1
00:00:03,537 --> 00:00:04,772
[KIDS LAUGHING]
TRICK OR TREAT!

2
00:00:04,805 --> 00:00:06,374
OK, COME ON, DAD!

3
00:00:06,407 --> 00:00:08,342
WAIT FOR ME.
NOT TOO FAST.

4
00:00:08,376 --> 00:00:09,343
[LAUGHING]

5
00:00:09,377 --> 00:00:11,079
HURRY UP!

6
00:00:11,112 --> 00:00:12,380
LET'S GO THERE.

7
00:00:12,413 --> 00:00:14,548
OH, I SEE IT, YEAH.

8
00:00:14,582 --> 00:00:16,584
HAVE FUN, KIDS. BE CAREFUL.

9
00:00:16,617 --> 00:00:17,718
YEAH.

10
00:00:17,751 --> 00:00:18,819
[GIGGLING]

11
00:00:18,852 --> 00:00:22,290
COME ON! LET'S GO!

12
00:00:25,293 --> 00:00:27,761
COME ON.

13
00:00:38,639 --> 00:00:40,074
[KNOCKING ON DOOR]

14
00:00:40,108 --> 00:00:42,676
Both: TRICK OR TREAT!

15
00:00:53,421 --> 00:00:54,322
AAH!
AAH!

16
00:00:54,355 --> 00:00:56,557
OH, HI, MISS TURNER.
OH, HI, MISS TURNER.

17
00:00:56,590 --> 00:00:57,591
HI, GIRLS.

18
00:00:57,625 --> 00:01:01,229
PLEASE, COME ON IN.

19
00:01:03,164 --> 00:01:08,336
[CHANTING IN LATIN]

20
00:01:08,369 --> 00:01:12,373
[CHANTING CONTINUES]

21
00:01:33,661 --> 00:01:38,632
[CHANTING CONTINUES]

22
00:01:53,314 --> 00:01:57,485
[CHANTING IN LATIN]

23
00:02:19,840 --> 00:02:22,443
TONIGHT
I SETTLE THE SCORE.

24
00:02:22,476 --> 00:02:24,412
YOU'RE SURE ABOUT THIS?

25
00:02:24,445 --> 00:02:26,880
HE MADE
THE WRONG CHOICE.

26
00:02:26,914 --> 00:02:31,552
HE CHOSE A LIFE WITH HER
OVER A LIFE WITH ME.

27
00:02:31,585 --> 00:02:34,188
HE'LL ROT IN HELL.

28
00:02:34,222 --> 00:02:36,390
THEY ALL CAN.

29
00:02:36,424 --> 00:02:39,460
[CHANTING CONTINUES]

30
00:03:01,882 --> 00:03:03,617
DON'T WORRY.

31
00:03:03,651 --> 00:03:07,288
THIS WON'T HURT A BIT.

32
00:03:09,423 --> 00:03:12,426
[CHANTING CONTINUES]

33
00:03:12,460 --> 00:03:13,561
[CRACKLING]

34
00:03:13,594 --> 00:03:16,830
AAH!
AAH!

35
00:03:16,864 --> 00:03:20,568
[MUSIC PLAYING]

36
00:03:23,804 --> 00:03:28,576
* LA LA LA LA LA LA LA
LAI LAI LAI... *

37
00:03:28,609 --> 00:03:33,414
[VOCALIZING CONTINUES]

38
00:04:04,545 --> 00:04:07,014
[WOMAN LAUGHING]

39
00:04:08,916 --> 00:04:12,420
WHAT A GREAT IDEA
COMING UP HERE THIS WEEKEND.

40
00:04:12,453 --> 00:04:13,354
YOU KNOW, TO JUST...

41
00:04:13,387 --> 00:04:16,657
FORGET EVERYTHING
FOR A FEW DAYS AND...

42
00:04:16,690 --> 00:04:20,027
JUST SPEND A LITTLE BIT
OF QUALITY TIME TOGETHER.

43
00:04:20,060 --> 00:04:21,028
YEAH.

44
00:04:21,061 --> 00:04:21,895
YEAH.

45
00:04:21,929 --> 00:04:23,964
WE REALLY, REALLY,
REALLY NEEDED IT.

46
00:04:23,997 --> 00:04:26,500
MM...

47
00:04:27,601 --> 00:04:29,870
HMM.

48
00:04:32,940 --> 00:04:35,876
I KNOW
IT'S BEEN TOUGH.

49
00:04:35,909 --> 00:04:38,011
YEAH.

50
00:04:38,912 --> 00:04:39,880
MMM...

51
00:04:39,913 --> 00:04:42,015
[KNOCK ON DOOR]

52
00:04:42,049 --> 00:04:44,585
OHH...

53
00:04:46,654 --> 00:04:47,455
UH, BRIAN--

54
00:04:47,488 --> 00:04:49,357
WHO COULD IT BE
ALL THE WAY UP HERE?

55
00:04:49,390 --> 00:04:50,791
BRIAN, I--

56
00:04:50,824 --> 00:04:52,593
MAYBE IT'S TRICK-OR-TREATERS.

57
00:04:52,626 --> 00:04:53,794
YOU KNOW, IT IS HALLOWEEN.

58
00:04:53,827 --> 00:04:55,596
[KNOCKING]
BRIAN, LOOK--OH...

59
00:04:55,629 --> 00:04:57,665
HEH.

60
00:05:00,934 --> 00:05:02,503
ANITA.

61
00:05:02,536 --> 00:05:03,704
HONEY, QUICK, CLOSE THE DOOR.

62
00:05:03,737 --> 00:05:05,606
TOO MUCH NATURE
GIVES ME THE CREEPS.

63
00:05:05,639 --> 00:05:06,707
WHAT ARE YOU DOING HERE?

64
00:05:06,740 --> 00:05:07,675
LISA, DARLING.

65
00:05:07,708 --> 00:05:09,109
OH, THIS PLACE IS ADORABLE.

66
00:05:09,142 --> 00:05:10,644
DID YOU FIND IT
ALL RIGHT?

67
00:05:10,678 --> 00:05:13,447
GPS, BABE.
IS GEORGE HERE YET?

68
00:05:13,481 --> 00:05:14,748
GEORGE?

69
00:05:14,782 --> 00:05:16,550
GEORGE CLAYTON?

70
00:05:16,584 --> 00:05:18,552
YEAH, HONEY. UM...

71
00:05:18,586 --> 00:05:19,387
HE CALLED FROM THE CAR.

72
00:05:19,420 --> 00:05:20,988
HE AND KATE
ARE COMING UP TOGETHER.

73
00:05:21,021 --> 00:05:22,856
THEY'LL BE HERE ANY--
ANY MINUTE.

74
00:05:22,890 --> 00:05:24,658
OK, WHAT'S GOING ON HERE?

75
00:05:24,692 --> 00:05:25,993
OH, I'LL LET LISA EXPLAIN.

76
00:05:26,026 --> 00:05:28,729
PLEASE, GOD, TELL ME
YOU HAVE A BATHROOM
AND NOT AN OUTHOUSE.

77
00:05:28,762 --> 00:05:31,732
THANK YOU.
RIGHT THERE.

78
00:05:33,467 --> 00:05:34,735
[SIGHS]

79
00:05:34,768 --> 00:05:36,604
I THOUGHT WE WERE
GONNA HAVE A NICE
QUIET WEEKEND TOGETHER.

80
00:05:36,637 --> 00:05:37,705
I KNOW.
OK, I WAS CONCERNED.

81
00:05:37,738 --> 00:05:39,740
I THOUGHT MAYBE
IF I GOT EVERYBODY
TOGETHER, THEN--

82
00:05:39,773 --> 00:05:41,642
YOU WOULD JUST TRAP ME
UP HERE WITH MY EDITOR,

83
00:05:41,675 --> 00:05:44,645
[CAR APPROACHING]
PUBLISHER, AND AGENT.

84
00:05:44,678 --> 00:05:46,714
YEAH.

85
00:05:48,649 --> 00:05:51,018
[SIGHS]

86
00:05:51,719 --> 00:05:53,387
HEY.
HEY.

87
00:05:53,421 --> 00:05:54,722
I BROUGHT SOME CANDY.

88
00:05:54,755 --> 00:05:55,756
OH, THANK YOU.

89
00:05:55,789 --> 00:05:56,990
ARE WE LATE?

90
00:05:57,024 --> 00:05:58,792
HI!

91
00:05:58,826 --> 00:06:01,762
Lisa: GEORGE. HI.

92
00:06:02,129 --> 00:06:03,697
[TOILET FLUSHES]

93
00:06:03,731 --> 00:06:04,231
HI.

94
00:06:04,264 --> 00:06:06,033
WHAT A GREAT PLACE.

95
00:06:06,066 --> 00:06:09,470
ALL RIGHT, LET'S DO THIS.

96
00:06:12,606 --> 00:06:14,508
BLOOD THIRSTY.

97
00:06:14,542 --> 00:06:17,545
OVER 5 MILLION COPIES SOLD
JUST IN THE U.S.

