1
00:00:01,435 --> 00:00:03,635
<i> AMY:</i>
<i> PREVIOUSLY ON "HEARTLAND":</i>

2
00:00:03,703 --> 00:00:05,103
<i> TY:</i>
<i> WHY ARE YOU SO DETERMINED</i>
<i> WITH THIS HORSE?</i>

3
00:00:05,172 --> 00:00:06,505
(PHONE RINGS,
ALCATRAZ WHINNIES, STARTLED)

4
00:00:06,573 --> 00:00:08,106
OOF!

5
00:00:08,175 --> 00:00:09,374
AMY:
THIS HORSE IS ACTING
EXACTLY LIKE SPARTAN DID

6
00:00:09,443 --> 00:00:10,575
AFTER THE ACCIDENT.

7
00:00:10,644 --> 00:00:11,977
(ALCATRAZ SCREAMS)

8
00:00:12,013 --> 00:00:13,679
HE WAS THIS CLOSE
TO BEING PUT DOWN AS WELL.

9
00:00:13,747 --> 00:00:14,613
<i> IF SPARTAN CAN COME BACK</i>
<i> FROM THAT,</i>

10
00:00:14,681 --> 00:00:15,981
<i> SO CAN ALCATRAZ.</i>

11
00:00:17,250 --> 00:00:20,118
I NEED THE BRUTAL
HONEST TRUTH.

12
00:00:20,121 --> 00:00:21,787
DO YOU THINK AUSTIN
IS JUST USING ME?

13
00:00:23,090 --> 00:00:25,524
TY, YOUR DAD...

14
00:00:25,592 --> 00:00:27,559
HE'S GONE.

15
00:00:27,627 --> 00:00:29,294
<i>HE PASSED AWAY.</i>

16
00:00:29,362 --> 00:00:31,030
(POTS CLANG AND CLATTER LOUDLY)

17
00:00:31,932 --> 00:00:33,265
<i> TY:</i>
<i> I REMEMBER THINKING</i>
<i> THAT ROCK</i>

18
00:00:33,333 --> 00:00:35,033
<i> WAS THE COOLEST THING</i>
<i> IN THE WORLD.</i>

19
00:00:35,102 --> 00:00:37,269
AND I GREW UP AND I FOUND OUT
IT WAS WORTHLESS.

20
00:00:37,337 --> 00:00:39,271
JUST FOOLS GOLD.

21
00:00:39,339 --> 00:00:42,274
I HOPE YOU CAN FIND
A PEACEFUL PLACE FOR HIM.

22
00:00:43,310 --> 00:00:44,443
EAGLE LAKE.

23
00:00:46,547 --> 00:00:48,580
(SNORTING SOFTLY)

24
00:00:52,486 --> 00:00:54,186
(HOOFBEATS THUNDER)

25
00:00:55,889 --> 00:01:00,859
♪♪♪

26
00:01:01,895 --> 00:01:03,195
(HOOFBEATS THUNDER)

27
00:01:06,567 --> 00:01:08,233
(SNORTED BREATHES)

28
00:01:11,938 --> 00:01:13,305
LOOK AT YOU TWO.

29
00:01:13,373 --> 00:01:15,207
YOU COULDN'T EVEN GET
NEAR HIM A MONTH AGO.

30
00:01:15,275 --> 00:01:16,641
AMY:
I KNOW.

31
00:01:16,710 --> 00:01:18,009
WE'VE COME A LONG WAY,
HAVEN'T WE, ALCATRAZ?

32
00:01:18,078 --> 00:01:19,044
YEAH.

33
00:01:20,113 --> 00:01:21,780
SO HOW ABOUT YOU?

34
00:01:21,782 --> 00:01:24,082
IT'S GONNA BE A BEAUTIFUL DAY
FOR A RIDE.

35
00:01:24,085 --> 00:01:26,218
(CLANG, HISS)
OH, DAMN IT!

36
00:01:27,721 --> 00:01:29,654
UM, YEAH. UM...

37
00:01:29,723 --> 00:01:32,924
LOOK, AMY, THERE'S SOMETHING
I NEED TO TALK TO YOU ABOUT.

38
00:01:32,927 --> 00:01:34,192
IS IT ABOUT OUR TRIP?

39
00:01:34,261 --> 00:01:36,194
LOOK, I HATE TO DO THIS,
IT'S JUST UM...

40
00:01:36,263 --> 00:01:37,896
I WANNA GO UP THERE
BY MYSELF.

41
00:01:37,965 --> 00:01:40,132
ARE YOU SURE, TY?
I CLEARED MY SCHEDULE.

42
00:01:40,200 --> 00:01:42,501
I KNOW. I KNOW.
IT'S JUST...

43
00:01:42,569 --> 00:01:43,735
UM, THIS IS JUST SOMETHING...
YOU KNOW,

44
00:01:43,737 --> 00:01:45,504
IT'S NOT REALLY A WEEKEND OFF
FOR ME,

45
00:01:45,572 --> 00:01:46,838
IT'S SOMETHING A LITTLE
MORE THAN THAT, SO...

46
00:01:46,907 --> 00:01:48,540
I KNOW.

47
00:01:48,542 --> 00:01:49,875
EAGLE LAKE'S THE ONLY PLACE THAT
MY FAMILY HAS EVER GONE TOGETHER

48
00:01:49,943 --> 00:01:52,077
FOR LIKE A FAMILY VACATION
THING, SO...
I KNOW.

49
00:01:52,079 --> 00:01:54,546
IT'S WHERE I HAVE SOME OF
THE BEST MEMORIES OF MY DAD-

50
00:01:54,615 --> 00:01:58,183
IT'S THE PERFECT PLACE
TO SPREAD HIS ASHES.

51
00:01:58,251 --> 00:02:00,419
YEAH...
SO, IF UH...

52
00:02:00,487 --> 00:02:03,422
I JUST NEED TO DO IT
BY MYSELF.

53
00:02:04,424 --> 00:02:05,557
OKAY.

54
00:02:06,693 --> 00:02:08,393
(RELIEVED)
OKAY. OKAY.

55
00:02:21,908 --> 00:02:23,208
(BIKE SKIDS TO A STOP)

56
00:02:23,277 --> 00:02:24,710
(WHINNIES, STARTLED)

57
00:02:25,445 --> 00:02:27,979
AUSTIN:
SORRY, I WAS JUST LOOKING
FOR MALLORY.

58
00:02:27,982 --> 00:02:30,115
(ANNOYED)
SHE'S IN THE BARN.

59
00:02:30,117 --> 00:02:31,150
THANKS.

60
00:02:33,921 --> 00:02:34,920
IT'S OKAY.

61
00:02:36,890 --> 00:02:38,157
(WATER SPRAYS FORCEFULLY)

62
00:02:39,126 --> 00:02:40,159
(GASPS)

63
00:02:41,795 --> 00:02:44,429
YOU FREAKED ME OUT.
WHAT'RE YOU DOING HERE?

64
00:02:44,497 --> 00:02:46,265
I JUST WANTED TO SAY
I'M SORRY,

65
00:02:46,333 --> 00:02:47,599
FOR BEING SUCH A...

66
00:02:47,668 --> 00:02:51,136
MANIPULATING, SELF-SERVING,
TWO-FACED,

67
00:02:51,172 --> 00:02:53,305
COUNTRY SINGING WANNABE?

68
00:02:53,373 --> 00:02:55,541
I WAS JUST GOING
WITH JERK.

69
00:02:55,609 --> 00:02:56,608
IS THERE ANY WAY
WE CAN TALK?

70
00:02:56,610 --> 00:02:57,976
SAVE YOUR BREATH,

71
00:02:58,044 --> 00:02:59,211
I'M NOT SENDING ANY MESSAGES
TO MY DAD.

72
00:02:59,279 --> 00:03:00,812
OKAY, I ADMIT IT.

73
00:03:00,880 --> 00:03:03,682
<i> LOOK, I WAS USING YOU</i>
<i> TO GET TO HIM AT FIRST.</i>

74
00:03:03,750 --> 00:03:06,618
BUT SOMEWHERE ALONG THE WAY,
I FELL FOR YOU.

75
00:03:06,687 --> 00:03:08,820
LIKE RAIN FROM THE SKY,
I FELL FOR YOU.

76
00:03:08,822 --> 00:03:10,355
(LAUGHS)

77
00:03:10,423 --> 00:03:13,458
IS THAT LIKE A LINE
FROM ONE OF YOUR LAME SONGS?

78
00:03:13,526 --> 00:03:16,161
DON'T YOU HAVE A "COUNTRY IDOL"
AUDITION TO BE AT?

79
00:03:16,229 --> 00:03:18,230
COME ON, MALLORY.

80
00:03:18,298 --> 00:03:21,366
IS THERE NO WAY
WE CAN GET PASSED THIS?

81
00:03:22,969 --> 00:03:25,370
(WATER SPRAYS)
AGHHHHH!

82
00:03:25,372 --> 00:03:27,139
WHAT?! COME ON!

83
00:03:29,376 --> 00:03:31,076
(BIKE ENGINE RUMBLES)

84
00:03:36,650 --> 00:03:38,183
WHAT'S UP WITH
THE WATERLOGGED DUDE?

85
00:03:38,185 --> 00:03:41,886
I DON'T KNOW, BUT I'M SURE
I'LL FIND OUT IN A MINUTE.

86
00:03:41,889 --> 00:03:44,356
AMY, I JUST WANTED TO...

87
00:03:44,424 --> 00:03:45,591
STOP BY TO SEE YOU
BEFORE I LEFT

88
00:03:45,626 --> 00:03:47,892
TO MAKE SURE THAT YOU WERE
OKAY WITH THIS?

89
00:03:47,961 --> 00:03:49,861
I JUST WANNA GET THIS
OVER WITH, OKAY?

90
00:03:49,863 --> 00:03:50,896
YEAH.

91
00:03:52,732 --> 00:03:54,032
COME HERE.

92
00:03:59,072 --> 00:04:02,107
HEY, LOU HAS MADE SOME
REALLY GOOD MUFFINS.

93
00:04:02,175 --> 00:04:03,542
DID SHE?

94
00:04:03,610 --> 00:04:05,310
SO YOU SHOULD PROBABLY PACK
A FEW FOR YOUR TRIP.

95
00:04:05,378 --> 00:04:06,678
ALL RIGHT.

96
00:04:09,249 --> 00:04:10,716
SEE YA.
SEE YA.

97
00:04:17,357 --> 00:04:19,591
(DOOR CLOSES)

98
00:04:19,659 --> 00:04:21,560
TY, HOW'S IT GOING?

99
00:04:21,628 --> 00:04:23,828
HEY! I HEARD A RUMOUR
ABOUT SOME FRESH MUFFINS.

100
00:04:23,831 --> 00:04:26,365
YUP. HELP YOURSELF.

101
00:04:28,568 --> 00:04:31,636
WAS THAT YOUR NORTON
I HEARD OUT THERE?

102
00:04:31,639 --> 00:04:33,238
UH, YEAH.

103
00:04:33,274 --> 00:04:35,006
YOU HITTIN' THE ROAD?

104
00:04:35,075 --> 00:04:35,974
YEP.

105
00:04:36,043 --> 00:04:38,043
YEAH?
WHERE TO?

106
00:04:38,111 --> 00:04:39,577
UH, EAGLE LAKE.

107
00:04:39,580 --> 00:04:40,645
WELL,
THAT'S QUITE A WAYS,

108
00:04:40,648 --> 00:04:43,649
BUT A BEAUTIFUL STRETCH
OF ROAD.

109
00:04:43,717 --> 00:04:45,284
OKAY,
I'LL SEE YOU LATER, JACK.

110
00:04:45,319 --> 00:04:47,853
HEY,
IS EVERYTHING OKAY?

111
00:04:49,289 --> 00:04:50,989
YEAH, I'M GOOD.

112
00:04:52,692 --> 00:04:53,992
RIDE SAFE.

113
00:05:00,200 --> 00:05:02,234
(MOTORBIKE RUMBLES)

114
00:05:17,351 --> 00:05:24,989
♪♪♪

115
00:05:25,058 --> 00:05:32,630
♪♪♪

116
00:05:32,699 --> 00:05:38,470
♪ And at the break of day
you sank into your dream ♪

117
00:05:39,706 --> 00:05:41,239
♪ You dreamer ♪

118
00:05:41,307 --> 00:05:43,842
♪ Oh, oh, oh... ♪

119
00:05:43,910 --> 00:05:45,510
♪ You dreamer ♪

120
00:05:48,015 --> 00:05:52,050
♪ You dreamer ♪

121
00:05:58,625 --> 00:06:00,792
(MOTORBIKE RUMBLES)

122
00:06:05,698 --> 00:06:09,134
OH, SORRY.
WHAT IS WITH YOU?

123
00:06:09,202 --> 00:06:10,935
TY JUST LEFT
FOR EAGLE LAKE.

124
00:06:11,004 --> 00:06:13,171
WITHOUT YOU?
HE JUST DITCHED YOU?

125
00:06:13,239 --> 00:06:14,539
WELL, NO.

126
00:06:14,608 --> 00:06:18,042
IT'S A LOT MORE COMPLICATED
THAN THAT.

127
00:06:18,045 --> 00:06:19,478
YOU GOING ON A TRIP
OR SOMETHING?

