1 00:00:06,741 --> 00:00:08,007 GUYS. 2 00:00:12,380 --> 00:00:17,583 (AUDITORIUM DOORS OPEN) 3 00:00:17,585 --> 00:00:19,685 ED: I'M A POLICE OFFICER, MY NAME'S ED LANE. 4 00:00:19,687 --> 00:00:21,286 YOUNG MAN: LEAVE ME ALONE! 5 00:00:21,288 --> 00:00:22,738 ED: I CAN'T DO THAT. 6 00:00:22,739 --> 00:00:24,189 I CAN'T JUST LEAVE YOU ALONE TRYING TO KILL YOURSELF. 7 00:00:28,262 --> 00:00:29,595 SAM: OKAY, WE CAN'T JUST RUSH 'EM, ED, 8 00:00:29,597 --> 00:00:31,363 SO YOU NEED TO BUY US SOME TIME. 9 00:00:31,365 --> 00:00:33,532 PARKER: EDDIE, YOU GOTTA TAKE THE PRESSURE OFF. 10 00:00:35,336 --> 00:00:36,702 ED: FAMILIES JUST GO THROUGH A LITTLE BIT OF STRAIN, 11 00:00:36,704 --> 00:00:38,587 THAT'S ALL, AND I GET THAT. 12 00:00:38,588 --> 00:00:40,471 YOUNG MAN: NO, YOU DON'T GET TO SAY YOU GET IT. 13 00:00:40,474 --> 00:00:42,074 'CAUSE HOW COULD YOU GET IT? 14 00:00:42,076 --> 00:00:45,144 HOW? HOW COULD YOU EVEN KNOW?! 15 00:00:52,520 --> 00:00:57,056 (FIRECRACKERS POP AND WHIZ, KIDS CHATTER AND LAUGH) 16 00:00:58,659 --> 00:01:00,392 (FIRECRACKERS POP AND WHISTLE) 17 00:01:00,394 --> 00:01:02,094 BOY: WHAT'S THAT? 18 00:01:02,830 --> 00:01:04,263 WHOA, DUDE, DON'T. 19 00:01:04,265 --> 00:01:05,497 MAN, RELAX. IT'S DONE. 20 00:01:05,499 --> 00:01:07,599 GIRLFRIEND: JOE, COME ON, JUST CHILL. 21 00:01:07,601 --> 00:01:11,203 (HIP HOP MUSIC PLAYS ON A RADIO) 22 00:01:12,440 --> 00:01:14,807 (KIDS CHATTER AND LAUGH) 23 00:01:16,544 --> 00:01:19,111 BOY: WHAT'RE YOU DOING, TYANNA? 24 00:01:19,113 --> 00:01:20,446 NOTHING. I'M LOOKING FOR SOMEONE. 25 00:01:20,448 --> 00:01:22,514 OH YEAH? ARE YOU FEELING LONELY? 26 00:01:22,516 --> 00:01:24,650 LOOKING FOR A LITTLE, UH... ACTION? 27 00:01:24,652 --> 00:01:26,318 KIDS: (SNICKER) 28 00:01:26,320 --> 00:01:27,586 BOY: GOOD ONE, JOE. 29 00:01:27,587 --> 00:01:28,853 KID IN CAP: DON'T WORRY, I'M NOT THAT DESPERATE. 30 00:01:28,854 --> 00:01:30,120 KIDS: OH! JOE... (SNICKERING) 31 00:01:30,124 --> 00:01:32,157 KID IN CAP: ENJOY YOUR DAY. 32 00:01:32,159 --> 00:01:33,325 WHAT'D YOU SAY TO ME? 33 00:01:33,327 --> 00:01:34,743 JOE, LEAVE HIM ALONE. 34 00:01:34,744 --> 00:01:36,160 KID IN CAP: SORRY, JOE, I'M JUST NOT THAT INTO YOU. 35 00:01:36,163 --> 00:01:38,697 KIDS: (LAUGH) GIRLFRIEND: JOE! 36 00:01:38,699 --> 00:01:40,282 SAY IT AGAIN. 37 00:01:40,283 --> 00:01:41,866 GIRLFRIEND: JOE, DON'T! GUYS, STOP IT! 38 00:01:41,869 --> 00:01:43,735 OH MY GOD, STOP! 39 00:01:43,737 --> 00:01:45,237 JOE, COME ON! 40 00:01:45,238 --> 00:01:46,738 JOE: YOU THINK YOU'RE FUNNY NOW? 41 00:01:46,740 --> 00:01:48,540 YOU DESERVE WHATEVER YOU GET. 42 00:01:54,281 --> 00:01:55,714 WINNIE: SARGE? PARKER: YEAH. 43 00:01:55,716 --> 00:01:56,749 SORRY TO INTERRUPT. 44 00:01:56,750 --> 00:01:57,783 I GOT SOMEBODY HERE TO SEE YOU. 45 00:01:59,753 --> 00:02:01,520 MARINA. 46 00:02:01,522 --> 00:02:02,588 I DIDN'T EXPECT YOU. 47 00:02:02,590 --> 00:02:03,655 YEAH. 48 00:02:06,327 --> 00:02:07,726 IS THIS OKAY? 49 00:02:07,728 --> 00:02:08,794 SURE! SURE! 50 00:02:09,730 --> 00:02:10,796 OH. 51 00:02:11,899 --> 00:02:14,466 PARKER: SO, HOW'S EVERYTHING? 52 00:02:14,468 --> 00:02:16,401 AY? YEAH. YOU KNOW, 53 00:02:16,403 --> 00:02:18,203 GOOD DAYS AND BAD DAYS. 54 00:02:18,205 --> 00:02:20,339 YEAH. AND HOW'S COUNSELING GOING? 55 00:02:20,341 --> 00:02:23,709 HE THINKS THAT I'LL BE ABLE TO GO BACK TO WORK ON MONDAY. 56 00:02:23,711 --> 00:02:24,710 AND WHAT DO YOU THINK? 57 00:02:24,712 --> 00:02:26,512 I SAY BRING IT ON. 58 00:02:26,514 --> 00:02:28,747 THERAPY AND BAKING CAN ONLY TAKE A GAL SO FAR. 59 00:02:28,749 --> 00:02:30,916 WORK'S A GOOD WAY TO JUST, YOU KNOW... 60 00:02:30,918 --> 00:02:32,885 OH YEAH, I DO KNOW. 61 00:02:32,887 --> 00:02:35,621 THOUGH I HAVE MANAGED TO PERFECT 62 00:02:35,623 --> 00:02:37,756 THE DELICATE ART OF THE CUPCAKE. 63 00:02:38,692 --> 00:02:41,260 A LITTLE "THANK YOU" FOR YOU AND YOUR TEAM. 64 00:02:41,262 --> 00:02:43,662 (SNORTED CHUCKLE) 65 00:02:43,664 --> 00:02:45,597 SAM: (WHISPERS) THAT'S THE LADY FROM THE VALENTINE'S DAY SHOOTING. 66 00:02:45,599 --> 00:02:46,732 WINNIE: (WHISPERS) MARINA. 67 00:02:46,734 --> 00:02:48,567 (WHISPERS) RIGHT... 68 00:02:48,569 --> 00:02:49,768 IT'S NOT HER FIRST TIME BEING BY EITHER. 69 00:02:53,207 --> 00:02:54,540 (KIDS CHEER, FIRECRACKERS POP) 70 00:02:54,542 --> 00:02:56,275 BOY: COME ON, HIT IT. 71 00:03:01,749 --> 00:03:03,348 (CHAMBER CRANKS) 72 00:03:05,719 --> 00:03:07,586 (CHAMBER SNAPS INTO PLACE) 73 00:03:07,588 --> 00:03:08,654 (EXHALES) 74 00:03:16,730 --> 00:03:19,598 (GRASS RUSTLES UNDERFOOT) 75 00:03:25,206 --> 00:03:26,705 MARINA: AFTER THAT NIGHT, IT'S... 76 00:03:26,707 --> 00:03:28,507 IT'S BEEN HARD TO GO OUT AGAIN. 77 00:03:28,509 --> 00:03:29,708 WELL, YOU'VE GOT YOUR GUARD UP, 78 00:03:29,710 --> 00:03:31,293 THAT'S NATURAL. 79 00:03:31,294 --> 00:03:32,877 I MEAN, I'VE BEEN OUT ON A FEW DATES. 80 00:03:32,880 --> 00:03:34,680 GREAT GUYS ON PAPER, BUT... 81 00:03:34,682 --> 00:03:38,750 THERE WAS ONE THING THAT I KEPT THINKING: 82 00:03:38,752 --> 00:03:40,752 NONE OF THEM WERE YOU. 83 00:03:40,754 --> 00:03:41,753 OH. 84 00:03:41,755 --> 00:03:44,223 WERE YOU OR WAS YOU. I... ANYWAYS, 85 00:03:44,225 --> 00:03:45,557 I, UM... 86 00:03:45,559 --> 00:03:48,727 A FRIEND OF MINE IS HAVING AN ART OPENING TONIGHT 87 00:03:48,729 --> 00:03:51,663 AND IF YOU'RE NOT DOING ANYTHING...? 88 00:03:51,665 --> 00:03:53,532 IT'S TOTALLY, IT'S LAST MINUTE, I KNOW, 89 00:03:53,534 --> 00:03:55,934 BUT... 90 00:03:55,936 --> 00:03:58,403 I'D LOVE TO, BUT UH... 91 00:03:58,405 --> 00:03:59,838 RIGHT. 92 00:03:59,840 --> 00:04:01,573 RIGHT. YEAH. 93 00:04:01,575 --> 00:04:04,309 NO, NO, NO, NO. SEE, YOU... 94 00:04:05,779 --> 00:04:07,579 YOU'VE BEEN, YOU'VE BEEN THROUGH A LOT, 95 00:04:07,581 --> 00:04:08,780 AND I THINK IT WOULD BE BETTER 96 00:04:08,782 --> 00:04:12,417 IF WE KEPT THIS UNCOMPLICATED. 97 00:04:12,419 --> 00:04:13,852 ABSOLUTELY. 98 00:04:13,854 --> 00:04:16,622 I MEAN, IT'S WORTH A TRY, RIGHT? 99 00:04:18,525 --> 00:04:21,760 (SIGHS, CLEARS THROAT) 100 00:04:23,764 --> 00:04:24,963 THANK YOU. 101 00:04:29,303 --> 00:04:30,369 YEAH. 102 00:04:36,610 --> 00:04:39,711 (MUSIC PLAYS ON THE RADIO, KIDS CHATTER AND LAUGH) 103 00:04:39,713 --> 00:04:42,648 BOY: HEY YO, JOE, VISITOR. 104 00:04:44,018 --> 00:04:45,851 JOE: SOMETHING YOU WANT? 105 00:04:45,853 --> 00:04:47,819 WHAT'S WITH THE MASK? 106 00:04:47,821 --> 00:04:48,987 YOU HAVING A BAD FACE DAY? 107 00:04:48,989 --> 00:04:50,055 (KIDS LAUGH) 108 00:04:51,792 --> 00:04:52,791 GIRL: (HUSHED TONE) WHAT'S HE DOING? 109 00:04:52,793 --> 00:04:54,626 JOE STANICK! 110 00:04:54,628 --> 00:04:56,328 ON YOUR KNEES! 111 00:04:56,330 --> 00:04:57,896 GET ON YOUR KNEES! 112 00:05:00,668 --> 00:05:01,833 (GUNSHOT POPS LOUDLY, GIRL SQUEALS) 113 00:05:01,835 --> 00:05:03,802 GUNMAN: ALL OF YOU! 114 00:05:03,804 --> 00:05:05,037 ON YOUR KNEES! 115 00:05:15,382 --> 00:05:18,050 911 REPORTING A MASKED GUNMAN IN THE DON VALLEY. 116 00:05:18,052 --> 00:05:19,551 WITNESS'S NAME IS JESSICA. 117 00:05:19,553 --> 00:05:21,386 I'M PATCHING YOU THROUGH. 118 00:05:21,388 --> 00:05:22,721 JESSICA? 119 00:05:22,722 --> 00:05:24,055 HI, MY NAME IS SERGEANT GREG PARKER, 120 00:05:24,058 --> 00:05:26,925 I'M WITH THE POLICE STRATEGIC RESPONSE UNIT. 121 00:05:26,927 --> 00:05:28,327 HE'S GONNA SHOOT THEM! 122 00:05:28,328 --> 00:05:29,728 PARKER: IT'S ONE GUNMAN, IS THAT RIGHT? 123 00:05:29,730 --> 00:05:31,330 JESSICA: YEAH, HE'S GOT MY FRIENDS. 124 00:05:31,332 --> 00:05:32,565 PARKER: IS ANYONE HURT? 125 00:05:32,566 --> 00:05:33,799 JESSICA: OH MY GOD! YOU GOTTA GET HERE FAST. 126 00:05:33,801 --> 00:05:35,651 PLEASE! HE'S GONNA SHOOT THEM. 127 00:05:35,652 --> 00:05:37,502 PARKER: WE'RE ON OUR WAY, HONEY. WE JUST NEED TO FIND YOU. 128 00:05:37,504 --> 00:05:39,104 CAN YOU HELP US? 129 00:05:39,105 --> 00:05:40,705 JESSICA: WE'RE, UH... WE'RE BY THE RIVER, 130 00:05:40,708 --> 00:05:41,952 NEAR THE BRIDGE. 131 00:05:41,953 --> 00:05:43,197 LOTTA BRIDGES DOWN THERE, BOSS. 132 00:05:43,198 --> 00:05:44,442 PARKER: IS IT A BIG BRIDGE? A SMALL ONE? 133 00:05:44,445 --> 00:05:45,895 I DON'T KNOW, SMALL. 134 00:05:45,896 --> 00:05:47,346 PARKER: IS THERE ANYTHING ELSE? A LANDMARK? 