1
00:00:01,702 --> 00:00:03,634
(P!nk) ♪ NA NA NA NA NA NA NA,
NA NA NA NA NA NA ♪

2
00:00:03,634 --> 00:00:08,139
♪ NA NA NA NA NA NA NA,
NA NA NA NA NA NA ♪

3
00:00:08,139 --> 00:00:09,440
♪ I WANNA GET IN TROUBLE ♪

4
00:00:09,440 --> 00:00:11,542
♪ I WANNA START A FIGHT ♪

5
00:00:11,542 --> 00:00:13,184
♪ NA NA NA NA NA NA NA ♪

6
00:00:13,184 --> 00:00:15,186
♪ I WANNA START A FIGHT! ♪

7
00:00:15,186 --> 00:00:18,289
(buzzer sounds)

8
00:00:18,289 --> 00:00:20,291
(man) MR. CASTLE...

9
00:00:20,291 --> 00:00:23,794
BE ADVISED, IF YOU GET INJURED
FOLLOWING DETECTIVE BECKETT

10
00:00:23,794 --> 00:00:26,597
TO RESEARCH YOUR NEXT NOVEL,
YOU CANNOT SUE THE CITY.

11
00:00:26,597 --> 00:00:29,060
IF YOU GET SHOT,
YOU CANNOT SUE THE CITY.

12
00:00:29,060 --> 00:00:31,262
IF YOU GET KILLED--
MY LIFELESS REMAINS
CANNOT SUE THE CITY.

13
00:00:31,262 --> 00:00:33,164
YOUR HEIRS, MR. CASTLE.

14
00:00:33,164 --> 00:00:36,607
DO I HAVE TO WAIT FOR HIM
TO SIGN, OR CAN I SHOOT HIM NOW?

15
00:00:36,607 --> 00:00:39,610
MR. CASTLE, THESE WAIVERS
ARE SERIOUS BUSINESS.
(mouths word) OKAY.

16
00:00:39,610 --> 00:00:41,212
PERHAPS YOU'D FEEL
MORE COMFORTABLE

17
00:00:41,212 --> 00:00:43,214
BY REFERRING THE MATTER
TO YOUR ATTORNEY?

18
00:00:43,214 --> 00:00:45,676
WHAT, ARE YOU KIDDING?
HE'D NEVER LET ME SIGN THESE.

19
00:00:45,676 --> 00:00:48,519
BUT FORTUNATELY, IT'S HIS JOB
TO GET ME OUT OF TROUBLE

20
00:00:48,519 --> 00:00:51,382
AND NOT TO PREVENT ME
FROM GETTING INTO IT.
(cell phone rings)

21
00:00:51,382 --> 00:00:52,453
BECKETT.

22
00:00:52,453 --> 00:00:55,055
YEAH. WHERE?

23
00:00:55,055 --> 00:00:57,828
ALL RIGHT, I'M ON MY WAY.
WHOA, WAIT.
UH, WHERE ARE YOU GOING?

24
00:00:57,828 --> 00:01:00,761
I HAVE WORK TO DO.
WHAT? WE HAVE A CASE?

25
00:01:00,761 --> 00:01:03,794
NO, I HAVE A CASE.
YOU HAVE PAPERWORK. OOH, OW.

26
00:01:03,794 --> 00:01:05,436
(door closes)

27
00:01:05,436 --> 00:01:08,199
SO?
MRS. ROSENBERG, 9-E HERE,

28
00:01:08,199 --> 00:01:10,741
COMES DOWN TO PUT HER CLOTHES
IN THE DRYER,

29
00:01:10,741 --> 00:01:12,443
FINDS IT'S OCCUPIED.

30
00:01:12,443 --> 00:01:15,176
COMES DOWN A HALF AN HOUR LATER
AND SHE'S HAD ENOUGH,

31
00:01:15,176 --> 00:01:17,248
DECIDES TO TAKE MATTERS
INTO HER OWN HANDS.

32
00:01:17,248 --> 00:01:19,750
(lowered voice) COME ON.
YOU'RE TELLING ME THAT

33
00:01:19,750 --> 00:01:23,784
AN OLD LADY KILLED SOMEONE
OVER A BUSY DRYER?
WHAT? NO, SHE'S JUST
TIRED OF WAITIN' AROUND.

34
00:01:23,784 --> 00:01:26,257
SO SHE OPENS UP THE DRYER

35
00:01:26,257 --> 00:01:28,219
TO TAKE THE OTHER PERSON'S
CLOTHES OUT,

36
00:01:28,219 --> 00:01:32,092
FINDS MISS FLUFF AND FOLD
HERE INSTEAD.

37
00:01:32,092 --> 00:01:34,495
(Esposito) NOW IF THAT'S NOT
A CAUTIONARY TALE

38
00:01:34,495 --> 00:01:37,128
ABOUT POKING AROUND
SOMEONE ELSE'S LAUNDRY,

39
00:01:37,128 --> 00:01:39,630
I DON'T KNOW WHAT IS.
DUDE, THERE IS
AN ETIQUETTE INVOLVED.

40
00:01:39,630 --> 00:01:41,472
IF THE CLOTHES WERE DRY,

41
00:01:41,472 --> 00:01:44,135
MRS. ROSENBERG HAD EVERY RIGHT
TO PUT 'EM IN THE BASKET.

42
00:01:44,135 --> 00:01:46,277
NOW IF YOU'RE GONNA TELL ME
THAT SHE FOLDED 'EM,

43
00:01:46,277 --> 00:01:48,339
THEN IT GETS A LITTLE CREEPY.
I'M SORRY, SOMEONE STARTS
ROOTIN' AROUND MY UNDERWEAR

44
00:01:48,339 --> 00:01:50,141
WITHOUT AN INVITATION,

45
00:01:50,141 --> 00:01:53,113
I'M TAKING THAT AS
A SERIOUS BREACH OF HYGIENE.

46
00:01:53,113 --> 00:01:55,346
I THOUGHT YOU WENT COMMANDO,
ESPOSITO.
WELL... SEASONAL THING.

47
00:01:55,346 --> 00:01:58,118
ALL RIGHT, LET'S GET HER OUT
OF THERE WITH SOME DIGNITY.

48
00:01:58,118 --> 00:02:00,491
AND WE NEED C.S.U. TO COME
DOWN HERE, AND THE BLEACH BOTTLE

49
00:02:00,491 --> 00:02:02,493
WILL HAVE TO
GO DOWN TO THE LAB,

50
00:02:02,493 --> 00:02:04,625
AND PROBABLY PRINTS
AND PHOTOGRAPHS,

51
00:02:04,625 --> 00:02:06,126
ALTHOUGH I DON'T KNOW

52
00:02:06,126 --> 00:02:08,199
IF IT'S GONNA DO US MUCH GOOD
IN A PUBLIC AREA.

53
00:02:08,199 --> 00:02:09,700
I'M GUESSING SHE LIVED HERE?

54
00:02:09,700 --> 00:02:11,902
WORKED. 12-F.
SHE'S THE NANNY.

55
00:02:11,902 --> 00:02:13,734
(elevator bell dings)

56
00:02:13,734 --> 00:02:17,168
THOUGHT YOU DITCHED ME BACK
AT THE PRECINCT, DIDN'T YOU?

57
00:02:17,168 --> 00:02:18,309
(ding)

58
00:02:18,309 --> 00:02:21,312
COME ON. NANNY McDEAD
IS FOUND ON SPIN DRY.

59
00:02:21,312 --> 00:02:24,415
YOU DON'T THINK THE CAPTAIN'S
GONNA LET ME IN ON THAT STORY?

60
00:02:24,415 --> 00:02:26,277
YOU'RE RIGHT, CASTLE.

61
00:02:26,277 --> 00:02:28,779
MY BAD.

62
00:02:28,779 --> 00:02:31,422
(clears throat)

63
00:02:33,854 --> 00:02:36,857
EXACTLY HOW MUCH LONGER
DO I HAVE TO EXPECT YOU

64
00:02:36,857 --> 00:02:39,560
TO BE SHADOWING ME
ON MY CASES LIKE THIS?

65
00:02:39,560 --> 00:02:41,692
HARD TO SAY. WHEN I'M
WRITING A NEW CHARACTER,

66
00:02:41,692 --> 00:02:44,435
THERE'S NO TELLING WHEN
INSPIRATION MIGHT STRIKE.
I THOUGHT I WAS
YOUR INSPIRATION.

67
00:02:44,435 --> 00:02:47,398
OH, YOU ARE, DETECTIVE,
AND IN SO MANY WAYS.

68
00:02:47,398 --> 00:02:50,301
YEAH, WELL, YOUR INSPIRATION
MIGHT STRIKE YOU

69
00:02:50,301 --> 00:02:52,273
SOONER THAN YOU THINK.
(knocks on door)

70
00:02:52,273 --> 00:02:54,275
NANNY'S NAME WAS SARA MANNING.

71
00:02:54,275 --> 00:02:56,477
SHE WORKED FOR THE PETERSONS
ABOUT TWO YEARS.

72
00:02:56,477 --> 00:02:58,549
THE DOORMAN IS
A HUGE FAN OF MY WORK.

73
00:02:58,549 --> 00:03:00,851
MRS. PETERSON?

74
00:03:00,851 --> 00:03:02,883
DETECTIVE KATE BECKETT,
NYPD.

75
00:03:02,883 --> 00:03:05,216
I WAS WONDERING
IF I COULD ASK YOU

76
00:03:05,216 --> 00:03:08,319
SOME QUESTIONS
ABOUT SARA MANNING.
OF COURSE. PLEASE COME IN.

77
00:03:08,319 --> 00:03:09,890
THANK YOU.

78
00:03:09,890 --> 00:03:12,893
RICHARD CASTLE.
JUST N.Y.

79
00:03:12,893 --> 00:03:19,230
♪♪

80
00:03:19,230 --> 00:03:22,333
SWEETIE, MOMMY AND DADDY NEED
TO TALK TO SOME PEOPLE,

81
00:03:22,333 --> 00:03:24,335
BUT WE'LL BE RIGHT OUT HERE.

82
00:03:24,335 --> 00:03:26,337
WE STILL HAVEN'T TOLD HIM
WHAT HAPPENED.

83
00:03:26,337 --> 00:03:27,838
WE JUST DON'T KNOW HOW.

84
00:03:27,838 --> 00:03:30,911
SARA WAS
VERY CLOSE WITH HIM.

85
00:03:30,911 --> 00:03:33,644
SHE JUST HAD--HAS
A-A GIFT WITH KIDS, YOU KNOW?

86
00:03:33,644 --> 00:03:35,686
SHE WAS
SUCH A LOVELY GIRL.

87
00:03:35,686 --> 00:03:38,449
(Beckett) I'M VERY SORRY.
THE SCHOOL CALLED ME
AT MY OFFICE

88
00:03:38,449 --> 00:03:41,552
WHEN SARA DIDN'T COME
TO PICK UP JUSTIN.

89
00:03:41,552 --> 00:03:42,853
I-I TRIED HER CELL PHONE,

90
00:03:42,853 --> 00:03:44,755
BUT IT WENT STRAIGHT
TO VOICE MAIL.

91
00:03:44,755 --> 00:03:46,997
THEN I TRIED HERE,
BUT THE MACHINE PICKED UP.

92
00:03:46,997 --> 00:03:49,760
SO I HOPPED IN A CAB
AND WENT TO THE SCHOOL.

93
00:03:49,760 --> 00:03:51,862
WHEN WE GOT HOME,
THE POLICE WERE ALREADY HERE.

94
00:03:51,862 --> 00:03:53,904
WHEN WAS THE LAST TIME
YOU SAW SARA?

95
00:03:53,904 --> 00:03:57,508
MY HUSBAND SAW HER LAST NIGHT
WHEN HE GOT HOME.

96
00:03:57,508 --> 00:03:59,710
WE TAKE JUSTIN TO SCHOOL
EVERY MORNING,

97
00:03:59,710 --> 00:04:02,413
SO WE'RE USUALLY GONE
BY THE TIME SHE GETS HERE.

98
00:04:02,413 --> 00:04:03,944
AND WHAT TIME IS THAT?

99
00:04:03,944 --> 00:04:06,777
TODAY IT WOULD
HAVE BEEN 11:00.

100
00:04:06,777 --> 00:04:09,980
SARA STRAIGHTENS UP,
DOES JUSTIN'S LAUNDRY

101
00:04:09,980 --> 00:04:12,753
AND THEN PICKS HIM UP
FROM SCHOOL ABOUT 2:00.

102
00:04:12,753 --> 00:04:14,755
ONE OF US IS
THEN HOME FOR DINNER.

103
00:04:14,755 --> 00:04:18,929
LAST NIGHT IT WAS
MY HUSBAND'S TURN.
SO THEN YOU WERE THE LAST ONE
TO SEE SARA?

104
00:04:18,929 --> 00:04:23,263
I-I GUESS SO.
DID SHE MENTION
ANY PROBLEMS SHE WAS HAVING,

105
00:04:23,263 --> 00:04:25,966
UH, MAYBE A BOYFRIEND?
SARA'S BOYFRIEND?

106
00:04:25,966 --> 00:04:27,798
THE--THE DOORMAN SAID

107
00:04:27,798 --> 00:04:30,541
TH-THE POLICE TOLD THEM
THAT IT WAS A BREAK-IN,

108
00:04:30,541 --> 00:04:33,344
WHICH USUALLY MEANS
A STRANGER DID IT.
WE CAN'T BE SURE
WHAT HAPPENED.

