1 00:00:05,706 --> 00:00:07,639 GOOD AFTERNOON, LADIES AND GENTLEMEN. 2 00:00:07,641 --> 00:00:09,508 THANK YOU SO MUCH FOR COMING. 3 00:00:11,679 --> 00:00:14,346 I DON'T GET TO CUT A RED RIBBON, 4 00:00:14,348 --> 00:00:17,750 BUT I DO GET TO PRESS THIS BUTTON... 5 00:00:19,420 --> 00:00:22,554 TO THE TUNE OF $7,000,000 DOLLARS. 6 00:00:25,559 --> 00:00:27,092 MR. CUNNINGHAM? 7 00:00:28,229 --> 00:00:30,362 MR. CUNNINGHAM: YES. 8 00:00:30,364 --> 00:00:31,563 I'M SORRY, WHO ARE YOU? 9 00:00:31,565 --> 00:00:33,465 IT'S YOUR WORST NIGHTMARE. 10 00:00:33,467 --> 00:00:35,701 AND LADIES AND GENTLEMEN, 11 00:00:36,637 --> 00:00:38,237 WE ARE LIVE. 12 00:00:44,812 --> 00:00:46,412 (SIREN WAILS IN THE DISTANCE) 13 00:00:49,717 --> 00:00:50,783 WINNIE: EXCUSE ME? 14 00:00:50,785 --> 00:00:52,451 IT'S OKAY, I'M WITH THE BAND. 15 00:00:52,452 --> 00:00:54,118 WINNIE: NO, I NEED YOU TO JUST SIGN IN. 16 00:00:54,121 --> 00:00:55,587 NATALIE: JULES! 17 00:00:56,524 --> 00:00:57,623 NATALIE. 18 00:00:57,625 --> 00:01:00,192 SO, THIS IS WHERE IT ALL HAPPENS. 19 00:01:00,194 --> 00:01:01,827 JULES: OH YEAH, SOME OF IT, ANYWAY. 20 00:01:01,829 --> 00:01:03,829 IS SAM AROUND? 21 00:01:03,831 --> 00:01:05,697 HEY, GUYS, THIS, UH, IS NATALIE BRADDOCK. 22 00:01:05,699 --> 00:01:07,099 SAM'S SISTER. 23 00:01:07,101 --> 00:01:08,434 PARKER: HI, I'M GREG. 24 00:01:08,436 --> 00:01:09,468 NICE TO MEET YOU. 25 00:01:09,470 --> 00:01:10,836 HEY, NATALIE. ED. HOW ARE YA? 26 00:01:10,838 --> 00:01:12,304 HEY. WORDY. 27 00:01:12,306 --> 00:01:13,305 HI. 28 00:01:13,307 --> 00:01:14,640 SPIKE. HOW'RE YOU DOING? 29 00:01:14,642 --> 00:01:16,208 SPIKE? YEP. 30 00:01:16,210 --> 00:01:17,509 YOU DON'T LOOK VERY SPIKY. 31 00:01:17,511 --> 00:01:20,412 UH, YEAH, NO. UH, MY HAIR USED TO, UH... 32 00:01:20,414 --> 00:01:21,447 WHAT'S YOUR REAL NAME? 33 00:01:21,449 --> 00:01:23,315 UH, MICHAELANGELO. 34 00:01:23,317 --> 00:01:24,550 YOUR MOM HAD HIGH HOPES. 35 00:01:24,552 --> 00:01:27,653 YEAH, YEAH. I THINK SHE STILL DOES. 36 00:01:27,655 --> 00:01:30,122 I LIKE IT. 37 00:01:30,123 --> 00:01:32,590 WORDY: SAM, WHERE YOU BEEN, UH, HIDING YOUR SISTER? 38 00:01:32,593 --> 00:01:34,860 NATALIE: OH, NO, I'VE JUST BEEN ON THE ROAD. 39 00:01:34,862 --> 00:01:37,763 SO, HEY, I CAME BY TO BORROW THE CAR - 40 00:01:37,765 --> 00:01:39,598 JOB HUNTING, IS THAT OKAY? 41 00:01:39,600 --> 00:01:41,133 YEAH, SURE. 42 00:01:41,135 --> 00:01:43,469 THANK YOU. YOU ARE THE BEST! 43 00:01:43,471 --> 00:01:44,703 HE'S LETTING ME CRASH WITH HIM FOR A FEW MONTHS, 44 00:01:44,705 --> 00:01:46,205 WHILE I GET SETTLED HERE. 45 00:01:46,207 --> 00:01:48,474 EVEN THOUGH I AM VERY MUCH CRAMPING HIS STYLE. 46 00:01:48,476 --> 00:01:49,475 LET ME SHOW YOU AROUND. 47 00:01:49,477 --> 00:01:51,643 NATALIE: OH. BYE! 48 00:02:01,388 --> 00:02:03,789 ABBOT: AND SPECIAL KUDOS TO CALGARY AND ABBEVILLE 49 00:02:03,791 --> 00:02:05,891 WHO POSTED DOUBLE DIGIT RECOVERY, 50 00:02:05,893 --> 00:02:07,893 MONTH ON MONTH. 51 00:02:07,895 --> 00:02:10,729 POWLIN, CYNTHIA, GREAT JOB. 52 00:02:10,731 --> 00:02:12,598 YOU'VE SET A NEW BENCHMARK. 53 00:02:12,600 --> 00:02:14,366 BUT IT HASN'T BEEN EASY. 54 00:02:14,368 --> 00:02:16,435 WE'VE DONE IT WITH REDUCED STAFF 55 00:02:16,437 --> 00:02:19,705 AND A 15 PERCENT EXPENSE CUT ACROSS THE BOARD. 56 00:02:19,707 --> 00:02:23,609 BUT THE GOOD NEWS IS WE ARE A PROFITABLE COMPANY. 57 00:02:23,611 --> 00:02:26,278 AND NOW, NOW THAT WE'VE TRIMMED THE FAT, 58 00:02:26,280 --> 00:02:28,614 WE CAN KEEP BOOSTING THOSE PROFITS. 59 00:02:28,616 --> 00:02:32,518 "LEAN AND MEAN" IS OUR GO-FORWARD MANTRA. 60 00:02:32,520 --> 00:02:33,552 LET'S ROLL. OU GOT IT. 61 00:02:35,589 --> 00:02:36,788 LEAN AND MEAN. 62 00:02:36,790 --> 00:02:37,856 (APPLAUSE) 63 00:02:39,360 --> 00:02:40,425 LEAN AND MEAN! 64 00:02:41,395 --> 00:02:43,162 WOOOO! 65 00:02:43,164 --> 00:02:44,530 ALL RIGHT! 66 00:02:45,466 --> 00:02:46,532 AS I WAS SAYING... 67 00:02:46,534 --> 00:02:48,200 THIS THING ON? 68 00:02:48,202 --> 00:02:49,368 HEY, THAT'S MY PHONE. 69 00:02:49,369 --> 00:02:50,535 YEAH, I HOPE YOU'RE ON A GOOD PLAN. 70 00:02:50,538 --> 00:02:52,371 COME ON, GUYS. SMILE. 71 00:02:53,307 --> 00:02:54,373 WE ARE LIVE. 72 00:02:55,376 --> 00:02:56,592 SMILE. 73 00:02:56,593 --> 00:02:57,809 ABBOT: GET ME SECURITY. 74 00:02:57,811 --> 00:03:00,879 ONNA ASK YOU TO LEAVE RIGHT NOW. 75 00:03:00,881 --> 00:03:02,648 (PANICKED SCREAMS) 76 00:03:04,685 --> 00:03:06,118 NO WAY. 77 00:03:06,119 --> 00:03:07,552 TECH: SHOW'S JUST GETTING STARTED! 78 00:03:07,555 --> 00:03:09,605 WHOOOO! 79 00:03:09,606 --> 00:03:11,656 SAM: WE TALKED ABOUT A FEW DAYS AND NOW IT'S A COUPLE MONTHS. 80 00:03:11,659 --> 00:03:13,625 NATALIE: NO, IT WAS UNTIL I FOUND A JOB, 81 00:03:13,627 --> 00:03:15,227 WHICH I'M TRYING DO. 82 00:03:15,229 --> 00:03:16,428 I'M TRYING TO GET MY LIFE TOGETHER 83 00:03:16,430 --> 00:03:18,230 SO THAT I CAN BELONG SOMEWHERE. 84 00:03:18,232 --> 00:03:20,265 I REALLY APPRECIATE YOU BEING THERE FOR ME. 85 00:03:20,267 --> 00:03:22,568 THE THING ABOUT "CRAMPING MY STYLE"? 86 00:03:22,570 --> 00:03:23,835 JUST WATCH WHAT YOU SAY. 87 00:03:23,837 --> 00:03:25,270 WHAT DO YOU MEAN? 88 00:03:25,271 --> 00:03:26,704 IT COULD GIVE THE WRONG IMPRESSION. 89 00:03:26,707 --> 00:03:27,706 THE WRONG IMPRESSION? 90 00:03:27,708 --> 00:03:29,091 YEAH, ABOUT JULES; 91 00:03:29,092 --> 00:03:30,475 THAT WE'RE INVOLVED, WHICH WE'RE NOT. 92 00:03:30,477 --> 00:03:32,211 'CAUSE THAT COULD GET ME FIRED, OKAY? 93 00:03:32,213 --> 00:03:34,046 OH, OKAY. 94 00:03:34,047 --> 00:03:35,880 SO SHE DOESN'T COME AROUND FOR SLEEPOVERS SOMETIMES. 95 00:03:35,883 --> 00:03:37,649 OFFICIALLY, SHE NEVER HAS. 96 00:03:37,651 --> 00:03:39,751 GOTCHA. NO SLEEPOVERS, 97 00:03:40,688 --> 00:03:43,655 AND THAT IS NOT HER SHAMPOO IN THE SHOWER 98 00:03:43,657 --> 00:03:46,692 OR HER TOOTHBRUSH ON THE SINK. 99 00:03:47,628 --> 00:03:49,995 CAN I HAVE THE CAR KEYS? 100 00:03:54,735 --> 00:03:57,236 OH, AND I HAD TO USE YOUR PAY-PAL ACCOUNT. 101 00:03:57,238 --> 00:03:58,537 I HOPE THAT'S OKAY. 102 00:03:58,539 --> 00:04:00,739 YOU WHAT? 103 00:04:00,740 --> 00:04:02,940 TO BUY CLOTHES ONLINE - FOR MY JOB INTERVIEWS. 104 00:04:02,943 --> 00:04:04,543 NOBODY'S GONNA TAKE ME SERIOUSLY, SAM, 105 00:04:04,545 --> 00:04:06,745 UNLESS I DRESS THE PART. 106 00:04:06,747 --> 00:04:08,013 I WILL PAY YOU BACK THIS TIME, 107 00:04:08,015 --> 00:04:09,014 I PROMISE. 108 00:04:09,016 --> 00:04:10,015 YOU KNOW WHAT? KEEP THE CLOTHES. 109 00:04:10,017 --> 00:04:11,583 THEY'RE A GIFT. 110 00:04:11,585 --> 00:04:13,018 REALLY? 111 00:04:13,020 --> 00:04:14,353 YEAH, JUST BE OUT OF MY APARTMENT 112 00:04:14,355 --> 00:04:17,489 BY THE TIME I GET HOME TONIGHT. 113 00:04:20,427 --> 00:04:23,028 EMILIA MORRIS, MOTHER OF THREE, KARAK EMPLOYEE, 114 00:04:23,030 --> 00:04:25,697 WAS "LET GO" FOUR MONTHS AGO. 115 00:04:25,699 --> 00:04:28,567 ANNUAL INCOME, $31,000. 116 00:04:28,569 --> 00:04:29,968 LEAN AND MEAN. 117 00:04:29,970 --> 00:04:33,672 VIRGINIA CZEVINSKI, $22,000. 118 00:04:33,674 --> 00:04:35,741 WELL, YOU GOTTA START SOMEWHERE, RIGHT? 119 00:04:35,743 --> 00:04:36,808 EHN? 120 00:04:38,579 --> 00:04:40,746 WOW. ALL YOU GUYS?! 121 00:04:40,748 --> 00:04:42,781 SORRY TO SEE YOU GO, BUT WE SAVED BIG 122 00:04:42,783 --> 00:04:44,750 AND HEY, WHAT ABOUT THAT GOOD-BYE PARTY WE HAD? 123 00:04:44,752 --> 00:04:45,784 OH, WE DIDN'T? 124 00:04:45,786 --> 00:04:48,020 OH, I KNOW. LEAN AND MEAN. 125 00:04:49,423 --> 00:04:50,689 YOU KNOW, YOU GUYS SHOULD REALLY SHOULD INVEST 126 00:04:50,691 --> 00:04:52,658 IN BETTER SECURITY FIREWALLS. 127 00:04:52,660 --> 00:04:54,793 (SLURPS LOUDLY, EXHALES LOUDLY) 128 00:04:54,795 --> 00:04:55,861 ALL RIGHT! 129 00:04:57,398 --> 00:04:58,930 THE PUCCINI. 130 00:04:58,932 --> 00:05:00,349 MMM! 131 00:05:00,350 --> 00:05:01,767 PURCHASED BY KARAK INTERNATIONAL. 132 00:05:01,769 --> 00:05:05,737 PRICE: $5,700,000 DOLLARS. 133 00:05:05,739 --> 00:05:06,805 WHOOOO! 134 00:05:06,807 --> 00:05:08,640 LEAN AND MEAN. 135 00:05:09,576 --> 00:05:10,709 (REMOTE BEEPS) 136 00:05:10,711 --> 00:05:13,445 WHOA, NICE CAR, BUDDY. 137 00:05:13,447 --> 00:05:14,946 COMPANY PERK FOR MR. ABBOT HERE, 138 00:05:14,948 --> 00:05:17,449 WHOSE OFFICIAL SALARY ON THE PUBLIC RECORD 139 00:05:17,451 --> 00:05:19,384 IS ONE FIFTH OF WHAT HE MAKES 140 00:05:19,386 --> 00:05:20,952 WHEN YOU THROW IN HIS "CONSULTANT" FEES, 141 00:05:20,954 --> 00:05:23,622 HIS "BOARD MEMBER" COMPENSATION. 142 00:05:23,624 --> 00:05:25,991 RIGHT, MR. ABBOT? LEAN AND MEAN. 143 00:05:25,993 --> 00:05:27,993 WELL, MEAN ANYWAY. 144 00:05:27,995 --> 00:05:29,394 WHAT DO YOU WANT? 145 00:05:29,396 --> 00:05:30,729 YOUR MONEY OR YOUR LIFE. 146 00:05:30,731 --> 00:05:31,730 PLEASE... 147 00:05:31,732 --> 00:05:33,031 THIS IS A STICK-UP! 148 00:05:33,033 --> 00:05:34,333 EVERYONE! 149 00:05:34,335 --> 00:05:36,001 PUT THE MONEY IN THE BAG, RIGHT NOW! 150 00:05:36,003 --> 00:05:37,069 WALLETS, EVERYTHING. 