135 00:05:47,348 --> 00:05:49,915 JESSICA: JUST THE, JUST THE RIVER AND I DON'T KNOW, TREES. 136 00:05:49,917 --> 00:05:51,983 HOW ABOUT HYDRO WIRES AND BUILDINGS? 137 00:05:51,985 --> 00:05:54,886 JESSICA: OH GOD! UM, A TRAIN! 138 00:05:54,888 --> 00:05:56,488 WE'RE BY THE BIG BRIDGE THING 139 00:05:56,490 --> 00:05:57,723 WITH THE TRAINS GOING UNDERNEATH. 140 00:05:57,725 --> 00:05:58,890 THE BRIDGE THING WITH THE TRAINS UNDERNEATH, 141 00:05:58,892 --> 00:06:00,342 I CAN WORK WITH THAT. 142 00:06:00,343 --> 00:06:01,793 PARKER: GREAT, JESSICA. YOU'RE DOING GREAT. 143 00:06:01,795 --> 00:06:04,730 GUNMAN: IF ANYBODY MOVES, I'LL SHOOT! 144 00:06:04,732 --> 00:06:07,432 BOY: I GOTTA DO SOMETHING! JESSICA: NO, NO! 145 00:06:07,434 --> 00:06:08,667 PARKER: JESSICA, YOU LISTEN TO ME. 146 00:06:08,669 --> 00:06:09,835 YOU STAY RIGHT WHERE YOU ARE, HONEY. 147 00:06:09,837 --> 00:06:11,803 JESSICA, TELL ME WHAT'S GOING ON? 148 00:06:11,805 --> 00:06:13,572 WHAT'S HAPPENING? (LOUD GUNSHOT, JESSICA SHRIEKS) 149 00:06:13,574 --> 00:06:14,639 JESSICA! 150 00:06:17,945 --> 00:06:19,144 (SIRENS WAILING) 151 00:06:28,922 --> 00:06:30,989 ALL RIGHT, LET'S GET THIS AREA CONTAINED. 152 00:06:30,991 --> 00:06:32,524 LET'S DO IT NOW! 153 00:06:32,526 --> 00:06:33,625 SPIKE: WE'RE LOOKING AT THIS BRIDGE HERE - 154 00:06:33,627 --> 00:06:35,093 COULD BE EITHER SIDE. 155 00:06:35,094 --> 00:06:36,560 SAM: GUYS, ORGANIZE CONTAINMENT ON ALL ROADS. 156 00:06:36,561 --> 00:06:38,027 NO ONE IN OR OUT TILL WE CAN CLEAR. 157 00:06:38,031 --> 00:06:40,999 ED: OKAY, BOSS, RAF, JULES - 158 00:06:41,001 --> 00:06:42,567 WEST SIDE OF THE BRIDGE; 159 00:06:42,569 --> 00:06:44,436 SAM, SPIKE, WITH ME - EAST. 160 00:06:44,438 --> 00:06:46,171 SAM: SHOTS FIRED, THERE MAY BE WOUNDED. 161 00:06:46,173 --> 00:06:47,506 PARKER: WINNIE, SEND EMS. 162 00:06:47,508 --> 00:06:50,642 WINNIE, LET'S GET K-9 DOWN HERE ASAP. 163 00:06:56,950 --> 00:06:59,618 (GRASS RUSTLES UNDERFOOT) 164 00:07:07,895 --> 00:07:09,428 ARE YOU OKAY? 165 00:07:09,430 --> 00:07:10,996 HEY, IS EVERYONE ALL RIGHT? IT'S JUST THE POLICE. 166 00:07:10,998 --> 00:07:11,997 YOU'RE SAFE, OKAY? 167 00:07:11,999 --> 00:07:13,332 ED: IT'S ALL RIGHT. GET UP. 168 00:07:13,333 --> 00:07:14,666 SAM: YOU GUYS CAN GET UP. KID: THANK GOD. 169 00:07:14,668 --> 00:07:15,534 SAM: IS EVERYONE OKAY? 170 00:07:15,536 --> 00:07:16,935 KIDS: YEAH. 171 00:07:16,937 --> 00:07:18,470 ED: BOSS, WE FOUND 'EM. 172 00:07:18,472 --> 00:07:19,938 TALK TO ME, EDDIE. 173 00:07:19,940 --> 00:07:22,174 ED: WE GOT FIVE TEENS, UNINJURED. WE'RE GOOD. 174 00:07:22,176 --> 00:07:23,508 DID YOU SEE WHERE THE GUNMAN WENT? 175 00:07:23,510 --> 00:07:24,910 NO, I DON'T KNOW. HE TOOK JOE. 176 00:07:24,912 --> 00:07:26,077 ED: IT'S OKAY, WE'RE GONNA FIND HIM. 177 00:07:26,079 --> 00:07:27,896 NOW WHAT HAPPENED HERE? 178 00:07:27,897 --> 00:07:29,714 DIRK TRIED TO STOP HIM FROM TAKING JOE AND THEN- 179 00:07:29,716 --> 00:07:31,183 I JUMPED HIM, AND THEN THE GUN WENT OFF. 180 00:07:31,185 --> 00:07:33,018 AND THEN HE MADE US GET ON THE GROUND FACE DOWN. 181 00:07:33,020 --> 00:07:34,586 SAM: DID ANY OF YOU SEE WHERE THE GUNMAN WENT? 182 00:07:34,588 --> 00:07:35,887 DIRK: HE SAID HE'D SHOOT US IF WE MOVED. 183 00:07:35,889 --> 00:07:37,556 THE GUY KNEW JOE'S NAME. 184 00:07:37,558 --> 00:07:38,723 WHAT'S JOE'S LAST NAME? 185 00:07:38,725 --> 00:07:40,108 STANICK. 186 00:07:40,109 --> 00:07:41,492 BOSS, THE SUBJECT HAS TAKEN A HOSTAGE, 187 00:07:41,495 --> 00:07:42,494 A JOE STANICK. 188 00:07:42,496 --> 00:07:43,762 HE'S KNOWN TO THE GUNMAN. 189 00:07:43,764 --> 00:07:45,247 SAM, WE GOTTA MOVE. 190 00:07:45,248 --> 00:07:46,731 SPIKE, GET THESE KIDS BACK TO COMMAND POST. 191 00:07:46,733 --> 00:07:48,233 SPIKE: OKAY, GUYS, EVERYBODY WITH ME. OKAY, EVERYBODY. 192 00:07:48,235 --> 00:07:49,551 COME ON, GUYS, WE STICK TOGETHER. 193 00:07:49,552 --> 00:07:50,868 LET'S GO. UP, UP, UP. THROUGH THERE. 194 00:07:50,871 --> 00:07:52,504 THERE YOU GO. COME ON, IT'S TIME TO GO. 195 00:07:52,506 --> 00:07:53,505 JESSICA: I THINK IT WAS TYLER. 196 00:07:53,507 --> 00:07:54,739 TYLER? WHO'S TYLER? 197 00:07:54,741 --> 00:07:56,208 HE WAS HERE BEFORE AND THEY FOUGHT, 198 00:07:56,210 --> 00:07:58,076 AND THAT'S HIS HAT. 199 00:07:58,078 --> 00:07:59,744 SPIKE: THAT'S TYLER'S HAT? JESSICA: YEAH. 200 00:07:59,746 --> 00:08:01,329 SPIKE: KEEP TALKING. 201 00:08:01,330 --> 00:08:02,913 JESSICA: AND I DON'T KNOW, IT WAS LIKE AND HOUR AGO 202 00:08:02,916 --> 00:08:05,150 AND TYLER JUST LEFT REALLY PISSED. 203 00:08:05,152 --> 00:08:06,785 PISSED ENOUGH TO GO AND GET A GUN? 204 00:08:06,787 --> 00:08:08,620 I DON'T KNOW, MAYBE. HE LIVES CLOSE. 205 00:08:08,622 --> 00:08:11,723 CAN YOU TELL ME ANYTHING ELSE ABOUT TYLER AND JOE? 206 00:08:11,725 --> 00:08:13,091 NO. YOU SURE? 207 00:08:14,027 --> 00:08:15,126 OKAY. COME ON, RIGHT THROUGH THERE, OKAY? 208 00:08:15,128 --> 00:08:16,461 WE'RE GONNA GET YOU OUTTA HERE. 209 00:08:16,462 --> 00:08:17,795 IT'S GONNA BE OKAY. GUYS, KEEP WALKING, 210 00:08:17,798 --> 00:08:19,030 STRAIGHT AHEAD. IT'S ALL RIGHT. 211 00:08:24,705 --> 00:08:25,804 SAM, WE GOT A VISUAL. 212 00:08:26,773 --> 00:08:28,039 SAM: POLICE! DON'T MOVE! 213 00:08:28,041 --> 00:08:29,241 ED: RIGHT THERE! 214 00:08:32,746 --> 00:08:33,945 RIGHT THERE! HOLD IT RIGHT THERE! 215 00:08:33,947 --> 00:08:35,580 LET'S SEE SOME HANDS. 216 00:08:36,517 --> 00:08:38,149 SAM: STAY THERE! SHOW US YOUR HANDS! 217 00:08:38,151 --> 00:08:39,718 ED: HANDS! LET'S SEE SOME HANDS! 218 00:08:39,720 --> 00:08:41,653 'KAY, DAD, STOP! STOP! IT'S ME. 219 00:08:42,756 --> 00:08:52,864 ¶¶¶ 220 00:08:52,866 --> 00:08:57,769 ¶¶¶ 221 00:08:57,771 --> 00:09:12,050 ¶¶¶ 222 00:09:16,156 --> 00:09:17,255 (SIRENS WAIL IN THE DISTANCE) 223 00:09:17,257 --> 00:09:19,090 CLARK, WHAT THE HELL ARE YOU DOING HERE? 224 00:09:19,092 --> 00:09:20,425 I'M SORRY. 225 00:09:20,426 --> 00:09:21,759 ED: CLARK, YOU OKAY? YOU HURT? 226 00:09:21,762 --> 00:09:22,861 CLARK: I'M FINE. 227 00:09:22,863 --> 00:09:24,696 DID YOU SEE THE GUNMAN COME THIS WAY? 228 00:09:24,698 --> 00:09:26,131 NO, HE WENT THAT WAY WITH JOE. 229 00:09:26,133 --> 00:09:27,132 WHAT THE HELL'S GOING ON HERE? 230 00:09:27,134 --> 00:09:28,383 I WAS JUST HANGING OUT. 231 00:09:28,384 --> 00:09:29,633 I SAW YOU AND I DIDN'T WANNA GET INTO TROUBLE. 232 00:09:29,636 --> 00:09:30,869 ALL RIGHT, GET UP HERE, GET UP HERE. 233 00:09:30,871 --> 00:09:32,337 LET'S GO, LET'S GO. 234 00:09:32,339 --> 00:09:33,738 GUNMAN HEADED NORTH. 235 00:09:33,740 --> 00:09:34,873 YOU'RE WORRIED ABOUT BEING GROUNDED? 236 00:09:34,875 --> 00:09:35,774 WE GOT A GUNMAN ON THE LOOSE HERE, 237 00:09:35,776 --> 00:09:37,042 LET'S GO! 238 00:09:37,978 --> 00:09:39,744 WHAT'S GOING ON, EDDIE? 239 00:09:39,746 --> 00:09:41,813 GREG, CLARK WAS ONE OF THE KIDS DOWN HERE. 240 00:09:41,815 --> 00:09:43,048 PARKER: IS HE ALL RIGHT? 241 00:09:43,049 --> 00:09:44,282 ED: HE'S OKAY. WE'RE COMING UP RIGHT NOW. 242 00:09:44,284 --> 00:09:46,585 PARKER: COPY THAT. K-9'S ON SCENE. 243 00:09:46,587 --> 00:09:47,986 BOSS, THE SHOOTER MIGHT BE A CLASSMATE. 244 00:09:47,988 --> 00:09:49,421 TY DAVIS. 245 00:09:49,422 --> 00:09:50,855 JOE'S GIRLFRIEND SAID THEY GOT INTO A FIGHT. 246 00:09:50,857 --> 00:09:52,190 I THINK THERE MIGHT BE MORE TO THE STORY. 247 00:09:52,192 --> 00:09:53,758 THANKS, SPIKE. 248 00:09:53,760 --> 00:09:55,477 GOT A REFERENCE SCENT FOR YOUR DOG. 249 00:09:55,478 --> 00:09:57,195 POLICE HANDLER: OH, GOOD. ONCE SASCHA GETS A SCENT, THINGS'LL MOVE. 250 00:09:57,197 --> 00:09:58,196 SPIKE: OKAY, GREAT. 251 00:09:58,198 --> 00:09:59,798 THE SHOOTER WAS LAST SEEN HERE. 252 00:09:59,800 --> 00:10:01,266 WE'LL WORK A GRID UNTIL WE FIND A LEAD. 253 00:10:01,268 --> 00:10:03,668 HANDLER: HEY! EIFO HU, SASCHA? 254 00:10:03,670 --> 00:10:05,704 EIFO HU? SHE SPEAKS HEBREW? 255 00:10:05,706 --> 00:10:07,706 YEAH, SASCHA WORKED WITH THE ISRAELI ARMY. 256 00:10:07,708 --> 00:10:08,773 TITFESI OTO! 257 00:10:10,177 --> 00:10:11,910 OKAY, DIRK, WHAT ELSE CAN REMEMBER 258 00:10:11,912 --> 00:10:13,562 BESIDES THE SKI MASK? 259 00:10:13,563 --> 00:10:15,213 HOW OLD HE WAS, HOW TALL, WHAT HE WAS WEARING? 260 00:10:15,215 --> 00:10:17,682 NOTHING. I CAN'T REMEMBER ANYTHING! 