1
00:00:05,706 --> 00:00:07,639
GOOD AFTERNOON,
LADIES AND GENTLEMEN.
2
00:00:07,641 --> 00:00:09,508
THANK YOU SO MUCH
FOR COMING.
3
00:00:11,679 --> 00:00:14,346
I DON'T GET TO CUT
A RED RIBBON,
4
00:00:14,348 --> 00:00:17,750
BUT I DO GET TO PRESS
THIS BUTTON...
5
00:00:19,420 --> 00:00:22,554
TO THE TUNE
OF $7,000,000 DOLLARS.
6
00:00:25,559 --> 00:00:27,092
MR. CUNNINGHAM?
7
00:00:28,229 --> 00:00:30,362
MR. CUNNINGHAM:
YES.
8
00:00:30,364 --> 00:00:31,563
I'M SORRY,
WHO ARE YOU?
9
00:00:31,565 --> 00:00:33,465
IT'S YOUR WORST NIGHTMARE.
10
00:00:33,467 --> 00:00:35,701
AND LADIES AND GENTLEMEN,
11
00:00:36,637 --> 00:00:38,237
WE ARE LIVE.
12
00:00:44,812 --> 00:00:46,412
(SIREN WAILS IN THE DISTANCE)
13
00:00:49,717 --> 00:00:50,783
WINNIE:
EXCUSE ME?
14
00:00:50,785 --> 00:00:52,451
IT'S OKAY,
I'M WITH THE BAND.
15
00:00:52,452 --> 00:00:54,118
WINNIE:
NO, I NEED YOU
TO JUST SIGN IN.
16
00:00:54,121 --> 00:00:55,587
NATALIE:
JULES!
17
00:00:56,524 --> 00:00:57,623
NATALIE.
18
00:00:57,625 --> 00:01:00,192
SO, THIS IS WHERE
IT ALL HAPPENS.
19
00:01:00,194 --> 00:01:01,827
JULES:
OH YEAH,
SOME OF IT, ANYWAY.
20
00:01:01,829 --> 00:01:03,829
IS SAM AROUND?
21
00:01:03,831 --> 00:01:05,697
HEY, GUYS,
THIS, UH, IS NATALIE BRADDOCK.
22
00:01:05,699 --> 00:01:07,099
SAM'S SISTER.
23
00:01:07,101 --> 00:01:08,434
PARKER:
HI, I'M GREG.
24
00:01:08,436 --> 00:01:09,468
NICE TO MEET YOU.
25
00:01:09,470 --> 00:01:10,836
HEY, NATALIE. ED.
HOW ARE YA?
26
00:01:10,838 --> 00:01:12,304
HEY. WORDY.
27
00:01:12,306 --> 00:01:13,305
HI.
28
00:01:13,307 --> 00:01:14,640
SPIKE.
HOW'RE YOU DOING?
29
00:01:14,642 --> 00:01:16,208
SPIKE?
YEP.
30
00:01:16,210 --> 00:01:17,509
YOU DON'T LOOK VERY SPIKY.
31
00:01:17,511 --> 00:01:20,412
UH, YEAH, NO.
UH, MY HAIR USED TO, UH...
32
00:01:20,414 --> 00:01:21,447
WHAT'S YOUR REAL NAME?
33
00:01:21,449 --> 00:01:23,315
UH, MICHAELANGELO.
34
00:01:23,317 --> 00:01:24,550
YOUR MOM HAD HIGH HOPES.
35
00:01:24,552 --> 00:01:27,653
YEAH, YEAH.
I THINK SHE STILL DOES.
36
00:01:27,655 --> 00:01:30,122
I LIKE IT.
37
00:01:30,123 --> 00:01:32,590
WORDY:
SAM, WHERE YOU BEEN,
UH, HIDING YOUR SISTER?
38
00:01:32,593 --> 00:01:34,860
NATALIE:
OH, NO, I'VE JUST BEEN
ON THE ROAD.
39
00:01:34,862 --> 00:01:37,763
SO, HEY, I CAME BY
TO BORROW THE CAR -
40
00:01:37,765 --> 00:01:39,598
JOB HUNTING,
IS THAT OKAY?
41
00:01:39,600 --> 00:01:41,133
YEAH, SURE.
42
00:01:41,135 --> 00:01:43,469
THANK YOU.
YOU ARE THE BEST!
43
00:01:43,471 --> 00:01:44,703
HE'S LETTING ME CRASH WITH HIM
FOR A FEW MONTHS,
44
00:01:44,705 --> 00:01:46,205
WHILE I GET SETTLED HERE.
45
00:01:46,207 --> 00:01:48,474
EVEN THOUGH I AM VERY MUCH
CRAMPING HIS STYLE.
46
00:01:48,476 --> 00:01:49,475
LET ME SHOW YOU AROUND.
47
00:01:49,477 --> 00:01:51,643
NATALIE:
OH. BYE!
48
00:02:01,388 --> 00:02:03,789
ABBOT:
AND SPECIAL KUDOS TO CALGARY
AND ABBEVILLE
49
00:02:03,791 --> 00:02:05,891
WHO POSTED DOUBLE DIGIT
RECOVERY,
50
00:02:05,893 --> 00:02:07,893
MONTH ON MONTH.
51
00:02:07,895 --> 00:02:10,729
POWLIN, CYNTHIA,
GREAT JOB.
52
00:02:10,731 --> 00:02:12,598
YOU'VE SET A NEW BENCHMARK.
53
00:02:12,600 --> 00:02:14,366
BUT IT HASN'T BEEN EASY.
54
00:02:14,368 --> 00:02:16,435
WE'VE DONE IT
WITH REDUCED STAFF
55
00:02:16,437 --> 00:02:19,705
AND A 15 PERCENT EXPENSE CUT
ACROSS THE BOARD.
56
00:02:19,707 --> 00:02:23,609
BUT THE GOOD NEWS IS
WE ARE A PROFITABLE COMPANY.
57
00:02:23,611 --> 00:02:26,278
AND NOW,
NOW THAT WE'VE TRIMMED THE FAT,
58
00:02:26,280 --> 00:02:28,614
WE CAN KEEP BOOSTING
THOSE PROFITS.
59
00:02:28,616 --> 00:02:32,518
"LEAN AND MEAN"
IS OUR GO-FORWARD MANTRA.
60
00:02:32,520 --> 00:02:33,552
LET'S ROLL.
OU GOT IT.
61
00:02:35,589 --> 00:02:36,788
LEAN AND MEAN.
62
00:02:36,790 --> 00:02:37,856
(APPLAUSE)
63
00:02:39,360 --> 00:02:40,425
LEAN AND MEAN!
64
00:02:41,395 --> 00:02:43,162
WOOOO!
65
00:02:43,164 --> 00:02:44,530
ALL RIGHT!
66
00:02:45,466 --> 00:02:46,532
AS I WAS SAYING...
67
00:02:46,534 --> 00:02:48,200
THIS THING ON?
68
00:02:48,202 --> 00:02:49,368
HEY,
THAT'S MY PHONE.
69
00:02:49,369 --> 00:02:50,535
YEAH, I HOPE
YOU'RE ON A GOOD PLAN.
70
00:02:50,538 --> 00:02:52,371
COME ON, GUYS.
SMILE.
71
00:02:53,307 --> 00:02:54,373
WE ARE LIVE.
72
00:02:55,376 --> 00:02:56,592
SMILE.
73
00:02:56,593 --> 00:02:57,809
ABBOT:
GET ME SECURITY.
74
00:02:57,811 --> 00:03:00,879
ONNA ASK YOU
TO LEAVE RIGHT NOW.
75
00:03:00,881 --> 00:03:02,648
(PANICKED SCREAMS)
76
00:03:04,685 --> 00:03:06,118
NO WAY.
77
00:03:06,119 --> 00:03:07,552
TECH:
SHOW'S JUST GETTING STARTED!
78
00:03:07,555 --> 00:03:09,605
WHOOOO!
79
00:03:09,606 --> 00:03:11,656
SAM:
WE TALKED ABOUT A FEW DAYS
AND NOW IT'S A COUPLE MONTHS.
80
00:03:11,659 --> 00:03:13,625
NATALIE:
NO, IT WAS UNTIL
I FOUND A JOB,
81
00:03:13,627 --> 00:03:15,227
WHICH I'M TRYING DO.
82
00:03:15,229 --> 00:03:16,428
I'M TRYING TO GET
MY LIFE TOGETHER
83
00:03:16,430 --> 00:03:18,230
SO THAT I CAN BELONG
SOMEWHERE.
84
00:03:18,232 --> 00:03:20,265
I REALLY APPRECIATE YOU
BEING THERE FOR ME.
85
00:03:20,267 --> 00:03:22,568
THE THING ABOUT
"CRAMPING MY STYLE"?
86
00:03:22,570 --> 00:03:23,835
JUST WATCH WHAT YOU SAY.
87
00:03:23,837 --> 00:03:25,270
WHAT DO YOU MEAN?
88
00:03:25,271 --> 00:03:26,704
IT COULD GIVE
THE WRONG IMPRESSION.
89
00:03:26,707 --> 00:03:27,706
THE WRONG IMPRESSION?
90
00:03:27,708 --> 00:03:29,091
YEAH, ABOUT JULES;
91
00:03:29,092 --> 00:03:30,475
THAT WE'RE INVOLVED,
WHICH WE'RE NOT.
92
00:03:30,477 --> 00:03:32,211
'CAUSE THAT COULD
GET ME FIRED, OKAY?
93
00:03:32,213 --> 00:03:34,046
OH, OKAY.
94
00:03:34,047 --> 00:03:35,880
SO SHE DOESN'T COME AROUND
FOR SLEEPOVERS SOMETIMES.
95
00:03:35,883 --> 00:03:37,649
OFFICIALLY,
SHE NEVER HAS.
96
00:03:37,651 --> 00:03:39,751
GOTCHA.
NO SLEEPOVERS,
97
00:03:40,688 --> 00:03:43,655
AND THAT IS NOT HER SHAMPOO
IN THE SHOWER
98
00:03:43,657 --> 00:03:46,692
OR HER TOOTHBRUSH
ON THE SINK.
99
00:03:47,628 --> 00:03:49,995
CAN I HAVE THE CAR KEYS?
100
00:03:54,735 --> 00:03:57,236
OH, AND I HAD TO USE
YOUR PAY-PAL ACCOUNT.
101
00:03:57,238 --> 00:03:58,537
I HOPE THAT'S OKAY.
102
00:03:58,539 --> 00:04:00,739
YOU WHAT?
103
00:04:00,740 --> 00:04:02,940
TO BUY CLOTHES ONLINE -
FOR MY JOB INTERVIEWS.
104
00:04:02,943 --> 00:04:04,543
NOBODY'S GONNA TAKE ME
SERIOUSLY, SAM,
105
00:04:04,545 --> 00:04:06,745
UNLESS I DRESS THE PART.
106
00:04:06,747 --> 00:04:08,013
I WILL PAY YOU BACK
THIS TIME,
107
00:04:08,015 --> 00:04:09,014
I PROMISE.
108
00:04:09,016 --> 00:04:10,015
YOU KNOW WHAT?
KEEP THE CLOTHES.
109
00:04:10,017 --> 00:04:11,583
THEY'RE A GIFT.
110
00:04:11,585 --> 00:04:13,018
REALLY?
111
00:04:13,020 --> 00:04:14,353
YEAH, JUST BE OUT
OF MY APARTMENT
112
00:04:14,355 --> 00:04:17,489
BY THE TIME
I GET HOME TONIGHT.
113
00:04:20,427 --> 00:04:23,028
EMILIA MORRIS, MOTHER OF THREE,
KARAK EMPLOYEE,
114
00:04:23,030 --> 00:04:25,697
WAS "LET GO"
FOUR MONTHS AGO.
115
00:04:25,699 --> 00:04:28,567
ANNUAL INCOME,
$31,000.
116
00:04:28,569 --> 00:04:29,968
LEAN AND MEAN.
117
00:04:29,970 --> 00:04:33,672
VIRGINIA CZEVINSKI,
$22,000.
118
00:04:33,674 --> 00:04:35,741
WELL, YOU GOTTA START
SOMEWHERE, RIGHT?
119
00:04:35,743 --> 00:04:36,808
EHN?
120
00:04:38,579 --> 00:04:40,746
WOW. ALL YOU GUYS?!
121
00:04:40,748 --> 00:04:42,781
SORRY TO SEE YOU GO,
BUT WE SAVED BIG
122
00:04:42,783 --> 00:04:44,750
AND HEY, WHAT ABOUT THAT
GOOD-BYE PARTY WE HAD?
123
00:04:44,752 --> 00:04:45,784
OH, WE DIDN'T?
124
00:04:45,786 --> 00:04:48,020
OH, I KNOW.
LEAN AND MEAN.
125
00:04:49,423 --> 00:04:50,689
YOU KNOW, YOU GUYS SHOULD
REALLY SHOULD INVEST
126
00:04:50,691 --> 00:04:52,658
IN BETTER SECURITY FIREWALLS.
127
00:04:52,660 --> 00:04:54,793
(SLURPS LOUDLY,
EXHALES LOUDLY)
128
00:04:54,795 --> 00:04:55,861
ALL RIGHT!
129
00:04:57,398 --> 00:04:58,930
THE PUCCINI.
130
00:04:58,932 --> 00:05:00,349
MMM!
131
00:05:00,350 --> 00:05:01,767
PURCHASED BY
KARAK INTERNATIONAL.
132
00:05:01,769 --> 00:05:05,737
PRICE: $5,700,000 DOLLARS.
133
00:05:05,739 --> 00:05:06,805
WHOOOO!
134
00:05:06,807 --> 00:05:08,640
LEAN AND MEAN.
135
00:05:09,576 --> 00:05:10,709
(REMOTE BEEPS)
136
00:05:10,711 --> 00:05:13,445
WHOA, NICE CAR, BUDDY.
137
00:05:13,447 --> 00:05:14,946
COMPANY PERK
FOR MR. ABBOT HERE,
138
00:05:14,948 --> 00:05:17,449
WHOSE OFFICIAL SALARY
ON THE PUBLIC RECORD
139
00:05:17,451 --> 00:05:19,384
IS ONE FIFTH
OF WHAT HE MAKES
140
00:05:19,386 --> 00:05:20,952
WHEN YOU THROW IN
HIS "CONSULTANT" FEES,
141
00:05:20,954 --> 00:05:23,622
HIS "BOARD MEMBER"
COMPENSATION.
142
00:05:23,624 --> 00:05:25,991
RIGHT, MR. ABBOT?
LEAN AND MEAN.
143
00:05:25,993 --> 00:05:27,993
WELL, MEAN ANYWAY.
144
00:05:27,995 --> 00:05:29,394
WHAT DO YOU WANT?
145
00:05:29,396 --> 00:05:30,729
YOUR MONEY OR YOUR LIFE.
146
00:05:30,731 --> 00:05:31,730
PLEASE...
147
00:05:31,732 --> 00:05:33,031
THIS IS A STICK-UP!
148
00:05:33,033 --> 00:05:34,333
EVERYONE!
