1 00:00:30,061 --> 00:00:32,163 (woman) MURDER... 2 00:00:32,163 --> 00:00:34,034 MYSTERY... 3 00:00:35,806 --> 00:00:38,769 THE MACABRE... 4 00:00:38,769 --> 00:00:41,642 WHAT IS IT ABOUT A HARD-BOILED DETECTIVE, 5 00:00:41,642 --> 00:00:43,314 A FEMME FATALE 6 00:00:43,314 --> 00:00:45,316 AND THE COLD STEEL OF A GUN 7 00:00:45,316 --> 00:00:47,318 THAT KEEPS OUR BEDSIDE LAMPS 8 00:00:47,318 --> 00:00:50,481 BURNING INTO THE WEE HOURS OF THE MORNING? 9 00:00:50,481 --> 00:00:52,523 HOWEVER THE SPELL IS CAST, 10 00:00:52,523 --> 00:00:55,486 TONIGHT WE HONOR A MASTER OF THE FORM 11 00:00:55,486 --> 00:01:00,161 AND CELEBRATE THE LAUNCH OF "STORM FALL"... 12 00:01:00,161 --> 00:01:02,733 CALL ME WHEN YOU'RE READY TO WASH THAT OFF. (giggles) 13 00:01:02,733 --> 00:01:04,295 THE STUNNING CONCLUSION 14 00:01:04,295 --> 00:01:08,339 TO HIS BEST-SELLING DERRICK STORM MYSTERY SERIES. 15 00:01:08,339 --> 00:01:12,543 LADIES AND GENTLEMEN, THE MASTER OF THE MACABRE-- 16 00:01:12,543 --> 00:01:15,106 RICK CASTLE. (cheering) 17 00:01:15,106 --> 00:01:16,607 (Pussycat Dolls) ♪ WHEN I GROW UP ♪ 18 00:01:16,607 --> 00:01:18,279 ♪ I WANNA BE FAMOUS, I WANNA BE A STAR ♪ 19 00:01:18,279 --> 00:01:20,581 ♪ I WANNA BE IN MOVIES, WHEN I GROW UP ♪ 20 00:01:20,581 --> 00:01:23,284 ♪ BE ON TV, PEOPLE KNOW ME, BE ON MAGAZINES ♪ 21 00:01:23,284 --> 00:01:25,186 ♪ WHEN I GROW UP ♪ 22 00:01:25,186 --> 00:01:28,088 ♪ BE CAREFUL WHAT YOU WISH FOR, 'CAUSE YOU JUST MIGHT GET IT ♪ 23 00:01:28,088 --> 00:01:32,163 ♪ 'CAUSE YOU JUST MIGHT GET IT, 'CAUSE YOU JUST MIGHT GET IT ♪ 24 00:01:32,163 --> 00:01:33,294 ♪ BE CAREFUL WHAT... ♪ 25 00:01:33,294 --> 00:01:35,826 (camera shutter clicks) 26 00:01:38,169 --> 00:01:40,201 (camera shutter clicks) 27 00:01:46,307 --> 00:01:48,309 WHO ARE YOU? 28 00:01:48,309 --> 00:01:50,881 (camera shutter clicking) 29 00:01:50,881 --> 00:01:52,883 ALISON TISDALE-- 30 00:01:52,883 --> 00:01:55,586 24, GRAD STUDENT AT N.Y.U., 31 00:01:55,586 --> 00:01:59,119 PART OF THE SOCIAL WORK PROGRAM. NICE PLACE FOR A SOCIAL WORKER. 32 00:01:59,119 --> 00:02:00,751 DADDY'S MONEY. 33 00:02:00,751 --> 00:02:02,753 NEIGHBORS CALLED TO COMPLAIN ABOUT THE MUSIC. 34 00:02:02,753 --> 00:02:05,756 WHEN SHE DIDN'T ANSWER, THEY HAD THE SUPER CHECK ON HER. 35 00:02:05,756 --> 00:02:08,159 NO SIGNS OF STRUGGLE. 36 00:02:08,159 --> 00:02:09,660 HE KNEW HER. 37 00:02:09,660 --> 00:02:13,364 EVEN BOUGHT HER FLOWERS. WHO SAYS ROMANCE IS DEAD? 38 00:02:13,364 --> 00:02:15,466 I DO, EVERY SATURDAY NIGHT. 39 00:02:15,466 --> 00:02:17,768 A LITTLE LIPSTICK WOULDN'T HURT. 40 00:02:17,768 --> 00:02:19,340 I'M JUST SAYING. 41 00:02:19,340 --> 00:02:20,841 SO WHAT'D HE GIVE HER BESIDES ROSES? 42 00:02:20,841 --> 00:02:24,345 TWO SHOTS TO THE CHEST, 43 00:02:24,345 --> 00:02:25,916 SMALL CALIBER. 44 00:02:30,181 --> 00:02:33,654 DOES THIS LOOK FAMILIAR TO ANYONE? 45 00:02:33,654 --> 00:02:37,157 NO, BUT I'M NOT THE ONE WITH A THING FOR FREAKY ONES. 46 00:02:37,157 --> 00:02:39,660 JUST GIVE ME A "JACK SHOT JILL OVER BILL" 47 00:02:39,660 --> 00:02:42,233 SO I CAN GET MY COLLAR AND GO HOME. 48 00:02:42,233 --> 00:02:44,235 OH, BUT THE FREAKY ONES REQUIRE MORE. 49 00:02:44,235 --> 00:02:45,666 THEY REVEAL MORE. 50 00:02:45,666 --> 00:02:49,370 LOOK AT HOW HE LEFT HER, COVERED MODESTLY. 51 00:02:49,370 --> 00:02:50,701 SO? 52 00:02:50,701 --> 00:02:53,704 SO DESPITE ALL OF THE EFFORT, ALL OF THE PREPARATION, 53 00:02:53,704 --> 00:02:57,177 YOU WON'T FIND ANY EVIDENCE OF SEXUAL ABUSE. YOU REALLY GET THAT FROM JUST THIS? 54 00:02:57,177 --> 00:02:59,610 THIS, PLUS, I'VE SEEN THIS BEFORE. 55 00:02:59,610 --> 00:03:01,682 YOU'VE SEEN IT BEFORE? WHERE? 56 00:03:01,682 --> 00:03:05,956 ROSES ON HER BODY, SUNFLOWERS ON HER EYES? 57 00:03:07,758 --> 00:03:10,621 DON'T YOU GUYS READ? 58 00:03:10,621 --> 00:03:12,693 (camera shutter clicks) WHAT KIND OF IDIOT 59 00:03:12,693 --> 00:03:15,226 KILLS OFF HIS BEST-SELLING MAIN CHARACTER? 60 00:03:15,226 --> 00:03:17,228 ARE YOU ASKING AS MY BLOODSUCKING PUBLISHER 61 00:03:17,228 --> 00:03:19,230 OR AS MY BLOODSUCKING EX-WIFE? 62 00:03:19,230 --> 00:03:21,232 OH, IS THAT WHAT YOU'RE DOING? 63 00:03:21,232 --> 00:03:23,234 PUNISHING ME BY KILLING THE GOLDEN GOOSE? 64 00:03:23,234 --> 00:03:25,236 OH, COME ON. I MAY BE PETTY AND SHORTSIGHTED, 65 00:03:25,236 --> 00:03:27,708 BUT I'M NOT THAT PETTY AND SHORTSIGHTED. REALLY? THEN WHY? 66 00:03:27,708 --> 00:03:30,711 WRITING DERRICK USED TO BE FUN. NOW IT'S LIKE WORK. 67 00:03:30,711 --> 00:03:32,713 MM. GOD FORBID YOU SHOULD WORK. 68 00:03:32,713 --> 00:03:34,715 I MEAN, YOU COULD HAVE RETIRED HIM, 69 00:03:34,715 --> 00:03:36,216 YOU COULD HAVE CRIPPLED HIM. 70 00:03:36,216 --> 00:03:38,218 YOU COULD HAVE HAD HIM JOIN THE FRIGGIN' CIRCUS. 71 00:03:38,218 --> 00:03:40,991 BUT, NO, YOU HAD TO PUT A BULLET THROUGH HIS HEAD. 72 00:03:40,991 --> 00:03:43,554 YEAH, REAL MESSY, TOO. BIG EXIT WOUND. 73 00:03:43,554 --> 00:03:46,697 DON'T WORRY. DERRICK STORM IS NOT THE GOLDEN GOOSE HERE. I AM. 74 00:03:46,697 --> 00:03:48,999 I WROTE HALF A DOZEN BEST SELLERS BEFORE HIM. 75 00:03:48,999 --> 00:03:52,002 WHAT MAKES YOU THINK I'M GONNA STOP NOW? OH, I DON'T KNOW. 76 00:03:52,002 --> 00:03:55,706 THE FACT THE NEW BOOK WAS DUE NINE WEEKS AGO? YOU CAN'T RUSH GENIUS. 77 00:03:55,706 --> 00:03:57,638 GENIUS, RICHARD? TRY BLOCKAGE. 78 00:03:57,638 --> 00:04:00,911 I HEARD YOU HAVEN'T WRITTEN IN MONTHS. THAT'S RIDICULOUS. 79 00:04:00,911 --> 00:04:03,714 MY SOURCES ARE VERY RELIABLE. WELL, THEY'RE WRONG. 80 00:04:03,714 --> 00:04:06,717 THEY BETTER BE. IF I DON'T HAVE A NEW MANUSCRIPT 81 00:04:06,717 --> 00:04:08,719 ON MY DESK IN THE NEXT THREE WEEKS, 82 00:04:08,719 --> 00:04:11,982 BLACK PAWN IS PREPARED TO DEMAND THE RETURN OF YOUR ADVANCE. YOU WOULDN'T DARE. 83 00:04:11,982 --> 00:04:15,025 TRY ME. JUST TRY ME. 84 00:04:15,025 --> 00:04:17,988 YOU KNOW, I ALREADY RETURNED THAT ADVANCE. 85 00:04:17,988 --> 00:04:21,762 I SPENT IT DIVORCING YOU. 86 00:04:21,762 --> 00:04:23,694 ♪♪ 87 00:04:23,694 --> 00:04:26,497 REALLY, DOLLFACE, WHO DOES HOMEWORK AT A PARTY? 88 00:04:26,497 --> 00:04:28,839 I HAVE A TEST NEXT WEEK. 89 00:04:28,839 --> 00:04:31,472 SO DO I--LIVER FUNCTION. YOU DON'T SEE ME STUDYING. 90 00:04:31,472 --> 00:04:34,044 ALL RIGHT, GIVE ME A HIT OF THE BUBBLY. MAKE THAT TWO. 91 00:04:34,044 --> 00:04:36,046 HEY, KIDDO. SALES MUST BE SLIPPING. 92 00:04:36,046 --> 00:04:38,309 THEY'RE ONLY SERVING THE SOFT STUFF. 93 00:04:38,309 --> 00:04:40,010 HEY, DAD. 94 00:04:40,010 --> 00:04:42,913 HEY, SWEETIE. SO, MOTHER... 95 00:04:42,913 --> 00:04:45,886 SHH! SHH! SHH! NOT SO LOUD. I'M STILL HOPING TO GET LUCKY. 96 00:04:45,886 --> 00:04:48,859 DID YOU TELL GINA I WAS HAVING TROUBLE WRITING? 97 00:04:48,859 --> 00:04:50,921 OH, I TOLD HER NOTHING OF THE SORT. I... 98 00:04:50,921 --> 00:04:53,494 I MAY HAVE SAID SOMETHING 99 00:04:53,494 --> 00:04:57,027 ABOUT SPENDING YOUR DAYS MOPING IN YOUR UNDERWEAR 100 00:04:57,027 --> 00:04:59,730 WAITING FOR POST TIME AT BELMONT. 101 00:04:59,730 --> 00:05:02,733 BUT HEY, YOU'RE AN ARTIST. IT'S EXPECTED. WE HAD A DEAL. 102 00:05:02,733 --> 00:05:05,706 I LET YOU LIVE WITH US, BUT YOU DON'T TALK ABOUT MY WORK. WHAT'S TO TALK ABOUT? 103 00:05:05,706 --> 00:05:08,409 YOU HAVEN'T DONE ANY SINCE I MOVED IN. GRAM. 104 00:05:08,409 --> 00:05:10,911 WELL, HE HASN'T. WHATEVER I HAVE AND HAVEN'T DONE, 105 00:05:10,911 --> 00:05:13,914 I WOULD JUST APPRECIATE IT IF YOU WOULDN'T SHARE IT 106 00:05:13,914 --> 00:05:16,587 WITH MY EX-WIFE. OH, WHAT'S THE BIG DEAL? 107 00:05:16,587 --> 00:05:19,920 HANG ON, SWEETIE. I JUST GOT A HIT ON MY "GRAYDAR." (bell dings) 108 00:05:19,920 --> 00:05:21,892 BINGO! NO RING. STAND BACK, KIDS. 109 00:05:21,892 --> 00:05:23,524 MAMA'S GOING FISHING. 