1
00:00:00,701 --> 00:00:03,701
(heart beating)

2
00:00:11,682 --> 00:00:15,492
(machine gunfire,
aircraft flying overhead)
PEACHES!

3
00:00:15,486 --> 00:00:16,786
(explosions)

4
00:00:16,787 --> 00:00:19,787
(gunfire continues)

5
00:00:24,525 --> 00:00:26,795
AND THEN YOU WOKE UP.

6
00:00:26,797 --> 00:00:28,497
YEAH.

7
00:00:28,499 --> 00:00:30,159
I MEAN...

8
00:00:30,161 --> 00:00:33,761
AT LEAST IT WAS ONE
OF THE LESS VIOLENT ONES.

9
00:00:33,764 --> 00:00:37,174
I'M JUST SUCH A COWARD,
DR. McCRAE.

10
00:00:37,168 --> 00:00:39,468
YOU'VE DONE
TWO TOURS OF DUTY IN IRAQ,

11
00:00:39,470 --> 00:00:41,470
AND NOTHING YOU ARE
GOING THROUGH--

12
00:00:41,472 --> 00:00:43,812
THE SURVIVOR GUILT, THE GRIEF,
THE LOSS, THE NIGHTMARES--

13
00:00:43,814 --> 00:00:46,054
MAKES YOU ANY LESS BRAVE.
(scoffs) BRAVE.

14
00:00:46,046 --> 00:00:48,316
A BRAVE MAN WOULD'VE SENT
THESE LETTERS.

15
00:00:48,319 --> 00:00:51,119
I THINK WRITING THOSE LETTERS
WAS MORE IMPORTANT

16
00:00:51,122 --> 00:00:52,552
THAN SENDING THEM.

17
00:00:52,553 --> 00:00:55,293
THEY REMINDED YOU
THAT THERE WAS LIFE

18
00:00:55,286 --> 00:00:56,826
OUTSIDE THE WAR.

19
00:00:56,827 --> 00:01:01,257
AND YOU ARE FREE
TO LIVE THAT LIFE NOW.

20
00:01:01,262 --> 00:01:05,842
YOU NEED TO TRY
AND MOVE ON.

21
00:01:05,836 --> 00:01:07,336
YEAH.

22
00:01:15,406 --> 00:01:18,376
UM, WHAT ARE YOU DOING?
MOVING ON.

23
00:01:18,379 --> 00:01:21,109
YOU CAN'T REALLY LIGHT
SYMBOLIC FIRES HERE.

24
00:01:40,871 --> 00:01:43,371
TREVOR, HAVE YOU SEEN
THE DOGS IN--

25
00:01:43,374 --> 00:01:45,614
(ballad playing)

26
00:01:45,606 --> 00:01:47,276
WHAT ARE YOU DOING?

27
00:01:47,278 --> 00:01:49,178
NOTHING. READING.

28
00:01:49,180 --> 00:01:52,540
I FOUND THESE LETTERS
WRITTEN BY...

29
00:01:52,543 --> 00:01:54,723
THIS SOLDIER.

30
00:01:54,715 --> 00:01:56,845
ARE YOU CRYING?

31
00:01:56,847 --> 00:01:59,317
NO. I MIGHT HAVE... YAWNED.

32
00:01:59,320 --> 00:02:02,450
INTO SOME TISSUE.
YOU KNOW,
SOME PEOPLE SNEEZE, FELIX.

33
00:02:02,453 --> 00:02:04,633
YEAH, AND SOME PEOPLE
READ LETTERS

34
00:02:04,625 --> 00:02:07,525
AND CRY ON THEIR ROOMMATE'S DOGS
AND LISTEN TO SOFT ROCK 87.
(whines)

35
00:02:07,528 --> 00:02:09,528
WHY IS A SOLDIER
WRITING YOU LETTERS?

36
00:02:09,530 --> 00:02:11,160
THEY'RE NOT TO ME.

37
00:02:11,162 --> 00:02:14,212
THEY'RE TO THIS GIRL
THAT HE LOVES,

38
00:02:14,205 --> 00:02:16,205
BUT HE DOESN'T KNOW
HE LOVES HER,

39
00:02:16,207 --> 00:02:18,207
BECAUSE HE DOESN'T
REALIZE IT

40
00:02:18,209 --> 00:02:20,539
UNTIL HE'S IN THE MIDDLE
OF THIS WAR.

41
00:02:20,541 --> 00:02:22,911
AND THE ONLY THING
THAT KEEPS HIM GOING

42
00:02:22,913 --> 00:02:26,223
ARE HIS MEMORIES
OF HIS BELOVED PEACHES.

43
00:02:26,217 --> 00:02:27,877
♪♪

44
00:02:27,878 --> 00:02:30,378
(voice breaking)
DON'T WORRY, JOE.

45
00:02:30,381 --> 00:02:33,351
I'LL GET YOUR PEACHES
FOR YOU, PAL.

46
00:02:33,354 --> 00:02:36,164
I'LL GET YOUR PEACHES!

47
00:02:36,156 --> 00:02:41,156
♪♪

48
00:02:41,161 --> 00:02:43,691
(man) ♪ MAYBE I, JUST MAYBE ♪

49
00:02:43,694 --> 00:02:46,904
SO THIS GIRL THAT YOU'RE TRYING
TO REUNITE WITH SOLDIER BOY--

50
00:02:46,897 --> 00:02:49,337
IS "PEACHES"
HER STRIPPER NAME?

51
00:02:49,340 --> 00:02:52,940
THAT'S JOE'S NICKNAME FOR HER.
HER NAME IS ROBIN PEACHTREE.

52
00:02:52,943 --> 00:02:54,953
THEY WERE NEXT-DOOR NEIGHBORS
IN HIGH SCHOOL.

53
00:02:54,945 --> 00:02:56,845
THEY'D SHOOT HOOPS
IN THE DRIVEWAY,

54
00:02:56,847 --> 00:02:59,577
'CAUSE HE WAS CRAZY ABOUT HER.
JOE WORKED UP HIS NERVE,

55
00:02:59,580 --> 00:03:01,580
ASKED PEACHES
TO THE HOMECOMING DANCE.

56
00:03:01,582 --> 00:03:03,812
AND SHE SAYS "YES,"
AND THEN HE FINDS OUT

57
00:03:03,814 --> 00:03:06,924
IT'S JUST BECAUSE OF A BET
SHE MADE WITH THE POPULAR KIDS.

58
00:03:06,917 --> 00:03:08,487
NO. SHE SAID "YES,"

59
00:03:08,489 --> 00:03:11,489
AND THEN THE ARMY RESTATIONED
JOE'S DAD TO NEW JERSEY.

60
00:03:11,492 --> 00:03:13,492
THEY LEFT BATON ROUGE
TWO DAYS LATER.

61
00:03:13,494 --> 00:03:15,874
NEVER GOT TO GO TO THE DANCE.
NO MAKEOVER DANCE MONTAGE.

62
00:03:15,866 --> 00:03:18,866
NOPE. THEY LOST TOUCH.
LATER, JOE GETS SENT TO IRAQ.

63
00:03:18,869 --> 00:03:21,869
ALL OF A SUDDEN, HE'S IN
THE MIDDLE OF THIS WAR,

64
00:03:21,872 --> 00:03:24,412
BULLETS WHIZZING BY.
GUESS WHO HE THINKS ABOUT.

65
00:03:24,405 --> 00:03:26,235
JANE RUSSELL.

66
00:03:26,237 --> 00:03:27,907
BETTY GRABLE.

67
00:03:27,908 --> 00:03:29,908
ROBIN PEACHTREE.
RIGHT.

68
00:03:29,910 --> 00:03:32,740
THIS GIRL HE HADN'T SEEN
OR TALKED TO IN YEARS.

69
00:03:32,743 --> 00:03:35,793
WHEN HIS LIFE WAS ON THE LINE,
THAT'S WHO HE THOUGHT ABOUT.

70
00:03:35,786 --> 00:03:38,716
HE WRITES HER THESE LETTERS
THAT HE NEVER SENDS.

71
00:03:38,719 --> 00:03:40,349
♪♪

72
00:03:40,351 --> 00:03:42,991
INSTEAD...
HE GAVE 'EM TO YOU.

73
00:03:42,993 --> 00:03:44,933
YEAH, WELL, SORT OF.

74
00:03:44,925 --> 00:03:48,495
HE WAS THROWING THEM OUT,
AND I SORT OF RECYCLED 'EM.

75
00:03:48,499 --> 00:03:50,659
I GOT 100 MATCHES TO MAKE.

76
00:03:50,661 --> 00:03:53,331
THIS, MI AMIGO,
IS LOW-HANGING FRUIT.

77
00:03:53,334 --> 00:03:56,744
UH, IT'S A FEDERAL OFFENSE
TO READ OTHER PEOPLE'S MAIL...

78
00:03:56,737 --> 00:03:58,237
AMIGO.

79
00:03:58,238 --> 00:04:00,808
LIKE THAT APPLIES TO ME?

80
00:04:00,811 --> 00:04:02,971
"IF YOU'RE DRIVING
THROUGH BATON ROUGE,

81
00:04:02,973 --> 00:04:05,953
"BE SURE TO PULL OVER
AT ROBIN'S NEST.

82
00:04:05,946 --> 00:04:09,516
OWNER ROBIN PEACHTREE, 26--"
THAT'S THE RIGHT AGE.

83
00:04:09,520 --> 00:04:11,520
WHY WOULD CUPID NEED
MAGIC ARROWS

84
00:04:11,522 --> 00:04:12,982
WHEN HE'S GOT GOOGLE?

85
00:04:12,983 --> 00:04:15,963
"DON'T MISS
THE CRAB CORNBREAD FRITTERS.

86
00:04:15,956 --> 00:04:19,656
ROBIN'S NEST--CAJUN COOKIN'
AND CATERIN' COMPANY."

87
00:04:19,660 --> 00:04:23,260
SHE DOES CATERIN'.

88
00:04:25,636 --> 00:04:29,336
ANYTHING I DO TO TRY
TO GET HER ATTENTION...

89
00:04:29,340 --> 00:04:31,570
UH, BACKFIRES.

90
00:04:31,572 --> 00:04:34,482
YOU HAVE TO BE SMART
ABOUT YOUR ROMANTIC PURSUITS.

91
00:04:34,475 --> 00:04:37,475
IF YOU FEEL THE NEED TO SCHEME
TO GET SOMEONE'S ATTENTION,

92
00:04:37,478 --> 00:04:39,308
CHANCES ARE
YOU'RE OVERREACHING.

93
00:04:39,310 --> 00:04:41,850
EXACTLY. SO THERE'S THIS DANCE
THAT WE'RE CHAPERONING.

94
00:04:41,852 --> 00:04:44,922
AND I WAS THINKING THAT
MY SAFEST BET

95
00:04:44,915 --> 00:04:47,355
WAS TO BRING A HOT DATE,

96
00:04:47,358 --> 00:04:50,788
CONVINCE HER
THAT I AM A COMMODITY.

97
00:04:50,791 --> 00:04:52,991
WERE YOU LISTENING
TO ME AT ALL?

98
00:04:52,993 --> 00:04:55,033
I WAS.
COULDN'T AGREE LESS.

99
00:04:55,025 --> 00:04:59,395
YOU, HOWEVER, SIR--
KINDRED, SIMPATICO, PAISAN.

100
00:04:59,400 --> 00:05:01,800
TREVOR, DO YOU HAVE
A QUESTION?

101
00:05:01,802 --> 00:05:03,972
SUGGESTION? YES, I DO,
THANK YOU FOR ASKING.

102
00:05:03,974 --> 00:05:06,584
UH, MAYBE MORE
SINGLES' GROUP FESTIVITIES,

103
00:05:06,577 --> 00:05:08,577
LESS SELF-HELP TALKIE TALK.

104
00:05:08,579 --> 00:05:10,579
THIS THING YOU CALL
"TALKIE TALK"

105
00:05:10,581 --> 00:05:12,941
IS WHAT THIS GROUP
IS FOR, TREVOR.

