1 00:00:06,674 --> 00:00:08,309 [ BLOWS ] 2 00:00:12,813 --> 00:00:17,118 -THANKS. -COME BACK SOON. 3 00:00:17,151 --> 00:00:18,686 WHY DOES HE HAVE TO DO HIS BUSINESS HERE? 4 00:00:18,719 --> 00:00:20,688 WHAT, DOESN'T HE HAVE A PARKING LOT HE CAN GO TO? 5 00:00:20,721 --> 00:00:21,822 HOW MUCH IS IT FOR ME? 6 00:00:21,855 --> 00:00:24,425 YOUR CUT IS 35%. THAT'S WHAT WE AGREED TO. 7 00:00:24,458 --> 00:00:27,628 -I'M ABOUT TO BRING HIS CHECK. -LIKE HE'S GONNA PAY. 8 00:00:27,661 --> 00:00:31,199 RAY, I DON'T LIKE LEAVING YOU ALONE WITH THIS GUY. 9 00:00:31,232 --> 00:00:32,666 I'LL BE FINE. 10 00:00:32,700 --> 00:00:35,403 I'LL SEE YOU AT HOME. 11 00:00:35,436 --> 00:00:38,406 BYE. 12 00:00:38,439 --> 00:00:40,341 [ SIGHS ] 13 00:00:40,374 --> 00:00:43,144 GLAD WE HAD THIS LITTLE SIT-DOWN 14 00:00:43,177 --> 00:00:46,447 BECAUSE I FEEL I UNDERSTAND YOUR POSITION NOW. 15 00:00:48,649 --> 00:00:51,119 [ SHOUTING ] 16 00:00:51,152 --> 00:00:53,621 WHAT DID YOU DO?! WHAT DID YOU DO?! 17 00:00:53,654 --> 00:00:54,688 NOT ME -- YOU. 18 00:00:54,722 --> 00:00:56,257 WHAT?! NO! NO! NO! 19 00:00:56,290 --> 00:00:58,559 LOOK, HE CAME AT YOU. IT'S SELF-DEFENSE. 20 00:00:58,592 --> 00:01:00,628 THIS GUY'S A KILLER. YOU'RE A CITIZEN. 21 00:01:00,661 --> 00:01:01,829 IT'S OPEN-AND-SHUT. 22 00:01:01,862 --> 00:01:03,564 POLICE! POLICE! OPEN UP! 23 00:01:03,597 --> 00:01:07,268 NICK, I CAN'T RISK IT! I GOT A WIFE AND A LITTLE GIRL! 24 00:01:07,301 --> 00:01:08,402 YOU PAID FOR THIS PLACE WITH MY MONEY! 25 00:01:08,436 --> 00:01:10,338 -YOU OWE ME! -POLICE! OPEN UP! 26 00:01:10,371 --> 00:01:11,639 NOW... 27 00:01:11,672 --> 00:01:13,307 WE'RE SQUARE. 28 00:01:13,341 --> 00:01:15,576 AND WE'LL TAKE CARE OF YOUR FAMILY, OKAY? 29 00:01:15,609 --> 00:01:17,745 [ POUNDING ON DOOR ] OPEN UP OR WE'RE COMING IN BY FORCE! 30 00:01:17,778 --> 00:01:19,713 THIS ISN'T FOR NEGOTIATION, RAY. 31 00:01:19,747 --> 00:01:21,215 [ SIRENS WAILING ] 32 00:01:21,249 --> 00:01:23,584 OPEN THIS DOOR RIGHT NOW! 33 00:01:23,617 --> 00:01:27,221 [ BREATHING HEAVILY ] 34 00:01:27,255 --> 00:01:30,424 THAT WAS FIVE YEARS AGO. 35 00:01:30,458 --> 00:01:34,895 RAY STILL HAS 10 MORE YEARS LEFT ON HIS SENTENCE. 36 00:01:34,928 --> 00:01:36,330 IT'S ALL RIGHT, TERESA. 37 00:01:36,364 --> 00:01:39,233 CAN I GET YOU ANYTHING? 38 00:01:39,267 --> 00:01:43,437 [ WHIMPERS ] 39 00:01:43,471 --> 00:01:44,838 WHAT'S GOING ON? 40 00:01:44,872 --> 00:01:46,340 -CLIENT MEETING. -I CAN SEE THAT. 41 00:01:46,374 --> 00:01:48,176 I THOUGHT I PICK THE CLIENTS. 42 00:01:48,209 --> 00:01:50,711 WHO IS THAT CRYING? 43 00:01:50,744 --> 00:01:52,146 THAT'S TERESA PALERMO. 44 00:01:52,180 --> 00:01:53,481 HER HUSBAND OWED MONEY TO THE MOB, 45 00:01:53,514 --> 00:01:56,384 AND HE TOOK THE FALL FOR A MURDER THE BOSS COMMITTED. 46 00:01:56,417 --> 00:01:57,785 SHE'S A FRIEND OF SOPHIE'S. 47 00:01:57,818 --> 00:02:00,354 I SEE. 48 00:02:00,388 --> 00:02:01,155 STICK AROUND, HARDISON. 49 00:02:01,189 --> 00:02:02,356 WE'RE GONNA HAVE A MEETING LATER 50 00:02:02,390 --> 00:02:04,292 ABOUT HOW THINGS WORK AROUND HERE. 51 00:02:04,325 --> 00:02:06,360 PROBABLY A BAD TIME TO TALK ABOUT CHRISTMAS, HUH? 52 00:02:06,394 --> 00:02:08,229 HEY, NATE, THIS IS MY FRIEND, TERESA. 53 00:02:08,262 --> 00:02:11,699 MS. PALERMO. YES. HARDISON BROUGHT ME UP TO SPEED. 54 00:02:11,732 --> 00:02:13,901 GO ON. 55 00:02:13,934 --> 00:02:16,904 PLEASE, CONTINUE. 56 00:02:16,937 --> 00:02:19,307 WELL, AFTER IT HAPPENED, 57 00:02:19,340 --> 00:02:22,276 I TOLD MY HUSBAND TO TELL THE TRUTH. 58 00:02:22,310 --> 00:02:25,179 YOU KNOW, WE'D GO IN THE PROGRAM, START OVER. 59 00:02:25,213 --> 00:02:26,414 BUT HE SAID IT WAS BETTER LIKE THIS, 60 00:02:26,447 --> 00:02:27,615 THAT WE'D HAVE A CUSHION. 61 00:02:27,648 --> 00:02:28,716 WHAT A JOKE. 62 00:02:28,749 --> 00:02:30,951 MOSCONE NEVER GAVE US A DIME. 63 00:02:30,984 --> 00:02:32,920 WE LOST THE RESTAURANT, OUR HOUSE. 64 00:02:32,953 --> 00:02:38,659 THEN A COUPLE WEEKS AGO, I SAW THIS IN OUR LOCAL PAPER. 65 00:02:38,692 --> 00:02:41,429 MOSCONE HAS A BIG WEDDING PLANNED FOR HIS DAUGHTER -- 66 00:02:41,462 --> 00:02:44,398 HIS PRINCESS -- WHILE MY DAUGHTER 67 00:02:44,432 --> 00:02:45,599 ONLY KNOWS HER FATHER 68 00:02:45,633 --> 00:02:49,270 FROM THE OTHER SIDE OF BULLETPROOF GLASS. 69 00:02:49,303 --> 00:02:50,271 IT'S NOT RIGHT. 70 00:02:50,304 --> 00:02:52,273 NO, NO, IT'S -- IT'S NOT RIGHT. 71 00:02:52,306 --> 00:02:55,376 BUT, YOU KNOW, UH, WE'RE NOT DETECTIVES. 72 00:02:55,409 --> 00:02:58,346 AND IF YOU WANT TO PROVE YOUR HUSBAND'S INNOCENCE, 73 00:02:58,379 --> 00:03:00,281 THERE ARE PLENTY OF AGENCIES I COULD RECOMMEND. 74 00:03:00,314 --> 00:03:01,682 DON'T YOU THINK I TRIED THAT? 75 00:03:01,715 --> 00:03:04,818 THIS IS NICKY MOSCONE WE'RE TALKING ABOUT. 76 00:03:04,852 --> 00:03:06,387 THEY ALL LAUGHED. 77 00:03:06,420 --> 00:03:07,688 YEAH, I THINK, UM, 78 00:03:07,721 --> 00:03:11,692 WHAT NATE I-IS TRYING TO SAY IS -- 79 00:03:11,725 --> 00:03:14,228 IS WHAT EXACTLY IS IT THAT YOU WANT FROM US? 80 00:03:14,262 --> 00:03:17,931 THE NOTE ON THE RESTAURANT -- $765,000. 81 00:03:17,965 --> 00:03:23,471 I WANT WHAT MOSCONE PROMISED US -- NO MORE, NO LESS. 82 00:03:23,504 --> 00:03:26,440 IF I COULD GET THE RESTAURANT BACK, 83 00:03:26,474 --> 00:03:28,576 IT WOULD GIVE MY HUSBAND SOMETHING TO LOOK FORWARD TO. 84 00:03:28,609 --> 00:03:30,578 -OTHERWISE -- -YEAH. 85 00:03:30,611 --> 00:03:34,348 WELL, WE WILL DISCUSS IT AND GET BACK TO YOU. 86 00:03:37,885 --> 00:03:40,854 I UNDERSTAND. 87 00:03:40,888 --> 00:03:43,257 THANK YOU. 88 00:03:46,960 --> 00:03:48,496 WHERE'D MY DAUGHTER GO? 89 00:03:48,529 --> 00:03:51,632 I THINK SHE WAS WITH PARKER. 90 00:03:51,665 --> 00:03:54,502 GO! [ STOPWATCH TICKING ] 91 00:03:58,406 --> 00:04:00,541 SIX SECONDS! GIVE IT UP! 92 00:04:00,574 --> 00:04:02,310 -WHOO! -[ LAUGHS ] 93 00:04:02,343 --> 00:04:03,344 GOOD JOB. 94 00:04:03,377 --> 00:04:06,814 [ BOTH LAUGH ] 95 00:04:06,847 --> 00:04:08,849 [ LAUGHS ] 96 00:04:08,882 --> 00:04:10,484 THEY HAVE NOWHERE ELSE TO TURN. 97 00:04:10,518 --> 00:04:12,653 YEAH, WELL, YOU KNOW, HER HUSBAND SHOULD'VE THOUGHT 98 00:04:12,686 --> 00:04:14,355 OF THAT BEFORE HE GOT IN BED WITH NICKY MOSCONE. 99 00:04:14,388 --> 00:04:15,389 IT'S MOB STUFF. 100 00:04:15,423 --> 00:04:16,657 IT'S NOT THE KIND OF CASE WE TAKE. 101 00:04:16,690 --> 00:04:17,825 I DISAGREE. 102 00:04:17,858 --> 00:04:19,593 WELL, IF YOU DISAGREE AND YOU FEEL STRONGLY ABOUT IT, 103 00:04:19,627 --> 00:04:20,428 WHY DON'T YOU WRITE HER A CHECK? 104 00:04:20,461 --> 00:04:22,363 MAYBE I WILL, IF IT COMES TO THAT. 105 00:04:22,396 --> 00:04:23,764 [ SIGHS ] WOW. 106 00:04:23,797 --> 00:04:25,466 I REALLY THOUGHT YOU'D GET THIS, NATE. 107 00:04:25,499 --> 00:04:27,635 TERESA DOESN'T WANT TO JUST GET PAID. 108 00:04:27,668 --> 00:04:30,571 SHE WANTS THE MAN WHO DESTROYED HER FAMILY TO PAY. 109 00:04:30,604 --> 00:04:32,440 YOU KNOW, IF IT DOESN'T COME FROM HIM, 110 00:04:32,473 --> 00:04:34,742 IF HE'S NOT HURT BY IT IN SOME WAY, 111 00:04:34,775 --> 00:04:36,076 THEN THERE'S -- THERE'S NO JUSTICE. 112 00:04:36,109 --> 00:04:39,947 -SOPHIE -- -JUST TAKE THE MOB OUT OF IT. 113 00:04:39,980 --> 00:04:42,750 -WHAT? TAKE THE MOB OUT OF IT? -HEAR ME OUT. 114 00:04:42,783 --> 00:04:44,952 ISN'T THIS JUST A BREACH OF CONTRACT? 115 00:04:44,985 --> 00:04:46,920 THESE GUYS HAD A DEAL, RIGHT? 