1 00:00:09,843 --> 00:00:10,978 - * ROLLING PAST GRAFFITI WALLS * 2 00:00:11,045 --> 00:00:12,580 * BILLBOARDS LIGHTING UP THE BLOCK * 3 00:00:12,646 --> 00:00:15,683 * EVERYONE ONE OF US ON A MISSION * 4 00:00:15,749 --> 00:00:17,418 * BECAUSE THE NIGHT IS YOUNG * 5 00:00:17,485 --> 00:00:19,320 * THE LINE IS OUT THE DOOR * 6 00:00:19,387 --> 00:00:20,788 * TODAY WAS CRAZY * 7 00:00:20,854 --> 00:00:23,091 * BUT TONIGHT THE CITY'S OURS * 8 00:00:23,157 --> 00:00:24,058 - * CITY'S OURS * 9 00:00:24,125 --> 00:00:25,259 - * LIVE IT UP * 10 00:00:25,326 --> 00:00:27,128 * UNTIL THE MORNING COMES * 11 00:00:27,195 --> 00:00:28,729 * TODAY WAS CRAZY * 12 00:00:28,796 --> 00:00:33,467 * BUT TONIGHT THE CITY IS OURS * 13 00:00:33,534 --> 00:00:35,136 - WHOO! 14 00:00:38,339 --> 00:00:40,308 - GUSTAVO, THE SONG IS GREAT. 15 00:00:40,374 --> 00:00:42,009 - UM, OF COURSE IT'S GREAT. 16 00:00:42,076 --> 00:00:43,944 I WROTE IT. 17 00:00:44,011 --> 00:00:45,946 BUT THE BAND ISN'T GREAT. 18 00:00:46,013 --> 00:00:49,250 WHAT'S MISSING IS THE SECRET ROCK AND ROLL INGREDIENT. 19 00:00:49,317 --> 00:00:50,518 - HAIR MOUSSE. 20 00:00:50,584 --> 00:00:51,819 - CHOCOLATE MOUSSE. 21 00:00:51,885 --> 00:00:53,721 - SPANDEX? PLEASE DON'T SAY SPANDEX. 22 00:00:53,787 --> 00:00:55,856 - THE BAD BOY. 23 00:00:55,923 --> 00:01:01,129 THE ILL-TEMPERED REBEL WITH A FLAIR FOR SYNCHRONIZED DANCE. 24 00:01:01,162 --> 00:01:02,496 ONE OF YOU HAS TO BE IT. 25 00:01:02,563 --> 00:01:04,298 I SAY IT'S KENDALL. 26 00:01:04,365 --> 00:01:08,136 - * AH, AH, AH-AH, OH * 27 00:01:08,202 --> 00:01:10,037 - * MAKE IT COUNT, PLAY IT STRAIGHT * 28 00:01:10,138 --> 00:01:11,839 * DON'T LOOK BACK, DON'T HESITATE * 29 00:01:11,905 --> 00:01:16,009 - * WHEN YOU GO BIG TIME * 30 00:01:16,144 --> 00:01:17,911 - * WHAT YOU WANT, WHAT YOU FEEL * 31 00:01:17,978 --> 00:01:19,747 * NEVER QUIT AND MAKE IT REAL * 32 00:01:19,813 --> 00:01:22,883 - * WHEN YOU ROLL BIG TIME * 33 00:01:22,950 --> 00:01:23,951 - * OH-OH, OH-OH * 34 00:01:24,017 --> 00:01:25,786 - * HEY, HEY * 35 00:01:25,853 --> 00:01:27,888 - * LISTEN TO YOUR HEART NOW * 36 00:01:27,955 --> 00:01:29,623 - * HEY, HEY * 37 00:01:29,690 --> 00:01:31,792 - * DON'T YOU FEEL THE RUSH * 38 00:01:31,859 --> 00:01:33,461 - * UH-OH, UH-OH * 39 00:01:33,527 --> 00:01:34,795 * UH-OH, UH-OH * 40 00:01:34,862 --> 00:01:35,796 - * OH * 41 00:01:35,863 --> 00:01:37,198 - * GO AND SHAKE IT UP * 42 00:01:37,265 --> 00:01:39,733 * WHATCHA GOTTA LOSE * 43 00:01:39,800 --> 00:01:41,169 * GO AND MAKE YOUR LUCK * 44 00:01:41,202 --> 00:01:43,704 * WITH THE LIFE YOU CHOOSE * 45 00:01:43,771 --> 00:01:47,408 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 46 00:01:47,475 --> 00:01:52,446 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 47 00:01:54,047 --> 00:01:55,749 A BAD BOY? 48 00:01:55,816 --> 00:01:56,750 snap! 49 00:01:56,817 --> 00:01:57,785 - GUSTAVO, IT'S GRIFFIN. 50 00:01:57,851 --> 00:01:59,487 THE BAND NEEDS A BAD BOY. 51 00:01:59,553 --> 00:02:00,521 BYE. 52 00:02:00,588 --> 00:02:04,492 - HE'S DRIVING ME CRAZY! 53 00:02:04,558 --> 00:02:06,026 BUT HE'S ALSO RIGHT, 54 00:02:06,093 --> 00:02:09,197 BECAUSE THE BAD BOY IS A ROCK AND ROLL TRADITION. 55 00:02:09,197 --> 00:02:13,634 NOTICE THE BACK TURNED TO THE REST OF THE BAND. 56 00:02:13,701 --> 00:02:16,637 BAD BOY. 57 00:02:16,704 --> 00:02:20,708 NOTICE THE BACK TURNED, THE DARK CLOTHING, 58 00:02:20,774 --> 00:02:21,842 AND THE SCOWL. 59 00:02:21,909 --> 00:02:23,211 BAD BOY. 60 00:02:23,277 --> 00:02:25,213 - BUT THERE CAN ONLY BE ONE BAD BOY PER GROUP, 61 00:02:25,279 --> 00:02:30,718 AS LEARNED FROM THE BAD BOYS EXPERIMENT OF '95. 62 00:02:30,784 --> 00:02:33,287 - DIDN'T SELL A SINGLE CD. 63 00:02:33,354 --> 00:02:34,888 - BUT WE'RE BEST FRIENDS. 64 00:02:34,955 --> 00:02:36,324 WE NEVER TURN OUR BACKS ON EACH OTHER. 65 00:02:36,390 --> 00:02:37,225 - NO. - NOT GONNA HAPPEN. 66 00:02:37,291 --> 00:02:38,226 - UH-UH. 67 00:02:38,292 --> 00:02:39,227 - THEN LET ME LET YOU IN 68 00:02:39,293 --> 00:02:41,962 ON ANOTHER ROCK AND ROLL SECRET. 69 00:02:42,029 --> 00:02:45,233 THE BAD BOY IS ALSO THE MOST POPULAR MEMBER OF THE BAND, 70 00:02:45,266 --> 00:02:50,070 MAKES THE MOST MONEY, AND DATES THE HOTTEST MODELS. 71 00:02:50,137 --> 00:02:51,839 - I CAN BE BAD. 72 00:02:51,905 --> 00:02:52,873 - I'M SO BAD. 73 00:02:52,940 --> 00:02:54,041 LOOK AT MY BACK. LOOK AT MY BACK. 74 00:02:56,877 --> 00:03:00,648 - BOW TO THE QUEENS, BOYS. 75 00:03:02,583 --> 00:03:04,685 - NO WATCH. 