98
00:06:17,578 --> 00:06:22,983
11 WEEKS AT NUMBER ONE
ON THE NEW YORK TIMES
BESTSELLER LIST.

99
00:06:23,016 --> 00:06:25,753
TRANSLATED
INTO 13 LANGUAGES.

100
00:06:25,786 --> 00:06:28,489
MOVIE RIGHTS SNAPPED UP
BY UNIVERSAL.

101
00:06:28,522 --> 00:06:29,690
I MEAN, THIS IS
AN INCREDIBLE FEAT

102
00:06:29,723 --> 00:06:31,892
BY A WRITER NO ONE
EVER HEARD OF BEFORE.

103
00:06:31,925 --> 00:06:33,994
BUT AFTER A YEAR
OF ABSOLUTE SILENCE,

104
00:06:34,027 --> 00:06:36,897
MILLIONS OF READERS,
NOT TO MENTION
YOUR PUBLISHER

105
00:06:36,930 --> 00:06:40,133
AND YOUR LOVELY AGENT,
NEED TO KNOW...

106
00:06:40,167 --> 00:06:41,234
WHERE'S THE NEXT BOOK?

107
00:06:41,268 --> 00:06:44,838
ANITA. AS IF HE'S NOT UNDER
ENOUGH PRESSURE ALREADY.

108
00:06:44,872 --> 00:06:46,073
WE'RE ALL
UNDER PRESSURE, GEORGE.

109
00:06:46,106 --> 00:06:48,942
ISN'T YOUR BOSS WONDERING
WHEN HE'S GOING
TO SEE A RETURN

110
00:06:48,976 --> 00:06:52,646
ON THAT HALF-MILLION-DOLLAR
ADVANCE FOR THE NEXT
ROBERT COLLINS NOVEL?

111
00:06:52,680 --> 00:06:55,082
WELL, OF COURSE.
BUT HE ALSO UNDERSTANDS

112
00:06:55,115 --> 00:06:58,786
THAT CREATIVITY
ISN'T JUST SOMETHING
THAT COMES OUT OF A FAUCET

113
00:06:58,819 --> 00:07:00,220
YOU CAN TURN ON AND OFF.

114
00:07:00,253 --> 00:07:01,789
OH, SPARE ME.

115
00:07:01,822 --> 00:07:03,457
SPOKEN LIKE A TRUE AGENT.

116
00:07:03,491 --> 00:07:04,625
HEY, LOOK.

117
00:07:04,658 --> 00:07:05,793
I KNOW IT'S BEEN A WHILE.

118
00:07:05,826 --> 00:07:08,862
YOUR DEADLINE
FOR THE MANUSCRIPT
WAS 6 MONTHS AGO.

119
00:07:08,896 --> 00:07:09,697
OK.

120
00:07:09,730 --> 00:07:11,665
MAYBE HE JUST NEEDED
A LITTLE TIME

121
00:07:11,699 --> 00:07:12,866
TO GET HIMSELF BACK.

122
00:07:12,900 --> 00:07:16,036
YOU KNOW,
REDISCOVER WHO HE IS.

123
00:07:16,069 --> 00:07:16,937
RIGHT, HONEY?

124
00:07:16,970 --> 00:07:18,772
YEAH, THAT'S ALL WONDERFUL,

125
00:07:18,806 --> 00:07:20,541
BUT AT A CERTAIN POINT,

126
00:07:20,574 --> 00:07:21,308
HONEY,

127
00:07:21,341 --> 00:07:22,776
YOU NEED TO GET OFF
YOUR ASS.

128
00:07:22,810 --> 00:07:25,646
YEAH. I NEED TO GET OFF
MY ASS AND CRANK UP
THAT CASH MACHINE, RIGHT?

129
00:07:25,679 --> 00:07:26,947
THAT IS NOT
WHAT ANITA MEANS.

130
00:07:26,980 --> 00:07:28,749
THAT'S EXACTLY WHAT I MEAN.

131
00:07:28,782 --> 00:07:29,917
I MEAN, COME ON.

132
00:07:29,950 --> 00:07:32,553
YOU REMEMBER WHEN
YOU FIRST CAME TO ME
6 YEARS AGO

133
00:07:32,586 --> 00:07:34,488
WITH THE MANUSCRIPT
FOR THE CHOSEN ONES?

134
00:07:34,522 --> 00:07:36,824
YOU KNOW,
THAT LITTLE SWEET NOVEL
ABOUT HOPE AND LOVE.

135
00:07:36,857 --> 00:07:38,258
DIDN'T I GET IT
PUBLISHED FOR YOU?

136
00:07:38,291 --> 00:07:40,894
DIDN'T I BUY
ONE OF THE 3 PAPERBACK
COPIES WE SOLD?

137
00:07:40,928 --> 00:07:43,764
I DIDN'T GIVE UP
ON YOU THEN,
AND MORE IMPORTANTLY,

138
00:07:43,797 --> 00:07:45,799
YOU DIDN'T GIVE UP
ON YOURSELF.

139
00:07:45,833 --> 00:07:48,235
I DON'T KNOW WHERE
YOU CAME UP WITH
THIS INSPIRATION

140
00:07:48,268 --> 00:07:50,237
TO WRITE UNDER A PSEUDONYM,
AND THAT WAS IT.

141
00:07:50,270 --> 00:07:51,539
YOU SET THE LITERARY
WORLD ON FIRE,

142
00:07:51,572 --> 00:07:54,908
AND OVERNIGHT,
ROBERT COLLINS BECAME
THE NEW KING OF HORROR.

143
00:07:54,942 --> 00:07:57,077
ANITA, YOU'RE MAKING IT
SOUND LIKE LUCK.

144
00:07:57,110 --> 00:07:58,812
DARLING,
DON'T GET ME WRONG.

145
00:07:58,846 --> 00:07:59,547
I KNOW HE'S TALENTED.

146
00:07:59,580 --> 00:08:01,181
THAT'S WHAT'S
SO FRUSTRATING.

147
00:08:01,214 --> 00:08:03,751
YEAH, I'M FRUSTRATED, TOO.

148
00:08:03,784 --> 00:08:05,919
I CAN'T SLEEP.

149
00:08:06,620 --> 00:08:09,590
I MEAN, SOMETIMES I WAKE UP
IN THE MIDDLE OF THE NIGHT

150
00:08:09,623 --> 00:08:12,760
IN A COLD SWEAT.

151
00:08:13,594 --> 00:08:15,996
SO, BRIAN,

152
00:08:16,029 --> 00:08:17,765
WHAT HAPPENED?

153
00:08:17,798 --> 00:08:20,067
HOW DID IT START?

154
00:08:21,034 --> 00:08:23,704
HOW DID IT START?

155
00:08:26,674 --> 00:08:28,041
I...

156
00:08:28,075 --> 00:08:31,144
[KNOCK ON DOOR]

157
00:08:35,583 --> 00:08:37,050
WHO ELSE DID YOU INVITE?

158
00:08:37,084 --> 00:08:38,886
OH, COME ON.

159
00:08:38,919 --> 00:08:41,822
IT'S ALMOST 10:00.

160
00:08:41,855 --> 00:08:44,524
[KNOCK ON DOOR]

161
00:08:55,936 --> 00:08:56,937
[SNEEZES]

162
00:08:56,970 --> 00:09:00,340
YOU GUYS ARE ACTING
LIKE KIDS AT SUMMER CAMP.

163
00:09:00,373 --> 00:09:01,775
ANITA...

164
00:09:01,809 --> 00:09:03,977
ANITA, NO.

165
00:09:09,149 --> 00:09:12,319
TRICK OR TREAT.
TRICK OR TREAT.

166
00:09:19,760 --> 00:09:20,861
[OPENS BOOK]

167
00:09:20,894 --> 00:09:24,832
WHERE DID YOU TWO
COME FROM?

168
00:09:32,673 --> 00:09:34,975
[SIGHS]

169
00:09:41,915 --> 00:09:42,716
THAT WAS WEIRD.

170
00:09:42,750 --> 00:09:44,985
WE'RE OUT IN THE MIDDLE
OF NOWHERE.

171
00:09:45,018 --> 00:09:47,988
THEY BROUGHT THIS...
BOOK.

172
00:09:48,021 --> 00:09:50,958
TITLED THE CIRCLE.

173
00:09:50,991 --> 00:09:52,993
YOU'RE A FUNNY GUY.

174
00:09:53,026 --> 00:09:54,027
[CHUCKLES]

175
00:09:54,061 --> 00:09:55,162
WHAT?

176
00:09:55,195 --> 00:09:56,029
[LAUGHS]

177
00:09:56,063 --> 00:09:58,899
NOW IT'S CLEAR
WHY YOU BROUGHT US HERE.

178
00:09:58,932 --> 00:10:01,001
HAPPY HALLOWEEN, EVERYONE.

179
00:10:01,034 --> 00:10:03,837
THE CIRCLE

180
00:10:03,871 --> 00:10:05,639
WRITTEN BY ROBERT COLLINS.

181
00:10:05,673 --> 00:10:06,940
George: THAT'S FANTASTIC!
OHH!

