1
00:00:07,408 --> 00:00:08,707
GUYS, I GOT A SIGNAL.
2
00:00:08,709 --> 00:00:11,143
LOWER LEVER,
NORTH QUADRANT.
3
00:00:11,145 --> 00:00:12,578
ED:
'KAY, LISTEN UP.
THIS GUY KNOWS THE TERRAIN.
4
00:00:12,580 --> 00:00:14,146
WE GO IN HARD AND FAST.
5
00:00:14,148 --> 00:00:16,515
BOSS, GET HIM ON THE PHONE,
KEEP HIM OCCUPIED.
6
00:00:16,517 --> 00:00:17,583
COPY THAT.
7
00:00:20,054 --> 00:00:21,520
MAN:
WHAT'RE YOU THINKING, PARKER?
I HAD IT UNDER CONTROL.
8
00:00:21,522 --> 00:00:24,089
PARKER:
IT LOOKED RAGGED.
I MADE A CALL.
9
00:00:24,091 --> 00:00:25,591
WHY DON'T YOU COME ON IN
AND WE'LL DEBRIEF.
10
00:00:25,593 --> 00:00:26,976
ED:
IN POSITION.
11
00:00:26,977 --> 00:00:28,360
MAN:
WELL, YOU KNOW WHAT?
12
00:00:28,362 --> 00:00:31,196
I'LL BRING MY SIDEARM,
YOU BRING YOUR INKBLOTS,
13
00:00:31,198 --> 00:00:32,731
WE'LL SEE WHO MAKES
A BETTER CASE.
14
00:00:32,733 --> 00:00:35,467
ED, RAF AND SAM:
POLICE! FREEZE! SRU!
15
00:00:35,469 --> 00:00:38,504
BOSS, SIGNAL RELAY.
HE'S NOT HERE.
16
00:00:39,440 --> 00:00:41,473
GREG, COME IN.
GREG.
17
00:00:43,411 --> 00:00:45,344
GREG, COME IN.
18
00:00:46,747 --> 00:00:49,348
BOSS, MAKE SOME NOISE.
19
00:00:51,485 --> 00:00:52,518
HE'S GOT GREG.
20
00:01:01,228 --> 00:01:03,095
RAF:
I KNOW THIS HASN'T BEEN
AN EASY DAY FOR YOU, TIM.
21
00:01:03,097 --> 00:01:04,747
TIM:
NO IT HASN'T,
AND IT'S HER FAULT!
22
00:01:04,748 --> 00:01:06,398
RAF:
OKAY, BUT I DON'T THINK
YOU WANNA HARM YOUR WIFE.
23
00:01:06,400 --> 00:01:08,267
I DON'T THINK THAT'S HOW
YOU WANT THIS TO GO.
24
00:01:08,268 --> 00:01:10,135
TIM:
DON'T YOU TELL ME
WHAT TO DO!
25
00:01:10,137 --> 00:01:11,804
RAF:
SHE'S AFRAID, TIM.
26
00:01:11,806 --> 00:01:15,507
THIS CAN'T BE EASY FOR HER.
YOU'RE SCARING HER.
27
00:01:15,509 --> 00:01:16,809
I DON'T WANNA SCARE HER.
28
00:01:16,811 --> 00:01:18,343
RAF:
'COURSE NOT.
29
00:01:18,345 --> 00:01:19,711
'COURSE NOT, TIM.
30
00:01:19,713 --> 00:01:21,380
SO HOW 'BOUT
YOU LET HER GO,
31
00:01:21,382 --> 00:01:23,449
AND YOU AND I,
WE CAN SIT DOWN
32
00:01:23,451 --> 00:01:24,316
AND TALK THIS THROUGH,
OKAY?
33
00:01:24,318 --> 00:01:25,551
JUST THE TWO OF US.
34
00:01:25,553 --> 00:01:27,486
I'M WORTHLESS.
35
00:01:29,090 --> 00:01:31,356
I DON'T WANNA SCARE HER.
36
00:01:31,358 --> 00:01:34,093
I'M WITH YOU ON THAT, TIM.
37
00:01:36,497 --> 00:01:39,098
WE'RE GONNA WORK
THROUGH THIS.
38
00:01:39,100 --> 00:01:40,466
AW, COME ON!
39
00:01:42,770 --> 00:01:45,637
SEE THE SUICIDE CUES, RAF?
40
00:01:45,639 --> 00:01:47,806
CALMNESS.
INTROSPECTION.
41
00:01:47,808 --> 00:01:49,308
DOESN'T ALWAYS
MEAN COOPERATION,
42
00:01:49,310 --> 00:01:52,511
SOMETIMES IT MEANS
HE'S GIVEN UP.
43
00:01:52,513 --> 00:01:54,179
COME ON, BUDDY.
THE FIRST DAY ON THE JOB.
44
00:01:54,181 --> 00:01:56,281
THE BRIDGE JUMPER,
REMEMBER?
45
00:01:56,283 --> 00:01:57,416
YEAH.
46
00:01:57,417 --> 00:01:58,550
PARKER:
WHAT ELSE DID YOU SEE?
47
00:01:58,552 --> 00:02:00,169
RAF:
HE WAS TIDYING HIMSELF.
48
00:02:00,170 --> 00:02:01,787
PARKER:
AND YOU KEPT PUSHING HIM.
49
00:02:03,557 --> 00:02:04,623
AGAIN.
50
00:02:06,494 --> 00:02:08,227
(SIGHS)
AGAIN.
51
00:02:22,610 --> 00:02:23,675
HEY!
52
00:02:23,677 --> 00:02:26,778
DECKLAN:
WE'RE JUST HAVING A CIGARETTE,
GIL.
53
00:02:26,780 --> 00:02:28,280
WHO'S COVERING?
54
00:02:28,282 --> 00:02:29,565
WOULD YOU RELAX?
55
00:02:29,566 --> 00:02:30,849
WE'RE JUST GIVING THESE
LIGHTING DUDES SOME POINTERS.
56
00:02:30,851 --> 00:02:31,817
YOU SHOULD BE ON YOUR ROUTE.
57
00:02:31,819 --> 00:02:33,318
DECKLAN:
SERIOUSLY, DUDE.
58
00:02:33,320 --> 00:02:34,353
YOUR JOB'S NOT
TO PATROL AROUND
59
00:02:34,355 --> 00:02:35,921
LOOKING FOR OTHER
SECURITY GUARDS.
60
00:02:35,923 --> 00:02:37,756
YOU DO KNOW THAT,
RIGHT?
61
00:02:37,758 --> 00:02:39,391
YEAH, I KNOW MY JOB.
62
00:02:39,393 --> 00:02:41,527
I'M NOT THE ONE WHO TAKES
UNSCHEDULED BREAKS EVERYDAY.
63
00:02:41,529 --> 00:02:42,661
LISTEN, IT'S 15 MINUTES.
64
00:02:42,663 --> 00:02:44,229
EITHER YOU WANT TO JOIN US?
65
00:02:44,230 --> 00:02:45,796
OR DO YOU CAN BACK RIGHT OFF
AND LET US FINISH OUR SMOKES?
66
00:02:50,437 --> 00:02:51,670
(LAUGHS)
67
00:03:07,888 --> 00:03:08,954
(PANTING)
68
00:03:17,364 --> 00:03:19,364
RAF:
I APPRECIATE THAT, TIM.
69
00:03:19,366 --> 00:03:20,799
NOW, I'M GONNA HOLSTER MY GUN.
70
00:03:20,801 --> 00:03:23,268
AND MAYBE WE CAN TALK ABOUT
WHAT'S GOING ON HERE, OKAY?
71
00:03:23,270 --> 00:03:24,319
I'VE SAID MY PIECE.
72
00:03:24,320 --> 00:03:25,369
RAF:
I'D JUST LIKE TO HEAR
SOME MORE,
73
00:03:25,372 --> 00:03:26,438
IF THAT'S OKAY?
74
00:03:26,440 --> 00:03:27,806
JUST TALK TO ME.
75
00:03:27,808 --> 00:03:29,441
JUST TELL ME
WHAT HAPPENED HERE TODAY.
76
00:03:29,443 --> 00:03:31,510
(GUNSHOT POPS TWICE,
RAF GROANS, AGITATED)
77
00:03:31,512 --> 00:03:32,578
PARKER:
AND... YOU'RE DEAD.
78
00:03:32,580 --> 00:03:33,679
SPIKE:
REALLY DEAD.
79
00:03:33,680 --> 00:03:34,779
RAF:
YOU SAID HE JUST HAD THE 9-MIL!
80
00:03:34,782 --> 00:03:36,248
PARKER:
YEAH, I GOT IT WRONG.
81
00:03:36,249 --> 00:03:37,715
RAF: ARE YOU SERIOUS?!
PARKER: THAT'LL HAPPEN.
82
00:03:37,718 --> 00:03:38,850
(INCREDULOUS LAUGHTER)
83
00:03:38,852 --> 00:03:40,652
PARKER: LET'S GO AGAIN.
RAF: COME ON!
84
00:03:40,654 --> 00:03:41,820
ED:
ZERO FOR NINE, RAF.
85
00:03:41,822 --> 00:03:42,955
YOU GOTTA STEP IT UP,
BUDDY.
86
00:03:42,956 --> 00:03:44,089
RAF:
ED, I WAS GETTING THROUGH
TO YOU?
87
00:03:44,090 --> 00:03:45,223
I WAS GETTING THROUGH TO HIM.
88
00:03:45,224 --> 00:03:46,357
REALLY?
I SEE A SHOT COP.
89
00:03:46,360 --> 00:03:47,715
RAF:
OKAY, SO WHAT'S NEXT?
90
00:03:47,716 --> 00:03:49,071
SOMEONE GONNA BUST THROUGH
THE WINDOW WITH AN UZI?
91
00:03:49,072 --> 00:03:50,427
PARKER:
HEY! EVERY ONE OF THESE
SCENARIOS
92
00:03:50,431 --> 00:03:51,496
COME FROM CASE FILES.
93
00:03:51,498 --> 00:03:53,265
EVERY OUTCOMES HAS HAPPENED.
94
00:03:53,267 --> 00:03:54,499
THIS IS REAL LIFE.
95
00:03:54,501 --> 00:03:55,584
NOW THE MOMENT
YOU START THINKING
96
00:03:55,585 --> 00:03:56,668
THAT YOU'VE GOT
ALL THE ANGLES COVERED,
97
00:03:56,670 --> 00:03:58,270
YOU HAVE FAILED,
98
00:03:59,673 --> 00:04:00,739
DO YOU HEAR ME?
99
00:04:01,675 --> 00:04:02,808
YES, SIR.
100
00:04:05,679 --> 00:04:06,845
PARKER:
WE'VE BEEN AT THIS
FOR THREE HOURS,
101
00:04:06,847 --> 00:04:08,547
YOU MUST BE TIRED.
102
00:04:08,549 --> 00:04:10,666
NO, NO, I'M FINE.
103
00:04:10,667 --> 00:04:12,784
PARKER:
GOOD,
'CAUSE WE'RE GOING AGAIN.
104
00:04:16,557 --> 00:04:17,689
(KEYPAD LOCK BEEPS)
105
00:04:22,596 --> 00:04:23,962
(DOOR CLUNKS SHUT)
106
00:04:25,332 --> 00:04:27,466
(KEYPAD BEEPS AND TRILLS)
107
00:04:33,474 --> 00:04:34,940
(DOOR KEYPAD BEEPS)
108
00:04:42,783 --> 00:04:44,750
GET BACK!
GET BACK!
109
00:04:44,752 --> 00:04:45,717
DON'T MAKE...
DON'T MAKE NOISE.
110
00:04:45,719 --> 00:04:46,952
JUST GET BACK!
111
00:04:53,560 --> 00:04:54,793
WHAT WAS THAT ABOUT?
112
00:04:54,794 --> 00:04:56,027
OH COME ON, EDDIE.
HE NEEDED TO HEAR IT.
113
00:04:56,030 --> 00:04:57,629
REMEMBER HOW LONG IT TOOK ME
TO GET THAT DRILL?
114
00:04:57,631 --> 00:05:00,115
YEAH.
115
00:05:00,116 --> 00:05:02,600
REMEMBER I HAD TO
GET INTO YOUR FACE TOO?
116
00:05:03,971 --> 00:05:05,704
SPIKE:
HEY, CHIN UP.
117
00:05:05,706 --> 00:05:06,938
THAT'S WHY WE DO
THE EXERCISES.
118
00:05:06,940 --> 00:05:08,396
YOU PASSED IT?
119
00:05:08,397 --> 00:05:09,853
SPIKE:
WE ALL PASSED IT.
120
00:05:09,854 --> 00:05:11,310
YOU'RE REALLY USED TO GETTING
A'S ON THE REPORT CARD,
121
00:05:11,312 --> 00:05:12,628
AREN'T YOU?
122
00:05:12,629 --> 00:05:13,945
DON'T SWEAT IT, RAF.
TAKES TIME.
123
00:05:13,947 --> 00:05:15,614
(CALL BELL RINGS)
124
00:05:18,485 --> 00:05:20,619
ARMED ROBBERY
AT FLETCHER STADIUM.
125
00:05:20,620 --> 00:05:22,754
SUBJECT HAS A KNIFE,
POSSIBLE HOSTAGE SITUATION.
126
00:05:22,756 --> 00:05:24,623
911 CALLER IS DECKLAN POWNELL,
127
00:05:24,625 --> 00:05:26,458
HE WORKS SECURITY
AT THE STADIUM.
128
00:05:26,460 --> 00:05:27,592
(SIRENS WAIL)
129
00:05:32,733 --> 00:05:34,149
PARKER:
MR. POWNELL?
130
00:05:34,150 --> 00:05:35,566
DECKLAN:
YEAH.
YOU GUYS GOTTA GET UP THERE,
131
00:05:35,569 --> 00:05:36,968
THE GUY'S CRAZY -
HE'S GOT ROGER.
132
00:05:36,970 --> 00:05:38,437
ROGER A COLLEAGUE OF YOURS?
133
00:05:38,439 --> 00:05:40,072
YEAH, HE WALKED IN ON HIM
IN THE MONEY ROOM;
134
00:05:40,074 --> 00:05:41,406
THE GUY PULLED A KNIFE.
135
00:05:41,408 --> 00:05:42,641
WE TRIED TO INTERVENE,
BUT...
136
00:05:42,643 --> 00:05:43,698
PARKER:
WHO'S "WE", SIR?
137
00:05:43,699 --> 00:05:44,754
ME AND GIL.
ANOTHER GUARD.
138
00:05:44,755 --> 00:05:45,810
WE TRIED TO CALM HIM DOWN,
BUT HE FLIPPED OUT.
