1
00:00:04,305 --> 00:00:06,705
MAN:
WHAT, WHAT HAVE YOU DONE, HUH?
2
00:00:06,707 --> 00:00:08,040
PARKER:
WARREN!
3
00:00:08,776 --> 00:00:10,642
HUH?
WHAT HAVE YOU DONE?
4
00:00:10,644 --> 00:00:12,244
(GUTTURAL GRUNT)
5
00:00:13,581 --> 00:00:16,015
MEN:
(STRUGGLING GRUNTS)
6
00:00:16,017 --> 00:00:17,316
MAN 1:
(GUTTURAL HOWL)
7
00:00:17,318 --> 00:00:19,318
MAN 2:
(SCREAMS)
8
00:00:19,320 --> 00:00:20,686
MEN:
(GRUNTING AND YELLING)
9
00:00:20,688 --> 00:00:22,187
PARKER:
WARREN!
10
00:00:22,189 --> 00:00:24,289
WARREN!
PUT YOUR WEAPON DOWN,
11
00:00:24,291 --> 00:00:25,624
OR YOU WILL BE OUR TARGET.
12
00:00:25,626 --> 00:00:26,558
DO YOU UNDERSTAND?
13
00:00:26,560 --> 00:00:28,127
BACK OFF!
14
00:00:28,129 --> 00:00:30,429
BACK OFF, GREG.
BACK IT OFF!
15
00:00:30,431 --> 00:00:31,430
HELP ME!
16
00:00:31,432 --> 00:00:32,631
NO!
(METALLIC CLANK)
17
00:00:32,633 --> 00:00:34,299
MEN:
(STRUGGLING GRUNTS)
18
00:00:34,301 --> 00:00:35,768
EDDIE.
19
00:00:35,770 --> 00:00:37,036
I'VE GOT THE SOLUTION.
20
00:00:37,038 --> 00:00:38,387
WORDY:
HE'S NOT GONNA SHOOT.
21
00:00:38,388 --> 00:00:39,737
HE'S NOT HEARING YOU!
HE'S NOT HEARING.
22
00:00:39,740 --> 00:00:41,540
(METALLIC CLANK)
23
00:00:41,542 --> 00:00:43,342
PARKER:
WORDY! WORDY!
24
00:00:48,182 --> 00:00:51,517
(SIRENS WAIL
IN THE FAR DISTANCE)
25
00:01:05,800 --> 00:01:08,100
(ALARM CLOCK BUZZES)
26
00:01:08,836 --> 00:01:10,102
(WATER RUSHES)
27
00:01:16,744 --> 00:01:20,345
HEY THERE, LADYBUG.
WHAT'RE YOU DOING UP?
28
00:01:21,282 --> 00:01:22,548
LILLY:
I HAD A BAD DREAM.
29
00:01:22,550 --> 00:01:23,549
WORDY:
OH NO.
30
00:01:23,551 --> 00:01:24,716
LILLY:
WHY ARE YOU SHAVING?
31
00:01:24,718 --> 00:01:26,752
OH, I'VE GOTTA GO
INTO WORK EARLY.
32
00:01:26,754 --> 00:01:28,420
WHAT HAPPENED IN YOUR DREAM?
33
00:01:28,422 --> 00:01:30,823
I DON'T WANNA TALK
ABOUT IT.
34
00:01:30,825 --> 00:01:32,475
WHY NOT?
35
00:01:32,476 --> 00:01:34,126
'CAUSE IT'LL MAKE ME HAVE
THE DREAM ALL OVER AGAIN.
36
00:01:34,128 --> 00:01:36,795
AND THAT'S WHY YOU CAN'T
SLEEP EITHER,
37
00:01:36,797 --> 00:01:38,797
'CASE YOU DREAM ABOUT IT?
38
00:01:38,799 --> 00:01:41,266
AND YOU WISH YOU COULD
TALK ABOUT IT
39
00:01:41,268 --> 00:01:44,136
'CAUSE THAT ALWAYS
MAKES IT BETTER.
40
00:01:44,138 --> 00:01:45,838
THAT'S A TOUGH ONE.
41
00:01:46,774 --> 00:01:48,591
TELL YOU WHAT.
42
00:01:48,592 --> 00:01:50,409
WHY DON'T YOU BRING CLARIDA
BACK TO YOUR BED
43
00:01:50,411 --> 00:01:52,144
AND TELL JUST HER.
44
00:01:52,146 --> 00:01:53,612
CLARIDA'S NOT REAL.
45
00:01:53,614 --> 00:01:56,348
WELL,
SHE DOESN'T KNOW THAT.
46
00:01:57,284 --> 00:01:58,851
YEAH.
OH YEAH.
47
00:02:00,488 --> 00:02:02,654
SHEL:
EVERYTHING OKAY?
48
00:02:02,656 --> 00:02:03,889
CARRY ME?
49
00:02:03,891 --> 00:02:05,724
LIL, YOU'RE TOO HEAVY.
50
00:02:05,726 --> 00:02:07,559
WORDY:
(LAUGHS)
COME HERE, KIDDO.
51
00:02:10,131 --> 00:02:12,898
SHE'S OKAY.
EVERYTHING'S OKAY.
52
00:02:12,900 --> 00:02:14,366
BAD DREAMS.
53
00:02:15,302 --> 00:02:16,301
(KISS)
54
00:02:16,303 --> 00:02:17,369
GOTTA GO, SHEL.
55
00:02:20,875 --> 00:02:23,442
WINNIE:
NO, I CAN'T DO THAT.
WE'RE ALL BOOKED UP.
56
00:02:23,444 --> 00:02:25,144
SRU.
57
00:02:25,146 --> 00:02:26,412
YES, PARKING'S FULL,
58
00:02:26,413 --> 00:02:27,679
BUT THERE'S A LOT
ACROSS THE STREET.
59
00:02:27,681 --> 00:02:29,214
SRU.
60
00:02:29,216 --> 00:02:30,482
NO, BRIEFING DOESN'T START
TILL FOUR,
61
00:02:30,484 --> 00:02:31,917
YOU STILL GOT FIVE MINUTES.
62
00:02:31,919 --> 00:02:34,219
PACE YOURSELF, WINNIE,
BUSY SHIFT AHEAD.
63
00:02:34,221 --> 00:02:35,587
THANK YOU.
64
00:02:35,589 --> 00:02:38,924
CAR PARK IS FULL,
TRY ACROSS THE STREET.
65
00:02:38,926 --> 00:02:40,192
THERE'S OUR MAN.
66
00:02:40,928 --> 00:02:41,793
WORDY, HOW YA DOING?
67
00:02:41,795 --> 00:02:42,861
HEY.
68
00:02:42,863 --> 00:02:44,463
GOOD TO SEE YOU.
69
00:02:44,465 --> 00:02:45,464
BUSY NIGHT.
70
00:02:45,466 --> 00:02:46,265
HAPPY TO SEE YOU
RUNNING THINGS.
71
00:02:46,267 --> 00:02:47,566
YEAH. HEY, LISTEN.
72
00:02:47,567 --> 00:02:48,866
I GOT THE MESSAGE YOU LEFT
WHEN LORI AND I SPLIT.
73
00:02:48,869 --> 00:02:50,435
I SHOULD'VE CALLED BACK,
IT'S JUST...
74
00:02:50,437 --> 00:02:51,837
YOU'VE HAD YOUR HANDS FULL.
YEAH.
75
00:02:51,839 --> 00:02:53,572
MAN, THEY'RE GREAT.
76
00:02:53,574 --> 00:02:54,806
SHEL'S GREAT.
AND HOW ABOUT YOU?
77
00:02:54,808 --> 00:02:55,941
YOU, UH...
YOU DOING OKAY?
78
00:02:55,943 --> 00:02:57,660
OH YEAH. YOU KNOW,
GETTING DIVORCED
79
00:02:57,661 --> 00:02:59,378
IS PROBABLY THE BEST THING
THAT EVER HAPPENED TO ME.
80
00:02:59,380 --> 00:03:01,413
MAKES YOU WONDER IF SOME THINGS
ARE MEANT TO BE, YOU KNOW?
81
00:03:01,415 --> 00:03:04,416
OKAY. I GOTTA RUN.
GOOD LUCK.
82
00:03:14,662 --> 00:03:16,929
(RIFFLING THROUGH POSSESSIONS)
83
00:03:19,366 --> 00:03:20,365
WHY DIDN'T YOU TELL ME?
84
00:03:20,367 --> 00:03:21,533
YOU BROKE INTO MY LOCKER?
85
00:03:21,534 --> 00:03:22,700
YOU THINK THAT'S HOW
I WANTED TO FIND OUT?
86
00:03:22,701 --> 00:03:23,867
WE HAVE KNOWN EACH OTHER
FOR 20 YEARS.
87
00:03:23,871 --> 00:03:24,870
DOESN'T GIVE YOU
THE RIGHT-
88
00:03:24,872 --> 00:03:25,904
AS YOUR FRIEND,
MAYBE NOT.
89
00:03:25,906 --> 00:03:28,057
AS YOUR TEAM LEADER,
90
00:03:28,058 --> 00:03:30,209
THAT IS A HELL
OF A DIFFERENT STORY.
91
00:03:32,246 --> 00:03:33,579
WHY DIDN'T YOU TELL ME?
92
00:03:33,581 --> 00:03:36,648
YOU WERE SUPPOSED
TO TRUST ME.
93
00:03:39,620 --> 00:03:40,686
ED!
94
00:03:43,857 --> 00:03:44,957
WE GOT A PROBLEM.
95
00:03:44,959 --> 00:03:46,725
TALK TO YOU LATER.
96
00:03:46,727 --> 00:03:48,961
WORDY'S ON MEDICATION.
97
00:03:48,963 --> 00:03:50,796
AT IS?
HE TELL YOU THIS?
98
00:03:50,798 --> 00:03:52,231
NO. I BROKE INTO
HIS LOCKER.
99
00:03:52,233 --> 00:03:53,232
YOU BROKE INTO
HIS LOCKER?
100
00:03:53,234 --> 00:03:55,734
GREG, HE HAS PARKINSON'S.
101
00:03:55,736 --> 00:03:58,337
I KNOW.
HE TOLD ME.
102
00:03:58,339 --> 00:03:59,671
WHEN?
103
00:03:59,673 --> 00:04:00,772
A WHILE AGO, EDDIE.
104
00:04:00,774 --> 00:04:02,407
SO YOU'VE KNOWN THAT
A MEMBER OF OUR TEAM
105
00:04:02,409 --> 00:04:04,443
MPAIRED?
LOOK, THIS ISN'T
THE TIME
106
00:04:04,445 --> 00:04:05,444
OR THE PLACE TO HAVE
THIS CONVERSATION...
107
00:04:05,446 --> 00:04:06,646
HE HAS A DEGENERATIVE DISEASE
108
00:04:06,647 --> 00:04:07,847
THAT'S AFFECTING
HIS MOTOR CONTROL,
109
00:04:07,848 --> 00:04:09,048
AND YOU DECIDED
NOT TO TELL ME THAT?
110
00:04:09,049 --> 00:04:10,249
NAISMITH:
ALL RIGHT!
NOW LET'S GET STARTED.
111
00:04:10,251 --> 00:04:11,250
ED.
112
00:04:11,252 --> 00:04:13,652
WE'RE NOT DONE HERE,
GREG.
113
00:04:20,561 --> 00:04:21,994
NAISMITH:
THIS TIME LAST YEAR,
ABOUT THIS TIME OF NIGHT,
114
00:04:21,996 --> 00:04:23,996
I'M IN A REC ROOM
OF A REAL NICE HOME
115
00:04:23,998 --> 00:04:24,896
IN FOREST HILL.
116
00:04:24,898 --> 00:04:26,365
GOT A POOL TABLE,
WET BAR,
117
00:04:26,367 --> 00:04:27,899
PARENTS GONE
FOR THE WEEKEND...
118
00:04:27,901 --> 00:04:29,868
BROTHER AND SISTER DEAD
ON THE PERSIAN CARPET.
119
00:04:29,870 --> 00:04:31,370
BOTH UNDER 15.
120
00:04:31,372 --> 00:04:33,372
O.D.'D ON THEIR FIRST TASTE
OF CRACK.
121
00:04:33,374 --> 00:04:34,606
THE DRAGON'S OUT THERE -
122
00:04:34,608 --> 00:04:37,376
IT'S IN OUR SCHOOLYARDS,
OUR PARKS, OUR HOMES -
123
00:04:37,378 --> 00:04:38,977
AND WHEN THE SMALLEST
AND YOUNGEST OF US
124
00:04:38,979 --> 00:04:40,279
ARE VULNERABLE,
125
00:04:40,281 --> 00:04:41,864
WE ALL ARE.
126
00:04:41,865 --> 00:04:43,448
WELCOME TO OPERATION
PEDAL-TO-THE-METAL.
127
00:04:43,450 --> 00:04:46,618
IT'S THE LARGEST ROLLING RAID
THIS CITY HAS SEEN IN A DECADE.
128
00:04:46,620 --> 00:04:50,522
OUR TARGET IS A MASSIVE
MULTI-PRONGED DRUG RING.
129
00:04:50,524 --> 00:04:52,658
HEROIN, COCAINE,
AMPHETAMINES.