182
00:10:06,974 --> 00:10:08,842
OH, IT'S SO GREAT!

183
00:10:08,876 --> 00:10:10,043
BABY...MMM.

184
00:10:10,077 --> 00:10:11,712
WHEN DID YOU
HAVE TIME?

185
00:10:11,745 --> 00:10:14,347
OLD ROBERT'S BEEN BUSY
AFTER ALL, HUH?

186
00:10:14,381 --> 00:10:15,816
OH, BRIAN,
WE WERE SO WORRIED.

187
00:10:15,849 --> 00:10:17,384
I DON'T KNOW WHERE
THAT CAME FROM.

188
00:10:17,417 --> 00:10:19,319
I DIDN'T WRITE THAT.

189
00:10:19,352 --> 00:10:20,788
WELL, OF COURSE NOT.

190
00:10:20,821 --> 00:10:22,990
ROBERT COLLINS DID.

191
00:10:23,023 --> 00:10:24,291
[LAUGHING]

192
00:10:24,324 --> 00:10:27,661
LOOK, I'M TELLING YOU,
I DIDN'T WRITE THAT.

193
00:10:27,695 --> 00:10:28,762
Lisa: BRIAN, QUIT TEASING.

194
00:10:28,796 --> 00:10:33,133
"HE AND HIS WIFE
ESCAPED TO THE CABIN
IN THE WOODS

195
00:10:33,166 --> 00:10:35,035
"FOR A LONG WEEKEND.

196
00:10:35,068 --> 00:10:39,773
HIS PURPOSE WAS SIMPLE.
HE NEEDED TO REDISCOVER
HIS MUSE."

197
00:10:39,807 --> 00:10:41,675
AUTOBIOGRAPHICAL.
I LIKE THAT.

198
00:10:41,709 --> 00:10:43,777
BUT MAYBE A--A SIMPLE
PURPOSE IN MIND.

199
00:10:43,811 --> 00:10:47,047
GEORGE.
MAYBE THAT WOULD FLOW--

200
00:10:47,080 --> 00:10:51,051
[LAUGHS] GO--GO AHEAD,
PLEASE.

201
00:10:51,985 --> 00:10:52,953
[SIGHS]

202
00:10:52,986 --> 00:10:56,690
"HE BELIEVED THAT
THE TRANQUILITY OF NATURE

203
00:10:56,724 --> 00:10:57,758
"WOULD HELP HIM,

204
00:10:57,791 --> 00:10:59,459
"BUT IT MERELY MADE
THE SILENCE INSIDE HIS HEAD

205
00:10:59,492 --> 00:11:00,460
"ECHO THAT MUCH LOUDER.

206
00:11:00,493 --> 00:11:03,764
"AFTER A YEAR OF DAYS
AND NIGHTS OF FAILURE,

207
00:11:03,797 --> 00:11:05,198
"HE WAS VISITED ONE EVENING

208
00:11:05,232 --> 00:11:08,001
BY HIS CIRCLE OF FRIENDS
AND ASSOCIATES."

209
00:11:08,035 --> 00:11:10,704
I KNEW YOU COULDN'T
KEEP A SECRET.

210
00:11:10,738 --> 00:11:11,939
I HAD NOTHING
TO DO WITH THIS.

211
00:11:11,972 --> 00:11:14,274
"THEY CHOSE ALL HALLOWS
EVE TO SURPRISE HIM

212
00:11:14,307 --> 00:11:16,877
"BECAUSE IT WAS A SPECIAL
NIGHT IN THE MAN'S LIFE.

213
00:11:16,910 --> 00:11:18,812
"YOU SEE, THE WORLD
OF THE SUPERNATURAL

214
00:11:18,846 --> 00:11:21,014
"HAD BEEN VERY GOOD
TO THE MAN,

215
00:11:21,048 --> 00:11:23,350
TO ALL OF THEM, IN FACT."

216
00:11:23,383 --> 00:11:24,351
CHEERS TO THAT.

217
00:11:24,384 --> 00:11:26,119
[CHUCKLES]
CHEERS.

218
00:11:26,153 --> 00:11:28,255
"YET THEY, IN THEIR
INFINITE WISDOM,

219
00:11:28,288 --> 00:11:31,058
"WERE NOT PREPARED
FOR WHAT HAPPENED TO THEM

220
00:11:31,091 --> 00:11:33,493
ON THAT HALLOWEEN NIGHT."

221
00:11:33,526 --> 00:11:34,828
ANITA, THAT'S ENOUGH.

222
00:11:34,862 --> 00:11:36,997
NO, WE NEED TO STOP.
HONEY...

223
00:11:37,030 --> 00:11:37,731
SHH. LET HER FINISH.

224
00:11:37,765 --> 00:11:39,733
COME ON!
IT'S JUST GETTING GOOD.

225
00:11:39,767 --> 00:11:44,071
YOU GOTTA HEAR
WHAT HAPPENS NEXT.

226
00:11:45,072 --> 00:11:46,073
OH.

227
00:11:46,106 --> 00:11:48,041
I GET IT.

228
00:11:49,076 --> 00:11:50,143
YOU ALL DID THIS.

229
00:11:50,177 --> 00:11:53,747
THIS IS JUST A STUPID PRANK
TO GET ME WRITING AGAIN.

230
00:11:53,781 --> 00:11:54,915
RIGHT?

231
00:11:54,948 --> 00:11:55,883
HUH.

232
00:11:55,916 --> 00:11:58,118
NOT ME, I SWEAR.

233
00:11:58,151 --> 00:12:00,153
THE TRICK-OR-TREATERS
AT THE DOOR--

234
00:12:00,187 --> 00:12:02,122
THAT WAS A VERY NICE TOUCH.

235
00:12:02,155 --> 00:12:03,123
NO, BRIAN.

236
00:12:03,156 --> 00:12:04,224
WE DIDN'T DO THIS.

237
00:12:04,257 --> 00:12:06,359
YOU DIDN'T DO THIS.

238
00:12:08,862 --> 00:12:10,798
WELL, THEN WHO DID THIS?

239
00:12:10,831 --> 00:12:11,865
HONEY, I, UH...

240
00:12:11,899 --> 00:12:15,435
I PROMISE, WE DIDN'T.

241
00:12:16,837 --> 00:12:18,338
UH--WAIT, WAIT.

242
00:12:18,371 --> 00:12:20,107
LISTEN TO THIS.

243
00:12:20,140 --> 00:12:24,044
"BECAUSE OF THEIR
SIMPLE BELIEFS,

244
00:12:24,077 --> 00:12:26,446
"THEY DIDN'T RECOGNIZE
THE POWER

245
00:12:26,479 --> 00:12:28,181
"THAT LAY IN THE PAGES

246
00:12:28,215 --> 00:12:32,953
AND IN THE INK
THE STORY WAS WRITTEN IN."

247
00:12:34,321 --> 00:12:37,524
"BUT THEY WOULD SOON ENOUGH,

248
00:12:37,557 --> 00:12:40,127
"WHEN A SUFFOCATING DARKNESS

249
00:12:40,160 --> 00:12:43,096
"SETTLED DOWN
AROUND THE CABIN,

250
00:12:43,130 --> 00:12:45,165
"TRAPPING THEM INSIDE

251
00:12:45,198 --> 00:12:51,338
AND SEALING THEIR FATE
FOREVER."

252
00:13:00,180 --> 00:13:02,082
WHAT THE HELL?

253
00:13:05,285 --> 00:13:07,087
GEORGE, WHAT'S UP?

254
00:13:07,120 --> 00:13:09,089
HAVE YOU SEEN A FLASHLIGHT?

255
00:13:09,122 --> 00:13:11,959
YEAH, RIGHT THERE.

256
00:13:21,401 --> 00:13:24,371
IT'S AMAZING.

257
00:13:25,939 --> 00:13:27,440
OH, GET BACK IN HERE.

258
00:13:27,474 --> 00:13:29,576
I CAN'T SEE A THING.

259
00:13:29,609 --> 00:13:32,112
NOTHING.

260
00:13:32,145 --> 00:13:33,113
PLEASE COME BACK INSIDE.

261
00:13:33,146 --> 00:13:34,614
OH, THIS IS INCREDIBLE!

262
00:13:34,647 --> 00:13:37,985
ISN'T THIS EXACTLY
LIKE THE DARKNESS--

263
00:13:38,018 --> 00:13:40,053
[GASPS]
[RIPPING]

264
00:13:40,087 --> 00:13:41,321
AAH! AAH!
GEORGE!

265
00:13:41,354 --> 00:13:43,623
[CHOKING AND GASPING]

266
00:13:43,656 --> 00:13:47,895
[GROWLING AND SCREAMING]

267
00:13:47,928 --> 00:13:51,598
[GROWLING]
AAH!

268
00:13:54,634 --> 00:13:55,302
GEORGE!

269
00:13:55,335 --> 00:13:59,606
GET IN HERE!
ARE YOU CRAZY?!

270
00:13:59,639 --> 00:14:01,608
WHAT IN THE HELL
DO YOU THINK YOU'RE DOING?!