106
00:05:12,943 --> 00:05:15,653
CURRENTLY, YES. IT'S FOR
LISTENING TO YOU TALK

107
00:05:15,646 --> 00:05:18,916
WHILE SCANNING THE ROOM
FOR SOMEBODY TO SLEEP WITH.
(murmuring)

108
00:05:18,919 --> 00:05:22,319
PEOPLE COME HERE FOR ADVICE,
TO COMMISERATE,

109
00:05:22,322 --> 00:05:23,722
SHARE STORIES.

110
00:05:23,724 --> 00:05:26,764
IN BED, WITH SOMEONE THEY MET
AT SINGLES' GROUP.

111
00:05:26,757 --> 00:05:28,097
THAT'S NOT TRUE.

112
00:05:28,098 --> 00:05:30,798
PEOPLE COME HERE BECAUSE
YOU'VE CONVENIENTLY WRANGLED

113
00:05:30,801 --> 00:05:32,901
A COLLECTION OF
LOCAL AVAILABLES INTO A GROUP.

114
00:05:32,903 --> 00:05:35,643
THAT'S WHY YOU GUYS
ARE HERE, RIGHT?

115
00:05:35,636 --> 00:05:38,036
(chuckling and murmuring)

116
00:05:38,038 --> 00:05:40,768
RIGHT. SO I PROPOSE A PARTY.

117
00:05:40,771 --> 00:05:42,771
DO YOU MIND?
NO. GO AHEAD.

118
00:05:42,773 --> 00:05:45,983
ALL IN FAVOR OF A PARTY--
PONY UP SOME CASH.

119
00:05:45,976 --> 00:05:48,516
SO IF--IF I'M READING THIS
CORRECTLY,

120
00:05:48,519 --> 00:05:52,449
THIS IS SOMETHING
THE GROUP WOULD ENJOY?

121
00:05:52,453 --> 00:05:54,963
YOU KNOW WHAT?
MAYBE IT IS TIME

122
00:05:54,955 --> 00:05:57,985
TO TAKE OUR NEW SKILL SET
OUT INTO THE FIELD.

123
00:05:57,988 --> 00:05:59,588
I'LL BRING CUPCAKES.

124
00:05:59,590 --> 00:06:03,460
YOU'RE NOT ALLOWED TO PLAN IT.
YOU JUST HAVE TO SHOW UP.

125
00:06:05,966 --> 00:06:09,666
(siren wailing)

126
00:06:10,941 --> 00:06:13,501
SMALL PROBLEM
WITH THE PARTY.

127
00:06:13,504 --> 00:06:16,754
SMALL PROBLEM
WITH MY ASSISTANT. JOSIE?
SHE MIGHT BE IN THE BATHROOM.

128
00:06:16,747 --> 00:06:19,707
AS IN, YOU WAITED FOR HER
TO TAKE A BATHROOM BREAK

129
00:06:19,710 --> 00:06:23,080
SO YOU COULD BARGE IN HERE?
AND INTERRUPT YOUR
IMPORTANT TO-GO SALAD? YES.

130
00:06:23,083 --> 00:06:26,393
NOW ABOUT THE PARTY--
I THOUGHT I WASN'T SUPPOSED
TO WORRY ABOUT THE PARTY.

131
00:06:26,386 --> 00:06:29,386
YOU DON'T HAVE TO WORRY. YOU
JUST HAVE TO DONATE... A LITTLE

132
00:06:29,389 --> 00:06:31,559
FOR THE CATERER.
WE'RE SHORT.
HOW SHORT?

133
00:06:31,562 --> 00:06:33,692
A PLANE TICKET.
WHAT?

134
00:06:33,694 --> 00:06:35,474
THE CATERER LIVES
IN BATON ROUGE,

135
00:06:35,466 --> 00:06:38,466
BUT I FOUND A CHEAP FLIGHT.
I THINK WE'RE DONE HERE.

136
00:06:38,469 --> 00:06:41,469
WHAT? NO, COME ON. LOOK, LOOK,
JUST HEAR ME OUT, OKAY?

137
00:06:41,472 --> 00:06:43,472
LOOK,
EVEN WITH THE PLANE TICKET,

138
00:06:43,474 --> 00:06:46,544
IT'S STILL CHEAPER TO USE
A CATERER FROM BATON ROUGE

139
00:06:46,537 --> 00:06:49,707
THAN ONE IN NEW YORK.
I WANTED TO SERVE CUPCAKES.

140
00:06:49,710 --> 00:06:52,710
CUPCAKES DON'T GO
WITH THE THEME.
THERE'S A THEME NOW?

141
00:06:52,713 --> 00:06:55,823
OF COURSE THERE'S A THEME.
JOSIE, NEXT TIME TREVOR'S
IN HERE, NO BATHROOM BREAKS.

142
00:06:55,816 --> 00:06:58,046
(Trevor) MARDI GRAS!
EXCUSE ME?

143
00:06:58,048 --> 00:07:01,048
THAT'S THE THEME. SO CLEARLY,
WE NEED A CAJUN CATERER.

144
00:07:01,051 --> 00:07:04,051
AND I KNOW A GREAT ONE--
GREAT GIRL, GREAT SMILE,

145
00:07:04,054 --> 00:07:06,664
GREAT
CRAB CORNBREAD FRITTERS.

146
00:07:06,657 --> 00:07:08,557
YOU KNOW THIS WOMAN?

147
00:07:08,559 --> 00:07:10,659
I DO, AND SHE'S
IN VERY HIGH DEMAND.

148
00:07:10,661 --> 00:07:13,801
LOOK, IT WOULDN'T BE A PROPER
MARDI GRAS PARTY WITHOUT HER.

149
00:07:13,804 --> 00:07:16,874
OKAY. I'LL COVER THE COST
OF FLYING IN THE CATERER.

150
00:07:16,867 --> 00:07:20,037
COOL. THIS IS GONNA BE GREAT.
YOU WON'T REGRET IT.

151
00:07:20,040 --> 00:07:24,010
THERE ARE CATERERS
IN NEW YORK.
I KNOW,
BUT I THINK THIS CATERER

152
00:07:24,014 --> 00:07:27,484
MIGHT BE THE CLUE
TO TREVOR'S REAL IDENTITY.

153
00:07:27,478 --> 00:07:30,118
SHE'S THE FIRST PERSON HE'S
EVER MENTIONED FROM HIS PAST

154
00:07:30,120 --> 00:07:32,850
WHO WASN'T A GREEK GOD.

155
00:07:40,791 --> 00:07:43,031
(woman)
TWO NIGHTS FROM NOW, HUH?
(Trevor) That's right.

156
00:07:43,033 --> 00:07:45,103
AND I READ ABOUT
YOUR CORNBREAD FRITTERS

157
00:07:45,095 --> 00:07:47,135
IN THE "ROADSIDE
DINER'S GUIDE."

158
00:07:47,137 --> 00:07:49,137
I WOULD LOVE TO HELP YOU

159
00:07:49,139 --> 00:07:53,099
WITH YOUR NEW YORK CITY
MARDI GRAS PARTY, MR. PIERCE,

160
00:07:53,103 --> 00:07:56,513
BUT BRAD PITT'S ALREADY HIRED ME
TO PEEL HIM A GRAPE

161
00:07:56,507 --> 00:08:00,947
ON A ROCKET SHIP TO MARS
THAT DAY.

162
00:08:00,951 --> 00:08:03,481
J.T., I know it's you.
TELL YOU WHAT,

163
00:08:03,483 --> 00:08:06,723
WHEN AN OVERNIGHT DELIVERY GUY
SHOWS UP AT YOUR PLACE

164
00:08:06,717 --> 00:08:09,917
with a ticket,
will you get on that plane?

165
00:08:12,492 --> 00:08:13,662
(tires skid)

166
00:08:19,900 --> 00:08:22,100
I'VE BEEN IN THE CITY
FOR 20 MINUTES,

167
00:08:22,102 --> 00:08:24,812
AND I'VE ALREADY SEEN
TWO GUYS HOLDING HANDS

168
00:08:24,805 --> 00:08:26,805
AND THE DINER
FROM "SEINFELD."

169
00:08:26,807 --> 00:08:30,507
WELL... YEAH, CATCH A MATINEE
OF "LES MIS," AND YOU'LL HAVE

170
00:08:30,510 --> 00:08:33,010
YOUR NEW YORK CITY BINGO CARD
FILLED OUT.

171
00:08:33,013 --> 00:08:34,593
WHAT IS THIS PLACE?

172
00:08:34,585 --> 00:08:37,615
OH, THIS IS WHERE
THE PARTY WILL BE.

173
00:08:37,618 --> 00:08:41,588
YOU'VE HIRED ME TO COOK
FOR A PARTY IN A PORNO HOUSE.

174
00:08:41,592 --> 00:08:43,992
WHAT IS WRONG
WITH YOU BLUE STATES?

175
00:08:43,994 --> 00:08:46,304
NO, NO, NO. IT USED TO BE
A PORNO THEATER,

176
00:08:46,296 --> 00:08:49,056
BUT IT'S BEEN CONVERTED
INTO A BAR.
HMM.

177
00:08:49,059 --> 00:08:51,129
RIGHT THIS WAY.

178
00:08:53,864 --> 00:08:57,144
AH. I TOOK THE LIBERTY
OF CHECKING YOU INTO YOUR ROOM.

179
00:08:57,137 --> 00:08:59,667
I'M FROM LOUISIANA...

180
00:08:59,670 --> 00:09:01,740
NOT A CAVE.

181
00:09:01,742 --> 00:09:04,042
I CAN SEE THAT
THIS IS AN APARTMENT.

182
00:09:04,044 --> 00:09:06,154
OH, TO THE REST
OF THE WORLD.
MM.

183
00:09:06,146 --> 00:09:10,016
BUT TO YOU, THIS IS
A FULL-SERVICE HOTEL.

184
00:09:10,020 --> 00:09:12,580
SEE, YOU GOT
YOUR LITTLE MINTS,

185
00:09:12,583 --> 00:09:16,063
FRESH TOWELS,
FRESH FLOWERS.

186
00:09:16,056 --> 00:09:20,086
THIS IS FELIX,
THE CONCIERGE.
I'M NOT A CONCIERGE.

187
00:09:20,090 --> 00:09:23,660
ARE YOU GOING TO TRY
AND MAKE ME A SEX SLAVE?
LET'S SEE WHERE THE DAY
TAKES US.

188
00:09:23,664 --> 00:09:26,174
'CAUSE I BROUGHT
ALL MY GOOD COOKING KNIVES,

189
00:09:26,166 --> 00:09:29,296
AND MY KEY CHAIN
IS A RAPE WHISTLE.
I PROMISE
YOU'LL BE SAFE HERE.

190
00:09:29,299 --> 00:09:33,039
IS NEW YORK ALWAYS SO COLD?
WE GOT HOT AND MUGGY
IF YOU STICK AROUND.

191
00:09:33,043 --> 00:09:35,053
OKAY, WHO'S READY TO COOK?

192
00:09:35,045 --> 00:09:37,975
I NEED A BOWL
OF JAMBALAYA TO GO.
COMING RIGHT UP.

193
00:09:37,978 --> 00:09:39,008
(horn blares)

194
00:09:41,982 --> 00:09:43,582
(Trevor) MMM.

195
00:09:43,583 --> 00:09:45,093
MMM.

196
00:09:45,085 --> 00:09:47,155
I DON'T KNOW
IF IT'S OKAY FOR YOU

197
00:09:47,157 --> 00:09:49,017
TO JUST COME HERE
TO EAT LUNCH.

198
00:09:49,019 --> 00:09:51,759
A PERSON SHOULD EAT
IN A SERENE, FAMILIAR SETTING,

199
00:09:51,762 --> 00:09:54,322
SURROUNDED BY BEAUTY.
(door opens)

200
00:10:01,331 --> 00:10:03,371
(sniffs)

201
00:10:03,373 --> 00:10:06,313
IS THAT...