128
00:06:19,546 --> 00:06:22,213
IT'S KATIE'S FIRST "MAKIN'
MUSIC WITH MOMMY" CLASS.

129
00:06:22,216 --> 00:06:23,548
SHE'S 8-MONTHS-OLD.

130
00:06:23,550 --> 00:06:24,949
WHAT KIND OF MUSIC
DO THEY EXPECT HER TO MAKE?

131
00:06:24,952 --> 00:06:26,484
MUSIC IS VERY IMPORTANT
FOR BABIES HER AGE,

132
00:06:26,553 --> 00:06:27,819
I'LL HAVE YOU KNOW.

133
00:06:27,888 --> 00:06:29,421
IT TEACHES THEM
COGNITIVE DEVELOPMENT,

134
00:06:29,423 --> 00:06:33,057
COMPREHENSIVE SKILLS,
PHONOLOGICAL PROCESSING-

135
00:06:33,126 --> 00:06:34,559
SERIOUSLY, LOU,
WHAT IS THAT?

136
00:06:34,627 --> 00:06:37,896
OKAY, I'VE GOT SNACKS,
WIPES, DIAPERS, LOTION...

137
00:06:37,964 --> 00:06:39,264
MARACAS!

138
00:06:39,266 --> 00:06:40,999
<i> I AM GOOD TO GO.</i>

139
00:06:42,970 --> 00:06:47,505
LOU, MIGHT YOU BE
FORGETTING SOMETHING?

140
00:06:47,574 --> 00:06:48,540
WHAT?

141
00:06:50,210 --> 00:06:51,977
THE BABY!
RIGHT.

142
00:06:54,614 --> 00:06:57,949
SO... WHAT WAS THAT
ABOUT EAGLE LAKE?

143
00:07:00,220 --> 00:07:02,287
TY AND I WERE SUPPOSED
TO GO UP THERE TOGETHER.

144
00:07:02,289 --> 00:07:03,588
WHY DIDN'T YOU?

145
00:07:03,590 --> 00:07:05,590
YOU PROMISE YOU
WON'T SAY ANYTHING?

146
00:07:05,592 --> 00:07:07,259
OKAY.

147
00:07:07,327 --> 00:07:09,828
HE'S SPREADING HIS DAD'S
ASHES UP THERE.

148
00:07:09,896 --> 00:07:11,830
WELL, IT'S A BEAUTIFUL PLACE
TO DO IT.

149
00:07:11,898 --> 00:07:12,798
<i> AMY:</i>
<i> YEAH.</i>

150
00:07:14,000 --> 00:07:15,867
I'M JUST WORRIED
ABOUT HIM.

151
00:07:15,869 --> 00:07:17,469
THIS MORNING,
I WENT UP TO SEE HIM

152
00:07:17,537 --> 00:07:18,736
AND HE COULD BARELY CHECK
THE TIRE PRESSURE

153
00:07:18,739 --> 00:07:21,573
HIS HANDS WERE SHAKING
SO BADLY.

154
00:07:21,641 --> 00:07:23,341
HE'S JUST BEEN A BUNDLE
OF NERVES LATELY,

155
00:07:23,343 --> 00:07:25,677
AND I CAN'T HELP THINKING
THAT'S A LONG ROAD TRIP

156
00:07:25,745 --> 00:07:28,747
FOR HIM TO GO ALONE ON
RIGHT NOW.

157
00:07:30,617 --> 00:07:32,918
YOU'RE PROBABLY RIGHT.

158
00:07:34,521 --> 00:07:36,555
(MOTORBIKE RUMBLES LOUDLY)

159
00:07:48,935 --> 00:07:50,401
CAN I WARM THAT COFFEE UP
FOR YOU?

160
00:07:50,470 --> 00:07:53,371
UH, PLEASE.
YOU NEW HERE?

161
00:07:53,439 --> 00:07:55,440
UH, NO,
I'M THE MANAGER.

162
00:07:55,442 --> 00:07:56,641
I'M SORRY.

163
00:07:56,643 --> 00:07:58,009
I WAS IN A FEW TIMES
LAST WEEK,

164
00:07:58,077 --> 00:07:59,978
AND I DEFINITELY WOULD'VE
REMEMBERED YOUR SMILE.

165
00:07:59,980 --> 00:08:02,146
I WAS OUT OF TOWN,
IN LONDON, ACTUALLY.

166
00:08:02,149 --> 00:08:04,282
LONDON? REALLY.
MAN, I LOVE LONDON.

167
00:08:04,350 --> 00:08:05,484
OH, YOU'VE BEEN?

168
00:08:05,519 --> 00:08:07,385
YEAH. I WENT AND VISITED
A BUDDY OF MINE

169
00:08:07,453 --> 00:08:08,953
THAT I SERVED WITH
IN AFGHANISTAN.

170
00:08:09,022 --> 00:08:10,421
HE LIVES IN HAMPSTEAD.

171
00:08:10,490 --> 00:08:12,324
OH, YEAH. I SPENT SOME TIME
IN THAT AREA.

172
00:08:12,392 --> 00:08:14,893
I WAS AT THAT FAMOUS PUB.

173
00:08:14,961 --> 00:08:16,194
THE MAGDELLA?

174
00:08:16,196 --> 00:08:18,630
YES! DO YOU KNOW WHY
IT'S SO FAMOUS?

175
00:08:18,698 --> 00:08:20,198
BEST SELECTION OF BEER
IN THE CITY.

176
00:08:20,266 --> 00:08:21,666
WELL, THAT,

177
00:08:21,735 --> 00:08:23,334
AND IT'S WHERE RUTH ELLIS
SHOT HER BOYFRIEND DEAD

178
00:08:23,403 --> 00:08:25,570
IN THE FIFTIES.

179
00:08:25,606 --> 00:08:28,606
SHE WAS THE LAST WOMAN
TO BE HANGED IN ENGLAND.

180
00:08:28,675 --> 00:08:30,242
THAT'S PRETTY COOL,
ACTUALLY.

181
00:08:30,277 --> 00:08:31,409
IT'S NOT AS COOL
AS THE GUINNESS

182
00:08:31,477 --> 00:08:32,477
AND THE ROOT BEER SHOOTERS,
BUT...

183
00:08:32,546 --> 00:08:33,778
IT'S A GOOD FACT.

184
00:08:33,847 --> 00:08:34,846
<i> AMY:</i>
<i> SORAYA!</i>

185
00:08:34,848 --> 00:08:36,247
HEY!

186
00:08:36,316 --> 00:08:37,482
WELCOME BACK.
OH, THANKS!

187
00:08:37,551 --> 00:08:38,616
I HAVE SO MUCH
WE NEED TO TALK ABOUT.

188
00:08:38,685 --> 00:08:40,218
HOW'RE YOU?!
(SIGHS) I'M OKAY.

189
00:08:40,287 --> 00:08:42,754
AMY?!

190
00:08:42,822 --> 00:08:44,055
BRYCE?!

191
00:08:44,123 --> 00:08:46,224
HEY!
HOW'S IT GOING?

192
00:08:46,293 --> 00:08:47,792
GREAT, ACTUALLY.

193
00:08:47,860 --> 00:08:49,627
YOU GUYS KNOW
EACH OTHER?

194
00:08:49,630 --> 00:08:51,829
AMY:
YEAH. BRYCE IS ONE OF CALEB'S
RODEO BUDDIES.

195
00:08:51,832 --> 00:08:54,365
YEAH, ACTUALLY, AMY HELPED ME
WITH ONE OF MY HORSES.

196
00:08:54,368 --> 00:08:56,201
HONESTLY, FIRST SHE KICKED
MY REAR-END,

197
00:08:56,269 --> 00:08:57,402
THEN SHE HELPED ME
WITH THE HORSE.

198
00:08:57,404 --> 00:08:58,403
(LAUGHING)

199
00:08:58,471 --> 00:08:59,637
SO ARE YOU STILL RIDING?

200
00:08:59,640 --> 00:09:00,939
YEAH.
YOU KNOW WHAT?

201
00:09:01,007 --> 00:09:02,073
I WOULD REALLY LOVE FOR YOU
TO COME BY

202
00:09:02,075 --> 00:09:03,441
AND SEE WHAT I'VE BEEN UP TO.

203
00:09:03,509 --> 00:09:04,776
CAN YOU SWING BY MY RANCH,
SAY IN ABOUT AN HOUR?

204
00:09:04,844 --> 00:09:06,011
O-KAY.

205
00:09:07,014 --> 00:09:08,613
COOL.
NICE MEETING YOU...

206
00:09:08,682 --> 00:09:09,681
UH, SORAYA.

207
00:09:18,024 --> 00:09:19,157
SEE YOU, GUYS.

208
00:09:23,997 --> 00:09:26,364
(MOTORBIKE PURRS
AS IT SLOWS DOWN)

209
00:09:36,009 --> 00:09:37,542
(BIRDS CHIRP)

210
00:09:39,879 --> 00:09:41,046
<i> YOUNG BOY:</i>
<i> PICK A CARD,</i>
<i> ANY CARD...</i>

211
00:09:46,320 --> 00:09:48,353
<i> BRAD:</i>
<i> TY USED TO LOVE THIS TRICK</i>
<i> WHEN HE WAS A KID.</i>

212
00:09:48,421 --> 00:09:50,588
<i> HE USED TO THINK</i>
<i> I WAS SOME KIND OF A MAGICIAN.</i>

213
00:09:50,657 --> 00:09:52,023
<i> TY:</i>
<i> THAT'S OKAY, DAD,</i>
<i> I THINK EVERYONE'S TIRED.</i>

214
00:09:52,025 --> 00:09:53,725
AH, IT'S ALL RIGHT.
COME ON.

215
00:09:53,727 --> 00:09:54,859
<i> MALLORY:</i>
<i> I'M NOT TIRED,</i>
<i> I WANNA SEE THE TRICK.</i>

216
00:09:54,927 --> 00:09:56,494
<i> BRAD: YEAH?</i>
<i> MALLORY: YEAH.</i>

217
00:09:56,496 --> 00:09:59,097
<i> BOY:</i>
<i> IS THIS YOUR CARD?</i>

218
00:09:59,132 --> 00:10:01,066
MOTHER:
OH MY GOD,
HOW DID YOU DO THAT?

219
00:10:03,203 --> 00:10:05,637
<i> TY:</i>
<i> YOU'RE SO FULL OF CRAP,</i>
<i> YOU KNOW THAT?!</i>

220
00:10:05,705 --> 00:10:07,105
<i> YOU LEFT</i>
<i> AND I GOT BEAT UP!</i>

221
00:10:07,173 --> 00:10:08,339
<i> HOW'S THAT ANY DIFFERENT</i>
<i> FROM WHEN I WAS A KID?!</i>

222
00:10:08,408 --> 00:10:09,540
WAIT,
THAT'S NOT FAIR.

223
00:10:09,609 --> 00:10:11,909
THAT WAS A LONG TIME AGO
AND I...

224
00:10:11,912 --> 00:10:12,977
I THOUGHT YOU
AND YOUR MOM

225
00:10:13,046 --> 00:10:14,779
WOULD BE BETTER OFF
WITHOUT ME.

226
00:10:14,848 --> 00:10:16,447
<i> TY:</i>
<i> WELL, YOU WERE WRONG.</i>

227
00:10:16,450 --> 00:10:19,618
FATHER:
(LAUGHS) WAY TO GO, BUDDY.

228
00:10:25,692 --> 00:10:26,858
(METAL GATE CLANGS,
STEER MOOS)

229
00:10:26,926 --> 00:10:28,259
(HORSE WHINNIES)

230
00:10:31,597 --> 00:10:32,730
RANDY:
DAMMIT!

231
00:10:32,799 --> 00:10:34,132
WHOA, REBEL.
WHOA.

232
00:10:37,737 --> 00:10:38,770
<i> BRYCE:</i>
<i> IT'S OKAY, RANDY,</i>

233
00:10:38,772 --> 00:10:40,338
YOU'RE GETTING CLOSER
EACH TIME.

234
00:10:40,407 --> 00:10:41,406
<i> CALL IT A DAY, HUH?</i>

235
00:10:41,408 --> 00:10:42,440
ALL RIGHT.

236
00:10:48,348 --> 00:10:49,514
(LAUGHS)

237
00:10:52,752 --> 00:10:53,952
(ATV RUMBLES NEARBY)

238
00:10:57,891 --> 00:10:59,157
I DON'T GET IT.

239
00:10:59,159 --> 00:11:01,559
MY THROW KEEPS
COMING UP SHORT.

240
00:11:01,627 --> 00:11:02,760
WELL, TO BE HONEST,

241
00:11:02,829 --> 00:11:04,228
IT'S 'CAUSE
YOU'RE NOT CLOSE ENOUGH.

242
00:11:04,231 --> 00:11:05,229
SEE, YOU GOTTA REMEMBER,
THESE LEGS ARE LIMP NOODLES NOW,

243
00:11:05,298 --> 00:11:06,497
RIGHT?

244
00:11:06,500 --> 00:11:07,498
GOT NO MORE POWER
FROM THE WASTE DOWN,

245
00:11:07,501 --> 00:11:09,134
SO YOU GOTTA GET UP REAL CLOSE.

