1 00:00:01,369 --> 00:00:02,570 TRICK OR TREAT. 2 00:00:02,603 --> 00:00:04,105 THERE YOU GO. THERE'S PLENTY FOR YOU. 3 00:00:04,138 --> 00:00:05,573 OH, NO. MAYA, YOU WANT MORE CANDY? 4 00:00:05,606 --> 00:00:07,608 HERE'S TRICK OR TREATS. 5 00:00:08,609 --> 00:00:11,312 [INDISTINCT YELLING] 6 00:00:13,314 --> 00:00:16,550 COME ON, YOU GUYS! 7 00:00:16,784 --> 00:00:19,687 TRICK OR TREAT! 8 00:00:20,821 --> 00:00:24,292 OK, THE CIRCULATORY SYSTEM CONSISTS OF... 9 00:00:24,325 --> 00:00:26,560 SYSTEMIC CIRCULATION, 10 00:00:26,594 --> 00:00:28,496 PULMONARY CIRCULATION, 11 00:00:28,529 --> 00:00:30,264 CORONARY CIRCULATION, 12 00:00:30,298 --> 00:00:32,200 AND... 13 00:00:32,233 --> 00:00:33,734 Girls: TRICK OR TREAT! 14 00:00:33,767 --> 00:00:35,369 BLOOD VESSELS-- 15 00:00:35,403 --> 00:00:37,771 I NEED THE SCIENTIFIC NAME, PLEASE. 16 00:00:37,805 --> 00:00:39,140 UM.... 17 00:00:39,173 --> 00:00:41,242 THE, UM... 18 00:00:41,275 --> 00:00:42,510 CLOSED CARDIOVASCULAR SYSTEM! 19 00:00:42,543 --> 00:00:46,180 CRAP! I DON'T KNOW WHY I LET YOU TALK ME INTO TAKING THIS CLASS. 20 00:00:46,214 --> 00:00:47,448 I DON'T KNOW WHY YOU'RE STRESSING. 21 00:00:47,481 --> 00:00:50,084 IT'S OBVIOUS MR. DRAKE HAS THE HOTS FOR YOU. 22 00:00:50,118 --> 00:00:52,186 YOU CAN FLUNK HIS CLASS IF YOU WANTED TO. 23 00:00:52,220 --> 00:00:53,321 SHUT UP. 24 00:00:53,354 --> 00:00:55,223 DON'T PRETEND YOU HAVEN'T NOTICED HOW HE LOOKS AT YOU. 25 00:00:55,256 --> 00:00:58,359 HE WANTS TO WRITE A PAPER ON YOUR GIRL PARTS. 26 00:00:58,392 --> 00:01:00,361 THAT IS LIKE BEYOND REVOLTING. 27 00:01:00,394 --> 00:01:02,696 OH, YEAH, THEN WHY ARE YOU BLUSHING? 28 00:01:02,730 --> 00:01:06,300 BECAUSE I'VE EATEN MY WEIGHT IN FUN-SIZED CANDY. 29 00:01:06,334 --> 00:01:08,869 [CHUCKLES] GOD. 30 00:01:08,902 --> 00:01:10,604 THIS IS BEYOND LAME. 31 00:01:10,638 --> 00:01:12,440 YOU KNOW, THIS IS OUR LAST HALLOWEEN 32 00:01:12,473 --> 00:01:13,707 BEFORE YOU LEAVE FOR TAIWAN, 33 00:01:13,741 --> 00:01:16,844 AND IT'S LIKE THE MOST IMPORTANT DATE IN THE WICCAN CALENDAR. 34 00:01:16,877 --> 00:01:20,114 WE COULD BE OUT RUNNING AROUND NAKED IN THE WOODS 35 00:01:20,148 --> 00:01:23,351 CELEBRATING OUR WOMANLY...NESS. 36 00:01:24,752 --> 00:01:26,687 YOU KNOW WHAT WE COULD DO, 37 00:01:26,720 --> 00:01:29,390 IN THE SPIRIT OF HALLOWEEN? 38 00:01:29,423 --> 00:01:31,159 WHAT? 39 00:01:31,192 --> 00:01:33,894 HAVE A SÉANCE. 40 00:01:33,927 --> 00:01:36,197 YOU'RE MAKING FUN OF ME? 41 00:01:36,230 --> 00:01:37,865 NO, I JUST THINK IT COULD BE COOL. 42 00:01:37,898 --> 00:01:41,602 IT'S NOT REALLY THE KIND OF THING YOU WANT TO PLAY AROUND WITH. 43 00:01:41,635 --> 00:01:43,804 ALL RIGHT, NEVER MIND, IT WAS A LAME IDEA. 44 00:01:43,837 --> 00:01:48,276 BUT DO YOU REALLY THINK IT'S POSSIBLE TO CONTACT SPIRITS? 45 00:01:48,309 --> 00:01:50,844 I DON'T KNOW, I GUESS SO. DO YOU? 46 00:01:50,878 --> 00:01:52,180 WELL, WE MUST GO SOMEWHERE WHEN WE DIE. 47 00:01:52,213 --> 00:01:55,516 I MEAN, DON'T YOU WANT TO BELIEVE YOUR MOM IS SOMEWHERE RIGHT NOW, 48 00:01:55,549 --> 00:01:58,352 LOOKING DOWN AT YOU? 49 00:01:58,552 --> 00:02:00,321 SORRY, SHELB, I DIDN'T MEAN-- 50 00:02:00,354 --> 00:02:03,757 NO, IT'S FINE. IT'S FINE. 51 00:02:04,458 --> 00:02:07,528 I GUESS IT WOULDN'T HURT TO MAKE A SPIRIT BOX. 52 00:02:07,561 --> 00:02:08,529 WHAT'S THAT? 53 00:02:08,562 --> 00:02:12,433 IT'S, UM, LIKE A DEVICE USED TO CONTACT SPIRITS. 54 00:02:12,466 --> 00:02:13,934 I DON'T KNOW IF IT REALLY WORKS. 55 00:02:13,967 --> 00:02:15,803 I READ ABOUT IT IN ONE OF MY BOOKS. 56 00:02:15,836 --> 00:02:19,407 THAT SOUNDS COOL. HOW DO WE MAKE ONE? 57 00:02:44,498 --> 00:02:46,300 AAH! 58 00:02:46,334 --> 00:02:48,536 AAH! 59 00:03:04,518 --> 00:03:06,987 SO WHAT DO WE DO NOW? 60 00:03:07,020 --> 00:03:09,490 UH, SO NOW EACH OF US 61 00:03:09,523 --> 00:03:12,360 PUTS 2 FINGERS IN THE POINTER 62 00:03:12,393 --> 00:03:14,495 AND STARTS ASKING QUESTIONS. 63 00:03:14,528 --> 00:03:16,330 WHAT KIND OF QUESTIONS? 64 00:03:16,364 --> 00:03:17,197 LIKE... 65 00:03:17,231 --> 00:03:20,301 ARE THERE ANY SPIRITS HERE WITH US NOW? 66 00:03:20,334 --> 00:03:23,537 IF SO, WE BESEECH THEE TO SEND US A SIGN. 67 00:03:23,571 --> 00:03:24,572 BESEECH THEE? 68 00:03:24,605 --> 00:03:26,407 IF YOU CAN DO BETTER, BE MY GUEST. 69 00:03:26,440 --> 00:03:29,777 LOOK, SPIRITS, IT'S GETTING LATE, AND I HAVE TO PEE. 70 00:03:29,810 --> 00:03:32,012 SO IF YOU'RE GONNA SAY SOMETHING, YOU BETTER SAY IT. 71 00:03:32,045 --> 00:03:34,648 IF YOU'RE NOT GONNA BE SERIOUS, WE CAN-- 72 00:03:35,516 --> 00:03:37,551 HOLY CRAP, DID YOU SEE THAT? 73 00:03:37,585 --> 00:03:38,218 UH-HUH. 74 00:03:38,252 --> 00:03:40,888 YOU DIDN'T MOVE IT, DID YOU? 75 00:03:40,921 --> 00:03:42,590 NO. 76 00:03:42,623 --> 00:03:44,792 YOU SWEAR? 77 00:03:45,693 --> 00:03:47,295 WHAT DO WE DO? 78 00:03:47,328 --> 00:03:51,465 KEEP ASKING QUESTIONS, I GUESS. 79 00:03:52,300 --> 00:03:53,634 SPIRIT... 80 00:03:53,667 --> 00:03:56,937 CAN YOU TELL US YOUR NAME? 81 00:04:04,478 --> 00:04:07,481 "M." 82 00:04:07,515 --> 00:04:09,517 "L." 83 00:04:14,988 --> 00:04:16,590 "E." 84 00:04:16,624 --> 00:04:17,858 INITIALS? 