1 00:00:10,044 --> 00:00:11,145 - FIVE HOURS OF DANCING. 2 00:00:11,212 --> 00:00:12,746 - SEVEN HOURS OF HARMONIES. 3 00:00:12,813 --> 00:00:15,549 - AND I SWEATED THROUGH 14 BANDANNAS. 4 00:00:15,616 --> 00:00:18,386 - THANK GOODNESS WE CAN ESCAPE THE STRESSES OF HOLLYWOOD 5 00:00:18,452 --> 00:00:19,887 AT THE AMAZING PALMWOODS POOL. 6 00:00:19,953 --> 00:00:21,322 [bell rings] - WHAT'S THIS? 7 00:00:21,389 --> 00:00:22,756 I DIDN'T ORDER EXTRAS. 8 00:00:22,823 --> 00:00:24,458 - WE LIVE HERE. THIS IS OUR POOL. 9 00:00:24,525 --> 00:00:26,094 - NO, THIS IS THE SET 10 00:00:26,160 --> 00:00:28,028 FOR THE SEXY DOG DOG FOOD COMMERCIAL, 11 00:00:28,096 --> 00:00:30,464 STARRING LIGHTNING THE TV WONDER DOG. 12 00:00:30,531 --> 00:00:32,333 all: HEY, LIGHTNING. 13 00:00:33,667 --> 00:00:34,868 - STRIKE THE BOYS. 14 00:00:34,935 --> 00:00:37,105 - WHAT'S THAT? 15 00:00:37,171 --> 00:00:38,739 - UH! 16 00:00:38,806 --> 00:00:42,143 - WELL, AT LEAST WE CAN RECHARGE IN THE STYLISH PALMWOODS LOBBY. 17 00:00:42,210 --> 00:00:47,281 - AH, THE FOUR HOCKEY PLAYERS FROM MINNESOTA. 18 00:00:47,348 --> 00:00:49,350 - I'M NOT GETTING A FRIENDLY VIBE. 19 00:00:49,417 --> 00:00:51,719 - NO LOITERING IN THE LOBBY AFTER 9:00. 20 00:00:51,785 --> 00:00:54,288 OH, LOOK AT THE TIME. 21 00:00:54,355 --> 00:00:56,124 9:01. 22 00:00:56,190 --> 00:00:58,226 - THEN THERE'S THE GRACIOUS INTERIOR 23 00:00:58,292 --> 00:01:01,028 OF OUR VERY OWN APARTMENT 2-J. 24 00:01:01,129 --> 00:01:03,797 [farting sounds] 25 00:01:03,864 --> 00:01:06,200 both: THIS PLACE IS HORRIBLE. 26 00:01:06,267 --> 00:01:07,268 crash! 27 00:01:07,335 --> 00:01:11,139 - * AH, AH, AH-AH, OH * 28 00:01:11,172 --> 00:01:13,040 - * MAKE IT COUNT, PLAY IT STRAIGHT * 29 00:01:13,141 --> 00:01:14,808 * DON'T LOOK BACK, DON'T HESITATE * 30 00:01:14,875 --> 00:01:19,046 - * WHEN YOU GO BIG TIME * 31 00:01:19,147 --> 00:01:20,881 - * WHAT YOU WANT, WHAT YOU FEEL * 32 00:01:20,948 --> 00:01:22,816 * NEVER QUIT AND MAKE IT REAL * 33 00:01:22,883 --> 00:01:25,853 - * WHEN YOU ROLL BIG TIME * 34 00:01:25,919 --> 00:01:26,987 - * OH-OH, OH-OH * 35 00:01:27,054 --> 00:01:28,756 - * HEY, HEY * 36 00:01:28,822 --> 00:01:30,924 - * LISTEN TO YOUR HEART NOW * 37 00:01:30,991 --> 00:01:32,660 - * HEY, HEY * 38 00:01:32,726 --> 00:01:34,828 - * DON'T YOU FEEL THE RUSH * 39 00:01:34,895 --> 00:01:36,464 - * UH-OH, UH-OH * 40 00:01:36,530 --> 00:01:37,798 * UH-OH, UH-OH * 41 00:01:37,865 --> 00:01:38,799 - * OH * 42 00:01:38,866 --> 00:01:40,201 - * GO AND SHAKE IT UP * 43 00:01:40,268 --> 00:01:42,736 * WHATCHA GOTTA LOSE * 44 00:01:42,803 --> 00:01:44,172 * GO AND MAKE YOUR LUCK * 45 00:01:44,172 --> 00:01:46,774 * WITH THE LIFE YOU CHOOSE * 46 00:01:46,840 --> 00:01:50,411 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 47 00:01:50,478 --> 00:01:55,449 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 48 00:01:57,685 --> 00:01:59,853 [bell dinging] 49 00:01:59,920 --> 00:02:02,190 - WHAT? I'M BUSY. 50 00:02:02,256 --> 00:02:03,891 - WE'D LIKE A NICER APARTMENT, PLEASE. 51 00:02:03,957 --> 00:02:06,026 - HOW COME EVERY ONE ELSE GETS ONE OF THOSE COOL APARTMENTS? 52 00:02:06,093 --> 00:02:07,461 - AND OURS IS A BIG-TIME DUMP. 53 00:02:07,528 --> 00:02:10,063 - 2-J, A DUMP? 54 00:02:10,198 --> 00:02:13,066 IF BY "DUMP," YOU MEAN "REALLY COOL." 55 00:02:14,735 --> 00:02:18,539 AS YOU KNOW, THE PALMWOODS IS HOME OF THE FUTURE FAMOUS. 56 00:02:18,606 --> 00:02:21,209 DO YOU KNOW HOW MANY SHOWBIZ LEGENDS 57 00:02:21,209 --> 00:02:24,212 HAVE STAYED IN THIS VERY ROOM? 58 00:02:24,245 --> 00:02:26,814 - DO YOU KNOW HOW MANY STAINS AND SMELLS THERE ARE 59 00:02:26,880 --> 00:02:28,549 IN THIS VERY ROOM? 60 00:02:28,616 --> 00:02:30,818 - IF YOU SPILL, IT'S A STAIN. 61 00:02:30,884 --> 00:02:34,722 WHEN LINDSAY LOHAN THROWS UP CHOCOLATE MILK, 62 00:02:34,788 --> 00:02:36,524 IT'S HISTORY. 63 00:02:36,590 --> 00:02:39,360 AND THIS SLIGHT BLEMISH, 64 00:02:39,427 --> 00:02:42,996 THE RESULT OF A SHIA LABEOUF INDOOR SOCCER GAME. 65 00:02:43,063 --> 00:02:44,665 NO SOCCER IN THE ROOMS. 66 00:02:44,732 --> 00:02:49,270 AND ARE YOU TELLING ME THAT YOU'RE TOO GOOD 67 00:02:49,337 --> 00:02:53,241 FOR THE TV ENJOYED BY KANYE WEST 68 00:02:53,274 --> 00:02:56,744 WHEN HE WAS KNOWN AROUND HERE AS LIL' KANYE WEST? 69 00:02:56,810 --> 00:02:58,879 - CAN WE AT LEAST PAINT THE PLACE? 