246
00:11:09,202 --> 00:11:10,868
YOU'LL GET IT.

247
00:11:10,937 --> 00:11:12,237
ALL RIGHT.

248
00:11:12,305 --> 00:11:13,304
SEE YOU TOMORROW?

249
00:11:13,372 --> 00:11:15,006
YEAH YOU WILL.

250
00:11:16,809 --> 00:11:18,777
NICE WORK.
THANKS.

251
00:11:19,780 --> 00:11:22,047
THAT WAS PRETTY
IMPRESSIVE.

252
00:11:23,049 --> 00:11:23,982
I'VE BEEN WORKING
WITH INJURED RIDERS

253
00:11:24,050 --> 00:11:25,650
FOR THE PAST SIX MONTHS.

254
00:11:25,719 --> 00:11:27,852
KINDA USE A LITTLE
RODEO TRAINING JUST TO,

255
00:11:27,854 --> 00:11:29,320
YOU KNOW, HELP BUILD
SOME CONFIDENCE.

256
00:11:29,388 --> 00:11:31,222
WASN'T ENOUGH
JUST TO GET THEM ON A HORSE?

257
00:11:31,290 --> 00:11:32,657
WELL, I MEAN, ANYBODY
CAN TEACH THAT PART.

258
00:11:32,726 --> 00:11:34,225
(LAUGHS)
THANKS.

259
00:11:34,293 --> 00:11:35,760
YOU'RE WELCOME.

260
00:11:35,762 --> 00:11:37,328
HEY, REBEL.

261
00:11:37,396 --> 00:11:38,996
(SNORTS)

262
00:11:38,999 --> 00:11:41,332
WOW, HE'S DOING REALLY WELL
WITH THOSE VOICE CUES, HUH?

263
00:11:41,401 --> 00:11:42,834
YES, HE IS.

264
00:11:42,902 --> 00:11:44,001
YOU KNOW, POOR GUY,

265
00:11:44,070 --> 00:11:45,136
I'M WORKING HIM
TO THE BONE THOUGH.

266
00:11:45,205 --> 00:11:46,137
I COULD PROBABLY USE
A SECOND HORSE.

267
00:11:46,139 --> 00:11:48,005
WELL, I'VE GOT A FEW
NEW HORSES.

268
00:11:48,008 --> 00:11:49,807
ONE OF THEM MIGHT BE SUITED
TO THIS TYPE OF WORK.

269
00:11:49,810 --> 00:11:51,843
REALLY? I SHOULD COME BY,
TAKE A LOOK.

270
00:11:51,911 --> 00:11:52,877
YEAH, SOUNDS GOOD.

271
00:12:01,954 --> 00:12:07,391
<i> AUSTIN:</i>
<i> ♪ SHE TOLD ME</i>
<i> SHE WAS AT A CROSSROAD ♪</i>

272
00:12:10,463 --> 00:12:11,930
<i> (GUITAR PLAYS)</i>

273
00:12:12,899 --> 00:12:17,902
♪ WOULDN'T SAY
WHAT STREET IT WAS ♪

274
00:12:20,907 --> 00:12:27,412
♪ AND I'M WAITING ON MALLORY ♪

275
00:12:33,085 --> 00:12:38,089
♪ I HOPE THAT ANGEL
GETS HERE SOON ♪

276
00:12:42,962 --> 00:12:43,928
(SONG ENDS)

277
00:12:45,432 --> 00:12:47,732
SO, WHAT DO YOU SAY, ANGEL?

278
00:12:49,335 --> 00:12:52,303
WILL YOU GIVE ME
ONE MORE SHOT?

279
00:12:54,374 --> 00:12:56,775
(MOTORBIKE RUMBLES TO A STOP)

280
00:13:03,083 --> 00:13:05,416
(ANOTHER MOTORBIKE RUMBLES UP
BEHIND TY)

281
00:13:11,557 --> 00:13:12,757
(JACK CHUCKLES)

282
00:13:13,492 --> 00:13:15,927
WELL, IT'S GOOD THING
YOU RIDE LIKE AN OLD MAN.

283
00:13:15,995 --> 00:13:18,129
I WASN'T SURE
IF I COULD CATCH UP TO YOU.

284
00:13:18,197 --> 00:13:19,630
WHAT ARE YOU
DOING HERE?

285
00:13:19,633 --> 00:13:22,633
I FIGURED YOU MIGHT
USE SOME COMPANY.

286
00:13:22,636 --> 00:13:26,003
WELL, YOU'RE WASTING
YOUR TIME AND YOUR GAS.

287
00:13:26,072 --> 00:13:27,772
I'M DOING THIS ALONE,
JACK.

288
00:13:27,808 --> 00:13:30,642
I SEE YOU DIDN'T CHECK
FOR ROAD CLOSURES EITHER.

289
00:13:30,710 --> 00:13:33,244
DON'T WORRY,
WE CAN GET THERE THIS WAY.

290
00:13:33,246 --> 00:13:34,445
COME ON.

291
00:13:36,382 --> 00:13:37,749
(JACK RUMBLES OFF)

292
00:13:50,129 --> 00:13:51,329
LOU:
SO GRAMPA JUST RODE
AFTER HIM?

293
00:13:51,331 --> 00:13:53,464
YEAH.
AND I'M GLAD HE DID,

294
00:13:53,466 --> 00:13:55,533
BUT I HOPE TY
DOESN'T FREAK OUT.

295
00:13:55,602 --> 00:13:57,401
HE'S NOT HIMSELF LATELY.

296
00:13:57,404 --> 00:13:58,936
YOU'RE REALLY WORRIED
ABOUT HIM.

297
00:13:58,939 --> 00:14:00,137
(SIGHS)

298
00:14:00,140 --> 00:14:02,907
WELL, THIS HAS BEEN
REALLY HARD ON TY.

299
00:14:02,909 --> 00:14:06,510
BUT I JUST WISH THAT
HE'D TELL ME HOW HE'S FEELING.

300
00:14:06,513 --> 00:14:08,613
<i> LOU:</i>
<i> CHUGA-CHUGA CHUGA-CHUGA.</i>

301
00:14:08,681 --> 00:14:10,148
SERIOUSLY, LOU?

302
00:14:10,216 --> 00:14:12,316
NO, I'M LISTENING.
DON'T WORRY.

303
00:14:12,385 --> 00:14:14,585
I JUST WISH THAT
HE WOULD TALK TO ME,

304
00:14:14,654 --> 00:14:16,487
AND I WOULD KNOW
WHAT'S GOING ON IN HIS HEAD-

305
00:14:16,556 --> 00:14:18,389
LOU:
CHOU, CHOU, CHOU!

306
00:14:20,059 --> 00:14:21,326
SORRY.
NO, I AM LISTENING.

307
00:14:21,394 --> 00:14:23,094
<i> SORRY. SORRY.</i>

308
00:14:23,162 --> 00:14:24,696
AUSTIN WROTE ME A SONG.

309
00:14:24,764 --> 00:14:26,598
THAT GUY YOU HOSED DOWN
THIS MORNING?

310
00:14:26,666 --> 00:14:29,200
YEAH, AND HE STILL CAME BACK
TO SING IT TO ME.

311
00:14:29,268 --> 00:14:31,168
SO I SAID
I'D GO OUT WITH HIM.

312
00:14:31,171 --> 00:14:32,470
<i> AM I CRAZY?</i>

313
00:14:32,538 --> 00:14:34,372
NO, NO, NO.
THAT IS THE POWER OF MUSIC.

314
00:14:34,374 --> 00:14:35,506
YOU GUYS SHOULD'VE
SEEN KATIE

315
00:14:35,574 --> 00:14:37,041
<i> IN HER CLASS THIS MORNING.</i>

316
00:14:37,043 --> 00:14:40,144
SHE WAS SHAKING THE MARACAS
AND BOUNCING AROUND...

317
00:14:40,212 --> 00:14:41,646
WEREN'T YOU, HONEY?

318
00:14:41,648 --> 00:14:44,115
WHO'S MY HIP HOP, BABY?
WHO'S MY LITTLE BEYONCE?

319
00:14:44,183 --> 00:14:45,183
O-KAY.

320
00:14:46,585 --> 00:14:47,552
WHAT?

321
00:14:50,022 --> 00:14:52,123
IT'S YOU, HONEY.
IT'S YOU!

322
00:14:56,396 --> 00:14:58,763
(MOTORBIKES RUMBLE LOUDLY)

323
00:15:06,506 --> 00:15:09,207
(MOTORBIKES RUMBLE LOUDLY)

324
00:15:16,782 --> 00:15:18,917
(QUIETLY RUMBLE TO A STOP)

325
00:15:30,764 --> 00:15:32,163
SO WHAT? YOU JUST DECIDED
TO HOP ON YOUR BIKE

326
00:15:32,165 --> 00:15:34,031
AND FOLLOW ME UP HERE?

327
00:15:34,100 --> 00:15:36,167
SOMETHING LIKE THAT.

328
00:15:36,235 --> 00:15:37,935
<i> I GOTTA SAY,</i>
<i> AFTER AN HOUR ON THAT GRAVEL,</i>

329
00:15:38,004 --> 00:15:41,306
I WAS ABOUT READY
TO TURN BACK, BUT...

330
00:15:42,308 --> 00:15:44,375
<i> I'M SURE GLAD I DIDN'T.</i>

331
00:15:49,382 --> 00:15:50,581
AMY:
THIS IS JANOAH,

332
00:15:50,583 --> 00:15:51,882
THE HORSE I WAS TELLING
YOU ABOUT.

333
00:15:51,951 --> 00:15:53,884
HEY, JANOAH,
HOW YOU DOIN', BOY?

334
00:15:53,953 --> 00:15:55,953
HE'S REALLY PATIENT
AND CALM.

335
00:15:56,022 --> 00:15:57,221
CALM, HUH?

336
00:15:57,223 --> 00:15:59,323
MORE LIKE CALM-O-TOSE.

337
00:15:59,326 --> 00:16:00,925
I PREFER HORSES
WITH A LITTLE MORE SPIRIT,

338
00:16:00,927 --> 00:16:02,259
LIKE REBEL.

339
00:16:02,328 --> 00:16:04,095
<i> (LOUD CLANG,</i>
<i> ALCATRAZ WHINNIES)</i>

340
00:16:05,665 --> 00:16:06,564
WHAT'S HIS NAME?

341
00:16:06,632 --> 00:16:09,000
ALCATRAZ RUN.

342
00:16:09,068 --> 00:16:10,268
(SNORTING AND STAMPING)

343
00:16:11,037 --> 00:16:13,705
BRYCE:
(CHUCKLES)
LOOK AT HIM.

344
00:16:13,773 --> 00:16:16,140
THIS IS WHAT
I'M TALKING ABOUT.

345
00:16:16,209 --> 00:16:17,808
<i> AMY:</i>
<i> BRYCE, HE'S A THOROUGHBRED.</i>

346
00:16:17,811 --> 00:16:19,844
YEAH, I WON'T HOLD THAT
AGAINST HIM.

347
00:16:19,912 --> 00:16:21,212
(STAMPING AND SNORTING)

348
00:16:22,148 --> 00:16:24,449
YEAH, HE MATCHES REBEL.
I WANT HIM.

349
00:16:28,154 --> 00:16:30,655
<i> AMY:</i>
<i> TRUST ME, YOU DON'T.</i>

350
00:16:33,226 --> 00:16:36,360
JACK:
SO... YOU'VE BEEN UP HERE
BEFORE?

351
00:16:36,429 --> 00:16:39,030
YEAH,
A LONG TIME AGO.

352
00:16:39,032 --> 00:16:40,798
WITH YOUR FAMILY?

353
00:16:41,834 --> 00:16:43,567
YEAH. WHY?

354
00:16:43,570 --> 00:16:47,005
JACK:
YOUR DAD MUST BE ON YOUR MIND
A LOT.

355
00:16:50,176 --> 00:16:52,176
IS THAT WHY YOU
FOLLOWED ME UP HERE?

356
00:16:52,178 --> 00:16:53,911
<i> DID AMY TELL YOU?</i>

357
00:16:53,913 --> 00:16:54,979
WE WERE CONCERNED.

358
00:16:57,416 --> 00:16:59,784
WELL, OF COURSE WE WOULD BE!
WHAT DO YOU THINK?

359
00:16:59,852 --> 00:17:00,985
I THINK Y'ALL KEEP
WATCHING ME

360
00:17:00,987 --> 00:17:01,986
OUT OF THE CORNER
OF YOUR EYE,

361
00:17:01,988 --> 00:17:03,921
WAITING TO SEE
IF I'M GONNA CRACK!

362
00:17:03,989 --> 00:17:05,123
WELL, I'M NOT, OKAY?

363
00:17:06,593 --> 00:17:08,325
PEOPLE DIE.

364
00:17:08,394 --> 00:17:09,460
I DIDN'T COME
ALL THE WAY UP HERE

365
00:17:09,529 --> 00:17:10,995
TO MAKE A BIG DEAL
OUT OF IT.

366
00:17:10,997 --> 00:17:12,697
I JUST WANNA RELEASE THE ASHES
AND GET ON WITH MY LIFE.

367
00:17:14,834 --> 00:17:16,434
YOU KNOW WHAT?

