1 00:00:01,132 --> 00:00:03,774 (The Rosenbergs) ♪ I CAN'T BE ANYTHING ♪ 2 00:00:03,774 --> 00:00:06,006 ♪ WITHOUT YOU ♪ 3 00:00:06,006 --> 00:00:10,141 ♪ DON'T YOU KNOW? ♪ 4 00:00:10,141 --> 00:00:16,447 ♪ 'CAUSE WE GO TOGETHER ♪ 5 00:00:16,447 --> 00:00:19,019 ♪ JUST LIKE JAM AND BREAD ♪ 6 00:00:19,019 --> 00:00:24,225 ♪ OR MAYBE BIRDS OF A FEATHER ♪ ♪ FEATHER ♪ 7 00:00:24,225 --> 00:00:30,030 ♪ I DON'T KNOW ANYTHING ABOUT YOU ♪ 8 00:00:30,030 --> 00:00:33,134 ♪ WHAT WILL IT TAKE ♪ 9 00:00:33,134 --> 00:00:38,269 ♪ FOR YOU TO CALL ME? ♪ 10 00:00:38,269 --> 00:00:44,044 ♪ I CAN'T BE ANYTHING WITHOUT YOU ♪ 11 00:00:44,044 --> 00:00:47,047 (playing dramatic, up-tempo music) 12 00:00:47,047 --> 00:00:49,280 (grunting, metal scraping) 13 00:00:49,280 --> 00:00:51,282 (imitating English accent) YOU'VE COME TO NOTTINGHAM 14 00:00:51,282 --> 00:00:52,783 ONCE TOO OFTEN. 15 00:00:52,783 --> 00:00:55,226 (imitates English accent) AFTER TODAY, THERE'LL BE NO NEED 16 00:00:55,226 --> 00:00:57,658 FOR ME TO COME AGAIN. YOU'VE BEEN HOLDING OUT ON ME, SIR ROBIN. 17 00:00:57,658 --> 00:01:00,361 I HEAR YOU LIKE A BOY. (normal voice) I KNEW SHE'D TELL. 18 00:01:00,361 --> 00:01:02,663 (normal voice) SO WHO IS HE? HIS NAME IS OWEN. HE'S IN MY POETRY CLASS. 19 00:01:02,663 --> 00:01:06,066 VERY SHY AND VERY SWEET. (grunts) HEY! 20 00:01:06,066 --> 00:01:08,839 KEEP YOUR GUARD UP. THEN DON'T DISTRACT ME. 21 00:01:08,839 --> 00:01:11,102 DOES HE KNOW HOW YOU FEEL ABOUT HIM? NO! 22 00:01:11,102 --> 00:01:13,574 WHY NOT? HA! (grunts) HEY! 23 00:01:13,574 --> 00:01:17,408 (grunts) BECAUSE I DON'T EVEN KNOW HOW I FEEL ABOUT HIM. 24 00:01:17,408 --> 00:01:19,210 YES! VERY NICE! 25 00:01:19,210 --> 00:01:21,081 (piano music continues) 26 00:01:21,081 --> 00:01:23,083 (cell phone rings) 27 00:01:23,083 --> 00:01:24,355 (ring) 28 00:01:24,355 --> 00:01:26,457 HELLO. 29 00:01:26,457 --> 00:01:28,419 (camera shutter clicking) 30 00:01:28,419 --> 00:01:31,862 HOW MANY BONES DID THEY HAVE TO BREAK TO GET HER IN THERE? 31 00:01:31,862 --> 00:01:35,296 WON'T KNOW TILL I GET HER BACK TO THE LAB. (sneezes) 32 00:01:35,296 --> 00:01:38,699 DON'T CONTAMINATE MY CRIME SCENE. SORRY, IT MUST BE THE FEATHERS. 33 00:01:38,699 --> 00:01:40,701 (Esposito) BECKETT'S HERE. 34 00:01:40,701 --> 00:01:43,103 (police radio chatter) 35 00:01:44,775 --> 00:01:47,808 NO SIGN OF FORCED ENTRY, SAME AS THE OTHERS. 36 00:01:47,808 --> 00:01:50,681 LOOKS LIKE OUR HOME INVASION CREW WENT FOR A 4-PEAT. 37 00:01:50,681 --> 00:01:53,684 THEY'RE STEPPING UP THEIR GAME, BECOMING MORE VIOLENT. (sneezes) BLESS YOU. 38 00:01:53,684 --> 00:01:55,746 BLESS YOU. JINX. WHAT'S WRONG WITH HIM? 39 00:01:55,746 --> 00:01:59,390 GOOSE DOWN. HE'S ALLERGIC. I'M SORRY, UNDER THE TIME-HONORED RULES OF JINX, 40 00:01:59,390 --> 00:02:02,323 YOU'RE NOT ALLOWED TO SPEAK UNTIL I RELEASE YOU. (sneezes) 41 00:02:02,323 --> 00:02:05,326 BLESS YOU. BLESS YOU. REVERSE DOUBLE JINX. 42 00:02:05,326 --> 00:02:08,128 I--JUST--I-- UNH-UNH, CASTLE, MOUTH SHUT UNTIL I RELEASE YOU. 43 00:02:08,128 --> 00:02:09,830 THANK YOU, RYAN. SO WHAT DO WE HAVE? 44 00:02:09,830 --> 00:02:12,833 THAT'S JOANNE DELGADO, DAUGHTER OF SUSAN DELGADO, THE VICTIM. 45 00:02:12,833 --> 00:02:15,536 SHE CALLED TO SAY GOOD NIGHT TO HER MOM. 46 00:02:15,536 --> 00:02:17,508 ONLY TONIGHT, MOM DOESN'T PICK UP. 47 00:02:17,508 --> 00:02:20,271 SHE CALLS THE DOORMAN. THE DOORMAN COMES UP, 48 00:02:20,271 --> 00:02:22,373 FINDS THE DOOR AJAR AND... AND? 49 00:02:22,373 --> 00:02:25,516 WELL, LET'S JUST SAY THIS ONE'S DEFINITELY BECKETT-FLAVORED. 50 00:02:25,516 --> 00:02:29,650 (Lanie) BLOOD SPATTER INDICATES SINGLE G.S.W. 51 00:02:29,650 --> 00:02:32,683 CLOSE RANGE. YOU CAN STILL SMELL THE CORDITE. 52 00:02:32,683 --> 00:02:36,587 (moans) I'LL HAVE TO TAKE YOUR WORD FOR IT. (Castle) OH, THEY SHOT HER AND STUFFED HER IN THE SAFE. 53 00:02:36,587 --> 00:02:39,930 BETTER THAN THE LAST ONE. THEY BEAT THE GUY TO DEATH. 54 00:02:39,930 --> 00:02:43,834 (Beckett) NONE OF THE NEIGHBORS HEARD A GUNSHOT? NADA. MUST BE HEAVY SLEEPERS. 55 00:02:43,834 --> 00:02:46,897 NO, THEY USED A PILLOW AS A POOR MAN'S SOUND SUPPRESSOR. AHEM! 56 00:02:46,897 --> 00:02:50,501 YEAH--YES, I BROKE THE JINX. I WILL BUY YOU A SODA. 57 00:02:50,501 --> 00:02:52,943 ANY SHELL CASINGS? NONE. 58 00:02:52,943 --> 00:02:56,307 (Beckett) PROBABLY USED A REVOLVER. AND A BOLT CUTTER. 59 00:02:56,307 --> 00:02:57,808 HER WEDDING RING. 60 00:02:57,808 --> 00:03:00,911 SHE DIDN'T WANT TO GIVE IT UP, AND SO THEY PUNISHED HER FOR IT. 61 00:03:00,911 --> 00:03:03,214 HUSBAND? PASSED A FEW YEARS AGO. 62 00:03:03,214 --> 00:03:04,855 IN A BUILDING LIKE THIS? 63 00:03:04,855 --> 00:03:07,458 THIS PART OF TOWN, YOU'D THINK SHE'D BE SAFE. 64 00:03:07,458 --> 00:03:09,760 NO PUN INTENDED. 65 00:03:09,760 --> 00:03:13,193 HOW OFTEN ARE PEOPLE KILLED IN NEIGHBORHOODS LIKE THIS? 66 00:03:13,193 --> 00:03:15,896 SAME AS ANYWHERE ELSE, CASTLE. JUST THE ONCE. 67 00:03:15,896 --> 00:03:22,733 ♪♪ 68 00:03:22,733 --> 00:03:25,736 EACH OF THE ROBBERIES TOOK PLACE IN A DIFFERENT PART OF THE CITY. 69 00:03:25,736 --> 00:03:28,879 A DIFFERENT HIGH-END PART OF THE CITY. WALL SAFES AND HIGH-END JEWELRY-- 70 00:03:28,879 --> 00:03:30,881 THESE GUYS CAME IN KNOWING 71 00:03:30,881 --> 00:03:34,785 EXACTLY WHAT THEY WERE GONNA FIND. WELL, THERE MUST BE A PATTERN, 72 00:03:34,785 --> 00:03:36,787 SOMETHING THAT CONNECTS THEM ALL. 73 00:03:36,787 --> 00:03:39,720 THE FIRST ONE WAS THREE MONTHS AGO? CENTRAL PARK WEST-- BOB AND LINDA KESLER 74 00:03:39,720 --> 00:03:42,623 WERE BOUND, GAGGED AND BEATEN. INTRUDERS WORE MASKS. 75 00:03:42,623 --> 00:03:45,526 TOOK ROUGHLY $175,000 IN JEWELRY. SAME M.O. ON YORK STREET? 76 00:03:45,526 --> 00:03:47,798 (Esposito) YEAH, ONLY WHEN MR. BRUNER REFUSED 77 00:03:47,798 --> 00:03:50,831 TO OPEN HIS SAFE, THEY BROKE HIS WIFE'S ARMS. WHICH BRINGS US TO LAST NIGHT. 78 00:03:50,831 --> 00:03:53,264 THEY'RE GETTING BOLDER. THEY'RE ESCALATING THEIR VIOLENCE. 79 00:03:53,264 --> 00:03:56,407 WELL, IT CAN'T BE RANDOM. HOW DO THEY KNOW WHAT'S IN THE SAFES? 80 00:03:56,407 --> 00:03:59,270 "SAFES"--IS THAT A WORD? IS IT "SAVES"? THAT CAN'T BE RIGHT. 81 00:03:59,270 --> 00:04:01,672 AND YOU WRITE FOR A LIVING? CASTLE, THE POINT? 82 00:04:01,672 --> 00:04:04,515 THE POINT IS, OUR HOME INVADERS SEEM TO KNOW AN AWFUL LOT 83 00:04:04,515 --> 00:04:07,017 ABOUT THEIR VICTIMS. WE'VE COMPARED INSURANCE COMPANIES, 84 00:04:07,017 --> 00:04:09,420 HOME SECURITY VENDORS, EVEN THE KIND OF SAFES 85 00:04:09,420 --> 00:04:11,882 THAT THEY HAD-- NOTHING'S BEEN A MATCH. 