1
00:00:02,103 --> 00:00:05,673
Ezra: MY SISTER AND I BEGAN
THE RECLAMATION PROJECT

2
00:00:05,706 --> 00:00:07,208
40 YEARS AGO.

3
00:00:07,241 --> 00:00:11,279
WE RECOVER ART LOOTED
FROM NAZI-OCCUPIED COUNTRIES

4
00:00:11,312 --> 00:00:12,213
DURING THE SHOAH.

5
00:00:12,246 --> 00:00:14,415
Olivia: THERE IS ONE PIECE
IN PARTICULAR

6
00:00:14,448 --> 00:00:17,418
THAT WE HAVE BEEN TRYING TO
RECOVER FOR SOME TIME.

7
00:00:19,653 --> 00:00:21,489
IT'S A GUSTAV KLIMT.

8
00:00:25,626 --> 00:00:27,195
[ SIGHS ]

9
00:00:27,228 --> 00:00:29,163
I LOVE THE SYMBOLISTS.

10
00:00:29,197 --> 00:00:32,066
IT BELONGED TO MY FATHER.

11
00:00:32,100 --> 00:00:35,569
HE SMUGGLED IT OUT
JUST BEFORE...

12
00:00:37,605 --> 00:00:40,808
THE PAINTING
MADE IT OUT OF EUROPE.

13
00:00:40,841 --> 00:00:43,344
HE DID NOT.

14
00:00:43,377 --> 00:00:46,480
MR. FORD, I HAVE SEARCHED

15
00:00:46,514 --> 00:00:49,850
MY ENTIRE LIFE
FOR THAT PAINTING.

16
00:00:49,883 --> 00:00:52,753
NOW WE KNOW
IT IS HERE IN BOSTON.

17
00:00:52,786 --> 00:00:54,355
Sophie:
OH, WELL, IF IT'S ON DISPLAY,

18
00:00:54,388 --> 00:00:56,124
THEN YOU CAN MAKE A CLAIM
WITH THE MUSEUM

19
00:00:56,157 --> 00:00:57,491
IF YOU THINK
YOU HAVE PROVENANCE.

20
00:00:57,525 --> 00:00:58,826
Ezra:
IT'S ON DISPLAY...

21
00:00:58,859 --> 00:01:01,429
BUT NOT IN A MUSEUM.

22
00:01:04,365 --> 00:01:07,868
MR. NORTH BOUGHT THE PAINTING
ON THE BLACK MARKET

23
00:01:07,901 --> 00:01:10,571
KNOWING FULL WELL ITS HISTORY.

24
00:01:10,604 --> 00:01:12,373
HE'S GOT IT HANGING UP
IN HIS OFFICE.

25
00:01:12,406 --> 00:01:13,207
YEAH.

26
00:01:13,241 --> 00:01:15,543
WE HAVE TRIED
EVERY LEGAL AVENUE,

27
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BUT HE EVEN BRIBED A JUDGE
TO DISMISS THE CASE.

28
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NORTH OWNS THE LARGEST
SOFTWARE COMPANY IN THE STATE.

29
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HE HAS UNLIMITED MONEY
AND TWICE AS MANY LAWYERS.

30
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CAN YOU HELP US?

31
00:01:33,227 --> 00:01:35,163
IT'S WHAT WE DO.

32
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[ ELEVATOR BELL DINGS ]

33
00:01:40,534 --> 00:01:44,438
MONTGRAFT & ASSOCIATES.
ONE MOMENT.

34
00:01:44,472 --> 00:01:46,674
CAN I HELP YOU?

35
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SPEAK TO THE BOSS.

36
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YEAH, UH,
DETECTIVE, UH, MARLOWE.

37
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THIS IS DETECTIVE ARCHER.

38
00:01:53,514 --> 00:01:54,315
IS THERE A PROBLEM?

39
00:01:54,348 --> 00:01:55,683
YEAH, WE HAVE
A, UH, WARRANT HERE

40
00:01:55,716 --> 00:01:58,552
TO, UH, SEARCH
YOUR, UH, PREMISES.

41
00:01:58,586 --> 00:02:01,622
YOUR BOSS IS A WANTED MAN,
YOUNG LADY.

42
00:02:07,928 --> 00:02:10,464
CLOSE IT UP.
I THINK SOMETHING'S GOING ON.

43
00:02:10,498 --> 00:02:12,533
I DON'T LIKE THIS
GOING THROUGH THE WRONG OFFICE.

44
00:02:12,566 --> 00:02:13,734
IT FEELS LIKE CHEATING.

45
00:02:13,767 --> 00:02:15,836
NORTH IS ONE OF THOSE GUYS
WHO HAS THE LATEST EVERYTHING,

46
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INCLUDING SECURITY.

47
00:02:16,670 --> 00:02:18,306
HIS OFFICE
IS ONE BIG MOUSETRAP.

48
00:02:18,339 --> 00:02:19,773
WHAT, SO INSTEAD
WE DON'T EVEN TRY?

49
00:02:19,807 --> 00:02:21,141
THAT'S WEAK.

50
00:02:23,911 --> 00:02:27,348
THIS IS IT. THE KLIMT IS BEHIND
THE WALL RIGHT HERE.

51
00:02:27,381 --> 00:02:29,217
[ BEEPING ]

52
00:02:29,250 --> 00:02:31,619
MR. MONTGRAFT IS IN NEW YORK
ON BUSINESS.

53
00:02:31,652 --> 00:02:33,254
HE PROBABLY SKIPPED TOWN.

54
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-HALFWAY TO CANADA BY NOW.
-MM.

55
00:02:35,223 --> 00:02:36,757
NO, HE'S SUPPOSED TO BE BACK
TOMORROW.

56
00:02:36,790 --> 00:02:38,726
YEAH.
WELL, NO, HE'S NOT COMING BACK.

57
00:02:38,759 --> 00:02:42,363
AND, UH, YOU BETTER HOPE
AND PRAY HE DOESN'T COME BACK.

58
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-YOU'RE JUST HIS TYPE.
-OH, YEAH.

59
00:02:44,765 --> 00:02:46,834
WHAT DO YOU MEAN, "HIS TYPE"?

60
00:02:46,867 --> 00:02:47,835
WELL...

61
00:02:47,868 --> 00:02:51,439
IT CAN'T BE THAT HARD.

62
00:02:51,472 --> 00:02:52,540
ARE YOU CRAZY?

63
00:02:52,573 --> 00:02:55,576
THE MAN HAS A PDX-500
ROTATING ENCRYPTION SYSTEM.

64
00:02:55,609 --> 00:02:56,810
ROTATING.

65
00:02:56,844 --> 00:02:58,612
DO YOU EVEN KNOW WHAT THAT IS?

66
00:02:58,646 --> 00:03:01,215
SOME OTHER CREW
MIGHT BE CRAZY ENOUGH

67
00:03:01,249 --> 00:03:04,552
TO TACKLE THAT SYSTEM HEAD-ON,
BUT IT'S AN IMPOSSIBLE HACK.

68
00:03:04,585 --> 00:03:06,620
THEY WOULD HAVE TO
TAP THE NETWORK DIRECTLY

69
00:03:06,654 --> 00:03:08,822
FROM A TERMINAL
INSIDE THE OFFICE.

70
00:03:08,856 --> 00:03:11,725
EVEN IF THEY DID
GET INTO THE SYSTEM,

71
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THEY WOULD ONLY HAVE
THREE MINUTES OF ACCESS TIME

72
00:03:14,662 --> 00:03:16,564
BEFORE THE ENCRYPTION PROGRAM
RESETS ITSELF

73
00:03:16,597 --> 00:03:17,998
AND LOCKS THEM OUT.

74
00:03:18,031 --> 00:03:21,602
TIMER IS SET.
THREE MINUTES AND COUNTING.

75
00:03:21,635 --> 00:03:23,637
[ BEEPING ]

76
00:03:25,939 --> 00:03:29,510
I STILL THINK I COULD GET IN.

77
00:03:29,543 --> 00:03:31,645
[ SAW BUZZES ]

78
00:03:31,679 --> 00:03:33,747
YOU'RE GOOD,
BUT NOBODY'S THAT GOOD.

79
00:03:33,781 --> 00:03:37,985
IN AND OUT IN UNDER
THREE MINUTES IS BAD ENOUGH.

80
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BUT NORTH'S OFFICE HAS
A PRESSURE-SENSITIVE FLOOR

81
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AND THERMAL DETECTORS

82
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THAT OPERATE UNDER
AN ENTIRELY DIFFERENT SYSTEM.

83
00:03:44,325 --> 00:03:45,459
Parker:
MM-HMM.

84
00:03:45,493 --> 00:03:48,429
I GUESS CHEATING HAS
ITS ADVANTAGES.

85
00:03:50,531 --> 00:03:52,366
Hardison:
IT'S EASIER TO HACK A WALL

86
00:03:52,400 --> 00:03:55,035
THAN A HIGH-TECH
SECURITY SYSTEM.

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Eliot:
[ GRUNTS ]

88
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AND NOW THE KLIMT IS OURS.

89
00:04:07,014 --> 00:04:08,682
DID HE EVER EXPRESS AN INTEREST

90
00:04:08,716 --> 00:04:10,584
IN THE COLOR
OF YOUR TOENAIL POLISH?

91
00:04:10,618 --> 00:04:13,020
-WHAT? NO.
-DID HE HAVE A WOOD CHIPPER?

92
00:04:13,053 --> 00:04:15,055
DID HE EVER ASK YOU
TO COME TO HIS HOME

93
00:04:15,088 --> 00:04:16,824
TO SEE HIS WOOD CHIPPER?

94
00:04:16,857 --> 00:04:17,825
NO.

95
00:04:17,858 --> 00:04:20,561
HARDISON:
We got a problem.

96
00:04:20,594 --> 00:04:22,296
Parker:
AT LEAST WE GOT A PAINTING.

97
00:04:22,330 --> 00:04:23,931
Hardison: MAYBE THEY WON'T
NOTICE THE DIFFERENCE.

98
00:04:23,964 --> 00:04:27,401
"DOGS PLAYING POKER"?
SERIOUSLY?

99
00:04:28,536 --> 00:04:31,572
[ ELEVATOR BELL DINGS ]
SOPHIE?

100
00:04:31,605 --> 00:04:34,442
Parker: MAYBE HE SAW
THE MAGAZINE PHOTO AND SPOOKED.

101
00:04:34,475 --> 00:04:36,444
THE MAN BOUGHT HOLOCAUST ART
ON THE BLACK MARKET

102
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AND HUNG IT FOR DISPLAY
IN HIS OFFICE.

103
00:04:38,011 --> 00:04:39,947
YOU THINK HE'D CARE
IF ANYBODY KNOWS HE'S GOT IT?

104
00:04:39,980 --> 00:04:41,449
GUYS, JUST A MINUTE, ALL RIGHT?

105
00:04:41,482 --> 00:04:43,317
WE GOT BEAT.
SOMEBODY BEAT US TO THE PUNCH.