368
00:17:16,502 --> 00:17:17,668
I'M GONNA GET IT OVER WITH
RIGHT NOW,

369
00:17:17,737 --> 00:17:20,605
SO YOU CAN ALL STOP
WORRYING ABOUT ME.

370
00:17:30,950 --> 00:17:32,249
IT TAKES A LOT
TO GAIN HIS TRUST,

371
00:17:32,318 --> 00:17:34,819
AND WHEN HE SPOOKS,
IT CAN BE REALLY DANGEROUS.

372
00:17:34,887 --> 00:17:36,587
I'M NOT VERY THREATENING
FROM DOWN HERE.

373
00:17:36,655 --> 00:17:37,622
AMY:
WELL, IT'S GONNA TAKE
A LONG TIME

374
00:17:37,690 --> 00:17:39,757
TO TEACH HIM VOICE CUES.

375
00:17:39,759 --> 00:17:40,858
THAT'S OKAY,
I CAN DO IT.

376
00:17:40,926 --> 00:17:41,959
YOU KNOW,
I TAUGHT REBEL,

377
00:17:42,028 --> 00:17:44,028
AND I STARTED WITH THESE.

378
00:17:44,030 --> 00:17:45,396
WELL, HE'S NOT GONNA
LIKE WHIPS.

379
00:17:45,465 --> 00:17:46,831
(SNORTS NERVOUSLY)

380
00:17:46,899 --> 00:17:48,165
WELL, I ONLY USE THEM
TO APPLY PRESSURE

381
00:17:48,234 --> 00:17:49,834
THE SAME WAY YOU WOULD
WITH YOUR LEGS.

382
00:17:49,902 --> 00:17:51,168
<i> ONCE HE UNDERSTANDS</i>
<i> WHAT I'M ASKING FROM HIM,</i>

383
00:17:51,171 --> 00:17:53,404
THEN I CAN INITIATE
THE VOICE CUES.

384
00:17:53,406 --> 00:17:56,307
I'M SORRY, BRYCE,
I CAN'T LET YOU WORK WITH HIM.

385
00:17:56,375 --> 00:17:58,342
YOU DON'T UNDERSTAND,
THIS IS AN ABUSED HORSE.

386
00:17:58,410 --> 00:17:59,877
WHEN I FIRST GOT HIM
HE WAS CRAZY,

387
00:17:59,879 --> 00:18:02,080
AND SOMETIMES HE STILL IS.

388
00:18:04,683 --> 00:18:06,984
EVERYDAY, I WORK ON RESTORING
PEOPLE'S CONFIDENCE.

389
00:18:07,052 --> 00:18:09,320
THIS IS WHAT I DO NOW.

390
00:18:09,388 --> 00:18:11,856
SO MAYBE I CAN WORK MY MAGIC
ON ALCATRAZ.

391
00:18:11,924 --> 00:18:14,959
MAYBE I CAN TEACH HIM
TO TRUST AGAIN.

392
00:18:18,531 --> 00:18:20,898
MAY I SEE THOSE PLEASE?

393
00:18:22,068 --> 00:18:23,167
(SIGHS)

394
00:18:25,805 --> 00:18:27,839
AMY:
ALCATRAZ, GOOD BOY.

395
00:18:30,309 --> 00:18:31,275
(SIGHS)

396
00:18:32,311 --> 00:18:33,377
<i> ALL RIGHT.</i>

397
00:18:33,446 --> 00:18:35,045
<i> YOU SEE THIS?</i>

398
00:18:35,114 --> 00:18:37,815
THEY'RE NOT GONNA
HURT YOU, OKAY?

399
00:18:38,918 --> 00:18:40,284
YOU'RE ALL RIGHT.

400
00:18:41,887 --> 00:18:43,387
<i> IT'S OKAY.</i>
<i> HEY, HEY...</i>

401
00:18:43,455 --> 00:18:44,355
(STARTLED SNORT)

402
00:18:44,423 --> 00:18:46,056
IT'S OKAY, ALCATRAZ.

403
00:18:46,059 --> 00:18:47,892
COME ON, BUDDY.

404
00:18:47,960 --> 00:18:49,793
THEY'RE NOT GONNA HURT YA.

405
00:18:49,862 --> 00:18:51,195
<i> (WHINNIES, ANXIOUS)</i>

406
00:18:51,197 --> 00:18:52,230
<i> HEY, HEY...</i>

407
00:18:53,465 --> 00:18:54,899
ALL RIGHT, FINE.

408
00:18:54,967 --> 00:18:56,567
YOU WANNA RUN?
RUN!

409
00:18:57,736 --> 00:19:00,271
<i> I KNOW YOU'RE IN</i>
<i> ONE OF YOUR MOODS.</i>

410
00:19:00,273 --> 00:19:01,305
(SIGHS)

411
00:19:07,046 --> 00:19:08,379
OKAY, SO IT WASN'T
A GREAT START,

412
00:19:08,381 --> 00:19:09,780
BUT I CAN GET HIM
USED TO THE WHIPS.

413
00:19:09,848 --> 00:19:11,249
BRYCE,
YOU'VE GOTTA LET THIS GO.

414
00:19:11,317 --> 00:19:12,450
I CAN MAKE A CONNECTION
WITH HIM.

415
00:19:12,518 --> 00:19:13,317
I'M NOT GONNA SELL HIM
TO YOU

416
00:19:13,386 --> 00:19:14,452
AND THAT'S FINAL.

417
00:19:32,771 --> 00:19:34,805
<i> BRAD:</i>
<i> TY, I'M SORRY.</i>

418
00:19:41,714 --> 00:19:45,383
<i> I DIDN'T MEAN TO CAUSE</i>
<i> ALL THIS TROUBLE.</i>

419
00:19:47,287 --> 00:19:52,523
<i> I THOUGHT YOU AND YOUR MOM</i>
<i>WOULD BE BETTER OFF WITHOUT ME.</i>

420
00:19:56,229 --> 00:19:58,296
(FOOL'S GOLD PLOPS IN THE WATER)

421
00:20:00,934 --> 00:20:04,468
<i> TY, I DON'T EXPECT YOU</i>
<i> TO FORGIVE ME,</i>

422
00:20:06,672 --> 00:20:09,840
<i> BUT I DO HOPE I CAN BE</i>
<i> PART OF YOUR LIFE AGAIN.</i>

423
00:20:09,908 --> 00:20:11,175
WHY DON'T YOU
COME WITH ME?

424
00:20:11,177 --> 00:20:13,010
YOU'LL GET A CHANCE
TO SEE THE GRAND CANYON.

425
00:20:17,317 --> 00:20:20,518
<i> PROMISE ME</i>
<i> YOU'LL THINK ABOUT IT.</i>

426
00:20:38,704 --> 00:20:40,071
OOF! AGH!
(SIGHS)

427
00:20:41,941 --> 00:20:43,274
MALLORY, HOW MANY TIMES
HAVE I TOLD YOU,

428
00:20:43,342 --> 00:20:45,543
YOU LEAVE YOUR MUDDY BOOTS
OUTSIDE?

429
00:20:45,611 --> 00:20:47,578
WHOA,
SOMEONE'S CRANKY!

430
00:20:47,646 --> 00:20:49,413
WHAT'S WITH YOU?

431
00:20:49,482 --> 00:20:51,282
BRYCE...
HE'S JUST SO STUBBORN.

432
00:20:51,284 --> 00:20:52,483
LOU:
GUYS, GUYS, GUYS...

433
00:20:52,551 --> 00:20:53,784
YOU HAVE TO CHECK THIS OUT.

434
00:20:55,421 --> 00:20:56,487
(KATIE COOS, MOANS)

435
00:20:56,489 --> 00:20:57,688
<i> LISTEN TO HER SING.</i>

436
00:20:57,757 --> 00:20:58,989
<i> OH MY GOD,</i>
<i> HOW CUTE IS THAT?</i>

437
00:20:58,992 --> 00:21:02,360
THESE MUSIC LESSONS
ARE TOTALLY PAYING OFF.

438
00:21:02,428 --> 00:21:04,194
LOU,
YOU'VE GOT TO STOP.

439
00:21:04,263 --> 00:21:05,729
WHAT'S YOUR PROBLEM?

440
00:21:05,798 --> 00:21:07,064
DO YOU REMEMBER
WHAT MARNIE WAS LIKE

441
00:21:07,132 --> 00:21:08,732
WHEN JERRY JUNIOR
WAS A BABY?

442
00:21:08,801 --> 00:21:11,369
SHE WAS ALL ABOUT HIS SMILES,
AND HIS LAUGHS,

443
00:21:11,437 --> 00:21:12,770
AND HIS BURPS,
AND HIS POOPS-

444
00:21:12,838 --> 00:21:14,438
I'M NOT ONE OF THOSE MOMS!

445
00:21:14,506 --> 00:21:17,375
LOU, YOU THOUGHT
THIS WAS SINGING.

446
00:21:17,443 --> 00:21:18,809
(KATIE COOS)

447
00:21:18,877 --> 00:21:20,778
OKAY, YOU KNOW WHAT?
I'M PROUD OF MY DAUGHTER.

448
00:21:20,780 --> 00:21:21,979
WHAT IS SO WRONG
WITH THAT?

449
00:21:22,047 --> 00:21:23,714
NOTHING.
WE THINK SHE'S GREAT TOO,

450
00:21:23,782 --> 00:21:25,983
BUT LATELY, ALL YOU CAN
TALK ABOUT IS THE BABY.

451
00:21:26,052 --> 00:21:27,718
THAT IS SO NOT TRUE.

452
00:21:28,854 --> 00:21:30,321
FINE, YOU KNOW WHAT?
I'LL PROVE IT TO YOU.

453
00:21:30,389 --> 00:21:32,323
ME AND YOU,
DINNER TONIGHT AT MAGGIE'S.

454
00:21:32,391 --> 00:21:33,657
NO BABY TALK.

455
00:21:33,726 --> 00:21:34,958
<i> AMY:</i>
<i> ALL RIGHT, YOU'RE ON.</i>

456
00:21:35,027 --> 00:21:36,593
UH, HELLO?
YOU JUST ASSUME I'LL BABYSIT?

457
00:21:36,596 --> 00:21:37,661
I HAVE PLANS TONIGHT.

458
00:21:37,730 --> 00:21:39,163
LOU:
C'MON, MALLORY,

459
00:21:39,231 --> 00:21:41,465
WHEN DO AMY AND I EVER GET
A SISTERS' NIGHT OUT?

460
00:21:41,533 --> 00:21:42,933
I'LL PAY YOU DOUBLE
THE USUAL.

461
00:21:42,935 --> 00:21:44,601
TRIPLE?

462
00:21:44,670 --> 00:21:46,137
DOUBLE AND A HALF.

463
00:21:47,139 --> 00:21:49,673
FINE. I GUESS I CAN CHANGE
MY PLANS AROUND A LITTLE.

464
00:21:49,742 --> 00:21:51,442
LOU:
THANK YOU. NICE.

465
00:21:52,511 --> 00:21:55,246
(MUSIC PLAYS
AND PATRONS CHATTER)

466
00:21:56,849 --> 00:21:58,482
(CLEARS THROAT)

467
00:21:58,484 --> 00:22:00,551
OH... (LAUGHS)
BACK ALREADY?

468
00:22:00,619 --> 00:22:02,686
UH, WAS IT THE COFFEE
OR THE SMILE?

469
00:22:02,689 --> 00:22:04,588
IT WAS YOUR FRIEND,
ACTUALLY.

470
00:22:04,656 --> 00:22:06,056
YEAH. AMY'S THE MOST
STUBBORN GIRL

471
00:22:06,125 --> 00:22:07,291
THAT I'VE EVER MET.

472
00:22:07,359 --> 00:22:08,559
YES, WELL,
AMY CAN BE THAT WAY,

473
00:22:08,627 --> 00:22:10,294
BUT IT'S USUALLY
BECAUSE SHE'S RIGHT, SO.

474
00:22:10,362 --> 00:22:11,395
OH, YEAH?

475
00:22:11,463 --> 00:22:13,331
WELL, SHE'S NOT RIGHT
THIS TIME.

476
00:22:13,366 --> 00:22:14,531
I JUST NEED TO FIND A WAY
TO PROVE IT TO HER.

477
00:22:14,600 --> 00:22:15,833
YOU HAVE ANY ADVICE?

478
00:22:15,901 --> 00:22:17,601
UH, YEAH:
GOOD LUCK WITH THAT.

479
00:22:17,603 --> 00:22:18,602
THANKS.
(LAUGHS)

480
00:22:20,039 --> 00:22:21,839
HEY, UM...

481
00:22:21,907 --> 00:22:24,308
THOUGHT MAYBE YOU'D WANNA
BORROW THAT.

482
00:22:24,377 --> 00:22:27,511
"A GUIDE TO LONDON'S MOST
INTERESTING AND UNUSUAL PUBS."

483
00:22:27,580 --> 00:22:28,912
WELL,
IF YOU LIKE THE MAGDELLA,

484
00:22:28,915 --> 00:22:30,514
YOU'RE DEFINITELY GONNA DIG
SOME OF THOSE PLACES.

485
00:22:30,582 --> 00:22:32,583
YEAH, THIS IS...
THIS IS SO COOL.

486
00:22:32,585 --> 00:22:33,717
I'M ACTUALLY GOING THERE
IN THE NEW YEAR.