70 00:02:58,946 --> 00:03:01,615 - NO, 'CAUSE YOUR LEASE SPECIFICALLY STATES 71 00:03:01,682 --> 00:03:05,253 THAT THERE WILL BE NO PAINTING... 72 00:03:05,286 --> 00:03:08,456 NO HANGING OF PERSONAL PICTURES-- 73 00:03:08,522 --> 00:03:10,458 I'LL ALLOW THIS ONE. 74 00:03:10,524 --> 00:03:12,493 NO CONSTRUCTION OF ANY KIND. 75 00:03:12,560 --> 00:03:15,929 AND THERE IS NO WAY I AM PUTTING FOUR HOCKEY-PLAYING HOOLIGANS 76 00:03:15,996 --> 00:03:18,666 INTO ONE OF MY FINER APARTMENTS. 77 00:03:18,732 --> 00:03:20,901 - SO INSTALLING AN INDOOR SWIRLY SLIDE 78 00:03:20,968 --> 00:03:23,136 IS COMPLETELY OUT OF THE QUESTION? 79 00:03:23,271 --> 00:03:26,440 - THIS MATTER, LIKE THIS DOOR, IS CLOSED. 80 00:03:28,542 --> 00:03:31,044 - I'M SURPRISED THE PIPE DIDN'T BURST. 81 00:03:31,111 --> 00:03:32,546 - PIPE JUST BURST. 82 00:03:32,613 --> 00:03:33,981 - YEP. 83 00:03:34,047 --> 00:03:35,716 WE NEED A NEW CRIB. 84 00:03:35,783 --> 00:03:38,352 - YEAH, RIGHT, LIKE THAT'S JUST GONNA FALL FROM THE SKY. 85 00:03:38,419 --> 00:03:41,355 - WE CALL IT THE ULTIMATE TEEN CRIB, 86 00:03:41,422 --> 00:03:44,358 FILLED WITH AMAZING HOME ELECTRONICS, ARCADE GAMES... 87 00:03:44,425 --> 00:03:46,059 - A SWIRLY SLIDE! 88 00:03:46,126 --> 00:03:47,094 ding! 89 00:03:47,160 --> 00:03:48,729 - COOL, RIGHT? 90 00:03:48,796 --> 00:03:51,632 PUT A SWIRLY SLIDE IN MY OFFICE. 91 00:03:51,699 --> 00:03:53,834 - GRIFFIN, I DON'T KNOW WHAT THIS IS, 92 00:03:53,901 --> 00:03:58,306 BUT I NEED TO WORK WITH THE DOGS ON HARMONIES TODAY. 93 00:03:58,372 --> 00:03:59,607 - CHANGE YOUR PLANS. 94 00:03:59,673 --> 00:04:02,109 OUR ANCIENT JAPANESE FOUNDER, MR. FUJIZAKI, 95 00:04:02,175 --> 00:04:04,645 WANTS TO DUMP OUR MUSIC DIVISION. 96 00:04:04,712 --> 00:04:08,316 BUT YOUR BOYS ARE GOING TO CHANGE HIS MIND. 97 00:04:08,349 --> 00:04:09,317 - AND WE GET TO LIVE IN THERE? 98 00:04:09,383 --> 00:04:10,884 - YES... 99 00:04:10,951 --> 00:04:13,521 FOR TWO HOURS, WHILE YOU SHOOT A PROMOTIONAL VIDEO 100 00:04:13,587 --> 00:04:17,057 SURROUNDED BY RCM/CBT/ GLOBAL NET/SANYOID PRODUCTS, 101 00:04:17,124 --> 00:04:19,360 WHICH WILL SHOW FUJIZAKI WHY OUR FUTURE ROCK STARS 102 00:04:19,427 --> 00:04:21,362 ARE PERFECT FOR SELLING HIS BLENDERS, 103 00:04:21,429 --> 00:04:24,565 PLASMA TVs, AND MISSILE DEFENSE SYSTEMS. 104 00:04:24,632 --> 00:04:26,334 OH, AND DO SOME INTERVIEWS. 105 00:04:26,400 --> 00:04:28,602 YOU KNOW, WHY THEY LOVE TO SING, WHY THEY WEAR THAT HELMET, 106 00:04:28,669 --> 00:04:32,973 AND WHY THEY LOVE RCM/CBT/ GLOBAL NET/SANYOID ARCADE GAMES, 107 00:04:33,040 --> 00:04:35,108 INDUSTRIAL-STRENGTH PLAYGROUND SLIDES, 108 00:04:35,175 --> 00:04:39,112 AND THE NEW XZ5 MICRO LAPTOP. 109 00:04:39,179 --> 00:04:40,348 LOOK HOW TINY. 110 00:04:40,348 --> 00:04:41,949 - AND WE COULD ALL WEAR BANDANNAS. 111 00:04:42,015 --> 00:04:43,551 IT COULD BE OUR THING. 112 00:04:43,617 --> 00:04:46,354 BANDANNAS. 113 00:04:46,420 --> 00:04:49,590 - GRIFFIN, YOU CAN'T KEEP COMING INTO MY STUDIO EVERY DAY 114 00:04:49,657 --> 00:04:51,592 AND INTERRUPTING MY TRAINING SESSIONS. 115 00:04:51,659 --> 00:04:53,060 - YES, I CAN. 116 00:04:53,126 --> 00:04:55,363 AND DO THE INTERVIEWS BY THE WATER. 117 00:04:55,429 --> 00:04:57,831 FUJIZAKI THINKS WATER IS LUCKY. 118 00:04:57,898 --> 00:04:59,433 IT'S WEIRD. 119 00:04:59,500 --> 00:05:02,503 - BUT YOU WANT A PERFORMANCE IN THE TEEN HANGOUT CRIB THING. 120 00:05:02,570 --> 00:05:03,571 - EXACTLY. 121 00:05:03,637 --> 00:05:05,673 AND I NEED IT IN TWO DAYS, 122 00:05:05,739 --> 00:05:08,909 OR THE MUSIC DIVISION WILL BE GONE. 123 00:05:08,976 --> 00:05:12,713 BUT HAVE FUN WITH IT. 124 00:05:12,780 --> 00:05:15,649 - OKAY, WE'LL BUILD THE TEENAGE CRIB HERE IN STUDIO "A." 125 00:05:15,716 --> 00:05:17,685 I'LL FIND A NICE BEACH LOCATION FOR THE INTERVIEWS 126 00:05:17,751 --> 00:05:19,119 AND PUT IN SOME CALLS FOR A HOT DIRECTOR. 127 00:05:19,186 --> 00:05:20,421 - I'M A HOT DIRECTOR. 128 00:05:20,488 --> 00:05:21,989 AND WE'RE DOING EVERYTHING HERE, 129 00:05:22,055 --> 00:05:24,525 BECAUSE IT'S EASIER, QUICKER, AND CHEAPER. 130 00:05:24,592 --> 00:05:28,462 YOU, I WANT TO SHOW YOU WHERE YOU'RE GONNA BUILD THIS THING. 