106
00:04:43,351 --> 00:04:45,619
SO I JUST GOT OFF THE PHONE
WITH OUR CLIENTS.

107
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TOLD THEM WE COULDN'T RECOVER
THEIR DEAD FATHER'S PAINTING.

108
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ANYONE WANT TO EXPLAIN WHY?

109
00:04:49,357 --> 00:04:50,791
-WHERE'S SOPHIE?
-Eliot: I'M ON IT.

110
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NAZIS!

111
00:04:51,825 --> 00:04:54,495
MAYBE THEY WANT THE STUFF BACK
THAT THEY STOLE.

112
00:04:54,528 --> 00:04:57,498
YOU KNOW?
SECRET NAZIS.

113
00:04:57,531 --> 00:05:00,768
IT'S GOING TO VOICEMAIL.
I'M GONNA TRY COMMS.

114
00:05:00,801 --> 00:05:02,836
SOPHIE?

115
00:05:02,870 --> 00:05:05,873
SO-- HEY.
NATE WANTS TO KNOW WHY YOU --

116
00:05:08,442 --> 00:05:10,578
I'D SAY THAT'S
A PRETTY GOOD REASON.

117
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HOW YOU DOING?

118
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OH, YOU KNOW.

119
00:05:26,694 --> 00:05:28,596
YEP, THAT'S A BOMB.

120
00:05:28,629 --> 00:05:31,732
I RECOGNIZE THAT CIRCUIT.
IT'S MOTION TRIGGERED.

121
00:05:31,765 --> 00:05:37,137
ANY SUDDEN MOVEMENT IS GONNA
CAUSE DISPLACEMENT OF THE WATER.

122
00:05:37,170 --> 00:05:38,739
IT'LL SET IT OFF.

123
00:05:38,772 --> 00:05:39,973
IS THAT C-4?

124
00:05:40,007 --> 00:05:41,975
Sophie:
OH! PARKER...

125
00:05:42,009 --> 00:05:46,580
PLEASE DON'T POKE
AT THE MOTION-SENSITIVE BOMB.

126
00:05:46,614 --> 00:05:48,148
SORRY.

127
00:05:48,181 --> 00:05:50,083
SO, UH...SECRET ADMIRER?

128
00:05:50,117 --> 00:05:52,119
WELL, IT'S NO SECRET
THEY WANT ME DEAD.

129
00:05:52,152 --> 00:05:53,654
WHAT DO YOU THINK, MAN?

130
00:05:55,823 --> 00:05:58,626
HE'LL HAVE TO REACH INTO
THE VASE TO DISARM IT.

131
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IT'D GO OFF.

132
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WELL, LET'S NOT DO THAT, THEN.

133
00:06:04,097 --> 00:06:05,065
Parker: UNH-UNH.

134
00:06:05,098 --> 00:06:06,867
DO YOU HAVE ANY INSTANT PUDDING?

135
00:06:12,740 --> 00:06:14,475
[ SIGHS ]

136
00:06:14,508 --> 00:06:16,744
THE POWDER HARDENS THE LIQUID,

137
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TRICKS THE BOMB INTO THINKING
IT'S NOT MOVING.

138
00:06:18,812 --> 00:06:21,482
Eliot: SHOULD GIVE YOU
A LITTLE WIGGLE ROOM.

139
00:06:21,515 --> 00:06:22,550
VERY LITTLE.

140
00:06:22,583 --> 00:06:25,819
ALL RIGHT.
WHAT'S THE PLAN, ELIOT?

141
00:06:25,853 --> 00:06:28,055
HOW FAST CAN YOU RUN?

142
00:06:30,458 --> 00:06:31,859
ALL RIGHT.

143
00:06:31,892 --> 00:06:34,094
EVERYBODY GET OUT OF HERE
RIGHT NOW.

144
00:06:34,127 --> 00:06:36,096
I'M GONNA STAY. I'M GONNA STAY
WITH SOPHIE, ALL RIGHT?

145
00:06:36,129 --> 00:06:37,197
WE'RE NOT LEAVING YOU, SOPHIE.

146
00:06:37,230 --> 00:06:39,600
LOOK, I APPRECIATE
WHAT YOU GUYS ARE TRYING TO DO,

147
00:06:39,633 --> 00:06:41,469
BUT JUST -- IF YOU DON'T GET OUT
OF HERE NOW,

148
00:06:41,502 --> 00:06:43,604
THEN -- THEN I'M GONNA KILL YOU
MYSELF WHEN THIS IS OVER.

149
00:06:43,637 --> 00:06:45,573
SO JUST...
[ EXHALES DEEPLY ]

150
00:06:45,606 --> 00:06:47,941
JUST GET OUT!

151
00:06:50,043 --> 00:06:52,580
ALL RIGHT.
DON'T THROW IT UP IN THE AIR.

152
00:06:52,613 --> 00:06:55,015
THE DEVICE WILL HIT THE BOTTOM
AND IT'LL GO OFF.

153
00:06:55,048 --> 00:06:57,017
JUST LET GO AND DROP IT.

154
00:06:57,050 --> 00:06:58,786
OKAY.

155
00:07:02,523 --> 00:07:03,724
YOU TOO. GO ON.

156
00:07:03,757 --> 00:07:05,593
NO. I'M STAYING.
I'M STAYING RIGHT HERE.

157
00:07:05,626 --> 00:07:06,393
UNH-UNH.

158
00:07:06,426 --> 00:07:08,095
LISTEN,
IT'S GONNA BE FINE, NATE.

159
00:07:08,128 --> 00:07:09,096
YOU KNOW ME.

160
00:07:09,129 --> 00:07:11,532
SOPHIE.

161
00:07:13,534 --> 00:07:15,002
PLEASE.

162
00:07:19,673 --> 00:07:21,709
DO IT EXACTLY THE WAY HE SAID.

163
00:07:24,612 --> 00:07:26,714
[ EXHALES DEEPLY ]

164
00:07:29,683 --> 00:07:31,819
[ INHALES SHARPLY ]

165
00:07:46,033 --> 00:07:48,235
[ BIRDS CHIRPING ]

166
00:07:55,743 --> 00:07:58,746
SHE HAD A WAY OF TAKING CARE
OF PEOPLE, YOU KNOW?

167
00:08:01,314 --> 00:08:05,586
SHE WAS A SISTER...

168
00:08:05,619 --> 00:08:08,121
SHE WAS A BEST FRIEND...

169
00:08:08,155 --> 00:08:12,560
ALL ROLLED INTO ONE.

170
00:08:12,593 --> 00:08:15,095
I'M GONNA MISS YOU, SOPH--

171
00:08:15,128 --> 00:08:19,900
SO-O-O-O-O MUCH, KATHERINE.

172
00:08:37,150 --> 00:08:40,888
KATHERINE AND I
HAVE KNOWN EACH OTHER FOREVER.

173
00:08:40,921 --> 00:08:42,790
ALMOST TWO YEARS.

174
00:08:42,823 --> 00:08:45,893
YEAH, I KNOW THAT PROBABLY
DOESN'T SOUND LIKE A LOT TO YOU,

175
00:08:45,926 --> 00:08:49,062
BUT IT IS TO ME.

176
00:08:49,096 --> 00:08:52,332
I NEVER REALLY HAD MANY FRIENDS.

177
00:08:52,365 --> 00:08:55,869
WHICH IS WHY LOSING HER
IS SO HARD.

178
00:08:55,903 --> 00:08:58,872
[ EXHALES DEEPLY ]

179
00:09:00,874 --> 00:09:02,910
IT'S SO CREEPY.

180
00:09:02,943 --> 00:09:05,312
I MEAN, SHE'S REALLY DEAD.

181
00:09:05,345 --> 00:09:09,149
I WAS JUST TALKING TO HER
AND NOW SHE'S JUST LAYING THERE.

182
00:09:09,182 --> 00:09:11,318
[ COUGHS ]

183
00:09:11,351 --> 00:09:12,786
SHE WAS JUST LAYING THERE.

184
00:09:12,820 --> 00:09:14,221
-CAN YOU HEAR ME?
-PARKER. PARKER.

185
00:09:14,254 --> 00:09:16,289
I'M -- I'M SORRY.
I'M SORRY, Y'ALL.

186
00:09:16,323 --> 00:09:18,158
WHAT -- WHAT SHE REALLY MEANS

187
00:09:18,191 --> 00:09:20,928
IS JUST, UM,
KATHERINE WAS LIKE FAMILY.

188
00:09:20,961 --> 00:09:25,098
AND SOMETIMES, FRIENDS ARE
ALL THE FAMILY THAT YOU HAVE.

189
00:09:25,132 --> 00:09:26,767
SO...
YOU -- YOU GOOD?

190
00:09:28,235 --> 00:09:30,738
COME ON. JUST -- LET --
JUST KEEP GOING.

191
00:09:30,771 --> 00:09:32,773
YOU GOT ALL HYSTERICAL
AND EMOTIONAL.

192
00:09:32,806 --> 00:09:34,174
SEE ANY SUSPECTS?

193
00:09:34,207 --> 00:09:36,076
NO ONE JUMPS OUT AT ME.

194
00:09:36,109 --> 00:09:38,612
ME NEITHER.

195
00:09:38,646 --> 00:09:40,848
WHAT MAKES YOU SO SURE
THEY'RE GONNA SHOW UP?

196
00:09:40,881 --> 00:09:43,751
LISTEN, WHEN YOU GO THROUGH
THE TROUBLE OF KILLING SOMEONE

197
00:09:43,784 --> 00:09:46,754
THE LIKES OF A SOPHIE DEVEREAUX,
YOU MAKE SURE THEY'RE DEAD.

198
00:10:12,412 --> 00:10:13,714
[ SIGHS ]

199
00:10:15,949 --> 00:10:18,018
NOT MUCH OF A TURNOUT, IS IT?

200
00:10:18,051 --> 00:10:21,054
JESUS. YOU'RE -- YOU'RE DEAD.
YOU'RE NOT SUPPOSED TO CARE.

201
00:10:31,364 --> 00:10:33,366
I MEAN, IS THIS IT?
HUH?

202
00:10:33,400 --> 00:10:37,070
BURIED IN A STRANGER'S GRAVE,
HARDLY ANY MOURNERS.

203
00:10:37,104 --> 00:10:39,239
-IT'S NOT YOU.
-IT IS ME.

204
00:10:39,272 --> 00:10:43,076
WELL, AT LEAST IT'S THE ME
THAT ANYBODY KNOWS.

205
00:10:43,110 --> 00:10:44,878
YEAH, LISTEN, KAT,
YOU GOT TO GET OUT OF HERE.

206
00:10:44,912 --> 00:10:45,846
YOU'RE GONNA BLOW THE CON.

207
00:10:45,879 --> 00:10:48,348
NO. IT'S FINE.
NO ONE'S GONNA RECOGNIZE ME.

208
00:10:48,381 --> 00:10:49,750
HOW'S THAT?

209
00:10:49,783 --> 00:10:53,053
NATE, I'M ACTING.

210
00:10:53,086 --> 00:10:54,788
Clergyman: THE LORD IS
MY SHEPHERD, I SHALL NOT WANT.

