1 00:00:07,408 --> 00:00:08,707 GUYS, I GOT A SIGNAL. 2 00:00:08,709 --> 00:00:11,143 LOWER LEVER, NORTH QUADRANT. 3 00:00:11,145 --> 00:00:12,578 ED: 'KAY, LISTEN UP. THIS GUY KNOWS THE TERRAIN. 4 00:00:12,580 --> 00:00:14,146 WE GO IN HARD AND FAST. 5 00:00:14,148 --> 00:00:16,515 BOSS, GET HIM ON THE PHONE, KEEP HIM OCCUPIED. 6 00:00:16,517 --> 00:00:17,583 COPY THAT. 7 00:00:20,054 --> 00:00:21,520 MAN: WHAT'RE YOU THINKING, PARKER? I HAD IT UNDER CONTROL. 8 00:00:21,522 --> 00:00:24,089 PARKER: IT LOOKED RAGGED. I MADE A CALL. 9 00:00:24,091 --> 00:00:25,591 WHY DON'T YOU COME ON IN AND WE'LL DEBRIEF. 10 00:00:25,593 --> 00:00:26,976 ED: IN POSITION. 11 00:00:26,977 --> 00:00:28,360 MAN: WELL, YOU KNOW WHAT? 12 00:00:28,362 --> 00:00:31,196 I'LL BRING MY SIDEARM, YOU BRING YOUR INKBLOTS, 13 00:00:31,198 --> 00:00:32,731 WE'LL SEE WHO MAKES A BETTER CASE. 14 00:00:32,733 --> 00:00:35,467 ED, RAF AND SAM: POLICE! FREEZE! SRU! 15 00:00:35,469 --> 00:00:38,504 BOSS, SIGNAL RELAY. HE'S NOT HERE. 16 00:00:39,440 --> 00:00:41,473 GREG, COME IN. GREG. 17 00:00:43,411 --> 00:00:45,344 GREG, COME IN. 18 00:00:46,747 --> 00:00:49,348 BOSS, MAKE SOME NOISE. 19 00:00:51,485 --> 00:00:52,518 HE'S GOT GREG. 20 00:01:01,228 --> 00:01:03,095 RAF: I KNOW THIS HASN'T BEEN AN EASY DAY FOR YOU, TIM. 21 00:01:03,097 --> 00:01:04,747 TIM: NO IT HASN'T, AND IT'S HER FAULT! 22 00:01:04,748 --> 00:01:06,398 RAF: OKAY, BUT I DON'T THINK YOU WANNA HARM YOUR WIFE. 23 00:01:06,400 --> 00:01:08,267 I DON'T THINK THAT'S HOW YOU WANT THIS TO GO. 24 00:01:08,268 --> 00:01:10,135 TIM: DON'T YOU TELL ME WHAT TO DO! 25 00:01:10,137 --> 00:01:11,804 RAF: SHE'S AFRAID, TIM. 26 00:01:11,806 --> 00:01:15,507 THIS CAN'T BE EASY FOR HER. YOU'RE SCARING HER. 27 00:01:15,509 --> 00:01:16,809 I DON'T WANNA SCARE HER. 28 00:01:16,811 --> 00:01:18,343 RAF: 'COURSE NOT. 29 00:01:18,345 --> 00:01:19,711 'COURSE NOT, TIM. 30 00:01:19,713 --> 00:01:21,380 SO HOW 'BOUT YOU LET HER GO, 31 00:01:21,382 --> 00:01:23,449 AND YOU AND I, WE CAN SIT DOWN 32 00:01:23,451 --> 00:01:24,316 AND TALK THIS THROUGH, OKAY? 33 00:01:24,318 --> 00:01:25,551 JUST THE TWO OF US. 34 00:01:25,553 --> 00:01:27,486 I'M WORTHLESS. 35 00:01:29,090 --> 00:01:31,356 I DON'T WANNA SCARE HER. 36 00:01:31,358 --> 00:01:34,093 I'M WITH YOU ON THAT, TIM. 37 00:01:36,497 --> 00:01:39,098 WE'RE GONNA WORK THROUGH THIS. 38 00:01:39,100 --> 00:01:40,466 AW, COME ON! 39 00:01:42,770 --> 00:01:45,637 SEE THE SUICIDE CUES, RAF? 40 00:01:45,639 --> 00:01:47,806 CALMNESS. INTROSPECTION. 41 00:01:47,808 --> 00:01:49,308 DOESN'T ALWAYS MEAN COOPERATION, 42 00:01:49,310 --> 00:01:52,511 SOMETIMES IT MEANS HE'S GIVEN UP. 43 00:01:52,513 --> 00:01:54,179 COME ON, BUDDY. THE FIRST DAY ON THE JOB. 44 00:01:54,181 --> 00:01:56,281 THE BRIDGE JUMPER, REMEMBER? 45 00:01:56,283 --> 00:01:57,416 YEAH. 46 00:01:57,417 --> 00:01:58,550 PARKER: WHAT ELSE DID YOU SEE? 47 00:01:58,552 --> 00:02:00,169 RAF: HE WAS TIDYING HIMSELF. 48 00:02:00,170 --> 00:02:01,787 PARKER: AND YOU KEPT PUSHING HIM. 49 00:02:03,557 --> 00:02:04,623 AGAIN. 50 00:02:06,494 --> 00:02:08,227 (SIGHS) AGAIN. 51 00:02:22,610 --> 00:02:23,675 HEY! 52 00:02:23,677 --> 00:02:26,778 DECKLAN: WE'RE JUST HAVING A CIGARETTE, GIL. 53 00:02:26,780 --> 00:02:28,280 WHO'S COVERING? 54 00:02:28,282 --> 00:02:29,565 WOULD YOU RELAX? 55 00:02:29,566 --> 00:02:30,849 WE'RE JUST GIVING THESE LIGHTING DUDES SOME POINTERS. 56 00:02:30,851 --> 00:02:31,817 YOU SHOULD BE ON YOUR ROUTE. 57 00:02:31,819 --> 00:02:33,318 DECKLAN: SERIOUSLY, DUDE. 58 00:02:33,320 --> 00:02:34,353 YOUR JOB'S NOT TO PATROL AROUND 59 00:02:34,355 --> 00:02:35,921 LOOKING FOR OTHER SECURITY GUARDS. 60 00:02:35,923 --> 00:02:37,756 YOU DO KNOW THAT, RIGHT? 61 00:02:37,758 --> 00:02:39,391 YEAH, I KNOW MY JOB. 62 00:02:39,393 --> 00:02:41,527 I'M NOT THE ONE WHO TAKES UNSCHEDULED BREAKS EVERYDAY. 63 00:02:41,529 --> 00:02:42,661 LISTEN, IT'S 15 MINUTES. 64 00:02:42,663 --> 00:02:44,229 EITHER YOU WANT TO JOIN US? 65 00:02:44,230 --> 00:02:45,796 OR DO YOU CAN BACK RIGHT OFF AND LET US FINISH OUR SMOKES? 66 00:02:50,437 --> 00:02:51,670 (LAUGHS) 67 00:03:07,888 --> 00:03:08,954 (PANTING) 68 00:03:17,364 --> 00:03:19,364 RAF: I APPRECIATE THAT, TIM. 69 00:03:19,366 --> 00:03:20,799 NOW, I'M GONNA HOLSTER MY GUN. 70 00:03:20,801 --> 00:03:23,268 AND MAYBE WE CAN TALK ABOUT WHAT'S GOING ON HERE, OKAY? 71 00:03:23,270 --> 00:03:24,319 I'VE SAID MY PIECE. 72 00:03:24,320 --> 00:03:25,369 RAF: I'D JUST LIKE TO HEAR SOME MORE, 73 00:03:25,372 --> 00:03:26,438 IF THAT'S OKAY? 74 00:03:26,440 --> 00:03:27,806 JUST TALK TO ME. 75 00:03:27,808 --> 00:03:29,441 JUST TELL ME WHAT HAPPENED HERE TODAY. 76 00:03:29,443 --> 00:03:31,510 (GUNSHOT POPS TWICE, RAF GROANS, AGITATED) 77 00:03:31,512 --> 00:03:32,578 PARKER: AND... YOU'RE DEAD. 78 00:03:32,580 --> 00:03:33,679 SPIKE: REALLY DEAD. 79 00:03:33,680 --> 00:03:34,779 RAF: YOU SAID HE JUST HAD THE 9-MIL! 80 00:03:34,782 --> 00:03:36,248 PARKER: YEAH, I GOT IT WRONG. 81 00:03:36,249 --> 00:03:37,715 RAF: ARE YOU SERIOUS?! PARKER: THAT'LL HAPPEN. 82 00:03:37,718 --> 00:03:38,850 (INCREDULOUS LAUGHTER) 83 00:03:38,852 --> 00:03:40,652 PARKER: LET'S GO AGAIN. RAF: COME ON! 84 00:03:40,654 --> 00:03:41,820 ED: ZERO FOR NINE, RAF. 85 00:03:41,822 --> 00:03:42,955 YOU GOTTA STEP IT UP, BUDDY. 86 00:03:42,956 --> 00:03:44,089 RAF: ED, I WAS GETTING THROUGH TO YOU? 87 00:03:44,090 --> 00:03:45,223 I WAS GETTING THROUGH TO HIM. 88 00:03:45,224 --> 00:03:46,357 REALLY? I SEE A SHOT COP. 89 00:03:46,360 --> 00:03:47,715 RAF: OKAY, SO WHAT'S NEXT? 90 00:03:47,716 --> 00:03:49,071 SOMEONE GONNA BUST THROUGH THE WINDOW WITH AN UZI? 91 00:03:49,072 --> 00:03:50,427 PARKER: HEY! EVERY ONE OF THESE SCENARIOS 92 00:03:50,431 --> 00:03:51,496 COME FROM CASE FILES. 93 00:03:51,498 --> 00:03:53,265 EVERY OUTCOMES HAS HAPPENED. 94 00:03:53,267 --> 00:03:54,499 THIS IS REAL LIFE. 95 00:03:54,501 --> 00:03:55,584 NOW THE MOMENT YOU START THINKING 96 00:03:55,585 --> 00:03:56,668 THAT YOU'VE GOT ALL THE ANGLES COVERED, 97 00:03:56,670 --> 00:03:58,270 YOU HAVE FAILED, 98 00:03:59,673 --> 00:04:00,739 DO YOU HEAR ME? 99 00:04:01,675 --> 00:04:02,808 YES, SIR. 100 00:04:05,679 --> 00:04:06,845 PARKER: WE'VE BEEN AT THIS FOR THREE HOURS, 101 00:04:06,847 --> 00:04:08,547 YOU MUST BE TIRED. 102 00:04:08,549 --> 00:04:10,666 NO, NO, I'M FINE. 103 00:04:10,667 --> 00:04:12,784 PARKER: GOOD, 'CAUSE WE'RE GOING AGAIN. 104 00:04:16,557 --> 00:04:17,689 (KEYPAD LOCK BEEPS) 105 00:04:22,596 --> 00:04:23,962 (DOOR CLUNKS SHUT) 106 00:04:25,332 --> 00:04:27,466 (KEYPAD BEEPS AND TRILLS) 107 00:04:33,474 --> 00:04:34,940 (DOOR KEYPAD BEEPS) 108 00:04:42,783 --> 00:04:44,750 GET BACK! GET BACK! 109 00:04:44,752 --> 00:04:45,717 DON'T MAKE... DON'T MAKE NOISE. 110 00:04:45,719 --> 00:04:46,952 JUST GET BACK! 111 00:04:53,560 --> 00:04:54,793 WHAT WAS THAT ABOUT? 112 00:04:54,794 --> 00:04:56,027 OH COME ON, EDDIE. HE NEEDED TO HEAR IT. 113 00:04:56,030 --> 00:04:57,629 REMEMBER HOW LONG IT TOOK ME TO GET THAT DRILL? 114 00:04:57,631 --> 00:05:00,115 YEAH. 115 00:05:00,116 --> 00:05:02,600 REMEMBER I HAD TO GET INTO YOUR FACE TOO? 116 00:05:03,971 --> 00:05:05,704 SPIKE: HEY, CHIN UP. 117 00:05:05,706 --> 00:05:06,938 THAT'S WHY WE DO THE EXERCISES. 118 00:05:06,940 --> 00:05:08,396 YOU PASSED IT? 119 00:05:08,397 --> 00:05:09,853 SPIKE: WE ALL PASSED IT. 120 00:05:09,854 --> 00:05:11,310 YOU'RE REALLY USED TO GETTING A'S ON THE REPORT CARD, 121 00:05:11,312 --> 00:05:12,628 AREN'T YOU? 122 00:05:12,629 --> 00:05:13,945 DON'T SWEAT IT, RAF. TAKES TIME. 123 00:05:13,947 --> 00:05:15,614 (CALL BELL RINGS) 124 00:05:18,485 --> 00:05:20,619 ARMED ROBBERY AT FLETCHER STADIUM. 125 00:05:20,620 --> 00:05:22,754 SUBJECT HAS A KNIFE, POSSIBLE HOSTAGE SITUATION. 126 00:05:22,756 --> 00:05:24,623 911 CALLER IS DECKLAN POWNELL, 127 00:05:24,625 --> 00:05:26,458 HE WORKS SECURITY AT THE STADIUM. 128 00:05:26,460 --> 00:05:27,592 (SIRENS WAIL) 129 00:05:32,733 --> 00:05:34,149 PARKER: MR. POWNELL? 130 00:05:34,150 --> 00:05:35,566 DECKLAN: YEAH. YOU GUYS GOTTA GET UP THERE, 131 00:05:35,569 --> 00:05:36,968 THE GUY'S CRAZY - HE'S GOT ROGER. 132 00:05:36,970 --> 00:05:38,437 ROGER A COLLEAGUE OF YOURS? 133 00:05:38,439 --> 00:05:40,072 YEAH, HE WALKED IN ON HIM IN THE MONEY ROOM; 134 00:05:40,074 --> 00:05:41,406 THE GUY PULLED A KNIFE. 135 00:05:41,408 --> 00:05:42,641 WE TRIED TO INTERVENE, BUT... 136 00:05:42,643 --> 00:05:43,698 PARKER: WHO'S "WE", SIR? 137 00:05:43,699 --> 00:05:44,754 ME AND GIL. ANOTHER GUARD. 138 00:05:44,755 --> 00:05:45,810 WE TRIED TO CALM HIM DOWN, BUT HE FLIPPED OUT. 139 00:05:45,813 --> 00:05:47,101 OKAY, IT'S ALL RIGHT. 