1 00:00:02,173 --> 00:00:04,775 (1990s' "You're Supposed To Be My Friend" playing) 2 00:00:04,775 --> 00:00:07,007 ♪ HEY ♪ 3 00:00:07,007 --> 00:00:10,041 ♪ WHOO-HOO ♪ 4 00:00:10,041 --> 00:00:11,582 ♪ HEY ♪ 5 00:00:14,115 --> 00:00:17,017 ♪ OKAY ♪ 6 00:00:17,017 --> 00:00:20,020 ♪ YOU'RE SUPPOSED TO BE MY FRIEND ♪ 7 00:00:20,020 --> 00:00:22,022 (Castle) OH, MY GOD. 8 00:00:22,022 --> 00:00:24,755 THIS IS QUITE POSSIBLY THE WORST COFFEE I'VE EVER TASTED. 9 00:00:24,755 --> 00:00:26,757 IT'S ACTUALLY KIND OF FASCINATING. 10 00:00:26,757 --> 00:00:30,531 IT TASTES LIKE A... MM. 11 00:00:30,531 --> 00:00:33,604 IT TASTES LIKE A MONKEY PEED IN BATTERY ACID. 12 00:00:33,604 --> 00:00:37,208 TRY SOME? DON'T YOU HAVE A BOOK COMING OUT TODAY OR SOMETHING? 13 00:00:37,208 --> 00:00:38,709 YEAH, SO? 14 00:00:38,709 --> 00:00:41,172 SO YOU ARE STARING AT ME DOING PAPERWORK. 15 00:00:41,172 --> 00:00:44,044 IT'S CREEPY. DON'T YOU HAVE SOMEWHERE ELSE TO BE? 16 00:00:44,044 --> 00:00:47,178 I LIKE IT HERE. 17 00:00:47,178 --> 00:00:49,220 OH, MY GOSH. I GET IT. 18 00:00:49,220 --> 00:00:50,781 YOU'RE HIDING. 19 00:00:50,781 --> 00:00:54,355 YOUR BOOK IS COMING OUT TODAY, AND YOU ARE HIDING. 20 00:00:54,355 --> 00:00:57,057 NO, HIDING WOULD BE BUILDING A FORTRESS OUT OF MY COMFORTER 21 00:00:57,057 --> 00:00:59,130 AND THEN DOWNING A FIFTH OF SCOTCH, 22 00:00:59,130 --> 00:01:01,192 BUT APPARENTLY THAT'S CONSIDERED UNHEALTHY. 23 00:01:01,192 --> 00:01:04,735 I THOUGHT THAT YOU DON'T CARE WHAT PEOPLE THINK. I DON'T... MUCH. 24 00:01:04,735 --> 00:01:07,098 (cell phone rings) UGH. 25 00:01:07,098 --> 00:01:08,099 (beep) 26 00:01:08,099 --> 00:01:09,270 BECKETT. 27 00:01:09,270 --> 00:01:12,703 YEAH. RIGHT. ON MY WAY. 28 00:01:12,703 --> 00:01:15,506 DEAD BODY? YES! 29 00:01:15,506 --> 00:01:16,807 (camera shutter clicking) 30 00:01:16,807 --> 00:01:19,350 (police radio chatter) 31 00:01:19,350 --> 00:01:22,213 THIS THE GUY? YOU HEARD, HUH? 32 00:01:22,213 --> 00:01:24,515 OH, EVERYONE'S HEARD. YOU REALLY BASING 33 00:01:24,515 --> 00:01:27,718 YOUR NEXT CHARACTER ON DETECTIVE BECKETT? EVERY ARTIST NEEDS A MUSE. 34 00:01:27,718 --> 00:01:31,122 CALL ME A MUSE AGAIN AND I WILL BREAK BOTH YOUR LEGS. OKAY? 35 00:01:31,122 --> 00:01:33,124 OKAY. DETECTIVE BECKETT. 36 00:01:33,124 --> 00:01:34,825 JACK LIFFORD AND HALL MORRISON. 37 00:01:34,825 --> 00:01:37,868 WHILE MOVING IN, THEY, UH, SEE A ROLLED-UP RUG 38 00:01:37,868 --> 00:01:40,131 STICKING OUT OF A DUMPSTER. 39 00:01:40,131 --> 00:01:42,102 THEY FIGURE IT'S THEIR LUCKY DAY. 40 00:01:42,102 --> 00:01:44,535 THEY BRING IT HOME ONLY TO FIND THERE'S A PRIZE INSIDE. 41 00:01:44,535 --> 00:01:47,378 DEAD GUY IN A RUG-- NATURALLY, WE THOUGHT OF YOU. YEAH. 42 00:01:47,378 --> 00:01:50,211 .38 CALIBER, CLOSE RANGE. KILLED HIM INSTANTLY. 43 00:01:50,211 --> 00:01:53,214 YOU GOT AN I.D.? (Esposito) NO, POCKETS WERE EMPTY. 44 00:01:53,214 --> 00:01:56,147 NO WALLET, NO KEYS, NO JEWELRY. WE FIGURE A ROBBERY GONE WRONG. 45 00:01:56,147 --> 00:01:58,689 THIS WASN'T A ROBBERY. THIS WASN'T A ROBBERY. 46 00:01:58,689 --> 00:02:00,791 I ROB SOMEONE, I'M NOT GONNA STICK AROUND 47 00:02:00,791 --> 00:02:02,793 TO WRAP HIM UP AND THROW HIM AWAY. BLOOD SPATTER INDICATES 48 00:02:02,793 --> 00:02:05,156 THAT HE WAS STANDING NEAR THE RUG WHEN HE WAS SHOT. 49 00:02:05,156 --> 00:02:08,199 WHERE DID THEY FIND THIS? (Ryan) EAST THIRD, ABOUT TWO BLOCKS AWAY. 50 00:02:08,199 --> 00:02:10,761 (camera shutter clicking) ALL RIGHT, LET'S GET C.S.U. ON THE RUG-- 51 00:02:10,761 --> 00:02:13,164 FIBERS, BLOOD, IDENTIFYING MARKS-- 52 00:02:13,164 --> 00:02:16,267 AND LET'S GET A TEAM DOWN TO THE DUMPSTER, 53 00:02:16,267 --> 00:02:18,369 SEE IF THEY CAN DIG ANYTHING ELSE UP. 54 00:02:18,369 --> 00:02:22,773 LANIE, YOU DO WHAT YOU CAN ABOUT AN I.D. DON'T BOTHER. I KNOW WHO HE IS. 55 00:02:22,773 --> 00:02:29,149 ♪♪ 56 00:02:29,149 --> 00:02:30,281 (Montgomery) YOU GOT SOMETHING? 57 00:02:30,281 --> 00:02:33,284 JEFF HORN, 48, 2-TERM CITY COUNCIL MEMBER. 58 00:02:33,284 --> 00:02:35,686 FRIEND OF YOURS? I RECOGNIZED HIM FROM THE BUS ADS. 59 00:02:35,686 --> 00:02:38,329 HE'S RUNNING FOR REELECTION. THE PRESS IS GONNA BE ALL OVER THIS. 60 00:02:38,329 --> 00:02:40,331 HE HAVE A FAMILY? YEAH. 61 00:02:40,331 --> 00:02:43,334 WELL, LET'S TRY TO NOTIFY 'EM BEFORE THE JACKALS DO. 62 00:02:43,334 --> 00:02:45,436 (Beckett) MRS. HORN, I KNOW THIS IS DIFFICULT, 63 00:02:45,436 --> 00:02:49,200 BUT WHEN WAS THE LAST TIME YOU HEARD FROM YOUR HUSBAND? 64 00:02:49,200 --> 00:02:52,172 I... I CALLED HIM LAST NIGHT AROUND 11:00. 65 00:02:52,172 --> 00:02:54,174 HE WAS FINISHING UP A FUND-RAISER 66 00:02:54,174 --> 00:02:56,607 AND HEADING BACK TO THE OFFICE. 67 00:02:56,607 --> 00:02:59,310 DID HE ALWAYS WORK THAT LATE? DURING ELECTIONS. 68 00:02:59,310 --> 00:03:01,882 HE BELIEVED THAT IT WAS A POLITICIAN'S OBLIGATION 69 00:03:01,882 --> 00:03:05,616 TO GET THE PEOPLE'S WORK DONE, EVEN WHILE RUNNING FOR OFFICE. 70 00:03:05,616 --> 00:03:08,859 AND WHEN HE DIDN'T COME HOME? 71 00:03:08,859 --> 00:03:12,923 WELL, IT WASN'T UNUSUAL FOR HIM TO CRASH ON HIS COUCH 72 00:03:12,923 --> 00:03:16,697 INSTEAD OF COMING HOME, BUT... 73 00:03:16,697 --> 00:03:18,699 WHEN FRANK CALLED THIS MORNING-- 74 00:03:18,699 --> 00:03:20,601 FRANK? 75 00:03:20,601 --> 00:03:24,875 FRANK NESBIT, UM, JEFF'S CAMPAIGN MANAGER. 76 00:03:24,875 --> 00:03:28,839 HOW DID YOUR HUSBAND SOUND LAST NIGHT? WHAT DO YOU MEAN? 77 00:03:28,839 --> 00:03:32,483 DID HE SEEM TROUBLED, LIKE THERE WAS SOMETHING WRONG? 78 00:03:32,483 --> 00:03:35,246 NO, HE SEEMED HAPPY. 79 00:03:35,246 --> 00:03:38,389 (voice breaking) IT DOESN'T MAKE ANY SENSE. 80 00:03:38,389 --> 00:03:40,851 HE'S A GOOD MAN AND HE'S A GOOD FATHER, 81 00:03:40,851 --> 00:03:42,853 AND EVERY DAY HE WOULD GO OUT THERE 82 00:03:42,853 --> 00:03:45,556 AND TRY TO MAKE THIS CITY A BETTER PLACE-- 83 00:03:45,556 --> 00:03:46,857 EVERY DAY. (sniffles) 84 00:03:46,857 --> 00:03:49,860 AND FOR HIM TO DIE LIKE THIS... 85 00:03:49,860 --> 00:03:51,532 (crying) 86 00:03:51,532 --> 00:03:54,965 OH, NO. WHAT AM I SUPPOSED TO TELL MY GIRLS? 87 00:03:59,570 --> 00:04:02,343 (exhales deeply) 88 00:04:02,343 --> 00:04:04,445 YOU OKAY? 89 00:04:04,445 --> 00:04:07,247 YEAH. WHY? 90 00:04:07,247 --> 00:04:10,821 CAN'T BE EASY BREAKING THAT KIND OF NEWS. 91 00:04:10,821 --> 00:04:12,723 YEAH, WELL... 92 00:04:12,723 --> 00:04:14,925 THANKS FOR NOT MAKING IT A JOKE. 93 00:04:14,925 --> 00:04:17,257 HEY, I'M A WISEASS, NOT A JACKASS. 94 00:04:17,257 --> 00:04:19,990 I DIDN'T KNOW THERE WAS A DIFFERENCE. 95 00:04:19,990 --> 00:04:22,763 SO WHAT'S YOUR NEXT MOVE? 96 00:04:22,763 --> 00:04:26,337 LAST PERSON TO SEE HIM ALIVE? ESTABLISH A TIME LINE? 97 00:04:26,337 --> 00:04:28,939 GRAB A DOUGHNUT? MORE REALLY BAD COFFEE? 98 00:04:28,939 --> 00:04:31,001 THIS, UM, FEMALE DETECTIVE OF YOURS, 99 00:04:31,001 --> 00:04:33,644 EXACTLY HOW MUCH WILL SHE BE BASED ON ME? 100 00:04:33,644 --> 00:04:35,846 WELL, SHE'S NOT TOO BRIGHT AND KIND OF SLUTTY. 101 00:04:35,846 --> 00:04:38,749 RIGHT. SO WAS THAT WISEASS OR JACKASS? ACTUALLY, THAT WAS JACKASS. 102 00:04:38,749 --> 00:04:40,881 HMM. NO, HONESTLY, YOU'RE NOT GONNA HAVE 103 00:04:40,881 --> 00:04:42,783 ANYTHING TO BE EMBARRASSED ABOUT. 104 00:04:42,783 --> 00:04:45,285 SHE'S GONNA BE... SHE'S GONNA BE REALLY SMART, 105 00:04:45,285 --> 00:04:48,288 VERY SAVVY, HAUNTING GOOD LOOKS, 106 00:04:48,288 --> 00:04:51,962 REALLY GOOD AT HER JOB... 107 00:04:51,962 --> 00:04:54,825 AND KIND OF SLUTTY. CASTLE-- 108 00:04:54,825 --> 00:04:58,369 ("Ride of the Valkyries" ringtone playing) I SHOULD REALLY GET THAT. 109 00:04:58,369 --> 00:05:00,601 HELLO? (Martha) Oh, sweetheart, I-- 110 00:05:00,601 --> 00:05:03,604 WHOA, MOTHER, SLOW DOWN. WHAT'S WRONG? I just wanted to make sure you were all right. 111 00:05:03,604 --> 00:05:06,637 WHY WOULDN'T I BE ALL RIGHT? No one is buying your book. 112 00:05:06,637 --> 00:05:09,940 WHAT ARE YOU TALKING ABOUT? I am standing in the middle of the bookstore, 113 00:05:09,940 --> 00:05:13,984 AND NO ONE IS BUYING YOUR BOOK. OKAY. WHAT ARE YOU DOING IN A BOOKSTORE? 