1 00:00:02,036 --> 00:00:04,505 HELP ME! SOMEBODY, PLEASE, HELP! 2 00:00:04,538 --> 00:00:07,108 HEY! OPEN THE DOOR, PLEASE! 3 00:00:07,141 --> 00:00:08,442 SHE CAN'T BREATHE! 4 00:00:08,476 --> 00:00:11,479 CAN'T YOU SEE THE SIGN, PAL? 5 00:00:11,512 --> 00:00:12,813 OVER HERE! 6 00:00:12,846 --> 00:00:15,649 HEY, UNLOCK THE DAMN DOOR! ASTHMA? 7 00:00:15,683 --> 00:00:18,152 YEAH, HER INHALER'S NOT WORKING. 8 00:00:20,154 --> 00:00:22,656 GET OUT OF MY WAY. CALL FOR AN AMBULANCE. 9 00:00:22,690 --> 00:00:24,725 -WHAT DO I DO? -SET HER ON THE GROUND, BUT KEEP HER UPRIGHT. 10 00:00:24,758 --> 00:00:27,761 -THIS INHALER'S GONNA RELAX HER MUSCLES... -OKAY. 11 00:00:27,795 --> 00:00:34,235 ...WHILE THE EPINEPHRINE OPENS THE AIRWAY. 12 00:00:34,268 --> 00:00:36,537 OH, THERE YOU GO. 13 00:00:36,570 --> 00:00:38,339 [ INHALES SHARPLY ] 14 00:00:38,372 --> 00:00:40,474 OH, THANK GOD. THANK YOU. 15 00:00:40,508 --> 00:00:42,210 YEAH. 16 00:00:42,243 --> 00:00:44,678 SHE COULD'VE DIED. I MEAN, SHE WOULD'VE DIED. 17 00:00:44,712 --> 00:00:46,580 WELL, SHE'S VERY LUCKY YOU WERE THERE. 18 00:00:46,614 --> 00:00:48,516 NO, LUCK SHOULDN'T HAVE ANYTHING TO DO WITH IT. 19 00:00:48,549 --> 00:00:51,785 YOU KNOW, THE CLINIC NEVER SHOULD'VE CLOSED, 20 00:00:51,819 --> 00:00:53,354 AND IT'S ALL MY FAULT. 21 00:00:53,387 --> 00:00:54,355 HEY, IT'S NOT YOUR FAULT. 22 00:00:54,388 --> 00:00:56,357 THERE'S NO WAY YOU COULD'VE SEEN THIS COMING. 23 00:00:56,390 --> 00:00:57,791 NO, I WAS THE ONE THAT RECOMMENDED MR. FOWLER 24 00:00:57,825 --> 00:00:59,127 TO OUR BOARD OF DIRECTORS. 25 00:00:59,160 --> 00:01:00,361 YOU KNOW, HE TOLD ME THAT THE FUND 26 00:01:00,394 --> 00:01:01,695 WOULD DOUBLE OUR CLINIC'S MONEY IN A YEAR. 27 00:01:01,729 --> 00:01:03,431 -I BELIEVED HIM. -IT'S OKAY. 28 00:01:03,464 --> 00:01:06,634 WE ALL DO STUPID THINGS SOMETIMES. 29 00:01:07,801 --> 00:01:08,902 [ STAMMERS ] 30 00:01:08,936 --> 00:01:13,607 UM [CLEARS THROAT] HOW DID YOU MEET, UH, DANIEL FOWLER? 31 00:01:13,641 --> 00:01:15,609 I ONLY VOLUNTEER AT THE CLINIC ON WEEKENDS. 32 00:01:15,643 --> 00:01:17,745 MY DAY JOB IS AT DALTON ACADEMY. 33 00:01:17,778 --> 00:01:18,846 IT'S THAT PRIVATE SCHOOL UP NEAR BRIGHTON. 34 00:01:18,879 --> 00:01:21,115 AND I'M THE ON-SITE NURSE THERE. 35 00:01:21,149 --> 00:01:22,750 AND FOWLER'S STEPSON IS A STUDENT THERE. 36 00:01:22,783 --> 00:01:25,486 HE'S A SWEET KID -- ALLERGIC TO STRAWBERRIES. 37 00:01:25,519 --> 00:01:26,620 [ LAUGHS ] 38 00:01:26,654 --> 00:01:28,789 THAT'S IRONIC. 39 00:01:28,822 --> 00:01:31,292 -WHY? -BECAUSE HE'S SWEET. 40 00:01:31,325 --> 00:01:32,893 YEAH, UH... 41 00:01:32,926 --> 00:01:35,796 A LOT OF THE PARENTS HAD MONEY INVESTED WITH HIM, 42 00:01:35,829 --> 00:01:38,232 AND I FIGURED, YOU KNOW, 43 00:01:38,266 --> 00:01:40,634 IF THEY COULD TRUST HIM, THEN WE COULD, TOO. 44 00:01:40,668 --> 00:01:42,470 OKAY, WELL, HERE'S THE THING. 45 00:01:42,503 --> 00:01:44,438 THE GOVERNMENT HAS FROZEN FOWLER'S ASSETS. 46 00:01:44,472 --> 00:01:45,739 SO YOU'LL GET THE MONEY BACK EVENTUALLY. 47 00:01:45,773 --> 00:01:48,142 NO, THE CLINIC IS OUT OF TIME. 48 00:01:48,176 --> 00:01:50,578 THE BOARD HAS PUT THE PROPERTY UP FOR SALE NEXT WEEK. 49 00:01:50,611 --> 00:01:53,847 THAT'S NOT GONNA HAPPEN. I PROMISE. 50 00:01:55,883 --> 00:01:58,386 SORRY, UM... 51 00:01:58,419 --> 00:02:00,721 IT'S JUST REALLY HARD TO TRUST PEOPLE RIGHT NOW, YOU KNOW? 52 00:02:00,754 --> 00:02:01,689 MM. 53 00:02:01,722 --> 00:02:04,658 THAT'S OKAY. WE DON'T TRUST YOU EITHER, SO... 54 00:02:04,692 --> 00:02:06,794 NO, SHE DIDN'T... 55 00:02:06,827 --> 00:02:09,430 THANK YOU FOR YOUR TIME. 56 00:02:12,633 --> 00:02:14,835 THAT WENT SUPER. 57 00:02:14,868 --> 00:02:17,271 [ SIGHS ] GOD... 58 00:02:17,305 --> 00:02:18,639 WHERE IS SOPHIE? 59 00:02:18,672 --> 00:02:22,176 THE RICH AND POWERFUL, THEY TAKE WHAT THEY WANT. 60 00:02:22,210 --> 00:02:24,345 WE STEAL IT BACK FOR YOU. 61 00:02:27,681 --> 00:02:34,455 AND SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 62 00:02:34,488 --> 00:02:35,956 WE PROVIDE... 63 00:02:35,989 --> 00:02:38,592 LEVERAGE. 64 00:02:38,626 --> 00:02:42,330 THANKS FOR MEETING ME THIS MORNING. 65 00:02:42,363 --> 00:02:44,365 SWEETHEART, LISTEN, I KNOW YOU'RE CRAZY BUSY. 66 00:02:44,398 --> 00:02:46,434 IT'S FINAL-EXAM TIME AND EVERYTHING, 67 00:02:46,467 --> 00:02:47,568 BUT I WAS THINKING THIS WEEKEND 68 00:02:47,601 --> 00:02:50,638 WE SHOULD DEFINITELY, DEFINITELY 69 00:02:50,671 --> 00:02:51,739 CHECK OUT THE VENETIAN EXHIBIT -- 70 00:02:51,772 --> 00:02:53,674 I DON'T THINK SO. 71 00:02:53,707 --> 00:02:56,244 I DON'T THINK THAT THIS IS WORKING OUT. 72 00:02:58,011 --> 00:03:00,248 [ CHUCKLES ] BABE... 73 00:03:00,281 --> 00:03:02,583 LISTEN, I KNOW THAT... 74 00:03:02,616 --> 00:03:05,319 YOU KNOW, I TRAVEL A LOT WITH... 75 00:03:05,353 --> 00:03:06,654 MY JOB. 76 00:03:06,687 --> 00:03:09,723 IT'S NOT THAT. UM, LISTEN... 77 00:03:09,757 --> 00:03:11,992 WE TALK ALL THE TIME, 78 00:03:12,025 --> 00:03:14,962 BUT IT NEVER FEELS LIKE YOU'RE ACTUALLY SHARING ANYTHING. 79 00:03:14,995 --> 00:03:21,602 AS GREAT AS YOU ARE, THERE'S ALWAYS A MASK. 80 00:03:21,635 --> 00:03:24,238 I JUST DON'T KNOW WHO YOU REALLY ARE, CATHERINE. 81 00:03:30,378 --> 00:03:31,612 I GOT A CLASS. 82 00:03:35,283 --> 00:03:36,284 SOPHIE. 83 00:03:36,317 --> 00:03:37,851 PARDON? 84 00:03:40,321 --> 00:03:41,822 [ SCOFFS ] 85 00:03:46,560 --> 00:03:48,929 OR ALICE... 86 00:03:48,962 --> 00:03:52,400 KAREN, MICHELLE... 87 00:03:52,433 --> 00:03:54,835 ELIZABETH... 88 00:03:55,903 --> 00:03:58,339 [ DOOR CLOSES ] HEY. 89 00:03:58,372 --> 00:03:59,673 THIS LOOKS LIKE AN ORDINARY CELLPHONE, RIGHT? 90 00:03:59,707 --> 00:04:01,409 [ BEEP ] 91 00:04:01,442 --> 00:04:02,276 [ HIGH-PITCHED WHINING ] 92 00:04:02,310 --> 00:04:04,978 IT'S NOT, MAN. IT'S A METAL DETECTOR. 93 00:04:05,012 --> 00:04:08,916 SEE, IT USES PULSE-INDUCTION TECHNOLOGY 94 00:04:08,949 --> 00:04:11,519 THAT SENDS OUT A CURRENT THAT GENERATES A MAGNETIC FIELD 95 00:04:11,552 --> 00:04:14,522 AND THEN -- ARE YOU EVEN LISTENING? 96 00:04:14,555 --> 00:04:15,556 YEAH. 97 00:04:15,589 --> 00:04:16,590 WELL, WHAT DID I SAY? 98 00:04:16,624 --> 00:04:19,727 YOU WERE EXPLAINING HOW YOU'RE STILL A VIRGIN. 99 00:04:19,760 --> 00:04:21,329 IT'S A DIFFERENT KIND OF SKILL. 100 00:04:21,362 --> 00:04:23,797 TALKING TO CLIENTS, YOU'RE SUPPOSED TO SYMPATHIZE. 101 00:04:23,831 --> 00:04:25,766 I TOLD YOU NOT TO TAKE HER. 102 00:04:25,799 --> 00:04:27,801 WELL, YOU WERE RIGHT. WHERE'S SOPHIE? 103 00:04:27,835 --> 00:04:29,637 -I DON'T KNOW. -WELL, WE'RE NOT WAITING. 104 00:04:29,670 --> 00:04:32,973 LET'S GO. LET'S START. [ SIGHS ] 105 00:04:33,006 --> 00:04:37,378 DANIEL FOWLER, 61, C.E.O. OF FTP FIDELITY. 106 00:04:37,411 --> 00:04:39,813 NOW, THIS IS THE LARGEST PRIVATE-INVESTMENT FIRM 107 00:04:39,847 --> 00:04:42,049 IN THE STATE, UP UNTIL ABOUT THREE WEEKS AGO. 108 00:04:42,082 --> 00:04:44,017 THIS WHOLE THING WAS BLOWN AS A BIG PONZI SCHEME, 109 00:04:44,051 --> 00:04:45,553 AND I'M NOT TALKING CROOKED INVESTMENTS. 110 00:04:45,586 --> 00:04:47,421 I MEAN STONE-COLD CON. 111 00:04:47,455 --> 00:04:50,090 THERE WAS NEVER ANY FUND, NO TRADES, NO REAL ACCOUNTS. 112 00:04:50,123 --> 00:04:52,893 THE CLINIC LOST EVERYTHING. 113 00:04:52,926 --> 00:04:53,927 10 YEARS, THIS GUY WORE ALL THE RIGHT SUITS 114 00:04:53,961 --> 00:04:56,029 AND FILED ALL THE RIGHT PAPERS WITH THE S.E.C. 115 00:04:56,063 --> 00:04:56,930 NOBODY LOOKED TWICE. 116 00:04:56,964 --> 00:04:58,632 WELL, AS SOON AS THE FBI FIGURED IT OUT, 117 00:04:58,666 --> 00:05:00,501 THEY SLAPPED A LITTLE HOUSE ARREST ON HIM, 118 00:05:00,534 --> 00:05:01,602 AND THEY FROZE ALL OF HIS ASSETS -- 119 00:05:01,635 --> 00:05:03,771 I'M TALKING CORPORATE ACCOUNTS, PERSONAL ACCOUNTS, 120 00:05:03,804 --> 00:05:04,872 REAL-ESTATE HOLDINGS. 