140 00:05:47,102 --> 00:05:48,390 WHERE ARE THEY NOW? 141 00:05:48,391 --> 00:05:49,679 A LUXURY SUITE. HE DRAGGED ROGER IN THERE. 142 00:05:49,683 --> 00:05:51,750 ED: OKAY, DECKLAN, HOW MANY PEOPLE IN THE BUILDING? 143 00:05:51,752 --> 00:05:52,884 SMALL LIGHTING CREW. 144 00:05:52,886 --> 00:05:54,236 SIX SECURITY STAFF. 145 00:05:54,237 --> 00:05:55,587 OKAY, HAVE 'EM DROP WHAT THEY'RE DOING, 146 00:05:55,589 --> 00:05:56,755 AND EXIT IMMEDIATELY. 147 00:05:56,757 --> 00:05:58,190 DO YOU UNDERSTAND ME? YES. 148 00:05:58,191 --> 00:05:59,624 PARKER: ONE SUBJECT, ONE HOSTAGE, ONE KNIFE. 149 00:05:59,626 --> 00:06:01,460 LET'S FILL IN SOME BLANKS. 150 00:06:02,396 --> 00:06:03,595 ED: OKAY, GUYS, HERE WE GO. 151 00:06:03,597 --> 00:06:05,030 SAM, RAF, TAKE THE SUITE. 152 00:06:05,032 --> 00:06:06,798 SPIKE, CCTV. 153 00:06:06,800 --> 00:06:07,733 JULES, MONEY ROOM. 154 00:06:07,735 --> 00:06:08,801 JULES: COPY. 155 00:06:08,802 --> 00:06:09,868 ED: BOOS, I'M GONNA TRY TO GET A SIERRA SHOT. 156 00:06:09,869 --> 00:06:10,935 PARKER: GOOD. GO. 157 00:06:10,936 --> 00:06:12,002 I NEED TO GET THROUGH TO THAT SUITE. 158 00:06:12,005 --> 00:06:14,005 YEAH, YEAH, FOLLOW ME, 159 00:06:14,006 --> 00:06:16,006 THERE'S A PHONE IN THE SECURITY ROOM. 160 00:06:16,009 --> 00:06:17,542 JUST... 161 00:06:17,544 --> 00:06:18,744 JUST THINK, DANNY, JUST THINK. 162 00:06:18,746 --> 00:06:20,846 (PHONE RINGS, DANNY GASPS) 163 00:06:21,782 --> 00:06:22,748 ARE YOU GONNA GET THAT? 164 00:06:22,750 --> 00:06:25,617 SHUT UP! SHUT UP WHILE I THINK! 165 00:06:26,687 --> 00:06:29,154 (PHONE RINGS IN THE DISTANCE) 166 00:06:31,859 --> 00:06:33,992 SAM, HE'S NOT ANSWERING. GIVE HIM A NUDGE. 167 00:06:33,994 --> 00:06:36,094 (SAM KNOCKS AT THE DOOR) SIR, THIS IS SAM BRADDOCK 168 00:06:36,096 --> 00:06:38,463 FROM THE POLICE STRATEGIC RESPONSE UNIT. 169 00:06:38,465 --> 00:06:39,498 WE NEED TO TALK TO YOU, 170 00:06:39,500 --> 00:06:41,800 PLEASE ANSWER THE PHONE. 171 00:06:41,802 --> 00:06:42,968 (PHONE SMASHES) 172 00:06:42,970 --> 00:06:44,770 HE'S NOT SO KEEN TO TALK, BOSS. 173 00:06:44,772 --> 00:06:46,672 PARKER: COPY THAT. 174 00:06:46,673 --> 00:06:48,573 SPIKE, LET ME KNOW WHEN YOU GOT EYES. 175 00:06:48,575 --> 00:06:49,941 SPIKE: YEAH, 220 OF THEM, 176 00:06:49,943 --> 00:06:51,743 BUT NONE WHERE WE WANT 'EM. 177 00:06:51,745 --> 00:06:52,744 THERE'S NO CAMERA IN THERE? 178 00:06:52,746 --> 00:06:54,146 UH, THEY'RE EXECUTIVE SUITES. 179 00:06:54,148 --> 00:06:55,747 YOU KNOW, THESE GUYS LIKE THEIR PRIVACY. 180 00:06:55,749 --> 00:06:57,883 EDDIE? WHAT DO YOU SEE? 181 00:06:59,787 --> 00:07:02,020 ED: NOT GOOD, BOSS - GLARE AND SHADOW. 182 00:07:02,022 --> 00:07:03,555 HANG ON. BOSS, WE GOT A BOGEY. 183 00:07:03,557 --> 00:07:05,757 WE GOT A SECURITY GUARD ON THE BALCONY. 184 00:07:05,759 --> 00:07:07,670 YOUR GUYS ARE STILL OUT THERE? 185 00:07:07,671 --> 00:07:09,582 DECKLAN: IT'S GOTTA BE GIL, I MEAN, EVERYONE ELSE IS ACCOUNTED FOR. 186 00:07:09,583 --> 00:07:11,494 HE MUST'VE TOOK COVER ON THE BALCONY. 187 00:07:11,498 --> 00:07:13,732 SIR, IT'S HIM. 188 00:07:13,734 --> 00:07:15,100 GIL CALLING. 189 00:07:17,004 --> 00:07:18,870 PARKER: GIL. THIS IS SERGEANT GREG PARKER, 190 00:07:18,872 --> 00:07:20,939 I'M WITH THE POLICE STRATEGIC RESPONSE UNIT. 191 00:07:20,941 --> 00:07:22,441 GIL: HELLO, GREG PARKER. 192 00:07:22,443 --> 00:07:23,442 PARKER: ARE YOU SAFE? 193 00:07:23,444 --> 00:07:25,036 GIL: YEAH, I'M HIDDEN. 194 00:07:25,037 --> 00:07:26,629 HEY, BUDDY, CAN YOU GET OUT OF THERE? 195 00:07:26,630 --> 00:07:28,222 NO, THEY'RE BETWEEN ME AND THE DOOR. 196 00:07:28,223 --> 00:07:29,815 PARKER: OKAY, GIL, CAN YOU TELL ME IF THE HOSTAGE IS HURT? 197 00:07:29,817 --> 00:07:31,850 GIL: NO, NO, NO, HE LOOKS FINE. HE'S JUST SCARED. 198 00:07:31,852 --> 00:07:34,186 SUBJECT IS CAUCASIAN, 5' 10", DARK HAIR. 199 00:07:35,122 --> 00:07:36,788 I HEARD HIM CALL HIMSELF "DANNY." 200 00:07:36,790 --> 00:07:38,890 HE'S GOT A 7-INCH BLADE - I THINK IT'S A BOWIE KNIFE. 201 00:07:38,892 --> 00:07:40,759 GIL, THAT'S VERY HELPFUL. THANK YOU. 202 00:07:40,761 --> 00:07:42,761 SPIKE, SEE WHAT YOU CAN DO WITH THAT. 203 00:07:42,763 --> 00:07:43,879 GOT IT, BOSS. 204 00:07:43,880 --> 00:07:44,996 PARKER: OKAY, GIL, I NEED YOU TO STAY LOW 205 00:07:44,998 --> 00:07:46,498 STAY QUIET, ALL RIGHT? 206 00:07:46,500 --> 00:07:48,133 WE'RE GONNA GET YOU OUTTA THERE. 207 00:07:48,134 --> 00:07:49,767 HEY, SARGE, I THINK I SHOULD TALK TO THIS GUY. 208 00:07:49,770 --> 00:07:51,570 NO, I DON'T WANT YOU TO DO THAT. 209 00:07:51,572 --> 00:07:53,172 DANNY: IT WASN'T SUPPOSED TO GO LIKE THIS. 210 00:07:53,173 --> 00:07:54,773 GIL: NO, NO, NO, I HEAR REMORSE. I THINK I CAN GET THROUGH HIM. 211 00:07:54,775 --> 00:07:56,107 PARKER: GIL, THAT IS A NEGATIVE. 212 00:07:56,109 --> 00:07:57,776 ONE WRONG WORD AND HE COULD ESCALATE. 213 00:07:57,778 --> 00:08:00,011 YOU GOTTA TRUST ME ON THIS HERE, BUDDY. 214 00:08:01,248 --> 00:08:02,247 ALL RIGHT. 215 00:08:02,249 --> 00:08:03,215 PARKER: THANK YOU. 216 00:08:03,217 --> 00:08:05,617 OKAY, TEAM, LISTEN UP. 217 00:08:05,619 --> 00:08:07,185 GOOD NEWS IS WE'VE GOT EYES INSIDE 218 00:08:07,187 --> 00:08:09,754 AND, AH, THINGS SEEM CALM FOR THE MOMENT. 219 00:08:09,756 --> 00:08:11,656 SO TALK TO ME, WHO'RE WE DEALING WITH HERE? 220 00:08:11,658 --> 00:08:13,091 IT'S GOTTA BE A SMASH AND GRAB, RIGHT? 221 00:08:13,093 --> 00:08:15,627 PARKER: SO HE GETS INTERRUPTED, PANICS. 222 00:08:15,629 --> 00:08:16,445 EDDIE? 223 00:08:16,446 --> 00:08:17,262 FITS THE BILL. HE'S VOLATILE, 224 00:08:17,264 --> 00:08:18,897 HE'S GOT NO DEMANDS... 225 00:08:18,899 --> 00:08:20,098 YEAH. I HEAR A "BUT". 226 00:08:20,100 --> 00:08:21,400 I DON'T KNOW, I MEAN, 227 00:08:21,401 --> 00:08:22,701 THE PLACE ISN'T EXACTLY A LIQUOR STORE, RIGHT? 228 00:08:22,703 --> 00:08:24,569 JULES: BOSS? PARKER: YEAH, JULES? 229 00:08:24,571 --> 00:08:26,838 MONEY ROOM'S THREE FLOORS UP BEHIND AN UNMARKED DOOR. 230 00:08:26,840 --> 00:08:29,007 CAMERAS, KEYCARD ENTRY, 231 00:08:29,009 --> 00:08:30,609 REGENERATING PASSWORD, 232 00:08:30,611 --> 00:08:32,844 AND THAT'S ALL BEFORE YOU EVEN REACH THE SAFE. 233 00:08:32,846 --> 00:08:34,679 RAF: SO MUCH FOR SMASH AND GRAB. 234 00:08:34,681 --> 00:08:36,715 PARKER: SO HE'S HIGH-TECH ON THE WAY IN, 235 00:08:36,717 --> 00:08:38,583 HUNTING KNIFE ON THE WAY OUT? 236 00:08:38,585 --> 00:08:39,951 BOSS, GOT A PARTIAL OFF CCTV 237 00:08:39,953 --> 00:08:41,019 AND MATCHED IT TO THE DESCRIPTION. 238 00:08:41,021 --> 00:08:43,088 OUR SUBJECT IS DANNY LUCIC. 239 00:08:43,090 --> 00:08:44,756 DRUGS, ASSAULT. 240 00:08:44,758 --> 00:08:45,924 MOSTLY SMALL-TIME. 241 00:08:45,926 --> 00:08:48,193 HIS STAR TURN WAS AN ATTEMPTED ROBBERY 242 00:08:48,195 --> 00:08:49,945 AT A CREDIT UNION, 243 00:08:49,946 --> 00:08:51,696 AND HE TOOK A TELLER HOSTAGE AT KNIFE-POINT. 244 00:08:51,698 --> 00:08:52,998 HOW'D THAT END? 245 00:08:52,999 --> 00:08:54,299 SPIKE: TELLER GOT A PUNCTURED RADIAL ARTERY 246 00:08:54,301 --> 00:08:57,736 AND DANNY GOT THREE YEARS HARD TIME. 247 00:08:59,973 --> 00:09:02,307 IT WASN'T SUPPOSED TO GO LIKE THIS. 248 00:09:02,309 --> 00:09:05,010 GIL: SERGEANT, WE GOT A SITUATION. 249 00:09:05,012 --> 00:09:07,012 (HEAVING GRUNT) 250 00:09:07,014 --> 00:09:08,747 ED: WHOA, GUN IN PLAY. GUN IN PLAY. 251 00:09:08,749 --> 00:09:10,549 GIL, TALK TO ME. 252 00:09:10,551 --> 00:09:12,150 GIL: NO, NO, NO-NO-NO-NO. DANNY: I SAID STAY PUT! 253 00:09:12,152 --> 00:09:13,818 ROGER: (PAINED CRIES) 254 00:09:13,820 --> 00:09:15,020 FREEZE! RIGHT THERE! 255 00:09:15,022 --> 00:09:17,122 ED: NO VISUAL. 256 00:09:17,124 --> 00:09:19,224 GIL, TALK TO ME, PLEASE. 257 00:09:19,226 --> 00:09:20,659 DANNY: BACK OFF! 258 00:09:20,660 --> 00:09:22,093 OKAY, CALM DOWN, MISTER. JUST RELAX. 259 00:09:22,095 --> 00:09:24,029 PARKER: GIL! DANNY: BACK OFF. 260 00:09:24,031 --> 00:09:25,797 BACK OFF OR HE DIES! 261 00:09:27,968 --> 00:09:38,076 ¶¶¶ 262 00:09:38,078 --> 00:09:42,981 ¶¶¶ 263 00:09:42,983 --> 00:09:53,091 ¶¶¶ 264 00:09:53,093 --> 00:10:00,065 ¶¶¶ 265 00:10:01,201 --> 00:10:03,234 MY NAME IS GIL COLLINS AND I'M HERE TO HELP YOU. 266 00:10:03,236 --> 00:10:05,737 DANNY: IF YOU TAKE ONE MORE STEP FORWARD 267 00:10:05,739 --> 00:10:06,771 I WILL CUT HIS THROAT OUT! 268 00:10:08,609 --> 00:10:09,708 EDDIE, WHAT DO YOU SEE? 269 00:10:09,710 --> 00:10:11,009 OUR CIVILIAN'S GONE COWBOY. 270 00:10:11,010 --> 00:10:12,309 HE'S CHARGED IN THERE WITH A BIG PIECE. 271 00:10:12,312 --> 00:10:14,479 ALL I GOT'S HIS BACK. 272 00:10:14,480 --> 00:10:16,647 WE BREACH NOW, WE ARE RIGHT IN THE LINE OF FIRE. 273 00:10:16,650 --> 00:10:18,083 YOU GUYS CARRY GUNS? 274 00:10:18,085 --> 00:10:20,752 I'VE NEVER TOUCHED A GUN IN MY LIFE. 275 00:10:20,754 --> 00:10:22,887 OKAY... AH... JUST CALM DOWN. 276 00:10:22,889 --> 00:10:24,356 LOOK, I'M GONNA PUT THE GUN AWAY. 277 00:10:24,358 --> 00:10:27,092 OKAY? I'M PUTTING IT DOWN. 278 00:10:28,996 --> 00:10:30,846 NOW LISTEN TO ME. 279 00:10:30,847 --> 00:10:32,697 THAT MAN THAT YOU'RE HOLDING IS NAMED ROGER. 