85 00:04:17,891 --> 00:04:18,826 HER NAME? 86 00:04:18,859 --> 00:04:22,396 WHAT KIND OF A NAME IS M-L-E? 87 00:04:22,430 --> 00:04:23,964 OH, MY GOD, EMILY. 88 00:04:23,997 --> 00:04:25,966 AS IN EMILY D'ANGELO. 89 00:04:25,999 --> 00:04:28,702 HOW DO WE KNOW IT'S NOT SOMEONE PRETENDING TO BE EMILY, 90 00:04:28,736 --> 00:04:30,738 YOU KNOW, LIKE IN AN INTERNET CHAT ROOM? 91 00:04:30,771 --> 00:04:33,741 UM, WELL, LET'S TEST IT. 92 00:04:33,774 --> 00:04:34,742 UM... 93 00:04:34,775 --> 00:04:37,811 IF YOU'RE REALLY THE SPIRIT OF EMILY D'ANGELO, 94 00:04:37,845 --> 00:04:41,649 TELL US HOW YOU KILLED YOURSELF. 95 00:04:45,486 --> 00:04:48,556 "M." 96 00:04:48,589 --> 00:04:51,392 "R." 97 00:04:53,594 --> 00:04:56,063 "D." 98 00:04:57,598 --> 00:04:59,633 "R." 99 00:04:59,667 --> 00:05:02,336 M-R-D-R. 100 00:05:02,370 --> 00:05:04,372 MURDER? 101 00:05:04,405 --> 00:05:06,374 ARE YOU TRYING TO TELL US 102 00:05:06,407 --> 00:05:08,842 YOU DIDN'T KILL YOURSELF, EMILY? 103 00:05:15,583 --> 00:05:18,919 TELL US WHO MURDERED YOU, EMILY. 104 00:05:22,590 --> 00:05:25,893 OH, GOD. 105 00:05:26,560 --> 00:05:29,062 OH, MY GOD. 106 00:05:31,599 --> 00:05:33,401 [GASPS] 107 00:05:34,034 --> 00:05:36,670 [MUSIC PLAYING] 108 00:05:42,075 --> 00:05:44,745 [CHOIR VOCALIZING] 109 00:06:05,165 --> 00:06:07,901 [VOCALIZING CONTINUES] 110 00:06:22,049 --> 00:06:24,084 Shelby: HOW WELL DID YOU KNOW HER? 111 00:06:24,117 --> 00:06:25,018 Becca: NOT VERY. 112 00:06:25,052 --> 00:06:26,086 WE WERE ON THE CHEERLEADING SQUAD TOGETHER, 113 00:06:26,119 --> 00:06:28,656 BUT IT'S NOT LIKE WE WERE BEST FRIENDS OR ANYTHING. 114 00:06:28,689 --> 00:06:31,859 WHY WOULD SHE CONTACT US? WHY NOT ONE OF HER FRIENDS, 115 00:06:31,892 --> 00:06:33,961 LIKE MEG SHAMES OR KRIS ZINESKIN? 116 00:06:33,994 --> 00:06:36,697 WHY DON'T WE TRY ASKING HER? 117 00:06:36,730 --> 00:06:39,166 [KNOCK ON DOOR] 118 00:06:39,900 --> 00:06:42,002 GIRLS, IT'S A SCHOOL NIGHT. 119 00:06:42,035 --> 00:06:42,936 JUST 10 MORE MINUTES, DAD? 120 00:06:42,970 --> 00:06:44,905 SHELBY, YOU KNOW YOU HAVE TO BE 121 00:06:44,938 --> 00:06:45,839 IN THE POOL BRIGHT AND EARLY 122 00:06:45,873 --> 00:06:48,442 IF YOU'RE GOING TO WIN ANYTHING THIS YEAR. 123 00:06:48,476 --> 00:06:50,110 TIME TO GO, BECCA. 124 00:06:51,679 --> 00:06:54,147 [CLOSES DOOR] 125 00:07:17,771 --> 00:07:20,207 [MAN VOCALIZING] 126 00:07:36,089 --> 00:07:38,626 [GASPING] 127 00:07:39,026 --> 00:07:41,829 [DOOR CLOSES] 128 00:07:44,264 --> 00:07:47,034 [CLATTERING] 129 00:08:05,018 --> 00:08:07,788 [SCREAMING AND GASPING] 130 00:08:14,862 --> 00:08:18,832 NOW THERE'S BASICALLY 2 KINDS OF TOURNIQUETS-- 131 00:08:18,866 --> 00:08:20,668 THOSE THAT ARE USED IN SURGERY, 132 00:08:20,701 --> 00:08:23,871 AND THOSE THAT ARE USED IN 133 00:08:23,904 --> 00:08:25,105 EMERGENCY SITUATIONS, 134 00:08:25,138 --> 00:08:26,974 LIKE WHAT YOU'RE PRACTICING RIGHT NOW. 135 00:08:27,007 --> 00:08:31,579 IT WAS PROBABLY JUST THE PERVY JANITOR, MR. MAYS. 136 00:08:31,612 --> 00:08:32,746 HE WOULDN'T BE THE FIRST OLD GUY 137 00:08:32,780 --> 00:08:36,083 TO GET OFF SPYING ON TEEN GIRLS IN THEIR BATHING SUITS. 138 00:08:36,116 --> 00:08:38,251 IT WASN'T THE JANITOR. 139 00:08:38,986 --> 00:08:41,021 SOMETHING WEIRD HAPPENED TO ME THIS MORNING, TOO, 140 00:08:41,054 --> 00:08:42,990 BUT I WASN'T GOING TO TELL YOU 141 00:08:43,023 --> 00:08:45,092 'CAUSE I DIDN'T WANT TO FREAK YOU OUT. 142 00:08:45,125 --> 00:08:49,062 LOOK AT THE TEXT MESSAGE I GOT. 143 00:08:53,734 --> 00:08:56,136 HOW ARE YOU LADIES DOING OVER HERE? 144 00:08:56,169 --> 00:08:56,970 FINE. 145 00:08:57,004 --> 00:08:58,939 LET ME CHECK THAT. 146 00:08:59,740 --> 00:09:03,043 IT FEELS GOOD. THANKS. 147 00:09:03,076 --> 00:09:04,277 KEEP UP THE GOOD WORK. 148 00:09:04,311 --> 00:09:06,046 THANKS, MR. DRAKE. 149 00:09:08,115 --> 00:09:12,152 WE NEVER SHOULD HAVE MADE THAT SPIRIT BOX. 150 00:09:12,185 --> 00:09:15,623 I FEEL LIKE WE OPENED A DOOR OR SOMETHING. 151 00:09:15,889 --> 00:09:17,991 A DOOR THAT'S SUPPOSED TO STAY SHUT. 152 00:09:18,025 --> 00:09:19,693 THE ONLY WAY WE'RE GOING TO SHUT IT 153 00:09:19,727 --> 00:09:22,362 IS IF WE HELP EMILY GET WHAT SHE WANTS. 154 00:09:22,395 --> 00:09:25,165 JUSTICE. 155 00:09:26,033 --> 00:09:27,868 REVENGE. 156 00:09:28,368 --> 00:09:32,606 SO WHEN ARE WE GOING TO TRY THE SPIRIT BOX AGAIN? 157 00:09:32,640 --> 00:09:33,607 I GUESS TONIGHT. 158 00:09:33,641 --> 00:09:34,975 I MEAN, WE CAN'T DO IT AT MY HOUSE. 159 00:09:35,008 --> 00:09:38,679 I CAN TELL MY DAD'S WORRIED I'M TURNING INTO A SATANIST OR SOMETHING. 160 00:09:38,912 --> 00:09:42,616 I KNOW SOME PLACE WE CAN GO INSTEAD. 161 00:09:44,417 --> 00:09:47,921 WE SHOULD GET A STRONG SIGNAL OUT HERE. 162 00:09:47,955 --> 00:09:49,056 SIGNAL? 163 00:09:49,089 --> 00:09:51,358 YOU KNOW, LIKE WITH CELL PHONES. 164 00:09:55,362 --> 00:09:57,364 ARE WE GETTING CLOSE? 165 00:09:57,397 --> 00:09:59,132 I THINK SO, IT'S--AAH! 166 00:09:59,166 --> 00:10:00,300 AAH! 167 00:10:00,333 --> 00:10:01,735 [GASPS] 168 00:10:01,769 --> 00:10:05,072 THIS IS WHERE THEY FOUND HER. 169 00:10:06,273 --> 00:10:10,310 I REMEMBER HEARING THE 1056 COMING OVER THE SCANNER. 