149
00:05:34,335 --> 00:05:36,001
PUT THE MONEY IN THE BAG,
RIGHT NOW!
150
00:05:36,003 --> 00:05:37,069
WALLETS, EVERYTHING.
151
00:05:37,071 --> 00:05:39,805
FIFTEEN SECONDS.
GO! GO! GO! GO!
152
00:05:39,807 --> 00:05:41,707
CAR KEYS.
GIMME YOUR CAR KEYS.
153
00:05:41,709 --> 00:05:42,774
THANK YOU.
154
00:05:44,745 --> 00:05:45,877
(GUNSHOT POPS LOUDLY,
ATTENDEES SCREAM)
155
00:05:45,879 --> 00:05:47,379
GENTLEMEN...
156
00:05:48,115 --> 00:05:51,783
WEAPONS IN THE BAG... NOW!
157
00:05:51,785 --> 00:05:52,951
GOD, YOU GUYS ARE
STRESSING ME OUT.
158
00:05:52,953 --> 00:05:54,019
JEEZ.
159
00:05:56,023 --> 00:05:57,622
THANKS, PARTNER.
160
00:06:01,695 --> 00:06:03,061
SECURITY GUARD:
SECURITY BREACH.
SHOTS FIRED.
161
00:06:03,063 --> 00:06:05,697
ARMED ROBBERY AT
KARAK INTERNATIONAL HEAD OFFICE,
162
00:06:05,699 --> 00:06:07,583
BLOOR STREET.
SHOTS FIRED.
163
00:06:07,584 --> 00:06:09,468
SINGLE GUNMAN, WHITE MALE,
LATE TEENS-EARLY TWENTIES,
164
00:06:09,470 --> 00:06:10,602
HANDGUN.
165
00:06:10,604 --> 00:06:11,903
SOME KIND OF MEETING INVOLVED.
166
00:06:11,905 --> 00:06:13,038
AND IT'S A ROBBERY?
167
00:06:13,040 --> 00:06:14,773
HE HIJACKED THE MEETING
AND STOLE WALLETS.
168
00:06:15,709 --> 00:06:17,092
YOUR SISTER...
169
00:06:17,093 --> 00:06:18,476
AGH! SHE WANTS
TO "BELONG SOMEWHERE."
170
00:06:18,479 --> 00:06:19,845
ANYWHERE SHE CAN JUST
FLASH THAT SMILE
171
00:06:19,847 --> 00:06:21,546
AND GET WHAT SHE WANTS.
172
00:06:21,548 --> 00:06:22,547
AND THAT PISSES YOU OFF.
173
00:06:22,549 --> 00:06:23,849
UH, YA THINK?
174
00:06:23,851 --> 00:06:24,950
'CAUSE YOU'VE WORKED
YOUR ASS OFF
175
00:06:24,952 --> 00:06:25,984
FOR EVERYTHING YOU'VE GOT,
176
00:06:25,986 --> 00:06:27,819
AND SHE'S ACTUALLY
ENJOYING LIFE.
177
00:06:27,821 --> 00:06:28,820
YOU'RE A LITTLE JEALOUS.
178
00:06:28,822 --> 00:06:29,821
OH, JEALOUS?
179
00:06:29,823 --> 00:06:31,623
I'M JUST SAYING.
180
00:06:31,625 --> 00:06:32,958
SHE GROWS UP
ON A MILITARY BASE,
181
00:06:32,960 --> 00:06:35,861
HER BIG BROTHER IS
THE POSTER BOY FOR PERFECTION,
182
00:06:35,863 --> 00:06:36,928
AND SHE'S JUST TRYING
TO FIGURE IT OUT,
183
00:06:36,930 --> 00:06:38,964
MAKE UP HER OWN RULES.
184
00:06:38,966 --> 00:06:41,066
MAYBE YOU RESENT
HER FREEDOM.
185
00:06:41,068 --> 00:06:42,601
YOU PROFILING ME?
186
00:06:42,603 --> 00:06:44,069
NO, I'M HAVING A CONVERSATION
WITH YOU.
187
00:06:44,071 --> 00:06:46,605
SAM:
HER SHOWING UP HERE...
188
00:06:47,841 --> 00:06:49,608
SHE HAS NO CLUE
THE DAMAGE SHE CAN DO -
189
00:06:49,610 --> 00:06:51,176
AND I DON'T JUST MEAN
YOU AND ME.
190
00:06:51,178 --> 00:06:52,177
YOU MEAN THE BOSS.
191
00:06:52,179 --> 00:06:53,912
IF HE KNOWS
AND DOESN'T TELL?
192
00:06:53,914 --> 00:06:54,780
HE COULD LOSE HIS JOB.
193
00:06:54,782 --> 00:06:56,882
YEAH, IT'S A TEAM.
194
00:06:56,884 --> 00:06:58,650
WE'RE ON PROBATION;
WE DON'T GET TO MAKE A MISTAKE.
195
00:06:58,652 --> 00:06:59,918
DID YOU MAKE THAT CLEAR
TO NAT?
196
00:06:59,920 --> 00:07:02,454
IT'S NOT HAPPENING AGAIN.
197
00:07:02,456 --> 00:07:03,755
HOW LONG CAN WE DO THIS?
198
00:07:06,927 --> 00:07:07,993
(SIRENS WAIL)
199
00:07:13,033 --> 00:07:14,900
DONLANDS:
HE POSED AS
ONE OF THEIR I.T. GUYS.
200
00:07:14,902 --> 00:07:16,313
PARKER:
SO SOMEONE KNOWS HIM?
201
00:07:16,314 --> 00:07:17,725
DONLANDS:
AH, STAFF IS SAYING NO.
202
00:07:17,726 --> 00:07:19,137
WE FOUND THE I.T. EMPLOYEE
SCHEDULED TO HANDLE THE MEETING
203
00:07:19,139 --> 00:07:20,439
LOCKED IN A COPY ROOM.
204
00:07:20,441 --> 00:07:21,640
ED:
MEETING?
205
00:07:21,641 --> 00:07:22,840
DONLANDS:
YEAH, BRANCH MANAGERS,
TOP SALES PEOPLE,
206
00:07:22,843 --> 00:07:24,743
SOME KIND OF AN ANNUAL SUMMIT.
207
00:07:24,745 --> 00:07:26,111
AND HE TOOK THEIR WALLETS,
HUH?
208
00:07:26,113 --> 00:07:27,880
DONLANDS:
YEAH.
209
00:07:27,881 --> 00:07:29,648
ED:
PRETTY ELABORATE SET-UP
FOR A GROUP MUGGING.
210
00:07:31,952 --> 00:07:33,952
HE FIRED IN THE AIR
AND WENT OUT THE DOOR.
211
00:07:33,954 --> 00:07:35,737
WHERE DOES IT GO?
212
00:07:35,738 --> 00:07:37,521
MAN:
IT LEADS OUTSIDE TO THE BACK.
HE TOOK MR. ABBOT'S KEYS.
213
00:07:37,524 --> 00:07:38,857
OKAY, HE COULD STILL BE
IN THE VICINITY.
214
00:07:38,859 --> 00:07:40,659
BOSS, WE'LL GO CO-ORDINATE
THE UNIS.
215
00:07:41,528 --> 00:07:42,761
COPY THAT.
216
00:07:44,231 --> 00:07:45,831
GO ON.
SORRY.
217
00:07:45,833 --> 00:07:47,165
HE PRACTICALLY BUMPED
INTO ME,
218
00:07:47,167 --> 00:07:49,167
AND I'M THINKING
I'VE SEEN THIS DUDE,
219
00:07:49,169 --> 00:07:50,168
BUT WHERE?
220
00:07:50,170 --> 00:07:52,003
BUT HE'S NOT AN EMPLOYEE,
RIGHT?
221
00:07:52,005 --> 00:07:55,106
NO, I KNOW EVERYONE ON STAFF.
222
00:07:55,108 --> 00:07:56,508
THEN HE POPS UP THAT SLIDE,
223
00:07:56,510 --> 00:07:57,709
AND THEN I KNOW FOR SURE
IT'S HIM.
224
00:07:57,711 --> 00:07:58,743
JD.
225
00:07:58,745 --> 00:08:00,456
JAMIE DEE.
226
00:08:00,457 --> 00:08:02,168
SPENCER:
YEAH, HE DIDN'T LOOK
LIKE I THOUGHT,
227
00:08:02,169 --> 00:08:03,880
BUT IT WAS TOTALLY HIM.
HE WAS LIVECASTING.
228
00:08:03,884 --> 00:08:04,983
LIVECASTING?
229
00:08:05,919 --> 00:08:07,819
HE'S LIVECASTING.
230
00:08:07,821 --> 00:08:09,938
JULES:
HEY, SPIKE,
YOU FIND THE PHOTO YET?
231
00:08:09,939 --> 00:08:12,056
SPIKE:
IF THIS IS REALLY OUR GUY,
I CAN GET YOU A WHOLE GALLERY.
232
00:08:12,059 --> 00:08:13,124
HERE'S ONE.
233
00:08:14,127 --> 00:08:15,494
THANKS.
234
00:08:15,496 --> 00:08:16,561
THIS HIM?
235
00:08:18,232 --> 00:08:19,698
YEAH. THAT'S HIM.
236
00:08:19,700 --> 00:08:22,734
HIS HAIR'S DIFFERENT,
HE HAD GLASSES.
237
00:08:22,736 --> 00:08:24,169
YOU FIND THE LITTLE PUKE
AND BRING HIM BACK HERE.
238
00:08:24,171 --> 00:08:26,571
I'LL ID HIM
100 PERCENT.
239
00:08:26,573 --> 00:08:28,623
RUN IT DOWN FOR ME.
240
00:08:28,624 --> 00:08:30,674
BEFORE HE TOOK THE WALLETS,
DID HE SAY ANYTHING?
241
00:08:30,677 --> 00:08:32,177
WELL, DOES IT MATTER?
242
00:08:33,947 --> 00:08:35,046
JULES:
GUY'S A CHAMELEON.
243
00:08:35,048 --> 00:08:37,499
ONE REASON HE HASN'T
BEEN CAUGHT YET.
244
00:08:37,500 --> 00:08:39,951
SPIKE:
PULLED A STRING OF ROBBERIES,
BOTH SIDES OF THE BORDER.
245
00:08:39,953 --> 00:08:41,920
JAMIE DEE?
I REMEMBER THAT GUY.
246
00:08:41,922 --> 00:08:43,255
YEAH. REMEMBER,
HE STARTED OUT WEST.
247
00:08:43,257 --> 00:08:44,956
RAPPELLED DOWN TO THAT
FIVE-STAR BALLROOM,
248
00:08:44,958 --> 00:08:47,025
RELIEVED ALL THE GUESTS
OF THEIR VALUABLES.
249
00:08:47,027 --> 00:08:48,343
MM-HM.
250
00:08:48,344 --> 00:08:49,660
HE GRAFFITIS HIS INITIALS
WHEREVER HE HITS -
251
00:08:49,663 --> 00:08:51,196
WALLS, WINDOWS, FLOORS...
252
00:08:51,198 --> 00:08:53,098
NOW, APPARENTLY,
POWER POINT.
253
00:08:53,100 --> 00:08:55,534
HE STARTED STREAMING
HIS HEISTS LIVE ONLY RECENTLY.
254
00:08:55,536 --> 00:08:57,936
I'LL SEE IF ANYBODY
CAPTURED IT.
255
00:08:57,938 --> 00:08:59,237
YOU GET ANYTHING
FROM THE CEO?
256
00:08:59,239 --> 00:09:00,972
YEAH, WELL, THIS ISN'T
JUST ABOUT THE MONEY.
257
00:09:00,974 --> 00:09:01,973
IT'S ABOUT THE MESSAGE.
258
00:09:01,975 --> 00:09:03,408
HE HACKED INTO
THEIR SYSTEM
259
00:09:03,409 --> 00:09:04,842
AND BROADCAST THEIR
CORPORATE EXPENSES.
260
00:09:04,845 --> 00:09:05,977
PARKER:
SO HE'S TRYING
TO EMBARRASS THEM
261
00:09:05,979 --> 00:09:08,079
IN FRONT OF
A LIVE ONLINE AUDIENCE.
262
00:09:08,081 --> 00:09:09,548
HE'S PLAYING ROBIN HOOD.
263
00:09:09,549 --> 00:09:11,016
WORDY:
WHATEVER HE'S DOING,
HE'S GONE.
264
00:09:11,018 --> 00:09:12,884
HE DUMPED THE WALLETS
AND THE SECURITY GUARDS' GUNS
265
00:09:12,886 --> 00:09:14,753
IN THE PARKING LOT,
MINUS THE CASH.
266
00:09:14,755 --> 00:09:16,888
SAM:
AND HE STOLE THE CEO'S CAR.
267
00:09:16,890 --> 00:09:19,190
WINNIE, WE NEED AN APB
RED SPORTS CAR,
268
00:09:19,192 --> 00:09:20,926
TAG ALPHA-YANKEE-ZULU-PAPA-
3-5-3.
269
00:09:20,928 --> 00:09:24,162
ED:
SAM, YOU AND ME,
LET'S GO.
270
00:09:25,632 --> 00:09:27,699
(CAR ACCELERATES,
TIRES SQUEAL)
271
00:09:35,175 --> 00:09:37,275
(EXHALES, RELIEVED)
HOO HOO.
272
00:09:37,277 --> 00:09:38,877
(INHALES DEEPLY)
273
00:09:40,681 --> 00:09:42,081
WOMAN:
HELLO?
274
00:09:42,082 --> 00:09:43,482
HOW'RE YOU DOING,
DARLIN'?
275
00:09:43,483 --> 00:09:44,883
WOMAN:
HEY, PARDNER.
HOW WAS WORK?
276
00:09:44,884 --> 00:09:46,284
YOU KNOW, I THINK THEY'RE GONNA
MAKE ME EMPLOYEE OF THE MONTH.
277
00:09:46,286 --> 00:09:49,821
TRADE IT ALL TO FINALLY
SEE YOU THOUGH, BABY.
278
00:09:49,823 --> 00:09:50,889
OH... HANG ON.
279
00:09:51,959 --> 00:09:53,281
SORRY, SAGE,
280
00:09:53,282 --> 00:09:54,604
THERE'S AN OFFICER OF THE LAW
IN THE VICINITY
281
00:09:54,605 --> 00:09:55,927
AND I'M ON A CELLULAR TELEPHONE.
282
00:09:55,929 --> 00:09:58,380
SAGE:
CAN'T HAVE THAT.
283
00:09:58,381 --> 00:10:00,832
THAT'S RIGHT,
WOULDN'T WANNA BREAK THE LAW.
284
00:10:05,372 --> 00:10:06,104
(EXHALES)
285
00:10:06,106 --> 00:10:07,973
(CAR ROARS BY)
286
00:10:07,975 --> 00:10:09,375
PARKER:
WHERE ARE WE GETTING THESE?
287
00:10:09,376 --> 00:10:10,776
SPIKE:
SOME OF THE STUFF
HE POSTED HIMSELF,
288
00:10:10,777 --> 00:10:12,177
BUT HE'S GOT A LOT OF FANS
AND A LOT OF FOLLOWERS.