211
00:10:54,822 --> 00:10:56,757
[ SIGHS ]

212
00:10:56,790 --> 00:11:00,994
IT'S A SHAME, REALLY.
SO BEAUTIFUL, SO...YOUNG.

213
00:11:01,028 --> 00:11:02,129
[ CLEARS THROAT ]

214
00:11:02,162 --> 00:11:03,964
YOU KNOW HER WELL?

215
00:11:03,997 --> 00:11:07,200
YEAH, WE WERE FRIENDS
A LONG TIME.

216
00:11:07,234 --> 00:11:08,936
I'M SORRY FOR YOUR LOSS.

217
00:11:08,969 --> 00:11:10,403
YOURS, TOO.
HOW DO YOU --

218
00:11:10,437 --> 00:11:12,139
HOW DID YOU KNOW KATHERINE?

219
00:11:12,172 --> 00:11:14,274
KATHERINE?
[ CHUCKLES SOFTLY ]

220
00:11:14,307 --> 00:11:16,009
WHEN WE KNEW EACH OTHER,

221
00:11:16,043 --> 00:11:18,846
SHE, UM...
SHE WENT BY A DIFFERENT NAME.

222
00:11:18,879 --> 00:11:21,214
ACTRESSES.

223
00:11:21,248 --> 00:11:26,253
I SUPPOSE WE SHOULD TAKE
SOMETHING TO HEART FROM THIS.

224
00:11:27,821 --> 00:11:30,190
MISTAKES CAN GET YOU KILLED.

225
00:11:30,223 --> 00:11:32,893
IT WAS AN ACCIDENT.
GAS LINE BROKE.

226
00:11:32,926 --> 00:11:35,028
MM.

227
00:11:35,062 --> 00:11:38,098
THAT IS THE STORY.
RIGHT.

228
00:11:41,268 --> 00:11:44,237
AND NOW LET US BE COMFORTED
BY THE WORDS OF...

229
00:11:44,271 --> 00:11:46,807
LET'S GET OUT OF HERE.

230
00:11:46,840 --> 00:11:47,875
FRIEND OF YOURS?

231
00:11:47,908 --> 00:11:48,876
WELL, IF BY THAT YOU MEAN

232
00:11:48,909 --> 00:11:51,812
MURDEROUS, TREACHEROUS
BACKSTABBER, THEN YES.

233
00:11:51,845 --> 00:11:53,480
YEAH, I THOUGHT SO.
SEEMED LIKE YOUR TYPE.

234
00:11:53,513 --> 00:11:56,183
[ SCOFFS ]

235
00:11:56,216 --> 00:11:59,452
[ ENGINE TURNS OVER ]

236
00:11:59,486 --> 00:12:01,922
[ TIRES SCREECH ]

237
00:12:04,524 --> 00:12:06,126
WHAT ARE YOU DOING?

238
00:12:06,159 --> 00:12:09,296
Hardison: SECURITY-CAMERA
FOOTAGE FROM SOPHIE'S APARTMENT.

239
00:12:09,329 --> 00:12:10,964
TRYING TO SEE
WHO DELIVERED THE BOMB,

240
00:12:10,998 --> 00:12:12,332
BUT WITH NOTHING
FOR REFERENCE,

241
00:12:12,365 --> 00:12:14,401
FACIAL RECOGNITION
CAN'T NARROW IT DOWN.

242
00:12:14,434 --> 00:12:15,803
NO NEED.

243
00:12:15,836 --> 00:12:18,338
I KNOW EXACTLY WHO'S TO BLAME.

244
00:12:23,811 --> 00:12:25,145
[ BEEP ]

245
00:12:25,178 --> 00:12:26,413
MARCUS STARKE.

246
00:12:26,446 --> 00:12:30,984
BRILLIANT GRIFTER,
EVEN BETTER FORGER.

247
00:12:34,521 --> 00:12:36,924
-STOP IT.
-IT'S LIKE YOU'RE HAUNTING US.

248
00:12:36,957 --> 00:12:38,325
PARKER, I'M NOT REALLY DEAD.

249
00:12:40,227 --> 00:12:41,361
-I'M NOT DEAD!
-OKAY.

250
00:12:41,394 --> 00:12:42,996
WE USED TO WORK TOGETHER.

251
00:12:43,030 --> 00:12:45,098
WE DID THE COPENHAGEN JOB
IN '97,

252
00:12:45,132 --> 00:12:47,935
THE BERLIN POLYTECH JOB IN '98,

253
00:12:47,968 --> 00:12:51,004
AND, NATE, REMEMBER -- REMEMBER
THAT GREAT RUN IN MOSCOW?

254
00:12:51,038 --> 00:12:54,374
"THAT GREAT RUN"?
I CHASED YOU FOR THREE MONTHS.

255
00:12:54,407 --> 00:12:57,144
WELL, UH, TECHNICALLY,
YOU CHASED US.

256
00:12:57,177 --> 00:12:58,278
SORRY.

257
00:12:58,311 --> 00:13:02,950
A-ARE YOU SAYING THAT YOU SAW
OTHER TEAMS BEFORE US?

258
00:13:02,983 --> 00:13:05,853
REALLY JUST ANOTHER NATE
BEFORE NATE.

259
00:13:05,886 --> 00:13:08,188
LET ME ASK YOU A QUESTION --
WHAT BUGS YOU MORE,

260
00:13:08,221 --> 00:13:10,457
IS IT THE FACT
THAT HE WAS WITH SOPHIE FIRST

261
00:13:10,490 --> 00:13:13,293
OR THAT HE OUTSMARTED YOU?

262
00:13:16,930 --> 00:13:19,166
MOVING ON.

263
00:13:19,199 --> 00:13:21,401
Sophie: UM, STARKE DOESN'T KEEP
A PERMANENT CREW.

264
00:13:21,434 --> 00:13:24,037
HE SPECIALIZES IN WHIZ MOBS.

265
00:13:24,071 --> 00:13:25,372
HE PUTS A TEAM TOGETHER,

266
00:13:25,405 --> 00:13:28,041
THEY SLAM INTO TOWN
FOR ONE HIGH-PROFILE JOB,

267
00:13:28,075 --> 00:13:29,176
AND THEN THEY SCATTER.

268
00:13:29,209 --> 00:13:30,944
...73, IT'S A WHITE...

269
00:13:30,978 --> 00:13:33,246
BUT USUALLY THEY DO ONE SM--

270
00:13:33,280 --> 00:13:34,982
THEY DO ONE SMALLER JOB FIRST

271
00:13:35,015 --> 00:13:37,084
JUST TO WORK OUT THE KINKS
IN THE TEAM.

272
00:13:37,117 --> 00:13:40,087
LIKE OUR CLIENTS' PAINTING,
FOR EXAMPLE.

273
00:13:40,120 --> 00:13:41,889
WRONG PLACE, WRONG TIME.

274
00:13:41,922 --> 00:13:43,256
STARKE MUST HAVE SEEN ME,

275
00:13:43,290 --> 00:13:45,125
AND NOW THAT I'M
ONE OF THE GOOD GUYS,

276
00:13:45,158 --> 00:13:47,928
DECIDED TO GET RID OF ME,
BECAUSE...WHY?

277
00:13:47,961 --> 00:13:49,129
BECAUSE...

278
00:13:49,162 --> 00:13:51,564
BECAUSE I KNOW HIS SCAMS.

279
00:13:51,598 --> 00:13:55,435
BECAUSE...
I KNOW HIS FAVORITE SCAM.

280
00:13:55,468 --> 00:13:57,871
CAFé AND A MOONLIT TERRACE.

281
00:13:57,905 --> 00:14:01,441
Sophie:
THE MONA LISA VARIANT.

282
00:14:01,474 --> 00:14:02,242
[ GASPS ] OOH!

283
00:14:02,275 --> 00:14:04,411
THAT WAS THE FIRST ONE
I LEARNED.

284
00:14:04,444 --> 00:14:06,313
IN 1911
THE MONA LISA WAS STOLEN.

285
00:14:06,346 --> 00:14:10,083
AND THE CON MAN WHO DID IT
MADE SIX IDENTICAL COPIES.

286
00:14:10,117 --> 00:14:11,618
Nate: AND THEN THEY PUT THEM
ON THE BLACK MARKET,

287
00:14:11,651 --> 00:14:14,221
AND EACH BUYER THOUGHT
THAT THEY HAD THE ORIGINAL.

288
00:14:14,254 --> 00:14:17,324
SO DUDE SOLD THE SAME PAINTING
SIX TIMES.

289
00:14:17,357 --> 00:14:18,291
Nate: YEP.

290
00:14:18,325 --> 00:14:20,093
HARDISON, PULL UP
ALL THE AUCTIONS IN BOSTON

291
00:14:20,127 --> 00:14:21,161
IN THE NEXT TWO DAYS.

292
00:14:21,194 --> 00:14:23,997
STARKE NEVER STAYS IN A CITY
MORE THAN TWO DAYS.

293
00:14:24,031 --> 00:14:25,198
WAIT A MINUTE.
NOT -- NOT MUSEUMS?

294
00:14:25,232 --> 00:14:26,233
Nate: NO, NO.

295
00:14:26,266 --> 00:14:28,068
STARKE LIKES TO USE AUCTIONS

296
00:14:28,101 --> 00:14:30,270
TO FIGURE OUT
WHO WANTS THE PAINTING.

297
00:14:30,303 --> 00:14:32,472
HE PICKS WHO HE'S
GONNA SELL THE FAKES TO.

298
00:14:32,505 --> 00:14:34,507
THAT BIT WAS ACTUALLY
MY PART OF THE SCAM.

299
00:14:34,541 --> 00:14:35,608
I MADE THAT UP.

300
00:14:35,642 --> 00:14:38,078
IT'S GOOD, ISN'T IT?

301
00:14:38,111 --> 00:14:40,280
THAT'S STILL
A LOT OF PAINTINGS.

302
00:14:40,313 --> 00:14:41,681
YEAH, IT'S HIGH-PROFILE.

303
00:14:41,714 --> 00:14:44,918
A SCAM LIKE THIS REQUIRES
A LOT OF PUBLICITY,

304
00:14:44,952 --> 00:14:46,653
PAINTINGS $10 MILLION OR MORE.

305
00:14:46,686 --> 00:14:48,288
HE DOES
ALL HIS OWN FORGERIES --

306
00:14:48,321 --> 00:14:50,557
POSTIMPRESSIONISTS, LATE 1800s.

307
00:14:50,590 --> 00:14:52,559
THERE.
THAT'S IT.

308
00:14:52,592 --> 00:14:55,195
VAN GOGH.

309
00:14:55,228 --> 00:14:58,365
HE HAS A SOFT SPOT FOR VAN GOGH.

310
00:15:04,337 --> 00:15:06,573
LET'S JUST MAKE IT FIVE.

311
00:15:06,606 --> 00:15:11,344
AND THAT
IS THE MONA LISA SCAM.

312
00:15:11,378 --> 00:15:13,046
SO WE JUST --
WE CALL THE COPS.