170 00:10:10,343 --> 00:10:13,180 THAT'S THE POLICE CODE FOR SUICIDE. 171 00:10:13,213 --> 00:10:17,184 MY DAD CAME HOME REALLY UPSET. 172 00:10:24,157 --> 00:10:27,294 TURTLES ATE HER EYES. 173 00:10:29,329 --> 00:10:31,264 [HOWLING] 174 00:10:31,298 --> 00:10:34,234 [SHUFFLING] 175 00:10:35,335 --> 00:10:40,140 I HEARD SHE TEXT MESSAGED HER SUICIDE NOTE TO A BUNCH OF PEOPLE. 176 00:10:40,173 --> 00:10:43,443 JODY WEBBER AND MARK GETTYVILLE SAID THEY GOT ONE. 177 00:10:43,476 --> 00:10:46,246 BUT THAT WOULD BE SO EASY TO FAKE. 178 00:10:46,279 --> 00:10:47,948 I MEAN, WHOEVER KILLED HER COULD HAVE 179 00:10:47,981 --> 00:10:51,251 SENT THE TEXT MESSAGE AFTER SHE WAS DEAD. 180 00:10:51,284 --> 00:10:53,086 SHOULD WE TRY THE SPIRIT BOX? YEAH. 181 00:10:53,120 --> 00:10:56,189 OK, YOU WAIT HERE, I'LL GO GET IT. OK. 182 00:11:31,759 --> 00:11:34,394 AAAH! [GASPING] 183 00:11:38,932 --> 00:11:41,034 [GASPING] 184 00:11:43,837 --> 00:11:44,471 WHAT HAPPENED? 185 00:11:44,504 --> 00:11:45,773 THERE'S SOMETHING DOWN THERE! 186 00:11:45,806 --> 00:11:46,774 IT TRIED TO PULL ME IN THE WATER! 187 00:11:46,807 --> 00:11:48,241 WHAT DO YOU MEAN, SOMEONE TRIED TO PULL YOU?! 188 00:11:48,275 --> 00:11:50,010 COME ON--WE HAVE TO GET OUT OF HERE, BECCA! 189 00:11:50,043 --> 00:11:52,145 WAIT, WE JUST GOT HERE! 190 00:11:52,179 --> 00:11:55,115 SHELBY! 191 00:12:00,320 --> 00:12:03,290 [MAN SPEAKING CHINESE ON RADIO] 192 00:12:04,491 --> 00:12:07,427 [BECCA SPEAKING CHINESE] 193 00:12:07,460 --> 00:12:10,263 [MAN REPEATS PHRASE IN CHINESE] 194 00:12:10,297 --> 00:12:12,265 WELL? 195 00:12:14,868 --> 00:12:17,437 HOW DO YOU GET THIS? 196 00:12:17,470 --> 00:12:18,605 EASY. I, UH, 197 00:12:18,638 --> 00:12:21,909 DROPPED BY DAD'S OFFICE LAST NIGHT TO BRING HIM DINNER, 198 00:12:21,942 --> 00:12:22,776 AND WHILE HE WAS IN THE BATHROOM WASHING UP, 199 00:12:22,810 --> 00:12:25,345 I SLIPPED INTO THE RECORDS ROOM AND... 200 00:12:25,378 --> 00:12:27,447 BORROWED IT. 201 00:12:48,501 --> 00:12:50,237 THE TOXICOLOGY REPORT 202 00:12:50,270 --> 00:12:52,472 FOUND LETHAL LEVELS OF BARBSIECONYL. 203 00:12:52,505 --> 00:12:54,307 AND ALCOHOL IN HER BLOODSTREAM. 204 00:12:54,341 --> 00:12:55,408 I GOOGLED BARBSIECONYL. 205 00:12:55,442 --> 00:12:57,577 IT TURNS OUT IT'S SOME KIND OF PRESCRIPTION SEDATIVE. 206 00:12:57,610 --> 00:12:59,847 OR AT LEAST IT WAS. 207 00:12:59,880 --> 00:13:01,014 WHAT DO YOU MEAN, WAS? 208 00:13:01,048 --> 00:13:04,417 WELL, IT HASN'T BEEN ON THE MARKET SINCE '99. 209 00:13:04,451 --> 00:13:05,185 THE QUESTION IS, 210 00:13:05,218 --> 00:13:06,186 WHY TAKE SLEEPING PILLS AND BOOZE 211 00:13:06,219 --> 00:13:08,588 IF YOU'RE ALREADY PLANNING ON DROWNING YOURSELF? 212 00:13:08,621 --> 00:13:10,357 BECAUSE YOU'RE REALLY DETERMINED? 213 00:13:10,390 --> 00:13:13,026 OR BECAUSE SOMEONE'S MAKING SURE YOU DON'T PUT UP A FIGHT 214 00:13:13,060 --> 00:13:15,128 AS HE PUSHES YOUR CAR IN THE WATER? 215 00:13:15,162 --> 00:13:17,030 OH, GOD. YEAH. 216 00:13:17,064 --> 00:13:18,331 I MEAN, THE ONLY THING I HAVEN'T FIGURED OUT 217 00:13:18,365 --> 00:13:20,267 IS HOW HE GOT HER TO TAKE THE SLEEPING PILLS IN THE FIRST PLACE. 218 00:13:20,300 --> 00:13:23,536 WELL, EASY. HE DISSOLVED THEM IN THE ALCOHOL. 219 00:13:23,570 --> 00:13:25,072 OH. HEY, THERE'S MEG SHAMES. 220 00:13:25,105 --> 00:13:26,974 HERE, WAIT HERE, I'LL GO TALK TO HER. OK. 221 00:13:27,007 --> 00:13:28,375 HEY, MEG. HEY, WAIT UP. 222 00:13:28,408 --> 00:13:29,376 HEY, BECCA, WHAT'S UP? 223 00:13:29,409 --> 00:13:32,045 YOU KNOW, YOUR MOM AND I WENT TO SCHOOL TOGETHER. 224 00:13:32,079 --> 00:13:33,113 MR. DRAKE! 225 00:13:33,146 --> 00:13:34,047 I DON'T KNOW IF SHE MENTIONED IT, 226 00:13:34,081 --> 00:13:37,050 BUT WE WERE IN THE FIRST GRADUATING CLASS. 227 00:13:37,084 --> 00:13:39,019 OH, COOL. YEAH. 228 00:13:39,052 --> 00:13:40,087 I WAS, UM, 229 00:13:40,120 --> 00:13:42,990 I WAS SORRY TO HEAR WHEN SHE DIED. 230 00:13:43,023 --> 00:13:45,092 THANKS. 231 00:13:45,125 --> 00:13:46,326 SHE WAS VERY BEAUTIFUL, 232 00:13:46,359 --> 00:13:48,862 YOUR MOM. 233 00:13:48,896 --> 00:13:51,464 AND YOU REMIND ME OF HER. 234 00:13:51,498 --> 00:13:52,165 YOU KNOW, 235 00:13:52,199 --> 00:13:54,868 WHEN I FIRST SAW YOU, I HAD TO 236 00:13:54,902 --> 00:13:55,702 KIND OF DO A DOUBLE TAKE, 237 00:13:55,735 --> 00:13:57,470 'CAUSE IT WAS LIKE LOOKING AT HER TWIN. 238 00:13:57,504 --> 00:14:00,107 [CHUCKLES] [BELL RINGS] 239 00:14:00,140 --> 00:14:03,476 I SHOULD BE... GETTING TO SPANISH, 240 00:14:03,510 --> 00:14:04,244 SO... 241 00:14:04,277 --> 00:14:07,080 DON'T WANT TO MAKE YOU TARDY. BYE. 242 00:14:07,114 --> 00:14:07,915 BYE. 243 00:14:07,948 --> 00:14:11,018 OK, COOL, THANKS. I'LL SEE YOU LATER. 244 00:14:11,051 --> 00:14:13,120 ALL RIGHT. 245 00:14:13,653 --> 00:14:16,089 WHAT WAS THAT ABOUT? 246 00:14:16,123 --> 00:14:17,490 I'M NOT SURE. 247 00:14:17,524 --> 00:14:19,259 SO WHAT DID MEG SHAMES HAVE TO SAY? 248 00:14:19,292 --> 00:14:21,461 EMILY DIDN'T HAVE ANY ENEMIES 249 00:14:21,494 --> 00:14:23,096 OR DISGRUNTLED EXES OR ANYTHING. 