1
00:00:02,536 --> 00:00:03,619
JULES:
VALENTINE'S DAY.
2
00:00:03,620 --> 00:00:04,703
SAM:
BUSIEST DAY OF THE YEAR.
3
00:00:04,705 --> 00:00:06,705
(SIRENS WAIL)
4
00:00:06,707 --> 00:00:08,707
WINNIE:
HOT CALL, TEAM ONE.
SUBJECT'S A JUMPER.
5
00:00:08,709 --> 00:00:10,709
MALE, 50'S,
SHERBOURNE BRIDGE.
6
00:00:10,711 --> 00:00:13,412
JULES:
SIR, ARE YOU PLANNING ON
KILLING YOURSELF TODAY?
7
00:00:13,414 --> 00:00:16,048
SPIKE:
GUYS, WE GOT ANOTHER HOT CALL.
8
00:00:16,050 --> 00:00:18,617
SUBJECT ARMED AND BARRICADED
WITH A HOSTAGE.
9
00:00:18,619 --> 00:00:20,319
WE GOT ONE DOOR,
NO EXTERNAL VANTAGE.
10
00:00:20,321 --> 00:00:21,553
AGGRESSIVE ENTRY,
RUBBER ROUNDS?
11
00:00:21,555 --> 00:00:23,722
SHE'S TOO CLOSE
AND WE GOT A KNIFE.
12
00:00:23,724 --> 00:00:25,174
TEAM ONE, HOT CALL.
13
00:00:25,175 --> 00:00:26,625
WE GOT A GUNMAN AT THE OFFICES
OF PARADIGM SOFTWARE.
14
00:00:26,627 --> 00:00:28,444
GUNMAN:
MARINA?
15
00:00:28,445 --> 00:00:30,262
MARINA, COME ON OUT
AND TALK TO ME.
16
00:00:30,264 --> 00:00:32,398
PARKER:
JOSH? THERE'S ONE MAN
WITH A HANDGUN,
17
00:00:32,400 --> 00:00:33,399
IS THAT RIGHT?
18
00:00:33,401 --> 00:00:34,800
MAN:
JOSH?
19
00:00:36,037 --> 00:00:37,102
NICE TRY.
20
00:00:38,506 --> 00:00:41,407
DO NOT LET GO, SIR!
DO NOT LET GO!
21
00:00:42,743 --> 00:00:44,543
MAN AND WOMAN:
(STRAINING GRUNTS)
22
00:00:44,544 --> 00:00:46,344
JOSH:
I HAD NOTHING TO DO WITH IT,
I SWEAR ON MY LIFE!
23
00:00:46,347 --> 00:00:48,180
I SWEAR TO GOD, OLLIE!
I SWEAR I DON'T KNOW!
24
00:00:51,318 --> 00:00:54,319
(SIREN WAILS IN THE DISTANCE)
25
00:00:56,690 --> 00:00:58,690
RAF:
COME ON, GUYS, LET'S GO.
I GOTTA BE GONE.
26
00:01:00,061 --> 00:01:01,527
LET'S OPEN IT.
27
00:01:04,598 --> 00:01:06,298
HERE.
28
00:01:06,300 --> 00:01:08,700
THIS IS LIGHT.
EAN?
29
00:01:08,702 --> 00:01:09,768
TWO MORE BILLS.
30
00:01:09,770 --> 00:01:11,403
UH-UNH, WHAT YOU SEE
IS WHAT YOU GET.
31
00:01:11,405 --> 00:01:12,771
REALLY?
32
00:01:12,773 --> 00:01:13,772
THAT'S THE DEAL,
YOU CAN TAKE IT-
33
00:01:13,774 --> 00:01:15,274
THAT'S NOT THE DEAL.
34
00:01:15,276 --> 00:01:17,476
TWO MORE BILLS.
35
00:01:17,477 --> 00:01:19,677
WE TAKING IT
OR WE LEAVING IT?
36
00:01:23,184 --> 00:01:24,616
THE REST TONIGHT.
37
00:01:24,618 --> 00:01:26,785
AFTER.
OF COURSE.
38
00:01:26,787 --> 00:01:28,353
LATER, BOYS.
39
00:01:32,293 --> 00:01:35,194
WINNIE:
SIX, SEVEN, EIGHT...
40
00:01:36,831 --> 00:01:38,230
OH, THOSE REPORTS ARE FILED
41
00:01:38,231 --> 00:01:39,630
AFTER THEY'RE APPROVED
BY A STAFF SERGEANT.
42
00:01:39,633 --> 00:01:40,632
MAN:
OKAY.
43
00:01:40,634 --> 00:01:41,700
HELLO!
44
00:01:45,739 --> 00:01:47,106
SPIKE:
THE MAN...
45
00:01:47,108 --> 00:01:48,658
HEY, WHAT'S UP?
46
00:01:48,659 --> 00:01:50,209
SPIKE:
HIS FIRST DAY
AND THE MAN IS LATE.
47
00:01:50,211 --> 00:01:51,677
WHAT? DOESN'T SHIFT
START AT 7.
48
00:01:51,679 --> 00:01:53,178
YEAH,
SHIFT STARTS AT SEVEN.
49
00:01:53,180 --> 00:01:54,580
WE WORK OUT AT FIVE.
50
00:01:54,582 --> 00:01:55,648
FIVE.
51
00:01:55,649 --> 00:01:56,715
JULES:
WHAT, YOU'RE NOT
A MORNING PERSON?
52
00:01:56,716 --> 00:01:57,782
WELL, I AM,
BUT... FIVE?
53
00:01:57,785 --> 00:01:59,418
IT'S GONNA BE
A GOOD DAY.
54
00:01:59,420 --> 00:02:01,253
SPIKE:
BY GOOD HE MEANS BUSY.
55
00:02:01,255 --> 00:02:02,688
JULES:
VALENTINE'S DAY.
56
00:02:02,690 --> 00:02:03,822
SAM:
BUSIEST DAY OF THE YEAR.
57
00:02:03,824 --> 00:02:05,557
REALLY?
VALENTINE'S DAY?
58
00:02:05,558 --> 00:02:07,291
SPIKE:
DOESN'T MATTER HOW YOU TEST:
TAC, TALK...
59
00:02:07,294 --> 00:02:09,228
NOTHING PREPARES YOU
FOR VALENTINE'S DAY.
60
00:02:11,765 --> 00:02:13,632
OH, GOOD,
YOU FOUND HIM.
61
00:02:13,633 --> 00:02:15,500
SPIKE:
HE'S NEW BUT HE'S TRYING.
62
00:02:15,503 --> 00:02:16,668
PARKER:
RAF, FIND YOURSELF A LOCKER.
63
00:02:16,670 --> 00:02:17,736
ALL RIGHT.
64
00:02:19,673 --> 00:02:21,473
ED:
HEY, RAF,
GRAB THE ONE NEXT TO SPIKE'S,
65
00:02:21,475 --> 00:02:23,175
IT'S EMPTY.
66
00:02:23,176 --> 00:02:24,876
RAF: THIS ONE?
ED: YEAH, MAN. IT'S ALL YOURS.
GO FOR IT.
67
00:02:27,414 --> 00:02:28,413
THAT ONE WAS WORDY'S.
68
00:02:28,415 --> 00:02:29,481
GOT IT.
69
00:02:30,918 --> 00:02:32,417
SPIKE:
WHO'S THAT?
70
00:02:32,419 --> 00:02:33,852
RAF:
IT'S MY DAD.
71
00:02:33,854 --> 00:02:35,721
LOOKS LIKE YOU.
72
00:02:35,722 --> 00:02:37,589
(HOT CALL ALARM BEEPS)
HOT CALL, TEAM ONE.
GEAR UP.
73
00:02:37,591 --> 00:02:38,857
LET'S MOVE!
74
00:02:38,859 --> 00:02:40,726
BIG STEP UP, RAF,
YOU NERVOUS?
75
00:02:40,728 --> 00:02:42,327
NAW, MAN,
I'M READY TO DO THIS.
76
00:02:42,329 --> 00:02:44,196
I KNOW YOU ARE.
AND WHAT'RE WE GONNA DO?
77
00:02:44,198 --> 00:02:45,397
WE'RE GONNA KEEP THE PEACE.
78
00:02:45,399 --> 00:02:46,632
YOU GOT IT.
79
00:02:48,903 --> 00:02:50,502
(SIRENS WAIL)
80
00:02:50,504 --> 00:02:54,406
WINNIE:
SUBJECT'S A JUMPER.
MALE, 50'S, SHERBOURNE BRIDGE.
81
00:02:54,408 --> 00:02:55,440
IS THE AREA CONTAINED?
82
00:02:55,442 --> 00:02:56,492
WINNIE:
NEGATIVE.
83
00:02:56,493 --> 00:02:57,543
CARS ON THE OVERPASS
ARE STOPPED.
84
00:02:57,545 --> 00:02:58,833
CHECK YOUR P.D.A.
85
00:02:58,834 --> 00:03:00,122
SPIKE'S GONNA SEND
THE SCHEMATICS.
86
00:03:00,123 --> 00:03:01,411
WINNIE, WHAT DO WE KNOW
ABOUT THE SUBJECT?
87
00:03:01,415 --> 00:03:03,182
WINNIE:
MALE, MIDDLE-AGED,
SPEAKS ENGLISH.
88
00:03:03,184 --> 00:03:04,216
HOW HIGH'S THE OVERPASS?
89
00:03:04,218 --> 00:03:05,501
A HUNDRED AND TWELVE FEET.
90
00:03:05,502 --> 00:03:06,785
IF THE FALL DOESN'T GET HIM,
THE TRAFFIC WILL.
91
00:03:06,787 --> 00:03:08,520
OKAY, WINNIE,
SET UP ROADBLOCKS;
92
00:03:08,522 --> 00:03:10,189
LET'S GET THIS HIGHWAY
SHUT DOWN.
93
00:03:10,191 --> 00:03:13,592
(SIRENS WAIL,
CHATTER OVER POLICE RADIO)
94
00:03:26,207 --> 00:03:27,839
ED:
OKAY, GUYS,
WE GOTTA CONTAIN THIS.
95
00:03:27,841 --> 00:03:29,024
SAM:
I'LL CO-ORDINATE THE UNIS,
96
00:03:29,025 --> 00:03:30,208
GET PEOPLE BACK
IN THEIR VEHICLES.
97
00:03:30,211 --> 00:03:31,910
FAST IS GOOD.
MAYBE HE ABANDONED A CAR.
98
00:03:31,912 --> 00:03:32,878
LET'S FIND OUT
WHO THIS GUY IS.
99
00:03:32,880 --> 00:03:34,196
I'LL TRY AND FIND THE CAR.
100
00:03:34,197 --> 00:03:35,513
SPIKE, WHATEVER YOU CAN
GET FROM THE UNIS.
101
00:03:35,516 --> 00:03:36,682
JULES,
YOU WANT TO LEAD ON THIS?
102
00:03:36,684 --> 00:03:38,617
JULES: SURE.
ED: RAF, STAY CLOSE TO ME.
103
00:03:38,619 --> 00:03:40,419
CONNECT, RESPECT, PROTECT.
104
00:03:40,421 --> 00:03:42,554
RAF: OKAY.
ED: LET'S GET THIS GENTLEMAN
HOME SAFE.
105
00:03:42,556 --> 00:03:43,822
PARKER:
LET'S GO.
106
00:03:54,768 --> 00:03:55,834
HI.
107
00:03:57,471 --> 00:03:58,737
MY NAME'S
JULES CALLAGHAN.
108
00:03:58,739 --> 00:04:02,741
I'M WITH THE POLICE
STRATEGIC RESPONSE UNIT.
109
00:04:02,743 --> 00:04:04,810
HOW'RE YOU DOING?
110
00:04:05,913 --> 00:04:07,913
SAM:
MA'AM, PLEASE GET BACK
IN YOUR CAR. THANK YOU.
111
00:04:07,915 --> 00:04:09,748
GUYS, WE NEED YOU OFF
THIS BRIDGE NOW.
112
00:04:09,750 --> 00:04:10,882
WE NEED YOU TO CLEAR
THIS BRIDGE.
113
00:04:10,884 --> 00:04:12,517
THANK YOU.
114
00:04:12,519 --> 00:04:14,419
SAM, THIS CAR'S EMPTY.
115
00:04:20,327 --> 00:04:21,727
JULES:
CAN I ASK YOU YOUR NAME?
116
00:04:27,835 --> 00:04:29,835
(TRAFFIC WHOOSHES BY)
117
00:04:31,939 --> 00:04:34,006
SIR, ARE YOU PLANNING
ON KILLING YOURSELF TODAY?
118
00:04:35,409 --> 00:04:39,278
MEN:
COME ON, MAN, DO IT!
GO! GO! LET'S GO!
119
00:04:39,280 --> 00:04:41,096
ED.
120
00:04:41,097 --> 00:04:42,913
ED:
I'M ON IT.
GUYS! GUYS, COME ON!
121
00:04:42,916 --> 00:04:44,883
JULES:
CAN I ASK YOU
WHAT YOU'RE THINKING?
122
00:04:46,887 --> 00:04:48,887
WHAT BROUGHT YOU HERE TODAY,
SIR?
123
00:04:48,889 --> 00:04:50,756
YOU'RE THE SAME AGE
AS MY SON.
124
00:04:50,758 --> 00:04:52,624
UH... OH YEAH.
125
00:04:52,626 --> 00:04:54,293
YOU HAVE A SON.
126
00:04:54,294 --> 00:04:55,961
CAN I, CAN I GET IN TOUCH
WITH HIM FOR YOU?
127
00:04:55,963 --> 00:04:57,829
WHAT'S YOUR NAME?