313
00:15:13,080 --> 00:15:14,081
-WE HAVE THEM SHOW UP.
-Sophie: NO.

314
00:15:14,114 --> 00:15:15,715
STARKE GOES DOWN FOR THIS,
THERE'S NO GUARANTEE

315
00:15:15,748 --> 00:15:17,450
WE CAN GET THAT PAINTING BACK
FOR THE MERCERS.

316
00:15:17,484 --> 00:15:19,186
HE EVEN SMELLS THE POLICE,
AND HE'S GONNA RUN,

317
00:15:19,219 --> 00:15:20,487
AND WE'LL GET NOWHERE NEAR IT.

318
00:15:20,520 --> 00:15:23,190
HE DID TRY TO KILL YOU, SOPHIE.

319
00:15:24,657 --> 00:15:28,261
WE RISK OUR LIVES ALL THE TIME.
I...

320
00:15:28,295 --> 00:15:30,197
NO.
WE NEED TO BARTER.

321
00:15:30,230 --> 00:15:33,300
WE NEED SOMETHING TO TRADE
FOR THE MERCERS' PAINTING.

322
00:15:33,333 --> 00:15:34,534
SUCH AS?

323
00:15:36,503 --> 00:15:39,072
THAT.

324
00:15:39,106 --> 00:15:42,575
THAT'S WHAT HE'S COME FOR.

325
00:15:42,609 --> 00:15:45,078
THAT'S WHAT HE WANTS.

326
00:15:46,679 --> 00:15:49,182
WE JUST GOT TO GET THERE FIRST.

327
00:15:54,121 --> 00:15:57,524
[ INDISTINCT CONVERSATIONS ]

328
00:16:09,402 --> 00:16:12,105
OKAY, PARKER.
TALK TO ME.

329
00:16:12,139 --> 00:16:13,340
PARKER: Present.

330
00:16:13,373 --> 00:16:14,341
HOW WE DOING?

331
00:16:14,374 --> 00:16:18,045
WHAT'S GOING ON SECURITY-WISE
AT THIS PLACE?

332
00:16:18,078 --> 00:16:19,046
HUH?

333
00:16:19,079 --> 00:16:20,480
Well...

334
00:16:23,550 --> 00:16:27,687
THE USUAL COUNTERMEASURES.
NOTHING WE CAN'T HANDLE.

335
00:16:27,720 --> 00:16:30,023
ELIOT: Actually, I'm more
of a Jack man myself,

336
00:16:30,057 --> 00:16:31,324
but when in Rome...

337
00:16:34,094 --> 00:16:36,196
-THANK YOU, SWEETHEART.
-UH-HUH.

338
00:16:39,799 --> 00:16:41,734
I WISH SOPHIE WAS HERE.

339
00:16:41,768 --> 00:16:44,604
SHE'S THE ONE WHO LIKES TO PLAY
ALL THIS DRESS-UP STUFF.

340
00:16:44,637 --> 00:16:46,073
I MISS HER.

341
00:16:46,106 --> 00:16:47,307
SOPHIE:
I'm not dead.

342
00:16:47,340 --> 00:16:49,509
I'M RIGHT HERE, PARKER.

343
00:16:51,611 --> 00:16:55,048
SO, THIS IS, UM...

344
00:16:55,082 --> 00:16:56,015
IT'S WHAT YOU DO, RIGHT?

345
00:16:56,049 --> 00:16:57,750
YOU TAKE -- YOU TAKE FOOTAGE
OF US ON CONS

346
00:16:57,784 --> 00:17:01,121
AND YOU -- YOU -- YOU --
DOWNLOAD IT INTO THAT?

347
00:17:01,154 --> 00:17:04,291
YEAH, I ANALYZE IT,
I MONITOR COMMS,

348
00:17:04,324 --> 00:17:06,526
I SCAN FOR ALL
POLICE FREQUENCIES, I --

349
00:17:06,559 --> 00:17:09,562
YOU HAD NO IDEA
I DO ALL THIS, DID YOU?

350
00:17:09,596 --> 00:17:12,765
-WELL --
-DOES NOBODY RESPECT THE VAN?

351
00:17:12,799 --> 00:17:14,701
THE VAN IS IMPORTANT.
WHAT -- WHAT IS THAT?

352
00:17:14,734 --> 00:17:15,735
IT'S LEMON-ZEST TEA.

353
00:17:15,768 --> 00:17:18,538
I GOT TO TELL YOU,
IT'S -- IT'S A LITTLE BIT --

354
00:17:18,571 --> 00:17:20,507
IT'S A LITTLE BIT WHIFFY
IN HERE.

355
00:17:20,540 --> 00:17:22,642
IT SMELLS LIKE HARD WORK.
THAT'S WHAT IT SMELLS LIKE.

356
00:17:22,675 --> 00:17:24,444
D-- "WHIFFY."

357
00:17:24,477 --> 00:17:27,580
OKAY, GUYS, I'VE GOT THE
AUCTION-HOUSE MANAGER IN SIGHT.

358
00:17:27,614 --> 00:17:30,183
UH, NOW, IF YOU TAKE
HIS WALLET AND BADGE,

359
00:17:30,217 --> 00:17:32,585
IT SHOULD BE A CAKEWALK.

360
00:17:32,619 --> 00:17:34,421
HARDISON: Eliot, check out
the back corridor.

361
00:17:34,454 --> 00:17:36,623
I think I see an access point.

362
00:17:38,625 --> 00:17:41,094
THAT WAS SOME NICE THINGS
YOU SAID AT MY FUNERAL.

363
00:17:41,128 --> 00:17:42,162
Hardison: WAIT.

364
00:17:42,195 --> 00:17:45,298
WE -- WE TRUST NATE
TO MAKE SURE THE PLAN WORKS.

365
00:17:45,332 --> 00:17:49,702
WE TRUST YOU
TO MAKE SURE WE'RE ALL OKAY.

366
00:17:49,736 --> 00:17:51,504
[ STATIC ]

367
00:17:51,538 --> 00:17:54,774
MAN: It's a blind spot in
the cameras if you can find it.

368
00:17:54,807 --> 00:17:55,808
HELLO?

369
00:17:59,746 --> 00:18:00,713
HELLO?

370
00:18:00,747 --> 00:18:03,483
WHO IS THIS?

371
00:18:06,486 --> 00:18:09,122
OH, I PROBABLY SHOULDN'T,
BUT I WILL.

372
00:18:09,156 --> 00:18:12,692
GOT THE BADGE.
JUST NEED TO GET THE WALLET.

373
00:18:17,397 --> 00:18:18,331
HM.

374
00:18:20,733 --> 00:18:22,535
[ EXHALES SHARPLY ]

375
00:18:22,569 --> 00:18:24,271
MAN:
I said, "Who is this?"

376
00:18:24,304 --> 00:18:25,305
HEY. UH...

377
00:18:25,338 --> 00:18:28,308
YOU ARE BUMPING INTO
MY BABY-MONITOR FREQUENCY,

378
00:18:28,341 --> 00:18:29,576
SO WHAT I'M GONNA NEED YOU
TO DO,

379
00:18:29,609 --> 00:18:31,178
'CAUSE LITTLE SHILOH
NEEDS TO TAKE A NAP,

380
00:18:31,211 --> 00:18:33,380
IS TURN YOURS OFF, 'KAY?

381
00:18:33,413 --> 00:18:34,514
THANKS.

382
00:18:34,547 --> 00:18:37,317
Your baby
is incredibly intelligent.

383
00:18:37,350 --> 00:18:39,686
HE JUST ATTEMPTED TO LAUNCH
A MULTIPLE-VARIANT COMPUTER WORM

384
00:18:39,719 --> 00:18:42,322
AT MY BABY MONITOR'S FIREWALL.

385
00:18:42,355 --> 00:18:45,792
GUYS, WE HAVE A VISITING TEAM.

386
00:18:47,360 --> 00:18:48,861
[ KEYS CLACKING ]

387
00:18:48,895 --> 00:18:51,331
Hardison: SWITCHING TO BACKUP
COMM FREQUENCIES.

388
00:18:51,364 --> 00:18:53,933
ELIOT, THEY'RE HERE.
THEY'RE HERE.

389
00:18:53,966 --> 00:18:55,568
WHAT ARE YOU TALKING ABOUT?
WHO'S HERE?

390
00:19:05,545 --> 00:19:07,747
Man:
EXCUSE ME. WAITER?

391
00:19:07,780 --> 00:19:09,682
Man:
YES, SIR.

392
00:19:09,716 --> 00:19:11,751
[ INDISTINCT CONVERSATION ]

393
00:19:15,922 --> 00:19:18,758
HARDISON, WHAT DO YOU MEAN?
WHO'S --

394
00:19:18,791 --> 00:19:19,892
WHO'S --

395
00:19:19,926 --> 00:19:22,195
NATHAN FORD.

396
00:19:22,229 --> 00:19:25,665
I -- I CANNOT BELIEVE I DIDN'T
RECOGNIZE YOU AT THE FUNERAL.

397
00:19:25,698 --> 00:19:28,435
OF COURSE,
I WAS BLINDED BY GRIEF.

398
00:19:28,468 --> 00:19:29,569
AH.
GUILTY CONSCIENCE?

399
00:19:29,602 --> 00:19:30,803
CALL THEM OFF.

400
00:19:30,837 --> 00:19:31,971
NOT GONNA HAPPEN.

401
00:19:32,004 --> 00:19:33,673
YOU BEST CLEAR OUT.

402
00:19:35,942 --> 00:19:37,544
NO SPEAK ENGLISH?

403
00:20:06,939 --> 00:20:10,243
GOOD TO SEE YOU.
HAVE A NICE NIGHT.

404
00:20:18,785 --> 00:20:20,219
HMM.

405
00:20:22,389 --> 00:20:23,723
HMM?

406
00:20:23,756 --> 00:20:25,492
MY PHONE.

407
00:20:25,525 --> 00:20:27,460
HE GOT MY PHONE!

408
00:20:27,494 --> 00:20:31,030
WORD IS ON THE STREET
THAT YOU RUN THE NASTIEST CREW

409
00:20:31,063 --> 00:20:32,499
THIS SIDE OF THE ATLANTIC.

410
00:20:32,532 --> 00:20:34,667
WELL --
[ CLEARS THROAT ] WHAT?

411
00:20:34,701 --> 00:20:36,736
COME ON.
EVERYBODY KNOWS.

412
00:20:36,769 --> 00:20:39,906
YOU ROBBED A BANK AND YOU --
YOU FRAMED A JUDGE.

413
00:20:39,939 --> 00:20:43,009
YOU RIGGED A JURY TO STEAL
A MILLION-DOLLAR SETTLEMENT.

414
00:20:43,042 --> 00:20:45,945
I HEAR THAT YOU EVEN CONNED
THE IRISH MOB

415
00:20:45,978 --> 00:20:48,615
OUT OF A COUPLE OF
MILLION DOLLARS JUST THIS YEAR.

416
00:20:48,648 --> 00:20:50,783
HMM.
NOW, THAT'S STYLE.