76 00:03:04,752 --> 00:03:07,521 AND PLEASE TAKE BACK THE MONEY. 77 00:03:07,588 --> 00:03:08,456 KATIE. 78 00:03:11,024 --> 00:03:12,159 YOU... 79 00:03:12,260 --> 00:03:13,261 NEED A FRIEND. 80 00:03:13,294 --> 00:03:14,662 - WHY? 81 00:03:14,728 --> 00:03:16,497 I HAVE YOU, THE GUYS, AND THE HOUSEKEEPING STAFF. 82 00:03:16,564 --> 00:03:18,031 - YOU NEED A GIRL TYPE FRIEND, 83 00:03:18,098 --> 00:03:19,633 SOMEONE TO PLAY DOLL'S WITH, 84 00:03:19,700 --> 00:03:21,835 SOMEONE LIKE THAT NEW GIRL MOLLY. 85 00:03:21,902 --> 00:03:23,337 - HI, I'M MOLLY. 86 00:03:23,404 --> 00:03:25,038 I SAW YOU EARLIER, RIGHT? 87 00:03:25,105 --> 00:03:26,274 WELL, I JUST MOVED IN, 88 00:03:26,307 --> 00:03:28,175 AND I WOULD LOVE TO PLAY WITH YOU. 89 00:03:28,276 --> 00:03:29,477 - HOW ABOUT TONIGHT AFTER HOMEWORK? 90 00:03:29,543 --> 00:03:30,478 - SOUNDS SWELL. 91 00:03:30,544 --> 00:03:31,479 SEE YOU THERE. 92 00:03:31,545 --> 00:03:33,814 BYE. 93 00:03:33,881 --> 00:03:35,182 - I DON'T LIKE HER. 94 00:03:35,283 --> 00:03:37,017 - SWEETHEART, YOU CAN'T JUDGE PEOPLE 95 00:03:37,084 --> 00:03:38,919 WITHOUT GETTING TO KNOW THEM FIRST. 96 00:03:38,986 --> 00:03:40,321 YOU CAN REALLY HURT PEOPLE THAT WAY. 97 00:03:40,388 --> 00:03:41,822 [man screams] 98 00:03:41,889 --> 00:03:44,758 - [laughing] 99 00:03:47,361 --> 00:03:51,332 - [screaming] 100 00:03:51,399 --> 00:03:54,335 - WHO CUTS A JELLY DONUT WITH AN AXE? 101 00:03:54,402 --> 00:03:55,903 - YOU SAID YOU WANTED HALF. 102 00:03:55,969 --> 00:03:58,506 [knocks on door] 103 00:03:58,572 --> 00:03:59,873 - HI, LITTLE ONE. 104 00:03:59,940 --> 00:04:00,941 IS YOUR MOMMY HERE? 105 00:04:01,008 --> 00:04:01,942 - SHE'S IN THE CAN. 106 00:04:02,009 --> 00:04:03,143 TALK TO ME. 107 00:04:03,210 --> 00:04:05,313 - WELL, WE JUST CHECKED THE GROUNDS, 108 00:04:05,313 --> 00:04:08,316 AND TELL HER THE GUY WITH THE AXE WAS THE GROUNDSKEEPER, 109 00:04:08,316 --> 00:04:11,018 AND THE BLOOD WAS JELLY... 110 00:04:11,084 --> 00:04:12,686 FROM A DONUT. 111 00:04:12,753 --> 00:04:15,956 - OKAY, SO YOU'RE SAYING MY MOM BUSTS ME FOR JUDGING PEOPLE, 112 00:04:16,023 --> 00:04:19,327 THEN SHE GOES AND JUDGES SOME GUY AS AN AXE MANIAC 113 00:04:19,360 --> 00:04:21,562 WHEN HE'S REALLY A PLANT-CUTTING DONUT EATER? 114 00:04:21,629 --> 00:04:24,064 - YEAH, YOUR MOM WAS WAY OFF. 115 00:04:24,131 --> 00:04:25,098 - THANKS, COPPERS. 116 00:04:26,800 --> 00:04:28,602 - WAS THAT THE POLICE? WHAT'D THEY SAY? 117 00:04:28,669 --> 00:04:31,505 - THAT AXE BOY IS STILL ON THE LOOSE. 118 00:04:31,572 --> 00:04:33,574 - [gasps] 119 00:04:34,775 --> 00:04:36,209 - WHOO! - [screams] 120 00:04:36,344 --> 00:04:37,345 - YO, YO! 121 00:04:37,345 --> 00:04:39,079 - WUSSUP, MAMA KNIGHT? 122 00:04:42,015 --> 00:04:44,918 [girls screaming] 123 00:04:44,985 --> 00:04:46,954 - YOU LIKE THAT? YEAH. 124 00:04:48,356 --> 00:04:51,224 - GUSTAVO SAYS ONE OF US HAS TO BE A BAD BOY. 125 00:04:51,359 --> 00:04:52,460 - BUT YOU'RE ALL NICE BOYS. 126 00:04:53,794 --> 00:04:55,228 OH, I AM SO GLAD YOU'RE HERE. 127 00:04:55,363 --> 00:04:56,464 THERE'S AN AXE MANIAC ON THE LOOSE! 128 00:04:59,367 --> 00:05:02,370 - OH, WELL, WE'LL BE EXTRA CAREFUL THEN, MOM. 129 00:05:02,370 --> 00:05:03,571 WE PROMISE. 130 00:05:03,637 --> 00:05:04,672 ding! 131 00:05:04,738 --> 00:05:05,939 [together] WE WANT PIZZA! 132 00:05:06,006 --> 00:05:07,074 NOW! 133 00:05:09,009 --> 00:05:10,077 - SORRY. - JUST KIND OF HUNGRY. 134 00:05:10,143 --> 00:05:11,912 [voices overlapping] 135 00:05:17,385 --> 00:05:19,887 - YOU REALLY THINK HAVING A BAD BOY IS A GOOD IDEA? 136 00:05:19,953 --> 00:05:21,455 - QUIET. HERE THEY COME. 137 00:05:21,522 --> 00:05:24,492 [aggressive rock music] 138 00:05:24,558 --> 00:05:32,400 * * 139 00:05:36,970 --> 00:05:38,071 NEXT! 140 00:05:38,138 --> 00:05:39,807 - * "B" TO THE "A" TO THE "D" * 141 00:05:39,873 --> 00:05:40,774 * THAT'S ME * 142 00:05:40,841 --> 00:05:42,410 * A BAD * 143 00:05:42,410 --> 00:05:44,412 * BOY-EEE * 144 00:05:44,478 --> 00:05:46,246 - REALLY, A GRILL. 145 00:05:46,313 --> 00:05:48,148 LOGAN! 146 00:05:55,856 --> 00:05:57,190 - YOU LIKE THAT? 147 00:05:57,257 --> 00:05:58,191 YOU LIKE THAT? 148 00:05:58,258 --> 00:05:59,226 YOU LIKE THAT? 149 00:06:02,430 --> 00:06:03,431 - NO. 150 00:06:04,598 --> 00:06:05,799 OKAY. 151 00:06:05,866 --> 00:06:09,102 SO KENDALL IS THE BAD BOY. 152 00:06:09,169 --> 00:06:11,839 YOU'RE GONNA NEED TO START WEARING BLACK CLOTHING 153 00:06:11,905 --> 00:06:16,477 AND TALKING DEEPER AND SLOWER. 