1 00:00:30,631 --> 00:00:32,466 [ SPEAKING CHINESE ] 2 00:00:48,349 --> 00:00:50,784 [ INDISTINCT SHOUTING ] 3 00:00:57,758 --> 00:00:59,093 [ SIGHS ] 4 00:00:59,127 --> 00:01:00,728 I'LL HANDLE THIS. 5 00:01:08,502 --> 00:01:10,371 [ SPEAKING CHINESE ] 6 00:01:22,383 --> 00:01:24,652 VITAMINS? SHE O.D.'d ON VITAMINS? 7 00:01:24,685 --> 00:01:25,853 HIGH-DOSE SUPPLEMENTS. 8 00:01:25,886 --> 00:01:27,855 THEY GIVE THEM OUT AT THE FACTORY. 9 00:01:27,888 --> 00:01:29,490 THEY WORK... 10 00:01:29,523 --> 00:01:32,793 [ CONVERSING IN CHINESE ] 11 00:01:32,826 --> 00:01:34,495 ...15-HOUR DAYS. 12 00:01:34,528 --> 00:01:37,198 SO THEY GIVE THEM VITAMINS TO KEEP THEIR ENERGY UP -- 13 00:01:37,231 --> 00:01:38,499 ALSO INSTEAD OF MEAL BREAKS. 14 00:01:38,532 --> 00:01:39,733 SWEATSHOP. 15 00:01:39,767 --> 00:01:43,437 [ SPEAKING CHINESE ] 16 00:01:45,506 --> 00:01:47,175 THE OWNERS OF THE FACTORY, THE PANS, 17 00:01:47,208 --> 00:01:49,243 HELPED HER COME OVER TO THE STATES SIX MONTHS AGO. 18 00:01:49,277 --> 00:01:51,312 I WANT TO ASK YOU SOMETHING. 19 00:01:51,345 --> 00:01:54,848 IS -- IS FLORENCE HERE -- YOU CAN JUST TELL ME -- IT'S -- 20 00:01:54,882 --> 00:01:56,517 IS SHE HERE ILLEGALLY? 21 00:01:56,550 --> 00:01:58,519 NO, THE PANS ARE VERY CAREFUL. 22 00:01:58,552 --> 00:02:00,621 THEY PROVIDE WORK PAPERS, 23 00:02:00,654 --> 00:02:02,890 KEEP EVERYTHING JUST ON THIS SIDE OF LEGAL. 24 00:02:02,923 --> 00:02:03,991 BUT ONCE THE WOMEN ARE HERE, 25 00:02:04,024 --> 00:02:06,227 THEY MAKE THEM WORK OFF THE COST OF THEIR PASSAGE. 26 00:02:06,260 --> 00:02:07,928 RIGHT, WHICH, UH, TAKES YEARS 27 00:02:07,961 --> 00:02:09,497 BECAUSE, UH, MY GUESS IS 28 00:02:09,530 --> 00:02:11,765 THEY PAY THEM WELL BELOW MINIMUM WAGE. 29 00:02:11,799 --> 00:02:13,734 AND THEY KNOW BECAUSE OF THE LANGUAGE BARRIER, 30 00:02:13,767 --> 00:02:15,303 NO ONE'S GOING TO COMPLAIN. 31 00:02:15,336 --> 00:02:18,172 [ SPEAKING CHINESE ] 32 00:02:22,476 --> 00:02:23,911 SHE'S AFRAID IF SHE CAUSES TROUBLE, 33 00:02:23,944 --> 00:02:24,812 SHE'LL LOSE HER JOB. 34 00:02:24,845 --> 00:02:26,780 ALL SHE WANTS IS TO EARN ENOUGH MONEY 35 00:02:26,814 --> 00:02:28,416 TO BRING HER PARENTS OVER. 36 00:02:28,449 --> 00:02:30,751 NOW, WHAT ABOUT YOUR OFFICE? WHAT DO YOU GUYS DO? 37 00:02:30,784 --> 00:02:32,253 HOW COME YOU CAN'T FIX THIS? 38 00:02:32,286 --> 00:02:34,355 WE'RE AN IMMIGRANT-ADVOCACY NETWORK. 39 00:02:34,388 --> 00:02:37,391 WE CAN PROVIDE COUNSEL, BUT WITHOUT A FORMAL COMPLAINT, 40 00:02:37,425 --> 00:02:38,592 WE CAN'T DO ANYTHING. 41 00:02:38,626 --> 00:02:41,462 OKAY. WELL, WE CAN. 42 00:02:41,495 --> 00:02:43,931 NOW, DOES -- YOU -- YOU UNDERSTAND, RIGHT? 43 00:02:45,999 --> 00:02:47,401 THANK YOU, MR. FORD. 44 00:02:47,435 --> 00:02:49,870 YES. YES. OF COURSE. 45 00:02:49,903 --> 00:02:51,372 IT'S GONNA BE ALL RIGHT. 46 00:02:58,512 --> 00:03:00,648 -OH, SHE'S NOT HERE, SO I -- -HEY. 47 00:03:00,681 --> 00:03:04,218 SO, WHAT DO WE HAVE PLANNED FOR FLORENCE ONG? 48 00:03:04,252 --> 00:03:07,555 UH, WE'RE GONNA GET HER ENOUGH MONEY 49 00:03:07,588 --> 00:03:10,691 TO TAKE CARE OF HER AND GET HER PARENTS TO AMERICA. 50 00:03:10,724 --> 00:03:13,261 [ Chuckling ] THAT'S NOT A VERY BIG PAYOFF. 51 00:03:13,294 --> 00:03:14,862 I WANT TO GIVE YOU AN EASY ONE TO START. 52 00:03:14,895 --> 00:03:15,963 WHY ARE YOU HERE? 53 00:03:15,996 --> 00:03:17,598 SOPHIE SAID YOU ALWAYS MEET THE CLIENTS WITH HER, 54 00:03:17,631 --> 00:03:18,932 -SO I THOUGHT -- -YES... 55 00:03:18,966 --> 00:03:20,801 THAT'S SOMETHING I DID WITH SOPHIE. 56 00:03:23,837 --> 00:03:26,407 O...KAY. 57 00:03:29,743 --> 00:03:32,980 THE RICH AND POWERFUL, THEY TAKE WHAT THEY WANT. 58 00:03:33,013 --> 00:03:35,416 WE STEAL IT BACK FOR YOU. 59 00:03:38,786 --> 00:03:42,723 AND SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 60 00:03:44,558 --> 00:03:47,227 WE PROVIDE... 61 00:03:53,467 --> 00:03:55,769 HE SAYS HE'S COOL WITH HER, BUT YOU KNOW HOW HE IS. 62 00:03:55,803 --> 00:03:57,538 THE WAY SHE INTRODUCED HERSELF -- 63 00:03:57,571 --> 00:03:58,472 THAT WAS A SMOOTH CON. 64 00:03:58,506 --> 00:04:00,608 YEAH, BUT IT DIDN'T EXACTLY BUILD TRUST. 65 00:04:00,641 --> 00:04:03,043 LOOK, WE DIDN'T GET ALONG WHEN WE FIRST STARTED. 66 00:04:03,076 --> 00:04:05,779 ELIOT, HOW LONG DID IT TAKE BEFORE YOU TRUSTED ME? 67 00:04:05,813 --> 00:04:09,283 HMM? ELIOT, YOU DO TRUST ME, DON'T YOU? 68 00:04:09,317 --> 00:04:10,918 THAT'S NOT THE POINT, SOPHIE. 69 00:04:10,951 --> 00:04:13,387 IF NATE DOESN'T LIKE THIS CHICK, THEN IT'S NOT GONNA WORK. 70 00:04:13,421 --> 00:04:15,489 YEAH, WHICH IS WHY YOU'VE GOT TO GET HIM ON BOARD. 71 00:04:15,523 --> 00:04:16,457 LOOK, YOU NEED A GRIFTER. 72 00:04:16,490 --> 00:04:18,459 THE LAST TIME ONE OF YOU TRIED TO GRIFT... 73 00:04:18,492 --> 00:04:19,960 YOU WOUND UP KIDNAPPED BY RUSSIANS. 74 00:04:19,993 --> 00:04:21,829 -THAT'S THIS BROTHER RIGHT HERE. -HARDISON. 75 00:04:21,862 --> 00:04:23,964 UH, WE -- WE STILL CAN'T LET THAT GO? 76 00:04:23,997 --> 00:04:25,833 LISTEN TO ME. TARA COLE IS THE BEST. 77 00:04:25,866 --> 00:04:28,035 I WOULDN'T HAVE SENT HER IF I DIDN'T TRUST HER. 78 00:04:28,068 --> 00:04:29,770 AND I KNOW YOU'RE GONNA LOVE HER. 79 00:04:29,803 --> 00:04:31,572 SO JUST -- JUST GIVE HER A CHANCE. 80 00:04:31,605 --> 00:04:32,640 SHE IS HOT. 81 00:04:32,673 --> 00:04:33,641 VERY HOT. 82 00:04:33,674 --> 00:04:34,675 HOT. 83 00:04:38,512 --> 00:04:40,581 WARM? COLD? 84 00:04:40,614 --> 00:04:41,982 WHY ARE WE STARING? 85 00:04:42,015 --> 00:04:43,951 YEAH, I'M NOT SAYING YOU SHOULD THROW HER AT HIM. 86 00:04:43,984 --> 00:04:45,085 I'M JUST SAYING, GET HIM ON BOARD. 87 00:04:45,118 --> 00:04:47,455 LOOK, HE DOESN'T ALWAYS KNOW WHAT'S GOOD FOR HIM. 88 00:04:47,488 --> 00:04:49,490 AND EVEN IF HE DOES, HE DOESN'T DO ANYTHING ABOUT IT. 89 00:04:49,523 --> 00:04:51,459 HE JUST LETS IT WALK STRAIGHT OUT THE DOOR AND -- 90 00:04:51,492 --> 00:04:53,827 LIKE ALL THE WAY TO EUROPE? 91 00:04:53,861 --> 00:04:55,896 [ SIGHS ] 92 00:04:55,929 --> 00:04:57,465 JUST DO IT FOR ME, HUH? 93 00:04:57,498 --> 00:04:59,733 SO I DON'T HAVE TO WORRY ABOUT YOU. 94 00:04:59,767 --> 00:05:01,735 HEY. 95 00:05:01,769 --> 00:05:03,971 [ MONITOR BEEPS ] -TOUCHDOWN. 96 00:05:04,004 --> 00:05:06,474 I JUST MISS YOU. 97 00:05:09,577 --> 00:05:11,645 [ SIGHS ] 98 00:05:16,083 --> 00:05:17,084 OKAY, RUN IT. 99 00:05:17,117 --> 00:05:18,519 GLORIA AND RUSSELL PAN. 100 00:05:18,552 --> 00:05:19,620 SELF-MADE MILLIONAIRES. 101 00:05:19,653 --> 00:05:21,789 THEY BUILT THEIR FORTUNE OFF A COMPANY 102 00:05:21,822 --> 00:05:24,625 THAT PRODUCES CHEAP KNOCKOFFS OF THE LATEST FASHIONS. 103 00:05:24,658 --> 00:05:27,895 THE BARGAIN BIN HAS BEEN VERY GOOD TO THE PANS. 104 00:05:27,928 --> 00:05:30,398 THEY GOT A NICE CAR, BIG HOUSE IN BROOKLINE. 105 00:05:30,431 --> 00:05:32,032 GLORIA HERE -- SHE WORKS THE FACTORY FLOOR. 106 00:05:32,065 --> 00:05:33,501 SHE DESIGNS ALL THE CLOTHES. 107 00:05:33,534 --> 00:05:35,403 RUSSELL, HE HANDLES ALL THE ACCOUNTING 108 00:05:35,436 --> 00:05:37,104 AND WORKS WITH THE PARTNERS IN CHINA. 109 00:05:37,137 --> 00:05:38,672 OKAY, GLORIA DESIGNS THE CLOTHES. 110 00:05:38,706 --> 00:05:40,073 DOES SHE HAVE ANY TRAINING? 111 00:05:40,107 --> 00:05:42,676 SHE DID A CORRESPONDENCE COURSE WITH A FASHION SCHOOL. 112 00:05:42,710 --> 00:05:44,812 AND SHE SUBSCRIBES TO ALL THE MAGAZINES -- 113 00:05:44,845 --> 00:05:46,580 VOGUE, InStyle, FASHION & STYLE. 114 00:05:46,614 --> 00:05:48,982 SHE, UH, SHE SUBMITTED TO "PROJECT RUNWAY." 115 00:05:49,016 --> 00:05:51,151 -LAST YEAR? -LAST THREE YEARS. 116 00:05:51,184 --> 00:05:54,087 OKAY. THAT'S OUR WAY IN. 117 00:05:54,121 --> 00:05:56,857 WE'RE GONNA SELL GLORIA PAN... 118 00:05:56,890 --> 00:05:59,159 HER DREAM. YEAH, NO, I GET IT. 119 00:05:59,192 --> 00:06:02,029 I MEAN, THE WORD "CON" COMES FROM "CONFIDENCE," RIGHT? 