271
00:14:01,641 --> 00:14:04,177
HE'S OUT THERE!
WE HAVE TO GET HIM!

272
00:14:04,211 --> 00:14:04,844
WE HAVE NO CHOICE!

273
00:14:04,878 --> 00:14:06,146
WHAT IS GOING ON OUT THERE?

274
00:14:06,179 --> 00:14:08,115
WE HAVE TO GET HIM!
JUST CALM DOWN!

275
00:14:08,148 --> 00:14:09,549
WHAT'S WRONG
WITH YOU PEOPLE?!

276
00:14:09,582 --> 00:14:11,551
WE CAN'T JUST STAND HERE!

277
00:14:11,584 --> 00:14:14,621
GEORGE! GEORGE!

278
00:14:14,654 --> 00:14:16,556
LET GO OF ME!

279
00:14:16,589 --> 00:14:18,191
WHERE'S MY PHONE?
WHERE'S MY PHONE?!

280
00:14:18,225 --> 00:14:21,494
THERE'S NO RECEPTION.
THERE NEVER HAS BEEN
OUT HERE.

281
00:14:21,528 --> 00:14:23,563
[GROANING]

282
00:14:23,596 --> 00:14:24,932
[SCREAMING]

283
00:14:24,965 --> 00:14:26,566
[MOANING]

284
00:14:26,599 --> 00:14:30,070
[RUMBLING]

285
00:14:35,008 --> 00:14:37,911
BRIAN, WHAT THE HELL
IS GOING ON?

286
00:14:38,345 --> 00:14:40,680
IT'S THE STORY.

287
00:14:40,713 --> 00:14:41,848
IT'S THE STORY.

288
00:14:41,881 --> 00:14:43,683
EVERYTHING THAT IS
WRITTEN THERE
IS COMING TO PASS.

289
00:14:43,716 --> 00:14:46,053
STORY. RIGHT.

290
00:14:47,087 --> 00:14:49,622
OK, UM...

291
00:14:50,991 --> 00:14:52,559
"THIS IS THE MAN'S
DUTIFUL EDITOR

292
00:14:52,592 --> 00:14:55,562
"WOULD BE THE FIRST
TO MEET HIS HORRIBLE FATE

293
00:14:55,595 --> 00:14:56,596
"THAT HALLOWEEN NIGHT

294
00:14:56,629 --> 00:15:01,935
AS MAN'S LITERARY CREATION
ON ITS WAY TO LIFE."

295
00:15:01,969 --> 00:15:03,236
[SOBBING]
CREATION.

296
00:15:03,270 --> 00:15:06,539
IT'S TALKING
ABOUT BLOOD THIRSTY.

297
00:15:06,573 --> 00:15:10,077
THE DARKNESS OUTSIDE,
IT'S IN HERE.

298
00:15:10,110 --> 00:15:12,612
ARE YOU SAYING
THAT YOUR NOVEL
IS COMING TO LIFE?

299
00:15:12,645 --> 00:15:16,249
IT ATTACKS A SMALL TOWN
IN THE MIDDLE OF MAINE,

300
00:15:16,283 --> 00:15:17,550
AND IF AN INFECTION--

301
00:15:17,584 --> 00:15:19,652
BEHIND YOU!

302
00:15:22,322 --> 00:15:23,423
[GROWLING]

303
00:15:23,456 --> 00:15:26,526
GET AWAY FROM THE WINDOWS!
GET AWAY FROM THE WINDOWS!

304
00:15:26,559 --> 00:15:28,395
OK, OK, THE BOOK!

305
00:15:28,428 --> 00:15:30,730
WHAT HAPPENS NEXT
EXACTLY?

306
00:15:30,763 --> 00:15:31,798
DID YOU EVER
READ IT?

307
00:15:31,831 --> 00:15:33,666
OH, COME ON, LIKE ANYBODY
READS THE WHOLE BOOK!

308
00:15:33,700 --> 00:15:35,235
ONCE THE DARKNESS
OVERTAKES YOU,

309
00:15:35,268 --> 00:15:36,136
YOU BECOME ONE WITH IT.

310
00:15:36,169 --> 00:15:38,438
ONE SHARED THOUGHT,
ONE SHARED DESIRE,

311
00:15:38,471 --> 00:15:42,242
TO QUENCH YOUR THIRST--
THE THIRST FOR BLOOD.

312
00:15:42,275 --> 00:15:44,511
OK, OK, THE BLOOD
THIRST THING,

313
00:15:44,544 --> 00:15:45,545
THEY LIVE IN THE DARKNESS.

314
00:15:45,578 --> 00:15:48,481
THE ONLY WAY TO COMBAT IT
IS WITH LIGHT, YEAH?

315
00:15:48,515 --> 00:15:50,650
COME ON, EVERYBODY!
IT'S A DAMN BOOK!

316
00:15:50,683 --> 00:15:53,086
IT'S FICTION!

317
00:15:53,120 --> 00:15:56,423
APPARENTLY
NOT ANYMORE.

318
00:16:01,728 --> 00:16:04,664
OH, MY GOD!
OH, MY GOD!

319
00:16:06,733 --> 00:16:08,601
LOOK, WE NEED TO BLOCK
EVERY WAY IN!

320
00:16:08,635 --> 00:16:10,170
WE CAN'T LET
THE DARKNESS IN.

321
00:16:10,203 --> 00:16:12,139
WE NEED TO GET BLANKETS,
WE NEED TO GET TOWELS,

322
00:16:12,172 --> 00:16:15,042
ANYTHING TO COVER UP
THE WINDOWS, MAKE SURE
NOTHING GETS IN.

323
00:16:15,075 --> 00:16:16,743
HERE.

324
00:16:16,776 --> 00:16:18,778
KATE. KATE!

325
00:16:18,811 --> 00:16:19,612
ANSWER ME!

326
00:16:19,646 --> 00:16:21,314
WE CAN'T WORRY
ABOUT HER RIGHT NOW!

327
00:16:21,348 --> 00:16:23,716
ALL RIGHT, I'LL GET
THE GUEST BEDROOM.

328
00:16:23,750 --> 00:16:26,353
[ALL BREATHING HEAVILY]

329
00:16:27,720 --> 00:16:30,357
HERE.

330
00:16:36,763 --> 00:16:39,699
[SOBBING]

331
00:16:41,368 --> 00:16:43,703
ALL RIGHT.

332
00:16:51,644 --> 00:16:53,680
[SCREAMING]

333
00:16:53,713 --> 00:16:56,149
THIS IS NOT WORKING!

334
00:16:56,183 --> 00:16:58,618
THE TOWELS AREN'T
KEEPING IT OUT!

335
00:17:00,087 --> 00:17:01,754
OK, GET LIGHTS.

336
00:17:01,788 --> 00:17:04,424
WE NEED LIGHTS,
A LOT OF THEM.

337
00:17:04,657 --> 00:17:06,759
CANDLES,
WHATEVER YOU CAN FIND.

338
00:17:06,793 --> 00:17:08,128
LANTERNS.

339
00:17:08,161 --> 00:17:09,496
LAMPS.

340
00:17:09,529 --> 00:17:13,200
PUT IT IN FRONT
OF THE WINDOW.

341
00:17:14,801 --> 00:17:18,371
IT'LL KEEP OUT THE DARKNESS.

342
00:17:33,753 --> 00:17:35,222
KATE!

343
00:17:35,255 --> 00:17:36,723
A LITTLE HELP?
COME ON!

344
00:17:36,756 --> 00:17:37,490
SNAP OUT OF IT!

345
00:17:37,524 --> 00:17:40,093
IT DOESN'T MATTER
WHAT YOU DO.

346
00:17:40,127 --> 00:17:44,831
THE STORY IN THAT BOOK
IS COMING TRUE.

347
00:17:44,864 --> 00:17:46,699
IT'S COMING TRUE.

348
00:17:46,733 --> 00:17:49,702
FATES HAVE ALREADY
BEEN DECIDED.

349
00:17:49,736 --> 00:17:54,841
Both: WE CAN'T
ESCAPE OUR DESTINY.

350
00:17:56,643 --> 00:17:59,646
OK, EVERYTHING KATE JUST SAID
IS WRITTEN THERE, WORD FOR WORD.

351
00:17:59,679 --> 00:18:01,448
WHAT THE HELL
IS THIS THING?!

352
00:18:01,481 --> 00:18:04,417
I HAVE NO IDEA.

353
00:18:05,285 --> 00:18:07,287
WE HAVE TO DESTROY IT.

354
00:18:07,320 --> 00:18:09,822
THAT MIGHT BE
THE WORST THING
YOU CAN DO.

355
00:18:09,856 --> 00:18:11,558
WE NEED TO BURN IT.

356
00:18:11,591 --> 00:18:12,792
IT'S OUR ONLY CHANCE.

357
00:18:12,825 --> 00:18:14,461
OK, KATE,
WHY DON'T WE SIT DOWN?

358
00:18:14,494 --> 00:18:15,795
LET'S RETHINK THIS, OK?