139
00:05:45,813 --> 00:05:47,101
OKAY, IT'S ALL RIGHT.
140
00:05:47,102 --> 00:05:48,390
WHERE ARE THEY NOW?
141
00:05:48,391 --> 00:05:49,679
A LUXURY SUITE.
HE DRAGGED ROGER IN THERE.
142
00:05:49,683 --> 00:05:51,750
ED:
OKAY, DECKLAN, HOW MANY PEOPLE
IN THE BUILDING?
143
00:05:51,752 --> 00:05:52,884
SMALL LIGHTING CREW.
144
00:05:52,886 --> 00:05:54,236
SIX SECURITY STAFF.
145
00:05:54,237 --> 00:05:55,587
OKAY, HAVE 'EM DROP
WHAT THEY'RE DOING,
146
00:05:55,589 --> 00:05:56,755
AND EXIT IMMEDIATELY.
147
00:05:56,757 --> 00:05:58,190
DO YOU UNDERSTAND ME?
YES.
148
00:05:58,191 --> 00:05:59,624
PARKER:
ONE SUBJECT, ONE HOSTAGE,
ONE KNIFE.
149
00:05:59,626 --> 00:06:01,460
LET'S FILL IN SOME BLANKS.
150
00:06:02,396 --> 00:06:03,595
ED:
OKAY, GUYS, HERE WE GO.
151
00:06:03,597 --> 00:06:05,030
SAM, RAF, TAKE THE SUITE.
152
00:06:05,032 --> 00:06:06,798
SPIKE, CCTV.
153
00:06:06,800 --> 00:06:07,733
JULES, MONEY ROOM.
154
00:06:07,735 --> 00:06:08,801
JULES:
COPY.
155
00:06:08,802 --> 00:06:09,868
ED:
BOOS, I'M GONNA TRY
TO GET A SIERRA SHOT.
156
00:06:09,869 --> 00:06:10,935
PARKER:
GOOD. GO.
157
00:06:10,936 --> 00:06:12,002
I NEED TO GET THROUGH
TO THAT SUITE.
158
00:06:12,005 --> 00:06:14,005
YEAH, YEAH, FOLLOW ME,
159
00:06:14,006 --> 00:06:16,006
THERE'S A PHONE
IN THE SECURITY ROOM.
160
00:06:16,009 --> 00:06:17,542
JUST...
161
00:06:17,544 --> 00:06:18,744
JUST THINK, DANNY,
JUST THINK.
162
00:06:18,746 --> 00:06:20,846
(PHONE RINGS,
DANNY GASPS)
163
00:06:21,782 --> 00:06:22,748
ARE YOU GONNA GET THAT?
164
00:06:22,750 --> 00:06:25,617
SHUT UP!
SHUT UP WHILE I THINK!
165
00:06:26,687 --> 00:06:29,154
(PHONE RINGS IN THE DISTANCE)
166
00:06:31,859 --> 00:06:33,992
SAM, HE'S NOT ANSWERING.
GIVE HIM A NUDGE.
167
00:06:33,994 --> 00:06:36,094
(SAM KNOCKS AT THE DOOR)
SIR, THIS IS SAM BRADDOCK
168
00:06:36,096 --> 00:06:38,463
FROM THE POLICE STRATEGIC
RESPONSE UNIT.
169
00:06:38,465 --> 00:06:39,498
WE NEED TO TALK TO YOU,
170
00:06:39,500 --> 00:06:41,800
PLEASE ANSWER THE PHONE.
171
00:06:41,802 --> 00:06:42,968
(PHONE SMASHES)
172
00:06:42,970 --> 00:06:44,770
HE'S NOT SO KEEN
TO TALK, BOSS.
173
00:06:44,772 --> 00:06:46,672
PARKER:
COPY THAT.
174
00:06:46,673 --> 00:06:48,573
SPIKE, LET ME KNOW
WHEN YOU GOT EYES.
175
00:06:48,575 --> 00:06:49,941
SPIKE:
YEAH, 220 OF THEM,
176
00:06:49,943 --> 00:06:51,743
BUT NONE WHERE WE WANT 'EM.
177
00:06:51,745 --> 00:06:52,744
THERE'S NO CAMERA
IN THERE?
178
00:06:52,746 --> 00:06:54,146
UH, THEY'RE EXECUTIVE SUITES.
179
00:06:54,148 --> 00:06:55,747
YOU KNOW, THESE GUYS
LIKE THEIR PRIVACY.
180
00:06:55,749 --> 00:06:57,883
EDDIE?
WHAT DO YOU SEE?
181
00:06:59,787 --> 00:07:02,020
ED:
NOT GOOD, BOSS -
GLARE AND SHADOW.
182
00:07:02,022 --> 00:07:03,555
HANG ON.
BOSS, WE GOT A BOGEY.
183
00:07:03,557 --> 00:07:05,757
WE GOT A SECURITY GUARD
ON THE BALCONY.
184
00:07:05,759 --> 00:07:07,670
YOUR GUYS ARE STILL OUT THERE?
185
00:07:07,671 --> 00:07:09,582
DECKLAN:
IT'S GOTTA BE GIL, I MEAN,
EVERYONE ELSE IS ACCOUNTED FOR.
186
00:07:09,583 --> 00:07:11,494
HE MUST'VE TOOK COVER
ON THE BALCONY.
187
00:07:11,498 --> 00:07:13,732
SIR, IT'S HIM.
188
00:07:13,734 --> 00:07:15,100
GIL CALLING.
189
00:07:17,004 --> 00:07:18,870
PARKER:
GIL.
THIS IS SERGEANT GREG PARKER,
190
00:07:18,872 --> 00:07:20,939
I'M WITH THE POLICE STRATEGIC
RESPONSE UNIT.
191
00:07:20,941 --> 00:07:22,441
GIL:
HELLO, GREG PARKER.
192
00:07:22,443 --> 00:07:23,442
PARKER:
ARE YOU SAFE?
193
00:07:23,444 --> 00:07:25,036
GIL:
YEAH, I'M HIDDEN.
194
00:07:25,037 --> 00:07:26,629
HEY, BUDDY,
CAN YOU GET OUT OF THERE?
195
00:07:26,630 --> 00:07:28,222
NO, THEY'RE BETWEEN ME
AND THE DOOR.
196
00:07:28,223 --> 00:07:29,815
PARKER:
OKAY, GIL, CAN YOU TELL ME
IF THE HOSTAGE IS HURT?
197
00:07:29,817 --> 00:07:31,850
GIL:
NO, NO, NO, HE LOOKS FINE.
HE'S JUST SCARED.
198
00:07:31,852 --> 00:07:34,186
SUBJECT IS CAUCASIAN,
5' 10", DARK HAIR.
199
00:07:35,122 --> 00:07:36,788
I HEARD HIM CALL HIMSELF
"DANNY."
200
00:07:36,790 --> 00:07:38,890
HE'S GOT A 7-INCH BLADE -
I THINK IT'S A BOWIE KNIFE.
201
00:07:38,892 --> 00:07:40,759
GIL, THAT'S VERY HELPFUL.
THANK YOU.
202
00:07:40,761 --> 00:07:42,761
SPIKE, SEE WHAT YOU CAN DO
WITH THAT.
203
00:07:42,763 --> 00:07:43,879
GOT IT, BOSS.
204
00:07:43,880 --> 00:07:44,996
PARKER:
OKAY, GIL,
I NEED YOU TO STAY LOW
205
00:07:44,998 --> 00:07:46,498
STAY QUIET, ALL RIGHT?
206
00:07:46,500 --> 00:07:48,133
WE'RE GONNA GET YOU
OUTTA THERE.
207
00:07:48,134 --> 00:07:49,767
HEY, SARGE, I THINK I SHOULD
TALK TO THIS GUY.
208
00:07:49,770 --> 00:07:51,570
NO, I DON'T WANT YOU
TO DO THAT.
209
00:07:51,572 --> 00:07:53,172
DANNY:
IT WASN'T SUPPOSED
TO GO LIKE THIS.
210
00:07:53,173 --> 00:07:54,773
GIL:
NO, NO, NO, I HEAR REMORSE.
I THINK I CAN GET THROUGH HIM.
211
00:07:54,775 --> 00:07:56,107
PARKER:
GIL, THAT IS A NEGATIVE.
212
00:07:56,109 --> 00:07:57,776
ONE WRONG WORD
AND HE COULD ESCALATE.
213
00:07:57,778 --> 00:08:00,011
YOU GOTTA TRUST ME
ON THIS HERE, BUDDY.
214
00:08:01,248 --> 00:08:02,247
ALL RIGHT.
215
00:08:02,249 --> 00:08:03,215
PARKER:
THANK YOU.
216
00:08:03,217 --> 00:08:05,617
OKAY, TEAM, LISTEN UP.
217
00:08:05,619 --> 00:08:07,185
GOOD NEWS
IS WE'VE GOT EYES INSIDE
218
00:08:07,187 --> 00:08:09,754
AND, AH, THINGS SEEM CALM
FOR THE MOMENT.
219
00:08:09,756 --> 00:08:11,656
SO TALK TO ME,
WHO'RE WE DEALING WITH HERE?
220
00:08:11,658 --> 00:08:13,091
IT'S GOTTA BE A SMASH AND GRAB,
RIGHT?
221
00:08:13,093 --> 00:08:15,627
PARKER:
SO HE GETS INTERRUPTED,
PANICS.
222
00:08:15,629 --> 00:08:16,445
EDDIE?
223
00:08:16,446 --> 00:08:17,262
FITS THE BILL.
HE'S VOLATILE,
224
00:08:17,264 --> 00:08:18,897
HE'S GOT NO DEMANDS...
225
00:08:18,899 --> 00:08:20,098
YEAH. I HEAR A "BUT".
226
00:08:20,100 --> 00:08:21,400
I DON'T KNOW,
I MEAN,
227
00:08:21,401 --> 00:08:22,701
THE PLACE ISN'T EXACTLY
A LIQUOR STORE, RIGHT?
228
00:08:22,703 --> 00:08:24,569
JULES: BOSS?
PARKER: YEAH, JULES?
229
00:08:24,571 --> 00:08:26,838
MONEY ROOM'S THREE FLOORS UP
BEHIND AN UNMARKED DOOR.
230
00:08:26,840 --> 00:08:29,007
CAMERAS, KEYCARD ENTRY,
231
00:08:29,009 --> 00:08:30,609
REGENERATING PASSWORD,
232
00:08:30,611 --> 00:08:32,844
AND THAT'S ALL BEFORE
YOU EVEN REACH THE SAFE.
233
00:08:32,846 --> 00:08:34,679
RAF:
SO MUCH FOR SMASH AND GRAB.
234
00:08:34,681 --> 00:08:36,715
PARKER:
SO HE'S HIGH-TECH
ON THE WAY IN,
235
00:08:36,717 --> 00:08:38,583
HUNTING KNIFE
ON THE WAY OUT?
236
00:08:38,585 --> 00:08:39,951
BOSS, GOT A PARTIAL OFF CCTV
237
00:08:39,953 --> 00:08:41,019
AND MATCHED IT
TO THE DESCRIPTION.
238
00:08:41,021 --> 00:08:43,088
OUR SUBJECT IS DANNY LUCIC.
239
00:08:43,090 --> 00:08:44,756
DRUGS, ASSAULT.
240
00:08:44,758 --> 00:08:45,924
MOSTLY SMALL-TIME.
241
00:08:45,926 --> 00:08:48,193
HIS STAR TURN
WAS AN ATTEMPTED ROBBERY
242
00:08:48,195 --> 00:08:49,945
AT A CREDIT UNION,
243
00:08:49,946 --> 00:08:51,696
AND HE TOOK A TELLER HOSTAGE
AT KNIFE-POINT.
244
00:08:51,698 --> 00:08:52,998
HOW'D THAT END?
245
00:08:52,999 --> 00:08:54,299
SPIKE:
TELLER GOT A PUNCTURED
RADIAL ARTERY
246
00:08:54,301 --> 00:08:57,736
AND DANNY GOT THREE YEARS
HARD TIME.
247
00:08:59,973 --> 00:09:02,307
IT WASN'T SUPPOSED
TO GO LIKE THIS.
248
00:09:02,309 --> 00:09:05,010
GIL:
SERGEANT, WE GOT A SITUATION.
249
00:09:05,012 --> 00:09:07,012
(HEAVING GRUNT)
250
00:09:07,014 --> 00:09:08,747
ED:
WHOA, GUN IN PLAY.
GUN IN PLAY.
251
00:09:08,749 --> 00:09:10,549
GIL, TALK TO ME.
252
00:09:10,551 --> 00:09:12,150
GIL: NO, NO, NO-NO-NO-NO.
DANNY: I SAID STAY PUT!
253
00:09:12,152 --> 00:09:13,818
ROGER:
(PAINED CRIES)
254
00:09:13,820 --> 00:09:15,020
FREEZE! RIGHT THERE!
255
00:09:15,022 --> 00:09:17,122
ED:
NO VISUAL.
256
00:09:17,124 --> 00:09:19,224
GIL, TALK TO ME, PLEASE.
257
00:09:19,226 --> 00:09:20,659
DANNY:
BACK OFF!
258
00:09:20,660 --> 00:09:22,093
OKAY, CALM DOWN, MISTER.
JUST RELAX.
259
00:09:22,095 --> 00:09:24,029
PARKER: GIL!
DANNY: BACK OFF.
260
00:09:24,031 --> 00:09:25,797
BACK OFF OR HE DIES!
261
00:09:27,968 --> 00:09:38,076
¶¶¶
262
00:09:38,078 --> 00:09:42,981
¶¶¶
263
00:09:42,983 --> 00:09:53,091
¶¶¶
264
00:09:53,093 --> 00:10:00,065
¶¶¶
265
00:10:01,201 --> 00:10:03,234
MY NAME IS GIL COLLINS
AND I'M HERE TO HELP YOU.
266
00:10:03,236 --> 00:10:05,737
DANNY:
IF YOU TAKE
ONE MORE STEP FORWARD
267
00:10:05,739 --> 00:10:06,771
I WILL CUT HIS THROAT OUT!
268
00:10:08,609 --> 00:10:09,708
EDDIE, WHAT DO YOU SEE?
269
00:10:09,710 --> 00:10:11,009
OUR CIVILIAN'S GONE COWBOY.
270
00:10:11,010 --> 00:10:12,309
HE'S CHARGED IN THERE
WITH A BIG PIECE.
271
00:10:12,312 --> 00:10:14,479
ALL I GOT'S HIS BACK.
272
00:10:14,480 --> 00:10:16,647
WE BREACH NOW, WE ARE RIGHT
IN THE LINE OF FIRE.