109
00:04:33,344 --> 00:04:35,476
WELL, MAYBE NOT,
BUT STATISTICALLY SPEAKING,

110
00:04:35,476 --> 00:04:38,809
MUCH GREATER LIKELIHOOD
THAT IT WAS SOMEONE SHE KNEW.
OH, MY GOD.

111
00:04:38,809 --> 00:04:42,483
AGAIN, WE CAN'T BE CERTAIN
WHO WAS INVOLVED.

112
00:04:42,483 --> 00:04:45,956
BUT SHE HAD A BOYFRIEND.
BRENT. BUT THEY BROKE UP.

113
00:04:45,956 --> 00:04:50,290
AND WHEN WAS THAT?
ABOUT A MONTH AGO, BUT SARA
NEVER SAID THERE WAS ANY TROUBLE

114
00:04:50,290 --> 00:04:53,494
OR ANYTHING LIKE THAT.
BRENT--THAT WAS HIS NAME?

115
00:04:53,494 --> 00:04:55,866
YES.
(Beckett)
DO YOU KNOW HIS LAST NAME?

116
00:04:55,866 --> 00:04:59,970
UH, I DON'T THINK SARA
EVER MENTIONED IT.
NOT TO ME, EITHER.

117
00:04:59,970 --> 00:05:02,973
THANK YOU BOTH SO MUCH
FOR YOUR TIME.

118
00:05:02,973 --> 00:05:04,675
OF COURSE.

119
00:05:04,675 --> 00:05:06,737
CASTLE, LET'S GO.
BUT--THAT'S IT?

120
00:05:06,737 --> 00:05:08,739
THAT'S IT.

121
00:05:08,739 --> 00:05:11,812
OH, DO YOU KNOW OF ANY WAY
I COULD REACH SARA'S PARENTS?

122
00:05:11,812 --> 00:05:13,914
OH, GOD. I HADN'T
EVEN THOUGHT OF THAT.

123
00:05:13,914 --> 00:05:16,647
I-I'M SORRY.
WE DON'T HAVE THEIR NUMBER.

124
00:05:16,647 --> 00:05:19,820
YEAH. THEY LIVE IN ATLANTA. SHE
WAS WITH THEM OVER CHRISTMAS.

125
00:05:19,820 --> 00:05:24,054
WHAT ABOUT SARA'S THINGS?
THERE'S HER BAG
AND HER JACKET.

126
00:05:24,054 --> 00:05:26,897
MAYBE I COULD TAKE IT
AND CHECK HER CELL PHONE?

127
00:05:26,897 --> 00:05:29,860
WHY COULDN'T WE STICK AROUND?
I HAD A LOT MORE QUESTIONS.

128
00:05:29,860 --> 00:05:33,103
BECAUSE I ACTUALLY LIKE TO
INVESTIGATE THINGS MYSELF FIRST.

129
00:05:33,103 --> 00:05:35,806
BESIDES, NEITHER OF THEM
IS GOING ANYWHERE.

130
00:05:35,806 --> 00:05:38,969
WELL, THERE'S NO CELL PHONE
IN HERE.
MAYBE IT'S IN THE LAUNDRY ROOM
OR IN THE DRYER.

131
00:05:38,969 --> 00:05:40,911
WELL, IF IT IS,
C.S.U. WILL FIND IT.

132
00:05:40,911 --> 00:05:43,714
SHE'S STILL GOT
HER GEORGIA LICENSE.

133
00:05:43,714 --> 00:05:46,547
ARE YOU REALLY THE ONE
WHO HAS TO CALL HER PARENTS?

134
00:05:46,547 --> 00:05:49,620
EASIER TO WRITE ABOUT THAN TO
LIVE THROUGH, HUH, CASTLE?

135
00:05:49,620 --> 00:05:52,052
(elevator bell dings)

136
00:05:52,052 --> 00:05:54,024
(police radio chatter)

137
00:05:54,024 --> 00:05:56,987
THREE MEN HUDDLED
AROUND A COMPUTER.

138
00:05:56,987 --> 00:05:59,860
THAT BETTER NOT BE PORN,
AND IF IT IS, I WANT IN.

139
00:05:59,860 --> 00:06:01,932
ESPOSITO AND RYAN
PULLED SECURITY TAPE

140
00:06:01,932 --> 00:06:04,695
FROM AN ELEVATOR
IN THE REAR ENTRANCE.
FRONT DOOR HAS
A 24-HOUR DOORMAN.

141
00:06:04,695 --> 00:06:06,036
THIS IS THE ELEVATOR'S CAM.

142
00:06:06,036 --> 00:06:08,969
OUR VICTIM GETS ON THE ELEVATOR
WITH THE LAUNDRY BASKET.

143
00:06:08,969 --> 00:06:10,941
TAKES IT DOWN TO THE BASEMENT,

144
00:06:10,941 --> 00:06:12,943
PUTS THE KID'S CLOTHES
IN THE WASHER.

145
00:06:12,943 --> 00:06:16,006
MM-HMM.
A FEW MINUTES LATER,
GETS BACK ON,

146
00:06:16,006 --> 00:06:17,978
GOES ALL THE WAY
BACK UP TO THE APARTMENT.

147
00:06:17,978 --> 00:06:20,951
THEN ABOUT 40 MINUTES LATER,
RIDES THE ELEVATOR BACK DOWN

148
00:06:20,951 --> 00:06:23,514
TO THE BASEMENT AGAIN.
WE FIGURE PROBABLY
TO TAKE THE KID'S CLOTHES

149
00:06:23,514 --> 00:06:26,657
OUT OF THE WASHER,
PUT 'EM IN THE DRYER.
CAMERA NEVER
PICKS HER UP AGAIN.

150
00:06:26,657 --> 00:06:29,520
ONLY OTHER PERSON TO RIDE
THE ELEVATOR DOWN ALL THE WAY

151
00:06:29,520 --> 00:06:32,162
TO THE BASEMENT DURING
THE NEXT HOUR WAS THE OLD LADY

152
00:06:32,162 --> 00:06:34,895
WHO FOUND THE BODY.
SO WHOEVER ATTACKED HER
MUST HAVE USED THE STAIRWELL,

153
00:06:34,895 --> 00:06:37,868
OTHERWISE THE CAMERA
WOULD HAVE GOT HIM.
WE GOT THREE MAINTENANCE
WORKERS ON DUTY THAT DAY.

154
00:06:37,868 --> 00:06:40,971
WE'LL RUN THEIR NAMES TONIGHT.
(Castle) WHY ONLY RUN
THE WORKERS' NAMES?

155
00:06:40,971 --> 00:06:43,674
WHY NOT RUN
ALL THE NEIGHBORS' NAMES?

156
00:06:43,674 --> 00:06:45,876
WHAT ARE YOU
BASING THAT ON?

157
00:06:45,876 --> 00:06:47,738
I'M BASING THAT ON...

158
00:06:47,738 --> 00:06:49,880
THE NEIGHBOR WOULD MAKE
A BETTER STORY.
(chuckles)

159
00:06:49,880 --> 00:06:52,142
NO, COME ON.
WHAT DO ANY OF US KNOW

160
00:06:52,142 --> 00:06:54,184
ABOUT OUR NEIGHBORS
IN THIS CITY?

161
00:06:54,184 --> 00:06:56,717
YOU THINK THE GUY LIVING
NEXT DOOR TO THE SON OF SAM

162
00:06:56,717 --> 00:06:59,890
KNEW HE WAS LIVING NEXT DOOR
TO THE SON OF SAM?
HE'S RIGHT. NEIGHBORS
IN BERKOWITZ'S BUILDING

163
00:06:59,890 --> 00:07:03,093
HAD NO IDEA HE WAS
THE SON OF SAM KILLER.
THANK YOU.
WHAT ABOUT THE GUY IN 8-B?

164
00:07:03,093 --> 00:07:04,795
(Beckett) WHO?

165
00:07:04,795 --> 00:07:06,096
8-B. QUIET GUY.

166
00:07:06,096 --> 00:07:08,759
YOU SEE HIM EVERY DAY,
ONLY YOU NEVER NOTICE HIM.

167
00:07:08,759 --> 00:07:10,961
BUT HE NOTICED SARA.

168
00:07:10,961 --> 00:07:12,663
SHE'S YOUNG, BEAUTIFUL,

169
00:07:12,663 --> 00:07:14,935
THE KIND OF GIRL
THAT A GUY LIKE HIM

170
00:07:14,935 --> 00:07:17,067
WOULD NEVER
HAVE A CHANCE WITH.

171
00:07:17,067 --> 00:07:19,870
WE ALL KNOW GIRLS LIKE THAT,
DON'T WE?

172
00:07:19,870 --> 00:07:22,873
WELL, AT FIRST IT'S JUST A GAME.
FIGURE OUT HER SCHEDULE.

173
00:07:22,873 --> 00:07:26,446
WHEN DOES SHE DO HER LAUNDRY?
WHEN IS SHE ALONE?

174
00:07:26,446 --> 00:07:28,849
UNTIL IT BECOMES
SOMETHING MORE,

175
00:07:28,849 --> 00:07:31,221
SOMETHING THAT
HE CAN'T CONTROL.

176
00:07:31,221 --> 00:07:33,223
WELL, HE USES THE STAIRS,
OBVIOUSLY,

177
00:07:33,223 --> 00:07:35,455
TO AVOID
THE ELEVATOR'S CAMERAS.

178
00:07:35,455 --> 00:07:37,658
AND THEN HE JUST WAITS,

179
00:07:37,658 --> 00:07:39,660
CONCEALED IN THE SHADOWS.

180
00:07:39,660 --> 00:07:42,192
WHEN SHE COMES
INTO THAT LAUNDRY ROOM,

181
00:07:42,192 --> 00:07:43,994
HE POUNCES.

182
00:07:43,994 --> 00:07:47,998
WHEN HE LOOKED
INTO HER VACANT, LIFELESS EYES,

183
00:07:47,998 --> 00:07:51,471
HE WANTED TO TELL HER
HE NEVER MEANT TO KILL HER.

184
00:07:51,471 --> 00:07:55,205
ALL HE EVER WANTED
WAS TO BE NOTICED.

185
00:07:55,205 --> 00:07:59,209
THAT'S WHEN HE FELT THE HEAT
OF THAT DRYER ON HIS SKIN.

186
00:07:59,209 --> 00:08:03,053
SO HE PICKS UP HER LIMP BODY
IN HIS ARMS

187
00:08:03,053 --> 00:08:06,116
AND GENTLY PLACES IT INSIDE.

188
00:08:06,116 --> 00:08:09,860
HE ALMOST SMILED
AT HIS GOOD FORTUNE

189
00:08:09,860 --> 00:08:12,092
WHEN HE FOUND THE QUARTER
IN HIS POCKET,

190
00:08:12,092 --> 00:08:13,994
SLIPPING IT INTO THE SLOT.

191
00:08:13,994 --> 00:08:18,669
BUYING HIM THE TIME
TO DO WHAT HE DOES BEST...

192
00:08:20,130 --> 00:08:22,773
DISAPPEAR.

193
00:08:25,976 --> 00:08:29,079
JUST SAYING, BETTER STORY.
COFFEE?

194
00:08:31,211 --> 00:08:33,814
LET'S SEE WHAT WE CAN FIND OUT
ABOUT THOSE NEIGHBORS.

195
00:08:33,814 --> 00:08:36,947
AND SOMEONE BETTER TELL ME
WHO THE HELL LIVES IN 8-B.

196
00:08:36,947 --> 00:08:39,950
♪♪

197
00:08:39,950 --> 00:08:42,823
LET ME GUESS.
GRAN COOKED.

198
00:08:42,823 --> 00:08:46,256
CHICKEN MASALA.
AND WHERE IS HURRICANE MARTHA?

199
00:08:46,256 --> 00:08:48,999
IN HER ROOM
TAKING A DRAMATIC PAUSE.

200
00:08:48,999 --> 00:08:52,532
LEAVING THE MESS FOR EVERYONE
ELSE TO CLEAN UP, AS USUAL.
I DON'T MIND. DINNER WAS FUN.

201
00:08:52,532 --> 00:08:55,806
WELL, IT'S OUR ROOM,
NOT HERS...

202
00:08:55,806 --> 00:08:57,107
JUST REMEMBER.

203
00:08:57,107 --> 00:08:59,109
EVEN DESPITE THAT HIDEOUS
BEDSPREAD SHE BOUGHT.

204
00:08:59,109 --> 00:09:01,171
IF YOU'RE HUNGRY,
THERE ARE LOTS OF LEFTOVERS.

205
00:09:01,171 --> 00:09:03,874
OH, THANK YOU. I GRABBED
A SLICE ON THE WAY HOME.

206
00:09:03,874 --> 00:09:06,116
YOU REALLY ARE TURNING
INTO A COP.

207
00:09:06,116 --> 00:09:08,679
YEAH? DO YOU THINK?

208
00:09:08,679 --> 00:09:11,051
SO WHO GOT KILLED TODAY?

209
00:09:11,051 --> 00:09:13,053
THE NANNY.

210
00:09:13,053 --> 00:09:15,726
DO THEY KNOW WHO DID IT?
WELL, APPARENTLY
IN AN ACTUAL HOMICIDE,

211
00:09:15,726 --> 00:09:18,689
THEY DON'T KNOW WHO DID IT
UNTIL AFTER THE GUY GETS CAUGHT.

212
00:09:18,689 --> 00:09:22,292
HOW COME WE NEVER
HAD A NANNY?
WELL,
YOUR MOTHER AND I DECIDED

213
00:09:22,292 --> 00:09:25,666
IF SOMEONE WAS GONNA SCREW
YOU UP, WE WANTED IT TO BE ME.