110 00:05:23,524 --> 00:05:25,726 (laughs) YOU SHOULD HAVE ME COMMITTED. 111 00:05:25,726 --> 00:05:27,798 FOR WHAT, LETTING HER MOVE IN? 112 00:05:27,798 --> 00:05:29,560 I THINK IT'S SWEET. 113 00:05:29,560 --> 00:05:31,362 WON'T BE WHEN I STRANGLE HER. 114 00:05:31,362 --> 00:05:33,934 YOU KNOW I'M ONLY 15, RIGHT? 115 00:05:33,934 --> 00:05:35,466 YOU'RE AN OLD SOUL. 116 00:05:35,466 --> 00:05:38,068 YEAH, WELL, ME AND MY "SOUL" CAN WAIT. 117 00:05:38,068 --> 00:05:39,770 WHEN I WAS YOUR AGE... 118 00:05:39,770 --> 00:05:41,071 I CAN'T TELL THAT STORY. 119 00:05:41,071 --> 00:05:44,014 IT'S WILDLY INAPPROPRIATE, WHICH, ODDLY, IS MY POINT. 120 00:05:44,014 --> 00:05:47,017 DON'T YOU WANT TO HAVE WILDLY INAPPROPRIATE STORIES 121 00:05:47,017 --> 00:05:49,920 THAT YOU CAN'T TELL YOUR CHILDREN? I THINK YOU HAVE ENOUGH OF THOSE FOR THE BOTH OF US. 122 00:05:49,920 --> 00:05:52,052 LIFE SHOULD BE AN ADVENTURE. 123 00:05:52,052 --> 00:05:53,924 YOU WANT TO KNOW WHY I KILLED DERRICK? 124 00:05:53,924 --> 00:05:55,926 THERE WERE NO MORE SURPRISES. I KNEW EXACTLY 125 00:05:55,926 --> 00:05:58,058 WHAT WAS GOING TO HAPPEN EVERY MOMENT OF EVERY SCENE. 126 00:05:58,058 --> 00:06:00,060 IT'S JUST LIKE THESE PARTIES. THEY'VE BECOME SO PREDICTABLE. 127 00:06:00,060 --> 00:06:02,893 "I'M YOUR BIGGEST FAN. WHERE DO YOU GET YOUR IDEAS?" 128 00:06:02,893 --> 00:06:06,066 AND THE EVER POPULAR "WILL YOU SIGN MY 'CHEST'?" 129 00:06:06,066 --> 00:06:09,500 THAT ONE I DON'T MIND SO MUCH. YEAH, WELL, F.Y.I., I DO. 130 00:06:09,500 --> 00:06:12,002 JUST ONCE, I'D LIKE SOMEONE TO COME UP TO ME 131 00:06:12,002 --> 00:06:14,605 AND SAY SOMETHING NEW. (woman) MR. CASTLE? 132 00:06:14,605 --> 00:06:17,808 WHERE WOULD YOU LIKE IT? DETECTIVE KATE BECKETT, NYPD. 133 00:06:17,808 --> 00:06:20,150 WE NEED TO ASK YOU A FEW QUESTIONS 134 00:06:20,150 --> 00:06:22,953 ABOUT A MURDER THAT TOOK PLACE EARLIER TONIGHT. 135 00:06:22,953 --> 00:06:24,455 THAT'S NEW. 136 00:06:25,916 --> 00:06:31,091 ♪♪ 137 00:06:31,091 --> 00:06:33,864 (police radio chatter) 138 00:06:33,864 --> 00:06:36,166 MR. CASTLE. 139 00:06:36,166 --> 00:06:39,069 YOU'VE GOT QUITE A RAP SHEET FOR A BEST-SELLING AUTHOR. 140 00:06:39,069 --> 00:06:40,901 DISORDERLY CONDUCT, 141 00:06:40,901 --> 00:06:42,803 UH, RESISTING ARREST? 142 00:06:42,803 --> 00:06:44,675 BOYS WILL BE BOYS. 143 00:06:44,675 --> 00:06:48,038 IT SAYS HERE THAT YOU STOLE A POLICE HORSE? 144 00:06:48,038 --> 00:06:49,810 BORROWED. 145 00:06:49,810 --> 00:06:51,812 AH. AND YOU WERE NUDE AT THE TIME. 146 00:06:51,812 --> 00:06:54,985 IT WAS SPRING. AND EVERY TIME, THE CHARGES WERE DROPPED. 147 00:06:54,985 --> 00:06:56,487 WHAT CAN I SAY? 148 00:06:56,487 --> 00:06:57,988 THE MAYOR IS A FAN. 149 00:06:57,988 --> 00:07:00,420 BUT IF IT MAKES YOU FEEL ANY BETTER, 150 00:07:00,420 --> 00:07:03,594 I'D BE HAPPY TO LET YOU SPANK ME. 151 00:07:03,594 --> 00:07:06,096 MR. CASTLE, THIS WHOLE "BAD BOY CHARM" THING 152 00:07:06,096 --> 00:07:07,798 THAT YOU'VE GOT GOING 153 00:07:07,798 --> 00:07:09,760 MIGHT WORK FOR BIMBETTES AND CELEBUTANTES. 154 00:07:09,760 --> 00:07:11,762 ME? I WORK FOR A LIVING, 155 00:07:11,762 --> 00:07:13,904 SO THAT MAKES YOU ONE OF TWO THINGS IN MY WORLD-- 156 00:07:13,904 --> 00:07:16,066 EITHER THE GUY WHO MAKES MY LIFE EASIER 157 00:07:16,066 --> 00:07:18,068 OR THE GUY WHO MAKES MY LIFE HARDER. 158 00:07:18,068 --> 00:07:20,140 AND TRUST ME, YOU DO NOT WANT TO BE 159 00:07:20,140 --> 00:07:22,973 THE GUY WHO MAKES MY LIFE HARDER. OKAY. 160 00:07:22,973 --> 00:07:25,045 ALISON TISDALE, 161 00:07:25,045 --> 00:07:27,778 DAUGHTER OF REAL ESTATE MOGUL JONATHAN TISDALE. SHE'S CUTE. 162 00:07:27,778 --> 00:07:30,581 SHE'S DEAD. DID YOU EVER MEET HER? BOOK SIGNING? 163 00:07:30,581 --> 00:07:34,054 CHARITY EVENT? IT'S POSSIBLE. SHE'S NOT IN MY LITTLE BLACK BOOK, 164 00:07:34,054 --> 00:07:36,186 IF THAT'S WHAT YOU'RE ASKING. WHAT ABOUT THIS GUY? 165 00:07:36,186 --> 00:07:39,029 MARVIN FISK, SMALL CLAIMS LAWYER. 166 00:07:39,029 --> 00:07:42,162 MOST OF MY CLAIMS TEND TO BE ON THE, UM, LARGE SIDE. 167 00:07:42,162 --> 00:07:44,995 SO WHAT'S THIS GOT TO DO WITH ME? 168 00:07:44,995 --> 00:07:47,998 FISK WAS FOUND MURDERED IN HIS OFFICE TWO WEEKS AGO. 169 00:07:47,998 --> 00:07:50,100 I DIDN'T PUT IT TOGETHER 170 00:07:50,100 --> 00:07:53,043 UNTIL WE SAW THE TISDALE CRIME SCENE TONIGHT. 171 00:07:53,043 --> 00:07:56,847 "FLOWERS FOR YOUR GRAVE." AND THIS IS HOW WE FOUND MARVIN FISK, 172 00:07:56,847 --> 00:07:58,979 RIGHT OUT OF "HELL HATH NO FURY." 173 00:07:58,979 --> 00:08:02,653 LOOKS LIKE I HAVE A FAN. YEAH, A REALLY DERANGED FAN. 174 00:08:02,653 --> 00:08:05,756 OH, YOU DON'T LOOK DERANGED TO ME. WHAT? 175 00:08:05,756 --> 00:08:07,958 "HELL HATH NO FURY"-- 176 00:08:07,958 --> 00:08:09,960 ANGRY WICCANS OUT FOR BLOOD. 177 00:08:09,960 --> 00:08:13,093 COME ON. ONLY HARD-CORE CASTLE GROUPIES READ THAT ONE. 178 00:08:13,093 --> 00:08:17,497 DO ANY OF THESE GROUPIES EVER WRITE YOU LETTERS? 179 00:08:17,497 --> 00:08:20,000 DISTURBING LETTERS? OH, ALL MY FAN MAIL IS DISTURBING. 180 00:08:20,000 --> 00:08:23,003 IT'S AN OCCUPATIONAL HAZARD. BECAUSE SOMETIMES IN CASES LIKE THIS, 181 00:08:23,003 --> 00:08:26,707 WE FIND THAT THE KILLER ATTEMPTS TO-- KILLER ATTEMPTS TO CONTACT THE SUBJECT OF HIS OBSESSION. 182 00:08:26,707 --> 00:08:30,240 I'M ALSO PRETTY WELL-VERSED IN PSYCHOPATHIC METHODOLOGIES. 183 00:08:30,240 --> 00:08:32,843 ANOTHER OCCUPATIONAL HAZARD. 184 00:08:32,843 --> 00:08:34,915 AND DO YOU KNOW YOU HAVE GORGEOUS EYES? 185 00:08:34,915 --> 00:08:37,948 SO I TAKE IT THAT YOU WON'T HAVE ANY OBJECTION 186 00:08:37,948 --> 00:08:40,591 TO US GOING THROUGH YOUR MAIL? KNOCK YOURSELF OUT. 187 00:08:40,591 --> 00:08:42,823 CAN I GET COPIES OF THOSE? 188 00:08:42,823 --> 00:08:44,254 COPIES? 189 00:08:44,254 --> 00:08:46,597 I HAVE THIS POKER GAME. IT'S MOSTLY OTHER WRITERS-- 190 00:08:46,597 --> 00:08:49,099 PATTERSON, CANNELL-- YOU KNOW, BEST-SELLERS. 191 00:08:49,099 --> 00:08:51,832 YOU HAVE NO IDEA HOW JEALOUS THOSE WOULD MAKE THEM. 192 00:08:51,832 --> 00:08:54,534 JEALOUS? THAT I HAVE A COPYCAT. OH, MY GOSH. 193 00:08:54,534 --> 00:08:56,967 IN MY WORLD, THAT'S THE RED BADGE OF HONOR. 194 00:08:56,967 --> 00:08:58,268 THAT'S THE CRIMINAL COOPERSTOWN. 195 00:08:58,268 --> 00:09:00,240 PEOPLE ARE DEAD, MR. CASTLE. 196 00:09:00,240 --> 00:09:04,544 I'M NOT ASKING FOR THE BODIES, JUST THE PICTURES. 197 00:09:04,544 --> 00:09:07,247 I THINK WE'RE DONE HERE. 198 00:09:07,247 --> 00:09:09,650 (door opens) 199 00:09:09,650 --> 00:09:12,152 (door closes) 200 00:09:12,152 --> 00:09:16,887 (playing "I Cain't Say No" from "Oklahoma") 201 00:09:18,929 --> 00:09:22,232 ♪ I'M JUST A GAL WHO CAIN'T SAY NO ♪ 202 00:09:22,232 --> 00:09:25,235 ♪ I'M IN A TERRIBLE FIX ♪ 203 00:09:25,235 --> 00:09:29,069 ♪ I ALWAYS SAY, "COME ON, LET'S GO" ♪ 204 00:09:29,069 --> 00:09:32,242 ♪ JUST WHEN I OUGHT TO-- ♪ 205 00:09:32,242 --> 00:09:34,174 HEY, KIDDO! 206 00:09:34,174 --> 00:09:37,678 I'M JUST SHOWING BURT HERE HOW WE DID IT AT THE PALACE. 207 00:09:37,678 --> 00:09:41,011 DOES HE KNOW IT'S YOUR THEME SONG? (laughs) OOH! 208 00:09:41,011 --> 00:09:43,614 READY TO BRING IT HOME, DUCKY? HEY! YES! 209 00:09:43,614 --> 00:09:45,616 (snaps fingers) FIVE, SIX, SEVEN, EIGHT. 210 00:09:45,616 --> 00:09:49,990 ♪ I'M JUST A FOOL WHEN LIGHTS ARE LOW... ♪ 211 00:09:49,990 --> 00:09:52,993 YOU'RE MISSING THE LATE SHOW. I SAW IT IN PREVIEWS. 212 00:09:52,993 --> 00:09:55,996 LOOKS LIKE WE GOT A NEW LEAD. HIS NAME IS BURT. HE DOES MAGIC. 