1 00:00:02,436 --> 00:00:05,539 Reports of an explosion at the Belbridge Port Authority. 2 00:00:05,573 --> 00:00:07,508 Both Homeland Security and the FBI 3 00:00:07,541 --> 00:00:09,310 assure us this is not a terrorist act. 4 00:00:09,343 --> 00:00:11,245 Be on the lookout for a black Town Car. 5 00:00:11,279 --> 00:00:13,414 The suspects are considered armed and dangerous. 6 00:00:17,551 --> 00:00:20,121 THE MAYOR'S A FEDERAL WITNESS? FEDERAL? 7 00:00:20,154 --> 00:00:23,257 EVERY BADGE IN A HUNDRED MILES IS LOOKING FOR US. 8 00:00:24,258 --> 00:00:26,360 GUYS, THEY ARE RIPPING THROUGH NATE AND TARA'S COVER STORIES. 9 00:00:26,394 --> 00:00:28,362 ALL THEIR FINANCIALS ARE BLOWN, SO, LOOK, 10 00:00:28,396 --> 00:00:30,164 UNTIL I KNOW WHAT THEY KNOW, 11 00:00:30,198 --> 00:00:32,566 NO CREDIT CARDS, NO DEBIT CARDS, NO ATMs, 12 00:00:32,600 --> 00:00:34,435 NOTHING THAT CAN BE TRACED BACK TO US, OKAY? 13 00:00:34,468 --> 00:00:35,569 CASH IN HAND ONLY. 14 00:00:35,603 --> 00:00:37,138 KEEPS GETTING BETTER AND BETTER. 15 00:00:37,171 --> 00:00:38,206 LOOK, THE MAYOR'S NOT INNOCENT. 16 00:00:38,239 --> 00:00:40,274 HE CUT A DEAL WITH THE FEDS BECAUSE HE'S GUILTY. 17 00:00:40,308 --> 00:00:42,076 AND HE'S GOT SOMEBODY WORKING ON THE OUTSIDE. 18 00:00:42,110 --> 00:00:43,611 BACK AT THE WAREHOUSE, HE ADMITTED HE HAS AN ACCOMPLICE. 19 00:00:43,644 --> 00:00:44,678 ALL RIGHT. DO WE SCATTER OR STAY? 20 00:00:44,712 --> 00:00:47,081 NO, WE SCATTER, WE GIVE THE MAYOR AND HIS PARTNER 21 00:00:47,115 --> 00:00:49,750 TIME TO COVER THEIR TRACKS TO GET AWAY WITH MURDER, LITERALLY. 22 00:00:49,783 --> 00:00:51,819 YEAH, WELL, WE CAN'T GET ANYTHING DONE OUT HERE ON THE STREET. WE NEED A HIDING PLACE. 23 00:00:51,852 --> 00:00:54,155 GUYS, LOOK, WHEN I CONTACTED THE FBI TEAM LEADER, 24 00:00:54,188 --> 00:00:55,689 I PUT A WORM IN THE OPERATING SYSTEM 25 00:00:55,723 --> 00:00:57,291 IN THE SIM CARD ON HER PHONE -- 26 00:00:57,325 --> 00:00:59,793 HARDISON, GEEK SPIRAL. 27 00:00:59,827 --> 00:01:02,863 WE CAN LISTEN TO WHAT THEY SAY. LOOK. 28 00:01:02,896 --> 00:01:04,465 NO, NOT A SAFE HOUSE. 29 00:01:04,498 --> 00:01:06,734 INTERPOL WANTS CULPEPPER SOMEPLACE OFF OUR SYSTEM. 30 00:01:06,767 --> 00:01:08,669 WE'RE TAKING HIM TO THE GOVERNOR HOTEL. 31 00:01:08,702 --> 00:01:10,371 OKAY, THAT'S IT. THAT'S WHERE WE'RE GONNA HOLE UP. 32 00:01:10,404 --> 00:01:11,539 THE -- THE GOVERNOR HOTEL? 33 00:01:11,572 --> 00:01:12,840 YEAH. 34 00:01:12,873 --> 00:01:14,475 THE HOTEL CRAWLING WITH FBI? 35 00:01:14,508 --> 00:01:16,009 FBI AND INTERPOL. 36 00:01:16,043 --> 00:01:17,745 HEY, YOU KNOW, IT'S THE ONE PLACE IN BOSTON THEY WON'T BE LOOKING FOR US. 37 00:01:17,778 --> 00:01:19,447 COME ON. WE JUST GOT TO GET THERE FIRST. 38 00:01:19,480 --> 00:01:20,481 [ SIGHS ] 39 00:01:27,388 --> 00:01:28,656 ROOM SERVICE. 40 00:01:30,924 --> 00:01:32,726 ALL RIGHT. 41 00:01:32,760 --> 00:01:35,696 THREE, MAYBE FOUR EMPTY ROOMS ON THIS FLOOR. 42 00:01:35,729 --> 00:01:36,664 I STEAL THAT MASTER KEY, 43 00:01:36,697 --> 00:01:39,200 HE'S GONNA NOTICE IT'S MISSING PRETTY FAST. 44 00:01:39,233 --> 00:01:41,469 ALL RIGHT, PARKER, I NEED YOU TO DO A LIFT. 45 00:01:41,502 --> 00:01:42,770 SHE JUST SAID -- 46 00:01:42,803 --> 00:01:46,874 NO, NOT THE KEY. JUST A TOWEL. 47 00:01:46,907 --> 00:01:49,343 EXCUSE ME. 48 00:01:49,377 --> 00:01:51,845 -HMM? -OH, THANK GOD. 49 00:01:51,879 --> 00:01:54,715 I JUST STEPPED OUT TO GET THE PAPER, AND THEN MY DOOR CLOSED BEHIND ME, 50 00:01:54,748 --> 00:01:56,684 AND I TRIED TO FIND A HOUSE PHONE, 51 00:01:56,717 --> 00:01:58,386 BUT YOU GUYS DON'T HAVE THOSE ANYMORE. 52 00:01:59,387 --> 00:02:01,155 UH, UH...YEAH, UH... 53 00:02:02,890 --> 00:02:04,658 OOPS. 54 00:02:04,692 --> 00:02:06,294 [ STAMMERS ] 55 00:02:09,397 --> 00:02:10,664 [ KNOCK ON DOOR ] 56 00:02:15,369 --> 00:02:18,472 MM, MM, MM. 57 00:02:18,506 --> 00:02:19,907 DID I, UH, MISS SOMETHING? 58 00:02:19,940 --> 00:02:22,243 SHE WAS NAKED. 59 00:02:22,276 --> 00:02:23,677 IN-ROOM CHECKOUT. 60 00:02:23,711 --> 00:02:26,880 OKAY, LOOK, THIS MEANS THAT I HAVE ACCESS 61 00:02:26,914 --> 00:02:28,849 TO THE HOTEL'S BILLING COMPUTERS. 62 00:02:28,882 --> 00:02:33,321 IT'S A BIG OLD BACKDOOR INTO EVERY HOTEL ROOM IN AMERICA. 63 00:02:33,354 --> 00:02:34,955 AS OF RIGHT NOW, WE HAVE BEEN HERE FOR A WEEK, 64 00:02:34,988 --> 00:02:37,491 AND OUR RESERVATIONS ARE GOOD FOR ANOTHER WEEK, 65 00:02:37,525 --> 00:02:39,960 COURTESY OF THIS MAN'S PLATINUM CARD, 66 00:02:39,993 --> 00:02:43,431 MR...OGDEN SHIELDS, WHO HAS SPENT A LOT OF TIME 67 00:02:43,464 --> 00:02:45,599 IN THE ADULT SECTION OF PAY-PER-VIEW. 68 00:02:45,633 --> 00:02:46,800 I MEAN, DID HE EVEN LEAVE THE ROOM? 69 00:02:46,834 --> 00:02:48,636 "INDY PANTIES DAY"? 70 00:02:48,669 --> 00:02:50,271 HARDISON, I NEED BACKGROUND 71 00:02:50,304 --> 00:02:51,905 ON ALL THE MAYOR'S BUSINESS PARTNERS 72 00:02:51,939 --> 00:02:53,674 AND ALL HIS LITTLE SHELL COMPANIES. 73 00:02:53,707 --> 00:02:56,510 YOU WANT BACKGROUND CHECKS ON THIS, A TV? 74 00:02:56,544 --> 00:02:57,745 YEAH. 75 00:02:57,778 --> 00:02:59,947 YEAH, I'LL HAVE SUPER MARIO AND DIG DUG GET RIGHT ON THAT. 76 00:02:59,980 --> 00:03:02,383 GUNS -- ANYTHING HAVING TO DO WITH GUNS. 77 00:03:02,416 --> 00:03:04,252 ALL RIGHT, I'M GONNA GO GET SOME KEYS MADE. 78 00:03:04,285 --> 00:03:06,687 I'M GOING TO THE GYM. MAKE SURE I CAN CHARGE STUFF ON THE ROOM. 79 00:03:06,720 --> 00:03:09,423 I GOT YOU. [ WOMAN MOANING ] 80 00:03:09,457 --> 00:03:13,427 WOW, SHE REALLY WANTS THAT CAR CLEAN. 81 00:03:13,461 --> 00:03:15,263 THAT -- THAT'S ENOUGH OF THAT. 82 00:03:15,296 --> 00:03:16,930 [ INDISTINCT CONVERSATIONS ] 83 00:03:20,033 --> 00:03:21,635 OH! EXCUSE ME. 84 00:03:21,669 --> 00:03:23,437 THAT'S ALL RIGHT. 85 00:03:30,711 --> 00:03:33,447 HELLO. I WAS DOWN IN THE GYM. 86 00:03:33,481 --> 00:03:36,984 AH, THE FITNESS SPA. ISN'T THE ZEN STEAM GARDEN DIVINE? 87 00:03:37,017 --> 00:03:39,753 YEAH...DELICIOUS. LISTEN. 88 00:03:39,787 --> 00:03:41,622 I WAS DOWN IN THE GYM, AND I WENT BACK UP TO MY ROOM, 89 00:03:41,655 --> 00:03:43,391 AND MY -- MY KEY DIDN'T WORK. 90 00:03:43,424 --> 00:03:44,725 OH, NO PROBLEM. DO YOU HAVE ANY I.D.? 91 00:03:44,758 --> 00:03:47,328 WHO CARRIES THEIR I.D. TO THE GYM, BRO? 92 00:03:47,361 --> 00:03:48,128 TRUE. 93 00:03:48,161 --> 00:03:50,398 LISTEN -- OGDEN SHIELDS, ROOM 1104. 94 00:03:50,431 --> 00:03:51,865 HERE YOU GO, MR. SHIELDS. 95 00:03:51,899 --> 00:03:53,967 LET ME REFORMAT THAT CARD FOR YOU. 96 00:04:04,845 --> 00:04:06,480 PARKER, ELIOT, MEET ME OUTSIDE. 97 00:04:06,514 --> 00:04:08,048 TARA, HARDISON, STAY IN YOUR ROOM. 98 00:04:08,081 --> 00:04:09,917 -Door closed. -WHY? 99 00:04:09,950 --> 00:04:13,321 STERLING. 