289
00:10:12,179 --> 00:10:13,678
HE'S HUGE ON THE WEB.
290
00:10:13,680 --> 00:10:15,330
"JAMIE DEE,
WILD AND FREE."
291
00:10:15,331 --> 00:10:16,981
SPIKE:
THAT'S A FAN BLOG.
HE'S ALSO GOT A TWITTER.
292
00:10:16,984 --> 00:10:19,618
"BIG SHOUT-OUT TO THE FAT CATS
OF NORTH AMERICA.
293
00:10:19,620 --> 00:10:21,052
SEE YOU SOON."
294
00:10:21,054 --> 00:10:22,854
IT WAS POSTED
TWO HOURS AGO.
295
00:10:22,856 --> 00:10:23,989
JESSE JAMES USED
TO DO THAT;
296
00:10:23,991 --> 00:10:25,323
HE USED TO WRITE
ABOUT ROBBERIES
297
00:10:25,325 --> 00:10:27,025
BEFORE HE COMMITTED THEM.
298
00:10:27,027 --> 00:10:29,027
JESSE JAMES.
IT'S OLD SCHOOL.
299
00:10:29,029 --> 00:10:30,795
THAT'S COOL.
300
00:10:34,735 --> 00:10:35,384
(SIRENS WAIL)
301
00:10:35,385 --> 00:10:36,034
WINNIE'S GOT A LINE
ON A STOLEN CAR
302
00:10:36,036 --> 00:10:37,235
TRAVELING SOUTH ON YORK.
303
00:10:37,237 --> 00:10:38,336
WE'RE ON OUR WAY.
304
00:10:38,338 --> 00:10:40,639
'KAY.
COPY THAT, EDDIE.
305
00:10:40,641 --> 00:10:41,806
LET'S GO.
306
00:10:41,808 --> 00:10:43,141
OKAY,
WE NEED A PROFILE.
307
00:10:43,143 --> 00:10:45,810
HASHTAG I-HEART-JAMIE-DEE'S
TRENDING TOP TEN.
308
00:10:45,812 --> 00:10:46,995
RIGHT?
309
00:10:46,996 --> 00:10:48,179
LIKE, I MEAN, LOOK AT IT.
LOOK AT ALL THE TWEETS.
310
00:10:48,181 --> 00:10:49,714
HIS FANS ARE GOING NUTS.
311
00:10:49,716 --> 00:10:51,016
AND WHO ARE
ALL THESE PEOPLE?
312
00:10:51,018 --> 00:10:52,684
BASICALLY,
IT'S EVERY FRUSTRATED KID
313
00:10:52,686 --> 00:10:53,685
IN NORTH AMERICA.
314
00:10:53,687 --> 00:10:55,120
REALLY?
YEAH.
315
00:10:55,122 --> 00:10:58,957
JAMIE:
WEAPONS IN THE BAG... NOW!
316
00:10:58,959 --> 00:11:00,859
GOD, YOU GUYS ARE
STRESSING ME OUT! JEEZ.
317
00:11:00,861 --> 00:11:02,060
MAN:
KYLE.
318
00:11:03,230 --> 00:11:04,796
JAMIE:
THANKS, PARTNER.
319
00:11:04,798 --> 00:11:06,665
TURN OFF THE DAMN GAME,
KYLE.
320
00:11:06,667 --> 00:11:08,366
IT'S NOT A GAME,
ASSHAT.
321
00:11:08,368 --> 00:11:10,168
WOULD YOU LIKE A RIDE?
322
00:11:10,170 --> 00:11:11,269
I'M WALKING.
323
00:11:11,271 --> 00:11:12,737
CUNNINGHAM:
FINE.
324
00:11:12,739 --> 00:11:14,873
DO YOU HAVE
APPROPRIATE CLOTHING?
325
00:11:14,875 --> 00:11:16,141
KYLE: WHAT?
CUNNINGHAM: FOR TONIGHT.
326
00:11:16,143 --> 00:11:17,842
YOUR MOM WANTED ME
TO MAKE SURE.
327
00:11:17,844 --> 00:11:20,178
WHAT'S TONIGHT AGAIN,
STEVIE?
328
00:11:21,114 --> 00:11:23,248
JUST DON'T BE LATE.
329
00:11:24,317 --> 00:11:26,084
WOULDN'T MISS IT
FOR THE WORLD.
330
00:11:26,086 --> 00:11:27,152
(SIREN WAILS)
331
00:11:30,924 --> 00:11:31,923
WE'RE ON SPADINA.
332
00:11:31,925 --> 00:11:33,008
PURSUING OFFICER LOST HIM
333
00:11:33,009 --> 00:11:34,092
BUT HE PICKED UP
THE STOLEN VEHICLE
334
00:11:34,094 --> 00:11:35,226
NORTH OF QUEEN.
335
00:11:35,228 --> 00:11:37,829
ABANDONED, JD SPRAY PAINTED
ON THE SIDE.
336
00:11:37,831 --> 00:11:39,347
ANY IDEA WHERE HE'S HEADING?
337
00:11:39,348 --> 00:11:40,864
SPIKE:
WELL, WE'VE GOT A LOT
OF EYEBALLS PEELED,
338
00:11:40,867 --> 00:11:42,233
THERE SHOULD BE
SOME SIGHTINGS SOON.
339
00:11:42,235 --> 00:11:44,235
OKAY, WINNIE, SEND MORE UNIS
TO THAT SECTOR.
340
00:11:44,237 --> 00:11:45,581
WINNIE:
COPY.
341
00:11:45,582 --> 00:11:46,926
SPIKE:
HELLO. JAMIE JUST POSTED.
342
00:11:46,927 --> 00:11:48,271
"PARTY AT
THE BEVERLEY STREET HOSTEL.
343
00:11:48,275 --> 00:11:50,141
3 P.M. SHARP.
COME AS YOU ARE.
344
00:11:50,143 --> 00:11:51,559
BRING FRIENDS."
345
00:11:51,560 --> 00:11:52,976
YEAH, HE MIGHT BE TRYING
TO THROW US OFF THE TRAIL.
346
00:11:52,979 --> 00:11:54,179
WHY WOULD HE TELL US
WHERE HE'S GOING?
347
00:11:54,181 --> 00:11:55,964
I'LL LOOK FOR A GEOTAG.
348
00:11:55,965 --> 00:11:57,748
AND I WILL TRY
THE ELECTRIC TELEPHONE.
349
00:12:02,222 --> 00:12:04,189
(SIREN WAILS IN THE DISTANCE)
350
00:12:04,191 --> 00:12:05,957
I SEE EVERYONE
THAT COMES IN AND OUT.
351
00:12:05,959 --> 00:12:07,859
PARKER:
HE'S EARLY TWENTIES,
MEDIUM BUILD,
352
00:12:07,861 --> 00:12:09,127
5'10",
BROWN HAIR,
353
00:12:09,129 --> 00:12:10,812
HE MIGHT BE CARRYING
A BACKPACK.
354
00:12:10,813 --> 00:12:12,496
HE JUST WALKED RIGHT PAST ME,
HE WAS IN A HURRY.
355
00:12:12,499 --> 00:12:14,365
OKAY. OKAY.
356
00:12:14,367 --> 00:12:16,067
A TEAM OF OFFICERS
WILL BE THERE SHORTLY.
357
00:12:16,069 --> 00:12:17,902
I NEED YOU TO LEAVE
THE BUILDING DISCREETLY.
358
00:12:17,904 --> 00:12:20,138
THE MAN IS CONSIDERED ARMED
AND DANGEROUS.
359
00:12:20,140 --> 00:12:21,973
THANK YOU.
360
00:12:21,975 --> 00:12:23,074
WINNIE,
WHAT DO YOU GOT?
361
00:12:23,076 --> 00:12:24,375
ROBBERIES GO BACK
18 MONTHS,
362
00:12:24,377 --> 00:12:26,077
STARTING WITH
THE BALLROOM DROP.
363
00:12:26,079 --> 00:12:27,479
AND WHAT ARE THE PATTERNS?
364
00:12:27,480 --> 00:12:28,880
WINNIE:
WEALTHY TARGETS -
JEWELRY STORES,
365
00:12:28,881 --> 00:12:30,281
BANKS,
NOTHING MOM-AND-POP.
366
00:12:30,283 --> 00:12:31,572
PARKER:
AND WHAT ELSE?
367
00:12:31,573 --> 00:12:32,862
WINNIE:
FEDS HAVE A FILE.
368
00:12:32,863 --> 00:12:34,152
SEE IF YOU CAN GET ACCESS.
YOU ALL RIGHT, BUDDY?
369
00:12:34,154 --> 00:12:36,855
WINNIE: COPY.
SPIKE: GOT IT, BOSS.
370
00:12:37,791 --> 00:12:38,907
KIRSTIN:
I'VE NEVER SEEN HIM BEFORE.
371
00:12:38,908 --> 00:12:40,024
I THOUGHT MAYBE HE WAS
SOME KIND OF COURIER.
372
00:12:40,026 --> 00:12:41,409
HE HAD A PACKAGE WITH HIM.
373
00:12:41,410 --> 00:12:42,793
KAGE?
MORE LIKE A HEAVY
NVELOPE.
374
00:12:42,796 --> 00:12:43,895
IS HE'S STILL INSIDE?
375
00:12:43,897 --> 00:12:44,613
I HAVEN'T SEEN HIM
LEAVE.
376
00:12:44,614 --> 00:12:45,330
OKAY, THANK YOU.
377
00:12:45,332 --> 00:12:46,498
SAM, JULES,
ON WHITE DOOR.
378
00:12:46,500 --> 00:12:48,032
WORDY,
BLACK DOOR WITH ME.
379
00:12:48,034 --> 00:12:49,617
WHAT DO YOU GOT?
380
00:12:49,618 --> 00:12:51,201
WORDY:
TAKES US TO THE KITCHEN
AND STORAGE AREA.
381
00:12:51,204 --> 00:12:53,805
ALL RIGHT, MANAGER ESTIMATES
15, 16 BACKPACKERS,
382
00:12:53,807 --> 00:12:54,906
THREE STAFF.
383
00:12:54,908 --> 00:12:56,808
ROOM-BY ROOM EVAC,
LET'S DO IT.
384
00:12:56,810 --> 00:13:00,211
(CACOPHONY OF CHATTER
AND CELLS CHIMING)
385
00:13:01,148 --> 00:13:02,881
WHAT ABOUT OUR AUDIENCE HERE?
386
00:13:02,883 --> 00:13:04,816
WINNIE, WE'RE GONNA NEED
MORE UNIS.
387
00:13:04,818 --> 00:13:07,252
WINNIE:
COPY THAT.
388
00:13:07,254 --> 00:13:08,442
SAM: WHAT THE HELL?
JULES: HEY, HEY, BACK OFF!
389
00:13:08,443 --> 00:13:09,631
JULES AND SAM:
BACK OFF! BACK ALREADY!
WE NEED YOU TO STAY BACK!
390
00:13:09,632 --> 00:13:10,820
SAM:
STAY BACK!
391
00:13:11,558 --> 00:13:13,324
THE BUILDING IS BEING
EVACUATED!
392
00:13:13,326 --> 00:13:15,560
SAM: STAND BACK!
JULES: WE'VE LOST PERIMETER!
393
00:13:15,562 --> 00:13:18,029
EVAC'S BEEN COMPROMISED.
394
00:13:18,031 --> 00:13:19,831
ED:
COPY THAT, SAM.
ON MY WAY.
395
00:13:19,833 --> 00:13:20,832
(GUNSHOTS POP TWICE)
396
00:13:20,834 --> 00:13:22,067
SHOTS FIRED!
397
00:13:22,068 --> 00:13:23,301
SAM:
AFTER SHOOTER
INSIDE THE BUILDING. GO! GO!
398
00:13:25,806 --> 00:13:35,847
¶¶¶
399
00:13:35,849 --> 00:13:40,819
¶¶¶
400
00:13:40,821 --> 00:13:53,898
¶¶¶
401
00:14:04,144 --> 00:14:05,610
ED:
BOSS, IT'S A MESS IN HERE.
402
00:14:05,612 --> 00:14:06,945
YOU LOCATE THE SHOOTER?
403
00:14:06,947 --> 00:14:07,946
NEGATIVE.
404
00:14:07,947 --> 00:14:08,946
PARKER:
ANYBODY DOWN?
405
00:14:08,949 --> 00:14:10,114
CANNOT CONFIRM.
406
00:14:10,116 --> 00:14:11,950
SAM:
GO! CLEAR OUT! GO!
407
00:14:11,952 --> 00:14:13,117
ALL RIGHT, COME ON,
LET'S GO!
408
00:14:13,119 --> 00:14:14,408
WE'VE GOT A FLASH MOB.
409
00:14:14,409 --> 00:14:15,698
THAT PARTY
HE TWITTERED ABOUT-
410
00:14:15,699 --> 00:14:16,988
SPIKE: TWEETED.
PARKER: 3 P.M. SHARP.
411
00:14:16,990 --> 00:14:19,557
YEAH, HE STAGED THIS,
CALLING OUT HIS FANS.
412
00:14:19,559 --> 00:14:21,125
(LOW HUM OF CHATTER)
413
00:14:22,062 --> 00:14:23,194
YOUNG MAN:
I'M THE ONE YOU'RE LOOKING FOR.
414
00:14:23,196 --> 00:14:24,395
RAISE YOUR HANDS NOW.
415
00:14:24,397 --> 00:14:25,964
I'M JAMIE DEE.
416
00:14:25,965 --> 00:14:27,532
YOUNG MAN 2:
NO, IT'S ME.
I'M JAMIE DEE.
417
00:14:27,534 --> 00:14:29,934
YOUNG MAN 3:
I'M JAMIE DEE.
418
00:14:29,936 --> 00:14:34,072
CROWD:
I'M JAMIE DEE! RIGHT HERE.
I'M JAMIE! I'M JAMIE DEE!
419
00:14:34,074 --> 00:14:36,407
LET'S MOVE THESE PEOPLE BACK.
LET'S GET 'EM BACK!
420
00:14:36,409 --> 00:14:37,408
JULES:
LET'S GO.
COME ON!
421
00:14:37,410 --> 00:14:39,043
GET BACK! GET BACK!
422
00:14:39,045 --> 00:14:40,595
PARKER: EDDIE.
ED: BOSS,
423
00:14:40,596 --> 00:14:42,146
ED:
WE NEED UNIS HERE
TO SEAL THE ENTRANCES!
424
00:14:42,148 --> 00:14:43,515
PARKER:
COPY THAT.
425
00:14:43,516 --> 00:14:44,883
THIS ISN'T THE KIND OF PLACE
HE'D HOLD UP;
426
00:14:44,884 --> 00:14:46,251
THESE AREN'T THE PEOPLE
HE TARGETS.
427
00:14:46,253 --> 00:14:49,153
IT'S A DISTRACTION
TO COVER HIS EXIT.
428
00:14:49,155 --> 00:14:50,355
JAMIE:
KEEP WALKING, HONEY.
429
00:14:50,357 --> 00:14:52,007
KEEP WALKING.
