1 00:00:03,671 --> 00:00:05,306 WHERE ARE THEY? 2 00:00:07,375 --> 00:00:09,143 CLEAR THE ROOM. CLEAR THE ROOM! 3 00:00:11,112 --> 00:00:13,347 ARE YOU HERE TO KILL ME, IAN? 4 00:00:17,151 --> 00:00:21,089 WELL, BEFORE WE CONCLUDE THIS MEETING, 5 00:00:21,122 --> 00:00:22,490 I WANT TO INTRODUCE TO YOU 6 00:00:22,523 --> 00:00:25,559 THE NEWEST VICE PRESIDENT OF I.Y.S. INSURANCE, 7 00:00:25,593 --> 00:00:27,261 JAMES STERLING. 8 00:00:27,295 --> 00:00:29,697 [ APPLAUSE ] 9 00:00:29,730 --> 00:00:34,068 ALL OF YOU KNOW JIM STERLING AS OUR CHIEF INVESTIGATOR, 10 00:00:34,102 --> 00:00:35,503 THE MAN WHO RECOVERED A MICHELANGELO 11 00:00:35,536 --> 00:00:37,638 THAT WAS STOLEN FROM ME THREE MONTHS AGO. 12 00:00:37,671 --> 00:00:40,541 BUT THAT'S NOT THE REASON HE'S STANDING HERE NOW. 13 00:00:40,574 --> 00:00:42,276 WELL, IT CERTAINLY DIDN'T HURT. 14 00:00:42,310 --> 00:00:44,212 [ LIGHT LAUGHTER ] 15 00:00:46,447 --> 00:00:47,681 UH-HUH. 16 00:00:47,715 --> 00:00:50,584 THAT'S RIGHT. YEAH, I'M AT THE MUSEUM. 17 00:00:50,618 --> 00:00:53,354 I'LL BE HOME AROUND 6:00. UH-HUH. 18 00:00:56,290 --> 00:00:58,426 [ CAMERA SHUTTER CLICKS ] 19 00:00:59,727 --> 00:01:01,162 UH, NO, NO. 20 00:01:01,195 --> 00:01:02,796 I'LL, UH, I'LL FIX THEM SOMETHING TO EAT 21 00:01:02,830 --> 00:01:04,532 WHEN I GET HOME. 22 00:01:13,507 --> 00:01:15,209 [ BEEPING ] 23 00:01:15,243 --> 00:01:17,411 SO, WHAT I'M PROPOSING 24 00:01:17,445 --> 00:01:23,684 IS THAT WE BOTH INSURE AND SECURE OUR CLIENTS' ART -- 25 00:01:23,717 --> 00:01:26,220 OUR PERSONNEL, OUR TECHNOLOGY. 26 00:01:26,254 --> 00:01:29,423 NO MORE WRITING MULTIMILLION-DOLLAR CHECKS 27 00:01:29,457 --> 00:01:33,461 BECAUSE SOME MUSEUM GUARD TOOK A NAP UNDER THE PICASSO. 28 00:01:33,494 --> 00:01:37,531 THE SHOWCASE WILL BE MY WING OF THE MUSEUM. 29 00:01:37,565 --> 00:01:40,501 EVERY PAINTING THERE WILL BE EITHER MINE 30 00:01:40,534 --> 00:01:43,804 OR BELONG TO A HIGH-PROFILE CLIENT OF I.Y.S. 31 00:01:43,837 --> 00:01:46,674 A PERFECT SHOW OF FAITH. 32 00:01:47,775 --> 00:01:49,843 THANK YOU FOR YOUR VOTE OF CONFIDENCE. 33 00:02:14,335 --> 00:02:15,703 SO, WHAT DO YOU THINK? 34 00:02:15,736 --> 00:02:17,571 CORNER OFFICE. 35 00:02:17,605 --> 00:02:19,273 I DON'T KNOW WHAT TO SAY. 36 00:02:19,307 --> 00:02:23,244 HOW ABOUT, UH... SOMETHING LIKE, 37 00:02:23,277 --> 00:02:28,216 "I'M MORE COMFORTABLE IN ENCLOSED SPACES"? 38 00:02:28,249 --> 00:02:29,483 [ CLICKS TONGUE ] 39 00:02:41,929 --> 00:02:45,966 -LET'S TAKE A LOOK OVER HERE. -OKAY. 40 00:02:45,999 --> 00:02:48,736 YOU KNOW, I THINK YOU'D FIT THROUGH THAT WINDOW 41 00:02:48,769 --> 00:02:50,671 IF YOU'RE TRAVELING FAST ENOUGH. 42 00:02:50,704 --> 00:02:53,807 LAST TIME I SAW YOU, YOU WERE SELLING ME SOMETHING. 43 00:02:53,841 --> 00:02:55,709 IT'S A NICE TEAM YOU HAD, BY THE WAY. 44 00:02:55,743 --> 00:02:57,645 UH, PORTIA -- WAS THAT HER NAME? 45 00:02:57,678 --> 00:02:59,413 OH, I MEAN SOPHIE. 46 00:02:59,447 --> 00:03:00,848 YES. YES, THANK YOU. 47 00:03:00,881 --> 00:03:02,816 I GOT OUT OF SALES. 48 00:03:02,850 --> 00:03:04,552 SO, WHAT ARE YOU IN NOW? 49 00:03:04,585 --> 00:03:05,719 THEFT. 50 00:03:05,753 --> 00:03:07,488 YEAH, I'M GOING TO ROB 51 00:03:07,521 --> 00:03:10,658 THE TWO DAVIDS GALLERY ON OPENING DAY. 52 00:03:12,293 --> 00:03:13,694 [ GLASS CLINKS ] 53 00:03:13,727 --> 00:03:14,995 AHH. 54 00:03:15,028 --> 00:03:16,464 NICE WET BAR. 55 00:03:25,005 --> 00:03:27,375 [ BEEP ] 56 00:03:27,408 --> 00:03:29,310 AREN'T YOU GONNA CALL THE, UH, POLICE? 57 00:03:30,611 --> 00:03:31,845 OF COURSE NOT. 58 00:03:31,879 --> 00:03:33,714 YOU'RE A SICK MAN, NATHAN. 59 00:03:33,747 --> 00:03:34,715 [ CHUCKLES SOFTLY ] 60 00:03:34,748 --> 00:03:38,319 YOU STILL BLAME ME FOR THE DEATH OF YOUR SON. 61 00:03:38,352 --> 00:03:39,620 YOU TURNED DOWN THE INSURANCE CLAIM 62 00:03:39,653 --> 00:03:41,289 FOR THE TREATMENT THAT WOULD'VE SAVED HIM. 63 00:03:41,322 --> 00:03:43,491 IT'S OUR POLICY TO SAY NO TO ALL CLAIMS 64 00:03:43,524 --> 00:03:45,593 UNTIL THEY'VE BEEN FULLY INVESTIGATED. 65 00:03:45,626 --> 00:03:47,761 STALLED -- FULLY STALLED. 66 00:03:47,795 --> 00:03:51,031 I DON'T LET MY PERSONAL FEELINGS AFFECT POLICY. 67 00:03:51,064 --> 00:03:52,766 YOUR POLICY. 68 00:03:52,800 --> 00:03:56,837 THIS COMPANY NEVER AUTOMATICALLY TURNED DOWN CLAIMS 69 00:03:56,870 --> 00:03:58,739 UNTIL YOU CAME ALONG. 70 00:03:58,772 --> 00:04:00,908 I HAVE A RESPONSIBILITY TO MY SHAREHOLDERS. 71 00:04:00,941 --> 00:04:02,776 PEOPLE LOST THEIR HOMES! CHILDREN DIED! 72 00:04:02,810 --> 00:04:04,712 NO EXCEPTIONS. 73 00:04:15,856 --> 00:04:16,890 [ GASPS ] 74 00:04:16,924 --> 00:04:18,426 What are you doing here? 75 00:04:18,459 --> 00:04:19,727 -What are you doing here? -Get out. 76 00:04:19,760 --> 00:04:21,762 -You're gonna mess this up. -You're gonna mess me up. 77 00:04:21,795 --> 00:04:23,297 -I was here first. -I was here first! 78 00:04:30,804 --> 00:04:33,307 What are you doing here?! 79 00:04:33,341 --> 00:04:35,576 Damn it, Hardison. 80 00:04:35,609 --> 00:04:37,044 -This is my spot. You go. -Shh! 81 00:04:37,077 --> 00:04:39,380 I'M GONNA MAKE YOU AN OFFER. 82 00:04:39,413 --> 00:04:41,582 ONE TIME ONLY. 83 00:04:41,615 --> 00:04:43,651 YOU RESIGN AS C.E.O., 84 00:04:43,684 --> 00:04:46,320 YOU DONATE ALL YOUR ASSETS TO CHARITY, 85 00:04:46,354 --> 00:04:48,088 AND I WILL NOT ROB THE MUSEUM. 86 00:04:48,121 --> 00:04:49,857 -ALL MY ASSETS? -YEAH. 87 00:04:49,890 --> 00:04:51,024 HOW GENEROUS. 88 00:04:53,494 --> 00:04:54,995 WE'RE DONE HERE. 89 00:04:55,028 --> 00:04:57,064 YEAH, I'VE GOT SOME ERRANDS, TOO. 90 00:04:57,097 --> 00:04:59,032 ROPE, MASKS... 91 00:04:59,066 --> 00:05:01,535 KNOCKOUT GAS! 92 00:05:05,072 --> 00:05:07,007 [ EXHALES DEEPLY ] BE SEEING YOU, STERLING. 93 00:05:08,075 --> 00:05:09,777 NATE. 94 00:05:09,810 --> 00:05:11,579 Behind you. Look. 95 00:05:11,612 --> 00:05:12,713 What? What?! 96 00:05:12,746 --> 00:05:13,681 Behind you! 97 00:05:13,714 --> 00:05:15,315 -What? -HEY! 98 00:05:18,952 --> 00:05:20,421 HEY! 99 00:05:22,122 --> 00:05:23,891 HEY. 100 00:05:23,924 --> 00:05:25,058 OH. 101 00:05:26,927 --> 00:05:28,396 MY BADGES, MY I.D.s. 102 00:05:28,429 --> 00:05:29,497 JUST -- 103 00:05:29,530 --> 00:05:30,864 -HEY! -WAIT. 104 00:05:31,765 --> 00:05:33,367 ARE YOU SEEING THIS? 105 00:05:34,935 --> 00:05:37,505 COULD WE GET SOME SECURITY OVER TO THE BLACKPOOLE GALLERY? 106 00:05:37,538 --> 00:05:38,772 I think he's trying to get an exit here 107 00:05:38,806 --> 00:05:39,840 in the north stairwell. 108 00:05:39,873 --> 00:05:41,509 Eliot. 109 00:05:41,542 --> 00:05:42,843 -I got you. -Help me. 110 00:05:42,876 --> 00:05:45,045 -Help me. -GOT YOU. 111 00:05:46,146 --> 00:05:47,715 I GOT IT. 112 00:05:49,450 --> 00:05:51,519 I'M SORRY. DON'T I KNOW YOU? 113 00:05:51,552 --> 00:05:53,887 LO SIENTO. NO HABLA INGLES. 