATH)
565
00:22:43,863 --> 00:22:45,379
DELLA:
WE'RE GONNA BE OKAY.
566
00:22:45,380 --> 00:22:46,896
WE'RE GONNA GET OUTTA HERE
AND WE'RE GONNA BE OKAY.
567
00:22:46,899 --> 00:22:48,366
(JULES GRUNTS,
VENT CRASHES)
568
00:22:48,368 --> 00:22:49,967
BOY:
THERE'S SOMEONE HERE!
569
00:22:49,969 --> 00:22:51,135
DELLA:
(GASPS) OH, THANK GOD!
570
00:22:51,137 --> 00:22:53,137
OH MY GOD!
YOU HAVE TO HELP HIM!
571
00:22:53,139 --> 00:22:56,040
PLEASE! PLEASE!
YOU HAVE TO HELP HIM!
572
00:22:56,042 --> 00:22:57,475
(PANICKED)
HE'S STUCK THERE!
PLEASE!
573
00:22:57,477 --> 00:22:58,943
DELLA. DELLA!
574
00:22:58,945 --> 00:23:00,611
DELLA, STOP IT!
LOOK AT ME.
575
00:23:00,613 --> 00:23:01,612
YOU'VE HELD IT TOGETHER
FOR THESE KIDS
576
00:23:01,614 --> 00:23:03,381
THIS LONG, OKAY?
577
00:23:03,383 --> 00:23:04,482
YOU JUST NEED TO KEEP ON
DOING THAT.
578
00:23:04,484 --> 00:23:06,450
JUST KEEP BREATHING.
579
00:23:06,452 --> 00:23:07,418
(CALMS A BIT)
580
00:23:07,420 --> 00:23:08,519
LET'S GO.
OKAY...
581
00:23:08,521 --> 00:23:10,521
COME ON,
COME ON.
582
00:23:14,994 --> 00:23:17,561
HI, HONEY.
CAN YOU TALK TO ME?
583
00:23:19,465 --> 00:23:21,565
BUDDY?
584
00:23:21,567 --> 00:23:23,434
BUDDY!
(HOWIE STIRS, MOANS)
585
00:23:23,436 --> 00:23:26,570
HI! HI. ARE YOU OKAY?
586
00:23:26,572 --> 00:23:27,905
I'M GONNA GET YOU
OUTTA HERE.
587
00:23:30,643 --> 00:23:33,043
ALL RIGHT, DELLA,
I WANT YOU TO GATHER THE KIDS,
588
00:23:33,045 --> 00:23:35,579
GET THEM READY.
589
00:23:35,580 --> 00:23:38,114
WHEN I GET OUR FRIEND OUT,
WE'RE GONNA GO.
590
00:23:38,117 --> 00:23:39,984
WANNA SEE HOW STRONG I AM?
591
00:23:39,986 --> 00:23:41,419
YEAH?
592
00:23:41,421 --> 00:23:42,820
DELLA:
IT'S GONNA BE OKAY,
ALL RIGHT?
593
00:23:42,822 --> 00:23:44,121
WE'RE GONNA GO HOME SOON.
594
00:23:44,123 --> 00:23:45,523
CHILD:
I'M SCARED.
595
00:23:46,759 --> 00:23:48,959
(JULES GRUNTS IN PAIN)
596
00:23:48,961 --> 00:23:50,761
UNGH!
THAT'S MY JACK!
597
00:23:50,763 --> 00:23:52,930
LET'S SEE HOW STRONG
I AM.
598
00:23:53,866 --> 00:23:56,534
(PUMPS JACK,
DEBRIS CRUMBLES)
599
00:23:58,638 --> 00:24:00,471
JULES: DO YOU FEEL THAT?
HOWIE: MM-HMM.
600
00:24:00,473 --> 00:24:01,706
JULES:
GOOD. CAN YOU MOVE YOUR LEGS?
601
00:24:01,707 --> 00:24:02,940
HOWIE: (MOANS) YEAH...
JULES: YEAH?
602
00:24:02,942 --> 00:24:04,508
DELLA:
(SIGHS WITH RELIEF)
603
00:24:04,510 --> 00:24:06,544
(JULES AND HOWIE GRUNT
AS SHE PULLS HIM FREE)
604
00:24:06,546 --> 00:24:09,146
JULES:
LET'S GET YOU TO YOUR MOM.
HOW 'BOUT THAT?
605
00:24:09,148 --> 00:24:11,015
HE'S OKAY.
LET'S GO.
606
00:24:11,017 --> 00:24:13,301
CHILD:
I MISS MY MOM.
607
00:24:13,302 --> 00:24:15,586
JULES:
LET'S GO! WE'RE GONNA
GET YOU OUTTA HERE, OKAY?
608
00:24:15,588 --> 00:24:19,190
YES, SIR, I UNDERSTAND.
I WILL DO MY BEST.
609
00:24:19,192 --> 00:24:20,958
THE MAYOR GOT CAUGHT
IN THE BLAST AT CITY HALL.
610
00:24:20,960 --> 00:24:22,493
HE'S BEING TREATED.
(SIGHS HEAVILY)
611
00:24:22,495 --> 00:24:23,661
THE DEPUTY MAYOR
WANTS A UNIFORM
612
00:24:23,663 --> 00:24:24,862
TO TALK TO THE CITY.
613
00:24:24,864 --> 00:24:26,730
BOSS,
NO ONE BETTER.
614
00:24:27,667 --> 00:24:30,000
LET'S GET YOU SET UP.
615
00:24:33,773 --> 00:24:37,241
JULES, DELLA AND KIDS:
(GRUNTING AND COUGHING)
616
00:24:38,177 --> 00:24:39,743
(GRUNTS OF EFFORT)
617
00:24:42,181 --> 00:24:49,186
¶¶¶
618
00:24:50,122 --> 00:24:53,257
(GRUNTS OF EFFORT)
619
00:24:56,229 --> 00:25:11,141
¶¶¶
620
00:25:11,143 --> 00:25:25,723
¶¶¶
621
00:25:26,659 --> 00:25:29,593
NEWS ANCHOR:
WE GO NOW TO THIS CRITICAL
INCIDENT'S OFFICER IN CHARGE,
622
00:25:29,595 --> 00:25:31,028
SERGEANT GREGORY PARKER
623
00:25:31,030 --> 00:25:34,298
FROM THE POLICE SERVICE'S
STRATEGIC RESPONSE UNIT.
624
00:25:34,300 --> 00:25:35,733
SERGEANT?
625
00:25:35,735 --> 00:25:37,835
YOU'RE PROBABLY AWARE
626
00:25:37,836 --> 00:25:39,936
THAT THE CITY'S FACING
AN EMERGENCY SITUATION;
627
00:25:39,939 --> 00:25:42,273
TWO EXPLOSIONS
RIGHT IN THE HEART OF OUR CITY.