151 00:05:37,071 --> 00:05:39,805 FIFTEEN SECONDS. GO! GO! GO! GO! 152 00:05:39,807 --> 00:05:41,707 CAR KEYS. GIMME YOUR CAR KEYS. 153 00:05:41,709 --> 00:05:42,774 THANK YOU. 154 00:05:44,745 --> 00:05:45,877 (GUNSHOT POPS LOUDLY, ATTENDEES SCREAM) 155 00:05:45,879 --> 00:05:47,379 GENTLEMEN... 156 00:05:48,115 --> 00:05:51,783 WEAPONS IN THE BAG... NOW! 157 00:05:51,785 --> 00:05:52,951 GOD, YOU GUYS ARE STRESSING ME OUT. 158 00:05:52,953 --> 00:05:54,019 JEEZ. 159 00:05:56,023 --> 00:05:57,622 THANKS, PARTNER. 160 00:06:01,695 --> 00:06:03,061 SECURITY GUARD: SECURITY BREACH. SHOTS FIRED. 161 00:06:03,063 --> 00:06:05,697 ARMED ROBBERY AT KARAK INTERNATIONAL HEAD OFFICE, 162 00:06:05,699 --> 00:06:07,583 BLOOR STREET. SHOTS FIRED. 163 00:06:07,584 --> 00:06:09,468 SINGLE GUNMAN, WHITE MALE, LATE TEENS-EARLY TWENTIES, 164 00:06:09,470 --> 00:06:10,602 HANDGUN. 165 00:06:10,604 --> 00:06:11,903 SOME KIND OF MEETING INVOLVED. 166 00:06:11,905 --> 00:06:13,038 AND IT'S A ROBBERY? 167 00:06:13,040 --> 00:06:14,773 HE HIJACKED THE MEETING AND STOLE WALLETS. 168 00:06:15,709 --> 00:06:17,092 YOUR SISTER... 169 00:06:17,093 --> 00:06:18,476 AGH! SHE WANTS TO "BELONG SOMEWHERE." 170 00:06:18,479 --> 00:06:19,845 ANYWHERE SHE CAN JUST FLASH THAT SMILE 171 00:06:19,847 --> 00:06:21,546 AND GET WHAT SHE WANTS. 172 00:06:21,548 --> 00:06:22,547 AND THAT PISSES YOU OFF. 173 00:06:22,549 --> 00:06:23,849 UH, YA THINK? 174 00:06:23,851 --> 00:06:24,950 'CAUSE YOU'VE WORKED YOUR ASS OFF 175 00:06:24,952 --> 00:06:25,984 FOR EVERYTHING YOU'VE GOT, 176 00:06:25,986 --> 00:06:27,819 AND SHE'S ACTUALLY ENJOYING LIFE. 177 00:06:27,821 --> 00:06:28,820 YOU'RE A LITTLE JEALOUS. 178 00:06:28,822 --> 00:06:29,821 OH, JEALOUS? 179 00:06:29,823 --> 00:06:31,623 I'M JUST SAYING. 180 00:06:31,625 --> 00:06:32,958 SHE GROWS UP ON A MILITARY BASE, 181 00:06:32,960 --> 00:06:35,861 HER BIG BROTHER IS THE POSTER BOY FOR PERFECTION, 182 00:06:35,863 --> 00:06:36,928 AND SHE'S JUST TRYING TO FIGURE IT OUT, 183 00:06:36,930 --> 00:06:38,964 MAKE UP HER OWN RULES. 184 00:06:38,966 --> 00:06:41,066 MAYBE YOU RESENT HER FREEDOM. 185 00:06:41,068 --> 00:06:42,601 YOU PROFILING ME? 186 00:06:42,603 --> 00:06:44,069 NO, I'M HAVING A CONVERSATION WITH YOU. 187 00:06:44,071 --> 00:06:46,605 SAM: HER SHOWING UP HERE... 188 00:06:47,841 --> 00:06:49,608 SHE HAS NO CLUE THE DAMAGE SHE CAN DO - 189 00:06:49,610 --> 00:06:51,176 AND I DON'T JUST MEAN YOU AND ME. 190 00:06:51,178 --> 00:06:52,177 YOU MEAN THE BOSS. 191 00:06:52,179 --> 00:06:53,912 IF HE KNOWS AND DOESN'T TELL? 192 00:06:53,914 --> 00:06:54,780 HE COULD LOSE HIS JOB. 193 00:06:54,782 --> 00:06:56,882 YEAH, IT'S A TEAM. 194 00:06:56,884 --> 00:06:58,650 WE'RE ON PROBATION; WE DON'T GET TO MAKE A MISTAKE. 195 00:06:58,652 --> 00:06:59,918 DID YOU MAKE THAT CLEAR TO NAT? 196 00:06:59,920 --> 00:07:02,454 IT'S NOT HAPPENING AGAIN. 197 00:07:02,456 --> 00:07:03,755 HOW LONG CAN WE DO THIS? 198 00:07:06,927 --> 00:07:07,993 (SIRENS WAIL) 199 00:07:13,033 --> 00:07:14,900 DONLANDS: HE POSED AS ONE OF THEIR I.T. GUYS. 200 00:07:14,902 --> 00:07:16,313 PARKER: SO SOMEONE KNOWS HIM? 201 00:07:16,314 --> 00:07:17,725 DONLANDS: AH, STAFF IS SAYING NO. 202 00:07:17,726 --> 00:07:19,137 WE FOUND THE I.T. EMPLOYEE SCHEDULED TO HANDLE THE MEETING 203 00:07:19,139 --> 00:07:20,439 LOCKED IN A COPY ROOM. 204 00:07:20,441 --> 00:07:21,640 ED: MEETING? 205 00:07:21,641 --> 00:07:22,840 DONLANDS: YEAH, BRANCH MANAGERS, TOP SALES PEOPLE, 206 00:07:22,843 --> 00:07:24,743 SOME KIND OF AN ANNUAL SUMMIT. 207 00:07:24,745 --> 00:07:26,111 AND HE TOOK THEIR WALLETS, HUH? 208 00:07:26,113 --> 00:07:27,880 DONLANDS: YEAH. 209 00:07:27,881 --> 00:07:29,648 ED: PRETTY ELABORATE SET-UP FOR A GROUP MUGGING. 210 00:07:31,952 --> 00:07:33,952 HE FIRED IN THE AIR AND WENT OUT THE DOOR. 211 00:07:33,954 --> 00:07:35,737 WHERE DOES IT GO? 212 00:07:35,738 --> 00:07:37,521 MAN: IT LEADS OUTSIDE TO THE BACK. HE TOOK MR. ABBOT'S KEYS. 213 00:07:37,524 --> 00:07:38,857 OKAY, HE COULD STILL BE IN THE VICINITY. 214 00:07:38,859 --> 00:07:40,659 BOSS, WE'LL GO CO-ORDINATE THE UNIS. 215 00:07:41,528 --> 00:07:42,761 COPY THAT. 216 00:07:44,231 --> 00:07:45,831 GO ON. SORRY. 217 00:07:45,833 --> 00:07:47,165 HE PRACTICALLY BUMPED INTO ME, 218 00:07:47,167 --> 00:07:49,167 AND I'M THINKING I'VE SEEN THIS DUDE, 219 00:07:49,169 --> 00:07:50,168 BUT WHERE? 220 00:07:50,170 --> 00:07:52,003 BUT HE'S NOT AN EMPLOYEE, RIGHT? 221 00:07:52,005 --> 00:07:55,106 NO, I KNOW EVERYONE ON STAFF. 222 00:07:55,108 --> 00:07:56,508 THEN HE POPS UP THAT SLIDE, 223 00:07:56,510 --> 00:07:57,709 AND THEN I KNOW FOR SURE IT'S HIM. 224 00:07:57,711 --> 00:07:58,743 JD. 225 00:07:58,745 --> 00:08:00,456 JAMIE DEE. 226 00:08:00,457 --> 00:08:02,168 SPENCER: YEAH, HE DIDN'T LOOK LIKE I THOUGHT, 227 00:08:02,169 --> 00:08:03,880 BUT IT WAS TOTALLY HIM. HE WAS LIVECASTING. 228 00:08:03,884 --> 00:08:04,983 LIVECASTING? 229 00:08:05,919 --> 00:08:07,819 HE'S LIVECASTING. 230 00:08:07,821 --> 00:08:09,938 JULES: HEY, SPIKE, YOU FIND THE PHOTO YET? 231 00:08:09,939 --> 00:08:12,056 SPIKE: IF THIS IS REALLY OUR GUY, I CAN GET YOU A WHOLE GALLERY. 232 00:08:12,059 --> 00:08:13,124 HERE'S ONE. 233 00:08:14,127 --> 00:08:15,494 THANKS. 234 00:08:15,496 --> 00:08:16,561 THIS HIM? 235 00:08:18,232 --> 00:08:19,698 YEAH. THAT'S HIM. 236 00:08:19,700 --> 00:08:22,734 HIS HAIR'S DIFFERENT, HE HAD GLASSES. 237 00:08:22,736 --> 00:08:24,169 YOU FIND THE LITTLE PUKE AND BRING HIM BACK HERE. 238 00:08:24,171 --> 00:08:26,571 I'LL ID HIM 100 PERCENT. 239 00:08:26,573 --> 00:08:28,623 RUN IT DOWN FOR ME. 240 00:08:28,624 --> 00:08:30,674 BEFORE HE TOOK THE WALLETS, DID HE SAY ANYTHING? 241 00:08:30,677 --> 00:08:32,177 WELL, DOES IT MATTER? 242 00:08:33,947 --> 00:08:35,046 JULES: GUY'S A CHAMELEON. 243 00:08:35,048 --> 00:08:37,499 ONE REASON HE HASN'T BEEN CAUGHT YET. 244 00:08:37,500 --> 00:08:39,951 SPIKE: PULLED A STRING OF ROBBERIES, BOTH SIDES OF THE BORDER. 245 00:08:39,953 --> 00:08:41,920 JAMIE DEE? I REMEMBER THAT GUY. 246 00:08:41,922 --> 00:08:43,255 YEAH. REMEMBER, HE STARTED OUT WEST. 247 00:08:43,257 --> 00:08:44,956 RAPPELLED DOWN TO THAT FIVE-STAR BALLROOM, 248 00:08:44,958 --> 00:08:47,025 RELIEVED ALL THE GUESTS OF THEIR VALUABLES. 249 00:08:47,027 --> 00:08:48,343 MM-HM. 250 00:08:48,344 --> 00:08:49,660 HE GRAFFITIS HIS INITIALS WHEREVER HE HITS - 251 00:08:49,663 --> 00:08:51,196 WALLS, WINDOWS, FLOORS... 252 00:08:51,198 --> 00:08:53,098 NOW, APPARENTLY, POWER POINT. 253 00:08:53,100 --> 00:08:55,534 HE STARTED STREAMING HIS HEISTS LIVE ONLY RECENTLY. 254 00:08:55,536 --> 00:08:57,936 I'LL SEE IF ANYBODY CAPTURED IT. 255 00:08:57,938 --> 00:08:59,237 YOU GET ANYTHING FROM THE CEO? 256 00:08:59,239 --> 00:09:00,972 YEAH, WELL, THIS ISN'T JUST ABOUT THE MONEY. 257 00:09:00,974 --> 00:09:01,973 IT'S ABOUT THE MESSAGE. 258 00:09:01,975 --> 00:09:03,408 HE HACKED INTO THEIR SYSTEM 259 00:09:03,409 --> 00:09:04,842 AND BROADCAST THEIR CORPORATE EXPENSES. 260 00:09:04,845 --> 00:09:05,977 PARKER: SO HE'S TRYING TO EMBARRASS THEM 261 00:09:05,979 --> 00:09:08,079 IN FRONT OF A LIVE ONLINE AUDIENCE. 262 00:09:08,081 --> 00:09:09,548 HE'S PLAYING ROBIN HOOD. 263 00:09:09,549 --> 00:09:11,016 WORDY: WHATEVER HE'S DOING, HE'S GONE. 264 00:09:11,018 --> 00:09:12,884 HE DUMPED THE WALLETS AND THE SECURITY GUARDS' GUNS 265 00:09:12,886 --> 00:09:14,753 IN THE PARKING LOT, MINUS THE CASH. 266 00:09:14,755 --> 00:09:16,888 SAM: AND HE STOLE THE CEO'S CAR. 267 00:09:16,890 --> 00:09:19,190 WINNIE, WE NEED AN APB RED SPORTS CAR, 268 00:09:19,192 --> 00:09:20,926 TAG ALPHA-YANKEE-ZULU-PAPA- 3-5-3. 269 00:09:20,928 --> 00:09:24,162 ED: SAM, YOU AND ME, LET'S GO. 270 00:09:25,632 --> 00:09:27,699 (CAR ACCELERATES, TIRES SQUEAL) 271 00:09:35,175 --> 00:09:37,275 (EXHALES, RELIEVED) HOO HOO. 272 00:09:37,277 --> 00:09:38,877 (INHALES DEEPLY) 273 00:09:40,681 --> 00:09:42,081 WOMAN: HELLO? 274 00:09:42,082 --> 00:09:43,482 HOW'RE YOU DOING, DARLIN'? 275 00:09:43,483 --> 00:09:44,883 WOMAN: HEY, PARDNER. HOW WAS WORK? 276 00:09:44,884 --> 00:09:46,284 YOU KNOW, I THINK THEY'RE GONNA MAKE ME EMPLOYEE OF THE MONTH. 277 00:09:46,286 --> 00:09:49,821 TRADE IT ALL TO FINALLY SEE YOU THOUGH, BABY. 278 00:09:49,823 --> 00:09:50,889 OH... HANG ON. 279 00:09:51,959 --> 00:09:53,281 SORRY, SAGE, 280 00:09:53,282 --> 00:09:54,604 THERE'S AN OFFICER OF THE LAW IN THE VICINITY 281 00:09:54,605 --> 00:09:55,927 AND I'M ON A CELLULAR TELEPHONE. 282 00:09:55,929 --> 00:09:58,380 SAGE: CAN'T HAVE THAT. 283 00:09:58,381 --> 00:10:00,832 THAT'S RIGHT, WOULDN'T WANNA BREAK THE LAW. 284 00:10:05,372 --> 00:10:06,104 (EXHALES) 285 00:10:06,106 --> 00:10:07,973 (CAR ROARS BY) 286 00:10:07,975 --> 00:10:09,375 PARKER: WHERE ARE WE GETTING THESE? 287 00:10:09,376 --> 00:10:10,776 SPIKE: SOME OF THE STUFF HE POSTED HIMSELF, 288 00:10:10,777 --> 00:10:12,177 BUT HE'S GOT A LOT OF FANS AND A LOT OF FOLLOWERS. 