130
00:04:53,594 --> 00:04:55,560
EACH TEAM HAS
A NO-KNOCK WARRANT
131
00:04:55,562 --> 00:04:56,795
AND IN THE BRIEFINGS
WE HANDED OUT
132
00:04:56,797 --> 00:04:58,997
YOU'LL FIND
YOUR TEAM'S ASSIGNMENT,
133
00:04:58,999 --> 00:05:01,300
AND INFORMATION ON TARGET,
LOCATION,
134
00:05:01,302 --> 00:05:02,634
AND ANTICIPATED TAC CHALLENGES.
135
00:05:02,636 --> 00:05:04,369
THEY RANGE FROM DOMESTIC
WAKE-JOBS
136
00:05:04,371 --> 00:05:06,038
TO HEAVILY FORTIFIED LABS,
137
00:05:06,040 --> 00:05:08,340
SO TEAMS HAVE BEEN ASSIGNED
ACCORDINGLY.
138
00:05:08,342 --> 00:05:09,841
TIMING IS KEY.
139
00:05:09,843 --> 00:05:11,977
WE COUNT DOWN ATOMIC TIME ONLY.
140
00:05:11,979 --> 00:05:14,713
WE HIT OUR TARGETS
AT 0500 SHARP.
141
00:05:14,715 --> 00:05:15,881
SYNC YOUR WATCHES
142
00:05:15,882 --> 00:05:17,048
AND BEWARE
OF THE JUNGLE TELEGRAPH.
143
00:05:17,051 --> 00:05:18,650
ONE TARGET HEADS-UP ANOTHER,
144
00:05:18,652 --> 00:05:20,352
WE LOSE SUSPECTS,
EVIDENCE,
145
00:05:20,354 --> 00:05:21,904
WE PUT OFFICERS AT RISK,
146
00:05:21,905 --> 00:05:23,455
ALL BECAUSE OF A 20-SECOND
CELL PHONE CALL.
147
00:05:23,457 --> 00:05:25,991
OUR RING-RUNNER
IS GABE HUDSON.
148
00:05:25,993 --> 00:05:27,893
I'VE BEEN DEEP UNDERCOVER
IN HUDSON'S ORGANIZATION
149
00:05:27,895 --> 00:05:29,494
FOR ALMOST A YEAR NOW;
150
00:05:29,496 --> 00:05:31,013
I HANDLED HIS MONEY,
151
00:05:31,014 --> 00:05:32,531
SO I CAN TELL YOU
THAT HE IS WELL FUNDED,
152
00:05:32,533 --> 00:05:35,000
VICIOUS,
AND WILL NOT GO QUIETLY.
153
00:05:35,002 --> 00:05:37,102
HE HAS ARMED BODYGUARDS 24/7,
154
00:05:37,104 --> 00:05:40,105
HE ALSO HAS A GIRLFRIEND,
LEILA BROOKS.
155
00:05:40,107 --> 00:05:42,424
SHE COULD BE
IN THE HOUSE TOO.
156
00:05:42,425 --> 00:05:44,742
MY TEAM AND I WILL DEAL
WITH THIS TARGET PERSONALLY.
157
00:05:44,745 --> 00:05:46,978
BELOW HUDSON
ARE HIS FOUR LIEUTENANTS.
158
00:05:46,980 --> 00:05:48,747
THEY USUALLY COME
WITH LESS SECURITY.
159
00:05:48,749 --> 00:05:50,349
UNDER THEM,
A DOZEN DISTRIBUTION,
160
00:05:50,351 --> 00:05:52,001
MANUFACTURING LOCATIONS,
161
00:05:52,002 --> 00:05:53,652
ALONG WITH VARIOUS
DISTRIBUTORS, DEALERS,
162
00:05:53,654 --> 00:05:56,054
AND A VARIETY OF SECURITY.
ANY QUESTIONS?
163
00:05:56,056 --> 00:06:00,592
WHY AREN'T YOU PICKING UP?
I NEED YOU TO PICK UP.
164
00:06:00,594 --> 00:06:01,626
ALL RIGHT.
CALL ME, OKAY?
165
00:06:01,628 --> 00:06:02,861
SOON AS YOU CAN.
166
00:06:03,797 --> 00:06:04,963
EVERYTHING OKAY?
167
00:06:04,965 --> 00:06:06,365
YEAH, IT'S FINE.
WHAT IS IT?
168
00:06:06,367 --> 00:06:07,716
QUICK QUESTION.
169
00:06:07,717 --> 00:06:09,066
WHY ARE YOU ASSIGNING TEAM ONE
A SECONDARY TARGET?
170
00:06:09,069 --> 00:06:11,403
HUDSON'S HOME IS A HIGH RISK,
YOU SAID SO YOURSELF.
171
00:06:11,405 --> 00:06:12,771
AND YOU'RE NOT JUST LOOKING
AT ARMED SUSPECTS,
172
00:06:12,773 --> 00:06:13,805
YOU HAVE AN INNOCENT
ON THE PREMISES.
173
00:06:13,807 --> 00:06:15,474
I KNOW.
174
00:06:15,476 --> 00:06:17,376
I'VE BEEN UNDERCOVER
WITH HUDSON NINE MONTHS.
175
00:06:17,378 --> 00:06:18,744
OKAY? I KNOW WHEN HE SWAPS OUT
HIS TOOTHBRUSH.
176
00:06:18,746 --> 00:06:20,079
LOOK, I'M JUST SAYING
177
00:06:20,080 --> 00:06:21,413
MAYBE YOU'D WANT THE CITY'S
TOP TACTICAL TEAM
178
00:06:21,415 --> 00:06:23,882
TO HANDLE
THE MOST COMPLEX ARREST.
179
00:06:23,884 --> 00:06:26,084
GREG, AFTER WHAT THIS CASE
HAS COST ME,
180
00:06:26,086 --> 00:06:28,987
I'M GONNA BE THE ONE TO SLAP
THE CUFFS ON HUDSON TONIGHT.
181
00:06:36,764 --> 00:06:38,697
PARKER:
TARGET IS RICKY CHOM.
182
00:06:38,699 --> 00:06:40,699
INTEL PLACES HIM
AT THE SAME CARD TABLE
183
00:06:40,701 --> 00:06:42,551
EVERY NIGHT.
184
00:06:42,552 --> 00:06:44,402
SO WE WALK IN, TAKE HIS HAND,
GO FOR A STROLL.
185
00:06:44,405 --> 00:06:45,404
ED:
SAM? WHAT DO YOU GOT?
186
00:06:45,406 --> 00:06:47,105
OKAY, TWO ENTRANCES,
NO WINDOWS.
187
00:06:47,107 --> 00:06:48,557
FRONT'S SEALED,
188
00:06:48,558 --> 00:06:50,008
BUT WE SHOULD HOLD PERIMETER
IN CASE.
189
00:06:50,010 --> 00:06:51,643
OKAY.
190
00:06:51,645 --> 00:06:53,178
OKAY, HERE WE GO.
191
00:06:53,180 --> 00:06:55,680
SPIKE, BREACH AND COVER.
SAM AND JULES, DETAIN SECURITY.
192
00:06:55,682 --> 00:06:57,749
BOSS AND I'LL GRAB MR. CHOM.
193
00:06:57,751 --> 00:06:58,917
WORDY, YOU'RE GONNA BE OUR EYES
OUT FRONT.
194
00:06:58,919 --> 00:07:00,952
IF YOU SEE THE SUBJECT,
DO NOT ENGAGE.
195
00:07:00,954 --> 00:07:02,587
DO NOT ENGAGE?
196
00:07:02,589 --> 00:07:04,489
DO NOT ENGAGE.
SEARCH AND COVER ONLY.
197
00:07:04,491 --> 00:07:05,891
BUT IF I SEE THE SUBJECT...?
198
00:07:05,893 --> 00:07:06,958
LET US KNOW.
199
00:07:06,960 --> 00:07:08,460
I'M GONNA NEED YOUR GUN.
EDDIE.
200
00:07:08,462 --> 00:07:09,828
CLOCK'S TICKING, WORD.
GIMME THE GLOCK.
201
00:07:09,830 --> 00:07:13,432
PARKER:
EDDIE, JUST A SEC.
COME ON.
202
00:07:14,168 --> 00:07:15,967
GREG, AS THE TEAM LEADER,
I GOTTA PLAY THIS BY THE BOOK.
203
00:07:19,139 --> 00:07:21,072
PARKINSON'S CAN BE
CONTROLLED FOR YEARS.
204
00:07:21,074 --> 00:07:23,108
NOW, HE'S BEEN ASYMPTOMATIC
SINCE HE'S BEEN ON THE MEDS.
205
00:07:23,110 --> 00:07:25,143
OKAY, HE'S BEEN ASYMPTOMATIC
UNTIL HE'S NOT.
206
00:07:25,145 --> 00:07:26,144
YOU'RE OKAY WITH THAT?
207
00:07:26,146 --> 00:07:27,980
I JUST SAID THAT I WAS.
208
00:07:27,981 --> 00:07:29,815
AND IF THERE'S A RISK HERE,
WE WILL TALK ABOUT A CHANGE.
209
00:07:29,817 --> 00:07:32,217
IS THIS HIS BOSS
OR HIS BUDDY TALKING?
210
00:07:32,219 --> 00:07:34,586
PHYSICAL SKILLS ARE USELESS
WHEN THE MIND STARTS TO DOUBT.
211
00:07:34,588 --> 00:07:36,455
WHAT YOU'RE DOING HERE,
SECOND GUESSING,
212
00:07:36,457 --> 00:07:37,456
IS A HELL OF A LOT
MORE DAMAGING
213
00:07:37,458 --> 00:07:39,274
TO THIS TEAM,
214
00:07:39,275 --> 00:07:41,091
AND THAT'S WHY WE DIDN'T
TELL PREMATURELY.
215
00:07:41,094 --> 00:07:42,627
SUBJECT'S ON THE MOVE.
216
00:07:42,629 --> 00:07:44,729
CHOM:
YOU'RE KICKING ME OUT?!
217
00:07:44,731 --> 00:07:46,465
WORDY:
TAKE IT, TAKE IT!
218
00:07:46,467 --> 00:07:49,201
PARKER:
NAISMITH.
NAISMITH, IT'S PARKER.
219
00:07:50,137 --> 00:07:51,804
GO FOR NAISMITH.
220
00:07:51,805 --> 00:07:53,472
PARKER:
TARGET'S ON THE MOVE.
221
00:07:53,473 --> 00:07:55,140
LOOKS LIKE HIS CARD GAME
DIDN'T GO SO WELL.
222
00:07:56,510 --> 00:07:57,843
ALL RIGHT,
KEEP YOUR DISTANCE.
223
00:07:57,844 --> 00:07:59,177
WE GOT 14 MINUTES
TILL ZERO HOUR,
224
00:07:59,179 --> 00:08:00,579
WE CAN'T RISK AN EARLY RAID.
225
00:08:00,581 --> 00:08:01,746
PARKER:
YEAH, COPY THAT.
226
00:08:01,748 --> 00:08:04,015
FOLLOW AND TAKE HIM DOWN
AT ZERO HOUR.
227
00:08:04,017 --> 00:08:05,150
WORKS FOR ME.
228
00:08:07,254 --> 00:08:09,054
SPIKE:
ENTERING HIS VEHICLE.
229
00:08:09,055 --> 00:08:10,855
ALL RIGHT,
BOSS AND I IN THE LEAD.
230
00:08:10,858 --> 00:08:12,791
LET'S MAINTAIN DISTANCE.
231
00:08:12,792 --> 00:08:14,725
SAM:
IF ZERO HOUR HAPPENS
ON THE FREEWAY?
232
00:08:14,728 --> 00:08:16,194
WE'LL BE STOPPING TRAFFIC.
233
00:08:16,196 --> 00:08:17,262
(TIRES SCREECH)
234
00:08:28,876 --> 00:08:30,675
WORD...
235
00:08:30,677 --> 00:08:31,743
YEAH?
236
00:08:34,748 --> 00:08:37,649
YOU DON'T WANT ME ASKING,
DO YOU?
237
00:08:37,651 --> 00:08:39,518
HEY, YOU REMEMBER NATALIE,
238
00:08:39,520 --> 00:08:40,619
SAM'S SISTER,
239
00:08:40,621 --> 00:08:42,220
SHE CAME TO THE STATION
THAT TIME?
240
00:08:42,222 --> 00:08:44,756
LONG HAIR,
FAST TALKER,
241
00:08:44,758 --> 00:08:45,957
GREAT SMILE.
242
00:08:45,958 --> 00:08:47,157
YEAH,
I REMEMBER NATALIE.
243
00:08:47,160 --> 00:08:49,828
WELL, SHE, UH...
SHE CALLED ME.
244
00:08:51,965 --> 00:08:53,565
JUST TO SAY HEY.
245
00:08:56,203 --> 00:08:58,837
SO, IF YOU WERE ME,
WOULD YOU TELL SAM?
246
00:08:59,773 --> 00:09:01,106
(SHARE A LAUGH)
247
00:09:05,279 --> 00:09:07,312
ANYWAY, THE THING
I'M NOT ASKING...
248
00:09:07,314 --> 00:09:11,149
I'M HERE, OKAY?
I'M JUST SAYING.
249
00:09:12,085 --> 00:09:14,019
THANKS, SPIKE.