128
00:04:57,831 --> 00:04:59,364
IT'S RAF.
129
00:05:00,901 --> 00:05:03,302
I'M GONNA BE OKAY.
130
00:05:03,304 --> 00:05:04,648
YES YOU ARE, SIR.
131
00:05:04,649 --> 00:05:05,993
JULES:
OKAY, JUST ONE OF US
AT A TIME, RAF.
132
00:05:05,994 --> 00:05:07,338
RAF: IT'S OKAY, HE'S RESPONDING.
JULES: SIR, PLEASE LOOK AT ME.
133
00:05:07,341 --> 00:05:09,574
SIR, YOU'RE GONNA BE OKAY.
134
00:05:11,545 --> 00:05:13,945
SO HE HASN'T MENTIONED
ANYONE BY NAME?
135
00:05:13,947 --> 00:05:14,946
HOLD ON A SECOND.
136
00:05:14,948 --> 00:05:18,083
GUYS, WE GOT ANOTHER
HOT CALL.
137
00:05:18,085 --> 00:05:20,752
SUBJECT ARMED AND BARRICADED
WITH A HOSTAGE.
138
00:05:20,754 --> 00:05:22,421
GET WINNIE ONTO TEAM TWO.
139
00:05:22,423 --> 00:05:23,488
ALREADY OUT.
140
00:05:29,730 --> 00:05:30,996
OKAY, ED...
141
00:05:33,667 --> 00:05:35,145
YEAH, I'M GONNA BE OKAY NOW.
142
00:05:35,146 --> 00:05:36,624
RAF:
SIR, YOU'RE DOING JUST FINE!
143
00:05:36,625 --> 00:05:38,103
JULES:
DO NOT LET GO, SIR!
DO NOT LET GO!
144
00:05:39,740 --> 00:05:49,781
¶¶¶
145
00:05:49,783 --> 00:05:54,753
¶¶¶
146
00:05:54,755 --> 00:06:07,966
¶¶¶
147
00:06:13,941 --> 00:06:15,807
JULES:
OKAY, LET'S JUST TAKE
A MINUTE HERE.
148
00:06:15,809 --> 00:06:17,109
SIR, I WOULDN'T DO-
RAF!
149
00:06:17,110 --> 00:06:18,410
JUMPER:
DON'T TOUCH ME!
DON'T TOUCH ME!
150
00:06:18,412 --> 00:06:19,778
YOU TOUCH ME,
I GO DOWN!
151
00:06:19,779 --> 00:06:21,145
THAT'S A DECISION
YOU CANNOT TAKE BACK, SIR!
152
00:06:21,148 --> 00:06:22,581
I'M GONNA DO THIS MY WAY.
153
00:06:22,583 --> 00:06:25,117
WE'RE GONNA GIVE YOU
SOME SPACE, OKAY?
154
00:06:26,053 --> 00:06:29,388
SPIKE:
WE GOT CROWD CONTROL ISSUES,
AND A JUMPER WHO'S ACCELERATING.
155
00:06:29,390 --> 00:06:31,556
TEAM TWO'S ALREADY RE-UPPED,
FOUR'S ON AIRPORT DUTY,
156
00:06:31,558 --> 00:06:33,492
AND THREE'S WRAPPING UP
A STANDOFF.
157
00:06:33,494 --> 00:06:34,860
ALL RIGHT, WE'LL GO.
158
00:06:34,862 --> 00:06:36,862
EDDIE AND I'LL TAKE RAF;
159
00:06:36,864 --> 00:06:38,830
SPIKE, YOU SECOND JULES.
160
00:06:38,832 --> 00:06:40,065
SPIKE: COPY.
PARKER: JULES, YOU GOOD?
161
00:06:40,067 --> 00:06:41,833
I NEED SOMETHING
TO WORK WITH HERE.
162
00:06:41,835 --> 00:06:43,869
SAM:
LOOKS LIKE WE'VE GOT HIS CAR.
163
00:06:43,870 --> 00:06:45,904
OLD MODEL SEDAN
REGISTERED TO CARY MCCARTY.
164
00:06:45,906 --> 00:06:47,973
I'LL SEE WHAT ELSE
I CAN DIG UP.
165
00:06:47,975 --> 00:06:51,443
ALL RIGHT, WE'RE GIVING YOU
SOME SPACE, CARY.
166
00:06:51,445 --> 00:06:53,578
THAT'S YOUR NAME, RIGHT?
167
00:06:53,580 --> 00:06:55,981
DO YOU REMEMBER MY NAME?
IT'S JULES.
168
00:06:55,983 --> 00:06:57,816
CARY, WOULD YOU PLEASE
LOOK AT ME.
169
00:06:57,818 --> 00:06:59,050
I DON'T THINK
HE'S HEARING YA.
170
00:06:59,052 --> 00:07:00,051
IT'S TIME TO TAKE
THE GLOVES OFF;
171
00:07:00,053 --> 00:07:02,821
YOU TRY "REALITY CHECK"?
172
00:07:02,823 --> 00:07:03,889
OKAY.
173
00:07:08,529 --> 00:07:10,562
SO YOU WANNA JUMP?
174
00:07:10,564 --> 00:07:12,898
DO YOU WANT ME TO TELL YOU
WHAT ACTUALLY HAPPENS?
175
00:07:12,900 --> 00:07:15,000
I CAN,
'CAUSE I'VE SEEN IT.
176
00:07:15,002 --> 00:07:17,036
I CAN TELL YOU
WHAT'S GONNA HAPPEN
177
00:07:17,037 --> 00:07:19,071
WHEN YOUR BODY SMACKS
AGAINST THE GROUND
178
00:07:19,072 --> 00:07:21,106
AND YOUR SKULL EXPLODES.
(TRAFFIC RUMBLES BY)
179
00:07:21,108 --> 00:07:23,008
DO YOU WANNA HEAR
ABOUT THAT?
180
00:07:23,010 --> 00:07:25,010
(SIREN WAILS)
181
00:07:25,011 --> 00:07:27,011
WINNIE:
PARLIAMENT GENTLEMEN'S CLUB,
3187 QUEEN EAST, THAT'S-
182
00:07:27,014 --> 00:07:30,015
QUEEN AND CARLAW, COPY THAT.
WE'RE ALMOST THERE.
183
00:07:30,017 --> 00:07:31,082
RAF, HOW'RE YOU DOING?
184
00:07:31,084 --> 00:07:32,184
I THOUGHT I WAS CHANGING
HIS MIND.
185
00:07:32,186 --> 00:07:34,370
THAT GUY WAS GONNA
STAND DOWN.
186
00:07:34,371 --> 00:07:36,555
YOU SAW CLARITY AND EUPHORIA,
YOU SAW A SENSE OF PEACE.
187
00:07:36,557 --> 00:07:38,674
"FLIGHT INTO HEALTH."
I KNOW THE STUFF.
188
00:07:38,675 --> 00:07:40,792
PARKER:
EXACTLY. IT LOOKS LIKE
THE CHOICE TO LIVE.
189
00:07:40,794 --> 00:07:41,993
SOMETIMES IT'S THE OPPOSITE.
190
00:07:41,995 --> 00:07:44,196
SOMETIMES IT'S FINALLY
FEELING READY TO GO.
191
00:07:44,198 --> 00:07:46,131
ED:
IT'S A COMMON ROOKIE MISTAKE.
192
00:07:46,133 --> 00:07:49,734
SOMETIMES IT'S HARD NOT TO SEE
WHAT YOU HOPE TO SEE, RAF.
193
00:07:49,736 --> 00:07:50,936
YOU'RE DOING FINE.
194
00:07:50,938 --> 00:07:52,537
PARKER: YOU OKAY?
RAF: YEAH.
195
00:07:52,539 --> 00:07:53,572
YOU WANNA SIT
THIS NEXT ONE OUT,
196
00:07:53,574 --> 00:07:54,573
SIT IN THE TRUCK?
197
00:07:54,575 --> 00:07:55,974
RAF: NAW, MAN.
PARKER: YEAH?
198
00:07:55,976 --> 00:07:57,042
YEAH,
I'M HERE TO LEARN.
199
00:07:58,645 --> 00:07:59,711
RIGHT ANSWER.
200
00:08:01,815 --> 00:08:03,648
YOU KNOW WHAT'S EVEN WORSE?
201
00:08:03,650 --> 00:08:05,817
WHAT'S EVEN WORSE
IS YOU MIGHT NOT DIE
202
00:08:05,819 --> 00:08:08,186
WHEN YOUR BODY
HITS THE CEMENT.
203
00:08:08,188 --> 00:08:10,856
AND IF YOU'VE GOT FAMILY
AND KIDS,
204
00:08:10,858 --> 00:08:12,657
THEY'RE GONNA SEE IT -
205
00:08:12,659 --> 00:08:15,127
WHAT'S LEFT OF YOU -
206
00:08:15,128 --> 00:08:17,596
AND THEY'LL HAVE TO LIVE
WITH WHAT'S LEFT OF YOU.
207
00:08:17,598 --> 00:08:19,831
THAT IS NOT WHAT YOU WANT,
IS IT?
208
00:08:19,833 --> 00:08:21,666
SPIKE:
HE'S HEARING YOU,
HE'S GETTING THE PICTURE.
209
00:08:21,668 --> 00:08:24,102
SAM:
JULES, I HAVE A MR. HOLLAND
ON THE PHONE.
210
00:08:24,104 --> 00:08:26,771
HE'S A NEIGHBOUR AND A FRIEND,
STAND BY.
211
00:08:26,773 --> 00:08:28,840
SIR, I NEED TO ASK YOU
A FEW QUESTIONS.
212
00:08:28,842 --> 00:08:32,177
JULES:
I KNOW THIS GUY -
OKAY, HE'S A FRIEND OF MINE.
213
00:08:32,179 --> 00:08:34,746
HE SPENT TWO YEARS TALKING
TO THE SURVIVORS
214
00:08:34,748 --> 00:08:36,681
OF THE GOLDEN GATE BRIDGE.
215
00:08:36,683 --> 00:08:37,983
ALMOST EVERY SINGLE
ONE OF THEM
216
00:08:37,985 --> 00:08:39,885
SAID THAT THEY REGRETTED IT
217
00:08:39,887 --> 00:08:42,521
AS SOON AS THEIR FOOT
LEFT THAT IRON,
218
00:08:42,523 --> 00:08:45,624
AND NONE OF THEM EVER TRIED
TO KILL THEMSELVES AGAIN.
219
00:08:48,061 --> 00:08:49,261
ARE YOU HEARING ME,
CARY?
220
00:08:53,867 --> 00:08:55,600
YEAH, I HEAR YOU.
221
00:08:56,537 --> 00:08:58,637
SAM:
JULES, HIS FRIEND SAYS
HE'S A STRAIGHT ARROW;
222
00:08:58,639 --> 00:09:01,172
NO DRUGS OR ALCOHOL,
HE'S EMPLOYED.
223
00:09:04,044 --> 00:09:05,777
HEY, I'VE GOT A SUICIDE NOTE.
224
00:09:05,779 --> 00:09:08,613
IT'S TO HIS KIDS,
EAMON AND ANGELA.
225
00:09:08,615 --> 00:09:10,782
HE'S APOLOGIZING,
HE'S...
226
00:09:10,784 --> 00:09:12,918
HE SAYS HE "CAN'T TAKE
ANOTHER YEAR ALONE."
227
00:09:12,920 --> 00:09:14,252
IS HE CLOSE TO FAMILY?
228
00:09:14,254 --> 00:09:15,921
I'M ON IT.
229
00:09:15,923 --> 00:09:18,457
WHY'RE YOU DOING THIS TODAY,
CARY?
230
00:09:18,458 --> 00:09:20,992
CAN YOU TELL ME
WHY YOU'RE HERE TODAY?
231
00:09:20,994 --> 00:09:22,727
CAN'T TAKE IT ANYMORE.
232
00:09:22,729 --> 00:09:25,030
SAM:
JULES, MR. HOLLAND SAID
233
00:09:25,032 --> 00:09:28,066
HIS WIFE PASSED
THREE YEARS AGO TODAY.
234
00:09:28,068 --> 00:09:29,301
THAT'S NOT ALL.
235
00:09:29,303 --> 00:09:32,737
TODAY'S ALSO THE DAY
THEY GOT MARRIED.
236
00:09:40,614 --> 00:09:42,147
ED:
DID SHE BRING THIS KNIFE
WITH HER OR WHAT?
237
00:09:42,149 --> 00:09:43,949
SHE GRABBED IT OFF THE BAR.
238
00:09:47,187 --> 00:09:48,770
HOW BIG?
239
00:09:48,771 --> 00:09:50,354
(COMPUTER KEYS CLACK,
COMPUTER TRILLS)
240
00:09:50,357 --> 00:09:52,157
RAF:
SNAKE CAM HAS VIDEO.
241
00:09:52,159 --> 00:09:53,992
ANY IDEA HOW LONG
THIS IS GONNA TAKE?
242
00:09:53,994 --> 00:09:55,961
VALENTINE'S DAY IS
OUR BUSIEST NIGHT OF THE YEAR.
243
00:09:55,963 --> 00:09:57,195
YOU AND ME BOTH.
244
00:09:57,197 --> 00:09:59,598
WINNIE, I NEED EMS STANDING BY,
PLEASE.
245
00:09:59,600 --> 00:10:01,166
ASTA:
YOU KNOW, MAYBE IF SHE'D
JUST GET A LIFE,
246
00:10:01,168 --> 00:10:02,901
I'D HAVE HALF A CHANCE
OF LIVING MY OWN!
