1
00:00:01,368 --> 00:00:02,067
MEET YOU.
I'M LOU.

2
00:00:02,069 --> 00:00:03,835
HEY.

3
00:00:03,838 --> 00:00:04,936
TY:
I'M THINKING ABOUT WORKING
AT BRIAR RIDGE.

4
00:00:05,005 --> 00:00:05,938
WELL, THAT'S A BIG DECISION,
TY.

5
00:00:06,006 --> 00:00:07,506
YOU MIGHT WANT TO THINK
ABOUT THAT.

6
00:00:07,574 --> 00:00:08,874
THE SOONER YOU GET
OUT OF HERE,

7
00:00:08,942 --> 00:00:10,209
<i> THE BETTER.</i>

8
00:00:10,277 --> 00:00:12,010
LOU SAID I SHOULD STOP
TREATING YOU LIKE A CHILD.

9
00:00:12,013 --> 00:00:13,311
HE'S MY FATHER.

10
00:00:13,314 --> 00:00:17,049
I'VE GOT A RIGHT
TO MAKE UP MY OWN MIND.

11
00:00:17,117 --> 00:00:18,316
<i> AMY!</i>

12
00:00:18,319 --> 00:00:20,953
AMY, WAIT!

13
00:00:21,021 --> 00:00:24,156
I'D SAY THE HORSE
IS DRUGGED.

14
00:00:24,224 --> 00:00:25,457
OLDEST TRICK
IN THE BOOK:

15
00:00:25,459 --> 00:00:27,392
<i> GET A ROGUE HORSE,</i>
<i> SEDATE HIM,</i>

16
00:00:27,461 --> 00:00:38,970
<i> MAKE IT LOOK LIKE</i>
<i> YOU'VE WORKED A MIRACLE.</i>

17
00:00:39,039 --> 00:00:42,474
(CAR DOOR SLAMS SHUT)

18
00:00:42,476 --> 00:00:43,408
AMY:
(ANNOYED SIGH)
PERFECT.

19
00:00:43,477 --> 00:00:49,581
ASHLEY'S HERE.

20
00:00:49,650 --> 00:00:56,888
<i> (TV PLAYS QUIETLY</i>
<i> IN THE RESTAURANT)</i>

21
00:00:56,891 --> 00:00:59,825
WHICH ONE'S THE HORSE?

22
00:00:59,827 --> 00:01:00,826
<i> BRITTANY:</i>
<i> LOOK AT THE JACKET.</i>

23
00:01:00,894 --> 00:01:03,595
CARDINAL IS SO '80S.

24
00:01:03,663 --> 00:01:05,397
<i> ASHLEY:</i>
<i> THAT HORSE IS WORTH</i>
<i> SO MUCH MONEY.</i>

25
00:01:05,465 --> 00:01:08,767
IT IS A COMPLETE WASTE
FOR HER TO RIDE HIM.

26
00:01:08,769 --> 00:01:12,771
WHAT?

27
00:01:12,773 --> 00:01:13,772
<i> TY:</i>
<i> YOU GUYS JUST...</i>

28
00:01:13,840 --> 00:01:15,974
JUST...?

29
00:01:16,042 --> 00:01:16,575
TY:
YOU DON'T GET IT.

30
00:01:16,643 --> 00:01:18,477
GET WHAT?

31
00:01:18,545 --> 00:01:19,711
<i> TY:</i>
<i> NOTHING, OKAY?</i>

32
00:01:19,713 --> 00:01:20,979
<i> MAGGIE:</i>
<i> YOUR ORDER'S READY, LOU.</i>

33
00:01:21,047 --> 00:01:22,214
I'LL GET ONE OF THE BOYS
TO TAKE IT OUT.

34
00:01:22,282 --> 00:01:24,649
COFFEE?

35
00:01:24,652 --> 00:01:26,785
OH, I ORDERED IN SOME OF THAT
SPECIAL CAPPUCCINO MIX FOR YOU.

36
00:01:26,787 --> 00:01:30,522
UH, GREEN TEA, PLEASE.

37
00:01:30,591 --> 00:01:32,858
THEY'RE MAKING ME CRAZY.

38
00:01:32,926 --> 00:01:34,459
THEY'VE BEEN SITTING THERE
FOR OVER AN HOUR

39
00:01:34,462 --> 00:01:36,061
<i> AND ALL THEY'VE ORDERED</i>
<i> IS A BOTTLE OF WATER.</i>

40
00:01:36,097 --> 00:01:40,866
(ANNOYED SIGH)

41
00:01:40,934 --> 00:01:42,033
<i> SORAYA:</i>
<i> YOU AND TY NEED TO TALK.</i>

42
00:01:42,102 --> 00:01:43,735
WHY?

43
00:01:43,803 --> 00:01:44,970
<i> HE'S THE ONE WHO LEFT.</i>

44
00:01:45,038 --> 00:01:48,006
<i> SORAYA:</i>
<i> COME ON, AMY.</i>

45
00:01:48,075 --> 00:01:50,408
WHAT TIME
DO YOU GET OFF?

46
00:01:50,477 --> 00:01:51,209
SORAYA:
(ASKING HOPEFULLY)
IN AN HOUR?

47
00:01:51,278 --> 00:01:54,079
MAGGIE:
(CHUCKLES)

48
00:01:54,081 --> 00:01:54,613
AMY:
YOU WANT TO GO FOR A RIDE?

49
00:01:54,681 --> 00:01:56,648
ABSOLUTELY.

50
00:01:56,716 --> 00:01:59,951
BUT I STILL THINK
YOU SHOULD TALK TO HIM.

51
00:01:59,954 --> 00:02:01,319
(GASPS)

52
00:02:01,388 --> 00:02:02,954
<i> VAL:</i>
<i> WANT THE PERFECT PONY?</i>

53
00:02:02,957 --> 00:02:05,791
ONE THAT WILL WIN LOTS
OF RIBBONS?

54
00:02:05,859 --> 00:02:08,260
<i> VAL:</i>
<i>OUR RECORD OF PRODUCING WINNERS</i>
<i> SPEAKS FOR ITSELF.</i>

55
00:02:08,328 --> 00:02:10,229
<i> IF YOU'VE EVER WANTED</i>
<i> THE PERFECT PONY</i>

56
00:02:10,297 --> 00:02:11,963
<i> TRAINED BY THE WORLD'S</i>
<i> TOP PROFESSIONALS...</i>

57
00:02:11,966 --> 00:02:13,665
<i> JADE:</i>
<i> OH MY GOD, ASHLEY!</i>

58
00:02:13,733 --> 00:02:15,400
YOU LOOK LIKE
SO INCREDIBLE.

59
00:02:15,468 --> 00:02:19,371
ASHLEY:
I KNOW, RIGHT?

60
00:02:19,439 --> 00:02:20,372
<i> VAL:</i>
<i> COME TO US.</i>

61
00:02:20,374 --> 00:02:22,040
JOIN THE WINNER'S CIRCLE.

62
00:02:22,108 --> 00:02:24,176
<i> BRIAR RIDGE:</i>

63
00:02:24,244 --> 00:02:27,145
<i> WHERE YOUR DREAMS BECOME</i>
<i> A BEAUTIFUL REALITY.</i>

64
00:02:27,148 --> 00:02:36,688
GIRLS:
(SQUEAL EXCITEDLY)

65
00:02:36,756 --> 00:02:44,696
♪♪

66
00:02:44,764 --> 00:02:52,370
♪♪

67
00:02:52,439 --> 00:02:54,706
♪ And at the break of day ♪

68
00:02:54,774 --> 00:02:59,277
♪ You sink into your dreams ♪

69
00:02:59,346 --> 00:03:00,879
♪ You dreamer ♪

70
00:03:00,948 --> 00:03:03,348
♪ Oh, oh, oh, oh... ♪

71
00:03:03,350 --> 00:03:07,552
♪ You dreamer ♪

72
00:03:07,621 --> 00:03:12,758
♪ You dreamer ♪

73
00:03:12,826 --> 00:03:22,133
♪♪

74
00:03:22,202 --> 00:03:23,568
SORAYA:
SHE WANTS TO MAKE A VIDEO?

75
00:03:23,637 --> 00:03:25,670
AMY:
YEAH.

76
00:03:25,739 --> 00:03:28,406
IT'S HER LATEST THING.
SHE'S TOTALLY OBSESSED.

77
00:03:28,409 --> 00:03:29,307
I THINK IT'S GONNA
BE COOL.

78
00:03:29,376 --> 00:03:30,008
ARE YOU GONNA BE
IN IT?

79
00:03:30,076 --> 00:03:32,177
NO WAY.

80
00:03:32,245 --> 00:03:34,112
I'M STAYING AS FAR AWAY
FROM LOU AS POSSIBLE.

81
00:03:34,180 --> 00:03:35,747
IT'S GONNA BE A NIGHTMARE.

82
00:03:35,815 --> 00:03:37,916
I THINK YOU'RE OVERREACTING.
I THINK IT WILL BE AWESOME.

83
00:03:37,984 --> 00:03:39,251
AH, YOU DON'T KNOW MY SISTER.

84
00:03:39,319 --> 00:03:41,920
TRUST ME - NIGHTMARE.

85
00:03:41,989 --> 00:03:44,656
PASS THAT BY ME AGAIN.
YOU WANT TO DO A WHAT?

86
00:03:44,725 --> 00:03:47,192
A PROMOTIONAL VIDEO.

87
00:03:47,260 --> 00:03:49,595
A KIND OF DAY-IN-THE-LIFE
VIRTUAL TOUR OF HEARTLAND.

88
00:03:49,663 --> 00:03:50,895
NO, LOU...

89
00:03:50,964 --> 00:03:52,598
CARL HAS A FRIEND
WHO DIRECTS COMMERCIALS.

90
00:03:52,666 --> 00:03:53,532
HE'S ALREADY
TALKED TO HIM

91
00:03:53,600 --> 00:03:54,399
AND HE'S GONNA
GET BACK TO ME.

92
00:03:54,468 --> 00:03:56,401
LOU, SLOW DOWN.

93
00:03:56,403 --> 00:03:57,636
I'VE GOT WORK COMING
OUT MY EARS.

94
00:03:57,704 --> 00:03:58,937
TY'S GONE.

95
00:03:59,005 --> 00:04:00,172
BEN'S NOT PULLING
HIS WEIGHT.

96
00:04:00,240 --> 00:04:01,439
GRANDPA,
REMEMBER HOW SUCCESSFUL

97
00:04:01,508 --> 00:04:02,941
THE OPEN HOUSE WAS?

98
00:04:03,010 --> 00:04:04,309
THIS IS GONNA BE
EVEN BIGGER!

99
00:04:04,377 --> 00:04:06,211
THAT'S WHAT I'M AFRAID OF.

100
00:04:06,213 --> 00:04:08,079
(CELL PHONE RINGS)
BELIEVE ME,
IT'LL BE AMAZING.

101
00:04:08,148 --> 00:04:09,814
BESIDES,
WE NEED THIS EXPOSURE.

102
00:04:09,817 --> 00:04:11,549
I NEED SOME FRESH AIR.

103
00:04:11,552 --> 00:04:12,551
WAIT!

104
00:04:12,619 --> 00:04:15,220
HELLO, HEARTLAND RANCH?

105
00:04:15,222 --> 00:04:17,422
DYLAN CARVER,
THANKS FOR GETTING BACK TO ME.

106
00:04:17,424 --> 00:04:19,457
(MOUTHING)
IT'S THE DIRECTOR.

107
00:04:19,526 --> 00:04:21,293
YEAH.

108
00:04:21,361 --> 00:04:22,261
YOU'RE SHOOTING IN BANFF?
THAT'S GREAT.

109
00:04:22,630 --> 00:04:25,063
IT'S ONLY ABOUT
AN HOUR AWAY.

110
00:04:25,131 --> 00:04:27,432
YEAH, I'LL EMAIL YOU A MAP.
NO PROBLEM.

111
00:04:27,501 --> 00:04:29,434
GREAT.

112
00:04:29,503 --> 00:04:31,102
SEE YOU THEN.
BYE!

113
00:04:31,105 --> 00:04:32,771
GRANDPA?!
(CELL PHONE RINGS)

114
00:04:32,839 --> 00:04:34,873
HELLO?

115
00:04:34,941 --> 00:04:36,641
HI, MR. STRICKLAND.

116
00:04:36,710 --> 00:04:38,043
YEAH, THANKS FOR INCLUDING ME
IN THE CONFERENCE CALL

117
00:04:38,045 --> 00:04:41,112
ON THE ADAM'S ACCOUNT.

118
00:04:41,181 --> 00:04:47,252
YEAH, SURE,
I'VE GOT A MINUTE.

119
00:04:47,320 --> 00:04:50,922
I SEE.

120
00:04:50,924 --> 00:04:52,891
HEY, UH...

121
00:04:52,959 --> 00:04:53,692
SORAYA, RIGHT?

122
00:04:53,760 --> 00:04:54,593
YEAH, HI.

123
00:04:54,661 --> 00:04:56,361
HEY, I'M BEN.

124
00:04:56,430 --> 00:04:57,729
I KNOW.
I'VE HEARD A LOT ABOUT YOU.

125
00:04:57,798 --> 00:04:59,664
OH YEAH?

