NARRATOR: Previously on Warehouse 13:
Hello there.
Agent Sally Stukowski, FBI. I'm in charge of this investigation.
We're trying to help. Well, we specialise in weird.
We can help you. We.... We know stuff.
CLAUDIA: I'm Claudia. - Douglas. Douglas Fargo.
- Everyone just calls me Fargo. - Okay. Doug.
I spent some time in a psych-- Research facility.
I just told you I was in an institution...
...so I guess today's sharing day.
[ACOUSTIC GUITAR PLAYING]
WOMAN: Hey! MAN: Good to see you.
[INDISTINCT CHATTER]
♪ Try not to think about you Try not to feel this way at all ♪♪
CLAUDIA: No more agents, dude. What the warehouse needs are interns.
- Is that the whole order? - Yeah.
Party fuel for a fun night of inventory reports.
You know, Claud...
...you ought to bring your git box down here and rock out the locals.
[MAKING GUITAR SOUNDS]
- No. No. - No?
Come on. You're really good. You got to get out of your comfort zone.
You play at the B and B all the time.
Where no one can hear me, especially you.
Quit eavesdropping on me. What's wrong with you?
- Here. - What's wrong with you?
Artie, unblock your number. Yes.
I made sure they used vanilla sprinkles as well as the soy whip.
MAN: Soy whip? No. I don't need soy whip.
I need to speak with someone named Claudia.
- Who is this? - This is Gibson.
He told me to call if something went wrong.
Something has gone really wrong. I'm the only one that's not vegging--
Hey, Gibson, de-spazz for a second.
- Who told you to call me? - Fargo.
And I think he's gonna die.
[♪♪♪]
This is the address that Gibson dude gave me.
MYKA: Ugh. Reminds me of college.
- Hey, Gibson? GIBSON: Back here!
Oh, thank God you guys came. They're freaking out.
I don't know what's going on. I don't know what to do.
CLAUDIA: Oh, my God, Fargo. - Oh, no, don't touch that!
[MONITORS BEEPING]
It was the first thing I tried.
Is this his heart rate? How long has it been that high?
A few minutes. He goes up and down.
PETE: All right, Gibson, is it? - Yeah.
Who are you? Why are we here?
And why is Fargo jacked into the Matrix?
They're playing a video game, and I don't know how to get them to stop.
Oh. Oh, wait, wait, wait, in here!
This way, Fargo can tell you himself.
Greetings, potential investors. Ni hao.
My name is Dr. Douglas Fargo...
...world-renowned scientist, inventor...
...dreamer.
I'm here today to talk to you...
...about an exciting new business venture...
...one that will change the standard of video games...
...for all humankind.
Welcome to Fargames.
Six months ago, two MIT graduates...
...Jerry Hoffler and Gibson Ryce, came to me with an idea.
They called it the BRAID.
Bioelectric Reality Augmentation Interactive Device.
BRAID.
The BRAID creates artificial feelings...
...sights, sounds, smells...
...a full sensory experience.
You don't just play the game, you live it.
Fargames, imagining greater.
So, uh, Fargo and Jerry were beta-testing this game?
Yeah. Things were going great, but after a few hours, their--
Pulses started to spike.
Look, Gibson, IT problems really aren't our area of expertise.
Isn't there someone at Eureka that could--?
The BRAID never worked, did it?
The human brain wouldn't accept the lie of artificial reality.
But Fargo thought he found something that would help.
They drank out of it before they started the test.
PETE: Damn.
That little geek found an artefact.
[♪♪♪]
Agent Jinks, thanks so much for coming on such short notice.
Agent Stukowski.
Considering you tried to have me arrested before...
...I was surprised to get an SOS call from you.
Oh, no, that thing in Denver? Honey, water under the bridge.
I've got a real humdinger here...
...and since your organisation specialises in weird...
...I thought I'd take a chance.
- So you came alone? - Not quite.
ARTIE: How'd that nerd get his hands on an artefact? I'll kill him!
I'll call Leena and she can help.
Eureka.
- Oh, did you just figure something out? - What?
- No. Who's this? - FBI. Agent Sally Stukowski.
- This is Artie-- - Agent Nielsen.
Pleasure. Yes. Thanks again for taking time out of your schedule.
