1
00:00:06,741 --> 00:00:08,007
GUYS.
2
00:00:12,380 --> 00:00:17,583
(AUDITORIUM DOORS OPEN)
3
00:00:17,585 --> 00:00:19,685
ED:
I'M A POLICE OFFICER,
MY NAME'S ED LANE.
4
00:00:19,687 --> 00:00:21,286
YOUNG MAN:
LEAVE ME ALONE!
5
00:00:21,288 --> 00:00:22,738
ED:
I CAN'T DO THAT.
6
00:00:22,739 --> 00:00:24,189
I CAN'T JUST LEAVE YOU ALONE
TRYING TO KILL YOURSELF.
7
00:00:28,262 --> 00:00:29,595
SAM:
OKAY, WE CAN'T JUST RUSH 'EM,
ED,
8
00:00:29,597 --> 00:00:31,363
SO YOU NEED TO BUY US
SOME TIME.
9
00:00:31,365 --> 00:00:33,532
PARKER:
EDDIE, YOU GOTTA TAKE
THE PRESSURE OFF.
10
00:00:35,336 --> 00:00:36,702
ED:
FAMILIES JUST GO THROUGH
A LITTLE BIT OF STRAIN,
11
00:00:36,704 --> 00:00:38,587
THAT'S ALL,
AND I GET THAT.
12
00:00:38,588 --> 00:00:40,471
YOUNG MAN:
NO, YOU DON'T GET TO SAY
YOU GET IT.
13
00:00:40,474 --> 00:00:42,074
'CAUSE HOW COULD YOU GET IT?
14
00:00:42,076 --> 00:00:45,144
HOW?
HOW COULD YOU EVEN KNOW?!
15
00:00:52,520 --> 00:00:57,056
(FIRECRACKERS POP AND WHIZ,
KIDS CHATTER AND LAUGH)
16
00:00:58,659 --> 00:01:00,392
(FIRECRACKERS POP
AND WHISTLE)
17
00:01:00,394 --> 00:01:02,094
BOY:
WHAT'S THAT?
18
00:01:02,830 --> 00:01:04,263
WHOA, DUDE, DON'T.
19
00:01:04,265 --> 00:01:05,497
MAN, RELAX.
IT'S DONE.
20
00:01:05,499 --> 00:01:07,599
GIRLFRIEND:
JOE, COME ON, JUST CHILL.
21
00:01:07,601 --> 00:01:11,203
(HIP HOP MUSIC PLAYS
ON A RADIO)
22
00:01:12,440 --> 00:01:14,807
(KIDS CHATTER AND LAUGH)
23
00:01:16,544 --> 00:01:19,111
BOY:
WHAT'RE YOU DOING, TYANNA?
24
00:01:19,113 --> 00:01:20,446
NOTHING.
I'M LOOKING FOR SOMEONE.
25
00:01:20,448 --> 00:01:22,514
OH YEAH?
ARE YOU FEELING LONELY?
26
00:01:22,516 --> 00:01:24,650
LOOKING FOR A LITTLE,
UH... ACTION?
27
00:01:24,652 --> 00:01:26,318
KIDS:
(SNICKER)
28
00:01:26,320 --> 00:01:27,586
BOY:
GOOD ONE, JOE.
29
00:01:27,587 --> 00:01:28,853
KID IN CAP:
DON'T WORRY,
I'M NOT THAT DESPERATE.
30
00:01:28,854 --> 00:01:30,120
KIDS:
OH! JOE...
(SNICKERING)
31
00:01:30,124 --> 00:01:32,157
KID IN CAP:
ENJOY YOUR DAY.
32
00:01:32,159 --> 00:01:33,325
WHAT'D YOU SAY TO ME?
33
00:01:33,327 --> 00:01:34,743
JOE, LEAVE HIM ALONE.
34
00:01:34,744 --> 00:01:36,160
KID IN CAP:
SORRY, JOE,
I'M JUST NOT THAT INTO YOU.
35
00:01:36,163 --> 00:01:38,697
KIDS: (LAUGH)
GIRLFRIEND: JOE!
36
00:01:38,699 --> 00:01:40,282
SAY IT AGAIN.
37
00:01:40,283 --> 00:01:41,866
GIRLFRIEND:
JOE, DON'T!
GUYS, STOP IT!
38
00:01:41,869 --> 00:01:43,735
OH MY GOD, STOP!
39
00:01:43,737 --> 00:01:45,237
JOE, COME ON!
40
00:01:45,238 --> 00:01:46,738
JOE:
YOU THINK YOU'RE FUNNY NOW?
41
00:01:46,740 --> 00:01:48,540
YOU DESERVE
WHATEVER YOU GET.
42
00:01:54,281 --> 00:01:55,714
WINNIE: SARGE?
PARKER: YEAH.
43
00:01:55,716 --> 00:01:56,749
SORRY TO INTERRUPT.
44
00:01:56,750 --> 00:01:57,783
I GOT SOMEBODY HERE
TO SEE YOU.
45
00:01:59,753 --> 00:02:01,520
MARINA.
46
00:02:01,522 --> 00:02:02,588
I DIDN'T EXPECT YOU.
47
00:02:02,590 --> 00:02:03,655
YEAH.
48
00:02:06,327 --> 00:02:07,726
IS THIS OKAY?
49
00:02:07,728 --> 00:02:08,794
SURE! SURE!
50
00:02:09,730 --> 00:02:10,796
OH.
51
00:02:11,899 --> 00:02:14,466
PARKER:
SO, HOW'S EVERYTHING?
52
00:02:14,468 --> 00:02:16,401
AY?
YEAH. YOU KNOW,
53
00:02:16,403 --> 00:02:18,203
GOOD DAYS AND BAD DAYS.
54
00:02:18,205 --> 00:02:20,339
YEAH.
AND HOW'S COUNSELING GOING?
55
00:02:20,341 --> 00:02:23,709
HE THINKS THAT I'LL BE ABLE
TO GO BACK TO WORK ON MONDAY.
56
00:02:23,711 --> 00:02:24,710
AND WHAT DO YOU THINK?
57
00:02:24,712 --> 00:02:26,512
I SAY BRING IT ON.
58
00:02:26,514 --> 00:02:28,747
THERAPY AND BAKING CAN
ONLY TAKE A GAL SO FAR.
59
00:02:28,749 --> 00:02:30,916
WORK'S A GOOD WAY
TO JUST, YOU KNOW...
60
00:02:30,918 --> 00:02:32,885
OH YEAH,
I DO KNOW.
61
00:02:32,887 --> 00:02:35,621
THOUGH I HAVE MANAGED
TO PERFECT
62
00:02:35,623 --> 00:02:37,756
THE DELICATE ART
OF THE CUPCAKE.
63
00:02:38,692 --> 00:02:41,260
A LITTLE "THANK YOU"
FOR YOU AND YOUR TEAM.
64
00:02:41,262 --> 00:02:43,662
(SNORTED CHUCKLE)
65
00:02:43,664 --> 00:02:45,597
SAM: (WHISPERS)
THAT'S THE LADY FROM
THE VALENTINE'S DAY SHOOTING.
66
00:02:45,599 --> 00:02:46,732
WINNIE: (WHISPERS)
MARINA.
67
00:02:46,734 --> 00:02:48,567
(WHISPERS)
RIGHT...
68
00:02:48,569 --> 00:02:49,768
IT'S NOT HER FIRST TIME
BEING BY EITHER.
69
00:02:53,207 --> 00:02:54,540
(KIDS CHEER,
FIRECRACKERS POP)
70
00:02:54,542 --> 00:02:56,275
BOY:
COME ON, HIT IT.
71
00:03:01,749 --> 00:03:03,348
(CHAMBER CRANKS)
72
00:03:05,719 --> 00:03:07,586
(CHAMBER SNAPS INTO PLACE)
73
00:03:07,588 --> 00:03:08,654
(EXHALES)
74
00:03:16,730 --> 00:03:19,598
(GRASS RUSTLES UNDERFOOT)
75
00:03:25,206 --> 00:03:26,705
MARINA:
AFTER THAT NIGHT,
IT'S...
76
00:03:26,707 --> 00:03:28,507
IT'S BEEN HARD
TO GO OUT AGAIN.
77
00:03:28,509 --> 00:03:29,708
WELL,
YOU'VE GOT YOUR GUARD UP,
78
00:03:29,710 --> 00:03:31,293
THAT'S NATURAL.
79
00:03:31,294 --> 00:03:32,877
I MEAN, I'VE BEEN OUT
ON A FEW DATES.
80
00:03:32,880 --> 00:03:34,680
GREAT GUYS ON PAPER,
BUT...
81
00:03:34,682 --> 00:03:38,750
THERE WAS ONE THING
THAT I KEPT THINKING:
82
00:03:38,752 --> 00:03:40,752
NONE OF THEM WERE YOU.
83
00:03:40,754 --> 00:03:41,753
OH.
84
00:03:41,755 --> 00:03:44,223
WERE YOU OR WAS YOU.
I... ANYWAYS,
85
00:03:44,225 --> 00:03:45,557
I, UM...
86
00:03:45,559 --> 00:03:48,727
A FRIEND OF MINE IS HAVING
AN ART OPENING TONIGHT
87
00:03:48,729 --> 00:03:51,663
AND IF YOU'RE NOT
DOING ANYTHING...?
88
00:03:51,665 --> 00:03:53,532
IT'S TOTALLY,
IT'S LAST MINUTE, I KNOW,
89
00:03:53,534 --> 00:03:55,934
BUT...
90
00:03:55,936 --> 00:03:58,403
I'D LOVE TO,
BUT UH...
91
00:03:58,405 --> 00:03:59,838
RIGHT.
92
00:03:59,840 --> 00:04:01,573
RIGHT. YEAH.
93
00:04:01,575 --> 00:04:04,309
NO, NO, NO, NO.
SEE, YOU...
94
00:04:05,779 --> 00:04:07,579
YOU'VE BEEN,
YOU'VE BEEN THROUGH A LOT,
95
00:04:07,581 --> 00:04:08,780
AND I THINK IT
WOULD BE BETTER
96
00:04:08,782 --> 00:04:12,417
IF WE KEPT THIS
UNCOMPLICATED.
97
00:04:12,419 --> 00:04:13,852
ABSOLUTELY.
98
00:04:13,854 --> 00:04:16,622
I MEAN, IT'S WORTH A TRY,
RIGHT?
99
00:04:18,525 --> 00:04:21,760
(SIGHS,
CLEARS THROAT)
100
00:04:23,764 --> 00:04:24,963
THANK YOU.
101
00:04:29,303 --> 00:04:30,369
YEAH.
102
00:04:36,610 --> 00:04:39,711
(MUSIC PLAYS ON THE RADIO,
KIDS CHATTER AND LAUGH)
103
00:04:39,713 --> 00:04:42,648
BOY:
HEY YO, JOE, VISITOR.
104
00:04:44,018 --> 00:04:45,851
JOE:
SOMETHING YOU WANT?
105
00:04:45,853 --> 00:04:47,819
WHAT'S WITH THE MASK?
106
00:04:47,821 --> 00:04:48,987
YOU HAVING A BAD FACE DAY?
107
00:04:48,989 --> 00:04:50,055
(KIDS LAUGH)
108
00:04:51,792 --> 00:04:52,791
GIRL:
(HUSHED TONE)
WHAT'S HE DOING?
109
00:04:52,793 --> 00:04:54,626
JOE STANICK!
110
00:04:54,628 --> 00:04:56,328
ON YOUR KNEES!
111
00:04:56,330 --> 00:04:57,896
GET ON YOUR KNEES!
112
00:05:00,668 --> 00:05:01,833
(GUNSHOT POPS LOUDLY,
GIRL SQUEALS)
113
00:05:01,835 --> 00:05:03,802
GUNMAN:
ALL OF YOU!
114
00:05:03,804 --> 00:05:05,037
ON YOUR KNEES!
115
00:05:15,382 --> 00:05:18,050
911 REPORTING A MASKED GUNMAN
IN THE DON VALLEY.
116
00:05:18,052 --> 00:05:19,551
WITNESS'S NAME IS JESSICA.
117
00:05:19,553 --> 00:05:21,386
I'M PATCHING YOU THROUGH.
118
00:05:21,388 --> 00:05:22,721
JESSICA?
119
00:05:22,722 --> 00:05:24,055
HI, MY NAME IS SERGEANT
GREG PARKER,
120
00:05:24,058 --> 00:05:26,925
I'M WITH THE POLICE STRATEGIC
RESPONSE UNIT.
121
00:05:26,927 --> 00:05:28,327
HE'S GONNA SHOOT THEM!
122
00:05:28,328 --> 00:05:29,728
PARKER:
IT'S ONE GUNMAN,
IS THAT RIGHT?
123
00:05:29,730 --> 00:05:31,330
JESSICA:
YEAH, HE'S GOT MY FRIENDS.
124
00:05:31,332 --> 00:05:32,565
PARKER:
IS ANYONE HURT?
125
00:05:32,566 --> 00:05:33,799
JESSICA:
OH MY GOD!
YOU GOTTA GET HERE FAST.
126
00:05:33,801 --> 00:05:35,651
PLEASE!
HE'S GONNA SHOOT THEM.
127
00:05:35,652 --> 00:05:37,502
PARKER:
WE'RE ON OUR WAY, HONEY.
WE JUST NEED TO FIND YOU.
128
00:05:37,504 --> 00:05:39,104
CAN YOU HELP US?
129
00:05:39,105 --> 00:05:40,705
JESSICA:
WE'RE, UH...
WE'RE BY THE RIVER,
130
00:05:40,708 --> 00:05:41,952
NEAR THE BRIDGE.
131
00:05:41,953 --> 00:05:43,197
LOTTA BRIDGES DOWN THERE,
BOSS.
132
00:05:43,198 --> 00:05:44,442
PARKER:
IS IT A BIG BRIDGE?
A SMALL ONE?