131 00:05:30,097 --> 00:05:32,165 [harp glissando] 132 00:05:32,232 --> 00:05:33,233 [trumpet fanfare] 133 00:05:33,300 --> 00:05:34,468 [farting sound] 134 00:05:34,535 --> 00:05:36,236 - NO. NO WAY. 135 00:05:36,303 --> 00:05:38,739 IT'S IMPOSSIBLE. 136 00:05:38,806 --> 00:05:41,642 - A WEEK AGO, WE WERE A HOCKEY TEAM IN MINNESOTA. 137 00:05:41,709 --> 00:05:44,878 AND TODAY WE'RE A BAND IN L.A. 138 00:05:44,945 --> 00:05:46,079 ANYTHING IS POSSIBLE. 139 00:05:46,146 --> 00:05:47,415 - OKAY, YOU HAVE A POINT. 140 00:05:47,448 --> 00:05:50,451 BUT HOW ARE WE GONNA GET ALL THIS IN HERE? 141 00:05:50,518 --> 00:05:51,952 - TAKE ANY COLOR YOU WANT. 142 00:05:52,019 --> 00:05:54,054 - WE'RE NOT WEARING BANDANNAS IN THE VIDEO, OKAY? 143 00:05:54,121 --> 00:05:55,423 - YOU KNOW WHAT? 144 00:05:55,489 --> 00:05:57,525 YOU GUYS NEVER SUPPORT MY RISKY FASHION CHOICES. 145 00:05:57,591 --> 00:05:59,960 - NOW, THE FIRST STEP IS GETTING THE SET DESIGNER 146 00:06:00,027 --> 00:06:04,297 TO BUILD THE ULTRATEEN CRIB HERE AND NOT ROCQUE RECORDS. 147 00:06:04,432 --> 00:06:05,566 - YEAH, THAT'S SIMPLE. 148 00:06:05,633 --> 00:06:07,334 AND HOW ARE WE GONNA DO THAT? 149 00:06:07,435 --> 00:06:09,570 - LOGAN, ARE YOU FORGETTING 150 00:06:09,637 --> 00:06:12,573 THAT PALMWOODS IS HOME OF THE FUTURE FAMOUS? 151 00:06:15,443 --> 00:06:17,445 WAIT FOR IT. 152 00:06:17,511 --> 00:06:21,081 - TREVOR, I TRUSTED YOU WITH MY HEART, 153 00:06:21,148 --> 00:06:23,183 MY SOUL, MY MONEY. 154 00:06:23,250 --> 00:06:25,018 - CAMILLE. - WHAT? 155 00:06:25,085 --> 00:06:26,887 all: WE NEED TO BORROW YOUR ACTING. 156 00:06:26,954 --> 00:06:28,722 - SURE. 157 00:06:28,789 --> 00:06:31,158 I NEED THIS INSTALLED BY 3:00 P.M. TOMORROW 158 00:06:31,224 --> 00:06:33,193 AT THE PALMWOODS, NOT ROCQUE RECORDS. 159 00:06:33,260 --> 00:06:34,227 CAN YOU DO IT? 160 00:06:34,294 --> 00:06:35,463 BECAUSE IF YOU CAN'T, 161 00:06:35,529 --> 00:06:37,798 MR. GRIFFIN WILL FIND SOMEBODY WHO CAN. 162 00:06:37,865 --> 00:06:39,800 - YEAH, IT'S ALL PRE-BUILT HERE. 163 00:06:39,867 --> 00:06:41,301 AND THE PAINT WILL BE DRY BY 3:00. 164 00:06:41,368 --> 00:06:42,770 - GOOD. 165 00:06:42,836 --> 00:06:44,605 CALL MR. GRIFFIN ON THIS NUMBER ONLY 166 00:06:44,672 --> 00:06:45,939 IF YOU HAVE ANY MORE QUESTIONS 167 00:06:46,006 --> 00:06:47,908 OR RUN INTO ANY PROBLEMS. 168 00:06:47,975 --> 00:06:49,843 BACK TO WORK, EVERYBODY. 169 00:06:53,346 --> 00:06:55,082 [phone rings] 170 00:06:55,148 --> 00:06:57,050 - ARTHUR GRIFFIN'S OFFICE. 171 00:06:57,117 --> 00:06:58,719 ONE MOMENT, PLEASE. 172 00:06:58,786 --> 00:07:00,921 DO YOUR GRIFFIN IMPRESSION NOW. 173 00:07:00,988 --> 00:07:02,389 - OW! 174 00:07:02,490 --> 00:07:04,057 HELLO? 175 00:07:04,124 --> 00:07:06,226 UH-HUH. YES. 176 00:07:06,293 --> 00:07:08,496 MOVE THAT SET TO THE PALMWOODS, NOW. 177 00:07:08,496 --> 00:07:11,298 OKAY, I NEED TO TOUCH MY LLAMA NOW. BYE. 178 00:07:11,364 --> 00:07:12,165 - YES! - YES! 179 00:07:12,232 --> 00:07:13,701 - I OWNED THEM IN THERE. 180 00:07:13,767 --> 00:07:17,070 - ALL YOU'VE DONE IS SET US UP FOR BIG-TIME TROUBLE. 181 00:07:17,137 --> 00:07:18,405 - OH, OUR LITTLE LOGEY, 182 00:07:18,506 --> 00:07:19,673 SO PESSIMISTIC. 183 00:07:19,740 --> 00:07:21,509 - SO SCARED OF EVERYTHING. 184 00:07:21,509 --> 00:07:24,512 - AND SO HOT. 185 00:07:24,545 --> 00:07:26,346 - OKAY. 186 00:07:26,413 --> 00:07:27,548 AND I'M NOT SCARED. 187 00:07:27,615 --> 00:07:29,016 I'M REALISTIC, 188 00:07:29,082 --> 00:07:30,417 AS IN, WHAT ARE YOU GONNA TELL YOUR MOM 189 00:07:30,518 --> 00:07:32,285 ABOUT THE CREW THAT'LL BE INVADING YOUR APARTMENT 190 00:07:32,352 --> 00:07:34,121 TOMORROW FROM 11:00 TO 3:00? 191 00:07:34,187 --> 00:07:35,422 - HEY, I ALMOST FORGOT. 192 00:07:35,523 --> 00:07:37,024 I'M GONNA GO LOOK FOR A JOB TOMORROW, 193 00:07:37,090 --> 00:07:39,292 SO I'LL BE GONE FROM ABOUT 11:00 TO 3:00. 194 00:07:41,895 --> 00:07:44,397 - OKAY, THAT HAPPENED, BUT WHAT NOW? 195 00:07:46,033 --> 00:07:47,868 - I HAVE NO IDEA. 196 00:07:47,935 --> 00:07:49,537 FRANKLY, I CAN'T BELIEVE WE GOT THIS FAR. 197 00:07:49,603 --> 00:07:51,038 - HEY, LOOK. 198 00:07:51,104 --> 00:07:52,940 WRIST-DANNAS. 199 00:07:54,708 --> 00:07:57,410 - OKAY, OUR NEXT WORRY IS GUSTAVO. 