1
00:00:00,768 --> 00:00:01,834
PREVIOUSLY ON "HEARTLAND":
2
00:00:01,968 --> 00:00:03,502
UM, HE ORDERED
THE SASKATOON BERRY.
3
00:00:03,637 --> 00:00:05,237
MOST OF OUR CUSTOMERS
PREFER APPLE.
4
00:00:05,339 --> 00:00:06,238
THE BOY, SHANE.
5
00:00:06,307 --> 00:00:07,239
YEAH.
6
00:00:07,341 --> 00:00:08,874
HE'S MY SON.
7
00:00:08,943 --> 00:00:10,776
WHAT THE HELL AM I GONNA DO?
8
00:00:10,845 --> 00:00:12,111
YOU DON'T REPEAT THE PAST.
9
00:00:12,179 --> 00:00:13,979
I JUST NEED YOU TO KNOW
I'M BEHIND ASHLEY,
10
00:00:14,114 --> 00:00:15,313
ALL THE WAY.
11
00:00:15,316 --> 00:00:16,582
IN FACT,
I'M MOVING TO BC WITH HER.
12
00:00:16,716 --> 00:00:17,816
YOU'RE GOING WITH HER?
13
00:00:17,918 --> 00:00:19,284
OKAY...
14
00:00:19,419 --> 00:00:20,686
GET 'ER DONE.
ABSOLUTELY.
15
00:00:22,857 --> 00:00:24,023
TIM:
SHANE?!
16
00:00:24,124 --> 00:00:25,157
MIRANDA?!
17
00:00:27,828 --> 00:00:28,694
WHAT'RE YOU DOING HERE?
18
00:00:28,796 --> 00:00:29,995
SHE'S IN FULL OUT LABOUR.
19
00:00:30,031 --> 00:00:31,030
WE NEVER WOULD'VE MADE IT
TO THE HOSPITAL.
20
00:00:31,164 --> 00:00:32,798
IT'S A GIRL, LOU.
IT'S...
21
00:00:32,933 --> 00:00:34,600
SHE'S BEAUTIFUL.
22
00:00:34,701 --> 00:00:35,734
WELCOME.
23
00:00:46,613 --> 00:00:49,648
(THUNDEROUS HOOFBEATS)
24
00:01:04,398 --> 00:01:08,200
(SPARTAN GALLOPS QUICKLY,
TACK JINGLING)
25
00:01:10,103 --> 00:01:13,105
(THUNDEROUS HOOFBEATS)
26
00:01:29,723 --> 00:01:31,757
(SPARTAN GRUNTS LIGHTLY)
27
00:01:34,094 --> 00:01:36,762
(HORSE WHINNIES
IN THE DISTANCE)
28
00:02:05,158 --> 00:02:06,492
(HORSE WHINNIES)
29
00:02:13,500 --> 00:02:14,800
(HORSE NICKERS)
30
00:02:46,400 --> 00:02:47,799
HI.
HELLO.
31
00:02:49,269 --> 00:02:50,135
RENARD PEREZ.
32
00:02:50,270 --> 00:02:51,403
AMY FLEMING.
33
00:02:51,472 --> 00:02:54,039
THAT WAS ABSOLUTELY AMAZING.
34
00:02:54,174 --> 00:02:55,874
I'VE NEVER SEEN ANYTHING
LIKE IT.
35
00:02:55,943 --> 00:02:57,075
WHAT KIND OF HORSES
ARE THEY?
36
00:02:57,210 --> 00:02:58,310
ANDALUSIANS.
37
00:02:58,445 --> 00:03:00,746
MERCUTIO AND LAERTES.
38
00:03:00,880 --> 00:03:02,481
THEY'RE ABSOLUTELY
BEAUTIFUL.
39
00:03:02,616 --> 00:03:03,682
AND TALENTED,
40
00:03:03,751 --> 00:03:05,284
BUT I SHOULDN'T SAY THAT
OUT LOUD.
41
00:03:05,352 --> 00:03:06,752
THEY'RE A COUPLE OF DIVAS;
42
00:03:06,886 --> 00:03:09,154
THAT'S WHAT HAPPENS
WHEN YOU PUT THEM ON A STAGE.
43
00:03:09,223 --> 00:03:11,990
FOR...
AH, DARK HORSE.
IT'S AN EQUESTRIAN SHOW.
44
00:03:12,092 --> 00:03:13,392
WE'RE GETTING READY
TO OPEN UP IN CALGARY.
45
00:03:13,460 --> 00:03:14,659
I'VE HEARD ABOUT IT.
46
00:03:14,662 --> 00:03:15,627
YOU'RE THE DIRECTOR,
AREN'T YOU?
47
00:03:15,762 --> 00:03:17,996
DIRECTOR?
THAT'S A BIT THEATRICAL.
48
00:03:18,098 --> 00:03:19,264
NO,
I'M JUST A HORSE TRAINER.
49
00:03:19,333 --> 00:03:20,665
THAT'S ALL.
50
00:03:20,668 --> 00:03:22,267
ACTUALLY, THEY TRAIN ME
MORE THAN I TRAIN THEM.
51
00:03:22,402 --> 00:03:23,969
I HAVE A LOT TO LEARN,
52
00:03:24,071 --> 00:03:25,637
THIS IS THE BEST PLACE
TO DO IT.
53
00:03:25,739 --> 00:03:26,738
WOW...
54
00:03:26,740 --> 00:03:28,106
SO DO YOU COME OUT HERE
A LOT?
55
00:03:28,241 --> 00:03:29,575
I'M GONNA BE TRAPPED
IN THE CITY.
56
00:03:29,709 --> 00:03:31,977
BUT FOR NOW,
I BRING MY TENT OUT HERE,
57
00:03:32,112 --> 00:03:34,479
CAMP WITH THE HORSES
AND WE PLAY TOGETHER.
58
00:03:34,614 --> 00:03:36,481
(WHISPERS)
JUST DON'T TELL THEM
IT'S A REHEARSAL.
59
00:03:36,583 --> 00:03:38,016
(LAUGHS)
I WON'T.
60
00:03:38,151 --> 00:03:39,484
WELL, I'LL...
I'LL LEAVE YOU TO IT.
61
00:03:39,586 --> 00:03:41,320
NO, NO...
TAKE A SEAT.
62
00:03:41,421 --> 00:03:42,688
FRONT ROW.
63
00:03:42,822 --> 00:03:44,389
THEY LOVE AN AUDIENCE.
64
00:03:44,524 --> 00:03:45,757
THANKS.
65
00:03:45,892 --> 00:03:47,726
(DRAMATIC MUSIC PLAYS)
66
00:03:52,465 --> 00:03:54,800
(HOOVES THUD,
HORSES GRUNT)
67
00:03:56,436 --> 00:03:58,437
(SNUFFLING AND GRUNTING)
68
00:04:04,911 --> 00:04:11,983
♪♪♪
69
00:04:11,985 --> 00:04:19,358
♪♪♪
70
00:04:19,492 --> 00:04:26,965
♪♪♪
71
00:04:26,967 --> 00:04:34,373
♪♪♪
72
00:04:34,507 --> 00:04:36,174
♪♪♪
73
00:04:37,177 --> 00:04:39,278
(WHINNYING)
74
00:04:39,379 --> 00:04:40,746
(MUSIC CRESCENDOS)
75
00:04:47,087 --> 00:04:48,086
(CLAPPING)
76
00:04:51,391 --> 00:04:52,424
(LAUGHS)
77
00:04:57,264 --> 00:05:05,070
♪♪♪
78
00:05:05,072 --> 00:05:12,477
♪♪♪
79
00:05:12,612 --> 00:05:17,949
♪ And at the break of day
you sank into your dream ♪
80
00:05:19,753 --> 00:05:20,819
♪ You dreamer ♪
81
00:05:20,921 --> 00:05:23,722
♪ Oh, oh, oh... ♪
82
00:05:23,857 --> 00:05:25,824
♪ You dreamer ♪
83
00:05:28,027 --> 00:05:31,897
♪ You dreamer ♪
84
00:05:37,437 --> 00:05:39,805
TY:
(SINGS ALONG WITH RADIO)
85
00:05:43,043 --> 00:05:45,043
♪ IN THE STABLE OVERNIGHT ♪
86
00:05:46,713 --> 00:05:48,947
♪ LIKE A DIAMOND IN THE ROUGH ♪
87
00:05:49,049 --> 00:05:52,918
♪ I CAME TO SHINE HERE ♪
88
00:05:58,092 --> 00:05:59,157
(TRUCK RUMBLES)
89
00:06:02,062 --> 00:06:05,230
♪ I just love coming down ♪
90
00:06:05,332 --> 00:06:07,265
♪ To this ol' barn ♪
91
00:06:08,268 --> 00:06:10,435
JACK:
WHOA! HUP, HUP, HUP.
92
00:06:11,238 --> 00:06:12,704
(CALLS TO CATTLE)
93
00:06:16,744 --> 00:06:18,610
WHOA, WHOA, GET UP THERE.
94
00:06:19,612 --> 00:06:20,612
WHOA...
95
00:06:22,749 --> 00:06:24,116
TIM:
LISTEN, JACK.
I TOLD YOU,
96
00:06:24,184 --> 00:06:25,617
IT'S NOT LIKE I GAVE UP ON IT.
97
00:06:25,752 --> 00:06:26,952
I'VE BEEN LOOKING FOR 'EM
FOR MONTHS.
98
00:06:27,020 --> 00:06:28,920
JACK:
IS THAT SO?
99
00:06:29,055 --> 00:06:30,355
TIM:
YEAH, THAT'S SO.
100
00:06:30,424 --> 00:06:31,957
EVER SINCE THE DUDE RANCH.
101
00:06:32,058 --> 00:06:33,492
I HAVEN'T HAD ANY LUCK.
102
00:06:33,560 --> 00:06:34,960
WELL, MAYBE YOU'RE NOT LOOKING
HARD ENOUGH.
103
00:06:35,094 --> 00:06:36,428
OH, COME ON...
104
00:06:36,563 --> 00:06:38,363
JACK:
FORT ST. JOHN IS NOT
THAT BIG A PLACE.
105
00:06:38,432 --> 00:06:39,898
NO, IT'S NOT THAT BIG A PLACE.
106
00:06:39,900 --> 00:06:41,666
SO OBVIOUSLY MIRANDA
DOESN'T WANNA BE FOUND.
107
00:06:41,768 --> 00:06:43,902
WHAT ABOUT SHANE?
WHAT DO YOU THINK HE WANTS?
108
00:06:44,037 --> 00:06:45,303
(HORSE NICKERS)
109
00:06:46,240 --> 00:06:47,439
H'YAH!
110
00:06:47,574 --> 00:06:48,740
(CATTLE MOO)
111
00:06:56,249 --> 00:06:57,682
(LOW HUM CHATTER)
112
00:07:04,925 --> 00:07:06,591
MALLORY:
SO, THE SPRING FLING
IS COMING UP
113
00:07:06,726 --> 00:07:08,360
AND I DON'T HAVE A DATE.
114
00:07:08,495 --> 00:07:09,594
WHY DO YOU NEED A DATE?
115
00:07:09,729 --> 00:07:10,695
JUST GO ALONE.
116
00:07:10,830 --> 00:07:12,464
ALONE?
ARE YOU KIDDING ME?
117
00:07:12,599 --> 00:07:14,900
DO YOU KNOW WHAT THAT WOULD DO
TO MY CLASS CRED?
118
00:07:15,034 --> 00:07:16,468
SOCIAL SUICIDE.
119
00:07:16,537 --> 00:07:17,702
WHAT IF JAKE SAW ME?
120
00:07:17,837 --> 00:07:19,170
UH, MALLORY...
121
00:07:19,173 --> 00:07:21,306
MIGHT AS WELL GET "LOSER"
TATTOOED ON MY FOREHEAD.
122
00:07:24,077 --> 00:07:25,110
HI.
123
00:07:26,079 --> 00:07:27,312
HI.
124
00:07:27,447 --> 00:07:28,680
HEY, JAKE.
125
00:07:28,782 --> 00:07:30,482
HEY.
126
00:07:30,617 --> 00:07:32,551
I GUESS YOU HEARD.
127
00:07:32,619 --> 00:07:33,685
HEARD WHAT?
128
00:07:33,754 --> 00:07:35,720
UH, JAMIE AND I BROKE UP.
129
00:07:35,822 --> 00:07:38,623
OH, SORRY,
HADN'T HEARD.
130
00:07:38,758 --> 00:07:41,026
WELL, YES, SORT OF,
BUT NOT FOR SURE.
131
00:07:41,094 --> 00:07:42,928
SO, WHAT'S HAPPENING?
132
00:07:43,062 --> 00:07:44,296
LOT OF THINGS.
ALWAYS.