273
00:10:16,650 --> 00:10:18,083
YOU GUYS CARRY GUNS?
274
00:10:18,085 --> 00:10:20,752
I'VE NEVER TOUCHED A GUN
IN MY LIFE.
275
00:10:20,754 --> 00:10:22,887
OKAY... AH...
JUST CALM DOWN.
276
00:10:22,889 --> 00:10:24,356
LOOK, I'M GONNA
PUT THE GUN AWAY.
277
00:10:24,358 --> 00:10:27,092
OKAY?
I'M PUTTING IT DOWN.
278
00:10:28,996 --> 00:10:30,846
NOW LISTEN TO ME.
279
00:10:30,847 --> 00:10:32,697
THAT MAN THAT YOU'RE HOLDING
IS NAMED ROGER.
280
00:10:32,699 --> 00:10:34,099
HE'S A FRIEND OF MINE,
THIS'D BE A LOT EASIER
281
00:10:34,101 --> 00:10:36,401
IF YOU'D JUST LOWER
THE BLADE A LITTLE.
282
00:10:36,403 --> 00:10:38,870
HE'S HUMANIZING THE HOSTAGE.
283
00:10:38,872 --> 00:10:39,871
ROGER:
LISTEN TO HIM, MISTER
284
00:10:39,872 --> 00:10:40,871
YOU KEEP YOUR MOUTH SHUT!
285
00:10:40,874 --> 00:10:41,873
AND YOU STAY BACK!
286
00:10:41,875 --> 00:10:43,742
I'M NOT COMING CLOSER,
I SWEAR.
287
00:10:43,744 --> 00:10:44,743
OKAY?
YOU HAVE MY WORD.
288
00:10:44,745 --> 00:10:46,711
I JUST... I WANNA TALK.
289
00:10:46,713 --> 00:10:48,713
OKAY?
CAN WE JUST TALK?
290
00:10:50,984 --> 00:10:52,984
OKAY.
THANK YOU.
291
00:10:52,986 --> 00:10:55,053
SUBJECT'S DE-ESCALATING.
292
00:10:55,989 --> 00:10:57,922
IT WASN'T SUPPOSED
TO GO LIKE THIS.
293
00:10:57,924 --> 00:11:00,258
I UNDERSTAND.
YOUR NAME'S DANNY, RIGHT?
294
00:11:00,260 --> 00:11:01,743
HOW'D YOU KNOW THAT?
295
00:11:01,744 --> 00:11:03,227
I WAS JUST OUTSIDE,
I OVERHEARD.
296
00:11:03,230 --> 00:11:05,080
DANNY:
IT WASN'T SUPPOSED
TO GO LIKE THIS.
297
00:11:05,081 --> 00:11:06,931
IT WAS SUPPOSED TO BE FAST.
NO ONE AROUND!
298
00:11:06,933 --> 00:11:07,832
OKAY, BUT YOU HAVEN'T
DONE ANYTHING
299
00:11:07,834 --> 00:11:09,100
THAT CAN'T BE MADE RIGHT.
300
00:11:09,102 --> 00:11:10,435
ALL RIGHT?
SO LET'S NOT CHANGE THAT.
301
00:11:10,437 --> 00:11:13,071
LET'S JUST WORK THIS OUT,
OKAY?
302
00:11:13,073 --> 00:11:14,072
I GOTTA GET OUTTA HERE.
303
00:11:14,074 --> 00:11:15,173
GIL:
ALL RIGHT.
304
00:11:15,174 --> 00:11:16,273
AND I WANNA HELP YOU
WITH THAT.
305
00:11:16,276 --> 00:11:17,275
I'M JUST GONNA TALK
TO SOME PEOPLE
306
00:11:17,277 --> 00:11:18,343
ON THE OTHER END
OF THIS PHONE.
307
00:11:18,345 --> 00:11:19,277
POLICE?!
308
00:11:19,279 --> 00:11:21,146
GIL:
YES, POLICE, OKAY?
309
00:11:21,148 --> 00:11:22,726
BUT THEY'RE GONNA MAKE SURE
310
00:11:22,727 --> 00:11:24,305
THAT WE ALL GET OUTTA HERE
UNHARMED.
311
00:11:24,306 --> 00:11:25,884
LOOK, IT'S WHAT THEY DO.
IT'S THEIR JOB, OKAY?
312
00:11:25,886 --> 00:11:28,286
JUST... LET ME TALK TO 'EM.
I'M NOT GONNA MOVE,
313
00:11:28,288 --> 00:11:29,821
I'M JUST GONNA TALK.
314
00:11:29,823 --> 00:11:31,423
(ROGER COUGHS WEAKLY)
315
00:11:32,726 --> 00:11:33,725
SERGEANT?
316
00:11:33,726 --> 00:11:34,725
YEAH, GIL,
YOU'RE DOING GREAT, GIL.
317
00:11:34,728 --> 00:11:36,061
IS ROGER HURT?
318
00:11:36,063 --> 00:11:37,195
GIL:
AFFIRMATIVE
319
00:11:37,197 --> 00:11:38,797
ABDOMINAL PENETRATION.
320
00:11:38,799 --> 00:11:40,131
OKAY, TEAM,
WE GOT A WOUNDED HOSTAGE.
321
00:11:40,133 --> 00:11:42,367
EDDIE?
ENTRY OPTIONS?
322
00:11:42,369 --> 00:11:43,852
WE GOT A GUN,
WE GOT A KNIFE,
323
00:11:43,853 --> 00:11:45,336
WE GOT A CORNERED SUBJECT,
WE ARE HALF-BLIND.
324
00:11:45,338 --> 00:11:47,739
ALPHA, YOU HAVE GOT
TO GET EYES IN THERE NOW.
325
00:11:47,741 --> 00:11:48,973
POLE CAM.
FROM THE SUITE ABOVE.
326
00:11:48,975 --> 00:11:51,342
SAM, DO IT NOW.
QUICK AND QUIET.
327
00:11:52,279 --> 00:11:53,645
PARKER:
GIL.
328
00:11:53,646 --> 00:11:55,012
WE'RE WORKING OUT
A SOLUTION HERE, BUDDY.
329
00:11:55,015 --> 00:11:56,748
YOU JUST KEEP DANNY CALM.
330
00:11:56,750 --> 00:11:57,827
WILL DO.
331
00:11:57,828 --> 00:11:58,905
PARKER:
LET HIM KNOW
I'D LIKE TO TALK TO HIM,
332
00:11:58,906 --> 00:11:59,983
BUT DON'T PRESSURE HIM.
RIGHT?
333
00:11:59,986 --> 00:12:01,052
LET HIM SET THE PACE.
334
00:12:01,054 --> 00:12:02,203
OKAY, I GOT IT.
335
00:12:02,204 --> 00:12:03,353
PARKER:
AND DON'T PROMISE HIM
ANYTHING.
336
00:12:03,356 --> 00:12:04,989
I SAID I GOT IT.
337
00:12:04,991 --> 00:12:07,025
YOU DO YOUR JOB,
I'LL DO MINE.
338
00:12:12,065 --> 00:12:13,231
WINNIE, EMS HERE?
339
00:12:13,233 --> 00:12:14,766
WINNIE:
STANDING BY.
340
00:12:14,767 --> 00:12:16,300
JULES:
BOSS, I FOUND A KEYCARD
AT THE SCENE.
341
00:12:16,303 --> 00:12:18,303
THE LOG SHOWS A DIRECT ROUTE
FROM OUTSIDE
342
00:12:18,305 --> 00:12:20,004
INTO THE MONEY ROOM.
343
00:12:20,006 --> 00:12:21,005
IT'S GOTTA BE HOW DANNY GOT IN.
344
00:12:21,007 --> 00:12:22,073
WHO'S IT REGISTERED TO?
345
00:12:22,075 --> 00:12:23,425
SPIKE:
NO, IT'S A BLANK.
346
00:12:23,426 --> 00:12:24,776
AFTER-MARKET.
IF YOU KNOW THE SYSTEM,
347
00:12:24,778 --> 00:12:25,944
YOU CAN MAKE A SKELETON KEY.
348
00:12:25,946 --> 00:12:27,179
IF YOU KNOW THE SYSTEM.
349
00:12:27,180 --> 00:12:28,413
JULES:
THAT'S WHERE THIS
IS LEADING TOO.
350
00:12:28,415 --> 00:12:30,048
SOPHISTICATED, PRE-PLANNED.
351
00:12:30,050 --> 00:12:32,951
I MEAN, EITHER DANNY'S
SERIOUSLY UPPED HIS GAME...
352
00:12:32,953 --> 00:12:34,419
OR HE'S GOT HELP.
353
00:12:34,421 --> 00:12:36,121
OKAY, JULES,
KNOWN ASSOCIATES,
354
00:12:36,123 --> 00:12:37,122
FAMILY HISTORY.
355
00:12:37,124 --> 00:12:38,724
ON IT.
356
00:12:38,725 --> 00:12:40,325
PARKER:
SPIKE, CHECK THE STADIUM
EMPLOYEE LIST FOR PRIORS.
357
00:12:40,327 --> 00:12:41,292
SEE WHO POPS.
358
00:12:41,294 --> 00:12:42,660
COPY. BUT, BOSS?
359
00:12:42,661 --> 00:12:44,027
THE BREAK-IN'S ALL OVER
THE SECURITY TAPE.
360
00:12:44,028 --> 00:12:45,394
YOU LOOKING FOR AN ACCOMPLICE,
YOU MIGHT WANNA START
361
00:12:45,398 --> 00:12:47,999
WITH WHO WAS WORKING
THE MONITORS.
362
00:12:50,137 --> 00:12:52,303
THIS YOUR POST, DECKLAN?
363
00:12:52,305 --> 00:12:53,772
YEAH. WHY?
364
00:12:53,774 --> 00:12:55,507
YOU ON SHIFT THIS MORNING?
365
00:12:55,509 --> 00:12:57,275
OKAY, LOOK,
I TOOK A CIGARETTE BREAK.
366
00:12:57,277 --> 00:12:58,943
IT WAS TEN MINUTES,
I SWEAR TO GOD.
367
00:12:58,945 --> 00:13:00,512
YOU LEFT THE MONITORS
UNATTENDED?
368
00:13:00,514 --> 00:13:02,413
YEAH, BUT...
369
00:13:02,415 --> 00:13:03,403
LOOK,
YOU GOTTA BELIEVE ME.
370
00:13:03,404 --> 00:13:04,392
I DON'T KNOW ANYTHING
ABOUT THIS.
371
00:13:04,393 --> 00:13:05,381
I MEAN, ROGER'S A FRIEND
OF MINE,
372
00:13:05,385 --> 00:13:07,185
WHY WOULD I DO THIS TO HIM?
373
00:13:09,489 --> 00:13:11,089
I SHOULDA LISTENED TO GIL.
374
00:13:11,091 --> 00:13:12,140
GIL?
375
00:13:12,141 --> 00:13:13,190
HE CAUGHT US SMOKING
THIS MORNING.
376
00:13:13,193 --> 00:13:15,260
STARTED NAGGED US
ABOUT DOING OUR JOB.
377
00:13:15,262 --> 00:13:16,678
THIS HAPPENED TODAY?
378
00:13:16,679 --> 00:13:18,095
HAPPENS ALL THE TIME.
WE JUST BLEW HIM OFF.
379
00:13:18,098 --> 00:13:20,031
I MEAN, THAT'S GIL.
380
00:13:20,032 --> 00:13:21,965
HE TAKES EVERYTHING
SO SERIOUSLY.
381
00:13:23,136 --> 00:13:25,904
OFFICER.
I SCREWED UP.
382
00:13:25,906 --> 00:13:28,239
WE'RE GONNA GET YOUR FRIEND
OUTTA THERE, DECKLAN.
383
00:13:28,241 --> 00:13:29,841
IT'S OKAY.
384
00:13:30,877 --> 00:13:32,343
HEY, SPIKE?
OUR GUY GIL,
385
00:13:32,345 --> 00:13:34,245
HE KNEW THE MONITORS
WERE UNMANNED.
386
00:13:34,247 --> 00:13:36,247
WELL, FUNNY YOU SHOULD SAY.
HE JUST CAME UP.
387
00:13:36,249 --> 00:13:37,271
CRIMINAL RECORD?
388
00:13:37,272 --> 00:13:38,294
SPIKE:
OTHER SIDE OF THE LEDGER.
389
00:13:38,295 --> 00:13:39,317
HE WAS A COP.
390
00:13:39,319 --> 00:13:41,219
GIL COLLINS.
391
00:13:41,220 --> 00:13:43,120
LOOKS LIKE HE'S BEEN OFF
THE FORCE A COUPLE OF YEARS.
392
00:13:43,123 --> 00:13:44,589
EXPLAINS THE PIECE.
393
00:13:44,591 --> 00:13:45,557
JULES:
AND HIS LANGUAGE.
394
00:13:45,559 --> 00:13:46,808
YEAH, BUT FROM COP TO THIS?
395
00:13:46,809 --> 00:13:48,058
SPIKE:
I'VE HEARD OF QUITTING
THE FORCE
396
00:13:48,061 --> 00:13:49,561
FOR THE PRIVATE SECTOR,
BUT...
397
00:13:49,563 --> 00:13:51,296
PARKER:
OKAY, JULES,
LET'S PULL UP HIS POLICE FILE,
398
00:13:51,298 --> 00:13:53,064
SEE WHO WE'RE DEALING WITH
HERE.
399
00:13:53,066 --> 00:13:54,332
COPY.
400
00:13:54,333 --> 00:13:55,599
GIL:
SERGEANT?
DANNY HAS SOME DEMANDS
401
00:13:55,602 --> 00:13:57,435
HE'D LIKE TO PASS ON.
402
00:13:57,437 --> 00:13:59,270
OKAY.
403
00:13:59,272 --> 00:14:00,505
I WANT A BULLET PROOF VEST!
404
00:14:00,507 --> 00:14:01,606
AND I WANT A CAR.
405
00:14:01,608 --> 00:14:03,241
NO, MOTORCYCLE!
I WANT SOMETHING FAST!
406
00:14:03,243 --> 00:14:04,876
PARKER:
OKAY, I GOT IT, I GOT IT.
407
00:14:04,878 --> 00:14:07,111
GIL, NEGOTIATION'S GOOD;
THAT'S A STEP FORWARD.
408
00:14:07,113 --> 00:14:08,513
AND YOU HAVE 20 MINUTES!
409
00:14:08,515 --> 00:14:11,115
AND I WANT A CLEAR PATH
OUTTA HERE - NO COPS.