Y'all must be busy with whatever it is you do.
Want to just walk us through the scene?
Yes. Eric Johnson, 47, curator of the Hobbes Gallery...
...takes a dive out of this window here.
Official ruling is suicide, but I don't think so.
People say that he was excited about the exhibit...
...opening next week.
No signs of depression or erratic behaviour.
ARTIE: And....
And, uh, were there any witnesses?
No. He was working late.
Report says he was the only one here.
I'm sort of missing the weirdness here.
Coroner's report.
- That's Mr. Johnson? - He only fell two storeys...
...but the impact trauma, it's like he was skydiving without a parachute.
STEVE: That is weird. And disgusting.
SALLY: So thoughts?
Ideas? Suggestions? Hypotheses?
I got nothing.
Coroner's right.
- Suicide. - Oh, beg your pardon.
That's safety glass. He couldn't have jumped through it.
He took a running jump from across the room...
...built up enough force and went right through the glass.
What? Saw it on MythBusters.
- So that's it then? - Afraid so. Good luck. Steve.
[CELL PHONE RINGS]
This is the manager of the building. Man thinks I work for him.
- I'll show you out in a sec. - We'll show ourselves out.
- Perfect. - I could tell you were lying.
Yeah, that never gets old. Look at that oil painting.
It's right across from the broken window.
It is a van Gogh, Stormy Night. Been missing for years.
No, no, no.
It's bounced around Europe since World War I...
...and death has followed that painting wherever it's been spotted.
If it's an artefact, why don't we take it?
Tell them what? Their painting murdered a man, can we have it?
Stukowski called us in.
I have no intention of giving her any more clues...
...as to what it is we do. No, no, no.
If we're gonna get that painting...
[ARTIE SIGHS]
...we're gonna have to steal it.
[CELL PHONE BEEPS]
Does it look anything like this?
MYKA: It's an exact match.
No effect on Fargo or Jerry.
The Warehouse has the fourth cup.
So, what's the story?
Well, the tea set belonged to Beatrix Potter...
...19th-century English writer.
Peter Rabbit. I love that book.
The League of Evil British Writers strikes again.
The rest of the set has been on Artie's most-wanted list for years.
Okay, "Used for brewing teas derived from rare fungi...
...cultivated by Potter during her time as a mycologist.
The tea is known to stimulate the precuneus region of the brain."
It's the imagination centre.
I bet that's why Potter got into writing children's stories.
So, what, the tea set made her trip bunnies?
Fargo must have figured it'd help do what the BRAID couldn't.
Make the brain experience total reality inside the game.
I've seen Potter's first editions in the Warehouse Library.
- Leena, can you send us scans? - You got it.
GIBSON: Claudia!
[GASPING]
- Ah, he just started doing this. - We got to get him out of there.
I've read the schematics. I don't think there's anything we can do.
From out here.
[♪♪♪]
So if they never worked, why'd you make so many?
Yeah, well, Fargo's not the most linear thinker.
Hey, I upgraded the hardware. You can incorporate that into the game.
- In 20 minutes? - Quicker than Domino's.
That's an in-game communicator, so talk to us once we go inside.
Claudia and I will go in, find him and boogie on back out to reality.
- Game on, urban warrior. - Yup.
[BEEPING]
Okay, you both need avatars to play in the game.
- What do you want to be? - Make me a bad-ass.
CLAUDIA: What kind of game is this? GIBSON: I just did the hardware.
It's some sword-and-sorcery thing that Fargo wrote.
I think he's a wizard. I was gonna be a warlock priest.
I'll just be myself.
Okay.
Are you sure it won't work without the tea?
We tried. If you don't drink, the game's just a game.
Fargo wanted more than that.
Yeah, looks like he got it.
Well, I'll be here to make sure that nothing goes wrong...
...or more wrong.
PETE: Oh, oh, oh.
No, no, no.
I was playing "Frogger" when you were just a tadpole.
Just to make sure the pop-out works, right?
Mmm. Oh, man, that-- Minty, right?
I hope there's no caffeine in there because--
Well, his pulse is still normal.
Dude? Dude, you there?
PETE: Yeah. Yeah. Hello?