430
00:14:52,008 --> 00:14:53,658
OFFICER:
YOU'RE GOING ALL THE WAY UP.
THANKS. GREAT.
431
00:14:53,660 --> 00:14:55,426
YOU TWO, STAY HERE.
432
00:14:55,428 --> 00:14:56,594
JAMIE:
OH, WE'RE GONNA NEED THAT.
433
00:14:56,596 --> 00:14:57,595
WHAT?
434
00:14:57,597 --> 00:14:59,430
YOUR CAR.
435
00:14:59,432 --> 00:15:00,598
SO YOU'RE GONNA STEP BACK,
436
00:15:00,600 --> 00:15:02,233
NICE AND EASY,
437
00:15:02,235 --> 00:15:05,169
AND IT'S ALL AMAZINGLY COOL.
438
00:15:05,171 --> 00:15:07,171
GET IN.
GET IN THE CAR.
439
00:15:09,442 --> 00:15:12,110
(ENGINE REVS,
TIRES SCREECH)
440
00:15:12,112 --> 00:15:14,245
ALL UNITS,
SOUTHWEST CORNER!
441
00:15:14,247 --> 00:15:16,014
OFFICER, TALK TO ME.
WHAT'S GOING ON?
442
00:15:16,016 --> 00:15:17,332
HE HAD A HOSTAGE.
443
00:15:17,333 --> 00:15:18,649
SAM, WITH ME.
LET'S GO! LET'S GO!
444
00:15:18,652 --> 00:15:20,985
PARKER:
WINNIE, PUT OUT AN APB
ON THAT VEHICLE.
445
00:15:20,987 --> 00:15:22,453
AND NOTE THE SUBJECT
HAS A FEMALE HOSTAGE.
446
00:15:22,455 --> 00:15:23,454
WE'VE GOT UNITS CONVERGING.
447
00:15:23,456 --> 00:15:24,522
(SIRENS WAIL)
448
00:15:25,525 --> 00:15:27,558
POLICE CRUISER...
UNBELIEVABLE.
449
00:15:27,560 --> 00:15:29,661
THIS GUY'S A BRAT.
HE'S A PARASITE.
450
00:15:29,663 --> 00:15:31,162
HE THINKS JUST 'CAUSE
HE CAN WORK THE CHARM,
451
00:15:31,164 --> 00:15:34,299
THE WORLD OWES HIM
A GOOD TIME.
452
00:15:35,602 --> 00:15:38,202
REMINDS ME OF SOMEONE.
453
00:15:40,140 --> 00:15:41,239
WORDY:
NO INJURED.
454
00:15:41,241 --> 00:15:42,340
SO YOU'RE RIGHT
ABOUT THE DIVERSION,
455
00:15:42,342 --> 00:15:44,275
ALTHOUGH I DON'T GET IT.
456
00:15:44,277 --> 00:15:47,211
COPS ARE A STEP BEHIND HIM,
AND HE DROPS BY A HOSTEL?
457
00:15:47,213 --> 00:15:49,213
WORDY:
THE MANAGER SAID HE CAME IN
WITH SOME KIND OF PACKAGE -
458
00:15:49,215 --> 00:15:50,214
AN ENVELOPE.
459
00:15:50,216 --> 00:15:51,799
LET'S TRACK IT DOWN,
WORDY.
460
00:15:51,800 --> 00:15:53,383
SPIKE:
BOSS, WE'VE GOT THE FEDS
ON VISUAL LINK.
461
00:15:53,386 --> 00:15:55,253
AGENT GILBRIDE.
462
00:15:55,255 --> 00:15:57,221
'KAY, I'LL BE RIGHT THERE.
463
00:15:57,223 --> 00:15:59,057
SO, YOU GOT MY GUY UP THERE?
464
00:15:59,059 --> 00:16:00,876
WE WILL SOON.
465
00:16:00,877 --> 00:16:02,694
GILBRIDE:
YEAH, I'LL BELIEVE THAT
WHEN I SEE IT.
466
00:16:02,696 --> 00:16:04,295
I THOUGHT I HAD HIM
IN ATLANTIC CITY,
467
00:16:04,297 --> 00:16:05,396
BUT I THOUGHT WRONG.
468
00:16:05,398 --> 00:16:07,231
WELL,
WHAT CAN YOU TELL US?
469
00:16:07,233 --> 00:16:09,467
GILBRIDE:
UH, 30 ARMED ROBBERIES
IN THE LAST 18 MONTHS.
470
00:16:09,469 --> 00:16:11,202
TARGETS MOSTLY WEALTHY VICTIMS.
471
00:16:11,204 --> 00:16:12,737
AND YOU DON'T HAVE AN ID?
472
00:16:12,739 --> 00:16:13,738
GILBRIDE:
NO.
473
00:16:13,740 --> 00:16:15,239
AFTER 30 ROBBERIES.
474
00:16:15,241 --> 00:16:16,341
I UNDERSTAND
HE'S DRIVING AROUND
475
00:16:16,343 --> 00:16:18,710
IN ONE OF YOUR POLICE CARS?
476
00:16:18,712 --> 00:16:20,178
WHAT'S YOUR PROFILE?
477
00:16:20,180 --> 00:16:22,013
GILBRIDE:
HE'S SMART, NO FEAR,
478
00:16:22,015 --> 00:16:24,449
THINKS OF HIMSELF
AS A PRINCE AMONG THIEVES.
479
00:16:24,451 --> 00:16:26,584
WE THINK HE COMES
FROM A WEALTHY BACKGROUND.
480
00:16:26,586 --> 00:16:29,220
SO, RICH KID,
TURNS HIS BACK ON PRIVILGE.
481
00:16:29,222 --> 00:16:31,189
HE HAS NO SOFT SPOT
FOR THE POOR THOUGH.
482
00:16:31,191 --> 00:16:32,423
HE KEEPS EVERYTHING
HE STEALS.
483
00:16:32,425 --> 00:16:34,403
ANY POLITICAL MESSAGE?
484
00:16:34,404 --> 00:16:36,382
GILBRIDE:
NO, NO. HE'S JUST WINGING IT.
485
00:16:36,383 --> 00:16:38,361
HE'S HIGHLY RESOURCEFUL,
ADRENALINE-JUNKIE,
486
00:16:38,365 --> 00:16:40,732
UH, ALMOST CERTAINLY
A NARCISSIST.
487
00:16:40,734 --> 00:16:42,734
HE DOESN'T CARE
WHO HE MIGHT GET HURT.
488
00:16:42,736 --> 00:16:44,402
HE HASN'T LEFT A TRAIL
OF BODIES, YET,
489
00:16:44,404 --> 00:16:47,405
BUT WE KNOW HE GETS VIOLENT
WHEN HE GETS CORNERED.
490
00:16:47,407 --> 00:16:49,574
SO IT'S NOT JUST COWBOY-STYLE
WARNING SHOTS?
491
00:16:49,576 --> 00:16:51,509
GILBRIDE:
NO, HE WAS NEARLY APPREHENDED
THREE MONTHS AGO
492
00:16:51,511 --> 00:16:53,411
BY A SECURITY GUARD IN D.C.
493
00:16:53,413 --> 00:16:55,369
JAMIE DEE SHOT HIM.
494
00:16:55,370 --> 00:16:57,326
THE SECURITY GUARD
NEARLY DIDN'T MAKE IT.
495
00:16:57,327 --> 00:16:59,283
IT'S A LINE HE CAN'T UNCROSS
AND HE KNOWS THAT...
496
00:16:59,285 --> 00:17:00,551
HE'S JUST GONNA GET
MORE DESPERATE.
497
00:17:00,553 --> 00:17:01,753
BOSS, WE GOT A SIGHTING
ON THE CRUISER.
498
00:17:03,690 --> 00:17:05,440
WHERE'RE YOU GOING TO GO?
499
00:17:05,441 --> 00:17:07,191
JAMIE:
CAN'T TELL YOU -
FOR YOUR OWN SAFETY.
500
00:17:07,193 --> 00:17:08,776
DANA:
CAN'T I COME?
501
00:17:08,777 --> 00:17:10,360
BECAUSE I WILL HELP
ANY WAY THAT I CAN.
502
00:17:10,363 --> 00:17:12,347
JAMIE:
SWEET OF YOU -
503
00:17:12,348 --> 00:17:14,332
I ALREADY GOT SOMEONE
IN MY LIFE.
504
00:17:15,335 --> 00:17:17,035
(SPRAY PAINT HISSES)
505
00:17:17,037 --> 00:17:19,037
(SIREN WAILS)
506
00:17:19,039 --> 00:17:20,338
WE'RE ON ATLANTIC NOW.
507
00:17:20,340 --> 00:17:22,073
(MONITOR BEEPS)
508
00:17:22,075 --> 00:17:24,542
THE STREET DEAD-ENDS
A FEW BLOCKS AWAY.
509
00:17:25,512 --> 00:17:29,113
WE HAVE A VISUAL.
ATLANTIC AVENUE.
510
00:17:31,785 --> 00:17:34,218
HE'S ON FOOT.
I'M IN PURSUIT.
511
00:17:35,155 --> 00:17:37,822
SAM:
I'VE GOT THE HOSTAGE.
512
00:17:37,824 --> 00:17:39,424
SAM:
ARE YOU OKAY?
513
00:17:39,426 --> 00:17:40,425
I'M FINE.
514
00:17:40,427 --> 00:17:42,093
YOU SURE YOU'RE OKAY?
515
00:17:42,095 --> 00:17:43,161
OH YEAH.
516
00:17:50,437 --> 00:17:54,105
ED:
HOLD IT RIGHT THERE!
RIGHT THERE!
517
00:17:55,375 --> 00:17:56,607
(PYLONS CLUNK)
518
00:17:59,479 --> 00:18:00,745
HOW IS THE HOSTAGE?
519
00:18:00,747 --> 00:18:01,746
SAM:
SHE'S UNHARMED.
520
00:18:01,748 --> 00:18:04,182
HER NAME'S DANA MAYWEATHER.
521
00:18:04,184 --> 00:18:05,650
SO WHAT WERE YOU DOING
AT THE HOSTEL?
522
00:18:05,652 --> 00:18:07,452
I WAS JUST CHECKING IT OUT.
523
00:18:07,453 --> 00:18:09,253
IN CASE I NEEDED A PLACE
TO STAY.
524
00:18:09,255 --> 00:18:12,256
CAN I SEE YOUR PHONE
PLEASE?
525
00:18:13,193 --> 00:18:14,392
ANY MESSAGES
YOU WERE EXCHANGING
526
00:18:14,394 --> 00:18:17,161
WILL SHOW UP IN THE LOG.
527
00:18:17,163 --> 00:18:19,330
AM I UNDER ARREST
FOR BEING HELD HOSTAGE?
528
00:18:19,332 --> 00:18:20,665
WERE YOU A HOSTAGE?
529
00:18:20,667 --> 00:18:21,766
WHAT ELSE WOULD YOU CALL IT?
530
00:18:21,768 --> 00:18:22,867
ACCOMPLICE.
531
00:18:23,803 --> 00:18:25,837
LOOK. I GOT THE TWEET,
532
00:18:25,839 --> 00:18:27,738
AND THEN I WENT TO THE HOSTEL
AT 3 P.M.
533
00:18:27,740 --> 00:18:29,807
AND THEN JAMIE CAME RUNNING UP
THE STAIRS-
534
00:18:29,809 --> 00:18:31,676
HE CAME UP
FROM THE BASEMENT?
535
00:18:31,678 --> 00:18:33,377
I DON'T KNOW.
WHATEVER.
536
00:18:33,379 --> 00:18:35,313
THE POINT IS,
HE PICKED ME,
537
00:18:35,315 --> 00:18:36,314
OUT OF EVERYONE ELSE,
538
00:18:36,316 --> 00:18:37,448
AND THEN WE WENT OUTSIDE
539
00:18:37,450 --> 00:18:38,616
AND WE GOT IN THAT COP CAR
540
00:18:38,618 --> 00:18:40,585
AND MADE YOU GUYS
LOOK LIKE IDIOTS,
541
00:18:40,587 --> 00:18:42,453
AS PER USUAL.
542
00:18:53,333 --> 00:18:54,398
(BOTTLES CLATTER)
543
00:18:59,339 --> 00:19:00,404
(BOOTS CLOMP)
544
00:19:06,446 --> 00:19:08,479
WHERE'S HE GOING NOW?
545
00:19:08,481 --> 00:19:09,413
WHAT WAS HE DOING
IN THE HOSTEL
546
00:19:09,415 --> 00:19:10,932
IN THE FIRST PLACE?
547
00:19:10,933 --> 00:19:12,450
HE SAID THE LESS I KNEW,
THE BETTER.
548
00:19:12,452 --> 00:19:15,186
DANA, THIS GUY'S
NOT A HERO, OKAY?
549
00:19:15,188 --> 00:19:16,354
HE SHOT
AND NEARLY KILLED A MAN.
550
00:19:16,356 --> 00:19:17,588
DID YOU KNOW THAT?
551
00:19:17,590 --> 00:19:19,323
HE'S PUT YOUR LIFE
AT RISK.
552
00:19:19,325 --> 00:19:22,226
HE CHOSE ME
TO HELP HIM ESCAPE;
553
00:19:22,228 --> 00:19:24,262
TO HELP HIM GET READY
FOR THE GRAND FINALE.
554
00:19:24,264 --> 00:19:25,263
GRAND FINALE.
555
00:19:25,265 --> 00:19:26,797
THOSE WERE THE WORDS
HE USED?
556
00:19:26,799 --> 00:19:28,466
EXACT WORDS.
557
00:19:28,468 --> 00:19:29,867
THERE'S GOING TO BE
A GRAND FINALE,
558
00:19:29,869 --> 00:19:32,436
AND THEN WE'RE NEVER GONNA
HEAR FROM HIM AGAIN.
559
00:19:32,438 --> 00:19:34,071
WORDY.
560
00:19:34,072 --> 00:19:35,705
THAT PACKAGE JAMIE DEE
DROPPED OFF AT THE HOSTEL -
561
00:19:35,708 --> 00:19:38,276
CHECK THE BASEMENT.
USE EXTREME CAUTION.
562
00:19:38,278 --> 00:19:39,477
WORDY:
COPY.
563
00:19:39,479 --> 00:19:40,478
HE'S SO OUT OF YOUR LEAGUE.
564
00:19:40,480 --> 00:19:41,546
DANA,
YOU'RE UNDER ARREST.
565
00:19:57,497 --> 00:19:58,963
I LOST HIM.
566
00:19:58,965 --> 00:20:00,732
SPIKE:
ED!
567
00:20:00,733 --> 00:20:02,500
HE'S LIVECASTING,
AS IN RIGHT NOW.
568
00:20:02,502 --> 00:20:04,502
JAMIE:
HEY! HOW Y'ALL DOING?
569
00:20:05,972 --> 00:20:07,238
WHAT DO YOU SEE?
570
00:20:07,239 --> 00:20:08,505
UH, OKAY.
ALLEYWAYS,
571
00:20:08,508 --> 00:20:11,542
UH, GARAGES, GRAFFITI...