114 00:05:53,921 --> 00:05:55,956 PERDON. ¿LE CONOZCO? 115 00:05:55,989 --> 00:05:59,493 OF COURSE SHE BLOODY SPEAKS SPANISH. 116 00:05:59,527 --> 00:06:03,631 WE'RE CHECKING BLACKPOOLE WING. SECOND FLOOR RIGHT NOW. 117 00:06:03,664 --> 00:06:04,898 [ RATCHETS ] 118 00:06:07,701 --> 00:06:09,069 ALL RIGHT, CHECK ONE FLOOR UP. 119 00:06:09,102 --> 00:06:11,572 I THINK I SAW ANOTHER GUY DRESSED JUST LIKE THIS ONE. 120 00:06:11,605 --> 00:06:12,906 GOT IT. LET'S GO. 121 00:06:12,940 --> 00:06:14,041 MOVE. 122 00:06:14,074 --> 00:06:15,676 I'M GONNA KICK YOUR BUTT. 123 00:06:15,709 --> 00:06:16,710 STAND OVER THERE. 124 00:06:16,744 --> 00:06:17,911 I'M GONNA KICK YOUR BUTT. 125 00:06:17,945 --> 00:06:19,447 [ ELEVATOR BELL DINGS ] 126 00:06:19,480 --> 00:06:20,881 OH! W-WHERE DID YOU -- 127 00:06:20,914 --> 00:06:22,750 RUN NOW. TALK LATER. 128 00:06:34,662 --> 00:06:35,629 WHAT? 129 00:06:35,663 --> 00:06:36,764 LET'S GO! 130 00:06:43,036 --> 00:06:44,738 NEED A RIDE? 131 00:06:45,673 --> 00:06:47,040 HEY, WAIT! 132 00:06:47,074 --> 00:06:49,076 [ TIRES SCREECH ] 133 00:06:50,243 --> 00:06:52,012 HARDISON, WHAT IS THIS? 134 00:06:52,045 --> 00:06:54,181 YEAH, WELL, SINCE STERLING BLEW OUR COVERS, 135 00:06:54,214 --> 00:06:55,883 I HAD TO FIND A NEW SAFE HOUSE. 136 00:06:55,916 --> 00:06:56,917 LAY LOW. 137 00:06:56,950 --> 00:06:59,019 THIS IS YOUR IDEA OF LAYING LOW? 138 00:07:06,560 --> 00:07:07,795 WOW. 139 00:07:07,828 --> 00:07:10,163 HEY, DON'T BREAK NOTHING. 140 00:07:10,197 --> 00:07:11,632 THERE'S NOTHING TO BREAK. 141 00:07:11,665 --> 00:07:13,233 WHO RIPPED OUT THE TOILETS? 142 00:07:13,266 --> 00:07:15,536 THIS WAS AN I.R.S. FORECLOSURE. 143 00:07:15,569 --> 00:07:16,937 I GOT IT CHEAP. 144 00:07:16,970 --> 00:07:18,872 I.R.S. DOESN'T TAKE TOILETS. 145 00:07:18,906 --> 00:07:20,641 THEY DO WHEN THEY'RE SOLID GOLD. 146 00:07:20,674 --> 00:07:22,810 HEARD THIS USED TO BE M.C. HAMMER'S PLACE. 147 00:07:22,843 --> 00:07:24,745 I GUESS YOU CAN TOUCH THIS -- 148 00:07:24,778 --> 00:07:27,581 WITH A SWAT TEAM AND A FEDERAL WARRANT. 149 00:07:29,983 --> 00:07:31,519 WHAT? 150 00:07:35,589 --> 00:07:36,857 SEE THAT? 151 00:07:38,158 --> 00:07:39,827 WE'RE A MESS. 152 00:07:42,162 --> 00:07:44,097 YEP. 153 00:07:48,035 --> 00:07:50,771 HOW'D YOU KNOW WE'D BE THERE? 154 00:07:50,804 --> 00:07:52,773 LAST WEEK BEFORE THE EXHIBIT OPENS, 155 00:07:52,806 --> 00:07:55,776 SECURITY ALMOST IN PLACE, BUT NOT FULLY STAFFED. 156 00:07:55,809 --> 00:07:57,978 BEST TIME TO CASE THE JOINT. 157 00:07:58,011 --> 00:08:01,248 PLUS, I DID CHASE ALL OF YOU AT ONE POINT OR ANOTHER. 158 00:08:01,281 --> 00:08:04,251 IS SHE IN ON THIS? 159 00:08:04,284 --> 00:08:06,219 "SHE" CAN HEAR YOU, OKAY? 160 00:08:06,253 --> 00:08:08,021 WAIT A MINUTE. THERE IS NO "THIS," ELIOT. 161 00:08:08,055 --> 00:08:09,623 SOPHIE DID COME BACK FOR ME. 162 00:08:09,657 --> 00:08:11,892 WOULDN'T HAVE HAD TO IF SHE WOULDN'T HAVE LIED TO YOU. 163 00:08:11,925 --> 00:08:13,861 NO CALLS, THREE MONTHS. I DON'T NEED YOU PEOPLE. 164 00:08:13,894 --> 00:08:15,529 WHAT DO YOU MEAN, YOU DON'T NEED US? 165 00:08:15,563 --> 00:08:16,864 I'M SORRY, I SEEM TO REMEMBER 166 00:08:16,897 --> 00:08:19,066 A CERTAIN JOB WITH HORSES WHERE I BACKED YOUR PLAY, ACTUALLY. 167 00:08:19,099 --> 00:08:20,801 I DON'T CARE! YOU DON'T CON YOUR CREW! 168 00:08:20,834 --> 00:08:21,935 [ INDISTINCT ARGUING ] -YOU WOULDN'T UNDERSTAND. 169 00:08:21,969 --> 00:08:25,539 YOU'VE NEVER STOLEN ANYTHING REMOTELY LIKE THE DAVIDS. 170 00:08:25,573 --> 00:08:26,840 [ WHISTLES ] 171 00:08:26,874 --> 00:08:28,108 [ SILENCE ] 172 00:08:28,141 --> 00:08:31,144 GLEN-REEDER SECURITY SYSTEM HERE. 173 00:08:32,646 --> 00:08:34,582 AND THAT'S NOT THE WORST OF IT. 174 00:08:34,615 --> 00:08:35,983 HMM? 175 00:08:36,016 --> 00:08:37,985 THE DAVIDS ARE UNDER BULLETPROOF GLASS 176 00:08:38,018 --> 00:08:39,252 ON A MOTION-DETECTOR PAD. 177 00:08:39,286 --> 00:08:40,554 -REALLY? -MM-HMM. 178 00:08:40,588 --> 00:08:42,122 ENVIRONMENTALLY SEALED, 179 00:08:42,155 --> 00:08:44,958 KEPT AT A CONSTANT TEMPERATURE AND HUMIDITY IN THE CASE. 180 00:08:44,992 --> 00:08:47,260 I SAW THEM WORKING ON THE AIRFLOW. 181 00:08:47,294 --> 00:08:49,663 YOU CAN GET PAST THE MOTION DETECTORS, OKAY? 182 00:08:49,697 --> 00:08:51,799 I HAVE A LINK TO THEIR SECURITY SYSTEM AND THE VIDEO FEED. 183 00:08:51,832 --> 00:08:54,201 GUARD ROTATION'S TOO HEAVY FOR A DAY GRAB, 184 00:08:54,234 --> 00:08:56,937 AND AT NIGHT THEY GOT TWO STANDING GUARDS. 185 00:08:58,138 --> 00:08:59,707 WHY'D YOU COME BACK? 186 00:08:59,740 --> 00:09:03,611 WE AGREED TO SCATTER FOR SIX MONTHS. 187 00:09:03,644 --> 00:09:05,245 ALL OF YOU -- ALL OF YOU -- 188 00:09:05,278 --> 00:09:07,648 MADE AN AMATEUR MOVE BEING THERE. 189 00:09:07,681 --> 00:09:10,050 IT'S TOO HARD TO LEAVE A JOB UNDONE. 190 00:09:10,083 --> 00:09:11,351 IT'S LIKE AN ITCH. 191 00:09:11,384 --> 00:09:13,821 I PUT A LOT OF WORK INTO US, INTO THAT OFFICE. 192 00:09:13,854 --> 00:09:15,155 IT WAS LIKE MY SECOND HOME. 193 00:09:15,188 --> 00:09:17,190 I BLEW UP MY SECOND HOME. 194 00:09:17,224 --> 00:09:19,292 AS ANNOYING AS YOU PEOPLE ARE, 195 00:09:19,326 --> 00:09:23,096 I QUIT THIS CREW WHEN I QUIT THIS CREW. 196 00:09:23,130 --> 00:09:24,264 NOBODY MAKES ME LEAVE. 197 00:09:24,297 --> 00:09:28,702 I JUST -- I REALLY WANTED TO HURT STERLING. 198 00:09:30,337 --> 00:09:34,608 WELL, HE'S TAKEN OVER SECURITY FOR THE GALLERY. 199 00:09:34,642 --> 00:09:37,611 SO IF WE WORK TOGETHER -- IF WE WORK TOGETHER, 200 00:09:37,645 --> 00:09:39,913 WE CAN KILL TWO BIRDS WITH ONE STONE -- 201 00:09:39,947 --> 00:09:42,382 BREAK BLACKPOOLE AND HUMILIATE STERLING. 202 00:09:42,415 --> 00:09:44,952 NO, NO. STERLING, HE KNOWS OUR GAME, MAN, OKAY? 203 00:09:44,985 --> 00:09:47,655 IT'S GONNA BE TWICE AS HARD TO STEAL THOSE STATUES. 204 00:09:47,688 --> 00:09:50,057 OH, NO, NO. IT'LL BE FOUR TIMES AS HARD. 205 00:09:51,424 --> 00:09:53,026 THEY KNOW WE'RE COMING. 206 00:09:54,361 --> 00:09:56,329 AND HOW DO THEY KNOW THAT? 207 00:09:56,363 --> 00:09:58,799 I WENT TO THEIR OFFICE AND TOLD THEM. 208 00:09:58,832 --> 00:10:00,067 OH, NATE. 209 00:10:00,100 --> 00:10:02,335 WE ALL WANT TO HURT THESE GUYS, RIGHT? 210 00:10:02,369 --> 00:10:06,073 THEY HUMILIATED US. BUT TAUNTING THEM? 211 00:10:06,106 --> 00:10:10,110 THE -- THE RESPONSE IS GOING TO BE... 212 00:10:10,143 --> 00:10:11,812 BIBLICAL. 213 00:10:11,845 --> 00:10:13,380 THAT'S WHAT I'M COUNTING ON. 214 00:10:22,022 --> 00:10:24,224 HEY, I THINK THE ROOF'S THE WAY IN. 215 00:10:24,257 --> 00:10:26,860 BUT IT LOOKS LIKE THEY'VE RIGGED ALARM SENSORS TO THE SKYLIGHTS. 216 00:10:26,894 --> 00:10:28,696 I CAN GET AROUND THOSE. 