1 00:00:09,510 --> 00:00:12,012 - DOGS, WITH THE INCREASED BOY BAND COMPETITION 2 00:00:12,012 --> 00:00:13,847 AND INSTANT ENTERTAINMENT NEWS, 3 00:00:13,847 --> 00:00:17,351 IT IS MORE IMPORTANT THAN EVER TO AVOID BAD PRESS 4 00:00:17,351 --> 00:00:19,753 AND SCANDALOUS PHOTO OPS. 5 00:00:21,322 --> 00:00:22,423 LIKE THAT! 6 00:00:22,423 --> 00:00:24,092 - WHAT? WE CAN'T GO JOGGING ANYMORE? 7 00:00:24,092 --> 00:00:25,759 - I'M COMPETING AGAINST THIS! - THIS TAKES WORK! 8 00:00:25,759 --> 00:00:26,760 - NO! 9 00:00:26,760 --> 00:00:28,296 BECAUSE I WANT YOU GUYS TO THINK OF WAYS 10 00:00:28,296 --> 00:00:29,630 TO GET US GOOD PRESS 11 00:00:29,630 --> 00:00:31,399 AND BACK TO THE TOP! 12 00:00:31,399 --> 00:00:32,533 - OOH! 13 00:00:32,533 --> 00:00:34,602 HOW ABOUT "JAMES DIAMOND DATES TAYLOR SWIFT"? 14 00:00:34,602 --> 00:00:36,270 - OH, HOW ABOUT-- PBBT! 15 00:00:36,270 --> 00:00:38,539 'CAUSE THE LAST THING BIG TIME RUSH NEEDS RIGHT NOW 16 00:00:38,539 --> 00:00:40,108 IS TO GET SWIFTED. 17 00:00:40,108 --> 00:00:41,175 - SWIFTED? 18 00:00:41,175 --> 00:00:43,244 WHAT IS "SWIFTED"? 19 00:00:43,244 --> 00:00:45,179 - IT'S WHAT YOU CALL IT WHENEVER YOU DATE TAYLOR SWIFT, 20 00:00:45,179 --> 00:00:46,414 DO SOMETHING STUPID, 21 00:00:46,414 --> 00:00:49,117 THEN SHE WRITES A HIT SONG TELLING THE ENTIRE WORLD 22 00:00:49,117 --> 00:00:50,551 THAT YOU'RE A TOTAL JERKFACE. 23 00:00:50,551 --> 00:00:54,222 - WHICH WILL RUIN YOUR SWEET AND CUTE REPUTATION 24 00:00:54,222 --> 00:00:56,090 AND DESTROY THE BAND! 25 00:00:56,090 --> 00:00:57,091 - GOT IT. 26 00:00:57,091 --> 00:00:58,426 NO JOGGING, NO TAYLOR SWIFT, 27 00:00:58,426 --> 00:00:59,493 AND NO SCANDALS. 28 00:00:59,493 --> 00:01:00,561 - YOU GUYS! 29 00:01:00,561 --> 00:01:01,895 YOUR OLD FRIEND LUCY STONE 30 00:01:01,895 --> 00:01:03,597 JUST CAME OUT WITH HER FIRST CD, 31 00:01:03,597 --> 00:01:05,433 AND EVERYONE IS RAVING ABOUT IT. 32 00:01:05,433 --> 00:01:06,434 - AWESOME! - GOOD FOR HER. 33 00:01:06,434 --> 00:01:07,501 - THAT'S AWESOME. - GREAT. 34 00:01:07,501 --> 00:01:08,602 - YEAH, WAIT TILL YOU HEAR 35 00:01:08,602 --> 00:01:10,604 HER HOT NEW SINGLE THAT DROPPED TODAY: 36 00:01:10,604 --> 00:01:12,206 YOU DUMPED ME FOR HER. 37 00:01:12,206 --> 00:01:15,143 IT'S ABOUT HOW KENDALL DUMPED LUCY FOR JO 38 00:01:15,143 --> 00:01:18,146 AND IS A TOTAL JERKFACE! 39 00:01:18,146 --> 00:01:20,414 - OH, NO. I'VE BEEN SWIFTED. 40 00:01:20,414 --> 00:01:24,152 - * AH, AH, AH-AH, OH 41 00:01:24,152 --> 00:01:26,254 - * MAKE IT COUNT, PLAY IT STRAIGHT * 42 00:01:26,254 --> 00:01:28,156 * DON'T LOOK BACK, DON'T HESITATE * 43 00:01:28,156 --> 00:01:32,160 - * WHEN YOU GO BIG TIME 44 00:01:32,160 --> 00:01:34,262 - * WHAT YOU WANT, WHAT YOU FEEL * 45 00:01:34,262 --> 00:01:35,929 * NEVER QUIT AND MAKE IT REAL * 46 00:01:35,929 --> 00:01:39,267 - * WHEN YOU ROLL BIG TIME 47 00:01:39,267 --> 00:01:40,301 - * OH-OH, OH-OH 48 00:01:40,301 --> 00:01:42,236 - * HEY, HEY 49 00:01:42,236 --> 00:01:44,172 - * LISTEN TO YOUR HEART NOW 50 00:01:44,172 --> 00:01:46,174 - * HEY, HEY 51 00:01:46,174 --> 00:01:48,075 - * DON'T YOU FEEL THE RUSH * 52 00:01:48,075 --> 00:01:50,077 - * UH-OH, UH-OH 53 00:01:50,077 --> 00:01:51,078 * UH-OH, UH-OH 54 00:01:51,078 --> 00:01:52,079 - * OH 55 00:01:52,079 --> 00:01:53,414 - * GO AND SHAKE IT UP 56 00:01:53,414 --> 00:01:55,916 * WHATCHA GOTTA LOSE 57 00:01:55,916 --> 00:01:57,418 * GO AND MAKE YOUR LUCK 58 00:01:57,418 --> 00:01:59,920 * WITH THE LIFE YOU CHOOSE 59 00:01:59,920 --> 00:02:03,491 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 60 00:02:03,491 --> 00:02:08,262 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 61 00:02:11,632 --> 00:02:13,801 - * YOU DUMPED ME FOR HER 62 00:02:13,801 --> 00:02:17,505 * YOU GAVE ME YOUR WORD 63 00:02:17,505 --> 00:02:20,508 * YOU KISSED ME IN AN ELEVATOR * 64 00:02:20,508 --> 00:02:23,911 * THEN YOU SAID, "SEE YOU LATER" * 65 00:02:23,911 --> 00:02:25,213 * HOW COULD YOU DO THAT 66 00:02:25,213 --> 00:02:26,247 [music stops] 67 00:02:26,247 --> 00:02:28,649 - OKAY. THAT SONG COULD BE ABOUT ANYONE. 68 00:02:28,649 --> 00:02:30,818 - SWIFTED? REALLY? 69 00:02:30,818 --> 00:02:33,254 YOU COULDN'T GO OUT AND PUNCH OLD LADIES INSTEAD? 70 00:02:33,254 --> 00:02:34,388 - I'M TELLING YOU, 71 00:02:34,388 --> 00:02:36,224 THE THINGS SHE SAID ABOUT ME IN THIS SONG 72 00:02:36,224 --> 00:02:37,225 DIDN'T HAPPEN. 73 00:02:37,225 --> 00:02:38,392 - OKAY, HERE'S WHAT HAPPENED: 74 00:02:38,392 --> 00:02:40,261 WHATEVER PEOPLE THINK HAPPENED. 75 00:02:40,261 --> 00:02:42,730 - THIS SONG IS GONNA BE HUGE. 76 00:02:42,730 --> 00:02:43,931 AND IF PEOPLE THINK 77 00:02:43,931 --> 00:02:46,267 THAT YOU DUMPED AMERICA'S NEW POP PRINCESS, 78 00:02:46,267 --> 00:02:49,437 YOUR FANS ARE GONNA DUMP YOU! 79 00:02:49,437 --> 00:02:51,372 - OKAY, WE NEED TO GO FIND LUCY RIGHT NOW 80 00:02:51,372 --> 00:02:52,540 AND SEE IF SHE'S STILL HURTING 81 00:02:52,540 --> 00:02:54,842 AND SEE IF SHE'LL GO OUT WITH ME. 82 00:02:54,842 --> 00:02:56,244 - TRY AGAIN. 83 00:02:56,244 --> 00:02:58,246 - OKAY, WE NEED TO GO FIND LUCY RIGHT NOW 84 00:02:58,246 --> 00:03:00,681 AND MAKE SURE SHE SAYS THE SONG IS NOT ABOUT KENDALL. 