628
00:25:42,275 --> 00:25:43,791
I WANT YOU TO KNOW
629
00:25:43,792 --> 00:25:45,308
THAT WE'VE GOT A LOT
OF GOOD FOLKS ON THE CASE,
630
00:25:45,311 --> 00:25:48,078
RESPONDERS FROM THE CITY
AND FROM SURROUNDING REGIONS
631
00:25:48,080 --> 00:25:50,281
ARE ALL WORKING TOGETHER
TO KEEP YOU SAFE,
632
00:25:50,283 --> 00:25:52,983
AND TO KEEP EVERYTHING
UNDER CONTROL.
633
00:25:52,985 --> 00:25:54,585
NOW, YOU'RE GONNA HEAR
A LOT OF SPECULATION
634
00:25:54,587 --> 00:25:56,871
AND MAYBE SOME RUMOURS,
635
00:25:56,872 --> 00:25:59,156
'CAUSE THAT'S JUST WHAT HAPPENS
IN A SITUATION LIKE THIS,
636
00:25:59,158 --> 00:26:01,258
AND SOME OF IT MAY BE ALARMING.
637
00:26:01,260 --> 00:26:04,295
BUT I WANNA TELL YOU
THAT THE BEST WAY TO STAY SAFE
638
00:26:04,297 --> 00:26:07,298
IS TO STAY CALM AND TO LOOK OUT
AFTER EACH OTHER.
639
00:26:07,300 --> 00:26:09,767
HIGHWAYS, ROADS, CELL PHONES,
911 -
640
00:26:09,769 --> 00:26:12,069
PLEASE USE THESE AS SPARINGLY
AS YOU CAN
641
00:26:12,071 --> 00:26:14,572
BECAUSE IF THESE SYSTEMS
ARE OVERLOADED
642
00:26:14,574 --> 00:26:16,307
THEY WILL SHUT DOWN.
643
00:26:17,710 --> 00:26:19,010
TODAY IS THE KIND OF DAY
644
00:26:19,011 --> 00:26:20,311
THAT WE'LL ALL LOOK BACK AT,
YEARS FROM NOW,
645
00:26:20,313 --> 00:26:22,146
AND REMEMBER EXACTLY
WHERE WE WERE
646
00:26:22,148 --> 00:26:24,348
AND WHAT WE DID.
647
00:26:24,350 --> 00:26:25,849
WE HAVE A CHANCE
TO MAKE CHOICES HERE
648
00:26:25,851 --> 00:26:28,085
THAT WE WILL BE PROUD OF.
649
00:26:28,087 --> 00:26:31,121
TODAY'S THE DAY THAT WE DID
NOT LET FEAR BREAK US DOWN,
650
00:26:31,123 --> 00:26:33,324
AND TURN US AGAINST
EACH OTHER.
651
00:26:33,326 --> 00:26:36,860
THIS WAS THE DAY
THAT WE TOOK CARE OF EACH OTHER.
652
00:26:37,897 --> 00:26:41,165
THE DAY THAT WE SAID NO
TO TERROR,
653
00:26:41,167 --> 00:26:42,700
TOGETHER.
654
00:26:45,304 --> 00:26:47,104
I WANT US ALL TO THINK ABOUT
655
00:26:47,106 --> 00:26:48,973
HOW WE WANT TO REMEMBER
THIS DAY.
656
00:26:50,376 --> 00:26:52,009
IT'S UP TO US.
657
00:26:53,946 --> 00:26:56,380
I WANT TO THANK YOU
FOR YOUR ATTENTION,
658
00:26:56,382 --> 00:26:59,116
AND FOR YOUR COURAGE.
659
00:26:59,118 --> 00:27:01,919
NEWS ANCHOR:
THANK YOU, SERGEANT PARKER.
WE RETURN NOW TO OUR LIVE...
660
00:27:01,921 --> 00:27:04,188
WHAT'D YOU THINK, SPIKE?
CHEESY?
661
00:27:04,190 --> 00:27:05,656
NOT CHEESY, BOSS.
662
00:27:08,928 --> 00:27:09,994
(SIGHS)
663
00:27:14,400 --> 00:27:16,333
PARAMEDIC:
YOU GOTTA STAY OFF THIS LEG.
664
00:27:16,335 --> 00:27:17,701
HOW'S THE PAIN?
665
00:27:17,703 --> 00:27:19,269
(IGNORING IT)
PAIN'S PAIN.
666
00:27:20,873 --> 00:27:22,673
ED:
WELL, WHAT DO MEAN
THE BOYS ARE DOWNTOWN?
667
00:27:22,675 --> 00:27:24,341
PARKER
THEY WENT SHOPPING TOGETHER,
THEN CLARK SPLIT OFF.
668
00:27:24,343 --> 00:27:25,809
THAT'S ALL I KNOW.
669
00:27:25,811 --> 00:27:27,011
ED:
WELL, DID HE SAY WHERE
HE WAS GOING?
670
00:27:27,013 --> 00:27:28,345
PARKER:
TO GET A PERMIT FOR A PARTY.
671
00:27:28,347 --> 00:27:30,347
ED:
GREG, THAT'S AT
A MUNICIPAL BUILDING.
672
00:27:30,348 --> 00:27:32,348
I, I... I HAVEN'T BEEN ABLE
TO GET A HOLD OF HIM.
673
00:27:32,351 --> 00:27:35,019
PARKER:
EDDIE, I'M SURE HE'S FINE.
IT'S PROBABLY CELL TOWERS.
674
00:27:35,021 --> 00:27:36,353
ED:
(PANICKED) WELL...
WELL, WHAT AM I GONNA DO?
675
00:27:36,355 --> 00:27:37,855
WHAT DO I...
WHAT AM I GONNA SAY TO SOPHIE?
676
00:27:37,857 --> 00:27:39,056
PARKER:
LOOK, ED,
677
00:27:39,058 --> 00:27:40,357
JUST WAIT TILL WE HAVE
MORE INFORMATION,
678
00:27:40,359 --> 00:27:41,992
BEFORE SHE GETS WORRIED
FOR NOTHING.
679
00:27:41,994 --> 00:27:43,360
ED!
OKAY,
I'LL FIGURE IT OUT.
680
00:27:43,362 --> 00:27:44,361
I GOTTA GO.
YEAH?
681
00:27:44,362 --> 00:27:45,361
LEAH:
I GOT A CASUALTY REPORT.
682
00:27:45,364 --> 00:27:46,363
WHAT DO WE GOT?
683
00:27:46,365 --> 00:27:48,265
FORTY-ONE GREEN,
ELEVEN YELLOW,
684
00:27:48,267 --> 00:27:50,801
SEVENTEEN RED,
AND TOO MANY DEAD.
685
00:27:50,803 --> 00:27:52,336
WHOEVER DID THIS...