247
00:10:02,903 --> 00:10:04,970
SUBJECT'S NAME IS FREYA MARKS,
ASTA'S MOTHER.
248
00:10:04,972 --> 00:10:06,838
SHE FOUND OUT HER DAUGHTER
WORKS HERE THIS MORNING
249
00:10:06,840 --> 00:10:08,106
AND DIDN'T TAKE IT SO WELL.
250
00:10:08,108 --> 00:10:10,075
ASTA, YOU'RE MOTHER'S
THREATENING A MAN
251
00:10:10,077 --> 00:10:11,426
WITH A KNIFE UP THERE.
252
00:10:11,427 --> 00:10:12,776
CAN YOU TELL ME
WHAT SHE WANTS?
253
00:10:12,779 --> 00:10:14,079
SHE WANTS A BETTER DAUGHTER
THAN ME,
254
00:10:14,081 --> 00:10:15,380
AND SHE'S BLAMING HIM.
255
00:10:15,382 --> 00:10:17,716
OKAY, THANKS, ASTA.
HAVE A SEAT OVER THERE,
256
00:10:17,718 --> 00:10:19,217
DON'T GO TOO FAR,
WE MAY NEED YOU.
257
00:10:19,219 --> 00:10:20,752
ED:
THE MANAGER GOT CAUGHT
IN THE MIDDLE OF IT.
258
00:10:20,754 --> 00:10:21,820
SHE GRABBED A KNIFE
FROM THE BAR,
259
00:10:21,822 --> 00:10:23,522
STARTED MAKING THREATS,
260
00:10:23,523 --> 00:10:25,223
LOCKED HERSELF IN THE VIP ROOM
WITH THE MANAGER.
261
00:10:25,225 --> 00:10:26,958
NO RESPONSE TO VERBALS.
262
00:10:26,960 --> 00:10:29,894
PARKER:
SHE'S GOT HIM IMMOBILIZED.
263
00:10:29,896 --> 00:10:31,930
HE LOOKS LIKE HE CAN'T BREATHE.
HE'S UNDER DURESS.
264
00:10:31,932 --> 00:10:34,332
I DON'T KNOW, LOOK AT HIM.
SOMETHING'S WRONG.
265
00:10:34,334 --> 00:10:36,401
ASTA,
WHAT'S WRONG WITH PHIL?
266
00:10:36,403 --> 00:10:37,402
HE HAS ASTHMA.
267
00:10:37,403 --> 00:10:38,402
SHE'S FREAKING HIM OUT.
HE CAN'T BREATHE.
268
00:10:38,405 --> 00:10:40,138
HE NEEDS HIS INHALERS.
269
00:10:40,140 --> 00:10:41,940
YOU GUYS GOTTA GET HIM
OUTTA THERE.
270
00:10:45,278 --> 00:10:46,845
HOW LONG WERE YOU MARRIED,
CARY?
271
00:10:50,851 --> 00:10:52,384
24 YEARS.
272
00:10:52,385 --> 00:10:53,918
SHE KEPT AN OLD CALENDAR
IN THE DRAWER.
273
00:10:53,920 --> 00:10:56,655
EVERY YEAR
WE'D TICK OFF A YEAR.
274
00:10:57,391 --> 00:10:59,224
PRESENTS YOU GIVE -
275
00:11:00,160 --> 00:11:02,027
YOU KNOW, PAPER FOR FIRST,
276
00:11:02,029 --> 00:11:03,328
TIN FOR FIVE -
277
00:11:03,330 --> 00:11:05,096
MOSTLY JOKES, YOU KNOW.
278
00:11:05,098 --> 00:11:06,197
DIDN'T HAVE MUCH MONEY THEN.
279
00:11:06,199 --> 00:11:08,033
THAT'S A GREAT TRADITION.
280
00:11:08,035 --> 00:11:09,234
CARY:
YEAH.
281
00:11:09,236 --> 00:11:12,137
WE'D ALMOST MADE IT 25 YEARS.
282
00:11:12,139 --> 00:11:14,205
SO SILVER... SILVER.
283
00:11:16,143 --> 00:11:17,342
YOUR SILVER ANNIVERSARY,
CARY.
284
00:11:19,212 --> 00:11:21,179
WE HAVE A ROOM
IN THE BASEMENT.
285
00:11:21,181 --> 00:11:23,982
I'D PAINTED IT -
THE...
286
00:11:23,984 --> 00:11:26,718
THE TABLE, THE CHAIRS,
287
00:11:26,720 --> 00:11:28,820
BOUGHT DOLLAR-STORE
SILVER PLATES,
288
00:11:28,822 --> 00:11:30,922
SILVER NAPKINS,
EVERYTHING SILVER -
289
00:11:30,924 --> 00:11:32,691
EVERY INCH SILVER.
290
00:11:32,693 --> 00:11:35,860
THE PICTURES SILVER -
OF HER, OF US, THE KIDS.
291
00:11:36,797 --> 00:11:39,264
THAT'S REALLY BEAUTIFUL.
292
00:11:39,266 --> 00:11:41,933
CAN YOU SIT DOWN
AND TELL ME MORE ABOUT IT?
293
00:11:41,935 --> 00:11:43,802
CARY:
TWO MONTHS I WORKED ON IT
294
00:11:43,804 --> 00:11:45,203
BUT...
295
00:11:47,274 --> 00:11:49,174
THE DAY BEFORE SILVER,
296
00:11:50,110 --> 00:11:53,311
SHE GOT HIT
ON THE WEST MALL ROAD.
297
00:11:53,313 --> 00:11:54,779
GUY WAS DRUNK.
298
00:11:54,781 --> 00:11:58,983
SHE GOT HIT
AND SHE NEVER GOT TO SEE.
299
00:11:59,920 --> 00:12:02,754
JULES:
YOUR WIFE WOULD'VE LOVED IT.
SHE WOULD'VE LOVED IT.
300
00:12:02,756 --> 00:12:04,523
CARY:
(CHOKING UP)
301
00:12:04,524 --> 00:12:06,291
I, I CAN'T TAKE IT.
I CAN'T TAKE IT.
302
00:12:06,293 --> 00:12:07,959
THIS IS DEPRESSION,
NOT IMPULSE.
303
00:12:07,961 --> 00:12:11,196
SHIFT FOCUS
AWAY FROM THE PAIN.
304
00:12:13,467 --> 00:12:15,934
I'M DONE HERE.
NE HERE.
305
00:12:15,936 --> 00:12:17,168
I JUST... I'M DONE.
306
00:12:20,107 --> 00:12:21,256
WE GOT SOUND.
307
00:12:21,257 --> 00:12:22,406
(WHEEZED BREATH)
YOU'VE MADE YOUR POINT...
308
00:12:22,409 --> 00:12:24,175
THERE'S NO WINDOWS OR EXITS
TO THE VIP ROOM.
309
00:12:24,177 --> 00:12:25,710
PHIL:
I HEAR YOU,
LOUD AND CLEAR.
310
00:12:25,711 --> 00:12:27,244
ED:
WE GOT ONE DOOR,
NO EXTERNAL VANTAGE.
311
00:12:27,247 --> 00:12:28,379
AGGRESSIVE ENTRY,
RUBBER ROUNDS?
312
00:12:28,381 --> 00:12:30,181
NO MATTER HOW FAST,
ROOM'S TOO SMALL.
313
00:12:30,183 --> 00:12:31,449
SHE'S TOO CLOSE TO HIM
WITH THAT KNIFE.
314
00:12:31,451 --> 00:12:33,284
AND FLASH-BANGS WILL CAUSE
PERMANENT HEARING LOSS.
315
00:12:33,286 --> 00:12:35,270
BEATS A SLASHED JUGULAR.
316
00:12:35,271 --> 00:12:37,255
FREYA:
GOD! DO YOU EVEN KNOW
HOW OLD SHE IS?
317
00:12:37,257 --> 00:12:38,523
SHE'S 17!
318
00:12:38,525 --> 00:12:40,358
(WHEEZING)
319
00:12:40,359 --> 00:12:42,192
FREYA:
OH, BUT YOU KNEW THAT,
DIDN'T YOU,
320
00:12:42,195 --> 00:12:44,763
YOU COMPLETELY SICK
SON OF A BITCH!
321
00:12:44,765 --> 00:12:46,264
RAF, COVER THE ENTRANCE
TO THE VIP ROOM,
322
00:12:46,266 --> 00:12:47,332
STAND BY FOR QUICK RESPONSE,
323
00:12:47,334 --> 00:12:49,067
LESS-LETHAL,
IF SHE ESCALATES.
324
00:12:49,069 --> 00:12:50,135
RAF:
COPY.
325
00:12:51,938 --> 00:12:53,772
JULES:
CARY, YOU'RE NOT DONE HERE.
326
00:12:53,774 --> 00:12:56,241
LISTEN TO ME.
LET ME TELL YOU WHY, OKAY?
327
00:12:56,243 --> 00:13:01,379
WHEN I WAS 18-YEARS-OLD,
MY BEST FRIEND LOST HER MOM.
328
00:13:01,381 --> 00:13:03,381
ACTUALLY,
SHE FOUND HER MOM.
329
00:13:03,383 --> 00:13:05,250
HER MOTHER KILLED HERSELF.
330
00:13:05,252 --> 00:13:08,019
AND MY FRIEND,
SHE STOPPED GOING TO SCHOOL,
331
00:13:08,021 --> 00:13:09,320
SHE DIDN'T GO TO WORK,
332
00:13:09,322 --> 00:13:11,189
AND THIS JUST DIDN'T LAST
FOR DAYS.
333
00:13:11,191 --> 00:13:13,158
IT LASTED FOR WEEKS,
CARY.
334
00:13:13,160 --> 00:13:16,027
SHE DIDN'T TAKE A SHOWER,
SHE DIDN'T EAT,
335
00:13:16,029 --> 00:13:18,530
AND THEN YOU KNOW
WHAT SHE DID?
336
00:13:19,466 --> 00:13:21,466
SHE KILLED HERSELF,
337
00:13:22,402 --> 00:13:24,068
JUST LIKE HER MOM.
338
00:13:24,070 --> 00:13:26,438
MY BEST FRIEND KILLED HERSELF
339
00:13:26,439 --> 00:13:28,807
'CAUSE SHE COULD NOT STAND
ANOTHER DAY WITHOUT HER MOM.
340
00:13:29,910 --> 00:13:33,411
(SNIFFLES) MY CHILDREN
WOULDN'T LET THAT HAPPEN.
341
00:13:33,413 --> 00:13:35,246
SPIKE:
HEAR THAT?
THERE'S THE OUT.
342
00:13:35,248 --> 00:13:37,282
MY CHILDREN'LL BE FINE.
THEY'LL BE FINE.
343
00:13:37,284 --> 00:13:39,918
HOW DO YOU KNOW THAT, CARY?
HOW DO YOU KNOW THAT?!
344
00:13:39,920 --> 00:13:42,020
LOOK AT WHAT YOU'RE FEELING
RIGHT NOW.
345
00:13:42,022 --> 00:13:44,222
LOOK AT WHAT YOU WOULD DO
TO GET YOUR WIFE BACK.
346
00:13:44,224 --> 00:13:46,524
WHAT DO YOU THINK YOUR KIDS
ARE GONNA DO?
347
00:13:46,526 --> 00:13:49,494
THEY'RE GONNA BE CONFUSED
AND MAD AND UPSET,
348
00:13:49,496 --> 00:13:51,379
AND THEN THEY'RE GONNA
HAVE GUILT
349
00:13:51,380 --> 00:13:53,263
AND THEY'RE GONNA THINK
IT'S THEIR FAULT.
350
00:13:53,266 --> 00:13:56,000
AND THEY'RE GONNA WONDER
WHAT THEY DID WRONG,
351
00:13:56,002 --> 00:13:57,535
WHAT DIDN'T THEY DO.
352
00:13:59,039 --> 00:14:00,572
YOU WANT THAT?
353
00:14:15,455 --> 00:14:17,388
SPIKE:
OKAY, SIR, I GOT YOU.
354
00:14:18,325 --> 00:14:19,875
CARY:
I'M SORRY.
355
00:14:19,876 --> 00:14:21,426
NO, NO, NO, NO.
IT'S OKAY.
356
00:14:21,428 --> 00:14:23,328
YOU DON'T HAVE TO SAY THAT.
HERE.
357
00:14:23,330 --> 00:14:25,163
SPIKE:
SUBJECT'S BEEN CONTAINED.
358
00:14:25,165 --> 00:14:27,432
FAMILY'S CONTACTED
AND THEY'RE ON THEIR WAY.
359
00:14:27,434 --> 00:14:29,151
I'M SORRY.
360
00:14:29,152 --> 00:14:30,869
YOU'VE GOT NOTHING
TO BE SORRY ABOUT, MY FRIEND.
361
00:14:30,871 --> 00:14:33,004
NOTHING.
ALL RIGHT?
362
00:14:38,445 --> 00:14:40,011
(COMM-LINK BEEPS)
363
00:14:40,013 --> 00:14:42,347
FREYA:
WHAT DID YOU DO?
364
00:14:42,349 --> 00:14:44,015
DID YOU TOUCH HER?
365
00:14:44,017 --> 00:14:44,916
SHE'S NOT A KID.
366
00:14:44,918 --> 00:14:46,384
I SAID,
DID YOU TOUCH HER?!
367
00:14:46,386 --> 00:14:48,119
RAF:
ED, MAN, WE GOTTA MOVE.
368
00:14:48,120 --> 00:14:49,853
ED:
RAF, AN AGGRESSIVE MOVE
WILL SET HER OFF.
369
00:14:49,854 --> 00:14:51,587
DD'S OR GAS COULD FUEL
AN ASTHMA ATTACK.