126
00:04:59,733 --> 00:05:02,200
YEAH,
I BET YOU HAVE.

127
00:05:02,202 --> 00:05:07,639
SEE YA.

128
00:05:07,708 --> 00:05:08,707
NOT A GOOD IDEA.

129
00:05:08,709 --> 00:05:10,809
WHY?

130
00:05:10,811 --> 00:05:11,710
HE'S ALREADY INVOLVED.

131
00:05:11,778 --> 00:05:13,511
WITH WHO?

132
00:05:13,514 --> 00:05:14,512
AMY:
WITH HIS HORSE.

133
00:05:14,581 --> 00:05:15,947
OH, YEAH, AND HIMSELF.

134
00:05:16,015 --> 00:05:18,850
(CELL PHONE RINGS)

135
00:05:18,918 --> 00:05:20,018
HELLO?

136
00:05:20,086 --> 00:05:22,154
HEY, SCOTT.

137
00:05:22,222 --> 00:05:24,022
YEAH.

138
00:05:24,024 --> 00:05:26,424
OKAY, SURE.
BRING HIM OVER.

139
00:05:26,493 --> 00:05:29,160
THAT'S GREAT.
OKAY, BYE BYE.

140
00:05:29,229 --> 00:05:31,663
SO WHAT'S THE STORY
ON BEN?

141
00:05:31,731 --> 00:05:32,464
I MEAN NO ONE
THAT GOOD-LOOKING

142
00:05:32,532 --> 00:05:34,432
CAN BE ALL BAD.

143
00:05:34,435 --> 00:05:35,166
LET'S JUST SAY
HE'S THE REASON

144
00:05:35,235 --> 00:05:37,569
WHY TY LEFT.

145
00:05:37,637 --> 00:05:42,641
COME ON.

146
00:05:42,709 --> 00:05:47,579
(HORSE HOOVES CLOP)

147
00:05:47,647 --> 00:05:54,519
<i> (HORSE WHINNIES)</i>

148
00:05:54,521 --> 00:05:56,922
HEY.

149
00:05:56,990 --> 00:05:58,590
HOW'RE THINGS GOIN'?

150
00:05:58,658 --> 00:06:00,925
OH, CAN'T COMPLAIN.

151
00:06:00,928 --> 00:06:02,761
THREE MEALS A DAY
AND MY OWN ROOM.

152
00:06:02,829 --> 00:06:04,396
TV WITH LIKE
A MILLION CHANNELS.

153
00:06:04,464 --> 00:06:06,264
NICE.

154
00:06:06,332 --> 00:06:07,332
SO YOU'RE STAYING ON?

155
00:06:07,334 --> 00:06:09,667
NO REASON NOT TO.

156
00:06:09,670 --> 00:06:10,402
<i> (HORSE WHINNIES)</i>

157
00:06:10,404 --> 00:06:13,071
WELL, THEN UH...

158
00:06:13,140 --> 00:06:14,506
THEN I HATE
TO BRING IT UP,

159
00:06:14,574 --> 00:06:18,510
BUT I'M STILL
YOUR OFFICIAL SPONSOR.

160
00:06:18,578 --> 00:06:20,145
SINCE YOU'RE WORKIN'
HERE NOW,

161
00:06:20,147 --> 00:06:23,415
VAL HAS TO SIGN FOR YOU.

162
00:06:23,483 --> 00:06:24,749
SHE'LL NEED TO DO
THE PAPER WORK.

163
00:06:24,818 --> 00:06:27,552
OH.

164
00:06:27,621 --> 00:06:28,953
OKAY.

165
00:06:29,022 --> 00:06:32,824
I UH...

166
00:06:32,893 --> 00:06:35,693
WELL, I DIDN'T BRING
ANYTHING WITH ME.

167
00:06:35,696 --> 00:06:38,029
YEAH, I THOUGHT
I'D FEEL YOU OUT A BIT

168
00:06:38,098 --> 00:06:43,301
BEFORE I MADE THE CHANGES.

169
00:06:43,369 --> 00:06:46,237
OKAY.

170
00:06:46,306 --> 00:06:49,908
JACK, UH...

171
00:06:49,976 --> 00:06:52,677
IT WASN'T BECAUSE OF YOU
THAT I LEFT HEARTLAND.

172
00:06:52,746 --> 00:06:55,847
I'M SURE YOU GOT
YOUR REASONS.

173
00:06:55,915 --> 00:07:00,118
<i> I'LL BRING THOSE</i>
<i> PAPERS BY LATER.</i>

174
00:07:00,120 --> 00:07:02,320
SEE YA.

175
00:07:02,389 --> 00:07:10,595
YEAH,
I'LL SEE YOU LATER.

176
00:07:10,663 --> 00:07:12,597
ASHLEY:
AWWW...

177
00:07:12,666 --> 00:07:16,901
DO THEY MISS YOU
AT THE POVERTY BARN?

178
00:07:16,904 --> 00:07:18,436
IS APOLLO READY?

179
00:07:18,439 --> 00:07:20,638
NO, I'VE BEEN BUSY.

180
00:07:20,641 --> 00:07:22,373
I ASKED YOU TO SADDLE HIM UP
AN HOUR AGO.

181
00:07:22,442 --> 00:07:25,210
JUST DO IT,

182
00:07:25,278 --> 00:07:32,817
OR I'LL HAVE TO FIRE
YOUR CUTE ASS.

183
00:07:32,886 --> 00:07:33,985
<i> MARNIE:</i>
<i> I THINK IT'S A GREAT IDEA.</i>
<i> GO FOR IT.</i>

184
00:07:34,053 --> 00:07:35,153
THANK YOU.

185
00:07:35,221 --> 00:07:37,088
I GET NO SUPPORT
FROM MY FAMILY.

186
00:07:37,156 --> 00:07:39,824
IT'S LIKE PULLING TEETH
WITH MY GRANDPA.

187
00:07:39,893 --> 00:07:41,893
I JUST HAD
THE BEST IDEA.

188
00:07:41,962 --> 00:07:45,430
MY JERRY COULD SHOOT IT
FOR YOU.

189
00:07:45,466 --> 00:07:47,198
BUT HE MUST BE SO BUSY

190
00:07:47,267 --> 00:07:48,132
WITH THE SUMMER
WEDDING SEASON.

191
00:07:48,201 --> 00:07:49,534
I MEAN,
ALL THOSE VIDEOS AND...

192
00:07:49,602 --> 00:07:51,770
OH YEAH, HE'S BUSY,

193
00:07:51,838 --> 00:07:54,772
BUT I KNOW HE'D LOVE
TO HELP YOU OUT.

194
00:07:54,775 --> 00:07:56,875
THAT IS SO SWEET,
BUT ACTUALLY,

195
00:07:56,943 --> 00:07:58,043
I HAVE A REAL DIRECTOR
INTERESTED.

196
00:07:58,111 --> 00:08:02,013
THIS GUY CARL KNOWS.

197
00:08:02,015 --> 00:08:03,181
BY "REAL DIRECTOR"

198
00:08:03,249 --> 00:08:05,850
I MEAN HE MAKES
BIG COMMERCIALS

199
00:08:05,919 --> 00:08:08,353
FOR LIKE MAJOR COMPANIES,
YOU KNOW?

200
00:08:08,421 --> 00:08:10,522
LIKE THAT'S WHAT HE DOES.

201
00:08:10,590 --> 00:08:12,790
OH, WELL...

202
00:08:12,793 --> 00:08:15,727
WELL, THAT'S GOOD THEN.

203
00:08:15,795 --> 00:08:16,694
THAT'S GREAT.

204
00:08:16,763 --> 00:08:18,063
I HOPE SO.

205
00:08:18,131 --> 00:08:19,797
HE'S COMING BY TOMORROW.

206
00:08:19,866 --> 00:08:22,033
I REALLY NEED THIS TO WORK.

207
00:08:22,101 --> 00:08:25,937
(HORSE WHINNIES)

208
00:08:26,005 --> 00:08:29,307
(HORSE CLOPS AROUND CORRAL)

209
00:08:29,309 --> 00:08:30,809
SCOTT:
BURT OPAUSKY FOUND HIM
IN HIS FIELD.

210
00:08:30,877 --> 00:08:33,077
NO IDEA WHERE HE CAME FROM.

211
00:08:33,080 --> 00:08:34,712
AMY:
HE LOOKS PRETTY WILD.

212
00:08:34,781 --> 00:08:36,314
SCOTT:
HE'S WILD ALL RIGHT.

213
00:08:36,383 --> 00:08:37,616
HE'S NEVER BEEN
RIDDEN BEFORE.

214
00:08:37,684 --> 00:08:40,084
NO PEOPLE SKILLS.

215
00:08:40,087 --> 00:08:41,085
BURT'LL PAY YOU
TO GENTLE HIM.

216
00:08:41,154 --> 00:08:42,487
INTERESTED?

217
00:08:42,523 --> 00:08:46,958
WELL, I CAN TRY.

218
00:08:47,026 --> 00:08:49,594
HMM.

219
00:08:49,662 --> 00:08:50,428
DOES HE HAVE A NAME?

220
00:08:50,497 --> 00:08:51,696
<i> SCOTT:</i>
<i> NO.</i>

221
00:08:51,765 --> 00:08:52,898
YOU CAN HAVE THE HONOURS.

222
00:08:52,966 --> 00:08:55,233
(HORSE SNUFFLES)

223
00:08:55,235 --> 00:08:56,701
AMY:
(CLICKING TEETH)

224
00:08:56,770 --> 00:08:58,770
(HORSE WHINNIES)

225
00:08:58,838 --> 00:09:00,805
<i> AMY:</i>
<i> HE'S PRETTY SHY.</i>

226
00:09:00,873 --> 00:09:03,108
HE THINK HE WAS SEPARATED
FROM HIS HERD.

227
00:09:03,176 --> 00:09:08,246
YOU'RE GONNA HAVE TO BE
HIS ALPHA HORSE.

228
00:09:08,314 --> 00:09:10,916
(HORSE SNORTS)

229
00:09:10,984 --> 00:09:13,251
AMY:
(CLICKING TEETH)

230
00:09:13,253 --> 00:09:14,853
<i> SCOTT:</i>
<i> GIVE HIM TIME.</i>
<i> HE'LL COME AROUND.</i>

231
00:09:14,921 --> 00:09:19,924
AMY:
(CLICKING TEETH)

232
00:09:19,927 --> 00:09:21,726
<i> SCOTT:</i>
<i> I SAW TY IN TOWN.</i>

233
00:09:21,795 --> 00:09:22,927
<i> HE SEEMED HAPPY ENOUGH.</i>

234
00:09:22,930 --> 00:09:23,928
(HORSE WHINNIES)

235
00:09:23,997 --> 00:09:25,730
GOOD FOR HIM.

236
00:09:25,798 --> 00:09:27,498
STUBBORN AS A MULE.

237
00:09:27,567 --> 00:09:33,571
(HORSE SNORTS)

238
00:09:33,574 --> 00:09:39,110
(TRUCK RUMBLES UP)

239
00:09:39,179 --> 00:09:40,812
SCOTT, JUST THE MAN
I WANTED TO SEE.

240
00:09:40,814 --> 00:09:42,480
THAT'S ALWAYS NICE TO HEAR.

241
00:09:42,549 --> 00:09:44,282
THAT DIRECTOR,
CARL'S FRIEND,

242
00:09:44,351 --> 00:09:45,884
HE'S COMING BY TOMORROW.

243
00:09:45,952 --> 00:09:47,018
SO IT'S TIME FOR
THE CLEAN UP TOUR.

244
00:09:47,086 --> 00:09:48,086
<i> AMY:</i>
<i> WELL...</i>

245
00:09:48,154 --> 00:09:49,287
I'VE GOT A PAYING CUSTOMER,

246
00:09:49,289 --> 00:09:50,021
SO THE TOUR WILL HAVE TO LEAVE
WITHOUT ME.

247
00:09:50,089 --> 00:09:51,889
GREAT. FINE.

248
00:09:51,892 --> 00:09:53,891
ARE YOU BUSY?

249
00:09:53,894 --> 00:09:55,226
I WAS GOING TO TAKE
THE AFTERNOON OFF, BUT-

250
00:09:55,294 --> 00:09:57,028
I COULD USE A HAND.
PLEASE?

251
00:09:57,097 --> 00:10:00,164
RUN. RUN WHILE YOU CAN.

252
00:10:00,233 --> 00:10:01,299
I GUESS I COULD STAY
A LITTLE BIT.

253
00:10:01,368 --> 00:10:04,202
EXCELLENT.
THESE GO IN THE BARN.

254
00:10:04,204 --> 00:10:06,304
DON'T SAY I DIDN'T WARN YOU.

255
00:10:06,306 --> 00:10:09,174
OH, HEY, BEN,
CAN YOU UNLOAD THAT WOOD?

256
00:10:09,242 --> 00:10:11,209
BEN:
UH, YEAH, I GUESS.

257
00:10:11,277 --> 00:10:12,911
WHAT'S IT FOR?

258
00:10:12,979 --> 00:10:14,579
LOU:
NEW TACK BOXES.
AND UH...

259
00:10:14,647 --> 00:10:15,913
YOU NEED TO MOVE
THE MANURE PILE.