85 00:03:00,681 --> 00:03:03,651 - OKAY, ACCORDING TO THIS, SHE'S AT COLOSSAL STUDIOS TODAY 86 00:03:03,651 --> 00:03:05,486 CASTING FOR HER NEW MUSIC VIDEO... 87 00:03:05,486 --> 00:03:06,787 ELEVATOR KISSES. 88 00:03:06,787 --> 00:03:07,788 - HUH? 89 00:03:07,788 --> 00:03:08,822 - AH, MOVE OUT! 90 00:03:08,822 --> 00:03:09,890 - OKAY! - GO, GO, GO, GO, GO! 91 00:03:09,890 --> 00:03:11,392 - LET'S GO! - COME ON, GUYS! 92 00:03:11,392 --> 00:03:14,428 - AHH! STOP! 93 00:03:14,428 --> 00:03:15,596 E! NEWS... 94 00:03:15,596 --> 00:03:19,066 TV, WEB, AND INSTANT MOBILE UPDATE CREWS! 95 00:03:19,066 --> 00:03:20,834 - HOW DID THEY GET HERE SO FAST? 96 00:03:20,834 --> 00:03:23,170 - BECAUSE THEY'RE THE FASTEST ENTERTAINMENT NEWS TEAM 97 00:03:23,170 --> 00:03:24,171 IN THE WORLD. 98 00:03:24,171 --> 00:03:25,339 AND I HATE THEM! 99 00:03:25,339 --> 00:03:27,174 AND I DON'T WANT YOU TALKING TO THEM 100 00:03:27,174 --> 00:03:28,842 UNTIL YOU TALK TO LUCY. 101 00:03:28,842 --> 00:03:30,278 NOW, TAKE THE BACK DOOR! 102 00:03:30,278 --> 00:03:31,512 - I'LL GO WITH HIM, 103 00:03:31,512 --> 00:03:33,180 'CAUSE I REALLY WANT TO MAKE OUT WITH LUCY. 104 00:03:33,180 --> 00:03:35,015 - HMM? - TRY AGAIN. 105 00:03:35,015 --> 00:03:36,450 - I'LL GO WITH HIM, 'CAUSE I WORK OUT, 106 00:03:36,450 --> 00:03:38,118 AND I CAN HELP HIM FIGHT OFF THE PRESS. 107 00:03:38,118 --> 00:03:40,020 COME ON! - YOU--OH! 108 00:03:40,020 --> 00:03:41,689 - DON'T WORRY, GUSTAVO. 109 00:03:41,689 --> 00:03:44,858 I CAN HANDLE THESE GUYS. 110 00:03:44,858 --> 00:03:45,859 - DON'T WORRY, GUSTAVO. 111 00:03:45,859 --> 00:03:47,027 I CAN HANDLE CARLOS 112 00:03:47,027 --> 00:03:48,562 SO HE DOESN'T DO ANYTHING SCANDALOUS. 113 00:03:48,562 --> 00:03:50,564 - ALL RIGHT! LET'S DO THIS. 114 00:03:50,564 --> 00:03:51,665 - RIGHT. 115 00:03:53,066 --> 00:03:55,736 - THERE THEY ARE! OH, OH, OH! THERE THEY ARE! 116 00:03:55,736 --> 00:03:57,571 IS LUCY STONE'S NEW SINGLE ABOUT KENDALL? 117 00:03:57,571 --> 00:03:59,307 - WHY IS KENDALL SUCH A JERKFACE? 118 00:03:59,307 --> 00:04:01,074 - IS EVERYBODY IN BIG TIME RUSH A JERKFACE? 119 00:04:01,074 --> 00:04:02,910 - WE HAVE NO IDEA WHY ANYONE WOULD THINK 120 00:04:02,910 --> 00:04:05,112 THIS SONG IS ABOUT KENDALL. 121 00:04:05,112 --> 00:04:07,781 - OKAY, OKAY, JUST STAY HERE AND DO NOTHING. 122 00:04:07,781 --> 00:04:09,317 - HE'S A GREAT DANCER! - HE'S CARING! 123 00:04:09,317 --> 00:04:11,619 - HE'S VERY--HE'S VERY-- HE SMELLS GOOD! 124 00:04:11,619 --> 00:04:12,920 - YEAH. - HE LOVES ANIMALS, OKAY? 125 00:04:12,920 --> 00:04:14,087 [bee buzzing] 126 00:04:14,087 --> 00:04:15,589 IF HE SEES A CAT, HE'S GONNA PET IT. 127 00:04:15,589 --> 00:04:17,825 HE'S GOT A NICE SHOE SIZE. - HE--HE'S WHOLESOME. 128 00:04:17,825 --> 00:04:20,494 HE'S CARING. HE LOVES HIS MOTHER. 129 00:04:20,494 --> 00:04:22,496 HE LOVES MY MOTHER. 130 00:04:22,496 --> 00:04:23,997 - YEAH, HE'S A GOOD LISTENER. 131 00:04:23,997 --> 00:04:25,999 HE'S, UH, KIND. HE'S RESPONSIBLE. 132 00:04:25,999 --> 00:04:27,468 HE'S AN UPSTANDING CITIZEN. 133 00:04:27,468 --> 00:04:30,504 HE CAN STAND UP-- STANDS UP ALL THE TIME. 134 00:04:30,504 --> 00:04:31,539 - RESPONSIBLE! 135 00:04:31,539 --> 00:04:33,507 HE IS A FRIEND TO THE WHALES. 136 00:04:33,507 --> 00:04:35,343 YOU KNOW, HE GOT A-- A 650 137 00:04:35,343 --> 00:04:36,544 ON THE VERBAL SECTION OF THE-- 138 00:04:36,544 --> 00:04:37,545 - DIE! 139 00:04:37,545 --> 00:04:38,879 - [shrieking] 140 00:04:38,879 --> 00:04:40,881 [camera shutters clicking] 141 00:04:40,881 --> 00:04:42,115 - CARLOS HITS OLD LADIES! 142 00:04:42,115 --> 00:04:43,717 - BIG TIME RUSH ARE BIG TIME JERKFACES. 143 00:04:43,717 --> 00:04:45,052 - CARLOS IS WORSE THAN KENDALL! 144 00:04:45,052 --> 00:04:46,053 - [yelps] 145 00:04:46,053 --> 00:04:47,054 - WE HAVE A STORY! - NO! 146 00:04:47,054 --> 00:04:48,556 - NOT TRUE AT--AT ALL-- UGH! 147 00:04:48,556 --> 00:04:49,723 - BAH! 148 00:04:49,723 --> 00:04:50,724 BAH! 149 00:04:50,724 --> 00:04:51,892 - I-I-I SAW THE WHOLE THING! 150 00:04:51,892 --> 00:04:52,893 HE NEVER TOUCHED HER! 151 00:04:52,893 --> 00:04:54,362 - I WAS JUST SWATTING A BEE AWAY. 152 00:04:54,362 --> 00:04:56,797 [tires squealing] 153 00:04:56,797 --> 00:04:58,599 [gasps] - IT'S OKAY. 154 00:04:58,599 --> 00:04:59,933 THEY ARE GONNA LOOK AT THE FOOTAGE 155 00:04:59,933 --> 00:05:01,835 AND REALIZE THAT YOU WERE JUST HELPING HER, 156 00:05:01,835 --> 00:05:02,870 NOT HITTING HER. 157 00:05:02,870 --> 00:05:04,905 RIGHT? 158 00:05:04,905 --> 00:05:05,939 - TONIGHT ON E!, 159 00:05:05,939 --> 00:05:07,608 BIG TIME RUSH'S CARLOS GARCIA... 160 00:05:07,608 --> 00:05:08,942 SLAPS A GRANNY? 161 00:05:08,942 --> 00:05:12,079 DON'T MISS THE SHOCKING DETAILS TONIGHT AT 8:00. 162 00:05:12,079 --> 00:05:14,748 - YOU KNOW, THAT DOES LOOK LIKE HE'S HITTING HER. 163 00:05:14,748 --> 00:05:16,249 - [shouting] I THINK! 164 00:05:16,249 --> 00:05:17,918 - WHY ARE WE AT THE PALMWOODS? 165 00:05:17,918 --> 00:05:19,920 PRETTY SURE LUCY IS NOT CASTING HER MUSIC VIDEO 166 00:05:19,920 --> 00:05:21,088 IN THE LOBBY. 