114 00:05:13,984 --> 00:05:16,547 I WAS HUNGRY. I-I CAME IN FOR A PASTRY. 115 00:05:16,547 --> 00:05:19,420 And there they were, all your books, 116 00:05:19,420 --> 00:05:21,522 JUST... SITTING THERE. 117 00:05:21,522 --> 00:05:23,854 WELL, THEY ONLY JUST WENT ON SALE TWO HOURS AGO. 118 00:05:23,854 --> 00:05:25,656 WHAT DID YOU EXPECT, A LINE OUT THE DOOR? 119 00:05:25,656 --> 00:05:28,499 THERE WAS ONE FOR THE LAST HARRY POTTER. 120 00:05:28,499 --> 00:05:31,001 YES, WELL, UH, DERRICK STORM IS NOT HARRY POTTER. 121 00:05:31,001 --> 00:05:32,903 Clearly. 122 00:05:32,903 --> 00:05:36,737 (whispers) NO ONE'S BOUGHT ONE? 123 00:05:36,737 --> 00:05:39,009 HANG ON, KIDDO. HANG ON. 124 00:05:41,071 --> 00:05:43,844 AH... 125 00:05:43,844 --> 00:05:46,777 NO. 126 00:05:46,777 --> 00:05:49,349 YOU OKAY? YEAH. 127 00:05:53,584 --> 00:05:55,586 I DON'T CARE IF IT WAS FREE. 128 00:05:55,586 --> 00:05:57,357 EVEN IF YOU PAY ME, I'M STILL NOT GONNA TAKE THAT RUG. 129 00:05:57,357 --> 00:06:00,431 YOU'RE TELLING ME YOU LIVED IN NEW YORK YOUR WHOLE LIFE, 130 00:06:00,431 --> 00:06:02,963 AND YOU NEVER SCORED A PIECE OF ROADKILL? "ROADKILL"? 131 00:06:02,963 --> 00:06:04,965 IT'S AN ACCEPTED PRACTICE, BRO. 132 00:06:04,965 --> 00:06:06,967 WHEN YOU'RE DONE WITH YOUR OLD STUFF, 133 00:06:06,967 --> 00:06:08,799 YOU LEAVE IT ON THE STREET FOR THOSE LESS FORTUNATE-- 134 00:06:08,799 --> 00:06:10,971 ARTISTS, STUDENTS, FORMER HEDGE FUND MANAGERS. 135 00:06:10,971 --> 00:06:13,844 IT'S TRICKLE-DOWN ECONOMICS AT ITS FINEST. YEAH, WELL, I PREFER NOT TO BE TRICKLED ON. 136 00:06:13,844 --> 00:06:16,407 YOU KNOW THAT RED COUCH I HAVE, 137 00:06:16,407 --> 00:06:19,410 THE ONE YOU LIKE SO MUCH? DON'T YOU SAY IT, BRO. 138 00:06:19,410 --> 00:06:21,752 54th AND LEX. 139 00:06:21,752 --> 00:06:23,153 THAT'S GROSS. 140 00:06:23,153 --> 00:06:26,817 GROSS. WE ARE NEVER PLAYING MADDEN AT YOUR PLACE AGAIN. 141 00:06:26,817 --> 00:06:28,419 DETECTIVE? 142 00:06:28,419 --> 00:06:29,920 YEAH? 143 00:06:29,920 --> 00:06:32,092 YOU JUST GOT IN THERE. 144 00:06:33,894 --> 00:06:36,467 (exhales deeply) 145 00:06:36,467 --> 00:06:38,799 AW, JEEZ. 146 00:06:41,932 --> 00:06:43,834 JEFFREY HORN. 147 00:06:43,834 --> 00:06:47,077 NICE WORK, SCOTT. 148 00:06:47,077 --> 00:06:50,781 YEAH. OKAY. NO, RUN L.U.D.s ON HIS PHONE. 149 00:06:50,781 --> 00:06:53,814 SEE IF HE TALKED TO ANYONE OTHER THAN HIS WIFE. 150 00:06:53,814 --> 00:06:56,617 THEY FOUND THE WALLET. MONEY AND CREDIT CARDS WERE GONE. 151 00:06:56,617 --> 00:06:57,918 ANYTHING FROM THE NEIGHBORS? 152 00:06:57,918 --> 00:07:00,891 THE USUAL--WAILING CATS, LOUD TVs, CAR ALARMS. 153 00:07:00,891 --> 00:07:03,023 NO SHOTS, THOUGH, AND NO BLOOD SPATTER. 154 00:07:03,023 --> 00:07:05,696 A REAL ROBBER WOULD HAVE LEFT THE WALLET 155 00:07:05,696 --> 00:07:09,600 WHERE HE KILLED THE GUY, NOT WHERE HE MOVED HIM. IT'S A SLOPPY COVER-UP, BUT IT DOES TELL US ONE THING-- 156 00:07:09,600 --> 00:07:11,802 THIS WAS PREMEDITATED. 157 00:07:15,836 --> 00:07:18,809 EXCUSE ME. DETECTIVE KATE BECKETT, NYPD. 158 00:07:18,809 --> 00:07:20,841 WE'RE LOOKING FOR FRANK NESBIT. 159 00:07:20,841 --> 00:07:22,973 THANK YOU. 160 00:07:22,973 --> 00:07:24,945 RYAN, COULD YOU GIVE US A MINUTE? 161 00:07:24,945 --> 00:07:27,948 WE'VE, UH, CALLED IN GRIEF COUNSELORS FOR THE KIDS. 162 00:07:27,948 --> 00:07:29,950 I KNOW IT'S A CLICHé, 163 00:07:29,950 --> 00:07:32,983 BUT HE MEANT A LOT TO ALL OF US. 164 00:07:32,983 --> 00:07:35,956 WELL, IT SOUNDS LIKE HE WAS MORE THAN JUST A CANDIDATE. 165 00:07:35,956 --> 00:07:38,829 WE WERE FRIENDS. WE WANTED TO CHANGE THE WORLD. 166 00:07:38,829 --> 00:07:41,832 WERE YOU WITH HIM LAST NIGHT? YEAH, UNTIL ABOUT, UH, I DON'T KNOW, 11:00. 167 00:07:41,832 --> 00:07:45,936 I OFFERED TO SHARE A TAXI, BUT HE WANTED TO WALK. WHERE WAS THE FUND-RAISER? 168 00:07:45,936 --> 00:07:48,068 MARCONI'S-- 83rd, OFF BROADWAY. 169 00:07:48,068 --> 00:07:50,200 THAT'S JUST A DOZEN BLOCKS FROM HERE. 170 00:07:50,200 --> 00:07:54,044 YEAH. MR. HORN'S BODY WAS FOUND ALL THE WAY DOWNTOWN. 171 00:07:54,044 --> 00:07:56,907 DID HE HAVE ANY ENEMIES? WELL, HE WAS A POLITICIAN. 172 00:07:56,907 --> 00:07:59,880 WHAT ABOUT HIS OPPONENT? IT'S HARD TO IMAGINE JASON BOLLINGER 173 00:07:59,880 --> 00:08:01,652 DOING SOMETHING LIKE THIS. 174 00:08:01,652 --> 00:08:04,515 HE IS 8 POINTS UP IN THE POLLS. 175 00:08:04,515 --> 00:08:06,887 DID HORN OR THE CAMPAIGN RECEIVE ANY THREATS RECENTLY? 176 00:08:06,887 --> 00:08:09,189 JUST YOUR USUAL CRACKPOTS. NOTHING SPECIAL, 177 00:08:09,189 --> 00:08:12,222 UNLESS YOU COUNT HATE MAIL FROM CALVIN CREASON. 178 00:08:12,222 --> 00:08:14,224 CREASON THE HOTEL AND CLUB OWNER? 179 00:08:14,224 --> 00:08:16,897 OWNS, UH, AXIUM AND THE SOHO MAJESTIC. 180 00:08:16,897 --> 00:08:18,899 EVEN RAN CLUB TASTY BACK IN THE DAY. 181 00:08:18,899 --> 00:08:20,971 THERE WAS THIS ONE TIME... 182 00:08:20,971 --> 00:08:22,903 STORY FOR ANOTHER TIME. WHAT DID HORN DO, 183 00:08:22,903 --> 00:08:25,505 CRACK DOWN ON THE ECSTASY DEALERS? 184 00:08:25,505 --> 00:08:27,678 CREASON BOUGHT THAT OLD MEAT PACKING WAREHOUSE 185 00:08:27,678 --> 00:08:29,680 ON THE LOWER EAST SIDE. 186 00:08:29,680 --> 00:08:32,142 HE WANTED TO TURN IT INTO HIS NEXT HIP HOT SPOT-- 187 00:08:32,142 --> 00:08:34,014 300 ROOMS, SAKE BAR, NIGHTCLUB. 188 00:08:34,014 --> 00:08:36,947 NEIGHBORS DIDN'T WANT A BUNCH OF DRUNKEN B&Ters 189 00:08:36,947 --> 00:08:39,620 RUNNING THROUGH THE STREET, SO HORN KILLED IT IN COMMITTEE. LEAVING CREASON WITH MILLIONS OF DOLLARS 190 00:08:39,620 --> 00:08:41,792 OF NOW WORTHLESS REAL ESTATE. MM-HMM. 191 00:08:41,792 --> 00:08:45,225 CREASON HAD A BEEF WITH HORN. IT DOESN'T MEAN HE KILLED HIM. 192 00:08:45,225 --> 00:08:48,228 DOESN'T MEAN HE DIDN'T. EXCUSE ME. 193 00:08:48,228 --> 00:08:51,231 ♪♪ 194 00:08:54,134 --> 00:08:57,137 WANT TO KNOW WHAT I DID WHEN I FOUND OUT THAT HE WAS DEAD? 195 00:08:57,137 --> 00:09:00,110 I ORDERED MYSELF A NICE, COLD BOTTLE OF CRIS' 196 00:09:00,110 --> 00:09:04,044 AND TOASTED THE SWEETNESS OF THE UNIVERSE, OKAY? THAT'S PRETTY CALLOUS, MR. CREASON. 197 00:09:04,044 --> 00:09:06,577 LISTEN, WHAT DO I CARE? WHAT DO I CARE? 198 00:09:06,577 --> 00:09:09,219 THIS GUY WAS SUCH A PUTZ, ACTING LIKE ANOTHER HOTEL GOING UP, 199 00:09:09,219 --> 00:09:11,281 THAT WAS GONNA BE THE END OF THE WORLD. 200 00:09:11,281 --> 00:09:12,983 DO YOU HAVE ANY IDEA 201 00:09:12,983 --> 00:09:15,656 WHAT ONE OF MY PROPERTIES DOES FOR THE LOCAL ECONOMY? 202 00:09:15,656 --> 00:09:18,328 THIS CITY SHOULD BE PAYING ME, NOT STOPPING ME. SO I GUESS WE COULD SAY YOU HAD MOTIVE. 203 00:09:18,328 --> 00:09:21,331 WHO THE HELL IS HE? YOU A COP? I SAY WE ARREST HIM. 204 00:09:21,331 --> 00:09:24,895 CASTLE-- FOR WH--PLEASE! YOU GOT NOTHING HERE. 205 00:09:24,895 --> 00:09:26,897 IF I WAS GONNA GO AROUND KILLING EVERYBODY 206 00:09:26,897 --> 00:09:28,899 THAT EVER GOT IN MY WAY, THERE WOULD BE BODIES 207 00:09:28,899 --> 00:09:30,871 STACKED HIGHER THAN THE CHRYSLER BUILDING. 208 00:09:30,871 --> 00:09:33,644 I DON'T NEED TO KILL ANYONE TO BURY THEM. WHERE WERE YOU LAST NIGHT? 209 00:09:33,644 --> 00:09:35,906 I WAS AT MY CLUB IN SOHO. ANYBODY SEE YOU? 210 00:09:35,906 --> 00:09:37,908 (laughs) DETECTIVE, WHEN I GO OUT, 211 00:09:37,908 --> 00:09:40,110 EVERYBODY SEES ME. 212 00:09:40,110 --> 00:09:43,654 THANK YOU VERY MUCH, MR. CREASON. 213 00:09:43,654 --> 00:09:44,885 SURE. 214 00:09:44,885 --> 00:09:46,817 ♪♪ 215 00:09:46,817 --> 00:09:49,860 (Castle whispers) I WANT TO TAKE A SHOWER. 216 00:09:49,860 --> 00:09:52,863 (normal voice) WHERE TO NEXT? TO CHECK HIS ALIBI. 217 00:09:52,863 --> 00:09:55,125 ACTUALLY, THAT MAY NOT BE NECESSARY. 218 00:09:55,125 --> 00:09:57,998 WHY NOT? 219 00:09:57,998 --> 00:10:00,931 CASTLE, WHAT ARE YOU DOING? 220 00:10:00,931 --> 00:10:03,233 PROMISE NOT TO HATE ME. I ALREADY HATE YOU. 221 00:10:03,233 --> 00:10:05,235 FAIR ENOUGH. THIS MORNING WITH THE BODY, 222 00:10:05,235 --> 00:10:08,679 I TOOK A COUPLE OF PICTURES. YOU TOOK PHOTOS OF MY CRIME SCENE? 