100 00:04:14,788 --> 00:04:15,956 STERLING? 101 00:04:15,989 --> 00:04:19,460 YES, LIKE THE MACHINE GUN, NOT THE ENGINE. 102 00:04:19,493 --> 00:04:21,995 YOU'VE BEEN A VERY BAD BOY TODAY. 103 00:04:22,029 --> 00:04:23,964 NO. NO, I-I DID EVERYTHING I WAS SUPPOSED TO. 104 00:04:23,997 --> 00:04:25,433 PLEASE, AGENT NEVINS, TELL HIM. 105 00:04:25,466 --> 00:04:26,900 THE MAYOR'S BEEN A COOPERATING WITNESS. 106 00:04:26,934 --> 00:04:29,970 OH, A SNITCH. WORLD LOVES A SNITCH. 107 00:04:30,003 --> 00:04:32,673 I WILL NOT HAVE YOU TALKING TO MY WITNESS LIKE THAT. 108 00:04:32,706 --> 00:04:36,777 BEFORE YOU FINISH THAT THOUGHT, LET'S REVIEW, SHALL WE? 109 00:04:36,810 --> 00:04:40,581 YOU ALLOWED MULTIPLE SUSPECTS TO ESCAPE FROM A WAREHOUSE 110 00:04:40,614 --> 00:04:42,816 COMPLETELY SURROUNDED BY FBI AGENTS 111 00:04:42,850 --> 00:04:47,655 BEFORE THEY GOT AWAY WITH $250,000 OF FBI BRIBE MONEY. 112 00:04:47,688 --> 00:04:49,723 AND THEY GOT AWAY IN YOUR CAR. 113 00:04:54,962 --> 00:04:56,730 SURE HE'S SAFE HERE? 114 00:04:56,764 --> 00:04:58,832 YOU WANT TO TELL ME WHY THAT'S ANY OF YOUR BUSINESS? 115 00:04:58,866 --> 00:05:00,701 BECAUSE, DURING THE COURSE 116 00:05:00,734 --> 00:05:03,371 OF MY FIRST INVESTIGATION FOR INTERPOL, 117 00:05:03,404 --> 00:05:06,707 THE CITY OF BELBRIDGE DRIFTED INTO MY VISION. 118 00:05:06,740 --> 00:05:09,009 YOUR LITTLE OPERATION CAME UP. 119 00:05:09,042 --> 00:05:11,612 IMAGINE MY SURPRISE AND DELIGHT 120 00:05:11,645 --> 00:05:14,348 WHEN I SAW NATHAN FORD IN THE FBI CASE FILES. 121 00:05:14,382 --> 00:05:17,751 NATHAN? NO, HIS NAME'S LIONEL GITT. 122 00:05:17,785 --> 00:05:19,687 THAT'S ADORABLE. TELL YOU WHAT. 123 00:05:19,720 --> 00:05:22,823 I'LL HAVE MY PEOPLE GIVE YOU EVERYTHING YOU NEED TO KNOW 124 00:05:22,856 --> 00:05:24,758 ABOUT NATHAN FORD AND HIS CREW, 125 00:05:24,792 --> 00:05:26,894 AND YOU GIVE ME EVERYTHING YOU HAVE 126 00:05:26,927 --> 00:05:28,662 ON A MAN NAMED TONY KADJIC. 127 00:05:28,696 --> 00:05:30,764 ALL RIGHT, GUYS, THIS IS TONY KADJIC. 128 00:05:30,798 --> 00:05:32,633 HE STARTED OUT AS A SMUGGLER IN ALBANIA. 129 00:05:32,666 --> 00:05:35,403 HE LEFT A LOT OF COMPETITORS IN SHALLOW GRAVES. 130 00:05:35,436 --> 00:05:37,104 He's been indicted for murder eight times 131 00:05:37,137 --> 00:05:39,507 in four different countries with zero convictions. 132 00:05:39,540 --> 00:05:41,141 HIS SHIPPING COMPANY LOOKS SEMI-LEGIT 133 00:05:41,174 --> 00:05:43,877 AND IS TIED TO GOVERNMENTS IN THE 'STANS, CENTRAL AMERICA. 134 00:05:43,911 --> 00:05:45,879 IT'S GOT A BATCH OF BIG GOVERNMENT CONTRACTS, 135 00:05:45,913 --> 00:05:47,581 INCLUDING SOME FOR U.S. SECURITY FORCES. 136 00:05:47,615 --> 00:05:48,616 WHY DO WE CARE ABOUT HIM? 137 00:05:48,649 --> 00:05:50,718 'Cause he's big on the surplus-weapons market. 138 00:05:50,751 --> 00:05:53,554 [ SCOFFS ] IT'S JUST A POLITE WAY OF SAYING ARMS DEALER. 139 00:05:53,587 --> 00:05:54,888 His specialty is buying cheap guns 140 00:05:54,922 --> 00:05:57,958 FROM THIRD-WORLD COUNTRIES AND RESELLING THEM. 141 00:05:57,991 --> 00:05:59,560 Okay, well, you know, I mean, this tracks. 142 00:05:59,593 --> 00:06:00,928 So, the mayor grifts the 9/11 money 143 00:06:00,961 --> 00:06:02,830 that's meant to improve security at the ports. 144 00:06:02,863 --> 00:06:05,799 THAT, ALONG WITH CROOKED COPS, MAKES THE BELBRIDGE PORT 145 00:06:05,833 --> 00:06:07,501 A PERFECT PLACE FOR TONY KADJIC 146 00:06:07,535 --> 00:06:09,803 TO RUN HIS GUNS IN AND OUT OF THE COUNTRY. 147 00:06:09,837 --> 00:06:11,939 INTERPOL MUST BE CHASING DOWN THE GUNRUNNING. 148 00:06:11,972 --> 00:06:12,973 DON'T WORRY ABOUT STERLING. 149 00:06:13,006 --> 00:06:15,409 DID YOU JUST SAY, "DON'T WORRY ABOUT STERLING"? 150 00:06:15,443 --> 00:06:16,910 YEAH, DON'T WORRY ABOUT STERLING. 151 00:06:16,944 --> 00:06:18,946 WHAT, YOU DON'T THINK I CAN BEAT STERLING? 152 00:06:18,979 --> 00:06:20,981 I think in the last six months, Nate, 153 00:06:21,014 --> 00:06:22,883 I'VE HEARD YOU TALK ABOUT BEATING THE TRIADS, 154 00:06:22,916 --> 00:06:25,719 BEATING THE RUSSIANS, ALL RIGHT? 155 00:06:25,753 --> 00:06:28,121 MAGGIE'S BOYFRIEND -- HUH? HOW'D THAT WORK OUT? 156 00:06:28,155 --> 00:06:30,090 WE ALL SAID THAT MEET WAS A BAD IDEA, ALL RIGHT? 157 00:06:30,123 --> 00:06:31,191 BUT YOU GOT A TASTE 158 00:06:31,224 --> 00:06:33,894 FOR TAKING DOWN THIS MAYOR, AND YOU CAN'T RESIST. 159 00:06:33,927 --> 00:06:35,262 YOU WANT TO WALK AWAY, WALK AWAY. WALK AWAY. 160 00:06:35,295 --> 00:06:38,065 NOT WALKING AWAY. THAT'S NOT MY JOB. MY JOB IS TO GET YOUR BACK. 161 00:06:38,098 --> 00:06:39,800 AND, NATE, I'M GONNA DO IT ALL THE WAY DOWN. 162 00:06:39,833 --> 00:06:42,536 BUT I NEED YOU TO DO YOUR JOB. 163 00:06:42,570 --> 00:06:44,672 -AND WHAT'S THAT? -BE NATHAN FORD. 164 00:06:44,705 --> 00:06:47,140 BE THE PERSON WE CAME BACK FOR. 165 00:06:51,779 --> 00:06:53,614 LISTEN, GUYS. 166 00:06:53,647 --> 00:06:54,548 I'm trying to figure out 167 00:06:54,582 --> 00:06:56,550 why a group of very rich, very powerful men 168 00:06:56,584 --> 00:06:58,652 ARE TRYING TO TAKE OUT A GOOD, DECENT COP. 169 00:06:58,686 --> 00:06:59,953 NOW, ARE YOU GONNA STICK WITH ME ON THIS? 170 00:06:59,987 --> 00:07:02,556 IS THAT ENOUGH? 171 00:07:02,590 --> 00:07:03,724 YEAH. 172 00:07:07,561 --> 00:07:08,696 [ SIGHS ] US TOO. 173 00:07:08,729 --> 00:07:10,531 Good. Tony Kadjic is the one 174 00:07:10,564 --> 00:07:11,665 WHO PULLED THE TRIGGER. 175 00:07:11,699 --> 00:07:13,934 I WANT TO KNOW EXACTLY WHAT HE'S UP TO AND WHERE HE IS. 176 00:07:13,967 --> 00:07:16,637 AND HOW DO YOU PROPOSE WE DO THAT? 177 00:07:16,670 --> 00:07:19,439 LET'S GO STEAL A MAYOR. 178 00:07:30,518 --> 00:07:32,052 THAT'S STILL BUGGING ME, MAN. 179 00:07:32,085 --> 00:07:33,120 [ MUTTERS ] 180 00:07:33,153 --> 00:07:34,688 You guys on the move? 181 00:07:34,722 --> 00:07:36,824 WE'RE BOTH HEADING OUT NOW. 182 00:07:36,857 --> 00:07:38,091 AND THE MAYOR? 183 00:07:38,125 --> 00:07:39,993 According to the room-service charges, 184 00:07:40,027 --> 00:07:42,596 LOOKS LIKE THE MAYOR'S TAKING THE EDGE OFF OF CAPTIVITY 185 00:07:42,630 --> 00:07:44,464 WITH MANY, MANY TINY BOTTLES OF VODKA. 186 00:07:54,207 --> 00:07:55,576 OOH, I'M SORRY, MA'AM. 187 00:07:55,609 --> 00:07:56,443 [ GASPS ] 188 00:07:56,476 --> 00:07:59,079 [ French accent ] BUT I HAVE MINI-BAR. 189 00:07:59,112 --> 00:08:00,113 GIMME. 190 00:08:00,147 --> 00:08:01,048 -OOH. -GIMME. 191 00:08:01,081 --> 00:08:03,651 [ CHUCKLES ] 192 00:08:06,119 --> 00:08:07,755 [ GLASS BREAKS ] 193 00:08:20,067 --> 00:08:23,036 OH, GREAT. LOOK WHO'S BACK. 194 00:08:29,710 --> 00:08:30,811 [ CELLPHONE BEEPS ] 195 00:08:30,844 --> 00:08:32,312 THIS IS STERLING. I'M ON MY WAY UP. 196 00:08:32,345 --> 00:08:33,981 Target secured. 