TERESA: Previously on "Queen of the South."
TERESA: Tony's video game. ALONZO: It's a tracking device.
That must be how they found you.
It was a gift from James.
-The last time we met-- -You tried to kill me.
If I really wanted to kill you,
you'd be dead. You know that.
How does Teresa get in contact with El Santo?
I don't know.
No, Teresa! No, no, no, no, no, no, no, no!
[dramatic music]
[speaking Spanish]
[chanting in Spanish]
[shouting in Spanish]
[speaking Spanish]
EL SANTO: Do I detect a darkness in you?
[bomb whistling and exploding]
♪
We have a rat. Someone gave up El Santo.
They put a tracker in Guero's necklace and Devon Finch
used it to track me here.
POTE: You don't think... James?
♪
[Nieves Quintero y Su Conjunto Tripico's
"Vamonos P'al Campo"]
♪
[men singing in Spanish]
♪
You are too skinny, cabron. You need to eat the whole cow.
Ah, I'm good, Flaco. Look, I'm still eating.
CHARGER: Flaco, huh?
Now, Kelly Anne, tortillas, are they classed as carbohydrates?
Uh, no, I don't think so. I mean, technically.
Excuse me. To our fearless leader.
♪
Thank you for this.
Wouldn't miss it for the world.
We're just happy to have you back.
♪
ALL: Salut.
♪
[beeping]
Bolivia.
You do anything exciting like zip-lining
or visiting Lake Titicaca?
♪
What? I didn't name the la--
I didn't name the lake.
[beeping, electronic tone]
[speaking Spanish]
Where's Pote? Why's he taking so long?
He went to get more tequila.
JAMES: I told him there was one in the cellar.
I'll get it.
♪
KELLY ANNE: Hey, no, where are you going?
It's time to get this party lit.
-Did you get tequila? -Oh, you wanna go?
Here, Charger. She wants to dance.
Hey, no, no.
[all speaking simultaneously]
Whoo!
Oh, you...
[phone buzzes]
[indistinct chatter]
Hey, can we talk later?
I just want to find out more about what happened
with El Santo.
I told you everything.
And whoever went after him could come after us.
[upbeat latin-tinged music]
It was Bolivian military.
They can't get us here.
Yeah.
Well, I'm glad you're back home safe.
Me too.
♪
-Rum? -Where's the tequila, huh?
[speaking Spanish]
I'm not sharing that shit with you cabrones.
♪
-Okay. -Who wants a mojito?
Here.
I know you want one.
Hey, Teresa, can you help me with the mint?
[sighs]
Yeah.
-Tell me. -I swept the whole property.
I found this in James' room.
It's a bug.
♪
It's also a recorder.
JAMES: Only four people know about the Pedolla play.
Three of them are standing here.
TERESA: The sheriff works for us now.
POTE: You made a deal with the devil, Teresita.
There's more where that came from.
Weeks of it. He's been recording us.
He put a tracker on little Tony's Game Boy.
He could have done the same with Guero's medallion.
While you two were...
[dramatic music]
You know.
[speaking Spanish]
Devon Finch attacked you in Bolivia,
and we both know that James worked for him.
Open your eyes, Teresita.
Or someone will shut them for you.
♪
[somber music]
♪
[phone beeps] [line ringing]
Meet me at the address I texted you.
Are--are you there?
Hello? [beep beep beep]
Oh, shit.
[heavy breathing]
♪
[Piero's "Mi Viejo"]
♪
♪ Es un buén tipo mi viejo
♪
♪ Que anda solo y esperando
♪
♪ Tiene la tristeza larga
♪
♪ De tanto venir andando
♪
♪ Yo lo miro desde lejos
♪
♪ Pero somos tan distintos
♪
♪ Con tranvía ya vino
♪ Tinto
♪
IVAN: Basically what they did is cast a copy of the medal
inserting a tiny TTL device.