223 00:10:08,679 --> 00:10:10,681 BEFORE YOU GET MAD, 224 00:10:10,681 --> 00:10:14,044 I E-MAILED A COUPLE OF THEM TO A FRIEND OF MINE. YOU E-MAILED THEM TO A FRIEND. 225 00:10:14,044 --> 00:10:16,016 WELL, NOT EXACTLY A FRIEND. SHE'S MY INTERIOR DECORATOR. 226 00:10:16,016 --> 00:10:18,088 BUT THEN WE SLEPT TOGETHER, 227 00:10:18,088 --> 00:10:21,091 SO I DON'T REALLY KNOW WHAT SHE IS NOW. WHAT THE HELL WERE YOU THINKING? 228 00:10:21,091 --> 00:10:23,093 I KNOW, RIGHT? YOU WORK TOGETHER, 229 00:10:23,093 --> 00:10:26,156 YOU THINK IT'LL BE FUN, BUT THEN IT ALWAYS MAKES THINGS WEIRD. 230 00:10:26,156 --> 00:10:29,830 IT'S A REAL CAUTIONARY TALE. I'M TALKING ABOUT THE PHOTOGRAPHS OF THE BODY. 231 00:10:29,830 --> 00:10:33,103 WHAT? NO! I DIDN'T SEND HER PICTURES OF THE BODY. 232 00:10:33,103 --> 00:10:35,105 I SENT HER PICTURES OF THE RUG. 233 00:10:35,105 --> 00:10:37,107 I THOUGHT MAYBE SHE MIGHT BE ABLE 234 00:10:37,107 --> 00:10:40,140 TO TELL ME WHERE IT CAME FROM, AND GUESS WHAT. SHE DID. 235 00:10:40,140 --> 00:10:42,042 (whirring) 236 00:10:42,042 --> 00:10:44,414 THAT'S THE RUG. 237 00:10:47,017 --> 00:10:49,019 THAT'S THE SAME RUG. 238 00:10:51,021 --> 00:10:53,083 DON'T GLOAT, OKAY? 239 00:10:53,083 --> 00:10:56,156 'CAUSE IT'S REALLY UNATTRACTIVE. 240 00:10:56,156 --> 00:10:57,988 NOW CAN WE ARREST HIM? 241 00:11:07,097 --> 00:11:09,099 (cell phone rings) 242 00:11:09,099 --> 00:11:10,971 (grunts) 243 00:11:10,971 --> 00:11:12,973 I FEEL YOU, MAN. YEAH, OKAY. 244 00:11:12,973 --> 00:11:15,145 HE DIDN'T ARRIVE AT THE CLUB UNTIL AFTER MIDNIGHT. 245 00:11:15,145 --> 00:11:18,008 SO WHAT DO WE DO NOW, WAIT FOR HIS LAWYER TO SHOW UP? ACTUALLY, WE FOLLOW OTHER LEADS. 246 00:11:18,008 --> 00:11:20,350 IT'S SOMETHING THAT WE CALL "WORKING." OTHER LEADS? 247 00:11:20,350 --> 00:11:22,352 GOOD, SINCE WE BOTH KNOW HE DIDN'T DO IT. 248 00:11:22,352 --> 00:11:25,055 CREASON? WHAT MAKES YOU THINK HE DIDN'T DO IT? 249 00:11:25,055 --> 00:11:27,357 ISN'T IT OBVIOUS? ALL THE EVIDENCE POINTS TO HIM. 250 00:11:27,357 --> 00:11:30,360 AND THAT SOMEHOW MAKES HIM NOT GUILTY? HE'S TOTALLY THE RED HERRING. 251 00:11:30,360 --> 00:11:33,363 THE RED HERRING. AN INNOCENT CHARACTER WHO APPEARS GUILTY. 252 00:11:33,363 --> 00:11:35,325 I KNOW WHAT A RED HERRING IS, CASTLE. 253 00:11:35,325 --> 00:11:37,327 IT'S A LITERARY DEVICE USED IN LITERATURE. 254 00:11:37,327 --> 00:11:39,469 IN REAL LIFE, WE DON'T DISMISS A SUSPECT 255 00:11:39,469 --> 00:11:42,002 JUST BECAUSE HE APPEARS TOO GUILTY. 256 00:11:42,002 --> 00:11:45,906 BESIDES, I THOUGHT YOU WANTED TO ARREST HIM. YEAH, BECAUSE HE'S A TOOL, NOT BECAUSE HE'S GUILTY. 257 00:11:45,906 --> 00:11:47,237 THE GUY'S A MULTIMILLIONAIRE. 258 00:11:47,237 --> 00:11:49,940 HE'S NOT GONNA BE DUMB ENOUGH TO WRAP A DEAD BODY UP 259 00:11:49,940 --> 00:11:51,942 IN HIS OWN RUG. IT DOESN'T MATTER. 260 00:11:51,942 --> 00:11:53,944 THOSE RUGS WERE CUSTOM DESIGNED FOR CREASON'S HOTEL, 261 00:11:53,944 --> 00:11:56,116 SO WE KNOW HE'S CONNECTED. HEY, ESPOSITO? YEAH? 262 00:11:56,116 --> 00:11:58,388 SEE WHAT YOU CAN FIND ON THAT RUG-- 263 00:11:58,388 --> 00:12:01,051 IF ONE WENT MISSING, WHAT ROOM IT'S FROM 264 00:12:01,051 --> 00:12:03,723 AND MAYBE WHO HAD ACCESS. YEAH. 265 00:12:03,723 --> 00:12:05,325 THANKS. ROAD TRIP. 266 00:12:05,325 --> 00:12:08,128 (Ryan) YEAH. 267 00:12:08,128 --> 00:12:10,330 YOU'RE VERY GOOD AT BOSSING MEN AROUND. 268 00:12:10,330 --> 00:12:13,003 I'VE NOTICED. 269 00:12:13,003 --> 00:12:15,335 YOU'RE TELLING ME THAT IT'S JUST A COINCIDENCE 270 00:12:15,335 --> 00:12:18,038 THAT A MAN WHOSE MURDER YOU CELEBRATED BY DRINKING CHAMPAGNE 271 00:12:18,038 --> 00:12:20,510 WAS FOUND WRAPPED IN A RUG FROM YOUR HOTEL? 272 00:12:20,510 --> 00:12:23,043 THERE ARE IDENTICAL RUGS IN EVERY ROOM OF THE AXIUM. 273 00:12:23,043 --> 00:12:25,475 YOU CAN'T EXPECT MY CLIENT TO BE RESPONSIBLE 274 00:12:25,475 --> 00:12:28,478 FOR THEIR WHEREABOUTS. SURE I CAN, UNTIL A JURY TELLS ME OTHERWISE. 275 00:12:28,478 --> 00:12:31,351 (chuckles) YOU ARE WASTING MY TIME. 276 00:12:31,351 --> 00:12:33,884 DETECTIVE, LOOK, I TOLD YOU EXACTLY 277 00:12:33,884 --> 00:12:36,326 WHAT I WAS DOING LAST NIGHT. RIGHT, YOU WERE AT THE CLUB. 278 00:12:36,326 --> 00:12:39,189 THEY SAID THAT YOU MADE QUITE THE ENTRANCE, 279 00:12:39,189 --> 00:12:42,292 A SUPERMODEL ON EACH ARM. UH, YEAH, YOU KNOW, THE LAST TIME I CHECKED, 280 00:12:42,292 --> 00:12:44,294 UM, THAT'S NOT A CRIME, IS IT? 281 00:12:44,294 --> 00:12:47,067 NO, BUT YOU KNOW WHAT IT IS? MEMORABLE. 282 00:12:47,067 --> 00:12:49,069 WITNESSES DON'T PLACE YOU AT THE CLUB 283 00:12:49,069 --> 00:12:52,072 UNTIL 1:00 IN THE MORNING, AND HORN WAS MURDERED 284 00:12:52,072 --> 00:12:54,044 SOMEWHERE BETWEEN 11:00 AND 12:00. 285 00:12:54,044 --> 00:12:56,006 (singsong voice) HERE IT COMES. AND... 286 00:12:56,006 --> 00:12:59,079 SO WHERE WERE YOU BETWEEN 11:00 AND 12:00, MR. CREASON? 287 00:12:59,079 --> 00:13:00,510 (normal voice) BOO-YAH! 288 00:13:00,510 --> 00:13:03,053 I WAS ASLEEP. 289 00:13:03,053 --> 00:13:04,885 ASLEEP? YOU ARE LAME! 290 00:13:04,885 --> 00:13:07,958 (muffled voice) YOU ARE SO LAME! YOU'RE A LAMEY McLAMESTER! 291 00:13:07,958 --> 00:13:10,290 YOU'RE SO L-L-LAME! 292 00:13:10,290 --> 00:13:12,923 (woman) IT'S A WELL-KNOWN FACT THAT MR. CREASON SLEEPS 293 00:13:12,923 --> 00:13:15,125 FROM 6:00 P.M. TO MIDNIGHT IN ORDER TO MAINTAIN 294 00:13:15,125 --> 00:13:17,427 A LATE-NIGHT PRESENCE AT HIS CLUBS. 295 00:13:17,427 --> 00:13:20,130 DID ANYONE WITNESS YOU SLEEPING BETWEEN THE HOURS 296 00:13:20,130 --> 00:13:24,134 OF 11:00 AND 12:00 LAST NIGHT, MR. CREASON? CREASON-- 297 00:13:24,134 --> 00:13:26,106 HOLD ON ONE SEC. NO. 298 00:13:26,106 --> 00:13:28,208 SO YOU HAD MOTIVE AND OPPORTUNITY. 299 00:13:28,208 --> 00:13:31,942 WAIT, WAIT, WAIT. HOLD ON ONE SEC. HOLD ON. 300 00:13:31,942 --> 00:13:34,544 I DIDN'T KILL HIM. I HAD NO REASON TO. HE WAS IN YOUR WAY. 301 00:13:34,544 --> 00:13:38,088 YEAH, BUT... NOT FOR LONG. 302 00:13:38,088 --> 00:13:41,151 I KNEW HE WAS GONNA LOSE THE ELECTION, OKAY? 303 00:13:41,151 --> 00:13:44,394 SO I DIDN'T HAVE TO KILL HIM. ALL I HAD TO DO WAS WAIT. 304 00:13:44,394 --> 00:13:48,058 YOU COULDN'T BE SURE THAT HE WAS GONNA LOSE THE ELECTION. 305 00:13:48,058 --> 00:13:51,001 YES, ACTUALLY, I COULD. 306 00:13:51,001 --> 00:13:53,003 WHAT DO YOU KNOW ABOUT JASON BOLLINGER, 307 00:13:53,003 --> 00:13:55,235 HORN'S OPPONENT IN THE RACE? 308 00:13:55,235 --> 00:13:56,937 (indistinct conversations) 309 00:13:56,937 --> 00:13:59,239 IS THE STATEMENT READY? MIKE'S STILL WORKING ON IT. 310 00:13:59,239 --> 00:14:00,971 WELL, TELL MIKE 311 00:14:00,971 --> 00:14:03,313 THAT "THE LEDGER" WEB SITE UPDATES IN 20 MINUTES, 312 00:14:03,313 --> 00:14:05,315 AND I WANT MY QUOTE OF OUTRAGE AND SYMPATHY 313 00:14:05,315 --> 00:14:07,247 IN THE DAMN ARTICLE. 314 00:14:07,247 --> 00:14:10,020 SORRY, IT'S BEEN ALL HANDS ON DECK SINCE WE FOUND OUT. 315 00:14:10,020 --> 00:14:13,353 IF YOU DON'T HANDLE THESE THINGS RIGHT, YOU GET CRUCIFIED. MR. BOLLINGER, I WAS-- 316 00:14:13,353 --> 00:14:17,357 MR. BOLLINGER'S MY FATHER. CALL ME JASON. OKAY, JASON. HOW WELL DO YOU KNOW CALVIN CREASON? 317 00:14:17,357 --> 00:14:19,459 AH, HE THREW ME A COUPLE FUND-RAISERS. 318 00:14:19,459 --> 00:14:23,093 WE MET A FEW TIMES. WHY? WELL, HE SEEMS TO THINK THAT YOU HAVE SOME INFORMATION ON HORN, 319 00:14:23,093 --> 00:14:25,395 SOMETHING THAT WOULD GUARANTEE YOU THE ELECTION. 320 00:14:25,395 --> 00:14:26,566 CASTLE. 321 00:14:26,566 --> 00:14:28,068 SORRY. 322 00:14:30,140 --> 00:14:32,002 COME ON. 323 00:14:32,002 --> 00:14:35,145 OPPOSITION RESEARCH? CONDUCTED BY A LICENSED PRIVATE INVESTIGATOR. 324 00:14:35,145 --> 00:14:37,447 LISTEN, I WANT TO STRESS THAT EVERYTHING WE DID 325 00:14:37,447 --> 00:14:39,549 WAS COMPLETELY VETTED BY OUR LAWYERS. 