217 00:10:28,729 --> 00:10:29,963 REALLY? 218 00:10:29,997 --> 00:10:32,866 AND END UP ON ONE OF THE NEW 20 CAMERAS THEY GOT DOWN THERE 219 00:10:32,900 --> 00:10:34,902 FROM OUR LAST LITTLE TRIP TO THE BASEMENT? 220 00:10:34,935 --> 00:10:37,037 THAT WAS FUN. 221 00:10:37,070 --> 00:10:39,039 YEAH. COULD WE TALK ABOUT THAT? 222 00:10:39,072 --> 00:10:39,973 TALK ABOUT WHAT? 223 00:10:40,007 --> 00:10:42,042 YOU KNOW, NONE OF THIS TAKES INTO ACCOUNT 224 00:10:42,075 --> 00:10:45,412 ANY NEW SECURITY MEASURES THAT STERLING MIGHT HAVE ADDED 225 00:10:45,445 --> 00:10:47,014 SINCE NATE MADE HIS LITTLE PLAYDATE. 226 00:10:48,348 --> 00:10:49,950 WHERE'S THE AIR COMING FROM? 227 00:10:49,983 --> 00:10:52,920 THE STATUES ARE IN A SEALED CASE, 228 00:10:52,953 --> 00:10:55,723 KEPT AT A CONSTANT HUMIDITY AND TEMPERATURE. 229 00:10:55,756 --> 00:10:59,226 AIR MOVES IN AND OUT. HOW? 230 00:10:59,259 --> 00:11:00,928 ALL RIGHT, FROM WHAT I SAW, 231 00:11:00,961 --> 00:11:01,962 THE AIRFLOW TO THE MUSEUM 232 00:11:01,995 --> 00:11:04,197 PASSES THROUGH THE BASE OF THE DISPLAY, RIGHT? 233 00:11:04,231 --> 00:11:07,167 HOLLOW BASE UNDERNEATH THE STATUES, 234 00:11:07,200 --> 00:11:08,802 SO WHAT'S UNDERNEATH THE BASE? 235 00:11:15,943 --> 00:11:18,311 THE RESTORATION ROOM. 236 00:11:18,345 --> 00:11:21,014 IT'S LIKE A MAZE OF ROOMS DOWN THERE -- 237 00:11:21,048 --> 00:11:22,750 AIRFLOW CONTROL, HEATING, STORAGE. 238 00:11:22,783 --> 00:11:24,351 HOW'D WE MISS THAT? 239 00:11:24,384 --> 00:11:26,286 GRIFTER, HITTER, HACKER, THIEF. 240 00:11:26,319 --> 00:11:28,989 YOU WERE ALL TRYING TO SOLVE YOUR VERSION OF THE CRIME 241 00:11:29,022 --> 00:11:31,691 INSTEAD OF JUST TRYING TO... SOLVE THE CRIME. 242 00:11:33,160 --> 00:11:35,395 THERE WAS A REASON WE WORKED TOGETHER. 243 00:11:35,428 --> 00:11:37,297 YEAH... 244 00:11:37,330 --> 00:11:38,331 WAS. 245 00:11:39,332 --> 00:11:43,904 OKAY, WE NEED ACCESS TO THAT RESTORATION ROOM. 246 00:11:43,937 --> 00:11:45,405 WE NEED SOMEBODY ON THE INSIDE. 247 00:11:45,438 --> 00:11:47,374 WE CAN'T RUN A CON. THEY KNOW OUR FACES. 248 00:11:47,407 --> 00:11:49,209 WHAT ABOUT MAGGIE? 249 00:11:49,242 --> 00:11:50,277 EXACTLY. 250 00:11:50,310 --> 00:11:51,979 I MEAN, MOST OF THE MUSEUM PEOPLE 251 00:11:52,012 --> 00:11:53,947 AREN'T GONNA RECOGNIZE US, BUT MAGGIE -- 252 00:11:53,981 --> 00:11:54,815 SHE WORKS DOWN THERE. 253 00:11:54,848 --> 00:11:57,951 NO -- WHAT ABOUT MAGGIE? SHE'S INSIDE. 254 00:11:57,985 --> 00:11:59,352 YOU JUST SAID THAT. SHE JUST SAID -- 255 00:11:59,386 --> 00:12:00,788 NO, WAIT. NO, HOLD -- LISTEN. 256 00:12:00,821 --> 00:12:02,756 LISTEN, I GET -- I GET IT. 257 00:12:02,790 --> 00:12:05,392 JUST HAVE ELIOT CALL HER AS DR. SINCLAIR. 258 00:12:05,425 --> 00:12:07,961 WE WON'T PLAY HER. YOU JUST FEEL HER OUT. 259 00:12:07,995 --> 00:12:09,930 HAVE ELIOT...FEEL OUT MY WIFE? 260 00:12:09,963 --> 00:12:12,032 FEEL OUT. 261 00:12:12,065 --> 00:12:15,936 EX, NATE -- EX-WIFE. 262 00:12:15,969 --> 00:12:18,171 OKAY, LOOK, YOU ALWAYS HAVE A PLAN "B," RIGHT? 263 00:12:18,205 --> 00:12:19,506 SO, FINE. 264 00:12:19,539 --> 00:12:21,775 WITHOUT MAGGIE, WHAT'S THE PLAN "B"? 265 00:12:25,145 --> 00:12:26,213 [ SNEEZES ] 266 00:12:26,246 --> 00:12:27,347 I'M SORRY. 267 00:12:27,380 --> 00:12:29,817 THESE ALLERGIES -- THEY'RE JUST KILLING ME THIS YEAR. 268 00:12:29,850 --> 00:12:31,952 SO, WE MOVED THE SARCOPHAGUS FROM THE EGYPTIAN ROOM 269 00:12:31,985 --> 00:12:33,220 TO THE LECTURE HALL. 270 00:12:33,253 --> 00:12:34,521 IT STILL NEEDS TO BE VALIDATED. 271 00:12:34,554 --> 00:12:35,956 [ THUD ] 272 00:12:42,462 --> 00:12:43,897 AH. 273 00:12:43,931 --> 00:12:44,865 JIM. 274 00:12:44,898 --> 00:12:47,467 THIS IS DR. LLOYD, DIRECTOR OF THE MUSEUM. 275 00:12:47,500 --> 00:12:48,936 AND YOU KNOW MAGGIE. 276 00:12:48,969 --> 00:12:51,238 MR. STERLING WILL BE TAKING OVER ALL THE SECURITY 277 00:12:51,271 --> 00:12:53,206 FOR BLACKPOOLE GALLERY. 278 00:12:53,240 --> 00:12:54,341 OH. 279 00:12:54,374 --> 00:12:55,909 [ CLICKS ] 280 00:12:55,943 --> 00:12:56,910 [ BEEPING ] 281 00:12:56,944 --> 00:12:58,211 [ THUD ] 282 00:13:00,981 --> 00:13:04,918 I WANT THAT FLOOR TO CEILING, ALL FOUR FLOORS. 283 00:13:04,952 --> 00:13:08,355 YOU KNOW, WE, UH, WE HAVE SECURITY. 284 00:13:09,522 --> 00:13:11,091 HMM? 285 00:13:11,124 --> 00:13:12,325 OH, HEY, DOC. 286 00:13:12,359 --> 00:13:14,594 ABSOLUTELY TERRIFYING. 287 00:13:14,627 --> 00:13:17,597 EVERY PAINTING IN THIS GALLERY BELONGS TO EITHER ME 288 00:13:17,630 --> 00:13:19,099 OR A CLIENT OF I.Y.S., 289 00:13:19,132 --> 00:13:21,835 AND I'LL DO WHATEVER NECESSARY TO PROTECT IT. 290 00:13:21,869 --> 00:13:25,272 DR. LLOYD, THIS IS NO LONGER A MUSEUM. 291 00:13:25,305 --> 00:13:28,408 IT'S A VAULT WITH VISITING HOURS. 292 00:13:31,111 --> 00:13:33,346 MR. BLACKPOOLE, YOU KNOW, I'D JUST LIKE TO ADD 293 00:13:33,380 --> 00:13:36,049 THAT OUR SECURITY HAS YEARS OF EXPERIENCE. 294 00:13:36,083 --> 00:13:37,217 IN FACT, THE FBI... 295 00:13:37,250 --> 00:13:39,486 [ CELLPHONE RINGS ] 296 00:13:41,654 --> 00:13:42,856 HELLO? 297 00:13:42,890 --> 00:13:44,257 Hey, Maggie, how you doing? 298 00:13:44,291 --> 00:13:45,993 DR. SINCLAIR. ADAM. 299 00:13:46,026 --> 00:13:47,594 WHAT A NICE SURPRISE. 300 00:13:47,627 --> 00:13:49,562 EASE INTO IT. DON'T RUSH HER. 301 00:13:49,596 --> 00:13:50,931 YEAH. LISTEN, I'M IN -- 302 00:13:50,964 --> 00:13:52,432 I'M BACK IN LOS ANGELES FOR A WHILE. 303 00:13:52,465 --> 00:13:54,067 YOU KNOW, I HAD TO ASK HER OUT 10 TIMES 304 00:13:54,101 --> 00:13:55,335 BEFORE WE EVEN GOT A COFFEE -- 305 00:13:55,368 --> 00:13:56,603 COFFEE? 306 00:13:56,636 --> 00:13:59,372 I WOULD LOVE TO. YEAH. WHAT TIME? 307 00:13:59,406 --> 00:14:00,507 IN AN HOUR? 308 00:14:00,540 --> 00:14:02,142 I -- YEAH, I WOULD LOVE TO. 309 00:14:02,175 --> 00:14:04,177 LET ME WRITE DOWN WHERE YOU WANT TO GO. 310 00:14:06,413 --> 00:14:08,381 I KNOW EXACTLY WHERE THAT PLACE IS AT. 311 00:14:08,415 --> 00:14:10,450 ALL RIGHT. I'M LOOKING FORWARD TO IT. 312 00:14:10,483 --> 00:14:12,585 YEAH -- ALL RIGHT -- NO. 313 00:14:14,454 --> 00:14:16,656 SHE PROBABLY JUST REALLY WANTS SOME HOT COFFEE. 314 00:14:16,689 --> 00:14:17,958 SHUT UP! 315 00:14:17,991 --> 00:14:19,993 IT'S NOT LIKE A DATE. 316 00:14:20,027 --> 00:14:22,595 ARE YOU KIDDING ME? YOU'RE FIXING YOUR HAIR? 317 00:14:22,629 --> 00:14:25,532 BECAUSE I'M PLAYING THE PROFESSOR SINCLAIR DUDE! 318 00:14:25,565 --> 00:14:27,200 THERE YOU ARE. 319 00:14:27,234 --> 00:14:28,535 YEAH. ALL RIGHT. 320 00:14:28,568 --> 00:14:30,237 MA'AM, FOR YOU. 321 00:14:30,270 --> 00:14:31,471 [ SLURPS ] 322 00:14:31,504 --> 00:14:33,106 -THANK YOU. -YOU'RE WELCOME. ENJOY. 