359
00:18:15,828 --> 00:18:18,765
NO!

360
00:18:20,433 --> 00:18:21,834
OH, MY GOD.

361
00:18:21,868 --> 00:18:24,571
IT DOESN'T BURN.

362
00:18:24,604 --> 00:18:28,641
HOW--HOW IS THAT
POSSIBLE?

363
00:18:36,416 --> 00:18:37,884
Brian: WHAT THE HELL?

364
00:18:37,917 --> 00:18:39,786
WHERE'D IT GO?

365
00:18:40,887 --> 00:18:44,191
[GASPS] LOOK!

366
00:18:46,493 --> 00:18:47,427
OH, MY GOD.

367
00:18:47,460 --> 00:18:49,262
THIS ISN'T HAPPENING!

368
00:18:49,296 --> 00:18:51,298
SHE CRASHED IT.

369
00:18:51,331 --> 00:18:53,233
WHAT?

370
00:18:53,633 --> 00:18:56,569
[KATE GASPING]

371
00:18:56,603 --> 00:18:58,638
IT'S NOT EVEN WARM.

372
00:18:58,671 --> 00:19:01,908
THERE'S NOT EVEN
A SCRATCH ON IT.

373
00:19:01,941 --> 00:19:03,510
OK, IF YOU GUYS ARE RIGHT,

374
00:19:03,543 --> 00:19:08,147
IF EVERYTHING THAT'S HAPPENING
IS IN THOSE PAGES...

375
00:19:08,448 --> 00:19:12,519
MAYBE WE SHOULD FIND OUT
WHAT HAPPENS AT THE END.

376
00:19:29,769 --> 00:19:31,938
9:45.

377
00:19:31,971 --> 00:19:34,441
9:45.

378
00:19:37,944 --> 00:19:39,312
WHAT DOES THAT MEAN?

379
00:19:39,346 --> 00:19:41,814
[KATE GASPING LOUDLY,
COLLAPSING]

380
00:19:41,848 --> 00:19:45,485
SHE CAN'T BREATHE!
DON'T TOUCH HER!

381
00:19:47,654 --> 00:19:50,423
SHE'S INFECTED.
WHAT?!

382
00:19:51,291 --> 00:19:52,859
SHE'S TURNING INTO
A BLOOD THIRSTY.

383
00:19:52,892 --> 00:19:55,862
IT'S JUST LIKE IN MY BOOK.

384
00:20:03,703 --> 00:20:06,239
[GAGGING]

385
00:20:10,009 --> 00:20:11,578
[SCREAMING]

386
00:20:11,611 --> 00:20:12,845
IT MUST HAVE
GOTTEN INSIDE OF HER.

387
00:20:12,879 --> 00:20:14,414
SHE'S TURNING INTO
ONE OF THEM.

388
00:20:14,447 --> 00:20:16,749
SHE'S TURNING INTO
A BLOOD THIRSTY.

389
00:20:16,783 --> 00:20:19,386
IS THERE ANYTHING
WE CAN DO TO SAVE HER?

390
00:20:19,419 --> 00:20:21,288
SHE WENT--I WROTE
THAT IF IT GETS IN

391
00:20:21,321 --> 00:20:22,789
YOUR MOUTH, IN YOUR EYES,

392
00:20:22,822 --> 00:20:25,024
IS--THAT'S HOW
THE INFECTION SPREADS.

393
00:20:25,057 --> 00:20:26,859
WE'RE TRAPPED!

394
00:20:26,893 --> 00:20:30,363
[GROWLING]
[SCREAMING]

395
00:20:31,531 --> 00:20:32,665
[GASPING]

396
00:20:32,699 --> 00:20:34,000
[GROWLING]

397
00:20:34,033 --> 00:20:36,536
HEY, HEY, HEY!

398
00:20:36,569 --> 00:20:38,971
[GROWLING]

399
00:20:40,707 --> 00:20:42,475
GIVE ME THE FLASHLIGHT!

400
00:20:45,011 --> 00:20:47,980
[GROWLING]

401
00:20:52,319 --> 00:20:54,587
BRIAN!

402
00:20:58,591 --> 00:21:01,928
PUT IT IN HER EYES!
IT'LL DISORIENT HER.

403
00:21:03,763 --> 00:21:04,764
[GROWLING]

404
00:21:04,797 --> 00:21:06,032
LET'S GET HER
IN THE BATHROOM.

405
00:21:06,065 --> 00:21:08,000
ANITA, GET A CHAIR.

406
00:21:09,536 --> 00:21:12,672
[GROWLING]

407
00:21:13,005 --> 00:21:15,875
IT'S NOT WORKING!

408
00:21:16,909 --> 00:21:19,679
[GROWLING]

409
00:21:19,712 --> 00:21:22,281
BRIAN!
AAH!

410
00:21:24,784 --> 00:21:26,886
THE LIGHT! GUYS!

411
00:21:26,919 --> 00:21:29,756
HERE!

412
00:21:29,789 --> 00:21:31,791
[GROWLING]

413
00:21:37,096 --> 00:21:39,599
[BANGING]

414
00:21:39,632 --> 00:21:42,034
[ALL PANTING]

415
00:21:47,073 --> 00:21:49,976
[GROWLING, BANGING]

416
00:21:50,977 --> 00:21:52,679
WHAT'S GOING TO HAPPEN
TO KATE?

417
00:21:52,712 --> 00:21:57,484
EVENTUALLY, SHE'LL BE
COMPLETELY ABSORBED
BY THE DARKNESS.

418
00:21:57,517 --> 00:21:58,585
THAT'S THE NATURE OF IT.

419
00:21:58,618 --> 00:22:01,954
IT INFECTS YOU, AND THEN
IT DEVOURS YOU FROM WITHIN.

420
00:22:01,988 --> 00:22:03,590
SO WHAT NOW?

421
00:22:03,623 --> 00:22:04,757
WE NEED TO GET
OUT OF HERE!

422
00:22:04,791 --> 00:22:06,459
CAN WE MAKE IT TO THE CAR?

423
00:22:06,493 --> 00:22:07,259
NO.

424
00:22:07,293 --> 00:22:08,695
WE'LL NEVER MAKE IT
TO THE CAR.

425
00:22:08,728 --> 00:22:09,962
[KATE GROWLING]

426
00:22:09,996 --> 00:22:11,998
WELL, WE CAN'T JUST
STAY HERE!

427
00:22:12,031 --> 00:22:13,566
OK, HOW BIG?
HOW BIG IS THE DARKNESS?

428
00:22:13,600 --> 00:22:16,669
IN THE BOOK, IT GOES
FOR MILES AND MILES,

429
00:22:16,703 --> 00:22:17,970
DESTROYING EVERYTHING

430
00:22:18,004 --> 00:22:20,039
AND KILLING EVERYONE
IN ITS PATH.

431
00:22:20,072 --> 00:22:22,108
[GLASS BREAKING]

432
00:22:22,141 --> 00:22:24,711
CAN THOSE
DAMN THINGS
BE KILLED?

433
00:22:24,744 --> 00:22:25,945
JUST LIKE ANYTHING ELSE.

434
00:22:25,978 --> 00:22:27,514
GUYS, WE'RE TALKING
ABOUT KATE HERE.

435
00:22:27,547 --> 00:22:28,515
LOOK, I'M SORRY TO
BREAK IT TO YOU, KIDDO,

436
00:22:28,548 --> 00:22:31,050
BUT THAT THING IN THERE?
THAT'S NOT KATE ANYMORE.

437
00:22:31,083 --> 00:22:33,085
FINE.

438
00:22:33,119 --> 00:22:35,021
BE MY GUEST.

439
00:22:35,054 --> 00:22:36,456
[KATE GROWLING]

440
00:22:36,489 --> 00:22:37,824
OK, SO WHAT ARE WE
GOING TO DO?!

441
00:22:37,857 --> 00:22:39,392
COME ON, WE CAN'T
JUST STAY HERE

442
00:22:39,426 --> 00:22:40,860
UNTIL THE DARKNESS
BREAKS IN

443
00:22:40,893 --> 00:22:42,629
OR THAT THING
BREAKS OUT!

444
00:22:42,662 --> 00:22:45,765
WE JUST HAVE TO SURVIVE
TILL DAYBREAK.

445
00:22:45,798 --> 00:22:47,534
THE SUNLIGHT
WILL DESTROY IT.

446
00:22:47,567 --> 00:22:49,602
I DON'T THINK THIS PLACE
IS GOING TO LAST THAT LONG.

447
00:22:49,636 --> 00:22:51,137
WE HAVE TO COME UP
WITH SOMETHING DIFFERENT.

448
00:22:51,170 --> 00:22:53,473
IS THERE ANYTHING AT ALL
WE'RE OVERLOOKING?

449
00:22:53,506 --> 00:22:54,206
ANYTHING AT ALL?

450
00:22:54,240 --> 00:22:55,107
OH, GOD,
THIS IS ALL MY FAULT.

451
00:22:55,141 --> 00:22:57,544
DAMN RIGHT IT IS.
NO, IT'S NOT, BABY.