410
00:14:11,117 --> 00:14:13,084
I SEE ANYONE AND I'M GONNA
FINISH THIS GUY OFF,
411
00:14:13,086 --> 00:14:14,118
I SWEAR TO GOD!
412
00:14:14,120 --> 00:14:16,004
YOU JUST KEEP HIM TALKING.
413
00:14:16,005 --> 00:14:17,889
TELL HIM WE'LL DO OUR BEST.
JUST KEEP HIM ENGAGED.
414
00:14:17,891 --> 00:14:19,257
ROGER:
(WHEEZED BREATHS)
415
00:14:19,259 --> 00:14:21,125
THEY'RE WORKING
ON YOUR DEMANDS, OKAY?
416
00:14:21,127 --> 00:14:21,559
I'M...
417
00:14:21,561 --> 00:14:23,344
HEY, HEY...
418
00:14:23,345 --> 00:14:25,128
I'M JUST GONNA GO
STAND HERE OKAY.
419
00:14:25,131 --> 00:14:26,998
IT'S ALL I'M DOING.
420
00:14:28,068 --> 00:14:30,168
SAM, I'M LOSING VISUAL!
421
00:14:30,170 --> 00:14:31,236
TWO MINUTES.
422
00:14:32,939 --> 00:14:34,272
DANNY:
THEY HAVE 20 MINUTES!
423
00:14:34,274 --> 00:14:35,640
HEY, GIL,
HOW'S ROGER DOING?
424
00:14:35,642 --> 00:14:37,408
ROGER:
(DRY COUGHS)
425
00:14:37,410 --> 00:14:38,643
GIL:
FASTER'S BETTER, SERGEANT.
426
00:14:38,645 --> 00:14:41,112
PARKER:
I COPY THAT.
427
00:14:41,114 --> 00:14:43,147
HEY, YOU NEVER TOLD ME
YOU WERE POLICE, GIL.
428
00:14:43,149 --> 00:14:46,284
HEY, I GOT A LITTLE BIT
ON MY PLATE HERE, PARKER.
429
00:14:49,389 --> 00:14:51,890
JULES:
ALL RIGHT, BOSS, GIL COLLINS
WAS A COP ON THE RISE.
430
00:14:51,892 --> 00:14:53,157
BREEZED THROUGH THE ACADEMY.
431
00:14:53,159 --> 00:14:54,392
COUPLE COMMENDATIONS
OF MERIT,
432
00:14:54,394 --> 00:14:55,927
BUT AFTER A FEW YEARS
ON THE FORCE,
433
00:14:55,929 --> 00:14:57,962
THINGS TOOK A TURN.
RUN-INS WITH SUPERIORS,
434
00:14:57,964 --> 00:15:00,131
INSUBORDINATION.
GOT BUSTED DOWN.
435
00:15:00,133 --> 00:15:01,666
TERMINATED TWO YEARS AGO.
436
00:15:01,668 --> 00:15:02,951
ON WHAT GROUNDS?
437
00:15:02,952 --> 00:15:04,235
JULES:
NOT SPECIFIED.
"UNFIT FOR DUTY."
438
00:15:04,237 --> 00:15:05,637
I GOT SOMETHING ELSE FOR YOU,
BOSS.
439
00:15:05,639 --> 00:15:08,273
I CHECKED GIL'S PASS CODE
AGAINST THE LOG...
440
00:15:08,275 --> 00:15:10,575
ABOUT THREE MINUTES BEFORE
DANNY ENTERED THE BUILDING,
441
00:15:10,577 --> 00:15:13,011
GIL WALKED THE EXACT SAME
ROUTE TO THE MONEY ROOM.
442
00:15:13,013 --> 00:15:14,012
CLEARING A PATH.
443
00:15:14,014 --> 00:15:16,447
JULES:
SURE LOOKS THAT WAY.
444
00:15:16,449 --> 00:15:18,449
HEY, SPIKE,
WHERE WAS DANNY ARRESTED
445
00:15:18,451 --> 00:15:20,118
FOR THAT CREDIT UNION JOB?
446
00:15:20,120 --> 00:15:22,120
DUNDAS AND DOVERCOURT.
447
00:15:22,122 --> 00:15:23,488
14 DIVISION.
GIL'S BEAT.
448
00:15:24,424 --> 00:15:26,024
PARKER:
OKAY, TEAM, LISTEN UP.
449
00:15:26,026 --> 00:15:27,091
THINGS ARE GETTING FLUID HERE.
450
00:15:27,093 --> 00:15:29,127
I'M THINKING GIL
IS OUR INSIDE MAN.
451
00:15:29,129 --> 00:15:31,095
OKAY, BOSS,
MAKE THAT MAKE SENSE.
452
00:15:31,097 --> 00:15:32,664
PARKER:
OKAY, LET'S SAY HE SET
THIS WHOLE THING UP,
453
00:15:32,666 --> 00:15:35,099
IT'S A TWO-PERSON JOB,
HE NEEDS A BAGMAN.
454
00:15:35,101 --> 00:15:36,334
SO WHERE DOES HE TURN?
455
00:15:36,336 --> 00:15:37,719
HIS COP PAST.
456
00:15:37,720 --> 00:15:39,103
PARKER:
AND DANNY'S GOT THE PERFECT MO,
457
00:15:39,105 --> 00:15:41,406
SO GIL MAKES CONTACT,
HE KEEPS IT ANONYMOUS,
458
00:15:41,408 --> 00:15:43,241
AND HE TELLS HIM
HE'S GOT A BIG SCORE FOR HIM.
459
00:15:43,243 --> 00:15:44,676
SETS HIM UP WITH A KEYCARD
AND A MAP...
460
00:15:44,678 --> 00:15:46,010
PARKER:
AND NO ONE'S AT THE MONITORS,
461
00:15:46,012 --> 00:15:47,712
HE CUES DANNY
AND THEY'RE ON OUR WAY.
462
00:15:47,714 --> 00:15:49,180
PERFECT INSIDE JOB.
463
00:15:49,182 --> 00:15:51,349
SO THE QUESTION IS:
WHAT IS HE DOING NOW?
464
00:15:51,351 --> 00:15:52,517
COVERING HIS TRACKS?
465
00:15:52,519 --> 00:15:54,152
ELIMINATE HIS ACCOMPLICE?
466
00:15:54,154 --> 00:15:55,153
JULES:
OR HE GOT COLD FEET,
467
00:15:55,155 --> 00:15:57,221
WANTS TO PUT THE BRAKES ON.
468
00:15:57,223 --> 00:15:58,489
SAM! I NEED EYES!
469
00:16:00,427 --> 00:16:01,960
SECONDS AWAY...
470
00:16:09,135 --> 00:16:11,102
WE HAVE A VISUAL.
471
00:16:11,104 --> 00:16:12,437
VISUAL'S UP.
472
00:16:12,439 --> 00:16:15,173
ROUTING IT TO YOU
RIGHT NOW, BOSS.
473
00:16:19,012 --> 00:16:20,144
I KNOW HIM.
474
00:16:20,146 --> 00:16:21,145
ED:
WHO?
475
00:16:21,147 --> 00:16:23,214
PARKER:
GIL. THE COP.
476
00:16:23,216 --> 00:16:25,483
WINNIE, GIL COLLINS?
HE EVER TRY OUT FOR SRU?
477
00:16:25,485 --> 00:16:27,151
GIL COLLINS...
478
00:16:27,153 --> 00:16:28,686
HE DID, TWICE,
WE HAVE A FILE.
479
00:16:28,688 --> 00:16:30,555
JULES, GET DOWN TO THE STATION,
PULL THAT FILE.
480
00:16:30,557 --> 00:16:32,156
I EVERYTHING WE HAVE
ON THAT GUY:
481
00:16:32,158 --> 00:16:34,192
PSYCH EVALS, FIT-FOR DUTY
TESTS, ALL OF IT.
482
00:16:34,194 --> 00:16:35,426
ON MY WAY.
483
00:16:41,468 --> 00:16:43,201
DANNY, I GOT A PROPOSAL.
484
00:16:43,203 --> 00:16:45,036
YOU LET ROGER,
I TAKE HIS PLACE.
485
00:16:45,038 --> 00:16:46,404
WHY THE HELL I DO THAT?
486
00:16:46,406 --> 00:16:48,006
WHAT'RE YOU DOING, GIL?
487
00:16:48,008 --> 00:16:49,273
GIL:
LOOK AT HIM,
HE'S HURT REALLY BAD,
488
00:16:49,275 --> 00:16:51,009
YOU DON'T WANT HIM TO DIE.
489
00:16:51,010 --> 00:16:52,744
HOW MANY TIMES I GOTTA TELL YOU
TO STAY BACK?!
490
00:16:52,746 --> 00:16:54,545
PARKER:
GIL, I NEED YOU
STOP ENGAGING HIM.
491
00:16:54,547 --> 00:16:56,103
BACK DOWN.
492
00:16:56,104 --> 00:16:57,660
GIL:
I GOT THIS, BOSS.
TRUST ME.
493
00:16:57,661 --> 00:16:59,217
LOOK, HE DIES,
THIS GOES REALLY BAD FOR YOU.
494
00:16:59,219 --> 00:17:01,052
DANNY: HEY, I'M WARNING YOU!
GIL: LET HIM GO,
495
00:17:01,054 --> 00:17:02,153
HE GETS PATCHED UP,
496
00:17:02,155 --> 00:17:03,488
YOU TAKE ME,
IT'S ALL GOOD.
497
00:17:03,490 --> 00:17:05,189
GIL, YOU'RE SCARING HIM.
498
00:17:05,191 --> 00:17:07,358
ALPHA TEAM, LESS LETHAL.
499
00:17:07,360 --> 00:17:10,194
ED:
COPY THAT.
RUBBER BULLETS.
500
00:17:10,196 --> 00:17:11,562
RAF, SECONDS AWAY.
501
00:17:12,799 --> 00:17:14,632
PARKER:
GIL, PLEASE,
LISTEN TO ME.
502
00:17:14,634 --> 00:17:16,768
YOU ARE LOSING HIM.
HE WILL ATTACK.
503
00:17:16,770 --> 00:17:17,702
I'LL NOT LET THAT HAPPEN.
504
00:17:17,704 --> 00:17:19,170
DANNY:
I WILL CUT HIM,
505
00:17:19,172 --> 00:17:20,171
AND I WILL CUT YOU!
506
00:17:20,173 --> 00:17:22,273
I WILL CUT HIS THROAT!
507
00:17:24,144 --> 00:17:25,209
ED:
GOTTA MOVE, BOSS,
508
00:17:25,211 --> 00:17:26,210
WE GOTTA MOVE NOW.
509
00:17:26,212 --> 00:17:28,212
ALPHA TEAM, GO!
NOW, NOW!
510
00:17:28,214 --> 00:17:30,415
YOU TAKE KNIFE.
I'LL TAKE GUN ON THREE,
511
00:17:30,417 --> 00:17:32,083
ONE, TWO, THREE!
512
00:17:32,819 --> 00:17:34,085
(RAF BASHES AGAINST DOOR)
513
00:17:41,628 --> 00:17:43,428
SAM AND RAF:
POLICE! EVERYONE DOWN!
514
00:17:43,430 --> 00:17:46,164
DROP YOUR WEAPON!
EVERYONE DOWN!
515
00:17:47,133 --> 00:17:48,199
GIL:
NO! NO!
516
00:17:50,336 --> 00:17:52,370
ROGER:
(PAINED CRY)
517
00:17:52,372 --> 00:17:53,671
(MOANS)
518
00:17:53,673 --> 00:17:55,440
AH!
519
00:17:55,442 --> 00:17:56,674
(PAINED GRUNT)
520
00:18:09,289 --> 00:18:10,755
HOSTAGE HAS BEEN SHOT.
521
00:18:10,757 --> 00:18:12,657
OUR SECURITY GUARD
FIRED A ROUND.
522
00:18:12,659 --> 00:18:14,025
YOU BREACHED.
523
00:18:14,026 --> 00:18:15,392
YOU STARTLED HIM,
I HAD NO CHOICE.
524
00:18:15,395 --> 00:18:17,378
SAM: DROP YOUR WEAPON!
GIL: I HAD NO CHOICE!
525
00:18:17,379 --> 00:18:19,362
SAM:
I SAID DROP YOUR WEAPON!
DROP YOUR WEAPON NOW!
526
00:18:26,873 --> 00:18:28,206
(GRUNTS OF EXERTION)
527
00:18:28,208 --> 00:18:29,307
RAF:
WHOA! WHOA!
528
00:18:29,309 --> 00:18:30,775
DANNY:
(IMPACT GRUNTS)
529
00:18:31,711 --> 00:18:33,277
ED:
SUBJECT ON THE MOVE!
530
00:18:33,279 --> 00:18:34,645
HEY, STAY WHERE YOU ARE!
531
00:18:34,647 --> 00:18:38,316
GIL, STOP RIGHT THERE.
(PANTS AND GRUNTS)
532
00:18:39,686 --> 00:18:41,352
GIL, GIMME YOUR HAND.
533
00:18:41,354 --> 00:18:42,653
COME ON, DON'T RISK IT.
534
00:18:42,655 --> 00:18:44,589
HERE.
DON'T DO THIS, GIL.
535
00:18:45,525 --> 00:18:46,757
GIL!
536
00:18:46,759 --> 00:18:47,825
GIL, STOP!
537
00:18:49,395 --> 00:18:50,695
DANNY: UNGH!
RAF: DON'T MOVE.
538
00:18:50,697 --> 00:18:52,763
ALL CLEAR,
GET EMS IN HERE!
539
00:18:57,770 --> 00:18:58,803
I LOST HIM.
SPIKE?
540
00:18:58,805 --> 00:19:00,171
SPIKE:
HE'S IN THE BLIND SPOTS.
541
00:19:00,173 --> 00:19:01,606
NO, WAIT...
542
00:19:01,608 --> 00:19:03,474
WEST - MAYBE.
543
00:19:04,511 --> 00:19:05,877
ED:
GET A LOCK ON HIS CELL SIGNAL.
544
00:19:05,879 --> 00:19:07,145
ON IT.
545
00:19:10,416 --> 00:19:12,450
DECKLAN,
WHAT WAS IN THE SAFE TODAY?
546
00:19:12,452 --> 00:19:14,418
UH, SOME REGISTER FLOATS.
547
00:19:14,420 --> 00:19:15,753
MAYBE A THOUSAND BUCKS.
548
00:19:15,755 --> 00:19:17,488
AND ON A BIG DAY?
549
00:19:17,490 --> 00:19:20,925
GAME NIGHT? PROBABLY 150,000
GOES THROUGH THERE.
550
00:19:20,927 --> 00:19:22,260
ED:
WHAT ARE YOU THINKING, BOSS?