Now, TTL is tagging, tracking, and locating.
That's a defense department term.
POTE: It cannot be Guero's.
We scanned it right after he died.
So this is U.S. military?
Well, I can't say for sure.
But what I can tell you is this is some
incredibly high-tech shit.
I shut it down as soon as you gave it to me,
but you're not being tracked anymore.
TERESA: Somebody here planted that one on me.
Can we use this?
To track someone? Absolutely.
It'll take some time, the innards and such.
Do it.
Thank you.
If he still wants to talk, have him reach out.
I'll call you back.
Hey, look, I've been making some calls about trying to find
a new connect just in case.
El Santo wants to meet. He's here.
Where, Phoenix?
I'm meeting him later at the abandoned factory.
Near Taza's reservation.
Okay.
He told me to go alone.
Look, you know I'm here for you, right?
I know.
[speaking Spanish]
[tense music]
♪
[radio chatter in Spanish]
♪
[buzzing]
♪
[light mystical music]
♪
[upbeat latin-tinged music]
[upbeat music in Spanish]
♪
[applause]
[tense music]
[gunshots]
[somber chords fade]
You okay?
Fine.
You sure? 'Cause you kind of look like
you just found out someone ran over your dog.
[chuckles]
You want to talk about it?
No one said anything to me.
I just--woman's intuition.
Just sensed something happened between you and James.
It's been a rough couple of days.
I know.
But hey, you're not alone, okay?
I mean, you're like a sister to me.
I appreciate that. I really do.
I'm gonna rest a little bit.
[tense music]
♪
[gunshots]
[people screaming]
Augh!
Oof!
[gunshot]
EPIFANIO: [speaking Spanish]
[speaking Spanish]
[siren wailing]
[sirens wailing, closer]
[somber music]
♪
[knock at door]
[knocking continues]
I didn't think you were coming.
Nice to see you too.
Better late than never.
I had trouble getting across the Sinaloa border.
Yeah, Cortez is watching everything.
[speaking Spanish]
Well, we both know he's good at that, don't we?
[speaking Spanish]
Listen, Alonzo,
I didn't know what Cortez was doing.
And I was honest with you.
Can you say the same thing?
You're right.
I was the one holding out on you.
Go on.
Cortez was telling you the truth.
I had been reinstated to the DEA.
You were my target.
Then and now.
POTE: We don't even know if El Santo's still alive.
TERESA: I know.
We've waited two hours.
Nobody's coming.
POTE: James might have caught on to our plan.
[speaking Spanish]
TERESA: I thought you liked James.
I do.
Then?
You and I come from the same place, Teresita.
We follow the same rules.
James, he's different.
[speaking Spanish]
I mean, if it wasn't him,
then who the hell was it?
[phone buzzes]
It's Little T.
Let's go check on her.
[engine turning over]
DEVON: Up the offer a point, but that's it.
[phone buzzing] I have to take this.
Mr. Valdez, what a surprise.
JAMES: We need to talk.
What if I can help you get out of this?
[Camila chuckles]
Then you can have the rest of the tequila.
I can guarantee your safety if...
You work with me.
For the DEA?
I'm not a snitch.
Cortez is controlling your daughter.
With your help, we can bring him down,
get you both set up in witness protection.
So you can get a gold star from your boss
and a big, fat promotion?
You're not here to help me.
You're here because I'm the big fish.
And you're finally reeling me in.
[scoffs]
You don't have many options, Camila.
I could talk to the Colombians.
They'll help me get back on my feet.
There is no coming back from this.
Your days as "Camila Vargas" are done.
It's time to think about what's next.
[light mystical music]
♪
CAMILA: I bought this studio and made it safe house.
I used to train here as a dancer.
Dance was my safe place.
I was obsessed with it.
What happened?
Love.
You're right.
Maybe it's time.
I've got to speak with my counterpart,
work on getting you extracted from Mexico.