116 00:04:46,954 --> 00:04:49,823 AND YOUR BOY, RAY, HE LIVED UP TO HIS END, BUT MOSCONE DIDN'T. 117 00:04:49,857 --> 00:04:51,859 FOR THAT, THERE'S NOT A COURT OF LAW IN THIS WORLD 118 00:04:51,892 --> 00:04:53,761 THIS LADY CAN GO TO. 119 00:04:53,794 --> 00:04:57,064 WHICH IS EXACTLY THE KIND OF CASE WE TAKE. 120 00:04:57,097 --> 00:05:00,000 OH, COME ON. 121 00:05:00,033 --> 00:05:03,671 I DON'T -- WHY TERESA? 122 00:05:03,704 --> 00:05:05,639 I DON'T KNOW. 123 00:05:08,376 --> 00:05:10,544 WELL, HER MAN'S GONE TO JAIL FOR 15 YEARS, 124 00:05:10,578 --> 00:05:13,681 AND SHE'S WAITING FOR HIM... 125 00:05:13,714 --> 00:05:16,717 FOR 15 YEARS. 126 00:05:16,750 --> 00:05:19,019 DO YOU HAVE ANY IDEA HOW HARD IT IS 127 00:05:19,052 --> 00:05:22,122 TO WAIT FOR SOMEONE? 128 00:05:22,155 --> 00:05:24,858 [ SIREN WAILING ] 129 00:05:27,428 --> 00:05:29,630 [ CLEARS THROAT ] 130 00:05:33,033 --> 00:05:34,535 YEAH, OKAY. 131 00:05:34,568 --> 00:05:37,605 YEAH, OKAY, LET'S GO ROB NICKY MOSCONE -- 132 00:05:37,638 --> 00:05:41,409 A GUY WHO KILLS PEOPLE AND LIVES IN OUR CITY. 133 00:05:41,442 --> 00:05:42,943 YEAH, LET'S DO THAT. 134 00:05:47,448 --> 00:05:48,582 TYPICAL MOB McMANSION. 135 00:05:48,616 --> 00:05:50,684 THEY'VE GOT THE HIDEOUS GATES, 136 00:05:50,718 --> 00:05:53,020 INFINITY POOL, STATUES EVERYWHERE. 137 00:05:53,053 --> 00:05:53,921 [ SIGHS ] 138 00:05:53,954 --> 00:05:56,390 HOW ARE WE GONNA HANDLE SURVEILLANCE? 139 00:05:56,424 --> 00:05:57,525 WE CAN'T. 140 00:05:57,558 --> 00:05:58,926 THAT THING'S A FORTRESS, MAN. 141 00:05:58,959 --> 00:06:02,129 I CLOCKED FOUR ARMED GUARDS, A TIKVA SECURITY SYSTEM. 142 00:06:02,162 --> 00:06:03,096 THAT THING'S ISRAELI-MADE. 143 00:06:03,130 --> 00:06:05,899 IT'S USED TO PROTECT THEIR MILITARY BASES. 144 00:06:05,933 --> 00:06:08,001 IT'S UNHACKABLE. 145 00:06:08,035 --> 00:06:12,005 OH, AND THEN THERE'S THE FBI PARKED AROUND THE CORNER. 146 00:06:12,039 --> 00:06:13,941 FBI? WHERE? 147 00:06:15,643 --> 00:06:18,111 SEE THAT CRAPPY VAN THAT SAYS "PLUMBER"? 148 00:06:18,145 --> 00:06:19,146 MM-HMM. 149 00:06:19,179 --> 00:06:20,581 DID YOU SAY "PLUMBER"? 150 00:06:20,614 --> 00:06:22,015 THAT'S THEIR COVER? 151 00:06:22,049 --> 00:06:23,717 OH, THAT IS SO CUTE. 152 00:06:23,751 --> 00:06:25,686 IT'S LIKE IT'S 1978 ALL OVER AGAIN. 153 00:06:25,719 --> 00:06:28,989 LISTEN, YOU CAN'T JUST WALK INTO A PLACE LIKE THAT BLIND. 154 00:06:29,022 --> 00:06:30,624 OH, YEAH, THAT'S TRUE. 155 00:06:30,658 --> 00:06:32,059 IF WE CAN'T GET OUR SURVEILLANCE THE USUAL WAY, 156 00:06:32,092 --> 00:06:35,496 WE'LL JUST HAVE TO, YOU KNOW, BORROW SOMEBODY ELSE'S. 157 00:06:41,101 --> 00:06:42,102 YEAH? 158 00:06:42,135 --> 00:06:46,707 RELAX. WE'RE WITH THE BUREAU. 159 00:06:46,740 --> 00:06:48,776 HOWDY. SPECIAL AGENT THOMAS. 160 00:06:48,809 --> 00:06:51,779 THIS IS SPECIAL AGENT HAGEN. SHE'S FRESH OUT OF QUANTICO. 161 00:06:51,812 --> 00:06:53,681 I'M SHOWING HER ALL THE HOT SPOTS, YOU KNOW. 162 00:06:53,714 --> 00:06:55,148 UH-HUH. 163 00:06:55,182 --> 00:06:56,984 OH, BY THE WAY, WE GOT YOUR MEMO. 164 00:06:57,017 --> 00:06:59,520 WE'RE MOVING IT UP THE CHAIN. 165 00:06:59,553 --> 00:07:01,221 WHAT? HEY. 166 00:07:01,254 --> 00:07:02,856 G-GREAT. THANKS. 167 00:07:02,890 --> 00:07:04,825 WELL, COME ON IN. 168 00:07:06,259 --> 00:07:09,630 SORRY ABOUT THE HEAT AND THE SMELL. 169 00:07:09,663 --> 00:07:12,232 HUH. HOW DID HE KNOW THAT? 170 00:07:12,265 --> 00:07:15,035 OH, THE FIELD GUYS ARE ALWAYS SENDING MEMOS. 171 00:07:15,068 --> 00:07:17,070 THEY JUST NEED VALIDATION. 172 00:07:17,104 --> 00:07:18,672 HMM. 173 00:07:18,706 --> 00:07:21,074 THIS IS REALLY THE FRONT LINE IN THE WAR ON TERROR... 174 00:07:21,108 --> 00:07:23,844 THE TERROR OF ORGANIZED CRIME. 175 00:07:23,877 --> 00:07:25,012 HMM. 176 00:07:25,045 --> 00:07:26,880 WOW, IS THIS VEST LINING KEVLAR? 177 00:07:26,914 --> 00:07:27,915 UH... 178 00:07:27,948 --> 00:07:29,483 NO, I-IT'S RAYON. 179 00:07:29,517 --> 00:07:31,051 AH. OH, YEAH, GREAT. 180 00:07:31,084 --> 00:07:34,221 BREATHES BETTER THAN KEVLAR. [ CHUCKLES ] 181 00:07:34,254 --> 00:07:35,556 BUT I HAVE IT IN MY LOCKER. 182 00:07:35,589 --> 00:07:36,557 I WISH I COULD GIVE YOU A SAMPLE, 183 00:07:36,590 --> 00:07:38,592 BUT THE BUG WE PLANTED IN MOSCONE'S BARBECUE 184 00:07:38,626 --> 00:07:40,227 IS PRETTY SPOTTY. 185 00:07:40,260 --> 00:07:42,062 -THE BUG? -YES, SIR. 186 00:07:42,095 --> 00:07:45,933 -SINGULAR? -ABSOLUTELY. 187 00:07:45,966 --> 00:07:47,234 G-GOOD WORK. 188 00:07:47,267 --> 00:07:48,836 GOOD WORK. YOU KNOW WHAT? 189 00:07:48,869 --> 00:07:51,271 I'M KIND OF INTO THIS. MAY I? 190 00:07:51,304 --> 00:07:53,206 PLEASE. 191 00:07:53,240 --> 00:07:55,643 BUT, YEAH, IF WE NEED TO 192 00:07:55,676 --> 00:07:56,910 DO ANY KIND OF INVESTIGATIONS -- 193 00:07:56,944 --> 00:07:58,912 -DO YOU HAVE ANY SNACKS? -UH, YEAH. 194 00:07:58,946 --> 00:08:02,215 I'VE GOT A-A MEAT STICK, IF YOU WANT IT. 195 00:08:02,249 --> 00:08:04,985 BUT, UM, WELL, IT'S HALF-EATEN. 196 00:08:05,018 --> 00:08:07,955 OH, OKAY, I SEE WHAT THE PROBLEM IS HERE. 197 00:08:07,988 --> 00:08:10,223 YOU'RE BUMPING INTO BABY-MONITOR FREQUENCY. 198 00:08:10,257 --> 00:08:11,525 OH, YEAH. 199 00:08:11,559 --> 00:08:14,094 YEAH, I THOUGHT I HEARD SOME CRYING. 200 00:08:14,127 --> 00:08:15,729 DO YOU HAVE A SINK IN HERE? 201 00:08:15,763 --> 00:08:18,732 UM, NO, ACTUALLY. WE JUST USE TOWELS. 202 00:08:18,766 --> 00:08:20,033 SEE IF THAT CLEARS IT UP. 203 00:08:20,067 --> 00:08:21,068 AH. 204 00:08:21,101 --> 00:08:23,103 YEAH. GREAT. 205 00:08:23,136 --> 00:08:26,006 I SAW SOME RUBBER GLOVES. WHAT DO YOU DO WITH THOSE? 206 00:08:26,039 --> 00:08:27,340 OH, ACTUALLY [CHUCKLES] 207 00:08:27,374 --> 00:08:30,177 WE'VE JUST BEEN KIND OF BLOWING THEM UP AND PLAYING VOLLEYBALL. 208 00:08:30,210 --> 00:08:31,444 HMM. 209 00:08:31,478 --> 00:08:34,915 BUT, UH, YEAH, IF WE NEED TO DO ANY KIND OF INVESTIGATION... 210 00:08:34,948 --> 00:08:36,149 SHOULD ALWAYS HAVE CLEAN HANDS. 211 00:08:36,183 --> 00:08:38,285 -ALL RIGHT. -NOT GOOD FOR SMALL SPACES. 212 00:08:38,318 --> 00:08:41,021 -THANKS. -UH, YEAH. 213 00:08:41,054 --> 00:08:43,023 UH, WELL, I'M ABOUT... 214 00:08:43,056 --> 00:08:44,992 I GOT IT! 215 00:08:46,960 --> 00:08:48,896 RIGHT THERE. 216 00:08:48,929 --> 00:08:49,897 OH, YEAH. 217 00:08:49,930 --> 00:08:51,131 NICE. 218 00:09:00,273 --> 00:09:03,977 THANKS FOR THE TOUR. 219 00:09:04,011 --> 00:09:05,879 COME BACK ANYTIME. 220 00:09:09,683 --> 00:09:10,918 STAY STRONG, BROTHER. 221 00:09:10,951 --> 00:09:12,686 -I WILL. -THE SHAKE-UP IS COMING. 222 00:09:12,720 --> 00:09:13,787 LONG OVERDUE. 223 00:09:13,821 --> 00:09:16,590 YOU, I -- I'LL WATCH FOR YOU TWO. 224 00:09:16,624 --> 00:09:18,792 I'M THE COFFEE. YOU'RE THE CREAM. 225 00:09:21,094 --> 00:09:22,229 HUH? 226 00:09:22,262 --> 00:09:24,898 SHE SMELLS LIKE JASMINE. 227 00:09:31,972 --> 00:09:33,240 I'M IN. GUIDE ME. 228 00:09:33,273 --> 00:09:36,309 OKAY, I FOUND THE SERVER WITH THE MOSCONE SURVEILLANCE FILES. 229 00:09:36,343 --> 00:09:38,111 ROOM 718. 230 00:09:43,984 --> 00:09:46,954 ALL YOU HAVE TO DO IS RIP THEM ON MY FLASH DRIVE AND RUN. 231 00:09:46,987 --> 00:09:49,923 I DON'T HAVE TO TYPE ANYTHING, RIGHT? 232 00:09:49,957 --> 00:09:51,224 NO, JUST PLUG IT IN. IT DOES THE REST. 233 00:09:51,258 --> 00:09:52,726 All right, 'cause you know I just learned 234 00:09:52,760 --> 00:09:54,862 the Photoshop thing you told me. 235 00:09:54,895 --> 00:09:57,097 I-I KNOW. BABY STEPS. 236 00:09:57,130 --> 00:09:59,032 SO I JUST PLUG IT IN. 237 00:10:05,205 --> 00:10:07,975 NOW, AUDIO FILES, THEY CAN TAKE A LITTLE WHILE TO RUN, 238 00:10:08,008 --> 00:10:09,777 BUT, UH, THE SERVERS ARE PRETTY LOUD, 239 00:10:09,810 --> 00:10:11,779 SO THAT SHOULD GIVE YOU SOME COVER. 