214
00:09:25,666 --> 00:09:28,599
ONLY YOU MANAGED TO TURN OUT
FINE SOMEHOW ANYWAY.
SURPRISINGLY.

215
00:09:28,599 --> 00:09:31,201
IS THAT
THE PRODIGAL SON I HEAR,

216
00:09:31,201 --> 00:09:34,945
RETURNED FROM WORKING
THE NIGHT SHIFT?

217
00:09:34,945 --> 00:09:37,047
YOU CATCH ANY PERPS TODAY,
KIDDO?

218
00:09:37,047 --> 00:09:40,981
I DID AN "NYPD BLUE" ONCE,
REMEMBER?
YOU WERE
THE CRAZY HOMELESS WOMAN.

219
00:09:40,981 --> 00:09:43,253
AND SOME MIGHT SAY
STILL ARE.

220
00:09:43,253 --> 00:09:44,955
I WAS JUST ASKING DAD

221
00:09:44,955 --> 00:09:47,317
HOW COME WE NEVER HAD A NANNY
WHEN I WAS LITTLE.

222
00:09:47,317 --> 00:09:50,090
I SPARED HER ANY STORIES OF
MY OWN PERSONAL EXPERIENCE.

223
00:09:50,090 --> 00:09:52,963
I HAD A REAL JOB
AS A WORKING ACTRESS.

224
00:09:52,963 --> 00:09:55,295
YOU KNOW, NOT EVERYBODY
CAN SIT AT HOME

225
00:09:55,295 --> 00:09:57,297
IN FRONT OF A LAPTOP
AND CLAIM TO BE EMPLOYED.

226
00:09:57,297 --> 00:10:00,330
REALLY? YOU HAD A NANNY?

227
00:10:00,330 --> 00:10:04,074
YEAH, ONLY WE DIDN'T
CALL 'EM NANNIES THEN.
WHAT WERE THEY CALLED?

228
00:10:04,074 --> 00:10:06,376
OH, I DON'T KNOW.
UM... ALCOHOLICS?

229
00:10:06,376 --> 00:10:08,679
RAVING LUNATICS?
NO, NO, NO, WAIT.

230
00:10:08,679 --> 00:10:11,081
UH, COMPLETELY IRRESPONSIBLE
MIDDLE-AGED WOMEN WHO,

231
00:10:11,081 --> 00:10:12,382
INSTEAD OF LOOKING AFTER ME

232
00:10:12,382 --> 00:10:15,045
WHILE YOU WERE ACTING,
LIKE THEY WERE SUPPOSED TO,

233
00:10:15,045 --> 00:10:18,719
INSTEAD WATCHED
DAYTIME TELEVISION.
OH, STOP YOUR WHINING.
YOU DIDN'T TURN OUT HALF BAD.

234
00:10:18,719 --> 00:10:21,922
AND DON'T FORGET,
THE GOOD HALF ARE MY GENES.
WELL, THAT'S JUST SOMETHING

235
00:10:21,922 --> 00:10:24,094
WE'LL HAVE TO TAKE
YOUR WORD FOR, ISN'T IT?

236
00:10:24,094 --> 00:10:26,096
BUT I'M NOT ASKING
FOR AN APOLOGY, MOTHER.

237
00:10:26,096 --> 00:10:28,358
ACTUALLY, I GOT THE PLOT
OF MY FIRST NOVEL...
(cell phone ringing)

238
00:10:28,358 --> 00:10:30,701
BY WATCHING
"ONE LIFE TO LIVE."
THERE YOU GO.

239
00:10:30,701 --> 00:10:33,403
AH. DETECTIVE BECKETT,
DID YOU MISS ME ALREADY?

240
00:10:33,403 --> 00:10:35,365
WHICH MEANS
I AM ONE-QUARTER RESPONSIBLE

241
00:10:35,365 --> 00:10:39,039
FOR YOUR SUCCESS AS WELL.
REALLY? DO THEY DO THOSE
AT NIGHT? NO, FOR SURE.

242
00:10:39,039 --> 00:10:41,912
I'M JUST--I'M JUST TOUCHED
THAT YOU THOUGHT OF ME.

243
00:10:41,912 --> 00:10:44,875
OH, ORDERED TO CALL ME?
(laughs) I SEE.

244
00:10:44,875 --> 00:10:47,247
WELL, EITHER WAY.
I, UH, CAN LEAVE RIGHT AWAY.

245
00:10:47,247 --> 00:10:49,680
OKAY. GOTTA GO.

246
00:10:49,680 --> 00:10:52,222
I WOULD SAY DON'T WAIT UP,
BUT YOU'LL BE ASLEEP BY 11:00.

247
00:10:52,222 --> 00:10:55,856
10:30. IT'S A SCHOOL NIGHT.
ARE YOU SURE SHE'S GOT
EITHER ONE OF OUR GENES?

248
00:10:55,856 --> 00:10:58,989
AH, WELL.
YOU WILL HELP HER
WITH THE DISHES?

249
00:10:58,989 --> 00:11:02,793
ALL RIGHT.
BE CAREFUL... FLATFOOT.

250
00:11:04,935 --> 00:11:06,967
HERE, PUT THESE ON.

251
00:11:06,967 --> 00:11:08,368
REALLY?

252
00:11:08,368 --> 00:11:10,370
I THOUGHT COPS
JUST STOOD AROUND THE BODY

253
00:11:10,370 --> 00:11:12,372
EATING HAM SANDWICHES
AND CRACKIN' JOKES--

254
00:11:12,372 --> 00:11:15,275
YOU KNOW,
HARD-CORE GALLOWS HUMOR.

255
00:11:18,108 --> 00:11:21,311
THE HEAD TRAUMA DEFINITELY
CONTRIBUTED TO THE DEATH.

256
00:11:21,311 --> 00:11:23,313
THE FORCE OF THE BLOWS

257
00:11:23,313 --> 00:11:26,416
RESULTED IN SIGNIFICANT
CEREBRAL HEMORRHAGING.

258
00:11:26,416 --> 00:11:29,820
MR. CASTLE,
NICE TO SEE YOU AGAIN.

259
00:11:29,820 --> 00:11:32,422
I WISH I COULD SAY THE SAME,
BUT MY GLASSES ARE ALL SCRATCHY.

260
00:11:32,422 --> 00:11:36,867
HOW OFTEN DO THEY
LET YOU REPLACE THESE?
NOT EVERYBODY HAS
YOUR BUDGET, CASTLE.

261
00:11:36,867 --> 00:11:39,699
SO WHAT KILLED HER?
I'D SAY SHE WAS STRUCK IN
THE HEAD WITH THE BLEACH BOTTLE,

262
00:11:39,699 --> 00:11:43,073
THEN FELL FORWARD, HIT HER
TEMPLE ON THE EDGE OF THE TABLE.

263
00:11:43,073 --> 00:11:44,404
THAT CAUSED
TEMPORAL BLEEDING.

264
00:11:44,404 --> 00:11:47,077
WITHOUT MEDICAL ATTENTION,
SHE DIDN'T STAND A CHANCE.

265
00:11:47,077 --> 00:11:48,979
BUT WHAT I THOUGHT YOU
MIGHT FIND REALLY INTERESTING

266
00:11:48,979 --> 00:11:51,912
IS THE FACT
THAT SHE HAD SEX

267
00:11:51,912 --> 00:11:54,314
HOURS BEFORE HER DEATH.

268
00:11:54,314 --> 00:11:56,787
SEX?
I'LL EXPLAIN
HOW THAT WORKS LATER.

269
00:11:56,787 --> 00:11:59,149
MIGHT HAVE EVEN BEEN WITHIN
A FEW MINUTES OF THE MURDER.

270
00:11:59,149 --> 00:12:02,753
THE HEAT FROM THE DRYER
MAKES IT HARD TO PINPOINT.
SO YOU'RE SAYING SHE WAS RAPED?

271
00:12:02,753 --> 00:12:05,025
HARD TO DETERMINE. THERE WERE
NO VAGINAL LACERATIONS

272
00:12:05,025 --> 00:12:08,098
OR PRESENCE OF ANY SEMEN.
SO WHAT'S THE EVIDENCE OF SEX?

273
00:12:08,098 --> 00:12:11,731
TRACES OF SPERMICIDE.
THE GUY WORE A CONDOM.

274
00:12:11,731 --> 00:12:14,805
BOY, IT REALLY HAS BEEN
A LONG TIME FOR YOU, HASN'T IT?

275
00:12:14,805 --> 00:12:17,107
I MEAN,
IT COULD HAVE BEEN A RAPE,

276
00:12:17,107 --> 00:12:19,369
BUT MY BEST GUESS IS--
SHE KNEW THE GUY.

277
00:12:33,383 --> 00:12:35,986
WITHOUT EVIDENCE OF TRAUMA,

278
00:12:35,986 --> 00:12:38,328
I'M NOT READY TO BUY OUR
ATTACKER AS A SEXUAL PREDATOR,

279
00:12:38,328 --> 00:12:40,330
ESPECIALLY WITH HIM
USING A CONDOM.

280
00:12:40,330 --> 00:12:42,492
COULD BE HE'S
TRYING TO HIDE D.N.A.

281
00:12:42,492 --> 00:12:44,935
DUDE, SOMEONE SMART ENOUGH
TO HIDE D.N.A.

282
00:12:44,935 --> 00:12:48,869
WOULD HAVE BEEN SMART ENOUGH NOT
TO HAVE SEX IN THE LAUNDRY ROOM.
NO, YOU'RE MISSING THE POINT.

283
00:12:48,869 --> 00:12:50,170
THE LAUNDRY ROOM
AFFORDED OPPORTUNITY.

284
00:12:50,170 --> 00:12:52,472
IT WASN'T AN ACCIDENT
SHE WAS KILLED THERE.

285
00:12:52,472 --> 00:12:55,005
ESPOSITO, WHERE ARE WE
ON HER CELL PHONE?
I PULLED HER RECORDS,

286
00:12:55,005 --> 00:12:56,476
HAD HER SERVICE PROVIDER
PING IT.

287
00:12:56,476 --> 00:12:58,478
TRIANGULATION PUTS IT
AT OR NEAR THE BUILDING.

288
00:12:58,478 --> 00:13:01,051
YEAH, WELL, MAYBE HE TOOK IT
SO SHE COULDN'T CALL FOR HELP,

289
00:13:01,051 --> 00:13:03,914
THEN DUMPED IT SOMEWHERE CLOSE
BY. WHAT ABOUT HER EX-BOYFRIEND?
WE HAVE A FIRST NAME--BRENT.

290
00:13:03,914 --> 00:13:08,018
BUT IF WE HAD HER CELL PHONE,
HE MIGHT BE IN THE ADDRESS BOOK.
WHAT ABOUT THESE CALLS?

291
00:13:08,018 --> 00:13:11,121
WHAT CALLS?
LAST TWO MONTHS, THERE'S
DOZENS OF INCOMING CALLS

292
00:13:11,121 --> 00:13:13,393
FROM THE SAME NUMBER.
RIGHT. WE'RE STILL
RUNNING THAT DOWN,

293
00:13:13,393 --> 00:13:15,095
BUT THE NUMBER'S A PREPAY.

294
00:13:15,095 --> 00:13:16,366
BESIDES,
THOSE CALLS STOPPED COMING

295
00:13:16,366 --> 00:13:18,969
A COUPLE WEEKS
BEFORE SHE WAS KILLED.
YEAH,

296
00:13:18,969 --> 00:13:21,972
BUT THE OUTGOING CALLS TO THAT
NUMBER STOP EVEN BEFORE THAT.

297
00:13:21,972 --> 00:13:25,405
WHOEVER IT WAS, SHE DIDN'T
WANT TO TALK TO THEM.
SHE WAS LETTING IT GO
TO VOICE MAIL.

298
00:13:25,405 --> 00:13:28,038
(Montgomery) FIND THIS BRENT,
BRING HIM IN FOR QUESTIONING.

299
00:13:30,510 --> 00:13:32,482
YOU'RE HERE
BY INVITATION ONLY.

300
00:13:32,482 --> 00:13:33,984
GOT IT?

301
00:13:33,984 --> 00:13:35,485
GOT IT.
GOOD.

302
00:13:35,485 --> 00:13:37,287
BRENT JOHNSON?

303
00:13:37,287 --> 00:13:38,849
YEAH.

304
00:13:38,849 --> 00:13:42,052
I'M DETECTIVE KATE BECKETT.
THIS IS... MR. CASTLE.

305
00:13:42,052 --> 00:13:45,055
I SUPPOSE YOU KNOW
WHY YOU'RE HERE.
UM, THE COPS THAT
PICKED ME UP AT MY JOB

306
00:13:45,055 --> 00:13:48,228
SAID YOU HAD SOME QUESTIONS
ABOUT WHAT HAPPENED TO SARA.

307
00:13:48,228 --> 00:13:52,832
I UNDERSTAND THAT
THE TWO OF YOU WERE DATING?
YEAH, TILL ABOUT A MONTH AGO.

308
00:13:52,832 --> 00:13:56,066
A MONTH AGO?
WHAT HAPPENED THEN?

309
00:13:56,066 --> 00:13:58,168
NOTHING. WE BROKE UP.
WHOSE IDEA WAS THAT?

310
00:13:58,168 --> 00:14:01,141
IT WAS A MUTUAL THING,
I GUESS.

311
00:14:01,141 --> 00:14:03,143
A MUTUAL THING?