261 00:10:17,684 --> 00:10:18,984 IT'S OKAY. 262 00:10:18,985 --> 00:10:20,285 I JUST SAW THE GUN. 263 00:10:20,287 --> 00:10:22,020 WHAT DO YOU REMEMBER ABOUT THE GUN? 264 00:10:22,022 --> 00:10:23,989 IT WAS LIKE A... 265 00:10:23,990 --> 00:10:25,957 IT WAS LIKE A JOHN WAYNE KIND OF THING. 266 00:10:25,959 --> 00:10:28,693 WHITE HANDLE, THE REST OF IT WAS SILVER, 267 00:10:28,695 --> 00:10:29,794 AND IT HAD LIKE ENGRAVINGS ON IT, 268 00:10:29,796 --> 00:10:33,264 LIKE, UH, BB OR JB OR SOMETHING. 269 00:10:33,266 --> 00:10:34,633 IT HAPPENED SO FAST. 270 00:10:34,635 --> 00:10:37,235 OKAY. THAT'S A REALLY BIG HELP. 271 00:10:37,237 --> 00:10:38,870 STAY RIGHT THERE. OKAY. 272 00:10:38,872 --> 00:10:41,139 I THINK HE'S SUFFERING FROM WEAPON FOCUS. 273 00:10:41,141 --> 00:10:42,874 IT'S ALL HE CAN REMEMBER. 274 00:10:42,876 --> 00:10:44,809 SAM, YOU HEARD THE WITNESS? 275 00:10:44,811 --> 00:10:46,344 SAM: IT'S GOTTA BE J.B. - 276 00:10:46,345 --> 00:10:47,878 JOHNSON BRANT, VINTAGE GUNSMITH. 277 00:10:47,881 --> 00:10:49,948 BONE HANDLE, SILVER BARREL. 278 00:10:49,950 --> 00:10:51,416 ED: WINNIE, IT'S NOT YOUR EVERYDAY WEAPON. 279 00:10:51,418 --> 00:10:52,851 CHECK THE REGISTRY. 280 00:10:52,853 --> 00:10:53,918 I'M ON IT. 281 00:10:56,056 --> 00:10:57,188 (SASCHA PANTS) 282 00:11:01,328 --> 00:11:02,394 (PANTING) 283 00:11:06,900 --> 00:11:07,899 (SASCHA WHIMPERS) 284 00:11:07,901 --> 00:11:09,100 LEAN HU HALACH? 285 00:11:09,102 --> 00:11:10,135 WHAT'S GOING ON? 286 00:11:10,136 --> 00:11:11,169 MY PARTNER'S LOST THE SCENT. 287 00:11:11,171 --> 00:11:12,237 SPIKE: WINDS BLOWING FROM THE EAST, 288 00:11:12,239 --> 00:11:13,938 PUSHING THE SHOOTER'S SCENT WEST. 289 00:11:13,940 --> 00:11:14,839 WE OVER-SHOT THE SUBJECT. 290 00:11:14,841 --> 00:11:15,940 SASCHA LED US HERE. 291 00:11:15,942 --> 00:11:17,353 SPIKE: WE KEEP GOING, 292 00:11:17,354 --> 00:11:18,765 WE DON'T LOSE THE SUBJECT COMPLETELY. 293 00:11:18,766 --> 00:11:20,177 HE'S GOTTA BE BACK THERE, OFF-TRAIL. 294 00:11:20,180 --> 00:11:24,049 ANIMAL INSTINCTS, THEY ONLY GET YOU SO FAR. 295 00:11:29,856 --> 00:11:31,256 SO WHO ARE THESE KIDS? THEY NEW FRIENDS OF YOURS? 296 00:11:31,258 --> 00:11:32,791 WHAT? JUST FRIENDS FROM SCHOOL. 297 00:11:32,793 --> 00:11:36,261 SATURDAY'S YOUR CELLO LESSON, RIGHT? 298 00:11:36,263 --> 00:11:37,929 CLARK? 299 00:11:37,931 --> 00:11:39,130 I STOPPED GOING. 300 00:11:39,132 --> 00:11:41,066 WHAT DO YOU MEAN YOU STOPPED GOING? WHEN? 301 00:11:41,068 --> 00:11:42,834 I DON'T KNOW, A COUPLE MONTHS AGO. 302 00:11:42,836 --> 00:11:45,003 AND THE 40 BUCKS YOUR MOM'S GIVING YOU EVERY WEEK? 303 00:11:45,005 --> 00:11:47,038 I'LL PAY YOU BACK, ALL RIGHT? 304 00:11:47,040 --> 00:11:49,040 YOU'RE BLOWING THAT ON BEER AND FIREWORKS, RIGHT? 305 00:11:49,042 --> 00:11:50,742 WHAT, NOW YOU TAKE AN INTEREST? 306 00:11:50,744 --> 00:11:52,110 THIS WHAT IT TAKES? REALLY? 307 00:11:52,112 --> 00:11:53,478 WHAT'RE YOU TALKING ABOUT? 308 00:11:53,480 --> 00:11:55,013 MAYBE I SHOULD START PUTTING ON DIAPERS AGAIN, 309 00:11:55,015 --> 00:11:56,615 'CAUSE THAT'S FASCINATING. 310 00:11:56,616 --> 00:11:58,216 YOUR MOTHER AND I TRUST YOU TO USE YOUR HEAD. 311 00:11:58,218 --> 00:11:59,918 NOW, WAS THAT A MISTAKE? 312 00:11:59,920 --> 00:12:01,920 PARKER: HEY, EDDIE. 313 00:12:01,922 --> 00:12:03,922 I'LL PICK UP WITH THE WITNESS HERE, 314 00:12:03,924 --> 00:12:05,890 MAKE SURE HE GETS HOME SAFE. 315 00:12:05,892 --> 00:12:07,859 LET'S GET YOU BACK ON THE SEARCH. 316 00:12:07,861 --> 00:12:09,861 I'LL TALK TO YOU LATER. 317 00:12:10,897 --> 00:12:12,897 HI, CLARK. 318 00:12:12,899 --> 00:12:14,432 ED: RAF, WHAT'S YOUR TWENTY? 319 00:12:14,434 --> 00:12:16,334 RAF: WE'RE SOUTH-SOUTHWEST OF YOU, ED. 320 00:12:16,336 --> 00:12:17,936 SENDING COORDINATES. 321 00:12:17,938 --> 00:12:19,003 (PDA BEEPS) 322 00:12:23,410 --> 00:12:24,843 YOU GOT SOMETHING? 323 00:12:24,845 --> 00:12:26,111 SPIKE: WE GOT A HEAT TRACE. 324 00:12:26,113 --> 00:12:27,112 TRACKS ARE FAINT, 325 00:12:27,113 --> 00:12:28,112 BUT I'M GUESSING OUR SUBJECT BROKE OFF 326 00:12:28,115 --> 00:12:29,247 AND WENT THIS WAY. 327 00:12:29,249 --> 00:12:31,349 HANDLER: YALDA TOVA, TITFESI OTO! 328 00:12:31,351 --> 00:12:33,351 PARKER: SO, UH, JESSICA WAS SAYING THAT SHE THINKS 329 00:12:33,353 --> 00:12:35,520 IT WAS TYLER DAVIS BEHIND THE MASK. 330 00:12:35,522 --> 00:12:37,021 TY? 331 00:12:37,023 --> 00:12:38,957 SHE TOLD US ABOUT THE FIGHT, 332 00:12:38,959 --> 00:12:40,525 BUT I'M THINKING THERE'S MORE TO THE STORY. 333 00:12:40,527 --> 00:12:42,060 WELL, HE REALLY HATES JOE 334 00:12:42,062 --> 00:12:44,129 BECAUSE OF WHAT HE DID TO HIS BOYFRIEND RYAN. 335 00:12:44,131 --> 00:12:45,363 WHY, WHAT DID HE DO? 336 00:12:45,365 --> 00:12:47,031 COUPLE OF WEEKS AGO, JOE SHOT A SECRET VIDEO 337 00:12:47,033 --> 00:12:49,033 OF TY AND RYAN KISSING BACKSTAGE 338 00:12:49,035 --> 00:12:50,435 AND HE POSTED IT ON THE INTERNET 339 00:12:50,437 --> 00:12:52,036 AND THINGS GOT UGLY. 340 00:12:52,038 --> 00:12:53,371 HE OUTED THEM? 341 00:12:53,373 --> 00:12:55,807 WELL, TY'S OUT, BUT RYAN WASN'T. 342 00:12:55,809 --> 00:12:56,841 IT WAS JUST SUPPOSED TO BE A PRANK. 343 00:12:56,843 --> 00:12:59,027 BUT IT WENT VIRAL 344 00:12:59,028 --> 00:13:01,212 AND RYAN NEVER CAME BACK TO SCHOOL AFTER THAT. 345 00:13:01,214 --> 00:13:03,281 HE NEVER DID, HUH? 346 00:13:05,018 --> 00:13:08,019 ED: JOE HURT TY'S BOYFRIEND, TY'S PISSED OFF - I GET THAT. 347 00:13:08,021 --> 00:13:09,287 BUT GOING FROM THERE TO CHASING A GUY AROUND 348 00:13:09,289 --> 00:13:11,222 WITH A SKI MASK AND A GUN? 349 00:13:11,224 --> 00:13:12,957 SPIKE: THERE HE IS. 12 O'CLOCK. 350 00:13:12,959 --> 00:13:15,059 (SASCHA BARKS) 351 00:13:15,061 --> 00:13:16,461 HANDLER: TITKEFI, SASCHA! 352 00:13:16,463 --> 00:13:18,530 SAM: POLICE! RAF: STOP NOW! 353 00:13:18,532 --> 00:13:20,832 SPIKE AND ED: POLICE! SRU! POLICE! RIGHT THERE, RIGHT THERE! 354 00:13:20,834 --> 00:13:23,368 SRU TEAM: STOP NOW! POLICE! SRU! STOP NOW! 355 00:13:23,370 --> 00:13:25,804 (SASCHA BARKS FEROCIOUSLY) 356 00:13:30,010 --> 00:13:31,910 TY: (PANTING HARD) 357 00:13:35,949 --> 00:13:37,148 SAM: TYLER DAVIS? TYLER: (FRIGHTENED) YEAH? 358 00:13:37,149 --> 00:13:38,348 SAM: GET DOWN FROM THAT TREE NOW. 359 00:13:38,351 --> 00:13:40,018 OKAY. OKAY, OKAY. 360 00:13:43,323 --> 00:13:44,923 HANDLER: SASCHA. 361 00:13:47,194 --> 00:13:48,193 WHERE'S JOE? 362 00:13:48,195 --> 00:13:50,028 WHAT? I DON'T KNOW. 363 00:13:50,030 --> 00:13:51,296 DON'T PLAY GAMES. WHERE IS HE? 364 00:13:51,298 --> 00:13:52,597 NO GUN, NO MASK. 365 00:13:52,599 --> 00:13:53,998 SASCHA DO GUNSHOT RESIDUE? 366 00:13:54,000 --> 00:13:55,300 SASCHA. 367 00:13:55,302 --> 00:13:57,268 SASCHA, AVAK SRIFA. AVAK SRIFA. 368 00:13:57,270 --> 00:14:00,138 (SASCHA BARKS EAGERLY, SNIFFING) 369 00:14:03,343 --> 00:14:05,243 HE'S CLEAN; HASN'T FIRED A GUN. 370 00:14:05,245 --> 00:14:07,445 TYLER DAVIS IS IN CUSTODY, SHOOTER'S STILL AT LARGE. 371 00:14:07,447 --> 00:14:09,013 WHY DID YOU RUN? 372 00:14:09,015 --> 00:14:10,114 I THOUGHT I HEARD A GUNSHOT. 373 00:14:10,116 --> 00:14:11,216 COME WITH ME. 374 00:14:11,218 --> 00:14:12,684 TYLER: DID SOMEONE GET SHOT? 375 00:14:12,685 --> 00:14:14,151 ED: OKAY, JOE IS MISSING AND SO IS THE GUNMAN. 376 00:14:14,154 --> 00:14:16,321 WHAT'S GOING ON? OH MAN. 377 00:14:16,323 --> 00:14:18,156 WHO'S AFTER JOE? 378 00:14:18,158 --> 00:14:21,226 TYLER: RYAN BELL. PARKER: RYAN BELL? 379 00:14:23,029 --> 00:14:26,331 THE SAME RYAN WHO WAS OUTED BY JOE'S PRANK VIDEO? 380 00:14:26,333 --> 00:14:27,565 OKAY, LOOK, WE KNOW ABOUT THE VIDEO. 381 00:14:27,567 --> 00:14:29,300 IS THAT WHAT THIS ABOUT? 382 00:14:29,302 --> 00:14:31,069 THE DAY JOE SENT IT OUT, 383 00:14:31,071 --> 00:14:33,204 EVERYONE AT SCHOOL GOT STUPID ABOUT IT. 384 00:14:33,206 --> 00:14:35,006 RYAN WAS REALLY UPSET. 385 00:14:35,008 --> 00:14:38,109 HE JUST TURNED AROUND AND NEVER CAME BACK. 386 00:14:38,111 --> 00:14:40,345 I THOUGHT HE WAS JUST LAYING LOW FOR A WHILE, 387 00:14:40,347 --> 00:14:42,380 BUT THIS MORNING HE SERIOUSLY FREAKED ME OUT. 388 00:14:51,191 --> 00:14:52,457 SO, RY... 389 00:14:52,459 --> 00:14:56,027 NO. SORRY, IT'S NOT RY, IT'S RYAN. 390 00:14:56,963 --> 00:14:59,631 THERE'S NO MORE RY AND TY. 391 00:14:59,633 --> 00:15:01,499 SO, THIS IS US BREAKING UP? 392 00:15:01,501 --> 00:15:03,201 NO. 393 00:15:03,203 --> 00:15:05,120 BREAKING UP IS WHAT COUPLES DO; 394 00:15:05,121 --> 00:15:07,038 WE'RE NOT A COUPLE, WE NEVER WERE. 395 00:15:07,040 --> 00:15:07,538 TAKE IT. 396 00:15:07,540 --> 00:15:08,773 RIGHT. 