250
00:09:14,021 --> 00:09:18,256
ED:
SPIKE, WE GOT A TAIL ON IT.
KEEP YOUR DISTANCE.
251
00:09:19,192 --> 00:09:21,560
LOOK, EDDIE,
I GET THE ANGER.
252
00:09:21,561 --> 00:09:23,929
YOU JUST FOUND OUT
YOUR BEST FRIEND IS SICK.
253
00:09:23,931 --> 00:09:25,630
LET'S JUST...
LET'S DROP THE PSYCHOLOGY,
254
00:09:25,632 --> 00:09:27,098
STICK TO THE JOB.
255
00:09:28,201 --> 00:09:29,968
IT'S A LOT TO PROCESS.
256
00:09:29,970 --> 00:09:30,969
WHY DIDN'T YOU TELL ME?
257
00:09:30,971 --> 00:09:33,071
MAYBE I SHOULD HAVE.
258
00:09:33,073 --> 00:09:35,073
THIS IS WHY TEAM ONE'S
ON PROBATION.
259
00:09:35,075 --> 00:09:36,608
WE'VE GOT TOTH READING
THE TRANSCRIPTS
260
00:09:36,610 --> 00:09:39,044
OF EVERY CALL WE GO ON,
LOOKING FOR CRACKS-
261
00:09:39,046 --> 00:09:40,078
HE'S NOT WATCHING YOU,
EDDIE,
262
00:09:40,080 --> 00:09:41,079
HE'S WATCHING ME.
263
00:09:41,081 --> 00:09:42,331
I MADE A JUDGMENT CALL.
264
00:09:42,332 --> 00:09:43,582
ED:
WELL, MAYBE YOU MADE
THE WRONG CALL.
265
00:09:43,584 --> 00:09:45,050
BECAUSE WHAT HAPPENED
OUT THERE,
266
00:09:45,052 --> 00:09:46,084
NOW IT'S ON RECORD,
GREG,
267
00:09:46,086 --> 00:09:48,753
AND NOW WE ARE
ALL ACCOUNTABLE.
268
00:09:54,595 --> 00:09:56,895
WHY DID HE TAKE
WORDY'S GUN?
269
00:09:56,897 --> 00:09:58,030
HE'S TEAM LEADER.
270
00:09:58,031 --> 00:09:59,164
IF HE TOOK IT,
THERE'S A REASON.
271
00:09:59,166 --> 00:10:01,166
WELL, IT'S NOT SAFE.
272
00:10:01,168 --> 00:10:03,252
ED KNOWS WHAT HE'S DOING.
273
00:10:03,253 --> 00:10:05,337
WE'RE WALKING INTO A WARRANT
WITHOUT COOL HEADS.
274
00:10:05,339 --> 00:10:08,807
YEAH, BOSS AND ED
NOT ON THE SAME PAGE...
275
00:10:08,809 --> 00:10:10,375
I DON'T LIKE IT.
276
00:10:10,377 --> 00:10:12,644
TEAMS AND SECRETS.
277
00:10:15,215 --> 00:10:16,715
ALL RIGHT,
I'M GONNA SHUT UP NOW.
278
00:10:20,787 --> 00:10:23,121
NAISMITH'S VOICE:
THIS IS NAISMITH IN POSITION
AT HUDSON'S HOME.
279
00:10:23,123 --> 00:10:24,289
TEAM TWO STATUS?
280
00:10:24,291 --> 00:10:25,690
OFFICER:
TEAM TWO IN POSITION.
281
00:10:25,692 --> 00:10:26,791
NAISMITH:
COPY, TEAM TWO.
282
00:10:26,793 --> 00:10:28,860
IT'S THE HOUSE
ON THE CORNER.
283
00:10:28,862 --> 00:10:31,196
DROVE UP, LIGHTS ARE OUT,
NO MOVEMENT.
284
00:10:31,198 --> 00:10:32,364
IS THIS HIS HOUSE?
285
00:10:32,366 --> 00:10:34,065
NO RECORD OF IT
IN THE DRUG SQUAD'S FILE.
286
00:10:34,067 --> 00:10:35,100
JULES:
WE DON'T KNOW WHO LIVES HERE?
287
00:10:35,102 --> 00:10:37,235
ED:
NOPE, AND NO FLOORPLANS.
288
00:10:37,237 --> 00:10:38,803
WE'RE GOING IN BLIND.
I DON'T LIKE IT.
289
00:10:38,805 --> 00:10:39,971
TWO MINUTES.
290
00:10:39,973 --> 00:10:41,239
LET'S MOVE.
291
00:10:42,909 --> 00:10:43,942
OFFICER:
TEAM FIVE IN POSITION.
292
00:10:43,944 --> 00:10:46,411
NAISMITH:
COPY TEAM FIVE.
293
00:10:49,750 --> 00:10:51,082
EVERY HOUSE
HAS THE SAME VENTING.
294
00:10:51,084 --> 00:10:52,083
EXCEPT OURS.
295
00:10:52,085 --> 00:10:53,818
THERE'S FIVE RETROFITTED VENTS.
296
00:10:53,820 --> 00:10:55,820
OFFICER: TEAM FOUR IN POSITION.
NAISMITH: COPY THAT, TEAM FOUR.
297
00:10:55,822 --> 00:10:57,289
SO WHAT,
THEY'RE COOKING METH?
298
00:10:57,290 --> 00:10:58,757
NICE CAMOUFLAGE,
BUT YEAH, THAT'S THE GUESS.
299
00:10:58,759 --> 00:11:01,059
THAT CAT PEE SMELL?
ANHYDROUS AMMONIA.
300
00:11:01,061 --> 00:11:02,060
FEMALE OFFICER:
TEAM THREE IN POSITION.
301
00:11:02,062 --> 00:11:03,862
NAISMITH'S:
COPY TEAM THREE.
302
00:11:03,863 --> 00:11:05,663
NINETY SECONDS TILL WORD
GETS OUT ON THE OP.
303
00:11:05,666 --> 00:11:07,199
ED:
OKAY. NEW DEAL.
304
00:11:07,200 --> 00:11:08,733
VOLATILE GASES,
CHECK YOUR MASKS.
305
00:11:08,735 --> 00:11:10,101
NO LIVE AMMO,
NO FLASH-BANGS,
306
00:11:10,103 --> 00:11:11,302
NO TASERS,
NOTHING THAT SPARKS.
307
00:11:11,304 --> 00:11:12,871
SINGLE SNAKE FORMATION.
308
00:11:12,873 --> 00:11:14,839
VENTS SUGGEST
THE METH KITCHEN'S AT THE REAR.
309
00:11:14,841 --> 00:11:17,442
SO WE GO IN THE FRONT,
AGGRESSIVE ENTRY -
310
00:11:17,444 --> 00:11:19,778
HAND-TO-HAND TAKE-DOWN,
SAFETIES ON.
311
00:11:19,780 --> 00:11:22,113
I'LL GO IN LEAD,
SPIKE, YOU BREACH.
312
00:11:22,115 --> 00:11:24,215
THEN, BOSS, SAM, JULES,
YOU'RE FOURTH.
313
00:11:24,217 --> 00:11:27,118
WORDY, YOU WAKE
AND EVACUATE THE NEIGHBOURS.
314
00:11:27,120 --> 00:11:28,753
ED: ABOUT WHAT...?
SPIKE: THREE HOUSES.
315
00:11:28,755 --> 00:11:31,056
THREE HOUSES EITHER SIDE.
GET 'EM TO SAFETY.
316
00:11:31,058 --> 00:11:32,190
ARE YOU SERIOUS?
317
00:11:32,192 --> 00:11:33,191
NAISMITH:
COPY THAT, TEAM SIX.
318
00:11:33,193 --> 00:11:34,325
WORDY:
EDDIE, DUE RESPECT,
319
00:11:34,327 --> 00:11:35,794
BREACH AND HAND-TO-HAND'S
WHAT I DO.
320
00:11:35,796 --> 00:11:36,828
YOU ALREADY GOT MY WEAPON.
321
00:11:36,830 --> 00:11:38,063
WORDY, I GOTTA DO
MY JOB HERE.
322
00:11:38,065 --> 00:11:39,097
WORDY:
I GET THAT,
I'M TRYING TO DO MINE.
323
00:11:39,099 --> 00:11:40,799
PARKER:
THIS ISN'T THE TIME.
324
00:11:40,801 --> 00:11:44,002
WORDY, IT'S A TAC CALL.
IT'S EDDIE'S CALL.
325
00:11:44,004 --> 00:11:46,037
NAISMITH:
TEAM ONE, STATUS?
326
00:11:46,039 --> 00:11:48,206
TEAM ONE, DO YOU COPY?
WE'RE AT GO MINUS 20 SECONDS.
327
00:11:48,208 --> 00:11:49,140
WHAT IS YOUR STATUS?
328
00:11:49,142 --> 00:11:51,109
(WHISPERS)
WHAT IS GOING ON?
329
00:11:51,111 --> 00:11:52,661
WORDY, ARE YOU WITH ME,
330
00:11:52,662 --> 00:11:54,212
OR DO I HAVE TO PUT YOU
ON THE BENCH?
331
00:11:54,214 --> 00:11:56,414
NAISMITH:
TEAM ONE, STATUS?
332
00:11:56,416 --> 00:11:58,416
I'LL DO THE EVAC.
333
00:12:01,988 --> 00:12:03,888
ED: TEAM ONE IN POSITION.
NAISMITH: COPY THAT, TEAM ONE.
334
00:12:03,890 --> 00:12:06,124
GOOD LUCK, EVERYONE.
WE'RE AT GO MINUS 10...
335
00:12:06,126 --> 00:12:09,294
NINE, EIGHT, SEVEN...
336
00:12:09,296 --> 00:12:12,030
SIX, FIVE, FOUR,
337
00:12:12,032 --> 00:12:15,400
THREE, TWO, ONE.
338
00:12:15,402 --> 00:12:19,204
TEAM ONE:
POLICE! RIGHT THERE!
RIGHT THERE! DON'T MOVE!
339
00:12:19,206 --> 00:12:22,140
DOWN ON THE GROUND!
GET DOWN!
340
00:12:23,076 --> 00:12:24,209
ON THE GROUND!
BACK UP!
341
00:12:24,211 --> 00:12:25,276
NOW! DO IT NOW!
342
00:12:26,513 --> 00:12:28,313
ED:
WHERE'S RICKY CHOM?!
343
00:12:28,315 --> 00:12:29,481
JULES:
HANDS ON YOUR HEAD NOW!
344
00:12:29,483 --> 00:12:31,416
ED:
HANDS BEHIND YOUR BACK!
345
00:12:31,418 --> 00:12:32,417
SAM:
WE GOT A RUNNER!
346
00:12:32,419 --> 00:12:35,153
ED:
RIGHT THERE! RIGHT THERE!
347
00:12:35,155 --> 00:12:37,155
DOWN ON THE GROUND!
GET DOWN! GET DOWN!
348
00:12:37,157 --> 00:12:38,156
DOWN ON THE GROUND!
349
00:12:38,158 --> 00:12:39,380
SAM, YOU GOT HIM?
350
00:12:39,381 --> 00:12:40,603
SAM:
GOT SOMEONE, JUST NOT RICKY.
351
00:12:40,604 --> 00:12:41,826
NAISMITH:
TAKE COVER! TAKE COVER!
352
00:12:41,828 --> 00:12:44,896
(GUNFIRE POPS LOUDLY,
GLASS SHATTERS)
353
00:12:45,832 --> 00:12:47,966
NAISMITH HERE,
WE GOT TROUBLE.
354
00:12:47,968 --> 00:12:50,068
PARKER:
NAISMITH,
WHAT'S YOUR STATUS?
355
00:12:50,070 --> 00:12:51,169
(GUNSHOTS POP)
356
00:12:51,171 --> 00:12:53,505
OFFICER:
(PAINED CRIES)
357
00:12:53,506 --> 00:12:55,840
NAISMITH:
WE'RE 10-33! 10-33!
WE'VE GOT AN OFFICER DOWN!
358
00:12:57,310 --> 00:13:07,418
¶¶¶
359
00:13:07,420 --> 00:13:12,323
¶¶¶
360
00:13:12,325 --> 00:13:25,403
¶¶¶
361
00:13:28,842 --> 00:13:30,508
PARKER:
NAISMITH, TALK TO ME.
362
00:13:30,510 --> 00:13:32,193
WE'VE BEEN AMBUSHED!
363
00:13:32,194 --> 00:13:33,877
THEY GOT ASSAULT RIFLES.
ONE OF MY GUYS IS DOWN.
364
00:13:33,880 --> 00:13:35,013
(RIFLES FIRE)
365
00:13:35,949 --> 00:13:38,083
PARKER:
IS HE STILL EXPOSED?
366
00:13:38,084 --> 00:13:40,218
NAISMITH:
YEAH, HE'S RIGHT BESIDE ME.
WE'RE BEHIND A CAR.
367
00:13:40,220 --> 00:13:42,487
ED:
GET BEHIND THE ENGINE BLOCK.
368
00:13:42,489 --> 00:13:44,088
CAN YOU GET
TO YOUR OFFICER?
369
00:13:44,090 --> 00:13:45,089
NAISMITH:
I THINK SO.
370
00:13:45,091 --> 00:13:46,791
ED:
THEN DO IT!