120 00:06:02,062 --> 00:06:03,531 SO WE GOT TO BUILD HER CONFIDENCE, 121 00:06:03,564 --> 00:06:05,733 -MAKE HER THINK SHE'S THE GREATEST DESIGNER IN THE WORLD. -THERE YOU GO. 122 00:06:05,766 --> 00:06:07,668 HOW? HOW? 123 00:06:08,836 --> 00:06:10,871 WE NEED A CAPRINA. 124 00:06:10,904 --> 00:06:13,741 W-WHAT DOES THAT... 125 00:06:13,774 --> 00:06:15,909 SO HE JUST SAYS THINGS AND THEN WALKS AWAY? 126 00:06:15,943 --> 00:06:17,478 YEAH. 127 00:06:17,511 --> 00:06:19,713 YOU'RE GONNA HAVE TO GET USED TO THAT. 128 00:06:23,484 --> 00:06:25,586 [ BREATHES DEEPLY ] 129 00:06:28,456 --> 00:06:30,758 [ CAMERA SHUTTER CLICKING ] 130 00:07:02,122 --> 00:07:04,658 COME ON, RUSSELL, LET'S GO. 131 00:07:24,111 --> 00:07:25,646 [ BEEP ] 132 00:07:26,647 --> 00:07:27,515 [ BEEP ] 133 00:07:32,853 --> 00:07:33,754 HMM... 134 00:07:33,787 --> 00:07:36,256 "CAPRINA. HOTTEST DESIGNER IN THE WORLD." 135 00:07:36,289 --> 00:07:37,558 FABULOUS LOOK! 136 00:07:37,591 --> 00:07:38,826 OVER HERE, OVER HERE! 137 00:07:38,859 --> 00:07:41,795 [ INDISTINCT SHOUTING ] 138 00:07:41,829 --> 00:07:44,064 THIS? DON'T YOU LOVE IT? 139 00:07:44,097 --> 00:07:45,633 IT'S BY CAPRINA. 140 00:07:47,735 --> 00:07:50,738 THIS? DON'T YOU LOVE IT? IT'S BY CAPRINA. 141 00:07:54,141 --> 00:07:55,609 [ BEEPING ] 142 00:08:00,013 --> 00:08:01,682 [ CAMERA SHUTTER CLICKING ] 143 00:08:01,715 --> 00:08:02,616 FABULOUS LOOK! 144 00:08:02,650 --> 00:08:06,520 THIS? DON'T YOU LOVE IT? IT'S BY CAPRINA? 145 00:08:06,554 --> 00:08:08,155 SO THERE YOU HAVE IT. 146 00:08:08,188 --> 00:08:09,389 LIKE EVERYONE ELSE, 147 00:08:09,422 --> 00:08:11,759 WE CAN'T WAIT TO SEE WHAT SURPRISES CAPRINA HAS IN STORE 148 00:08:11,792 --> 00:08:13,761 FOR HER HIGHLY ANTICIPATED FASHION SHOW... 149 00:08:13,794 --> 00:08:17,064 ...AT NEW ENGLAND'S FASHION WEEK. 150 00:08:17,097 --> 00:08:18,832 HMM. 151 00:08:22,736 --> 00:08:24,137 [ CHUCKLES ] 152 00:08:26,774 --> 00:08:29,042 [ METAL CLANKING ] 153 00:08:31,078 --> 00:08:33,681 IT'S CAPRINA'S SKETCHBOOK. NO DESIGNER WOULD BE WITHOUT IT. 154 00:08:33,714 --> 00:08:35,215 GREAT. 155 00:08:35,248 --> 00:08:37,150 TELL ME ABOUT FASHION WEEK. 156 00:08:37,184 --> 00:08:39,620 THE BIG DESIGNERS USE IT TO LAUNCH THEIR NEW COLLECTIONS, 157 00:08:39,653 --> 00:08:41,321 BUT IT'S MAINLY SHOWCASES FOR RISING STARS. 158 00:08:41,354 --> 00:08:43,757 THE INVESTORS ARE ALWAYS LOOKING FOR THE NEXT BIG THING. 159 00:08:43,791 --> 00:08:46,093 TOMMY HILFIGER, MARC JACOBS, ANDRE V -- 160 00:08:46,126 --> 00:08:47,761 THEY ALL GOT THEIR START AT FASHION WEEK. 161 00:08:49,963 --> 00:08:51,599 WHAT? 162 00:08:51,632 --> 00:08:53,100 IS THAT -- IS THAT MASCARA, DUDE? 163 00:08:53,133 --> 00:08:54,835 -YOU GOT ON GUYLINER, MAN. -MAN -- 164 00:08:54,868 --> 00:08:56,570 AND THE LEATHER PANTS? WHAT THE -- 165 00:08:56,604 --> 00:08:59,139 THIS IS -- LISTEN -- THIS IS FASHION-Y. 166 00:08:59,172 --> 00:09:01,208 IF YOU'RE STEVEN SEAGAL. 167 00:09:01,241 --> 00:09:04,778 [ CHUCKLING ] 168 00:09:08,315 --> 00:09:10,183 [ STAMMERS ] 169 00:09:10,217 --> 00:09:12,820 DON'T. DON'T. 170 00:09:12,853 --> 00:09:14,788 NOT EVERYBODY CAN ROCK THE SCARF. 171 00:09:14,822 --> 00:09:18,792 I WAS GONNA SAY "STEVEN TYLER," BUT "SEAGAL" WORKS. 172 00:09:18,826 --> 00:09:20,761 [ LAUGHS ] 173 00:09:20,794 --> 00:09:22,663 I... 174 00:09:22,696 --> 00:09:25,032 IT'S A BOLD CHOICE, MAN. I RESPECT IT. 175 00:09:26,366 --> 00:09:28,301 TELL ME THIS LOOKS EGGPLANT TO YOU! 176 00:09:28,335 --> 00:09:30,303 [ Italian accent ] NO, NO, I LIKE THE PURPLE, 177 00:09:30,337 --> 00:09:32,840 BUT I NEED SOMETHING THAT WILL HOLD UP TO RUCHING, YEAH? 178 00:09:32,873 --> 00:09:35,676 SOMETHING, UH -- THIS, PERHAPS! 179 00:09:35,709 --> 00:09:37,344 DID YOU INVITE MARCEL TO THE SHOW? 180 00:09:37,377 --> 00:09:38,812 YOU KNOW HOW TOUCHY HE GETS. 181 00:09:38,846 --> 00:09:41,749 EXCUSE ME, IS THIS YOUR... 182 00:09:41,782 --> 00:09:43,083 GRAZIE! 183 00:09:43,116 --> 00:09:44,752 MY DESIGNS, MY DREAMS! 184 00:09:44,785 --> 00:09:46,820 FOR A DESIGNER, THIS IS SACRED. 185 00:09:46,854 --> 00:09:48,722 OH, I KNOW. 186 00:09:48,756 --> 00:09:50,724 AH, YOU ARE ARTISTE, TOO, HUH? 187 00:09:50,758 --> 00:09:53,160 YES. YES, I AM. I'M GLORIA PAN. 188 00:09:53,193 --> 00:09:54,261 [ CHUCKLES ] 189 00:09:54,294 --> 00:09:55,929 AND CAN I SAY, I'M A GREAT ADMIRER. 190 00:09:55,963 --> 00:09:57,164 SO KIND. 191 00:09:57,197 --> 00:09:59,700 I'M SURE YOUR WORK IS, UH, WONDERFUL, TOO. 192 00:09:59,733 --> 00:10:00,701 MAY I? 193 00:10:00,734 --> 00:10:02,202 -REALLY? -AH. 194 00:10:02,235 --> 00:10:03,370 UH, PLEASE. 195 00:10:06,039 --> 00:10:07,808 OH. 196 00:10:07,841 --> 00:10:10,210 SO LOVELY! 197 00:10:10,243 --> 00:10:12,780 SUCH BOLD USE OF BUCKLES! HUH? 198 00:10:12,813 --> 00:10:15,082 I CALL IT "PILGRIM CHIC." [ CHUCKLES ] 199 00:10:15,115 --> 00:10:17,350 WHO ARE YOU WITH? GUCCI? DIOR? 200 00:10:17,384 --> 00:10:19,186 -I'M INDEPENDENT. [ CELLPHONE RINGS ] 201 00:10:19,219 --> 00:10:20,187 WE MUST GO. 202 00:10:20,220 --> 00:10:22,022 WE MUST TALK MORE. 203 00:10:22,055 --> 00:10:23,791 COME TO THE RUN-THROUGH FOR MY SHOW. 204 00:10:23,824 --> 00:10:25,125 I INSIST. JULIAN, TICK TOCK. 205 00:10:25,158 --> 00:10:26,927 YOU MEAN FASHION WEEK?! 206 00:10:26,960 --> 00:10:29,029 OF COURSE. THAT IS WHY I AM IN TOWN. 207 00:10:29,062 --> 00:10:31,364 THAT IS WHY ALL THE DESIGNERS ARE IN TOWN. 208 00:10:31,398 --> 00:10:33,133 AND BRING YOUR SKETCHES, HUH? 209 00:10:33,166 --> 00:10:36,103 THERE ARE PEOPLE YOU MUST MEET. 210 00:10:36,136 --> 00:10:37,370 CIAO, BELLA! 211 00:10:37,404 --> 00:10:38,972 [ SMOOCHING ] 212 00:10:39,006 --> 00:10:40,373 [ CHUCKLES ] 213 00:10:42,475 --> 00:10:44,177 [ Normal voice ] OKAY, SHE'S ON THE HOOK. 214 00:10:44,211 --> 00:10:46,980 GREAT. LET'S GO STEAL A FASHION SHOW. 215 00:10:47,014 --> 00:10:49,182 "STEAL A FASH--" DOES HE ALWAYS TALK LIKE THAT? 216 00:10:49,216 --> 00:10:50,884 YOU'RE ON COMMS. 217 00:10:50,918 --> 00:10:52,452 UH, YOU DO KNOW I CAN HEAR YOU. 218 00:10:52,485 --> 00:10:55,655 [ FEEDBACK SQUEALS ] 219 00:11:02,429 --> 00:11:05,432 HEY, KERRY, HOW'S THIS WITH THE SIGN? 220 00:11:05,465 --> 00:11:07,434 OKAY, NUMBER TWO'S READY. LET'S GO. 221 00:11:07,467 --> 00:11:10,771 OKAY, YOU KNOW WHAT? THAT IS GOING TO ROCK, OKAY? 222 00:11:10,804 --> 00:11:12,840 ALL RIGHT, HERE WE GO. 223 00:11:13,941 --> 00:11:15,809 BEAUTIFUL. BEAUTIFUL, DARLING. 224 00:11:18,979 --> 00:11:19,880 HERE WE GO. 225 00:11:19,913 --> 00:11:21,915 IT'S PERFECT. I LOVE THIS. THIS LOOKS GOOD. 226 00:11:23,150 --> 00:11:26,119 KERRY, I'VE GOT THE PRESS BADGES. 227 00:11:27,120 --> 00:11:28,956 [ INDISTINCT TALKING CONTINUES ] 228 00:11:33,493 --> 00:11:36,096 OKAY, THE DESIGNER'S HAVING A MELTDOWN, KERRY. 229 00:11:36,129 --> 00:11:37,965 THE DELIVERY TRUCK'S HERE. 230 00:11:37,998 --> 00:11:39,867 KERRY, WHICH ONE IS READY? 231 00:11:39,900 --> 00:11:41,134 10 MINUTES. 232 00:11:46,173 --> 00:11:48,008 AM I ALL CLEAR? 233 00:11:48,041 --> 00:11:50,143 12 CHANNELS, 120 ASSISTANTS. 234 00:11:50,177 --> 00:11:51,278 MY LOGIC FILTER'S TELLING ME 235 00:11:51,311 --> 00:11:53,914 THE TRAFFIC IS BEING DIRECTED BY SOMEBODY NAMED KERRY. 236 00:11:53,947 --> 00:11:54,915 MM. 237 00:11:54,948 --> 00:11:56,416 [ BEEPING ] 238 00:11:56,449 --> 00:11:57,517 GO. 239 00:11:57,550 --> 00:11:59,086 OH, YEAH, KERRY, 240 00:11:59,119 --> 00:12:00,320 UH, THIS IS LEON FROM PARKING. 241 00:12:00,353 --> 00:12:03,023 It seems there's a George Armani here 242 00:12:03,056 --> 00:12:05,358 WHO'S VERY UPSET BECAUSE HIS PARKING SPACE IS MISSPELLED. 243 00:12:05,392 --> 00:12:06,827 What?! 244 00:12:06,860 --> 00:12:09,229 OH, MY GOD. OH, MY GOD. OH, MY GOD! 245 00:12:09,262 --> 00:12:11,364 Okay, Parker, you're up. 246 00:12:11,398 --> 00:12:13,200 HEY, YOU! 247 00:12:13,233 --> 00:12:14,234 YEAH, YOU. 248 00:12:14,267 --> 00:12:15,368 THE MODELS ARE OUT OF MENTHOL, 249 00:12:15,402 --> 00:12:17,237 AND THE GREEN-ROOM WATER IS COLD, 250 00:12:17,270 --> 00:12:18,338 NOT ROOM TEMPERATURE. 