452
00:22:57,577 --> 00:23:00,480
IT'S NOT. IT'S THE BOOK.
IT'S THE CIRCLE.

453
00:23:00,513 --> 00:23:01,548
I MEAN, THINK ABOUT IT.

454
00:23:01,581 --> 00:23:03,149
IN THE BOOK, IT SAYS THAT
THE TRICK OR TREATERS

455
00:23:03,182 --> 00:23:04,350
WERE GOING
TO BE HERE TONIGHT,

456
00:23:04,383 --> 00:23:06,719
THAT GEORGE WAS GOING TO BE
THE FIRST ONE TO BE KILLED.

457
00:23:06,753 --> 00:23:07,754
[KATE GROWLING]

458
00:23:07,787 --> 00:23:09,889
THE DARKNESS COMES TO LIFE,
SO IF THAT'S ALL--

459
00:23:09,922 --> 00:23:12,024
THAT'S IT. THAT'S IT.

460
00:23:12,058 --> 00:23:13,092
WHAT'S IT?

461
00:23:13,125 --> 00:23:14,961
EVERYTHING THAT'S WRITTEN
COMES TO PASS, RIGHT?

462
00:23:14,994 --> 00:23:16,195
RIGHT.

463
00:23:16,228 --> 00:23:17,630
SO IF I REWRITE IT...

464
00:23:17,664 --> 00:23:19,065
IF I REWRITE IT,
I CAN--

465
00:23:19,098 --> 00:23:21,468
CHANGE THE ENDING.

466
00:23:21,501 --> 00:23:23,603
YEAH.

467
00:23:23,636 --> 00:23:24,370
REWRITE IT?

468
00:23:24,403 --> 00:23:26,706
THAT'S
YOUR BIG PLAN?
YEAH.

469
00:23:26,739 --> 00:23:27,907
THAT IS INSANE!

470
00:23:27,940 --> 00:23:30,009
GOD, I CAN'T BELIEVE
THIS IS HOW I'M GOING
TO END UP!

471
00:23:30,042 --> 00:23:33,813
I GET KILLED BY SOME
HORROR NOVEL IN A REMOTE
CORNER OF MAINE!

472
00:23:33,846 --> 00:23:35,882
[KATE GROWLING LOUDLY]

473
00:23:35,915 --> 00:23:36,916
WE GOTTA TRY.

474
00:23:36,949 --> 00:23:37,650
YEAH, I KNOW.

475
00:23:37,684 --> 00:23:41,020
[DOOR BREAKING,
KATE GROWLING]

476
00:23:42,088 --> 00:23:44,924
OH, MY GOD.

477
00:23:49,061 --> 00:23:51,831
OH...

478
00:23:55,001 --> 00:23:57,737
[KATE GROWLING SOFTLY]

479
00:24:01,774 --> 00:24:04,210
[ALL SCREAMING]

480
00:24:23,162 --> 00:24:25,532
WHAT ARE WE
SUPPOSED TO DO NOW?!

481
00:24:25,565 --> 00:24:27,600
I GOTTA GET THAT BOOK.

482
00:24:27,634 --> 00:24:28,334
OH, NO.

483
00:24:28,367 --> 00:24:30,603
NO, YOU'RE NOT
GOING OUT THERE.

484
00:24:31,103 --> 00:24:32,772
I'LL BE FINE.

485
00:24:32,805 --> 00:24:35,007
I'LL BE FINE.

486
00:24:35,041 --> 00:24:37,744
GOT LIGHTS IN THE CABIN

487
00:24:37,777 --> 00:24:39,879
THAT WILL KEEP HER
DISORIENTED

488
00:24:39,912 --> 00:24:42,281
THAT WILL GIVE ME
ENOUGH TIME

489
00:24:42,314 --> 00:24:44,183
TO GET THE BOOK.

490
00:24:44,216 --> 00:24:46,218
[SCREAMING]

491
00:24:46,252 --> 00:24:48,788
[GASPING]

492
00:24:56,162 --> 00:24:58,698
[WHISPERING]
OK, if something
happens to me...

493
00:24:58,731 --> 00:25:02,101
YOU DO WHATEVER YOU CAN
TO CREATE LIGHT.

494
00:25:02,134 --> 00:25:03,936
YOU BURN THE FURNITURE.

495
00:25:03,970 --> 00:25:05,104
IF YOU MAKE A FIRE,

496
00:25:05,137 --> 00:25:07,607
YOU NEED TO HOLD OUT
TILL THE SUN RISES.

497
00:25:07,640 --> 00:25:09,208
PLEASE--PLEASE DON'T GO.

498
00:25:09,241 --> 00:25:11,578
PLEASE.

499
00:25:32,732 --> 00:25:35,267
[WHIMPERING] BRIAN!

500
00:25:36,335 --> 00:25:38,070
[INDISTINCT]

501
00:25:38,104 --> 00:25:41,641
BABY, PLEASE BE CAREFUL.

502
00:25:54,320 --> 00:25:57,023
PLEASE...

503
00:26:06,699 --> 00:26:09,135
[BRIAN GRUNTING]

504
00:26:18,678 --> 00:26:21,013
[CREAKING]

505
00:26:43,936 --> 00:26:47,139
[GROWLING]
[SCREAMING]

506
00:27:09,061 --> 00:27:11,230
[BRIAN AND KATE SCREAMING]

507
00:27:11,263 --> 00:27:13,833
[WHIMPERING]

508
00:27:18,070 --> 00:27:19,972
[GROWLING]

509
00:27:20,006 --> 00:27:22,341
[GROANING]

510
00:27:24,911 --> 00:27:27,279
[SCREAMING]

511
00:27:39,325 --> 00:27:42,028
[DRAGGING]

512
00:27:43,763 --> 00:27:44,697
BRIAN?

513
00:27:44,731 --> 00:27:45,364
[THUMP]

514
00:27:45,397 --> 00:27:49,201
BRIAN, IS-- IS
THAT YOU?

515
00:27:49,235 --> 00:27:50,903
[THUMPING]

516
00:27:50,937 --> 00:27:52,972
BRIAN,
CAN YOU HEAR ME?

517
00:27:53,005 --> 00:27:56,075
[FOOTSTEPS]

518
00:27:56,876 --> 00:27:59,245
BRIAN?

519
00:27:59,278 --> 00:28:01,914
[DRAGGING]

520
00:28:01,948 --> 00:28:03,115
[THUD]

521
00:28:03,149 --> 00:28:05,417
[CLANG]

522
00:28:05,451 --> 00:28:08,187
[MOUTHING WORDS]

523
00:28:08,220 --> 00:28:10,957
[CREAKING]

524
00:28:13,092 --> 00:28:13,860
[BREATHING HEAVILY]

525
00:28:13,893 --> 00:28:18,197
ANITA, WE GOT TO GET
OUT OF HERE.

526
00:28:18,230 --> 00:28:19,899
ANITA--

527
00:28:19,932 --> 00:28:21,500
AAH!

528
00:28:21,533 --> 00:28:23,035
[GRUNTS]

529
00:28:23,069 --> 00:28:24,303
[GROWLING]

530
00:28:24,336 --> 00:28:25,504
[GRUNTING]

531
00:28:25,537 --> 00:28:28,074
[POUNDING]

532
00:28:40,452 --> 00:28:42,521
WE GOOD, BRIAN?

533
00:28:42,554 --> 00:28:45,758
[SOBBING]

534
00:28:49,896 --> 00:28:53,099
[MUTTERING]

535
00:29:02,241 --> 00:29:03,910
HOW LONG?

536
00:29:03,943 --> 00:29:05,878
[WHISPERING]
Not long.

537
00:29:05,912 --> 00:29:11,383
No, I need to find a way
to protect you from me.

538
00:29:11,417 --> 00:29:14,020
Come on.

539
00:29:16,155 --> 00:29:18,858
OK.
HURRY.

540
00:29:18,891 --> 00:29:21,093
I CAN FEEL IT.

541
00:29:21,127 --> 00:29:24,230
I'LL FIGHT IT
AS LONG AS I CAN.

542
00:29:24,263 --> 00:29:25,297
[GRUNTS]

543
00:29:25,331 --> 00:29:27,934
UHH.

544
00:29:28,134 --> 00:29:30,837
THAT'S GOOD.

545
00:29:37,176 --> 00:29:42,081
IT WAS ALMOST 10
WHEN A KNOCK CAME
ON THE DOOR.

546
00:29:42,114 --> 00:29:43,916
ANITA WENT TO THE DOOR--

547
00:29:43,950 --> 00:29:44,716
HEY, THE TRICK OR TREATERS.

548
00:29:44,750 --> 00:29:45,818
THOSE GIRLS WERE
TRICK OR TREATERS.

549
00:29:45,852 --> 00:29:47,453
MAYBE THERE'S
SOME CONNECTION TO
HALLOWEEN HERE.

550
00:29:47,486 --> 00:29:50,289
MAYBE THAT'LL SPARK
AN IDEA.