323 00:14:33,140 --> 00:14:34,341 [ SIGHS ] 324 00:14:35,408 --> 00:14:36,443 YOU COME HERE A LOT? 325 00:14:36,476 --> 00:14:38,511 NO. I JUST WANTED TO SEE YOU. 326 00:14:42,115 --> 00:14:44,952 THAT'S A DATE. 327 00:14:44,985 --> 00:14:47,354 DID WE REALLY NEED TO PUT A BUTTON CAM ON ELIOT? 328 00:14:47,387 --> 00:14:49,422 SAFETY ISSUE. 329 00:14:49,456 --> 00:14:50,991 [ CLEARS THROAT ] 330 00:14:51,024 --> 00:14:52,392 -HMM. -MM. 331 00:14:52,425 --> 00:14:55,095 We're not gonna talk about art all afternoon, are we? 332 00:14:55,128 --> 00:14:56,964 -NO. -GOOD. 333 00:14:56,997 --> 00:14:59,232 IT'S ALL MY EX-HUSBAND EVER WANTED TO TALK ABOUT. 334 00:15:00,600 --> 00:15:02,302 AND THAT WAS SO TEDIOUS. 335 00:15:05,572 --> 00:15:07,274 Listen... 336 00:15:09,142 --> 00:15:10,277 I WANT TO THANK YOU. 337 00:15:11,378 --> 00:15:14,514 I HAVEN'T DATED A LOT SINCE MY MARRIAGE BROKE UP. 338 00:15:14,547 --> 00:15:16,516 -I'M SORRY TO HEAR THAT. -NO, DON'T BE. 339 00:15:16,549 --> 00:15:19,619 HE WAS OBSESSIVE, PERFECTIONIST, CONTROLLING. 340 00:15:19,652 --> 00:15:21,989 ORGANIZED! 341 00:15:22,022 --> 00:15:23,423 SHE USED TO SAY I WAS ORGANIZED. 342 00:15:23,456 --> 00:15:25,425 AND PUNCTUAL. 343 00:15:25,458 --> 00:15:28,495 HE MUST HAVE HAD SOME GOOD QUALITIES. 344 00:15:28,528 --> 00:15:30,097 NO, NOT EVEN IN BED. 345 00:15:31,331 --> 00:15:33,166 OHH! 346 00:15:33,200 --> 00:15:35,268 Every night was prom night. 347 00:15:35,302 --> 00:15:37,470 YOU KNOW WHAT I MEAN? 348 00:15:37,504 --> 00:15:39,272 BUT WORST OF ALL... 349 00:15:40,707 --> 00:15:43,710 ...HE COMPLETELY FORGOT THAT I GAVE HIM THAT SAME BUTTON CAMERA 350 00:15:43,743 --> 00:15:46,413 FOR CHRISTMAS THREE YEARS AGO. 351 00:15:49,149 --> 00:15:50,650 [ DOOR OPENS ] 352 00:15:52,485 --> 00:15:54,521 I CAN EXPLAIN. 353 00:15:58,591 --> 00:16:00,027 DID IT OCCUR TO YOU THAT... 354 00:16:00,060 --> 00:16:01,028 I FEEL USED. 355 00:16:01,061 --> 00:16:03,096 -YOU LIED TO ME, NATE. -HOW DID I LIE TO YOU? 356 00:16:03,130 --> 00:16:05,232 I DON'T KNOW WHY I'M SURPRISED. 357 00:16:06,399 --> 00:16:08,268 [ SIGHS ] 358 00:16:09,769 --> 00:16:12,505 IT'S GOING GREAT. 359 00:16:12,539 --> 00:16:14,274 WE CAN TELL. 360 00:16:16,143 --> 00:16:16,943 MAGGIE! 361 00:16:16,976 --> 00:16:18,445 AND TO THINK I FELT SORRY FOR YOU! 362 00:16:18,478 --> 00:16:19,312 MAGGIE! 363 00:16:19,346 --> 00:16:20,747 THAT WHOLE SOB STORY ABOUT BEING BROKE 364 00:16:20,780 --> 00:16:22,249 AND SLEEPING IN YOUR CAR AND A DRUNK. 365 00:16:22,282 --> 00:16:23,616 WAS! WAS BROKE. 366 00:16:23,650 --> 00:16:24,584 WAS SLEEPING IN THE CAR. 367 00:16:24,617 --> 00:16:27,254 THE DRUNK THING, NOT QUITE IN THE PAST TENSE. 368 00:16:27,287 --> 00:16:29,156 WHAT IS ALL THIS, NATE? 369 00:16:29,189 --> 00:16:32,425 THIS -- THEM... [ BREATHING HEAVILY ] 370 00:16:32,459 --> 00:16:34,061 MAGGIE, WE HELP PEOPLE. 371 00:16:34,094 --> 00:16:35,328 YOU BREAK THE LAW. 372 00:16:35,362 --> 00:16:36,496 [ SIGHS ] 373 00:16:36,529 --> 00:16:38,431 NO -- PICK UP WHERE THE LAW LEAVES OFF. 374 00:16:39,566 --> 00:16:41,401 WOW. 375 00:16:41,434 --> 00:16:44,204 YOU ARE NOT THE SAME MAN I MARRIED. 376 00:16:44,237 --> 00:16:45,638 UH, WHAT -- 377 00:16:45,672 --> 00:16:47,307 SO, WHO DOES THIS HELP? 378 00:16:47,340 --> 00:16:48,708 BLACKPOOLE'S A BASTARD, NATE. 379 00:16:48,741 --> 00:16:51,211 HE WAS A BASTARD WHEN YOU WORKED FOR HIM. 380 00:16:51,244 --> 00:16:53,546 WHAT'S CHANGED? 381 00:16:53,580 --> 00:16:55,615 JUST HELP ME UNDERSTAND. 382 00:17:01,654 --> 00:17:03,756 I HAVE TO TELL YOU SOMETHING, MAG. 383 00:17:06,393 --> 00:17:08,195 PLEASE. 384 00:17:10,563 --> 00:17:12,432 WHAT? 385 00:17:12,465 --> 00:17:15,202 [ BREATHING HEAVILY ] 386 00:17:15,235 --> 00:17:16,669 MAG... 387 00:17:16,703 --> 00:17:19,806 WHEN SAM WAS IN STAGE IV, 388 00:17:19,839 --> 00:17:23,443 I FOUND A TREATMENT THAT WOULD'VE HELPED HIM. 389 00:17:23,476 --> 00:17:26,813 AND I WENT TO IAN TO PAY FOR IT... 390 00:17:26,846 --> 00:17:28,681 AND HE WOULDN'T. 391 00:17:32,385 --> 00:17:33,820 HE WOULDN'T? 392 00:17:33,853 --> 00:17:35,822 HE WOULDN'T. 393 00:17:37,890 --> 00:17:40,160 I TOLD HIM WE HAD MORTGAGED THE HOUSE, 394 00:17:40,193 --> 00:17:41,861 SOLD THE CAR, THAT WE WERE BROKE, 395 00:17:41,894 --> 00:17:44,097 AND HE STILL WOULDN'T PAY THE CLAIM. 396 00:17:46,666 --> 00:17:49,302 20 YEARS AT THAT COMPANY, 397 00:17:49,336 --> 00:17:52,372 AND THEY WOULDN'T HELP SAVE OUR SON. 398 00:17:54,707 --> 00:17:56,876 WHY DIDN'T YOU TELL ME THIS? 399 00:17:56,909 --> 00:17:59,246 I WORK WITH THESE PEOPLE, NATE. 400 00:17:59,279 --> 00:18:01,181 I AM FRIENDLY WITH THEM. 401 00:18:01,214 --> 00:18:03,250 YOU JUST LET ME WALK AROUND LIKE AN IDIOT. 402 00:18:03,283 --> 00:18:04,651 HE'S MY SON, TOO. 403 00:18:04,684 --> 00:18:06,453 I KNOW. I KNOW. 404 00:18:12,425 --> 00:18:16,396 WHY HAVE YOU JUST BEEN CARRYING THIS AROUND ALL THIS TIME? 405 00:18:21,301 --> 00:18:25,772 I DIDN'T WANT YOU TO HATE ME, MAGGIE. 406 00:18:28,441 --> 00:18:31,444 WHY WOULD I HATE YOU? 407 00:18:32,879 --> 00:18:35,515 I DO. 408 00:18:37,650 --> 00:18:39,619 IF I HAD EVER SEEN YOU LOOK AT ME 409 00:18:39,652 --> 00:18:41,454 THE WAY I LOOKED AT MYSELF IN THE MIRROR, 410 00:18:41,488 --> 00:18:43,190 I WOULD'VE BLOWN MY DAMN BRAINS OUT. 411 00:18:45,892 --> 00:18:47,527 [ FLATLINE ] 412 00:18:47,560 --> 00:18:49,762 NO!! 413 00:18:49,796 --> 00:18:51,631 NO!! 414 00:18:51,664 --> 00:18:54,467 [ SCREAMING INDISTINCTLY ] 415 00:19:13,753 --> 00:19:15,788 I'M SORRY. 416 00:19:15,822 --> 00:19:17,324 I'M SORRY. 417 00:19:17,357 --> 00:19:19,226 COME HERE. 418 00:19:35,775 --> 00:19:37,310 WHEN ELIOT SPENCER WORKED HERE 419 00:19:37,344 --> 00:19:38,978 AS A SECURITY GUARD UNDER A FAKE NAME, 420 00:19:39,011 --> 00:19:40,780 HE GAVE A REAL CELLPHONE NUMBER AS A REFERENCE. 421 00:19:40,813 --> 00:19:42,715 LOOK WHO JUST GOT A CALL FROM THAT NUMBER. 422 00:19:45,017 --> 00:19:47,420 OH, MAGGIE. 423 00:19:47,454 --> 00:19:48,855 WHAT A SHAME. 424 00:19:52,792 --> 00:19:54,994 SO WE REINFORCE THE REBAR AND REPLACE THE CONCRETE. 425 00:19:55,027 --> 00:19:56,796 WITH ANY LUCK, THEY'LL NEVER KNOW WHAT HIT 'EM. 426 00:19:56,829 --> 00:19:59,599 AND THAT -- THAT'S THE PLAN. 427 00:19:59,632 --> 00:20:02,369 YOU ACTUALLY EXPECT THIS TO WORK? 428 00:20:02,402 --> 00:20:04,671 -UM -- -NO, NO, YOU'RE SUPPOSED TO SAY, 429 00:20:04,704 --> 00:20:07,240 "WOW. THAT'S JUST CRAZY ENOUGH TO WORK." 430 00:20:07,274 --> 00:20:10,443 INCREDIBLY, CHANCE DOES SEEM TO BEND ITSELF 431 00:20:10,477 --> 00:20:12,345 TO HIS BIZARRE MACHINATIONS. 432 00:20:12,379 --> 00:20:14,781 That's his superpower. 433 00:20:14,814 --> 00:20:16,783 [ SNIFFS ] 434 00:20:18,451 --> 00:20:20,353 OKAY, UM... 435 00:20:20,387 --> 00:20:22,455 NOW, DO YOU HAVE WHAT WE NEED? 436 00:20:22,489 --> 00:20:23,756 I HAVE TO CHECK MUSEUM INVENTORY. 