133
00:07:44,364 --> 00:07:47,098
I'M JUST
ONE BIG HAPPENING.
134
00:07:47,233 --> 00:07:48,566
SO, THE DANCE IS COMING UP.
135
00:07:48,702 --> 00:07:50,702
REALLY? HADN'T REALLY
THOUGHT MUCH ABOUT IT.
136
00:07:50,771 --> 00:07:52,404
ARE YOU GOING?
137
00:07:52,506 --> 00:07:54,105
LOOK, JAKE,
138
00:07:54,174 --> 00:07:55,574
BEFORE THINGS GET WEIRD,
139
00:07:55,708 --> 00:07:56,908
I JUST WANT TO SAY
140
00:07:56,910 --> 00:07:58,109
THAT I'M NOT INTERESTED
IN BEING ASKED OUT
141
00:07:58,178 --> 00:07:59,611
BY SOMEONE
WHO'S ON THE REBOUND,
142
00:07:59,746 --> 00:08:02,347
SO JUST FORGET ABOUT IT,
OKAY?
143
00:08:02,449 --> 00:08:03,515
WHO SAID I WAS ASKING?
144
00:08:03,650 --> 00:08:04,583
I WAS WONDERING
IF YOU WERE GOING,
145
00:08:04,717 --> 00:08:05,717
THAT'S ALL.
146
00:08:08,722 --> 00:08:09,788
LOSER.
147
00:08:15,929 --> 00:08:17,529
HEY, SHANE!
148
00:08:18,498 --> 00:08:20,499
TY BORDEN.
I'M AMY'S... FRIEND.
149
00:08:20,600 --> 00:08:22,300
OH YEAH.
YEAH, YEAH, I REMEMBER.
150
00:08:22,435 --> 00:08:23,535
HOW'RE YOU DOING?
151
00:08:23,670 --> 00:08:24,669
GOOD, MAN.
WHAT'RE YOU DOING IN HUDSON?
152
00:08:28,074 --> 00:08:30,575
(SPARTAN GRUNTS,
HOOVES THUD)
153
00:08:34,014 --> 00:08:36,047
COME ON.
(CLUCKS TONGUE)
154
00:08:49,663 --> 00:08:52,864
HEY, TY, YOU ARE NOT
GONNA BELIEVE THIS.
155
00:08:52,966 --> 00:08:54,699
IT JUST SAW
THE MOST AMAZING THING!
156
00:08:54,834 --> 00:08:56,100
THERE WAS THIS GUY
WHO'S-
157
00:08:56,236 --> 00:08:57,335
HE'S IN A SHOW,
A HORSE SHOW IN CALGARY.
158
00:08:57,471 --> 00:08:58,136
HE WAS WORKING
WITH THESE HORSES.
159
00:08:58,271 --> 00:09:00,672
HEY.
HEY, I'M BACK.
160
00:09:00,774 --> 00:09:01,706
SHANE?
161
00:09:01,841 --> 00:09:02,874
WHERE'S PAL?
I WANNA SEE HER.
162
00:09:03,009 --> 00:09:05,210
IS SHE IN THE BARN?
NO. SHE'S NOT.
163
00:09:05,279 --> 00:09:06,544
WHERE IS SHE THEN?
164
00:09:06,580 --> 00:09:07,746
THAT DOESN'T MATTER.
WHAT'RE YOU DOING HERE?
165
00:09:07,847 --> 00:09:09,414
HOW DID YOU GET
TO HUDSON?
166
00:09:09,483 --> 00:09:10,982
ON THE BUS.
167
00:09:11,084 --> 00:09:12,049
ON THE BUS?
168
00:09:12,052 --> 00:09:13,385
YEAH.
YEAH, IT'S NO BIG DEAL.
169
00:09:13,453 --> 00:09:14,452
DOES YOUR MOM KNOW
YOU'RE HERE?
170
00:09:14,521 --> 00:09:16,187
I ALREADY ASKED HIM THAT.
171
00:09:16,256 --> 00:09:17,255
AND DOES SHE?
172
00:09:17,391 --> 00:09:19,024
YEAH!
NO, EVERYTHING'S COOL.
173
00:09:19,158 --> 00:09:21,092
MY MOM KNOWS.
174
00:09:21,194 --> 00:09:22,260
WELL, I'LL BE...
175
00:09:22,362 --> 00:09:23,628
HEY!
HEY, TIM!
176
00:09:24,565 --> 00:09:25,730
HEY.
177
00:09:25,865 --> 00:09:27,732
HEY.
WHERE, WHERE'S...
178
00:09:27,867 --> 00:09:29,067
WHERE'S YOUR MOM?
179
00:09:29,136 --> 00:09:30,402
JACK:
LOOK WHO'S HERE.
180
00:09:30,470 --> 00:09:32,470
GOOD TO SEE YOU, SHANE.
181
00:09:32,539 --> 00:09:34,372
SO? WHERE IS YOUR MOM?
182
00:09:34,474 --> 00:09:36,741
AMY:
HE SAID SHE KNOWS HE IS HERE.
183
00:09:36,876 --> 00:09:37,943
TIM:
OH REALLY?
184
00:09:38,077 --> 00:09:40,679
WELL,
185
00:09:40,813 --> 00:09:42,247
MAYBE WE SHOULD
GIVE HER A CALL.
186
00:09:42,349 --> 00:09:43,949
WHAT DO YOU THINK?
187
00:09:44,083 --> 00:09:45,516
HUH?
188
00:09:45,519 --> 00:09:47,085
MIGHT BE A GOOD IDEA.
YEAH, LET'S GIVE HER A CALL.
189
00:09:52,326 --> 00:09:54,025
AMY:
NOW, WHY WOULD SHANE
JUST SHOW UP HERE
190
00:09:54,094 --> 00:09:55,060
OUT OF THE BLUE?
191
00:09:55,194 --> 00:09:56,494
AND DID YOU SEE
192
00:09:56,496 --> 00:09:57,161
THE LOOK ON MY DAD'S FACE
WHEN HE SAW HIM?
193
00:09:57,164 --> 00:09:58,462
THIS IS JUST WEIRD.
194
00:09:58,498 --> 00:10:00,899
WELL, MAYBE HE JUST MISSES
HIS HORSE.
195
00:10:01,034 --> 00:10:02,167
I KNOW HE MISSES BEING HERE.
I DON'T KNOW...
196
00:10:02,235 --> 00:10:03,668
YEAH, I GUESS.
197
00:10:03,803 --> 00:10:04,736
HEY, WHAT WERE YOU
STARTING TO TELL ME
198
00:10:04,871 --> 00:10:05,737
WHEN YOU SHOWED UP?
199
00:10:05,839 --> 00:10:07,939
OH, TY, IT WAS INCREDIBLE.
200
00:10:08,008 --> 00:10:09,874
RECORDING:
THE NUMBER YOU HAVE REACHED
IS NOT-
201
00:10:09,976 --> 00:10:13,345
OKAY.
THE NUMBER'S NO LONGER LISTED.
202
00:10:13,479 --> 00:10:17,015
MUST BE A PHONE PROBLEM
OR SOMETHING.
203
00:10:17,150 --> 00:10:18,483
WELL, IT COULD BE.
204
00:10:19,852 --> 00:10:21,386
ONCE AND FOR ALL,
OKAY,
205
00:10:21,455 --> 00:10:23,622
YOU WANNA TELL ME
WHERE YOU AND YOUR MOTHER LIVE?
206
00:10:23,756 --> 00:10:24,923
COME ON, YOU'RE GONNA TELL ME
THIS RIGHT NOW,
207
00:10:25,058 --> 00:10:26,625
OR THERE'S GONNA BE
TROUBLE.
208
00:10:26,693 --> 00:10:27,859
MOOSE JAW.
209
00:10:27,928 --> 00:10:29,193
MOOSE JAW?
210
00:10:29,329 --> 00:10:30,829
YOU TOOK A BUS FROM MOOSE JAW,
SASKATCHEWAN,
211
00:10:30,963 --> 00:10:32,430
BY YOURSELF?
212
00:10:32,565 --> 00:10:33,565
AND YOUR MOTHER WAS GOOD
WITH THAT?
213
00:10:33,634 --> 00:10:35,400
YEAH.
214
00:10:35,535 --> 00:10:38,069
JACK:
I DON'T KNOW
THAT I'M BUYING THAT.
215
00:10:38,204 --> 00:10:39,938
YOU CALL HER AGAIN
216
00:10:40,073 --> 00:10:42,173
AND YOU GET THE NUMBER RIGHT
THIS TIME.
217
00:10:42,275 --> 00:10:45,143
GET AN ADDRESS
WHILE YOU'RE AT IT.
218
00:10:45,278 --> 00:10:46,678
(PHONE KEYS BEEP)
219
00:10:53,020 --> 00:10:54,819
HEY, MOM.
IT'S ME.
220
00:10:54,954 --> 00:10:58,156
MOM, CHILL OUT.
I'M AT HEARTLAND.
221
00:10:58,225 --> 00:10:59,290
ON THE BUS.
222
00:11:01,027 --> 00:11:02,127
OKAY, OKAY.
223
00:11:04,297 --> 00:11:06,364
SHE WANTS TO TALK TO YOU.
224
00:11:06,499 --> 00:11:08,333
MIRANDA.
225
00:11:08,468 --> 00:11:10,301
YEAH.
YEAH, HE'S SAFE.
226
00:11:12,004 --> 00:11:13,505
EXCUSE ME?
227
00:11:14,441 --> 00:11:15,874
NO, I'VE BEEN...
228
00:11:16,008 --> 00:11:16,975
I'VE BEEN TRYING
TO GET A HOLD OF YOU
229
00:11:17,044 --> 00:11:18,910
FOR THE PAST FIVE MONTHS.
230
00:11:19,912 --> 00:11:21,112
AND YOU JUST DISAPPEAR,
231
00:11:21,114 --> 00:11:23,915
MAKE IT IMPOSSIBLE FOR ME
TO FIND YOU.
232
00:11:24,050 --> 00:11:25,650
SO...
233
00:11:25,785 --> 00:11:27,519
PRETTY DUMB THING TO DO,
234
00:11:27,620 --> 00:11:30,055
LEAVING HOME,
NOT TELLING YOUR MOTHER.
235
00:11:30,189 --> 00:11:31,623
WHAT'S GOING ON?
236
00:11:31,758 --> 00:11:33,591
NOTHING'S GOING ON.
I JUST WANTED TO VISIT.
237
00:11:33,726 --> 00:11:34,726
OH.
238
00:11:37,029 --> 00:11:38,463
SO, WHAT'S THE PLAN?
239
00:11:38,598 --> 00:11:39,864
TIM:
THE PLAN? THE PLAN IS YOU
STAY HERE TONIGHT,
240
00:11:39,999 --> 00:11:41,366
AND YOUR MOTHER COMES
TO PICK YOU UP TOMORROW.
241
00:11:41,501 --> 00:11:42,600
SWEET.
242
00:11:42,735 --> 00:11:44,169
SWEET?
NO, I WOULDN'T SAY THAT.
243
00:11:44,270 --> 00:11:47,272
NOT THE KIND OF TROUBLE
YOU'RE IN.
244
00:11:48,274 --> 00:11:50,375
WELL,
YOU'VE FOUND 'EM NOW.
245
00:11:50,510 --> 00:11:52,343
WHAT'RE YOU GONNA DO
ABOUT IT?
246
00:11:56,716 --> 00:12:00,151
AMY:
OKAY, SO ALL HE HAD TO DO
WAS RAISE UP BOTH HIS ARMS
247
00:12:00,286 --> 00:12:01,619
AND HIS HORSES WOULD REAR UP.
248
00:12:01,621 --> 00:12:03,822
BUT BOTH AT THE SAME TIME.
IT WAS LIKE...
249
00:12:03,890 --> 00:12:05,724
MAN, I WISH I COULD DO
WHAT RENARD DOES.
250
00:12:05,825 --> 00:12:07,992
IT'S THE MOST AMAZING THING
I'VE EVER SEEN.
251
00:12:08,127 --> 00:12:10,295
AND THEN HE'D HAVE HIS HORSES
GOING AROUND...
252
00:12:10,429 --> 00:12:12,297
ONLY NOT QUITE LIKE THIS.
253
00:12:12,398 --> 00:12:13,531
IT WAS A LITTLE BIT BETTER.
254
00:12:13,666 --> 00:12:14,866
IT WAS MORE LIKE A DANCE.
255
00:12:15,001 --> 00:12:16,367
LIKE HE WAS DANCING
WITH HIS HORSES.
256
00:12:16,469 --> 00:12:18,303
AND IT JUST...
NO, BUT IT LOOKED BEAUTIFUL.
257
00:12:18,371 --> 00:12:19,437
IT WAS SO COOL!