551
00:19:22,261 --> 00:19:23,594
I'M THINKING THIS WASN'T
ABOUT MONEY.
552
00:19:23,596 --> 00:19:25,930
I'M THINKING THIS WAS ABOUT
BEING A COP AGAIN.
553
00:19:25,932 --> 00:19:28,232
HE SET THIS WHOLE THING UP
SO HE COULD STOP IT?
554
00:19:28,234 --> 00:19:29,534
STEP IN AND SAVE THE DAY.
555
00:19:29,536 --> 00:19:32,537
PARKER:
PROVE THAT HE'S SRU MATERIAL
AFTER ALL.
556
00:19:39,746 --> 00:19:41,479
PARKER:
AN OFFICER NEEDS ASSISTANCE,
557
00:19:41,481 --> 00:19:43,447
YOU'RE THE FIRST ON SCENE.
558
00:19:43,449 --> 00:19:45,583
YOU SEE THE OFFICER BEING
BEATEN BY A MALE SUBJECT,
559
00:19:45,585 --> 00:19:48,352
BUT THERE'S A 30 FOOT
CHAIN LINK FENCE BETWEEN YOU.
560
00:19:48,354 --> 00:19:50,288
THE OFFICER IS LOSING
CONSCIOUSNESS,
561
00:19:50,290 --> 00:19:51,522
WHAT DO YOU DO?
562
00:19:51,524 --> 00:19:52,490
NEUTRALIZE THE SUBJECT.
563
00:19:52,492 --> 00:19:53,724
LETHAL?
564
00:19:53,726 --> 00:19:55,560
OFFICER DOWN,
NO CHOICE.
565
00:19:55,562 --> 00:19:57,228
PARKER:
SO, NO HESITATION?
566
00:19:57,230 --> 00:19:59,564
GIL:
OKAY, SO YOU WANNA SEE
SOME RELUCTANCE,
567
00:19:59,566 --> 00:20:01,216
IS THAT IT?
568
00:20:01,217 --> 00:20:02,867
PARKER:
TRY NOT TO THINK ABOUT
WHAT I'D LIKE TO SEE, GIL.
569
00:20:02,869 --> 00:20:04,669
JUST ANSWER HONESTLY.
570
00:20:05,805 --> 00:20:08,239
GIL:
OFFICER'S IN DANGER,
YOU GOTTA TAKE THE SHOT.
571
00:20:08,241 --> 00:20:09,640
PARKER:
OKAY.
572
00:20:09,642 --> 00:20:12,243
THAT'S PROTOCOL.
YOU'RE SAYING IT'S NOT?
573
00:20:12,245 --> 00:20:14,345
PARKER:
NO, I'M NOT SAYING THAT.
574
00:20:15,315 --> 00:20:17,548
GIL:
I COULD CALL OUT,
SEE IF THE SUBJECT RESPONDS.
575
00:20:17,550 --> 00:20:19,951
PARKER:
AND IF HE DOES?
576
00:20:19,953 --> 00:20:21,986
GIL:
THEN I DON'T TAKE SHOT.
OBVIOUSLY.
577
00:20:21,988 --> 00:20:24,322
PARKER:
ARE YOU CHANGING
YOUR ANSWER THEN?
578
00:20:24,324 --> 00:20:26,524
(PANTS)
YOU'RE TRYING TO CORNER ME.
579
00:20:26,526 --> 00:20:29,927
PARKER:
NO, THAT'S NOT MY INTENTION.
580
00:20:29,929 --> 00:20:31,662
GIL:
THEN I NEUTRALIZE THE SUBJECT.
581
00:20:31,664 --> 00:20:33,531
THAT'S IT!
582
00:20:33,533 --> 00:20:34,665
NO HESITATION.
583
00:20:34,667 --> 00:20:35,733
(COCKS GUN)
584
00:20:37,904 --> 00:20:39,770
ED:
DANNY, WHO SET THIS UP?
585
00:20:40,707 --> 00:20:41,772
I KNOW YOU DIDN'T
PLAN THIS,
586
00:20:41,774 --> 00:20:43,441
SO WHO DID?
587
00:20:45,445 --> 00:20:47,545
HE TALKS YOU LET US KNOW.
GO.
588
00:20:47,547 --> 00:20:48,512
HOW'S HE DOING?
589
00:20:48,514 --> 00:20:49,530
NOT SO GOOD.
590
00:20:49,531 --> 00:20:50,547
SPIKE:
GUYS, I GOT A SIGNAL!
591
00:20:50,550 --> 00:20:52,450
LOWER LEVEL,
NORTH QUADRANT.
592
00:20:52,452 --> 00:20:53,535
HE'S NOT MOVING.
593
00:20:53,536 --> 00:20:54,619
ED: WHAT'S DOWN THERE?
SPIKE: STORAGE ROOM.
594
00:20:54,621 --> 00:20:56,254
COULD BE DIGGING IN.
595
00:20:56,256 --> 00:20:57,622
LET'S GO.
596
00:20:57,624 --> 00:20:59,523
OKAY, LISTEN UP.
THIS GUY'S KNOWS THE TERRAIN.
597
00:20:59,525 --> 00:21:01,509
WE GO IN HARD AND FAST.
598
00:21:01,510 --> 00:21:03,494
BOSS, GET HIM ON THE PHONE,
KEEP HIM OCCUPIED.
599
00:21:03,496 --> 00:21:04,462
COPY THAT.
600
00:21:04,464 --> 00:21:05,596
(PHONE RINGS)
601
00:21:07,800 --> 00:21:09,900
WHAT WERE YOU THINKING, PARKER?
I HAD IT UNDER CONTROL.
602
00:21:09,902 --> 00:21:12,036
IT LOOKED RAGGED, GIL,
I MADE A CALL.
603
00:21:12,038 --> 00:21:14,305
I HAD HIM!
YOU SCREWED IT UP!
604
00:21:15,041 --> 00:21:16,474
PARKER:
LISTEN, GIL,
WHY DON'T YOU COME ON IN
605
00:21:16,476 --> 00:21:17,475
AND WE'LL DEBRIEF.
606
00:21:17,477 --> 00:21:19,010
GIL:
OH, NOW YOU WANNA DEBRIEF?
607
00:21:19,011 --> 00:21:20,544
OKAY, HOW 'BOUT THIS...
YOU KNOW WHAT?
608
00:21:20,546 --> 00:21:23,481
THERE WAS A TIME WHEN A COP
JUST HAD TO BE A COP.
609
00:21:23,483 --> 00:21:25,066
NOW HE'S GOTTA BE
A SHRINK TOO.
610
00:21:25,067 --> 00:21:26,650
PARKER:
IS THAT WHAT THIS IS ABOUT,
GIL?
611
00:21:26,653 --> 00:21:28,019
MAYBE THERE'S ROOM FOR BOTH.
612
00:21:28,021 --> 00:21:29,504
ED:
IN POSITION.
613
00:21:29,505 --> 00:21:30,988
GIL:
WELL, YOU KNOW WHAT?
LET'S MEET UP,
614
00:21:30,990 --> 00:21:32,056
I'LL BRING MY SIDEARM,
615
00:21:32,058 --> 00:21:33,524
YOU BRING YOUR INK BLOTS,
616
00:21:33,526 --> 00:21:35,559
WE'LL SEE WHO
MAKES A BETTER CASE.
617
00:21:35,561 --> 00:21:37,828
ED, SAM AND RAF:
POLICE! SRU!
618
00:21:39,332 --> 00:21:41,565
BOSS, SIGNAL RELAY.
HE'S NOT HERE.
619
00:21:42,735 --> 00:21:44,435
STILL WITH ME, GIL?
620
00:21:44,437 --> 00:21:45,903
YEAH, CAN'T TALK RIGHT NOW,
PARKER.
621
00:21:45,905 --> 00:21:47,571
I GOT PLACES TO BE.
622
00:21:47,573 --> 00:21:49,640
ED:
HE'S PLAYING US, BOSS.
NEW PLAN.
623
00:21:49,642 --> 00:21:51,442
WE'LL DRIFT-NET.
VERTICAL LINE, ONE PER FLOOR.
624
00:21:51,444 --> 00:21:52,510
LET'S MOVE.
625
00:21:54,814 --> 00:21:56,614
JULES:
OKAY, GIL COLLINS
FIRST TRIED OUT
626
00:21:56,616 --> 00:21:58,382
FOR THE SRU
FOUR YEARS AGO.
627
00:21:58,384 --> 00:22:00,618
TACTICAL SCORES
WERE OFF THE CHARTS,
628
00:22:00,620 --> 00:22:02,687
PSYCH EVAL CAME UP SHORT.
629
00:22:02,689 --> 00:22:04,355
TRIED AGAIN
THE FOLLOWING YEAR -
630
00:22:04,357 --> 00:22:05,823
SAME RESULTS.
631
00:22:07,560 --> 00:22:09,794
AFTER THAT, HE JUST SPIRALED.
632
00:22:09,796 --> 00:22:11,329
FIGHTS WITH HIS PARTNERS.
633
00:22:11,331 --> 00:22:13,097
PROBLEMS AT HOME.
DIVORCED.
634
00:22:16,469 --> 00:22:18,002
PARKER:
YOU TALK TO HIS EX?
635
00:22:18,003 --> 00:22:19,536
JULES:
SHE'S ON HER WAY HERE NOW.
636
00:22:19,539 --> 00:22:21,505
THERE'S SOMETHING ELSE, BOSS.
637
00:22:21,507 --> 00:22:23,607
HE FILED A GRIEVANCE
AGAINST YOU.
638
00:22:23,609 --> 00:22:25,676
I DON'T REMEMBER THAT.
639
00:22:25,678 --> 00:22:26,761
JULES:
WELL, IT WAS DISMISSED.
640
00:22:26,762 --> 00:22:27,845
IT DIDN'T GET HIGH ENOUGH
UP THE CHAIN
641
00:22:27,847 --> 00:22:29,647
FOR YOU TO BE NOTIFIED.
642
00:22:29,649 --> 00:22:31,232
HERE'S THE THING IS,
643
00:22:31,233 --> 00:22:32,816
I DON'T THINK THAT TODAY
IS ABOUT PROVING TO THE WORLD
644
00:22:32,819 --> 00:22:34,618
THAT HE'S A GOOD COP.
645
00:22:35,688 --> 00:22:37,755
IT'S ABOUT PROVING IT TO YOU.
646
00:22:38,691 --> 00:22:40,358
(SIGHS AND PANTS)
647
00:22:42,895 --> 00:22:44,528
JUST LIKE YOU, PARKER.
648
00:22:44,530 --> 00:22:46,597
CODE RED
AND YOU'RE STILL HOLSTERED.
649
00:22:48,468 --> 00:22:49,567
DECKLAN:
GIL. DUDE...
650
00:22:49,569 --> 00:22:51,469
GIL:
SHUT IT, DECKLAN.
651
00:22:52,438 --> 00:22:53,637
OVER HERE ON THE FLOOR.
652
00:22:53,639 --> 00:22:55,439
HANDS BEHIND YOUR HEAD.
653
00:22:55,441 --> 00:22:56,907
MOVE!
654
00:22:56,909 --> 00:22:58,142
DECKLAN:
OKAY.
655
00:22:59,078 --> 00:23:00,911
STAY THERE, OR HE DIES.
656
00:23:00,913 --> 00:23:02,680
TURN AROUND.
657
00:23:04,984 --> 00:23:06,751
TURN AROUND.
658
00:23:13,025 --> 00:23:14,692
(MAGAZINE CLANKS)
659
00:23:16,763 --> 00:23:19,864
YOU'RE SMALLER
THAN I REMEMBER.
660
00:23:19,866 --> 00:23:21,632
TURN AROUND.
661
00:23:24,871 --> 00:23:26,570
DO YOU REMEMBER ME?
662
00:23:26,572 --> 00:23:28,105
YEAH I DO, GIL.
663
00:23:28,107 --> 00:23:29,140
WANNA TALK ABOUT THAT?
664
00:23:29,142 --> 00:23:31,942
NO!
YOU DON'T GET TO TALK.
665
00:23:31,944 --> 00:23:34,745
YOU ONLY GET TO TALK
IF I TELL YOU TO TALK,
666
00:23:34,747 --> 00:23:36,113
DO YOU UNDERSTAND?
667
00:23:37,049 --> 00:23:38,916
YEAH.
668
00:23:38,918 --> 00:23:40,684
WRISTS. HIM.
669
00:23:43,790 --> 00:23:45,856
TIE UP HIS WRISTS!
670
00:23:52,532 --> 00:23:54,064
ED:
BOSS, WHAT'S THE STATUS
ON OUR BACKUP?
671
00:23:57,503 --> 00:23:59,537
SPIKE, IS PARKER WITH YOU?
672
00:23:59,539 --> 00:24:00,604
NEGATIVE.
673
00:24:03,576 --> 00:24:05,476
GREG, MAKE SOME NOISE.
674
00:24:08,114 --> 00:24:09,947
TELL HIM HEADED SOUTH.
675
00:24:09,949 --> 00:24:12,049
I CAN'T DO THAT, GIL.
676
00:24:12,985 --> 00:24:15,052
GIL:
SOUTH ACROSS THE BOWL.
677
00:24:15,054 --> 00:24:16,654
TELL THEM.
678
00:24:17,690 --> 00:24:18,689
ED:
GREG, TALK TO ME.
679
00:24:18,691 --> 00:24:19,890
I'M HERE, EDDIE.
680
00:24:19,892 --> 00:24:21,459
SUBJECT IS HEADED SOUTH,
681
00:24:21,461 --> 00:24:23,828
REPEAT, HE'S HEADED TOWARD
THE SOUTH END OF THE BOWL.
682
00:24:23,830 --> 00:24:25,129
ED:
OKAY, TEAM ONE,
YOU HEARD THE MAN.
683
00:24:25,131 --> 00:24:27,415
STOP THE SWEEP.
684
00:24:27,416 --> 00:24:29,700
I NEED EVERYBODY TO REGROUP
ON LEVEL ONE.
685
00:24:29,702 --> 00:24:30,801
PARKER:
BACK-UP'S ON THE WAY, ED,
686
00:24:30,803 --> 00:24:32,937
SO MOVE WITH CAUTION
AND STAY FROSTY.
687
00:24:39,879 --> 00:24:40,911
HE'S GOT GREG.
688
00:24:51,858 --> 00:24:53,891
GUYS, SWITCH CHANNELS.
689
00:24:53,893 --> 00:24:55,226
SPIKE?
690
00:24:55,228 --> 00:24:57,061
I'M HERE,
I HEARD IT.
691
00:24:57,062 --> 00:24:58,895
ED:
GET PARKER'S HEADSET OFFLINE
NOW.