250 00:14:23,130 --> 00:14:25,498 THAT CREEPY THYROID CASE CHRISTIAN BOSH 251 00:14:25,532 --> 00:14:28,568 WHO WAS EXPELLED LAST YEAR WAS APPARENTLY STALKING HER, 252 00:14:28,601 --> 00:14:31,638 BUT...SOUNDED LIKE IT WAS PRETTY HARMLESS. 253 00:14:31,671 --> 00:14:32,672 WHOA, REWIND. 254 00:14:32,705 --> 00:14:34,574 WHAT DO YOU MEAN HE WAS STALKING HER? 255 00:14:34,607 --> 00:14:36,676 HE WAS JUST ALWAYS FOLLOWING HER AROUND, 256 00:14:36,709 --> 00:14:37,744 SENDING HER WEIRD DRAWINGS. 257 00:14:37,777 --> 00:14:42,382 HE CARVED HER NAME IN HIS LEG WITH A BALLPOINT PEN. 258 00:14:42,415 --> 00:14:45,118 [SCOFFS] 259 00:15:10,310 --> 00:15:12,012 YOU'RE HOME EARLY. 260 00:15:12,045 --> 00:15:13,346 I GOTTA CATCH A QUICK SHOWER 261 00:15:13,380 --> 00:15:15,282 BEFORE I MEET UP WITH YOUR AUNT JENNA. 262 00:15:15,315 --> 00:15:17,484 DO YOU, LIKE, HAVE A THING FOR HER? 263 00:15:17,517 --> 00:15:21,154 WHAT ARE YOU TALKING ABOUT? SHE'S MY SISTER-IN-LAW. 264 00:15:21,188 --> 00:15:22,990 SOME PEOPLE MIGHT CONSIDER YOU TWO 265 00:15:23,023 --> 00:15:25,525 SPENDING THIS MUCH TIME TOGETHER TO BE... 266 00:15:25,558 --> 00:15:27,360 WHAT? 267 00:15:27,394 --> 00:15:30,197 INAPPROPRIATE. 268 00:15:30,230 --> 00:15:31,264 WELL, SOME PEOPLE WOULD BE WRONG. 269 00:15:31,298 --> 00:15:35,102 AND OTHER PEOPLE NEED TO REMEMBER IT'S TRASH NIGHT. 270 00:15:35,135 --> 00:15:37,470 THE RECYCLABLES NEED TO GO OUT. 271 00:15:37,504 --> 00:15:40,207 PAPER AND PLASTIC. 272 00:16:09,736 --> 00:16:12,372 [WATER RUNNING] 273 00:16:13,606 --> 00:16:16,009 [GASPS] 274 00:17:21,708 --> 00:17:24,411 [WOMAN VOCALIZING] 275 00:17:46,633 --> 00:17:49,236 [GASPING] 276 00:18:18,798 --> 00:18:21,134 [GASPING] 277 00:19:17,824 --> 00:19:19,659 JANITOR SAYS HE LEAVES THE DOOR PROPPED OPEN 278 00:19:19,692 --> 00:19:23,563 EVERY MORNING AT 5:00 FOR THE SWIM TEAM. 279 00:19:23,596 --> 00:19:26,299 SO ANYBODY COULD HAVE GOTTEN IN. 280 00:19:26,333 --> 00:19:30,403 NO IDEA WHAT THIS MEANS? 281 00:19:30,437 --> 00:19:32,672 THEN WE HAVE NOTHING TO GO ON HERE. 282 00:19:32,705 --> 00:19:34,374 I THINK IT MIGHT HAVE BEEN THIS KID 283 00:19:34,407 --> 00:19:37,210 WHO GOT EXPELLED FROM OUR SCHOOL, CHRISTIAN BOSH. 284 00:19:37,244 --> 00:19:38,611 OK. WELL... 285 00:19:38,645 --> 00:19:40,913 SEE IF WE HAVE AN ADDRESS ON THIS BOSH KID 286 00:19:40,947 --> 00:19:44,917 AND PICK HIM UP FOR QUESTIONING. 287 00:19:44,951 --> 00:19:47,687 [POLICE RADIO CHATTER] 288 00:19:55,995 --> 00:19:57,029 WELL? 289 00:19:57,063 --> 00:19:59,899 HE SAYS HE WAS NOWHERE NEAR THE POOL THIS MORNING. 290 00:19:59,932 --> 00:20:01,368 AND YOU BELIEVE HIM? 291 00:20:01,401 --> 00:20:03,370 GAVE ME THE NAME OF A SUPERVISOR 292 00:20:03,403 --> 00:20:04,937 WHO COULD CONFIRM IT. 293 00:20:04,971 --> 00:20:08,275 ANY CHANCE WHAT HAPPENED THIS MORNING 294 00:20:08,308 --> 00:20:09,976 WAS SOME KIND OF A PRACTICAL JOKE? 295 00:20:10,009 --> 00:20:12,912 ONE OF YOUR FRIENDS PULLING A POST-HALLOWEEN PRANK? 296 00:20:12,945 --> 00:20:17,784 MAYBE ONE OF YOUR EXES LIKE...WHAT'S HIS NAME, 297 00:20:17,817 --> 00:20:19,986 JEFF, JOE-- JOSH. 298 00:20:20,019 --> 00:20:22,489 IT WASN'T HIM. 299 00:20:22,522 --> 00:20:23,456 IT WASN'T A JOKE. 300 00:20:23,490 --> 00:20:27,994 YOU WANT TO TELL ME WHAT'S GOING ON WITH YOU? 301 00:20:28,995 --> 00:20:31,264 READY? 302 00:20:31,298 --> 00:20:36,836 E-A-S-T-G-L-E-N. 303 00:20:36,869 --> 00:20:37,704 EAST GLEN, 304 00:20:37,737 --> 00:20:39,372 WE'RE DEVILS TILL THE END! 305 00:20:39,406 --> 00:20:43,042 HE'S YOUR DAD. WHY DIDN'T YOU TELL HIM? 306 00:20:43,075 --> 00:20:44,010 WHAT DO YOU WANT ME TO SAY? 307 00:20:44,043 --> 00:20:45,778 A TALKING PIZZA BOX TOLD US 308 00:20:45,812 --> 00:20:46,979 THAT EMILY D'ANGELO WAS MURDERED 309 00:20:47,013 --> 00:20:50,483 AND NOW WHOEVER IT WAS THAT'S KILLED HER IS THREATENING ME? 310 00:20:50,517 --> 00:20:53,052 BECCA, YOU FEEL LIKE JOINING US? 311 00:20:53,085 --> 00:20:55,322 COMING. 312 00:20:57,023 --> 00:20:59,058 OW! 313 00:20:59,091 --> 00:21:00,059 WHAT'S WRONG? 314 00:21:00,092 --> 00:21:03,296 MY STOMACH. I'VE BEEN FEELING WEIRD ALL MORNING. 315 00:21:03,330 --> 00:21:04,997 BECCA! [SCREAMING] 316 00:21:05,031 --> 00:21:06,933 DON'T TOUCH ME! 317 00:21:06,966 --> 00:21:09,969 TAKE HER TO THE NURSE. OK. 318 00:21:10,002 --> 00:21:11,771 [GROANING] 319 00:21:11,804 --> 00:21:14,073 MY STOMACH! 320 00:21:14,106 --> 00:21:15,808 IT HURTS! 321 00:21:15,842 --> 00:21:17,477 OK, OK! 322 00:21:17,510 --> 00:21:20,046 [GROANING] 323 00:21:22,014 --> 00:21:23,416 OH, GOD! 324 00:21:23,450 --> 00:21:25,518 I THINK SOMETHING'S INSIDE OF ME! 325 00:21:25,552 --> 00:21:28,821 [GAGGING] OH, MY GOD! 326 00:21:34,126 --> 00:21:36,696 [SCREAMING] 327 00:21:41,000 --> 00:21:43,035 EMILY! 328 00:21:43,069 --> 00:21:45,071 OH, MY GOD! 329 00:21:47,073 --> 00:21:50,510 Shelby: SO YOU CAME TO THE MEMORIAL SERVICE? 330 00:21:50,543 --> 00:21:54,046 Becca: MM-HMM. THE WHOLE PEP SQUAD DID. 331 00:21:55,548 --> 00:21:58,385 [BIRDS CALLING] 332 00:22:16,836 --> 00:22:19,906 EMILY, CAN YOU HEAR US? 333 00:22:20,172 --> 00:22:23,476 IT'S SHELBY AND BECCA. 