437 00:20:23,790 --> 00:20:24,924 OH. EASY. 438 00:20:24,957 --> 00:20:27,026 [ KEYBOARD CLICKING, COMPUTER BEEPS ] 439 00:20:27,059 --> 00:20:30,530 THIS IS CONFIDENTIAL. 440 00:20:30,563 --> 00:20:32,499 YOU'RE NOT READING MY E-MAILS, ARE YOU? 441 00:20:32,532 --> 00:20:35,668 [ CHUCKLES ] NO. NO. 442 00:20:37,304 --> 00:20:38,905 HE WON'T -- 443 00:20:38,938 --> 00:20:40,006 HERE. 444 00:20:41,808 --> 00:20:44,444 THIS IS THE ONLY THING BIG ENOUGH FOR WHAT YOU NEED. 445 00:20:44,477 --> 00:20:45,578 GREAT. OKAY. 446 00:20:45,612 --> 00:20:48,515 NOW, HOW SOON CAN YOU GET THAT IN THE RESTORATION ROOM? 447 00:20:48,548 --> 00:20:49,716 [ LAUGHS ] THAT'S NOT MY DEPARTMENT. 448 00:20:49,749 --> 00:20:52,585 YOU HAVE TO CONVINCE THE MUSEUM DIRECTOR, DARIEN LLOYD, 449 00:20:52,619 --> 00:20:53,686 TO PULL IT FROM THE DISPLAY. 450 00:20:53,720 --> 00:20:54,687 OKAY. 451 00:20:54,721 --> 00:20:56,456 -NATE? -HMM? 452 00:20:56,489 --> 00:20:59,559 YOU JUST CAN'T MAKE SOMEBODY DO WHAT YOU WANT THEM TO DO. 453 00:20:59,592 --> 00:21:00,827 OH. 454 00:21:00,860 --> 00:21:02,362 [ LIGHT LAUGHTER ] 455 00:21:02,395 --> 00:21:05,465 UH, T-THAT'S -- THAT'S WHAT WE DO. 456 00:21:05,498 --> 00:21:06,933 I MEAN... [ CHUCKLES ] 457 00:21:07,967 --> 00:21:09,436 YOU'RE ADORABLE. 458 00:21:16,543 --> 00:21:18,878 Maggie, it won't fall out. Just pretend it's not there. 459 00:21:18,911 --> 00:21:21,414 YEAH, JUST FORGET MY EX-HUSBAND'S VOICE IN MY HEAD, 460 00:21:21,448 --> 00:21:23,316 TELLING ME WHAT HE THINKS I SHOULD DO. 461 00:21:23,350 --> 00:21:25,785 I'm in therapy to solve exactly this problem. 462 00:21:25,818 --> 00:21:27,720 UH...I -- SORRY. 463 00:21:27,754 --> 00:21:28,988 UM, OKAY, 464 00:21:29,021 --> 00:21:30,690 PARKER'S ON HER APPROACH, SO I WANT YOU -- 465 00:21:30,723 --> 00:21:31,991 So nobody else finds it annoying 466 00:21:32,024 --> 00:21:33,993 WHEN YOU NAG THEM IN THE MIDDLE OF THESE THINGS? 467 00:21:35,662 --> 00:21:37,864 WHY DON'T I RUN THIS ONE, NATE? 468 00:21:37,897 --> 00:21:38,931 YEAH. I DON'T NAG. 469 00:21:38,965 --> 00:21:41,000 YOU KNOW, I JUST HAVE A, YOU KNOW, 470 00:21:41,033 --> 00:21:43,035 CLEAR BIG-PICTURE VIEWPOINT. 471 00:21:43,069 --> 00:21:44,136 ACTUALLY, YOU KNOW WHAT? 472 00:21:44,170 --> 00:21:46,739 WE DID KIND OF LIKED THE WAY SOPHIE RAN THE LAST ONE. 473 00:21:46,773 --> 00:21:47,740 YEAH. YEAH. 474 00:21:47,774 --> 00:21:49,476 Right up to the point where she got us caught, 475 00:21:49,509 --> 00:21:50,710 but other than that, it was great. 476 00:21:50,743 --> 00:21:51,711 YEAH, ALL RIGHT. FINE, FINE. 477 00:21:51,744 --> 00:21:53,446 YOU'RE IN THERAPY? 478 00:21:53,480 --> 00:21:54,747 How come you didn't -- 479 00:21:54,781 --> 00:21:56,115 -HOLD ON. -NONE OF THAT. NO. NO. 480 00:21:56,148 --> 00:21:57,684 HEY, I WILL CUT YOU OFF. 481 00:21:57,717 --> 00:21:59,919 WHAT DID PARKER SWITCH HIS ALLERGY MEDICATIONS WITH? 482 00:21:59,952 --> 00:22:02,355 POLLEN -- RAGWEED MOSTLY. 483 00:22:02,389 --> 00:22:04,924 AND DEXTROAMPHETAMINES. 484 00:22:04,957 --> 00:22:06,493 OOH. 485 00:22:06,526 --> 00:22:07,994 [ SNIFFS ] 486 00:22:08,027 --> 00:22:09,362 OHH. 487 00:22:09,396 --> 00:22:10,630 -OH! -OH, I'M SO SORRY. 488 00:22:10,663 --> 00:22:12,465 OH, I'M SO SORRY. DID I STEP ON YOUR GLASSES? 489 00:22:12,499 --> 00:22:15,101 -NO, NO, NO, IT'S OKAY. -OKAY, GOOD. 490 00:22:15,134 --> 00:22:16,569 OKAY, WHY DON'T YOU RUN UP TO HIM? 491 00:22:16,603 --> 00:22:17,937 BEING JUST A LITTLE BIT OUT OF BREATH, 492 00:22:17,970 --> 00:22:19,071 IT CHANGES THE SPEECH RHYTHMS, 493 00:22:19,105 --> 00:22:21,608 makes it harder to detect a lie. 494 00:22:21,641 --> 00:22:23,042 LLOYD! 495 00:22:23,075 --> 00:22:25,678 SEE? LIKE THAT RIGHT THERE. IT'S INFORMATIVE. 496 00:22:25,712 --> 00:22:26,979 YOU LEARN AND YOU CON. 497 00:22:27,013 --> 00:22:27,980 YEAH, YEAH. 498 00:22:28,014 --> 00:22:29,882 YOU FORGOT THIS IN MY OFFICE. 499 00:22:29,916 --> 00:22:31,951 I -- WHEN WAS THAT? 500 00:22:31,984 --> 00:22:33,019 FIVE MINUTES AGO. 501 00:22:33,052 --> 00:22:36,055 I SHOWED THE DESIGNS FOR THE TWO DAVIDS EXHIBIT. 502 00:22:36,088 --> 00:22:37,990 YOU SIGNED OFF ON THE BENCHES. 503 00:22:38,024 --> 00:22:39,459 YOU OKAY? 504 00:22:39,492 --> 00:22:40,860 Good. Now steer him towards me. 505 00:22:40,893 --> 00:22:41,928 Don't tell him. 506 00:22:41,961 --> 00:22:44,697 JUST GIVE HIM HALF AN IDEA. LET HIM COMPLETE IT. 507 00:22:44,731 --> 00:22:46,499 I'LL BRING YOU THE REST OF THE PLANS 508 00:22:46,533 --> 00:22:48,401 AFTER YOUR THING IN THE EGYPTIAN ROOM. 509 00:22:50,102 --> 00:22:53,873 I HAVE A THING IN THE EGYPTIAN ROOM? 510 00:22:56,976 --> 00:22:58,478 ROLL THAT BACK. 511 00:23:01,448 --> 00:23:02,682 THAT'S PARKER. 512 00:23:02,715 --> 00:23:03,983 STAY ON DR. COLLINS. 513 00:23:04,016 --> 00:23:05,818 DR. LLOYD'S THERE, TOO. 514 00:23:05,852 --> 00:23:07,654 STAY ON DR. COLLINS. 515 00:23:07,687 --> 00:23:09,856 [ COUGHING ] 516 00:23:16,663 --> 00:23:18,698 AHLAN BIKI, DIRECTOR LLOYD. 517 00:23:18,731 --> 00:23:20,900 DR. RAHMAN OF THE CAIRO MUSEUM. 518 00:23:20,933 --> 00:23:24,103 I WAS -- I WAS SO WORRIED THAT I HAD THE WRONG DAY. 519 00:23:24,136 --> 00:23:26,506 OH, NO, NO. I-I DON'T HAVE AN APPOINTMENT. 520 00:23:26,539 --> 00:23:28,608 [ COUGHS ] 521 00:23:28,641 --> 00:23:30,643 OH, YES, I DO. 522 00:23:30,677 --> 00:23:31,511 OH, DEAR, THAT, UM -- 523 00:23:31,544 --> 00:23:33,580 NO, THAT DOESN'T SOUND GOOD AT ALL. 524 00:23:33,613 --> 00:23:35,081 I'VE HAD IT FOR WEEKS. 525 00:23:35,114 --> 00:23:38,017 WELL, I'VE CONFIRMED THE MARKINGS, AND I CONCUR -- 526 00:23:38,050 --> 00:23:39,886 DEFINITELY FOURTH DYNASTY. 527 00:23:39,919 --> 00:23:42,822 THE SARCOPHAGUS OF PHARAOH MENKAURE. 528 00:23:42,855 --> 00:23:44,691 EVERYTHING'S BLURRY. 529 00:23:44,724 --> 00:23:46,859 I'M SO RELIEVED TO FINALLY MEET SOMEONE 530 00:23:46,893 --> 00:23:48,695 WHO'S GOT THE GOOD SENSE 531 00:23:48,728 --> 00:23:52,665 TO IGNORE ALL THAT SILLY, SILLY CURSE BUSINESS. 532 00:23:52,699 --> 00:23:53,700 SAY WHAT? 533 00:23:53,733 --> 00:23:57,069 WELL, I'LL CERTIFY THE AUTHENTICITY 534 00:23:57,103 --> 00:23:58,070 AS YOU REQUESTED. 535 00:23:58,104 --> 00:23:59,672 IT WAS VERY NICE TO MEET YOU. 536 00:23:59,706 --> 00:24:01,541 [ Coughing ] NICE TO MEET YOU. 537 00:24:01,574 --> 00:24:03,109 THANK YOU. 538 00:24:03,142 --> 00:24:04,744 UM... 539 00:24:04,777 --> 00:24:07,013 SO, OH, GOODBYE, THEN. 540 00:24:07,046 --> 00:24:09,816 AND, WELL, I-I RECOMMEND YOU -- YOU SEE A DOCTOR 541 00:24:09,849 --> 00:24:11,017 ABOUT THAT COUGH. 542 00:24:11,050 --> 00:24:13,119 IT DOES SEEM TO BE GOING TO YOUR CHEST. 543 00:24:13,152 --> 00:24:14,654 IT'S JUST ALLERGIES. 