251 00:12:18,371 --> 00:12:20,240 AND THAT'S MY PROBLEM HOW? 252 00:12:20,273 --> 00:12:21,241 [ SLAMS TABLE ] 253 00:12:21,274 --> 00:12:23,176 WERE YOU AT THE MORNING UPDATE? 254 00:12:23,210 --> 00:12:25,112 BECAUSE I THINK KERRY 255 00:12:25,145 --> 00:12:28,381 WILL BE VERY, VERY INTERESTED IN WHO WAS AND WAS NOT 256 00:12:28,415 --> 00:12:30,117 AT THAT MANDATORY MEETING. 257 00:12:30,150 --> 00:12:31,084 KERRY? 258 00:12:32,152 --> 00:12:34,187 MANDATORY? 259 00:12:34,221 --> 00:12:35,255 THIS MORNING?! 260 00:12:35,288 --> 00:12:36,890 [ Sighing ] YEAH. 261 00:12:36,924 --> 00:12:38,425 [ SIGHS ] 262 00:12:38,458 --> 00:12:40,193 [ BEEP ] 263 00:12:40,227 --> 00:12:43,063 ACCESSING PRINTER. 264 00:12:43,096 --> 00:12:45,999 TELL ME YOU HAVE A NEW GUEST LIST. 265 00:12:47,167 --> 00:12:49,136 KERRY PRINTED IT OUT IN THE MEETING! 266 00:12:49,169 --> 00:12:50,971 [ EXHALES SHARPLY ] 267 00:12:56,476 --> 00:12:57,544 [ GASPS ] 268 00:12:57,577 --> 00:12:59,012 I DIDN'T EVEN SEE THIS. 269 00:12:59,046 --> 00:13:00,247 MM... 270 00:13:00,280 --> 00:13:02,582 LISTEN. 271 00:13:02,615 --> 00:13:06,186 MAYBE KERRY DOESN'T HAVE TO... KNOW ABOUT THIS? 272 00:13:06,219 --> 00:13:07,287 HMM? 273 00:13:07,320 --> 00:13:10,490 OH, YEAH, SEE, UH... 274 00:13:10,523 --> 00:13:12,059 [ SIGHS ] 275 00:13:12,092 --> 00:13:13,460 JUST THIS ONCE. 276 00:13:13,493 --> 00:13:15,328 Thank you. 277 00:13:19,499 --> 00:13:22,569 HI. OH. [ CHUCKLES ] [ RAPS TABLE ] 278 00:13:22,602 --> 00:13:24,337 PASSES, PLEASE, FOR CAPRINA. 279 00:13:32,279 --> 00:13:34,614 HOW YOU DOING? 280 00:13:34,647 --> 00:13:36,616 [ CHUCKLES ] 281 00:13:36,649 --> 00:13:38,118 FINE. 282 00:13:39,119 --> 00:13:41,321 ALL RIGHT. 283 00:13:45,392 --> 00:13:46,226 RIGHT HERE. 284 00:13:46,259 --> 00:13:48,028 -[ European accent ] PREENIE, PREENIE. 285 00:13:48,061 --> 00:13:48,896 -CAPRINA! 286 00:13:48,929 --> 00:13:50,898 YOU HAVE OUTDONE YOURSELF ONCE AGAIN. 287 00:13:50,931 --> 00:13:52,866 THE FALL LINE IS GOING TO BE FANTASTIC. 288 00:13:52,900 --> 00:13:54,634 -YEAH. [ SMOOCHING ] 289 00:13:54,667 --> 00:13:56,069 NO, NO, THE HAIR -- NOT UP! 290 00:13:56,103 --> 00:13:58,005 NOT UP. LOOSE. IN CURLS. 291 00:13:58,038 --> 00:13:59,306 UP, IT LOOKS LIKE SOMEONE 292 00:13:59,339 --> 00:14:01,108 IS, UH, SQUEEZING YOUR FOREHEAD FOR JUICE. 293 00:14:01,141 --> 00:14:02,242 BABY, GET US THE EXCLUSIVE. 294 00:14:02,275 --> 00:14:04,011 LOOK -- 12 PAGES, SEPTEMBER ISSUE. 295 00:14:04,044 --> 00:14:06,379 -HOW DOES THAT SOUND? -IT SOUNDS LIKE YOU. 296 00:14:06,413 --> 00:14:08,115 YOU KNOW, I WANT TO TALK ABOUT HOW YOU MAKE -- 297 00:14:08,148 --> 00:14:09,382 NO, NO, I DON'T LIKE TO TALK MONEY. 298 00:14:09,416 --> 00:14:10,650 YES, BUT YOU KNOW I DO. 299 00:14:10,683 --> 00:14:12,419 [ CLEARS THROAT ] 300 00:14:12,452 --> 00:14:15,055 AH, GLENDA! COME, COME, COME, COME. 301 00:14:15,088 --> 00:14:17,524 -GLORIA. GLORIA PAN. -OF COURSE. 302 00:14:17,557 --> 00:14:19,359 THIS IS NIGEL MARSHALL THORN, 303 00:14:19,392 --> 00:14:22,062 EDITOR OF FASHION & STYLE MAGAZINE. HUH? 304 00:14:22,095 --> 00:14:24,397 AND THIS CRASS LITTLE CAPITALIST IS JACQUES BOUVIER, 305 00:14:24,431 --> 00:14:25,598 MY SPONSOR. 306 00:14:25,632 --> 00:14:28,368 GLENDA HERE IS QUITE THE ARTISTE HERSELF. 307 00:14:28,401 --> 00:14:30,337 SHOW NIGEL YOUR SKETCHBOOK. 308 00:14:30,370 --> 00:14:32,172 AH, NO, NO, NO, NO, NO. 309 00:14:32,205 --> 00:14:33,173 WHAT IS WRONG? WHAT? WHAT? 310 00:14:33,206 --> 00:14:34,007 OH! 311 00:14:34,041 --> 00:14:35,943 NO, MY -- MY -- MY YOUNG DESIGNER, 312 00:14:35,976 --> 00:14:38,078 WHO IS GOING TO BE AT THE NEWCOMER SHOWCASE 313 00:14:38,111 --> 00:14:39,546 AT THE END OF FASHION WEEK -- 314 00:14:39,579 --> 00:14:41,348 -ARRESTED. -DRUGS IN THE CAR? 315 00:14:41,381 --> 00:14:43,416 -NO, HOOKER IN THE HOTEL. -OHH. 316 00:14:43,450 --> 00:14:45,618 HE WAS TO BE MY GREAT DISCOVERY. OHH. 317 00:14:45,652 --> 00:14:46,486 OH... 318 00:14:46,519 --> 00:14:48,521 I DON'T KNOW WHAT TO DO. I -- YOU KNOW -- 319 00:14:48,555 --> 00:14:50,190 WHAT THAT BOY COULD DO WITH A BUCKLE. 320 00:14:50,223 --> 00:14:52,592 YOU KNOW, MS. PAN'S DESIGNS ARE NOT BAD. 321 00:14:52,625 --> 00:14:54,194 I'M GONNA HAVE TO CANCEL THE TV CREWS. 322 00:14:54,227 --> 00:14:56,263 I DO HAVE EXPERIENCE IN THE BUSINESS. 323 00:14:56,296 --> 00:14:57,697 AND THE REALITY PROGRAM WAS GOING TO COME 324 00:14:57,730 --> 00:14:59,399 -AND DO IT, AS WELL. -NO, NO, NO, JACQUES -- 325 00:14:59,432 --> 00:15:01,101 PUPPY, STOP BABBLING FOR A SECOND 326 00:15:01,134 --> 00:15:02,669 AND LISTEN TO NIGEL, HUH? 327 00:15:02,702 --> 00:15:05,472 YOU COULD INTRODUCE HER AT THE SHOWCASE! 328 00:15:05,505 --> 00:15:06,473 HER? 329 00:15:06,506 --> 00:15:08,175 [ STAMMERS ] 330 00:15:08,208 --> 00:15:09,376 YOU -- YOU MUST BE JOKING. 331 00:15:09,409 --> 00:15:11,544 NO, LOOK. LOOK, LOOK, LOOK, LOOK. 332 00:15:11,578 --> 00:15:13,947 THINK OF WHAT A COUP IT WOULD BE, HUH? 333 00:15:13,981 --> 00:15:15,715 OUT OF THE ASHES OF SCANDAL, 334 00:15:15,748 --> 00:15:18,986 JACQUES BOUVIER DISCOVERS A DIAMOND IN THE ROUGH. 335 00:15:19,019 --> 00:15:21,621 BUT...SHE'S SO... 336 00:15:21,654 --> 00:15:22,956 OLD. 337 00:15:22,990 --> 00:15:24,524 TRAGICALLY SO, 338 00:15:24,557 --> 00:15:26,960 BUT GLORIA VANDERBILT DIDN'T SELL HER FIRST PAIR OF JEANS 339 00:15:26,994 --> 00:15:29,162 UNTIL SHE WAS 40 -- EW -- BUT PEOPLE EAT THESE STORIES. 340 00:15:29,196 --> 00:15:30,263 THEY DO. THEY EAT 'EM UP. 341 00:15:30,297 --> 00:15:31,464 NO, I KNOW -- LOOK, 342 00:15:31,498 --> 00:15:34,367 THE PUBLICITY, YEAH, WOULD BE WORTH MILLIONS. 343 00:15:34,401 --> 00:15:36,103 YEAH, I UNDERSTAND, BUT... 344 00:15:36,136 --> 00:15:38,038 -I DON'T KNOW. IT'S SO -- -LOOK, LOOK. LOOK. 345 00:15:38,071 --> 00:15:39,973 [ SIGHS ] DO YOU HAVE MORE? 346 00:15:40,007 --> 00:15:43,010 YES, YES, THE REST ARE ON MY COMPUTER AT WORK. 347 00:15:43,043 --> 00:15:44,444 IF YOU'D LIKE TO COME TO MY OFFICE... 348 00:15:44,477 --> 00:15:46,413 I MEAN, I MUST BE OUT OF MY MIND, 349 00:15:46,446 --> 00:15:49,349 BUT I MUST GET SOMETHING UP ON THIS DESIGNER SHOWCASE. 350 00:15:49,382 --> 00:15:51,084 YEAH. OKAY. 351 00:15:51,118 --> 00:15:54,187 WELL, LET'S SEE WHAT GLORIA PAN-DERVILT HAS TO OFFER, YEAH. 352 00:15:54,221 --> 00:15:56,056 GO, GO, GO. 353 00:15:56,089 --> 00:15:57,457 [ SMOOCHES ] 354 00:15:57,490 --> 00:15:58,525 SO, GOOD LINES. 355 00:15:58,558 --> 00:16:01,294 YEAH, I LIKE VERY MUCH THE LINES OF THE CROSSOVER 356 00:16:01,328 --> 00:16:04,764 INTO THE -- IT GIVES A FLOW. 357 00:16:04,797 --> 00:16:06,566 YEAH. 358 00:16:06,599 --> 00:16:08,701 [ WHISPERING INDISTINCTLY ] 359 00:16:12,105 --> 00:16:13,606 COME GIVE ME A HUG. 360 00:16:13,640 --> 00:16:14,707 [ LAUGHS ] 361 00:16:14,741 --> 00:16:16,043 YEAH, DO YOU KNOW WHY? 362 00:16:16,076 --> 00:16:18,378 BECAUSE YOU ARE GOING TO BE THE -- 363 00:16:18,411 --> 00:16:21,448 THE FEATURE DESIGNER AT THE NEWCOMER SHOWCASE. 364 00:16:21,481 --> 00:16:22,515 [ GASPS ] 365 00:16:22,549 --> 00:16:24,384 YEAH, THE MODELS ARE ALREADY BOOKED. 366 00:16:24,417 --> 00:16:26,286 SO THEY WON'T BE A PROBLEM, BUT I'M A LITTLE CONCERNED 367 00:16:26,319 --> 00:16:28,521 BECAUSE WE'RE GONNA HAVE TO PUT A RUSH ON THE GARMENT CREATION, 368 00:16:28,555 --> 00:16:29,756 WHICH IS VERY EXPENSIVE, YOU KNOW. 369 00:16:29,789 --> 00:16:30,923 WHAT'S GOING ON? 370 00:16:30,957 --> 00:16:34,594 RUSSELL, THESE PEOPLE ARE GOING TO PUT ON MY FIRST SHOW, 371 00:16:34,627 --> 00:16:35,628 AT FASHION WEEK. 372 00:16:35,662 --> 00:16:37,197 -THEY'RE WHAT? -[ SCOFFS ] 373 00:16:37,230 --> 00:16:38,798 I DON'T THINK YOUR DESIGNS ARE READY FOR THAT. 374 00:16:38,831 --> 00:16:40,767 GLORIA -- GLORIA, LISTEN TO ME. 375 00:16:40,800 --> 00:16:42,535 CAN WE DISCUSS THIS FIRST? 