397 00:15:08,774 --> 00:15:10,007 FUNNY, I GOT THE IMPRESSION, YOU KNOW, 398 00:15:10,010 --> 00:15:12,176 THE LONG WALKS HOME, THE LATE-NIGHT TALKS, 399 00:15:12,178 --> 00:15:13,661 MATCHING BRACELETS, 400 00:15:13,662 --> 00:15:15,145 THE TIME I BAILED ON THE HOLIDAY WITH MY FOLKS 401 00:15:15,146 --> 00:15:16,629 SO I COULD HELP YOU GET READY FOR YOUR DRIVER'S TEST... 402 00:15:16,630 --> 00:15:18,113 Y. THAT SAYS "JUST FRIENDS"? 403 00:15:18,118 --> 00:15:21,152 SIX MONTHS, RY! KAY? 404 00:15:21,154 --> 00:15:24,155 I NEED YOU TO RESPECT THAT. 405 00:15:25,125 --> 00:15:26,324 WELL, I NEED YOU TO SHOW ME THE "RESPECT" 406 00:15:26,326 --> 00:15:27,692 OF LOOKING ME IN THE FACE. 407 00:15:27,694 --> 00:15:29,444 I'M HAPPY NOW. 408 00:15:29,445 --> 00:15:31,195 I FEEL HAPPIER THAN I'VE BEEN IN A LONG TIME. 409 00:15:31,197 --> 00:15:33,097 YEAH, YOU LOOK A LOT HAPPIER. 410 00:15:33,099 --> 00:15:35,133 I'M TAKING CHARGE OF MYSELF, 411 00:15:35,135 --> 00:15:36,701 STARTING TODAY. 412 00:15:36,703 --> 00:15:38,136 SO I'M GONNA- I'M DEALING WITH YOU, 413 00:15:38,138 --> 00:15:40,104 THEN I'M GONNA DEAL WITH JOE. 414 00:15:40,106 --> 00:15:42,206 TODAY'S WHERE IT ENDS. 415 00:15:42,208 --> 00:15:44,108 WHAT DO YOU MEAN, "DEAL WITH JOE"? 416 00:15:44,110 --> 00:15:46,411 STAND UP. MAN UP. 417 00:15:46,413 --> 00:15:48,446 MAKE HIM WISH HE'D NEVER BEEN BORN. 418 00:15:48,448 --> 00:15:52,116 TY: SCARED THE CRAP OUT OF ME, A THREAT LIKE THAT. 419 00:15:52,118 --> 00:15:54,252 IT'S NOT LIKE HIM. 420 00:15:55,188 --> 00:15:57,555 JOE AND HIS FRIENDS HANG HERE SATURDAYS. 421 00:15:57,557 --> 00:15:58,690 AND YOU CAME HERE TO STOP HIM. 422 00:15:58,692 --> 00:16:00,558 RYAN WASN'T HERE. I LEFT. 423 00:16:00,560 --> 00:16:02,727 THEN THOUGHT I HEARD A GUNSHOT. 424 00:16:02,729 --> 00:16:04,495 WINNIE: TEAM ONE, GOT A HIT ON THAT GUN. 425 00:16:04,497 --> 00:16:08,266 JOHNSON BRANT LK-6 REVOLVER REGISTERED TO AN ARTHUR BELL. 426 00:16:08,268 --> 00:16:10,201 LIVES AT 1276 LIPPINCOTT. 427 00:16:10,203 --> 00:16:13,037 PARKER: ARTHUR BELL. SOUNDS LIKE FAMILY. 428 00:16:13,039 --> 00:16:14,472 WINNIE, GET ME HIS PHONE NUMBER. 429 00:16:14,474 --> 00:16:16,541 JULES, CAN YOU MEET ME THERE? 430 00:16:16,543 --> 00:16:18,242 OKAY, ON MY WAY TO RYAN'S DAD. 431 00:16:18,244 --> 00:16:20,478 I'LL BE THERE SOON AS I CAN. 432 00:16:20,480 --> 00:16:22,347 BOSS, WE'VE COVERED ALMOST THE ENTIRE AREA; 433 00:16:22,349 --> 00:16:24,115 NO SIGN OF THE SHOOTER OR HOSTAGE. 434 00:16:24,117 --> 00:16:26,184 PARKER: COPY, SAM. EDDIE, WHAT'S YOUR STATUS? 435 00:16:26,186 --> 00:16:27,418 TY'S SAFE, BACK AT THE COMMAND POST. 436 00:16:27,420 --> 00:16:29,153 I'M GONNA CATCH UP WITH SAM. 437 00:16:29,155 --> 00:16:30,321 NO ANSWER AT ARTHUR BELL'S HOUSE. 438 00:16:30,323 --> 00:16:31,723 I'M TRYING RYAN'S CELL. 439 00:16:31,725 --> 00:16:34,158 (PHONE RINGS THEN BEEPS) 440 00:16:34,160 --> 00:16:36,160 STRAIGHT TO VOICE MAIL. 441 00:16:36,162 --> 00:16:38,262 EVERYTHING YOU TOLD ME, 442 00:16:38,264 --> 00:16:41,132 EVERYTHING YOU TAUGHT ME, YOU WERE RIGHT. 443 00:16:41,134 --> 00:16:43,201 MAN: (ON THE PHONE) OF COURSE I WAS. 444 00:16:43,203 --> 00:16:45,336 I'M DEALING WITH IT. 445 00:16:45,338 --> 00:16:47,238 TODAY'S WHERE IT ENDS. 446 00:16:48,308 --> 00:16:49,207 (BEEPS PHONE OFF) 447 00:16:49,209 --> 00:16:50,274 (BIRDS CHIRP) 448 00:16:54,514 --> 00:16:57,582 JOE STANICK, ARE YOU READY? 449 00:16:59,219 --> 00:17:01,285 (PANTS, FRIGHTENED) 450 00:17:04,090 --> 00:17:05,423 PLEASE... 451 00:17:18,038 --> 00:17:19,203 KEN: THERE'S A MISTAKE. 452 00:17:19,205 --> 00:17:20,571 THERE'S GOTTA BE. 453 00:17:20,573 --> 00:17:22,123 THERE COULD BE. 454 00:17:22,124 --> 00:17:23,674 CAN YOU TELL ME WHAT RYAN'S FRAME OF MIND WAS 455 00:17:23,676 --> 00:17:26,277 WHEN HE LEFT THE HOUSE THIS MORNING? 456 00:17:26,279 --> 00:17:28,780 NO. I HAVEN'T SEEN RYAN FOR TWO AND A HALF WEEKS. 457 00:17:28,782 --> 00:17:30,114 WHY NOT? 458 00:17:30,116 --> 00:17:31,582 HE LEFT... 459 00:17:32,519 --> 00:17:35,286 THE EVENING WE RECEIVED AN ANONYMOUS VIDEO. 460 00:17:43,263 --> 00:17:44,328 RYAN, 461 00:17:46,266 --> 00:17:47,532 CAN WE TALK TO YOU FOR A SECOND? 462 00:17:47,534 --> 00:17:49,300 RYAN: OH MY GOD. 463 00:17:49,302 --> 00:17:50,601 RYAN, TALK TO US! 464 00:17:50,603 --> 00:17:53,304 IT'S A PRANK. IT'S JOE STANICK. HE- 465 00:17:53,306 --> 00:17:55,306 GRACE: IT'S OKAY, IT'S OKAY, TAKE A BREATH. 466 00:17:55,308 --> 00:17:57,308 HE SENT THAT TO EVERYONE IN SCHOOL TODAY. 467 00:17:57,310 --> 00:17:58,693 HE DID WHAT?! 468 00:17:58,694 --> 00:18:00,077 RYAN: I CAN'T WALK DOWN THE HALLS... 469 00:18:00,080 --> 00:18:02,113 I CAN'T GO BACK THERE. I CAN'T. EVER! 470 00:18:02,115 --> 00:18:03,815 WHOA, WHOA, WHOA. I KNOW HIS DAD, 471 00:18:03,817 --> 00:18:05,783 LET ME TALK TO HIM. 472 00:18:05,785 --> 00:18:07,669 THAT'LL JUST MAKE IT WORSE. 473 00:18:07,670 --> 00:18:09,554 WELL, WE'RE NOT JUST GONNA WALK AWAY FROM THIS, RYAN. 474 00:18:09,556 --> 00:18:11,823 WHAT HE DID WAS WRONG. 475 00:18:11,825 --> 00:18:13,524 YOU'RE ON MY SIDE WITH THIS? 476 00:18:13,526 --> 00:18:16,727 OF COURSE. WHAT DID YOU EXPECT? 477 00:18:16,729 --> 00:18:19,764 THIS IS THE ONE GOOD THING TO HAPPEN TO ME TODAY. 478 00:18:19,766 --> 00:18:21,566 I DON'T KNOW. I... 479 00:18:22,502 --> 00:18:23,801 SOME PARENTS DON'T GET IT. 480 00:18:23,803 --> 00:18:26,571 KEN: WHAT'S TO GET, RY? YOU'RE OUR SON. 481 00:18:26,573 --> 00:18:28,023 I MEAN, THIS PLAY YOU'RE DOING, 482 00:18:28,024 --> 00:18:29,474 I MEAN, YOU COULD'VE TOLD US ABOUT IT. 483 00:18:29,476 --> 00:18:30,441 KEN: NOT THAT WE MIND. 484 00:18:30,443 --> 00:18:32,777 NO, NO. WE'RE PROUD OF YOU. 485 00:18:32,779 --> 00:18:34,378 YOU'VE GOT THE COURAGE TO DO A GAY ROLE 486 00:18:34,380 --> 00:18:36,314 EVEN IF IT MAKES PEOPLE THINK THAT YOU'RE GAY. 487 00:18:36,316 --> 00:18:37,715 IT'S FINE. 488 00:18:40,420 --> 00:18:42,487 RYAN: OH MY GOD... 489 00:18:43,556 --> 00:18:45,623 OH MY GOD! (CRIES) 490 00:18:49,395 --> 00:18:52,530 SO, YOU... YOUR FRIEND TYLER, 491 00:18:52,532 --> 00:18:54,765 YOU... LIKE HIM? 492 00:18:54,767 --> 00:18:56,634 I MORE THAN LIKE HIM. 493 00:18:57,570 --> 00:18:59,504 THAT... 494 00:18:59,506 --> 00:19:01,439 HOW'S THAT POSSIBLE? 495 00:19:03,243 --> 00:19:04,342 WHAT DID TYLER DO TO YOU? 496 00:19:04,344 --> 00:19:06,210 RYAN: NO, HE DIDN'T DO ANYTHING. 497 00:19:06,212 --> 00:19:07,411 WELL, THIS IS NOT YOUR FAULT. 498 00:19:07,413 --> 00:19:09,647 THIS IS TYLER. I AM GONNA CALL DR. WILSON. 499 00:19:09,649 --> 00:19:10,648 SHE'LL HAVE A RECOMMENDATION. 500 00:19:10,650 --> 00:19:12,250 WHAT? GRACE! 501 00:19:12,252 --> 00:19:13,501 GRACE: NO, NO, NO! 502 00:19:13,502 --> 00:19:14,751 I AM NOT GONNA WALK AWAY FROM THIS. 503 00:19:16,322 --> 00:19:18,422 RYAN, YOU ARE NOT GAY. 504 00:19:19,359 --> 00:19:21,492 WHAT YOU ARE IS CONFUSED, 505 00:19:21,494 --> 00:19:23,794 AND THAT'S OKAY BECAUSE WE LOVE YOU ANYWAY 506 00:19:23,796 --> 00:19:26,364 AND WE ARE GONNA GET YOU THE BEST HELP WE CAN. 507 00:19:26,366 --> 00:19:27,598 KEN: WHY DON'T YOU GO UP TO YOUR ROOM FOR A FEW MINUTES. 508 00:19:27,600 --> 00:19:29,567 YOUR MOTHER AND I NEED TO TALK. 509 00:19:29,569 --> 00:19:31,202 GRACE: I WILL NOT LET THIS HAPPEN TO HIM. 510 00:19:31,204 --> 00:19:32,270 RYAN! 511 00:19:33,439 --> 00:19:34,872 RYAN! 512 00:19:34,874 --> 00:19:38,376 YOU DESERVE A NORMAL, HEALTHY LIFE. 513 00:19:38,378 --> 00:19:40,411 (SOBS) YOU THINK I NEED HELP?! 514 00:19:40,413 --> 00:19:42,313 I LOVE YOU, RYAN BELL. 515 00:19:46,252 --> 00:19:48,286 RYAN LEFT THAT NIGHT. 516 00:19:48,288 --> 00:19:50,521 SHE DIDN'T THINK HE'D ACTUALLY GO. 517 00:19:50,523 --> 00:19:51,956 HE CALLED FROM MY FATHER'S HOUSE 518 00:19:51,958 --> 00:19:53,758 A FEW DAYS AFTER THAT. 519 00:19:53,760 --> 00:19:55,626 SAID HE WOULD GO TO THE COUNSELING, 520 00:19:55,628 --> 00:19:58,863 BUT THAT HE NEEDED HIS SPACE FOR A WHILE. 