312
00:14:05,545 --> 00:14:09,119
(Brent) Hey, Sara, it's me.
Well, just call me back, okay?

313
00:14:09,119 --> 00:14:12,422
(beep)
You can't just not call me
back, Sara. Don't be a bitch.

314
00:14:12,422 --> 00:14:15,956
(beep)
Come on, Sara,
I just want to talk to you.

315
00:14:15,956 --> 00:14:18,058
Look, I don't know why
you can't just tell me

316
00:14:18,058 --> 00:14:20,060
who this other guy is.

317
00:14:20,060 --> 00:14:22,432
You know... you know what?
You're just a little slut.
(beep)

318
00:14:22,432 --> 00:14:25,395
THERE'S PLENTY MORE OF THOSE.
YEP. THEY MAKE
ALEC BALDWIN'S MESSAGES

319
00:14:25,395 --> 00:14:28,198
SOUND LIKE RAINBOWS
AND UNICORNS.
HOW DID YOU GET THOSE?

320
00:14:28,198 --> 00:14:30,640
FROM YOUR SERVICE PROVIDER.
A LITTLE ADVICE--

321
00:14:30,640 --> 00:14:33,643
WHEN YOU BUY A PREPAID PHONE,
DON'T USE YOUR CREDIT CARD.

322
00:14:33,643 --> 00:14:37,247
MAKES IT TOTALLY TRACEABLE.
I WASN'T TRYING
TO HIDE ANYTHING.

323
00:14:37,247 --> 00:14:40,580
NO? THEN WHY DID YOU
JUST LIE TO ME?

324
00:14:40,580 --> 00:14:43,313
'CAUSE NO MAN LIKES
GETTING DUMPED.

325
00:14:43,313 --> 00:14:46,056
AM I RIGHT?
OUR EGOS CAN'T HANDLE IT.

326
00:14:46,056 --> 00:14:48,558
THIS ONE TIME I HAD
AN EX-GIRLFRIEND CHEAT ON ME,

327
00:14:48,558 --> 00:14:51,621
I DRANK EVERY MEAL FOR A WEEK.
I DIDN'T EVEN LIKE HER.

328
00:14:51,621 --> 00:14:54,925
IF I HAD LOVED HER? WOW.
I DON'T KNOW...

329
00:14:54,925 --> 00:14:56,626
WHAT I WOULD HAVE DONE.

330
00:14:56,626 --> 00:14:59,369
NO, NO. NO WAY.
IT WASN'T LIKE THAT.

331
00:14:59,369 --> 00:15:02,132
OH, NO. SO THEN HOW DID YOU
FIND OUT ABOUT SARA

332
00:15:02,132 --> 00:15:05,335
IF YOU TWO BROKE UP
A MONTH AGO?
FROM A FRIEND.
CHLOE. CHLOE RICHARDSON.

333
00:15:05,335 --> 00:15:08,278
ALL RIGHT? WE ALL WENT
TO COLLEGE TOGETHER.

334
00:15:08,278 --> 00:15:11,341
CHLOE'S THE ONE
WHO GOT SARA HER JOB.
AND HOW DID THIS FRIEND
FIND OUT?

335
00:15:11,341 --> 00:15:13,643
CHLOE NANNIES FOR ANOTHER FAMILY
IN THE BUILDING.

336
00:15:13,643 --> 00:15:18,048
THE TWO OF 'EM
ARE PRETTY CLOSE.
SO THEN WHERE WERE YOU THE DAY
THAT SARA GOT KILLED?

337
00:15:18,048 --> 00:15:20,490
I WAS WHERE THOSE OTHER COPS
FOUND ME, AT MY JOB.

338
00:15:20,490 --> 00:15:23,123
LOOK, WE HAVE
VIDEO CAMERAS THERE

339
00:15:23,123 --> 00:15:25,525
AND A SIGN-IN SHEET.

340
00:15:25,525 --> 00:15:28,158
LOOK, I DIDN'T HAVE
ANYTHING TO DO WITH THIS.

341
00:15:28,158 --> 00:15:30,560
AM I UNDER ARREST
OR SOMETHING?

342
00:15:30,560 --> 00:15:34,034
NO. YOU CAN GO.

343
00:15:34,034 --> 00:15:37,637
BUT JUST DON'T LEAVE TOWN
UNTIL WE SPEAK AGAIN.

344
00:15:37,637 --> 00:15:40,971
DO YOU UNDERSTAND?

345
00:15:40,971 --> 00:15:43,243
YEAH. YES, MA'AM.

346
00:15:48,178 --> 00:15:49,980
"DON'T LEAVE TOWN"?

347
00:15:49,980 --> 00:15:53,053
DON'T YOU NEED PROBABLE CAUSE
FOR SOMETHING LIKE THAT?

348
00:15:53,053 --> 00:15:55,525
ONLY HE DOESN'T KNOW THAT,
DOES HE?

349
00:15:55,525 --> 00:15:59,990
YOU CAN LIE LIKE THAT?
THAT IS SO COOL.
CASTLE.

350
00:16:03,433 --> 00:16:06,136
DOORMAN TOLD ESPOSITO
THAT THIS IS THE PLAYGROUND

351
00:16:06,136 --> 00:16:08,438
THAT ALL THE NANNIES
FOR THE BUILDING GO TO,

352
00:16:08,438 --> 00:16:11,401
SO HOPEFULLY
WE FIND CHLOE HERE.
THAT BRINGS ME BACK A BIT.

353
00:16:11,401 --> 00:16:16,076
A BIT? I'M THINKING IT'S
A LITTLE MORE THAN THAT, CASTLE.
I WASN'T TALKING
ABOUT WHEN I WAS A KID.

354
00:16:16,076 --> 00:16:19,409
I'M TALKING ABOUT WHEN I USED TO
TAKE MY DAUGHTER TO THE PARK.
YOU USED TO TAKE
YOUR DAUGHTER TO THE PARK?

355
00:16:19,409 --> 00:16:21,511
SPRING, SUMMER, FALL.
WE WERE HERE EVERY DAY.

356
00:16:21,511 --> 00:16:24,154
ALEXIS' MOM WAS DOING
COMMUNITY THEATER.

357
00:16:24,154 --> 00:16:27,057
SHE WAS ON THE ROAD A LOT,
SO I HAD CUSTODY. WHAT?

358
00:16:27,057 --> 00:16:29,059
NOTHING. I JUST NEVER
FIGURED YOU FOR MR. MOM.

359
00:16:29,059 --> 00:16:31,191
SOME OF THE BEST DAYS
OF MY LIFE.

360
00:16:31,191 --> 00:16:34,094
THAT'S ACTUALLY KIND OF NICE.
YEAH, TELL ME ABOUT IT.

361
00:16:34,094 --> 00:16:36,526
DO YOU KNOW HOW MANY LONELY
SINGLE MOTHERS THERE ARE

362
00:16:36,526 --> 00:16:39,369
ON A MANHATTAN PLAYGROUND?
AND THERE I WAS,

363
00:16:39,369 --> 00:16:42,632
BETWEEN MARRIAGES.
EXACTLY HOW MANY TIMES
HAVE YOU BEEN MARRIED, CASTLE?

364
00:16:42,632 --> 00:16:44,174
TWICE.
THAT'S IT?

365
00:16:44,174 --> 00:16:47,477
ISN'T THAT ENOUGH?
HOW ABOUT YOU?
ME? NO, NEVER BEEN.

366
00:16:47,477 --> 00:16:49,039
REALLY?
YEAH.

367
00:16:49,039 --> 00:16:50,540
YOU'D BE GOOD AT IT.

368
00:16:50,540 --> 00:16:52,382
YOU'RE BOTH CONTROLLING
AND DISAPPROVING.

369
00:16:52,382 --> 00:16:55,085
YOU SHOULD REALLY TRY IT.
I'M NOT AN "IF AT FIRST,
YOU DON'T SUCCEED"

370
00:16:55,085 --> 00:16:57,087
KIND OF A GIRL, CASTLE.

371
00:16:57,087 --> 00:16:59,149
WHEN IT COMES TO MARRIAGE,

372
00:16:59,149 --> 00:17:01,191
I'M MORE OF
A "ONE AND DONE" TYPE.

373
00:17:01,191 --> 00:17:03,053
HMM.
ANY SERIOUS CANDIDATES?

374
00:17:05,325 --> 00:17:08,328
BECCA!
THE DOORMAN SAID
SHE'D HAVE A RED VEST ON.

375
00:17:08,328 --> 00:17:10,500
THAT MIGHT BE OUR GIRL.

376
00:17:10,500 --> 00:17:12,502
GO, GO, GO!

377
00:17:12,502 --> 00:17:14,033
CHLOE?

378
00:17:14,033 --> 00:17:17,067
I'M DETECTIVE BECKETT. I WAS
WONDERING IF I COULD ASK YOU

379
00:17:17,067 --> 00:17:19,069
SOME QUESTIONS
ABOUT SARA MANNING.

380
00:17:19,069 --> 00:17:22,272
UM, RIGHT--RIGHT NOW?

381
00:17:22,272 --> 00:17:24,214
YEAH, IT WON'T TAKE LONG.

382
00:17:24,214 --> 00:17:29,519
YEAH, UH, MAGGIE?
CAN YOU WATCH BECCA FOR A SEC?

383
00:17:29,519 --> 00:17:32,522
SARA'S BOYFRIEND TOLD US THAT
YOU HELPED HER GET HER JOB.

384
00:17:32,522 --> 00:17:34,684
UH, YOU TALKED TO BRENT?
MM-HMM.

385
00:17:34,684 --> 00:17:36,686
YEAH, WHEN--WHEN WE
GOT OUT OF SCHOOL,

386
00:17:36,686 --> 00:17:38,188
SARA COULDN'T FIND WORK.

387
00:17:38,188 --> 00:17:40,160
SHE WAS TEMPING ALL OVER TOWN.

388
00:17:40,160 --> 00:17:42,362
I NANNY FOR A FAMILY
IN THE SAME BUILDING

389
00:17:42,362 --> 00:17:45,135
AND HEARD THAT THE PETERSONS
WERE LOOKING FOR SOMEONE.

390
00:17:45,135 --> 00:17:47,066
WHEN WAS THE LAST TIME
YOU SAW SARA?

391
00:17:50,140 --> 00:17:53,143
I KNOW WHAT IT FEELS LIKE
TO LOSE SOMEBODY, CHLOE,

392
00:17:53,143 --> 00:17:55,175
BUT WE NEED TO ASK YOU
THESE QUESTIONS.

393
00:17:55,175 --> 00:17:56,546
YEAH.

394
00:17:56,546 --> 00:17:59,109
UM, SOMETIMES WE'D
MEET UP BEFORE WORK,

395
00:17:59,109 --> 00:18:01,181
GET A COFFEE ON COLUMBUS

396
00:18:01,181 --> 00:18:03,183
AND THEN WALK
OVER TO WORK TOGETHER.

397
00:18:03,183 --> 00:18:06,116
DID YOU GET COFFEE THAT DAY?
YEAH.

398
00:18:06,116 --> 00:18:08,388
DID SHE SAY ANYTHING TO YOU?

399
00:18:08,388 --> 00:18:12,392
DID SHE SEEM UPSET?

400
00:18:12,392 --> 00:18:14,093
UPSET? UPSET ABOUT WHAT?

401
00:18:14,093 --> 00:18:15,395
BRENT GAVE US THE IMPRESSION

402
00:18:15,395 --> 00:18:17,397
THAT SARA WAS
SEEING SOMEONE ELSE.

403
00:18:17,397 --> 00:18:20,200
YOU KNOW WHO IT WAS,
DON'T YOU?

404
00:18:20,200 --> 00:18:22,232
UM...

405
00:18:22,232 --> 00:18:26,876
SOMETIMES SARA
WOULD STAY LATE.

406
00:18:26,876 --> 00:18:28,878
STAY LATE WHERE,
AT THE PETERSONS'?

407
00:18:28,878 --> 00:18:31,611
YEAH, WE GOT OFF WORK
AROUND THE SAME TIME,

408
00:18:31,611 --> 00:18:33,613
SO WE'D TAKE THE TRAIN
HOME TOGETHER.

409
00:18:33,613 --> 00:18:36,246
I LIVE WITH A ROOMMATE
A COUPLE BLOCKS FROM SARA.

410
00:18:36,246 --> 00:18:38,718
ONLY THE LAST FEW MONTHS,
SHE'D BEEN STAYING LATE.

411
00:18:38,718 --> 00:18:41,551
MR. AND MRS. PETERSON
KIND OF TAKE TURNS

412
00:18:41,551 --> 00:18:43,553
COMING HOME FOR DINNER,
YOU KNOW?

413
00:18:43,553 --> 00:18:45,855
YEAH,
MRS. PETERSON TOLD US.

414
00:18:45,855 --> 00:18:51,261
GOD. I-I DON'T WANT
TO SAY SOMETHING, AND THEN...

415
00:18:51,261 --> 00:18:53,833
I MEAN--I MEAN, HE'S MARRIED.

416
00:18:53,833 --> 00:18:56,836
WAIT A MINUTE.
SARA TOLD YOU ABOUT HIM?

417
00:18:56,836 --> 00:19:01,211
NO. NO, NOT EXACTLY.
IT'S JUST...

418
00:19:01,211 --> 00:19:05,645
THE NIGHTS MRS. PETERSON
DIDN'T COME HOME FOR DINNER...

419
00:19:05,645 --> 00:19:07,847
THOSE WERE THE ONLY NIGHTS
SARA STAYED LATE.

