1 00:00:01,435 --> 00:00:04,572 AND TONIGHT ON "HUNT FOR THE TRUTH," 2 00:00:04,605 --> 00:00:07,741 A SHOCKING DEVELOPMENT IN THE SCHOOL-BUS SCANDAL 3 00:00:07,775 --> 00:00:10,544 THAT COST TWO CHILDREN THEIR LIVES. 4 00:00:10,578 --> 00:00:13,214 I HAVE UNCOVERED NEW INFORMATION 5 00:00:13,247 --> 00:00:17,218 ABOUT THE LOWLIFE RESPONSIBLE FOR THIS HORRIBLE ACCIDENT -- 6 00:00:17,251 --> 00:00:20,488 SCHOOL-BUS DRIVER RAY PENNINGTON. 7 00:00:20,521 --> 00:00:23,424 MR. PENNINGTON, HOW DO YOU RESPOND TO THE ALLEGATIONS 8 00:00:23,457 --> 00:00:24,658 THAT YOU WERE DRIVING ERRATICALLY 9 00:00:24,692 --> 00:00:26,227 THE MORNING OF THE ACCIDENT? 10 00:00:26,260 --> 00:00:28,096 I DROVE THE WAY I NORMALLY DO. 11 00:00:28,129 --> 00:00:30,664 I-I DIDN'T DO ANYTHING IMPROPER. 12 00:00:30,698 --> 00:00:32,400 THAT MAN, RAY PENNINGTON, 13 00:00:32,433 --> 00:00:36,204 WAS BEING TREATED FOR SEVERE MENTAL ILLNESS 14 00:00:36,237 --> 00:00:37,671 AT THE TIME OF THE ACCIDENT. 15 00:00:37,705 --> 00:00:39,640 FRIENDS, YOU HAVE TO ASK YOURSELF -- 16 00:00:39,673 --> 00:00:43,444 DO YOU KNOW WHO'S DRIVING YOUR KIDS TO SCHOOL? 17 00:00:43,477 --> 00:00:46,514 JOINING US IS PSYCHIATRIST DR. BILL PRATT. 18 00:00:46,547 --> 00:00:47,515 DR. PRATT, 19 00:00:47,548 --> 00:00:50,684 ISN'T IT TRUE THAT PSYCHIATRIC MEDICATIONS 20 00:00:50,718 --> 00:00:52,286 GREATLY IMPAIR A PERSON'S DRIVING ABILITY? 21 00:00:52,320 --> 00:00:54,455 DAD... 22 00:00:54,488 --> 00:00:56,457 I THOUGHT WE AGREED YOU WEREN'T GONNA WATCH THIS WHACK JOB 23 00:00:56,490 --> 00:00:59,327 ANY MORE. 24 00:00:59,360 --> 00:01:02,630 DAD? 25 00:01:02,663 --> 00:01:05,266 DAD? 26 00:01:05,299 --> 00:01:09,637 [ ENGINE RUNNING IN DISTANCE ] 27 00:01:09,670 --> 00:01:11,805 DADDY?! 28 00:01:11,839 --> 00:01:14,642 DADDY! DAD! 29 00:01:14,675 --> 00:01:16,677 DADDY! DAD! 30 00:01:16,710 --> 00:01:18,712 DAD, CAN YOU HEAR ME?! DAD! 31 00:01:18,746 --> 00:01:20,381 DAD, DAD, DAD! 32 00:01:20,414 --> 00:01:21,815 DAD, CAN YOU HEAR ME! 33 00:01:21,849 --> 00:01:24,518 NO! DAD, WAKE UP! DAD! 34 00:01:24,552 --> 00:01:27,621 THE DOCTOR SAID I GOT TO HIM JUST IN TIME. 35 00:01:27,655 --> 00:01:29,523 NO CHARGES WERE BROUGHT AGAINST YOUR FATHER? 36 00:01:29,557 --> 00:01:31,559 NO, IT WAS RULED MECHANICAL FAILURE. 37 00:01:31,592 --> 00:01:33,294 THE POLICE COMPLETELY CLEARED HIM. 38 00:01:33,327 --> 00:01:34,428 RIGHT, BUT, OF COURSE, THAT WOULDN'T MAKE 39 00:01:34,462 --> 00:01:36,264 FOR A VERY GOOD STORY, WOULD IT? 40 00:01:36,297 --> 00:01:37,465 WELL, THE ACCIDENT WAS A TRAGEDY, 41 00:01:37,498 --> 00:01:39,467 AND EVERYONE WAS DEVASTATED. 42 00:01:39,500 --> 00:01:40,734 BUT NOBODY POINTED A FINGER AT DAD 43 00:01:40,768 --> 00:01:43,504 UNTIL MONICA HUNTER DECIDED TO MAKE HIM HER LATEST VILLAIN. 44 00:01:43,537 --> 00:01:46,174 LOOK, I'M SORRY TO BRING THIS UP, BUT WE NEED TO KNOW. 45 00:01:46,207 --> 00:01:47,508 WHAT ABOUT THE MENTAL ILLNESS? 46 00:01:49,410 --> 00:01:51,279 WHEN MY DAD GOT OUT OF THE FIRST GULF WAR, 47 00:01:51,312 --> 00:01:54,182 HE WAS GIVEN ANTIDEPRESSANTS FOR POST-TRAUMATIC STRESS. 48 00:01:54,215 --> 00:01:56,550 HE HASN'T TAKEN THEM IN 14 YEARS. 49 00:01:56,584 --> 00:01:58,886 -SHE MADE UP LIE AFTER LIE. -WOW. 50 00:01:58,919 --> 00:02:01,222 HERE'S WHAT WE CAN DO -- WE CAN PROBABLY GET YOU 51 00:02:01,255 --> 00:02:03,524 ENOUGH MONEY TO SAVE THE HOUSE AND PAY FOR MEDICAL BILLS. 52 00:02:03,557 --> 00:02:05,893 WE AREN'T INTERESTED IN MONEY, MR. FORD. 53 00:02:05,926 --> 00:02:08,729 THIS WOMAN TOOK MY FATHER'S SELF-ESTEEM. 54 00:02:08,762 --> 00:02:11,765 SHE TOOK HIS REPUTATION. SHE TOOK HIS GOOD NAME. 55 00:02:11,799 --> 00:02:14,735 THAT'S WHAT HE NEEDS BACK. 56 00:02:14,768 --> 00:02:15,903 ALL RIGHT, YEAH. 57 00:02:15,936 --> 00:02:19,373 WE'LL SEE WHAT WE CAN DO. 58 00:02:19,407 --> 00:02:21,175 THANK YOU. THANK YOU VERY MUCH. 59 00:02:21,209 --> 00:02:22,710 SURE. 60 00:02:24,612 --> 00:02:26,647 I WANT TO TAKE THE LEAD ON THIS ONE. 61 00:02:26,680 --> 00:02:28,115 I WANT TO DO WHAT YOU DO. 62 00:02:28,148 --> 00:02:31,419 -YEAH, LISTEN, I KNOW BREAK-UPS CAN BE VERY DIFFICULT, SOPHIE. -WHOA. 63 00:02:31,452 --> 00:02:32,720 NO, THAT'S NOT WHAT THIS IS ABOUT. 64 00:02:32,753 --> 00:02:33,821 AND I KNOW THAT YOU HAVE THIS NEED 65 00:02:33,854 --> 00:02:35,689 TO BE IN CONTROL RIGHT NOW, YOU KNOW. 66 00:02:35,723 --> 00:02:36,924 I DON'T HAVE ANY SUCH NEED. 67 00:02:36,957 --> 00:02:38,626 BUT YOU CAN'T PROJECT THAT ONTO THE CON. 68 00:02:38,659 --> 00:02:39,793 EXCUSE ME? 69 00:02:39,827 --> 00:02:42,830 THIS COMING FROM THE MAN WHO SPENT AN ENTIRE YEAR DRUNK, 70 00:02:42,863 --> 00:02:44,298 WORKING OUT HIS OBSESSIVE VENGEANCE 71 00:02:44,332 --> 00:02:45,666 ON EVERY SINGLE DIMWIT IN A SUIT 72 00:02:45,699 --> 00:02:47,568 WHO HAPPENED TO CROSS OUR LINE OF VISION? 73 00:02:47,601 --> 00:02:49,803 YOU PUT SOME THOUGHT INTO THAT ONE, DIDN'T YOU? 74 00:02:49,837 --> 00:02:52,273 YOU KNOW, I'M NOT TRYING TO CONTROL THE UNIVERSE 75 00:02:52,306 --> 00:02:55,509 JUST BECAUSE SOME GUY DUMPED ME. 76 00:02:55,543 --> 00:02:56,844 I -- I -- 77 00:02:56,877 --> 00:03:00,681 I APPRECIATE THE CONCERN. I JUST... 78 00:03:00,714 --> 00:03:04,252 I NEED A NEW CHALLENGE. 79 00:03:04,285 --> 00:03:06,954 OKAY. 80 00:03:06,987 --> 00:03:08,889 THIS IS YOUR JOB. 81 00:03:11,692 --> 00:03:14,862 THANKS. 82 00:03:14,895 --> 00:03:16,497 YEAH. 83 00:03:16,530 --> 00:03:18,899 LET'S GO GET THIS BITCH. 84 00:03:22,970 --> 00:03:24,838 OH, BOY. 85 00:03:26,440 --> 00:03:29,743 THE RICH AND POWERFUL, THEY TAKE WHAT THEY WANT. 86 00:03:29,777 --> 00:03:31,879 WE STEAL IT BACK FOR YOU. 87 00:03:35,416 --> 00:03:39,387 AND SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 88 00:03:42,022 --> 00:03:44,525 WE PROVIDE... 89 00:03:44,558 --> 00:03:46,960 LEVERAGE. 90 00:03:46,994 --> 00:03:49,863 [ SIREN WAILING IN DISTANCE ] 91 00:03:49,897 --> 00:03:51,732 NOW, WE'VE STOLEN A LOT OF ODD THINGS BEFORE, 92 00:03:51,765 --> 00:03:54,735 BUT HOW DO WE STEAL BACK A MAN'S REPUTATION? 93 00:03:54,768 --> 00:03:56,904 WE GET THE NETWORK TO ISSUE A COMPLETE APOLOGY 94 00:03:56,937 --> 00:03:59,239 AND UTTERLY DISAVOW MONICA HUNTER'S STORY. 95 00:04:01,375 --> 00:04:02,276 WHAT? 96 00:04:02,310 --> 00:04:04,312 YEAH, SOPHIE'S GONNA BE DOING THIS ONE. 97 00:04:04,345 --> 00:04:05,546 -[ CLEARS THROAT ] -WHAT? 98 00:04:05,579 --> 00:04:06,680 -YEAH. -YEAH. 99 00:04:06,714 --> 00:04:10,284 I'M GONNA BE NATE ON THIS ONE, ONLY, YOU KNOW, NICER. 100 00:04:10,318 --> 00:04:13,020 BUT IF YOU'RE GONNA BE NATE, THEN WHO'S GONNA BE YOU? 101 00:04:13,053 --> 00:04:15,523 -YOU. -ME? 102 00:04:15,556 --> 00:04:16,990 I-I DON'T MEAN TO OBSESS ABOUT THE LAST TIME SOPHIE RAN A CON, 103 00:04:17,024 --> 00:04:20,661 BUT, I'M SORRY, WHERE WE HAD TO BLOW UP THE OFFICES. 104 00:04:20,694 --> 00:04:22,396 REALLY? BECAUSE I DON'T REMEMBER THAT. 105 00:04:22,430 --> 00:04:23,531 I DO. 106 00:04:23,564 --> 00:04:25,366 UM, HARDISON, JUST RUN IT. 107 00:04:25,399 --> 00:04:27,067 IF YOU DON'T MIND, I THOUGHT I WOULD STILL DO 108 00:04:27,100 --> 00:04:30,371 THE "HARDISON, RUN IT" THING. 109 00:04:30,404 --> 00:04:32,940 HARDISON, RUN IT. 110 00:04:32,973 --> 00:04:34,074 [ SIGHS ] 111 00:04:34,107 --> 00:04:35,543 MONICA HUNTER'S "HUNT FOR THE TRUTH" 112 00:04:35,576 --> 00:04:37,678 HAS BEEN THE TOP SHOW IN HER TIME SLOT 113 00:04:37,711 --> 00:04:39,380 FOR THE LAST EIGHT YEARS. 114 00:04:39,413 --> 00:04:41,615 SHE CALLS IT AN EXPOSé SHOW. 115 00:04:41,649 --> 00:04:43,050 EACH EPISODE INCLUDES THREE ELEMENTS -- 116 00:04:43,083 --> 00:04:44,852 INCRIMINATING DOCUMENTS, 117 00:04:44,885 --> 00:04:46,654 EMBARRASSING FOOTAGE OF THE SUBJECT, 118 00:04:46,687 --> 00:04:48,856 AND AN EXPERT TO MAKE IT LEGIT. 