- Can you hear me? - Loud and clear.
It's awesome in here. Is that the--?
Oh, man.
Dude, uh, look down at your belt.
- Do you see the controller? - White thing with the button on top?
Rad. Push the button.
Oh. You guys got to see this.
[PETE EXHALES]
Fill her up.
Is it me or does that look a little bit like...?
Yep.
Fargo made a Warehouse 13 video game.
[♪♪♪]
CLAUDIA: And somewhere in there Fargo's having a seizure.
[CLAUDIA SIGHS]
Whoa! And you're a stripper.
What? No, I'm a gladiator.
- It's cool, right? - Yeah, nice skirt.
- Nice ears. - Hm?
- Point-- Pointy? - Heh-heh.
I'm an elf? I said "myself."
You need to enunciate.
Now run to your tree and get me some cookies.
MAN: Halt, players!
[♪♪♪]
- Artie? - I am General Arthur...
...of the Queen's Royal Best.
Now, players, prepare for a life-ending quest.
Through bleak, barren lands...
...you will stumble and blunder...
...trying to find a world of bizarre, endless wonder.
[BOTH SCREAMING]
PETE: Whoa. You see this?
CLAUDIA: Yeah, don't really believe it though.
[ARTHUR LAUGHS]
ARTHUR: Welcome, players, to Fortress 13...
...the most wondrous place that's never been seen.
Hidden deep in the valley of the land of Bad...
...filled with dangerous relics, some evil...
...some mad.
[PETE LAUGHS]
Artie is gonna be deeply pissed.
The princess is imprisoned high in the Black Tower.
Her life slipping way with each passing hour.
True heroes you are to take this grave test.
Now, will you accept your dangerous quest?
Your Generalness, I am Pete-imus Maximus of the Lattimer Legion.
This is my faithful squire:
Claudi-elf.
We would love to save your princess, but are looking for two royal geeks.
True heroes you are to take this grave test.
Now, will you accept your dangerous quest?
Sure. Glasses, unnatural attraction to computers.
ARTHUR: Now, will you accept your dangerous quest?
It's a programme. Fargo and Jerry must be further in the game.
We'll have to play along if we wanna find them.
Now, will you accept your--?
Sure. Sure. Why not?
- Welcome, players, to Fortress-- BOTH: Yes!
Ah!
Follow the path...
...to the Cave of Forbidden Mystery.
There you must collect the Black Tower key.
With it, free the princess...
...and so save the day.
Great rewards await those who act the right way.
Heh. Cave of Forbidden Mystery, huh? Sounds cheery.
[COMM BUZZING]
- Myka-mus. - Pete, how's it going in there?
Well, so far so good.
No sign of the Parker Brothers yet.
But we're on a quest, and I have a really cool sword.
Oh, what did I get?
I got a vial of purple goo. Great.
I wanted nunchucks.
Okay, look, you have to find Fargo and Jerry.
I don't know how much longer their hearts can beat at this rate.
Copy that. Crash Bandicoot out.
Okay.
Let's go find the scarecrow, shall we?
Come, Toto.
[♪♪♪]
Artie. Hey! Will you listen to me?
I've been up and down this place. I know security systems.
And this one is far too sophisticated and probably....
[BEEPING]
Wasting my time? I know.
I never get tired of that. Ahem.
Ah-ah.
Sorry, my burglary skills are rusty.
We're warehouse agents. This isn't burglary.
- This is creative snagging. - I'll be getting my own lawyer. What--?
What is that? Some sort of weapon? You add more time to the sentence.
No--
ARTIE: Three, two, one.
It's called an eclipse.
It deactivates all laser detection for 42 minutes and 59 seconds.
Why 42 minutes and 59 seconds?
That's how long Dark Side of the Moon is.
You're a Floyd fan? Have you seen laser Floyd?
I've got Roger Waters' name tattooed on my neck.
No! I'm not a Floyd fan.
SALLY: Thought you two might be back.
Guess I was right about all that weirdness after all.
- Agent Stukowski, this isn't-- - Steve, Steve, Steve.
Agent Nielsen...
...either you include me or I activate the alarm.
Your choice.
[GASPING]
MYKA: This is not the Peter Rabbit I remember.