167 00:05:21,088 --> 00:05:22,590 - BECAUSE FIRST JO NEEDS TO HEAR 168 00:05:22,590 --> 00:05:24,425 THAT THE LYRICS FROM LUCY'S SONG 169 00:05:24,425 --> 00:05:27,094 "HE SAID HE'S GLAD SHE'S GONE AND I'M HIS MS. MOVING ON" 170 00:05:27,094 --> 00:05:28,396 DID NOT COME FROM THESE LIPS! 171 00:05:28,396 --> 00:05:30,998 - HEY! I JUST HEARD LUCY'S NEW SONG. 172 00:05:30,998 --> 00:05:32,800 - AND YOU'RE MAD. 173 00:05:32,800 --> 00:05:33,934 HERE. 174 00:05:33,934 --> 00:05:35,503 - YEAH, I'M MAD... 175 00:05:35,503 --> 00:05:36,837 MAD AT HER. 176 00:05:36,837 --> 00:05:38,472 NO ONE SWIFTS MY MAN! 177 00:05:38,472 --> 00:05:39,640 WE HAVE TO FIND LUCY, 178 00:05:39,640 --> 00:05:41,141 GET HER TO SAY THE SONG IS NOT ABOUT YOU 179 00:05:41,141 --> 00:05:43,243 BEFORE EVERY FAN-GIRL TURNS AGAINST YOU. 180 00:05:43,243 --> 00:05:45,078 - SO YOU'RE NOT MAD AT ME... 181 00:05:45,078 --> 00:05:47,114 AND I CAN RETURN THESE $50 EARRINGS. 182 00:05:47,114 --> 00:05:48,616 - OH, NO, I'LL TAKE 'EM. 183 00:05:48,616 --> 00:05:49,883 - AND I'LL TAKE THE CHOCOLATES 184 00:05:49,883 --> 00:05:51,452 AND GIVE THEM TO LUCY SO WE CAN EAT 'EM... 185 00:05:51,452 --> 00:05:53,454 AFTER WE MAKE OUT. 186 00:05:53,454 --> 00:05:54,855 - TRY AGAIN. 187 00:05:54,855 --> 00:05:57,024 - AND I'LL TAKE THE CHOCOLATES AND GIVE THEM TO LUCY 188 00:05:57,024 --> 00:05:59,793 SO SHE SAYS THE SONG IS NOT ABOUT YOU. 189 00:05:59,793 --> 00:06:01,028 THEN WE'LL MAKE OUT. 190 00:06:01,028 --> 00:06:02,463 - TRY AGAIN. 191 00:06:02,463 --> 00:06:03,797 - I'LL STAY HERE 192 00:06:03,797 --> 00:06:05,699 SO I DON'T SCREW UP THINGS WITH MY MAKE-OUT QUEST. 193 00:06:05,699 --> 00:06:06,700 - [snaps fingers] 194 00:06:06,700 --> 00:06:08,436 BYE, BUDDY. 195 00:06:08,436 --> 00:06:09,537 - BYE. 196 00:06:09,537 --> 00:06:12,540 [mournful music] 197 00:06:12,540 --> 00:06:14,007 [groans] 198 00:06:14,007 --> 00:06:17,344 * 199 00:06:17,344 --> 00:06:18,946 [moans] 200 00:06:20,347 --> 00:06:22,182 [whimpers pleadingly] 201 00:06:22,182 --> 00:06:23,717 - OKAY, I'LL BITE. 202 00:06:23,717 --> 00:06:24,785 WHAT'S THE PROBLEM? 203 00:06:24,785 --> 00:06:26,219 - WE'RE NOT ALLOWED TO JOG ANYMORE! 204 00:06:26,219 --> 00:06:27,955 MY MAKE-OUT QUEST HAS ENDED! 205 00:06:27,955 --> 00:06:29,222 KENDALL GOT SWIFTED! 206 00:06:29,222 --> 00:06:31,058 AND THIS IS SOME WEIRD FRUIT FLAVOR! 207 00:06:31,058 --> 00:06:32,526 [glass shatters] 208 00:06:32,526 --> 00:06:34,728 - YOU LEFT OUT "CARLOS SLAPS GRANNIES." 209 00:06:34,728 --> 00:06:35,929 SOUNDS LIKE BIG TIME RUSH 210 00:06:35,929 --> 00:06:37,631 IS IN THE MIDDLE OF SOME BIG TIME SCANDALS. 211 00:06:37,631 --> 00:06:40,468 - YEAH, WHICH IS WHY YOU NEED TO HELP ME GET SOME GOOD PRESS 212 00:06:40,468 --> 00:06:43,036 SO EVERYONE WILL FORGET THOSE BAD BTR SCANDALS. 213 00:06:43,036 --> 00:06:45,205 - OKAY, HOW ABOUT YOU TEACH AQUA AEROBICS 214 00:06:45,205 --> 00:06:47,207 AT OUR OVERCROWDED PRISONS? 215 00:06:47,207 --> 00:06:48,709 - MM, WHAT ELSE YOU GOT? 216 00:06:48,709 --> 00:06:52,045 - YOU PROMISE TO DONATE ALL FUTURE EARNINGS TO... 217 00:06:52,045 --> 00:06:53,647 SAVE THE KOALAS. 218 00:06:53,647 --> 00:06:55,182 - AND WHAT HAVE THEY EVER DONE FOR ME? 219 00:06:55,182 --> 00:06:56,216 - [sighs] 220 00:06:56,216 --> 00:06:58,385 HOW ABOUT YOU SING A DUET 221 00:06:58,385 --> 00:07:01,121 WITH BRIT POP PRINCESS CHER LLOYD? 222 00:07:01,121 --> 00:07:02,590 SHE'S RECORDING IN L.A. 223 00:07:02,590 --> 00:07:04,257 - MM-HMM. SMALL PROBLEM. 224 00:07:04,257 --> 00:07:06,093 I MIGHT HAVE LIT OFF SOME FIREWORKS 225 00:07:06,093 --> 00:07:07,495 AT A PARTY ONCE 226 00:07:07,495 --> 00:07:10,130 AND MIGHT HAVE SORT OF BLOWN UP HER CAR. 227 00:07:10,130 --> 00:07:12,500 SO A DUET'S NEVER GONNA HAPPEN. 228 00:07:12,500 --> 00:07:13,767 - DOESN'T HAVE TO HAPPEN. 229 00:07:13,767 --> 00:07:16,369 PEOPLE JUST HAVE TO THINK IT HAPPENED. 230 00:07:18,205 --> 00:07:19,540 - OKAY, LET'S DO ANOTHER TAKE, 231 00:07:19,540 --> 00:07:22,075 BUT COULD YOU TURN MY VOCAL UP A TAD MORE? 232 00:07:22,075 --> 00:07:24,512 AND WATCH THE LEVELS CLOSE. 233 00:07:24,512 --> 00:07:25,513 [synthesized pop music] 234 00:07:25,513 --> 00:07:28,048 - * 'CAUSE YOU GOT ME FLYING * 235 00:07:28,048 --> 00:07:29,149 * WITH YOUR LOVE 236 00:07:29,149 --> 00:07:30,851 * SHINING 237 00:07:30,851 --> 00:07:32,019 * WITH YOUR LOVE 238 00:07:32,019 --> 00:07:33,521 * RIDING 239 00:07:33,521 --> 00:07:34,755 * WITH YOUR LOVE 240 00:07:34,755 --> 00:07:36,524 * I FEEL LIKE I'M ON TOP OF THE WORLD * 241 00:07:36,524 --> 00:07:37,691 * WITH YOUR LOVE 242 00:07:37,691 --> 00:07:40,027 * ONE HIT WITH YOUR LOVE 243 00:07:40,027 --> 00:07:41,028 [camera clicking] 244 00:07:41,028 --> 00:07:43,196 * CAN'T QUIT WITH YOUR LOVE * 245 00:07:43,196 --> 00:07:45,032 - AND SEND. 246 00:07:45,032 --> 00:07:46,700 - * I FEEL LIKE I'M ON TOP OF THE WORLD * 247 00:07:46,700 --> 00:07:47,868 * WITH YOUR LOVE 248 00:07:47,868 --> 00:07:49,202 [headphones clatter] 249 00:07:49,202 --> 00:07:51,071 - AND MORE IN BIG TIME RUSH NEWS 250 00:07:51,071 --> 00:07:52,906 AS THESE PHOTOS WERE LEAKED, 251 00:07:52,906 --> 00:07:55,743 SHOWING JAMES DIAMOND LENDING HIS VOCAL 252 00:07:55,743 --> 00:07:57,310 TO THE NEW CHER LLOYD SINGLE. 