692
00:25:03,736 --> 00:25:05,236
GIL:
ISN'T THAT INTERESTING?
693
00:25:05,238 --> 00:25:07,738
YOU TOLD THEM TO HEAD SOUTH,
694
00:25:07,740 --> 00:25:10,875
BUT THEY'RE NOT COMPLYING.
695
00:25:10,877 --> 00:25:13,043
IS IT "FROSTY", PARKER?
696
00:25:13,980 --> 00:25:14,912
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
697
00:25:14,914 --> 00:25:16,614
THE DISTRESS CODE.
698
00:25:16,616 --> 00:25:18,849
IS IT "STAY FROSTY"?
699
00:25:20,119 --> 00:25:21,719
YEAH.
700
00:25:21,721 --> 00:25:22,887
(HALF LAUGHS)
701
00:25:22,889 --> 00:25:27,157
THOUGHT IT WAS A LITTLE
HOT DOG FOR YOU.
702
00:25:27,159 --> 00:25:28,859
ED:
RAF AND I WILL GO
TO THE LAST POINT OF CONTACT.
703
00:25:28,861 --> 00:25:30,444
SAM, UNDERGROUND PARKING.
704
00:25:30,445 --> 00:25:32,028
SPIKE, YOU WATCH THOSE EXITS.
EVERY DOOR, EVERY WINDOW -
705
00:25:32,031 --> 00:25:33,631
HE DOES NOT GET OUTTA HERE
WITH PARKER,
706
00:25:33,633 --> 00:25:34,198
DO YOU UNDERSTOOD ME?
707
00:25:34,200 --> 00:25:35,266
COPY, ED.
708
00:25:35,268 --> 00:25:36,534
LET'S GO.
709
00:25:38,971 --> 00:25:41,071
AND OF COURSE,
HERE THEY COME.
710
00:25:41,073 --> 00:25:42,973
LISTEN, GIL, BUDDY,
WHATEVER YOU'RE UP TO-
711
00:25:42,975 --> 00:25:44,275
SHUT IT, DECKLAN!
712
00:25:44,277 --> 00:25:45,643
GIL?
713
00:25:45,645 --> 00:25:46,877
IF WE GOT STUFF TO WORK OUT,
714
00:25:46,879 --> 00:25:47,878
LET'S JUST FOCUS HERE,
OKAY?
715
00:25:47,880 --> 00:25:49,713
IF YOU HAD LET ME
WORK IT OUT
716
00:25:49,715 --> 00:25:50,781
IN THE OTHER ROOM,
717
00:25:50,783 --> 00:25:52,550
NONE OF THIS WOULD BE
HAPPENING.
718
00:25:52,552 --> 00:25:53,984
WHAT IS HAPPENING, GIL?
719
00:25:53,986 --> 00:25:55,119
PLAN B.
720
00:25:57,657 --> 00:25:59,890
LET ME ASK YOU SOMETHING.
721
00:25:59,892 --> 00:26:01,759
HOW'S YOUR HAND-TO-HAND?
722
00:26:01,761 --> 00:26:03,694
THINK YOU CAN, AH...
723
00:26:03,696 --> 00:26:05,095
DISARM ME?
724
00:26:07,066 --> 00:26:08,032
NO I DON'T.
725
00:26:08,034 --> 00:26:09,233
SEE, THAT'S TOO BAD.
726
00:26:09,235 --> 00:26:11,485
'CAUSE WE'RE GONNA GO
FOR A LITTLE WALK,
727
00:26:11,486 --> 00:26:13,736
AND I WAS REALLY HOPING
THAT YOU WOULD TRY.
728
00:26:16,008 --> 00:26:17,775
TURN AROUND.
729
00:26:19,712 --> 00:26:22,713
HANDS DOWN.
BEHIND YOUR BACK.
730
00:26:26,886 --> 00:26:29,153
LET'S GO FOR THAT WALK.
731
00:26:35,928 --> 00:26:36,994
HI.
THANKS FOR COMING.
732
00:26:36,996 --> 00:26:38,062
I'M JULES CALLAGHAN,
733
00:26:38,064 --> 00:26:39,797
I TALKED TO YOU
ON THE PHONE.
734
00:26:39,799 --> 00:26:41,999
WHY DON'T YOU HAVE A SEAT?
735
00:26:42,935 --> 00:26:44,969
YOU SAID THIS IS ABOUT GIL.
736
00:26:44,971 --> 00:26:46,203
IS HE IN TROUBLE?
737
00:26:46,205 --> 00:26:47,705
WE'RE TRYING
TO FIGURE THAT OUT.
738
00:26:47,707 --> 00:26:49,707
ARE YOU STILL
IN TOUCH WITH HIM?
739
00:26:49,709 --> 00:26:52,009
HE SEES OUR SON.
740
00:26:52,011 --> 00:26:54,044
BUT IT'S NOT EASY
BETWEEN US.
741
00:26:54,046 --> 00:26:56,030
CAN YOU TELL ME WHY?
742
00:26:56,031 --> 00:26:58,015
FOR A WHILE WE TRIED
STAYING IN EACH OTHER'S LIVES -
743
00:26:58,017 --> 00:26:59,717
FOR JACOB -
744
00:26:59,719 --> 00:27:02,052
BUT GIL HAS SO MUCH ANGER.
745
00:27:02,989 --> 00:27:04,688
HE BLAMES ME
FOR THE DIVORCE.
746
00:27:04,690 --> 00:27:05,956
IT...
747
00:27:05,958 --> 00:27:07,891
IT JUST GOT TOXIC.
748
00:27:08,828 --> 00:27:11,328
WHEN WAS THE LAST TIME
YOU SAW HIM?
749
00:27:11,330 --> 00:27:12,663
THIS MORNING.
750
00:27:14,400 --> 00:27:16,200
JAKEY, LET'S GO.
751
00:27:17,136 --> 00:27:18,802
HI.
752
00:27:18,804 --> 00:27:20,087
GIL...
753
00:27:20,088 --> 00:27:21,371
I'M SORRY,
I KNOW IT'S NOT FRIDAY,
754
00:27:21,374 --> 00:27:23,741
BUT TODAY'S AN EXCEPTION.
CAN I JUST...
755
00:27:23,743 --> 00:27:26,076
CAN I JUST GET 30 SECONDS?
756
00:27:26,078 --> 00:27:27,077
YEAH.
757
00:27:27,079 --> 00:27:29,079
THANK YOU.
758
00:27:29,081 --> 00:27:30,147
LOOK, I DON'T WANNA
SAY TOO MUCH,
759
00:27:30,149 --> 00:27:31,849
I DON'T WANNA SPOIL IT,
BUT I...
760
00:27:31,851 --> 00:27:33,817
I GOT SOMETHING GOING
AT WORK.
761
00:27:33,819 --> 00:27:35,085
THAT'S GOOD, GIL.
762
00:27:35,087 --> 00:27:36,220
I'M HAPPY FOR YOU.
763
00:27:36,222 --> 00:27:37,855
THANKS.
764
00:27:37,857 --> 00:27:39,089
I KNOW WHAT YOU'RE THINKING.
765
00:27:39,091 --> 00:27:40,658
AND THAT IT'S BEEN HARD,
766
00:27:42,028 --> 00:27:44,795
AND THAT'S ON ME,
THAT'S MY FAULT.
767
00:27:44,797 --> 00:27:46,397
BUT I JUST WANT YOU TO KNOW
768
00:27:46,398 --> 00:27:47,998
I'VE NEVER BEEN MORE PROUD
OF ANYTHING IN MY LIFE
769
00:27:48,000 --> 00:27:50,000
THAN I AM OF YOU.
770
00:27:51,370 --> 00:27:53,037
YOU AND JAKEY.
771
00:27:53,039 --> 00:27:55,839
AND I KNOW IT'S UP TO ME
TO MAKE YOU PROUD OF ME.
772
00:27:55,841 --> 00:27:57,374
AGAIN.
FOR US.
773
00:27:58,978 --> 00:28:00,711
FOR US?
774
00:28:00,713 --> 00:28:02,112
(FRONT DOOR OPENS)
775
00:28:02,114 --> 00:28:03,681
GIL: THERE HE IS!
JAKE: HI DAD!
776
00:28:03,683 --> 00:28:05,282
GIL:
HEY, BUDDY!
GUESS WHAT?
777
00:28:05,284 --> 00:28:06,283
SPECIAL DAY.
778
00:28:06,285 --> 00:28:09,353
I AM WALKING YOU
TO SCHOOL TODAY.
779
00:28:09,355 --> 00:28:10,220
GREAT!
780
00:28:10,222 --> 00:28:11,989
GIL. PLEASE.
781
00:28:15,361 --> 00:28:16,427
YOU JUST LOVE THIS,
DON'T YOU?
782
00:28:16,429 --> 00:28:19,029
HOLDING ALL THE CARDS.
783
00:28:20,733 --> 00:28:22,800
THERE IS NOTHING ABOUT THIS
THAT I LOVE.
784
00:28:30,810 --> 00:28:32,209
AH, YOU KNOW WHAT, PAL?
785
00:28:32,211 --> 00:28:34,378
I JUST REMEMBERED
I GOT SOMETHING I GOTTA DO.
786
00:28:34,380 --> 00:28:37,314
SO CAN I GET A RAIN CHECK?
787
00:28:37,316 --> 00:28:40,184
SOMETHING TO LOOK FORWARD TO?
788
00:28:40,186 --> 00:28:41,218
THANKS, BUDDY.
789
00:28:43,022 --> 00:28:44,822
HAVE A GOOD DAY, PAL.
790
00:28:46,792 --> 00:28:48,392
COME HERE, YOU.
791
00:28:50,930 --> 00:28:51,995
PLEASE.
792
00:28:51,997 --> 00:28:56,133
TELL ME WHAT'S GOING ON,
OFFICER CALLAGHAN.
793
00:28:56,135 --> 00:28:58,736
DOES THE NAME GREG PARKER
MEAN ANYTHING TO YOU?
794
00:28:58,738 --> 00:29:00,270
YEAH.
795
00:29:00,272 --> 00:29:03,874
GIL TALKED ABOUT HIM
ALL THE TIME.
796
00:29:05,978 --> 00:29:07,094
GIL:
AFTER YOU FLUNKED ME,
797
00:29:07,095 --> 00:29:08,211
I GOT MY HANDS
ON MY EVALUATION.
798
00:29:08,214 --> 00:29:09,513
GO LEFT.
799
00:29:09,515 --> 00:29:11,115
YOU REMEMBER WHAT YOU SAID?
800
00:29:11,117 --> 00:29:12,082
NO.
801
00:29:12,084 --> 00:29:14,251
SIX YEARS OF MY LIFE,
802
00:29:14,253 --> 00:29:16,086
THOUSANDS OF HOURS
ON THE RANGE,
803
00:29:16,088 --> 00:29:17,988
IN THE GYM,
IN THE PSYCH MANUALS...
804
00:29:17,990 --> 00:29:19,223
YOU DON'T REMEMBER
WHAT YOU SAID?
805
00:29:19,225 --> 00:29:22,192
SORRY, GIL,
I DO A LOT OF EVALUATIONS.
806
00:29:22,194 --> 00:29:25,229
GIL:
"GOOD TACTICAL.
UNFIT TO NEGOTIATE."
807
00:29:26,165 --> 00:29:27,598
GIL, YOU HAVE TO UNDERSTAND,
808
00:29:27,599 --> 00:29:29,032
WE GET A HUNDRED APPLICANTS
A YEAR,
809
00:29:29,034 --> 00:29:32,002
THAT'S A LOT OF GREAT
CANDIDATES TURNED AWAY.
810
00:29:32,004 --> 00:29:33,303
FIVE WORDS, PARKER.
811
00:29:33,305 --> 00:29:36,940
YOU USED FIVE WORDS
TO RUIN MY LIFE.
812
00:29:37,877 --> 00:29:39,343
MOVE.
813
00:29:39,345 --> 00:29:40,477
MOVE!
814
00:29:45,451 --> 00:29:46,850
ED:
YOU ALL RIGHT?
815
00:29:46,852 --> 00:29:48,519
WHICH WAY DID THEY GO?
816
00:29:48,521 --> 00:29:49,787
UP.
817
00:29:52,024 --> 00:29:53,490
(MONITOR BEEPS)
818
00:29:53,492 --> 00:29:55,259
SAM, SPIKE!
819
00:29:55,261 --> 00:29:57,094
TWO RIFLES,
STADIUM FLOOR, NOW!
820
00:29:57,096 --> 00:29:59,229
ED: STAY HERE!
DECKALN: GOT IT.
821
00:30:00,900 --> 00:30:03,233
(HAND CUFFS RASP AND CLANK)
822
00:30:06,939 --> 00:30:08,305
DOWN WE GO, BOSS.
823
00:30:08,307 --> 00:30:10,624
(SIGHS)
824
00:30:10,625 --> 00:30:12,942
GOTTA TELL YOU, GIL,
I'M NOT CRAZY ABOUT HEIGHTS.
825
00:30:12,945 --> 00:30:14,311
OVERCOME IT.
826
00:30:18,584 --> 00:30:19,850
ED:
GUYS.
827
00:30:32,598 --> 00:30:34,748
(BUCKLES CLANK)
828
00:30:34,749 --> 00:30:36,899
PARKER:
YOU WANNA TELL ME
WHAT YOU'RE THINKING HERE, GIL?
829
00:30:36,902 --> 00:30:38,035
IT'S TACTICAL, PARKER.
830
00:30:38,037 --> 00:30:39,102
YOU WOULDN'T APPRECIATE IT.
831
00:30:39,104 --> 00:30:40,470
(PANICKED BREATHS)
832
00:30:42,007 --> 00:30:43,106
DON'T DO IT, GIL.
833
00:30:43,108 --> 00:30:44,374
PLEASE, YOU DON'T WANNA
DO THIS.
834
00:30:44,376 --> 00:30:46,910
(ROPES RASP, BUCKLES CLANK)
835
00:30:48,414 --> 00:30:51,048
GUYS, FULL HAY SETUP UP HERE.
836
00:30:51,050 --> 00:30:52,616
GIL:
OH... SPRINT SHOOT.
837
00:30:52,618 --> 00:30:54,051
MY BEST DRILL.
838
00:30:55,354 --> 00:30:57,621
200 YARD DASH,
SETUP UP THEIR RIFLE,
839
00:30:57,623 --> 00:30:59,489
DEAD-CENTER A TARGET
AT A HALF-MILE.
840
00:30:59,491 --> 00:31:01,558
LET'S SETPUP RIGHT HERE.
841
00:31:02,494 --> 00:31:05,028
GO, GO, GO!