202
00:10:06,306 --> 00:10:07,836
JAMBALAYA?

203
00:10:07,838 --> 00:10:10,678
WHY, YES, IT IS.
DO YOU LIKE JAMBALAYA?

204
00:10:10,681 --> 00:10:12,811
I LIVED IN LOUISIANA
FOR A COUPLE YEARS,

205
00:10:12,813 --> 00:10:15,123
SO, YOU KNOW... YEAH.

206
00:10:15,115 --> 00:10:18,085
(sniffs) GOD. THAT SMELLS
LIKE THE REAL DEAL.

207
00:10:18,088 --> 00:10:23,018
YOU HAVE TO TRY IT. IN FACT,
I THINK I HAVE AN EXTRA SPOON.

208
00:10:28,899 --> 00:10:30,259
MAN.

209
00:10:30,260 --> 00:10:32,060
DAMN. THAT IS GOOD.
MM.

210
00:10:32,062 --> 00:10:34,362
DO YOU HAVE ANY IDEA
HOW HARD IT IS

211
00:10:34,364 --> 00:10:37,414
TO FIND GOOD CAJUN FOOD
IN THIS CITY?

212
00:10:37,407 --> 00:10:39,007
(grunts)

213
00:10:39,009 --> 00:10:41,009
I'M SORRY,
BUT TODAY'S THE DAY

214
00:10:41,011 --> 00:10:44,011
THAT I ROLL A GUY
FOR A BOWL OF JAMBALAYA.

215
00:10:44,014 --> 00:10:47,084
YOU DON'T HAVE TO ROLL ME.
I KNOW WHERE YOU CAN FIND MORE.

216
00:10:51,251 --> 00:10:56,761
(zydeco music playing)

217
00:10:56,757 --> 00:10:59,857
(indistinct conversations)

218
00:11:03,663 --> 00:11:07,103
(ice rattling)

219
00:11:08,769 --> 00:11:10,769
YOU KNOW WHAT THIS IS?

220
00:11:10,771 --> 00:11:13,401
IT'S A HURRICANE
WITH YOUR NAME ON IT.

221
00:11:13,403 --> 00:11:16,083
HOW MUCH MONEY
WAS IN THAT HAT?
ENOUGH.

222
00:11:16,076 --> 00:11:18,376
CAJUN CRAB CAKES?
THEY ROCK.

223
00:11:18,378 --> 00:11:20,078
MMM.

224
00:11:20,080 --> 00:11:23,110
I AM ANXIOUS TO MEET
THIS CATERER I PAID FOR.

225
00:11:23,113 --> 00:11:26,223
WHICH WAY IS THE KITCHEN?
THROUGH THOSE DOORS.

226
00:11:26,216 --> 00:11:29,016
SO... CAN YOU COVER
MY SHIFT ON FRIDAY?

227
00:11:29,019 --> 00:11:31,059
I GOT MADONNA TICKETS.

228
00:11:31,061 --> 00:11:34,391
PERHAPS, RABBIT, PERHAPS.
I REALLY WANT
TO SEE HER, TREVOR,

229
00:11:34,394 --> 00:11:37,034
AND I'VE ALREADY ASKED
EVERYBODY ELSE.

230
00:11:37,027 --> 00:11:39,397
IT'S EITHER YOU, OR I FAKE
A HEALTH CODE VIOLATION

231
00:11:39,399 --> 00:11:41,469
AND GET THIS PLACE
SHUT DOWN.

232
00:11:41,471 --> 00:11:44,881
YOU KNOW, I THINK MAYBE
WE CAN WORK OUT A DEAL.
YES!

233
00:11:44,875 --> 00:11:46,075
(door squeaks)

234
00:11:46,076 --> 00:11:49,036
I AM SO PLEASED
THAT YOU LIKE THE CRAB CAKES.

235
00:11:49,039 --> 00:11:51,379
I MEAN, IT IS FUN
COOKING FOR PEOPLE

236
00:11:51,381 --> 00:11:54,081
WHO DON'T EAT THIS KIND
OF FOOD EVERY DAY.

237
00:11:54,084 --> 00:11:57,094
I'M JUST SO GLAD THAT TREVOR
GOT IN TOUCH WITH ME.

238
00:11:57,087 --> 00:11:59,087
YEAH, ABOUT THAT--
WHEN DID YOU TWO MEET,

239
00:11:59,089 --> 00:12:01,389
YOU AND TREVOR?
THIS MORNING AT THE AIRPORT.

240
00:12:01,391 --> 00:12:04,451
NO, NO, I MEAN ORIGINALLY.
OH, THAT'S THE FIRST TIME
I EVER MET HIM,

241
00:12:04,454 --> 00:12:09,064
BUT HE JUST SEEMS
REALLY NICE, THOUGH.
UH, YOU MEAN YOU DIDN'T
KNOW HIM BEFORE?

242
00:12:09,059 --> 00:12:12,159
MAYBE HIS FAMILY KNEW
YOUR FAMILY AND...

243
00:12:12,162 --> 00:12:15,042
NOT THAT I KNOW OF.
NO, BUT HE'S JUST BEEN GREAT.

244
00:12:15,035 --> 00:12:18,035
NOW, I'M SORRY. I JUST--
I GOTTA CONCENTRATE.

245
00:12:18,038 --> 00:12:21,738
THIS SHRIMP éTOUFéE
AIN'T GON' WHISK ITSELF.
(chuckles nervously)

246
00:12:23,774 --> 00:12:25,284
TREVOR.

247
00:12:25,275 --> 00:12:27,475
WHY DID YOU CHOOSE ROBIN
TO CATER THE--

248
00:12:27,477 --> 00:12:29,317
SHH...

249
00:12:29,319 --> 00:12:31,049
CHECK IT OUT.

250
00:12:31,051 --> 00:12:33,421
WHAT AM I LOOKING AT?

251
00:12:33,423 --> 00:12:35,463
THE HUMAN CONDITION.

252
00:12:35,455 --> 00:12:37,785
YES, OF COURSE,
THE HUMAN CONDITION--

253
00:12:37,788 --> 00:12:39,788
THERE IT IS
IN ALL ITS GLORY.

254
00:12:39,790 --> 00:12:41,790
YOU KNOW,
IT'S A PROVEN FACT

255
00:12:41,792 --> 00:12:46,042
THAT THE WAY YOU DANCE
IS THE WAY YOU MAKE LOVE.

256
00:12:46,036 --> 00:12:47,436
IS THAT SO?

257
00:12:47,437 --> 00:12:49,967
MAYBE YOU'RE A JERRY LEWIS,
YOU KNOW,

258
00:12:49,970 --> 00:12:52,070
LIKE ONE OF THOSE
ALL-OVER-THE-PLACE GUYS.

259
00:12:52,072 --> 00:12:54,042
OR MAYBE YOU'RE
THE DEALER, YOU KNOW,

260
00:12:54,044 --> 00:12:56,084
WHERE YOU'RE, LIKE,
DEALING IT OUT, DEALING IT OUT.

261
00:12:56,076 --> 00:12:58,946
YOU KNOW? OR MAYBE YOU'RE
THE SPACE GHOST.

262
00:12:58,949 --> 00:13:01,279
AND THEN
THERE'S THE PUNISHER.

263
00:13:01,281 --> 00:13:04,311
I DON'T DANCE, SO...
MY THEORY HOLDS UP.

264
00:13:04,314 --> 00:13:08,064
FAST DANCE, THAT IS.
WHY?

265
00:13:08,058 --> 00:13:11,088
BECAUSE I AM PART
OF THE UNLUCKY PERCENTAGE

266
00:13:11,091 --> 00:13:13,391
OF THE POPULATION
THAT LOOKS LIKE AN IDIOT

267
00:13:13,393 --> 00:13:17,033
WHEN FAST DANCING.
WHAT MAKES YOU THINK
YOU CAN'T DANCE?

268
00:13:17,027 --> 00:13:19,067
I THOUGHT
I WAS AN ADEQUATE DANCER

269
00:13:19,069 --> 00:13:22,169
UNTIL I SAW THE VIDEO
FROM MY FRESHMAN HOMECOMING,

270
00:13:22,172 --> 00:13:24,432
MY ONE AND ONLY
HIGH SCHOOL DANCE.
WAIT A MINUTE.

271
00:13:24,434 --> 00:13:28,444
YOU NEVER WENT TO ANOTHER
DANCE AFTER THAT?
YOU KNOW, YOUNG GIRLS
ARE SO TOUCHY

272
00:13:28,438 --> 00:13:31,178
ABOUT BEING THE OBJECT
OF SCORN AND RIDICULE.

273
00:13:31,181 --> 00:13:33,811
THE KEY TO DANCING
IS LETTING YOURSELF GO.

274
00:13:33,813 --> 00:13:36,123
YOU KNOW? GETTING OUT
OF YOUR OWN HEAD.

275
00:13:36,116 --> 00:13:38,116
THAT'S WHAT I'VE BEEN TOLD.

276
00:13:38,118 --> 00:13:41,088
SO WHY DID YOU TELL ME
YOU KNOW ROBIN?

277
00:13:41,091 --> 00:13:42,851
(Joe) DR. McCRAE.

278
00:13:42,853 --> 00:13:45,603
JOE...

279
00:13:45,595 --> 00:13:47,595
WHAT ARE YOU DOING HERE?

280
00:13:47,597 --> 00:13:50,097
UH, TREVOR HERE INVITED ME.

281
00:13:50,100 --> 00:13:53,460
OF COURSE HE DID.
IT TURNS OUT WE'RE BOTH
HUGE FANS OF CAJUN FOOD.

282
00:13:53,463 --> 00:13:56,213
I'M SORRY. I DIDN'T REALIZE
THIS WAS A PARTY

283
00:13:56,206 --> 00:13:57,506
FOR YOUR SINGLES' GROUP.

284
00:13:57,507 --> 00:14:00,337
ALTHOUGH I DID MEET TREVOR
IN YOUR OUTER OFFICE,

285
00:14:00,340 --> 00:14:02,870
SO I GUESS
THAT KINDA MAKES SENSE.

286
00:14:02,873 --> 00:14:05,153
DOES IT?
BECAUSE I'M STILL CONFUSED.

287
00:14:05,145 --> 00:14:08,245
THINGS SHOULD START TO GET
CLEARER FOR YOU ANY MINUTE NOW.

288
00:14:08,248 --> 00:14:10,948
CRAWFISH EMPANADA, ANYBODY?

289
00:14:13,253 --> 00:14:15,263
PEACHES!

290
00:14:17,928 --> 00:14:20,188
JOE.

291
00:14:29,439 --> 00:14:31,139
THIS... IS PEACHES.

292
00:14:31,141 --> 00:14:33,171
OUR CATERER IS PEACHES.

293
00:14:33,173 --> 00:14:35,013
OH, NO, NOT ANYMORE.

294
00:14:35,005 --> 00:14:39,175
UH, JOE WAS THE ONLY PERSON
WHO EVER CALLED ME THAT.

295
00:14:39,179 --> 00:14:41,409
UH, WE--WE WERE
IN HIGH SCHOOL TOGETHER.

296
00:14:41,411 --> 00:14:43,581
WE HAVEN'T SEEN EACH OTHER
IN YEARS.

297
00:14:43,583 --> 00:14:45,623
THAT IS SUCH
A CRAZY COINCIDENCE.

298
00:14:45,615 --> 00:14:47,455
IS IT... A COINCIDENCE?

299
00:14:47,457 --> 00:14:50,217
WELL, I MIGHT BE
SOMEWHAT RESPONSIBLE.

300
00:14:50,220 --> 00:14:54,930
I-I HEARD THAT ROBIN
WAS A GREAT CAJUN CHEF,

301
00:14:54,925 --> 00:14:57,225
FOUND OUT JOE LOVED CAJUN--
YOU KNOW WHAT?