[SIGHS]
Oh, man, there is some serious copyright infringement going on here.
Wait, we passed Seabiscuit here 20 minutes ago.
Oh, nertz, we've been going in circles.
Classic video-game trope. We should have seen this coming.
[WOMAN MOANING]
CLAUDIA: Hey, are you all right? - Wait, Claudia, we don't know what it is.
CLAUDIA: It's obviously trapped.
Didn't General Arthur say great rewards await those who act the right way?
Helping this, whatever that is, could be--
Acting the right way. Fair enough.
Stand back.
I'll use my trusty sword.
[PETE YELLS, THEN GROANS]
There's that full sensory experience Fargo was talking about.
Silly gladiator. Disco Ball's an artefact.
And artefacts need to be neutralised, right?
- Thank you, player. - Leena?
Look, wings.
Yes, wings.
You freed me from Carter's Curse.
And in return, I will show you the way to your destination.
Great. More yellow road.
For you, young elf...
...a special reward for using your wits to solve my plight...
...instead of thuggish force.
Thuggish can be good sometimes.
- High score. LEENA: That is a Boon.
Should you find yourself in need, call on Leena...
...of the Eagle People.
How does she get off the ground with those things?
- They're wings. - Yeah, the wings probably help.
Hey, wait up.
[♪♪♪]
Oh, no, he didn't.
He actually copied the Dark Vault. So not cool.
Fargo, get out here right now!
Hey, hey. Key.
The key!
There you must collect the Black Tower key.
With it, free the princess and so save the day.
Claudia, wait!
Quicksand?
This must be the death-y part of the game General Artie talked about.
Hey, there's someone in there.
[♪♪♪]
PETE: Come on. That's it!
[GASPING]
Come on! Come on.
Dougie!
[BEEPING]
Oh, thank you! Thank you.
Okay, okay, okay, hugs later.
- You still have your controllers. - Hey, easy there, grabby.
We have to find Jerry. Where is he?
Yeah, and what happened to your controller?
He happened.
PETE: Holy crap. Who invited the Grim Reaper?
Hey, whoa, whoa, whoa, hey.
Look, I am a gladiator, and I demand that you--
Okay.
You know, sometimes in a video game...
...I think it's all right to run!
[♪♪♪]
You know, I was digging "Fortress 13."
Neat costumes, rhyming Artie, but that in there, not okay.
That was not part of the game.
The quicksand, that executioner guy, none of this should happen.
Me and Jerry were just playing along and then all of a sudden...
...things got weird and scary.
"Weird and scary." Sounds like the artefact did something.
Which is why we don't play with them, Fargo, or mix them with video games.
Okay, I'll admit, not my finest idea.
But it was so innocent, Beatrix Potter's tea set.
What's the worst that can happen? Talking bunnies?
We just met the worst that can happen...
...and that talking bunny has a very big axe.
[COMM BUZZING]
- Hey. - Fargo's breathing is back to normal.
Yeah, yeah, we found the little guy. Jerry's still AWOL.
The tea set's starting to put a bit of a whammy on us.
Find anything else out?
Potter's first editions are more like dream journals...
...than stories and they're dark.
In this one story, Peter Rabbit chews off his own leg...
...to escape Farmer McGregor's trap.
That was not on Reading Rainbow.
Guys, what if the tea set doesn't just enhance your imagination?
What if it also brings out the darker parts of your subconscious?
I used to have nightmares about drowning.
And you wound up in quicksand. That must be what's happening.
The tea set brings your fears to life in the game.
- Fantastic. And the executioner? - That must come from Jerry.
Most of my nightmares are about losing my hair.
- Me too! Do you ever--? - Really?
Pete, trade beauty tips later.
I'll figure out what's going on in Jerry's head...
...and you guys just find him, and then get out of there.
So?
Without the controllers, how do we get out?
The only way to shut off the BRAID would be to finish the game...
...which Jerry would know.
He must have gone to the Black Tower.
[THUNDER CRACKS]
Right. Save the princess, finish the game.
To the Black Tower!
I never thought I'd say this, but...
...let's save us a princess.
How should I know what's in Jerry's subconscious?
All we talk about are video games and fantasy football.
Why are all men emotionally stunted?