200 00:07:57,545 --> 00:08:00,313 WE NEED TO FIND SOMEONE WHO CAN THINK LIKE HIM, 201 00:08:00,380 --> 00:08:03,350 SOMEONE WHO CAN GET INSIDE HIS HEAD. 202 00:08:03,416 --> 00:08:06,353 WHERE ARE WE GONNA FIND SOMEONE THAT DEVIOUS? 203 00:08:06,419 --> 00:08:10,023 - FIRST, YOU'RE GONNA NEED MORE FUTURE STARS FROM THE PALMWOODS. 204 00:08:10,090 --> 00:08:12,560 I RECOMMEND THE JENNIFERS FOR THEIR LACK OF FEAR. 205 00:08:12,560 --> 00:08:14,595 NEXT, YOU'LL NEED CORDLESS POWER TOOLS, 206 00:08:14,662 --> 00:08:17,565 SAWDUST, COOL CODE PHRASES, AND-- 207 00:08:17,565 --> 00:08:19,567 - WAIT, KATIE. 208 00:08:19,600 --> 00:08:20,934 WHERE DID YOU GET THE WHITEBOARD? 209 00:08:26,306 --> 00:08:29,309 - [coughing] 210 00:08:29,376 --> 00:08:30,578 - SPEAKING OF BITTERS, 211 00:08:30,644 --> 00:08:33,080 YOU HAVE TO KEEP HIM IN HIS CAGE ALL DAY. 212 00:08:33,146 --> 00:08:36,283 BUT THE KEY TO THIS WHOLE ULTRA 2-J MAKEOVER 213 00:08:36,349 --> 00:08:39,820 IS CONVINCING GUSTAVO TO SHOOT THE INTERVIEWS BY THE POOL 214 00:08:39,887 --> 00:08:41,822 LIKE THAT DOG FOOD COMMERCIAL LAST NIGHT. 215 00:08:41,889 --> 00:08:43,190 - RIGHT. 216 00:08:43,256 --> 00:08:45,392 AND ONCE OUR TEEN DREAM REMODELING IS COMPLETE, 217 00:08:45,458 --> 00:08:47,294 HE'LL HAVE NO TIME AND NO CHOICE 218 00:08:47,360 --> 00:08:50,130 BUT TO SHOOT OUR ROCK PERFORMANCE RIGHT HERE. 219 00:08:50,197 --> 00:08:52,900 - AND I GET THE FIRST TURN ON THE SWIRLY SLIDE. 220 00:08:52,966 --> 00:08:54,735 - I GET FIRST TURN ON THE SWIRLY SLIDE. 221 00:08:54,802 --> 00:08:55,769 - I DO! - NO, I DO! 222 00:08:55,836 --> 00:08:56,970 - YOU CAN GO TOGETHER. 223 00:09:00,608 --> 00:09:02,743 - LET'S DO THIS. 224 00:09:02,810 --> 00:09:04,477 all: WE'RE NOT WEARING BANDANNAS. 225 00:09:04,612 --> 00:09:06,046 - BANDANNAS ARE COOL. 226 00:09:17,390 --> 00:09:19,492 - YOU CANNOT SHOOT AGAINST THIS. 227 00:09:19,627 --> 00:09:20,794 - YES, I CAN. 228 00:09:20,861 --> 00:09:23,263 - FUJIZAKI IS GONNA KNOW THAT WATER IS FAKE. 229 00:09:23,330 --> 00:09:25,498 FUJIZAKI IS 200 YEARS OLD. 230 00:09:25,633 --> 00:09:28,035 ALL HE KNOWS IS WHAT YOGURT HE LIKES. 231 00:09:28,101 --> 00:09:31,739 OH, YEAH, AND I SAY SO! 232 00:09:31,805 --> 00:09:32,973 - HE'S IN A BAD MOOD. 233 00:09:33,040 --> 00:09:34,107 ABORT MISSION. 234 00:09:34,174 --> 00:09:35,175 - JUST STAY COOL. 235 00:09:35,242 --> 00:09:36,677 IF WE FAIL, WE FAIL. 236 00:09:36,744 --> 00:09:38,045 - HEEL. 237 00:09:38,111 --> 00:09:39,847 STAY. 238 00:09:39,913 --> 00:09:41,348 SPEAK. 239 00:09:41,414 --> 00:09:43,851 - WE TOOK SOME PICTURES OF THE POOL AT THE PALMWOODS, 240 00:09:43,917 --> 00:09:45,318 THE GREATEST POOL EVER, 241 00:09:45,385 --> 00:09:47,554 VERY LUCKY WATER. 242 00:09:47,655 --> 00:09:50,290 IT'S A GREAT LOCATION FOR THE INTERVIEWS. 243 00:09:50,357 --> 00:09:52,525 - HOT DIRECTORS SHOOT THERE ALL THE TIME. 244 00:09:52,660 --> 00:09:54,662 SWIRLY SLIDE! 245 00:09:54,728 --> 00:09:57,564 - OH, THE DOGS ARE DIRECTING MY VIDEO NOW. 246 00:09:57,665 --> 00:10:00,668 WELL, LET ME TELL YOU HOW IT WORKS HERE. 247 00:10:00,734 --> 00:10:02,569 YOU ARE THE DOGS, 248 00:10:02,636 --> 00:10:05,005 AND I AM THE TRAINER. 249 00:10:05,072 --> 00:10:07,775 NOW, SIT. 250 00:10:07,841 --> 00:10:09,142 DON'T SIT. 251 00:10:13,013 --> 00:10:14,982 - THIS POOL LOOKS GREAT. 252 00:10:15,048 --> 00:10:17,417 AND IT'S CLOSE ENOUGH THAT WE COULD BE BACK HERE BY 3:00 253 00:10:17,484 --> 00:10:19,787 TO SHOOT THE PERFORMANCE AT THE ULTRATEEN HANGOUT PLACE. 254 00:10:19,853 --> 00:10:21,755 - YEAH. - SO SMART. 255 00:10:21,822 --> 00:10:23,123 OH, YEAH! 256 00:10:23,190 --> 00:10:24,124 - NO YEAH! 257 00:10:24,191 --> 00:10:25,693 YOU DO WHAT I SAY, 258 00:10:25,759 --> 00:10:30,230 AND I SAY NO, NO, NO! 259 00:10:30,297 --> 00:10:32,632 [loud crashing] 260 00:10:32,700 --> 00:10:33,767 [cat yowls] 261 00:10:35,969 --> 00:10:38,806 HEY, LET'S DO THE INTERVIEWS AT THE PALMWOODS. 262 00:10:38,872 --> 00:10:40,373 - HERE'S THE CHECK FOR THE LOCATION FEES. 263 00:10:40,440 --> 00:10:41,809 AND THANKS FOR MAKING THIS HAPPEN. 264 00:10:41,875 --> 00:10:43,543 - THERE'S ALSO A "MAKING THIS HAPPEN" FEE 265 00:10:43,610 --> 00:10:45,713 FOR ME MAKING THIS HAPPEN. 266 00:10:47,314 --> 00:10:48,615 - $500? 