420
00:19:18,628 --> 00:19:21,191
I TOLD YOU WE SHOULD HAVE
ASKED THE HUSBAND

421
00:19:21,191 --> 00:19:23,433
MORE QUESTIONS THAT DAY.
AND I TOLD YOU THAT
I LIKE TO QUESTION

422
00:19:23,433 --> 00:19:26,165
MY MOST LIKELY SUSPECTS
AFTER I KNOW MORE ABOUT THEM.

423
00:19:26,165 --> 00:19:29,168
THAT WAY THEY'RE TIED
TO MORE SPECIFIC ANSWERS.
YOU SUSPECTED HIM, TOO?

424
00:19:29,168 --> 00:19:32,171
THE HUSBAND? DUH.
YOU WOULD REALLY CLEAN UP
AT MY POKER GAME.

425
00:19:32,171 --> 00:19:33,673
RIGHT.
YOU, JAMES PATTERSON

426
00:19:33,673 --> 00:19:36,175
AND THE REST OF THE "TIMES"
BEST SELLER LIST?

427
00:19:36,175 --> 00:19:39,809
NO, THANK YOU, CASTLE.
LITTLE TOO RICH FOR MY BLOOD.
WE COULD ALWAYS
MAKE IT STRIP POKER.

428
00:19:39,809 --> 00:19:43,783
SORRY, BUT I PREFER
MYSTERY TO HORROR.
NO, YEAH, I'M--
I'M IN THE SPACE RIGHT NOW,

429
00:19:43,783 --> 00:19:45,815
BUT LIKE I TOLD YOU GUYS,

430
00:19:45,815 --> 00:19:47,957
I'M GONNA NEED
AT LEAST 20,000 SQUARE FEET.

431
00:19:47,957 --> 00:19:50,460
I... LISTEN, I'M GONNA GIVE
YOU GUYS A CALL BACK.

432
00:19:50,460 --> 00:19:52,822
I'LL LET YOU KNOW IF THE CLIENT
IS INTERESTED, OKAY?

433
00:19:52,822 --> 00:19:56,326
THANK YOU.
HI. REMEMBER US?

434
00:19:56,326 --> 00:19:58,968
WHEN WAS THE LAST TIME
YOU SAW SARA, MR. PETERSON?

435
00:19:58,968 --> 00:20:03,202
THE NIGHT BEFORE SHE WAS KILLED.
I TOLD YOU THAT.
WHICH WAS YOUR NIGHT TO BE
HOME FOR DINNER, RIGHT?

436
00:20:03,202 --> 00:20:05,204
RIGHT.
W-WHY ARE YOU ASKING?

437
00:20:05,204 --> 00:20:06,976
WELL, MR. PETERSON--
UNH-UNH-UNH.

438
00:20:06,976 --> 00:20:08,978
WE HAVE INFORMATION
THAT SUGGESTS

439
00:20:08,978 --> 00:20:11,441
THAT SARA MANNING
WAS HAVING A RELATIONSHIP.

440
00:20:11,441 --> 00:20:13,443
RIGHT. SHE HAD A BOYFRIEND.

441
00:20:13,443 --> 00:20:16,646
SOMEONE ELSE.
SOMEONE ELSE? WHO?

442
00:20:16,646 --> 00:20:18,248
(clears throat)

443
00:20:18,248 --> 00:20:20,990
ME? YOU THINK I WAS HAVING
AN AFFAIR WITH SARA?

444
00:20:20,990 --> 00:20:23,553
BINGO.
THAT IS--THAT'S CRAZY.

445
00:20:23,553 --> 00:20:25,855
IS IT? WE KNOW THAT SHE
STAYED LATE SOME NIGHTS.

446
00:20:25,855 --> 00:20:28,498
RIGHT. SHE HELPED US
MAKE DINNER.

447
00:20:28,498 --> 00:20:31,731
"US"? WELL, WHAT WE HEARD
WAS THAT SHE HELPED

448
00:20:31,731 --> 00:20:34,364
ON THE NIGHTS THAT
YOUR WIFE WASN'T HOME.

449
00:20:37,006 --> 00:20:41,541
FIRST OF ALL,
IT'S NOT WHAT YOU THINK.
WHEN IS IT EVER?

450
00:20:41,541 --> 00:20:45,875
YES, I WAS HAVING AN AFFAIR.
SO WHAT HAPPENED?

451
00:20:45,875 --> 00:20:48,648
WHAT DO YOU MEAN, WHAT HAPPENED?
I CHEATED. I STRAYED.

452
00:20:48,648 --> 00:20:51,681
WHATEVER YOU WANT TO CALL IT.
I MEAN
IN THE LAUNDRY ROOM.

453
00:20:51,681 --> 00:20:53,923
WHAT?

454
00:20:53,923 --> 00:20:56,786
YOU JUST SAID THAT YOU--
YES, I WAS HAVING AN AFFAIR,

455
00:20:56,786 --> 00:20:58,788
BUT IT WASN'T WITH SARA,
FOR GOD SAKES.

456
00:20:58,788 --> 00:21:01,361
IT WAS WITH ANOTHER WOMAN
IN MY OFFICE.

457
00:21:01,361 --> 00:21:03,693
LOOK, EVERY NIGHT THAT I WAS

458
00:21:03,693 --> 00:21:06,035
SUPPOSED TO BE HOME
HAVING DINNER, I WASN'T.

459
00:21:06,035 --> 00:21:08,538
YOU CAN CHECK THE LANDLINES
FROM THE APARTMENT.

460
00:21:08,538 --> 00:21:11,871
I CALLED TO MAKE SURE
THAT SARA WAS OKAY EVERY NIGHT.

461
00:21:11,871 --> 00:21:15,405
YOU CAN--YOU CAN CHECK
CELL PHONE RECORDS, RIGHT?

462
00:21:15,405 --> 00:21:17,647
DON'T LEAVE TOWN?

463
00:21:21,551 --> 00:21:23,983
(Esposito) HEY, WHAT HAPPENED
WITH THE HUSBAND?

464
00:21:23,983 --> 00:21:26,516
OH, HE WAS CHEATING,
JUST NOT WITH OUR VICTIM.

465
00:21:26,516 --> 00:21:29,789
HERE, I NEED YOU TO RUN IT DOWN.
THIS IS HER NAME.
I'M TELLING YOU,

466
00:21:29,789 --> 00:21:31,891
TRUE COMMITMENT'S
A THING OF THE PAST.

467
00:21:31,891 --> 00:21:34,023
I MEAN, NAME ONE
HAPPILY MARRIED COUPLE.

468
00:21:34,023 --> 00:21:36,766
DeGENERES AND de ROSSI.
OOH, I THINK HE'S GOT YOU
THERE, BRO.

469
00:21:36,766 --> 00:21:39,369
WHAT IS THIS, "THE VIEW"?
WHERE ARE WE ON THE BOYFRIEND?

470
00:21:39,369 --> 00:21:43,603
HIS STORY CHECKS OUT--
VIDEO AND A SIGN-IN SHEET.
GREAT. SO NOW ALL WE HAVE
IS A CHEATING HUSBAND

471
00:21:43,603 --> 00:21:45,775
WITH A POSSIBLE ALIBI
AND NO CELL PHONE

472
00:21:45,775 --> 00:21:48,808
TO RUN
THE PERP'S FINGERPRINTS.
I GOT SOMETHING BETTER.

473
00:21:48,808 --> 00:21:52,542
PLEASE TELL ME IT'S THAT
THE MAYOR WANTS HIM OUTTA HERE.
HAVE YOU EVER NOTICED
HOW SHE GETS A LITTLE GRUMPY

474
00:21:52,542 --> 00:21:55,585
WHEN SHE DOESN'T
HAVE A SUSPECT?
WELL, WE GOT ONE NOW.

475
00:21:55,585 --> 00:21:58,047
GUESS WHO WASN'T
WHERE THEY SAY THEY WERE

476
00:21:58,047 --> 00:22:00,890
THE DAY SARA MANNING
WAS KILLED?
WHO?

477
00:22:00,890 --> 00:22:02,852
COME ON, YOU GOTTA GUESS.

478
00:22:02,852 --> 00:22:06,025
RYAN. RYAN.
I'M NOT GUESSING.

479
00:22:06,025 --> 00:22:08,928
YOU'RE A KILLJOY,
YOU KNOW THAT?
EXACTLY WHAT
I'VE BEEN TELLING HER.

480
00:22:08,928 --> 00:22:10,930
NO WAY.

481
00:22:10,930 --> 00:22:13,933
PRETTY GOOD, HUH?
TOLD YOU YOU SHOULD'VE GUESSED.

482
00:22:18,007 --> 00:22:19,969
(knock on door)

483
00:22:19,969 --> 00:22:22,111
YOU WEREN'T AT THE OFFICE

484
00:22:22,111 --> 00:22:24,374
THE DAY SARA MANNING
WAS KILLED, WERE YOU?

485
00:22:24,374 --> 00:22:26,075
YOU LIED TO ME,
MRS. PETERSON.

486
00:22:26,075 --> 00:22:29,118
(door closes)
DETECTIVE RYAN CHECKED
WITH YOUR SON'S SCHOOL.

487
00:22:29,118 --> 00:22:31,651
THE DAY THEY CALLED
ABOUT SARA NOT SHOWING UP,

488
00:22:31,651 --> 00:22:34,524
YOUR ASSISTANT SAID THAT
YOU WERE UNREACHABLE.
WHAT ARE YOU TALKING ABOUT?

489
00:22:34,524 --> 00:22:37,026
I'M TALKING ABOUT
SARA MANNING, MRS. PETERSON.

490
00:22:37,026 --> 00:22:39,028
WE'RE TALKING ABOUT
WHY YOU LIED

491
00:22:39,028 --> 00:22:41,491
ABOUT WHERE YOU WERE
THE DAY SHE WAS KILLED.

492
00:22:41,491 --> 00:22:45,364
AND WE KNOW YOU WEREN'T
IN YOUR OFFICE.
IT WOULD HAVE BEEN EASY
TO SNEAK INTO THE BUILDING.

493
00:22:45,364 --> 00:22:47,437
DOORMAN COULD HAVE BEEN
OUTSIDE HAILING A CAB,

494
00:22:47,437 --> 00:22:49,439
TAKING A DELIVERY.

495
00:22:49,439 --> 00:22:52,872
(stammers) MY HUSBAND
IS HAVING AN AFFAIR.

496
00:22:52,872 --> 00:22:55,645
DID YOU KNOW THAT?

497
00:22:55,645 --> 00:22:57,447
ACTUALLY, WE DID.

498
00:22:57,447 --> 00:22:59,479
(scoffs) ALL THESE MONTHS,
I HAD NO IDEA.

499
00:22:59,479 --> 00:23:03,683
BUT THEN YOU FOUND OUT.
YEAH, SARA TOLD ME
A FEW WEEKS AGO.

500
00:23:03,683 --> 00:23:05,915
SARA TOLD YOU
ABOUT THE AFFAIR?

501
00:23:05,915 --> 00:23:09,058
YES, AND SHE'D BEEN AN ABSOLUTE
WRECK ABOUT KEEPING IT FROM ME.
YEAH, I BET SHE WAS.

502
00:23:09,058 --> 00:23:12,462
DID YOU KNOW
HE WAS PAYING HER EXTRA?

503
00:23:12,462 --> 00:23:14,864
NO, HE DIDN'T MENTION THAT.
IMAGINE PUTTING SARA

504
00:23:14,864 --> 00:23:17,567
IN THE MIDDLE
OF SOMETHING LIKE THAT.
SOMETHING LIKE WHAT?

505
00:23:17,567 --> 00:23:19,729
WELL, USING SARA
TO COVER FOR HIMSELF.

506
00:23:19,729 --> 00:23:22,502
I MEAN, IT'S DISGUSTING.
I DON'T UNDERSTAND,
MRS. PETERSON.

507
00:23:22,502 --> 00:23:24,504
IF YOU HAD NOTHING TO DO
WITH SARA'S DEATH,

508
00:23:24,504 --> 00:23:27,507
THEN WHY WOULD YOU LIE?
BECAUSE MY CHEATING HUSBAND
HAS NO IDEA

509
00:23:27,507 --> 00:23:29,739
I'M ABOUT TO SERVE HIM
WITH DIVORCE PAPERS.

510
00:23:29,739 --> 00:23:32,982
I LIED BECAUSE I WAS
AT MY LAWYER'S THAT AFTERNOON.

511
00:23:32,982 --> 00:23:35,985
HOWARD'S NOT THE ONLY ONE
WHO CAN KEEP A SECRET.

512
00:23:51,461 --> 00:23:53,432
♪ DON'T BE, YOU-- ♪

513
00:23:53,432 --> 00:23:55,434
(singsong voice)
HELLO THERE!

514
00:23:55,434 --> 00:23:57,907
(normal voice)
WHAT ARE YOU UP TO?
(purse thuds)

515
00:23:57,907 --> 00:23:59,609
NOTHING.

516
00:23:59,609 --> 00:24:01,971
OHH. YOU'RE NOT
WEBCAMMING AGAIN, I HOPE.

517
00:24:01,971 --> 00:24:04,774
I BURNED A DVD
FROM SECURITY CAMERAS...
(scoffs)

518
00:24:04,774 --> 00:24:07,947
THAT THE POLICE ARE LOOKING AT.
AND I'VE NEVER WEBCAMMED.

519
00:24:07,947 --> 00:24:10,780
THAT'S YOUR STORY,
AND YOU'RE STICKING TO IT, HUH?

520
00:24:10,780 --> 00:24:13,122
THE POLICE JUST LET YOU
BURN A DVD?