258
00:12:20,640 --> 00:12:22,307
WHAT?
LOOK AT YOU.
259
00:12:22,441 --> 00:12:23,775
YOU'RE LIKE A KID
ON CHRISTMAS.
260
00:12:23,910 --> 00:12:26,211
(LAUGHS)
I FEEL LIKE THAT.
261
00:12:26,312 --> 00:12:27,479
I REALLY DO!
262
00:12:28,415 --> 00:12:30,648
HEY! SO...
263
00:12:30,750 --> 00:12:31,983
WHAT'S UP?
264
00:12:32,118 --> 00:12:34,052
WELL, YOUR DAD MADE ME
CALL MY MOM.
265
00:12:34,187 --> 00:12:35,519
AND...?
266
00:12:35,522 --> 00:12:36,821
SHANE:
AND SHE'S COMING TO GET ME.
267
00:12:36,956 --> 00:12:38,456
BUT NOT UNTIL TOMORROW,
268
00:12:38,458 --> 00:12:40,759
SO AT LEAST I GET TO STAY HERE
FOR A LITTLE WHILE.
269
00:12:40,860 --> 00:12:42,761
NOW CAN I RIDE PAL?
270
00:12:43,763 --> 00:12:45,363
UM... THANKS.
271
00:12:47,934 --> 00:12:49,200
SHANE:
SO, YOU GUYS,
272
00:12:49,335 --> 00:12:50,335
ARE YOU LIKE BOYFRIEND
AND GIRLFRIEND?
273
00:12:50,403 --> 00:12:51,903
GOOD QUESTION.
274
00:12:52,005 --> 00:12:53,471
HE TOLD ME HE WAS YOUR
"FRIEND".
275
00:12:53,540 --> 00:12:55,273
AMY:
OH, HE DID, DID HE? HMM.
276
00:12:55,342 --> 00:12:56,708
OKAY TO USE THIS ONE?
277
00:12:56,843 --> 00:12:58,343
SHANE, WHY DON'T YOU
RIDE HARLEY?
278
00:12:58,477 --> 00:12:59,978
HE'S HERE AND ALREADY IN HERE
AND READY TO BE TACKED UP.
279
00:13:00,079 --> 00:13:01,212
NAH.
NO, LET'S GET PAL.
280
00:13:01,214 --> 00:13:02,714
I CAN'T WAIT
TO SEE HER AGAIN.
281
00:13:02,849 --> 00:13:05,216
THAT'S JUST THE THING.
UM...
282
00:13:05,351 --> 00:13:06,718
WHAT?
283
00:13:06,787 --> 00:13:08,419
IT'S PAL.
284
00:13:08,521 --> 00:13:10,288
WHAT ABOUT HER?
285
00:13:11,724 --> 00:13:12,724
DID SHE DIE?
286
00:13:12,793 --> 00:13:15,627
NO. SHE DIDN'T DIE,
BUT...
287
00:13:15,761 --> 00:13:19,164
I RE-HOMED HER -
MONTHS AGO.
288
00:13:19,298 --> 00:13:20,698
SHANE,
WHAT WAS I SUPPOSED TO DO?
289
00:13:20,700 --> 00:13:25,603
SHE WAS A RESCUE HORSE.
I HAD TO FIND A HOME FOR HER.
290
00:13:25,705 --> 00:13:27,605
SHE WAS MY HORSE.
291
00:13:28,775 --> 00:13:29,808
SHANE...
292
00:13:31,645 --> 00:13:33,244
SHANE, WAIT!
293
00:13:33,379 --> 00:13:35,914
WHY WON'T YOU TALK TO ME?
WHAT'S GOING ON?
294
00:13:35,982 --> 00:13:37,582
I MEAN,
WHY ARE YOU HERE?
295
00:13:37,651 --> 00:13:38,950
SHANE, WHY DID YOU RUN AWAY?
296
00:13:39,052 --> 00:13:40,919
YOU WANNA KNOW WHY?
297
00:13:41,053 --> 00:13:44,088
BECAUSE SINCE I'VE LEFT HERE,
WE'VE MOVED LIKE THREE TIMES.
298
00:13:44,223 --> 00:13:46,424
I HAVEN'T BEEN ABLE
TO MAKE ANY FRIENDS.
299
00:13:46,559 --> 00:13:48,293
I DIDN'T WANT TO ANYWAY.
300
00:13:48,427 --> 00:13:51,896
WHY SHOULD I?
WE'LL JUST MOVE AGAIN.
301
00:13:52,031 --> 00:13:53,464
I'M SORRY.
302
00:13:54,533 --> 00:13:58,536
I CAN'T REMEMBER BEING HAPPY
SINCE I LEFT HERE.
303
00:13:59,505 --> 00:14:01,706
I'M SO SORRY, SHANE.
304
00:14:11,918 --> 00:14:13,251
JACK:
SO, SHANE,
305
00:14:13,286 --> 00:14:14,886
WE NEED TO PUT YOU UP
FOR THE NIGHT,
306
00:14:15,021 --> 00:14:16,387
AND I HAVE AN IDEA.
307
00:14:17,390 --> 00:14:19,457
HOW ABOUT MOVING OUT
TO THE BARN...?
308
00:14:19,592 --> 00:14:22,493
I HAVE TO STUDY
IN MY LOFT.
309
00:14:26,365 --> 00:14:27,498
NEW IDEA.
310
00:14:27,567 --> 00:14:28,966
LOU'S ROOM.
311
00:14:28,969 --> 00:14:31,870
SHE'S AWAY AT HER IN-LAWS
WITH PETER AND THE BABY.
312
00:14:32,004 --> 00:14:33,304
SHE HAD THE BABY?
313
00:14:33,439 --> 00:14:34,405
JACK:
A LITTLE GIRL.
314
00:14:34,507 --> 00:14:35,506
SHANE:
GREAT.
315
00:14:35,641 --> 00:14:37,242
THAT'S GREAT.
316
00:14:43,783 --> 00:14:45,250
CAN I BE EXCUSED?
317
00:14:45,351 --> 00:14:47,619
YOU'RE NOT GONNA GO
GET ON A BUS ARE YOU?
318
00:14:47,753 --> 00:14:49,020
UH... NO.
319
00:14:49,122 --> 00:14:51,422
ALL RIGHT THEN.
320
00:15:00,867 --> 00:15:01,900
WELL...
321
00:15:05,738 --> 00:15:07,238
WHEN'RE YOU GONNA TALK
TO HIM?
322
00:15:07,373 --> 00:15:09,807
LOOK, IT'S NOT THAT SIMPLE,
JACK.
323
00:15:09,876 --> 00:15:10,909
MAYBE HIS MOTHER'S
ALREADY TOLD HIM?
324
00:15:11,010 --> 00:15:12,310
I DON'T THINK SO.
325
00:15:12,445 --> 00:15:13,845
HE'D HAVE SAID SOMETHING
IF SHE HAD.
326
00:15:13,980 --> 00:15:15,246
WELL, MAYBE SHE DOESN'T WANT ME
TO TELL HIM?
327
00:15:15,381 --> 00:15:17,081
TIM, AT LEAST FIND OUT.
328
00:15:17,150 --> 00:15:18,549
HE'S GONE AGAIN TOMORROW,
329
00:15:18,618 --> 00:15:20,752
AND JUDGING BY THE PAST
THEY MIGHT MOVE AGAIN.
330
00:15:20,886 --> 00:15:22,086
WELL, MAYBE THAT MIGHT
BE THE BEST.
331
00:15:22,221 --> 00:15:23,221
BEST FOR WHO?
332
00:15:25,692 --> 00:15:26,824
YOU KNOW,
MAYBE, FOR ONCE,
333
00:15:26,826 --> 00:15:29,560
YOU SHOULD JUST TRY NOT
TO INTERFERE.
334
00:15:31,397 --> 00:15:32,897
SEE YOU IN THE MORNING.
335
00:15:32,966 --> 00:15:34,032
AMY:
BYE.
336
00:15:35,468 --> 00:15:37,402
I THOUGHT HE LIKED ME.
337
00:15:37,470 --> 00:15:38,703
HE DOES.
338
00:15:38,838 --> 00:15:41,839
YEAH.
WEIRD WAY OF SHOWING IT.
339
00:15:51,851 --> 00:15:53,384
HEY.
340
00:15:53,386 --> 00:15:55,653
HEY.
I THINK I'M GONNA TRY
AND GET PAL BACK FOR SHANE.
341
00:15:55,788 --> 00:15:58,022
I JUST,
I FEEL AWFUL ABOUT IT.
342
00:15:58,157 --> 00:16:00,391
AMY.
HE'S LEAVING TOMORROW.
343
00:16:01,394 --> 00:16:02,660
HE'LL GET OVER IT.
344
00:16:02,729 --> 00:16:04,028
AND IF HE SHOWS UP AGAIN,
345
00:16:04,163 --> 00:16:06,030
WE'LL GET HIM
ANOTHER HORSE, OKAY?
346
00:16:06,165 --> 00:16:07,098
OKAY.
347
00:16:09,568 --> 00:16:11,436
YOU KNOW,
SHANE TOLD ME
348
00:16:11,537 --> 00:16:15,206
THAT YOU SAID
WE WERE JUST FRIENDS.
349
00:16:15,275 --> 00:16:16,341
YEAH?
350
00:16:18,211 --> 00:16:21,746
ARE WE?
AREN'T WE MORE THAN THAT NOW?
351
00:16:21,815 --> 00:16:22,880
WELL...
352
00:16:23,983 --> 00:16:25,016
MAYBE.
353
00:16:25,151 --> 00:16:26,818
SO WHAT ARE WE?
354
00:16:26,886 --> 00:16:29,354
WHEN PEOPLE ASK,
WHAT DO I TELL THEM?
355
00:16:29,422 --> 00:16:31,990
WHY DO WE HAVE TO TELL THEM
ANYTHING?
356
00:16:32,124 --> 00:16:33,791
WHY DOES IT NEED
A LABEL?
357
00:16:33,893 --> 00:16:35,026
WHAT DOES THAT DO?
358
00:16:35,095 --> 00:16:37,195
NO, I...
OKAY, YOU'RE RIGHT.
359
00:16:37,329 --> 00:16:39,797
IT DOESN'T NEED A LABEL.
360
00:16:39,899 --> 00:16:41,065
BUT...
361
00:16:41,167 --> 00:16:43,501
IF WE WERE JUST FRIENDS,
362
00:16:43,570 --> 00:16:45,470
WOULD I DO THIS?
363
00:16:46,839 --> 00:16:48,072
WOULD I?
HUH? HMM?
364
00:16:49,009 --> 00:16:50,375
I NEED TO STUDY.
365
00:16:50,476 --> 00:16:51,809
OH, I'M NOT STOPPING YOU.
366
00:16:51,811 --> 00:16:53,077
YOU'RE NOT STOPPING ME?
NO, YOU CAN STUDY.
367
00:16:53,179 --> 00:16:55,279
YOU... BEHAVE YOURSELF.
368
00:16:55,381 --> 00:16:56,948
YOU BEHAVE YOURSELF.
369
00:16:57,983 --> 00:17:00,051
(OBJECT CLUNKS AND SHATTERS,
TY AND AMY LAUGH)
370
00:17:01,721 --> 00:17:03,521
AMY:
(LAUGHING)
371
00:17:10,729 --> 00:17:11,829
GOOD.
372
00:17:11,964 --> 00:17:12,964
COME ON...
373
00:17:13,633 --> 00:17:15,700
COME ON, SPARTAN.
NO.
374
00:17:15,835 --> 00:17:17,602
GET UP.
(CLUCKS TONGUE)
375
00:17:17,670 --> 00:17:18,736
'KAY, TURN.
376
00:17:21,841 --> 00:17:22,874
GOOD.
377
00:17:25,978 --> 00:17:26,644
(SPARTAN NICKERS)
378
00:17:26,779 --> 00:17:27,779
AMY:
COME ON.
379
00:17:29,315 --> 00:17:31,516
(FRUSTRATED)
UGH! GET... JUST...
380
00:17:31,650 --> 00:17:33,117
(EXASPERATED SIGH)
381
00:17:39,658 --> 00:17:40,758
(SIGHS)
382
00:17:40,893 --> 00:17:43,995
(SPARTAN SNUFFLES,
AMY HALF LAUGHS)
383
00:17:44,064 --> 00:17:45,129
GOOD BOY.
384
00:17:46,799 --> 00:17:47,999
AMY:
HEY.
385
00:17:48,068 --> 00:17:49,700
DO YOU WANNA GO FOR A RIDE?
386
00:17:49,702 --> 00:17:51,035
YOUR MOM'S NOT GONNA BE HERE
FOR A COUPLE OF HOURS.
387
00:17:51,171 --> 00:17:52,804
NO, I DON'T WANNA RIDE.