197 00:08:39,119 --> 00:08:41,989 YOU HELP TARA AND PARKER. I'M GONNA STALL STERLING. 198 00:08:42,022 --> 00:08:43,123 How? 199 00:08:43,156 --> 00:08:44,625 I'M THINKING. 200 00:08:49,663 --> 00:08:52,733 [ ELEVATOR DINGS ] 201 00:08:57,971 --> 00:08:59,773 OKAY. 202 00:09:11,151 --> 00:09:12,552 [ ELEVATOR DINGS ] 203 00:09:17,290 --> 00:09:18,992 [ ELEVATOR DINGS ] 204 00:09:25,398 --> 00:09:27,901 [ ELEVATOR DINGS ] 205 00:09:31,839 --> 00:09:33,240 [ ELEVATOR DINGS ] 206 00:09:34,742 --> 00:09:37,144 [ PANTING ] 207 00:09:37,177 --> 00:09:39,012 [ ELEVATOR DINGS ] 208 00:09:40,113 --> 00:09:41,214 [ ELEVATOR DINGS ] 209 00:09:44,217 --> 00:09:46,253 [ ELEVATOR DINGS ] 210 00:09:51,692 --> 00:09:53,761 [ PANTING ] 211 00:09:53,794 --> 00:09:55,796 [ ELEVATOR DINGS ] 212 00:09:58,365 --> 00:10:00,200 [ SIGHS ] 213 00:10:00,233 --> 00:10:03,070 [ PANTING ] 214 00:10:03,103 --> 00:10:04,738 [ ELEVATOR DINGS ] 215 00:10:08,175 --> 00:10:09,777 [ SIGHS ] 216 00:10:19,887 --> 00:10:22,155 AGENT NEVINS SAYS YOU'RE TO HAVE FULL ACCESS. 217 00:10:25,225 --> 00:10:27,194 ALL RIGHT. 218 00:10:32,199 --> 00:10:33,701 YOUR NAME'S BOB, RIGHT? 219 00:10:33,734 --> 00:10:34,534 YES, SIR. 220 00:10:34,567 --> 00:10:36,169 YOU'VE BEEN HERE THE WHOLE TIME, BOB? 221 00:10:36,203 --> 00:10:37,971 YES, SIR. 222 00:10:38,005 --> 00:10:40,173 AND NOBODY'S GONE IN OR OUT OF HERE, BOB? 223 00:10:40,207 --> 00:10:41,441 NO, SIR. 224 00:10:41,474 --> 00:10:45,278 THEN WOULD YOU MIND EXPLAINING WHERE THE HELL THE MAYOR IS?! 225 00:10:45,312 --> 00:10:46,814 UH... 226 00:11:03,096 --> 00:11:05,733 HOUSEKEEPING. 227 00:11:11,171 --> 00:11:13,273 OW, STOP. HEY, I GOT THIS. 228 00:11:13,306 --> 00:11:14,808 STOP. I DON'T -- I DON'T NEED HELP. 229 00:11:14,842 --> 00:11:16,176 HEY, CLEARLY YOU DO. 230 00:11:16,209 --> 00:11:17,845 I GOT THIS. I GOT THIS. 231 00:11:17,878 --> 00:11:19,312 -YEAH, OKAY. -GO ON. 232 00:11:19,346 --> 00:11:21,882 [ GRUNTS ] OKAY. 233 00:11:27,054 --> 00:11:29,322 ELIOT SPENCER. 234 00:11:30,523 --> 00:11:32,993 THERE! THAT'S IT. 235 00:11:33,026 --> 00:11:35,262 THE TRUNK -- THE MAYOR'S IN THE TRUNK. 236 00:11:35,295 --> 00:11:36,363 FIND IT! 237 00:11:36,396 --> 00:11:38,131 I'M RUNNING DOWN THE TAXI LICENSE. 238 00:11:38,165 --> 00:11:40,500 YEAH, HAVE THE STATE TROOPERS SET UP ROADBLOCKS 239 00:11:40,533 --> 00:11:42,803 ON EVERY HIGHWAY IN AND OUT OF THE CITY. 240 00:11:42,836 --> 00:11:44,237 YOU GOT IT. 241 00:11:47,474 --> 00:11:49,910 THANKS FOR MAKING IT INTERESTING, NATE. 242 00:11:49,943 --> 00:11:51,311 [ CELLPHONE RINGS ] 243 00:11:55,248 --> 00:11:56,984 WHERE'S THE LUGGAGE GOING? 244 00:11:57,017 --> 00:11:59,152 NASHUA, NEW HAMPSHIRE. 245 00:11:59,186 --> 00:12:01,021 OKAY. 246 00:12:01,054 --> 00:12:03,390 OKAY, JUST LIKE THE PICTURE -- 247 00:12:03,423 --> 00:12:06,760 MAKE SURE IT LOOKS EXACTLY LIKE HIS ROOM. 248 00:12:12,199 --> 00:12:14,201 [ CAMERA SHUTTER CLICKING ] 249 00:12:21,408 --> 00:12:22,375 [ GROANS ] 250 00:12:22,409 --> 00:12:23,376 AAH! AAH! 251 00:12:23,410 --> 00:12:24,411 YOUR HONOR. 252 00:12:24,444 --> 00:12:25,478 CHAIR. 253 00:12:25,512 --> 00:12:28,048 [ GASPING ] 254 00:12:28,081 --> 00:12:30,550 WHERE ARE THE AGENTS? WHERE ARE THE AGENTS? 255 00:12:30,583 --> 00:12:34,354 THERE SHOULD BE TWO FBI AGENTS STANDING AT THE DOOR. 256 00:12:34,387 --> 00:12:36,189 DID YOU HAVE TO? 257 00:12:36,223 --> 00:12:37,457 SHE SAW OUR FACES. 258 00:12:37,490 --> 00:12:39,960 OKAY. PUT HER IN THE TUB WITH THE OTHERS. 259 00:12:39,993 --> 00:12:42,863 MR. JOSHUA, GET TO WORK. WE DON'T HAVE MUCH TIME. 260 00:12:42,896 --> 00:12:44,364 I'M SORRY. I'M SORRY. PLEASE, PLEASE DON'T KILL ME. 261 00:12:44,397 --> 00:12:45,398 WHAT DID YOU THINK, HUH? 262 00:12:45,432 --> 00:12:47,034 A GUY THAT THROWS AROUND THE KIND OF MONEY I DO, 263 00:12:47,067 --> 00:12:47,935 THAT I'M NOT CONNECTED? 264 00:12:47,968 --> 00:12:49,402 -I-I-I DIDN'T KNOW THAT -- -WHAT, WHAT? 265 00:12:49,436 --> 00:12:51,404 THAT YOU COULD JUST THROW ME TO THE FEDS? 266 00:12:51,438 --> 00:12:52,806 LOOK, I-I HAD TO. 267 00:12:52,840 --> 00:12:54,908 IT WAS -- IT WAS NOTHING PERSONAL. 268 00:12:54,942 --> 00:12:56,443 -I HAD TO PROTECT -- -WHAT? 269 00:12:56,476 --> 00:12:58,111 [ CLAPS HANDS ] 270 00:12:59,212 --> 00:13:01,048 AAH! T-THE GUNS. 271 00:13:01,081 --> 00:13:02,182 THE GUNS, THE GUNS. 272 00:13:02,215 --> 00:13:03,917 LOOK, I'LL CUT YOU IN, OKAY? 273 00:13:03,951 --> 00:13:05,018 IT'S A SWEET DEAL. 274 00:13:05,052 --> 00:13:06,153 THE COPS ARE IN ON THE PAYROLL. 275 00:13:06,186 --> 00:13:07,921 AND THE FEDS -- THEY -- THEY JUST TURN THEIR HEADS. 276 00:13:07,955 --> 00:13:09,990 -IT'S -- IT'S FOOLPROOF. -HOW? HUH? 277 00:13:10,023 --> 00:13:11,324 HOW DO THE FEDS LOOK THE OTHER WAY? 278 00:13:11,358 --> 00:13:13,593 I WEAR A WIRE, OKAY? 279 00:13:13,626 --> 00:13:16,163 I HELP THE FBI GET OTHER MAYORS AND CONGRESSMEN, 280 00:13:16,196 --> 00:13:20,167 AND THEY -- THEY DON'T BOTHER WITH TONY'S SHIPPING BUSINESS. 281 00:13:20,200 --> 00:13:21,034 OKAY? 282 00:13:21,068 --> 00:13:24,071 SO TONY SAID TO GIVE THEM YOU, OKAY, 283 00:13:24,104 --> 00:13:26,606 TO GIVE YOU TO THE FEDS, OKAY, 284 00:13:26,639 --> 00:13:28,575 AND THEN -- THEN THE HEAT WOULD BE OFF. 285 00:13:28,608 --> 00:13:32,179 MR. GITT, IT WAS -- IT WAS JUST BUSINESS, OKAY? 286 00:13:32,212 --> 00:13:34,982 YEAH, JUST BUSINESS, YEAH, OKAY. I'D LIKE TO MEET TONY. 287 00:13:35,015 --> 00:13:37,517 WELL...I DON'T -- I DON'T KNOW WHERE HE IS, OKAY? 288 00:13:37,550 --> 00:13:39,352 I'LL GET HIM ON THE PHONE. I CAN GET HIM ON THE PHONE FOR YOU. 289 00:13:39,386 --> 00:13:41,121 IF YOU'D LIKE ME TO GET HIM ON THE PHONE, I CAN DO THAT. 290 00:13:41,154 --> 00:13:41,989 ALL RIGHT. 291 00:13:42,022 --> 00:13:43,523 OKAY, ALL RIGHT, ALL RIGHT, ALL RIGHT. 292 00:13:43,556 --> 00:13:45,258 ALL RIGHT. HE'S HERE. OKAY? 293 00:13:45,292 --> 00:13:47,127 WHERE? WHERE IS HE? WHERE IS HE? 294 00:13:47,160 --> 00:13:49,596 HE'S DOWN AT THE DOCKS, OKAY? HE'S ON THE BOAT. 295 00:13:49,629 --> 00:13:50,730 WE JUST GOT A SHIPMENT IN. 296 00:13:50,763 --> 00:13:54,301 AND WE'VE GOT SOME BUYERS WHO ARE INSPECTING THE GUNS. 297 00:13:54,334 --> 00:13:55,635 THANK YOU VERY MUCH. 298 00:13:55,668 --> 00:13:57,905 SEE, THAT WASN'T SO DIFFICULT, WAS IT? 299 00:13:57,938 --> 00:14:00,007 OKAY. [ SNAPS FINGERS ] 300 00:14:00,040 --> 00:14:01,608 NO! NO, NO! 301 00:14:03,110 --> 00:14:05,278 ALL RIGHT, FBI's CLEARED THE BUILDING. 302 00:14:07,948 --> 00:14:10,150 SO, WE KIDNAPPED A MAYOR. 