370
00:14:51,588 --> 00:14:53,321
NOW THE BOSS IS WORKING ON
A THIRD PARTY INTERMEDIARY,
371
00:14:53,326 --> 00:14:54,392
SOMEONE WHO WON'T
PROVOKE HER.
372
00:14:54,394 --> 00:14:55,616
HE'S ALREADY PROVOKING HER;
373
00:14:55,617 --> 00:14:56,839
HE'S NOT DENYING TOUCHING
HER DAUGHTER.
374
00:14:56,840 --> 00:14:58,062
IF SHE PICKS UP,
JUST START TALKING.
375
00:14:58,064 --> 00:14:59,564
THAT'S GONNA TAKE
THE ATTENTION OFF OF PHIL
376
00:14:59,566 --> 00:15:01,016
AND ONTO YOU,
ALL RIGHT?
377
00:15:01,017 --> 00:15:02,467
YEAH, I'M GONNA TELL HER
TO LEAVE HIM THE HELL ALONE!
378
00:15:02,469 --> 00:15:04,102
NO, ASTA, PLEASE.
379
00:15:04,104 --> 00:15:05,670
YOU NEED TO STICK
TO THE SCRIPT
380
00:15:05,671 --> 00:15:07,237
OR SHE'LL GET MORE UPSET -
SHE MIGHT HURT HIM.
381
00:15:07,240 --> 00:15:08,439
WE NEED TO KEEP
HER CALM.
382
00:15:08,441 --> 00:15:11,509
I HAVE WORKED 17 YEARS
OF MY LIFE, OKAY?
383
00:15:11,511 --> 00:15:13,728
I GAVE UP EVERYTHING
384
00:15:13,729 --> 00:15:15,946
SO THAT I COULD GIVE HER
SOMETHING, OKAY?
385
00:15:15,949 --> 00:15:17,649
A CHANCE!
386
00:15:17,650 --> 00:15:19,350
BECAUSE I HAVE KNOWN
SCUMBAGS LIKE YOU
387
00:15:19,352 --> 00:15:21,319
FROM WAY TOO CLOSE UP.
388
00:15:21,321 --> 00:15:22,387
SHE WONT LISTEN TO ME.
JUST TRY.
389
00:15:22,389 --> 00:15:23,688
DO IT FOR PHIL.
DO IT FOR HIM.
390
00:15:23,690 --> 00:15:26,357
I KNOW HER, OKAY?
SHE WON'T LISTEN TO ME.
391
00:15:26,359 --> 00:15:28,493
SOON AS ASTA GETS HER ATTENTION
AND PHIL'S OUTTA RANGE,
392
00:15:28,495 --> 00:15:29,494
BLOW THE DOOR,
TAZE HER,
393
00:15:29,496 --> 00:15:31,341
SHE'LL DROP THE KNIFE.
394
00:15:31,342 --> 00:15:33,187
ASTA'S JUST GONNA
PUSH HER BUTTONS.
395
00:15:33,188 --> 00:15:35,033
LOOK, LET ME TALK TO HER.
I GOT SOMETHING I CAN USE HERE.
396
00:15:35,035 --> 00:15:36,434
I CAN HANDLE THIS,
OKAY?
397
00:15:36,436 --> 00:15:37,435
SHE'S GOT A MIND
OF HER OWN,
398
00:15:37,437 --> 00:15:38,436
SHE JUST NEEDS
A LITTLE SPACE.
399
00:15:38,438 --> 00:15:40,138
AND YOU KNOW
WHAT SHE NEEDS?!
400
00:15:40,140 --> 00:15:42,040
I THINK I DO KNOW
WHAT SHE NEEDS.
401
00:15:42,042 --> 00:15:45,243
I-I DON'T EXPECT YOU
TO UNDERSTAND THAT.
402
00:15:45,245 --> 00:15:47,412
YEAH, ASTA MIGHT NOT WORK OUT.
RAF, YOU SURE?
403
00:15:47,414 --> 00:15:48,579
JUST GIVE ME THE WORD,
BOSS.
404
00:15:48,581 --> 00:15:49,681
BOSS, YOU WANNA TAKE
THAT CHANCE?
405
00:15:49,683 --> 00:15:51,416
I DON'T SEE ANY OTHER CHOICE,
EDDIE.
406
00:15:51,418 --> 00:15:53,551
PHIL:
I THINK YOU UNDERESTIMATE HER.
407
00:15:53,553 --> 00:15:56,621
SHE'S A VERY SPECIAL GIRL.
(WHEEZES)
408
00:15:58,091 --> 00:16:01,059
STOP. JUST STOP!
409
00:16:01,995 --> 00:16:04,228
YOU'RE INVOLVED?
410
00:16:04,230 --> 00:16:06,164
I'M GOING IN.
411
00:16:06,166 --> 00:16:07,231
RAF!
412
00:16:07,233 --> 00:16:10,301
FREYA:
YOU'RE INVOLVED?!
(DOOR BANGS OPEN)
413
00:16:17,477 --> 00:16:19,410
HEY, HOW YOU DOING?
414
00:16:19,412 --> 00:16:20,962
WHO THE HELL ARE YOU?
415
00:16:20,963 --> 00:16:22,513
MY NAME'S RAFIK,
BUT YOU CAN CALL ME RAF;
416
00:16:25,118 --> 00:16:26,084
THAT'S COOL TOO.
417
00:16:26,085 --> 00:16:27,051
TEAM ONE, HOT CALL.
WE GOT A SHOOTER.
418
00:16:27,053 --> 00:16:28,753
TEAM ONE, DO YOU COPY?
419
00:16:28,754 --> 00:16:30,454
WE GOT A GUNMAN AT THE OFFICES
OF PARADIGM SOFTWARE.
420
00:16:30,457 --> 00:16:32,023
PARKER:
STAND BY, WINNIE.
421
00:16:32,024 --> 00:16:33,590
EDDIE, I'LL STAY HOOKED INTO RAF
ON MY WAY.
422
00:16:33,593 --> 00:16:36,094
YOU BE READY,
THE SECOND THIS GOES SOUTH.
423
00:16:36,096 --> 00:16:37,161
COPY THAT.
SAM, GRAB THE BOSS.
424
00:16:37,163 --> 00:16:38,262
HEAD TO PARADIGM.
425
00:16:38,264 --> 00:16:40,431
SPIKE, JULES, MEET HIM THERE.
426
00:16:40,433 --> 00:16:41,632
WE'LL BE THERE
AS SOON AS WE CAN.
427
00:16:41,634 --> 00:16:43,067
COPY THAT.
SAM, I'LL BE OUTSIDE.
428
00:16:43,069 --> 00:16:44,502
SAM:
I'M PULLING UP.
429
00:16:44,504 --> 00:16:46,771
IF YOU DON'T MIND,
FREYA,
430
00:16:46,772 --> 00:16:49,039
I JUST WANNA LOSE
A LITTLE WEIGHT HERE, OKAY?
431
00:16:51,077 --> 00:16:52,744
RAF, BUDDY,
WHAT'S YOUR PLAN?
432
00:16:52,746 --> 00:16:54,779
DON'T NEED THESE, RIGHT?
433
00:16:54,781 --> 00:16:57,015
FREYA, I'M NOT HERE
TO GET IN YOUR WAY.
434
00:16:57,017 --> 00:16:58,282
I'M HERE TO HELP YOU.
OKAY?
435
00:16:58,284 --> 00:16:59,283
I'M ON YOUR SIDE, FREYA.
436
00:16:59,285 --> 00:17:01,169
'CAUSE LOOK, I GET IT.
437
00:17:01,170 --> 00:17:03,054
I WOULDN'T WANT SOME COCKROACH
CRAWLING ALL OVER MY GIRL,
438
00:17:03,056 --> 00:17:04,773
RIGHT?
439
00:17:04,774 --> 00:17:06,491
DO YOU MIND IF I TAKE A LOOK
AT THIS GUY FOR A SECOND?
440
00:17:06,493 --> 00:17:08,126
LOOKING LIKE HE FELL
OUT THE UGLY TREE
441
00:17:08,128 --> 00:17:10,194
AND HIT EVERY BRANCH
ON THE WAY DOWN.
442
00:17:10,196 --> 00:17:11,796
(WHEEZING)
443
00:17:11,798 --> 00:17:13,231
ED, WHAT'S HE DOING?
444
00:17:13,232 --> 00:17:14,665
BOSS, HE'S CHECKING
PHIL'S VITAL SIGNS.
445
00:17:14,667 --> 00:17:15,767
HE'S OKAY.
446
00:17:15,769 --> 00:17:17,485
PARKER:
NICE, RAF.
447
00:17:17,486 --> 00:17:19,202
BOSS, PARADIGM OFFICES
ARE AT YORK AND ADELAIDE.
448
00:17:19,205 --> 00:17:20,738
ANY REPORTS ON THE SUBJECT?
449
00:17:20,740 --> 00:17:21,806
WINNIE:
EMOTIONALLY UPSET.
450
00:17:21,808 --> 00:17:23,291
PARKER:
THAT'S IT, HUH?
451
00:17:23,292 --> 00:17:24,775
RAF, YOU KEEP GOING.
I'M HERE WITH YOU, BUDDY.
452
00:17:24,778 --> 00:17:26,044
MM-HM.
453
00:17:27,380 --> 00:17:29,380
LOOK, I COULD TELL YOU
RIGHT NOW, FREYA,
454
00:17:29,382 --> 00:17:31,082
NO ONE'S GONNA BLAME YOU
FOR NOT WANTING YOUR DAUGHTER
455
00:17:31,084 --> 00:17:32,483
TO MAKE THE SAME MISTAKES
YOU DID.
456
00:17:32,485 --> 00:17:35,119
WHO SAYS I MADE MISTAKES?
457
00:17:35,121 --> 00:17:36,971
WHO SAYS I MADE MISTAKES?
458
00:17:36,972 --> 00:17:38,822
RAF:
WHO HASN'T MADE MISTAKES,
RIGHT?
459
00:17:38,825 --> 00:17:41,009
YOU MIND IF SIT DOWN?
460
00:17:41,010 --> 00:17:43,194
I WANNA TELL YOU ABOUT
THIS GUY I KNOW.
461
00:17:44,130 --> 00:17:48,066
HE WAS A PRETTY SMART STUDENT,
"GIFTED" EVEN,
462
00:17:48,068 --> 00:17:49,567
COUPLE YEARS YOUNGER
THAN ASTA.
463
00:17:49,569 --> 00:17:52,070
HE HAD THIS REALLY GREAT
MUSIC TEACHER
464
00:17:52,072 --> 00:17:53,939
AND THIS TEACHER
MADE HIM FEEL LIKE
465
00:17:53,940 --> 00:17:55,807
HE WAS THE MOST AWESOMELY
TALENTED KID IN THE WORLD;
466
00:17:55,809 --> 00:17:58,709
LIKE ANYTHING WAS POSSIBLE.
467
00:17:58,711 --> 00:18:00,812
HE THOUGHT HE WAS SO MUCH
MORE TOGETHER,
468
00:18:00,814 --> 00:18:03,481
MORE, MORE...
469
00:18:03,483 --> 00:18:07,652
WELL, YOU KNOW, MORE MATURE
THAN OTHER BOYS HIS AGE.
470
00:18:07,654 --> 00:18:09,220
UH, EXCEPT IT WASN'T SO SIMPLE.
471
00:18:09,222 --> 00:18:11,172
'CAUSE TURNS OUT THIS TEACHER
472
00:18:11,173 --> 00:18:13,123
HAD OTHER IDEAS
ABOUT BEING MATURE,
473
00:18:13,126 --> 00:18:15,860
UH, ABOUT KEEPING SECRETS,
474
00:18:15,862 --> 00:18:18,296
ABOUT... ABOUT LOVE.
475
00:18:19,866 --> 00:18:23,468
NOW, THE BOY,
HE WAS NOT FEELING THAT AT ALL.
476
00:18:23,470 --> 00:18:25,169
HE WENT HOME,
HE WAS ALL UPSET.
477
00:18:25,171 --> 00:18:27,338
HE DIDN'T TELL HIS DAD
WHY HE WAS UPSET,
478
00:18:27,340 --> 00:18:31,342
BUT HIS DAD GOT IT OUT OF HIM
AND...
479
00:18:31,344 --> 00:18:34,212
WELL, HIS DAD,
HE GRABBED A BASEBALL BAT,
480
00:18:34,214 --> 00:18:36,047
TRACKED DOWN THAT TEACHER
481
00:18:36,048 --> 00:18:37,881
AND HE GAVE HIM
WHAT HE FELT HE HAD COMING,
482
00:18:37,884 --> 00:18:39,650
IF YOU KNOW WHAT I MEAN?
483
00:18:39,652 --> 00:18:42,887
AND THEN THE DAD
WENT TO PRISON
484
00:18:44,324 --> 00:18:46,724
AND, UH...
HE'S STILL THERE.
485
00:18:48,561 --> 00:18:51,162
HE'S STILL THERE.
UH...
486
00:18:51,164 --> 00:18:55,233
HE'S BEEN THERE - WHAT? -
15 YEARS NOW.
487
00:18:58,505 --> 00:19:01,439
AND, UM... THE KID KNEW
HIS DAD DID THAT
488
00:19:01,441 --> 00:19:02,507
'CAUSE HE LOVED HIM
LIKE CRAZY.
489
00:19:02,509 --> 00:19:05,193
HE KNEW THAT,
490
00:19:05,194 --> 00:19:07,878
BUT HE WOULD'VE GIVEN
ANYTHING...
491
00:19:07,881 --> 00:19:09,180
ANYTHING...
492
00:19:09,916 --> 00:19:13,584
FOR HIM TO...