86 00:04:11,882 --> 00:04:15,426 I'M JUST THINKING, THEY SEEM TO KNOW THEIR TARGETS SO WELL, 87 00:04:15,426 --> 00:04:17,488 MAYBE THEY ACTUALLY KNOW THEM. 88 00:04:17,488 --> 00:04:19,630 (Ryan) MAYBE THE VICTIM'S DAUGHTER CAN TELL US. 89 00:04:20,991 --> 00:04:22,933 (woman) YEAH, WE WERE CLOSE. 90 00:04:22,933 --> 00:04:25,936 SHE WAS MY MOTHER. 91 00:04:25,936 --> 00:04:29,540 SO YOU'D KNOW MOST OF HER FRIENDS? HER FRIENDS? YEAH, BUT I-- 92 00:04:29,540 --> 00:04:31,742 WERE THERE ANY THAT YOU HAD STRONG FEELINGS ABOUT, 93 00:04:31,742 --> 00:04:35,045 DIDN'T LIKE, MAYBE SOMEONE SHE MET RECENTLY? NO. 94 00:04:35,045 --> 00:04:37,848 DID ANY OF HER FRIENDS HAVE MONEY PROBLEMS? 95 00:04:37,848 --> 00:04:40,611 MONSTERS BROKE INTO HER PLACE AND KILLED HER. 96 00:04:40,611 --> 00:04:42,613 WHY ARE YOU ASKING ABOUT HER FRIENDS? 97 00:04:42,613 --> 00:04:45,856 DO YOU KNOW NELSON AND JANET BRUNER? NO. 98 00:04:45,856 --> 00:04:48,719 HOW ABOUT A, UH, RICHARD AND JULIE PASTORI 99 00:04:48,719 --> 00:04:51,892 OR A BOB AND LINDA KESLER? WHO ARE THESE PEOPLE? 100 00:04:51,892 --> 00:04:53,324 THEY'RE VICTIMS 101 00:04:53,324 --> 00:04:55,366 OF THREE PREVIOUS HOME INVASION ROBBERIES. 102 00:04:55,366 --> 00:04:58,999 ROBBERIES THAT WE THINK WERE COMMITTED BY THE SAME PEOPLE 103 00:04:58,999 --> 00:05:02,002 THAT MURDERED YOUR MOTHER. 104 00:05:02,002 --> 00:05:04,004 THERE WERE OTHERS? I MEAN... 105 00:05:04,004 --> 00:05:07,908 HOW LONG HAS THIS BEEN GOING ON? A FEW MONTHS. 106 00:05:07,908 --> 00:05:11,342 MONTHS? 107 00:05:11,342 --> 00:05:13,644 WHAT, AND YOU HAVEN'T CAUGHT THEM YET? 108 00:05:13,644 --> 00:05:16,316 THEY DIDN'T MURDER ANYONE UNTIL LAST WEEK. 109 00:05:16,316 --> 00:05:19,319 THAT'S WHEN I GOT THIS CASE, AND SINCE THEN, 110 00:05:19,319 --> 00:05:21,652 WE HAVE BEEN DOING EVERYTHING WE CAN TO-- 111 00:05:21,652 --> 00:05:24,695 NO, DON'T PRESS-CONFERENCE ME, DETECTIVE, ALL RIGHT? 112 00:05:24,695 --> 00:05:27,858 I WORK IN PUBLIC RELATIONS. SO YOU CAN SAVE YOUR SPEECH 113 00:05:27,858 --> 00:05:30,701 BECAUSE I HAVE HEARD THEM ALL, ALL RIGHT? 114 00:05:30,701 --> 00:05:32,703 I'M THE ONE WHO DRAFTS ALL OF THAT PATHOS 115 00:05:32,703 --> 00:05:34,705 AFTER AIRLINE CRASHES AND E. COLI POISONINGS. 116 00:05:34,705 --> 00:05:38,869 "OUR--OUR HEARTS GO OUT TO THE VICTIMS' FAMILIES." 117 00:05:38,869 --> 00:05:41,972 OUR HEARTS? 118 00:05:41,972 --> 00:05:45,075 (scoffs and sniffles) 119 00:05:45,075 --> 00:05:48,449 WHAT DOES THAT EVEN MEAN? 120 00:05:48,449 --> 00:05:50,851 SHE SAID THAT SHE FELT LIKE BAKING. 121 00:05:50,851 --> 00:05:54,354 SHE WANTED ME TO COME OVER, BUT I WAS BUSY. 122 00:05:56,487 --> 00:06:00,431 I WAS BUSY. 123 00:06:00,431 --> 00:06:02,863 AND NOW SHE'S DEAD. 124 00:06:07,598 --> 00:06:10,541 JOANNE... 125 00:06:10,541 --> 00:06:12,543 LISTEN TO ME. 126 00:06:17,107 --> 00:06:19,650 YOU'RE GONNA WANT TO PLAY OUT EVERY POSSIBLE SCENARIO 127 00:06:19,650 --> 00:06:21,652 IN THE NEXT COUPLE OF DAYS-- 128 00:06:21,652 --> 00:06:24,755 IF ONLY YOU'D BEEN THERE, IF ONLY YOU'D COME BY, 129 00:06:24,755 --> 00:06:26,957 IF ONLY YOU DIDN'T WORK SO LATE. 130 00:06:26,957 --> 00:06:29,920 AND I'M TELLING YOU, IT'S NOT YOUR FAULT. 131 00:06:29,920 --> 00:06:32,092 THE ONES TO BLAME ARE THE MONSTERS 132 00:06:32,092 --> 00:06:33,894 THAT MURDERED YOUR MOM. 133 00:06:33,894 --> 00:06:37,968 THIS ISN'T A SPEECH. IT'S NOT A PLATITUDE. 134 00:06:37,968 --> 00:06:39,470 IT'S A PROMISE. 135 00:06:39,470 --> 00:06:42,973 I AM GOING TO DO EVERYTHING IN MY POWER TO MAKE SURE 136 00:06:42,973 --> 00:06:44,975 THAT THEY PAY FOR WHAT THEY DID. 137 00:06:49,740 --> 00:06:51,411 IT'S PRETTY IMPRESSIVE, 138 00:06:51,411 --> 00:06:53,914 THE WAY YOU HANDLED HER BACK THERE. 139 00:06:53,914 --> 00:06:55,916 I DIDN'T "HANDLE" HER, CASTLE. 140 00:06:55,916 --> 00:06:57,988 I JUST TOLD HER THE TRUTH. 141 00:06:57,988 --> 00:07:00,751 THE SAME THING I'M GONNA TELL 142 00:07:00,751 --> 00:07:02,993 THE OTHER HOME INVASION VICTIMS. 143 00:07:02,993 --> 00:07:04,755 JINX PAID IN FULL. 144 00:07:04,755 --> 00:07:06,697 IT'S THE JOB, CASTLE. 145 00:07:06,697 --> 00:07:08,629 OH, YOU'RE SHORT-SELLING, BECKETT. 146 00:07:08,629 --> 00:07:11,161 RYAN AND ESPOSITO COULD NOT MANAGE THAT LEVEL OF EMPATHY. THAT'S NOT TRUE. 147 00:07:11,161 --> 00:07:14,034 THEY JUST SAVE IT FOR FANTASY FOOTBALL TRADES. 148 00:07:14,034 --> 00:07:16,607 (chuckles) MAKES ME THINK ABOUT ALEXIS. 149 00:07:16,607 --> 00:07:18,939 WHAT WOULD SHE DO IF SOMETHING HAPPENED TO ME? 150 00:07:18,939 --> 00:07:21,642 WELL, SHE STILL HAS HER MOM, RIGHT? 151 00:07:21,642 --> 00:07:24,144 MEREDITH IS MORE LIKE A CRAZY AUNT WITH A CREDIT CARD. 152 00:07:24,144 --> 00:07:26,977 OF THE TWO OF US, I'M THE MORE RESPONSIBLE ONE. 153 00:07:26,977 --> 00:07:28,479 PRETTY SAD, ISN'T IT? 154 00:07:28,479 --> 00:07:31,221 WELL, I WOULDN'T WORRY ABOUT IT TOO MUCH, CASTLE. 155 00:07:31,221 --> 00:07:33,223 AFTER ALL, ONLY THE GOOD DIE YOUNG. OUCH! 156 00:07:33,223 --> 00:07:35,225 LISTEN, FREUD, I KNOW WHAT YOU'RE TRYING TO DO. 157 00:07:35,225 --> 00:07:37,758 YOU'RE TRYING TO GET ME TO TALK ABOUT MY MOM, 158 00:07:37,758 --> 00:07:40,761 SEE IF YOU CAN SQUEEZE ANY MORE PULP FOR YOUR FICTION. PULP? YOU THINK WHAT I DO IS PULP? 159 00:07:40,761 --> 00:07:42,763 LISTEN, I WILL HAVE YOU KNOW 160 00:07:42,763 --> 00:07:44,595 THAT "THE NEW YORK REVIEW OF BOOKS"-- 161 00:07:44,595 --> 00:07:46,196 NOT "THE NEW YORK TIMES BOOK REVIEW," MIND YOU-- 162 00:07:46,196 --> 00:07:49,139 "THE NEW YORK REVIEW OF BOOKS" SAID THAT DERRICK STORM... MM-HMM. 163 00:07:49,139 --> 00:07:51,972 IS THIS GENERATION'S ANSWER TO-- I READ THAT PIECE, AND EVEN YOU HAVE TO ADMIT 164 00:07:51,972 --> 00:07:54,505 THAT IT'S MORE THAN A LITTLE HYPERBOLIC. (elevator bell dings) 165 00:07:54,505 --> 00:07:57,878 SO HOW MUCH DID YOU PAY THE REVIEWER? A CASE OF CHâTEAUNEUF-du-PAPE. 166 00:07:57,878 --> 00:07:59,910 BUT THAT'S NOT THE POINT. THE POINT IS, 167 00:07:59,910 --> 00:08:02,853 YOU READ "THE NEW YORK REVIEW OF BOOKS"? OH, SO MANY LAYERS TO THE BECKETT ONION. 168 00:08:02,853 --> 00:08:05,015 HOW EVER WILL YOU PEEL THEM ALL? 169 00:08:12,793 --> 00:08:15,996 ESPOSITO, ANYTHING FROM THE OTHER VICTIMS? 