303 00:14:10,183 --> 00:14:11,985 I HOPE YOU REALIZE THAT EVEN IF WE PULL THIS OFF, 304 00:14:12,019 --> 00:14:13,220 WE'RE GONNA GET OUT OF THE CITY 305 00:14:13,253 --> 00:14:15,889 WITH NOTHING BUT THE CLOTHES ON OUR BACKS. 306 00:14:15,923 --> 00:14:18,892 YEAH, OKAY, SO, KADJIC HAS A SHIPMENT AT THE DOCKS. 307 00:14:18,926 --> 00:14:20,460 HARDISON, STASH THE MAYOR SOMEWHERE ELSE 308 00:14:20,493 --> 00:14:21,528 AND SEE WHAT YOU CAN DIG UP. 309 00:14:21,561 --> 00:14:23,997 IF I CAN ACCESS THE SECURITY CAMERAS AT THE PORT, 310 00:14:24,031 --> 00:14:26,066 MAYBE THE FACIAL RECOGNITION CAN FIND KADJIC. 311 00:14:26,099 --> 00:14:29,069 YEAH. ELIOT, PARKER, TARA, 312 00:14:29,102 --> 00:14:31,204 DO A PHYSICAL SWEEP OF THE DOCKS. 313 00:14:33,506 --> 00:14:36,309 WHERE YOU GOING? 314 00:14:39,712 --> 00:14:41,681 WHERE'S HE GOING? 315 00:14:41,714 --> 00:14:43,350 [ Cellphone rings ] 316 00:14:45,585 --> 00:14:47,320 [ German accent ] THIS IS TARA. 317 00:14:47,354 --> 00:14:49,990 [ SPEAKING GERMAN ] 318 00:14:50,023 --> 00:14:52,159 [ Normal voice ] LISTEN, I NEED A FAVOR. 319 00:14:52,192 --> 00:14:54,494 I NEED YOU TO GET ME IN TOUCH WITH SOMEONE. 320 00:14:57,264 --> 00:15:02,169 YEAH, I WANT TO MAKE A DEAL... WITH TONY KADJIC. 321 00:15:13,213 --> 00:15:15,082 [ FOOTSTEPS APPROACH ] 322 00:15:17,250 --> 00:15:18,618 OH, NATE. 323 00:15:18,651 --> 00:15:21,989 YOU'RE NOT LIKE THEM. 324 00:15:22,022 --> 00:15:25,258 YOU COULDN'T TAKE THE RISK THAT YOU'D NEVER COME BACK HERE... 325 00:15:27,694 --> 00:15:29,629 ...NOT WITHOUT PICKING UP A FEW THINGS. 326 00:15:42,175 --> 00:15:44,177 YOU'RE NICKED. 327 00:15:54,287 --> 00:15:55,455 WHERE'S MY WITNESS? 328 00:15:55,488 --> 00:15:58,091 DO YOU KNOW WHY YOU SCREWED UP, NATE? 329 00:15:59,759 --> 00:16:02,729 YOU FORGOT WHO YOU ARE. 330 00:16:02,762 --> 00:16:05,198 IT WAS ALWAYS ONLY A MATTER OF TIME 331 00:16:05,232 --> 00:16:08,068 BEFORE THIS ROBIN HOOD FANTASY OF YOURS BROUGHT YOU HERE... 332 00:16:08,101 --> 00:16:10,603 TO THIS END. 333 00:16:10,637 --> 00:16:11,738 YOU'RE GONNA LECTURE ME 334 00:16:11,771 --> 00:16:13,273 ON WHO THE GOOD GUYS AND BAD GUYS ARE? 335 00:16:13,306 --> 00:16:15,608 THE FBI HERE'S PROTECTING A CORRUPT MAYOR, 336 00:16:15,642 --> 00:16:18,111 AND THE GUY YOU WANT, TONY KADJIC -- 337 00:16:18,145 --> 00:16:19,279 GIVING HIM A FREE PASS. 338 00:16:19,312 --> 00:16:20,547 IS THIS TRUE, AGENT NEVINS? 339 00:16:20,580 --> 00:16:23,150 AS FAR AS WE CAN TELL, MR. KADJIC HASN'T BROKEN 340 00:16:23,183 --> 00:16:24,051 ANY AMERICAN LAWS. 341 00:16:24,084 --> 00:16:25,785 AND AS A FAVOR TO A PROTECTED WITNESS, 342 00:16:25,818 --> 00:16:28,388 WE DO NOT HARASS HIS BUSINESS ASSOCIATES. 343 00:16:28,421 --> 00:16:30,657 KADJIC SHOT UP A STATE POLICEMAN. 344 00:16:30,690 --> 00:16:32,459 DO YOU HAVE PROOF OF THAT? NO. 345 00:16:32,492 --> 00:16:35,295 THE MAYOR'S BROUGHT US A DOZEN GOOD CASES. 346 00:16:35,328 --> 00:16:36,729 I MADE THE RIGHT CALL. 347 00:16:36,763 --> 00:16:38,331 WELL, IT'S OUT OF YOUR HANDS NOW. 348 00:16:38,365 --> 00:16:40,667 I HAVE PLENTY OF PROOF AGAINST TONY KADJIC -- 349 00:16:40,700 --> 00:16:43,670 SHIPPING MANIFESTS, FORGED CUSTOMS DOCUMENTS -- 350 00:16:43,703 --> 00:16:45,172 AND AGAINST YOU, NATE -- 351 00:16:45,205 --> 00:16:47,240 PHOTOS OF YOU SETTING THE BRIBE WITH THE MAYOR, 352 00:16:47,274 --> 00:16:50,210 TAPE OF YOU TALKING ABOUT THE BRIBE, 353 00:16:50,243 --> 00:16:52,445 PHOTOS OF YOUR TEAM IN THEIR ADORABLE LITTLE COSTUMES, 354 00:16:52,479 --> 00:16:55,382 ALL SITTING IN A SECURE FBI LOCKER, 355 00:16:55,415 --> 00:16:57,784 AWAITING MY NEXT IRREVOCABLE PHONE CALL. 356 00:16:57,817 --> 00:16:59,619 WHAT ARE YOU WAITING FOR? 357 00:16:59,652 --> 00:17:02,422 THE ONLY THING I DON'T HAVE IS TONY KADJIC HIMSELF. 358 00:17:02,455 --> 00:17:05,492 THAT MUST BE VERY DISAPPOINTING. 359 00:17:08,361 --> 00:17:09,629 SO I'M GONNA MAKE YOU A DEAL. 360 00:17:09,662 --> 00:17:12,565 YOU FIND KADJIC, TIE HIM TO THE GUNS... 361 00:17:12,599 --> 00:17:15,335 I'LL GIVE YOU A FREE PASS. 362 00:17:15,368 --> 00:17:17,104 JUST THIS ONCE, 363 00:17:17,137 --> 00:17:19,706 YOU GET TO WALK AWAY WITH YOUR RECORD WIPED CLEAN. 364 00:17:19,739 --> 00:17:22,675 MY TEAM? 365 00:17:22,709 --> 00:17:26,379 THEY GO DOWN, EVERY LAST ONE OF THEM. 366 00:17:26,413 --> 00:17:27,814 THEY DESERVE TO GO DOWN. 367 00:17:27,847 --> 00:17:30,750 THEY'RE CRIMINALS, NATE... THIEVES. 368 00:17:30,783 --> 00:17:32,785 SO THAT'S THE DEAL. 369 00:17:32,819 --> 00:17:34,521 YOU BRING ME KADJIC AND THE GUNS, 370 00:17:34,554 --> 00:17:39,092 AND I CUT YOU AND YOU ALONE LOOSE. 371 00:17:39,126 --> 00:17:44,364 BECAUSE AT THE END OF THE DAY, YOU'RE ALWAYS RIGHT. 372 00:17:44,397 --> 00:17:45,732 YOU'RE NOT A THIEF. 373 00:17:47,900 --> 00:17:50,470 THIS IS YOUR SECOND CHANCE. 374 00:18:00,547 --> 00:18:02,215 THIS IS HOPELESS. 375 00:18:02,249 --> 00:18:03,783 AND IT SMELLS. 376 00:18:03,816 --> 00:18:05,385 HOW MANY SHIPS LEFT ON THE LIST? 377 00:18:05,418 --> 00:18:06,486 ONLY A HUNDRED. 378 00:18:06,519 --> 00:18:07,720 SWEET. 379 00:18:07,754 --> 00:18:08,788 YEAH. 380 00:18:09,856 --> 00:18:11,358 THIS IS HOPELESS. 381 00:18:11,391 --> 00:18:12,625 AND IT SMELLS. 382 00:18:12,659 --> 00:18:15,228 YES, LIKE OLD CLOWN SHOES. 383 00:18:15,262 --> 00:18:16,363 BRINY DESPAIR. 384 00:18:16,396 --> 00:18:17,597 WELL, MAYBE HARDISON -- 385 00:18:17,630 --> 00:18:19,432 HEY. 386 00:18:19,466 --> 00:18:21,334 WHAT? 387 00:18:21,368 --> 00:18:23,403 HE'S ITALIAN. 388 00:18:23,436 --> 00:18:24,437 HUH? 389 00:18:26,939 --> 00:18:29,909 BONANNO'S ITALIAN. 390 00:18:29,942 --> 00:18:32,745 OH, SO NOW HE'S WALKING OFF? 391 00:18:32,779 --> 00:18:33,813 YEP. 392 00:18:33,846 --> 00:18:36,549 [ SIGHS ] 393 00:18:36,583 --> 00:18:38,685 SPARKY, SLOW DOWN. 394 00:18:38,718 --> 00:18:40,153 [ CELLPHONE RINGS ] 395 00:18:40,187 --> 00:18:41,554 [ HELICOPTER BLADES WHIRRING ] 396 00:18:41,588 --> 00:18:42,889 NATE?! 397 00:18:44,457 --> 00:18:46,826 Nate?! 398 00:18:46,859 --> 00:18:49,562 SOPHIE, IT'S ME. 399 00:18:49,596 --> 00:18:51,698 I-I SCREWED UP. 400 00:18:51,731 --> 00:18:52,699 Nate? 401 00:18:52,732 --> 00:18:54,467 NATE, IS THAT YOU? 402 00:18:54,501 --> 00:18:56,503 I-I CAN'T HEAR YOU. 403 00:18:56,536 --> 00:19:01,674 YEAH, NO, I-I -- LISTEN, I NEED YOU TO...COME BACK. 404 00:19:01,708 --> 00:19:05,345 UM...I NEED YOU. 405 00:19:05,378 --> 00:19:06,879 UH, I NEED YOU. 406 00:19:06,913 --> 00:19:08,315 NO, NO, NO, SPEAK UP. 407 00:19:08,348 --> 00:19:10,517 I'M TRAVELING, AND -- 408 00:19:10,550 --> 00:19:13,486 NOT THE TEAM -- ME. 409 00:19:13,520 --> 00:19:17,457 FOR ME, NOT FOR A CON. 410 00:19:17,490 --> 00:19:19,426 I JUST -- LISTEN, I -- 411 00:19:19,459 --> 00:19:22,795 I DON'T KNOW WHO I AM ANYMORE, SOPHIE. 