260
00:10:15,916 --> 00:10:17,649
MOVE IT?

261
00:10:17,717 --> 00:10:19,651
LOU:
YEAH, MOVE IT.
IT'S TOO FRONT AND CENTER.

262
00:10:19,719 --> 00:10:21,486
AH YEAH, SORRY, LOU,

263
00:10:21,554 --> 00:10:23,121
I'VE GOT SOME WORK
TO DO WITH RED SO...

264
00:10:23,156 --> 00:10:25,256
RED CAN WAIT, OKAY?

265
00:10:25,324 --> 00:10:26,925
AND WHERE'S MALLORY
WHEN WE ACTUALLY NEED HER?

266
00:10:26,993 --> 00:10:29,260
<i> CAN SOMEONE GIVE HER A CALL?</i>

267
00:10:29,329 --> 00:10:30,194
AMY:
I TOLD YOU.

268
00:10:30,197 --> 00:10:32,130
NIGHTMARE.

269
00:10:32,198 --> 00:10:38,503
(SHOVEL SCRAPES)

270
00:10:38,571 --> 00:10:40,471
(WOOD CLATTERS)

271
00:10:40,474 --> 00:10:42,641
LOU:
THANKS, SCOTT.

272
00:10:42,676 --> 00:10:44,108
HEY, MALLORY,
WHERE HAVE YOU BEEN?

273
00:10:44,177 --> 00:10:45,610
MALLORY:
NOWHERE.

274
00:10:45,612 --> 00:10:47,478
LOU:
GRAB A SHOVEL AND GIVE BEN
A HAND, OKAY?

275
00:10:47,547 --> 00:10:48,346
AND JUST REMEMBER,
PUT IT SOMEWHERE

276
00:10:48,348 --> 00:10:51,216
IT CAN'T BE SEEN.

277
00:10:51,284 --> 00:10:53,551
I'D LIKE TO TELL HER
WHERE SHE CAN PUT IT.

278
00:10:53,620 --> 00:10:55,319
I'D LIKE TO TELL YOU
WHERE YOU CAN PUT IT.

279
00:10:55,388 --> 00:10:56,921
EXCUSE ME?

280
00:10:56,957 --> 00:10:58,823
YOU GOT A PROBLEM,
LITTLE GIRL?

281
00:10:58,891 --> 00:11:04,496
WHAT DO YOU THINK,
JERK-FACE?

282
00:11:04,564 --> 00:11:06,364
YOU UH,
YOU DON'T LIKE BEN?

283
00:11:06,433 --> 00:11:07,098
NOT SO MUCH.

284
00:11:07,100 --> 00:11:08,833
WHY?

285
00:11:08,835 --> 00:11:10,334
BECAUSE IF IT
WASN'T FOR HIM,

286
00:11:10,403 --> 00:11:17,041
TY WOULD STILL
BE HERE.

287
00:11:17,044 --> 00:11:18,309
SEE, THAT'S WHAT
AMY SAID TOO,

288
00:11:18,377 --> 00:11:20,545
BUT I TALKED TO TY
AT THE DINER.

289
00:11:20,613 --> 00:11:34,392
HE'S GOT A BIT
OF A DIFFERENT STORY.

290
00:11:34,461 --> 00:11:41,532
HE'S GOT A BIT
OF A DIFFERENT STORY.

291
00:11:41,601 --> 00:11:42,667
WHAT ARE YOU DOING?

292
00:11:42,703 --> 00:11:45,737
THIS PLACE IS FILTHY.

293
00:11:45,805 --> 00:11:47,138
LOOK, I KNOW YOU'RE ALL
CRAZED ABOUT THIS VIDEO,

294
00:11:47,206 --> 00:11:48,639
BUT DON'T TOUCH
MOM'S STUFF.

295
00:11:48,642 --> 00:11:50,675
LOOK AT THIS.
1998.

296
00:11:50,743 --> 00:11:53,444
WOULD YOU RELAX?  UST LEAVE IT!

297
00:11:53,513 --> 00:11:54,445
YOU HAVE BEEN
A TOTAL NIGHTMARE

298
00:11:54,448 --> 00:11:56,080
EVER SINCE TY LEFT!

299
00:11:56,083 --> 00:11:57,281
WELL, IT'S NOT LIKE YOU
EVEN CARE THAT HE LEFT.

300
00:11:57,350 --> 00:11:58,783
I CARE ALL RIGHT.

301
00:11:58,851 --> 00:11:59,884
I CARE THAT GRANDPA
IS TOTALLY OVERWORKED

302
00:11:59,953 --> 00:12:01,552
BECAUSE OF IT.

303
00:12:01,555 --> 00:12:02,286
YOU SHOULD HAVE THOUGHT
ABOUT THAT WHEN YOU-

304
00:12:02,355 --> 00:12:03,354
WHEN I WHAT?!

305
00:12:03,422 --> 00:12:06,157
(CELL PHONE RINGS)

306
00:12:06,159 --> 00:12:08,092
HELLO?

307
00:12:08,095 --> 00:12:10,595
YES, THIS IS LOU FLEMING.

308
00:12:10,663 --> 00:12:13,531
<i> OH, YOU'RE DYLAN'S AGENT.</i>

309
00:12:13,599 --> 00:12:16,934
<i> LISTEN, WE ARE SO EXCITED</i>
<i> HE'S DOING THIS PROJECT.</i>

310
00:12:17,003 --> 00:12:18,770
OH.

311
00:12:18,838 --> 00:12:22,306
OKAY.
WELL, WOULD HE-

312
00:12:22,309 --> 00:12:26,244
OH, REALLY.

313
00:12:26,312 --> 00:12:28,246
WELL,
THANKS FOR CALLING.

314
00:12:28,314 --> 00:12:30,014
BYE.

315
00:12:30,082 --> 00:12:32,450
WELL, YOU'LL BE
VERY HAPPY.

316
00:12:32,518 --> 00:12:35,086
DYLAN CAN'T DO IT.
HE GOT A JOB IN TORONTO.

317
00:12:35,154 --> 00:12:46,598
SO WE'LL JUST FORGET
THE WHOLE THING.

318
00:12:46,666 --> 00:12:53,638
SO WE'LL JUST FORGET
THE WHOLE THING.

319
00:12:53,706 --> 00:12:56,541
OKAY, I KNOW EVERYONE
WORKED HARD TODAY

320
00:12:56,609 --> 00:12:59,677
AND I'M SORRY IF YOU THOUGHT
I WAS BEING PUSHY.

321
00:12:59,679 --> 00:13:01,445
IT'S JUST THAT IN THE WORLD
I COME FROM,

322
00:13:01,514 --> 00:13:03,414
<i> WHEN THERE'S A JOB TO BE DONE</i>
<i> I WANT TO MOVE ON IT.</i>

323
00:13:03,416 --> 00:13:06,951
<i> BUT HEY, THAT'S JUST ME.</i>

324
00:13:07,020 --> 00:13:08,619
<i> I'M THE FIRST TO ADMIT</i>

325
00:13:08,688 --> 00:13:10,288
<i> THAT WE CAN'T DO IT</i>
<i> WITHOUT A DIRECTOR.</i>

326
00:13:10,356 --> 00:13:16,727
<i> SO LET'S JUST FORGET ABOUT</i>
<i> THE WHOLE THING.</i>

327
00:13:16,796 --> 00:13:18,296
BUT, YOU KNOW,
I GOTTA SAY,

328
00:13:18,364 --> 00:13:19,163
IT WOULD HAVE BEEN NICE
IF EVERYONE HAD BEEN

329
00:13:19,232 --> 00:13:23,100
JUST A LITTLE MORE SUPPORTIVE.

330
00:13:23,169 --> 00:13:25,469
<i> 'CAUSE I TALKED</i>
<i> TO A WOMAN AT C.J.O.T.</i>

331
00:13:25,538 --> 00:13:26,237
AND SHE SAID SHE WOULD
HAVE BEEN MORE THAN HAPPY

332
00:13:26,305 --> 00:13:28,773
TO AIR OUR VIDEO.

333
00:13:28,842 --> 00:13:31,609
THEY'RE TOTALLY UP FOR HELPING
LOCAL BUSINESSES ADVERTISE.

334
00:13:31,677 --> 00:13:34,178
SO YOU MEAN IT WOULD HAVE
ACTUALLY BEEN ON TV?

335
00:13:34,247 --> 00:13:36,080
YEAH, THAT WAS THE IDEA.

336
00:13:36,148 --> 00:13:38,183
WHEN?

337
00:13:38,251 --> 00:13:39,517
<i> LOU:</i>
<i> EVERY EVENING AFTER THE NEWS.</i>

338
00:13:39,585 --> 00:13:40,885
THAT'S A BIG AUDIENCE.

339
00:13:40,953 --> 00:13:42,487
YEAH, THAT'S HUGE.

340
00:13:42,555 --> 00:13:44,455
WE'D BE FAMOUS.

341
00:13:44,523 --> 00:13:45,690
ANYWAY, IT'S NOT GONNA HAPPEN,

342
00:13:45,758 --> 00:13:48,660
SO LET'S JUST NOT TALK
ABOUT IT.

343
00:13:48,695 --> 00:13:49,861
WELL, WAIT,
MAYBE THERE'S ANOTHER WAY

344
00:13:49,929 --> 00:13:51,830
<i> WE CAN GET IT DONE.</i>

345
00:13:51,865 --> 00:13:58,536
<i> HIRE SOMEONE ELSE TO DIRECT.</i>

346
00:13:58,538 --> 00:14:00,405
MARNIE:
SO YOU'RE SURE MY JERRY

347
00:14:00,473 --> 00:14:01,272
IS A "REAL" ENOUGH
DIRECTOR FOR YOU?

348
00:14:01,274 --> 00:14:03,107
OH, COME ON, MARNIE,

349
00:14:03,175 --> 00:14:05,943
YOU KNOW I DIDN'T MEAN IT
THE WAY IT SOUNDED.

350
00:14:06,012 --> 00:14:07,145
WELL, I REALIZE YOU THINK
WEDDING VIDEOS

351
00:14:07,213 --> 00:14:09,113
ARE A LESSER ART FORM.

352
00:14:09,181 --> 00:14:11,182
NO, NO,
ARE YOU KIDDING ME?

353
00:14:11,250 --> 00:14:12,383
I'M SURE THEY'RE REALLY
HARD TO DO.

354
00:14:12,451 --> 00:14:16,487
ALL THOSE BRIDE-ZILLAS.
MY GOD.

355
00:14:16,555 --> 00:14:18,222
YOU HAVE NO IDEA
WHAT THIS MEANS TO ME.

356
00:14:18,291 --> 00:14:21,158
YOU ARE SUCH
A GOOD FRIEND.

357
00:14:21,161 --> 00:14:26,497
YOU ARE SUCH A PIECE OF WORK.

358
00:14:26,566 --> 00:14:28,166
JERRY, I AM SO SORRY
ABOUT THIS MESS,

359
00:14:28,234 --> 00:14:29,567
BUT DON'T WORRY,

360
00:14:29,635 --> 00:14:31,302
WE CAN DEFINITELY GET RID
OF SOME OF THIS JUNK.

361
00:14:31,304 --> 00:14:33,905
NO, IT'S AWESOME.
DON'T MOVE A THING.

362
00:14:33,973 --> 00:14:35,973
NO, SERIOUSLY.
DON'T TOUCH IT.

363
00:14:36,042 --> 00:14:38,042
I COULDN'T PROP IT
ANY BETTER IF I TRIED.

364
00:14:38,110 --> 00:14:39,610
<i> JACK:</i>
<i> HELLO THERE, FOLKS.</i>

365
00:14:39,679 --> 00:14:42,413
THIS IS MY GRANDPA,
JACK BARTLETT.

366
00:14:42,481 --> 00:14:44,448
GRANDPA, THIS IS JERRY,
MARNIE'S HUSBAND

367
00:14:44,517 --> 00:14:46,717
AND NOW OUR DIRECTOR.

368
00:14:46,720 --> 00:14:48,786
JACK:
WELL, GOOD TO MEET YA.

369
00:14:48,855 --> 00:14:51,055
JERRY:
WOW, JACK.

370
00:14:51,057 --> 00:14:52,857
YOU'VE GOT A GREAT FACE.

371
00:14:52,926 --> 00:14:55,426
THE FACE OF A HORSE FARM.

372
00:14:55,494 --> 00:14:57,295
AS LONG AS I DON'T HAVE
THE FACE OF A HORSE.

373
00:14:57,363 --> 00:14:58,930
ALL:
(CHUCKLE)

374
00:14:58,998 --> 00:15:00,732
YOU'D MAKE A GREAT
MASTER OF CEREMONIES.

375
00:15:00,800 --> 00:15:03,501
HOST, I MEAN.

376
00:15:03,569 --> 00:15:04,168
<i> JACK:</i>
<i> (CHUCKLING)</i>

377
00:15:04,236 --> 00:15:05,703
YEAH, SURE I WOULD.

378
00:15:05,705 --> 00:15:07,038
SO WILL YOU DO IT?

379
00:15:07,106 --> 00:15:08,039
WHAT?