487
00:22:33,786 --> 00:22:36,520
REALLY?
I'M PLANNING TO GO MYSELF.

488
00:22:36,588 --> 00:22:38,055
WHEN ARE YOU THINKING
OF GOING?

489
00:22:38,057 --> 00:22:40,357
MAYBE WE COULD CHECK OUT
SOME OF THESE HAUNTS TOGETHER.

490
00:22:40,360 --> 00:22:43,160
UH, YEAH,
THAT-THAT WOULD BE GREAT,

491
00:22:43,228 --> 00:22:45,696
I JUST UM...
I CAN'T.

492
00:22:45,764 --> 00:22:47,865
I'VE GOT SORT OF-

493
00:22:47,933 --> 00:22:49,967
NO NEED TO EXPLAIN.

494
00:22:51,003 --> 00:22:52,302
ENJOY THE BOOK.

495
00:22:52,305 --> 00:22:53,337
THANKS.

496
00:23:01,313 --> 00:23:02,213
<i> JACK:</i>
<i> TY!</i>

497
00:23:03,316 --> 00:23:04,348
TY...

498
00:23:05,784 --> 00:23:07,484
I SHOULD NEVER HAVE
FOLLOWED YOU UP HERE,

499
00:23:07,553 --> 00:23:08,486
AND I'M SORRY.

500
00:23:08,554 --> 00:23:10,320
I WANTED TO SAY
SOMETHING.

501
00:23:10,389 --> 00:23:12,356
I DON'T KNOW,
I JUST WANTED TO SAY SOMETHING,

502
00:23:12,424 --> 00:23:14,325
AND I CLAMMED UP.

503
00:23:16,428 --> 00:23:18,696
HE'S GONE, JACK,

504
00:23:18,764 --> 00:23:20,598
HE'S REALLY GONE.

505
00:23:21,667 --> 00:23:23,233
WELL, YOU MADE
YOUR PEACE NOW.

506
00:23:23,236 --> 00:23:24,301
IT'S OVER.

507
00:23:24,370 --> 00:23:26,504
NO, IT'S NOT.
I COULDN'T DO IT.

508
00:23:26,572 --> 00:23:29,540
I DIDN'T KNOW HOW
TO SAY GOODBYE.

509
00:23:42,989 --> 00:23:45,389
TY:
SORRY,
I KINDA LOST IT THERE.

510
00:23:45,457 --> 00:23:47,425
JACK:
NO NEED TO EXPLAIN.

511
00:23:48,427 --> 00:23:50,795
I'VE JUST HAD A LOT
ON MY MIND AND...

512
00:23:50,863 --> 00:23:52,696
I HAVEN'T REALLY FIGURED OUT
HOW TO DEAL WITH IT YET.

513
00:23:52,764 --> 00:23:55,399
WELL, NO WONDER.
YOU JUST LOST YOUR FATHER.

514
00:23:55,467 --> 00:23:57,034
(SIGHS) YEAH.

515
00:24:01,740 --> 00:24:02,673
<i> BUT IN A WEIRD</i>
<i> SORT OF WAY</i>

516
00:24:02,741 --> 00:24:04,408
I ALWAYS FELT LIKE
I WAS THE PARENT

517
00:24:04,444 --> 00:24:06,544
AND HE WAS THE KID.

518
00:24:09,482 --> 00:24:10,747
(SIGHS)

519
00:24:10,750 --> 00:24:11,682
YOU KNOW, YOU'VE BEEN MORE
OF A FATHER TO ME

520
00:24:11,750 --> 00:24:13,684
THAN HE EVER WAS.

521
00:24:16,956 --> 00:24:18,222
<i>YOU KNOW, MY MOM THOUGHT</i>
<i>IT'D BE BETTER</i>

522
00:24:18,290 --> 00:24:20,958
IF SHE CAME UP TO TELL ME
ABOUT MY DAD IN PERSON.

523
00:24:20,960 --> 00:24:24,562
BUT I GOTTA SAY,
AFTER SEEING HER AGAIN...

524
00:24:25,631 --> 00:24:28,632
OPENED SOME OLD WOUNDS,
HUH?

525
00:24:28,701 --> 00:24:30,767
WHEN I WAS GROWING UP,

526
00:24:30,770 --> 00:24:33,904
MY MOM WAS SUCH
A CAREFREE PERSON,

527
00:24:33,973 --> 00:24:37,774
FUNNY - SHE WAS ALWAYS TRYING
TO MAKE US LAUGH - AND...

528
00:24:37,777 --> 00:24:40,978
MY DAD JUST SORTA
WORE HER DOWN.

529
00:24:42,981 --> 00:24:46,617
HE WAS A TOUGH GUY
TO LIVE WITH, YOU KNOW?

530
00:24:46,685 --> 00:24:49,987
<i>AND THEN WADE CAME ALONG,</i>
<i>AND UH...</i>

531
00:24:50,989 --> 00:24:56,060
IT'S LIKE SHE BECAME THIS...
COMPLETELY DIFFERENT PERSON.

532
00:24:57,797 --> 00:25:01,198
I DON'T UNDERSTAND WHY
SHE WENT BACK TO HIM.

533
00:25:01,200 --> 00:25:03,333
WELL,
MAYBE SHE LOVES HIM.

534
00:25:03,336 --> 00:25:06,971
OR AT LEAST MAYBE
SHE THINKS SHE DOES.

535
00:25:08,674 --> 00:25:11,075
YOU KNOW, I WENT THROUGH
THE SAME THING WITH MARION.

536
00:25:11,143 --> 00:25:14,011
TIM WAS REAL NASTY BACK
WHEN HE WAS DRINKING TOO MUCH

537
00:25:14,079 --> 00:25:15,879
<i> AND HOOKED ON PILLS,</i>

538
00:25:15,948 --> 00:25:18,148
AND I WANTED HIM
OUT OF HER LIFE.

539
00:25:18,217 --> 00:25:21,251
BUT SHE FIGURED
SHE COULD HELP HIM BEAT IT.

540
00:25:21,320 --> 00:25:24,154
BOY, IT WAS TOUGH
JUST SITTIN' THERE,

541
00:25:24,223 --> 00:25:26,924
WATCHING HER TAKE
ALL HIS B.S.

542
00:25:26,992 --> 00:25:28,091
WHAT'RE YOU TALKING
ABOUT?

543
00:25:28,160 --> 00:25:30,194
YOU THREW TIM OUT
ON HIS BUTT.

544
00:25:30,262 --> 00:25:31,662
WELL,
A MAN HAS HIS LIMITS,

545
00:25:31,730 --> 00:25:34,598
AND IT WAS MY HOUSE,
DAMMIT.

546
00:25:35,901 --> 00:25:37,568
BUT I...

547
00:25:37,636 --> 00:25:39,970
I MADE SURE
THAT MARION KNEW

548
00:25:39,972 --> 00:25:41,505
I WAS CLOSING
THE DOOR ON TIM

549
00:25:41,574 --> 00:25:43,073
AND NOT HER.

550
00:25:46,478 --> 00:25:47,511
ANYWAY...

551
00:25:51,083 --> 00:25:52,416
LOU:
SO THERE'S CAM,

552
00:25:52,418 --> 00:25:54,651
SWINGING A SPARKLY HULA HOOP
AROUND THE OFFICE,

553
00:25:54,720 --> 00:25:56,320
AND HE KNOCKS
AN ENTIRE CAN OF POP

554
00:25:56,388 --> 00:25:59,389
ALL OVER LYNN'S LAPTOP -
HIS BOSS.

555
00:25:59,392 --> 00:26:00,991
(LAUGHS)
DID HE GET FIRED?

556
00:26:01,060 --> 00:26:03,293
NO, BUT THERE ARE NO MORE
HULA HOOP FRIDAYS.

557
00:26:03,362 --> 00:26:05,562
YOUR OFFICE SOUNDS
LIKE SO MUCH FUN.

558
00:26:05,631 --> 00:26:07,230
IT IS.
I HAVE TO ADMIT,

559
00:26:07,233 --> 00:26:09,466
IT'S A BREAK FOR ME,
YOU KNOW?

560
00:26:09,535 --> 00:26:11,735
LOOK, I LOVE KATIE
MORE THAN ANYTHING,

561
00:26:11,803 --> 00:26:15,205
BUT SHE IS SO MUCH WORK,
YOU KNOW?

562
00:26:15,207 --> 00:26:17,074
AND IT STARTS EVERYDAY
AT SIX O'CLOCK

563
00:26:17,142 --> 00:26:19,142
WHEN SHE SCREAMS LIKE
I HAVEN'T FED HER IN A-

564
00:26:19,145 --> 00:26:20,911
LOU.
MONTH.

565
00:26:21,881 --> 00:26:23,914
ENOUGH ABOUT KATIE.

566
00:26:23,982 --> 00:26:25,849
HOW'S TY?

567
00:26:25,917 --> 00:26:27,284
TO BE HONEST,

568
00:26:27,352 --> 00:26:29,519
YOUR GUESS IS
AS GOOD AS MINE.

569
00:26:29,588 --> 00:26:32,489
THAT DOESN'T SOUND GOOD.

570
00:26:32,557 --> 00:26:33,824
I DON'T KNOW,

571
00:26:33,892 --> 00:26:37,261
HE'S DEALING WITH
THE DEATH OF HIS DAD,

572
00:26:38,230 --> 00:26:40,998
AND THEN THERE'S
HIS MOM AND WADE...

573
00:26:41,066 --> 00:26:42,065
(PHONE CHIRPS)

574
00:26:42,134 --> 00:26:44,835
MM. SORRY.
IT'S JUST A REMINDER.

575
00:26:44,903 --> 00:26:46,103
FOR WHAT?

576
00:26:46,171 --> 00:26:48,038
MM. IT'S NOTHING.

577
00:26:48,106 --> 00:26:49,340
IT'S TO CHECK ON KATIE,
ISN'T IT?

578
00:26:49,408 --> 00:26:50,407
NO!

579
00:26:52,244 --> 00:26:53,510
MAYBE.
(LAUGHS)

580
00:26:53,578 --> 00:26:55,012
(LAUGHS)

581
00:26:55,080 --> 00:26:56,179
GO AHEAD.
YOU'VE DONE A LOT BETTER

582
00:26:56,182 --> 00:26:57,914
THAN I THOUGHT
YOU WOULD.

583
00:26:57,983 --> 00:26:59,717
YOU KNOW WHAT?
I DON'T HAVE TO,

584
00:26:59,785 --> 00:27:01,185
BECAUSE I TRUST MALLORY,

585
00:27:01,253 --> 00:27:04,688
AND I KNOW SHE'S GIVING KATIE
HER UNDIVIDED ATTENTION.

586
00:27:05,725 --> 00:27:07,024
(FIRE CRACKLES)

587
00:27:11,196 --> 00:27:12,896
SO ARE YOU SURE IT'S OKAY
FOR ME TO BE HERE?

588
00:27:12,964 --> 00:27:14,064
OF COURSE NOT,

589
00:27:14,066 --> 00:27:16,199
BUT LOU WILL CHECK IN
AT SOME POINT,

590
00:27:16,202 --> 00:27:18,669
AND THEN I'M GONNA HAVE
TO KICK YOU OUT.

591
00:27:18,671 --> 00:27:19,703
COOL.

592
00:27:20,238 --> 00:27:22,506
SO WE HAVE SOME TIME.

593
00:27:29,214 --> 00:27:31,581
I THINK WE NEED
POPCORN.

594
00:27:31,650 --> 00:27:35,152
YOU KNOW, IT'S OKAY,
YOU DON'T HAVE TO DO THAT.

595
00:27:35,220 --> 00:27:36,820
MALLORY:
YEAH, I DO.

596
00:27:40,292 --> 00:27:42,526
WELL,
I'M GONNA TURN IN.

597
00:27:42,594 --> 00:27:44,428
YOU'LL TAKE CARE
OF THE FIRE?

598
00:27:44,496 --> 00:27:45,796
YEAH, I'LL BE UP
FOR A WHILE.

599
00:27:48,567 --> 00:27:50,901
(TENT FLAP ZIPS,
LOON CRIES)

600
00:27:50,969 --> 00:27:52,369
I SHOULD'VE BROUGHT AMY.

601
00:27:52,438 --> 00:27:54,671
WELL, WHY DIDN'T YOU?

602
00:27:54,674 --> 00:27:56,774
<i> TY:</i>
<i> I DON'T KNOW,</i>
<i> I JUST...</i>

603
00:27:56,842 --> 00:27:58,475
I GUESS THERE'S A SIDE OF ME
I DIDN'T WANT HER TO SEE,

604
00:27:58,543 --> 00:28:00,110
SO I JUST TOOK OFF.

605
00:28:01,981 --> 00:28:05,115
I GUESS I'M NO BETTER
THAN MY DAD WAS.

606
00:28:05,184 --> 00:28:08,252
DID I EVER TELL YOU
ABOUT MY OLD MAN?

607
00:28:10,222 --> 00:28:12,656
WAS A HELL OF A HOCKEY PLAYER
BACK IN THE DAY.

608
00:28:12,724 --> 00:28:16,060
EVEN GOT OFFERED A TRY-OUT
WITH TORONTO.