154 00:06:16,544 --> 00:06:17,578 - YOU MEAN BE FAKE. 155 00:06:17,645 --> 00:06:18,979 I CAN'T. 156 00:06:19,046 --> 00:06:21,515 BESIDES, I'M TERRIBLE AT FAKING. 157 00:06:21,582 --> 00:06:25,252 - NO, KELLY IS TERRIBLE AT FAKING. 158 00:06:25,318 --> 00:06:26,620 I CAN ALWAYS TELL WHEN SHE LIES TO ME. 159 00:06:26,687 --> 00:06:28,856 - I HAVE NEVER... 160 00:06:28,922 --> 00:06:29,857 LIED... 161 00:06:29,923 --> 00:06:30,891 TO YOU. 162 00:06:30,958 --> 00:06:32,159 - SEE? 163 00:06:32,225 --> 00:06:33,861 - GUSTAVO, WE JUST DON'T WANT ANYTHING FAKE 164 00:06:33,927 --> 00:06:34,862 ABOUT OUR BAND. 165 00:06:34,928 --> 00:06:36,997 - YOUR BAND? 166 00:06:37,064 --> 00:06:38,231 YOUR BAND? 167 00:06:38,298 --> 00:06:40,233 THIS IS MY BAND. 168 00:06:40,300 --> 00:06:43,704 ARE YOU TELLING ME THAT YOU'RE GONNA IGNORE ME AND GRIFFIN 169 00:06:43,771 --> 00:06:46,840 AND THE RECORD COMPANY AND NOT BE OUR BAD BOY? 170 00:06:46,907 --> 00:06:48,476 - YEAH, PRETTY MUCH. 171 00:06:48,509 --> 00:06:49,376 - BAD BOY. 172 00:06:50,811 --> 00:06:53,113 GET GRIFFIN OVER HERE. 173 00:06:53,180 --> 00:06:54,915 - WHY ISN'T HIS BACK TURNED TO THE REST OF THEM? 174 00:06:56,049 --> 00:06:59,252 - BECAUSE HE WON'T DO AS I SAY! 175 00:06:59,319 --> 00:07:01,288 WHICH MAKES HIM THE BAD BOY. 176 00:07:01,354 --> 00:07:03,491 - AND I DON'T TURN MY BACK ON MY FRIENDS. 177 00:07:04,958 --> 00:07:06,026 - THAT'S GOOD. 178 00:07:06,093 --> 00:07:07,394 I RESPECT THAT. 179 00:07:07,495 --> 00:07:09,029 BUT I SAID I WANTED BAD. 180 00:07:09,096 --> 00:07:10,063 - YOU WANT BAD? 181 00:07:10,130 --> 00:07:11,131 - YEAH, YOU LIKE THAT? 182 00:07:11,198 --> 00:07:12,500 YOU WANT THAT? WANT THAT? 183 00:07:12,533 --> 00:07:14,602 - [screaming] 184 00:07:18,506 --> 00:07:19,740 - A BAD BOY IS SOMEONE 185 00:07:19,807 --> 00:07:22,242 PARENTS WOULD NEVER LET THEIR DAUGHTERS DATE, 186 00:07:22,309 --> 00:07:24,545 AND I WOULD LET MY DAUGHTER DATE ANY ONE OF THESE BOYS, 187 00:07:24,612 --> 00:07:25,979 WHICH IS BAD. 188 00:07:27,581 --> 00:07:29,783 DO SOMETHING ABOUT THIS, OR I WILL. 189 00:07:29,850 --> 00:07:32,119 WAIT. I ALREADY DID. 190 00:07:32,185 --> 00:07:34,655 SAY HELLO TO WAYNEWAYNE. 191 00:07:34,722 --> 00:07:35,756 - WHAT? WHAT? 192 00:07:35,823 --> 00:07:37,324 * YO, YO I'M WAYNEWAYNE * 193 00:07:37,390 --> 00:07:38,926 * FROM THE MEAN STREETS OF DETROIT * 194 00:07:38,992 --> 00:07:40,628 * I'M BAD-BAD AS MY BLING-BLING * 195 00:07:40,694 --> 00:07:42,162 * AND IT'S RAPPING GROOVES I EXPLOIT * 196 00:07:43,764 --> 00:07:44,998 - GIVE HIM THE CONTRACT. 197 00:07:46,800 --> 00:07:48,301 ISN'T HE BAD? 198 00:07:48,368 --> 00:07:49,537 - BAD. 199 00:07:51,071 --> 00:07:52,439 BUT GREAT. 200 00:07:52,540 --> 00:07:55,375 I MEAN, REALLY, REALLY BAD, BUT, LIKE, IN A GOOD WAY. 201 00:07:56,544 --> 00:07:57,645 WOW. 202 00:07:57,711 --> 00:07:59,780 - WAYNEWAYNE, BLOW IT UP. 203 00:07:59,847 --> 00:08:02,883 - LATER LATER, GRIFF-GRIFF. 204 00:08:05,018 --> 00:08:06,086 - YOU, WAYNEWAYNE, I'M-- 205 00:08:06,153 --> 00:08:08,956 - WASTING YOUR TIME-TIME. 206 00:08:09,022 --> 00:08:11,124 LOOK, I AIN'T HERE TO MAKE FRIENDS, OKAY? 207 00:08:11,191 --> 00:08:15,095 I'M HERE TO TAKE BIG TIME RUSH TO THE NEXT LEVEL. 208 00:08:15,162 --> 00:08:17,965 THE WAYNEWAYNE EXPRESS IS LEAVING THE STATION. 209 00:08:18,031 --> 00:08:20,233 SO YOU FOOLS STEP ON... 210 00:08:20,300 --> 00:08:21,401 OR STEP OFF. 211 00:08:22,736 --> 00:08:24,605 WAYNEWAYNE OUT-OUT. 212 00:08:28,408 --> 00:08:29,710 [together] WE DON'T LIKE HIM. 213 00:08:29,777 --> 00:08:32,045 - YES, YOU DO. 214 00:08:32,112 --> 00:08:33,146 YOU ALL DO. 215 00:08:33,213 --> 00:08:35,215 HE'S THE BAD BOY, 216 00:08:35,282 --> 00:08:37,117 AND HE'S STAYING AT THE PALMWOODS. 217 00:08:37,184 --> 00:08:39,820 SO BE GOOD BOYS 218 00:08:39,887 --> 00:08:42,890 AND MAKE FRIEND-FRIENDS WITH WAYNEWAYNE. 219 00:08:42,956 --> 00:08:44,091 - WHO'S WAYNEWAYNE? 220 00:08:45,726 --> 00:08:48,361 [knocks on door] 221 00:08:48,428 --> 00:08:51,431 - IT'S MOLLY AND NOT THE AXE LUNATIC. 222 00:08:52,933 --> 00:08:53,934 - HELLO, MRS. KNIGHT. 223 00:08:54,001 --> 00:08:54,968 CAN KATIE PLAY? 224 00:08:55,035 --> 00:08:57,370 - KATIE, MOLLY'S HERE. 225 00:08:57,437 --> 00:09:00,107 - I'M GONNA BE IN HERE IN A LONG WHILE. 226 00:09:00,173 --> 00:09:03,310 TOO MUCH FRIED FOOD. 227 00:09:05,378 --> 00:09:06,847 - MAYBE LATER, MOLLY. 