280 00:10:32,699 --> 00:10:34,099 HE'S A FRIEND OF MINE, THIS'D BE A LOT EASIER 281 00:10:34,101 --> 00:10:36,401 IF YOU'D JUST LOWER THE BLADE A LITTLE. 282 00:10:36,403 --> 00:10:38,870 HE'S HUMANIZING THE HOSTAGE. 283 00:10:38,872 --> 00:10:39,871 ROGER: LISTEN TO HIM, MISTER 284 00:10:39,872 --> 00:10:40,871 YOU KEEP YOUR MOUTH SHUT! 285 00:10:40,874 --> 00:10:41,873 AND YOU STAY BACK! 286 00:10:41,875 --> 00:10:43,742 I'M NOT COMING CLOSER, I SWEAR. 287 00:10:43,744 --> 00:10:44,743 OKAY? YOU HAVE MY WORD. 288 00:10:44,745 --> 00:10:46,711 I JUST... I WANNA TALK. 289 00:10:46,713 --> 00:10:48,713 OKAY? CAN WE JUST TALK? 290 00:10:50,984 --> 00:10:52,984 OKAY. THANK YOU. 291 00:10:52,986 --> 00:10:55,053 SUBJECT'S DE-ESCALATING. 292 00:10:55,989 --> 00:10:57,922 IT WASN'T SUPPOSED TO GO LIKE THIS. 293 00:10:57,924 --> 00:11:00,258 I UNDERSTAND. YOUR NAME'S DANNY, RIGHT? 294 00:11:00,260 --> 00:11:01,743 HOW'D YOU KNOW THAT? 295 00:11:01,744 --> 00:11:03,227 I WAS JUST OUTSIDE, I OVERHEARD. 296 00:11:03,230 --> 00:11:05,080 DANNY: IT WASN'T SUPPOSED TO GO LIKE THIS. 297 00:11:05,081 --> 00:11:06,931 IT WAS SUPPOSED TO BE FAST. NO ONE AROUND! 298 00:11:06,933 --> 00:11:07,832 OKAY, BUT YOU HAVEN'T DONE ANYTHING 299 00:11:07,834 --> 00:11:09,100 THAT CAN'T BE MADE RIGHT. 300 00:11:09,102 --> 00:11:10,435 ALL RIGHT? SO LET'S NOT CHANGE THAT. 301 00:11:10,437 --> 00:11:13,071 LET'S JUST WORK THIS OUT, OKAY? 302 00:11:13,073 --> 00:11:14,072 I GOTTA GET OUTTA HERE. 303 00:11:14,074 --> 00:11:15,173 GIL: ALL RIGHT. 304 00:11:15,174 --> 00:11:16,273 AND I WANNA HELP YOU WITH THAT. 305 00:11:16,276 --> 00:11:17,275 I'M JUST GONNA TALK TO SOME PEOPLE 306 00:11:17,277 --> 00:11:18,343 ON THE OTHER END OF THIS PHONE. 307 00:11:18,345 --> 00:11:19,277 POLICE?! 308 00:11:19,279 --> 00:11:21,146 GIL: YES, POLICE, OKAY? 309 00:11:21,148 --> 00:11:22,726 BUT THEY'RE GONNA MAKE SURE 310 00:11:22,727 --> 00:11:24,305 THAT WE ALL GET OUTTA HERE UNHARMED. 311 00:11:24,306 --> 00:11:25,884 LOOK, IT'S WHAT THEY DO. IT'S THEIR JOB, OKAY? 312 00:11:25,886 --> 00:11:28,286 JUST... LET ME TALK TO 'EM. I'M NOT GONNA MOVE, 313 00:11:28,288 --> 00:11:29,821 I'M JUST GONNA TALK. 314 00:11:29,823 --> 00:11:31,423 (ROGER COUGHS WEAKLY) 315 00:11:32,726 --> 00:11:33,725 SERGEANT? 316 00:11:33,726 --> 00:11:34,725 YEAH, GIL, YOU'RE DOING GREAT, GIL. 317 00:11:34,728 --> 00:11:36,061 IS ROGER HURT? 318 00:11:36,063 --> 00:11:37,195 GIL: AFFIRMATIVE 319 00:11:37,197 --> 00:11:38,797 ABDOMINAL PENETRATION. 320 00:11:38,799 --> 00:11:40,131 OKAY, TEAM, WE GOT A WOUNDED HOSTAGE. 321 00:11:40,133 --> 00:11:42,367 EDDIE? ENTRY OPTIONS? 322 00:11:42,369 --> 00:11:43,852 WE GOT A GUN, WE GOT A KNIFE, 323 00:11:43,853 --> 00:11:45,336 WE GOT A CORNERED SUBJECT, WE ARE HALF-BLIND. 324 00:11:45,338 --> 00:11:47,739 ALPHA, YOU HAVE GOT TO GET EYES IN THERE NOW. 325 00:11:47,741 --> 00:11:48,973 POLE CAM. FROM THE SUITE ABOVE. 326 00:11:48,975 --> 00:11:51,342 SAM, DO IT NOW. QUICK AND QUIET. 327 00:11:52,279 --> 00:11:53,645 PARKER: GIL. 328 00:11:53,646 --> 00:11:55,012 WE'RE WORKING OUT A SOLUTION HERE, BUDDY. 329 00:11:55,015 --> 00:11:56,748 YOU JUST KEEP DANNY CALM. 330 00:11:56,750 --> 00:11:57,827 WILL DO. 331 00:11:57,828 --> 00:11:58,905 PARKER: LET HIM KNOW I'D LIKE TO TALK TO HIM, 332 00:11:58,906 --> 00:11:59,983 BUT DON'T PRESSURE HIM. RIGHT? 333 00:11:59,986 --> 00:12:01,052 LET HIM SET THE PACE. 334 00:12:01,054 --> 00:12:02,203 OKAY, I GOT IT. 335 00:12:02,204 --> 00:12:03,353 PARKER: AND DON'T PROMISE HIM ANYTHING. 336 00:12:03,356 --> 00:12:04,989 I SAID I GOT IT. 337 00:12:04,991 --> 00:12:07,025 YOU DO YOUR JOB, I'LL DO MINE. 338 00:12:12,065 --> 00:12:13,231 WINNIE, EMS HERE? 339 00:12:13,233 --> 00:12:14,766 WINNIE: STANDING BY. 340 00:12:14,767 --> 00:12:16,300 JULES: BOSS, I FOUND A KEYCARD AT THE SCENE. 341 00:12:16,303 --> 00:12:18,303 THE LOG SHOWS A DIRECT ROUTE FROM OUTSIDE 342 00:12:18,305 --> 00:12:20,004 INTO THE MONEY ROOM. 343 00:12:20,006 --> 00:12:21,005 IT'S GOTTA BE HOW DANNY GOT IN. 344 00:12:21,007 --> 00:12:22,073 WHO'S IT REGISTERED TO? 345 00:12:22,075 --> 00:12:23,425 SPIKE: NO, IT'S A BLANK. 346 00:12:23,426 --> 00:12:24,776 AFTER-MARKET. IF YOU KNOW THE SYSTEM, 347 00:12:24,778 --> 00:12:25,944 YOU CAN MAKE A SKELETON KEY. 348 00:12:25,946 --> 00:12:27,179 IF YOU KNOW THE SYSTEM. 349 00:12:27,180 --> 00:12:28,413 JULES: THAT'S WHERE THIS IS LEADING TOO. 350 00:12:28,415 --> 00:12:30,048 SOPHISTICATED, PRE-PLANNED. 351 00:12:30,050 --> 00:12:32,951 I MEAN, EITHER DANNY'S SERIOUSLY UPPED HIS GAME... 352 00:12:32,953 --> 00:12:34,419 OR HE'S GOT HELP. 353 00:12:34,421 --> 00:12:36,121 OKAY, JULES, KNOWN ASSOCIATES, 354 00:12:36,123 --> 00:12:37,122 FAMILY HISTORY. 355 00:12:37,124 --> 00:12:38,724 ON IT. 356 00:12:38,725 --> 00:12:40,325 PARKER: SPIKE, CHECK THE STADIUM EMPLOYEE LIST FOR PRIORS. 357 00:12:40,327 --> 00:12:41,292 SEE WHO POPS. 358 00:12:41,294 --> 00:12:42,660 COPY. BUT, BOSS? 359 00:12:42,661 --> 00:12:44,027 THE BREAK-IN'S ALL OVER THE SECURITY TAPE. 360 00:12:44,028 --> 00:12:45,394 YOU LOOKING FOR AN ACCOMPLICE, YOU MIGHT WANNA START 361 00:12:45,398 --> 00:12:47,999 WITH WHO WAS WORKING THE MONITORS. 362 00:12:50,137 --> 00:12:52,303 THIS YOUR POST, DECKLAN? 363 00:12:52,305 --> 00:12:53,772 YEAH. WHY? 364 00:12:53,774 --> 00:12:55,507 YOU ON SHIFT THIS MORNING? 365 00:12:55,509 --> 00:12:57,275 OKAY, LOOK, I TOOK A CIGARETTE BREAK. 366 00:12:57,277 --> 00:12:58,943 IT WAS TEN MINUTES, I SWEAR TO GOD. 367 00:12:58,945 --> 00:13:00,512 YOU LEFT THE MONITORS UNATTENDED? 368 00:13:00,514 --> 00:13:02,413 YEAH, BUT... 369 00:13:02,415 --> 00:13:03,403 LOOK, YOU GOTTA BELIEVE ME. 370 00:13:03,404 --> 00:13:04,392 I DON'T KNOW ANYTHING ABOUT THIS. 371 00:13:04,393 --> 00:13:05,381 I MEAN, ROGER'S A FRIEND OF MINE, 372 00:13:05,385 --> 00:13:07,185 WHY WOULD I DO THIS TO HIM? 373 00:13:09,489 --> 00:13:11,089 I SHOULDA LISTENED TO GIL. 374 00:13:11,091 --> 00:13:12,140 GIL? 375 00:13:12,141 --> 00:13:13,190 HE CAUGHT US SMOKING THIS MORNING. 376 00:13:13,193 --> 00:13:15,260 STARTED NAGGED US ABOUT DOING OUR JOB. 377 00:13:15,262 --> 00:13:16,678 THIS HAPPENED TODAY? 378 00:13:16,679 --> 00:13:18,095 HAPPENS ALL THE TIME. WE JUST BLEW HIM OFF. 379 00:13:18,098 --> 00:13:20,031 I MEAN, THAT'S GIL. 380 00:13:20,032 --> 00:13:21,965 HE TAKES EVERYTHING SO SERIOUSLY. 381 00:13:23,136 --> 00:13:25,904 OFFICER. I SCREWED UP. 382 00:13:25,906 --> 00:13:28,239 WE'RE GONNA GET YOUR FRIEND OUTTA THERE, DECKLAN. 383 00:13:28,241 --> 00:13:29,841 IT'S OKAY. 384 00:13:30,877 --> 00:13:32,343 HEY, SPIKE? OUR GUY GIL, 385 00:13:32,345 --> 00:13:34,245 HE KNEW THE MONITORS WERE UNMANNED. 386 00:13:34,247 --> 00:13:36,247 WELL, FUNNY YOU SHOULD SAY. HE JUST CAME UP. 387 00:13:36,249 --> 00:13:37,271 CRIMINAL RECORD? 388 00:13:37,272 --> 00:13:38,294 SPIKE: OTHER SIDE OF THE LEDGER. 389 00:13:38,295 --> 00:13:39,317 HE WAS A COP. 390 00:13:39,319 --> 00:13:41,219 GIL COLLINS. 391 00:13:41,220 --> 00:13:43,120 LOOKS LIKE HE'S BEEN OFF THE FORCE A COUPLE OF YEARS. 392 00:13:43,123 --> 00:13:44,589 EXPLAINS THE PIECE. 393 00:13:44,591 --> 00:13:45,557 JULES: AND HIS LANGUAGE. 394 00:13:45,559 --> 00:13:46,808 YEAH, BUT FROM COP TO THIS? 395 00:13:46,809 --> 00:13:48,058 SPIKE: I'VE HEARD OF QUITTING THE FORCE 396 00:13:48,061 --> 00:13:49,561 FOR THE PRIVATE SECTOR, BUT... 397 00:13:49,563 --> 00:13:51,296 PARKER: OKAY, JULES, LET'S PULL UP HIS POLICE FILE, 398 00:13:51,298 --> 00:13:53,064 SEE WHO WE'RE DEALING WITH HERE. 399 00:13:53,066 --> 00:13:54,332 COPY. 400 00:13:54,333 --> 00:13:55,599 GIL: SERGEANT? DANNY HAS SOME DEMANDS 401 00:13:55,602 --> 00:13:57,435 HE'D LIKE TO PASS ON. 402 00:13:57,437 --> 00:13:59,270 OKAY. 403 00:13:59,272 --> 00:14:00,505 I WANT A BULLET PROOF VEST! 404 00:14:00,507 --> 00:14:01,606 AND I WANT A CAR. 405 00:14:01,608 --> 00:14:03,241 NO, MOTORCYCLE! I WANT SOMETHING FAST! 406 00:14:03,243 --> 00:14:04,876 PARKER: OKAY, I GOT IT, I GOT IT. 407 00:14:04,878 --> 00:14:07,111 GIL, NEGOTIATION'S GOOD; THAT'S A STEP FORWARD. 408 00:14:07,113 --> 00:14:08,513 AND YOU HAVE 20 MINUTES! 409 00:14:08,515 --> 00:14:11,115 AND I WANT A CLEAR PATH OUTTA HERE - NO COPS. 410 00:14:11,117 --> 00:14:13,084 I SEE ANYONE AND I'M GONNA FINISH THIS GUY OFF, 411 00:14:13,086 --> 00:14:14,118 I SWEAR TO GOD! 412 00:14:14,120 --> 00:14:16,004 YOU JUST KEEP HIM TALKING. 