119 00:04:48,889 --> 00:04:51,925 NOW, SHE MIXES THIS ALL INTO ONE HATCHET JOB 120 00:04:51,959 --> 00:04:53,994 ON SOME POOR CITIZEN, TURNING THEM INTO THE BOOGEYMAN -- 121 00:04:54,027 --> 00:04:56,597 DOESN'T MATTER WHETHER OR NOT THEY'RE GUILTY. 122 00:04:56,630 --> 00:04:57,798 IF THE VICTIM TRIES TO SUE, 123 00:04:57,831 --> 00:04:59,567 THE NETWORK JUST BURIES THEM IN LAWYERS. 124 00:04:59,600 --> 00:05:02,870 YEAH, SHE DEMONIZES PERFECTLY INNOCENT PEOPLE FOR RATINGS 125 00:05:02,903 --> 00:05:04,772 AND THEN STANDS BEHIND THE NETWORK, 126 00:05:04,805 --> 00:05:06,073 THINKING THEY'RE GONNA PROTECT HER. 127 00:05:06,106 --> 00:05:08,542 -WE'RE GONNA SEVER THAT RELATIONSHIP. -HOW? 128 00:05:08,576 --> 00:05:09,677 WE'RE GONNA GET HER TO GO ON AIR 129 00:05:09,710 --> 00:05:12,413 WITH A FAKE STORY THAT JUST DESTROYS HER REPUTATION. 130 00:05:12,446 --> 00:05:14,014 IT'S LIKE WHEN YOU FIND A CROOKED COP, YOU KNOW? 131 00:05:14,047 --> 00:05:16,550 -A-ALL HIS CASES GO RIGHT OUT THE WINDOW. -EXACTLY. 132 00:05:16,584 --> 00:05:18,419 AND THEN, TO PROTECT THEMSELVES, 133 00:05:18,452 --> 00:05:20,921 THEY ISSUE AN APOLOGY TO MR. PENNINGTON, 134 00:05:20,954 --> 00:05:22,656 AND THEN THEY THROW MONICA HUNTER 135 00:05:22,690 --> 00:05:25,025 INTO THE JAWS OF THE VERY MEDIA MACHINE 136 00:05:25,058 --> 00:05:28,462 THAT SHE BENT TO HER OWN MALICIOUS WILL! 137 00:05:28,496 --> 00:05:29,630 WOW. 138 00:05:29,663 --> 00:05:33,434 I GOT TO SAY, SOPHIE'S BRIEFINGS ARE MUCH MORE DRAMATIC. 139 00:05:33,467 --> 00:05:34,635 AND POETIC. 140 00:05:34,668 --> 00:05:37,805 YOU SEE, WHAT WE NEED TO DO, THOUGH -- WHAT WE NEED IS -- 141 00:05:37,838 --> 00:05:40,841 WE GOT TO SELL HER A FAKE NEWS STORY 142 00:05:40,874 --> 00:05:41,975 THAT SHE -- SHE CAN'T REFUSE. 143 00:05:42,009 --> 00:05:43,377 THAT'S WHAT WE GOT TO DO, BECAUSE WHAT DOES SHE HAVE? 144 00:05:43,411 --> 00:05:45,646 SHE HAS FAME. SHE HAS MONEY. 145 00:05:45,679 --> 00:05:46,847 -WHAT DOES SHE NEED? -[ CLEARS THROAT ] 146 00:05:46,880 --> 00:05:48,382 -SHE -- -[ CLEARS THROAT ] 147 00:05:48,416 --> 00:05:50,017 SORRY. 148 00:05:53,020 --> 00:05:54,054 WHAT DOES SHE HAVE? 149 00:05:54,087 --> 00:05:59,393 SHE HAS FAME. SHE HAS MONEY. WHAT DOES SHE NEED? 150 00:05:59,427 --> 00:06:00,994 RESPECT. 151 00:06:01,028 --> 00:06:04,432 YEAH, SHE'S A JOKE AMONG SERIOUS JOURNALISTS. 152 00:06:04,465 --> 00:06:05,833 LOOK, HERE'S E-MAILS FROM HER AGENT 153 00:06:05,866 --> 00:06:07,735 AND INTERNAL MEMOS FROM THE NETWORK. 154 00:06:07,768 --> 00:06:09,570 SEE, EVERY TIME HER CONTRACT'S UP, 155 00:06:09,603 --> 00:06:12,673 SHE TRIES TO GO AND GET A JOB ON A SERIOUS NEWS SHOW, 156 00:06:12,706 --> 00:06:14,442 BUT SHE GETS LAUGHED OUT OF THE ROOM EVERY TIME. 157 00:06:14,475 --> 00:06:16,844 YEAH, WELL, WE CAN'T SELL HER RESPECT. 158 00:06:16,877 --> 00:06:18,979 BUT WE CAN SELL HER A STORY THAT COMMANDS RESPECT -- 159 00:06:19,012 --> 00:06:23,417 A STORY THAT SHE'S GONNA CHASE TO GET THE RESPECT SHE CRAVES. 160 00:06:23,451 --> 00:06:24,885 HMM? PACK YOUR BAGS, EVERYONE. 161 00:06:24,918 --> 00:06:27,655 WE'RE GOING TO D.C. TO MAKE NEWS. 162 00:06:31,792 --> 00:06:34,127 THAT'S WHEN YOU WANT TO... 163 00:06:34,161 --> 00:06:35,996 I'M GONNA DO THAT BIT AGAIN. [ SNIFFS ] 164 00:06:36,029 --> 00:06:37,698 PACK YOUR BAGS, EVERYONE. 165 00:06:37,731 --> 00:06:40,434 WE'RE GOING TO D.C. TO MAKE NEWS. 166 00:06:42,870 --> 00:06:43,871 [ DOOR OPENS ] 167 00:06:43,904 --> 00:06:46,006 [ CLEARS THROAT ] SHE'S WALKING INTO THE CLOSET. 168 00:06:46,039 --> 00:06:47,941 [ DOOR CLOSES ] 169 00:06:54,948 --> 00:06:57,217 FRIENDS, JOIN ME TOMORROW 170 00:06:57,250 --> 00:07:00,053 AS WE HUNT FOR THE TRUTH IN YOUR OWN HOME. 171 00:07:00,087 --> 00:07:03,924 WHICH OF YOUR HOUSEHOLD APPLIANCES IS KILLING YOU? 172 00:07:03,957 --> 00:07:05,493 IT'S NOT THE ONE YOU THINK. 173 00:07:05,526 --> 00:07:08,161 AND WE'RE... 174 00:07:08,195 --> 00:07:08,996 OUT. 175 00:07:09,029 --> 00:07:10,864 - NICE SHOW, EVERYONE. -[ GROANS ] 176 00:07:10,898 --> 00:07:13,033 -ALL RIGHT... -[ GROANS ] 177 00:07:13,066 --> 00:07:14,702 GONNA HAVE TO BUMP UP THIS PART HERE, JIM. 178 00:07:14,735 --> 00:07:17,671 WHAT IDIOT MADE THIS COFFEE? 179 00:07:17,705 --> 00:07:20,073 I GOT THE PASS -- EASY. 180 00:07:20,107 --> 00:07:21,542 Parker, we went over this. 181 00:07:21,575 --> 00:07:23,043 YOU'RE NOT SUPPOSED TO TAKE IT. YOU'RE SUPPOSED TO GET CAUGHT WITH IT. 182 00:07:23,076 --> 00:07:25,813 I don't know how to get caught. 183 00:07:25,846 --> 00:07:26,914 YEAH, I KNOW IT'S DIFFICULT TO STEAL BADLY. 184 00:07:26,947 --> 00:07:27,948 JUST -- 185 00:07:27,981 --> 00:07:29,182 Just try. 186 00:07:29,216 --> 00:07:33,754 [ SIGHS ] 187 00:07:33,787 --> 00:07:35,789 [ SIGHS ] I NEED THIS YESTERDAY. 188 00:07:35,823 --> 00:07:37,257 WHAT AM I PAYING YOU FOR? 189 00:07:37,290 --> 00:07:39,159 YOU CAN'T MAKE A CUP OF COFFEE. 190 00:07:39,192 --> 00:07:41,629 INCOMPETENCE -- I'M SURROUNDED BY INCOMPETENCE. 191 00:07:41,662 --> 00:07:43,263 [ SIGHS ] 192 00:07:43,296 --> 00:07:45,499 [ DRAWER SLAMS ] 193 00:07:48,268 --> 00:07:50,203 WHAT THE HELL ARE YOU DOING? 194 00:07:50,237 --> 00:07:52,139 CINDY MacALLEN -- CASPERKILL NIGHTLY NEWS. 195 00:07:52,172 --> 00:07:54,975 CASPERKILL? HOW'D YOU GET IN HERE? 196 00:07:55,008 --> 00:07:57,144 That's your cue. Go on, leave now. 197 00:07:57,177 --> 00:07:59,780 APPARENTLY, I HAVE TO GO. 198 00:08:06,086 --> 00:08:07,087 HEY! 199 00:08:07,120 --> 00:08:08,989 HEY, I WILL HAVE YOU ARRESTED FOR TRESPASSING 200 00:08:09,022 --> 00:08:10,824 IF YOU DO NOT TELL ME WHAT YOU ARE DOING HERE. 201 00:08:10,858 --> 00:08:13,160 WELL, TECHNICALLY, YOU CAN'T HAVE ME ARRESTED FOR TRESPASSING 202 00:08:13,193 --> 00:08:14,261 BECAUSE YOU DON'T OWN THE STATION. 203 00:08:14,294 --> 00:08:15,996 Parker, just tell her the story. 204 00:08:16,029 --> 00:08:19,032 I HAVE A STORY -- A HUGE STORY. 205 00:08:19,066 --> 00:08:21,034 -Pentagon. -RIGHT. 206 00:08:21,068 --> 00:08:22,603 THERE'S A HIGH-LEVEL SOURCE AT THE PENTAGON 207 00:08:22,636 --> 00:08:23,771 THAT'S BEEN EVADING ME. 208 00:08:23,804 --> 00:08:25,973 SO YOU WERE GONNA SNEAK IN USING MY PRESS CREDENTIALS? 209 00:08:26,006 --> 00:08:27,908 YES. 210 00:08:27,941 --> 00:08:29,109 TELL ME THE STORY. 211 00:08:29,142 --> 00:08:31,679 NO, I CAN'T. 212 00:08:31,712 --> 00:08:33,146 TELL ME OR TELL THE POLICE. 213 00:08:33,180 --> 00:08:36,850 [ SIGHS ] 214 00:08:36,884 --> 00:08:40,588 I HAVE A STORY THAT WILL BRING DOWN... 215 00:08:40,621 --> 00:08:43,223 THE PRESIDENT OF THE UNITED STATES. 216 00:08:51,799 --> 00:08:53,133 I HAVE TO WARN YOU ABOUT MY SOURCE. 217 00:08:53,166 --> 00:08:54,602 HE DOESN'T LIKE STRANGERS. 218 00:08:54,635 --> 00:08:56,103 STRANGERS? I'M MONICA HUNTER. 219 00:08:56,136 --> 00:08:57,671 I'M IN 41 MARKETS. 220 00:09:04,612 --> 00:09:06,313 [ DOOR CLOSES ] 221 00:09:13,854 --> 00:09:14,922 [ GASPS ] 222 00:09:14,955 --> 00:09:17,257 MONICA HUNTER, MEET WADE PERKINS. 223 00:09:17,290 --> 00:09:19,693 I TOLD YOU, DON'T BRING NOBODY HERE. 224 00:09:19,727 --> 00:09:20,894 -THEY CAN'T KNOW THAT WE KNOW -- 225 00:09:20,928 --> 00:09:22,796 NOT NOW. -I'M OUT. 226 00:09:22,830 --> 00:09:24,798 NO, I KNOW HOW THIS LOOKS. JUST HEAR HIM OUT. 227 00:09:34,775 --> 00:09:37,144 OKAY. THREE MINUTES. 228 00:09:37,177 --> 00:09:40,247 TELL ME A STORY THAT'LL BRING DOWN THE PRESIDENT. 229 00:09:40,280 --> 00:09:41,514 T-THE PRE-- THE PRESIDENT? 