228 00:09:06,914 --> 00:09:08,348 - OKAY. 229 00:09:11,084 --> 00:09:12,352 - IS SHE GONE? 230 00:09:12,419 --> 00:09:14,622 - I KNOW YOU WERE PLAYING VIDEO GAMES IN THERE. 231 00:09:14,622 --> 00:09:17,625 - THERE'S SOMETHING WRONG WITH HER. 232 00:09:17,625 --> 00:09:19,326 - KATIE, YOU CAN'T JUDGE A PERSON 233 00:09:19,392 --> 00:09:20,293 BEFORE YOU GET TO KNOW THEM. 234 00:09:20,360 --> 00:09:21,629 - REALLY? 235 00:09:21,629 --> 00:09:23,330 BECAUSE YOU JUDGED THAT GUY WITH AN AXE 236 00:09:23,396 --> 00:09:24,898 WITHOUT GETTING TO KNOW HIM. 237 00:09:24,965 --> 00:09:26,533 MAYBE HE WAS A NICE MAINTENANCE MAN 238 00:09:26,634 --> 00:09:27,968 WHO WAS CUTTING A JELLY DONUT. 239 00:09:28,035 --> 00:09:29,402 - OH, I THINK I CAN TELL THE DIFFERENCE 240 00:09:29,469 --> 00:09:31,404 BETWEEN AN AXE LUNATIC AND A DONUT ENTHUSIAST. 241 00:09:34,642 --> 00:09:36,076 NOW, HELP ME TAKE OUT THE GARBAGE. 242 00:09:36,143 --> 00:09:39,112 [scary music] 243 00:09:39,179 --> 00:09:42,415 * * 244 00:09:42,482 --> 00:09:44,718 - [screaming] 245 00:09:52,025 --> 00:09:53,460 - NO, NO, NO. 246 00:09:53,526 --> 00:09:55,562 I TOLD YOU TO STORE THESE MANNEQUINS IN THE BASEMENT. 247 00:09:55,663 --> 00:09:57,564 - WHY DO WE HAVE MANNEQUINS? 248 00:09:57,665 --> 00:10:00,167 - I AM THE MANAGER, AND YOU WILL DO AS I SAY. 249 00:10:00,233 --> 00:10:02,169 NOW, HELP ME GET THIS NEW PALMWOODS SWEATER OFF. 250 00:10:02,235 --> 00:10:03,103 THE NECK'S TOO TIGHT. 251 00:10:03,170 --> 00:10:04,171 - [sighs] 252 00:10:04,237 --> 00:10:05,605 - COME ON! 253 00:10:05,673 --> 00:10:07,207 OW! 254 00:10:07,274 --> 00:10:08,275 YOU'RE HURTING ME! 255 00:10:08,341 --> 00:10:09,309 [together] GO WAYNEWAYNE! 256 00:10:09,376 --> 00:10:10,310 GO WAYNEWAYNE! 257 00:10:10,377 --> 00:10:11,311 GO WAYNEWAYNE! 258 00:10:11,378 --> 00:10:12,312 GO WAYNEWAYNE! 259 00:10:12,379 --> 00:10:13,313 GO WAYNEWAYNE! 260 00:10:13,380 --> 00:10:14,314 GO WAYNEWAYNE! 261 00:10:14,381 --> 00:10:15,315 GO WAYNEWAYNE! 262 00:10:15,382 --> 00:10:18,385 [laughter] 263 00:10:18,451 --> 00:10:20,788 - FIRST HE JOINS OUR BAND WITHOUT OUR PERMISSION. 264 00:10:20,854 --> 00:10:22,589 - NOW HE STEALS OUR GIRLS-- 265 00:10:22,656 --> 00:10:23,657 WHO HAVE NO INTEREST IN US-- 266 00:10:23,724 --> 00:10:24,758 BUT IT'S STILL NOT FAIR. 267 00:10:26,259 --> 00:10:28,195 - AND THAT'S WHY WE'RE GONNA GET RID OF HIM. 268 00:10:28,261 --> 00:10:29,429 KENDALL, GET RID OF HIM. 269 00:10:29,496 --> 00:10:30,497 - WHY ME? 270 00:10:30,563 --> 00:10:32,432 - BECAUSE HE SCARES US. 271 00:10:35,769 --> 00:10:38,005 - WE ARE A BAND. 272 00:10:38,071 --> 00:10:40,440 AND WE'RE GONNA DO THIS TOGETHER, 273 00:10:40,507 --> 00:10:43,811 BECAUSE WE ARE NOT AFRAID OF SOME LOUDMOUTH, 274 00:10:43,877 --> 00:10:47,280 BACKWARDS-HATTED, DROOPY PANTS WEARING-- 275 00:10:47,347 --> 00:10:48,515 HE'S RIGHT BEHIND ME, ISN'T HE? 276 00:10:51,618 --> 00:10:53,253 - YOU WANT TROUBLE-TROUBLE, KEN-DORK? 277 00:10:53,320 --> 00:10:54,855 BRING IT, BRING IT. 278 00:10:54,922 --> 00:10:57,925 - YEAH, WE'VE DECIDED THAT THERE'S ONLY ROOM 279 00:10:57,991 --> 00:10:59,993 FOR FOUR MEMBERS IN BIG TIME RUSH. 280 00:11:01,194 --> 00:11:03,263 - GREAT-GREAT. 281 00:11:03,330 --> 00:11:04,732 YO, GRIFF-GRIFF. 282 00:11:04,732 --> 00:11:06,333 THE GUYS AGREE WITH ME. 283 00:11:06,399 --> 00:11:08,201 FIVE IN THE BAND IS TOO MANY. 284 00:11:08,268 --> 00:11:10,470 - SOUNDS FRESH, WAYNEWAYNE. 285 00:11:10,537 --> 00:11:13,841 I'LL STOP BY THE STUDIO TOMORROW TO SEE WHICH ONE GOES. 286 00:11:13,907 --> 00:11:15,042 - [screams] - GRIFF-GRIFF OUT. 287 00:11:15,108 --> 00:11:16,777 - YOU SEE... 288 00:11:16,844 --> 00:11:18,311 MY CONTRACT STATES 289 00:11:18,378 --> 00:11:20,748 THAT I'M GUARANTEED TO FRONT A BAND, 290 00:11:20,748 --> 00:11:21,815 AND I PICKED THIS BAND. 291 00:11:21,882 --> 00:11:24,117 - OOH, A CONTRACT. 292 00:11:24,184 --> 00:11:25,753 WE'RE SO SCARED. 293 00:11:25,753 --> 00:11:28,989 - MY CONTRACT ALSO STATES THAT I GET A POSSE. 294 00:11:29,056 --> 00:11:29,957 snap! 295 00:11:37,230 --> 00:11:38,431 - SCARED NOW? 296 00:11:38,498 --> 00:11:39,332 - YEAH. - A LITTLE SCARED. 297 00:11:39,399 --> 00:11:40,768 - KIND OF BIG GUYS. 298 00:11:40,768 --> 00:11:42,035 - I'VE KIND OF GOT CHILLS ON THIS SIDE OF MY ARM. 299 00:11:48,508 --> 00:11:49,609 snap! 300 00:11:59,186 --> 00:12:02,823 - MAN, HE EVEN MAKES SIPPING OUT OF A COCONUT LOOK TOUGH. 301 00:12:02,890 --> 00:12:04,858 - FOCUS. 