609
00:28:16,128 --> 00:28:17,794
REALLY,
WITH THE LEAFS?

610
00:28:17,863 --> 00:28:19,996
NO, THE ST. PATRICKS -

611
00:28:19,999 --> 00:28:23,266
WE'RE TALKING WAY BACK
IN THE DAY.

612
00:28:23,269 --> 00:28:24,201
BUT HE WOULDN'T LEAVE
THE RANCH,

613
00:28:24,269 --> 00:28:25,569
SAID THE FAMILY NEEDED HIM.

614
00:28:26,571 --> 00:28:30,674
TRUTH WAS...
HE NEEDED THE COMFORT OF HOME.

615
00:28:30,742 --> 00:28:33,077
<i> SO HE STAYED</i>
<i> AND NEVER TOOK HIS SHOT.</i>

616
00:28:34,646 --> 00:28:36,947
AND THEN...

617
00:28:37,015 --> 00:28:39,616
WHEN I DECIDED TO HEAD OFF
ON THE RODEO CIRCUIT,

618
00:28:39,685 --> 00:28:41,652
HE NEARLY HIT THE ROOF.

619
00:28:42,687 --> 00:28:44,154
HE DIDN'T WANT YOU TO GO?

620
00:28:44,223 --> 00:28:45,455
NO.
HE THOUGHT I WAS CRAZY

621
00:28:45,524 --> 00:28:48,759
FOR CHASING SOME STUPID
PIPE DREAM.

622
00:28:48,761 --> 00:28:50,293
AND WE HAD IT OUT,

623
00:28:50,296 --> 00:28:51,895
AND I JUMPED IN MY TRUCK

624
00:28:51,963 --> 00:28:53,263
<i> AND ENDED UP AT THOSE</i>
<i> SAME CROSS ROADS</i>

625
00:28:53,331 --> 00:28:55,165
<i> I TOOK YOU TO LAST SUMMER.</i>

626
00:28:55,167 --> 00:28:56,967
HUH.

627
00:28:57,035 --> 00:28:58,268
<i> JACK:</i>
<i> THE WORLD IN FRONT OF ME</i>

628
00:28:58,336 --> 00:29:00,270
<i> LOOKED LIKE A BIG</i>
<i> SCARY PLACE...</i>

629
00:29:00,338 --> 00:29:03,106
AND I JUST ABOUT
TURNED BACK.

630
00:29:03,109 --> 00:29:05,709
BUT I KNEW I'D END UP
JUST LIKE HIM,

631
00:29:05,778 --> 00:29:07,411
REGRETTING THE RISKS
I NEVER TOOK,

632
00:29:07,479 --> 00:29:09,413
<i> SO I WENT FOR IT.</i>

633
00:29:10,750 --> 00:29:12,516
ALL I'M SAYING, TY,
IS WE CAN'T DO MUCH

634
00:29:12,518 --> 00:29:15,919
ABOUT THE MISTAKES
OUR FATHER'S MADE,

635
00:29:15,921 --> 00:29:20,557
BUT WE CAN SURE AS HELL
CHOOSE NOT TO REPEAT THEM.

636
00:29:29,334 --> 00:29:31,935
WE HAVE GOT TO DO THIS
MORE OFTEN.

637
00:29:32,004 --> 00:29:34,304
YOU KNOW, I ACTUALLY MISSED
YOUR STORIES ABOUT KATIE.

638
00:29:34,372 --> 00:29:35,605
OH, DON'T WORRY,

639
00:29:35,608 --> 00:29:37,340
I WILL MAKE IT UP TO YOU,
I PROMISE.

640
00:29:37,409 --> 00:29:38,575
<i> AMY:</i>
<i> I'M SURE YOU WILL.</i>

641
00:29:38,643 --> 00:29:40,577
HEY, CAN I TALK TO YOU
FOR A SEC?

642
00:29:40,645 --> 00:29:42,012
YEAH, I'LL GO PULL
THE TRUCK AROUND.

643
00:29:42,014 --> 00:29:44,181
I'LL SEE YOU LATER,
SORAYA.

644
00:29:44,249 --> 00:29:46,316
I FEEL LIKE A BAD PERSON.
AM I A BAD PERSON?

645
00:29:46,384 --> 00:29:47,751
WHAT'RE YOU
TALKING ABOUT?

646
00:29:47,819 --> 00:29:49,753
I THINK I GAVE BRYCE
THE WRONG IDEA

647
00:29:49,821 --> 00:29:52,289
AND HE ASKED ME OUT.

648
00:29:52,291 --> 00:29:54,958
I HAVE A FEELING
HE ASKS A LOT OF GIRLS OUT.

649
00:29:55,026 --> 00:29:56,760
YEAH,
BUT I SAID NO,

650
00:29:56,762 --> 00:29:57,828
AND WHAT IF HE THINKS

651
00:29:57,896 --> 00:29:59,496
IT'S 'CAUSE HE'S IN
A WHEELCHAIR?

652
00:29:59,565 --> 00:30:01,498
WELL, IT'S NOT,
RIGHT?

653
00:30:01,566 --> 00:30:03,200
NO, OF COURSE NOT.

654
00:30:03,268 --> 00:30:07,137
IT'S BECAUSE OF DILLON,
THAT GUY IN LONDON?

655
00:30:07,205 --> 00:30:09,739
HUH?
ARE YOU IN LOVE?

656
00:30:09,808 --> 00:30:12,709
YOU ARE, AREN'T YOU?
I CAN TOTALLY TELL.

657
00:30:12,711 --> 00:30:14,711
I JUST WISH
YOU COULD MEET HIM.

658
00:30:14,713 --> 00:30:16,647
WHEN'S HE COMING
TO HUDSON?

659
00:30:16,715 --> 00:30:18,582
UM...THAT'S ACTUALLY

660
00:30:18,650 --> 00:30:21,384
WHAT I WANTED TO TALK
TO YOU ABOUT.

661
00:30:21,453 --> 00:30:23,386
YOU KNOW, I DIDN'T WANNA DO
THE LONG DISTANCE THING,

662
00:30:23,389 --> 00:30:26,356
SO I KIND OF MADE
A DECISION.

663
00:30:27,659 --> 00:30:29,259
WELL, SORAYA,
DON'T GIVE UP

664
00:30:29,328 --> 00:30:30,527
WHAT YOU HAVE
WITH DILLON

665
00:30:30,595 --> 00:30:32,362
JUST BECAUSE HE LIVES
IN A DIFFERENT COUNTRY.

666
00:30:32,430 --> 00:30:34,631
LONG DISTANCE RELATIONSHIPS
ARE DIFFICULT.

667
00:30:34,699 --> 00:30:36,299
THEY WORK,
LOTS OF PEOPLE DO THEM.

668
00:30:36,368 --> 00:30:38,135
ACTUALLY, NO,
I'M NOT GIVING UP.

669
00:30:38,203 --> 00:30:40,604
IT'S...
IT'S KINDA THE OPPOSITE.

670
00:30:40,672 --> 00:30:42,472
I UM...

671
00:30:42,474 --> 00:30:45,242
NEXT SEMESTER,
I'M TRANSFERRING SCHOOLS.

672
00:30:45,310 --> 00:30:47,544
I'M MOVING TO LONDON.

673
00:30:53,718 --> 00:30:56,019
SO WHAT DO YOU
WANT TO DO?

674
00:30:56,021 --> 00:30:57,821
WE CAN LISTEN TO MUSIC
OR SOMETHING?

675
00:30:57,889 --> 00:30:59,122
SURE.

676
00:30:59,190 --> 00:31:02,125
HEY, I ACTUALLY HAVE
THE PERFECT CD.

677
00:31:04,096 --> 00:31:06,230
(AUSTIN'S DEMO STARTS PLAYING)

678
00:31:07,166 --> 00:31:09,099
OKAY,
THAT'S MY DEMO!
MM-HMM.

679
00:31:09,167 --> 00:31:11,969
I BURNED IT OFF THE CD
YOU GAVE TO MY DAD.

680
00:31:12,037 --> 00:31:13,436
DON'T HATE ME,
BUT THIS IS...

681
00:31:13,439 --> 00:31:15,472
THE FIRST TIME
I ACTUALLY HAVE LISTENED TO IT.

682
00:31:15,540 --> 00:31:17,274
DO YOU MIND MAYBE TURNING
SOMETHING ELSE ON?

683
00:31:17,342 --> 00:31:18,575
I CAN'T STAND
HEARING MYSELF SING.

684
00:31:18,643 --> 00:31:20,443
NO, I RECOGNIZE
THIS SONG.

685
00:31:20,446 --> 00:31:21,912
YEAH.

686
00:31:21,980 --> 00:31:27,651
Austin's demo:
♪ I'm waiting on Maria... ♪

687
00:31:30,589 --> 00:31:33,657
MARIA?
YOU'RE WAITING ON MARIA?

688
00:31:34,693 --> 00:31:36,259
REALLY?
BECAUSE I THOUGHT YOU SAID

689
00:31:36,262 --> 00:31:37,861
YOU WROTE THAT SONG FOR ME?

690
00:31:37,897 --> 00:31:39,496
THAT'S WHAT YOU SAID,
RIGHT?

691
00:31:39,564 --> 00:31:41,031
YEAH. OH!

692
00:31:41,099 --> 00:31:42,132
I CAN'T BELIEVE

693
00:31:42,200 --> 00:31:43,566
I ALMOST GAVE YOU
A SECOND CHANCE!

694
00:31:43,635 --> 00:31:44,935
AUSTIN:
PLEASE LET ME EXPLAIN THIS!

695
00:31:45,003 --> 00:31:47,037
AS IF USING ME TO GET TO MY DAD
ISN'T BAD ENOUGH,

696
00:31:47,105 --> 00:31:48,638
YOU MAKE ME THINK
THAT YOU WROTE A SONG FOR ME?

697
00:31:48,707 --> 00:31:50,006
C'MON, MALLORY,

698
00:31:50,075 --> 00:31:51,341
THIS IS NOT WHAT
IT SOUNDS LIKE, I PROMISE.

699
00:31:51,409 --> 00:31:52,342
AND THE WHOLE TIME IT'S ABOUT
THIS CHICK NAMED MARIA?

700
00:31:52,344 --> 00:31:53,477
REALLY?

701
00:31:54,413 --> 00:31:57,547
I'M SPEECHLESS,
AND THAT'S WEIRD FOR ME.

702
00:31:57,549 --> 00:31:59,416
JUST GET OUT,
AND TAKE MARIA WITH YOU.

703
00:31:59,484 --> 00:32:00,817
OKAY, FINE. FINE.

704
00:32:00,885 --> 00:32:02,419
I DIDN'T WRITE
THE SONG FOR YOU,

705
00:32:02,487 --> 00:32:05,355
BUT THERE IS NO MARIA,
I PROMISE.

706
00:32:05,424 --> 00:32:07,157
WOW, YOU JUST KEEP
SHOVELLING IT

707
00:32:07,225 --> 00:32:08,125
HIGHER AND HIGHER.

708
00:32:08,193 --> 00:32:09,292
IT'S TRUE.

709
00:32:09,361 --> 00:32:10,360
LOOK, I JUST PICKED
A RANDOM NAME,

710
00:32:10,428 --> 00:32:11,494
I PUT IT IN THE SONG,

711
00:32:11,497 --> 00:32:13,931
AND THEN I MET YOU
AND I REWROTE IT,

712
00:32:13,966 --> 00:32:16,933
BECAUSE YOU'RE THE GIRL
I'VE BEEN WAITING FOR.

713
00:32:16,936 --> 00:32:20,604
SO, FOR ME,
THIS HAS BECOME YOUR SONG.

714
00:32:21,607 --> 00:32:23,807
I DON'T BELIEVE YOU.

715
00:32:24,843 --> 00:32:26,209
IT'S TRUE.

716
00:32:28,747 --> 00:32:31,415
REALLY?
REALLY.

717
00:32:32,718 --> 00:32:35,385
NO B.S.?
NO B.S.

718
00:32:37,789 --> 00:32:38,789
<i> (DOOR OPENS)</i>

719
00:32:38,857 --> 00:32:39,889
OH MY GOD,
THEY'RE HOME.

720
00:32:39,958 --> 00:32:41,325
GO. RUN!
OKAY. OKAY.

721
00:32:42,360 --> 00:32:43,327
MALLORY:
QUICK! QUICK!

722
00:32:49,000 --> 00:32:50,400
LOU:
HEY.

723
00:32:50,402 --> 00:32:51,568
MALLORY:
HOW WAS YOUR
SISTERS' NIGHT OUT?

724
00:32:51,636 --> 00:32:53,770
LOU:
IT WAS FUN,
IT WAS GOOD.

725
00:32:54,873 --> 00:32:58,375
UH, WHY IS THERE POPCORN
ALL OVER THE PLACE?

726
00:32:58,443 --> 00:33:01,044
<i> MALLORY:</i>
<i> SORRY. I WAS WATCHING</i>
<i> A SCARY MOVIE AND-</i>

727
00:33:01,112 --> 00:33:02,078
<i> (LOUD TUMBLING CRASH)</i>

728
00:33:02,147 --> 00:33:03,413
<i> AUSTIN:</i>
<i> OW!</i>

729
00:33:04,416 --> 00:33:06,716
MALLORY:
(UNDER HER BREATH)
OH MY...