170 00:08:15,996 --> 00:08:17,968 BECKETT'S DOWNTOWN FINISHING THE CANVASS, 171 00:08:17,968 --> 00:08:21,031 BUT WHAT WE DO KNOW IS, THE KESLERS AND THE PASTORIS 172 00:08:21,031 --> 00:08:23,574 DIDN'T KNOW EACH OTHER, AND NEITHER ONE OF THEM KNEW 173 00:08:23,574 --> 00:08:26,677 THE BRUNERS OR SUSAN DELGADO. WELL, SO MUCH FOR THE PERSONAL ANGLE. 174 00:08:26,677 --> 00:08:28,679 FOUR LUXURY BUILDINGS, FOUR MAJOR SCORES, 175 00:08:28,679 --> 00:08:30,681 AND WE GOT NOTHING. IF I'M THESE GUYS, 176 00:08:30,681 --> 00:08:33,143 I GOT NO INCENTIVE TO QUIT NOW, EITHER. YEAH, WELL, WHOEVER THEY ARE, 177 00:08:33,143 --> 00:08:35,946 THEY DEFINITELY HAVE SOME RIGHTEOUS TRADE SKILLS. ABOUT THAT-- FORENSICS JUST CAME BACK 178 00:08:35,946 --> 00:08:38,589 ON THE DELGADOS' PLACE. THEY FOUND BRASS SHAVINGS 179 00:08:38,589 --> 00:08:40,991 IN THE LOCK MECHANISM ON THE FRONT DOOR. BRASS SHAVINGS? 180 00:08:40,991 --> 00:08:44,625 THEY USED A BUMP KEY. BAD GUYS FILE DOWN A STANDARD HOUSE KEY, 181 00:08:44,625 --> 00:08:46,957 THEN THEY USE A MALLET TO DRIVE IT IN THE LOCK. 182 00:08:46,957 --> 00:08:49,960 SEPARATES THE TUMBLERS LIKE BILLIARD BALLS. HEY, MAN, I KNOW WHAT A BUMP KEY IS. 183 00:08:49,960 --> 00:08:53,904 NO, YOU DON'T. THE HARDWARE ON THE DELGADOS' DOOR WAS A HIGH-END IMPORT. 184 00:08:53,904 --> 00:08:57,067 NO WAY A STANDARD BUMP KEY WOULD WORK. NO, THEY'D HAVE TO USE SOMETHING SPECIAL, 185 00:08:57,067 --> 00:08:59,940 SOMETHING THE AVERAGE MOPE COULDN'T RIG. WHAT ARE YOU THINKING? 186 00:08:59,940 --> 00:09:01,712 WELL, I BUSTED THIS GUY A WHILE BACK, 187 00:09:01,712 --> 00:09:04,014 SPECIALIZED IN BUMP KEYS, AND HE'S NOT AFRAID 188 00:09:04,014 --> 00:09:07,978 TO GET A LITTLE BLOOD ON HIS PAWS, EITHER. BUMP KEYS AND VIOLENCE? I LIKE HIM ALREADY. 189 00:09:07,978 --> 00:09:09,750 (Ryan) "EVAN MITCHELL." 190 00:09:09,750 --> 00:09:11,181 EVAN MITCHELL? YEAH. YOU KNOW HIM? 191 00:09:11,181 --> 00:09:12,983 (chuckles) HE'S A LEGACY. 192 00:09:12,983 --> 00:09:15,956 HIS DAD AND HIS GRANDDAD ARE LEGENDS IN THE INDUSTRY. 193 00:09:15,956 --> 00:09:18,859 YEAH, I COLLARED HIM ON A JEWEL HEIST ON 47th. 194 00:09:18,859 --> 00:09:22,132 JUST DID A NICKEL UPSTATE. WHEN DID MITCHELL GET OUT? 195 00:09:22,132 --> 00:09:24,935 TWO WEEKS BEFORE OUR FIRST HEIST. PICK HIM UP. 196 00:09:24,935 --> 00:09:27,968 (door opens) 197 00:09:27,968 --> 00:09:30,901 (imitates Al Pacino) SAY HELLO TO HIS LITTLE FRIEND. 198 00:09:30,901 --> 00:09:33,974 IT WAS IN HIS WAISTBAND WHEN WE SNATCHED HIM UP. SERIAL NUMBERS ARE SCRATCHED OFF. 199 00:09:33,974 --> 00:09:36,607 HEAVY ON COLLARS, LIGHT ON CONVICTIONS. 200 00:09:36,607 --> 00:09:39,009 (normal voice) AMAZING HOW MANY TIMES A GUY CAN GET ARRESTED 201 00:09:39,009 --> 00:09:41,852 WITHOUT EVER SERVING TIME. HE MUST HAVE A PRETTY GOOD LAWYER. 202 00:09:41,852 --> 00:09:44,855 (Montgomery) OR GOOD AT WHAT HE DOES. GOOD ENOUGH TO BE OUR PERP? 203 00:09:44,855 --> 00:09:47,257 WHY DO YOU WRITERS ALWAYS CALL 'EM "PERPS"? ISN'T THAT WHAT YOU CALL THEM? 204 00:09:47,257 --> 00:09:50,090 I DON'T KNOW. WE GOT A WHOLE LOT OF NAMES FOR 'EM. YEAH. 205 00:09:50,090 --> 00:09:52,122 PIPEHEAD, PISSHEAD, ORK, CREEP... 206 00:09:52,122 --> 00:09:54,324 CROOK, KNUCKLEHEAD, CHUCKLEHEAD... CHUD, TURD... 207 00:09:54,324 --> 00:09:57,027 DESTRO, SKELL... SKEKSI, SLICKO, SLICK... 208 00:09:57,027 --> 00:09:58,198 MOPE. SLEESTACK. 209 00:09:58,198 --> 00:10:00,971 SLOW DOWN, SLOW DOWN. SUSPECTS. 210 00:10:00,971 --> 00:10:02,703 WE CALL THEM SUSPECTS. 211 00:10:02,703 --> 00:10:04,274 I'M OLD-SCHOOL. I LIKE DIRTBAG. 212 00:10:04,274 --> 00:10:06,376 CLASSIC. 213 00:10:08,078 --> 00:10:10,711 TELL ME ABOUT THE GUN, MR. MITCHELL. 214 00:10:10,711 --> 00:10:13,283 WELL, I'M NOT TALKING WITHOUT A LAWYER. 215 00:10:13,283 --> 00:10:16,016 WHY? ARE YOU GUILTY OF SOMETHING? 216 00:10:16,016 --> 00:10:19,149 YEAH, OF NOT RUNNING FAST ENOUGH WHEN YOUR BOYS SHOWED. 217 00:10:19,149 --> 00:10:22,953 WHERE WERE YOU LAST NIGHT BETWEEN 5:00 AND 9:00? 218 00:10:22,953 --> 00:10:26,396 (chuckles) I DIDN'T DO IT. 219 00:10:26,396 --> 00:10:28,959 YOU DIDN'T DO WHAT? IT DOESN'T MATTER WHAT. 220 00:10:28,959 --> 00:10:32,733 WHEREVER YOU THINK I WAS, I WASN'T. SO WHERE WERE YOU THEN? 221 00:10:32,733 --> 00:10:34,234 HAPPY HOUR. 222 00:10:34,234 --> 00:10:37,037 LITTLE NEIGHBORHOOD PLACE DRINKING BELFAST CARBOMBS 223 00:10:37,037 --> 00:10:39,039 WITH SOME OF MY WESTIE PALS. 224 00:10:39,039 --> 00:10:42,112 YOU GOT ANYONE THAT CAN VERIFY THAT FOR ME? 225 00:10:42,112 --> 00:10:45,776 YEAH. I GOT ABOUT 30 PEOPLE OR SO CAN. 226 00:10:45,776 --> 00:10:47,177 CONSERVATIVE ESTIMATE. 227 00:10:47,177 --> 00:10:49,720 HOW COME I GOT THIS CRAZY HUNCH 228 00:10:49,720 --> 00:10:53,684 THAT MOST OF THOSE PEOPLE GOT RECORDS A LOT LIKE YOURS? 229 00:10:53,684 --> 00:10:56,957 WELL, I WASN'T DRINKING TEA AT THE PLAZA. (chuckles) 230 00:10:56,957 --> 00:11:01,892 LOOK, YOU WANT MORE RELIABLE WITNESSES... 231 00:11:01,892 --> 00:11:04,935 GIVE ME AN HOUR OR SO, I'LL SEE WHAT I CAN DO. 232 00:11:04,935 --> 00:11:06,997 MUST BE PRETTY WELL CONNECTED. 233 00:11:06,997 --> 00:11:10,240 FRIENDS IN HIGH PLACES. WHO'S MARY WITH THE MANICURE? 234 00:11:10,240 --> 00:11:13,744 (scoffs) I KNOW HE'S NOT A COP, NOT WITH THAT HAIRCUT. 235 00:11:13,744 --> 00:11:16,406 I'M ASSISTING DETECTIVE BECKETT IN THE INVESTIGATION. 236 00:11:16,406 --> 00:11:18,078 ASSISTING? 237 00:11:18,078 --> 00:11:20,981 WHAT'S THE MATTER, SWEETIE? YOU CAN'T HACK IT OUT THERE ALONE? 238 00:11:20,981 --> 00:11:22,953 YOU WANNA PLAY? 239 00:11:25,055 --> 00:11:26,787 (groans) 240 00:11:26,787 --> 00:11:29,189 LET'S PLAY. 241 00:11:29,189 --> 00:11:31,892 I GOT AN EX-CON WITH A GUN 242 00:11:31,892 --> 00:11:35,996 AND TWO FRESH HOMICIDES JUST LOOKING FOR A HOME. 243 00:11:35,996 --> 00:11:41,101 YOU CAN FISH ALL YOU WANT, DETECTIVE. 244 00:11:41,101 --> 00:11:44,334 SMART FISH DON'T BITE. 245 00:11:46,476 --> 00:11:48,478 WE COULD HOLD HIM ON THE GUN, 246 00:11:48,478 --> 00:11:50,981 BUT THERE'S NO MATCH WITH BALLISTICS ON MRS. DELGADO. 247 00:11:50,981 --> 00:11:53,984 AND WITHOUT OTHER EVIDENCE TO LINK HIM TO THE OTHER HOMICIDE-- 248 00:11:53,984 --> 00:11:57,017 I'LL FIND SOMETHING, SIR. NOT IF HIS ALIBI CHECKS OUT. 249 00:11:57,017 --> 00:12:00,320 SIR, IT'S JUST POTS AND KETTLES. ON THE LAST ROBBERY, NOT THE FIRST. 250 00:12:00,320 --> 00:12:02,823 MITCHELL WAS BEING ARRAIGNED ON AN UNRELATED BURGLARY 251 00:12:02,823 --> 00:12:04,825 THE SAME DAY THIS CREW STRUCK. 