551
00:29:50,322 --> 00:29:52,058
[GROANING]

552
00:29:55,027 --> 00:29:57,563
I DON'T KNOW IF
I CAN DO THIS.

553
00:29:58,364 --> 00:30:01,868
HEY, HEY.
LOOK AT ME.

554
00:30:01,901 --> 00:30:03,402
LOOK AT ME, BRIAN.

555
00:30:03,435 --> 00:30:05,905
YES, YOU CAN. OK?

556
00:30:05,938 --> 00:30:07,907
IT SAID IN THE BOOK
YOU WERE GONNA COME HERE

557
00:30:07,940 --> 00:30:09,942
AND FIND YOUR MUSE,
RIGHT?

558
00:30:09,976 --> 00:30:11,443
ALL YOU GOT TO DO
IS LOOK INSIDE,

559
00:30:11,477 --> 00:30:15,247
AND I PROMISE, BABY,
I PROMISE YOU'LL FIND IT.

560
00:30:15,281 --> 00:30:19,218
OK?

561
00:30:21,620 --> 00:30:22,989
OK.

562
00:30:23,022 --> 00:30:27,326
OK. OK. OK.

563
00:30:27,960 --> 00:30:29,195
[SNIFFLES]

564
00:30:29,228 --> 00:30:33,432
I GOT IT.
I GOT IT.

565
00:30:33,465 --> 00:30:35,401
[GRUNTING]

566
00:30:35,434 --> 00:30:37,970
THIS...THIS...

567
00:30:38,004 --> 00:30:39,638
THIS PEN'S
NOT WORKING.

568
00:30:39,671 --> 00:30:42,374
[GRUNTS]

569
00:30:46,178 --> 00:30:49,615
IT'S FINE.

570
00:30:53,652 --> 00:30:55,121
DAMMIT!

571
00:30:55,154 --> 00:30:57,589
[SOBBING]

572
00:31:00,326 --> 00:31:02,929
[GASPING]

573
00:31:03,562 --> 00:31:04,997
WAIT. WAIT, WAIT, WAIT.

574
00:31:05,031 --> 00:31:07,533
ANITA. WHEN ANITA WAS
READING THE BOOK TO US--

575
00:31:07,566 --> 00:31:08,634
REMEMBER,
IN THE BEGINNING?

576
00:31:08,667 --> 00:31:11,003
IT SAID SOMETHING
ABOUT THE INK.

577
00:31:11,037 --> 00:31:12,171
YES.

578
00:31:12,204 --> 00:31:14,941
LET ME FIND IT.

579
00:31:14,974 --> 00:31:16,108
HERE, HERE.

580
00:31:16,142 --> 00:31:17,343
"BECAUSE OF THEIR
SIMPLE BELIEFS,

581
00:31:17,376 --> 00:31:20,312
"THEY DIDN'T RECOGNIZE
THE POWERS THAT LAY
IN THE PAGES

582
00:31:20,346 --> 00:31:24,383
AND ON THE INK THAT
THE STORY WAS WRITTEN IN."

583
00:31:24,416 --> 00:31:27,686
WHAT IS THE INK THAT
THE STORY IS WRITTEN IN?

584
00:31:27,719 --> 00:31:31,157
MAYBE IT'S BLOOD.

585
00:31:31,190 --> 00:31:32,959
WHAT?

586
00:31:36,228 --> 00:31:39,365
IT'S WRITTEN IN BLOOD.

587
00:31:40,232 --> 00:31:43,936
I SAW SHE WROTE
THE CURSE OF LIFE.

588
00:31:45,137 --> 00:31:49,541
SHE? WHO IS SHE, BRIAN?

589
00:31:49,575 --> 00:31:51,443
WHO'S DOING THIS TO US?

590
00:31:51,477 --> 00:31:54,013
LISA.

591
00:31:54,046 --> 00:31:56,715
LISA.

592
00:31:56,748 --> 00:31:59,618
I DIDN'T KNOW HOW
TO TELL YOU.

593
00:31:59,651 --> 00:32:00,953
TELL ME WHAT?

594
00:32:00,987 --> 00:32:02,921
[KNOCKING]
[GASPS]

595
00:32:03,755 --> 00:32:06,392
[KNOCK ON DOOR]

596
00:32:06,592 --> 00:32:09,095
SOMEBODY'S HERE.

597
00:32:10,429 --> 00:32:11,463
SOMEBODY'S HERE.

598
00:32:11,497 --> 00:32:12,564
[KNOCK ON DOOR]

599
00:32:12,598 --> 00:32:14,433
OH, MY GOD.
LISA.

600
00:32:14,466 --> 00:32:15,601
DON'T ANSWER
THE DOOR.

601
00:32:15,634 --> 00:32:19,038
DON'T ANSWER
THE DOOR, LISA!

602
00:32:20,639 --> 00:32:22,074
[GASPS]

603
00:32:22,108 --> 00:32:24,243
OH, MY GOD.

604
00:32:25,277 --> 00:32:28,580
IT'S NICE TO FINALLY
MEET YOU, LISA.

605
00:32:28,614 --> 00:32:31,750
MY NAME'S ROBBIE.

606
00:32:31,783 --> 00:32:34,620
ROBBIE COLLINS.

607
00:32:34,653 --> 00:32:35,687
[SOBBING]

608
00:32:35,721 --> 00:32:38,657
[GRUNTING]

609
00:32:39,525 --> 00:32:42,061
[SOBBING]

610
00:32:49,468 --> 00:32:51,303
[GRUNTING]
LET HER GO!

611
00:32:51,337 --> 00:32:54,406
FINALLY GOT CAUGHT
UP IN YOUR LIES,
DID YOU, BRIAN?

612
00:32:54,440 --> 00:32:58,210
WHAT'S GOING ON, BRIAN?

613
00:33:00,312 --> 00:33:04,050
YOU HAVE NO IDEA
WHO I AM, DO YOU?

614
00:33:04,083 --> 00:33:05,984
LET HER GO.

615
00:33:07,486 --> 00:33:09,721
WHAT'D YOU THINK
OF THE CIRCLE?

616
00:33:09,755 --> 00:33:11,457
DID YOU LIKE IT?

617
00:33:11,490 --> 00:33:14,093
LIKE ALL THOSE OTHER
PLOT TWISTS?

618
00:33:14,126 --> 00:33:15,361
AHH!

619
00:33:15,394 --> 00:33:17,563
SEE, I REALLY HOPE
YOU DID LIKE IT,

620
00:33:17,596 --> 00:33:22,668
BECAUSE I DID WRITE IT
JUST FOR YOU.

621
00:33:25,137 --> 00:33:28,107
SEE, I GOT SICK

622
00:33:28,140 --> 00:33:33,279
OF WAITING FOR YOU
TO LIVE UP TO YOUR END
OF THE DEAL.

623
00:33:33,812 --> 00:33:40,086
SO I DECIDED
TO CALL ON YOUR DEBT.

624
00:33:40,552 --> 00:33:44,590
TIME TO DESTROY THE WORLD
I BUILT FOR YOU.

625
00:33:48,594 --> 00:33:52,364
I'LL DO WHATEVER
YOU WANT.

626
00:33:53,199 --> 00:33:57,103
DID YOU HEAR THAT, LISA?

627
00:33:57,136 --> 00:34:01,307
BRIAN SAYS HE'S GONNA
LEAVE YOU.

628
00:34:01,340 --> 00:34:04,576
DON'T LEAVE ME,
BRIAN.

629
00:34:04,610 --> 00:34:05,644
OH.

630
00:34:05,677 --> 00:34:08,714
YOU REALLY DON'T
GET IT, DO YOU?

631
00:34:08,747 --> 00:34:14,486
YOU THINK
POOR LITTLE BRIAN'S
JUST A GIFTED NOVELIST

632
00:34:14,520 --> 00:34:18,624
WITH A BAD CASE
OF WRITER'S BLOCK.

633
00:34:18,657 --> 00:34:20,626
WRITER'S BLOCK.

634
00:34:20,659 --> 00:34:24,563
HE HASN'T WRITTEN
A WORD IN YEARS.

635
00:34:24,596 --> 00:34:27,299
WHAT?

636
00:34:27,333 --> 00:34:29,135
AAH!

637
00:34:29,168 --> 00:34:29,868
[GRUNTING]

638
00:34:29,901 --> 00:34:32,538
NO, DON'T LISTEN
TO HER, LISA.

639
00:34:32,571 --> 00:34:35,174
ONE LOUSY BOOK.

640
00:34:35,207 --> 00:34:38,877
I THINK THEY
PUBLISHED IT
AS A SLEEP AID.

641
00:34:38,910 --> 00:34:40,546
[GRUNTS]

642
00:34:40,579 --> 00:34:43,415
THEN HE MET ME.

643
00:34:43,449 --> 00:34:46,485
AND I OFFERED HIM
THE CHANCE
OF SUCCESS

644
00:34:46,518 --> 00:34:50,656
BEYOND HIS
WILDEST DREAMS.

645
00:34:50,689 --> 00:34:52,591
WHY?

646
00:34:52,624 --> 00:34:53,825
WHY?