572
00:20:11,544 --> 00:20:13,444
YOU WANNA NARROW THAT DOWN
FOR ME?
573
00:20:13,446 --> 00:20:16,380
SPIKE:
HE JUST PASSED
SOME SKATEBOARDERS.
574
00:20:16,382 --> 00:20:18,566
HOLD ON.
WHAT HAPPENED
TO HIM?
575
00:20:18,567 --> 00:20:20,751
SPIKE:
I DON'T KNOW,
IT WENT DOWN.
576
00:20:28,595 --> 00:20:30,161
OKAY, OKAY, WE'RE BACK.
577
00:20:30,162 --> 00:20:31,728
HE'S HEADING RIGHT TOWARDS
A BUSY STREET,
578
00:20:31,731 --> 00:20:33,397
UH, THEY LOOK LIKE
STREETCAR TRACKS.
579
00:20:33,399 --> 00:20:34,398
UH, IT LOOKS LIKE...
580
00:20:34,400 --> 00:20:35,399
KING STREET?
581
00:20:35,401 --> 00:20:36,951
UH, QUEEN STREET.
582
00:20:36,952 --> 00:20:38,502
DEFINITELY QUEEN STREET,
SOUTH SIDE, GOING WEST.
583
00:20:38,504 --> 00:20:39,737
I'M GONNA RUN AHEAD
AND CUT HIM OFF.
584
00:20:39,739 --> 00:20:41,272
WHAT'S THE CROSS-STREET?
585
00:20:41,273 --> 00:20:42,806
SPIKE: IS THAT BEVERLEY?
PARKER: THAT'S BEVERLEY, YUP.
586
00:20:42,809 --> 00:20:46,544
SPIKE:
BEVERLEY STREET,
BEVERLEY STREET.
587
00:20:47,747 --> 00:20:49,369
I'M ON QUEEN HEADING EAST.
588
00:20:49,370 --> 00:20:50,992
SPIKE:
HE SHOULD BE RIGHT
IN FRONT OF YOU.
589
00:20:50,993 --> 00:20:52,615
JUST PAST THESE PEOPLE.
590
00:20:52,619 --> 00:20:53,684
POLICE! DON'T MOVE!
591
00:20:53,686 --> 00:20:54,585
SPIKE:
HE'S FACING YOU!
592
00:20:54,587 --> 00:20:55,987
ED:
POLICE! RIGHT THERE!
593
00:20:55,989 --> 00:21:00,458
I DIDN'T STEAL IT!
SOME GUY JUST GAVE IT TO ME!
594
00:21:00,460 --> 00:21:02,260
TEAM ONE,
SUBJECT'S STILL AT LARGE.
595
00:21:11,537 --> 00:21:12,570
DANA'S PHONE.
596
00:21:12,572 --> 00:21:13,871
THANKS.
597
00:21:13,873 --> 00:21:15,539
SPIKE,
WE GOT HER PHONE.
598
00:21:15,541 --> 00:21:16,641
WHAT'S YOUR READ,
SAM?
599
00:21:16,643 --> 00:21:18,476
AH, SHE'S A KID
WITH A FANTASY CRUSH -
600
00:21:18,478 --> 00:21:20,511
SHE'S FALLEN FOR
A HERO IMAGE OF JAMIE.
601
00:21:20,513 --> 00:21:22,480
DO YOU THINK SHE KNOWS
WHAT THIS GRAND FINALE IS?
602
00:21:22,482 --> 00:21:24,682
NO. SOUNDS LIKE
SHE'S TELLING THE TRUTH.
603
00:21:24,684 --> 00:21:26,517
GRAND FINALE.
604
00:21:26,519 --> 00:21:27,830
KID'S SMART,
605
00:21:27,831 --> 00:21:29,142
HE KNOWS THE NOOSE
IS TIGHTENING.
606
00:21:29,143 --> 00:21:30,454
THIS IS WHERE THE COWBOY
GETS RECKLESS.
607
00:21:30,456 --> 00:21:31,956
SPIKE:
BOSS, I CAN TELL YOU
WHERE JAMIE'S BEEN.
608
00:21:36,562 --> 00:21:37,573
PARKER:
'KAY.
609
00:21:37,574 --> 00:21:38,585
SPIKE:
I MADE UP A CHART,
610
00:21:38,586 --> 00:21:39,597
BASED ON THE INFO
THE FEDS GAVE US.
611
00:21:39,599 --> 00:21:41,565
RED ARE THE ROBBERIES,
KNOWN OR SUSPECTED.
612
00:21:41,567 --> 00:21:42,566
LOOKS LIKE HE WAS MAKING
HIS WAY
613
00:21:42,568 --> 00:21:43,801
DOWN THE EASTERN SEABOARD.
614
00:21:43,803 --> 00:21:45,636
BUT LAST THREE MONTHS?
615
00:21:45,637 --> 00:21:47,470
BLUE IS HIM MAKING HIS WAY
BACK UP.
616
00:21:47,473 --> 00:21:48,739
PARKER:
HITTING DIFFERENT CITIES
THIS TIME?
617
00:21:48,741 --> 00:21:50,608
NOT EXACTLY.
618
00:21:50,610 --> 00:21:51,609
PURPLE IS...?
619
00:21:51,610 --> 00:21:52,609
SPIKE:
BLUE PLUS RED.
620
00:21:52,612 --> 00:21:53,795
DETOURS BACK TO PLACES
621
00:21:53,796 --> 00:21:54,979
WHERE HE COMMITTED ROBBERIES
IN THE PAST.
622
00:21:54,981 --> 00:21:56,580
AND I COMPARED FAN SIGHTINGS
OF JAMIE
623
00:21:56,582 --> 00:21:58,349
WITH THE ACTUAL ITINERARY
OF HIS CRIMES
624
00:21:58,351 --> 00:21:59,550
TO WEED OUT
THE FALSE SIGHTINGS.
625
00:21:59,552 --> 00:22:01,068
AND FROM THERE,
626
00:22:01,069 --> 00:22:02,585
SOME OF THOSE FANS MANAGED
TO GRAB PHOTOS.
627
00:22:02,588 --> 00:22:04,989
PARKER:
AND?
628
00:22:04,990 --> 00:22:07,391
NOW, THE FANS ARE HELPING US
BY USING CAMERAS
629
00:22:07,393 --> 00:22:09,360
THAT COVERTLY ENCODE THE PHOTOS
WITH GPS TAGS.
630
00:22:09,362 --> 00:22:10,962
WE KNOW WHERE THEY WERE TAKEN.
631
00:22:10,963 --> 00:22:12,563
PARKER
ALL RIGHT.
GET THIS INFORMATION TO WINNIE,
632
00:22:12,565 --> 00:22:13,898
HAVE HER REACH OUT
TO LAW ENFORCEMENT.
633
00:22:13,900 --> 00:22:15,900
MAYBE SOMETHING COMES UP.
634
00:22:15,902 --> 00:22:17,401
HE'S TEXTING DANA.
635
00:22:17,403 --> 00:22:19,503
SPIKE:
ARE YOU SERIOUS?
636
00:22:19,505 --> 00:22:22,807
JULES: (READING)
"R U ALL RIGHT? JD."
637
00:22:22,809 --> 00:22:24,709
HE'S GOTTA KNOW THAT WE'VE BEEN
QUESTIONING HER BY NOW.
638
00:22:24,711 --> 00:22:25,943
HE'S TESTING US.
639
00:22:25,945 --> 00:22:27,378
TALK TO HIM.
640
00:22:28,114 --> 00:22:30,448
JULES:
I'M GOOD.
641
00:22:30,450 --> 00:22:32,616
SPIKE, CAN WE USE THIS
TO TRACK HIS LOCATION?
642
00:22:32,618 --> 00:22:34,652
WE COULD, BUT HE SEEMS TO LIKE
BORROWING CELL PHONES
643
00:22:34,654 --> 00:22:36,254
AND THEN USING THEM
AS RED HERRINGS.
644
00:22:36,255 --> 00:22:37,855
BY THE TIME
WE FIND THIS ONE...
645
00:22:37,856 --> 00:22:39,456
IT'S GONNA BE HANGING OFF
ANOTHER RANDOM STRANGER.
646
00:22:39,459 --> 00:22:42,059
(TYPING)
CAN I SEE U AGAIN?
647
00:22:44,497 --> 00:22:47,798
(PHONE BEEPS THEN CHIMES
WITH RETURN MESSAGE)
648
00:22:48,735 --> 00:22:50,000
(INHALES AND EXHALES HEAVILY)
649
00:22:50,002 --> 00:22:53,504
SHE'S NOT INVOLVED.
LEAVE HER ALONE, COPS.
650
00:22:53,506 --> 00:22:54,705
WAS WORTH A TRY.
651
00:22:56,576 --> 00:23:00,111
WE WANT TO HELP.
652
00:23:01,647 --> 00:23:04,749
(PHONE BEEPS THEN CHIMES
WITH RETURN MESSAGE)
653
00:23:04,751 --> 00:23:06,384
WHAT'S, UH, ROFL...
ROFLMAO?
654
00:23:06,385 --> 00:23:08,018
SPIKE:
"ROLLING ON THE FLOOR
LAUGHING MY ASS OFF."
655
00:23:08,020 --> 00:23:09,754
ALL RIGHT, I GET IT.
656
00:23:11,557 --> 00:23:13,040
WELL,
HE CARES ABOUT DANA.
657
00:23:13,041 --> 00:23:14,524
JULES:
HE DOESN'T WANT HER
TO BE BLAMED.
658
00:23:14,527 --> 00:23:16,594
SOUND LIKE A NARCISSIST?
659
00:23:16,596 --> 00:23:18,118
ED:
BOSS? LISTEN IN.
660
00:23:18,119 --> 00:23:19,641
I THINK WE KNOW WHY JAMIE
CAME TO THE HOSTEL.
661
00:23:19,642 --> 00:23:21,164
WORDY:
FOUND THE ENVELOPE
IN MS. ALVAREZ'
662
00:23:21,167 --> 00:23:22,733
STAFF LOCKER DOWNSTAIRS.
663
00:23:22,735 --> 00:23:24,568
I HAD NO IDEA
IT WAS THERE.
664
00:23:24,570 --> 00:23:26,570
FIVE THOUSAND DOLLARS,
AND A NOTE.
665
00:23:26,572 --> 00:23:29,039
"MARIA,
THANKS FOR BEING A FRIEND. JD."
666
00:23:30,910 --> 00:23:32,710
MARIA,
DO YOU KNOW JAMIE DEE?
667
00:23:32,712 --> 00:23:34,645
THE GUY WITH THE GUN?
HE DID THIS?
668
00:23:34,647 --> 00:23:35,813
SAM:
HE COMMITTED A ROBBERY
THIS MORNING,
669
00:23:35,814 --> 00:23:36,980
AND DROVE ALL THE WAY
ACROSS TOWN
670
00:23:36,983 --> 00:23:38,783
TO GIVE YOU THE MONEY.
671
00:23:38,785 --> 00:23:40,285
WHY WOULD HE DO THAT?
672
00:23:40,286 --> 00:23:41,786
I HAVE NO IDEA.
I DON'T KNOW THIS GUY.
673
00:23:41,788 --> 00:23:45,723
ED:
OKAY, MARIA,
YOU RECOGNIZE HIM?
674
00:23:45,725 --> 00:23:46,791
NO.
675
00:23:49,762 --> 00:23:52,496
SAME GUY,
DIFFERENT LOOKS.
676
00:23:52,498 --> 00:23:55,833
NOW, ARE YOU SURE YOU DON'T
RECOGNIZE ANY OF THEM?
677
00:23:55,835 --> 00:23:57,835
I'M TELLING YOU,
I...
678
00:24:00,440 --> 00:24:01,505
WAIT.
679
00:24:03,609 --> 00:24:04,875
WAIT, THAT ONE...
680
00:24:07,647 --> 00:24:08,879
THAT'S DARCY.
681
00:24:08,881 --> 00:24:10,681
I USED TO LIVE
IN VANCOUVER.
682
00:24:10,683 --> 00:24:12,733
THERE WAS A BOY,
683
00:24:12,734 --> 00:24:14,784
HE LIVED WITH THE FAMILY
DOWN THE STREET.
684
00:24:14,787 --> 00:24:15,653
LIVED WITH THEM?
685
00:24:15,655 --> 00:24:17,521
FOSTER PARENTS.
686
00:24:17,523 --> 00:24:20,057
I USED TO SEE HIM
IN THE NEIGHBORHOOD.
687
00:24:20,059 --> 00:24:21,892
SUPER-BRIGHT KID,
688
00:24:21,894 --> 00:24:23,761
FAST LEARNER.
689
00:24:23,763 --> 00:24:26,030
I TOLD HIM TO COME TO MY PLACE
IF HE EVER NEEDED HELP,
690
00:24:26,032 --> 00:24:27,965
SO HE CAME OVER A LOT.
691
00:24:28,901 --> 00:24:31,569
ED:
WAIT A SEC, NEEDED HELP?
BUT WHY?
692
00:24:31,571 --> 00:24:35,172
MARIA:
I... I DON'T REALLY KNOW
WHAT WENT ON.
693
00:24:35,174 --> 00:24:38,476
I MEAN DARCY NEVER SAID
ANYTHING...
694
00:24:38,478 --> 00:24:39,777
BUT?
695
00:24:39,779 --> 00:24:43,047
YOU SEE IT IN A KID,
WHEN THEY MAKE UP EXCUSES,
696
00:24:44,617 --> 00:24:47,218
CAN'T MEET YOU IN THE EYE.
697
00:24:47,220 --> 00:24:48,686
BRUISES.
698
00:24:49,622 --> 00:24:53,190
THEN, ONE DAY,
DARCY JUST DISAPPEARED.
699
00:24:53,192 --> 00:24:55,759
AND YOU'RE SURE
THAT'S HIM?
700
00:24:56,696 --> 00:24:59,263
DARCY DUNLEAVY.
701
00:24:59,264 --> 00:25:01,831
I MEAN, HE WAS YOUNGER,
MAYBE THIRTEEN, FOURTEEN,
702
00:25:01,834 --> 00:25:05,269
BUT... YEAH.
YEAH, THAT'S HIM.
703
00:25:07,874 --> 00:25:09,106
OKAY, THANK YOU.
704
00:25:09,108 --> 00:25:11,208
WINNIE:
DARCY JAMES DUNLEAVY.
705
00:25:11,210 --> 00:25:13,811
LOST HIS PARENTS
IN A CAR ACCIDENT.
706
00:25:13,813 --> 00:25:16,080
LIVED IN A SERIES
OF FOSTER HOMES TILL HE WAS 15.
707
00:25:16,082 --> 00:25:18,716
THEN IT LOOKS LIKE
HE JUST DROPPED OFF THE MAP.
708
00:25:18,718 --> 00:25:19,850
CAN WE ACCESS A PHOTO?
709
00:25:19,852 --> 00:25:21,685
YEAH, I CAN PULL ONE
OFF THE CASE-FILE.
710
00:25:22,622 --> 00:25:24,788
ACCORDING TO THE FILE,
THIS KID'S ONLY SEVENTEEN.