Give me a few hours?
You're making the right decision, Camila.
Am I?
[dark music]
♪
MAN: [speaking Spanish]
Hallelujah.
Life's not worth living without tacos.
You look better.
I was worried about you.
Don't worry about me.
I'm like a pinche gatita, got nine lives and shit.
Have I ever told you what a badass bitch you are?
Seriously, you're like Oprah.
I'll follow you wherever you go.
[speaking Spanish]
[laughs]
I have to say something.
And it's not gonna be pretty.
You've been nothing but good to me,
and you taught me so much, and--
and I really screwed up.
[tense music]
What I did could have put you guys in danger,
messed up your business.
Like, I just figured I'd come clean.
I appreciate that.
♪
I called my uncle.
I know I told you I'd cut him off for good,
but he's my family, you know?
TERESA It's okay.
Thank you for telling the truth.
But I'm--I'm still your ride-or-die.
[speaking Spanish]
[phone buzzes]
I have to take this.
[edgy chords]
Call me.
It's him.
Put it on speaker.
Hey.
I know about Devon and the leak.
And that you think it was me.
Meet me at the safe house. I can explain everything.
It could be a trap.
If I mean something to you,
you'll show up.
[heavy, tense music]
♪
[gun clicks]
[whispers indistinctly]
[tense music]
♪
I found the mole.
♪
Look, cash from the register,
product she didn't pay for,
and a burner phone.
We knew she was stealing,
but this doesn't make her guilty.
Oh, it's not what she took. It's the timing.
I called Devon to bait him,
told him I knew who the mole was.
We need to talk.
I know what's going on with you and El Santo.
I've never met the man.
Bullshit.
You found him through us,
and you're the reason he's dead.
James, there are two kinds of people in the world,
those that gives orders and those that take them.
You're a son of a bitch that just doesn't know his place.
You're the son of the bitch who's about to have
his rat killed and their carcass left on his doorstep.
Then I waited to see what would happen.
I didn't have to wait long.
She fled the winery.
Devon must have told her the game was up.
Are there any calls from Devon here?
I'm sure he told her to delete them.
And they put this in my room to frame me.
So it's your word against hers.
JAMES: Well, she hasn't confessed,
if that's what you're asking.
But that won't take me long.
I can't believe this.
But you had no problem suspecting me.
POTE: You want me to talk to her?
I will.
[whispers] I can explain.
Okay, this isn't what you think.
James is trying to save himself.
You have to believe me.
He's been lying to you, Teresa.
When he tried to seduce you, it was all part of his plan.
What plan?
He's been in bed with Devon this entire time.
James is the one lying to you, not me.
Think about it.
At the winery, Devon shows up looking for El Santo,
and all of a sudden, El Santo's dead.
And then--then you find a bug in James' room.
I mean, I know you have feelings for him,
but you can't let that cloud your judgment.
I never told you about the bug.
[sobbing]
TERESA: Tell me the truth.
All of it.
Teresa!
After the winery, he found me...alone.
Devon?
[door chimes]
Hey, Kelly Anne.
-No. -Hey, it's okay.
-I'm not gonna hurt you. -What do you want from me?
Your help getting closer to El Santo.
We found his factory, but we want him.
I already told you, I don't know where he is.
But Teresa does.
Your proximity to her puts her in an ideal situation
to acquire that information for us.
Us?
-So you're a cop? -No, not exactly.
And you want me to rat on her?
You can wine-board me all you want, man.
I'm not gonna help you.
My loyalty is to Teresa.
You know, El Santo...
is on a whole other level of criminal.
When he's done with Teresa, he will not only kill her,
he will throw her into a 55-gallon barrel of oil,
light it, and watch her sear to death.
You can help save Teresa's life.
I think you know what needs to be done.
Devon told me that El Santo was gonna kill you.
And I just wanted to protect you.
I know it sounds crazy.