LET'S GO, LET'S GO.
842
00:31:05,965 --> 00:31:08,232
SORRY, PARKER.
PROBLEM IS THEY SHOOT ME?
843
00:31:08,234 --> 00:31:10,000
THEY KILL YOU TOO.
844
00:31:10,936 --> 00:31:12,169
(RIFLES CLICK)
845
00:31:18,611 --> 00:31:20,010
HE'S GONNA PUSH HIM!
846
00:31:20,012 --> 00:31:21,144
(RIFLE COCKS)
847
00:31:24,416 --> 00:31:26,316
RAF:
HOLD FIRE! HOLD FIRE!
848
00:31:28,387 --> 00:31:30,621
(GIL GRUNTS,
PARKER GASPS)
849
00:31:34,226 --> 00:31:36,493
WE SHOOT HIM,
HE LETS GO OF THE ROPE.
850
00:31:36,495 --> 00:31:38,929
PARKER:
(PANICKED BREATHS)
851
00:31:40,232 --> 00:31:41,265
WHAT DO YOU WANT FROM ME,
GIL?
852
00:31:41,267 --> 00:31:43,267
THOUGHT IT WAS OBVIOUS.
853
00:31:43,269 --> 00:31:44,501
I WANT A LESSON.
854
00:31:44,503 --> 00:31:47,371
YOU GOT AN AGITATED SUBJECT
BENT ON REVENGE.
855
00:31:47,373 --> 00:31:50,040
SO SHOW ME HOW IT'S DONE,
PARKER.
856
00:31:50,042 --> 00:31:51,174
TALK ME DOWN!
857
00:32:00,986 --> 00:32:02,503
I'M NOT SEEING TAC ON THIS.
858
00:32:02,504 --> 00:32:04,021
SPIKE:
HE'S GOT VANTAGE. DISTANCE.
FULL CONTROL.
859
00:32:04,023 --> 00:32:05,422
ANYTHING WE DO,
HE DROPS BOSS.
860
00:32:05,424 --> 00:32:06,924
HE'S GOT EVERY ANGLE COVERED.
861
00:32:06,926 --> 00:32:07,925
JULES, GIVE ME SOMETHING,
862
00:32:07,927 --> 00:32:09,026
WHY'S HE DOING THIS?
863
00:32:09,028 --> 00:32:10,327
JULES:
WELL, GIL SHOWS SIGNS
864
00:32:10,328 --> 00:32:11,627
OF NARCISSISTIC PERSONALITY
DISORDER -
865
00:32:11,630 --> 00:32:14,197
IT'S A PREOCCUPATION
WITH PRESTIGE AND POWER.
866
00:32:14,199 --> 00:32:15,933
ATTENTION.
867
00:32:15,934 --> 00:32:17,668
IT'S BUILT ON SHAME -
FEAR OF INADEQUACY.
868
00:32:17,670 --> 00:32:20,470
AND WHEN THINGS GO BAD,
WHEN THINGS FEED THAT FEAR,
869
00:32:20,472 --> 00:32:21,972
TROUBLED RELATIONSHIPS,
870
00:32:21,974 --> 00:32:23,373
FAILURE AT WORK,
871
00:32:23,375 --> 00:32:26,176
PEOPLE WITH NPD THEY USUALLY
RESORT TO "SPLITTING".
872
00:32:26,178 --> 00:32:28,111
SPIKE: SPLITTING?
RAF: ALL-OR-NOTHING THINKING.
873
00:32:28,113 --> 00:32:29,646
WHITE HATS AND BLACK HATS.
874
00:32:29,647 --> 00:32:31,180
JULES:
YEAH, IT'S HOW HE PRESERVES
HIS SELF-ESTEEM;
875
00:32:31,183 --> 00:32:34,451
BY ASCRIBING HIS OWN FAILURES
TO THE ACTIONS OF OTHERS
876
00:32:34,453 --> 00:32:37,020
A GOOD GUY UNDER ATTACK
BY MONSTERS.
877
00:32:39,291 --> 00:32:40,924
CAN YOU GET THROUGH TO HIM?
878
00:32:40,925 --> 00:32:42,558
THE PSYCHOLOGY'S
REALLY TRICKY ON THIS.
879
00:32:42,561 --> 00:32:43,961
HE'S VULNERABLE, RAW.
880
00:32:43,963 --> 00:32:45,463
IT'S A MINEFIELD.
881
00:32:45,464 --> 00:32:46,964
JULES, WE'RE RUNNING OUT
OF OPTIONS HERE.
882
00:32:46,966 --> 00:32:49,266
I'M GONNA CALL, ED.
I'M GONNA CALL.
883
00:32:49,268 --> 00:32:51,368
GIL:
SO. ASSESSMENT TIME.
884
00:32:51,370 --> 00:32:52,970
WHAT DO YOU MAKE
OF THE SUBJECT, PARKER?
885
00:32:52,972 --> 00:32:55,105
PARKER:
HEY, LOOK...
(GIL'S PHONE RINGS)
886
00:32:55,107 --> 00:32:57,507
SORRY, THAT'LL BE, AH...
THAT'LL BE YOUR BOYS.
887
00:33:00,079 --> 00:33:03,080
EXCUSE ME WHILE I GET THAT.
888
00:33:04,016 --> 00:33:05,148
(PHONE SMASHES)
889
00:33:08,187 --> 00:33:09,686
THEY CAN'T HELP YOU NOW.
890
00:33:09,688 --> 00:33:11,188
IT'S JUST YOU AND ME.
891
00:33:12,124 --> 00:33:14,024
I WANNA HAVE A CONVERSATION
WITH YOU, GIL,
892
00:33:14,026 --> 00:33:15,592
BUT THIS- WHA! AH!
893
00:33:18,564 --> 00:33:20,063
ASSESS THE SUBJECT.
894
00:33:20,065 --> 00:33:22,699
ALL RIGHT.
YOU KNOW WHAT I SEE?
895
00:33:22,701 --> 00:33:25,102
I SEE A GOOD MAN
WHO'S IN A LOT OF PAIN.
896
00:33:25,104 --> 00:33:27,004
THE SWEET TALK.
NO, NO, NO, NO...
897
00:33:27,006 --> 00:33:29,106
I SEE A GUY
WHO DOESN'T ALWAYS
898
00:33:29,108 --> 00:33:31,608
HAVE THE EASIEST TIME
FITTING IN.
899
00:33:31,610 --> 00:33:34,745
BECAUSE WHAT COMES NATURALLY
FOR MOST FOLKS,
900
00:33:36,281 --> 00:33:37,414
THE DAY-TODAY LIVING STUFF,
901
00:33:37,416 --> 00:33:40,217
JUST DOESN'T COME
SO EASY TO YOU.
902
00:33:40,219 --> 00:33:41,351
YOU'RE WRONG.
903
00:33:41,353 --> 00:33:42,703
YOU'RE WRONG.
904
00:33:42,704 --> 00:33:44,054
I'LL BET WHEN YOU JOINED
THE ACADEMY,
905
00:33:44,056 --> 00:33:46,523
ALL THAT CHANGED?
RIGHT?
906
00:33:46,525 --> 00:33:49,026
SUDDENLY YOU FELT LIKE
YOUR LIFE MADE SENSE
907
00:33:49,028 --> 00:33:50,427
FOR THE FIRST TIME.
908
00:33:50,429 --> 00:33:51,762
AM I RIGHT, GIL?
909
00:33:52,698 --> 00:33:54,031
AM I RIGHT?
910
00:33:54,033 --> 00:33:56,466
WE GOTTA GET UP THERE.
TRY HIM FACE TO FACE.
911
00:33:56,468 --> 00:33:57,801
DOES HE LOOK LIKE
HE WANTS COMPANY, SPIKE?
912
00:33:57,803 --> 00:33:58,802
SPIKE:
SO WHAT'RE WE GONNA DO?
WATCH?!
913
00:33:58,804 --> 00:33:59,803
HOPE FOR THE BEST?
914
00:33:59,805 --> 00:34:01,071
SHOCKROUND.
915
00:34:01,073 --> 00:34:03,373
THE ELECTRICAL CHARGE
WILL KEEP HIS GRIP FIRM.
916
00:34:03,375 --> 00:34:04,441
INVOLUNTARY MUSCLE CONTRACTURE.
917
00:34:04,443 --> 00:34:05,742
IT'LL GIVES US TIME
TO MAKE A PLAY.
918
00:34:05,744 --> 00:34:07,544
COME DOWN FROM ABOVE,
AND GET A ROPE AROUND BOSS.
919
00:34:07,546 --> 00:34:08,812
AND THEN NEUTRALIZE
THE SUBJECT.
920
00:34:08,814 --> 00:34:10,347
THERE'S A THOUSAND WAYS
THAT CAN GO WRONG.
921
00:34:10,349 --> 00:34:11,782
IT'LL HAVE TO HAPPEN IN,
WHAT, FIVE SECONDS?
922
00:34:11,784 --> 00:34:13,050
RAF: IF THAT.
SAM: PLUS HE'S ARMOURED.
923
00:34:13,052 --> 00:34:14,351
IT'S GOTTA TAKE
A PERFECT SHOT.
924
00:34:14,353 --> 00:34:16,686
RAF:
IT'S ALL WE GOT.
925
00:34:17,756 --> 00:34:19,356
LET'S DO IT.
SAM, YOU TAKE THE SHOT.
926
00:34:19,358 --> 00:34:20,791
ON MY CUE.
RAF?
927
00:34:20,793 --> 00:34:22,225
RAF: I'LL HARNESS UP.
ED: SPIKE?
928
00:34:22,227 --> 00:34:24,461
SPIKE:
OKAY, I'M ON THE MIC.
929
00:34:24,462 --> 00:34:26,696
ED:
I'LL STAY ON SIERRA.
I WILL FINISH IT IF I HAVE TO.
930
00:34:26,698 --> 00:34:28,732
PARKER:
AND I KNOW, I KNOW.
931
00:34:28,734 --> 00:34:30,634
I KNOW HOW IT GOES, BUDDY.
932
00:34:30,636 --> 00:34:32,369
YOU PUT ON A UNIFORM,
933
00:34:32,371 --> 00:34:34,571
AND ALL THE LABELS
GET REWRITTEN.
934
00:34:34,573 --> 00:34:36,840
"HEADSTRONG"
BECOMES "DEDICATED".
935
00:34:36,842 --> 00:34:38,675
AND "RECKLESS"
BECOMES "FEARLESS".
936
00:34:38,677 --> 00:34:40,844
AND ALL THE STUFF
THAT YOU FOUGHT INSIDE,
937
00:34:40,846 --> 00:34:44,081
ALL YOUR DEMONS...
NOW THEY'RE ASSETS.
938
00:34:44,083 --> 00:34:45,682
RIGHT?
THEY'RE YOUR ASSETS.
939
00:34:45,684 --> 00:34:48,118
THEY'RE THE THINGS
THAT KEEP YOU ALIVE.
940
00:34:48,120 --> 00:34:51,254
THEY'RE THE THINGS
THAT MAKE YOU GOOD.
941
00:34:51,256 --> 00:34:53,123
HOW DO YOU KNOW THAT?
942
00:34:53,125 --> 00:34:56,760
ONE... ONE COP TO ANOTHER,
BROTHER, THAT'S HOW.
943
00:34:56,762 --> 00:34:57,427
(PANTS)
944
00:35:08,774 --> 00:35:09,840
GIL:
NO.
945
00:35:09,842 --> 00:35:11,875
NICE TRY, PARKER,
YOU KNOW.
946
00:35:11,877 --> 00:35:13,477
I SEE THAT YOU'RE TRYING
TO CONNECT.
947
00:35:13,479 --> 00:35:15,679
BUT I'M NOT SOME METH-HEAD
WITH A KNIFE.
948
00:35:15,681 --> 00:35:16,764
YOU CAN'T FOOL ME!
949
00:35:16,765 --> 00:35:17,848
NO, THAT'S NOT WHAT
I'M TRYING TO DO.
950
00:35:17,850 --> 00:35:18,782
YES IT IS!
951
00:35:18,784 --> 00:35:20,884
IT'S GREG PARKER TO A TEE.
952
00:35:20,886 --> 00:35:22,619
SO SMUG HIS FEET
DON'T TOUCH THE GROUND
953
00:35:22,621 --> 00:35:23,820
UNTIL SOME NUTCASE
PICKS UP A GUN.
954
00:35:23,822 --> 00:35:25,122
SPIKE:
EARS ARE UP.
955
00:35:25,124 --> 00:35:26,340
GIL:
...BUT YOU KNOW WHAT?
956
00:35:26,341 --> 00:35:27,557
YOU'RE LEAVING OUT
THE MOST IMPORTANT THING.
957
00:35:27,559 --> 00:35:29,493
PLEASE, PLEASE TELL ME
WHAT THAT IS.
958
00:35:29,495 --> 00:35:31,728
YOU TOOK IT FROM ME!
959
00:35:32,164 --> 00:35:33,864
ALL OF IT!
960
00:35:33,866 --> 00:35:35,832
I ACED EVERY DRILL,
961
00:35:35,834 --> 00:35:37,334
BUT I WASN'T GOOD ENOUGH
FOR YOU
962
00:35:37,335 --> 00:35:38,835
BECAUSE SOME ROLE-PLAYING
EXERCISE
963
00:35:38,837 --> 00:35:40,904
DIDN'T GO THE WAY
YOU WANTED IT TO!
964
00:35:40,906 --> 00:35:43,373
YOU'VE BEEN GUNNING FOR ME
SINCE DAY ONE, PARKER.
965
00:35:43,375 --> 00:35:46,610
JUST LIKE TODAY.
DETERMINED TO SEE ME FAIL!
966
00:35:46,612 --> 00:35:48,145
SO I PUSH BACK.
967
00:35:48,147 --> 00:35:50,414
I TOLD MIRANDA.
YOU KNOW WHAT I SAID TO HER?
968
00:35:50,415 --> 00:35:52,682
I SAID, "HE'S TESTING ME.
HE'S TESTING MY RESOLVE."
969
00:35:52,684 --> 00:35:54,317
YOU KNOW WHAT I'M GONNA DO?
I'M GONNA WORK HARDER.
970
00:35:54,319 --> 00:35:57,154
I'M GONNA TRY AGAIN.
I'M GONNA SHOW HIM ALL.
971
00:35:57,156 --> 00:35:58,288
(BUCKLES CLANK)
972
00:35:59,158 --> 00:36:00,790
(RIFLE CLANKS)
973
00:36:00,792 --> 00:36:03,760
GIL:
BUT YOU KNOW WHAT
I DIDN'T COUNT ON?