413 00:14:16,005 --> 00:14:17,889 TELL HIM WE'LL DO OUR BEST. JUST KEEP HIM ENGAGED. 414 00:14:17,891 --> 00:14:19,257 ROGER: (WHEEZED BREATHS) 415 00:14:19,259 --> 00:14:21,125 THEY'RE WORKING ON YOUR DEMANDS, OKAY? 416 00:14:21,127 --> 00:14:21,559 I'M... 417 00:14:21,561 --> 00:14:23,344 HEY, HEY... 418 00:14:23,345 --> 00:14:25,128 I'M JUST GONNA GO STAND HERE OKAY. 419 00:14:25,131 --> 00:14:26,998 IT'S ALL I'M DOING. 420 00:14:28,068 --> 00:14:30,168 SAM, I'M LOSING VISUAL! 421 00:14:30,170 --> 00:14:31,236 TWO MINUTES. 422 00:14:32,939 --> 00:14:34,272 DANNY: THEY HAVE 20 MINUTES! 423 00:14:34,274 --> 00:14:35,640 HEY, GIL, HOW'S ROGER DOING? 424 00:14:35,642 --> 00:14:37,408 ROGER: (DRY COUGHS) 425 00:14:37,410 --> 00:14:38,643 GIL: FASTER'S BETTER, SERGEANT. 426 00:14:38,645 --> 00:14:41,112 PARKER: I COPY THAT. 427 00:14:41,114 --> 00:14:43,147 HEY, YOU NEVER TOLD ME YOU WERE POLICE, GIL. 428 00:14:43,149 --> 00:14:46,284 HEY, I GOT A LITTLE BIT ON MY PLATE HERE, PARKER. 429 00:14:49,389 --> 00:14:51,890 JULES: ALL RIGHT, BOSS, GIL COLLINS WAS A COP ON THE RISE. 430 00:14:51,892 --> 00:14:53,157 BREEZED THROUGH THE ACADEMY. 431 00:14:53,159 --> 00:14:54,392 COUPLE COMMENDATIONS OF MERIT, 432 00:14:54,394 --> 00:14:55,927 BUT AFTER A FEW YEARS ON THE FORCE, 433 00:14:55,929 --> 00:14:57,962 THINGS TOOK A TURN. RUN-INS WITH SUPERIORS, 434 00:14:57,964 --> 00:15:00,131 INSUBORDINATION. GOT BUSTED DOWN. 435 00:15:00,133 --> 00:15:01,666 TERMINATED TWO YEARS AGO. 436 00:15:01,668 --> 00:15:02,951 ON WHAT GROUNDS? 437 00:15:02,952 --> 00:15:04,235 JULES: NOT SPECIFIED. "UNFIT FOR DUTY." 438 00:15:04,237 --> 00:15:05,637 I GOT SOMETHING ELSE FOR YOU, BOSS. 439 00:15:05,639 --> 00:15:08,273 I CHECKED GIL'S PASS CODE AGAINST THE LOG... 440 00:15:08,275 --> 00:15:10,575 ABOUT THREE MINUTES BEFORE DANNY ENTERED THE BUILDING, 441 00:15:10,577 --> 00:15:13,011 GIL WALKED THE EXACT SAME ROUTE TO THE MONEY ROOM. 442 00:15:13,013 --> 00:15:14,012 CLEARING A PATH. 443 00:15:14,014 --> 00:15:16,447 JULES: SURE LOOKS THAT WAY. 444 00:15:16,449 --> 00:15:18,449 HEY, SPIKE, WHERE WAS DANNY ARRESTED 445 00:15:18,451 --> 00:15:20,118 FOR THAT CREDIT UNION JOB? 446 00:15:20,120 --> 00:15:22,120 DUNDAS AND DOVERCOURT. 447 00:15:22,122 --> 00:15:23,488 14 DIVISION. GIL'S BEAT. 448 00:15:24,424 --> 00:15:26,024 PARKER: OKAY, TEAM, LISTEN UP. 449 00:15:26,026 --> 00:15:27,091 THINGS ARE GETTING FLUID HERE. 450 00:15:27,093 --> 00:15:29,127 I'M THINKING GIL IS OUR INSIDE MAN. 451 00:15:29,129 --> 00:15:31,095 OKAY, BOSS, MAKE THAT MAKE SENSE. 452 00:15:31,097 --> 00:15:32,664 PARKER: OKAY, LET'S SAY HE SET THIS WHOLE THING UP, 453 00:15:32,666 --> 00:15:35,099 IT'S A TWO-PERSON JOB, HE NEEDS A BAGMAN. 454 00:15:35,101 --> 00:15:36,334 SO WHERE DOES HE TURN? 455 00:15:36,336 --> 00:15:37,719 HIS COP PAST. 456 00:15:37,720 --> 00:15:39,103 PARKER: AND DANNY'S GOT THE PERFECT MO, 457 00:15:39,105 --> 00:15:41,406 SO GIL MAKES CONTACT, HE KEEPS IT ANONYMOUS, 458 00:15:41,408 --> 00:15:43,241 AND HE TELLS HIM HE'S GOT A BIG SCORE FOR HIM. 459 00:15:43,243 --> 00:15:44,676 SETS HIM UP WITH A KEYCARD AND A MAP... 460 00:15:44,678 --> 00:15:46,010 PARKER: AND NO ONE'S AT THE MONITORS, 461 00:15:46,012 --> 00:15:47,712 HE CUES DANNY AND THEY'RE ON OUR WAY. 462 00:15:47,714 --> 00:15:49,180 PERFECT INSIDE JOB. 463 00:15:49,182 --> 00:15:51,349 SO THE QUESTION IS: WHAT IS HE DOING NOW? 464 00:15:51,351 --> 00:15:52,517 COVERING HIS TRACKS? 465 00:15:52,519 --> 00:15:54,152 ELIMINATE HIS ACCOMPLICE? 466 00:15:54,154 --> 00:15:55,153 JULES: OR HE GOT COLD FEET, 467 00:15:55,155 --> 00:15:57,221 WANTS TO PUT THE BRAKES ON. 468 00:15:57,223 --> 00:15:58,489 SAM! I NEED EYES! 469 00:16:00,427 --> 00:16:01,960 SECONDS AWAY... 470 00:16:09,135 --> 00:16:11,102 WE HAVE A VISUAL. 471 00:16:11,104 --> 00:16:12,437 VISUAL'S UP. 472 00:16:12,439 --> 00:16:15,173 ROUTING IT TO YOU RIGHT NOW, BOSS. 473 00:16:19,012 --> 00:16:20,144 I KNOW HIM. 474 00:16:20,146 --> 00:16:21,145 ED: WHO? 475 00:16:21,147 --> 00:16:23,214 PARKER: GIL. THE COP. 476 00:16:23,216 --> 00:16:25,483 WINNIE, GIL COLLINS? HE EVER TRY OUT FOR SRU? 477 00:16:25,485 --> 00:16:27,151 GIL COLLINS... 478 00:16:27,153 --> 00:16:28,686 HE DID, TWICE, WE HAVE A FILE. 479 00:16:28,688 --> 00:16:30,555 JULES, GET DOWN TO THE STATION, PULL THAT FILE. 480 00:16:30,557 --> 00:16:32,156 I EVERYTHING WE HAVE ON THAT GUY: 481 00:16:32,158 --> 00:16:34,192 PSYCH EVALS, FIT-FOR DUTY TESTS, ALL OF IT. 482 00:16:34,194 --> 00:16:35,426 ON MY WAY. 483 00:16:41,468 --> 00:16:43,201 DANNY, I GOT A PROPOSAL. 484 00:16:43,203 --> 00:16:45,036 YOU LET ROGER, I TAKE HIS PLACE. 485 00:16:45,038 --> 00:16:46,404 WHY THE HELL I DO THAT? 486 00:16:46,406 --> 00:16:48,006 WHAT'RE YOU DOING, GIL? 487 00:16:48,008 --> 00:16:49,273 GIL: LOOK AT HIM, HE'S HURT REALLY BAD, 488 00:16:49,275 --> 00:16:51,009 YOU DON'T WANT HIM TO DIE. 489 00:16:51,010 --> 00:16:52,744 HOW MANY TIMES I GOTTA TELL YOU TO STAY BACK?! 490 00:16:52,746 --> 00:16:54,545 PARKER: GIL, I NEED YOU STOP ENGAGING HIM. 491 00:16:54,547 --> 00:16:56,103 BACK DOWN. 492 00:16:56,104 --> 00:16:57,660 GIL: I GOT THIS, BOSS. TRUST ME. 493 00:16:57,661 --> 00:16:59,217 LOOK, HE DIES, THIS GOES REALLY BAD FOR YOU. 494 00:16:59,219 --> 00:17:01,052 DANNY: HEY, I'M WARNING YOU! GIL: LET HIM GO, 495 00:17:01,054 --> 00:17:02,153 HE GETS PATCHED UP, 496 00:17:02,155 --> 00:17:03,488 YOU TAKE ME, IT'S ALL GOOD. 497 00:17:03,490 --> 00:17:05,189 GIL, YOU'RE SCARING HIM. 498 00:17:05,191 --> 00:17:07,358 ALPHA TEAM, LESS LETHAL. 499 00:17:07,360 --> 00:17:10,194 ED: COPY THAT. RUBBER BULLETS. 500 00:17:10,196 --> 00:17:11,562 RAF, SECONDS AWAY. 501 00:17:12,799 --> 00:17:14,632 PARKER: GIL, PLEASE, LISTEN TO ME. 502 00:17:14,634 --> 00:17:16,768 YOU ARE LOSING HIM. HE WILL ATTACK. 503 00:17:16,770 --> 00:17:17,702 I'LL NOT LET THAT HAPPEN. 504 00:17:17,704 --> 00:17:19,170 DANNY: I WILL CUT HIM, 505 00:17:19,172 --> 00:17:20,171 AND I WILL CUT YOU! 506 00:17:20,173 --> 00:17:22,273 I WILL CUT HIS THROAT! 507 00:17:24,144 --> 00:17:25,209 ED: GOTTA MOVE, BOSS, 508 00:17:25,211 --> 00:17:26,210 WE GOTTA MOVE NOW. 509 00:17:26,212 --> 00:17:28,212 ALPHA TEAM, GO! NOW, NOW! 510 00:17:28,214 --> 00:17:30,415 YOU TAKE KNIFE. I'LL TAKE GUN ON THREE, 511 00:17:30,417 --> 00:17:32,083 ONE, TWO, THREE! 512 00:17:32,819 --> 00:17:34,085 (RAF BASHES AGAINST DOOR) 513 00:17:41,628 --> 00:17:43,428 SAM AND RAF: POLICE! EVERYONE DOWN! 514 00:17:43,430 --> 00:17:46,164 DROP YOUR WEAPON! EVERYONE DOWN! 515 00:17:47,133 --> 00:17:48,199 GIL: NO! NO! 516 00:17:50,336 --> 00:17:52,370 ROGER: (PAINED CRY) 517 00:17:52,372 --> 00:17:53,671 (MOANS) 518 00:17:53,673 --> 00:17:55,440 AH! 519 00:17:55,442 --> 00:17:56,674 (PAINED GRUNT) 520 00:18:09,289 --> 00:18:10,755 HOSTAGE HAS BEEN SHOT. 521 00:18:10,757 --> 00:18:12,657 OUR SECURITY GUARD FIRED A ROUND. 522 00:18:12,659 --> 00:18:14,025 YOU BREACHED. 523 00:18:14,026 --> 00:18:15,392 YOU STARTLED HIM, I HAD NO CHOICE. 524 00:18:15,395 --> 00:18:17,378 SAM: DROP YOUR WEAPON! GIL: I HAD NO CHOICE! 525 00:18:17,379 --> 00:18:19,362 SAM: I SAID DROP YOUR WEAPON! DROP YOUR WEAPON NOW! 526 00:18:26,873 --> 00:18:28,206 (GRUNTS OF EXERTION) 527 00:18:28,208 --> 00:18:29,307 RAF: WHOA! WHOA! 528 00:18:29,309 --> 00:18:30,775 DANNY: (IMPACT GRUNTS) 529 00:18:31,711 --> 00:18:33,277 ED: SUBJECT ON THE MOVE! 530 00:18:33,279 --> 00:18:34,645 HEY, STAY WHERE YOU ARE! 531 00:18:34,647 --> 00:18:38,316 GIL, STOP RIGHT THERE. (PANTS AND GRUNTS) 532 00:18:39,686 --> 00:18:41,352 GIL, GIMME YOUR HAND. 533 00:18:41,354 --> 00:18:42,653 COME ON, DON'T RISK IT. 534 00:18:42,655 --> 00:18:44,589 HERE. DON'T DO THIS, GIL. 535 00:18:45,525 --> 00:18:46,757 GIL! 536 00:18:46,759 --> 00:18:47,825 GIL, STOP! 537 00:18:49,395 --> 00:18:50,695 DANNY: UNGH! RAF: DON'T MOVE. 538 00:18:50,697 --> 00:18:52,763 ALL CLEAR, GET EMS IN HERE! 539 00:18:57,770 --> 00:18:58,803 I LOST HIM. SPIKE? 540 00:18:58,805 --> 00:19:00,171 SPIKE: HE'S IN THE BLIND SPOTS. 541 00:19:00,173 --> 00:19:01,606 NO, WAIT... 542 00:19:01,608 --> 00:19:03,474 WEST - MAYBE. 543 00:19:04,511 --> 00:19:05,877 ED: GET A LOCK ON HIS CELL SIGNAL. 544 00:19:05,879 --> 00:19:07,145 ON IT. 545 00:19:10,416 --> 00:19:12,450 DECKLAN, WHAT WAS IN THE SAFE TODAY? 546 00:19:12,452 --> 00:19:14,418 UH, SOME REGISTER FLOATS. 547 00:19:14,420 --> 00:19:15,753 MAYBE A THOUSAND BUCKS. 548 00:19:15,755 --> 00:19:17,488 AND ON A BIG DAY? 549 00:19:17,490 --> 00:19:20,925 GAME NIGHT? PROBABLY 150,000 GOES THROUGH THERE. 550 00:19:20,927 --> 00:19:22,260 ED: WHAT ARE YOU THINKING, BOSS? 551 00:19:22,261 --> 00:19:23,594 I'M THINKING THIS WASN'T ABOUT MONEY. 552 00:19:23,596 --> 00:19:25,930 I'M THINKING THIS WAS ABOUT BEING A COP AGAIN. 