647
00:34:53,859 --> 00:34:57,429
BECAUSE I LOVED HIM.

648
00:34:57,463 --> 00:34:58,797
YOU?

649
00:34:58,830 --> 00:35:00,566
YOU AND BRIAN?

650
00:35:00,599 --> 00:35:01,667
I KNOW.

651
00:35:01,700 --> 00:35:03,669
YOU'D THINK A GIRL
LIKE ME COULD DO
BETTER, RIGHT?

652
00:35:03,702 --> 00:35:08,207
BUT THERE WAS JUST
SOMETHING ABOUT HIM

653
00:35:08,240 --> 00:35:11,677
THAT I FOUND
SO ATTRACTIVE.

654
00:35:14,646 --> 00:35:17,683
BRIAN, WHAT IS
SHE TALKING ABOUT?

655
00:35:17,716 --> 00:35:19,451
YES, BRIAN, DO TELL.

656
00:35:19,485 --> 00:35:24,290
TELL HER
EXACTLY WHAT I'M
TALKING ABOUT.

657
00:35:24,590 --> 00:35:26,692
SHE TRICKED ME, LISA.

658
00:35:26,725 --> 00:35:29,595
SHE USED HER WITCHCRAFT.

659
00:35:29,628 --> 00:35:31,430
I TRICKED YOU?

660
00:35:31,463 --> 00:35:35,267
I WROTE
BLOOD THIRSTY
FOR HIM.

661
00:35:35,301 --> 00:35:38,670
I MADE HIM INTO
A SUPERSTAR.

662
00:35:38,704 --> 00:35:41,707
BUT AFTER
ALL OF THAT,

663
00:35:41,740 --> 00:35:44,776
AFTER EVERYTHING
I GAVE HIM,

664
00:35:44,810 --> 00:35:48,614
AFTER EVERYTHING
I DID FOR HIM,

665
00:35:48,647 --> 00:35:50,649
HE STILL WOULDN'T
LEAVE YOU

666
00:35:50,682 --> 00:35:54,586
LIKE HE PROMISED
HE WOULD.

667
00:35:54,620 --> 00:35:57,323
WHY IS THAT, BRIAN?

668
00:35:58,957 --> 00:36:01,393
'CAUSE I LOVE MY WIFE.

669
00:36:01,427 --> 00:36:02,594
OH.

670
00:36:02,628 --> 00:36:04,530
YOU LOVE YOUR WIFE.

671
00:36:04,563 --> 00:36:07,366
YES.

672
00:36:07,399 --> 00:36:10,702
I FELT ALL
HIS LOVE FOR YOU
THOSE LATE NIGHTS

673
00:36:10,736 --> 00:36:13,805
WHEN WE WERE
FINISHING UP
THE BOOK.

674
00:36:14,673 --> 00:36:16,342
DON'T HURT HER.

675
00:36:16,375 --> 00:36:18,344
I THINK IT'S
A LITTLE BIT LATE
FOR THAT, DON'T YOU?

676
00:36:18,377 --> 00:36:24,350
IN FACT, IT MIGHT BE
A LITTLE LATE
FOR YOU AS WELL.

677
00:36:25,417 --> 00:36:27,519
AAH!

678
00:36:31,657 --> 00:36:34,960
SO THIS--
THIS IS YOUR SECRET?

679
00:36:34,993 --> 00:36:36,995
I'M SORRY, LISA.

680
00:36:37,028 --> 00:36:38,830
I MADE A MISTAKE.

681
00:36:38,864 --> 00:36:44,436
I TRIED TO ESCAPE HER
AND MAKE OUR LIVES BETTER.

682
00:36:45,437 --> 00:36:49,241
YOU TAKE THIS AND YOU
FINISH THE DAMN BOOK,
DO YOU UNDERSTAND ME,

683
00:36:49,275 --> 00:36:50,709
AND GET US OUT OF HERE.

684
00:36:50,742 --> 00:36:53,645
AAH!

685
00:36:54,746 --> 00:36:56,682
[BOTH GRUNTING]

686
00:36:59,851 --> 00:37:02,554
[BREATHING HEAVILY]

687
00:37:04,523 --> 00:37:06,858
UHH!
UHH!

688
00:37:08,827 --> 00:37:11,297
[GRUNTING]

689
00:37:14,733 --> 00:37:17,603
[GROANING]

690
00:37:17,636 --> 00:37:20,306
[GRUNTING]

691
00:37:33,485 --> 00:37:35,554
[CLANGING]

692
00:37:35,587 --> 00:37:37,589
[RUMBLING]

693
00:37:40,659 --> 00:37:42,928
[BOTH GRUNTING]

694
00:37:59,911 --> 00:38:02,280
UHH!

695
00:38:18,564 --> 00:38:19,831
NO.

696
00:38:19,865 --> 00:38:20,766
UHH!

697
00:38:20,799 --> 00:38:23,001
NO! NO!

698
00:38:23,034 --> 00:38:23,969
AAH!

699
00:38:24,002 --> 00:38:26,672
AAH!

700
00:38:27,005 --> 00:38:31,677
NO! AAH!

701
00:39:01,573 --> 00:39:02,974
OHH.

702
00:39:03,008 --> 00:39:05,444
BRIAN.

703
00:39:10,749 --> 00:39:12,818
OHH.

704
00:39:25,431 --> 00:39:28,767
"THEN EVERYTHING
RETURNED TO
THE WAY IT HAD BEEN

705
00:39:28,800 --> 00:39:32,037
"AT 9:45
THAT HALLOWEEN NIGHT.

706
00:39:32,070 --> 00:39:34,806
"THEN EVERYTHING
HAD RETURNED TO
THE WAY IT HAD BEEN

707
00:39:34,840 --> 00:39:37,075
"AT 9:45
THAT HALLOWEEN NIGHT.

708
00:39:37,108 --> 00:39:40,912
"AND THEN EVERYTHING
RETURNED TO
THE WAY IT HAD BEEN.

709
00:39:40,946 --> 00:39:43,715
"AND EVERYTHING RETURNED
TO THE WAY IT HAD BEEN

710
00:39:43,749 --> 00:39:44,883
"AT 9:45
THAT HALLOWEEN NIGHT.

711
00:39:44,916 --> 00:39:47,018
"AND EVERYTHING RETURNED
TO THE WAY IT HAD BEEN
AT 9:45.

712
00:39:47,052 --> 00:39:49,921
"AND EVERYTHING
RETURNED...

713
00:39:49,955 --> 00:39:52,424
"AND EVERYTHING RETURNED
TO THE WAY IT HAD BEEN

714
00:39:52,458 --> 00:39:54,025
AT 9:45
THAT HALLOWEEN NIGHT."

715
00:39:54,059 --> 00:39:55,060
[RUMBLING]

716
00:39:55,093 --> 00:39:59,030
"AND EVERYTHING
RETURNED..."

717
00:40:00,832 --> 00:40:02,568
[GLASS SHATTERING]

718
00:40:02,601 --> 00:40:04,836
"AND EVERYTHING RETURNED
TO THE WAY IT HAD BEEN

719
00:40:04,870 --> 00:40:07,639
AT 9:45
THAT HALLOWEEN NIGHT."

720
00:40:10,008 --> 00:40:13,044
"AND EVERYTHING
RETURNED TO THE WAY
IT HAD BEEN--"

721
00:40:13,078 --> 00:40:15,046
[MUMBLING]

722
00:40:24,189 --> 00:40:25,924
"AND EVERYTHING RETURNED
TO THE WAY IT HAD BEEN

723
00:40:25,957 --> 00:40:28,193
AT 9:45
THAT HALLOWEEN NIGHT."

724
00:40:30,929 --> 00:40:33,665
[RUMBLING]

725
00:40:38,904 --> 00:40:40,105
OH, MY GOD.

726
00:40:40,138 --> 00:40:41,239
[GROWLING]

727
00:40:41,272 --> 00:40:43,909
[LISA SCREAMING]

728
00:41:01,527 --> 00:41:03,595
[KNOCKING]

729
00:41:03,629 --> 00:41:06,998
YOU GUYS ARE ACTING
LIKE KIDS IN SUMMER CAMP.

730
00:41:07,032 --> 00:41:11,703
Brian: ANITA.
ANITA, NO.

731
00:41:13,071 --> 00:41:14,773
Robbie: AND AROUND
AND AROUND THEY WENT.

732
00:41:14,806 --> 00:41:16,174
TRICK OR TREAT.
TRICK OR TREAT.

733
00:41:16,207 --> 00:41:19,144
IN A GREAT BIG CIRCLE,

734
00:41:19,177 --> 00:41:22,981
CURSED FOR ETERNITY
TO LIVE THIS HALLOWEEN NIGHT

735
00:41:23,014 --> 00:41:26,284
OVER AND OVER AGAIN.

736
00:41:26,317 --> 00:41:28,620
I DIDN'T WRITE IT.

737
00:41:28,654 --> 00:41:30,255
UHH!

738
00:41:30,288 --> 00:41:32,824
[CHILDREN CHANTING]