253 00:07:57,310 --> 00:07:59,747 IT SHOULD BE CHER-RIFFIC. 254 00:08:00,881 --> 00:08:03,050 - OKAY, WHICH ONE OF THESE ACTORS 255 00:08:03,050 --> 00:08:06,053 LOOKS LIKE THE BAD BOYFRIEND YOU WROTE THE SONG ABOUT? 256 00:08:06,053 --> 00:08:08,088 JUST PICK ONE. 257 00:08:08,088 --> 00:08:09,189 - NOT BAD. 258 00:08:10,891 --> 00:08:13,393 MM, EYEBROWS TOO SMALL. 259 00:08:13,393 --> 00:08:16,063 HMM, HE'S CLOSE. 260 00:08:16,063 --> 00:08:17,064 NOT TALL ENOUGH-- 261 00:08:17,064 --> 00:08:18,165 [record needle scratching] 262 00:08:18,165 --> 00:08:19,399 WAIT. 263 00:08:19,399 --> 00:08:20,467 - HEY, LUCY. 264 00:08:20,467 --> 00:08:22,570 CAN WE, UH, TALK ABOUT YOUR NEW SONG? 265 00:08:22,570 --> 00:08:23,837 BY THE WAY, 266 00:08:23,837 --> 00:08:25,673 THESE GUYS LOOK NOTHING LIKE ME. 267 00:08:25,673 --> 00:08:27,941 - KENDALL, KENDALL, THERE'S LUCY! 268 00:08:27,941 --> 00:08:29,743 NOW'S YOUR CHANCE. COME ON. 269 00:08:29,743 --> 00:08:31,344 - [chuckles] 270 00:08:32,746 --> 00:08:35,082 - OKAY, WELL, I CALLED E! NEWS, 271 00:08:35,082 --> 00:08:36,750 AND THEY DO MAKE ME FURIOUS, 272 00:08:36,750 --> 00:08:38,485 BUT THEY ARE ALSO FAIR. 273 00:08:38,485 --> 00:08:39,587 - AND WE CAN EXPLAIN 274 00:08:39,587 --> 00:08:40,988 THAT CARLOS WAS HELPING THE OLD LADY, 275 00:08:40,988 --> 00:08:42,022 NOT HURTING. 276 00:08:42,022 --> 00:08:44,491 - OH! 277 00:08:44,491 --> 00:08:46,493 - NO, STAY AWAY FROM THAT GRANNY. 278 00:08:46,493 --> 00:08:48,328 - BUT SHE DROPPED HER PURSE! 279 00:08:48,328 --> 00:08:50,230 - THAT IS HER PROBLEM, NOT OURS! 280 00:08:50,230 --> 00:08:51,732 - I KNOW, BUT SHE CAN'T PICK IT UP. 281 00:08:51,732 --> 00:08:53,233 - FINE. FINE. 282 00:08:53,233 --> 00:08:56,069 I'LL HELP HER, OKAY? 283 00:08:56,069 --> 00:08:58,505 HELLO, MA'AM. LET ME HELP YOU WITH THAT. 284 00:08:58,505 --> 00:08:59,506 HERE YOU GO, MA'AM. 285 00:08:59,506 --> 00:09:01,274 - OH, THANK YOU. - OF COURSE. 286 00:09:01,274 --> 00:09:02,309 - OH! - OH! 287 00:09:02,309 --> 00:09:04,277 OH, OKAY, OKAY! GET YOUR FOOTING! 288 00:09:04,277 --> 00:09:06,947 OH, OKAY, OH, OKAY! YOU GOT A STRONG GRIP, LADY! 289 00:09:06,947 --> 00:09:08,616 I GOT YOU! THERE WE--I GOT YOU! 290 00:09:08,616 --> 00:09:10,050 OKAY, CAREFUL. 291 00:09:13,020 --> 00:09:14,855 - OH! 292 00:09:14,855 --> 00:09:16,624 THEY SAW YOU PICK UP THE PURSE, RIGHT? 293 00:09:16,624 --> 00:09:17,958 THEY SAW YOU WERE HELPING, RIGHT? 294 00:09:17,958 --> 00:09:19,960 - OH! - I... 295 00:09:19,960 --> 00:09:21,461 - TONIGHT AT 8:00 ON E!, 296 00:09:21,461 --> 00:09:22,796 WE HAVE EXCLUSIVE FOOTAGE 297 00:09:22,796 --> 00:09:26,466 OF BTR'S LOGAN MITCHELL ROBBING AN OLD LADY. 298 00:09:26,466 --> 00:09:29,469 - YEAH, I DON'T THINK THEY SAW HIM PICK UP THE PURSE. 299 00:09:29,469 --> 00:09:33,306 [both screaming] 300 00:09:33,306 --> 00:09:34,474 - [laughs] 301 00:09:34,474 --> 00:09:36,143 I CAN'T BELIEVE I'M SINGING A DUET 302 00:09:36,143 --> 00:09:37,244 WITH CHER LLOYD! 303 00:09:37,244 --> 00:09:38,311 - I CAN'T EITHER, 304 00:09:38,311 --> 00:09:40,380 BECAUSE IT DIDN'T ACTUALLY HAPPEN. 305 00:09:40,380 --> 00:09:41,548 - AH, BUT REMEMBER, 306 00:09:41,548 --> 00:09:43,016 IT'S NOT ABOUT WHAT REALLY HAPPENED; 307 00:09:43,016 --> 00:09:45,118 IT'S WHAT PEOPLE THINK HAPPENED. 308 00:09:45,118 --> 00:09:47,120 thud! 309 00:09:47,120 --> 00:09:48,789 - JAMES! 310 00:09:48,789 --> 00:09:50,724 - I THINK CHER FOUND YOUR ADDRESS AND IS MAD. 311 00:09:52,225 --> 00:09:54,561 - HEY, DUET PARTNER! [laughs] 312 00:09:54,561 --> 00:09:56,229 I--I BET YOU HAVE A TON OF QUESTIONS, 313 00:09:56,229 --> 00:09:58,231 SO LET ME START BY SAYING, UH, ONE, 314 00:09:58,231 --> 00:10:00,834 IT IS GREAT TO SEE YOU. 315 00:10:00,834 --> 00:10:03,103 AND, TWO... 316 00:10:06,139 --> 00:10:07,240 - WAIT! 317 00:10:07,240 --> 00:10:09,843 I CAN'T RUN VERY FAST IN THESE HEELS! 318 00:10:09,843 --> 00:10:13,847 [dramatic music] 319 00:10:13,847 --> 00:10:16,183 - YOU KNOW, IT'S PRETTY PRESUMPTUOUS OF YOU 320 00:10:16,183 --> 00:10:17,718 TO ASSUME THAT YOU DUMPED ME FOR HER 321 00:10:17,718 --> 00:10:18,786 IS ABOUT YOU. 322 00:10:18,786 --> 00:10:20,220 - IT'S NOT? 323 00:10:20,220 --> 00:10:21,822 - NO, OF COURSE IT IS. 324 00:10:21,822 --> 00:10:22,990 - [sighs] 325 00:10:22,990 --> 00:10:24,992 - LOOK, I KNOW YOU MAY HATE ME, 326 00:10:24,992 --> 00:10:26,493 BUT IF YOU SWIFT ME, 327 00:10:26,493 --> 00:10:28,829 YOU'RE SWIFTING THE WHOLE BAND, 328 00:10:28,829 --> 00:10:30,630 AND THEY DON'T DESERVE THAT. 329 00:10:30,630 --> 00:10:32,800 - I DON'T HATE YOU, 330 00:10:32,800 --> 00:10:33,967 AND I LOVE THE GUYS, 331 00:10:33,967 --> 00:10:36,136 SO DON'T SWEAT IT. 332 00:10:36,136 --> 00:10:38,005 I WON'T SAY THE SONG IS ABOUT YOU. 333 00:10:38,005 --> 00:10:39,639 - GREAT! 334 00:10:39,639 --> 00:10:40,974 THANK YOU. 335 00:10:40,974 --> 00:10:44,444 - OKAY, LET'S GO. 336 00:10:44,444 --> 00:10:45,779 - THE SONG IS GREAT, BY THE WAY, 337 00:10:45,779 --> 00:10:48,949 BUT IT'S NOT EXACTLY ACCURATE. 