553 00:19:25,932 --> 00:19:28,232 HE SET THIS WHOLE THING UP SO HE COULD STOP IT? 554 00:19:28,234 --> 00:19:29,534 STEP IN AND SAVE THE DAY. 555 00:19:29,536 --> 00:19:32,537 PARKER: PROVE THAT HE'S SRU MATERIAL AFTER ALL. 556 00:19:39,746 --> 00:19:41,479 PARKER: AN OFFICER NEEDS ASSISTANCE, 557 00:19:41,481 --> 00:19:43,447 YOU'RE THE FIRST ON SCENE. 558 00:19:43,449 --> 00:19:45,583 YOU SEE THE OFFICER BEING BEATEN BY A MALE SUBJECT, 559 00:19:45,585 --> 00:19:48,352 BUT THERE'S A 30 FOOT CHAIN LINK FENCE BETWEEN YOU. 560 00:19:48,354 --> 00:19:50,288 THE OFFICER IS LOSING CONSCIOUSNESS, 561 00:19:50,290 --> 00:19:51,522 WHAT DO YOU DO? 562 00:19:51,524 --> 00:19:52,490 NEUTRALIZE THE SUBJECT. 563 00:19:52,492 --> 00:19:53,724 LETHAL? 564 00:19:53,726 --> 00:19:55,560 OFFICER DOWN, NO CHOICE. 565 00:19:55,562 --> 00:19:57,228 PARKER: SO, NO HESITATION? 566 00:19:57,230 --> 00:19:59,564 GIL: OKAY, SO YOU WANNA SEE SOME RELUCTANCE, 567 00:19:59,566 --> 00:20:01,216 IS THAT IT? 568 00:20:01,217 --> 00:20:02,867 PARKER: TRY NOT TO THINK ABOUT WHAT I'D LIKE TO SEE, GIL. 569 00:20:02,869 --> 00:20:04,669 JUST ANSWER HONESTLY. 570 00:20:05,805 --> 00:20:08,239 GIL: OFFICER'S IN DANGER, YOU GOTTA TAKE THE SHOT. 571 00:20:08,241 --> 00:20:09,640 PARKER: OKAY. 572 00:20:09,642 --> 00:20:12,243 THAT'S PROTOCOL. YOU'RE SAYING IT'S NOT? 573 00:20:12,245 --> 00:20:14,345 PARKER: NO, I'M NOT SAYING THAT. 574 00:20:15,315 --> 00:20:17,548 GIL: I COULD CALL OUT, SEE IF THE SUBJECT RESPONDS. 575 00:20:17,550 --> 00:20:19,951 PARKER: AND IF HE DOES? 576 00:20:19,953 --> 00:20:21,986 GIL: THEN I DON'T TAKE SHOT. OBVIOUSLY. 577 00:20:21,988 --> 00:20:24,322 PARKER: ARE YOU CHANGING YOUR ANSWER THEN? 578 00:20:24,324 --> 00:20:26,524 (PANTS) YOU'RE TRYING TO CORNER ME. 579 00:20:26,526 --> 00:20:29,927 PARKER: NO, THAT'S NOT MY INTENTION. 580 00:20:29,929 --> 00:20:31,662 GIL: THEN I NEUTRALIZE THE SUBJECT. 581 00:20:31,664 --> 00:20:33,531 THAT'S IT! 582 00:20:33,533 --> 00:20:34,665 NO HESITATION. 583 00:20:34,667 --> 00:20:35,733 (COCKS GUN) 584 00:20:37,904 --> 00:20:39,770 ED: DANNY, WHO SET THIS UP? 585 00:20:40,707 --> 00:20:41,772 I KNOW YOU DIDN'T PLAN THIS, 586 00:20:41,774 --> 00:20:43,441 SO WHO DID? 587 00:20:45,445 --> 00:20:47,545 HE TALKS YOU LET US KNOW. GO. 588 00:20:47,547 --> 00:20:48,512 HOW'S HE DOING? 589 00:20:48,514 --> 00:20:49,530 NOT SO GOOD. 590 00:20:49,531 --> 00:20:50,547 SPIKE: GUYS, I GOT A SIGNAL! 591 00:20:50,550 --> 00:20:52,450 LOWER LEVEL, NORTH QUADRANT. 592 00:20:52,452 --> 00:20:53,535 HE'S NOT MOVING. 593 00:20:53,536 --> 00:20:54,619 ED: WHAT'S DOWN THERE? SPIKE: STORAGE ROOM. 594 00:20:54,621 --> 00:20:56,254 COULD BE DIGGING IN. 595 00:20:56,256 --> 00:20:57,622 LET'S GO. 596 00:20:57,624 --> 00:20:59,523 OKAY, LISTEN UP. THIS GUY'S KNOWS THE TERRAIN. 597 00:20:59,525 --> 00:21:01,509 WE GO IN HARD AND FAST. 598 00:21:01,510 --> 00:21:03,494 BOSS, GET HIM ON THE PHONE, KEEP HIM OCCUPIED. 599 00:21:03,496 --> 00:21:04,462 COPY THAT. 600 00:21:04,464 --> 00:21:05,596 (PHONE RINGS) 601 00:21:07,800 --> 00:21:09,900 WHAT WERE YOU THINKING, PARKER? I HAD IT UNDER CONTROL. 602 00:21:09,902 --> 00:21:12,036 IT LOOKED RAGGED, GIL, I MADE A CALL. 603 00:21:12,038 --> 00:21:14,305 I HAD HIM! YOU SCREWED IT UP! 604 00:21:15,041 --> 00:21:16,474 PARKER: LISTEN, GIL, WHY DON'T YOU COME ON IN 605 00:21:16,476 --> 00:21:17,475 AND WE'LL DEBRIEF. 606 00:21:17,477 --> 00:21:19,010 GIL: OH, NOW YOU WANNA DEBRIEF? 607 00:21:19,011 --> 00:21:20,544 OKAY, HOW 'BOUT THIS... YOU KNOW WHAT? 608 00:21:20,546 --> 00:21:23,481 THERE WAS A TIME WHEN A COP JUST HAD TO BE A COP. 609 00:21:23,483 --> 00:21:25,066 NOW HE'S GOTTA BE A SHRINK TOO. 610 00:21:25,067 --> 00:21:26,650 PARKER: IS THAT WHAT THIS IS ABOUT, GIL? 611 00:21:26,653 --> 00:21:28,019 MAYBE THERE'S ROOM FOR BOTH. 612 00:21:28,021 --> 00:21:29,504 ED: IN POSITION. 613 00:21:29,505 --> 00:21:30,988 GIL: WELL, YOU KNOW WHAT? LET'S MEET UP, 614 00:21:30,990 --> 00:21:32,056 I'LL BRING MY SIDEARM, 615 00:21:32,058 --> 00:21:33,524 YOU BRING YOUR INK BLOTS, 616 00:21:33,526 --> 00:21:35,559 WE'LL SEE WHO MAKES A BETTER CASE. 617 00:21:35,561 --> 00:21:37,828 ED, SAM AND RAF: POLICE! SRU! 618 00:21:39,332 --> 00:21:41,565 BOSS, SIGNAL RELAY. HE'S NOT HERE. 619 00:21:42,735 --> 00:21:44,435 STILL WITH ME, GIL? 620 00:21:44,437 --> 00:21:45,903 YEAH, CAN'T TALK RIGHT NOW, PARKER. 621 00:21:45,905 --> 00:21:47,571 I GOT PLACES TO BE. 622 00:21:47,573 --> 00:21:49,640 ED: HE'S PLAYING US, BOSS. NEW PLAN. 623 00:21:49,642 --> 00:21:51,442 WE'LL DRIFT-NET. VERTICAL LINE, ONE PER FLOOR. 624 00:21:51,444 --> 00:21:52,510 LET'S MOVE. 625 00:21:54,814 --> 00:21:56,614 JULES: OKAY, GIL COLLINS FIRST TRIED OUT 626 00:21:56,616 --> 00:21:58,382 FOR THE SRU FOUR YEARS AGO. 627 00:21:58,384 --> 00:22:00,618 TACTICAL SCORES WERE OFF THE CHARTS, 628 00:22:00,620 --> 00:22:02,687 PSYCH EVAL CAME UP SHORT. 629 00:22:02,689 --> 00:22:04,355 TRIED AGAIN THE FOLLOWING YEAR - 630 00:22:04,357 --> 00:22:05,823 SAME RESULTS. 631 00:22:07,560 --> 00:22:09,794 AFTER THAT, HE JUST SPIRALED. 632 00:22:09,796 --> 00:22:11,329 FIGHTS WITH HIS PARTNERS. 633 00:22:11,331 --> 00:22:13,097 PROBLEMS AT HOME. DIVORCED. 634 00:22:16,469 --> 00:22:18,002 PARKER: YOU TALK TO HIS EX? 635 00:22:18,003 --> 00:22:19,536 JULES: SHE'S ON HER WAY HERE NOW. 636 00:22:19,539 --> 00:22:21,505 THERE'S SOMETHING ELSE, BOSS. 637 00:22:21,507 --> 00:22:23,607 HE FILED A GRIEVANCE AGAINST YOU. 638 00:22:23,609 --> 00:22:25,676 I DON'T REMEMBER THAT. 639 00:22:25,678 --> 00:22:26,761 JULES: WELL, IT WAS DISMISSED. 640 00:22:26,762 --> 00:22:27,845 IT DIDN'T GET HIGH ENOUGH UP THE CHAIN 641 00:22:27,847 --> 00:22:29,647 FOR YOU TO BE NOTIFIED. 642 00:22:29,649 --> 00:22:31,232 HERE'S THE THING IS, 643 00:22:31,233 --> 00:22:32,816 I DON'T THINK THAT TODAY IS ABOUT PROVING TO THE WORLD 644 00:22:32,819 --> 00:22:34,618 THAT HE'S A GOOD COP. 645 00:22:35,688 --> 00:22:37,755 IT'S ABOUT PROVING IT TO YOU. 646 00:22:38,691 --> 00:22:40,358 (SIGHS AND PANTS) 647 00:22:42,895 --> 00:22:44,528 JUST LIKE YOU, PARKER. 648 00:22:44,530 --> 00:22:46,597 CODE RED AND YOU'RE STILL HOLSTERED. 649 00:22:48,468 --> 00:22:49,567 DECKLAN: GIL. DUDE... 650 00:22:49,569 --> 00:22:51,469 GIL: SHUT IT, DECKLAN. 651 00:22:52,438 --> 00:22:53,637 OVER HERE ON THE FLOOR. 652 00:22:53,639 --> 00:22:55,439 HANDS BEHIND YOUR HEAD. 653 00:22:55,441 --> 00:22:56,907 MOVE! 654 00:22:56,909 --> 00:22:58,142 DECKLAN: OKAY. 655 00:22:59,078 --> 00:23:00,911 STAY THERE, OR HE DIES. 656 00:23:00,913 --> 00:23:02,680 TURN AROUND. 657 00:23:04,984 --> 00:23:06,751 TURN AROUND. 658 00:23:13,025 --> 00:23:14,692 (MAGAZINE CLANKS) 659 00:23:16,763 --> 00:23:19,864 YOU'RE SMALLER THAN I REMEMBER. 660 00:23:19,866 --> 00:23:21,632 TURN AROUND. 661 00:23:24,871 --> 00:23:26,570 DO YOU REMEMBER ME? 662 00:23:26,572 --> 00:23:28,105 YEAH I DO, GIL. 663 00:23:28,107 --> 00:23:29,140 WANNA TALK ABOUT THAT? 664 00:23:29,142 --> 00:23:31,942 NO! YOU DON'T GET TO TALK. 665 00:23:31,944 --> 00:23:34,745 YOU ONLY GET TO TALK IF I TELL YOU TO TALK, 666 00:23:34,747 --> 00:23:36,113 DO YOU UNDERSTAND? 667 00:23:37,049 --> 00:23:38,916 YEAH. 668 00:23:38,918 --> 00:23:40,684 WRISTS. HIM. 669 00:23:43,790 --> 00:23:45,856 TIE UP HIS WRISTS! 670 00:23:52,532 --> 00:23:54,064 ED: BOSS, WHAT'S THE STATUS ON OUR BACKUP? 671 00:23:57,503 --> 00:23:59,537 SPIKE, IS PARKER WITH YOU? 672 00:23:59,539 --> 00:24:00,604 NEGATIVE. 673 00:24:03,576 --> 00:24:05,476 GREG, MAKE SOME NOISE. 674 00:24:08,114 --> 00:24:09,947 TELL HIM HEADED SOUTH. 675 00:24:09,949 --> 00:24:12,049 I CAN'T DO THAT, GIL. 676 00:24:12,985 --> 00:24:15,052 GIL: SOUTH ACROSS THE BOWL. 677 00:24:15,054 --> 00:24:16,654 TELL THEM. 678 00:24:17,690 --> 00:24:18,689 ED: GREG, TALK TO ME. 679 00:24:18,691 --> 00:24:19,890 I'M HERE, EDDIE. 680 00:24:19,892 --> 00:24:21,459 SUBJECT IS HEADED SOUTH, 681 00:24:21,461 --> 00:24:23,828 REPEAT, HE'S HEADED TOWARD THE SOUTH END OF THE BOWL. 682 00:24:23,830 --> 00:24:25,129 ED: OKAY, TEAM ONE, YOU HEARD THE MAN. 683 00:24:25,131 --> 00:24:27,415 STOP THE SWEEP. 684 00:24:27,416 --> 00:24:29,700 I NEED EVERYBODY TO REGROUP ON LEVEL ONE. 685 00:24:29,702 --> 00:24:30,801 PARKER: BACK-UP'S ON THE WAY, ED, 686 00:24:30,803 --> 00:24:32,937 SO MOVE WITH CAUTION AND STAY FROSTY. 687 00:24:39,879 --> 00:24:40,911 HE'S GOT GREG. 688 00:24:51,858 --> 00:24:53,891 GUYS, SWITCH CHANNELS. 689 00:24:53,893 --> 00:24:55,226 SPIKE? 690 00:24:55,228 --> 00:24:57,061 I'M HERE, I HEARD IT. 691 00:24:57,062 --> 00:24:58,895 ED: GET PARKER'S HEADSET OFFLINE NOW. 692 00:25:03,736 --> 00:25:05,236 GIL: ISN'T THAT INTERESTING? 