521
00:24:13,122 --> 00:24:15,124
YOU DO REALIZE

522
00:24:15,124 --> 00:24:18,157
YOU'RE GONNA HAVE TO STOP
STEALING EVIDENCE, RIGHT?

523
00:24:18,157 --> 00:24:21,160
I THOUGHT THE WHOLE PURPOSE OF
FOLLOWING THIS DETECTIVE AROUND

524
00:24:21,160 --> 00:24:23,933
WAS TO HELP YOU TO WRITE.
IT'S CALLED RESEARCH, MOTHER.

525
00:24:23,933 --> 00:24:25,935
AHH. WELL, YOU'D BETTER HOPE

526
00:24:25,935 --> 00:24:28,638
THIS LAST DERRICK STORM BOOK
SELLS, LOVER BOY,

527
00:24:28,638 --> 00:24:30,900
BECAUSE RESEARCH
DON'T PAY THE... BILLS.

528
00:24:30,900 --> 00:24:32,902
IS THAT THE NANNY?
MM-HMM.

529
00:24:32,902 --> 00:24:34,904
(chuckles) WHAT MARRIED WOMAN
IN HER RIGHT MIND

530
00:24:34,904 --> 00:24:38,107
INVITES A GIRL THAT PRETTY
INTO HER OWN HOME?

531
00:24:38,107 --> 00:24:40,780
HEY.
HEY.

532
00:24:40,780 --> 00:24:43,112
WHAT ARE YOU GUYS WATCHING?
I'M WATCHING. SHE'S BUTTING IN.

533
00:24:43,112 --> 00:24:45,985
THE POLICE CAN'T FIND
THE NANNY'S CELL PHONE.

534
00:24:45,985 --> 00:24:48,718
THEY WERE HOPING TO LIFT
SOME FINGERPRINTS FROM IT.

535
00:24:48,718 --> 00:24:51,090
I JUST THOUGHT I COULD SEE
IT SHE HAD IT WITH HER

536
00:24:51,090 --> 00:24:53,092
WHEN SHE WENT DOWN
TO THE LAUNDRY ROOM.
AND?

537
00:24:53,092 --> 00:24:55,094
IT'S IN HER HAND THE FIRST TIME
SHE BRINGS THE CLOTHES

538
00:24:55,094 --> 00:24:58,027
DOWN TO THE WASH,
BUT THEN SHE DOESN'T HAVE IT

539
00:24:58,027 --> 00:25:00,630
WHEN SHE GOES DOWN
TO USE THE DRYER.
SO... SHE PROBABLY LEFT IT

540
00:25:00,630 --> 00:25:02,632
UPSTAIRS IN THE APARTMENT
WHERE SHE WORKED.

541
00:25:02,632 --> 00:25:05,174
THEY SAY THEY CAN'T FI--
FIND IT. WAIT A SEC.

542
00:25:05,174 --> 00:25:06,806
WHAT?

543
00:25:06,806 --> 00:25:09,809
THERE'S A 5-SECOND
TIME DIFFERENCE.

544
00:25:09,809 --> 00:25:11,911
A 5-SECOND TIME DIFFERENCE
IN WHAT?

545
00:25:11,911 --> 00:25:14,544
(clicks)

546
00:25:14,544 --> 00:25:17,046
SHE RIDES THE ELEVATOR TWICE
TO THE BASEMENT.

547
00:25:17,046 --> 00:25:19,048
THE FIRST TIME TO PUT
THE CLOTHES IN THE WASHER,

548
00:25:19,048 --> 00:25:21,020
THE SECOND TIME
TO PUT THEM IN THE DRYER--

549
00:25:21,020 --> 00:25:23,893
ONLY THE SECOND TIME, THE TRIP
TAKES HER FIVE SECONDS LONGER.

550
00:25:23,893 --> 00:25:27,857
WHY WOULD IT TAKE HER LONGER
TO TRAVEL THE SAME DISTANCE?
IT WOULDN'T.

551
00:25:27,857 --> 00:25:31,661
I'M NOT QUITE SURE WHERE
YOU'RE GOING WITH THIS, CASTLE.
UP.

552
00:25:31,661 --> 00:25:33,663
ALL RIGHT, 32 SECONDS.

553
00:25:33,663 --> 00:25:35,204
(elevator bell dings)

554
00:25:35,204 --> 00:25:38,007
IT TAKES 32 SECONDS TO GET FROM
THE BASEMENT TO THE 12th FLOOR.

555
00:25:38,007 --> 00:25:40,009
GREAT. I'LL ALERT THE MEDIA.

556
00:25:40,009 --> 00:25:42,011
(dings, doors close)

557
00:25:42,011 --> 00:25:44,543
ONLY THE SECOND TIME,
IT TOOK HER 37 SECONDS.

558
00:25:44,543 --> 00:25:47,847
WHY WOULD IT TAKE HER
FIVE EXTRA SECONDS?
BECAUSE THE SECOND TIME,

559
00:25:47,847 --> 00:25:49,849
SHE WASN'T COMING
FROM THE 12th FLOOR.

560
00:25:49,849 --> 00:25:53,052
SHE WAS COMING FROM THE...
(ding)

561
00:25:53,052 --> 00:25:55,124
15th FLOOR?
THIS DOESN'T MAKE ANY SENSE.

562
00:25:55,124 --> 00:25:59,058
THE PETERSONS LIVE ON 12.
YEAH, BUT I BET THE GUY WHO
WEARS THAT CONDOM LIVES ON 15.

563
00:25:59,058 --> 00:26:00,930
BY THE WAY,
THAT WHOLE ELEVATOR THING?

564
00:26:00,930 --> 00:26:03,032
I JUST DID THAT
'CAUSE YOU SMELL NICE.
(knocks on door)

565
00:26:03,032 --> 00:26:06,195
CASTLE, YOU CAN'T JUST KNOCK
ON PEOPLE'S DOORS.
WHY NOT?

566
00:26:06,195 --> 00:26:09,198
(man) WHO IS IT?
BECAUSE YOU'RE GONNA
FREAK THEM OUT.

567
00:26:09,198 --> 00:26:10,600
POLICE!

568
00:26:13,072 --> 00:26:15,945
YOU'RE THE POLICE?
UH, SHE IS.

569
00:26:15,945 --> 00:26:19,909
I'M SORRY.
DO YOU LIVE HERE ALONE?
YEAH. WHY YOU WANNA KNOW?

570
00:26:19,909 --> 00:26:22,782
UH, DON'T WORRY ABOUT IT.
YOU'RE NOT YOUNG ENOUGH.
YOUNG ENOUGH FOR WHAT?

571
00:26:22,782 --> 00:26:26,585
TO HAVE SEX.
UH, WHAT KIND OF COPS
DID YOU SAY YOU WERE?

572
00:26:26,585 --> 00:26:29,759
HE'S NOT A COP. I'M A COP.

573
00:26:29,759 --> 00:26:32,091
AND YOU'RE LOOKING
FOR SOMEONE TO HAVE SEX WITH?

574
00:26:32,091 --> 00:26:34,093
CASTLE, LOOK.

575
00:26:35,965 --> 00:26:38,928
SO SORRY TO BOTHER YOU.

576
00:26:38,928 --> 00:26:43,232
77 AIN'T BEYOND THE REALM
OF POSSIBILITY, YA KNOW?

577
00:26:43,232 --> 00:26:46,736
PARDON ME,
IS THIS LITTLE GIRL BECCA?

578
00:26:46,736 --> 00:26:49,608
I'M SORRY.
I'M NOT SURE I'M FOLLOWING.

579
00:26:49,608 --> 00:26:51,080
PRIOR TO HER MURDER,

580
00:26:51,080 --> 00:26:54,113
WE BELIEVE THAT SARA MANNING
WAS COMING FROM THIS FLOOR.

581
00:26:54,113 --> 00:26:57,116
WELL, I DON'T KNOW ANYTHING
ABOUT THAT. I WAS AT WORK.

582
00:26:57,116 --> 00:26:59,989
MAYBE SHE CAME UP
TO SEE CHLOE?
CHLOE RICHARDSON?

583
00:26:59,989 --> 00:27:02,051
SHE AND SARA WERE FRIENDS,

584
00:27:02,051 --> 00:27:04,353
AND OUR KIDS GET TOGETHER
SOMETIMES FOR PLAYDATES.

585
00:27:04,353 --> 00:27:07,897
HEY, BABE. WHAT'S GOING ON?
I THOUGHT YOU WERE GOING OUT.

586
00:27:07,897 --> 00:27:10,660
IT'S THE POLICE.
POLICE?

587
00:27:10,660 --> 00:27:12,902
THEY THINK CHLOE'S FRIEND SARA
MIGHT'VE BEEN UP HERE

588
00:27:12,902 --> 00:27:14,904
THE DAY SHE WAS KILLED.

589
00:27:14,904 --> 00:27:16,906
WAIT, YOU WERE HOME
THAT DAY, RIGHT?
UM...

590
00:27:16,906 --> 00:27:18,768
WHAT--WHAT--
WHAT DAY WAS THAT?

591
00:27:18,768 --> 00:27:20,069
TUESDAY.

592
00:27:20,069 --> 00:27:23,042
YEAH. YEAH, YEAH.
I WAS--I WAS--I WAS HERE.

593
00:27:23,042 --> 00:27:25,374
SO DID YOU SEE SARA?

594
00:27:25,374 --> 00:27:29,018
I DON'T THINK SO. NO.
YOU DON'T THINK SO?

595
00:27:29,018 --> 00:27:30,950
NO.

596
00:27:30,950 --> 00:27:34,653
MIND IF I USE YOUR BATHROOM?
PEOPLE NEVER THINK ABOUT THAT.

597
00:27:34,653 --> 00:27:36,756
WHEN DO COPS
USE THE BATHROOM?
(chuckles) YEAH.

598
00:27:36,756 --> 00:27:38,888
IT'S RIGHT THERE.
THANK YOU.

599
00:27:41,961 --> 00:27:44,063
(Beckett) SO... TUESDAY.

600
00:27:44,063 --> 00:27:46,766
(man) OH, YEAH, YEAH.
LET ME THINK A MINUTE. UM...

601
00:27:46,766 --> 00:27:48,067
(door closes)

602
00:27:48,067 --> 00:27:50,339
(man speaking indistinctly)

603
00:27:56,005 --> 00:27:58,948
(man continues
speaking indistinctly)

604
00:28:01,010 --> 00:28:02,411
(flushes toilet)

605
00:28:02,411 --> 00:28:05,785
SO YOU'RE SAYING THAT YOU
CAN'T SAY ONE WAY OR THE OTHER?

606
00:28:05,785 --> 00:28:07,456
AFTER CHLOE GOT HERE
TO TAKE CARE OF BECCA,

607
00:28:07,456 --> 00:28:09,458
I WENT INSIDE TO TAKE A NAP.

608
00:28:09,458 --> 00:28:11,921
I WORK MOST NIGHTS.

609
00:28:11,921 --> 00:28:13,923
(whispers) CONDOMS.

610
00:28:13,923 --> 00:28:16,095
AND WHAT IS IT
THAT YOU DO, MR. HARRIS?

611
00:28:16,095 --> 00:28:17,967
OH, I'M A MUSICIAN.

612
00:28:17,967 --> 00:28:20,099
(whispers)
CONDOMS IN THE BATHROOM.

613
00:28:20,099 --> 00:28:22,972
SO ANYWAY, IT'S--IT'S POSSIBLE
THAT SARA WAS UP HERE.

614
00:28:22,972 --> 00:28:25,404
I JUST... COULDN'T REALLY
SAY FOR SURE.

615
00:28:25,404 --> 00:28:28,978
YOU KNOW, MAYBE YOU SHOULD
TALK TO CHLOE ABOUT THIS.
I ALREADY HAVE.

616
00:28:28,978 --> 00:28:32,011
AND WHAT DID SHE TELL YOU?
SHE SAID THAT SHE SAW SARA
EARLIER IN THE DAY,

617
00:28:32,011 --> 00:28:33,442
BUT SHE DIDN'T SAY ANYTHING

618
00:28:33,442 --> 00:28:36,946
(keypad beeping)
ABOUT SARA
BEING IN YOUR APARTMENT.

619
00:28:36,946 --> 00:28:38,748
WHAT ELSE WOULD SHE
BE DOING UP HERE?

620
00:28:38,748 --> 00:28:40,449
(P!nk)
♪ NA NA NA NA NA NA NA ♪

621
00:28:40,449 --> 00:28:42,051
♪ NA NA NA NA NA NA ♪

622
00:28:42,051 --> 00:28:43,793
♪ NA NA NA NA NA NA NA ♪

623
00:28:43,793 --> 00:28:45,094
WHAT IS THAT?

624
00:28:45,094 --> 00:28:48,097
THAT SOUNDS LIKE
SOMEBODY'S CELL PHONE.

625
00:28:48,097 --> 00:28:50,359
♪ I DON'T KNOW WHERE HE WENT ♪

626
00:28:50,359 --> 00:28:54,263
♪ SO I'M GONNA DRINK MY MONEY,
I'M NOT GONNA PAY HIS RENT ♪

627
00:28:54,263 --> 00:28:57,366
♪ I GOT A BRAND-NEW ATTITUDE,
AND I'M GONNA WEAR IT TONIGHT ♪

628
00:28:57,366 --> 00:29:01,010
♪ I'M GONNA GET IN TROUBLE,
I'M WANNA START A FIGHT ♪

629
00:29:01,010 --> 00:29:03,943
IAN...
WHO THE HELL'S PHONE IS THIS?