338 00:10:48,949 --> 00:10:50,350 - HMM, HOW SO? 339 00:10:50,350 --> 00:10:52,185 - DOESN'T MATTER. LET'S GO. 340 00:10:52,185 --> 00:10:53,353 - [scoffs] 341 00:10:53,353 --> 00:10:54,955 WELL, I DIDN'T DUMP YOU FOR JO 342 00:10:54,955 --> 00:10:57,691 BECAUSE WE WERE NEVER OFFICIALLY GOING OUT. 343 00:10:57,691 --> 00:10:58,992 - WE WEREN'T? 344 00:10:58,992 --> 00:11:02,395 - WE REALLY SHOULD BE GOING. 345 00:11:02,395 --> 00:11:05,198 - WELL, NO, BECAUSE IT WAS MORE LIKE HALF A DATE. 346 00:11:05,198 --> 00:11:09,002 - YEAH, WELL, THERE'S NO RHYME FOR "HALF A DATE." 347 00:11:09,002 --> 00:11:11,271 - "HAVE TO WAIT." BOOM. 348 00:11:11,271 --> 00:11:13,273 - OKAY. RHYME THIS. 349 00:11:13,273 --> 00:11:15,108 SEE YOU AT MY PRESS CONFERENCE, 350 00:11:15,108 --> 00:11:17,945 WHERE I TELL THE ENTIRE WORLD THAT THE SONG IS ABOUT YOU 351 00:11:17,945 --> 00:11:20,047 AND THAT YOU'RE A TOTAL JERKFACE. 352 00:11:21,749 --> 00:11:23,016 - OH... 353 00:11:23,016 --> 00:11:24,885 - THIS JUST IN: LUCY STONE 354 00:11:24,885 --> 00:11:27,755 IS HOLDING A PRESS CONFERENCE TONIGHT AT 8:00 P.M. 355 00:11:27,755 --> 00:11:29,757 WHERE SHE WILL REVEAL THE IDENTITY 356 00:11:29,757 --> 00:11:32,392 OF THE DATING JERKFACE SHE SINGS ABOUT 357 00:11:32,392 --> 00:11:33,861 IN HER NEW HIT SINGLE. 358 00:11:33,861 --> 00:11:36,129 [both screaming] 359 00:11:40,233 --> 00:11:42,770 - SO KELLY AND I DECIDED IT WOULD BE A GREAT IDEA 360 00:11:42,770 --> 00:11:46,073 FOR US ALL TO GET TOGETHER AND HAVE A LITTLE RECAP. 361 00:11:46,073 --> 00:11:47,207 AND LET'S START WITH-- 362 00:11:47,207 --> 00:11:49,642 I SAID NO SCANDALS! 363 00:11:49,642 --> 00:11:53,646 - UH, WELL, LUCY DID AGREE TO SAY HER SONG WASN'T ABOUT ME. 364 00:11:53,646 --> 00:11:55,648 - BUT THEN HE SAID SOMETHING STUPID, 365 00:11:55,648 --> 00:11:58,418 AND NOW SHE'S TELLING EVERYONE AT A PRESS CONFERENCE. 366 00:11:58,418 --> 00:12:01,121 - FIX IT BEFORE E! NEWS AIRS TONIGHT AT 8:00! 367 00:12:01,121 --> 00:12:03,857 - YEAH, MEANWHILE, WE'LL BE DEALING WITH LOGAN AND CARLOS' 368 00:12:03,857 --> 00:12:05,458 TWO GRANNY SCANDALS. 369 00:12:05,458 --> 00:12:07,127 - TECHNICALLY, WE SHOULD COUNT THAT 370 00:12:07,127 --> 00:12:09,229 AS ONE LARGE GRANNY SCANDAL. 371 00:12:09,229 --> 00:12:10,630 - HMM, YEAH, TECHNICALLY... 372 00:12:10,630 --> 00:12:12,232 [screams] 373 00:12:12,232 --> 00:12:13,934 - WHY CAN'T YOU GUYS BE MORE LIKE JAMES? 374 00:12:13,934 --> 00:12:16,069 HE GOT A DUET WITH CHER LLOYD. 375 00:12:16,069 --> 00:12:17,470 [banging] - JAMES! 376 00:12:17,470 --> 00:12:19,807 I KNOW YOU'RE IN THERE RECAPPING! 377 00:12:19,807 --> 00:12:22,309 - AH, DUET, SCAM... 378 00:12:22,309 --> 00:12:23,576 - OPEN THIS DOOR RIGHT NOW! 379 00:12:23,576 --> 00:12:24,577 - WE SHOULD LEAVE NOW. 380 00:12:24,577 --> 00:12:26,179 - QUICK! THE SECRET PASSAGE! 381 00:12:26,179 --> 00:12:27,347 - GO! GO! GO! GO! GO! GO! 382 00:12:27,347 --> 00:12:28,348 - GO, GO NOW! 383 00:12:28,348 --> 00:12:29,850 - GO! GO! GO! GO! GO! GO! 384 00:12:29,850 --> 00:12:31,284 COME ON! COME ON! 385 00:12:32,419 --> 00:12:35,022 FIX THOSE SCANDALS! 386 00:12:38,225 --> 00:12:41,628 - THIS...IS ALL YOUR FAULT. 387 00:12:41,628 --> 00:12:43,563 - CHER'S HERE. 388 00:12:43,563 --> 00:12:44,832 - [yelps] 389 00:12:44,832 --> 00:12:47,434 - HELLO, JAMES. I'D LIKE A LITTLE WORD WITH YOU. 390 00:12:47,434 --> 00:12:49,136 - CHER, I'M SO SORRY FOR CRASHING YOUR SONG, 391 00:12:49,136 --> 00:12:50,838 BUT BIG TIME RUSH ARE CAUGHT IN SOME SCANDALS, 392 00:12:50,838 --> 00:12:52,739 AND YOU AND ME SINGING TOGETHER WOULD FIX THOSE SCANDALS 393 00:12:52,739 --> 00:12:54,074 'CAUSE YOU'RE COOL AND AWESOME-- 394 00:12:54,074 --> 00:12:55,075 PLEASE, NOT THE FACE. 395 00:12:55,075 --> 00:12:56,276 - CALM DOWN! 396 00:12:56,276 --> 00:12:57,610 I GUESS THERE'S NO HARM DONE. 397 00:12:57,610 --> 00:13:00,247 BUT AFTER MY VIDEO SHOOT TODAY, 398 00:13:00,247 --> 00:13:02,149 I SHALL BE RELEASING A STATEMENT 399 00:13:02,149 --> 00:13:03,316 SAYING THAT YOU AND I 400 00:13:03,316 --> 00:13:04,985 WERE JUST MESSING AROUND FOR THE CAMERAS 401 00:13:04,985 --> 00:13:07,855 AND THERE IS NO DUET. 402 00:13:07,855 --> 00:13:09,689 - I LIKE IT. SMART. 403 00:13:09,689 --> 00:13:11,191 ding! 404 00:13:11,191 --> 00:13:12,225 [triumphant fanfare] 405 00:13:12,225 --> 00:13:13,861 - CHEERIO, DARLINGS! 406 00:13:13,861 --> 00:13:16,029 - READY TO CRASH CHER'S MUSIC VIDEO? 407 00:13:16,029 --> 00:13:18,365 - * DUET TIME 408 00:13:18,365 --> 00:13:20,700 - SO THE ONLY WAY TO FIGHT CELEBRITY SCANDAL 409 00:13:20,700 --> 00:13:22,702 IS TO COUNTER BAD PRESS 410 00:13:22,702 --> 00:13:24,037 WITH GOOD PRESS. 411 00:13:24,037 --> 00:13:25,705 - SO WE RECORD FOOTAGE 412 00:13:25,705 --> 00:13:28,175 OF US HELPING AN OLD LADY ACROSS THE STREET. 413 00:13:28,175 --> 00:13:30,677 - THEN WE SEND THE FOOTAGE TO E! NEWS, 414 00:13:30,677 --> 00:13:34,181 AND BIG TIME GRANNY SCANDAL IS OVER! 415 00:13:34,181 --> 00:13:36,183 - I HATE ALL OF YOU. 416 00:13:36,183 --> 00:13:37,350 - LET'S GO, GRANNY G. 417 00:13:37,350 --> 00:13:40,353 [cheerful music] 418 00:13:40,353 --> 00:13:43,891 * 419 00:13:43,891 --> 00:13:45,058 - [whispering] GUYS... 420 00:13:45,058 --> 00:13:46,093 I NEED TO SEE YOUR FACES. 