252 00:12:04,825 --> 00:12:08,999 UNLESS YOU CAN BREAK HIS ALIBI ON THIS ONE, HE'S A DEAD END. 253 00:12:08,999 --> 00:12:11,832 (gunfire) 254 00:12:11,832 --> 00:12:13,733 YOU GOTTA WATCH THOSE SILHOUETTES. 255 00:12:13,733 --> 00:12:15,735 THEY CAN BE SHIFTY LITTLE BASTARDS. 256 00:12:15,735 --> 00:12:18,008 DO YOU MIND? I'M TRYING TO CONCENTRATE. 257 00:12:18,008 --> 00:12:20,841 MAN, WHEN I HIT A WALL, ALL I GOT'S ONE OF THOSE STRESS BALLS 258 00:12:20,841 --> 00:12:22,973 AND INTERNET PORN. CASTLE-- 259 00:12:22,973 --> 00:12:25,475 (loads clip) LOOK, I GET IT, ALL RIGHT? YOU MADE A PROMISE 260 00:12:25,475 --> 00:12:28,318 TO A DAUGHTER TO FIND HER MOTHER'S KILLER. 261 00:12:28,318 --> 00:12:31,181 IT DOESN'T TAKE FREUD TO SEE WHAT'S WHAT. 262 00:12:31,181 --> 00:12:33,483 BUT YOU'RE GONNA RUN UP SOME BLIND ALLEYS 263 00:12:33,483 --> 00:12:36,857 BEFORE YOU GET OUT OF THE MAZE. LOOK, AS MUCH AS I APPRECIATE YOUR FOLKSY DR. PHIL APHORISMS, 264 00:12:36,857 --> 00:12:38,758 I JUST WANNA-- (gunfire) 265 00:12:38,758 --> 00:12:41,391 (shouting) WOULDN'T IT BE MORE OF A CHALLENGE 266 00:12:41,391 --> 00:12:44,164 IF THEY WEREN'T STANDING STILL? (sets down gun) 267 00:12:44,164 --> 00:12:47,297 OKAY, CASTLE. YOU SHOW ME HOW IT'S DONE. 268 00:12:47,297 --> 00:12:49,499 (machine whirring) WHOO! 269 00:12:54,544 --> 00:12:56,076 OW. 270 00:12:56,076 --> 00:12:57,878 ALL YOURS. 271 00:12:57,878 --> 00:13:02,052 (clearing throat) 272 00:13:02,052 --> 00:13:04,284 IT'S NOT A DUEL, SCARAMOUCHE. 273 00:13:04,284 --> 00:13:05,455 HERE. 274 00:13:05,455 --> 00:13:07,517 SQUARE OFF TO THE TARGET. 275 00:13:07,517 --> 00:13:10,520 FEET SHOULDER-DISTANCE APART. 276 00:13:10,520 --> 00:13:13,964 OKAY. GAUNTLET YOUR RIGHT FIST IN YOUR LEFT PALM. 277 00:13:13,964 --> 00:13:16,526 (gunshot) WHOA! SHOT TOO SOON. 278 00:13:16,526 --> 00:13:18,068 YEAH, WELL... 279 00:13:18,068 --> 00:13:20,931 YOU KNOW, WE COULD ALWAYS JUST CUDDLE, CASTLE. 280 00:13:20,931 --> 00:13:21,972 OH, FUNNY. 281 00:13:21,972 --> 00:13:25,906 AND A SMILE. GOOD. 282 00:13:25,906 --> 00:13:27,838 (shell casing drops on floor) 283 00:13:27,838 --> 00:13:29,479 THAT'S BETTER. 284 00:13:29,479 --> 00:13:31,081 HMM. 285 00:13:31,081 --> 00:13:34,044 YOU KNOW, I, UH, CAME DOWN TO ASK YOU IF I COULD, UH, 286 00:13:34,044 --> 00:13:36,586 TAKE HOME SOME OF THOSE STOLEN PROPERTY PHOTOS. 287 00:13:36,586 --> 00:13:39,249 PHOTOS OF THE JEWELRY? WHY? 288 00:13:39,249 --> 00:13:42,422 I DON'T KNOW. I JUST THOUGHT IT MIGHT SPARK SOMETHING. 289 00:13:42,422 --> 00:13:44,955 OOH! THAT KINDA HURT. TELL YOU WHAT. 290 00:13:44,955 --> 00:13:47,958 YOU PUT ANY OF THE NEXT THREE IN THE TEN RING, 291 00:13:47,958 --> 00:13:50,130 AND I WILL GIVE YOU THE FILES. YEAH? 292 00:13:50,130 --> 00:13:52,102 YEAH. 293 00:13:52,102 --> 00:13:54,064 (gunfire) 294 00:13:57,367 --> 00:14:00,510 YOU'RE A VERY GOOD TEACHER. 295 00:14:00,510 --> 00:14:03,113 (man) ♪ I'M A SHIP WITHOUT A SAIL... ♪ 296 00:14:03,113 --> 00:14:07,017 (Alexis) HEY, DAD. HEY, HOW WAS YOUR DATE WITH OWEN? 297 00:14:07,017 --> 00:14:10,120 DAD, IT WASN'T A DATE. IT WAS A STUDY GROUP. 298 00:14:10,120 --> 00:14:13,123 OKAY, HOW MANY IN THE GROUP? JUST THE TWO OF US. 299 00:14:13,123 --> 00:14:14,955 UH-HUH. 300 00:14:14,955 --> 00:14:17,527 PILFERING EVIDENCE AGAIN, I SEE. 301 00:14:17,527 --> 00:14:20,030 BORROWING. AND THESE ARE JUST COPIES. MM-HMM. 302 00:14:20,030 --> 00:14:21,992 INSURANCE COMPANIES LIKE TO MAINTAIN PHOTOS 303 00:14:21,992 --> 00:14:24,164 OF PIECES LIKE THESE FOR IDENTIFICATION 304 00:14:24,164 --> 00:14:26,997 IN CASE ANYTHING GETS LOST OR STOLEN. 305 00:14:26,997 --> 00:14:28,368 HELLO, GORGEOUS! OOH! 306 00:14:28,368 --> 00:14:30,470 WHERE HAVE YOU BEEN ALL MY LIFE? 307 00:14:30,470 --> 00:14:32,572 YOU KNOW, I'M THINKING OF INSTALLING 308 00:14:32,572 --> 00:14:36,346 A NEW SECURITY SYSTEM, MAYBE EVEN A PANIC ROOM. PANIC ROOM? WHAT FOR, PANIC ATTACKS? 309 00:14:36,346 --> 00:14:38,478 (chuckles) IF ANYONE COMES, 310 00:14:38,478 --> 00:14:40,480 WE'LL BEAT THEM OFF WITH SWORDS. 311 00:14:40,480 --> 00:14:44,154 OR PENS, SINCE THEY'RE MIGHTIER. NO, I'M SERIOUS. I JUST WANT US TO BE SAFE. 312 00:14:44,154 --> 00:14:48,058 OH, LIFE ISN'T SAFE, ESPECIALLY NOT IN NEW YORK-- 313 00:14:48,058 --> 00:14:49,889 CRANES COLLAPSE, 314 00:14:49,889 --> 00:14:52,422 AIR CONDITIONERS FALL OUT OF THE SKY. 315 00:14:52,422 --> 00:14:54,995 IN THE END, THERE'S JUST A FEW SHORT YEARS. 316 00:14:54,995 --> 00:14:57,597 THE MOST YOU CAN DO IS MAKE THE MOST OF IT 317 00:14:57,597 --> 00:14:59,629 BEFORE SOMETHING KNOCKS YOU DOWN. 318 00:14:59,629 --> 00:15:02,973 "PEOPLE LIVING DEEPLY HAVE NO FEAR OF DEATH." 319 00:15:02,973 --> 00:15:06,136 ANAIS NIN? MOTHER, HOW MANY OF THOSE HAVE YOU HAD? 320 00:15:06,136 --> 00:15:07,978 OH, SHH. 321 00:15:07,978 --> 00:15:10,140 THESE ARE PRETTY INCREDIBLE PIECES. 322 00:15:10,140 --> 00:15:12,412 YOU WOULDN'T USE A NORMAL FENCE FOR THESE. 323 00:15:12,412 --> 00:15:14,584 YOU'D NEED SOMEONE WITH IMPECCABLE TASTE, 324 00:15:14,584 --> 00:15:17,547 SOMEONE WHO APPRECIATED THEIR VALUE, 325 00:15:17,547 --> 00:15:21,091 SOMEONE WHO HAD HIGH-END BUYER CONNECTIONS. POWELL. 326 00:15:21,091 --> 00:15:24,294 OH, NOW THERE WAS A MAN. AND YOU HAD TO RUIN IT. 327 00:15:24,294 --> 00:15:28,528 WHO'S POWELL? THAT WAS YEARS AGO. I'M SURE HE'S FORGOTTEN ALL ABOUT THAT. 328 00:15:28,528 --> 00:15:31,231 WHO'S POWELL? FORGOTTEN? YOU FORCED HIM INTO RETIREMENT. 329 00:15:31,231 --> 00:15:34,464 YOU RUINED HIS LIFE. HE THREATENED TO SLIT YOUR THROAT. DAD, WHO'S POWELL? 330 00:15:34,464 --> 00:15:37,067 YOU REMEMBER THAT CHARACTER OF MINE-- 331 00:15:37,067 --> 00:15:40,210 UM, BENTLEY SILVER? THE JEWEL THIEF IN "STORM RISING"? 332 00:15:40,210 --> 00:15:43,573 YEAH, I KINDA BASED HIM ON POWELL. KIND OF? YOU STOLE THE MAN'S ENTIRE LIFE. 333 00:15:43,573 --> 00:15:46,016 AND THEN YOUR FATHER, GENIUS THAT HE IS, 334 00:15:46,016 --> 00:15:48,018 THANKED HIM IN THE ACKNOWLEDGMENTS, 335 00:15:48,018 --> 00:15:50,250 COMPLETELY BLOWING HIS COVER. YEAH, HE CAN'T STILL BE MAD. 336 00:15:50,250 --> 00:15:53,183 I'M GONNA GO SEE HIM. DAD! 337 00:15:53,183 --> 00:15:56,586 NO, I'LL BE OKAY. DON'T WORRY. I THINK IT'LL BE FINE. IF HE DOESN'T SLIT YOUR THROAT, 338 00:15:56,586 --> 00:16:00,430 TELL HIM HE OWES ME AN EVENING AT LE CIRQUE. DAD! 339 00:16:00,430 --> 00:16:02,962 DAD! (door closes) 340 00:16:36,626 --> 00:16:37,997 UGH! 341 00:16:37,997 --> 00:16:40,130 (grunts) 342 00:16:40,130 --> 00:16:43,273 I HAVE BEEN WAITING A LONG TIME FOR THIS, CASTLE. 