371
00:13:46,792 --> 00:13:48,492
FOCUS ON FIRST AID,
AND DO NOT CROSS THE YARD.
372
00:13:48,495 --> 00:13:50,261
OH GOD!
373
00:13:50,263 --> 00:13:52,897
(GUNSHOTS POP,
RIFLE FIRE RATTLES)
374
00:13:52,899 --> 00:13:54,499
OFFICER:
(PAINED CRY)
375
00:13:56,303 --> 00:13:57,902
GET ME BACKUP FAST!
376
00:13:57,904 --> 00:13:59,070
PARKER:
WINNIE, WHAT HAVE WE GOT?
377
00:13:59,072 --> 00:14:00,071
WINNIE:
ALL TEAMS ENGAGED.
378
00:14:00,073 --> 00:14:01,272
I CAN SEND CRUISERS.
379
00:14:01,273 --> 00:14:02,472
PARKER:
GET THEM IN POSITION
AND FIRING,
380
00:14:02,475 --> 00:14:03,942
BUT DO NOT ATTEMPT
A RESCUE.
381
00:14:03,944 --> 00:14:06,244
REPEAT,
DO NOT ATTEMPT RESCUE.
382
00:14:06,246 --> 00:14:08,479
(GUNSHOTS AND RIFLES FIRE)
383
00:14:10,116 --> 00:14:11,549
JULES AND SPIKE:
CLEAR!
384
00:14:11,551 --> 00:14:12,851
SPIKE:
THAT LEAVES THE BASEMENT.
385
00:14:12,853 --> 00:14:14,519
PARKER:
COPY.
386
00:14:17,157 --> 00:14:18,389
ED:
RICKY CHOM'S UNACCOUNTED FOR.
387
00:14:18,391 --> 00:14:20,158
WORDY,
WHAT DO YOU SEE?
388
00:14:20,160 --> 00:14:22,026
NO SIGN.
CHECKING THE PERIMETER.
389
00:14:27,100 --> 00:14:29,234
(GUNSHOTS POP REPEATEDLY)
390
00:14:32,539 --> 00:14:34,305
PARKER:
RICKY CHOM!
391
00:14:34,307 --> 00:14:36,574
POLICE STRATEGIC RESPONSE UNIT!
392
00:14:36,576 --> 00:14:38,543
PUT DOWN YOUR WEAPON,
SHOW US YOUR HANDS!
393
00:14:38,545 --> 00:14:40,712
ED:
LET'S GO,
394
00:14:40,713 --> 00:14:42,880
THESE CHEMICALS ARE GONNA
TEAR THE FLESH RIGHT OFF.
395
00:14:42,883 --> 00:14:44,683
RICKY:
(COUGHING)
396
00:14:44,684 --> 00:14:46,484
PARKER:
FUMES ARE REAL NASTY
ON YOUR LUNGS.
397
00:14:46,486 --> 00:14:48,486
RICKY:
OKAY! (COUGHS)
398
00:14:48,488 --> 00:14:51,155
I'M COMING OUT.
I'M COMING OUT.
399
00:14:51,157 --> 00:14:52,223
ED:
KEEP THOSE HANDS UP.
400
00:14:52,225 --> 00:14:53,958
(BARRELS CLATTER)
401
00:14:53,960 --> 00:14:57,095
PARKER:
WINNIE! WE NEED
HAZMAT UNITS HERE ASAP!
402
00:14:57,097 --> 00:14:59,564
WINNIE:
WAGON AND DECONTAMINATION
UNIT'S EN ROUTE.
403
00:15:03,937 --> 00:15:05,003
(CAR BEEPS)
404
00:15:07,574 --> 00:15:09,173
WORDY AND CHOM:
(STRUGGLING GRUNTS)
405
00:15:09,175 --> 00:15:11,542
WORDY:
TURN OVER.
GIMME YOUR HANDS.
406
00:15:11,544 --> 00:15:13,244
RICKY CHOM IN CUSTODY.
407
00:15:13,246 --> 00:15:15,280
THANKS TO OFFICER WORDSWORTH.
408
00:15:15,282 --> 00:15:17,649
NAISMITH,
WE'RE ON OUR WAY.
409
00:15:17,651 --> 00:15:21,519
(GUNSHOTS POP THREE TIMES,
CAR TIRES SCREECH)
410
00:15:21,521 --> 00:15:22,654
(RIFLE FIRES)
411
00:15:22,656 --> 00:15:25,256
HE'S BUSTING OUT!
HUDSON'S BUSTED OUT!
412
00:15:25,258 --> 00:15:26,557
WE'RE STILL UNDER FIRE!
413
00:15:26,559 --> 00:15:29,928
WINNIE, PUT OUT A AN APB
ON HUDSON'S VEHICLE.
414
00:15:30,664 --> 00:15:32,464
WORDY,
RICKY CHOM'S COMING WITH US.
415
00:15:32,465 --> 00:15:34,265
SPIKE:
BUILDING'S SECURE UNTIL
THE HAZMAT TRUCK ARRIVES.
416
00:15:34,267 --> 00:15:35,633
LET'S GO.
WE GOT A COP DOWN.
417
00:15:35,635 --> 00:15:37,368
LET'S MOVE!
LET'S MOVE NOW!
418
00:15:44,711 --> 00:15:47,111
(WAIL OF APPROACHING SIRENS)
419
00:15:48,048 --> 00:15:49,614
(GUNSHOTS FIRE)
420
00:15:49,616 --> 00:15:50,682
(SIRENS WAIL)
421
00:15:54,554 --> 00:15:56,654
PARKER:
NAISMITH, IT'S PARKER,
WE'RE ON SCENE.
422
00:15:56,656 --> 00:15:58,389
TALK TO US.
423
00:15:58,390 --> 00:16:00,123
HUDSON WAS SUPPOSED
TO BE ASLEEP.
424
00:16:00,126 --> 00:16:02,393
I CA-CAN'T STOP
THIS BLEEDING.
425
00:16:02,395 --> 00:16:04,562
PARKER:
OKAY, JUST FOCUS UP, BUDDY.
WHERE'S THE SHOOTER?
426
00:16:04,564 --> 00:16:07,131
TOP LEFT WINDOW,
THE WHOLE YARD'S EXPOSED.
427
00:16:07,133 --> 00:16:09,200
HOW LONG SINCE
THE LAST SHOT'S FIRED?
428
00:16:09,202 --> 00:16:10,568
I DON'T KNOW, I DON'T KNOW...
TWO-TWO MINUTES.
429
00:16:10,570 --> 00:16:11,569
I DON'T KNOW
IF HE'S STILL UP THERE.
430
00:16:11,571 --> 00:16:13,071
THERE'S TWO BACK DOORS.
431
00:16:13,073 --> 00:16:14,389
I-I DON'T KNOW.
432
00:16:14,390 --> 00:16:15,706
ED:
THE TRUCK'S CAN TAKE
THE GUNFIRE.
433
00:16:15,709 --> 00:16:17,642
SPIKE, SAM,
LET'S GET 'EM OUT.
434
00:16:17,644 --> 00:16:21,412
WE'RE GONNA COVER YOU.
LET'S GO, GUYS.
435
00:16:21,414 --> 00:16:22,747
HANG IN THERE, PATTERSON.
COME ON, HANG IN THERE.
436
00:16:22,749 --> 00:16:23,748
HANG IN THERE,
HANG IN THERE.
437
00:16:23,750 --> 00:16:25,016
(GUN COCKS)
438
00:16:28,989 --> 00:16:30,455
COME ON! COME ON!
439
00:16:31,691 --> 00:16:34,425
(GUNSHOTS POP,
RIFLE FIRE RATTLES)
440
00:16:34,427 --> 00:16:35,660
(GUNFIRE POPS)
441
00:16:38,198 --> 00:16:39,530
(TIRES SCREECH)
442
00:16:43,603 --> 00:16:45,603
(BRAKES SQUEAL)
443
00:16:45,605 --> 00:16:46,671
(GUNFIRE POPS)
444
00:16:54,014 --> 00:16:56,014
SAM:
(GRUNTS OF EFFORT)
445
00:17:06,192 --> 00:17:08,259
(TIRES RASP AND SCREECH)
446
00:17:10,096 --> 00:17:11,429
(BRAKES SQUEAL)
447
00:17:17,670 --> 00:17:20,204
SAM:
BRING IT IN!
BRING IT IN!
448
00:17:21,141 --> 00:17:22,140
I DON'T UNDERSTAND.
449
00:17:22,142 --> 00:17:23,674
WAS THERE ANY SIGN
OF ACTIVITY?
450
00:17:23,676 --> 00:17:25,543
NOTHING, NOTHING;
THE HOUSE WAS ASLEEP.
451
00:17:25,545 --> 00:17:27,045
WE WERE JUST GETTING
INTO POSITION, THEN BOOM.
452
00:17:27,047 --> 00:17:28,296
ED:
THEY WERE EXPECTING YOU.
453
00:17:28,297 --> 00:17:29,546
OKAY, DON'T WORRY,
WE'LL GET HUDSON.
454
00:17:29,549 --> 00:17:31,282
WE'LL FINISH UP HERE.
455
00:17:31,284 --> 00:17:32,316
FLOORPLANS ARE UP.
456
00:17:32,318 --> 00:17:34,052
WORDY:
NEIGHBOURS ARE CONTAINED.
457
00:17:34,054 --> 00:17:36,254
TIME TO START TALKING?
458
00:17:36,256 --> 00:17:37,255
NEGATIVE.
459
00:17:37,257 --> 00:17:38,256
ALL RIGHT,
WE'RE GOING IN.
460
00:17:38,258 --> 00:17:39,602
NAISMITH,
HOW MANY IN THERE?
461
00:17:39,603 --> 00:17:40,947
NAISMITH:
I DON'T KNOW HOW MANY LEFT
IN THE SUV,
462
00:17:40,948 --> 00:17:42,292
BUT THE GIRLFRIEND
AND TWO SECURITY GUYS
463
00:17:42,295 --> 00:17:43,661
LIVE ON THE PREMISES.
464
00:17:43,663 --> 00:17:45,463
SYNCHRONIZED ENTRY.
SPEED AND SURPRISE.
465
00:17:45,465 --> 00:17:46,631
LET'S PREEMPT
ANY CHANCE THEY HAVE
466
00:17:46,633 --> 00:17:48,166
FOR A HOSTAGE SITUATION.
467
00:17:48,168 --> 00:17:50,234
SPIKE, YOU'RE WITH ME.
468
00:17:50,236 --> 00:17:51,803
BOSS, YOU AND SAM.
469
00:17:51,805 --> 00:17:52,804
JULES, WORDY,
DRAW FIRE.
470
00:17:52,806 --> 00:17:54,238
WORDY...
471
00:17:55,375 --> 00:17:57,308
RIGHT NOW I NEED YOU.
472
00:17:58,244 --> 00:18:00,678
JULES:
TWO REAR DOORS,
RIGHT HERE.
473
00:18:00,680 --> 00:18:01,779
OKAY, LET'S GO.
474
00:18:04,617 --> 00:18:06,084
WARREN, WE GOT THIS,
475
00:18:06,085 --> 00:18:07,552
WHY DON'T YOU HEAD BACK
TO THE BARN.
476
00:18:07,554 --> 00:18:09,587
NO, I'M NOT GOING ANYWHERE.
THIS IS MY FAULT.
477
00:18:11,591 --> 00:18:13,758
WHAT'S GOING ON
WITH YOU AND ED?
478
00:18:14,694 --> 00:18:16,094
NOT THE TIME.
479
00:18:27,740 --> 00:18:28,806
(GUNSHOTS POP)
480
00:18:32,412 --> 00:18:33,478
TELL ME WHEN.
481
00:18:36,349 --> 00:18:37,582
(RIFLE FIRE RATTLES)
482
00:18:38,518 --> 00:18:40,651
(GRUNTS SOFTLY)
WE'RE IN.
483
00:18:44,858 --> 00:18:46,124
WE'RE IN.
484
00:18:56,202 --> 00:18:58,336
(GUNSHOTS POP REPEATEDLY)
485
00:19:05,912 --> 00:19:07,845
(RIFLE FIRE RATTLES)
486
00:19:10,517 --> 00:19:11,749
(GUNSHOTS POP)
487
00:19:18,158 --> 00:19:20,491
(WHISPERS)
I'M IN POSITION.
488
00:19:32,338 --> 00:19:34,672
POLICE!
DROP YOUR WEAPON!
489
00:19:35,608 --> 00:19:37,442
(FLASH-BANG BLASTS)
490
00:19:37,443 --> 00:19:39,277
ED AND SPIKE:
GET ON THE GROUND! RIGHT NOW!
RIGHT THERE! RIGHT NOW! NOW!
491
00:19:45,752 --> 00:19:47,318
YOU CAN FIRE ONCE...
492
00:19:47,320 --> 00:19:49,654
BUT YOU CAN'T SHOOT
ALL OF US.
493
00:19:52,959 --> 00:19:54,409
OKAY.
494
00:19:54,410 --> 00:19:55,860
ED:
PUT THE GUN DOWN.
PUT IT DOWN!
495
00:19:55,862 --> 00:19:57,728
PUT IT DOWN NOW!
496
00:19:57,730 --> 00:20:00,364
ON THE GROUND!
ON THE GROUND NOW!