302
00:14:57,227 --> 00:14:59,227
WHO CARES HOW IT HAPPENED?
IT'S FATE.

303
00:14:59,229 --> 00:15:02,199
MAYBE FATE AND I SHOULD
DISCUSS THIS IN THE ALLEY.

304
00:15:02,202 --> 00:15:04,532
IF YOU AND I
ARE GONNA CATFIGHT,

305
00:15:04,534 --> 00:15:07,284
YOU BETTER TAKE OFF
YOUR EARRINGS.

306
00:15:07,277 --> 00:15:08,307
(chuckles nervously)

307
00:15:08,308 --> 00:15:10,508
I DON'T KNOW HOW
YOU ARRANGED THIS,

308
00:15:10,510 --> 00:15:13,540
BUT YOU ARE PLAYING WITH FIRE.
LOVE IS FIRE.
LOVE IS PASSION.

309
00:15:13,543 --> 00:15:16,553
THAT'S WHAT I PLAY WITH.
IT'S IN MY JOB DESCRIPTION.

310
00:15:16,546 --> 00:15:19,686
WELL, MY JOB DESCRIPTION
IS TO TRY AND HELP MY PATIENTS

311
00:15:19,689 --> 00:15:23,119
AND TO KEEP THEM FROM HARMING
THEMSELVES OR OTHERS,

312
00:15:23,123 --> 00:15:26,263
AND YOU ARE SETTING ROBIN
AND JOE UP FOR A WORLD OF HURT.

313
00:15:26,256 --> 00:15:30,056
THIS RELATIONSHIP IS DOOMED.
ARE YOU SURE YOU'RE NOT GREEK?
'CAUSE YOU'RE VERY DRAMATIC.

314
00:15:30,060 --> 00:15:32,700
YOU ARE NOT A GOD.
YOU'RE NOT OMNISCIENT.

315
00:15:32,702 --> 00:15:36,472
YOU STOLE JOE'S FILE, OR YOU
SPIED ON MY SESSIONS WITH HIM

316
00:15:36,466 --> 00:15:38,466
OR SOMETHING,
AND WHATEVER YOU DID,

317
00:15:38,468 --> 00:15:41,638
YOU DID A TERRIBLE THING,
BECAUSE HE IS NOT ABLE--

318
00:15:41,641 --> 00:15:45,021
HE'S NOT IN THE POSITION
TO START ANYTHING NOW.

319
00:15:45,015 --> 00:15:47,215
AND HE AND ROBIN WILL PAY,

320
00:15:47,217 --> 00:15:50,217
AND I WILL HAVE TO PICK UP
THE PIECES.

321
00:15:52,622 --> 00:15:55,362
(door opens)

322
00:16:02,092 --> 00:16:05,542
YEP.
I DID A TERRIBLE THING.

323
00:16:11,301 --> 00:16:14,401
I CAN'T DO THIS.

324
00:16:14,404 --> 00:16:16,054
I CAN'T DO THIS.

325
00:16:18,708 --> 00:16:21,508
AND NOW I GUESS
IT'S YOUR TURN TO GLOAT.

326
00:16:21,511 --> 00:16:24,181
YOU KNOW WHAT?
ROBIN, DON'T WORRY.

327
00:16:24,184 --> 00:16:25,624
I'M GONNA FIX THIS.

328
00:16:25,615 --> 00:16:27,615
(Robin) NO.
JUST LET HIM GO.

329
00:16:27,617 --> 00:16:30,617
HE'S LIKE THE OPPOSITE
OF A SUPERHERO.

330
00:16:30,620 --> 00:16:33,190
IT'S WEIRD.

331
00:16:33,193 --> 00:16:35,303
IN ALL OF MY, UM...

332
00:16:35,295 --> 00:16:39,395
"SEEING JOE ADAMS AGAIN"
FANTASIES,

333
00:16:39,399 --> 00:16:42,169
THE KISS
WAS EXACTLY LIKE THAT.

334
00:16:42,172 --> 00:16:44,672
I SHOULD REALLY
GO CHANGE MY SHIRT.

335
00:16:44,674 --> 00:16:47,184
I DON'T WANT
TO WALK AROUND YOUR PARTY

336
00:16:47,177 --> 00:16:50,307
LOOKING LIKE A BABY
THREW UP ON ME.

337
00:16:52,142 --> 00:16:55,222
JOE!
HEY, WHERE ARE YOU GOING?

338
00:16:55,215 --> 00:16:58,115
HEY, COME ON! THIS IS
YOUR GOLDEN OPPORTUNITY!

339
00:16:58,118 --> 00:17:00,688
THE GIRL YOU PINED FOR,
THE GIRL YOU WROTE TO

340
00:17:00,690 --> 00:17:03,150
WHEN YOU WERE IN IRAQ.

341
00:17:03,153 --> 00:17:05,563
DID DR. McCRAE
TELL YOU ABOUT THAT?

342
00:17:05,555 --> 00:17:10,525
BECAUSE THAT--THAT IS
COMPLETELY UNPROFESSIONAL.

343
00:17:10,530 --> 00:17:13,330
LOOK, THE TRUTH IS,

344
00:17:13,333 --> 00:17:17,043
I WAS IN THAT WAITING ROOM WHEN
YOU THREW THOSE LETTERS OUT,

345
00:17:17,036 --> 00:17:19,206
AND SO I, YOU KNOW,
BORROWED THEM.

346
00:17:19,209 --> 00:17:21,069
AND I TRACKED DOWN PEACHES,

347
00:17:21,071 --> 00:17:23,071
AND I ARRANGED
THIS WHOLE REUNION

348
00:17:23,073 --> 00:17:25,823
SO YOU TWO COULD
SEE EACH OTHER AGAIN.

349
00:17:25,815 --> 00:17:29,175
THAT WAS ME.

350
00:17:29,179 --> 00:17:30,679
ARE YOU CRAZY?

351
00:17:30,680 --> 00:17:33,320
NOT AT ALL.
I'M COLORFUL.

352
00:17:33,323 --> 00:17:36,293
YOU PULLED HALF-SOAKED,
HALF-BURNT LETTERS

353
00:17:36,286 --> 00:17:38,386
OUT OF THE TRASH
AND READ THEM.

354
00:17:38,388 --> 00:17:40,228
THAT'S--THAT'S NOT CRAZY?

355
00:17:40,230 --> 00:17:41,360
ECCENTRIC, MAYBE.

356
00:17:41,361 --> 00:17:43,361
HEY, LOOK,
I LOVED THOSE LETTERS,

357
00:17:43,363 --> 00:17:45,373
AND I REALLY THINK
PEACHES WILL, TOO.

358
00:17:45,365 --> 00:17:48,195
STOP CALLING HER "PEACHES."

359
00:17:48,198 --> 00:17:50,698
YOU DIDN'T GIVE HER
THOSE LETTERS, DID YOU?

360
00:17:50,700 --> 00:17:53,500
I DID NOT. I WOULD NEVER--
(scoffs)

361
00:17:53,503 --> 00:17:54,743
BUT...

362
00:17:54,744 --> 00:17:56,784
BUT WHAT?
YOUR OTHER PERSONALITY WOULD?

363
00:17:56,776 --> 00:17:59,106
I MIGHT HAVE LEFT THEM
ON HER BED,

364
00:17:59,109 --> 00:18:01,109
THINKING THAT YOU
AND PEACH--

365
00:18:01,111 --> 00:18:03,551
I MEAN, ROBIN MIGHT BE
IN THAT BED TONIGHT

366
00:18:03,553 --> 00:18:06,223
AND THAT IT MIGHT BE
THE PERFECT ENDING

367
00:18:06,216 --> 00:18:09,216
TO A PERFECT NIGHT.
ROBIN CAN'T SEE
THOSE LETTERS.

368
00:18:09,219 --> 00:18:11,319
SHE'LL THINK
I'M SOME CRAZY STALKER.

369
00:18:11,321 --> 00:18:13,321
IT'S BAD ENOUGH
THAT I KISSED HER!

370
00:18:13,323 --> 00:18:15,373
HEY, NOW, LOOK,
I SAW THAT KISS.

371
00:18:15,365 --> 00:18:17,365
THERE WAS NOTHING BAD
ABOUT THE KISSING.

372
00:18:17,367 --> 00:18:19,727
IT WAS THE BOLTING
THAT WAS THE PROBLEM.

373
00:18:19,729 --> 00:18:22,229
I WANTED TO STAY. I-I--

374
00:18:22,232 --> 00:18:24,232
LET'S RACE BACK,
ALL RIGHT?

375
00:18:24,234 --> 00:18:27,284
WE--WE CAN TELL ROBIN
THAT YOU RAN OUT

376
00:18:27,277 --> 00:18:30,207
TO PUT MONEY IN THE METER.
I COULD SELL IT.

377
00:18:30,210 --> 00:18:33,180
JUST WHATEVER I SAY,
KEEP NODDING.
I-I CAN'T SEE PEACHES AGAIN.

378
00:18:33,183 --> 00:18:35,653
WHY NOT?
IT'S COMPLICATED, ALL RIGHT?

379
00:18:35,645 --> 00:18:38,515
LIFE IS COMPLICATED.
LOVE IS SIMPLE.

380
00:18:38,518 --> 00:18:43,548
I HAD A PLAN, ALL RIGHT?
AND THIS IS NOT IN THE PLAN.

381
00:18:47,857 --> 00:18:50,327
I WANT THOSE LETTERS BACK.

382
00:18:52,131 --> 00:18:53,331
COME.

383
00:18:56,436 --> 00:18:58,666
THAT'S THE CRAZY THING
ABOUT LOVE...

384
00:18:58,668 --> 00:19:03,308
EVEN WHEN IT'S IMPRACTICAL,
EVEN WHEN IT'S INCONVENI--

385
00:19:05,245 --> 00:19:08,315
YOU WEREN'T SUPPOSED
TO SEE THOSE.

386
00:19:08,318 --> 00:19:11,678
I'M SO GLAD THAT I DID.

387
00:19:11,681 --> 00:19:13,251
(grunts)

388
00:19:14,854 --> 00:19:19,334
(gasping)

389
00:19:32,342 --> 00:19:34,742
(cell phone rings)
(snores)

390
00:19:34,744 --> 00:19:36,454
(groans)
(ring)

391
00:19:36,446 --> 00:19:39,276
YEAH, YEAH, YEAH,
I'M COMING.

392
00:19:39,279 --> 00:19:41,209
(groans)

393
00:19:41,211 --> 00:19:42,551
HELLO?

394
00:19:42,552 --> 00:19:45,322
TREVOR, DO YOU KNOW
WHERE JOE IS?

395
00:19:45,315 --> 00:19:47,255
CLAIRE BEAR!
TOP OF THE MORNIN'.

396
00:19:47,257 --> 00:19:50,817
JOE ADAMS. DO YOU HAVE HIM?
Happy to report that

397
00:19:50,820 --> 00:19:54,220
JOE AND ROBIN ARE CURRENTLY
BEHIND CLOSED DOORS.

398
00:19:54,224 --> 00:19:58,204
JOE SKIPPED
HIS SESSION TODAY.
WHATEVER'S AILING JOE,
I PREDICT

399
00:19:58,197 --> 00:20:01,197
by the time my plan is
fully executed, he'll be cured.

400
00:20:01,200 --> 00:20:03,230
YOU'RE OUT OF YOUR ELEMENT HERE
IN A BIG WAY.

401
00:20:03,233 --> 00:20:05,743
Will you have him
call me, please?

402
00:20:05,735 --> 00:20:08,605
I WILL. IN FACT, I'M DESPERATE
FOR A FRESH PAIR OF SKIVVIES.

403
00:20:08,608 --> 00:20:12,538
So I'll have to venture
in there, anyway.
PROMISE ME THIS IS THE LAST
STATUS REPORT I'LL EVER RECEIVE

404
00:20:12,542 --> 00:20:14,242
REGARDING YOUR UNDERWEAR.