133
00:05:44,445 --> 00:05:45,895
I DON'T KNOW, SMALL.
134
00:05:45,896 --> 00:05:47,346
PARKER:
IS THERE ANYTHING ELSE?
A LANDMARK?
135
00:05:47,348 --> 00:05:49,915
JESSICA:
JUST THE, JUST THE RIVER
AND I DON'T KNOW, TREES.
136
00:05:49,917 --> 00:05:51,983
HOW ABOUT HYDRO WIRES
AND BUILDINGS?
137
00:05:51,985 --> 00:05:54,886
JESSICA:
OH GOD! UM, A TRAIN!
138
00:05:54,888 --> 00:05:56,488
WE'RE BY THE BIG BRIDGE THING
139
00:05:56,490 --> 00:05:57,723
WITH THE TRAINS
GOING UNDERNEATH.
140
00:05:57,725 --> 00:05:58,890
THE BRIDGE THING
WITH THE TRAINS UNDERNEATH,
141
00:05:58,892 --> 00:06:00,342
I CAN WORK WITH THAT.
142
00:06:00,343 --> 00:06:01,793
PARKER:
GREAT, JESSICA.
YOU'RE DOING GREAT.
143
00:06:01,795 --> 00:06:04,730
GUNMAN:
IF ANYBODY MOVES,
I'LL SHOOT!
144
00:06:04,732 --> 00:06:07,432
BOY: I GOTTA DO SOMETHING!
JESSICA: NO, NO!
145
00:06:07,434 --> 00:06:08,667
PARKER:
JESSICA, YOU LISTEN TO ME.
146
00:06:08,669 --> 00:06:09,835
YOU STAY RIGHT WHERE YOU ARE,
HONEY.
147
00:06:09,837 --> 00:06:11,803
JESSICA, TELL ME
WHAT'S GOING ON?
148
00:06:11,805 --> 00:06:13,572
WHAT'S HAPPENING?
(LOUD GUNSHOT, JESSICA SHRIEKS)
149
00:06:13,574 --> 00:06:14,639
JESSICA!
150
00:06:17,945 --> 00:06:19,144
(SIRENS WAILING)
151
00:06:28,922 --> 00:06:30,989
ALL RIGHT,
LET'S GET THIS AREA CONTAINED.
152
00:06:30,991 --> 00:06:32,524
LET'S DO IT NOW!
153
00:06:32,526 --> 00:06:33,625
SPIKE:
WE'RE LOOKING AT
THIS BRIDGE HERE -
154
00:06:33,627 --> 00:06:35,093
COULD BE EITHER SIDE.
155
00:06:35,094 --> 00:06:36,560
SAM:
GUYS, ORGANIZE CONTAINMENT
ON ALL ROADS.
156
00:06:36,561 --> 00:06:38,027
NO ONE IN OR OUT
TILL WE CAN CLEAR.
157
00:06:38,031 --> 00:06:40,999
ED:
OKAY, BOSS, RAF, JULES -
158
00:06:41,001 --> 00:06:42,567
WEST SIDE OF THE BRIDGE;
159
00:06:42,569 --> 00:06:44,436
SAM, SPIKE, WITH ME - EAST.
160
00:06:44,438 --> 00:06:46,171
SAM:
SHOTS FIRED,
THERE MAY BE WOUNDED.
161
00:06:46,173 --> 00:06:47,506
PARKER:
WINNIE, SEND EMS.
162
00:06:47,508 --> 00:06:50,642
WINNIE,
LET'S GET K-9 DOWN HERE ASAP.
163
00:06:56,950 --> 00:06:59,618
(GRASS RUSTLES UNDERFOOT)
164
00:07:07,895 --> 00:07:09,428
ARE YOU OKAY?
165
00:07:09,430 --> 00:07:10,996
HEY, IS EVERYONE ALL RIGHT?
IT'S JUST THE POLICE.
166
00:07:10,998 --> 00:07:11,997
YOU'RE SAFE, OKAY?
167
00:07:11,999 --> 00:07:13,332
ED:
IT'S ALL RIGHT.
GET UP.
168
00:07:13,333 --> 00:07:14,666
SAM: YOU GUYS CAN GET UP.
KID: THANK GOD.
169
00:07:14,668 --> 00:07:15,534
SAM:
IS EVERYONE OKAY?
170
00:07:15,536 --> 00:07:16,935
KIDS:
YEAH.
171
00:07:16,937 --> 00:07:18,470
ED:
BOSS, WE FOUND 'EM.
172
00:07:18,472 --> 00:07:19,938
TALK TO ME, EDDIE.
173
00:07:19,940 --> 00:07:22,174
ED:
WE GOT FIVE TEENS, UNINJURED.
WE'RE GOOD.
174
00:07:22,176 --> 00:07:23,508
DID YOU SEE
WHERE THE GUNMAN WENT?
175
00:07:23,510 --> 00:07:24,910
NO, I DON'T KNOW.
HE TOOK JOE.
176
00:07:24,912 --> 00:07:26,077
ED:
IT'S OKAY,
WE'RE GONNA FIND HIM.
177
00:07:26,079 --> 00:07:27,896
NOW WHAT HAPPENED HERE?
178
00:07:27,897 --> 00:07:29,714
DIRK TRIED TO STOP HIM
FROM TAKING JOE AND THEN-
179
00:07:29,716 --> 00:07:31,183
I JUMPED HIM,
AND THEN THE GUN WENT OFF.
180
00:07:31,185 --> 00:07:33,018
AND THEN HE MADE US
GET ON THE GROUND FACE DOWN.
181
00:07:33,020 --> 00:07:34,586
SAM:
DID ANY OF YOU SEE
WHERE THE GUNMAN WENT?
182
00:07:34,588 --> 00:07:35,887
DIRK:
HE SAID HE'D SHOOT US
IF WE MOVED.
183
00:07:35,889 --> 00:07:37,556
THE GUY KNEW JOE'S NAME.
184
00:07:37,558 --> 00:07:38,723
WHAT'S JOE'S LAST NAME?
185
00:07:38,725 --> 00:07:40,108
STANICK.
186
00:07:40,109 --> 00:07:41,492
BOSS, THE SUBJECT
HAS TAKEN A HOSTAGE,
187
00:07:41,495 --> 00:07:42,494
A JOE STANICK.
188
00:07:42,496 --> 00:07:43,762
HE'S KNOWN TO THE GUNMAN.
189
00:07:43,764 --> 00:07:45,247
SAM, WE GOTTA MOVE.
190
00:07:45,248 --> 00:07:46,731
SPIKE, GET THESE KIDS BACK
TO COMMAND POST.
191
00:07:46,733 --> 00:07:48,233
SPIKE:
OKAY, GUYS, EVERYBODY WITH ME.
OKAY, EVERYBODY.
192
00:07:48,235 --> 00:07:49,551
COME ON, GUYS,
WE STICK TOGETHER.
193
00:07:49,552 --> 00:07:50,868
LET'S GO. UP, UP, UP.
THROUGH THERE.
194
00:07:50,871 --> 00:07:52,504
THERE YOU GO.
COME ON, IT'S TIME TO GO.
195
00:07:52,506 --> 00:07:53,505
JESSICA:
I THINK IT WAS TYLER.
196
00:07:53,507 --> 00:07:54,739
TYLER? WHO'S TYLER?
197
00:07:54,741 --> 00:07:56,208
HE WAS HERE BEFORE
AND THEY FOUGHT,
198
00:07:56,210 --> 00:07:58,076
AND THAT'S HIS HAT.
199
00:07:58,078 --> 00:07:59,744
SPIKE: THAT'S TYLER'S HAT?
JESSICA: YEAH.
200
00:07:59,746 --> 00:08:01,329
SPIKE:
KEEP TALKING.
201
00:08:01,330 --> 00:08:02,913
JESSICA:
AND I DON'T KNOW,
IT WAS LIKE AND HOUR AGO
202
00:08:02,916 --> 00:08:05,150
AND TYLER JUST LEFT
REALLY PISSED.
203
00:08:05,152 --> 00:08:06,785
PISSED ENOUGH TO GO
AND GET A GUN?
204
00:08:06,787 --> 00:08:08,620
I DON'T KNOW, MAYBE.
HE LIVES CLOSE.
205
00:08:08,622 --> 00:08:11,723
CAN YOU TELL ME ANYTHING ELSE
ABOUT TYLER AND JOE?
206
00:08:11,725 --> 00:08:13,091
NO.
YOU SURE?
207
00:08:14,027 --> 00:08:15,126
OKAY. COME ON,
RIGHT THROUGH THERE, OKAY?
208
00:08:15,128 --> 00:08:16,461
WE'RE GONNA GET YOU
OUTTA HERE.
209
00:08:16,462 --> 00:08:17,795
IT'S GONNA BE OKAY.
GUYS, KEEP WALKING,
210
00:08:17,798 --> 00:08:19,030
STRAIGHT AHEAD.
IT'S ALL RIGHT.
211
00:08:24,705 --> 00:08:25,804
SAM, WE GOT A VISUAL.
212
00:08:26,773 --> 00:08:28,039
SAM:
POLICE! DON'T MOVE!
213
00:08:28,041 --> 00:08:29,241
ED:
RIGHT THERE!
214
00:08:32,746 --> 00:08:33,945
RIGHT THERE!
HOLD IT RIGHT THERE!
215
00:08:33,947 --> 00:08:35,580
LET'S SEE SOME HANDS.
216
00:08:36,517 --> 00:08:38,149
SAM:
STAY THERE!
SHOW US YOUR HANDS!
217
00:08:38,151 --> 00:08:39,718
ED:
HANDS!
LET'S SEE SOME HANDS!
218
00:08:39,720 --> 00:08:41,653
'KAY, DAD, STOP!
STOP! IT'S ME.
219
00:08:42,756 --> 00:08:52,864
¶¶¶
220
00:08:52,866 --> 00:08:57,769
¶¶¶
221
00:08:57,771 --> 00:09:12,050
¶¶¶
222
00:09:16,156 --> 00:09:17,255
(SIRENS WAIL IN THE DISTANCE)
223
00:09:17,257 --> 00:09:19,090
CLARK, WHAT THE HELL
ARE YOU DOING HERE?
224
00:09:19,092 --> 00:09:20,425
I'M SORRY.
225
00:09:20,426 --> 00:09:21,759
ED:
CLARK, YOU OKAY?
YOU HURT?
226
00:09:21,762 --> 00:09:22,861
CLARK:
I'M FINE.
227
00:09:22,863 --> 00:09:24,696
DID YOU SEE THE GUNMAN
COME THIS WAY?
228
00:09:24,698 --> 00:09:26,131
NO, HE WENT THAT WAY
WITH JOE.
229
00:09:26,133 --> 00:09:27,132
WHAT THE HELL'S
GOING ON HERE?
230
00:09:27,134 --> 00:09:28,383
I WAS JUST HANGING OUT.
231
00:09:28,384 --> 00:09:29,633
I SAW YOU AND I DIDN'T WANNA
GET INTO TROUBLE.
232
00:09:29,636 --> 00:09:30,869
ALL RIGHT, GET UP HERE,
GET UP HERE.
233
00:09:30,871 --> 00:09:32,337
LET'S GO, LET'S GO.
234
00:09:32,339 --> 00:09:33,738
GUNMAN HEADED NORTH.
235
00:09:33,740 --> 00:09:34,873
YOU'RE WORRIED ABOUT
BEING GROUNDED?
236
00:09:34,875 --> 00:09:35,774
WE GOT A GUNMAN
ON THE LOOSE HERE,
237
00:09:35,776 --> 00:09:37,042
LET'S GO!
238
00:09:37,978 --> 00:09:39,744
WHAT'S GOING ON, EDDIE?
239
00:09:39,746 --> 00:09:41,813
GREG, CLARK WAS ONE OF THE KIDS
DOWN HERE.
240
00:09:41,815 --> 00:09:43,048
PARKER:
IS HE ALL RIGHT?
241
00:09:43,049 --> 00:09:44,282
ED:
HE'S OKAY.
WE'RE COMING UP RIGHT NOW.
242
00:09:44,284 --> 00:09:46,585
PARKER:
COPY THAT.
K-9'S ON SCENE.
243
00:09:46,587 --> 00:09:47,986
BOSS, THE SHOOTER MIGHT BE
A CLASSMATE.
244
00:09:47,988 --> 00:09:49,421
TY DAVIS.
245
00:09:49,422 --> 00:09:50,855
JOE'S GIRLFRIEND SAID
THEY GOT INTO A FIGHT.
246
00:09:50,857 --> 00:09:52,190
I THINK THERE MIGHT BE MORE
TO THE STORY.
247
00:09:52,192 --> 00:09:53,758
THANKS, SPIKE.
248
00:09:53,760 --> 00:09:55,477
GOT A REFERENCE SCENT
FOR YOUR DOG.
249
00:09:55,478 --> 00:09:57,195
POLICE HANDLER:
OH, GOOD. ONCE SASCHA GETS
A SCENT, THINGS'LL MOVE.
250
00:09:57,197 --> 00:09:58,196
SPIKE:
OKAY, GREAT.
251
00:09:58,198 --> 00:09:59,798
THE SHOOTER WAS LAST SEEN HERE.
252
00:09:59,800 --> 00:10:01,266
WE'LL WORK A GRID
UNTIL WE FIND A LEAD.
253
00:10:01,268 --> 00:10:03,668
HANDLER:
HEY! EIFO HU, SASCHA?
254
00:10:03,670 --> 00:10:05,704
EIFO HU?
SHE SPEAKS HEBREW?
255
00:10:05,706 --> 00:10:07,706
YEAH, SASCHA WORKED
WITH THE ISRAELI ARMY.
256
00:10:07,708 --> 00:10:08,773
TITFESI OTO!
257
00:10:10,177 --> 00:10:11,910
OKAY, DIRK,
WHAT ELSE CAN REMEMBER
258
00:10:11,912 --> 00:10:13,562
BESIDES THE SKI MASK?