289 00:10:12,179 --> 00:10:13,678 HE'S HUGE ON THE WEB. 290 00:10:13,680 --> 00:10:15,330 "JAMIE DEE, WILD AND FREE." 291 00:10:15,331 --> 00:10:16,981 SPIKE: THAT'S A FAN BLOG. HE'S ALSO GOT A TWITTER. 292 00:10:16,984 --> 00:10:19,618 "BIG SHOUT-OUT TO THE FAT CATS OF NORTH AMERICA. 293 00:10:19,620 --> 00:10:21,052 SEE YOU SOON." 294 00:10:21,054 --> 00:10:22,854 IT WAS POSTED TWO HOURS AGO. 295 00:10:22,856 --> 00:10:23,989 JESSE JAMES USED TO DO THAT; 296 00:10:23,991 --> 00:10:25,323 HE USED TO WRITE ABOUT ROBBERIES 297 00:10:25,325 --> 00:10:27,025 BEFORE HE COMMITTED THEM. 298 00:10:27,027 --> 00:10:29,027 JESSE JAMES. IT'S OLD SCHOOL. 299 00:10:29,029 --> 00:10:30,795 THAT'S COOL. 300 00:10:34,735 --> 00:10:35,384 (SIRENS WAIL) 301 00:10:35,385 --> 00:10:36,034 WINNIE'S GOT A LINE ON A STOLEN CAR 302 00:10:36,036 --> 00:10:37,235 TRAVELING SOUTH ON YORK. 303 00:10:37,237 --> 00:10:38,336 WE'RE ON OUR WAY. 304 00:10:38,338 --> 00:10:40,639 'KAY. COPY THAT, EDDIE. 305 00:10:40,641 --> 00:10:41,806 LET'S GO. 306 00:10:41,808 --> 00:10:43,141 OKAY, WE NEED A PROFILE. 307 00:10:43,143 --> 00:10:45,810 HASHTAG I-HEART-JAMIE-DEE'S TRENDING TOP TEN. 308 00:10:45,812 --> 00:10:46,995 RIGHT? 309 00:10:46,996 --> 00:10:48,179 LIKE, I MEAN, LOOK AT IT. LOOK AT ALL THE TWEETS. 310 00:10:48,181 --> 00:10:49,714 HIS FANS ARE GOING NUTS. 311 00:10:49,716 --> 00:10:51,016 AND WHO ARE ALL THESE PEOPLE? 312 00:10:51,018 --> 00:10:52,684 BASICALLY, IT'S EVERY FRUSTRATED KID 313 00:10:52,686 --> 00:10:53,685 IN NORTH AMERICA. 314 00:10:53,687 --> 00:10:55,120 REALLY? YEAH. 315 00:10:55,122 --> 00:10:58,957 JAMIE: WEAPONS IN THE BAG... NOW! 316 00:10:58,959 --> 00:11:00,859 GOD, YOU GUYS ARE STRESSING ME OUT! JEEZ. 317 00:11:00,861 --> 00:11:02,060 MAN: KYLE. 318 00:11:03,230 --> 00:11:04,796 JAMIE: THANKS, PARTNER. 319 00:11:04,798 --> 00:11:06,665 TURN OFF THE DAMN GAME, KYLE. 320 00:11:06,667 --> 00:11:08,366 IT'S NOT A GAME, ASSHAT. 321 00:11:08,368 --> 00:11:10,168 WOULD YOU LIKE A RIDE? 322 00:11:10,170 --> 00:11:11,269 I'M WALKING. 323 00:11:11,271 --> 00:11:12,737 CUNNINGHAM: FINE. 324 00:11:12,739 --> 00:11:14,873 DO YOU HAVE APPROPRIATE CLOTHING? 325 00:11:14,875 --> 00:11:16,141 KYLE: WHAT? CUNNINGHAM: FOR TONIGHT. 326 00:11:16,143 --> 00:11:17,842 YOUR MOM WANTED ME TO MAKE SURE. 327 00:11:17,844 --> 00:11:20,178 WHAT'S TONIGHT AGAIN, STEVIE? 328 00:11:21,114 --> 00:11:23,248 JUST DON'T BE LATE. 329 00:11:24,317 --> 00:11:26,084 WOULDN'T MISS IT FOR THE WORLD. 330 00:11:26,086 --> 00:11:27,152 (SIREN WAILS) 331 00:11:30,924 --> 00:11:31,923 WE'RE ON SPADINA. 332 00:11:31,925 --> 00:11:33,008 PURSUING OFFICER LOST HIM 333 00:11:33,009 --> 00:11:34,092 BUT HE PICKED UP THE STOLEN VEHICLE 334 00:11:34,094 --> 00:11:35,226 NORTH OF QUEEN. 335 00:11:35,228 --> 00:11:37,829 ABANDONED, JD SPRAY PAINTED ON THE SIDE. 336 00:11:37,831 --> 00:11:39,347 ANY IDEA WHERE HE'S HEADING? 337 00:11:39,348 --> 00:11:40,864 SPIKE: WELL, WE'VE GOT A LOT OF EYEBALLS PEELED, 338 00:11:40,867 --> 00:11:42,233 THERE SHOULD BE SOME SIGHTINGS SOON. 339 00:11:42,235 --> 00:11:44,235 OKAY, WINNIE, SEND MORE UNIS TO THAT SECTOR. 340 00:11:44,237 --> 00:11:45,581 WINNIE: COPY. 341 00:11:45,582 --> 00:11:46,926 SPIKE: HELLO. JAMIE JUST POSTED. 342 00:11:46,927 --> 00:11:48,271 "PARTY AT THE BEVERLEY STREET HOSTEL. 343 00:11:48,275 --> 00:11:50,141 3 P.M. SHARP. COME AS YOU ARE. 344 00:11:50,143 --> 00:11:51,559 BRING FRIENDS." 345 00:11:51,560 --> 00:11:52,976 YEAH, HE MIGHT BE TRYING TO THROW US OFF THE TRAIL. 346 00:11:52,979 --> 00:11:54,179 WHY WOULD HE TELL US WHERE HE'S GOING? 347 00:11:54,181 --> 00:11:55,964 I'LL LOOK FOR A GEOTAG. 348 00:11:55,965 --> 00:11:57,748 AND I WILL TRY THE ELECTRIC TELEPHONE. 349 00:12:02,222 --> 00:12:04,189 (SIREN WAILS IN THE DISTANCE) 350 00:12:04,191 --> 00:12:05,957 I SEE EVERYONE THAT COMES IN AND OUT. 351 00:12:05,959 --> 00:12:07,859 PARKER: HE'S EARLY TWENTIES, MEDIUM BUILD, 352 00:12:07,861 --> 00:12:09,127 5'10", BROWN HAIR, 353 00:12:09,129 --> 00:12:10,812 HE MIGHT BE CARRYING A BACKPACK. 354 00:12:10,813 --> 00:12:12,496 HE JUST WALKED RIGHT PAST ME, HE WAS IN A HURRY. 355 00:12:12,499 --> 00:12:14,365 OKAY. OKAY. 356 00:12:14,367 --> 00:12:16,067 A TEAM OF OFFICERS WILL BE THERE SHORTLY. 357 00:12:16,069 --> 00:12:17,902 I NEED YOU TO LEAVE THE BUILDING DISCREETLY. 358 00:12:17,904 --> 00:12:20,138 THE MAN IS CONSIDERED ARMED AND DANGEROUS. 359 00:12:20,140 --> 00:12:21,973 THANK YOU. 360 00:12:21,975 --> 00:12:23,074 WINNIE, WHAT DO YOU GOT? 361 00:12:23,076 --> 00:12:24,375 ROBBERIES GO BACK 18 MONTHS, 362 00:12:24,377 --> 00:12:26,077 STARTING WITH THE BALLROOM DROP. 363 00:12:26,079 --> 00:12:27,479 AND WHAT ARE THE PATTERNS? 364 00:12:27,480 --> 00:12:28,880 WINNIE: WEALTHY TARGETS - JEWELRY STORES, 365 00:12:28,881 --> 00:12:30,281 BANKS, NOTHING MOM-AND-POP. 366 00:12:30,283 --> 00:12:31,572 PARKER: AND WHAT ELSE? 367 00:12:31,573 --> 00:12:32,862 WINNIE: FEDS HAVE A FILE. 368 00:12:32,863 --> 00:12:34,152 SEE IF YOU CAN GET ACCESS. YOU ALL RIGHT, BUDDY? 369 00:12:34,154 --> 00:12:36,855 WINNIE: COPY. SPIKE: GOT IT, BOSS. 370 00:12:37,791 --> 00:12:38,907 KIRSTIN: I'VE NEVER SEEN HIM BEFORE. 371 00:12:38,908 --> 00:12:40,024 I THOUGHT MAYBE HE WAS SOME KIND OF COURIER. 372 00:12:40,026 --> 00:12:41,409 HE HAD A PACKAGE WITH HIM. 373 00:12:41,410 --> 00:12:42,793 KAGE? MORE LIKE A HEAVY NVELOPE. 374 00:12:42,796 --> 00:12:43,895 IS HE'S STILL INSIDE? 375 00:12:43,897 --> 00:12:44,613 I HAVEN'T SEEN HIM LEAVE. 376 00:12:44,614 --> 00:12:45,330 OKAY, THANK YOU. 377 00:12:45,332 --> 00:12:46,498 SAM, JULES, ON WHITE DOOR. 378 00:12:46,500 --> 00:12:48,032 WORDY, BLACK DOOR WITH ME. 379 00:12:48,034 --> 00:12:49,617 WHAT DO YOU GOT? 380 00:12:49,618 --> 00:12:51,201 WORDY: TAKES US TO THE KITCHEN AND STORAGE AREA. 381 00:12:51,204 --> 00:12:53,805 ALL RIGHT, MANAGER ESTIMATES 15, 16 BACKPACKERS, 382 00:12:53,807 --> 00:12:54,906 THREE STAFF. 383 00:12:54,908 --> 00:12:56,808 ROOM-BY ROOM EVAC, LET'S DO IT. 384 00:12:56,810 --> 00:13:00,211 (CACOPHONY OF CHATTER AND CELLS CHIMING) 385 00:13:01,148 --> 00:13:02,881 WHAT ABOUT OUR AUDIENCE HERE? 386 00:13:02,883 --> 00:13:04,816 WINNIE, WE'RE GONNA NEED MORE UNIS. 387 00:13:04,818 --> 00:13:07,252 WINNIE: COPY THAT. 388 00:13:07,254 --> 00:13:08,442 SAM: WHAT THE HELL? JULES: HEY, HEY, BACK OFF! 389 00:13:08,443 --> 00:13:09,631 JULES AND SAM: BACK OFF! BACK ALREADY! WE NEED YOU TO STAY BACK! 390 00:13:09,632 --> 00:13:10,820 SAM: STAY BACK! 391 00:13:11,558 --> 00:13:13,324 THE BUILDING IS BEING EVACUATED! 392 00:13:13,326 --> 00:13:15,560 SAM: STAND BACK! JULES: WE'VE LOST PERIMETER! 393 00:13:15,562 --> 00:13:18,029 EVAC'S BEEN COMPROMISED. 394 00:13:18,031 --> 00:13:19,831 ED: COPY THAT, SAM. ON MY WAY. 395 00:13:19,833 --> 00:13:20,832 (GUNSHOTS POP TWICE) 396 00:13:20,834 --> 00:13:22,067 SHOTS FIRED! 397 00:13:22,068 --> 00:13:23,301 SAM: AFTER SHOOTER INSIDE THE BUILDING. GO! GO! 398 00:13:25,806 --> 00:13:35,847 ¶¶¶ 399 00:13:35,849 --> 00:13:40,819 ¶¶¶ 400 00:13:40,821 --> 00:13:53,898 ¶¶¶ 401 00:14:04,144 --> 00:14:05,610 ED: BOSS, IT'S A MESS IN HERE. 402 00:14:05,612 --> 00:14:06,945 YOU LOCATE THE SHOOTER? 403 00:14:06,947 --> 00:14:07,946 NEGATIVE. 404 00:14:07,947 --> 00:14:08,946 PARKER: ANYBODY DOWN? 405 00:14:08,949 --> 00:14:10,114 CANNOT CONFIRM. 406 00:14:10,116 --> 00:14:11,950 SAM: GO! CLEAR OUT! GO! 407 00:14:11,952 --> 00:14:13,117 ALL RIGHT, COME ON, LET'S GO! 408 00:14:13,119 --> 00:14:14,408 WE'VE GOT A FLASH MOB. 409 00:14:14,409 --> 00:14:15,698 THAT PARTY HE TWITTERED ABOUT- 410 00:14:15,699 --> 00:14:16,988 SPIKE: TWEETED. PARKER: 3 P.M. SHARP. 411 00:14:16,990 --> 00:14:19,557 YEAH, HE STAGED THIS, CALLING OUT HIS FANS. 412 00:14:19,559 --> 00:14:21,125 (LOW HUM OF CHATTER) 413 00:14:22,062 --> 00:14:23,194 YOUNG MAN: I'M THE ONE YOU'RE LOOKING FOR. 414 00:14:23,196 --> 00:14:24,395 RAISE YOUR HANDS NOW. 415 00:14:24,397 --> 00:14:25,964 I'M JAMIE DEE. 416 00:14:25,965 --> 00:14:27,532 YOUNG MAN 2: NO, IT'S ME. I'M JAMIE DEE. 417 00:14:27,534 --> 00:14:29,934 YOUNG MAN 3: I'M JAMIE DEE. 418 00:14:29,936 --> 00:14:34,072 CROWD: I'M JAMIE DEE! RIGHT HERE. I'M JAMIE! I'M JAMIE DEE! 419 00:14:34,074 --> 00:14:36,407 LET'S MOVE THESE PEOPLE BACK. LET'S GET 'EM BACK! 420 00:14:36,409 --> 00:14:37,408 JULES: LET'S GO. COME ON! 421 00:14:37,410 --> 00:14:39,043 GET BACK! GET BACK! 422 00:14:39,045 --> 00:14:40,595 PARKER: EDDIE. ED: BOSS, 423 00:14:40,596 --> 00:14:42,146 ED: WE NEED UNIS HERE TO SEAL THE ENTRANCES! 424 00:14:42,148 --> 00:14:43,515 PARKER: COPY THAT. 425 00:14:43,516 --> 00:14:44,883 THIS ISN'T THE KIND OF PLACE HE'D HOLD UP; 426 00:14:44,884 --> 00:14:46,251 THESE AREN'T THE PEOPLE HE TARGETS. 427 00:14:46,253 --> 00:14:49,153 IT'S A DISTRACTION TO COVER HIS EXIT. 428 00:14:49,155 --> 00:14:50,355 JAMIE: KEEP WALKING, HONEY. 429 00:14:50,357 --> 00:14:52,007 KEEP WALKING. 430 00:14:52,008 --> 00:14:53,658 OFFICER: YOU'RE GOING ALL THE WAY UP. THANKS. GREAT. 