1 00:00:02,069 --> 00:00:03,736 LOU: PREVIOUSLY ON "HEARTLAND:" 2 00:00:03,771 --> 00:00:05,204 AMY: ZEUS! WHOA! 3 00:00:07,641 --> 00:00:09,308 (LAUGHS) 4 00:00:09,376 --> 00:00:11,777 EVERYBODY KNOWS HE'S NOT YOUR REAL DAD. 5 00:00:11,845 --> 00:00:14,480 (FIGHTING GRUNTS) 6 00:00:14,548 --> 00:00:16,815 GEORGIE: I'M SORRY I PUNCHED YOU. 7 00:00:16,884 --> 00:00:20,119 CAN'T WE JUST CONSOLIDATE AND MOVE FORWARD FROM HERE? 8 00:00:20,187 --> 00:00:22,021 YOU'RE GIVING ME YOUR BRACELET? 9 00:00:22,056 --> 00:00:24,990 LOU: KEEP IT FOR ME 'TIL I GET BACK. 10 00:00:25,059 --> 00:00:26,859 PETER: SO I SHOULD TELL HER THAT I THREW AWAY HER TO-DO LIST 11 00:00:26,927 --> 00:00:28,927 BECAUSE I COULDN'T POSSIBLY DO EVERYTHING THAT SHE DOES? 12 00:00:28,996 --> 00:00:29,895 YEAH. 13 00:00:31,599 --> 00:00:32,931 (SPARTAN SNORTS THREATENINGLY) 14 00:00:37,371 --> 00:00:38,904 (TRUCK RUMBLES) 15 00:00:42,743 --> 00:00:44,176 (TRAILER RATTLES) 16 00:00:50,117 --> 00:00:51,683 (BRAKES SQUEAK) 17 00:01:04,364 --> 00:01:04,897 (DOOR SLAMS) 18 00:01:07,701 --> 00:01:09,368 (GROANS) 19 00:01:17,945 --> 00:01:19,545 (FLIES BUZZ) 20 00:01:26,420 --> 00:01:27,820 (HORSE WHINNIES WEAKLY) 21 00:01:30,991 --> 00:01:32,591 (SNORTS) 22 00:01:36,029 --> 00:01:37,429 (HEAVING BREATHS) 23 00:01:39,800 --> 00:01:41,433 HEY, BOY. 24 00:01:41,535 --> 00:01:42,901 WHAT HAPPENED TO YOU? 25 00:01:44,671 --> 00:01:47,005 WHOA, HEY. 26 00:01:47,074 --> 00:01:49,041 (HORSE SNORTS) 27 00:01:49,110 --> 00:01:51,410 GOOD BOY, GOOD BOY. 28 00:01:51,512 --> 00:01:52,211 (HORSE SNORTS) 29 00:01:53,714 --> 00:01:55,247 SERIOUSLY, AMY, 30 00:01:55,349 --> 00:01:56,949 IT'S GREAT THAT YOU'RE GOING RIDING AGAIN. 31 00:01:57,050 --> 00:01:58,917 IT'S ALMOST LIKE THE ACCIDENT NEVER HAPPENED! 32 00:01:59,019 --> 00:02:01,220 TODAY'S THE DAY, I'M FEELING REALLY GOOD. 33 00:02:01,288 --> 00:02:03,255 SO NOW THAT YOU'RE ALL BETTER... 34 00:02:03,290 --> 00:02:05,224 AND EVERYTHING, 35 00:02:05,292 --> 00:02:07,860 WHEN DO YOU THINK TY'S GONNA MOVE OUT OF THE ATTIC? 36 00:02:07,928 --> 00:02:08,694 YOU'RE NOT ASKING 'CAUSE YOU WANT THE ATTIC SPACE 37 00:02:08,762 --> 00:02:09,928 FOR YOURSELF, RIGHT? 38 00:02:09,964 --> 00:02:11,697 BECAUSE TY AND I DISCUSSED IT, 39 00:02:11,765 --> 00:02:14,633 AND WE THINK THAT MAYBE HE SHOULD JUST STAY. 40 00:02:14,701 --> 00:02:16,235 ARE YOU KIDDING ME?! 41 00:02:16,336 --> 00:02:17,870 KATIE HAS BEEN CRYING ALL NIGHT LONG, 42 00:02:17,971 --> 00:02:19,138 EVER SINCE LOU LEFT FOR HER BOOK TOUR, 43 00:02:19,239 --> 00:02:21,340 AND I CAN'T GET ANY SLEEP! 44 00:02:21,441 --> 00:02:23,342 GEORGIE, I'M KIDDING YOU. 45 00:02:23,443 --> 00:02:24,810 OKAY? 46 00:02:24,879 --> 00:02:25,878 LOOK. 47 00:02:28,715 --> 00:02:29,448 WHY DON'T YOU GO HELP HIM PACK UP? 48 00:02:29,550 --> 00:02:30,849 YEAH, SURE. 49 00:02:32,253 --> 00:02:33,185 OKAY, BOY. 50 00:02:35,722 --> 00:02:36,989 (SIGHS HEAVILY) 51 00:02:37,057 --> 00:02:38,190 LET'S DO THIS. 52 00:02:40,961 --> 00:02:41,527 (SIGHS HEAVILY) 53 00:02:46,733 --> 00:02:48,167 (PANICKED BREATHING) 54 00:02:52,172 --> 00:02:53,205 (GROANS) 55 00:02:55,375 --> 00:02:56,842 AMY, WHAT'S WRONG? 56 00:02:58,912 --> 00:03:00,412 YOU KNOW, ON SECOND THOUGHT, 57 00:03:00,480 --> 00:03:02,648 HOW ABOUT YOU RIDE SPARTAN, AND I'LL GO HELP TY. 58 00:03:02,716 --> 00:03:03,982 GEORGIE: BUT I THOUGHT YOU WERE- 59 00:03:04,018 --> 00:03:05,817 GEORGIE, I JUST DON'T FEEL UP TO IT, OKAY? 60 00:03:05,886 --> 00:03:07,819 IT'S FINE, NO BIG DEAL. 61 00:03:07,888 --> 00:03:09,988 TY'S NOT SUPPOSED TO LEAVE UNTIL YOU'RE BETTER! 62 00:03:10,024 --> 00:03:11,924 AMY: GEORGIE, ARE YOU GOING TO RIDE HIM, OR NOT?! 63 00:03:12,025 --> 00:03:13,425 YEAH, SURE. 64 00:03:13,493 --> 00:03:14,826 COME ON, LET'S GO. 65 00:03:16,430 --> 00:03:17,362 (TY SIGHS) 66 00:03:18,999 --> 00:03:20,866 HEY, ARE YOU MOVING OUT? 67 00:03:20,901 --> 00:03:23,068 HEY, YEAH. 68 00:03:23,103 --> 00:03:25,470 BUT YOU'RE NOT MAKING IT ANY EASIER FOR ME. 69 00:03:27,041 --> 00:03:28,941 ARE YOU FEELING BETTER? 70 00:03:28,976 --> 00:03:30,209 'CAUSE I CAN STICK AROUND IF YOU AREN'T. 71 00:03:30,244 --> 00:03:32,044 TY: THAT WAS THE DEAL. AMY: NO! 72 00:03:32,112 --> 00:03:34,179 I'M FINE. YOU HAVE EXAMS, 73 00:03:34,248 --> 00:03:35,113 AND SCOTT NEEDS YOU AT THE CLINIC. 74 00:03:35,182 --> 00:03:37,616 SO YOU BEST GET GOING. 75 00:03:37,718 --> 00:03:40,686 ALTHOUGH I AM GOING TO MISS THIS. 76 00:03:40,721 --> 00:03:43,355 IT'S BEEN NICE HAVING YOU UNDER THE SAME ROOF. 77 00:03:43,423 --> 00:03:44,890 I CAN'T WAIT FOR THE DAY WHEN ALL THIS LEAVING STOPS. 78 00:03:44,925 --> 00:03:45,924 AMY: ME TOO! TY: YEAH. 79 00:03:48,395 --> 00:03:49,861 OH, I LOVE THIS SPACE! 80 00:03:51,665 --> 00:03:53,565 LOOK AT THIS WINDOW! 81 00:03:53,667 --> 00:03:55,701 OH, YOU CAN SEE FOR MILES UP HERE! 82 00:03:55,736 --> 00:03:57,970 EXCUSE ME? GEORGIE? 83 00:03:58,038 --> 00:03:59,137 WHAT HAPPENED TO RIDING SPARTAN? 84 00:03:59,206 --> 00:04:00,706 I'M GOING TO, 85 00:04:00,807 --> 00:04:02,941 I JUST WANTED TO COME UP HERE AND... 86 00:04:03,043 --> 00:04:04,977 SAY GOODBYE TO ME 87 00:04:05,045 --> 00:04:06,144 BECAUSE YOU'RE GOING TO MISS ME SO MUCH? 88 00:04:06,246 --> 00:04:07,779 YEAH, SOMETHING LIKE THAT. 89 00:04:07,848 --> 00:04:09,014 (CELL PHONE RINGS) 90 00:04:10,817 --> 00:04:12,484 TY: HEY, SCOTT, WHAT'S UP? 91 00:04:12,552 --> 00:04:13,852 YEAH. 92 00:04:15,856 --> 00:04:17,489 UH, SURE. YEAH, I CAN BE THERE RIGHT NOW. 93 00:04:17,558 --> 00:04:19,391 OKAY, I'M ON MY WAY. 94 00:04:19,459 --> 00:04:21,627 WHAT DID SCOTT SAY? 95 00:04:21,695 --> 00:04:22,694 HE GOT A CALL ABOUT AN ABANDONED ANIMAL 96 00:04:22,763 --> 00:04:23,895 OVER AT THE ARDETT? RANCH, 97 00:04:23,997 --> 00:04:25,397 SO I'LL BE BACK LATER. 98 00:04:29,036 --> 00:04:31,203 HEY, GEORGIE, 99 00:04:31,238 --> 00:04:33,905 CAN YOU DO ME A FAVOUR AND NOT SAY ANYTHING TO TY? 100 00:04:33,974 --> 00:04:36,174 YOU'RE NOT REALLY ALL BETTER, ARE YOU? 101 00:04:36,243 --> 00:04:37,843 I'M GETTING THERE, 102 00:04:37,911 --> 00:04:39,845 BUT HE NEEDS TO MOVE ON WITH HIS LIFE. 103 00:04:39,946 --> 00:04:42,247 GET BACK ON TRACK. 104 00:04:42,316 --> 00:04:43,181 OKAY. 105 00:04:44,718 --> 00:04:46,018 (GASPS) 106 00:04:46,119 --> 00:04:47,586 OH, LOOK AT THESE! 107 00:04:47,688 --> 00:04:48,687 ARE THEY YOURS? 108 00:04:48,756 --> 00:04:51,223 YES, THEY WERE! 109 00:04:51,292 --> 00:04:52,557 WOW! I DIDN'T EVEN KNOW THEY WERE UP HERE. 110 00:04:52,626 --> 00:04:54,359 OH, CAN I HAVE THEM? 111 00:04:54,461 --> 00:04:56,595 WHAT FOR?! THEY'RE NOT GONNA FIT YOU! 112 00:04:56,697 --> 00:04:59,564 I KNOW, BUT THEY'D LOOK COOL ON MY DESK. 113 00:04:59,633 --> 00:05:00,932 'CAUSE LIKE, THEY'RE VINTAGE! 114 00:05:01,001 --> 00:05:02,734 OH, COME ON, I'M NOT THAT OLD! 115 00:05:02,803 --> 00:05:05,170 (BOTH LAUGH) 116 00:05:05,272 --> 00:05:06,772 (TRUCK RUMBLES) 117 00:05:11,445 --> 00:05:12,911 (KEYS JINGLE) 118 00:05:13,013 --> 00:05:14,012 (DOOR SLAMS) 119 00:05:15,482 --> 00:05:16,648 (HORSE SNORTS) 120 00:05:18,185 --> 00:05:19,851 (FLIES BUZZ) 121 00:05:19,920 --> 00:05:21,320 (HORSE WHINNIES WEAKLY) 122 00:05:23,357 --> 00:05:25,657 (HORSE SNORTS) 123 00:05:25,726 --> 00:05:27,959 WHOA. 124 00:05:28,028 --> 00:05:29,027 WHAT DO WE HAVE HERE? 125 00:05:29,096 --> 00:05:31,296 A YOUNG GELDING. 126 00:05:31,398 --> 00:05:33,732 LOOKS LIKE A TENNESSEE WALKING HORSE. 127 00:05:33,801 --> 00:05:36,601 WOW! NOT GOOD. 128 00:05:36,637 --> 00:05:38,470 YEAH, I GOT A CALL FROM THE FARMER NEXT DOOR. 129 00:05:38,505 --> 00:05:40,005 HE SAID HE SAW HEADLIGHTS, 130 00:05:40,040 --> 00:05:42,908 AND HEARD A LOT OF HORSES IN THE MIDDLE OF THE NIGHT. 131 00:05:42,976 --> 00:05:44,676 LIKE SOMEONE WAS LEAVING IN A BIG HURRY. 