376 00:16:42,569 --> 00:16:44,271 SO, WHO DO YOU THINK WILL BE THERE? 377 00:16:44,304 --> 00:16:47,140 OH, EVERYONE WILL BE THERE. 378 00:16:47,174 --> 00:16:49,142 YEAH, UM, I DON'T -- 379 00:16:49,176 --> 00:16:51,678 WELL, I CAN GUARANTEE YOU ALL THE TOP HOUSES WILL BE THERE. 380 00:16:51,711 --> 00:16:54,314 YEAH, YEAH, AND I GUARANTEE YOU'LL HAVE A DEAL 381 00:16:54,347 --> 00:16:55,682 BEFORE THE END OF THE SHOW. 382 00:16:55,715 --> 00:16:57,817 DO YOU REALIZE WHAT THIS MEANS? 383 00:16:57,850 --> 00:17:00,720 YOUR DESIGNS WILL BE IN MAGAZINES, ON TV SHOWS, 384 00:17:00,753 --> 00:17:01,854 AT THE OSCARS! 385 00:17:01,888 --> 00:17:04,457 YEAH, I'M GONNA HAVE TO TALK TO MY FUNDING PARTNERS, 386 00:17:04,491 --> 00:17:05,592 YOU KNOW, ABOUT ALL THIS. 387 00:17:05,625 --> 00:17:06,593 AND I'M A LITTLE WORRIED 388 00:17:06,626 --> 00:17:09,329 BECAUSE THEY MAY TAKE A LONG TIME DECIDING, 389 00:17:09,362 --> 00:17:11,431 AND, YOU KNOW, WE HAVE SUCH LITTLE TIME. 390 00:17:11,464 --> 00:17:12,432 SO HOW MUCH DO YOU NEED? 391 00:17:13,333 --> 00:17:15,402 -YEAH, $50,000. -$200,000. 392 00:17:16,403 --> 00:17:18,271 YEAH, I THINK WHAT CAPRINA MEANS 393 00:17:18,305 --> 00:17:21,241 IS THAT, EVENTUALLY, IT WILL BE $200,000 WE NEED, 394 00:17:21,274 --> 00:17:22,675 BUT RIGHT NOW, 50's FINE. 395 00:17:22,709 --> 00:17:24,677 BUT, OF COURSE, HAVING THE FUNDS ALL AT ONCE 396 00:17:24,711 --> 00:17:26,079 WILL MAKE THINGS GO SMOOTHER. 397 00:17:26,113 --> 00:17:27,280 [ CLEARS THROAT ] 398 00:17:27,314 --> 00:17:31,118 UH, 50, CHERIE, WELL, LET'S NOT GET AHEAD OF OURSELVES. 399 00:17:31,151 --> 00:17:32,519 -IT'S JUST TOO EXCITING. -[ CHUCKLES ] 400 00:17:32,552 --> 00:17:34,487 YEAH. 401 00:17:34,521 --> 00:17:35,855 [ BEEPING ] 402 00:17:35,888 --> 00:17:36,789 Are you crazy? 403 00:17:36,823 --> 00:17:37,624 SHUT UP, RUSSELL. 404 00:17:37,657 --> 00:17:39,792 You don't even know these people! 405 00:17:39,826 --> 00:17:41,661 YOU'LL HAVE TO FORGIVE RUSSELL. 406 00:17:41,694 --> 00:17:44,297 HE DOESN'T UNDERSTAND THE ARTISTIC PROCESS. 407 00:17:44,331 --> 00:17:45,432 YEAH, FEW PEOPLE DO. 408 00:17:45,465 --> 00:17:46,766 THIS IS FROM THE BUSINESS ACCOUNT. 409 00:17:46,799 --> 00:17:48,435 WHAT ARE OUR PARTNERS GONNA SAY? 410 00:17:48,468 --> 00:17:50,270 HOW SHOULD I KNOW? THAT'S YOUR AREA. 411 00:17:50,303 --> 00:17:52,105 WHY DON'T YOU GO CHECK ON THE FLOOR? 412 00:17:52,139 --> 00:17:53,573 [ CHUCKLES ] TICK TOCK. 413 00:17:53,606 --> 00:17:55,742 YEAH, TICK TOCK. YEAH. 414 00:17:55,775 --> 00:17:58,311 UH, JULIAN, SWEETHEART, YEAH. 415 00:17:58,345 --> 00:17:59,646 AH. 416 00:17:59,679 --> 00:18:01,448 LET ME MOVE SOME FUNDS AROUND. 417 00:18:01,481 --> 00:18:04,617 I'LL CALL YOU LATER AND THEN GET YOU THE OTHER $150,000 418 00:18:04,651 --> 00:18:06,119 IF YOU REALLY NEED IT. 419 00:18:06,153 --> 00:18:08,255 YOU WON'T REGRET THIS. 420 00:18:08,288 --> 00:18:09,589 CIAO. 421 00:18:09,622 --> 00:18:11,524 OKAY, YEAH. GOODBYE. 422 00:18:14,227 --> 00:18:16,329 [ Normal voice ] ALL RIGHT. WHAT THE HELL WAS THAT? 423 00:18:16,363 --> 00:18:18,765 [ Normal voice ] I JUST GOT YOU A BIGGER PAYOUT, THAT'S WHAT. 424 00:18:18,798 --> 00:18:20,200 BUT HER HUSBAND'S ABOUT TO POP. 425 00:18:20,233 --> 00:18:22,135 NOW, LISTEN, WE SHOULD HAVE SLOW-PLAYED HER. 426 00:18:22,169 --> 00:18:24,871 ON THIS TEAM, YOU GOT TO FOLLOW MY LEAD. 427 00:18:24,904 --> 00:18:27,340 WELL, MAYBE IF YOU COMMUNICATED WITH ACTUAL SENTENCES 428 00:18:27,374 --> 00:18:29,709 INSTEAD OF SLOGANS AND CODE! 429 00:18:29,742 --> 00:18:31,344 [ SIGHS ] 430 00:18:39,552 --> 00:18:41,621 NO, I'M QUITTING. I DON'T NEED THIS CRAP. 431 00:18:41,654 --> 00:18:43,356 YOU'RE NOT QUITTING, TARA. 432 00:18:43,390 --> 00:18:45,358 AT LEAST ELIOT'S A PROFESSIONAL. 433 00:18:45,392 --> 00:18:47,627 HARDISON'S, YOU KNOW, WARMING UP. 434 00:18:47,660 --> 00:18:49,362 EVEN PARKER SEEMS OKAY WITH ME. 435 00:18:49,396 --> 00:18:50,663 PARKER SHOWED FEELINGS? 436 00:18:50,697 --> 00:18:51,764 A FEELING. 437 00:18:51,798 --> 00:18:53,800 IT SEEMED LIKE A HUMAN ONE, BUT IT'S HARD TO TELL. 438 00:18:53,833 --> 00:18:55,235 WHERE ARE YOU? 439 00:18:55,268 --> 00:18:56,336 UZBEKISTAN. 440 00:18:56,369 --> 00:18:57,937 OOH, I LOVE TASHKENT! 441 00:18:57,970 --> 00:19:00,907 I KNOW, RIGHT? ESPECIALLY IN THE SPRINGTIME. 442 00:19:00,940 --> 00:19:02,875 OH, TARA, YOU HAVE TO ASK NATE 443 00:19:02,909 --> 00:19:04,944 ABOUT THAT TIME ON THE RUSSIAN BORDER WHEN HE... 444 00:19:04,977 --> 00:19:06,679 NATE. OKAY. LET ME TELL YOU SOMETHING. 445 00:19:06,713 --> 00:19:08,515 NATE FORD IS ARROGANT, HE'S CONDESCENDING, 446 00:19:08,548 --> 00:19:09,482 HE JUST DOESN'T LISTEN! 447 00:19:09,516 --> 00:19:12,319 OH, NATE'S HAVING TROUBLE COMMUNICATING? 448 00:19:12,352 --> 00:19:13,220 I'M SHOCKED. 449 00:19:13,253 --> 00:19:15,788 YEAH, I REALLY, REALLY DO NOT NEED THIS. 450 00:19:15,822 --> 00:19:18,925 JUST GIVE IT SOME TIME, TARA. YOU OWE ME. 451 00:19:18,958 --> 00:19:20,059 ALL RIGHT, FINE. 452 00:19:20,092 --> 00:19:22,795 BUT IF HE PULLS THIS WHOLE MAN-OF-MYSTERY CRAP AGAIN, 453 00:19:22,829 --> 00:19:24,264 I'M GONNA KICK HIS ASS. 454 00:19:24,297 --> 00:19:26,866 AND THE WHOLE "I'M SEXY BECAUSE I'M BROKEN" THING ONLY GOES SO FAR. 455 00:19:26,899 --> 00:19:28,735 I KNOW, RIGHT? WAIT, WHAT? 456 00:19:29,636 --> 00:19:31,538 -I GOTTA GO. -WHAT DO YOU MEAN, "SEXY"? 457 00:19:31,571 --> 00:19:32,739 THERE YOU ARE. 458 00:19:32,772 --> 00:19:33,740 YES, JUST WHERE YOU LEFT ME 459 00:19:33,773 --> 00:19:35,942 SINCE I COULDN'T JOIN IN ANY REINDEER GAMES. 460 00:19:35,975 --> 00:19:37,710 DID YOU, UH, GET A CALL FROM GLORIA? 461 00:19:37,744 --> 00:19:38,711 NO, WHY? 462 00:19:38,745 --> 00:19:39,979 OH, I DID. 463 00:19:40,012 --> 00:19:42,749 HOW WOULD THEY EVEN KEEP SCORE, THE REINDEER? 464 00:19:42,782 --> 00:19:43,816 PLAY IT, HARDISON. 465 00:19:43,850 --> 00:19:45,652 Hello, Mr. Bouvier? 466 00:19:45,685 --> 00:19:47,754 I have the rest of the money for you. 467 00:19:47,787 --> 00:19:49,722 -Please meet me at -- [ Dial tone ] 468 00:19:49,756 --> 00:19:53,493 "MEET ME AT." ONLY TWO PLACES MAKE SENSE. 469 00:19:53,526 --> 00:19:55,262 HER HOUSE OR THE FACTORY. 470 00:19:55,295 --> 00:19:57,530 ELIOT, I NEED YOU TO GO TO THE PANS' FACTORY. 471 00:19:57,564 --> 00:19:59,366 [ WOMAN GIGGLING ] 472 00:19:59,399 --> 00:20:01,000 Eliot? 473 00:20:01,033 --> 00:20:02,569 RIGHT NOW? 474 00:20:02,602 --> 00:20:04,871 LOOK, I GOT TO BE HONEST WITH YOU, MAN. 475 00:20:04,904 --> 00:20:07,874 I THINK SHE'S GONNA COME BACK TO FASHION WEEK, OKAY? 476 00:20:07,907 --> 00:20:09,942 I GOT A SENSE ABOUT THESE THINGS. 477 00:20:09,976 --> 00:20:11,778 UH, YEAH, NICE TRY, ELIOT. 478 00:20:11,811 --> 00:20:13,646 The factory. 479 00:20:15,582 --> 00:20:17,984 HARDISON, CHECK AND SEE IF SHE MOVED THOSE FUNDS. 480 00:20:18,017 --> 00:20:19,452 ALSO CHECK HER CAR'S GPS. 481 00:20:19,486 --> 00:20:21,521 PARKER AND I ARE GONNA TAKE THE HOUSE. 482 00:20:21,554 --> 00:20:22,755 WAIT, WHERE ARE YOU GOING? 483 00:20:22,789 --> 00:20:23,956 GLORIA'S GONNA EXPECT ME. 484 00:20:23,990 --> 00:20:25,692 RIGHT NOW, YOU'RE AN UNKNOWN. 485 00:20:25,725 --> 00:20:27,560 I DON'T NEED ANOTHER ONE IN THE FIELD, SO... 486 00:20:27,594 --> 00:20:28,695 [ SCOFFS ] 487 00:20:28,728 --> 00:20:29,962 EARBUD. 488 00:20:31,764 --> 00:20:33,232 Earbud. 489 00:20:39,005 --> 00:20:40,540 THANK YOU. 490 00:20:40,573 --> 00:20:41,974 [ COMPUTER BEEPING ] 491 00:20:45,445 --> 00:20:47,046 REINDEER. 492 00:20:47,079 --> 00:20:49,048 I MEAN, I GUESS THEY COULD MAKE MARKS IN THE SNOW, 493 00:20:49,081 --> 00:20:50,683 BUT WHAT KIND OF MATH WOULD THEY USE? 494 00:20:50,717 --> 00:20:52,652 ON TASK, PARKER. 