380
00:15:08,041 --> 00:15:09,840
<i> JERRY:</i>
<i> EMCEE THE VIDEO.</i>

381
00:15:09,843 --> 00:15:12,810
SORT OF LIKE BEING
THE BEST MAN OF HEARTLAND.

382
00:15:12,878 --> 00:15:15,146
(CHUCKLING)
YOU MEAN TALK INTO THE CAMERA?

383
00:15:15,214 --> 00:15:17,148
NO.

384
00:15:17,216 --> 00:15:18,716
I'M NOT CUT OUT
FOR THAT SORT OF THING.

385
00:15:18,784 --> 00:15:19,484
C'MON, GRANDPA,
YOU KNOW WHAT?

386
00:15:19,552 --> 00:15:20,518
I THINK IT'S A GOOD IDEA.

387
00:15:20,586 --> 00:15:23,288
FORGET IT.

388
00:15:23,356 --> 00:15:24,655
<i> YOU WON'T CATCH ME</i>
<i> YAKKING IT UP</i>

389
00:15:24,658 --> 00:15:26,891
<i> LIKE THOSE GUYS ON TV.</i>
<i> NO WAY.</i>

390
00:15:26,959 --> 00:15:31,495
I'D RATHER BE DRAGGED
BEHIND A TRUCK.

391
00:15:31,564 --> 00:15:33,464
WELCOME...
WELCOME TO HEARTLAND.

392
00:15:33,532 --> 00:15:37,301
WELCOME TO HEARTLAND.

393
00:15:37,304 --> 00:15:39,337
WELCOME TO HEARTLAND,

394
00:15:39,405 --> 00:15:41,439
A 600-ACRE RANCH THAT'S BEEN
IN THE BARTLETT FAMILY

395
00:15:41,507 --> 00:15:45,777
FOR SIX GENERATIONS.

396
00:15:45,845 --> 00:15:48,446
(CHUCKLES)

397
00:15:48,514 --> 00:15:51,215
(HORSE WHINNIES)

398
00:15:51,283 --> 00:15:53,117
(SUCKING TEETH)

399
00:15:53,185 --> 00:15:55,520
(HORSE WHINNIES)

400
00:15:55,588 --> 00:15:57,521
(SUCKING TEETH)

401
00:15:57,590 --> 00:16:00,391
(HORSE HOOVES CANTERING)

402
00:16:00,459 --> 00:16:05,596
(TIRES CRUNCHING)

403
00:16:05,665 --> 00:16:12,770
(HORSE WHINNIES)

404
00:16:12,772 --> 00:16:16,407
THAT'S IT,
YOU KEEP HIM MOVIN'.

405
00:16:16,476 --> 00:16:19,410
AMY:
SCOTT WAS RIGHT,
THIS GUY IS STUBBORN.

406
00:16:19,479 --> 00:16:23,247
WELL,
HE'S MET HIS MATCH.

407
00:16:23,249 --> 00:16:24,582
AMY:
THANKS.

408
00:16:24,650 --> 00:16:26,817
I THINK.

409
00:16:26,886 --> 00:16:27,785
(SUCKING TEETH)

410
00:16:27,854 --> 00:16:29,887
(HORSE WHINNIES)

411
00:16:29,889 --> 00:16:33,290
(HORSE GALLOPS)

412
00:16:33,359 --> 00:16:35,593
(HORSE WHINNIES)

413
00:16:35,661 --> 00:16:41,932
<i> (HORSE NICKERS)</i>

414
00:16:42,001 --> 00:16:43,567
(HORSE NICKERS)

415
00:16:43,570 --> 00:16:46,504
(HORSE WHINNIES)

416
00:16:46,572 --> 00:16:50,708
AMY:
(SIGHS)

417
00:16:50,776 --> 00:16:51,776
JACK:
I'VE STILL GOT A FEW MORE
ERRANDS TO RUN.

418
00:16:51,844 --> 00:16:52,977
YOU WANT TO KEEP ME COMPANY?

419
00:16:52,979 --> 00:16:54,111
I DON'T KNOW.

420
00:16:54,180 --> 00:16:56,681
I'M NOT MAKING
MUCH PROGRESS HERE.

421
00:16:56,749 --> 00:17:02,653
C'MON THEN.
GIVE THIS PONY A BREAK.

422
00:17:02,655 --> 00:17:05,823
(HORSE SNORTS)

423
00:17:05,891 --> 00:17:17,201
(HORSE WHINNIES)

424
00:17:17,269 --> 00:17:18,836
<i> JACK:</i>
<i> NICE TO SPEND A LITTLE TIME</i>
<i> WITH YOU, YOUNG LADY.</i>

425
00:17:18,838 --> 00:17:20,138
YOU'VE BEEN PRETTY BUSY.

426
00:17:20,206 --> 00:17:22,306
YEAH.

427
00:17:22,374 --> 00:17:23,274
I GUESS I'VE JUST BEEN
TRYING TO KEEP BUSY.

428
00:17:23,342 --> 00:17:24,842
<i> IT'S BETTER THAT WAY.</i>

429
00:17:24,911 --> 00:17:26,811
A LOT ON YOUR MIND?

430
00:17:26,813 --> 00:17:28,479
YEAH.

431
00:17:28,481 --> 00:17:30,815
<i> JACK:</i>
<i> WELL, LIKE WHAT?</i>

432
00:17:30,883 --> 00:17:33,684
I DON'T KNOW.

433
00:17:33,752 --> 00:17:35,419
TY.

434
00:17:35,422 --> 00:17:37,354
(SIGHS)

435
00:17:37,357 --> 00:17:39,924
AND DAD.

436
00:17:39,992 --> 00:17:43,928
<i>YOU KNOW, I TRIED TO GO SEE HIM</i>
<i> THE OTHER DAY,</i>

437
00:17:43,996 --> 00:17:47,631
UP AT BIG RIVER RANCH,
BUT I TOTALLY WUSSED OUT.

438
00:17:47,700 --> 00:17:49,433
I GUESS I'M JUST NOT READY.

439
00:17:49,502 --> 00:17:53,037
WELL, I GUESS YOU'RE
THE BEST JUDGE OF THAT.

440
00:17:53,106 --> 00:17:55,172
AND I WANT YOU TO KNOW

441
00:17:55,241 --> 00:18:01,212
THAT I WON'T STAND
IN YOUR WAY ANYMORE.

442
00:18:01,280 --> 00:18:03,180
<i> NOW, YOUR DAD IS ONE STORY,</i>

443
00:18:03,249 --> 00:18:08,586
BUT TY,
HE'S ANOTHER.

444
00:18:08,654 --> 00:18:10,788
GRANDPA.

445
00:18:10,857 --> 00:18:12,356
<i> WHAT ARE WE DOING</i>
<i> AT BRIAR RIDGE?</i>

446
00:18:12,424 --> 00:18:18,195
JACK:
OH, ONE OF MY ERRANDS.

447
00:18:18,264 --> 00:18:19,130
(HORSE WHINNIES)

448
00:18:19,198 --> 00:18:20,865
OW!

449
00:18:20,867 --> 00:18:22,867
DAMN, A SLIVER.

450
00:18:22,935 --> 00:18:24,969
POOR BABY.

451
00:18:25,037 --> 00:18:25,936
YOU KNOW WHAT?
I'M SICK OF THIS!

452
00:18:25,939 --> 00:18:28,205
YOU ARE?!

453
00:18:28,274 --> 00:18:29,874
I HATE THE SMELL OF PAINT.
IT'S MAKING ME SICK!

454
00:18:29,876 --> 00:18:31,542
AND THE FLIES DON'T HELP.

455
00:18:31,611 --> 00:18:32,710
<i> THIS IS ALL YOUR FAULT.</i>

456
00:18:32,778 --> 00:18:33,911
MY FAULT?

457
00:18:33,913 --> 00:18:36,781
YEAH,
YOU ENCOURAGED HER.

458
00:18:36,849 --> 00:18:39,049
(MANLY VOICE)
"MAYBE WE CAN GET SOMEBODY
ELSE TO DIRECT."

459
00:18:39,052 --> 00:18:40,284
YEAH,
AND LIKE YOU DIDN'T?

460
00:18:40,353 --> 00:18:41,418
(GIRL'S VOICE)
"OH, WE'LL BE FAMOUS!"

461
00:18:41,487 --> 00:18:42,487
<i> MALLORY:</i>
<i> OKAY.</i>

462
00:18:42,555 --> 00:18:44,488
SO WE WERE BOTH FATALLY
ATTRACTED TO FAME

463
00:18:44,491 --> 00:18:47,224
LIKE MOTHS TO A FLAME.

464
00:18:47,293 --> 00:18:49,660
YEAH, SOMETHING LIKE THAT.

465
00:18:49,729 --> 00:18:51,896
MALLORY:
OH. HERE COMES THE DIRECTOR.

466
00:18:51,964 --> 00:18:53,964
YEAH, HE ONLY THINKS HE IS.

467
00:18:54,033 --> 00:18:55,499
<i> JERRY:</i>
<i> MOST COUPLES REALLY LIKE IT</i>

468
00:18:55,568 --> 00:18:57,435
WHEN I START WITH A BIG
ESTABLISHING BEAUTY SHOT

469
00:18:57,503 --> 00:18:58,569
OF THE LOCATION,

470
00:18:58,571 --> 00:18:59,770
YOU KNOW,
THE CHURCH

471
00:18:59,772 --> 00:19:00,771
OR WHEREVER THE WEDDING'S
BEING HELD.

472
00:19:00,839 --> 00:19:02,706
WEDDING VIDEOS
ARE ONE THING, JERRY,

473
00:19:02,775 --> 00:19:05,376
AND I KNOW YOU'RE THE BEST
THAT THERE IS IN HUDSON,

474
00:19:05,378 --> 00:19:07,678
BUT I WANT YOU TO REACH
FOR THE BIGGER PICTURE HERE,

475
00:19:07,746 --> 00:19:09,580
CAPTURE THE ESSENCE
OF THIS PLACE,

476
00:19:09,582 --> 00:19:12,483
THE SPIRIT, THE BEAUTY.

477
00:19:12,551 --> 00:19:13,551
OH, DON'T WORRY ABOUT
THE MANURE PILE.

478
00:19:13,619 --> 00:19:14,919
WE'RE MOVING IT.

479
00:19:14,987 --> 00:19:16,154
<i> JERRY:</i>
<i> YOU DON'T REALLY NEED TO.</i>

480
00:19:16,189 --> 00:19:16,854
<i> LOU:</i>
<i> BUT IT'S RIGHT IN THE SHOT.</i>

481
00:19:16,923 --> 00:19:18,455
BELIEVE ME,

482
00:19:18,524 --> 00:19:20,258
I'VE HAD RABID
EX-MOTHER-IN-LAWS TO DEAL WITH.

483
00:19:20,326 --> 00:19:23,394
I CAN SHOOT AROUND IT.

484
00:19:23,396 --> 00:19:24,828
BEN:
HEY, YOU HEARD THE DIRECTOR.

485
00:19:24,897 --> 00:19:26,364
HE CAN SHOOT AROUND IT.

486
00:19:26,399 --> 00:19:31,535
I TOLD YOU TO MOVE IT,
SO MOVE IT.

487
00:19:31,604 --> 00:19:39,476
(FLIES BUZZING)

488
00:19:39,545 --> 00:19:40,745
<i> JACK:</i>
<i> IT'S MY EXPERIENCE</i>

489
00:19:40,813 --> 00:19:42,613
THAT THE LONGER
YOU PUT SOMETHING OFF

490
00:19:42,682 --> 00:19:44,549
THE HARDER IT IS
TO GET TO IT.

491
00:19:44,617 --> 00:19:46,050
WHAT AM I PUTTING OFF?

492
00:19:46,118 --> 00:19:55,426
YOU KNOW DARN WELL.

493
00:19:55,494 --> 00:20:06,237
(HORSE WHINNIES)

494
00:20:06,305 --> 00:20:07,605
HEY.

495
00:20:07,673 --> 00:20:09,006
HEY.

496
00:20:09,008 --> 00:20:12,743
NICE.

497
00:20:12,745 --> 00:20:13,911
HOW ARE THINGS
AT HEARTLAND?

498
00:20:13,913 --> 00:20:15,479
THEY'RE GREAT.

499
00:20:15,547 --> 00:20:17,715
YEAH, UM...

500
00:20:17,717 --> 00:20:19,450
BEN'S WORKING OUT
REALLY WELL.

501
00:20:19,518 --> 00:20:20,818
AND YOU?

502
00:20:20,886 --> 00:20:21,952
FINE, YEAH.

503
00:20:22,021 --> 00:20:27,024
YEAH, GOOD.

504
00:20:27,092 --> 00:20:28,359
ASHLEY:
HI, AMY.

505
00:20:28,427 --> 00:20:29,927
HOW'S THE VIDEO COMING?

506
00:20:29,995 --> 00:20:31,362
VIDEO?

507
00:20:31,430 --> 00:20:34,131
LOU'S IDEA.
DON'T ASK.

508
00:20:34,199 --> 00:20:35,266
<i> ASHLEY:</i>
<i> WELL, I GUESS IMITATION</i>

509
00:20:35,334 --> 00:20:37,068
IS THE SINCEREST FORM
OF FLATTERY.

510
00:20:37,136 --> 00:20:40,337
GOOD LUCK WITH IT.