521 00:19:58,865 --> 00:20:01,265 WHICH WAS PROBABLY JUST AS WELL... 522 00:20:01,267 --> 00:20:03,367 THAT HE DIDN'T COME HOME? WHY? 523 00:20:03,369 --> 00:20:05,469 THE HOUSE WAS ATTACKED A FEW TIMES AFTER THAT. 524 00:20:05,471 --> 00:20:06,671 UH... (SIGHS) 525 00:20:06,673 --> 00:20:08,039 GRAFFITI, 526 00:20:08,040 --> 00:20:09,406 A BRICK THROWN THROUGH THE WINDOW 527 00:20:09,409 --> 00:20:12,343 WITH GAY PORN TAPED TO IT. 528 00:20:12,345 --> 00:20:14,579 ARE YOU AWARE THAT YOUR FATHER IS IN POSSESSION OF A FIREARM? 529 00:20:15,582 --> 00:20:17,848 NO. 530 00:20:17,850 --> 00:20:20,384 THAT? I THOUGHT THAT THING WAS JUST AN ANTIQUE. 531 00:20:20,386 --> 00:20:21,986 OKAY, I'M ON MY WAY OVER THERE NOW. 532 00:20:21,988 --> 00:20:23,521 I WANT YOU TO GET A HOLD OF YOUR WIFE; 533 00:20:23,523 --> 00:20:24,555 SHE NEEDS TO BE INVOLVED WITH THIS. 534 00:20:24,557 --> 00:20:25,623 KEN: YEAH, YEAH, OF COURSE. 535 00:20:33,333 --> 00:20:34,732 MR. BELL? 536 00:20:34,734 --> 00:20:36,267 THREE HOURS AGO, I CALLED YOU PEOPLE 537 00:20:36,269 --> 00:20:38,336 ABOUT THIS... VANDALISM. 538 00:20:38,338 --> 00:20:39,537 GOT TIRED OF WAITING - 539 00:20:39,539 --> 00:20:40,838 THE WHOLE WORLD LOOKING AT THIS CRAP. 540 00:20:40,840 --> 00:20:41,973 PARKER: MY NAME'S SERGEANT PARKER, SIR. 541 00:20:41,975 --> 00:20:43,741 I'M HERE ABOUT YOUR GRANDSON. 542 00:20:43,743 --> 00:20:45,343 I HAVE REASON TO BELIEVE 543 00:20:45,344 --> 00:20:46,944 THAT HE'S ABDUCTED A YOUNG MAN AT GUNPOINT. 544 00:20:46,946 --> 00:20:49,480 I KNOW THIS COMES AS A SHOCK TO YOU, SIR. 545 00:20:49,482 --> 00:20:51,449 WAIT A MINUTE. EXPLAIN TO ME. 546 00:20:51,451 --> 00:20:54,752 THE KIDS WHO WRITE THIS GARBAGE ARE WALKING AROUND TOWN 547 00:20:54,754 --> 00:20:56,887 WHILE YOU GUYS ARE BUSY CHASING RYAN? 548 00:20:56,889 --> 00:20:58,489 THAT'S CALLED BLAMING THE VICTIM. 549 00:21:00,893 --> 00:21:01,926 WE'RE GONNA HAVE TO TAKE A LOOK 550 00:21:01,928 --> 00:21:03,961 AT YOUR REGISTERED FIREARM, SIR. 551 00:21:04,897 --> 00:21:05,963 INSIDE. 552 00:21:13,640 --> 00:21:15,873 PLEASE... LET ME GO, 553 00:21:15,875 --> 00:21:18,009 I TOLD YOU, MY DAD HAS MONEY. 554 00:21:18,011 --> 00:21:19,810 RYAN: YOU NEED A LESSON! 555 00:21:19,812 --> 00:21:20,978 YOU NEED A TASTE OF WHAT YOU DISH OUT, 556 00:21:20,980 --> 00:21:23,447 SO YOU NEVER THINK OF DOING IT AGAIN! 557 00:21:23,449 --> 00:21:24,615 GIMME YOUR PHONE! 558 00:21:25,551 --> 00:21:26,617 COME ON. 559 00:21:28,354 --> 00:21:29,487 (PHONE BEEPS) 560 00:21:33,593 --> 00:21:35,059 SAY WHO YOU ARE. 561 00:21:35,061 --> 00:21:36,394 WH-WHAT DO YOU MEAN? 562 00:21:36,396 --> 00:21:37,762 RYAN: TELL EVERYONE WHO YOU ARE. 563 00:21:37,764 --> 00:21:39,897 I'M JOE STANICK. SAY IT! 564 00:21:39,899 --> 00:21:41,332 I'M JOE STANICK... 565 00:21:41,334 --> 00:21:42,833 AND I'M A SICK SON OF A BITCH. 566 00:21:42,835 --> 00:21:44,869 AND I'M A SICK SON OF A BITCH. 567 00:21:44,871 --> 00:21:46,537 AGAIN. 568 00:21:46,539 --> 00:21:47,505 I'M A SICK SON OF A- 569 00:21:47,507 --> 00:21:49,490 FROM THE BEGINNING! 570 00:21:49,491 --> 00:21:51,474 I'M JOE STANICK AND I'M A SICK SON OF BITCH. 571 00:21:51,477 --> 00:21:52,476 AND WHO AM I? 572 00:21:52,478 --> 00:21:53,611 I, I DON'T KNOW. 573 00:21:53,613 --> 00:21:55,079 NO, REPEAT AFTER ME: 574 00:21:55,081 --> 00:21:56,981 YOU ARE A MAN. SAY IT! 575 00:21:57,917 --> 00:21:58,933 YOU'RE A MAN. 576 00:21:58,934 --> 00:21:59,950 LOUDER. SHOUT IT OUT! 577 00:21:59,952 --> 00:22:01,752 N! WHAT ARE YOU? 578 00:22:01,754 --> 00:22:02,853 I'M A SICK SON OF A BITCH! 579 00:22:02,855 --> 00:22:04,355 WHAT AM I? MAN! 580 00:22:04,357 --> 00:22:05,389 WHAT ARE YOU?! 581 00:22:05,391 --> 00:22:07,391 (SALT CLATTERS, PAINED GRUNT) 582 00:22:07,393 --> 00:22:08,659 SAM: LAST SQUARE ON THE GRID. 583 00:22:08,661 --> 00:22:10,228 RAF: UNIFORMS CONFIRM 584 00:22:10,229 --> 00:22:11,796 NO ONE MATCHING THE DESCRIPTION LEFT THE AREA. 585 00:22:11,798 --> 00:22:13,764 SPIKE: WELL, HE COULDN'T HAVE GOTTEN FAR. 586 00:22:13,766 --> 00:22:15,766 (MUFFLED "POP" IN THE NEAR DISTANCE) 587 00:22:15,768 --> 00:22:16,767 THAT GUNFIRE? 588 00:22:16,769 --> 00:22:18,336 THAT WAS MUFFLED. 589 00:22:18,338 --> 00:22:19,503 WHERE'S IT COMING FROM? 590 00:22:19,505 --> 00:22:22,073 THERE'S BUILDINGS THERE AND OVER THERE. 591 00:22:22,075 --> 00:22:23,674 (DEVICE BEEPS) 592 00:22:23,676 --> 00:22:24,875 (MUFFLED SHOUTS) 593 00:22:28,948 --> 00:22:31,682 YOUNG MAN: OH MY GOD! OH MY GOD! 594 00:22:31,684 --> 00:22:32,750 THERE. THE DOME. 595 00:22:33,686 --> 00:22:34,852 LET'S MOVE. LET'S MOVE NOW. 596 00:22:34,854 --> 00:22:37,688 SPIKE: YOU CAN SASCHA BACK TO CAMP. 597 00:22:37,690 --> 00:22:39,023 ED: BOSS, WINNIE, WE'RE AT THE SALT DOME. 598 00:22:39,025 --> 00:22:40,558 SEND EMS. 599 00:22:40,560 --> 00:22:42,059 WINNIE: COPY THAT. THEY'RE ON THEIR WAY. 600 00:22:42,061 --> 00:22:43,561 PARKER: EDDIE. 601 00:22:43,563 --> 00:22:44,962 SHOOTER'S NAME IS RYAN BELL. 602 00:22:44,964 --> 00:22:48,065 HE'S IN POSSESSION OF A VINTAGE REVOLVER. 603 00:22:48,067 --> 00:22:49,834 WE'LL FEED YOU AS WE KNOW MORE. 604 00:22:49,836 --> 00:22:51,068 ED: COPY THAT. 605 00:22:52,405 --> 00:22:53,537 (FOOTSTEPS PATTER) 606 00:22:53,539 --> 00:22:54,805 SRU: POLICE! SRU! 607 00:23:01,481 --> 00:23:02,780 JOE: (PAINED GROANS) 608 00:23:03,716 --> 00:23:04,782 JOE STANICK? 609 00:23:05,551 --> 00:23:06,751 YEAH. (GROANS) 610 00:23:06,753 --> 00:23:09,720 EMS IS ON IT'S WAY, YOU'RE GONNA BE OKAY. 611 00:23:09,722 --> 00:23:11,622 WHERE'S RYAN? 612 00:23:11,624 --> 00:23:12,990 GONE. LEFT. 613 00:23:12,992 --> 00:23:14,992 SAM: IS HE STILL ARMED? 614 00:23:14,994 --> 00:23:16,060 I DON'T KNOW. 615 00:23:16,996 --> 00:23:18,729 (GROANS IN PAIN) 616 00:23:21,567 --> 00:23:23,501 PARKER: WAS IT KEPT LOADED? 617 00:23:23,503 --> 00:23:25,170 OF COURSE NOT. 618 00:23:25,171 --> 00:23:26,838 PARKER: BUT HE KNEW WHERE TO FIND THE AMMO? 619 00:23:26,839 --> 00:23:28,506 ARTHUR: WOULDN'T HAVE TO LOOK FAR IN THIS PLACE. 620 00:23:28,508 --> 00:23:29,573 PARKER: IS FAMILY CLOSE, SIR? 621 00:23:29,575 --> 00:23:31,509 ARTHUR: RYAN'S AN ONLY CHILD. 622 00:23:31,511 --> 00:23:35,746 HE WAS THEIR PRIDE AND JOY - THEIR TROPHY SON - TILL THIS. 623 00:23:35,748 --> 00:23:37,515 THAT'S A LOT OF PRESSURE. 624 00:23:37,517 --> 00:23:39,450 JULES: THE "FAMILY AFFIRMATION LEAGUE." 625 00:23:39,452 --> 00:23:40,735 "MAN UP." 626 00:23:40,736 --> 00:23:42,019 MR. BELL, DOES THAT MEAN ANYTHING TO YOU? 627 00:23:42,021 --> 00:23:44,088 ARTHUR: RYAN JOINED A SUPPORT GROUP. 628 00:23:44,090 --> 00:23:46,490 HE SAID IT WAS HELPING HIM FEEL BETTER. 629 00:23:46,492 --> 00:23:47,642 FEEL BETTER HOW? 630 00:23:47,643 --> 00:23:48,793 ARTHUR: HE NEVER TALKED ABOUT IT. 631 00:23:48,795 --> 00:23:51,128 THEY HAVE A PRIVACY POLICY. 632 00:23:52,198 --> 00:23:54,064 BOSS, WE GOT JOE. HE'S BEEN SHOT IN THE LEG. 633 00:23:54,066 --> 00:23:55,966 RYAN IS STILL AT LARGE, POSSIBLY ARMED. 634 00:23:55,968 --> 00:23:57,435 WHAT HAPPENED? 635 00:23:57,437 --> 00:23:59,036 WE'RE GONNA FIND OUT. 636 00:24:00,673 --> 00:24:02,740 I WAS SURE HE WAS GOING TO KILL ME, 637 00:24:02,742 --> 00:24:04,642 BUT I DIDN'T EVEN KNOW IT WAS HIM AT FIRST. 638 00:24:04,644 --> 00:24:05,877 HE TOOK YOU STRAIGHT HERE? 639 00:24:05,878 --> 00:24:07,111 JOE: YEAH. AND WHEN HE HAD ME ALONE, 640 00:24:07,113 --> 00:24:10,548 HE TOOK MY PHONE AND HE STARTS GOING PSYCHO. 641 00:24:10,550 --> 00:24:11,749 HE'S LIKE, "I'M A MAN! I'M A MAN!" 642 00:24:11,751 --> 00:24:15,619 AND THEN... AND THEN HE SHOT ME. 643 00:24:15,621 --> 00:24:17,121 HE JUST SHOT YOU IN THE LEG, HUH? 644 00:24:17,123 --> 00:24:18,689 JOE: YEAH, HE POINTED THE GUN AT ME 645 00:24:18,691 --> 00:24:21,625 AND HE SHOT ME AND THEN HE TOOK OFF. 646 00:24:21,627 --> 00:24:23,994 HOW FAR AWAY FROM YOU WAS HE WHEN HE TOOK THE SHOT? 647 00:24:23,996 --> 00:24:25,696 JOE: I DON'T KNOW, EIGHT FEET? 648 00:24:25,698 --> 00:24:27,198 SAM: YEAH? AND HE WAS OVER THERE? (ED'S PHONE RINGS) 649 00:24:27,199 --> 00:24:28,699 ED: CLARK MAKE IT HOME OKAY? SAM: (CONTINUES QUESTIONING) 650 00:24:28,701 --> 00:24:30,668 SOPH, I DON'T HAVE LONG TO TALK. WHAT'S GO- 651 00:24:30,670 --> 00:24:33,237 YEAH. WELL, HOW IS HE? 652 00:24:33,239 --> 00:24:34,572 ALL RIGHT. JUST GIVE HIM A CHANCE TO COOL DOWN. 653 00:24:34,574 --> 00:24:35,573 HE'LL BE OKAY. 654 00:24:35,575 --> 00:24:38,976 REW ME AGAINST THE SALT WALL. 655 00:24:40,813 --> 00:24:43,647 WELL, IT SEEMS THAT THIS FAMILY AFFIRMATION LEAGUE LEADER 656 00:24:43,649 --> 00:24:46,250 HAS TAKEN A PERSONAL INTEREST IN RYAN. 657 00:24:46,252 --> 00:24:47,918 THERE'S A TON OF EMAILS FROM HIM. 658 00:24:47,920 --> 00:24:49,253 WHERE'S THE MOST RECENT? 