302 00:12:04,925 --> 00:12:06,960 ONE OF US IS GONNA GET KICKED OUT OF THE BAND. 303 00:12:07,027 --> 00:12:08,128 - MY MONEY'S ON LOGAN. 304 00:12:09,296 --> 00:12:10,297 - MEAN. 305 00:12:10,363 --> 00:12:12,065 - NOBODY'S BREAKING US UP. 306 00:12:12,132 --> 00:12:13,433 - WE'RE A TEAM. 307 00:12:13,500 --> 00:12:15,936 WE'RE NOT AFRAID OF WAYNEWAYNE OR ANYBODY ELSE. 308 00:12:16,003 --> 00:12:17,104 - HEY, GUYS. 309 00:12:17,170 --> 00:12:18,405 [all scream] 310 00:12:18,471 --> 00:12:21,241 - OH, RELAX, I DIDN'T GET THE PART. 311 00:12:21,308 --> 00:12:22,709 MAYBE THROWING THE CASTING DIRECTOR 312 00:12:22,810 --> 00:12:24,511 IN A FLYING HEADLOCK WAS A BAD IDEA. 313 00:12:24,577 --> 00:12:27,580 - CAMILLE, WE'RE IN AN URGENT SAVE-OUR-BAND MISSION RIGHT NOW. 314 00:12:31,819 --> 00:12:33,954 - HEY, WHEN DID WALLY DOOLEY MOVE TO THE PALMWOODS? 315 00:12:34,021 --> 00:12:35,322 - WALLY WHO-LEY? 316 00:12:35,388 --> 00:12:37,057 - WALLY DOOLEY. 317 00:12:37,124 --> 00:12:39,860 YEAH, HE MUST BE UP FOR A BAD BOY ROLE. 318 00:12:39,927 --> 00:12:41,661 WE WORKED TOGETHER ON THE MAGIC MIDDLE SCHOOL. 319 00:12:42,896 --> 00:12:43,997 YEAH, HE PLAYED TOWEL BOY. 320 00:12:44,064 --> 00:12:45,098 [together] WHAT? 321 00:12:45,165 --> 00:12:48,101 - HEY, LOOK, IT'S TOWEL BOY. 322 00:12:48,168 --> 00:12:49,669 - HE LOOKS HOT. 323 00:12:49,736 --> 00:12:51,371 - BETTER COOL HIM OFF. 324 00:12:51,438 --> 00:12:52,906 zap! 325 00:12:58,178 --> 00:13:00,613 [laughter] 326 00:13:00,680 --> 00:13:02,983 - I GUESS I'M THE ONE THAT NEEDS THE TOWEL. 327 00:13:03,050 --> 00:13:05,886 [laughter] 328 00:13:05,953 --> 00:13:09,356 - SO WAYNEWAYNE DIDN'T GROW UP ON THE MEAN STREETS OF DETROIT. 329 00:13:09,422 --> 00:13:11,058 - HE GREW UP IN A MANSION IN DALLAS. 330 00:13:11,124 --> 00:13:13,493 HIS DAD INVENTED TOAST ON A ROPE. 331 00:13:13,560 --> 00:13:16,196 - AND HE'S GONNA KICK ONE OF US OUT OF THE BAND? 332 00:13:16,263 --> 00:13:18,298 WELL, WE'RE GONNA KICK HIM OUT OF THE BAND, 333 00:13:18,365 --> 00:13:22,169 'CAUSE WE DON'T NEED NO FAKEY-FAKEY, POSER-POSER-- 334 00:13:22,235 --> 00:13:23,971 HE'S BEHIND ME AGAIN, ISN'T HE? 335 00:13:25,205 --> 00:13:26,173 - HEY, WALLY. 336 00:13:26,239 --> 00:13:27,440 - HEY, CAMILLE. 337 00:13:27,507 --> 00:13:28,775 OH, AND NEWS FLASH: 338 00:13:28,876 --> 00:13:32,012 THIS TOWN IS FULL OF PHONIES, AND NOBODY CARES. 339 00:13:32,079 --> 00:13:33,513 CONTRACT. 340 00:13:33,580 --> 00:13:37,550 - HEY, WHAT DO YOU GUYS THINK OF THE NAME WAYNEWAYNE RUSH? 341 00:13:37,617 --> 00:13:39,786 - DUDE, ONCE GUSTAVO FINDS OUT THAT YOU'RE A PHONEY-PHONEY... 342 00:13:39,887 --> 00:13:41,321 - YOU ARE OUT-OUT. 343 00:13:41,388 --> 00:13:44,057 - YOU GUYS, GUSTAVO IS A JOKE, OKAY? 344 00:13:44,124 --> 00:13:45,425 GRIFFIN HAS THE POWER, 345 00:13:45,492 --> 00:13:46,927 AND HE'LL GET RID OF WHOEVER I SAY, 346 00:13:46,994 --> 00:13:49,229 AND I SAY... 347 00:13:49,296 --> 00:13:50,230 IT'S YOU. 348 00:13:52,432 --> 00:13:54,101 AND THERE'S NOTHING YOU CAN DO ABOUT IT, 349 00:13:54,167 --> 00:13:56,769 BECAUSE YOU CAN'T STOP THE WAYNEWAYNE TRAIN. 350 00:13:56,904 --> 00:13:57,971 * CHUG-A CHUG-A CHUG-A CHUG-A * 351 00:13:58,038 --> 00:13:59,306 * CHUG-A CHUG-A CHUG-A CHUG-A * 352 00:13:59,372 --> 00:14:00,507 * CHUG-A CHUG-A CHUG-A CHUG-A * 353 00:14:00,573 --> 00:14:03,343 OKAY, STOP THIS; IT'S NOT COOL. 354 00:14:05,979 --> 00:14:06,980 - WHAT? 355 00:14:07,047 --> 00:14:08,916 - WAYNEWAYNE IS A TOTAL FRAUD. 356 00:14:08,949 --> 00:14:10,817 - HE WANTS TO KICK KENDALL OUT OF THE BAND. 357 00:14:10,918 --> 00:14:12,619 REALLY? I WOULD'VE BET ON LOGAN. 358 00:14:12,685 --> 00:14:14,121 - [laughs] 359 00:14:14,187 --> 00:14:15,588 WELL, YOU WOULD HAVE LOST. 360 00:14:15,655 --> 00:14:17,090 - WAIT. WHOA. 361 00:14:17,157 --> 00:14:18,959 WE CAN'T LET WAYNEWAYNE KICK KENDALL OUT OF THE BAND. 362 00:14:19,026 --> 00:14:21,661 GUSTAVO, WHAT ARE YOU GONNA DO? 363 00:14:21,728 --> 00:14:23,663 - NOTHING. 364 00:14:23,730 --> 00:14:25,098 - YOU CAN'T DO NOTHING. 365 00:14:25,165 --> 00:14:27,000 - GUSTAVO, YOU CAN'T LET THIS POSER 366 00:14:27,067 --> 00:14:28,601 TELL YOU WHAT TO DO WITH YOUR BAND. 367 00:14:30,337 --> 00:14:33,306 - IT'S NOT MY BAND, OKAY? 368 00:14:33,373 --> 00:14:35,608 IT'S GRIFFIN'S. 369 00:14:35,675 --> 00:14:36,643 LOOK. 370 00:14:36,709 --> 00:14:37,978 I DON'T KNOW IF YOU'VE NOTICED, 371 00:14:38,045 --> 00:14:40,580 BUT I HAVEN'T HAD A HIT IN A WHILE. 