511
00:20:40,406 --> 00:20:42,273
WE'RE HAVING A FIELD PARTY
ON SATURDAY NIGHT.

512
00:20:42,275 --> 00:20:46,110
TELL BEN TO DROP BY.

513
00:20:46,112 --> 00:20:48,012
AND... I GUESS
IF YOU WANT TO COME

514
00:20:48,080 --> 00:20:55,552
THAT'S OKAY TOO.

515
00:20:55,555 --> 00:21:05,296
YOU KNOW,
I THINK I'M BUSY.

516
00:21:05,364 --> 00:21:07,031
<i> VAL:</i>
<i> STAFF IS THE MOST IMPORTANT</i>
<i> PART OF BRIAR RIDGE.</i>

517
00:21:07,099 --> 00:21:09,166
WE HAVE NOTHING
BUT THE BEST HERE -

518
00:21:09,168 --> 00:21:12,169
IMPECCABLE RESUMES,
TOTALLY BONDABLE.

519
00:21:12,171 --> 00:21:14,305
IN THIS BUSINESS,
YOU CAN NEVER BE TOO CAREFUL.

520
00:21:14,373 --> 00:21:15,306
ABSOLUTELY.

521
00:21:15,374 --> 00:21:16,440
<i> (KNOCK AT DOOR)</i>

522
00:21:16,442 --> 00:21:19,076
JACK, HI!

523
00:21:19,144 --> 00:21:20,444
I DON'T MEAN
TO INTERRUPT ANYTHING.

524
00:21:20,512 --> 00:21:21,979
<i> VAL:</i>
<i> OH, NOT AT ALL.</i>

525
00:21:21,981 --> 00:21:23,247
<i> JACK,</i>
<i> THIS IS LAURA MCBRADDEN</i>

526
00:21:23,249 --> 00:21:24,915
<i> OF CANTOR AND GALLOP</i>
<i> MAGAZINE.</i>

527
00:21:24,983 --> 00:21:26,784
<i> JACK BARTLETT,</i>

528
00:21:26,786 --> 00:21:27,852
<i> A VERY DEAR NEIGHBOUR</i>
<i> OF BRIAR RIDGE.</i>

529
00:21:27,920 --> 00:21:28,819
NICE TO MEET YOU.

530
00:21:28,887 --> 00:21:29,987
<i> LAURA:</i>
<i> AND YOU.</i>

531
00:21:30,055 --> 00:21:30,688
DRINK, JACK?

532
00:21:30,690 --> 00:21:33,257
AH NO, NO THANKS.

533
00:21:33,259 --> 00:21:35,059
I'VE GOT SOME PAPERS
FOR YOU TO SIGN,

534
00:21:35,127 --> 00:21:38,262
BUT I COULD
COME BACK LATER.

535
00:21:38,330 --> 00:21:40,264
NO, NO, NONSENSE.
DON'T GO ALL THE WAY HOME

536
00:21:40,332 --> 00:21:42,800
JUST TO MAKE THE TRIP BACK.
(CHUCKLES)

537
00:21:42,868 --> 00:21:44,268
YOU DON'T MIND,
DO YOU, LAURA?

538
00:21:44,337 --> 00:21:46,570
OH, NOT AT ALL.

539
00:21:46,572 --> 00:21:48,172
SO WHAT KIND
OF PAPERS?

540
00:21:48,240 --> 00:21:50,407
PAPERS THAT SAY

541
00:21:50,410 --> 00:21:52,409
YOU'RE WILLING
TO SPONSOR TY BORDEN.

542
00:21:52,478 --> 00:21:54,345
SPONSOR HIM FOR WHAT?

543
00:21:54,347 --> 00:21:57,848
HIS PROBATION.

544
00:21:57,916 --> 00:22:00,684
HIS PROBATION?

545
00:22:00,753 --> 00:22:10,494
HIS PROBATION OFFICER
NEEDS THESE SIGNED.

546
00:22:10,563 --> 00:22:11,628
(HORSE WHINNIES)

547
00:22:11,697 --> 00:22:13,831
VAL:
YOU HAVE A RECORD!

548
00:22:13,899 --> 00:22:14,898
<i> WE DO NOT HIRE FELONS</i>
<i> AT BRIAR RIDGE!</i>

549
00:22:14,901 --> 00:22:16,734
<i> JACK:</i>
<i> OH, COME ON, VAL.</i>

550
00:22:16,736 --> 00:22:19,069
YOU SAID YOU TOLD HER!

551
00:22:19,072 --> 00:22:20,704
<i> VAL:</i>
<i>JACK, DO YOU KNOW THE POSITION</i>
<i> HE'S PUT ME IN?</i>

552
00:22:20,773 --> 00:22:22,339
I FIND OUT IN FRONT
OF A REPORTER THAT I-

553
00:22:22,342 --> 00:22:24,074
I AM SORRY ABOUT THAT.

554
00:22:24,143 --> 00:22:25,709
OH YEAH.

555
00:22:25,778 --> 00:22:27,745
THAT I HAVE A CRIMINAL
UNDER MY ROOF

556
00:22:27,813 --> 00:22:29,680
WITH ACCESS TO SOME
OF THE MOST EXPENSIVE HORSES

557
00:22:29,748 --> 00:22:32,116
<i> IN THE ENTIRE WORLD!</i>

558
00:22:32,118 --> 00:22:33,317
<i> NOW HOW DO YOU THINK</i>
<i> MY BOARDERS ARE GONNA FEEL</i>

559
00:22:33,386 --> 00:22:35,252
WHEN THEY READ
ABOUT THAT?

560
00:22:35,320 --> 00:22:36,754
(ANGRY SIGH)

561
00:22:36,822 --> 00:22:38,856
I HAVE NO INTENTION
OF SIGNING THESE.

562
00:22:38,858 --> 00:22:40,257
I WANT YOU OUT OF HERE

563
00:22:40,325 --> 00:22:41,859
AND I DON'T WANT
TO SEE YOU AGAIN.

564
00:22:41,927 --> 00:22:43,260
JACK:
THIS IS RIDICULOUS.

565
00:22:43,262 --> 00:22:47,331
FORGET IT, JACK.
I'M GONE.

566
00:22:47,333 --> 00:22:49,266
<i> VAL:</i>
<i> YOU BET YOU ARE.</i>

567
00:22:49,334 --> 00:22:50,467
<i> ONE OF MY TRAINERS</i>
<i> WILL SEE YOU OFF THE PROPERTY</i>

568
00:22:50,470 --> 00:22:51,502
AND HE'LL WANT TO CHECK
YOUR SUITCASE

569
00:22:51,570 --> 00:22:53,237
BEFORE YOU LEAVE!

570
00:22:53,239 --> 00:22:54,972
YEAH, 'CAUSE ONE OF YOUR
FANCY HORSES

571
00:22:54,974 --> 00:22:56,807
WOULD FIT IN MY SUITCASE!

572
00:22:56,875 --> 00:23:04,047
(LAUGHING)

573
00:23:04,116 --> 00:23:07,484
(TRUCK DOORS SLAM SHUT)

574
00:23:07,553 --> 00:23:09,953
LOU:
WHERE DID YOU DISAPPEAR TO?

575
00:23:09,956 --> 00:23:13,290
I NEED YOUR HELP
WITH DINNER.

576
00:23:13,358 --> 00:23:18,662
(HORSE WHINNIES)

577
00:23:18,664 --> 00:23:20,731
WHAT ARE YOU TWO
GRINNING AT?

578
00:23:20,799 --> 00:23:22,232
NOTHING.

579
00:23:22,235 --> 00:23:24,101
BEN AND MALLORY:
(GIGGLE)

580
00:23:24,169 --> 00:23:26,837
HMM...

581
00:23:26,905 --> 00:23:30,941
(DOOR SQUEAKS OPEN)

582
00:23:31,009 --> 00:23:36,413
(HORSE WHINNIES)

583
00:23:36,482 --> 00:23:39,450
(WINDOW RATTLES)

584
00:23:39,518 --> 00:23:43,987
(WINDOW SLIDES UP)

585
00:23:43,990 --> 00:23:49,860
<i> (HORSE WHINNIES)</i>

586
00:23:49,929 --> 00:23:58,402
(SNIFFS)

587
00:23:58,438 --> 00:24:01,438
(FLIES BUZZING)

588
00:24:01,441 --> 00:24:11,515
BEN?! MALLORY?!

589
00:24:11,583 --> 00:24:14,117
RRYOY:
JEU GOOD TO DO A TAKE, JACK?
WE'RE ROLLING.

590
00:24:14,186 --> 00:24:16,753
OKAY.

591
00:24:16,756 --> 00:24:27,364
AND ACTION.

592
00:24:27,433 --> 00:24:29,666
UM...

593
00:24:29,735 --> 00:24:30,467
UH...

594
00:24:30,536 --> 00:24:32,669
JERRY:
CUT!

595
00:24:32,738 --> 00:24:35,372
IT'S OKAY.
JUST GO AGAIN.

596
00:24:35,440 --> 00:24:36,373
<i> JACK:</i>
<i> SORRY ABOUT THAT.</i>

597
00:24:36,442 --> 00:24:39,910
<i> JERRY:</i>
<i> IT'S NO PROBLEM.</i>

598
00:24:39,978 --> 00:24:41,512
<i> OKAY, JUST GO AGAIN.</i>

599
00:24:41,580 --> 00:24:42,880
YEAH.

600
00:24:42,948 --> 00:24:44,448
JERRY:
YOU READY?

601
00:24:44,450 --> 00:24:48,385
AND ACTION.

602
00:24:48,454 --> 00:24:50,588
WELCOME TO HEARTLAND,

603
00:24:50,656 --> 00:24:53,023
A 600-ACRE RANCH THAT'S BEEN
IN THE BARTLETT FAMILY

604
00:24:53,091 --> 00:24:55,025
FOR SIX GENERATIONS.

605
00:24:55,093 --> 00:24:56,860
IT USED TO BE A CATTLE RANCH,

606
00:24:56,863 --> 00:24:59,696
BUT MY DAUGHTER MARION
GAVE IT A NEW DIRECTION.

607
00:24:59,765 --> 00:25:01,398
NOW IT'S A PLACE
WHERE FRIGHTENED

608
00:25:01,400 --> 00:25:04,668
AND ABUSED HORSES
CAN LEARN TO TRUST AGAIN;

609
00:25:04,737 --> 00:25:07,671
WHERE SCARS FROM THE PAST
CAN BE HEALED.

610
00:25:07,673 --> 00:25:11,208
FOR MANY OF THESE HORSES,
HEARTLAND IS THEIR LAST CHANCE.

611
00:25:11,210 --> 00:25:12,109
<i> JERRY:</i>
<i> AND CUT.</i>

612
00:25:12,177 --> 00:25:13,176
THAT WAS GREAT!

613
00:25:13,245 --> 00:25:14,411
MARNIE:
GO JACK!

614
00:25:14,479 --> 00:25:15,279
ALL:
(APPLAUDING)

615
00:25:15,347 --> 00:25:16,613
LOU:
CAN WE GO AGAIN?

616
00:25:16,682 --> 00:25:18,148
JERRY:
I THOUGHT IT WAS PRETTY GOOD.

617
00:25:18,216 --> 00:25:21,552
NO, HE SLURRED A BIT
ON THE WORD "GENERATIONS."

618
00:25:21,554 --> 00:25:25,055
JUST ONE MORE TAKE
WOULD BE GREAT.

619
00:25:25,123 --> 00:25:27,558
OKAY.

620
00:25:27,626 --> 00:25:31,628
WE'RE ROLLING.

621
00:25:31,697 --> 00:25:33,797
WE'RE READY.

622
00:25:33,865 --> 00:25:36,133
YOU OKAY, SCOTT?

623
00:25:36,135 --> 00:25:39,102
I DON'T KNOW...
I GUESS SO.

624
00:25:39,171 --> 00:25:40,704
JERRY:
OKAY.

625
00:25:40,706 --> 00:25:45,175
AND ACTION.

626
00:25:45,244 --> 00:25:48,045
(STIFF)
HEARTLAND COMBINES TRADITIONAL
VETERINARY PRACTICES

627
00:25:48,047 --> 00:25:50,514
WITH ALTERNATIVE TH-THERAPIES
AND HERBS.

628
00:25:50,550 --> 00:25:52,550
(CLEARS THROAT)

629
00:25:52,585 --> 00:25:55,352
HEARTLAND COMBINES TRADITIONAL
VETERINARY PRACTICES

630
00:25:55,420 --> 00:26:00,958
WITH ALTERNATIVE THERAPIES
AND HERBS.

631
00:26:01,026 --> 00:26:03,861
I'VE BEEN A VET FOR SIX YEARS

632
00:26:03,929 --> 00:26:12,937
AND I GIVE HEARTLAND
MY SEAL OF APPROVAL.

633
00:26:13,005 --> 00:26:15,172
<i> LOU:</i>
<i> OKAY, CUT.</i>
<i> WE NEED ANOTHER TAKE.</i>

634
00:26:15,240 --> 00:26:15,906
LOOK, LOU,
I'M TERRIBLE AT THIS.

635
00:26:15,975 --> 00:26:17,408
NO, YOU'RE NOT.