That's when I started using,
and I--I tried to get out of all this
that night at the motel. I packed my stuff
-[knocking on door] -so I could run,
but they were always watching me.
Oh. [gasps]
[tense music]
♪
And he gave you the tracker.
Yeah.
Yeah, I made a copy,
and he told me switch it out.
I planted the bug in James' room too.
I've done things I'm not proud of.
And to you and to James and to Pote.
You called me your sister.
KELLY ANNE: [sobbing] You are.
You're family to me.
I love you. I do.
I trusted you.
[sobbing]
I don't trust anyone.
KELLY ANNE: I'm sorry, Teresa.
I'm so sorry.
You were right.
It's her.
She's the mole.
♪
Everyone makes mistakes.
But not everyone survives them.
How could I not see this coming?
Shit. Neither did I.
What would you do?
That's the decision for you to make.
[speaks Spanish]
Needs to go.
You let one in, it will eat you from the inside out.
[tense music]
♪
POTE: What's it gonna be?
♪
[upbeat classical music]
♪
[speaking Spanish]
♪
[speaking Spanish]
♪
[speaking Spanish]
♪
[rattling]
-Loya? -[door closes]
WOMAN: Hello?
♪
[speaking Spanish]
♪
Ahh!
Ahh! Ugh!
BOTH: [grunting]
Ahh!
♪
BOTH: [grunting]
[glass shattering]
No.
[speaking Spanish]
[dark, dramatic music]
♪
I'm not jefa anymore.
I'm just Camila.
[woman whimpers]
[soft, solemn music]
♪
KELLY ANNE: Pote, please don't judge me in my greatest sin.
I did some good stuff, you know.
Like, I--I sacrificed myself for you and Teresa.
Do not regret it at all.
Teresa collected us just like a pack of strays,
and I love her forever for that, and...
I know you-- I know you will too,
so please just take care of her for me.
Why?
I got this.
Go watch the road.
I got it.
[gasping]
Turn around.
[tense music]
♪
[gunshot] [thud]
♪
LIL T: Yo, I'm a free woman.
Doctor released me. Said I was good to go.
I'm glad to hear that.
LIL T: I'm ready to get back to work.
What's this? You need me to pay someone off?
Listen.
You're smart, hardworking.
Take that and go back to school.
LIL T: School? Is this about my uncle?
He said he'd leave us alone. He gave me his word.
-You can change your life. -I don't need school.
I'm working with you. I'm learning from the best.
I've done nothing but be down for you.
I almost died.
And you're trying to fire me?
I want what you have, power, money, respect.
I'm not gonna get that in a classroom.
You don't want to be like me.
Please take the money and go.
Now.
I can never see or hear from you again.
You understand that?
[engine turning over]
Where are you?
[upbeat Latin-tinged music]
I told you.
I'm not a snitch.
Come back, and we can talk.
We'll think of a plan together.
It's too late for that.
You're in a dangerous situation,
and I don't want you to get hurt, Camila.
Look, I just want to help any way that I can.
I know what that badge means to you.
I don't want you to lose it again.
So I appreciate the offer,
but this is something I have to do on my own terms.
You know you can't run forever.
I know.
I have someone that's gonna help me get out of Mexico.
I'll make it past Cortez.
And, my friend, you were right.
It's time for me to take a new path.
Yeah, well, if you ever change your mind,
you know where to find me.
Good luck, Camila.
If there's anything I've learned,
it's that there is no such thing as luck.
Good-bye, Alonzo.
TERESA: James.
JAMES: You should have come to me first.
I put myself out there for you time and time again.
And this is what I get.
I'm sorry.
You deserve better.
[emotional music]
♪
It's been a long day.
I need a break.
-Does she know? -No.
I need to hear more before I agree to anything.
I'll be in Phoenix shortly.
Good.
Call me when you get here.
I'll handle things with Teresa.
[tense music]
♪
Captioned by CaptionMax