493
00:19:13,586 --> 00:19:15,486
TO HAVE SHOWN IT
IN A DIFFERENT WAY, YOU KNOW?
494
00:19:15,488 --> 00:19:19,157
JUST...
495
00:19:19,159 --> 00:19:22,160
TO HAVE PUT DOWN THE BAT
496
00:19:22,162 --> 00:19:25,163
AND FOUND THE RIGHT WORDS
INSTEAD,
497
00:19:28,168 --> 00:19:30,768
SO HE COULD STAY
A PART OF MY LIFE.
498
00:19:31,838 --> 00:19:34,372
DO YOU SEE WHERE
I'M GOING HERE, FREYA?
499
00:19:34,374 --> 00:19:36,707
ASTA'S GONNA NEED YOU.
500
00:19:37,644 --> 00:19:39,544
DO YOU LOVE YOUR GIRL?
501
00:19:40,547 --> 00:19:42,346
I LOVE MY GIRL.
502
00:19:43,950 --> 00:19:45,917
RAF:
I KNOW.
503
00:19:45,919 --> 00:19:47,585
THEN SHOW HER.
504
00:19:48,521 --> 00:19:50,655
(SOBS)
505
00:19:56,396 --> 00:19:57,962
(SNIFFLES AND CRIES)
506
00:19:58,898 --> 00:20:00,565
RAF:
COME ON.
507
00:20:01,601 --> 00:20:02,934
LET'S GO.
508
00:20:08,908 --> 00:20:10,808
KNIFE'S DOWN,
SUBJECT'S SURRENDERED.
509
00:20:19,219 --> 00:20:20,284
RAF.
510
00:20:20,286 --> 00:20:23,387
BUDDY,
WE GOTTA ROLL HERE.
511
00:20:23,389 --> 00:20:25,323
JUST NEED A SEC.
512
00:20:25,325 --> 00:20:27,892
TAKE IT IN THE CAR,
LET'S GO.
513
00:20:32,298 --> 00:20:34,999
BOSS, WE GOT A 911 CALLER,
HIS NAME'S JOSH.
514
00:20:35,001 --> 00:20:36,451
PARKER:
JOSH. COPY THAT.
515
00:20:36,452 --> 00:20:37,902
PATCH IT THROUGH TO EVERYONE,
WINNIE.
516
00:20:37,904 --> 00:20:39,870
JOSH, HI,
MY NAME IS SERGEANT PARKER.
517
00:20:39,872 --> 00:20:42,340
MY TEAM IS ON IT'S WAY,
OKAY?
518
00:20:42,342 --> 00:20:43,842
OKAY.
519
00:20:43,843 --> 00:20:45,343
IS IT SAFE FOR YOU TO TELL ME
WHAT'S GOING ON THERE?
520
00:20:45,345 --> 00:20:46,410
I THINK SO.
521
00:20:47,814 --> 00:20:49,814
YOU SAW THAT SHE HAD THE KNIFE
TO HIS THROAT RIGHT?
522
00:20:49,816 --> 00:20:51,349
I SAW THAT;
I WAS THERE.
523
00:20:51,351 --> 00:20:53,317
YOU EVER SEEN WHAT HAPPENS
WHEN AN ARTERY'S CUT?
524
00:20:53,319 --> 00:20:54,585
WHAT DO YOU WANT ME TO SAY,
ED?
525
00:20:54,587 --> 00:20:56,520
YOU SAW.
SHE WAS GOING FOR IT.
526
00:20:56,522 --> 00:20:57,922
BOSS SAID WE HAD
NO OTHER OPTIONS.
527
00:20:57,924 --> 00:21:00,391
YOU ANTICIPATED.
YOU ANTICIPATED.
528
00:21:00,393 --> 00:21:01,792
YOU WERE NOT CLEARED
TO ENTER YET.
529
00:21:01,794 --> 00:21:04,262
PARKER:
THERE'S A ONE MAN
WITH A HANDGUN,
530
00:21:04,264 --> 00:21:05,847
IS THAT RIGHT?
531
00:21:05,848 --> 00:21:07,431
YEAH, IT'S OLIVER HAMMOND,
I KNOW HIM.
532
00:21:07,433 --> 00:21:09,083
PARKER: IS ANYONE INJURED?
JOSH: NO.
533
00:21:09,084 --> 00:21:10,734
PARKER:
THAT'S GOOD,
DO YOU KNOW WHAT HE WANTS?
534
00:21:10,737 --> 00:21:12,336
WHY HE'S THREATENING YOU?
535
00:21:12,338 --> 00:21:14,405
JOSH:
UH, OLLIE USED TO WORK HERE.
536
00:21:14,407 --> 00:21:16,641
UH, HE WAS LET GO
FOUR MONTHS AGO.
537
00:21:16,643 --> 00:21:17,708
OLIVER:
JOSH?
538
00:21:19,279 --> 00:21:20,962
NICE TRY.
539
00:21:20,963 --> 00:21:22,646
IT'S BECAUSE OF YOU.
IT'S ALL BECAUSE OF YOU!
540
00:21:22,649 --> 00:21:24,065
YOU KNEW EXACTLY
WHAT YOU WERE DOING!
541
00:21:24,066 --> 00:21:25,482
JOSH:
OLLIE, I SWEAR,
I HAD NOTHING TO DO WITH IT.
542
00:21:25,485 --> 00:21:26,717
OKAY, I SWEAR ON MY LIFE!
543
00:21:26,719 --> 00:21:28,211
YEAH, I BUY THAT.
544
00:21:28,212 --> 00:21:29,704
SO WHAT, BY COMPLETE COINCIDENCE
I TURN AROUND
545
00:21:29,705 --> 00:21:31,197
AND ALL OF A SUDDEN THE NEW HEAD
OF LOGISTICS IS YOU?
546
00:21:31,198 --> 00:21:32,690
JOSH:
HEY, I'M REALLY SORRY
ABOUT THAT, OKAY?!
547
00:21:32,692 --> 00:21:33,891
BUT I HAD NOTHING
TO DO WITH IT!
548
00:21:33,893 --> 00:21:35,459
IT WASN'T MY DECISION,
OKAY?
549
00:21:35,461 --> 00:21:36,627
SURE IT WASN'T.
YOU KNOW WHAT?
550
00:21:36,629 --> 00:21:38,029
LET'S JUST GO FIND THE BOSS,
ASK HER.
551
00:21:38,031 --> 00:21:40,831
WHERE IS SHE?
SHE...
552
00:21:40,833 --> 00:21:42,566
I DON'T KNOW.
553
00:21:42,568 --> 00:21:43,748
LAST CHANCE.
554
00:21:43,749 --> 00:21:44,929
JOSH:
OLLIE, PLEASE,
I DON'T KNOW, I SWEAR.
555
00:21:44,930 --> 00:21:46,110
I HAVEN'T SEEN HER
SINCE THIS MORNING.
556
00:21:46,111 --> 00:21:47,291
I SWEAR TO GOD, OLLIE, I SWEAR.
I DON'T KNOW!
557
00:21:47,292 --> 00:21:48,472
(GUNSHOT POPS)
558
00:21:50,610 --> 00:21:51,676
JOSH?
559
00:21:53,880 --> 00:21:55,479
JOSH?
560
00:21:55,481 --> 00:21:57,014
OLIVER:
MARINA!
561
00:21:57,016 --> 00:21:58,983
MARINA, COME ON OUT
AND TALK TO ME!
562
00:21:58,985 --> 00:22:02,053
WE'VE GOT AN ACTIVE SHOOTER,
POSSIBLE CASUALTY.
563
00:22:02,055 --> 00:22:04,021
HE'S LOOKING FOR ANOTHER ONE.
564
00:22:04,023 --> 00:22:05,089
LET'S MOVE!
565
00:22:12,799 --> 00:22:13,931
(SIREN WAILS)
566
00:22:17,770 --> 00:22:20,371
INSPECTOR.
HOW'S IT GOING?
567
00:22:20,373 --> 00:22:21,439
STAINTON:
GREG.
568
00:22:21,441 --> 00:22:25,576
LAST WITNESSES OUT CONFIRM
THE SHOOTER'S ON THE 11TH FLOOR.
569
00:22:25,578 --> 00:22:26,811
PARADIGM OFFICES?
570
00:22:26,813 --> 00:22:29,613
THREE FLOORS ABOVE AND BELOW
HAVE BEEN EVACUATED,
571
00:22:29,615 --> 00:22:31,882
BUT WE GOTTA DO A HEAD COUNT
ON THE PARADIGM STAFF,
572
00:22:31,884 --> 00:22:33,084
TO KNOW IF ANYONE'S
BEEN LEFT BEHIND.
573
00:22:33,086 --> 00:22:34,569
WHAT ARE YOU HEARING?
574
00:22:34,570 --> 00:22:36,053
IS THIS SPREE BEHAVIOUR
OR A TARGETED OPERATION?
575
00:22:36,055 --> 00:22:37,555
TWO INDIVIDUALS SAID
HE WALKED RIGHT BY THEM,
576
00:22:37,557 --> 00:22:39,001
SO, I'D SAY IT'S TARGETED.
577
00:22:39,002 --> 00:22:40,446
PARKER:
WELL, HE'S LOOKING
FOR HIS OLD BOSS,
578
00:22:40,447 --> 00:22:41,891
SO SHE MAY BE
AMONG THE EVACUEES.
579
00:22:41,894 --> 00:22:43,494
STAINTON: I'LL FIND OUT.
PARKER: THANKS.
580
00:22:43,496 --> 00:22:45,129
I'M NOT LIKING
ALL THESE GLASS WALLS.
581
00:22:45,131 --> 00:22:47,531
IF THE SUBJECT CAN SEE US,
HE HAS A CHANCE TO RESPOND.
582
00:22:47,533 --> 00:22:48,532
SHOOT-TO-STOP?
583
00:22:48,533 --> 00:22:49,532
HE'S ACTIVE,
HE'S READY TO KILL,
584
00:22:49,535 --> 00:22:51,035
HE MIGHT HAVE MULTIPLE TARGETS.
585
00:22:51,036 --> 00:22:52,536
WINNIE:
TEAM ONE,
WE'VE GOT ANOTHER 911.
586
00:22:52,538 --> 00:22:54,839
ANOTHER WITNESS ON THE INSIDE.
HER NAME IS ROSE.
587
00:22:54,841 --> 00:22:56,374
'KAY, PATCH HER THROUGH.
588
00:23:00,113 --> 00:23:01,896
ROSE, HI.
589
00:23:01,897 --> 00:23:03,680
I'M SERGEANT PARKER,
I'M WITH THE POLICE.
590
00:23:03,683 --> 00:23:05,483
I THINK HE KILLED JOSH.
591
00:23:05,485 --> 00:23:06,817
PARKER:
I JUST NEED YOU TO STAY CALM.
592
00:23:06,819 --> 00:23:08,919
STAY WHERE YOU ARE,
ALL RIGHT?
593
00:23:08,921 --> 00:23:10,521
ALL RIGHT.
594
00:23:10,522 --> 00:23:12,122
PARKER:
DON'T SPEAK UNLESS IT'S SAFE,
YOU HEAR ME?
595
00:23:12,125 --> 00:23:13,391
(WHISPERING)
YES.
596
00:23:13,393 --> 00:23:15,126
NOW, CAN I ASK YOU
A FEW QUESTIONS?
597
00:23:15,128 --> 00:23:16,394
YEAH, OKAY.
598
00:23:16,396 --> 00:23:20,398
PARKER:
YOU'RE IN THE 11TH FLOOR
OFFICES OF PARADIGM,
599
00:23:20,400 --> 00:23:20,931
IS THAT RIGHT?
600
00:23:20,933 --> 00:23:22,166
YES.
601
00:23:22,167 --> 00:23:23,400
PARKER:
NOW, ARE YOU CONCEALED?
602
00:23:23,403 --> 00:23:25,270
I'M UNDER A DESK.
603
00:23:25,271 --> 00:23:27,138
PARKER:
THAT'S VERY GOOD.
NOW WHERE EXACTLY ARE YOU?
604
00:23:27,140 --> 00:23:28,973
ARE YOU NEAR AN EXIT?
605
00:23:28,975 --> 00:23:30,040
NO. UM...
606
00:23:30,042 --> 00:23:34,512
MIDDLE OF A BULLPEN.
IT'S THIRD FROM THE RIGHT.
607
00:23:34,514 --> 00:23:36,046
PARKER:
THAT'S WONDERFUL, ROSE,
608
00:23:36,048 --> 00:23:37,448
YOU'RE DOING GREAT.
609
00:23:37,450 --> 00:23:38,582
UH, DO YOU KNOW
WHERE OLIVER IS?
610
00:23:38,584 --> 00:23:40,668
CAN YOU HEAR HIM?
611
00:23:40,669 --> 00:23:42,753
I THINK I HEARD HIM
IN THE BOARDROOM.
612
00:23:44,157 --> 00:23:45,956
HE'S LOOKING FOR MARINA LEVIN.
613
00:23:45,958 --> 00:23:47,858
MARINA?
THAT'S HIS OLD BOSS?
614
00:23:47,860 --> 00:23:50,428
YES, HE...
615
00:23:50,430 --> 00:23:51,896
(BEEPS PHONE OFF)
616
00:23:51,898 --> 00:23:53,214
TRY CALLING HER BACK.
617
00:23:53,215 --> 00:23:54,531
NO; THAT'LL DRAW ATTENTION
TO HER.
618
00:23:54,534 --> 00:23:55,533
SPIKE:
MAYBE IT'S ON VIBRATE.
619
00:23:55,535 --> 00:23:56,934
I CAN'T RISK IT.