I'LL JUST WAIT FOR MY MOM.
388
00:17:55,441 --> 00:17:56,808
IS TIM AROUND?
389
00:17:58,244 --> 00:17:59,243
NOT YET.
390
00:18:04,984 --> 00:18:06,250
AMY:
SO, THERE WAS THIS BOY,
SHANE,
391
00:18:06,319 --> 00:18:07,585
HE STAYED AT OUR DUDE RANCH
392
00:18:07,587 --> 00:18:10,221
AND HE TOTALLY FELL IN LOVE
WITH PAL,
393
00:18:10,323 --> 00:18:11,655
AND THEN HE LEFT
394
00:18:11,791 --> 00:18:12,957
AND I DIDN'T THINK
HE'D BE VISITING AGAIN.
395
00:18:13,092 --> 00:18:15,059
BUT NOW HE'S BACK
AND HE REALLY MISSES HIS HORSE.
396
00:18:15,128 --> 00:18:16,661
AND I KNOW THAT'S CONFUSING-
397
00:18:16,795 --> 00:18:19,397
AND THIS CONCERNS ME
BECAUSE...?
398
00:18:19,532 --> 00:18:20,531
BECAUSE I'M REALLY HOPING
399
00:18:20,667 --> 00:18:21,599
THAT YOU'LL GIVER HER BACK
TO ME?
400
00:18:21,734 --> 00:18:22,834
GIVE HER BACK?
401
00:18:22,968 --> 00:18:24,669
I JUST GOT HER SETTLED IN.
402
00:18:24,803 --> 00:18:27,505
LOOK, I COULD FIND YOU
A REALLY NICE PONY...
403
00:18:27,640 --> 00:18:30,007
I'M SURE YOU COULD,
BUT...
404
00:18:30,142 --> 00:18:31,475
WELL, THE TRUTH IS,
405
00:18:31,611 --> 00:18:32,410
I'VE GROWN RATHER FOND
OF THIS LITTLE FILLY.
406
00:18:32,479 --> 00:18:34,011
BESIDES,
407
00:18:34,013 --> 00:18:36,114
GOT A GRANDDAUGHTER
COMING OUT THIS SUMMER
408
00:18:36,182 --> 00:18:38,015
AND I THINK THEY'LL BE
A GOOD FIT.
409
00:18:38,084 --> 00:18:39,250
SO, I'M SORRY
TO DISAPPOINT YOU,
410
00:18:39,352 --> 00:18:41,552
BUT A DEAL'S A DEAL.
411
00:18:44,490 --> 00:18:45,790
(WATER TRICKLES)
412
00:18:48,761 --> 00:18:49,827
WHAT'RE YOU DOING?
413
00:18:49,962 --> 00:18:52,630
(SIGHS)
IT RAINED LAST NIGHT.
414
00:18:52,699 --> 00:18:54,732
SPRUNG A LEAK.
IT'S A MESS.
415
00:18:54,834 --> 00:18:56,434
MY LIFE IS A MESS.
416
00:18:56,503 --> 00:18:58,269
I STILL DON'T HAVE A DATE
TO THE SPRING FLING.
417
00:18:58,371 --> 00:19:00,037
EVEN JAKE DIDN'T ASK ME.
418
00:19:00,172 --> 00:19:01,305
WAIT.
419
00:19:01,440 --> 00:19:02,639
I THOUGHT YOU TURNED HIM DOWN
FLAT.
420
00:19:02,642 --> 00:19:04,509
WHY WOULD YOU EXPECT HIM
TO ASK YOU AGAIN?
421
00:19:04,577 --> 00:19:07,845
MALLORY:
BECAUSE IF A GUY LIKES A GIRL
HE SHOULDN'T GIVE UP SO EASY.
422
00:19:07,980 --> 00:19:10,781
IF HE HAD HAVE ASKED YOU,
WOULD YOU HAVE SAID YES?
423
00:19:10,850 --> 00:19:13,417
NO WAY.
CAN YOU SPELL "REBOUND"?
424
00:19:13,519 --> 00:19:14,919
WHY DON'T GUYS GET IT?
425
00:19:15,054 --> 00:19:16,119
LOOK AT YOU AND AMY.
426
00:19:16,122 --> 00:19:17,388
YOU GUYS ARE SORT OF
BACK TOGETHER,
427
00:19:17,523 --> 00:19:18,489
BUT NEITHER ONE OF YOU
ARE SAYING
428
00:19:18,558 --> 00:19:19,991
YOU'RE ACTUALLY
BACK TOGETHER.
429
00:19:20,125 --> 00:19:21,259
I MEAN, WHAT IS THAT?
430
00:19:21,327 --> 00:19:23,227
ARE YOU BACK TOGETHER
OR NOT?
431
00:19:23,329 --> 00:19:25,563
LOOK, WHATEVER IT IS,
IT'S WORKING, OKAY?
432
00:19:25,665 --> 00:19:27,765
IT'S WORKING?
IS THAT ALL YOU CAN SAY?
433
00:19:27,900 --> 00:19:29,467
LOOK, MALLORY,
434
00:19:29,536 --> 00:19:30,868
AMY AND I ARE FRIENDS.
435
00:19:31,003 --> 00:19:32,135
WE TRUST EACH OTHER
436
00:19:32,138 --> 00:19:33,271
AND WE GIVE EACH OTHER
FREEDOM,
437
00:19:33,273 --> 00:19:34,672
AND BECAUSE OF THAT,
WE'RE CLOSE.
438
00:19:34,741 --> 00:19:36,274
WE'RE CLOSER THAN
WE'VE EVER BEEN BEFORE.
439
00:19:36,276 --> 00:19:38,509
SO, IN THAT RESPECT,
YES, WE'RE BACK TOGETHER.
440
00:19:38,611 --> 00:19:39,644
BLAH, BLAH, BLAH.
441
00:19:39,778 --> 00:19:40,912
TELL ME THAT
WHEN YOU'RE OLD
442
00:19:41,046 --> 00:19:43,080
AND IN YOUR MID-20'S
AND STILL ALONE.
443
00:19:43,215 --> 00:19:45,116
I AM IN MY MID-TWENTIES.
ALMOST.
444
00:19:45,251 --> 00:19:46,651
SEE, THERE YOU GO.
445
00:19:46,785 --> 00:19:47,685
LOOK AT YOU.
446
00:19:47,787 --> 00:19:49,153
NO PLACE TO CALL YOUR OWN,
447
00:19:49,222 --> 00:19:51,722
NO RELATIONSHIP
YOU CAN PUT A NAME TO.
448
00:19:51,824 --> 00:19:54,192
OH, BUT YOU GOT FREEDOM
AND YOU GOT TRUST.
449
00:19:54,293 --> 00:19:55,993
WHOOP-DEE-DOO!
450
00:19:58,631 --> 00:20:00,031
(WATER SPLASHES)
451
00:20:00,099 --> 00:20:01,999
YEAH.
WHERE ARE YOU ANYWAY?
452
00:20:02,101 --> 00:20:05,670
I MEAN, SHANE'S BEEN WAITING
FOR HOURS.
453
00:20:05,771 --> 00:20:08,439
OKAY, WELL...
YEAH, HE CAN STAY ANOTHER DAY.
454
00:20:09,775 --> 00:20:11,542
OKAY. LISTEN,
I GOTTA ASK YOU,
455
00:20:11,644 --> 00:20:13,477
HAVE YOU TOLD HIM?
456
00:20:13,579 --> 00:20:15,079
NO?
457
00:20:15,181 --> 00:20:17,481
UH, NO. NO,
I'M NOT GONNA SAY A THING,
458
00:20:17,616 --> 00:20:18,783
NOT UNLESS YOU WANT ME TO.
459
00:20:18,917 --> 00:20:20,851
SO I'LL JUST SEE YOU TOMORROW,
OKAY?
460
00:20:20,986 --> 00:20:22,553
ALL RIGHT. BYE.
461
00:20:22,688 --> 00:20:25,389
SHANE:
SO? WHERE IS SHE?
462
00:20:25,524 --> 00:20:26,757
OH, UM...
463
00:20:26,892 --> 00:20:28,593
WELL, YOUR MOTHER'S
GONNA COME TOMORROW.
464
00:20:28,661 --> 00:20:31,562
SOME GUY CALLED IN SICK,
SHE'S GONNA COVER FOR HIM.
465
00:20:31,697 --> 00:20:33,364
WHAT DIDN'T SHE WANT YOU
TO TELL ME?
466
00:20:33,499 --> 00:20:34,899
WHAT?
OH, UH, NOTHING.
467
00:20:35,001 --> 00:20:36,534
HEH, NOTHING.
468
00:20:36,669 --> 00:20:38,402
UH, I WANTED TO SHOW YOU
SOMETHING.
469
00:20:38,504 --> 00:20:42,073
DO YOU, UH...
DO YOU REMEMBER THIS?
470
00:20:42,141 --> 00:20:43,074
I THOUGHT YOU MIGHT WANNA
PICK UP
471
00:20:43,208 --> 00:20:44,742
ON YOUR ROPING LESSONS.
472
00:20:47,813 --> 00:20:49,313
I'VE GOT NO REASON
TO LEARN.
473
00:20:49,448 --> 00:20:51,549
(APPROACHING FOOTSTEPS)
474
00:20:51,684 --> 00:20:53,751
HEY. SASKATOON BERRY PIE,
RIGHT?
475
00:20:53,886 --> 00:20:55,086
YOU STAYED
AT THE DUDE RANCH.
476
00:20:55,187 --> 00:20:56,187
YEAH. HI.
YOU'RE UH...?
477
00:20:56,256 --> 00:20:57,188
MALLORY.
478
00:20:57,323 --> 00:20:58,489
SHANE:
HI.
479
00:20:58,558 --> 00:20:59,624
TIM.
480
00:20:59,758 --> 00:21:01,425
HI.
481
00:21:06,599 --> 00:21:08,466
(TRUCK ENGINE RUMBLES)
482
00:21:13,239 --> 00:21:14,705
WHAT IS THAT KID DOING HERE?
483
00:21:14,840 --> 00:21:17,375
DIDN'T HE AND HIS MOM
JUST DISAPPEAR INTO THIN AIR
484
00:21:17,509 --> 00:21:18,776
IN THE MIDDLE OF THE NIGHT?
485
00:21:18,778 --> 00:21:20,478
I MEAN, DID THEY EVEN PAY
THEIR BILL?
486
00:21:20,579 --> 00:21:21,579
WHAT IS GOING ON?
487
00:21:21,714 --> 00:21:22,580
NOTHING'S GOING ON.
488
00:21:22,715 --> 00:21:24,148
HE JUST MISSED HEARTLAND
489
00:21:24,250 --> 00:21:25,916
AND SORT OF RAN AWAY FROM HOME
TO COME BACK.
490
00:21:25,985 --> 00:21:28,019
REALLY? BECAUSE TIM OFFERED HIM
ROPING LESSONS.
491
00:21:28,153 --> 00:21:31,822
THAT IS SO NOT TIM.
SOMETHING'S GOING ON.
492
00:21:32,825 --> 00:21:33,891
(SIGHS HEAVILY)
493
00:21:34,026 --> 00:21:35,293
HEY.
HEY.
494
00:21:35,361 --> 00:21:37,128
YOU KNOW, I THINK SOMETHING
IS GOING ON.
495
00:21:37,229 --> 00:21:38,129
AMY...
496
00:21:38,263 --> 00:21:39,296
NO, LISTEN.
497
00:21:39,298 --> 00:21:40,330
WHEN SHANE LEFT
THE LAST TIME,
498
00:21:40,333 --> 00:21:41,732
HE WAS CONVINCED THAT MY DAD
499
00:21:41,801 --> 00:21:43,701
AND HIS MOM HAD A THING
FOR EACH OTHER.
500
00:21:43,803 --> 00:21:45,169
AND THEN ALL OF A SUDDEN
SHANE AND MIRANDA
501
00:21:45,271 --> 00:21:46,370
JUST DISAPPEAR?
502
00:21:46,505 --> 00:21:48,372
AND THEN JANICE LEAVES TOO?
503
00:21:48,441 --> 00:21:49,940
I MEAN, I DON'T KNOW.
I JUST...
504
00:21:50,009 --> 00:21:52,009
IT CAN'T BE A COINCIDENCE.
505
00:21:52,111 --> 00:21:53,477
I THINK YOU'RE READING
WAY TOO MUCH INTO THIS,
506
00:21:53,546 --> 00:21:54,545
SHERLOCK.
507
00:21:54,614 --> 00:21:56,147
I DON'T THINK SO.
508
00:21:57,083 --> 00:21:58,316
HOW DID IT GO
WITH REID TATUM?