421 00:13:46,093 --> 00:13:47,094 - OH... 422 00:13:47,094 --> 00:13:48,095 [horn blaring] 423 00:13:48,095 --> 00:13:49,129 - [screams] 424 00:13:49,129 --> 00:13:51,464 - WHERE DID HE GO? 425 00:13:51,464 --> 00:13:52,799 GUSTAVO? 426 00:13:52,799 --> 00:13:53,901 - WHERE DID HE GO? 427 00:13:55,035 --> 00:13:56,203 - LET'S FACE IT. 428 00:13:56,203 --> 00:13:57,704 THIS SCANDAL IS BIGGER THAN WE ARE, 429 00:13:57,704 --> 00:13:59,706 AND WE'RE GONNA NEED SOME HELP. 430 00:13:59,706 --> 00:14:01,441 - OKAY, HERE'S WHAT YOU DO. 431 00:14:01,441 --> 00:14:04,311 FIRST, YOU NEED SOME ANT SPRAY AND A BURLAP SACK. 432 00:14:04,311 --> 00:14:05,712 - STOP RIGHT THERE. 433 00:14:05,712 --> 00:14:07,114 - JUST GET BACK TOGETHER WITH LUCY. 434 00:14:07,114 --> 00:14:08,148 SHE'LL FORGIVE YOU. 435 00:14:08,148 --> 00:14:09,416 CANCEL THE PRESS CONFERENCE. 436 00:14:09,416 --> 00:14:10,450 AND I'LL DATE JO. 437 00:14:10,450 --> 00:14:11,618 - NO! 438 00:14:11,618 --> 00:14:13,020 - ALL RIGHT, FORGET ABOUT THE ANT SPRAY 439 00:14:13,020 --> 00:14:14,254 AND THE BURLAP SACK. 440 00:14:14,254 --> 00:14:17,524 NOW, HOW LONG CAN THE TWO OF YOU HOLD YOUR BREATH? 441 00:14:17,524 --> 00:14:18,558 - STOP IT. 442 00:14:18,558 --> 00:14:20,760 - I DISGUISE MYSELF AS LUCY, 443 00:14:20,760 --> 00:14:23,096 SAY THE SONG IS NOT ABOUT KENDALL, 444 00:14:23,096 --> 00:14:24,397 THEN TELL THE WHOLE WORLD 445 00:14:24,397 --> 00:14:26,666 TO WATCH CAMILLE ROBERTS' AMAZING PERFORMANCE 446 00:14:26,666 --> 00:14:29,102 IN ROCK CAMP 9: STILL CAMPIN'. 447 00:14:30,170 --> 00:14:32,539 WHAT? I COULD USE THE EXPOSURE. 448 00:14:32,539 --> 00:14:35,808 - WELL, THAT'S IT. I'M GETTING SWIFTED. 449 00:14:35,808 --> 00:14:37,710 LUCY'S GONNA SAY IT'S ME AT HER PRESS CONFERENCE, 450 00:14:37,710 --> 00:14:39,712 AND MY REPUTATION WILL BE DESTROYED. 451 00:14:39,712 --> 00:14:42,482 - WELL, SINCE SHE SWIFTED YOU, 452 00:14:42,482 --> 00:14:43,716 WHY DON'T YOU JUST KANYE HER? 453 00:14:43,716 --> 00:14:44,817 - GREAT IDEA! 454 00:14:44,817 --> 00:14:46,086 WHAT'S THE CAVEMAN TALKING ABOUT? 455 00:14:46,086 --> 00:14:47,654 - KANYE WEST BLOCKED TAYLOR SWIFT 456 00:14:47,654 --> 00:14:48,688 FROM SPEAKING ONSTAGE. 457 00:14:48,688 --> 00:14:50,023 HE JUST KEPT TALKING, 458 00:14:50,023 --> 00:14:51,758 AND SHE COULD NEVER GET A WORD IN. 459 00:14:51,758 --> 00:14:55,295 - SO WE GET INTO HER PRESS CONFERENCE 460 00:14:55,295 --> 00:14:56,696 AND KEEP HER FROM SWIFTING ME. 461 00:14:56,696 --> 00:14:58,665 - AND HOW ARE WE GONNA DO THAT? 462 00:14:58,665 --> 00:14:59,732 - [exhales deeply] 463 00:14:59,732 --> 00:15:01,668 OKAY, EVERYBODY. 464 00:15:01,668 --> 00:15:02,970 PICTURE THIS... 465 00:15:02,970 --> 00:15:04,604 - * OH, OH, OH, OH 466 00:15:04,604 --> 00:15:06,573 * NOW, PICTURE THIS FIRST KISS * 467 00:15:06,573 --> 00:15:08,208 * 'NEATH THE MOONLIGHT * 468 00:15:08,208 --> 00:15:09,309 * SLOW DANCE 469 00:15:09,309 --> 00:15:11,578 * COVER BAND PLAYING ALL NIGHT 470 00:15:11,578 --> 00:15:12,645 * MEANT TO BE 471 00:15:12,645 --> 00:15:13,813 * COOL BREEZE 472 00:15:13,813 --> 00:15:15,348 * FEELING SO RIGHT 473 00:15:15,348 --> 00:15:17,084 * PICTURE THIS 474 00:15:17,084 --> 00:15:19,452 * PICTURE THIS 475 00:15:19,452 --> 00:15:22,455 * WHEN YOU LOOK INTO 476 00:15:22,455 --> 00:15:24,257 * YOUR FUTURE 477 00:15:24,257 --> 00:15:26,626 * WHO'S THERE STANDING * 478 00:15:26,626 --> 00:15:27,827 * WITH YOU 479 00:15:27,827 --> 00:15:32,665 * WHEN YOU CLOSE YOUR EYES 480 00:15:32,665 --> 00:15:33,666 - * WHOA, WHOA 481 00:15:33,666 --> 00:15:36,036 - * DO YOU SEE 482 00:15:36,036 --> 00:15:37,070 * WHAT I SEE 483 00:15:37,070 --> 00:15:39,306 * YOU AND ME 484 00:15:39,306 --> 00:15:40,840 * IT'S LIKE A MOVIE SCENE * 485 00:15:40,840 --> 00:15:42,809 * THAT'S THE WAY * 486 00:15:42,809 --> 00:15:44,544 * YOU KNOW IT SHOULD BE 487 00:15:44,544 --> 00:15:46,213 * THE TWO OF US TOGETHER 488 00:15:46,213 --> 00:15:48,248 * GIRL, CAN YOU PICTURE THIS? 489 00:15:48,248 --> 00:15:50,017 - * WHOA-OH, WHOA-OH, WHOA-OH * 490 00:15:50,017 --> 00:15:51,751 - * GIRL, CAN YOU PICTURE THIS? * 491 00:15:51,751 --> 00:15:53,520 - * WHOA-OH, WHOA-OH, WHOA-OH * 492 00:15:53,520 --> 00:15:55,188 - * THE TWO OF US TOGETHER 493 00:15:55,188 --> 00:15:57,090 - * WHOA-OH, WHOA-OH, WHOA-OH * 494 00:15:57,090 --> 00:15:58,791 - * GIRL, CAN YOU PICTURE THIS? * 495 00:15:58,791 --> 00:16:00,527 - * WHOA-OH, WHOA-OH, WHOA-OH * 496 00:16:00,527 --> 00:16:02,862 - * GIRL, CAN YOU PICTURE THIS? * 497 00:16:04,031 --> 00:16:06,366 * DO YOU SEE 498 00:16:06,366 --> 00:16:07,367 * WHAT I SEE 499 00:16:07,367 --> 00:16:09,569 * YOU AND ME 500 00:16:09,569 --> 00:16:11,371 * IT'S LIKE A MOVIE SCENE * 501 00:16:11,371 --> 00:16:13,040 * THAT'S THE WAY * 502 00:16:13,040 --> 00:16:14,774 * YOU KNOW IT SHOULD BE 503 00:16:14,774 --> 00:16:16,543 * THE TWO OF US TOGETHER 504 00:16:16,543 --> 00:16:18,245 * GIRL, CAN YOU PICTURE THIS? 505 00:16:18,245 --> 00:16:21,281 * WHEN YOU LOOK INTO 506 00:16:21,281 --> 00:16:23,116 * YOUR FUTURE 507 00:16:23,116 --> 00:16:25,252 * WHO'S THERE STANDING * 508 00:16:25,252 --> 00:16:27,387 * WITH YOU 509 00:16:27,387 --> 00:16:29,622 * WHEN YOU CLOSE YOUR EYES 510 00:16:29,622 --> 00:16:30,923 - [screams] 511 00:16:30,923 --> 00:16:32,559 - * WHOA, OH, OH 512 00:16:32,559 --> 00:16:34,627 - * DO YOU SEE 513 00:16:34,627 --> 00:16:35,962 * WHAT I SEE 514 00:16:35,962 --> 00:16:38,065 * YOU AND ME 515 00:16:38,065 --> 00:16:39,466 * IT'S LIKE A MOVIE SCENE * 516 00:16:39,466 --> 00:16:41,501 * THAT'S THE WAY * 517 00:16:41,501 --> 00:16:43,336 * YOU KNOW IT SHOULD BE 518 00:16:43,336 --> 00:16:44,504 * THE TWO OF US TOGETHER 519 00:16:44,504 --> 00:16:45,572 - JAMES! 