SHE WAS CUT OFF,
620
00:23:56,936 --> 00:23:58,702
OR SHE HUNG UP
FOR A REASON.
621
00:23:58,704 --> 00:24:00,171
THE ENTRANCE TO PARADIGM
IS HERE,
622
00:24:00,173 --> 00:24:01,539
TO THE LEFT OF RECEPTION.
623
00:24:01,541 --> 00:24:03,107
OKAY, GUYS,
NORTH STAIRS.
624
00:24:03,109 --> 00:24:04,575
EXTREME CAUTION,
625
00:24:04,576 --> 00:24:06,042
LETHAL ONLY
ON A DIRECT THREAT SITUATION.
626
00:24:06,045 --> 00:24:07,111
LET'S GO.
627
00:24:16,789 --> 00:24:17,855
MARINA?
628
00:24:19,592 --> 00:24:20,658
MARINA!
629
00:24:22,795 --> 00:24:25,129
SAM:
GO, GO!
CLEAR THE BUILDING!
630
00:24:29,535 --> 00:24:31,802
SARGE, I'VE GOT A MARINA LEVIN
COMING THROUGH 911.
631
00:24:31,804 --> 00:24:33,537
PATCH HER.
632
00:24:33,539 --> 00:24:35,973
MARINA,
MY NAME IS SERGEANT GREG PARKER.
633
00:24:35,975 --> 00:24:37,942
I'M WITH THE POLICE
STRATEGIC RESPONSE UNIT.
634
00:24:37,944 --> 00:24:39,710
WE'RE ON SCENE,
635
00:24:39,712 --> 00:24:42,480
AND WE'RE GONNA GET THIS
SITUATION UNDER CONTROL.
636
00:24:42,482 --> 00:24:43,547
(WHISPERING)
OKAY.
637
00:24:47,720 --> 00:24:49,207
HOW CAN I HELP?
638
00:24:49,208 --> 00:24:50,695
PARKER:
WELL, I NEED TO KNOW
WHERE EVERYONE IS,
639
00:24:50,696 --> 00:24:52,183
IF YOU CAN TELL ME.
640
00:24:52,184 --> 00:24:53,671
MARINA:
I'VE EVACUATED 11 COLLEAGUES,
641
00:24:53,672 --> 00:24:55,159
WHICH MEANS THERE'S TWO
UNACCOUNTED FOR,
642
00:24:55,161 --> 00:24:58,496
ROSE ALAVINI
AND JOSH SUGARMAN.
643
00:24:59,966 --> 00:25:01,632
I'M IN THE KITCHEN,
I'M GONNA GO FIND THEM.
644
00:25:01,634 --> 00:25:03,167
MARINA,
STAY WHERE YOU ARE.
645
00:25:03,169 --> 00:25:05,870
WE'VE SPOKEN TO ROSE,
WE KNOW SHE'S CONCEALED.
646
00:25:05,872 --> 00:25:07,472
WE THINK JOSH HAS BEEN SHOT,
647
00:25:07,473 --> 00:25:09,073
BUT WE'RE GONNA GET HELP TO HIM
AS SOON AS WE CAN.
648
00:25:12,178 --> 00:25:13,611
THAT WAS JOSH?
649
00:25:13,613 --> 00:25:15,579
LOOK, I CAN'T JUST...
I HAVE TO GO SEE HIM.
650
00:25:15,581 --> 00:25:16,780
PARKER:
LISTEN TO ME.
651
00:25:16,782 --> 00:25:18,182
YOU NEED TO STAY SAFE,
652
00:25:18,183 --> 00:25:19,583
YOU NEED TO STAY
WHERE YOU ARE.
653
00:25:19,585 --> 00:25:21,585
JUST LET US DO OUR JOB.
654
00:25:22,955 --> 00:25:25,523
NOW, JUST TELL ME
WHAT'S GOING ON WITH OLIVER?
655
00:25:25,525 --> 00:25:27,758
I UNDERSTAND HE RECENTLY
LOST HIS JOB.
656
00:25:27,760 --> 00:25:30,294
MARINA:
YEAH. I FIRED HIM.
657
00:25:30,296 --> 00:25:32,730
BUT THAT'S NOT
THE WHOLE PROBLEM.
658
00:25:32,732 --> 00:25:34,198
ABOUT A YEAR AGO,
659
00:25:34,200 --> 00:25:37,668
OLIVER DEVELOPED
A BIT OF A CRUSH ON ME.
660
00:25:37,670 --> 00:25:40,838
IT WAS CHARMING AT FIRST,
YOU KNOW?
661
00:25:40,840 --> 00:25:42,306
HARMLESS.
662
00:25:42,308 --> 00:25:44,208
BUT THEN HE SOMEHOW
GOT THE IDEA
663
00:25:44,210 --> 00:25:46,277
THAT THE FEELINGS
WERE MUTUAL.
664
00:25:46,279 --> 00:25:48,145
HE STARTED SENDING ME EMAILS,
665
00:25:48,147 --> 00:25:51,649
AND THERE WERE GIFTS
AT MY DOORSTEP, YOU KNOW.
666
00:25:51,651 --> 00:25:53,684
HE KNEW WHERE I LIVED
667
00:25:53,686 --> 00:25:57,121
AND HE CROSSED THE LINE
AT THE OFFICE.
668
00:25:57,123 --> 00:25:59,724
AND I TRIED,
669
00:25:59,725 --> 00:26:02,326
THERE WAS NOTHING I COULD DO
THAT WOULD DISCOURAGE HIM.
670
00:26:02,328 --> 00:26:05,162
I MEAN, IN HIS MIND,
WE'RE A COUPLE.
671
00:26:05,164 --> 00:26:08,299
THAT'S GREAT, MARINA.
THIS IS ALL REALLY IMPORTANT.
672
00:26:08,301 --> 00:26:09,600
THE LAST TIME YOU SAW HIM,
673
00:26:09,601 --> 00:26:10,900
WAS THAT WHEN YOU TOLD HIM
YOU HAD TO LET HIM GO?
674
00:26:12,204 --> 00:26:13,971
I THOUGHT I DID EVERYTHING
RIGHT, YOU KNOW?
675
00:26:15,575 --> 00:26:17,975
I... I LET HIM DOWN GENTLY.
676
00:26:17,977 --> 00:26:19,710
I REINFORCED HIS SELF-ESTEEM,
677
00:26:19,712 --> 00:26:22,613
I, I TOLD HIM THAT...
678
00:26:22,615 --> 00:26:24,131
FOR SOMEONE OF HIS SKILL LEVEL
679
00:26:24,132 --> 00:26:25,648
THERE WOULD BE PLENTY
OF OPPORTUNITIES
680
00:26:25,651 --> 00:26:27,952
BEYOND PARADIGM.
681
00:26:27,953 --> 00:26:30,254
I, I-I EVEN PROMISED HIM
COMPLETE DISCRETION
682
00:26:30,256 --> 00:26:32,707
AS TO THE TERMS
OF HIS TERMINATION
683
00:26:32,708 --> 00:26:35,159
IF HE WOULD PROMISE
TO STOP CONTACTING ME.
684
00:26:37,597 --> 00:26:39,163
HE JUST...
685
00:26:39,165 --> 00:26:41,365
HE SMILED,
686
00:26:41,367 --> 00:26:42,833
SHOOK MY HAND.
687
00:26:45,605 --> 00:26:46,837
I THOUGHT IT WORKED.
688
00:26:52,712 --> 00:26:54,311
OLIVER:
ROSE, GET OUT FROM UNDER THERE!
689
00:26:54,313 --> 00:26:55,713
COME ON, STAND UP!
690
00:26:55,715 --> 00:26:57,681
HE'S FOUND HER.
691
00:26:57,683 --> 00:26:58,983
(PANICKED BREATHS)
692
00:26:58,985 --> 00:27:01,051
PARKER: ON ME!
ED: LET'S GO, GO, GO!
693
00:27:02,688 --> 00:27:04,388
STAND UP.
694
00:27:04,390 --> 00:27:05,856
COME ON!
695
00:27:05,858 --> 00:27:07,191
STAND UP!
696
00:27:20,172 --> 00:27:21,405
COME ON, WHAT'RE YOU DOING
SNEAKING AROUND?
697
00:27:23,909 --> 00:27:25,709
WHERE'S MARINA?
698
00:27:27,813 --> 00:27:31,281
ROSE:
I DON'T KNOW.
I THINK SHE'S GONE.
699
00:27:32,251 --> 00:27:34,251
NOT BUYING IT,
ROSE.
700
00:27:34,253 --> 00:27:35,319
RAF, LET'S GET EYES.
701
00:27:35,321 --> 00:27:36,654
MM-HM.
702
00:27:36,655 --> 00:27:37,988
ROSE:
SERIOUSLY, OLLIE, SHE...
703
00:27:37,990 --> 00:27:39,190
THE LAST I SAW HER
704
00:27:39,191 --> 00:27:40,391
SHE WAS HELPING PEOPLE
TO GET OUT
705
00:27:40,393 --> 00:27:42,109
AND MAYBE SHE GOT OUT TOO.
706
00:27:42,110 --> 00:27:43,826
I DON'T KNOW, I'VE BEEN HERE.
I DIDN'T SEE.
707
00:27:43,829 --> 00:27:45,896
OLIVER:
SHE LEFT? I'D HAVE SEEN HER!
YOU THINK I'M BLIND?
708
00:27:45,898 --> 00:27:48,399
GOD, WHAT IS WRONG
WITH ALL OF YOU?!
709
00:27:48,401 --> 00:27:50,067
THE WEAPON IS DOWN.
710
00:27:50,069 --> 00:27:51,335
SPIKE, LESS-LETHAL;
711
00:27:51,337 --> 00:27:52,903
SAM, LETHAL
IF HE THREATENS ROSE.
712
00:27:52,905 --> 00:27:53,971
LET'S MOVE.
713
00:27:59,679 --> 00:28:00,678
I'M GONNA FIND HER
EVENTUALLY,
714
00:28:00,680 --> 00:28:01,963
SO, YOU KNOW,
715
00:28:01,964 --> 00:28:03,247
YOU WANNA SHOW ME
A LITTLE GOOD WILL HERE?
716
00:28:03,249 --> 00:28:04,882
IT'S ME HE WANTS.
I SHOULD JUST GO.
717
00:28:04,884 --> 00:28:06,350
PARKER:
MARINA, JUST STAY
WHERE YOU ARE.
718
00:28:06,352 --> 00:28:07,618
WE'RE INSIDE YOUR OFFICES
719
00:28:07,619 --> 00:28:08,885
AND WE'RE NOT GONNA LET HIM
HURT HER.
720
00:28:08,888 --> 00:28:10,320
WE'RE GONNA TRY
TO TALK THIS OUT.
721
00:28:10,322 --> 00:28:12,022
WHAT IF HE TRIES
TO SHOOT HER TOO?
722
00:28:13,759 --> 00:28:14,992
THEN WE PROTECT HER.
723
00:28:18,898 --> 00:28:20,514
YOU KILL HIM?
724
00:28:20,515 --> 00:28:22,131
MARINA, I'M SORRY,
JOSH WAS SHOT DEAD.
725
00:28:23,402 --> 00:28:24,602
(CHOKES BACK TEARS,
STIFLES CRIES)
726
00:28:24,603 --> 00:28:25,803
YOU'RE NOT TAKING ME
SERIOUSLY.
727
00:28:25,805 --> 00:28:27,738
YOU'RE TRYING
TO KEEP US APART
728
00:28:27,740 --> 00:28:28,806
JUST LIKE EVERYONE ELSE
HERE.
729
00:28:28,808 --> 00:28:31,709
I WANNA SEE HER
RIGHT NOW!
730
00:28:31,711 --> 00:28:32,910
IT'S ME HE WANTS.
731
00:28:33,846 --> 00:28:35,746
IF I GO IN THERE,
HE'LL LET ROSE GO.
732
00:28:35,748 --> 00:28:37,848
PARKER:
NO, IT'S NOT THAT SIMPLE.
THE MAN IS NOT WELL.
733
00:28:38,984 --> 00:28:42,886
BUT IF I ASK HIM TO LET ROSE GO,
HE'LL LISTEN TO ME.
734
00:28:42,888 --> 00:28:44,254
I MEAN, IF HE LOVES ME,
HE WON'T HURT ME.
735
00:28:44,256 --> 00:28:45,789
PARKER:
MARINA, LISTEN TO ME.
736
00:28:45,791 --> 00:28:47,891
ALL RIGHT,
PEOPLE LIKE THIS,
737
00:28:47,893 --> 00:28:49,626
IF THEY'RE DISAPPOINTED,
738
00:28:49,627 --> 00:28:51,360
SOMETIMES THEY'LL WANNA HURT
THE PERSON THAT THEY LOVE,
739
00:28:51,363 --> 00:28:52,896
EVEN KILL THEM.
740
00:28:54,200 --> 00:28:56,133
WHAT'S OUR OTHER OPTION?
741
00:28:56,135 --> 00:28:59,303
WAIT AROUND FOR SOMEONE ELSE
TO GET SHOT?
742
00:28:59,305 --> 00:29:01,305
WHAT,
YOU THINK I DONT KNOW?
743
00:29:01,307 --> 00:29:02,873
YOU THINK I'M AN IDIOT?
744
00:29:02,875 --> 00:29:04,808
I CAN SEE THAT JOSH
GOT ALL HIS FRIENDS
745
00:29:04,810 --> 00:29:07,377
TO TALK TO HER ABOUT ME
BEHIND MY BACK.
746
00:29:07,379 --> 00:29:09,079
HANDGUN'S IN PLAY,
HE'S RAISING THE WEAPON.