509
00:21:58,417 --> 00:22:00,251
OH, WAY TO CHANGE
THE SUBJECT.
510
00:22:00,386 --> 00:22:02,553
I'M JUST WONDERING.
ANY LUCK?
511
00:22:02,688 --> 00:22:04,020
NO.
NO?
512
00:22:04,023 --> 00:22:06,757
HE WASN'T INTERESTED.
IT WAS KIND OF FRUSTRATING.
513
00:22:06,892 --> 00:22:08,059
MM.
514
00:22:08,193 --> 00:22:09,360
HOW'S IT GOING
WITH THIS GUY THEN?
515
00:22:09,495 --> 00:22:10,694
AMY:
EVEN MORE FRUSTRATING.
516
00:22:10,830 --> 00:22:12,563
EVERYTIME I GET SOMEWHERE
WITH HIM,
517
00:22:12,665 --> 00:22:14,030
I JUST GET INTERRUPTED.
518
00:22:14,033 --> 00:22:16,300
THERE'S SO MANY DISTRACTIONS
AROUND HERE.
519
00:22:16,369 --> 00:22:17,835
(SPARTAN SNUFFLES)
520
00:22:17,970 --> 00:22:19,637
COME ON.
WHAT?
521
00:22:20,906 --> 00:22:22,573
WE'RE GOING FOR A DRIVE.
522
00:22:22,642 --> 00:22:23,708
WHERE?
TY!
523
00:22:31,184 --> 00:22:33,384
I LOVE THIS PLACE.
524
00:22:33,519 --> 00:22:34,651
TY:
SPARTAN CAN'T BE
A LIBERTY HORSE
525
00:22:34,654 --> 00:22:37,088
IF HE'S COOPED UP
BEHIND A FENCE.
526
00:22:37,222 --> 00:22:40,291
AMY:
YOU KNOW, THIS WAS A PRETTY
AMAZING IDEA.
527
00:22:40,360 --> 00:22:41,726
TY:
THANK YOU.
528
00:22:41,860 --> 00:22:43,994
I'M GLAD THAT AN OLD,
ALMOST MID-TWENTIES GUY
529
00:22:44,063 --> 00:22:46,297
WITH NO APPARENT LIFE
AND A ROOF THAT LEAKS
530
00:22:46,366 --> 00:22:47,832
CAN STILL HAVE A GOOD IDEA
EVERY ONCE IN A WHILE.
531
00:22:47,933 --> 00:22:51,502
COME ON,
WHAT'RE YOU TALKING ABOUT?
532
00:22:51,604 --> 00:22:52,837
NEVER MIND.
533
00:22:52,971 --> 00:22:54,739
OKAY.
534
00:22:54,807 --> 00:22:56,040
HEY.
HEY.
535
00:22:56,109 --> 00:22:57,942
COME ON.
LET'S JUMP THE JUMPS!
536
00:22:58,043 --> 00:22:59,210
TY: ARE YOU CRAZY?!
AMY: COME ON, TY!
537
00:22:59,344 --> 00:23:00,778
AMY:
(LAUGHS)
538
00:23:00,880 --> 00:23:01,945
TY:
(LEAPING GRUNT)
539
00:23:02,014 --> 00:23:03,114
AMY:
(LAUGHS PLAYFULLY)
540
00:23:03,215 --> 00:23:04,382
TY:
I'M GONNA GET YA!
541
00:23:04,483 --> 00:23:05,549
AMY:
YOU CAN'T CATCH UP,
OLD MAN!
542
00:23:05,618 --> 00:23:07,485
(PLAYFUL LAUGHTER)
543
00:23:07,553 --> 00:23:09,353
AMY:
(PLAYFUL SQUEAL)
544
00:23:09,422 --> 00:23:10,755
NO, NO, NO, NO, NO.
545
00:23:10,823 --> 00:23:12,623
(PANTING AND LAUGHING)
546
00:23:16,728 --> 00:23:18,062
(CRICKETS CHIRP)
547
00:23:20,265 --> 00:23:21,365
HEY.
548
00:23:21,434 --> 00:23:23,701
WELL, HELLO, STRANGER.
549
00:23:24,703 --> 00:23:27,238
HAVEN'T HAD MUCH
OF AN OPPORTUNITY
550
00:23:27,306 --> 00:23:29,206
TO TALK TO YOU LATELY.
551
00:23:30,443 --> 00:23:31,809
WHAT DO YOU MEAN?
552
00:23:31,911 --> 00:23:35,012
WELL, WHAT'RE YOU UP TO
WITH SPARTAN?
553
00:23:35,147 --> 00:23:36,747
OH, I'VE BEEN WATCHING.
554
00:23:36,882 --> 00:23:38,449
I DON'T REALLY KNOW
WHAT IT IS MYSELF YET.
555
00:23:38,584 --> 00:23:40,351
I'M JUST TRYING
SOMETHING OUT.
556
00:23:40,420 --> 00:23:41,819
SO WHEN I KNOW,
I'LL TELL YOU.
557
00:23:41,954 --> 00:23:43,387
VERY MYSTERIOUS.
558
00:23:43,456 --> 00:23:44,955
(LAUGHS)
559
00:23:45,090 --> 00:23:47,591
WELL,
SPEAKING OF MYSTERIES,
560
00:23:47,660 --> 00:23:49,126
WHERE'S SHANE?
561
00:23:49,261 --> 00:23:51,262
OH, HE'S IN BED.
562
00:23:51,330 --> 00:23:52,830
NOTHING MYSTERIOUS
ABOUT THAT.
563
00:23:52,932 --> 00:23:56,133
NO, BUT SHANE AND MIRANDA...
564
00:23:56,268 --> 00:23:58,102
AND DAD.
565
00:23:58,204 --> 00:23:59,437
MM-HM.
566
00:23:59,571 --> 00:24:01,472
WELL, SHANE HAD A THEORY.
567
00:24:01,607 --> 00:24:05,810
HE THOUGHT THAT DAD
HAD A THING FOR MIRANDA.
568
00:24:05,878 --> 00:24:07,111
IS THAT SO?
569
00:24:07,947 --> 00:24:10,014
WHY WOULD HE GET A NOTION
LIKE THAT?
570
00:24:10,148 --> 00:24:12,216
APPARENTLY, WHEN THEY WERE
STAYING HERE AT THE DUDE RANCH,
571
00:24:12,318 --> 00:24:14,185
DAD VISITED A LOT.
572
00:24:14,319 --> 00:24:15,419
REALLY?
573
00:24:15,488 --> 00:24:16,554
YEAH.
574
00:24:17,756 --> 00:24:20,224
SO WHAT DO YOU THINK?
575
00:24:20,293 --> 00:24:22,092
WHAT DO I THINK?
576
00:24:23,029 --> 00:24:26,297
WELL, I THINK I CAN THINK
THAT I CAN POSITIVELY SAY
577
00:24:26,431 --> 00:24:27,898
THAT THERE IS NOTHING
GOING ON
578
00:24:28,033 --> 00:24:30,434
BETWEEN MIRANDA
AND YOUR DAD,
579
00:24:30,503 --> 00:24:32,903
ROMANTICALLY SPEAKING.
580
00:24:34,573 --> 00:24:36,707
AND JANICE JUST LEAVING
LIKE SHE DID
581
00:24:36,776 --> 00:24:39,677
HAD NOTHING TO DO
WITH MIRANDA?
582
00:24:39,811 --> 00:24:41,412
WHY WOULD IT?
583
00:24:42,814 --> 00:24:43,981
I DON'T KNOW,
584
00:24:44,116 --> 00:24:45,115
I GUESS I JUST WANNA KNOW
WHAT'S GOING ON.
585
00:24:48,721 --> 00:24:49,820
HEY.
586
00:24:49,955 --> 00:24:50,855
HEY.
587
00:24:50,989 --> 00:24:52,356
NOW, MORE TO THE POINT...
588
00:24:52,491 --> 00:24:54,492
WHAT IS GOING ON
BETWEEN YOU TWO?
589
00:24:55,728 --> 00:24:58,229
DOES IT REALLY NEED
A LABEL?
590
00:24:58,363 --> 00:24:59,897
BOTH:
(HALF LAUGH)
591
00:25:03,569 --> 00:25:04,568
HEY.
592
00:25:08,307 --> 00:25:10,741
(THUNDER RUMBLES,
RAIN PATTERS AGAINST THE WINDOW)
593
00:25:12,611 --> 00:25:13,978
THANK YOU.
594
00:25:15,013 --> 00:25:16,080
TY:
FOR WHAT?
595
00:25:17,617 --> 00:25:20,451
FOR REMEMBERING
THE OLD JUMPING COURSE.
596
00:25:20,553 --> 00:25:23,387
IT'S LIKE THE PERFECT PLACE
TO PRACTICE.
597
00:25:23,522 --> 00:25:24,989
YOU KNOW WHAT I'D LOVE?
598
00:25:25,123 --> 00:25:26,624
WHAT'S THAT?
599
00:25:26,758 --> 00:25:28,091
I'D LOVE TO GO
600
00:25:28,094 --> 00:25:29,493
AND SHOW RENARD
WHAT I CAN DO WITH SPARTAN
601
00:25:29,628 --> 00:25:33,330
ONCE... ONCE I CAN ACTUALLY
DO SOMETHING.
602
00:25:33,399 --> 00:25:35,466
(LAUGHS)
YOU'RE SUCH A SHOW-OFF.
603
00:25:35,535 --> 00:25:36,767
I AM NOT.
604
00:25:36,902 --> 00:25:38,903
(MIMICS AMY)
OH, RENARD,
LOOK HOW GOOD I AM!
605
00:25:39,037 --> 00:25:40,538
CHECK OUT MY MAD
HORSE SKILLS.
606
00:25:40,639 --> 00:25:42,306
I WOULDN'T SAY THAT.
607
00:25:42,441 --> 00:25:43,440
NO?
NO.
608
00:25:44,977 --> 00:25:46,176
(LAUGHS)
609
00:25:47,646 --> 00:25:50,014
BESIDES,
I DON'T HAVE ANY SKILLS YET.
610
00:25:50,148 --> 00:25:53,350
YOU KNOW, I JUST,
I WISH I KNEW WHAT RENARD DID.
611
00:25:53,419 --> 00:25:56,086
WELL,
WHY DON'T YOU ASK HIM?
612
00:25:56,188 --> 00:25:57,655
YEAH?
YEAH.
613
00:25:59,424 --> 00:26:01,492
YEAH. MAYBE I WILL.
614
00:26:03,462 --> 00:26:05,129
(RAIN SPLATS)
615
00:26:05,263 --> 00:26:06,530
OH, GEE!
616
00:26:06,665 --> 00:26:07,531
AMY: TY!
TY: OH!
617
00:26:07,600 --> 00:26:08,532
NO!
618
00:26:08,601 --> 00:26:10,134
I HATE THIS!
619
00:26:10,736 --> 00:26:12,069
AMY:
(LAUGHING)
620
00:26:13,873 --> 00:26:14,805
TY:
(GROANS ANGRILY)
621
00:26:14,940 --> 00:26:16,373
AMY:
OH, TY! OKAY!
622
00:26:17,677 --> 00:26:19,577
TY:
STOP LAUGHING!
IT'S NOT FUNNY!
623
00:26:22,014 --> 00:26:23,080
(WATER DRIPS)
624
00:26:28,520 --> 00:26:29,453
MALLORY:
OH MY GOSH.
625
00:26:29,588 --> 00:26:31,488
TWITTER IS EVIL.
626
00:26:31,557 --> 00:26:33,324
EVEN DENISE ORACHUK
HAS A DATE NOW.
627
00:26:33,425 --> 00:26:34,558
SO DOES JAMIE -
628
00:26:34,627 --> 00:26:36,226
SOME GUY
I'VE NEVER EVEN HEARD OF.
629
00:26:36,361 --> 00:26:38,395
HOW DO GIRLS BREAK UP
WITH THEIR BOYFRIENDS
630
00:26:38,497 --> 00:26:40,230
AND THEN WITHIN DAYS
THEY HAVE A REPLACEMENT?
631
00:26:40,299 --> 00:26:41,631
HOW DOES THAT WORK?
632
00:26:41,634 --> 00:26:42,800
JAMIE'S JUST AFRAID
TO BE ALONE.
633
00:26:42,901 --> 00:26:44,300
THAT'S ALL.
634
00:26:44,303 --> 00:26:45,603
HAVE YOU GOT ANY ROOFING TAR
OR TIN, JACK?
635
00:26:45,704 --> 00:26:46,837
WHAT FOR?
636
00:26:46,972 --> 00:26:48,172
WELL, IT RAINED AGAIN
LAST NIGHT
637
00:26:48,174 --> 00:26:49,373
AND THE LOFT ROOF
IS LEAKING LIKE A SIEVE,
638
00:26:49,442 --> 00:26:50,908
AND I GOTTA DO SOMETHING
ABOUT IT.