495 00:20:52,685 --> 00:20:54,521 [ ENGINE TURNS OVER ] 496 00:20:54,554 --> 00:20:57,857 [ TIRES SCREECH ] 497 00:21:03,796 --> 00:21:05,031 MOVE! 498 00:21:15,575 --> 00:21:16,876 [ GRUNTS ] 499 00:21:16,909 --> 00:21:19,646 OKAY. WHAT DO WE KNOW? 500 00:21:19,679 --> 00:21:20,780 SOMEONE TARGETED THE PANS. 501 00:21:20,813 --> 00:21:21,981 YEAH, I'M WITH YOU ON THAT. 502 00:21:22,014 --> 00:21:23,750 AND THE SILVER SEDAN THAT PULLED OUT 503 00:21:23,783 --> 00:21:24,917 RIGHT BEFORE THE EXPLOSION? 504 00:21:24,951 --> 00:21:26,853 IT BELONGED TO THE PANS. I RECOGNIZED IT. 505 00:21:26,886 --> 00:21:29,822 SO, EITHER THEY GOT AWAY, 506 00:21:29,856 --> 00:21:32,091 OR THE PEOPLE WHO DID THIS GOT AWAY IN THE PANS' CAR, 507 00:21:32,124 --> 00:21:34,461 and the Pans...didn't. 508 00:21:34,494 --> 00:21:35,462 Uh, Hardison? 509 00:21:35,495 --> 00:21:36,529 ALREADY ON IT. 510 00:21:36,563 --> 00:21:39,632 THE PANS' CAR JUST GOT ON THE I-95 HEADING SOUTH. 511 00:21:39,666 --> 00:21:41,901 OKAY, I NEED TO SEE WHO'S IN THE CAR. CAN YOU GET ME A VISUAL? 512 00:21:41,934 --> 00:21:42,769 A VISUAL? 513 00:21:42,802 --> 00:21:44,637 DO I LOOK LIKE I HAVE A HELICOPTER? 514 00:21:44,671 --> 00:21:46,373 UH, A SIMPLE YES OR NO. 515 00:21:46,406 --> 00:21:49,376 WELL, I MIGHT -- MIGHT BE ABLE 516 00:21:49,409 --> 00:21:51,678 TO GET YOU A PHOTO OFF A TRAFFIC CAMERA, 517 00:21:51,711 --> 00:21:54,514 BUT, I MEAN, I WOULD HAVE TO TIME IT JUST RIGHT, 518 00:21:54,547 --> 00:21:56,549 BASED ON THE CAR'S RATE OF SPEED. 519 00:21:56,583 --> 00:21:58,518 LISTEN TO ME -- A CAR IS DRIVING 80 MILES AN HOUR. 520 00:21:58,551 --> 00:22:00,553 HOW LONG DOES IT TAKE TO GET TO A CAMERA A MILE AWAY? 521 00:22:00,587 --> 00:22:02,755 Seventh-grade Algebra, Hardison. 522 00:22:02,789 --> 00:22:05,958 LISTEN, THE HUSBAND SAID THAT THEY HAD PARTNERS. 523 00:22:05,992 --> 00:22:08,395 -[ BREATHES DEEPLY ] 45 SECONDS. -WHAT? 524 00:22:08,428 --> 00:22:10,029 THAT'S THE ANSWER -- 45 SECONDS. 525 00:22:10,062 --> 00:22:10,930 OH. 526 00:22:16,703 --> 00:22:19,439 NATE, I GOT BANK STATEMENTS HERE LISTING SUNBRIGHT HOLDINGS 527 00:22:19,472 --> 00:22:21,441 AS A JOINT ACCOUNT HOLDER WITH THE PANS -- 528 00:22:21,474 --> 00:22:22,642 WAIT, SHOW ME THAT. 529 00:22:22,675 --> 00:22:25,412 [ EXHALES SHARPLY ] GREAT. 530 00:22:25,445 --> 00:22:26,846 Uh, what's she doing there? 531 00:22:26,879 --> 00:22:28,815 WAIT, TELL NATE I KNOW THIS CORPORATE I.D. PREFIX! 532 00:22:28,848 --> 00:22:29,716 IT'S FROM SHANGHAI! [ FEEDBACK ] 533 00:22:29,749 --> 00:22:31,418 THEY PICK UP. YOU DON'T HAVE TO YELL. 534 00:22:31,451 --> 00:22:32,519 JUST TELL HIM. 535 00:22:32,552 --> 00:22:33,586 I'M LOOKING AT THE FOOTAGE 536 00:22:33,620 --> 00:22:35,054 OUR CAMERA CAUGHT AT THE PANS' HOUSE 537 00:22:35,087 --> 00:22:36,389 RIGHT BEFORE THE EXPLOSION. 538 00:22:36,423 --> 00:22:38,024 [ KEYS CLACKING ] SENDING NOW. 539 00:22:38,057 --> 00:22:39,759 [ BEEPING ] -[ SIGHS ] 540 00:22:39,792 --> 00:22:42,028 WHO'S PLANTING THAT BOMB? 541 00:22:42,061 --> 00:22:45,532 ELIOT! TARA! GET OUT OF THERE! 542 00:22:47,934 --> 00:22:49,035 WHAT? 543 00:22:49,068 --> 00:22:50,870 -WE GOTTA GO. -WHAT? 544 00:22:50,903 --> 00:22:52,138 WE GOTTA GO. 545 00:23:01,714 --> 00:23:03,816 NATE, I GOT THREE GUYS HERE... 546 00:23:06,486 --> 00:23:08,120 ...ARMED WITH CLEAVERS. 547 00:23:08,154 --> 00:23:11,558 THAT'S THE SIGNATURE OF THE TRIAD. 548 00:23:11,591 --> 00:23:13,560 THE TRIADS. YEAH. WE'RE A MINUTE AWAY. 549 00:23:13,593 --> 00:23:14,694 THE CHINESE TRIADS? 550 00:23:14,727 --> 00:23:16,829 THEY CONTROL THE GLOBAL COUNTERFEIT-CLOTHING MARKET. 551 00:23:16,863 --> 00:23:19,131 WORTH BILLIONS TO THEM -- EVEN MORE THAN NARCOTICS. 552 00:23:19,165 --> 00:23:20,833 SO WE DIDN'T TAKE MONEY FROM THE PANS. 553 00:23:20,867 --> 00:23:21,934 WE TOOK MONEY FROM THE TRIADS. 554 00:23:21,968 --> 00:23:24,804 AND THE LAST PERSON HOLDING THEIR CASH WAS ELIOT. 555 00:23:24,837 --> 00:23:27,006 THIS WAY. 556 00:23:27,974 --> 00:23:31,478 [ SIGHS ] CLEAVERS. I HAVEN'T DONE THAT IN A WHILE. 557 00:23:31,511 --> 00:23:34,213 ALL RIGHT, LISTEN. THESE ROWS ARE NARROW. OKAY? 558 00:23:34,246 --> 00:23:35,982 THEY'RE GONNA HAVE TO COME AT ME ONE AT AT A TIME. 559 00:23:36,015 --> 00:23:37,784 YOU JUST STAY CLOSE. YOU'RE TELLING ME WHAT TO DO? 560 00:23:37,817 --> 00:23:40,687 YEAH, DON'T -- WAIT. WHAT ARE YOU -- TARA. TARA. 561 00:23:40,720 --> 00:23:42,021 PLEASE! 562 00:23:42,054 --> 00:23:43,623 [ Crying ] PLEASE, PLEASE! 563 00:23:43,656 --> 00:23:46,192 I DON'T WANT TO DIE. 564 00:23:46,225 --> 00:23:47,660 PLEASE! 565 00:23:47,694 --> 00:23:49,128 [ MAN SPEAKING CHINESE ] 566 00:24:00,039 --> 00:24:01,808 [ GRUNTING ] 567 00:24:24,196 --> 00:24:26,833 NATE, I JUST GOT A SHOT OF THE PANS' CAR. 568 00:24:26,866 --> 00:24:28,568 GLORIA IS TRAVELING SOLO. 569 00:24:28,601 --> 00:24:30,770 I GUESS RUSSELL DIDN'T MAKE IT OUT. 570 00:24:30,803 --> 00:24:33,506 Poor bastard got blown to bits. 571 00:24:35,808 --> 00:24:37,043 ALL RIGHT, YEAH. 572 00:24:37,076 --> 00:24:38,878 RUSSELL PAN HANDLES THE FINANCES. 573 00:24:38,911 --> 00:24:41,280 DID WE DO A FULL BACKGROUND CHECK ON RUSSELL PAN? 574 00:24:41,313 --> 00:24:43,650 YOU STAY OUT HERE IN CASE THIS GOES SOUTH, 575 00:24:43,683 --> 00:24:44,684 BE THE GETAWAY CAR. 576 00:24:44,717 --> 00:24:45,985 [ BEEPING ] 577 00:24:46,018 --> 00:24:46,819 OF COURSE WE DID. 578 00:24:46,853 --> 00:24:48,788 DRIVER'S LICENSE, BIRTH CERTIFICATE, 579 00:24:48,821 --> 00:24:50,690 HOSPITAL RECORDS, BUSINESS RECORDS -- 580 00:24:50,723 --> 00:24:52,525 HE'S RUSSELL PAN. 581 00:24:52,559 --> 00:24:53,526 YEAH, BUT DID WE MAKE SURE 582 00:24:53,560 --> 00:24:55,595 THAT RUSSELL PAN ISN'T ANYBODY ELSE, AS WELL? 583 00:24:58,097 --> 00:24:59,899 AW, HELL. 584 00:24:59,932 --> 00:25:02,635 [ KEYS CLACKING ] 585 00:25:02,669 --> 00:25:05,605 [ BEEPING ] 586 00:25:08,808 --> 00:25:09,642 OH! 587 00:25:09,676 --> 00:25:12,178 [ GRUNTS ] 588 00:25:19,652 --> 00:25:21,554 [ BOTH BREATHING HEAVILY ] 589 00:25:21,588 --> 00:25:23,690 ADMIT IT. YOU KIND OF LIKE ME NOW. 590 00:25:28,728 --> 00:25:30,296 [ BEEP ] 591 00:25:31,764 --> 00:25:35,001 GUYS, GUYS, I JUST GOT A HIT ON AN INTERPOL DATABASE. 592 00:25:35,034 --> 00:25:38,605 RUSSELL PAN'S FACE MATCHES A ONE NICHOLAS CHOW. 593 00:25:38,638 --> 00:25:39,672 CHINESE NATIONAL. 594 00:25:39,706 --> 00:25:41,273 WORKS FOR THE SUN YEE ON TRIAD. 595 00:25:41,307 --> 00:25:42,909 COUNTERFEIT CLOTHING, BLACK MARKET, 596 00:25:42,942 --> 00:25:44,677 HE'S KNOWN FOR BURYING HIS ENEMIES ALIVE. 597 00:25:44,711 --> 00:25:46,312 THIS IS A BAD DUDE. 598 00:25:49,682 --> 00:25:52,619 YOU GOT TO BE KIDDING ME. 599 00:25:52,652 --> 00:25:54,654 [ GUNS COCKING ] 600 00:25:57,924 --> 00:26:01,227 And there's something else. 601 00:26:01,260 --> 00:26:03,295 I DON'T THINK RUSSELL'S DEAD. 602 00:26:03,329 --> 00:26:05,732 HE WAS THERE WHEN THEY WERE PLANTING THAT BOMB. 603 00:26:05,765 --> 00:26:07,066 NO KIDDING. 604 00:26:07,099 --> 00:26:08,868 [ European accent ] PARDON! PARDON. 605 00:26:08,901 --> 00:26:10,336 S'IL VOUS PLAîT. HELLO. JACQUES BOUVIER. 606 00:26:10,369 --> 00:26:12,204 GOOD TO SEE YOU AGAIN. YEAH. 607 00:26:12,238 --> 00:26:13,873 HELLO. GUNS. 608 00:26:13,906 --> 00:26:15,341 YEAH, UH... 609 00:26:15,374 --> 00:26:16,475 LAST TIME I SAW YOU, 610 00:26:16,508 --> 00:26:20,079 WE WERE HERE FOR A BUSINESS MEETING WITH YOUR WIFE. 611 00:26:20,112 --> 00:26:22,882 YEAH, THIS IS ALL A BIG MISUNDERSTANDING. 612 00:26:22,915 --> 00:26:24,884 THAT COW OF A WIFE GAVE YOU SOMETHING OF MINE -- 613 00:26:24,917 --> 00:26:26,385 $50,000 U.S. 614 00:26:26,418 --> 00:26:28,621 YES, THIS WAS FOR A SHOW, 615 00:26:28,655 --> 00:26:30,690 THIS WAS A BUSINESS, UH... 616 00:26:30,723 --> 00:26:32,324 FOR 20 YEARS, I CARRIED HER. 617 00:26:32,358 --> 00:26:35,127 I BROUGHT OVER THE CHEAP LABOR FROM CHINA. 618 00:26:35,161 --> 00:26:36,996 I SUPPLIED THE ASIAN MARKETS. 619 00:26:37,029 --> 00:26:39,699 ALL SHE HAD TO DO WAS COPY THE FASHIONS. 620 00:26:39,732 --> 00:26:43,169 BUT, NO, YOU SOLD THE WOMAN ON A RIDICULOUS DREAM. 