230 00:09:41,548 --> 00:09:44,785 MAN, THE PRESIDENT SAID HE WAS GONNA CLOSE DOWN GUANTANAMO BAY. 231 00:09:44,818 --> 00:09:46,019 HE LIED. 232 00:09:46,053 --> 00:09:49,757 GUANTANAMO IS BEING REPLACED BY A NETWORK OF SECRET PRISONS 233 00:09:49,790 --> 00:09:52,660 RIGHT HERE IN THE UNITED STATES, MAN. 234 00:09:52,693 --> 00:09:55,328 THESE ARE SATELLITE PHOTOS OF VACANT MILITARY INSTALLATIONS 235 00:09:55,362 --> 00:09:56,196 ACROSS THE COUNTRY -- 236 00:09:56,229 --> 00:09:59,366 EMPTY MISSILE SILOS, CLOSED BASES -- 237 00:09:59,399 --> 00:10:01,969 PLACES WE'VE ABANDONED SINCE THE END OF THE COLD WAR. 238 00:10:02,002 --> 00:10:03,637 THEN, SUDDENLY, THREE MONTHS AGO, 239 00:10:03,671 --> 00:10:05,238 THE PHOTOS WERE TAKEN OFFLINE AND CLASSIFIED. 240 00:10:05,272 --> 00:10:09,042 U-U-UNTIL I CRACKED THE ENCRYPTION. 241 00:10:09,076 --> 00:10:10,844 SEE, THIS H-HERE -- 242 00:10:10,878 --> 00:10:13,647 HERE'S WHAT THE GOVERNMENT DOESN'T WANT YOU TO SEE, MAN. 243 00:10:13,681 --> 00:10:15,315 COME LOOK. THIS -- 244 00:10:15,348 --> 00:10:17,918 CONSTRUCTION SITES, WORKING AROUND THE CLOCK, 245 00:10:17,951 --> 00:10:20,821 INSTALLING GENERATORS AND WATER-FILTRATION SYSTEMS 246 00:10:20,854 --> 00:10:21,855 AND -- AND -- AND -- AND -- AND -- 247 00:10:21,889 --> 00:10:23,924 AND FULLY STOCKED KITCHENS, MAN. 248 00:10:23,957 --> 00:10:26,226 THERE'S A WORD FOR THAT. IT'S CALLED GOVERNMENT PORK. 249 00:10:26,259 --> 00:10:27,828 NO, NO. 250 00:10:27,861 --> 00:10:31,031 A-ALL THIS CONSTRUCTION IS GOING ON UNDERGROUND, 251 00:10:31,064 --> 00:10:33,266 UNDER-- BENEATH THE EYES -- THE EYES OF THE WORLD, MAN. 252 00:10:33,300 --> 00:10:34,267 THEY DON'T WANT YOU TO SEE. 253 00:10:34,301 --> 00:10:36,870 CONGRESS DOESN'T KNOW. GOVERNORS DON'T KNOW. 254 00:10:36,904 --> 00:10:39,139 RED CROSS, A.C.L.U., NATIONAL GEOGRAPHIC -- 255 00:10:39,172 --> 00:10:40,841 NOBODY KNOWS, MAN -- NOBODY, MAN. 256 00:10:40,874 --> 00:10:43,110 THEY'RE PUTTING TERRORISTS IN YOUR BACKYARD -- 257 00:10:43,143 --> 00:10:45,178 TERRORISTS UNDER YOUR BACKYARD. 258 00:10:45,212 --> 00:10:47,881 "HEY, LITTLE BILLY, GO OUTSIDE. DIG IN THE SANDBOX." 259 00:10:47,915 --> 00:10:49,016 "OH!" CLANK! 260 00:10:49,049 --> 00:10:50,918 "WHAT DID YOU FIND, LITTLE BILLY? WHAT DID YOU FIND?" 261 00:10:50,951 --> 00:10:54,021 "IT'S A TERRORIST! IT'S A BUNKER FULL OF TERRORISTS, MAN!" 262 00:10:54,054 --> 00:10:56,189 BUNKER, MAN. 263 00:10:56,223 --> 00:10:59,459 WHAT OTHER SOURCES DO YOU HAVE BESIDES TINFOIL HAT OVER HERE? 264 00:10:59,492 --> 00:11:01,762 HEY, HEY, HEY, MAN! 265 00:11:01,795 --> 00:11:04,932 BEING A TINFOIL HAT IS BETTER THAN BEING A LAP DOG 266 00:11:04,965 --> 00:11:08,736 FOR THE FOUR CORPORATIONS THAT CONTROL THE GLOBAL MEDIA, MAN. 267 00:11:08,769 --> 00:11:10,337 GENERAL MARK CHESLER AT THE PENTAGON 268 00:11:10,370 --> 00:11:11,371 IS RUNNING THIS PROGRAM. 269 00:11:11,404 --> 00:11:13,707 HE'S BEEN DUCKING ME. 270 00:11:13,741 --> 00:11:16,409 THAT'S WHY I NEEDED YOUR CREDENTIALS. 271 00:11:16,443 --> 00:11:18,078 OKAY. 272 00:11:18,111 --> 00:11:19,379 CALL ME TOMORROW. 273 00:11:19,412 --> 00:11:21,782 WE'LL HIT THE GENERAL IN THE MORNING. 274 00:11:21,815 --> 00:11:23,450 [ DOOR OPENS, CLOSES ] 275 00:11:23,483 --> 00:11:25,452 -THAT'S WHAT I'M TALKING ABOUT. -ALL RIGHT. 276 00:11:25,485 --> 00:11:27,454 AND THE CAMERAMAN -- THE USUAL SETUP. 277 00:11:27,487 --> 00:11:29,389 I must say, Monica, I'm proud of you, 278 00:11:29,422 --> 00:11:31,058 HELPING OUT THIS YOUNG REPORTER. 279 00:11:31,091 --> 00:11:32,960 DON'T BE SILLY, STEVE. 280 00:11:32,993 --> 00:11:33,927 ONCE I'VE GOT HER SOURCES, 281 00:11:33,961 --> 00:11:36,730 I'M KICKING STRAWBERRY SHORTCAKE TO THE CURB. 282 00:11:36,764 --> 00:11:39,166 THE STORY IS ALL MINE. 283 00:11:48,909 --> 00:11:51,478 HUNTER'S HOOKED. 284 00:11:51,511 --> 00:11:53,313 OUR MARK HAS A STORY AND A SOURCE. 285 00:11:53,346 --> 00:11:54,815 WE'RE HALFWAY HOME. 286 00:11:54,848 --> 00:11:56,917 NOW FOR THE HARD PART. 287 00:11:56,950 --> 00:11:59,319 WE NEED TO STEAL A GENERAL. 288 00:11:59,352 --> 00:12:01,254 NO, IT'S "LET'S GO STEAL A GENERAL," YOU KNOW? 289 00:12:01,288 --> 00:12:03,090 -IT'S A RALLYING CRY. -YEAH. 290 00:12:03,123 --> 00:12:05,826 "WE NEED TO STEAL A GENERAL" -- IT'S A LITTLE NAGGY. 291 00:12:05,859 --> 00:12:08,061 IT'S KIND OF LIKE, "WE NEED EGGS," YOU KNOW? 292 00:12:08,095 --> 00:12:10,163 "WE NEED EGGS." 293 00:12:10,197 --> 00:12:12,833 "WE NEED EGGS!" YOU KNOW? 294 00:12:12,866 --> 00:12:14,902 [ SIGHS ] 295 00:12:14,935 --> 00:12:17,104 NO, I'M JUST TRYING TO GIVE YOU A LITTLE... 296 00:12:17,137 --> 00:12:19,272 YOU -- YOU SEE WHAT YOU DID? 297 00:12:19,306 --> 00:12:21,341 ELIOT, THESE CONSPIRACIES AREN'T REAL, RIGHT? 298 00:12:21,374 --> 00:12:23,210 WHAT DO YOU MEAN? 299 00:12:23,243 --> 00:12:26,113 LIKE THAT ONE OVER THERE THAT SAYS ALL THE MAJOR WARS 300 00:12:26,146 --> 00:12:27,915 OF THE PAST 50 YEARS WERE ORDERED BY MEMBERS 301 00:12:27,948 --> 00:12:30,017 OF "THE COUNCIL"? 302 00:12:30,050 --> 00:12:32,352 PARKER, I'M NOT AT LIBERTY TO DISCUSS THAT WITH YOU. 303 00:12:32,385 --> 00:12:33,386 [ SCOFFS ] 304 00:12:33,420 --> 00:12:37,524 WELL, YOU'RE NOT A MEMBER OF THE COUNCIL, ARE YOU? 305 00:12:37,557 --> 00:12:40,527 ELIOT? 306 00:12:40,560 --> 00:12:41,795 IS HE? 307 00:12:41,829 --> 00:12:43,230 OH, I DON'T KNOW. 308 00:12:43,263 --> 00:12:45,298 HUH? 309 00:12:45,332 --> 00:12:47,835 UH, NATE, IS HE? 310 00:12:49,469 --> 00:12:54,507 [ GAVEL BANGS ] MEETING ADJOURNED. 311 00:12:54,541 --> 00:12:57,144 [ INDISTINCT TALKING ] 312 00:13:00,280 --> 00:13:02,950 GENERAL CHESLER, I'M FROM SENATOR RUDEN'S OFFICE, 313 00:13:02,983 --> 00:13:04,885 AND HE NEEDS TO SPEAK WITH YOU IMMEDIATELY. 314 00:13:04,918 --> 00:13:07,454 UH, THEY ARE ABOUT TO PUT A SPIKE 315 00:13:07,487 --> 00:13:09,990 IN THE XJ-12 ARMORED-VEHICLE PROJECT. 316 00:13:10,023 --> 00:13:11,291 I'M JUST RELAYING THE MESSAGE. 317 00:13:11,324 --> 00:13:13,126 I DON'T EVEN KNOW THAT THAT IS, SIR. 318 00:13:13,160 --> 00:13:14,461 IT'S THE LAST EIGHT YEARS OF MY LIFE. 319 00:13:14,494 --> 00:13:15,528 THAT'S WHAT IT IS! 320 00:13:15,562 --> 00:13:16,897 YES, SIR. 321 00:13:16,930 --> 00:13:19,900 UH, THE SENATOR WOULD LIKE YOU TO MEET HIM IN HIS OFFICE A.S.A.P 322 00:13:19,933 --> 00:13:22,502 AND BRING THE LATEST XJ-12 FILES. 323 00:13:22,535 --> 00:13:23,937 I DON'T HAVE THEM ON ME! 324 00:13:23,971 --> 00:13:26,073 DON'T HAVE THEM ON -- YEAH, RIGHT HERE. 325 00:13:26,106 --> 00:13:29,542 "CALL YOUR SECRETARY AND HAVE HER MEET YOU THERE, PRONTO," AND AGAIN, SIR, 326 00:13:29,576 --> 00:13:30,610 I'M JUST RELAYING THE SENATOR'S WORDS. 327 00:13:30,643 --> 00:13:35,615 -THEY'RE NOT MINE. -[ SIGHS ] 328 00:13:35,648 --> 00:13:37,117 [ DIALING ] 329 00:13:37,150 --> 00:13:41,054 PAMELA, STOP WHAT YOU'RE DOING RIGHT NOW 330 00:13:41,088 --> 00:13:42,923 AND GRAB THE FOLLOWING FILES. 331 00:13:48,095 --> 00:13:50,230 -SIR. -SIR. 332 00:13:50,263 --> 00:13:51,932 Is she gonna buy this? 333 00:13:51,965 --> 00:13:54,234 Hardison changed the general's profile online. 334 00:13:54,267 --> 00:13:57,170 When she's on camera, Monica only looks at Monica. 335 00:13:57,204 --> 00:13:59,006 PARKER, WHAT'S YOUR 20? 336 00:13:59,039 --> 00:14:01,441 Seconds away. 337 00:14:07,214 --> 00:14:09,382 SHOULDN'T WE HAVE CALLED FIRST TO SCHEDULE AN INTERVIEW? 338 00:14:09,416 --> 00:14:12,152 SCHEDULE A -- AH, SKIPPER, 339 00:14:12,185 --> 00:14:14,054 YOU'RE NOT COVERING THE TULIP FESTIVAL 340 00:14:14,087 --> 00:14:15,488 FOR THE ACTION NEWS ANYMORE. 341 00:14:15,522 --> 00:14:16,556 THIS IS THE REAL WORLD. 342 00:14:16,589 --> 00:14:17,991 BUT WHAT IF HE WON'T TALK TO US? 343 00:14:18,025 --> 00:14:19,526 -THEN WE CELEBRATE. -CELEBRATE? 