259
00:10:13,563 --> 00:10:15,213
HOW OLD HE WAS, HOW TALL,
WHAT HE WAS WEARING?
260
00:10:15,215 --> 00:10:17,682
NOTHING.
I CAN'T REMEMBER ANYTHING!
261
00:10:17,684 --> 00:10:18,984
IT'S OKAY.
262
00:10:18,985 --> 00:10:20,285
I JUST SAW THE GUN.
263
00:10:20,287 --> 00:10:22,020
WHAT DO YOU REMEMBER
ABOUT THE GUN?
264
00:10:22,022 --> 00:10:23,989
IT WAS LIKE A...
265
00:10:23,990 --> 00:10:25,957
IT WAS LIKE A JOHN WAYNE
KIND OF THING.
266
00:10:25,959 --> 00:10:28,693
WHITE HANDLE,
THE REST OF IT WAS SILVER,
267
00:10:28,695 --> 00:10:29,794
AND IT HAD LIKE
ENGRAVINGS ON IT,
268
00:10:29,796 --> 00:10:33,264
LIKE, UH, BB OR JB
OR SOMETHING.
269
00:10:33,266 --> 00:10:34,633
IT HAPPENED SO FAST.
270
00:10:34,635 --> 00:10:37,235
OKAY.
THAT'S A REALLY BIG HELP.
271
00:10:37,237 --> 00:10:38,870
STAY RIGHT THERE.
OKAY.
272
00:10:38,872 --> 00:10:41,139
I THINK HE'S SUFFERING
FROM WEAPON FOCUS.
273
00:10:41,141 --> 00:10:42,874
IT'S ALL HE CAN REMEMBER.
274
00:10:42,876 --> 00:10:44,809
SAM, YOU HEARD THE WITNESS?
275
00:10:44,811 --> 00:10:46,344
SAM:
IT'S GOTTA BE J.B. -
276
00:10:46,345 --> 00:10:47,878
JOHNSON BRANT,
VINTAGE GUNSMITH.
277
00:10:47,881 --> 00:10:49,948
BONE HANDLE,
SILVER BARREL.
278
00:10:49,950 --> 00:10:51,416
ED:
WINNIE, IT'S NOT
YOUR EVERYDAY WEAPON.
279
00:10:51,418 --> 00:10:52,851
CHECK THE REGISTRY.
280
00:10:52,853 --> 00:10:53,918
I'M ON IT.
281
00:10:56,056 --> 00:10:57,188
(SASCHA PANTS)
282
00:11:01,328 --> 00:11:02,394
(PANTING)
283
00:11:06,900 --> 00:11:07,899
(SASCHA WHIMPERS)
284
00:11:07,901 --> 00:11:09,100
LEAN HU HALACH?
285
00:11:09,102 --> 00:11:10,135
WHAT'S GOING ON?
286
00:11:10,136 --> 00:11:11,169
MY PARTNER'S
LOST THE SCENT.
287
00:11:11,171 --> 00:11:12,237
SPIKE:
WINDS BLOWING FROM THE EAST,
288
00:11:12,239 --> 00:11:13,938
PUSHING THE SHOOTER'S SCENT
WEST.
289
00:11:13,940 --> 00:11:14,839
WE OVER-SHOT THE SUBJECT.
290
00:11:14,841 --> 00:11:15,940
SASCHA LED US HERE.
291
00:11:15,942 --> 00:11:17,353
SPIKE:
WE KEEP GOING,
292
00:11:17,354 --> 00:11:18,765
WE DON'T LOSE THE SUBJECT
COMPLETELY.
293
00:11:18,766 --> 00:11:20,177
HE'S GOTTA BE BACK THERE,
OFF-TRAIL.
294
00:11:20,180 --> 00:11:24,049
ANIMAL INSTINCTS,
THEY ONLY GET YOU SO FAR.
295
00:11:29,856 --> 00:11:31,256
SO WHO ARE THESE KIDS?
THEY NEW FRIENDS OF YOURS?
296
00:11:31,258 --> 00:11:32,791
WHAT?
JUST FRIENDS
FROM SCHOOL.
297
00:11:32,793 --> 00:11:36,261
SATURDAY'S YOUR CELLO LESSON,
RIGHT?
298
00:11:36,263 --> 00:11:37,929
CLARK?
299
00:11:37,931 --> 00:11:39,130
I STOPPED GOING.
300
00:11:39,132 --> 00:11:41,066
WHAT DO YOU MEAN
YOU STOPPED GOING? WHEN?
301
00:11:41,068 --> 00:11:42,834
I DON'T KNOW,
A COUPLE MONTHS AGO.
302
00:11:42,836 --> 00:11:45,003
AND THE 40 BUCKS YOUR MOM'S
GIVING YOU EVERY WEEK?
303
00:11:45,005 --> 00:11:47,038
I'LL PAY YOU BACK,
ALL RIGHT?
304
00:11:47,040 --> 00:11:49,040
YOU'RE BLOWING THAT ON BEER
AND FIREWORKS, RIGHT?
305
00:11:49,042 --> 00:11:50,742
WHAT, NOW YOU TAKE
AN INTEREST?
306
00:11:50,744 --> 00:11:52,110
THIS WHAT IT TAKES?
REALLY?
307
00:11:52,112 --> 00:11:53,478
WHAT'RE YOU TALKING ABOUT?
308
00:11:53,480 --> 00:11:55,013
MAYBE I SHOULD START
PUTTING ON DIAPERS AGAIN,
309
00:11:55,015 --> 00:11:56,615
'CAUSE THAT'S FASCINATING.
310
00:11:56,616 --> 00:11:58,216
YOUR MOTHER AND I TRUST YOU
TO USE YOUR HEAD.
311
00:11:58,218 --> 00:11:59,918
NOW, WAS THAT A MISTAKE?
312
00:11:59,920 --> 00:12:01,920
PARKER:
HEY, EDDIE.
313
00:12:01,922 --> 00:12:03,922
I'LL PICK UP
WITH THE WITNESS HERE,
314
00:12:03,924 --> 00:12:05,890
MAKE SURE
HE GETS HOME SAFE.
315
00:12:05,892 --> 00:12:07,859
LET'S GET YOU BACK
ON THE SEARCH.
316
00:12:07,861 --> 00:12:09,861
I'LL TALK TO YOU LATER.
317
00:12:10,897 --> 00:12:12,897
HI, CLARK.
318
00:12:12,899 --> 00:12:14,432
ED:
RAF, WHAT'S YOUR TWENTY?
319
00:12:14,434 --> 00:12:16,334
RAF:
WE'RE SOUTH-SOUTHWEST OF YOU,
ED.
320
00:12:16,336 --> 00:12:17,936
SENDING COORDINATES.
321
00:12:17,938 --> 00:12:19,003
(PDA BEEPS)
322
00:12:23,410 --> 00:12:24,843
YOU GOT SOMETHING?
323
00:12:24,845 --> 00:12:26,111
SPIKE:
WE GOT A HEAT TRACE.
324
00:12:26,113 --> 00:12:27,112
TRACKS ARE FAINT,
325
00:12:27,113 --> 00:12:28,112
BUT I'M GUESSING
OUR SUBJECT BROKE OFF
326
00:12:28,115 --> 00:12:29,247
AND WENT THIS WAY.
327
00:12:29,249 --> 00:12:31,349
HANDLER:
YALDA TOVA, TITFESI OTO!
328
00:12:31,351 --> 00:12:33,351
PARKER:
SO, UH, JESSICA WAS SAYING
THAT SHE THINKS
329
00:12:33,353 --> 00:12:35,520
IT WAS TYLER DAVIS
BEHIND THE MASK.
330
00:12:35,522 --> 00:12:37,021
TY?
331
00:12:37,023 --> 00:12:38,957
SHE TOLD US
ABOUT THE FIGHT,
332
00:12:38,959 --> 00:12:40,525
BUT I'M THINKING
THERE'S MORE TO THE STORY.
333
00:12:40,527 --> 00:12:42,060
WELL, HE REALLY HATES JOE
334
00:12:42,062 --> 00:12:44,129
BECAUSE OF WHAT HE DID
TO HIS BOYFRIEND RYAN.
335
00:12:44,131 --> 00:12:45,363
WHY, WHAT DID HE DO?
336
00:12:45,365 --> 00:12:47,031
COUPLE OF WEEKS AGO,
JOE SHOT A SECRET VIDEO
337
00:12:47,033 --> 00:12:49,033
OF TY AND RYAN
KISSING BACKSTAGE
338
00:12:49,035 --> 00:12:50,435
AND HE POSTED IT
ON THE INTERNET
339
00:12:50,437 --> 00:12:52,036
AND THINGS GOT UGLY.
340
00:12:52,038 --> 00:12:53,371
HE OUTED THEM?
341
00:12:53,373 --> 00:12:55,807
WELL, TY'S OUT,
BUT RYAN WASN'T.
342
00:12:55,809 --> 00:12:56,841
IT WAS JUST SUPPOSED TO BE
A PRANK.
343
00:12:56,843 --> 00:12:59,027
BUT IT WENT VIRAL
344
00:12:59,028 --> 00:13:01,212
AND RYAN NEVER CAME BACK
TO SCHOOL AFTER THAT.
345
00:13:01,214 --> 00:13:03,281
HE NEVER DID, HUH?
346
00:13:05,018 --> 00:13:08,019
ED:
JOE HURT TY'S BOYFRIEND,
TY'S PISSED OFF - I GET THAT.
347
00:13:08,021 --> 00:13:09,287
BUT GOING FROM THERE
TO CHASING A GUY AROUND
348
00:13:09,289 --> 00:13:11,222
WITH A SKI MASK AND A GUN?
349
00:13:11,224 --> 00:13:12,957
SPIKE:
THERE HE IS.
12 O'CLOCK.
350
00:13:12,959 --> 00:13:15,059
(SASCHA BARKS)
351
00:13:15,061 --> 00:13:16,461
HANDLER:
TITKEFI, SASCHA!
352
00:13:16,463 --> 00:13:18,530
SAM: POLICE!
RAF: STOP NOW!
353
00:13:18,532 --> 00:13:20,832
SPIKE AND ED:
POLICE! SRU! POLICE!
RIGHT THERE, RIGHT THERE!
354
00:13:20,834 --> 00:13:23,368
SRU TEAM:
STOP NOW! POLICE! SRU!
STOP NOW!
355
00:13:23,370 --> 00:13:25,804
(SASCHA BARKS FEROCIOUSLY)
356
00:13:30,010 --> 00:13:31,910
TY:
(PANTING HARD)
357
00:13:35,949 --> 00:13:37,148
SAM: TYLER DAVIS?
TYLER: (FRIGHTENED) YEAH?
358
00:13:37,149 --> 00:13:38,348
SAM:
GET DOWN FROM THAT TREE NOW.
359
00:13:38,351 --> 00:13:40,018
OKAY. OKAY, OKAY.
360
00:13:43,323 --> 00:13:44,923
HANDLER:
SASCHA.
361
00:13:47,194 --> 00:13:48,193
WHERE'S JOE?
362
00:13:48,195 --> 00:13:50,028
WHAT?
I DON'T KNOW.
363
00:13:50,030 --> 00:13:51,296
DON'T PLAY GAMES.
WHERE IS HE?
364
00:13:51,298 --> 00:13:52,597
NO GUN, NO MASK.
365
00:13:52,599 --> 00:13:53,998
SASCHA DO
GUNSHOT RESIDUE?
366
00:13:54,000 --> 00:13:55,300
SASCHA.
367
00:13:55,302 --> 00:13:57,268
SASCHA, AVAK SRIFA.
AVAK SRIFA.
368
00:13:57,270 --> 00:14:00,138
(SASCHA BARKS EAGERLY,
SNIFFING)
369
00:14:03,343 --> 00:14:05,243
HE'S CLEAN;
HASN'T FIRED A GUN.
370
00:14:05,245 --> 00:14:07,445
TYLER DAVIS IS IN CUSTODY,
SHOOTER'S STILL AT LARGE.
371
00:14:07,447 --> 00:14:09,013
WHY DID YOU RUN?
372
00:14:09,015 --> 00:14:10,114
I THOUGHT I HEARD
A GUNSHOT.
373
00:14:10,116 --> 00:14:11,216
COME WITH ME.
374
00:14:11,218 --> 00:14:12,684
TYLER:
DID SOMEONE GET SHOT?
375
00:14:12,685 --> 00:14:14,151
ED:
OKAY, JOE IS MISSING
AND SO IS THE GUNMAN.
376
00:14:14,154 --> 00:14:16,321
WHAT'S GOING ON?
OH MAN.
377
00:14:16,323 --> 00:14:18,156
WHO'S AFTER JOE?
378
00:14:18,158 --> 00:14:21,226
TYLER: RYAN BELL.
PARKER: RYAN BELL?
379
00:14:23,029 --> 00:14:26,331
THE SAME RYAN WHO WAS OUTED
BY JOE'S PRANK VIDEO?
380
00:14:26,333 --> 00:14:27,565
OKAY, LOOK,
WE KNOW ABOUT THE VIDEO.
381
00:14:27,567 --> 00:14:29,300
IS THAT WHAT THIS ABOUT?
382
00:14:29,302 --> 00:14:31,069
THE DAY JOE
SENT IT OUT,
383
00:14:31,071 --> 00:14:33,204
EVERYONE AT SCHOOL
GOT STUPID ABOUT IT.
384
00:14:33,206 --> 00:14:35,006
RYAN WAS REALLY UPSET.
385
00:14:35,008 --> 00:14:38,109
HE JUST TURNED AROUND
AND NEVER CAME BACK.
386
00:14:38,111 --> 00:14:40,345
I THOUGHT HE WAS JUST
LAYING LOW FOR A WHILE,
387
00:14:40,347 --> 00:14:42,380
BUT THIS MORNING
HE SERIOUSLY FREAKED ME OUT.