132 00:05:44,745 --> 00:05:47,446 SO HE CAME BY IN THE MORNING AND FOUND HIM. 133 00:05:47,514 --> 00:05:49,314 TAKE A LOOK AT THAT. 134 00:05:49,383 --> 00:05:50,949 TY: ARE THESE BURNS ON HIS PASTERNS? 135 00:05:50,984 --> 00:05:54,286 SCOTT: YEAH, WE'LL NEED TO GET A BETTER LOOK AT THAT, 136 00:05:54,321 --> 00:05:57,222 BUT I NEED YOU TO LOOK AT THIS SMALL INCISION HERE. 137 00:06:01,428 --> 00:06:04,596 SOMEONE CUT THE MICROCHIP OUT. 138 00:06:04,664 --> 00:06:07,799 SO NOW THERE'S NO WAY TO TRACE WHERE THE HORSE WAS REGISTERED. 139 00:06:07,868 --> 00:06:09,167 I'D LIKE TO GET HIM INTO THE CLINIC. 140 00:06:09,203 --> 00:06:11,870 YEAH. 141 00:06:11,938 --> 00:06:14,439 BUT I THINK THIS GUY NEEDS MORE THAN MEDICAL ATTENTION. 142 00:06:14,508 --> 00:06:16,842 WHY DON'T WE BRING HIM TO HEARTLAND, SCOTT? 143 00:06:16,877 --> 00:06:20,145 I CAN DO THE EXAM THERE, AND THEN AMY CAN WORK WITH HIM. 144 00:06:20,213 --> 00:06:24,349 THAT'S A LONG ROAD BACK. IS AMY UP TO IT? 145 00:06:24,385 --> 00:06:27,152 (HORSE SNORTS) 146 00:06:27,220 --> 00:06:30,389 LOOK AT THE CONDITION HE'S IN, POOR GUY. 147 00:06:30,424 --> 00:06:33,625 NO ONE'S GONNA HURT YOU ANYMORE, OKAY? 148 00:06:33,693 --> 00:06:36,094 YEAH, HE'S ONE LUCKY HORSE. 149 00:06:36,163 --> 00:06:38,930 AMY: YEAH, YOU SURE DID LUCK OUT, DIDN'T YOU? 150 00:06:38,999 --> 00:06:40,165 MAYBE THAT'S WHAT WE'LL CALL YOU. 151 00:06:40,234 --> 00:06:41,900 "LUCKED OUT." 152 00:06:41,969 --> 00:06:44,302 YOU LIKE THAT? 153 00:06:44,371 --> 00:06:46,238 TY: SCOTT SAYS HE'S A TENNESSEE WALKING HORSE. 154 00:06:46,306 --> 00:06:47,706 YEAH, I THINK SO. 155 00:06:49,643 --> 00:06:52,778 AND... IT LOOKS LIKE HE'S BEEN SORED. 156 00:06:52,879 --> 00:06:55,447 TY: WHAT IS THAT? 157 00:06:55,516 --> 00:06:56,882 IT'S ONE OF THE CRUELEST THINGS YOU COULD EVER DO TO A HORSE. 158 00:07:02,222 --> 00:07:10,262 ♪♪ 159 00:07:10,264 --> 00:07:17,969 ♪♪ 160 00:07:18,038 --> 00:07:20,205 ♪ And at the break of day ♪ 161 00:07:20,273 --> 00:07:24,910 ♪ You sank into the dream ♪ 162 00:07:24,945 --> 00:07:26,678 ♪ You dreamer ♪ 163 00:07:26,780 --> 00:07:28,914 ♪ Oh, oh, oh ♪ 164 00:07:29,015 --> 00:07:31,616 ♪ You dreamer ♪ 165 00:07:33,153 --> 00:07:35,620 ♪ You dreamer ♪ 166 00:07:43,964 --> 00:07:45,931 AMY: YOU SEE THESE BURNS? THAT'S SORING. 167 00:07:46,032 --> 00:07:47,999 THEY TAKE ACID, GASOLINE - 168 00:07:48,068 --> 00:07:49,401 ALL KINDS OF JUST HORRIBLE STUFF - 169 00:07:49,470 --> 00:07:51,069 AND PUT IT ON THE POOR HORSE'S LEGS! 170 00:07:51,171 --> 00:07:52,971 THEY'RE IN CONSTANT PAIN! 171 00:07:53,073 --> 00:07:54,406 WHY WOULD ANYONE DO THAT? 172 00:07:54,475 --> 00:07:56,341 WELL... 173 00:07:56,376 --> 00:07:58,577 IT MAKES THEM WALK IN THIS REALLY WEIRD WAY. 174 00:07:58,678 --> 00:08:00,545 YOU KNOW, THEY JERK THEIR FRONT HOOVES UP REALLY HIGH, 175 00:08:00,647 --> 00:08:02,414 SORTA LIKE THEY'RE DANCING. 176 00:08:02,483 --> 00:08:03,715 IT'S THIS THING THEY DO DOWN SOUTH 177 00:08:03,783 --> 00:08:05,917 CALLED "THE BIG LICK." 178 00:08:05,986 --> 00:08:08,353 "THE BIG LICK?" 179 00:08:08,421 --> 00:08:09,955 AMY: THERE'S A COMPETITION CALLED "CELEBRATION," 180 00:08:10,056 --> 00:08:11,022 AND IF YOU CAN GET YOUR HORSE TO WALK LIKE THIS, 181 00:08:11,091 --> 00:08:12,424 THERE'S A LOT OF MONEY IN IT. 182 00:08:12,493 --> 00:08:15,660 TY: THAT IS WEIRD... AND UNNATURAL. 183 00:08:15,762 --> 00:08:18,263 AMY: I KNOW, I CAN'T EVEN WATCH IT! 184 00:08:18,331 --> 00:08:19,531 YOU KNOW, EVERY STEP THOSE HORSES TAKE 185 00:08:19,633 --> 00:08:20,632 THEY'RE IN AGONY. 186 00:08:20,700 --> 00:08:22,934 AND LOOK AT THIS: 187 00:08:23,003 --> 00:08:25,103 ANNOUNCER: SAM HANDLER WAS INDICTED, IN A TENNESSEE COURT TODAY, 188 00:08:25,171 --> 00:08:27,272 ON MULTIPLE CHARGES OF EQUINE CRUELTY 189 00:08:27,340 --> 00:08:28,974 AND BANNED FROM OWNING HORSES- 190 00:08:29,009 --> 00:08:29,908 TY: IT'S HARD TO BELIEVE SOMETHING THIS INHUMANE IS EVEN LEGAL. 191 00:08:29,977 --> 00:08:31,743 IT'S NOT! 192 00:08:31,811 --> 00:08:34,312 THE COMPETITION IS LEGAL, BUT SORING ISN'T. 193 00:08:34,381 --> 00:08:35,547 THERE'S A TON OF PEOPLE ON BOTH SIDES OF THE BORDER 194 00:08:35,649 --> 00:08:37,983 WHO ARE TOTALLY AGAINST IT, BUT... 195 00:08:38,018 --> 00:08:39,251 THERE'S ALWAYS GONNA BE SOMEONE OUT THERE 196 00:08:39,352 --> 00:08:41,353 WHO'S WILLING TO DO ANYTHING FOR MONEY. 197 00:08:41,421 --> 00:08:42,854 ANNOUNCER: MR. HANDLER WILL BE ORDERED TO RETURN 198 00:08:42,923 --> 00:08:45,790 ALL OF HIS PRIZE WINNINGS OVER THE LAST SEVERAL YEARS, 199 00:08:45,826 --> 00:08:47,659 AN AMOUNT TOTALING CLOSE TO ONE MILLION DOLLARS. 200 00:08:47,694 --> 00:08:48,426 TY: THEY DON'T DO THAT UP HERE, DO THEY? 201 00:08:48,495 --> 00:08:49,928 NO WAY. 202 00:08:49,996 --> 00:08:52,197 BUT LUCKED OUT WAS DEFINITELY SORED, 203 00:08:52,265 --> 00:08:55,834 SO WE HAVE TO FIGURE OUT WHY. 204 00:08:55,902 --> 00:08:58,169 TIM SURE PICKED A GOOD TIME TO HEAD OFF TO MOOSE JAW, 205 00:08:58,238 --> 00:08:59,771 LEAVING ME HIGH AND DRY TO ROUND UP 206 00:08:59,839 --> 00:09:00,739 ALL THOSE LAMBS BY MYSELF! 207 00:09:02,309 --> 00:09:05,110 LAMBS? WE HAVE LAMBS? 208 00:09:05,178 --> 00:09:08,113 WELL, MORE THAN I CARE TO COUNT. 209 00:09:08,181 --> 00:09:08,914 WELL, I'VE GOT A FEW HOURS ON THE WEEKEND, JACK, 210 00:09:09,015 --> 00:09:10,048 IF YOU NEED A HAND. 211 00:09:10,116 --> 00:09:11,216 CAN I HAVE ONE? 212 00:09:11,284 --> 00:09:12,918 WHAT FOR? 213 00:09:12,986 --> 00:09:15,287 THE 4H CLUB SCHOOL PROGRAM! 214 00:09:15,322 --> 00:09:15,954 I WAS IN 4H WHEN I WAS YOUR AGE. 215 00:09:16,022 --> 00:09:17,422 I LOVED IT! 216 00:09:17,490 --> 00:09:19,691 OH, YEAH, YEAH! SO WAS I, ACTUALLY. 217 00:09:19,759 --> 00:09:23,395 I HAD A GOAT NAMED "SNOWY" 218 00:09:23,463 --> 00:09:24,930 AND I RAISED IT FROM A KID 219 00:09:24,998 --> 00:09:26,031 ALL THE WAY TO AN ADULT. 220 00:09:26,099 --> 00:09:27,799 I DID! WE HAD A VERY SPECIAL BOND, 221 00:09:27,867 --> 00:09:29,267 THANK YOU VERY MUCH, 222 00:09:29,336 --> 00:09:30,936 UNTIL I HAD TO SELL IT TO AUCTION, THOUGH. 223 00:09:31,004 --> 00:09:32,737 YOU KNOW WHAT I LIKE ABOUT GOATS? 224 00:09:32,806 --> 00:09:33,838 WHAT'S THAT? 225 00:09:33,874 --> 00:09:35,674 NOTHIN'. 226 00:09:35,742 --> 00:09:37,375 (TY LAUGHS) 227 00:09:37,411 --> 00:09:39,044 THEY'RE ACTUALLY VERY AFFECTIONATE ANIMALS. 228 00:09:39,145 --> 00:09:41,880 OKAY, WELL, LET'S TRY TO STAY ON TRACK HERE! 229 00:09:41,948 --> 00:09:45,050 PLEASE, PLEASE, PLEASE. PLEASE, CAN I HAVE A LAMB? 230 00:09:45,118 --> 00:09:46,318 FINE WITH ME. PETER? 231 00:09:48,321 --> 00:09:50,088 UH... 232 00:09:50,156 --> 00:09:51,590 OKAY, YES, YOU CAN, 233 00:09:51,658 --> 00:09:52,791 BUT YOU UNDERSTAND GEORGIE THAT YOU CAN'T KEEP IT, 234 00:09:52,859 --> 00:09:54,726 RIGHT? 235 00:09:54,761 --> 00:09:55,961 I KNOW HOW ATTACHED YOU GET TO NEW ANIMALS WHEN THE GET HERE. 236 00:09:56,029 --> 00:09:57,095 GEORGIE: I CAN HANDLE IT. 237 00:09:57,163 --> 00:09:58,897 IT'S NOT LIKE I'M SOME LITTLE KID! 238 00:09:58,965 --> 00:10:00,799 JACK: OH, SPEAKING OF NEW ANIMALS, 239 00:10:00,867 --> 00:10:02,500 I SEE THERE'S A NEW ONE IN THE BARN. 240 00:10:02,536 --> 00:10:04,336 YEAH. 241 00:10:04,404 --> 00:10:05,837 WELL, ARE YOU SURE YOU SHOULD BE TAKING ON 242 00:10:05,906 --> 00:10:07,772 ANOTHER RESCUE HORSE RIGHT NOW? 243 00:10:07,841 --> 00:10:08,573 I'M A HUNDRED PERCENT, GRANDPA. 244 00:10:08,675 --> 00:10:09,975 I'M FINE. 245 00:10:12,145 --> 00:10:13,178 TY, TELL HIM. 246 00:10:15,315 --> 00:10:18,416 SHE'S DOING MUCH BETTER. SHE REALLY IS. 247 00:10:18,518 --> 00:10:21,019 OKAY, JUST DON'T PUSH IT. 248 00:10:21,087 --> 00:10:22,053 I WON'T. 249 00:10:25,058 --> 00:10:26,625 I'M NOT MAKING A MISTAKE, AM I? 250 00:10:26,693 --> 00:10:27,359 ARE YOU SURE YOU'RE OKAY? 251 00:10:27,460 --> 00:10:28,526 ABSOLUTELY. 252 00:10:30,330 --> 00:10:31,796 NO DIZZINESS? MORE HEADACHES? 