636
00:26:17,476 --> 00:26:19,009
I CAN'T DO THIS.

637
00:26:19,011 --> 00:26:19,810
WELL, YOU PICKED A GREAT TIME
TO TELL ME.

638
00:26:19,878 --> 00:26:20,777
OF COURSE YOU CAN.

639
00:26:20,846 --> 00:26:21,845
I SUCK.

640
00:26:21,913 --> 00:26:23,280
SCOTT, YOU HAVE TO.

641
00:26:23,282 --> 00:26:24,949
WHY? YOU DO IT.

642
00:26:25,017 --> 00:26:28,185
I'M NOT A VET.
I NEED AN ENDORSEMENT.

643
00:26:28,253 --> 00:26:29,886
I DON'T WANT TO DO THIS
AND DON'T ARGUE WITH ME.

644
00:26:29,955 --> 00:26:30,754
I'M NOT ARGUING!

645
00:26:30,822 --> 00:26:32,156
YES, YOU ARE.

646
00:26:32,224 --> 00:26:37,527
<i> JERRY:</i>
<i> HEY, GUYS, RELAX.</i>

647
00:26:37,596 --> 00:26:39,797
IT'S NATURAL TO ARGUE.

648
00:26:39,865 --> 00:26:41,765
EVERYONE'S A BIT TENSE
ON THE BIG DAY.

649
00:26:41,833 --> 00:26:45,602
THIS IS NOT A WEDDING,
JERRY!

650
00:26:45,671 --> 00:26:48,438
(SIGHS)

651
00:26:48,507 --> 00:26:49,406
(WHISPERS)
WHAT'S THAT?

652
00:26:49,475 --> 00:26:51,608
YOU WANT THAT?

653
00:26:51,677 --> 00:26:53,677
IT'S NOT GONNA HURT YA.

654
00:26:53,745 --> 00:26:55,379
(BLANKET SCRATCHES)

655
00:26:55,447 --> 00:26:57,781
OH, YOU'RE SUCH A BRAVE BOY.

656
00:26:57,783 --> 00:26:59,883
SEE?

657
00:26:59,951 --> 00:27:01,918
(CHUCKLES)
THAT'S A GOOD BOY.

658
00:27:01,921 --> 00:27:08,258
IT'S NOT GONNA HURT YOU NOW,
IS IT?

659
00:27:08,326 --> 00:27:09,359
LOU:
(WHISPERING)
THIS IS PERFECT!

660
00:27:09,428 --> 00:27:11,195
(GATE LATCH CLANKS)

661
00:27:11,263 --> 00:27:12,095
CAN WE GET THIS?

662
00:27:12,164 --> 00:27:14,865
ABSOLUTELY.

663
00:27:14,933 --> 00:27:17,200
NO CAMERA.
IT'LL SPOOK HIM.

664
00:27:17,269 --> 00:27:20,404
LOU:
WE'LL BE VERY QUIET.

665
00:27:20,472 --> 00:27:21,138
DO YOU KNOW HOW LONG
IT'S TAKEN ME

666
00:27:21,206 --> 00:27:22,806
TO GET HIM THIS FAR?

667
00:27:22,808 --> 00:27:24,341
LOU:
JUST KEEP DOING WHATEVER
IT IS YOU'RE DOING.

668
00:27:24,409 --> 00:27:25,476
AMY:
LOU!

669
00:27:25,544 --> 00:27:26,943
JERRY:
ACTION!

670
00:27:27,012 --> 00:27:27,544
LOU:
OKAY, DESCRIBE WHAT
YOU'RE DOING.

671
00:27:27,613 --> 00:27:28,278
WHAT'S IT CALLED?

672
00:27:28,346 --> 00:27:31,348
UM...

673
00:27:31,416 --> 00:27:35,218
(CLEARS THROAT)
THIS IS CALLED
THE SACKING METHOD.

674
00:27:35,221 --> 00:27:37,354
A LITTLE BIT LOUDER PLEASE.
I CAN'T HEAR YOU.

675
00:27:37,423 --> 00:27:39,489
CAN YOU SAY IT AGAIN,
THE SACKING THING?

676
00:27:39,558 --> 00:27:41,225
AMY:
THE SACKING METHOD?

677
00:27:41,293 --> 00:27:42,893
<i> LOU:</i>
<i> GREAT.</i>
<i>NOW JUST PUT THE SADDLE ON HIM.</i>

678
00:27:42,961 --> 00:27:44,227
<i> WE NEED TO SEE</i>
<i>WHAT THIS IS BUILDING TOWARDS.</i>

679
00:27:44,230 --> 00:27:51,368
HE'S NOT READY
FOR THE SADDLE, LOU!

680
00:27:51,436 --> 00:27:53,203
LOU:
AMY, LOOK.

681
00:27:53,271 --> 00:27:54,504
WE NEED TO SEE YOU WORKING
WITH A HORSE

682
00:27:54,573 --> 00:27:56,239
IN ORDER FOR THIS VIDEO
TO WORK.

683
00:27:56,242 --> 00:27:57,274
IT'S NOT GONNA HURT
IF YOU JUST WALK TOWARDS HIM

684
00:27:57,342 --> 00:27:58,575
WITH THE SADDLE

685
00:27:58,643 --> 00:27:59,342
AS IF YOU'RE GONNA
PUT IT ON HIM.

686
00:27:59,411 --> 00:28:00,544
(HORSE WHINNIES)

687
00:28:00,612 --> 00:28:01,979
LOU:
(SHRIEKS)

688
00:28:02,047 --> 00:28:02,913
<i> (SHRIEKS)</i>

689
00:28:02,915 --> 00:28:04,448
(HORSES HOOVES THUNDER)

690
00:28:04,516 --> 00:28:09,386
<i> OH GOD!</i>

691
00:28:09,454 --> 00:28:11,588
OH GOD!
(HORSE WHINNIES)

692
00:28:11,656 --> 00:28:13,991
NO, NO!

693
00:28:14,059 --> 00:28:15,592
(GASPS)

694
00:28:15,594 --> 00:28:16,526
OH MY GOD!

695
00:28:16,529 --> 00:28:19,963
(PANTING)

696
00:28:20,031 --> 00:28:22,466
CUT!

697
00:28:22,534 --> 00:28:24,935
I SAID CUT!
(LOUD THUMP)

698
00:28:25,003 --> 00:28:26,336
NOW ARE YOU SURE YOU GOT
EVERYTHING YOU NEED?

699
00:28:26,404 --> 00:28:28,005
HE'S SURE.

700
00:28:28,073 --> 00:28:29,540
LOU:
THANK YOU SO MUCH.

701
00:28:29,608 --> 00:28:31,007
JERRY:
DON'T MENTION IT.

702
00:28:31,010 --> 00:28:32,542
LOU:
OH, I TOLD THE GIRL
AT C.J.O.T.

703
00:28:32,545 --> 00:28:34,111
SHE'D HAVE IT BY SATURDAY.
IS THAT-?

704
00:28:34,179 --> 00:28:35,412
JERRY:
AND SHE WILL.

705
00:28:35,414 --> 00:28:37,614
LOU:
FANTASTIC! SEE YOU!

706
00:28:37,682 --> 00:28:39,149
OH, I WANT TO SEE IT
FIRST THOUGH

707
00:28:39,217 --> 00:28:43,086
FOR SURE!

708
00:28:43,155 --> 00:28:46,089
THAT WAS AMAZING, HUH?

709
00:28:46,158 --> 00:28:47,825
I'LL TELL YOU THAT ONE SHOT
OF THE LIGHT HITTING THE POND

710
00:28:47,893 --> 00:28:49,760
<i> IS GONNA MAKE THIS VIDEO.</i>

711
00:28:49,828 --> 00:28:51,361
<i> AND THE BARN DIDN'T LOOK</i>
<i> HALF AS BAD</i>

712
00:28:51,363 --> 00:28:55,565
<i> AS I THOUGHT IT WAS GOING TO.</i>
<i> MIRACULOUSLY.</i>

713
00:28:55,634 --> 00:29:01,705
WHAT?

714
00:29:01,741 --> 00:29:05,175
(EXHALES)

715
00:29:05,177 --> 00:29:05,942
<i> (HORSE WHINNIES)</i>

716
00:29:06,011 --> 00:29:10,914
OH, COME ON.

717
00:29:10,916 --> 00:29:13,183
(HUFFY SIGH)

718
00:29:13,252 --> 00:29:15,652
(PARTY MUSIC BLASTS)

719
00:29:15,654 --> 00:29:16,419
<i> ASHLEY:</i>
<i> HEY, HELP YOURSELF.</i>

720
00:29:16,422 --> 00:29:18,522
BOOZE IS OVER THERE.

721
00:29:18,590 --> 00:29:20,057
WE'RE JUST STARTING
THE BONFIRE.

722
00:29:20,125 --> 00:29:21,625
GIRL:
EXCELLENT.

723
00:29:21,693 --> 00:29:23,760
HEY, TANNER!

724
00:29:23,829 --> 00:29:26,930
<i> MOVE UP OFF YOUR BUTT</i>
<i> AND GET SOME FIREWOOD!</i>

725
00:29:26,998 --> 00:29:38,708
<i> TANNER:</i>
<i> ALL RIGHT, ALL RIGHT,</i>
<i> I'LL GET RIGHT ON IT.</i>

726
00:29:38,777 --> 00:29:41,278
YOU SHOULDN'T BE HERE,

727
00:29:41,346 --> 00:29:44,214
BUT I'M GLAD YOU ARE.

728
00:29:44,283 --> 00:29:45,282
I JUST WANT TO GET
ONE THING STRAIGHT.

729
00:29:45,284 --> 00:29:45,949
WHY'D YOU LIE TO ME?

730
00:29:46,018 --> 00:29:47,851
ABOUT WHAT?

731
00:29:47,853 --> 00:29:48,985
YOU SAID YOU TALKED
TO YOUR MOTHER ABOUT ME,

732
00:29:49,054 --> 00:29:50,587
ABOUT MY PROBATION DEAL.

733
00:29:50,655 --> 00:29:52,289
OH, COME ON.

734
00:29:52,357 --> 00:29:55,725
SO I DIDN'T TELL HER.
SO WHAT?

735
00:29:55,794 --> 00:29:57,494
LOOK, DO YOU REALLY BELIEVE
SHE WOULD HAVE HIRED YOU

736
00:29:57,562 --> 00:29:58,629
IF I TOLD HER?

737
00:29:58,697 --> 00:30:00,964
I DON'T THINK SO.

738
00:30:00,966 --> 00:30:02,866
AND I WANTED TO HAVE
YOU AROUND.

739
00:30:02,934 --> 00:30:05,168
SO CHILL,
GRAB A DRINK,

740
00:30:05,237 --> 00:30:06,970
AND LET'S GET TO KNOW
EACH OTHER BETTER.

741
00:30:07,039 --> 00:30:07,638
NO, I DON'T THINK SO.

742
00:30:07,706 --> 00:30:08,772
<i>WHY?</i>

743
00:30:08,774 --> 00:30:11,708
LOOK, I DON'T BITE.

744
00:30:11,776 --> 00:30:14,077
JUST GET SOME FOOD AND BOOZE
AT MY MOTHER'S EXPENSE.

745
00:30:14,145 --> 00:30:20,584
THAT'LL MAKE IT ALL BETTER.

746
00:30:20,652 --> 00:30:28,525
<i> (KNOCK AT DOOR)</i>

747
00:30:28,527 --> 00:30:35,999
<i> (KNOCK AT DOOR)</i>

748
00:30:36,067 --> 00:30:37,400
HI.

749
00:30:37,403 --> 00:30:40,270
HI.

750
00:30:40,272 --> 00:30:42,038
HAVEN'T SEEN YOU
IN A WHILE.

751
00:30:42,107 --> 00:30:48,011
BEEN BUSY.

752
00:30:48,079 --> 00:30:50,213
YOU LOOK ALL DRESSED UP.
WHERE ARE YOU GOING?

753
00:30:50,282 --> 00:30:51,214
SAME PLACE YOU ARE.

754
00:30:51,217 --> 00:30:53,216
WHAT?

755
00:30:53,285 --> 00:30:54,851
COME ON,
I'M GONNA TAKE YOU OUT.

756
00:30:54,920 --> 00:30:56,820
(CHUCKLES)

757
00:30:56,822 --> 00:30:58,788
I DON'T FEEL LIKE IT.

758
00:30:58,857 --> 00:31:01,691
I WON'T TAKE NO
FOR AN ANSWER.

759
00:31:01,694 --> 00:31:04,794
I'M NOT EVEN DRESSED.

760
00:31:04,863 --> 00:31:10,533
I'LL GIVE YOU A MINUTE.

761
00:31:10,602 --> 00:31:11,134
SORAYA:
I'M SORRY I COULDN'T HELP
WITH THE VIDEO.

762
00:31:11,202 --> 00:31:13,136
I HAD TO WORK.

763
00:31:13,204 --> 00:31:15,872
AMY:
WELL, YOU'RE LUCKY
YOU MISSED IT.

764
00:31:15,941 --> 00:31:18,074
HEY, YOU GIRLS READY?

765
00:31:18,143 --> 00:31:19,843
AMY:
FOR WHAT?