544 00:24:14,687 --> 00:24:17,123 [ COUGHING ] 545 00:24:22,662 --> 00:24:24,831 OKAY, HE'S JUST CHECKED ALL THE PLACES 546 00:24:24,864 --> 00:24:27,066 THE SARCOPHAGUS WAS STORED BEFORE IT HIT THE MUSEUM. 547 00:24:27,099 --> 00:24:29,268 OKAY. WHAT'S HE FOUND? 548 00:24:29,301 --> 00:24:31,137 OH. WELL, LOOKY HERE. 549 00:24:31,170 --> 00:24:35,041 DR. ERNST VOLK, UNIVERSITY OF BERLIN -- DEAD. 550 00:24:35,074 --> 00:24:38,578 DR. SCHLIEMANN, LONDON MUSEUM -- DEAD. 551 00:24:38,611 --> 00:24:40,913 OH. [ GASPING ] 552 00:24:42,114 --> 00:24:43,616 OH, AND ALSO THE THREE GUYS 553 00:24:43,650 --> 00:24:45,518 THAT ACTUALLY DISCOVERED THE TOMB. 554 00:24:45,552 --> 00:24:46,653 ELIOT, WHAT DOES THAT SAY? 555 00:24:46,686 --> 00:24:47,654 IT SAYS "DEAD." 556 00:24:47,687 --> 00:24:48,921 D-E-D -- DEAD, BABY. 557 00:24:48,955 --> 00:24:50,056 -D-E-A-D. -D-E-A-D. 558 00:24:50,089 --> 00:24:51,724 I-I KNOW HOW TO -- 559 00:24:51,758 --> 00:24:53,560 I WAS THROWING A LITTLE STYLE ON IT, 560 00:24:53,593 --> 00:24:55,027 JUST A LITTLE BIT, A LITTLE STYLE. 561 00:24:55,061 --> 00:24:56,663 I KNOW HOW TO SPELL "DEAD," DAMN IT. 562 00:24:56,696 --> 00:24:59,666 I CAN STEAL A BANK, I CAN SPELL "DEAD." 563 00:25:04,904 --> 00:25:07,840 WRAP IT UP NOW, MAGGIE. 564 00:25:07,874 --> 00:25:09,742 YOU'RE DOING GREAT. 565 00:25:09,776 --> 00:25:11,778 THERE YOU ARE. 566 00:25:11,811 --> 00:25:13,179 CAN YOU JUST SIGN THESE? 567 00:25:13,212 --> 00:25:14,781 SURE. 568 00:25:14,814 --> 00:25:16,583 [ COUGHS ] 569 00:25:16,616 --> 00:25:18,918 HEY, UH, MAGGIE... [ CLEARS THROAT ] 570 00:25:18,951 --> 00:25:20,853 ...YOU DON'T BELIEVE IN CURSES, DO YOU? 571 00:25:20,887 --> 00:25:23,590 YOU KNOW, MUMMY'S CURSES, 572 00:25:23,623 --> 00:25:25,758 UNEXPLAINED DEATHS AROUND SARCOPHAGUSES? 573 00:25:25,792 --> 00:25:27,159 [ LAUGHS ] 574 00:25:27,193 --> 00:25:28,628 DON'T BE SILLY. 575 00:25:28,661 --> 00:25:30,029 EVERYONE KNOWS IT'S A FUNGUS. 576 00:25:30,062 --> 00:25:31,097 WHAT? 577 00:25:31,130 --> 00:25:32,164 ASPERGILLUS FLAVUS -- 578 00:25:32,198 --> 00:25:33,866 FOUND ON EGYPTIAN ARTIFACTS. 579 00:25:33,900 --> 00:25:35,902 GETS IN THE EYES AND NOSE, INFECTION SPREADS, 580 00:25:35,935 --> 00:25:38,871 AND THE NEXT THING YOU KNOW -- ANOTHER DEATH FROM THE CURSE. 581 00:25:38,905 --> 00:25:41,608 [ BOTH LAUGH ] 582 00:25:41,641 --> 00:25:43,676 SO, UH, WHAT ARE THE SYMPTOMS? 583 00:25:43,710 --> 00:25:47,714 CONGESTION, MEMORY LOSS, BLURRY VISION. 584 00:25:54,186 --> 00:25:56,823 YEP, YEP, YEP, YEP. SEAL IT UP. SEAL IT UP. 585 00:25:56,856 --> 00:25:58,224 [ SNEEZES ] 586 00:26:09,001 --> 00:26:11,203 THAT WAS A GOOD IDEA. I JUST, UM -- 587 00:26:11,237 --> 00:26:12,805 JUST -- JUST GIVE ME A MOMENT. 588 00:26:12,839 --> 00:26:14,306 YEAH. 589 00:26:16,843 --> 00:26:18,811 YOU NEED SOMETHING? 590 00:26:18,845 --> 00:26:21,681 I WAS JUST TRYING TO MAKE MYSELF USEFUL. 591 00:26:21,714 --> 00:26:23,783 YEAH, WELL, LAST TIME YOU TRIED THAT, 592 00:26:23,816 --> 00:26:25,785 WE HAD TO BLOW UP THE OFFICE. 593 00:26:25,818 --> 00:26:27,153 THAT'S NOT FAIR. 594 00:26:27,186 --> 00:26:28,955 -I WAS JUST GETTING USED TO IT. -WHAT? 595 00:26:30,089 --> 00:26:31,357 HAVING AN OFFICE? 596 00:26:33,693 --> 00:26:35,394 BEING PART OF A TEAM. 597 00:26:35,427 --> 00:26:37,664 LOOK, I DIDN'T MEAN -- 598 00:26:37,697 --> 00:26:41,133 YOU KNOW, IT WASN'T SUPPOSED TO GO DOWN LIKE THAT. 599 00:26:41,167 --> 00:26:43,770 WHAT'S GOING ON? 600 00:26:43,803 --> 00:26:45,972 SOPHIE HERE WAS JUST TRYING TO APOLOGIZE. 601 00:26:46,005 --> 00:26:47,006 NO, I WASN'T. 602 00:26:47,039 --> 00:26:48,708 SHE TRIED THAT WITH ME EARLIER. 603 00:26:48,741 --> 00:26:50,342 -SHE KIND OF SUCKS AT IT. -A LITTLE BIT. 604 00:26:50,376 --> 00:26:52,945 OH, DID SHE GIVE YOU THE SPEECH ABOUT HOW WE'RE THIEVES 605 00:26:52,979 --> 00:26:54,714 AND ABOUT HOW THIS IS WHAT THIEVES DO 606 00:26:54,747 --> 00:26:57,349 AND IF WE WERE IN HER SHOES, WE'D HAVE DONE THE SAME THING? 607 00:26:57,383 --> 00:26:59,118 NO, I THINK SHE WAS JUST GETTING TO THAT PART. 608 00:27:03,389 --> 00:27:06,058 YOU APOLOGIZED TO HIM FIRST, HUH? 609 00:27:06,092 --> 00:27:07,259 WHY AM I LAST?! 610 00:27:07,293 --> 00:27:09,762 I WASN'T APOLOGIZING. I... 611 00:27:11,363 --> 00:27:13,199 THAT'S THE PROBLEM. 612 00:27:16,969 --> 00:27:22,842 I JUST WANTED TO SEE IF...WE... 613 00:27:22,875 --> 00:27:25,211 WE WERE ALL OKAY WITH EACH OTHER. 614 00:27:26,278 --> 00:27:28,848 OKAY. THERE IT IS. 615 00:27:28,881 --> 00:27:29,648 I FORGIVE YOU. 616 00:27:29,682 --> 00:27:31,417 -APOLOGY ACCEPTED. -NO, I WASN'T -- 617 00:27:31,450 --> 00:27:33,786 UNH-UNH. YOU -- I DIDN'T... 618 00:27:36,422 --> 00:27:39,726 OH, NO, NO. JUST -- UH, EDGE IT LEFT A LITTLE BIT. 619 00:27:40,793 --> 00:27:43,062 UH...YEAH. THERE. 620 00:27:47,934 --> 00:27:50,202 LINE THIS END UP WITH THE VERMEER. 621 00:27:50,236 --> 00:27:52,171 CAREFUL. WATCH THE FLOOR. 622 00:27:52,204 --> 00:27:54,340 RIGHT IN FRONT OF THE REMBRANDT 623 00:27:54,373 --> 00:27:56,675 SO IT'S LIT UP BY THE SKYLIGHT. 624 00:28:07,219 --> 00:28:11,157 AND NOW, FOR THE FIRST TIME IN 400 YEARS, 625 00:28:11,190 --> 00:28:13,793 THE TWO DAVIDS ARE REUNITED. 626 00:28:13,826 --> 00:28:19,131 I WOULD LIKE TO EXPRESS MY GRATITUDE TO THE MUSEUM STAFF 627 00:28:19,165 --> 00:28:24,036 AND, OF COURSE, OUR FUND-RAISERS AND ALL OF YOU 628 00:28:24,070 --> 00:28:26,773 FOR THE OPPORTUNITY OF PRESENTING MICHELANGELO... 629 00:28:26,806 --> 00:28:27,940 PICTURES HAVE BEEN DISTRIBUTED. 630 00:28:27,974 --> 00:28:30,409 WE'RE SCANNING EVERY GUEST THAT COMES INTO THE MUSEUM. 631 00:28:30,442 --> 00:28:31,844 ELIOT SPENCER. 632 00:28:31,878 --> 00:28:33,245 ELIOT SPENCER -- 633 00:28:33,279 --> 00:28:35,514 WANTED IN FIVE COUNTRIES, INCLUDING MYANMAR, 634 00:28:35,547 --> 00:28:38,184 WHICH IS OFFERING A HALF-MILLION-DOLLAR BOUNTY ON HIS HEAD. 635 00:28:38,217 --> 00:28:42,488 BRINGING SPENCER TO JUSTICE AND GETTING PAID FOR IT? 636 00:28:42,521 --> 00:28:44,456 IT'S ICING ON THE CAKE. 637 00:28:44,490 --> 00:28:46,025 [ ELEVATOR BELL DINGS ] -PARKER. 638 00:28:46,058 --> 00:28:48,060 PARKER -- WANTED IN NINE COUNTRIES, 639 00:28:48,094 --> 00:28:49,762 INCLUDING BRAZIL AND YEMEN. 640 00:28:49,796 --> 00:28:51,964 TOUGH CHOICE. I'LL HAVE TO FLIP A COIN. 641 00:28:53,499 --> 00:28:55,802 HOW ABOUT SOPHIE DEVEREAUX? 642 00:28:55,835 --> 00:28:59,806 ENGLAND, FRANCE, SPAIN, LUXEMBOURG -- EUROPE, BASICALLY. 643 00:28:59,839 --> 00:29:00,973 FRANCE. 644 00:29:01,007 --> 00:29:02,842 WONDERFUL SHOPPING... 645 00:29:02,875 --> 00:29:05,277 HORRIFYING PRISONS. 646 00:29:08,480 --> 00:29:10,116 ALEC HARDISON. 647 00:29:10,149 --> 00:29:12,819 WELL, HE BETTER NOT SHOW HIS FACE IN ICELAND. 648 00:29:12,852 --> 00:29:14,320 PERFECT. 