213 00:09:55,996 --> 00:09:57,668 WOW. YEAH. 214 00:09:57,668 --> 00:09:59,670 LET'S HOPE HE DISAPPEARS BY MORNING. (laughter) 215 00:09:59,670 --> 00:10:01,932 C'EST APRES MINUIT DANS UNE SCHOOL NIGHT. 216 00:10:01,932 --> 00:10:04,835 DON'T YOU TURN INTO A PUMPKIN OR SOMETHING? NOT WHEN YOUR DAD'S BEEN ESCORTED AWAY BY COPS. 217 00:10:04,835 --> 00:10:06,977 HOW WAS THE SLAMMER? ANYONE MAKE YOU THEIR BITCH? 218 00:10:06,977 --> 00:10:10,841 SORRY, SWITCHBLADE. STILL BELONG TO YOU. BABY BIRD? 219 00:10:10,841 --> 00:10:12,783 I ALREADY BRUSHED. YOUR LOSS. 220 00:10:12,783 --> 00:10:15,615 SO ARE YOU GONNA TELL ME ABOUT IT 221 00:10:15,615 --> 00:10:18,719 OR DO I HAVE TO LOOK IT UP ON THE FAN SITES? 222 00:10:18,719 --> 00:10:21,722 NO, WE HAD A DEAL. SURF ALL THE INTERNET YOU WANT, 223 00:10:21,722 --> 00:10:24,755 STAY OFF THE FAN SITES. SERIOUSLY, DAD, ARE YOU IN SOME KIND OF TROUBLE? 224 00:10:24,755 --> 00:10:26,757 DESPITE MY BEST EFFORTS, NO. 225 00:10:26,757 --> 00:10:28,859 THEY WANT MY HELP ON A CASE. 226 00:10:28,859 --> 00:10:30,160 A CASE? 227 00:10:30,160 --> 00:10:32,162 APPARENTLY, SOMEONE'S BEEN KILLING PEOPLE 228 00:10:32,162 --> 00:10:34,334 THE WAY I KILL THEM IN MY BOOKS. 229 00:10:34,334 --> 00:10:36,006 THAT'S HORRIBLE. YEAH. 230 00:10:36,006 --> 00:10:37,307 HOW MANY? 231 00:10:37,307 --> 00:10:39,670 TWO SO FAR. 232 00:10:39,670 --> 00:10:42,042 ARE YOU OKAY? 233 00:10:42,042 --> 00:10:43,914 YEAH. IT'S JUST SO SENSELESS. 234 00:10:43,914 --> 00:10:45,645 MURDER USUALLY IS. 235 00:10:45,645 --> 00:10:48,248 NO, MURDER USUALLY MAKES A GREAT DEAL OF SENSE-- 236 00:10:48,248 --> 00:10:50,921 PASSION, GREED, POLITICS. 237 00:10:50,921 --> 00:10:52,282 WHAT'S SENSELESS HERE 238 00:10:52,282 --> 00:10:54,925 IS THE BOOKS THAT THE KILLER CHOSE. 239 00:10:54,925 --> 00:10:56,887 "HELL HATH NO FURY," 240 00:10:56,887 --> 00:10:58,358 "FLOWERS FOR YOUR GRAVE"-- 241 00:10:58,358 --> 00:11:00,060 MY TRULY LESSER WORKS. 242 00:11:00,060 --> 00:11:02,092 WHY WOULD A PSYCHOTIC FAN PICK THOSE? 243 00:11:02,092 --> 00:11:04,995 MAYBE BECAUSE HE'S PSYCHOTIC. 244 00:11:04,995 --> 00:11:06,897 COME ON. IT'S BEDTIME. 245 00:11:06,897 --> 00:11:09,269 YOU CAN FIGURE IT OUT IN THE MORNING. 246 00:11:12,943 --> 00:11:15,345 WHAT ARE THOSE? CASTLE'S GREATEST HITS. 247 00:11:15,345 --> 00:11:17,347 YOU'RE GONNA FAMILIARIZE YOURSELVES 248 00:11:17,347 --> 00:11:20,050 WITH ALL OF HIS MURDER SCENES, SO WE DON'T MISS ANY. 249 00:11:20,050 --> 00:11:22,813 GOT ANY ON TAPE? (laughs) 250 00:11:22,813 --> 00:11:24,284 FIRST VICTIM--MALE LAWYER. 251 00:11:24,284 --> 00:11:28,759 SECOND VICTIM-- FEMALE SOCIAL WORKER. 252 00:11:28,759 --> 00:11:30,991 SOMEWHERE IN THESE BOOKS, THOSE TWO ARE CONNECTED. 253 00:11:30,991 --> 00:11:33,994 "FROM THE LIBRARY OF KATHERINE BECKETT." 254 00:11:33,994 --> 00:11:37,968 DO YOU HAVE A PROBLEM WITH READING, RYAN? YO, CHECK IT, GIRL. YOU'RE TOTALLY A FAN. 255 00:11:37,968 --> 00:11:40,170 RIGHT, OF THE GENRE. 256 00:11:40,170 --> 00:11:44,174 RIGHT, THE--THE GENRE. THAT'S WHY YOU'RE BLUSHING. WHAT ARE YOU, 12? 257 00:11:44,174 --> 00:11:46,937 PROFILING INDICATES A PERP WITH LOW INTELLIGENCE, 258 00:11:46,937 --> 00:11:48,939 SOMEONE WHO HAS OR THINKS HE HAS 259 00:11:48,939 --> 00:11:50,981 A PERSONAL RELATIONSHIP WITH OUR AUTHOR. 260 00:11:50,981 --> 00:11:54,314 SO THAT'S WHERE WE START. 261 00:11:54,314 --> 00:11:56,987 (exhales deeply) 262 00:12:00,050 --> 00:12:01,491 WHAT? 263 00:12:01,491 --> 00:12:04,294 I WORK DEAD BODIES ALL DAY. 264 00:12:04,294 --> 00:12:07,257 THE LAST THING I WANT TO DO WHEN I GO HOME 265 00:12:07,257 --> 00:12:09,259 IS READ MURDER BOOKS. 266 00:12:09,259 --> 00:12:12,032 AREN'T YOU CURIOUS? 267 00:12:12,032 --> 00:12:13,834 CURIOUS? 268 00:12:13,834 --> 00:12:17,868 ABOUT HOW PEOPLE CAN DO THESE KINDS OF THINGS TO ONE ANOTHER. 269 00:12:20,070 --> 00:12:22,913 WHOEVER DID THIS READ CASTLE'S BOOKS, 270 00:12:22,913 --> 00:12:24,915 AND SOMEWHERE IN THOSE PAGES 271 00:12:24,915 --> 00:12:28,118 IS THE ANSWER TO WHERE HE'LL STRIKE NEXT. OKAY. 272 00:12:38,328 --> 00:12:40,060 (siren wails) 273 00:12:40,060 --> 00:12:43,033 IS ALL THAT CASTLE'S MAIL? 274 00:12:43,033 --> 00:12:44,995 (strained voice) HIS FANS LOVE HIM 275 00:12:44,995 --> 00:12:47,437 ALMOST AS MUCH AS HE LOVES HIMSELF. 276 00:12:47,437 --> 00:12:50,040 CAN YOU TAKE THAT BACK TO BRIEFING, PLEASE? 277 00:12:50,040 --> 00:12:53,043 (normal voice) DID WE HEAR BACK FROM THE LAB? 278 00:12:53,043 --> 00:12:56,046 YEAH, SCENE WAS NEGATIVE FOR D.N.A. AND PRINTS, 279 00:12:56,046 --> 00:12:59,009 JUST LIKE FISK. THE GUY'S CAREFUL. WHAT ABOUT TISDALE AND FISK, ANY CONNECTION? 280 00:12:59,009 --> 00:13:02,482 OTHER THAN YOUR BOY THERE? NO. 281 00:13:02,482 --> 00:13:03,984 WHAT'S HE DOING HERE? 282 00:13:03,984 --> 00:13:06,917 MAYBE HE LIKES YOU. DETECTIVE BECKETT. 283 00:13:06,917 --> 00:13:09,259 (laughs) CAPTAIN? 284 00:13:09,259 --> 00:13:13,163 YES, SIR? MR. CASTLE'S OFFERED TO ASSIST WITH THE INVESTIGATION. 285 00:13:13,163 --> 00:13:17,027 REALLY? IT'S THE LEAST I CAN DO FOR THE CITY I LOVE. 286 00:13:17,027 --> 00:13:19,930 CONSIDERING THE NATURE OF THE CRIME SCENES, 287 00:13:19,930 --> 00:13:21,832 I THINK IT'S A GOOD IDEA. 288 00:13:21,832 --> 00:13:24,804 SIR, CAN I TALK TO YOU FOR A MINUTE, IN PRIVATE? 289 00:13:24,804 --> 00:13:26,076 NOPE. 290 00:13:47,457 --> 00:13:49,029 WHAT? 291 00:13:49,029 --> 00:13:50,230 NOTHING. 292 00:13:50,230 --> 00:13:52,002 NO, IT'S JUST, UH, 293 00:13:52,002 --> 00:13:55,335 THE WAY YOUR BROW FURROWS WHEN YOU'RE THINKING--IT'S CUTE. 294 00:13:55,335 --> 00:13:58,138 I MEAN, NOT IF YOU WERE PLAYING POKER. 295 00:13:58,138 --> 00:14:01,111 THEN IT'D BE DEADLY. BUT OTHERWISE... CAN I ASK YOU A QUESTION? 296 00:14:01,111 --> 00:14:04,414 SHOOT. WHY ARE YOU HERE? YOU DON'T CARE ABOUT THE VICTIMS, 297 00:14:04,414 --> 00:14:06,416 SO YOU AREN'T HERE FOR JUSTICE. 298 00:14:06,416 --> 00:14:09,079 YOU DON'T CARE THAT THE GUY'S APING YOUR BOOKS, 299 00:14:09,079 --> 00:14:11,081 SO YOU AREN'T HERE 'CAUSE YOU'RE OUTRAGED. 300 00:14:11,081 --> 00:14:14,454 SO WHAT IS IT, RICK? ARE YOU HERE TO ANNOY ME? I'M HERE FOR THE STORY. 301 00:14:14,454 --> 00:14:18,328 THE STORY? WHY THOSE PEOPLE? WHY THOSE MURDERS? 302 00:14:18,328 --> 00:14:20,590 SOMETIMES THERE IS NO STORY. 303 00:14:20,590 --> 00:14:22,592 SOMETIMES THE GUY IS JUST A PSYCHOPATH. 304 00:14:22,592 --> 00:14:24,995 (scoffs) THERE'S ALWAYS A STORY, 305 00:14:24,995 --> 00:14:27,637 ALWAYS A CHAIN OF EVENTS THAT MAKES EVERYTHING MAKE SENSE. 306 00:14:27,637 --> 00:14:30,070 TAKE YOU, FOR EXAMPLE. 307 00:14:30,070 --> 00:14:32,642 UNDER NORMAL CIRCUMSTANCES, YOU SHOULD NOT BE HERE. 308 00:14:32,642 --> 00:14:35,445 MOST SMART, GOOD-LOOKING WOMEN BECOME LAWYERS, NOT COPS. 309 00:14:35,445 --> 00:14:39,009 AND YET, HERE YOU ARE. WHY? 310 00:14:39,009 --> 00:14:41,281 I DON'T KNOW, RICK. 311 00:14:41,281 --> 00:14:44,014 YOU'RE THE NOVELIST. YOU TELL ME. 312 00:14:44,014 --> 00:14:46,016 WELL, YOU'RE NOT BRIDGE AND TUNNEL. 313 00:14:46,016 --> 00:14:48,018 NO TRACE OF THE BOROUGHS WHEN YOU TALK, 314 00:14:48,018 --> 00:14:50,020 SO THAT MEANS MANHATTAN, THAT MEANS MONEY. 315 00:14:50,020 --> 00:14:53,163 YOU WENT TO COLLEGE, PROBABLY A PRETTY GOOD ONE. 316 00:14:53,163 --> 00:14:56,366 YOU HAD OPTIONS. YEAH, YOU HAD LOTS OF OPTIONS-- 317 00:14:56,366 --> 00:14:59,399 BETTER OPTIONS, MORE SOCIALLY ACCEPTABLE OPTIONS-- 318 00:14:59,399 --> 00:15:01,471 AND YOU STILL CHOSE THIS. 319 00:15:01,471 --> 00:15:05,075 THAT TELLS ME SOMETHING HAPPENED. 