766
00:31:19,911 --> 00:31:20,644
<i> BEN:</i>
<i> ASHLEY'S FIELD PARTY.</i>

767
00:31:20,712 --> 00:31:22,779
LIKE I'D GO TO THAT.

768
00:31:22,847 --> 00:31:23,780
WELL, I DON'T WANT
TO GO ALONE.

769
00:31:23,848 --> 00:31:24,714
<i> SORAYA:</i>
<i> AND YOU WON'T.</i>

770
00:31:24,783 --> 00:31:25,582
WE'LL BE READY
IN TWO SECONDS.

771
00:31:25,651 --> 00:31:27,183
WHAT? NO.

772
00:31:27,252 --> 00:31:28,551
(QUIETLY)
AMY.

773
00:31:28,620 --> 00:31:30,887
UM, JUST DON'T LEAVE
WITHOUT US.

774
00:31:30,956 --> 00:31:32,722
AMY, PLEASE?

775
00:31:32,725 --> 00:31:35,191
THERE IS NO WAY I WOULD GO
TO BRIAR RIDGE.

776
00:31:35,194 --> 00:31:36,260
(QUIETLY)
I'M NOT MISSING OUT
ON A CHANCE

777
00:31:36,328 --> 00:31:38,595
TO GET TO KNOW
BEN BETTER.

778
00:31:38,597 --> 00:31:43,200
YOU HAVE TO DO THIS
FOR ME.

779
00:31:43,268 --> 00:31:50,607
YOU OWE ME BIG.

780
00:31:50,676 --> 00:32:04,421
YOU E ME BIG.

781
00:32:04,489 --> 00:32:12,462
(LOUD PARTY MUSIC AND LAUGHTER)

782
00:32:12,531 --> 00:32:19,670
I'M GLAD YOU STAYED.

783
00:32:19,738 --> 00:32:23,740
(LOW BARROOM CHATTER)

784
00:32:23,808 --> 00:32:27,544
(CROWD APPLAUDS)

785
00:32:27,612 --> 00:32:35,318
(COUNTRY MUSIC STARTS)

786
00:32:35,387 --> 00:32:36,987
TO YOU.

787
00:32:36,989 --> 00:32:39,723
FOR HAVING AN IDEA
AND GOING FOR IT.

788
00:32:39,791 --> 00:32:41,792
AND LOSING EVERY FRIEND
I HAD ALONG THE WAY.

789
00:32:41,860 --> 00:32:45,462
NOT EVERY FRIEND.

790
00:32:45,530 --> 00:32:47,364
MARNIE HASN'T SPOKEN
TO ME SINCE

791
00:32:47,432 --> 00:32:48,698
AND I HAVEN'T SEEN
ANY SIGN OF JERRY

792
00:32:48,767 --> 00:32:49,800
OR THE VIDEO.

793
00:32:49,868 --> 00:32:52,235
SO...

794
00:32:52,303 --> 00:32:55,372
(SIGHING)
OH WELL.

795
00:32:55,440 --> 00:32:57,607
YOU KNOW WHAT?
TO YOU.

796
00:32:57,675 --> 00:32:59,943
THIS WAS A GREAT IDEA.
(GLASSES CLINK)

797
00:33:00,012 --> 00:33:04,681
I NEEDED TO GET OUT.

798
00:33:04,750 --> 00:33:17,560
I GUESS YOU KNOW ME
TOO WELL.

799
00:33:17,563 --> 00:33:20,163
CAN I HAVE ANOTHER ONE?

800
00:33:20,165 --> 00:33:23,833
SURE.

801
00:33:23,836 --> 00:33:26,236
YOU'RE DRIVIN'.

802
00:33:26,304 --> 00:33:29,973
(NERVOUS EXHALE)

803
00:33:30,042 --> 00:33:37,981
(PARTY MUSIC BLARES)

804
00:33:38,017 --> 00:33:38,849
CAN I GET YOU
ANYTHING?

805
00:33:38,917 --> 00:33:39,883
I'D LOVE A MARSHMALLOW.

806
00:33:39,951 --> 00:33:41,551
ALL RIGHT, DONE.

807
00:33:41,619 --> 00:33:42,852
AMY?

808
00:33:42,921 --> 00:33:44,387
OH, NOTHING.

809
00:33:44,456 --> 00:33:47,724
DON'T BURN IT.
(LAUGHING)

810
00:33:47,726 --> 00:33:55,031
OH MY GOD,
HE'S GORGEOUS.

811
00:33:55,100 --> 00:33:57,500
<i> AMY, TALK TO HIM.</i>
<i> YOU HAVE TO.</i>

812
00:33:57,503 --> 00:34:00,236
(CHUCKLES)
WHY?

813
00:34:00,305 --> 00:34:02,873
<i>(CHUCKLES)</i>
<i>GO DO IT NOW.</i>

814
00:34:02,941 --> 00:34:10,547
(LAUGHING)
GRR, GO.

815
00:34:10,549 --> 00:34:16,519
<i> LOU: (SINGING)</i>
<i> ♪ I NEVER MEANT</i>
<i> TO MAKE YOU CRY ♪</i>

816
00:34:16,588 --> 00:34:22,859
♪ AND THOUGH I KNOW
I SHOULDN'T CALL ♪

817
00:34:22,927 --> 00:34:26,630
♪ IT JUST REMINDS US
OF THE COST ♪

818
00:34:26,698 --> 00:34:29,633
♪ FOR EVERYTHING WE'VE LOST ♪

819
00:34:29,668 --> 00:34:35,705
♪ BAD TIMING THAT'S ALL ♪

820
00:34:35,773 --> 00:34:42,145
♪ AND MAYBE SOON
THERE'LL COME A DAY ♪

821
00:34:42,213 --> 00:34:48,685
♪ WHEN NO MORE TEARS
WILL FALL ♪

822
00:34:48,753 --> 00:34:52,689
♪ WE EACH FORGIVE
A LITTLE BIT ♪

823
00:34:52,757 --> 00:34:55,458
♪ AND WE'LL BOTH LOOK
BACK ON IT ♪

824
00:34:55,527 --> 00:35:01,131
<i> ♪ BAD TIMING THAT'S ALL ♪</i>

825
00:35:01,199 --> 00:35:05,935
<i> (HARMONICA PLAYS)</i>

826
00:35:05,938 --> 00:35:08,805
CROWD:
(CHEERING AND CLAPPING)
WOO HOO! YEAH!

827
00:35:08,874 --> 00:35:13,009
ALL RIGHT! WOO!

828
00:35:13,078 --> 00:35:16,880
(CLAPPING)

829
00:35:16,882 --> 00:35:21,751
CAN I TALK TO YOU?

830
00:35:21,753 --> 00:35:22,953
WHY DID YOU TAKE THE JOB
AT BRIAR RIDGE?

831
00:35:23,021 --> 00:35:24,354
YOU KNOW WHY.

832
00:35:24,422 --> 00:35:26,489
BECAUSE BEN GOT UNDER
YOUR SKIN?

833
00:35:26,558 --> 00:35:28,558
YEAH, LIKE SOME PONY BOY
COULD GET TO ME.

834
00:35:28,627 --> 00:35:30,426
THE MONEY? ASHLEY?

835
00:35:30,495 --> 00:35:32,929
I MEAN I HEARD YOU
TALKING TO GRANDPA.

836
00:35:32,997 --> 00:35:34,264
I TOLD HIM I WAS THINKING
ABOUT THE JOB AT BRIAR RIDGE.

837
00:35:34,332 --> 00:35:35,231
(LAUGHING)
THAT'S CRAZY.

838
00:35:35,300 --> 00:35:35,966
YOU HAD ALREADY MADE UP
YOUR MIND.

839
00:35:36,034 --> 00:35:37,167
NOT UNTIL YOU WALKED IN

840
00:35:37,169 --> 00:35:39,502
AND TOLD ME TO GET
THE HELL OUT!

841
00:35:39,505 --> 00:35:41,838
YOU KNOW,
YOU DRIVE ME CRAZY.

842
00:35:41,906 --> 00:35:44,708
YOU ALWAYS HAVE
TO HAVE IT YOUR WAY.

843
00:35:44,776 --> 00:35:46,443
I'M DONE.

844
00:35:46,511 --> 00:35:48,111
I'M OUTTA HERE.

845
00:35:48,113 --> 00:35:49,445
RUN AWAY.

846
00:35:49,448 --> 00:35:51,381
THAT'S WHAT YOU ALWAYS DO,

847
00:35:51,383 --> 00:35:56,386
EVEN WHEN PEOPLE-
WHEN I WANT YOU TO STAY.

848
00:35:56,454 --> 00:36:01,891
YOU COULD CARE LESS.

849
00:36:01,960 --> 00:36:03,126
YOU WERE GREAT.

850
00:36:03,128 --> 00:36:03,860
WAS I?

851
00:36:03,928 --> 00:36:05,595
YEAH, YOU WERE.

852
00:36:05,597 --> 00:36:07,263
CRAZY, BUT GREAT.

853
00:36:07,332 --> 00:36:11,134
(LAUGHING)

854
00:36:11,136 --> 00:36:20,543
<i> HOST:</i>
<i> GOOD NIGHT AND DRIVE SAFE.</i>

855
00:36:20,612 --> 00:36:23,013
<i> JACK: (NARRATING)</i>
<i> WELCOME TO HEARTLAND,</i>

856
00:36:23,081 --> 00:36:25,415
A 600-ACRE RANCH THAT'S BEEN
IN THE BARTLETT FAMILY

857
00:36:25,450 --> 00:36:28,785
FOR SIX GENERATIONS.

858
00:36:28,787 --> 00:36:30,520
IT USED TO BE A CATTLE RANCH,

859
00:36:30,588 --> 00:36:34,824
BUT MY DAUGHTER MARION
GAVE IT A NEW DIRECTION.

860
00:36:34,892 --> 00:36:36,759
<i> NOW IT'S A PLACE WHERE</i>
<i> FRIGHTENED AND ABUSED HORSES</i>

861
00:36:36,828 --> 00:36:39,629
CAN LEARN TO TRUST AGAIN;

862
00:36:39,697 --> 00:36:42,966
<i> WHERE SCARS FROM THE PAST</i>
<i> CAN BE HEALED.</i>

863
00:36:43,034 --> 00:36:44,968
<i> AMY:</i>
<i> (TEARFUL)</i>
<i> GRANDPA!</i>

864
00:36:45,036 --> 00:36:47,237
I NEED TO TALK TO YOU.

865
00:36:47,305 --> 00:36:48,705
<i> JACK: (NARRATING)</i>
<i> FOR MANY OF THESE HORSES</i>

866
00:36:48,707 --> 00:36:52,208
<i>HEARTLAND IS THEIR LAST CHANCE.</i>

867
00:36:52,277 --> 00:36:56,079
<i> JERRY: (NARRATING)</i>
<i> BUT LIFE AT HEARTLAND</i>
<i> ISN'T ALL SERIOUS.</i>

868
00:36:56,081 --> 00:36:57,380
<i> SCOTT ON CAMERA:</i>
<i> I'VE BEEN A VET</i>
<i> FOR SIX YEARS...</i>

869
00:36:57,449 --> 00:36:59,048
<i> JERRY: (NARRATING)</i>
<i> NO MARRIAGE IS PERFECT,</i>

870
00:36:59,117 --> 00:37:01,618
<i> BUT THE PEOPLE AT HEARTLAND</i>
<i> MAKE A VOW TO HELP YOUR HORSE</i>

871
00:37:01,686 --> 00:37:03,686
<i> AND THEY KEEP IT.</i>

872
00:37:03,755 --> 00:37:04,721
<i> LOU ON CAMERA:</i>
<i> OH MY GOD!</i>

873
00:37:04,789 --> 00:37:06,790
<i> CUT!</i>

874
00:37:06,858 --> 00:37:10,560
I SAID CUT!

875
00:37:10,562 --> 00:37:13,263
HE DELIVERED IT
WITHOUT SHOWING IT TO ME.

876
00:37:13,265 --> 00:37:14,664
I'LL KILL HIM.

877
00:37:14,666 --> 00:37:16,099
(CHUCKLING)

878
00:37:16,167 --> 00:37:17,234
<i> JERRY: (NARRATING)</i>
<i> WHERE PEOPLE AND HORSES,</i>

879
00:37:17,269 --> 00:37:19,135
<i> OLD WAYS AND THE FUTURE,</i>

880
00:37:19,204 --> 00:37:22,672
<i> COME TOGETHER WITH HOPE</i>
<i> AND FAITH.</i>

881
00:37:22,674 --> 00:37:24,207
<i> HEARTLAND:</i>

882
00:37:24,209 --> 00:37:27,877
<i>HEALING HORSES, HEALING HEARTS.</i>

883
00:37:27,879 --> 00:37:29,245
<i> JACK:</i>
<i> THAT'S NOT BAD,</i>

884
00:37:29,248 --> 00:37:30,747
NOT BAD AT ALL.

885
00:37:30,815 --> 00:37:32,548
(CHUCKLING)

886
00:37:32,551 --> 00:37:33,984
<i> LOU:</i>
<i> DISASTER.</i>

887
00:37:34,052 --> 00:37:37,654
<i> IT'S A TOTAL DISASTER.</i>

888
00:37:37,722 --> 00:37:39,088
I THOUGHT IT WAS GREAT.
I SUCKED, BUT...