344 00:14:19,559 --> 00:14:22,629 DENIAL MEANS GUILT. REFUSAL MEANS MORE GUILT. 345 00:14:22,662 --> 00:14:26,633 PUNCH OUT MY CAMERAMAN, AND I'LL KISS YOU ON THE MOUTH. 346 00:14:26,666 --> 00:14:28,568 MM-HMM. 347 00:14:34,407 --> 00:14:36,243 I KNEW IT. 348 00:14:36,276 --> 00:14:37,945 -WE'VE GOT A SHADOW. -WHAT? 349 00:14:37,978 --> 00:14:39,646 IT MEANS YOU'RE BEING FOLLOWED. 350 00:14:39,679 --> 00:14:41,915 IT MEANS THERE'S SOME MEAT ON THIS BONE. 351 00:14:41,949 --> 00:14:43,650 OH. 352 00:14:48,155 --> 00:14:50,623 ALL RIGHT, WE'RE ROLLING. 353 00:14:50,657 --> 00:14:52,659 MY FRIENDS, WE ARE OUTSIDE THE OFFICE 354 00:14:52,692 --> 00:14:55,562 OF GENERAL MARK CHESLER TO DISCOVER THE TRUTH 355 00:14:55,595 --> 00:15:01,001 ABOUT AMERICA'S SECRET PRISONS. 356 00:15:01,034 --> 00:15:02,002 WHAT'S GOING ON HERE? 357 00:15:02,035 --> 00:15:04,404 WHO -- WHO THE HELL LET YOU IN THIS BUILDING? 358 00:15:04,437 --> 00:15:08,475 GENERAL, WHO IS BEING HELD IN THE SECRET UNDERGROUND BUNKERS? 359 00:15:08,508 --> 00:15:10,243 [ CLEARS THROAT ] I AM LATE TO A MEETING. 360 00:15:10,277 --> 00:15:13,413 THEN YOU DON'T DENY THAT THESE PRISONS EXIST? 361 00:15:13,446 --> 00:15:15,482 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 362 00:15:15,515 --> 00:15:20,087 SO, HOW LONG HAVE YOU BEEN IN CHARGE OF THE PRISONS, GENERAL? 363 00:15:20,120 --> 00:15:23,523 [ SIGHS ] 364 00:15:23,556 --> 00:15:26,059 HERE, TAKE THIS. [ SNIFFS ] 365 00:15:26,093 --> 00:15:28,661 WATCH THE DOOR. 366 00:15:54,554 --> 00:15:57,424 THIS IS IT -- CONSTRUCTION MEMOS FOR THE SITES 367 00:15:57,457 --> 00:16:00,560 IN THE SATELLITE PHOTOS, ALL CLASSIFIED. 368 00:16:00,593 --> 00:16:03,663 "CELL REQUIREMENTS ARE 8 SQUARE FEET PER BED." 369 00:16:03,696 --> 00:16:06,666 THEY ARE PRISONS. 370 00:16:06,699 --> 00:16:08,435 WE'VE GOT OUR PROOF. 371 00:16:08,468 --> 00:16:11,304 YES. 372 00:16:11,338 --> 00:16:13,406 FAIR ENOUGH. 373 00:16:13,440 --> 00:16:15,275 YOU BRING THAT CRACKPOT SOURCE OF YOURS 374 00:16:15,308 --> 00:16:16,343 DOWN TO MY STUDIO RIGHT NOW. 375 00:16:16,376 --> 00:16:19,346 I'M GONNA OBSCURE HIS FACE, DISGUISE HIS VOICE, 376 00:16:19,379 --> 00:16:21,714 REFER TO HIM AS MY SECRET INFORMANT. 377 00:16:21,748 --> 00:16:23,616 DO YOU HAVE ANY IDEA WHAT THIS STORY MIGHT MEAN FOR DEMOCRACY? 378 00:16:23,650 --> 00:16:25,452 WHATEVER. 379 00:16:25,485 --> 00:16:28,355 I JUST WISH I COULD SEE THE FACES OF THOSE BASTARDS 380 00:16:28,388 --> 00:16:30,490 AT THE TIMES AND THE POST 381 00:16:30,523 --> 00:16:35,495 WHEN THEY FIND OUT THEY'VE GOT TO CHASE A MONICA HUNTER STORY. 382 00:16:35,528 --> 00:16:37,430 MY STORY, TOO, RIGHT? 383 00:16:41,368 --> 00:16:44,071 HEY, MAKE SURE TO SET THE TiVo. 384 00:16:44,104 --> 00:16:45,738 I WANT TO SEE HOW I LOOK WITH THE FUZZY DOT ON MY FACE. 385 00:16:45,772 --> 00:16:47,640 ALL RIGHT, JUST DON'T PUSH TOO HARD. 386 00:16:47,674 --> 00:16:49,442 [ CLEARS THROAT ] 387 00:16:51,444 --> 00:16:52,445 WHAT? I'M... 388 00:16:52,479 --> 00:16:53,646 BURY HER. 389 00:16:53,680 --> 00:16:56,549 THREE, TWO, ONE, MONICA. 390 00:16:56,583 --> 00:16:59,786 FRIENDS, IS YOUR BABYSITTER 391 00:16:59,819 --> 00:17:02,455 RUNNING A CALL-GIRL RING WHILE YOU'RE AT WORK? 392 00:17:02,489 --> 00:17:04,757 WATCH THE SHOCKING NANNY-CAM FOOTAGE 393 00:17:04,791 --> 00:17:07,527 TONIGHT ON "HUNT FOR THE TRUTH." 394 00:17:07,560 --> 00:17:09,662 AND CUT. NICE SHOW, EVERYONE. 395 00:17:09,696 --> 00:17:11,298 Hardison! Hardison! 396 00:17:11,331 --> 00:17:13,600 -Go in! -GOT IT, GOT IT. 397 00:17:16,236 --> 00:17:18,405 -[ CLEARS THROAT ] -HEY, HEY, HEY, HEY, CHIEF. 398 00:17:18,438 --> 00:17:20,107 WHAT HAPPENED TO THE PRISON STORY, MAN? 399 00:17:20,140 --> 00:17:23,343 RENFIELD, BETSY WETSY. 400 00:17:23,376 --> 00:17:24,377 I'LL ADMIT I WAS TEMPTED. 401 00:17:24,411 --> 00:17:25,345 I FIGURED HERE'S MY CHANCE 402 00:17:25,378 --> 00:17:28,115 TO FINALLY STICK IT TO THE D.C. PRESS CORPS. 403 00:17:28,148 --> 00:17:31,618 BUT THEN I GOT TO WORK, AND I READ THESE. 404 00:17:31,651 --> 00:17:34,721 NIELSEN MEDIA -- THESE ARE YOUR RATINGS. 405 00:17:34,754 --> 00:17:39,159 ON MONDAY, I HAD "SUBURBAN TEENS IN SECRET PREGNANCY PACT" -- 406 00:17:39,192 --> 00:17:40,160 NUMBER ONE IN THE TIME SLOT. 407 00:17:40,193 --> 00:17:43,130 THEN WEDNESDAY WAS MY SOCIAL-SECURITY SHOW -- 408 00:17:43,163 --> 00:17:46,466 "WILL YOUR SAFETY NET BE THERE WHEN YOU RETIRE?" 409 00:17:46,499 --> 00:17:49,269 I LOST TO THE DISCOVERY AND HISTORY CHANNELS -- 410 00:17:49,302 --> 00:17:51,138 SHARKS AND NAZIS. 411 00:17:51,171 --> 00:17:53,740 NOW, GRANTED, SHARKS AND NAZIS ARE CABLE TV's HEAVY HITTERS, 412 00:17:53,773 --> 00:17:54,807 BUT THAT'S NO EXCUSE. 413 00:17:54,841 --> 00:17:57,577 BUT THIS IS A NATIONAL SCANDAL! 414 00:17:57,610 --> 00:18:02,449 NO, A SCANDAL IS WHATEVER SCARES MONICA HUNTER'S VIEWERS. 415 00:18:05,352 --> 00:18:07,154 NOW, WHO ARE THEY GONNA PUT IN THOSE SECRET PRISONS? 416 00:18:07,187 --> 00:18:08,020 MY VIEWERS? NO. 417 00:18:08,054 --> 00:18:11,324 THEY'RE GONNA PUT BAD PEOPLE IN THERE. 418 00:18:11,358 --> 00:18:12,625 SECRET GOVERNMENT PRISONS 419 00:18:12,659 --> 00:18:15,228 MAKE MONICA HUNTER'S VIEWERS FEEL SAFER. 420 00:18:15,262 --> 00:18:18,665 MY JOB IS TO SELL THE MORONS A STEADY DIET OF SCARY. 421 00:18:18,698 --> 00:18:21,501 THEY WANT A REASON TO LOCK THEIR DOORS. 422 00:18:21,534 --> 00:18:22,902 FEAR SELLS, 423 00:18:22,935 --> 00:18:25,272 AND MONICA HUNTER IS IN THE FEAR BUSINESS. 424 00:18:25,305 --> 00:18:27,274 -THAT'S NOT COOL. -DON'T YOU UNDERSTAND? 425 00:18:27,307 --> 00:18:28,608 IF YOU DON'T GET THIS, SOMEONE ELSE WILL. 426 00:18:28,641 --> 00:18:31,144 YOU'RE MISSING OUT ON THE BIGGEST OPPORTUNITY OF YOUR LIFE! 427 00:18:31,178 --> 00:18:33,380 LISTEN TO US! EVERYTHING'S AT STAKE! 428 00:18:33,413 --> 00:18:35,248 THANK YOU. 429 00:18:35,282 --> 00:18:37,384 WHAT ARE WE GONNA DO NOW? 430 00:18:43,723 --> 00:18:44,824 ALL RIGHT. 431 00:18:44,857 --> 00:18:48,461 SHE WANTS FEAR? 432 00:18:48,495 --> 00:18:50,197 THAT'S WHAT WE'LL GIVE HER. 433 00:18:52,865 --> 00:18:55,668 THIS IS HOW IT STARTS. 434 00:18:59,306 --> 00:19:00,840 [ CELLPHONE RINGS ] 435 00:19:00,873 --> 00:19:02,409 [ SIGHS ] 436 00:19:02,442 --> 00:19:03,443 GO FOR HUNTER. 437 00:19:03,476 --> 00:19:05,212 Monica, it's Cindy MacAllen. 438 00:19:05,245 --> 00:19:07,380 There's more to this thing than we thought. 439 00:19:07,414 --> 00:19:09,316 -The general called me. -LARGE LATTE? 440 00:19:09,349 --> 00:19:10,717 LOOK, CINDY, I TOLD YOU, 441 00:19:10,750 --> 00:19:12,852 THERE'S NO "HUNT FOR THE TRUTH" STORY HERE. 442 00:19:12,885 --> 00:19:14,387 Please, I'm right outside! 443 00:19:15,722 --> 00:19:17,590 GIVE ME JUST TWO MINUTES. 444 00:19:17,624 --> 00:19:20,293 IT'S BIG, MONICA. IT'S BIGGER THAN WE THOUGHT. 445 00:19:20,327 --> 00:19:22,562 AAH! 446 00:19:22,595 --> 00:19:23,596 [ GROANS ] 447 00:19:23,630 --> 00:19:24,631 [ GASPS ] 448 00:19:24,664 --> 00:19:25,765 SOMEBODY CALL 911! 449 00:19:25,798 --> 00:19:27,867 [ INDISTINCT SHOUTING ] 450 00:19:35,475 --> 00:19:36,509 OH. 451 00:19:39,779 --> 00:19:41,681 WHOA. 452 00:19:41,714 --> 00:19:43,650 DON'T STOP. COME ON. 453 00:19:44,917 --> 00:19:45,918 THEY RAN HER OVER! 454 00:19:45,952 --> 00:19:48,555 I KNOW, I KNOW. BUT WE GOT TO GO. 455 00:19:48,588 --> 00:19:50,890 THE SECURITY CAMERAS, THE ATM CAMERAS, THE TRAFFIC CAMERAS -- WE'RE ALWAYS BEING WATCHED. 456 00:19:50,923 --> 00:19:52,825 JUST PUT YOUR HEAD DOWN AND ACT NATURAL. 457 00:19:52,859 --> 00:19:54,327 WAIT, WHY ARE YOU DRESSED LIKE A MAILMAN? 