320 00:15:05,075 --> 00:15:08,008 NOT TO YOU. 321 00:15:08,008 --> 00:15:12,012 NO, YOU'RE WOUNDED, BUT YOU'RE NOT THAT WOUNDED. 322 00:15:12,012 --> 00:15:14,614 NO, IT WAS SOMEBODY YOU CARED ABOUT. 323 00:15:14,614 --> 00:15:19,049 IT WAS SOMEONE YOU LOVED. 324 00:15:19,049 --> 00:15:21,551 AND YOU PROBABLY COULD'VE LIVED WITH THAT, 325 00:15:21,551 --> 00:15:24,554 BUT THE PERSON RESPONSIBLE WAS NEVER CAUGHT. 326 00:15:30,530 --> 00:15:33,363 AND THAT, DETECTIVE BECKETT, IS WHY YOU'RE HERE. 327 00:15:41,111 --> 00:15:44,074 CUTE TRICK. 328 00:15:44,074 --> 00:15:46,146 BUT DON'T THINK YOU KNOW ME. 329 00:15:48,348 --> 00:15:50,450 THE POINT IS, THERE'S ALWAYS A STORY. 330 00:15:50,450 --> 00:15:53,153 YOU--YOU JUST HAVE TO FIND IT. 331 00:15:56,956 --> 00:15:59,589 I THINK I JUST DID. 332 00:16:08,538 --> 00:16:12,172 (speaking indistinctly) LAB'S GOT LIFTS OFF THE LETTER. 333 00:16:12,172 --> 00:16:15,675 WHOSE? THE SYSTEM'S BACKLOGGED. IT'LL TAKE A WEEK TO RUN A MATCH. 334 00:16:15,675 --> 00:16:19,179 A WEEK? WELCOME TO REALITY, SUPERSTAR. 335 00:16:19,179 --> 00:16:21,151 WELL, I NEVER DID MUCH LIKE REALITY. (cell phone dials) 336 00:16:21,151 --> 00:16:23,153 (woman) Mayor's office. HI, DENISE. IT'S RICK CASTLE. 337 00:16:23,153 --> 00:16:24,614 Hi. 338 00:16:24,614 --> 00:16:26,456 YEAH, IS HE IN? Hold on. 339 00:16:26,456 --> 00:16:29,559 THANKS. LIKE I SAID, THE MAYOR'S A FAN. (man) Rick! 340 00:16:29,559 --> 00:16:32,022 YO, BIG CHEESE. IT'S RICKY. You doing okay? 341 00:16:32,022 --> 00:16:33,463 YEAH, OF COURSE. What's up? 342 00:16:33,463 --> 00:16:35,995 WELL, I DON'T KNOW WHERE YOU WENT. WE TOOK-- 343 00:16:35,995 --> 00:16:39,229 WE LOOKED ALL OVER FOR YOU. YOU TOOK OFF WITH THAT GIRL. THE MAN'S GOT THE MAYOR ON SPEED DIAL. 344 00:16:39,229 --> 00:16:42,172 THE RICH REALLY ARE DIFFERENT. YOU WANT HIM? HE'S YOURS. 345 00:16:42,172 --> 00:16:44,304 A CONTROL FREAK LIKE YOU WITH SOMETHING YOU CAN'T CONTROL? 346 00:16:44,304 --> 00:16:46,706 NO, NO. THAT'S GONNA BE MORE FUN THAN SHARK WEEK. 347 00:16:46,706 --> 00:16:50,040 OKAY, YOU WILL HAVE YOUR PRINTS IN AN HOUR. 348 00:16:50,040 --> 00:16:52,142 MR. CASTLE? 349 00:16:52,142 --> 00:16:54,644 HALF OF THE GUYS HERE ARE WAITING FOR PRINTS. 350 00:16:54,644 --> 00:16:57,047 YOU DON'T JUST JUMP THE LINE. 351 00:16:57,047 --> 00:17:00,190 OH, I THINK SOMEBODY FEELS THREATENED. I AM NOT THREATENED. 352 00:17:00,190 --> 00:17:03,753 NO, NO, I GET IT. I CAN CALL THE MAYOR, AND YOU CAN'T. WE HAVE PROCEDURE, PROTOCOL. 353 00:17:03,753 --> 00:17:06,756 YEAH, AND YOU ALWAYS COME TO A COMPLETE STOP AT A RED LIGHT 354 00:17:06,756 --> 00:17:09,229 AND YOU NEVER FUDGE YOUR TAXES. 355 00:17:09,229 --> 00:17:12,262 TELL ME SOMETHING. DO YOU EVER HAVE ANY FUN? 356 00:17:12,262 --> 00:17:14,264 YOU KNOW, LET YOUR HAIR DOWN? DROP YOUR TOP? 357 00:17:14,264 --> 00:17:16,706 A LITTLE "COPS GONE WILD"? YOU DO KNOW I'M WEARING A GUN? 358 00:17:16,706 --> 00:17:18,138 OOH. 359 00:17:18,138 --> 00:17:21,040 BECKETT, MIDTOWN. THEY JUST FOUND ANOTHER ONE. 360 00:17:26,376 --> 00:17:29,249 (people speaking indistinctly) 361 00:17:29,249 --> 00:17:32,082 (man speaks indistinctly) 362 00:17:32,082 --> 00:17:34,784 "DEATH OF A PROM QUEEN." 363 00:17:34,784 --> 00:17:37,087 (man) MAINTENANCE FOUND HER AN HOUR AGO. 364 00:17:37,087 --> 00:17:39,829 KENDRA PITNEY. SHE LIVES IN THE BUILDING. 365 00:17:39,829 --> 00:17:43,263 ALL RIGHT. LET'S GET HER OUT OF THE WATER. 366 00:17:43,263 --> 00:17:46,136 UM, YOU JUST STAY HERE AND DON'T TOUCH ANYTHING. 367 00:17:46,136 --> 00:17:48,138 (water splashes) 368 00:17:50,840 --> 00:17:53,072 (speaking indistinctly) 369 00:17:57,377 --> 00:17:59,379 AHEM. 370 00:17:59,379 --> 00:18:01,681 HI, I'M RICHARD CASTLE. I'M CONSULTING. 371 00:18:01,681 --> 00:18:03,713 RICHARD CASTLE THE AUTHOR? ON MY BETTER DAYS. 372 00:18:03,713 --> 00:18:06,316 LANIE PARISH, MEDICAL EXAMINER. I LOVE YOUR BOOKS. 373 00:18:06,316 --> 00:18:09,819 YOU KNOW, YOU HAVE A REAL GIFT WITH THE DETAILS OF DEATH. 374 00:18:09,819 --> 00:18:12,662 I THOUGHT I TOLD YOU TO STAY OVER THERE. I GOT LONELY. 375 00:18:12,662 --> 00:18:14,394 YOU GOT A C.O.D.? 376 00:18:14,394 --> 00:18:17,167 NOT UNTIL THE FULL EXAM. BUT THIS WASN'T A STABBING. 377 00:18:17,167 --> 00:18:19,169 LACK OF BLOOD AROUND THE WOUND 378 00:18:19,169 --> 00:18:21,271 SUGGESTS SHE WAS DEAD BEFORE IT WAS INSERTED. 379 00:18:21,271 --> 00:18:23,303 NO FOAM AROUND THE MOUTH, SO WE KNOW SHE DIDN'T DROWN. 380 00:18:23,303 --> 00:18:27,137 OH, YOU'RE GOOD. YEAH, YEAH. SHE WAS KILLED FIRST AND THEN POSED, 381 00:18:27,137 --> 00:18:30,780 JUST LIKE THE OTHERS. YEAH. I KNOW. CAN I HAVE A WORD? 382 00:18:30,780 --> 00:18:33,513 (police radio chatter) 383 00:18:33,513 --> 00:18:35,845 SOMETHING WRONG? THIS IS A HOMICIDE INVESTIGATION, 384 00:18:35,845 --> 00:18:37,147 NOT A DAY AT DISNEYLAND. 385 00:18:37,147 --> 00:18:39,189 IF I GIVE YOU AN ORDER, I EXPECT YOU TO OBEY IT. 386 00:18:39,189 --> 00:18:41,291 THEN YOU DON'T KNOW ME VERY WELL. 387 00:18:41,291 --> 00:18:44,294 YOU KNOW, IN MY BOOK, THE DRESS WAS BLUE. STOP TRYING TO CHANGE THE SUBJECT. 388 00:18:44,294 --> 00:18:47,297 DID TISDALE AND FISK KNOW EACH OTHER? WE HAVEN'T FOUND A CONNECTION. WHY? 389 00:18:47,297 --> 00:18:49,299 (cell phone rings) WHAT ABOUT MOTIVE? 390 00:18:49,299 --> 00:18:51,701 HE'S A SERIAL KILLER. HE DOESN'T NEED MOTIVE. 391 00:18:51,701 --> 00:18:54,133 BECKETT. OKAY. (man speaks indistinctly) 392 00:18:54,133 --> 00:18:56,306 THEY GOT A MATCH OFF THE PRINT. 393 00:18:56,306 --> 00:18:58,808 KYLE CABOT--HE'S IN BROOKLYN. WE GOT HIM. 394 00:19:04,374 --> 00:19:06,716 (tires screech) 395 00:19:06,716 --> 00:19:09,549 STAY HERE. SCOUT'SHONOR. 396 00:19:09,549 --> 00:19:12,852 (police radio chatter) 397 00:19:33,603 --> 00:19:36,376 KYLE CABOT! NYPD! OPEN UP! 398 00:19:40,710 --> 00:19:42,582 KYLE CABOT! NYPD! 399 00:19:42,582 --> 00:19:44,554 ROOM CLEAR. ROOM CLEAR. 400 00:19:44,554 --> 00:19:45,855 (man) ALL CLEAR. 401 00:19:45,855 --> 00:19:49,319 (police radio chatter) 402 00:20:07,277 --> 00:20:10,440 YOU SHOULD INVITE HIM TO JOIN YOUR BOOK CLUB. 403 00:20:15,915 --> 00:20:18,488 (man) BECKETT! YOU GOTTA SEE THIS. 404 00:20:28,958 --> 00:20:30,930 (Castle) OH, THAT'S CREEPY. 405 00:20:32,562 --> 00:20:34,934 I WAS NEVER A SCOUT. 406 00:20:34,934 --> 00:20:37,867 (man) HEY, BECKETT. 407 00:20:37,867 --> 00:20:40,410 ALISON'S BLOUSE. 408 00:20:40,410 --> 00:20:43,242 I'M GUESSING HE KEPT TROPHIES. 409 00:20:43,242 --> 00:20:45,915 .22 CALIBER. 410 00:20:45,915 --> 00:20:48,247 (loud thump) (man) UHH! 411 00:20:48,247 --> 00:20:51,651 (clattering) 412 00:20:55,555 --> 00:20:59,258 GET OUT OF MY HOUSE. GET OUT OF MY HOUSE. SHOW ME YOUR HANDS! 413 00:20:59,258 --> 00:21:02,892 (man) HANDS IN THE AIR! (man) LET US SEE YOUR HANDS, CABOT! LET ME SEE YOUR HANDS! 414 00:21:08,998 --> 00:21:10,700 HE'S STILL NOT SPEAKING. 415 00:21:10,700 --> 00:21:12,372 STATE MEDICAL RECORDS INDICATE 416 00:21:12,372 --> 00:21:14,304 HE'S GOT PERVASIVE DEVELOPMENTAL DISORDER. 417 00:21:14,304 --> 00:21:16,706 WELL, THAT EXPLAINS HIS FIXATION WITH ME. 418 00:21:16,706 --> 00:21:18,378 P.D.D. SOMETIMES MANIFESTS 419 00:21:18,378 --> 00:21:20,450 IN AN OBSESSION WITH A SINGLE SUBJECT. 420 00:21:20,450 --> 00:21:23,012 YEAH, WELL, YOUR SUPERFAN ALSO HAS A HISTORY OF DELUSIONS. 421 00:21:23,012 --> 00:21:25,014 GUESS WHO HIS CASEWORKER WAS. ALISON TISDALE. 422 00:21:25,014 --> 00:21:27,317 YEAH. 423 00:21:27,317 --> 00:21:30,620 HER FILES INDICATE THAT HE WAS ON PRETTY HEAVY ANTIPSYCHOTICS. LIMITED INTELLIGENCE, 424 00:21:30,620 --> 00:21:32,622 THINKS HE HAS A PERSONAL RELATIONSHIP WITH HIS HERO-- 425 00:21:32,622 --> 00:21:35,395 LOOKS LIKE YOUR PROFILE WAS RIGHT, DETECTIVE BECKETT. 