730
00:33:06,785 --> 00:33:08,418
AGH!
WHO LEAVES THEIR BOOTS

731
00:33:08,420 --> 00:33:11,221
LAYING IN THE MIDDLE
OF THE PORCH?

732
00:33:11,289 --> 00:33:12,522
MALLORY?!

733
00:33:32,577 --> 00:33:33,543
JACK?

734
00:33:36,982 --> 00:33:37,947
JACK.

735
00:33:38,016 --> 00:33:39,516
(TENT FLAP ZIPS OPEN)

736
00:33:39,584 --> 00:33:41,852
JACK:
UGH. WHAT TIME IS IT?

737
00:33:41,920 --> 00:33:43,586
IT'S EARLY.

738
00:33:43,589 --> 00:33:44,921
LOOK, I'M HEADING UP
TO THIS GREAT SPOT

739
00:33:44,989 --> 00:33:47,323
THAT OVERLOOKS THE LAKE.

740
00:33:47,326 --> 00:33:49,592
WELL, I'M HEADING BACK
TO SLEEP.

741
00:33:49,595 --> 00:33:51,795
OH, SURE,
OF COURSE.

742
00:33:51,797 --> 00:33:54,397
WELL, I'LL SEE YOU
WHEN I GET BACK.

743
00:33:54,400 --> 00:33:56,566
JACK:
WHOA. WHOA, HOLD UP.

744
00:33:57,869 --> 00:34:00,404
IT'S TIME FOR ME
TO DO THIS.

745
00:34:00,472 --> 00:34:02,205
AND YOU WANT ME COME?

746
00:34:04,843 --> 00:34:06,209
OKAY.

747
00:34:06,878 --> 00:34:08,845
LOU:
I CAN'T BELIEVE MALLORY
LAST NIGHT.

748
00:34:08,913 --> 00:34:11,014
I MEAN, SINCE WHEN
IS SHE SO BOY CRAZY?

749
00:34:11,016 --> 00:34:12,949
SHE'S NOT A LITTLE GIRL
ANY MORE, LOU.

750
00:34:12,951 --> 00:34:14,417
YEAH, I KNOW,
SHE'S GROWING UP,

751
00:34:14,486 --> 00:34:15,919
AND AS HER ROLE MODELS,

752
00:34:15,987 --> 00:34:18,021
IT IS OUR JOB TO TEACH HER
SOME RESPONSIBILITY.

753
00:34:18,090 --> 00:34:19,456
YOU KNOW, SHE KNOWS

754
00:34:19,524 --> 00:34:20,557
I NEVER WOULD'VE LET HER
HAVE A BOY OVER

755
00:34:20,625 --> 00:34:22,058
WHILE SHE WAS BABYSITTING.

756
00:34:22,127 --> 00:34:23,960
OKAY. SO WHAT'RE YOU
GONNA DO ABOUT IT?

757
00:34:24,028 --> 00:34:25,361
I DON'T KNOW YET,

758
00:34:25,364 --> 00:34:26,630
BUT SHE NEEDS TO LEARN
A LESSON FROM THIS.

759
00:34:26,698 --> 00:34:27,864
(LAUGHS)

760
00:34:30,068 --> 00:34:32,202
WHAT THE HELL IS HE DOING?

761
00:34:34,906 --> 00:34:35,872
BRYCE?

762
00:34:36,574 --> 00:34:38,374
BRYCE!
GET OUT OF THERE, NOW.

763
00:34:38,377 --> 00:34:40,110
MAN, CALM DOWN, AMY.

764
00:34:40,178 --> 00:34:41,511
WATCH THIS.

765
00:34:41,580 --> 00:34:43,113
HEY? COME HERE.
COME ON.

766
00:34:44,083 --> 00:34:45,849
IT'S OKAY. HMM?

767
00:34:45,851 --> 00:34:48,718
THERE, SEE?
THAT'S A GOOD BOY.

768
00:34:48,787 --> 00:34:51,188
<i> I'M NOT GONNA HURT YOU.</i>

769
00:34:52,558 --> 00:34:54,991
SEE, THAT FEELS NICE,
HUH, ALCATRAZ?

770
00:34:54,993 --> 00:34:56,059
SEE, HE'S GETTING USED TO IT.

771
00:34:56,095 --> 00:34:57,260
<i> AMY:</i>
<i> I DON'T CARE.</i>

772
00:34:57,328 --> 00:34:58,395
WHAT IF YOU WERE
TO GET HURT OUT HERE?

773
00:34:58,463 --> 00:35:00,063
I'VE HAD A LAWSUIT BEFORE.

774
00:35:00,131 --> 00:35:01,264
COME ON, WE'VE JUST
BEEN HANGING OUT,

775
00:35:01,332 --> 00:35:02,465
GETTING TO KNOW
EACH OTHER.

776
00:35:02,534 --> 00:35:03,967
NEEDED SOME TIME.

777
00:35:04,035 --> 00:35:05,235
I DON'T BELIEVE YOU.

778
00:35:05,303 --> 00:35:06,302
IF YOU WANTED TO WORK
WITH ALCATRAZ,

779
00:35:06,371 --> 00:35:07,670
YOU SHOULD'VE ASKED ME.

780
00:35:07,673 --> 00:35:08,939
THIS IS MY HORSE.

781
00:35:09,941 --> 00:35:10,941
COME ON.

782
00:35:12,210 --> 00:35:14,177
(ALCATRAZ SNORTS SOFTLY)

783
00:35:16,081 --> 00:35:17,414
(SIGHS AND CHUCKLES)

784
00:35:18,716 --> 00:35:20,283
YOU'RE LUCKY
HE DIDN'T BLOW UP.

785
00:35:20,285 --> 00:35:21,485
HE'S REAL GENTLE
WITH ME, OKAY?

786
00:35:21,553 --> 00:35:22,953
HE PASSED
HIS FIRST TEST TODAY-

787
00:35:23,021 --> 00:35:24,321
YOU NEED DROP IT,
BRYCE.

788
00:35:24,389 --> 00:35:25,989
WHAT IS IT WITH YOU
AND THIS HORSE?

789
00:35:26,057 --> 00:35:27,590
LOOK, I JUST DON'T THINK
YOU WANNA GIVE HIM UP.

790
00:35:27,659 --> 00:35:29,159
I'M JUST BEING REALISTIC.

791
00:35:29,227 --> 00:35:30,326
HE'S STILL GOT A LONG WAY
TO GO

792
00:35:30,395 --> 00:35:32,028
BEFORE HE'S READY
FOR PARA-RIDING.

793
00:35:32,097 --> 00:35:33,497
YEAH, WELL,
GIVE THE GUY A BREAK, OKAY?

794
00:35:33,565 --> 00:35:35,798
I NEEDED A LITTLE TIME TOO,

795
00:35:35,867 --> 00:35:38,201
BUT YOU DIDN'T GIVE UP
ON ME.

796
00:35:43,908 --> 00:35:46,176
LOU:
I KNOW THAT
YOU'RE GONNA HAVE BOYFRIENDS,

797
00:35:46,244 --> 00:35:49,045
BUT YOU WERE SUPPOSED TO BE
WATCHING KATIE LAST NIGHT.

798
00:35:49,047 --> 00:35:50,513
AND I WAS.

799
00:35:50,582 --> 00:35:51,781
HOW CAN YOU WATCH
A BABY

800
00:35:51,850 --> 00:35:53,450
WHEN YOU'RE MAKING OUT
WITH SOME GUY?

801
00:35:53,518 --> 00:35:55,785
WE WERE JUST LISTENING
TO MUSIC.

802
00:35:55,853 --> 00:35:57,287
RIGHT. WHATEVER.

803
00:35:57,289 --> 00:35:58,588
LOOK, THE POINT IS

804
00:35:58,656 --> 00:36:00,723
YOU NEED TO LEARN
ABOUT RESPONSIBILITY,

805
00:36:00,792 --> 00:36:03,126
AND I HAVE TO BE ABLE
TO COUNT ON YOU.

806
00:36:03,195 --> 00:36:04,727
AND TO TELL YOU THE TRUTH,

807
00:36:04,796 --> 00:36:06,696
I'M A BIT DISAPPOINTED IN YOU.

808
00:36:06,765 --> 00:36:08,331
REALLY?

809
00:36:08,400 --> 00:36:09,465
YOU'RE GONNA PLAY
THE WHOLE...

810
00:36:09,534 --> 00:36:11,901
"I'M SO DISAPPOINTED
IN YOU" CARD?

811
00:36:11,904 --> 00:36:13,570
YOU'RE SUCH A HYPOCRITE.

812
00:36:13,638 --> 00:36:14,604
HYPOCRITE?

813
00:36:14,673 --> 00:36:17,540
WHAT'RE YOU TALKING
ABOUT?

814
00:36:17,609 --> 00:36:19,409
THINK BACK, LOU.

815
00:36:19,477 --> 00:36:22,612
THINK WAY BACK TO WHEN
YOU USED TO BABYSIT ME.

816
00:36:22,614 --> 00:36:24,581
REMEMBER?
YEAH... SO?

817
00:36:24,649 --> 00:36:28,051
SO YOU USED TO HAVE SCOTT OVER
ALL THE TIME.

818
00:36:28,119 --> 00:36:29,819
<i>NO WONDER YOU GOT THE IDEA</i>
<i>WE WERE MAKING OUT.</i>

819
00:36:29,887 --> 00:36:32,222
(STAMMERING) I DIDN'T...
I MEAN THAT WASN'T...

820
00:36:32,290 --> 00:36:33,423
OKAY, LOOK,

821
00:36:33,425 --> 00:36:35,759
THAT WAS DIFFERENT
BECAUSE...

822
00:36:36,862 --> 00:36:38,228
YOU REMEMBER THAT?

823
00:36:38,296 --> 00:36:40,230
YEAH.
UH, HIS ESCAPE ROUTE

824
00:36:40,232 --> 00:36:42,298
WAS THROUGH
MY BEDROOM WINDOW.

825
00:36:42,301 --> 00:36:43,333
(SCOFFS)

826
00:36:47,772 --> 00:36:49,739
(ALCATRAZ SNORTS SOFTLY)

827
00:36:50,908 --> 00:36:52,576
AMY:
GOOD BOY, ALCATRAZ.

828
00:36:53,578 --> 00:36:55,445
GOOD BOY.

829
00:36:55,513 --> 00:36:58,048
<i> SO THESE ARE NOT GONNA</i>
<i> HURT YOU.</i>

830
00:36:59,083 --> 00:37:00,116
<i> ALL RIGHT?</i>

831
00:37:08,960 --> 00:37:10,193
<i> BRYCE'S VOICE: (IN AMY'S HEAD)</i>
<i> GIVE THE GUY A BREAK, OKAY?</i>

832
00:37:10,195 --> 00:37:12,229
<i> I NEEDED A LITTLE TIME TOO,</i>

833
00:37:12,297 --> 00:37:14,664
<i> BUT YOU DIDN'T GIVE UP ON ME.</i>

834
00:37:14,666 --> 00:37:26,710
♪♪♪

835
00:37:28,580 --> 00:37:30,614
(ALCATRAZ SNORTS SOFTLY)

836
00:37:31,283 --> 00:37:32,816
YOU BE A GOOD BOY...

837
00:37:35,420 --> 00:37:37,220
GOOD BOY.

838
00:37:37,289 --> 00:37:38,288
YOU'RE OKAY.

839
00:37:49,067 --> 00:37:50,066
(SNORTS, STARTLED)

840
00:37:50,135 --> 00:37:52,836
(CALMLY)
IT'S OKAY. IT'S OKAY.

841
00:37:52,904 --> 00:37:54,237
WHEN I PUT IT ON,

842
00:37:54,306 --> 00:37:56,973
IT'S JUST A LITTLE PRESSURE,
LIKE MY LEG.

843
00:37:56,975 --> 00:37:58,274
(NERVOUS SNORT)

844
00:37:58,343 --> 00:37:59,442
AMY: (SOOTHINGLY)
IT'S OKAY, IT'S OKAY.

845
00:37:59,444 --> 00:38:00,977
HEY, TAKE IT EASY.

846
00:38:02,714 --> 00:38:05,181
<i> I'LL JUST DO IT LIGHTLY.</i>

847
00:38:08,020 --> 00:38:09,052
THERE YOU GO.

848
00:38:09,120 --> 00:38:10,687
GOOD BOY.
GOOD BOY.

849
00:38:14,759 --> 00:38:16,893
ALL RIGHT,
DON'T CUT IN ON ME.

850
00:38:17,863 --> 00:38:18,962
THERE YOU GO.

851
00:38:20,131 --> 00:38:21,798
IT'S OKAY.
(CHUCKLES)

852
00:38:23,068 --> 00:38:24,067
GOOD BOY.

853
00:38:25,670 --> 00:38:26,670
GOOD BOY.

854
00:38:33,544 --> 00:38:36,813
TY:
MY DAD AND I HIKED UP HERE
THE LAST DAY OF OUR TRIP,

855
00:38:36,881 --> 00:38:38,214
JUST ME AND HIM.

856
00:38:39,283 --> 00:38:41,451
<i> HE DARED ME TO JUMP.</i>

857
00:38:41,519 --> 00:38:44,253
JACK:
THAT'S A PRETTY GOOD DROP.