639
00:26:50,977 --> 00:26:52,876
AT LEAST YOU HAVE A PROBLEM
THAT CAN BE FIXED.
640
00:26:52,978 --> 00:26:55,512
I HAVE PROBLEMS -
UNFIXABLE PROBLEMS.
641
00:26:55,581 --> 00:26:57,014
TY:
IS SHE STILL GOING ON
ABOUT THE DANCE?
642
00:26:57,149 --> 00:26:58,548
I WOULDN'T KNOW.
643
00:26:58,684 --> 00:27:00,884
HOW AM I THE ONLY ONE
IN MY CLASS WITHOUT A DATE?
644
00:27:01,019 --> 00:27:02,286
HOW DID THIS HAPPEN?
645
00:27:02,355 --> 00:27:03,921
AM I THAT HORRIBLE
TO LOOK AT?
646
00:27:03,990 --> 00:27:05,856
DO I SMELL?
DO I HAVE AN ANNOYING LAUGH?
647
00:27:05,991 --> 00:27:07,891
NO, MALLORY!
OKAY? STOP!
648
00:27:07,993 --> 00:27:10,461
I'LL TAKE YOU
TO THE DAMN DANCE, OKAY?
649
00:27:10,595 --> 00:27:11,595
YOU?
650
00:27:12,664 --> 00:27:13,664
WHAT?
651
00:27:17,470 --> 00:27:19,336
I FEEL BAD TO SAY THIS,
TY,
652
00:27:19,471 --> 00:27:23,307
BUT I WOULD'VE DIED FOR YOU
TO ASK ME WHEN I WAS LIKE 12,
653
00:27:23,409 --> 00:27:25,609
MAYBE EVEN 13.
BUT...
654
00:27:25,678 --> 00:27:27,011
NOW, IT'S JUST WEIRD.
655
00:27:27,947 --> 00:27:30,948
YOU'RE JUST TOO OLD.
BUT THANK YOU.
656
00:27:39,491 --> 00:27:40,958
AMY:
SO I TRIED TO GET PAL BACK,
657
00:27:41,093 --> 00:27:42,526
BUT HER NEW OWNER -
YOU KNOW, REID TATUM -
658
00:27:42,628 --> 00:27:44,728
JUST FLAT OUT REFUSED.
659
00:27:44,830 --> 00:27:48,298
BUT I GUESS SHANE
IS GOING HOME TODAY, RIGHT?
660
00:27:48,433 --> 00:27:49,833
YEAH, I GUESS,
661
00:27:49,835 --> 00:27:53,537
BUT PROBABLY WON'T BE
THE LAST TIME HE'S HERE.
662
00:27:53,672 --> 00:27:55,372
I MEAN, WE PROBABLY SHOULD
GET THAT DAMN HORSE BACK.
663
00:27:55,507 --> 00:27:58,509
HE WAS PRETTY ATTACHED
TO IT.
664
00:27:58,643 --> 00:27:59,642
DAD, HOW MANY TIMES
665
00:27:59,645 --> 00:28:01,045
DO YOU THINK
HE'S GONNA BE BACK?
666
00:28:01,113 --> 00:28:02,446
HE DOES LIVE IN MOOSE JAW.
667
00:28:04,516 --> 00:28:05,516
HUH?
668
00:28:06,986 --> 00:28:08,252
I, UH...
669
00:28:08,386 --> 00:28:11,255
YOU JUST LET ME
TAKE CARE OF IT.
670
00:28:11,389 --> 00:28:12,423
(SPARTAN SNUFFLES)
671
00:28:13,392 --> 00:28:15,759
(TRUCK RUMBLES TO A STOP)
672
00:28:31,711 --> 00:28:32,776
(PHONE BEEPS)
673
00:28:38,083 --> 00:28:39,683
HEY, CALEB.
674
00:28:39,752 --> 00:28:40,818
HEY, IT'S TY.
675
00:28:41,953 --> 00:28:43,220
HOW'S IT GOING, MAN?
676
00:28:44,156 --> 00:28:45,489
TIM:
COME ON, REID,
677
00:28:45,624 --> 00:28:47,090
JUST GIMME A MINUTE
OF YOUR TIME, WILL YOU?
678
00:28:47,226 --> 00:28:49,359
REID:
NOT RIGHT NOW, TIM.
I'M ON A SCHEDULE HERE.
679
00:28:49,428 --> 00:28:51,128
WHERE ARE YOU OFF TO
IN SUCH A BIG HURRY?
680
00:28:51,263 --> 00:28:53,263
REID:
SADDLE AUCTION.
681
00:28:53,365 --> 00:28:54,732
SADDLE AUCTION?
WHAT, YOU A COLLECTOR?
682
00:28:54,833 --> 00:28:56,033
YEAH, BIG TIME.
683
00:28:56,168 --> 00:28:57,301
PRIZE SADDLES,
684
00:28:57,303 --> 00:28:58,969
RODEO SADDLES
FROM ALL OVER.
685
00:28:59,038 --> 00:29:01,672
I MUST HAVE, OH, FIFTY,
SIXTY OF THEM BY NOW.
686
00:29:01,741 --> 00:29:04,341
I EVEN HAVE PETE KNIGHT'S
SADDLE.
687
00:29:04,476 --> 00:29:05,909
NOW THAT'S
A COLLECTOR'S ITEM.
688
00:29:05,978 --> 00:29:07,044
REALLY?
689
00:29:07,046 --> 00:29:08,111
AND YOU'RE WASTING
YOUR BREATH
690
00:29:08,247 --> 00:29:09,947
IF YOU'RE HERE
TO TALK ABOUT THAT PONY.
691
00:29:10,081 --> 00:29:11,215
LIKE I TOLD YOUR DAUGHTER,
692
00:29:11,349 --> 00:29:15,018
I'M NOT INTERESTED
IN GIVING HER BACK.
693
00:29:19,024 --> 00:29:20,057
(SPARTAN GRUNTS)
694
00:29:44,817 --> 00:29:45,849
(TEA SLOSHES)
695
00:29:47,620 --> 00:29:49,118
THANK YOU.
696
00:29:49,888 --> 00:29:52,489
YOU KNOW, I HAVE BEEN TRYING
TO DO WHAT YOU DO.
697
00:29:52,624 --> 00:29:54,324
I EVEN TOOK SPARTAN AWAY
FROM THE RANCH
698
00:29:54,459 --> 00:29:55,759
SO THERE'D BE NO DISTRACTIONS,
699
00:29:55,828 --> 00:29:58,862
BUT I HAVEN'T BEEN
VERY SUCCESSFUL.
700
00:29:59,832 --> 00:30:01,665
HOW DO YOU TRAIN THEM
TO DO WHAT THEY DO?
701
00:30:01,767 --> 00:30:03,433
(SIGHS) LOVE,
702
00:30:03,568 --> 00:30:05,068
UNDERSTANDING,
703
00:30:05,170 --> 00:30:08,338
AND ABOVE ALL... FREEDOM.
704
00:30:08,440 --> 00:30:09,840
THEY'RE LIBERTY HORSES:
705
00:30:09,975 --> 00:30:11,408
NO REINS,
NO LEAD ROPES,
706
00:30:11,543 --> 00:30:12,876
NO SADDLES.
707
00:30:13,011 --> 00:30:15,412
YOU HAVE TO TRUST THE HORSE
TO BE FREE;
708
00:30:15,514 --> 00:30:18,582
THAT HE WON'T FLEE
WHEN YOU RELEASE HIM.
709
00:30:18,717 --> 00:30:19,817
YOU, IN FACT,
710
00:30:19,918 --> 00:30:22,953
BECOME THE LEADER
OF THE HERD.
711
00:30:24,290 --> 00:30:25,823
HERE, TRY IT.
712
00:30:26,825 --> 00:30:27,825
OKAY.
713
00:30:30,662 --> 00:30:33,063
GET HIS FULL ATTENTION.
714
00:30:37,402 --> 00:30:40,904
NOW JUST RAISE YOUR LEG
TOWARDS HIM.
715
00:30:45,611 --> 00:30:46,910
GOOD.
716
00:30:47,045 --> 00:30:48,545
OTHER LEG...
717
00:30:50,582 --> 00:30:51,982
NOW HE'LL FOLLOW
WHAT YOU DO.
718
00:30:52,084 --> 00:30:53,416
YOU SEE?
719
00:30:53,419 --> 00:30:55,085
YOU HAVE AN INSTINCT.
THAT'S GOOD.
720
00:30:55,220 --> 00:30:56,987
NO DOMINATION.
721
00:30:57,122 --> 00:30:58,722
JUST TRUST.
722
00:30:58,857 --> 00:31:01,058
I THINK YOU KNOW THAT
ALREADY.
723
00:31:01,126 --> 00:31:02,793
TRY IT AGAIN.
724
00:31:07,465 --> 00:31:08,465
OTHER LEG...
725
00:31:14,172 --> 00:31:15,906
GOOD.
GOOD BOY.
726
00:31:18,376 --> 00:31:19,610
(LAUGHS)
727
00:31:19,711 --> 00:31:20,744
GOOD BOY.
728
00:31:31,723 --> 00:31:33,357
(EXHALES, IN THOUGHT)
729
00:31:34,359 --> 00:31:35,926
SHANE:
I JUST GOT OFF THE PHONE
WITH MY MOM.
730
00:31:35,995 --> 00:31:38,061
SHE CAN'T COME TODAY
EITHER.
731
00:31:38,196 --> 00:31:40,264
SHE WANTS YOU TO CALL HER.
732
00:31:40,365 --> 00:31:42,499
NO, I KNOW
HE'S GOT SCHOOL.
733
00:31:42,601 --> 00:31:43,600
OKAY, THEN,
734
00:31:43,735 --> 00:31:46,603
I'LL JUST DRIVE HIM
TO MOOSE JAW.
735
00:31:47,605 --> 00:31:49,273
O-OKAY, OKAY...
736
00:31:50,242 --> 00:31:51,240
FINE. RIGHT.
737
00:31:51,243 --> 00:31:53,176
SO YOU DON'T WANNA SEE ME,
738
00:31:53,278 --> 00:31:55,779
BUT YOU'RE OKAY WITH ME
PUTTING HIM BACK ON THE BUS?
739
00:31:55,914 --> 00:31:57,481
ALL RIGHT,
I'LL...
740
00:31:57,549 --> 00:32:01,351
YOU BETTER BE AT THE STATION
WAITING FOR HIM.
741
00:32:01,486 --> 00:32:02,886
THAT'S ALL I CAN SAY.
742
00:32:02,988 --> 00:32:04,388
(PHONE BEEPS OFF)
743
00:32:04,522 --> 00:32:05,622
IT'S FINE.
744
00:32:05,758 --> 00:32:07,257
I GOT HERE ON MY OWN,
DIDN'T I?
745
00:32:16,201 --> 00:32:17,901
(TRUCK RUMBLES)
746
00:32:22,474 --> 00:32:24,074
(TRUCK DOOR CLOSES)
747
00:32:28,446 --> 00:32:30,113
AMY:
WHOA... GOOD BOY.
748
00:32:32,150 --> 00:32:33,283
HEY!
749
00:32:33,352 --> 00:32:34,851
I WENT TO SEE RENARD AGAIN.
750
00:32:34,920 --> 00:32:36,553
HE WORKED WITH ME.
IT'S SO MUCH BETTER NOW.
751
00:32:36,655 --> 00:32:38,555
IT'S LIKE SPARTAN CAN READ ME
752
00:32:38,690 --> 00:32:41,258
AND I'M UNDERSTANDING HIM
BETTER TOO NOW.
753
00:32:41,393 --> 00:32:42,792
I DON'T KNOW,
754
00:32:42,928 --> 00:32:45,062
IT'S LIKE A WHOLE NEW LEVEL
OF CONNECTION, OR...
755
00:32:45,196 --> 00:32:47,197
TY:
WELL, IT'S PRETTY COOL
TO WATCH.
756
00:32:47,266 --> 00:32:48,799
ARE YOU TAKING A BREAK
RIGHT NOW, OR...?
757
00:32:48,867 --> 00:32:49,933
YEAH.
YEAH?
758
00:32:50,002 --> 00:32:51,601
WE'VE HAD ENOUGH
FOR TODAY.
759
00:32:51,736 --> 00:32:53,103
TY:
THERE'S, UM, SOMETHING
I WANTED TO TALK TO YOU ABOUT.
760
00:32:53,205 --> 00:32:54,538
OKAY.
IS IT ABOUT US?
761
00:32:54,606 --> 00:32:55,539
YEAH. IT'S ABOUT US.