621 00:26:43,202 --> 00:26:45,071 SO I HAD TO GET RID OF HER. 622 00:26:45,104 --> 00:26:47,406 NOW, I AM RESPONSIBLE TO MY SUPERIORS 623 00:26:47,439 --> 00:26:48,675 FOR THAT MONEY. 624 00:26:48,708 --> 00:26:50,810 WHERE IS IT? 625 00:26:50,843 --> 00:26:51,844 GUYS, SIT TIGHT. 626 00:26:51,878 --> 00:26:54,413 TELL CHOW OR -- OR -- OR PAN -- POT, SKILLET -- 627 00:26:54,446 --> 00:26:55,414 WHATEVER HIS NAME IS -- 628 00:26:55,447 --> 00:26:57,149 THAT HIS MONEY'S ON THE WAY. 629 00:26:57,183 --> 00:26:58,951 IT'LL BE THERE IN 15 MINUTES. 630 00:26:58,985 --> 00:27:00,920 WELL, UH... 631 00:27:00,953 --> 00:27:02,221 WE DON'T HAVE THE MONEY. 632 00:27:02,254 --> 00:27:03,289 THE MONEY'S GONE, YEAH. 633 00:27:03,322 --> 00:27:06,325 WE SPENT IT ON THE VENDORS FOR GLORIA'S SHOW, YEAH? 634 00:27:06,358 --> 00:27:07,994 DID YOU NOT HEAR WHAT I JUST SAID? 635 00:27:08,027 --> 00:27:11,230 [ Slowly ] I'M ON MY WAY WITH THE MONEY. 636 00:27:11,263 --> 00:27:14,000 YEAH, AND THERE'S NO REASON TO DO ANYTHING OR GO ANYWHERE 637 00:27:14,033 --> 00:27:16,235 BECAUSE [IMITATES EXPLOSION] THE MONEY'S GONE. 638 00:27:18,137 --> 00:27:19,371 [ SPEAKS CHINESE ANGRILY ] 639 00:27:19,405 --> 00:27:20,940 WAIT, WAIT, WAIT, WAIT, WAIT! 640 00:27:20,973 --> 00:27:23,109 NOW, WAIT, LISTEN TO ME ONE SECOND BEFORE YOU -- 641 00:27:23,142 --> 00:27:25,044 WHAT IF I WAS ABLE TO GIVE YOU SOMETHING 642 00:27:25,077 --> 00:27:26,746 WORTH MUCH MORE THAN THE $50,000? 643 00:27:26,779 --> 00:27:28,948 WHAT IF I WAS ABLE TO GIVE YOU THE DESIGNS 644 00:27:28,981 --> 00:27:30,917 FOR NEXT FALL'S COLLECTIONS TODAY? 645 00:27:30,950 --> 00:27:32,084 YEAH, THAT'S RIGHT. 646 00:27:32,118 --> 00:27:34,754 YOU COULD GET YOUR FACTORIES CHURNING OUT THE KNOCKOFFS 647 00:27:34,787 --> 00:27:36,088 WAY BEFORE THE COMPETITION. 648 00:27:36,122 --> 00:27:38,190 THIS WOULD BE WORTH MILLIONS TO YOU IN -- 649 00:27:38,224 --> 00:27:40,092 IN ADDITIONAL REVENUE -- MILLIONS! 650 00:27:40,126 --> 00:27:42,061 AND HOW ARE YOU GOING TO DO THIS? 651 00:27:42,094 --> 00:27:44,731 WE HAVE ACCESS TO THE FASHION WEEK, UH, SHOWS. 652 00:27:44,764 --> 00:27:47,399 I MEAN, I CAN GET JULIAN TO STEAL 653 00:27:47,433 --> 00:27:50,302 A MAJOR DESIGNER'S DESIGNS. 654 00:27:50,336 --> 00:27:51,738 SO I LET YOU GO, 655 00:27:51,771 --> 00:27:54,907 YOU RUN TO THE POLICE, AND I GET NOTHING. 656 00:27:54,941 --> 00:27:56,042 NO DEAL. 657 00:27:56,075 --> 00:27:57,209 YOU CAN KEEP ME AS COLLATERAL. 658 00:27:57,243 --> 00:28:00,312 NO, NO, NO. WAIT. NO, NO. THIS IS NOT NECESSARY. NO, NO. 659 00:28:00,346 --> 00:28:03,015 WE'RE NOT GOING TO GO TO THE POLICE OR ANYTHING LIKE THAT. 660 00:28:03,049 --> 00:28:03,950 WE HAVE NO EVIDENCE. 661 00:28:03,983 --> 00:28:05,785 I MEAN, YOU'RE GONNA HUNT US DOWN ANYWAY. 662 00:28:05,818 --> 00:28:07,720 WE'LL KEEP THE WOMAN. 663 00:28:07,754 --> 00:28:10,456 YOU BRING US THE DESIGNS, OR... 664 00:28:10,489 --> 00:28:12,158 WE'LL KILL HER. 665 00:28:12,191 --> 00:28:13,993 YOU HAVE ONE HOUR. 666 00:28:14,026 --> 00:28:16,462 I'M TELLING YOU, GET HIM WHAT HE WANTS, HUH? 667 00:28:16,495 --> 00:28:17,964 IT'S JUST 50 GRAND. 668 00:28:17,997 --> 00:28:20,466 THAT'S WHAT THIS IS ABOUT, HUH? 5-0. 669 00:28:20,499 --> 00:28:21,968 CAPISCE? 670 00:28:22,001 --> 00:28:23,870 5-0. 671 00:28:23,903 --> 00:28:28,340 YEAH. YEAH, OKAY. JULIAN, COME. COME ON, LET'S GO. 672 00:28:39,819 --> 00:28:41,487 YOU COULD'VE JUST GIVEN RUSSELL THE MONEY. 673 00:28:41,520 --> 00:28:43,155 IF -- IF WE'D GIVEN HIM THE MONEY, 674 00:28:43,189 --> 00:28:45,324 WE WOULD HAVE GONE BACK TO THE CLIENT WITH NOTHING. 675 00:28:45,357 --> 00:28:46,893 BECAUSE THAT'S WHAT IT'S ABOUT -- 676 00:28:46,926 --> 00:28:48,828 A CHANCE TO RUN A CON ON THE TRIADS ON THE FLY. 677 00:28:48,861 --> 00:28:51,130 YOU PUT TARA'S LIFE IN DANGER TO TAKE DOWN A BIGGER TARGET. 678 00:28:51,163 --> 00:28:53,432 LISTEN, IT'S ONE THING FOR FLORENCE AND THOSE OTHER WOMEN 679 00:28:53,465 --> 00:28:55,201 TO OWE MONEY TO SOME LOCAL SWEATSHOP. 680 00:28:55,234 --> 00:28:56,903 YOU WANT THEM IN DEBT TO THE TRIADS 681 00:28:56,936 --> 00:28:57,770 THE REST OF THEIR LIVES? 682 00:28:57,804 --> 00:28:59,338 YOU WOULDN'T HAVE LEFT SOPHIE THERE. 683 00:28:59,371 --> 00:29:00,472 LISTEN, I KNOW WHAT I'M DOING. 684 00:29:00,506 --> 00:29:02,008 I GOT IT UNDER CONTROL, ALL RIGHT? 685 00:29:02,041 --> 00:29:03,009 WE GOT LESS THAN AN HOUR. 686 00:29:03,042 --> 00:29:04,911 WE NEED SOME DESIGNER'S PLANS. WE GOT TO GET -- 687 00:29:04,944 --> 00:29:06,012 HOLD, HOLD. I GOT -- 688 00:29:06,045 --> 00:29:07,013 [ BEEP ] 689 00:29:07,046 --> 00:29:08,915 OKAY, THERE'S ONE SHOW LEFT TODAY -- ANDRE V. 690 00:29:08,948 --> 00:29:10,016 HE HAS A HIP-HOP COUTURE LINE. 691 00:29:10,049 --> 00:29:11,383 GREAT. PERFECT. GO GET THOSE PLANS. 692 00:29:11,417 --> 00:29:14,520 WAIT, WAIT, WAIT, WAIT. WHAT ARE WE DOING? 693 00:29:14,553 --> 00:29:17,824 WE ARE GONNA MAKE GLORIA PAN'S DREAMS COME TRUE. 694 00:29:19,391 --> 00:29:23,295 MAYBE I WANTED TO MEET ANDRE V. DID NOBODY THINK OF THAT? 695 00:29:23,329 --> 00:29:25,464 SELFISH. 696 00:29:25,497 --> 00:29:27,766 [ INDISTINCT CONVERSATIONS ] 697 00:29:30,302 --> 00:29:32,038 THANK YOU. 698 00:29:37,977 --> 00:29:40,079 [ CAMERA SHUTTERS CLICKING ] 699 00:29:45,251 --> 00:29:46,919 THREE MINUTES TILL THE SHOW, PARKER. 700 00:29:46,953 --> 00:29:47,920 I KNOW. 701 00:29:47,954 --> 00:29:49,088 -THREE MINUTES. -I GOT IT. 702 00:29:49,121 --> 00:29:51,123 KERRY, I'VE GOT IT. OKAY, I NEED YOU TO RE-FREAKING-LAX! 703 00:29:51,157 --> 00:29:52,424 I.D.s, PLEASE. 704 00:29:52,458 --> 00:29:55,594 HOW AM I SUPPOSED TO FIND SOY CANDLES AT SUCH A SHORT NOTICE? 705 00:29:55,627 --> 00:29:56,963 FARMERS' MARKET! 706 00:29:56,996 --> 00:29:58,998 I NEED TO DOUBLE-CHECK YOUR I.D.s. 707 00:29:59,031 --> 00:30:00,933 YOU KNOW WHAT? KERRY SENT US, OKAY? 708 00:30:00,967 --> 00:30:02,101 [ CHUCKLES CONDESCENDINGLY ] 709 00:30:02,134 --> 00:30:03,502 THERE WAS A SECURITY BREACH EARLIER. 710 00:30:03,535 --> 00:30:05,071 NO EXCEPTIONS. 711 00:30:05,104 --> 00:30:08,507 THE ONLY THING THAT GETS IN ARE MODELS AND CLOTHES. 712 00:30:13,012 --> 00:30:14,313 I LEFT MY I.D. AT THE DESK. 713 00:30:14,346 --> 00:30:16,182 -I'LL HELP YOU GET IT. -THANK YOU. 714 00:30:17,616 --> 00:30:19,952 ONLY THING GETTING IN ARE MODELS AND CLOTHES. 715 00:30:19,986 --> 00:30:21,820 -YEAH. -HEY. 716 00:30:25,157 --> 00:30:26,859 [ CHUCKLES ] 717 00:30:30,562 --> 00:30:31,864 NO. 718 00:30:31,898 --> 00:30:33,132 NO. 719 00:30:33,165 --> 00:30:34,100 NO! 720 00:30:34,133 --> 00:30:34,967 HOW ABOUT THIS ONE? 721 00:30:35,001 --> 00:30:36,335 THAT'S A SHIRT, PARKER. 722 00:30:36,368 --> 00:30:38,204 I KNOW, BUT AT LEAST YOU CAN MOVE IN IT. 723 00:30:38,237 --> 00:30:40,172 THESE CLOTHES ARE TOTALLY IMPRACTICAL, OKAY? 724 00:30:40,206 --> 00:30:42,508 THERE'S NO RANGE OF MOTION, LIMITED CONCEALMENT OPTIONS, 725 00:30:42,541 --> 00:30:43,509 AND THIS REFLECTIVE MATERIAL 726 00:30:43,542 --> 00:30:45,644 WOULD SET OFF A MOTION DETECTOR A MILE AWAY. 727 00:30:45,677 --> 00:30:47,947 IT'S A FASHION SHOW! IT'S NOT THIEVES-R-US. 728 00:30:47,980 --> 00:30:50,416 FINE. HOW ABOUT THIS? 729 00:30:50,449 --> 00:30:53,185 THE A-LINE DRAPE OF THE EMPIRE WAIST IS NICE, 730 00:30:53,219 --> 00:30:55,287 BUT THE NECKLINE'S A LITTLE WEAK. 731 00:30:55,321 --> 00:30:57,556 IF YOU ASK ME. WHAT? 732 00:30:57,589 --> 00:31:00,292 I DATE A LOT OF MODELS. 733 00:31:00,326 --> 00:31:03,129 A LOT OF PRIVATE FASHION SHOWS, IF YOU KNOW WHAT I MEAN. 734 00:31:03,162 --> 00:31:04,196 YES, YES. 735 00:31:04,230 --> 00:31:07,166 BUT MOST OF THE DRESSES ENDED UP ON THE GROUND. 736 00:31:07,199 --> 00:31:08,467 YEP, I GET IT. YOU'RE A GUY. 737 00:31:08,500 --> 00:31:09,902 MEANS THEY WERE NAKED. 738 00:31:09,936 --> 00:31:11,137 OKAY, SERIOUSLY? 739 00:31:11,170 --> 00:31:14,506 YEAH...I'M JUST SAYING. 