253 00:10:31,865 --> 00:10:33,365 NO, TY! 254 00:10:33,433 --> 00:10:34,366 DR. VERANI, CHECKED ME OUT LAST WEEK, 255 00:10:34,467 --> 00:10:37,569 AND SHE SAID I WAS GOOD. 256 00:10:37,638 --> 00:10:39,337 WHAT ABOUT NIGHTMARES? OR VISIONS? 257 00:10:39,439 --> 00:10:41,506 TY, STOP IT, I'M FINE! 258 00:10:41,575 --> 00:10:42,474 OKAY, AMY, I JUST WANNA MAKE SURE YOU'RE OKAY. 259 00:10:42,575 --> 00:10:44,442 I KNOW, I KNOW. 260 00:10:44,544 --> 00:10:46,378 AND I APPRECIATE IT. 261 00:10:46,479 --> 00:10:48,246 YOU KNOW, YOU'RE THE REASON I GOT THROUGH THIS. 262 00:10:48,348 --> 00:10:49,481 SO THANK YOU. 263 00:10:51,485 --> 00:10:52,217 (LAUGHS) 264 00:10:56,956 --> 00:10:58,023 IF YOU NEED ANYTHING AT ALL, 265 00:10:58,091 --> 00:10:58,623 I'M JUST A SHORT DRIVE DOWN THE ROAD. 266 00:10:58,692 --> 00:11:00,358 I KNOW. 267 00:11:00,427 --> 00:11:01,359 OKAY. I LOVE YOU. 268 00:11:01,428 --> 00:11:02,494 I LOVE YOU TOO. 269 00:11:04,197 --> 00:11:05,497 (TRUCK STARTS, RUMBLES) 270 00:11:08,969 --> 00:11:09,968 (SIGHS) 271 00:11:15,108 --> 00:11:18,043 ♪♪ 272 00:11:18,111 --> 00:11:19,611 (KATIE WAILS) 273 00:11:22,916 --> 00:11:25,083 YEAH, NOBODY PANIC! DADDY'S HERE! 274 00:11:25,152 --> 00:11:26,518 JEEZ! PETER! 275 00:11:26,586 --> 00:11:27,619 OKAY! WHAT'S HAPPENING? YES, ARE YOU OKAY? 276 00:11:27,654 --> 00:11:29,654 WHAT'S GOING ON? 277 00:11:29,723 --> 00:11:32,357 KATIE'S CRYING AND I CAN'T GET HER TO STOP! 278 00:11:32,425 --> 00:11:33,191 (EXHALES) 279 00:11:35,062 --> 00:11:36,695 YOU ALMOST GAVE ME A HEART ATTACK! 280 00:11:36,730 --> 00:11:40,298 YOU ALMOST GAVE ME A HEART ATTACK! 281 00:11:40,400 --> 00:11:42,500 DO YOU ALWAYS WAKE UP ALL WEIRD LIKE THAT? 282 00:11:42,536 --> 00:11:43,334 I DON'T KNOW, I'M NOT USUALLY SCRUTINIZED 283 00:11:43,403 --> 00:11:46,304 IN MY SLEEP LIKE THAT! 284 00:11:46,372 --> 00:11:48,039 PETER, NOW THAT TY'S MOVED OUT OF THE ATTIC AND EVERYTHING, 285 00:11:48,108 --> 00:11:49,507 DO YOU THINK THAT I MI- 286 00:11:52,078 --> 00:11:54,979 (GROANS) 287 00:11:55,015 --> 00:11:57,849 WELL, IT LOOKS LIKE HIGH HAT HAS AN ABSCESSED CANINE TOOTH. 288 00:11:57,884 --> 00:11:59,851 WE'LL DRAIN IT AND GIVE HIM SOME ANTIBIOTICS. 289 00:11:59,886 --> 00:12:01,920 HOPEFULLY WE WON'T HAVE TO PULL IT. 290 00:12:01,955 --> 00:12:03,722 AW, POOR GUY. 291 00:12:03,757 --> 00:12:07,125 I MEAN THAT'S GOT TO BE PAINFUL. 292 00:12:07,193 --> 00:12:08,693 MR. DRAKE, I JUST NEED TO GET SOME INFORMATION FROM YOU. 293 00:12:08,729 --> 00:12:10,495 HEY, SURE. WHAT KIND OF INFORMATION? 294 00:12:10,563 --> 00:12:11,730 TY: JUST THE USUAL: HIGH HAT'S AGE, 295 00:12:11,798 --> 00:12:14,599 HIS PREVIOUS MEDICAL HISTORY. 296 00:12:14,667 --> 00:12:15,900 HAVE WE MET BEFORE? YOU LOOK REALLY FAMILIAR. 297 00:12:15,969 --> 00:12:17,335 NO, I- I DON'T THINK SO. 298 00:12:19,539 --> 00:12:21,573 ANYWAY, I'M AFRAID I CAN'T BE MUCH HELP THERE, 299 00:12:21,641 --> 00:12:22,874 I PICKED HIM UP AT A FARM AUCTION IN CONSORT 300 00:12:22,942 --> 00:12:23,742 A FEW WEEKS AGO. 301 00:12:23,810 --> 00:12:25,410 OH. 302 00:12:25,478 --> 00:12:26,478 DID ANYONE TELL YOU WHAT BREED HE IS? 303 00:12:26,579 --> 00:12:28,913 YOU KNOW, I DON'T EVEN THINK I ASKED. 304 00:12:28,982 --> 00:12:31,816 I MEAN, I'M NOT MUCH OF A HORSE PERSON MYSELF, 305 00:12:31,852 --> 00:12:34,052 BUT HE LOOKED PRETTY GOOD TO ME. 306 00:12:34,120 --> 00:12:35,386 SCOTT: YOU DID WELL, MR. DRAKE. 307 00:12:35,455 --> 00:12:37,455 YOU HAVE A FINE LOOKING YOUNG TENNESSEE WALKING HORSE. 308 00:12:37,524 --> 00:12:39,824 OH, YOU DON'T SAY! 309 00:12:39,893 --> 00:12:42,327 WELL, I'LL HAVE TO DO SOME READING ON THAT. 310 00:12:42,395 --> 00:12:43,728 NOW, WHAT TIME DO YOU THINK YOU'LL BE DONE? 311 00:12:43,797 --> 00:12:46,331 AH, SHOULD BE A COUPLE HOURS OR SO. 312 00:12:46,399 --> 00:12:47,899 WELL, THANK YOU, DR. CARDINAL. 313 00:12:47,934 --> 00:12:49,200 I'LL BE BY TO PICK HIM UP. 314 00:12:54,073 --> 00:12:56,141 TWO TENNESSEE WALKING HORSES IN TWO DAYS. 315 00:12:56,242 --> 00:12:59,210 ONE OF THEM SORED AND ABANDONED... 316 00:12:59,279 --> 00:13:01,146 YEAH, IT IS A COINCIDENCE, ISN'T IT? 317 00:13:03,316 --> 00:13:05,717 JUST LET ME CHECK SOMETHING OUT. 318 00:13:05,786 --> 00:13:06,651 (MACHINE BEEPS) 319 00:13:09,089 --> 00:13:10,555 WELL, THAT'S INTERESTING. 320 00:13:10,624 --> 00:13:12,524 WHAT IS IT? 321 00:13:12,592 --> 00:13:16,394 WELL, ANY IDENTIFICATION NUMBER THAT STARTS WITH "900" 322 00:13:16,462 --> 00:13:19,464 MEANS THE HORSE WAS REGISTERED IN THE U.S. 323 00:13:20,967 --> 00:13:22,033 HUH... 324 00:13:22,102 --> 00:13:23,902 COME ON, BOY. 325 00:13:23,970 --> 00:13:25,336 THAT'S IT, NICE AND SLOW. 326 00:13:27,440 --> 00:13:30,275 IT MUST FEEL GOOD TO HAVE SOME FRESH AIR, HUH? 327 00:13:30,376 --> 00:13:32,143 AMY: YOU'RE A GOOD BOY. 328 00:13:32,212 --> 00:13:33,678 ALL RIGHT, I KNOW. 329 00:13:35,582 --> 00:13:37,382 THAT'S ENOUGH FOR TODAY, HUH? 330 00:13:39,085 --> 00:13:40,451 I KNOW EXACTLY HOW YOU FEEL. 331 00:13:42,222 --> 00:13:44,989 YOU JUST NEED SOME MORE TIME. 332 00:13:45,058 --> 00:13:47,625 (SIGHS) 333 00:13:47,661 --> 00:13:50,428 (SCREEN DOOR CREAKS, SLAMS) 334 00:13:50,497 --> 00:13:52,363 HEY, KIDDO. HEY, WHAT'S UP? 335 00:13:52,432 --> 00:13:54,432 YOU WON'T BELIEVE WHAT HAPPENED AT SCHOOL TODAY! 336 00:13:54,534 --> 00:13:55,800 YOU KNOW THE 4H CLUB? 337 00:13:55,902 --> 00:13:57,235 YEAH. WELL, GUESS ? 338 00:13:57,270 --> 00:13:59,571 I GOT PAIRED UP WITH OLIVIA WHEATON! 339 00:13:59,672 --> 00:14:01,372 MY ABSOLUTE NEMESIS! 340 00:14:01,441 --> 00:14:04,475 AND NOW SHE'S COMING HERE IN ONE HOUR! 341 00:14:04,544 --> 00:14:06,644 OH BOY. 342 00:14:06,713 --> 00:14:09,848 I CAN'T BELIEVE OUR TEACHER JUST PAIRED US UP LIKE THAT! 343 00:14:09,916 --> 00:14:12,884 I AM SO MAD, I JUST FEEL LIKE QUITTING! 344 00:14:12,986 --> 00:14:15,453 WELL, I'M SURE YOUR TEACHER HAD HER REASONS. 345 00:14:15,521 --> 00:14:16,955 AND MAYBE IT'S TIME FOR YOU TWO TO BURY THE HATCHET. 346 00:14:17,023 --> 00:14:18,223 BURY THE HATCHET?! 347 00:14:18,291 --> 00:14:20,325 YEAH, GET OVER YOURSELVES. 348 00:14:20,360 --> 00:14:21,526 DO YOU REALLY WANNA QUIT WITHOUT EVEN TRYING, HONEY? 349 00:14:21,595 --> 00:14:23,328 MAYBE IT'LL WORK OUT! 350 00:14:23,396 --> 00:14:26,097 BUT OLIVIA IS THE LAST PERSON I WANNA WORK WITH! 351 00:14:26,166 --> 00:14:27,699 PETER: WELL, THAT'S LIFE, KIDDO. 352 00:14:27,767 --> 00:14:30,134 SOMETIMES YOU DON'T GET TO CHOOSE, OKAY? 353 00:14:30,203 --> 00:14:33,338 THANKS FOR BEING SO SYMPATHETIC. 354 00:14:33,406 --> 00:14:35,006 HONEY, YOU'RE THE ONE WHO'S ALWAYS SAYING 355 00:14:35,108 --> 00:14:36,441 YOU'RE NOT A LITTLE KID ANYMORE, RIGHT? 356 00:14:36,509 --> 00:14:37,442 SO STOP ACTING LIKE ONE! 357 00:14:37,543 --> 00:14:40,178 YOU CAN HANDLE OLIVIA. 358 00:14:40,280 --> 00:14:42,580 I'VE SEEN YOU DO IT. 359 00:14:42,649 --> 00:14:44,048 OKAY, I GET YOUR POINT. 360 00:14:46,185 --> 00:14:49,320 WITHOUT PUNCHING HER IN THE FACE, THOUGH. 361 00:14:49,389 --> 00:14:50,188 IF YOU SAY SO. 362 00:14:53,460 --> 00:14:55,093 (KEYS CLICK) 363 00:14:55,161 --> 00:14:56,094 TY: HEY, SCOTT? 364 00:14:56,129 --> 00:14:57,295 COME CHECK THIS OUT. 365 00:14:59,432 --> 00:15:01,966 HIGH HAT WAS REGISTERED IN SHELBYVILLE, TENNESSEE, 366 00:15:02,035 --> 00:15:03,568 AND IT'S ALSO GIVING ME THE NAME OF HIS SIRE AND DAM. 367 00:15:03,636 --> 00:15:05,970 CALIBAN AND HYACINTH. 368 00:15:06,039 --> 00:15:07,438 WELL THEN, THE SELLER UP IN CONSORT 369 00:15:07,507 --> 00:15:09,307 SHOULD'VE HAD PAPERS ON HIM. 370 00:15:09,375 --> 00:15:10,808 OTHERWISE, HOW DID THEY GET THE HORSE ACROSS THE BORDER? 371 00:15:10,877 --> 00:15:12,510 TY: YEAH! 372 00:15:12,545 --> 00:15:15,079 LIKE AN IMPORT PERMIT, OR A HEALTH CERTIFICATE. 373 00:15:15,148 --> 00:15:17,181 BREED INFORMATION, OR EVEN MEDICAL HISTORY. 