388
00:14:51,191 --> 00:14:52,457
SO, RY...
389
00:14:52,459 --> 00:14:56,027
NO. SORRY, IT'S NOT RY,
IT'S RYAN.
390
00:14:56,963 --> 00:14:59,631
THERE'S NO MORE
RY AND TY.
391
00:14:59,633 --> 00:15:01,499
SO, THIS IS US
BREAKING UP?
392
00:15:01,501 --> 00:15:03,201
NO.
393
00:15:03,203 --> 00:15:05,120
BREAKING UP
IS WHAT COUPLES DO;
394
00:15:05,121 --> 00:15:07,038
WE'RE NOT A COUPLE,
WE NEVER WERE.
395
00:15:07,040 --> 00:15:07,538
TAKE IT.
396
00:15:07,540 --> 00:15:08,773
RIGHT.
397
00:15:08,774 --> 00:15:10,007
FUNNY, I GOT THE IMPRESSION,
YOU KNOW,
398
00:15:10,010 --> 00:15:12,176
THE LONG WALKS HOME,
THE LATE-NIGHT TALKS,
399
00:15:12,178 --> 00:15:13,661
MATCHING BRACELETS,
400
00:15:13,662 --> 00:15:15,145
THE TIME I BAILED ON
THE HOLIDAY WITH MY FOLKS
401
00:15:15,146 --> 00:15:16,629
SO I COULD HELP YOU GET READY
FOR YOUR DRIVER'S TEST...
402
00:15:16,630 --> 00:15:18,113
Y.
THAT SAYS
"JUST FRIENDS"?
403
00:15:18,118 --> 00:15:21,152
SIX MONTHS, RY!
KAY?
404
00:15:21,154 --> 00:15:24,155
I NEED YOU
TO RESPECT THAT.
405
00:15:25,125 --> 00:15:26,324
WELL, I NEED YOU
TO SHOW ME THE "RESPECT"
406
00:15:26,326 --> 00:15:27,692
OF LOOKING ME IN THE FACE.
407
00:15:27,694 --> 00:15:29,444
I'M HAPPY NOW.
408
00:15:29,445 --> 00:15:31,195
I FEEL HAPPIER THAN
I'VE BEEN IN A LONG TIME.
409
00:15:31,197 --> 00:15:33,097
YEAH, YOU LOOK
A LOT HAPPIER.
410
00:15:33,099 --> 00:15:35,133
I'M TAKING CHARGE
OF MYSELF,
411
00:15:35,135 --> 00:15:36,701
STARTING TODAY.
412
00:15:36,703 --> 00:15:38,136
SO I'M GONNA-
I'M DEALING WITH YOU,
413
00:15:38,138 --> 00:15:40,104
THEN I'M GONNA DEAL
WITH JOE.
414
00:15:40,106 --> 00:15:42,206
TODAY'S WHERE IT ENDS.
415
00:15:42,208 --> 00:15:44,108
WHAT DO YOU MEAN,
"DEAL WITH JOE"?
416
00:15:44,110 --> 00:15:46,411
STAND UP.
MAN UP.
417
00:15:46,413 --> 00:15:48,446
MAKE HIM WISH
HE'D NEVER BEEN BORN.
418
00:15:48,448 --> 00:15:52,116
TY:
SCARED THE CRAP OUT OF ME,
A THREAT LIKE THAT.
419
00:15:52,118 --> 00:15:54,252
IT'S NOT LIKE HIM.
420
00:15:55,188 --> 00:15:57,555
JOE AND HIS FRIENDS
HANG HERE SATURDAYS.
421
00:15:57,557 --> 00:15:58,690
AND YOU CAME HERE
TO STOP HIM.
422
00:15:58,692 --> 00:16:00,558
RYAN WASN'T HERE.
I LEFT.
423
00:16:00,560 --> 00:16:02,727
THEN THOUGHT I HEARD
A GUNSHOT.
424
00:16:02,729 --> 00:16:04,495
WINNIE:
TEAM ONE,
GOT A HIT ON THAT GUN.
425
00:16:04,497 --> 00:16:08,266
JOHNSON BRANT LK-6 REVOLVER
REGISTERED TO AN ARTHUR BELL.
426
00:16:08,268 --> 00:16:10,201
LIVES AT 1276 LIPPINCOTT.
427
00:16:10,203 --> 00:16:13,037
PARKER:
ARTHUR BELL.
SOUNDS LIKE FAMILY.
428
00:16:13,039 --> 00:16:14,472
WINNIE,
GET ME HIS PHONE NUMBER.
429
00:16:14,474 --> 00:16:16,541
JULES, CAN YOU MEET ME THERE?
430
00:16:16,543 --> 00:16:18,242
OKAY, ON MY WAY
TO RYAN'S DAD.
431
00:16:18,244 --> 00:16:20,478
I'LL BE THERE SOON AS I CAN.
432
00:16:20,480 --> 00:16:22,347
BOSS, WE'VE COVERED ALMOST
THE ENTIRE AREA;
433
00:16:22,349 --> 00:16:24,115
NO SIGN OF THE SHOOTER
OR HOSTAGE.
434
00:16:24,117 --> 00:16:26,184
PARKER:
COPY, SAM.
EDDIE, WHAT'S YOUR STATUS?
435
00:16:26,186 --> 00:16:27,418
TY'S SAFE,
BACK AT THE COMMAND POST.
436
00:16:27,420 --> 00:16:29,153
I'M GONNA CATCH UP
WITH SAM.
437
00:16:29,155 --> 00:16:30,321
NO ANSWER
AT ARTHUR BELL'S HOUSE.
438
00:16:30,323 --> 00:16:31,723
I'M TRYING RYAN'S CELL.
439
00:16:31,725 --> 00:16:34,158
(PHONE RINGS THEN BEEPS)
440
00:16:34,160 --> 00:16:36,160
STRAIGHT TO VOICE MAIL.
441
00:16:36,162 --> 00:16:38,262
EVERYTHING YOU TOLD ME,
442
00:16:38,264 --> 00:16:41,132
EVERYTHING YOU TAUGHT ME,
YOU WERE RIGHT.
443
00:16:41,134 --> 00:16:43,201
MAN: (ON THE PHONE)
OF COURSE I WAS.
444
00:16:43,203 --> 00:16:45,336
I'M DEALING WITH IT.
445
00:16:45,338 --> 00:16:47,238
TODAY'S WHERE IT ENDS.
446
00:16:48,308 --> 00:16:49,207
(BEEPS PHONE OFF)
447
00:16:49,209 --> 00:16:50,274
(BIRDS CHIRP)
448
00:16:54,514 --> 00:16:57,582
JOE STANICK,
ARE YOU READY?
449
00:16:59,219 --> 00:17:01,285
(PANTS, FRIGHTENED)
450
00:17:04,090 --> 00:17:05,423
PLEASE...
451
00:17:18,038 --> 00:17:19,203
KEN:
THERE'S A MISTAKE.
452
00:17:19,205 --> 00:17:20,571
THERE'S GOTTA BE.
453
00:17:20,573 --> 00:17:22,123
THERE COULD BE.
454
00:17:22,124 --> 00:17:23,674
CAN YOU TELL ME
WHAT RYAN'S FRAME OF MIND WAS
455
00:17:23,676 --> 00:17:26,277
WHEN HE LEFT THE HOUSE
THIS MORNING?
456
00:17:26,279 --> 00:17:28,780
NO. I HAVEN'T SEEN RYAN
FOR TWO AND A HALF WEEKS.
457
00:17:28,782 --> 00:17:30,114
WHY NOT?
458
00:17:30,116 --> 00:17:31,582
HE LEFT...
459
00:17:32,519 --> 00:17:35,286
THE EVENING WE RECEIVED
AN ANONYMOUS VIDEO.
460
00:17:43,263 --> 00:17:44,328
RYAN,
461
00:17:46,266 --> 00:17:47,532
CAN WE TALK TO YOU
FOR A SECOND?
462
00:17:47,534 --> 00:17:49,300
RYAN:
OH MY GOD.
463
00:17:49,302 --> 00:17:50,601
RYAN, TALK TO US!
464
00:17:50,603 --> 00:17:53,304
IT'S A PRANK.
IT'S JOE STANICK. HE-
465
00:17:53,306 --> 00:17:55,306
GRACE:
IT'S OKAY, IT'S OKAY,
TAKE A BREATH.
466
00:17:55,308 --> 00:17:57,308
HE SENT THAT TO EVERYONE
IN SCHOOL TODAY.
467
00:17:57,310 --> 00:17:58,693
HE DID WHAT?!
468
00:17:58,694 --> 00:18:00,077
RYAN:
I CAN'T WALK DOWN
THE HALLS...
469
00:18:00,080 --> 00:18:02,113
I CAN'T GO BACK THERE.
I CAN'T. EVER!
470
00:18:02,115 --> 00:18:03,815
WHOA, WHOA, WHOA.
I KNOW HIS DAD,
471
00:18:03,817 --> 00:18:05,783
LET ME TALK TO HIM.
472
00:18:05,785 --> 00:18:07,669
THAT'LL JUST MAKE IT WORSE.
473
00:18:07,670 --> 00:18:09,554
WELL, WE'RE NOT JUST GONNA
WALK AWAY FROM THIS, RYAN.
474
00:18:09,556 --> 00:18:11,823
WHAT HE DID WAS WRONG.
475
00:18:11,825 --> 00:18:13,524
YOU'RE ON MY SIDE
WITH THIS?
476
00:18:13,526 --> 00:18:16,727
OF COURSE.
WHAT DID YOU EXPECT?
477
00:18:16,729 --> 00:18:19,764
THIS IS THE ONE GOOD THING
TO HAPPEN TO ME TODAY.
478
00:18:19,766 --> 00:18:21,566
I DON'T KNOW.
I...
479
00:18:22,502 --> 00:18:23,801
SOME PARENTS
DON'T GET IT.
480
00:18:23,803 --> 00:18:26,571
KEN:
WHAT'S TO GET, RY?
YOU'RE OUR SON.
481
00:18:26,573 --> 00:18:28,023
I MEAN,
THIS PLAY YOU'RE DOING,
482
00:18:28,024 --> 00:18:29,474
I MEAN, YOU COULD'VE
TOLD US ABOUT IT.
483
00:18:29,476 --> 00:18:30,441
KEN:
NOT THAT WE MIND.
484
00:18:30,443 --> 00:18:32,777
NO, NO.
WE'RE PROUD OF YOU.
485
00:18:32,779 --> 00:18:34,378
YOU'VE GOT THE COURAGE
TO DO A GAY ROLE
486
00:18:34,380 --> 00:18:36,314
EVEN IF IT MAKES PEOPLE
THINK THAT YOU'RE GAY.
487
00:18:36,316 --> 00:18:37,715
IT'S FINE.
488
00:18:40,420 --> 00:18:42,487
RYAN:
OH MY GOD...
489
00:18:43,556 --> 00:18:45,623
OH MY GOD!
(CRIES)
490
00:18:49,395 --> 00:18:52,530
SO, YOU...
YOUR FRIEND TYLER,
491
00:18:52,532 --> 00:18:54,765
YOU... LIKE HIM?
492
00:18:54,767 --> 00:18:56,634
I MORE THAN LIKE HIM.
493
00:18:57,570 --> 00:18:59,504
THAT...
494
00:18:59,506 --> 00:19:01,439
HOW'S THAT POSSIBLE?
495
00:19:03,243 --> 00:19:04,342
WHAT DID TYLER DO TO YOU?
496
00:19:04,344 --> 00:19:06,210
RYAN:
NO, HE DIDN'T DO ANYTHING.
497
00:19:06,212 --> 00:19:07,411
WELL,
THIS IS NOT YOUR FAULT.
498
00:19:07,413 --> 00:19:09,647
THIS IS TYLER.
I AM GONNA CALL DR. WILSON.
499
00:19:09,649 --> 00:19:10,648
SHE'LL HAVE A RECOMMENDATION.
500
00:19:10,650 --> 00:19:12,250
WHAT? GRACE!
501
00:19:12,252 --> 00:19:13,501
GRACE:
NO, NO, NO!
502
00:19:13,502 --> 00:19:14,751
I AM NOT GONNA WALK AWAY
FROM THIS.
503
00:19:16,322 --> 00:19:18,422
RYAN, YOU ARE NOT GAY.
504
00:19:19,359 --> 00:19:21,492
WHAT YOU ARE IS CONFUSED,
505
00:19:21,494 --> 00:19:23,794
AND THAT'S OKAY
BECAUSE WE LOVE YOU ANYWAY
506
00:19:23,796 --> 00:19:26,364
AND WE ARE GONNA GET YOU
THE BEST HELP WE CAN.
507
00:19:26,366 --> 00:19:27,598
KEN:
WHY DON'T YOU GO UP TO YOUR ROOM
FOR A FEW MINUTES.
508
00:19:27,600 --> 00:19:29,567
YOUR MOTHER AND I
NEED TO TALK.
509
00:19:29,569 --> 00:19:31,202
GRACE:
I WILL NOT LET THIS HAPPEN
TO HIM.
510
00:19:31,204 --> 00:19:32,270
RYAN!
511
00:19:33,439 --> 00:19:34,872
RYAN!
512
00:19:34,874 --> 00:19:38,376
YOU DESERVE A NORMAL,
HEALTHY LIFE.
513
00:19:38,378 --> 00:19:40,411
(SOBS)
YOU THINK I NEED HELP?!
514
00:19:40,413 --> 00:19:42,313
I LOVE YOU, RYAN BELL.
515
00:19:46,252 --> 00:19:48,286
RYAN LEFT THAT NIGHT.
516
00:19:48,288 --> 00:19:50,521
SHE DIDN'T THINK
HE'D ACTUALLY GO.
517
00:19:50,523 --> 00:19:51,956
HE CALLED FROM
MY FATHER'S HOUSE
518
00:19:51,958 --> 00:19:53,758
A FEW DAYS AFTER THAT.