431 00:14:53,660 --> 00:14:55,426 YOU TWO, STAY HERE. 432 00:14:55,428 --> 00:14:56,594 JAMIE: OH, WE'RE GONNA NEED THAT. 433 00:14:56,596 --> 00:14:57,595 WHAT? 434 00:14:57,597 --> 00:14:59,430 YOUR CAR. 435 00:14:59,432 --> 00:15:00,598 SO YOU'RE GONNA STEP BACK, 436 00:15:00,600 --> 00:15:02,233 NICE AND EASY, 437 00:15:02,235 --> 00:15:05,169 AND IT'S ALL AMAZINGLY COOL. 438 00:15:05,171 --> 00:15:07,171 GET IN. GET IN THE CAR. 439 00:15:09,442 --> 00:15:12,110 (ENGINE REVS, TIRES SCREECH) 440 00:15:12,112 --> 00:15:14,245 ALL UNITS, SOUTHWEST CORNER! 441 00:15:14,247 --> 00:15:16,014 OFFICER, TALK TO ME. WHAT'S GOING ON? 442 00:15:16,016 --> 00:15:17,332 HE HAD A HOSTAGE. 443 00:15:17,333 --> 00:15:18,649 SAM, WITH ME. LET'S GO! LET'S GO! 444 00:15:18,652 --> 00:15:20,985 PARKER: WINNIE, PUT OUT AN APB ON THAT VEHICLE. 445 00:15:20,987 --> 00:15:22,453 AND NOTE THE SUBJECT HAS A FEMALE HOSTAGE. 446 00:15:22,455 --> 00:15:23,454 WE'VE GOT UNITS CONVERGING. 447 00:15:23,456 --> 00:15:24,522 (SIRENS WAIL) 448 00:15:25,525 --> 00:15:27,558 POLICE CRUISER... UNBELIEVABLE. 449 00:15:27,560 --> 00:15:29,661 THIS GUY'S A BRAT. HE'S A PARASITE. 450 00:15:29,663 --> 00:15:31,162 HE THINKS JUST 'CAUSE HE CAN WORK THE CHARM, 451 00:15:31,164 --> 00:15:34,299 THE WORLD OWES HIM A GOOD TIME. 452 00:15:35,602 --> 00:15:38,202 REMINDS ME OF SOMEONE. 453 00:15:40,140 --> 00:15:41,239 WORDY: NO INJURED. 454 00:15:41,241 --> 00:15:42,340 SO YOU'RE RIGHT ABOUT THE DIVERSION, 455 00:15:42,342 --> 00:15:44,275 ALTHOUGH I DON'T GET IT. 456 00:15:44,277 --> 00:15:47,211 COPS ARE A STEP BEHIND HIM, AND HE DROPS BY A HOSTEL? 457 00:15:47,213 --> 00:15:49,213 WORDY: THE MANAGER SAID HE CAME IN WITH SOME KIND OF PACKAGE - 458 00:15:49,215 --> 00:15:50,214 AN ENVELOPE. 459 00:15:50,216 --> 00:15:51,799 LET'S TRACK IT DOWN, WORDY. 460 00:15:51,800 --> 00:15:53,383 SPIKE: BOSS, WE'VE GOT THE FEDS ON VISUAL LINK. 461 00:15:53,386 --> 00:15:55,253 AGENT GILBRIDE. 462 00:15:55,255 --> 00:15:57,221 'KAY, I'LL BE RIGHT THERE. 463 00:15:57,223 --> 00:15:59,057 SO, YOU GOT MY GUY UP THERE? 464 00:15:59,059 --> 00:16:00,876 WE WILL SOON. 465 00:16:00,877 --> 00:16:02,694 GILBRIDE: YEAH, I'LL BELIEVE THAT WHEN I SEE IT. 466 00:16:02,696 --> 00:16:04,295 I THOUGHT I HAD HIM IN ATLANTIC CITY, 467 00:16:04,297 --> 00:16:05,396 BUT I THOUGHT WRONG. 468 00:16:05,398 --> 00:16:07,231 WELL, WHAT CAN YOU TELL US? 469 00:16:07,233 --> 00:16:09,467 GILBRIDE: UH, 30 ARMED ROBBERIES IN THE LAST 18 MONTHS. 470 00:16:09,469 --> 00:16:11,202 TARGETS MOSTLY WEALTHY VICTIMS. 471 00:16:11,204 --> 00:16:12,737 AND YOU DON'T HAVE AN ID? 472 00:16:12,739 --> 00:16:13,738 GILBRIDE: NO. 473 00:16:13,740 --> 00:16:15,239 AFTER 30 ROBBERIES. 474 00:16:15,241 --> 00:16:16,341 I UNDERSTAND HE'S DRIVING AROUND 475 00:16:16,343 --> 00:16:18,710 IN ONE OF YOUR POLICE CARS? 476 00:16:18,712 --> 00:16:20,178 WHAT'S YOUR PROFILE? 477 00:16:20,180 --> 00:16:22,013 GILBRIDE: HE'S SMART, NO FEAR, 478 00:16:22,015 --> 00:16:24,449 THINKS OF HIMSELF AS A PRINCE AMONG THIEVES. 479 00:16:24,451 --> 00:16:26,584 WE THINK HE COMES FROM A WEALTHY BACKGROUND. 480 00:16:26,586 --> 00:16:29,220 SO, RICH KID, TURNS HIS BACK ON PRIVILGE. 481 00:16:29,222 --> 00:16:31,189 HE HAS NO SOFT SPOT FOR THE POOR THOUGH. 482 00:16:31,191 --> 00:16:32,423 HE KEEPS EVERYTHING HE STEALS. 483 00:16:32,425 --> 00:16:34,403 ANY POLITICAL MESSAGE? 484 00:16:34,404 --> 00:16:36,382 GILBRIDE: NO, NO. HE'S JUST WINGING IT. 485 00:16:36,383 --> 00:16:38,361 HE'S HIGHLY RESOURCEFUL, ADRENALINE-JUNKIE, 486 00:16:38,365 --> 00:16:40,732 UH, ALMOST CERTAINLY A NARCISSIST. 487 00:16:40,734 --> 00:16:42,734 HE DOESN'T CARE WHO HE MIGHT GET HURT. 488 00:16:42,736 --> 00:16:44,402 HE HASN'T LEFT A TRAIL OF BODIES, YET, 489 00:16:44,404 --> 00:16:47,405 BUT WE KNOW HE GETS VIOLENT WHEN HE GETS CORNERED. 490 00:16:47,407 --> 00:16:49,574 SO IT'S NOT JUST COWBOY-STYLE WARNING SHOTS? 491 00:16:49,576 --> 00:16:51,509 GILBRIDE: NO, HE WAS NEARLY APPREHENDED THREE MONTHS AGO 492 00:16:51,511 --> 00:16:53,411 BY A SECURITY GUARD IN D.C. 493 00:16:53,413 --> 00:16:55,369 JAMIE DEE SHOT HIM. 494 00:16:55,370 --> 00:16:57,326 THE SECURITY GUARD NEARLY DIDN'T MAKE IT. 495 00:16:57,327 --> 00:16:59,283 IT'S A LINE HE CAN'T UNCROSS AND HE KNOWS THAT... 496 00:16:59,285 --> 00:17:00,551 HE'S JUST GONNA GET MORE DESPERATE. 497 00:17:00,553 --> 00:17:01,753 BOSS, WE GOT A SIGHTING ON THE CRUISER. 498 00:17:03,690 --> 00:17:05,440 WHERE'RE YOU GOING TO GO? 499 00:17:05,441 --> 00:17:07,191 JAMIE: CAN'T TELL YOU - FOR YOUR OWN SAFETY. 500 00:17:07,193 --> 00:17:08,776 DANA: CAN'T I COME? 501 00:17:08,777 --> 00:17:10,360 BECAUSE I WILL HELP ANY WAY THAT I CAN. 502 00:17:10,363 --> 00:17:12,347 JAMIE: SWEET OF YOU - 503 00:17:12,348 --> 00:17:14,332 I ALREADY GOT SOMEONE IN MY LIFE. 504 00:17:15,335 --> 00:17:17,035 (SPRAY PAINT HISSES) 505 00:17:17,037 --> 00:17:19,037 (SIREN WAILS) 506 00:17:19,039 --> 00:17:20,338 WE'RE ON ATLANTIC NOW. 507 00:17:20,340 --> 00:17:22,073 (MONITOR BEEPS) 508 00:17:22,075 --> 00:17:24,542 THE STREET DEAD-ENDS A FEW BLOCKS AWAY. 509 00:17:25,512 --> 00:17:29,113 WE HAVE A VISUAL. ATLANTIC AVENUE. 510 00:17:31,785 --> 00:17:34,218 HE'S ON FOOT. I'M IN PURSUIT. 511 00:17:35,155 --> 00:17:37,822 SAM: I'VE GOT THE HOSTAGE. 512 00:17:37,824 --> 00:17:39,424 SAM: ARE YOU OKAY? 513 00:17:39,426 --> 00:17:40,425 I'M FINE. 514 00:17:40,427 --> 00:17:42,093 YOU SURE YOU'RE OKAY? 515 00:17:42,095 --> 00:17:43,161 OH YEAH. 516 00:17:50,437 --> 00:17:54,105 ED: HOLD IT RIGHT THERE! RIGHT THERE! 517 00:17:55,375 --> 00:17:56,607 (PYLONS CLUNK) 518 00:17:59,479 --> 00:18:00,745 HOW IS THE HOSTAGE? 519 00:18:00,747 --> 00:18:01,746 SAM: SHE'S UNHARMED. 520 00:18:01,748 --> 00:18:04,182 HER NAME'S DANA MAYWEATHER. 521 00:18:04,184 --> 00:18:05,650 SO WHAT WERE YOU DOING AT THE HOSTEL? 522 00:18:05,652 --> 00:18:07,452 I WAS JUST CHECKING IT OUT. 523 00:18:07,453 --> 00:18:09,253 IN CASE I NEEDED A PLACE TO STAY. 524 00:18:09,255 --> 00:18:12,256 CAN I SEE YOUR PHONE PLEASE? 525 00:18:13,193 --> 00:18:14,392 ANY MESSAGES YOU WERE EXCHANGING 526 00:18:14,394 --> 00:18:17,161 WILL SHOW UP IN THE LOG. 527 00:18:17,163 --> 00:18:19,330 AM I UNDER ARREST FOR BEING HELD HOSTAGE? 528 00:18:19,332 --> 00:18:20,665 WERE YOU A HOSTAGE? 529 00:18:20,667 --> 00:18:21,766 WHAT ELSE WOULD YOU CALL IT? 530 00:18:21,768 --> 00:18:22,867 ACCOMPLICE. 531 00:18:23,803 --> 00:18:25,837 LOOK. I GOT THE TWEET, 532 00:18:25,839 --> 00:18:27,738 AND THEN I WENT TO THE HOSTEL AT 3 P.M. 533 00:18:27,740 --> 00:18:29,807 AND THEN JAMIE CAME RUNNING UP THE STAIRS- 534 00:18:29,809 --> 00:18:31,676 HE CAME UP FROM THE BASEMENT? 535 00:18:31,678 --> 00:18:33,377 I DON'T KNOW. WHATEVER. 536 00:18:33,379 --> 00:18:35,313 THE POINT IS, HE PICKED ME, 537 00:18:35,315 --> 00:18:36,314 OUT OF EVERYONE ELSE, 538 00:18:36,316 --> 00:18:37,448 AND THEN WE WENT OUTSIDE 539 00:18:37,450 --> 00:18:38,616 AND WE GOT IN THAT COP CAR 540 00:18:38,618 --> 00:18:40,585 AND MADE YOU GUYS LOOK LIKE IDIOTS, 541 00:18:40,587 --> 00:18:42,453 AS PER USUAL. 542 00:18:53,333 --> 00:18:54,398 (BOTTLES CLATTER) 543 00:18:59,339 --> 00:19:00,404 (BOOTS CLOMP) 544 00:19:06,446 --> 00:19:08,479 WHERE'S HE GOING NOW? 545 00:19:08,481 --> 00:19:09,413 WHAT WAS HE DOING IN THE HOSTEL 546 00:19:09,415 --> 00:19:10,932 IN THE FIRST PLACE? 547 00:19:10,933 --> 00:19:12,450 HE SAID THE LESS I KNEW, THE BETTER. 548 00:19:12,452 --> 00:19:15,186 DANA, THIS GUY'S NOT A HERO, OKAY? 549 00:19:15,188 --> 00:19:16,354 HE SHOT AND NEARLY KILLED A MAN. 550 00:19:16,356 --> 00:19:17,588 DID YOU KNOW THAT? 551 00:19:17,590 --> 00:19:19,323 HE'S PUT YOUR LIFE AT RISK. 552 00:19:19,325 --> 00:19:22,226 HE CHOSE ME TO HELP HIM ESCAPE; 553 00:19:22,228 --> 00:19:24,262 TO HELP HIM GET READY FOR THE GRAND FINALE. 554 00:19:24,264 --> 00:19:25,263 GRAND FINALE. 555 00:19:25,265 --> 00:19:26,797 THOSE WERE THE WORDS HE USED? 556 00:19:26,799 --> 00:19:28,466 EXACT WORDS. 557 00:19:28,468 --> 00:19:29,867 THERE'S GOING TO BE A GRAND FINALE, 558 00:19:29,869 --> 00:19:32,436 AND THEN WE'RE NEVER GONNA HEAR FROM HIM AGAIN. 559 00:19:32,438 --> 00:19:34,071 WORDY. 560 00:19:34,072 --> 00:19:35,705 THAT PACKAGE JAMIE DEE DROPPED OFF AT THE HOSTEL - 561 00:19:35,708 --> 00:19:38,276 CHECK THE BASEMENT. USE EXTREME CAUTION. 562 00:19:38,278 --> 00:19:39,477 WORDY: COPY. 563 00:19:39,479 --> 00:19:40,478 HE'S SO OUT OF YOUR LEAGUE. 564 00:19:40,480 --> 00:19:41,546 DANA, YOU'RE UNDER ARREST. 565 00:19:57,497 --> 00:19:58,963 I LOST HIM. 566 00:19:58,965 --> 00:20:00,732 SPIKE: ED! 567 00:20:00,733 --> 00:20:02,500 HE'S LIVECASTING, AS IN RIGHT NOW. 568 00:20:02,502 --> 00:20:04,502 JAMIE: HEY! HOW Y'ALL DOING? 569 00:20:05,972 --> 00:20:07,238 WHAT DO YOU SEE? 570 00:20:07,239 --> 00:20:08,505 UH, OKAY. ALLEYWAYS, 571 00:20:08,508 --> 00:20:11,542 UH, GARAGES, GRAFFITI... 572 00:20:11,544 --> 00:20:13,444 YOU WANNA NARROW THAT DOWN FOR ME? 573 00:20:13,446 --> 00:20:16,380 SPIKE: HE JUST PASSED SOME SKATEBOARDERS. 