374 00:15:17,250 --> 00:15:19,584 YOU BET. 375 00:15:19,653 --> 00:15:20,585 SO HOW COME ELDON DRAKE DOESN'T KNOW ANYTHING 376 00:15:20,653 --> 00:15:22,086 ABOUT HIS OWN HORSE? 377 00:15:22,155 --> 00:15:23,922 GOOD QUESTION. 378 00:15:23,957 --> 00:15:26,024 BUT WITH OR WITHOUT PAPERS, 379 00:15:26,092 --> 00:15:27,058 THERE'S NO WAY YOU COULD PICK UP A PUREBRED 380 00:15:27,093 --> 00:15:28,526 LIKE THAT FOR SO CHEAP! 381 00:15:32,231 --> 00:15:33,097 (CAR RUMBLES) 382 00:15:36,569 --> 00:15:37,368 (SIGHS HEAVILY) 383 00:15:42,375 --> 00:15:47,412 ♪♪ 384 00:15:47,480 --> 00:15:48,813 HEY. 385 00:15:48,882 --> 00:15:49,948 HEY. 386 00:16:01,794 --> 00:16:03,294 (SIGHS HEAVILY) 387 00:16:08,735 --> 00:16:10,368 HOW COME YOUR BEDROOM LOOKS LIKE A NURSERY? 388 00:16:10,403 --> 00:16:11,436 GEORGIE: BECAUSE IT IS A NURSERY. 389 00:16:11,504 --> 00:16:13,171 I SHARE WITH MY LITTLE SISTER. 390 00:16:13,272 --> 00:16:15,006 HOW DO YOU EVER EXPECT TO HAVE SLEEPOVERS 391 00:16:15,074 --> 00:16:17,608 IF YOU SLEEP IN A NURSERY? 392 00:16:17,710 --> 00:16:19,210 WELL, NOT THAT IT'S ANY OF YOUR BUSINESS, 393 00:16:19,278 --> 00:16:21,212 BUT MAYBE I DON'T WANT TO HAVE SLEEPOVERS. 394 00:16:21,281 --> 00:16:25,216 FINE, BE UNPOPULAR FOR THE REST OF YOUR LIFE. 395 00:16:25,285 --> 00:16:26,517 OH, LOOK. A CHARM BRACELET. 396 00:16:26,619 --> 00:16:28,686 HOW RETRO. 397 00:16:28,788 --> 00:16:31,189 DON'T TOUCH MY STUFF! 398 00:16:31,290 --> 00:16:34,258 OKAY! SO SNARKY, JEEZ. 399 00:16:34,294 --> 00:16:35,193 YOU KNOW WHAT? WE'RE DONE HERE. 400 00:16:35,228 --> 00:16:37,362 GET OUT OF MY ROOM! OUT! 401 00:16:37,430 --> 00:16:38,930 NICE MANNERS, TOO. 402 00:16:42,268 --> 00:16:44,736 JACK: HOW 'BOUT THIS ONE? 403 00:16:44,804 --> 00:16:46,504 GEORGIE AND OLIVIA: AWW! HE'S SO CUTE! 404 00:16:46,573 --> 00:16:47,538 LOOK AT THE LITTLE EARS! 405 00:16:47,640 --> 00:16:49,774 AND HIS NOSE! 406 00:16:49,843 --> 00:16:51,576 ADORABLE! 407 00:16:51,644 --> 00:16:52,944 ACTUALLY, HOLD ON A SEC. 408 00:16:53,013 --> 00:16:55,513 HIS EYES ARE CROOKED. 409 00:16:55,582 --> 00:16:57,415 GEORGIE: OH... YEAH. 410 00:16:57,484 --> 00:16:59,050 SHE'S RIGHT. 411 00:17:00,887 --> 00:17:02,687 THEY LOOK OKAY TO ME! 412 00:17:02,789 --> 00:17:04,655 WELL, JACK, IT'S A COMPETITION. 413 00:17:04,724 --> 00:17:05,590 WE HAVE TO HAVE THE PERFECT LAMB 414 00:17:05,658 --> 00:17:07,525 IF WE WANT TO WIN. 415 00:17:07,594 --> 00:17:09,394 OLIVIA: HOW ABOUT... 416 00:17:09,462 --> 00:17:10,128 THAT ONE OVER THERE? 417 00:17:11,731 --> 00:17:14,565 (GROANS) 418 00:17:14,634 --> 00:17:15,633 JACK: WHICH ONE?! 419 00:17:15,702 --> 00:17:16,901 GEORGIE: THAT ONE! 420 00:17:17,003 --> 00:17:17,969 (LAMBS BLEAT) 421 00:17:18,037 --> 00:17:19,504 JACK: OH! AH! 422 00:17:19,572 --> 00:17:21,039 (OLIVIA CHUCKLES) 423 00:17:21,107 --> 00:17:23,341 PICK SOMETHING ELSE! 424 00:17:23,410 --> 00:17:24,809 THAT ONE, OVER THERE. 425 00:17:24,878 --> 00:17:26,511 NO, NO, THAT ONE, OVER THERE! 426 00:17:26,612 --> 00:17:27,912 OOF! 427 00:17:27,981 --> 00:17:29,147 GEORGIE: NO! 428 00:17:29,215 --> 00:17:30,815 (JACK GROANS) 429 00:17:30,883 --> 00:17:32,083 OLIVIA: WE NEED THAT ONE, OVER THERE! 430 00:17:32,185 --> 00:17:34,452 GEORGIE: NO, WE DON'T! OLIVIA: YES, WE DO! 431 00:17:34,487 --> 00:17:35,853 AMY, YOU'RE NOT GOING TO BELIEVE THIS. 432 00:17:35,955 --> 00:17:37,588 WHAT? 433 00:17:37,657 --> 00:17:39,657 I CAME ACROSS THIS ONLINE FOOTAGE OF CALIBAN 434 00:17:39,725 --> 00:17:41,025 IN A TENNESSEE WALKING HORSE COMPETITION, 435 00:17:41,094 --> 00:17:42,260 THAT'S HIM, RIGHT THERE. 436 00:17:42,328 --> 00:17:43,528 THAT'S HIGH HAT'S SIRE? 437 00:17:43,596 --> 00:17:45,096 THE HORSE WITH THE INFECTED TOOTH? 438 00:17:45,164 --> 00:17:46,931 YEAH, AND THERE WAS A LINK TO ANOTHER VIDEO 439 00:17:47,033 --> 00:17:48,900 WE SAW EARLIER. 440 00:17:48,968 --> 00:17:50,234 (COMPUTER BEEPS) 441 00:17:50,303 --> 00:17:51,469 THE SAM HANDLER VIDEO. 442 00:17:51,537 --> 00:17:54,038 THAT'S RIGHT. 443 00:17:54,107 --> 00:17:55,339 ANNOUNCER: ON MULTIPLE CHARGES OF EQUINE CRUELTY. 444 00:17:55,375 --> 00:17:56,941 NOW, WATCH THIS: 445 00:17:58,945 --> 00:18:00,078 THAT'S HIM, RIGHT THERE! 446 00:18:00,113 --> 00:18:01,846 WHO? 447 00:18:01,914 --> 00:18:03,014 ELDON DRAKE, THE GUY WHO BROUGHT HIGH HAT OVER 448 00:18:03,082 --> 00:18:05,183 TO THE STABLE THIS MORNING! 449 00:18:05,251 --> 00:18:07,251 I KNEW I'D SEEN HIM SOMEWHERE BEFORE! 450 00:18:07,320 --> 00:18:08,686 AMY: OKAY, BUT WHY WOULD YOUR CLIENT BE INVOLVED WITH SOMEONE 451 00:18:08,721 --> 00:18:09,887 WHO'S SORING HORSES? 452 00:18:11,557 --> 00:18:12,890 TY: GOOD QUESTION. 453 00:18:14,927 --> 00:18:16,561 PETER: OOPS! OKAY... 454 00:18:16,629 --> 00:18:17,595 UH, NO, NICOLE, YOU KNOW WHAT? 455 00:18:17,663 --> 00:18:19,430 KATIE: DADA! (CRIES) 456 00:18:19,499 --> 00:18:21,032 I CAN'T MAKE IT INTO THE DINER RIGHT NOW! 457 00:18:21,100 --> 00:18:22,667 THIS LAST MINUTE, I CAN'T- 458 00:18:22,735 --> 00:18:24,502 BE- 459 00:18:24,537 --> 00:18:26,971 I'M SORRY, THE DEEP FRYER BURST INTO FLAMES?! 460 00:18:27,006 --> 00:18:29,841 OKAY, UM... ANY CASUALTIES? 461 00:18:29,876 --> 00:18:31,008 WELL, THAT'S GOOD. 462 00:18:31,077 --> 00:18:33,845 NO, LOOK, I DON'T, UH- 463 00:18:33,913 --> 00:18:34,946 CAN YOU JUST LOOK ON THE INTERNET YOURSELF MAYBE 464 00:18:35,014 --> 00:18:36,280 AND TRY TO FIND A REPAIRMAN? 465 00:18:36,349 --> 00:18:37,648 THAT'D BE GREAT, THANKS. 466 00:18:37,684 --> 00:18:39,851 BYE. 467 00:18:39,919 --> 00:18:42,487 I GOT A POSTCARD FROM MALLORY. 468 00:18:42,555 --> 00:18:44,455 SAYS SHE'S IN LONDON VISITING SORAYA 469 00:18:44,491 --> 00:18:47,191 AND HAVING A GREAT TIME. 470 00:18:47,227 --> 00:18:48,793 OH, THAT'S GREAT, I'LL LET LOU KNOW. 471 00:18:48,828 --> 00:18:50,161 SHE'LL BE VERY PLEASED TO HEAR THAT. 472 00:18:50,230 --> 00:18:51,362 YOU KNOW, I DON'T KNOW 473 00:18:51,431 --> 00:18:52,196 HOW YOU GET ANY WORK DONE IN HERE. 474 00:18:52,298 --> 00:18:53,197 YOU NEED MORE SPACE. 475 00:18:53,233 --> 00:18:55,199 YEAH... REALLY? 476 00:18:55,268 --> 00:18:56,833 THE THOUGHT NEVER OCCURRED TO ME. 477 00:18:56,903 --> 00:18:59,137 JACK: WHY DON'T YOU MOVE OUT TO THE OFFICE IN THE BARN, THEN? 478 00:18:59,205 --> 00:19:00,938 UH, I... 479 00:19:00,974 --> 00:19:02,640 I'D JUST BE TOO FAR AWAY FROM KATIE THERE, 480 00:19:02,708 --> 00:19:04,275 YOU KNOW, I CAN'T SINGLE PARENT FROM THE BARN, SO. 481 00:19:04,310 --> 00:19:06,410 OH. 482 00:19:06,479 --> 00:19:09,113 WELL, YOU KNOW, THERE'S A DESK IN THE ATTIC. 483 00:19:09,182 --> 00:19:11,182 TY'S GONE, WHY DON'T YOU SPREAD OUT UP THERE? 484 00:19:11,250 --> 00:19:13,050 PETER: IT'S OKAY, HONEY, IT'S OKAY! 485 00:19:13,119 --> 00:19:14,118 (WHIMPERS) 486 00:19:18,424 --> 00:19:23,060 AMY: OKAY, SO IT SAID AT THE CORNER OF 288 WEST AND 330. 487 00:19:23,162 --> 00:19:25,563 THERE IT IS. SLOW DOWN, SLOW DOWN! 488 00:19:25,632 --> 00:19:27,598 SO IT SHOULD BE SOMEWHERE RIGHT AROUND HERE. 489 00:19:27,700 --> 00:19:28,533 (ENGINE REVS) 490 00:19:32,104 --> 00:19:33,271 (TRUCK RUMBLES) 491 00:19:36,609 --> 00:19:37,608 ARE YOU SURE THAT WAS THE ADDRESS 492 00:19:37,610 --> 00:19:40,244 ON ELDON DRAKE'S INTAKE FORM? 493 00:19:40,313 --> 00:19:41,913 YEAH. 494 00:19:41,981 --> 00:19:44,081 OBVIOUSLY, IT'S A FAKE. 495 00:19:44,150 --> 00:19:46,417 OKAY, SO WHAT NOW? 496 00:19:46,486 --> 00:19:48,486 'CAUSE WE OBVIOUSLY CAN'T SAVE A HORSE WE CAN'T FIND! 497 00:19:48,588 --> 00:19:50,121 DAMMIT! 498 00:19:50,156 --> 00:19:51,355 I SHOULD'VE KNOWN THIS WOULD HAPPEN. 499 00:19:51,424 --> 00:19:52,857 WAIT, TY. 500 00:19:52,926 --> 00:19:54,058 DO YOU HAVE A PHONE NUMBER FOR HIM? 501 00:19:54,127 --> 00:19:55,560 YEAH, AND I KNOW IT'S REAL, 502 00:19:55,628 --> 00:19:56,727 BECAUSE I HAD TO CALL ELDON TO LET HIM KNOW 503 00:19:56,829 --> 00:19:57,995 THAT HIGH HAT WAS READY. 