747
00:29:09,081 --> 00:29:10,748
STAND BY, SIERRAS.
748
00:29:11,484 --> 00:29:12,850
THIS IS MY FAULT.
749
00:29:12,852 --> 00:29:14,852
IT'S BETTER ME IN THERE
THAN ROSE.
750
00:29:14,854 --> 00:29:15,919
MARINA?
751
00:29:15,921 --> 00:29:16,987
(WHIMPERS)
752
00:29:21,494 --> 00:29:22,760
MARINA?
753
00:29:23,963 --> 00:29:25,329
OLIVER!
I'M RIGHT HERE.
754
00:29:31,804 --> 00:29:32,803
OLIVER?
755
00:29:32,805 --> 00:29:33,937
MARINA?
756
00:29:33,939 --> 00:29:35,272
RAF:
WEAPON'S LOWERED.
757
00:29:35,274 --> 00:29:37,007
SHOULDERS HAVE DROPPED,
HE'S LOOSER.
758
00:29:37,009 --> 00:29:38,375
STAND BY, SIERRAS.
759
00:29:41,247 --> 00:29:42,846
OLIVER,
WHERE ARE YOU?
760
00:29:42,848 --> 00:29:45,249
MARINA, I CAN STILL HEAR YOU.
ARE YOU ON A BLUETOOTH?
761
00:29:45,251 --> 00:29:46,567
MM-HM.
762
00:29:46,568 --> 00:29:47,884
PARKER:
OKAY, THAT'S GOOD.
763
00:29:47,885 --> 00:29:49,201
JUST TRY TO CONCEAL IT
AND KEEP ME WITH YOU,
764
00:29:49,202 --> 00:29:50,518
BUT YOU'VE GOT TO FOLLOW
MY INSTRUCTIONS.
765
00:29:50,523 --> 00:29:52,022
PROMISE ME
THAT YOU'LL DO THAT.
766
00:29:53,359 --> 00:29:55,926
PARKER: MARINA?
MARINA: MM-HM.
767
00:29:57,429 --> 00:29:58,962
MARINA.
768
00:29:58,964 --> 00:30:00,330
HEY, OLIVER.
769
00:30:03,235 --> 00:30:04,434
PARKER:
OKAY, JUST ACT NATURAL.
770
00:30:04,436 --> 00:30:06,870
IT'S JUST A VISIT
TO THE OFFICE.
771
00:30:06,872 --> 00:30:09,306
MARINA:
HOW YOU BEEN?
772
00:30:09,308 --> 00:30:12,476
OLIVER:
YOU KNOW, BUSY.
WORKING HARD.
773
00:30:12,478 --> 00:30:14,912
MARINA:
YEAH? THAT'S GOOD.
774
00:30:16,982 --> 00:30:18,982
GOD, I MISSED YOU.
775
00:30:20,286 --> 00:30:21,351
MISSED YOU TOO.
776
00:30:21,353 --> 00:30:22,586
CAREFUL.
777
00:30:22,588 --> 00:30:24,421
CAREFUL.
HE'S SENSITIVE TO LIES.
778
00:30:24,423 --> 00:30:27,958
IF HE THINKS YOU'RE LYING,
HE COULD LASH OUT.
779
00:30:27,960 --> 00:30:30,894
SORRY,
I KEPT YOU WAITING.
780
00:30:30,896 --> 00:30:32,262
WE GOTTA GET ROSE
OUT OF RANGE.
781
00:30:32,264 --> 00:30:34,431
ROSE HAS A KID;
THERE'S A PICTURE ON HER DESK.
782
00:30:34,433 --> 00:30:35,432
ED:
WHERE YOU GOING WITH THIS?
783
00:30:35,434 --> 00:30:37,301
RAF:
USE HIS DELUSION -
784
00:30:37,302 --> 00:30:39,169
HE WANTS MARINA,
HE WANTS THINGS NORMAL.
785
00:30:39,171 --> 00:30:40,337
WE CAN ENABLE THAT.
786
00:30:40,338 --> 00:30:41,504
TELL HIM SHE'S GOTTA GO
PICK UP HER KID.
787
00:30:41,507 --> 00:30:43,390
MARINA, WE NEED TO GET ROSE
OUTTA THERE,
788
00:30:43,391 --> 00:30:45,274
BUT WE NEED OLIVER TO THINK
THAT HE'S IN CONTROL.
789
00:30:45,277 --> 00:30:47,911
CAN YOU TELL HIM THAT
ROSE NEEDS TO PICK UP HER KID?
790
00:30:47,913 --> 00:30:48,979
OLLIE,
791
00:30:48,981 --> 00:30:51,231
ROSE NEEDS TO PICK UP
HER DAUGHTER
792
00:30:51,232 --> 00:30:53,482
FOR A VALENTINE'S PARTY
BY FOUR,
793
00:30:53,485 --> 00:30:57,154
DO YOU THINK IT'S OKAY
IF SHE GETS GOING?
794
00:30:58,257 --> 00:31:00,891
OH. YEAH, NO.
FINE. SURE.
795
00:31:01,627 --> 00:31:02,893
THANK YOU, OLLIE.
796
00:31:05,631 --> 00:31:07,397
(BREATHES SHAKILY)
797
00:31:12,972 --> 00:31:14,438
RAF:
HOW'RE YOU DOING, ROSE?
YOU OKAY?
798
00:31:14,440 --> 00:31:16,423
IT'S OKAY,
YOU'RE SAFE NOW.
799
00:31:16,424 --> 00:31:18,407
JULES:
HANDING OFF A HOSTAGE,
NORTH STAIRWELL.
800
00:31:18,410 --> 00:31:20,077
PARKER:
THAT'S GREAT, MARINA.
THAT'S GREAT.
801
00:31:20,079 --> 00:31:23,447
NOW ALL WE GOTTA DO
IS GET RID OF THE GUN.
802
00:31:24,516 --> 00:31:27,317
LET'S SIT DOWN FOR A SEC.
803
00:31:27,319 --> 00:31:29,319
PARKER:
IT'S OKAY.
IT'S OKAY TO SIT DOWN.
804
00:31:30,356 --> 00:31:33,891
I GOT HIM, BUT IF HE MOVES,
I LOSE HIM.
805
00:31:35,027 --> 00:31:36,360
ED:
HE GOES BEHIND THAT COLUMN
AGAIN,
806
00:31:36,362 --> 00:31:38,462
WE BOTH LOSE THE SHOT.
807
00:31:38,464 --> 00:31:41,331
SO...
HERE WE ARE.
808
00:31:41,333 --> 00:31:42,532
YEAH.
809
00:31:42,534 --> 00:31:44,534
I'VE BEEN IMAGINING THIS -
810
00:31:44,536 --> 00:31:47,404
SEEING YOU AGAIN AND AGAIN
AND, UH...
811
00:31:47,406 --> 00:31:49,239
I DON'T KNOW,
812
00:31:49,241 --> 00:31:51,441
SOMEHOW NOW THAT IT'S HAPPENING
IT JUST DOESN'T FEEL REAL.
813
00:31:51,443 --> 00:31:53,510
DO YOU KNOW WHAT I MEAN?
814
00:31:53,512 --> 00:31:54,444
YEAH.
815
00:31:57,449 --> 00:32:00,350
I, UH...
I WAS ANGRY BEFORE -
816
00:32:01,453 --> 00:32:02,920
THE LAST TIME
WE WERE TOGETHER -
817
00:32:02,922 --> 00:32:04,955
AND I JUST WANT YOU TO KNOW
818
00:32:04,957 --> 00:32:08,959
THAT I DON'T BLAME YOU
FOR LETTING ME GO.
819
00:32:10,596 --> 00:32:15,332
AND, UM, I'VE BEEN THINKING
ABOUT IT A LOT,
820
00:32:15,334 --> 00:32:20,103
AND I THINK I UNDERSTAND NOW
WHY YOU HAD TO DO IT.
821
00:32:20,105 --> 00:32:22,039
YOU DO?
822
00:32:22,041 --> 00:32:24,074
YOU DIDN'T HAVE A CHOICE.
823
00:32:24,076 --> 00:32:25,475
THAT'S RIGHT.
824
00:32:25,477 --> 00:32:27,611
I'M SO GLAD YOU UNDERSTAND NOW,
OLLIE.
825
00:32:27,613 --> 00:32:29,346
BOSS/EMPLOYEE RELATIONSHIPS,
826
00:32:29,348 --> 00:32:30,447
YEAH.
NOT SO GOOD.
827
00:32:30,449 --> 00:32:32,249
NO. THAT'S RIGHT.
828
00:32:32,251 --> 00:32:34,151
AND SO YOU HAD A REALLY
TOUGH CHOICE TO MAKE,
829
00:32:34,153 --> 00:32:35,686
WHICH I RESPECT.
830
00:32:35,688 --> 00:32:39,022
AND, UM,
NOW THAT'S OUTTA THE WAY,
831
00:32:39,959 --> 00:32:42,459
WE CAN BE TOGETHER.
832
00:32:42,461 --> 00:32:44,027
PARKER:
CAREFUL, MARINA. CAREFUL.
833
00:32:44,029 --> 00:32:46,496
JUST BE AS HONEST
AS YOU CAN.
834
00:32:48,133 --> 00:32:50,217
I DON'T KNOW WHAT TO SAY.
835
00:32:50,218 --> 00:32:52,302
PARKER:
THAT'S OKAY,
JUST KEEP LISTENING TO HIM.
836
00:32:52,304 --> 00:32:54,571
JUST BUY US SOME MORE TIME
'TIL WE GET THAT GUN AWAY
837
00:32:54,573 --> 00:32:56,506
AND GET YOU HOME.
838
00:32:56,508 --> 00:32:57,507
IT'S OKAY,
839
00:32:57,509 --> 00:32:59,609
YOU DON'T HAVE
TO SAY ANYTHING.
840
00:32:59,611 --> 00:33:02,479
I, UM, I'VE GOT SOMETHING
FOR YOU.
841
00:33:02,481 --> 00:33:05,282
WELL, ACTUALLY,
TWO THINGS.
842
00:33:05,284 --> 00:33:08,485
THIS IS SOMETHING
I'VE BEEN WORKING ON.
843
00:33:08,487 --> 00:33:11,722
IT'S UM...
IT'S FOR YOU TO READ.
844
00:33:16,695 --> 00:33:18,762
OUT LOUD, I MEANT.
845
00:33:25,471 --> 00:33:27,471
(READING)
"UNTIL I KNEW YOU,
846
00:33:27,473 --> 00:33:29,573
I DID NOT KNOW LIFE...
847
00:33:30,676 --> 00:33:32,376
COULD BE AS RICH
WITH MEANING
848
00:33:32,378 --> 00:33:34,745
OR DENSE WITH DELIGHT.
849
00:33:37,249 --> 00:33:40,517
UNTIL I SAW YOU,
MY EYES NEVER KNEW...
850
00:33:40,519 --> 00:33:45,188
THE TASTE OF BEAUTY,
OR THE DARK FROM LIGHT."
851
00:33:46,325 --> 00:33:48,158
IT'S OKAY.
IT'S OKAY, IT'S OKAY.
852
00:33:48,160 --> 00:33:49,760
I'M NERVOUS TOO.
853
00:33:49,762 --> 00:33:51,595
LOOK AT THIS.
854
00:33:51,597 --> 00:33:52,662
GO ON.
855
00:33:59,638 --> 00:34:01,204
"THE SWEETNESS
OF ALL MYSTERIES
856
00:34:01,206 --> 00:34:03,707
WAS BROUGHT INTO MY SIGHT;
857
00:34:04,643 --> 00:34:06,676
UNTIL I KNEW YOU,
858
00:34:07,613 --> 00:34:09,146
I DID NOT KNOW LIFE."
859
00:34:09,148 --> 00:34:10,547
MARINA...
860
00:34:14,686 --> 00:34:15,752
WILL YOU MARRY ME?
861
00:34:18,757 --> 00:34:20,357
OH MY GOD!
862
00:34:21,493 --> 00:34:22,826
I KNOW.
863
00:34:22,828 --> 00:34:24,261
TAKE IT.
864
00:34:26,832 --> 00:34:28,498
IT'S BEAUTIFUL.
865
00:34:29,435 --> 00:34:32,636
IT'S JUST...
IT'S TOO MUCH.
866
00:34:32,638 --> 00:34:35,639
DON'T SAY THAT,
YOU DESERVE IT.
867
00:34:35,640 --> 00:34:38,641
YOU... YOU DESERVE
EVERY WONDERFUL THING THERE IS.
868
00:34:41,580 --> 00:34:43,480
WELL?
869
00:34:43,482 --> 00:34:45,482
MARINA:
I JUST...
870
00:34:46,785 --> 00:34:48,351
I DON'T KNOW WHAT TO SAY?
871
00:34:48,353 --> 00:34:50,687
YES YOU DO.
YOU KNOW YOU DO.
872
00:34:51,623 --> 00:34:53,723
DON'T BE SCARED.
873
00:35:04,169 --> 00:35:05,869
WHAT'S WRONG?
874
00:35:05,871 --> 00:35:09,172
OLIVER: WHAT'S WRONG?
MARINA: NOTHING.
875
00:35:09,174 --> 00:35:10,740
I NEED TO THINK ABOUT IT.
876
00:35:10,742 --> 00:35:12,542
THINK ABOUT IT?
877
00:35:13,579 --> 00:35:14,644
THINK?
878
00:35:16,582 --> 00:35:18,248
MARINA...
879
00:35:18,250 --> 00:35:20,717
IS THIS UM...
IS THIS NO?
880
00:35:22,588 --> 00:35:24,754
PARKER:
MARINA, JUST STEP AWAY.