519
00:19:53,760 --> 00:19:55,626
SAID HE WOULD GO
TO THE COUNSELING,
520
00:19:55,628 --> 00:19:58,863
BUT THAT HE NEEDED
HIS SPACE FOR A WHILE.
521
00:19:58,865 --> 00:20:01,265
WHICH WAS PROBABLY
JUST AS WELL...
522
00:20:01,267 --> 00:20:03,367
THAT HE DIDN'T COME HOME?
WHY?
523
00:20:03,369 --> 00:20:05,469
THE HOUSE WAS ATTACKED
A FEW TIMES AFTER THAT.
524
00:20:05,471 --> 00:20:06,671
UH... (SIGHS)
525
00:20:06,673 --> 00:20:08,039
GRAFFITI,
526
00:20:08,040 --> 00:20:09,406
A BRICK THROWN
THROUGH THE WINDOW
527
00:20:09,409 --> 00:20:12,343
WITH GAY PORN
TAPED TO IT.
528
00:20:12,345 --> 00:20:14,579
ARE YOU AWARE THAT YOUR FATHER
IS IN POSSESSION OF A FIREARM?
529
00:20:15,582 --> 00:20:17,848
NO.
530
00:20:17,850 --> 00:20:20,384
THAT? I THOUGHT THAT THING
WAS JUST AN ANTIQUE.
531
00:20:20,386 --> 00:20:21,986
OKAY, I'M ON MY WAY
OVER THERE NOW.
532
00:20:21,988 --> 00:20:23,521
I WANT YOU TO GET A HOLD
OF YOUR WIFE;
533
00:20:23,523 --> 00:20:24,555
SHE NEEDS TO BE INVOLVED
WITH THIS.
534
00:20:24,557 --> 00:20:25,623
KEN:
YEAH, YEAH, OF COURSE.
535
00:20:33,333 --> 00:20:34,732
MR. BELL?
536
00:20:34,734 --> 00:20:36,267
THREE HOURS AGO,
I CALLED YOU PEOPLE
537
00:20:36,269 --> 00:20:38,336
ABOUT THIS... VANDALISM.
538
00:20:38,338 --> 00:20:39,537
GOT TIRED OF WAITING -
539
00:20:39,539 --> 00:20:40,838
THE WHOLE WORLD LOOKING
AT THIS CRAP.
540
00:20:40,840 --> 00:20:41,973
PARKER:
MY NAME'S SERGEANT PARKER, SIR.
541
00:20:41,975 --> 00:20:43,741
I'M HERE ABOUT
YOUR GRANDSON.
542
00:20:43,743 --> 00:20:45,343
I HAVE REASON TO BELIEVE
543
00:20:45,344 --> 00:20:46,944
THAT HE'S ABDUCTED
A YOUNG MAN AT GUNPOINT.
544
00:20:46,946 --> 00:20:49,480
I KNOW THIS COMES AS
A SHOCK TO YOU, SIR.
545
00:20:49,482 --> 00:20:51,449
WAIT A MINUTE.
EXPLAIN TO ME.
546
00:20:51,451 --> 00:20:54,752
THE KIDS WHO WRITE THIS GARBAGE
ARE WALKING AROUND TOWN
547
00:20:54,754 --> 00:20:56,887
WHILE YOU GUYS
ARE BUSY CHASING RYAN?
548
00:20:56,889 --> 00:20:58,489
THAT'S CALLED
BLAMING THE VICTIM.
549
00:21:00,893 --> 00:21:01,926
WE'RE GONNA HAVE
TO TAKE A LOOK
550
00:21:01,928 --> 00:21:03,961
AT YOUR REGISTERED FIREARM,
SIR.
551
00:21:04,897 --> 00:21:05,963
INSIDE.
552
00:21:13,640 --> 00:21:15,873
PLEASE... LET ME GO,
553
00:21:15,875 --> 00:21:18,009
I TOLD YOU,
MY DAD HAS MONEY.
554
00:21:18,011 --> 00:21:19,810
RYAN:
YOU NEED A LESSON!
555
00:21:19,812 --> 00:21:20,978
YOU NEED A TASTE
OF WHAT YOU DISH OUT,
556
00:21:20,980 --> 00:21:23,447
SO YOU NEVER THINK
OF DOING IT AGAIN!
557
00:21:23,449 --> 00:21:24,615
GIMME YOUR PHONE!
558
00:21:25,551 --> 00:21:26,617
COME ON.
559
00:21:28,354 --> 00:21:29,487
(PHONE BEEPS)
560
00:21:33,593 --> 00:21:35,059
SAY WHO YOU ARE.
561
00:21:35,061 --> 00:21:36,394
WH-WHAT DO YOU MEAN?
562
00:21:36,396 --> 00:21:37,762
RYAN:
TELL EVERYONE WHO YOU ARE.
563
00:21:37,764 --> 00:21:39,897
I'M JOE STANICK.
SAY IT!
564
00:21:39,899 --> 00:21:41,332
I'M JOE STANICK...
565
00:21:41,334 --> 00:21:42,833
AND I'M A SICK
SON OF A BITCH.
566
00:21:42,835 --> 00:21:44,869
AND I'M A SICK
SON OF A BITCH.
567
00:21:44,871 --> 00:21:46,537
AGAIN.
568
00:21:46,539 --> 00:21:47,505
I'M A SICK SON OF A-
569
00:21:47,507 --> 00:21:49,490
FROM THE BEGINNING!
570
00:21:49,491 --> 00:21:51,474
I'M JOE STANICK
AND I'M A SICK SON OF BITCH.
571
00:21:51,477 --> 00:21:52,476
AND WHO AM I?
572
00:21:52,478 --> 00:21:53,611
I, I DON'T KNOW.
573
00:21:53,613 --> 00:21:55,079
NO, REPEAT AFTER ME:
574
00:21:55,081 --> 00:21:56,981
YOU ARE A MAN.
SAY IT!
575
00:21:57,917 --> 00:21:58,933
YOU'RE A MAN.
576
00:21:58,934 --> 00:21:59,950
LOUDER.
SHOUT IT OUT!
577
00:21:59,952 --> 00:22:01,752
N!
WHAT ARE YOU?
578
00:22:01,754 --> 00:22:02,853
I'M A SICK
SON OF A BITCH!
579
00:22:02,855 --> 00:22:04,355
WHAT AM I?
MAN!
580
00:22:04,357 --> 00:22:05,389
WHAT ARE YOU?!
581
00:22:05,391 --> 00:22:07,391
(SALT CLATTERS,
PAINED GRUNT)
582
00:22:07,393 --> 00:22:08,659
SAM:
LAST SQUARE ON THE GRID.
583
00:22:08,661 --> 00:22:10,228
RAF:
UNIFORMS CONFIRM
584
00:22:10,229 --> 00:22:11,796
NO ONE MATCHING THE DESCRIPTION
LEFT THE AREA.
585
00:22:11,798 --> 00:22:13,764
SPIKE:
WELL, HE COULDN'T HAVE
GOTTEN FAR.
586
00:22:13,766 --> 00:22:15,766
(MUFFLED "POP"
IN THE NEAR DISTANCE)
587
00:22:15,768 --> 00:22:16,767
THAT GUNFIRE?
588
00:22:16,769 --> 00:22:18,336
THAT WAS MUFFLED.
589
00:22:18,338 --> 00:22:19,503
WHERE'S IT COMING FROM?
590
00:22:19,505 --> 00:22:22,073
THERE'S BUILDINGS THERE
AND OVER THERE.
591
00:22:22,075 --> 00:22:23,674
(DEVICE BEEPS)
592
00:22:23,676 --> 00:22:24,875
(MUFFLED SHOUTS)
593
00:22:28,948 --> 00:22:31,682
YOUNG MAN:
OH MY GOD! OH MY GOD!
594
00:22:31,684 --> 00:22:32,750
THERE.
THE DOME.
595
00:22:33,686 --> 00:22:34,852
LET'S MOVE.
LET'S MOVE NOW.
596
00:22:34,854 --> 00:22:37,688
SPIKE:
YOU CAN SASCHA BACK TO CAMP.
597
00:22:37,690 --> 00:22:39,023
ED:
BOSS, WINNIE,
WE'RE AT THE SALT DOME.
598
00:22:39,025 --> 00:22:40,558
SEND EMS.
599
00:22:40,560 --> 00:22:42,059
WINNIE:
COPY THAT.
THEY'RE ON THEIR WAY.
600
00:22:42,061 --> 00:22:43,561
PARKER:
EDDIE.
601
00:22:43,563 --> 00:22:44,962
SHOOTER'S NAME IS RYAN BELL.
602
00:22:44,964 --> 00:22:48,065
HE'S IN POSSESSION
OF A VINTAGE REVOLVER.
603
00:22:48,067 --> 00:22:49,834
WE'LL FEED YOU
AS WE KNOW MORE.
604
00:22:49,836 --> 00:22:51,068
ED:
COPY THAT.
605
00:22:52,405 --> 00:22:53,537
(FOOTSTEPS PATTER)
606
00:22:53,539 --> 00:22:54,805
SRU:
POLICE! SRU!
607
00:23:01,481 --> 00:23:02,780
JOE:
(PAINED GROANS)
608
00:23:03,716 --> 00:23:04,782
JOE STANICK?
609
00:23:05,551 --> 00:23:06,751
YEAH.
(GROANS)
610
00:23:06,753 --> 00:23:09,720
EMS IS ON IT'S WAY,
YOU'RE GONNA BE OKAY.
611
00:23:09,722 --> 00:23:11,622
WHERE'S RYAN?
612
00:23:11,624 --> 00:23:12,990
GONE. LEFT.
613
00:23:12,992 --> 00:23:14,992
SAM:
IS HE STILL ARMED?
614
00:23:14,994 --> 00:23:16,060
I DON'T KNOW.
615
00:23:16,996 --> 00:23:18,729
(GROANS IN PAIN)
616
00:23:21,567 --> 00:23:23,501
PARKER:
WAS IT KEPT LOADED?
617
00:23:23,503 --> 00:23:25,170
OF COURSE NOT.
618
00:23:25,171 --> 00:23:26,838
PARKER:
BUT HE KNEW WHERE TO FIND
THE AMMO?
619
00:23:26,839 --> 00:23:28,506
ARTHUR:
WOULDN'T HAVE TO LOOK FAR
IN THIS PLACE.
620
00:23:28,508 --> 00:23:29,573
PARKER:
IS FAMILY CLOSE, SIR?
621
00:23:29,575 --> 00:23:31,509
ARTHUR:
RYAN'S AN ONLY CHILD.
622
00:23:31,511 --> 00:23:35,746
HE WAS THEIR PRIDE AND JOY -
THEIR TROPHY SON - TILL THIS.
623
00:23:35,748 --> 00:23:37,515
THAT'S A LOT
OF PRESSURE.
624
00:23:37,517 --> 00:23:39,450
JULES:
THE "FAMILY AFFIRMATION LEAGUE."
625
00:23:39,452 --> 00:23:40,735
"MAN UP."
626
00:23:40,736 --> 00:23:42,019
MR. BELL, DOES THAT MEAN
ANYTHING TO YOU?
627
00:23:42,021 --> 00:23:44,088
ARTHUR:
RYAN JOINED A SUPPORT GROUP.
628
00:23:44,090 --> 00:23:46,490
HE SAID IT WAS HELPING HIM
FEEL BETTER.
629
00:23:46,492 --> 00:23:47,642
FEEL BETTER HOW?
630
00:23:47,643 --> 00:23:48,793
ARTHUR:
HE NEVER TALKED ABOUT IT.
631
00:23:48,795 --> 00:23:51,128
THEY HAVE A PRIVACY POLICY.
632
00:23:52,198 --> 00:23:54,064
BOSS, WE GOT JOE.
HE'S BEEN SHOT IN THE LEG.
633
00:23:54,066 --> 00:23:55,966
RYAN IS STILL AT LARGE,
POSSIBLY ARMED.
634
00:23:55,968 --> 00:23:57,435
WHAT HAPPENED?
635
00:23:57,437 --> 00:23:59,036
WE'RE GONNA FIND OUT.
636
00:24:00,673 --> 00:24:02,740
I WAS SURE
HE WAS GOING TO KILL ME,
637
00:24:02,742 --> 00:24:04,642
BUT I DIDN'T EVEN KNOW
IT WAS HIM AT FIRST.
638
00:24:04,644 --> 00:24:05,877
HE TOOK YOU
STRAIGHT HERE?
639
00:24:05,878 --> 00:24:07,111
JOE:
YEAH. AND WHEN HE HAD ME ALONE,
640
00:24:07,113 --> 00:24:10,548
HE TOOK MY PHONE
AND HE STARTS GOING PSYCHO.
641
00:24:10,550 --> 00:24:11,749
HE'S LIKE, "I'M A MAN!
I'M A MAN!"
642
00:24:11,751 --> 00:24:15,619
AND THEN...
AND THEN HE SHOT ME.
643
00:24:15,621 --> 00:24:17,121
HE JUST SHOT YOU IN THE LEG,
HUH?
644
00:24:17,123 --> 00:24:18,689
JOE:
YEAH, HE POINTED THE GUN AT ME
645
00:24:18,691 --> 00:24:21,625
AND HE SHOT ME
AND THEN HE TOOK OFF.
646
00:24:21,627 --> 00:24:23,994
HOW FAR AWAY FROM YOU
WAS HE WHEN HE TOOK THE SHOT?
647
00:24:23,996 --> 00:24:25,696
JOE:
I DON'T KNOW,
EIGHT FEET?
648
00:24:25,698 --> 00:24:27,198
SAM:
YEAH? AND HE WAS OVER THERE?
(ED'S PHONE RINGS)
649
00:24:27,199 --> 00:24:28,699
ED: CLARK MAKE IT HOME OKAY?
SAM: (CONTINUES QUESTIONING)
650
00:24:28,701 --> 00:24:30,668
SOPH, I DON'T HAVE LONG TO TALK.