574 00:20:16,382 --> 00:20:18,566 HOLD ON. WHAT HAPPENED TO HIM? 575 00:20:18,567 --> 00:20:20,751 SPIKE: I DON'T KNOW, IT WENT DOWN. 576 00:20:28,595 --> 00:20:30,161 OKAY, OKAY, WE'RE BACK. 577 00:20:30,162 --> 00:20:31,728 HE'S HEADING RIGHT TOWARDS A BUSY STREET, 578 00:20:31,731 --> 00:20:33,397 UH, THEY LOOK LIKE STREETCAR TRACKS. 579 00:20:33,399 --> 00:20:34,398 UH, IT LOOKS LIKE... 580 00:20:34,400 --> 00:20:35,399 KING STREET? 581 00:20:35,401 --> 00:20:36,951 UH, QUEEN STREET. 582 00:20:36,952 --> 00:20:38,502 DEFINITELY QUEEN STREET, SOUTH SIDE, GOING WEST. 583 00:20:38,504 --> 00:20:39,737 I'M GONNA RUN AHEAD AND CUT HIM OFF. 584 00:20:39,739 --> 00:20:41,272 WHAT'S THE CROSS-STREET? 585 00:20:41,273 --> 00:20:42,806 SPIKE: IS THAT BEVERLEY? PARKER: THAT'S BEVERLEY, YUP. 586 00:20:42,809 --> 00:20:46,544 SPIKE: BEVERLEY STREET, BEVERLEY STREET. 587 00:20:47,747 --> 00:20:49,369 I'M ON QUEEN HEADING EAST. 588 00:20:49,370 --> 00:20:50,992 SPIKE: HE SHOULD BE RIGHT IN FRONT OF YOU. 589 00:20:50,993 --> 00:20:52,615 JUST PAST THESE PEOPLE. 590 00:20:52,619 --> 00:20:53,684 POLICE! DON'T MOVE! 591 00:20:53,686 --> 00:20:54,585 SPIKE: HE'S FACING YOU! 592 00:20:54,587 --> 00:20:55,987 ED: POLICE! RIGHT THERE! 593 00:20:55,989 --> 00:21:00,458 I DIDN'T STEAL IT! SOME GUY JUST GAVE IT TO ME! 594 00:21:00,460 --> 00:21:02,260 TEAM ONE, SUBJECT'S STILL AT LARGE. 595 00:21:11,537 --> 00:21:12,570 DANA'S PHONE. 596 00:21:12,572 --> 00:21:13,871 THANKS. 597 00:21:13,873 --> 00:21:15,539 SPIKE, WE GOT HER PHONE. 598 00:21:15,541 --> 00:21:16,641 WHAT'S YOUR READ, SAM? 599 00:21:16,643 --> 00:21:18,476 AH, SHE'S A KID WITH A FANTASY CRUSH - 600 00:21:18,478 --> 00:21:20,511 SHE'S FALLEN FOR A HERO IMAGE OF JAMIE. 601 00:21:20,513 --> 00:21:22,480 DO YOU THINK SHE KNOWS WHAT THIS GRAND FINALE IS? 602 00:21:22,482 --> 00:21:24,682 NO. SOUNDS LIKE SHE'S TELLING THE TRUTH. 603 00:21:24,684 --> 00:21:26,517 GRAND FINALE. 604 00:21:26,519 --> 00:21:27,830 KID'S SMART, 605 00:21:27,831 --> 00:21:29,142 HE KNOWS THE NOOSE IS TIGHTENING. 606 00:21:29,143 --> 00:21:30,454 THIS IS WHERE THE COWBOY GETS RECKLESS. 607 00:21:30,456 --> 00:21:31,956 SPIKE: BOSS, I CAN TELL YOU WHERE JAMIE'S BEEN. 608 00:21:36,562 --> 00:21:37,573 PARKER: 'KAY. 609 00:21:37,574 --> 00:21:38,585 SPIKE: I MADE UP A CHART, 610 00:21:38,586 --> 00:21:39,597 BASED ON THE INFO THE FEDS GAVE US. 611 00:21:39,599 --> 00:21:41,565 RED ARE THE ROBBERIES, KNOWN OR SUSPECTED. 612 00:21:41,567 --> 00:21:42,566 LOOKS LIKE HE WAS MAKING HIS WAY 613 00:21:42,568 --> 00:21:43,801 DOWN THE EASTERN SEABOARD. 614 00:21:43,803 --> 00:21:45,636 BUT LAST THREE MONTHS? 615 00:21:45,637 --> 00:21:47,470 BLUE IS HIM MAKING HIS WAY BACK UP. 616 00:21:47,473 --> 00:21:48,739 PARKER: HITTING DIFFERENT CITIES THIS TIME? 617 00:21:48,741 --> 00:21:50,608 NOT EXACTLY. 618 00:21:50,610 --> 00:21:51,609 PURPLE IS...? 619 00:21:51,610 --> 00:21:52,609 SPIKE: BLUE PLUS RED. 620 00:21:52,612 --> 00:21:53,795 DETOURS BACK TO PLACES 621 00:21:53,796 --> 00:21:54,979 WHERE HE COMMITTED ROBBERIES IN THE PAST. 622 00:21:54,981 --> 00:21:56,580 AND I COMPARED FAN SIGHTINGS OF JAMIE 623 00:21:56,582 --> 00:21:58,349 WITH THE ACTUAL ITINERARY OF HIS CRIMES 624 00:21:58,351 --> 00:21:59,550 TO WEED OUT THE FALSE SIGHTINGS. 625 00:21:59,552 --> 00:22:01,068 AND FROM THERE, 626 00:22:01,069 --> 00:22:02,585 SOME OF THOSE FANS MANAGED TO GRAB PHOTOS. 627 00:22:02,588 --> 00:22:04,989 PARKER: AND? 628 00:22:04,990 --> 00:22:07,391 NOW, THE FANS ARE HELPING US BY USING CAMERAS 629 00:22:07,393 --> 00:22:09,360 THAT COVERTLY ENCODE THE PHOTOS WITH GPS TAGS. 630 00:22:09,362 --> 00:22:10,962 WE KNOW WHERE THEY WERE TAKEN. 631 00:22:10,963 --> 00:22:12,563 PARKER ALL RIGHT. GET THIS INFORMATION TO WINNIE, 632 00:22:12,565 --> 00:22:13,898 HAVE HER REACH OUT TO LAW ENFORCEMENT. 633 00:22:13,900 --> 00:22:15,900 MAYBE SOMETHING COMES UP. 634 00:22:15,902 --> 00:22:17,401 HE'S TEXTING DANA. 635 00:22:17,403 --> 00:22:19,503 SPIKE: ARE YOU SERIOUS? 636 00:22:19,505 --> 00:22:22,807 JULES: (READING) "R U ALL RIGHT? JD." 637 00:22:22,809 --> 00:22:24,709 HE'S GOTTA KNOW THAT WE'VE BEEN QUESTIONING HER BY NOW. 638 00:22:24,711 --> 00:22:25,943 HE'S TESTING US. 639 00:22:25,945 --> 00:22:27,378 TALK TO HIM. 640 00:22:28,114 --> 00:22:30,448 JULES: I'M GOOD. 641 00:22:30,450 --> 00:22:32,616 SPIKE, CAN WE USE THIS TO TRACK HIS LOCATION? 642 00:22:32,618 --> 00:22:34,652 WE COULD, BUT HE SEEMS TO LIKE BORROWING CELL PHONES 643 00:22:34,654 --> 00:22:36,254 AND THEN USING THEM AS RED HERRINGS. 644 00:22:36,255 --> 00:22:37,855 BY THE TIME WE FIND THIS ONE... 645 00:22:37,856 --> 00:22:39,456 IT'S GONNA BE HANGING OFF ANOTHER RANDOM STRANGER. 646 00:22:39,459 --> 00:22:42,059 (TYPING) CAN I SEE U AGAIN? 647 00:22:44,497 --> 00:22:47,798 (PHONE BEEPS THEN CHIMES WITH RETURN MESSAGE) 648 00:22:48,735 --> 00:22:50,000 (INHALES AND EXHALES HEAVILY) 649 00:22:50,002 --> 00:22:53,504 SHE'S NOT INVOLVED. LEAVE HER ALONE, COPS. 650 00:22:53,506 --> 00:22:54,705 WAS WORTH A TRY. 651 00:22:56,576 --> 00:23:00,111 WE WANT TO HELP. 652 00:23:01,647 --> 00:23:04,749 (PHONE BEEPS THEN CHIMES WITH RETURN MESSAGE) 653 00:23:04,751 --> 00:23:06,384 WHAT'S, UH, ROFL... ROFLMAO? 654 00:23:06,385 --> 00:23:08,018 SPIKE: "ROLLING ON THE FLOOR LAUGHING MY ASS OFF." 655 00:23:08,020 --> 00:23:09,754 ALL RIGHT, I GET IT. 656 00:23:11,557 --> 00:23:13,040 WELL, HE CARES ABOUT DANA. 657 00:23:13,041 --> 00:23:14,524 JULES: HE DOESN'T WANT HER TO BE BLAMED. 658 00:23:14,527 --> 00:23:16,594 SOUND LIKE A NARCISSIST? 659 00:23:16,596 --> 00:23:18,118 ED: BOSS? LISTEN IN. 660 00:23:18,119 --> 00:23:19,641 I THINK WE KNOW WHY JAMIE CAME TO THE HOSTEL. 661 00:23:19,642 --> 00:23:21,164 WORDY: FOUND THE ENVELOPE IN MS. ALVAREZ' 662 00:23:21,167 --> 00:23:22,733 STAFF LOCKER DOWNSTAIRS. 663 00:23:22,735 --> 00:23:24,568 I HAD NO IDEA IT WAS THERE. 664 00:23:24,570 --> 00:23:26,570 FIVE THOUSAND DOLLARS, AND A NOTE. 665 00:23:26,572 --> 00:23:29,039 "MARIA, THANKS FOR BEING A FRIEND. JD." 666 00:23:30,910 --> 00:23:32,710 MARIA, DO YOU KNOW JAMIE DEE? 667 00:23:32,712 --> 00:23:34,645 THE GUY WITH THE GUN? HE DID THIS? 668 00:23:34,647 --> 00:23:35,813 SAM: HE COMMITTED A ROBBERY THIS MORNING, 669 00:23:35,814 --> 00:23:36,980 AND DROVE ALL THE WAY ACROSS TOWN 670 00:23:36,983 --> 00:23:38,783 TO GIVE YOU THE MONEY. 671 00:23:38,785 --> 00:23:40,285 WHY WOULD HE DO THAT? 672 00:23:40,286 --> 00:23:41,786 I HAVE NO IDEA. I DON'T KNOW THIS GUY. 673 00:23:41,788 --> 00:23:45,723 ED: OKAY, MARIA, YOU RECOGNIZE HIM? 674 00:23:45,725 --> 00:23:46,791 NO. 675 00:23:49,762 --> 00:23:52,496 SAME GUY, DIFFERENT LOOKS. 676 00:23:52,498 --> 00:23:55,833 NOW, ARE YOU SURE YOU DON'T RECOGNIZE ANY OF THEM? 677 00:23:55,835 --> 00:23:57,835 I'M TELLING YOU, I... 678 00:24:00,440 --> 00:24:01,505 WAIT. 679 00:24:03,609 --> 00:24:04,875 WAIT, THAT ONE... 680 00:24:07,647 --> 00:24:08,879 THAT'S DARCY. 681 00:24:08,881 --> 00:24:10,681 I USED TO LIVE IN VANCOUVER. 682 00:24:10,683 --> 00:24:12,733 THERE WAS A BOY, 683 00:24:12,734 --> 00:24:14,784 HE LIVED WITH THE FAMILY DOWN THE STREET. 684 00:24:14,787 --> 00:24:15,653 LIVED WITH THEM? 685 00:24:15,655 --> 00:24:17,521 FOSTER PARENTS. 686 00:24:17,523 --> 00:24:20,057 I USED TO SEE HIM IN THE NEIGHBORHOOD. 687 00:24:20,059 --> 00:24:21,892 SUPER-BRIGHT KID, 688 00:24:21,894 --> 00:24:23,761 FAST LEARNER. 689 00:24:23,763 --> 00:24:26,030 I TOLD HIM TO COME TO MY PLACE IF HE EVER NEEDED HELP, 690 00:24:26,032 --> 00:24:27,965 SO HE CAME OVER A LOT. 691 00:24:28,901 --> 00:24:31,569 ED: WAIT A SEC, NEEDED HELP? BUT WHY? 692 00:24:31,571 --> 00:24:35,172 MARIA: I... I DON'T REALLY KNOW WHAT WENT ON. 693 00:24:35,174 --> 00:24:38,476 I MEAN DARCY NEVER SAID ANYTHING... 694 00:24:38,478 --> 00:24:39,777 BUT? 695 00:24:39,779 --> 00:24:43,047 YOU SEE IT IN A KID, WHEN THEY MAKE UP EXCUSES, 696 00:24:44,617 --> 00:24:47,218 CAN'T MEET YOU IN THE EYE. 697 00:24:47,220 --> 00:24:48,686 BRUISES. 698 00:24:49,622 --> 00:24:53,190 THEN, ONE DAY, DARCY JUST DISAPPEARED. 699 00:24:53,192 --> 00:24:55,759 AND YOU'RE SURE THAT'S HIM? 700 00:24:56,696 --> 00:24:59,263 DARCY DUNLEAVY. 701 00:24:59,264 --> 00:25:01,831 I MEAN, HE WAS YOUNGER, MAYBE THIRTEEN, FOURTEEN, 702 00:25:01,834 --> 00:25:05,269 BUT... YEAH. YEAH, THAT'S HIM. 703 00:25:07,874 --> 00:25:09,106 OKAY, THANK YOU. 704 00:25:09,108 --> 00:25:11,208 WINNIE: DARCY JAMES DUNLEAVY. 705 00:25:11,210 --> 00:25:13,811 LOST HIS PARENTS IN A CAR ACCIDENT. 706 00:25:13,813 --> 00:25:16,080 LIVED IN A SERIES OF FOSTER HOMES TILL HE WAS 15. 707 00:25:16,082 --> 00:25:18,716 THEN IT LOOKS LIKE HE JUST DROPPED OFF THE MAP. 708 00:25:18,718 --> 00:25:19,850 CAN WE ACCESS A PHOTO? 709 00:25:19,852 --> 00:25:21,685 YEAH, I CAN PULL ONE OFF THE CASE-FILE. 710 00:25:22,622 --> 00:25:24,788 ACCORDING TO THE FILE, THIS KID'S ONLY SEVENTEEN. 