659 00:24:51,724 --> 00:24:52,390 JULES: UH... YESTERDAY. 660 00:24:52,391 --> 00:24:53,057 (READING) "CONGRATS ON YOUR GREAT WORK TODAY. 661 00:24:53,059 --> 00:24:54,859 THAT'S WHAT I CALL A BREAKTHROUGH. 662 00:24:54,861 --> 00:24:56,494 I'M SENDING YOU A CLIP. 663 00:24:56,496 --> 00:24:57,695 HANG ON TO THAT FEELING. 664 00:24:57,697 --> 00:24:58,863 YOU'RE GONNA GRADUATE SOON." 665 00:24:58,865 --> 00:25:00,965 PARKER: LET'S SEE IT, JULES. 666 00:25:00,967 --> 00:25:04,668 CARL: OKAY, RYAN, I WANNA USE ALL THAT YOU'VE LEARNED. 667 00:25:04,670 --> 00:25:07,037 TAKE THAT ANGER AND THAT FRUSTRATION 668 00:25:07,039 --> 00:25:08,672 AND CHANNEL IT TOWARDS THE PILLOW. 669 00:25:10,276 --> 00:25:12,159 I KNOW IT SOUNDS FUNNY, 670 00:25:12,160 --> 00:25:14,043 BUT I PROMISE YOU, THIS WILL HELP. 671 00:25:15,214 --> 00:25:17,948 YOU WANNA GET BETTER OR NOT? 672 00:25:18,885 --> 00:25:20,985 THAT'S IT. THAT'S IT. 673 00:25:21,921 --> 00:25:23,988 THAT PILLOW IS YOUR ADVERSARY, RYAN; 674 00:25:23,990 --> 00:25:28,125 ANYONE WHO HAS EVER MADE YOU FEEL DIMINISHED AS A MAN. 675 00:25:28,127 --> 00:25:30,561 NOW SHOUT IT OUT! USE YOUR VOICE. 676 00:25:30,563 --> 00:25:32,229 SCREAM! SHOUT IT OUT! 677 00:25:32,231 --> 00:25:34,198 YOU IDIOT! U'VE GOT MORE! 678 00:25:34,200 --> 00:25:35,699 SICK SON OF A BITCH! 679 00:25:35,701 --> 00:25:37,768 (PANTS) NEVER! AGAIN! 680 00:25:38,704 --> 00:25:40,738 YOU DON'T KNOW ME! 681 00:25:40,740 --> 00:25:42,172 RYAN: YOU'RE FINISHED! CARL: WHY? 682 00:25:42,174 --> 00:25:43,774 TELL HIM WHO YOU ARE. 683 00:25:43,776 --> 00:25:47,645 RYAN: (SHOUTS UNCONTROLLABLY) I AM A MAN! 684 00:25:47,647 --> 00:25:49,613 OH MY... 685 00:25:49,615 --> 00:25:50,915 CARL: HOW DOES THAT FEEL?! RYAN: IT FEELS GREAT. 686 00:25:50,917 --> 00:25:52,850 YES! FEELS GREAT! 687 00:25:52,852 --> 00:25:54,184 "THE FAMILY AFFIRMATION LEAGUE 688 00:25:54,186 --> 00:25:56,120 SPECIALIZES IN REPARATIVE THERAPY, 689 00:25:56,122 --> 00:25:58,789 HELPING THOSE LOOKING TO 'COME OUT STRAIGHT.'" 690 00:25:58,791 --> 00:26:00,691 WHY? WHY WOULD RYAN DO THIS? 691 00:26:00,693 --> 00:26:02,626 HE'S FIGHTING TO WIN BACK HIS FAMILY. 692 00:26:02,628 --> 00:26:04,728 HE THINKS THAT THIS IS WHAT IT TAKES. 693 00:26:04,730 --> 00:26:07,598 WINNIE WE NEED A WORD ASAP WITH A CARL HEWSON, 694 00:26:07,600 --> 00:26:09,199 OF THE FAMILY AFFIRMATION LEAGUE. 695 00:26:09,201 --> 00:26:10,634 I'M ON IT. 696 00:26:10,636 --> 00:26:12,336 "100% PRIVACY POLICY." 697 00:26:14,574 --> 00:26:16,574 I WILL. I'LL TALK TO HIM. 698 00:26:16,576 --> 00:26:17,575 I LOVE YOU. BYE. 699 00:26:17,577 --> 00:26:19,243 EVERYTHING OKAY? 700 00:26:19,245 --> 00:26:21,879 MY KID'S BARRICADED HIMSELF IN HIS ROOM. 701 00:26:21,881 --> 00:26:23,731 I CAN TALK DOWN A CAREER CRIMINAL, 702 00:26:23,732 --> 00:26:25,582 BUT NOT MY OWN SON. WHAT DO YOU GOT? 703 00:26:25,585 --> 00:26:26,617 SPIKE: I GOT JOE'S PHONE. IT WAS RECORDING. 704 00:26:26,619 --> 00:26:28,152 SAM: REALLY? LET'S SEE. 705 00:26:28,154 --> 00:26:30,688 JOE SAYS RYAN SHOT FROM EIGHT FEET AWAY. 706 00:26:30,690 --> 00:26:32,089 ANGLE OF THE WOUND SAYS DIFFERENT. 707 00:26:34,927 --> 00:26:35,509 (PHONE BEEPS) 708 00:26:35,510 --> 00:26:36,092 SAM: JOE, YOU BEING UPFRONT WITH US? 709 00:26:36,095 --> 00:26:37,712 WHAT'RE YOU TALKING ABOUT? 710 00:26:37,713 --> 00:26:39,330 YOU KNOW THIS WAS RECORDING THE WHOLE TIME, RIGHT? 711 00:26:42,668 --> 00:26:44,735 THIS IS WHERE YOU THROW SALT IN HIS EYES, 712 00:26:44,737 --> 00:26:45,736 TACKLE HIM, 713 00:26:45,738 --> 00:26:47,071 PHONE DROPS... 714 00:26:47,073 --> 00:26:48,072 RYAN: NO, NO. 715 00:26:48,074 --> 00:26:50,085 SAM: WHO'S GOT THE GUN NOW? 716 00:26:50,086 --> 00:26:52,097 RYAN: NO, PLEASE, DON'T. (WHIMPERS) 717 00:26:52,098 --> 00:26:54,109 JOE: TAKE IT OFF! TAKE OFF THE MASK! NOW! 718 00:26:54,113 --> 00:26:56,113 RYAN: I WAS TRYING TO SCARE YOU, JOE. 719 00:26:56,115 --> 00:26:58,182 RYAN: I WAS JUST TRYING... JOE: RYAN?! 720 00:26:58,184 --> 00:27:00,017 AH, HERE'S WHERE HE FIGHTS BACK. 721 00:27:00,019 --> 00:27:02,186 JOE: YOU'RE GONNA MAKE LOTS OF NEW FRIENDS. 722 00:27:02,188 --> 00:27:03,787 YOU GUYS FALL OUT OF THE FRAME AND... 723 00:27:03,789 --> 00:27:05,789 (GUNSHOT POPS) 724 00:27:06,926 --> 00:27:09,893 WHO WAS HOLDING THAT GUN WHEN IT WENT OFF, JOE? 725 00:27:10,863 --> 00:27:13,831 JOE'S WITH EMS; HE'S NOT THE ONLY VICTIM HERE. 726 00:27:13,833 --> 00:27:15,199 ANY LUCK WITH THE GRANDFATHER? 727 00:27:15,201 --> 00:27:16,700 PARKER: YEAH, EDDIE, WE MADE THE CALL, 728 00:27:16,702 --> 00:27:18,702 BUT RYAN'S IN TROUBLE. 729 00:27:18,704 --> 00:27:20,304 COULDN'T GET A FIX ON HIS LOCATION. 730 00:27:20,306 --> 00:27:21,905 WE'VE HAD A PRETTY GOOD LOOK AROUND HERE 731 00:27:21,907 --> 00:27:23,907 AND HAVEN'T SEEN HIM. 732 00:27:23,909 --> 00:27:25,142 TYLER: MR. LANE? 733 00:27:25,144 --> 00:27:26,143 ED: WHAT IS IT? 734 00:27:26,145 --> 00:27:27,144 YOU NEED TO SEE THIS. 735 00:27:27,146 --> 00:27:29,279 ED: WHAT DO YOU GOT? 736 00:27:31,150 --> 00:27:32,900 RYAN: TY... 737 00:27:32,901 --> 00:27:34,651 EVERYONE'S GONNA KNOW IT WAS ME BEHIND THE MASK. 738 00:27:34,654 --> 00:27:38,122 TELL MY PARENTS I'M SORRY. I CAN'T FACE THEM. 739 00:27:39,058 --> 00:27:40,991 I CAN'T FACE SCHOOL. 740 00:27:40,993 --> 00:27:43,394 AND WHAT I SAID TO YOU THIS MORNING... 741 00:27:43,396 --> 00:27:45,996 I KNOW I CAN'T TAKE IT BACK. 742 00:27:47,233 --> 00:27:49,933 YOU WERE THE BEST THING THAT EVER HAPPENED TO ME 743 00:27:51,971 --> 00:27:53,654 IN MY LIFE. 744 00:27:53,655 --> 00:27:55,338 YOU KNEW ME AND YOU LIKED ME ANYWAY. 745 00:27:58,177 --> 00:27:59,710 TY, I LOVE YOU. 746 00:28:00,980 --> 00:28:02,980 'BYE. 747 00:28:02,982 --> 00:28:04,415 BOSS, WE GOT SOMETHING HERE. 748 00:28:04,417 --> 00:28:06,183 PARKER: WHAT IS IT? 749 00:28:06,185 --> 00:28:07,251 SUICIDE NOTE. 750 00:28:14,193 --> 00:28:15,693 WE GOT A SUICIDAL KID OUT THERE 751 00:28:15,695 --> 00:28:17,044 AND NO IDEA WHERE TO FIND HIM. 752 00:28:17,045 --> 00:28:18,394 WE'RE CONTAINED. WE'VE COVERED THE GRID, 753 00:28:18,397 --> 00:28:19,763 THE BRIDGES. 754 00:28:19,765 --> 00:28:20,998 MAYBE HE'S IN A CULVERT. 755 00:28:21,000 --> 00:28:22,466 SPIKE: NO, THERE'S NO REVERB. 756 00:28:22,468 --> 00:28:23,767 THERE'S NO AMBIENT SOUND. 757 00:28:23,769 --> 00:28:25,769 I CAN'T HEAR ANY TRAFFIC, ANY WIND. 758 00:28:26,706 --> 00:28:29,106 HOLD ON A SEC. THE GRAFFITI IN THE BACK... 759 00:28:29,108 --> 00:28:30,775 HOLD ON... 760 00:28:30,776 --> 00:28:32,443 THAT'S THE SAME GRAFFITI THAT WAS IN THE VIRAL VIDEO. 761 00:28:34,380 --> 00:28:35,780 HEY, TY, 762 00:28:35,781 --> 00:28:37,181 YOU WORKED ON A PLAY WITH RYAN, RIGHT? 763 00:28:37,183 --> 00:28:38,749 YEAH. 764 00:28:38,750 --> 00:28:40,316 DID THAT SET LOOK ANYTHING LIKE THIS? 765 00:28:40,319 --> 00:28:41,852 HE HAD KEYS TO THE AUDITORIUM, 766 00:28:41,854 --> 00:28:43,821 FOR WEEKEND REHEARSALS. 767 00:28:43,823 --> 00:28:44,955 YEAH, THAT'S IT. 768 00:28:44,957 --> 00:28:46,423 COLTON HIGH, GUYS. LET'S GO. 769 00:28:46,425 --> 00:28:48,025 SPIKE, LET'S GO! 770 00:28:52,164 --> 00:28:53,831 (LIGHTS FLICK ON) 771 00:28:57,036 --> 00:28:58,936 PARKER: OKAY, TEAM, LISTEN UP. 772 00:28:58,938 --> 00:29:00,471 WE'RE DEALING WITH A YOUNG MAN 773 00:29:00,472 --> 00:29:02,005 WHO WAS FIGHTING FOR WHAT HE THOUGHT WAS RIGHT, 774 00:29:02,007 --> 00:29:04,174 BUT DIDN'T TURN OUT THE WAY HE HAD HOPED. 775 00:29:04,176 --> 00:29:06,366 HE'S CRASH-LANDED, 776 00:29:06,367 --> 00:29:08,557 AND HE'S DEALING WITH A LOT OF SHAME. 777 00:29:08,558 --> 00:29:10,748 SO KID GLOVES; HE'S AT A BREAKING POINT HERE. 778 00:29:10,750 --> 00:29:11,782 HE'S CHOSEN TO COME FULL CIRCLE 779 00:29:11,784 --> 00:29:13,934 TO WHERE IT ALL STARTED 780 00:29:13,935 --> 00:29:16,085 AND THE MOMENT THAT WAS CAPTURED ON THAT VIDEO THERE 781 00:29:16,088 --> 00:29:20,157 WAS PROBABLY THE LAST HAPPY MEMORY HE HAS. 782 00:29:27,800 --> 00:29:28,532 (SIRENS WAIL) 783 00:29:30,369 --> 00:29:33,337 EDDIE, YOU SPOKE TO TY, YOU RUN THE INTERVENTION. 