881
00:35:24,756 --> 00:35:26,423
IT'S TIME TO STEP AWAY.
882
00:35:26,425 --> 00:35:27,791
WHAT'RE YOU GOING TO DO?
883
00:35:27,793 --> 00:35:28,825
WHAT DO YOU MEAN?
884
00:35:28,827 --> 00:35:30,460
PARKER:
JUST STEP AWAY.
885
00:35:30,462 --> 00:35:33,130
IT'S NO LONGER SAFE,
JUST WALK AWAY.
886
00:35:33,132 --> 00:35:34,664
PLEASE, DON'T.
887
00:35:36,735 --> 00:35:38,635
NO.
888
00:35:38,637 --> 00:35:40,337
I... I CAN'T.
889
00:35:40,339 --> 00:35:41,638
WHAT DO YOU MEAN,
YOU CAN'T?
890
00:35:41,640 --> 00:35:42,656
MARINA,
IT'S NO LONGER SAFE.
891
00:35:42,657 --> 00:35:43,673
YOU NEED TO GET OUTTA THERE
NOW.
892
00:35:43,675 --> 00:35:45,509
I JUST...
893
00:35:45,511 --> 00:35:47,310
I DON'T WANNA
SEE YOU HURT.
894
00:35:47,312 --> 00:35:49,713
I CAN'T DO THIS.
895
00:35:50,649 --> 00:35:52,516
ARE YOU BREAKING UP
WITH ME?
896
00:35:52,518 --> 00:35:54,684
MARINA, WALK AWAY NOW.
897
00:35:54,686 --> 00:35:55,752
YOU'RE BREAKING UP
WITH ME?!
898
00:35:55,754 --> 00:35:56,820
(GUNSHOT POPS)
899
00:36:15,741 --> 00:36:19,643
(MELODIC SINGING
AND MUSIC PLAYS)
900
00:36:19,645 --> 00:36:29,686
¶¶¶
901
00:36:29,688 --> 00:36:34,658
¶¶¶
902
00:36:34,660 --> 00:36:44,701
¶¶¶
903
00:36:44,703 --> 00:36:50,974
¶¶¶
904
00:36:50,976 --> 00:36:52,475
PARKER:
IT'S GONNA BE OKAY,
COME ON.
905
00:36:52,477 --> 00:36:53,543
LET'S GET YOU AWAY
M HERE.
906
00:36:53,545 --> 00:36:54,611
COME ON.
907
00:36:55,714 --> 00:36:57,781
(CRYING)
IT'S YOU.
908
00:36:59,718 --> 00:37:00,917
IT'S OKAY.
909
00:37:02,287 --> 00:37:03,353
IT'S OKAY.
910
00:37:04,489 --> 00:37:14,531
¶¶¶
911
00:37:14,533 --> 00:37:20,003
¶¶¶
912
00:37:20,005 --> 00:37:23,840
SPIKE:
"3:45 PM, LETHAL FORCE
DEPLOYED BY ED LANE,
913
00:37:23,842 --> 00:37:25,809
SUBJECT NEUTRALIZED."
914
00:37:25,811 --> 00:37:27,711
"NEUTRALIZED."
WOW.
915
00:37:27,713 --> 00:37:29,546
HOW'D THE INQUISITION GO?
916
00:37:29,548 --> 00:37:32,582
NOT A LOT TO TALK ABOUT;
IT WAS HIS LIFE OR HERS.
917
00:37:32,584 --> 00:37:34,451
PARKER:
ALL RIGHT,
YOU HAVE ANYTHING TO ASK?
918
00:37:34,453 --> 00:37:35,518
QUESTIONS?
919
00:37:37,022 --> 00:37:39,289
I'M HERE IF YOU NEED ME.
920
00:37:41,326 --> 00:37:43,326
ED:
RAF, YOU GOT A SEC?
921
00:37:44,730 --> 00:37:46,763
I KNOW. I KNOW.
922
00:37:46,764 --> 00:37:48,797
I MADE A HIGH-RISK ENTRY TODAY
WITHOUT BEING CLEARED.
923
00:37:48,800 --> 00:37:50,734
YOU WERE GOING TO,
BUT YOU WEREN'T.
924
00:37:50,736 --> 00:37:54,471
YOU USED UP
YOUR ONE ROOKIE MISTAKE.
925
00:37:54,473 --> 00:37:56,740
PARKER:
THAT SAID,
THE INTERVENTION WITH FREYA,
926
00:37:56,742 --> 00:37:58,608
I LIKED WHAT YOU SAID
ABOUT WORDS
927
00:37:58,610 --> 00:38:00,710
INSTEAD OF WEAPONS.
928
00:38:01,647 --> 00:38:02,979
TRUE STORY,
I TAKE IT?
929
00:38:06,685 --> 00:38:08,652
YOU DON'T LIE
TO A SUBJECT.
930
00:38:09,588 --> 00:38:11,755
ED, YOU ALREADY KNOW ME,
MAN.
931
00:38:11,757 --> 00:38:12,756
I LEARN FAST
932
00:38:16,862 --> 00:38:18,128
AND I ONLY NEED
TO LEARN ONCE.
933
00:38:18,129 --> 00:38:19,395
SPIKE:
HEY, WE'RE ALL GONNA GO
TO THE GOOSE AFTER FOR A BEER.
934
00:38:19,398 --> 00:38:20,930
YOU GUYS WANNA JOIN US
WHEN YOU'RE DONE?
935
00:38:22,634 --> 00:38:24,000
PARKER:
WE'RE DONE.
936
00:38:24,002 --> 00:38:27,404
ED:
NOT FOR ME, SPIKE;
PLACE I GOTTA BE.
937
00:38:27,406 --> 00:38:28,872
VALENTINE'S DAY STUFF?
938
00:38:28,874 --> 00:38:30,440
TRADITION,
WHAT CAN I TELL YA.
939
00:38:30,442 --> 00:38:31,775
SAY HI TO SOPHIE.
940
00:38:31,777 --> 00:38:32,942
JULES:
YOU WANNA GO?
941
00:38:32,944 --> 00:38:34,911
RAF:
I GOT SOMEPLACE
I GOTTA BE TOO.
942
00:38:34,913 --> 00:38:36,813
SOMEONE SPECIAL?
943
00:38:37,783 --> 00:38:39,783
YOU GUYS WANNA JOIN ME?
944
00:38:40,719 --> 00:38:42,719
JULES:
OKAY.
945
00:38:42,721 --> 00:38:44,654
TEAM:
LET'S GO.
946
00:38:44,656 --> 00:38:45,855
(LOW HUM OF CHATTER)
947
00:38:48,493 --> 00:38:49,726
SPIKE:
NATALIE!
948
00:38:49,728 --> 00:38:51,361
HI.
949
00:38:51,363 --> 00:38:52,752
HEY, GUYS!
950
00:38:52,753 --> 00:38:54,142
SAM, JULES AND SPIKE:
HEY! HEY, NAT!
951
00:38:54,143 --> 00:38:55,532
NAT: CAN I SIT HERE?
SPIKE: YEAH. SURE.
952
00:38:56,968 --> 00:38:58,401
WAITRESS: BEER?
NATALIE: ONE, THANKS.
953
00:38:58,403 --> 00:38:59,869
YOUR SISTER CAME.
954
00:38:59,871 --> 00:39:01,182
NATALIE: HI!
SPIKE: HOW ARE YOU?
955
00:39:01,183 --> 00:39:02,494
NATALIE: I'M GOOD, HOW ARE YOU?
SPIKE: I'M GOOD TOO.
956
00:39:02,495 --> 00:39:03,806
RAF:
WHAT'S HAPPENING, Y'ALL?
957
00:39:03,809 --> 00:39:05,542
(AUDIENCE APPLAUDS AND CHEERS)
958
00:39:06,478 --> 00:39:07,544
SPIKE:
RAF!
959
00:39:12,918 --> 00:39:15,585
(SINGING)
¶ A SECOND THOUGHT ¶
960
00:39:16,521 --> 00:39:19,055
¶ A SECOND SHOT ¶
961
00:39:19,991 --> 00:39:22,459
¶ A SUDDEN DARE ¶
962
00:39:23,395 --> 00:39:25,929
¶ TO TAKE IT THERE ¶
963
00:39:25,931 --> 00:39:28,732
¶ SO HARD TO DEFINE IT ¶
964
00:39:29,668 --> 00:39:33,002
¶ BUT WHEN YOU FIND IT ¶
965
00:39:33,939 --> 00:39:36,406
¶ YOU'RE IN LOVE ¶
966
00:39:37,142 --> 00:39:39,843
¶ YOU'RE IN LOVE ¶
967
00:39:40,779 --> 00:39:42,912
¶ A SIMPLE GLANCE ¶
968
00:39:43,849 --> 00:39:45,382
¶ A SIMPLE THANKS ¶
969
00:39:46,118 --> 00:39:50,954
¶ A PRECARIOUS CHOICE
TAMED BY WORDS ¶
970
00:39:50,956 --> 00:39:52,622
¶ A SIMPLE VOICE ¶
971
00:39:52,624 --> 00:39:54,991
¶ OH, IT'S SO HARD
TO DEFINE IT ¶
972
00:39:56,928 --> 00:39:59,529
¶ OH, WHEN YOU FIND IT ¶
973
00:40:00,465 --> 00:40:02,699
¶ OOH, YOU WILL KNOW ¶
974
00:40:04,636 --> 00:40:09,672
¶ IT CAN MAKE YOU DO THINGS
SO UNTHINKABLE ¶
975
00:40:11,510 --> 00:40:14,010
¶ IT CAN BE SO CONFUSING ¶
976
00:40:14,012 --> 00:40:16,146
¶ AND MAKE NO SENSE AT ALL ¶
977
00:40:17,716 --> 00:40:20,750
¶ IT CAN MAKE IT YOU HAPPY
AND RAISE YOU ¶
978
00:40:21,686 --> 00:40:23,686
¶ NEVER THOUGHT YOU WOULD ¶
979
00:40:24,055 --> 00:40:26,489
¶ OR EVEN THINK YOU COULD ¶
980
00:40:27,426 --> 00:40:31,161
¶ IT IS ALL MISUNDERSTOOD ¶
981
00:40:33,098 --> 00:40:34,731
TO THE FIREFLIES.
982
00:40:35,667 --> 00:40:37,667
TO THE FIREFLIES.
983
00:40:40,472 --> 00:40:43,139
RAF: (SINGING)
¶ I'M TALKING 'BOUT LOVE ¶
984
00:40:44,075 --> 00:40:45,475
¶ LOVE, LOVE, LOVE ¶
985
00:40:47,212 --> 00:40:49,879
¶ OH-OH... ¶
986
00:40:50,816 --> 00:40:51,881
¶ OH-OH... ¶
987
00:40:52,818 --> 00:40:54,050
(KNOCK AT THE DOOR)
988
00:40:55,053 --> 00:40:56,719
WOMAN:
THANK YOU.
989
00:40:57,656 --> 00:40:59,956
HI. GLAD I CAUGHT YOU.
990
00:40:59,958 --> 00:41:01,958
I DIDN'T THINK
YOU'D STILL BE HERE.
991
00:41:01,960 --> 00:41:03,693
HOW'RE YOU DOING?
992
00:41:09,100 --> 00:41:10,967
HOW ARE YOU DOING?
993
00:41:10,969 --> 00:41:13,069
UM...
994
00:41:13,071 --> 00:41:14,070
I MEAN, CONSIDERING...
995
00:41:14,072 --> 00:41:15,138
I KNOW. I KNOW.
996
00:41:18,076 --> 00:41:19,075
ALL I KEPT THINKING...
997
00:41:19,077 --> 00:41:20,977
I MEAN,
I'M ANSWERING QUESTIONS,
998
00:41:20,979 --> 00:41:23,546
AND MORE QUESTIONS,
AND ALL THE DETAILS...
999
00:41:23,548 --> 00:41:24,681
YEAH, I KNOW,
IT'S HARD.
1000
00:41:24,683 --> 00:41:26,749
BUT THAT'S NOT IT.
1001
00:41:27,986 --> 00:41:29,803
ALL I KEPT THINKING
1002
00:41:29,804 --> 00:41:31,621
WAS I FORGOT
TO THANK THAT MAN,
1003
00:41:31,623 --> 00:41:32,622
AND HE'S GONE
1004
00:41:32,624 --> 00:41:33,957
AND I NEVER EVEN
SAID THANK YOU.
1005
00:41:33,959 --> 00:41:36,693
OH, THAT'S OKAY.
YOU DON'T HAVE TO THANK US.
1006
00:41:36,695 --> 00:41:38,027
YOU HAD A LOT GOING ON.
1007
00:41:38,029 --> 00:41:39,062
SHUT UP.
1008
00:41:42,968 --> 00:41:44,167
THANK YOU.
1009
00:41:45,570 --> 00:41:47,170
YOU'RE WELCOME.
1010
00:41:48,240 --> 00:41:51,074
HOW ABOUT YOU?
HOW ARE YOU DOING?
1011
00:41:52,010 --> 00:41:53,076
I'M...
1012
00:41:56,081 --> 00:41:58,147
(EXHALES SLOWLY)
1013
00:41:58,149 --> 00:42:02,151
DO YOU HAVE TIME
FOR A CUP OF COFFEE?
1014
00:42:02,153 --> 00:42:04,387
YEAH.
1015
00:42:04,388 --> 00:42:06,622
RAF: (SINGING)
¶ IT'S SO HARD TO DEFINE IT ¶
1016
00:42:07,559 --> 00:42:09,893
¶ OH, WHEN YOU FIND IT,
OH, YOU WILL KNOW ¶