458 00:19:54,361 --> 00:19:55,228 I'M INVISIBLE, MAN. 459 00:19:55,262 --> 00:19:57,230 MAILMAN -- NOBODY NOTICES THE MAILMAN. 460 00:19:57,264 --> 00:19:59,366 HE BLENDS RIGHT IN JUST LIKE A-A CIRCUS CLOWN. 461 00:19:59,399 --> 00:20:00,767 WAIT, WAIT -- DID SHE TELL YOU? 462 00:20:00,800 --> 00:20:01,901 THE GENERAL CALLED. 463 00:20:01,934 --> 00:20:04,237 YES. HE CALLED LAST NIGHT. 464 00:20:04,271 --> 00:20:05,338 HE WANTS TO MEET -- 465 00:20:05,372 --> 00:20:06,939 HAD A BAD CASE OF THE SWEATS AND A GUILTY CONSCIENCE. 466 00:20:06,973 --> 00:20:09,509 WHAT'S THIS ALL ABOUT? 467 00:20:09,542 --> 00:20:10,943 SOMETHING WORTH KILLING HER OVER. 468 00:20:10,977 --> 00:20:13,746 IS IT A BIG ENOUGH STORY FOR YOU NOW? 469 00:20:14,814 --> 00:20:17,650 [ CROWD GASPS ] 470 00:20:17,684 --> 00:20:19,286 [ INDISTINCT CONVERSATIONS ] 471 00:20:35,935 --> 00:20:38,505 WHERE THE HELL ARE WE? 472 00:20:38,538 --> 00:20:40,540 NO WINDOWS, NO CAMERAS, NO CROWDS -- 473 00:20:40,573 --> 00:20:42,442 IT'S THE PERFECT PLACE TO MEET. 474 00:20:42,475 --> 00:20:45,378 NOW, LOOK -- LOOK -- LOOK, DO YOU WANT THE TRUTH OR NOT, MAN? 475 00:20:45,412 --> 00:20:47,914 MISS HUNTER! WHERE'S MacALLEN? 476 00:20:47,947 --> 00:20:51,818 MacALLEN HAD AN ACCIDENT... RIGHT IN FRONT OF ME. 477 00:20:51,851 --> 00:20:54,721 THEY'RE CLEANING UP THE LOOSE ENDS. 478 00:20:54,754 --> 00:20:57,390 NOT THE ENDS, MAN, NOT THE ENDS, MAN. 479 00:20:57,424 --> 00:20:59,626 TRIMETHYLXANTHINE -- 480 00:20:59,659 --> 00:21:01,027 I'LL TRY AND SEE IF I CAN GET YOU SOME. 481 00:21:01,060 --> 00:21:02,729 TRIMETHYL WHAT? 482 00:21:02,762 --> 00:21:05,598 IT'S AN ANTIDOTE THE C.I.A. CAME UP WITH IN '73 483 00:21:05,632 --> 00:21:07,900 DURING THE TOKYO INTERVENTION. 484 00:21:07,934 --> 00:21:09,569 ANTIDOTE TO WHAT? 485 00:21:09,602 --> 00:21:11,404 WELL, THERE'S BEEN AN INCIDENT. 486 00:21:11,438 --> 00:21:13,039 AN INCIDENT? 487 00:21:13,072 --> 00:21:16,008 DON'T SPIN ME, GENERAL. 488 00:21:16,042 --> 00:21:18,311 I'M MONICA FRICKIN' HUNTER, 489 00:21:18,345 --> 00:21:20,847 AND I AM ON A HUNT FOR THE TRUTH. 490 00:21:20,880 --> 00:21:22,982 THREE WEEKS AGO, THERE WAS A BREACH 491 00:21:23,015 --> 00:21:27,654 AT ONE OF OUR WEAPONS-RESEARCH LABS OUTSIDE OF D.C. 492 00:21:27,687 --> 00:21:30,390 SOMETHING GOT INSIDE THE WATER. 493 00:21:30,423 --> 00:21:32,058 IT'S IN THE WATER? I ALWAYS KNEW IT WAS IN THE WATER. 494 00:21:32,091 --> 00:21:33,092 WILL YOU SHUT UP?! 495 00:21:33,125 --> 00:21:36,929 A VIRALLY REPLICATING CHEMICAL NERVE AGENT -- 496 00:21:36,963 --> 00:21:38,731 A NERVE GAS. 497 00:21:38,765 --> 00:21:41,501 DISSOLVES IN THE WATER, SPREADS LIKE A DISEASE. 498 00:21:41,534 --> 00:21:43,870 NO. 499 00:21:43,903 --> 00:21:46,406 NO, WE WOULD'VE HEARD FROM THE HOSPITALS, 500 00:21:46,439 --> 00:21:47,940 PEOPLE COMING IN WITH SYMPTOMS. 501 00:21:47,974 --> 00:21:49,041 IT TAKES A WHILE 502 00:21:49,075 --> 00:21:52,512 FOR IT TO RISE TO TOXIC LEVEL IN THE HUMAN SYSTEM. 503 00:21:52,545 --> 00:21:55,882 PEOPLE SHOULD START GETTING SICK ANY DAY NOW. 504 00:21:55,915 --> 00:21:57,350 I DON'T UNDERSTAND. 505 00:21:57,384 --> 00:22:00,553 WHAT DOES THIS HAVE TO DO WITH THE SECRET PRISONS? 506 00:22:00,587 --> 00:22:02,889 [ SCOFFS ] SHE THINKS THEY'RE PRISONS! 507 00:22:02,922 --> 00:22:05,091 OUT HERE'S THE PRISON. 508 00:22:05,124 --> 00:22:08,361 THEY'RE SHELTERS FOR THE ELITE -- 509 00:22:08,395 --> 00:22:11,498 ENVIRONMENTALLY SOUND SAFE HOUSES 510 00:22:11,531 --> 00:22:14,801 WITH THEIR OWN REFILTERING WATER SUPPLY -- 511 00:22:14,834 --> 00:22:18,070 GOOD FOR TWO YEARS OF UNDERGROUND LIVING, 512 00:22:18,104 --> 00:22:21,641 EVEN THOUGH I THINK WE'LL ONLY NEED ABOUT SIX MONTHS. 513 00:22:21,674 --> 00:22:25,478 IF YOU THINK THE AMERICAN PEOPLE ARE GONNA STAND BY AND WATCH 514 00:22:25,512 --> 00:22:28,415 WHILE THOUSANDS OF D.C. RESIDENTS GET SICK AND -- 515 00:22:28,448 --> 00:22:30,983 T-T-THOUSANDS? THOUSANDS? 516 00:22:31,017 --> 00:22:34,421 YOU -- YOU DON'T GET IT, MAN! IT'S -- IT'S IN THE WATER! 517 00:22:34,454 --> 00:22:36,723 ONCE IT'S IN THE CONDENSATION CYCLE, 518 00:22:36,756 --> 00:22:39,759 IT STARTS GETTING IN RAIN CLOUDS AND RAIN DROPS. 519 00:22:39,792 --> 00:22:40,793 RAIN -- IT KEEPS FALLING, MAN! 520 00:22:40,827 --> 00:22:44,397 IT'S NOT RAINING MEN, MAN, IT'S RAINING DEATH! 521 00:22:44,431 --> 00:22:46,499 IT'S RAINING DEATH, MAN! 522 00:22:46,533 --> 00:22:49,836 IN A COUPLE OF DAYS, BEING IN ONE OF THOSE BUNKERS 523 00:22:49,869 --> 00:22:52,472 WILL BE THE ONLY SAFE PLACE IN THE ENTIRE COUNTRY. 524 00:22:57,877 --> 00:22:59,679 I STILL NEED MORE PROOF. 525 00:22:59,712 --> 00:23:03,015 IT'S ALL IN THE FILE THAT MacALLEN TOOK -- THE RED FILE. 526 00:23:09,021 --> 00:23:12,925 THEY STOLE THAT FILE OFF OF HER BODY. 527 00:23:12,959 --> 00:23:15,562 YOU HAVE OTHER SOURCES. USE THEM. 528 00:23:15,595 --> 00:23:17,830 PROJECT IS CODE-NAMED DESTINY. 529 00:23:17,864 --> 00:23:19,966 IT'S UP TO YOU, HUNTER. 530 00:23:19,999 --> 00:23:21,834 IT'S UP TO YOU TO WARN THE AMERICAN PEOPLE. 531 00:23:21,868 --> 00:23:23,736 NOW GO HUNT FOR THE TRUTH! 532 00:23:28,575 --> 00:23:30,710 WE TOTALLY WENT TO THE MOON. 533 00:23:30,743 --> 00:23:32,879 MOVIE SETS. I'VE SEEN THEM. 534 00:23:32,912 --> 00:23:34,614 THEY'RE OUTSIDE OF ALBUQUERQUE. 535 00:23:34,647 --> 00:23:36,749 WHY WOULD THERE STILL BE SETS THERE? 536 00:23:36,783 --> 00:23:39,686 BECAUSE THEY'RE GONNA REUSE THEM FOR THE MARS MISSION -- 537 00:23:39,719 --> 00:23:40,887 REPAINT IT ALL RED. 538 00:23:42,254 --> 00:23:44,023 OH, PEPPERMINT! 539 00:23:44,056 --> 00:23:47,894 ARE YOU SURE IT'S COOL TO LET HER LOOSE? 540 00:23:47,927 --> 00:23:51,631 SHE HAS TO HAVE CORROBORATION FROM HER OWN SOURCES. 541 00:23:51,664 --> 00:23:53,966 SHE HAS TO CRAFT THE NARRATIVE. 542 00:23:54,000 --> 00:23:56,636 MONICA HUNTER HAS TO BE THE AUTHOR 543 00:23:56,669 --> 00:23:59,972 OF HER OWN PERSONAL NIGHTMARE. 544 00:24:00,006 --> 00:24:02,208 DO I SOUND THAT CREEPY WHEN I -- 545 00:24:02,241 --> 00:24:03,876 -HELL YES. -MM-HMM. 546 00:24:03,910 --> 00:24:05,478 -REALLY? -YOU DO. 547 00:24:05,512 --> 00:24:06,513 THE ONLY QUESTION 548 00:24:06,546 --> 00:24:09,682 IS WHETHER HARDISON GUESSED HER SOURCES RIGHT. 549 00:24:09,716 --> 00:24:11,851 -G-G-GUESS? GUESS? -WELL, YOU KNOW... 550 00:24:11,884 --> 00:24:13,886 WOMAN, MY NAME'S ALEC HARDISON. 551 00:24:13,920 --> 00:24:15,755 I DO NOT GUESS, OKAY? 552 00:24:15,788 --> 00:24:17,590 LOOK, JOURNALISTS -- THEY'RE LAZY. 553 00:24:17,624 --> 00:24:19,659 THEY ALWAYS GO BACK TO THE SAME SOURCES. 554 00:24:19,692 --> 00:24:22,028 I COMPARED MONICA HUNTER STORIES FOR THE LAST 10 YEARS 555 00:24:22,061 --> 00:24:25,765 AND CREATED A HEURISTIC MODEL BASED ON HER SOURCES. 556 00:24:25,798 --> 00:24:29,702 I FILTERED BY STORY TYPE, PRIORITY, AND EVIDENTIARY CHAIN. 557 00:24:29,736 --> 00:24:30,803 LOOK. 558 00:24:30,837 --> 00:24:34,907 SEX SCANDAL -- 87% CHANCE SHE GOES TO THESE SOURCES. 559 00:24:34,941 --> 00:24:36,876 SERIAL-KILLER SCARE -- 560 00:24:36,909 --> 00:24:39,846 90%, SHE CONTACTS THESE SOURCES FOR CONFIRMATION. 561 00:24:39,879 --> 00:24:43,516 GOVERNMENT SECRETS AND HEALTH SCARE INTERSECTS -- 562 00:24:43,550 --> 00:24:46,586 95% CHANCE SHE GOES TO THESE SOURCES. 563 00:24:46,619 --> 00:24:48,020 LOOK, LOOK. YOU -- 564 00:24:48,054 --> 00:24:50,489 RIGHT THERE, SHE'S E-MAILING THEM RIGHT NOW. LOOK. 565 00:24:52,959 --> 00:24:57,496 I...AM ANSWERING... FOR THEM. 566 00:25:05,638 --> 00:25:09,609 [ Dialing ] 567 00:25:09,642 --> 00:25:11,210 [ Ringing ] 568 00:25:11,243 --> 00:25:13,780 SEE, NOW ALL OF HER CELLPHONE CALLS TO THESE SOURCES 569 00:25:13,813 --> 00:25:15,815 GO STRAIGHT TO VOICE MAIL. 570 00:25:15,848 --> 00:25:17,216 LEAVING HER NO CHOICE BUT TO CONTACT 571 00:25:17,249 --> 00:25:21,921 THE ONE AND ONLY SOURCE THAT WE LET HER SPEAK TO. 572 00:25:21,954 --> 00:25:23,990 -YEAH, I CAN DO THAT. SURE. -IT'S A LOCK. 573 00:25:24,023 --> 00:25:25,692 CONGRESSMAN! 