121 00:05:04,905 --> 00:05:06,907 ANYTHING ON PLANET EARTH WITH THIS DUDE'S NAME ON IT 122 00:05:06,940 --> 00:05:08,576 IS ON ICE. 123 00:05:08,609 --> 00:05:10,844 THE FBI's VERY THOROUGH, HUH? 124 00:05:10,878 --> 00:05:12,112 EXTREMELY. 125 00:05:12,145 --> 00:05:14,314 -SO WHAT'D THEY MISS? -OH. 126 00:05:16,817 --> 00:05:17,851 $20 MILLION. 127 00:05:17,885 --> 00:05:18,719 THEY MOVED IT OFF THE BOOKS 128 00:05:18,752 --> 00:05:20,954 RIGHT BEFORE THE WARRANTS CAME DOWN. 129 00:05:20,988 --> 00:05:22,823 YEAH, WELL, HE KNEW THE END WAS NEAR, 130 00:05:22,856 --> 00:05:24,692 AND HE WAS GETTING READY TO BOLT. 131 00:05:24,725 --> 00:05:26,927 TELL ME SOMETHING -- WHERE WAS FOWLER ARRESTED? 132 00:05:26,960 --> 00:05:29,363 OH, IN HIS APARTMENT, PACKING FOR HIS 133 00:05:29,397 --> 00:05:32,132 "BUSINESS TRIP" TO THE MALDIVES. 134 00:05:32,165 --> 00:05:37,905 YOU SEE, HE'D NEED IT LIGHT, PORTABLE, CLOSE AT HAND. 135 00:05:37,938 --> 00:05:40,674 THAT $20 MILLION IS IN HIS APARTMENT. 136 00:05:40,708 --> 00:05:41,975 YEAH, BUT THIS GUY'S ON HOUSE ARREST, MAN. 137 00:05:42,009 --> 00:05:44,412 I MEAN, HE'S PRACTICALLY LIVING WITH THE FBI. 138 00:05:44,445 --> 00:05:46,714 THE PROBLEM IS NOT GETTING INTO THE APARTMENT 139 00:05:46,747 --> 00:05:48,081 BUT GETTING THEM OUT. 140 00:05:52,420 --> 00:05:53,721 WHERE WERE YOU? 141 00:05:53,754 --> 00:05:56,056 OH, I-I WAS RUNNING AN ERRAND. 142 00:05:56,089 --> 00:05:57,658 WEREN'T YOU WITH THE BOYFRIEND? 143 00:05:57,691 --> 00:05:58,892 [ TIN SLAMS ] 144 00:06:01,962 --> 00:06:05,466 SO, UM, WHAT ARE THE TERMS OF HIS HOUSE ARREST? 145 00:06:05,499 --> 00:06:07,901 FOWLER'S CONFINED TO HIS $6 MILLION PENTHOUSE 146 00:06:07,935 --> 00:06:09,537 OVERLOOKING THE CHARLES RIVER. 147 00:06:09,570 --> 00:06:11,872 YEAH, THAT'S A ROUGH PUNISHMENT, HUH? 148 00:06:11,905 --> 00:06:14,041 THE WHOLE PLACE IS OUTFITTED WITH 24/7 SURVEILLANCE 149 00:06:14,074 --> 00:06:16,677 SO THE FEDS CAN KEEP AN EYE ON HIM. 150 00:06:16,710 --> 00:06:18,078 NOW... 151 00:06:18,111 --> 00:06:19,980 WE CAN, TOO. 152 00:06:20,013 --> 00:06:21,482 I PIGGYBACKED ON THEIR WIRELESS FEED. 153 00:06:21,515 --> 00:06:24,918 STILL, FOR US TO GET IN AND SEARCH THE PLACE, 154 00:06:24,952 --> 00:06:26,754 WE'VE GOT TO GET RID OF FOWLER. 155 00:06:26,787 --> 00:06:30,758 NOW, THERE ARE THREE GENERAL EXCEPTIONS FOR HOUSE ARREST. 156 00:06:30,791 --> 00:06:32,826 THERE'S PERSONAL SAFETY, DEATH OF A RELATIVE, 157 00:06:32,860 --> 00:06:33,927 AND FAMILY EVENTS. 158 00:06:33,961 --> 00:06:36,730 PERSONAL SAFETY -- WE COULD BURN THE APARTMENT DOWN. 159 00:06:36,764 --> 00:06:39,467 -OOH! OOH! -OR... 160 00:06:39,500 --> 00:06:40,734 DEATH OF A RELATIVE. 161 00:06:40,768 --> 00:06:43,103 -UH, W-WHO'S THAT? - I LOOKED EVERYWHERE, MOM. 162 00:06:43,136 --> 00:06:44,104 -OH. - WELL, CAN'T YOU FIND... 163 00:06:44,137 --> 00:06:46,440 -OH, THE KID. - MY CELLPHONE. I THINK MAYBE... 164 00:06:46,474 --> 00:06:48,041 KID'S FROM HER FIRST MARRIAGE -- WIDMARK. 165 00:06:48,075 --> 00:06:49,743 - LOST IT. -OH, I'M SORRY. 166 00:06:49,777 --> 00:06:50,778 WIDMARK? 167 00:06:50,811 --> 00:06:52,746 RICH PEOPLE, MAN. 168 00:06:52,780 --> 00:06:54,147 GEEZ... 169 00:06:54,181 --> 00:06:55,849 OH, CAN YOU, UH, PUNCH IN ON THAT, PLEASE? 170 00:06:57,518 --> 00:06:59,119 DO YOU HAVE ANY RESPECT FOR YOUR PERSONAL PROPERTY? 171 00:06:59,152 --> 00:07:01,154 DO YOU HAVE ANY RESPECT FOR ME? I BOUGHT YOU THAT CELLPHONE. 172 00:07:01,188 --> 00:07:04,592 DAN, HE SAID HE WAS SORRY. 173 00:07:04,625 --> 00:07:05,893 YEAH, HE'S SORRY, ALL RIGHT. 174 00:07:05,926 --> 00:07:07,761 I'D GROUND YOU, BUT YOU DON'T HAVE ANY FRIENDS 175 00:07:07,795 --> 00:07:10,631 TO GO OUT WITH ANYWAY. 176 00:07:10,664 --> 00:07:14,968 I'M GONNA TALK TO HIM. I'LL BE RIGHT BACK. 177 00:07:15,002 --> 00:07:16,870 WOW. OKAY. 178 00:07:16,904 --> 00:07:20,040 WHAT DO WE GOT ON THE KID? 179 00:07:20,073 --> 00:07:23,511 WIDMARK FOWLER, AGE 10. 180 00:07:23,544 --> 00:07:24,978 NO ARRESTS, NO OUTSTANDING WARRANTS. 181 00:07:25,012 --> 00:07:26,647 HARDISON... 182 00:07:26,680 --> 00:07:29,182 HE'S A 5th-GRADE STUDENT AT DALTON ACADEMY, 183 00:07:29,216 --> 00:07:32,820 ACADEMICALLY UNEXCEPTIONAL, NO EXTRACURRICULARS. 184 00:07:32,853 --> 00:07:34,154 HE'S ALLERGIC TO STRAWBERRIES. 185 00:07:34,187 --> 00:07:37,725 [ LAUGHS ] STRAWBERRIES... 186 00:07:37,758 --> 00:07:38,726 [ LAUGHS ] 187 00:07:38,759 --> 00:07:42,195 JUDGES GIVE OUT DAY PASSES FOR FAMILY EVENTS. 188 00:07:42,229 --> 00:07:43,631 IT'S ONE OF THE THREE THINGS, RIGHT? 189 00:07:43,664 --> 00:07:46,600 SO FOWLER IS GOING TO ASK FOR ONE 190 00:07:46,634 --> 00:07:49,570 SO HE DOESN'T MISS HIS KID'S BIG DEBUT. 191 00:07:49,603 --> 00:07:51,004 OKAY, I'LL BITE. 192 00:07:51,038 --> 00:07:53,073 WHAT'S HE DEBUTING AS? 193 00:07:55,876 --> 00:07:56,844 YEAH, I DON'T KNOW. 194 00:07:56,877 --> 00:07:59,513 BUT WE'RE GONNA GO STEAL HIS SCHOOL AND FIND OUT. 195 00:08:06,554 --> 00:08:08,722 [ BELL RINGS ] A MISTER ANANDO BUHARI IS HERE. 196 00:08:08,756 --> 00:08:10,691 I DON'T HAVE ANY APPOINTMENTS. 197 00:08:10,724 --> 00:08:13,260 I KNOW. DO YOU WANT -- 198 00:08:13,293 --> 00:08:14,662 OH, DR. JERROD. 199 00:08:14,695 --> 00:08:17,965 DR. JERROD, COME. 200 00:08:17,998 --> 00:08:20,233 MMM. [ CHUCKLES ] 201 00:08:20,267 --> 00:08:22,770 IT'S, UH, IT'S A PLEASURE. 202 00:08:22,803 --> 00:08:25,105 I AM ANANDO BUHARI, BOTSWANA SPECIAL ENVOY. 203 00:08:25,138 --> 00:08:27,007 I WORK FOR PRESIDENT KHAMA. 204 00:08:27,040 --> 00:08:29,109 HE IS MOST IMPRESSED WHEN HE READ YOUR PAPER 205 00:08:29,142 --> 00:08:30,644 YOU WROTE AS A STUDENT. 206 00:08:30,678 --> 00:08:32,312 HOW DO YOU SAY, YOUR, UM... 207 00:08:32,345 --> 00:08:37,084 THE PRESIDENT OF BOTSWANA READ MY GRAD-SCHOOL THESIS? 208 00:08:37,117 --> 00:08:40,153 YES, ALL 600 GLORIOUS PAGES, 209 00:08:40,187 --> 00:08:41,655 FROM WHICH INSIGHT DRIPS LIKE HONEY 210 00:08:41,689 --> 00:08:44,224 UPON WHICH BEES OF WISDOM FEAST. 211 00:08:44,257 --> 00:08:45,826 [ CHUCKLES ] 212 00:08:45,859 --> 00:08:49,863 THE PRESIDENT IS REBUILDING THE EDUCATIONAL SYSTEM 213 00:08:49,897 --> 00:08:50,931 FROM THE GROUND UP. 214 00:08:50,964 --> 00:08:53,701 WOULD YOU CONSIDER GOING TO BOTSWANA TO MEET HIM? 215 00:08:53,734 --> 00:08:56,804 ALL EXPENSES PAID, OF COURSE. 216 00:08:56,837 --> 00:08:58,739 I... 217 00:09:00,974 --> 00:09:02,776 YES. 218 00:09:02,810 --> 00:09:04,645 EVERYONE, SETTLE DOWN! 219 00:09:04,678 --> 00:09:06,914 I ASSURE YOU EVERYTHING IS UNDER CONTROL! 220 00:09:06,947 --> 00:09:09,650 MR. JERROD JUST TOOK A LEAVE OF ABSENCE. 221 00:09:09,683 --> 00:09:11,251 IN THE MIDDLE OF THE SCHOOL YEAR?! 222 00:09:11,284 --> 00:09:15,122 THE SCHOOL BOARD HAS ALREADY SENT OVER AN INTERIM HEADMASTER. 223 00:09:15,155 --> 00:09:17,224 WOULD YOU BE QUIET?! [ BREATHING HEAVILY ] 224 00:09:17,257 --> 00:09:19,993 AND AFTER READING HIS FILE, 225 00:09:20,027 --> 00:09:24,297 I CAN ASSURE YOU WE ARE IN EXCELLENT HANDS! 226 00:09:24,331 --> 00:09:25,999 DR. MELCHER? 227 00:09:26,033 --> 00:09:27,635 [ INDISTINCT YELLING ] 228 00:09:35,643 --> 00:09:38,045 [ German accent ] GUTEN TAG. 229 00:09:41,048 --> 00:09:43,083 MY NAME IS DR. MELCHER. 230 00:09:43,116 --> 00:09:45,318 AND I PRESUME THAT YOU ARE ALL FAMILIAR 231 00:09:45,352 --> 00:09:49,356 WITH THE PRE-EMINENT LITERATURE ON THE CHILDREN'S EDUCATION -- 232 00:09:49,389 --> 00:09:52,025 MY BOOK, "THE MELCHER METHOD." 233 00:09:52,059 --> 00:09:53,293 JA? 234 00:09:53,326 --> 00:09:58,999 IN WHICH CASE ANY FURTHER, UH, INTRODUCTION WOULD BE REDUNDANT. 235 00:09:59,032 --> 00:10:03,036 I'D LIKE TO BEGIN BY SPEAKING ABOUT THE CHANGES 236 00:10:03,070 --> 00:10:05,305 WE'RE GOING TO BE MAKING IN THE CURRICULUM. 237 00:10:05,338 --> 00:10:06,339 EXCUSE ME. 238 00:10:06,373 --> 00:10:08,141 -SHH! SHH! SHH! - JA, JA? 239 00:10:08,175 --> 00:10:09,142 MARK SANFORD. 