343 00:16:50,180 --> 00:16:52,082 WHAT CAN I SAY, RICK? 344 00:16:52,082 --> 00:16:54,414 YOU REALLY HAD IT COMING. 345 00:16:54,414 --> 00:16:57,117 YES, I DID. THANKS FOR NOT KILLING ME. 346 00:16:57,117 --> 00:16:58,448 THE CARPET'S AN ANTIQUE... 347 00:16:58,448 --> 00:17:00,150 TURKISH, MID-1600s. 348 00:17:00,150 --> 00:17:03,593 A BLOOD STAIN ON IT WOULD'VE BEEN A DISASTER. 349 00:17:03,593 --> 00:17:06,526 BESIDES, I WAS READY TO RETIRE. 350 00:17:06,526 --> 00:17:10,060 BEING A GHOST IS A YOUNG MAN'S GAME. 351 00:17:10,060 --> 00:17:12,162 GOOD TO SEE YOU AGAIN, OLD FRIEND. 352 00:17:12,162 --> 00:17:14,264 AND YOU, AS WELL, DEAR BOY. 353 00:17:14,264 --> 00:17:17,767 TELL ME, HOW IS MARTHA? 354 00:17:17,767 --> 00:17:20,540 STILL A ONE-WOMAN SHOW IN SEARCH OF AN AUDIENCE. 355 00:17:20,540 --> 00:17:23,543 SHE SAYS YOU OWE HER AN EVENING AT LE CIRQUE. 356 00:17:23,543 --> 00:17:26,116 (chuckles) AND TO WHAT DO I OWE THE PLEASURE? 357 00:17:26,116 --> 00:17:28,118 YOU'RE NOT PLANNING A SEQUEL, I HOPE. 358 00:17:28,118 --> 00:17:30,320 WHAT'S THIS? 359 00:17:32,082 --> 00:17:33,383 STOLEN JEWELRY 360 00:17:33,383 --> 00:17:35,555 FROM THAT RASH OF HOME INVASIONS. 361 00:17:35,555 --> 00:17:40,560 WHEW. SO VERY LOVELY. 362 00:17:40,560 --> 00:17:43,833 I WAS WONDERING IF ANYONE'S TRIED TO FENCE THEM. 363 00:17:43,833 --> 00:17:47,066 I'VE HEARD NARY A WHISPER OF ANYTHING IN THIS RANGE. 364 00:17:47,066 --> 00:17:49,169 THE POLICE ARE HOLDING A GUY NAMED MITCHELL. 365 00:17:49,169 --> 00:17:51,070 HAVEN'T HAD THE PLEASURE. 366 00:17:51,070 --> 00:17:53,573 ANYTHING SPECIAL ABOUT THESE? 367 00:17:53,573 --> 00:17:55,445 ANYTHING THEY HAVE IN COMMON? 368 00:17:55,445 --> 00:17:57,677 THESE ARE HARDLY EVERYDAY WEAR. 369 00:17:57,677 --> 00:18:02,352 I SUPPOSE ONE DUSTS THEM OFF FOR THAT VERY SPECIAL OCCASION. 370 00:18:02,352 --> 00:18:05,285 SO THEN HOW DID OUR THIEVES KNOW THEY WERE THERE? 371 00:18:05,285 --> 00:18:08,818 SEEING COMES BEFORE WANTING, RICK. 372 00:18:08,818 --> 00:18:11,161 THESE CHAPS... 373 00:18:11,161 --> 00:18:14,824 MAY ACTUALLY LIVE AMONG THEIR VICTIMS 374 00:18:14,824 --> 00:18:16,866 AND MOVE THROUGH THEIR WORLD. 375 00:18:16,866 --> 00:18:19,129 ANYTHING ELSE SPECIAL ABOUT THEM? 376 00:18:19,129 --> 00:18:22,132 WITHOUT SEEING THE SCENE OF THE CRIME, 377 00:18:22,132 --> 00:18:25,505 ANYTHING MORE WOULD BE MERE SPECULATION. 378 00:18:25,505 --> 00:18:27,807 WELL, THE CRIME SCENE'S ALL LOCKED AND SEALED. 379 00:18:27,807 --> 00:18:32,842 I DON'T THINK I COULD GET YOU IN THERE. LET THAT BE THE LEAST OF OUR CONCERNS. 380 00:18:32,842 --> 00:18:35,245 (metallic click) 381 00:18:35,245 --> 00:18:39,189 (door creaks) 382 00:18:39,189 --> 00:18:43,122 YOU, UH, DON'T SEEM OUT OF PRACTICE. 383 00:18:43,122 --> 00:18:45,425 JUST LIKE RIDING A BIKE. 384 00:18:45,425 --> 00:18:47,357 OUR THIEVES USED A BUMP KEY. 385 00:18:47,357 --> 00:18:50,260 THIS NEW GENERATION... HOW UTTERLY VULGAR. 386 00:18:50,260 --> 00:18:51,801 RICK... 387 00:18:51,801 --> 00:18:54,804 YOU DIDN'T TELL ME THEY PUT HER IN THE SAFE. 388 00:18:54,804 --> 00:18:56,506 WHAT'S THE SIGNIFICANCE? 389 00:18:56,506 --> 00:18:58,438 THE SIGNIFICANCE... 390 00:18:58,438 --> 00:19:01,841 IS IT'S UNNECESSARY. 391 00:19:01,841 --> 00:19:04,914 IT'S BRUTALITY FOR BRUTALITY'S SAKE. 392 00:19:04,914 --> 00:19:08,678 THIS USED TO BE A GENTLEMEN'S GAME. 393 00:19:08,678 --> 00:19:10,680 WE WERE LIKE GHOSTS. 394 00:19:10,680 --> 00:19:15,185 WE COULD WALK THROUGH WALLS AND SIMPLY DISAPPEAR. 395 00:19:15,185 --> 00:19:17,787 BUT WHOEVER DID THIS... 396 00:19:17,787 --> 00:19:20,190 THEY'RE MORE LIKE VAMPIRES. 397 00:19:20,190 --> 00:19:24,163 JUST THE BLOOD MAKES THEM FEEL ALIVE. 398 00:19:24,163 --> 00:19:27,166 THESE AREN'T THE SORT OF CHAPS A FELLOW IN MY LINE OF WORK 399 00:19:27,166 --> 00:19:30,240 WOULD CARE TO MEET BY CHANCE IN THE DARK. 400 00:19:30,240 --> 00:19:32,242 HOW OFTEN DOES THAT HAPPEN? 401 00:19:32,242 --> 00:19:34,844 MORE OFTEN THAN YOU'D THINK, ACTUALLY. 402 00:19:34,844 --> 00:19:37,847 OURS IS A VERY SMALL COMMUNITY. AND THEN WHAT? 403 00:19:37,847 --> 00:19:41,951 IN MY DAY, WE'D USUALLY COME TO SOME SORT OF AN AGREEMENT. 404 00:19:41,951 --> 00:19:44,914 YOU SEE, THERE WAS A CODE OF CONDUCT AMONG PROFESSIONALS. 405 00:19:44,914 --> 00:19:47,217 (floor creaks) 406 00:19:48,758 --> 00:19:50,560 SHH. 407 00:19:50,560 --> 00:19:52,191 (doorknob rattling) 408 00:19:53,893 --> 00:19:55,825 (whispering) POWELL. 409 00:19:55,825 --> 00:19:58,668 POWELL. 410 00:19:58,668 --> 00:20:00,900 (door unlocks) 411 00:20:00,900 --> 00:20:04,334 (gun cocks) 412 00:20:04,334 --> 00:20:05,775 CASTLE? 413 00:20:05,775 --> 00:20:07,807 HEY. 414 00:20:07,807 --> 00:20:09,509 WHAT'S GOING ON? 415 00:20:09,509 --> 00:20:12,442 (elevator bell dings) YOU BROUGHT A THIEF TO A CRIME SCENE. 416 00:20:12,442 --> 00:20:14,944 IT WAS VERY HELPFUL. IT WAS CRIMINAL TRESPASSING. 417 00:20:14,944 --> 00:20:18,217 TO-MAY-TOH, TO-MAH-TOH. TELL YOUR FRIEND TO KEEP UP HIS DISAPPEARING ACT. 418 00:20:18,217 --> 00:20:20,990 AND THE NEXT TIME YOU SHOW UP AT A CRIME SCENE WITHOUT ME, 419 00:20:20,990 --> 00:20:23,893 I'LL SHOW YOU HOW MY TASER WORKS. PROMISE? AH. 420 00:20:23,893 --> 00:20:27,657 SO WHY WERE YOU THERE? SEEING IF THERE'S ANYTHING I MISSED. 421 00:20:27,657 --> 00:20:30,500 SO? 422 00:20:30,500 --> 00:20:31,901 WAS THERE? 423 00:20:31,901 --> 00:20:36,606 DID MITCHELL MAKE BAIL YET? PAPERWORK'S NOT DONE YET. 424 00:20:36,606 --> 00:20:38,938 I'M HOLDING HIM OUT OF SPITE. 425 00:20:38,938 --> 00:20:41,771 I WANT TO TALK TO HIM. WHY? WE ALREADY KNOW HE WASN'T INVOLVED. 426 00:20:41,771 --> 00:20:43,273 SOMETHING POWELL SAID. 427 00:20:43,273 --> 00:20:45,445 I THINK MITCHELL KNOWS MORE THAN HE'S SAYING. 428 00:20:45,445 --> 00:20:48,418 AND WHAT MAKES YOU THINK HE'LL SHARE IT WITH US? 429 00:20:48,418 --> 00:20:51,020 NOT US. JUST ME. 430 00:20:51,020 --> 00:20:53,022 (Mitchell) SO WHAT ARE YOU, 431 00:20:53,022 --> 00:20:55,955 A FORENSIC PSYCHIATRIST, SOME KIND OF PROFILER? 432 00:20:55,955 --> 00:20:59,359 ACTUALLY, UH, I'M A WRITER. AN EMBEDDED REPORTER, HUH? (laughs) 433 00:20:59,359 --> 00:21:01,991 WHAT, ARE YOU GONNA MAKE ME FAMOUS? 434 00:21:01,991 --> 00:21:04,864 NOT THAT KIND OF WRITER. I'M A NOVELIST. 