574 00:25:25,725 --> 00:25:28,027 AH, MONICA, MY FAVORITE JOURNALIST. 575 00:25:28,060 --> 00:25:29,596 WHAT CAN I DO FOR YOU? 576 00:25:29,629 --> 00:25:32,098 -I NEED YOU TO TELL ME THE TRUTH... -OF COURSE. 577 00:25:32,131 --> 00:25:34,166 ...ABOUT DESTINY. 578 00:25:36,869 --> 00:25:39,071 NOW, HERE ON THE MAIN STAGE, 579 00:25:39,105 --> 00:25:42,609 LET'S GIVE IT UP FOR DESTINY. 580 00:25:42,642 --> 00:25:44,811 I BOUGHT YOU A CAR, BABY! 581 00:25:44,844 --> 00:25:46,312 THANK YOU, BABY. 582 00:25:46,345 --> 00:25:47,546 OOH! 583 00:25:48,781 --> 00:25:51,784 GIVE ME THAT! WHO TOLD YOU ABOUT DESTINY? 584 00:25:51,818 --> 00:25:53,085 YOU CAN'T TELL ANYONE! 585 00:25:53,119 --> 00:25:55,922 THAT WOULD BE THE END -- THE END OF EVERYTHING! 586 00:25:57,289 --> 00:25:58,324 IT'S TRUE. 587 00:25:59,692 --> 00:26:01,060 OH. 588 00:26:03,162 --> 00:26:05,064 [ INDISTINCT CONVERSATIONS ] 589 00:26:07,133 --> 00:26:08,601 [ BREATHING HEAVILY ] 590 00:26:20,212 --> 00:26:21,213 OH... 591 00:26:21,247 --> 00:26:22,982 [ WHIMPERS ] 592 00:26:25,251 --> 00:26:26,619 NO. 593 00:26:36,829 --> 00:26:39,632 MONICA, WE'RE SHOOTING PROMOS. GET MADE UP. 594 00:26:39,666 --> 00:26:41,634 [ GASPS ] 595 00:26:41,668 --> 00:26:43,035 MONICA. 596 00:26:43,069 --> 00:26:44,336 NO, IT'S EVERYWHERE. 597 00:26:44,370 --> 00:26:46,172 IT REALLY IS EVERYWHERE. 598 00:26:47,674 --> 00:26:49,308 THIS IS THE STUDIO SECURITY FOOTAGE 599 00:26:49,341 --> 00:26:50,877 FROM THREE HOURS AGO. 600 00:26:50,910 --> 00:26:53,880 NOW, THAT'S WHAT I CALL CONTROL. 601 00:26:53,913 --> 00:26:56,248 YEAH, WE MIGHT'VE PUSHED TOO HARD. 602 00:26:56,282 --> 00:26:58,250 -PLEASE. [ KNOCKING ON DOOR ] 603 00:26:58,284 --> 00:27:01,921 IT'S ME -- MONICA HUNTER. 604 00:27:01,954 --> 00:27:03,322 ARE YOU THERE? 605 00:27:04,223 --> 00:27:06,225 LET ME IN! 606 00:27:07,960 --> 00:27:09,195 OH, THANK GOD. 607 00:27:09,228 --> 00:27:11,731 YOU'RE THE ONLY ONE I CAN TRUST TO HELP ME GET THIS FOOTAGE. 608 00:27:11,764 --> 00:27:13,199 FO-- SOME FOOTAGE, MAN? 609 00:27:13,232 --> 00:27:15,434 I NEED YOU TO TAKE ME TO ONE OF THE BUNKERS, NOW. 610 00:27:15,467 --> 00:27:17,804 WE NEED VIDEO PROOF. WE ARE GONNA BLOW THIS WIDE OPEN. 611 00:27:17,837 --> 00:27:18,838 ALL RIGHT, I'M -- 612 00:27:18,871 --> 00:27:20,372 COME ON, LET'S GO! 613 00:27:23,309 --> 00:27:24,677 TOO MUCH. 614 00:27:24,711 --> 00:27:26,045 LITTLE BIT. 615 00:27:39,926 --> 00:27:41,828 HERE? 616 00:27:41,861 --> 00:27:43,362 HOLD -- HOLD -- HOLD -- HOLD ON, HOLD -- HOLD ON. 617 00:27:43,395 --> 00:27:45,131 HOLD ON. 618 00:27:45,164 --> 00:27:46,432 H-Hold on. Hold on a second. 619 00:27:53,740 --> 00:27:56,776 OKAY, ALL RIGHT, YOUR SATELLITE PHOTOS 620 00:27:56,809 --> 00:27:58,711 HAVE SOMETHING THAT WILL PASS AS A BUNKER 621 00:27:58,745 --> 00:28:01,914 AT THE ARMY RESERVE BASE. 622 00:28:01,948 --> 00:28:05,184 I'M RIGHT BEHIND YOU. 623 00:28:05,217 --> 00:28:06,753 [ TIRES SCREECH ] 624 00:28:06,786 --> 00:28:08,420 But there's nothing in there but tank parts. 625 00:28:08,454 --> 00:28:10,356 JUST GET THE FOOTAGE AND RUN. 626 00:28:10,389 --> 00:28:11,791 And Nate's right behind you. 627 00:28:11,824 --> 00:28:14,426 He's gonna pick you up and do the blow-off. 628 00:28:14,460 --> 00:28:16,162 OKAY. 629 00:28:27,406 --> 00:28:29,175 WELL, THERE YOU GO. 630 00:28:36,916 --> 00:28:39,318 WE'RE NOT CLOSE ENOUGH. 631 00:28:39,351 --> 00:28:40,853 SHOOT ME. 632 00:28:43,790 --> 00:28:46,358 THIS IS MONICA HUNTER, COMING TO YOU 633 00:28:46,392 --> 00:28:51,130 FROM A SECRET MILITARY BASE JUST OUTSIDE OF WASHINGTON, D.C., 634 00:28:51,163 --> 00:28:54,967 WITH THE MOST SHOCKING "HUNT FOR THE TRUTH" EVER. 635 00:29:02,208 --> 00:29:03,509 YOU -- 636 00:29:04,443 --> 00:29:06,078 UGH! OH! 637 00:29:06,112 --> 00:29:07,546 SERGEANT! 638 00:29:07,579 --> 00:29:09,849 SIR, YES, SIR! 639 00:29:15,554 --> 00:29:17,790 HEY! GET OFF OF THE FENCE! 640 00:29:17,824 --> 00:29:19,325 HEY, HARDISON, HARDISON. WHAT'S -- 641 00:29:19,358 --> 00:29:22,128 [ INDISTINCT SHOUTING ] 642 00:29:22,161 --> 00:29:23,429 ON YOUR FEET! 643 00:29:23,462 --> 00:29:25,531 THIS IS U.S. ARMY! DON'T MOVE! 644 00:29:25,564 --> 00:29:28,968 DROP THE CAMERA! HANDS IN THE AIR NOW! 645 00:29:29,001 --> 00:29:30,202 [ GUNS COCK ] 646 00:29:31,537 --> 00:29:34,073 GLASS HALF FULL -- 647 00:29:34,106 --> 00:29:36,775 SHE REALLY BUYS THE BUNKER STORY. 648 00:29:43,549 --> 00:29:45,952 LISTEN, YOU DON'T HAVE TO PRETEND WITH ME. 649 00:29:45,985 --> 00:29:47,353 I KNOW. 650 00:29:47,386 --> 00:29:49,922 I KNOW ABOUT THE BUNKERS. 651 00:29:49,956 --> 00:29:52,458 MA'AM, THERE ARE NO BUNKERS. 652 00:29:52,491 --> 00:29:54,894 I KNOW YOU HAVE TO SAY THAT. 653 00:29:54,927 --> 00:29:56,896 UH-HUH. 654 00:29:56,929 --> 00:29:58,831 A-ALL THIS -- THIS IS AN ARMY BASE? 655 00:29:58,865 --> 00:30:01,133 WHAT DID YOU THINK IT WAS? 656 00:30:01,167 --> 00:30:03,302 I -- I DON'T KNOW. 657 00:30:03,335 --> 00:30:05,905 I DON'T KNOW THAT WHITE WOMAN. I MET HER AT A BAR. 658 00:30:05,938 --> 00:30:07,606 SHE SAID WE WAS GOING BACK TO HER PLACE. 659 00:30:07,639 --> 00:30:09,375 I THOUGHT IT WAS A GATED COMMUNITY. 660 00:30:09,408 --> 00:30:11,543 AND THE VIDEO CAMERA? 661 00:30:11,577 --> 00:30:14,046 S-SHE A FREAK, MAN. 662 00:30:20,052 --> 00:30:21,120 HOLD ON. 663 00:30:25,557 --> 00:30:27,426 GET ME OUT OF HERE. 664 00:30:27,459 --> 00:30:29,128 -YEAH, I-I'M WORKING ON IT. -I'M ON IT. 665 00:30:29,161 --> 00:30:30,496 NO, NO, NO, NO, NO! 666 00:30:30,529 --> 00:30:31,630 YOU CANNOT GO. YOU'RE DEAD. 667 00:30:31,663 --> 00:30:34,200 MONICA HUNTER SEES YOU, AND THE WHOLE CON IS BLOWN. 668 00:30:34,233 --> 00:30:35,567 RIGHT. 669 00:30:35,601 --> 00:30:36,802 DAMN THE CON. 670 00:30:36,835 --> 00:30:39,972 I'M A BLACK MAN CAUGHT ON AN ARMY BASE WITH A VIDEO CAMERA. 671 00:30:40,006 --> 00:30:42,474 I AM GOING TO JAIL FOREVER. 672 00:30:42,508 --> 00:30:45,244 YEAH, LOOK, NATE'S THE ONLY ONE CLOSE ENOUGH TO GET YOU. 673 00:30:45,277 --> 00:30:46,645 YEAH, BUT NATE'S FIVE MINUTES AWAY 674 00:30:46,678 --> 00:30:47,779 AND STILL TRYING TO FIGURE OUT 675 00:30:47,813 --> 00:30:50,149 HOW HE'S GOING TO WALK TWO PRISONERS OFF AN ARMY BASE 676 00:30:50,182 --> 00:30:52,351 USING AN I.D. THAT'S ALREADY BEEN REPORTED STOLEN. 677 00:30:52,384 --> 00:30:54,520 NO, GUYS, WE'RE GONNA HAVE TO STALL. 678 00:30:54,553 --> 00:30:55,922 S-STALL? 679 00:30:55,955 --> 00:30:57,890 JUST, UH, LET ME KNOW IF YOU THINK... 680 00:30:57,924 --> 00:31:01,894 ELIOT, GET ME EVERYTHING YOU CAN ON A LIEUTENANT ABBOT. 681 00:31:01,928 --> 00:31:04,530 Just -- Just do -- do -- do what I taught you. 682 00:31:04,563 --> 00:31:08,434 THE "HTTP" THING COMES BEFORE THE "WWW.," RIGHT? 683 00:31:08,467 --> 00:31:09,535 ELIOT! 684 00:31:09,568 --> 00:31:12,338 -AND WHICH ONE'S THE FORWARD SLASH? -OH, COME ON. 685 00:31:12,371 --> 00:31:14,440 IT AIN'T THE TIME, ELIOT. IT AIN'T -- IT AIN'T THE TIME. 686 00:31:14,473 --> 00:31:15,407 YOU SEE, IT'S NOT THAT MUCH FUN 687 00:31:15,441 --> 00:31:16,642 WHEN YOU'RE HANGING OUT THERE IN THE WIND 688 00:31:16,675 --> 00:31:19,045 AND THERE'S A DUDE BEHIND A LAPTOP CRACKING JOKES, IS THERE? 689 00:31:19,078 --> 00:31:22,381 I LIKE IT WHEN WE SWITCH JOBS. IT'S EXCITING. 