762
00:32:55,673 --> 00:32:56,974
IT'S GONNA AFFECT US BOTH,
763
00:32:57,108 --> 00:32:58,875
SO, UM, IN A GOOD WAY,
I HOPE.
764
00:32:58,944 --> 00:33:00,877
YOU SOUND SO SERIOUS.
765
00:33:00,946 --> 00:33:02,179
I AM.
766
00:33:02,313 --> 00:33:03,647
WELL, WHAT'S UP?
767
00:33:04,649 --> 00:33:07,317
I'M MOVING OUTTA
THE LOFT.
768
00:33:15,361 --> 00:33:16,693
MALLORY:
SO JAKE KEEPS PHONING ME.
769
00:33:16,828 --> 00:33:18,595
I DON'T KNOW WHETHER
TO TAKE HIS CALLS OR NOT.
770
00:33:18,697 --> 00:33:22,065
HE'S PROBABLY GONNA ASK ME
TO SPRING FLING AFTER ALL.
771
00:33:22,200 --> 00:33:23,233
WHAT DO YOU THINK
I SHOULD DO?
772
00:33:23,368 --> 00:33:24,034
I THINK IT'S YOUR DECISION,
MALLORY.
773
00:33:24,103 --> 00:33:25,936
YOU SHOULD MAKE IT.
774
00:33:26,005 --> 00:33:27,804
WHOA, I JUST ASKED.
775
00:33:28,774 --> 00:33:29,906
SORRY.
776
00:33:29,908 --> 00:33:31,208
YOU DON'T HAVE
TO BITE MY HEAD OFF.
777
00:33:31,342 --> 00:33:32,909
I SAID I WAS SORRY.
778
00:33:33,879 --> 00:33:36,546
WHAT'S WRONG?
ARE YOU OKAY?
779
00:33:36,681 --> 00:33:38,882
TY'S MOVING OUT
OF THE LOFT
780
00:33:39,017 --> 00:33:41,518
AND I DON'T KNOW WHY.
781
00:33:41,587 --> 00:33:42,652
(BRUSH CLATTERS)
782
00:33:45,490 --> 00:33:47,024
I DON'T KNOW WHY
YOU'RE SURPRISED.
783
00:33:47,125 --> 00:33:48,692
YOU'RE THE ONE WHO HELPED ME
MAKE THE DECISION TO MOVE OUT
784
00:33:48,827 --> 00:33:50,193
IN THE FIRST PLACE.
785
00:33:50,195 --> 00:33:51,127
MALLORY:
I HELPED YOU
MAKE THE DECISION?
786
00:33:51,196 --> 00:33:52,662
DON'T THINK SO!
HOW?
787
00:33:53,599 --> 00:33:55,499
WELL, YOU MADE ME STOP
AND THINK.
788
00:33:55,633 --> 00:33:56,666
AT THIS STAGE IN MY LIFE,
789
00:33:56,802 --> 00:33:58,535
I NEED SOMETHING TO SHOW
FOR IT.
790
00:33:58,604 --> 00:34:00,771
I GOTTA GROW UP
AND THAT'S WHAT I'M GONNA DO.
791
00:34:00,839 --> 00:34:04,141
NO. RENTING CALEB'S TRAILER
IS NOT GROWING UP!
792
00:34:04,209 --> 00:34:07,244
IT'S LIKE SOME TERRIBLE
CRAB-LIKE SIDEWAYS MOVE.
793
00:34:07,378 --> 00:34:08,445
IT'S THE WRONG DECISION!
794
00:34:08,547 --> 00:34:09,679
NO, IT ISN'T.
795
00:34:09,748 --> 00:34:11,081
MALLORY:
YES, IT IS!
796
00:34:12,017 --> 00:34:13,750
AND YOU KNOW WHAT?
797
00:34:13,885 --> 00:34:15,519
THE TAR GOES ON THE OUTSIDE
OF THE ROOF.
798
00:34:15,620 --> 00:34:16,653
DUH!
799
00:34:17,823 --> 00:34:19,489
(CELL PHONE CHIMES)
800
00:34:20,492 --> 00:34:21,691
IT'S JAKE.
801
00:34:21,826 --> 00:34:22,492
WHAT SHOULD I DO?
802
00:34:22,627 --> 00:34:23,893
PICK UP IT UP.
803
00:34:23,896 --> 00:34:25,062
TELL HIM YOU'LL GO
TO THE DAMN DANCE WITH HIM.
804
00:34:27,198 --> 00:34:28,198
HEY, JAKE.
805
00:34:31,169 --> 00:34:34,938
IT'S NICE OF YOU TO ASK ME
TO THE DANCE, BUT...
806
00:34:35,007 --> 00:34:37,040
(MOUTHS)
OKAY!
807
00:34:37,175 --> 00:34:38,875
OKAY,
808
00:34:38,977 --> 00:34:41,545
I'LL GO TO THE DANCE
WITH YOU...
809
00:34:41,679 --> 00:34:43,113
ON ONE CONDITION.
810
00:34:44,115 --> 00:34:45,849
I'M STILL HOLDING
ONTO THAT HORSE.
811
00:34:45,984 --> 00:34:47,584
(LAUGHS)
OH, NO...
812
00:34:47,586 --> 00:34:49,820
NO, I WAS JUST WONDERING
HOW YOU MADE OUT AT THE SALE.
813
00:34:49,954 --> 00:34:51,321
OH. NAH...
814
00:34:51,456 --> 00:34:54,458
STAMPEDE SADDLE I HAD MY EYE ON
WENT TO A HIGHER BIDDER.
815
00:34:54,559 --> 00:34:57,260
OH. I GOT AN INTEREST IN,
UH, SADDLES MYSELF.
816
00:34:57,329 --> 00:34:57,994
REALLY?
817
00:34:58,129 --> 00:34:59,596
YEAH. OH YEAH.
818
00:34:59,598 --> 00:35:01,331
WELL, AS YOU KNOW,
I WAS ON THE CIRCUIT FOREVER.
819
00:35:01,400 --> 00:35:02,866
ALL ROUND COWBOY
FIVE TIMES,
820
00:35:03,001 --> 00:35:05,502
SO I GOT QUITE A COLLECTION
OF SADDLES OF MY OWN.
821
00:35:05,604 --> 00:35:07,337
OF COURSE, I JUST COLLECT 'EM
FOR FUN NOW,
822
00:35:07,439 --> 00:35:08,972
BUT, YOU KNOW,
THE ONES THAT ARE MY FAVOURITES
823
00:35:09,107 --> 00:35:11,374
ARE STILL THE ONES I WON.
824
00:35:11,476 --> 00:35:12,542
CHECK THIS OUT.
825
00:35:12,644 --> 00:35:15,112
OH MY,
THAT IS A BEAUTY.
826
00:35:15,180 --> 00:35:17,848
HUDSON RODEO.
1989.
827
00:35:17,916 --> 00:35:19,783
AND...
828
00:35:19,918 --> 00:35:22,519
THE SIGNATURE.
(CHUCKLES)
829
00:35:24,856 --> 00:35:26,056
I DON'T SUPPOSE
YOU'D BE INTERESTED IN
830
00:35:26,125 --> 00:35:27,958
UH, SELLING THIS TO ME,
NOW WOULD YOU?
831
00:35:28,059 --> 00:35:30,160
OH HO... NO.
NO, NO, NO.
832
00:35:31,162 --> 00:35:33,497
NAH, I'D TRADE IT.
833
00:35:33,631 --> 00:35:35,565
(KNOWING CHUCKLE)
834
00:35:37,636 --> 00:35:38,701
SHANE:
I ALREADY TOLD YOU.
835
00:35:38,704 --> 00:35:40,237
I DON'T NEED TO LEARN
HOW TO ROPE.
836
00:35:40,305 --> 00:35:42,572
I'LL NEVER BE A RODEO COWBOY,
SO...
837
00:35:42,641 --> 00:35:43,839
HUH.
838
00:35:43,842 --> 00:35:45,175
WELL, YOU BETTER TELL THAT
TO PAL
839
00:35:45,244 --> 00:35:48,145
'CAUSE SHE'S BEEN
WAITING FOR YOU.
840
00:35:50,248 --> 00:35:52,949
SHANE:
WHAT? YOU GOT HER BACK?!
841
00:35:53,018 --> 00:35:54,050
HEY!
842
00:35:54,119 --> 00:35:55,852
OH, YOU'VE GROWN!
843
00:35:55,921 --> 00:35:57,087
THANK YOU SO MUCH!
844
00:35:57,189 --> 00:35:58,955
OH! HEY!
(LAUGHS)
845
00:35:59,057 --> 00:36:02,526
OKAY. WELL, LISTEN,
HERE'S THE THING.
846
00:36:02,594 --> 00:36:04,361
YOU GOTTA GO HOME.
IT'S YOUR MOM.
847
00:36:04,495 --> 00:36:05,762
SHE MISSES YOU
AND SHE NEEDS YOU,
848
00:36:05,897 --> 00:36:07,163
AND IT'S JUST NOT FAIR
TO HER.
849
00:36:07,165 --> 00:36:09,232
SO I'M GONNA TELL YOU WHAT.
I'LL KEEP PAL HERE
850
00:36:09,334 --> 00:36:11,568
AND YOU CAN COME AND SEE HER
ANYTIME YOU WANT.
851
00:36:11,670 --> 00:36:13,436
DEAL?
852
00:36:13,538 --> 00:36:14,571
DEAL.
853
00:36:16,908 --> 00:36:18,108
HEY... HEY, PAL.
854
00:36:19,644 --> 00:36:20,644
AW!
855
00:36:24,215 --> 00:36:25,982
(CRICKETS CHIRP)
856
00:36:26,051 --> 00:36:27,851
BUT WHAT SHOULD I DO?
857
00:36:27,986 --> 00:36:29,352
HE JUST SORTA SPRUNG THIS
ON ME.
858
00:36:29,487 --> 00:36:31,021
SHOULD I ASK HIM WHY?
859
00:36:31,089 --> 00:36:32,255
(KNOCK AT THE DOOR)
860
00:36:33,225 --> 00:36:34,558
I'M GONNA HAVE
TO CALL YOU BACK.
861
00:36:34,626 --> 00:36:35,825
OKAY.
862
00:36:35,827 --> 00:36:37,761
YEAH, YOU GIVE MY NIECE
A KISS FOR ME.
863
00:36:37,895 --> 00:36:39,663
BYE.
864
00:36:39,764 --> 00:36:40,797
HEY. IT WAS LOU.
865
00:36:45,203 --> 00:36:46,770
(EXHALES)
866
00:36:46,904 --> 00:36:49,272
YOU KNOW,
I WAS JUST WONDERING
867
00:36:49,407 --> 00:36:52,242
WHY YOU'D MOVE INTO
CALEB'S TRAILER NOW?
868
00:36:52,344 --> 00:36:54,144
I MEAN, I THOUGHT...
869
00:36:54,246 --> 00:36:55,645
I THOUGHT WE WERE TOGETHER.
870
00:36:55,780 --> 00:36:57,247
MORE THAN WE'D BEEN
IN A LONG TIME.
871
00:36:57,382 --> 00:36:58,848
WE ARE.
872
00:36:58,983 --> 00:36:59,950
WE ARE.
873
00:37:00,084 --> 00:37:01,117
IT'S JUST...
874
00:37:01,252 --> 00:37:03,520
IT'S BEEN A REALLY ROUGH YEAR
FOR US.
875
00:37:03,522 --> 00:37:03,653
I KNOW.
876
00:37:07,392 --> 00:37:11,861
WHERE WE CAN BE OPEN
AND HONEST WITH EACH OTHER,
877
00:37:11,930 --> 00:37:14,731
YOU WANNA CHANGE IT
AND I DON'T KNOW WHY.
878
00:37:14,800 --> 00:37:16,666
I DON'T WANNA CHANGE IT.
879
00:37:16,801 --> 00:37:18,235
IT'S NOT LIKE
I'M MOVING AWAY, AMY.
880
00:37:18,303 --> 00:37:19,869
YEAH, IT IS.
881
00:37:23,408 --> 00:37:27,644
WE CAN BE EVEN MORE TOGETHER
IF WE'RE APART.
882
00:37:28,847 --> 00:37:30,747
WE CAN MAKE IT WORK.
883
00:37:31,683 --> 00:37:33,917
IT'LL BE GOOD FOR US.
884
00:37:34,052 --> 00:37:37,220
IS THIS BECAUSE
YOUR ROOF LEAKS?
885
00:37:38,290 --> 00:37:39,222
NO.
886
00:37:39,291 --> 00:37:41,024
(LAUGHS)
887
00:37:41,159 --> 00:37:43,693
I NEED MY OWN PLACE, AMY.
888
00:37:44,696 --> 00:37:48,565
I CAN'T BE THE GUY
IN THE LOFT FOREVER.