417
00:20:50,817 --> 00:20:52,051
THAT'S ONE WAY OF LOOKING AT IT.

418
00:20:52,084 --> 00:20:53,820
SOPHIE: Nate, if you tell him
the truth about us, we're blown.

419
00:20:53,853 --> 00:20:56,523
YOU CANNOT TELL HIM
ABOUT OUR CLIENTS

420
00:20:56,556 --> 00:20:58,591
OR ABOUT US HELPING PEOPLE --
HE'S GONNA USE THAT AGAINST US.

421
00:20:58,625 --> 00:20:59,926
IF YOU KNOW ABOUT US,

422
00:20:59,959 --> 00:21:02,395
THEN YOU WOULD KNOW
TO GET OUT OF MY CITY.

423
00:21:02,429 --> 00:21:03,596
IT'S STILL YOUR CITY, NATE.

424
00:21:03,630 --> 00:21:07,434
I'M -- I'M JUST GONNA
TAKE HER OUT

425
00:21:07,467 --> 00:21:09,001
FOR ONE NIGHT OF CHEAP FUN.

426
00:21:09,035 --> 00:21:11,738
I'LL GET HER BACK TO YOU
IN THE MORNING.

427
00:21:11,771 --> 00:21:14,474
I KNOW THIS STYLE.

428
00:21:14,507 --> 00:21:16,976
THIS IS CHAOS.

429
00:21:22,048 --> 00:21:24,317
[ WILD WEST MUSIC PLAYS ]

430
00:21:24,351 --> 00:21:25,718
CHAOS.

431
00:21:25,752 --> 00:21:28,755
I HEARD YOU WERE IN JAIL.
GUESS I WAS WRONG.

432
00:21:28,788 --> 00:21:30,957
HARDISON.
I HEARD YOU SUCKED.

433
00:21:30,990 --> 00:21:32,759
GUESS I WAS RIGHT.

434
00:21:44,471 --> 00:21:47,874
[ BEEPING, ALARMS BLARING ]

435
00:21:47,907 --> 00:21:50,977
[ HORN HONKING ]

436
00:21:51,010 --> 00:21:52,912
HARDISON!

437
00:22:17,169 --> 00:22:19,606
[ BONES CRACK ]

438
00:22:20,707 --> 00:22:22,875
I SEEM TO HAVE LOST MY WALLET.

439
00:22:22,909 --> 00:22:25,077
[ GASPS ]

440
00:22:25,111 --> 00:22:27,113
WHERE'S MY I.D. CARD?

441
00:22:27,146 --> 00:22:29,482
FOLKS, UH, WE'RE GONNA CLOSE
A LITTLE EARLY TODAY.

442
00:22:29,516 --> 00:22:31,518
WE APPRECIATE YOU
ATTENDING THE GALLERY,

443
00:22:31,551 --> 00:22:33,620
AND IF YOU COULD PLEASE HEAD
TOWARD THE EXITS AT THIS TIME,

444
00:22:33,653 --> 00:22:34,621
I'D APPRECIATE IT.

445
00:22:34,654 --> 00:22:36,389
THANK YOU VERY MUCH.

446
00:22:36,423 --> 00:22:38,157
I WANT THE SECURITY DETAIL
TRIPLED TONIGHT.

447
00:22:38,190 --> 00:22:39,158
CALL THE POLICE.

448
00:22:39,191 --> 00:22:42,028
I WANT A PATROL CAR DRIVE-BY
EVERY 10 MINUTES.

449
00:22:42,061 --> 00:22:43,663
ARE THESE MOTION SENSORS READY?

450
00:22:43,696 --> 00:22:45,632
WE HAVEN'T TESTED THEM.

451
00:22:45,665 --> 00:22:48,401
TURN THEM ON.
I WANT EVERYTHING IN LOCKDOWN.

452
00:22:48,435 --> 00:22:49,636
YOUR PEOPLE BLEW IT.

453
00:22:49,669 --> 00:22:51,037
UH, MY PEOPLE
NEVER MAKE MISTAKES.

454
00:22:51,070 --> 00:22:53,506
WHAT ABOUT SOPHIE?

455
00:22:53,540 --> 00:22:55,742
IS THAT A WARNING?

456
00:22:55,775 --> 00:22:58,745
TAKE IT HOW YOU WANT.

457
00:23:14,160 --> 00:23:15,495
LET'S GO.

458
00:23:20,867 --> 00:23:22,001
[ CHUCKLES ]

459
00:23:22,034 --> 00:23:23,436
OKAY.
NOW, WE KNOW STARKE.

460
00:23:23,470 --> 00:23:25,071
THIS GUY GOES BY THE NAME
APOLLO.

461
00:23:25,104 --> 00:23:26,939
I'VE CHASED HIM
A COUPLE OF TIMES --

462
00:23:26,973 --> 00:23:28,608
INFILTRATION, PHYSICAL SECURITY.

463
00:23:28,641 --> 00:23:31,043
Parker: PEOPLE IN THAT LINE
OF HIGH-RISK WORK

464
00:23:31,077 --> 00:23:32,945
TEND TO BE VERY UNSTABLE.

465
00:23:32,979 --> 00:23:34,213
WE COULD USE THAT.

466
00:23:34,246 --> 00:23:35,882
WRITE THAT DOWN.

467
00:23:38,217 --> 00:23:41,220
Hardison: THIS PERSON HERE IS
EX-MOSSAD, SEALED RECORDS.

468
00:23:41,253 --> 00:23:44,023
MIKEL DAYAN USED TO WORK
BOTH SIDES AS A MERCENARY.

469
00:23:44,056 --> 00:23:46,959
MIKEL DAYAN.
I KNOW THAT NAME.

470
00:23:46,993 --> 00:23:49,061
YOU WERE SCARED TO FIGHT A GIRL.

471
00:23:49,095 --> 00:23:50,697
SHE'D MOP THE FLOOR WITH YOU,
HARDISON.

472
00:23:50,730 --> 00:23:51,664
-I DON'T CARE.
-SERIOUSLY.

473
00:23:51,698 --> 00:23:53,833
SHE ACTUALLY KILLED A GUY ONCE
WITH A MOP.

474
00:23:53,866 --> 00:23:56,769
IT'S A FUNNY STORY, ACTUALLY.
SHE BROKE THE MOP AND TOOK --

475
00:23:56,803 --> 00:23:58,004
ELIOT. ELIOT.

476
00:23:58,037 --> 00:24:00,106
NOW, THIS HERE'S COLIN MASON,

477
00:24:00,139 --> 00:24:04,143
OTHERWISE KNOWN BY HIS
HACKER HANDLE AS "CHAOS."

478
00:24:04,176 --> 00:24:05,645
AS...WHATEVER.

479
00:24:05,678 --> 00:24:07,013
HACKED THE PENTAGON, THE NSA.

480
00:24:07,046 --> 00:24:10,750
THE CIA COMPUTER GUYS
CALL HIM THE KOBAYASHI MARU.

481
00:24:10,783 --> 00:24:11,851
WHAT THE HELL IS THAT?

482
00:24:11,884 --> 00:24:13,753
NONE OF Y'ALL GOT THAT?
SERIOUSLY?

483
00:24:13,786 --> 00:24:15,888
-Star Trek.
-THANK YOU.

484
00:24:20,927 --> 00:24:22,995
HOW'S THIS GONNA PLAY OUT?

485
00:24:23,029 --> 00:24:24,931
HE'S BEEN CHALLENGED, OKAY?

486
00:24:24,964 --> 00:24:27,266
HIS -- HIS PRIDE'S HURT.
HIS -- HIS EGO'S AT STAKE.

487
00:24:27,299 --> 00:24:29,168
HE'S -- HE'S GONNA --

488
00:24:29,201 --> 00:24:31,270
HE'S GONNA COME UP WITH
A BIGGER, RISKIER PLAN.

489
00:24:31,303 --> 00:24:33,172
ARE YOU TALKING ABOUT NATE?

490
00:24:33,205 --> 00:24:34,674
NATE. YEAH.

491
00:24:34,707 --> 00:24:36,142
Nate:
THERE'S NO WAY --

492
00:24:36,175 --> 00:24:37,309
THERE'S NO WAY THIS CREW

493
00:24:37,343 --> 00:24:39,512
IS GONNA GET TO THAT PAINTING
BEFORE WE DO -- NO WAY.

494
00:24:39,546 --> 00:24:42,181
WE'RE NOT GIVING UP ON OUR ONLY
HOPE OF HELPING THE MERCERS.

495
00:24:42,214 --> 00:24:44,651
THEY'VE WAITED
THEIR ENTIRE LIVES FOR JUSTICE,

496
00:24:44,684 --> 00:24:46,185
AND WE'RE NOT
GONNA FAIL THEM NOW.

497
00:24:46,218 --> 00:24:47,754
YEAH, YEAH.
THAT. SURE. YEAH.

498
00:24:47,787 --> 00:24:49,088
BUT, I MEAN,
WHO DOES THIS GUY...

499
00:24:49,121 --> 00:24:50,923
THINK HE IS?

500
00:24:50,957 --> 00:24:52,659
NATHAN FORD, THAT'S WHO.

501
00:24:52,692 --> 00:24:56,062
[ SPEAKING HEBREW ]

502
00:24:56,095 --> 00:24:58,531
Chaos: HEY, WHAT DID HE SAY
ABOUT SOPHIE DEVEREAUX?

503
00:24:58,565 --> 00:25:01,534
-DID YOU KILL HER?
-DON'T LISTEN TO THAT. COME ON.

504
00:25:01,568 --> 00:25:03,002
WE FOOLED THEM THE FIRST TIME.

505
00:25:03,035 --> 00:25:04,937
WE DIDN'T EVEN KNOW
THEY WERE THERE.

506
00:25:04,971 --> 00:25:07,039
THIS TIME, WE KNOW THEIR NAMES,
WE KNOW THEIR...

507
00:25:07,073 --> 00:25:09,275
M.O., WE KNOW
THEIR STRENGTHS, WEAKNESSES.

508
00:25:09,308 --> 00:25:12,912
NO, NO, NO. I HAVE NOTICED
A DISTINCT LACK OF WEAKNESSES.

509
00:25:12,945 --> 00:25:13,813
WE KNOW THEIR TARGET,

510
00:25:13,846 --> 00:25:15,815
AND EVEN BETTER,
WE KNOW THEIR TIMELINE.

511
00:25:15,848 --> 00:25:17,750
THAT PAINTING'S
GOING UP FOR AUCTION TOMORROW,

512
00:25:17,784 --> 00:25:19,552
AND IT GETS SOLD,
IT WALKS OUT THAT DOOR.

513
00:25:19,586 --> 00:25:20,820
THAT MEANS
THEY HAVE TO HIT IT...

514
00:25:20,853 --> 00:25:21,788
TONIGHT.

515
00:25:21,821 --> 00:25:23,723
NOW, WE'VE BEEN WORKING ON THIS
FOR WEEKS.