690 00:31:24,183 --> 00:31:26,318 OKAY. 691 00:31:26,352 --> 00:31:28,587 LET'S PRETEND THERE AREN'T ANY BUNKERS. 692 00:31:28,620 --> 00:31:29,688 THERE AREN'T ANY BUNKERS. 693 00:31:29,721 --> 00:31:31,423 YOU'RE A HORRIBLE LIAR. 694 00:31:33,125 --> 00:31:35,594 IN THESE BUNKERS THAT DON'T EXIST, 695 00:31:35,627 --> 00:31:37,363 THERE'S GOING TO BE PANIC. 696 00:31:37,396 --> 00:31:39,098 WHO'S PANICKING? 697 00:31:39,131 --> 00:31:41,000 THE SPECIAL PEOPLE. 698 00:31:42,234 --> 00:31:44,603 AND YOU KNOW WHAT YOU COULD USE? 699 00:31:44,636 --> 00:31:48,107 A FAMILIAR FACE FROM THE MEDIA, 700 00:31:48,140 --> 00:31:51,143 A FACE THAT THEY TRUST. 701 00:31:53,679 --> 00:31:55,914 That's everything on this guy. 702 00:31:59,151 --> 00:32:02,588 SIR, I NEED TO KNOW WHY YOU'RE ON THIS BASE. 703 00:32:04,590 --> 00:32:07,726 YES. WHY AM I ON THIS BASE? 704 00:32:07,759 --> 00:32:10,262 -I'M ASKING YOU. -NO, I'M ASKING YOU. 705 00:32:10,296 --> 00:32:11,998 WHY AM I ON THIS BASE? 706 00:32:12,031 --> 00:32:13,465 WHY AM I IN THIS ROOM? 707 00:32:13,499 --> 00:32:15,034 SO I CAN ASK YOU QUESTIONS. 708 00:32:15,067 --> 00:32:17,269 WELL, MAYBE IT'S SO I CAN ASK YOU QUESTIONS, 709 00:32:17,303 --> 00:32:22,041 LIEUTENANT KYLE ABBOT, SOCIAL SECURITY 823-24-6270. 710 00:32:22,074 --> 00:32:23,709 I DON'T KNOW WHAT YOU'RE UP TO -- 711 00:32:23,742 --> 00:32:25,277 MAYBE YOU'RE NOT CLEARED TO KNOW. 712 00:32:25,311 --> 00:32:27,146 TWO DISCIPLINARY ACTIONS? 713 00:32:27,179 --> 00:32:30,082 THAT ONE IN GERMANY -- TSK, TSK, TSK, TSK, TSK. 714 00:32:30,116 --> 00:32:32,318 MAYBE YOU'RE JUST TOO MUCH OF A SECURITY RISK. 715 00:32:34,386 --> 00:32:35,954 DID I SAY YOU COULD LEAVE? 716 00:32:38,090 --> 00:32:40,592 [ CLEARS THROAT ] 717 00:32:43,129 --> 00:32:44,396 NOT GONNA WORK. 718 00:32:44,430 --> 00:32:46,165 It's all in the salute, man. 719 00:32:46,198 --> 00:32:47,433 JUST WORK THE STARS AND BARS. 720 00:32:47,466 --> 00:32:49,735 NOBODY WANTS TO LOOK A GENERAL IN THE EYE. 721 00:32:49,768 --> 00:32:52,071 GOOD FORM, SOLDIER. AS YOU WERE. 722 00:32:52,104 --> 00:32:53,205 CLEAR. 723 00:33:06,218 --> 00:33:09,321 [ INDISTINCT SHOUTING ] 724 00:33:09,355 --> 00:33:10,489 SIR. 725 00:33:19,731 --> 00:33:22,634 SIR, MINE IS FREAKING ME RIGHT OUT, SIR. 726 00:33:22,668 --> 00:33:24,370 MINE APPEARS TO BE INSANE. 727 00:33:24,403 --> 00:33:27,706 NO, NOT INSANE -- JUST A REPORTER. 728 00:33:27,739 --> 00:33:30,276 WELL, CONGRATULATIONS, GENTLEMEN. 729 00:33:30,309 --> 00:33:33,179 THIS BASE HAS PASSED WITH, UH, FLYING COLORS. 730 00:33:33,212 --> 00:33:34,813 WELL DONE. 731 00:33:34,846 --> 00:33:37,383 PASSED WHAT, SIR? 732 00:33:37,416 --> 00:33:40,319 HAVE YOU NOT BEEN BRIEFED? YOU WERE SUPPOSED TO BE BRIEFED. 733 00:33:40,352 --> 00:33:42,121 THE DEPARTMENT OF DEFENSE 734 00:33:42,154 --> 00:33:45,191 HAS DECIDED TO REASSURE THE AMERICAN PEOPLE 735 00:33:45,224 --> 00:33:48,127 ABOUT THE SAFETY OF THEIR MILITARY BASES, 736 00:33:48,160 --> 00:33:50,229 SO WE'VE AGREED TO COOPERATE WITH THE NETWORK 737 00:33:50,262 --> 00:33:52,264 AND MAKE A TELEVISION SPECIAL -- 738 00:33:52,298 --> 00:33:55,667 YOU KNOW, TO SHOW OFF JUST HOW EFFECTIVE OUR SECURITY IS. 739 00:33:55,701 --> 00:33:58,404 THEY WERE PRETTY EASY TO CATCH, SIR. 740 00:33:58,437 --> 00:33:59,638 WELL, FOR YOU. 741 00:33:59,671 --> 00:34:01,507 BUT AT CAMP MUNROE IN IDAHO, 742 00:34:01,540 --> 00:34:04,110 THOSE TWO WERE SIGNING THEIR NAME ON NUKES 743 00:34:04,143 --> 00:34:05,411 WITH SHINY SILVER PENS. 744 00:34:05,444 --> 00:34:06,612 [ CHUCKLES ] 745 00:34:06,645 --> 00:34:09,248 TURN THEM LOOSE NOW, AND I'LL GET THEM OUT OF YOUR HAIR. 746 00:34:09,281 --> 00:34:11,150 OF COURSE, SIR. 747 00:34:12,318 --> 00:34:13,652 YOU'RE FREE TO GO, MA'AM. 748 00:34:16,722 --> 00:34:19,725 ALL RIGHT, LET'S GO. 749 00:34:19,758 --> 00:34:22,394 SORRY TO WASTE YOUR TIME, GENTLEMEN. 750 00:34:22,428 --> 00:34:24,496 ALL RIGHT, WELL DONE, MEN. 751 00:34:24,530 --> 00:34:28,267 LIEUTENANT, YOU CATCH A FULL NAME ON THAT I.D.? 752 00:34:28,300 --> 00:34:30,102 GENERAL CHESLER, SIR? 753 00:34:30,136 --> 00:34:32,404 THAT IS NOT GENERAL CHESLER. 754 00:34:32,438 --> 00:34:33,805 ALL RIGHT, FIND OUT WHO THEY ARE! 755 00:34:33,839 --> 00:34:36,242 DON'T LET ANYONE OFF THE BASE! 756 00:34:37,376 --> 00:34:39,478 OH, TRIMETHYLXANTHINE. THANK YOU. 757 00:34:39,511 --> 00:34:41,180 IT JUST SLOWS DOWN THE EFFECT OF THE TOXIN 758 00:34:41,213 --> 00:34:43,149 HOPEFULLY LONG ENOUGH FOR YOU TO GET THE TRUTH OUT. 759 00:34:43,182 --> 00:34:45,117 -HOW DID YOU FIND US? -ARE YOU KIDDING ME? 760 00:34:45,151 --> 00:34:47,453 A FAMOUS REPORTER SHOWS UP AT ONE OF THE BUNKERS, 761 00:34:47,486 --> 00:34:48,720 SETS OFF ALARMS ALL OVER THE CITY. 762 00:34:48,754 --> 00:34:51,123 YEAH, WE'RE GONNA BE LUCKY IF WE GET OUT OF HERE IN ONE PIECE, 763 00:34:51,157 --> 00:34:52,191 I'LL TELL YOU THAT. 764 00:34:52,224 --> 00:34:53,325 -WE'LL SPLIT UP. -NO. 765 00:34:53,359 --> 00:34:54,693 YES, YOUR CAR IS STILL PARKED OUT OVER BY THE FENCE. 766 00:34:54,726 --> 00:34:57,329 WADE, YOU PICK IT UP, AND WE'LL MEET YOU BACK AT THE APARTMENT. 767 00:34:57,363 --> 00:34:59,631 WE'LL GATHER THE EVIDENCE, AND WE'LL MEET AT THE STUDIO. 768 00:35:00,399 --> 00:35:02,868 HEY! STOP RIGHT THERE. 769 00:35:02,901 --> 00:35:04,403 YOU WERE RIGHT. 770 00:35:04,436 --> 00:35:06,372 -LET'S GO! -NO! HOLD IT! 771 00:35:07,573 --> 00:35:09,575 STOP! NO! SERGEANT! 772 00:35:09,608 --> 00:35:10,609 YES, SIR! 773 00:35:10,642 --> 00:35:12,611 STOP THAT CAR! STOP IT! 774 00:35:13,912 --> 00:35:15,347 STOP THAT VEHICLE! 775 00:35:15,381 --> 00:35:16,815 HEY! HEY! 776 00:35:19,751 --> 00:35:21,787 [ INDISTINCT SHOUTING ] 777 00:35:25,724 --> 00:35:28,527 SIR, THE ONLY I.D. THAT CHECKED OUT WAS THE WOMAN -- 778 00:35:28,560 --> 00:35:30,596 MONICA HUNTER. 779 00:35:30,629 --> 00:35:32,398 "HUNT FOR THE TRUTH"? 780 00:35:32,431 --> 00:35:34,433 I THOUGHT SHE LOOKED FAMILIAR. 781 00:35:34,466 --> 00:35:35,734 CALL THE POLICE. 782 00:35:39,905 --> 00:35:41,773 I'VE GOT THE FOOTAGE OF THE SHELTERS 783 00:35:41,807 --> 00:35:43,875 AND THE TESTIMONY OF A THREE-STAR GENERAL. 784 00:35:43,909 --> 00:35:46,512 THEY CAN'T CONTINUE THE PROGRAM WITH THIS KIND OF EXPOSURE. 785 00:35:46,545 --> 00:35:47,946 WE'RE GONNA GRAB THE SATELLITE PHOTOS, 786 00:35:47,979 --> 00:35:49,448 GO DOWN, AND PUT YOU ON THE AIR. 787 00:35:49,481 --> 00:35:50,349 I AM GOING TO MAKE THEM PAY 788 00:35:50,382 --> 00:35:51,950 FOR KEEPING ME OUT OF THOSE BUNKERS... 789 00:35:51,983 --> 00:35:53,252 YEAH. 790 00:35:53,285 --> 00:35:54,486 -...AND LYING... -YEAH. 791 00:35:54,520 --> 00:35:56,922 -...AND INJUSTICE. -YEAH. 792 00:35:58,524 --> 00:36:00,792 [ GASPS ] 793 00:36:01,893 --> 00:36:03,862 WHERE DID IT GO? 794 00:36:03,895 --> 00:36:05,931 THE PHOTOS! 795 00:36:05,964 --> 00:36:08,634 THE MAPS! 796 00:36:08,667 --> 00:36:10,369 WHERE'S WADE PERKINS? 797 00:36:12,271 --> 00:36:14,306 THANK GOD, THE RED FILE! 798 00:36:14,340 --> 00:36:15,374 [ GASPS ] 799 00:36:17,476 --> 00:36:19,211 PARDON ME. 800 00:36:19,245 --> 00:36:20,712 I WAS JUST CLEANING UP. 801 00:36:20,746 --> 00:36:23,249 WE HUNT FOR THE TRUTH... 802 00:36:23,282 --> 00:36:25,917 THROUGH MANY DARK PLACES. 803 00:36:25,951 --> 00:36:29,588 I AM A PATRIOT, MISS HUNTER. 804 00:36:29,621 --> 00:36:30,656 I'M SORRY. 805 00:36:30,689 --> 00:36:31,890 EARL? 806 00:36:31,923 --> 00:36:33,859 UGH! AAH! 807 00:36:33,892 --> 00:36:35,427 [ GROANING ] 808 00:36:37,296 --> 00:36:38,664 [ DOOR OPENS, CLOSES ] 809 00:36:38,697 --> 00:36:41,667 [ CHUCKLES ] 810 00:36:41,700 --> 00:36:43,535 GOOD THINGS PARKER SWITCHED THAT WITH WATER. 