889
00:37:48,634 --> 00:37:50,934
WHY NOT?
890
00:37:51,036 --> 00:37:53,803
I LOVE THE GUY
IN THE LOFT.
891
00:38:04,783 --> 00:38:06,149
(HOOFBEATS THUD)
892
00:38:15,026 --> 00:38:16,026
(CHUCKLES, PLEASED)
893
00:38:32,210 --> 00:38:33,109
GOOD BOY.
894
00:38:33,245 --> 00:38:35,512
(CLAPPING)
WELL DONE.
895
00:38:35,646 --> 00:38:37,080
IT'S A LITTLE BIT LIKE
ONE STEP FORWARD
896
00:38:37,215 --> 00:38:38,748
AND TWO STEPS BACK.
897
00:38:38,750 --> 00:38:41,685
IT TAKES A LOT OF PATIENCE,
FOR YOU AND FOR THE HORSE.
898
00:38:41,753 --> 00:38:43,420
A LOT OF TRIAL AND ERROR.
899
00:38:43,488 --> 00:38:45,155
BUT THERE CAN BE
NO POWER STRUGGLE,
900
00:38:45,289 --> 00:38:47,157
AND IF YOU'RE NOT RELAXED?
FORGET IT.
901
00:38:47,291 --> 00:38:49,726
THEY CAN INSTANTLY PICK UP
ON YOUR STRESS
902
00:38:49,828 --> 00:38:51,094
AND YOUR STATE OF MIND,
903
00:38:51,163 --> 00:38:52,362
BUT YOU KNEW THAT.
904
00:38:52,497 --> 00:38:55,065
I TOLD YOU,
YOUR INSTINCTS ARE VERY GOOD.
905
00:38:55,166 --> 00:38:58,201
YOU JUST HAVE TO KNOW
WHEN TO TRULY RELEASE.
906
00:38:58,303 --> 00:39:00,170
IT'S LIKE ANYTHING IN LIFE.
907
00:39:00,304 --> 00:39:02,706
YOU HAVE TO LET GO
BEFORE YOU CAN MOVE FORWARD.
908
00:39:03,708 --> 00:39:04,708
YEAH.
909
00:39:10,915 --> 00:39:12,415
GOOD BOY, SPARTAN.
910
00:39:13,385 --> 00:39:14,451
(SPARTAN SNUFFLES)
911
00:39:15,787 --> 00:39:16,820
GOOD BOY.
912
00:39:18,189 --> 00:39:19,189
(SPARTAN NICKERS)
913
00:39:21,926 --> 00:39:23,526
AMY:
(WHISTLES)
914
00:39:23,628 --> 00:39:24,661
COME ON.
915
00:39:25,764 --> 00:39:27,530
(SHARP WHISTLE)
HUP.
916
00:39:28,800 --> 00:39:29,866
HERE.
917
00:39:32,670 --> 00:39:33,770
COME HERE.
918
00:39:34,739 --> 00:39:36,940
GOOD BOY.
(LAUGHS HAPPILY)
919
00:39:38,209 --> 00:39:39,442
WHOA...
920
00:39:39,544 --> 00:39:41,511
GOOD BOY.
(TY APPLAUDS)
921
00:39:42,780 --> 00:39:44,948
AMY, THAT WAS AMAZING.
922
00:39:45,082 --> 00:39:46,416
YOU ARE INCREDIBLE.
923
00:39:46,551 --> 00:39:47,751
(TITTERS)
WAY TO GO.
924
00:39:47,819 --> 00:39:51,221
NO COLLAR, NO LEAD...
HE'S SO GOOD.
925
00:39:51,355 --> 00:39:53,089
WOW.
HEY, UH...
926
00:39:53,858 --> 00:39:56,359
CAN WE TALK ABOUT YOU
MOVING OUT OF THE LOFT?
927
00:39:56,428 --> 00:40:00,029
AMY, I DON'T-
NO.
I WANNA TALK ABOUT IT.
928
00:40:00,098 --> 00:40:02,832
IT'S JUST HARD
'CAUSE....
929
00:40:04,302 --> 00:40:07,437
I DON'T KNOW,
I'M GONNA MISS YOU.
930
00:40:07,572 --> 00:40:08,905
AND...
931
00:40:08,974 --> 00:40:12,108
I KNOW IN MY GUT
THIS IS RIGHT,
932
00:40:12,243 --> 00:40:15,445
BUT MAYBE I AM HOLDING ON
TOO TIGHT.
933
00:40:16,447 --> 00:40:18,948
MAYBE WE NEED TO MOVE FORWARD.
934
00:40:19,017 --> 00:40:21,684
HERE'S TO MOVING FORWARD.
935
00:40:27,392 --> 00:40:28,958
WHAT DO YOU THINK?
936
00:40:32,263 --> 00:40:35,198
WELL, YOU LOOK
REAL GROWN UP.
937
00:40:37,101 --> 00:40:39,803
OKAY.
YOU LOOK VERY PRETTY.
938
00:40:41,072 --> 00:40:43,473
BUT...
I DO HAVE TO ASK YOU,
939
00:40:43,608 --> 00:40:46,376
WHY ARE YOU LEAVING FROM HERE
AND NOT YOUR FOLK'S PLACE?
940
00:40:46,511 --> 00:40:48,411
WELL, IF JAKE CAME
AND PICKED ME UP AT MY HOUSE,
941
00:40:48,546 --> 00:40:50,079
MY MOM WOULD BE
ALL OVER HIM,
942
00:40:50,148 --> 00:40:51,548
TELLING HIM HOW CUTE HE IS.
943
00:40:51,682 --> 00:40:53,015
MY DAD WOULD BE TOO,
944
00:40:53,018 --> 00:40:54,851
EXCEPT WITH SOME KIND
OF LOADED WEAPON IN HIS HAND.
945
00:40:54,986 --> 00:40:58,154
SO THIS IS THE BEST IDEA,
LESS COMPLICATED.
946
00:40:58,256 --> 00:40:59,755
PLUS,
(KNOCK AT DOOR)
947
00:40:59,791 --> 00:41:02,926
THEY WOULDN'T UNDERSTAND
THAT JAKE'S NOT REALLY MY DATE.
948
00:41:02,994 --> 00:41:04,059
HE'S NOT?
949
00:41:04,062 --> 00:41:05,528
NO. HE'S JUST GIVING ME A RIDE.
950
00:41:05,663 --> 00:41:06,896
WHY DO I NEED A DATE?
951
00:41:06,898 --> 00:41:07,931
ONLY GIRLS WHO ARE AFRAID
TO BE ALONE,
952
00:41:08,065 --> 00:41:09,466
LIKE JAMIE, WOULD.
953
00:41:10,902 --> 00:41:12,702
JAKE, GOOD TO SEE YOU, MAN.
954
00:41:12,837 --> 00:41:15,038
JAKE:
GOOD TO SEE YOU TOO, SIR.
955
00:41:15,974 --> 00:41:16,906
ARE YOU READY?
956
00:41:17,008 --> 00:41:18,107
YEAH.
957
00:41:18,176 --> 00:41:20,109
UM...
958
00:41:20,178 --> 00:41:21,443
REMEMBER,
959
00:41:21,446 --> 00:41:23,046
YOU'RE JUST GIVING ME A RIDE,
RIGHT?
960
00:41:23,180 --> 00:41:24,481
ONCE WE'RE THERE,
WE'RE GONNA GO SOLO.
961
00:41:24,615 --> 00:41:26,082
UNDERSTOOD?
962
00:41:26,217 --> 00:41:27,217
SURE.
'KAY.
963
00:41:32,791 --> 00:41:35,024
(SCREEN DOOR CREAKS OPEN)
964
00:41:36,060 --> 00:41:39,229
(APPROACHING FOOTSTEPS)
965
00:41:40,799 --> 00:41:43,132
SO, I HEARD A RUMOUR.
966
00:41:44,135 --> 00:41:45,802
WERE YOU PLANNING
ON TELLING ME
967
00:41:45,871 --> 00:41:48,238
YOU'RE MOVING OUT?
WHY?
968
00:41:49,207 --> 00:41:52,108
WELL, I JUST...
I THINK IT'S A GOOD IDEA.
969
00:41:52,210 --> 00:41:53,943
CALEB'S HAPPY HAVING SOMEONE
HE KNOWS RENT THE TRAILER
970
00:41:54,078 --> 00:41:55,812
AND...
971
00:41:55,947 --> 00:41:57,514
AMY AND I COULD USE
SOME SPACE.
972
00:41:57,648 --> 00:41:58,681
SPACE?
973
00:41:59,684 --> 00:42:01,951
YOU KNOW,
I TRIED TO STAY OUT
974
00:42:02,086 --> 00:42:04,487
OF WHATEVER YOU TWO
ARE GOING THROUGH.
975
00:42:04,556 --> 00:42:06,689
I THINK I DID A PRETTY
DARN GOOD JOB OF THAT TOO
976
00:42:06,758 --> 00:42:08,091
CONSIDERING THERE WERE
PLENTY A TIMES
977
00:42:08,159 --> 00:42:10,994
I WANTED TO KICK
BOTH YOUR HIND ENDS.
978
00:42:11,128 --> 00:42:14,931
I DON'T DOUBT
IT TOOK A LOT OF SELF-CONTROL.
979
00:42:15,033 --> 00:42:18,902
BUT THIS IS NOT AMY
AND I BREAKING UP, JACK.
980
00:42:19,036 --> 00:42:20,436
I JUST...
981
00:42:21,138 --> 00:42:23,239
I THINK IT'S TIME TO TAKE IT
TO ANOTHER LEVEL.
982
00:42:23,308 --> 00:42:24,908
OKAY.
983
00:42:25,042 --> 00:42:26,809
I DON'T PRETEND TO KNOW
WHAT YOU'RE TALKING ABOUT,
984
00:42:26,911 --> 00:42:28,745
BUT...
985
00:42:28,879 --> 00:42:30,980
I'LL BE SAD TO LOSE YOU.
986
00:42:31,082 --> 00:42:32,382
I'LL BE AROUND.
987
00:42:37,121 --> 00:42:38,521
ANOTHER LEVEL...
988
00:42:39,591 --> 00:42:41,691
I HOPE YOU'RE NOT THINKING
OF USING THAT TRAILER
989
00:42:41,793 --> 00:42:43,960
AS SOME KIND OF WILD
BACHELOR PAD.
990
00:42:44,062 --> 00:42:46,796
'CAUSE REMEMBER,
I SLEEP LIGHT
991
00:42:46,865 --> 00:42:48,197
AND I CAN STILL HEAR
992
00:42:48,333 --> 00:42:50,900
IF AND WHEN AMY GETS HOME
AT NIGHT.
993
00:42:51,035 --> 00:42:52,335
AS A MATTER OF FACT,
994
00:42:53,271 --> 00:42:55,271
IF I CONCENTRATE,
I CAN HEAR THE DOORKNOB
995
00:42:55,340 --> 00:42:57,073
ON THAT TRAILER TOO.
996
00:43:03,748 --> 00:43:05,114
(LOW HUM OF CHATTER)
997
00:43:07,518 --> 00:43:09,652
TIM:
OKAY, TRY TO BEHAVE YOURSELF
NOW.
998
00:43:09,754 --> 00:43:11,754
DON'T WANNA GIVE YOUR MOTHER
A HEART ATTACK.
999
00:43:11,889 --> 00:43:13,790
NEXT TIME, WE'LL PLAN SOMETHING
LIKE THAT TOGETHER,
1000
00:43:13,924 --> 00:43:15,224
'KAY?
1001
00:43:15,293 --> 00:43:17,994
NO MORE RUNNING AWAY.
IS THAT A DEAL?
1002
00:43:18,096 --> 00:43:19,128
DEAL.
1003
00:43:19,197 --> 00:43:20,563
OKAY.
1004
00:43:20,632 --> 00:43:21,931
SEE YA.
1005
00:43:22,066 --> 00:43:23,066
BYE.
1006
00:43:26,237 --> 00:43:27,904
TIM: SEE YA.
SHANE: BYE.
1007
00:43:27,973 --> 00:43:29,272
TAKE IT EASY, KID.
1008
00:43:31,509 --> 00:43:32,642
I'LL MISS YOU GUYS.
1009
00:43:32,777 --> 00:43:34,777
WE'LL MISS YOU TOO.
1010
00:43:36,547 --> 00:43:38,281
(BUS AIRLOCK HISSES)
1011
00:43:39,617 --> 00:43:41,784
(BUS RUMBLES AWAY)
1012
00:43:50,961 --> 00:43:53,062
(HOOVES THUD SOFTLY)
1013
00:43:58,602 --> 00:43:59,602
(SPARTAN WHINNIES)
1014
00:44:30,801 --> 00:44:31,801
(SIGHS)