504 00:19:58,064 --> 00:19:59,797 OKAY, I THINK I HAVE AN IDEA. 505 00:19:59,866 --> 00:20:01,566 TY, WHAT IF I WAS TO CALL HIM, 506 00:20:01,634 --> 00:20:05,036 AND PRETEND I WAS LOOKING TO BUY A TENNESSEE WALKING HORSE? 507 00:20:05,104 --> 00:20:06,537 I DON'T KNOW, AMY. 508 00:20:06,573 --> 00:20:07,838 IF IT GETS ME INTO THE STABLE, 509 00:20:07,940 --> 00:20:10,608 I CAN AT LEAST SEE FIRSTHAND WHAT'S GOING ON! 510 00:20:10,677 --> 00:20:13,744 IT WAS A TOTAL FLUKE THAT YOU GUYS FOUND THAT HORSE ALIVE. 511 00:20:13,813 --> 00:20:15,179 WE CAN'T LET ANOTHER HORSE END UP THAT WAY! 512 00:20:23,223 --> 00:20:26,891 GEORGIE: UH, "ONCE THE LAMB IS WEANED, MIX THE DRENCH..." 513 00:20:26,993 --> 00:20:28,392 WITH EQUAL PARTS WATER, 514 00:20:28,461 --> 00:20:29,961 AND APPLY TO THE BACK OF THE TONGUE." 515 00:20:29,996 --> 00:20:32,296 OLIVIA: WHAT'S IT FOR? 516 00:20:32,365 --> 00:20:34,765 "PROPER USAGE WILL INHIBIT... 517 00:20:34,834 --> 00:20:38,703 INFESTATIONS OF PARASITES SUCH AS BLOW FLY LARVAE, 518 00:20:38,771 --> 00:20:40,605 TAPE WORMS AND LUNG WORMS." 519 00:20:40,673 --> 00:20:43,341 EW! GROSS. 520 00:20:43,409 --> 00:20:45,376 OUR BEYONCE COULDN'T POSSIBLY HAVE WORMS! 521 00:20:45,444 --> 00:20:47,578 "BEYONCE?!" 522 00:20:47,614 --> 00:20:49,647 WHEN DID WE DECIDE TO CALL HER THAT? 523 00:20:49,682 --> 00:20:51,215 I DON'T KNOW, 524 00:20:51,284 --> 00:20:53,551 I JUST THOUGHT IT WAS KIND OF A COOL NAME. 525 00:20:53,619 --> 00:20:56,020 YOU DO NOT CALL A LAMB "BEYONCE!" 526 00:20:56,088 --> 00:20:58,289 THE KIDS IN 4H ARE GOING TO THINK WE'RE TOTAL DORKS! 527 00:20:58,357 --> 00:21:01,259 NEWS FLASH, 4H CLUB IS FOR DORKS. 528 00:21:01,294 --> 00:21:02,593 IN CASE YOU HAVEN'T NOTICED. 529 00:21:02,629 --> 00:21:05,463 REALLY?! THEN, WHY ARE YOU HERE? 530 00:21:05,531 --> 00:21:07,865 BECAUSE MY MOM IS A COMPLETE 4H CLUB FANATIC, OKAY? 531 00:21:07,933 --> 00:21:10,768 SHE MADE ME, I HATE HER. 532 00:21:10,836 --> 00:21:12,637 WHATEVER, BUT WE'RE NOT CALLING THE LAMB "BEYONCE." 533 00:21:12,705 --> 00:21:15,139 OKAY, WHAT WOULD YOU CALL IT? 534 00:21:15,174 --> 00:21:16,641 WELL, SOMETHING NORMAL. 535 00:21:18,010 --> 00:21:20,044 LIKE... 536 00:21:20,112 --> 00:21:21,512 CLOVER. (SCOFFS) 537 00:21:23,650 --> 00:21:25,783 (LUCKED OUT SNORTS) 538 00:21:25,851 --> 00:21:26,851 TY: LOOKING GOOD. 539 00:21:26,919 --> 00:21:28,085 THE INFECTION'S CLEARING UP. 540 00:21:28,154 --> 00:21:29,620 HOW'S HIS APPETITE? 541 00:21:29,656 --> 00:21:31,622 AMY: BETTER. 542 00:21:31,691 --> 00:21:33,891 WE'LL GET THERE EVENTUALLY, WON'T WE, HMM? 543 00:21:33,959 --> 00:21:35,126 YEAH. 544 00:21:35,194 --> 00:21:36,360 (CELL PHONE RINGS) 545 00:21:36,429 --> 00:21:37,862 I DON'T RECOGNIZE THIS NUMBER. 546 00:21:37,930 --> 00:21:39,864 HELLO? 547 00:21:39,899 --> 00:21:41,465 MR. DRAKE. YES, THIS IS AMY. 548 00:21:43,069 --> 00:21:44,769 OKAY, GREAT! 549 00:21:44,804 --> 00:21:46,904 YEAH, WHEN CAN I COME TO YOUR STABLE? 550 00:21:46,972 --> 00:21:48,572 OH, OKAY. 551 00:21:48,641 --> 00:21:50,374 SURE. 552 00:21:50,410 --> 00:21:51,676 YEAH, I'LL SEE YOU THEN. 553 00:21:51,744 --> 00:21:54,345 BYE. 554 00:21:54,413 --> 00:21:55,279 HE'S MEETING ME WITH HIS HORSE 555 00:21:55,315 --> 00:21:57,081 AT THE HUDSON RODEO GROUNDS. 556 00:21:57,149 --> 00:21:57,982 WELL, THAT DOESN'T HELP MUCH, DOES IT? 557 00:21:58,050 --> 00:21:59,550 I STILL HAVE TO GO! 558 00:21:59,618 --> 00:22:00,885 NO AMY, YOU DON'T. NOT ALONE. 559 00:22:00,953 --> 00:22:02,119 I'M COMING WITH YOU. 560 00:22:02,155 --> 00:22:04,088 YOU CAN'T, HE ALREADY KNOWS YOU! 561 00:22:04,156 --> 00:22:06,223 WELL, WHAT DO YOU EXPECT TO ACCOMPLISH WITH THIS? 562 00:22:06,292 --> 00:22:07,291 WE NEED TO GET TO HIS STABLE, RIGHT? 563 00:22:07,327 --> 00:22:09,193 THAT'S WHAT I WAS HOPING FOR, 564 00:22:09,262 --> 00:22:11,796 BUT I JUST REALLY WANNA FIND OUT IF HE'S UP TO SOMETHING. 565 00:22:11,831 --> 00:22:13,731 NO WAY, AMY. YOU'RE NOT DOING THIS ALONE. 566 00:22:13,766 --> 00:22:15,566 TY, ALL I'M DOING IS MEETING A GUY 567 00:22:15,635 --> 00:22:17,168 ABOUT HIS HORSE, OKAY? 568 00:22:17,203 --> 00:22:18,969 YOU DON'T HAVE TO BE SO OVERPROTECTIVE! 569 00:22:19,038 --> 00:22:22,139 ALTHOUGH, BUT I HAVE TO SAY IT'S KIND OF... 570 00:22:22,208 --> 00:22:23,307 ADORABLE. 571 00:22:23,376 --> 00:22:24,875 REALLY?! 572 00:22:24,911 --> 00:22:25,810 ADORABLE? 573 00:22:25,878 --> 00:22:26,844 MM-HMM. 574 00:22:28,848 --> 00:22:30,381 (DESK CREAKS) 575 00:22:35,054 --> 00:22:36,887 (PETER SIGHS) 576 00:22:36,923 --> 00:22:37,888 FANTASTIC. 577 00:22:40,793 --> 00:22:42,493 ♪♪ 578 00:22:44,731 --> 00:22:46,263 (CLAPS HANDS) 579 00:22:51,570 --> 00:22:53,003 (HIGH HAT SNORTS) 580 00:22:55,007 --> 00:22:55,840 (AMY TAKES A DEEP BREATH) 581 00:22:55,908 --> 00:22:57,441 MR. DRAKE? 582 00:22:57,543 --> 00:23:00,144 OH! 583 00:23:00,246 --> 00:23:01,712 AMY: HI, I'M AMY. 584 00:23:01,781 --> 00:23:02,346 PLEASED TO MEET YOU, AMY. 585 00:23:02,448 --> 00:23:03,447 YOU TOO. 586 00:23:03,516 --> 00:23:04,915 SO? YEAH. 587 00:23:04,951 --> 00:23:07,385 YOU'RE LOOKING FOR A TENNESSEE WALKER? 588 00:23:07,420 --> 00:23:10,187 WELL, THIS HERE IS HIGH HAT, 589 00:23:10,256 --> 00:23:11,255 AND YOU WON'T FIND TOO MANY HORSES 590 00:23:11,357 --> 00:23:12,823 AROUND HERE WITH HIS PEDIGREE. 591 00:23:12,925 --> 00:23:14,892 WELL, HE'S A BEAUTY. 592 00:23:14,994 --> 00:23:17,828 YEAH, I'D BE WILLING TO PAY TOP DOLLAR FOR HIM, 593 00:23:17,897 --> 00:23:19,830 IF HE CHECKS OUT. 594 00:23:19,932 --> 00:23:20,931 I CAN TELL HE'S IN GOOD SHAPE. 595 00:23:21,000 --> 00:23:22,733 THANK YOU. 596 00:23:22,835 --> 00:23:24,568 HOW MUCH DO YOU KNOW ABOUT TENNESSEE WALKING HORSES? 597 00:23:24,637 --> 00:23:27,605 WELL, I'VE BEEN RIDING FOR AS LONG AS I CAN REMEMBER, 598 00:23:27,706 --> 00:23:29,507 BUT I'VE NEVER REALLY PLACED FIRST. 599 00:23:29,575 --> 00:23:31,475 SO I THOUGHT WITH A HORSE LIKE THIS... 600 00:23:31,544 --> 00:23:33,043 WELL, WHAT WERE YOU... 601 00:23:33,112 --> 00:23:34,712 PLANNING ON RIDING HIM IN? 602 00:23:34,780 --> 00:23:38,349 WELL, THERE'S THIS COMPETITION IN SHELBYVILLE, TENNESSEE. 603 00:23:38,384 --> 00:23:40,951 THE ONLY PROBLEM IS IF I WERE TO BUY HIM, 604 00:23:41,020 --> 00:23:42,620 I'D HAVE TO SHIP HIM ALL THE WAY DOWN THERE, 605 00:23:42,688 --> 00:23:45,322 AND IT'S AWFULLY LATE IN THE SEASON TO FIND A TRAINER. 606 00:23:45,391 --> 00:23:47,358 YOU WANT HIM TRAINED? 607 00:23:47,427 --> 00:23:50,561 YEAH, DEFINITELY, YEAH, IF I'M GONNA COMPETE IN AUGUST. 608 00:23:50,630 --> 00:23:52,630 WELL... I'LL THINK ABOUT IT, 609 00:23:52,698 --> 00:23:54,398 AND I'LL BE IN TOUCH. 610 00:23:58,137 --> 00:24:00,237 YOU KNOW, WHY DON'T YOU UH... 611 00:24:00,306 --> 00:24:02,540 WHY DON'T YOU TRAIN HIM HERE? 612 00:24:02,608 --> 00:24:04,775 THERE'S REALLY NO ONE UP HERE 613 00:24:04,844 --> 00:24:07,545 THAT KNOWS HOW TO TRAIN FOR WHAT I WANT HIM TO DO, ANYWAY. 614 00:24:07,613 --> 00:24:09,513 WELL, THE THING IS, I MIGHT KNOW SOMEONE. 615 00:24:09,582 --> 00:24:14,485 WELL SEE, I'M TALKING ABOUT A VERY SPECIFIC METHOD. 616 00:24:14,553 --> 00:24:17,688 LISTEN, I KNOW SOMEONE WITH SOME EXPERTISE WITH THE BREED. 617 00:24:17,756 --> 00:24:18,822 HE'S BEEN TRAINING PRIZE WINNING 618 00:24:18,924 --> 00:24:21,859 TENNESSEE WALKING HORSES FOR YEARS. 619 00:24:21,928 --> 00:24:24,094 I CAN SET SOMETHING UP, IF YOU WANT. 620 00:24:24,163 --> 00:24:26,163 YEAH, MAYBE. 621 00:24:26,232 --> 00:24:26,931 WELL, YOU WANNA TAKE HIGH HAT FOR A RIDE, 622 00:24:26,999 --> 00:24:28,566 GET A FEEL FOR HIM? 623 00:24:28,634 --> 00:24:31,068 I'LL GET HIM TACKED UP IN NO TIME. 624 00:24:32,538 --> 00:24:36,073 UM... 625 00:24:36,108 --> 00:24:37,975 NO, I- I CAN SEE THAT HE'S A BEAUTIFUL HORSE 626 00:24:38,043 --> 00:24:40,211 AND I'M SURE HE RIDES WELL. 627 00:24:40,279 --> 00:24:41,779 I'LL BE IN TOUCH. 