811 00:36:43,569 --> 00:36:45,571 DIDN'T -- DIDN'T SWITCH. OH! 812 00:36:45,604 --> 00:36:47,673 [ BOTH COUGHING ] 813 00:36:47,706 --> 00:36:48,940 EARNINGS REPORTS CONTINUE TO COME IN, 814 00:36:48,974 --> 00:36:51,943 AND AS EXPECTED, SEVERAL MAJOR PLAYERS ARE FACING SOME... 815 00:36:51,977 --> 00:36:54,580 I'VE GOT TO GET ON THE AIR, NOW. 816 00:36:54,613 --> 00:36:56,382 Are you drunk? 817 00:36:56,415 --> 00:36:59,485 STEVE, LISTEN VERY CAREFULLY. 818 00:36:59,518 --> 00:37:00,586 YOU'VE GOT TO PATCH ME IN 819 00:37:00,619 --> 00:37:02,688 TO THE EMERGENCY-BROADCAST SYSTEM. 820 00:37:02,721 --> 00:37:05,891 I'VE GOT TO GO ON THE AIR LIVE NOW, 821 00:37:05,924 --> 00:37:07,793 BEFORE THEY COME FOR ME. 822 00:37:07,826 --> 00:37:09,428 THEY WHAT? 823 00:37:09,461 --> 00:37:11,830 MONICA, WE'RE IN THE MIDDLE OF THE STOCK REPORT. 824 00:37:12,898 --> 00:37:16,268 FINE. I'LL DO IT MYSELF. 825 00:37:16,302 --> 00:37:18,370 ...THAT THOSE FIGURES DO COMPARE FAVORABLY 826 00:37:18,404 --> 00:37:20,472 WITH FIRST-QUARTER PRODUCTIVITY, 827 00:37:20,506 --> 00:37:22,408 THOUGH CONFOUNDING EXPECTATIONS OF LABOR COSTS... 828 00:37:22,441 --> 00:37:23,542 GET OUT! 829 00:37:27,579 --> 00:37:29,548 WE HAVE BREAKING NEWS. 830 00:37:29,581 --> 00:37:33,385 AND NOW, MONICA HUNTER WITH SOME BREAKING NEWS. 831 00:37:33,419 --> 00:37:35,987 MONICA, WHAT ARE YOU DOING? 832 00:37:36,021 --> 00:37:37,889 SAVING YOUR LIFE, STEVE. 833 00:37:37,923 --> 00:37:39,024 [ SIGHS ] 834 00:37:39,057 --> 00:37:43,695 THIS IS A VERY SPECIAL EDITION OF "HUNT FOR THE TRUTH." 835 00:37:43,729 --> 00:37:47,299 MY FRIENDS, I HAVE BROUGHT YOU STORIES BEFORE 836 00:37:47,333 --> 00:37:51,036 OF INJUSTICES, OF DANGERS LURKING ALL AROUND US, 837 00:37:51,069 --> 00:37:55,941 BUT TONIGHT, MY FRIENDS, THE ENEMY IS EVERYWHERE. 838 00:38:01,046 --> 00:38:03,815 MY FRIENDS, THIS IS THE ENEMY. 839 00:38:03,849 --> 00:38:06,385 OUR WATER HAS BEEN POISONED. 840 00:38:06,418 --> 00:38:07,486 [ INDISTINCT MURMURING ] 841 00:38:07,519 --> 00:38:08,754 DO NOT DRINK IT. 842 00:38:08,787 --> 00:38:10,656 DON'T EVEN LOOK AT IT. 843 00:38:10,689 --> 00:38:12,624 -DON'T LET IT TOUCH YOUR SKIN. -HAS SHE LOST HER MIND? 844 00:38:12,658 --> 00:38:14,926 WHERE IS SHE GETTING THIS?! 845 00:38:14,960 --> 00:38:17,329 MY FRIENDS, WHILE WE ARE OUT HERE DYING, 846 00:38:17,363 --> 00:38:20,332 OUR GOVERNMENT HAS SECURED THE SO-CALLED ELITES 847 00:38:20,366 --> 00:38:22,834 IN SECRET UNDERGROUND BUNKERS 848 00:38:22,868 --> 00:38:25,937 TO PROTECT THEM FROM THIS POISON OUTBREAK. 849 00:38:25,971 --> 00:38:29,741 EVEN NOW, THESE PRIVILEGED FEW 850 00:38:29,775 --> 00:38:31,643 ARE HIDING UNDERGROUND 851 00:38:31,677 --> 00:38:33,412 WHILE WE ARE OUT HERE... 852 00:38:33,445 --> 00:38:36,081 WHAT THE HELL IS THAT FOOTAGE?! 853 00:38:36,114 --> 00:38:38,550 WHY CAN'T YOU TURN IT OFF? 854 00:38:38,584 --> 00:38:39,951 [ CHUCKLES ] 855 00:38:39,985 --> 00:38:42,354 DO NOT ADJUST YOUR SETS. 856 00:38:42,388 --> 00:38:45,657 I CONTROL THE HORIZONTAL. I CONTROL THE VERTICAL. 857 00:38:45,691 --> 00:38:47,659 THE WATER IS POISONED. 858 00:38:47,693 --> 00:38:49,395 WHAT'S THAT TYPING?! WHO'S TYPING THIS?! 859 00:38:49,428 --> 00:38:51,363 HEY, YOU! FIND OUT WHO'S DOING THIS! 860 00:38:51,397 --> 00:38:53,031 AND I HAVE THE PROOF. 861 00:38:53,064 --> 00:38:54,600 I HAVE THE PROOF RIGHT HERE. 862 00:38:55,967 --> 00:38:57,503 [ GASPS ] 863 00:38:57,536 --> 00:38:58,837 WHAT? 864 00:38:58,870 --> 00:39:00,406 NO. 865 00:39:00,439 --> 00:39:02,541 WHAT? 866 00:39:02,574 --> 00:39:04,643 NO! 867 00:39:04,676 --> 00:39:06,978 NO! NO! NO! 868 00:39:07,012 --> 00:39:09,047 SEE, THEY WANT TO KILL ME BECAUSE I KNOW THE TRUTH. 869 00:39:09,080 --> 00:39:10,816 NO! 870 00:39:10,849 --> 00:39:12,384 NO! 871 00:39:12,418 --> 00:39:14,152 NO! AAH! 872 00:39:14,185 --> 00:39:16,354 NO!! 873 00:39:18,790 --> 00:39:21,126 THESE ARE -- ARE YOU ON ANTIPSYCHOTICS? 874 00:39:21,159 --> 00:39:25,564 NO, THEY'RE ANTIVIRALS FOR THE WATER. 875 00:39:25,597 --> 00:39:26,798 GIVE THEM TO ME! 876 00:39:28,567 --> 00:39:31,069 LET GO! LET GO! 877 00:39:31,102 --> 00:39:33,071 -Go, go! -[ GROANING ] 878 00:39:33,104 --> 00:39:34,740 NO! 879 00:39:36,508 --> 00:39:39,545 THIS IS BREAKING NEWS RIGHT HERE IN OUR OWN STUDIOS AT BNI. 880 00:39:39,578 --> 00:39:41,647 MONICA HUNTER IS BEING TAKEN INTO CUSTODY... 881 00:39:41,680 --> 00:39:43,415 I'M MONICA FRICKIN' HUNTER! 882 00:39:43,449 --> 00:39:45,717 ...AFTER SUFFERING WHAT APPEARS TO BE 883 00:39:45,751 --> 00:39:48,920 A PSYCHOTIC BREAK LIVE ON AIR. 884 00:39:48,954 --> 00:39:51,457 WELL, SEEING THIS PUBLIC MELTDOWN, 885 00:39:51,490 --> 00:39:52,858 WHAT ARE YOUR THOUGHTS 886 00:39:52,891 --> 00:39:55,627 ABOUT MONICA HUNTER'S FALL FROM GRACE? 887 00:39:55,661 --> 00:39:58,864 I'M JUST GLAD THAT PEOPLE FINALLY KNOW THE TRUTH, 888 00:39:58,897 --> 00:40:03,168 AND I'M REALLY GLAD TO HAVE MY GOOD NAME BACK. 889 00:40:03,201 --> 00:40:04,703 THANK YOU, RAY. 890 00:40:04,736 --> 00:40:06,772 FOR NOW, WE CAN ONLY POSE THE QUESTION, 891 00:40:06,805 --> 00:40:10,742 HOW MANY OTHER GOOD PEOPLE DID MONICA HUNTER DESTROY? 892 00:40:10,776 --> 00:40:12,878 SEE, RAY WAS JUST THE BEGINNING. 893 00:40:12,911 --> 00:40:14,813 I'M TELLING YOU, EVERY PERSON THAT HUNTER SLANDERED 894 00:40:14,846 --> 00:40:15,981 IS GONNA GET A SECOND CHANCE. 895 00:40:16,014 --> 00:40:17,683 LOCH NESS MONSTER? 896 00:40:17,716 --> 00:40:18,717 LOCH NESS SUBMARINE. 897 00:40:18,750 --> 00:40:19,951 NO! 898 00:40:19,985 --> 00:40:21,753 SCOTTISH WATERS ARE COLD AND DEEP. 899 00:40:21,787 --> 00:40:23,121 IT'S THE PERFECT PLACE TO TEST. 900 00:40:23,154 --> 00:40:24,656 AREA 51? 901 00:40:24,690 --> 00:40:26,191 -TRUE. -FALSE. 902 00:40:26,224 --> 00:40:27,759 -THAT'S TRUE. -FALSE. 903 00:40:27,793 --> 00:40:29,528 NO, SHE SAID AREA 51 -- 51. 904 00:40:29,561 --> 00:40:32,698 I'M SORRY, FALSE -- AREA 52. 905 00:40:32,731 --> 00:40:34,600 -BEEN THERE. -YEAH. 906 00:40:37,503 --> 00:40:39,671 HEY. 907 00:40:39,705 --> 00:40:41,707 [ SIGHS ] 908 00:40:41,740 --> 00:40:44,910 COME ON. YOU HAD A LITTLE BIT OF FUN, RIGHT? 909 00:40:44,943 --> 00:40:47,045 [ SIGHS ] 910 00:40:47,078 --> 00:40:48,880 I MEAN, IT'S ALWAYS FUN. 911 00:40:48,914 --> 00:40:51,517 I JUST -- 912 00:40:51,550 --> 00:40:53,151 NO, IT DIDN'T REALLY HIT THE SPOT. 913 00:40:53,184 --> 00:40:55,787 I-I THOUGHT IT WOULD BE REALLY COOL, 914 00:40:55,821 --> 00:40:59,658 YOU KNOW, SWITCHING ROLES, BUT...NO. 915 00:40:59,691 --> 00:41:01,660 I'M A GRIFTER... 916 00:41:01,693 --> 00:41:03,695 FOR BETTER OR WORSE. 917 00:41:05,964 --> 00:41:08,834 YOU'RE SEARCHING FOR SOMETHING. 918 00:41:08,867 --> 00:41:10,201 NATE, I... 919 00:41:10,235 --> 00:41:12,871 [ SIGHS ] 920 00:41:12,904 --> 00:41:15,507 OH, I FEEL LIKE SUCH AN IDIOT, BUT... 921 00:41:18,710 --> 00:41:20,979 ...I FEEL A LITTLE BIT LOST RIGHT NOW. 922 00:41:25,751 --> 00:41:27,686 JUST TAKE YOUR TIME. 923 00:41:27,719 --> 00:41:29,120 TRUST ME. 924 00:41:29,154 --> 00:41:30,856 [ CHUCKLES ] 925 00:41:30,889 --> 00:41:33,825 THE IRONY OF THAT. 926 00:41:33,859 --> 00:41:37,195 RIGHT. TRUST ME... 927 00:41:37,228 --> 00:41:40,632 'CAUSE WHATEVER YOU NEED, I'M HERE FOR YOU. 928 00:41:40,666 --> 00:41:44,235 LISTEN, YOU CARRIED MY DRUNK ASS FOR OVER A YEAR. 929 00:41:47,138 --> 00:41:50,609 YOU DESERVE SOME OF THE SAME LATITUDE. 930 00:41:52,978 --> 00:41:55,547 YOU MAKE A GOOD POINT. 931 00:41:55,581 --> 00:42:00,251 NOW, HERE IS WHERE YOU SAY... 932 00:42:00,285 --> 00:42:01,853 SOMETHING NICE ABOUT ME. 933 00:42:01,887 --> 00:42:05,023 [ CHUCKLES ] 934 00:42:05,056 --> 00:42:07,659 DON'T RUIN THE MOMENT.