711 00:25:24,790 --> 00:25:27,191 SAM: SEVENTEEN? HE'S JUST A KID. 712 00:25:27,193 --> 00:25:29,994 MIGHT'VE CALLED THIS ONE WRONG, SAM. 713 00:25:29,996 --> 00:25:32,663 JAMIE HAS 497,000 FOLLOWERS, 714 00:25:32,665 --> 00:25:34,698 BUT HE ONLY FOLLOWS ABOUT A DOZEN PEOPLE HIMSELF. 715 00:25:34,700 --> 00:25:36,000 I BACKTRACKED THE PUBLIC CHATTER 716 00:25:36,002 --> 00:25:38,168 AND THERE'S BUNCH OF TIMES WHEN HE AND ONE FOLLOWER 717 00:25:38,170 --> 00:25:41,038 BRANCH OFF INTO PRIVATE DIRECT MESSAGES. 718 00:25:41,040 --> 00:25:43,007 JULES: "SAGEX007." 719 00:25:43,009 --> 00:25:44,375 SHE SENT PICTURES. 720 00:25:44,376 --> 00:25:45,742 I FOUND A CACHE OF DM'S BETWEEN THE TWO OF THEM, 721 00:25:45,745 --> 00:25:47,611 STARTING SIX MONTHS AGO. 722 00:25:47,613 --> 00:25:49,580 PARKER: SO SHE STARTED OFF AS A FAN? 723 00:25:49,582 --> 00:25:50,959 SHE CAUGHT HIS ATTENTION, 724 00:25:50,960 --> 00:25:52,337 AND I'M GUESSING IT'S BECAUSE SHE DIDN'T ACT LIKE A FAN. 725 00:25:52,338 --> 00:25:53,715 EVERYBODY ELSE IS LIKE, "JAMIE, YOU'RE SO GREAT, 726 00:25:53,719 --> 00:25:55,703 YOU'RE SO AWESOME," SHE WRITES: 727 00:25:55,704 --> 00:25:57,688 "MUST BE HARD WHEN NO ONE KNOWS WHO YOU REALLY ARE. 728 00:25:57,690 --> 00:25:58,923 LIVING LIKE A SHADOW, 729 00:25:58,925 --> 00:26:00,925 ALWAYS LOOKING OVER YOUR SHOULDER." 730 00:26:00,927 --> 00:26:03,761 JULES: "HOW DO YOU KNOW WHO YOU CAN TRUST?" 731 00:26:03,763 --> 00:26:05,062 "I DON'T KNOW. I CAN'T TRUST. 732 00:26:05,064 --> 00:26:06,830 THE DOWNSIDE OF A DOUBLE LIFE." 733 00:26:06,832 --> 00:26:08,933 AND LISTEN, THIS IS WHAT SHE SENT HIM THREE DAYS LATER. 734 00:26:08,935 --> 00:26:10,801 SAGE: (RECORDING) HEY, JAMIE. UH, HOPE YOU DON'T MIND. 735 00:26:10,803 --> 00:26:12,937 I'M CALLING THIS "OUTLAW." 736 00:26:12,939 --> 00:26:15,272 ANYWAY, UH, HOPE IT DOESN'T SUCK. 737 00:26:15,274 --> 00:26:16,707 (PLAYS GUITAR) 738 00:26:18,210 --> 00:26:21,111 (SINGING) ¶ LIVING LIFE LIKE A SHADOW, ¶ 739 00:26:23,649 --> 00:26:27,718 ¶ AS THE LONELINESS SETS IN ¶ 740 00:26:30,156 --> 00:26:32,790 SPIKE: THE NEXT THING HE WRITES IS... 741 00:26:32,792 --> 00:26:34,792 PARKER: "SAGE, YOU TAKE MY BREATH AWAY." 742 00:26:34,794 --> 00:26:35,859 HE TOLD HER EVERYTHING. 743 00:26:35,861 --> 00:26:37,461 HIS FOSTER PARENTS. 744 00:26:37,462 --> 00:26:39,062 LOOKS LIKE SHE'S BEEN THERE TOO. 745 00:26:39,065 --> 00:26:40,982 CHECK OUT HIS ONE: 746 00:26:40,983 --> 00:26:42,900 "I'M SCARED AT NIGHT. WISH MY BEDROOM HAD A LOCK." 747 00:26:42,902 --> 00:26:45,002 SOUNDS LIKE SHE'S BEING ABUSED. 748 00:26:45,004 --> 00:26:46,070 AND HE EVEN TOLD HER ABOUT THE NIGHT 749 00:26:46,072 --> 00:26:47,304 HE SHOT THE SECURITY GUARD. 750 00:26:47,306 --> 00:26:48,806 TURNS OUT IT WAS A TOTAL ACCIDENT; 751 00:26:48,808 --> 00:26:50,708 THE GUY JUMPED HIM. 752 00:26:50,710 --> 00:26:52,309 PARKER: WE FIND HER, WE'LL FIND HIM. 753 00:26:52,311 --> 00:26:54,244 I'LL TRACK THE IP SERVER, FIND THE ADDRESS, 754 00:26:54,246 --> 00:26:56,046 GET THE INFO BACK TO WINNIE. 755 00:26:56,048 --> 00:26:57,815 WINNIE: ARE YOU GUYS SEEING THIS? 756 00:26:57,817 --> 00:27:01,151 A NEW LINK JUST POSTED ON HIS FAN SITE. 757 00:27:06,125 --> 00:27:08,225 I WANNA THANK EVERYONE WHO HELPED ME. 758 00:27:08,227 --> 00:27:10,260 YOU GUYS ARE IN MY HEART FOREVER. 759 00:27:10,262 --> 00:27:12,246 IF ALL YOU COPS ARE WATCHING, 760 00:27:12,247 --> 00:27:14,231 I GOT SOMETHING TO SAY TO YOU TOO. 761 00:27:14,233 --> 00:27:16,266 I'M DOIN' YOU CLOWNS A FAVOR. 762 00:27:16,268 --> 00:27:17,785 I'M HANGIN' UP MY HAT. 763 00:27:17,786 --> 00:27:19,303 BUT I GOT ONE LAST STAND TO MAKE, 764 00:27:19,305 --> 00:27:22,306 AND IF ANYONE GETS IN MY WAY, THINGS ARE GONNA GET UGLY. 765 00:27:22,308 --> 00:27:26,110 EVEN UGLIER THAN THE BASTARD I'M COMING FOR. 766 00:27:28,180 --> 00:27:29,880 YOU KNOW WHO YOU ARE. 767 00:27:29,882 --> 00:27:32,216 YOU'RE RUNNING OUT OF TIME. 768 00:27:43,796 --> 00:27:46,864 HEY, BOSS, THAT SECURITY GUARD SHOOTING THREE MONTHS AGO? 769 00:27:46,866 --> 00:27:49,700 WE'VE GOT SOME INTEL FROM A DETECTIVE IN NEW HAVEN. 770 00:27:49,702 --> 00:27:51,201 APPARENTLY JAMIE DEE GOT AWAY, 771 00:27:51,203 --> 00:27:53,937 BUT HE TOOK A BAD FALL OUT A WINDOW. 772 00:27:53,939 --> 00:27:55,839 ALL RIGHT... 773 00:27:55,840 --> 00:27:57,740 SAM: LAST WEEK, A LOCAL CAB DRIVER NAMED ARMAND KOHL 774 00:27:57,743 --> 00:27:59,376 WENT TO THE POLICE. 775 00:27:59,378 --> 00:28:01,378 ED'S GOT HIM ON THE LINE NOW. 776 00:28:01,380 --> 00:28:03,213 ALL RIGHT, WHAT CAN YOU TELL US, MR. KOHL? 777 00:28:03,215 --> 00:28:05,182 KOHL: THREE MONTHS AGO, I PICKED UP A FARE. 778 00:28:05,184 --> 00:28:06,884 IT WAS LATE, AFTER MIDNIGHT. 779 00:28:06,886 --> 00:28:09,687 I COULD SEE HE'S BEEN HURT - HE'S IN SOME KIND OF TROUBLE. 780 00:28:09,689 --> 00:28:10,955 ED: AND YOU DIDN'T REPORT THIS? 781 00:28:10,956 --> 00:28:12,222 KOHL: NO. I THOUGHT HE'S JUST A BOY. 782 00:28:12,224 --> 00:28:13,924 HE WAS RUNNING AWAY FROM SOMEWHERE, 783 00:28:13,926 --> 00:28:15,726 SO I TOOK HIM HOME. 784 00:28:15,728 --> 00:28:17,344 TO YOUR HOUSE? 785 00:28:17,345 --> 00:28:18,961 WHEN SOMEONE IS IN TROUBLE, WHAT DO YOU DO? 786 00:28:18,964 --> 00:28:20,030 YOU HELP THEM. 787 00:28:21,867 --> 00:28:23,867 KOHL: WATCH THE STAIRS. 788 00:28:24,904 --> 00:28:26,837 COUCH FOLDS OUT. I CAN BRING YOU A BLANKET. 789 00:28:26,839 --> 00:28:28,372 JAMIE: WHY... 790 00:28:28,374 --> 00:28:30,841 SO YOU CAN PHONE THE POLICE? 791 00:28:30,843 --> 00:28:33,143 WHY WOULD I DO THAT, HUH? 792 00:28:33,145 --> 00:28:35,946 (EMOTIONAL) I CAN'T DO THIS ANYMORE. 793 00:28:35,948 --> 00:28:38,616 I CAN'T... I CAN'T DO THIS. 794 00:28:38,617 --> 00:28:41,285 KOHL: THEN MAYBE IT'S TIME FOR YOU TO GO HOME. 795 00:28:41,287 --> 00:28:43,921 NOPE. I DON'T GOT ONE OF THOSE. 796 00:28:44,857 --> 00:28:47,057 TO A FRIEND THEN? 797 00:28:48,928 --> 00:28:52,262 460,000 FOLLOWERS, NO FRIENDS. 798 00:28:53,199 --> 00:28:55,866 YOU MUST HAVE A FRIEND. 799 00:28:57,870 --> 00:28:59,136 ONE FRIEND. 800 00:29:00,072 --> 00:29:01,138 SAGE. 801 00:29:02,308 --> 00:29:04,074 TWO FRIENDS. 802 00:29:04,877 --> 00:29:06,944 MY NAME'S ARMAND. 803 00:29:08,314 --> 00:29:09,379 DARCY. 804 00:29:10,783 --> 00:29:13,016 NEXT MORNING, HE WAS GONE. 805 00:29:13,018 --> 00:29:14,885 BUT THEN LAST WEEK, HE TURNS UP AGAIN, 806 00:29:14,887 --> 00:29:16,103 OUT OF THE BLUE, 807 00:29:16,104 --> 00:29:17,320 AND HE GIVES ME AN ENVELOPE. 808 00:29:17,323 --> 00:29:18,822 IT'S FULL OF MONEY. 809 00:29:18,824 --> 00:29:20,357 FIVE THOUSAND DOLLARS. 810 00:29:20,359 --> 00:29:22,226 I SAY TO HIM, "WHAT'S THIS?" 811 00:29:22,228 --> 00:29:24,161 HE SAYS, "THANK YOU." 812 00:29:24,163 --> 00:29:25,663 THAT'S WHEN I CALL THE POLICE. 813 00:29:25,664 --> 00:29:27,164 BECAUSE THIS MONEY, IT'S TOO MUCH, 814 00:29:27,166 --> 00:29:28,432 AND IT ISN'T MINE. 815 00:29:28,434 --> 00:29:30,134 ED: 'KAY, HE SAY ANYTHING ELSE? 816 00:29:30,136 --> 00:29:34,805 KOHL: HE SAID: "YOU'RE NOT GOING TO SEE ME AGAIN." 817 00:29:34,807 --> 00:29:36,974 ALL RIGHT, THANKS, MR. KOHL. 818 00:29:36,976 --> 00:29:39,009 PARKER: THANKS, EDDIE. 819 00:29:39,945 --> 00:29:43,046 SO, YEARS OF BEING NOT WANTED, HE STUMBLES ON KINDNESS. 820 00:29:43,048 --> 00:29:45,482 REPAYS ALL THOSE PEOPLE WHO HELPED HIM IN THE PAST. 821 00:29:45,484 --> 00:29:48,085 MARIA ALVAREZ, TAXI DRIVER. 822 00:29:48,087 --> 00:29:50,154 DO YOU THINK THAT THIS IS A SUICIDE SCENARIO? 823 00:29:50,156 --> 00:29:52,990 HE'S DEFINITELY CLEARING THE SLATE. 824 00:29:52,992 --> 00:29:54,992 (EXHALES) CLASSIC PATTERN. 825 00:29:54,993 --> 00:29:56,993 PARKER: BUT THIS LAST MESSAGE WAS A THREAT. 826 00:29:56,996 --> 00:29:58,996 THERE'S SOMEONE ELSE WHO DESERVES TO DIE. 827 00:29:58,998 --> 00:30:01,031 SPIKE: BOSS, WE'VE FOUND SAGE'S IP ADDRESS. 828 00:30:01,033 --> 00:30:03,834 REGISTERED TO THE HOUSE OF A STEPHEN CUNNINGHAM. 829 00:30:03,836 --> 00:30:05,936 PARKER: A STEPHEN CUNNINGHAM OR THE STEPHEN CUNNINGHAM? 830 00:30:05,938 --> 00:30:08,088 UH... LOST ME, BOSS. 831 00:30:08,089 --> 00:30:10,239 PARKER: SPIKE, THE MILLIONAIRE WHO JUST BAILED OUT THE SYMPHONY. 832 00:30:10,242 --> 00:30:12,442 OH, RIGHT, THAT THING WITH THE WOODEN INSTRUMENTS, 833 00:30:12,444 --> 00:30:14,578 PLAYS SONGS FROM A THOUSAND YEARS AGO. 834 00:30:14,580 --> 00:30:16,180 I KEEP UP WITH THE ARTS. 835 00:30:16,182 --> 00:30:18,048 I READ THAT ARTICLE. 836 00:30:18,050 --> 00:30:20,117 HE'S BUYING THE NAMING RIGHTS TO THE PHILHARMONIC. 837 00:30:20,119 --> 00:30:21,485 SPIKE: AND THERE IT IS. 838 00:30:21,487 --> 00:30:23,854 INAUGURAL CONCERT AND PRESS CONFERENCE 839 00:30:23,856 --> 00:30:24,855 AT KOERNER HALL. 840 00:30:24,857 --> 00:30:26,140 STARTS IN 15 MINUTES. 841 00:30:26,141 --> 00:30:27,424 JULES: OVER-PRIVILEGED GUY PUTTING A SPOTLIGHT 842 00:30:27,426 --> 00:30:29,026 ON HIS OWN GENEROSITY? 843 00:30:29,028 --> 00:30:30,160 SOUNDS LIKE A JAMIE DEE TARGET. 844 00:30:30,162 --> 00:30:31,995 JAMIE'S GOING AFTER SAGE'S FATHER. 