372 00:14:40,647 --> 00:14:42,849 THIS BAND IS MY TICKET BACK TO THE TOP, 373 00:14:42,950 --> 00:14:45,685 AND UNTIL I GET BACK THERE... 374 00:14:45,752 --> 00:14:47,955 WHAT HE SAYS GOES. 375 00:14:47,988 --> 00:14:49,522 - WE'LL TEAM UP. - NO. 376 00:14:49,589 --> 00:14:50,723 - WE'LL NEED COOL CODE NAMES. 377 00:14:50,790 --> 00:14:51,959 I'LL BE THE FALCON. 378 00:14:52,025 --> 00:14:53,526 - I'LL BE THE SNOWMAN. 379 00:14:53,593 --> 00:14:54,995 - AND YOU'LL NEED A TREE HAT. 380 00:14:57,197 --> 00:14:58,465 - NO TREE HAT! 381 00:14:58,531 --> 00:14:59,967 - GUSTAVO, WE CAN COME UP WITH A PLAN. 382 00:15:00,033 --> 00:15:01,768 - OOH, THEY ARE REALLY GOOD AT PLANS. 383 00:15:01,834 --> 00:15:03,403 - NO PLANS. 384 00:15:03,470 --> 00:15:06,173 I DON'T WANT YOU HOCKEY HEADS PULLING ANY OF YOUR SCHEMES 385 00:15:06,239 --> 00:15:08,175 OR SHENANIGANS THAT ARE GONNA GET ME IN TROUBLE 386 00:15:08,241 --> 00:15:09,642 WITH GRIFFIN AND THE RECORD COMPANY. 387 00:15:09,709 --> 00:15:11,979 NOW, HERE ARE YOUR LYRIC SHEETS 388 00:15:12,012 --> 00:15:14,982 FOR THE SONG YOU'RE GONNA SING FOR GRIFFIN IN ONE HOUR. 389 00:15:14,982 --> 00:15:18,118 JAMES. 390 00:15:18,185 --> 00:15:21,488 LOGAN. 391 00:15:21,554 --> 00:15:24,557 KENDALL. 392 00:15:24,624 --> 00:15:25,725 CARLOS. 393 00:15:26,826 --> 00:15:28,228 STUDY THEM. 394 00:15:28,295 --> 00:15:30,263 LEARN THEM. 395 00:15:30,330 --> 00:15:31,231 GOT IT? 396 00:15:32,365 --> 00:15:33,500 [together] GOT IT. 397 00:15:33,566 --> 00:15:35,202 - MOM, I'M HEADED TO THE POOL. 398 00:15:35,268 --> 00:15:37,670 - OH, NO, NO, NO, NO, NO, NO. 399 00:15:37,737 --> 00:15:40,173 NO POOL UNTIL FIND AXE MCGEE. 400 00:15:40,240 --> 00:15:42,575 BUT DON'T WORRY, YOU WON'T BE LONELY. 401 00:15:42,642 --> 00:15:44,811 MOLLY IS GONNA COME AND PLAY WITH YOU IN THE APARTMENT 402 00:15:44,877 --> 00:15:46,813 EVERY DAY UNTIL HE'S CAUGHT. 403 00:15:46,879 --> 00:15:48,015 [knocks on door] 404 00:15:48,081 --> 00:15:50,683 OH, THAT MUST BE MOLLY NOW. 405 00:15:50,750 --> 00:15:53,020 - OKAY, CONFESSION TIME. 406 00:15:53,086 --> 00:15:55,488 THE COPS TOLD ME THERE IS NO AXE MANIAC. 407 00:15:55,555 --> 00:15:57,590 HE'S JUST THE PALMWOODS MAINTENANCE MAN. 408 00:15:57,657 --> 00:16:00,193 SO I'LL GO TO THE POOL AND NOT BE WITH MOLLY, 409 00:16:00,260 --> 00:16:02,395 WHO, AGAIN, IS EXTRA CREEPY! 410 00:16:02,462 --> 00:16:03,530 - YOU ARE JUST SAYING THAT 411 00:16:03,596 --> 00:16:05,032 'CAUSE YOU DON'T WANT ME TO WORRY. 412 00:16:05,065 --> 00:16:06,099 - I'M TELLING YOU THE TRUTH, MOM. 413 00:16:06,166 --> 00:16:07,034 HE WORKS HERE. 414 00:16:09,802 --> 00:16:11,071 [chainsaw buzzing] 415 00:16:11,138 --> 00:16:12,072 LOOK, MOM, THERE HE IS. 416 00:16:19,312 --> 00:16:21,114 UNBELIEVABLE. 417 00:16:21,181 --> 00:16:22,715 WHOA, WHOA, WHOA. 418 00:16:22,782 --> 00:16:24,151 ON SECOND THOUGHT, 419 00:16:24,217 --> 00:16:28,788 I WANT TO GO PLAY TAG WITH MOLLY IN THE HALLWAY. 420 00:16:28,855 --> 00:16:29,622 TAG. YOU'RE IT. 421 00:16:35,228 --> 00:16:38,231 WHY CAN'T THEY MAKE SWEATER HOLES FOR PLUS-SIZE HEADS? 422 00:16:41,368 --> 00:16:43,603 - DUDE, MY MOM THINKS YOU'RE A CHAINSAW FREAK. 423 00:16:43,670 --> 00:16:47,740 OH, THAT'S WHY SHE ALWAYS SCREAMS WHEN SHE SEES ME. 424 00:16:47,807 --> 00:16:49,476 - YOU'RE GONNA HELP ME FIX THIS. 425 00:16:49,542 --> 00:16:50,477 - OKAY. 426 00:16:50,543 --> 00:16:52,212 - I'M GONNA UNPLUG OUR TV CABLE, 427 00:16:52,279 --> 00:16:54,314 MOM WILL CALL MAINTENANCE, 428 00:16:54,381 --> 00:16:55,582 THAT'S YOU, 429 00:16:55,648 --> 00:16:58,851 YOU'LL COME UP WITHOUT YOUR CHAINSAW, 430 00:16:58,918 --> 00:17:02,255 AND SHOW HER YOU'RE NORMAL-ISH. 431 00:17:03,390 --> 00:17:05,092 - ALL RIGHT. 432 00:17:05,125 --> 00:17:06,693 - TAG. YOU'RE IT. 433 00:17:06,759 --> 00:17:08,295 THIS IS FUN. 434 00:17:09,529 --> 00:17:12,399 - IS IT JUST ME, OR IS SHE KIND OF CREEPY? 435 00:17:12,465 --> 00:17:14,101 - I KNOW, RIGHT? 436 00:17:14,101 --> 00:17:16,303 [upbeat dance music] 437 00:17:16,369 --> 00:17:17,570 - WHAT ARE WE WAITING FOR? 438 00:17:17,637 --> 00:17:18,538 I'M ANTSY. 439 00:17:18,605 --> 00:17:21,007 - WE'RE MISSING KENDALL. 440 00:17:21,108 --> 00:17:21,941 - SO YOU GOT RID OF KENDALL. 441 00:17:23,543 --> 00:17:24,877 MY MONEY WAS ON LOGAN. 