326 00:14:39,549 --> 00:14:42,552 NONE OF IT WAS ILLEGAL. WE WERE JUST TRYING TO DETERMINE 327 00:14:42,552 --> 00:14:46,116 IF THE COUNCILMAN HAD ANY SIGNIFICANT VULNERABILITIES. AND YOU FOUND SOME. 328 00:14:46,116 --> 00:14:47,457 OH, YES. 329 00:14:47,457 --> 00:14:50,290 LOOK, POLITICS IS POLITICS, BUT I'M NOT A BAD GUY. 330 00:14:50,290 --> 00:14:53,363 I FIGURED AS LONG AS I WAS AHEAD IN THE POLLS, 331 00:14:53,363 --> 00:14:55,395 THERE WAS NO REASON TO USE IT. 332 00:14:55,395 --> 00:14:58,168 THAT'S COUNCILMAN HORN? 333 00:15:01,071 --> 00:15:03,974 AND THAT IS NOT HIS WIFE. 334 00:15:03,974 --> 00:15:05,575 OOH. 335 00:15:16,146 --> 00:15:18,348 I GOTTA HAND IT TO COUNCILMAN HORNY. 336 00:15:18,348 --> 00:15:21,691 HE IS INCREDIBLY FLEXIBLE FOR A GUY HIS AGE. 337 00:15:21,691 --> 00:15:24,054 LOOK AT THAT. YOU EVER DO THAT? 338 00:15:24,054 --> 00:15:28,528 WOULD YOU PUT THOSE AWAY? I'M JUST SAYING, HE'S GOTTA DO YOGA OR PILATES OR SOMETHING. 339 00:15:28,528 --> 00:15:30,530 WHY IS IT ALWAYS THE FAMILY VALUE GUYS 340 00:15:30,530 --> 00:15:32,532 THAT GET CAUGHT WITH THEIR PANTS DOWN? 341 00:15:32,532 --> 00:15:34,304 BECAUSE THE UNIVERSE LOVES IRONY, 342 00:15:34,304 --> 00:15:37,067 AND BECAUSE MOST PEOPLE ARE HYPOCRITES. 343 00:15:37,067 --> 00:15:39,069 AND WHAT WAS THAT GIRL THINKING, 344 00:15:39,069 --> 00:15:41,541 THAT HE WOULD LEAVE HIS WIFE AND KIDS FOR HER? THAT IS SO SEXIST. 345 00:15:41,541 --> 00:15:45,445 HOW IS THAT SO SEXIST? YOU ASSUME THAT JUST BECAUSE SHE'S A WOMAN 346 00:15:45,445 --> 00:15:47,617 THAT SHE WAS AFTER A RELATIONSHIP. 347 00:15:47,617 --> 00:15:50,580 DID YOU EVER THINK MAYBE SHE WAS IN IT FOR THE SEX? 348 00:15:50,580 --> 00:15:52,582 YES, I DID. AND THEN I SAW HIM. 349 00:15:52,582 --> 00:15:54,584 WHAT WAS IT THAT TURNED YOU OFF, 350 00:15:54,584 --> 00:15:56,456 THAT HE WAS WEARING A RUG? 351 00:15:56,456 --> 00:15:59,129 TOO SOON? 352 00:15:59,129 --> 00:16:01,391 I JUST HOPE THAT THE P.I. CAN HELP US. 353 00:16:01,391 --> 00:16:04,164 (cell phone rings) BECKETT. 354 00:16:04,164 --> 00:16:06,166 YO. SO THE RUG IS A DEAD END. 355 00:16:06,166 --> 00:16:07,667 ACCORDING TO HOUSEKEEPING, 356 00:16:07,667 --> 00:16:10,100 THEY DUMPED A COUPLE DOZEN OF 'EM LAST WEEK. 357 00:16:10,100 --> 00:16:12,102 HALF OF 'EM WENT INTO THE DUMPSTERS. 358 00:16:12,102 --> 00:16:14,104 HALF OF 'EM WERE DONATED TO THRIFT SHOPS. 359 00:16:14,104 --> 00:16:16,106 WHAT? NO? OKAY. I ALREADY HAVE A BOYFRIEND. 360 00:16:16,106 --> 00:16:19,149 CREASON'S CLIENTELE IS KNOWN FOR BEING HARD ON ROOMS. (man) RIGHT THERE. DO IT. 361 00:16:19,149 --> 00:16:21,151 (man) AHH. (snaps fingers) 362 00:16:21,151 --> 00:16:23,983 WHAT? DUDE, DUDE, NOT COOL! NOT COOL! 363 00:16:23,983 --> 00:16:25,985 SO YOU HAVE MY CARD. MM-HMM. 364 00:16:25,985 --> 00:16:27,987 UH, MY PERSONAL CELL NUMBER'S ON THE BACK. 365 00:16:27,987 --> 00:16:30,020 IF YOU HAVE ANY MORE INFORMATION... 366 00:16:32,022 --> 00:16:35,595 ARE YOU SURE I CAN'T TEMPT YOU? 367 00:16:35,595 --> 00:16:39,099 NO THANKS, MR. KIRBY. I'M ON DUTY. 368 00:16:39,099 --> 00:16:42,172 (chuckles) IT NEVER STOPPED ME. YOU WERE ON THE JOB? 369 00:16:42,172 --> 00:16:44,204 20 YEARS OUT OF THE 134. 370 00:16:44,204 --> 00:16:47,006 OF COURSE, BACK THEN WE HAD OTHER COPS AS PARTNERS, 371 00:16:47,006 --> 00:16:49,379 NOT SECOND-RATE NOVELISTS. 372 00:16:49,379 --> 00:16:52,112 YEAH, DON'T GET ME STARTED. 373 00:16:52,112 --> 00:16:54,144 UH, EXCUSE ME. SECOND-RATE? 374 00:16:54,144 --> 00:16:56,186 "HOT LEAD POURED OUT OF COLD STEEL"? COME ON. 375 00:16:56,186 --> 00:16:59,549 IT'S NOT EXACTLY SHAKESPEARE. WILL YOU PUT THAT DOWN? 376 00:16:59,549 --> 00:17:03,223 HOW LONG WERE YOU WORKING FOR THE BOLLINGER CAMPAIGN, 377 00:17:03,223 --> 00:17:06,226 MR. KIRBY? OH, A COUPLE WEEKS, BUT IT WAS A FUN ONE. 378 00:17:06,226 --> 00:17:09,499 MR. FAMILY VALUES TELLS HIS WIFE HE'S GONNA WORK LATE, 379 00:17:09,499 --> 00:17:12,102 PROBABLY CRASH AT THE OFFICE. 380 00:17:12,102 --> 00:17:15,034 20 MINUTES LATER, HE IS... (clears throat) 381 00:17:15,034 --> 00:17:18,108 POLLING HIS CONSTITUENCY. 382 00:17:18,108 --> 00:17:22,172 AND WHAT ABOUT THE GIRL? FROM WHAT I COULD SEE, SHE WAS WORTH EVERY CENT. 383 00:17:22,172 --> 00:17:25,345 SHE WAS A PRO? YOU DON'T THINK WITH A BODY LIKE THAT 384 00:17:25,345 --> 00:17:29,249 SHE'S GONNA SWOON OVER HIS STUMP SPEECHES, DO YOU? MAKES YOU WONDER WHAT ELSE HE HAD A TASTE FOR. 385 00:17:29,249 --> 00:17:31,621 AND WHAT IT LED TO. DO YOU HAVE AN ADDRESS? 386 00:17:31,621 --> 00:17:33,423 STRICTLY OUTCALL. 387 00:17:33,423 --> 00:17:38,057 YOU KNOW, WHORES USED TO HAVE STREET CORNERS... (typing on keyboard) 388 00:17:38,057 --> 00:17:40,260 AND NOW THEY HAVE WEB SITES. 389 00:17:40,260 --> 00:17:41,831 (up-tempo instrumental music playing) 390 00:17:41,831 --> 00:17:44,464 DAMN! THOSE ARE SOME SERIOUSLY FINE 391 00:17:44,464 --> 00:17:46,266 5-STAR, CLASS "B" MISDEMEANORS. 392 00:17:46,266 --> 00:17:49,139 DUDE, BETWEEN YOU AND ME, YOU EVER PAY FOR IT? 393 00:17:49,139 --> 00:17:50,440 ARE YOU COUNTING MY MARRIAGES? 394 00:17:50,440 --> 00:17:52,742 WAIT, WAIT. STOP. THAT'S THE GIRL IN THE PHOTOS. 395 00:17:52,742 --> 00:17:55,405 (Ryan) AH, LOOK AT HER. IF I HAD YOUR MONEY-- (Esposito) SEE, THAT'S WHAT I'M TALKING ABOUT. 396 00:17:55,405 --> 00:17:57,677 THIS ISN'T PHONE SEX, RYAN. 397 00:17:57,677 --> 00:18:00,750 YOU DON'T JUST PAY FOR THE TWO MINUTES THAT YOU USED. (chuckles) 398 00:18:00,750 --> 00:18:03,683 THE 800 NUMBER IS REGISTERED TO A P.O. BOX FROM OUT OF STATE. 399 00:18:03,683 --> 00:18:06,486 WE'RE GONNA HAVE TO GET CYBER TO TRACK DOWN THE I.P., 400 00:18:06,486 --> 00:18:09,088 SEE WHERE IT'S HOSTED. WELL, WHAT IF THE I.P.'s OUT OF STATE, TOO? 401 00:18:09,088 --> 00:18:11,591 WE JUST COORDINATE WITH THE LOCAL P.D.s. IF THEY'RE WILLING TO COOPERATE. 402 00:18:11,591 --> 00:18:14,324 SITES LIKE THESE ARE DESIGNED TO EVADE AUTHORITIES. 403 00:18:14,324 --> 00:18:16,326 WE'LL GET THERE. JUST TAKE US SOME TIME. (keypad beeps) 404 00:18:16,326 --> 00:18:19,599 OR YOU COULD JUST DO IT THE EASY WAY. (woman) V.I.P. Liaisons. 405 00:18:19,599 --> 00:18:21,601 CASTLE, WHAT ARE YOU DOING? HI. MY NAME'S RICHARD. 406 00:18:21,601 --> 00:18:23,433 I'M A VERY GENEROUS MAN LOOKING TO ARRANGE 407 00:18:23,433 --> 00:18:25,135 A VERY SPECIAL DATE WITH TIFFANY. 408 00:18:25,135 --> 00:18:27,637 PLEASE GIVE ME A CALL ON MY PHONE, 409 00:18:27,637 --> 00:18:29,609 WHICH IS 347-555-2079. 410 00:18:29,609 --> 00:18:31,110 THANK YOU. 411 00:18:31,110 --> 00:18:33,643 CASTLE, YOU CAN'T JUST CALL AND ARRANGE A DATE 412 00:18:33,643 --> 00:18:35,785 WITH A PROSTITUTE. WHY NOT? 413 00:18:35,785 --> 00:18:38,788 BECAUSE WE'RE THE POLICE. NO, NO, NO. YOU'RE THE POLICE. 414 00:18:38,788 --> 00:18:42,121 I'M JUST A LONELY, UPSCALE GENTLEMAN LOOKING FOR A DATE. 415 00:18:42,121 --> 00:18:44,794 BET I FIND HER FIRST. (man) HEY, THERE A RICK CASTLE HERE? 416 00:18:44,794 --> 00:18:46,456 RIGHT HERE. 417 00:18:46,456 --> 00:18:49,259 WHERE DO YOU WANT IT, BOSS? AH. STRAIGHT THROUGH THERE. 418 00:18:49,259 --> 00:18:51,261 CASTLE? YOU ARE GONNA LOVE THIS. 419 00:18:51,261 --> 00:18:53,263 NO, I'M PRETTY SURE I WON'T. 420 00:18:53,263 --> 00:18:56,166 GUYS, GUYS, GUYS. 421 00:18:56,166 --> 00:18:58,338 YEAH, JUST PUT IT RIGHT OVER THERE. PERFECT. 422 00:18:58,338 --> 00:19:01,711 LIFT WITH YOUR KNEES, MAN. STAY HERE FOR ONE SECOND, WOULD YOU? 423 00:19:01,711 --> 00:19:05,445 BECAUSE YOU GUYS HAVE BEEN SO WONDERFULLY HOSPITABLE TO ME, 424 00:19:05,445 --> 00:19:07,917 I JUST WANT TO RETURN THE FAVOR. 425 00:19:07,917 --> 00:19:09,919 AND BECAUSE YOUR COFFEE IS BASICALLY CRAP, 426 00:19:09,919 --> 00:19:14,424 I GOT YOU... AN ESPRESSO MACHINE. 427 00:19:14,424 --> 00:19:16,426 HOW COOL IS THAT? 428 00:19:16,426 --> 00:19:18,388 (cell phone rings) 429 00:19:18,388 --> 00:19:20,430 I THINK MY PHONE'S RINGING. 430 00:19:20,430 --> 00:19:22,932 I DON'T KNOW HOW TO PUT THIS TOGETHER. 431 00:19:22,932 --> 00:19:25,695 THAT'S PART OF THE DELIVERY, RIGHT? EXCELLENT. 