WHAT'S GO-
651
00:24:30,670 --> 00:24:33,237
YEAH.
WELL, HOW IS HE?
652
00:24:33,239 --> 00:24:34,572
ALL RIGHT. JUST GIVE HIM
A CHANCE TO COOL DOWN.
653
00:24:34,574 --> 00:24:35,573
HE'LL BE OKAY.
654
00:24:35,575 --> 00:24:38,976
REW ME
AGAINST THE SALT WALL.
655
00:24:40,813 --> 00:24:43,647
WELL, IT SEEMS THAT THIS FAMILY
AFFIRMATION LEAGUE LEADER
656
00:24:43,649 --> 00:24:46,250
HAS TAKEN A PERSONAL INTEREST
IN RYAN.
657
00:24:46,252 --> 00:24:47,918
THERE'S A TON OF EMAILS
FROM HIM.
658
00:24:47,920 --> 00:24:49,253
WHERE'S THE MOST RECENT?
659
00:24:51,724 --> 00:24:52,390
JULES:
UH... YESTERDAY.
660
00:24:52,391 --> 00:24:53,057
(READING)
"CONGRATS ON YOUR GREAT WORK
TODAY.
661
00:24:53,059 --> 00:24:54,859
THAT'S WHAT I CALL
A BREAKTHROUGH.
662
00:24:54,861 --> 00:24:56,494
I'M SENDING YOU A CLIP.
663
00:24:56,496 --> 00:24:57,695
HANG ON TO THAT FEELING.
664
00:24:57,697 --> 00:24:58,863
YOU'RE GONNA GRADUATE SOON."
665
00:24:58,865 --> 00:25:00,965
PARKER:
LET'S SEE IT, JULES.
666
00:25:00,967 --> 00:25:04,668
CARL:
OKAY, RYAN, I WANNA USE
ALL THAT YOU'VE LEARNED.
667
00:25:04,670 --> 00:25:07,037
TAKE THAT ANGER
AND THAT FRUSTRATION
668
00:25:07,039 --> 00:25:08,672
AND CHANNEL IT
TOWARDS THE PILLOW.
669
00:25:10,276 --> 00:25:12,159
I KNOW IT SOUNDS FUNNY,
670
00:25:12,160 --> 00:25:14,043
BUT I PROMISE YOU,
THIS WILL HELP.
671
00:25:15,214 --> 00:25:17,948
YOU WANNA GET BETTER
OR NOT?
672
00:25:18,885 --> 00:25:20,985
THAT'S IT.
THAT'S IT.
673
00:25:21,921 --> 00:25:23,988
THAT PILLOW IS YOUR ADVERSARY,
RYAN;
674
00:25:23,990 --> 00:25:28,125
ANYONE WHO HAS EVER MADE YOU
FEEL DIMINISHED AS A MAN.
675
00:25:28,127 --> 00:25:30,561
NOW SHOUT IT OUT!
USE YOUR VOICE.
676
00:25:30,563 --> 00:25:32,229
SCREAM!
SHOUT IT OUT!
677
00:25:32,231 --> 00:25:34,198
YOU IDIOT!
U'VE GOT MORE!
678
00:25:34,200 --> 00:25:35,699
SICK SON OF A BITCH!
679
00:25:35,701 --> 00:25:37,768
(PANTS)
NEVER! AGAIN!
680
00:25:38,704 --> 00:25:40,738
YOU DON'T KNOW ME!
681
00:25:40,740 --> 00:25:42,172
RYAN: YOU'RE FINISHED!
CARL: WHY?
682
00:25:42,174 --> 00:25:43,774
TELL HIM WHO YOU ARE.
683
00:25:43,776 --> 00:25:47,645
RYAN:
(SHOUTS UNCONTROLLABLY)
I AM A MAN!
684
00:25:47,647 --> 00:25:49,613
OH MY...
685
00:25:49,615 --> 00:25:50,915
CARL: HOW DOES THAT FEEL?!
RYAN: IT FEELS GREAT.
686
00:25:50,917 --> 00:25:52,850
YES!
FEELS GREAT!
687
00:25:52,852 --> 00:25:54,184
"THE FAMILY AFFIRMATION LEAGUE
688
00:25:54,186 --> 00:25:56,120
SPECIALIZES IN
REPARATIVE THERAPY,
689
00:25:56,122 --> 00:25:58,789
HELPING THOSE LOOKING
TO 'COME OUT STRAIGHT.'"
690
00:25:58,791 --> 00:26:00,691
WHY?
WHY WOULD RYAN DO THIS?
691
00:26:00,693 --> 00:26:02,626
HE'S FIGHTING
TO WIN BACK HIS FAMILY.
692
00:26:02,628 --> 00:26:04,728
HE THINKS THAT THIS
IS WHAT IT TAKES.
693
00:26:04,730 --> 00:26:07,598
WINNIE WE NEED A WORD ASAP
WITH A CARL HEWSON,
694
00:26:07,600 --> 00:26:09,199
OF THE FAMILY AFFIRMATION
LEAGUE.
695
00:26:09,201 --> 00:26:10,634
I'M ON IT.
696
00:26:10,636 --> 00:26:12,336
"100% PRIVACY POLICY."
697
00:26:14,574 --> 00:26:16,574
I WILL.
I'LL TALK TO HIM.
698
00:26:16,576 --> 00:26:17,575
I LOVE YOU.
BYE.
699
00:26:17,577 --> 00:26:19,243
EVERYTHING OKAY?
700
00:26:19,245 --> 00:26:21,879
MY KID'S BARRICADED HIMSELF
IN HIS ROOM.
701
00:26:21,881 --> 00:26:23,731
I CAN TALK DOWN
A CAREER CRIMINAL,
702
00:26:23,732 --> 00:26:25,582
BUT NOT MY OWN SON.
WHAT DO YOU GOT?
703
00:26:25,585 --> 00:26:26,617
SPIKE:
I GOT JOE'S PHONE.
IT WAS RECORDING.
704
00:26:26,619 --> 00:26:28,152
SAM:
REALLY? LET'S SEE.
705
00:26:28,154 --> 00:26:30,688
JOE SAYS RYAN SHOT
FROM EIGHT FEET AWAY.
706
00:26:30,690 --> 00:26:32,089
ANGLE OF THE WOUND
SAYS DIFFERENT.
707
00:26:34,927 --> 00:26:35,509
(PHONE BEEPS)
708
00:26:35,510 --> 00:26:36,092
SAM:
JOE, YOU BEING UPFRONT
WITH US?
709
00:26:36,095 --> 00:26:37,712
WHAT'RE YOU TALKING ABOUT?
710
00:26:37,713 --> 00:26:39,330
YOU KNOW THIS WAS RECORDING
THE WHOLE TIME, RIGHT?
711
00:26:42,668 --> 00:26:44,735
THIS IS WHERE YOU
THROW SALT IN HIS EYES,
712
00:26:44,737 --> 00:26:45,736
TACKLE HIM,
713
00:26:45,738 --> 00:26:47,071
PHONE DROPS...
714
00:26:47,073 --> 00:26:48,072
RYAN:
NO, NO.
715
00:26:48,074 --> 00:26:50,085
SAM:
WHO'S GOT THE GUN NOW?
716
00:26:50,086 --> 00:26:52,097
RYAN:
NO, PLEASE, DON'T.
(WHIMPERS)
717
00:26:52,098 --> 00:26:54,109
JOE:
TAKE IT OFF!
TAKE OFF THE MASK! NOW!
718
00:26:54,113 --> 00:26:56,113
RYAN:
I WAS TRYING TO SCARE YOU, JOE.
719
00:26:56,115 --> 00:26:58,182
RYAN: I WAS JUST TRYING...
JOE: RYAN?!
720
00:26:58,184 --> 00:27:00,017
AH, HERE'S WHERE
HE FIGHTS BACK.
721
00:27:00,019 --> 00:27:02,186
JOE:
YOU'RE GONNA MAKE
LOTS OF NEW FRIENDS.
722
00:27:02,188 --> 00:27:03,787
YOU GUYS FALL OUT
OF THE FRAME AND...
723
00:27:03,789 --> 00:27:05,789
(GUNSHOT POPS)
724
00:27:06,926 --> 00:27:09,893
WHO WAS HOLDING THAT GUN
WHEN IT WENT OFF, JOE?
725
00:27:10,863 --> 00:27:13,831
JOE'S WITH EMS;
HE'S NOT THE ONLY VICTIM HERE.
726
00:27:13,833 --> 00:27:15,199
ANY LUCK WITH THE GRANDFATHER?
727
00:27:15,201 --> 00:27:16,700
PARKER:
YEAH, EDDIE,
WE MADE THE CALL,
728
00:27:16,702 --> 00:27:18,702
BUT RYAN'S IN TROUBLE.
729
00:27:18,704 --> 00:27:20,304
COULDN'T GET A FIX
ON HIS LOCATION.
730
00:27:20,306 --> 00:27:21,905
WE'VE HAD A PRETTY GOOD LOOK
AROUND HERE
731
00:27:21,907 --> 00:27:23,907
AND HAVEN'T SEEN HIM.
732
00:27:23,909 --> 00:27:25,142
TYLER:
MR. LANE?
733
00:27:25,144 --> 00:27:26,143
ED:
WHAT IS IT?
734
00:27:26,145 --> 00:27:27,144
YOU NEED TO SEE THIS.
735
00:27:27,146 --> 00:27:29,279
ED:
WHAT DO YOU GOT?
736
00:27:31,150 --> 00:27:32,900
RYAN:
TY...
737
00:27:32,901 --> 00:27:34,651
EVERYONE'S GONNA KNOW
IT WAS ME BEHIND THE MASK.
738
00:27:34,654 --> 00:27:38,122
TELL MY PARENTS I'M SORRY.
I CAN'T FACE THEM.
739
00:27:39,058 --> 00:27:40,991
I CAN'T FACE SCHOOL.
740
00:27:40,993 --> 00:27:43,394
AND WHAT I SAID TO YOU
THIS MORNING...
741
00:27:43,396 --> 00:27:45,996
I KNOW I CAN'T TAKE IT BACK.
742
00:27:47,233 --> 00:27:49,933
YOU WERE THE BEST THING
THAT EVER HAPPENED TO ME
743
00:27:51,971 --> 00:27:53,654
IN MY LIFE.
744
00:27:53,655 --> 00:27:55,338
YOU KNEW ME
AND YOU LIKED ME ANYWAY.
745
00:27:58,177 --> 00:27:59,710
TY, I LOVE YOU.
746
00:28:00,980 --> 00:28:02,980
'BYE.
747
00:28:02,982 --> 00:28:04,415
BOSS,
WE GOT SOMETHING HERE.
748
00:28:04,417 --> 00:28:06,183
PARKER:
WHAT IS IT?
749
00:28:06,185 --> 00:28:07,251
SUICIDE NOTE.
750
00:28:14,193 --> 00:28:15,693
WE GOT A SUICIDAL KID
OUT THERE
751
00:28:15,695 --> 00:28:17,044
AND NO IDEA
WHERE TO FIND HIM.
752
00:28:17,045 --> 00:28:18,394
WE'RE CONTAINED.
WE'VE COVERED THE GRID,
753
00:28:18,397 --> 00:28:19,763
THE BRIDGES.
754
00:28:19,765 --> 00:28:20,998
MAYBE HE'S IN A CULVERT.
755
00:28:21,000 --> 00:28:22,466
SPIKE:
NO, THERE'S NO REVERB.
756
00:28:22,468 --> 00:28:23,767
THERE'S NO AMBIENT SOUND.
757
00:28:23,769 --> 00:28:25,769
I CAN'T HEAR ANY TRAFFIC,
ANY WIND.
758
00:28:26,706 --> 00:28:29,106
HOLD ON A SEC.
THE GRAFFITI IN THE BACK...
759
00:28:29,108 --> 00:28:30,775
HOLD ON...
760
00:28:30,776 --> 00:28:32,443
THAT'S THE SAME GRAFFITI
THAT WAS IN THE VIRAL VIDEO.
761
00:28:34,380 --> 00:28:35,780
HEY, TY,
762
00:28:35,781 --> 00:28:37,181
YOU WORKED ON A PLAY
WITH RYAN, RIGHT?
763
00:28:37,183 --> 00:28:38,749
YEAH.
764
00:28:38,750 --> 00:28:40,316
DID THAT SET LOOK ANYTHING
LIKE THIS?
765
00:28:40,319 --> 00:28:41,852
HE HAD KEYS
TO THE AUDITORIUM,
766
00:28:41,854 --> 00:28:43,821
FOR WEEKEND REHEARSALS.
767
00:28:43,823 --> 00:28:44,955
YEAH, THAT'S IT.
768
00:28:44,957 --> 00:28:46,423
COLTON HIGH, GUYS.
LET'S GO.
769
00:28:46,425 --> 00:28:48,025
SPIKE, LET'S GO!
770
00:28:52,164 --> 00:28:53,831
(LIGHTS FLICK ON)
771
00:28:57,036 --> 00:28:58,936
PARKER:
OKAY, TEAM, LISTEN UP.
772
00:28:58,938 --> 00:29:00,471
WE'RE DEALING
WITH A YOUNG MAN
773
00:29:00,472 --> 00:29:02,005
WHO WAS FIGHTING FOR
WHAT HE THOUGHT WAS RIGHT,
774
00:29:02,007 --> 00:29:04,174
BUT DIDN'T TURN OUT
THE WAY HE HAD HOPED.
775
00:29:04,176 --> 00:29:06,366
HE'S CRASH-LANDED,
776
00:29:06,367 --> 00:29:08,557
AND HE'S DEALING
WITH A LOT OF SHAME.
777
00:29:08,558 --> 00:29:10,748
SO KID GLOVES;
HE'S AT A BREAKING POINT HERE.