497
00:20:00,366 --> 00:20:01,599
GET YOUR HANDS
BEHIND YOUR BACK!
498
00:20:01,601 --> 00:20:02,934
LET'S GO!
499
00:20:04,604 --> 00:20:05,870
(HANDCUFFS CLICK)
500
00:20:11,811 --> 00:20:13,744
ALL CLEAR.
501
00:20:13,746 --> 00:20:15,279
NO GIRLFRIEND?
502
00:20:15,281 --> 00:20:18,549
ED:
ALL RIGHT, GUYS,
LET'S SEARCH THE GROUNDS.
503
00:20:18,551 --> 00:20:20,952
PARKER:
WINNIE,
HUDSON'S STILL AT LARGE.
504
00:20:20,954 --> 00:20:23,287
HE IS NOW OUR TOP PRIORITY.
505
00:20:26,926 --> 00:20:28,492
(INDISCERNIBLE CHATTER
OVER POLICE RADIO)
506
00:20:28,494 --> 00:20:29,560
(SPITS)
507
00:20:31,831 --> 00:20:32,897
HUDSON'S GONE.
508
00:20:32,899 --> 00:20:34,966
HE WAS THIS CLOSE
AND HE'S GONE.
509
00:20:34,968 --> 00:20:37,435
HEY, DAY'S NOT OVER YET.
510
00:20:38,371 --> 00:20:40,972
(SIREN WAILS,
VEHICLES PULL AWAY)
511
00:20:48,915 --> 00:20:50,581
(MAGAZINE CLICKS)
512
00:21:00,994 --> 00:21:03,694
APB OUT ON THE VEHICLE,
NOTHING YET.
513
00:21:03,696 --> 00:21:04,918
TRAIL'S COLD.
514
00:21:04,919 --> 00:21:06,141
YEAH, WELL, I DON'T KNOW
WHERE HE COULD GO.
515
00:21:06,142 --> 00:21:07,364
EVERY SAFEHOUSE, YACHT,
OR PROPERTY HE HAS
516
00:21:07,367 --> 00:21:08,850
IS ON THE HOT LIST.
517
00:21:08,851 --> 00:21:10,334
ALL HIS ASSETS ARE EITHER FROZEN
OR TRACEABLE.
518
00:21:11,704 --> 00:21:12,837
HALF-PACKED BAG,
519
00:21:12,839 --> 00:21:14,772
BROKEN LAMP...
520
00:21:14,774 --> 00:21:16,057
BLOOD.
521
00:21:16,058 --> 00:21:17,341
MAYBE SHE KNEW
THERE WAS TROUBLE COMING
522
00:21:17,343 --> 00:21:18,893
BEFORE HE DID
523
00:21:18,894 --> 00:21:20,444
AND SHE STARTED PACKING
BEFORE TELLING HIM.
524
00:21:21,614 --> 00:21:23,881
MAYBE SHE NEVER PLANNED
ON TELLING HIM AT ALL.
525
00:21:23,883 --> 00:21:27,285
SO WHO'S THE ONE WHO CALLED
THE HOUSE TO TIP 'EM OFF?
526
00:21:30,657 --> 00:21:31,989
(BUZZING SOUND)
527
00:21:34,894 --> 00:21:36,249
POLICE!
528
00:21:36,250 --> 00:21:37,605
SPIKE:
DOWN ON THE GROUND!
GET DOWN RIGHT NOW!
529
00:21:37,606 --> 00:21:38,961
SAM:
HANDS IN THE AIR!
530
00:21:38,965 --> 00:21:40,298
(PHONE BUZZING)
531
00:21:45,905 --> 00:21:47,260
(SAM ANSWERS PHONE)
532
00:21:47,261 --> 00:21:48,616
NAISMITH:
IT'S ME.
CAN YOU TALK?
533
00:21:48,617 --> 00:21:49,972
(WHISPERING)
THAT'S DETECTIVE NAISMITH.
534
00:21:49,976 --> 00:21:51,942
I DON'T HAVE LONG.
ARE YOU OKAY?
535
00:21:53,880 --> 00:21:55,346
WARREN?
536
00:21:55,348 --> 00:21:58,015
IT'S WORDY.
WHERE ARE YOU?
537
00:21:58,017 --> 00:22:01,085
TALK TO ME,
TELL ME WHAT'S GOING ON.
538
00:22:02,889 --> 00:22:04,622
WARREN!
539
00:22:04,623 --> 00:22:06,356
HE'S THE GUY BEHIND
THIS WHOLE OPERATION.
540
00:22:06,359 --> 00:22:07,692
HE BLEW THE COVER
ON HIS OWN RAID?
541
00:22:08,695 --> 00:22:09,760
(EXHALES, TENSE)
542
00:22:14,567 --> 00:22:16,534
WORDY:
IT DOESN'T MAKE SENSE.
543
00:22:16,535 --> 00:22:18,502
WARREN NAISMITH WOULDN'T LEAD
HIS OWN MEN INTO AN AMBUSH.
544
00:22:18,504 --> 00:22:19,970
THEN WHY'S HE CALLING
HUDSON'S PHONE?
545
00:22:19,972 --> 00:22:22,540
YOU SURE IT'S HUDSON'S?
546
00:22:22,542 --> 00:22:23,741
I DON'T KNOW,
CAN'T TELL FOR SURE;
547
00:22:23,743 --> 00:22:24,742
THAT'S A THROWAWAY.
548
00:22:24,744 --> 00:22:25,743
COULD BE THE GIRLFRIEND'S.
549
00:22:25,745 --> 00:22:27,145
ED:
YOU WANNA FIND HUDSON,
550
00:22:27,146 --> 00:22:28,546
LET'S START LOOKING
FOR NAISMITH.
551
00:22:28,547 --> 00:22:29,947
PARKER:
CRUISERS ARE LOOKING FOR HIM.
552
00:22:29,949 --> 00:22:31,982
RICKY CHOM, WE GOT HIM.
MAYBE HE KNOWS SOMETHING.
553
00:22:31,984 --> 00:22:35,653
NAISMITH'S UNDERCOVER FILE
SAYS HE WENT BY WARREN MILSTON.
554
00:22:35,655 --> 00:22:37,121
HE MANAGES
TO TURN HUDSON'S HEAD,
555
00:22:37,123 --> 00:22:39,090
GETS PROMOTED
TO HANDLING HIS CASH.
556
00:22:39,092 --> 00:22:41,125
SINCE THEN,
MOST OF DRUG SQUAD'S INTEL
557
00:22:41,127 --> 00:22:42,827
GOES THROUGH NAISMITH.
558
00:22:42,829 --> 00:22:44,061
MAYBE HE'S CROOKED?
559
00:22:44,063 --> 00:22:45,830
NO WAY.
560
00:22:45,832 --> 00:22:46,831
WHY SO SURE?
561
00:22:46,833 --> 00:22:48,065
I'VE KNOWN THE GUY
FOR 15 YEARS.
562
00:22:48,067 --> 00:22:50,801
HE'S AMBITIOUS,
BUT HE'S NOT A CROOKED.
563
00:22:50,803 --> 00:22:52,703
WORDY,
YOU KNOW NAISMITH.
564
00:22:52,705 --> 00:22:54,322
BUT TONIGHT,
565
00:22:54,323 --> 00:22:55,940
"MILSTON" HAS BEEN TRYING
REAL HARD TO GET THROUGH.
566
00:22:57,643 --> 00:23:00,144
SO, WHAT'S THE STORY?
567
00:23:02,548 --> 00:23:04,048
JULES:
HEY, BOSS,
I GOT A THEORY ON THAT.
568
00:23:04,050 --> 00:23:05,950
RICKY CHOM'S HERE,
I'M GONNA TRY IT OUT ON HIM.
569
00:23:05,952 --> 00:23:07,118
KEEP US POSTED.
570
00:23:09,522 --> 00:23:12,123
RICKY, DO YOU HAVE ANY IDEA
WHERE WE MIGHT FIND HUDSON?
571
00:23:12,125 --> 00:23:13,157
WE'RE CONCERNED
FOR THE SAFETY
572
00:23:13,159 --> 00:23:15,426
OF HIS GIRLFRIEND LEILA.
573
00:23:15,428 --> 00:23:17,261
HEY, HOW 'BOUT YOU
FAST-FORWARD
574
00:23:17,262 --> 00:23:19,095
TO THE PART
WHERE YOU CO-OPERATE.
575
00:23:19,098 --> 00:23:20,731
WHAT KIND OF CHARGES
AM I FACING?
576
00:23:20,733 --> 00:23:22,466
MANUFACTURE
OF ILLEGAL DRUGS,
577
00:23:22,468 --> 00:23:24,135
RESISTING ARREST,
FIRING AT AN OFFICER...
578
00:23:24,137 --> 00:23:27,138
HOW 'BOUT
ATTEMPTED MURDER?
579
00:23:28,941 --> 00:23:30,941
RICKY:
YOU'LL MAKE SURE
THIS GOES IN MY FILE.
580
00:23:30,943 --> 00:23:32,109
DONE.
581
00:23:39,118 --> 00:23:41,118
NOT NOW, LEILA.
582
00:23:41,120 --> 00:23:42,987
DID YOU NOT HEAR
WHAT I SAID?
583
00:23:42,989 --> 00:23:45,456
YOU DON'T NEED ME HERE.
LET ME OUT.
584
00:23:45,458 --> 00:23:47,057
I'M JUST HOLDING
YOU BACK.
585
00:23:47,059 --> 00:23:48,926
WE CAN MEET UP.
586
00:23:48,927 --> 00:23:50,794
YOU'RE NOT GOING ANYWHERE,
LEILA.
587
00:23:50,797 --> 00:23:51,896
(CELL PHONE RINGS)
588
00:23:52,131 --> 00:23:54,532
THERE'S MILSTON.
589
00:23:54,534 --> 00:23:55,566
MILSTON.
590
00:23:55,568 --> 00:23:56,801
WHAT THE HELL IS GOING ON?
591
00:23:56,803 --> 00:23:58,169
YOU TELL ME?
592
00:23:58,170 --> 00:23:59,536
I STEP OUT FOR SMOKES,
I TURN AROUND THE CORNER,
593
00:23:59,539 --> 00:24:01,906
I GOT A SWAT TEAM
BUSTING DOWN MY DOOR.
594
00:24:01,908 --> 00:24:03,908
YEAH?
WELL, THAT'S TOO BAD, BUD.
595
00:24:03,910 --> 00:24:06,143
I JUST GAVE UP MY WHOLE LIFE
FOR YOU, HUDSON.
596
00:24:06,145 --> 00:24:07,845
I GOT NOWHERE TO GO,
ALL I GOT IS A CAR,
597
00:24:07,847 --> 00:24:09,146
I GOTTA DITCH THE CLOTHES
ON MY BACK,
598
00:24:09,148 --> 00:24:11,048
AND THE BAG IN MY TRUNK.
599
00:24:11,050 --> 00:24:13,050
YEAH, WELL,
WHAT'S IN THAT BAG, MILSTON?
600
00:24:13,052 --> 00:24:15,119
HUH?
YESTERDAY'S TAKE?
601
00:24:15,121 --> 00:24:17,488
NO, MY BEST ANTIQUES.
WHAT DO YOU THINK?
602
00:24:17,490 --> 00:24:20,090
OKAY. ALL RIGHT.
SO YOU WANNA WORK THIS OUT?
603
00:24:20,092 --> 00:24:21,592
NAISMITH:
HOW DO I KNOW
YOU'RE NOT ALREADY ARRESTED
604
00:24:21,594 --> 00:24:23,961
AND WON'T JUST LEAD ME
TO THE COPS?
605
00:24:23,963 --> 00:24:25,629
HUDSON:
YOU'RE NOT EVEN
ON THE TOTEM POLE.
606
00:24:25,631 --> 00:24:27,965
OKAY? LET'S DO THIS,
I GOT PLACES TO GO.
607
00:24:31,103 --> 00:24:33,737
ALL RIGHT, YEAH.
I KNOW WHERE WE CAN MEET.
608
00:24:42,482 --> 00:24:45,082
CHOM:
HUDSON MET LEILA
AT HER FIRST OPENING.
609
00:24:45,084 --> 00:24:46,550
SHE PAINTED THESE.
610
00:24:46,552 --> 00:24:47,985
SAM:
HUDSON'S AN ART FAN?
611
00:24:47,987 --> 00:24:49,487
CHOM:
IN THE SENSE THAT
HE WAS INTERESTED
612
00:24:49,489 --> 00:24:51,055
IN LAUNDERING
THROUGH ART SALES?
613
00:24:51,057 --> 00:24:52,089
ABSOLUTELY.
614
00:24:52,091 --> 00:24:53,591
WHY DIDN'T SHE LEAVE?
615
00:24:53,593 --> 00:24:56,193
IT'S GABE HUDSON.
HE DECIDES WHEN IT'S OVER.
616
00:24:56,195 --> 00:24:58,028
DO YOU THINK THAT THERE'S
ANYTHING BETWEEN LEILA
617
00:24:58,030 --> 00:24:59,096
AND WARREN MILSTON?
618
00:25:00,633 --> 00:25:02,867
COME ON,
CLOCK'S TICKING, RICKY.
619
00:25:02,869 --> 00:25:04,635
I ONLY KNOW WHAT I SAW.