516
00:25:23,756 --> 00:25:25,692
WE GOT TO GO IN HOT,
IN AND OUT BEFORE THEY EVEN --

517
00:25:25,725 --> 00:25:27,660
TRIPLED SECURITY SINCE TODAY --

518
00:25:27,694 --> 00:25:29,328
WE BARELY HAD TIME
TO CHECK OUT THE CAMERAS,

519
00:25:29,361 --> 00:25:30,196
THE MOTION SENSORS.

520
00:25:30,229 --> 00:25:32,599
WHATEVER HAPPENS,
ONE WAY OR ANOTHER,

521
00:25:32,632 --> 00:25:34,767
WE ARE WALKING OUT
OF THAT AUCTION HOUSE TONIGHT

522
00:25:34,801 --> 00:25:36,836
WITH THAT PAINTING,
NO MATTER WHAT.

523
00:25:36,869 --> 00:25:39,972
WE ARE GOING TO GET
THAT PAINTING.

524
00:25:40,006 --> 00:25:42,241
NO MATTER WHAT.

525
00:25:42,274 --> 00:25:43,743
GOT IT?

526
00:25:43,776 --> 00:25:44,944
GOT IT.

527
00:25:44,977 --> 00:25:46,012
[ SPEAKS HEBREW ]

528
00:25:46,045 --> 00:25:47,113
GOT IT.

529
00:25:47,146 --> 00:25:48,214
GOOD.

530
00:25:48,247 --> 00:25:49,916
YOU GOT IT?

531
00:25:49,949 --> 00:25:51,283
YEAH.

532
00:25:52,284 --> 00:25:54,353
NOW...

533
00:25:54,386 --> 00:25:55,822
LET'S GO STEAL...

534
00:25:55,855 --> 00:25:57,690
OURSELVES A MASTERPIECE.

535
00:26:08,000 --> 00:26:11,137
OKAY.
CAMERAS, ALL CHECK.

536
00:26:11,170 --> 00:26:13,005
MOTION SENSORS ACTIVE.

537
00:26:13,039 --> 00:26:15,107
WE'LL FIRE UP THE LASERS
AFTER PATROL.

538
00:26:15,141 --> 00:26:16,042
HEAD OUT.

539
00:26:16,075 --> 00:26:18,945
Announcer:
AND THAT'S A STEAL BY PARKER.

540
00:26:18,978 --> 00:26:21,313
GAME ON.

541
00:26:27,086 --> 00:26:29,622
Hardison: THE SECURITY CAMERAS
ARE SPOOFED.

542
00:26:29,656 --> 00:26:31,691
THEY DON'T SEE ANYTHING
UNTIL WE WANT THEM TO.

543
00:26:31,724 --> 00:26:33,025
MOTION SENSORS?

544
00:26:33,059 --> 00:26:34,961
Hardison:
I'M STILL WORKING ON THOSE.

545
00:26:34,994 --> 00:26:37,930
YEAH. WELL, WORK FASTER.
SOPHIE, ARE YOU IN POSITION?

546
00:26:37,964 --> 00:26:39,932
I DON'T THINK I'VE DRIVEN

547
00:26:39,966 --> 00:26:42,301
IN THE FRONT
OF ONE OF THESE BEFORE.

548
00:26:45,972 --> 00:26:48,174
EMILY!

549
00:26:48,207 --> 00:26:50,777
EMILY!

550
00:26:50,810 --> 00:26:52,712
EMILY!

551
00:26:52,745 --> 00:26:55,114
EMILY!

552
00:26:55,147 --> 00:26:56,916
-SIR.
-LET ME IN!

553
00:26:56,949 --> 00:26:58,718
WHAT ARE YOU DOING?

554
00:26:58,751 --> 00:27:00,687
I'M HERE TO SEE EMILY!

555
00:27:00,720 --> 00:27:02,889
THERE'S NO EMILY HERE.

556
00:27:02,922 --> 00:27:04,223
WHAT?
WAIT, SH--

557
00:27:04,256 --> 00:27:06,092
[ MUMBLES ]

558
00:27:06,125 --> 00:27:07,259
SHE MOVED?

559
00:27:07,293 --> 00:27:08,394
HUH?

560
00:27:08,427 --> 00:27:09,796
EMILY...

561
00:27:09,829 --> 00:27:11,163
[ MUMBLING ]

562
00:27:29,816 --> 00:27:31,851
[ AIR HISSES ]

563
00:27:37,757 --> 00:27:40,192
I TRIED TO SAY TO HER I'M SORRY
AND I DON'T --

564
00:27:40,226 --> 00:27:44,697
BECAUSE, AS MEN, WE'RE TAUGHT
TO HIDE OUR EMOTIONS.

565
00:27:44,731 --> 00:27:48,034
YOU SHARE
OR YOU PAY THE PRICE.

566
00:27:48,067 --> 00:27:48,935
YEAH.

567
00:27:48,968 --> 00:27:51,804
HARDISON:
Next left, two intersections.

568
00:27:51,838 --> 00:27:54,741
OKAY, THE GALLERY ROOM
SHOULD BE DIRECTLY BELOW --

569
00:27:54,774 --> 00:27:56,208
UH -- UH-OH. WAIT.
F-FREEZE.

570
00:27:56,242 --> 00:27:57,476
Freeze.

571
00:27:57,509 --> 00:27:59,045
"UH-OH?"

572
00:27:59,078 --> 00:28:01,047
[ SIGHS ]
THAT'S NOT WHAT I WANT TO HEAR.

573
00:28:01,080 --> 00:28:02,949
ONE OF THE MOTION SENSORS
TRIGGERED.

574
00:28:02,982 --> 00:28:04,383
[ BEEPING ]

575
00:28:04,416 --> 00:28:07,720
MOTION SENSORS TRIGGERED.
CALL THE SECUR--

576
00:28:07,754 --> 00:28:09,121
WHOA!
[ SQUEAKING ]

577
00:28:09,155 --> 00:28:11,290
OH, MAN!

578
00:28:11,323 --> 00:28:13,292
[ SIGHS ]
A BIRD GOT IN HERE.

579
00:28:13,325 --> 00:28:15,227
TURN OFF ALL THE MOTION SENSORS

580
00:28:15,261 --> 00:28:17,229
UNTIL WE CAN GET
THIS DAMN THING.

581
00:28:17,263 --> 00:28:18,831
A BIRD?

582
00:28:18,865 --> 00:28:20,466
HOW DID A BIRD --

583
00:28:22,068 --> 00:28:23,435
UH-OH.

584
00:28:23,469 --> 00:28:25,938
WHAT'S WITH ALL THE "UH-OH"S?

585
00:28:30,810 --> 00:28:34,947
YOU WOULDN'T HIT A GIRL,
WOULD YOU?

586
00:28:58,404 --> 00:28:59,505
[ BEEP ]

587
00:28:59,538 --> 00:29:01,874
I HAVE THE CAMERAS NOW,
HARDISON.

588
00:29:01,908 --> 00:29:05,945
NOW I HAVE THE CAMERAS
AND THE MOTION SENSORS.

589
00:29:05,978 --> 00:29:06,913
No...

590
00:29:06,946 --> 00:29:10,883
I HAVE THE CAMERAS
AND THE MOTION SENSORS.

591
00:29:10,917 --> 00:29:11,918
[ GASPS ] LOOK!

592
00:29:11,951 --> 00:29:14,086
I ALSO HAVE THE LASERS.

593
00:29:15,988 --> 00:29:18,390
Announcer: ON THE RIGHT SIDE
FOR A 3-POINTER. NO GOOD.

594
00:29:18,424 --> 00:29:19,491
IT'S OFF THE BACK OF THE RIM.

595
00:29:19,525 --> 00:29:22,094
AND WATSON ENDS UP WITH IT
ON THE LONG REBOUND.

596
00:29:22,128 --> 00:29:25,031
THOSE MOTION SENSORS GOING OFF,
THAT WAS WEIRD.

597
00:29:25,064 --> 00:29:26,933
GO HOME.
SLEEP IT OFF, BRO.

598
00:29:26,966 --> 00:29:28,901
WE SHOULD GO HIT
THE MAIN GALLERY.

599
00:29:28,935 --> 00:29:30,937
NO, WAIT --
W-W-- J-JUST MAYBE WAIT.

600
00:29:30,970 --> 00:29:33,172
Starke:
WHAT IS GOING ON, GUYS?

601
00:29:33,205 --> 00:29:36,275
MOTION SENSORS WENT OFF, SIR.

602
00:29:36,308 --> 00:29:38,110
I ALREADY CHECKED THAT OUT.
EVERYTHING'S SECURE.

603
00:29:38,144 --> 00:29:39,111
AND WHO'S THIS?

604
00:29:39,145 --> 00:29:41,948
OH. [ CHUCKLES ]
HE JUST GOT LOST. NO PROBLEM.

605
00:29:41,981 --> 00:29:42,982
SIR, YOU OKAY?

606
00:29:43,015 --> 00:29:44,016
YEAH, I'M FINE.

607
00:29:44,050 --> 00:29:47,153
I'M NATHAN FORD.
I'M WITH THE INSURANCE COMPANY.

608
00:29:47,186 --> 00:29:49,388
CAN I HELP YOU?

609
00:29:49,421 --> 00:29:51,057
WHY DON'T WE JUST WALK
OVER HERE, SIR?

610
00:29:51,090 --> 00:29:52,892
COME ON.

611
00:29:52,925 --> 00:29:54,861
I GOT THIS.

612
00:29:54,894 --> 00:29:56,963
WHAT KIND OF BIRD DID YOU USE?

613
00:29:56,996 --> 00:29:58,364
NORTH AMERICAN KESTREL.

614
00:29:58,397 --> 00:30:02,001
IT'S SMALL-BODIED, BUT
ITS WINGSPAN IS EXPANSIVE ENOUGH

615
00:30:02,034 --> 00:30:04,436
THAT IT SETS OFF
THE MOTION DETECTORS.

616
00:30:04,470 --> 00:30:06,906
I WOULD'VE GONE
WITH THE SCARLET TANAGER.

617
00:30:06,939 --> 00:30:07,940
SIMILAR WINGSPAN,

618
00:30:07,974 --> 00:30:10,376
BUT THE BRIGHTER COLORS
ARE MORE DISTRACTING.

619
00:30:10,409 --> 00:30:13,045
YEAH.
THAT WAS MY SECOND CHOICE.

620
00:30:13,079 --> 00:30:14,180
HMM.

621
00:30:15,114 --> 00:30:16,482
[ GASPS ]

622
00:30:16,515 --> 00:30:18,150
HARDISON:
That's the wrong way.

623
00:30:18,184 --> 00:30:20,486
YOU'RE GOING TO COME OUT
ON THE WRONG SIDE OF THE ROOM!

624
00:30:20,519 --> 00:30:23,589
GO! YOUR EXIT
IS DIRECTLY ABOVE THAT PAINTING!

625
00:30:29,061 --> 00:30:30,863
[ STEAM HISSING ]

626
00:30:32,464 --> 00:30:35,067
SO I TOLD THEM,
I'M WITH THE INSURANCE COMPANY,

627
00:30:35,101 --> 00:30:37,169
YOU KNOW,
TO HELP SMOOTH THINGS OVER.