405
00:20:14,244 --> 00:20:16,724
(panting) AGAIN.

406
00:20:16,716 --> 00:20:18,386
(panting)

407
00:20:18,388 --> 00:20:21,718
SHOW ME WHAT YOU GOT, DUDE.

408
00:20:21,721 --> 00:20:23,251
GOES LEFT...
OH!

409
00:20:23,253 --> 00:20:25,403
RIGHT AND...
OH! NO! COME ON,
BIG BOY, DO IT AGAIN!

410
00:20:25,395 --> 00:20:27,725
OH, MY GOD! IT'S LIKE THAT
ALL DAY. COME ON, COME ON.

411
00:20:27,727 --> 00:20:30,257
DO IT AGAIN. I WANNA SEE YOU
DO THAT AGAIN.
YOU WANT IT?
YOU WANT IT?

412
00:20:30,260 --> 00:20:32,260
(bed squeaking)
TELL ME YOU WANT IT.
TELL ME YOU WANT IT!

413
00:20:32,262 --> 00:20:35,312
GIVE IT TO ME! GIVE IT TO ME!
GIVE IT TO ME!
COME ON, DOWN HERE.
DOWN HERE.

414
00:20:35,305 --> 00:20:38,305
WHAT? WHY DON'T YOU TRY
AND COME AND GET IT?
COME ON. GIVE IT TO ME,
GIVE IT TO ME!

415
00:20:38,308 --> 00:20:40,738
NO, NO, I'LL GIVE IT TO YOU
IF YOU WORK FOR IT.
OH!

416
00:20:40,740 --> 00:20:43,340
I WANT YOU TO WORK FOR IT.
ALL RIGHT, COVER UP, KIDS.

417
00:20:43,343 --> 00:20:46,253
UH, I GOTTA COME IN.
I NEED SUPPLIES.

418
00:20:46,245 --> 00:20:49,245
OKAY, HERE I COME.
THREE, TWO, ONE.

419
00:20:49,248 --> 00:20:52,248
AND I'M OPENING THE DOOR.
DON'T MIND ME.

420
00:20:52,251 --> 00:20:54,881
AS YOU WERE.

421
00:20:54,884 --> 00:20:58,364
UH, TREVOR?
YOU CAN OPEN YOUR EYES.

422
00:21:04,334 --> 00:21:05,944
YOU'RE CLOTHED...

423
00:21:05,935 --> 00:21:07,795
AND OUT OF BED.

424
00:21:07,797 --> 00:21:09,837
AND YOU SLEPT ON THE FLOOR?

425
00:21:09,839 --> 00:21:12,639
YOU KNOW, I WAS TOTALLY COOL
WITH YOU GUYS USING MY BED.

426
00:21:12,642 --> 00:21:14,342
MAYBE I WASN'T CLEAR.

427
00:21:14,344 --> 00:21:16,284
I SLEPT IN THE BED.
I TOOK THE FLOOR.

428
00:21:16,275 --> 00:21:17,705
YOU TWO HAVEN'T, UH...

429
00:21:17,707 --> 00:21:20,277
UH, WE HAVE TO GET
REACQUAINTED.

430
00:21:20,279 --> 00:21:23,979
I MEAN, WE HAVEN'T EVEN
HAD A REAL DATE YET.

431
00:21:23,983 --> 00:21:25,493
SOUTHERNERS.

432
00:21:25,485 --> 00:21:28,885
WELL, OKAY, YOU TWO GET...
REACQUAINTED.

433
00:21:28,888 --> 00:21:32,058
I GOT SOMETHING IN MIND
FOR THE REAL DATE.

434
00:21:32,061 --> 00:21:35,431
♪♪

435
00:21:42,902 --> 00:21:49,382
(man)
♪ I WON'T FORGET YOU ♪

436
00:21:49,379 --> 00:21:52,339
♪ 'CAUSE YOU LEFT
A BIG IMPRESSION ♪

437
00:21:52,342 --> 00:21:54,312
♪ ON MY HEART ♪

438
00:21:54,313 --> 00:21:57,693
♪ I WON'T MISTAKE YOU ♪

439
00:21:57,687 --> 00:21:59,817
...USED TO GO HERE,
LIKE, EVERY TIME--
WHAT IS--

440
00:21:59,819 --> 00:22:01,919
THAT'S MY COUSIN,
AND THAT'S MY AUNT,

441
00:22:01,921 --> 00:22:03,591
AND THAT'S--
REMEMBER THEM?
RIGHT, YEAH.

442
00:22:03,593 --> 00:22:05,093
THAT'S SO FUNNY. YEAH...

443
00:22:05,094 --> 00:22:08,064
♪ I SING THIS ♪

444
00:22:08,057 --> 00:22:10,827
♪ SONG TO YOU NOW ♪

445
00:22:10,830 --> 00:22:14,430
♪ YOU CAN'T ALWAYS CLOSE ♪

446
00:22:14,434 --> 00:22:18,674
♪ NEVER LET IT GO ♪

447
00:22:18,668 --> 00:22:20,838
♪ I WON'T EVER LET IT-- ♪

448
00:22:20,840 --> 00:22:22,340
(gasps)

449
00:22:22,341 --> 00:22:25,981
(panting)
SHH. HEY, SHH.

450
00:22:25,975 --> 00:22:27,575
SHH...
(continues panting)

451
00:22:27,577 --> 00:22:29,417
SHH.

452
00:22:29,419 --> 00:22:31,019
SHH.
(exhales sharply)

453
00:22:31,020 --> 00:22:34,020
(shower running)

454
00:22:35,585 --> 00:22:37,425
(Joe) PEACHES!

455
00:22:37,427 --> 00:22:39,427
YES, JOE?

456
00:22:39,429 --> 00:22:41,429
WOULD YOU PLEASE LOOK
IN MY BAG,

457
00:22:41,431 --> 00:22:43,431
AND SEE IF I HAVE
AN EXTRA T-SHIRT?

458
00:22:43,433 --> 00:22:46,443
(shower continues running)

459
00:23:03,613 --> 00:23:07,123
ROBIN! WAIT, I CAN EXPLAIN.

460
00:23:07,116 --> 00:23:09,816
I DON'T NEED YOU
TO EXPLAIN.

461
00:23:09,819 --> 00:23:12,119
YOU--YOU BOOKED A FLIGHT
TO WINNIPEG TOMORROW,

462
00:23:12,121 --> 00:23:14,821
AND YOU DIDN'T THINK
THAT THERE WAS ANY REASON

463
00:23:14,824 --> 00:23:17,134
THAT YOU SHOULD MAYBE
MENTION THAT FACT TO ME?

464
00:23:17,126 --> 00:23:19,826
I THOUGHT THAT THIS
MIGHT BE GOING SOMEWHERE.

465
00:23:19,829 --> 00:23:22,829
I-I DIDN'T REALIZE THAT I WAS
JUST YOUR WEEKENDER. TAXI!

466
00:23:22,832 --> 00:23:24,172
I COULDN'T TELL YOU,
ALL RIGHT?

467
00:23:24,173 --> 00:23:27,183
I DIDN'T WANT YOU TO THINK
THAT I WAS A COWARD.

468
00:23:27,176 --> 00:23:30,676
I JUST--I CAN'T GO BACK.
GO BACK WHERE?

469
00:23:30,680 --> 00:23:32,040
IRAQ.

470
00:23:34,113 --> 00:23:37,023
I'VE BEEN STOP-LOSSED.

471
00:23:37,016 --> 00:23:39,086
I'M SUPPOSED
TO REPORT TOMORROW.

472
00:23:41,090 --> 00:23:42,550
YOU'RE DESERTING?

473
00:23:44,624 --> 00:23:48,804
THIS MOMENT, RIGHT NOW...

474
00:23:48,798 --> 00:23:51,998
THIS IS WHY
I COULDN'T TELL YOU.

475
00:23:52,001 --> 00:23:56,141
I COULDN'T BEAR
TO SEE YOUR REACTION.
(wolf-whistle)

476
00:23:56,135 --> 00:23:58,805
YOU'RE GONNA CATCH
YOUR DEATH.

477
00:24:07,116 --> 00:24:10,976
(sighs)
THIS WAR HAS RUINED ME.

478
00:24:14,183 --> 00:24:16,893
I CLOSE MY EYES...

479
00:24:16,886 --> 00:24:18,786
AND I'M BACK THERE.

480
00:24:18,788 --> 00:24:21,158
I'M DRIVING IN
AFTER SOME SUICIDE BOMBER

481
00:24:21,160 --> 00:24:24,130
HAS BLOWN HIMSELF UP
IN SOME CROWDED MARKET.

482
00:24:24,133 --> 00:24:26,973
I'M WATCHING, HELPLESS,

483
00:24:26,966 --> 00:24:31,596
WHILE SOME WOUNDED BUDDY
IS CALLING OUT TO HIS WIFE.

484
00:24:31,601 --> 00:24:34,601
I CAN'T DO IT AGAIN.
I CAN'T GO BACK--

485
00:24:34,604 --> 00:24:36,654
YOU DON'T OWE ME
AN EXPLANATION.

486
00:24:36,646 --> 00:24:40,006
I READ YOUR LETTERS.

487
00:24:41,881 --> 00:24:43,811
(Trevor) KIDS?

488
00:24:43,813 --> 00:24:46,823
WHOA. I DON'T KNOW HOW YOU GUYS
DO IT IN CAJUN COUNTRY,

489
00:24:46,816 --> 00:24:50,186
BUT UP HERE IN THE BIG CITY,
WE REQUIRE SHOES AND SHIRT.

490
00:24:53,723 --> 00:24:55,223
WHAT?

491
00:24:57,527 --> 00:24:59,897
(Josie) SHE'S HAVING
LUNCH RIGHT NOW.
(Trevor)
OH, SHE DOESN'T MIND.

492
00:24:59,899 --> 00:25:02,899
(scoffs)
WHY DIDN'T YOU TELL ME
JOE'S FLEEING THE COUNTRY?

493
00:25:02,902 --> 00:25:05,912
BECAUSE THERE'S THIS THING
CALLED DOCTOR-CLIENT PRIVILEGE.

494
00:25:05,905 --> 00:25:08,135
SORRY, DR. McCRAE.
THERE'S NOT MUCH
YOU COULD'VE DONE.

495
00:25:08,137 --> 00:25:10,137
JUST GIVE ME A MINUTE
WITH TREVOR, PLEASE.

496
00:25:10,139 --> 00:25:12,109
WHILE WE'RE ON THE TOPIC
OF DISCLOSURE,

497
00:25:12,111 --> 00:25:14,811
WHY DIDN'T YOU MENTION
THAT YOU WERE HAVING ME FLY

498
00:25:14,814 --> 00:25:18,054
JOE'S HIGH SCHOOL GIRLFRIEND IN
SO YOU COULD PLAY GOD?
I AM A GOD, OKAY?

499
00:25:18,047 --> 00:25:21,147
IF I HAVE TO FILL YOU IN EVERY
TIME I DO SOMETHING GODLIKE,

500
00:25:21,150 --> 00:25:23,120
I'LL NEVER GET ANYTHING DONE.

501
00:25:23,122 --> 00:25:25,152
"OH, HI, CLAIRE? YEAH.
I'M BRUSHING MY TEETH."

502
00:25:25,154 --> 00:25:27,634
"OH, HI, CLAIRE. YEAH,
I'M MAKING SOME TOAST."

503
00:25:27,627 --> 00:25:29,727
"CLAIRE? YEAH, I'M DOING
SOME PLANE-SHIFTING."

504
00:25:29,729 --> 00:25:32,829
YOU SEE WHAT I MEAN?
I TRIED TO MAKE IT
PERFECTLY CLEAR

505
00:25:32,832 --> 00:25:35,132
THAT THE RELATIONSHIP
WAS DOOMED.

506
00:25:35,134 --> 00:25:37,274
YOU HAD TO OPEN
PANDORA'S BOX.