711
00:25:24,790 --> 00:25:27,191
SAM:
SEVENTEEN?
HE'S JUST A KID.
712
00:25:27,193 --> 00:25:29,994
MIGHT'VE CALLED
THIS ONE WRONG, SAM.
713
00:25:29,996 --> 00:25:32,663
JAMIE HAS 497,000 FOLLOWERS,
714
00:25:32,665 --> 00:25:34,698
BUT HE ONLY FOLLOWS
ABOUT A DOZEN PEOPLE HIMSELF.
715
00:25:34,700 --> 00:25:36,000
I BACKTRACKED
THE PUBLIC CHATTER
716
00:25:36,002 --> 00:25:38,168
AND THERE'S BUNCH OF TIMES
WHEN HE AND ONE FOLLOWER
717
00:25:38,170 --> 00:25:41,038
BRANCH OFF INTO PRIVATE
DIRECT MESSAGES.
718
00:25:41,040 --> 00:25:43,007
JULES:
"SAGEX007."
719
00:25:43,009 --> 00:25:44,375
SHE SENT PICTURES.
720
00:25:44,376 --> 00:25:45,742
I FOUND A CACHE OF DM'S
BETWEEN THE TWO OF THEM,
721
00:25:45,745 --> 00:25:47,611
STARTING SIX MONTHS AGO.
722
00:25:47,613 --> 00:25:49,580
PARKER:
SO SHE STARTED OFF AS A FAN?
723
00:25:49,582 --> 00:25:50,959
SHE CAUGHT HIS ATTENTION,
724
00:25:50,960 --> 00:25:52,337
AND I'M GUESSING IT'S BECAUSE
SHE DIDN'T ACT LIKE A FAN.
725
00:25:52,338 --> 00:25:53,715
EVERYBODY ELSE IS LIKE,
"JAMIE, YOU'RE SO GREAT,
726
00:25:53,719 --> 00:25:55,703
YOU'RE SO AWESOME,"
SHE WRITES:
727
00:25:55,704 --> 00:25:57,688
"MUST BE HARD WHEN NO ONE KNOWS
WHO YOU REALLY ARE.
728
00:25:57,690 --> 00:25:58,923
LIVING LIKE A SHADOW,
729
00:25:58,925 --> 00:26:00,925
ALWAYS LOOKING OVER
YOUR SHOULDER."
730
00:26:00,927 --> 00:26:03,761
JULES:
"HOW DO YOU KNOW
WHO YOU CAN TRUST?"
731
00:26:03,763 --> 00:26:05,062
"I DON'T KNOW.
I CAN'T TRUST.
732
00:26:05,064 --> 00:26:06,830
THE DOWNSIDE
OF A DOUBLE LIFE."
733
00:26:06,832 --> 00:26:08,933
AND LISTEN, THIS IS WHAT
SHE SENT HIM THREE DAYS LATER.
734
00:26:08,935 --> 00:26:10,801
SAGE: (RECORDING)
HEY, JAMIE.
UH, HOPE YOU DON'T MIND.
735
00:26:10,803 --> 00:26:12,937
I'M CALLING THIS "OUTLAW."
736
00:26:12,939 --> 00:26:15,272
ANYWAY, UH,
HOPE IT DOESN'T SUCK.
737
00:26:15,274 --> 00:26:16,707
(PLAYS GUITAR)
738
00:26:18,210 --> 00:26:21,111
(SINGING)
¶ LIVING LIFE LIKE A SHADOW, ¶
739
00:26:23,649 --> 00:26:27,718
¶ AS THE LONELINESS SETS IN ¶
740
00:26:30,156 --> 00:26:32,790
SPIKE:
THE NEXT THING HE WRITES IS...
741
00:26:32,792 --> 00:26:34,792
PARKER:
"SAGE, YOU TAKE
MY BREATH AWAY."
742
00:26:34,794 --> 00:26:35,859
HE TOLD HER EVERYTHING.
743
00:26:35,861 --> 00:26:37,461
HIS FOSTER PARENTS.
744
00:26:37,462 --> 00:26:39,062
LOOKS LIKE
SHE'S BEEN THERE TOO.
745
00:26:39,065 --> 00:26:40,982
CHECK OUT HIS ONE:
746
00:26:40,983 --> 00:26:42,900
"I'M SCARED AT NIGHT.
WISH MY BEDROOM HAD A LOCK."
747
00:26:42,902 --> 00:26:45,002
SOUNDS LIKE
SHE'S BEING ABUSED.
748
00:26:45,004 --> 00:26:46,070
AND HE EVEN TOLD HER
ABOUT THE NIGHT
749
00:26:46,072 --> 00:26:47,304
HE SHOT THE SECURITY GUARD.
750
00:26:47,306 --> 00:26:48,806
TURNS OUT
IT WAS A TOTAL ACCIDENT;
751
00:26:48,808 --> 00:26:50,708
THE GUY JUMPED HIM.
752
00:26:50,710 --> 00:26:52,309
PARKER:
WE FIND HER,
WE'LL FIND HIM.
753
00:26:52,311 --> 00:26:54,244
I'LL TRACK THE IP SERVER,
FIND THE ADDRESS,
754
00:26:54,246 --> 00:26:56,046
GET THE INFO BACK TO WINNIE.
755
00:26:56,048 --> 00:26:57,815
WINNIE:
ARE YOU GUYS SEEING THIS?
756
00:26:57,817 --> 00:27:01,151
A NEW LINK JUST POSTED
ON HIS FAN SITE.
757
00:27:06,125 --> 00:27:08,225
I WANNA THANK EVERYONE
WHO HELPED ME.
758
00:27:08,227 --> 00:27:10,260
YOU GUYS ARE IN MY HEART
FOREVER.
759
00:27:10,262 --> 00:27:12,246
IF ALL YOU COPS ARE WATCHING,
760
00:27:12,247 --> 00:27:14,231
I GOT SOMETHING
TO SAY TO YOU TOO.
761
00:27:14,233 --> 00:27:16,266
I'M DOIN' YOU CLOWNS A FAVOR.
762
00:27:16,268 --> 00:27:17,785
I'M HANGIN' UP MY HAT.
763
00:27:17,786 --> 00:27:19,303
BUT I GOT ONE LAST STAND
TO MAKE,
764
00:27:19,305 --> 00:27:22,306
AND IF ANYONE GETS IN MY WAY,
THINGS ARE GONNA GET UGLY.
765
00:27:22,308 --> 00:27:26,110
EVEN UGLIER THAN THE BASTARD
I'M COMING FOR.
766
00:27:28,180 --> 00:27:29,880
YOU KNOW WHO YOU ARE.
767
00:27:29,882 --> 00:27:32,216
YOU'RE RUNNING OUT OF TIME.
768
00:27:43,796 --> 00:27:46,864
HEY, BOSS, THAT SECURITY GUARD
SHOOTING THREE MONTHS AGO?
769
00:27:46,866 --> 00:27:49,700
WE'VE GOT SOME INTEL
FROM A DETECTIVE IN NEW HAVEN.
770
00:27:49,702 --> 00:27:51,201
APPARENTLY JAMIE DEE
GOT AWAY,
771
00:27:51,203 --> 00:27:53,937
BUT HE TOOK A BAD FALL
OUT A WINDOW.
772
00:27:53,939 --> 00:27:55,839
ALL RIGHT...
773
00:27:55,840 --> 00:27:57,740
SAM:
LAST WEEK, A LOCAL CAB DRIVER
NAMED ARMAND KOHL
774
00:27:57,743 --> 00:27:59,376
WENT TO THE POLICE.
775
00:27:59,378 --> 00:28:01,378
ED'S GOT HIM
ON THE LINE NOW.
776
00:28:01,380 --> 00:28:03,213
ALL RIGHT, WHAT CAN YOU
TELL US, MR. KOHL?
777
00:28:03,215 --> 00:28:05,182
KOHL:
THREE MONTHS AGO,
I PICKED UP A FARE.
778
00:28:05,184 --> 00:28:06,884
IT WAS LATE,
AFTER MIDNIGHT.
779
00:28:06,886 --> 00:28:09,687
I COULD SEE HE'S BEEN HURT -
HE'S IN SOME KIND OF TROUBLE.
780
00:28:09,689 --> 00:28:10,955
ED:
AND YOU DIDN'T REPORT THIS?
781
00:28:10,956 --> 00:28:12,222
KOHL:
NO. I THOUGHT HE'S JUST A BOY.
782
00:28:12,224 --> 00:28:13,924
HE WAS RUNNING AWAY
FROM SOMEWHERE,
783
00:28:13,926 --> 00:28:15,726
SO I TOOK HIM HOME.
784
00:28:15,728 --> 00:28:17,344
TO YOUR HOUSE?
785
00:28:17,345 --> 00:28:18,961
WHEN SOMEONE IS IN TROUBLE,
WHAT DO YOU DO?
786
00:28:18,964 --> 00:28:20,030
YOU HELP THEM.
787
00:28:21,867 --> 00:28:23,867
KOHL:
WATCH THE STAIRS.
788
00:28:24,904 --> 00:28:26,837
COUCH FOLDS OUT.
I CAN BRING YOU A BLANKET.
789
00:28:26,839 --> 00:28:28,372
JAMIE:
WHY...
790
00:28:28,374 --> 00:28:30,841
SO YOU CAN PHONE THE POLICE?
791
00:28:30,843 --> 00:28:33,143
WHY WOULD I DO THAT,
HUH?
792
00:28:33,145 --> 00:28:35,946
(EMOTIONAL)
I CAN'T DO THIS ANYMORE.
793
00:28:35,948 --> 00:28:38,616
I CAN'T...
I CAN'T DO THIS.
794
00:28:38,617 --> 00:28:41,285
KOHL:
THEN MAYBE IT'S TIME
FOR YOU TO GO HOME.
795
00:28:41,287 --> 00:28:43,921
NOPE.
I DON'T GOT ONE OF THOSE.
796
00:28:44,857 --> 00:28:47,057
TO A FRIEND THEN?
797
00:28:48,928 --> 00:28:52,262
460,000 FOLLOWERS,
NO FRIENDS.
798
00:28:53,199 --> 00:28:55,866
YOU MUST HAVE
A FRIEND.
799
00:28:57,870 --> 00:28:59,136
ONE FRIEND.
800
00:29:00,072 --> 00:29:01,138
SAGE.
801
00:29:02,308 --> 00:29:04,074
TWO FRIENDS.
802
00:29:04,877 --> 00:29:06,944
MY NAME'S ARMAND.
803
00:29:08,314 --> 00:29:09,379
DARCY.
804
00:29:10,783 --> 00:29:13,016
NEXT MORNING,
HE WAS GONE.
805
00:29:13,018 --> 00:29:14,885
BUT THEN LAST WEEK,
HE TURNS UP AGAIN,
806
00:29:14,887 --> 00:29:16,103
OUT OF THE BLUE,
807
00:29:16,104 --> 00:29:17,320
AND HE GIVES ME
AN ENVELOPE.
808
00:29:17,323 --> 00:29:18,822
IT'S FULL OF MONEY.
809
00:29:18,824 --> 00:29:20,357
FIVE THOUSAND DOLLARS.
810
00:29:20,359 --> 00:29:22,226
I SAY TO HIM,
"WHAT'S THIS?"
811
00:29:22,228 --> 00:29:24,161
HE SAYS, "THANK YOU."
812
00:29:24,163 --> 00:29:25,663
THAT'S WHEN I CALL THE POLICE.
813
00:29:25,664 --> 00:29:27,164
BECAUSE THIS MONEY,
IT'S TOO MUCH,
814
00:29:27,166 --> 00:29:28,432
AND IT ISN'T MINE.
815
00:29:28,434 --> 00:29:30,134
ED:
'KAY, HE SAY ANYTHING ELSE?
816
00:29:30,136 --> 00:29:34,805
KOHL:
HE SAID: "YOU'RE NOT GOING
TO SEE ME AGAIN."
817
00:29:34,807 --> 00:29:36,974
ALL RIGHT,
THANKS, MR. KOHL.
818
00:29:36,976 --> 00:29:39,009
PARKER:
THANKS, EDDIE.
819
00:29:39,945 --> 00:29:43,046
SO, YEARS OF BEING NOT WANTED,
HE STUMBLES ON KINDNESS.
820
00:29:43,048 --> 00:29:45,482
REPAYS ALL THOSE PEOPLE
WHO HELPED HIM IN THE PAST.
821
00:29:45,484 --> 00:29:48,085
MARIA ALVAREZ,
TAXI DRIVER.
822
00:29:48,087 --> 00:29:50,154
DO YOU THINK THAT THIS
IS A SUICIDE SCENARIO?
823
00:29:50,156 --> 00:29:52,990
HE'S DEFINITELY CLEARING
THE SLATE.
824
00:29:52,992 --> 00:29:54,992
(EXHALES)
CLASSIC PATTERN.
825
00:29:54,993 --> 00:29:56,993
PARKER:
BUT THIS LAST MESSAGE
WAS A THREAT.
826
00:29:56,996 --> 00:29:58,996
THERE'S SOMEONE ELSE
WHO DESERVES TO DIE.
827
00:29:58,998 --> 00:30:01,031
SPIKE:
BOSS, WE'VE FOUND SAGE'S
IP ADDRESS.
828
00:30:01,033 --> 00:30:03,834
REGISTERED TO THE HOUSE
OF A STEPHEN CUNNINGHAM.
829
00:30:03,836 --> 00:30:05,936
PARKER:
A STEPHEN CUNNINGHAM
OR THE STEPHEN CUNNINGHAM?
830
00:30:05,938 --> 00:30:08,088
UH... LOST ME, BOSS.
831
00:30:08,089 --> 00:30:10,239
PARKER:
SPIKE, THE MILLIONAIRE WHO
JUST BAILED OUT THE SYMPHONY.
832
00:30:10,242 --> 00:30:12,442
OH, RIGHT, THAT THING
WITH THE WOODEN INSTRUMENTS,
833
00:30:12,444 --> 00:30:14,578
PLAYS SONGS FROM
A THOUSAND YEARS AGO.
834
00:30:14,580 --> 00:30:16,180
I KEEP UP WITH THE ARTS.
835
00:30:16,182 --> 00:30:18,048
I READ THAT ARTICLE.
836
00:30:18,050 --> 00:30:20,117
HE'S BUYING THE NAMING RIGHTS
TO THE PHILHARMONIC.
837
00:30:20,119 --> 00:30:21,485
SPIKE:
AND THERE IT IS.
838
00:30:21,487 --> 00:30:23,854
INAUGURAL CONCERT
AND PRESS CONFERENCE
839
00:30:23,856 --> 00:30:24,855
AT KOERNER HALL.
840
00:30:24,857 --> 00:30:26,140
STARTS IN 15 MINUTES.
841
00:30:26,141 --> 00:30:27,424
JULES:
OVER-PRIVILEGED GUY
PUTTING A SPOTLIGHT
842
00:30:27,426 --> 00:30:29,026
ON HIS OWN GENEROSITY?
843
00:30:29,028 --> 00:30:30,160
SOUNDS LIKE
A JAMIE DEE TARGET.