628
00:30:37,203 --> 00:30:38,971
THEY WERE JUST SUPER HELPFUL.

629
00:30:39,005 --> 00:30:39,906
ALL RIGHT.

630
00:30:39,939 --> 00:30:42,942
BLUEPRINTS, SECURITY CODES.
GREAT GUYS.

631
00:30:56,255 --> 00:30:58,390
AND NOW THE LASERS.

632
00:30:58,424 --> 00:31:00,126
GOOD NIGHT, HARDISON.

633
00:31:01,961 --> 00:31:04,897
P-P-PARKER, THE LASERS ARE ON!
FREEZE!

634
00:31:12,671 --> 00:31:14,140
NATE, HE LOCKED ME OUT.

635
00:31:14,173 --> 00:31:16,408
HE HAS TOTAL CONTROL
OF SECURITY.

636
00:31:16,442 --> 00:31:17,944
PARKER?

637
00:31:19,178 --> 00:31:21,013
CAN'T MOVE.

638
00:31:21,047 --> 00:31:22,114
ELIOT?

639
00:31:30,489 --> 00:31:32,091
[ STEAM HISSING ]

640
00:31:36,162 --> 00:31:37,363
ELIOT?!

641
00:31:37,396 --> 00:31:39,665
[ SIREN WAILING ]

642
00:31:42,368 --> 00:31:45,437
YOU ALL OUT OF TRICKS, NATE?

643
00:31:51,710 --> 00:31:54,013
YOU ALL OUT OF TRICKS, NATE?

644
00:31:54,046 --> 00:31:57,283
OH, I THINK HE HAS ONE MORE.

645
00:31:57,316 --> 00:31:58,350
SOPHIE?

646
00:31:58,384 --> 00:31:59,351
OOH!

647
00:31:59,385 --> 00:32:00,719
YOU'RE NOT...

648
00:32:00,752 --> 00:32:02,721
DEAD, YES.

649
00:32:02,754 --> 00:32:06,358
YOU WENT THROUGH ALL THIS
JUST TO SET ME UP?

650
00:32:06,392 --> 00:32:08,394
MNH-MNH. NO.

651
00:32:08,427 --> 00:32:11,330
WE WENT THROUGH ALL OF THIS
TO SAVE YOU.

652
00:32:19,438 --> 00:32:20,439
NO, NO.

653
00:32:30,016 --> 00:32:32,084
AAH! UGH!

654
00:32:35,387 --> 00:32:36,622
STAY DOWN.

655
00:32:36,655 --> 00:32:38,524
NOW, HARDISON.

656
00:32:38,557 --> 00:32:42,061
[ HUMMING, WHIRRING ]

657
00:32:44,430 --> 00:32:46,732
CAN'T HACK A CLASSIC.

658
00:32:48,800 --> 00:32:50,436
[ BEEPING ]

659
00:32:50,469 --> 00:32:52,071
[ CHUCKLES ]

660
00:32:55,141 --> 00:32:56,208
A GUN?

661
00:32:56,242 --> 00:32:57,509
[ GRUNTS ]

662
00:32:57,543 --> 00:32:59,578
-DON'T MOVE!
-WHAT ARE YOU DOING?

663
00:32:59,611 --> 00:33:01,080
[ GUN COCKS ]

664
00:33:01,113 --> 00:33:03,482
I GOT HIM!
HE'S IN HERE!

665
00:33:06,052 --> 00:33:07,319
GET DOWN.

666
00:33:09,188 --> 00:33:11,323
NOT ME. HIM.

667
00:33:16,095 --> 00:33:18,197
WHEN THE HELL
DID THE COPS GET HERE?

668
00:33:18,230 --> 00:33:19,665
[ ANNOUNCER CONTINUES ]

669
00:33:19,698 --> 00:33:21,300
THE POLICE ARE OUTSIDE!

670
00:33:33,479 --> 00:33:35,347
COME ON!

671
00:33:45,524 --> 00:33:47,626
[ HANDCUFFS CLICK ]

672
00:33:52,798 --> 00:33:54,700
-HMM.
-HMM.

673
00:33:54,733 --> 00:33:58,470
GUYS, GUYS.

674
00:33:58,504 --> 00:33:59,838
THIS WOMAN CLAIMS SHE'S A COP.

675
00:33:59,871 --> 00:34:01,440
UH, YEAH.
THEY'RE PARKED OUTSIDE.

676
00:34:01,473 --> 00:34:02,441
THERE YOU ARE.

677
00:34:02,474 --> 00:34:03,842
BACKUP IS CHECKING THE ROOF.

678
00:34:03,875 --> 00:34:06,178
ALL RIGHT, GOOD. I'M GONNA
HAVE THIS DUSTED FOR PRINTS.

679
00:34:06,212 --> 00:34:07,246
OKAY.

680
00:34:09,748 --> 00:34:12,551
CAUGHT ANOTHER ONE
DOWN IN THE AIR VENTS

681
00:34:12,584 --> 00:34:14,586
WITH THIS ROPE
AND CLIMBING GEAR.

682
00:34:14,620 --> 00:34:15,721
COME ON.

683
00:34:15,754 --> 00:34:17,756
QUICK THINKING, WHAT YOU DID,

684
00:34:17,789 --> 00:34:19,458
SETTING OFF ALL THE ALARMS
LIKE THAT.

685
00:34:19,491 --> 00:34:20,392
YOU'RE GONNA BE HEROES.

686
00:34:20,426 --> 00:34:22,261
YEAH, WELL,
THAT'S WHAT THEY PAY US FOR.

687
00:34:22,294 --> 00:34:24,263
THEY SHOULD PAY YOU MORE.
YOU ARE MY HERO.

688
00:34:24,296 --> 00:34:26,398
GUYS, YOU ARE THE SALT
OF THE EARTH, SERIOUSLY.

689
00:34:26,432 --> 00:34:29,335
YOU ARE THE RED IN THE RED CROSS
AND IN THE RED, WHITE, AND BLUE.

690
00:34:29,368 --> 00:34:31,337
I GOT TO GO.

691
00:34:31,370 --> 00:34:33,239
ALL RIGHT. BACK TO YOUR POSTS.
COME ON. LET'S GO.

692
00:34:37,709 --> 00:34:39,678
Starke:
THIS IS SAVING ME HOW?

693
00:34:39,711 --> 00:34:40,879
WELL, AT FIRST,

694
00:34:40,912 --> 00:34:43,815
I THOUGHT IT WAS YOU
THAT SENT ME THAT BOMB

695
00:34:43,849 --> 00:34:46,152
TO KEEP ME FROM RUINING
THIS GIG FOR YOU,

696
00:34:46,185 --> 00:34:48,154
BUT THEN YOU SAID SOMETHING
TO NATE.

697
00:34:48,187 --> 00:34:49,755
WORD ON THE STREET IS

698
00:34:49,788 --> 00:34:54,260
THAT YOU RUN THE NASTIEST CREW
THIS SIDE OF THE ATLANTIC.

699
00:34:54,293 --> 00:34:56,428
NO REASON TO PUT A BOMB
IN SOPHIE'S APARTMENT

700
00:34:56,462 --> 00:34:58,330
IF YOU THOUGHT
SHE WAS STILL A THIEF.

701
00:34:58,364 --> 00:35:00,366
WELL, OF COURSE
SHE'S STILL A THIEF.

702
00:35:00,399 --> 00:35:01,400
SHE'S SOPHIE DEVEREAUX.

703
00:35:01,433 --> 00:35:04,136
YOU KNOW, I WANTED
TO RECRUIT YOU FOR THIS GIG.

704
00:35:04,170 --> 00:35:05,337
OH.

705
00:35:05,371 --> 00:35:06,905
DID YOU TELL ANYONE ELSE

706
00:35:06,938 --> 00:35:09,208
THAT YOU WANTED TO INVITE ME
TO THE PARTY?

707
00:35:09,241 --> 00:35:11,377
YEAH, MY -- MY...

708
00:35:11,410 --> 00:35:12,678
MY CREW.

709
00:35:12,711 --> 00:35:15,847
AND, YOU KNOW, ONCE HARDISON GOT
DECENT PICTURES OF ALL OF THEM,

710
00:35:15,881 --> 00:35:18,384
WELL, YOU KNOW,
THE REST WAS, UH, WAS EASY.

711
00:35:18,417 --> 00:35:20,852
[ BEEPING ]

712
00:35:24,523 --> 00:35:26,592
IT'S A MATCH, BABY.

713
00:35:26,625 --> 00:35:28,594
Nate:
YEAH.

714
00:35:28,627 --> 00:35:30,862
[ GRUNTS ]

715
00:35:30,896 --> 00:35:32,431
I KNEW THAT SHE WAS TROUBLE

716
00:35:32,464 --> 00:35:33,865
FROM THE SECOND
YOU SAID HER NAME!

717
00:35:33,899 --> 00:35:35,634
UGH!

718
00:35:35,667 --> 00:35:36,868
[ ELECTRONIC DEVICE BEEPS ]

719
00:35:36,902 --> 00:35:37,903
HMM.

720
00:35:41,540 --> 00:35:44,776
NOW, WHY WOULD YOU
WANT TO KILL SOPHIE?

721
00:35:44,810 --> 00:35:46,512
CHAOS:
Come on, Starke.

722
00:35:46,545 --> 00:35:48,780
I HAD SET UP
THE PERFECT DOUBLE-CROSS,

723
00:35:48,814 --> 00:35:51,650
AND THEN YOU WANT TO GO
AND BRING IN A NEW PLAYER

724
00:35:51,683 --> 00:35:52,818
AT THE LAST MINUTE?

725
00:35:52,851 --> 00:35:53,852
"OH, AND BY THE WAY, GUYS,

726
00:35:53,885 --> 00:35:56,555
THAT NEW PLAYER IS GONNA BE
SOPHIE DEVEREAUX."

727
00:35:56,588 --> 00:36:00,959
There's no way I'm gonna try to
outcon Sophie Devereaux!

728
00:36:00,992 --> 00:36:02,127
AND I HATE TO BREAK IT TO YOU,
STARKE,

729
00:36:02,160 --> 00:36:06,298
BUT SHE WAS THE ONE THAT
EVERYBODY WAS ALWAYS SCARED OF.

730
00:36:06,332 --> 00:36:07,533
IT WAS NEVER YOU.

731
00:36:07,566 --> 00:36:09,701
I'VE GOT A FEELING
THERE'S A BOMB

732
00:36:09,735 --> 00:36:11,970
VERY SIMILAR
TO THE ONE THEY SENT ME

733
00:36:12,003 --> 00:36:13,939
WAITING FOR YOU
IN YOUR GETAWAY CAR.

734
00:36:13,972 --> 00:36:16,508
SOPHIE, COME ON.
I'M NOT AN AMATEUR.

735
00:36:16,542 --> 00:36:19,778
I'M NOT GONNA LET A KEYBOARD
MONKEY LIKE THAT CON ME.