240 00:10:09,176 --> 00:10:11,344 I'M HEAD OF THE CONCERNED PARENTS ASSOCIATION. 241 00:10:11,378 --> 00:10:14,848 THAT MUST BE VERY EXCITING FOR YOU. 242 00:10:14,882 --> 00:10:15,749 YES, I'M SURE. 243 00:10:15,783 --> 00:10:18,385 UH, WHY DO WE NEED ANY CHANGES AT ALL? 244 00:10:18,418 --> 00:10:19,987 I MEAN, THIS IS THE BEST PRIVATE SCHOOL IN BOSTON. 245 00:10:20,020 --> 00:10:21,388 [ INDISTINCT YELLING ] 246 00:10:21,421 --> 00:10:23,691 - JA, JA. WELL, SEE... -LET HIM TALK! 247 00:10:23,724 --> 00:10:29,763 THE MELCHER METHOD INVOLVES THE EDUCATION OF THE WHOLE CHILD -- 248 00:10:29,797 --> 00:10:31,732 MIND AND BODY. 249 00:10:31,765 --> 00:10:34,668 JA, WHEN A CHILD FAILS, IS IT JUST THE BRAIN THAT FAILS? 250 00:10:34,702 --> 00:10:35,602 NEIN. 251 00:10:35,635 --> 00:10:38,238 NO, THE BODY CONTAINS THE FAILING BRAIN, 252 00:10:38,271 --> 00:10:43,410 AND BOTH ARE CAST INTO A CRUEL WORLD OF DARKNESS AND DESPAIR, 253 00:10:43,443 --> 00:10:46,714 AND EVEN WORSE -- 254 00:10:46,747 --> 00:10:48,015 PUBLIC SCHOOL. 255 00:10:48,048 --> 00:10:49,850 -OH, RIGHT. -PUBLIC SCHOOL? 256 00:10:49,883 --> 00:10:53,053 DANTE'S INFERNO OF MEDIOCRITY. 257 00:10:53,086 --> 00:10:55,789 [ SMACKS LIPS ] 258 00:10:55,823 --> 00:10:59,727 WHICH IS WHY I BRING WITH ME TWO OF MY MOST VALUED ASSOCIATES. 259 00:10:59,760 --> 00:11:03,897 UH, WE HAVE MIND, UH, AND BODY. 260 00:11:03,931 --> 00:11:05,165 JA. JA. 261 00:11:05,198 --> 00:11:08,802 MISS DONOVAN WILL HONE YOUR CHILDREN'S MINDS, 262 00:11:08,836 --> 00:11:11,471 AND MR. BREWER, HE WILL CRAFT YOUR CHILDREN'S BODIES 263 00:11:11,504 --> 00:11:17,177 INTO THE PROPER MIND-VESSELS THROUGH EXERCISE AND NUTRITION. 264 00:11:19,780 --> 00:11:21,048 AND ANY QUESTIONS? 265 00:11:21,081 --> 00:11:22,916 [ INDISTINCT YELLING ] 266 00:11:25,786 --> 00:11:27,387 [ SIREN WAILING IN DISTANCE ] 267 00:11:33,093 --> 00:11:36,429 OPEN FLOOR PLAN. 3,200 SQUARE FEET. 268 00:11:36,463 --> 00:11:40,167 UH, PANORAMIC VIEWS OF THE PARK AND THE CHARLES. 269 00:11:40,200 --> 00:11:44,071 UH, THERE'S A FITNESS CENTER, A ROOFTOP POOL, 270 00:11:44,104 --> 00:11:46,006 UH, CONCIERGE SERVICE. 271 00:11:46,039 --> 00:11:48,475 IT'S THE PERFECT NEWLYWED APARTMENT. 272 00:11:48,508 --> 00:11:52,780 OH, IT'S -- THE PLACE, IT'S FANTASTICAL. 273 00:11:52,813 --> 00:11:54,815 WHAT DO YOU THINK, BINKY? 274 00:11:54,848 --> 00:11:56,449 IT'S A LITTLE SMALL. 275 00:11:56,483 --> 00:11:58,418 THE -- THE APARTMENT, BINKY. 276 00:11:58,451 --> 00:12:01,822 WHAT DO YOU THINK OF THE APARTMENT? 277 00:12:01,855 --> 00:12:03,056 WE'LL TAKE IT. 278 00:12:03,090 --> 00:12:05,025 SHE -- SHE LOVES AIR. 279 00:12:05,058 --> 00:12:06,794 [ Normal voice ] HARDISON AND PARKER ARE ALL SET. 280 00:12:06,827 --> 00:12:09,496 NOW ALL WE GOT TO DO IS GIVE WIDMARK A TRIUMPH 281 00:12:09,529 --> 00:12:11,498 WORTHY OF A DAY PASS. 282 00:12:11,531 --> 00:12:13,200 A TRIUMPH? IN WHAT? 283 00:12:13,233 --> 00:12:15,302 I MEAN, IN FIVE YEARS, THIS KID HASN'T JOINED A CLUB, 284 00:12:15,335 --> 00:12:16,369 HE HASN'T PLAYED A SPORT. 285 00:12:16,403 --> 00:12:17,637 I'VE GOT TO BE HONEST WITH YOU. 286 00:12:17,670 --> 00:12:18,806 I DON'T KNOW HOW I FEEL ABOUT USING A KID TO GET TO A MARK. 287 00:12:18,839 --> 00:12:19,873 WE'RE NOT USING HIM. 288 00:12:19,907 --> 00:12:22,209 I MEAN, EVERY KID IS GOOD AT SOMETHING, YOU KNOW? 289 00:12:22,242 --> 00:12:25,412 WE JUST GOT TO DRAW WIDMARK OUT, GIVE HIM HIS MOMENT TO SHINE. 290 00:12:25,445 --> 00:12:28,448 SO, WE'D BE LIKE HIS FAIRY GODPARENTS. 291 00:12:28,481 --> 00:12:30,317 EXACTLY, AND, I MEAN, COME ON, LOOK AT THIS -- 292 00:12:30,350 --> 00:12:32,085 CUSHY PRIVATE SCHOOL. 293 00:12:32,119 --> 00:12:34,354 NO GUNRUNNERS, MOB BOSSES, INTERPOL. 294 00:12:34,387 --> 00:12:36,023 THIS -- THIS IS A BREEZE. 295 00:12:36,056 --> 00:12:39,459 WE'VE GOT ONE WEEK BEFORE THE CLINIC CLOSES FOR GOOD. 296 00:12:39,492 --> 00:12:41,461 ATHLETICS, ACADEMICS. 297 00:12:41,494 --> 00:12:43,530 LET'S GO GET, UH, WIDMARK THE WIN, ALL RIGHT? 298 00:12:43,563 --> 00:12:45,532 ALL RIGHT, WIDMARK. 299 00:12:45,565 --> 00:12:48,301 GET ON THE LINE. YOU'RE UP. 300 00:12:48,335 --> 00:12:49,369 YEAH, YOU'RE UP. GET ON THE LINE. 301 00:12:49,402 --> 00:12:51,138 SHOW THEM WHAT YOU GOT, MAN. 302 00:12:51,171 --> 00:12:52,840 YOU GOT THIS. 303 00:12:52,873 --> 00:12:55,175 HEY, YOU, TAKE YOUR HELMET OFF. 304 00:12:55,208 --> 00:12:57,310 -WHAT'S YOUR NAME? -SKYLER SANFORD. 305 00:12:57,344 --> 00:12:59,546 -SKY -- SKYLER? -YEAH. 306 00:12:59,579 --> 00:13:01,448 IS THAT A BOY'S NAME? 307 00:13:01,481 --> 00:13:02,850 DON'T DO THAT AGAIN. 308 00:13:02,883 --> 00:13:04,952 PUT YOUR HAT ON. YOU'RE UP AGAINST WID-- 309 00:13:04,985 --> 00:13:07,120 I SAID GET OUT THERE, MAN. GET OUT HERE. 310 00:13:07,154 --> 00:13:09,056 ALL RIGHT. 311 00:13:11,524 --> 00:13:12,492 WHAT ARE YOU DOING, MAN? [ LAUGHTER ] 312 00:13:12,525 --> 00:13:14,862 WHAT ARE YOU DOING? WHAT ARE Y-- DON'T LAUGH! 313 00:13:14,895 --> 00:13:16,296 WHAT ARE YOU DOING? 314 00:13:16,329 --> 00:13:18,431 THERE'S GIRLS HERE. YOU'RE BETTER THAN THAT. 315 00:13:18,465 --> 00:13:19,566 TURN YOUR HAT AROUND. 316 00:13:23,370 --> 00:13:26,139 ALL RIGHT. 317 00:13:26,173 --> 00:13:29,342 HERE WE GO. 318 00:13:29,376 --> 00:13:31,544 EN GARDE. FENCE! 319 00:13:31,578 --> 00:13:34,114 [ BUZZING ] 320 00:13:42,289 --> 00:13:44,324 NEXT WEEK IS THE STATE SPELLING BEE, 321 00:13:44,357 --> 00:13:45,993 AND WE'RE GOING TO BE SENDING A REPRESENTATIVE 322 00:13:46,026 --> 00:13:47,494 FROM RIGHT HERE IN DALTON. 323 00:13:47,527 --> 00:13:50,197 NOW, I'VE CHOSEN THE BEST SPELLERS FROM EVERY CLASS 324 00:13:50,230 --> 00:13:51,865 TO COMPETE IN THE TRYOUTS. 325 00:13:51,899 --> 00:13:54,935 THE WINNERS WILL COMPETE IN A SCHOOL-WIDE COMPETITION 326 00:13:54,968 --> 00:13:56,169 NEXT FRIDAY. 327 00:13:56,203 --> 00:13:57,905 YOUR PARENTS ARE GONNA BE THERE -- 328 00:13:57,938 --> 00:13:59,973 IT IS GONNA BE HUGE. LET'S GET STARTED! 329 00:14:00,007 --> 00:14:03,243 [ BELL DINGS ] WIDMARK -- FOOD. 330 00:14:03,276 --> 00:14:07,180 FOOD. F-O-O-D. 331 00:14:07,214 --> 00:14:08,281 FOOD. 332 00:14:11,218 --> 00:14:12,519 PSEUDOSYLLOGISM. 333 00:14:12,552 --> 00:14:15,055 [ SCOFFS ] THAT'S NOT FAIR. HE GOT "FOOD"! 334 00:14:15,088 --> 00:14:16,189 UH-UH-UH. 335 00:14:16,223 --> 00:14:19,392 SKYLER, I CAN ASSURE YOU THAT THE ORDER OF THESE CARDS 336 00:14:19,426 --> 00:14:20,994 IS ENTIRELY RANDOM. 337 00:14:21,028 --> 00:14:22,229 PSEUDOSYLLOGISM. 338 00:14:22,262 --> 00:14:25,332 UM, PSEUDOSYLLOGISM. S-- 339 00:14:25,365 --> 00:14:27,467 [ BELL DINGS ] 340 00:14:27,500 --> 00:14:30,170 [ SCOFFS ] WHATEVER. 341 00:14:35,242 --> 00:14:36,443 CHYLOCAULOUS. 342 00:14:36,476 --> 00:14:42,515 CHYLOCAULOUS. C-H-Y-L-O-C-A-U-L-O-U-S. 343 00:14:42,549 --> 00:14:44,217 CHYLOCAULOUS. 344 00:14:44,251 --> 00:14:48,155 THAT'S IMPRESSIVE. 345 00:14:48,188 --> 00:14:50,257 SUNSET. 346 00:14:50,290 --> 00:14:52,292 SUNSET. S-U... 347 00:14:52,325 --> 00:14:53,994 RIBONUCLEIC. 348 00:14:54,027 --> 00:14:58,631 RIBONUCLEIC. R-I-B-O-N-U-C-L-E-I-C. 349 00:14:58,665 --> 00:15:03,370 WILDFIRE. W-I-L-D... 350 00:15:03,403 --> 00:15:04,504 FLIBBERTIGIBBET. 351 00:15:04,537 --> 00:15:08,408 F-L-I-B-B-E-R-T-I-G-I-B-B-E-T. 352 00:15:08,441 --> 00:15:11,311 -BICYCLE. -B-I... 353 00:15:11,344 --> 00:15:14,281 S-I-C-L-E? 354 00:15:14,314 --> 00:15:15,648 BICYCLE. [ BELL DINGS ] 355 00:15:15,682 --> 00:15:17,450 ANTIDISESTABLISHMENTARIANISM. 356 00:15:17,484 --> 00:15:27,127 A-N-T-I-D-I-S-E-S-T-A-B-L-I-S-H- M-E-N-T-A-R-I-A-N-I-S-M. 357 00:15:27,160 --> 00:15:30,330 ANTIDISESTABLISHMENTARIANISM. 358 00:15:30,363 --> 00:15:32,332 CONGRATULATIONS, MS. KIM. 359 00:15:36,369 --> 00:15:39,039 [ BELL RINGS ] CLASS DISMISSED. 