686
00:27:52,337 --> 00:27:53,870
IS GONNA GET HIS ASS
NAILED TO THE WALL.
687
00:27:53,873 --> 00:27:55,706
OKAY. THANKS, LEAH.
688
00:27:55,708 --> 00:27:56,757
DONNA:
HEY. WE'RE DONE TAGGING.
689
00:27:56,758 --> 00:27:57,807
THEY WANT US OVER
AT THE NEXT BOMB SITE,
690
00:27:57,810 --> 00:27:59,943
PRIORITY ONE.
OKAY.
691
00:27:59,945 --> 00:28:01,045
WHAT?
692
00:28:01,046 --> 00:28:02,146
IT'S CLARK.
HE'S AT A MUNICIPAL BUILDING
693
00:28:02,148 --> 00:28:03,714
AND I HAVEN'T HEARD
FROM HIM.
694
00:28:03,716 --> 00:28:04,748
CITY HALL?
DONNA,
I DON'T KNOW.
695
00:28:04,750 --> 00:28:06,100
ED, I'M HEADED THERE.
696
00:28:06,101 --> 00:28:07,451
I'LL CALL YOU AS SOON
AS I CAN, OKAY?
697
00:28:07,453 --> 00:28:09,753
COME ON,
WHAT'RE THE ODDS, RIGHT?
698
00:28:09,755 --> 00:28:10,754
OKAY.
699
00:28:10,755 --> 00:28:11,754
I'LL CALL YOU
WHEN I GET THERE.
700
00:28:11,757 --> 00:28:13,323
NK YOU.
.
ALL RIGHT?
701
00:28:21,100 --> 00:28:23,133
SAM:
HOW'S THE LEG, JULES?
702
00:28:23,135 --> 00:28:24,134
DID YOU TALK
TO YOUR FOLKS?
703
00:28:24,136 --> 00:28:25,369
I CAN'T GET A HOLD
OF 'EM.
704
00:28:25,371 --> 00:28:26,403
I'M SURE THEY'RE FINE,
THOUGH.
705
00:28:26,405 --> 00:28:28,338
YEAH.
HOW ARE YOU?
706
00:28:29,408 --> 00:28:30,874
WE'RE GOOD.
707
00:28:34,747 --> 00:28:36,213
SO YOU STILL HAVEN'T HEARD
FROM HIM AT ALL?
708
00:28:36,215 --> 00:28:37,537
SOPHIE:
I HAVEN'T.
709
00:28:37,538 --> 00:28:38,860
IT'S NOT LIKE HIM,
NOT THIS LONG.
710
00:28:38,861 --> 00:28:40,183
ED:
WELL, YOU KNOW, SOPH,
LIKE I SAID, HE'S PROBABLY...
711
00:28:40,186 --> 00:28:42,019
PROBABLY JUST GOT
HIS HEADPHONES ON, SO...
712
00:28:42,020 --> 00:28:43,853
SOPHIE:
ED, I'M WORRIED.
WHY HASN'T HE CALLED?
713
00:28:43,856 --> 00:28:45,189
I MEAN,
WHAT IF SOMETHING HAPPENED?
714
00:28:45,191 --> 00:28:46,924
SOPH, WE'RE GONNA
GET HIM HOME OKAY.
715
00:28:46,926 --> 00:28:48,209
HE'S GONNA BE FINE.
716
00:28:48,210 --> 00:28:49,493
SPIKE:
GUYS, CHECK YOUR INBOXES.
717
00:28:49,495 --> 00:28:51,495
ED:
SOPH, I GOTTA GO.
I LOVE YOU.
718
00:28:51,497 --> 00:28:53,064
OKAY.
(PHONE BEEPS)
719
00:28:53,065 --> 00:28:54,632
SPIKE:
52 DIVISION JUST FORWARDED
AN EMAIL
720
00:28:54,633 --> 00:28:56,200
FROM THE GUY CLAIMING
TO BE THE BOMBER.
721
00:28:56,202 --> 00:28:57,434
IT COMES WITH A TUBE LINK.
722
00:28:57,436 --> 00:28:59,369
CLAIMS TO BE HIS MANIFESTO.
723
00:28:59,371 --> 00:29:00,804
HE SENT A TUBE LINK
TO THE POLICE?
724
00:29:00,805 --> 00:29:02,238
SPIKE:
NO, TO THE MEDIA OUTLETS,
AND THEY SENT IT TO US.
725
00:29:02,241 --> 00:29:04,141
(CLICKS ON THE LINK)
726
00:29:04,142 --> 00:29:06,042
BOMBER:
I LIKE TO THINK OF MYSELF
AS A THOUGHT-PROVOKER,
727
00:29:06,045 --> 00:29:07,811
A PROVOCATEUR.
728
00:29:07,813 --> 00:29:09,563
BUT TO PROVOKE THOUGHT,
729
00:29:09,564 --> 00:29:11,314
FIRST I NEED TO GET
YOUR FULL ATTENTION.
730
00:29:11,317 --> 00:29:14,351
WE LIVE IN MEDIA-SATURATED,
TECHNOLOGY-FRACTURED,
731
00:29:14,353 --> 00:29:16,453
SHORT-ATTENTION-SPAN TIMES;
732
00:29:16,455 --> 00:29:18,789
IT'S NOT EASY TO SECURE
AN AUDIENCE.
733
00:29:18,791 --> 00:29:20,758
I HOPE
WHAT I SET IN MOTION TODAY
734
00:29:20,760 --> 00:29:22,226
HAS SUCCEEDED ON THAT FRONT.
735
00:29:22,228 --> 00:29:24,495
SPIKE:
THIS THING GOES ON
FOR 47 MINUTES.
736
00:29:24,497 --> 00:29:26,414
(SIREN WAILS NEARBY)
737
00:29:26,415 --> 00:29:28,332
JULES:
CAN YOU TRACK THE COMPUTER
HE POSTED THAT FROM?
738
00:29:28,334 --> 00:29:29,750
SPIKE:
NO; HE'S TRANSCODED THE VIDEO -
739
00:29:29,751 --> 00:29:31,167
I CAN'T GET
TO THE ORIGINAL FILE,
740
00:29:31,170 --> 00:29:33,137
AND IT LOOKS LIKE HE PUT IT UP
USING A DUMMY ACCOUNT.
741
00:29:33,139 --> 00:29:34,304
IT'S TOTALLY ANONYMOUS.
742
00:29:34,306 --> 00:29:35,923
HOW DO YOU KNOW
IT WAS A DUMMY ACCOUNT?
743
00:29:35,924 --> 00:29:37,541
BECAUSE HE CALLED IT
DUMMY, UNDERSCORE, ACCOUNT.
744
00:29:37,543 --> 00:29:40,043
SAM:
DID THE EMAIL ITSELF
COME FROM THE SAME COMPUTER?