- I need a woman. - Yeah, you and me both.
No, no, I mean I need to find....
Are you gonna get me a woman?
Because if you are, I'd like to change.
Okay, Jerry's girlfriend, the girl on the mug, who is she?
Oh, uh....
- Sarah or Susan. Melissa? - You don't know her name?
Hey, look, for the last year, I've been working 24/7...
...on building the BRAID. I don't even remember your name!
What are you doing?
I am going through Jerry's calls.
Okay, most of them are from Fargo. Aha!
- Hannah. He called Hannah last week. - Right.
Hannah. Yeah, right. Hannah.
SALLY: So you're just gonna substitute a forgery...
...for a priceless work of art and hope nobody notices?
I think that there's someone there. Can you check?
Take this out.
- You know it's blank, right? - Observe.
[CLICKS]
[♪♪♪]
Nice.
It's memory paper from Johannes Gutenberg's printing press.
Van Gogh himself wouldn't know the difference.
SALLY: No one. You're hearing things.
Shut my mouth! How'd you do that?
- It's from Johannes Guten-- - Really?
I don't know.
ARTIE: Let's just make the swap, shall we?
- Here, put these on. - Hm! We gonna do some dishes?
Just kidding. So this is like that thing in Denver?
- It's a work of art with bad juju? - Yeah.
No.
So how we gonna get it out of here? We have to cut it out or--?
- Careful. Careful. - Oh, sorry. The dust.
Artie, Artie, look.
Get down!
[GRUNTING]
No, no, no!
- Hold on! Hold on! - No, no, no!
[THUNDER CRACKS AND SALLY SCREAMS]
[BOTH GROANING]
This thing was activated by a puff of air.
When you sneezed, that's what triggered the effect.
Who in the hell are you people?
Heh. Yeah. Well, if I had a nickel.
Come on, we got to swap this out still.
HANNAH: Hello?
- What's going on? - Hannah, I'm--
Jerry? Oh, my God.
Don't touch the headband.
Jerry. Jerry!
Jerry, come on, wake up. Jerry! Jerry.
What's wrong with him?
I can't even pretend to understand what you're trying to tell me.
Lost in the game? Do you work for Fargo too?
No, no, no. God, no. Heh.
I'm just here to lend a hand.
Hannah, look, what's going on in there with them...
...it has to do with your boyfriend's subconscious.
I need to know more about him.
Jerry's not my boyfriend anymore.
- We broke up last week. - Last week?
[♪♪♪]
What, you think our breakup has something to do with this?
Just tell me what happened, okay?
I wanted more, something serious.
Jerry kept saying that he wanted the same thing...
...but the time wasn't right.
He wanted Fargames to get off the ground, and I believed him.
I even found the ring that he bought me.
But he never asked.
I waited for months.
And finally I just told him it was over.
I haven't really talked to him since.
Is he gonna be okay?
Well, not as smooth as when we got Whistler's Mother...
...but not a bad grab.
Oh, that's something I'd rather not know about.
No. You don't.
STEVE: Dark Side of the Moon was longer than that.
[ALARM SOUNDING]
Sally!
She's got the van Gogh.
[♪♪♪]
[GRUNTING]
Man, my kilt is chaffing.
- Thanks for coming, by the way. - If a black hole...
...or evil robot shows up at the warehouse...
...you're on my speed dial too.
I hope the princess has some Gold Bond.
Just let me open the door, okay?
I can't wait to meet this princess.
FARGO: Before we go inside, there's something I should tell you.
What?
Brave heroes! You've come to save me.
- I'm the princess? - Really?
You didn't see this coming?
I will compose a ballad in your honour. Heh-heh.
- What are those things on my chest? - Freckles?
Okay. Uh....
Game over. Princess saved.
What are we doing here?
[MAN SOBBING]
Jerry? Jerry! Guys, this is Jerry!
- How did you get here? CLAUDIA: What's wrong with him?
[GASPING]
[BEEPING]
Oh, crap.
Brave hero, you've come to rescue me!
[YELPS]
Okay. All right.
It's just you and me.
[PETE YELLS]
It's just you.
Pete, come on, wake up. Wake up.
[GASPING]
Please. Hannah, please.