334 00:22:23,510 --> 00:22:27,380 IF YOU'RE THERE, WE NEED YOU TO COMMUNICATE WITH US. 335 00:22:27,414 --> 00:22:30,583 I KNOW WE DIDN'T REALLY KNOW EACH OTHER THAT WELL, 336 00:22:30,617 --> 00:22:33,620 BUT WE WANT TO HELP YOU. 337 00:22:33,653 --> 00:22:39,459 EMILY, TELL US WHO MURDERED YOU. 338 00:22:47,700 --> 00:22:49,969 "M." 339 00:22:52,038 --> 00:22:54,741 "R." 340 00:22:56,876 --> 00:22:59,145 "D." 341 00:23:02,048 --> 00:23:02,949 "R." 342 00:23:02,982 --> 00:23:06,085 YES, OK. WE ALREADY KNOW THAT. 343 00:23:09,055 --> 00:23:12,024 "A." 344 00:23:12,058 --> 00:23:15,528 "K." 345 00:23:15,562 --> 00:23:16,463 "E." 346 00:23:16,496 --> 00:23:18,465 WHO'S INITIALS ARE A-K-E? 347 00:23:18,498 --> 00:23:21,501 IT'S NOT INITIALS. 348 00:23:21,534 --> 00:23:23,770 M-R-- 349 00:23:23,803 --> 00:23:26,906 Both: D-R-A-K-E. 350 00:23:26,939 --> 00:23:29,008 MR. DRAKE. 351 00:23:32,679 --> 00:23:34,881 [BOTH GASP] 352 00:23:39,852 --> 00:23:41,588 OH, MY GOD, MR. DRAKE. 353 00:23:41,621 --> 00:23:44,123 WHY WOULD HE WANT TO KILL HER? 354 00:23:46,826 --> 00:23:47,994 HEY! 355 00:23:48,027 --> 00:23:48,695 CRAP. 356 00:23:48,728 --> 00:23:50,563 LET'S GET THE HELL OUT OF HERE. 357 00:23:50,597 --> 00:23:52,899 Man: HEY, WHAT ARE YOU DOING? 358 00:23:52,932 --> 00:23:54,534 [BREATHING HEAVILY] 359 00:23:54,567 --> 00:23:57,003 STOP RIGHT NOW! 360 00:23:58,705 --> 00:24:01,440 [THUNDER] 361 00:24:07,714 --> 00:24:09,015 WHERE WERE YOU? [GASPS] 362 00:24:09,048 --> 00:24:12,719 JEEZ. SCARED THE CRAP OUT OF ME. 363 00:24:12,752 --> 00:24:14,887 WHAT ARE YOU DOING JUST SITTING THERE IN THE DARK? 364 00:24:14,921 --> 00:24:17,056 WHO WERE YOU WITH? 365 00:24:17,089 --> 00:24:18,658 BECCA. 366 00:24:18,691 --> 00:24:20,560 DRINKING? 367 00:24:20,593 --> 00:24:21,528 NO. 368 00:24:21,561 --> 00:24:22,595 DRUGS? 369 00:24:22,629 --> 00:24:23,329 NO. 370 00:24:23,362 --> 00:24:26,866 NO DRUGS, NO CIGARETTES, NO BOYS. 371 00:24:26,899 --> 00:24:28,167 WHAT, THEN? 372 00:24:28,200 --> 00:24:30,537 JUST DRIVING AROUND. 373 00:24:30,570 --> 00:24:32,204 JUST DRIVING AROUND? 374 00:24:32,238 --> 00:24:33,005 ANY STOPS? 375 00:24:33,039 --> 00:24:34,941 WOULD YOU QUIT INTERROGATING ME? GOD. 376 00:24:34,974 --> 00:24:38,611 AS SOON AS YOU START TELLING ME THE TRUTH. 377 00:24:39,045 --> 00:24:41,748 OK, WE STOPPED ONCE AT LAWN HURST. 378 00:24:41,781 --> 00:24:44,216 THE CEMETERY? WHY? 379 00:24:44,250 --> 00:24:45,184 [THUNDER] 380 00:24:45,217 --> 00:24:49,722 WE WERE... HAVING A SÉANCE. 381 00:24:49,756 --> 00:24:50,723 A SÉANCE? 382 00:24:50,757 --> 00:24:54,260 YEAH, TRYING TO COMMUNICATE WITH A DEAD PERSON. 383 00:24:54,994 --> 00:24:57,063 YOUR MOTHER? 384 00:24:57,830 --> 00:24:59,198 NO, THIS GIRL FROM OUR SCHOOL 385 00:24:59,231 --> 00:25:00,933 WHO SUPPOSEDLY COMMITTED SUICIDE-- 386 00:25:00,967 --> 00:25:01,968 EMILY D'ANGELO. 387 00:25:02,001 --> 00:25:03,736 SO YOU LIED TO ME THIS MORNING 388 00:25:03,770 --> 00:25:04,604 WHEN YOU TOLD ME YOU HAD NO IDEA 389 00:25:04,637 --> 00:25:07,306 WHAT THE NOTE FROM THE LOCKER ROOM MEANT. 390 00:25:07,339 --> 00:25:08,741 I... 391 00:25:08,775 --> 00:25:11,611 I DIDN'T--I MEAN, I LIED. I'M SORRY. 392 00:25:11,644 --> 00:25:14,681 WHAT DID YOU MEAN THAT EMILY D'ANGELO 393 00:25:14,714 --> 00:25:18,050 SUPPOSEDLY COMMITTED SUICIDE? 394 00:25:18,885 --> 00:25:19,752 SHE DIDN'T KILL HERSELF. 395 00:25:19,786 --> 00:25:21,921 SHE WAS MURDERED BY OUR TEACHER MR. DRAKE. 396 00:25:21,954 --> 00:25:24,957 WHAT THE HELL ARE YOU TALKING ABOUT? 397 00:25:24,991 --> 00:25:27,560 BECCA HAS A THEORY THAT THEY WERE HAVING AN AFFAIR. 398 00:25:27,594 --> 00:25:30,296 SHE SAID THAT EMILY WAS HIS FAVORITE ON THE CHEERLEADING SQUAD 399 00:25:30,329 --> 00:25:31,330 AND THEY WERE ALWAYS FLIRTING 400 00:25:31,363 --> 00:25:33,099 AND BEING REALLY INAPPROPRIATE AROUND EACH OTHER. 401 00:25:33,132 --> 00:25:35,735 AND WE DON'T KNOW IF EMILY THREATENED 402 00:25:35,768 --> 00:25:37,804 TO TELL HIS WIFE OR PRINCIPAL MICAWITZ, 403 00:25:37,837 --> 00:25:39,872 BUT HE MUST HAVE GOTTEN SCARED, 404 00:25:39,906 --> 00:25:41,641 SO HE ASKED HER TO MEET HIM OUT BY THE RIVER, 405 00:25:41,674 --> 00:25:44,911 AND WE FIGURE HE DISSOLVED A BUNCH OF BARBSIECONYL CAPSULES 406 00:25:44,944 --> 00:25:46,679 INTO WINE OR SOMETHING AND GAVE IT TO HER. 407 00:25:46,713 --> 00:25:47,780 BECCA, HOW DID YOU KNOW 408 00:25:47,814 --> 00:25:50,917 THAT THE D'ANGELO GIRL HAD BARBSIECONYL IN HER SYSTEM? 409 00:25:50,950 --> 00:25:52,852 THAT WAS NEVER MADE PUBLIC. 410 00:25:53,285 --> 00:25:56,589 I SNUCK A PEEK AT HER POLICE FILE. 411 00:25:56,623 --> 00:25:57,857 [THUNDER] 412 00:25:57,890 --> 00:26:00,026 THE OTHER NIGHT WHEN YOU CAME TO MY OFFICE TO BRING ME DINNER. 413 00:26:00,059 --> 00:26:01,894 I'M REALLY SORRY. 414 00:26:01,928 --> 00:26:04,797 SORRY? 415 00:26:05,832 --> 00:26:08,801 DO YOU REALIZE I COULD-- I COULD LOSE MY JOB 416 00:26:08,835 --> 00:26:10,703 IF THIS GOT OUT? 417 00:26:10,737 --> 00:26:12,639 I JUST WANTED TO FIND SOMETHING 418 00:26:12,672 --> 00:26:14,273 TO MAKE YOU REOPEN THE CASE. 419 00:26:14,306 --> 00:26:15,708 BASED ON WHAT? 420 00:26:15,742 --> 00:26:17,944 A TESTIMONY OF A GHOST? 