432 00:19:25,695 --> 00:19:29,199 (woman) ♪ THIS IS A LOVE SONG YOU'LL NEVER HEAR ♪ 433 00:19:29,199 --> 00:19:31,541 I DON'T GET IT. 434 00:19:31,541 --> 00:19:34,274 IF CREASON DIDN'T DO IT, THEN HOW DOES THE RUG FIT IN? 435 00:19:34,274 --> 00:19:36,706 KILLER PROBABLY HEARD ABOUT THE FEUD BETWEEN THE TWO OF THEM 436 00:19:36,706 --> 00:19:38,848 AND TRIED TO SHIFT SUSPICION, WHICH IS STUPID, 437 00:19:38,848 --> 00:19:41,781 BECAUSE WITHOUT THE RUG, IT WOULD'VE JUST LOOKED LIKE 438 00:19:41,781 --> 00:19:44,714 A MUGGING GONE WRONG. SO BY TRYING TO LOOK SMART, THEY'RE ACTUALLY BEING STUPID. 439 00:19:44,714 --> 00:19:48,958 I THINK YOU JUST DESCRIBED THE HUMAN CONDITION. SPEAKING OF THE HUMAN CONDITION, 440 00:19:48,958 --> 00:19:51,961 HOW'S IT GOING WITH DETECTIVE BECKETT? WHAT DO YOU MEAN? 441 00:19:51,961 --> 00:19:55,194 OH, COME ON, DAD, YOU ARE BASING A CHARACTER OFF HER. 442 00:19:55,194 --> 00:19:59,629 AND YOU ALWAYS SAY YOU HAVE TO LOVE YOUR CHARACTERS. WELL, SHE IS A CHARACTER, YES, 443 00:19:59,629 --> 00:20:02,372 BUT, UH, IT'S JUST RESEARCH, NOTHING MORE. (sizzling) 444 00:20:02,372 --> 00:20:04,574 YEAH, I'M SURE. 445 00:20:04,574 --> 00:20:07,607 WELL... FOUND OUT WHY YOUR BOOKS AREN'T SELLING. 446 00:20:07,607 --> 00:20:08,878 LISTEN TO THIS REVIEW. 447 00:20:08,878 --> 00:20:12,842 "HIS WORK HAS BECOME SO HACKNEYED, SO CLICHé, 448 00:20:12,842 --> 00:20:15,845 "THAT WE WONDER IF MR. CASTLE HAS ANYTHING NEW TO SAY. 449 00:20:15,845 --> 00:20:20,690 IT APPEARS THE MAGIC, IF THERE EVER WAS ANY, IS LONG GONE." 450 00:20:20,690 --> 00:20:23,823 OH, DARLING, I KNOW IT'S AWFUL. IT'S AWFUL. I'M SORRY. 451 00:20:23,823 --> 00:20:25,255 DAGGERS TO THE HEART. 452 00:20:25,255 --> 00:20:27,997 "THE SYRACUSE TIMES-READER"? 453 00:20:27,997 --> 00:20:29,799 BUT DON'T YOU WORRY. 454 00:20:29,799 --> 00:20:31,901 I AM GOING TO WRITE THEM A PIECE OF MY MIND. 455 00:20:31,901 --> 00:20:34,434 AND WHO CARES IF THEY SAY THE MAGIC IS GONE? 456 00:20:34,434 --> 00:20:37,006 HARPER LEE ONLY WROTE ONE BOOK. YOU'VE WRITTEN DOZENS. 457 00:20:37,006 --> 00:20:41,711 OF COURSE HERS WAS LITERATURE, BUT STILL, I... 458 00:20:41,711 --> 00:20:42,912 (mutters indistinctly) 459 00:20:42,912 --> 00:20:44,914 HOW LONG DO YOU THINK IT TOOK HER 460 00:20:44,914 --> 00:20:46,676 TO FIND THAT REVIEW? 461 00:20:46,676 --> 00:20:48,718 PROBABLY ALL AFTERNOON. YEAH, YEAH. 462 00:20:48,718 --> 00:20:51,851 OH, COME ON. YOU KNOW SHE DOES IT OUT OF LOVE, RIGHT? 463 00:20:51,851 --> 00:20:54,524 I MEAN, SHE THINKS IT'S HER JOB TO KEEP YOU GROUNDED. 464 00:20:54,524 --> 00:20:56,756 WELL, I CERTAINLY FEEL GROUND. 465 00:20:56,756 --> 00:20:59,729 (cell phone ringing) 466 00:20:59,729 --> 00:21:02,792 (imitates Jean-Luc Picard) YOU HAVE THE BRIDGE, NUMBER ONE. 467 00:21:02,792 --> 00:21:04,294 (rings and beeps) 468 00:21:04,294 --> 00:21:06,296 (normal voice) HELLO. (woman) Is this Richard? 469 00:21:06,296 --> 00:21:09,369 YES, IT IS. WHO'S THIS? It's Tiffany. You called me for a date? 470 00:21:09,369 --> 00:21:14,273 YES, I DID, TIFFANY, AND I AM SO GLAD YOU CALLED. 471 00:21:14,273 --> 00:21:17,947 JUST OUT OF CURIOSITY, WHAT ARE YOU WEARING RIGHT NOW? 472 00:21:20,380 --> 00:21:22,051 HEY. 473 00:21:22,051 --> 00:21:24,854 DAMN, GIRL, YOU SCARED ME. 474 00:21:24,854 --> 00:21:27,457 LANIE, YOU'RE SURROUNDED BY CORPSES. 475 00:21:27,457 --> 00:21:30,059 YEAH, I DON'T EXPECT THE LIVING AFTER 7:00. 476 00:21:30,059 --> 00:21:31,991 FUNNY, NEITHER DO I. 477 00:21:31,991 --> 00:21:34,424 I'M AN M.E. WHAT'S YOUR EXCUSE? 478 00:21:34,424 --> 00:21:36,526 OH, DON'T BE MEAN. YOU DESERVE IT. 479 00:21:36,526 --> 00:21:38,528 GETTING A DRINK WITH ME AFTER WORK 480 00:21:38,528 --> 00:21:41,030 INSTEAD OF GETTING YOUR FREAK ON WITH WRITER BOY? 481 00:21:41,030 --> 00:21:43,803 WHAT? HE IS ANNOYING, SELF-CENTERED, 482 00:21:43,803 --> 00:21:45,304 EGOTISTICAL AND COMPLETELY-- 483 00:21:45,304 --> 00:21:47,707 FUN. 484 00:21:47,707 --> 00:21:49,979 AND TAKE IT FROM ME, GIRLFRIEND, YOU NEED SOME FUN. 485 00:21:49,979 --> 00:21:53,343 (cell phone rings) I MEAN, HOW BAD CAN HE BE? 486 00:21:53,343 --> 00:21:56,516 (rings and beeps) 487 00:21:56,516 --> 00:21:58,448 BECKETT. 488 00:21:58,448 --> 00:22:01,991 GUESS WHO'S GOT A DATE WITH A PROSTITUTE. 489 00:22:10,460 --> 00:22:14,033 (instrumental jazz playing) 490 00:22:21,971 --> 00:22:24,714 RICHARD? I'M TIFFANY. 491 00:22:24,714 --> 00:22:26,846 IT'S A PLEASURE TO MEET YOU, TIFFANY. PLEASE. 492 00:22:26,846 --> 00:22:29,549 WOW. A GENTLEMAN. 493 00:22:29,549 --> 00:22:31,621 WE'RE A DYING BREED. 494 00:22:31,621 --> 00:22:34,524 WELL, THEN IT'S LUCKY I FOUND YOU. ACTUALLY, IT'S LUCKY WE FOUND YOU. 495 00:22:34,524 --> 00:22:36,025 DETECTIVE KATE BECKETT. 496 00:22:36,025 --> 00:22:37,887 WE NEED TO ASK YOU SOME QUESTIONS 497 00:22:37,887 --> 00:22:40,530 REGARDING YOUR RELATIONSHIP WITH COUNCILMAN JEFF HORN. 498 00:22:40,530 --> 00:22:43,092 (music continues) 499 00:22:43,092 --> 00:22:45,535 (whispers) SORRY. 500 00:22:45,535 --> 00:22:47,497 HE WAS ONE OF MY REGULARS, 501 00:22:47,497 --> 00:22:49,499 BUT I SWEAR I HAD NOTHING TO DO WITH HIS DEATH. 502 00:22:49,499 --> 00:22:51,501 HOW OFTEN DID YOU SEE COUNCILMAN HORN? 503 00:22:51,501 --> 00:22:54,003 ONCE, MAYBE TWICE A WEEK. AT FIRST HE JUST WANTED TO TALK. 504 00:22:54,003 --> 00:22:56,446 RIGHT. HE PAID YOU JUST TO TALK. 505 00:22:56,446 --> 00:22:58,908 DETECTIVE, MOST MEN COME TO ME BECAUSE THEY'RE LONELY, 506 00:22:58,908 --> 00:23:01,881 BECAUSE THE PEOPLE IN THEIR LIVES DON'T LISTEN ANYMORE. 507 00:23:01,881 --> 00:23:04,984 THE SEX IS JUST A WAY FOR THEM TO FEEL CONNECTED AGAIN. 508 00:23:04,984 --> 00:23:06,986 OKAY, WHEN WAS THE LAST TIME 509 00:23:06,986 --> 00:23:10,690 THAT YOU AND COUNCILMAN HORN CONNECTED? A COUPLE OF WEEKS AGO. 510 00:23:10,690 --> 00:23:13,423 HE CAME TO ME HYSTERICAL. 511 00:23:13,423 --> 00:23:16,065 HE SAID THAT HE COULDN'T SEE ME ANYMORE. WHAT HAPPENED? HIS WIFE FIND OUT? 512 00:23:16,065 --> 00:23:18,067 NO, SOMEONE ELSE. 513 00:23:18,067 --> 00:23:20,029 HE SAID THAT HE WAS BEING BLACKMAILED. 514 00:23:20,029 --> 00:23:22,572 SOMEONE HAD PHOTOS OF US. WHO? 515 00:23:22,572 --> 00:23:25,435 HE DIDN'T KNOW. AT FIRST, HE THOUGHT IT WAS ME. 516 00:23:25,435 --> 00:23:27,737 HE GOT UPSET, AND THEN HE PANICKED. 517 00:23:27,737 --> 00:23:30,710 HE THOUGHT THAT I HAD TOLD MY FRIENDS. AND DID YOU? 518 00:23:30,710 --> 00:23:34,584 IT MAY SURPRISE YOU, DETECTIVE, BUT I HAVE DREAMS OF MY OWN. 519 00:23:34,584 --> 00:23:36,516 LOOK, THIS JUST PAYS THE BILLS. 520 00:23:36,516 --> 00:23:38,518 IF OUR RELATIONSHIP EVER WENT PUBLIC, 521 00:23:38,518 --> 00:23:40,890 HE'S NOT THE ONLY ONE THAT WOULD BE RUINED. 522 00:23:40,890 --> 00:23:43,422 YOU SAID HE PANICKED. 523 00:23:43,422 --> 00:23:45,825 YEAH, HE WAS DESPERATE TO FIND OUT WHO WAS BEHIND IT. 524 00:23:45,825 --> 00:23:47,997 HE WANTED TO CUT A DEAL. HE SAID THAT HE COULDN'T 525 00:23:47,997 --> 00:23:51,961 KEEP MAKING PAYOFFS WITHOUT THE CAMPAIGN FINDING OUT. 526 00:23:51,961 --> 00:23:53,703 (Castle) POLITICS, ESCORTS AND BLACKMAIL? 527 00:23:53,703 --> 00:23:56,035 THIS JUST KEEPS GETTIN' BETTER. 528 00:23:56,035 --> 00:23:58,838 THE COUNCILMAN WAS LOOKING FOR HIS BLACKMAILER. 529 00:23:58,838 --> 00:24:01,140 WHAT IF HE FOUND HIM? HE GETS VIOLENT. THE BLACKMAILER RESPONDS. 530 00:24:01,140 --> 00:24:04,574 THEN TRIES COVERING WHAT HE'S DONE BY IMPLICATING CREASON. 531 00:24:04,574 --> 00:24:07,176 SO ALL YOU NEED TO DO IS FIND YOUR BLACKMAILER. 532 00:24:07,176 --> 00:24:11,150 THAT'S IMPOSSIBLE. I KEPT THOSE PHOTOS UNDER LOCK AND KEY. NO OFFENSE, JASON, BUT YOUR DESK ISN'T EXACTLY FORT KNOX. 533 00:24:11,150 --> 00:24:13,583 IF SOMEBODY KNEW ABOUT THEM, 534 00:24:13,583 --> 00:24:16,486 THEY WOULDN'T BE DIFFICULT TO GET. DO YOU KNOW HOW MANY PEOPLE ARE IN AND OUT OF THIS OFFICE? 535 00:24:16,486 --> 00:24:18,888 NO, BUT I WOULD LIKE A LIST. NOW WAIT A MINUTE. 536 00:24:18,888 --> 00:24:20,960 YOU INTEND ON OPENING UP AN INVESTIGATION ON MY CAMPAIGN 537 00:24:20,960 --> 00:24:23,563 WITH TWO WEEKS LEFT IN THE ELECTION? 538 00:24:23,563 --> 00:24:27,466 WHAT ARE YOU TRYING TO DO, COST ME THE RACE? WHAT ARE YOU WORRIED ABOUT? YOU'RE RUNNING UNOPPOSED. 