520 00:16:45,572 --> 00:16:47,174 - * GIRL, CAN YOU PICTURE THIS? * 521 00:16:47,174 --> 00:16:49,776 * CAN YOU PICTURE THIS? 522 00:16:51,311 --> 00:16:54,581 - OKAY, LUCY'S PRESS CONFERENCE IS IN 20 MINUTES. 523 00:16:54,581 --> 00:16:57,950 LET'S JUST HOPE THE OTHER GUYS GET RID OF THEIR SCANDALS TOO. 524 00:16:57,950 --> 00:17:00,187 - DID YOU GUYS GET THE FOOTAGE? 525 00:17:00,187 --> 00:17:01,788 BUS! [chuckles] 526 00:17:01,788 --> 00:17:04,091 DO PEOPLE THINK THAT YOU'RE NICE TO OLD LADIES? 527 00:17:04,091 --> 00:17:05,192 BUS! 528 00:17:05,192 --> 00:17:06,593 - THE ONLY THING THAT PEOPLE KNOW 529 00:17:06,593 --> 00:17:07,994 IS WHAT E! SHOWED THEM 530 00:17:07,994 --> 00:17:10,530 BECAUSE THAT'S THE ONLY FOOTAGE OF CARLOS' BEE SLAP 531 00:17:10,530 --> 00:17:12,199 AND LOGAN'S PURSE SNATCH. 532 00:17:12,199 --> 00:17:14,101 - AGH! 533 00:17:14,101 --> 00:17:16,369 WAIT. 534 00:17:16,369 --> 00:17:18,738 SECURITY CAMERAS. 535 00:17:18,738 --> 00:17:21,641 - GO! GO! GO! GO! 536 00:17:21,641 --> 00:17:23,943 THEY MIGHT HAVE THE ANGLES THAT SHOW WHAT REALLY HAPPENED. 537 00:17:23,943 --> 00:17:25,978 - AND THEN WE CAN SEND IT TO E! 538 00:17:25,978 --> 00:17:27,347 - [sighs] COME ON. 539 00:17:27,347 --> 00:17:30,617 COME ON! 540 00:17:30,617 --> 00:17:32,352 [peppy instrumental music] 541 00:17:32,352 --> 00:17:33,353 - THIS JUST IN: 542 00:17:33,353 --> 00:17:34,521 NEW FOOTAGE THAT PROVES 543 00:17:34,521 --> 00:17:36,923 BIG TIME RUSH IS ACTUALLY HELPFUL 544 00:17:36,923 --> 00:17:38,591 AND NOT HURTFUL TO OLD LADIES. 545 00:17:38,591 --> 00:17:39,992 all: YES! 546 00:17:39,992 --> 00:17:42,129 - BUT BIG TIME SCANDALS STILL REMAIN 547 00:17:42,129 --> 00:17:45,365 AS THE WORLD WAITS FOR POP PRINCESS LUCY STONE 548 00:17:45,365 --> 00:17:48,568 TO ANNOUNCE THE IDENTITY OF THE JERKFACE BOYFRIEND 549 00:17:48,568 --> 00:17:49,669 IN HER SONG. 550 00:17:49,669 --> 00:17:50,837 IS IT KENDALL KNIGHT? 551 00:17:50,837 --> 00:17:54,574 WE HAVE ALL THE DETAILS TONIGHT AT 8:00 P.M. 552 00:17:54,574 --> 00:17:56,943 - [screams] 553 00:17:56,943 --> 00:17:58,278 - WHOO! 554 00:17:58,278 --> 00:18:00,313 KENDALL COULDN'T STOP THE PRESS CONFERENCE! 555 00:18:00,313 --> 00:18:03,049 - AH! YOU'RE SUPPOSED TO BE HIDING FROM CHER. 556 00:18:03,049 --> 00:18:05,618 - [yelps] 557 00:18:05,618 --> 00:18:08,688 - JAMES, GET UP. 558 00:18:08,688 --> 00:18:10,590 - PLEASE, CHER, NOT THE FACE. 559 00:18:10,590 --> 00:18:13,160 [dramatic music] 560 00:18:13,160 --> 00:18:15,162 - YOU'RE LUCKY, YOU CHEEKY CHIPMUNK. 561 00:18:15,162 --> 00:18:16,363 - COME AGAIN? 562 00:18:16,363 --> 00:18:17,430 - YEAH. COME AGAIN? 563 00:18:17,430 --> 00:18:18,931 - WELL, IT TURNS OUT 564 00:18:18,931 --> 00:18:21,434 MY DIRECTOR LOVED THE VIDEO WITH YOU IN IT. 565 00:18:21,434 --> 00:18:23,803 AND HE RELEASED A CUT OF IT ONLINE 566 00:18:23,803 --> 00:18:25,405 WITHOUT MY APPROVAL. 567 00:18:25,405 --> 00:18:28,808 BUT THE FANS LOVED IT, 568 00:18:28,808 --> 00:18:31,478 AND WE GOT 10 MILLION HITS ONLINE. 569 00:18:31,478 --> 00:18:34,214 SEE? 570 00:18:34,214 --> 00:18:36,516 - COOL. - OKAY, WELL, I'VE GOT TO RUN. 571 00:18:36,516 --> 00:18:39,186 I'VE GOT TO SEE MY DIRECTOR IN THE HOSPITAL. 572 00:18:39,186 --> 00:18:40,653 - WHY IS HE IN THE HOSPITAL? 573 00:18:40,653 --> 00:18:42,189 - WELL, LIKE I SAID, 574 00:18:42,189 --> 00:18:45,492 HE RELEASED THE VIDEO WITHOUT MY APPROVAL. 575 00:18:45,492 --> 00:18:47,827 - AND I'VE GOT TO RUN TOO. 576 00:18:47,827 --> 00:18:50,330 LUCY'S ABOUT TO TAYLOR SWIFT MY BEST FRIEND! 577 00:18:50,330 --> 00:18:52,565 - HOW DO YOU LIVE WITH THEM? 578 00:18:52,565 --> 00:18:53,766 - IT'S SO HARD. 579 00:18:53,766 --> 00:18:57,036 - * YOU DUMPED ME FOR HER 580 00:18:57,036 --> 00:18:58,671 * YOU GAVE ME YOUR WORD 581 00:18:58,671 --> 00:19:00,207 [crowd murmuring] 582 00:19:00,207 --> 00:19:03,210 [camera shutters clicking] 583 00:19:07,680 --> 00:19:09,382 - RUMORS HAVE BEEN SWIRLING 584 00:19:09,382 --> 00:19:12,219 AS TO WHO MY SONG YOU DUMPED ME FOR HER IS ABOUT 585 00:19:12,219 --> 00:19:14,221 AND WHETHER OR NOT IT'S KENDALL KNIGHT. 586 00:19:14,221 --> 00:19:16,656 AND I'M HERE NOW TO TELL YOU ALL THE TRUTH 587 00:19:16,656 --> 00:19:18,625 AND TO ANSWER ALL YOUR QUESTIONS. 588 00:19:18,625 --> 00:19:21,461 - YES, CANDY CANDERSON, SCANDALICIOUS MAGAZINE. 589 00:19:21,461 --> 00:19:25,265 CAN YOU NAME EVERY STAR IN THE UNIVERSE? 590 00:19:25,265 --> 00:19:26,799 AND GO. 591 00:19:26,799 --> 00:19:28,235 - UM... 592 00:19:28,235 --> 00:19:31,238 I WAS THINKING THE QUESTIONS WOULD BE MORE ABOUT THE SONG. 593 00:19:31,238 --> 00:19:32,805 - I HAVE A QUESTION. 