360 00:15:44,511 --> 00:15:47,447 HEY, WIDMARK. GOOD JOB. 361 00:15:47,480 --> 00:15:49,149 I JUST GOT LUCKY WITH THE WORDS YOU GAVE ME. 362 00:15:49,182 --> 00:15:50,383 MNH-MNH. BE PROUD OF YOURSELF. 363 00:15:50,417 --> 00:15:52,585 THE IMPORTANT THING IS YOU TRIED. 364 00:15:52,619 --> 00:15:55,055 I TRY HARD ALL THE TIME, 365 00:15:55,088 --> 00:15:59,426 BUT NO MATTER HOW MUCH I WANT SOMETHING, IT NEVER HAPPENS. 366 00:15:59,459 --> 00:16:02,229 OH, SWEETIE, WHAT -- WHAT DO YOU WANT? 367 00:16:02,262 --> 00:16:03,263 I DON'T KNOW. 368 00:16:03,296 --> 00:16:05,698 I JUST... 369 00:16:05,732 --> 00:16:10,103 I WANT SOMEONE TO LIKE ME. 370 00:16:10,137 --> 00:16:12,372 DOES THAT GET EASIER WHEN YOU'RE A GROWN-UP? 371 00:16:12,405 --> 00:16:14,174 UM, NO. 372 00:16:14,207 --> 00:16:16,409 I DON'T THINK IT DOES. 373 00:16:16,443 --> 00:16:18,078 YOU'RE NICE. 374 00:16:18,111 --> 00:16:19,179 BUT WEIRD. 375 00:16:19,212 --> 00:16:22,082 [ SCOFFS ] ALL RIGHT, GO ON. YOU'RE LATE FOR CLASS. 376 00:16:22,115 --> 00:16:25,185 [ GRUNTING, GASPING ] 377 00:16:25,218 --> 00:16:28,155 STOP MOVING! 378 00:16:28,188 --> 00:16:30,423 LOOK, IT DON'T HAVE TO BE EXACT. 379 00:16:30,457 --> 00:16:32,659 WOMAN, IT'S A MOTION DETECTOR. JUST POINT IT THAT WAY. 380 00:16:32,692 --> 00:16:34,027 [ ELEVATOR BELL DINGS ] 381 00:16:44,604 --> 00:16:48,241 [ KNOCK ON DOOR ] 382 00:16:48,275 --> 00:16:49,476 WHAT THE HELL DO YOU GUYS WANT? 383 00:16:49,509 --> 00:16:50,610 WELL, WE'RE HAVING A PROBLEM 384 00:16:50,643 --> 00:16:53,613 WITH THE SIGNAL FROM CAMERA TWO AGAIN. 385 00:16:58,585 --> 00:17:00,487 AGH! 386 00:17:03,190 --> 00:17:06,226 HEY! FBI! DROP THE GUN! 387 00:17:06,259 --> 00:17:08,661 [ BREATHING HEAVILY ] 388 00:17:14,101 --> 00:17:15,302 SPECIAL AGENT HAGEN? 389 00:17:16,636 --> 00:17:19,206 IT'S ME -- McSWEETEN. 390 00:17:19,239 --> 00:17:21,674 TODD, FROM THE MOSCONE MOB CASE LAST YEAR? 391 00:17:21,708 --> 00:17:23,676 OH. [ LAUGHS ] YEAH! 392 00:17:24,711 --> 00:17:28,315 -I LOST HIM. -YOU DROPPED THIS. 393 00:17:28,348 --> 00:17:31,651 YEAH. I-I DIDN'T EVEN REALIZE. YES, I DROPPED IT. 394 00:17:31,684 --> 00:17:33,486 AGENT THOMAS, GOOD TO SEE YOU AGAIN. 395 00:17:33,520 --> 00:17:35,788 RIGHT BACK AT YOU. UM... 396 00:17:35,822 --> 00:17:37,324 TAGGERT FROM THE MOSCONE CASE. 397 00:17:37,357 --> 00:17:39,192 R-RIGHT. 398 00:17:39,226 --> 00:17:40,527 RIGHT, RIGHT. 399 00:17:40,560 --> 00:17:43,130 SO, UH, WHAT Y'ALL BEEN UP TO? 400 00:17:43,163 --> 00:17:45,098 WELL, ACTUALLY, WE'VE HAD A PRETTY GOOD RUN OF IT LATELY. 401 00:17:45,132 --> 00:17:46,699 [ CHUCKLES ] CLOSED SOME BIG CASES. 402 00:17:46,733 --> 00:17:48,735 -BIG. -MOSCONE, FOR ONE. 403 00:17:48,768 --> 00:17:49,769 MOSCONE, NO MORE-NE. [ CHUCKLES ] 404 00:17:49,802 --> 00:17:51,838 WE ALSO SHUT DOWN A HUGE METH RING IN CALIFORNIA 405 00:17:51,871 --> 00:17:54,607 DURING A BANK ROBBERY. 406 00:17:54,641 --> 00:17:55,642 WHAT ARE YOU GUYS DOING HERE? 407 00:17:55,675 --> 00:17:57,410 [ SMACKS LIPS ] 408 00:17:57,444 --> 00:17:59,679 I MEAN, WE -- WE'RE UNDERCOVER, MAN. 409 00:17:59,712 --> 00:18:03,416 YEAH, YEAH -- MORE MANPOWER ON THE FOWLER CASE. 410 00:18:03,450 --> 00:18:04,451 OH, WELL, WE NEVER -- 411 00:18:04,484 --> 00:18:06,386 THEY NEVER SAID ANYTHING ABOUT -- 412 00:18:06,419 --> 00:18:08,255 -WE'RE YOUR SECRET BACKUP. -YEAH. 413 00:18:08,288 --> 00:18:09,289 -WELL... -HEY! 414 00:18:09,322 --> 00:18:10,323 -...THAT'S GREAT! -THAT'S GOOD. 415 00:18:10,357 --> 00:18:12,259 SHH! SECRET! 416 00:18:15,362 --> 00:18:17,597 SO, ME AND YOU -- YOU, I -- US -- 417 00:18:17,630 --> 00:18:19,732 -WE SHOULD RESUME SURVEILLANCE. -[ WHISTLES ] 418 00:18:19,766 --> 00:18:21,201 FELLAS. 419 00:18:25,272 --> 00:18:27,674 CAN YOU IMAGINE HAVING HER FOR A PARTNER? 420 00:18:29,942 --> 00:18:31,411 WHAT? 421 00:18:31,444 --> 00:18:33,146 YOU WANT TO SEE OTHER PARTNERS? 422 00:18:33,180 --> 00:18:34,781 I DIDN'T SAY THAT. 423 00:18:34,814 --> 00:18:35,848 [ SIGHS ] YEAH, FINE. WHATEVER. 424 00:18:35,882 --> 00:18:37,884 -THAT'S NOT WHAT I MEANT! -YEAH. 425 00:18:37,917 --> 00:18:39,319 LET ME JUST G-G-GET THIS STRAIGHT, OKAY? 426 00:18:39,352 --> 00:18:40,353 ALL RIGHT, YOU TWO -- 427 00:18:40,387 --> 00:18:42,489 YOU COULDN'T RIG A GYM CLASS OR A SPELLING BEE? 428 00:18:42,522 --> 00:18:45,492 AND YOU TWO -- YOU RUN INTO THE ONLY FBI AGENTS ON THE PLANET 429 00:18:45,525 --> 00:18:46,526 THAT RECOGNIZE YOU? 430 00:18:46,559 --> 00:18:47,794 I GOT TO BE HONEST WITH YOU. 431 00:18:47,827 --> 00:18:49,729 -I THINK WE BROKE THE KID EVEN MORE. -MM. 432 00:18:49,762 --> 00:18:52,732 WE ARE THE WORST FAIRY GODPARENTS IN THE WORLD. 433 00:18:52,765 --> 00:18:55,335 [ Sighing ] LISTEN, WE STILL GOT TO GET FOWLER 434 00:18:55,368 --> 00:18:57,704 OUT OF THE APARTMENT SO WE CAN GET IN. 435 00:18:57,737 --> 00:18:58,671 YEAH, EXCEPT NOW WHEN HE LEAVES, 436 00:18:58,705 --> 00:18:59,372 THERE WILL BE SOMEBODY WAITING TO KILL HIM. 437 00:18:59,406 --> 00:19:01,908 ONE OF HIS VICTIMS WANTS PAYBACK 438 00:19:01,941 --> 00:19:04,277 MORE THAN HE WANTS TO BE PAID... 439 00:19:04,311 --> 00:19:05,312 BACK. 440 00:19:05,345 --> 00:19:07,447 ONE OF YOU TWO CAN IDENTIFY THE GUNMAN, RIGHT? 441 00:19:07,480 --> 00:19:08,881 OH, YEAH, SURE. 442 00:19:08,915 --> 00:19:10,149 HE STOPPED AND LET ME TAKE A PICTURE OF HIM AS I WAS CHASING HIM. 443 00:19:10,183 --> 00:19:12,285 HEY, YOU KNOW WHAT, MAN? I'VE BEEN AROUND LITTLE KIDS ALL DAY. 444 00:19:12,319 --> 00:19:13,853 I DON'T NEED TO COME HOME AND DO ALL THIS CRAP. 445 00:19:13,886 --> 00:19:15,054 HEY, MAN, WITH ALL THAT? 446 00:19:15,087 --> 00:19:16,256 I'VE BEEN IN THIS PINK SHIRT AND THESE TIGHT PLAID PANTS, 447 00:19:16,289 --> 00:19:19,192 THESE OLD WEBSTER LOAFERS, THIS GIRL WALKING ON MY BACK. 448 00:19:19,226 --> 00:19:20,227 I DON'T NEED THIS, MAN. 449 00:19:20,260 --> 00:19:22,762 -IS THIS THE GUY? -MM-HMM. 450 00:19:22,795 --> 00:19:26,666 SEE? 451 00:19:26,699 --> 00:19:28,468 WOW, I-I DIDN'T KNOW YOU COULD DO THAT. 452 00:19:28,501 --> 00:19:31,938 I THOUGHT EVERYBODY COULD DO THAT. 453 00:19:31,971 --> 00:19:33,206 OKAY. ALL RIGHT, ALL RIGHT. 454 00:19:33,240 --> 00:19:34,474 WE'LL KEEP AN EYE ON HIM. 455 00:19:34,507 --> 00:19:37,910 IN THE MEANTIME, IF THEY THINK YOU'RE REAL FBI, BE REAL FBI. 456 00:19:37,944 --> 00:19:40,513 I MEAN, USE IT TO CASE THE APARTMENT. 457 00:19:40,547 --> 00:19:41,648 ALL RIGHT, SO I'M OUT OF THIS, 458 00:19:41,681 --> 00:19:44,384 AND I'M ON FBI DETAIL WITH PARKER AND HARDISON THEN. 459 00:19:44,417 --> 00:19:46,319 ACTUALLY, NO, I NEED YOU TO BE COACH BREWER, SO... 460 00:19:46,353 --> 00:19:47,687 THERE'S AN ARMED GUNMAN OUT THERE. 461 00:19:47,720 --> 00:19:51,691 YOU WANT ME IN THE GYM WITH KIDS NAMED SKYLER AND INDIGO? 462 00:19:51,724 --> 00:19:53,826 WHERE DID COACH BREWER GO? I MEAN, WE OUGHT TO BE... 463 00:19:53,860 --> 00:19:55,462 SHH! SHUT UP! SHUT UP! 464 00:19:55,495 --> 00:19:56,563 ...THERE AS THE -- -[ GASPS ] OOH! 465 00:19:56,596 --> 00:19:59,899 * ...TROUBLE I'VE SEEN 466 00:19:59,932 --> 00:20:01,501 "THE PLAY IS THE THING 467 00:20:01,534 --> 00:20:04,671 WHEREIN I'LL CATCH THE CONSCIENCE OF A KING." 468 00:20:04,704 --> 00:20:06,439 * ...TIMES I'M UP 469 00:20:06,473 --> 00:20:08,875 * SOMETIMES I'M DOWN 470 00:20:08,908 --> 00:20:09,909 [ GASPS ] OH. 471 00:20:09,942 --> 00:20:13,613 * OHH, LORD 472 00:20:13,646 --> 00:20:17,250 * SOMETIMES I'M ALMOST TO THE GROUND * 473 00:20:17,284 --> 00:20:20,620 SOPHIE, HOW LONG WOULD IT TAKE YOU TO STAGE A MUSICAL? 474 00:20:20,653 --> 00:20:21,688 SIX WEEKS. 475 00:20:21,721 --> 00:20:23,756 YOU HAVE TWO DAYS. 476 00:20:23,790 --> 00:20:27,294 * NOBODY KNOWS THE TROUBLE I'VE SEEN * 477 00:20:27,327 --> 00:20:28,428 * THERE CAN BE NO CONFUSION 478 00:20:28,461 --> 00:20:31,798 * THAT FUSION POWERS THE STAR 479 00:20:31,831 --> 00:20:33,966 D-DID... 480 00:20:34,000 --> 00:20:35,935 DID YOU JUST MAKE THAT UP ON THE SPOT? 481 00:20:35,968 --> 00:20:37,804 -YES, MA'AM. -HUH. 482 00:20:37,837 --> 00:20:39,739 YOU REALLY ARE QUITE RELENTLESS. 