507
00:25:37,266 --> 00:25:40,106
AND, PLEASE, DON'T TELL ME
PANDORA HAD A GREAT RACK.

508
00:25:40,109 --> 00:25:42,109
STILL DOES.
GOD! I CAME SO CLOSE.

509
00:25:42,111 --> 00:25:45,271
(sighs) I WAS GONNA SEAL
THE DEAL ON THE MATCH TONIGHT.

510
00:25:45,274 --> 00:25:48,054
I HAD THIS BIG DATE PLANNED.
I SEE.

511
00:25:48,047 --> 00:25:51,177
YOU'RE THE VICTIM HERE,
NOT JOE, NOT ROBIN... YOU.

512
00:25:51,180 --> 00:25:53,720
I DID GIVE UP MY BEDROOM.

513
00:25:53,723 --> 00:25:56,133
WHAT WAS THE BIG DATE?

514
00:25:56,125 --> 00:25:58,285
I-I WAS GONNA GIVE 'EM
THE HOMECOMING DANCE

515
00:25:58,287 --> 00:25:59,987
THEY NEVER GOT.

516
00:25:59,989 --> 00:26:01,659
LOOK AT YOU.

517
00:26:01,661 --> 00:26:04,261
MERCENARY, BUT SWEET.

518
00:26:04,263 --> 00:26:07,203
I THINK YOU OWE THEM
THIS DATE.

519
00:26:07,196 --> 00:26:09,966
AND FRANKLY, IT MIGHT PROVIDE
SOME CLOSURE,

520
00:26:09,969 --> 00:26:12,639
SO THEY DON'T HAVE TO SPEND
ANOTHER TEN YEARS

521
00:26:12,642 --> 00:26:14,172
WONDERING, "WHAT IF?"

522
00:26:14,173 --> 00:26:17,653
I DON'T GET CREDIT FOR CLOSURE.
I GET CREDIT FOR LOVE.

523
00:26:17,647 --> 00:26:20,777
WELL, MAYBE JUST THIS ONCE
IT'S NOT ABOUT YOUR TALLY.

524
00:26:20,780 --> 00:26:22,780
MAYBE IT'S ABOUT
DOING SOMETHING NICE

525
00:26:22,782 --> 00:26:25,182
FOR TWO PEOPLE WHOSE
RELATIONSHIP NEVER HAD A CHANCE.

526
00:26:25,184 --> 00:26:27,794
YOU THINK THIS IS
A GOOD IDEA, HUH?

527
00:26:27,787 --> 00:26:30,187
I DO. I THINK IT COULD BE
VERY BENEFICIAL.

528
00:26:30,189 --> 00:26:32,859
(sighs)
THIS MAKES THIS EASIER.
MAKES WHAT EASIER?

529
00:26:32,862 --> 00:26:35,592
WE NEED TO BORROW YOUR CAR.

530
00:26:35,594 --> 00:26:37,804
(horn honks)

531
00:26:37,797 --> 00:26:40,327
YES. THE 10:00 A.M. FLIGHT
TOMORROW

532
00:26:40,329 --> 00:26:44,269
TO BATON ROUGE,
LEAVING FROM NEWARK.

533
00:26:44,273 --> 00:26:46,943
THANK YOU SO MUCH.
(beep)

534
00:26:46,936 --> 00:26:50,036
(sighs)
WELL, AT LEAST
I'LL GET TO SEE YOU OFF

535
00:26:50,039 --> 00:26:52,939
BEFORE I HEAD TO CANADA.
YEAH.

536
00:26:52,942 --> 00:26:56,292
OH. I WISH
YOU WERE COMING WITH ME.

537
00:26:56,285 --> 00:26:59,815
YOU KNOW, THE ANNUAL PEACHTREE
SLOSHBALL GRUDGE MATCH

538
00:26:59,819 --> 00:27:01,319
IS NEXT WEEKEND.

539
00:27:01,320 --> 00:27:03,320
WE COULD USE A RINGER.

540
00:27:03,322 --> 00:27:05,192
SLOSHBALL?

541
00:27:05,194 --> 00:27:08,334
SOFTBALL. BUT...
UNCLE RONNIE PUTS KEGS

542
00:27:08,327 --> 00:27:11,627
(chuckles) AT FIRST BASE
AND THIRD, TOO.
AH. (chuckles)

543
00:27:11,630 --> 00:27:14,200
BY THE FOURTH INNING,
DADDY IS THREE SHEETS GONE,

544
00:27:14,203 --> 00:27:17,173
AND HE'S SHOUTING ABOUT HOW
THE SOUTH IS GONNA RISE AGAIN,

545
00:27:17,166 --> 00:27:20,306
AND, UH, MAMA AND AUNT SUE

546
00:27:20,309 --> 00:27:22,339
ARE DISPARAGING
EACH OTHER'S PIES.

547
00:27:22,341 --> 00:27:24,641
IT'S... JUST ANARCHY.

548
00:27:24,643 --> 00:27:26,683
(door opens)
(Trevor) ALL RIGHT.

549
00:27:26,676 --> 00:27:28,676
PUT ON YOUR RALLY CAPS,
KIDS.

550
00:27:28,678 --> 00:27:32,678
WE'RE OFF TO EXPERIENCE
A RITE OF PASSAGE.

551
00:27:32,682 --> 00:27:35,732
THERE'S YOUR CORSAGE.

552
00:27:42,962 --> 00:27:44,362
(woman) ♪ AH, AH, OH ♪

553
00:27:44,363 --> 00:27:47,743
♪ AH, AH, OH ♪

554
00:27:47,737 --> 00:27:49,297
♪ AH, AH, OH ♪

555
00:27:49,298 --> 00:27:52,668
OKAY, MOM, WHEN YOU PICK US UP,
DON'T COME OUT IN FRONT.

556
00:27:52,671 --> 00:27:55,751
YOU'LL EMBARRASS US.
PICK US UP OUT BACK.
DID YOU NOT SEE THE DRESS?

557
00:27:55,745 --> 00:27:59,705
I CAN'T BELIEVE WE FINALLY GET
TO GO TO OUR HOMECOMING DANCE.

558
00:27:59,709 --> 00:28:01,309
♪ WE CAME HERE TO PARTY ♪

559
00:28:01,310 --> 00:28:04,410
♪ THE BILLS ARE PILIN' ♪
♪ SO DEEP ♪

560
00:28:04,413 --> 00:28:06,423
♪ COLLECTOR'S WILIN' ♪
♪ ON ME ♪

561
00:28:06,415 --> 00:28:08,015
♪ AND I BEEN HIDIN' ♪

562
00:28:08,017 --> 00:28:10,387
HI. I'M TRACY. I'M WITH
THE HOMECOMING COMMITTEE.

563
00:28:10,389 --> 00:28:13,189
CAN I SEE
YOUR STUDENT I.D.s?

564
00:28:13,192 --> 00:28:17,772
OH, MAYBE YOU LEFT THEM
IN YOUR TIME MACHINE.
OH.

565
00:28:17,767 --> 00:28:21,067
TRACY, IT'S OKAY. IT'S OKAY.
THESE ARE MY GUESTS.

566
00:28:21,070 --> 00:28:24,800
THIS IS REALLY
SO GENEROUS OF YOU, CARL.

567
00:28:24,804 --> 00:28:26,284
OH. HARDLY.

568
00:28:26,275 --> 00:28:28,105
♪♪

569
00:28:28,107 --> 00:28:30,437
THANK YOU.

570
00:28:30,439 --> 00:28:32,809
SWEET. GET DOWN.

571
00:28:32,812 --> 00:28:35,312
YEAH. (laughs)

572
00:28:35,314 --> 00:28:36,454
(mouths words)

573
00:28:36,445 --> 00:28:39,745
IS THAT ONE OF THE WAITRESSES
FROM THE BAR?

574
00:28:39,749 --> 00:28:43,319
THAT WOULD BE LITA,
THE HOT CHICK BEARD.

575
00:28:43,322 --> 00:28:45,962
AND LOOK.
THERE'S OUR MARK.

576
00:28:45,955 --> 00:28:48,255
WATCH AS SHE
TOTALLY REAPPRAISES

577
00:28:48,257 --> 00:28:50,327
OUR MILD-MANNERED
HISTORY TEACHER.

578
00:28:50,329 --> 00:28:51,759
YOU'RE UNBELIEVABLE.

579
00:28:51,761 --> 00:28:54,761
YOU HAD TO TRY AND MAKE
A MATCH TONIGHT, HUH?

580
00:28:54,764 --> 00:28:56,774
HARDLY TRYING.
LOOK, NO HANDS.

581
00:28:56,766 --> 00:28:59,736
YOU KNOW, CARL'S BEEN COMING
TO MY GROUP FOR YEARS.

582
00:28:59,738 --> 00:29:01,838
HE HATCHES
THESE ELABORATE SCHEMES

583
00:29:01,841 --> 00:29:03,341
OUT OF AVOIDANCE,

584
00:29:03,342 --> 00:29:06,322
BECAUSE HE CAN'T JUST WALK UP
TO A WOMAN AND ASK HER OUT.

585
00:29:06,315 --> 00:29:09,475
I'LL MAKE THAT HAPPEN TONIGHT.
WE'RE JUST PRIMING THE PUMP.

586
00:29:09,478 --> 00:29:12,148
MAN, MAYBE I SHOULD SPEND
MORE TIME IN HIGH SCHOOLS.

587
00:29:12,151 --> 00:29:14,451
YOU SEE, YOU MISSED
ALL THOSE HIGH SCHOOL SOCIALS

588
00:29:14,453 --> 00:29:16,833
'CAUSE YOU WERE WORRIED
ABOUT DANCING.

589
00:29:16,826 --> 00:29:19,326
YOU COULD'VE BEEN
MAKING OUT THE WHOLE TIME.

590
00:29:19,328 --> 00:29:21,828
YOU KNOW HOW TO DO THAT,
DON'T YOU?

591
00:29:21,831 --> 00:29:25,231
(man) ALL RIGHT, LET'S GET
EVERYBODY ON THE DANCE FLOOR.
OKAY.

592
00:29:25,234 --> 00:29:27,804
JUST SLIDE OVER A LITTLE BIT.
THERE YOU GO. THAT'S PERFECT.

593
00:29:27,797 --> 00:29:29,367
BIG SMILE. NICE.
(shutter clicks)

594
00:29:29,368 --> 00:29:31,368
OH, ONE MORE, ONE MORE.
HEY, MAYBE WE SHOULD
TAKE A PICTURE.

595
00:29:31,370 --> 00:29:33,000
NO. COME WITH ME.

596
00:29:33,002 --> 00:29:35,072
(shutter clicks)

597
00:29:35,074 --> 00:29:37,254
(woman)
♪ HERE'S HOW IT GOES ♪

598
00:29:37,246 --> 00:29:38,506
"FEARLESS HEART"?

599
00:29:38,507 --> 00:29:40,507
THIS IS
A COUNTRY-WESTERN SONG.

600
00:29:40,509 --> 00:29:42,209
YES, IT IS.

601
00:29:42,211 --> 00:29:44,351
DOES THIS LOOK LIKE
A COUNTRY-WESTERN CROWD TO YOU?

602
00:29:44,353 --> 00:29:46,363
FLIP IT OVER.

603
00:29:46,355 --> 00:29:48,515
♪ YOU'VE GOT ME MESMERIZED ♪

604
00:29:48,517 --> 00:29:50,517
I STAND CORRECTED.

605
00:29:50,519 --> 00:29:53,519
IT'S LIKE I'M ON THE SET
OF "HEE HAW." THEY'LL LOVE IT.

606
00:29:53,522 --> 00:29:55,522
♪♪

607
00:29:55,524 --> 00:29:57,234
"FEARLESS HEART." REALLY?

608
00:29:57,226 --> 00:29:59,226
YOU THINK
THAT'S THE BEST CHOICE?

609
00:29:59,228 --> 00:30:01,228
I MEAN, ISN'T THIS
RELATIONSHIP DOOMED

610
00:30:01,230 --> 00:30:03,270
BECAUSE JOE'S AFRAID
OF GOING BACK TO IRAQ?

611
00:30:03,272 --> 00:30:06,282
I MEAN, I DON'T KNOW.
IF I'M PICKING THE SONG,

612
00:30:06,275 --> 00:30:09,275
I'M MAYBE CHOOSING SOMETHING
THAT DOESN'T UNDERLINE THE FACT

613
00:30:09,278 --> 00:30:10,578
THAT JOE'S GOING AWOL.

614
00:30:10,579 --> 00:30:12,839
JOE TOLD ME
HE LOVES THIS SONG.

615
00:30:12,842 --> 00:30:15,922
AND BY THE WAY, HE WAS AWARDED
THE DISTINGUISHED SERVICE CROSS.

616
00:30:15,915 --> 00:30:18,915
DID YOU KNOW THAT?
HE'S AN UNBELIEVABLY BRAVE MAN.

617
00:30:18,918 --> 00:30:21,918
THEY SENT HIM TO ME
BECAUSE HE HASN'T BEEN ABLE

618
00:30:21,921 --> 00:30:23,921
TO LEAVE WHAT HE'S SEEN
BEHIND.

619
00:30:23,923 --> 00:30:25,933
HE'S HAUNTED,
BUT HE'S NOT A COWARD.

620
00:30:25,925 --> 00:30:27,925
AND THEY SEND HIM TO ME,

621
00:30:27,927 --> 00:30:30,927
AND THEN THEY DOESN'T LISTEN
TO MY RECOMMENDATION.
AH, STILL...

622
00:30:30,930 --> 00:30:33,060
WELL, THERE'S ALL KINDS
OF BRAVERY, TREVOR.

623
00:30:33,062 --> 00:30:35,502
WITH WHAT JOE EXPERIENCED
OVER THERE, IT'S MY BELIEF

624
00:30:35,504 --> 00:30:37,874
THAT EVERY MORNING HE GETS UP
AND FACES THE DAY

625
00:30:37,867 --> 00:30:39,867
IS AN ACT OF BRAVERY.

626
00:30:39,869 --> 00:30:42,869
AND THERE'S THIS OTHER GUY,
I BELIEVE, EXPERIENCED A TRAGEDY

627
00:30:42,872 --> 00:30:45,842
IN HIS PAST, AND HE CAN'T
EVEN MANAGE THAT MUCH.

628
00:30:45,844 --> 00:30:48,854
HE CHOOSES TO COPE BY INVENTING
A FICTIONAL CHARACTER

629
00:30:48,847 --> 00:30:51,077
AND HIDING BEHIND
A FALSE REALITY.

630
00:30:51,080 --> 00:30:53,080
WHAT? YOU MEAN, LIKE,
HE PRETENDS

631
00:30:53,082 --> 00:30:56,232
TO BE CAPTAIN AMERICA OR SOME--
OH... WAIT A MINUTE. I SEE.

632
00:30:56,225 --> 00:30:59,225
YOU'RE TALKING ABOUT ME.
MM. NOTHING GETS
PAST YOU, HUH?

633
00:30:59,228 --> 00:31:01,888
MM. UH, YOU KNOW,
THAT'S FUNNY.

634
00:31:01,891 --> 00:31:04,961
I'M BEING CALLED A CHICKEN
BY A WOMAN WHO WON'T FAST DANCE

635
00:31:04,964 --> 00:31:07,874
BECAUSE SHE WAS LAUGHED AT
15 YEARS AGO.

636
00:31:07,866 --> 00:31:10,566
♪ YOU GOT ME, YOU GOT ME ♪

637
00:31:10,569 --> 00:31:12,399
♪ HOT ♪

638
00:31:12,401 --> 00:31:14,141
♪ YOU GOT ME, YOU GOT ME ♪

639
00:31:14,143 --> 00:31:15,913
♪ YOU GOT ME HOT, HOT ♪
(deejay) ALL RIGHT, EVERYBODY,

640
00:31:15,905 --> 00:31:18,405
DON'T HATE ME
BECAUSE I'M A CAPITALIST.

641
00:31:18,407 --> 00:31:21,407
(Steve Earle's
"Fearless Heart" playing)

642
00:31:21,410 --> 00:31:24,080
LISTEN. YES!

643
00:31:24,083 --> 00:31:25,413
♪♪

644
00:31:25,414 --> 00:31:30,294
♪ DON'T YOU WORRY
'BOUT WHAT YOU BEEN TOLD ♪

645
00:31:30,289 --> 00:31:35,219
♪ 'CAUSE, HONEY,
I AIN'T EVEN CLOSE TO COLD ♪

646
00:31:35,224 --> 00:31:40,374
♪ IT'S KINDA SOON
TO FALL IN LOVE AGAIN ♪

647
00:31:40,369 --> 00:31:43,399
♪ SOMETIMES THE BEST
THAT YOU CAN DO ♪

648
00:31:43,402 --> 00:31:47,282
♪ IS JUST TO JUMP BACK IN ♪

649
00:31:47,276 --> 00:31:51,006
♪ I GOT ME A FEARLESS HEART ♪

650
00:31:51,010 --> 00:31:56,350
♪ STRONG ENOUGH TO GET YOU
THROUGH THE SCARY PART ♪

651
00:31:56,345 --> 00:31:59,245
♪ IT'S BEEN BROKEN
MANY TIMES BEFORE ♪

652
00:31:59,248 --> 00:32:02,288
(Duffy's "Mercy" playing)

653
00:32:02,291 --> 00:32:05,291
♪ YEAH, YEAH, YEAH ♪

654
00:32:05,294 --> 00:32:09,234
♪ YEAH, YEAH, YEAH ♪

655
00:32:09,228 --> 00:32:12,398
♪ YEAH, YEAH, YEAH ♪

656
00:32:12,401 --> 00:32:16,041
♪ YEAH, YEAH, YEAH ♪

657
00:32:16,035 --> 00:32:19,035
♪♪

658
00:32:23,042 --> 00:32:26,282
♪ I LOVE YOU ♪
♪ OOH, OOH ♪

659
00:32:26,275 --> 00:32:30,375
♪ BUT I GOTTA STAY TRUE ♪
♪ OOH, OOH ♪

660
00:32:30,379 --> 00:32:33,549
♪ MY MORALS GOT ME ON MY KNEES,
I'M BEGGIN', PLEASE ♪

661
00:32:33,552 --> 00:32:37,562
♪ STOP PLAYING GAMES ♪
♪ OOH, OOH ♪

662
00:32:37,556 --> 00:32:39,556
♪ I DON'T KNOW WHAT THIS IS ♪

663
00:32:39,558 --> 00:32:42,958
♪ BUT YOU GOT ME GOOD,
JUST LIKE YOU KNEW YOU WOULD ♪

664
00:32:42,961 --> 00:32:44,331
♪ OOH, OOH ♪

665
00:32:44,333 --> 00:32:48,543
♪ I DON'T KNOW WHAT YOU DO,
BUT YOU DO IT WELL ♪

666
00:32:48,537 --> 00:32:52,297
♪ I'M UNDER YOUR SPELL ♪
♪ OOH, OOH ♪

667
00:32:52,301 --> 00:32:55,141
♪ YOU GOT ME BEGGIN' YOU
FOR MERCY ♪

668
00:32:55,144 --> 00:32:56,714
HEY.

669
00:32:56,705 --> 00:32:58,975
HAVE YOU GUYS
SEEN CLAIRE?

670
00:32:58,977 --> 00:33:01,007
SHE'S OVER THERE.

671
00:33:01,010 --> 00:33:04,150
♪ YOU GOT ME BEGGIN' YOU
FOR MERCY ♪
♪ YEAH, YEAH, YEAH ♪

672
00:33:04,153 --> 00:33:07,293
♪ WHY WON'T YOU RELEASE ME? ♪
♪ YEAH, YEAH, YEAH ♪

673
00:33:07,286 --> 00:33:12,286
♪ I SAID RELEASE ME ♪

674
00:33:12,291 --> 00:33:14,321
♪ YEAH, YEAH, YEAH ♪

675
00:33:14,323 --> 00:33:18,173
♪ NOW YOU THINK THAT I ♪
♪ OOH, OOH ♪

676
00:33:18,167 --> 00:33:20,267
♪ WILL BE SOMETHING
ON THE SIDE ♪

677
00:33:20,269 --> 00:33:21,599
♪ OOH, OOH ♪

678
00:33:21,600 --> 00:33:24,100
♪ BUT YOU GOT TO UNDERSTAND ♪

679
00:33:24,103 --> 00:33:26,443
♪ THAT I NEED A MAN ♪

680
00:33:26,435 --> 00:33:29,375
♪ WHO CAN TAKE MY HANDS,
YES, I DO ♪

681
00:33:29,378 --> 00:33:32,778
♪ I DON'T KNOW WHAT THIS IS,
BUT YOU GOT ME GOOD ♪

682
00:33:32,781 --> 00:33:36,191
♪ JUST LIKE YOU KNEW
YOU WOULD ♪
♪ OOH, OOH ♪

683
00:33:36,185 --> 00:33:40,145
♪ I DON'T KNOW WHAT YOU DO,
BUT YOU DO IT WELL ♪

684
00:33:40,149 --> 00:33:43,289
♪ I'M UNDER YOUR SPELL ♪
♪ OOH, OOH ♪

685
00:33:43,292 --> 00:33:47,162
♪ YOU GOT ME BEGGIN' YOU
FOR MERCY ♪
♪ YEAH, YEAH, YEAH ♪

686
00:33:47,156 --> 00:33:51,356
♪ WHY WON'T YOU RELEASE ME? ♪
♪ YEAH, YEAH, YEAH ♪

687
00:33:51,360 --> 00:33:55,100
♪ YOU GOT ME BEGGIN' YOU
FOR MERCY ♪
♪ YEAH, YEAH, YEAH ♪

688
00:33:55,104 --> 00:33:58,514
♪ WHY WON'T YOU RELEASE ME? ♪
♪ YEAH, YEAH, YEAH ♪

689
00:33:58,507 --> 00:34:03,567
♪ I SAID
YOU'D BETTER RELEASE ME ♪
♪ YEAH, YEAH, YEAH ♪

690
00:34:03,572 --> 00:34:08,252
♪ YEAH, YEAH, YEAH ♪
♪ YEAH, YEAH, YEAH ♪

691
00:34:08,247 --> 00:34:10,117
♪ I'M BEGGIN' YOU FOR MERCY ♪

692
00:34:10,119 --> 00:34:12,819
♪ YES, WHY WON'T YOU ♪

693
00:34:12,821 --> 00:34:15,081
♪ RELEASE ME? ♪

694
00:34:15,084 --> 00:34:18,394
♪ I'M BEGGIN' YOU FOR MERCY ♪

695
00:34:18,387 --> 00:34:20,687
♪ YOU GOT ME BEGGIN' ♪

696
00:34:20,689 --> 00:34:22,689
♪ YOU GOT ME BEGGIN' ♪

697
00:34:22,691 --> 00:34:24,631
♪ YOU GOT ME BEGGIN' ♪

698
00:34:40,279 --> 00:34:42,309
(woman) LADIES AND GENTLEMEN,
WE ARE READY TO BEGIN

699
00:34:42,311 --> 00:34:43,811
BOARDING FOR FLIGHT...

700
00:34:43,812 --> 00:34:45,312
(clears throat)
OH.

701
00:34:45,314 --> 00:34:47,564
IT'S THE FIRST OF MANY.

702
00:34:47,556 --> 00:34:53,156
UNH-UNH. DO NOT OPEN THIS UNTIL
YOU GET ON THE PLANE, OKAY?

703
00:34:56,395 --> 00:34:58,565
(whispers) COME HERE.

704
00:35:03,702 --> 00:35:07,142
IF YOU HAVE ANY QUESTIONS
ABOUT OUR FLIGHT TODAY,

705
00:35:07,136 --> 00:35:10,136
PLEASE DON'T HESITATE TO ASK
ONE OF OUR FLIGHT ATTENDANTS.