240 00:10:14,314 --> 00:10:15,415 IT'S TAPES. 241 00:10:15,448 --> 00:10:19,152 WHA-- HOLD -- WAIT, DID YOU -- YOU JUST SAY "TAPES"? 242 00:10:19,186 --> 00:10:20,253 I just said "tapes"! 243 00:10:20,287 --> 00:10:21,288 CASSETTE TAPES? 244 00:10:21,321 --> 00:10:24,858 YOUR -- YOUR LITTLE THING, IT'S NOT GONNA WORK. 245 00:10:24,892 --> 00:10:26,059 BUT AT LEAST YOU AIN'T GOT TO TYPE NOTHING. 246 00:10:26,093 --> 00:10:28,996 HARDISON, HOW AM I SUPPOSED TO GET OUT OF THE FBI OFFICES 247 00:10:29,029 --> 00:10:31,398 WITH A BOXFUL OF SURVEILLANCE TAPES, HUH? 248 00:10:31,431 --> 00:10:32,432 PUNCH SOMEBODY. 249 00:10:32,465 --> 00:10:34,668 OH... 250 00:10:34,702 --> 00:10:36,036 I'M GONNA PUNCH SOMEBODY. 251 00:10:39,773 --> 00:10:41,641 [ BEEPING ] 252 00:10:43,376 --> 00:10:46,046 [ FIRE ALARM RINGING ] 253 00:10:48,481 --> 00:10:50,150 -YOU'RE WELCOME. -Was that so hard?! 254 00:10:50,183 --> 00:10:51,919 WHY COULDN'T YOU HAVE JUST DONE THAT OFF THE BAT? 255 00:10:51,952 --> 00:10:53,787 [ RINGING CONTINUES ] 256 00:10:59,026 --> 00:11:00,293 [ SIGHS ] 257 00:11:00,327 --> 00:11:01,895 HOW WAS IT? 258 00:11:01,929 --> 00:11:04,097 YOU TRY LISTENING TO 74 STRAIGHT HOURS 259 00:11:04,131 --> 00:11:06,767 OF SURVEILLANCE OF THE MOB ON A WALKMAN. 260 00:11:06,800 --> 00:11:08,001 OKAY, WHAT'D YOU LEARN? 261 00:11:08,035 --> 00:11:10,904 WELL, FIRST OF ALL, UH, HOW GREAT "JERSEY BOYS" IS THERE. 262 00:11:10,938 --> 00:11:13,206 THEY ARE FANTASTIC. REALLY, MAN, THEY -- 263 00:11:13,240 --> 00:11:17,811 NO, WHAT DID YOU LEARN ABOUT WHERE MOSCONE KEEPS HIS MONEY? 264 00:11:17,845 --> 00:11:19,112 [ MONITOR BEEPS ] 265 00:11:19,146 --> 00:11:21,849 KEEPS IT IN OFFSHORE ACCOUNTS UNDER HIS WIFE'S NAME, HEATHER, 266 00:11:21,882 --> 00:11:23,183 TO PROTECT IT FROM THE FEDS. 267 00:11:23,216 --> 00:11:25,085 CAN YOU BREAK THE CODES? 268 00:11:25,118 --> 00:11:26,319 THE CODES? 269 00:11:26,353 --> 00:11:29,156 THE CODES TO THE CAYMAN BANK AND TRUST, WHERE THE CALI CARTEL 270 00:11:29,189 --> 00:11:32,225 AND THE AFRICAN DICTATORS KEEP ALL THEIR DIRTY MONEY? 271 00:11:32,259 --> 00:11:34,327 T-THE ONES THAT MOSCONE CHANGES ANYTIME HE DAMN WELL PLEASES? 272 00:11:34,361 --> 00:11:37,230 LIKE, IT'S -- COME ON. DUDE, A-ARE YOU KIDDING ME? 273 00:11:37,264 --> 00:11:39,733 YOU KNOW, YOU'RE -- YOU'RE VERY NEGATIVE LATELY. 274 00:11:39,767 --> 00:11:40,700 YEAH. 275 00:11:40,734 --> 00:11:42,936 AND THE SASS, IT DOESN'T -- DOESN'T HELP. 276 00:11:42,970 --> 00:11:46,173 WHERE -- WHERE DOES MOSCONE KEEP THE LIQUID ASSETS? 277 00:11:48,842 --> 00:11:50,944 OKAY, I TOOK A NUMBER OF THE DAILY DELIVERIES 278 00:11:50,978 --> 00:11:52,045 HIS CAPOS MAKE TO THE HOUSE, 279 00:11:52,079 --> 00:11:54,347 AND I CROSS-REFERENCED THEM WITH HIS DECLARED INCOME 280 00:11:54,381 --> 00:11:56,116 AND HIS SPENDING HABITS. 281 00:11:56,149 --> 00:11:59,853 I'D SAY HE'S GOT AT LEAST $2 MILLION STASHED RIGHT HERE. 282 00:11:59,887 --> 00:12:01,221 SO WE'RE BACK TO THE BEGINNING. 283 00:12:01,254 --> 00:12:02,823 UM... 284 00:12:02,856 --> 00:12:04,958 ALL WE NEED IS A -- IS A WAY IN, RIGHT? 285 00:12:04,992 --> 00:12:06,426 THIS GUY. 286 00:12:06,459 --> 00:12:08,095 I COULD HIT ONE OF THE BAGMEN BEFORE THEY GET IN. 287 00:12:08,128 --> 00:12:11,331 ROLL THE DICE ON A BIG PAYOUT. 288 00:12:11,364 --> 00:12:14,134 OR WE COULD TUNNEL FROM THE NEIGHBORS. 289 00:12:14,167 --> 00:12:15,435 WHAT'S GOING ON HERE? WHAT'S WITH -- 290 00:12:15,468 --> 00:12:17,504 OH, UH, HE'S JUST PUTTING UP A TENT 291 00:12:17,537 --> 00:12:19,272 FOR MOSCONE'S DAUGHTER'S WEDDING. 292 00:12:19,306 --> 00:12:20,908 IT'S HAPPENING THIS WEEKEND. 293 00:12:20,941 --> 00:12:21,975 THERE'S A LOTS OF CONVERSATIONS 294 00:12:22,009 --> 00:12:23,310 BETWEEN HIM AND THE WIFE ABOUT THAT. 295 00:12:23,343 --> 00:12:26,980 LET'S HEAR ONE. 296 00:12:27,014 --> 00:12:28,515 I AM OVERWHELMED! I NEED HELP! 297 00:12:28,548 --> 00:12:29,682 OVERWHELMED?! 298 00:12:29,716 --> 00:12:30,818 YOU'RE THE ONE WHO WANTED THIS HUGE FIASCO! 299 00:12:30,851 --> 00:12:33,120 NO, NO. NO. FOR YOUR DAUGHTER. 300 00:12:33,153 --> 00:12:35,388 I TOLD YOU, I DON'T WANT PEOPLE IN MY HOUSE. 301 00:12:35,422 --> 00:12:36,423 YEAH, UNLESS IT'S YOUR SKANK 302 00:12:36,456 --> 00:12:37,724 YOGA INSTRUCTOR, THEN IT'S FINE, HUH? 303 00:12:37,757 --> 00:12:39,993 -SKANKY YOGA INSTRUCTOR? -CAN'T EVEN TOUCH YOUR TOES. 304 00:12:40,027 --> 00:12:42,029 IT'S A BIT LIKE AN OPERA, ISN'T IT? 305 00:12:42,062 --> 00:12:43,897 YOU MEAN 'CAUSE I WANT TO RUN AWAY? 306 00:12:43,931 --> 00:12:46,366 WELL, NOW, IF THAT ISN'T AN INVITATION, 307 00:12:46,399 --> 00:12:47,434 I DON'T KNOW WHAT IS. 308 00:12:47,467 --> 00:12:48,601 UNGRATEFUL DAUGHTER! 309 00:12:48,635 --> 00:12:51,104 WHAT ARE YOU DOING? DON'T WALK AWAY FROM ME. 310 00:12:52,039 --> 00:12:53,540 I DON'T SEE WHAT THE PROBLEM IS. 311 00:12:53,573 --> 00:12:55,075 WELL, IT SAYS, "THE BRIDE AND GROOM 312 00:12:55,108 --> 00:12:56,810 RELEASE A DOZEN WHITE DOVES." 313 00:12:56,844 --> 00:12:58,045 YEAH? 314 00:12:58,078 --> 00:13:00,413 OH, IT JUST SEEMS LIKE A LITTLE BIT MUCH, DON'T YOU THINK? 315 00:13:00,447 --> 00:13:03,383 IT'S YOUR WEDDING, MARIA. IT'S A MEMORY, OKAY? 316 00:13:03,416 --> 00:13:07,287 A PRECIOUS, PRECIOUS MEMORY. [ DOORBELL RINGS ] 317 00:13:07,320 --> 00:13:09,923 [ SIGHS ] 318 00:13:09,957 --> 00:13:11,058 MRS. MOSCONE? 319 00:13:11,091 --> 00:13:13,360 RUBY HOLDEN -- PEERLESS EVENTS. 320 00:13:13,393 --> 00:13:14,394 YOUR WEDDING PLANNER. 321 00:13:14,427 --> 00:13:15,662 WHAT? 322 00:13:15,695 --> 00:13:17,564 -I DIDN'T HIRE A WEDDING PLAN-- -OH, YOUR HUSBAND HIRED ME. 323 00:13:17,597 --> 00:13:19,066 HE DIDN'T TELL YOU? 324 00:13:19,099 --> 00:13:23,303 SAID SOMETHING ABOUT YOU BEING OVERWHELMED. 325 00:13:23,336 --> 00:13:24,304 OH. 326 00:13:24,337 --> 00:13:26,439 WELL, UH, MS., UH... 327 00:13:26,473 --> 00:13:27,908 YOU CAN CALL ME RUBY. 328 00:13:27,941 --> 00:13:30,443 RUBY -- THAT'S CUTE. HOW SHALL I PUT THIS? 329 00:13:30,477 --> 00:13:32,179 UH, EVERYONE I'VE HIRED FOR THIS WEDDING -- 330 00:13:32,212 --> 00:13:34,247 THE CATERER, THE FLORIST, THE BAND -- 331 00:13:34,281 --> 00:13:35,082 IS A FRIGGIN' MORON. 332 00:13:35,115 --> 00:13:37,050 BUT I'M GONNA HAVE TO LIVE WITH IT 333 00:13:37,084 --> 00:13:38,085 BECAUSE THE WEDDING IS TWO DAYS AWAY. 334 00:13:38,118 --> 00:13:39,619 AND, FRANKLY, I DON'T SEE HOW YOU CAN COME IN 335 00:13:39,652 --> 00:13:41,454 AND MAGICALLY FIX EVERYTHING. 336 00:13:41,488 --> 00:13:43,891 WHAT ARE YOU -- MARY POPPINS? 337 00:13:43,924 --> 00:13:46,393 WELL, I DO HAVE A LITTLE HELP. 338 00:13:55,936 --> 00:13:58,638 Sophie. 339 00:13:58,671 --> 00:14:00,440 Where are we at? 340 00:14:00,473 --> 00:14:02,375 HUH? 341 00:14:04,511 --> 00:14:06,113 I DON'T KNOW, NATE. 342 00:14:06,146 --> 00:14:08,215 I THINK YOU NEED TO ASK YOURSELF THAT QUESTION. 343 00:14:08,248 --> 00:14:09,950 YOU CALLED ME, REMEMBER? 344 00:14:09,983 --> 00:14:11,218 AND NOW WE'RE WORKING TOGETHER EVERY DAY. 345 00:14:11,251 --> 00:14:12,953 I DON'T KNOW WHAT YOU WANT. 346 00:14:12,986 --> 00:14:15,588 AND TO ASK ME THAT DRESSED LIKE A VICAR... 347 00:14:15,622 --> 00:14:16,856 YOU'RE A VERY STRANGE MAN. 348 00:14:16,890 --> 00:14:20,427 No, no, no. I meant, where are we at with finding the money? 349 00:14:20,460 --> 00:14:23,496 OH. 350 00:14:23,530 --> 00:14:26,499 WELL, PARKER SAYS THERE ARE NO WALL SAFES UPSTAIRS. 351 00:14:26,533 --> 00:14:27,901 AND I'M STILL LOOKING. 