483 00:20:39,772 --> 00:20:41,708 THANK YOU, MA'AM. 484 00:20:41,741 --> 00:20:44,043 M-MISS DONOVAN? 485 00:20:44,076 --> 00:20:47,680 W-WHY ARE WE SINGING AT A SCIENCE FAIR? 486 00:20:47,714 --> 00:20:49,816 AH. GOOD POINT, YES. 487 00:20:49,849 --> 00:20:52,785 SCIENCE. KNOWLEDGE. 488 00:20:52,819 --> 00:20:54,954 WHAT IS KNOWLEDGE WITHOUT EMOTIONAL CONTEXT? 489 00:20:54,987 --> 00:20:57,624 -FACTS. -UNH-UNH. EMPTY. MEANINGLESS. 490 00:20:57,657 --> 00:20:59,992 WE'RE TAKING LEFT BRAIN -- SCIENCE -- 491 00:21:00,026 --> 00:21:03,029 AND COMBINING IT WITH RIGHT BRAIN -- CREATIVITY -- 492 00:21:03,062 --> 00:21:05,732 TO ENGAGE THE AUDIENCE'S ENTIRE BRAIN. 493 00:21:05,765 --> 00:21:07,967 NOW, JUST -- JUST PRESENT YOUR PROJECTS, 494 00:21:08,000 --> 00:21:10,503 AND WE'LL JUST SET IT TO A LITTLE MELODY. 495 00:21:10,537 --> 00:21:12,339 [ CLAPS ] WHO'S NEXT? 496 00:21:12,372 --> 00:21:14,006 * I CAN MAKE A BATTERY OUT OF A POTATO * 497 00:21:14,040 --> 00:21:15,675 * THANK YOU 498 00:21:15,708 --> 00:21:18,077 BUT I CAN TURN ON A LIGHT BULB. 499 00:21:18,110 --> 00:21:19,712 MNH-MNH. THAT WON'T BE NECESSARY. 500 00:21:19,746 --> 00:21:21,581 MR. FOWLER? 501 00:21:21,614 --> 00:21:24,817 * YOU MIGHT FIND THIS DISTASTEFUL * 502 00:21:24,851 --> 00:21:28,355 * OR CALL IT JUST PLAIN GROSS 503 00:21:28,388 --> 00:21:30,790 * TO SING IN PRAISE OF BREAD MOLD * 504 00:21:30,823 --> 00:21:34,026 * OR WONDER HOW IT GROWS 505 00:21:34,060 --> 00:21:40,933 * IT EVEN MAKES YOU CRAZY THAT MOLD DEVOURS YOUR FOOD * 506 00:21:44,704 --> 00:21:46,473 I DON'T KNOW WHAT TO SAY, WIDMARK. 507 00:21:46,506 --> 00:21:48,708 -I-I'M SORRY. -NO, NO, NO. 508 00:21:48,741 --> 00:21:52,745 THAT WAS -- THAT WAS -- YES, THAT WAS, UH, IMPRESSIVE. 509 00:21:52,779 --> 00:21:53,913 IT WAS -- IT WAS UNDERSTATED. 510 00:21:53,946 --> 00:21:55,982 IT WAS -- IT WAS POTENTIALLY WONDERFUL. 511 00:21:56,015 --> 00:21:57,917 YES! 512 00:21:57,950 --> 00:22:02,489 YOU, WIDMARK, ARE GONNA SING IN THE GRAND FINALE! 513 00:22:02,522 --> 00:22:05,057 SECURITY SYSTEM INSTALLED, FIVE-CAMERA SETUP. 514 00:22:05,091 --> 00:22:09,962 TWO IN THE LIVING ROOM, ENTRYWAY, HALLWAY, KITCHEN. 515 00:22:09,996 --> 00:22:12,499 COULD I TAKE A LOOK AT YOUR LOG FOR FOWLER'S PHONE CALLS? 516 00:22:12,532 --> 00:22:15,067 I-I MEAN, IF I PUT IN A REQUEST TO HOME OFFICE -- 517 00:22:15,101 --> 00:22:16,102 AH, IT TAKES FOREVER. 518 00:22:16,135 --> 00:22:17,003 PENCIL PUSHERS DON'T UNDERSTAND 519 00:22:17,036 --> 00:22:18,505 WHAT IT'S LIKE FOR US OUT IN THE FIELD, 520 00:22:18,538 --> 00:22:20,407 FACE-TO-FACE WITH CRIME. 521 00:22:20,440 --> 00:22:21,841 YEAH, NOSE TO NOSE WITH EVIL. 522 00:22:21,874 --> 00:22:23,976 I CAN HEAR THAT. 523 00:22:24,010 --> 00:22:26,613 THE FILES ARE IN HERE. 524 00:22:32,084 --> 00:22:34,621 [ BEEPING ] 525 00:22:34,654 --> 00:22:36,155 WHO THE HELL ARE YOU? 526 00:22:36,188 --> 00:22:37,557 FBI. 527 00:22:37,590 --> 00:22:38,925 THERE ARE CAMERAS EVERYWHERE. 528 00:22:38,958 --> 00:22:41,961 YOU PEOPLE DON'T NEED TO BE IN HERE. 529 00:22:41,994 --> 00:22:43,095 [ BEEPING ] 530 00:22:48,968 --> 00:22:51,704 [ BEEPING INTENSIFIES ] 531 00:22:51,738 --> 00:22:53,773 OUT OF EVERY KID IN THE ENTIRE SCHOOL, 532 00:22:53,806 --> 00:22:55,842 SHE PICKS HIM FOR THE SHOWCASE PERFORMANCE? 533 00:22:55,875 --> 00:22:57,076 D-D-DOES SHE EVEN KNOW WHO HE IS? 534 00:22:57,109 --> 00:22:59,512 A STUDENT WHO -- 535 00:22:59,546 --> 00:23:01,581 WHOSE FATHER RIPPED OFF EVERYONE IN THIS SCHOOL. 536 00:23:01,614 --> 00:23:02,649 I'M A MONEY MANAGER. 537 00:23:02,682 --> 00:23:04,951 I PUT MILLIONS OF MY CLIENTS' ACCOUNTS WITH HIM. 538 00:23:04,984 --> 00:23:06,953 WE LOST EVERYTHING, AND THERE ISN'T A PARENT IN THIS SCHOOL 539 00:23:06,986 --> 00:23:08,821 WHO DOESN'T HAVE THE SAME STORY. 540 00:23:08,855 --> 00:23:11,658 [ German accent ] JA, IT'S NOT OUR PHILOSOPHY TO PUNISH THE KINDER 541 00:23:11,691 --> 00:23:14,961 FOR THE SINS OF THEIR PARENTS, MR. SANFORD. 542 00:23:14,994 --> 00:23:16,563 AND MS. DONOVAN, SHE ASSURES ME 543 00:23:16,596 --> 00:23:19,599 THAT WIDMARK'S STARRING ROLE IN THE, UH... 544 00:23:19,632 --> 00:23:21,167 THE SCIENCE-SICAL. 545 00:23:21,200 --> 00:23:23,970 JA, SCIENCE-SICAL IS BASED SOLELY ON MERIT. 546 00:23:24,003 --> 00:23:28,107 NOW, IF YOU EXCUSE ME, I HAVE A LOT OF WORK TO DO, PLEASE. 547 00:23:28,140 --> 00:23:30,510 GOOD AFTERNOON. NICE TO SEE YOU AGAIN. 548 00:23:30,543 --> 00:23:31,544 GOODBYE. 549 00:23:31,578 --> 00:23:34,514 GOODBYE, GOODBYE, GOODBYE. 550 00:23:34,547 --> 00:23:37,550 [ SIGHS ] 551 00:23:37,584 --> 00:23:38,751 [ Normal voice ] COULD YOU JUST PLEASE TRY 552 00:23:38,785 --> 00:23:40,587 TO MAYBE NOT MAKE THIS SO DIFFICULT? 553 00:23:40,620 --> 00:23:43,723 I CAN'T TAKE YOU SERIOUSLY WITH THAT DEAD CAT ON YOUR HEAD. 554 00:23:46,726 --> 00:23:49,161 [ Sighing ] ELIOT HAD TROUBLE ADJUSTING, ALL RIGHT? 555 00:23:49,195 --> 00:23:50,162 BUT HE FOUND A WAY 556 00:23:50,196 --> 00:23:53,099 TO MAKE HIS STYLE WORK IN THIS SETTING, SO... 557 00:23:53,132 --> 00:23:55,167 [ YELLS IN FOREIGN LANGUAGE ] 558 00:23:55,201 --> 00:23:58,137 HAI! PAIN! HONOR! STRENGTH! 559 00:24:01,708 --> 00:24:04,243 ALL RIGHT. 560 00:24:04,276 --> 00:24:06,045 COME AT ME! 561 00:24:06,078 --> 00:24:09,015 [ ALL SCREAMING ] 562 00:24:09,048 --> 00:24:11,551 LOOK, IT'S THE BEST I COULD MANAGE UNDER SUCH SHORT NOTICE. 563 00:24:11,584 --> 00:24:12,552 THE PROPS ARE MADE, 564 00:24:12,585 --> 00:24:15,254 THE KIDS HAVE MEMORIZED THEIR PRESENTATIONS. 565 00:24:15,287 --> 00:24:16,288 I'M JUST SETTING IT TO A BIT OF MUSIC. 566 00:24:16,322 --> 00:24:18,057 LISTEN, I MEAN, LET'S NOT FORGET WHY WE'RE HERE. 567 00:24:18,090 --> 00:24:19,492 LET'S NOT LOSE FOCUS. 568 00:24:19,526 --> 00:24:22,061 I MEAN, THE OBJECT IS TO GET FOWLER 569 00:24:22,094 --> 00:24:23,095 OUT OF THE APARTMENT, NOT -- 570 00:24:23,129 --> 00:24:25,231 WHAT? NOT -- NOT WIDMARK. RIGHT, YEAH, I GET IT. 571 00:24:25,264 --> 00:24:26,265 HE'S JUST THE BAIT. 572 00:24:26,298 --> 00:24:27,700 COME ON, THAT'S NOT FAIR. 573 00:24:27,734 --> 00:24:29,268 WHAT'S NOT FAIR IS THE WAY PEOPLE SEE HIM. 574 00:24:29,301 --> 00:24:30,870 HIS FATHER SEES HIM AS A LOSER. 575 00:24:30,903 --> 00:24:33,840 HIS MOTHER SEES HIM AS THIS FRAGILE, LITTLE BABY. 576 00:24:33,873 --> 00:24:34,974 HIS SCHOOLMATES SEE HIM 577 00:24:35,007 --> 00:24:36,976 AS THE BOY WHOSE FATHER STOLE CHRISTMAS. 578 00:24:37,009 --> 00:24:40,980 I JUST THINK HE -- HE -- HE... 579 00:24:41,013 --> 00:24:43,983 [ SIGHS ] 580 00:24:44,016 --> 00:24:48,087 I JUST WANT PEOPLE TO SEE HIM AS HE REALLY IS. 581 00:24:48,120 --> 00:24:51,758 HE DESERVES THAT. 582 00:24:51,791 --> 00:24:53,092 EVERYBODY DOES. 583 00:25:04,103 --> 00:25:06,305 [ BOTH SIGH ] 584 00:25:06,338 --> 00:25:08,140 THIS IS WHY WE CAN'T HAVE NICE THINGS. 585 00:25:08,174 --> 00:25:09,075 [ SCOFFS ] 586 00:25:09,108 --> 00:25:11,277 RICH GUYS AND THEIR CRAZY SECURITY SYSTEMS. 587 00:25:11,310 --> 00:25:15,715 DOOR ALARM'S GOT A TAKASHITA 500 WITH REDUNDANT INFRARED. 588 00:25:15,748 --> 00:25:17,917 -WINDOW'S EASIER. -THE WINDOW? 589 00:25:17,950 --> 00:25:19,786 THE WINDOW THAT'S 20 STORIES UP? 590 00:25:19,819 --> 00:25:21,988 LIKE I SAID -- EASIER. 591 00:25:22,021 --> 00:25:23,089 I'VE DONE THIS A MILLION TIMES. 592 00:25:23,122 --> 00:25:25,825 ALL I NEED IS A PNEUMATIC DRILL, SOME DIAMOND BITS -- 593 00:25:25,858 --> 00:25:27,594 [ KNOCK ON DOOR ] 594 00:25:27,627 --> 00:25:30,697 GET THE... 595 00:25:30,730 --> 00:25:32,164 HEY. 596 00:25:32,198 --> 00:25:33,966 HEY. 597 00:25:34,000 --> 00:25:36,168 UH, HI. HEY. 598 00:25:36,202 --> 00:25:39,238 -OH, UH, THANKS. -HEY, WHAT'S UP? 599 00:25:39,271 --> 00:25:43,175 THAT ONE'S ACTUALLY MINE. 600 00:25:43,209 --> 00:25:45,845 UH, I JUST HAD MY LIPS ON THAT. 601 00:25:45,878 --> 00:25:47,880 IT'S LIKE I GAVE YOU A LITTLE COFFEE KISS. 602 00:25:47,914 --> 00:25:49,215 [ LAUGHS ] 603 00:25:49,248 --> 00:25:51,150 I THINK YOUR PARTNER IS SWEET ON McSWEETEN. 