435 00:21:04,864 --> 00:21:08,468 YEAH? UH, ANYTHING THAT, UH, I MIGHT'VE HEARD OF? 436 00:21:08,468 --> 00:21:12,041 UH... "STORM'S LAST STAND." 437 00:21:12,041 --> 00:21:14,674 "STORM SEASON." DERRICK STORM? 438 00:21:14,674 --> 00:21:17,947 YEAH. I LOVE THAT GUY. WHY THE HELL DID YOU KILL HIM? 439 00:21:17,947 --> 00:21:21,351 IT'S A LONG STORY, BUT I'M WORKING ON A NEW ONE. 440 00:21:21,351 --> 00:21:23,613 AND I GOTTA TELL YOU, IT IS VERY COOL. 441 00:21:23,613 --> 00:21:26,786 BUT I WANT TO GET THE DETAILS RIGHT. THEY NEVER GET THE DETAILS RIGHT, 442 00:21:26,786 --> 00:21:28,358 NOT IN BOOKS, MOVIES. 443 00:21:28,358 --> 00:21:31,020 THEY ALWAYS WRITE US AS CLOWNS AND THUGS. 444 00:21:31,020 --> 00:21:33,523 THEY NEVER STOP TO THINK THAT MAYBE WE GOT MORTGAGES, 445 00:21:33,523 --> 00:21:34,994 FAMILIES... EXACTLY. 446 00:21:34,994 --> 00:21:37,397 OKAY, SO... IN THE NEW BOOK, 447 00:21:37,397 --> 00:21:39,899 IT'S ABOUT THIS CREW OF HOME INVADERS, 448 00:21:39,899 --> 00:21:42,672 BASED ON THE CREW WE'RE LOOKING FOR RIGHT NOW. 449 00:21:42,672 --> 00:21:45,705 I GOT THIS ONE SCENE WHERE A GUY JUST LIKE YOU 450 00:21:45,705 --> 00:21:47,977 RUNS INTO THESE GUYS BY ACCIDENT 451 00:21:47,977 --> 00:21:52,542 IN THE MIDDLE OF A JOB. WOULDN'T HAPPEN TO ME. I'M NOT DOING RESIDENTIALS. 452 00:21:52,542 --> 00:21:55,014 NOT AT LEAST UNTIL YOU CATCH THESE GUYS. 453 00:21:55,014 --> 00:21:57,417 THESE GUYS ARE DARK. 454 00:21:57,417 --> 00:21:58,988 WHAT, YOU KNOW 'EM? 455 00:21:58,988 --> 00:22:00,790 (chuckles) 456 00:22:02,321 --> 00:22:05,324 THEIR SHOT CALLER CAME INTO THE BAR A FEW MONTHS BACK, 457 00:22:05,324 --> 00:22:07,326 LOOKING TO PUT TOGETHER A CREW. 458 00:22:07,326 --> 00:22:09,529 WANTED TO BRING ME ON, SAID HE HAD EYES INSIDE 459 00:22:09,529 --> 00:22:11,361 WORKING UP SCORES FOR HIM, 460 00:22:11,361 --> 00:22:13,032 FEEDING HIM THE GLENGARRY LEADS-- 461 00:22:13,032 --> 00:22:14,834 ITEMS, NAMES, ADDRESSES. 462 00:22:14,834 --> 00:22:17,837 SAID THAT ALL HE NEEDED WAS ONE OF MY BUMP KEYS. 463 00:22:17,837 --> 00:22:20,039 DID YOU GIVE IT TO HIM? 464 00:22:20,039 --> 00:22:22,872 YEAH, I GAVE IT TO HIM, BUT JUST TO GET RID OF HIM. 465 00:22:22,872 --> 00:22:26,045 I WASN'T ABOUT TO JOIN HIS CREW. I'LL BE DAMNED. 466 00:22:26,045 --> 00:22:29,018 WHY NOT? LIKE I SAID, THESE GUYS WERE DARK. 467 00:22:29,018 --> 00:22:31,581 AND I'M A 2-MINUTE MAN, IN AND OUT. 468 00:22:31,581 --> 00:22:34,654 THAT'S MY ONE HARD-AND-FAST. BUT THIS SADISTIC WHACK JOB? 469 00:22:34,654 --> 00:22:37,927 WHOA. HE SAID HE LIKED TO PLAY WITH HIS FOOD BEFORE HE ATE IT. 470 00:22:37,927 --> 00:22:39,889 WHOA. 471 00:22:39,889 --> 00:22:43,032 ALL RIGHT, THIS, UM, THIS SHOT CALLER... 472 00:22:43,032 --> 00:22:46,836 IF I PUT HIM IN THE BOOK, I WANT IT TO FEEL AUTHENTIC. 473 00:22:46,836 --> 00:22:49,769 HOW WOULD YOU DESCRIBE HIM? 474 00:22:57,046 --> 00:22:59,409 THIS IS THE MAN WHO KILLED HER? 475 00:22:59,409 --> 00:23:01,781 WE THINK SO. 476 00:23:01,781 --> 00:23:03,883 WE BELIEVE HE MAY HAVE HAD MORE THAN JUST 477 00:23:03,883 --> 00:23:05,885 A PASSING RELATIONSHIP WITH YOUR MOM. 478 00:23:05,885 --> 00:23:08,918 AND HE COULD BE ANYONE-- A WAITER, DOG WALKER, 479 00:23:08,918 --> 00:23:12,422 DOORMAN, PERSONAL TRAINER... NO, I DON'T RECOGNIZE HIM. 480 00:23:12,422 --> 00:23:16,626 MAYBE ONE OF THE OTHER VICTIMS KNOWS? 481 00:23:16,626 --> 00:23:18,928 YOUR MOM WEAR JEWELRY OFTEN? 482 00:23:18,928 --> 00:23:21,431 NO, JUST TO SPECIAL EVENTS. 483 00:23:21,431 --> 00:23:23,433 WHAT KIND OF SPECIAL EVENTS? 484 00:23:23,433 --> 00:23:26,005 UH, A FASHION SHOW LAST YEAR... 485 00:23:26,005 --> 00:23:28,137 GALLERY OPENINGS, FUND-RAISERS... 486 00:23:28,137 --> 00:23:30,840 MY MOTHER LOVED HER CAUSES. 487 00:23:30,840 --> 00:23:32,912 YOU KNOW, OPERA COMPANIES, 488 00:23:32,912 --> 00:23:34,814 ENVIRONMENTAL GROUPS... 489 00:23:34,814 --> 00:23:36,916 EYES INSIDE. 490 00:23:36,916 --> 00:23:39,749 WHY ARE WE DOING THIS AGAIN? WELL, ACCORDING TO MITCHELL, 491 00:23:39,749 --> 00:23:41,791 THE SHOT CALLER WHO WANTED THE BUMP KEY 492 00:23:41,791 --> 00:23:43,993 HAD SOMEONE FEEDING HIM INSIDE INFORMATION 493 00:23:43,993 --> 00:23:47,597 ABOUT OUR VICTIMS. AND POWELL SAYS THE PIECES OF JEWELRY BEING STOLEN 494 00:23:47,597 --> 00:23:49,599 ARE THE KIND YOU SAVE FOR SPECIAL OCCASIONS. 495 00:23:49,599 --> 00:23:51,901 (Ryan) SPECIAL OCCASION, LIKE A CHARITY EVENT. 496 00:23:51,901 --> 00:23:54,534 (Esposito) SO WE FIND AN ORGANIZATION 497 00:23:54,534 --> 00:23:56,536 THAT ALL OF OUR VICTIMS SUPPORTED. 498 00:23:56,536 --> 00:23:58,508 AND WE FIND OUR GUY. 499 00:23:58,508 --> 00:24:02,141 DELGADO AND PASTORI BOTH GAVE TO THE MANHATTAN OPERA SOCIETY. 500 00:24:02,141 --> 00:24:04,474 (Beckett) BUT NOT THE LAST TWO VICTIMS. 501 00:24:04,474 --> 00:24:06,716 I GOT THREE FAMILIES THAT DONATED TO A.I.D.S. AMERICA-- 502 00:24:06,716 --> 00:24:08,918 DELGADO, BRUNER AND KESLER. 503 00:24:08,918 --> 00:24:10,550 BUT NOT PASTORI. 504 00:24:10,550 --> 00:24:14,584 MAYBE PASTORI WAS A GUEST OF ONE OF THE OTHER THREE VICTIMS. 505 00:24:14,584 --> 00:24:16,926 MNH-MNH, NO, NONE OF THE FAMILIES KNEW EACH OTHER. 506 00:24:16,926 --> 00:24:20,059 WAIT A SECOND. M.A.D.T.-- 507 00:24:20,059 --> 00:24:22,962 THAT'S THE METROPOLITAN AMERICAN DANCE THEATER. METROPOLITAN AMERICAN DANCE THEATER. 508 00:24:22,962 --> 00:24:24,994 METRO AMERICAN DANCE... M.A.D.T. 509 00:24:24,994 --> 00:24:27,797 THAT'S THE NON-PROFIT OUR INVADERS ARE PROFITING FROM. 510 00:24:27,797 --> 00:24:30,700 FIND OUT WHO WAS IN CHARGE AND HOW I CAN FIND THEM. 511 00:24:30,700 --> 00:24:32,001 (Esposito) RIGHT ON. 512 00:24:42,111 --> 00:24:45,014 THERE SHE IS--ANNE GREENE, THE COMPANY'S DIRECTOR. 513 00:24:45,014 --> 00:24:46,816 SHE CAN INVADE MY HOME ANYTIME. 514 00:24:46,816 --> 00:24:48,818 YEAH, WELL, IF SHE'S IN ON IT, 515 00:24:48,818 --> 00:24:50,820 SHE'S DOING IT PURELY FOR KICKS. 516 00:24:50,820 --> 00:24:53,492 TEXTILE HEIRESS, NO RECORD AND CLEAN DMV. 517 00:24:53,492 --> 00:24:55,494 WHITE CENTERPIECES GO ON THE ANGEL TABLES. 518 00:24:55,494 --> 00:24:57,496 RED CENTERPIECES GO ON SPONSOR TABLES. 519 00:24:57,496 --> 00:24:59,028 MS. GREENE, I'M DETECTIVE BECKETT, 520 00:24:59,028 --> 00:25:02,772 AND THIS IS-- RICKY? RICKY CASTLE? 521 00:25:02,772 --> 00:25:05,775 (giggles) I'VE HEARD PERFECTLY AWFUL THINGS ABOUT YOU 522 00:25:05,775 --> 00:25:07,977 FROM MY FRIEND CHENEY. CHENEY? 523 00:25:07,977 --> 00:25:10,610 TALL, BRUNETTE, AFTERMARKET NOSE. 524 00:25:10,610 --> 00:25:12,211 CHENEY... OF COURSE. HOW IS CHENEY? 