620
00:25:04,637 --> 00:25:08,873
IT'S OUR WEEKLY MEETING,
MILSTON CAME EARLY,
621
00:25:08,875 --> 00:25:10,174
HUDSON WASN'T HOME YET.
622
00:25:18,184 --> 00:25:20,150
SHE ALWAYS LOOKED
RIGHT THROUGH HIM.
623
00:25:20,152 --> 00:25:22,987
I MEAN,
THE GUY'S AN ACCOUNTANT.
624
00:25:22,989 --> 00:25:24,788
BUT THAT DAY...
625
00:25:25,791 --> 00:25:26,991
SORRY,
I-I DIDN'T MEAN TO...
626
00:25:26,993 --> 00:25:28,125
IT'S ALL RIGHT.
627
00:25:29,095 --> 00:25:32,096
AT LEAST SOMEBODY'LL
GET TO SEE IT.
628
00:25:34,667 --> 00:25:36,066
WHAT DO YOU SEE?
629
00:25:37,136 --> 00:25:38,736
IT'S, IT'S GOOD.
630
00:25:38,738 --> 00:25:41,205
(LAUGHS)
YEAH, EITHER YOU'RE LYING
631
00:25:41,207 --> 00:25:43,207
OR YOU DON'T KNOW ART.
632
00:25:43,209 --> 00:25:46,143
WELL, UH, NO.
IT'S, IT'S, IT'S REALLY GOOD.
633
00:25:46,145 --> 00:25:49,547
I, UH...
I SEE GEORGIAN BAY.
634
00:25:49,549 --> 00:25:51,081
YOU KNOW, THE WAY THE SUNSET
SNEAKS UP BEHIND YOU
635
00:25:51,083 --> 00:25:55,152
AND REFLECTS IN THE WATER.
IT'S FANTASTIC.
636
00:25:57,089 --> 00:25:59,690
HALF RIGHT;
IT'S MUSKOKA.
637
00:25:59,692 --> 00:26:01,792
OH WELL...
(COQUETTISH LAUGHTER)
638
00:26:01,794 --> 00:26:03,827
THE SUNSET THAT SNEAKS UP,
THOUGH...
639
00:26:03,829 --> 00:26:05,729
I LIKE THE WAY
YOU PUT THAT.
640
00:26:08,167 --> 00:26:11,201
YOU KNOW WHAT HE DOES
WITH THESE PAINTINGS?
641
00:26:11,203 --> 00:26:14,305
YEAH, I'M THE MONEY GUY,
I KNOW.
642
00:26:15,241 --> 00:26:17,741
YEAH, I DON'T KNOW WHY
I BOTHER.
643
00:26:18,678 --> 00:26:20,578
HE'S RUINED IT FOR ME.
644
00:26:21,814 --> 00:26:24,615
WELL, THEN YOU SHOULD
DO IT FOR YOURSELF.
645
00:26:24,617 --> 00:26:25,616
SCREW HIM.
646
00:26:25,618 --> 00:26:27,284
DON'T PAINT FOR HIM,
PAINT FOR YOU.
647
00:26:28,921 --> 00:26:30,187
SORRY.
I... I... OH...
648
00:26:30,189 --> 00:26:31,255
IT'S OKAY.
649
00:26:34,026 --> 00:26:35,192
THE FIRE FROM THE SUN
THOUGH...
650
00:26:35,194 --> 00:26:38,262
YOU KNOW, IT...
IT COMES FROM SOMEWHERE.
651
00:26:43,302 --> 00:26:44,969
LEILA, I-I...
652
00:26:51,143 --> 00:26:53,310
ALL I KNOW...
653
00:26:53,312 --> 00:26:55,379
IS HE CAME EARLY
EVERY WEEK AFTER THAT,
654
00:26:55,381 --> 00:26:57,782
BEFORE HUDSON CAME HOME.
655
00:26:57,783 --> 00:27:00,184
PARKER:
SO NAISMITH WORKS UNDERCOVER
AS HUDSON'S MONEY-MAN,
656
00:27:00,186 --> 00:27:01,719
AND FALLS IN LOVE.
657
00:27:01,720 --> 00:27:03,253
HE'S ON A BAD REBOUND
FROM THE DIVORCE...
658
00:27:03,255 --> 00:27:04,688
SEES A BRIGHT AND BEAUTIFUL
WOMAN LIKE THAT
659
00:27:04,690 --> 00:27:06,624
STUCK WITH A GUY
LIKE HUDSON...
660
00:27:06,626 --> 00:27:09,159
HE TOLD ME THAT SOMETIMES THINGS
ARE "MEANT TO BE".
661
00:27:09,161 --> 00:27:10,694
HE WANTED TO HELP.
662
00:27:10,695 --> 00:27:12,228
RESCUE THE DAMSEL,
SLAY THE DRAGON HIMSELF.
663
00:27:12,231 --> 00:27:14,298
WELL, THIS OPERATION
WAS MORE THAN BUSINESS TO HIM.
664
00:27:14,300 --> 00:27:16,117
SO WHEREVER HE IS,
665
00:27:16,118 --> 00:27:17,935
HE'S NOT THINKING RATIONALLY
RIGHT NOW.
666
00:27:17,937 --> 00:27:19,003
I'M ON IT.
667
00:27:19,939 --> 00:27:21,338
(PHONE KEYS BEEP)
668
00:27:21,340 --> 00:27:24,108
I DON'T SEE HIM PICKING UP
THAT PHONE.
669
00:27:24,110 --> 00:27:27,111
WELL, I'M BANKING ON HIM
NEEDING THE VOICE OF A FRIEND.
670
00:27:27,113 --> 00:27:30,180
IS OFF;
I GOTTA TRIANGULATE.
671
00:27:32,885 --> 00:27:33,951
(PHONE RINGS)
672
00:27:36,989 --> 00:27:38,055
(SIGHS)
673
00:27:41,327 --> 00:27:42,393
(RINGING)
674
00:27:44,930 --> 00:27:48,032
NAISMITH:
YOU'RE NOT TALKING ME DOWN,
BUDDY.
675
00:27:48,034 --> 00:27:49,433
I JUST WANTED TO KNOW
THAT YOU'RE OKAY.
676
00:27:49,435 --> 00:27:50,934
I'M OKAY.
I'M GREAT.
677
00:27:50,936 --> 00:27:52,236
EVERYTHING'S UNDER CONTROL NOW.
678
00:27:52,238 --> 00:27:55,439
(COMPUTER TRILLS,
TRACKING SIGNAL BEEPS)
679
00:27:56,842 --> 00:27:58,842
WORDY:
LOOK, YOU NEVER MEANT
FOR THIS TO HAPPEN.
680
00:27:58,844 --> 00:28:01,979
YOU JUST...
YOU WANTED HER TO BE SAFE.
681
00:28:05,084 --> 00:28:06,316
I HAD TO WARN HER.
682
00:28:06,318 --> 00:28:07,618
I COULDN'T JUST STAND BACK
683
00:28:07,619 --> 00:28:08,919
AND LET HER GET CAUGHT
IN THE MIDDLE OF IT.
684
00:28:08,920 --> 00:28:10,220
BUT SHE WOULDN'T PICK UP,
685
00:28:10,222 --> 00:28:11,288
SHE WOULDN'T PICK UP.
686
00:28:11,290 --> 00:28:12,690
LET US HELP YOU.
687
00:28:12,691 --> 00:28:14,091
YOU KNOW WHAT IT'S LIKE TO SEE
HOW SHE HAS TO LIVE?
688
00:28:14,093 --> 00:28:16,293
TO, TO WATCH HOW HUDSON
TREATS HER?
689
00:28:16,295 --> 00:28:18,729
WORDY:
I KNOW, BUDDY, I KNOW.
SHE DESERVES BETTER.
690
00:28:18,731 --> 00:28:20,281
NAISMITH:
LIKE BEING IN STUCK
IN A NIGHTMARE.
691
00:28:20,282 --> 00:28:21,832
I-I CAN'T SAY ANYTHING,
I CAN'T...
692
00:28:21,834 --> 00:28:24,001
I CAN'T DO ANYTHING.
693
00:28:24,937 --> 00:28:27,071
YOU'RE ALONE
WITH YOUR SECRET
694
00:28:27,072 --> 00:28:29,206
AND ALL YOU WANNA DO
IS TELL THE TRUTH.
695
00:28:29,208 --> 00:28:30,274
I KNOW.
696
00:28:31,477 --> 00:28:33,277
THE THING IS,
697
00:28:33,279 --> 00:28:35,312
WARREN,
YOU'VE GOT A TEAM HERE.
698
00:28:35,314 --> 00:28:38,248
WE'RE ON YOUR SIDE,
WE'RE READY TO BACK YOU UP.
699
00:28:38,250 --> 00:28:39,917
SPIKE:
COME ON!
KEEP HIM TALKING, WORD.
700
00:28:39,919 --> 00:28:41,085
I'M LOSING MY G3!
701
00:28:41,087 --> 00:28:42,986
ISN'T IT TIME, BUDDY,
702
00:28:42,988 --> 00:28:44,488
YOU STOPPED HIDING
FROM YOUR OWN TEAM?
703
00:28:46,258 --> 00:28:49,293
(INCREDULOUS LAUGH)
ARE YOU EVEN LISTENING TO ME?
704
00:28:49,295 --> 00:28:50,360
THIS DID NOT HAVE TO HAPPEN!
705
00:28:50,362 --> 00:28:52,730
I AM RESPONSIBLE FOR THIS!
706
00:28:53,466 --> 00:28:56,166
I SHOULD'VE TOLD HER
TWO DAYS AGO.
707
00:28:57,103 --> 00:28:59,336
I SHOULD'VE WARNED HER
WHEN I HAD THE CHANCE.
708
00:28:59,338 --> 00:29:02,106
I SHOULD'VE TRUSTED HER.
709
00:29:03,109 --> 00:29:04,775
(STARTLED GASP)
710
00:29:04,777 --> 00:29:05,943
SORRY.
711
00:29:05,945 --> 00:29:07,010
WHERE IS HE?
712
00:29:07,947 --> 00:29:09,079
THEY'RE GONE.
713
00:29:15,855 --> 00:29:18,989
LEILA.
AID HE JUST LEFT.
714
00:29:24,163 --> 00:29:26,463
I CAN'T DO THIS
ANY MORE.
715
00:29:26,465 --> 00:29:28,165
WE'LL FIND A WAY.
716
00:29:28,167 --> 00:29:29,399
I COULD GO NOW.
717
00:29:29,401 --> 00:29:31,268
NO, IT'S NOT SAFE.
718
00:29:31,270 --> 00:29:33,537
JUST GIVE ME TWO DAYS.
I'LL FIGURE IT OUT.
719
00:29:33,539 --> 00:29:34,938
I'LL LET YOU KNOW
WHEN THE TIME IS RIGHT,
720
00:29:34,940 --> 00:29:36,406
WHEN IT'S SAFE.
721
00:29:36,408 --> 00:29:40,410
TWO DAYS,
THEN IT'S ALL ABOUT US.
722
00:29:40,412 --> 00:29:41,845
OKAY?
OKAY.
723
00:29:41,847 --> 00:29:43,313
OKAY? GOOD.
724
00:29:46,986 --> 00:29:48,485
NOW I GOT A MAN DOWN
AND LEILA'S AT RISK
725
00:29:48,487 --> 00:29:50,020
BECAUSE I WAS TOO...
I WAS TOO SELFISH.
726
00:29:50,022 --> 00:29:51,405
I WAS TOO...
727
00:29:51,406 --> 00:29:52,789
I WAS TOO PROUD
TO THINK STRAIGHT.
728
00:29:52,792 --> 00:29:55,259
THEN DON'T FACE THIS ALONE,
WARREN.
729
00:29:55,261 --> 00:29:58,295
NAISMITH:
SORRY, BUDDY,
IT'S MY JOB TO FIX THIS.
730
00:29:58,297 --> 00:30:00,097
THERE'S ONLY ONE WAY
I CAN WALK AWAY FROM THIS MESS.
731
00:30:00,099 --> 00:30:02,366
NO, WAR-WARREN!
WARREN! WARREN!
732
00:30:03,302 --> 00:30:05,185
(PHONE CLUNKS ON DASHBOARD)
733
00:30:05,186 --> 00:30:07,069
(COMPUTER KEYS CLACK,
TRACKING SIGNAL BEEPS)
734
00:30:07,072 --> 00:30:08,272
I GOT IT DOWN TO 20 BLOCKS.
735
00:30:08,274 --> 00:30:09,540
THAT'S ALL I GOT.
736
00:30:23,589 --> 00:30:25,455
ALL RIGHT. HE SAID,
"MY JOB TO FIX THIS."
737
00:30:25,457 --> 00:30:26,456
HE'S ABOUT TO CROSS
THE LINE,
738
00:30:26,458 --> 00:30:27,457
AND IF HE DOES...
739
00:30:27,459 --> 00:30:29,426
SAVE HUDSON.
PRIORITY OF LIFE.
740
00:30:29,428 --> 00:30:31,094
WE'VE GOT AN AREA
20 BLOCKS SQUARE -
741
00:30:31,096 --> 00:30:33,096
YONGE TO THE DON RIVER,
NORTH OF ST. CLAIR.
742
00:30:33,098 --> 00:30:34,097
IT'S OUR OLD BEAT.
743
00:30:34,099 --> 00:30:35,599
EDDIE.