426 00:21:35,395 --> 00:21:37,467 SO... WHAT, THAT--THAT'S IT? 427 00:21:37,467 --> 00:21:39,969 WHAT MORE DO YOU WANT? EVIDENCE IS IN HIS APARTMENT, 428 00:21:39,969 --> 00:21:41,971 WE CAN CONNECT HIM WITH THE THREE VICTIMS-- 429 00:21:41,971 --> 00:21:43,973 TWO FROM THE DINER WHERE HE WORKED, 430 00:21:43,973 --> 00:21:46,406 AND TISDALE WAS HIS SOCIAL WORKER. 431 00:21:46,406 --> 00:21:48,408 CALL THE D.A. GET HIM A LEGAL AID. OKAY. 432 00:21:48,408 --> 00:21:51,010 I'M--THAT'S, UH, IT'S TOO EASY. THE READER WOULD NEVER BUY IT. 433 00:21:51,010 --> 00:21:53,012 THIS ISN'T ONE OF YOUR BOOKS, CASTLE. 434 00:21:53,012 --> 00:21:55,615 OUT HERE, WE FIND A GUY STANDING OVER A BODY WITH A GUN, 435 00:21:55,615 --> 00:21:58,017 HE'S USUALLY THE GUY WHO DID IT. 436 00:21:58,017 --> 00:22:00,049 (door opens) 437 00:22:00,049 --> 00:22:02,051 (door closes) 438 00:22:05,555 --> 00:22:09,459 YOU KNOW THIS KID WAS IN AND OUT OF THE SYSTEM FOR YEARS? 439 00:22:09,459 --> 00:22:11,601 DOESN'T SEEM LIKE HE EVER GOT THE PROPER TREATMENT 440 00:22:11,601 --> 00:22:14,804 UNTIL ALISON TISDALE TOOK OVER HIS CASE FILE. 441 00:22:14,804 --> 00:22:17,807 SHE'S THE ONE WHO GOT HIM A JOB AT THE DINER, 442 00:22:17,807 --> 00:22:20,810 AND HER NOTES SEEM TO SAY HE WAS DOING OKAY. 443 00:22:20,810 --> 00:22:23,643 WELL, YOU CAN LET THE D.A. WORRY ABOUT ALL THAT NOW. 444 00:22:23,643 --> 00:22:25,645 OUR JOB IS DONE. YEAH. 445 00:22:25,645 --> 00:22:30,049 HEY, UM, CAN YOU LEAVE THE BOX? I'LL TAKE CARE OF IT TOMORROW. 446 00:22:30,049 --> 00:22:32,682 ♪♪ 447 00:22:32,682 --> 00:22:37,026 CASTLE, I'M KINDA GLAD THAT YOU KILLED OFF STORM. 448 00:22:37,026 --> 00:22:37,927 LESS COMPETITION. 449 00:22:37,927 --> 00:22:39,429 MM. 450 00:22:39,429 --> 00:22:41,431 THAT'S $20 TO YOU, CANNELL. 451 00:22:41,431 --> 00:22:43,893 YOU'RE BLUFFIN', PATTERSON. 452 00:22:43,893 --> 00:22:46,936 COUGH UP SOME OF THAT TV MONEY AND YOU'LL FIND OUT. 453 00:22:46,936 --> 00:22:48,468 (poker chips clink) 454 00:22:48,468 --> 00:22:50,369 AH, BET'S TO YOU, RICKY. 455 00:22:50,369 --> 00:22:52,071 ♪♪ 456 00:22:52,071 --> 00:22:54,043 CASTLE? 457 00:22:54,043 --> 00:22:55,575 CASTLE! HMM? 458 00:22:55,575 --> 00:22:57,447 BET'S TO YOU. OH. SORRY. 459 00:22:57,447 --> 00:22:59,779 I KNOW THAT LOOK-- STORY TROUBLE. 460 00:22:59,779 --> 00:23:02,712 YEAH, YOU NEVER SHOULD'VE KILLED OFF STORM. 461 00:23:02,712 --> 00:23:05,555 THAT WAS A BIG MISTAKE. I W-- I WOULD'VE RETIRED HIM. 462 00:23:05,555 --> 00:23:08,858 (chuckles) OR CRIPPLED HIM. I MEAN, THE MAN WAS MONEY. YOU DON'T SEE ME 463 00:23:08,858 --> 00:23:12,862 PUTTIN' A BULLET THROUGH ALEX CROSS' HEAD. YEAH, MY BOY SHANE SCULLY'S GONNA BE FUELING MY PRIVATE JET 464 00:23:12,862 --> 00:23:15,124 LONG AFTER PEOPLE HAVE ALL FORGOTTEN ABOUT STORM. 465 00:23:15,124 --> 00:23:18,928 OH, YOU KNOW WHAT? JUST FOR THAT, I AM GONNA CALL. 466 00:23:18,928 --> 00:23:22,001 SO WHAT'S THE PROBLEM, RICKY? MAYBE WE CAN HELP. 467 00:23:22,001 --> 00:23:25,174 I'M WORKING ON THIS THING. IT STARTS WITH A FAMOUS AUTHOR. 468 00:23:25,174 --> 00:23:27,176 SOME PSYCHO STARTS STAGING MURDERS 469 00:23:27,176 --> 00:23:29,639 LIKE THE WAY HE DOES IN HIS BOOKS. 470 00:23:29,639 --> 00:23:31,981 (laughs) THAT'S PRETTY SELF-AGGRANDIZING, ISN'T IT? 471 00:23:31,981 --> 00:23:34,684 THIS IS CASTLE WE'RE TALKING ABOUT. SO... 472 00:23:34,684 --> 00:23:36,145 THE CRIME SCENES ARE CLEAN. 473 00:23:36,145 --> 00:23:39,148 DOESN'T LEAVE ANY FINGERPRINTS. DOESN'T LEAVE ANY D.N.A. 474 00:23:39,148 --> 00:23:41,150 BUT THE PSYCHO WRITES THE AUTHOR A FAN LETTER 475 00:23:41,150 --> 00:23:43,623 WITH HIS PRINTS ALL OVER IT. 476 00:23:43,623 --> 00:23:45,625 WELL, THAT LEADS THE COPS TO HIS APARTMENT, 477 00:23:45,625 --> 00:23:48,027 WHERE THEY FIND ENOUGH EVIDENCE TO CONVICT HIM. 478 00:23:48,027 --> 00:23:49,559 ♪♪ 479 00:23:49,559 --> 00:23:51,100 AND THEN? 480 00:23:51,100 --> 00:23:53,062 THAT'S IT. THAT'S IT? 481 00:23:53,062 --> 00:23:54,904 YEAH. THEY ARREST HIM. 482 00:23:54,904 --> 00:23:58,007 THAT'S TERRIBLE. NO WONDER YOU'RE BLOCKED. AND HERE'S ANOTHER THING-- 483 00:23:58,007 --> 00:24:00,710 THE GUY DOESN'T LEAVE HIS PRINTS AT THE SCENE OF THE CRIME, 484 00:24:00,710 --> 00:24:02,712 BUT HE SENDS A LETTER WITH HIS PRINTS ON IT? 485 00:24:02,712 --> 00:24:06,015 AH, YA LOST ME THERE. AND WHAT ABOUT A TWIST? YEAH. WHERE'S THE TWIST? 486 00:24:06,015 --> 00:24:09,919 YEAH, RIGHT. LIKE, UH... LIKE, MAYBE SOMEBODY SET THIS KID UP. THAT'S WHAT YOUR STORY NEEDS-- 487 00:24:09,919 --> 00:24:12,852 THE CHARACTER WHO THINKS THE KID'S INNOCENT, 488 00:24:12,852 --> 00:24:15,885 KEEPS DIGGING UNTIL HE FINDS THE TRUTH. 489 00:24:15,885 --> 00:24:18,087 OH, I HAVE JUST THE GUY. 490 00:24:31,100 --> 00:24:33,943 WHAT ARE YOU DOING? IT'S A NOVELIST'S HABIT-- 491 00:24:33,943 --> 00:24:35,745 POKING THROUGH OTHER PEOPLE'S MAIL, 492 00:24:35,745 --> 00:24:37,146 CHECKING THEIR MEDICINE CABINETS. 493 00:24:37,146 --> 00:24:41,511 WHY ARE YOU STILL HERE? I JUST CAME BY TO GIVE YOU THIS. 494 00:24:41,511 --> 00:24:42,882 IT'S A LITTLE SOMETHING TO... 495 00:24:42,882 --> 00:24:46,155 MEMORIALIZE OUR BRIEF PARTNERSHIP. 496 00:24:46,155 --> 00:24:48,618 DON'T LOOK SO SUSPICIOUS. 497 00:24:48,618 --> 00:24:51,220 GO ON. OPEN IT. 498 00:24:51,220 --> 00:24:53,693 (exhales deeply) 499 00:24:53,693 --> 00:24:55,064 (box top clatters) 500 00:24:55,064 --> 00:24:58,027 I GOT YOU AN ADVANCE COPY. 501 00:24:58,027 --> 00:25:00,700 I EVEN SIGNED IT TO YOU. 502 00:25:02,702 --> 00:25:04,804 NOT THAT YOU'RE A FAN. 503 00:25:04,804 --> 00:25:08,107 THANKS. THAT'S ACTUALLY KIND OF... 504 00:25:08,107 --> 00:25:09,979 SWEET. 505 00:25:15,044 --> 00:25:17,547 WELL... 506 00:25:17,547 --> 00:25:19,919 IT WAS NICE TO HAVE MET YOU, DETECTIVE BECKETT. 507 00:25:50,620 --> 00:25:52,121 HE DIDN'T. 508 00:25:54,253 --> 00:25:57,026 OH! HE DID! 509 00:25:58,888 --> 00:26:02,031 RICHARD CASTLE, YOU ARE UNDER ARREST 510 00:26:02,031 --> 00:26:05,564 FOR FELONY THEFT AND OBSTRUCTION OF JUSTICE. 511 00:26:05,564 --> 00:26:07,967 YOU FORGOT MAKING YOU LOOK BAD. 512 00:26:07,967 --> 00:26:09,969 YOU KNOW, FOR A MINUTE THERE, 513 00:26:09,969 --> 00:26:12,041 YOU ACTUALLY MADE ME BELIEVE THAT YOU WERE HUMAN. 514 00:26:12,041 --> 00:26:13,743 CUFF HIM. 515 00:26:13,743 --> 00:26:16,105 OOH! BONDAGE. MY SAFE WORD IS "APPLES." 516 00:26:16,105 --> 00:26:18,247 OH, THERE'S NO NEED TO BE GENTLE. (handcuffs clicking) 517 00:26:18,247 --> 00:26:21,911 HOW'D YOU FIND ME ANYWAY? I'M A DETECTIVE. THAT'S WHAT I DO. 518 00:26:21,911 --> 00:26:24,053 MY MOTHER TOLD YOU, DIDN'T SHE? 519 00:26:24,053 --> 00:26:26,756 BY THE WAY, THE ROSE PETALS IN THE TISDALE MURDER? 520 00:26:26,756 --> 00:26:28,888 THEY'RE GRANDIFLORA, NOT HYBRID TEAS. 521 00:26:28,888 --> 00:26:30,890 I'LL MAKE A NOTE OF IT. YEAH, YOU PROBABLY SHOULD 522 00:26:30,890 --> 00:26:33,823 SINCE IT MEANS KYLE CABOT IS INNOCENT. 523 00:26:35,995 --> 00:26:39,669 THANK YOU, OFFICER. 524 00:26:41,230 --> 00:26:43,272 HELLO, FATHER. HELLO, DAUGHTER. 525 00:26:43,272 --> 00:26:45,975 (woman) I WISH I COULD SAY I WAS SURPRISED. 526 00:26:45,975 --> 00:26:48,177 IT'S MY FAULT, REALLY. HE NEVER HAD A FATHER FIGURE. 527 00:26:48,177 --> 00:26:50,940 OH, THAT'S NOT TRUE, MOTHER. I HAD LOTS OF FATHER FIGURES. 528 00:26:50,940 --> 00:26:53,743 I SEE YOU'VE MET CAPTAIN MONTGOMERY 529 00:26:53,743 --> 00:26:56,245 AND DETECTIVE BECKETT. AND THEY HAVE AGREED TO DROP THE CHARGES 530 00:26:56,245 --> 00:26:59,248 IF YOU AGREE TO BEHAVE. NO MORE INTERFERENCE WITH THIS CASE, MR. CASTLE. 