442 00:17:24,944 --> 00:17:27,280 - WHY DOES EVERYONE KEEP SAYING THAT? 443 00:17:27,347 --> 00:17:30,117 - LET'S HEAR MY NEW BAD BOY BAND. 444 00:17:30,183 --> 00:17:32,285 [aggressive rock music] 445 00:17:32,352 --> 00:17:34,221 - YEAH, LET'S HEAR IT. 446 00:17:38,525 --> 00:17:39,459 - OH, NO. 447 00:17:45,298 --> 00:17:48,435 - OOH, IT'S A BAD BOY OFF. 448 00:17:48,501 --> 00:17:50,470 - A BAD BOY OFF? 449 00:17:50,537 --> 00:17:51,738 THAT SOUNDS INTERESTING. 450 00:17:51,804 --> 00:17:53,740 DOESN'T THAT SOUND INTERESTING? 451 00:17:53,806 --> 00:17:56,609 - YOU KNOW, ONE THING I KNOW ABOUT BAD BOYS IS... 452 00:17:58,545 --> 00:18:01,848 THEY LIKE BREAKING STUFF. 453 00:18:01,914 --> 00:18:04,417 - [screams] 454 00:18:04,484 --> 00:18:05,418 - HE'S RIGHT. 455 00:18:05,485 --> 00:18:06,686 BAD BOYS DO LIKE BREAKING STUFF. 456 00:18:07,920 --> 00:18:09,389 - WHAT WAS THAT? 457 00:18:09,456 --> 00:18:11,858 YOU SMASHED ONE OF MY PLATINUM RECORDS? 458 00:18:11,924 --> 00:18:13,593 - OH, YEAH? WELL... 459 00:18:15,928 --> 00:18:16,996 - AH! 460 00:18:17,063 --> 00:18:18,165 AH! 461 00:18:18,165 --> 00:18:19,299 AH! 462 00:18:19,366 --> 00:18:21,168 [screams] 463 00:18:21,234 --> 00:18:22,569 - NO! NO! 464 00:18:22,635 --> 00:18:23,703 STOP! 465 00:18:23,770 --> 00:18:25,838 - OOH, ROUND ONE OF THE BAD BOY OFF 466 00:18:25,905 --> 00:18:27,407 GOES TO WAYNEWAYNE. 467 00:18:27,474 --> 00:18:29,442 SOMEONE RING A BELL. 468 00:18:29,509 --> 00:18:31,644 ding! ding! 469 00:18:31,711 --> 00:18:33,045 WHAT'S NEXT? 470 00:18:33,180 --> 00:18:34,614 - * I SAID I'M WAYNEWAYNE ON THE MIC-MIC * 471 00:18:34,681 --> 00:18:35,615 * I'M BADDER THAN BAD * 472 00:18:35,682 --> 00:18:36,916 * I SAID THE CITY IS OURS * 473 00:18:36,983 --> 00:18:39,452 * WE'RE GONNA TAKE IT LIKE WE'RE MAD * 474 00:18:39,519 --> 00:18:40,353 - * YOUR RHYMES ARE WEAK * 475 00:18:40,420 --> 00:18:41,988 * MINE FIT LIKE A GLOVE * 476 00:18:42,054 --> 00:18:43,623 * GUSTAVO'S GOT A FACE ONLY A MOTHER COULD LOVE * 477 00:18:43,690 --> 00:18:44,824 - NO, NO, NO! 478 00:18:44,891 --> 00:18:46,993 NO, NO, NO, NO! 479 00:18:47,059 --> 00:18:47,994 - ROUND TWO GOES TO KENDALL. 480 00:18:48,060 --> 00:18:49,028 ding! ding! 481 00:18:49,095 --> 00:18:51,198 I CAN'T WAIT FOR ROUND THREE. 482 00:18:51,231 --> 00:18:52,199 [glass shattering] 483 00:18:52,232 --> 00:18:53,200 [jackhammer pounding] 484 00:18:53,200 --> 00:18:56,203 [cat screeching] 485 00:18:56,203 --> 00:18:58,871 - THAT DOES NOT SOUND GOOD. 486 00:18:58,938 --> 00:18:59,806 - WAH! 487 00:19:02,442 --> 00:19:03,510 - HE LOCKED IT. 488 00:19:03,576 --> 00:19:04,811 - YEAH, YEAH. 489 00:19:07,280 --> 00:19:10,217 [electricity crackling] 490 00:19:11,818 --> 00:19:14,454 [screaming] 491 00:19:14,521 --> 00:19:18,225 crash! 492 00:19:20,727 --> 00:19:22,429 HE DESTROYED MY OFFICE, 493 00:19:22,495 --> 00:19:24,231 MY MUSIC AWARDS, 494 00:19:24,231 --> 00:19:28,235 AND HE USED MY DRAWER AS A BATHROOM. 495 00:19:28,268 --> 00:19:30,102 - BAD BOYS GO WHERE THEY WANT. 496 00:19:30,237 --> 00:19:31,471 - THAT'S A NEW ONE. 497 00:19:31,538 --> 00:19:32,772 ORIGINAL. 498 00:19:32,839 --> 00:19:34,841 AND VERY, VERY BAD. 499 00:19:34,907 --> 00:19:36,843 - NO, NO, NO! 500 00:19:40,480 --> 00:19:41,614 I'M THE BAD BOY. 501 00:19:41,681 --> 00:19:42,682 ME! 502 00:19:42,749 --> 00:19:46,118 - DUDE, HE WENT IN HIS DESK. 503 00:19:46,253 --> 00:19:47,587 - I'LL SHOW YOU, 504 00:19:47,654 --> 00:19:48,821 AND I'LL SHOW YOU, 505 00:19:48,888 --> 00:19:50,257 AND I'LL SHOW ALL OF YOU. 506 00:19:50,257 --> 00:19:54,026 I'LL--I'LL-- 507 00:19:54,093 --> 00:19:56,363 clang! 508 00:19:56,429 --> 00:19:58,531 - KUMBAYA. 509 00:19:58,598 --> 00:19:59,932 - MM! 510 00:20:03,636 --> 00:20:04,537 TOO FAR? 511 00:20:07,640 --> 00:20:09,309 - YOU'RE RIGHT, WAYNEWAYNE. 512 00:20:09,376 --> 00:20:11,311 BIG TIME RUSH SHOULD BE ONLY FOUR. 513 00:20:11,378 --> 00:20:12,712 - YOU CAN'T FIRE ME. 514 00:20:12,779 --> 00:20:13,680 YOU KNOW WHY? 515 00:20:13,746 --> 00:20:15,982 'CAUSE I HAVE... 516 00:20:16,048 --> 00:20:17,884 A CONTRACT. 517 00:20:17,950 --> 00:20:19,819 YOU HAVE TO PUT ME IN THE BAND. 518 00:20:19,886 --> 00:20:22,154 - I HAVE TO PUT YOU IN A BAND, 519 00:20:22,221 --> 00:20:24,190 JUST NOT THIS ONE. 520 00:20:24,257 --> 00:20:25,558 THEY ALREADY HAVE A BAD BOY. 521 00:20:27,159 --> 00:20:28,060 - NO! 522 00:20:30,630 --> 00:20:32,532 - BUT I DON'T WANT TO WEAR THESE CLOTHES ALL THE TIME, 523 00:20:32,599 --> 00:20:33,933 AND I WON'T TURN MY BACK ON MY FRIENDS. 524 00:20:34,000 --> 00:20:35,668 - FINE. 525 00:20:35,735 --> 00:20:37,637 AND YOU CAN STILL DATE MY DAUGHTER. 