539 00:24:27,466 --> 00:24:29,899 NOT ANYMORE. LAURIE HORN ANNOUNCED THAT SHE'S RUNNING 540 00:24:29,899 --> 00:24:31,200 FOR HER HUSBAND'S SEAT. 541 00:24:31,200 --> 00:24:33,202 YESTERDAY I HAD AN 8-POINT LEAD. 542 00:24:33,202 --> 00:24:35,905 WITH THE SYMPATHY BUMP, BY TONIGHT WE'LL BE TIED. (beep) 543 00:24:35,905 --> 00:24:40,510 ...THAT WE CANNOT LET OUR PERSONAL TRAGEDY 544 00:24:40,510 --> 00:24:43,012 STAND IN THE WAY OF MY HUSBAND'S VISION 545 00:24:43,012 --> 00:24:45,655 FOR THE FUTURE OF NEW YORK. 546 00:24:45,655 --> 00:24:48,518 IRONY IS, THAT IF I RELEASE THOSE PHOTOS NOW, 547 00:24:48,518 --> 00:24:50,520 THE PEOPLE WILL LOVE HER EVEN MORE. 548 00:24:50,520 --> 00:24:53,492 AT LEAST 300 PEOPLE HAD ACCESS TO THOSE PHOTOS. 549 00:24:53,492 --> 00:24:56,896 ARE YOU PLANNING ON QUESTIONING ALL OF THEM? NO, THEY'RE JUST FOR REFERENCE. 550 00:24:56,896 --> 00:24:59,198 HORN WAS WORRIED HE COULDN'T KEEP PAYING 551 00:24:59,198 --> 00:25:01,500 WITHOUT THE CAMPAIGN FINDING OUT. 552 00:25:01,500 --> 00:25:04,503 SO? SO IF THE MONEY WAS COMING FROM THE CAMPAIGN, 553 00:25:04,503 --> 00:25:07,006 THEN THERE IS BOUND TO BE A TRAIL. 554 00:25:11,881 --> 00:25:13,813 (exhales deeply) 555 00:25:13,813 --> 00:25:15,044 BLACKMAIL. 556 00:25:15,044 --> 00:25:17,747 WE BELIEVE HE MAY HAVE BEEN MAKING PAYOFFS 557 00:25:17,747 --> 00:25:19,949 THROUGH THE CAMPAIGN. 558 00:25:19,949 --> 00:25:22,091 (scoffs) I'VE KNOWN JEFF FOR YEARS. 559 00:25:22,091 --> 00:25:25,094 HE'S A GOOD MAN, A FAMILY MAN. 560 00:25:25,094 --> 00:25:28,297 YOU HAD NO IDEA? NONE. IF THIS GETS OUT... 561 00:25:28,297 --> 00:25:31,631 MR. NESBIT, IF HE USED CAMPAIGN FUNDS TO MAKE PAYMENTS, 562 00:25:31,631 --> 00:25:34,634 THEN WE SHOULD BE ABLE TO TRACE THEM BACK TO THE BLACKMAILER, 563 00:25:34,634 --> 00:25:36,906 BUT WE NEED ACCESS TO YOUR CAMPAIGN LEDGERS. 564 00:25:36,906 --> 00:25:38,938 OF COURSE. I'LL-- I'LL GET YOU A DISC. 565 00:25:38,938 --> 00:25:40,209 (sighs) 566 00:25:40,209 --> 00:25:43,042 LOOK, DETECTIVE... 567 00:25:46,716 --> 00:25:50,049 WHAT HE DID WAS WRONG. I'M--I'M NOT... EXCUSING IT. 568 00:25:50,049 --> 00:25:53,322 BUT IF YOU RELEASE THOSE PHOTOS, YOU'LL BE DOING IRREPARABLE HARM 569 00:25:53,322 --> 00:25:56,185 TO ALL THE GOOD HE DID IN THIS CITY, 570 00:25:56,185 --> 00:26:00,590 NOT TO MENTION CAUSING IMMEASURABLE PAIN TO HIS FAMILY. 571 00:26:00,590 --> 00:26:03,232 THESE PHOTOS ARE EVIDENCE IN A MURDER INVESTIGATION. 572 00:26:03,232 --> 00:26:05,835 WE HAVE NO INTENTION OF RELEASING THEM. 573 00:26:05,835 --> 00:26:08,297 WELL, THANK GOD FOR THAT. 574 00:26:08,297 --> 00:26:11,601 BUT YOU SHOULD BE AWARE THAT, ONE WAY OR ANOTHER, 575 00:26:11,601 --> 00:26:15,144 THESE SORTS OF THINGS INEVITABLY SEE THE LIGHT OF DAY. 576 00:26:22,011 --> 00:26:24,914 (whirring) 577 00:26:27,056 --> 00:26:29,919 OH, YOU GOT SOMETHING AGAINST FOAMY RICHNESS? 578 00:26:29,919 --> 00:26:33,322 YEAH. IT ANNOYS ME. 579 00:26:33,322 --> 00:26:34,894 HMM. 580 00:26:34,894 --> 00:26:36,065 DETECTIVE BECKETT. 581 00:26:36,065 --> 00:26:38,898 WE CROSS-REFERENCED HORN'S CAMPAIGN PAYOUTS 582 00:26:38,898 --> 00:26:41,831 TO THE VOLUNTEERS AND EMPLOYEES AT BOLLINGER'S OFFICE. 583 00:26:41,831 --> 00:26:44,774 AND? THERE WERE A SERIES OF OFF-BOOK PAYMENTS TOTALING 30 GRAND 584 00:26:44,774 --> 00:26:46,676 ROUTED BANK-TO-BANK WITH NO PAYEE, 585 00:26:46,676 --> 00:26:48,678 JUST AN ACCOUNT NUMBER. (espresso machine whirring) 586 00:26:48,678 --> 00:26:50,980 WERE YOU ABLE TO TRACK DOWN THE ACCOUNTS? 587 00:26:50,980 --> 00:26:52,912 OH, YEAH, IT'S, UH, BRUCE KIRBY. 588 00:26:52,912 --> 00:26:55,084 THAT P.I. THAT TOOK THE PICTURES? 589 00:26:55,084 --> 00:26:57,747 HE IS YOUR BLACKMAILER. DID YOU RUN HIM UP? 590 00:26:57,747 --> 00:26:59,719 OF COURSE. A REAL PEACH. 591 00:26:59,719 --> 00:27:01,791 LOST HIS BADGE FOR EXCESSIVE FORCE, 592 00:27:01,791 --> 00:27:03,793 ON PROBATION FOR CRIMINAL INTIMIDATION. 593 00:27:03,793 --> 00:27:05,795 AND HE HAS A REGISTRATION FOR A .38. 594 00:27:05,795 --> 00:27:09,028 THE SAME CALIBER THAT KILLED COUNCILMAN HORN. 595 00:27:09,028 --> 00:27:11,060 (clinks) 596 00:27:11,060 --> 00:27:15,234 (Ryan) OH, THAT'S GOOD. THAT'S THE STUFF. YEAH. 597 00:27:15,234 --> 00:27:18,167 IT'S GOOD, MAN. FLAVOR COUNTRY. 598 00:27:25,815 --> 00:27:27,977 WHAT? I FIGURE, I GOT THE PHOTOS. 599 00:27:27,977 --> 00:27:29,348 THE GUTLESS PUNK ISN'T GONNA USE 'EM. 600 00:27:29,348 --> 00:27:31,951 WHY THE HELL SHOULDN'T I? BECAUSE IT'S ILLEGAL? 601 00:27:31,951 --> 00:27:34,954 HEY, I'M NOT THE ONE THAT WAS DIPPING MY CHURRO IN SUGAR 602 00:27:34,954 --> 00:27:37,226 NEARLY HALF MY AGE. THE GUY HAD IT COMING. 603 00:27:37,226 --> 00:27:39,428 EXCEPT HE FOUND YOU OUT. HE CAME AFTER YOU. YEAH? 604 00:27:39,428 --> 00:27:42,792 SO WHAT HAPPENED, KIRBY? HE LOSE HIS COOL, HE GET VIOLENT? WHAT? NO. 605 00:27:42,792 --> 00:27:46,265 YOU PUT A ROUND IN HIS HEAD AND TRIED TO PIN IT ON CREASON. 606 00:27:46,265 --> 00:27:49,699 WHOA, WHOA, WHOA. SHERLOCK, I DIDN'T KILL HIM. 607 00:27:49,699 --> 00:27:52,101 HE WAS COMING TO MEET WITH ME, 608 00:27:52,101 --> 00:27:53,943 YES, WITH A PROPOSITION. 609 00:27:53,943 --> 00:27:56,776 HE WANTED TO KNOW WHAT IT WOULD TAKE 610 00:27:56,776 --> 00:27:59,078 TO MAKE IT ALL GO AWAY FOREVER. WHAT DID YOU TELL HIM? 611 00:27:59,078 --> 00:28:01,410 WELL, I THOUGHT, WHAT THE HELL? $250,000. 612 00:28:01,410 --> 00:28:04,413 I NEVER THOUGHT HE'D SAY YES. HE DID, HE GOT THE MONEY. 613 00:28:04,413 --> 00:28:06,255 THE NIGHT HE WAS KILLED, 614 00:28:06,255 --> 00:28:09,158 HE WAS COMING TO MEET ME WITH IT. 615 00:28:09,158 --> 00:28:11,921 HE NEVER SHOWED. 616 00:28:19,428 --> 00:28:21,871 (groans) 617 00:28:28,337 --> 00:28:31,280 WHAT DO YOU THINK? WAITING TO RECEIVE 618 00:28:31,280 --> 00:28:33,282 A BLACKMAIL PAYOFF FROM THE VIC? (scoffs) 619 00:28:33,282 --> 00:28:36,285 MY 3-YEAR-OLD SON COULD COME UP WITH A BETTER STORY THAN THAT. 620 00:28:36,285 --> 00:28:39,318 IT'S SO BAD, IT MIGHT BE TRUE. YEAH, WELL, WE GOT A TEAM TOSSING HIS PLACE 621 00:28:39,318 --> 00:28:42,721 FOR THE WEAPON. BOOK HIM ON THE BLACKMAIL TILL WE SEE WHAT THE SEARCH TURNS UP. 622 00:28:42,721 --> 00:28:44,994 IN THE MEANTIME, FOLLOW THE MONEY. 623 00:28:44,994 --> 00:28:47,496 IF THIS BOZO IS TELLING THE TRUTH-- THEN HORN HAD A QUARTER MILLION DOLLARS ON HIM 624 00:28:47,496 --> 00:28:49,899 WHEN HE WAS KILLED. YEAH, SO WHERE'S THE MONEY? 625 00:28:49,899 --> 00:28:52,902 AND WHERE DOES AN UNDERPAID PUBLIC SERVANT GET IT FROM 626 00:28:52,902 --> 00:28:54,433 IN THE FIRST PLACE? 627 00:28:54,433 --> 00:28:57,136 WELL, HE'D GO WHERE ALL POLITICIANS GO-- 628 00:28:57,136 --> 00:28:59,068 TO PEOPLE WHO LIKE HIM, 629 00:28:59,068 --> 00:29:02,011 PEOPLE WHO GAVE HIM MONEY BEFORE. 630 00:29:04,443 --> 00:29:07,016 HEY. HEY! 631 00:29:07,016 --> 00:29:09,078 CAN I GO HOME NOW? 632 00:29:09,078 --> 00:29:11,851 WHAT HAPPENED TO JEFF HORN WAS A TRAGEDY... (camera shutters clicking) 633 00:29:11,851 --> 00:29:14,954 NOT JUST FOR HIS FAMILY, BUT FOR ALL OF US HE SERVED. 634 00:29:14,954 --> 00:29:17,787 AND EVEN THOUGH VIOLENCE STOLE HIS LIFE, 635 00:29:17,787 --> 00:29:21,260 HIS WIFE IS HERE WITH US TODAY, REFUSING TO LET VIOLENCE 636 00:29:21,260 --> 00:29:23,993 STEAL HIS DREAM OF A BETTER NEW YORK. 637 00:29:23,993 --> 00:29:25,895 LADIES AND GENTLEMEN, 638 00:29:25,895 --> 00:29:28,798 LAURIE HORN. 639 00:29:28,798 --> 00:29:31,801 (camera shutters clicking) 640 00:29:31,801 --> 00:29:33,102 THANK YOU. 641 00:29:33,102 --> 00:29:35,204 THANK YOU SO MUCH. 642 00:29:35,204 --> 00:29:37,076 WE ALL KNOW 643 00:29:37,076 --> 00:29:40,409 IT SHOULD BE MY HUSBAND SPEAKING WITH YOU TODAY. 644 00:29:40,409 --> 00:29:44,053 IT SHOULD BE HIS CALMING VOICE, NOT MINE, THAT YOU HEAR. 645 00:29:44,053 --> 00:29:47,056 THIS IS A CITY COUNCIL RACE, NOT THE U.S. SENATE. 646 00:29:47,056 --> 00:29:49,088 WE RELY ON THOUSANDS OF SMALL DONATIONS, 647 00:29:49,088 --> 00:29:51,921 NOT A FEW BIG ONES. WELL, SOME OF THEM MUST HAVE DEEP POCKETS. 