531 00:26:59,248 --> 00:27:00,950 DO WE UNDERSTAND EACH OTHER? 532 00:27:00,950 --> 00:27:02,752 YEAH. 533 00:27:02,752 --> 00:27:05,054 BUT YOU STILL GOT THE WRONG GUY. 534 00:27:05,054 --> 00:27:06,856 (sighs and chuckles) I... REALLY. 535 00:27:06,856 --> 00:27:09,659 (sighs) DARLING, MUST YOU ALWAYS 536 00:27:09,659 --> 00:27:12,361 HAVE TO MAKE A COMMENT? 537 00:27:16,105 --> 00:27:18,137 NAH. NO, NO, NO. 538 00:27:18,137 --> 00:27:20,039 DON'T TELL ME THAT HE GOT TO YOU. 539 00:27:20,039 --> 00:27:22,141 PLEASE. HE DIDN'T GET TO ME. 540 00:27:22,141 --> 00:27:23,943 SHE DID. 541 00:27:23,943 --> 00:27:26,045 WHO--ALISON? 542 00:27:26,045 --> 00:27:29,048 MARVIN FISK, FIRST MURDER. KYLE KNEW HIM FROM THE DINER. 543 00:27:29,048 --> 00:27:31,650 AND THEN HE KILLS ALISON, HIS SOCIAL WORKER. 544 00:27:31,650 --> 00:27:34,954 AND THEN HE KILLS KENDRA PITNEY, ALSO FROM THE DINER. 545 00:27:34,954 --> 00:27:37,126 SO? 546 00:27:37,126 --> 00:27:39,428 SO HE STARTS WITH A MURDER OF CONVENIENCE 547 00:27:39,428 --> 00:27:42,431 AND THEN ESCALATES TO A MURDER OF SOMEBODY HE KNOWS VERY WELL 548 00:27:42,431 --> 00:27:44,764 AND THEN GOES BACK TO A MURDER OF CONVENIENCE? 549 00:27:44,764 --> 00:27:46,766 IT DOESN'T MAKE ANY SENSE. 550 00:27:46,766 --> 00:27:48,998 SOMEBODY SET UP KYLE TO TAKE THE FALL. 551 00:27:48,998 --> 00:27:51,701 SOMEBODY WHO KNEW ENOUGH ABOUT HIS FIXATION WITH ME 552 00:27:51,701 --> 00:27:53,703 TO USE IT TO GET AWAY WITH MURDER. 553 00:27:53,703 --> 00:27:56,005 THAT MEANS WE'RE NOT LOOKING FOR A SERIAL KILLER. 554 00:27:56,005 --> 00:27:58,007 WE'RE LOOKING FOR A GOOD, OLD-FASHIONED MURDERER-- 555 00:27:58,007 --> 00:28:01,050 SOMEONE WITH MOTIVE. YOU THINK THE VICTIMS WERE SOMEHOW RELATED? 556 00:28:01,050 --> 00:28:03,052 POLICE WOULD'VE FOUND IT BY NOW. 557 00:28:03,052 --> 00:28:05,054 NOW IF I WERE WRITING THE STORY, 558 00:28:05,054 --> 00:28:08,017 THE KILLER WOULD'VE ONLY WANTED ONE OF THE VICTIMS DEAD. 559 00:28:08,017 --> 00:28:10,990 HE WOULD'VE KILLED THE OTHER ONES JUST TO COVER UP THE CRIME. 560 00:28:10,990 --> 00:28:13,062 HOW DO YOU GET AWAY WITH ONE MURDER BY COMMITTING TWO MORE? 561 00:28:13,062 --> 00:28:15,064 AT ONE DEATH, YOU LOOK FOR MOTIVE. 562 00:28:15,064 --> 00:28:17,066 AT TWO, YOU LOOK FOR A CONNECTION. 563 00:28:17,066 --> 00:28:19,068 AT THREE, YOU LOOK FOR SOMEONE LIKE KYLE. 564 00:28:19,068 --> 00:28:21,070 AT THREE, YOU DON'T NEED MOTIVE, 565 00:28:21,070 --> 00:28:24,073 BECAUSE MENTALLY UNSTABLE SERIAL KILLERS DON'T USUALLY HAVE ONE. 566 00:28:24,073 --> 00:28:26,776 THAT MAKES ABOUT AS MUCH SENSE AS "MOUSETRAP." 567 00:28:26,776 --> 00:28:29,779 I DID THAT PLAY EIGHT TIMES A WEEK FOR A YEAR. 568 00:28:29,779 --> 00:28:32,341 I STILL HAVE NO IDEA WHAT IT'S ABOUT. 569 00:28:35,144 --> 00:28:39,118 CASTLE WAS RIGHT. IF HE WAS TRYING TO FOLLOW HIS BOOKS, 570 00:28:39,118 --> 00:28:41,050 THEN THE ROSES ON ALISON'S BODY WERE WRONG, 571 00:28:41,050 --> 00:28:43,953 AND FISK SHOULD'VE BEEN SUFFOCATED BY A PLASTIC BAG, 572 00:28:43,953 --> 00:28:45,795 NOT STRANGLED WITH A NECKTIE. AND KENDRA'S DRESS 573 00:28:45,795 --> 00:28:47,857 SHOULD'VE BEEN BLUE, NOT YELLOW. FOR AN OBSESSIVE, 574 00:28:47,857 --> 00:28:49,959 IT WOULD'VE BEEN IMPOSSIBLE NOT TO GET THE DETAILS RIGHT. 575 00:28:49,959 --> 00:28:52,131 WELL, IF IT WASN'T HIM, THEN WHO WAS IT? 576 00:28:52,131 --> 00:28:55,134 THE KILLER HAD TO HAVE KNOWN BOTH HIS INTENDED VICTIM 577 00:28:55,134 --> 00:28:56,836 AND KYLE FAIRLY WELL. 578 00:28:56,836 --> 00:28:58,838 THE ONLY VICTIM THAT HAD ANY REAL KNOWLEDGE 579 00:28:58,838 --> 00:29:01,370 OF KYLE'S OBSESSIVE CONDITION 580 00:29:01,370 --> 00:29:03,973 WOULD'VE BEEN ALISON TISDALE. 581 00:29:03,973 --> 00:29:05,274 (Beckett) ALISON'S THE KEY. 582 00:29:05,274 --> 00:29:06,776 SHE'S THE ONE THAT THE KILLER IS TRYING TO HIDE. 583 00:29:06,776 --> 00:29:09,148 WELL, AS FAR AS WE KNOW, SHE WASN'T SEEING ANYONE. 584 00:29:09,148 --> 00:29:14,083 AND NONE OF HER OTHER CASE PROFILES FIT THE PROFILE. WELL, SOMEBODY HAD TO KNOW SOMETHING ABOUT HER. 585 00:29:14,083 --> 00:29:17,086 SO IF THE KILLER FOUND OUT ABOUT KYLE THROUGH ALISON, 586 00:29:17,086 --> 00:29:18,988 THEN ALISON MUST'VE BEEN THE INTENDED TARGET. 587 00:29:18,988 --> 00:29:21,861 SOMEBODY WANTED ALISON DEAD. WE JUST HAVE TO FIGURE OUT WHY. 588 00:29:21,861 --> 00:29:24,163 IF I HAVE TO KEEP BAILING YOU OUT, 589 00:29:24,163 --> 00:29:27,496 YOU'RE GONNA NEED TO RAISE MY ALLOWANCE... BY A LOT. 590 00:29:27,496 --> 00:29:29,168 MINE, TOO. 591 00:29:43,782 --> 00:29:46,155 HI, I'M RICK CASTLE. 592 00:29:46,155 --> 00:29:47,857 I HAVE AN APPOINTMENT TO SEE MR. TISDALE. 593 00:29:47,857 --> 00:29:51,120 YES, MR. CASTLE. HE'S EXPECTING YOU. 594 00:29:51,120 --> 00:29:53,392 IS HE NOW? 595 00:29:53,392 --> 00:29:55,424 THIS IS NOT WHAT IT LOOKS LIKE. 596 00:29:55,424 --> 00:29:58,297 THIS, UH... OKAY, THIS IS EXACTLY WHAT IT LOOKS LIKE, 597 00:29:58,297 --> 00:30:00,369 BUT I CAN EXPLAIN. (elevator bell dings) 598 00:30:00,369 --> 00:30:02,571 YOU COMING? 599 00:30:04,233 --> 00:30:06,105 (Beckett) DID ALISON EVER MENTION 600 00:30:06,105 --> 00:30:08,337 HAVING ENEMIES OR BEING THREATENED? 601 00:30:08,337 --> 00:30:10,039 (coughs) PEOPLE LOVED HER. 602 00:30:10,039 --> 00:30:13,042 ALL SHE WANTED WAS TO MAKE THE WORLD A BETTER PLACE. 603 00:30:13,042 --> 00:30:16,085 I TOLD ALL THIS TO THE OTHER DETECTIVE. I KNOW, SIR. WE'RE JUST FOLLOWING UP. 604 00:30:16,085 --> 00:30:18,417 DID ALISON KNOW ANYBODY WHO COULD'VE PROFITED 605 00:30:18,417 --> 00:30:22,551 FROM HER DEATH? MR. CASTLE, I MAY BE RICH, BUT MY DAUGHTER WAS NOT. 606 00:30:22,551 --> 00:30:24,553 SHE ABHORRED MONEY. 607 00:30:24,553 --> 00:30:27,396 WHAT LITTLE SHE HAD, SHE GAVE TO CHARITY. 608 00:30:27,396 --> 00:30:29,828 THANK YOU, SIR. 609 00:30:29,828 --> 00:30:32,831 MR. TISDALE, "FORTUNE" MAGAZINE ESTIMATED YOUR NET WORTH 610 00:30:32,831 --> 00:30:34,463 AT NEARLY $100 MILLION. 611 00:30:34,463 --> 00:30:36,966 IS THAT TRUE? 612 00:30:36,966 --> 00:30:39,838 I DON'T CHECK DAY TO DAY. 613 00:30:39,838 --> 00:30:42,011 BUT IT'S IN THE BALLPARK? 614 00:30:42,011 --> 00:30:44,173 I'VE BEEN LUCKY, YES. 615 00:30:44,173 --> 00:30:46,615 APPRECIATE YOUR TIME. 616 00:30:46,615 --> 00:30:48,948 WH-WHAT HAPPENS TO ALL THAT MONEY 617 00:30:48,948 --> 00:30:50,980 IF SOMETHING HAPPENS TO YOU? 618 00:30:50,980 --> 00:30:53,983 CASTLE. HALF OF MY ESTATE GOES TO MY CHARITABLE FOUNDATION, 619 00:30:53,983 --> 00:30:57,126 AND THE REST TO MY CHILDREN. 620 00:30:57,126 --> 00:30:59,358 I MEAN, MY SON. 621 00:31:01,160 --> 00:31:03,592 THANK YOU. 622 00:31:13,042 --> 00:31:15,174 WHAT WAS THAT ALL ABOUT? 623 00:31:15,174 --> 00:31:17,046 HE'S DYING. 624 00:31:17,046 --> 00:31:19,048 WHO'S DYING? TISDALE? 625 00:31:19,048 --> 00:31:22,051 YOU WANT A HOT DOG? I WANT A HOT DOG. 626 00:31:22,051 --> 00:31:24,653 WHAT DO YOU TAKE ON YOUR-- AAH! APPLES, APPLES, APPLES! 627 00:31:24,653 --> 00:31:27,256 WHAT MAKES YOU THINK HE'S DYING? OKAY! 628 00:31:27,256 --> 00:31:30,259 AAH. YOU SEE THOSE PICTURES IN HIS OFFICE? YEAH. 629 00:31:30,259 --> 00:31:34,063 HE'S MUCH THINNER NOW--LIKE SICK THIN, NOT WORKOUT THIN. HIS DAUGHTER WAS JUST MURDERED. 630 00:31:34,063 --> 00:31:37,026 AND THE WAY HE KEPT TOUCHING HIS HAIR, LIKE HE'S SELF-CONSCIOUS. 631 00:31:37,026 --> 00:31:40,099 YOU THINK IT WAS A PIECE? IT'S A GOOD ONE, BUT IT'S NEW TO HIM. 632 00:31:40,099 --> 00:31:44,673 THE CHEMO'S RELATIVELY RECENT. AND HE WAS WEARING MAKEUP. HE'S TRYING TO LOOK HEALTHIER THAN HE IS. 633 00:31:44,673 --> 00:31:49,178 DOESN'T WANT HIS SHAREHOLDERS TO KNOW. SO HE'S GOT CANCER. THAT DOESN'T MEAN THAT HE'S TERMINAL. 