630
00:29:03,943 --> 00:29:05,374
♪ I WANNA START A FIGHT ♪

631
00:29:05,374 --> 00:29:08,347
♪ NA NA NA NA NA NA NA,
I WANNA START A FIGHT! ♪

632
00:29:14,453 --> 00:29:16,455
WHY WAS HER PHONE
IN YOUR BEDROOM?

633
00:29:16,455 --> 00:29:18,958
MAYBE SHE DROPPED IT.
I DON'T--I DON'T--I DON'T KNOW.

634
00:29:18,958 --> 00:29:21,490
YOU TOLD ME YOU WENT
INTO THE BEDROOM TO TAKE A NAP.

635
00:29:21,490 --> 00:29:23,762
HOW COULD SHE GO INTO
THE ROOM, DROP THE PHONE,

636
00:29:23,762 --> 00:29:26,936
AND YOU NOT SEE HER?
SHE'S RIGHT.
IT DOESN'T MAKE SENSE

637
00:29:26,936 --> 00:29:30,139
WHEN YOU THINK ABOUT IT.
WE'RE RUNNING A TEST
ON THE CONDOMS WE FOUND

638
00:29:30,139 --> 00:29:33,372
IN YOUR MEDICINE CABINET.
(chuckles) NOW THERE'S SOMETHING
YOU NEVER WANNA HEAR.

639
00:29:33,372 --> 00:29:36,876
IF THE SPERMICIDE'S A MATCH,
YOU'RE FACING A MURDER CHARGE.
WELL, I-I DIDN'T KILL SARA.

640
00:29:36,876 --> 00:29:38,908
BUT YOU WERE
SLEEPING WITH HER.

641
00:29:41,310 --> 00:29:43,953
(exhales deeply)

642
00:29:43,953 --> 00:29:45,955
LOOK, WE HAD SEX, OKAY?

643
00:29:45,955 --> 00:29:49,488
BUT WHEN SARA LEFT MY PLACE,
SHE WAS FINE.

644
00:29:49,488 --> 00:29:51,991
YOU FOLLOWED HER DOWN
TO THE BASEMENT, DIDN'T YOU?

645
00:29:51,991 --> 00:29:53,963
YOU FOLLOWED HER
IN THE BASEMENT,

646
00:29:53,963 --> 00:29:56,866
AND THEN YOU KILLED HER.
NO! I WOULDN'T HURT SARA.

647
00:29:56,866 --> 00:30:00,299
YOU WOULDN'T HURT HER? YOU'RE
A MARRIED MAN SLEEPING WITH HER

648
00:30:00,299 --> 00:30:02,471
IN YOUR OWN BED.
WHAT TIME DID SHE LEAVE
YOUR APARTMENT?

649
00:30:02,471 --> 00:30:04,834
(sighs)
A LITTLE BEFORE 1:00.
HOW CAN YOU BE SURE?

650
00:30:04,834 --> 00:30:06,836
BECAUSE CHLOE GETS BACK
FROM THE PARK WITH BECCA

651
00:30:06,836 --> 00:30:10,109
EVERY DAY AROUND 1:00
TO GIVE HER HER LUNCH.

652
00:30:10,109 --> 00:30:13,342
AND SARA LEFT MAYBE TEN MINUTES
BEFORE CHLOE GOT BACK.

653
00:30:13,342 --> 00:30:15,885
LOOK, YOU ASK CHLOE,
SHE WILL TELL YOU I WAS THERE.

654
00:30:15,885 --> 00:30:17,987
THERE'S NO WAY
THAT I COULD'VE KILLED SARA.

655
00:30:17,987 --> 00:30:19,448
DETECTIVE BECKETT?
FRANK GARRISON.

656
00:30:19,448 --> 00:30:21,450
I'VE BEEN RETAINED
TO REPRESENT MR. HARRIS,

657
00:30:21,450 --> 00:30:23,592
AND I'M DIRECTING HIM

658
00:30:23,592 --> 00:30:27,026
NOT TO ANSWER
ANY MORE OF YOUR QUESTIONS.
YOUR CLIENT CAN ANSWER
MY QUESTIONS HERE

659
00:30:27,026 --> 00:30:29,158
OR HE CAN ANSWER THEM
IN FRONT OF A GRAND JURY.

660
00:30:29,158 --> 00:30:32,031
IF YOU'VE GOT ENOUGH
TO CHARGE HIM, DO IT.

661
00:30:32,031 --> 00:30:38,207
OTHERWISE, HE'S COMING WITH ME.
LET'S GO, MR. HARRIS.

662
00:30:38,207 --> 00:30:41,010
(door closes)
GUESS IT'S A LOT TOUGHER

663
00:30:41,010 --> 00:30:43,542
WHEN THEY ACTUALLY
KNOW THE RULES, HUH?

664
00:30:46,916 --> 00:30:48,217
(door opens)

665
00:30:48,217 --> 00:30:49,848
THANK YOU.

666
00:30:49,848 --> 00:30:51,850
LAB SAYS
CONDOMS ARE A MATCH.

667
00:30:51,850 --> 00:30:54,623
SO WE CAN PROVE THEY HAD SEX?
LOOK, IF CHLOE
GOT HOME AT 1:00,

668
00:30:54,623 --> 00:30:57,626
THEN THERE'S NO WAY HE HAD TIME
TO GET DOWN TO THE BASEMENT,

669
00:30:57,626 --> 00:31:00,629
KILL SARA
AND MAKE IT BACK UPSTAIRS.
MAYBE WE OUGHT TO
PICK CHLOE UP,

670
00:31:00,629 --> 00:31:03,092
SEE IF SHE BACKS HIS STORY.
WE DON'T HAVE TO.

671
00:31:03,092 --> 00:31:05,394
WHY NOT?

672
00:31:05,394 --> 00:31:08,437
BECAUSE THE ELEVATOR CAM
HAD A TIME STAMP.

673
00:31:08,437 --> 00:31:11,140
OUR SUSPECT SAYS THAT SARA
LEFT HIS APARTMENT ABOUT 12:45,

674
00:31:11,140 --> 00:31:13,642
AND THE CAMERA
IN THE ELEVATOR PUTS HER ON IT

675
00:31:13,642 --> 00:31:17,076
HEADED TOWARDS THE BASEMENT
AT 12:48.
WE THINK SHE WAS MURDERED
MAYBE TEN MINUTES LATER.

676
00:31:17,076 --> 00:31:19,308
SO WHAT ARE WE LOOKING FOR?
THE NANNY
WHO WORKED FOR THE GUY.

677
00:31:19,308 --> 00:31:22,611
WE'RE JUST TRYING
TO CHECK OUT HIS STORY.
HE CLAIMS SHE GOT HOME AT 1:00,

678
00:31:22,611 --> 00:31:24,613
AND THAT HE NEVER
LEFT THE APARTMENT AGAIN.

679
00:31:27,116 --> 00:31:30,019
AH, THERE SHE IS. 12:54.

680
00:31:30,019 --> 00:31:31,020
OKAY, THAT'S SIX MINUTES

681
00:31:31,020 --> 00:31:33,062
AFTER SARA MANNING
GOT ON THE ELEVATOR.

682
00:31:33,062 --> 00:31:35,424
WELL, I GUESS HARRIS
WAS TELLING THE TRUTH.
(Beckett) WAIT.

683
00:31:35,424 --> 00:31:37,026
WHAT?
WAIT, WHERE'S THE KID?

684
00:31:37,026 --> 00:31:39,528
WHERE'S WHAT KID?
BECCA.

685
00:31:39,528 --> 00:31:42,431
(mouse button clicks)
THE LITTLE GIRL
THAT CHLOE TAKES CARE OF.

686
00:31:42,431 --> 00:31:44,974
MAYBE SHE LEFT THE KID
IN PLAYGROUND

687
00:31:44,974 --> 00:31:48,037
WITH ONE OF THE OTHER NANNIES.
HARRIS SAID THAT SHE CAME BACK
WITH HIS DAUGHTER

688
00:31:48,037 --> 00:31:50,379
AT THE SAME TIME EVERY DAY.
WHAT DIFFERENCE DOES IT MAKE?

689
00:31:50,379 --> 00:31:52,942
THE DIFFERENCE IS THAT
THERE ARE NO COINCIDENCES,

690
00:31:52,942 --> 00:31:55,214
NOT WHEN MURDER'S INVOLVED.
CHLOE WOULD'VE KNOWN
SARA'S SCHEDULE, AND CHLOE

691
00:31:55,214 --> 00:31:58,617
WOULD'VE KNOWN THAT SARA WAS
IN THE BASEMENT AT THAT TIME.
PICK HER UP.

692
00:31:58,617 --> 00:32:00,389
(knocks on door)

693
00:32:00,389 --> 00:32:03,492
CAN I HELP YOU?
DOES CHLOE RICHARDSON
LIVE HERE?

694
00:32:03,492 --> 00:32:07,026
YES, BUT SHE'S NOT HERE
RIGHT NOW.
WHERE DID SHE GO?

695
00:32:07,026 --> 00:32:10,359
INTO THE CITY.
DO YOU MIND
IF I TAKE A LOOK AROUND?

696
00:32:10,359 --> 00:32:14,003
NO. BUT... (scoffs)
I'M TELLING YOU, SHE'S NOT HERE.

697
00:32:14,003 --> 00:32:16,235
SHE LEFT ABOUT AN HOUR AGO.

698
00:32:16,235 --> 00:32:18,307
DETECTIVE.

699
00:32:18,307 --> 00:32:20,309
THAT'S THE FAMILY
THAT CHLOE WORKS FOR.

700
00:32:20,309 --> 00:32:22,271
NOT EXACTLY
THE WHOLE FAMILY.

701
00:32:22,271 --> 00:32:25,044
SHE CUT THE MOM
OUT OF THE PICTURE.

702
00:32:25,044 --> 00:32:28,177
WHERE IN THE CITY
DID CHLOE GO?
TO THEIR APARTMENT.

703
00:32:28,177 --> 00:32:30,179
SHE SAID THAT THEY NEEDED HER
TO BABYSIT TONIGHT.

704
00:32:30,179 --> 00:32:32,381
SHE MUST'VE FOUND OUT THAT I
TOOK HARRIS IN FOR QUESTIONING.

705
00:32:32,381 --> 00:32:35,024
IF SHE TALKED TO HIS WIFE,
SHE'D KNOW HE'D BEEN RELEASED.

706
00:32:35,024 --> 00:32:38,157
AND WE BOTH KNOW WHAT SHE DOES
TO PEOPLE SHE DOESN'T LIKE.
SHE'S GOING AFTER IAN HARRIS.

707
00:32:38,157 --> 00:32:41,490
WE BETTER FIND HER
BEFORE SHE FINDS HIM.

708
00:32:43,632 --> 00:32:45,995
(tires squeal)

709
00:32:47,997 --> 00:32:51,170
NO ANSWER IN THE APARTMENT WHEN
THE DOORMAN CALLED UPSTAIRS.

710
00:32:51,170 --> 00:32:52,701
(Ryan) BUT HE'S SURE
CHLOE'S THERE.

711
00:32:52,701 --> 00:32:54,473
HE SAYS IAN HARRIS
IS UP THERE, TOO.

712
00:32:54,473 --> 00:32:57,306
CAME HOME ABOUT AN HOUR AGO.
WHICH MEANS CHLOE WOULD'VE
BEEN THERE WAITING FOR HIM.

713
00:32:57,306 --> 00:33:00,109
ALL RIGHT, WE DON'T HAVE TIME
TO WAIT FOR EMERGENCY SERVICES.

714
00:33:00,109 --> 00:33:02,111
WE'RE GONNA HAVE TO
GO IN ON OUR OWN.
(Esposito) WHOA. WHAT ABOUT HIM?

715
00:33:02,111 --> 00:33:05,114
HE STAYS HERE.
WHOA! NO! COME ON! COME ON!
I ALREADY SIGNED MY LIFE AWAY.

716
00:33:05,114 --> 00:33:08,087
WHAT MORE DO YOU WANT?
OKAY, CASTLE,
BUT IT'S ACCOMPANY AND OBSERVE,

717
00:33:08,087 --> 00:33:11,420
NOT PARTICIPATE AND ANNOY.
GOT IT?
PARTICIPATE AND ANNOY'S
A LOT MORE FUN, BUT ALL RIGHT.

718
00:33:11,420 --> 00:33:14,063
AND STAY BEHIND US
IN THE HALLWAY,

719
00:33:14,063 --> 00:33:16,725
AND DON'T MOVE
UNLESS I TELL YOU.
HOPE TO DIE. YOU KNOW
WHAT I MEAN. IT'S...

720
00:33:16,725 --> 00:33:19,728
(elevator bell dings)

721
00:33:24,173 --> 00:33:25,304
OPEN DOOR.

722
00:33:25,304 --> 00:33:28,137
I GOT A VICTIM DOWN, GUYS.
STACK 'EM UP.

723
00:33:30,079 --> 00:33:33,712
POLICE! NEW YORK CITY POLICE!
(woman)
WE'RE HERE! WE'RE HERE!

724
00:33:33,712 --> 00:33:35,114
MRS. HARRIS?

725
00:33:35,114 --> 00:33:37,546
IN HERE! I-I LOCKED US
IN THE BATHROOM.

726
00:33:37,546 --> 00:33:40,589
ROOM ALL CLEAR!
CHECK HIM!

727
00:33:40,589 --> 00:33:45,054
(Beckett) MRS. HARRIS, ARE YOU
OKAY? IS YOUR DAUGHTER WITH YOU?
YES. YES, WE'RE OKAY.