778
00:29:10,750 --> 00:29:11,782
HE'S CHOSEN TO COME
FULL CIRCLE
779
00:29:11,784 --> 00:29:13,934
TO WHERE IT ALL STARTED
780
00:29:13,935 --> 00:29:16,085
AND THE MOMENT THAT WAS
CAPTURED ON THAT VIDEO THERE
781
00:29:16,088 --> 00:29:20,157
WAS PROBABLY THE LAST
HAPPY MEMORY HE HAS.
782
00:29:27,800 --> 00:29:28,532
(SIRENS WAIL)
783
00:29:30,369 --> 00:29:33,337
EDDIE, YOU SPOKE TO TY,
YOU RUN THE INTERVENTION.
784
00:29:33,339 --> 00:29:35,372
JULES AND I'LL FEED YOU
ON THE FLY.
785
00:29:35,374 --> 00:29:37,775
ED:
GOT IT.
GUYS, GIMME TAC SUPPORT.
786
00:29:37,777 --> 00:29:39,209
LET'S HOPE WE'RE NOT TOO LATE.
787
00:29:44,784 --> 00:29:47,184
(INHALES DEEPLY
AND EXHALES)
788
00:29:51,557 --> 00:29:52,890
(SIGHS HEAVILY)
789
00:30:00,966 --> 00:30:02,132
KEN:
WHERE IS HE?
790
00:30:02,133 --> 00:30:03,299
PARKER:
MR. BELL,
WE'RE DOING EVERYTHING WE CAN
791
00:30:03,302 --> 00:30:04,301
TO GET YOUR SON OUT SAFELY,
792
00:30:04,303 --> 00:30:05,569
BUT WE CANNOT CROWD HIM.
793
00:30:05,571 --> 00:30:06,871
IF I COULD JUST TALK
TO HIM.
794
00:30:06,872 --> 00:30:08,172
GRACE:
LET'S LET THE EXPERTS
HANDLE THIS.
795
00:30:08,173 --> 00:30:09,473
RYAN SHOULDN'T EVEN BE
IN THIS SITUATION!
796
00:30:09,475 --> 00:30:10,574
ARTHUR: HE'S A BRIGHT-
GRACE: I KNOW!
797
00:30:10,576 --> 00:30:11,809
HE'S A GOOD KID!
IF I-
798
00:30:11,811 --> 00:30:13,410
DAD! PLEASE?
799
00:30:13,412 --> 00:30:15,813
SIR, EVERYONE'S WORRIED
ABOUT YOUR GRANDSON.
800
00:30:15,815 --> 00:30:17,198
RYAN'S VULNERABLE
RIGHT NOW.
801
00:30:17,199 --> 00:30:18,582
HE BELIEVES HE'S DISAPPOINTED
ALL OF YOU.
802
00:30:18,584 --> 00:30:20,284
SEEING YOU RIGHT NOW
MIGHT TRIGGER HIM
803
00:30:20,286 --> 00:30:22,820
AND WE CANNOT TAKE
THAT CHANCE.
804
00:30:22,822 --> 00:30:25,923
JULES:
HERE COMES
MR. FAMILY AFFIRMATION.
805
00:30:25,925 --> 00:30:29,593
JULES,
JUST TAKE IT EASY.
806
00:30:29,595 --> 00:30:32,396
WHAT, DON'T I GET
A BASEBALL BAT?
807
00:30:34,867 --> 00:30:36,934
(BLOWS OUT HIS BREATH,
READYING HIMSELF)
808
00:30:40,306 --> 00:30:41,371
(FORCEFUL EXHALE)
809
00:30:51,283 --> 00:30:52,349
ED:
GUYS...
810
00:30:55,588 --> 00:30:57,605
(AUDITORIUM DOORS OPEN)
811
00:30:57,606 --> 00:30:59,623
ED:
RYAN, I'M A POLICE OFFICER,
MY NAME'S ED LANE.
812
00:30:59,625 --> 00:31:00,624
HEY, GET OUTTA HERE!
813
00:31:00,626 --> 00:31:02,192
ED:
I'M CLARK LANE'S DAD.
814
00:31:02,194 --> 00:31:04,261
NICE TO MEET YOU.
NOW, LEAVE ME ALONE!
815
00:31:04,263 --> 00:31:05,718
ED:
RYAN, I CAN'T.
816
00:31:05,719 --> 00:31:07,174
I CAN'T JUST LEAVE A GUY HERE
WHO'S TRYING TO KILL HIMSELF.
817
00:31:07,175 --> 00:31:08,630
ED: I CAN'T.
RYAN: JUST GET OUT!
818
00:31:08,634 --> 00:31:11,468
ED:
OKAY. ALL RIGHT.
OKAY, I'LL LEAVE.
819
00:31:11,470 --> 00:31:14,438
BUT CAN YOU JUST TELL ME
WHAT HAPPENED HERE TODAY?
820
00:31:14,440 --> 00:31:16,440
I DON'T UNDERSTAND
WHAT HE'S DOING?
821
00:31:16,442 --> 00:31:17,730
I JUST TALKED TO HIM.
822
00:31:17,731 --> 00:31:19,019
HE DIDN'T SAY ANYTHING
ABOUT A GUN.
823
00:31:19,020 --> 00:31:20,308
DOES YOUR "MAN UP" METHOD
ENCOURAGE VIOLENCE?
824
00:31:20,312 --> 00:31:23,213
NO. I ENCOURAGE
THE RELEASE OF ANGER
825
00:31:23,215 --> 00:31:24,631
THAT A YOUTH FEELS
826
00:31:24,632 --> 00:31:26,048
WHEN HIS MANHOOD
IS BEING CHALLENGED.
827
00:31:26,051 --> 00:31:27,150
IT'S A SAFE TECHNIQUE
828
00:31:27,152 --> 00:31:29,553
TO RECLAIM POWER
OVER THIS DISORDER.
829
00:31:29,555 --> 00:31:31,188
AND THE DISORDER BEING
GAY?
830
00:31:31,190 --> 00:31:33,924
IT'S NOT A JUDGMENT,
IT'S A FACT.
831
00:31:33,926 --> 00:31:35,325
I LOST MY OWN SON
TO THIS.
832
00:31:35,327 --> 00:31:36,894
HE LIVES
WITH ANOTHER MAN
833
00:31:36,896 --> 00:31:38,595
AND I CAN'T HAVE ANYTHING
TO DO WITH HIM.
834
00:31:38,597 --> 00:31:40,163
DO YOU KNOW
WHAT THAT'S LIKE?
835
00:31:40,165 --> 00:31:41,965
I'M TRYING TO HELP
YOUNG MEN.
836
00:31:41,967 --> 00:31:43,634
I'M TRYING TO HELP
FAMILIES.
837
00:31:43,636 --> 00:31:45,435
SPARING THEM THE TRAUMA
838
00:31:45,437 --> 00:31:48,205
AND THE EMBARASSMENT
THAT I'VE HAD TO ENDURE.
839
00:31:48,207 --> 00:31:49,640
(TAKES A CALMING BREATH)
840
00:31:49,642 --> 00:31:51,241
WELL, WAIT HERE.
841
00:31:52,177 --> 00:31:53,911
ARTHUR, DO YOU WANNA
MEET ME IN THE TRUCK?
842
00:31:53,913 --> 00:31:56,647
HE WAS GETTING BETTER.
843
00:31:56,649 --> 00:31:58,916
I WANT YOU TO KNOW
THAT I WILL BE HERE FOR HIM
844
00:31:58,918 --> 00:32:00,684
'ROUND THE CLOCK.
845
00:32:00,686 --> 00:32:03,153
WE'RE NOT GOING TO LOSE
ANOTHER PROMISING YOUNG MAN
846
00:32:03,155 --> 00:32:04,154
TO THIS DISEASE,
847
00:32:04,156 --> 00:32:05,389
I GIVE YOU MY WORD.
848
00:32:05,391 --> 00:32:06,590
I'VE GOTTA GET INSIDE.
849
00:32:06,592 --> 00:32:07,591
I CAN HELP!
850
00:32:07,593 --> 00:32:08,659
FAMILY ONLY!
851
00:32:09,962 --> 00:32:11,094
PRIVACY POLICY.
852
00:32:20,940 --> 00:32:21,939
(SOBBING)
853
00:32:21,941 --> 00:32:23,057
ED:
RYAN.
854
00:32:23,058 --> 00:32:24,174
IF HE JUMPS,
CAN WE GET THE NOOSE OFF
855
00:32:24,176 --> 00:32:25,309
BEFORE HE ASPHYXIATES?
856
00:32:25,311 --> 00:32:26,627
SPIKE:
NO, IT'LL BE TOO LATE.
857
00:32:26,628 --> 00:32:27,944
FROM THAT HEIGHT,
HIS NECK'LL SNAP.
858
00:32:27,947 --> 00:32:29,079
SAM:
OKAY, WE CAN'T JUST RUSH HIM,
ED,
859
00:32:29,081 --> 00:32:31,415
SO YOU NEED TO BUY US
SOME TIME.
860
00:32:31,417 --> 00:32:34,418
RYAN:
AND I TOOK JOE
FROM HIS FRIENDS,
861
00:32:34,420 --> 00:32:36,019
AT GUNPOINT,
862
00:32:36,021 --> 00:32:37,454
AND HE...
I DON'T KNOW WHAT HAPPENED,
863
00:32:37,456 --> 00:32:39,456
BUT HE GOT THE GUN FROM ME
864
00:32:39,458 --> 00:32:41,008
AND THEN HE STARTED SAYING
865
00:32:41,009 --> 00:32:42,559
THAT HE WAS GONNA SEND ME
TO JAIL.
866
00:32:42,561 --> 00:32:44,461
AND I DON'T KNOW HOW HE...
867
00:32:45,397 --> 00:32:49,066
WE-WE FOUGHT AND THEN...
I SHOT JOE.
868
00:32:50,002 --> 00:32:51,669
I SHOT HIM.
869
00:32:51,670 --> 00:32:53,337
ED:
RYAN, IT WASN'T YOUR HAND
ON THAT GUN.
870
00:32:53,339 --> 00:32:55,605
IT WAS JOE'S,
AND HE'S OKAY.
871
00:32:55,607 --> 00:32:57,441
NOW, YOUR FOLKS
AND YOUR GRANDPA,
872
00:32:57,442 --> 00:32:59,276
THERE OUT HERE
AND THEY'RE WORRIED ABOUT YOU.
873
00:32:59,278 --> 00:33:01,078
RYAN:
(STIFLED CRIES)
874
00:33:04,049 --> 00:33:05,983
THEY'RE ASHAMED OF ME.
875
00:33:06,719 --> 00:33:08,986
THEY DON'T WANT ME,
NOT THE WAY I AM.
876
00:33:08,988 --> 00:33:10,371
THAT IS NOT TRUE.
877
00:33:10,372 --> 00:33:11,755
CAN YOU TELL HIM
THAT IS NOT TRUE!
878
00:33:11,757 --> 00:33:14,624
RYAN,
THEY ARE NOT ASHAMED OF YOU.
879
00:33:15,561 --> 00:33:16,760
THEY ARE NOT ASHAMED OF YOU.
880
00:33:16,762 --> 00:33:19,062
ED, CARL'S TAUGHT RYAN
THAT BEING GAY
881
00:33:19,064 --> 00:33:21,465
IS A SICKNESS
THAT DESTROYS FAMILIES.
882
00:33:21,467 --> 00:33:23,234
GRACE:
THE THERAPIST TAUGHT HIM WHAT?
883
00:33:23,235 --> 00:33:25,002
PARKER:
THAT PRIVACY POLICY,
THAT DIDN'T WORRY YOU?
884
00:33:25,004 --> 00:33:27,004
GRACE:
OH GOD, WHAT HAVE I DONE?
885
00:33:27,006 --> 00:33:28,472
FAMILIES JUST GO THROUGH
A LITTLE BIT OF STRAIN,
886
00:33:28,474 --> 00:33:30,407
THAT'S ALL,
AND I GET THAT.
887
00:33:30,409 --> 00:33:32,075
NO.
888
00:33:32,077 --> 00:33:34,745
YOU DON'T GET TO SAY
YOU "GET IT"
889
00:33:34,747 --> 00:33:36,313
BECAUSE HOW COULD YOU GET IT?
890
00:33:36,315 --> 00:33:38,448
HOW, HOW COULD YOU KNOW?
891
00:33:38,450 --> 00:33:40,417
OKAY, YOU'RE RIGHT.
892
00:33:40,419 --> 00:33:42,652
YOU'RE ABSOLUTELY RIGHT,
I DON'T KNOW.
893
00:33:42,654 --> 00:33:45,155
YOU THINK YOU CAN YOU HELP ME
UNDERSTAND THIS?
894
00:33:45,157 --> 00:33:46,556
IT DOESN'T MATTER,
IT'S TOO LATE!
895
00:33:46,558 --> 00:33:48,175
ED:
RYAN...
896
00:33:48,176 --> 00:33:49,793
PARKER:
EDDIE, YOU GOTTA TAKE
THE PRESSURE OFF.
897
00:33:49,795 --> 00:33:52,229
RYAN, YOU KNOW MY SON, CLARK,
RIGHT?
898
00:33:52,231 --> 00:33:54,498
YEAH.
YEAH, I KNOW HIM.
899
00:33:54,500 --> 00:33:56,533
PARKER:
THAT'S GOOD, EDDIE,
GIVE HIM STATUS.
900
00:33:56,535 --> 00:33:58,051
YEAH, WELL,
YOU KNOW WHAT?
901
00:33:58,052 --> 00:33:59,568
I THOUGHT I KNEW HIM TOO,
BUT I DON'T.
902
00:33:59,571 --> 00:34:01,282
WE USED TO TRUST
EACH OTHER
903
00:34:01,283 --> 00:34:02,994
AND HE'S BEEN KEEPING STUFF
FROM ME
904
00:34:02,995 --> 00:34:04,706
AND I DON'T KNOW
WHAT'S GOING ON.