745
00:29:40,045 --> 00:29:41,478
SPIKE:
WELL, HE'S BEEN SO CAREFUL
TO COVER HIS TRACKS,
746
00:29:41,480 --> 00:29:42,780
I CAN'T SEE-
(COMPUTER BEEPS)
747
00:29:42,782 --> 00:29:44,381
HOLD ON A SECOND.
748
00:29:44,383 --> 00:29:46,133
I THINK HE SLIPPED UP.
749
00:29:46,134 --> 00:29:47,884
THIS PUBLICITY THING,
HE SENT IT FROM A SMART PHONE.
750
00:29:47,887 --> 00:29:49,286
I CAN BACK-TRACK THAT.
751
00:29:49,288 --> 00:29:50,854
I CAN GET YOU A NUMBER.
752
00:29:50,856 --> 00:29:53,357
PHONE NUMBER IS 555-0193.
753
00:29:54,293 --> 00:29:56,393
I MIGHT BE ABLE
TO GET A LOCATION TOO.
754
00:29:56,394 --> 00:29:58,494
(COMPUTER BEEPS)
NO. HE'S TURNED OFF THE GPS,
BUT WE CAN STILL GET A NAME.
755
00:29:58,497 --> 00:30:00,164
WINNIE?
756
00:30:00,165 --> 00:30:01,832
THE SMART PHONE IS REGISTERED
TO AN ANSON P. HOLT.
757
00:30:01,834 --> 00:30:03,500
I'M SENDING HIS ADDRESS
TO YOU NOW.
758
00:30:03,502 --> 00:30:04,501
ED! LET'S MOVE,
LET'S GO!
759
00:30:04,503 --> 00:30:05,792
JULES:
BOSS?
760
00:30:05,793 --> 00:30:07,082
PARKER:
YEAH, JULES,
YOU STAY OFF THAT LEG.
761
00:30:07,083 --> 00:30:08,372
I NEED YOUR HELP PROFILING.
762
00:30:08,374 --> 00:30:09,840
LET'S FIGURE OUT
WHO OUR "THOUGHT PROVOKER" IS,
763
00:30:09,842 --> 00:30:11,542
MAYBE WE CAN FIGURE OUT
WHERE HIS BOMBS ARE.
764
00:30:11,544 --> 00:30:12,943
COPY.
765
00:30:12,945 --> 00:30:14,845
SPIKE:
ED, I'M ON MY WAY!
766
00:30:14,847 --> 00:30:16,547
BOSS, THESE BOMBS ARE
A HALF HOUR APART.
767
00:30:16,549 --> 00:30:17,881
IF HE'S STICKS
TO HIS PROMISE...
768
00:30:17,883 --> 00:30:19,583
PARKER:
I KNOW;
769
00:30:19,585 --> 00:30:21,385
ELEVEN MINUTES
TILL THE NEXT ONE BLOWS.
770
00:30:31,030 --> 00:30:33,163
(DOOR CRASHES OPEN)
771
00:30:39,038 --> 00:30:40,337
SPIKE: CLEAR!
ED: CLEAR!
772
00:30:40,339 --> 00:30:42,072
SAM: CLEAR!
LEAH: CLEAR!
773
00:30:42,074 --> 00:30:43,974
ED:
GREG, HE'S NOT HERE.
774
00:30:43,975 --> 00:30:45,875
JULES:
BOSS, I THINK HE SEES THIS
AS TAKING A STAND
775
00:30:45,878 --> 00:30:47,528
FOR PERSONAL FREEDOM;
776
00:30:47,529 --> 00:30:49,179
THE LIBERTY OF THE INDIVIDUAL
AGAINST CONTROL -
777
00:30:49,181 --> 00:30:50,581
ANY KIND OF CONTROL.
778
00:30:50,583 --> 00:30:52,115
HE WANTS TO SHOW WE CAN
ALL FIGHT BACK
779
00:30:52,117 --> 00:30:53,917
BY CLAIMING OUR OWN
PERSONAL AUTONOMY.
780
00:30:53,919 --> 00:30:55,619
PARKER:
CUT THE PUPPET STRINGS.
I GET IT, JULES,
781
00:30:55,621 --> 00:30:58,088
BUT IT'S JUST GENERAL
THEORETICAL JUSTIFICATION.
782
00:30:58,090 --> 00:30:59,723
JULES:
YEAH, BUT LOOK,
783
00:30:59,724 --> 00:31:01,357
HE ACTUALLY LISTS THE FORCES
HE'S FIGHTING AGAINST.
784
00:31:01,360 --> 00:31:03,393
EACH ONE GETS A GRAPHIC.
785
00:31:03,395 --> 00:31:06,597
WHAT IF EACH ONE IS A TARGET
HE'S PLANNING ON HITTING?
786
00:31:06,599 --> 00:31:09,199
THE GOVERNMENT
FEDERAL BUILDING.
787
00:31:09,201 --> 00:31:12,369
BOMBER:
JUST LIKE A SECURITY BLANKET,
THE SAFETY IS ALL AN ILLUSION,
788
00:31:12,371 --> 00:31:14,071
AND THE CHILD
THAT DEPENDS ON IT
789
00:31:14,073 --> 00:31:16,106
WILL SOON BE FORCED
TO GROW UP.
790
00:31:16,108 --> 00:31:17,591
"COMMUNICATIONS" -
791
00:31:17,592 --> 00:31:19,075
THAT'S WHAT HE CALLS THE CITY'S
"SECURITY BLANKET."
792
00:31:19,078 --> 00:31:21,278
WELL, THAT'S 911 -
THE PEOPLE WHO KEEP US SAFE.
793
00:31:21,280 --> 00:31:23,013
JULES:
PETTY POLITICS?
794
00:31:23,015 --> 00:31:24,147
SPIKE:
CITY HALL.
795
00:31:24,149 --> 00:31:25,666
IT'S ALL LINING UP.
796
00:31:25,667 --> 00:31:27,184
SPIKE:
HOW MANY FORCES IS THIS GUY
FIGHTING AGAINST?
797
00:31:28,354 --> 00:31:31,021
JULES:
SEVEN, EIGHT, NINE...
798
00:31:31,023 --> 00:31:32,956
WE GOT TEN TARGETS.
799
00:31:32,958 --> 00:31:35,292
OKAY, WE'RE ONTO THIS BASTARD.
GOOD WORK, JULES.
800
00:31:35,294 --> 00:31:37,027
PARKER:
BUT THAT DOESN'T TELL US
WHERE THE BOMBS ARE.
801
00:31:37,029 --> 00:31:38,395
"JUSTICE" CAN MEAN
ANY COURTHOUSE.
802
00:31:38,397 --> 00:31:41,265
"MEDIA" COULD MEAN
ANY TELEVISION STATION.