412 00:19:22,829 --> 00:19:25,765 AND, UH, YOU KNOW, WHEN I WAS CHASING YOU AND EVERYTHING 413 00:19:25,798 --> 00:19:28,768 AND WE WERE DOING CONS, I KNEW WHO I WAS, BUT NOT ANYMORE. 414 00:19:28,801 --> 00:19:31,438 AS CRAZY AS THIS SOUNDS, I NEED YOU TO TELL ME -- 415 00:19:31,471 --> 00:19:33,273 TELL ME WHEN I'M GOING TOO FAR. 416 00:19:33,306 --> 00:19:35,942 I MEAN, IT JUST -- IT GETS OUT OF CONTROL, 417 00:19:35,975 --> 00:19:38,411 AND I JUST DON'T KNOW WHO I AM, 418 00:19:38,445 --> 00:19:41,381 AND -- AND YOU'VE ALWAYS BEEN... 419 00:19:41,414 --> 00:19:42,549 [ SIGHS ] 420 00:19:42,582 --> 00:19:44,884 ...MY COMPASS. 421 00:19:44,917 --> 00:19:46,986 AND, YOU KNOW, I CARE ABOUT YOU 422 00:19:47,019 --> 00:19:48,755 MORE THAN YOU'LL -- YOU'LL EVER KNOW, 423 00:19:48,788 --> 00:19:51,491 BECAUSE I L-- I L-- I L-- I L-- 424 00:19:51,524 --> 00:19:53,426 I -- YOU -- 425 00:19:53,460 --> 00:19:56,329 [ Static ] 426 00:19:56,363 --> 00:19:58,831 I CAN'T HEAR YOU! 427 00:19:58,865 --> 00:20:01,768 [ SIGHS ] 428 00:20:01,801 --> 00:20:03,970 WHAT RUBBISH SIGNAL. 429 00:20:04,003 --> 00:20:05,572 SOPHIE. 430 00:20:05,605 --> 00:20:07,607 [ Beeping ] 431 00:20:09,876 --> 00:20:11,311 HEY. 432 00:20:11,344 --> 00:20:13,313 HEY! 433 00:20:15,782 --> 00:20:17,384 [ BEEP ] 434 00:20:17,417 --> 00:20:19,218 [ SIGHS ] 435 00:20:28,628 --> 00:20:31,531 HARDISON. 436 00:20:31,564 --> 00:20:33,500 [ SIGHS ] IT'S SAFE. 437 00:20:33,533 --> 00:20:36,035 IT'S ALL CLEAR IN MY APARTMENT. 438 00:20:36,068 --> 00:20:39,506 I WANT YOU TO STASH THE MAYOR IN A CLOSET 439 00:20:39,539 --> 00:20:41,341 and get the team over here. 440 00:20:41,374 --> 00:20:42,542 YOU GOT A PLAN? 441 00:20:42,575 --> 00:20:43,476 Yes, I do -- 442 00:20:43,510 --> 00:20:46,546 ONE THAT'S GONNA TAKE CARE OF EVERYBODY. 443 00:20:49,682 --> 00:20:51,551 IS IT POSSIBLE? 444 00:20:51,584 --> 00:20:54,787 I'LL NEED ELIOT AND TO BUY SOME NEW SUPPLIES 445 00:20:54,821 --> 00:20:56,323 AND MAYBE FIVE HOURS. 446 00:20:56,356 --> 00:20:58,391 PLUS I NEED TO HACK INTO THE CARGO-SHIPPING SYSTEM 447 00:20:58,425 --> 00:20:59,692 AT THE DOCKS. 448 00:20:59,726 --> 00:21:01,027 WHAT ABOUT THE MONEY? 449 00:21:01,060 --> 00:21:03,430 -IT'S ON SHORT NOTICE, BUT -- -USE MY ACCOUNTS. 450 00:21:03,463 --> 00:21:05,332 THAT'LL CLEAN YOU OUT. 451 00:21:05,365 --> 00:21:07,634 USE THEM. 452 00:21:07,667 --> 00:21:10,470 AND WHAT ABOUT YOU GUYS ON YOUR END? 453 00:21:10,503 --> 00:21:12,905 I DON'T THINK WE CAN MAKE IT IN THROUGH THE MAIN ENTRANCE, 454 00:21:12,939 --> 00:21:14,474 SO I THINK WE NEED TO GO UP 455 00:21:14,507 --> 00:21:16,576 AND THEN MAKE IT DOWN THROUGH FROM THE ROOF. 456 00:21:16,609 --> 00:21:17,744 BUT YOU CAN DO IT. 457 00:21:17,777 --> 00:21:18,978 SURE. IT'S NOT OUR PART OF THE SCAM THAT'S IMPOSSIBLE. 458 00:21:19,011 --> 00:21:20,680 NO, IT'S EVERYTHING ELSE. 459 00:21:20,713 --> 00:21:22,649 YEAH, DEFINITELY THAT, BUT OUR PART, NO. 460 00:21:22,682 --> 00:21:24,417 ALL RIGHT, WELL, I'M GONNA SET UP THE MEET WITH KADJIC. 461 00:21:24,451 --> 00:21:27,820 NO, NO. I SAID I KNEW WHERE THE WEAPONS WERE. I DON'T KNOW IF KADJIC'S GONNA BE THERE. 462 00:21:27,854 --> 00:21:31,057 WELL, THEN, WE'RE GONNA HAVE TO LURE KADJIC TO THE WEAPONS. 463 00:21:31,090 --> 00:21:33,726 I MEAN, THE WHOLE PLAN DEPENDS ON OUR ABILITY 464 00:21:33,760 --> 00:21:35,595 TO CONFIRM KADJIC AND THE WEAPONS 465 00:21:35,628 --> 00:21:38,431 BEING IN THE SAME PLACE AT THE SAME TIME. 466 00:21:38,465 --> 00:21:40,433 EVERYBODY READY? 467 00:21:40,467 --> 00:21:42,802 YEAH. 468 00:21:42,835 --> 00:21:44,704 BUT REMEMBER, ONCE YOU'RE ON THAT SHIP, 469 00:21:44,737 --> 00:21:46,773 ALL THAT METAL'S GONNA MESS WITH RECEPTION. 470 00:21:46,806 --> 00:21:49,476 I WON'T BE ABLE TO REACH YOU ONCE YOU'RE BELOW DECKS. 471 00:21:49,509 --> 00:21:51,811 OKAY, WE'RE ALL SET. 472 00:21:51,844 --> 00:21:53,980 How do you know which one? 473 00:21:54,013 --> 00:21:56,883 LIBERIAN REGISTRY, ITALIAN SHIP. 474 00:21:56,916 --> 00:21:58,418 BONANNO'S ITALIAN. 475 00:21:58,451 --> 00:22:01,721 EXACTLY -- IL FALCONE MALTESE. 476 00:22:01,754 --> 00:22:04,557 [ AIR HORN BLOWS ] 477 00:22:05,625 --> 00:22:06,626 [ WHEEZING ] 478 00:22:06,659 --> 00:22:07,860 [ METAL DETECTOR BEEPS ] -OH. 479 00:22:07,894 --> 00:22:10,096 I'M SORRY, LADIES, YOU CAN'T GO THROUGH HERE. 480 00:22:10,129 --> 00:22:11,498 WHERE ARE YOU GOING, MA'AM? 481 00:22:11,531 --> 00:22:13,700 I'M JUST TAKING MY SISTER TO THE INSURANCE COMPANY ON THE 10th FLOOR. 482 00:22:13,733 --> 00:22:14,934 ALL RIGHT, RIGHT THROUGH THERE. 483 00:22:14,967 --> 00:22:17,637 OH, THANK YOU SO MUCH. THANK YOU. 484 00:22:17,670 --> 00:22:19,406 [ BREATHES DEEPLY ] 485 00:22:22,008 --> 00:22:23,109 DING, DONG, WE'RE HOME. 486 00:22:26,879 --> 00:22:28,515 DON'T MOVE! 487 00:22:28,548 --> 00:22:29,649 YEAH, OVER HERE. 488 00:22:29,682 --> 00:22:31,484 HOLD IT! 489 00:22:31,518 --> 00:22:33,486 STAY RIGHT WHERE YOU ARE. 490 00:22:38,591 --> 00:22:41,027 OKAY, OKAY, WHY DON'T YOU TELL TONY KADJIC 491 00:22:41,060 --> 00:22:42,662 THAT THE GUY HE SOLD TO THE FEDS 492 00:22:42,695 --> 00:22:45,832 IS HERE TO HAVE A LITTLE CHAT WITH HIM? 493 00:22:50,537 --> 00:22:52,739 [ AIR HORN BLOWS ] 494 00:22:54,474 --> 00:22:56,709 -[ WHISPERING INDISTINCTLY ] -WHAT ARE YOU DOING? 495 00:22:56,743 --> 00:22:58,745 COUNTING ALL THE GUYS WITH GUNS. 496 00:22:58,778 --> 00:22:59,846 HOW MANY? 497 00:22:59,879 --> 00:23:01,147 A LOT. 498 00:23:07,887 --> 00:23:10,990 SO, NO CHANCE OF JUST GOING IN AND TRUSTING THE FAKE I.D.s, HUH? 499 00:23:11,023 --> 00:23:13,560 DON'T WORRY. NO ONE'S EVER DIED GOING IN THROUGH AN AIR DUCT. 500 00:23:13,593 --> 00:23:15,027 [ SCOFFS ] THAT'S COMFORTING. 501 00:23:15,061 --> 00:23:18,765 IN WORST CASE, YOU SLIP AND FALL, BREAK YOUR LEGS... 502 00:23:18,798 --> 00:23:22,034 LAY THERE FOR DAYS, SCRATCHING ON THE METAL. 503 00:23:22,068 --> 00:23:26,906 IT'S LIKE A LONG METAL COFFIN... WITH WIND. 504 00:23:28,475 --> 00:23:29,776 LET'S GO. 505 00:23:41,053 --> 00:23:42,455 [ Irish accent ] OY. 506 00:23:42,489 --> 00:23:44,090 HEY. 507 00:23:44,123 --> 00:23:45,224 -OY. -AAH! 508 00:23:45,257 --> 00:23:48,495 NOW, YOU SAID YOU'D CALL KADJIC IF WE ASKED NICELY. 509 00:23:48,528 --> 00:23:51,130 THAT'S JUST WHAT YOU'RE GOING TO DO. 510 00:23:51,163 --> 00:23:54,934 BUT WHEN YOU CALL, I NEED YOU TO BE SCARED FOR YOUR LIFE. 511 00:23:54,967 --> 00:23:57,737 -CAN YOU BE SCARED, BOYO? -YES. 512 00:23:58,971 --> 00:24:01,073 YES, I COULD -- I COULD -- I COULD BE SCARED. I COULD BE SCARED. 513 00:24:01,107 --> 00:24:02,909 THANK YOU VERY MUCH. I WILL BE WITH YOU MOMENTARILY. 