974
00:36:03,762 --> 00:36:05,896
EVERYONE TAKING YOUR SIDE.
975
00:36:05,898 --> 00:36:08,498
MY SERGEANT, MY OWN PARTNER,
EVERYONE.
976
00:36:08,500 --> 00:36:11,668
YOU POISONED 'EM AGAINST ME.
977
00:36:11,670 --> 00:36:13,170
PARKER:
IT WAS MY FACE
ON THAT SETBACK.
978
00:36:13,172 --> 00:36:14,704
I GET THAT, GIL.
I GET THAT.
979
00:36:14,706 --> 00:36:18,308
YOU DON'T GET THE LAST WORD
THIS TIME.
980
00:36:18,310 --> 00:36:20,544
(GIL GRUNTS,
PARKER YELPS)
981
00:36:22,748 --> 00:36:24,748
I'VE GOT A TEENAGE SON.
982
00:36:25,317 --> 00:36:27,684
AND HE DID THE BRAVEST THING
I'D EVER SEEN -
983
00:36:27,686 --> 00:36:30,720
HE LET HIS DEADBEAT DAD
BACK INTO HIS LIFE.
984
00:36:30,722 --> 00:36:32,756
IT'S ALL I WANTED FOR YEARS,
985
00:36:32,758 --> 00:36:33,757
IT'S ALL I THOUGHT ABOUT.
986
00:36:33,759 --> 00:36:35,325
AND GUESS WHAT?
987
00:36:35,327 --> 00:36:36,560
NOW THAT IT'S HAPPENED,
988
00:36:36,562 --> 00:36:39,396
I WAKE UP AT NIGHT
AND I THINK,
989
00:36:39,398 --> 00:36:42,199
I SAY TO MYSELF,
I SHOULD PUSH HIM AWAY NOW.
990
00:36:42,201 --> 00:36:43,817
PUSH HIM AWAY NOW
991
00:36:43,818 --> 00:36:45,434
SO I DON'T DO IT BY ACCIDENT
DOWN THE ROAD.
992
00:36:45,437 --> 00:36:46,937
GIL:
STOP TALKING.
YOU'RE JUST GONNA SAY ANYTHING
993
00:36:46,939 --> 00:36:48,689
TO TRY AND GET OUTTA THIS.
994
00:36:48,690 --> 00:36:50,440
PARKER:
YOU THINK I'M GUNNING
FOR YOU?
995
00:36:50,442 --> 00:36:52,275
LET ME TELL YOU SOMETHING,
996
00:36:52,277 --> 00:36:54,744
I'VE GOT A WHOLE TEAM
DOWN THERE
997
00:36:54,746 --> 00:36:56,746
WHO DEPEND ON ME.
998
00:36:57,382 --> 00:36:59,916
YOU KNOW HOW I'VE REPAID
THEIR TRUST?
999
00:36:59,918 --> 00:37:01,885
I'VE KEPT SECRETS
FROM THEM,
1000
00:37:01,887 --> 00:37:03,520
I'VE LIED TO THEM,
1001
00:37:03,522 --> 00:37:06,389
I'VE BROKEN PROTOCOL.
THAT'S RIGHT.
1002
00:37:06,391 --> 00:37:07,891
THAT'S RIGHT.
LIVES AND CAREERS
1003
00:37:07,893 --> 00:37:09,693
AND RELATIONSHIPS...
1004
00:37:09,695 --> 00:37:10,994
THEY COULD ALL
GO DOWN THE TUBE,
1005
00:37:10,996 --> 00:37:13,146
AND THAT WOULD
ALL BE ON ME.
1006
00:37:13,147 --> 00:37:15,297
AND YOU KNOW...
AND YOU KNOW WHY I DO THAT?
1007
00:37:15,300 --> 00:37:18,501
BECAUSE I DON'T KNOW
ANY OTHER WAY!
1008
00:37:18,503 --> 00:37:19,903
IT'S THE BEST
I CAN FIGURE OUT!
1009
00:37:19,905 --> 00:37:21,938
NO, NO, NO...
YOU'RE TRYING TO TRICK ME.
1010
00:37:21,940 --> 00:37:23,623
YOU'RE TRYING
TO BUILD EMPATHY.
1011
00:37:23,624 --> 00:37:25,307
PARKER:
I'M NOT NEGOTIATING WITH YOU,
GIL!
1012
00:37:25,310 --> 00:37:27,744
I'M SAYING MY PIECE!
1013
00:37:27,746 --> 00:37:29,168
YOU THINK YOU KNOW ME.
1014
00:37:29,169 --> 00:37:30,591
YOU THINK I'M ONE KIND
OF THING,
1015
00:37:30,592 --> 00:37:32,014
WELL I'M NOT!
I'M SOMETHING ELSE.
1016
00:37:32,017 --> 00:37:34,951
I'M NOT AFTER YOU.
I DON'T EVEN KNOW YOU.
1017
00:37:34,953 --> 00:37:36,953
I'VE GOT ENOUGH GOING ON
IN MY LIFE
1018
00:37:36,955 --> 00:37:38,922
YOU'RE NOT PART OF IT,
BUDDY.
1019
00:37:38,924 --> 00:37:40,023
YOU MISREAD THIS,
YOU UNDERSTAND?
1020
00:37:40,025 --> 00:37:41,358
YOU'RE WRONG!
1021
00:37:43,428 --> 00:37:44,427
ON MY WORD.
1022
00:37:47,299 --> 00:37:48,498
PARKER:
BUT IF YOU LET GO
OF THIS ROPE,
1023
00:37:48,500 --> 00:37:49,966
YOU'LL BECOME THE THING
THAT YOU HATE.
1024
00:37:49,968 --> 00:37:52,369
YOU'LL BECOME THE THING
THAT YOU THINK I AM.
1025
00:37:52,371 --> 00:37:53,503
YOU GET THAT?
1026
00:37:53,972 --> 00:37:55,705
SO WHAT'S IT GONNA BE?
1027
00:37:55,707 --> 00:37:56,773
WHO ARE YOU?
1028
00:37:58,543 --> 00:38:00,610
'CAUSE I'M DONE TALKING.
1029
00:38:03,682 --> 00:38:04,481
ON THREE.
1030
00:38:09,054 --> 00:38:10,320
ONE...
1031
00:38:11,623 --> 00:38:12,689
TWO...
1032
00:38:14,493 --> 00:38:15,959
HOLD! HOLD!
1033
00:38:18,363 --> 00:38:19,029
(PANTS)
1034
00:38:22,334 --> 00:38:23,700
MIRANDA WAS RIGHT.
1035
00:38:25,537 --> 00:38:27,304
PARKER: GIL...
GIL: PARKER, YOU'RE RIGHT.
1036
00:38:27,306 --> 00:38:28,772
PARKER:
NO!
1037
00:38:28,774 --> 00:38:30,540
GIL, PLEASE DON'T.
JUST STAY HERE WITH ME.
1038
00:38:30,542 --> 00:38:32,642
NO, I SEE IT NOW.
IT'S OKAY.
1039
00:38:32,644 --> 00:38:34,311
PARKER:
NO, YOU MADE A GOOD CHOICE,
GIL.
1040
00:38:34,313 --> 00:38:36,680
YOU JUST FOCUS ON THAT, BUDDY.
1041
00:38:36,682 --> 00:38:38,682
YOU JUST FOCUS THAT.
1042
00:38:38,684 --> 00:38:40,083
INTROSPECTION...
1043
00:38:42,988 --> 00:38:45,055
PARKER:
NO, NO, THERE'S A WAY
THROUGH THIS.
1044
00:38:45,057 --> 00:38:46,489
YOU GOTTA BUILD
FROM THIS MOMENT.
1045
00:38:46,491 --> 00:38:49,459
YOU GOTTA MOVE FORWARD
FROM HERE.
1046
00:38:49,461 --> 00:38:51,961
YOU WORK THOUGH IT FROM HERE.
YOU'RE A GOOD MAN!
1047
00:38:51,963 --> 00:38:55,332
(PARKER'S VOICE ECHOES)
HERE... GOOD MAN...
1048
00:38:55,334 --> 00:38:58,468
YOU'RE A GOOD MAN...
...A GOOD MAN...
1049
00:39:16,655 --> 00:39:18,655
(SOMBER MUSIC PLAYS)
1050
00:39:18,657 --> 00:39:19,656
MUSIC
1051
00:39:33,672 --> 00:39:34,671
MUSIC
1052
00:39:52,391 --> 00:39:53,923
SPIKE?
TALK TO WINNIE?
1053
00:39:53,925 --> 00:39:56,159
WHAT'S IN YOUR HAND?
1054
00:39:57,095 --> 00:39:59,162
IT'S THE AUDIO DRIVE.
1055
00:39:59,164 --> 00:40:00,630
GOTTA GET RID OF IT.
1056
00:40:00,631 --> 00:40:02,097
ED, WHAT BOSS SAID UP THERE
HAS NO BEARING ON THE CASE.
1057
00:40:02,100 --> 00:40:03,867
(R IT'S NOT OUR CALL.
(L HE WAS TORN WIDE OPEN.
1058
00:40:03,869 --> 00:40:05,986
HE WAS FIGHTING
FOR HIS LIFE.
1059
00:40:05,987 --> 00:40:08,104
THERE'S NO REASON WHY
EVERYBODY'S HEAR THAT.
1060
00:40:08,106 --> 00:40:11,174
IT COULD COST HIM HIS JOB,
ED.
1061
00:40:12,978 --> 00:40:13,777
I HEAR YA.
1062
00:40:13,779 --> 00:40:15,612
PARKER:
SPIKE.
1063
00:40:15,614 --> 00:40:16,897
GIVE IT TO ME, SPIKE.
1064
00:40:16,898 --> 00:40:18,181
BOSS, NO ONE NEEDS TO KNOW
WE USED THE PARABOLIC.
1065
00:40:18,183 --> 00:40:19,883
IT DOESN'T AFFECT
THE INVESTIGATION IN ANY WAY.
1066
00:40:19,885 --> 00:40:22,419
IT ALL GOES IN.
EVERY WORD.
1067
00:40:25,524 --> 00:40:26,923
NO MORE SECRETS.
1068
00:40:31,696 --> 00:40:33,830
HOW YOU HOLDING UP?
1069
00:40:35,534 --> 00:40:36,199
I KILLED HIM, EDDIE.
1070
00:40:36,201 --> 00:40:37,534
GREG, HE WAS UNWELL.
1071
00:40:37,536 --> 00:40:39,169
HE KILLED HIMSELF.
1072
00:40:39,171 --> 00:40:41,171
HE WAS SPLITTING.
1073
00:40:41,973 --> 00:40:43,206
HE SET OUT
TO SLAY THE MONSTER.
1074
00:40:43,208 --> 00:40:44,908
AND I CONVINCED HIM
HE WAS IT.
1075
00:40:44,910 --> 00:40:47,110
GREG, HE WAS TRYING
TO KILL YOU.
1076
00:40:47,112 --> 00:40:48,545
HE WAS TRYING TO KILL YOU.
1077
00:40:48,547 --> 00:40:50,146
YOU DID WHAT YOU HAD TO DO
HERE, BUDDY.
1078
00:40:50,148 --> 00:40:51,915
YOU DID WHAT YOU HAD TO DO.
1079
00:40:51,917 --> 00:40:53,483
I GOT ANGRY.
1080
00:40:54,019 --> 00:40:57,153
I GOT ANGRY
AND I LOST CONTROL.
1081
00:41:04,529 --> 00:41:08,164
PARKER:
WHY YOU WANT TO BE IN SRU?
1082
00:41:08,166 --> 00:41:09,966
THIS ONE'S EASY.
HEH.
1083
00:41:10,902 --> 00:41:11,568
UM...
1084
00:41:13,138 --> 00:41:14,971
YOU KNOW HOW
WHEN YOU'RE OUT ON PATROL
1085
00:41:14,972 --> 00:41:16,805
YOU MEET A LOT OF PEOPLE
BUT YOU, YOU LOOK...
1086
00:41:16,808 --> 00:41:18,541
RAF:
UM, JUST GOT WORD
FROM THE HOSPITAL.
1087
00:41:18,543 --> 00:41:21,878
THE HOSTAGE, ROGER,
HE'S GONNA BE OKAY.
1088
00:41:27,152 --> 00:41:29,552
UH, I'VE BEEN THINKING
ABOUT THIS MORNING.
1089
00:41:29,554 --> 00:41:31,020
THE EXERCISE.
1090
00:41:31,022 --> 00:41:33,156
I THINK I KNOW THE SOLUTION.
1091
00:41:33,158 --> 00:41:33,723
GO ON.
1092
00:41:35,260 --> 00:41:37,060
THERE IS NO SOLUTION.
1093
00:41:37,963 --> 00:41:39,929
THE FAILURE, IT'S...
1094
00:41:39,931 --> 00:41:42,165
IT'S BUILT IN, YOU KNOW.
1095
00:41:42,167 --> 00:41:43,700
AND IT AIN'T EVEN ABOUT
BEATING THE DRILL,
1096
00:41:43,702 --> 00:41:46,102
IT'S NOT THAT,
IT'S ABOUT...
1097
00:41:46,838 --> 00:41:50,974
IT'S ABOUT LEARNING TO LIVE
WITH THE CHOICES YOU'VE MADE.
1098
00:41:50,976 --> 00:41:52,108
MY MAN.
1099
00:41:56,982 --> 00:41:59,215
BOSS, I WANT YOU TO KNOW
THAT I AM HONORED
1100
00:41:59,217 --> 00:42:01,117
TO BE LEARNING THIS JOB
FROM THE BEST.
1101
00:42:01,119 --> 00:42:03,219
GIL:
SO, UH... I DON'T KNOW,
1102
00:42:03,221 --> 00:42:05,755
YOU TAKE ALL THE THINGS THAT
I LOVE ABOUT BEING A BEAT COP
1103
00:42:05,757 --> 00:42:08,258
AND ALL THE THINGS
THAT I'M GOOD AT,
1104
00:42:08,259 --> 00:42:10,760
AND YOU MULTIPLY THAT BY 10
AND THAT'S...
1105
00:42:10,762 --> 00:42:12,161
IT'S SRU FOR ME.
1106
00:42:13,899 --> 00:42:15,765
SO, I MEAN,
I DON'T WANNA BE GREEDY,
1107
00:42:15,767 --> 00:42:19,569
BUT YOU KNOW IT FEELS
THIS RIGHT TO BE A COP.
1108
00:42:20,005 --> 00:42:21,604
(PAPERS FLITTER)
1109
00:42:41,092 --> 00:42:46,095
PARKER:
STAY TUNED FOR SCENES
FROM OUR NEXT EPISODE.