525 00:25:12,211 --> 00:25:15,845 OH, I HEAR SHE'S A GREAT SCANDAL IN ST. MORITZ. 526 00:25:15,845 --> 00:25:17,046 OH. AND YOU? 527 00:25:17,046 --> 00:25:18,748 CURRENTLY BETWEEN SCANDALS, ACTUALLY. 528 00:25:18,748 --> 00:25:21,050 OH, YOU TWO AREN'T... 529 00:25:21,050 --> 00:25:23,052 NOT YET. NO. 530 00:25:23,052 --> 00:25:26,896 NEVER. IN FACT, UM, RICKY HERE IS ASSISTING ME 531 00:25:26,896 --> 00:25:28,898 WITH A HOMICIDE INVESTIGATION. 532 00:25:28,898 --> 00:25:32,732 HOW EXCITING. YES, AND IT INVOLVES YOUR ORGANIZATION. 533 00:25:32,732 --> 00:25:36,005 ALL OF OUR EMPLOYEES GO THROUGH AN EXTENSIVE BACKGROUND CHECK. 534 00:25:36,005 --> 00:25:38,307 I CAN ASSURE YOU NONE OF THEM ARE INVOLVED. 535 00:25:38,307 --> 00:25:41,110 I'M STILL GONNA NEED A LIST OF THE EMPLOYEES 536 00:25:41,110 --> 00:25:44,213 WHO HAD ACCESS TO DONOR RECORDS. OF COURSE. 537 00:25:46,846 --> 00:25:49,949 DETECTIVE, I'M SURE THIS IS ALL A COINCIDENCE. 538 00:25:49,949 --> 00:25:52,582 UNFORTUNATELY, I'M NOT, AND THAT'S WHY 539 00:25:52,582 --> 00:25:56,225 I'M GONNA NEED A COPY OF YOUR DONOR LIST. THAT MAY BE A PROBLEM. 540 00:25:56,225 --> 00:25:59,659 THE PEOPLE WHO GIVE PUBLICLY-- THEY'RE NOT AN ISSUE. 541 00:25:59,659 --> 00:26:02,291 BUT SOME OF OUR DONORS CHERISH THEIR ANONYMITY. 542 00:26:02,291 --> 00:26:04,894 WE'RE CONTRACTUALLY OBLIGATED TO PROTECT THAT. 543 00:26:04,894 --> 00:26:06,265 WHAT ABOUT THEIR LIVES? 544 00:26:06,265 --> 00:26:09,168 DO YOUR DONORS CHERISH THOSE, AS WELL? 545 00:26:09,168 --> 00:26:12,001 I ASSURE YOU, MY OFFICE WILL CONTACT EACH OF THEM 546 00:26:12,001 --> 00:26:14,143 AND ALERT THEM TO THE SITUATION. 547 00:26:14,143 --> 00:26:16,175 I'D REALLY LIKE TO CONTACT THEM MYSELF. 548 00:26:16,175 --> 00:26:18,948 I'M SORRY, DETECTIVE, BUT MY HANDS ARE TIED. 549 00:26:18,948 --> 00:26:21,811 IF YOU WANT MY CONFIDENTIAL DONOR LIST, 550 00:26:21,811 --> 00:26:23,953 YOU'RE GONNA NEED A COURT ORDER. 551 00:26:25,855 --> 00:26:27,857 (whispers) AWKWARD. 552 00:26:30,990 --> 00:26:33,923 (Ryan) WE RAN EMPLOYEES AND VOLUNTEERS. 553 00:26:33,923 --> 00:26:36,766 NONE HAVE PRIORS OR RECORDS. 554 00:26:36,766 --> 00:26:38,167 HELLO? SHH, SHH! 555 00:26:38,167 --> 00:26:40,770 WHAT'S SHE DOING? WRITING AN AFFIDAVIT FOR A COURT ORDER. 556 00:26:40,770 --> 00:26:42,732 THAT NO ONE IS GOING TO SIGN. 557 00:26:42,732 --> 00:26:45,104 DID YOU SEE THAT LIST OF BOARD MEMBERS? 558 00:26:45,104 --> 00:26:48,337 HALF THE JUDGES IN TOWN ARE ON IT. WHAT AM I SUPPOSED TO DO, JUST LET SOMEONE ELSE DIE? 559 00:26:48,337 --> 00:26:50,840 WHOA, HEY. YOU SEEM A LITTLE STRESSED. 560 00:26:50,840 --> 00:26:54,113 HEY, YOU KNOW WHAT YOU NEED? A NIGHT OUT ON THE TOWN. 561 00:26:54,113 --> 00:26:55,815 A WHAT NOW? 562 00:26:55,815 --> 00:26:57,817 WHAT ARE THOSE? 563 00:26:57,817 --> 00:26:59,989 THE GATEWAY TO ANOTHER WORLD. 564 00:26:59,989 --> 00:27:01,751 CASTLE. 565 00:27:01,751 --> 00:27:03,753 THEY HOLD FOUR FUND-RAISERS A YEAR. 566 00:27:03,753 --> 00:27:07,957 THE LAST ONE TOOK PLACE A WEEK BEFORE THE ROBBERIES BEGAN. NO. 567 00:27:07,957 --> 00:27:11,400 IT IS PERFECT. YOU DON'T HAVE TO ASK WHO THE DONORS ARE, 568 00:27:11,400 --> 00:27:15,004 BECAUSE THEY'LL ALL BE THERE, WEARING THEIR JEWELRY. 569 00:27:15,004 --> 00:27:18,237 IF THE EMPLOYEES AND VOLUNTEERS ARE CLEAN, THEN OUR PERP... SKELL. 570 00:27:18,237 --> 00:27:21,110 COULD BE WORKING THE PARTY. (Ryan) AND WE CAN WORK THE DOOR. 571 00:27:21,110 --> 00:27:24,914 SO IT'S SETTLED. PICK ME UP AT 8:00? 572 00:27:24,914 --> 00:27:26,876 OH, IT'S, UH, A BLACK-TIE EVENT. 573 00:27:26,876 --> 00:27:29,949 THAT'S NOT A PROBLEM, IS IT? UH, NO. 574 00:27:29,949 --> 00:27:31,150 NO. 575 00:27:34,023 --> 00:27:38,287 NO, NO, UNH-UNH. THAT ONE GOES TO THE THRIFT STORE. (groans) 576 00:27:38,287 --> 00:27:41,030 WHOA! "KARMA CHAMELEON." (laughs) 577 00:27:41,030 --> 00:27:45,735 THE GIRL AT SAKS SAID FLUORESCENT IS IN. WELL, THEN SHE WAS ON COMMISSION. 578 00:27:47,066 --> 00:27:49,939 UNH-UNH. TOO "SHOWGIRLS"? 579 00:27:49,939 --> 00:27:52,842 (sighs) YOU KNOW WHAT HE'S TRYING TO DO? 580 00:27:52,842 --> 00:27:55,244 HE WANTS TO HUMILIATE ME. 581 00:27:55,244 --> 00:27:57,676 (doorbell buzzes) LANIE, CAN YOU GET THAT, PLEASE? 582 00:27:57,676 --> 00:28:00,409 ALL RIGHT, BUT YOU BETTER NOT BE WEARING YOUR PROM DRESS 583 00:28:00,409 --> 00:28:02,111 WHEN I GET BACK. 584 00:28:04,053 --> 00:28:05,214 (groans loudly) 585 00:28:05,214 --> 00:28:07,316 MY DAD, NERVOUS FOR A DATE? 586 00:28:07,316 --> 00:28:10,990 IT'S NOT A DATE. IT'S AN UNDERCOVER OPERATION. UH-HUH. 587 00:28:10,990 --> 00:28:12,361 WOULD YOU? YEAH. 588 00:28:12,361 --> 00:28:14,894 I DON'T KNOW WHY YOU WON'T TELL ME WHERE THE PARTY IS. 589 00:28:14,894 --> 00:28:16,465 BECAUSE YOU'LL SHOW UP. 590 00:28:16,465 --> 00:28:18,697 (Beckett) WHO WAS IT? 591 00:28:18,697 --> 00:28:20,029 DELIVERY. 592 00:28:20,029 --> 00:28:23,002 FROM WHO? LET'S FIND OUT. 593 00:28:23,002 --> 00:28:26,005 "BIPPITY BOPPITY BOO"? 594 00:28:26,005 --> 00:28:29,038 "CINDERELLA." IT'S FROM HIM. 595 00:28:29,038 --> 00:28:31,140 OH, PLEASE, IT'S A DRESS. 596 00:28:31,140 --> 00:28:33,042 NOW OPEN IT UP, GIRLFRIEND. 597 00:28:33,042 --> 00:28:35,114 OH, I KNEW HE WAS ARROGANT, 598 00:28:35,114 --> 00:28:37,917 BUT THIS-- THIS IS COMPLETE-- (gasps) 599 00:28:37,917 --> 00:28:39,218 (tissue paper crinkles) 600 00:28:39,218 --> 00:28:41,020 OH. 601 00:28:41,020 --> 00:28:43,122 (gasps) 602 00:28:43,122 --> 00:28:45,354 STUNNING. 603 00:28:45,354 --> 00:28:48,057 SIMPLY STUNNING. COME IN, COME IN. 604 00:28:48,057 --> 00:28:49,799 OH, HANG ON. HANG ON... 605 00:28:49,799 --> 00:28:52,301 YOU LOOK INCREDIBLE. 606 00:28:52,301 --> 00:28:54,063 REALLY? 607 00:28:54,063 --> 00:28:58,267 REALLY. YOU CLEAN UP NICE, DETECTIVE BECKETT. THANK YOU, CASTLE. 608 00:28:58,267 --> 00:29:00,009 (Martha) I WAS NOMINATED 609 00:29:00,009 --> 00:29:03,042 FOR A, UH, TONY ONCE... 610 00:29:03,042 --> 00:29:05,044 OH, NO, MARTHA, I COULDN'T. 611 00:29:05,044 --> 00:29:07,076 YES, YOU CAN. LET ME-- OH, IT'S BRILLIANT. 612 00:29:07,076 --> 00:29:11,050 SO WHERE ARE YOU GUYS HEADED TONIGHT? 613 00:29:11,050 --> 00:29:14,123 UH, UH, UH, WE'RE GOING TO THE, UH, WALDORF. 