- Pete, Pete, Pete. CLAUDIA: Who's Hannah?
- Pete. - Come on, wake up, Pete.
PETE: No, no! FARGO: No.
[GRUNTS]
[SCREAMING]
[WHISTLES]
Whew. Somebody needs a Tic Tac.
- Okay, what is happening? - What's going on?
GIBSON: Everyone's heart rates started elevating.
Oh, God, Jerry's is almost at 230.
How much faster can it go before it just explodes?
Pete, can you hear me? What's going on?
Myka, is Jerry still alive?
Yes, but his pulse is skyrocketing.
Listen, I think his anxiety comes from his ex-girlfriend.
Yeah. Whose doesn't?
Hannah, yeah, I think we just met her.
Nice girl. Big axe.
Pete, listen, you need to stay calm.
[STATIC CRACKLING] In the story that-- Literally consumed--
By his fears--
Am I losing you?
[HIGH-PITCHED WHINE]
Of course I am. Great.
The line went dead.
Myka! Gibson! Is anyone in reality reading me?
I don't understand. It should be working.
Possibly my fault.
I started thinking about how much scarier it would be...
...if we lost communications.
Did you not hear the part about this place making our fears real?
Hey, it's your fault we're stuck in here, pal.
And what's the deal with Puff the Magic Dragon out there?
Yeah, whose fear is that?
Well, no, that's actually just part of the game.
What? Dragons are awesome.
Besides, to get past it, all we need is the Dagger of Josephine!
[CLEARS THROAT]
I said, the Dagger of Josephine!
Which I may have forgotten to programme into the game.
A game. That's right. This is a game.
So how about if I just close my eyes...
...jump and float gently to the ground?
Wait, hold the phone, Spartacus.
- Boon goes the dynamite. - Excellent.
I'll get to see them again. Her. Leena.
I'll get to see Leena again.
Greetings, player, have you chosen your Boon?
And her two humungous wings.
Can you fly us out of here to where Jerry is?
If that is your wish, my steed will aid you.
Steed?
[SHRIEKS]
- Shotgun! Yes. - Ah!
- Stukowski played us. - Why would she want an artefact?
That van Gogh's worth hundreds of millions.
She probably doesn't care it's an artefact.
She's a sworn FBI agent.
Hundreds of millions.
Why don't we tell the cops who we are.
- We're all on the same team. - Heh. Yeah.
NSA and ATF both burglarizing an art gallery.
That won't lead to too many questions.
MAN: All right, gents, let's all go down to One Police Plaza, shall we?
- My boss wants to meet you. SALLY: Hold it!
Sally Stukowski, FBI.
These men are working for me on a terrorism case.
Terrorism? In an art gallery.
Black market sale of art's been used...
...to fund radical organisations in the past few years.
These men were helping me to identify a potential forgery.
We're nearing the end of a 10-month operation...
...and I needed confirmation tonight.
I have full authority from my field office.
Do I need to take it up with your lieutenant?
Uh, take them.
- Chop, chop. - Told you.
[♪♪♪]
Hannah, why are you doing this?
Look, I'm sorry, I couldn't ask. I just....
Look, I was afraid. I was afraid you'd say no.
I wanted to.
I was afraid! I couldn't commit!
PETE: I've had so many relationships that ended like that.
She can't really cut off his head, though, right?
- I mean, not for real. - I don't know.
I mean, if his fear kills him in here...
...it might be able to kill him out there.
- You okay? - Just this fear thing.
Ever try so hard not to think about something...
- ...till it's all you can think about? - Yeah, all the time.
MAN: Miss Donovan.
This is another delusion, dear.
Dr. Michener?
PETE: Who's that?
No, he's nobody. He's not real. He's not here.
None of this is real, Claudia.
You're just an emotionally-troubled young woman.
- No. - Your brother is dead.
[SCREAMS]
No! No! Let me go!
- You're not real! - You've been living a delusion.
One you created to make yourself feel safe.
A warehouse where you could hide from the real world.
But it's a lie, Claudia.
You've been in this institution the whole time. With me.
- Don't listen to him, Claudia! - No, Claudia, we're real!
Please! No! Don't!
You need your treatment, Claudia.
Oh, man, this is bad. Something really bad is happening.