784 00:29:33,339 --> 00:29:35,372 JULES AND I'LL FEED YOU ON THE FLY. 785 00:29:35,374 --> 00:29:37,775 ED: GOT IT. GUYS, GIMME TAC SUPPORT. 786 00:29:37,777 --> 00:29:39,209 LET'S HOPE WE'RE NOT TOO LATE. 787 00:29:44,784 --> 00:29:47,184 (INHALES DEEPLY AND EXHALES) 788 00:29:51,557 --> 00:29:52,890 (SIGHS HEAVILY) 789 00:30:00,966 --> 00:30:02,132 KEN: WHERE IS HE? 790 00:30:02,133 --> 00:30:03,299 PARKER: MR. BELL, WE'RE DOING EVERYTHING WE CAN 791 00:30:03,302 --> 00:30:04,301 TO GET YOUR SON OUT SAFELY, 792 00:30:04,303 --> 00:30:05,569 BUT WE CANNOT CROWD HIM. 793 00:30:05,571 --> 00:30:06,871 IF I COULD JUST TALK TO HIM. 794 00:30:06,872 --> 00:30:08,172 GRACE: LET'S LET THE EXPERTS HANDLE THIS. 795 00:30:08,173 --> 00:30:09,473 RYAN SHOULDN'T EVEN BE IN THIS SITUATION! 796 00:30:09,475 --> 00:30:10,574 ARTHUR: HE'S A BRIGHT- GRACE: I KNOW! 797 00:30:10,576 --> 00:30:11,809 HE'S A GOOD KID! IF I- 798 00:30:11,811 --> 00:30:13,410 DAD! PLEASE? 799 00:30:13,412 --> 00:30:15,813 SIR, EVERYONE'S WORRIED ABOUT YOUR GRANDSON. 800 00:30:15,815 --> 00:30:17,198 RYAN'S VULNERABLE RIGHT NOW. 801 00:30:17,199 --> 00:30:18,582 HE BELIEVES HE'S DISAPPOINTED ALL OF YOU. 802 00:30:18,584 --> 00:30:20,284 SEEING YOU RIGHT NOW MIGHT TRIGGER HIM 803 00:30:20,286 --> 00:30:22,820 AND WE CANNOT TAKE THAT CHANCE. 804 00:30:22,822 --> 00:30:25,923 JULES: HERE COMES MR. FAMILY AFFIRMATION. 805 00:30:25,925 --> 00:30:29,593 JULES, JUST TAKE IT EASY. 806 00:30:29,595 --> 00:30:32,396 WHAT, DON'T I GET A BASEBALL BAT? 807 00:30:34,867 --> 00:30:36,934 (BLOWS OUT HIS BREATH, READYING HIMSELF) 808 00:30:40,306 --> 00:30:41,371 (FORCEFUL EXHALE) 809 00:30:51,283 --> 00:30:52,349 ED: GUYS... 810 00:30:55,588 --> 00:30:57,605 (AUDITORIUM DOORS OPEN) 811 00:30:57,606 --> 00:30:59,623 ED: RYAN, I'M A POLICE OFFICER, MY NAME'S ED LANE. 812 00:30:59,625 --> 00:31:00,624 HEY, GET OUTTA HERE! 813 00:31:00,626 --> 00:31:02,192 ED: I'M CLARK LANE'S DAD. 814 00:31:02,194 --> 00:31:04,261 NICE TO MEET YOU. NOW, LEAVE ME ALONE! 815 00:31:04,263 --> 00:31:05,718 ED: RYAN, I CAN'T. 816 00:31:05,719 --> 00:31:07,174 I CAN'T JUST LEAVE A GUY HERE WHO'S TRYING TO KILL HIMSELF. 817 00:31:07,175 --> 00:31:08,630 ED: I CAN'T. RYAN: JUST GET OUT! 818 00:31:08,634 --> 00:31:11,468 ED: OKAY. ALL RIGHT. OKAY, I'LL LEAVE. 819 00:31:11,470 --> 00:31:14,438 BUT CAN YOU JUST TELL ME WHAT HAPPENED HERE TODAY? 820 00:31:14,440 --> 00:31:16,440 I DON'T UNDERSTAND WHAT HE'S DOING? 821 00:31:16,442 --> 00:31:17,730 I JUST TALKED TO HIM. 822 00:31:17,731 --> 00:31:19,019 HE DIDN'T SAY ANYTHING ABOUT A GUN. 823 00:31:19,020 --> 00:31:20,308 DOES YOUR "MAN UP" METHOD ENCOURAGE VIOLENCE? 824 00:31:20,312 --> 00:31:23,213 NO. I ENCOURAGE THE RELEASE OF ANGER 825 00:31:23,215 --> 00:31:24,631 THAT A YOUTH FEELS 826 00:31:24,632 --> 00:31:26,048 WHEN HIS MANHOOD IS BEING CHALLENGED. 827 00:31:26,051 --> 00:31:27,150 IT'S A SAFE TECHNIQUE 828 00:31:27,152 --> 00:31:29,553 TO RECLAIM POWER OVER THIS DISORDER. 829 00:31:29,555 --> 00:31:31,188 AND THE DISORDER BEING GAY? 830 00:31:31,190 --> 00:31:33,924 IT'S NOT A JUDGMENT, IT'S A FACT. 831 00:31:33,926 --> 00:31:35,325 I LOST MY OWN SON TO THIS. 832 00:31:35,327 --> 00:31:36,894 HE LIVES WITH ANOTHER MAN 833 00:31:36,896 --> 00:31:38,595 AND I CAN'T HAVE ANYTHING TO DO WITH HIM. 834 00:31:38,597 --> 00:31:40,163 DO YOU KNOW WHAT THAT'S LIKE? 835 00:31:40,165 --> 00:31:41,965 I'M TRYING TO HELP YOUNG MEN. 836 00:31:41,967 --> 00:31:43,634 I'M TRYING TO HELP FAMILIES. 837 00:31:43,636 --> 00:31:45,435 SPARING THEM THE TRAUMA 838 00:31:45,437 --> 00:31:48,205 AND THE EMBARASSMENT THAT I'VE HAD TO ENDURE. 839 00:31:48,207 --> 00:31:49,640 (TAKES A CALMING BREATH) 840 00:31:49,642 --> 00:31:51,241 WELL, WAIT HERE. 841 00:31:52,177 --> 00:31:53,911 ARTHUR, DO YOU WANNA MEET ME IN THE TRUCK? 842 00:31:53,913 --> 00:31:56,647 HE WAS GETTING BETTER. 843 00:31:56,649 --> 00:31:58,916 I WANT YOU TO KNOW THAT I WILL BE HERE FOR HIM 844 00:31:58,918 --> 00:32:00,684 'ROUND THE CLOCK. 845 00:32:00,686 --> 00:32:03,153 WE'RE NOT GOING TO LOSE ANOTHER PROMISING YOUNG MAN 846 00:32:03,155 --> 00:32:04,154 TO THIS DISEASE, 847 00:32:04,156 --> 00:32:05,389 I GIVE YOU MY WORD. 848 00:32:05,391 --> 00:32:06,590 I'VE GOTTA GET INSIDE. 849 00:32:06,592 --> 00:32:07,591 I CAN HELP! 850 00:32:07,593 --> 00:32:08,659 FAMILY ONLY! 851 00:32:09,962 --> 00:32:11,094 PRIVACY POLICY. 852 00:32:20,940 --> 00:32:21,939 (SOBBING) 853 00:32:21,941 --> 00:32:23,057 ED: RYAN. 854 00:32:23,058 --> 00:32:24,174 IF HE JUMPS, CAN WE GET THE NOOSE OFF 855 00:32:24,176 --> 00:32:25,309 BEFORE HE ASPHYXIATES? 856 00:32:25,311 --> 00:32:26,627 SPIKE: NO, IT'LL BE TOO LATE. 857 00:32:26,628 --> 00:32:27,944 FROM THAT HEIGHT, HIS NECK'LL SNAP. 858 00:32:27,947 --> 00:32:29,079 SAM: OKAY, WE CAN'T JUST RUSH HIM, ED, 859 00:32:29,081 --> 00:32:31,415 SO YOU NEED TO BUY US SOME TIME. 860 00:32:31,417 --> 00:32:34,418 RYAN: AND I TOOK JOE FROM HIS FRIENDS, 861 00:32:34,420 --> 00:32:36,019 AT GUNPOINT, 862 00:32:36,021 --> 00:32:37,454 AND HE... I DON'T KNOW WHAT HAPPENED, 863 00:32:37,456 --> 00:32:39,456 BUT HE GOT THE GUN FROM ME 864 00:32:39,458 --> 00:32:41,008 AND THEN HE STARTED SAYING 865 00:32:41,009 --> 00:32:42,559 THAT HE WAS GONNA SEND ME TO JAIL. 866 00:32:42,561 --> 00:32:44,461 AND I DON'T KNOW HOW HE... 867 00:32:45,397 --> 00:32:49,066 WE-WE FOUGHT AND THEN... I SHOT JOE. 868 00:32:50,002 --> 00:32:51,669 I SHOT HIM. 869 00:32:51,670 --> 00:32:53,337 ED: RYAN, IT WASN'T YOUR HAND ON THAT GUN. 870 00:32:53,339 --> 00:32:55,605 IT WAS JOE'S, AND HE'S OKAY. 871 00:32:55,607 --> 00:32:57,441 NOW, YOUR FOLKS AND YOUR GRANDPA, 872 00:32:57,442 --> 00:32:59,276 THERE OUT HERE AND THEY'RE WORRIED ABOUT YOU. 873 00:32:59,278 --> 00:33:01,078 RYAN: (STIFLED CRIES) 874 00:33:04,049 --> 00:33:05,983 THEY'RE ASHAMED OF ME. 875 00:33:06,719 --> 00:33:08,986 THEY DON'T WANT ME, NOT THE WAY I AM. 876 00:33:08,988 --> 00:33:10,371 THAT IS NOT TRUE. 877 00:33:10,372 --> 00:33:11,755 CAN YOU TELL HIM THAT IS NOT TRUE! 878 00:33:11,757 --> 00:33:14,624 RYAN, THEY ARE NOT ASHAMED OF YOU. 879 00:33:15,561 --> 00:33:16,760 THEY ARE NOT ASHAMED OF YOU. 880 00:33:16,762 --> 00:33:19,062 ED, CARL'S TAUGHT RYAN THAT BEING GAY 881 00:33:19,064 --> 00:33:21,465 IS A SICKNESS THAT DESTROYS FAMILIES. 882 00:33:21,467 --> 00:33:23,234 GRACE: THE THERAPIST TAUGHT HIM WHAT? 883 00:33:23,235 --> 00:33:25,002 PARKER: THAT PRIVACY POLICY, THAT DIDN'T WORRY YOU? 884 00:33:25,004 --> 00:33:27,004 GRACE: OH GOD, WHAT HAVE I DONE? 885 00:33:27,006 --> 00:33:28,472 FAMILIES JUST GO THROUGH A LITTLE BIT OF STRAIN, 886 00:33:28,474 --> 00:33:30,407 THAT'S ALL, AND I GET THAT. 887 00:33:30,409 --> 00:33:32,075 NO. 888 00:33:32,077 --> 00:33:34,745 YOU DON'T GET TO SAY YOU "GET IT" 889 00:33:34,747 --> 00:33:36,313 BECAUSE HOW COULD YOU GET IT? 890 00:33:36,315 --> 00:33:38,448 HOW, HOW COULD YOU KNOW? 891 00:33:38,450 --> 00:33:40,417 OKAY, YOU'RE RIGHT. 892 00:33:40,419 --> 00:33:42,652 YOU'RE ABSOLUTELY RIGHT, I DON'T KNOW. 893 00:33:42,654 --> 00:33:45,155 YOU THINK YOU CAN YOU HELP ME UNDERSTAND THIS? 894 00:33:45,157 --> 00:33:46,556 IT DOESN'T MATTER, IT'S TOO LATE! 895 00:33:46,558 --> 00:33:48,175 ED: RYAN... 896 00:33:48,176 --> 00:33:49,793 PARKER: EDDIE, YOU GOTTA TAKE THE PRESSURE OFF. 897 00:33:49,795 --> 00:33:52,229 RYAN, YOU KNOW MY SON, CLARK, RIGHT? 898 00:33:52,231 --> 00:33:54,498 YEAH. YEAH, I KNOW HIM. 899 00:33:54,500 --> 00:33:56,533 PARKER: THAT'S GOOD, EDDIE, GIVE HIM STATUS. 900 00:33:56,535 --> 00:33:58,051 YEAH, WELL, YOU KNOW WHAT? 901 00:33:58,052 --> 00:33:59,568 I THOUGHT I KNEW HIM TOO, BUT I DON'T. 902 00:33:59,571 --> 00:34:01,282 WE USED TO TRUST EACH OTHER 903 00:34:01,283 --> 00:34:02,994 AND HE'S BEEN KEEPING STUFF FROM ME 904 00:34:02,995 --> 00:34:04,706 AND I DON'T KNOW WHAT'S GOING ON. 905 00:34:04,710 --> 00:34:07,110 MAYBE HE DOESN'T WANNA DISAPPOINT YOU. 906 00:34:07,112 --> 00:34:08,245 MAYBE HE'S SCARED OF WHAT MIGHT HAPPEN 907 00:34:08,247 --> 00:34:11,148 IF YOU GET TO KNOW HIM BETTER. 