352 00:14:27,935 --> 00:14:29,903 Okay, well, keep me posted every 15 minutes. 353 00:14:29,937 --> 00:14:32,405 I don't want to miss anything. 354 00:14:43,650 --> 00:14:44,985 HOW ARE WE DOING? HOW'S THE SEARCH? 355 00:14:45,018 --> 00:14:46,453 I HAVEN'T STARTED YET. 356 00:14:46,486 --> 00:14:48,055 OKAY, YOU KNOW, I HAVEN'T GOTTEN 357 00:14:48,088 --> 00:14:50,023 ONE ANSWER I WAS LOOKING FOR TODAY. 358 00:14:50,057 --> 00:14:52,359 WHAT IS IT THAT YOU'RE DOING? WHAT'S GOING ON? 359 00:14:52,392 --> 00:14:53,393 I'M CUTTING ONION, 360 00:14:53,426 --> 00:14:56,196 DEVEINING SHRIMP, UH, PAN-SEARING SOME SCALLOPS. 361 00:14:56,229 --> 00:14:58,265 I'VE GOT 200 PEOPLE I GOT TO FEED, ALL RIGHT? 362 00:14:58,298 --> 00:14:59,299 BACK OFF. 363 00:14:59,332 --> 00:15:01,268 OKAY, OKAY. 364 00:15:01,301 --> 00:15:04,304 HMM. 365 00:15:04,337 --> 00:15:06,406 WHAT, YOU THINK THE ONLY THING I KNOW HOW TO DO IS BUST HEADS? 366 00:15:06,439 --> 00:15:08,208 NO -- WELL, YEAH. 367 00:15:08,241 --> 00:15:12,145 LOOK, HOLD A KNIFE LIKE THIS, CUTS THROUGH AN ONION. 368 00:15:12,179 --> 00:15:13,246 HOLD A KNIFE LIKE THIS, 369 00:15:13,280 --> 00:15:15,715 CUTS THROUGH, LIKE, EIGHT YAKUZA IN FOUR SECONDS. 370 00:15:15,748 --> 00:15:17,450 SCREAMS, CARNAGE. 371 00:15:17,484 --> 00:15:22,222 PEOPLE ARE LIKE KNIVES. EVERYTHING'S IN CONTEXT. 372 00:15:22,255 --> 00:15:24,357 -OH. -OKAY, HORS D'OEUVRES. 373 00:15:24,391 --> 00:15:25,492 YES, MA'AM. 374 00:15:25,525 --> 00:15:26,759 STUFFED MUSHROOMS, 375 00:15:26,793 --> 00:15:34,067 PINE NUTS, A KISS OF BASIL, SOME SUN-DRIED TOMATOES, AND... 376 00:15:34,101 --> 00:15:37,737 THE FINISHING TOUCH -- LEMON JUICE. 377 00:15:37,770 --> 00:15:39,339 [ SPITS ] 378 00:15:39,372 --> 00:15:42,209 DOES THIS LOOK LIKE A FOOD COURT? 379 00:15:42,242 --> 00:15:43,010 DOES IT? 380 00:15:43,043 --> 00:15:46,479 I WANT HIGH-END FOOD -- HIGH-END! 381 00:15:46,513 --> 00:15:51,551 WHAT ARE YOU... 382 00:15:51,584 --> 00:15:52,352 I KNOW. 383 00:15:52,385 --> 00:15:55,188 HEY, JUST -- JUST FIND THE MONEY. 384 00:15:55,222 --> 00:15:57,324 THAT'S WHY WE'RE HERE -- TO FIND THE MONEY. 385 00:16:06,233 --> 00:16:08,335 I SAW A BUNCH OF PEOPLE GO IN THE HOUSE. 386 00:16:08,368 --> 00:16:09,402 YOU GET ANYTHING? 387 00:16:09,436 --> 00:16:12,605 NO, DAMN SPRINKLER'S ON. 388 00:16:12,639 --> 00:16:13,706 [ SIGHS ] 389 00:16:13,740 --> 00:16:17,244 IMAGINE IF WE HAD BUGS PLANTED ALL OVER THE HOUSE. 390 00:16:19,446 --> 00:16:21,381 YEAH. 391 00:16:24,817 --> 00:16:27,120 [ BEEP ] 392 00:16:36,063 --> 00:16:38,131 [ BEEP ] 393 00:16:39,532 --> 00:16:41,401 THAT IS SO FAR FROM WHERE I'M SITTING. 394 00:16:41,434 --> 00:16:42,635 I JUST THINK YOUR COLLEGE FRIENDS 395 00:16:42,669 --> 00:16:46,439 WOULD PREFER TO SIT SOMEWHERE IN THE BACK. 396 00:16:46,473 --> 00:16:50,643 HEATHER, WAS THAT YOU SCREAMING MY NAME? 397 00:16:50,677 --> 00:16:51,744 OH, YES, YES. 398 00:16:51,778 --> 00:16:53,746 WE'RE LOOKING AT THE DRESSES FOR THE BRIDAL PARTY, 399 00:16:53,780 --> 00:16:56,249 AND I WANTED YOUR OPINION. 400 00:16:56,283 --> 00:16:58,151 OH. 401 00:16:58,185 --> 00:16:59,819 YOU LOOK LOVELY. 402 00:16:59,852 --> 00:17:01,554 YOU DON'T THINK IT MAKES ME LOOK FAT? 403 00:17:01,588 --> 00:17:05,458 -MNH-MNH. -OH, DEFINITELY. 404 00:17:05,492 --> 00:17:07,394 I MEAN, WHY DO YOU THINK I HAD TO LET OUT THE WAIST -- 405 00:17:07,427 --> 00:17:09,829 TO MAKE YOU LOOK LESS SKINNY? 406 00:17:09,862 --> 00:17:12,432 SHE... 407 00:17:12,465 --> 00:17:15,335 SHE DIDN'T MEAN THAT. [ EXHALES SHARPLY ] 408 00:17:15,368 --> 00:17:17,237 OH, SUCK IT UP, CINDY. YOU'LL BE FINE. 409 00:17:17,270 --> 00:17:18,771 ACTUALLY, I COULD NOT AGREE MORE. 410 00:17:18,805 --> 00:17:19,639 FINALLY, SOMEONE AROUND HERE 411 00:17:19,672 --> 00:17:22,309 WHO KNOWS WHAT THEY'RE TALKING ABOUT. 412 00:17:23,843 --> 00:17:25,445 [ SNIFFLES ] 413 00:17:28,148 --> 00:17:29,849 HOW MUCH DO YOU WEIGH, ANYWAY? 414 00:17:29,882 --> 00:17:31,684 [ GULPS ] 415 00:17:31,718 --> 00:17:33,553 ABOUT A BUCK 50? 416 00:17:36,223 --> 00:17:37,524 I CHECKED THE LIBRARY AND THE MAID'S ROOM. 417 00:17:37,557 --> 00:17:39,559 NO SIGN OF THE MONEY. NOW, WE NEED TO FOCUS. 418 00:17:39,592 --> 00:17:41,228 WE ONLY HAVE ONE DAY LEFT BEFORE WE -- 419 00:17:41,261 --> 00:17:42,295 OH, REVEREND. 420 00:17:42,329 --> 00:17:44,597 REVEREND, COME IN. 421 00:17:44,631 --> 00:17:47,334 I'M HAVING A DRINK WITH MY SON-IN-LAW TO-BE. 422 00:17:47,367 --> 00:17:49,336 THANKS AGAIN FOR DOING THIS ON SUCH SHORT NOTICE. 423 00:17:49,369 --> 00:17:51,771 THE PASTOR FROM MY CHURCH BACK IN KANSAS 424 00:17:51,804 --> 00:17:53,473 DOESN'T TRAVEL MUCH ANYMORE. 425 00:17:53,506 --> 00:17:55,575 YEAH, AND THE LOCAL CLERGY BOWED OUT BECAUSE OF 426 00:17:55,608 --> 00:17:58,111 CERTAIN MISCONCEPTIONS ABOUT MY BUSINESS. 427 00:17:58,145 --> 00:18:01,248 OH, WELL, I'M VERY HAPPY TO DO IT. 428 00:18:01,281 --> 00:18:02,582 NO, THANK YOU. NO. 429 00:18:02,615 --> 00:18:04,384 -COME ON. -OKAY. 430 00:18:04,417 --> 00:18:06,286 WEDDINGS CAN BE STRESSFUL. 431 00:18:06,319 --> 00:18:08,421 I SHOULD REALLY BE GOING. 432 00:18:08,455 --> 00:18:10,323 GOT TO REST UP FOR THE BIG DAY. 433 00:18:10,357 --> 00:18:12,392 GOT THE BACHELOR PARTY TO GO TO? 434 00:18:12,425 --> 00:18:14,794 NO, THAT WAS LAST WEEKEND, REMEMBER? 435 00:18:14,827 --> 00:18:15,828 WE WENT WHALE WATCHING. 436 00:18:15,862 --> 00:18:20,733 MM-HMM. MM-HMM. 437 00:18:20,767 --> 00:18:24,404 WHALE WATCHING. HMM. 438 00:18:24,437 --> 00:18:27,640 YOU KNOW WHAT I DID BEFORE YOU GOT HERE, REVEREND? 439 00:18:27,674 --> 00:18:31,611 I OFFERED HIM 200 GRAND TO DISAPPEAR. 440 00:18:31,644 --> 00:18:32,912 YEAH. 441 00:18:32,945 --> 00:18:35,848 I WAS GONNA EAT EVERYTHING -- THE TENT, THE FOOD, EVERYTHING. 442 00:18:35,882 --> 00:18:37,617 HE WOULDN'T TAKE IT. 443 00:18:37,650 --> 00:18:40,220 WELL, MAYBE HE'S NOT INTERESTED IN MONEY. 444 00:18:40,253 --> 00:18:43,290 OR MAYBE IT WASN'T ENOUGH. 445 00:18:43,323 --> 00:18:44,457 IF THERE'S A MAN WITHOUT A PRICE, 446 00:18:44,491 --> 00:18:47,194 I HAVEN'T MET HIM YET, REVEREND. 447 00:18:47,227 --> 00:18:48,795 NOT VERY CHRISTIAN OF ME, I KNOW. 448 00:18:48,828 --> 00:18:51,864 OH, YOU AND I HAVE MORE IN COMMON THAN YOU THINK. 449 00:18:51,898 --> 00:18:53,533 I DOUBT THAT. 450 00:18:53,566 --> 00:18:56,236 UH, NICK -- OH, EXCUSE ME, FATHER. 451 00:18:56,269 --> 00:18:58,638 UH, OUR FRIEND FROM BROOKLYN'S ON THE LINE. 452 00:18:58,671 --> 00:19:01,308 UM, I'VE GOT TO TAKE THIS, REVEREND. 453 00:19:01,341 --> 00:19:03,210 OH, YES, OF COURSE. THANK YOU FOR THE DRINK. 454 00:19:03,243 --> 00:19:05,312 MM-HMM. 455 00:19:11,684 --> 00:19:12,552 WHAT? 456 00:19:12,585 --> 00:19:15,588 HARDISON, OFFICE PHONE. GET THE FEED. 457 00:19:15,622 --> 00:19:18,291 WELL, YOU TELL THAT BASTARD IF HE WANTS THAT MONEY SO BAD, 458 00:19:18,325 --> 00:19:20,360 I'LL GIVE IT TO HIM AT THE RECEPTION, HUH? 459 00:19:20,393 --> 00:19:22,829 AND HE BETTER BRING MARIA ONE HELL OF A GIFT. 460 00:19:22,862 --> 00:19:26,599 OKAY, THAT MEANS THE DEAL IS GOING DOWN AT THE WEDDING, 461 00:19:26,633 --> 00:19:30,803 PROBABLY INVOLVING ALL OF MOSCONE'S AVAILABLE CASH. 462 00:19:30,837 --> 00:19:34,441 SO, BASICALLY, WE GO IN, WE'VE GOT TO FIND THE MONEY, 463 00:19:34,474 --> 00:19:35,342 THEN WE'VE GOT TO GET IT OUT 464 00:19:35,375 --> 00:19:36,976 UNDER THE NOSES OF 200 HUNGRY GUESTS. 465 00:19:37,009 --> 00:19:38,110 WHILE WE RUN THE WEDDING? 466 00:19:38,144 --> 00:19:40,347 HEY, WE FIND THE MONEY. WE GET OUT BEFORE IT STARTS. 