693 00:25:05,238 --> 00:25:07,738 YOU TOLD THEM TO HEAD SOUTH, 694 00:25:07,740 --> 00:25:10,875 BUT THEY'RE NOT COMPLYING. 695 00:25:10,877 --> 00:25:13,043 IS IT "FROSTY", PARKER? 696 00:25:13,980 --> 00:25:14,912 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 697 00:25:14,914 --> 00:25:16,614 THE DISTRESS CODE. 698 00:25:16,616 --> 00:25:18,849 IS IT "STAY FROSTY"? 699 00:25:20,119 --> 00:25:21,719 YEAH. 700 00:25:21,721 --> 00:25:22,887 (HALF LAUGHS) 701 00:25:22,889 --> 00:25:27,157 THOUGHT IT WAS A LITTLE HOT DOG FOR YOU. 702 00:25:27,159 --> 00:25:28,859 ED: RAF AND I WILL GO TO THE LAST POINT OF CONTACT. 703 00:25:28,861 --> 00:25:30,444 SAM, UNDERGROUND PARKING. 704 00:25:30,445 --> 00:25:32,028 SPIKE, YOU WATCH THOSE EXITS. EVERY DOOR, EVERY WINDOW - 705 00:25:32,031 --> 00:25:33,631 HE DOES NOT GET OUTTA HERE WITH PARKER, 706 00:25:33,633 --> 00:25:34,198 DO YOU UNDERSTOOD ME? 707 00:25:34,200 --> 00:25:35,266 COPY, ED. 708 00:25:35,268 --> 00:25:36,534 LET'S GO. 709 00:25:38,971 --> 00:25:41,071 AND OF COURSE, HERE THEY COME. 710 00:25:41,073 --> 00:25:42,973 LISTEN, GIL, BUDDY, WHATEVER YOU'RE UP TO- 711 00:25:42,975 --> 00:25:44,275 SHUT IT, DECKLAN! 712 00:25:44,277 --> 00:25:45,643 GIL? 713 00:25:45,645 --> 00:25:46,877 IF WE GOT STUFF TO WORK OUT, 714 00:25:46,879 --> 00:25:47,878 LET'S JUST FOCUS HERE, OKAY? 715 00:25:47,880 --> 00:25:49,713 IF YOU HAD LET ME WORK IT OUT 716 00:25:49,715 --> 00:25:50,781 IN THE OTHER ROOM, 717 00:25:50,783 --> 00:25:52,550 NONE OF THIS WOULD BE HAPPENING. 718 00:25:52,552 --> 00:25:53,984 WHAT IS HAPPENING, GIL? 719 00:25:53,986 --> 00:25:55,119 PLAN B. 720 00:25:57,657 --> 00:25:59,890 LET ME ASK YOU SOMETHING. 721 00:25:59,892 --> 00:26:01,759 HOW'S YOUR HAND-TO-HAND? 722 00:26:01,761 --> 00:26:03,694 THINK YOU CAN, AH... 723 00:26:03,696 --> 00:26:05,095 DISARM ME? 724 00:26:07,066 --> 00:26:08,032 NO I DON'T. 725 00:26:08,034 --> 00:26:09,233 SEE, THAT'S TOO BAD. 726 00:26:09,235 --> 00:26:11,485 'CAUSE WE'RE GONNA GO FOR A LITTLE WALK, 727 00:26:11,486 --> 00:26:13,736 AND I WAS REALLY HOPING THAT YOU WOULD TRY. 728 00:26:16,008 --> 00:26:17,775 TURN AROUND. 729 00:26:19,712 --> 00:26:22,713 HANDS DOWN. BEHIND YOUR BACK. 730 00:26:26,886 --> 00:26:29,153 LET'S GO FOR THAT WALK. 731 00:26:35,928 --> 00:26:36,994 HI. THANKS FOR COMING. 732 00:26:36,996 --> 00:26:38,062 I'M JULES CALLAGHAN, 733 00:26:38,064 --> 00:26:39,797 I TALKED TO YOU ON THE PHONE. 734 00:26:39,799 --> 00:26:41,999 WHY DON'T YOU HAVE A SEAT? 735 00:26:42,935 --> 00:26:44,969 YOU SAID THIS IS ABOUT GIL. 736 00:26:44,971 --> 00:26:46,203 IS HE IN TROUBLE? 737 00:26:46,205 --> 00:26:47,705 WE'RE TRYING TO FIGURE THAT OUT. 738 00:26:47,707 --> 00:26:49,707 ARE YOU STILL IN TOUCH WITH HIM? 739 00:26:49,709 --> 00:26:52,009 HE SEES OUR SON. 740 00:26:52,011 --> 00:26:54,044 BUT IT'S NOT EASY BETWEEN US. 741 00:26:54,046 --> 00:26:56,030 CAN YOU TELL ME WHY? 742 00:26:56,031 --> 00:26:58,015 FOR A WHILE WE TRIED STAYING IN EACH OTHER'S LIVES - 743 00:26:58,017 --> 00:26:59,717 FOR JACOB - 744 00:26:59,719 --> 00:27:02,052 BUT GIL HAS SO MUCH ANGER. 745 00:27:02,989 --> 00:27:04,688 HE BLAMES ME FOR THE DIVORCE. 746 00:27:04,690 --> 00:27:05,956 IT... 747 00:27:05,958 --> 00:27:07,891 IT JUST GOT TOXIC. 748 00:27:08,828 --> 00:27:11,328 WHEN WAS THE LAST TIME YOU SAW HIM? 749 00:27:11,330 --> 00:27:12,663 THIS MORNING. 750 00:27:14,400 --> 00:27:16,200 JAKEY, LET'S GO. 751 00:27:17,136 --> 00:27:18,802 HI. 752 00:27:18,804 --> 00:27:20,087 GIL... 753 00:27:20,088 --> 00:27:21,371 I'M SORRY, I KNOW IT'S NOT FRIDAY, 754 00:27:21,374 --> 00:27:23,741 BUT TODAY'S AN EXCEPTION. CAN I JUST... 755 00:27:23,743 --> 00:27:26,076 CAN I JUST GET 30 SECONDS? 756 00:27:26,078 --> 00:27:27,077 YEAH. 757 00:27:27,079 --> 00:27:29,079 THANK YOU. 758 00:27:29,081 --> 00:27:30,147 LOOK, I DON'T WANNA SAY TOO MUCH, 759 00:27:30,149 --> 00:27:31,849 I DON'T WANNA SPOIL IT, BUT I... 760 00:27:31,851 --> 00:27:33,817 I GOT SOMETHING GOING AT WORK. 761 00:27:33,819 --> 00:27:35,085 THAT'S GOOD, GIL. 762 00:27:35,087 --> 00:27:36,220 I'M HAPPY FOR YOU. 763 00:27:36,222 --> 00:27:37,855 THANKS. 764 00:27:37,857 --> 00:27:39,089 I KNOW WHAT YOU'RE THINKING. 765 00:27:39,091 --> 00:27:40,658 AND THAT IT'S BEEN HARD, 766 00:27:42,028 --> 00:27:44,795 AND THAT'S ON ME, THAT'S MY FAULT. 767 00:27:44,797 --> 00:27:46,397 BUT I JUST WANT YOU TO KNOW 768 00:27:46,398 --> 00:27:47,998 I'VE NEVER BEEN MORE PROUD OF ANYTHING IN MY LIFE 769 00:27:48,000 --> 00:27:50,000 THAN I AM OF YOU. 770 00:27:51,370 --> 00:27:53,037 YOU AND JAKEY. 771 00:27:53,039 --> 00:27:55,839 AND I KNOW IT'S UP TO ME TO MAKE YOU PROUD OF ME. 772 00:27:55,841 --> 00:27:57,374 AGAIN. FOR US. 773 00:27:58,978 --> 00:28:00,711 FOR US? 774 00:28:00,713 --> 00:28:02,112 (FRONT DOOR OPENS) 775 00:28:02,114 --> 00:28:03,681 GIL: THERE HE IS! JAKE: HI DAD! 776 00:28:03,683 --> 00:28:05,282 GIL: HEY, BUDDY! GUESS WHAT? 777 00:28:05,284 --> 00:28:06,283 SPECIAL DAY. 778 00:28:06,285 --> 00:28:09,353 I AM WALKING YOU TO SCHOOL TODAY. 779 00:28:09,355 --> 00:28:10,220 GREAT! 780 00:28:10,222 --> 00:28:11,989 GIL. PLEASE. 781 00:28:15,361 --> 00:28:16,427 YOU JUST LOVE THIS, DON'T YOU? 782 00:28:16,429 --> 00:28:19,029 HOLDING ALL THE CARDS. 783 00:28:20,733 --> 00:28:22,800 THERE IS NOTHING ABOUT THIS THAT I LOVE. 784 00:28:30,810 --> 00:28:32,209 AH, YOU KNOW WHAT, PAL? 785 00:28:32,211 --> 00:28:34,378 I JUST REMEMBERED I GOT SOMETHING I GOTTA DO. 786 00:28:34,380 --> 00:28:37,314 SO CAN I GET A RAIN CHECK? 787 00:28:37,316 --> 00:28:40,184 SOMETHING TO LOOK FORWARD TO? 788 00:28:40,186 --> 00:28:41,218 THANKS, BUDDY. 789 00:28:43,022 --> 00:28:44,822 HAVE A GOOD DAY, PAL. 790 00:28:46,792 --> 00:28:48,392 COME HERE, YOU. 791 00:28:50,930 --> 00:28:51,995 PLEASE. 792 00:28:51,997 --> 00:28:56,133 TELL ME WHAT'S GOING ON, OFFICER CALLAGHAN. 793 00:28:56,135 --> 00:28:58,736 DOES THE NAME GREG PARKER MEAN ANYTHING TO YOU? 794 00:28:58,738 --> 00:29:00,270 YEAH. 795 00:29:00,272 --> 00:29:03,874 GIL TALKED ABOUT HIM ALL THE TIME. 796 00:29:05,978 --> 00:29:07,094 GIL: AFTER YOU FLUNKED ME, 797 00:29:07,095 --> 00:29:08,211 I GOT MY HANDS ON MY EVALUATION. 798 00:29:08,214 --> 00:29:09,513 GO LEFT. 799 00:29:09,515 --> 00:29:11,115 YOU REMEMBER WHAT YOU SAID? 800 00:29:11,117 --> 00:29:12,082 NO. 801 00:29:12,084 --> 00:29:14,251 SIX YEARS OF MY LIFE, 802 00:29:14,253 --> 00:29:16,086 THOUSANDS OF HOURS ON THE RANGE, 803 00:29:16,088 --> 00:29:17,988 IN THE GYM, IN THE PSYCH MANUALS... 804 00:29:17,990 --> 00:29:19,223 YOU DON'T REMEMBER WHAT YOU SAID? 805 00:29:19,225 --> 00:29:22,192 SORRY, GIL, I DO A LOT OF EVALUATIONS. 806 00:29:22,194 --> 00:29:25,229 GIL: "GOOD TACTICAL. UNFIT TO NEGOTIATE." 807 00:29:26,165 --> 00:29:27,598 GIL, YOU HAVE TO UNDERSTAND, 808 00:29:27,599 --> 00:29:29,032 WE GET A HUNDRED APPLICANTS A YEAR, 809 00:29:29,034 --> 00:29:32,002 THAT'S A LOT OF GREAT CANDIDATES TURNED AWAY. 810 00:29:32,004 --> 00:29:33,303 FIVE WORDS, PARKER. 811 00:29:33,305 --> 00:29:36,940 YOU USED FIVE WORDS TO RUIN MY LIFE. 812 00:29:37,877 --> 00:29:39,343 MOVE. 813 00:29:39,345 --> 00:29:40,477 MOVE! 814 00:29:45,451 --> 00:29:46,850 ED: YOU ALL RIGHT? 815 00:29:46,852 --> 00:29:48,519 WHICH WAY DID THEY GO? 816 00:29:48,521 --> 00:29:49,787 UP. 817 00:29:52,024 --> 00:29:53,490 (MONITOR BEEPS) 818 00:29:53,492 --> 00:29:55,259 SAM, SPIKE! 819 00:29:55,261 --> 00:29:57,094 TWO RIFLES, STADIUM FLOOR, NOW! 820 00:29:57,096 --> 00:29:59,229 ED: STAY HERE! DECKALN: GOT IT. 821 00:30:00,900 --> 00:30:03,233 (HAND CUFFS RASP AND CLANK) 822 00:30:06,939 --> 00:30:08,305 DOWN WE GO, BOSS. 823 00:30:08,307 --> 00:30:10,624 (SIGHS) 824 00:30:10,625 --> 00:30:12,942 GOTTA TELL YOU, GIL, I'M NOT CRAZY ABOUT HEIGHTS. 825 00:30:12,945 --> 00:30:14,311 OVERCOME IT. 826 00:30:18,584 --> 00:30:19,850 ED: GUYS. 827 00:30:32,598 --> 00:30:34,748 (BUCKLES CLANK) 828 00:30:34,749 --> 00:30:36,899 PARKER: YOU WANNA TELL ME WHAT YOU'RE THINKING HERE, GIL? 829 00:30:36,902 --> 00:30:38,035 IT'S TACTICAL, PARKER. 830 00:30:38,037 --> 00:30:39,102 YOU WOULDN'T APPRECIATE IT. 831 00:30:39,104 --> 00:30:40,470 (PANICKED BREATHS) 832 00:30:42,007 --> 00:30:43,106 DON'T DO IT, GIL. 833 00:30:43,108 --> 00:30:44,374 PLEASE, YOU DON'T WANNA DO THIS. 834 00:30:44,376 --> 00:30:46,910 (ROPES RASP, BUCKLES CLANK) 835 00:30:48,414 --> 00:30:51,048 GUYS, FULL HAY SETUP UP HERE. 836 00:30:51,050 --> 00:30:52,616 GIL: OH... SPRINT SHOOT. 837 00:30:52,618 --> 00:30:54,051 MY BEST DRILL. 