803
00:31:41,267 --> 00:31:43,333
ANSON HOLT
IS A PSYCHOLOGIST.
804
00:31:43,335 --> 00:31:44,980
GO HEAD, WINNIE.
805
00:31:44,981 --> 00:31:46,626
WINNIE:
HE'S A PROFESSOR
AT BROOKFIELD UNIVERSITY.
806
00:31:46,627 --> 00:31:48,272
LOTS OF PUBLICATIONS,
MAJOR RESEARCH GRANTS,
807
00:31:48,274 --> 00:31:49,757
LECTURE TOURS...
808
00:31:49,758 --> 00:31:51,241
AND ONE OF THE HIGHEST
STUDENT RATINGS OF THE FACULTY.
809
00:31:51,243 --> 00:31:52,643
(COMPUTER BEEPS)
OH! CORRECTION.
810
00:31:52,645 --> 00:31:54,278
HE WAS "LET GO"
FROM THE UNIVERSITY
811
00:31:54,280 --> 00:31:55,279
FIVE YEARS AGO.
812
00:31:55,281 --> 00:31:56,692
WHY?
813
00:31:56,693 --> 00:31:58,104
WINNIE:
NO REASON ANYONE WAS WILLING
TO PUT ON THE RECORD.
814
00:31:58,105 --> 00:31:59,516
ALL RIGHT, GET ME THE HEAD
OF THE PSYCHOLOGY DEPARTMENT,
815
00:31:59,518 --> 00:32:00,951
AND I'LL GET IT
OUT OF THEM.
816
00:32:00,952 --> 00:32:02,385
WINNIE:
DAY LIKE TODAY, BOSS,
I'M GONNA DO MY BEST, BUT-
817
00:32:02,388 --> 00:32:04,521
(SNAPS)
WINNIE, JUST FIND THEM.
818
00:32:04,523 --> 00:32:06,223
SORRY, BOSS,
WILL DO.
819
00:32:07,159 --> 00:32:08,926
(ED'S PHONE RINGS)
820
00:32:13,098 --> 00:32:15,165
WHERE THE HELL ARE YOU?
821
00:32:15,167 --> 00:32:16,566
CLARK:
(GASPS) DAD...
822
00:32:16,568 --> 00:32:18,669
CLARK, WHAT'S GOING ON?
TALK TO ME!
823
00:32:18,671 --> 00:32:20,638
TALK TO ME.
824
00:32:20,639 --> 00:32:22,606
CLARK:
(GASPS IN PAIN)
CAN'T MOVE.
825
00:32:22,608 --> 00:32:23,674
CLARK?
826
00:32:25,678 --> 00:32:28,278
CLARK,
YOU'RE AT CITY HALL?
827
00:32:28,280 --> 00:32:29,646
(CLARK GROANS)
828
00:32:29,648 --> 00:32:32,215
(VOICE HITCHES)
ARE YOU IN CITY HALL?
829
00:32:32,217 --> 00:32:34,051
CLARK:
(GROANS) YES...
830
00:32:34,053 --> 00:32:35,252
RUSH!
831
00:32:35,254 --> 00:32:36,586
OKAY, OKAY,
STAY WITH ME.
832
00:32:36,588 --> 00:32:38,221
CLARK:
CAN'T... (GRUNTS)
833
00:32:38,223 --> 00:32:40,324
ED:
IT'S OKAY,
JUST STAY WITH ME.
834
00:32:40,326 --> 00:32:41,992
CLARK:
(GROANING) I'M HERE.
835
00:32:41,993 --> 00:32:43,659
ED:
CALL DONNA,
TELL HER CLARK'S AT CITY HALL.
836
00:32:43,662 --> 00:32:45,128
TRACK HIS PHONE.
837
00:32:46,065 --> 00:32:47,698
I'M COMING TO GET YOU,
STAY WITH ME.
838
00:32:47,700 --> 00:32:49,700
SPIKE:
BOSS, YOU COPY THAT?
839
00:32:49,702 --> 00:32:51,301
YEAH, I DID, SPIKE.
840
00:32:54,373 --> 00:32:56,707
BOSS, THERE WAS A FALSE BACK
ON HIS OFFICE BOOKSHELF.
841
00:32:56,709 --> 00:32:58,175
WHAT WAS HE HIDING?
842
00:32:58,177 --> 00:32:59,727
SAM:
SOME PRETTY DISTURBING BOOKS.
843
00:32:59,728 --> 00:33:01,278
"EMBRACING SADISM."
"THE COURAGE TO DOMINATE."
844
00:33:01,280 --> 00:33:02,679
HE'S GOT A PRIVATE
DVD COLLECTION,
845
00:33:02,681 --> 00:33:04,147
PLAIN COVERS.
846
00:33:04,148 --> 00:33:05,614
JULES:
HEY, GUYS, I THINK I FOUND
ANOTHER TARGET.
847
00:33:05,617 --> 00:33:07,317
HE'S HIT COMMUNICATIONS,
BIG GOVERNMENT,
848
00:33:07,319 --> 00:33:08,618
PETTY POLITICS.
849
00:33:08,620 --> 00:33:10,554
BUT HIS BIGGEST GRUDGE TO DATE
IS EDUCATION.
850
00:33:10,556 --> 00:33:12,422
LISTEN TO THIS.
851
00:33:12,424 --> 00:33:15,392
BOMBER:
SUBSTITUTE "INSTITUTION
OF HIGHER LEARNING"
852
00:33:15,394 --> 00:33:17,694
FOR "INSTITUTION OF CONFORMING
AND CRUSHING."
853
00:33:17,696 --> 00:33:19,596
I WILL CRUSH YOU BACK.
854
00:33:19,598 --> 00:33:22,733
CRUSH YOU WHERE IT BEGAN
IN THAT LAB.
855
00:33:22,735 --> 00:33:24,735
I WILL BE WATCHING YOU.
856
00:33:24,737 --> 00:33:26,303
PARKER:
HIS OLD WORKPLACE,
WHERE HIS GRUDGE BEGAN.
857
00:33:26,305 --> 00:33:28,105
WE NEED TO FIND THAT LAB.
858
00:33:28,107 --> 00:33:30,307
(SIREN WAILS, HORN BLASTS,
TIRES SQUEAL)
859
00:33:30,309 --> 00:33:33,343
CLARK, LET ME ASK YOU,
DO YOU FEEL ANY PAIN?
860
00:33:33,345 --> 00:33:37,247
CLARK:
(GROANING) YEAH, MY SIDE...
IT HURTS.
861
00:33:37,249 --> 00:33:39,182
LEGS...
LEGS ARE KILLING.
862
00:33:39,184 --> 00:33:41,218
ED:
PAIN'S GOOD, BUDDY.
IT MEANS YOUR SPINE'S OKAY.