858
00:38:44,322 --> 00:38:47,857
<i> TY:</i>
<i> YEAH, BUT HE SAID HE DID IT</i>
<i> WHEN HE WAS A KID,</i>

859
00:38:47,925 --> 00:38:49,826
AND NOW IT WAS
MY TURN.

860
00:38:49,894 --> 00:38:51,227
SO DID YOU JUMP?

861
00:38:51,296 --> 00:38:52,829
YEAH.
(CHUCKLES)

862
00:38:52,897 --> 00:38:55,965
AND I WAS PRETTY PROUD,
AND SO WAS HE.

863
00:38:56,033 --> 00:38:57,166
AND THEN I GET
BACK UP HERE

864
00:38:57,169 --> 00:38:59,302
AND HE TELLS ME
THAT HE NEVER DID IT.

865
00:38:59,304 --> 00:39:00,737
(LAUGHS HEARTILY)

866
00:39:04,509 --> 00:39:05,775
YOU KNOW,
FOR ALL HIS FAULTS,

867
00:39:05,844 --> 00:39:09,913
HE HAD A WAY OF MAKING ME
BELIEVE IN MYSELF.

868
00:39:13,585 --> 00:39:16,452
YOU SURE YOU'RE OKAY
WITH ME BEING HERE?

869
00:39:16,521 --> 00:39:17,487
YEAH.

870
00:39:23,928 --> 00:39:26,129
<i> YOU KNOW, I WISH I COULD'VE</i>
<i> TALKED TO HIM ONE LAST TIME.</i>

871
00:39:28,833 --> 00:39:30,032
MAYBE HE COULD'VE
MADE ME UNDERSTAND

872
00:39:30,101 --> 00:39:31,634
WHY HE DID SOME OF THE THINGS
THAT HE DID.

873
00:39:34,472 --> 00:39:37,340
WHO KNOWS,
MAYBE I COULD'VE FORGIVEN HIM.

874
00:39:37,408 --> 00:39:40,543
I JUST WISH
I HAD THAT CHANCE.

875
00:39:40,612 --> 00:39:44,214
<i> JACK:</i>
<i> WELL, MAYBE HE HEARD YOU</i>
<i> JUST NOW.</i>

876
00:39:52,156 --> 00:39:53,123
GOODBYE DAD.

877
00:40:16,381 --> 00:40:17,513
<i> TY:</i>
<i> NO.</i>

878
00:40:17,582 --> 00:40:19,949
I JUST WANNA GET BACK,
SEE AMY.

879
00:40:20,919 --> 00:40:24,454
I'M SURE SHE CAN'T WAIT
TO SEE YOU EITHER.

880
00:40:24,522 --> 00:40:26,689
HEY, JACK,

881
00:40:26,757 --> 00:40:28,724
I WANT TO THANK YOU
FOR EVERYTHING,

882
00:40:28,727 --> 00:40:30,493
FOR BEING HERE.

883
00:40:36,134 --> 00:40:39,068
(MOTORBIKES FIRE UP,
RUMBLE AWAY)

884
00:40:50,348 --> 00:40:52,015
(LOW HUM OF CHATTER)

885
00:40:53,184 --> 00:40:54,484
<i> BRYCE:</i>
<i> AMY!</i>

886
00:40:56,153 --> 00:40:57,887
TO WHAT DO I OWE
THE VISIT?

887
00:40:57,955 --> 00:40:59,155
WELL, I'VE BEEN WORKING
WITH HIM,

888
00:40:59,224 --> 00:41:02,025
AND HE MIGHT JUST HAVE
THE MAKINGS FOR THIS.

889
00:41:02,093 --> 00:41:04,427
BUT YOU'RE GONNA HAVE
TO TAKE IT SLOW.

890
00:41:04,495 --> 00:41:05,628
I KNOW.

891
00:41:05,630 --> 00:41:07,864
AND YOU HAVE TO BE PATIENT
WITH HIM.

892
00:41:07,932 --> 00:41:09,765
I WILL.

893
00:41:09,834 --> 00:41:12,768
OKAY. (SIGHS)
WHERE DO YOU WANT HIM?

894
00:41:12,837 --> 00:41:15,038
UH, JUST THROW HIM IN
THE BIG PEN FOR NOW.

895
00:41:15,106 --> 00:41:16,706
COME ON, BOY.

896
00:41:23,448 --> 00:41:24,747
(HORSE WHINNIES
IN THE DISTANCE)

897
00:41:24,815 --> 00:41:26,049
AMY:
ALL RIGHT, YOU,

898
00:41:27,051 --> 00:41:28,718
THIS IS YOUR HOME NOW,
OKAY?

899
00:41:28,786 --> 00:41:30,953
BRYCE IS GONNA TREAT YOU
REAL WELL.

900
00:41:31,022 --> 00:41:32,855
JUST SO YOU KNOW,
I'LL BE AROUND

901
00:41:32,924 --> 00:41:34,891
TO SEE IF YOU'RE BEHAVING
YOURSELF, OKAY?

902
00:41:34,959 --> 00:41:36,692
AND IF YOU'RE NOT,

903
00:41:36,761 --> 00:41:38,728
I'M GONNA COME BACK
AND KICK YOUR BUTT,

904
00:41:38,796 --> 00:41:39,829
ALL RIGHT?

905
00:41:39,897 --> 00:41:41,931
SO YOU BE A GOOD BOY.

906
00:41:41,933 --> 00:41:43,566
(QUIETLY)
GOOD BOY...

907
00:41:46,671 --> 00:41:48,938
OKAY, SO...
I WANT YOU TO CALL ME

908
00:41:49,006 --> 00:41:50,773
THE MINUTE
THIS DOESN'T WORK OUT.

909
00:41:50,841 --> 00:41:52,775
I WILL,

910
00:41:52,843 --> 00:41:54,844
BUT I THINK WE'LL BE OKAY.

911
00:41:54,913 --> 00:41:55,912
<i> THANKS.</i>

912
00:41:55,980 --> 00:41:58,948
YOU JUST TAKE
GOOD CARE OF HIM.

913
00:41:59,017 --> 00:42:01,017
OH, AND BRYCE,
MY FRIEND SORAYA,

914
00:42:01,085 --> 00:42:04,387
SHE THINKS THAT
SHE HURT YOUR FEELINGS.

915
00:42:05,357 --> 00:42:06,456
(HALF LAUGHS)

916
00:42:12,363 --> 00:42:13,730
(TRAFFIC RUMBLES)

917
00:42:15,901 --> 00:42:17,700
(LOW HUM OF CHATTER
IN THE DINER)

918
00:42:17,769 --> 00:42:19,001
BRYCE:
I KNOW WHY YOU WON'T
HANG OUT WITH ME.

919
00:42:19,070 --> 00:42:19,969
UH...

920
00:42:20,038 --> 00:42:21,170
I GET IT.

921
00:42:21,238 --> 00:42:22,805
NO. NO, YOU DON'T.

922
00:42:23,775 --> 00:42:25,775
UM, I HAVE A BOYFRIEND,
IN LONDON,

923
00:42:25,843 --> 00:42:26,976
AND THAT'S WHY
I'M GOING BACK.

924
00:42:27,045 --> 00:42:30,046
IT HAS NOTHING TO DO
WITH YOUR...

925
00:42:31,282 --> 00:42:32,549
WITH YOUR UM...

926
00:42:32,584 --> 00:42:33,583
MY WHEELCHAIR?

927
00:42:33,585 --> 00:42:35,852
I SWEAR,
I SWEAR IT'S NOT.

928
00:42:35,920 --> 00:42:37,220
WELL, NO KIDDING.

929
00:42:37,288 --> 00:42:39,389
I WAS GONNA SAY YOU HAVE
A THING AGAINST COWBOYS.

930
00:42:39,457 --> 00:42:41,123
SEE, NOW I KNOW
THAT IT'S TRUE.

931
00:42:41,192 --> 00:42:42,358
WHAT'RE YOU TALKING
ABOUT?

932
00:42:42,427 --> 00:42:44,227
YOU WOULD RATHER BE
WITH SOME ENGLISH DANDY

933
00:42:44,295 --> 00:42:45,661
THAN A GUY
FROM YOUR HOMETOWN.

934
00:42:45,730 --> 00:42:47,530
OKAY, FIRST OF ALL,
HE'S FROM TORONTO,

935
00:42:47,598 --> 00:42:51,100
AND HE'S NO DANDY,
WHATEVER THAT MEANS.

936
00:42:51,168 --> 00:42:53,603
(ENGLISH ACCENT) WELL,
I'M SURE HE'S A FINE CHAP.

937
00:42:53,671 --> 00:42:55,905
YES. YES, HE IS,
ACTUALLY.

938
00:42:56,875 --> 00:42:57,907
GOOD.

939
00:43:00,278 --> 00:43:01,978
(MOTORBIKES RUMBLE)

940
00:43:02,046 --> 00:43:03,012
JACK:
THERE'S SOME GREAT TRAILS
UP THERE.

941
00:43:03,014 --> 00:43:05,448
WE SHOULD GO THERE SOMETIME.

942
00:43:07,485 --> 00:43:10,186
(MOTORBIKES RUMBLE ALONG)

943
00:43:10,188 --> 00:43:11,587
AMY:
SO MALLORY'S
LOOKING AFTER KATIE

944
00:43:11,590 --> 00:43:13,189
FOR THE WHOLE MORNING?

945
00:43:13,257 --> 00:43:15,257
LOU:
YUP. THAT SHOULD BE
A GOOD LESSON FOR HER.

946
00:43:15,326 --> 00:43:16,726
AMY:
SHE LOVES KATIE.

947
00:43:16,794 --> 00:43:18,227
HOW IS THAT
YOUR BIG LESSON?

948
00:43:18,295 --> 00:43:19,462
ARE YOU GOING SOFT ON ME?

949
00:43:19,530 --> 00:43:20,763
NO.

950
00:43:20,832 --> 00:43:23,733
IT'S JUST MALLORY
AND HER INSANE MEMORY.

951
00:43:23,801 --> 00:43:25,101
WHAT DO YOU MEAN?

952
00:43:25,103 --> 00:43:29,105
NOTHING. LONG, BORING STORY,
TRUST ME.

953
00:43:29,173 --> 00:43:31,474
SO HOW'D IT GO
WITH ALCATRAZ?

954
00:43:31,542 --> 00:43:33,309
AMY:
THE DROP-OFF WENT WELL...

955
00:43:33,311 --> 00:43:34,610
BUT I DON'T KNOW.

956
00:43:34,679 --> 00:43:36,179
I DON'T KNOW
IF IT'S GONNA WORK OUT.

957
00:43:36,247 --> 00:43:37,380
BRYCE IS TOUGH,

958
00:43:37,448 --> 00:43:39,115
BUT ALCATRAZ IS A LOT
TO HANDLE.

959
00:43:39,183 --> 00:43:40,316
HMM.
WHAT?

960
00:43:41,519 --> 00:43:42,452
THAT'S WHAT I THOUGHT
WHEN YOU AND TY

961
00:43:42,520 --> 00:43:44,587
FIRST GOT TOGETHER.

962
00:43:45,756 --> 00:43:48,391
WELL, I GUESS I CAN SEE
WHY YOU WERE THINKING THAT.

963
00:43:48,459 --> 00:43:50,660
I MEAN, TY WAS THIS
JUVENILE DELINQUENT

964
00:43:50,728 --> 00:43:53,996
AND A BAD ATTITUDE
AND A MOTORCYCLE.

965
00:43:54,065 --> 00:43:55,932
UH, NO, ACTUALLY.
OTHER WAY AROUND;

966
00:43:56,000 --> 00:43:58,534
I THOUGHT TY
COULDN'T HANDLE YOU.

967
00:43:58,536 --> 00:43:59,735
AS IF.

968
00:43:59,804 --> 00:44:01,270
WELL, WHATEVER WAY
YOU WANNA LOOK AT IT,

969
00:44:01,339 --> 00:44:03,873
YOU TWO WERE A PRETTY
UNLIKELY MATCH.

970
00:44:03,875 --> 00:44:05,041
LOOK AT YOU NOW.

971
00:44:05,109 --> 00:44:07,110
YOU'VE PROVIN' US
ALL WRONG.

972
00:44:10,215 --> 00:44:11,914
(MOTORBIKES RUMBLE)

973
00:44:17,354 --> 00:44:18,621
TY:
TAKE THAT, OLD MAN!
(LAUGHS)

974
00:44:18,690 --> 00:44:20,556
(MOTORBIKE SPEEDS UP)

975
00:44:21,559 --> 00:44:22,525
(LAUGHING)

976
00:44:22,593 --> 00:44:24,394
(PANTING)

977
00:44:24,462 --> 00:44:25,461
(LAUGHING)

978
00:44:27,431 --> 00:44:28,898
TY, LOOK OUT!

979
00:44:28,933 --> 00:44:31,534
(ENGINE GRINDS
AS HE THROWS ON THE BRAKE)

980
00:44:31,536 --> 00:44:33,102
TY!
(ENGINE WHINES,
TIRES SKID THROUGH GRAVEL)

981
00:44:36,241 --> 00:44:38,541
(LOUD, METAL-CRUNCHING,
REVERBERATING CRASH)