467 00:19:40,380 --> 00:19:42,282 YOU KNOW, I SWEAR, I NEVER UNDERSTOOD THE LENGTHS 468 00:19:42,315 --> 00:19:43,416 PEOPLE GO WITH THESE THINGS. 469 00:19:43,450 --> 00:19:44,517 I MEAN, THE ENDLESS -- YOU KNOW, 470 00:19:44,551 --> 00:19:48,555 THE DRESSES AND THE ENDLESS TOASTS AND THE CRYING. 471 00:19:48,588 --> 00:19:51,491 AND -- AND, YOU KNOW, IT'S JUST -- IT'S UNBELIEVABLE TO ME. 472 00:19:51,524 --> 00:19:52,959 AND EVERYONE HAS A ROLE TO PLAY, RIGHT? 473 00:19:52,992 --> 00:19:55,328 AND THE BRIDE AND GROOM AT THE END OF THE DAY, THEY GO HOME 474 00:19:55,362 --> 00:19:56,396 WITH A PILE OF CASH. 475 00:19:56,429 --> 00:19:57,397 AND IF YOU REALLY THINK ABOUT IT, 476 00:19:57,430 --> 00:19:59,699 THE WHOLE THING IS JUST A GIANT, GIANT CON. 477 00:19:59,732 --> 00:20:02,402 [ LAUGHTER ] 478 00:20:02,435 --> 00:20:05,272 -OOH. -[ CLEARS THROAT ] 479 00:20:07,907 --> 00:20:11,744 WELL, AREN'T YOU ROMANTIC. 480 00:20:18,685 --> 00:20:20,587 YO. 481 00:20:20,620 --> 00:20:22,789 NO WAY IN HELL I COULD EVER IMAGINE GETTING MARRIED. 482 00:20:22,822 --> 00:20:26,459 I MEAN, IT'S JUST -- IT'S JUST A PIECE OF PAPER. 483 00:20:26,493 --> 00:20:27,927 I TAKE IT YOU'VE NEVER BEEN MARRIED. 484 00:20:27,960 --> 00:20:32,632 -NO. -EVER COME CLOSE? 485 00:20:32,665 --> 00:20:34,000 NO. 486 00:20:34,033 --> 00:20:36,703 WHAT WAS HER NAME? 487 00:20:36,736 --> 00:20:38,638 [ LAUGHS ] 488 00:20:40,407 --> 00:20:42,342 IT WAS A GIRL I GREW UP WITH. 489 00:20:42,375 --> 00:20:45,845 BUT, ANYWAY, SHE MARRIED SOMEBODY ELSE, SO... 490 00:20:45,878 --> 00:20:49,749 HOT DAMN -- WHAT DID YOU DO? 491 00:20:49,782 --> 00:20:53,019 WHAT DID I DO? I LIBERATED CROATIA. 492 00:20:53,052 --> 00:20:54,687 OH, SEE, NOW, ME, I'D HAVE JUST GOT FAT 493 00:20:54,721 --> 00:20:56,523 AND STARTED UP A COMIC-BOOK SHOP. 494 00:20:56,556 --> 00:20:59,392 THAT'S YOU AND ME RIGHT THERE. 495 00:21:04,831 --> 00:21:07,667 -ONE MORE. -WHICH ONE DO YOU NEED IT FOR? 496 00:21:15,908 --> 00:21:18,778 WHOA, UH... 497 00:21:18,811 --> 00:21:20,747 IT'S OKAY. HERE, ZIP. 498 00:21:24,417 --> 00:21:25,918 NOW, I KNOW THAT YOU'RE IN CHARGE 499 00:21:25,952 --> 00:21:28,555 OF THE BRIDESMAIDS' DRESSES, BUT WHY ARE YOU WEARING ONE? 500 00:21:28,588 --> 00:21:32,392 A BRIDESMAID'S DRESS IS LIKE AN ALL-ACCESS PASS AT A WEDDING. 501 00:21:32,425 --> 00:21:34,961 PLUS, I KIND OF SAID SOMETHING, AND THE MAID OF HONOR CRIED. 502 00:21:34,994 --> 00:21:38,365 AND SOPHIE SAID I SHOULD MAKE IT UP TO HER. 503 00:21:38,398 --> 00:21:41,401 BY LOOKING MUCH, MUCH BETTER IN THE SAME DRESS? 504 00:21:41,434 --> 00:21:43,670 YEAH, YOU LET ME KNOW HOW THAT GOES. 505 00:21:43,703 --> 00:21:47,607 HMM, YOU REALLY THINK I LOOK GOOD? 506 00:21:47,640 --> 00:21:51,411 AND NOW YOU'RE PERFECT. 507 00:21:51,444 --> 00:21:52,945 YOUR GUYS WERE SUPPOSED TO BE HERE AN HOUR AGO! 508 00:21:52,979 --> 00:21:54,947 YEAH, WELL, I DON'T CARE WHERE YOU PUT THE TRUCKS, 509 00:21:54,981 --> 00:21:56,783 AS LONG AS THEY'RE NOT VISIBLE FROM THE HOUSE! 510 00:21:56,816 --> 00:21:58,685 [ BEEP ] HOLD ON, I'VE GOT TO TAKE THIS. 511 00:21:58,718 --> 00:22:00,887 [ BEEPS ] YEAH -- HOLD -- NOT NOW 512 00:22:00,920 --> 00:22:03,055 NOT NOW! 513 00:22:03,089 --> 00:22:05,358 [ SIGHS ] IT'S IN THE SCREENING ROOM. 514 00:22:05,392 --> 00:22:07,827 THE SCREENING ROOM. 515 00:22:07,860 --> 00:22:12,399 WHO LEFT MUD -- LOURDES, WHY IS THERE MUD ON THE FLOOR?! 516 00:22:12,432 --> 00:22:13,800 [ SIGHS ] 517 00:22:13,833 --> 00:22:15,034 YEAH, I'M LISTENING. 518 00:22:15,067 --> 00:22:16,803 [ INTRO TO "THAT'S AMORE" PLAYS ] 519 00:22:16,836 --> 00:22:18,605 [ BEEP ] 520 00:22:18,638 --> 00:22:20,573 [ BEEP ] 521 00:22:26,145 --> 00:22:28,815 [ INDISTINCT TALKING ] 522 00:22:31,017 --> 00:22:32,852 [ BEEP ] 523 00:22:32,885 --> 00:22:35,422 I THINK THAT'S RIGHT. 524 00:22:35,455 --> 00:22:36,923 HEY, YOU TWO. 525 00:22:36,956 --> 00:22:39,626 [ INDISTINCT TALKING ] 526 00:23:13,860 --> 00:23:15,428 SERGEI. 527 00:23:20,567 --> 00:23:21,834 EVERYBODY STOP WHAT THEY'RE DOING. 528 00:23:21,868 --> 00:23:23,503 MEET ME AT THE SOUTHWEST CORNER NOW. 529 00:23:23,536 --> 00:23:25,638 [ MARIA CRYING ] 530 00:23:25,672 --> 00:23:26,973 I'LL BE RIGHT DOWN. 531 00:23:27,006 --> 00:23:27,874 [ CRYING CONTINUES ] 532 00:23:27,907 --> 00:23:30,209 WHAT IS IT, SWEETHEART? WHAT'S WRONG? 533 00:23:30,242 --> 00:23:32,645 WHAT'S WRONG? EVERYTHING! 534 00:23:32,679 --> 00:23:34,514 ADAM AND I WANTED SOMETHING SMALL, 535 00:23:34,547 --> 00:23:36,649 BUT [SNIFFLES] HEATHER SAID DAD NEEDED THIS 536 00:23:36,683 --> 00:23:39,218 TO WINE AND DINE HIS BUSINESSPEOPLE. 537 00:23:39,251 --> 00:23:42,121 BUT NOW I REALIZE IT'S ALL ABOUT HER! 538 00:23:42,154 --> 00:23:45,792 LIKE YOUR FEELINGS DON'T MATTER, LIKE YOU DON'T EVEN EXIST. 539 00:23:45,825 --> 00:23:47,093 YES. 540 00:23:47,126 --> 00:23:49,061 I'M GONNA TELL YOU SOMETHING, AND I WANT YOU TO LISTEN TO ME, 541 00:23:49,095 --> 00:23:51,731 OKAY, 'CAUSE I LEARNED THIS THE HARD WAY. 542 00:23:51,764 --> 00:23:54,100 DO NOT PUT YOUR FAITH IN A MAN. 543 00:23:54,133 --> 00:23:56,969 I KNOW -- WHAT? 544 00:23:57,003 --> 00:23:58,905 MEN DON'T COMMUNICATE, SO WHAT DO WE DO? 545 00:23:58,938 --> 00:24:02,709 WE PROJECT ONTO THEM ABOUT US AND OUR LIVES TOGETHER. 546 00:24:02,742 --> 00:24:05,011 IT'S ALL RUBBISH. WE DON'T KNOW WHAT THEY WANT. 547 00:24:05,044 --> 00:24:06,245 YOU WANT TO KNOW WHAT THEY'RE THINKING ABOUT 548 00:24:06,278 --> 00:24:09,181 WHEN THEY'RE OFF STARING INTO SPACE, LOOKING ALL ROMANTIC? 549 00:24:09,215 --> 00:24:12,218 THE JOB. IT'S ALL ABOUT WORK TO THEM. 550 00:24:12,251 --> 00:24:13,953 THAT'S ALL THEY CARE ABOUT. 551 00:24:13,986 --> 00:24:17,123 YEAH, MY ADVICE... 552 00:24:17,156 --> 00:24:20,593 DO NOT PUT YOUR FAITH IN A MAN. 553 00:24:24,597 --> 00:24:26,999 [ CRYING ] 554 00:24:27,033 --> 00:24:28,701 WHAT IS IT? I GOT BACON ON. 555 00:24:28,735 --> 00:24:30,236 THE BUTCHER IS HERE. 556 00:24:30,269 --> 00:24:31,571 DOES HE HAVE THE BABY LAMB CHOPS? 557 00:24:31,604 --> 00:24:33,272 NO, THE BUTCHER OF KIEV. 558 00:24:33,305 --> 00:24:34,941 THINK HE'LL RECOGNIZE YOU? 559 00:24:37,143 --> 00:24:39,812 I KILL YOU! 560 00:24:39,846 --> 00:24:41,714 [ GRUNTS ] 561 00:24:41,748 --> 00:24:42,949 YEAH, I THINK HE'D REMEMBER ME. 562 00:24:42,982 --> 00:24:47,286 OKAY, WELL HOW IS IT THAT WE KNOW HOW GOOD "JERSEY BOYS" IS 563 00:24:47,319 --> 00:24:48,154 BUT WE MISSED THIS SOMEHOW? 564 00:24:48,187 --> 00:24:49,288 WHOA, WHOA, WHOA, WHOA, WHOA, HOLD UP. 565 00:24:49,321 --> 00:24:52,291 TONE IT DOWN, BROTHER. OKAY, FIRST OF ALL, THE SASS? 566 00:24:52,324 --> 00:24:54,727 -IT'S NOT HELPFUL. -BUT YOU WERE LISTENING TO THE TAPES. 567 00:24:54,761 --> 00:24:56,262 -HOW DID WE MISS THIS? -WHY ARE Y'ALL LOOKING AT ME? 568 00:24:56,295 --> 00:24:57,630 OKAY, LOOK, THE GUEST LIST 569 00:24:57,664 --> 00:24:59,766 DIDN'T RAISE ANY RED FLAGS WITH THE FEDS. 570 00:25:02,068 --> 00:25:04,704 LOOKS LIKE STEVE AND SCOTT MILLER ARRIVED. 571 00:25:04,737 --> 00:25:08,007 THERE SURE ARE A LOT MILLERS AT THIS WEDDING. 572 00:25:08,040 --> 00:25:09,609 OKAY, LISTEN, WE HAVE A WORLD-CLASS KILLER HERE 573 00:25:09,642 --> 00:25:10,777 WHO'S GOING TO I.D. ELIOT, 574 00:25:10,810 --> 00:25:12,745 AND WE ARE NOT PREPARED FOR THIS AT ALL. 575 00:25:12,779 --> 00:25:13,880 SO I AM GONNA PULL THE PLUG. 576 00:25:13,913 --> 00:25:16,048 I WANT EVERYONE TO MEET ME AT THE VAN IN TWO MINUTES. 577 00:25:16,082 --> 00:25:17,316 MAN. 578 00:25:17,349 --> 00:25:18,718 I'M STAYING. 