634 00:31:49,178 --> 00:31:51,240 BUT IT'S A MUCH BETTER STORY IF HE IS. 635 00:31:51,240 --> 00:31:54,113 YOU INTERVIEW THE BROTHER? THERE WAS NEVER A REASON TO. 636 00:31:54,113 --> 00:31:55,384 WELL, NOW THERE IS. 637 00:31:55,384 --> 00:31:58,087 YOU GOT HOT MUSTARD? (man) YEAH. 638 00:32:02,621 --> 00:32:04,193 HARRISON TISDALE. YEAH. 639 00:32:04,193 --> 00:32:06,255 HEY, MITCH, LET'S GET THESE PALLETS ON THE TRUCK. 640 00:32:06,255 --> 00:32:09,158 DETECTIVE KATE BECKETT. RICK CASTLE. 641 00:32:09,158 --> 00:32:13,432 WE'D LIKE TO ASK YOU SOME QUESTIONS ABOUT YOUR SISTER. YEAH, ANYTHING I CAN DO. UH, LET'S HEAD INSIDE. 642 00:32:13,432 --> 00:32:16,335 LAST TIME I SAW HER? ABOUT A MONTH AGO AT DAD'S. 643 00:32:16,335 --> 00:32:20,409 YOU KNOW, I... STILL CAN'T BELIEVE SHE'S GONE. 644 00:32:20,409 --> 00:32:22,141 WERE YOU CLOSE? 645 00:32:22,141 --> 00:32:24,413 AH, EVERYBODY LOVED HER. I MEAN, MY SISTER-- 646 00:32:24,413 --> 00:32:26,675 SHE JUST WANTED TO SEE THE BEST IN PEOPLE, 647 00:32:26,675 --> 00:32:29,348 EVEN THAT KID WHO KILLED HER. 648 00:32:29,348 --> 00:32:32,581 YOU KNOW, SHE DID EVERYTHING SHE COULD TO HELP THAT GUY. 649 00:32:32,581 --> 00:32:35,124 (scoffs) EVEN BROUGHT HIM AROUND HERE ONCE 650 00:32:35,124 --> 00:32:38,127 TO SEE IF I COULD GET HIM A JOB. BUT YOU DIDN'T. 651 00:32:38,127 --> 00:32:40,489 I CAN'T AFFORD TO, ALL RIGHT? MY EMPLOYEES MESS UP, 652 00:32:40,489 --> 00:32:42,161 I LOSE MY BOND. 653 00:32:42,161 --> 00:32:45,464 I DON'T KNOW. MAYBE IF I'D HELPED HIM... 654 00:32:45,464 --> 00:32:47,466 THINGS WOULD BE DIFFERENT. 655 00:32:47,466 --> 00:32:51,170 HOW'D YOUR SISTER REACT WHEN YOUR DAD TOLD YOU HE WAS DYING? 656 00:32:51,170 --> 00:32:53,272 SHE WAS UPSET. 657 00:32:53,272 --> 00:32:55,204 WE BOTH WERE. 658 00:32:55,204 --> 00:32:59,148 NOW THAT SHE'S DEAD, YOUR INHERITANCE STANDS TO DOUBLE. 659 00:32:59,148 --> 00:33:02,311 WHAT ARE YOU SUGGESTING? YOU ALREADY CAUGHT THE KILLER. 660 00:33:02,311 --> 00:33:04,653 YEAH, WE DID, BUT THE FIRST THING HIS LAWYERS WILL DO 661 00:33:04,653 --> 00:33:07,456 IS SHIFT SUSPICION TO SOMEONE ELSE, SOMEONE WITH MOTIVE. 662 00:33:07,456 --> 00:33:09,488 AND THEN THEY'LL STICK ME ON THE STAND 663 00:33:09,488 --> 00:33:11,490 AND ASK ME WHY I DIDN'T INVESTIGATE, 664 00:33:11,490 --> 00:33:14,023 AND THEN THE JURY WILL HAVE DOUBTS. 665 00:33:14,023 --> 00:33:17,026 AND WE DON'T WANT THEM TO HAVE DOUBTS, DO WE? NO. 666 00:33:17,026 --> 00:33:19,198 SO YOU'LL HAVE TO EXCUSE ME FOR ASKING, 667 00:33:19,198 --> 00:33:23,132 BUT WHERE WERE YOU THE NIGHT OF YOUR SISTER'S MURDER? I WAS TRAVELING... ON BUSINESS. 668 00:33:23,132 --> 00:33:25,574 ACTUALLY, I WAS OUT OF THE COUNTRY 669 00:33:25,574 --> 00:33:27,206 FOR ALL THREE MURDERS. 670 00:33:27,206 --> 00:33:31,410 (groans) HERE. CHECK THE STAMPS ON THAT IF IT'S USEFUL. 671 00:33:34,413 --> 00:33:36,185 (Castle) A U.S. PASSPORT. 672 00:33:36,185 --> 00:33:37,646 ABSOLUTELY UNASSAILABLE. 673 00:33:37,646 --> 00:33:39,748 I WAS SURE IT WAS HIM. 674 00:33:39,748 --> 00:33:41,750 OH, DON'T TAKE IT SO HARD. 675 00:33:41,750 --> 00:33:44,393 AFTER ALL, YOU'RE JUST A WRITER. 676 00:33:44,393 --> 00:33:45,754 WHAT? 677 00:33:45,754 --> 00:33:47,226 NOTHING. 678 00:33:47,226 --> 00:33:49,298 WHAT? OH, COME ON. 679 00:33:49,298 --> 00:33:52,561 HE'S LYING. I MEAN, I GET HIM KNOWING WHERE HE WAS 680 00:33:52,561 --> 00:33:54,563 THE NIGHT OF HIS SISTER'S MURDER, 681 00:33:54,563 --> 00:33:56,565 BUT THE OTHER TWO VICTIMS? 682 00:33:56,565 --> 00:33:58,667 HE DIDN'T PAUSE, HE DIDN'T ASK FOR DATES, 683 00:33:58,667 --> 00:34:00,739 HE DIDN'T EVEN CHECK HIS CALENDAR, 684 00:34:00,739 --> 00:34:03,612 BUT HE WAS READY WITH AN ALIBI. 685 00:34:03,612 --> 00:34:06,375 IN MY EXPERIENCE, INNOCENT PEOPLE DO NOT PREPARE ALIBIS. 686 00:34:06,375 --> 00:34:08,217 SO I WAS RIGHT. 687 00:34:09,648 --> 00:34:12,081 OKAY, GIVE ME THE DATES AND FLIGHTS. 688 00:34:12,081 --> 00:34:14,383 WHY CAN'T YOU JUST ADMIT I WAS RIGHT? 689 00:34:14,383 --> 00:34:17,626 BECAUSE HE TOTALLY FOOLED YOU. HE TOTALLY BOUGHT THE ALIBI. 690 00:34:17,626 --> 00:34:20,389 I HAD A FLEETING MOMENT OF SELF-DOUBT. 691 00:34:20,389 --> 00:34:22,091 SO? HIS CREDIT CARD COMPANY CONFIRMS 692 00:34:22,091 --> 00:34:23,662 HE PAID FOR THREE ROUND-TRIP TICKETS. 693 00:34:23,662 --> 00:34:25,434 DATES COINCIDE WITH THE THREE MURDERS. 694 00:34:25,434 --> 00:34:28,137 SO ACCORDING TO HIS CREDIT CARD, TISDALE WAS OUT OF THE COUNTRY. 695 00:34:28,137 --> 00:34:31,770 WAIT A MINUTE. SO NOW I'M NOT RIGHT? WHICH MEANS THE PASSPORT STAMPS WERE FORGED. 696 00:34:31,770 --> 00:34:35,104 I'M GONNA CALL PASSPORT CONTROL AND HAVE 'EM CHECK THEIR LOGS. 697 00:34:35,104 --> 00:34:38,076 (Castle) THAT'S, UH, NOT HOW HE WOULD'VE DONE IT. 698 00:34:38,076 --> 00:34:40,509 YOU GOT A BETTER IDEA, RICKY? SECOND PASSPORT. 699 00:34:40,509 --> 00:34:43,582 AND HOW WOULD HE GET ONE OF THOSE? OH, WITH HIS MONEY? 700 00:34:43,582 --> 00:34:47,186 TRUST ME. ON THE BLACK MARKET, IT WOULD BE A PIECE OF CAKE. 701 00:34:47,186 --> 00:34:49,188 SO HE LEAVES THE COUNTRY ON HIS OWN, 702 00:34:49,188 --> 00:34:51,190 COMES BACK WITH THE OTHER PASSPORT, COMMITS MURDER, 703 00:34:51,190 --> 00:34:53,492 FLIES OUT AND THEN COMES BACK IN ON HIS OWN. 704 00:34:53,492 --> 00:34:55,294 PERFECT ALIBI, PERFECT MURDER. 705 00:34:55,294 --> 00:34:57,866 BUT ALMOST IMPOSSIBLE TO PROVE. UNLESS YOU FIND THE SECOND PASSPORT. 706 00:34:57,866 --> 00:35:03,732 GOTTA BE FREAKED AFTER YOUR LITTLE MEET AND GREET. KEEP EYEBALLS ON HIM. IF HE MOVES, I WANNA KNOW. 707 00:35:03,732 --> 00:35:06,104 THE THINGS THAT PEOPLE WILL DO FOR MONEY. 708 00:35:06,104 --> 00:35:08,106 THIS GUY KILLED HIS OWN SISTER IN COLD BLOOD 709 00:35:08,106 --> 00:35:10,108 AND TWO MORE PEOPLE TO COVER IT UP. 710 00:35:10,108 --> 00:35:12,110 HE'S EITHER A WORLD-CLASS SOCIOPATH, 711 00:35:12,110 --> 00:35:15,113 OR THERE'S A LOT MORE TO THIS STORY THAN JUST MONEY. 712 00:35:15,113 --> 00:35:18,617 JUDGE MARKWAY, PLEASE. OH, MARKWAY. TELL HIM I SAID HELLO. 713 00:35:27,526 --> 00:35:32,661 NO, SERIOUSLY. THEY'RE REDOING THE ENTIRE BACK NINE. OH, MAN, I LOVED THAT COURSE. WHEN ARE THEY GONNA REOPEN IT? 714 00:35:32,661 --> 00:35:35,204 JUDGE, I HATE TO BREAK UP "GOLF DIGEST," 715 00:35:35,204 --> 00:35:38,507 BUT I HAVE AN EXIGENT SITUATION HERE. VERY WELL, DETECTIVE. PLAY THROUGH. 716 00:35:38,507 --> 00:35:41,510 WE NEED A SEARCH WARRANT. SHE NEEDS A SEARCH WARRANT. 717 00:35:41,510 --> 00:35:43,672 FOR THE HOME AND OFFICE OF HARRISON TISDALE. 718 00:35:43,672 --> 00:35:46,775 HARRISON TISDALE? AS IN JONATHAN TISDALE'S SON? YES. 719 00:35:46,775 --> 00:35:48,647 YEP. HE MURDERED HIS SISTER 720 00:35:48,647 --> 00:35:51,650 AND KILLED TWO MORE PEOPLE TO COVER UP THE CRIME. MURDER? THE TISDALES? 721 00:35:51,650 --> 00:35:54,653 YOU BETTER BE LONG AND STRAIGHT ON THIS ONE, DETECTIVE. 722 00:35:54,653 --> 00:35:58,357 HARRISON'S FATHER IS TERMINALLY ILL, SIR. WHAT? I JUST SAW HIM AT A BENEFIT. 723 00:35:58,357 --> 00:36:02,191 HOPE YOU TOOK A PICTURE. WITH THE SISTER OUT OF THE WAY, THE SON WILL INHERIT ALL OF IT. 724 00:36:02,191 --> 00:36:04,162 (cell phone rings) (Beckett) EXCUSE ME. 725 00:36:04,162 --> 00:36:06,195 THERE'S ALSO A TWISTED, EMOTIONAL ANGLE IN THERE. 726 00:36:06,195 --> 00:36:09,167 I DON'T WANT TO BORE YOU WITH THE DETAILS. 727 00:36:09,167 --> 00:36:10,899 BUT FAMILY AND VENGEANCE-- IT'S SHAKESPEAREAN. 728 00:36:10,899 --> 00:36:14,743 HARRISON JUST LEFT WORK. HE'S PROBABLY HEADED HOME TO DESTROY THE EVIDENCE. 