604 00:25:51,183 --> 00:25:54,220 -WHAT? NO. -I DON'T REALLY TALK ABOUT... 605 00:25:54,253 --> 00:25:55,822 WELL [CLEARS THROAT] ANYWAY, 606 00:25:55,855 --> 00:25:58,591 UH, THE JUDGE APPROVED FOWLER'S DAY PASS 607 00:25:58,625 --> 00:26:01,661 SO HE CAN GO SEE SOME PLAY HIS KID IS DOING AT SCHOOL. 608 00:26:01,694 --> 00:26:04,330 FINAL-FREAKING-LY, MAN! 609 00:26:04,363 --> 00:26:05,798 I-I LOVE THE THEATER. 610 00:26:05,832 --> 00:26:08,167 IT'S -- "CATS." 611 00:26:08,200 --> 00:26:09,435 R-R-REOW! 612 00:26:09,468 --> 00:26:12,672 ALL RIGHT, WELL, SEE YOU DOWNSTAIRS IN A COUPLE OF MINUTES. 613 00:26:12,705 --> 00:26:13,973 UM, WHAT? 614 00:26:14,006 --> 00:26:16,308 YOU'RE OUR BACKUP. YOU'RE COMING ALONG WITH, RIGHT? 615 00:26:16,342 --> 00:26:19,378 -YEAH. YEAH. -YOU GOT OUR BACK, RIGHT? 616 00:26:19,411 --> 00:26:21,380 -WE -- WE -- WE -- YO, WE -- YEAH. 617 00:26:21,413 --> 00:26:22,849 -WE GOT YOUR BACK. -OKAY. 618 00:26:22,882 --> 00:26:24,250 -UH -- -GOOD. 619 00:26:24,283 --> 00:26:27,219 I GOT A COUPON. 620 00:26:27,253 --> 00:26:29,088 [ CHUCKLES ] NATE... 621 00:26:29,121 --> 00:26:30,389 we got a problem. 622 00:26:30,422 --> 00:26:31,624 -STRAIGHTEN THAT ONE OUT. -WELL, SO DO WE. 623 00:26:31,658 --> 00:26:34,827 IT'S FINAL REHEARSAL, AND SO FAR WIDMARK HASN'T SUNG A NOTE. 624 00:26:34,861 --> 00:26:37,997 [ Off-key ] * YOU 625 00:26:38,030 --> 00:26:39,065 [ LAUGHTER ] 626 00:26:39,098 --> 00:26:40,099 -HEY! -SHH! 627 00:26:40,132 --> 00:26:41,267 HEY! [ LAUGHTER ] 628 00:26:45,204 --> 00:26:46,673 THE CAMERA'S CHARGED, RIGHT? 629 00:26:46,706 --> 00:26:48,140 I DON'T WANT TO MISS A SECOND. 630 00:26:48,174 --> 00:26:51,778 SIR, I'M GONNA HAVE TO CHECK THAT BAG. 631 00:26:51,811 --> 00:26:55,614 OH, UH, HEY, GUYS, C-CAN WE GET A MINUTE? 632 00:26:56,983 --> 00:26:58,785 LOOK, UH, QUICK UPDATE. 633 00:26:58,818 --> 00:27:00,352 ONE OF US IS GONNA HAVE TO STAY UPSTAIRS 634 00:27:00,386 --> 00:27:01,387 WITH THE SURVEILLANCE EQUIPMENT. 635 00:27:01,420 --> 00:27:04,791 LUCKY ME. 636 00:27:04,824 --> 00:27:06,693 OKAY. 637 00:27:06,726 --> 00:27:09,696 WELL, WE ONLY REALLY NEED TWO AGENTS ON FOWLER, 638 00:27:09,729 --> 00:27:11,998 SO WHY DON'T WE SWITCH UP? 639 00:27:12,031 --> 00:27:14,400 [ CHUCKLES ] YEAH. YEAH, T-THAT'S A GOOD IDEA. 640 00:27:14,433 --> 00:27:16,936 YOU KNOW, I COULD JUST STAY HERE WITH AGENT HAGEN. 641 00:27:16,969 --> 00:27:18,404 YEAH. 642 00:27:18,437 --> 00:27:20,272 UH, Y-YOU KNOW WHAT? 643 00:27:20,306 --> 00:27:22,341 H-HAGEN, YOU GO WITH THE GUYS. 644 00:27:22,374 --> 00:27:24,443 MORE MANPOWER FOR THE SUSPECT. 645 00:27:24,476 --> 00:27:26,779 I'LL BABYSIT THE EQUIPMENT. 646 00:27:26,813 --> 00:27:28,014 OKAY. 647 00:27:28,047 --> 00:27:30,983 [ CHUCKLES NERVOUSLY ] 648 00:27:31,017 --> 00:27:32,084 What are you doing? 649 00:27:32,118 --> 00:27:34,420 LOOK, AGENT McSWEETHEART IS GONNA GO WHEREVER YOU GO, 650 00:27:34,453 --> 00:27:36,022 SO YOU -- YOU GOT TO GO TO THE SCHOOL, 651 00:27:36,055 --> 00:27:39,058 AND I'M JUST -- JUST TALK ME THROUGH THE BREAK-IN. 652 00:27:39,091 --> 00:27:42,028 TALK ME -- JUST... 653 00:27:42,061 --> 00:27:43,362 AFTER YOU. [ ELEVATOR DINGS ] 654 00:27:43,395 --> 00:27:44,396 [ CHUCKLES ] 655 00:27:44,430 --> 00:27:46,733 ALL THAT PERSONAL SPACE. 656 00:27:46,766 --> 00:27:47,834 [ SIGHS ] 657 00:27:47,867 --> 00:27:50,369 GOOD LUCK. 658 00:27:50,402 --> 00:27:52,872 Uh, Sophie, we good to go? 659 00:27:52,905 --> 00:27:55,307 UH, UH... 660 00:27:55,341 --> 00:27:58,878 NO, EVERYTHING'S GONNA BE FINE AS SOON AS I... 661 00:27:58,911 --> 00:28:00,446 FIND WIDMARK. 662 00:28:02,248 --> 00:28:03,249 [ BEEPING ] 663 00:28:03,282 --> 00:28:06,085 Hardison, what's going on? What's your status? 664 00:28:06,118 --> 00:28:07,987 I JUST LOOPED THE FBI VIDEO FEED, 665 00:28:08,020 --> 00:28:10,489 SO NOBODY WILL SEE ME IN THE APARTMENT, 666 00:28:10,522 --> 00:28:13,025 ASSUMING I GET IN THE APARTMENT. 667 00:28:13,059 --> 00:28:15,862 [ German accent ] PLEASE TAKE YOUR SEAT NOW. 668 00:28:15,895 --> 00:28:17,864 HURRY. HURRY ALONG. 669 00:28:20,199 --> 00:28:21,400 [ Normal voice ] ALL RIGHT, OUR MAN HAS ARRIVED. 670 00:28:21,433 --> 00:28:23,970 THE CURTAIN GOES UP IN FIVE MINUTES, ONE WAY OR THE OTHER. 671 00:28:24,003 --> 00:28:25,337 DON'T WAIT FOR SOPHIE. 672 00:28:25,371 --> 00:28:27,974 [ WIDMARK SNIFFLING ] 673 00:28:33,212 --> 00:28:35,247 WIDMARK? 674 00:28:35,281 --> 00:28:36,415 [ SNIFFLES ] 675 00:28:36,448 --> 00:28:37,449 [ German accent ] PLEASE TAKE YOUR SEAT. 676 00:28:37,483 --> 00:28:38,918 RUN ALONG. HURRY. 677 00:28:38,951 --> 00:28:42,922 HURRY UP, HURRY UP. 678 00:28:42,955 --> 00:28:45,391 YOU SURE YOU CAN HANDLE THIS? 679 00:28:45,424 --> 00:28:48,127 OH, YEAH. 680 00:28:48,160 --> 00:28:49,161 WHAT'S THE WORST THAT CAN HAPPEN? 681 00:28:49,195 --> 00:28:50,396 Well, you could tangle the lines. 682 00:28:50,429 --> 00:28:53,099 HEY! 683 00:28:53,132 --> 00:28:54,834 CAN YOU BELIEVE THEY HAVE A SMOOTHIE SHOP IN THIS PLACE? 684 00:28:54,867 --> 00:28:56,435 [ CHUCKLES NERVOUSLY ] 685 00:28:56,468 --> 00:28:57,770 WHAT WERE YOU SAYING? 686 00:28:57,804 --> 00:29:00,406 OH, I WAS JUST WORRIED ABOUT THE PLAY. 687 00:29:00,439 --> 00:29:03,175 AND THE ACTORS IF THEY CROSS THEIR LINES. 688 00:29:03,209 --> 00:29:05,044 THEY COULD REALLY FALL ON THEIR FACE. 689 00:29:05,077 --> 00:29:06,512 AAH! OHH! 690 00:29:06,545 --> 00:29:10,516 UNH! [ MOANS ] 691 00:29:10,549 --> 00:29:13,019 I'M GOOD! [ MOANS ] I'M GOOD! 692 00:29:13,052 --> 00:29:16,188 WIDMARK, Y-Y-YOU CAN'T LET THEM WIN. 693 00:29:16,222 --> 00:29:18,290 Y-YOU CAN'T SHOW THEM THAT THEY'RE GETTING TO YOU. 694 00:29:18,324 --> 00:29:20,993 [ Normal voice ] Sophie, no. No. 695 00:29:21,027 --> 00:29:22,328 -WHAT? -J-Just talk to him. 696 00:29:22,361 --> 00:29:24,030 DON'T TELL HIM WHAT TO DO OR WHO TO BE. 697 00:29:24,063 --> 00:29:26,265 JUST TALK. 698 00:29:26,298 --> 00:29:28,367 [ GROANS ] 699 00:29:28,400 --> 00:29:31,003 [ BEEPING ] 700 00:29:36,909 --> 00:29:40,179 WIDMARK, I'M SORRY. 701 00:29:40,212 --> 00:29:41,180 FOR WHAT? 702 00:29:41,213 --> 00:29:43,382 FOR TRYING TO CON YOU INTO BEING BRAVE, AND... 703 00:29:43,415 --> 00:29:47,219 THAT'S WHAT I DO. I'M A BLOODY CON ARTIST. 704 00:29:47,253 --> 00:29:49,555 LOOK, I'M NOT VERY GOOD AT BEING HONEST, 705 00:29:49,588 --> 00:29:51,190 NOT EVEN WITH MY FRIENDS. 706 00:30:01,934 --> 00:30:03,269 DO YOU HAVE A LOT OF FRIENDS? 707 00:30:03,302 --> 00:30:06,038 NO. 708 00:30:06,072 --> 00:30:08,574 NO, I-I NEVER USED TO HAVE ANY. 709 00:30:08,607 --> 00:30:14,480 BUT, UM, NOW, YES, I-I DO -- A FEW. 710 00:30:14,513 --> 00:30:16,983 I USED TO HAVE FRIENDS. 711 00:30:17,016 --> 00:30:21,120 THEY DON'T TALK TO ME ANYMORE BECAUSE OF WHAT MY STEPDAD DID. 712 00:30:21,153 --> 00:30:22,188 THAT'S GOT NOTHING TO DO WITH YOU. 713 00:30:22,221 --> 00:30:23,222 YOU KNOW THAT, DON'T YOU? 714 00:30:23,255 --> 00:30:24,223 THEN WHY DID THEY MAKE FUN OF ME? 715 00:30:24,256 --> 00:30:26,325 'CAUSE WHEN THEY LOOK AT YOU, THEY SEE HIM. 716 00:30:26,358 --> 00:30:28,895 THEY'RE NOT SEEING YOU FOR WHO YOU REALLY ARE. 717 00:30:31,563 --> 00:30:32,431 [ BEEPING CONTINUES ] 718 00:30:32,464 --> 00:30:35,167 HOW MUCH TIME DO I HAVE LEFT, PARKER? 719 00:30:35,201 --> 00:30:38,104 DO YOU BELIEVE IN LOVE AT FIRST SIGHT? 720 00:30:38,137 --> 00:30:39,238 I BELIEVE THAT WHEN YOU MEET SOMEONE, 721 00:30:39,271 --> 00:30:40,539 YOU HAVE 30 SECONDS [SLURPS] 722 00:30:40,572 --> 00:30:43,876 BEFORE THE BELLS AND WHISTLES GO OFF. 723 00:30:43,910 --> 00:30:47,246 DON'T BE AFRAID TO OVERRIDE YOUR FEELINGS. 