845 00:30:31,997 --> 00:30:34,364 TEAM ONE, ALL HANDS. WE'RE GOING TO KOERNER HALL. 846 00:30:37,102 --> 00:30:39,119 (COMPUTER BEEPS) 847 00:30:39,120 --> 00:30:41,137 SAGE: (RECORDING) ANYWAY. UH... HOPE IT DOESN'T SUCK. 848 00:30:55,487 --> 00:30:56,253 SAGE: HELLO? 849 00:30:56,255 --> 00:30:57,588 SAGE, IT'S ME. 850 00:30:57,590 --> 00:30:58,973 JAMIE: HEY YOU. 851 00:30:58,974 --> 00:31:00,357 HOPE YOU'RE PACKED; SHOW STARTS IN TEN. 852 00:31:00,359 --> 00:31:02,109 SAGE: SO AWESOME. 853 00:31:02,110 --> 00:31:03,860 JAMIE: MEDIA'S HERE, LIVECAST IS STANDING BY, 854 00:31:03,863 --> 00:31:06,163 THE WHOLE WORLD IS GONNA SEE THE LOOK ON HIS FACE. 855 00:31:06,165 --> 00:31:07,381 SAGE: YOU SURE YOU'RE OKAY 856 00:31:07,382 --> 00:31:08,598 WITH THE BANK ACCOUNT BEING MINE? 857 00:31:08,601 --> 00:31:10,167 CAN YOU PICTURE ME WALKING INTO A BANK, 858 00:31:10,169 --> 00:31:12,286 HANDING OVER ID? 859 00:31:12,287 --> 00:31:14,404 SAGE: (LAUGHS) GOT A POINT THERE, PARDNER. 860 00:31:14,406 --> 00:31:16,340 SAGE... 861 00:31:16,342 --> 00:31:17,441 THE MAN WILL NEVER TOUCH YOU AGAIN, 862 00:31:17,443 --> 00:31:19,176 FOR AS LONG AS I LIVE. 863 00:31:20,112 --> 00:31:21,178 (SIRENS WAIL) 864 00:31:21,180 --> 00:31:23,280 WINNIE, WHAT HAVE YOU GOT ON CUNNINGHAM? 865 00:31:23,281 --> 00:31:25,381 WINNIE: ASIDE FROM HIS CAREER AS A MASSIVELY SUCCESSFUL 866 00:31:25,384 --> 00:31:26,917 INTERNATIONAL BANKER? 867 00:31:26,919 --> 00:31:28,769 SOMETHING ON THE MORE PERSONAL SIDE. 868 00:31:28,770 --> 00:31:30,620 WINNIE: HE'S VERY PROTECTIVE OF HIS PERSONAL LIFE. 869 00:31:30,623 --> 00:31:31,872 I HAD TO GET CLEARANCE TO FIND OUT 870 00:31:31,873 --> 00:31:33,122 HE LIVES WITH HIS SECOND WIFE, BETH. 871 00:31:33,125 --> 00:31:36,193 TWO KIDS - 17-YEAR-OLD STEPSON, KYLE, 872 00:31:36,195 --> 00:31:37,060 AND HIS DAUGHTER. 873 00:31:37,062 --> 00:31:38,795 SAGE. 874 00:31:38,796 --> 00:31:40,529 WINNIE: SAGE, SIX YEARS OLD. 875 00:31:40,532 --> 00:31:42,499 SIX YEARS OLD? SIX YEARS OLD? 876 00:31:42,501 --> 00:31:44,201 WINNIE, ARE YOU SURE? 877 00:31:44,203 --> 00:31:45,669 WINNIE: YEAH. 878 00:31:48,207 --> 00:31:51,441 SAGE: (RECORDING) ANYWAY, UH... HOPE IT DOESN'T SUCK. 879 00:31:51,443 --> 00:31:52,726 TELL ME WHAT YOU... 880 00:31:52,727 --> 00:31:54,010 (DISTORTED AUDIO PLAYBACK) ANYWAY... UH... 881 00:31:54,013 --> 00:31:56,147 HOPE IT DOESN'T SUCK. 882 00:31:56,148 --> 00:31:58,282 (VOICE GETS LOWER) TELL ME WHAT YOU THI... HOPE IT DOESN'T SUCK. 883 00:31:58,284 --> 00:31:59,650 TELL ME... SUCK.. 884 00:32:00,586 --> 00:32:02,419 HOPE IT DOESN'T SUCK. 885 00:32:02,421 --> 00:32:04,454 (MALE VOICE) ...DOESN'T SUCK. 886 00:32:04,456 --> 00:32:07,057 ...IT DOESN'T SUCK. TELL ME WHAT YOU... 887 00:32:07,059 --> 00:32:08,558 SPIKE: WE MISSED IT. ED: WHAT'D WE MISS? 888 00:32:08,560 --> 00:32:10,394 SPIKE: IT WAS CAUGHT ON MIC AT THE END OF SAGE'S SONG. 889 00:32:10,396 --> 00:32:11,662 IT WAS THE SOUND OF A CAR HORN. 890 00:32:11,664 --> 00:32:13,096 THE PITCH WAS TOO HIGH. 891 00:32:13,098 --> 00:32:14,464 AND? 892 00:32:14,465 --> 00:32:15,831 SPIKE: THERE'S A REASON THAT THE VOICE WAS HUSKY. 893 00:32:15,832 --> 00:32:17,198 IT'S VOICE TRANSPOSITION SOFTWARE. 894 00:32:17,202 --> 00:32:18,402 YOU CAN ADJUST A PITCH, 895 00:32:18,403 --> 00:32:19,603 YOU CAN MESS WITH THE AGE AND GENDER. 896 00:32:19,605 --> 00:32:21,171 DOES IT WORK ON THE PHONE IN REAL-TIME? 897 00:32:21,173 --> 00:32:22,506 YEAH, I'VE EVEN SEEN PORTABLE MODELS 898 00:32:22,508 --> 00:32:23,986 FOR CELL PHONES. 899 00:32:23,987 --> 00:32:25,465 JULES: BUT THOSE DIRECT MESSAGES 900 00:32:25,466 --> 00:32:26,944 DEFINITELY ORIGINATED IN THE CUNNINGHAM HOUSE. 901 00:32:26,946 --> 00:32:28,345 WELL, THERE'S ONLY ONE KID IN THAT HOUSE 902 00:32:28,347 --> 00:32:29,947 WHO'D KNOW HOW TO DO THIS. 903 00:32:29,949 --> 00:32:31,181 SPIKE: I'M ALREADY ON IT, BOSS. 904 00:32:32,551 --> 00:32:34,184 I'M ON KYLE'S WEBSITE NOW. 905 00:32:34,186 --> 00:32:35,585 SEEMS TO BE A LOT OF HATE MESSAGES 906 00:32:35,587 --> 00:32:38,288 DIRECTED TOWARDS HIS STEPFATHER CUNNINGHAM. 907 00:32:38,290 --> 00:32:41,291 THIS KID'S GOT SOME PROBLEMS. 908 00:32:43,529 --> 00:32:46,263 SAGE: THE CAR'LL BE PULLING UP OUT BACK BY THE STAGE DOOR. 909 00:32:46,265 --> 00:32:47,414 I PACKED MY GUITAR. 910 00:32:47,415 --> 00:32:48,564 WHICH YOU'LL BE TEACHING ME, BY THE WAY, 911 00:32:48,567 --> 00:32:50,167 LIKE YOU PROMISED. 912 00:32:50,169 --> 00:32:52,169 ALL I KNOW IS LIKE G, C, AND D. 913 00:32:52,171 --> 00:32:54,037 KYLE: I'LL TEACH YOU EVERYTHING I KNOW. 914 00:32:54,039 --> 00:32:56,173 WE'LL HAVE ALL THE TIME IN THE WORLD. 915 00:32:56,175 --> 00:32:57,174 JAMIE: SAGE... 916 00:32:57,176 --> 00:32:58,208 YEAH, PARDNER? 917 00:32:59,178 --> 00:33:01,111 UM... 918 00:33:01,113 --> 00:33:02,746 NOTHING. I, UH... 919 00:33:02,748 --> 00:33:04,314 I LOVE YOU, I GUESS. 920 00:33:05,250 --> 00:33:07,017 CUNNINGHAM: HEY, KYLE. 921 00:33:07,019 --> 00:33:10,153 RIGHT BACK AT YOU. SEE YOU VERY SOON. 922 00:33:20,766 --> 00:33:22,399 ED: I DON'T GET IT. A GUY THAT SMART... 923 00:33:22,401 --> 00:33:24,201 HOW COULD HE NOT HAVE SUSPECTED SOMETHING? 924 00:33:24,203 --> 00:33:26,236 JULES: GROWING UP, NOBODY WANTED HIM... 925 00:33:26,238 --> 00:33:28,205 NOWHERE HE BELONGED. 926 00:33:28,207 --> 00:33:30,340 MAYBE WHEN YOU FINALLY LET SOMEBODY GET CLOSE... 927 00:33:32,077 --> 00:33:33,343 TO TRUST SOMEONE... 928 00:33:33,345 --> 00:33:36,213 JULES: MAYBE YOU SEE WHAT YOU WANNA SEE. 929 00:33:36,215 --> 00:33:37,514 AND HE'S JUST SEVENTEEN. 930 00:33:40,452 --> 00:33:42,219 THANKS FOR COMING. 931 00:33:42,221 --> 00:33:44,287 ALWAYS A PLEASURE. 932 00:33:47,259 --> 00:33:49,059 GOOD AFTERNOON, LADIES AND GENTLEMEN, 933 00:33:49,061 --> 00:33:51,628 AND THANK YOU SO MUCH FOR COMING. 934 00:33:51,630 --> 00:33:53,663 I WANNA THANK MY TEAM FOR MAKING MY DREAM 935 00:33:53,665 --> 00:33:56,566 OF SPONSORING THIS CITY'S PHILHARMONIC A REALITY. 936 00:33:56,568 --> 00:34:00,170 I AM HERE TODAY TO FULFILL MY PROMISE. 937 00:34:00,172 --> 00:34:02,672 I DON'T GET TO CUT A RIBBON, 938 00:34:02,674 --> 00:34:05,776 BUT I DO GET TO PRESS A BUTTON... 939 00:34:05,778 --> 00:34:08,678 (MONITOR BEEPS, ATTENDEES APPLAUD) 940 00:34:09,715 --> 00:34:13,383 THE TUNE OF $7,000,000 DOLLARS. 941 00:34:14,319 --> 00:34:15,719 (ATTENDEES APPLAUD) 942 00:34:16,655 --> 00:34:18,188 MR. CUNNINGHAM! 943 00:34:18,791 --> 00:34:20,057 YES? 944 00:34:21,126 --> 00:34:23,660 I'M SORRY, WHO ARE YOU? 945 00:34:23,662 --> 00:34:27,064 IT'S YOUR WORST NIGHTMARE. 946 00:34:27,066 --> 00:34:29,066 LADIES AND GENTLEMEN... 947 00:34:29,802 --> 00:34:31,568 WE ARE LIVE. 948 00:34:38,343 --> 00:34:40,243 HE'S DOING IT AGAIN. HE'S LIVECASTING. 949 00:34:40,245 --> 00:34:42,579 JAMIE: CAMERAS FACE THE FLOOR, NOW. 950 00:34:42,581 --> 00:34:43,647 COME ON. 951 00:34:44,583 --> 00:34:45,649 I'M RUNNING THIS SHOW. 952 00:34:45,651 --> 00:34:48,518 AND I'M REAL SHY ABOUT MY FACE. 953 00:34:49,655 --> 00:34:51,655 I SAID, NOW! LET'S GO! 954 00:34:53,592 --> 00:34:56,793 DON'T WORRY, THE WORLD WILL BE WATCHING. 955 00:34:59,465 --> 00:35:00,697 SPIKE: HE'S ONSTAGE RIGHT NOW. 956 00:35:00,699 --> 00:35:02,599 YOU CAN SEE EVERYTHING BUT HIS FACE. 957 00:35:02,601 --> 00:35:04,468 PARKER: JULES, YOU TALK; WORDY, COVER. 958 00:35:04,470 --> 00:35:06,203 ED: SAM, SIERRA, TAKE THE CATWALK. 959 00:35:06,205 --> 00:35:08,205 WE GOTTA WRAP THIS UP BEFORE THE TRUTH HITS. 960 00:35:10,876 --> 00:35:13,176 JAMIE: HEY, HEY, HEY. 961 00:35:13,178 --> 00:35:14,878 IT'S YOUR BIG DAY. 962 00:35:14,880 --> 00:35:16,546 DON'T MOVE. 963 00:35:25,657 --> 00:35:27,557 YOUR CAPTAIN OF INDUSTRY, 964 00:35:27,559 --> 00:35:29,860 YOUR COMMUNITY LEADER, 965 00:35:29,862 --> 00:35:31,661 MR. DO GOOD DOES BAD. 966 00:35:33,565 --> 00:35:35,432 HE DOES REALLY BAD. 967 00:35:38,604 --> 00:35:40,570 SIERRA IN POSITION. 968 00:35:40,572 --> 00:35:42,506 JULES: KYLE SEES JAMIE AS AN OPPORTUNITY. 969 00:35:42,508 --> 00:35:44,641 PARKER: SO HE PRETENDS TO BE A YOUNG WOMAN, 970 00:35:44,643 --> 00:35:45,909 PLAYING ON JAMIE'S ABUSIVE PAST 971 00:35:45,911 --> 00:35:47,744 AND LURES HIM HERE TO DO WHAT? 972 00:35:47,746 --> 00:35:50,647 RESCUE THE GIRL BY KILLING THE STEPFATHER? 973 00:35:50,649 --> 00:35:53,450 WORDY: OR IS HE JUST AFTER HIS MONEY? 974 00:35:53,452 --> 00:35:55,819 JAMIE: (MUFFLED CHATTER) 975 00:35:57,856 --> 00:36:01,458 FOLKS, ALLOW ME TO REINTRODUCE YOU ALL TO... 976 00:36:01,460 --> 00:36:02,926 MR. CUNNINGHAM! 977 00:36:02,928 --> 00:36:04,528 PHILANTHROPIST, 978 00:36:04,530 --> 00:36:05,896 MULTI-MILLIONAIRE, 979 00:36:05,898 --> 00:36:07,664 MUSIC LOVER... 980 00:36:07,666 --> 00:36:08,899 (BUTTON BEEPS) 981 00:36:10,636 --> 00:36:11,768 CHILD ABUSER. 982 00:36:17,643 --> 00:36:20,377 YOU LISTEN TO ME. 983 00:36:20,379 --> 00:36:22,812 NEVER MISS A GOOD CHANCE TO SHUT UP. 984 00:36:22,814 --> 00:36:26,816 PARTNERS, DO I WANT THE MONEY OF A VIOLENT MAN? 985 00:36:29,588 --> 00:36:32,389 A CRUEL, SICK MONSTER, 986 00:36:32,391 --> 00:36:34,191 WHO BEATS HIS DAUGHTER 987 00:36:34,193 --> 00:36:37,494 AND THREATENS WORSE IF SHE SPEAKS? 