889
00:37:39,091 --> 00:37:42,759
IT WAS AWFUL!

890
00:37:42,827 --> 00:37:44,694
I'VE FAILED.
I'VE FAILED AT EVERYTHING.

891
00:37:44,696 --> 00:37:45,762
LOU, DON'T.

892
00:37:45,764 --> 00:37:47,230
NO, IT'S TRUE!

893
00:37:47,266 --> 00:37:49,699
I AM A TOTAL LOSER!

894
00:37:49,701 --> 00:37:50,967
NO, YOU'RE NOT.
YOU'RE AMAZING.

895
00:37:51,036 --> 00:37:54,470
<i>DON'T SAY THAT!</i>

896
00:37:54,539 --> 00:37:57,206
IF YOU KNEW...

897
00:37:57,275 --> 00:37:58,441
KNEW WHAT?

898
00:37:58,443 --> 00:38:01,577
(CHUCKLES)

899
00:38:01,580 --> 00:38:03,647
YOU KNOW YOU CAN
TELL ME ANYTHING.

900
00:38:03,715 --> 00:38:07,850
<i> (CRICKETS CHIRP OUTSIDE)</i>

901
00:38:07,853 --> 00:38:10,687
I GOT FIRED.

902
00:38:10,689 --> 00:38:12,355
WHAT?

903
00:38:12,423 --> 00:38:14,190
(TEARFUL)
FROM MY JOB...

904
00:38:14,192 --> 00:38:17,294
IN NEW YORK.

905
00:38:17,329 --> 00:38:17,994
WHEN?

906
00:38:17,996 --> 00:38:19,329
THEY LET ME GO.

907
00:38:19,397 --> 00:38:20,730
WHEN?

908
00:38:20,799 --> 00:38:25,301
<i> LOU:</i>
<i> ALMOST A WEEK AGO.</i>

909
00:38:25,370 --> 00:38:31,874
<i> I STILL HAVEN'T TOLD</i>
<i> ANYONE YET.</i>

910
00:38:31,877 --> 00:38:36,946
DO YOU KNOW HOW HARD
I'VE WORKED TO GET THERE?

911
00:38:37,015 --> 00:38:50,360
TO GET OUT OF HERE?

912
00:38:50,428 --> 00:38:57,834
TO GET OUT OF HERE?

913
00:38:57,902 --> 00:38:59,769
IT'S NOT THE END
OF THE WORLD.

914
00:38:59,838 --> 00:39:02,772
YES, IT IS.

915
00:39:02,841 --> 00:39:07,510
IT IS TO ME.

916
00:39:07,579 --> 00:39:09,512
(EMOTIONAL SIGH)

917
00:39:09,548 --> 00:39:14,317
(CRICKETS CHIRP)

918
00:39:14,319 --> 00:39:16,352
(CRICKETS CHIRP)

919
00:39:16,421 --> 00:39:19,622
<i> (TELEPHONE RINGS)</i>

920
00:39:19,690 --> 00:39:22,325
(TELEPHONE RINGS)

921
00:39:22,393 --> 00:39:24,794
HELLO, HEARTLAND.

922
00:39:24,862 --> 00:39:27,463
YEAH. OH REALLY?

923
00:39:27,466 --> 00:39:29,799
WELL, I'M GLAD YOU LIKED IT.

924
00:39:29,801 --> 00:39:32,301
UH YEAH,
WE'VE GOT SOME SPACE.

925
00:39:32,370 --> 00:39:35,205
UM, NEXT WEEK?

926
00:39:35,273 --> 00:39:36,339
OKAY, SURE.

927
00:39:36,341 --> 00:39:37,140
YEAH, JUST LET ME TALK
TO MY SISTER

928
00:39:37,142 --> 00:39:38,208
AND I'LL GET BACK TO YOU.

929
00:39:38,276 --> 00:39:43,479
OKAY, WHAT'S YOUR NUMBER?

930
00:39:43,548 --> 00:39:44,947
<i> OKAY, PERFECT.</i>
<i> OKAY, THANKS.</i>

931
00:39:44,950 --> 00:39:46,949
BYE BYE.

932
00:39:46,952 --> 00:39:49,085
(BEEPS OFF PHONE)

933
00:39:49,153 --> 00:39:50,086
GOOD MORNING.

934
00:39:50,155 --> 00:39:53,323
(COFFEE POURS)

935
00:39:53,391 --> 00:39:55,325
YOU LOOK UH...
NOT SO GREAT.

936
00:39:55,393 --> 00:39:57,860
WHAT'S WRONG?

937
00:39:57,929 --> 00:39:59,295
WHAT'S WRONG?

938
00:39:59,363 --> 00:40:01,431
I GUESS YOU DIDN'T
SEE THE VIDEO.

939
00:40:01,499 --> 00:40:02,064
GRANDPA AND I SAW IT
LAST NIGHT.

940
00:40:02,133 --> 00:40:03,833
IT WAS AMAZING.

941
00:40:03,901 --> 00:40:06,503
COME ON, AMY,
IT WAS COMPLETELY HUMILIATING.

942
00:40:06,571 --> 00:40:08,337
IT WAS FUNNY
AND PEOPLE LOVED IT.

943
00:40:08,406 --> 00:40:09,972
I MEAN THE PHONE'S BEEN
RINGING ALL MORNING.

944
00:40:10,041 --> 00:40:11,841
THE WEBSITE'S NEVER
HAD SO MANY HITS.

945
00:40:11,910 --> 00:40:13,776
IT'S INSANE.
WE'RE FAMOUS.

946
00:40:13,845 --> 00:40:16,813
<i> (SCREEN DOOR BANGS SHUT)</i>

947
00:40:16,881 --> 00:40:20,583
JACK:
WELL GOOD MORNING, SLEEPY.

948
00:40:20,585 --> 00:40:22,185
BOTH:
(CHUCKLE)

949
00:40:22,253 --> 00:40:24,554
GOOD JOB, LOU.

950
00:40:24,622 --> 00:40:25,922
YOU KNOW, I MIGHT NOT HAVE BEEN
YOUR BIGGEST CHEERLEADER,

951
00:40:25,990 --> 00:40:28,057
BUT...

952
00:40:28,125 --> 00:40:29,926
NEXT TIME YOU HAVE
ONE OF YOUR BIG IDEAS,

953
00:40:29,994 --> 00:40:39,936
I MIGHT LISTEN.

954
00:40:40,004 --> 00:40:42,872
(SIGHS)

955
00:40:42,940 --> 00:40:45,808
JACK:
AND I WASN'T HALF BAD,
WAS I?

956
00:40:45,877 --> 00:40:47,177
BETTER THAN VAL STANTON,
THAT'S FOR SURE.

957
00:40:47,245 --> 00:40:48,411
(CHUCKLING)

958
00:40:48,480 --> 00:40:50,980
(TELEPHONE RINGS)

959
00:40:51,048 --> 00:41:00,022
HELLO, HEARTLAND.

960
00:41:00,025 --> 00:41:07,630
HELLO, HEARTLAND.

961
00:41:07,632 --> 00:41:08,631
<i> JACK:</i>
<i> SO THEY LET YOU GO.</i>

962
00:41:08,633 --> 00:41:12,535
THAT'S NOTHING TO BE
ASHAMED OF.

963
00:41:12,603 --> 00:41:14,370
YOU TRIED YOUR BEST
TO DO EVERYTHING.

964
00:41:14,439 --> 00:41:16,372
I KNOW, BUT...

965
00:41:16,374 --> 00:41:21,644
SOMETIMES SOMETHING
HAS TO GIVE.

966
00:41:21,712 --> 00:41:34,190
AT LEAST NOW YOU WON'T
BE SO TORN.

967
00:41:34,258 --> 00:41:41,331
AT LEAST NOW YOU WON'T
BE SO TORN.

968
00:41:41,399 --> 00:41:55,144
(TRUCK RUMBLES DOWN DRIVEWAY)

969
00:41:55,146 --> 00:42:03,619
(TRUCK RUMBLES DOWN DRIVEWAY)

970
00:42:03,622 --> 00:42:05,755
I'M NOT STEALING.

971
00:42:05,823 --> 00:42:09,425
MALLORY GAVE THIS
TO ME.

972
00:42:09,493 --> 00:42:11,528
I JUST THOUGHT
I'D TAKE IT WITH ME

973
00:42:11,563 --> 00:42:14,196
IN CASE I EVER NEED
TO RIDE AGAIN.

974
00:42:14,265 --> 00:42:16,933
YOU KNOW,
MAKE A QUICK GETAWAY.

975
00:42:17,001 --> 00:42:19,468
WHERE ARE YOU GOING?

976
00:42:19,537 --> 00:42:22,738
I DON'T KNOW.

977
00:42:22,807 --> 00:42:26,075
YOU COULD STAY.

978
00:42:26,144 --> 00:42:28,444
BECAUSE?

979
00:42:28,513 --> 00:42:30,379
BECAUSE...

980
00:42:30,382 --> 00:42:33,849
I WAS WRONG.

981
00:42:33,918 --> 00:42:35,952
<i> BECAUSE I WANT YOU TO.</i>

982
00:42:36,020 --> 00:42:39,121
WHY?

983
00:42:39,124 --> 00:42:44,360
BECAUSE...

984
00:42:44,428 --> 00:42:48,631
I DON'T KNOW.
(CHUCKLES)

985
00:42:48,699 --> 00:42:51,668
(WHISPERING)
JUST STAY.

986
00:42:51,736 --> 00:42:55,738
PLEASE.

987
00:42:55,807 --> 00:42:59,576
OKAY.

988
00:42:59,611 --> 00:43:03,746
IF IT'S FINE
WITH JACK.

989
00:43:03,814 --> 00:43:07,149
LIKE HE'LL SAY NO.
(LAUGHS)

990
00:43:07,218 --> 00:43:07,817
NOTHING HE LOVES MORE
THAN BOSSING YOU AROUND.

991
00:43:07,885 --> 00:43:12,822
(CHUCKLES)

992
00:43:12,824 --> 00:43:19,362
(FLIES BUZZING)

993
00:43:19,364 --> 00:43:22,832
I THINK YOU OUGHTA DO
THE RIGHT THING.

994
00:43:22,900 --> 00:43:25,201
JUST MOVE IT BACK.

995
00:43:25,203 --> 00:43:28,070
IT'LL HELP LOU...

996
00:43:28,139 --> 00:43:30,640
WELL, IT'LL MAKE HER
FEEL BETTER.

997
00:43:30,708 --> 00:43:32,708
SURE. DOWNSIZING.

998
00:43:32,777 --> 00:43:34,978
THAT'S WHAT MY DAD SAID
WHEN HE GOT FIRED.

999
00:43:35,046 --> 00:43:35,978
HOW DO YOU KNOW
ABOUT THAT?

1000
00:43:36,047 --> 00:43:43,319
I GOT EARS.

1001
00:43:43,355 --> 00:43:45,588
OH MY GOD!
TY, YOU'RE BACK!

1002
00:43:45,657 --> 00:43:46,622
TY:
(CHUCKLING)

1003
00:43:46,691 --> 00:43:47,790
(LAUGHING)

1004
00:43:47,859 --> 00:43:49,692
TY:
HEY.

1005
00:43:49,760 --> 00:43:50,893
MALLORY:
I MISSED YOU SO MUCH.
DID YOU SEE THE BARN DOOR?

1006
00:43:50,961 --> 00:43:52,061
I PAINTED IT.

1007
00:43:52,130 --> 00:43:53,329
<i> NOT BECAUSE I WANTED TO,</i>

1008
00:43:53,397 --> 00:43:55,531
<i> BUT BECAUSE LOU WENT</i>
<i> ALL TYPE-A</i>

1009
00:43:55,533 --> 00:43:58,501
AND DECIDED THE PLACE NEEDED
AN EXTREME MAKEOVER.

1010
00:43:58,569 --> 00:44:02,204
AMY:
GOOD BOY.

1011
00:44:02,207 --> 00:44:04,807
SCOTT:
YOU'VE DONE AN AWESOME JOB.

1012
00:44:04,809 --> 00:44:06,976
AMY:
THANKS. YEAH, HE'S...

1013
00:44:07,045 --> 00:44:09,879
HE'S PRETTY GREAT.

1014
00:44:09,881 --> 00:44:13,216
<i> SCOTT:</i>
<i> DO YOU HAVE A NAME</i>
<i> FOR THE ANIMAL YET?</i>

1015
00:44:13,284 --> 00:44:15,485
YEAH, WELL, LIKE YOU SAID,

1016
00:44:15,553 --> 00:44:17,453
HE'S AS STUBBORN AS A MULE

1017
00:44:17,521 --> 00:44:20,890
AND HAS ALMOST ZERO
PEOPLE SKILLS.

1018
00:44:20,958 --> 00:44:24,193
SO I DECIDED
TO CALL HIM...

1019
00:44:24,261 --> 00:44:25,961
LOU.

1020
00:44:26,030 --> 00:44:31,434
ALL:
(LAUGHING)

1021
00:44:31,436 --> 00:44:33,736
YOU THINK THAT'S FUNNY?

1022
00:44:33,804 --> 00:44:34,570
OTHERS:
(LAUGHING)