706
00:35:10,139 --> 00:35:11,479
THANK YOU.

707
00:35:14,483 --> 00:35:16,453
WAIT.

708
00:35:16,445 --> 00:35:17,585
NO. WAIT.

709
00:35:17,586 --> 00:35:19,586
DON'T CLOSE THE DOOR!
(woman) MISS.

710
00:35:19,588 --> 00:35:22,518
WAIT!
PLEASE DON'T CLOSE THE DOOR!
EXCUSE ME, MISS!

711
00:35:34,833 --> 00:35:37,373
(knock on door)

712
00:35:41,440 --> 00:35:44,240
JOE'S REPORTING FOR DUTY.
HE ISN'T GOING TO CANADA.

713
00:35:44,243 --> 00:35:47,423
HE'S GOING TO IRAQ.
I CAN'T LET HIM DO THIS.

714
00:35:47,416 --> 00:35:49,716
NOT FOR ME. IF ANYTHING
EVER HAPPENED TO HIM,

715
00:35:49,718 --> 00:35:51,718
I COULD NOT FORGIVE MYSELF.

716
00:35:51,720 --> 00:35:54,620
WE HAVE TO FIND HIM.
COME ON. LET'S GO!

717
00:35:54,623 --> 00:35:58,733
GO. GO WHERE?
I DON'T KNOW. BUT NOW
I HAVE TO TALK TO HIM.

718
00:35:58,727 --> 00:36:02,327
OKAY, OKAY, LET ME THINK.

719
00:36:02,331 --> 00:36:04,631
MAYBE THERE'S SOMETHING
ABOUT WHERE JOE'S REPORTING

720
00:36:04,633 --> 00:36:06,303
IN HIS FILE.

721
00:36:06,295 --> 00:36:08,335
WE'LL GO
TO CLAIRE'S OFFICE.

722
00:36:08,337 --> 00:36:12,467
SHE WORKS ON A SUNDAY?
NO, SO WE'RE IN LUCK.

723
00:36:20,379 --> 00:36:21,679
(indistinct radio chatter)

724
00:36:21,680 --> 00:36:24,410
UH... COULD I ASK
WHAT YOU'RE DOING IN HERE?

725
00:36:24,413 --> 00:36:26,663
THANK YOU
FOR COMING SO QUICKLY.

726
00:36:26,655 --> 00:36:28,655
I CALLED AS SOON
AS I SAW THIS MESS.

727
00:36:28,657 --> 00:36:30,717
I MEAN, IT SEEMS LIKE WHOEVER
BROKE IN HERE

728
00:36:30,719 --> 00:36:33,719
WENT THROUGH ALL THESE FILES,
WHICH IS VERY UPSETTING TO ME,

729
00:36:33,722 --> 00:36:35,862
BECAUSE, YOU KNOW,
I'M A PATIENT OF DR. McCRAE'S.

730
00:36:35,864 --> 00:36:39,374
I MEAN, I'M PARANOID ENOUGH
AS IT IS.

731
00:36:39,368 --> 00:36:42,368
YOU'RE GOING TO SHOOT ME,
AREN'T YOU?
I FOUND HIS FILE!

732
00:36:42,371 --> 00:36:44,771
UH, YOUR FILE.
JOE, HERE IS YOUR FILE.

733
00:36:44,773 --> 00:36:46,243
THANK YOU.

734
00:36:46,235 --> 00:36:49,235
I WAS DOWN IN ADMINISTRATION,
AND I GOT A CALL--

735
00:36:49,238 --> 00:36:50,578
(sighs)

736
00:36:50,579 --> 00:36:52,709
WELL, WELL, WELL.

737
00:36:52,711 --> 00:36:55,411
THIS MAN CLAIMS THAT
HE'S A PATIENT OF YOURS?

738
00:36:55,414 --> 00:36:57,954
THIS MAN IS, IN FACT,
MY PATIENT,

739
00:36:57,946 --> 00:36:59,946
AND THIS WOMAN IS MY...

740
00:36:59,948 --> 00:37:02,418
CATERER.

741
00:37:02,421 --> 00:37:05,351
I'LL TAKE IT FROM HERE.
THANK YOU.

742
00:37:07,426 --> 00:37:10,556
I CAN EXPLAIN.
I DON'T WANT TO HEAR IT.

743
00:37:10,559 --> 00:37:13,329
(Robin) JOE'S GOING TO IRAQ.
BUT HE'S NOT READY.

744
00:37:13,332 --> 00:37:16,912
THAT'S WHY I HAVE TO STOP HIM.
IS THERE ANYTHING IN HERE THAT
SAYS WHERE HE'S REPORTING?

745
00:37:16,905 --> 00:37:19,905
NO, THERE'S NOT, TREVOR. THERE'S
JUST SOME PAPERWORK SAYING THAT,

746
00:37:19,908 --> 00:37:23,268
IN MY PROFESSIONAL OPINION,
JOE IS UNFIT TO RETURN TO IRAQ.

747
00:37:23,272 --> 00:37:25,712
SOMETHING HIS COMMANDING OFFICER
PROMPTLY DISREGARDED.

748
00:37:27,416 --> 00:37:30,516
SO I KNOW
HIS COMMANDING OFFICER.

749
00:37:30,519 --> 00:37:34,449
I DON'T LIKE HIM,
BUT I KNOW HIM.

750
00:37:34,453 --> 00:37:37,393
WE'LL GET THE INFO
ON THE WAY.

751
00:37:39,958 --> 00:37:41,958
(man speaking indistinctly
over bullhorn)

752
00:37:41,960 --> 00:37:44,830
JOE ADAMS?
DO YOU KNOW JOE ADAMS? NO?

753
00:37:44,833 --> 00:37:47,803
EXCUSE ME.
FELLAS. WHERE'S JOE?

754
00:37:47,796 --> 00:37:51,466
JOE ADAMS.
JOE ADAMS. JOE ADAMS--
IS HE IN YOUR COMPANY?

755
00:37:51,470 --> 00:37:53,640
JOE ADAMS.
DO YOU KNOW JOE ADAMS?
NO.

756
00:37:53,642 --> 00:37:57,352
ANYBODY KNOW
WHO'S IN CHARGE HERE?
JOE ADAMS. DO YOU KNOW
WHO JOE ADAMS IS?

757
00:37:57,346 --> 00:37:58,976
(Claire)
HAS ANYBODY SEEN JOE ADAMS?

758
00:37:58,977 --> 00:38:01,477
JOE ADAMS.
IS HE IN YOUR COMPANY?

759
00:38:01,480 --> 00:38:03,380
(man) NO.

760
00:38:03,382 --> 00:38:07,562
(Claire) DO YOU HAVE ANY IDEA
WHERE JOE ADAMS IS?

761
00:38:07,556 --> 00:38:10,416
JOE!

762
00:38:10,419 --> 00:38:12,859
(panting)
PEACHES?

763
00:38:14,723 --> 00:38:17,073
YOU'RE SUPPOSED TO BE
ON A PLANE.

764
00:38:17,065 --> 00:38:19,365
YOU'RE SUPPOSED TO BE
ON YOUR WAY TO WINNIPEG.

765
00:38:19,368 --> 00:38:22,028
OKAY, LOOK, THERE'S STILL TIME.
YOU CAN'T DO THIS.

766
00:38:22,030 --> 00:38:24,800
NOT FOR ME. I MEAN, WE HAVE
HAD TWO NIGHTS TOGETHER,

767
00:38:24,803 --> 00:38:27,813
AND YOU CANNOT MAKE THIS KIND
OF DECISION BASED ON THAT.
YEAH.

768
00:38:27,806 --> 00:38:29,506
LOOK, I'VE--
I'VE MANAGED TO HIDE

769
00:38:29,508 --> 00:38:31,438
ALL OF
MY UNATTRACTIVE QUALITIES.

770
00:38:31,440 --> 00:38:33,440
I-I MEAN, I COLLECT
HUMMEL FIGURINES.

771
00:38:33,442 --> 00:38:35,382
I KNIT OUTFITS FOR MY PUG.
I...

772
00:38:35,384 --> 00:38:38,894
I'VE SEEN "HIGH SCHOOL MUSICAL,"
LIKE, 30 TIMES.

773
00:38:38,887 --> 00:38:42,347
I PLAN TO SEE IT 30 MORE.

774
00:38:42,351 --> 00:38:44,651
I'M GOING TO IRAQ,
BECAUSE IF I DO,

775
00:38:44,653 --> 00:38:48,003
IT MEANS THAT MAYBE SOMEDAY I'LL
HAVE THE CHANCE TO COME BACK

776
00:38:47,996 --> 00:38:50,856
AND LEARN ALL ABOUT
THE NIGHTMARE THAT IS YOU.

777
00:38:50,859 --> 00:38:54,099
AND IF I DON'T GO,
I'LL NEVER GET THAT CHANCE.

778
00:38:54,102 --> 00:38:56,372
THEY MIGHT NEED
A CAJUN RESTAURANT IN WINNIPEG.

779
00:38:56,365 --> 00:38:58,765
OH, COME ON.
YOU HATE THE COLD.

780
00:38:58,767 --> 00:39:01,067
I... MIGHT GET USED TO IT.

781
00:39:01,069 --> 00:39:03,609
YOU KNOW THAT GREAT, BIG FAMILY
THAT YOU LOVE SO MUCH?

782
00:39:03,612 --> 00:39:06,342
I COULDN'T ASK YOU
TO LEAVE THEM,

783
00:39:06,344 --> 00:39:08,484
AND I WOULDN'T WANT TO.

784
00:39:08,477 --> 00:39:11,377
(sighs) I WANT TO DO
THESE 12 MONTHS.

785
00:39:11,380 --> 00:39:14,580
AND--AND KEEP MY HEAD DOWN,
AND FOR THE FIRST TIME,

786
00:39:14,583 --> 00:39:18,063
FEEL LIKE THAT I HAVE
SOMEWHERE TO COME HOME TO.

787
00:39:18,056 --> 00:39:20,556
I WANT TO GO TO CHURCH
WITH YOUR MOM.

788
00:39:20,559 --> 00:39:23,559
I WANT TO SIT ON
YOUR FRONT PORCH SWING AND...
(sniffles)

789
00:39:23,562 --> 00:39:26,602
LET THE PAST SLIP AWAY
AND START LIVING IN THE PRESENT.

790
00:39:26,595 --> 00:39:28,565
(sighs)

791
00:39:30,539 --> 00:39:33,369
I GUESS YOUR BIG DATE
DID SEAL THE DEAL.

792
00:39:33,371 --> 00:39:35,801
HE'S GOING TO WAR
BECAUSE OF ME.

793
00:39:35,804 --> 00:39:37,854
HE'S GOING TO WAR
BECAUSE OF LOVE.

794
00:39:37,846 --> 00:39:40,846
LIKE I SAID.

795
00:39:42,951 --> 00:39:44,811
(sighs)
(sniffles)

796
00:39:44,813 --> 00:39:49,923
(Steven Earle) ♪ I CAN'T PROMISE
THIS WILL WORK OUT RIGHT ♪

797
00:39:49,918 --> 00:39:55,058
♪ BUT IT'D KILL ME, DARLIN'
,IF WE DIDN'T EVEN TRY ♪

798
00:39:55,063 --> 00:39:58,903
♪ I GOT ME A FEARLESS HEART ♪

799
00:39:58,897 --> 00:40:04,727
♪ STRONG ENOUGH TO GET YOU
THROUGH THE SCARY PART ♪

800
00:40:04,733 --> 00:40:09,013
♪ IT'S BEEN BROKEN
MANY TIMES BEFORE ♪

801
00:40:09,007 --> 00:40:13,607
♪ A FEARLESS HEART
JUST COMES BACK FOR MORE ♪

802
00:40:13,612 --> 00:40:16,452
♪♪