844
00:30:30,162 --> 00:30:31,995
JAMIE'S GOING AFTER
SAGE'S FATHER.
845
00:30:31,997 --> 00:30:34,364
TEAM ONE, ALL HANDS.
WE'RE GOING TO KOERNER HALL.
846
00:30:37,102 --> 00:30:39,119
(COMPUTER BEEPS)
847
00:30:39,120 --> 00:30:41,137
SAGE: (RECORDING)
ANYWAY. UH...
HOPE IT DOESN'T SUCK.
848
00:30:55,487 --> 00:30:56,253
SAGE:
HELLO?
849
00:30:56,255 --> 00:30:57,588
SAGE, IT'S ME.
850
00:30:57,590 --> 00:30:58,973
JAMIE:
HEY YOU.
851
00:30:58,974 --> 00:31:00,357
HOPE YOU'RE PACKED;
SHOW STARTS IN TEN.
852
00:31:00,359 --> 00:31:02,109
SAGE:
SO AWESOME.
853
00:31:02,110 --> 00:31:03,860
JAMIE:
MEDIA'S HERE,
LIVECAST IS STANDING BY,
854
00:31:03,863 --> 00:31:06,163
THE WHOLE WORLD IS GONNA SEE
THE LOOK ON HIS FACE.
855
00:31:06,165 --> 00:31:07,381
SAGE:
YOU SURE YOU'RE OKAY
856
00:31:07,382 --> 00:31:08,598
WITH THE BANK ACCOUNT
BEING MINE?
857
00:31:08,601 --> 00:31:10,167
CAN YOU PICTURE ME
WALKING INTO A BANK,
858
00:31:10,169 --> 00:31:12,286
HANDING OVER ID?
859
00:31:12,287 --> 00:31:14,404
SAGE:
(LAUGHS)
GOT A POINT THERE, PARDNER.
860
00:31:14,406 --> 00:31:16,340
SAGE...
861
00:31:16,342 --> 00:31:17,441
THE MAN WILL NEVER
TOUCH YOU AGAIN,
862
00:31:17,443 --> 00:31:19,176
FOR AS LONG AS I LIVE.
863
00:31:20,112 --> 00:31:21,178
(SIRENS WAIL)
864
00:31:21,180 --> 00:31:23,280
WINNIE, WHAT HAVE YOU GOT
ON CUNNINGHAM?
865
00:31:23,281 --> 00:31:25,381
WINNIE:
ASIDE FROM HIS CAREER
AS A MASSIVELY SUCCESSFUL
866
00:31:25,384 --> 00:31:26,917
INTERNATIONAL BANKER?
867
00:31:26,919 --> 00:31:28,769
SOMETHING ON
THE MORE PERSONAL SIDE.
868
00:31:28,770 --> 00:31:30,620
WINNIE:
HE'S VERY PROTECTIVE
OF HIS PERSONAL LIFE.
869
00:31:30,623 --> 00:31:31,872
I HAD TO GET CLEARANCE
TO FIND OUT
870
00:31:31,873 --> 00:31:33,122
HE LIVES WITH HIS SECOND WIFE,
BETH.
871
00:31:33,125 --> 00:31:36,193
TWO KIDS -
17-YEAR-OLD STEPSON, KYLE,
872
00:31:36,195 --> 00:31:37,060
AND HIS DAUGHTER.
873
00:31:37,062 --> 00:31:38,795
SAGE.
874
00:31:38,796 --> 00:31:40,529
WINNIE:
SAGE, SIX YEARS OLD.
875
00:31:40,532 --> 00:31:42,499
SIX YEARS OLD?
SIX YEARS OLD?
876
00:31:42,501 --> 00:31:44,201
WINNIE, ARE YOU SURE?
877
00:31:44,203 --> 00:31:45,669
WINNIE:
YEAH.
878
00:31:48,207 --> 00:31:51,441
SAGE: (RECORDING)
ANYWAY, UH...
HOPE IT DOESN'T SUCK.
879
00:31:51,443 --> 00:31:52,726
TELL ME WHAT YOU...
880
00:31:52,727 --> 00:31:54,010
(DISTORTED AUDIO PLAYBACK)
ANYWAY... UH...
881
00:31:54,013 --> 00:31:56,147
HOPE IT DOESN'T SUCK.
882
00:31:56,148 --> 00:31:58,282
(VOICE GETS LOWER)
TELL ME WHAT YOU THI...
HOPE IT DOESN'T SUCK.
883
00:31:58,284 --> 00:31:59,650
TELL ME... SUCK..
884
00:32:00,586 --> 00:32:02,419
HOPE IT DOESN'T SUCK.
885
00:32:02,421 --> 00:32:04,454
(MALE VOICE)
...DOESN'T SUCK.
886
00:32:04,456 --> 00:32:07,057
...IT DOESN'T SUCK.
TELL ME WHAT YOU...
887
00:32:07,059 --> 00:32:08,558
SPIKE: WE MISSED IT.
ED: WHAT'D WE MISS?
888
00:32:08,560 --> 00:32:10,394
SPIKE:
IT WAS CAUGHT ON MIC
AT THE END OF SAGE'S SONG.
889
00:32:10,396 --> 00:32:11,662
IT WAS THE SOUND
OF A CAR HORN.
890
00:32:11,664 --> 00:32:13,096
THE PITCH WAS TOO HIGH.
891
00:32:13,098 --> 00:32:14,464
AND?
892
00:32:14,465 --> 00:32:15,831
SPIKE:
THERE'S A REASON
THAT THE VOICE WAS HUSKY.
893
00:32:15,832 --> 00:32:17,198
IT'S VOICE TRANSPOSITION
SOFTWARE.
894
00:32:17,202 --> 00:32:18,402
YOU CAN ADJUST A PITCH,
895
00:32:18,403 --> 00:32:19,603
YOU CAN MESS WITH THE AGE
AND GENDER.
896
00:32:19,605 --> 00:32:21,171
DOES IT WORK ON THE PHONE
IN REAL-TIME?
897
00:32:21,173 --> 00:32:22,506
YEAH, I'VE EVEN SEEN
PORTABLE MODELS
898
00:32:22,508 --> 00:32:23,986
FOR CELL PHONES.
899
00:32:23,987 --> 00:32:25,465
JULES:
BUT THOSE DIRECT MESSAGES
900
00:32:25,466 --> 00:32:26,944
DEFINITELY ORIGINATED
IN THE CUNNINGHAM HOUSE.
901
00:32:26,946 --> 00:32:28,345
WELL, THERE'S ONLY ONE KID
IN THAT HOUSE
902
00:32:28,347 --> 00:32:29,947
WHO'D KNOW HOW TO DO THIS.
903
00:32:29,949 --> 00:32:31,181
SPIKE:
I'M ALREADY ON IT, BOSS.
904
00:32:32,551 --> 00:32:34,184
I'M ON KYLE'S WEBSITE NOW.
905
00:32:34,186 --> 00:32:35,585
SEEMS TO BE
A LOT OF HATE MESSAGES
906
00:32:35,587 --> 00:32:38,288
DIRECTED TOWARDS
HIS STEPFATHER CUNNINGHAM.
907
00:32:38,290 --> 00:32:41,291
THIS KID'S GOT SOME PROBLEMS.
908
00:32:43,529 --> 00:32:46,263
SAGE:
THE CAR'LL BE PULLING UP
OUT BACK BY THE STAGE DOOR.
909
00:32:46,265 --> 00:32:47,414
I PACKED MY GUITAR.
910
00:32:47,415 --> 00:32:48,564
WHICH YOU'LL BE TEACHING ME,
BY THE WAY,
911
00:32:48,567 --> 00:32:50,167
LIKE YOU PROMISED.
912
00:32:50,169 --> 00:32:52,169
ALL I KNOW IS LIKE G, C,
AND D.
913
00:32:52,171 --> 00:32:54,037
KYLE:
I'LL TEACH YOU EVERYTHING
I KNOW.
914
00:32:54,039 --> 00:32:56,173
WE'LL HAVE ALL THE TIME
IN THE WORLD.
915
00:32:56,175 --> 00:32:57,174
JAMIE:
SAGE...
916
00:32:57,176 --> 00:32:58,208
YEAH, PARDNER?
917
00:32:59,178 --> 00:33:01,111
UM...
918
00:33:01,113 --> 00:33:02,746
NOTHING.
I, UH...
919
00:33:02,748 --> 00:33:04,314
I LOVE YOU,
I GUESS.
920
00:33:05,250 --> 00:33:07,017
CUNNINGHAM:
HEY, KYLE.
921
00:33:07,019 --> 00:33:10,153
RIGHT BACK AT YOU.
SEE YOU VERY SOON.
922
00:33:20,766 --> 00:33:22,399
ED:
I DON'T GET IT.
A GUY THAT SMART...
923
00:33:22,401 --> 00:33:24,201
HOW COULD HE NOT HAVE
SUSPECTED SOMETHING?
924
00:33:24,203 --> 00:33:26,236
JULES:
GROWING UP,
NOBODY WANTED HIM...
925
00:33:26,238 --> 00:33:28,205
NOWHERE HE BELONGED.
926
00:33:28,207 --> 00:33:30,340
MAYBE WHEN YOU FINALLY
LET SOMEBODY GET CLOSE...
927
00:33:32,077 --> 00:33:33,343
TO TRUST SOMEONE...
928
00:33:33,345 --> 00:33:36,213
JULES:
MAYBE YOU SEE
WHAT YOU WANNA SEE.
929
00:33:36,215 --> 00:33:37,514
AND HE'S JUST SEVENTEEN.
930
00:33:40,452 --> 00:33:42,219
THANKS FOR COMING.
931
00:33:42,221 --> 00:33:44,287
ALWAYS A PLEASURE.
932
00:33:47,259 --> 00:33:49,059
GOOD AFTERNOON,
LADIES AND GENTLEMEN,
933
00:33:49,061 --> 00:33:51,628
AND THANK YOU SO MUCH
FOR COMING.
934
00:33:51,630 --> 00:33:53,663
I WANNA THANK MY TEAM
FOR MAKING MY DREAM
935
00:33:53,665 --> 00:33:56,566
OF SPONSORING THIS CITY'S
PHILHARMONIC A REALITY.
936
00:33:56,568 --> 00:34:00,170
I AM HERE TODAY
TO FULFILL MY PROMISE.
937
00:34:00,172 --> 00:34:02,672
I DON'T GET TO CUT A RIBBON,
938
00:34:02,674 --> 00:34:05,776
BUT I DO GET TO PRESS
A BUTTON...
939
00:34:05,778 --> 00:34:08,678
(MONITOR BEEPS,
ATTENDEES APPLAUD)
940
00:34:09,715 --> 00:34:13,383
THE TUNE OF $7,000,000 DOLLARS.
941
00:34:14,319 --> 00:34:15,719
(ATTENDEES APPLAUD)
942
00:34:16,655 --> 00:34:18,188
MR. CUNNINGHAM!
943
00:34:18,791 --> 00:34:20,057
YES?
944
00:34:21,126 --> 00:34:23,660
I'M SORRY,
WHO ARE YOU?
945
00:34:23,662 --> 00:34:27,064
IT'S YOUR WORST NIGHTMARE.
946
00:34:27,066 --> 00:34:29,066
LADIES AND GENTLEMEN...
947
00:34:29,802 --> 00:34:31,568
WE ARE LIVE.
948
00:34:38,343 --> 00:34:40,243
HE'S DOING IT AGAIN.
HE'S LIVECASTING.
949
00:34:40,245 --> 00:34:42,579
JAMIE:
CAMERAS FACE THE FLOOR, NOW.
950
00:34:42,581 --> 00:34:43,647
COME ON.
951
00:34:44,583 --> 00:34:45,649
I'M RUNNING THIS SHOW.
952
00:34:45,651 --> 00:34:48,518
AND I'M REAL SHY
ABOUT MY FACE.
953
00:34:49,655 --> 00:34:51,655
I SAID, NOW!
LET'S GO!
954
00:34:53,592 --> 00:34:56,793
DON'T WORRY,
THE WORLD WILL BE WATCHING.
955
00:34:59,465 --> 00:35:00,697
SPIKE:
HE'S ONSTAGE RIGHT NOW.
956
00:35:00,699 --> 00:35:02,599
YOU CAN SEE EVERYTHING
BUT HIS FACE.
957
00:35:02,601 --> 00:35:04,468
PARKER:
JULES, YOU TALK;
WORDY, COVER.
958
00:35:04,470 --> 00:35:06,203
ED:
SAM, SIERRA,
TAKE THE CATWALK.
959
00:35:06,205 --> 00:35:08,205
WE GOTTA WRAP THIS UP
BEFORE THE TRUTH HITS.
960
00:35:10,876 --> 00:35:13,176
JAMIE:
HEY, HEY, HEY.
961
00:35:13,178 --> 00:35:14,878
IT'S YOUR BIG DAY.
962
00:35:14,880 --> 00:35:16,546
DON'T MOVE.
963
00:35:25,657 --> 00:35:27,557
YOUR CAPTAIN OF INDUSTRY,
964
00:35:27,559 --> 00:35:29,860
YOUR COMMUNITY LEADER,
965
00:35:29,862 --> 00:35:31,661
MR. DO GOOD DOES BAD.
966
00:35:33,565 --> 00:35:35,432
HE DOES REALLY BAD.
967
00:35:38,604 --> 00:35:40,570
SIERRA IN POSITION.
968
00:35:40,572 --> 00:35:42,506
JULES:
KYLE SEES JAMIE
AS AN OPPORTUNITY.
969
00:35:42,508 --> 00:35:44,641
PARKER:
SO HE PRETENDS TO BE
A YOUNG WOMAN,
970
00:35:44,643 --> 00:35:45,909
PLAYING ON
JAMIE'S ABUSIVE PAST
971
00:35:45,911 --> 00:35:47,744
AND LURES HIM HERE
TO DO WHAT?
972
00:35:47,746 --> 00:35:50,647
RESCUE THE GIRL
BY KILLING THE STEPFATHER?
973
00:35:50,649 --> 00:35:53,450
WORDY:
OR IS HE JUST AFTER
HIS MONEY?
974
00:35:53,452 --> 00:35:55,819
JAMIE:
(MUFFLED CHATTER)
975
00:35:57,856 --> 00:36:01,458
FOLKS, ALLOW ME TO REINTRODUCE
YOU ALL TO...
976
00:36:01,460 --> 00:36:02,926
MR. CUNNINGHAM!
977
00:36:02,928 --> 00:36:04,528
PHILANTHROPIST,
978
00:36:04,530 --> 00:36:05,896
MULTI-MILLIONAIRE,
979
00:36:05,898 --> 00:36:07,664
MUSIC LOVER...
980
00:36:07,666 --> 00:36:08,899
(BUTTON BEEPS)
981
00:36:10,636 --> 00:36:11,768
CHILD ABUSER.
982
00:36:17,643 --> 00:36:20,377
YOU LISTEN TO ME.
983
00:36:20,379 --> 00:36:22,812
NEVER MISS A GOOD CHANCE
TO SHUT UP.
984
00:36:22,814 --> 00:36:26,816
PARTNERS, DO I WANT THE MONEY
OF A VIOLENT MAN?