649 00:29:14,353 --> 00:29:17,456 I'LL DROP HIM OFF ON MY WAY TO FRANCE. 650 00:29:17,489 --> 00:29:19,191 NATHAN FORD. 651 00:29:19,225 --> 00:29:21,493 OH, I HAVE SOMETHING SPECIAL PLANNED FOR HIM. 652 00:29:21,527 --> 00:29:23,062 NO, NO, NO. IT'S NATHAN FORD. 653 00:29:27,967 --> 00:29:30,369 UH-OH. 654 00:29:30,402 --> 00:29:32,171 WELL, WELL, WELL. 655 00:29:32,204 --> 00:29:33,873 WHAT THE HELL ARE YOU DOING HERE? 656 00:29:33,906 --> 00:29:35,174 WELL, I BOUGHT A TICKET. 657 00:29:35,207 --> 00:29:36,475 IT'S OPEN TO THE PUBLIC. 658 00:29:36,508 --> 00:29:38,277 -I DON'T THINK -- -OF COURSE. 659 00:29:38,310 --> 00:29:40,379 ENJOY YOURSELF. 660 00:29:40,412 --> 00:29:42,414 YOU HEARD HIM. 661 00:29:44,150 --> 00:29:48,087 CONSPIRACY TO COMMIT ROBBERY IS WHAT -- FIVE YEARS? 662 00:29:48,120 --> 00:29:51,190 CATCHING HIM IN THE ACT -- 20. 663 00:29:54,226 --> 00:29:56,829 PULL GUYS OFF THE GALLERIES. FOLLOW NATE FORD. 664 00:29:56,863 --> 00:29:57,864 WHERE ARE YOU GOING? 665 00:29:57,897 --> 00:29:59,398 TO SCRATCH AN ITCH. 666 00:29:59,431 --> 00:30:01,200 [ SNEEZES ] 667 00:30:01,233 --> 00:30:04,336 YOU KNOW, I HAVE A MUSEUM TO RUN. 668 00:30:05,905 --> 00:30:07,006 DID ANYTHING HAPPEN HERE? 669 00:30:07,039 --> 00:30:08,274 NO. 670 00:30:08,307 --> 00:30:11,243 DR. COLLINS WAS ASKING YOU SOMETHING. 671 00:30:11,277 --> 00:30:12,578 YOU WERE WORKING ON SOMETHING. 672 00:30:12,611 --> 00:30:14,113 NO, SHE DIDN'T. I... 673 00:30:14,146 --> 00:30:15,147 [ SNEEZES ] 674 00:30:16,949 --> 00:30:18,918 -I MOVED A MUMMY. -WHY? 675 00:30:18,951 --> 00:30:21,487 NO REASON. 676 00:30:21,520 --> 00:30:23,189 [ SNEEZES ] 677 00:30:33,599 --> 00:30:35,201 COME ON! 678 00:30:35,234 --> 00:30:37,436 -THIS IS AS FAST AS I GO! -COME ON! 679 00:30:44,576 --> 00:30:46,312 LOOK AT THIS! 680 00:30:48,180 --> 00:30:50,917 DIRECTLY UNDER THE DAVIDS. 681 00:30:50,950 --> 00:30:53,252 OUT OF THE SIGHT LINES OF THE CAMERAS. 682 00:30:55,021 --> 00:30:59,491 THEY'RE GONNA DRILL RIGHT UP AND THROUGH THE DISPLAY BASE. 683 00:31:00,392 --> 00:31:02,995 WHO? WHO? 684 00:31:03,029 --> 00:31:06,598 WHOEVER'S HIDING IN THAT SARCOPHAGUS. 685 00:31:06,632 --> 00:31:08,200 COME ON. 686 00:31:14,306 --> 00:31:15,674 [ THUD ] 687 00:31:15,707 --> 00:31:17,309 [ COUGHS ] 688 00:31:17,343 --> 00:31:21,047 THAT'S...A MUMMY. 689 00:31:21,080 --> 00:31:22,481 [ ALARM BLARING ] 690 00:31:27,686 --> 00:31:29,388 I THINK YOU SET SOMETHING OFF. 691 00:31:29,421 --> 00:31:30,489 YEAH. 692 00:31:30,522 --> 00:31:32,491 [ COUGHING ] 693 00:31:32,524 --> 00:31:35,027 HEY. 694 00:31:35,061 --> 00:31:36,963 -CHECK IT OUT. -WHY IS IT DOING THAT? 695 00:31:36,996 --> 00:31:38,497 I DON'T KNOW. 696 00:31:49,308 --> 00:31:51,010 -THANK YOU. [ CELLPHONE BEEPS ] 697 00:31:55,714 --> 00:31:58,951 [ BEEPING ] 698 00:32:07,393 --> 00:32:09,661 I CAN'T SEE THEM! 699 00:32:09,695 --> 00:32:11,497 STERLING, GET THIS THING OPEN! 700 00:32:11,530 --> 00:32:13,032 YOU TWO, OPEN THIS UP. 701 00:32:13,065 --> 00:32:15,067 -WE CAN'T. HOMELAND SECURITY. -WHAT? 702 00:32:15,101 --> 00:32:17,336 AN UNKNOWN GAS HAS BEEN RELEASED IN A PUBLIC SPACE. 703 00:32:17,369 --> 00:32:18,504 WE HAVE TO EVACUATE THE BUILDING. 704 00:32:18,537 --> 00:32:19,605 EVACUATE? 705 00:32:19,638 --> 00:32:22,141 -IT'S FEDERAL PROTOCOL. -WE'RE NOT GONNA EVACUATE. 706 00:32:22,174 --> 00:32:24,176 IT'S FEDERAL PROTOCOL FOR A CHEMICAL ATTACK! 707 00:32:24,210 --> 00:32:25,211 DID YOU SAY CHEMICAL ATTACK? 708 00:32:25,244 --> 00:32:26,578 THERE IS NO CHEMICAL ATTACK. 709 00:32:26,612 --> 00:32:27,546 IT'S A ROBBERY. 710 00:32:27,579 --> 00:32:29,748 -IT'S A ROBBERY! -ROBBERY! 711 00:32:29,781 --> 00:32:31,550 FINE! 712 00:32:31,583 --> 00:32:32,651 BLOODY HELL! 713 00:32:32,684 --> 00:32:34,120 ALL RIGHT. ALL SECURITY PERSONNEL, 714 00:32:34,153 --> 00:32:35,587 EVACUATE THE BUILDING IMMEDIATELY. 715 00:32:35,621 --> 00:32:37,589 EVACUATE THE BUILDING IMMEDIATELY! 716 00:32:37,623 --> 00:32:38,490 WE CAN'T LEAVE. 717 00:32:38,524 --> 00:32:40,993 WE DON'T EVEN KNOW IF THEY'RE IN THERE. 718 00:32:41,027 --> 00:32:42,261 WE HAVE NO CHOICE. 719 00:32:44,796 --> 00:32:45,964 LADIES AND GENTLEMEN, 720 00:32:45,998 --> 00:32:48,634 WE ASK THAT YOU PLEASE EVACUATE THE BUILDING. 721 00:32:48,667 --> 00:32:51,470 [ INDISTINCT TALKING ] 722 00:32:51,503 --> 00:32:52,638 WHAT IS THIS? 723 00:32:52,671 --> 00:32:54,773 A SOUVENIR, I GUESS. 724 00:32:54,806 --> 00:32:57,109 WHAT THE HELL IS GOING ON HERE? 725 00:32:57,143 --> 00:33:00,379 THEY'VE ALREADY STOLEN THEM. 726 00:33:00,412 --> 00:33:01,247 THEY'RE USING THE CROWD 727 00:33:01,280 --> 00:33:02,348 TO SMUGGLE THEM OUT WITH THE FAKES! 728 00:33:02,381 --> 00:33:06,318 NOBODY MOVE UNTIL I'VE CONFISCATED ALL THE STATUES! 729 00:33:06,352 --> 00:33:08,020 EXCUSE ME, SIR. I THOUGHT WE WERE EVACUATING. 730 00:33:08,054 --> 00:33:10,089 WE ARE. KEEP THEM MOVING. WE'VE GOT TO GET OUT. 731 00:33:10,122 --> 00:33:12,158 ALL RIGHT, GEARY, CORRAL THEM OUTSIDE. 732 00:33:14,326 --> 00:33:16,695 [ BEEPING ] 733 00:33:16,728 --> 00:33:22,401 EVERYBODY, HAND YOUR STATUES TO THE MEN IN THE BLACK SUITS. 734 00:33:22,434 --> 00:33:24,236 FINE. DO WHATEVER YOU NEED TO DO NOW. 735 00:33:24,270 --> 00:33:27,306 AT LEAST WE GOT EVERYONE OUT OF THE BUILDING. 736 00:33:27,339 --> 00:33:29,408 HE GOT EVERYONE OUT OF THE BUILDING. 737 00:33:34,713 --> 00:33:36,182 [ LOCKS ENGAGE ] 738 00:33:37,683 --> 00:33:40,052 THEY TRIGGERED THE DOOR LOCKS. 739 00:33:40,086 --> 00:33:41,687 GEARY. 740 00:33:41,720 --> 00:33:43,622 GEARY, WHERE'S FORD? 741 00:33:43,655 --> 00:33:46,492 WE HAVE AN ALARM ON THE ROOF! UP ON THE ROOF. 742 00:34:02,208 --> 00:34:04,510 AH. 743 00:34:10,416 --> 00:34:12,284 [ WHIRRING ] 744 00:34:21,360 --> 00:34:24,296 [ DOORS SLAMMING ] 745 00:34:32,638 --> 00:34:34,740 LET'S GO TO WORK. 746 00:34:40,479 --> 00:34:42,681 [ INDISTINCT TALKING ] 747 00:34:45,584 --> 00:34:46,785 YOU GOT HIM? 748 00:34:46,818 --> 00:34:48,520 I GOT ALL OF THEM. 749 00:34:48,554 --> 00:34:51,257 JUST A PANIC. THE FIRE DEPARTMENT'S HERE. 750 00:34:51,290 --> 00:34:52,758 THIS IS YOUR IDEA OF CONTROL? 751 00:34:52,791 --> 00:34:55,227 THIS IS YOUR LAST CHANCE, MAGGIE. COME CLEAN. 752 00:34:55,261 --> 00:34:57,496 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 753 00:35:06,705 --> 00:35:10,176 TWO DAVIDS. [ CHUCKLES ] 754 00:35:10,209 --> 00:35:11,843 THANK GOD. 755 00:35:13,845 --> 00:35:15,481 GOT YOU, NATE. 756 00:35:15,514 --> 00:35:17,516 YES. THAT WAS THE WHOLE POINT. 757 00:35:17,549 --> 00:35:19,418 POWER'S BACK UP IN ABOUT 15 SECONDS. 758 00:35:19,451 --> 00:35:21,587 WHAT DO YOU MEAN? 759 00:35:21,620 --> 00:35:23,622 YOU KNOW -- ALL THAT CHASING ME AROUND. 760 00:35:23,655 --> 00:35:25,591 "DON'T LET NATE FORD NEAR THE TWO DAVIDS." 