526 00:20:37,704 --> 00:20:41,441 BUT I WANT YOU NOWHERE NEAR MY DESK. 527 00:20:41,508 --> 00:20:43,276 GRIFF-GRIFF OUT. 528 00:20:43,343 --> 00:20:45,144 - NO, BUT I'M THE BAD BOY! 529 00:20:45,211 --> 00:20:47,146 NO, YOU--YOU CAN'T-- I HAVE A CONTRACT! 530 00:20:47,213 --> 00:20:49,816 I HAVE A CONTRACT. I'M A BAD BOY! 531 00:20:51,017 --> 00:20:52,585 - YOU! 532 00:20:54,053 --> 00:20:54,921 NICE WORK. 533 00:20:58,057 --> 00:20:59,426 - WHA? 534 00:20:59,492 --> 00:21:02,329 BUT HE--HE SMASHED, AND YOU-- 535 00:21:05,498 --> 00:21:08,100 HE WENT IN-- 536 00:21:08,167 --> 00:21:10,169 - I TEAMED UP WITH THE HOCKEY HEADS, 537 00:21:10,236 --> 00:21:12,739 'CAUSE THEY DO HAVE GOOD PLANS. 538 00:21:12,805 --> 00:21:13,973 - I WAS HERE THE WHOLE TIME. 539 00:21:14,040 --> 00:21:15,342 WHEN DID YOU PLAN THIS? 540 00:21:18,711 --> 00:21:20,880 "LET'S GET RID OF WAYNEWAYNE"? 541 00:21:20,947 --> 00:21:22,349 HEY, I COULD'VE HELPED. 542 00:21:22,382 --> 00:21:23,950 I'M PART OF THIS TEAM, TOO, YOU KNOW? 543 00:21:24,016 --> 00:21:25,718 - YES, YOU ARE. 544 00:21:25,785 --> 00:21:29,622 BUT YOU'RE STILL A HORRIBLE FAKER LIAR ACTRESS. 545 00:21:29,689 --> 00:21:30,557 - YEAH. - YEAH. 546 00:21:30,623 --> 00:21:31,891 - YOU'RE JUST NOT GOOD. 547 00:21:31,958 --> 00:21:34,827 - [crying] 548 00:21:38,565 --> 00:21:39,899 YEAH, YOU'RE RIGHT. 549 00:21:39,966 --> 00:21:41,934 [all cheering] 550 00:21:42,001 --> 00:21:43,235 - HA HA! 551 00:21:43,370 --> 00:21:44,604 YES! 552 00:21:44,671 --> 00:21:45,938 [knocks on door] 553 00:21:46,005 --> 00:21:47,374 - I GOT IT. 554 00:21:47,374 --> 00:21:50,109 MUST BE THE MAINTENANCE MAN TO FIX THE CABLE. 555 00:21:50,176 --> 00:21:51,143 - HELLO. 556 00:21:51,210 --> 00:21:52,111 I AM HERE TO FIX YOUR-- 557 00:21:52,178 --> 00:21:54,614 - HI-YA! 558 00:21:54,681 --> 00:21:55,782 - AH! 559 00:21:57,784 --> 00:22:00,086 - YEAH, THAT DIDN'T WORK. 560 00:22:00,152 --> 00:22:01,087 - HEY, MOM. 561 00:22:01,153 --> 00:22:02,655 I'M A BAD BOY. 562 00:22:02,722 --> 00:22:05,858 - WHAT'S THE MAINTENANCE GUY DOING ON THE FLOOR? 563 00:22:05,925 --> 00:22:06,793 - MAINTENANCE GUY? 564 00:22:10,463 --> 00:22:12,899 - LET'S CHECK OUT WAYNEWAYNE'S NEW BAND. 565 00:22:12,965 --> 00:22:14,401 - THE ZIGGLE ZAGGLES! 566 00:22:14,434 --> 00:22:16,869 - * ALWAYS EAT YOUR BANANAS * 567 00:22:16,936 --> 00:22:19,606 * BANANA-LAMA-WAMMA WAMMA-NANAS * 568 00:22:19,672 --> 00:22:21,941 * YUM YUM YUM YUMMY NANAS * 569 00:22:22,008 --> 00:22:24,477 * BANANA-LAMA-WAMMA WAMMA-NANAS * 570 00:22:24,544 --> 00:22:27,447 - HE IS REALLY BAD. 571 00:22:27,514 --> 00:22:30,550 - TONIGHT, A WARNING FOR ANYONE ON THE 210 FREEWAY. 572 00:22:30,617 --> 00:22:32,552 A POLICE CHASE IS IN PROGRESS. 573 00:22:32,619 --> 00:22:35,788 THE CAR IS BELIEVED TO BE DRIVEN BY MOLLY FINSTER... 574 00:22:35,855 --> 00:22:37,223 - THAT'S MOLLY! 575 00:22:37,289 --> 00:22:39,526 - A 20-YEAR-OLD CON ACTRESS 576 00:22:39,592 --> 00:22:42,462 WHO PASSES HERSELF OFF AS AN 11-YEAR-OLD 577 00:22:42,529 --> 00:22:44,431 TRYING TO LAND JOBS IN HOLLYWOOD. 578 00:22:44,464 --> 00:22:46,433 - I TOLD YOU SHE WAS WEIRD. 579 00:22:46,499 --> 00:22:47,667 - YEAH, YOU GOT THAT RIGHT. 580 00:22:47,734 --> 00:22:49,436 - * AH, AH, AH-AH, OH * 581 00:22:49,469 --> 00:22:50,437 - MOM? 582 00:22:50,437 --> 00:22:53,239 IS THAT YOUR RENTAL CAR? 583 00:22:53,305 --> 00:22:54,173 - YEP. 584 00:22:58,678 --> 00:23:01,648 Captioning by CaptionMax www.captionmax.com 585 00:23:01,714 --> 00:23:05,284 - * GOT TO GO BIG TIME * 586 00:23:05,351 --> 00:23:07,454 - * MAKE IT WORK, GET IT RIGHT * 587 00:23:07,520 --> 00:23:09,221 * CHANGE THE WORLD OVERNIGHT * 588 00:23:09,288 --> 00:23:12,324 - * GOT TO DREAM BIG TIME * 589 00:23:12,459 --> 00:23:13,493 - * OH-OH, OH-OH * 590 00:23:13,560 --> 00:23:15,327 - * HEY, HEY * 591 00:23:15,462 --> 00:23:17,296 - * GIVE IT ALL YOU GOT NOW * 592 00:23:17,363 --> 00:23:19,331 - * HEY, HEY * 593 00:23:19,466 --> 00:23:21,367 - * ISN'T IT A RUSH * 594 00:23:21,468 --> 00:23:23,369 - * UH-OH, UH-OH * 595 00:23:23,470 --> 00:23:25,271 * UH-OH, UH-OH * 596 00:23:25,337 --> 00:23:26,806 - * GO AND SHAKE IT UP * 597 00:23:26,873 --> 00:23:29,476 * WHATCHA GOTTA LOSE * 598 00:23:29,509 --> 00:23:33,480 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 599 00:23:33,513 --> 00:23:36,583 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 600 00:23:36,649 --> 00:23:41,521 * IT'S THE ONLY LIFE YOU GOT SO YOU GOTTA LIVE IT BIG TIME *