579 00:25:18,751 --> 00:25:20,653 I'M SORRY, YOU'RE -- YOU'RE WHAT? 580 00:25:20,687 --> 00:25:22,121 I'M STAYING. 581 00:25:22,154 --> 00:25:23,890 YOU'RE STAYING? 582 00:25:23,923 --> 00:25:26,292 SOPHIE, SOPHIE, IT'S THE BUTCHER OF KIEV. 583 00:25:26,325 --> 00:25:28,127 HAVE YOU EVER BEEN TO KIEV? 584 00:25:28,160 --> 00:25:30,597 THE CAKE-MAKER OF KIEV WOULD WHUP ALL OUR ASS. 585 00:25:30,630 --> 00:25:32,164 THIS IS THE BUTCHER. 586 00:25:32,198 --> 00:25:34,734 UH-HUH. 587 00:25:34,767 --> 00:25:36,168 IS THIS ABOUT FEAR OF THE RUSSIAN MOB 588 00:25:36,202 --> 00:25:38,270 OR FEAR OF INTIMACY? 589 00:25:38,304 --> 00:25:39,939 GOD. 590 00:25:39,972 --> 00:25:42,174 LISTEN, I MADE A PROMISE TO MY FRIEND TERESA, 591 00:25:42,208 --> 00:25:43,175 AND I'M NOT GONNA LET HER DOWN. 592 00:25:43,209 --> 00:25:45,912 AND THAT BRIDE IN THERE -- WHAT'S HER NAME -- 593 00:25:45,945 --> 00:25:47,346 I'M NOT GONNA LET HER DOWN, EITHER. 594 00:25:47,379 --> 00:25:49,315 SO YOU GUYS CAN GO. I'M STAYING. 595 00:25:49,348 --> 00:25:51,651 I'LL DO THIS BY MYSELF IF I HAVE TO. 596 00:25:51,684 --> 00:25:53,886 OKAY, FINE. 597 00:25:53,920 --> 00:25:56,623 SOPHIE, HARDISON, PARKER, FIND THE MONEY. 598 00:25:56,656 --> 00:25:57,890 ELIOT, STAY AWAY FROM THE BUTCHER. 599 00:25:57,924 --> 00:25:59,325 [ INTRO TO MENDELSSOHN'S "WEDDING MARCH" PLAYS ] 600 00:25:59,358 --> 00:26:01,694 UH, ME... 601 00:26:01,728 --> 00:26:03,162 I HAVE A WEDDING TO OFFICIATE. 602 00:26:13,072 --> 00:26:16,242 AND SO, WHAT DO OUR READINGS TODAY TELL US ABOUT MARRIAGE? 603 00:26:16,275 --> 00:26:18,945 WELL, IT'S A UNION. 604 00:26:18,978 --> 00:26:20,747 IT'S A HOLY BOND. 605 00:26:20,780 --> 00:26:22,682 IT'S A WONDERFUL INSTITUTION WE HAVE 606 00:26:22,715 --> 00:26:26,318 IN WHICH TWO PEOPLE FALL DEEPLY IN LOVE. 607 00:26:26,352 --> 00:26:28,655 IT'S A COVENANT. 608 00:26:28,688 --> 00:26:31,791 IT'S A CONTRACT. 609 00:26:31,824 --> 00:26:33,192 WHAT DO WE KNOW ABOUT CONTRACTS? 610 00:26:33,225 --> 00:26:35,161 WELL, WE KNOW THEY'RE PRETTY LOUSY VEHICLES 611 00:26:35,194 --> 00:26:37,897 FOR MAKING PEOPLE HAPPY, I'LL TELL YOU THAT FOR FREE. 612 00:26:37,930 --> 00:26:40,099 ONE PARTY FEELS THEY'RE GETTING THE SHORT END OF THE STICK. 613 00:26:40,132 --> 00:26:43,035 AND, UH, BEFORE YOU KNOW IT, PEOPLE START TO LAWYER UP. 614 00:26:43,069 --> 00:26:45,672 AND, WELL, TRY TELLING THAT TO SOMEONE WHO THINKS MARRIAGE 615 00:26:45,705 --> 00:26:47,073 IS A SACRED BOND AND A COVENANT. 616 00:26:47,106 --> 00:26:49,241 I MEAN, YOU MIGHT AS WELL EXPLAIN BASEBALL TO A DOG. 617 00:26:49,275 --> 00:26:51,744 BUT AT LEAST A DOG WILL BRING THE BALL BACK TO YOU, 618 00:26:51,778 --> 00:26:53,279 AND YOU CAN PAT IT ON ITS HEAD. 619 00:26:53,312 --> 00:26:55,715 CAN YOU GIVE ME SOME PAPRIKA? 620 00:26:55,748 --> 00:26:57,316 DOWNSTAIRS IS CLEAR. 621 00:26:57,349 --> 00:27:00,386 THAT LEAVES ONE PLACE WHERE THE MONEY COULD BE STASHED -- 622 00:27:00,419 --> 00:27:02,689 SCREENING ROOM. 623 00:27:02,722 --> 00:27:04,356 [ SIGHS ] GO. 624 00:27:04,390 --> 00:27:08,260 THESE PEACHES AREN'T GONNA POACH THEMSELVES, PARKER. 625 00:27:08,294 --> 00:27:09,295 SORRY, EMERIL. 626 00:27:09,328 --> 00:27:11,664 -WHAT WAS THAT? -YOU HEARD ME. 627 00:27:11,698 --> 00:27:13,199 YEAH. I'LL SHOW YOU. 628 00:27:13,232 --> 00:27:14,233 BAM! 629 00:27:14,266 --> 00:27:15,401 I MEAN, WHAT IS MARRIAGE? 630 00:27:15,434 --> 00:27:17,770 I MEAN, IS IT -- IS IT RUNNING AROUND ROOFTOPS IN PARIS? 631 00:27:17,804 --> 00:27:18,838 I DON'T THINK SO, NO. 632 00:27:18,871 --> 00:27:21,774 IT'S PUSHING A CART AROUND, UH, THE HOME DEPOT. 633 00:27:21,808 --> 00:27:22,975 WE'RE GOOD. WE'RE GOOD, PAL. 634 00:27:23,009 --> 00:27:25,011 IT'S PUSHING A CART AROUND HOME DEPOT. 635 00:27:25,044 --> 00:27:26,946 THAT'S WHAT IT IS. IT'S HARD WORK. 636 00:27:26,979 --> 00:27:30,983 HARD, HARD, HARD, HARD WORK, PEOPLE. 637 00:27:37,156 --> 00:27:39,058 DAMN! 638 00:27:41,060 --> 00:27:43,930 AND, I MEAN, YOU KNOW, SOME PEOPLE DON'T UNDERSTAND 639 00:27:43,963 --> 00:27:46,032 HOW HARD A REAL RELATIONSHIP CAN BE. 640 00:27:46,065 --> 00:27:49,435 AND SOME PEOPLE SHOULD CONSIDER THAT OTHER PEOPLE, 641 00:27:49,468 --> 00:27:52,104 YOU KNOW, THEY DON'T -- MAYBE THEY NEED A LITTLE TIME, 642 00:27:52,138 --> 00:27:55,842 YOU KNOW, BEFORE THEY START DATING SOME PEOPLE AGAIN 643 00:27:55,875 --> 00:27:59,445 AND -- AND -- AND START COMMITTING AND -- AND -- AND 644 00:27:59,478 --> 00:28:01,247 AND -- AND -- AND... 645 00:28:01,280 --> 00:28:03,682 [ ALL MURMURING ] 646 00:28:05,952 --> 00:28:08,120 BUT LUCKILY, LUCKILY, LUCKILY, 647 00:28:08,154 --> 00:28:10,022 ADAM AND MARIA -- THEY DON'T HAVE SUCH PROBLEMS. 648 00:28:10,056 --> 00:28:14,193 NO, BECAUSE, YOU KNOW, MARIA, DESPITE ALL THE FEAR AND DOUBT 649 00:28:14,226 --> 00:28:16,062 THAT LIFE BRINGS. 650 00:28:16,095 --> 00:28:18,464 ADAM -- WHEN HE LOOKS AT YOU, MARIA, 651 00:28:18,497 --> 00:28:22,001 YOU KNOW, HE KNOWS THAT YOU HAVE MADE HIM A BETTER MAN, 652 00:28:22,034 --> 00:28:24,937 A BETTER VERSION OF HIMSELF. 653 00:28:24,971 --> 00:28:27,206 AND NOW THAT HE'S KNOWN YOU, 654 00:28:27,239 --> 00:28:31,077 HE CAN NEVER GO BACK. 655 00:28:31,110 --> 00:28:32,111 [ SIGHS ] 656 00:28:32,144 --> 00:28:36,215 AND, MARIA, YOU KNOW THAT WHEN YOU LOOK AT ADAM, 657 00:28:36,248 --> 00:28:38,184 YES, YOU KNOW YOU'VE MADE HIM A BETTER MAN 658 00:28:38,217 --> 00:28:40,286 AND THAT HE SHOULD PROBABLY JUST GIVE UP AND AGREE WITH YOU. 659 00:28:40,319 --> 00:28:42,755 [ LAUGHTER ] 660 00:28:53,132 --> 00:28:58,037 WELL, I WOULD LIKE TO NOW PRONOUNCE YOU, UH, MAN AND WIFE. 661 00:28:58,070 --> 00:29:00,807 YOU MAY NOW KISS THE BRIDE. 662 00:29:00,840 --> 00:29:03,075 [ CHEERS AND APPLAUSE ] 663 00:29:10,482 --> 00:29:12,985 COME ON. 664 00:29:13,019 --> 00:29:15,855 [ CHEERS AND APPLAUSE CONTINUE ] 665 00:29:17,289 --> 00:29:18,324 UM... 666 00:29:18,357 --> 00:29:22,094 MOSCONE IS LEAVING. THE DEAL IS GOING DOWN NOW. 667 00:29:23,062 --> 00:29:25,898 [ INDISTINCT CONVERSATIONS ] 668 00:29:29,836 --> 00:29:31,270 [ BEEP ] 669 00:29:37,143 --> 00:29:39,311 [ Russian accent ] I HAVE A MEETING TOMORROW MORNING IN LONDON 670 00:29:39,345 --> 00:29:40,546 AND THE JET IS IDLING. 671 00:29:40,579 --> 00:29:41,580 G4? 672 00:29:41,613 --> 00:29:43,816 DO I LOOK LIKE A HOCKEY PLAYER? 673 00:29:43,850 --> 00:29:45,151 GLOBAL EXPRESS. 674 00:29:45,184 --> 00:29:47,887 ELIOT, I GOT THE BOSS AND SERGEI IN THE DINING ROOM. 675 00:29:47,920 --> 00:29:50,022 Where are they going? 676 00:29:53,425 --> 00:29:56,162 SCREENING ROOM. PARKER, YOU GOT THE MONEY? 677 00:29:56,195 --> 00:29:57,596 NOT YET. 678 00:29:57,629 --> 00:29:59,866 All right, they're on their way. Get out now. 679 00:29:59,899 --> 00:30:01,868 NOT AN OPTION. 680 00:30:07,206 --> 00:30:09,041 IN MY DAY, NO ONE WOULD DO BUSINESS 681 00:30:09,075 --> 00:30:10,342 AT THEIR DAUGHTER'S WEDDING. 682 00:30:10,376 --> 00:30:13,312 I HAVE DEALS GOING ON IN THREE DIFFERENT CONTINENTS RIGHT NOW. 683 00:30:13,345 --> 00:30:17,016 I TAKE PAYMENTS 24/7. THE DAYS OF CREDIT ARE OVER. 684 00:30:17,049 --> 00:30:21,053 WELL, THE PORTS OF LONG BEACH HAVE BEEN GOOD TO US. 685 00:30:21,087 --> 00:30:24,323 MY UNIONS GOT SOME FAT HOMELAND SECURITY CONTRACTS. 686 00:30:24,356 --> 00:30:28,494 AND THIS -- THIS IS JUST THE TIP OF THE ICEBERG. 687 00:30:28,527 --> 00:30:29,962 WHAT?! 688 00:30:29,996 --> 00:30:31,430 WHERE IS MY MONEY? [ GUN COCKS ] 689 00:30:31,463 --> 00:30:33,465 IT WAS IN THERE! I PUT THE MONEY IN MYSELF! 