838 00:30:55,354 --> 00:30:57,621 200 YARD DASH, SETUP UP THEIR RIFLE, 839 00:30:57,623 --> 00:30:59,489 DEAD-CENTER A TARGET AT A HALF-MILE. 840 00:30:59,491 --> 00:31:01,558 LET'S SETPUP RIGHT HERE. 841 00:31:02,494 --> 00:31:05,028 GO, GO, GO! LET'S GO, LET'S GO. 842 00:31:05,965 --> 00:31:08,232 SORRY, PARKER. PROBLEM IS THEY SHOOT ME? 843 00:31:08,234 --> 00:31:10,000 THEY KILL YOU TOO. 844 00:31:10,936 --> 00:31:12,169 (RIFLES CLICK) 845 00:31:18,611 --> 00:31:20,010 HE'S GONNA PUSH HIM! 846 00:31:20,012 --> 00:31:21,144 (RIFLE COCKS) 847 00:31:24,416 --> 00:31:26,316 RAF: HOLD FIRE! HOLD FIRE! 848 00:31:28,387 --> 00:31:30,621 (GIL GRUNTS, PARKER GASPS) 849 00:31:34,226 --> 00:31:36,493 WE SHOOT HIM, HE LETS GO OF THE ROPE. 850 00:31:36,495 --> 00:31:38,929 PARKER: (PANICKED BREATHS) 851 00:31:40,232 --> 00:31:41,265 WHAT DO YOU WANT FROM ME, GIL? 852 00:31:41,267 --> 00:31:43,267 THOUGHT IT WAS OBVIOUS. 853 00:31:43,269 --> 00:31:44,501 I WANT A LESSON. 854 00:31:44,503 --> 00:31:47,371 YOU GOT AN AGITATED SUBJECT BENT ON REVENGE. 855 00:31:47,373 --> 00:31:50,040 SO SHOW ME HOW IT'S DONE, PARKER. 856 00:31:50,042 --> 00:31:51,174 TALK ME DOWN! 857 00:32:00,986 --> 00:32:02,503 I'M NOT SEEING TAC ON THIS. 858 00:32:02,504 --> 00:32:04,021 SPIKE: HE'S GOT VANTAGE. DISTANCE. FULL CONTROL. 859 00:32:04,023 --> 00:32:05,422 ANYTHING WE DO, HE DROPS BOSS. 860 00:32:05,424 --> 00:32:06,924 HE'S GOT EVERY ANGLE COVERED. 861 00:32:06,926 --> 00:32:07,925 JULES, GIVE ME SOMETHING, 862 00:32:07,927 --> 00:32:09,026 WHY'S HE DOING THIS? 863 00:32:09,028 --> 00:32:10,327 JULES: WELL, GIL SHOWS SIGNS 864 00:32:10,328 --> 00:32:11,627 OF NARCISSISTIC PERSONALITY DISORDER - 865 00:32:11,630 --> 00:32:14,197 IT'S A PREOCCUPATION WITH PRESTIGE AND POWER. 866 00:32:14,199 --> 00:32:15,933 ATTENTION. 867 00:32:15,934 --> 00:32:17,668 IT'S BUILT ON SHAME - FEAR OF INADEQUACY. 868 00:32:17,670 --> 00:32:20,470 AND WHEN THINGS GO BAD, WHEN THINGS FEED THAT FEAR, 869 00:32:20,472 --> 00:32:21,972 TROUBLED RELATIONSHIPS, 870 00:32:21,974 --> 00:32:23,373 FAILURE AT WORK, 871 00:32:23,375 --> 00:32:26,176 PEOPLE WITH NPD THEY USUALLY RESORT TO "SPLITTING". 872 00:32:26,178 --> 00:32:28,111 SPIKE: SPLITTING? RAF: ALL-OR-NOTHING THINKING. 873 00:32:28,113 --> 00:32:29,646 WHITE HATS AND BLACK HATS. 874 00:32:29,647 --> 00:32:31,180 JULES: YEAH, IT'S HOW HE PRESERVES HIS SELF-ESTEEM; 875 00:32:31,183 --> 00:32:34,451 BY ASCRIBING HIS OWN FAILURES TO THE ACTIONS OF OTHERS 876 00:32:34,453 --> 00:32:37,020 A GOOD GUY UNDER ATTACK BY MONSTERS. 877 00:32:39,291 --> 00:32:40,924 CAN YOU GET THROUGH TO HIM? 878 00:32:40,925 --> 00:32:42,558 THE PSYCHOLOGY'S REALLY TRICKY ON THIS. 879 00:32:42,561 --> 00:32:43,961 HE'S VULNERABLE, RAW. 880 00:32:43,963 --> 00:32:45,463 IT'S A MINEFIELD. 881 00:32:45,464 --> 00:32:46,964 JULES, WE'RE RUNNING OUT OF OPTIONS HERE. 882 00:32:46,966 --> 00:32:49,266 I'M GONNA CALL, ED. I'M GONNA CALL. 883 00:32:49,268 --> 00:32:51,368 GIL: SO. ASSESSMENT TIME. 884 00:32:51,370 --> 00:32:52,970 WHAT DO YOU MAKE OF THE SUBJECT, PARKER? 885 00:32:52,972 --> 00:32:55,105 PARKER: HEY, LOOK... (GIL'S PHONE RINGS) 886 00:32:55,107 --> 00:32:57,507 SORRY, THAT'LL BE, AH... THAT'LL BE YOUR BOYS. 887 00:33:00,079 --> 00:33:03,080 EXCUSE ME WHILE I GET THAT. 888 00:33:04,016 --> 00:33:05,148 (PHONE SMASHES) 889 00:33:08,187 --> 00:33:09,686 THEY CAN'T HELP YOU NOW. 890 00:33:09,688 --> 00:33:11,188 IT'S JUST YOU AND ME. 891 00:33:12,124 --> 00:33:14,024 I WANNA HAVE A CONVERSATION WITH YOU, GIL, 892 00:33:14,026 --> 00:33:15,592 BUT THIS- WHA! AH! 893 00:33:18,564 --> 00:33:20,063 ASSESS THE SUBJECT. 894 00:33:20,065 --> 00:33:22,699 ALL RIGHT. YOU KNOW WHAT I SEE? 895 00:33:22,701 --> 00:33:25,102 I SEE A GOOD MAN WHO'S IN A LOT OF PAIN. 896 00:33:25,104 --> 00:33:27,004 THE SWEET TALK. NO, NO, NO, NO... 897 00:33:27,006 --> 00:33:29,106 I SEE A GUY WHO DOESN'T ALWAYS 898 00:33:29,108 --> 00:33:31,608 HAVE THE EASIEST TIME FITTING IN. 899 00:33:31,610 --> 00:33:34,745 BECAUSE WHAT COMES NATURALLY FOR MOST FOLKS, 900 00:33:36,281 --> 00:33:37,414 THE DAY-TODAY LIVING STUFF, 901 00:33:37,416 --> 00:33:40,217 JUST DOESN'T COME SO EASY TO YOU. 902 00:33:40,219 --> 00:33:41,351 YOU'RE WRONG. 903 00:33:41,353 --> 00:33:42,703 YOU'RE WRONG. 904 00:33:42,704 --> 00:33:44,054 I'LL BET WHEN YOU JOINED THE ACADEMY, 905 00:33:44,056 --> 00:33:46,523 ALL THAT CHANGED? RIGHT? 906 00:33:46,525 --> 00:33:49,026 SUDDENLY YOU FELT LIKE YOUR LIFE MADE SENSE 907 00:33:49,028 --> 00:33:50,427 FOR THE FIRST TIME. 908 00:33:50,429 --> 00:33:51,762 AM I RIGHT, GIL? 909 00:33:52,698 --> 00:33:54,031 AM I RIGHT? 910 00:33:54,033 --> 00:33:56,466 WE GOTTA GET UP THERE. TRY HIM FACE TO FACE. 911 00:33:56,468 --> 00:33:57,801 DOES HE LOOK LIKE HE WANTS COMPANY, SPIKE? 912 00:33:57,803 --> 00:33:58,802 SPIKE: SO WHAT'RE WE GONNA DO? WATCH?! 913 00:33:58,804 --> 00:33:59,803 HOPE FOR THE BEST? 914 00:33:59,805 --> 00:34:01,071 SHOCKROUND. 915 00:34:01,073 --> 00:34:03,373 THE ELECTRICAL CHARGE WILL KEEP HIS GRIP FIRM. 916 00:34:03,375 --> 00:34:04,441 INVOLUNTARY MUSCLE CONTRACTURE. 917 00:34:04,443 --> 00:34:05,742 IT'LL GIVES US TIME TO MAKE A PLAY. 918 00:34:05,744 --> 00:34:07,544 COME DOWN FROM ABOVE, AND GET A ROPE AROUND BOSS. 919 00:34:07,546 --> 00:34:08,812 AND THEN NEUTRALIZE THE SUBJECT. 920 00:34:08,814 --> 00:34:10,347 THERE'S A THOUSAND WAYS THAT CAN GO WRONG. 921 00:34:10,349 --> 00:34:11,782 IT'LL HAVE TO HAPPEN IN, WHAT, FIVE SECONDS? 922 00:34:11,784 --> 00:34:13,050 RAF: IF THAT. SAM: PLUS HE'S ARMOURED. 923 00:34:13,052 --> 00:34:14,351 IT'S GOTTA TAKE A PERFECT SHOT. 924 00:34:14,353 --> 00:34:16,686 RAF: IT'S ALL WE GOT. 925 00:34:17,756 --> 00:34:19,356 LET'S DO IT. SAM, YOU TAKE THE SHOT. 926 00:34:19,358 --> 00:34:20,791 ON MY CUE. RAF? 927 00:34:20,793 --> 00:34:22,225 RAF: I'LL HARNESS UP. ED: SPIKE? 928 00:34:22,227 --> 00:34:24,461 SPIKE: OKAY, I'M ON THE MIC. 929 00:34:24,462 --> 00:34:26,696 ED: I'LL STAY ON SIERRA. I WILL FINISH IT IF I HAVE TO. 930 00:34:26,698 --> 00:34:28,732 PARKER: AND I KNOW, I KNOW. 931 00:34:28,734 --> 00:34:30,634 I KNOW HOW IT GOES, BUDDY. 932 00:34:30,636 --> 00:34:32,369 YOU PUT ON A UNIFORM, 933 00:34:32,371 --> 00:34:34,571 AND ALL THE LABELS GET REWRITTEN. 934 00:34:34,573 --> 00:34:36,840 "HEADSTRONG" BECOMES "DEDICATED". 935 00:34:36,842 --> 00:34:38,675 AND "RECKLESS" BECOMES "FEARLESS". 936 00:34:38,677 --> 00:34:40,844 AND ALL THE STUFF THAT YOU FOUGHT INSIDE, 937 00:34:40,846 --> 00:34:44,081 ALL YOUR DEMONS... NOW THEY'RE ASSETS. 938 00:34:44,083 --> 00:34:45,682 RIGHT? THEY'RE YOUR ASSETS. 939 00:34:45,684 --> 00:34:48,118 THEY'RE THE THINGS THAT KEEP YOU ALIVE. 940 00:34:48,120 --> 00:34:51,254 THEY'RE THE THINGS THAT MAKE YOU GOOD. 941 00:34:51,256 --> 00:34:53,123 HOW DO YOU KNOW THAT? 942 00:34:53,125 --> 00:34:56,760 ONE... ONE COP TO ANOTHER, BROTHER, THAT'S HOW. 943 00:34:56,762 --> 00:34:57,427 (PANTS) 944 00:35:08,774 --> 00:35:09,840 GIL: NO. 945 00:35:09,842 --> 00:35:11,875 NICE TRY, PARKER, YOU KNOW. 946 00:35:11,877 --> 00:35:13,477 I SEE THAT YOU'RE TRYING TO CONNECT. 947 00:35:13,479 --> 00:35:15,679 BUT I'M NOT SOME METH-HEAD WITH A KNIFE. 948 00:35:15,681 --> 00:35:16,764 YOU CAN'T FOOL ME! 949 00:35:16,765 --> 00:35:17,848 NO, THAT'S NOT WHAT I'M TRYING TO DO. 950 00:35:17,850 --> 00:35:18,782 YES IT IS! 951 00:35:18,784 --> 00:35:20,884 IT'S GREG PARKER TO A TEE. 952 00:35:20,886 --> 00:35:22,619 SO SMUG HIS FEET DON'T TOUCH THE GROUND 953 00:35:22,621 --> 00:35:23,820 UNTIL SOME NUTCASE PICKS UP A GUN. 954 00:35:23,822 --> 00:35:25,122 SPIKE: EARS ARE UP. 955 00:35:25,124 --> 00:35:26,340 GIL: ...BUT YOU KNOW WHAT? 956 00:35:26,341 --> 00:35:27,557 YOU'RE LEAVING OUT THE MOST IMPORTANT THING. 957 00:35:27,559 --> 00:35:29,493 PLEASE, PLEASE TELL ME WHAT THAT IS. 958 00:35:29,495 --> 00:35:31,728 YOU TOOK IT FROM ME! 959 00:35:32,164 --> 00:35:33,864 ALL OF IT! 960 00:35:33,866 --> 00:35:35,832 I ACED EVERY DRILL, 961 00:35:35,834 --> 00:35:37,334 BUT I WASN'T GOOD ENOUGH FOR YOU 962 00:35:37,335 --> 00:35:38,835 BECAUSE SOME ROLE-PLAYING EXERCISE 963 00:35:38,837 --> 00:35:40,904 DIDN'T GO THE WAY YOU WANTED IT TO! 964 00:35:40,906 --> 00:35:43,373 YOU'VE BEEN GUNNING FOR ME SINCE DAY ONE, PARKER. 965 00:35:43,375 --> 00:35:46,610 JUST LIKE TODAY. DETERMINED TO SEE ME FAIL! 966 00:35:46,612 --> 00:35:48,145 SO I PUSH BACK. 967 00:35:48,147 --> 00:35:50,414 I TOLD MIRANDA. YOU KNOW WHAT I SAID TO HER? 968 00:35:50,415 --> 00:35:52,682 I SAID, "HE'S TESTING ME. HE'S TESTING MY RESOLVE." 969 00:35:52,684 --> 00:35:54,317 YOU KNOW WHAT I'M GONNA DO? I'M GONNA WORK HARDER. 970 00:35:54,319 --> 00:35:57,154 I'M GONNA TRY AGAIN. I'M GONNA SHOW HIM ALL. 971 00:35:57,156 --> 00:35:58,288 (BUCKLES CLANK) 972 00:35:59,158 --> 00:36:00,790 (RIFLE CLANKS) 973 00:36:00,792 --> 00:36:03,760 GIL: BUT YOU KNOW WHAT I DIDN'T COUNT ON? 974 00:36:03,762 --> 00:36:05,896 EVERYONE TAKING YOUR SIDE. 975 00:36:05,898 --> 00:36:08,498 MY SERGEANT, MY OWN PARTNER, EVERYONE. 