- I'm totally freaking out! - Gibson, snap out of it!
[♪♪♪]
[SCREAMING]
You've been hiding. You'll feel better after your treatment.
- You always do. - No!
You know what, doc? I do feel better now.
Myka, is that really you?
Yeah.
Mm. You went with dominatrix, huh? Good choice.
- Don't make me get my whip. - Meow.
- Are you okay? - Mm-hm.
Are you okay?
Heh. I wasn't expecting a catharsis today...
...but that actually felt pretty good.
Yeah, thanks, Myks.
Okay, guys, look, we have to save Jerry and get our controllers back...
- ...from Evil Hannah - But how?
I mean, she's been kicking our butts since we got here.
Wait, I was stuck in the quicksand, but when I saw you guys...
...it gave me the courage to pull myself out.
Right, and Myka distracted him, but I had to be the one to finish the doc.
You have to take down your own fears.
Right. Okay, so we gotta get traumatized Jerry to nut up...
...before he loses his head.
Myka, Claudia, you go talk to him. We'll distract the ex.
Let's go get mediaeval on her ass.
- One, two, three. ALL: Break!
- Break. - Okay. That's.... Just....
Sorry I ran off. Didn't really have much of a choice.
Figured I'd catch up with you two...
...once I got the painting back to a safe place.
I don't really like lying to policemen.
Well, trust me, you're good at it.
You have our number, Agent Stukowski.
All right, then. Guess I'll catch you later.
[♪♪♪]
What is it, Artie?
Something.
[GROANING]
Hannah. Hannah, I never wanted it to end. I just....
I just wanted to be more for you.
Hey, you old battle axe!
PETE: Hyah!
You're gonna make the super-scary monster face.
She's gonna make the super-scary monster face.
Bring it, beotch.
[♪♪♪]
How am I doing?
Jerry, everything's gonna be okay.
It doesn't matter. I'll never be good enough for her or anybody.
[GROWLS]
Hey, lady!
You had that thing the whole time?
We've established I haven't thought this through very well.
You shall not pass!
Or, after you.
[PETE YELLING]
Cheater.
Come on.
Jerry, I know what happened with Hannah, the real one.
You love her, but you couldn't propose.
She would've said no.
This place, it magnifies your fear, your anxieties.
The proposal, okay, that's your demon, don't let it kill us all.
Dig deep. What do you want more than anything in the world?
- I want Hannah. - Then make it happen.
- Go over to her. - Okay.
- Look her in the eye. - Okay.
- And tell her how you feel. - Okay. Okay.
- All right. - Okay. Let's go.
[MYKA YELLS]
MYKA: Now, Jerry! - Hannah, will you marry me?
Jerry.
ARTHUR: Congratulations, players.
The game is complete.
And now let's all get something to eat.
It's about freaking time.
Ah! She's back!
Hannah. Hannah. Oh, I'm sorry.
- I'm sorry. I love you. - It's okay. I love you too.
- I love you, I love you. - I like this Hannah better.
Well, I thought the giant axe was kind of a turn-on.
I officially know way too much about you.
[INDISTINCT CHATTER]
Ahem. Hi.
I, um--
This is my first time doing anything like this.
A good friend of mine told me I needed to get out of my comfort zone.
And then my worst nightmare sort of told me the same thing.
So it's been a weird couple of days.
Um, anyway, that's it.
Yeah, tip your barista. Here we go.
[♪♪♪]
♪ Oh, with your feet on the air And your head on the ground ♪
♪ Try this trick, then spin it Yeah, yeah, yeah ♪
♪ Your head will collapse Because there's nothing in it ♪
♪ You'll ask yourself ♪
♪ Where is my mind? Where is my mind? ♪
♪ Where is my mind? ♪
♪ Way out ♪
♪ In the water See it swimming ♪
♪ Well, I was swimming In the Caribbean ♪
♪ Animals were hiding Behind the rocks ♪
♪ Oh, yeah ♪
♪ Except the little fish And he told me, he swears ♪
♪ He's trying to talk to me To me ♪
♪ Where is my mind? ♪
♪ Way out in the water See it swimming ♪♪
[APPLAUSE]
It's done.
MAN: Now we wait.
[♪♪♪]