421 00:26:17,977 --> 00:26:18,878 DADDY. 422 00:26:18,911 --> 00:26:19,679 DON'T "DADDY" ME. 423 00:26:19,712 --> 00:26:21,881 CONSIDER YOURSELF UNDER HOUSE ARREST 424 00:26:21,914 --> 00:26:22,882 UNTIL FURTHER NOTICE. 425 00:26:22,915 --> 00:26:25,317 FROM NOW ON, YOU COME STRAIGHT HOME FROM SCHOOL. 426 00:26:25,351 --> 00:26:28,788 NO PHONES, NO TEXT MESSAGING, NO VISITORS. 427 00:26:28,821 --> 00:26:30,256 AND THAT INCLUDES BECCA. 428 00:26:30,289 --> 00:26:32,825 [THUNDER] 429 00:26:56,182 --> 00:26:58,885 [BREATHING HEAVILY] 430 00:27:20,006 --> 00:27:22,742 [GASPING] 431 00:27:29,982 --> 00:27:30,950 WHAT HAPPENED? 432 00:27:30,983 --> 00:27:35,421 THIS MORNING AT PRACTICE I WAS DOING A HANDSPRING 433 00:27:35,454 --> 00:27:37,957 AND SOMETHING PULLED ME DOWN. 434 00:27:37,990 --> 00:27:40,226 SHE WAS AT THE POOL, TOO. 435 00:27:40,259 --> 00:27:42,995 EMILY'S TRYING TO REACH OUT TO US. 436 00:27:43,029 --> 00:27:44,663 HEY, BECCA. 437 00:27:46,098 --> 00:27:48,968 WHAT'D THE DOCTOR SAY ABOUT YOUR KNEE? 438 00:27:49,001 --> 00:27:50,903 LOOKS LIKE A TORN A.C.L. 439 00:27:50,937 --> 00:27:52,138 OHH. 440 00:27:52,171 --> 00:27:54,741 I STILL CAN'T BELIEVE YOU HURT YOURSELF DOING A HANDSPRING. 441 00:27:54,774 --> 00:27:58,444 YOU'VE DONE THAT MOVE, LIKE, WHAT, 100 TIMES? 442 00:27:58,477 --> 00:27:59,979 I WASN'T PAYING ATTENTION. 443 00:28:00,012 --> 00:28:02,281 I'VE BEEN A LITTLE DISTRACTED LATELY. 444 00:28:02,314 --> 00:28:03,950 WE'LL MISS YOU OUT THERE. 445 00:28:03,983 --> 00:28:07,253 I'M SURE YOU'LL MANAGE WITHOUT ME. 446 00:28:07,286 --> 00:28:09,088 HOW YOU DOING, SHELBY? 447 00:28:09,121 --> 00:28:11,924 UM, AHEM, FINE. 448 00:28:11,958 --> 00:28:15,327 I'LL SEE YOU GUYS IN CLASS. 449 00:28:15,995 --> 00:28:17,329 GOD, I CAN BARELY LOOK AT HIM. 450 00:28:17,363 --> 00:28:19,966 I KNOW. WE HAVE TO DO SOMETHING ABOUT HIM. 451 00:28:19,999 --> 00:28:20,933 LIKE WHAT? 452 00:28:20,967 --> 00:28:23,936 LIKE CONVINCE YOUR DAD TO REOPEN EMILY'S CASE. 453 00:28:23,970 --> 00:28:25,838 I ALREADY TOLD YOU, HE SAID NO. 454 00:28:25,872 --> 00:28:28,107 HE JUST--HE DOESN'T BELIEVE US. 455 00:28:28,140 --> 00:28:30,142 HE'LL HAVE TO IF WE SHOW HIM PROOF. 456 00:28:30,176 --> 00:28:34,046 AND I KNOW WHERE WE CAN GET IT. 457 00:28:34,080 --> 00:28:35,047 WHAT IS THAT? 458 00:28:35,081 --> 00:28:37,516 DRAKE'S HOUSE KEY. 459 00:28:37,549 --> 00:28:39,018 HOW DID YOU GET IT? 460 00:28:39,051 --> 00:28:41,921 I'VE BEEN WATCHING DRAKE'S PLACE. 461 00:28:41,954 --> 00:28:44,056 THEY LEAVE A HIDE-A-KEY OUT FOR THE MAID. 462 00:28:44,090 --> 00:28:45,958 SO THE OTHER MORNING I BORROWED IT 463 00:28:45,992 --> 00:28:48,961 AND HAD IT DUPED. 464 00:28:52,198 --> 00:28:55,001 WHAT IF HIS WIFE COMES HOME WHILE I'M INSIDE? 465 00:28:55,034 --> 00:28:55,968 SHE WON'T. SHE'S A DOCTOR 466 00:28:56,002 --> 00:28:57,937 AND HER PRACTICE IS ON THE OTHER SIDE OF TOWN. 467 00:28:57,970 --> 00:29:01,774 AND ANYWAY, I'LL BE OUT HERE KEEPING WATCH. 468 00:29:06,312 --> 00:29:07,847 IS THAT WHAT I THINK IT IS? 469 00:29:07,880 --> 00:29:10,349 MY DAD GOT IT FOR MY STEP MOM FOR PROTECTION 470 00:29:10,382 --> 00:29:12,284 WHEN HE LEFT FOR TAIWAN. 471 00:29:16,856 --> 00:29:18,324 [ZAPPING] 472 00:29:18,357 --> 00:29:20,292 WHOO. 473 00:29:37,576 --> 00:29:40,179 [DOOR CREAKS] 474 00:29:44,283 --> 00:29:47,053 [LOCKS DOOR] 475 00:29:49,388 --> 00:29:52,124 [CELL PHONE VIBRATING] 476 00:29:55,427 --> 00:29:56,262 I'M IN. 477 00:29:56,295 --> 00:29:59,198 GOOD. NOW START WITH THE MEDICINE CABINET 478 00:29:59,231 --> 00:29:59,866 IN THEIR BATHROOM. 479 00:29:59,899 --> 00:30:02,001 LOOK FOR PRESCRIPTION BOTTLES 480 00:30:02,034 --> 00:30:04,103 WITH A LABEL THAT SAYS BARBSIECONYL. 481 00:30:04,136 --> 00:30:07,006 WHAT IF HE RIPPED THE LABEL OFF? 482 00:30:07,039 --> 00:30:11,911 LOOK FOR SHINY RED OR BLACK PILLS. 483 00:30:11,944 --> 00:30:13,112 OH, MY GOD. 484 00:30:13,145 --> 00:30:14,213 WHAT? WHAT IS IT? 485 00:30:14,246 --> 00:30:18,184 UM, MASKS JUST LIKE THE ONE THE STALKER WAS WEARING. 486 00:30:18,217 --> 00:30:20,352 THEY'RE HANGING ON THE WALL. 487 00:30:20,386 --> 00:30:21,888 BASTARD. 488 00:30:21,921 --> 00:30:23,322 LOOK, YOU'VE GOT TO FIND THOSE PILLS 489 00:30:23,355 --> 00:30:25,191 SO WE CAN NAIL HIM. 490 00:30:25,224 --> 00:30:28,060 WHY WOULD HE KEEP THE MURDER WEAPON AROUND, THOUGH? 491 00:30:28,094 --> 00:30:29,929 ONE, BECAUSE IT'S NOT A WEAPON. 492 00:30:29,962 --> 00:30:33,632 AND TWO, BECAUSE NOBODY SUSPECTS EMILY WAS MURDERED. 493 00:30:33,665 --> 00:30:35,101 PLUS, YOU GOT TO FIGURE ANY GUY 494 00:30:35,134 --> 00:30:38,871 WHO MURDERED THE GIRL HE WAS HAVING AN AFFAIR WITH CAN'T BE SLEEPING WELL. 495 00:30:38,905 --> 00:30:41,073 I GUESS. 496 00:30:41,107 --> 00:30:44,176 SHELBY? SHELBY, CAN YOU HEAR ME? 497 00:30:44,210 --> 00:30:45,177 BECCA? 498 00:30:45,211 --> 00:30:46,212 [STATIC] 499 00:30:46,245 --> 00:30:49,148 [BEEP] 500 00:30:52,518 --> 00:30:54,120 [DIALING] 501 00:30:54,153 --> 00:30:56,122 [LINE RINGS] 502 00:30:56,155 --> 00:30:56,855 Becca: SHELBY? 503 00:30:56,889 --> 00:30:58,524 HEY, IT'S ME. THE CALL DROPPED. 