690 00:30:33,499 --> 00:30:35,634 LOOK, GET THAT GUN OUT OF MY FACE BEFORE I CALL MY GUYS. 691 00:30:35,667 --> 00:30:36,768 DO IT. 692 00:30:36,802 --> 00:30:39,939 I TELL MY CREW TO START SHOOTING EVERYONE IN THE TENT, 693 00:30:39,972 --> 00:30:42,408 STARTING WITH THE BRIDE. 694 00:30:42,441 --> 00:30:44,911 Money gone. Sergei not happy. 695 00:30:44,944 --> 00:30:46,412 [ INDISTINCT TALKING ] 696 00:30:46,445 --> 00:30:51,317 YEAH, KEEP A LID ON THINGS UNTIL I FIGURE OUT WHAT HAPPENED. 697 00:30:51,350 --> 00:30:53,219 WHAT'S GOING ON? 698 00:30:53,252 --> 00:30:54,653 SOMEBODY BEAT US TO THE MONEY. 699 00:30:54,686 --> 00:30:58,657 THEY SET UP MOSCONE TO HAND SERGEI AN EMPTY BRIEFCASE. 700 00:30:58,690 --> 00:31:01,227 WHO? 701 00:31:01,260 --> 00:31:02,628 [ LAUGHTER ] 702 00:31:02,661 --> 00:31:04,430 [ INDISTINCT CONVERSATIONS ] 703 00:31:12,304 --> 00:31:14,140 WE HAVE TO START. 704 00:31:16,943 --> 00:31:18,945 SERGEI. 705 00:31:21,347 --> 00:31:23,549 [ SIGHS ] IT'S IN THE SCREENING ROOM. 706 00:31:23,582 --> 00:31:26,052 THE SCREENING ROOM. 707 00:31:26,085 --> 00:31:28,921 GO GET ME HEATHER'S PHONE. 708 00:31:38,297 --> 00:31:41,000 I'VE GOT MONEY OVERSEAS. THIS IS JUST A CASH-FLOW ISSUE. 709 00:31:41,033 --> 00:31:42,168 IT'S BUSINESS! 710 00:31:42,201 --> 00:31:44,971 I DIDN'T DO ANYTHING WHEN YOU SHOT MY BROTHER LIKE A DOG 711 00:31:45,004 --> 00:31:47,373 IN THAT RESTAURANT. 712 00:31:47,406 --> 00:31:48,440 [ SHOUTING ] 713 00:31:48,474 --> 00:31:51,243 -WHAT DID YOU DO?! -NOT ME -- YOU. 714 00:31:51,277 --> 00:31:54,646 NOBODY WANTED A WAR, BUT NOW YOU CHEAT US ON A PAYOUT? 715 00:31:54,680 --> 00:31:55,948 I HAVE A GREEN LIGHT. 716 00:31:55,982 --> 00:31:57,483 YOUR BROTHER, HUH? 717 00:31:57,516 --> 00:32:00,719 LOOK, IT WAS A MISTAKE, OKAY? [ CELLPHONE RINGS ] 718 00:32:00,752 --> 00:32:03,289 [ SPEAKING RUSSIAN ] 719 00:32:06,192 --> 00:32:10,963 ELIOT, GET TO THE SCREENING ROOM RIGHT NOW. 720 00:32:20,739 --> 00:32:23,475 AAH! 721 00:32:23,509 --> 00:32:26,012 IT BURNS! 722 00:32:32,051 --> 00:32:34,753 GOING SOMEWHERE, MY FRIEND, HUH? 723 00:32:34,786 --> 00:32:38,490 [ LAUGHS ] 724 00:32:41,493 --> 00:32:45,197 [ INDISTINCT TALKING ] 725 00:32:45,231 --> 00:32:47,033 WHY WOULD HEATHER GIVE UP ALL THIS 726 00:32:47,066 --> 00:32:48,034 JUST FOR A BAG OF MONEY? 727 00:32:48,067 --> 00:32:50,036 WELL, SHE DIDN'T. THE RUSSIANS HAVE THE MONEY. 728 00:32:50,069 --> 00:32:51,737 SHE JUST TOLD THEM WHERE TO FIND IT. 729 00:32:51,770 --> 00:32:53,739 SO THE EMPTY BRIEFCASE WAS THE EXCUSE 730 00:32:53,772 --> 00:32:55,474 SERGEI NEEDED TO KILL MOSCONE. 731 00:32:55,507 --> 00:32:58,077 THE GUY'S BEEN WAITING FIVE YEARS, CLIMBING UP THE RANKS. 732 00:32:58,110 --> 00:32:59,578 SHE GETS THE FAT OFFSHORE ACCOUNTS 733 00:32:59,611 --> 00:33:00,446 HER HUSBAND PUT IN HER NAME. 734 00:33:00,479 --> 00:33:02,648 THIS IS THE -- YOU KNOW, THE BIG SCORE. 735 00:33:02,681 --> 00:33:08,154 THERE'S NO MESSY DIVORCE, BUT SHE'S NOT HERE, AND... 736 00:33:08,187 --> 00:33:11,990 OKAY. I'LL GO FIND HER. 737 00:33:14,660 --> 00:33:17,296 [ GRUNTING ] 738 00:33:19,231 --> 00:33:20,366 [ BONE CRACKS ] 739 00:33:20,399 --> 00:33:22,768 AAH! 740 00:33:22,801 --> 00:33:25,003 NOW I KILL YOU. 741 00:33:30,542 --> 00:33:33,112 [ SHOUTING INDISTINCTLY ] 742 00:33:35,681 --> 00:33:38,317 [ GRUNTING ] 743 00:33:41,187 --> 00:33:42,788 I CAN GET YOUR MONEY WITH ONE PHONE CALL. 744 00:33:42,821 --> 00:33:45,524 -GLOBAL ECONOMY NEVER WAITS. -OH! 745 00:33:45,557 --> 00:33:47,259 [ LAUGHS, SNORTS ] 746 00:33:47,293 --> 00:33:49,128 [ Slurring ] OH, YOU'RE NOT THE DEEJAY. 747 00:33:49,161 --> 00:33:50,162 [ LAUGHS ] 748 00:33:50,196 --> 00:33:51,497 I WAS SUPPOSED TO MEET HIM IN HERE. 749 00:33:51,530 --> 00:33:52,631 Shh. 750 00:33:52,664 --> 00:33:54,800 HEY, THE FATHER OF THE BRIDE! 751 00:33:54,833 --> 00:33:56,402 HE'S IN HERE! 752 00:33:56,435 --> 00:33:57,636 EVERYBODY'S BEEN LOOKING FOR YOU. 753 00:33:57,669 --> 00:34:02,508 YOU'RE IN SO MUCH TROUBLE. COME ON, PARTY'S IN FULL SWING. 754 00:34:02,541 --> 00:34:04,143 COME ON. 755 00:34:04,176 --> 00:34:06,145 HE'S IN HERE! 756 00:34:06,178 --> 00:34:08,547 ONE WORD, EVERYONE DIES. 757 00:34:08,580 --> 00:34:10,516 AFTER YOU. 758 00:34:11,750 --> 00:34:13,652 [ GRUNTING ] 759 00:34:19,825 --> 00:34:22,494 [ GRUNTING ] 760 00:34:27,566 --> 00:34:29,468 OHH! 761 00:34:35,874 --> 00:34:36,842 [ LAUGHS ] 762 00:34:36,875 --> 00:34:39,578 WHEN I LOOK AT MARIA AND ADAM, 763 00:34:39,611 --> 00:34:43,182 I FEEL SUCH A WHIRLWIND OF EMOTIONS. 764 00:34:43,215 --> 00:34:44,383 Hardison, Moscone and Sergei are leaving 765 00:34:44,416 --> 00:34:45,651 through the northwest exit. 766 00:34:45,684 --> 00:34:49,521 FIRST OF ALL, I KNOW THAT SHE HAS FOUND HER ONE, TRUE LOVE. 767 00:34:49,555 --> 00:34:52,358 ADAM IS SUCH A GREAT PERSON WITH SUCH A BIG -- 768 00:34:52,391 --> 00:34:53,725 UH, HEY, HEY. HEY, GIRL. 769 00:34:53,759 --> 00:34:56,495 UH, L-LET'S GIVE IT UP FOR THE MAID OF HONOR. 770 00:34:56,528 --> 00:34:59,198 YOU ARE WORKING THE HELL OUT OF THAT DRESS. 771 00:34:59,231 --> 00:35:00,632 MMM! GOOD GOD. 772 00:35:00,666 --> 00:35:02,634 UM, AND NOW LET'S GIVE IT UP 773 00:35:02,668 --> 00:35:05,471 FOR THE MAN THAT MADE ALL OF THIS HAPPEN, 774 00:35:05,504 --> 00:35:09,208 MOSCONE, BIG PAPA, THE DUKE OF THE DOCKS, 775 00:35:09,241 --> 00:35:13,879 THE SULTAN OF SANITATION, MY MAN, MR. NICK MOSCONE! 776 00:35:13,912 --> 00:35:14,780 [ CHUCKLES ] 777 00:35:14,813 --> 00:35:16,182 WATCH OUT, BROTHER -- PERSONAL SPACE. 778 00:35:16,215 --> 00:35:17,383 APPRECIATE IT. 779 00:35:17,416 --> 00:35:19,185 [ CHEERS AND APPLAUSE ] 780 00:35:19,218 --> 00:35:22,588 [ SLOW-TEMPO MUSIC PLAYING ] 781 00:35:22,621 --> 00:35:25,324 IT'S, UH -- IT'S TIME FOR THE FATHER-DAUGHTER DANCE. 782 00:35:25,357 --> 00:35:28,427 SO DO YOUR THING. KEEP DANCING, KEEP TWO-STEPPING. 783 00:35:28,460 --> 00:35:31,297 [ SLOW-TEMPO MUSIC CONTINUES ] 784 00:35:37,536 --> 00:35:38,537 [ GRUNTING ] 785 00:35:38,570 --> 00:35:39,605 [ LAUGHS ] 786 00:35:39,638 --> 00:35:41,673 [ SHOUTS ] 787 00:35:41,707 --> 00:35:43,509 OHH! 788 00:35:43,542 --> 00:35:46,212 [ BOTH GRUNTING ] 789 00:35:48,880 --> 00:35:51,550 I'LL KILL YOU! 790 00:35:58,290 --> 00:35:59,825 [ SCREAMING ] 791 00:35:59,858 --> 00:36:03,795 [ SHOUTING INDISTINCTLY ] 792 00:36:03,829 --> 00:36:06,698 OHH! 793 00:36:06,732 --> 00:36:09,301 IT'S THE LEMON JUICE. 794 00:36:09,335 --> 00:36:12,170 [ BREATHING HEAVILY ] 795 00:36:16,675 --> 00:36:19,745 YOU JUST KILL A GUY WITH AN APPETIZER? 796 00:36:19,778 --> 00:36:20,946 I DON'T KNOW, MAYBE. 797 00:36:20,979 --> 00:36:22,448 [ CONTINUES BREATHING HEAVILY ] 798 00:36:22,481 --> 00:36:26,485 [ SLOW-TEMPO MUSIC CONTINUES ] 799 00:36:26,518 --> 00:36:28,920 -THE RIDE'S HERE. -IT'S ABOUT TIME. 800 00:36:28,954 --> 00:36:31,423 HOW'D YOU GET AWAY FROM SERGEI IN THE SCREENING ROOM? 801 00:36:31,457 --> 00:36:32,691 I PRETENDED I WAS DRUNK 802 00:36:32,724 --> 00:36:36,194 AND THAT WE WERE MEETING DOWN THERE TO HAVE SEX. 803 00:36:38,330 --> 00:36:40,299 THERE IT IS. THERE YOU GO. [ KEYS CLATTER ] 804 00:36:40,332 --> 00:36:41,933 PUT IT IN THE TRUNK. 805 00:36:41,967 --> 00:36:43,569 THIS CAR? 806 00:36:43,602 --> 00:36:44,803 DO IT. 807 00:36:44,836 --> 00:36:47,306 HARDISON, WE'VE GOT TO END THE WEDDING NOW. 808 00:36:47,339 --> 00:36:50,276 GET ADAM AND MARIA OUT IMMEDIATELY. 809 00:36:50,309 --> 00:36:52,711 HEY, PEOPLE, WHAT'S HAPPENING? 