514 00:24:02,942 --> 00:24:05,612 PLEASE, AFTER YOU. FOLLOW THIS GENTLEMAN. 515 00:24:06,679 --> 00:24:08,681 LOOK, MAN. WE GOT KADJIC, ALL RIGHT? 516 00:24:08,715 --> 00:24:10,082 -LET'S JUST CALL -- -NO, NOT ENOUGH. 517 00:24:10,116 --> 00:24:11,751 WE NEED KADJIC AND THE GUNS. 518 00:24:11,784 --> 00:24:13,653 WELL, MR. GITT. 519 00:24:13,686 --> 00:24:14,787 AH, YOU KNOW MY NAME. 520 00:24:14,821 --> 00:24:16,956 WELL, I THINK WE'RE PAST PRETENDING OTHERWISE, HMM? 521 00:24:17,890 --> 00:24:20,192 [ SIGHS ] WHAT IS THIS FOR? 522 00:24:20,226 --> 00:24:22,161 IT'S AN APOLOGY. 523 00:24:22,194 --> 00:24:23,630 WHAT FOR? 524 00:24:23,663 --> 00:24:24,997 FOR WHAT'S ABOUT TO HAPPEN. 525 00:24:25,031 --> 00:24:27,233 CALL KADJIC. 526 00:24:27,266 --> 00:24:29,736 [ Dialing ] 527 00:24:29,769 --> 00:24:30,970 [ CELLPHONE RINGS ] 528 00:24:35,642 --> 00:24:36,643 HELLO? 529 00:24:36,676 --> 00:24:37,777 Tony. 530 00:24:37,810 --> 00:24:39,912 TONY. 531 00:24:39,946 --> 00:24:41,548 DO WHATEVER THEY SAY, PLEASE. 532 00:24:41,581 --> 00:24:45,151 THEY KILLED MY FBI HANDLERS. THEY MURDERED THEM! 533 00:24:45,184 --> 00:24:47,754 And they cut them into pieces 534 00:24:47,787 --> 00:24:50,990 AND PUT THEM IN A BATHTUB -- INTO A HOTEL BATHTUB! 535 00:24:51,958 --> 00:24:53,526 IS THIS TRUE? 536 00:24:53,560 --> 00:24:55,161 TO BE FAIR, HE DID MOST OF THE CUTTING. 537 00:24:55,194 --> 00:24:56,629 THANK YOU. I APPRECIATE THAT. 538 00:24:56,663 --> 00:24:57,764 YOU WORK HARD. 539 00:24:57,797 --> 00:25:00,166 PLEASE -- AAH! AAH! 540 00:25:00,199 --> 00:25:03,069 -Aah! [ Static ] 541 00:25:03,102 --> 00:25:04,704 [ CELLPHONE BEEPS ] 542 00:25:06,706 --> 00:25:09,642 THAT'S WHAT WE DO TO PEOPLE WHO LIE TO US. 543 00:25:10,943 --> 00:25:12,912 YOU JUST KILLED MY PARTNER. 544 00:25:12,945 --> 00:25:14,781 YOU NEED NEW PARTNERS. 545 00:25:14,814 --> 00:25:17,049 [ CHUCKLES ] 546 00:25:18,851 --> 00:25:19,852 [ CRASH ] 547 00:25:19,886 --> 00:25:21,654 OW! GOD! 548 00:25:21,688 --> 00:25:24,123 [ SIGHS ] 549 00:25:29,729 --> 00:25:32,699 YOU'RE LUCKY. I WAS GOING TO LEAVE TONIGHT. 550 00:25:32,732 --> 00:25:36,202 BUT SOME OF MY BUYERS INSIST ON SEEING MY GOODS IN PERSON. 551 00:25:37,303 --> 00:25:38,705 STILL COUNTING? 552 00:25:38,738 --> 00:25:40,272 I'M STILL COUNTING. 553 00:25:46,879 --> 00:25:48,781 ALL RIGHT, HARDISON, YOU'RE IN. 554 00:25:48,815 --> 00:25:51,851 [ Normal voice ] TRANSFERRING THE FILES AND WIPING THE ORIGINALS. 555 00:25:53,886 --> 00:25:55,955 And it looks like each case 556 00:25:55,988 --> 00:25:57,924 HAS AN EVIDENCE BOX ASSOCIATED WITH IT. 557 00:25:58,991 --> 00:26:00,960 [ SPEAKS INDISTINCTLY ] 558 00:26:19,912 --> 00:26:22,148 ALL RIGHT, MAN. MAKE THE CALL. 559 00:26:22,181 --> 00:26:23,916 [ BEEPING ] 560 00:26:26,085 --> 00:26:28,387 [ SIGHS ] ALL RIGHT, WE GOT TO GET YOU TOPSIDE. 561 00:26:28,420 --> 00:26:29,388 MR. KADJIC! 562 00:26:29,421 --> 00:26:30,657 MM? 563 00:26:30,690 --> 00:26:34,126 -JUST A MOMENT, PLEASE. -YES. 564 00:26:34,160 --> 00:26:35,027 SO... 565 00:26:35,061 --> 00:26:37,396 LISTEN, CAN WE -- CAN WE SPEAK IN PRIVATE? 566 00:26:37,429 --> 00:26:39,265 OF COURSE. 567 00:26:39,298 --> 00:26:41,300 GENTLEMEN, IT'S OKAY. THANK YOU. 568 00:26:41,333 --> 00:26:42,902 GO LOOK AFTER THE BUYERS. 569 00:26:42,935 --> 00:26:45,204 YEAH. 570 00:26:45,237 --> 00:26:47,807 SO, YOU KNOW, YOU HAD A GOOD RUN WITH THE MAYOR, 571 00:26:47,840 --> 00:26:49,909 BUT HE WAS TOO SMALL FOR YOU. 572 00:26:49,942 --> 00:26:52,278 YOU KNOW, THE WORK I DO WITH THE BALL PARKS AND THE MALLS -- 573 00:26:52,311 --> 00:26:54,013 THAT'S WHERE THE ACTION IS. 574 00:26:54,046 --> 00:26:55,414 MONEY LAUNDERING? 575 00:26:55,447 --> 00:26:58,384 YOU KNOW, THAT'S -- IT'S A VERY SMALL WORD. 576 00:26:58,417 --> 00:27:01,020 I -- LISTEN. 577 00:27:01,053 --> 00:27:04,423 DO YOU HAVE ANY IDEA HOW MUCH DIRTY MONEY YOU CAN HIDE 578 00:27:04,456 --> 00:27:08,961 IN A $30-MILLION GOVERNMENT-FINANCED BOONDOGGLE? 579 00:27:08,995 --> 00:27:12,064 [ INDISTINCT CONVERSATIONS ] 580 00:27:12,098 --> 00:27:14,066 I MEAN, I DON'T JUST CLEAN YOUR MONEY. 581 00:27:14,100 --> 00:27:15,134 I PUT IT TO WORK, 582 00:27:15,167 --> 00:27:17,103 YOU KNOW, IN THE LAND DEALS, IN THE CONSTRUCTION, 583 00:27:17,136 --> 00:27:18,738 IN THE CONCESSIONS AND EVERYTHING. 584 00:27:18,771 --> 00:27:19,872 WHEREVER THERE'S A BUCK TO BE MADE, 585 00:27:19,906 --> 00:27:22,041 I SQUEEZE A QUARTER OUT OF THE TAKE. 586 00:27:22,074 --> 00:27:23,676 YOU KNOW, MOST GUYS, YOU KNOW, 587 00:27:23,710 --> 00:27:25,011 YOU GIVE THEM DIRTY MONEY AND EVERYTHING, 588 00:27:25,044 --> 00:27:26,378 THEY GIVE YOU BACK, HEY, SOME OF IT. 589 00:27:26,412 --> 00:27:27,947 BUT YOU GIVE ME DIRTY MONEY, 590 00:27:27,980 --> 00:27:29,716 I GIVE IT BACK TO YOU CLEAN. 591 00:27:29,749 --> 00:27:30,582 ALL OF IT? 592 00:27:30,616 --> 00:27:34,253 YEAH, OF COURSE, ALL OF IT, YEAH, PLUS... 593 00:27:34,286 --> 00:27:37,824 A BONUS 10% ON THE TOP 594 00:27:37,857 --> 00:27:40,092 FOR LETTING ME USE IT ON MY END. 595 00:27:40,126 --> 00:27:41,961 -[ CLICKS TONGUE ] -HMM. 596 00:27:45,197 --> 00:27:48,100 Case number 1435. 597 00:27:49,501 --> 00:27:50,737 CAN I HELP YOU? 598 00:27:50,770 --> 00:27:53,806 CASE 1435. 599 00:27:53,840 --> 00:27:56,809 THAT'S BOX K-46. 600 00:27:56,843 --> 00:27:59,245 NOBODY'S ALLOWED TO TAKE ANYTHING FROM THAT CASE. 601 00:27:59,278 --> 00:28:02,481 YOU NEED THE APPROVAL OF YOUR FIELD OFFICER...NEVINS. 602 00:28:02,514 --> 00:28:03,883 OH, I'M NOT TAKING ANYTHING OUT. 603 00:28:03,916 --> 00:28:05,718 I'M ENTERING EVIDENCE IN. HERE'S MY FORM. 604 00:28:05,752 --> 00:28:09,055 OH! THAT'S DIFFERENT. 605 00:28:09,088 --> 00:28:10,757 PAPERWORK AND EVERYTHING, HUH? 606 00:28:10,790 --> 00:28:12,458 [ CHUCKLES ] 607 00:28:12,491 --> 00:28:16,095 YOU KNOW, YOU COULD TELL NEVINS WHEN YOU SEE HER 608 00:28:16,128 --> 00:28:20,900 SHE'S OWED ME 20 BUCKS FOR SO LONG, IT'S... 609 00:28:22,134 --> 00:28:25,371 OH. WHY STAY AND TALK TO THE EVIDENCE GUY? 610 00:28:25,404 --> 00:28:26,939 WHAT'S HE GOT TO SAY? 611 00:28:29,041 --> 00:28:30,176 YEAH, THAT'S WHY I WAS SO UPSET 612 00:28:30,209 --> 00:28:31,443 WHEN YOU KICKED ME OVER TO THE FEDS. 613 00:28:31,477 --> 00:28:32,845 I MEAN, YOU SHOULDN'T HAVE BEEN FRAMING ME. 614 00:28:32,879 --> 00:28:33,946 YOU SHOULD BE USING ME. 615 00:28:33,980 --> 00:28:36,215 YOU UNDERSTAND WE HAVE TO BE CAREFUL NOW, YOU KNOW? 616 00:28:36,248 --> 00:28:37,216 WE HAVE INTERPOL. 617 00:28:37,249 --> 00:28:40,019 WE'VE HAD THE LOCAL STATE POLICE, EVERYTHING. 618 00:28:40,052 --> 00:28:41,120 YEAH. HOW'D YOU DEAL WITH IT? 619 00:28:41,153 --> 00:28:42,521 WELL, YOU KNOW, INTERPOL -- 620 00:28:42,554 --> 00:28:44,490 THE FBI KEEPS THEM OFF OUR BACKS. 