988 00:36:37,496 --> 00:36:40,047 PARKER: CHILD ABUSE. 989 00:36:40,048 --> 00:36:42,599 THAT'S HOW KYLE GAINED JAMIE'S SYMPATHIES. 990 00:36:44,570 --> 00:36:47,871 JAMIE: MY HEART'S NOT IN THIS, BUT I GOT A JOB TO DO. 991 00:36:47,873 --> 00:36:49,673 CUNNINGHAM: I DON'T KNOW WHO YOU ARE OR WHY YOU WANNA DO THIS, 992 00:36:49,675 --> 00:36:51,341 BUT THAT IS NOT MY- 993 00:36:57,216 --> 00:36:58,982 THIS IS A STICK-UP. 994 00:36:58,984 --> 00:37:00,917 EXCEPT I'M NOT TAKING WALLETS THIS TIME. 995 00:37:00,919 --> 00:37:03,587 I'M GONNA DRAIN THIS MAN DRY. 996 00:37:03,589 --> 00:37:06,756 SO THIS IS HOW IT'S GONNA WORK. 997 00:37:06,758 --> 00:37:07,824 (BUTTON BEEPS) 998 00:37:07,826 --> 00:37:09,593 IT'S COMING OUTTA THIS ACCOUNT 999 00:37:09,595 --> 00:37:11,761 AND IT'S GONNA GO INTO THIS ACCOUNT, 1000 00:37:11,763 --> 00:37:13,597 AND YOU, 1001 00:37:13,599 --> 00:37:16,766 YOU ARE GONNA ENTER YOUR PASSWORD... 1002 00:37:16,768 --> 00:37:17,834 NOW! 1003 00:37:19,605 --> 00:37:21,504 THEN SAGE AND I ARE GONNA RIDE INTO THE SUNSET. 1004 00:37:22,441 --> 00:37:24,374 SAGE? 1005 00:37:24,376 --> 00:37:26,476 LAY ONE FINGER ON MY DAUGHTER...! 1006 00:37:26,478 --> 00:37:29,613 BETH, GET SAGE OUT OF HERE! GET OUT OF HERE NOW! 1007 00:37:29,615 --> 00:37:32,515 GET SAGE OUT OF HERE NOW! GO! 1008 00:37:32,517 --> 00:37:33,583 SAGE?! 1009 00:37:34,653 --> 00:37:35,652 PARKER: MRS. CUNNINGHAM? 1010 00:37:35,654 --> 00:37:37,787 THAT'S NOT SAGE. 1011 00:37:37,789 --> 00:37:40,023 PARKER: JUST GO, GO. 1012 00:37:41,860 --> 00:37:43,526 JULES: DARCY DUNLEAVY! 1013 00:37:43,528 --> 00:37:45,946 I'M JULES CALLAGHAN 1014 00:37:45,947 --> 00:37:48,365 WITH THE POLICE STRATEGIC RESPONSE UNIT. 1015 00:37:48,367 --> 00:37:49,532 KYLE: JAMIE. 1016 00:37:49,534 --> 00:37:50,767 DON'T STOP NOW, 1017 00:37:50,769 --> 00:37:52,535 YOU'RE SO CLOSE. 1018 00:37:52,537 --> 00:37:53,770 WHO THE HELL ARE YOU? 1019 00:37:53,772 --> 00:37:54,938 KYLE, WHAT THE HELL ARE YOU DOING? 1020 00:37:57,643 --> 00:38:00,043 DARCY, JUST LOWER YOUR WEAPON, OKAY? 1021 00:38:00,045 --> 00:38:01,411 AND THERE'LL BE TIME TO EXPLAIN 1022 00:38:01,413 --> 00:38:03,446 EVERYTHING THAT'S HAPPENING. 1023 00:38:03,448 --> 00:38:05,682 KYLE: JUST DO IT, JUST PRESS THE BUTTON. 1024 00:38:05,684 --> 00:38:07,984 THEN YOU CAN DO WHATEVER YOU WANT - 1025 00:38:07,986 --> 00:38:09,653 LEARN HOW TO PLAY THE GUITAR, ANYTHING. 1026 00:38:09,655 --> 00:38:11,354 YOU'RE SO CLOSE. 1027 00:38:11,356 --> 00:38:12,789 YOU... 1028 00:38:12,791 --> 00:38:13,857 YOU'RE SAGE. 1029 00:38:15,661 --> 00:38:16,660 YOU... 1030 00:38:16,662 --> 00:38:18,595 NOTHING'S CHANGED. H! 1031 00:38:18,597 --> 00:38:19,596 KYLE: HE'S STILL A BASTARD! 1032 00:38:19,598 --> 00:38:21,564 SIERRA, STANDBY. 1033 00:38:21,566 --> 00:38:22,799 COPY. 1034 00:38:22,801 --> 00:38:24,834 JAMIE: TURN THOSE CAMERAS OFF RIGHT NOW! 1035 00:38:24,836 --> 00:38:27,437 PARKER: SHUT 'EM DOWN. JAMIE: TURN 'EM OFF! 1036 00:38:27,439 --> 00:38:29,739 JULES: DARCY, LOOK AT ME. 1037 00:38:30,676 --> 00:38:32,776 YOU'RE GONNA LET ME GO OUTTA HERE. 1038 00:38:32,778 --> 00:38:34,311 NICE AND SLOW. 1039 00:38:34,313 --> 00:38:35,478 JULES: WE COULD DO THAT, 1040 00:38:35,480 --> 00:38:37,163 BUT THINK ABOUT IT. 1041 00:38:37,164 --> 00:38:38,847 HOW LONG DO YOU REALLY WANNA LIVE ON THE RUN? 1042 00:38:38,850 --> 00:38:40,300 AS LONG AS IT TAKES! 1043 00:38:40,301 --> 00:38:41,751 AND WHEN I GO IT'S NOT GONNA BE LIKE THIS. 1044 00:38:41,753 --> 00:38:43,086 SO STAND BACK AND LET ME OUT OF HERE 1045 00:38:43,088 --> 00:38:45,689 OR I SWEAR TO GOD I'LL SHOOT THIS BASTARD! 1046 00:38:45,691 --> 00:38:48,625 I SWEAR I'LL DO IT! 1047 00:38:48,626 --> 00:38:51,560 JULES: OKAY, DARCY, YOU KNOW THAT WE WILL NOT LET YOU DO THAT. 1048 00:38:51,563 --> 00:38:53,797 THEN FINE. BLAZE OF GLORY. 1049 00:38:55,834 --> 00:38:56,766 I GOT NO ONE. 1050 00:38:57,869 --> 00:39:00,036 NO ONE AND NOTHING, 1051 00:39:00,038 --> 00:39:01,538 AND I'M NOT GOING TO JAIL! 1052 00:39:01,540 --> 00:39:03,973 YOU HAVE HALF A MILLION PEOPLE LOOKING TO YOU 1053 00:39:03,975 --> 00:39:06,843 TO BE SOMETHING AMAZING FOR THEM. 1054 00:39:06,845 --> 00:39:08,712 JAMIE: THEY'RE NOT PEOPLE, THEY'RE FOLLOWERS. 1055 00:39:08,714 --> 00:39:10,447 JULES: THEY'RE PEOPLE. 1056 00:39:10,449 --> 00:39:12,816 AND THEY'RE YOUNG, AND THEY'RE JUST LIKE YOU 1057 00:39:12,818 --> 00:39:16,820 AND LOOKING FOR SOMETHING TO HOLD ONTO. 1058 00:39:16,822 --> 00:39:18,888 THEY DON'T KNOW ME. THEY DON'T KNOW ME. 1059 00:39:18,890 --> 00:39:20,890 JULES: NOT YET. 1060 00:39:20,892 --> 00:39:24,527 NOT UNLESS YOU LET THEM KNOW WHO YOU REALLY ARE. 1061 00:39:24,529 --> 00:39:26,796 I'M NOTHING. (WHIMPERS) 1062 00:39:26,798 --> 00:39:28,398 I'M NOTHING. 1063 00:39:28,400 --> 00:39:29,799 JULES: DARCY, YOU'RE WRONG. 1064 00:39:29,801 --> 00:39:31,668 I THINK THAT YOU'RE JUST- 1065 00:39:31,670 --> 00:39:33,236 DARCY, LOOK AT ME. 1066 00:39:33,237 --> 00:39:34,803 I THINK YOU'RE JUST DISCOVERING WHO YOU REALLY ARE, 1067 00:39:34,806 --> 00:39:36,973 AND THAT IS REAL. 1068 00:39:37,909 --> 00:39:42,112 AND YOU HAVE THE POWER TO INSPIRE A LOT OF PEOPLE - 1069 00:39:42,114 --> 00:39:44,147 AND THAT'S REAL. 1070 00:39:44,149 --> 00:39:46,783 YOU MADE THAT HAPPEN 1071 00:39:46,785 --> 00:39:48,785 AND NOW IT'S YOU'RE RESPONSIBILITY. 1072 00:39:48,787 --> 00:39:52,889 497,000 PEOPLE SEE A GUY 1073 00:39:52,891 --> 00:39:56,559 WHO IS NOT AFRAID TO SHOW WHO HE REALLY IS. 1074 00:39:57,863 --> 00:40:00,930 AND YOU ARE NOT A KILLER. 1075 00:40:00,932 --> 00:40:02,699 DARCY, YOU'RE NOT. 1076 00:40:03,635 --> 00:40:05,635 PROVE IT, PLEASE. 1077 00:40:07,005 --> 00:40:08,772 (WHIMPERS QUIETLY) 1078 00:40:09,908 --> 00:40:11,941 JULES: YOU'RE SEVENTEEN. 1079 00:40:11,943 --> 00:40:14,177 YOU'RE JUST A YOUNG OFFENDER. 1080 00:40:14,179 --> 00:40:15,445 OKAY? 1081 00:40:17,883 --> 00:40:20,817 YOU'VE GOT PLENTY OF TIME. 1082 00:40:22,788 --> 00:40:24,788 I PROMISE, IT'S OKAY. 1083 00:40:27,859 --> 00:40:29,859 IT'S OKAY, DARCY. 1084 00:40:31,930 --> 00:40:33,830 JAMIE: (CRIES QUIETLY) 1085 00:40:39,805 --> 00:40:41,538 I THINK IT'S TIME YOU HANG UP YOUR HAT. 1086 00:40:46,945 --> 00:40:48,812 WORDY: TURN AROUND. 1087 00:40:57,155 --> 00:40:59,923 COME ON, LET'S SIT DOWN. 1088 00:41:01,693 --> 00:41:03,059 TURN AROUND. 1089 00:41:04,796 --> 00:41:06,930 ¶ You're piling up the lies ¶ 1090 00:41:10,635 --> 00:41:13,536 ¶ And you're running down the stairs ¶ 1091 00:41:14,873 --> 00:41:16,840 YOU'RE GOING TO BE ALL RIGHT, OKAY? 1092 00:41:16,842 --> 00:41:19,976 ¶ I caught you by surprise ¶ 1093 00:41:23,014 --> 00:41:25,882 ¶ I caught you in a lie ¶ 1094 00:41:25,884 --> 00:41:28,218 ¶ Yeah ¶ 1095 00:41:29,154 --> 00:41:31,488 ¶ I'm climbing up the walls ¶ 1096 00:41:35,126 --> 00:41:39,195 ¶ And I'm running down the hall ¶ 1097 00:41:41,566 --> 00:41:45,535 ¶ You caught me by surprise ¶ 1098 00:41:47,739 --> 00:41:49,806 ¶ I caught you in a lie, yeah ¶ 1099 00:41:50,742 --> 00:41:52,675 NAT? 1100 00:41:52,677 --> 00:41:54,043 NO, YOU WERE RIGHT. I'M GONNA CLEAR OUT 1101 00:41:54,045 --> 00:41:55,578 AND YOU CAN HAVE YOUR LIFE BACK. 1102 00:41:55,580 --> 00:41:58,982 YOU'RE ALREADY IN MY LIFE, OKAY? 1103 00:41:58,984 --> 00:42:00,984 I'VE BEEN AN IDIOT. 1104 00:42:00,986 --> 00:42:03,987 I WANT YOU TO STAY WITH ME. 1105 00:42:05,824 --> 00:42:07,190 IS THIS THE PART 1106 00:42:07,191 --> 00:42:08,557 WHERE I'M SUPPOSED TO GIVE YOU A HUG? 1107 00:42:08,560 --> 00:42:11,294 YOU CAN GRAB US A COUPLE OF BEERS. 1108 00:42:11,296 --> 00:42:13,963 TWO WEEKS. A MONTH, TOPS. 1109 00:42:13,965 --> 00:42:15,532 OKAY, BUT ANY LONGER, 1110 00:42:15,534 --> 00:42:17,567 ONE OF US IS GONNA NEED TO LEARN HOW TO COOK. 1111 00:42:17,569 --> 00:42:19,168 PROBABLY SHOULD ANYWAY. 1112 00:42:20,105 --> 00:42:23,172 NEVER REALLY HAD ANYONE TO COOK FOR. 1113 00:42:24,876 --> 00:42:25,942 SO... 1114 00:42:27,012 --> 00:42:28,077 JULES. 1115 00:42:32,017 --> 00:42:33,082 YEAH. 1116 00:42:33,084 --> 00:42:36,052 NATALIE: OKAY, LOOK. THIS IS PROBABLY NOT MY PLACE - 1117 00:42:36,054 --> 00:42:38,721 I MEAN, WHO AM I TO SAY THIS - BUT... 1118 00:42:38,723 --> 00:42:40,790 THE WAY I SEE IT, SAMMY, 1119 00:42:40,792 --> 00:42:42,592 YOU'VE GOT THIS WOMAN AND YOU'VE GOT THIS JOB 1120 00:42:42,594 --> 00:42:44,961 AND THE SNEAKING AROUND...? 1121 00:42:44,963 --> 00:42:48,665 IT'S NOT MUCH OF A FIVE-YEAR PLAN. 1122 00:42:48,667 --> 00:42:51,801 DO YOU HEAR WHAT I'M SAYING? 1123 00:42:51,803 --> 00:42:53,803 YOU... 1124 00:42:53,805 --> 00:42:55,872 YOU HAVE ONE LIFE. 1125 00:42:57,108 --> 00:42:59,108 WHAT DO YOU WANT? 1126 00:43:01,012 --> 00:43:04,781 ¶ They're all gone ¶ 1127 00:43:07,185 --> 00:43:14,157 ¶¶¶ 1128 00:43:14,159 --> 00:43:16,092 ¶ Ooh ¶ 1129 00:43:17,028 --> 00:43:19,095 ¶ Ooh ¶