724 00:30:47,279 --> 00:30:49,315 [ SLURPS ] DON'T BE BLUE. 725 00:30:49,348 --> 00:30:51,617 MM-HMM, MM-HMM. OKAY, I GOT YOU. 726 00:30:51,650 --> 00:30:54,186 30 SECONDS, "DON'T BE BLUE," OVERRIDE. 727 00:30:54,220 --> 00:30:57,890 W-WAIT, DOES THAT MEAN CUT THE BLUE WIRE 728 00:30:57,924 --> 00:30:59,959 OR DON'T CUT THE BLUE WIRE, PARKER? 729 00:30:59,992 --> 00:31:01,393 THAT IS -- THAT IS SO TRUE. 730 00:31:01,427 --> 00:31:02,461 I THINK YOU NEED TO BE HONEST -- 731 00:31:02,494 --> 00:31:05,231 20 SECONDS. 732 00:31:05,264 --> 00:31:08,367 I CAN'T COUNT IN 20 SECONDS HOW MANY BLUE WIRES THERE ARE. 733 00:31:08,400 --> 00:31:10,036 -PARKER, HELP ME OUT. -NOT FOLLOWING. 734 00:31:10,069 --> 00:31:11,237 YOU JUST HAVE TO CUT LOOSE. 735 00:31:11,270 --> 00:31:13,105 Output your feelings. 736 00:31:13,139 --> 00:31:15,407 -SNIP THAT BLUE MOOD IN THE-- -The output? 737 00:31:15,441 --> 00:31:18,177 OUTPUT? OKAY, I GOT IT. GOTCHA. 738 00:31:18,210 --> 00:31:21,447 [ BEEPING CONTINUES ] OUT, OUT, OUT, OUT. 739 00:31:21,480 --> 00:31:24,016 COME HERE, YOU BLUE. GOT IT. 740 00:31:24,050 --> 00:31:26,118 [ CHUCKLES ] 741 00:31:26,152 --> 00:31:28,454 [ SIGHS ] 742 00:31:30,456 --> 00:31:33,025 DADDY'S HOME. 743 00:31:33,659 --> 00:31:36,295 DID YOU KNOW I WAS AN ACTRESS? 744 00:31:36,328 --> 00:31:37,997 -NO. -MM-HMM. 745 00:31:38,030 --> 00:31:40,432 ARE YOU GOOD? 746 00:31:40,466 --> 00:31:44,470 WELL, OTHERS DON'T SEEM TO THINK SO. 747 00:31:44,503 --> 00:31:47,573 MAYBE THEY JUST CAN'T SEE YOU FOR WHO YOU ARE. 748 00:31:47,606 --> 00:31:50,076 [ CHUCKLES ] 749 00:31:50,109 --> 00:31:51,343 DO YOU KNOW WHAT THEY SAY ABOUT ACTING? 750 00:31:51,377 --> 00:31:53,579 THEY SAY IT'S ABOUT TELLING THE TRUTH, 751 00:31:53,612 --> 00:31:56,515 ABOUT -- ABOUT SHARING A LITTLE PART OF YOURSELF 752 00:31:56,548 --> 00:31:59,018 THAT PEOPLE DON'T NORMALLY SEE. 753 00:31:59,051 --> 00:32:01,687 BUT IF YOU DON'T -- IF YOU DON'T REALLY KNOW YOURSELF, 754 00:32:01,720 --> 00:32:05,191 THEN THEY THINK YOU'RE LYING. 755 00:32:05,224 --> 00:32:08,360 AND... 756 00:32:08,394 --> 00:32:10,296 I THINK THAT'S MY PROBLEM. 757 00:32:10,329 --> 00:32:12,999 I'VE BEEN LYING FOR SO LONG, THAT, UM, 758 00:32:13,032 --> 00:32:15,701 I DON'T EVEN KNOW WHAT THE TRUTH IS ANYMORE. 759 00:32:15,734 --> 00:32:18,537 I DON'T WANT TO LIE TO ANYBODY. 760 00:32:18,570 --> 00:32:19,605 NO. 761 00:32:19,638 --> 00:32:24,076 NO, YOU DON'T HAVE TO, WIDMARK. 762 00:32:24,110 --> 00:32:25,744 WHAT YOU NEED TO DO IS, YOU JUST HAVE TO GO OUT THERE 763 00:32:25,777 --> 00:32:27,513 AND BE WIDMARK. 764 00:32:27,546 --> 00:32:33,385 JUST TELL THE TRUTH. BE -- BE WHO YOU REALLY ARE. 765 00:32:33,419 --> 00:32:36,722 IF YOU CAN DO THAT, THEN I PROMISE YOU, 766 00:32:36,755 --> 00:32:40,059 PEOPLE WILL BELIEVE IN YOU. 767 00:32:45,464 --> 00:32:48,567 SURE IS TAKING THEM A LONG TIME TO GET EVERYBODY IN THERE. 768 00:32:48,600 --> 00:32:50,536 [ SIGHS ] YES. 769 00:32:50,569 --> 00:32:52,671 A LOT LONGER THAN I THOUGHT. 770 00:32:52,704 --> 00:32:55,007 E-EXCUSE ME FOR INTERRUPTING PROM NIGHT 771 00:32:55,041 --> 00:32:57,776 WITH MY ANNOYING FELONY BURGLARY. 772 00:32:57,809 --> 00:33:00,646 SHE'S UNGRATEFUL -- JUST UNGRATEFUL. 773 00:33:00,679 --> 00:33:02,714 AHA! 774 00:33:05,051 --> 00:33:07,453 COME TO PAPA. 775 00:33:11,357 --> 00:33:13,025 WIDMARK OKAY? 776 00:33:13,059 --> 00:33:15,194 GUESS WE'RE ABOUT TO FIND OUT. 777 00:33:19,265 --> 00:33:20,732 [ BEEPING ] 778 00:33:25,371 --> 00:33:26,538 [ LAUGHS ] 779 00:33:26,572 --> 00:33:29,108 YEAH! HACKING, RAPPELLING -- 780 00:33:29,141 --> 00:33:31,210 whatever, put me in a dress. 781 00:33:31,243 --> 00:33:34,580 I CAN DO ALL Y'ALL'S JOBS. 782 00:33:34,613 --> 00:33:35,614 IT'S EMPTY. 783 00:33:35,647 --> 00:33:37,749 WHAT DO YOU MEAN IT'S EMPTY? 784 00:33:37,783 --> 00:33:39,385 I MEAN IT'S EMPTY, LIKE SOMEBODY CLEANED IT OUT. 785 00:33:45,757 --> 00:33:46,725 I HATE TO TELL YOU THIS, 786 00:33:46,758 --> 00:33:49,761 BUT THAT AIN'T OUR BIGGEST PROBLEM RIGHT NOW. 787 00:33:49,795 --> 00:33:52,398 WE'VE GOT COMPANY. 788 00:33:55,701 --> 00:34:00,072 * THERE ARE MANY TYPES OF CLOUDS * 789 00:34:00,106 --> 00:34:03,509 * LIKE STRATUS, CUMULUS, AND NIMBUS * 790 00:34:03,542 --> 00:34:07,279 * NIMBUS SAID TO A GLUM-LOOKING CLOUD * 791 00:34:07,313 --> 00:34:11,083 * "PLEASE DON'T BE SO CIRRUS" 792 00:34:11,117 --> 00:34:15,354 * CLOUDS ARE HIGH UP IN THE SKY * 793 00:34:15,387 --> 00:34:16,722 YEAH, BUT HOW'D HE KNOW FOWLER WAS GONNA BE HERE? 794 00:34:16,755 --> 00:34:19,125 ONLY ONES THAT KNEW WERE US AND THE FBI. 795 00:34:19,158 --> 00:34:21,160 UH, YEAH, AND FOWLER HIMSELF. 796 00:34:21,193 --> 00:34:23,362 MAYBE WE WERE WRONG. MAYBE FOWLER ISN'T THE TARGET. 797 00:34:23,395 --> 00:34:24,396 Then who? 798 00:34:24,430 --> 00:34:26,765 -WHAT? -THANK YOU. 799 00:34:26,798 --> 00:34:28,867 FOR THIS DELICIOUS SMOOTHIE, AGENT. 800 00:34:28,900 --> 00:34:30,502 OH. 801 00:34:30,536 --> 00:34:32,438 UM... 802 00:34:34,706 --> 00:34:35,807 HIS FBI HANDLERS -- 803 00:34:35,841 --> 00:34:37,443 FOWLER'S ARRANGED TO HAVE THEM KILLED. 804 00:34:37,476 --> 00:34:39,678 HE'S ABOUT TO RUN. 805 00:34:39,711 --> 00:34:40,846 NO, THERE'S NO WAY HE COULD ARRANGE THAT, MAN. 806 00:34:40,879 --> 00:34:43,815 HE'S UNDER HOUSE ARREST -- NO PHONE CALLS, NO INTERNET. 807 00:34:43,849 --> 00:34:46,452 THEY'RE EVEN READING HIS MAIL. HOW COULD HE ARRANGE A HIT MAN? 808 00:34:46,485 --> 00:34:48,387 LET'S ASK HIM. 809 00:34:54,560 --> 00:34:56,262 WHAT DO YOU MEAN YOU LOST IT? 810 00:34:56,295 --> 00:34:57,829 -I THOUGHT IT WAS IN MY ROOM. -YOU THOUGHT? 811 00:34:57,863 --> 00:34:59,865 DO YOU HAVE ANY RESPECT FOR YOUR PERSONAL PROPERTY? 812 00:34:59,898 --> 00:35:02,634 DO YOU HAVE ANY RESPECT FOR ME? I BOUGHT YOU THAT CELLPHONE. 813 00:35:02,668 --> 00:35:05,437 FEDS CONFISCATED HIS CELLPHONE. 814 00:35:05,471 --> 00:35:06,772 THEY DIDN'T TAKE WIDMARK'S. 815 00:35:06,805 --> 00:35:08,340 * YOU WILL SEE IN THE... 816 00:35:08,374 --> 00:35:10,442 FOWLER'S GETAWAY EXPLAINS THE EMPTY SAFE. 817 00:35:10,476 --> 00:35:13,379 WHATEVER CASH HE HAD ON HIM, HE TOOK WITH HIM. 818 00:35:13,412 --> 00:35:15,681 AND, UH, I THINK I KNOW WHERE TO LOOK. 819 00:35:15,714 --> 00:35:18,317 * STORM CLOUD [ APPLAUSE ] 820 00:35:22,521 --> 00:35:25,491 -WAIT, DIDN'T YOU SEARCH FOWLER BEFORE HE LEFT? -OF COURSE. 821 00:35:25,524 --> 00:35:28,227 NOTHING ON HIM EXCEPT FOR THAT CAMERA AND SOME TAPES. 822 00:35:30,662 --> 00:35:32,931 YEAH, WELL, THERE'S SOMETHING IN THAT BAG. 823 00:35:32,964 --> 00:35:36,502 Or on those tapes. [ APPLAUSE ] 824 00:35:36,535 --> 00:35:38,604 [ CHUCKLES ] THANK YOU. 825 00:35:38,637 --> 00:35:39,738 SOPHIE, CAN YOU SWIPE IT? 826 00:35:39,771 --> 00:35:42,808 Um, yes, I'm a little bit busy here. 827 00:35:42,841 --> 00:35:46,745 ...JUILLIARD FOR THAT WONDERFUL RENDITION 828 00:35:46,778 --> 00:35:49,781 OF "HOW CLOUDS ARE FORMED." 829 00:35:49,815 --> 00:35:57,189 AND NOW WE HAVE MILAN WITH A BALLAD ABOUT PHOTOSYNTHESIS. 830 00:35:57,223 --> 00:35:59,758 ENJOY. [ APPLAUSE ] 831 00:36:03,962 --> 00:36:05,797 HAS ANYBODY SEEN WIDMARK? 832 00:36:05,831 --> 00:36:06,798 Sophie, the job's over. 833 00:36:06,832 --> 00:36:09,201 What happens from here on is not our concern. 834 00:36:09,235 --> 00:36:10,869 -NO WAY. -We have other priorities. 835 00:36:10,902 --> 00:36:12,604 THE CLINIC ISN'T THE ONLY VICTIM HERE, NATE. 836 00:36:12,638 --> 00:36:15,841 I-I DIDN'T PROP UP THIS BOY JUST TO SEE HIM FAIL. 837 00:36:15,874 --> 00:36:18,176 NO WAY. I'M NOT LETTING THAT HAPPEN. 838 00:36:20,512 --> 00:36:22,814 YO, WHAT'S UP? 839 00:36:25,817 --> 00:36:30,356 UNH! OHH! 840 00:36:30,389 --> 00:36:32,258 Uh, Nate... 841 00:36:32,291 --> 00:36:34,226 THIS PHONE HAS SENT A BUNCH OF TEXT MESSAGES 842 00:36:34,260 --> 00:36:36,962 IN THE LAST 48 HOURS TO SOME GUY NAMED "SKYLER." 