761 00:35:25,624 --> 00:35:27,626 "HOW IS NATE FORD GONNA GET THE TWO DAVIDS?" 762 00:35:27,659 --> 00:35:31,330 I WASN'T THE MASTERMIND ON THIS ONE, STERLING. 763 00:35:32,464 --> 00:35:33,832 I'M THE BAIT. 764 00:35:33,865 --> 00:35:38,404 THREE, TWO, ONE. 765 00:35:49,981 --> 00:35:52,784 NO! 766 00:35:52,818 --> 00:35:56,655 T-THE ROOM WAS LOCKED! 767 00:35:56,688 --> 00:35:59,325 SOMETIMES THE CLASSICS REALLY ARE THE BEST. 768 00:35:59,358 --> 00:36:00,526 THEY WERE MASTERPIECES! 769 00:36:00,559 --> 00:36:01,627 THEY'RE WORTH -- 770 00:36:01,660 --> 00:36:04,496 $150 MILLION. 771 00:36:05,564 --> 00:36:10,302 THE VERMEER, CARAVAGGIO, TWO VAN EYCKS -- AT LEAST. 772 00:36:10,336 --> 00:36:11,637 -WE NEED TO CALL THE POLICE. -YES, HE'S RIGHT. 773 00:36:11,670 --> 00:36:12,904 WE REALLY SHOULD CALL THE POLICE. 774 00:36:12,938 --> 00:36:14,306 NO, NOT THE POLICE. 775 00:36:14,340 --> 00:36:15,441 WHAT DO YOU MEAN? 776 00:36:15,474 --> 00:36:16,942 NO, I'M RESPONSIBLE! 777 00:36:16,975 --> 00:36:18,644 ALL THE PAINTINGS IN THIS ROOM -- 778 00:36:18,677 --> 00:36:20,712 THEY WERE MY RESPONSIBILITY. 779 00:36:20,746 --> 00:36:23,649 NO, THEY WERE ALL LOANED TO ME... 780 00:36:25,984 --> 00:36:28,354 OH, WELL DONE. 781 00:36:28,387 --> 00:36:30,322 EVERY SINGLE MASTERPIECE IN THIS ROOM 782 00:36:30,356 --> 00:36:32,491 IS INSURED BY I.Y.S. 783 00:36:32,524 --> 00:36:34,993 THAT'S A $150-MILLION PAYOUT. 784 00:36:35,026 --> 00:36:36,995 NOW, WHAT DO YOU THINK YOUR BOARD OF DIRECTORS ARE GONNA DO 785 00:36:37,028 --> 00:36:40,332 WHEN THEY REALIZE THAT YOU'VE LOST THE COMPANY $150 MILLION? 786 00:36:40,366 --> 00:36:41,967 WHERE ARE THEY? 787 00:36:42,000 --> 00:36:43,535 -CLEAR THE ROOM. -WHERE ARE THEY? 788 00:36:43,569 --> 00:36:45,637 CLEAR THE ROOM! 789 00:36:45,671 --> 00:36:47,239 COME ON. 790 00:36:49,775 --> 00:36:52,344 ARE YOU HERE TO KILL ME, IAN? 791 00:36:56,915 --> 00:36:58,617 HERE'S HOW IT'S GONNA GO, STERLING. 792 00:36:58,650 --> 00:36:59,718 I'M ALL EARS. 793 00:36:59,751 --> 00:37:01,920 NO, YOU TALK TO ME, NOT TO HIM. 794 00:37:01,953 --> 00:37:04,290 YOU TALK TO ME. 795 00:37:04,323 --> 00:37:06,592 EVERY SINGLE PAINTING WILL BE RETURNED TO I.Y.S. 796 00:37:06,625 --> 00:37:09,295 THE MOMENT IAN BLACKPOOLE IS STRIPPED OF HIS POSITION 797 00:37:09,328 --> 00:37:10,862 AND ALL HIS ASSETS IN THE COMPANY. 798 00:37:10,896 --> 00:37:13,465 ALSO, HIS POLICY OF DENYING EVERY CLAIM -- 799 00:37:13,499 --> 00:37:14,500 THAT ENDS. 800 00:37:15,634 --> 00:37:16,902 EXTORTION. 801 00:37:16,935 --> 00:37:18,604 I PREFER TO CALL IT "OVERSIGHT." 802 00:37:23,542 --> 00:37:25,844 Last time I saw you, you were selling me something. 803 00:37:25,877 --> 00:37:28,780 I got out of sales. 804 00:37:28,814 --> 00:37:30,382 SO, WHAT ARE YOU IN NOW? 805 00:37:30,416 --> 00:37:31,483 THEFT. 806 00:37:31,517 --> 00:37:33,485 YEAH, I'M GOING TO ROB 807 00:37:33,519 --> 00:37:36,355 THE TWO DAVIDS GALLERY ON OPENING DAY. 808 00:37:36,388 --> 00:37:39,758 WELL, AREN'T YOU GONNA CALL THE POLICE? 809 00:37:39,791 --> 00:37:41,627 OF COURSE NOT. 810 00:37:46,798 --> 00:37:49,835 WHEN THE OWNERS OF THESE PAINTINGS 811 00:37:49,868 --> 00:37:52,771 REALIZE THAT IAN KNEW THERE WAS GONNA BE A THEFT, 812 00:37:52,804 --> 00:37:54,406 BUT DIDN'T CALL THE POLICE, 813 00:37:54,440 --> 00:37:57,609 WELL, THEY'RE GONNA SUE THE HELL OUT OF HIM, AREN'T THEY? 814 00:37:57,643 --> 00:38:02,080 BUT IF THE COMPANY, I-IN GOOD FAITH... 815 00:38:02,113 --> 00:38:04,750 RETURNS THEIR PAINTINGS? 816 00:38:04,783 --> 00:38:07,986 THEY MIGHT NOT FIRE YOU IF YOU GIVE THEM BLACKPOOLE. 817 00:38:08,019 --> 00:38:11,390 [ CHUCKLES ] 818 00:38:12,558 --> 00:38:14,660 NO. 819 00:38:14,693 --> 00:38:17,596 STERLING, YOU WORK FOR ME. 820 00:38:19,064 --> 00:38:22,067 I.Y.S. IS MY COMPANY. 821 00:38:22,100 --> 00:38:24,803 CAN'T LET PERSONAL FEELINGS AFFECT POLICY. 822 00:38:24,836 --> 00:38:28,073 YOU HAVE A RESPONSIBILITY TO SHAREHOLDERS. 823 00:38:29,040 --> 00:38:30,876 NO EXCEPTIONS. 824 00:38:39,485 --> 00:38:43,389 I HAVE LOST MY ONLY SON. 825 00:38:43,422 --> 00:38:45,624 DO YOU REALLY THINK YOU SCARE ME? 826 00:38:45,657 --> 00:38:47,325 HUH? 827 00:38:50,829 --> 00:38:52,998 MAGGIE! 828 00:38:53,031 --> 00:38:54,733 WILL -- YOU UNDERSTAND -- 829 00:39:01,673 --> 00:39:03,074 SCREW THERAPY. 830 00:39:03,108 --> 00:39:05,544 THAT FELT REALLY GOOD. 831 00:39:10,649 --> 00:39:12,618 SO, YOU KNOW YOUR ENTIRE PLAN 832 00:39:12,651 --> 00:39:16,888 DEPENDED ON ME BEING A SELF-SERVING, UTTER BASTARD. 833 00:39:16,922 --> 00:39:19,357 HMM. YEAH, THAT'S A STRETCH. 834 00:39:20,726 --> 00:39:22,160 I'LL CALL YOU WHEN IT'S DONE. 835 00:39:22,193 --> 00:39:23,662 YOU DO THAT. 836 00:39:27,633 --> 00:39:29,435 WHERE ARE YOU GOING? 837 00:39:30,636 --> 00:39:32,103 -WHERE'S HE GOING?! -[ SNEEZES ] 838 00:39:37,909 --> 00:39:39,645 WILL YOU STOP NOW? 839 00:39:39,678 --> 00:39:41,179 I DON'T KNOW. 840 00:39:41,212 --> 00:39:43,982 -INTERESTING. -HMM? 841 00:39:44,015 --> 00:39:45,884 YOU ADMITTING YOU DON'T KNOW SOMETHING. 842 00:39:45,917 --> 00:39:48,654 [ CELLPHONE RINGS ] 843 00:39:51,823 --> 00:39:54,526 [ Indistinct talking ] 844 00:39:54,560 --> 00:39:55,661 IT'S DONE. 845 00:39:55,694 --> 00:39:57,529 BLACKPOOLE'S OUT. 846 00:39:57,563 --> 00:39:59,498 TIME TO RETURN THE ARTWORK? 847 00:39:59,531 --> 00:40:01,099 I THINK SO. 848 00:40:30,762 --> 00:40:32,230 ELIOT AND HARDISON 849 00:40:32,263 --> 00:40:35,501 WILL REPLACE THE FLOOR PANEL, SEAL THE HOLE -- 850 00:40:35,534 --> 00:40:37,569 NO ONE WILL EVER KNOW WHAT HAPPENED. 851 00:40:37,603 --> 00:40:39,671 WE'LL MOVE THE ARTWORK INTO THE LOADING DOCK, 852 00:40:39,705 --> 00:40:41,673 MAKE IT LOOK LIKE SOMEONE FROM THE OUTSIDE 853 00:40:41,707 --> 00:40:43,675 DROPPED IT OFF. 854 00:40:43,709 --> 00:40:45,877 YOU ARE NOT THE MAN I MARRIED. 855 00:40:45,911 --> 00:40:47,212 AH. 856 00:40:47,245 --> 00:40:49,648 WELL, WHAT DO YOU THINK OF THIS VERSION? 857 00:40:49,681 --> 00:40:51,917 I DON'T LOVE HIM, 858 00:40:51,950 --> 00:40:54,586 BUT I MIGHT LIKE HIM A LITTLE MORE. 859 00:41:00,626 --> 00:41:02,093 THANK YOU... 860 00:41:02,127 --> 00:41:04,129 ALL OF YOU. 861 00:41:04,162 --> 00:41:05,697 YOU SURPRISED ME. 862 00:41:08,600 --> 00:41:10,536 WE HAD A GOOD RUN. 863 00:41:10,569 --> 00:41:13,705 IT'S A GOOD TIME TO MOVE ON. 864 00:41:13,739 --> 00:41:16,775 I'M GOING SOMEWHERE... 865 00:41:16,808 --> 00:41:18,677 ELSE. 866 00:41:25,851 --> 00:41:28,754 A FRESH START. 867 00:41:33,058 --> 00:41:35,260 WE MADE A DIFFERENCE. 868 00:41:35,293 --> 00:41:38,196 REMEMBER THAT. 869 00:41:47,973 --> 00:41:49,541 WHERE YOU GOING? 870 00:41:49,575 --> 00:41:51,610 [ LAUGHS ] 871 00:41:53,044 --> 00:41:55,547 LET'S SEE HOW HARD YOU LOOK.