744
00:30:35,601 --> 00:30:36,567
REMEMBER WHERE WE USED
TO TAKE DEALERS
745
00:30:36,569 --> 00:30:37,568
WHEN WE WANTED THEM
TO TALK?
746
00:30:37,569 --> 00:30:38,568
WORDY: RIGHT HERE.
ED: YEAH.
747
00:30:38,569 --> 00:30:39,568
SPIKE:
WHAT, YOU'D SCARE THEM?
748
00:30:39,572 --> 00:30:41,038
ED:
NO. MAKE 'EM FEEL SAFE.
749
00:30:41,040 --> 00:30:42,606
PRIVACY AND SAFETY
FOR BOTH SIDES.
750
00:30:42,608 --> 00:30:44,241
THEY'D LEAVE HOLDING TIGHT
TO THEIR SECRETS.
751
00:30:44,243 --> 00:30:45,309
ED:
AND BY THE TIME
THEY'D WALK OFF,
752
00:30:45,311 --> 00:30:46,610
WE'D GET EVERYTHING
WE WANTED.
753
00:30:46,612 --> 00:30:47,828
NAISMITH KNOWS
THAT PLACE.
754
00:30:47,829 --> 00:30:49,045
IF HE WANTS TO TAKE DOWN
HUDSON,
755
00:30:49,048 --> 00:30:50,180
HE'D GO THERE.
756
00:30:50,182 --> 00:30:51,181
IT'S THE BEST WE GOT.
757
00:30:51,183 --> 00:30:52,249
LET'S GO.
758
00:30:56,622 --> 00:30:57,888
(BIRDS CHIRP)
759
00:31:19,612 --> 00:31:20,878
(SIRENS WAIL)
760
00:31:23,349 --> 00:31:25,182
THAT FOOTBRIDGE
IS A TAC NIGHTMARE.
761
00:31:25,184 --> 00:31:26,383
WORDY:
IT WON'T COME TO THAT.
762
00:31:26,384 --> 00:31:27,583
PARKER:
I SPOKE TO NAISMITH'S SUPER.
763
00:31:27,586 --> 00:31:29,253
HE'S BEEN THROUGH A LOT.
764
00:31:29,255 --> 00:31:31,121
THAT DOESN'T MAKE HIM
A BAD COP.
765
00:31:32,291 --> 00:31:33,290
YOU THINK HIS EMOTIONS
766
00:31:33,292 --> 00:31:34,925
WILL OVERRIDE
HIS POLICE INSTINCT?
767
00:31:37,229 --> 00:31:38,562
YOU THINK HE'LL FIRE
ON THE TEAM?
768
00:31:38,564 --> 00:31:40,664
NO. HE'D NEVER HURT
ANOTHER COP.
769
00:31:40,666 --> 00:31:42,966
IT MEANS EVERYTHING TO HIM.
770
00:31:42,968 --> 00:31:46,003
ALTHOUGH HE IS PRETTY
MOTIVATED
771
00:31:46,005 --> 00:31:47,271
TO GET HUDSON
OUT OF THE PICTURE.
772
00:31:49,508 --> 00:31:51,942
THE LINES CAN GET BLURRED.
773
00:32:04,390 --> 00:32:06,056
LEILA, YOU OKAY?
774
00:32:06,058 --> 00:32:07,224
HE'S WATCHING.
775
00:32:07,226 --> 00:32:08,926
HOW DID HE KNOW
ABOUT THE RAID?
776
00:32:08,928 --> 00:32:11,595
HE CAUGHT ME!
HE FORCED ME...
777
00:32:11,597 --> 00:32:12,596
OKAY.
778
00:32:12,598 --> 00:32:13,948
I'M GONNA PUT THE BAG DOWN
779
00:32:13,949 --> 00:32:15,299
AND WE'RE JUST GONNA WALK OFF
THIS BRIDGE, ALL RIGHT?
780
00:32:15,301 --> 00:32:17,534
NO, IT'S NOT SAFE.
HE WON'T LET ME.
781
00:32:17,536 --> 00:32:19,369
LEILA.
NO.
782
00:32:19,371 --> 00:32:20,637
LEILA, PLEASE,
COME WITH ME, OKAY?
783
00:32:20,639 --> 00:32:22,472
HE'S FINISHED.
I'VE GOT A CAR.
784
00:32:22,474 --> 00:32:24,074
NO, YOU DON'T UNDERSTAND,
I HAVE TO.
785
00:32:24,076 --> 00:32:25,342
WARREN, PLEASE,
I'M BEGGING YOU.
786
00:32:25,343 --> 00:32:26,609
PLEASE JUST TURN AROUND
AND WALK AWAY.
787
00:32:26,612 --> 00:32:28,645
DON'T, DON'T!
788
00:32:28,647 --> 00:32:29,680
DON'T...
789
00:32:32,451 --> 00:32:34,985
OKAY, GUYS,
LIGHTS AND CHERRIES OFF.
790
00:32:34,987 --> 00:32:36,453
COMING IN
ON THE SOUTH APPROACH.
791
00:32:36,455 --> 00:32:37,521
COPY.
792
00:32:43,595 --> 00:32:45,128
GABE!
793
00:32:45,130 --> 00:32:47,264
MONEY'S HERE.
WE'RE GOOD.
794
00:32:48,667 --> 00:32:49,700
NAISMITH:
YOU SHOULDN'T HAVE DONE THAT.
795
00:32:49,702 --> 00:32:52,336
GO, QUICK, NOW!
PLEASE!
796
00:32:52,338 --> 00:32:53,503
I JUST BOUGHT YOU
SOME TIME.
797
00:32:53,505 --> 00:32:54,538
LEILA, HE'S GONNA LOOK
IN THE BAG
798
00:32:54,540 --> 00:32:55,539
AND KNOW YOU LIED,
OKAY?
799
00:32:55,541 --> 00:32:57,107
HE'S GONNA HURT YOU.
800
00:32:57,109 --> 00:32:58,675
I'M NOT LEAVING YOU.
801
00:32:58,677 --> 00:33:00,077
LEILA:
WARREN.
802
00:33:00,079 --> 00:33:01,078
I'LL BE OKAY.
803
00:33:01,080 --> 00:33:03,414
LEILA,
COME WITH ME.
804
00:33:03,415 --> 00:33:05,749
WARREN, HE'LL SHOOT US BOTH
IN THE BACK.
805
00:33:05,751 --> 00:33:07,017
GO.
806
00:33:08,187 --> 00:33:09,252
I LOVE YOU.
807
00:33:11,724 --> 00:33:13,991
(SUVS RUMBLE)
808
00:33:19,665 --> 00:33:21,531
COME WITH ME.
809
00:33:22,501 --> 00:33:25,502
(GRITTED TEETH)
COME WITH ME.
810
00:33:26,472 --> 00:33:27,671
HUDSON:
MILSTON.
811
00:33:33,178 --> 00:33:34,611
ED:
OKAY, THERE'S HIS CAR.
812
00:33:34,613 --> 00:33:36,346
WE NEED TO COVER BOTH SIDES
OF THE BRIDGE.
813
00:33:36,348 --> 00:33:37,647
SAM:
SPIKE AND I WILL DROP
DOWN THE BANK,
814
00:33:37,649 --> 00:33:38,615
COVER THE NORTH.
815
00:33:38,617 --> 00:33:39,683
SPIKE:
COPY.
816
00:33:41,787 --> 00:33:43,737
ED:
THEY'RE ON THE BRIDGE.
817
00:33:43,738 --> 00:33:45,688
I'LL TAKE SIERRA.
JULES, SHIELD THE BOSS.
818
00:33:45,691 --> 00:33:48,392
WORDY, YOU COVER ME.
819
00:33:49,328 --> 00:33:50,694
IF IT COMES TO THAT.
820
00:33:53,465 --> 00:33:55,065
HUDSON:
I'LL TAKE THAT.
821
00:33:55,067 --> 00:33:57,501
SO I GUESS WE PART WAYS,
HUH?
822
00:33:58,437 --> 00:33:59,770
I GUESS SO.
823
00:33:59,772 --> 00:34:01,705
YOU GOT A SMOKE?
824
00:34:01,707 --> 00:34:02,940
UH, NO I DON'T.
825
00:34:02,941 --> 00:34:04,174
WELL, DIDN'T YOU SAY
YOU WENT TO BUY SMOKES
826
00:34:04,176 --> 00:34:05,809
AT FIVE A.M.?
827
00:34:05,811 --> 00:34:07,144
YEAH, YOU NEVER HAVE
ONE OF THOSE NIGHTS
828
00:34:07,146 --> 00:34:08,779
YOU CAN'T SLEEP?
THEY'RE IN THE CAR.
829
00:34:08,781 --> 00:34:10,781
WAS THAT BEFORE OR AFTER
YOU CALLED MY GIRLFRIEND?
830
00:34:16,088 --> 00:34:17,554
(FOLIAGE RUSTLES)
831
00:34:22,494 --> 00:34:24,761
LEILA:
GABE, HE'S NOT A COP.
832
00:34:24,763 --> 00:34:26,830
HE CALLED SO THAT
I COULD WARN YOU.
833
00:34:26,832 --> 00:34:28,231
HE WAS TRYING
TO PROTECT YOU.
834
00:34:31,770 --> 00:34:32,920
ON YOUR CELL?
835
00:34:32,921 --> 00:34:34,071
THE HOUSE PHONE WOULD'VE
WOKEN UP YOUR GUYS,
836
00:34:34,073 --> 00:34:36,073
IT WAS FASTER
WITHOUT THEM.
837
00:34:36,075 --> 00:34:37,541
HUDSON:
YOU'RE THE ONE
THAT STARTED PACKING
838
00:34:37,543 --> 00:34:41,178
AND FORGOT TO GIVE ME
THE MESSAGE.
839
00:34:41,180 --> 00:34:42,679
DON'T BLAME HIM.
840
00:34:43,615 --> 00:34:44,848
IT WAS ME.
841
00:34:44,850 --> 00:34:46,650
IT WAS ME.
IT WAS MY FAULT.
842
00:34:46,652 --> 00:34:48,418
I TIPPED THE COPS.
YEAH, IT WAS ME.
843
00:34:48,420 --> 00:34:49,419
NO, GABE, NO.
IT'S...
844
00:34:49,421 --> 00:34:51,521
'CAUSE NOW THAT
I KNOW YOU...
845
00:34:51,523 --> 00:34:52,722
I DON'T LOVE YOU.
846
00:34:52,724 --> 00:34:54,391
NO, NO, IT'S ME!
847
00:34:55,327 --> 00:34:57,461
(GUNSHOT POPS LOUDLY,
NAISMITH SCREAMS)
848
00:34:57,463 --> 00:34:58,562
PARKER:
SHOTS FIRED,
LEILA'S DOWN.
849
00:34:58,564 --> 00:35:00,564
EDDIE, WHAT'S YOUR STATUS?
850
00:35:00,566 --> 00:35:01,698
NEARLY THERE.
851
00:35:03,268 --> 00:35:04,668
NAISMITH:
LEILA! WHAT...
852
00:35:04,670 --> 00:35:06,303
WHAT HAVE YOU DONE, HUH?
853
00:35:06,305 --> 00:35:07,604
PARKER:
WARREN!
854
00:35:08,540 --> 00:35:10,440
HUH?!
WHAT HAVE YOU DONE?!
855
00:35:10,442 --> 00:35:11,842
(FORCEFUL GRUNT)
856
00:35:13,245 --> 00:35:16,646
HUDSON AND NAISMITH:
(STRUGGLING GRUNTS)
857
00:35:21,587 --> 00:35:24,154
(HUDSON SCREAMS,
NAISMITH GRUNTS ANGRILY)
858
00:35:24,156 --> 00:35:25,939
PARKER:
WARREN!
859
00:35:25,940 --> 00:35:27,723
WARREN, PUT THE GUN DOWN
AND STEP AWAY FROM THE EDGE.
860
00:35:27,726 --> 00:35:29,226
HUDSON:
AAAHHHH!
861
00:35:30,162 --> 00:35:31,728
SAM, STATUS?
862
00:35:31,730 --> 00:35:33,797
WE SEE HIM,
ALMOST THERE.
863
00:35:33,799 --> 00:35:35,532
YOU SICK SON OF A BITCH!
864
00:35:35,534 --> 00:35:37,567
YOU DIDN'T DESERVE
TO EVEN LOOK AT HER!
865
00:35:37,569 --> 00:35:39,436
PARKER:
DETECTIVE!
PUT YOUR WEAPON DOWN,
866
00:35:39,438 --> 00:35:41,671
OR YOU WILL BE OUR TARGET!
DO YOU UNDERSTAND?
867
00:35:41,673 --> 00:35:43,173
SHE MEANT NOTHING TO YOU.
868
00:35:43,175 --> 00:35:44,808
HUDSON: LET ME UP!
NAISMITH: NOTHING TO YOU!
869
00:35:44,810 --> 00:35:48,478
SHE WAS YOUR MEAL TICKET.
SHE WAS YOUR PRISONER!
870
00:35:48,480 --> 00:35:50,914
PARKER:
JUST KEEP TALKING,
THAT'S FINE,
871
00:35:50,916 --> 00:35:53,283
I JUST NEED YOU
TO PUT THE GUN DOWN.