740 00:31:14,540 --> 00:31:16,308 HOW YOU DOING? 741 00:31:18,377 --> 00:31:19,912 WHAT IS THAT? 742 00:31:19,946 --> 00:31:22,348 WHAT IS THIS ATROCITY ON MY MODEL? 743 00:31:22,381 --> 00:31:24,650 I DON'T KNOW WHO DID THIS, BUT IT CERTAINLY WAS NOT ME. 744 00:31:24,683 --> 00:31:25,617 THIS IS NOT MY DRESS. 745 00:31:25,651 --> 00:31:27,319 THIS IS NOT AN ANDRE V DRESS. 746 00:31:27,353 --> 00:31:29,421 I DO NOT DESIGN HALLOWEEN COSTUMES. 747 00:31:29,455 --> 00:31:31,157 AND WHAT IS WITH THIS MAKEUP? 748 00:31:31,190 --> 00:31:32,491 SWEETIE, YOU ARE LOVELY, 749 00:31:32,524 --> 00:31:35,361 BUT YOU LOOK LIKE YOU JUST CAME FROM CLOWN SCHOOL. 750 00:31:35,394 --> 00:31:37,296 I ASKED FOR BLUE. YOU GAVE ME RED! 751 00:31:37,329 --> 00:31:38,965 THIS IS TERRIBLE. 752 00:31:38,998 --> 00:31:41,000 WHAT DO I HAVE TO DO TO GET THE CORRECT COLOR? 753 00:31:41,033 --> 00:31:42,234 AND YOU -- YOU! 754 00:31:42,268 --> 00:31:43,402 YOU'RE INCOMPLETE! 755 00:31:43,435 --> 00:31:45,237 -YOU ARE INCOMPLETE! -WHAT? 756 00:31:45,271 --> 00:31:47,506 BOYS AND GIRLS, INCOMPLETE MODEL ON DECK! 757 00:31:47,539 --> 00:31:49,675 -WAIT, UM -- -INCOMPLETE MODEL ON DECK! 758 00:31:49,708 --> 00:31:52,044 THAT IS AN EMERGENCY! SIT DOWN! SIT! SIT! SIT, SIT, SIT! 759 00:31:52,078 --> 00:31:53,946 INCOMPLETE MODEL ON DECK HERE! 760 00:31:53,980 --> 00:31:56,048 NOSE. EYES. CHIN. HAIR. GO. GO. 761 00:31:56,082 --> 00:31:57,716 LET'S GO, LET'S GO, LET'S GO, LET'S GO! 762 00:31:57,749 --> 00:31:59,485 THE CHEEKBONES. 763 00:31:59,518 --> 00:32:01,153 [ STYLISTS "AHH" ] 764 00:32:01,187 --> 00:32:03,956 PERFECTION. PERFECT -- OH! 765 00:32:03,990 --> 00:32:07,693 WONDERFUL. OKAY, LET'S GO. GO. GO. GO. GO. 766 00:32:07,726 --> 00:32:10,462 [ CAMERA SHUTTERS CLICKING ] 767 00:32:12,331 --> 00:32:14,967 -GO! GO! GO! -WHAT?! 768 00:32:15,001 --> 00:32:16,435 FASTER! GO! 769 00:32:16,468 --> 00:32:18,570 GO! AND GRACEFUL, PLEASE! 770 00:32:18,604 --> 00:32:20,506 YOU'RE NOT RUNNING A MARATHON. 771 00:32:20,539 --> 00:32:22,608 DON'T EVEN THINK OF COMING BACK HERE! FIND YOUR FACE! 772 00:32:23,009 --> 00:32:24,443 FIND YOUR FACE! 773 00:32:24,476 --> 00:32:28,714 [ MID-TEMPO DANCE MUSIC PLAYS ] 774 00:32:41,160 --> 00:32:42,394 OH! OH! 775 00:32:42,428 --> 00:32:44,430 [ RECORD SCRATCHES ] 776 00:32:44,463 --> 00:32:45,764 OH, MY HEAVENS! MY SHOW! 777 00:32:45,797 --> 00:32:48,267 [ CAMERA SHUTTERS CLICKING ] 778 00:32:52,338 --> 00:32:53,205 How we doing, Parker? 779 00:32:53,239 --> 00:32:55,241 [ COUGHS ] ALL CLEAR. GRAB THE DRIVE. 780 00:32:55,274 --> 00:32:56,375 [ BONES CRACK ] 781 00:32:56,408 --> 00:32:57,476 OH, MY SHOW. 782 00:32:57,509 --> 00:33:00,246 MODELS, EVERYONE, THE SHOW MUST GO ON. 783 00:33:00,279 --> 00:33:03,182 IN THE SPIRIT OF FASHION, THE SHOW MUST GO ON. 784 00:33:03,215 --> 00:33:05,051 YOU -- MODELS -- GET OUT THERE! 785 00:33:05,084 --> 00:33:07,119 LOOK PRETTY! GET OUT THERE NOW! 786 00:33:07,153 --> 00:33:08,187 GO! 787 00:33:08,220 --> 00:33:10,289 [ CLANGING ] 788 00:33:11,757 --> 00:33:14,460 YOU MUST HAVE A LOT OF TRUST IN YOUR FRIENDS, 789 00:33:14,493 --> 00:33:17,163 ALTHOUGH THEY DON'T SEEM WORTHY OF SUCH DEVOTION... 790 00:33:17,196 --> 00:33:20,399 ESPECIALLY THE ONE IN CHARGE -- BOUVIER. 791 00:33:20,432 --> 00:33:22,034 [ CHUCKLES SOFTLY ] 792 00:33:24,503 --> 00:33:26,305 [ Normal voice ] YEAH, I AGREE. 793 00:33:26,338 --> 00:33:29,541 I DON'T TRUST HIM. AND NEITHER SHOULD YOU. 794 00:33:29,575 --> 00:33:32,144 WHY NOT? 795 00:33:32,178 --> 00:33:35,414 BECAUSE HE'S NOT WHO HE SAYS HE IS. 796 00:33:35,447 --> 00:33:38,050 HIS NAME IS NATHAN FORD. 797 00:33:38,084 --> 00:33:40,586 AND HE'S A CON MAN. 798 00:33:48,627 --> 00:33:50,296 HE'S A THIEF. 799 00:33:50,329 --> 00:33:52,164 HE'S GONNA TRY AND PLAY YOU. 800 00:33:52,198 --> 00:33:55,234 WHY ARE YOU TELLING ME THIS? 801 00:33:55,267 --> 00:33:56,602 [ CHUCKLES ] LOOK, YOU AND I BOTH KNOW 802 00:33:56,635 --> 00:33:58,204 WHEN HE GETS BACK HERE WITH THE DESIGNS 803 00:33:58,237 --> 00:33:59,471 YOU'RE JUST GONNA KILL US, RIGHT? 804 00:34:01,740 --> 00:34:05,211 OKAY, BUT WHAT IF I TOLD YOU 805 00:34:05,244 --> 00:34:07,213 I HAD A BETTER WAY TO FIX YOUR PROBLEMS? 806 00:34:10,216 --> 00:34:11,450 OKAY. 807 00:34:11,483 --> 00:34:14,720 [ SIGHS ] THEY'RE ALL THERE... 808 00:34:14,753 --> 00:34:16,388 COURTESY OF ANDRE V. 809 00:34:18,890 --> 00:34:21,460 [ COMPUTER BEEPS ] 810 00:34:23,462 --> 00:34:26,832 YES, THEY ARE. 811 00:34:26,865 --> 00:34:28,834 THANK YOU, ANDRE V. 812 00:34:28,867 --> 00:34:31,337 [ EXHALES SHARPLY ] 813 00:34:31,370 --> 00:34:32,871 [ BEEPING ] 814 00:34:32,904 --> 00:34:35,174 FILES ARE COMPRESSED. THEY'RE EASY TO E-MAIL. 815 00:34:35,207 --> 00:34:36,375 OKAY. 816 00:34:37,643 --> 00:34:40,812 OH, UH, NATE? 817 00:34:40,846 --> 00:34:42,514 ALL RIGHT. 818 00:34:42,548 --> 00:34:45,484 HEY. IF THIS THING STARTS COMING OFF THE RAILS, DON'T WAIT. 819 00:34:45,517 --> 00:34:46,385 CALL US IN. 820 00:34:46,418 --> 00:34:50,322 YEAH. CHOW IS PRIMED. I CAN HANDLE HIM. 821 00:34:50,356 --> 00:34:51,723 I'M NOT TALKING ABOUT HIM. 822 00:34:51,757 --> 00:34:54,360 SHE'S A PRO. SHE KNOWS WHAT TO DO. 823 00:35:00,799 --> 00:35:02,868 [ European accent ] AH, HERE -- 824 00:35:02,901 --> 00:35:04,770 HERE ARE THE DESIGNS! 825 00:35:04,803 --> 00:35:07,339 AH. [ EXHALES SHARPLY ] 826 00:35:07,373 --> 00:35:10,676 THERE YOU ARE. [ CHUCKLES ] 827 00:35:10,709 --> 00:35:11,710 AH. 828 00:35:15,414 --> 00:35:17,416 [ BEEP ] 829 00:35:17,449 --> 00:35:19,318 [ BEEPING ] 830 00:35:19,351 --> 00:35:20,586 HMM. 831 00:35:20,619 --> 00:35:21,653 -ANDRE V. -RIGHT. 832 00:35:21,687 --> 00:35:22,654 THE REAL DEAL. 833 00:35:22,688 --> 00:35:24,523 OH, YES, THE REAL DEAL, YEAH. 834 00:35:24,556 --> 00:35:27,259 OUR FACTORIES WILL BE WORKING OFF OF THESE BY TOMORROW. 835 00:35:27,293 --> 00:35:30,629 YES, YOU WILL BECOME VERY, VERY WEALTHY. 836 00:35:30,662 --> 00:35:34,400 YEAH, UH, SO WE ARE DONE, YEAH? 837 00:35:34,433 --> 00:35:35,534 WE'RE DONE, YES? 838 00:35:35,567 --> 00:35:37,203 [ BEEP ] 839 00:35:37,236 --> 00:35:38,270 NO. 840 00:35:38,304 --> 00:35:40,239 THE POLICE ARE LOOKING FOR SOMEONE 841 00:35:40,272 --> 00:35:42,241 WHO BROKE INTO ANDRE V's COMPUTER. 842 00:35:42,274 --> 00:35:43,875 THEY'RE ON THEIR WAY HERE NOW. 843 00:35:43,909 --> 00:35:46,578 BUT -- BUT HOW WOULD THEY KNOW THIS? 844 00:35:46,612 --> 00:35:48,314 BECAUSE I CALLED THEM... 845 00:35:48,347 --> 00:35:51,183 AND I TOLD THEM A CON MAN NAMED NATHAN FORD 846 00:35:51,217 --> 00:35:54,320 JUST TRIED TO SELL ME A BUNCH OF STOLEN DESIGNS. 847 00:35:56,222 --> 00:35:57,689 [ Normal voice ] WELL... 848 00:35:59,591 --> 00:36:02,394 WHAT IF I TOLD YOU I HAD A BETTER WAY TO FIX YOUR PROBLEMS? 849 00:36:04,830 --> 00:36:07,866 OKAY. TELL ME. 850 00:36:07,899 --> 00:36:09,535 YOU TELL THE COPS HE SHOWED UP 851 00:36:09,568 --> 00:36:11,870 JUST BEFORE SOMEONE TRIED TO KILL YOUR WIFE. 852 00:36:11,903 --> 00:36:14,806 A GRIFTER WHO COMES INTO HER LIFE JUST BEFORE HE TAKES YOUR MONEY 853 00:36:14,840 --> 00:36:17,409 AND YOUR HOUSE EXPLODES? 854 00:36:17,443 --> 00:36:20,446 YOU GET THE DESIGNS, HE TAKES THE HEAT. 855 00:36:20,479 --> 00:36:21,413 NO BODIES TO CLEAN UP. 856 00:36:21,447 --> 00:36:25,284 NATE'S THE FALL GUY, AND YOU WALK AWAY CLEAN. 857 00:36:25,317 --> 00:36:28,887 WELL...I KNEW I COULDN'T TRUST YOU. 858 00:36:28,920 --> 00:36:31,690 YOU'VE DONE NOTHING TO EARN MY TRUST. 859 00:36:31,723 --> 00:36:33,825 I MADE YOU A MEMBER OF MY TEAM. 860 00:36:33,859 --> 00:36:35,427 YOUR TEAM? OH, PLEASE. 861 00:36:35,461 --> 00:36:36,962 YOU GET OFF PUTTING EVERYBODY'S LIVES IN DANGER 862 00:36:36,995 --> 00:36:39,765 SO THE GREAT NATE FORD CAN COME IN AND SAVE THE DAY. 863 00:36:39,798 --> 00:36:41,867 THAT'S YOUR RUSH. 864 00:36:41,900 --> 00:36:43,569 [ SIRENS WAIL ] -[ SPEAKS CHINESE ] 865 00:36:51,610 --> 00:36:53,245 [ WAILING CONTINUES ] 866 00:36:55,781 --> 00:36:58,350 WELL, THEY'LL NEVER BELIEVE YOUR STORY. 