621 00:28:44,523 --> 00:28:47,426 OR AT LEAST THEY DID, UNTIL YOU GOT RID OF THEIR INFORMANT. 622 00:28:47,459 --> 00:28:51,397 AND THE STATE POLICE, WELL, I HAD HANDLED MYSELF. 623 00:28:53,900 --> 00:28:55,401 MATCH IDENTIFIED. 624 00:28:55,434 --> 00:28:59,205 DAMN, YOU FINALLY FOUND SOMETHING, HALF-PINT. 625 00:28:59,238 --> 00:29:04,343 SECURITY PHOTO TAKEN 6:30 A.M. TODAY. 626 00:29:04,376 --> 00:29:06,112 P-P-PARKER. PARKER. 627 00:29:06,145 --> 00:29:08,815 ANSWER ME, PARKER, PLEASE. ANSWER ME. 628 00:29:08,848 --> 00:29:10,983 P-- P-- DAMN. 629 00:29:20,126 --> 00:29:22,061 -CALL KADJIC! -[ Dialing ] 630 00:29:23,429 --> 00:29:25,364 Parker, where are you? 631 00:29:25,397 --> 00:29:28,234 SORRY, HAD A BUZZ FROM THE ALARM SYSTEM. 632 00:29:28,267 --> 00:29:30,502 I COULDN'T HEAR A TH-- THING. 633 00:29:30,536 --> 00:29:31,871 WHAT? 634 00:29:38,244 --> 00:29:40,379 PARKER, WHAT'S WRONG? 635 00:29:40,412 --> 00:29:42,815 [ GASPS ] 636 00:29:44,416 --> 00:29:47,219 [ CELLPHONE RINGS ] -EXCUSE ME FOR A SECOND. 637 00:29:47,253 --> 00:29:48,287 [ CELLPHONE BEEPS ] 638 00:29:48,320 --> 00:29:49,188 HELLO? 639 00:29:49,221 --> 00:29:51,824 I'M SORRY. I CAN'T HEAR. WHO IS THIS? WHO? 640 00:29:55,627 --> 00:29:57,997 [ CELLPHONE BEEPS ] 641 00:30:01,200 --> 00:30:02,501 [ GUN COCKS ] 642 00:30:02,534 --> 00:30:04,336 FIND THE OTHER ONE. FIND THE OTHER ONE. 643 00:30:04,370 --> 00:30:06,873 FIND HIM RIGHT AWAY. 644 00:30:09,208 --> 00:30:10,242 BRIDGE. 645 00:30:10,276 --> 00:30:12,478 TAKE US OUT PAST THE 12-MILE MARK. 646 00:30:12,511 --> 00:30:14,413 WE HAVE TO DUMP A FEW THINGS. 647 00:30:14,446 --> 00:30:17,483 [ ENGINE REVS ] 648 00:30:20,186 --> 00:30:21,820 [ CELLPHONE BEEPING ] 649 00:30:25,892 --> 00:30:26,959 I HAVE HIM. 650 00:30:29,195 --> 00:30:31,130 [ CELLPHONE BEEPS ] -Yeah? 651 00:30:31,163 --> 00:30:32,331 WHAT DO WE DO WITH THIS ONE? 652 00:30:32,364 --> 00:30:33,900 YOU JUST KILL HIM. 653 00:30:43,976 --> 00:30:45,644 NOW I GUESS I WILL SHOW YOU 654 00:30:45,677 --> 00:30:48,147 HOW I DEAL WITH PEOPLE WHO LIE TO ME. 655 00:30:53,953 --> 00:30:55,654 YOU'RE REALLY STRONG. 656 00:30:55,687 --> 00:30:58,057 YEAH. I HANG FROM BUILDINGS WITH MY FINGERTIPS. 657 00:30:58,090 --> 00:30:59,926 IT'S NOT WHAT YOU THINK. I WAS SETTING UP A MEETING. 658 00:30:59,959 --> 00:31:02,428 ACTUALLY, THAT WAS EXACTLY WHAT I WAS THINKING. 659 00:31:02,461 --> 00:31:03,930 BYE, NOW. 660 00:31:03,963 --> 00:31:05,197 NOT FOR MYSELF. 661 00:31:08,367 --> 00:31:11,437 NO, NO, NO, TONY, THIS WON'T DO AT ALL, WILL IT? 662 00:31:11,470 --> 00:31:15,007 MISS KROY, THIS IS OF NO CONCERN TO YOU. THANK YOU. 663 00:31:15,041 --> 00:31:17,176 WELL, IT IS MY CONCERN. 664 00:31:17,209 --> 00:31:19,478 YOU DON'T REALLY THINK I'M GONNA DO BUSINESS WITH SOMEONE 665 00:31:19,511 --> 00:31:22,414 WHO STARTS BLASTING AWAY IN THE MIDDLE OF A MEETING, DO YOU? 666 00:31:22,448 --> 00:31:24,316 YOU DON'T EVEN KNOW WHO THIS BLOKE WORKS FOR. 667 00:31:24,350 --> 00:31:27,386 LISTEN, I DON'T HAVE A PROBLEM WITH YOU TAKING CARE OF THIS. 668 00:31:27,419 --> 00:31:29,021 JUST -- YOU KNOW, JUST WAIT 669 00:31:29,055 --> 00:31:31,190 TILL ME AND THE OTHER BUYERS ARE OFF THE SHIP 670 00:31:31,223 --> 00:31:33,425 BEFORE YOU START GETTING MESSY. 671 00:31:33,459 --> 00:31:36,996 I DON'T WANT TO BE CHARGED AS AN ACCESSORY. 672 00:31:38,697 --> 00:31:40,666 [ ENGINE STOPS ] 673 00:31:45,071 --> 00:31:46,939 MR. KADJIC. 674 00:31:46,973 --> 00:31:49,541 There's something wrong with the engines. 675 00:31:51,143 --> 00:31:52,511 LOCK HIM UP. 676 00:31:52,544 --> 00:31:54,981 TAKE HIM AWAY. LOCK HIM UP NOW! 677 00:31:55,014 --> 00:31:57,416 HURRY! GET OUT OF HERE! 678 00:31:57,449 --> 00:32:00,386 -COME ON, MOVE, MOVE. -HEY! 679 00:32:00,419 --> 00:32:04,256 MISS KROY, I APOLOGIZE. 680 00:32:04,290 --> 00:32:06,525 GLAD WE UNDERSTAND EACH OTHER. 681 00:32:09,228 --> 00:32:11,030 I'LL GET THE HATCH. 682 00:32:17,403 --> 00:32:19,705 COME ON. 683 00:32:19,738 --> 00:32:21,440 13. 684 00:32:21,473 --> 00:32:23,142 MOVE IT. 685 00:32:32,251 --> 00:32:33,419 COME HERE. 686 00:32:33,452 --> 00:32:34,386 12. 687 00:32:35,387 --> 00:32:37,523 11. 688 00:32:37,556 --> 00:32:39,625 OH, YEAH. 689 00:32:54,440 --> 00:32:58,344 [ GRUNTS ] 690 00:32:58,377 --> 00:33:00,579 10. 691 00:33:00,612 --> 00:33:02,681 NOW, ALL SHE ASKED 692 00:33:02,714 --> 00:33:04,750 WAS THAT I REPORT BACK TO HER EVERY NOW AND THEN. 693 00:33:04,783 --> 00:33:06,785 ARE WE SURE THIS IS THE FASTEST WAY? 694 00:33:06,818 --> 00:33:10,389 YEAH, LOOK. THERE'S NO TRAFFIC THIS WAY. 695 00:33:10,422 --> 00:33:11,790 SO YOU WERE SPYING ON US. 696 00:33:11,823 --> 00:33:16,028 I WAS NOT SPYING. I WAS... AN EARLY WARNING SYSTEM. 697 00:33:16,062 --> 00:33:19,231 SOPHIE JUST -- SHE WAS WORRIED NATE MIGHT GO OFF THE RAILS. 698 00:33:19,265 --> 00:33:21,100 SO IF IT EVER LOOKED LIKE HE WAS SPINNING OUT OF CONTROL, 699 00:33:21,133 --> 00:33:22,768 I WAS SUPPOSED TO CALL AND LET SOPHIE LAY IN A BACKUP PLAN, 700 00:33:22,801 --> 00:33:24,403 JUST IN CASE. 701 00:33:24,436 --> 00:33:25,704 YEAH, BUT WHY NOT US? 702 00:33:25,737 --> 00:33:27,606 BECAUSE YOU WERE TOO LIKELY TO FORGIVE HIM. 703 00:33:29,241 --> 00:33:31,577 I SUPPOSE GETTING BUSTED BY THE FBI 704 00:33:31,610 --> 00:33:33,612 AND TRYING TO BRING DOWN ARMS DEALERS WHILE KIDNAPPING A MAYOR 705 00:33:33,645 --> 00:33:35,647 DOES QUALIFY AS OUT OF CONTROL. 706 00:33:35,681 --> 00:33:36,682 SO, ANYWAY, I USED MY CONTACTS 707 00:33:36,715 --> 00:33:38,584 TO GET SOPHIE SET UP AS A BUYER FOR THE GUNS. 708 00:33:38,617 --> 00:33:42,521 YOU KNOW, YOU ACTUALLY HAD ME WORRIED FOR A SECOND 709 00:33:42,554 --> 00:33:44,156 THAT YOU WERE GONNA DROP ME. 710 00:33:44,190 --> 00:33:45,357 [ LAUGHS ] 711 00:33:45,391 --> 00:33:47,559 THAT IS SILLY. 712 00:33:51,663 --> 00:33:53,365 [ ENGINE GRINDING ] 713 00:33:53,399 --> 00:33:55,167 JUST GET US OUT OF THIS HARBOR. 714 00:33:55,201 --> 00:33:56,302 I CAN'T. 715 00:33:56,335 --> 00:33:58,070 SOMEONE SABOTAGED 716 00:33:58,104 --> 00:34:00,206 ALL THE ELECTRONICS IN THE ENGINE SYSTEM. 717 00:34:00,239 --> 00:34:02,141 WHAT THE HELL IS GOING ON HERE? 718 00:34:04,343 --> 00:34:06,745 [ DOOR OPENS ] 719 00:34:10,749 --> 00:34:13,085 HEY. IT TOOK YOU LONG ENOUGH. 720 00:34:13,119 --> 00:34:15,121 WHAT? 721 00:34:15,154 --> 00:34:16,655 FREEZE! 722 00:34:20,359 --> 00:34:21,760 ONE. 723 00:34:21,793 --> 00:34:22,828 WHAT? 724 00:34:22,861 --> 00:34:24,196 WHERE'S NATE? 725 00:34:24,230 --> 00:34:25,831 I DON'T KNOW, MAN. 726 00:34:25,864 --> 00:34:28,134 ALL THIS METAL IS MESSING WITH THE SIGNAL, MAN. 727 00:34:28,167 --> 00:34:29,835 -HUH? -HUH? 728 00:34:32,638 --> 00:34:33,772 -SOPHIE? -SOPHIE? 