267 00:10:48,682 --> 00:10:50,150 - I'LL BE IN MY OFFICE IF YOU NEED ME. 268 00:10:55,222 --> 00:10:56,990 MWAH! 269 00:11:02,462 --> 00:11:03,630 - THE BIRD IS IN THE CAGE, 270 00:11:03,731 --> 00:11:05,565 AND THE JENNIFERS ARE IN PLACE. 271 00:11:05,632 --> 00:11:09,002 - OKAY, TEAM, REMEMBER YOUR MISSIONS. 272 00:11:09,069 --> 00:11:11,805 JAMES, YOU STALL GUSTAVO. 273 00:11:11,872 --> 00:11:14,107 CARLOS, KATIE, AND CAMILLE, YOU HEAD TO ROCQUE RECORDS 274 00:11:14,174 --> 00:11:16,109 AND FAKE BUILD THE ULTRATEEN CRIB 275 00:11:16,176 --> 00:11:18,812 WHILE LOGAN AND I INSTALL THE SWIRLY SLIDE 276 00:11:18,879 --> 00:11:20,313 AND ALL THOSE OTHER ELECTRONIC GOODIES. 277 00:11:20,380 --> 00:11:22,750 - OKAY, JAMES IS UP FIRST. 278 00:11:22,750 --> 00:11:25,352 I'LL SHOOT THE REST OF YOU DOGS LATER. 279 00:11:28,756 --> 00:11:30,323 MOVE OUT. 280 00:11:31,959 --> 00:11:33,560 - OKAY, I'M HEADED OVER TO ROCQUE RECORDS. 281 00:11:33,626 --> 00:11:34,895 THEY SHOULD BE BUILDING THE CRIB NOW. 282 00:11:34,962 --> 00:11:36,163 AND BE NICE TO THE BOYS. 283 00:11:36,229 --> 00:11:37,898 AND STOP CALLING THEM DOGS. 284 00:11:37,965 --> 00:11:42,302 - KELLY, HERE'S A SECRET THAT YOU NEED TO LEARN: 285 00:11:42,369 --> 00:11:45,538 ALL TALENT ARE DOGS! 286 00:11:45,605 --> 00:11:48,909 AND DOGS NEED TO KNOW WHO'S IN CHARGE, 287 00:11:48,976 --> 00:11:51,444 OR THEY WILL NOT LISTEN TO COMMANDS 288 00:11:51,511 --> 00:11:55,448 AND POOP ON YOUR CARPET. 289 00:11:55,515 --> 00:12:00,220 - JUST BE BACK AT THE STUDIO WITH THE BOYS AT 3:00. 290 00:12:00,287 --> 00:12:04,057 - JAMES, SIT. 291 00:12:04,124 --> 00:12:05,258 TAKE OFF THAT BANDANNA. 292 00:12:08,495 --> 00:12:10,130 TAKE OFF THAT BANDANNA. 293 00:12:13,500 --> 00:12:15,969 AH! 294 00:12:22,009 --> 00:12:24,044 - WHOA, WHOA-WHOA! 295 00:12:24,111 --> 00:12:25,813 WHERE DO YOU THINK YOU'RE GOING, LITTLE LADY? 296 00:12:25,813 --> 00:12:27,881 - I'M KELLY WAINRIGHT. 297 00:12:27,948 --> 00:12:29,716 I NEED TO CHECK ON THE ULTRATEEN CRIB. 298 00:12:29,817 --> 00:12:31,852 - SORRY, CAN'T COME IN. 299 00:12:31,919 --> 00:12:33,086 NO HARD HAT. 300 00:12:33,153 --> 00:12:34,187 LIABILITY. 301 00:12:34,254 --> 00:12:35,823 [pounding and whirring] 302 00:12:37,825 --> 00:12:40,193 - OH, WELL, I'LL JUST GET SOME COFFEE, 303 00:12:40,260 --> 00:12:41,661 COME BACK LATER. 304 00:12:41,728 --> 00:12:42,662 - [clicks tongue] 305 00:12:54,041 --> 00:12:55,508 - WAS THE EYE BLACK REALLY NECESSARY? 306 00:12:55,575 --> 00:12:56,844 - NO. 307 00:12:56,910 --> 00:12:58,678 THE MUSIC REALLY SETS THE TONE, DON'T YOU THINK? 308 00:12:58,745 --> 00:13:01,849 [spy-themed music] 309 00:13:01,849 --> 00:13:04,852 * * 310 00:13:04,918 --> 00:13:06,854 JENNIFER, YOU'RE UP. 311 00:13:06,887 --> 00:13:09,356 - JUST TO BE CLEAR, WE GET TO BE IN THE VIDEO, 312 00:13:09,422 --> 00:13:11,691 WHICH WILL BE SEEN BY A LOT OF PEOPLE, RIGHT? 313 00:13:11,758 --> 00:13:13,360 - ARE YOU KIDDING? 314 00:13:13,426 --> 00:13:16,563 IT'S GONNA BE SEEN IN JAPAN. 315 00:13:19,066 --> 00:13:20,968 - WELCOME TO THE PALMWOODS. 316 00:13:21,034 --> 00:13:22,169 ELEVATORS ARE THAT WAY. 317 00:13:22,235 --> 00:13:24,337 AND PLEASE DO YOUR BEST TO REMAIN QUIET. 318 00:13:24,404 --> 00:13:26,739 WE WOULDN'T WANT TO DISTURB OUR OTHER RESIDENTS. 319 00:13:35,015 --> 00:13:36,716 - I STILL SAY THIS IS A BAD IDEA. 320 00:13:36,783 --> 00:13:41,388 - HEY, A LIFE WITHOUT RISK IS A LIFE UNLIVED, MY FRIEND. 321 00:13:41,454 --> 00:13:44,691 NOW OFF TO APARTMENT 2-J. 322 00:13:47,727 --> 00:13:48,661 COME ON. 323 00:13:48,728 --> 00:13:49,629 - OKAY, OKAY. 324 00:13:52,732 --> 00:13:54,101 - SO FAR, SO GOOD. 325 00:13:54,167 --> 00:13:56,603 LOOK, I TOLD YOU THERE WAS NOTHING TO WORRY ABOUT. 326 00:13:56,669 --> 00:13:57,938 - I LOVE BEING A PART 327 00:13:58,005 --> 00:14:00,607 OF THE RCM/CBT/ GLOBAL NET/SANYOID FAMILY. 328 00:14:00,673 --> 00:14:02,910 BUT I HATE THEIR HAIR DRYERS. 329 00:14:02,943 --> 00:14:03,911 - CUT! 330 00:14:03,977 --> 00:14:06,513 JUST SAY WHAT'S ON THE CARD! 331 00:14:06,579 --> 00:14:07,915 - WHY? 332 00:14:07,981 --> 00:14:09,917 THEY'VE COMPLETELY IGNORED IONIZED TECHNOLOGY. 333 00:14:09,983 --> 00:14:12,152 - YOU HAVE SAID NOTHING THAT I CAN USE 334 00:14:12,219 --> 00:14:14,321 IN THE LAST TWO HOURS. 