594 00:19:32,805 --> 00:19:35,308 CAN YOU SEE ME WHEN I DO THIS? 595 00:19:35,308 --> 00:19:37,310 'CAUSE I CAN'T SEE YOU. 596 00:19:37,310 --> 00:19:38,445 - YES, I CAN SEE YOU. 597 00:19:40,447 --> 00:19:42,549 - UH... 598 00:19:42,549 --> 00:19:43,650 UH, DO YOU THINK BANANA BREAD 599 00:19:43,650 --> 00:19:45,518 MAKES AN EFFECTIVE BAIT FOR MONKEY FISH? 600 00:19:45,518 --> 00:19:47,920 ALSO, I HAVE 18 FOLLOW-UP QUESTIONS. 601 00:19:47,920 --> 00:19:48,955 - BUDDHA BOB. 602 00:19:48,955 --> 00:19:50,323 - YEAH. UH, NO! 603 00:19:50,323 --> 00:19:51,324 - YOU'RE BUSTED! 604 00:19:51,324 --> 00:19:52,525 QUICK. HIDE. 605 00:19:55,428 --> 00:19:57,697 - THE QUESTION I WANT TO ANSWER 606 00:19:57,697 --> 00:19:59,632 IS WHO THE GUY IN MY SONG IS, 607 00:19:59,632 --> 00:20:01,868 AND, IN FACT, HE IS SITTING RIGHT-- 608 00:20:01,868 --> 00:20:03,270 - WHAT IF... 609 00:20:03,270 --> 00:20:04,604 [record needle scratching] 610 00:20:04,604 --> 00:20:08,908 YOU WERE WRONG ABOUT THE JERKFACE IN YOUR SONG? 611 00:20:08,908 --> 00:20:09,909 [clears throat] 612 00:20:09,909 --> 00:20:12,245 - MAYBE HE WAS JUST REALLY CONFUSED 613 00:20:12,245 --> 00:20:13,480 AND NEVER MEANT TO HURT YOU 614 00:20:13,480 --> 00:20:15,382 AND IS THE COOLEST GUY I KNOW. 615 00:20:15,382 --> 00:20:16,583 [clears throat] 616 00:20:16,583 --> 00:20:19,686 - MAYBE YOU SHOULD DATE JAMES DIAMOND INSTEAD 617 00:20:19,686 --> 00:20:20,687 AND MAKE OUT WITH HIM. 618 00:20:20,687 --> 00:20:22,054 [chuckles] 619 00:20:22,054 --> 00:20:23,189 I MEAN... 620 00:20:23,189 --> 00:20:25,057 [whispers] HELP US. 621 00:20:25,057 --> 00:20:26,726 - OKAY. [chuckles] 622 00:20:26,726 --> 00:20:28,961 THE SONG YOU DUMPED ME FOR HER 623 00:20:28,961 --> 00:20:31,364 IS REALLY ABOUT... 624 00:20:31,364 --> 00:20:34,801 [crowd murmuring] 625 00:20:34,801 --> 00:20:38,405 [dramatic music] 626 00:20:38,405 --> 00:20:40,206 NOT KENDALL KNIGHT. 627 00:20:40,206 --> 00:20:41,608 [crowd murmuring] 628 00:20:41,608 --> 00:20:43,943 IT'S A COMBINATION 629 00:20:43,943 --> 00:20:45,912 OF A FEW DIFFERENT GUYS I'VE KNOWN. 630 00:20:45,912 --> 00:20:49,682 I HAD ONE KISS AND HALF A DATE WITH KENDALL. 631 00:20:49,682 --> 00:20:52,051 AND IT WAS VERY SWEET. 632 00:20:52,051 --> 00:20:56,088 IT WAS GREAT TO SEE ALL OF YOU AGAIN. 633 00:20:56,088 --> 00:20:57,357 AND THANKS FOR COMING. 634 00:20:57,357 --> 00:20:59,426 [reporters clamoring] 635 00:20:59,426 --> 00:21:03,796 * YOU DUMPED ME FOR HER 636 00:21:05,432 --> 00:21:07,400 - SO AFTER ALL THE HOOPLA, 637 00:21:07,400 --> 00:21:09,936 IT TURNS OUT THAT LUCY STONE'S SMASH 638 00:21:09,936 --> 00:21:11,137 YOU DUMPED ME FOR HER 639 00:21:11,137 --> 00:21:13,205 IS NOT ABOUT KENDALL KNIGHT, 640 00:21:13,205 --> 00:21:16,208 WHO IS NOT A TOTAL JERKFACE. 641 00:21:16,208 --> 00:21:17,577 - [quietly] YES! 642 00:21:17,577 --> 00:21:18,878 - I GOT TO SAY, 643 00:21:18,878 --> 00:21:20,713 THAT WAS REALLY NICE OF LUCY TO DO THAT. 644 00:21:20,713 --> 00:21:21,781 both: AGREED! 645 00:21:21,781 --> 00:21:23,850 - AND IT WAS REALLY NICE OF YOU 646 00:21:23,850 --> 00:21:25,017 NOT TO GET MAD AT ME. 647 00:21:25,017 --> 00:21:27,754 THOSE LYRICS WERE KIND OF HURTFUL. 648 00:21:27,754 --> 00:21:29,155 - THEY'RE JUST LYRICS. 649 00:21:29,155 --> 00:21:32,425 AND WE CAN ALWAYS TURN OFF THE SONG AND FORGET ABOUT IT. 650 00:21:32,425 --> 00:21:33,926 - TRUE. 651 00:21:33,926 --> 00:21:34,994 - I MEAN, IT'S NOT LIKE LUCY 652 00:21:34,994 --> 00:21:36,429 IS LIVING HERE TO KEEP REMINDING US. 653 00:21:36,429 --> 00:21:38,197 - HEY, GUYS. 654 00:21:38,197 --> 00:21:39,999 I'M MOVING BACK INTO THE PALMWOODS. 655 00:21:39,999 --> 00:21:42,369 - OKAY. - COOL. 656 00:21:42,369 --> 00:21:45,372 [foreboding music] 657 00:21:45,372 --> 00:21:48,741 * 658 00:21:48,741 --> 00:21:52,379 both: * UH, UH, UH-UH-OH 659 00:21:52,379 --> 00:21:53,546 [elevator dings] 660 00:21:53,546 --> 00:21:54,814 - [whispers] SHE WILL BE MINE. 661 00:21:58,385 --> 00:21:59,386 - * STEP IT UP, GET IN GEAR * 662 00:21:59,386 --> 00:22:00,987 * GO FOR BROKE, MAKE IT CLEAR * 663 00:22:00,987 --> 00:22:03,523 - * GOT TO GO BIG TIME 664 00:22:03,523 --> 00:22:05,124 - * HEY, HEY 665 00:22:05,124 --> 00:22:07,059 - * MAKE IT WORK, GET IT RIGHT * 666 00:22:07,059 --> 00:22:08,928 * CHANGE THE WORLD OVERNIGHT 667 00:22:08,928 --> 00:22:12,298 - * GOT TO DREAM BIG TIME 668 00:22:12,298 --> 00:22:13,400 - * OH-OH, OH-OH 669 00:22:13,400 --> 00:22:15,134 - * HEY, HEY 670 00:22:15,134 --> 00:22:17,103 - * GIVE IT ALL YOU GOT NOW 671 00:22:17,103 --> 00:22:19,071 - * HEY, HEY 672 00:22:19,071 --> 00:22:21,073 - * ISN'T IT A RUSH * 673 00:22:21,073 --> 00:22:23,242 - * OH-OH, OH-OH 674 00:22:23,242 --> 00:22:25,211 * OH-OH, OH-OH 675 00:22:25,211 --> 00:22:26,679 - * GO AND SHAKE IT UP 676 00:22:26,679 --> 00:22:29,215 * WHATCHA GOTTA LOSE 677 00:22:29,215 --> 00:22:33,420 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 678 00:22:33,420 --> 00:22:36,423 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 679 00:22:36,423 --> 00:22:41,327 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME *