1
00:00:00,801 --> 00:00:03,771
[jazz music]

2
00:00:03,804 --> 00:00:09,443
*

3
00:00:29,830 --> 00:00:32,800
WOULD YOU EXCUSE ME
FOR A MOMENT?

4
00:00:32,833 --> 00:00:35,169
HURRY BACK.

5
00:00:37,571 --> 00:00:39,273
I HAVE THE PACKAGE IN SIGHT.

6
00:00:39,307 --> 00:00:41,175
SARAH?

7
00:00:41,209 --> 00:00:43,844
SARAH?

8
00:00:43,877 --> 00:00:46,514
SARAH, CAN YOU HEAR ME?

9
00:00:57,625 --> 00:00:59,260
[guns cocking]

10
00:01:01,895 --> 00:01:04,598
WHERE'S MIKE TRACEUR?

11
00:01:04,632 --> 00:01:07,235
WE CAN DO THIS
THE EASY WAY...

12
00:01:07,268 --> 00:01:09,570
OR THE VERY,
VERY HARD WAY.

13
00:01:13,141 --> 00:01:15,109
KITT.

14
00:01:15,143 --> 00:01:16,744
(KITT)
YES, MICHAEL?

15
00:01:16,777 --> 00:01:17,845
SARAH'S NOT RESPONDING.

16
00:01:21,249 --> 00:01:22,816
MY SENSORS
HAVE PICKED UP SARAH.

17
00:01:22,850 --> 00:01:24,385
SHE IS IN THE VAULT ROOM.

18
00:01:24,418 --> 00:01:26,220
YOU ARE NOT
IN THE VAULT ROOM WITH HER.

19
00:01:26,254 --> 00:01:27,621
YEAH, I GOT HUNG UP.

20
00:01:27,655 --> 00:01:29,890
MICHAEL, YOU HAVE LESS
THAN TWO MINUTES

21
00:01:29,923 --> 00:01:31,559
TO MAKE CONTACT,
ACQUIRE THE PACKAGE,

22
00:01:31,592 --> 00:01:32,660
AND RETRIEVE THE FILES.

23
00:01:33,927 --> 00:01:35,129
(Mike)
NOT A PROBLEM.

24
00:01:41,569 --> 00:01:43,137
[Mike chuckles]

25
00:01:43,171 --> 00:01:45,506
THE AMBASSADOR'S GONNA BE
MORE THAN A LITTLE UPSET

26
00:01:45,539 --> 00:01:47,641
BY YOUR TREATMENT
OF HIS GUESTS.

27
00:01:47,675 --> 00:01:50,378
SARAH HAS BEEN JOINED BY
FOUR MEN, AND THEY ARE ARMED.

28
00:01:50,411 --> 00:01:54,315
GUYS, WHAT ARE WE DOING?
OH, COME ON, REALLY?

29
00:01:54,348 --> 00:01:56,384
OH!

30
00:01:56,417 --> 00:01:59,687
[punches, thuds]

31
00:02:03,891 --> 00:02:05,293
KITT, GET ME TO SARAH NOW.

32
00:02:05,326 --> 00:02:06,827
TAKE THE STAIRCASE
ON YOUR LEFT

33
00:02:06,860 --> 00:02:09,197
FOR THE FASTEST ROUTE
TO SARAH.

34
00:02:09,230 --> 00:02:11,165
KEEP YOUR EYES
PEELED, KITT.

35
00:02:11,199 --> 00:02:12,500
MICHAEL,
I DO NOT HAVE EYES.

36
00:02:12,533 --> 00:02:14,302
IT'S A FIGURE OF SPEECH.
WHICH FLOOR?

37
00:02:14,335 --> 00:02:16,204
BASEMENT LEVEL.

38
00:02:16,237 --> 00:02:17,371
MICHAEL, SECURITY
HAS DISCOVERED THE LOOP

39
00:02:17,405 --> 00:02:20,308
I HAVE PROGRAMMED
INTO THEIR SURVEILLANCE SYSTEM.

40
00:02:20,341 --> 00:02:21,375
THEY ARE MOMENTS AWAY

41
00:02:21,409 --> 00:02:22,710
FROM DETECTING THE SOURCE
OF MY TAP.

42
00:02:22,743 --> 00:02:24,778
I'M MOVING AS FAST
AS I CAN.

43
00:02:24,812 --> 00:02:26,647
YOU WOULD PROBABLY
MOVE FASTER

44
00:02:26,680 --> 00:02:28,316
IF YOU ATE A HEALTHY DIET,
DECREASED YOUR ALCOHOL INTAKE,

45
00:02:28,349 --> 00:02:29,783
AND REDUCED
THE EXTRACURRICULAR ACTIVITY

46
00:02:29,817 --> 00:02:32,220
WITH YOUR LADY FRIENDS.

47
00:02:32,253 --> 00:02:34,188
I MIGHT AS WELL BE DEAD.

48
00:02:34,222 --> 00:02:36,190
YOUR DEATH WILL NOT HELP SARAH
IN HER CURRENT SITUATION.

49
00:02:36,224 --> 00:02:37,291
WHERE'S THE PACKAGE?

50
00:02:37,325 --> 00:02:38,926
I HAVE LOST CONTACT
WITH THE PACKAGE.

51
00:02:38,959 --> 00:02:41,195
IT APPEARS
TO HAVE VANISHED.

52
00:02:41,229 --> 00:02:42,596
[lock beeps]

53
00:02:42,630 --> 00:02:45,199
I HAVE DETECTED A CO-OPT

54
00:02:45,233 --> 00:02:47,235
OF THE CONSULATE
SECURITY SYSTEM.

55
00:02:47,268 --> 00:02:48,168
IT APPEARS
THE MEN WITH SARAH

56
00:02:48,202 --> 00:02:50,504
MAY HAVE A PLAN
SIMILAR TO OURS.

57
00:02:50,538 --> 00:02:52,340
DO WE KNOW WHO THEY ARE?

58
00:02:52,373 --> 00:02:53,374
NEGATIVE, MICHAEL.

59
00:02:53,407 --> 00:02:56,210
DO THEY HAVE THE PACKAGE?

60
00:02:56,244 --> 00:02:57,545
IT DOES NOT APPEAR SO.

61
00:02:57,578 --> 00:02:59,913
THEIR WEAPONS INDICATE
THEY ARE NOT CONSULATE GUARDS.

62
00:02:59,947 --> 00:03:01,882
IF THEY DON'T HAVE
THE PACKAGE,

63
00:03:01,915 --> 00:03:03,284
THEN THEY'RE
AFTER THE FILES.

64
00:03:03,317 --> 00:03:05,486
MICHAEL,
SARAH HAS THE FILES.

65
00:03:05,519 --> 00:03:07,955
I KNOW.
THAT MEANS THEY HAVE SARAH.

66
00:03:07,988 --> 00:03:10,758
YOU MUST HAVE A VERY HIGH
OPINION OF MIKE TRACEUR

67
00:03:10,791 --> 00:03:12,393
IF YOU'RE WILLING TO RISK
THE AMOUNT OF PAIN

68
00:03:12,426 --> 00:03:13,794
I'M ABOUT TO INFLICT
UPON YOU.

69
00:03:13,827 --> 00:03:15,929
HE WOULD DO THE SAME
FOR ME.

70
00:03:19,267 --> 00:03:21,402
YOU HAVE NO IDEA
WHO HE IS, DO YOU?

71
00:03:25,439 --> 00:03:27,275
(KITT)
MICHAEL, SARAH'S HEART RATE

72
00:03:27,308 --> 00:03:29,009
AND RESPIRATION
HAVE SUDDENLY INCREASED.

73
00:03:29,042 --> 00:03:30,444
THEY ARE RISING RAPIDLY.

74
00:03:30,478 --> 00:03:31,412
LAST CHANCE.

75
00:03:31,445 --> 00:03:34,014
WHERE'S MIKE TRACEUR?

76
00:03:34,047 --> 00:03:36,850
(KITT)
MICHAEL, YOU HAVE
TURNED THE WRONG WAY.

77
00:03:36,884 --> 00:03:37,951
RIGHT, NOT LEFT.

78
00:03:37,985 --> 00:03:39,487
YOU SAID LEFT.

79
00:03:39,520 --> 00:03:41,289
NO, MICHAEL, I SAID
LEFT, LEFT, RIGHT,

80
00:03:41,322 --> 00:03:42,323
LEFT, RIGHT, LEFT.

81
00:03:42,356 --> 00:03:43,424
DUDE, YOU'RE CONFUSING ME!

82
00:03:43,457 --> 00:03:45,459
PLEASE REMAIN CALM.
I AM CALM!

83
00:03:48,996 --> 00:03:51,432
MY SURVEILLANCE TAP
HAS BEEN DETECTED.

84
00:03:51,465 --> 00:03:52,733
SECURITY KNOWS
WE ARE HERE.

85
00:03:52,766 --> 00:03:54,001
GO, GO, GO!

86
00:03:56,370 --> 00:03:57,971
THERE ARE CONSULATE GUARDS

87
00:03:58,005 --> 00:04:01,875
MOVING IN ON YOU
FROM EVERY DIRECTION.

88
00:04:01,909 --> 00:04:05,446
AND TWO ARMED MEN
OUTSIDE THE VAULT ROOM.

89
00:04:05,479 --> 00:04:08,048
A LITTLE LATE, KITT.
STAY WHERE YOU ARE.

90
00:04:08,081 --> 00:04:10,451
MICHAEL, I AM
BEING DETAINED.

91
00:04:10,484 --> 00:04:11,619
HEY, WELL, GET UNDETAINED.

92
00:04:11,652 --> 00:04:13,387
[men shouting]

93
00:04:16,357 --> 00:04:18,592
HEY, GUYS.

94
00:04:18,626 --> 00:04:20,928
DO YOU KNOW
WHERE THE BATHROOM IS?

95
00:04:20,961 --> 00:04:23,464
'CAUSE I GOTTA PEE.

96
00:04:23,497 --> 00:04:25,333
[grunting]

97
00:04:25,366 --> 00:04:27,067
PLEASE STEP AWAY
FROM THE CAR,

98
00:04:27,100 --> 00:04:29,370
OR I WILL BE FORCED
TO TAKE DEFENSIVE MEASURES.

99
00:04:29,403 --> 00:04:30,604
DUDE, THE CAR'S
TALKING TO US.

100
00:04:30,638 --> 00:04:31,905
BIG DEAL.
MY CAR TALKS TO ME.

101
00:04:31,939 --> 00:04:33,106
IT'S CALLED GPS.

102
00:04:33,140 --> 00:04:35,443
(KITT)
YES, BUT CAN YOUR CAR
DO THIS?

103
00:04:46,487 --> 00:04:48,456
[tires squealing]

104
00:05:14,448 --> 00:05:16,450
MICHAEL,
SARAH IS IN DISTRESS.

105
00:05:22,723 --> 00:05:24,592
UNH!

106
00:05:26,594 --> 00:05:29,329
CHECK THE DOOR.

107
00:05:35,803 --> 00:05:37,471
I SEE YOU STILL HAVE
YOUR REFLEXES, TRACEUR.

108
00:05:37,505 --> 00:05:38,772
WHO THE HELL ARE YOU?

109
00:05:39,807 --> 00:05:43,511
[grunting]

110
00:05:43,544 --> 00:05:45,613
I HATE NEEDLES.

111
00:05:50,884 --> 00:05:53,387
WHAT WAS THAT FOR?

112
00:05:53,421 --> 00:05:56,023
'CAUSE I THOUGHT
I WAS GONNA DIE.

113
00:05:56,056 --> 00:05:58,626
KITT, WHERE ARE YOU?

114
00:05:58,659 --> 00:06:00,394
BUT...

115
00:06:00,428 --> 00:06:02,530
I AM ALMOST
AT YOUR LOCATION, SARAH,

116
00:06:02,563 --> 00:06:05,499
BUT I HAVE ATTRACTED
SOME ATTENTION.

117
00:06:05,533 --> 00:06:07,501
I SUGGEST YOU AND MICHAEL
GET TO THE RENDEZVOUS POINT

118
00:06:07,535 --> 00:06:09,670
AS QUICKLY AS POSSIBLE.

119
00:06:11,572 --> 00:06:12,906
COME ON.

120
00:06:12,940 --> 00:06:15,676
THE GUY WITH THE SYRINGE
KEPT ASKING FOR MIKE TRACEUR.

121
00:06:15,709 --> 00:06:16,777
THEY WEREN'T
AFTER THE FILES?

122
00:06:16,810 --> 00:06:18,546
NO, NO, I'VE GOT
THE FILES.

123
00:06:18,579 --> 00:06:20,047
THEY WERE AFTER YOU.

124
00:06:20,080 --> 00:06:22,616
[gunfire]

125
00:06:29,890 --> 00:06:30,891
CLEAR.

126
00:06:52,012 --> 00:06:53,046
GIVE ME YOUR HAND.

127
00:07:00,654 --> 00:07:02,756
[device powering up]

128
00:07:13,166 --> 00:07:14,735
(Sarah)
KITT, THERE'S NO TIME
FOR YOU TO STOP.

129
00:07:14,768 --> 00:07:16,837
[tires screech]

130
00:07:16,870 --> 00:07:17,905
NOW WOULD BE
A GOOD TIME

131
00:07:17,938 --> 00:07:20,040
TO USE THE NEW PROGRAM
I UPLOADED.

132
00:07:20,073 --> 00:07:21,174
WAIT, WHAT NEW PROGRAM?

133
00:07:25,078 --> 00:07:26,680
THAT ONE.

134
00:07:30,518 --> 00:07:33,053
HOW DID HE DO THAT?

135
00:07:33,086 --> 00:07:35,756
MIKE, YOU REALLY SHOULD
PAY ATTENTION IN THE BRIEFINGS.

136
00:07:35,789 --> 00:07:38,626
SARAH IS RIGHT, MICHAEL.
YOU SHOULD.

137
00:07:38,659 --> 00:07:40,661
PREPARE FOR TRANSFORMATION.

138
00:07:44,798 --> 00:07:46,166
TRANSFORMATION COMPLETE.

139
00:07:46,199 --> 00:07:48,969
OCCUPANT RESTRAINT SYSTEM
ACTIVE.

140
00:07:49,002 --> 00:07:51,505
KITT, WERE YOU ABLE
TO IDENTIFY

141
00:07:51,539 --> 00:07:52,506
THE MEN
IN THE VAULT ROOM?

142
00:07:52,540 --> 00:07:53,607
I WAS NOT, SARAH.

143
00:07:53,641 --> 00:07:54,908
WHOEVER THEY WERE,
THEY WERE VERY GOOD

144
00:07:54,942 --> 00:07:56,810
AT GETTING IN AND GETTING OUT
WITHOUT BEING SEEN.

145
00:07:56,844 --> 00:07:58,111
WHAT ABOUT THE PACKAGE?

146
00:07:58,145 --> 00:07:59,847
MY SENSORS ARE UNABLE
TO PENETRATE TO THAT DEPTH,

147
00:07:59,880 --> 00:08:01,782
BUT THE ONLY WAY OUT
UNDETECTED

148
00:08:01,815 --> 00:08:03,183
IS THROUGH ONE
OF THE UNDERGROUND PASSAGEWAYS

149
00:08:03,216 --> 00:08:04,685
BENEATH THE CONSULATE.

150
00:08:04,718 --> 00:08:06,554
YOU LOST THE PACKAGE?

151
00:08:06,587 --> 00:08:08,255
"LOST" IS
SUCH A HARSH WORD.

152
00:08:08,288 --> 00:08:09,723
MICHAEL, SARAH,
WE HAVE A PROBLEM.

153
00:08:09,757 --> 00:08:10,724
WHAT KIND OF PROBLEM?

154
00:08:13,827 --> 00:08:17,197
THAT KIND OF PROBLEM.
IMPACT IN 30 SECONDS.

155
00:08:17,230 --> 00:08:18,298
DEPLOY FLARES.
29...

156
00:08:18,331 --> 00:08:21,835
KITT, STOP THE COUNTDOWN
AND DEPLOY THE DAMN FLARES.

157
00:08:21,869 --> 00:08:23,737
MICHAEL, DEPLOYING FLARES--
KITT, DEPLOY THE FLARES!

158
00:08:23,771 --> 00:08:25,238
DEPLOYING FLARES.

159
00:08:25,272 --> 00:08:27,741
FLARES ARE INEFFECTIVE,
MICHAEL.

160
00:08:27,775 --> 00:08:29,810
AS I WAS TRYING TO TELL YOU,
I COOLED MY HEAT SIGNATURE

161
00:08:29,843 --> 00:08:31,712
TO AMBIENT AIR TEMPERATURE.

162
00:08:31,745 --> 00:08:34,014
THE MISSILE IS NOT HOMING IN
ON ME, MICHAEL.

163
00:08:34,047 --> 00:08:36,083
IT IS HOMING IN ON YOU.

164
00:08:36,116 --> 00:08:37,150
WHAT DO YOU WANT ME TO DO,
GET OUT?

165
00:08:37,184 --> 00:08:38,586
THAT WOULD BE
A FATAL ERROR, MICHAEL.

166
00:08:38,619 --> 00:08:41,622
MY SENSORS INDICATE SOMETHING
UNUSUAL ABOUT THIS WARHEAD.

167
00:08:41,655 --> 00:08:43,991
I MAY NOT BE PROGRAMMED
TO RESPOND CORRECTLY.

168
00:08:44,024 --> 00:08:45,759
WHAT DOES HE MEAN
"RESPOND CORRECTLY?"

169
00:08:45,793 --> 00:08:47,194
PLEASE REMAIN CALM.

170
00:08:47,227 --> 00:08:48,996
I HAVE RELAYED OUR SITUATION
TO DR. GRAIMAN.

171
00:08:49,029 --> 00:08:51,264
I AM CERTAIN HE IS WORKING
ON A SOLUTION AS WE SPEAK.

172
00:08:51,298 --> 00:08:53,200
[female voice over p.a.]
EMERGENCY.

173
00:08:53,233 --> 00:08:55,869
MISSILE IS LOCKED ON TARGET.

174
00:08:55,903 --> 00:08:57,070
THERE IS NO SOLUTION.

175
00:08:57,104 --> 00:09:00,608
[female voice]
MISSILE IMPACT IN 20 SECONDS.

176
00:09:00,641 --> 00:09:04,011
19, 18, 17, 16...

177
00:09:04,044 --> 00:09:05,913
THIS JUST GOT INTERESTING.

178
00:09:05,946 --> 00:09:09,316
13, 12, 11,

179
00:09:09,349 --> 00:09:12,052
10, 9, 8,

180
00:09:12,085 --> 00:09:15,756
7, 6, 5, 4...

181
00:09:15,789 --> 00:09:16,890
(KITT)
PREPARE FOR IMPACT.

182
00:09:16,924 --> 00:09:21,829
(female voice)
3, 2, 1...

183
00:09:21,862 --> 00:09:24,765
[electric rock music]

184
00:09:24,798 --> 00:09:34,808
*

185
00:09:34,842 --> 00:09:44,885
*

186
00:09:44,885 --> 00:09:54,828
*

187
00:09:54,862 --> 00:10:08,175
*

188
00:10:08,208 --> 00:10:09,877
KITT, IT'S GETTING
HOT IN HERE.

189
00:10:09,910 --> 00:10:11,745
KITT DIVERTED
JUST ENOUGH POWER

190
00:10:11,779 --> 00:10:14,114
AT EXACTLY THE RIGHT MOMENT
TO WITHSTAND THAT MISSILE.

191
00:10:14,147 --> 00:10:16,884
HE'S LEARNING.
JUST LIKE HE'S SUPPOSED TO.

192
00:10:18,819 --> 00:10:19,887
(KITT)
THE EXPLOSIVE MATERIAL
IN THE MISSILE

193
00:10:19,920 --> 00:10:20,587
HAS ATTACHED ITSELF
TO MY OUTER SKIN.

194
00:10:20,620 --> 00:10:22,790
(Mike)
SHED IT.

195
00:10:22,823 --> 00:10:24,725
I CANNOT.
ANALYZE IT.

196
00:10:24,758 --> 00:10:26,259
I APPEARS TO BE
AN ADVANCED FORM OF NAPALM

197
00:10:26,293 --> 00:10:28,295
WITH CHEMICAL ATTRIBUTES
SIMILAR TO THAT OF ROCKET FUEL.

198
00:10:28,328 --> 00:10:29,329
HOW DO WE PUT IT OUT?
WE DO NOT.

199
00:10:29,362 --> 00:10:31,331
WE HAVE TO WAIT FOR IT
TO BURN OUT.

200
00:10:31,364 --> 00:10:32,900
KITT, THE CHANCES OF MIKE
AND I SURVIVING

201
00:10:32,933 --> 00:10:34,201
THE RISING TEMPERATURE--

202
00:10:34,234 --> 00:10:37,738
ARE 1 IN 997,000.

203
00:10:37,771 --> 00:10:39,740
(Billy)
THAT IS SO NOT GOOD.

204
00:10:39,773 --> 00:10:42,142
I HAVE DIVERTED 60%
OF MY POWER TO COOLING,

205
00:10:42,175 --> 00:10:44,745
BUT I AM AFRAID IT IS NOT
AS EFFECTIVE AS I HAD HOPED.

206
00:10:44,778 --> 00:10:45,879
WORST CASE
SCENARIO, KITT?

207
00:10:45,913 --> 00:10:48,281
WHEN THE TEMPERATURE
REACHES 212 DEGREES,

208
00:10:48,315 --> 00:10:51,184
YOU WILL BE BOILED ALIVE
IN YOUR OWN BODILY FLUIDS.

209
00:10:53,353 --> 00:10:54,888
BEST CASE SCENARIO?

210
00:10:54,922 --> 00:10:59,326
YOU WILL BE UNCONSCIOUS
BEFORE IT HAPPENS.

211
00:10:59,359 --> 00:11:01,762
WE NEED THE FILES
THEY RETRIEVED.

212
00:11:01,795 --> 00:11:03,764
LOOK, THIS ISN'T
A ZIP DRIVE, ALEX.

213
00:11:03,797 --> 00:11:05,766
THOSE ARE MASSIVE
ENCRYPTED FILES.

214
00:11:05,799 --> 00:11:07,901
NOW UPLOADING NOW WOULD
DRAIN THE POWER

215
00:11:07,935 --> 00:11:09,770
FROM THE SYSTEMS KEEPING
SARAH AND MIKE ALIVE.

216
00:11:09,803 --> 00:11:11,839
THEY LOST
THE PACKAGE, CHARLES.

217
00:11:11,872 --> 00:11:13,173
IF IT FALLS
INTO THE WRONG HANDS,

218
00:11:13,206 --> 00:11:15,809
EVERY FILE WE HAVE
WILL BE COMPROMISED,

219
00:11:15,843 --> 00:11:18,445
INCLUDING THE LIST
OF OUR UNDERCOVER OPERATIVES.

220
00:11:18,478 --> 00:11:20,814
IF WE LOSE THE FILES TOO--
THAT'S MY DAUGHTER IN THERE.

221
00:11:20,848 --> 00:11:22,716
I KNOW, CHARLES.
I KNOW.

222
00:11:22,750 --> 00:11:25,719
BUT THEY HAVE TO UPLOAD
THE FILES.

223
00:11:25,753 --> 00:11:28,321
BILLY!

224
00:11:28,355 --> 00:11:31,224
OPEN A LINE TO SARAH.

225
00:11:31,258 --> 00:11:33,026
ZOE, GET ME A SECURE LINE
WITH ISRAELI INTELLIGENCE.

226
00:11:34,527 --> 00:11:36,263
[Zoe speaking Hebrew]

227
00:11:45,906 --> 00:11:46,774
(Sarah)
DAD.

228
00:11:46,807 --> 00:11:48,909
SARAH, WE NEED YOU
TO UPLOAD THE FILES.

229
00:11:48,942 --> 00:11:50,377
(KITT)
DR. GRAIMAN, DIVERTING

230
00:11:50,410 --> 00:11:51,912
EVEN THE SMALLEST AMOUNT
OF POWER AT THIS TIME

231
00:11:51,945 --> 00:11:53,981
WILL CAUSE
A SUBSTANTIAL INCREASE

232
00:11:54,014 --> 00:11:56,316
IN INTERNAL TEMPERATURE.

233
00:11:56,349 --> 00:11:58,852
KITT, TURN OFF
ALL UNNECESSARY SYSTEMS.

234
00:11:58,886 --> 00:12:01,021
[beeping]

235
00:12:01,054 --> 00:12:03,924
BILLY, FIGURE OUT
HOW TO PUT OUT THIS DAMN FIRE.

236
00:12:05,926 --> 00:12:08,128
[blips and beeps]

237
00:12:08,161 --> 00:12:10,463
INITIATING SIMULATION.

238
00:12:10,497 --> 00:12:12,332
(female voice)
INITIATING SIMULATION.

239
00:12:19,572 --> 00:12:22,009
OH, GOD, DON'T GET
ANY IDEAS.

240
00:12:22,042 --> 00:12:24,311
ME? YOU'RE THE ONE
WHO JUST LOCKED LIPS.

241
00:12:24,344 --> 00:12:27,014
IT WAS THE HEAT
OF THE MOMENT, MIKE.

242
00:12:27,047 --> 00:12:28,816
I SUGGEST YOU TAKE OFF
YOUR CLOTHES.

243
00:12:28,849 --> 00:12:30,317
OKAY.

244
00:12:30,350 --> 00:12:32,886
OUR BODIES CAN'T WITHSTAND
THE EXCESSIVE TEMPERATURE.

245
00:12:32,920 --> 00:12:34,154
YOU'RE RIGHT.

246
00:12:34,187 --> 00:12:35,555
SARAH IS CORRECT, MICHAEL.

247
00:12:35,588 --> 00:12:36,589
REMOVING YOUR CLOTHES

248
00:12:36,623 --> 00:12:37,490
WILL REDUCE
YOUR CORE TEMPERATURE,

249
00:12:37,524 --> 00:12:39,827
THEREBY DELAYING
YOUR DEATH.

250
00:12:39,860 --> 00:12:41,194
OH.

251
00:12:41,228 --> 00:12:43,897
MICHAEL, PLEASE BE CAREFUL
AS YOU DISROBE.

252
00:12:43,931 --> 00:12:46,900
YOUR ARM IS COMING PERILOUSLY
CLOSE TO THE WINDOW CONTROL.

253
00:12:46,934 --> 00:12:48,301
IF YOU OPEN THE WINDOW,

254
00:12:48,335 --> 00:12:49,970
YOU WILL BOTH BE
INSTANTLY INCINERATED.

255
00:12:50,003 --> 00:12:51,839
LIKE I'M TRYING
TO GET US KILLED.

256
00:12:51,872 --> 00:12:54,274
I SUGGEST YOU BOTH REFRAIN
FROM SPEAKING UNNECESSARILY

257
00:12:54,307 --> 00:12:57,845
AS YOUR OXYGEN SUPPLY
IS RUNNING LOW.

258
00:13:02,049 --> 00:13:04,384
(female voice)
OXYGEN SUPPLY AT 50%.

259
00:13:06,519 --> 00:13:09,222
FIRE NEUTRALIZING.

260
00:13:09,256 --> 00:13:10,991
SIMULATION COMPLETE.

261
00:13:11,024 --> 00:13:11,825
BILLY, WHAT DO YOU GOT?

262
00:13:11,859 --> 00:13:13,493
WE NEED KITT
TO INCREASE HIS SPEED.

263
00:13:13,526 --> 00:13:15,996
IF HE HITS 377 MILES
PER HOUR,

264
00:13:16,029 --> 00:13:18,365
THE FIRE WILL BE NEUTRALIZED.

265
00:13:18,398 --> 00:13:20,133
HOW CLOSE ARE WE
GONNA CUT IT?

266
00:13:20,167 --> 00:13:22,002
WITHIN SECONDS
OF THEIR LIVES.

267
00:13:22,035 --> 00:13:24,004
KITT, YOU NEED TO INCREASE
YOUR SPEED.

268
00:13:24,037 --> 00:13:26,373
INCREASING MY SPEED WHILE
UPLOADING THE ENCRYPTED FILES

269
00:13:26,406 --> 00:13:28,041
WILL DRAIN POWER NECESSARY

270
00:13:28,075 --> 00:13:29,276
TO KEEP SARAH
AND MICHAEL ALIVE.

271
00:13:29,309 --> 00:13:31,845
YEAH, NOT A GOOD IDEA.

272
00:13:31,879 --> 00:13:33,046
BILLY HAS A PLAN.

273
00:13:33,080 --> 00:13:34,882
BILLY?
BILLY?

274
00:13:34,915 --> 00:13:37,918
THANKS FOR THE VOTE
OF CONFIDENCE.

275
00:13:37,951 --> 00:13:39,586
SURE HOPE IT WORKS,
BECAUSE IF IT DOESN'T...

276
00:13:41,188 --> 00:13:43,390
WE'VE NEVER HIT SPEEDS
THAT HIGH BEFORE,

277
00:13:43,423 --> 00:13:44,824
EVEN IN ATTACK MODE.

278
00:13:57,204 --> 00:13:58,939
(female voice)
OXYGEN SUPPLY AT 20%.

279
00:13:58,972 --> 00:14:01,141
IT SHOULDA WORKED.
BILLY, IT'S NOT WORKING.

280
00:14:01,174 --> 00:14:03,143
IT SHOULD'VE WORKED,
UNLESS--

281
00:14:03,176 --> 00:14:04,411
UNLESS THE CHEMICAL COMPOUND

282
00:14:04,444 --> 00:14:05,545
IS FUSING WITH KITT'S
BIO MATERIAL,

283
00:14:05,578 --> 00:14:06,613
CAUSING A MOLECULAR
REASSEMBLY.

284
00:14:06,646 --> 00:14:08,148
BRING 'EM IN HOT.

285
00:14:08,181 --> 00:14:09,616
(Rivai)
THAT FIRE GETS CLOSE

286
00:14:09,649 --> 00:14:11,184
TO THE WEAPONS ROOM,
WE'RE ALL DEAD.

287
00:14:11,218 --> 00:14:12,152
IF WE BRING 'EM IN
IN THE MIDDLE

288
00:14:12,185 --> 00:14:14,254
OF AN UNCONTROLLABLE
MOLECULAR REASSEMBLY,

289
00:14:14,287 --> 00:14:15,622
WE'RE WORSE THAN DEAD.

290
00:14:15,655 --> 00:14:16,957
WE'LL BRING 'EM
INTO THE TUNNEL.

291
00:14:16,990 --> 00:14:18,058
WE'LL SHUT
THE EMERGENCY DOORS,

292
00:14:18,091 --> 00:14:19,192
SUCK OUT ALL THE AIR.

293
00:14:19,226 --> 00:14:20,460
WITHOUT OXYGEN,
THE FIRE CAN'T BREATHE.

294
00:14:20,493 --> 00:14:22,362
WITHOUT OXYGEN,
THEY CAN'T BREATHE EITHER.

295
00:14:22,395 --> 00:14:24,932
KITT, WE'RE
BRINGING YOU IN HOT.

296
00:14:24,965 --> 00:14:28,001
(KITT)
AFFIRMATIVE, DR. GRAIMAN.

297
00:14:28,035 --> 00:14:30,203
MICHAEL, SARAH?

298
00:14:30,237 --> 00:14:32,672
DR. GRAIMAN, MICHAEL AND SARAH
HAVE LOST CONSCIOUSNESS.

299
00:14:32,705 --> 00:14:34,107
HOW CLOSE ARE THEY?

300
00:14:34,141 --> 00:14:35,608
KITT'S CURRENT SPEED,
THEY'LL BE IN THE TUNNEL

301
00:14:35,642 --> 00:14:36,977
IN 15 SECONDS.

302
00:14:37,010 --> 00:14:39,079
PUT MEDICAL AND FIRE TEAMS
ON ALERT.

303
00:14:39,112 --> 00:14:40,613
(man on p.a.)
ALL MEDICAL
AND FIRE PERSONNEL

304
00:14:40,647 --> 00:14:44,151
REPORT TO THE SSC
IMMEDIATELY.

305
00:14:44,184 --> 00:14:46,119
(Rivai)
DR. GRAIMAN,
AS FBI AGENT IN CHARGE,

306
00:14:46,153 --> 00:14:48,288
I CANNOT ALLOW YOU TO BYPASS
SECURITY PROTOCOL.

307
00:14:48,321 --> 00:14:50,290
THEN SARAH AND MICHAEL DIE.

308
00:14:50,323 --> 00:14:52,259
CARRIE, WE DON'T HAVE TIME
FOR THIS.

309
00:14:52,292 --> 00:14:54,127
PLEASE.

310
00:14:57,564 --> 00:15:00,667
BYPASS SECURITY PROTOCOL
ALPHA DELTA 5-7-3.

311
00:15:00,700 --> 00:15:03,236
(female voice)
SECURITY BYPASSED.

312
00:15:03,270 --> 00:15:06,439
EMERGENCY HANGAR DOORS OPEN.

313
00:15:13,046 --> 00:15:16,249
(female voice)
RE-ENTRY UNSTABLE.

314
00:15:16,283 --> 00:15:19,286
EMERGENCY PROCEDURES
IN EFFECT.

315
00:15:22,222 --> 00:15:23,190
WARNING.

316
00:15:23,223 --> 00:15:25,258
MOLECULAR REASSEMBLY
IN PROGRESS.

317
00:15:25,292 --> 00:15:27,594
EXCESSIVE HEAT.

318
00:15:27,627 --> 00:15:31,164
(KITT)
DR. GRAIMAN, MICHAEL
AND SARAH HAVE NO OXYGEN.

319
00:15:31,198 --> 00:15:33,166
PLEASE OPEN THE DOOR.

320
00:15:33,200 --> 00:15:36,569
BILLY, THERE'S NO OXYGEN
IN THAT TUNNEL.

321
00:15:36,603 --> 00:15:37,704
YOU NEED TO OPEN
THE DOORS NOW.

322
00:15:37,737 --> 00:15:39,706
WORKING ON IT.

323
00:15:39,739 --> 00:15:41,708
WE DO NOT HAVE TIME
FOR YOU TO WORK ON IT, BILLY.

324
00:15:41,741 --> 00:15:44,177
MICHAEL AND SARAH WILL DIE
WITHOUT OXYGEN IMMEDIATELY.

325
00:15:44,211 --> 00:15:47,314
I AM COMING IN.
PLEASE OPEN THE DOOR.

326
00:15:47,347 --> 00:15:50,617
(female computer voice)
MOLECULAR REASSEMBLY HALTED.

327
00:15:50,650 --> 00:15:53,486
IMPACT IMMINENT.

328
00:15:53,520 --> 00:15:55,588
BILLY, OPEN
THE DAMN DOORS!

329
00:15:55,622 --> 00:16:01,661
I CAN'T OVERRIDE
THE EMERGENCY SYSTEM.

330
00:16:01,694 --> 00:16:02,996
(KITT)
BILLY, IF THE DOOR'S
NOT OPENED IMMEDIATELY,

331
00:16:03,030 --> 00:16:03,997
I WILL CRASH INTO IT.

332
00:16:04,031 --> 00:16:04,797
BILLY!

333
00:16:04,831 --> 00:16:08,668
(female voice)
3, 2, 1.

334
00:16:08,701 --> 00:16:10,070
IMPACT AVERTED.

335
00:16:10,103 --> 00:16:12,272
OXYGEN SUPPLY--

336
00:16:14,707 --> 00:16:17,377
(man)
MOVING IN.
LET'S COOL IT OFF FIRST.

337
00:16:17,410 --> 00:16:19,612
THAT WAS AWESOME.

338
00:16:19,646 --> 00:16:23,116
(KITT)
ZOE, I BELIEVE THAT "AWESOME"
IS NOT THE APPROPRIATE WORD

339
00:16:23,150 --> 00:16:24,617
FOR THIS SITUATION.

340
00:16:24,651 --> 00:16:28,688
[overlapping voices]

341
00:16:31,558 --> 00:16:34,627
[electric zap]
[gasps]

342
00:16:34,661 --> 00:16:36,096
DEEP BREATHS.
DEEP BREATHS.

343
00:16:36,129 --> 00:16:37,264
[electric zap]

344
00:16:37,297 --> 00:16:40,100
[gasps]

345
00:16:40,133 --> 00:16:41,768
KITT, ARE YOU OKAY?

346
00:16:41,801 --> 00:16:44,104
I AM FINE, SARAH.
ARE YOU OKAY?

347
00:16:44,137 --> 00:16:45,138
I WAS WORRIED
ABOUT YOU AND MICHAEL.

348
00:16:45,172 --> 00:16:46,639
YOU WERE WORRIED
ABOUT US?

349
00:16:46,673 --> 00:16:48,308
(KITT)
YES.

350
00:16:48,341 --> 00:16:49,676
YOU'RE A COMPUTER, KITT.
YOU CAN'T WORRY.

351
00:16:49,709 --> 00:16:51,311
ARTIFICIAL INTELLIGENCE,
MICHAEL.

352
00:16:51,344 --> 00:16:52,579
THERE IS A DIFFERENCE.

353
00:16:52,612 --> 00:16:54,681
I HAVE RUN IT THROUGH
MY DATABASE SEVERAL TIMES.

354
00:16:54,714 --> 00:16:56,216
I BELIEVE "WORRY" IS
THE APPROPRIATE WORD.

355
00:16:56,249 --> 00:16:57,317
CAN I GET
SOME CLOTHES HERE?

356
00:17:03,590 --> 00:17:05,758
I'M FINE.
I'M FINE.

357
00:17:05,792 --> 00:17:08,428
I'M OKAY.

358
00:17:08,461 --> 00:17:09,696
ARE YOU ALL RIGHT?
HOW DO YOU FEEL?

359
00:17:09,729 --> 00:17:11,698
NOT TOO FAST.

360
00:17:11,731 --> 00:17:13,333
I GOT IT.
I GOT IT.

361
00:17:14,601 --> 00:17:16,303
YOU ALL RIGHT?
YEAH.

362
00:17:16,336 --> 00:17:19,206
I'M FINE.
COME ON.

363
00:17:22,275 --> 00:17:24,711
(KITT)
BILLY, ONCE I COMPLETE
MY SYSTEM DIAGNOSTICS,

364
00:17:24,744 --> 00:17:26,179
I WILL POINT OUT
WHERE YOU WENT WRONG

365
00:17:26,213 --> 00:17:27,347
IN YOUR CALCULATIONS.

366
00:17:27,380 --> 00:17:29,649
THANK YOU, KITT.

367
00:17:29,682 --> 00:17:31,451
OWNED.

368
00:17:31,484 --> 00:17:33,720
LISTEN, ZOE,

369
00:17:33,753 --> 00:17:35,588
I HAVE ADVANCED DEGREES
IN APPLIED PHYSICS,

370
00:17:35,622 --> 00:17:36,789
QUANTUM PHYSICS,

371
00:17:36,823 --> 00:17:38,358
ELECTRICAL
AND MECHANICAL ENGINEERING,

372
00:17:38,391 --> 00:17:41,794
CHEMISTRY, AS WELL AS DISCRETE
AND APPLIED MATHEMATICS.

373
00:17:41,828 --> 00:17:44,631
AND I SPEAK NINE LANGUAGES.
WE SHOULD MAKE A BABY.

374
00:17:44,664 --> 00:17:46,366
REALLY?
NO.

375
00:17:48,568 --> 00:17:51,238
OH--
OH--OH--

376
00:17:53,706 --> 00:17:55,642
THE MISSION
WAS COMPROMISED.

377
00:17:55,675 --> 00:17:56,676
THE MISSION WAS COMPROMISED
BECAUSE YOU HIT

378
00:17:56,709 --> 00:17:57,744
ON EVERY WOMAN
IN THE CONSULATE.

379
00:17:57,777 --> 00:17:59,212
I WAS UNDERCOVER.

380
00:17:59,246 --> 00:18:00,747
AS WHAT, A PIMP?

381
00:18:00,780 --> 00:18:02,115
FOUR MEN WERE WAITING
IN THE VAULT ROOM

382
00:18:02,149 --> 00:18:03,150
AND THEY ASKED FOR ME
BY NAME.

383
00:18:03,183 --> 00:18:04,784
WHO WERE THEY?
I HAVE NO IDEA.

384
00:18:04,817 --> 00:18:05,818
THEY WEREN'T
AFTER THE PACKAGE

385
00:18:05,852 --> 00:18:07,787
OR THE FILES, BUT THEY KNEW
I WOULD BE THERE.

386
00:18:07,820 --> 00:18:09,489
ARE YOU IMPLYING
THAT WE HAVE A LEAK?

387
00:18:09,522 --> 00:18:11,658
THEY KNEW EXACTLY
WHEN WE'D BE THERE.

388
00:18:11,691 --> 00:18:14,527
DON'T GO THERE, MIKE.
THE FBI'S HERE TO PROTECT--

389
00:18:14,561 --> 00:18:15,795
DO NOT TELL ME
HOW TO DO MY JOB!

390
00:18:15,828 --> 00:18:17,330
THEN DO YOUR DAMN JOB,
CARRIE.

391
00:18:17,364 --> 00:18:19,666
SARAH ALMOST DIED.

392
00:18:19,699 --> 00:18:21,834
SARAH WAS TRAINED
JUST LIKE EVERYONE ELSE.

393
00:18:21,868 --> 00:18:23,803
I DON'T WANT HER
IN THE FIELD ANYMORE.

394
00:18:23,836 --> 00:18:25,538
IT'S TOO DANGEROUS.
NOT YOUR CALL.

395
00:18:25,572 --> 00:18:26,839
WE'LL DO THE REST
OF KITT'S REPAIRS ON THE PLANE.

396
00:18:26,873 --> 00:18:29,542
JUST GOT WORD THE PACKAGE
IS ON THE MOVE.

397
00:18:29,576 --> 00:18:30,810
YEAH?

398
00:18:30,843 --> 00:18:32,612
WELL, I THOUGHT MAYBE
I'D GRAB A BEER.

399
00:18:32,645 --> 00:18:33,746
REPLENISH SOME
OF THOSE FLUIDS I LOST

400
00:18:33,780 --> 00:18:35,282
FROM ALMOST BOILING
TO DEATH.

401
00:18:35,315 --> 00:18:38,351
YOU LOST THE PACKAGE, MIKE.

402
00:18:38,385 --> 00:18:41,788
WHEELS UP IN 15 MINUTES.

403
00:18:43,790 --> 00:18:46,826
WE HAVE A PROBLEM
WITH MIKE.

404
00:18:46,859 --> 00:18:48,761
WHAT KIND OF PROBLEM?

405
00:18:48,795 --> 00:18:51,564
[whispering]

406
00:18:51,598 --> 00:18:53,766
TAKE CARE OF IT.

407
00:18:58,871 --> 00:19:00,207
(Pod Voice)
HELLO, MICHAEL.

408
00:19:00,240 --> 00:19:01,708
SORRY, I DIDN'T KNOW
YOU WERE IN HERE.

409
00:19:01,741 --> 00:19:04,577
IT'S OKAY.

410
00:19:04,611 --> 00:19:06,346
IT'S NOT LIKE YOU
HAVEN'T SEEN IT BEFORE.

411
00:19:10,483 --> 00:19:13,286
HEY, MIKE...

412
00:19:14,887 --> 00:19:16,323
THOSE MEN
FROM THE VAULT ROOM.

413
00:19:16,356 --> 00:19:19,792
THEY KNOW YOU FROM IRAQ,
DON'T THEY?

414
00:19:21,828 --> 00:19:23,930
THEY DIDN'T HAVE
VERY FLATTERING THINGS

415
00:19:23,963 --> 00:19:25,298
TO SAY ABOUT YOU.

416
00:19:29,369 --> 00:19:31,804
SARAH, THERE ARE THINGS
THAT I DON'T REMEMBER.

417
00:19:31,838 --> 00:19:35,375
YOU DON'T REMEMBER?

418
00:19:35,408 --> 00:19:37,710
OR YOU DON'T WANT
TO REMEMBER?

419
00:19:37,744 --> 00:19:40,247
[male voice echoing distantly]
LIEUTENANT TRACEUR!

420
00:19:40,280 --> 00:19:41,948
YOU CAN'T KEEP IT
ALL BOTTLED UP, MIKE.

421
00:19:46,486 --> 00:19:47,854
I'M JUST...

422
00:19:47,887 --> 00:19:49,922
IT'S JUST WHAT?

423
00:19:49,956 --> 00:19:52,659
WHAT ARE YOU AFRAID OF?

424
00:19:52,692 --> 00:19:54,261
WHAT YOU DID...

425
00:19:54,294 --> 00:19:58,731
OR WHAT YOU'RE CAPABLE
OF DOING?

426
00:19:58,765 --> 00:20:00,500
BOTH.

427
00:20:39,005 --> 00:20:42,008
SO WHERE'S THE PACKAGE?

428
00:20:50,383 --> 00:20:52,719
SARAH PROGRAMMED
THE LOCATOR COORDINATES

429
00:20:52,752 --> 00:20:55,622
PROVIDED BY ISRAELI INTELLIGENCE
INTO KITT.

430
00:20:55,655 --> 00:20:58,358
GET THE PACKAGE AND GET
BACK TO THE PLANE ASAP.

431
00:20:58,391 --> 00:20:59,626
AND HOW DO I KNOW

432
00:20:59,659 --> 00:21:00,627
SOMEONE WON'T BE WAITING THERE
TO KILL ME?

433
00:21:00,660 --> 00:21:01,628
YOU DON'T.

434
00:21:01,661 --> 00:21:03,430
GREAT.

435
00:21:16,409 --> 00:21:17,544
KITT, YOU SURE
YOU DON'T HAVE ANYTHING

436
00:21:17,577 --> 00:21:18,578
ON THE MEN
FROM THE VAULT ROOM?

437
00:21:18,611 --> 00:21:20,313
(KITT)
AS I TOLD SARAH AT THE TIME,

438
00:21:20,347 --> 00:21:21,614
WHOEVER THEY WERE,
THEY WERE VERY GOOD

439
00:21:21,648 --> 00:21:24,050
AT GETTING IN AND GETTING OUT
WITHOUT BEING SEEN.

440
00:21:24,083 --> 00:21:26,553
YEAH, LIKE THEY KNEW EXACTLY
WHERE THEY WERE GOING.

441
00:21:26,586 --> 00:21:28,688
THERE IS NO EVIDENCE
OF A LEAK, MICHAEL.

442
00:21:30,423 --> 00:21:31,924
WELL, SOMETHING'S GOING ON.

443
00:21:31,958 --> 00:21:34,594
TO ALLEVIATE YOUR CONCERN,
I WILL CHECK THE FILES

444
00:21:34,627 --> 00:21:35,928
OF EVERYONE WORKING
IN KNIGHT INDUSTRIES'

445
00:21:35,962 --> 00:21:38,097
RESEARCH AND DEVELOPMENT
DEPARTMENT.

446
00:21:38,130 --> 00:21:39,131
WAIT A MINUTE, KITT.
WHAT ARE YOU SAYING?

447
00:21:39,165 --> 00:21:41,534
THE TWO PEOPLE
DIRECTLY RESPONSIBLE

448
00:21:41,568 --> 00:21:43,536
FOR THE SAFETY AND SECURITY
OF THIS PROJECT

449
00:21:43,570 --> 00:21:44,604
ARE THE OBVIOUS SUSPECTS

450
00:21:44,637 --> 00:21:45,805
IF OUR MISSIONS
ARE BEING COMPROMISED.

451
00:21:45,838 --> 00:21:47,540
NO WAY.

452
00:21:47,574 --> 00:21:48,975
JUST BECAUSE THEY ARE
YOUR FRIENDS

453
00:21:49,008 --> 00:21:51,344
DOES NOT MEAN THEY ARE
NOT CAPABLE OF DECEIT.

454
00:21:51,378 --> 00:21:52,712
THE DATA I AM ACCESSING
SUGGESTS

455
00:21:52,745 --> 00:21:54,347
THAT IT IS A VERY COMMON
HUMAN TRAIT.

456
00:21:54,381 --> 00:21:56,115
MANY HIGH LEVEL
GOVERNMENT OFFICIALS

457
00:21:56,148 --> 00:21:57,550
USE DECEIT ON A DAILY BASIS

458
00:21:57,584 --> 00:21:59,085
AND STILL REMAIN IN OFFICE.

459
00:21:59,118 --> 00:22:01,821
MOST OF ALEX TORRES' FILES
ARE CLASSIFIED,

460
00:22:01,854 --> 00:22:03,823
INDICATING HE MAY HAVE
SOMETHING TO HIDE.

461
00:22:03,856 --> 00:22:05,958
KITT, I HAVE
CLASSIFIED FILES.

462
00:22:05,992 --> 00:22:09,095
ARE YOU HIDING SOMETHING,
MICHAEL?

463
00:22:09,128 --> 00:22:10,830
MAY I ASK YOU A QUESTION?

464
00:22:10,863 --> 00:22:12,031
THAT DEPENDS
ON THE QUESTION.

465
00:22:12,064 --> 00:22:14,133
WHAT EXACTLY IS
YOUR RELATIONSHIP WITH SARAH?

466
00:22:14,166 --> 00:22:16,135
YOU DATED BEFORE YOU JOINED
THE MILITARY,

467
00:22:16,168 --> 00:22:18,405
AND YOU OBVIOUSLY
STILL CARE DEEPLY FOR HER.

468
00:22:18,438 --> 00:22:20,139
SARAH AND I
ARE JUST FRIENDS, KITT.

469
00:22:20,172 --> 00:22:21,741
THEN WHY DO
YOUR HORMONE LEVELS

470
00:22:21,774 --> 00:22:23,142
RISE WHEN YOU ARE
AROUND EACH OTHER?

471
00:22:23,175 --> 00:22:24,411
I HAVE ALSO DETECTED
A RELEASE

472
00:22:24,444 --> 00:22:26,879
OF PHEROMONES AND OTHER SIGNS
OF SEXUAL AROUSAL.

473
00:22:26,913 --> 00:22:28,815
WHOA, KITT!
WAY TOO PERSONAL.

474
00:22:32,419 --> 00:22:33,152
[tires screeching]

475
00:22:33,185 --> 00:22:35,021
I WISH YOU WOULDN'T
DO THAT.

476
00:22:35,054 --> 00:22:37,424
WE HAVE ARRIVED AT THE LOCATION
OF THE PACKAGE.

477
00:22:37,457 --> 00:22:38,891
MY SCANNERS
ARE PICKING UP A MAN

478
00:22:38,925 --> 00:22:40,427
HIDING UNDER THE BRIDGE,

479
00:22:40,460 --> 00:22:41,794
AND THERE IS NO SIGN
OF THE PACKAGE.

480
00:22:52,805 --> 00:22:55,141
(KITT)
PLEASE BE CAREFUL, MICHAEL.

481
00:23:01,548 --> 00:23:03,916
DON'T MOVE.

482
00:23:03,950 --> 00:23:05,184
PLEASE DON'T SHOOT.

483
00:23:05,217 --> 00:23:09,121
TURN AROUND.

484
00:23:09,155 --> 00:23:11,658
WHERE'S THE PACKAGE?

485
00:23:11,691 --> 00:23:13,660
I'M THE PACKAGE.

486
00:23:13,693 --> 00:23:17,797
WELL, NOT ALL OF ME.
JUST SOME OF ME.

487
00:23:17,830 --> 00:23:19,031
LET'S GET OUT OF HERE.
COME ON.

488
00:23:21,768 --> 00:23:22,869
WHAT DID YOU EXPECT,

489
00:23:22,902 --> 00:23:24,203
A BRIEFCASE
FULL OF PLUTONIUM?

490
00:23:24,236 --> 00:23:26,072
YEAH, KIND OF.

491
00:23:26,105 --> 00:23:27,840
(KITT)
MICHAEL, A CAR
IS RAPIDLY APPROACHING.

492
00:23:27,874 --> 00:23:29,476
WHO'S THAT?

493
00:23:41,020 --> 00:23:42,755
(woman)
MICHAEL.

494
00:23:42,789 --> 00:23:44,156
MICHAEL TRACEUR.

495
00:23:44,190 --> 00:23:48,528
OH, MY GOD.
IT IS YOU.

496
00:23:48,561 --> 00:23:50,463
I'M SORRY.
DO I KNOW YOU?

497
00:23:50,497 --> 00:23:52,632
YOU KNOW ME ALL RIGHT.

498
00:23:55,668 --> 00:23:57,136
NO TE RECUERDAS?

499
00:23:57,169 --> 00:23:58,805
[grunting]

500
00:23:58,838 --> 00:24:01,140
GET IN THE CAR NOW!

501
00:24:01,173 --> 00:24:04,176
UH-UH.
YOU REMEMBER ME NOW?

502
00:24:06,546 --> 00:24:09,148
ONLY REASON WHY
I DON'T KILL YOU

503
00:24:09,181 --> 00:24:11,484
IS 'CAUSE I OWE YOU.

504
00:24:11,518 --> 00:24:13,185
CONSIDER US EVEN.

505
00:24:13,219 --> 00:24:17,557
[chuckles]
OKAY, PAPITO?

506
00:24:38,611 --> 00:24:40,246
WHY'D SHE CALL HIM
"PAPITO"?

507
00:24:40,279 --> 00:24:42,515
WHAT DOES THAT MEAN?

508
00:24:42,549 --> 00:24:44,917
"TINY FATHER," BUT THAT'S
NOT HOW SHE SAID IT.

509
00:24:44,951 --> 00:24:46,953
THAT WAS SEXUAL.
MORE LIKE, "WHO'S YOUR DADDY?"

510
00:24:53,893 --> 00:24:56,529
(KITT)
YOU REALLY DO NOT KNOW
WHO THIS WOMAN IS?

511
00:24:56,563 --> 00:24:58,898
NEVER SEEN HER BEFORE
IN MY LIFE.

512
00:24:58,931 --> 00:25:00,600
BUT YOU HAVE
THE SAME TATTOO.

513
00:25:00,633 --> 00:25:01,768
IT'S A MILITARY TATTOO.

514
00:25:01,801 --> 00:25:02,969
A LOT OF PEOPLE WHO SERVED
IN SPECIAL FORCES HAVE THEM.

515
00:25:03,002 --> 00:25:06,573
THERE IS NOTHING
IN ANY KNOWN DATABASE ON HER.

516
00:25:06,606 --> 00:25:07,974
CROSS-REFERENCE HER

517
00:25:08,007 --> 00:25:09,041
WITH THE MEN
FROM THE CONSULATE LAST NIGHT.

518
00:25:09,075 --> 00:25:10,843
[beeping]

519
00:25:10,877 --> 00:25:12,712
I STILL DO NOT HAVE
ENOUGH INFORMATION

520
00:25:12,745 --> 00:25:14,013
TO IDENTIFY THE MEN
AT THE CONSULATE.

521
00:25:14,046 --> 00:25:15,982
SHE'S THE SECOND PERSON
I'VE NEVER MET

522
00:25:16,015 --> 00:25:17,650
IN THE LAST EIGHT HOURS
WHO CLAIMS THEY KNOW ME.

523
00:25:22,054 --> 00:25:23,690
[horn honks]

524
00:25:27,760 --> 00:25:29,662
KITT, CROSS-REFERENCE HER
WITH ME.

525
00:25:29,696 --> 00:25:31,998
[beeping]

526
00:25:32,031 --> 00:25:33,733
MICHAEL,
EVEN WITH MY CLEARANCE,

527
00:25:33,766 --> 00:25:38,605
I CANNOT ACCESS
YOUR CLASSIFIED MILITARY FILES.

528
00:25:38,638 --> 00:25:40,172
STOP.

529
00:25:41,908 --> 00:25:44,176
WHERE'S THIS FOOTAGE FROM?

530
00:25:44,210 --> 00:25:46,078
BEIRUT, LEBANON.

531
00:25:46,112 --> 00:25:48,615
I'VE NEVER BEEN TO BEIRUT.

532
00:25:48,648 --> 00:25:50,917
THE FOOTAGE DOES NOT APPEAR
TO HAVE BEEN ALTERED.

533
00:25:50,950 --> 00:25:53,686
I BELIEVE YOU, OR SOMEONE
WHO LOOKS JUST LIKE YOU,

534
00:25:53,720 --> 00:25:56,288
WAS IN BEIRUT WITH THIS WOMAN
ON THE DATE INDICATED.

535
00:25:56,322 --> 00:25:58,658
SOMETHING'S NOT RIGHT.

536
00:26:07,066 --> 00:26:08,567
BILLY, OPEN A CHAT LINE.

537
00:26:11,137 --> 00:26:12,538
WHO THE HELL IS SHE?

538
00:26:12,571 --> 00:26:16,709
(Zoe)
LOOKS LIKE WE GOT US
A LITTLE TONGUE ACTION.

539
00:26:16,743 --> 00:26:18,177
MUY CALIENTE!

540
00:26:18,210 --> 00:26:21,247
IXNAY ON THE SURVEILLANCE
FOOTAGE-A.

541
00:26:21,280 --> 00:26:23,215
MICHAEL, WHY ARE YOU SPEAKING
PIG LATIN INCORRECTLY?

542
00:26:23,249 --> 00:26:25,685
JUST TURN IT OFF, PLEASE.

543
00:26:25,718 --> 00:26:28,888
I HAVE NO IDEA WHO SHE IS.

544
00:26:28,921 --> 00:26:30,823
THE PACKAGE IS VITAL
TO NATIONAL SECURITY, MIKE.

545
00:26:30,857 --> 00:26:31,691
GET IT BACK.

546
00:26:31,724 --> 00:26:33,025
YES, SIR.

547
00:26:46,405 --> 00:26:48,174
KITT, I NEED TO SPEAK
WITH SARAH IN PRIVATE.

548
00:26:48,207 --> 00:26:50,209
[cell phone beeps]

549
00:27:01,020 --> 00:27:02,722
[jazz music playing]

550
00:27:02,755 --> 00:27:03,990
(Pod Voice)
HELLO, SARAH.

551
00:27:04,023 --> 00:27:06,893
CUT THE MUSIC.

552
00:27:06,926 --> 00:27:09,328
SARAH, AFTER I
SHIPPED OUT TO IRAQ,

553
00:27:09,361 --> 00:27:10,429
WHEN I STOPPED
CALLING YOU,

554
00:27:10,462 --> 00:27:11,731
DID I GIVE YOU
A REASON WHY?

555
00:27:11,764 --> 00:27:13,132
YOU REMEMBER THAT YOU
STOPPED CALLING,

556
00:27:13,165 --> 00:27:14,400
BUT YOU
DON'T REMEMBER WHY?

557
00:27:14,433 --> 00:27:16,769
NO.

558
00:27:16,803 --> 00:27:18,270
ALL RIGHT, THEN...

559
00:27:18,304 --> 00:27:20,740
LET ME JAR YOUR MEMORY
FOR YOU, MIKE.

560
00:27:20,773 --> 00:27:23,876
YOU CALLED ME
FROM A CLASSIFIED LOCATION.

561
00:27:23,910 --> 00:27:26,078
YOU WOULDN'T SAY WHERE.

562
00:27:26,112 --> 00:27:27,914
YOU ASKED ME TO MARRY YOU.

563
00:27:31,250 --> 00:27:33,753
AND I SAID YES.

564
00:27:33,786 --> 00:27:37,757
AND THEN YOU DISAPPEARED
FOR THREE YEARS.

565
00:27:37,790 --> 00:27:40,359
I THOUGHT YOU WERE DEAD.

566
00:27:40,392 --> 00:27:44,263
I ASKED YOU TO MARRY ME?

567
00:27:44,296 --> 00:27:48,000
AND THE DAY YOU ASKED ME
IS THE SAME DATE

568
00:27:48,034 --> 00:27:51,137
THAT'S ON THE SURVEILLANCE
FOOTAGE OF YOU IN BEIRUT.

569
00:27:51,170 --> 00:27:53,472
SARAH, I HAVE NEVER BEEN
TO BEIRUT.

570
00:27:53,505 --> 00:27:56,743
WHAT'S GOING ON, MIKE?

571
00:27:56,776 --> 00:27:59,378
I GOTTA GO.

572
00:28:01,413 --> 00:28:03,482
(KITT)
IT IS POSSIBLE
SOMETHING TRAUMATIC HAPPENED

573
00:28:03,515 --> 00:28:05,351
AND YOU ARE REPRESSING
YOUR MEMORIES,

574
00:28:05,384 --> 00:28:08,020
OR YOU HAVE DISSOCIATIVE
IDENTITY DISORDER,

575
00:28:08,054 --> 00:28:10,356
ALSO KNOWN AS
MULTIPLE PERSONALITY DISORDER.

576
00:28:10,389 --> 00:28:12,859
OR SOMEONE DOESN'T WANT ME
TO REMEMBER.

577
00:28:12,892 --> 00:28:15,427
IN RE-EXAMINING
YOUR MILITARY FILES,

578
00:28:15,461 --> 00:28:16,896
I FIND THAT THERE ARE
MANY GAPS.

579
00:28:16,929 --> 00:28:18,364
YOU SEEM TO HAVE
DISAPPEARED

580
00:28:18,397 --> 00:28:20,432
FOR WEEKS,
SOMETIMES MONTHS, AT A TIME.

581
00:28:20,466 --> 00:28:21,968
MIKE, DID YOU HAVE
ANYTHING TO DO

582
00:28:22,001 --> 00:28:24,103
WITH AN OPERATION
SECURE FREEDOM?

583
00:28:24,136 --> 00:28:26,372
OPERATION SECURE FREEDOM
IS ONE OF YOUR MANY FILES

584
00:28:26,405 --> 00:28:28,875
I WAS DENIED ACCESS TO,
MICHAEL.

585
00:28:28,908 --> 00:28:30,977
THE MEN AT THE CONSULATE
WHO TRIED TO KILL YOU

586
00:28:31,010 --> 00:28:33,012
WERE ALL INVOLVED
IN THE SAME BLACK OP.

587
00:28:37,149 --> 00:28:40,119
YOU OKAY?

588
00:28:40,152 --> 00:28:41,854
DAD, SOMETHING'S WRONG
WITH MIKE.

589
00:28:41,888 --> 00:28:44,123
WHAT ARE YOU
TALKING ABOUT?

590
00:28:44,156 --> 00:28:46,125
SOMETHING HAPPENED
TO HIM IN IRAQ.

591
00:28:46,158 --> 00:28:49,996
THINGS HAPPEN
IN WAR, SARAH.

592
00:28:50,029 --> 00:28:51,864
THINGS MEN
DON'T WANT TO TALK ABOUT.

593
00:28:51,898 --> 00:28:55,935
NO, SOMETHING ELSE.
SOMETHING DIFFERENT.

594
00:28:55,968 --> 00:28:59,071
SOMETHING VERY BAD.

595
00:29:04,811 --> 00:29:06,378
MICHAEL, WHY DID YOU
DISCONNECT AGENT RIVAI?

596
00:29:06,412 --> 00:29:08,848
KITT, I NEED TO SEE
INSIDE THAT CAR.

597
00:29:08,881 --> 00:29:10,983
I BELIEVE YOU ARE
EITHER REPRESSING YOUR MEMORIES

598
00:29:11,017 --> 00:29:12,785
OR YOU ARE NOT BEING HONEST
ABOUT THEM.

599
00:29:12,819 --> 00:29:14,186
KITT, WHEN HUMANS
KEEP CHANGING THE SUBJECT,

600
00:29:14,220 --> 00:29:15,855
THAT MEANS THEY DON'T WANT
TO TALK ABOUT IT.

601
00:29:15,888 --> 00:29:17,056
THERE ARE
SOME THINGS I REMEMBER

602
00:29:17,089 --> 00:29:18,024
AND SOME THINGS I DON'T.

603
00:29:18,057 --> 00:29:20,526
BUT RIGHT NOW, I NEED TO SEE
INSIDE THAT CAR.

604
00:29:20,559 --> 00:29:22,528
USING THE SIGNAL
FROM HER GPS,

605
00:29:22,561 --> 00:29:24,230
I MAY BE ABLE TO TRACK
AND FOLLOW HER

606
00:29:24,263 --> 00:29:26,065
USING REAL-TIME
SATELLITE SURVEILLANCE.

607
00:29:26,098 --> 00:29:29,101
CAN YOU ZOOM IN
AND ENHANCE?

608
00:29:32,104 --> 00:29:34,073
BOOST AND REDIRECT
YOUR PARABOLIC MICS.

609
00:29:34,106 --> 00:29:37,009
BOOSTING AND REDIRECTING.

610
00:29:37,043 --> 00:29:39,278
HEY, HEY!

611
00:29:39,311 --> 00:29:40,412
YOU SHAVED YOUR HEAD?

612
00:29:40,446 --> 00:29:42,014
(Hunt)
MY ENTIRE BODY.

613
00:29:42,048 --> 00:29:43,816
A SINGLE STRAND
OF MY HAIR IS WORTH MILLIONS.

614
00:29:43,850 --> 00:29:47,086
LOOK, FAKE EYEBROWS
AND EYELASHES.

615
00:29:47,119 --> 00:29:48,955
I ALSO EXFOLIATE
EVERY FOUR HOURS,

616
00:29:48,988 --> 00:29:50,356
SO THERE'S NO WAY
YOU CAN GET A SAMPLE.

617
00:29:50,389 --> 00:29:51,891
WANNA BET?

618
00:29:51,924 --> 00:29:54,493
WHAT ARE YOU DOING?
HEY, HEY!

619
00:29:54,526 --> 00:29:55,962
OH, MY GOD!

620
00:29:55,995 --> 00:29:57,296
DID SHE JUST CHOP OFF
HIS THUMB?

621
00:29:57,329 --> 00:30:00,566
(KITT)
IT APPEARS SHE DID.

622
00:30:00,599 --> 00:30:02,869
OH, I THINK
I'M GONNA HURL.

623
00:30:02,902 --> 00:30:05,237
YEP.

624
00:30:05,271 --> 00:30:08,140
NO, NO, WAIT--OOF!

625
00:30:22,088 --> 00:30:24,891
[groaning]

626
00:30:29,328 --> 00:30:32,031
GOTTA GET MY THUMB BACK.
COME ON, COME ON.

627
00:30:32,064 --> 00:30:33,365
WE GOTTA GET
MY THUMB BACK.

628
00:30:40,472 --> 00:30:43,509
MIKE, YOU HAVE TO GET
HIS THUMB BACK AT ALL COSTS.

629
00:30:43,542 --> 00:30:45,477
KITT, PLOT AN INTERCEPT.

630
00:30:45,511 --> 00:30:47,613
(KITT)
INTERCEPT PLOTTED.

631
00:30:53,219 --> 00:30:55,087
WE'RE GONNA NEED
A LITTLE FIRST AID.

632
00:30:55,121 --> 00:30:56,355
ACCESSING FIRST AID DATA.

633
00:30:59,992 --> 00:31:03,195
HEY, WHAT ARE YOU DOING?
OW!

634
00:31:03,229 --> 00:31:06,332
OW! AAH!

635
00:31:06,365 --> 00:31:07,934
I THINK
I'M GONNA PASS OUT.

636
00:31:07,967 --> 00:31:09,335
REALLY?
YEAH.

637
00:31:09,368 --> 00:31:11,103
AWESOME.

638
00:31:12,704 --> 00:31:15,141
WHAT THE--

639
00:31:15,174 --> 00:31:17,509
(Hunt)
OW! OW! GOD!

640
00:31:17,543 --> 00:31:19,545
[moaning and sobbing]

641
00:31:19,578 --> 00:31:20,980
[device humming]

642
00:31:21,013 --> 00:31:22,514
(KITT)
FIRST AID COMPLETE.

643
00:31:22,548 --> 00:31:24,483
FOR A FOLLOW UP, PLEASE
SEE YOUR PERSONAL PHYSICIAN

644
00:31:24,516 --> 00:31:26,218
WITHIN THE NEXT 24 HOURS.

645
00:31:26,252 --> 00:31:27,954
OH.

646
00:31:27,987 --> 00:31:29,655
IT DOESN'T HURT ANYMORE.

647
00:31:34,193 --> 00:31:35,694
CAN THE PEOPLE
YOU'RE TALKING TO

648
00:31:35,727 --> 00:31:38,164
HEAR AND SEE EVERYTHING
INSIDE THIS CAR?
YES.

649
00:31:41,167 --> 00:31:43,102
KITT, SHUT OFF ALL CONTACT
WITH THE SSC.

650
00:31:43,135 --> 00:31:45,671
BUT, MICHAEL--
JUST DO IT.

651
00:31:45,704 --> 00:31:47,206
GOING OFFLINE.

652
00:31:52,111 --> 00:31:55,281
GET AUDIO AND VISUAL
BACK UP.

653
00:31:55,314 --> 00:31:57,049
THERE'S NO WAY
TO OVERRIDE.

654
00:31:57,083 --> 00:32:01,220
THAT WOULD DEFEAT THE PURPOSE
OF ARTIFICIAL INTELLIGENCE.

655
00:32:03,722 --> 00:32:05,091
OKAY, THEY CAN'T HEAR
OR SEE US,

656
00:32:05,124 --> 00:32:06,692
AND PLEASE DON'T TELL ME
YOU KNOW ME.

657
00:32:06,725 --> 00:32:08,094
NO, BUT I KNOW
THE PEOPLE YOU WORK FOR,

658
00:32:08,127 --> 00:32:09,161
AND THEY
ARE GONNA DISSECT ME

659
00:32:09,195 --> 00:32:10,362
THEN PUT ME
UNDER A MICROSCOPE.

660
00:32:10,396 --> 00:32:11,363
WHAT ARE YOU TALKING ABOUT?

661
00:32:11,397 --> 00:32:14,066
I'M THE CIPHER.
CIPHER FOR WHAT?

662
00:32:14,100 --> 00:32:16,435
AN UNBREAKABLE CODE.
MY DNA IS THE KEY.

663
00:32:16,468 --> 00:32:18,570
YOUR DNA IS A KEY
TO DECIPHER A CODE?

664
00:32:18,604 --> 00:32:20,306
NOT JUST A CODE.
THE ULTIMATE CODE.

665
00:32:20,339 --> 00:32:22,608
AND HIDDEN IN MY DNA
IS THE ULTIMATE CIPHER.

666
00:32:22,641 --> 00:32:23,976
HIDDEN IN YOUR DNA.

667
00:32:24,010 --> 00:32:26,212
I HID IT THERE.

668
00:32:26,245 --> 00:32:28,647
I'M THE ONE
WHO INVENTED THE CODE.

669
00:32:28,680 --> 00:32:32,251
YOU INVENTED
AN UNBREAKABLE CODE

670
00:32:32,284 --> 00:32:35,187
AND HID THE KEY TO IT
IN YOUR DNA?
YEAH.

671
00:32:35,221 --> 00:32:37,123
DUDE, THAT IS
SO STUPID.

672
00:32:37,156 --> 00:32:38,257
YEAH.

673
00:32:38,290 --> 00:32:40,259
MICHAEL, I AM NO LONGER
ABLE TO TRACK HER.

674
00:32:40,292 --> 00:32:42,494
SHE'S IN THE SUBWAY, KITT.

675
00:32:42,528 --> 00:32:43,729
ATTACK MODE.

676
00:32:43,762 --> 00:32:44,763
(KITT)
INITIATING TRANSFORMATION.

677
00:32:44,796 --> 00:32:47,499
WHAT'S ATTACK
MOD-OH-OH-OH!

678
00:32:51,103 --> 00:32:52,304
TRANSFORMATION COMPLETE.

679
00:32:55,674 --> 00:32:57,643
[p.a. announcements droning]

680
00:33:03,782 --> 00:33:05,517
MICHAEL, THE SHORTEST ROUTE
TAKES US DIRECTLY ONTO--

681
00:33:05,551 --> 00:33:07,319
I KNOW, JUST DO IT.

682
00:33:22,468 --> 00:33:25,304
I HAVE TAPPED INTO
THE METRO SURVEILLANCE SYSTEM

683
00:33:25,337 --> 00:33:26,438
AND LOCATED HER.

684
00:33:26,472 --> 00:33:28,407
SHE APPEARS TO BE MEETING
THE BLOND MAN

685
00:33:28,440 --> 00:33:29,708
WITH THE BLACK
LEATHER JACKET.

686
00:33:29,741 --> 00:33:31,143
WE HAVE
A THREE-MINUTE WINDOW

687
00:33:31,177 --> 00:33:33,079
BEFORE ANOTHER TRAIN IS DUE,
IF THE TRAINS ARE ON SCHEDULE.

688
00:33:33,112 --> 00:33:34,480
"IF."

689
00:33:39,485 --> 00:33:42,054
OH!

690
00:33:42,088 --> 00:33:44,323
EXITING THE VEHICLE
AT THIS TIME

691
00:33:44,356 --> 00:33:46,158
WILL RESULT IN YOUR DEATH.

692
00:33:46,192 --> 00:33:48,227
LOOK, I WAS JOKING.

693
00:33:48,260 --> 00:33:50,762
THE DNA, THE CIPHER
FOR TOP SECRET CODES.

694
00:33:50,796 --> 00:33:52,398
I MEAN, WHO'D FALL
FOR THAT?

695
00:33:56,468 --> 00:34:00,339
WHOA-OH!

696
00:34:14,486 --> 00:34:17,323
(female voice over P.A.)
PLEASE MOVE TO THE CENTER
OF THE CAR.

697
00:34:17,356 --> 00:34:20,659
STEP BACK TO ALLOW THE DOORS
TO CLOSE.
OH!

698
00:34:20,692 --> 00:34:24,396
STEP BACK TO ALLOW THE DOORS
TO CLOSE.

699
00:34:31,670 --> 00:34:34,406
(Michael)
EXCUSE ME.

700
00:34:38,444 --> 00:34:39,778
WHO ARE YOU?

701
00:34:39,811 --> 00:34:41,380
YOU KNOW WHO I AM.

702
00:34:41,413 --> 00:34:42,448
WHERE DID WE MEET?

703
00:34:42,481 --> 00:34:44,116
BEIRUT.

704
00:34:44,150 --> 00:34:46,285
I'VE NEVER BEEN TO BEIRUT.

705
00:34:46,318 --> 00:34:49,388
DIOS MIO.

706
00:34:49,421 --> 00:34:51,323
YOU REALLY DON'T REMEMBER,
DO YOU?

707
00:34:51,357 --> 00:34:53,159
I HAVE NO IDEA
WHO YOU ARE.

708
00:34:54,760 --> 00:34:56,428
WHAT DID THEY DO
TO YOU, MIKE?

709
00:34:56,462 --> 00:35:00,132
WHO'S THEY?

710
00:35:00,166 --> 00:35:01,400
FBI, FREEZE!

711
00:35:01,433 --> 00:35:03,402
(male agent)
EVERYBODY DOWN!
NOBODY MOVE!

712
00:35:03,435 --> 00:35:04,736
MIKE!

713
00:35:06,372 --> 00:35:08,374
WHAT THE HELL
JUST HAPPENED?

714
00:35:10,442 --> 00:35:12,378
CARRIE KILLED MIKE.

715
00:35:31,530 --> 00:35:36,435
IT WAS A PROBLEM,
AND I TOOK CARE OF IT.

716
00:35:36,468 --> 00:35:38,170
WHAT DID YOU DO
TO ME?

717
00:35:38,204 --> 00:35:39,771
NOT YOU.
MIKE TRACEUR.

718
00:35:39,805 --> 00:35:41,473
WHAT?

719
00:35:41,507 --> 00:35:43,809
I KILLED MIKE TRACEUR.

720
00:35:48,514 --> 00:35:49,948
(male reporter)
THE SHOOTING VICTIM
WAS BELIEVED TO BE

721
00:35:49,981 --> 00:35:51,550
DISGRUNTLED IRAQ WAR VET
MICHAEL TRACEUR...

722
00:35:51,583 --> 00:35:52,618
WHAT THE HELL
DID YOU DO?

723
00:35:52,651 --> 00:35:53,552
I DID WHAT I FELT

724
00:35:53,585 --> 00:35:55,221
WAS IN THE BEST INTERESTS
OF THIS PROJECT.

725
00:35:55,254 --> 00:35:58,424
AND IF I
DON'T WANT TO BE DEAD?

726
00:35:58,457 --> 00:36:01,360
YOUR PAST HAS COME BACK
TO HAUNT YOU, MIKE.

727
00:36:01,393 --> 00:36:03,495
IF PEOPLE ARE LOOKING
FOR YOU,

728
00:36:03,529 --> 00:36:04,796
YOU PUT ALL OF US
AT RISK.

729
00:36:04,830 --> 00:36:07,699
[grunts]

730
00:36:10,536 --> 00:36:11,637
DID YOU READ IT?

731
00:36:11,670 --> 00:36:13,772
YEAH, I READ IT.

732
00:36:13,805 --> 00:36:16,575
IT'S INCOMPLETE,
BUT NOW THAT YOU'RE DEAD,

733
00:36:16,608 --> 00:36:19,411
MAYBE YOU CAN FIND OUT
WHAT REALLY HAPPENED.

734
00:36:22,013 --> 00:36:24,283
THE WOMAN IN THE SUBWAY.
WHO IS SHE?

735
00:36:24,316 --> 00:36:27,185
I HAVE NO IDEA.
IT'S LIKE SHE DOESN'T EXIST.

736
00:36:35,827 --> 00:36:37,429
[engine revving]

737
00:36:37,463 --> 00:36:39,298
[tires screeching]

738
00:36:44,370 --> 00:36:47,573
WHERE ARE WE HEADED,
MICHAEL?

739
00:36:50,309 --> 00:36:52,010
IF YOU PLAN
ON RUNNING AWAY WITH ME,

740
00:36:52,043 --> 00:36:53,679
I MUST INFORM YOU

741
00:36:53,712 --> 00:36:55,681
I AM THE LEGAL PROPERTY
OF KNIGHT INDUSTRIES.

742
00:36:55,714 --> 00:36:58,550
IF YOU CONTINUE AT THIS SPEED
FOR NO APPARENT REASON,

743
00:36:58,584 --> 00:37:00,819
I WILL BE FORCED
TO TAKE CONTROL OF THE VEHICLE.

744
00:37:00,852 --> 00:37:02,721
I'M GOING HOME, KITT.

745
00:37:02,754 --> 00:37:04,290
THERE IS NOTHING
AT YOUR FORMER HOME, MICHAEL.

746
00:37:04,323 --> 00:37:06,425
THE FBI
HAS ALREADY BEEN THERE.

747
00:37:06,458 --> 00:37:08,660
MIKE TRACEUR
IS LEGALLY DEAD.

748
00:37:08,694 --> 00:37:11,730
I CAN'T BE DECLARED DEAD
WITHOUT A BODY.

749
00:37:11,763 --> 00:37:13,465
A BODY WAS PROVIDED.

750
00:37:13,499 --> 00:37:15,401
WHOSE BODY?

751
00:37:15,434 --> 00:37:16,635
I AM SORRY, MICHAEL,

752
00:37:16,668 --> 00:37:18,737
I DO NOT HAVE
THAT INFORMATION.

753
00:37:18,770 --> 00:37:20,038
IT DOES NOT SEEM LOGICAL

754
00:37:20,071 --> 00:37:21,673
TO BE UPSET
ABOUT THE SITUATION.

755
00:37:21,707 --> 00:37:22,874
IF MIKE TRACEUR IS DEAD,

756
00:37:22,908 --> 00:37:24,910
YOUR PAST CAN NO LONGER
COME BACK TO HAUNT YOU,

757
00:37:24,943 --> 00:37:26,878
OR ENDANGER SARAH,

758
00:37:26,912 --> 00:37:28,780
WHICH I BELIEVE
IS WHAT IS PREVENTING YOU

759
00:37:28,814 --> 00:37:32,618
FROM BECOMING CLOSE
TO HER AGAIN.

760
00:37:32,651 --> 00:37:35,554
MY PAST
WILL ALWAYS HAUNT ME, KITT.

761
00:38:03,982 --> 00:38:06,918
KATIE.

762
00:38:06,952 --> 00:38:09,921
(Billy)
DRIVING IT IN.
HEADS UP!

763
00:38:09,955 --> 00:38:11,590
[imitates crowd
cheering]

764
00:38:11,623 --> 00:38:16,294
BILLY MORGAN--OH.

765
00:38:19,831 --> 00:38:21,467
DEAD MAN WALKING.

766
00:38:23,969 --> 00:38:25,671
HAVE YOU SEEN SARAH?

767
00:38:25,704 --> 00:38:26,938
UH, NOT SINCE
CARRIE SHOT YOU

768
00:38:26,972 --> 00:38:28,840
WITH ELEPHANT
TRANQUILIZER.

769
00:38:28,874 --> 00:38:30,842
YOU OKAY?

770
00:38:30,876 --> 00:38:32,711
FOR A GUY WHOSE EXISTENCE

771
00:38:32,744 --> 00:38:33,979
HAS JUST BEEN WIPED OFF
THE FACE OF THE EARTH,

772
00:38:34,012 --> 00:38:37,849
YEAH, I'M...OKAY.

773
00:38:37,883 --> 00:38:39,751
SOME PEOPLE WOULD LOVE
THE OPPORTUNITY

774
00:38:39,785 --> 00:38:40,886
TO START AGAIN.

775
00:38:40,919 --> 00:38:42,588
I MEAN,
THE CHANCE TO NEGATE

776
00:38:42,621 --> 00:38:44,490
THE EVERYDAY HUMILIATION
BEATING ON YOUR SOUL

777
00:38:44,523 --> 00:38:47,859
LIKE A DRUM FROM HELL?

778
00:38:47,893 --> 00:38:51,397
I'M SAYING I THINK
IT WOULD BE SUPER COOL

779
00:38:51,430 --> 00:38:52,197
TO BE ABLE
TO START AGAIN.

780
00:38:52,230 --> 00:38:53,932
YOU WANT TO GO HOME
WITH ME TONIGHT?

781
00:38:53,965 --> 00:38:56,868
YOU'RE JUST SCREWING
WITH ME AGAIN.

782
00:38:56,902 --> 00:38:57,903
AREN'T YOU?

783
00:38:57,936 --> 00:38:59,938
I DON'T KNOW.
AM I?

784
00:39:02,541 --> 00:39:04,510
OH...

785
00:39:04,543 --> 00:39:05,877
YOU NEED TO COME UP
WITH A NEW NAME.

786
00:39:05,911 --> 00:39:07,913
OR THE FBI CAN COME UP
WITH ONE FOR YOU.

787
00:39:07,946 --> 00:39:09,047
WHAT ABOUT BUSTER?

788
00:39:09,080 --> 00:39:12,017
MY FATHER'S REAL NAME
WAS MICHAEL LONG.

789
00:39:12,050 --> 00:39:15,921
MIKE LONG?
SOUNDS LIKE A PORN STAR.

790
00:39:15,954 --> 00:39:18,690
TOTAL PORN NAME.

791
00:39:18,724 --> 00:39:20,058
[phone rings]
(female voice)
ZOE CHE, PHONE CALL.

792
00:39:20,091 --> 00:39:21,760
HOW WOULD YOU KNOW?

793
00:39:21,793 --> 00:39:23,929
I WATCH A TON OF PORN.

794
00:39:23,962 --> 00:39:26,031
(Zoe)
KNIGHT INDUSTRIES
RESEARCH AND DEVELOPMENT.

795
00:39:26,064 --> 00:39:27,065
ZOE SPEAKING.

796
00:39:27,098 --> 00:39:29,401
[speaking Spanish]

797
00:39:44,082 --> 00:39:45,917
WHAT DID YOU DO
WITH THE REST OF HIM?

798
00:39:45,951 --> 00:39:47,853
WITNESS PROTECTION.

799
00:39:51,022 --> 00:39:54,593
WE CAN'T HAVE HIS DNA FALL
INTO THE WRONG HANDS.

800
00:39:54,626 --> 00:39:56,061
YEAH, RIGHT.

801
00:39:58,597 --> 00:40:01,399
YOU KNOW, ONE DAY MIKE
IS GONNA REMEMBER EVERYTHING.

802
00:40:02,934 --> 00:40:05,871
AND WHEN HE DOES,
HE'S GONNA COME AFTER YOU.

803
00:40:07,906 --> 00:40:10,842
WELL, THEN...

804
00:40:10,876 --> 00:40:13,178
WE JUST HAVE TO MAKE SURE
HE NEVER REMEMBERS.

805
00:40:26,091 --> 00:40:27,859
(Pod Voice)
HELLO, MICHAEL.

806
00:40:27,893 --> 00:40:30,462
SARAH'S PRE-SET MUSIC
AND MOOD LIGHTING ARE ACTIVE.

807
00:40:30,496 --> 00:40:33,098
[laughs]

808
00:40:37,168 --> 00:40:39,805
I DON'T REMEMBER
WHAT HAPPENED TO ME, SARAH.

809
00:40:39,838 --> 00:40:41,039
AND I DON'T KNOW WHY
I DON'T REMEMBER,

810
00:40:41,072 --> 00:40:44,610
BUT I WOULD NEVER DO
ANYTHING TO HURT YOU.

811
00:40:44,643 --> 00:40:46,144
I'M SORRY THAT I DID.

812
00:40:46,177 --> 00:40:49,114
IT'S NOT YOUR FAULT
YOU DON'T REMEMBER.

813
00:40:53,084 --> 00:40:55,654
YOU WANT TO GRAB A BEER?

814
00:40:57,923 --> 00:40:59,858
WE'VE GONE DOWN
THIS ROAD BEFORE, MIKE.

815
00:41:09,000 --> 00:41:12,137
HOW ABOUT
WE START FRESH?

816
00:41:14,239 --> 00:41:15,707
I'M MICHAEL KNIGHT.

817
00:41:20,579 --> 00:41:23,014
SARAH GRAIMAN.

818
00:41:23,048 --> 00:41:25,116
SO WHAT'S YOUR SIGN,
MICHAEL KNIGHT?

819
00:41:25,150 --> 00:41:28,219
NOT QUITE SURE YET.

820
00:41:28,253 --> 00:41:31,122
* AND, BOY, YOU WERE
LOOKING AT HER *

821
00:41:31,156 --> 00:41:33,592
* A LITTLE TOO SURE
I'M FINE.

822
00:41:33,625 --> 00:41:37,228
* FOR ME TO BE YOURS

823
00:41:37,262 --> 00:41:40,766
* AND I'VE BEEN
A LITTLE TOO NICE, I KNOW *

824
00:41:40,799 --> 00:41:43,234
(KITT)
THEY MAKE A HANDSOME COUPLE.

825
00:41:43,268 --> 00:41:46,572
* YOU PROBABLY THOUGHT
THAT WE WERE JUST A SHOW *

826
00:41:46,605 --> 00:41:49,274
* BUT YOU BETTER
LISTEN UP *

827
00:41:49,307 --> 00:41:51,109
* YOU BETTER LISTEN CLOSE

828
00:41:51,142 --> 00:41:51,209
* I DON'T THINK SO *