335 00:14:14,387 --> 00:14:18,791 - AND IN NO WAY AM I PURPOSELY STALLING YOU. 336 00:14:18,926 --> 00:14:20,260 - WHERE'D YOU GET THAT BANDANNA? 337 00:14:20,327 --> 00:14:21,461 - A WAFFLE? 338 00:14:21,528 --> 00:14:22,462 NO, THANKS. 339 00:14:22,529 --> 00:14:23,530 I ALREADY ATE. 340 00:14:26,399 --> 00:14:28,936 - AH! 341 00:14:29,002 --> 00:14:30,938 - AH! 342 00:14:30,971 --> 00:14:33,941 [phone rings] 343 00:14:34,007 --> 00:14:35,308 - IT'S THE SET DESIGNER. 344 00:14:35,375 --> 00:14:37,110 I'M WORRIED. 345 00:14:37,177 --> 00:14:38,778 - UH, GRIFFIN? 346 00:14:38,845 --> 00:14:39,947 - NO. 347 00:14:39,980 --> 00:14:41,148 OW! 348 00:14:41,214 --> 00:14:42,149 HELLO? 349 00:14:42,215 --> 00:14:43,383 - YEAH, THE ROOM'S TOO SMALL. 350 00:14:43,450 --> 00:14:45,752 SO IF YOU WANT THAT SWIRLY SLIDE TO FIT, 351 00:14:45,818 --> 00:14:48,555 WE'RE GONNA HAVE TO BUST INTO THE CEILING. 352 00:14:48,621 --> 00:14:49,722 IS THAT OKAY? 353 00:14:49,789 --> 00:14:50,958 - BREAK THROUGH THE CEILING? 354 00:14:50,958 --> 00:14:52,960 NO, NO. WE'LL BE ARRESTED. 355 00:14:52,993 --> 00:14:54,827 - UH, SIR, CAN WE DEMOLISH THE CEILING? 356 00:14:58,431 --> 00:14:59,832 - YES. 357 00:14:59,967 --> 00:15:01,734 - RIP IT UP, BOYS. 358 00:15:01,801 --> 00:15:03,770 - YOU BETTER BE RIGHT ABOUT THIS TAKING RISKS THING. 359 00:15:03,836 --> 00:15:04,871 - FIRE IN THE HOLE! 360 00:15:04,972 --> 00:15:06,639 [loud rumbling] 361 00:15:16,316 --> 00:15:17,284 [siren wails] 362 00:15:17,350 --> 00:15:19,019 - CODE RED, CODE RED! 363 00:15:19,086 --> 00:15:20,120 BITTERS IS ON HIS WAY. 364 00:15:20,187 --> 00:15:21,754 WHAT IS GOING ON UP HERE? 365 00:15:21,821 --> 00:15:23,090 - PLEASE TELL ME YOU GUYS 366 00:15:23,156 --> 00:15:24,992 ARE GOOD AT TEEN SCREAM HORROR FLICKS. 367 00:15:24,992 --> 00:15:26,359 - THEY'RE DESPERATE. 368 00:15:26,426 --> 00:15:28,728 - WE WANT TALKING PARTS IN YOUR NEXT THREE VIDEOS. 369 00:15:28,795 --> 00:15:30,730 YOU DO ALL OUR IRONING FOR THE NEXT MONTH. 370 00:15:30,797 --> 00:15:32,599 AND WE SING BACKUP ON YOUR NEXT TRACK. 371 00:15:32,665 --> 00:15:33,800 - DONE. 372 00:15:33,866 --> 00:15:34,834 - WHERE'S THE KETCHUP? 373 00:15:37,504 --> 00:15:41,208 [girls screaming] 374 00:15:41,274 --> 00:15:44,311 THE REFRIGERATOR YOU INSTALLED FELL ON US! 375 00:15:44,377 --> 00:15:48,015 - DO YOU KNOW HOW BAD BLOOD STAINS? 376 00:15:48,081 --> 00:15:50,450 - AND NOW WE'RE GONNA RUN TO OUR LAWYERS AND SUE THE PALMWOODS. 377 00:15:50,517 --> 00:15:52,019 - NO, NO, NO. PLEASE DON'T SUE. 378 00:15:52,085 --> 00:15:54,021 [all screaming] 379 00:15:54,021 --> 00:15:55,788 DON'T SUE! 380 00:15:58,691 --> 00:15:59,659 DON'T SUE! 381 00:15:59,726 --> 00:16:01,661 both: THEY'RE GOOD. 382 00:16:01,728 --> 00:16:04,664 [drill whirring] 383 00:16:04,731 --> 00:16:07,834 [whirring stops] 384 00:16:07,900 --> 00:16:09,569 - NO, NO, NO. 385 00:16:09,636 --> 00:16:10,903 NO, NO, NO, NO! 386 00:16:11,038 --> 00:16:13,273 OH, THE BATTERIES DIED OUT. 387 00:16:13,340 --> 00:16:15,575 - HEY, IS THE SET DONE? 388 00:16:15,642 --> 00:16:16,609 - [clears throat] 389 00:16:16,676 --> 00:16:17,610 SORRY, LADY. 390 00:16:17,677 --> 00:16:18,778 JUST A MINUTE. 391 00:16:18,845 --> 00:16:20,813 - I NEED TO SEE THE SET NOW, PLEASE. 392 00:16:20,880 --> 00:16:22,049 - YEAH. 393 00:16:22,082 --> 00:16:23,316 - NO! 394 00:16:23,383 --> 00:16:26,219 - CARLOS? 395 00:16:26,286 --> 00:16:27,254 - NO! 396 00:16:27,320 --> 00:16:28,488 THIS IS NOT CARLOS. 397 00:16:28,555 --> 00:16:30,223 PLEASE GO AWAY. 398 00:16:30,290 --> 00:16:32,059 - AH! 399 00:16:32,092 --> 00:16:33,560 I AM GETTING SECURITY. 400 00:16:36,296 --> 00:16:38,231 - AND YOU REALLY THINK THIS IS GONNA WORK? 401 00:16:38,298 --> 00:16:40,100 - IT WORKS IN CARTOONS. 402 00:16:40,167 --> 00:16:41,801 - OKAY, BITTERS IS GONE, 403 00:16:41,868 --> 00:16:43,336 AND WE JUST HAVE TO KEEP GUSTAVO OCCUPIED 404 00:16:43,403 --> 00:16:44,704 FOR ONE MORE HOUR. 405 00:16:44,771 --> 00:16:45,972 - I CAN'T BELIEVE IT. 406 00:16:46,073 --> 00:16:47,340 I THINK WE'RE ACTUALLY GONNA MAKE IT. 407 00:16:47,407 --> 00:16:49,709 I'M NOT EVEN SCARED. 408 00:16:49,776 --> 00:16:52,079 [both scream] 409 00:16:52,145 --> 00:16:54,081 - WHY ARE THE JENNIFERS DRIPPING KETCHUP 410 00:16:54,147 --> 00:16:57,284 ALL OVER MY PALMWOODS? 