867 00:36:58,384 --> 00:36:59,485 NO? 868 00:36:59,518 --> 00:37:02,721 YOU'RE IN MY FACTORY. 869 00:37:02,754 --> 00:37:04,590 YOU'RE PRETENDING TO BE SOMEONE YOU'RE NOT. 870 00:37:04,623 --> 00:37:08,026 BESIDES, YOUR PRINTS ARE ALL OVER THE DRIVE. 871 00:37:08,059 --> 00:37:10,696 DETECTIVES, THIS IS THE MAN I CALLED YOU ABOUT. 872 00:37:10,729 --> 00:37:12,598 THEY'RE IN HIS JACKET POCKET. 873 00:37:12,631 --> 00:37:14,466 HANDS ON YOUR HEAD, PLEASE. 874 00:37:19,805 --> 00:37:21,039 [ BEEP ] 875 00:37:21,072 --> 00:37:22,641 [ BEEPING ] 876 00:37:22,674 --> 00:37:23,909 [ KEYS CLACKING ] 877 00:37:23,942 --> 00:37:25,811 SIR, ARE YOU RUSSELL PAN? 878 00:37:25,844 --> 00:37:27,646 YES. YES, I AM. 879 00:37:27,679 --> 00:37:29,481 A.K.A. NICHOLAS CHOW? 880 00:37:30,449 --> 00:37:32,684 FROM INTERPOL'S MOST WANTED LIST? 881 00:37:39,525 --> 00:37:40,992 [ BEEP ] 882 00:37:55,674 --> 00:37:58,644 SO YOU BLEW UP YOUR HOUSE TO KILL YOUR WIFE? 883 00:37:59,511 --> 00:38:01,012 ALL RIGHT. GET HIM OUT OF HERE. 884 00:38:01,046 --> 00:38:02,581 ALL RIGHT, COME ON, LET'S GO. 885 00:38:02,614 --> 00:38:04,015 I GOT A COUPLE QUESTIONS FOR YOU, TOO. 886 00:38:04,049 --> 00:38:05,016 Yeah, listen, listen. 887 00:38:05,050 --> 00:38:06,585 -Check my inside pocket. -What? 888 00:38:06,618 --> 00:38:08,787 Yeah, I've been working Fashion Week. 889 00:38:08,820 --> 00:38:10,589 Been undercover for six months. 890 00:38:10,622 --> 00:38:12,023 Listen, you can take Chow. 891 00:38:12,057 --> 00:38:14,660 You've got enough for attempted murder, conspiracy, arson, whatever. 892 00:38:14,693 --> 00:38:16,395 Just -- Here, make it look good. Walk me out. Yeah. 893 00:38:16,428 --> 00:38:17,195 YEAH, ALL RIGHT. SURE, SURE. 894 00:38:17,228 --> 00:38:18,797 -Make it look real. -YOU GOT IT. 895 00:38:18,830 --> 00:38:20,666 Yeah, yeah. 896 00:38:22,401 --> 00:38:23,969 ALL RIGHT, YOU GUYS. CLEAR THE DOOR. 897 00:38:24,002 --> 00:38:25,003 YES, SIR. 898 00:38:27,573 --> 00:38:28,840 [ CLICKS TONGUE ] 899 00:38:30,476 --> 00:38:32,478 WE MIGHT WANT TO DESTROY THIS. 900 00:38:32,511 --> 00:38:34,480 RUSSELL DIDN'T ACTUALLY TRANSMIT THE DESIGNS 901 00:38:34,513 --> 00:38:35,581 TO THE TRIAD FACTORIES, RIGHT? 902 00:38:35,614 --> 00:38:38,917 DESIGNS, YES, BUT PROBABLY NOT THE ONES THEY WANTED. 903 00:38:38,950 --> 00:38:41,052 OUR FACTORIES WILL BE WORKING OFF OF THESE BY TOMORROW. 904 00:38:52,798 --> 00:38:54,800 [ WHISTLE BLOWS ] 905 00:38:58,003 --> 00:38:58,904 IT WAS A SIMPLE SWITCH. 906 00:38:58,937 --> 00:39:01,006 YOU JUST PUT AN AUTO-RUN INSTRUCTION FILE 907 00:39:01,039 --> 00:39:03,575 ON THE DRIVE TO SHOW A SET OF DESIGNS FOR THE STARTUP 908 00:39:03,609 --> 00:39:05,143 AND A DIFFERENT SET FOR THE E-MAIL. 909 00:39:05,176 --> 00:39:06,712 YEAH, WELL, TOO BAD GLORIA HAD TO RETIRE 910 00:39:06,745 --> 00:39:08,046 BEFORE HER COLLECTION WAS RELEASED, HUH? 911 00:39:08,079 --> 00:39:09,848 I HAVE A FEELING SHE MIGHT FIND A WAY 912 00:39:09,881 --> 00:39:11,850 TO STAY INVOLVED IN THE CLOTHING BUSINESS. 913 00:39:20,426 --> 00:39:23,161 HERE'S MORE CLOTHES, MRS. PAN! KEEP UP! 914 00:39:23,194 --> 00:39:24,663 [ SIGHS ] 915 00:39:24,696 --> 00:39:25,831 OKAY, NO EARPIECE. 916 00:39:25,864 --> 00:39:28,767 HOW DID YOU TELL NATE YOU WERE GONNA RUN THE COP SCAM? 917 00:39:28,800 --> 00:39:30,101 [ Italian accent ] IT'S JUST 50 GRAND. 918 00:39:30,135 --> 00:39:31,470 THAT'S WHAT THIS IS ABOUT, YEAH? 919 00:39:31,503 --> 00:39:32,871 5-0. 920 00:39:32,904 --> 00:39:34,440 CAPISCE? 921 00:39:35,807 --> 00:39:40,145 5-0? THE COPS? THAT'S ALL IT TOOK? 922 00:39:40,178 --> 00:39:41,780 SOME PEOPLE JUST KNOW HOW TO COMMUNICATE. 923 00:39:41,813 --> 00:39:43,749 YEAH, I JUST FINALLY LEARNED HOW TO SPEAK HIS LANGUAGE. 924 00:39:43,782 --> 00:39:46,818 CRYPTIC CLUES, SLOGANS, AND CODE. 925 00:39:48,554 --> 00:39:50,055 [ CHUCKLES ] 926 00:39:52,057 --> 00:39:53,925 HERE'S $50,000. 927 00:39:53,959 --> 00:39:56,462 THAT SHOULD BE ENOUGH TO GET YOUR PARENTS TO THE STATES. 928 00:39:56,495 --> 00:39:57,362 AND WHEN THEY GET HERE, 929 00:39:57,395 --> 00:39:59,431 THEY'LL HAVE DECENT JOBS WAITING FOR THEM. 930 00:39:59,465 --> 00:40:02,734 [ SPEAKING CHINESE ] 931 00:40:02,768 --> 00:40:04,836 [ SPEAKS CHINESE ] 932 00:40:08,073 --> 00:40:11,042 SHE WANTS TO KNOW HOW YOU WERE ABLE TO DO ALL THIS. 933 00:40:11,076 --> 00:40:14,446 WELL, UH, YOU KNOW, ONCE THE PANS DROPPED OUT OF THE PICTURE, 934 00:40:14,480 --> 00:40:16,748 THE -- THE FACTORY WENT INTO RECEIVERSHIP. 935 00:40:16,782 --> 00:40:18,850 WE WERE ABLE TO CONVINCE THE COURTS TO KEEP IT RUNNING 936 00:40:18,884 --> 00:40:21,019 UNDER THE GUIDANCE OF A LEGALLY APPOINTED ADMINISTRATOR. 937 00:40:21,052 --> 00:40:25,757 [ WOMAN SPEAKING CHINESE ] 938 00:40:25,791 --> 00:40:28,193 SPEAKING OF WHICH, HOW IS IT GOING THERE, 939 00:40:28,226 --> 00:40:29,761 UH, MADAM ADMINISTRATOR? 940 00:40:29,795 --> 00:40:30,929 IT'S BEEN VERY GOOD. 941 00:40:30,962 --> 00:40:33,131 EVERYONE'S REALIZING THEY NOW GET A SAY 942 00:40:33,164 --> 00:40:35,534 IN SETTING THEIR CONDITIONS AND HOURS. 943 00:40:35,567 --> 00:40:37,202 [ BELL RINGS ] 944 00:40:37,235 --> 00:40:39,004 BUT I THINK THEY'RE... 945 00:40:39,037 --> 00:40:40,906 ADAPTING TO THE NEW RULES PRETTY QUICKLY. 946 00:40:40,939 --> 00:40:43,074 [ CHUCKLES ] 947 00:40:44,843 --> 00:40:47,479 [ Voice breaking ] THANK YOU ALL SO MUCH. 948 00:40:47,513 --> 00:40:49,080 OH. [ CHUCKLES ] 949 00:40:53,218 --> 00:40:55,086 THANK YOU. 950 00:40:57,889 --> 00:40:59,991 [ SIGHS ] 951 00:41:00,025 --> 00:41:03,161 WELL -- OH. 952 00:41:03,194 --> 00:41:05,263 HERE. THAT'S YOUR CUT. 953 00:41:05,296 --> 00:41:07,132 OH. 954 00:41:07,165 --> 00:41:10,135 AND, UH... 955 00:41:10,168 --> 00:41:14,272 I'M GONNA GIVE YOU YOUR EARBUD BACK. 956 00:41:14,305 --> 00:41:17,676 AND, LISTEN, YOU KNOW, I'LL TRY, BECAUSE SOPHIE SENT YOU, 957 00:41:17,709 --> 00:41:20,145 TRY TO COMMUNICATE... 958 00:41:20,178 --> 00:41:22,113 BETTER. 959 00:41:22,147 --> 00:41:23,148 [ CLEARS THROAT ] 960 00:41:23,181 --> 00:41:26,017 THANK YOU. 961 00:41:26,051 --> 00:41:29,054 AND FOR WHAT IT'S WORTH, SOPHIE WAS RIGHT. 962 00:41:29,087 --> 00:41:31,590 YOU GUYS ARE THE BEST I'VE EVER SEEN. 963 00:41:32,991 --> 00:41:34,660 I KNOW. 964 00:41:34,693 --> 00:41:36,628 [ Chuckling ] BUT NO ONE IN THE WORLD 965 00:41:36,662 --> 00:41:38,263 IS AS GOOD AS YOU THINK YOU ARE. 966 00:41:47,639 --> 00:41:49,140 ROUGH DAY? 967 00:41:49,174 --> 00:41:51,009 AH, WE GOT THROUGH IT OKAY. 968 00:41:51,042 --> 00:41:52,578 BARELY, FROM WHAT I HEARD. 969 00:41:52,611 --> 00:41:54,145 YEAH, WELL [SCOFFS] 970 00:41:54,179 --> 00:41:55,981 LISTEN, NATE, I SENT HER, SO -- 971 00:41:56,014 --> 00:41:59,317 SO EVEN IF YOU DON'T TRUST HER, YOU SHOULD TRUST ME BY NOW. 972 00:41:59,350 --> 00:42:02,721 SHE WAS NEVER IN ANY REAL DANGER, SO... 973 00:42:02,754 --> 00:42:03,889 REALLY? 974 00:42:03,922 --> 00:42:06,224 SO WOULD YOU HAVE MADE THE SAME PLAY IF IT WERE ME? 975 00:42:06,257 --> 00:42:08,026 YEAH, PROBABLY. 976 00:42:08,059 --> 00:42:09,160 NO. 977 00:42:09,194 --> 00:42:11,563 NATE, WHAT ARE YOU DOING?! 978 00:42:11,597 --> 00:42:13,031 WHAT AM I DOING? I'M DOING MY JOB, SOPHIE! 979 00:42:13,064 --> 00:42:14,700 THE ONE THAT YOU TALKED ME BACK INTO DOING 980 00:42:14,733 --> 00:42:16,201 WHEN I WAS SITTING RIGHT HERE ON THIS COUCH! 981 00:42:16,234 --> 00:42:18,069 THE SAME ONE THAT YOU WALKED OUT ON. 982 00:42:18,103 --> 00:42:19,805 SO DON'T CALL ME FROM LONDON OR PARIS 983 00:42:19,838 --> 00:42:21,640 OR WHEREVER YOU ARE AND START TELLING ME, 984 00:42:21,673 --> 00:42:22,841 YOU KNOW, HOW TO RUN MY CREW! 985 00:42:22,874 --> 00:42:25,076 I'M SORRY, BUT IT'S JUST IF YOU -- 986 00:42:25,110 --> 00:42:26,778 SOPHIE! 987 00:42:29,948 --> 00:42:32,017 [ SIGHS DEEPLY ] 988 00:42:34,753 --> 00:42:36,855 [ SIGHS ]