810 00:36:52,744 --> 00:36:55,481 I JUST GOT WORD THAT THERE'S A STORM BREWING IN THE ROCKIES, 811 00:36:55,514 --> 00:36:58,584 SO IF THESE KIDS WANT TO MAKE IT TO KANSAS BY TOMORROW, 812 00:36:58,617 --> 00:37:00,586 THEY GOT TO GO. 813 00:37:00,619 --> 00:37:01,520 [ ALL GROAN ] 814 00:37:01,553 --> 00:37:03,922 OH, YEAH, YEAH. LOOK, HEY, HEY, HEY, HEY. 815 00:37:03,955 --> 00:37:07,359 IF Y'ALL DON'T WANT THEM DRIVING THROUGH GOLF-BALL-SIZED HAIL, 816 00:37:07,393 --> 00:37:09,828 LET'S GIVE THEM A GOOD SEND-OFF. COME ON, PEOPLE. 817 00:37:09,861 --> 00:37:11,897 HOW YOU DOING? 818 00:37:11,930 --> 00:37:14,633 I'M SORRY THIS DAY DIDN'T WORK OUT THE WAY YOU WANTED. 819 00:37:14,666 --> 00:37:15,767 IT DID. 820 00:37:15,801 --> 00:37:18,337 CONGRATULATIONS. 821 00:37:18,370 --> 00:37:20,772 [ APPLAUSE ] 822 00:37:20,806 --> 00:37:22,741 [ SPEAKS RUSSIAN ] 823 00:37:28,514 --> 00:37:29,948 DO YOU THINK YOU SCARE ME, REVEREND? 824 00:37:29,981 --> 00:37:30,916 NO, I DON'T THINK I DO, 825 00:37:30,949 --> 00:37:32,618 BUT I THINK THAT MR. MOSCONE'S FRIENDS HERE 826 00:37:32,651 --> 00:37:34,953 MIGHT PUT THE FEAR OF GOD INTO YOU. 827 00:37:34,986 --> 00:37:38,690 IF YOU'RE LOOKING FOR YOUR PEOPLE, THEY'RE IN THE KITCHEN. 828 00:37:38,724 --> 00:37:39,725 PLEASE EXCUSE ME. 829 00:37:39,758 --> 00:37:42,694 CERTAINLY. 830 00:37:42,728 --> 00:37:46,498 EXACTLY WHAT DENOMINATION ARE YOU, REVEREND? 831 00:37:46,532 --> 00:37:48,767 -I -- -Nate. 832 00:37:48,800 --> 00:37:49,868 Nate, can you hear me? 833 00:37:49,901 --> 00:37:52,638 OKAY, YEAH. WHERE'S HEATHER? 834 00:37:52,671 --> 00:37:54,406 I GOT HER. 835 00:37:54,440 --> 00:37:56,908 HEY, YOU MISERABLE SHREW. 836 00:37:56,942 --> 00:37:59,578 YOU ARE NEVER GONNA BOTHER THOSE KIDS AGAIN, EVER. 837 00:37:59,611 --> 00:38:01,680 AND YOU BETTER START BRUSHING UP ON YOUR RUSSIAN 838 00:38:01,713 --> 00:38:03,515 'CAUSE YOUR HUSBAND'S ABOUT TO DISCOVER 839 00:38:03,549 --> 00:38:05,050 YOU'RE THE ONE WHO SOLD HIM OUT. 840 00:38:05,083 --> 00:38:07,753 [ SCOFFS ] YOU'RE NOT MARY POPPINS. 841 00:38:07,786 --> 00:38:09,388 YOU'RE A BITCH. 842 00:38:09,421 --> 00:38:10,856 [ GRUNTS ] 843 00:38:10,889 --> 00:38:14,360 OW! THAT HURT! 844 00:38:17,128 --> 00:38:18,797 [ CAR DOOR CLOSES, ENGINE TURNS OVER 845 00:38:18,830 --> 00:38:21,733 NATE, I LOST HER. 846 00:38:25,103 --> 00:38:27,573 -WHERE'S MY WIFE? -YOUR WIFE -- SHE'S GONE. 847 00:38:31,109 --> 00:38:32,878 WHERE'S THE CASH? 848 00:38:32,911 --> 00:38:36,648 YEAH, WHERE'S TERESA'S MONEY? 849 00:38:36,682 --> 00:38:39,017 OH, NATE, WHAT HAVE YOU DONE THIS TIME? 850 00:38:39,050 --> 00:38:41,653 AH. WAIT FOR IT. 851 00:38:43,589 --> 00:38:48,560 YEAH, YEAH, I NEED ALL NEW CODES FOR CAYMAN BANK AND TRUST, 852 00:38:48,594 --> 00:38:56,067 account number 7187931768. 853 00:38:56,101 --> 00:38:58,069 YOU KNOW ALL THOSE OFFSHORE ACCOUNTS 854 00:38:58,103 --> 00:39:02,040 THAT MOSCONE HAS, YOU KNOW, THE ONES IN HEATHER'S NAME? 855 00:39:02,073 --> 00:39:03,675 WELL, NOW THAT SHE'S BLOWN TOWN, 856 00:39:03,709 --> 00:39:06,111 GUESS WHO'S ON THE PHONE CHANGING THE PASSWORDS. 857 00:39:06,144 --> 00:39:07,579 CAN YOU DO ANYTHING WITH THOSE? 858 00:39:07,613 --> 00:39:08,980 OH, I CAN DO EVERYTHING WITH THEM. 859 00:39:09,014 --> 00:39:11,016 WAIT, WAIT, WAIT. I-I STILL DON'T UNDERSTAND. 860 00:39:11,049 --> 00:39:13,118 WHAT HAPPENED TO THE CASH? 861 00:39:13,151 --> 00:39:14,620 OH, THE CASH. 862 00:39:14,653 --> 00:39:16,455 WELL... 863 00:39:17,589 --> 00:39:20,091 THERE IT IS. THERE YOU GO. [ KEYS CLATTER ] 864 00:39:20,125 --> 00:39:21,860 -PUT IT IN THE TRUNK. -THIS CAR? 865 00:39:21,893 --> 00:39:22,961 DO IT. 866 00:39:22,994 --> 00:39:25,664 [ CHEERS AND APPLAUSE ] 867 00:39:28,534 --> 00:39:31,637 DON'T SPEND IT ALL IN ONE PLACE. 868 00:39:32,638 --> 00:39:37,509 SO, PADRE, A WEDDING'S JUST A BIG CON, HUH? 869 00:39:40,712 --> 00:39:43,782 I NEVER SAID THERE WAS ANYTHING WRONG WITH THAT. 870 00:39:45,917 --> 00:39:47,018 [ EXHALES SHARPLY ] 871 00:39:47,052 --> 00:39:49,588 LET'S GO. 872 00:39:49,621 --> 00:39:51,022 -THIS IS PRETTY GOOD, MAN. -THANKS, MAN. 873 00:39:51,056 --> 00:39:54,025 I SQUEEZED, LIKE, FRESH LEMON JUICE ON IT. 874 00:39:54,059 --> 00:39:56,728 COOL. COOL. 875 00:39:59,230 --> 00:40:01,600 [ CLEARS THROAT ] 876 00:40:01,633 --> 00:40:05,136 DID YOU CLEAN OUT MOSCONE'S ACCOUNTS? 877 00:40:05,170 --> 00:40:10,442 I LEFT HIM FIVE DOLLARS FOR SOCKS. 878 00:40:10,476 --> 00:40:12,944 MEET ME AT THE CAR. 879 00:40:15,747 --> 00:40:18,584 REVEREND. [ CLEARS THROAT ] 880 00:40:20,085 --> 00:40:21,219 DID YOU FIND YOUR WIFE? 881 00:40:21,252 --> 00:40:22,621 NO. 882 00:40:22,654 --> 00:40:24,456 AND YOU KNOW WHAT? GOOD RIDDANCE. 883 00:40:24,490 --> 00:40:25,791 ON THE DAY MY DAUGHTER TAKES HER VOWS, 884 00:40:25,824 --> 00:40:27,793 THAT WOMAN BROKE HER VOWS TO ME. 885 00:40:27,826 --> 00:40:30,195 CAN'T THINK OF ANYTHING LOWER THAN THAT. 886 00:40:30,228 --> 00:40:33,599 "GIVE, AND IT SHALL BE GIVEN TO YOU. 887 00:40:33,632 --> 00:40:35,701 FOR WHATEVER MEASURE YOU DEAL TO OTHERS, 888 00:40:35,734 --> 00:40:40,138 IT WILL BE DEALT TO YOU IN RETURN." 889 00:40:40,171 --> 00:40:42,708 PEOPLE WHO BREAK THEIR PROMISES 890 00:40:42,741 --> 00:40:45,544 GET WHAT'S COMING TO THEM, MR. MOSCONE. 891 00:40:45,577 --> 00:40:47,746 THANKS, REVEREND. MAKES ME FEEL BETTER. 892 00:40:47,779 --> 00:40:51,082 SURE. 893 00:40:51,116 --> 00:40:52,751 PLEASE. 894 00:40:52,784 --> 00:40:54,119 TAKE IT. 895 00:40:54,152 --> 00:40:57,756 OH, I APPRECIATE IT, REVEREND, BUT I'M A BUSY GUY. 896 00:40:57,789 --> 00:41:01,793 WELL, YOU NEVER KNOW WHEN YOU MIGHT FIND THE TIME. 897 00:41:23,148 --> 00:41:26,785 -SURPRISE! -SURPRISE! -SURPRISE! -SURPRISE! 898 00:41:26,818 --> 00:41:28,019 [ LAUGHS ] 899 00:41:28,053 --> 00:41:29,054 WHAT THE -- 900 00:41:29,087 --> 00:41:30,756 IT'S ALL YOURS. 901 00:41:30,789 --> 00:41:32,290 WHAT?! 902 00:41:32,323 --> 00:41:33,859 I DON'T KNOW WHAT TO SAY. 903 00:41:33,892 --> 00:41:34,726 GIVE ME A HUG. 904 00:41:34,760 --> 00:41:36,795 -OH, MY GOSH. -COME. COME SIT DOWN. 905 00:41:36,828 --> 00:41:39,598 I WISH RAY WERE HERE TO SEE THIS. 906 00:41:39,631 --> 00:41:40,766 WAIT FOR IT. 907 00:41:40,799 --> 00:41:43,802 HUH? 908 00:41:43,835 --> 00:41:45,904 MOSCONE'S ARREST CASTS NEW LIGHT 909 00:41:45,937 --> 00:41:49,007 ON THE MURDER OF RUSSIAN HIT MAN ANATOLI SIROSKY, 910 00:41:49,040 --> 00:41:51,877 A MURDER L.A. RESTAURANT OWNER RAYMOND PALERMO 911 00:41:51,910 --> 00:41:53,879 WAS CONVICTED OF FIVE YEARS AGO. 912 00:41:53,912 --> 00:41:57,683 MR. PALERMO'S ATTORNEYS ARE ALREADY FILING APPEALS. 913 00:41:57,716 --> 00:41:59,284 I THOUGHT YOU COULDN'T. 914 00:41:59,317 --> 00:42:02,888 HOW? 915 00:42:02,921 --> 00:42:04,856 I DIDN'T DO ANYTHING WHEN YOU SHOT MY BROTHER 916 00:42:04,890 --> 00:42:06,291 LIKE A DOG IN THAT RESTAURANT. 917 00:42:06,324 --> 00:42:07,893 YOUR BROTHER, HUH? 918 00:42:07,926 --> 00:42:09,928 LOOK, IT WAS A MISTAKE, OKAY? 919 00:42:09,961 --> 00:42:13,665 -[ Laughing ] ALL RIGHT! -HEY! 920 00:42:13,699 --> 00:42:16,668 DADDY'S COMING HOME. 921 00:42:16,702 --> 00:42:18,670 HOT PLATES! HOT PLATES! HEY, COME ON, NOW! 922 00:42:18,704 --> 00:42:20,171 -MAKE SOME ROOM. -MAKE A LITTLE ROOM THERE. 923 00:42:20,205 --> 00:42:22,874 DADDY'S COMING HOME. 924 00:42:22,908 --> 00:42:24,042 [ INDISTINCT CONVERSATIONS ] 925 00:42:24,075 --> 00:42:27,579 [ LAUGHTER ] 926 00:42:27,613 --> 00:42:30,115 I GOT A TOAST. 927 00:42:30,148 --> 00:42:31,750 CHEERS. 928 00:42:31,783 --> 00:42:33,318 DADDY'S COMING HOME. 929 00:42:33,351 --> 00:42:34,853 WHOO! 930 00:42:34,886 --> 00:42:36,822 THANK YOU.