729 00:36:14,743 --> 00:36:19,278 ARE YOU SURE YOU CAN TIE HIM TO THE OTHER VICTIMS? THROUGH A PATIENT OF HIS SISTER'S 730 00:36:19,278 --> 00:36:21,950 THAT HE WAS TRYING TO FRAME. IT'S DAYS LIKE THIS 731 00:36:21,950 --> 00:36:24,553 I WISH I WAS BACK IN CIVIL DIVISION. 732 00:36:24,553 --> 00:36:27,456 THANK YOU, SIR. 733 00:36:27,456 --> 00:36:29,718 (whispers) THANKS. SOON. 734 00:36:29,718 --> 00:36:33,822 YOU'RE HOME EARLY, MR. TISDALE. 735 00:36:47,536 --> 00:36:50,439 (whirring) 736 00:36:50,439 --> 00:36:51,980 (siren wailing) GOT A LIST INSIDE. 737 00:36:51,980 --> 00:36:53,982 YEAH, THANKS FOR YOUR HELP. 738 00:36:53,982 --> 00:36:55,744 (brakes screeching) 739 00:36:55,744 --> 00:36:57,986 (police radio chatter) 740 00:36:57,986 --> 00:36:59,648 WHAT DO WE GOT, GUYS? 741 00:36:59,648 --> 00:37:02,291 GET THIS. JUNIOR'S BUSINESS IS GOING UNDER. 742 00:37:02,291 --> 00:37:05,954 HE'S TENS OF MILLIONS IN DEBT. BUT WITH HIS SISTER'S SHARE OF THE TISDALE FORTUNE, 743 00:37:05,954 --> 00:37:08,327 HE STANDS TO PAY OFF HIS DEBT AND THEN SOME. 744 00:37:08,327 --> 00:37:10,829 CASTLE, IF YOU'RE GOING IN, YOU SHOULD BE ARMED. 745 00:37:10,829 --> 00:37:13,502 MY BACKUP'S IN THE GLOVE COMPARTMENT. 746 00:37:16,335 --> 00:37:18,236 I CAN'T FIND IT. IT-- (clicking noise) 747 00:37:18,236 --> 00:37:20,639 THIS TIME, YOU'RE STAYING PUT. 748 00:37:20,639 --> 00:37:22,711 OH, OKAY, BECKETT. (man laughs) 749 00:37:22,711 --> 00:37:25,844 VERY FUNNY. JOKE'S OVER! 750 00:37:25,844 --> 00:37:27,846 COME ON! 751 00:37:33,882 --> 00:37:36,885 CUFF ME ONCE, SHAME ON YOU. 752 00:37:36,885 --> 00:37:39,728 CUFF ME TWICE, SHAME ON ME. 753 00:37:42,731 --> 00:37:44,333 HMM. 754 00:37:45,964 --> 00:37:48,697 (whirring) 755 00:37:48,697 --> 00:37:51,970 (knock on door) (Beckett) HARRISON TISDALE? NYPD. WE HAVE A WARRANT. 756 00:37:51,970 --> 00:37:54,042 JUST A MINUTE! (whirring) 757 00:37:54,042 --> 00:37:55,904 (grunts) 758 00:37:57,906 --> 00:37:59,047 (grunts) 759 00:38:04,553 --> 00:38:05,984 (banging on door) 760 00:38:05,984 --> 00:38:09,558 (Beckett) OPEN THE DOOR, HARRISON! 761 00:38:09,558 --> 00:38:13,061 (banging continues) OPEN THE DOOR. IT'S NYPD. WE HAVE A WARRANT. 762 00:38:31,079 --> 00:38:35,414 HEY! 763 00:38:35,414 --> 00:38:37,846 (cell phone rings) 764 00:38:37,846 --> 00:38:40,989 HE'S COMING DOWN THE FIRE ESCAPE. HE'S OUT BACK. COVER THE FRONT. 765 00:38:48,957 --> 00:38:51,400 STOP! POLICE! DON'T MOVE! 766 00:38:52,701 --> 00:38:54,603 CASTLE! NO! 767 00:38:54,603 --> 00:38:56,064 (groans) 768 00:38:56,064 --> 00:38:59,037 I GOT HIM! I GOT HIM! 769 00:38:59,037 --> 00:39:00,338 CASTLE! 770 00:39:00,338 --> 00:39:02,010 AAH! (grunts) 771 00:39:15,954 --> 00:39:18,827 STAY BACK! STAY BACK! DON'T COME ANYWHERE CLOSER! WHOA! WHOA! WHOA! 772 00:39:18,827 --> 00:39:21,359 GET--GET DOWN! STAY BACK! STAY BACK! DON'T MOVE! 773 00:39:21,359 --> 00:39:22,891 (Castle) EASY, EASY! LET HIM GO, HARRISON! 774 00:39:22,891 --> 00:39:25,534 COME ON! EASY! EASY! OKAY. IT'S OKAY. OKAY. 775 00:39:25,534 --> 00:39:28,997 CASTLE! ARE YOU OKAY? YEAH, EXCEPT PSYCHO HERE NEEDS A BREATH MINT. 776 00:39:28,997 --> 00:39:33,001 SHUT UP! OKAY! HEY, HARRISON, YOU KNOW WHAT'S BUGGING ME? 777 00:39:33,001 --> 00:39:35,043 (panting) IF YOU WERE THAT DEEP IN DEBT, 778 00:39:35,043 --> 00:39:39,478 WHY DIDN'T YOU JUST ASK YOUR FATHER FOR THE MONEY? CASTLE! YOU ARE NOT HELPING! 779 00:39:39,478 --> 00:39:41,980 YOU KNOW WHAT I THINK? I THINK YOU DID ASK. 780 00:39:41,980 --> 00:39:43,912 I THINK YOU ASKED, AND HE SAID NO. 781 00:39:43,912 --> 00:39:45,914 I THINK HE ALWAYS SAID NO. 782 00:39:45,914 --> 00:39:47,916 SELF-MADE MAN LIKE THAT, 783 00:39:47,916 --> 00:39:51,089 I BET HE THOUGHT YOU WERE WEAK FOR ASKING. HE'S THE ONE WHO WAS WEAK! 784 00:39:51,089 --> 00:39:53,662 I WAS TRYING TO MAKE SOMETHING WITH MY LIFE, 785 00:39:53,662 --> 00:39:57,966 AND ALL HE CARED ABOUT WAS HER! (panting) THAT'S WHY YOU KILLED HER. IT WASN'T JUST FOR THE MONEY. 786 00:39:57,966 --> 00:40:00,028 YOU WANTED TO PUNISH HIM BEFORE HE DIED, 787 00:40:00,028 --> 00:40:03,602 TAKE AWAY THE ONLY THING HE LOVED. (kicks fence) 788 00:40:03,602 --> 00:40:05,834 THAT'S A PRETTY GOOD STORY. WHO ARE YOU? 789 00:40:05,834 --> 00:40:09,077 HARRISON, LET HIM GO! IT'S OVER. IT'S NOT OVER, IT'S NOT OVER! 790 00:40:09,077 --> 00:40:12,541 DROP THE GUN, OR I SWEAR TO GOD, I'LL-- (metal clanks) 791 00:40:12,541 --> 00:40:14,543 TELL ME YOU SAW THAT! 792 00:40:14,543 --> 00:40:17,616 OH! OW! AAH. AAH. 793 00:40:17,616 --> 00:40:21,149 YOU'RE GONNA PUT THAT IN YOUR REPORT, RIGHT? CAN I SEE THE CUFFS, PLEASE? 794 00:40:21,149 --> 00:40:22,721 YEAH, YEAH. 795 00:40:22,721 --> 00:40:24,723 (grunts) YES. OKAY. (Harrison groans) 796 00:40:24,723 --> 00:40:26,725 WHAT THE HELL WERE YOU THINKING? 797 00:40:26,725 --> 00:40:28,727 YOU COULD'VE GOTTEN YOURSELF KILLED. 798 00:40:28,727 --> 00:40:31,029 WELL, THE SAFETY WAS ON THE WHOLE TIME. 799 00:40:31,029 --> 00:40:33,031 YOU KNOW, YOU COULD'VE TOLD ME. 800 00:40:33,031 --> 00:40:36,064 WHERE'S THE FUN IN THAT? (groans) 801 00:40:36,064 --> 00:40:37,566 (siren wailing) 802 00:40:37,566 --> 00:40:39,067 (police radio chatter) 803 00:40:39,067 --> 00:40:40,809 (indistinct conversations) 804 00:40:40,809 --> 00:40:42,110 (clears throat) 805 00:40:42,110 --> 00:40:44,773 (OneRepublic's "Stop and Stare" playing) 806 00:40:44,773 --> 00:40:47,015 WELL, I GUESS THIS IS IT. 807 00:40:47,015 --> 00:40:49,017 WELL, IT DOESN'T HAVE TO BE. 808 00:40:49,017 --> 00:40:51,720 WE COULD, UH, GO TO DINNER, DEBRIEF EACH OTHER. 809 00:40:51,720 --> 00:40:54,022 WHY, CASTLE? SO I COULD BE ANOTHER ONE OF YOUR CONQUESTS? 810 00:40:54,022 --> 00:40:58,056 OR I COULD BE ONE OF YOURS. 811 00:40:58,056 --> 00:41:01,590 IT WAS NICE TO MEET YOU, CASTLE. 812 00:41:01,590 --> 00:41:03,992 IT'S TOO BAD. 813 00:41:03,992 --> 00:41:05,894 IT WOULD'VE BEEN GREAT. 814 00:41:05,894 --> 00:41:09,037 ♪ COUNTING UP THE YEARS ♪ 815 00:41:09,037 --> 00:41:11,940 YOU HAVE NO IDEA. 816 00:41:11,940 --> 00:41:15,173 ♪ JUST TAKE THE WHEEL ♪ 817 00:41:15,173 --> 00:41:20,108 ♪ EVERY GLANCE IS KILLING ME ♪ 818 00:41:20,108 --> 00:41:25,784 ♪ TIME TO MAKE ONE LAST APPEAL ♪ 819 00:41:25,784 --> 00:41:28,817 ♪ FOR THE LIFE I LEAD ♪ 820 00:41:28,817 --> 00:41:31,960 ♪ STOP AND STARE ♪ 821 00:41:31,960 --> 00:41:37,526 ♪ I THINK I'M MOVING, BUT I GO NOWHERE ♪ 822 00:41:37,526 --> 00:41:42,130 ♪ YEAH, I KNOW THAT EVERYONE GETS SCARED ♪ 823 00:41:42,130 --> 00:41:46,605 ♪ BUT I'VE BECOME WHAT I CAN'T BE ♪ 824 00:41:46,605 --> 00:41:48,577 (knock on door) 825 00:41:48,577 --> 00:41:51,179 YOU WANTED TO SEE ME, SIR? YEAH. 826 00:41:51,179 --> 00:41:54,112 I JUST GOT A CALL FROM THE MAYOR'S OFFICE. 827 00:41:54,112 --> 00:41:56,044 APPARENTLY, YOU HAVE A FAN. 828 00:41:56,044 --> 00:41:57,716 A FAN, SIR? 829 00:41:57,716 --> 00:42:00,118 RICK CASTLE. SEEMS HE'S FOUND THE MAIN CHARACTER 830 00:42:00,118 --> 00:42:02,951 FOR HIS NEXT SET OF NOVELS-- 831 00:42:02,951 --> 00:42:05,954 A TOUGH BUT SAVVY FEMALE DETECTIVE. 832 00:42:05,954 --> 00:42:09,227 I'M FLATTERED? DON'T BE. HE SAYS HE HAS TO DO RESEARCH. 833 00:42:09,227 --> 00:42:11,129 OH, NO. OH, YES. 834 00:42:11,129 --> 00:42:12,831 NO WAY. BECKETT, LISTEN-- 835 00:42:12,831 --> 00:42:15,804 SIR, HE IS LIKE A 9 YEAR OLD ON A SUGAR RUSH-- 836 00:42:15,804 --> 00:42:19,167 TOTALLY INCAPABLE OF TAKING ANYTHING SERIOUSLY. BUT HE DID HELP SOLVE THIS CASE. 837 00:42:19,167 --> 00:42:22,110 OH. AND WHEN THE MAYOR'S HAPPY, THE COMMISSIONER'S HAPPY. 838 00:42:22,110 --> 00:42:25,814 AND WHEN THE COMMISSIONER'S HAPPY, I'M HAPPY. HOW LONG, SIR? 839 00:42:25,814 --> 00:42:28,076 WELL, THAT'S UP TO HIM.