905
00:34:04,710 --> 00:34:07,110
MAYBE HE DOESN'T WANNA
DISAPPOINT YOU.
906
00:34:07,112 --> 00:34:08,245
MAYBE HE'S SCARED
OF WHAT MIGHT HAPPEN
907
00:34:08,247 --> 00:34:11,148
IF YOU GET TO KNOW HIM BETTER.
908
00:34:12,084 --> 00:34:14,117
YEAH.
909
00:34:14,119 --> 00:34:16,119
WHAT'S THE POINT?
910
00:34:16,121 --> 00:34:18,588
IF YOU TELL THE TRUTH,
911
00:34:18,590 --> 00:34:21,158
IT CAN CHANGE EVERYTHING.
912
00:34:22,094 --> 00:34:25,095
IF YOU COULD LOSE SOMEONE...
FOR IT.
913
00:34:25,764 --> 00:34:27,364
IT'S OKAY.
914
00:34:31,703 --> 00:34:33,837
LOOK WHAT HAPPENED TO ME.
915
00:34:36,141 --> 00:34:37,207
RYAN...
916
00:34:40,646 --> 00:34:42,079
(CHOKED SOBS)
917
00:34:42,081 --> 00:34:43,380
RYAN: I GOTTA GO.
ED: RYAN!
918
00:34:48,287 --> 00:34:49,853
ED:
(DISTORTED)
RYAN!
919
00:34:49,855 --> 00:34:51,655
(SLICING WHOOSH)
920
00:34:51,657 --> 00:34:53,523
(DISTORTED THUNDEROUS CRASH)
921
00:34:54,093 --> 00:34:55,309
(WHIMPERS, STARTLED)
922
00:34:55,310 --> 00:34:56,526
I GOT YOU, RYAN.
YOU'RE OKAY, COME ON.
923
00:34:56,528 --> 00:34:57,794
YOU'RE OKAY, COME ON.
YOU'RE ALL RIGHT.
924
00:34:57,796 --> 00:34:59,429
(SHRIEKING)
NO! NO!
925
00:34:59,431 --> 00:35:01,832
RYAN, IT'S OKAY.
IT'S OKAY.
926
00:35:01,834 --> 00:35:03,500
YOU'RE ALL RIGHT,
YOU'RE ALL RIGHT.
927
00:35:03,501 --> 00:35:05,167
I GOT YOU.
I GOT YOU, BUDDY.
928
00:35:05,170 --> 00:35:06,670
IT'S OKAY.
929
00:35:06,672 --> 00:35:07,804
SUBJECT'S SECURE.
930
00:35:15,447 --> 00:35:16,680
GRACE:
(RELIEVED BREATHS)
931
00:35:16,682 --> 00:35:17,747
OH!
932
00:35:20,219 --> 00:35:34,598
¶¶¶
933
00:35:35,534 --> 00:35:37,901
(DOOR CLICKS
AND SQUEAKS OPEN)
934
00:35:43,842 --> 00:35:44,908
GRACE:
RYAN?!
935
00:35:53,919 --> 00:35:55,185
THANK YOU.
936
00:36:09,768 --> 00:36:11,201
I NEARLY LOST HIM.
937
00:36:11,937 --> 00:36:13,303
THE TEAM SUCCEEDED,
EDDIE;
938
00:36:13,305 --> 00:36:15,739
THAT'S WHAT
WE TAKE AWAY HERE.
939
00:36:15,741 --> 00:36:16,773
(EXHALES FORCEFULLY)
940
00:36:16,775 --> 00:36:19,176
(AUDITORIUM DOORS OPEN)
941
00:36:20,212 --> 00:36:21,912
MR. HEWSON.
942
00:36:21,914 --> 00:36:23,897
CARL:
THIS IS TIME-SENSITIVE,
943
00:36:23,898 --> 00:36:25,881
HE NEEDS POSITIVE AFFIRMATION
BEFORE HE BACKSLIDES.
944
00:36:25,884 --> 00:36:27,617
(IRATE, HEAVY BREATHS)
945
00:36:27,619 --> 00:36:29,753
YOU STAY THE HELL AWAY
FROM MY GRANDSON.
946
00:36:29,755 --> 00:36:31,922
HE NEARLY DIED TODAY
BECAUSE OF YOU.
947
00:36:31,924 --> 00:36:33,890
HE SURVIVED BECAUSE OF ME.
948
00:36:33,892 --> 00:36:35,542
HE CHOSE TO LIVE
949
00:36:35,543 --> 00:36:37,193
BECAUSE I SHOWED HIM
THE RIGHT ROAD.
950
00:36:37,196 --> 00:36:37,928
IF HE REALLY HAD
OF BEEN GAY,
951
00:36:37,930 --> 00:36:40,463
HE WOULD'VE KILLED HIMSELF.
952
00:36:40,465 --> 00:36:42,399
WHICH, BETWEEN US...
953
00:36:42,401 --> 00:36:44,301
IS THAT WHAT YOU TEACH?
954
00:36:44,303 --> 00:36:46,403
IF YOU'RE GAY,
YOU MIGHT AS WELL JUST DIE?
955
00:36:46,405 --> 00:36:48,305
YOU'RE GONNA SHOW
SOME RESPECT.
956
00:36:48,307 --> 00:36:49,540
OKAY, MR. HEWSON...
957
00:36:49,541 --> 00:36:50,774
HOW MANY KIDS ARE GONNA HAVE
TO FALL OVER THE EDGE
958
00:36:50,776 --> 00:36:52,475
BEFORE SOMEONE STOPS YOU?
959
00:36:52,477 --> 00:36:53,777
I'M KEEPING FAMILIES
TOGETHER.
960
00:36:53,779 --> 00:36:54,945
I LOST MY OWN SON-
961
00:36:54,947 --> 00:36:57,881
NO. YOUR SON LOST A FATHER.
962
00:36:57,883 --> 00:36:59,683
YOU SHOULD'VE BEEN PROUD
OF HIM.
963
00:36:59,685 --> 00:37:02,552
ED:
MR. BELL.
MR. BELL...
964
00:37:02,554 --> 00:37:03,720
LET'S GO.
965
00:37:03,721 --> 00:37:04,887
YOUR GRANDSON'S SAFE,
IT'S OVER.
966
00:37:05,991 --> 00:37:07,257
(DOORS OPEN)
967
00:37:08,594 --> 00:37:10,860
THE GUTS IT TAKES
TO FEEL WHAT HE FEELS,
968
00:37:10,862 --> 00:37:14,731
TO... (SIGHS)
BE WHO HE IS,
969
00:37:15,667 --> 00:37:17,901
TELL IT LIKE IT IS...
970
00:37:18,837 --> 00:37:21,404
NOT EVERYONE CAN DO THAT.
I COULDN'T.
971
00:37:21,406 --> 00:37:23,940
YOU'RE RIGHT, ARTHUR,
THE TRUTH TAKES COURAGE.
972
00:37:23,942 --> 00:37:25,926
YOU'RE RIGHT.
973
00:37:25,927 --> 00:37:27,911
I COULD'VE JUST OPENED
MY MOUTH ONCE
974
00:37:27,913 --> 00:37:29,579
AND SAID SOMETHING.
975
00:37:31,016 --> 00:37:34,784
ED:
YOU GET A SECOND CHANCE HERE,
ARTHUR.
976
00:37:34,786 --> 00:37:36,586
RYAN NEEDS YOU.
977
00:37:40,525 --> 00:37:47,764
¶¶¶
978
00:37:47,766 --> 00:37:50,533
¶ Gonna face the dark tonight ¶
979
00:37:50,535 --> 00:37:54,604
¶ Gonna touch the starlight
when I'm gone ¶
980
00:37:59,011 --> 00:38:01,911
¶ If I know
the feeling's right ¶
981
00:38:02,848 --> 00:38:05,282
YOU'RE STILL ALIVE,
SONNY.
982
00:38:06,418 --> 00:38:07,884
KEEP IT THAT WAY.
983
00:38:09,421 --> 00:38:10,587
WE'VE GOT A LOT
TO TALK ABOUT.
984
00:38:10,589 --> 00:38:13,423
¶ Gonna face the dark tonight ¶
985
00:38:13,425 --> 00:38:17,527
¶ Gonna tell him
I am on the rise ¶
986
00:38:20,866 --> 00:38:21,998
IT'S OKAY.
987
00:38:22,000 --> 00:38:24,834
¶ Love no longer outta sight ¶
988
00:38:24,836 --> 00:38:28,638
¶ Silver lining's in my eyes ¶
989
00:38:32,411 --> 00:38:34,678
¶ I said courage ¶
990
00:38:35,614 --> 00:38:36,980
¶ Won't you come out to play ¶
991
00:38:36,982 --> 00:38:38,915
¶ Won't you come out to play ¶
992
00:38:38,917 --> 00:38:41,051
¶ I'm a little bit down again ¶
993
00:38:41,987 --> 00:38:44,054
¶ Now I'm bringing it back
someday ¶
994
00:38:44,056 --> 00:38:45,689
¶ Say courage... ¶
995
00:38:47,993 --> 00:38:50,460
GOOD CUPCAKES THAT MARINA
BROUGHT IN THIS MORNING.
996
00:38:50,462 --> 00:38:52,028
YEAH, IT WAS NICE OF HER
TO COME BY LIKE THAT,
997
00:38:52,030 --> 00:38:53,530
THANK THE TEAM.
998
00:38:53,531 --> 00:38:55,031
OH, BOSS,
THAT WASN'T "THANK YOU";
999
00:38:55,033 --> 00:38:56,032
THAT WAS A...
1000
00:38:56,034 --> 00:38:58,101
"I WANNA GET ME
SOME O' THAT."
1001
00:38:58,103 --> 00:38:59,903
(HALF LAUGHS)
1002
00:38:59,905 --> 00:39:01,771
SHE SUFFERED A TRAUMA.
1003
00:39:01,773 --> 00:39:03,673
IT'S A TEXTBOOK
HERO-WORSHIP.
1004
00:39:03,675 --> 00:39:05,675
AND YOU HAVE A PROBLEM
WITH THAT?
1005
00:39:05,677 --> 00:39:07,644
ONE DAY SHE'S GONNA SEE
THROUGH THAT
1006
00:39:07,646 --> 00:39:10,113
AND SHE'S GONNA SEE ME.
1007
00:39:11,049 --> 00:39:12,515
AND THEN WHAT?
1008
00:39:13,452 --> 00:39:16,453
YOU THINK THAT SHE'S
OUT OF YOUR LEAGUE.
1009
00:39:16,455 --> 00:39:17,520
WELL, SHE'S NOT.
1010
00:39:19,124 --> 00:39:21,124
DO I GIVE YOU
THE FIVE CENTS NOW?
1011
00:39:22,694 --> 00:39:25,061
JULES:
WHAT'RE YOU SO AFRAID OF?
1012
00:39:25,063 --> 00:39:28,131
¶ They will know battle's
all been won ¶
1013
00:39:33,538 --> 00:39:35,772
(SONG PLAYS ON
CLARK'S MP3 PLAYER)
1014
00:39:45,417 --> 00:39:48,385
BUDDY, I OWE YOU
AN APOLOGY.
1015
00:39:48,387 --> 00:39:50,120
IT'S BEEN ALL ABOUT YOUR MOM
AND THE BABY LATELY
1016
00:39:50,122 --> 00:39:55,392
AND I, I...
I TOOK YOU FOR GRANTED.
1017
00:39:55,394 --> 00:39:56,526
AND I TOOK YOU FOR GRANTED,
CLARK,
1018
00:39:56,528 --> 00:39:57,927
BECAUSE YOU ARE SUCH
A GOOD KID.
1019
00:39:57,929 --> 00:40:00,563
YOU ARE SUCH A GOOD KID.
1020
00:40:00,565 --> 00:40:02,132
I MESSED UP, BUDDY.
1021
00:40:03,068 --> 00:40:05,034
I'M JUST TRYING TO FIGURE
IT OUT FOR MYSELF HERE.
1022
00:40:05,036 --> 00:40:06,102
IT'S OKAY.
1023
00:40:10,442 --> 00:40:12,108
(HALF LAUGHS)
1024
00:40:13,845 --> 00:40:15,578
YOU ALL RIGHT?
1025
00:40:18,016 --> 00:40:20,333
I EVER TELL YOU
ABOUT THE TIME
1026
00:40:20,334 --> 00:40:22,651
WHEN YOUR GRANDFATHER CAUGHT ME
AND ROY SMOKING CIGARS?
1027
00:40:22,654 --> 00:40:26,055
RINKING
A LITTLE BIT TOO, BUT...
1028
00:40:26,057 --> 00:40:27,724
BUT HE ONLY SAW THE CIGARS.
1029
00:40:27,726 --> 00:40:30,059
HE MADE ME SMOKE
THE WHOLE THING RIGHT THERE.
1030
00:40:30,061 --> 00:40:31,928
¶ I can go it all the way ¶
1031
00:40:31,930 --> 00:40:34,998
¶ So I wanna
leave the world better ¶
1032
00:40:35,000 --> 00:40:37,167
¶ When I'm gone ¶
1033
00:40:38,537 --> 00:40:41,571
¶ And I know the morning after ¶
1034
00:40:41,573 --> 00:40:43,473
¶ Will bring another day ¶
1035
00:40:43,475 --> 00:40:47,577
¶ So this is my goodbye song ¶
1036
00:40:48,513 --> 00:40:51,080
MARINA, HI.
IT'S SERGEANT GREG PARKER.
1037
00:40:51,082 --> 00:40:52,515
IT'S GREG.
IT'S GREG.
1038
00:40:52,517 --> 00:40:55,118
GREG PARKER.
(LAUGHS) HOW ARE YOU?
1039
00:40:56,588 --> 00:40:59,656
UM... IS IT TOO LATE TO GO
TO THE ART OPENING TONIGHT?
1040
00:41:00,692 --> 00:41:02,992
¶ Oh, I said courage ¶