843 00:36:36,995 --> 00:36:39,998 YEAH, YEAH, YEAH. SKYLER'S A KID AT THE SCHOOL. 844 00:36:40,031 --> 00:36:41,900 WHY WOULD FOWLER BE TEXTING A MIDDLE-SCHOOLER? 845 00:36:41,933 --> 00:36:42,834 [ BEEP ] 846 00:36:42,868 --> 00:36:45,771 * PHOTOSYNTHESIS IS THE CAUSE OF THIS... * 847 00:36:45,804 --> 00:36:47,539 [ CELLPHONE VIBRATING ] 848 00:36:47,573 --> 00:36:52,010 * ...PROCESS THAT MAKES THINGS BIGGER * 849 00:36:52,043 --> 00:36:53,612 * WATER AND LIGHT MAKES... 850 00:36:53,645 --> 00:36:57,683 HE WASN'T TEXTING SKYLER. HE WAS TEXTING SKYLER'S DAD. 851 00:37:00,018 --> 00:37:01,253 OH! 852 00:37:01,287 --> 00:37:02,854 SORRY. 853 00:37:02,888 --> 00:37:03,989 * I'VE BEEN... 854 00:37:04,022 --> 00:37:05,891 MARK SANFORD'S AN ACCOMPLICE. 855 00:37:05,924 --> 00:37:09,361 HE SET UP THE GUNMAN. HE JUST TRADED BAGS WITH FOWLER. 856 00:37:09,395 --> 00:37:12,030 [ SINGING INDISTINCTLY ] 857 00:37:12,063 --> 00:37:14,466 No, man, why would Sanford help Fowler? 858 00:37:14,500 --> 00:37:16,034 Isn't he one of the guys who invested with him? 859 00:37:16,067 --> 00:37:18,337 * REALLY 860 00:37:18,370 --> 00:37:21,640 * A GAS 861 00:37:21,673 --> 00:37:24,376 [ PIANO MUSIC PLAYING ] 862 00:37:24,410 --> 00:37:25,711 SORRY I'M LATE. 863 00:37:25,744 --> 00:37:27,446 NO, NO, NO. [ APPLAUSE ] 864 00:37:27,479 --> 00:37:28,747 YOU'RE RIGHT ON TIME. 865 00:37:32,551 --> 00:37:34,953 [ BOTH GRUNTING ] 866 00:37:43,995 --> 00:37:48,500 AND NOW WITH "GROWTH FACTORS IN BREAD MOLD," 867 00:37:48,534 --> 00:37:51,970 IT'S WIDMARK FOWLER! 868 00:37:52,003 --> 00:37:54,340 [ APPLAUSE ] 869 00:37:54,373 --> 00:37:55,507 OH. 870 00:38:01,847 --> 00:38:04,416 [ SLOW PIANO MUSIC PLAYS ] 871 00:38:06,885 --> 00:38:09,321 * YOU MIGHT FIND THIS DISTASTEFUL * 872 00:38:09,355 --> 00:38:12,358 * OR CALL IT JUST PLAIN GROSS 873 00:38:12,391 --> 00:38:14,826 * TO SING IN PRAISE OF BREAD MOLD * 874 00:38:14,860 --> 00:38:17,629 * OR WONDER HOW IT GROWS 875 00:38:17,663 --> 00:38:24,470 * IT EVEN MAKES YOU CRAZY THAT MOLD DEVOURS YOUR FOOD * 876 00:38:24,503 --> 00:38:28,774 * UNTIL YOU FIND I'VE CHANGED YOUR MIND * 877 00:38:28,807 --> 00:38:33,912 * AND YOU SEE THAT MOLD IS GOOD * 878 00:38:33,945 --> 00:38:36,014 [ MUSIC TEMPO INCREASES ] 879 00:38:36,047 --> 00:38:39,718 [ BOTH GRUNTING ] 880 00:38:39,751 --> 00:38:40,919 SHH! 881 00:38:40,952 --> 00:38:44,923 * IT'S THE MUSHROOMS ON YOUR PIZZA * 882 00:38:44,956 --> 00:38:47,125 * IT'S THE YEAST THAT MAKES THE CRUST RISE * 883 00:38:47,158 --> 00:38:50,496 SHH! KEEP IT OFF THE STAGE! 884 00:38:50,529 --> 00:38:51,730 YOU'RE GONNA RUIN HIS BIG FINALE! 885 00:38:51,763 --> 00:38:53,732 * IT'S FUNGI 886 00:38:53,765 --> 00:38:55,801 * THAT'S GOOD EATEN -- DON'T LOOK SURPRISED * 887 00:38:55,834 --> 00:38:57,002 AND WHILE WE'RE ON THE SUBJECT... 888 00:38:57,035 --> 00:39:00,639 * WHO AMONG US WOULD WANT THE NASTY JOB THAT FUNGUS HAS? * 889 00:39:00,672 --> 00:39:03,875 * SCARFING DOWN TOXIC WASTE? 890 00:39:03,909 --> 00:39:06,144 * MOLDS GO WHERE THEY'RE NEEDED * 891 00:39:06,177 --> 00:39:08,914 * SO THEY FIND OUR STUFF TO FEED IN * 892 00:39:08,947 --> 00:39:10,148 * MOLDS JUST WANT TO GROW 893 00:39:10,181 --> 00:39:12,784 * SO THEY POP OUT SPORES, YOU KNOW * 894 00:39:12,818 --> 00:39:14,853 * THAT A MOLD WANTS TO THRIVE 895 00:39:14,886 --> 00:39:17,155 * NEEDS MUCH MORE THAN TO SURVIVE * 896 00:39:17,188 --> 00:39:19,925 * BECAUSE MOLD'S LIKE US 897 00:39:19,958 --> 00:39:27,065 * JUST LOV BEING ALI-I-I-I-FE 898 00:39:27,098 --> 00:39:29,568 HE'S NOT BAD. 899 00:39:29,601 --> 00:39:32,003 [ CHEERS AND APPLAUSE ] 900 00:39:46,084 --> 00:39:47,085 EXCUSE ME, DEAR. 901 00:39:47,118 --> 00:39:50,656 OH, WIDMARK, I'M SO PROUD OF YOU. 902 00:39:50,689 --> 00:39:52,591 [ CLEARS THROAT ] 903 00:39:53,692 --> 00:39:54,693 AH. 904 00:39:54,726 --> 00:39:57,162 Uh... 905 00:39:57,195 --> 00:39:59,130 Uh, Hardison, are you at your computer? 906 00:39:59,164 --> 00:40:01,967 I need you to check a name for me. 907 00:40:02,000 --> 00:40:03,034 GO AHEAD. 908 00:40:03,068 --> 00:40:05,871 [ APPLAUSE ] DOUG FINEMAN. 909 00:40:05,904 --> 00:40:09,675 AND FIRST PLACE GOES TO MR. WIDMARK FOWLER! 910 00:40:09,708 --> 00:40:13,044 [ APPLAUSE ] 911 00:40:13,078 --> 00:40:17,549 SANFORD IS PROVIDING FOWLER WITH A NEW IDENTITY 912 00:40:17,583 --> 00:40:20,986 AND A NEW LIFE WAITING FOR HIM IN... 913 00:40:21,019 --> 00:40:22,187 BOGOTá. 914 00:40:25,857 --> 00:40:28,193 OH, COACH BREWER! 915 00:40:28,226 --> 00:40:31,530 -OHH! -I'LL TAKE THAT. 916 00:40:31,563 --> 00:40:33,465 OW! 917 00:40:35,967 --> 00:40:38,103 AHH. 918 00:40:38,136 --> 00:40:39,905 YES. 919 00:40:41,740 --> 00:40:42,674 I'M JUST SAYING 920 00:40:42,708 --> 00:40:46,077 YOU CAN'T MAKE THE RETURNS TOO CONSISTENT. 921 00:40:46,111 --> 00:40:48,647 10% GROWTH EVERY YEAR, NO MATTER WHAT THE MARKET DOES? 922 00:40:48,680 --> 00:40:51,116 THE S.E.C. IS GOING TO ASK QUESTIONS. 923 00:40:51,149 --> 00:40:53,118 LET ME WORRY ABOUT THE S.E.C., MARK. 924 00:40:53,151 --> 00:40:55,854 BUT WE HAVE TO BE CAREFUL. 925 00:40:55,887 --> 00:40:56,988 MY JOB IS TO BUY OFF THE REGULATORS. 926 00:40:57,022 --> 00:40:59,157 YOUR JOB IS TO BRING IN NEW MONEY. 927 00:40:59,190 --> 00:41:00,191 NOW, THIS WHOLE THING GOES OFF THE RAILS 928 00:41:00,225 --> 00:41:02,127 WHEN YOU STOP DOING YOUR JOB. 929 00:41:03,529 --> 00:41:04,896 UNH! AGH! 930 00:41:04,930 --> 00:41:06,498 WHERE THE HECK DO YOU THINK YOU'RE GOING? 931 00:41:06,532 --> 00:41:08,534 [ GRUNTS ] [ HANDCUFFS CLICK ] 932 00:41:08,567 --> 00:41:11,903 [ German accent ] JA, JA, HE, UM, HE DROPPED THIS OUT OF THIS. 933 00:41:11,937 --> 00:41:13,972 I THOUGHT HIS NAME WAS FOWLER. 934 00:41:14,005 --> 00:41:15,240 -I DON'T KNOW. -THANKS. 935 00:41:15,273 --> 00:41:17,142 - JA, JA. -COME ON! 936 00:41:17,175 --> 00:41:21,713 NO, STOP IT! YOU CAN'T PLAY THAT! 937 00:41:21,747 --> 00:41:23,248 [ HANDCUFFS CLICK ] AGH! 938 00:41:23,281 --> 00:41:27,919 NOW, THAT IS NO WAY TO TREAT A LADY. 939 00:41:27,953 --> 00:41:32,658 -COME ON. -OW! 940 00:41:32,691 --> 00:41:33,959 -HI. -HEY. 941 00:41:33,992 --> 00:41:37,095 GOT SOMETHING FOR YOU. 942 00:41:37,128 --> 00:41:38,830 WOW, THAT IS FAR MORE THAN WE LOST. 943 00:41:38,864 --> 00:41:40,966 WELL, YOU KNOW THE $20 MILLION THE FEDS COULDN'T FIND? 944 00:41:40,999 --> 00:41:42,668 FOWLER HAD IT IN AN OVERSEAS ACCOUNT 945 00:41:42,701 --> 00:41:44,135 USING ONE OF HIS ALIASES. 946 00:41:44,169 --> 00:41:45,904 YEAH, HE STRUCK A DEAL WITH SANFORD. 947 00:41:45,937 --> 00:41:49,675 HE TRADED THE TAPES FOR A NEW PASSPORT AND TWO DEAD FBI GUYS. 948 00:41:49,708 --> 00:41:52,878 AND OUR FRIEND HARDISON, WELL, HE LIBERATED SOME OF THE CASH 949 00:41:52,911 --> 00:41:54,613 SO YOU COULD USE IT FOR YOUR CLINIC. 950 00:41:54,646 --> 00:41:56,815 -WOW. -HEY, KAY! 951 00:41:56,848 --> 00:41:58,984 HI, CLAUDINE. 952 00:41:59,017 --> 00:42:03,254 SHE, UM, NEEDED A JOB AFTER FOWLER WENT TO JAIL. 953 00:42:03,288 --> 00:42:05,256 -GOOD LUCK. -THANK YOU. 954 00:42:07,192 --> 00:42:09,094 YOU KNOW, THIS IS INTERESTING. 955 00:42:09,127 --> 00:42:11,029 THIS MUST BE A-A FIRST. 956 00:42:11,062 --> 00:42:13,632 I MEAN, IT'S THE ONLY TIME I CAN REMEMBER 957 00:42:13,665 --> 00:42:17,168 THAT THE CON DEPENDED SOLELY ON YOU TELLING THE TRUTH. 958 00:42:17,202 --> 00:42:18,737 HOW'D IT FEEL? 959 00:42:18,770 --> 00:42:20,906 EH, GOOD. DON'T GET USED TO IT. 960 00:42:20,939 --> 00:42:22,974 -OH, NO. NO. -UNH-UNH. 961 00:42:23,008 --> 00:42:25,911 START TELLING THE TRUTH ALL DAY... 962 00:42:25,944 --> 00:42:28,546 STOP BEING SOPHIE DEVEREAUX. 963 00:42:31,382 --> 00:42:33,752 MAYBE THAT'S, UH... 964 00:42:33,785 --> 00:42:35,687 A GOOD THING. 965 00:42:37,989 --> 00:42:40,592 MNH-MNH.