863
00:33:41,220 --> 00:33:42,686
(HONKING) NOW, CLARK,
I KNOW THIS HARD,
864
00:33:42,688 --> 00:33:44,221
BUT I NEED YOU
TO JUST SLOW YOUR BREATHING
865
00:33:44,223 --> 00:33:46,156
RIGHT DOWN FOR ME.
866
00:33:46,158 --> 00:33:48,058
LET'S GET THAT HEART RATE DOWN,
OKAY?
867
00:33:48,060 --> 00:33:49,793
IT'LL HELP YOU THINK
STRAIGHT,
868
00:33:49,794 --> 00:33:51,527
YOU'RE NOT GONNA LOSE
SO MUCH BLOOD.
869
00:33:51,528 --> 00:33:53,261
I TAUGHT YOU SNIPER BREATHING,
RIGHT, CLARK?
870
00:33:53,265 --> 00:33:54,331
(NO RESPONSE)
871
00:33:55,367 --> 00:33:57,200
CLARK?
872
00:33:57,202 --> 00:33:58,301
(LABOURED BREATHS)
873
00:33:58,303 --> 00:33:59,503
CLARK!
874
00:34:00,439 --> 00:34:02,339
I KNOW IT'S HARD FOR YOU
TO SPEAK, BUT...
875
00:34:02,341 --> 00:34:04,508
CLARK,
I KNOW YOU CAN HEAR ME.
876
00:34:04,510 --> 00:34:07,511
YOU ARE SUCH A STRONG KID
AND I AM SO PROUD OF YOU.
877
00:34:07,513 --> 00:34:10,047
NOW, I NEED YOU
TO STAY STRONG.
878
00:34:10,049 --> 00:34:11,381
I'M ON MY WAY.
879
00:34:11,383 --> 00:34:14,251
(FIGHTING TEARS)
I LOVE YOU, BUDDY.
I LOVE YOU.
880
00:34:16,288 --> 00:34:18,321
WINNIE:
SARGE, I TRACKED DOWN
THE DEAN OF PSYCHOLOGY,
881
00:34:18,323 --> 00:34:19,389
MONICA BUTLER.
882
00:34:19,390 --> 00:34:20,456
PARKER:
THAT'S FANTASTIC, WINNIE!
883
00:34:20,459 --> 00:34:21,525
(HORNS BLAST)
884
00:34:23,829 --> 00:34:25,228
PARKER:
PROFESSOR BUTLER?
885
00:34:25,230 --> 00:34:26,830
MY NAME IS
SERGEANT GREG PARKER.
886
00:34:26,831 --> 00:34:28,431
I'M WITH THE POLICE
STRATEGIC RESPONSE UNIT.
887
00:34:28,434 --> 00:34:30,100
I NEED YOU TO ANSWER
A FEW QUESTIONS.
888
00:34:30,102 --> 00:34:31,268
UH, YES, OF COURSE.
889
00:34:31,269 --> 00:34:32,435
PARKER:
WHERE'S THE LAB
ANSON HOLT WORKED
890
00:34:32,438 --> 00:34:34,337
BEFORE HE WAS FIRED?
891
00:34:34,339 --> 00:34:36,406
UH, THAT WAS THE OLD
CASEY JEFFERS BUILDING,
892
00:34:36,408 --> 00:34:38,508
BUT THAT'S NOT IN USE ANY MORE.
WHY?
893
00:34:38,510 --> 00:34:39,810
PARKER:
OKAY, JUST HOLD ON THE LINE.
894
00:34:39,812 --> 00:34:42,279
WINNIE? I WANT A CITYWIDE SEARCH
FOR ANSON HOLT.
895
00:34:42,281 --> 00:34:44,681
ANYONE WHO'S NOT AT A BOMBSITE
IS LOOKING FOR THIS BASTARD.
896
00:34:44,683 --> 00:34:46,783
AND WHICH TEAM IS CLOSEST
TO THE CASEY JEFFERS BUILDING
897
00:34:46,785 --> 00:34:48,251
RIGHT NOW?
898
00:34:48,253 --> 00:34:49,453
DONNA. TEAM THREE.
899
00:34:49,455 --> 00:34:50,854
PARKER:
GREAT. DONNA, YOU HEAR ME?
900
00:34:50,855 --> 00:34:52,254
DONNA:
YEAH, BOSS.
(CALLING OUT) CLARK!
901
00:34:52,257 --> 00:34:53,657
PARKER:
DONNA, I NEED YOU
TO GET TO THAT LAB.
902
00:34:53,659 --> 00:34:55,358
THERE COULD BE
ANOTHER BOMB THERE.
903
00:34:55,360 --> 00:34:57,160
DONNA:
I'M AT CITY HALL
LOOKING FOR CLARK.
904
00:34:57,162 --> 00:34:58,879
(CALLING OUT)
ANYBODY HEAR ME?
905
00:34:58,880 --> 00:35:00,597
PARKER:
DONNA, YOU'RE THE CLOSEST TEAM
TO THAT SITE, ALL RIGHT?
906
00:35:00,599 --> 00:35:02,165
I'LL BE RIGHT BEHIND YOU.
907
00:35:02,166 --> 00:35:03,732
DONNA:
I KNOW PROTOCOL, BOSS,
BUT THIS IS ED'S KID.
908
00:35:03,735 --> 00:35:06,236
ED:
DONNA, I'M ALMOST THERE.
YOU GOTTA GO.
909
00:35:06,238 --> 00:35:07,771
GET TO THE LAB -
PRIORITY OF LIFE.
910
00:35:07,773 --> 00:35:10,373
DONNA:
(CALLING OUT)
CLARK! EDDIE, I'M RIGHT HERE!
911
00:35:10,375 --> 00:35:12,442
DONNA, I GOT IT.
912
00:35:12,444 --> 00:35:13,577
DONNA:
(CALLING OUT)
CLARK?
913
00:35:13,579 --> 00:35:15,545
DONNA, THANK YOU
FOR EVERYTHING.
914
00:35:15,547 --> 00:35:16,880
DONNA:
JIMMY, WE GOTTA GO.
915
00:35:16,882 --> 00:35:18,148
TEAM THREE,
LET'S MOVE!
916
00:35:18,150 --> 00:35:19,416
DONNA, STAY SAFE.
917
00:35:19,418 --> 00:35:21,418
DONNA:
ALWAYS, EDDIE.
918
00:35:26,125 --> 00:35:29,726
PARKER:
EVERYONE,
YOU ARE THE HEART AND SOUL.
919
00:35:32,297 --> 00:35:34,197
ALL OF YOU,
THANK YOU.
920
00:35:37,703 --> 00:35:39,436
(SIRENS WAIL)
921
00:35:39,438 --> 00:35:42,439
SOPH, WE KNOW WHERE HE IS.
922
00:35:42,441 --> 00:35:44,174
BUT LISTEN TO ME...