411 00:16:57,350 --> 00:16:58,351 HEY. 412 00:16:58,418 --> 00:17:01,521 - DOGS, INTERVIEWS NOW! 413 00:17:01,588 --> 00:17:02,822 - AH! 414 00:17:08,095 --> 00:17:10,897 - ALL DONE WITH MY LONG INTERVIEW. 415 00:17:10,963 --> 00:17:13,100 - BITTERS. CODE RED, CODE RED! 416 00:17:28,981 --> 00:17:30,517 - THIS IS MY HOUSE. 417 00:17:30,583 --> 00:17:33,120 YOU PLAY BY MY RULES. 418 00:17:37,657 --> 00:17:38,558 - RAH! 419 00:17:38,625 --> 00:17:39,892 - AH! 420 00:17:42,162 --> 00:17:44,597 - [laughing] 421 00:17:49,236 --> 00:17:52,239 AND THEY SAID BANDANNAS WEREN'T COOL? 422 00:17:52,305 --> 00:17:55,342 - I NEED TO CHECK ON THE ULTRATEEN CRIB. 423 00:18:03,516 --> 00:18:06,153 OH, NO. 424 00:18:06,186 --> 00:18:08,855 - I LOVE ALL RCM/CBT/ GLOBAL NET/SANYOID PRODUCTS. 425 00:18:08,921 --> 00:18:10,957 AND I HOPE TO FILL MY ROOM WITH THEM SOMEDAY... 426 00:18:11,023 --> 00:18:11,991 SOON. 427 00:18:12,058 --> 00:18:14,494 - AND CUT. 428 00:18:14,561 --> 00:18:17,630 THAT WAS AMAZING. 429 00:18:17,697 --> 00:18:18,598 [phone rings] 430 00:18:18,665 --> 00:18:21,301 WHAT? 431 00:18:21,368 --> 00:18:23,736 WHAT? 432 00:18:28,775 --> 00:18:30,076 - YEAH, IT CAME OUT REALLY GOOD, HUH? 433 00:18:30,177 --> 00:18:31,178 - UH... 434 00:18:31,178 --> 00:18:33,012 - IT CAME OUT AMAZING. 435 00:18:33,079 --> 00:18:34,681 - SWIRLY SLIDE! 436 00:18:34,747 --> 00:18:36,616 WHOO! 437 00:18:36,683 --> 00:18:38,084 - AH. 438 00:18:41,354 --> 00:18:42,889 EH. 439 00:18:42,955 --> 00:18:44,824 - THERE'S NO TIME TO MOVE THE SET BACK TO THE STUDIO. 440 00:18:44,891 --> 00:18:46,193 - UH. 441 00:18:46,259 --> 00:18:47,427 - [laughs] 442 00:18:50,363 --> 00:18:52,031 - AND THE VIDEO HAS TO BE GREAT FOR FUJIZAKI, 443 00:18:52,098 --> 00:18:54,100 OR WE ARE OUT OF A JOB. 444 00:18:54,201 --> 00:18:56,869 - UH! 445 00:18:56,936 --> 00:19:01,708 [grunting] 446 00:19:01,774 --> 00:19:06,112 LIGHT IT AND SHOOT IT! 447 00:19:06,213 --> 00:19:10,116 - * GOTTA LIVE IT BIG TIME * 448 00:19:10,217 --> 00:19:11,351 - CUT! PRINT! 449 00:19:11,418 --> 00:19:13,820 AND STRIKE THE SET. 450 00:19:13,886 --> 00:19:15,355 - WHAT'S GOING ON? 451 00:19:15,422 --> 00:19:16,989 - NO--WHERE ARE THEY GOING WITH THAT? 452 00:19:17,056 --> 00:19:17,957 WHERE YOU GOING WITH THAT? 453 00:19:18,024 --> 00:19:19,259 - BACK TO THE WAREHOUSE. 454 00:19:19,326 --> 00:19:20,260 - THE WHOLE COUCH? 455 00:19:20,327 --> 00:19:21,228 - COME ON. 456 00:19:21,294 --> 00:19:22,862 - OH, I'M SORRY. 457 00:19:22,929 --> 00:19:26,098 DID YOU DOGS THINK YOU WERE GONNA GET TO KEEP THIS STUFF? 458 00:19:26,233 --> 00:19:29,035 [laughing] 459 00:19:29,101 --> 00:19:30,503 - SWIRLY! 460 00:19:30,570 --> 00:19:31,971 - OH, THAT'S REALLY, REALLY GOOD. 461 00:19:32,038 --> 00:19:34,874 THE LITTLE DOGS THOUGHT THEY OUTSMARTED THE BIG DOG. 462 00:19:34,941 --> 00:19:37,544 [barking] 463 00:19:38,978 --> 00:19:41,147 TAKE DOWN THAT COOL THING. 464 00:19:44,484 --> 00:19:45,418 - OH, COME ON. 465 00:19:45,485 --> 00:19:47,086 - THE COUCH? 466 00:19:47,153 --> 00:19:48,321 - WHAT? MY SLIDE. 467 00:19:48,388 --> 00:19:50,557 - OH. 468 00:19:50,623 --> 00:19:51,558 crash! 469 00:19:51,624 --> 00:19:52,625 [farting sound] 470 00:19:52,692 --> 00:19:54,627 BUT I DO HAVE TO ADMIT, 471 00:19:54,694 --> 00:19:58,164 WE DID GET SOME PRETTY GREAT STUFF TODAY. 472 00:19:58,265 --> 00:20:01,301 LET'S JUST HOPE FUJIZAKI THINKS SO TOMORROW. 473 00:20:01,368 --> 00:20:05,905 - * AH, AH, AH-AH, OH * 474 00:20:05,972 --> 00:20:07,640 - * MAKE IT COUNT, PLAY IT STRAIGHT * 475 00:20:07,707 --> 00:20:09,376 * DON'T LOOK BACK, DON'T HESITATE * 476 00:20:09,442 --> 00:20:13,580 - * WHEN YOU GO BIG TIME * 477 00:20:13,646 --> 00:20:15,482 - * WHAT YOU WANT, WHAT YOU FEEL * 478 00:20:15,548 --> 00:20:16,683 - WE LOVE HOCKEY. 479 00:20:16,749 --> 00:20:18,551 WE LOVE SINGING. 480 00:20:18,618 --> 00:20:20,753 AND WE HAVE A BLAST TOGETHER. 481 00:20:20,820 --> 00:20:21,754 - * OH-OH, OH-OH * 482 00:20:21,821 --> 00:20:23,256 - * HEY, HEY * 483 00:20:23,323 --> 00:20:25,458 - * LISTEN TO YOUR HEART NOW * 484 00:20:25,525 --> 00:20:27,159 - * HEY, HEY * 485 00:20:27,226 --> 00:20:28,160 - WHY DO I WEAR THE HELMET? 486 00:20:31,598 --> 00:20:33,700 THAT WAS A ROCK. 487 00:20:33,766 --> 00:20:34,967 - * GO AND SHAKE IT UP * 488 00:20:35,034 --> 00:20:36,469 * WHATCHA GOTTA LOSE * 489 00:20:36,536 --> 00:20:37,704 - I'M THE SMART ONE OF THE GROUP. 