648 00:29:51,921 --> 00:29:53,923 WELL, THE DEPTH OF THOSE POCKETS 649 00:29:53,923 --> 00:29:56,225 IS LIMITED BY THE LAW. AND IF IT WASN'T LIMITED BY LAW, 650 00:29:56,225 --> 00:29:57,967 DID HORN HAVE ANY SUPPORTERS 651 00:29:57,967 --> 00:30:00,269 THAT WOULD BE WILLING TO GO THE EXTRA MILE? 652 00:30:00,269 --> 00:30:02,531 DETECTIVE... (chuckles) WITH ALL DUE RESPECT, 653 00:30:02,531 --> 00:30:05,034 THERE'S NO WAY IN HELL I'M HELPING YOU START 654 00:30:05,034 --> 00:30:07,536 A WITCH HUNT AGAINST OUR TOP SUPPORTERS. 655 00:30:07,536 --> 00:30:10,039 NOW YOU WANT TO GO THROUGH OUR CAMPAIGN CONTRIBUTORS? 656 00:30:10,039 --> 00:30:12,912 FINE. THAT'S A MATTER OF PUBLIC RECORD. 657 00:30:12,912 --> 00:30:15,044 BUT ANYTHING ELSE, AND YOU'RE ON YOUR OWN. 658 00:30:15,044 --> 00:30:18,187 (cheers and applause) 659 00:30:18,187 --> 00:30:21,320 (woman) OVER THIS WAY! THANK YOU. YES. 660 00:30:27,997 --> 00:30:30,099 HEY. HEY. 661 00:30:30,099 --> 00:30:31,931 FINISHED YOUR HOMEWORK? YEAH. 662 00:30:31,931 --> 00:30:34,233 YOU WANNA FINISH MINE? WELL, THAT DEPENDS. 663 00:30:34,233 --> 00:30:38,137 HOW MUCH ARE YOU OFFERING TO PAY ME? OH, I TAUGHT YOU WELL. 664 00:30:38,137 --> 00:30:40,139 GINA CALLED. SHE WANTED ME TO REMIND YOU 665 00:30:40,139 --> 00:30:41,971 ABOUT THE READING AND BOOK SIGNING 666 00:30:41,971 --> 00:30:44,143 AT BROADWAY BOOKS TOMORROW NIGHT. WELL, THAT WAS NICE OF HER. 667 00:30:44,143 --> 00:30:46,245 YEAH, AND IF YOU DON'T SHOW, SHE WILL... 668 00:30:46,245 --> 00:30:48,617 "DRIP HONEY ON YOUR EYEBALLS 669 00:30:48,617 --> 00:30:51,220 AND LET LOOSE A HUNDRED FIRE ANTS." OKAY. WHAT'S WORSE-- 670 00:30:51,220 --> 00:30:53,382 A HUNDRED FIRE ANTS ON YOUR EYEBALLS 671 00:30:53,382 --> 00:30:55,955 OR READING TO A CROWD... 672 00:30:55,955 --> 00:31:00,159 "PROSE SO BAD IT SENT ME SCREAMING OUT INTO THE SNOW"? 673 00:31:00,159 --> 00:31:03,132 YOU KNOW, IF YOU REALLY WANT TO FEEL SORRY FOR YOURSELF, 674 00:31:03,132 --> 00:31:05,594 YOU SHOULD READ THE REVIEW IN "THE LEDGER." 675 00:31:05,594 --> 00:31:08,998 REALLY? WHAT'S THAT DAMN LIBERAL ELITE MEDIA SAYING ABOUT ME NOW? 676 00:31:08,998 --> 00:31:11,000 "RICHARD CASTLE'S STIRRING FINALE 677 00:31:11,000 --> 00:31:13,302 "REMINDS US WHAT GOOD PULP FICTION IS ALL ABOUT. 678 00:31:13,302 --> 00:31:16,175 "IT MAKES US DESIRE A WORLD OF STARTLING IMPERFECTION 679 00:31:16,175 --> 00:31:18,877 "SO WE CAN RISE ABOVE AND BECOME THE HEROES 680 00:31:18,877 --> 00:31:20,879 WE ALWAYS IMAGINED OURSELVES TO BE." 681 00:31:20,879 --> 00:31:22,881 IT USED TO BE SUCH A GOOD PAPER. 682 00:31:22,881 --> 00:31:25,284 TO SEE IT FALLEN SO FAR, IT'S SAD, REALLY. 683 00:31:25,284 --> 00:31:26,615 SHUT UP. 684 00:31:26,615 --> 00:31:28,117 I'M PROUD OF YOU. 685 00:31:28,117 --> 00:31:29,618 WELL, YOU REMEMBER THAT 686 00:31:29,618 --> 00:31:31,620 NEXT TIME I SING THE PEANUT BUTTER SONG 687 00:31:31,620 --> 00:31:34,123 IN FRONT OF YOUR FRIENDS. HAVE YOU CAUGHT THE KILLER YET? 688 00:31:34,123 --> 00:31:37,126 NO. HEY, IF YOU WERE IN A LOT OF TROUBLE 689 00:31:37,126 --> 00:31:39,628 AND YOU NEEDED A QUARTER OF A MILLION DOLLARS, 690 00:31:39,628 --> 00:31:41,170 WHERE WOULD YOU GET IT? 691 00:31:41,170 --> 00:31:44,133 I'D JUST ASK YOU. 692 00:31:44,133 --> 00:31:47,406 GOOD NIGHT. 693 00:31:49,408 --> 00:31:52,141 (sighs) 694 00:32:05,154 --> 00:32:07,496 I'D JUST ASK YOU. 695 00:32:12,361 --> 00:32:15,364 (police radio chatter) 696 00:32:28,077 --> 00:32:29,218 (beep) 697 00:32:29,218 --> 00:32:32,721 (whirring) 698 00:32:38,657 --> 00:32:41,330 HI. HI. 699 00:32:41,330 --> 00:32:44,033 THERE'S SOMETHING I NEED TO SHOW YOU. 700 00:32:44,033 --> 00:32:45,964 (exhales sharply) 701 00:32:45,964 --> 00:32:47,966 (Castle) I FOUND THIS IN THE ARCHIVES 702 00:32:47,966 --> 00:32:49,968 FROM HIS FIRST RUN FOR OFFICE. 703 00:32:49,968 --> 00:32:52,741 SEE, HORN WASN'T WEALTHY, BUT HIS WIFE CAME FROM MONEY. 704 00:32:52,741 --> 00:32:55,744 SHE TAPPED INTO HER FAMILY TRUST TO FINANCE HIS FIRST CAMPAIGN. 705 00:32:55,744 --> 00:32:58,407 ALL THIS TIME WE THOUGHT THAT HORN WAS HIDING HIS AFFAIR 706 00:32:58,407 --> 00:33:01,580 FROM HIS WIFE. YEAH, BUT WHAT IF SHE KNEW ABOUT THE AFFAIR? 707 00:33:01,580 --> 00:33:04,083 WHAT IF HE GOT THE BLACKMAIL MONEY FROM HER? 708 00:33:11,390 --> 00:33:14,163 YES, MA'AM. ACCOUNT NUMBER 737-88103. THANKS. 709 00:33:14,163 --> 00:33:16,165 ACCORDING TO THE ADMINISTRATOR OF THE FAMILY TRUST, 710 00:33:16,165 --> 00:33:17,626 MRS. HORN MARKETED 711 00:33:17,626 --> 00:33:20,029 ABOUT $300,000 WORTH OF STOCKS LAST WEEK. 712 00:33:20,029 --> 00:33:21,370 SHE KNEW. 713 00:33:21,370 --> 00:33:23,302 BANK RECORDS INDICATE 714 00:33:23,302 --> 00:33:26,075 THE FUNDS WERE WITHDRAWN TWO DAYS BEFORE THE EXCHANGE. 715 00:33:26,075 --> 00:33:28,477 HER HUSBAND'S KILLED, $250,000 GOES MISSING, 716 00:33:28,477 --> 00:33:30,479 SHE DOESN'T SAY A WORD? 717 00:33:30,479 --> 00:33:33,642 OF COURSE I DIDN'T SAY A WORD. IT'S NONE OF YOUR DAMN BUSINESS. 718 00:33:33,642 --> 00:33:36,415 DESPITE THE FACT THAT IT COULD HAVE HAD SIGNIFICANT BEARING 719 00:33:36,415 --> 00:33:39,418 ON YOUR HUSBAND'S MURDER? I HAVE A FAMILY, DETECTIVE BECKETT. 720 00:33:39,418 --> 00:33:42,421 THEIR FATHER IS DEAD. WHAT USE IS DRAGGING THEIR NAMES 721 00:33:42,421 --> 00:33:45,424 THROUGH THE MUD, PROVIDING FODDER FOR LATE-NIGHT COMEDIANS? 722 00:33:45,424 --> 00:33:47,025 WHEN DID YOU KNOW? 723 00:33:47,025 --> 00:33:49,528 THE TRUST CALLED TO CONFIRM THE STOCK SALE. 724 00:33:49,528 --> 00:33:52,030 MY WONDERFUL HUSBAND FORGED MY SIGNATURE ON THE PAPERS, 725 00:33:52,030 --> 00:33:54,533 THINKING I WOULD BE TOO STUPID TO NOTICE, 726 00:33:54,533 --> 00:33:56,205 AND WHEN I CONFRONTED HIM, 727 00:33:56,205 --> 00:33:59,138 HE CLAIMED HE NEEDED THE MONEY FOR TAX REASONS, 728 00:33:59,138 --> 00:34:01,170 REASONS THAT I WOULDN'T UNDERSTAND. 729 00:34:01,170 --> 00:34:03,172 BUT I UNDERSTOOD, ALL RIGHT. 730 00:34:03,172 --> 00:34:04,743 EVERYTHING THAT I WANTED, 731 00:34:04,743 --> 00:34:07,246 EVERYTHING THAT I WANTED US TO BE, 732 00:34:07,246 --> 00:34:10,079 AND HE CAN'T KEEP HIS FLY ZIPPED. 733 00:34:10,079 --> 00:34:12,381 SO WHAT DID YOU DECIDE TO DO? 734 00:34:12,381 --> 00:34:15,154 WELL, BETWEEN PUBLIC HUMILIATION AND BLACKMAIL, 735 00:34:15,154 --> 00:34:16,555 I CHOSE BLACKMAIL, 736 00:34:16,555 --> 00:34:19,428 AND I TOLD HIM TO MAKE IT GO AWAY. 737 00:34:19,428 --> 00:34:22,431 SO WHAT DO YOU THINK HAPPENED THAT NIGHT? 738 00:34:22,431 --> 00:34:25,094 I DON'T KNOW. 739 00:34:25,094 --> 00:34:27,596 OKAY. SO THAT NIGHT, WHEN HE CALLED, 740 00:34:27,596 --> 00:34:29,598 WHAT DID HE ACTUALLY SAY? 741 00:34:29,598 --> 00:34:33,071 THAT HE HAD THE MONEY, THAT HE WAS GOING TO MEET THE GUY, 742 00:34:33,071 --> 00:34:35,774 AND THAT WAS THE LAST THING HE SAID TO ME. 743 00:34:35,774 --> 00:34:38,447 AND GOD KNOWS WHAT HAPPENED AFTER THAT. 744 00:34:38,447 --> 00:34:41,480 AND YOU'RE SURE THAT HE HAD THE MONEY? YES. WHY? 745 00:34:41,480 --> 00:34:44,113 BECAUSE WE FOUND IT AT YOUR HOUSE. 746 00:34:44,113 --> 00:34:46,155 MY HOUSE. 747 00:34:46,155 --> 00:34:48,657 (Castle) THE SEARCH WARRANT WAS SERVED THIS MORNING. 748 00:34:48,657 --> 00:34:51,260 YOUR HOUSEKEEPER WAS VERY COOPERATIVE. 749 00:34:51,260 --> 00:34:54,263 IF YOUR HUSBAND HAD THE MONEY WHEN HE WAS KILLED, 750 00:34:54,263 --> 00:34:57,266 HOW DID IT GET BACK TO YOUR HOUSE? 751 00:34:59,698 --> 00:35:02,271 YOU WERE MORE THAN ANGRY, WEREN'T YOU? 752 00:35:02,271 --> 00:35:03,772 YOU WERE OUTRAGED. 753 00:35:03,772 --> 00:35:06,235 HE DIDN'T JUST BETRAY YOU, HE HUMILIATED YOU. 754 00:35:06,235 --> 00:35:08,237 AND EVERYONE WAS GOING TO KNOW, 755 00:35:08,237 --> 00:35:12,110 AND SO YOU JUST DECIDED TO... MAKE IT GO AWAY. 756 00:35:18,187 --> 00:35:21,119 YOU SEE THOSE WIVES 757 00:35:21,119 --> 00:35:23,121 IN THE INEVITABLE PRESS CONFERENCE, 758 00:35:23,121 --> 00:35:25,454 STANDING STONE-FACED NEXT TO THEIR MEN, 759 00:35:25,454 --> 00:35:28,797 AND YOU THINK, HOW DO THEY DO THAT? 760 00:35:28,797 --> 00:35:32,130 HOW DO THEY JUST STAND THERE? 