923
00:35:44,176 --> 00:35:46,743
SOPHIE, HE'S HURT.
HE'S IN ONE OF THE BUILDINGS.
924
00:35:46,745 --> 00:35:49,646
OH, ED...
925
00:35:49,647 --> 00:35:52,548
ED:
LOOK, I KNOW YOU'RE SCARED
AND I'M SCARED TOO,
926
00:35:52,551 --> 00:35:54,351
BUT HE'S TOUGH.
927
00:35:54,353 --> 00:35:55,552
SOPHIE: (SOBBING)
ED: SOPH, HE'S TOU-
928
00:35:55,554 --> 00:35:56,653
(PHONE BEEPS)
HOLD ON, HOLD ON, SOPH.
929
00:35:56,655 --> 00:35:59,489
I GOT EMS.
HOLD ON, PLEASE.
930
00:35:59,491 --> 00:36:00,624
STEVE.
931
00:36:00,626 --> 00:36:02,042
STEVE:
ED, WE TRACKED HIS CELL SIGNAL
932
00:36:02,043 --> 00:36:03,459
TO THE SECOND LEVEL
OF THE PARKING GARAGE,
933
00:36:03,462 --> 00:36:05,862
BUT WE HAVEN'T FOUND HIM YET.
934
00:36:06,798 --> 00:36:09,933
HOLD ON! ED! ED!
I GOT THE CAR.
935
00:36:09,935 --> 00:36:11,668
I'M SORRY, ED,
BUT UH...
936
00:36:11,670 --> 00:36:13,570
IT'S CRUSHED UNDER CONCRETE.
937
00:36:13,572 --> 00:36:15,172
IT'S NOT LOOKING GOOD.
938
00:36:15,174 --> 00:36:16,706
OKAY, I'M RIGHT THERE.
939
00:36:16,708 --> 00:36:18,175
SOPH?
940
00:36:18,177 --> 00:36:19,543
NOW, I'M GONNA
GET HIM OUT.
941
00:36:19,545 --> 00:36:21,211
NOW YOU GOTTA BELIEVE THAT,
'KAY?
942
00:36:21,213 --> 00:36:22,879
I'M GONNA BRING HIM HOME,
OKAY, BABY?
943
00:36:22,881 --> 00:36:24,681
(SOBBING, DEVASTATED)
944
00:36:37,329 --> 00:36:38,628
DONNA:
GUYS...
945
00:36:38,630 --> 00:36:40,764
I THINK I'VE GOT A POSITIVE ID
ON ANSON HOLT.
946
00:36:40,766 --> 00:36:42,532
HE'S HERE AT THE LAB.
947
00:36:42,534 --> 00:36:43,567
(SIREN WAILS)
948
00:36:43,569 --> 00:36:44,768
PARKER:
ALL RIGHT, DONNA,
949
00:36:44,769 --> 00:36:45,968
THERE ARE BOMBS TICKING DOWN
ALL ACROSS THIS CITY;
950
00:36:45,971 --> 00:36:47,437
NO TIME FOR KID GLOVES.
951
00:36:47,439 --> 00:36:49,506
DONNA:
COPY. GO.
952
00:36:50,542 --> 00:36:52,375
ANSON HOLT, PUT YOUR HANDS
WHERE I CAN SEE THEM!
953
00:36:52,377 --> 00:36:54,778
TEAM THREE:
SRU! ON THE GROUND!
POLICE! GET DOWN NOW!
954
00:36:54,780 --> 00:36:57,380
GET DOWN ON THE GROUND
RIGHT NOW!
955
00:36:57,382 --> 00:36:58,615
GET ON THE GROUND!
956
00:36:59,551 --> 00:37:00,684
DONNA:
TURN HIM.
957
00:37:01,887 --> 00:37:03,887
WHOA, WHOA, WHOA.
958
00:37:13,432 --> 00:37:15,232
DONNA:
YOU MAKE ONE MOVE
I DON'T TELL YOU TO MAKE,
959
00:37:15,234 --> 00:37:16,399
YOU GET SHOT,
960
00:37:16,401 --> 00:37:17,767
DO YOU UNDERSTAND?
961
00:37:19,471 --> 00:37:20,704
DO YOU UNDERSTAND?!
962
00:37:21,640 --> 00:37:23,218
GOOD!
963
00:37:23,219 --> 00:37:24,797
PARKER:
DONNA, WHAT'S GOING ON?
964
00:37:24,798 --> 00:37:26,376
DONNA:
HE'S STRAPPED TO AN M112
DEMOLITION CHARGE,
965
00:37:26,378 --> 00:37:27,510
AND HE'S WATCHING
THE WHOLE CITY CARNAGE
966
00:37:27,512 --> 00:37:28,912
ON HIS COMPUTER SCREENS.
967
00:37:28,914 --> 00:37:30,547
PARKER:
DONNA, I'M RIGHT BEHIND YOU.
968
00:37:30,549 --> 00:37:33,283
PROFESSOR BUTLER,
WHY DID ANSON HOLT GET FIRED?
969
00:37:34,519 --> 00:37:36,653
ETHICAL ISSUES WERE
BROUGHT TO OUR ATTENTION.
970
00:37:36,655 --> 00:37:38,288
LISTEN TO ME, PROFESSOR,
IN UNDER TWO MINUTES,
971
00:37:38,290 --> 00:37:39,990
I'M GONNA TRY TO TALK THIS MAN
OUT OF BLOWING UP
972
00:37:39,992 --> 00:37:42,459
MORE INNOCENT CIVILIANS.
973
00:37:42,461 --> 00:37:44,661
PLEASE JUST TELL ME
WHAT HAPPENED IN THAT LAB.
974
00:37:44,663 --> 00:37:46,596
HE WAS FIRED
BECAUSE OF A SERIES
975
00:37:46,598 --> 00:37:48,465
OF PSYCHOLOGICALLY ABUSIVE
EXPERIMENTS
976
00:37:48,467 --> 00:37:51,501
THAT HE PERFORMED THERE
ON STUDENT VOLUNTEERS.
977
00:37:51,503 --> 00:37:52,969
HE WAS A SADIST?
978
00:37:52,971 --> 00:37:54,037
YES.
979
00:37:56,942 --> 00:37:58,642
ONE WOMAN DOWNRANGE,
THE REST OF YOU GO.
980
00:37:58,644 --> 00:37:59,632
JIMMY:
SOMEBODY'S GOTTA COVER HIM.
981
00:37:59,633 --> 00:38:00,621
IF HE MAKES A PLAY
WHEN YOU'RE WORKING...
982
00:38:00,622 --> 00:38:01,610
DONNA:
OKAY, OKAY.
JIMMY, STAY.
983
00:38:01,613 --> 00:38:03,480
THE REST OF YOU GO.