985
00:36:29,588 --> 00:36:32,389
A CRUEL,
SICK MONSTER,
986
00:36:32,391 --> 00:36:34,191
WHO BEATS HIS DAUGHTER
987
00:36:34,193 --> 00:36:37,494
AND THREATENS WORSE
IF SHE SPEAKS?
988
00:36:37,496 --> 00:36:40,047
PARKER:
CHILD ABUSE.
989
00:36:40,048 --> 00:36:42,599
THAT'S HOW KYLE GAINED
JAMIE'S SYMPATHIES.
990
00:36:44,570 --> 00:36:47,871
JAMIE:
MY HEART'S NOT IN THIS,
BUT I GOT A JOB TO DO.
991
00:36:47,873 --> 00:36:49,673
CUNNINGHAM:
I DON'T KNOW WHO YOU ARE
OR WHY YOU WANNA DO THIS,
992
00:36:49,675 --> 00:36:51,341
BUT THAT IS NOT MY-
993
00:36:57,216 --> 00:36:58,982
THIS IS A STICK-UP.
994
00:36:58,984 --> 00:37:00,917
EXCEPT I'M NOT TAKING WALLETS
THIS TIME.
995
00:37:00,919 --> 00:37:03,587
I'M GONNA DRAIN THIS MAN DRY.
996
00:37:03,589 --> 00:37:06,756
SO THIS IS HOW
IT'S GONNA WORK.
997
00:37:06,758 --> 00:37:07,824
(BUTTON BEEPS)
998
00:37:07,826 --> 00:37:09,593
IT'S COMING OUTTA
THIS ACCOUNT
999
00:37:09,595 --> 00:37:11,761
AND IT'S GONNA GO
INTO THIS ACCOUNT,
1000
00:37:11,763 --> 00:37:13,597
AND YOU,
1001
00:37:13,599 --> 00:37:16,766
YOU ARE GONNA ENTER
YOUR PASSWORD...
1002
00:37:16,768 --> 00:37:17,834
NOW!
1003
00:37:19,605 --> 00:37:21,504
THEN SAGE AND I ARE GONNA
RIDE INTO THE SUNSET.
1004
00:37:22,441 --> 00:37:24,374
SAGE?
1005
00:37:24,376 --> 00:37:26,476
LAY ONE FINGER
ON MY DAUGHTER...!
1006
00:37:26,478 --> 00:37:29,613
BETH, GET SAGE OUT OF HERE!
GET OUT OF HERE NOW!
1007
00:37:29,615 --> 00:37:32,515
GET SAGE OUT OF HERE NOW!
GO!
1008
00:37:32,517 --> 00:37:33,583
SAGE?!
1009
00:37:34,653 --> 00:37:35,652
PARKER:
MRS. CUNNINGHAM?
1010
00:37:35,654 --> 00:37:37,787
THAT'S NOT SAGE.
1011
00:37:37,789 --> 00:37:40,023
PARKER:
JUST GO, GO.
1012
00:37:41,860 --> 00:37:43,526
JULES:
DARCY DUNLEAVY!
1013
00:37:43,528 --> 00:37:45,946
I'M JULES CALLAGHAN
1014
00:37:45,947 --> 00:37:48,365
WITH THE POLICE STRATEGIC
RESPONSE UNIT.
1015
00:37:48,367 --> 00:37:49,532
KYLE:
JAMIE.
1016
00:37:49,534 --> 00:37:50,767
DON'T STOP NOW,
1017
00:37:50,769 --> 00:37:52,535
YOU'RE SO CLOSE.
1018
00:37:52,537 --> 00:37:53,770
WHO THE HELL ARE YOU?
1019
00:37:53,772 --> 00:37:54,938
KYLE, WHAT THE HELL
ARE YOU DOING?
1020
00:37:57,643 --> 00:38:00,043
DARCY,
JUST LOWER YOUR WEAPON, OKAY?
1021
00:38:00,045 --> 00:38:01,411
AND THERE'LL BE TIME
TO EXPLAIN
1022
00:38:01,413 --> 00:38:03,446
EVERYTHING THAT'S HAPPENING.
1023
00:38:03,448 --> 00:38:05,682
KYLE:
JUST DO IT,
JUST PRESS THE BUTTON.
1024
00:38:05,684 --> 00:38:07,984
THEN YOU CAN DO
WHATEVER YOU WANT -
1025
00:38:07,986 --> 00:38:09,653
LEARN HOW TO PLAY THE GUITAR,
ANYTHING.
1026
00:38:09,655 --> 00:38:11,354
YOU'RE SO CLOSE.
1027
00:38:11,356 --> 00:38:12,789
YOU...
1028
00:38:12,791 --> 00:38:13,857
YOU'RE SAGE.
1029
00:38:15,661 --> 00:38:16,660
YOU...
1030
00:38:16,662 --> 00:38:18,595
NOTHING'S CHANGED.
H!
1031
00:38:18,597 --> 00:38:19,596
KYLE:
HE'S STILL A BASTARD!
1032
00:38:19,598 --> 00:38:21,564
SIERRA, STANDBY.
1033
00:38:21,566 --> 00:38:22,799
COPY.
1034
00:38:22,801 --> 00:38:24,834
JAMIE:
TURN THOSE CAMERAS OFF
RIGHT NOW!
1035
00:38:24,836 --> 00:38:27,437
PARKER: SHUT 'EM DOWN.
JAMIE: TURN 'EM OFF!
1036
00:38:27,439 --> 00:38:29,739
JULES:
DARCY, LOOK AT ME.
1037
00:38:30,676 --> 00:38:32,776
YOU'RE GONNA LET ME
GO OUTTA HERE.
1038
00:38:32,778 --> 00:38:34,311
NICE AND SLOW.
1039
00:38:34,313 --> 00:38:35,478
JULES:
WE COULD DO THAT,
1040
00:38:35,480 --> 00:38:37,163
BUT THINK ABOUT IT.
1041
00:38:37,164 --> 00:38:38,847
HOW LONG DO YOU REALLY
WANNA LIVE ON THE RUN?
1042
00:38:38,850 --> 00:38:40,300
AS LONG AS IT TAKES!
1043
00:38:40,301 --> 00:38:41,751
AND WHEN I GO
IT'S NOT GONNA BE LIKE THIS.
1044
00:38:41,753 --> 00:38:43,086
SO STAND BACK
AND LET ME OUT OF HERE
1045
00:38:43,088 --> 00:38:45,689
OR I SWEAR TO GOD
I'LL SHOOT THIS BASTARD!
1046
00:38:45,691 --> 00:38:48,625
I SWEAR I'LL DO IT!
1047
00:38:48,626 --> 00:38:51,560
JULES:
OKAY, DARCY, YOU KNOW THAT
WE WILL NOT LET YOU DO THAT.
1048
00:38:51,563 --> 00:38:53,797
THEN FINE.
BLAZE OF GLORY.
1049
00:38:55,834 --> 00:38:56,766
I GOT NO ONE.
1050
00:38:57,869 --> 00:39:00,036
NO ONE AND NOTHING,
1051
00:39:00,038 --> 00:39:01,538
AND I'M NOT GOING TO JAIL!
1052
00:39:01,540 --> 00:39:03,973
YOU HAVE HALF A MILLION PEOPLE
LOOKING TO YOU
1053
00:39:03,975 --> 00:39:06,843
TO BE SOMETHING AMAZING
FOR THEM.
1054
00:39:06,845 --> 00:39:08,712
JAMIE:
THEY'RE NOT PEOPLE,
THEY'RE FOLLOWERS.
1055
00:39:08,714 --> 00:39:10,447
JULES:
THEY'RE PEOPLE.
1056
00:39:10,449 --> 00:39:12,816
AND THEY'RE YOUNG,
AND THEY'RE JUST LIKE YOU
1057
00:39:12,818 --> 00:39:16,820
AND LOOKING FOR SOMETHING
TO HOLD ONTO.
1058
00:39:16,822 --> 00:39:18,888
THEY DON'T KNOW ME.
THEY DON'T KNOW ME.
1059
00:39:18,890 --> 00:39:20,890
JULES:
NOT YET.
1060
00:39:20,892 --> 00:39:24,527
NOT UNLESS YOU LET THEM
KNOW WHO YOU REALLY ARE.
1061
00:39:24,529 --> 00:39:26,796
I'M NOTHING.
(WHIMPERS)
1062
00:39:26,798 --> 00:39:28,398
I'M NOTHING.
1063
00:39:28,400 --> 00:39:29,799
JULES:
DARCY, YOU'RE WRONG.
1064
00:39:29,801 --> 00:39:31,668
I THINK THAT YOU'RE JUST-
1065
00:39:31,670 --> 00:39:33,236
DARCY, LOOK AT ME.
1066
00:39:33,237 --> 00:39:34,803
I THINK YOU'RE JUST DISCOVERING
WHO YOU REALLY ARE,
1067
00:39:34,806 --> 00:39:36,973
AND THAT IS REAL.
1068
00:39:37,909 --> 00:39:42,112
AND YOU HAVE THE POWER
TO INSPIRE A LOT OF PEOPLE -
1069
00:39:42,114 --> 00:39:44,147
AND THAT'S REAL.
1070
00:39:44,149 --> 00:39:46,783
YOU MADE THAT HAPPEN
1071
00:39:46,785 --> 00:39:48,785
AND NOW IT'S
YOU'RE RESPONSIBILITY.
1072
00:39:48,787 --> 00:39:52,889
497,000 PEOPLE SEE A GUY
1073
00:39:52,891 --> 00:39:56,559
WHO IS NOT AFRAID
TO SHOW WHO HE REALLY IS.
1074
00:39:57,863 --> 00:40:00,930
AND YOU ARE NOT A KILLER.
1075
00:40:00,932 --> 00:40:02,699
DARCY, YOU'RE NOT.
1076
00:40:03,635 --> 00:40:05,635
PROVE IT, PLEASE.
1077
00:40:07,005 --> 00:40:08,772
(WHIMPERS QUIETLY)
1078
00:40:09,908 --> 00:40:11,941
JULES:
YOU'RE SEVENTEEN.
1079
00:40:11,943 --> 00:40:14,177
YOU'RE JUST A YOUNG OFFENDER.
1080
00:40:14,179 --> 00:40:15,445
OKAY?
1081
00:40:17,883 --> 00:40:20,817
YOU'VE GOT
PLENTY OF TIME.
1082
00:40:22,788 --> 00:40:24,788
I PROMISE, IT'S OKAY.
1083
00:40:27,859 --> 00:40:29,859
IT'S OKAY, DARCY.
1084
00:40:31,930 --> 00:40:33,830
JAMIE:
(CRIES QUIETLY)
1085
00:40:39,805 --> 00:40:41,538
I THINK IT'S TIME
YOU HANG UP YOUR HAT.
1086
00:40:46,945 --> 00:40:48,812
WORDY:
TURN AROUND.
1087
00:40:57,155 --> 00:40:59,923
COME ON,
LET'S SIT DOWN.
1088
00:41:01,693 --> 00:41:03,059
TURN AROUND.
1089
00:41:04,796 --> 00:41:06,930
¶ You're piling up the lies ¶
1090
00:41:10,635 --> 00:41:13,536
¶ And you're running down
the stairs ¶
1091
00:41:14,873 --> 00:41:16,840
YOU'RE GOING TO BE
ALL RIGHT, OKAY?
1092
00:41:16,842 --> 00:41:19,976
¶ I caught you by surprise ¶
1093
00:41:23,014 --> 00:41:25,882
¶ I caught you in a lie ¶
1094
00:41:25,884 --> 00:41:28,218
¶ Yeah ¶
1095
00:41:29,154 --> 00:41:31,488
¶ I'm climbing up the walls ¶
1096
00:41:35,126 --> 00:41:39,195
¶ And I'm running
down the hall ¶
1097
00:41:41,566 --> 00:41:45,535
¶ You caught me by surprise ¶
1098
00:41:47,739 --> 00:41:49,806
¶ I caught you in a lie,
yeah ¶
1099
00:41:50,742 --> 00:41:52,675
NAT?
1100
00:41:52,677 --> 00:41:54,043
NO, YOU WERE RIGHT.
I'M GONNA CLEAR OUT
1101
00:41:54,045 --> 00:41:55,578
AND YOU CAN HAVE
YOUR LIFE BACK.
1102
00:41:55,580 --> 00:41:58,982
YOU'RE ALREADY IN MY LIFE,
OKAY?
1103
00:41:58,984 --> 00:42:00,984
I'VE BEEN AN IDIOT.
1104
00:42:00,986 --> 00:42:03,987
I WANT YOU
TO STAY WITH ME.
1105
00:42:05,824 --> 00:42:07,190
IS THIS THE PART
1106
00:42:07,191 --> 00:42:08,557
WHERE I'M SUPPOSED
TO GIVE YOU A HUG?
1107
00:42:08,560 --> 00:42:11,294
YOU CAN GRAB US
A COUPLE OF BEERS.
1108
00:42:11,296 --> 00:42:13,963
TWO WEEKS.
A MONTH, TOPS.
1109
00:42:13,965 --> 00:42:15,532
OKAY, BUT ANY LONGER,
1110
00:42:15,534 --> 00:42:17,567
ONE OF US IS GONNA NEED
TO LEARN HOW TO COOK.
1111
00:42:17,569 --> 00:42:19,168
PROBABLY SHOULD ANYWAY.
1112
00:42:20,105 --> 00:42:23,172
NEVER REALLY HAD ANYONE
TO COOK FOR.
1113
00:42:24,876 --> 00:42:25,942
SO...
1114
00:42:27,012 --> 00:42:28,077
JULES.
1115
00:42:32,017 --> 00:42:33,082
YEAH.
1116
00:42:33,084 --> 00:42:36,052
NATALIE:
OKAY, LOOK.
THIS IS PROBABLY NOT MY PLACE -
1117
00:42:36,054 --> 00:42:38,721
I MEAN, WHO AM I TO SAY THIS -
BUT...
1118
00:42:38,723 --> 00:42:40,790
THE WAY I SEE IT,
SAMMY,
1119
00:42:40,792 --> 00:42:42,592
YOU'VE GOT THIS WOMAN
AND YOU'VE GOT THIS JOB
1120
00:42:42,594 --> 00:42:44,961
AND THE SNEAKING AROUND...?
1121
00:42:44,963 --> 00:42:48,665
IT'S NOT MUCH
OF A FIVE-YEAR PLAN.
1122
00:42:48,667 --> 00:42:51,801
DO YOU HEAR
WHAT I'M SAYING?
1123
00:42:51,803 --> 00:42:53,803
YOU...
1124
00:42:53,805 --> 00:42:55,872
YOU HAVE ONE LIFE.
1125
00:42:57,108 --> 00:42:59,108
WHAT DO YOU WANT?
1126
00:43:01,012 --> 00:43:04,781
¶ They're all gone ¶
1127
00:43:07,185 --> 00:43:14,157
¶¶¶
1128
00:43:14,159 --> 00:43:16,092
¶ Ooh ¶
1129
00:43:17,028 --> 00:43:19,095
¶ Ooh ¶