504 00:30:58,557 --> 00:31:01,293 I'M GETTING, LIKE, ONE SIGNAL BAR IN HERE. 505 00:31:01,327 --> 00:31:03,595 [SIGHS] 506 00:31:04,130 --> 00:31:05,397 YOU NEED TO LOOK EVERYWHERE, OK? 507 00:31:05,431 --> 00:31:08,968 DID YOU FIND THE MEDICINE CABINET? 508 00:31:11,270 --> 00:31:14,941 MAKE SURE YOU LOOK AT EVERY PILL CASE. 509 00:31:18,377 --> 00:31:20,112 DID YOU FIND ANYTHING YET? 510 00:31:20,146 --> 00:31:21,647 NOT IN THE MEDICINE CABINET. 511 00:31:21,680 --> 00:31:22,614 OH, DAMN. 512 00:31:22,648 --> 00:31:26,986 I GUESS YOU SHOULD START SEARCHING THE BEDROOM. 513 00:31:33,125 --> 00:31:35,461 [RUSTLING] 514 00:31:37,964 --> 00:31:39,932 [SIGHS] 515 00:31:39,966 --> 00:31:41,133 WHAT ARE YOU DOING? 516 00:31:41,167 --> 00:31:44,536 CHECKING UNDER THE BED. 517 00:31:44,570 --> 00:31:45,271 [GASPS] 518 00:31:45,304 --> 00:31:48,340 SHELBY, WHAT IS IT? ARE YOU OK? 519 00:31:48,374 --> 00:31:50,076 [BREATHING HEAVILY] 520 00:31:50,109 --> 00:31:50,876 NO, IT'S... 521 00:31:50,909 --> 00:31:53,312 IT'S JUST THE STUPID DUMMY DRAKE USES 522 00:31:53,345 --> 00:31:54,713 IN HIS FIRST AID CLASS. 523 00:31:54,746 --> 00:31:57,416 OH, CREEPY. 524 00:31:57,449 --> 00:31:59,385 WHAT ABOUT THE NIGHTSTAND? 525 00:31:59,418 --> 00:32:02,488 I ALREADY LOOKED. 526 00:32:03,655 --> 00:32:06,158 HOLD ON A SECOND. 527 00:32:25,677 --> 00:32:27,579 BECCA, I FOUND THEM. 528 00:32:27,613 --> 00:32:31,383 THEY LOOK EXACTLY LIKE YOU DESCRIBED. 529 00:32:32,718 --> 00:32:35,121 BECCA? 530 00:32:35,154 --> 00:32:36,755 [BEEP] 531 00:32:36,788 --> 00:32:37,656 NO. 532 00:32:37,689 --> 00:32:40,159 [DIALING] 533 00:32:40,192 --> 00:32:42,761 [LINE RINGS] 534 00:32:42,794 --> 00:32:46,265 [RING] 535 00:32:46,298 --> 00:32:50,702 COME ON, COME ON, COME ON, COME ON, PICK UP. 536 00:32:50,736 --> 00:32:53,572 [RING] 537 00:32:53,605 --> 00:32:57,076 Shelby: THIS IS SHELBY. I'M EITHER BUSY OR AVOIDING YOU, 538 00:32:57,109 --> 00:33:00,346 SO PLEASE LEAVE A MESSAGE AFTER THE BEEP. 539 00:33:00,379 --> 00:33:01,747 [DIALING] 540 00:33:01,780 --> 00:33:02,614 OH. 541 00:33:02,648 --> 00:33:03,415 [LINE RINGS] 542 00:33:03,449 --> 00:33:06,052 COME ON, COME ON, COME ON, PICK UP. 543 00:33:06,085 --> 00:33:08,387 [RING] 544 00:33:19,398 --> 00:33:20,599 [BANG] 545 00:33:20,632 --> 00:33:22,534 [KEYS JINGLE] 546 00:33:32,644 --> 00:33:35,314 [FLOORBOARD CREAKS] 547 00:33:35,347 --> 00:33:37,516 OLIVIA? 548 00:33:38,550 --> 00:33:41,520 HONEY, YOU HOME? 549 00:33:50,529 --> 00:33:53,031 [WHIRS] 550 00:33:58,204 --> 00:33:59,771 SHELBY. 551 00:34:33,805 --> 00:34:36,142 [DIALING] 552 00:34:36,175 --> 00:34:39,077 [LINE RINGS] 553 00:34:39,745 --> 00:34:42,614 [PHONE VIBRATING] 554 00:34:44,750 --> 00:34:47,686 [VIBRATING CONTINUES] 555 00:34:48,420 --> 00:34:51,257 Shelby: THIS IS SHELBY. I'M EITHER BUSY-- 556 00:34:51,290 --> 00:34:53,825 [DIALING] 557 00:34:53,859 --> 00:34:55,427 [LINE RINGS] 558 00:34:55,461 --> 00:34:57,129 Operator: 9-1-1. WHAT'S THE EMERGENCY? 559 00:34:57,163 --> 00:34:59,598 HI, UM, YES, I NEED TO REPORT A BREAK IN 560 00:34:59,631 --> 00:35:02,234 THAT'S HAPPENING, LIKE, RIGHT NOW. 561 00:35:17,583 --> 00:35:19,885 [EXHALES] YOU. 562 00:35:19,918 --> 00:35:22,154 HOW'D YOU GET IN HERE? 563 00:35:22,188 --> 00:35:23,422 WHAT THE HELL'S GOING ON? 564 00:35:23,455 --> 00:35:24,623 I, UM--I DON'T-- 565 00:35:24,656 --> 00:35:26,725 ANSWER ME. 566 00:35:27,493 --> 00:35:30,396 I'VE BEEN THINKING ABOUT YOU. 567 00:35:30,796 --> 00:35:31,797 WHAT? 568 00:35:31,830 --> 00:35:34,200 EVER SINCE THE OTHER DAY AT SCHOOL. 569 00:35:34,233 --> 00:35:37,803 I KNOW THAT THIS IS REALLY WEIRD AND... 570 00:35:37,836 --> 00:35:38,837 IT'S WRONG, REALLY. 571 00:35:38,870 --> 00:35:41,673 AND IT'S--AND IT'S-- IT'S TOTALLY INAPPROPRIATE, 572 00:35:41,707 --> 00:35:45,444 BUT I JUST CAN'T STOP THINKING ABOUT WHAT YOU SAID 573 00:35:45,477 --> 00:35:48,880 ABOUT HOW YOU THINK THAT I'M BEAUTIFUL LIKE MY MOM. 574 00:35:48,914 --> 00:35:51,950 NOBODY'S EVER SAID THAT TO ME BEFORE. 575 00:35:51,983 --> 00:35:53,752 GUYS AT SCHOOL DON'T EVEN NOTICE ME. 576 00:35:53,785 --> 00:35:59,658 THEY LOOK AT ME LIKE I'M SOME SORT OF PLANT LIFE. 577 00:36:00,626 --> 00:36:03,662 BUT NOT YOU, MR. DRAKE. 578 00:36:06,332 --> 00:36:08,800 [SETS KNIFE DOWN] 579 00:36:09,601 --> 00:36:13,372 I DO THINK YOU'RE VERY BEAUTIFUL. 580 00:36:20,879 --> 00:36:24,716 [ZAPPING] UHH! 581 00:36:26,652 --> 00:36:29,355 [CLANK] 582 00:36:39,531 --> 00:36:41,700 [GASPS] 583 00:36:54,746 --> 00:36:55,847 [KNOCK ON DOOR] 584 00:36:55,881 --> 00:36:58,684 Becca: SHELBY? 585 00:37:04,690 --> 00:37:05,624 THE POLICE ARE ON THE WAY. 586 00:37:05,657 --> 00:37:09,728 GO SIT OUT ON THE STEPS AND WAIT FOR THEM, OK? 587 00:37:21,039 --> 00:37:23,775 [GROANING] 588 00:37:53,472 --> 00:37:56,908 I HOPE YOU CAN REST NOW, EMILY. 589 00:38:26,037 --> 00:38:29,741 [DIALING] 590 00:38:29,775 --> 00:38:31,777 [LINE RINGS] 591 00:38:31,810 --> 00:38:33,845 [RING] 592 00:38:34,946 --> 00:38:35,781 SHELBY. 593 00:38:35,814 --> 00:38:38,717 I WAS WONDERING WHEN YOU WERE GONNA CALL. 594 00:38:38,750 --> 00:38:41,487 BECCA, I'M AT THE CEMETERY. 