908 00:34:12,084 --> 00:34:14,117 YEAH. 909 00:34:14,119 --> 00:34:16,119 WHAT'S THE POINT? 910 00:34:16,121 --> 00:34:18,588 IF YOU TELL THE TRUTH, 911 00:34:18,590 --> 00:34:21,158 IT CAN CHANGE EVERYTHING. 912 00:34:22,094 --> 00:34:25,095 IF YOU COULD LOSE SOMEONE... FOR IT. 913 00:34:25,764 --> 00:34:27,364 IT'S OKAY. 914 00:34:31,703 --> 00:34:33,837 LOOK WHAT HAPPENED TO ME. 915 00:34:36,141 --> 00:34:37,207 RYAN... 916 00:34:40,646 --> 00:34:42,079 (CHOKED SOBS) 917 00:34:42,081 --> 00:34:43,380 RYAN: I GOTTA GO. ED: RYAN! 918 00:34:48,287 --> 00:34:49,853 ED: (DISTORTED) RYAN! 919 00:34:49,855 --> 00:34:51,655 (SLICING WHOOSH) 920 00:34:51,657 --> 00:34:53,523 (DISTORTED THUNDEROUS CRASH) 921 00:34:54,093 --> 00:34:55,309 (WHIMPERS, STARTLED) 922 00:34:55,310 --> 00:34:56,526 I GOT YOU, RYAN. YOU'RE OKAY, COME ON. 923 00:34:56,528 --> 00:34:57,794 YOU'RE OKAY, COME ON. YOU'RE ALL RIGHT. 924 00:34:57,796 --> 00:34:59,429 (SHRIEKING) NO! NO! 925 00:34:59,431 --> 00:35:01,832 RYAN, IT'S OKAY. IT'S OKAY. 926 00:35:01,834 --> 00:35:03,500 YOU'RE ALL RIGHT, YOU'RE ALL RIGHT. 927 00:35:03,501 --> 00:35:05,167 I GOT YOU. I GOT YOU, BUDDY. 928 00:35:05,170 --> 00:35:06,670 IT'S OKAY. 929 00:35:06,672 --> 00:35:07,804 SUBJECT'S SECURE. 930 00:35:15,447 --> 00:35:16,680 GRACE: (RELIEVED BREATHS) 931 00:35:16,682 --> 00:35:17,747 OH! 932 00:35:20,219 --> 00:35:34,598 ¶¶¶ 933 00:35:35,534 --> 00:35:37,901 (DOOR CLICKS AND SQUEAKS OPEN) 934 00:35:43,842 --> 00:35:44,908 GRACE: RYAN?! 935 00:35:53,919 --> 00:35:55,185 THANK YOU. 936 00:36:09,768 --> 00:36:11,201 I NEARLY LOST HIM. 937 00:36:11,937 --> 00:36:13,303 THE TEAM SUCCEEDED, EDDIE; 938 00:36:13,305 --> 00:36:15,739 THAT'S WHAT WE TAKE AWAY HERE. 939 00:36:15,741 --> 00:36:16,773 (EXHALES FORCEFULLY) 940 00:36:16,775 --> 00:36:19,176 (AUDITORIUM DOORS OPEN) 941 00:36:20,212 --> 00:36:21,912 MR. HEWSON. 942 00:36:21,914 --> 00:36:23,897 CARL: THIS IS TIME-SENSITIVE, 943 00:36:23,898 --> 00:36:25,881 HE NEEDS POSITIVE AFFIRMATION BEFORE HE BACKSLIDES. 944 00:36:25,884 --> 00:36:27,617 (IRATE, HEAVY BREATHS) 945 00:36:27,619 --> 00:36:29,753 YOU STAY THE HELL AWAY FROM MY GRANDSON. 946 00:36:29,755 --> 00:36:31,922 HE NEARLY DIED TODAY BECAUSE OF YOU. 947 00:36:31,924 --> 00:36:33,890 HE SURVIVED BECAUSE OF ME. 948 00:36:33,892 --> 00:36:35,542 HE CHOSE TO LIVE 949 00:36:35,543 --> 00:36:37,193 BECAUSE I SHOWED HIM THE RIGHT ROAD. 950 00:36:37,196 --> 00:36:37,928 IF HE REALLY HAD OF BEEN GAY, 951 00:36:37,930 --> 00:36:40,463 HE WOULD'VE KILLED HIMSELF. 952 00:36:40,465 --> 00:36:42,399 WHICH, BETWEEN US... 953 00:36:42,401 --> 00:36:44,301 IS THAT WHAT YOU TEACH? 954 00:36:44,303 --> 00:36:46,403 IF YOU'RE GAY, YOU MIGHT AS WELL JUST DIE? 955 00:36:46,405 --> 00:36:48,305 YOU'RE GONNA SHOW SOME RESPECT. 956 00:36:48,307 --> 00:36:49,540 OKAY, MR. HEWSON... 957 00:36:49,541 --> 00:36:50,774 HOW MANY KIDS ARE GONNA HAVE TO FALL OVER THE EDGE 958 00:36:50,776 --> 00:36:52,475 BEFORE SOMEONE STOPS YOU? 959 00:36:52,477 --> 00:36:53,777 I'M KEEPING FAMILIES TOGETHER. 960 00:36:53,779 --> 00:36:54,945 I LOST MY OWN SON- 961 00:36:54,947 --> 00:36:57,881 NO. YOUR SON LOST A FATHER. 962 00:36:57,883 --> 00:36:59,683 YOU SHOULD'VE BEEN PROUD OF HIM. 963 00:36:59,685 --> 00:37:02,552 ED: MR. BELL. MR. BELL... 964 00:37:02,554 --> 00:37:03,720 LET'S GO. 965 00:37:03,721 --> 00:37:04,887 YOUR GRANDSON'S SAFE, IT'S OVER. 966 00:37:05,991 --> 00:37:07,257 (DOORS OPEN) 967 00:37:08,594 --> 00:37:10,860 THE GUTS IT TAKES TO FEEL WHAT HE FEELS, 968 00:37:10,862 --> 00:37:14,731 TO... (SIGHS) BE WHO HE IS, 969 00:37:15,667 --> 00:37:17,901 TELL IT LIKE IT IS... 970 00:37:18,837 --> 00:37:21,404 NOT EVERYONE CAN DO THAT. I COULDN'T. 971 00:37:21,406 --> 00:37:23,940 YOU'RE RIGHT, ARTHUR, THE TRUTH TAKES COURAGE. 972 00:37:23,942 --> 00:37:25,926 YOU'RE RIGHT. 973 00:37:25,927 --> 00:37:27,911 I COULD'VE JUST OPENED MY MOUTH ONCE 974 00:37:27,913 --> 00:37:29,579 AND SAID SOMETHING. 975 00:37:31,016 --> 00:37:34,784 ED: YOU GET A SECOND CHANCE HERE, ARTHUR. 976 00:37:34,786 --> 00:37:36,586 RYAN NEEDS YOU. 977 00:37:40,525 --> 00:37:47,764 ¶¶¶ 978 00:37:47,766 --> 00:37:50,533 ¶ Gonna face the dark tonight ¶ 979 00:37:50,535 --> 00:37:54,604 ¶ Gonna touch the starlight when I'm gone ¶ 980 00:37:59,011 --> 00:38:01,911 ¶ If I know the feeling's right ¶ 981 00:38:02,848 --> 00:38:05,282 YOU'RE STILL ALIVE, SONNY. 982 00:38:06,418 --> 00:38:07,884 KEEP IT THAT WAY. 983 00:38:09,421 --> 00:38:10,587 WE'VE GOT A LOT TO TALK ABOUT. 984 00:38:10,589 --> 00:38:13,423 ¶ Gonna face the dark tonight ¶ 985 00:38:13,425 --> 00:38:17,527 ¶ Gonna tell him I am on the rise ¶ 986 00:38:20,866 --> 00:38:21,998 IT'S OKAY. 987 00:38:22,000 --> 00:38:24,834 ¶ Love no longer outta sight ¶ 988 00:38:24,836 --> 00:38:28,638 ¶ Silver lining's in my eyes ¶ 989 00:38:32,411 --> 00:38:34,678 ¶ I said courage ¶ 990 00:38:35,614 --> 00:38:36,980 ¶ Won't you come out to play ¶ 991 00:38:36,982 --> 00:38:38,915 ¶ Won't you come out to play ¶ 992 00:38:38,917 --> 00:38:41,051 ¶ I'm a little bit down again ¶ 993 00:38:41,987 --> 00:38:44,054 ¶ Now I'm bringing it back someday ¶ 994 00:38:44,056 --> 00:38:45,689 ¶ Say courage... ¶ 995 00:38:47,993 --> 00:38:50,460 GOOD CUPCAKES THAT MARINA BROUGHT IN THIS MORNING. 996 00:38:50,462 --> 00:38:52,028 YEAH, IT WAS NICE OF HER TO COME BY LIKE THAT, 997 00:38:52,030 --> 00:38:53,530 THANK THE TEAM. 998 00:38:53,531 --> 00:38:55,031 OH, BOSS, THAT WASN'T "THANK YOU"; 999 00:38:55,033 --> 00:38:56,032 THAT WAS A... 1000 00:38:56,034 --> 00:38:58,101 "I WANNA GET ME SOME O' THAT." 1001 00:38:58,103 --> 00:38:59,903 (HALF LAUGHS) 1002 00:38:59,905 --> 00:39:01,771 SHE SUFFERED A TRAUMA. 1003 00:39:01,773 --> 00:39:03,673 IT'S A TEXTBOOK HERO-WORSHIP. 1004 00:39:03,675 --> 00:39:05,675 AND YOU HAVE A PROBLEM WITH THAT? 1005 00:39:05,677 --> 00:39:07,644 ONE DAY SHE'S GONNA SEE THROUGH THAT 1006 00:39:07,646 --> 00:39:10,113 AND SHE'S GONNA SEE ME. 1007 00:39:11,049 --> 00:39:12,515 AND THEN WHAT? 1008 00:39:13,452 --> 00:39:16,453 YOU THINK THAT SHE'S OUT OF YOUR LEAGUE. 1009 00:39:16,455 --> 00:39:17,520 WELL, SHE'S NOT. 1010 00:39:19,124 --> 00:39:21,124 DO I GIVE YOU THE FIVE CENTS NOW? 1011 00:39:22,694 --> 00:39:25,061 JULES: WHAT'RE YOU SO AFRAID OF? 1012 00:39:25,063 --> 00:39:28,131 ¶ They will know battle's all been won ¶ 1013 00:39:33,538 --> 00:39:35,772 (SONG PLAYS ON CLARK'S MP3 PLAYER) 1014 00:39:45,417 --> 00:39:48,385 BUDDY, I OWE YOU AN APOLOGY. 1015 00:39:48,387 --> 00:39:50,120 IT'S BEEN ALL ABOUT YOUR MOM AND THE BABY LATELY 1016 00:39:50,122 --> 00:39:55,392 AND I, I... I TOOK YOU FOR GRANTED. 1017 00:39:55,394 --> 00:39:56,526 AND I TOOK YOU FOR GRANTED, CLARK, 1018 00:39:56,528 --> 00:39:57,927 BECAUSE YOU ARE SUCH A GOOD KID. 1019 00:39:57,929 --> 00:40:00,563 YOU ARE SUCH A GOOD KID. 1020 00:40:00,565 --> 00:40:02,132 I MESSED UP, BUDDY. 1021 00:40:03,068 --> 00:40:05,034 I'M JUST TRYING TO FIGURE IT OUT FOR MYSELF HERE. 1022 00:40:05,036 --> 00:40:06,102 IT'S OKAY. 1023 00:40:10,442 --> 00:40:12,108 (HALF LAUGHS) 1024 00:40:13,845 --> 00:40:15,578 YOU ALL RIGHT? 1025 00:40:18,016 --> 00:40:20,333 I EVER TELL YOU ABOUT THE TIME 1026 00:40:20,334 --> 00:40:22,651 WHEN YOUR GRANDFATHER CAUGHT ME AND ROY SMOKING CIGARS? 1027 00:40:22,654 --> 00:40:26,055 RINKING A LITTLE BIT TOO, BUT... 1028 00:40:26,057 --> 00:40:27,724 BUT HE ONLY SAW THE CIGARS. 1029 00:40:27,726 --> 00:40:30,059 HE MADE ME SMOKE THE WHOLE THING RIGHT THERE. 1030 00:40:30,061 --> 00:40:31,928 ¶ I can go it all the way ¶ 1031 00:40:31,930 --> 00:40:34,998 ¶ So I wanna leave the world better ¶ 1032 00:40:35,000 --> 00:40:37,167 ¶ When I'm gone ¶ 1033 00:40:38,537 --> 00:40:41,571 ¶ And I know the morning after ¶ 1034 00:40:41,573 --> 00:40:43,473 ¶ Will bring another day ¶ 1035 00:40:43,475 --> 00:40:47,577 ¶ So this is my goodbye song ¶ 1036 00:40:48,513 --> 00:40:51,080 MARINA, HI. IT'S SERGEANT GREG PARKER. 1037 00:40:51,082 --> 00:40:52,515 IT'S GREG. IT'S GREG. 1038 00:40:52,517 --> 00:40:55,118 GREG PARKER. (LAUGHS) HOW ARE YOU? 1039 00:40:56,588 --> 00:40:59,656 UM... IS IT TOO LATE TO GO TO THE ART OPENING TONIGHT? 1040 00:41:00,692 --> 00:41:02,992 ¶ Oh, I said courage ¶