736
00:36:19,811 --> 00:36:20,912
WHERE IS YOUR CAR?

737
00:36:20,946 --> 00:36:23,649
AND IF WE HADN'T COME ALONG,

738
00:36:23,682 --> 00:36:26,385
WHEN, EXACTLY, DO YOU THINK
YOU'D BE GETTING IN IT?

739
00:36:26,418 --> 00:36:28,654
WELL, RIGHT ABOUT...

740
00:36:30,856 --> 00:36:32,658
WHOA!

741
00:36:32,691 --> 00:36:35,261
WHY, THAT LITTLE SON OF A BITCH.

742
00:36:35,294 --> 00:36:37,463
I DON'T THINK
HE'S YOUR PROBLEM NOW.

743
00:36:37,496 --> 00:36:38,464
I AM.

744
00:36:38,497 --> 00:36:40,766
WELL, WHAT DO YOU WANT?

745
00:36:40,799 --> 00:36:42,434
-A DEAL.
-YES.

746
00:36:42,468 --> 00:36:44,470
YOUR PEOPLE IN TRADE FOR
THE FIRST PAINTING YOU STOLE,

747
00:36:44,503 --> 00:36:45,471
THE GUSTAV KLIMT.

748
00:36:45,504 --> 00:36:48,607
DO I LOOK LIKE MOSES?
THEY'RE NOT MY PEOPLE.

749
00:36:48,640 --> 00:36:50,509
YOUR REPUTATION WILL BE RUINED.

750
00:36:50,542 --> 00:36:52,578
STARKE GETS
HIS WHOLE TEAM BUSTED.

751
00:36:52,611 --> 00:36:54,346
SO MUCH FOR THE MASTERMIND.

752
00:36:54,380 --> 00:36:55,847
NO ONE'S EVER
GONNA WORK WITH YOU AGAIN.

753
00:36:55,881 --> 00:36:57,749
Nate: AND, OF COURSE,
TO TOP IT ALL OFF,

754
00:36:57,783 --> 00:37:00,652
WE DO HAVE THE, UH,
VAN GOGH THAT YOU CAME FOR.

755
00:37:00,686 --> 00:37:04,022
OH.
WELL...I MEAN...

756
00:37:04,055 --> 00:37:06,024
I'LL TRADE YOU FOR THAT.

757
00:37:06,057 --> 00:37:10,862
YOU REALLY DO RUN THE NASTIEST
CREW THIS SIDE OF THE ATLANTIC.

758
00:37:12,564 --> 00:37:13,799
[ SCOFFS ]

759
00:37:13,832 --> 00:37:15,033
WE'LL BE IN TOUCH.

760
00:37:15,066 --> 00:37:17,303
Starke:
YES, YOU WILL.

761
00:37:19,705 --> 00:37:21,540
SO, WHO'S EMILY, THEN?

762
00:37:21,573 --> 00:37:24,042
EIGHTH GRADE.
I WAS CRAZY ABOUT HER.

763
00:37:24,075 --> 00:37:27,012
AH.
LITTLE TEMPTRESS, HUH?

764
00:37:27,045 --> 00:37:30,482
OH, YOU COULD SAY THAT,
I GUESS.

765
00:37:30,516 --> 00:37:32,718
[ ENGINE TURNS OVER ]

766
00:37:34,820 --> 00:37:36,021
GO.

767
00:37:39,891 --> 00:37:42,628
I CAN TOP THAT.

768
00:37:47,366 --> 00:37:50,569
FRAG GRENADE, SOMALIA.

769
00:37:53,505 --> 00:37:55,874
MYANMAR.

770
00:37:55,907 --> 00:37:57,309
SNIPER.

771
00:37:58,777 --> 00:38:00,912
I WAS A SNIPER IN MYANMAR
FOR A WHILE.

772
00:38:00,946 --> 00:38:02,848
WHEN?

773
00:38:02,881 --> 00:38:04,950
2003.

774
00:38:09,421 --> 00:38:11,089
OH, NO, NO, NO, NO, NO.
WE CAN'T HAVE THAT.

775
00:38:11,122 --> 00:38:13,892
[ CHUCKLES ]
HANDCUFFS. Y'ALL NASTY.

776
00:38:13,925 --> 00:38:17,829
SO, WHEN I HEARD THIS PAINTING
BELONGED TO SOMEBODY ELSE,

777
00:38:17,863 --> 00:38:19,865
I WAS SO, UH...

778
00:38:19,898 --> 00:38:21,933
-DISMAYED?
-SO...

779
00:38:21,967 --> 00:38:23,402
-UH...
-OR, UM, SHOCKED.

780
00:38:23,435 --> 00:38:24,403
SHOCKED, MAYBE?

781
00:38:24,436 --> 00:38:25,604
SHOCKED.

782
00:38:25,637 --> 00:38:30,742
UH, MY ASSOCIATES AND I JUST
DECIDED WE HAD TO RETURN IT.

783
00:38:30,776 --> 00:38:32,478
OH, GOD BLESS YOU!

784
00:38:32,511 --> 00:38:34,513
THAT'S OKAY.
THANK YOU.

785
00:38:34,546 --> 00:38:35,881
-THANK YOU.
-GOD BLESS YOU.

786
00:38:35,914 --> 00:38:37,383
ENOUGH OF THE HUGGING.

787
00:38:37,416 --> 00:38:42,421
AFTER 70 YEARS,
TO SEE JUSTICE DONE...

788
00:38:43,755 --> 00:38:46,024
YOU ARE A FINE MAN.

789
00:38:50,929 --> 00:38:53,899
SO...WHERE'S MINE?

790
00:38:57,669 --> 00:39:00,005
YOU KNOW,
THE SOPHIE DEVEREAUX I KNEW --

791
00:39:00,038 --> 00:39:03,041
SHE'D NEVER WASTE HER TIME
LIKE THIS.

792
00:39:03,074 --> 00:39:04,576
WHAT HAPPENED TO HER?

793
00:39:04,610 --> 00:39:07,112
WELL...

794
00:39:07,145 --> 00:39:10,048
SHE DIED, REMEMBER?

795
00:39:10,081 --> 00:39:12,050
COME ON.

796
00:39:12,083 --> 00:39:14,886
IT WASN'T SO BAD
BEING THE GOOD GUY.

797
00:39:14,920 --> 00:39:16,054
OH, PLEASE.

798
00:39:16,087 --> 00:39:17,923
YOU RAN A COUPLE OF CONS,

799
00:39:17,956 --> 00:39:20,959
YOU COMMITTED ABOUT 12 FELONIES
TRYING TO BLACKMAIL ME,

800
00:39:20,992 --> 00:39:23,562
AND YOU HANDED OVER
A STOLEN MASTERPIECE

801
00:39:23,595 --> 00:39:25,497
JUST TO GET WHAT YOU WANTED.

802
00:39:25,531 --> 00:39:26,798
YOU'RE STILL THIEVES.

803
00:39:26,832 --> 00:39:29,968
AND IN THE END, I STILL WIN.

804
00:39:35,841 --> 00:39:38,844
YOU DID GIVE HIM
ONE OF THE FAKES, DIDN'T YOU?

805
00:39:38,877 --> 00:39:41,447
YES.
OF COURSE.

806
00:39:44,616 --> 00:39:46,117
HE GOT MY PHONE!

807
00:39:46,151 --> 00:39:49,855
[ BEEPING ]

808
00:39:49,888 --> 00:39:52,758
GO, GO! GO!

809
00:40:04,903 --> 00:40:07,639
THANKS FOR LETTING US USE
THE REAL ONE.

810
00:40:09,941 --> 00:40:12,544
YEAH.
I HATE LOOSE ENDS.

811
00:40:15,881 --> 00:40:17,616
LISTEN, I DON'T MEAN TO BE RUDE,

812
00:40:17,649 --> 00:40:19,818
BUT MY FLIGHT TO PARIS LEAVES
IN 10 MINUTES.

813
00:40:19,851 --> 00:40:20,786
NO PROBLEM, SIR.

814
00:40:20,819 --> 00:40:22,988
ROUTINE QUESTION
ABOUT YOUR CHECKED BAGGAGE.

815
00:40:23,021 --> 00:40:24,055
OH, OKAY, GREAT.

816
00:40:24,089 --> 00:40:26,725
WAIT. UM, I DON'T HAVE
ANY CHECKED BAGGAGE, SO...

817
00:40:26,758 --> 00:40:28,927
THAT'S YOUR NAME, ISN'T IT?

818
00:40:38,837 --> 00:40:40,539
THAT'S...

819
00:40:40,572 --> 00:40:43,208
I, UM...

820
00:40:43,241 --> 00:40:45,777
I...

821
00:40:45,811 --> 00:40:47,879
[ DOWN-TEMPO MUSIC PLAYS ]

822
00:41:00,959 --> 00:41:03,194
STARKE WAS RIGHT.

823
00:41:03,228 --> 00:41:05,030
I'M NOT SOPHIE DEVEREAUX
ANYMORE.

824
00:41:05,063 --> 00:41:06,565
I HAVEN'T BEEN FOR AGES.

825
00:41:06,598 --> 00:41:07,999
I...

826
00:41:08,033 --> 00:41:11,136
YOU KILLED HER,
YOU AND YOUR SILLY CRUSADE.

827
00:41:11,169 --> 00:41:13,104
IT'S JUST A NAME.

828
00:41:13,138 --> 00:41:14,940
NO, THEY'RE NOT JUST NAMES,
NOT TO ME.

829
00:41:14,973 --> 00:41:17,809
ALL MY ALIASES,
EVERY ONE OF THEM, I --

830
00:41:17,843 --> 00:41:19,110
I KNOW WHEN THEIR PARENTS DIED.

831
00:41:19,144 --> 00:41:20,812
I KNOW WHEN THEY HAD
THEIR FIRST KISS.

832
00:41:20,846 --> 00:41:22,213
-I --
-SOPHIE.

833
00:41:22,247 --> 00:41:24,215
[ SIGHS ]

834
00:41:24,249 --> 00:41:27,218
YOU'RE THE CLOSEST THING
I'VE EVER HAD TO A REAL FRIEND,

835
00:41:27,252 --> 00:41:32,824
AND I'VE NEVER HEARD YOU SAY
MY REAL NAME.

836
00:41:32,858 --> 00:41:34,993
HOW SAD IS THAT?

837
00:41:36,995 --> 00:41:39,698
SO TELL ME.

838
00:41:43,168 --> 00:41:44,169
HMM.

839
00:41:44,202 --> 00:41:49,741
LET ME -- LET ME FINISH
BURYING SOPHIE FIRST.

840
00:41:49,775 --> 00:41:54,012
FINISH BURYING
THE REST OF THEM...

841
00:41:54,045 --> 00:41:56,882
UNTIL ALL THAT'S LEFT IS ME.

842
00:41:56,915 --> 00:41:59,618
JUST ME.

843
00:42:06,658 --> 00:42:09,294
AND HOW LONG WILL THAT TAKE?

844
00:42:09,327 --> 00:42:12,230
[ MUSIC CONTINUES ]