728
00:33:45,054 --> 00:33:46,595
(Ryan) HE'S STILL ALIVE.
MRS. HARRIS, IS CHLOE THERE?

729
00:33:46,595 --> 00:33:48,597
NO, NO,
IT'S JUST ME AND BECCA.

730
00:33:48,597 --> 00:33:50,599
APARTMENT'S ALL CLEAR.
CHLOE'S NOT HERE.

731
00:33:50,599 --> 00:33:53,202
YOU CAN COME OUT NOW,
MRS. HARRIS.

732
00:33:54,803 --> 00:33:57,106
WHERE'S CHLOE, MRS. HARRIS?
I DON'T KNOW.

733
00:33:57,106 --> 00:34:00,439
SHE MUST'VE USED HER KEY. I-I
WAS JUST GIVING BECCA A BATH.
(telephone ringing)

734
00:34:00,439 --> 00:34:02,341
I DIDN'T EVEN KNOW
SHE WAS HERE.

735
00:34:02,341 --> 00:34:05,144
THAT'S THE DOORMAN
FROM DOWNSTAIRS.

736
00:34:05,144 --> 00:34:08,517
(Beckett) ANSWER IT.
HELLO.

737
00:34:08,517 --> 00:34:10,279
THANK YOU. I'LL TELL HER.

738
00:34:10,279 --> 00:34:12,621
(hangs up receiver)
DOORMAN SAYS A TENANT CALLED.

739
00:34:12,621 --> 00:34:15,184
THERE'S A GIRL IN THE LAUNDRY
ROOM, AND SHE'S GOT A KNIFE.

740
00:34:21,730 --> 00:34:23,792
(elevator bell dings)

741
00:34:23,792 --> 00:34:25,794
WHERE'S THE GIRL?

742
00:34:25,794 --> 00:34:27,296
SHE'S INSIDE,
JUST SITTING THERE.

743
00:34:27,296 --> 00:34:29,298
ESPOSITO, GET THESE PEOPLE
OUT OF HERE.

744
00:34:29,298 --> 00:34:31,300
(Esposito) LET'S GO.
EVERYBODY UP THE STAIRS.

745
00:34:31,300 --> 00:34:32,801
COME ON, LET'S GO.

746
00:34:32,801 --> 00:34:35,804
SO WHAT'S THE PLAN?
TO GET EVERYONE
OUT OF THIS ALIVE.

747
00:34:35,804 --> 00:34:37,306
GOOD PLAN.

748
00:34:39,708 --> 00:34:42,811
YOU DON'T GO IN.
DO YOU UNDERSTAND?
YES.

749
00:34:42,811 --> 00:34:44,082
OKAY.

750
00:34:47,316 --> 00:34:48,587
CHLOE?

751
00:34:48,587 --> 00:34:51,860
CHLOE, IT'S DETECTIVE BECKETT.
DO YOU REMEMBER ME?

752
00:34:51,860 --> 00:34:54,863
PLEASE JUST GO AWAY.

753
00:34:54,863 --> 00:34:59,128
I'M SORRY, CHLOE,
BUT I CAN'T DO THAT.

754
00:35:01,700 --> 00:35:03,532
LOOK, CHLOE,

755
00:35:03,532 --> 00:35:05,103
YOU'RE HURT.

756
00:35:05,103 --> 00:35:07,836
WHY DON'T YOU PUT THE KNIFE
AWAY, AND LET ME HELP YOU?

757
00:35:07,836 --> 00:35:10,839
OH, WHY DON'T YOU
JUST SHOOT ME?

758
00:35:10,839 --> 00:35:13,782
HEY, LOOK AT ME. LOOK.

759
00:35:13,782 --> 00:35:17,186
NO ONE'S GONNA SHOOT ANYONE.

760
00:35:17,186 --> 00:35:19,848
OKAY?

761
00:35:19,848 --> 00:35:21,550
(door closes)

762
00:35:21,550 --> 00:35:25,154
UNLESS IT'S YOU IF YOU TAKE
ANOTHER STEP INSIDE, CASTLE.

763
00:35:29,858 --> 00:35:33,162
(voice breaking)
HE WAS SLEEPING WITH SARA.

764
00:35:33,162 --> 00:35:34,463
I KNOW.

765
00:35:34,463 --> 00:35:37,736
ONLY THE--THE WHOLE TIME,

766
00:35:37,736 --> 00:35:40,609
HE WAS SLEEPING WITH ME.

767
00:35:40,609 --> 00:35:43,812
AND HE WAS TELLING ME
THAT HE LOVED ME,

768
00:35:43,812 --> 00:35:48,317
THAT HE WAS GONNA
LEAVE HIS WIFE FOR ME.

769
00:35:49,848 --> 00:35:53,752
GUYS CAN BE LIKE THAT
SOMETIMES, CHLOE.

770
00:35:53,752 --> 00:35:56,755
THEY CAN LIE,
AND I KNOW WHEN YOU FIND OUT

771
00:35:56,755 --> 00:35:58,857
HOW MUCH
IT COULD BREAK YOUR HEART.

772
00:36:02,691 --> 00:36:05,364
I'M PREGNANT.

773
00:36:05,364 --> 00:36:09,268
WELL, THAT'S EVEN MORE REASON
FOR US TO GET YOU SOME HELP.

774
00:36:09,268 --> 00:36:11,570
RIGHT?

775
00:36:11,570 --> 00:36:14,243
(inhales deeply)

776
00:36:14,243 --> 00:36:16,775
LOOK, I...

777
00:36:16,775 --> 00:36:19,508
I JUST WANTED
TO TALK TO HER.

778
00:36:19,508 --> 00:36:20,879
THAT'S ALL.

779
00:36:20,879 --> 00:36:24,853
I JUST WANTED TO--TO TELL HER
THAT IAN AND I WERE IN LOVE.

780
00:36:24,853 --> 00:36:27,816
I KNOW WHAT HAPPENED TO SARA
WAS AN ACCIDENT, CHLOE.

781
00:36:27,816 --> 00:36:29,518
I KNOW THAT.

782
00:36:29,518 --> 00:36:32,521
I LEFT BECCA IN THE PARK,
AND I WENT UP TO THE APARTMENT

783
00:36:32,521 --> 00:36:35,964
TO SEE IF IT WAS TRUE,
'CAUSE, UH...

784
00:36:35,964 --> 00:36:38,967
I'D SEEN THE WAY
HE WAS LOOKING AT HER.

785
00:36:41,570 --> 00:36:44,273
AS SOON AS I SAW IAN'S BED,
I KNEW.

786
00:36:44,273 --> 00:36:46,475
HE WENT TO TAKE A SHOWER,
SO I--

787
00:36:46,475 --> 00:36:48,877
I CAME DOWN HERE,

788
00:36:48,877 --> 00:36:51,710
JUST TO TALK TO SARA.

789
00:36:51,710 --> 00:36:54,212
I KNOW YOU DIDN'T MEAN
TO KILL HER, CHLOE.

790
00:36:54,212 --> 00:36:56,545
SARA WAS MY FRIEND,
YOU KNOW?

791
00:36:56,545 --> 00:36:58,547
BUT SHE JUST--
SHE DIDN'T...

792
00:36:58,547 --> 00:37:01,920
SHE DIDN'T GET IT.
(chuckles)

793
00:37:01,920 --> 00:37:04,893
SHE DIDN'T GET
HOW WE FELT ABOUT EACH OTHER.

794
00:37:04,893 --> 00:37:07,896
SO WHEN--WHEN SHE
TURNED AROUND,

795
00:37:07,896 --> 00:37:12,331
I JUST... GRABBED THE BLEACH,
AND I HIT HER WITH IT.

796
00:37:12,331 --> 00:37:13,932
AND SHE FELL.

797
00:37:13,932 --> 00:37:16,435
(crying) AND I WAS SO SCARED.
I DIDN'T...

798
00:37:16,435 --> 00:37:18,937
I DIDN'T KNOW WHAT TO DO,
SO I JUST...

799
00:37:18,937 --> 00:37:21,270
I PUT HER IN THE DRYER.

800
00:37:21,270 --> 00:37:23,542
(sobs)

801
00:37:25,674 --> 00:37:27,816
I WAS SO ANGRY...

802
00:37:27,816 --> 00:37:31,720
(inhales sharply)
YOU KNOW, JUST SO MAD.

803
00:37:31,720 --> 00:37:35,324
CHLOE,
PUT THE KNIFE DOWN, OKAY,

804
00:37:35,324 --> 00:37:37,326
AND LET ME HELP YOU.

805
00:37:44,863 --> 00:37:46,535
JUST PUT THE KNIFE DOWN.

806
00:37:46,535 --> 00:37:48,897
COME ON.

807
00:37:58,276 --> 00:37:59,948
(cries softly)

808
00:37:59,948 --> 00:38:03,051
GOD, I'M SO STUPID.

809
00:38:05,914 --> 00:38:08,016
(Beckett) IT'S OKAY.

810
00:38:08,016 --> 00:38:11,019
(siren wailing)

811
00:38:11,019 --> 00:38:14,022
(indistinct conversations)

812
00:38:24,533 --> 00:38:26,875
(car door closes)

813
00:38:26,875 --> 00:38:29,878
SO... LOOKS LIKE I MANAGED
TO MAKE IT THROUGH THE CASE

814
00:38:29,878 --> 00:38:32,080
WITHOUT GETTING INJURED,
SHOT OR KILLED.

815
00:38:32,080 --> 00:38:33,942
YEAH, WELL, MAYBE TOMORROW.

816
00:38:33,942 --> 00:38:36,945
(chuckles) BY THE WAY,
I REALLY LIKED THAT WHOLE,

817
00:38:36,945 --> 00:38:39,748
UH, SISTERHOOD THING
YOU RAN BACK THERE.

818
00:38:39,748 --> 00:38:42,621
I WASN'T RUNNING ANYTHING,
CASTLE.

819
00:38:42,621 --> 00:38:44,623
WHAT THAT GUY DID
HAD CONSEQUENCES,

820
00:38:44,623 --> 00:38:46,925
ONLY HE'LL GET
TO JUST WALK AWAY.

821
00:38:46,925 --> 00:38:48,797
WELL, NOT SCOT-FREE.

822
00:38:48,797 --> 00:38:51,660
I MEAN, I-I SENSE A PRETTY BIG
DIVORCE SETTLEMENT

823
00:38:51,660 --> 00:38:55,464
IN HIS FUTURE.
WHATEVER IT IS,
IT WON'T BE ENOUGH.

824
00:39:01,710 --> 00:39:05,043
(rainfall)

825
00:39:05,043 --> 00:39:08,417
(typing)

826
00:39:18,727 --> 00:39:21,530
SO...
DID YOU GUYS GET HIM?

827
00:39:21,530 --> 00:39:24,032
ON THEIR WAY UP THE RIVER
AS WE SPEAK.

828
00:39:24,032 --> 00:39:26,064
COOL.
WAS IT WHO YOU THOUGHT?

829
00:39:26,064 --> 00:39:29,037
ACTUALLY, IT WASN'T.

830
00:39:29,037 --> 00:39:31,970
WOW. IT MUST'VE BEEN A PRETTY
GOOD STORY TO SURPRISE YOU.

831
00:39:31,970 --> 00:39:34,072
MM-HMM.
YOU KNOW,
YOU BETTER BE CAREFUL

832
00:39:34,072 --> 00:39:36,505
OR YOU'LL TURN INTO
ONE OF YOUR READERS.

833
00:39:36,505 --> 00:39:40,449
OH. OH, OKAY,
YOU JUST RUINED IT.

834
00:39:40,449 --> 00:39:44,753
YOU KNOW, IT'S OKAY
TO BE SURPRISED SOMETIMES.

835
00:39:44,753 --> 00:39:46,585
THAT'S THE FUN.

836
00:39:46,585 --> 00:39:48,787
YOU SURPRISE ME,

837
00:39:48,787 --> 00:39:50,519
ALL THE TIME.

838
00:39:50,519 --> 00:39:53,792
♪♪

839
00:39:53,792 --> 00:39:56,695
I'LL SEE YOU
IN THE MORNING, DAD.

840
00:39:56,695 --> 00:39:58,697
GOOD NIGHT, PUMPKIN.

841
00:40:00,398 --> 00:40:01,570
DAD?

842
00:40:01,570 --> 00:40:02,771
MM-HMM?

843
00:40:02,771 --> 00:40:05,534
THANKS FOR BEING MY NANNY.

844
00:40:05,534 --> 00:40:08,406
NO SWEAT, KIDDO.

845
00:40:08,406 --> 00:40:11,740
(man) ♪ I CAN SEE IT
IN YOUR EYES ♪

846
00:40:11,740 --> 00:40:19,548
♪ THEY'RE SPEAKING TO ME ♪

847
00:40:23,151 --> 00:40:26,995
♪ REST YOUR HEAD RIGHT HERE ♪

848
00:40:26,995 --> 00:40:34,563
♪ TO FEEL FREE ♪

849
00:40:34,563 --> 00:40:38,767
♪ WELL, COME ON IN ♪

850
00:40:38,767 --> 00:40:42,010
♪ THE DOOR IS ALWAYS OPEN ♪

851
00:40:42,010 --> 00:40:46,444
♪ FOR YOU, MY FRIEND ♪

852
00:40:46,444 --> 00:40:50,979
♪ WE'LL ALWAYS BE HERE ♪

853
00:40:50,979 --> 00:40:57,986
♪ SO COME ON IN ♪