628 00:24:51,724 --> 00:24:53,190 (DOOR SLAMS) 629 00:24:53,259 --> 00:24:54,191 (SIGHS SHAKILY) 630 00:24:58,297 --> 00:24:59,263 (BUTTONS BEEP) 631 00:25:03,602 --> 00:25:06,537 TY: THIS IS TY BORDEN, PLEASE LEAVE A MESSAGE. 632 00:25:06,639 --> 00:25:09,974 TY, WE WERE RIGHT ABOUT ELDON. 633 00:25:10,042 --> 00:25:11,909 HE IS DEFINITELY INVOLVED IN SORING HORSES, 634 00:25:11,977 --> 00:25:13,177 I JUST GET THAT FEELING! 635 00:25:13,212 --> 00:25:14,945 I DON'T HAVE ANY PROOF THOUGH, 636 00:25:15,014 --> 00:25:17,181 SO I'M GONNA STICK CLOSE AND FOLLOW HIM, 637 00:25:17,250 --> 00:25:18,983 HOPEFULLY, TO HIS STABLE. 638 00:25:19,051 --> 00:25:20,518 (SIGHS NERVOUSLY) 639 00:25:20,586 --> 00:25:22,219 OKAY, HE'S ON THE MOVE. 640 00:25:22,288 --> 00:25:23,153 I GOTTA GO! 641 00:25:26,725 --> 00:25:31,328 ♪♪ 642 00:25:35,935 --> 00:25:36,834 (GROANS WITH EFFORT) 643 00:25:36,936 --> 00:25:37,968 (LAMB BLEATS) 644 00:25:38,037 --> 00:25:39,603 WOULD YOU HOLD STILL?! 645 00:25:39,705 --> 00:25:41,205 OLIVIA: SO... 646 00:25:41,274 --> 00:25:42,673 I GUESS THEY STUCK YOU IN THAT ICKY LITTLE ROOM 647 00:25:42,742 --> 00:25:44,174 'CAUSE YOU'RE ADOPTED. 648 00:25:44,243 --> 00:25:45,442 WHAT ARE YOU TALKING ABOUT? 649 00:25:45,511 --> 00:25:47,111 THE NURSERY. 650 00:25:47,212 --> 00:25:49,179 IF YOU WERE REALLY PART OF THE FAMILY, 651 00:25:49,248 --> 00:25:51,782 WOULDN'T YOU AT LEAST GET YOUR OWN BEDROOM? 652 00:25:51,851 --> 00:25:54,018 OBVIOUSLY, THEY DON'T REALLY LIKE YOU. 653 00:25:54,086 --> 00:25:55,553 YOU KNOW WHAT? 654 00:25:55,621 --> 00:25:57,054 I'M JUST GONNA IGNORE YOU COMPLETELY, 655 00:25:57,156 --> 00:25:59,657 BECAUSE I KNOW EXACTLY WHAT YOU'RE TRYING TO DO 656 00:25:59,758 --> 00:26:01,425 AND IT'S NOT GONNA WORK. 657 00:26:01,527 --> 00:26:04,028 DID YOU KNOW THAT, STATISTICALLY SPEAKING, 658 00:26:04,096 --> 00:26:06,363 ADOPTED CHILDREN GROW UP TO BE SOCIAL MISFITS? 659 00:26:06,465 --> 00:26:07,998 NOT LISTENING! 660 00:26:08,100 --> 00:26:09,600 OLIVIA: AND CRIMINALS, AND MENTALLY UNSTABLE. 661 00:26:09,702 --> 00:26:10,968 WOULD YOU SHUT UP?! 662 00:26:11,037 --> 00:26:12,436 YOU'RE SUCH A WITCH! 663 00:26:12,505 --> 00:26:13,904 SOMEONE CAN'T HANDLE THE TRUTH. 664 00:26:14,006 --> 00:26:15,940 SOMEONE IS REALLY ASKING FOR IT! 665 00:26:16,008 --> 00:26:16,941 NO, NO, YOU DON'T! 666 00:26:17,042 --> 00:26:18,475 NOT THIS TIME! 667 00:26:18,544 --> 00:26:20,244 I HAVE AN INTERVENTION WHISTLE! 668 00:26:20,279 --> 00:26:21,879 (WHISTLE BLOWS SHRILLY) 669 00:26:21,981 --> 00:26:23,280 (WHISTLE BLOWS REPEATEDLY) 670 00:26:24,850 --> 00:26:27,318 OLIVIA, GET BACK HERE! 671 00:26:27,386 --> 00:26:29,219 YOU'RE GONNA BE SORRY FOR THIS! 672 00:26:29,288 --> 00:26:32,056 OLIVIA: NO WAY! I'M GOING HOME! 673 00:26:32,124 --> 00:26:32,823 (LAMB BLEATS, WHISTLE BLOWS REPEATEDLY) 674 00:26:34,760 --> 00:26:35,593 (TRUCK RUMBLES) 675 00:26:42,701 --> 00:26:51,175 ♪♪ 676 00:26:51,243 --> 00:26:52,810 (TRUCK'S SUSPENSION CREAKS) 677 00:26:55,914 --> 00:26:57,381 (TRUCK SHUTS OFF) 678 00:26:59,318 --> 00:27:00,184 (SIGHS HEAVILY) 679 00:27:02,321 --> 00:27:02,920 (DOOR SLAMS) 680 00:27:07,059 --> 00:27:08,492 (GARAGE DOOR RATTLES) 681 00:27:10,462 --> 00:27:11,929 (HORSE WHINNIES) 682 00:27:19,738 --> 00:27:21,605 TY, HEY. DID YOU GET MY MESSAGE? 683 00:27:21,674 --> 00:27:22,373 TY: YEAH. 684 00:27:22,441 --> 00:27:23,941 OKAY. 685 00:27:24,009 --> 00:27:25,643 YEAH, I FOLLOWED ELDON TO HIS STABLE, 686 00:27:25,678 --> 00:27:28,612 IT'S ON HIGHWAY 107A, PAST THAT OLD STONE QUARRY. 687 00:27:28,648 --> 00:27:30,114 ARE YOU STILL IN THE TRUCK? 688 00:27:30,149 --> 00:27:32,216 YEAH. 689 00:27:32,284 --> 00:27:35,319 BUT, TY, THIS IS A LOT BIGGER THAN WE THOUGHT. 690 00:27:35,354 --> 00:27:37,087 JUDGING BY THE SIZE OF HIS STABLE, 691 00:27:37,123 --> 00:27:38,288 HE COULD HAVE A TON OF HORSES IN THERE! 692 00:27:38,324 --> 00:27:39,923 TY: OKAY, AMY, 693 00:27:39,992 --> 00:27:40,924 I NEED YOU TO STAY IN THE TRUCK, OKAY? 694 00:27:40,960 --> 00:27:42,893 I'M SERIOUS! 695 00:27:42,961 --> 00:27:43,594 I'M GONNA BE THERE AS SOON AS I CAN. 696 00:27:43,663 --> 00:27:45,262 JUST DON'T- 697 00:27:45,297 --> 00:27:46,697 DON'T DO ANYTHING, ALL RIGHT? 698 00:27:46,765 --> 00:27:48,098 AMY: OKAY, BUT HURRY! 699 00:27:52,071 --> 00:27:52,870 GEORGIE: OH NO! 700 00:27:58,477 --> 00:27:59,243 (SIGHS) 701 00:28:01,380 --> 00:28:03,380 CLOVER! 702 00:28:03,449 --> 00:28:05,416 WHERE ARE YOU? 703 00:28:05,484 --> 00:28:07,051 (PETER SNORES) 704 00:28:13,392 --> 00:28:15,492 (KNOCKING) 705 00:28:15,594 --> 00:28:17,394 (GASPS) 706 00:28:17,430 --> 00:28:19,163 HEY! 707 00:28:19,198 --> 00:28:20,431 AM I INTERRUPTING SOMETHING IMPORTANT? 708 00:28:20,499 --> 00:28:22,166 PETER: NO, I WAS JUST REDRAFTING 709 00:28:22,267 --> 00:28:24,635 THIS TAXATION INITIATIVE PROPOSAL. 710 00:28:24,737 --> 00:28:25,969 I MUST'VE DOZED OFF. 711 00:28:26,005 --> 00:28:27,571 JACK: YEAH, I CAN'T IMAGINE WHY. 712 00:28:27,640 --> 00:28:29,239 (BOTH LAUGH) 713 00:28:29,308 --> 00:28:30,474 PETER: IS EVERYTHING OKAY? KATIE ALL RIGHT? 714 00:28:30,542 --> 00:28:32,676 NOPE, SHE'S FINE. I SET HER DOWN FOR A NAP. 715 00:28:32,745 --> 00:28:34,445 SO HOW'S THE OFFICE WORKING OUT? 716 00:28:34,546 --> 00:28:37,081 OH, GREAT. FINE, YEAH! GOOD, THANKS. 717 00:28:37,149 --> 00:28:37,981 I'M THINKING ABOUT THROWING A FILING CABINET UP HERE, 718 00:28:38,050 --> 00:28:39,950 MAYBE A DRY ERASE BOARD. 719 00:28:40,019 --> 00:28:42,419 YEAH, I SEE YOU'RE ALL SET UP FOR DARTS. 720 00:28:42,488 --> 00:28:43,320 PETER: YEAH! 721 00:28:43,422 --> 00:28:46,256 WELL, YOU KNOW, 722 00:28:46,325 --> 00:28:47,925 THEY SAY A GOOD DART GAME HELPS FOCUS THE MIND. 723 00:28:47,960 --> 00:28:49,193 (CHUCKLES) 724 00:28:49,294 --> 00:28:51,462 BEST TWO OUT OF THREE? 725 00:28:51,563 --> 00:28:54,098 YOU'RE ON! 726 00:28:54,199 --> 00:28:55,632 GEORGIE: JACK! PETER! 727 00:28:55,701 --> 00:28:57,568 PETER: IN THE OFFICE! JACK: IN THE ATTIC! 728 00:28:59,171 --> 00:29:00,871 THE LAMB, IT'S GONE! 729 00:29:00,940 --> 00:29:02,072 OLIVIA AND I GOT IN A BIG FIGHT 730 00:29:02,174 --> 00:29:03,373 AND SHE FORGOT TO CLOSE THE GATE! 731 00:29:03,442 --> 00:29:05,342 OR I DID, I DON'T REMEMBER! 732 00:29:05,410 --> 00:29:06,810 AND THEN I WENT BACK... 733 00:29:10,549 --> 00:29:12,249 WHAT ARE YOU DOING UP HERE?! 734 00:29:12,317 --> 00:29:13,684 WELL, I DECIDED TO- 735 00:29:13,753 --> 00:29:15,219 NO, NEVER MIND THAT. ARE YOU SURE? 736 00:29:15,287 --> 00:29:16,320 DID YOU CHECK THE YARD? 737 00:29:16,388 --> 00:29:18,422 YES, I LOOKED EVERYWHERE! 738 00:29:18,524 --> 00:29:19,990 WHAT IF THE COYOTES GET HER?! 739 00:29:20,059 --> 00:29:20,891 NOT ON MY WATCH! 740 00:29:23,829 --> 00:29:24,995 (SIGHS HEAVILY) 741 00:29:26,899 --> 00:29:28,465 (DOOR RATTLES) 742 00:29:30,969 --> 00:29:31,935 (SIGHS) 743 00:29:38,076 --> 00:29:39,276 (SIGHS HEAVILY) 744 00:29:43,015 --> 00:29:44,148 (DOOR SLAMS) 745 00:29:47,486 --> 00:29:48,485 (SIGHS) 746 00:29:59,231 --> 00:30:06,903 ♪♪ 747 00:30:06,905 --> 00:30:14,545 ♪♪ 748 00:30:14,613 --> 00:30:15,846 (HANDLE RATTLES) 749 00:30:17,516 --> 00:30:20,017 (DOOR SLAMS) 750 00:30:20,085 --> 00:30:20,918 (HORSE WHINNIES) 751 00:30:26,358 --> 00:30:27,758 (HORSES WHINNY AND SNORT) 752 00:30:40,272 --> 00:30:41,738 (HORSES NICKER) 753 00:30:51,083 --> 00:30:52,583 (HORSE SQUEALS) 754 00:30:54,820 --> 00:30:56,553 OH MY GOD! 755 00:30:57,890 --> 00:30:59,556 OH NO! 756 00:31:02,027 --> 00:31:03,527 (CHAINS RATTLE) 757 00:31:06,065 --> 00:31:07,631 (CAMERA CLICKS) 758 00:31:09,468 --> 00:31:10,467 (CAMERA CLICKS) 759 00:31:12,237 --> 00:31:13,136 (CAMERA CLICKS) 760 00:31:18,243 --> 00:31:19,176 (CAMERA CLICKS) 761 00:31:23,448 --> 00:31:24,181 (CAMERA CLICKS) 762 00:31:26,151 --> 00:31:27,351 (TRUCK RUMBLES) 763 00:31:30,255 --> 00:31:32,055 (HORSE WHINNIES SHRILLY) 764 00:31:38,463 --> 00:31:40,864 SAM: I GOT A PHONE CALL... 765 00:31:40,900 --> 00:31:42,132 (SAM AND ELDON TALK, UNCLEAR) 766 00:31:43,435 --> 00:31:44,368 (SIGHS) 767 00:31:50,709 --> 00:31:53,210 COME ON, TY. PICK UP, PLEASE! 