490 00:20:37,770 --> 00:20:38,871 BUT DON'T BE FOOLED. 491 00:20:38,938 --> 00:20:40,673 I'M NOT AFRAID TO TAKE A RISK, 492 00:20:40,740 --> 00:20:45,011 MUCH LIKE RCM'S 64 BIT CORE RISC PROCESSOR. 493 00:20:45,077 --> 00:20:47,447 - HA! 494 00:20:47,514 --> 00:20:49,849 - * SO YOU GOT TO LIVE IT BIG TIME * 495 00:20:54,621 --> 00:20:56,556 - I LIKE THE BOYS. 496 00:20:56,623 --> 00:20:57,624 - YEAH! - YES! 497 00:21:00,693 --> 00:21:03,696 - [coughing] 498 00:21:03,763 --> 00:21:05,465 - I'VE NEVER SEEN FUJIZAKI SO EXCITED. 499 00:21:05,532 --> 00:21:08,935 FRANKLY, I THINK IT'S THE FIRST TIME I'VE SEEN HIM MOVE. 500 00:21:09,001 --> 00:21:11,771 YOU WERE A GOOD BOY TODAY, GUSTAVO. 501 00:21:11,838 --> 00:21:13,340 GOOD BOY. 502 00:21:19,712 --> 00:21:24,083 - SO WE LEARNED A LOT HERE TODAY, DIDN'T WE? 503 00:21:24,150 --> 00:21:25,818 YOU DID SOME THINGS. 504 00:21:25,885 --> 00:21:27,086 WE DID SOME THINGS. 505 00:21:27,153 --> 00:21:30,357 - TEN HOURS OF HARMONIES! 506 00:21:30,390 --> 00:21:32,258 NO BREAKS! 507 00:21:32,359 --> 00:21:33,960 MOVE OUT! 508 00:21:49,208 --> 00:21:50,510 - HEY! 509 00:21:50,577 --> 00:21:52,412 - WELL, I LOVE WHAT YOU'VE DONE WITH THE PLACE. 510 00:21:56,749 --> 00:21:59,386 - UH... 511 00:21:59,386 --> 00:22:01,754 GOOD JOB TODAY. 512 00:22:01,821 --> 00:22:03,723 - THIS IS AWESOME. 513 00:22:03,790 --> 00:22:06,659 - THIS IS A BONE. 514 00:22:06,726 --> 00:22:08,528 - COME AGAIN? 515 00:22:08,595 --> 00:22:11,898 - I REALIZED TODAY, SORT OF, 516 00:22:11,964 --> 00:22:15,735 THAT IF YOU REALLY WANT TO TRAIN DOGS PROPERLY, 517 00:22:15,802 --> 00:22:17,937 YOU NEED TO THROW THEM A TREAT NOW AND THEN. 518 00:22:18,004 --> 00:22:22,241 SO ENJOY YOUR TREAT. 519 00:22:22,308 --> 00:22:23,710 YOU'RE NOT GETTING ANY MORE. 520 00:22:23,776 --> 00:22:25,678 - AND WE LOST A DAY OF REHEARSAL BECAUSE OF THE SHOOT, 521 00:22:25,745 --> 00:22:28,648 SO IT'S AT THE STUDIO, 7:30 A.M. 522 00:22:28,715 --> 00:22:30,016 - WE'LL BE THERE. NO PROBLEM. 523 00:22:30,082 --> 00:22:31,984 - WE PROMISE, NO MORE SURPRISES. 524 00:22:32,051 --> 00:22:34,987 [banging] 525 00:22:39,959 --> 00:22:42,429 - YOU'VE ALTERED THIS ROOM. 526 00:22:42,429 --> 00:22:45,632 YOU'VE COMPLETELY DEVASTATED THIS APARTMENT. 527 00:22:45,698 --> 00:22:47,967 - YOU LOCKED HIM IN THE SUPPLY CLOSET? 528 00:22:48,034 --> 00:22:48,968 - NO. 529 00:22:49,035 --> 00:22:51,303 BANDANNA MAN DID. 530 00:22:51,438 --> 00:22:54,073 - THIS IS A TOTAL LEASE VIOLATION. 531 00:22:54,140 --> 00:22:55,742 MAN, COOL SWIRLY SLIDE. 532 00:22:55,808 --> 00:22:59,579 I WANT ALL OF YOU OUT OF HERE TOMORROW. 533 00:22:59,646 --> 00:23:02,782 - WHAT IF I ADD ANOTHER GRAND TO YOUR "MAKING IT HAPPEN" FEE? 534 00:23:02,849 --> 00:23:05,251 - HAVE A PALMWOODS DAY, EVERYONE. 535 00:23:05,317 --> 00:23:06,853 ENJOY YOUR STAY. 536 00:23:10,690 --> 00:23:12,459 - YOU LIKE THEM. 537 00:23:12,459 --> 00:23:15,094 THEY'RE NOT LIKE OTHER BANDS YOU'VE PRODUCED, ARE THEY? 538 00:23:15,161 --> 00:23:17,296 - THEY'RE DOGS, AND I'M TRAINING THEM. 539 00:23:21,601 --> 00:23:23,202 I DON'T LIKE THEM! 540 00:23:29,876 --> 00:23:32,745 Captioning by CaptionMax www.captionmax.com 541 00:23:32,812 --> 00:23:36,182 - * GOT TO GO BIG TIME * 542 00:23:36,248 --> 00:23:38,184 - * MAKE IT WORK, GET IT RIGHT * 543 00:23:38,250 --> 00:23:40,186 * CHANGE THE WORLD OVERNIGHT * 544 00:23:40,252 --> 00:23:43,222 - * GOT TO DREAM BIG TIME * 545 00:23:43,289 --> 00:23:44,256 - * OH-OH, OH-OH * 546 00:23:44,323 --> 00:23:46,092 - * HEY, HEY * 547 00:23:46,158 --> 00:23:48,227 - * GIVE IT ALL YOU GOT NOW * 548 00:23:48,294 --> 00:23:50,062 - * HEY, HEY * 549 00:23:50,129 --> 00:23:52,031 - * ISN'T IT A RUSH * 550 00:23:52,098 --> 00:23:53,966 - * UH-OH, UH-OH * 551 00:23:54,033 --> 00:23:56,235 * UH-OH, UH-OH * 552 00:23:56,302 --> 00:23:57,670 - * GO AND SHAKE IT UP * 553 00:23:57,737 --> 00:24:00,139 * WHATCHA GOTTA LOSE * 554 00:24:00,206 --> 00:24:04,243 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 555 00:24:04,310 --> 00:24:07,647 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 556 00:24:07,714 --> 00:24:12,284 * IT'S THE ONLY LIFE YOU GOT SO YOU GOTTA LIVE IT BIG TIME *