976 00:36:08,500 --> 00:36:11,668 YOU POISONED 'EM AGAINST ME. 977 00:36:11,670 --> 00:36:13,170 PARKER: IT WAS MY FACE ON THAT SETBACK. 978 00:36:13,172 --> 00:36:14,704 I GET THAT, GIL. I GET THAT. 979 00:36:14,706 --> 00:36:18,308 YOU DON'T GET THE LAST WORD THIS TIME. 980 00:36:18,310 --> 00:36:20,544 (GIL GRUNTS, PARKER YELPS) 981 00:36:22,748 --> 00:36:24,748 I'VE GOT A TEENAGE SON. 982 00:36:25,317 --> 00:36:27,684 AND HE DID THE BRAVEST THING I'D EVER SEEN - 983 00:36:27,686 --> 00:36:30,720 HE LET HIS DEADBEAT DAD BACK INTO HIS LIFE. 984 00:36:30,722 --> 00:36:32,756 IT'S ALL I WANTED FOR YEARS, 985 00:36:32,758 --> 00:36:33,757 IT'S ALL I THOUGHT ABOUT. 986 00:36:33,759 --> 00:36:35,325 AND GUESS WHAT? 987 00:36:35,327 --> 00:36:36,560 NOW THAT IT'S HAPPENED, 988 00:36:36,562 --> 00:36:39,396 I WAKE UP AT NIGHT AND I THINK, 989 00:36:39,398 --> 00:36:42,199 I SAY TO MYSELF, I SHOULD PUSH HIM AWAY NOW. 990 00:36:42,201 --> 00:36:43,817 PUSH HIM AWAY NOW 991 00:36:43,818 --> 00:36:45,434 SO I DON'T DO IT BY ACCIDENT DOWN THE ROAD. 992 00:36:45,437 --> 00:36:46,937 GIL: STOP TALKING. YOU'RE JUST GONNA SAY ANYTHING 993 00:36:46,939 --> 00:36:48,689 TO TRY AND GET OUTTA THIS. 994 00:36:48,690 --> 00:36:50,440 PARKER: YOU THINK I'M GUNNING FOR YOU? 995 00:36:50,442 --> 00:36:52,275 LET ME TELL YOU SOMETHING, 996 00:36:52,277 --> 00:36:54,744 I'VE GOT A WHOLE TEAM DOWN THERE 997 00:36:54,746 --> 00:36:56,746 WHO DEPEND ON ME. 998 00:36:57,382 --> 00:36:59,916 YOU KNOW HOW I'VE REPAID THEIR TRUST? 999 00:36:59,918 --> 00:37:01,885 I'VE KEPT SECRETS FROM THEM, 1000 00:37:01,887 --> 00:37:03,520 I'VE LIED TO THEM, 1001 00:37:03,522 --> 00:37:06,389 I'VE BROKEN PROTOCOL. THAT'S RIGHT. 1002 00:37:06,391 --> 00:37:07,891 THAT'S RIGHT. LIVES AND CAREERS 1003 00:37:07,893 --> 00:37:09,693 AND RELATIONSHIPS... 1004 00:37:09,695 --> 00:37:10,994 THEY COULD ALL GO DOWN THE TUBE, 1005 00:37:10,996 --> 00:37:13,146 AND THAT WOULD ALL BE ON ME. 1006 00:37:13,147 --> 00:37:15,297 AND YOU KNOW... AND YOU KNOW WHY I DO THAT? 1007 00:37:15,300 --> 00:37:18,501 BECAUSE I DON'T KNOW ANY OTHER WAY! 1008 00:37:18,503 --> 00:37:19,903 IT'S THE BEST I CAN FIGURE OUT! 1009 00:37:19,905 --> 00:37:21,938 NO, NO, NO... YOU'RE TRYING TO TRICK ME. 1010 00:37:21,940 --> 00:37:23,623 YOU'RE TRYING TO BUILD EMPATHY. 1011 00:37:23,624 --> 00:37:25,307 PARKER: I'M NOT NEGOTIATING WITH YOU, GIL! 1012 00:37:25,310 --> 00:37:27,744 I'M SAYING MY PIECE! 1013 00:37:27,746 --> 00:37:29,168 YOU THINK YOU KNOW ME. 1014 00:37:29,169 --> 00:37:30,591 YOU THINK I'M ONE KIND OF THING, 1015 00:37:30,592 --> 00:37:32,014 WELL I'M NOT! I'M SOMETHING ELSE. 1016 00:37:32,017 --> 00:37:34,951 I'M NOT AFTER YOU. I DON'T EVEN KNOW YOU. 1017 00:37:34,953 --> 00:37:36,953 I'VE GOT ENOUGH GOING ON IN MY LIFE 1018 00:37:36,955 --> 00:37:38,922 YOU'RE NOT PART OF IT, BUDDY. 1019 00:37:38,924 --> 00:37:40,023 YOU MISREAD THIS, YOU UNDERSTAND? 1020 00:37:40,025 --> 00:37:41,358 YOU'RE WRONG! 1021 00:37:43,428 --> 00:37:44,427 ON MY WORD. 1022 00:37:47,299 --> 00:37:48,498 PARKER: BUT IF YOU LET GO OF THIS ROPE, 1023 00:37:48,500 --> 00:37:49,966 YOU'LL BECOME THE THING THAT YOU HATE. 1024 00:37:49,968 --> 00:37:52,369 YOU'LL BECOME THE THING THAT YOU THINK I AM. 1025 00:37:52,371 --> 00:37:53,503 YOU GET THAT? 1026 00:37:53,972 --> 00:37:55,705 SO WHAT'S IT GONNA BE? 1027 00:37:55,707 --> 00:37:56,773 WHO ARE YOU? 1028 00:37:58,543 --> 00:38:00,610 'CAUSE I'M DONE TALKING. 1029 00:38:03,682 --> 00:38:04,481 ON THREE. 1030 00:38:09,054 --> 00:38:10,320 ONE... 1031 00:38:11,623 --> 00:38:12,689 TWO... 1032 00:38:14,493 --> 00:38:15,959 HOLD! HOLD! 1033 00:38:18,363 --> 00:38:19,029 (PANTS) 1034 00:38:22,334 --> 00:38:23,700 MIRANDA WAS RIGHT. 1035 00:38:25,537 --> 00:38:27,304 PARKER: GIL... GIL: PARKER, YOU'RE RIGHT. 1036 00:38:27,306 --> 00:38:28,772 PARKER: NO! 1037 00:38:28,774 --> 00:38:30,540 GIL, PLEASE DON'T. JUST STAY HERE WITH ME. 1038 00:38:30,542 --> 00:38:32,642 NO, I SEE IT NOW. IT'S OKAY. 1039 00:38:32,644 --> 00:38:34,311 PARKER: NO, YOU MADE A GOOD CHOICE, GIL. 1040 00:38:34,313 --> 00:38:36,680 YOU JUST FOCUS ON THAT, BUDDY. 1041 00:38:36,682 --> 00:38:38,682 YOU JUST FOCUS THAT. 1042 00:38:38,684 --> 00:38:40,083 INTROSPECTION... 1043 00:38:42,988 --> 00:38:45,055 PARKER: NO, NO, THERE'S A WAY THROUGH THIS. 1044 00:38:45,057 --> 00:38:46,489 YOU GOTTA BUILD FROM THIS MOMENT. 1045 00:38:46,491 --> 00:38:49,459 YOU GOTTA MOVE FORWARD FROM HERE. 1046 00:38:49,461 --> 00:38:51,961 YOU WORK THOUGH IT FROM HERE. YOU'RE A GOOD MAN! 1047 00:38:51,963 --> 00:38:55,332 (PARKER'S VOICE ECHOES) HERE... GOOD MAN... 1048 00:38:55,334 --> 00:38:58,468 YOU'RE A GOOD MAN... ...A GOOD MAN... 1049 00:39:16,655 --> 00:39:18,655 (SOMBER MUSIC PLAYS) 1050 00:39:18,657 --> 00:39:19,656 MUSIC 1051 00:39:33,672 --> 00:39:34,671 MUSIC 1052 00:39:52,391 --> 00:39:53,923 SPIKE? TALK TO WINNIE? 1053 00:39:53,925 --> 00:39:56,159 WHAT'S IN YOUR HAND? 1054 00:39:57,095 --> 00:39:59,162 IT'S THE AUDIO DRIVE. 1055 00:39:59,164 --> 00:40:00,630 GOTTA GET RID OF IT. 1056 00:40:00,631 --> 00:40:02,097 ED, WHAT BOSS SAID UP THERE HAS NO BEARING ON THE CASE. 1057 00:40:02,100 --> 00:40:03,867 (R IT'S NOT OUR CALL. (L HE WAS TORN WIDE OPEN. 1058 00:40:03,869 --> 00:40:05,986 HE WAS FIGHTING FOR HIS LIFE. 1059 00:40:05,987 --> 00:40:08,104 THERE'S NO REASON WHY EVERYBODY'S HEAR THAT. 1060 00:40:08,106 --> 00:40:11,174 IT COULD COST HIM HIS JOB, ED. 1061 00:40:12,978 --> 00:40:13,777 I HEAR YA. 1062 00:40:13,779 --> 00:40:15,612 PARKER: SPIKE. 1063 00:40:15,614 --> 00:40:16,897 GIVE IT TO ME, SPIKE. 1064 00:40:16,898 --> 00:40:18,181 BOSS, NO ONE NEEDS TO KNOW WE USED THE PARABOLIC. 1065 00:40:18,183 --> 00:40:19,883 IT DOESN'T AFFECT THE INVESTIGATION IN ANY WAY. 1066 00:40:19,885 --> 00:40:22,419 IT ALL GOES IN. EVERY WORD. 1067 00:40:25,524 --> 00:40:26,923 NO MORE SECRETS. 1068 00:40:31,696 --> 00:40:33,830 HOW YOU HOLDING UP? 1069 00:40:35,534 --> 00:40:36,199 I KILLED HIM, EDDIE. 1070 00:40:36,201 --> 00:40:37,534 GREG, HE WAS UNWELL. 1071 00:40:37,536 --> 00:40:39,169 HE KILLED HIMSELF. 1072 00:40:39,171 --> 00:40:41,171 HE WAS SPLITTING. 1073 00:40:41,973 --> 00:40:43,206 HE SET OUT TO SLAY THE MONSTER. 1074 00:40:43,208 --> 00:40:44,908 AND I CONVINCED HIM HE WAS IT. 1075 00:40:44,910 --> 00:40:47,110 GREG, HE WAS TRYING TO KILL YOU. 1076 00:40:47,112 --> 00:40:48,545 HE WAS TRYING TO KILL YOU. 1077 00:40:48,547 --> 00:40:50,146 YOU DID WHAT YOU HAD TO DO HERE, BUDDY. 1078 00:40:50,148 --> 00:40:51,915 YOU DID WHAT YOU HAD TO DO. 1079 00:40:51,917 --> 00:40:53,483 I GOT ANGRY. 1080 00:40:54,019 --> 00:40:57,153 I GOT ANGRY AND I LOST CONTROL. 1081 00:41:04,529 --> 00:41:08,164 PARKER: WHY YOU WANT TO BE IN SRU? 1082 00:41:08,166 --> 00:41:09,966 THIS ONE'S EASY. HEH. 1083 00:41:10,902 --> 00:41:11,568 UM... 1084 00:41:13,138 --> 00:41:14,971 YOU KNOW HOW WHEN YOU'RE OUT ON PATROL 1085 00:41:14,972 --> 00:41:16,805 YOU MEET A LOT OF PEOPLE BUT YOU, YOU LOOK... 1086 00:41:16,808 --> 00:41:18,541 RAF: UM, JUST GOT WORD FROM THE HOSPITAL. 1087 00:41:18,543 --> 00:41:21,878 THE HOSTAGE, ROGER, HE'S GONNA BE OKAY. 1088 00:41:27,152 --> 00:41:29,552 UH, I'VE BEEN THINKING ABOUT THIS MORNING. 1089 00:41:29,554 --> 00:41:31,020 THE EXERCISE. 1090 00:41:31,022 --> 00:41:33,156 I THINK I KNOW THE SOLUTION. 1091 00:41:33,158 --> 00:41:33,723 GO ON. 1092 00:41:35,260 --> 00:41:37,060 THERE IS NO SOLUTION. 1093 00:41:37,963 --> 00:41:39,929 THE FAILURE, IT'S... 1094 00:41:39,931 --> 00:41:42,165 IT'S BUILT IN, YOU KNOW. 1095 00:41:42,167 --> 00:41:43,700 AND IT AIN'T EVEN ABOUT BEATING THE DRILL, 1096 00:41:43,702 --> 00:41:46,102 IT'S NOT THAT, IT'S ABOUT... 1097 00:41:46,838 --> 00:41:50,974 IT'S ABOUT LEARNING TO LIVE WITH THE CHOICES YOU'VE MADE. 1098 00:41:50,976 --> 00:41:52,108 MY MAN. 1099 00:41:56,982 --> 00:41:59,215 BOSS, I WANT YOU TO KNOW THAT I AM HONORED 1100 00:41:59,217 --> 00:42:01,117 TO BE LEARNING THIS JOB FROM THE BEST. 1101 00:42:01,119 --> 00:42:03,219 GIL: SO, UH... I DON'T KNOW, 1102 00:42:03,221 --> 00:42:05,755 YOU TAKE ALL THE THINGS THAT I LOVE ABOUT BEING A BEAT COP 1103 00:42:05,757 --> 00:42:08,258 AND ALL THE THINGS THAT I'M GOOD AT, 1104 00:42:08,259 --> 00:42:10,760 AND YOU MULTIPLY THAT BY 10 AND THAT'S... 1105 00:42:10,762 --> 00:42:12,161 IT'S SRU FOR ME. 1106 00:42:13,899 --> 00:42:15,765 SO, I MEAN, I DON'T WANNA BE GREEDY, 1107 00:42:15,767 --> 00:42:19,569 BUT YOU KNOW IT FEELS THIS RIGHT TO BE A COP. 1108 00:42:20,005 --> 00:42:21,604 (PAPERS FLITTER) 1109 00:42:41,092 --> 00:42:46,095 PARKER: STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.