984
00:38:05,684 --> 00:38:07,851
YOU'RE GONNA RAISE YOUR ARMS,
VERY SLOWLY,
985
00:38:07,853 --> 00:38:10,854
AWAY FROM YOUR BODY,
INTO THE AIR.
986
00:38:10,856 --> 00:38:11,921
DO IT.
987
00:38:17,896 --> 00:38:19,863
YOU'RE GONNA TALK TO ME,
HOLT.
988
00:38:19,865 --> 00:38:23,600
YOU TELL ME WHERE
THE REST OF THE BOMBS ARE!
989
00:38:25,771 --> 00:38:27,537
WINNIE!
990
00:38:27,539 --> 00:38:28,605
WINNIE:
ARE YOU OKAY?
991
00:38:28,607 --> 00:38:29,606
YEAH, WE'RE FINE.
992
00:38:29,608 --> 00:38:30,640
OKAY.
(TYPES FURIOUSLY)
993
00:38:30,642 --> 00:38:32,642
ED:
STEVE! STEVE!
994
00:38:33,779 --> 00:38:36,163
STEVE: ED!
ED: WHERE IS HE?
995
00:38:36,164 --> 00:38:38,548
STEVE:
THE PHONE SIGNAL'S HERE, MAN.
IT'S GOTTA BE HIM.
996
00:38:38,550 --> 00:38:40,016
CLARK!
997
00:38:40,018 --> 00:38:41,084
CLARK!
998
00:38:43,021 --> 00:38:44,888
(STARTS SHIFTING DEBRIS)
999
00:38:45,824 --> 00:38:46,890
CLARK!
1000
00:38:53,365 --> 00:38:56,900
DONNA:
SPIKE, I GOT NO TIMER.
I GOT C4 AND WIRES.
1001
00:38:57,836 --> 00:38:59,602
THIS DOESN'T LOOK LIKE
YOUR 911 BOMB.
1002
00:38:59,604 --> 00:39:01,004
DONNA, IF THERE'S NO TIMER
ON THE BOMB,
1003
00:39:01,005 --> 00:39:02,405
THEN YOU CAN WAIT
TILL I GET THERE.
1004
00:39:02,407 --> 00:39:04,007
DONNA:
NO! I CAN HANDLE IT.
1005
00:39:06,645 --> 00:39:08,678
HOW MANY WIRES DO YOU SEE?
1006
00:39:08,680 --> 00:39:11,414
DONNA:
UH... (COUNTING TO HERSELF)
1007
00:39:12,684 --> 00:39:14,117
EIGHTEEN.
1008
00:39:14,119 --> 00:39:15,469
JIMMY:
ARMS UP!
1009
00:39:15,470 --> 00:39:16,820
OKAY, THE BOMB'S EXPOSED,
THAT'S GOOD.
1010
00:39:16,822 --> 00:39:19,689
NOW, JUST FIND THE DETONATOR.
1011
00:39:19,691 --> 00:39:21,458
DONNA:
I DON'T SEE ANY DETONATOR.
1012
00:39:21,460 --> 00:39:22,692
SPIKE:
NO, THERE'S GOTTA BE
A DETONATOR.
1013
00:39:22,694 --> 00:39:24,060
DONNA:
I DON'T SEE IT,
I'M LOOKING.
1014
00:39:24,062 --> 00:39:25,061
IS THIS THE FASTEST WAY?
1015
00:39:25,063 --> 00:39:26,346
SAM:
IT'S THE ONLY WAY.
1016
00:39:26,347 --> 00:39:27,630
EVERY ON RAMP AND HIGHWAY
IS JAMMED RIGHT NOW.
1017
00:39:27,632 --> 00:39:29,132
WE'RE GOING AS FAST
AS WE CAN.
1018
00:39:29,134 --> 00:39:31,000
JULES:
DONNA, HOW'S OUR SUBJECT?
1019
00:39:31,002 --> 00:39:33,470
DONNA:
QUIET, CO-OPERATIVE -
COULD BE THE GUN ON HIS HEAD.
1020
00:39:33,472 --> 00:39:34,738
JULES:
BOSS, THIS MAKE ANY SENSE
TO YOU?
1021
00:39:34,740 --> 00:39:35,939
IF HE WAS GONNA BLOW
HIMSELF UP,
1022
00:39:35,941 --> 00:39:37,674
WHY DIDN'T HE ALREADY DO IT?
1023
00:39:38,643 --> 00:39:40,977
DONNA:
THIS IS YOUR VERY LAST CHANCE.
1024
00:39:40,979 --> 00:39:44,147
TELL ME WHERE THE DETONATOR IS
RIGHT NOW!
1025
00:39:44,149 --> 00:39:46,983
(BREATHING HEAVILY)
1026
00:39:46,985 --> 00:39:48,985
WHAT'RE YOU LOOKING AT?
1027
00:39:52,657 --> 00:39:55,158
PARKER:
TEAM THREE, I'M HERE.
WHAT DO YOU SEE, DONNA?
1028
00:39:55,160 --> 00:39:57,127
DONNA:
I GOT A BLINKING CAMERA
IN THE CEILING.
1029
00:40:01,400 --> 00:40:02,732
GET OUTTA THERE, NOW!
1030
00:40:02,734 --> 00:40:04,634
(HOLT BREATHING HARD)
1031
00:40:04,636 --> 00:40:06,102
MOVE!
1032
00:40:06,104 --> 00:40:08,037
AGGGHHHHHHHHHHHH!
1033
00:40:08,039 --> 00:40:10,106
(LOUD BOOM, GLASS BURSTS,
DEBRIS CRASHES)
1034
00:40:12,677 --> 00:40:13,743
BOSS!
1035
00:40:25,791 --> 00:40:26,856
BOSS!
1036
00:40:27,893 --> 00:40:29,192
I'M OKAY.
1037
00:40:29,194 --> 00:40:30,994
(DEAN SIGHS WITH RELIEF)
1038
00:40:30,996 --> 00:40:33,062
(TEAM SIGHS WITH RELIEF)
1039
00:40:35,734 --> 00:40:39,736
HOLT WASN'T THE BOMBER.
HE WAS THE BAIT, EDDIE.
1040
00:40:41,807 --> 00:40:43,173
SHE'S GONE, EDDIE.
1041
00:40:44,142 --> 00:40:47,210
SHE WAS RIGHT
IN FRONT OF HIM.
1042
00:40:51,650 --> 00:40:52,715
SONOFABITCH.
1043
00:40:53,752 --> 00:40:55,485
(VOICE HITCHES)
SONOFABITCH!
1044
00:40:57,722 --> 00:41:00,890
(BOMBER BLOWS OUT HIS BREATH,
EXHILARATED)
1045
00:41:00,892 --> 00:41:05,161
¶¶¶
1046
00:41:06,097 --> 00:41:08,131
(SOUNDLESS SCREAM OF RAGE)