729 00:34:33,805 --> 00:34:38,244 TOOK YOU LONG ENOUGH. COME ON. 730 00:34:48,487 --> 00:34:50,156 OH, NO. 731 00:34:50,189 --> 00:34:51,790 OH. OH, GEEZ. 732 00:34:51,823 --> 00:34:55,127 NO! NO! TONY! 733 00:34:55,161 --> 00:34:56,562 [ GRUNTING ] 734 00:35:01,867 --> 00:35:03,802 ZERO. 735 00:35:19,951 --> 00:35:21,387 SOPHIE. 736 00:35:28,294 --> 00:35:30,729 YOU CAME BACK. 737 00:35:30,762 --> 00:35:33,899 WELL... 738 00:35:33,932 --> 00:35:35,734 YOU NEEDED ME. 739 00:35:35,767 --> 00:35:37,903 COME ON. 740 00:35:37,936 --> 00:35:40,339 CAN'T LEAVE A JOB HALF-FINISHED. 741 00:35:48,747 --> 00:35:50,416 I DON'T WANT ANY EXCUSES, OKAY? 742 00:35:50,449 --> 00:35:51,717 PLEASE. 743 00:35:51,750 --> 00:35:53,785 OH! OH, THANK GOD. 744 00:35:53,819 --> 00:35:55,687 WHAT THE HELL ARE YOU DOING HERE? 745 00:35:55,721 --> 00:35:57,789 I DON'T KNOW. 746 00:35:59,291 --> 00:36:00,826 WHAT'S GOING ON HERE? HEY, HEY, HEY, HEY, HEY! 747 00:36:00,859 --> 00:36:02,794 WHAT? WHAT ARE YOU DOING TO ME? 748 00:36:02,828 --> 00:36:04,396 NO, NO! 749 00:36:06,798 --> 00:36:08,634 OH, MY GOD. 750 00:36:10,936 --> 00:36:12,804 GOOD. COME ON. LET'S GO. 751 00:36:14,973 --> 00:36:17,343 [ GROANS ] 752 00:36:17,376 --> 00:36:20,279 YOU CHOSE THE WRONG MAN, MY FRIEND! 753 00:36:20,312 --> 00:36:22,781 [ SIRENS WAILING ] 754 00:36:30,989 --> 00:36:32,991 OH! 755 00:36:33,024 --> 00:36:35,761 HUH. PARKER TOUCHING. 756 00:36:35,794 --> 00:36:37,162 KIND OF, YEAH. 757 00:36:37,195 --> 00:36:40,232 LISTEN, I HATE TO CUT GOODBYES SHORT, BUT THEY'RE PLAYING MY SONG. 758 00:36:40,266 --> 00:36:41,533 WELL, KEEP OUT OF TROUBLE. 759 00:36:41,567 --> 00:36:44,002 OR IF YOU WANT TO GET IN TROUBLE AGAIN... 760 00:36:44,035 --> 00:36:45,737 SO WE'RE -- 761 00:36:45,771 --> 00:36:48,574 OH, WE'RE EVEN, ABSOLUTELY. 762 00:36:50,576 --> 00:36:53,945 HEY. YOU GONNA BE ALL RIGHT ON YOUR OWN? 763 00:36:53,979 --> 00:36:55,581 WHAT DO YOU THINK? 764 00:37:03,589 --> 00:37:05,824 THERE'S NOT THAT MANY WAYS OUT OF HERE. 765 00:37:05,857 --> 00:37:09,728 ELIOT, WHEN I ARRANGE A RESCUE, I DO IT PROPERLY. 766 00:37:09,761 --> 00:37:12,298 [ HELICOPTER BLADES WHIRRING ] 767 00:37:27,813 --> 00:37:29,948 [ GROANS ] 768 00:37:32,818 --> 00:37:34,786 [ BREATHES DEEPLY ] 769 00:37:41,593 --> 00:37:44,996 [ CLAPS HANDS ] BRAVO. 770 00:37:45,030 --> 00:37:46,765 NOBODY MOVE! 771 00:37:48,400 --> 00:37:51,603 SO... 772 00:37:51,637 --> 00:37:54,540 WHERE IS TONY KADJIC? 773 00:37:54,573 --> 00:37:55,974 HE'S LOCKED IN THE BRIDGE, 774 00:37:56,007 --> 00:37:58,810 AND THE GUNS ARE STORED IN BOXES IN THE HOLD. 775 00:37:58,844 --> 00:38:02,047 I'M GLAD TO SEE YOU KEPT YOUR END OF THE DEAL, MATE. 776 00:38:09,455 --> 00:38:11,523 YEAH, STERLING. 777 00:38:11,557 --> 00:38:13,759 WE HAVE A DEAL. 778 00:38:13,792 --> 00:38:15,427 NATE, WHAT ARE YOU DOING? 779 00:38:15,461 --> 00:38:17,863 STOP MESSING AROUND. 780 00:38:17,896 --> 00:38:21,400 IN 30 SECONDS, THERE'LL BE ANOTHER DOZEN GUNS ON THE DECK. 781 00:38:21,433 --> 00:38:23,935 DO YOU HAVE ANY IDEA WHAT'S GOING ON RIGHT NOW, STERLING? 782 00:38:23,969 --> 00:38:26,972 THERE'S A FIRE IN THE FBI EVIDENCE ROOM. 783 00:38:35,714 --> 00:38:39,485 AND HARDISON WIPED THE SERVERS OF ALL THE EVIDENCE. 784 00:38:39,518 --> 00:38:40,886 WHERE ARE YOU GOING WITH THIS? 785 00:38:40,919 --> 00:38:42,421 I'VE DESTROYED ALL THE EVIDENCE 786 00:38:42,454 --> 00:38:44,490 THE FBI HAS ON CULPEPPER AND KADJIC. 787 00:38:44,523 --> 00:38:46,992 YOU HAVE NO PHOTOS, NO TAPES. 788 00:38:47,025 --> 00:38:48,093 YOU DON'T HAVE ANYTHING. 789 00:38:48,126 --> 00:38:51,062 YOU DON'T HAVE A CASE ON ANYBODY... 790 00:38:51,096 --> 00:38:54,433 UNLESS YOU ARREST ME... AND ONLY ME. 791 00:38:54,466 --> 00:38:55,501 NATE. 792 00:38:55,534 --> 00:38:58,904 I AGREE TO TURN STATE'S EVIDENCE. 793 00:38:58,937 --> 00:39:00,772 AND I TESTIFY TO WHAT KADJIC TOLD ME, 794 00:39:00,806 --> 00:39:02,441 HOW HE PUT THE HIT ON BONANNO. 795 00:39:02,474 --> 00:39:03,409 HELL, I'LL -- I'LL EVEN GIVE YOU 796 00:39:03,442 --> 00:39:05,611 BONANNO'S EVIDENCE AGAINST THE GUNRUNNING. 797 00:39:05,644 --> 00:39:08,447 NATE...I CAN TAKE THESE GUYS. 798 00:39:08,480 --> 00:39:11,550 IT'S JUST 10 MORE YARDS TO THE CHOPPER, MAN. 799 00:39:11,583 --> 00:39:14,753 LISTEN, GUYS, I GOT YOU INTO THIS MESS. 800 00:39:14,786 --> 00:39:16,722 THIS IS THE ONLY WAY TO GET YOU OUT. 801 00:39:16,755 --> 00:39:18,757 AND I CAN FEEL YOU THINKING, STERLING, 802 00:39:18,790 --> 00:39:20,859 AND DON'T -- DON'T BOTHER. 803 00:39:20,892 --> 00:39:24,730 AND IF YOU TOUCH ONE OF THEM, THE DEAL IS OFF. 804 00:39:24,763 --> 00:39:27,466 NEVINS LOSES TWO YEARS OF WORK, 805 00:39:27,499 --> 00:39:30,669 AND YOUR FIRST CASE WITH INTERPOL -- 806 00:39:30,702 --> 00:39:34,473 SO, YOU'RE MY CASE, OR I HAVE NO CASE. 807 00:39:34,506 --> 00:39:35,941 EXACTLY. 808 00:39:37,676 --> 00:39:39,177 WE'LL CALL IT A DRAW, THEN. 809 00:39:39,210 --> 00:39:41,179 NO, WE DO NOT TAKE THIS DEAL. 810 00:39:41,212 --> 00:39:45,417 TAKE ONE MORE STEP, I'LL SHOOT YOU MYSELF. 811 00:39:45,451 --> 00:39:48,119 ALL TEAMS, MOVE IN. TARGET IS IN CUSTODY. 812 00:39:48,153 --> 00:39:49,555 ALL TEAMS, MOVE IN. 813 00:39:49,588 --> 00:39:51,457 COME HERE. 814 00:39:55,794 --> 00:39:59,431 YOU GUYS ARE THE MOST HONORABLE PEOPLE 815 00:39:59,465 --> 00:40:01,667 I HAVE EVER MET IN MY LIFE. 816 00:40:01,700 --> 00:40:06,805 YOU'VE BECOME MY FAMILY, MY ONLY FAMILY. 817 00:40:06,838 --> 00:40:09,475 I WON'T FORGET THAT. 818 00:40:09,508 --> 00:40:12,077 NOW GET THEM ON THE CHOPPER, PLEASE. 819 00:40:14,112 --> 00:40:15,146 NOW! 820 00:40:15,180 --> 00:40:17,148 LET'S GO. 821 00:40:20,118 --> 00:40:22,488 LET'S GO, MAN. 822 00:40:31,797 --> 00:40:33,565 NATE. 823 00:40:33,599 --> 00:40:34,700 WHAT? 824 00:40:37,068 --> 00:40:38,470 COME HERE. 825 00:40:53,619 --> 00:40:55,521 YOU CALL ME, 826 00:40:55,554 --> 00:40:59,958 YOU TELL ME YOU NEED ME, SO YOU CAN DO THIS? 827 00:41:07,966 --> 00:41:09,701 WATCH YOUR BACK, STERLING. 828 00:41:11,236 --> 00:41:13,471 [ GROANS ] 829 00:41:16,007 --> 00:41:17,909 WHERE IS OUR AERIAL SUPPORT? 830 00:41:17,943 --> 00:41:20,846 HE'S BLEEDING. GET AN AMBULANCE HERE. 831 00:41:20,879 --> 00:41:22,113 [ SIRENS WAILING ] 832 00:41:22,147 --> 00:41:23,982 [ GROANING ] 833 00:41:33,659 --> 00:41:36,061 WHO THE HELL IS THIS GUY? 834 00:41:36,094 --> 00:41:38,530 I DON'T KNOW. 835 00:41:38,564 --> 00:41:41,800 MY NAME'S NATE FORD. 836 00:41:41,833 --> 00:41:44,302 [ SIGHS ] 837 00:41:44,335 --> 00:41:47,238 AND I AM A THIEF. 838 00:41:49,074 --> 00:41:51,109 [ LAUGHS ] 839 00:42:12,664 --> 00:42:14,966 [ INDISTINCT SHOUTING ]