761 00:35:32,130 --> 00:35:33,702 HOW DO THEY WATCH 762 00:35:33,702 --> 00:35:36,835 AS THEIR WHOLE WORLD MELTS INTO A SPOTLIGHT OF SHAME? 763 00:35:36,835 --> 00:35:41,440 AND SO YOU KILLED HIM. N-NO. N-NO. I-I WAS HOME. 764 00:35:41,440 --> 00:35:44,413 YOU CALLED YOUR HUSBAND AT 11:00 P.M. WHAT DID YOU SAY? 765 00:35:44,413 --> 00:35:48,146 I-I-I WAS WITH MY DAUGHTERS. CONSPIRACY TO COMMIT MURDER IS THE SAME AS MURDER, 766 00:35:48,146 --> 00:35:50,148 WHETHER YOU WERE THERE OR NOT. 767 00:35:50,148 --> 00:35:52,851 ARE YOU READY TO DEAL? 768 00:35:58,927 --> 00:36:04,493 (Laurie) IT WAS MY JOB TO MAKE THE CALL. 769 00:36:04,493 --> 00:36:06,465 I WAS SUPPOSED TO TELL HIM 770 00:36:06,465 --> 00:36:09,338 THAT THE BLACKMAILER CHANGED THE MEET. 771 00:36:09,338 --> 00:36:13,872 I WAS SUPPOSED TO TELL HIM WHERE TO GO-- 772 00:36:13,872 --> 00:36:16,205 DOWN BY THE UNDERPASS WHERE NO ONE WOULD SEE. 773 00:36:19,878 --> 00:36:21,580 (speaks inaudibly) 774 00:36:21,580 --> 00:36:22,911 HE HAD IT ALL ARRANGED, 775 00:36:22,911 --> 00:36:25,714 EVEN THAT RUG FOR HIS BODY. 776 00:36:25,714 --> 00:36:30,188 ALL I HAD TO DO WAS MAKE A CALL. 777 00:36:37,426 --> 00:36:38,897 (gunshot) 778 00:36:46,835 --> 00:36:50,239 HE SAID HE WOULD MAKE EVERYTHING LIKE IT WAS. 779 00:36:50,239 --> 00:36:53,942 HE SAID HE WOULD MAKE IT LOOK LIKE SOMEONE ELSE DID IT. 780 00:36:53,942 --> 00:36:56,545 HE SAID NO ONE WOULD EVER KNOW. 781 00:36:56,545 --> 00:36:58,747 MRS. HORN... 782 00:36:58,747 --> 00:37:01,950 LAURIE, I NEED TO KNOW WHO. 783 00:37:01,950 --> 00:37:04,953 IT'S NOT SUPPOSED TO BE LIKE THIS. 784 00:37:04,953 --> 00:37:07,556 WE WERE FRIENDS... 785 00:37:07,556 --> 00:37:10,559 AND WE WERE GONNA CHANGE THE WORLD. 786 00:37:13,402 --> 00:37:14,903 (Beckett) FRANK NESBIT, 787 00:37:14,903 --> 00:37:17,606 YOU ARE UNDER ARREST FOR THE MURDER OF JEFF HORN. 788 00:37:17,606 --> 00:37:19,608 WHAT? THAT'S RIDICULOUS. 789 00:37:19,608 --> 00:37:22,311 MRS. HORN DOESN'T THINK SO. CUFF HIM. 790 00:37:22,311 --> 00:37:25,274 MR. NESBIT, YOU HAVE THE RIGHT TO REMAIN SILENT. ANY-- 791 00:37:25,274 --> 00:37:28,447 HEY! HEY! HEY! (woman shouts) 792 00:37:28,447 --> 00:37:29,878 (grunts) 793 00:37:32,321 --> 00:37:33,782 STOP RUNNING, BRO. 794 00:37:33,782 --> 00:37:35,924 THE CAMPAIGN'S OVER. OOH. YES. 795 00:37:35,924 --> 00:37:37,926 I WASN'T QUITE FINISHED BACK THERE, MR. NESBIT. 796 00:37:37,926 --> 00:37:39,928 YOU HAVE THE RIGHT TO REMAIN SILENT. 797 00:37:39,928 --> 00:37:42,030 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU 798 00:37:42,030 --> 00:37:44,032 IN A COURT OF LAW. 799 00:37:44,032 --> 00:37:45,033 AFTER WE FOUND THE WEAPON IN NESBIT'S OFFICE, 800 00:37:45,033 --> 00:37:46,565 HE MADE A FULL CONFESSION. 801 00:37:46,565 --> 00:37:48,567 HE GOT HORN TO CALL HER HUSBAND 802 00:37:48,567 --> 00:37:50,939 AND GET HIM DOWN TO THE OVERPASS, 803 00:37:50,939 --> 00:37:53,472 AND THEN HE TOOK CARE OF THE REST. POLITICS WAS NESBIT'S LIFE. 804 00:37:53,472 --> 00:37:55,974 HE FIGURED IF THE SCANDAL BROKE, HIS CAREER WOULD BE OVER, 805 00:37:55,974 --> 00:37:58,977 AND HE'D BE DAMAGED GOODS. THE SAD THING IS, HE WAS PROBABLY RIGHT. 806 00:37:58,977 --> 00:38:02,050 SO WHAT HAPPENS TO THE GIRLS? HORN HAD A SISTER UPSTATE. SHE'S COMING DOWN TOMORROW 807 00:38:02,050 --> 00:38:05,013 TO PICK 'EM UP FROM SOCIAL SERVICES. GOOD. AND THE RUG? 808 00:38:05,013 --> 00:38:06,715 A RED HERRING. 809 00:38:06,715 --> 00:38:09,388 NESBIT HEARD THEY WERE DUMPING A BUNCH OF 'EM, 810 00:38:09,388 --> 00:38:11,360 FIGURED IT WOULD KEEP US OFF HIS TRAIL. 811 00:38:11,360 --> 00:38:15,664 NICE WORK. VERY IMPRESSIVE. 812 00:38:15,664 --> 00:38:17,966 OH, AND, UH, YOU, TOO, BECKETT. (chuckles) 813 00:38:17,966 --> 00:38:19,968 SIR? JUST YANKING YOUR CHAIN, DETECTIVE. 814 00:38:19,968 --> 00:38:23,301 JUST YANKING YOUR CHAIN. (cell phone ringing) 815 00:38:23,301 --> 00:38:25,303 (beep) HELLO. 816 00:38:25,303 --> 00:38:27,305 Hey, Dad, where are you? 817 00:38:27,305 --> 00:38:30,038 WHERE AM I SUPPOSED TO BE? FIRE ANTS? EYEBALLS? 818 00:38:30,038 --> 00:38:33,081 RIGHT. UH, STALL FOR ME. I'M ON MY WAY. 819 00:38:34,983 --> 00:38:36,785 OOPS! SORRY. SORRY. 820 00:38:38,447 --> 00:38:41,019 "SHE STOOD THERE IN STUNNED DISBELIEF 821 00:38:41,019 --> 00:38:44,052 "AS THE LIGHT IN HIS EYES DIMMED. 822 00:38:44,052 --> 00:38:47,095 "HE REACHED OUT FOR HER, AND SHE TOOK HIS HAND, 823 00:38:47,095 --> 00:38:50,499 "SQUEEZING IT FOR THE VERY LAST TIME. 824 00:38:50,499 --> 00:38:52,961 "SHE FELT HER HEART STOP A BEAT, 825 00:38:52,961 --> 00:38:55,063 "AND IN THAT MOMENT, 826 00:38:55,063 --> 00:38:58,106 "SHE KNEW HE WAS GONE. 827 00:38:58,106 --> 00:39:00,839 "DARKNESS FELL ACROSS THE FACE OF THE CITY 828 00:39:00,839 --> 00:39:03,712 "AND ACROSS HER FACE AS WELL. 829 00:39:03,712 --> 00:39:05,944 "GOOD, SHE THOUGHT, 830 00:39:05,944 --> 00:39:08,647 AS THE WIND GATHERED UP HER HAIR." 831 00:39:08,647 --> 00:39:11,380 (voice breaks) "NO ONE..." 832 00:39:20,929 --> 00:39:22,991 "WILL SEE MY TEARS." 833 00:39:24,463 --> 00:39:26,395 UH... 834 00:39:26,395 --> 00:39:28,697 THANK YOU. UH... 835 00:39:32,571 --> 00:39:34,673 THANK YOU. THANK YOU. 836 00:39:34,673 --> 00:39:37,375 HMM. 837 00:39:37,375 --> 00:39:41,149 (speaking indistinctly) 838 00:39:41,149 --> 00:39:43,151 DETECTIVE BECKETT. 839 00:39:43,151 --> 00:39:45,914 TO WHAT DO I OWE THIS VERY UNEXPECTED PLEASURE? 840 00:39:45,914 --> 00:39:48,386 UH, EXCUSE ME. THANK YOU. 841 00:39:48,386 --> 00:39:51,059 I JUST FIGURED IF YOU'RE GONNA BOTHER ME AT MY WORK, 842 00:39:51,059 --> 00:39:53,061 I SHOULD BOTHER YOU AT YOURS. 843 00:39:53,061 --> 00:39:55,564 THAT WAS, UM, QUITE A READING. 844 00:39:55,564 --> 00:39:57,125 VERY, UH, MOVING. 845 00:39:57,125 --> 00:39:59,027 ARE--ARE YOU MAKING FUN OF ME? 846 00:39:59,027 --> 00:40:01,500 "GOOD, SHE THOUGHT, 847 00:40:01,500 --> 00:40:05,103 "AS THE WIND GATHERED UP HER HAIR. 848 00:40:05,103 --> 00:40:08,036 NO ONE WILL SEE MY TEARS." 849 00:40:08,036 --> 00:40:10,108 HOW DOES WIND GATHER UP HAIR? I'M JUST CURIOUS. 850 00:40:10,108 --> 00:40:14,042 OH, YOU'RE TELLING ME HOW TO DO MY JOB. IRRITATING, ISN'T IT? 851 00:40:14,042 --> 00:40:16,745 OH, OH, OH, OH! OH. LOOK AT YOU. (chuckles) 852 00:40:16,745 --> 00:40:18,717 DENISE FROM "THE LEDGER" SAYS 853 00:40:18,717 --> 00:40:21,189 YOU'RE GOING TO BE NUMBER ONE THIS WEEK. 854 00:40:21,189 --> 00:40:23,592 AND LOOK, EVERYONE IS BUYING YOUR BOOK! 855 00:40:23,592 --> 00:40:26,695 NOW DON'T YOU FEEL SILLY FOR BELIEVING ALL THOSE REVIEWS? 856 00:40:26,695 --> 00:40:28,727 YES. YES, I DO. 857 00:40:28,727 --> 00:40:31,630 WELL, LET'S JUST HOPE "NIKKI HEAT" DOES AS WELL. 858 00:40:31,630 --> 00:40:33,031 "NIKKI HEAT"? 859 00:40:33,031 --> 00:40:35,634 THE CHARACTER HE'S BASING ON YOU. 860 00:40:35,634 --> 00:40:37,936 NIKKI HEAT? UH-OH. 861 00:40:37,936 --> 00:40:39,938 CAN I TALK TO YOU FOR A SECOND? 862 00:40:39,938 --> 00:40:41,640 OF COURSE. 863 00:40:41,640 --> 00:40:43,872 UH, LET HIM. LET HIM. I WANT TO HEAR. 864 00:40:43,872 --> 00:40:46,745 ♪♪ 865 00:40:46,745 --> 00:40:48,917 WHAT KIND OF A NAME IS NIKKI HEAT? 866 00:40:48,917 --> 00:40:49,648 A COP NAME. 867 00:40:49,648 --> 00:40:52,080 IT'S A STRIPPER NAME. WELL, I TOLD YOU SHE WAS KIND OF SLUTTY. 868 00:40:52,080 --> 00:40:53,622 CHANGE IT, CASTLE. 869 00:40:53,622 --> 00:40:55,684 WAIT. HANG ON A SECOND. THINK OF THE TITLES-- 870 00:40:55,684 --> 00:40:57,756 "SUMMER HEAT," "HEAT WAVE," 871 00:40:57,756 --> 00:41:00,959 "IN HEAT." 872 00:41:00,959 --> 00:41:02,230 CHANGE THE NAME. 873 00:41:02,230 --> 00:41:04,062 NO. YES. 874 00:41:04,062 --> 00:41:05,634 NO. CHANGE IT. 875 00:41:05,634 --> 00:41:07,195 NO. CASTLE. 876 00:41:07,195 --> 00:41:09,798 I'M NOT SPEAKING-- SORRY. I HAVE ARTISTIC INTEGRITY, BECKETT. 877 00:41:09,798 --> 00:41:12,701 "ARTISTIC INTEGRITY"? CHANGE THE NAME, CASTLE! TODAY. LISTEN, IF I CAVE NOW, WHAT NEXT? WHAT NEXT? 878 00:41:12,701 --> 00:41:14,703 (man) ♪ I KNOW THAT IF I DON'T ♪ 879 00:41:14,703 --> 00:41:16,705 ♪ IF I DON'T ♪ 880 00:41:16,705 --> 00:41:20,579 (woman) ♪ THINK ABOUT YOU, I'LL BE SAD ♪ ♪ YEAH ♪