595 00:38:41,520 --> 00:38:43,855 EMILY'S GRAVE IS FAKE. 596 00:38:43,889 --> 00:38:45,591 HER BODY ISN'T EVEN BURIED HERE. 597 00:38:45,624 --> 00:38:48,460 IT'S JUST SOME GUY WHO DIED 20 YEARS AGO. 598 00:38:48,494 --> 00:38:50,996 SERIOUSLY? THAT'S SO WEIRD. 599 00:38:51,029 --> 00:38:52,731 CAN YOU HOLD ON A SEC? 600 00:38:52,764 --> 00:38:54,466 [SPEAKING CHINESE] 601 00:38:54,500 --> 00:38:55,934 [SPEAKING CHINESE] 602 00:38:55,967 --> 00:38:57,469 WHY WOULD SOMEONE DO THAT? 603 00:38:57,503 --> 00:38:58,937 NO IDEA. 604 00:38:58,970 --> 00:39:00,672 YOU SAID YOU WENT TO HER FUNERAL. 605 00:39:00,706 --> 00:39:02,841 YEAH, MAYBE SOMEONE AT THE CEMETERY 606 00:39:02,874 --> 00:39:06,878 IS, LIKE, DOUBLE SELLING BURIAL PLOTS OR SOMETHING. 607 00:39:06,912 --> 00:39:09,681 [CAR BEEPS] 608 00:39:11,016 --> 00:39:13,752 BECCA, WHAT DID YOU DO? 609 00:39:13,785 --> 00:39:17,055 ME? HEH, I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 610 00:39:17,088 --> 00:39:19,925 WHERE'S EMILY REALLY BURIED? 611 00:39:19,958 --> 00:39:21,927 YOU KNOW, NOW THAT YOU MENTION IT, 612 00:39:21,960 --> 00:39:25,631 I THINK I HEARD SHE WAS CREMATED. 613 00:39:26,031 --> 00:39:26,998 BECCA. 614 00:39:27,032 --> 00:39:29,601 WHAT'S IT MATTER NOW? 615 00:39:29,635 --> 00:39:33,572 MR. DRAKE DESERVED TO DIE. 616 00:39:34,172 --> 00:39:37,375 MR. DRAKE DIDN'T KILL EMILY. 617 00:39:38,877 --> 00:39:40,446 YOU DID. 618 00:39:40,479 --> 00:39:43,014 [LAUGHTER] 619 00:39:43,649 --> 00:39:46,885 YOU WERE THE ONE WHO TOOK HER TO THE RIVER. 620 00:39:47,486 --> 00:39:50,856 YOU WERE THE ONE WHO DRUGGED HER. 621 00:39:55,461 --> 00:39:58,564 YOU WERE THE ONE WHO TEXTED THAT SUICIDE NOTE 622 00:39:58,597 --> 00:40:00,966 FROM HER PHONE. 623 00:40:02,901 --> 00:40:06,037 AND YOU PLANTED THOSE SLEEPING PILLS IN DRAKE'S HOUSE 624 00:40:06,071 --> 00:40:07,973 FOR ME TO FIND. 625 00:40:08,006 --> 00:40:10,642 THE STALKER AT THE POOL. 626 00:40:10,676 --> 00:40:12,878 I THOUGHT THE MASK WAS A NICE TOUCH. 627 00:40:12,911 --> 00:40:16,147 PRETENDING TO HURL EMILY'S NECKLACE. 628 00:40:16,948 --> 00:40:18,950 AND FREAKING ME OUT WHEN I WAS SWIMMING. 629 00:40:18,984 --> 00:40:21,653 AAH! 630 00:40:21,687 --> 00:40:22,721 THAT WASN'T ME. 631 00:40:22,754 --> 00:40:26,024 THAT WAS JUST YOU AND YOUR OVERACTIVE IMAGINATION. 632 00:40:26,057 --> 00:40:26,725 HONEST TO GOD, SHELBY, 633 00:40:26,758 --> 00:40:27,759 YOU DON'T EXACTLY MAKE IT HARD 634 00:40:27,793 --> 00:40:30,896 WITH ALL YOUR WICCAN CRAP AND YOUR NEW AGE BOOKS. 635 00:40:30,929 --> 00:40:32,698 BUT, HEY, LOOK ON THE BRIGHT SIDE, 636 00:40:32,731 --> 00:40:36,568 NOW YOU CAN USE THE SPIRIT BOX TO CONTACT YOUR MOM. 637 00:40:36,602 --> 00:40:37,936 OH, HEH HEH. 638 00:40:37,969 --> 00:40:39,638 YOU KNOW WHAT, SORRY. 639 00:40:39,671 --> 00:40:43,609 I FORGOT, THAT WAS ACTUALLY ME ALL ALONG, TOO. 640 00:40:43,642 --> 00:40:46,011 YOU'RE SICK. 641 00:40:46,044 --> 00:40:48,880 BECCA, YOU WON'T GET AWAY WITH THIS. 642 00:40:48,914 --> 00:40:51,650 SWEETIE, I ALREADY HAVE. 643 00:40:51,683 --> 00:40:54,119 MR. DRAKE KILLED EMILY. YOU PROVED IT. 644 00:40:54,152 --> 00:40:57,856 AND YOU MIGHT WANT TO GO ONLINE AND LOOK UP EXTRADITION TREATIES. 645 00:40:57,889 --> 00:41:01,527 I THINK YOU'LL FIND THAT TAIWAN DOESN'T HAVE ANY WITH THE U.S. 646 00:41:01,560 --> 00:41:03,995 IT'S JUST ONE OF THE GREAT THINGS ABOUT THIS PLACE. 647 00:41:04,029 --> 00:41:07,232 OH, AND THE FACT THAT THERE'S NO DRINKING AGE. 648 00:41:07,265 --> 00:41:07,799 BYE. 649 00:41:07,833 --> 00:41:10,936 JUST TELL ME ONE THING. 650 00:41:10,969 --> 00:41:13,972 WHAT, WHAT IS IT? 651 00:41:14,005 --> 00:41:16,708 WHY? 652 00:41:16,742 --> 00:41:19,210 WHY DID YOU DO IT? 653 00:41:20,679 --> 00:41:23,849 BECAUSE HE WAS MINE FIRST. 654 00:41:23,882 --> 00:41:26,885 [EMILY GIGGLES] 655 00:41:26,918 --> 00:41:28,720 [INDISTINCT] 656 00:41:28,754 --> 00:41:32,858 YOU CAN STRETCH IT OUT. 657 00:41:32,891 --> 00:41:34,826 NO. [GIGGLES] 658 00:41:40,165 --> 00:41:42,634 [PHONE BEEPS] 659 00:42:07,893 --> 00:42:09,060 [WHIMPERS] 660 00:42:09,094 --> 00:42:12,864 [GRUNTING] LET ME OUT OF HERE! 661 00:42:12,898 --> 00:42:15,834 [CAR STARTS] 662 00:42:15,867 --> 00:42:17,168 OH, GOD. 663 00:42:17,202 --> 00:42:19,671 [ENGINE REVVING] 664 00:42:19,705 --> 00:42:22,574 [GRUNTS] 665 00:42:25,010 --> 00:42:25,977 NO! 666 00:42:26,011 --> 00:42:26,978 [GROWLING] 667 00:42:27,012 --> 00:42:28,780 [CACKLES] 668 00:42:28,814 --> 00:42:31,116 [SCREAMING] 669 00:42:32,117 --> 00:42:33,819 SOMEBODY HELP ME! 670 00:42:33,852 --> 00:42:34,653 GET ME OUT OF HERE! 671 00:42:34,686 --> 00:42:37,055 PLEASE, SOMEBODY GET ME OUT OF HERE! 672 00:42:37,088 --> 00:42:38,724 [ENGINE REVVING] 673 00:42:38,757 --> 00:42:41,226 AAH! HELP ME! 674 00:42:41,259 --> 00:42:42,594 PLEASE! 675 00:42:42,628 --> 00:42:46,064 SOMEBODY GET ME OUT OF HERE! 676 00:42:46,097 --> 00:42:48,133 AAH! 677 00:42:48,166 --> 00:42:49,701 [BANGING ON WINDOW] 678 00:42:49,735 --> 00:42:52,237 HELP ME! 679 00:42:52,270 --> 00:42:54,105 NO! 680 00:42:54,139 --> 00:42:55,240 [REVVING CONTINUES] 681 00:42:55,273 --> 00:42:57,643 NO! 682 00:42:58,209 --> 00:43:00,746 [COUGHING]