768 00:31:53,312 --> 00:31:53,777 TY: THIS IS TY BORDEN, PLEASE LEAVE A MESSAGE. 769 00:31:53,879 --> 00:31:55,245 NO! 770 00:31:55,347 --> 00:31:56,980 HI, IT'S ME. 771 00:31:57,049 --> 00:31:59,416 I'M IN THE BARN AND THEY'RE BOTH HERE - 772 00:31:59,485 --> 00:32:01,585 ELDON DRAKE AND SAM HANDLER! 773 00:32:01,654 --> 00:32:02,319 (SIGHS NERVOUSLY) 774 00:32:10,595 --> 00:32:11,762 (HORSE SNORTS) 775 00:32:17,770 --> 00:32:19,102 AMY: (GRUNTS WITH EFFORT) 776 00:32:19,204 --> 00:32:20,137 (CHAINS RATTLE) 777 00:32:24,676 --> 00:32:26,209 NOW LISTEN, YOU HAD NO BUSINESS SHOWING THAT HORSE! 778 00:32:26,278 --> 00:32:27,544 I KEEP TELLING YOU, 779 00:32:27,579 --> 00:32:28,879 WE GOTTA KEEP A LOW PROFILE UP HERE! 780 00:32:28,948 --> 00:32:30,147 IT'S AN EASY TWENTY GRAND! 781 00:32:32,351 --> 00:32:34,251 AMY: OKAY... 782 00:32:34,319 --> 00:32:35,018 OW! 783 00:32:38,557 --> 00:32:39,356 (HORSE NICKERS) 784 00:32:46,031 --> 00:32:46,897 (AMY GASPS) 785 00:32:49,201 --> 00:32:50,233 YEAH, I GOT OVERHEAD TOO, YOU KNOW. 786 00:32:50,269 --> 00:32:51,068 I GOT EXPENSES OF MY OWN! 787 00:32:51,169 --> 00:32:52,436 HEY! 788 00:32:52,504 --> 00:32:53,704 IF ANYONE CATCHES WIND 789 00:32:53,772 --> 00:32:54,905 WE'RE TRAINING TENNESSEE WALKERS 790 00:32:54,973 --> 00:32:56,473 NORTH OF THE BORDER, 791 00:32:56,542 --> 00:32:59,109 THERE'S A WORLD OF PAIN WAITING FOR US STATESIDE! 792 00:32:59,144 --> 00:33:00,043 (HORSE SQUEALS) 793 00:33:01,547 --> 00:33:02,980 OH YEAH, COME ON! 794 00:33:05,417 --> 00:33:06,984 (HORSES WHINNY) 795 00:33:09,021 --> 00:33:13,090 COME ON, BOY! COME ON, NOW'S YOUR CHANCE! 796 00:33:13,158 --> 00:33:14,758 COME ON, WE'VE GOTTA HURRY! 797 00:33:14,826 --> 00:33:16,760 WE ALREADY HAD TO MOVE THE DAMN HORSES ONCE, 798 00:33:16,828 --> 00:33:18,328 AND YOU, LIKE AN IDIOT, LEFT ONE BEHIND! 799 00:33:18,364 --> 00:33:19,930 IT DIDN'T HAVE WHAT IT TAKES. 800 00:33:19,965 --> 00:33:22,299 THERE WAS NO REASON TO BRING IT ALONG! 801 00:33:22,367 --> 00:33:25,202 WHICH IS WHY I TOLD YOU TO SHOOT IT AND BURY IT! 802 00:33:25,270 --> 00:33:27,371 BUT YOU MESSED THAT UP, TOO! 803 00:33:29,541 --> 00:33:30,874 YOU KNOW WHAT?! 804 00:33:30,909 --> 00:33:33,343 (HORSES WHINNY, SQUEAL) 805 00:33:33,379 --> 00:33:36,313 THAT DOESN'T SOUND GOOD! 806 00:33:36,381 --> 00:33:37,514 COME ON, WE'VE GOTTA GO! 807 00:33:37,582 --> 00:33:38,949 COME ON! 808 00:33:38,984 --> 00:33:40,183 (DOOR RATTLES) 809 00:33:41,953 --> 00:33:43,887 (DOOR CREAKING) 810 00:33:43,955 --> 00:33:44,988 GO! 811 00:33:48,594 --> 00:33:50,093 (PANICKED WHINNIES) ELDON: AGH! 812 00:33:54,533 --> 00:33:55,966 (NERVOUS SIGH) 813 00:33:56,034 --> 00:33:57,067 ELDON: HEY! 814 00:33:58,771 --> 00:34:00,670 YOU! WHAT ARE YOU DOING HERE?! 815 00:34:00,739 --> 00:34:03,106 GET AWAY FROM THAT HORSE! 816 00:34:03,175 --> 00:34:04,841 (AMY'S HEARTBEAT ECHOES) 817 00:34:10,549 --> 00:34:11,982 AMY: COME ON, BOY! LET'S GO! 818 00:34:13,786 --> 00:34:14,117 AH! OOF! 819 00:34:17,456 --> 00:34:20,824 SAM: STOP HER! RUN HER DOWN, IF YOU HAVE TO! 820 00:34:20,892 --> 00:34:22,059 (TRUCK RUMBLES) 821 00:34:25,230 --> 00:34:26,763 WATCH HIM! 822 00:34:26,832 --> 00:34:28,465 BACK OFF! 823 00:34:30,802 --> 00:34:32,402 HEY! 824 00:34:32,504 --> 00:34:34,604 (FIGHTING GRUNTS) 825 00:34:34,640 --> 00:34:36,573 YOU EVER BEEN STRUCK BY LIGHTNING, BOY? 826 00:34:36,675 --> 00:34:38,608 (ELECTRICITY CRACKLES) 827 00:34:38,677 --> 00:34:39,576 IT SHOULD GIVE YOU A REAL BIG TASTE! 828 00:34:39,645 --> 00:34:41,478 HAAAH! 829 00:34:41,546 --> 00:34:42,979 OOF! 830 00:34:43,081 --> 00:34:44,448 AGH! 831 00:34:47,018 --> 00:34:48,185 (FIGHTING GRUNTS) 832 00:34:49,855 --> 00:34:51,922 DON'T MOVE, 833 00:34:51,990 --> 00:34:53,290 OR SO HELP ME GOD, 834 00:34:53,325 --> 00:34:55,559 I WILL RAM THIS DOWN YOUR THROAT! 835 00:34:55,627 --> 00:34:57,227 (BUTTONS BEEP) 836 00:35:00,165 --> 00:35:01,531 (FIGHTING GRUNTS) 837 00:35:04,369 --> 00:35:07,137 (SIGHS) 838 00:35:07,239 --> 00:35:09,973 EMERGENCY OPERATOR: 911, WHAT IS YOUR EMERGENCY? 839 00:35:10,008 --> 00:35:12,375 GEORGIE: CLOVER! 840 00:35:12,477 --> 00:35:14,311 WHERE DID YOU FIND HER? 841 00:35:14,412 --> 00:35:16,346 OH, ABOUT A MILE WEST. 842 00:35:16,414 --> 00:35:17,914 GEORGIE: OHHH! 843 00:35:17,983 --> 00:35:19,716 NOW, YOU LISTEN UP. 844 00:35:19,818 --> 00:35:22,018 SHE WAS A LONG WAYS AWAY. 845 00:35:22,087 --> 00:35:24,254 YOU'RE RESPONSIBLE FOR A SMALL LIFE, 846 00:35:24,322 --> 00:35:26,289 BUT YOU LET YOUR DIFFERENCES WITH THIS GIRL 847 00:35:26,391 --> 00:35:28,291 GET IN THE WAY OF THAT AND LOOK WHAT HAPPENED! 848 00:35:28,360 --> 00:35:30,627 I DID KINDA MESS UP, HUH? 849 00:35:30,662 --> 00:35:32,629 YOU BET YOU DID! 850 00:35:32,697 --> 00:35:34,197 NOW, I SUGGEST YOU FOCUS 851 00:35:34,299 --> 00:35:37,400 ON WHAT YOU'RE SUPPOSED TO BE DOING, 852 00:35:37,469 --> 00:35:40,570 SO WE DON'T HAVE ANY MORE LAMB CATASTROPHES. 853 00:35:41,940 --> 00:35:43,707 OKAY. 854 00:35:43,775 --> 00:35:45,308 ALRIGHTY. 855 00:35:45,377 --> 00:35:46,843 LET'S GO, CLOVER. 856 00:35:49,114 --> 00:35:50,547 (HOOFBEATS THUNDER) 857 00:35:53,285 --> 00:35:54,718 (HIGH HAT SNORTS) 858 00:35:59,358 --> 00:36:00,891 (HORSES WHINNY) 859 00:36:05,530 --> 00:36:06,963 (HOOFBEATS THUNDER) 860 00:36:10,469 --> 00:36:14,804 ♪♪ 861 00:36:14,840 --> 00:36:16,907 (KATIE CRIES) 862 00:36:16,975 --> 00:36:19,042 PETER: SHH, SHH, SHH, SHH! OKAY, OKAY, OKAY, OKAY! 863 00:36:19,077 --> 00:36:20,644 (CRYING STOPS) 864 00:36:26,551 --> 00:36:28,084 (RELIEVED SIGH) 865 00:36:33,558 --> 00:36:35,091 (DOOR CREAKS) 866 00:36:38,163 --> 00:36:40,564 PETER: OH! AGH! 867 00:36:40,599 --> 00:36:42,132 (GEORGIE GROANS) 868 00:36:42,167 --> 00:36:44,334 IS IT BREAKFAST YET? 869 00:36:44,369 --> 00:36:47,237 NO! WHAT- WHAT ARE YOU DOING IN HERE?! 870 00:36:47,305 --> 00:36:48,071 WHAT DOES IT LOOK LIKE I'M DOING? 871 00:36:48,106 --> 00:36:50,207 I'M TRYING TO SLEEP! 872 00:36:50,275 --> 00:36:51,875 KATIE KEEPS WAKING ME UP! 873 00:36:51,943 --> 00:36:53,777 I REALLY, REALLY NEED MY OWN BEDROOM! 874 00:36:53,845 --> 00:36:55,312 OKAY, WELL... 875 00:36:55,380 --> 00:36:56,813 THERE ARE NO MORE ROOMS, HONEY. 876 00:36:56,881 --> 00:36:58,048 YES, THERE IS! 877 00:36:59,451 --> 00:37:00,483 THE ATTIC. 878 00:37:00,552 --> 00:37:02,953 (GROANS) 879 00:37:03,021 --> 00:37:04,087 GEORGIE: IT COULD COUNT AS A BEDROOM, COULDN'T IT? 880 00:37:04,122 --> 00:37:06,856 I MEAN, IF I MOVED UP THERE? 881 00:37:06,925 --> 00:37:08,892 IT'S PERFECT, DON'T YOU THINK? 882 00:37:08,961 --> 00:37:10,493 PLEEEEEEASE? 883 00:37:10,529 --> 00:37:12,862 OKAY! HEY, LISTEN! 884 00:37:12,931 --> 00:37:13,797 WE'LL TALK ABOUT IT IN THE MORNING. 885 00:37:13,865 --> 00:37:15,765 OKAY? HOW ABOUT THAT? 886 00:37:15,834 --> 00:37:16,733 WE'LL BOTH JUST GET A GOOD NIGHT'S... 887 00:37:16,801 --> 00:37:20,203 (KATIE CRIES) 888 00:37:20,272 --> 00:37:22,305 SLEEP. 889 00:37:22,374 --> 00:37:23,139 (SHOWER CURTAIN RINGS RATTLE) 890 00:37:28,079 --> 00:37:30,013 NOW, I'M NOT GOING TO LIE TO YOU, 891 00:37:30,082 --> 00:37:33,116 THIS IS BITTER, HORRIBLE MEDICINE. 892 00:37:33,184 --> 00:37:35,986 BUT THAT'S LIFE, SO GET USED TO IT. 893 00:37:36,087 --> 00:37:37,387 (LAMB BLEATS) 894 00:37:37,456 --> 00:37:39,623 HEY. 895 00:37:39,691 --> 00:37:42,292 HOW'S IT GOING? 896 00:37:42,361 --> 00:37:44,294 WELL, SOLO LAMB PARENTING IS A LOT HARDER 897 00:37:44,396 --> 00:37:45,428 THAN I THOUGHT. 898 00:37:45,497 --> 00:37:47,297 RIGHT. 