872
00:35:53,285 --> 00:35:54,718
BACK OFF!
873
00:35:54,720 --> 00:35:56,820
BACK OFF, GREG.
BACK IT OFF!
874
00:35:56,822 --> 00:36:00,857
HUDSON: HELP ME!
NAISMITH: (HOWLS ANGRILY)
875
00:36:00,859 --> 00:36:02,392
EDDIE.
(GUN COCKS)
876
00:36:02,394 --> 00:36:04,161
I'VE GOT THE SOLUTION.
877
00:36:04,163 --> 00:36:05,862
NAISMITH:
I SAID BACK OFF!
878
00:36:05,864 --> 00:36:07,330
WORDY:
HE'S NOT GONNA SHOOT.
879
00:36:07,332 --> 00:36:08,899
(METALLIC CLANKING,
HUDSON SCREAMS)
880
00:36:08,901 --> 00:36:11,801
WORDY:
HE'S NOT HEARING YOU,
HE'S NOT HEARING!
881
00:36:11,803 --> 00:36:13,803
NAISMITH:
(SCREAMS)
SHE WAS YOUR MEAL TICKET.
882
00:36:13,805 --> 00:36:17,240
PARKER: WORDY! WORDY!
HUDSON: HELP ME!
883
00:36:18,644 --> 00:36:19,643
WARREN!
884
00:36:19,645 --> 00:36:20,877
WORDY!
885
00:36:20,879 --> 00:36:22,412
WORDY, YOU'RE IN MY LINE
OF FIRE!
886
00:36:22,414 --> 00:36:23,747
WORDY:
WARREN, STOP IT NOW!
887
00:36:23,749 --> 00:36:25,916
NAISMITH:
DON'T DO IT, WORDY.
DON'T DO IT.
888
00:36:25,918 --> 00:36:26,950
BACK OFF, MAN.
889
00:36:27,886 --> 00:36:29,486
PLEASE, HELP ME!
890
00:36:30,556 --> 00:36:31,821
DON'T DO IT!
DON'T COME ANY CLOSER!
891
00:36:31,823 --> 00:36:33,590
I'M PUTTING MY GUN AWAY.
892
00:36:33,592 --> 00:36:34,791
PARKER:
WORDY...
893
00:36:34,793 --> 00:36:35,892
WARREN, YOU LOOK AT ME.
894
00:36:35,894 --> 00:36:37,761
IT'S JUST AND ME HERE.
STOP IT!
895
00:36:37,763 --> 00:36:39,930
DON'T DO IT.
BACK OFF, WORDY!
896
00:36:40,866 --> 00:36:41,865
WORDY!
897
00:36:41,867 --> 00:36:42,933
WHAT,
ARE YOU GONNA SHOOT ME?
898
00:36:42,935 --> 00:36:44,868
YOU'RE NOT GONNA SHOOT ME,
WARREN.
899
00:36:44,870 --> 00:36:46,236
DON'T DO IT,
WARREN!
900
00:36:46,238 --> 00:36:47,904
PUT THE GUN DOWN.
901
00:36:47,906 --> 00:36:48,939
WORDY:
WARREN!
902
00:36:50,776 --> 00:36:52,375
UNGH!
903
00:36:53,312 --> 00:36:54,678
(STRUGGLING GRUNTS)
904
00:36:55,614 --> 00:36:57,647
IT'S-IT'S OKAY.
I'VE GOT YOU.
905
00:36:57,649 --> 00:36:58,882
(OVERLAPPING CHATTER
AND SHOUTING)
906
00:36:58,884 --> 00:37:02,552
PARKER: GOT YA!
SAM: HERE WE GO, I GOT YOU!
907
00:37:04,856 --> 00:37:06,323
WORDY:
WARREN, IT'S OKAY.
IT'S OKAY.
908
00:37:06,325 --> 00:37:07,975
THIS WAY -
909
00:37:07,976 --> 00:37:09,626
DON'T LOOK AT HER,
LOOK AT ME.
910
00:37:09,628 --> 00:37:10,794
LOOK AT ME.
911
00:37:10,796 --> 00:37:12,312
WARREN:
(SOBBING) NO.
912
00:37:12,313 --> 00:37:13,829
IT'S OKAY, BUDDY.
IT'S OKAY.
913
00:37:13,832 --> 00:37:15,599
WARREN:
(SOBBING) NO.
914
00:37:16,535 --> 00:37:26,643
¶¶¶
915
00:37:26,645 --> 00:37:31,548
¶¶¶
916
00:37:31,550 --> 00:37:41,658
¶¶¶
917
00:37:41,660 --> 00:37:46,763
¶¶¶
918
00:37:50,702 --> 00:37:52,002
WINNIE.
919
00:37:52,004 --> 00:37:53,970
HOW'S DETECTIVE PATTERSON?
920
00:37:53,972 --> 00:37:54,904
STABLE,
PULLING THROUGH.
921
00:37:54,906 --> 00:37:55,972
THAT'S GREAT NEWS.
922
00:37:55,974 --> 00:37:57,791
BIG NIGHT.
923
00:37:57,792 --> 00:37:59,609
SPIKE:
WHAT I HEAR, PEDAL-TO-THE-METAL
WAS PRACTICALLY FLAWLESS.
924
00:37:59,611 --> 00:38:02,679
31 ARRESTS,
114 CHARGES LAID.
925
00:38:02,681 --> 00:38:04,714
WINNIE:
HEY, HOW ABOUT NAISMITH,
HOW'S HE DOING?
926
00:38:04,716 --> 00:38:05,982
SAM:
NOT SO GOOD.
927
00:38:08,453 --> 00:38:09,919
YOU GUYS GOT A SEC?
928
00:38:12,591 --> 00:38:13,890
LOCKER ROOM?
929
00:38:13,892 --> 00:38:14,958
YEAH. YEAH.
930
00:38:30,075 --> 00:38:32,709
SO, UM...
(CHUCKLES NERVOUSLY)
931
00:38:33,645 --> 00:38:36,446
WHAT TONIGHT WAS ABOUT
WAS, UH...
932
00:38:38,517 --> 00:38:39,716
I HAVE PARKINSON'S.
933
00:38:40,952 --> 00:38:42,018
WHOA.
934
00:38:45,023 --> 00:38:47,691
WORDY:
(EXHALES AND CHUCKLES)
935
00:38:47,693 --> 00:38:49,959
OH MAN,
I'M GLAD THAT'S DONE.
936
00:38:52,364 --> 00:38:55,565
(SIGHS, RELIEVED)
SO, UH, WHAT DOES THAT MEAN?
937
00:38:55,567 --> 00:38:57,667
IT MEANS THAT SOONER OR LATER,
938
00:38:57,669 --> 00:38:59,903
SHORT OF MAJOR MEDICAL
BREAKTHROUGHS
939
00:38:59,905 --> 00:39:03,506
IN THE NEXT LITTLE WHILE -
WHICH COULD HAPPEN -
940
00:39:03,508 --> 00:39:07,644
UH... MY NERVOUS SYSTEM'S
GONNA KINDA BREAK DOWN.
941
00:39:09,047 --> 00:39:10,714
AND I'M SORRY.
I, I...
942
00:39:10,716 --> 00:39:13,917
I WANTED TO TELL YOU GUYS
SOMETHING, BUT...
943
00:39:13,919 --> 00:39:16,052
(EXHALES HEAVILY)
944
00:39:16,054 --> 00:39:18,521
I WAS SCARED, YOU KNOW?
945
00:39:19,758 --> 00:39:22,559
SAYING IT MAKES IT REAL
AND...
946
00:39:22,561 --> 00:39:24,427
I WANTED TO BE,
YOU KNOW...
947
00:39:24,429 --> 00:39:26,062
(BREATHING SHAKILY)
948
00:39:26,064 --> 00:39:27,697
PERFECT FOR YOU GUYS,
949
00:39:27,699 --> 00:39:30,400
THE WAY YOU'RE PERFECT
FOR ME.
950
00:39:30,402 --> 00:39:33,136
GREG:
JUST SO YOU KNOW,
WORDY'S MEDICATIONS
951
00:39:33,138 --> 00:39:36,906
KEEP HIS SYMPTOMS
FULLY UNDER CONTROL.
952
00:39:36,908 --> 00:39:38,408
COULD BE THAT WAY FOR YEARS.
953
00:39:38,410 --> 00:39:39,943
SO, HE'S NOT GOING ANYWHERE.
954
00:39:39,945 --> 00:39:43,046
UH, BOSS...
(SIGHS HEAVILY)
955
00:39:43,048 --> 00:39:44,781
I'M A TIME BOMB.
956
00:39:45,717 --> 00:39:48,151
A MONTH, A YEAR, TWO YEARS,
IT DOESN'T MATTER.
957
00:39:51,022 --> 00:39:53,790
I'M NOT PERFECT
AND YOU GUYS NEED ME TO BE.
958
00:39:54,793 --> 00:39:58,595
'CAUSE ONE DAY MY HANDS
ARE GONNA CATCH A TREMOR
959
00:39:58,597 --> 00:40:01,030
AND YOUR LIVES ARE IN 'EM.
960
00:40:01,967 --> 00:40:04,534
IT'S NOT WORTH THE RISK.
961
00:40:05,570 --> 00:40:07,971
BUT, WORDY,
WHICH ONE OF US IS PERFECT?
962
00:40:08,974 --> 00:40:11,441
YOU KNOW,
WE'RE JUST PEOPLE.
963
00:40:14,513 --> 00:40:15,745
I'M NOT PERFECT.
964
00:40:15,747 --> 00:40:17,914
I'M DEFINITELY NOT PERFECT,
BUDDY.
965
00:40:17,916 --> 00:40:19,783
JULES:
WE'VE ALL HAVE OUR THINGS,
YOU KNOW -
966
00:40:19,785 --> 00:40:22,085
INJURIES,
WHATEVER IT IS -
967
00:40:23,021 --> 00:40:25,088
BUT WE... WE WORK IT THROUGH.
968
00:40:27,058 --> 00:40:28,158
ED:
WORDY...
969
00:40:29,094 --> 00:40:31,061
WE'RE STILL BETTER
TOGETHER
970
00:40:31,062 --> 00:40:33,029
THAN ANY OTHER SIX PEOPLE
YOU CAN FIND ON THE FORCE.
971
00:40:33,031 --> 00:40:36,533
EDDIE, I'D GO THROUGH
ANY DOOR WITH YOU.
972
00:40:38,970 --> 00:40:42,105
BUT NONE OF US
CAN DO THIS JOB FOREVER.
973
00:40:43,041 --> 00:40:45,074
ANYWAY,
UH, I'VE BEEN THINKING -
974
00:40:45,076 --> 00:40:47,510
WHICH I DO SOMETIMES.
(CHUCKLES)
975
00:40:47,512 --> 00:40:49,095
(SNIFFLES)
976
00:40:49,096 --> 00:40:50,679
UH, I'VE BEEN LOOKING
AT OTHER DEPARTMENTS,
977
00:40:50,682 --> 00:40:53,149
YOU KNOW,
MAYBE GUNS AND GANGS.
978
00:40:55,086 --> 00:40:57,187
THOUGH TEAM ONE'S GONNA BE
A HARD ACT TO FOLLOW.
979
00:41:00,025 --> 00:41:01,758
HOW AM I SUPPOSED TO MAKE IT
IN HERE EVERYDAY
980
00:41:01,760 --> 00:41:03,226
WITHOUT YOU, WORDY?
981
00:41:03,228 --> 00:41:05,728
THIS FROM THE GUY
WHO BROKE INTO MY LOCKER?
982
00:41:08,233 --> 00:41:11,100
WE ALWAYS FIND A WAY
THROUGH, EDDIE;
983
00:41:11,102 --> 00:41:13,102
THAT'S THE JOB.
984
00:41:13,104 --> 00:41:16,039
YOU'RE JUST GONNA HAVE
TO DO YOURS TWICE AS GOOD.
985
00:41:26,184 --> 00:41:28,852
(EXHALES, HOLDING BACK TEARS)
986
00:41:37,128 --> 00:41:40,530
I THOUGHT I WAS DOING RIGHT
BY THE TEAM.
987
00:41:44,035 --> 00:41:46,035
LOOK, I SHOULDN' HAVE
REACTED LIKE THAT.
988
00:41:46,037 --> 00:41:48,938
I SHOULD NEVER HAVE KEPT THINGS
FROM MY TEAM LEADER.
989
00:41:54,179 --> 00:41:55,579
LOOK, ME AND YOU,
990
00:41:55,580 --> 00:41:56,980
WE JUST HAVE TO BE
ON THE SAME PAGE HERE.
991
00:41:56,982 --> 00:41:58,147
NO SECRETS.
992
00:41:58,149 --> 00:42:00,617
S.
NO SECRETS.
993
00:42:03,054 --> 00:42:05,121
WE'RE SHORT A MAN.
994
00:42:06,291 --> 00:42:08,825
YEAH.
YOU OKAY?
995
00:42:11,563 --> 00:42:13,029
20 YEARS.
996
00:42:13,031 --> 00:42:14,163
I KNOW.
997
00:42:15,100 --> 00:42:17,634
(EXHALES, IN THOUGHT)
998
00:42:31,850 --> 00:42:32,916
(SIGHS)
999
00:42:36,254 --> 00:42:37,320
(HALF LAUGHS)