899 00:37:47,399 --> 00:37:50,233 I'M SORRY IT DIDN'T WORK OUT WITH OLIVIA, 900 00:37:50,302 --> 00:37:51,234 BUT I DO HAVE SOMETHING THAT MIGHT CHEER YOU UP 901 00:37:51,336 --> 00:37:52,802 A LITTLE BIT. 902 00:37:52,871 --> 00:37:54,604 YOU WANNA COME AND SEE? 903 00:37:54,640 --> 00:37:55,972 YEAH, SURE. 904 00:37:58,176 --> 00:38:00,744 OKAY, YOU CAN OPEN YOUR EYES. 905 00:38:00,779 --> 00:38:02,479 (GASPS) 906 00:38:02,580 --> 00:38:05,181 GEORGIE: IS THIS...? PETER: IT'S YOUR BEDROOM. 907 00:38:05,250 --> 00:38:07,150 I KNOW IT DOESN'T LOOK LIKE MUCH RIGHT NOW, 908 00:38:07,252 --> 00:38:08,451 BUT YOU KNOW, WHEN LOU GETS BACK, WE CAN- 909 00:38:08,553 --> 00:38:10,754 OH, IT'S PERFECT, I LOVE IT! 910 00:38:10,855 --> 00:38:12,622 OKAY! THANK YOU! 911 00:38:12,691 --> 00:38:13,490 PETER: DON'T MENTION IT. 912 00:38:15,794 --> 00:38:18,194 GEORGIE: BUT I THOUGHT YOU WANTED THE ATTIC TO YOURSELF? 913 00:38:18,263 --> 00:38:20,664 OH NO. GOSH, NO. 914 00:38:20,732 --> 00:38:22,866 GEORGIE: ARE YOU SURE? PETER: YEAH. YEAH. 915 00:38:25,203 --> 00:38:26,336 SO... 916 00:38:28,340 --> 00:38:30,173 TELL ME ABOUT WHAT HAPPENED WITH OLIVIA. 917 00:38:30,275 --> 00:38:31,574 WELL... 918 00:38:34,880 --> 00:38:37,013 I HATE OLIVIA, AND OLIVIA HATES ME. 919 00:38:37,082 --> 00:38:38,915 PERIOD. 920 00:38:39,017 --> 00:38:41,418 AND IF IT WEREN'T FOR THAT STUPID INTERVENTION WHISTLE, 921 00:38:41,486 --> 00:38:43,853 I PROBABLY WOULD'VE PUNCHED HER LIGHTS OUT. 922 00:38:43,922 --> 00:38:45,388 AGAIN. 923 00:38:45,457 --> 00:38:47,123 INTERVENTION WHISTLE? OKAY... 924 00:38:47,192 --> 00:38:48,558 I'M NOT GONNA TOUCH THAT. 925 00:38:48,660 --> 00:38:51,161 HERE'S THE THING: 926 00:38:51,229 --> 00:38:54,097 I THINK THAT YOU AND OLIVIA HAVE A LOT OF SIMILAR QUALITIES. 927 00:38:54,165 --> 00:38:55,665 ARE YOU KIDDING ME?! 928 00:38:55,767 --> 00:38:58,068 NOW, NOW, HOLD ON, JUST HEAR ME OUT, OKAY? 929 00:38:58,136 --> 00:38:59,836 YOU'RE BOTH SUPER COMPETITIVE. 930 00:38:59,905 --> 00:39:01,304 RIGHT? 931 00:39:01,373 --> 00:39:03,473 SO MAYBE IF YOU WORK TOGETHER, 932 00:39:03,541 --> 00:39:04,307 YOU COULD BRING OUT THE BEST IN EACH OTHER, 933 00:39:04,343 --> 00:39:05,709 RATHER THAN THE WORST. 934 00:39:07,979 --> 00:39:09,746 SO WHAT SHOULD I DO? 935 00:39:11,783 --> 00:39:12,649 YOU SHOULD... 936 00:39:15,387 --> 00:39:17,253 GIVE HER A CALL, 937 00:39:17,322 --> 00:39:19,389 PITCH HER ON THE IDEA OF YOU GUYS WORKING TOGETHER 938 00:39:19,424 --> 00:39:20,657 FOR THE SAKE OF THE PROJECT. 939 00:39:22,360 --> 00:39:24,227 OKAY, I'LL TRY, 940 00:39:24,329 --> 00:39:25,729 BUT IT'LL NEVER WORK. 941 00:39:27,199 --> 00:39:28,698 (PETER CHUCKLES) 942 00:39:35,740 --> 00:39:37,407 (SIGHS) 943 00:39:39,878 --> 00:39:48,618 ♪♪ 944 00:39:51,723 --> 00:39:53,390 GEORGIE: SO JUST CALL ME BACK OR WHATEVER. 945 00:39:53,425 --> 00:39:54,924 WE NEED TO TALK. 946 00:39:56,828 --> 00:39:59,662 HEY. SO, IS HE BETTER? 947 00:39:59,731 --> 00:40:01,531 YEAH, HE'S REALLY COME A LONG WAY. 948 00:40:01,566 --> 00:40:02,799 HIS WEIGHT'S BACK UP, 949 00:40:02,834 --> 00:40:05,535 AND HIS LEGS ARE HEALING NICELY. 950 00:40:05,570 --> 00:40:07,871 AND... WHAT ABOUT YOU? 951 00:40:09,941 --> 00:40:13,009 TY TOLD ME YOU RODE THOSE HORSES ALL THE WAY HOME. 952 00:40:13,077 --> 00:40:14,444 WERE YOU SCARED? 953 00:40:14,546 --> 00:40:16,079 ACTUALLY, YEAH. 954 00:40:16,147 --> 00:40:18,181 A LITTLE, AT FIRST. 955 00:40:18,249 --> 00:40:20,350 BUT THEN IT WENT AWAY. 956 00:40:20,419 --> 00:40:22,452 ALL ON ITS OWN. 957 00:40:22,520 --> 00:40:24,621 AND I WAS OKAY. 958 00:40:24,656 --> 00:40:26,122 I'M GLAD. 959 00:40:27,459 --> 00:40:28,391 ME TOO. 960 00:40:29,694 --> 00:40:31,027 HEY. 961 00:40:31,062 --> 00:40:32,662 AMY: HEY. 962 00:40:32,731 --> 00:40:33,463 WELL, HE'S LOOKING GOOD! 963 00:40:33,531 --> 00:40:35,098 YEAH. 964 00:40:37,469 --> 00:40:38,935 OKAY... 965 00:40:39,003 --> 00:40:42,138 I'M GONNA JUST LEAVE YOU TWO ALONE. 966 00:40:42,207 --> 00:40:44,874 I'M WORRIED ABOUT HIM, THOUGH. 967 00:40:44,943 --> 00:40:46,409 I DON'T KNOW WHAT'S GOING ON IN HIS HEAD. 968 00:40:46,478 --> 00:40:49,612 HE'S LIKE THE SADDEST HORSE I'VE EVER SEEN. 969 00:40:49,714 --> 00:40:51,848 WELL, WOUNDS CAN HEAL. 970 00:40:51,950 --> 00:40:53,049 PSYCHOLOGICAL SCARS, ON THE OTHER HAND, 971 00:40:53,151 --> 00:40:55,852 THEY TAKE A BIT OF TIME. 972 00:40:55,921 --> 00:40:56,752 WHY DO I GET THE FEELING YOU'RE TALKING ABOUT 973 00:40:56,788 --> 00:40:57,921 MORE THAN JUST A HORSE? 974 00:41:00,024 --> 00:41:03,059 YOU NEVER HAVE TO PRETEND WITH ME AMY, OKAY? 975 00:41:03,127 --> 00:41:05,695 YOU KNEW I WASN'T READY TO RIDE. 976 00:41:05,764 --> 00:41:08,231 I HAD A FEELING. 977 00:41:08,300 --> 00:41:09,399 JUST LIKE I HAD A FEELING YOU WOULDN'T WAIT FOR ME 978 00:41:09,468 --> 00:41:11,468 AT THE STABLES. 979 00:41:11,536 --> 00:41:13,470 WHICH WE CAN DISCUSS LATER. 980 00:41:13,538 --> 00:41:15,004 I KNOW, I KNOW, I SHOULD'VE WAITED. 981 00:41:15,073 --> 00:41:16,673 I TOTALLY GET THAT. 982 00:41:16,774 --> 00:41:19,309 BUT I GUESS SOMETIMES I CAN BE... 983 00:41:19,377 --> 00:41:20,810 A LITTLE STUBBORN. 984 00:41:20,912 --> 00:41:22,612 SOMETIMES? 985 00:41:22,681 --> 00:41:24,581 OKAY, MOST OF THE TIME. 986 00:41:24,682 --> 00:41:26,349 WELL, THAT I CAN DEAL WITH. 987 00:41:26,451 --> 00:41:28,451 ALTHOUGH I DO FIND IT KIND OF... 988 00:41:28,520 --> 00:41:30,587 WHAT? 989 00:41:30,655 --> 00:41:32,489 ADORABLE. 990 00:41:32,557 --> 00:41:34,123 REALLY. 991 00:41:34,192 --> 00:41:35,091 (BOTH LAUGH) 992 00:41:37,295 --> 00:41:38,962 (LAMB BLEATS) 993 00:41:39,030 --> 00:41:41,264 I GOT YOUR MESSAGE. 994 00:41:41,333 --> 00:41:44,067 NOW WHAT DO YOU WANT? 995 00:41:44,135 --> 00:41:46,870 I KNOW YOU WANNA WIN THE 4H COMPETITION. 996 00:41:46,938 --> 00:41:48,738 AND WHAT MAKES YOU SO SURE? 997 00:41:48,806 --> 00:41:50,340 BECAUSE I WANNA WIN THE 4H COMPETITION! 998 00:41:50,441 --> 00:41:52,842 AND YOU KNOW WHAT? 999 00:41:52,944 --> 00:41:56,946 IF WE COULD JUST GET OVER OURSELVES, 1000 00:41:57,015 --> 00:42:00,517 WITHOUT HAVING TO BE FRIENDS... 1001 00:42:00,585 --> 00:42:03,753 WHAT HAPPENS IN THE SHEEP PEN, STAYS IN THE SHEEP PEN? 1002 00:42:03,821 --> 00:42:05,922 YEAH, SOMETHING LIKE THAT. 1003 00:42:05,957 --> 00:42:08,858 BUT WE HAVE TO WORK AS A TEAM, 1004 00:42:08,960 --> 00:42:11,494 FOR THE SAKE OF THE PROJECT. 1005 00:42:11,530 --> 00:42:13,162 FOR THE SAKE OF LITTLE... 1006 00:42:13,231 --> 00:42:14,163 BEYONCE. 1007 00:42:16,568 --> 00:42:18,101 OKAY. 1008 00:42:18,169 --> 00:42:19,168 DEAL. 1009 00:42:22,507 --> 00:42:24,507 ♪ Oh nothing beats those moments oh so rare ♪ 1010 00:42:24,576 --> 00:42:26,309 ♪ Poetic and so true ♪ 1011 00:42:29,314 --> 00:42:30,513 (GEORGIE SIGHS) 1012 00:42:30,582 --> 00:42:31,915 ALL RIGHT. 1013 00:42:31,983 --> 00:42:32,916 (LAMB BLEATS) 1014 00:42:35,219 --> 00:42:37,453 ALIGHTY, LET'S DO THIS. 1015 00:42:38,723 --> 00:42:41,057 HERE. 1016 00:42:41,125 --> 00:42:41,958 ♪ And it's taken me so long to realize I don't have me ♪ 1017 00:42:41,993 --> 00:42:43,693 ♪ If I don't have you ♪ 1018 00:42:45,863 --> 00:42:47,630 ♪ If I don't have you ♪ 1019 00:42:47,699 --> 00:42:49,132 (AMY SIGHS HEAVILY) 1020 00:42:52,737 --> 00:42:55,138 (LUCKED OUT NICKERS) 1021 00:42:55,206 --> 00:42:58,708 ♪ 'Cause I'm right where I wanna be ♪ 1022 00:42:58,810 --> 00:43:02,645 ♪ What I'm looking for is in front of me ♪ 1023 00:43:02,714 --> 00:43:05,014 ♪ It's taken me so long to see ♪ 1024 00:43:06,952 --> 00:43:10,019 ♪ That I'm right where I wanna be ♪ 1025 00:43:13,725 --> 00:43:15,892 ♪♪ 1026 00:43:15,960 --> 00:43:19,562 ♪ Oh... ♪ 1027 00:43:19,631 --> 00:43:21,965 ♪ Right where I wanna be ♪ 1028 00:43:24,369 --> 00:43:27,670 ♪ Oh... ♪ 1029 00:43:27,706 --> 00:43:30,907 ♪ Right where I wanna be ♪ 1030 00:43:32,310 --> 00:43:34,611 ♪ Oh... ♪ 1031 00:43:36,047 --> 00:43:37,580 ♪ Hey... ♪