614 00:29:14,123 --> 00:29:15,925 AHA. 615 00:29:15,925 --> 00:29:17,486 (Martha) AH. 616 00:29:24,964 --> 00:29:27,036 (Fatboy Slim) ♪ YEAH-- YEAH, YEAH, YEAH ♪ 617 00:29:27,036 --> 00:29:30,439 ♪ IT'S A WONDERFUL NIGHT, YOU GOTTA TAKE IT FROM ME ♪ (camera shutters snapping) 618 00:29:30,439 --> 00:29:33,272 MAN, THESE GUYS ARE GUILTY OF TAX EVASION, 619 00:29:33,272 --> 00:29:35,875 NOT HOME INVASION. YEAH, WELL... 620 00:29:35,875 --> 00:29:39,008 APPEARANCES CAN BE DECEIVING. 621 00:29:39,008 --> 00:29:41,280 ♪ IT'S A WONDERFUL NIGHT, EVERYBODY CAN SEE ♪ 622 00:29:41,280 --> 00:29:44,053 ♪ IT'S A WONDERFUL NIGHT ♪ ♪ COME ON AND BREAK IT ON DOWN ♪ 623 00:29:44,053 --> 00:29:47,817 NICE DRESS. YEAH, WHAT THERE IS OF IT. 624 00:29:47,817 --> 00:29:49,989 I'D LET YOU BORROW IT, ESPOSITO, 625 00:29:49,989 --> 00:29:52,061 BUT YOU STRETCHED OUT THE LAST ONE. (laughs) 626 00:29:52,061 --> 00:29:56,395 (orchestra playing up-tempo instrumental music) 627 00:29:56,395 --> 00:29:58,267 BIG CHEESE! 628 00:29:58,267 --> 00:29:59,899 RICKY! RICKY! 629 00:29:59,899 --> 00:30:01,300 (laughs) HEY, HEY, HEY! 630 00:30:01,300 --> 00:30:05,074 WHY DIDN'T YOU TELL ME YOU WERE GONNA BE AT THIS SHINDIG? 631 00:30:05,074 --> 00:30:07,376 I WOULD'VE GIVEN YOU A RIDE. OH, LAST-MINUTE THING. LISTEN, MR. MAYOR, 632 00:30:07,376 --> 00:30:10,539 I'D LIKE TO PRESENT TO YOU DETECTIVE KATE BECKETT. 633 00:30:10,539 --> 00:30:13,112 KATE BECKETT, YOU KNOW THE MAYOR. SO THIS IS DETECTIVE BECKETT. 634 00:30:13,112 --> 00:30:16,115 IT'S AN HONOR TO MEET YOU, SIR. OH, PLEASE, CALL ME BOB. 635 00:30:16,115 --> 00:30:19,188 (laughs) RICK, SHE'S EVEN PRETTIER THAN YOU SAID. 636 00:30:19,188 --> 00:30:21,050 MM-HMM. (man clears throat) 637 00:30:21,050 --> 00:30:23,292 EXCUSE ME A MINUTE. OF COURSE. 638 00:30:23,292 --> 00:30:25,524 YOU TALK ABOUT ME TO "BOB"? 639 00:30:25,524 --> 00:30:27,426 WELL, WE PLAY CARDS TOGETHER. 640 00:30:27,426 --> 00:30:31,100 WELL, THAT, AND YOU ARE THE SUBJECT OF MY NEXT BOOK. HUH. 641 00:30:31,100 --> 00:30:33,963 CAN I GET YOU A DRINK? YEAH. VODKA. 642 00:30:33,963 --> 00:30:37,036 LOTS OF VODKA. BUT... 643 00:30:37,036 --> 00:30:39,468 I'M ON DUTY, SO... WATER? YEAH. 644 00:30:39,468 --> 00:30:41,340 VODKA. 645 00:30:43,112 --> 00:30:46,175 COULD I GET TWO VERY STIFF VODKA MARTINIS? 646 00:30:46,175 --> 00:30:50,119 DON'T SHAKE 'EM. JUST SWIRL 'EM AROUND A BIT. (woman) RICHARD. HI... 647 00:30:50,119 --> 00:30:54,153 RACHEL MADDOX. WE SPOKE ON THE PHONE. OH, AND THANK YOU VERY MUCH FOR GETTING ME THE TICKETS. 648 00:30:54,153 --> 00:30:57,126 THANKS FOR THE SIGNED FIRST EDITION FOR THE AUCTION. 649 00:30:57,126 --> 00:31:01,860 I HAD MY EYE ON IT, BUT IT'S PROBABLY TOO RICH FOR MY BLOOD. MY BOYFRIEND PAUL REYNOLDS. HE'S A HUGE FAN. 650 00:31:01,860 --> 00:31:04,033 OH, ALWAYS NICE TO MEET A FAN. HI. 651 00:31:04,033 --> 00:31:05,534 DON'T SWEAT IT. 652 00:31:05,534 --> 00:31:08,137 THAT'S JUST RACHEL, ANNE'S HEAD OF DEVELOPMENT. 653 00:31:08,137 --> 00:31:10,269 SHE'S ONLY AFTER HIS MONEY, SO TO SPEAK. 654 00:31:10,269 --> 00:31:13,002 OH, I'M RUTHIE. UM, BECK-- 655 00:31:13,002 --> 00:31:15,174 I'M S--I'M KATE. NICE TO MEET YOU. 656 00:31:15,174 --> 00:31:17,176 DO YOU WORK FOR THE CHARITY? 657 00:31:17,176 --> 00:31:20,209 NO. NO, BUT I AM ON THE CIRCUIT. 658 00:31:20,209 --> 00:31:22,281 YOU KNOW, BREAST CANCER, LAND MINES. 659 00:31:22,281 --> 00:31:24,313 OH, YOU KNOW WHAT THE BEST ONE IS? 660 00:31:24,313 --> 00:31:26,315 UM, UH, PROJECT... WHAT DO YOU CALL IT? 661 00:31:26,315 --> 00:31:29,558 THE ONE WITH THE LIPS. THERE ARE A LOT OF, UH, 662 00:31:29,558 --> 00:31:32,161 PLASTIC SURGEONS THERE-- FISH IN A BARREL. REALLY? 663 00:31:32,161 --> 00:31:35,164 MM-HMM. OH, NOT THAT YOU NEED ANY HELP FROM ME. 664 00:31:35,164 --> 00:31:37,666 I SEE YOU'VE GOT A BIG ONE ON THE LINE. 665 00:31:37,666 --> 00:31:40,369 SETTLE IN, KATIE. I HEAR HE'S A FIGHTER. UH--SORRY, CASTLE? 666 00:31:40,369 --> 00:31:42,531 OH, MOST OF THE GIRLS ON THE REGISTER 667 00:31:42,531 --> 00:31:45,474 HAVE TRIED TO LAND HIM. 668 00:31:45,474 --> 00:31:48,477 RICH AND HANDSOME-- WE CALL HIM "THE WHITE WHALE." 669 00:31:48,477 --> 00:31:52,141 (music continues) 670 00:31:52,141 --> 00:31:53,512 LISTEN, WE'RE HAVING 671 00:31:53,512 --> 00:31:56,045 A LITTLE GATHERING NEXT MONTH FOR OUR TOP DONORS. 672 00:31:56,045 --> 00:31:59,288 WE'RE GOING TO UNVEIL PLANS FOR A NEW REHEARSAL SPACE. 673 00:31:59,288 --> 00:32:02,021 IF YOU'RE FREE, WE'D LOVE FOR YOU AND ALEXIS TO COME. YOU KNOW MY DAUGHTER? 674 00:32:02,021 --> 00:32:05,054 WE MAKE A POINT TO KNOW AS MUCH AS WE CAN 675 00:32:05,054 --> 00:32:07,156 ABOUT OUR POTENTIAL DONORS SO WE CAN MATCH THEIR INTERESTS 676 00:32:07,156 --> 00:32:08,357 WITH OUR PROGRAMS. 677 00:32:08,357 --> 00:32:11,230 SO MANY PLACES JUST ASK YOU TO WRITE A CHECK. 678 00:32:11,230 --> 00:32:14,233 WE WANT YOU TO KNOW THAT YOUR MONEY IS MAKING A DIFFERENCE. 679 00:32:14,233 --> 00:32:16,935 WOULD YOU EXCUSE ME JUST FOR A SECOND? SURE. 680 00:32:16,935 --> 00:32:18,337 (whispers) SO CREEPY. 681 00:32:18,337 --> 00:32:20,539 NEGATIVE ON ANYONE MATCHING OUR SKETCH. 682 00:32:20,539 --> 00:32:23,512 HOW ARE WE DOING ON VENDORS AND STAFF? (Esposito) No red flags yet. 683 00:32:23,512 --> 00:32:25,514 HEY, SO WHAT'S IT LIKE IN THERE? 684 00:32:25,514 --> 00:32:27,946 IS IT BUFFET OR PASSED HORS D'OEUVRES? 685 00:32:27,946 --> 00:32:30,019 BOTH. HEY, HAVE YOU SEEN, UH--- 686 00:32:30,019 --> 00:32:32,551 CASTLE, WHAT ARE YOU DOING? 687 00:32:32,551 --> 00:32:34,253 SORRY, THIS IS THE ONLY PLACE 688 00:32:34,253 --> 00:32:37,556 I KNEW WE COULD TALK AND NOT BE OVERHEARD. SURE IT IS. 689 00:32:37,556 --> 00:32:39,088 I WAS JUST TALKING 690 00:32:39,088 --> 00:32:41,630 TO THE HEAD OF, UH, DONOR DEVELOPMENT OVER THERE... 691 00:32:41,630 --> 00:32:43,192 (speaking inaudibly) 692 00:32:43,192 --> 00:32:46,635 SHE SEEMS TO KNOW AN AWFUL LOT ABOUT ME. 693 00:32:46,635 --> 00:32:48,437 SHE'S NOT THE ONLY ONE. 694 00:32:48,437 --> 00:32:51,140 DID YOU KNOW THAT THEY CALL YOU "THE WHITE WHALE"? 695 00:32:51,140 --> 00:32:53,272 THE WHITE WHALE? MM-HMM. 696 00:32:53,272 --> 00:32:55,074 NOT MOBY-- NO. 697 00:32:55,074 --> 00:32:58,277 SHE'S IN DONOR DEVELOPMENT. IT'S HER JOB TO KNOW ABOUT YOU. 698 00:32:58,277 --> 00:33:00,179 BESIDES, SHE DOESN'T STRIKE ME 699 00:33:00,179 --> 00:33:03,512 AS A CRIMINAL MASTERMIND. STILL, I THINK WE SHOULD TAKE A SECOND LOOK. 700 00:33:03,512 --> 00:33:05,454 TWO, THREE... DIP. 701 00:33:12,591 --> 00:33:14,363 CASTLE, A LITTLE HELP. 702 00:33:14,363 --> 00:33:16,095 IT'S POWELL. 703 00:33:16,095 --> 00:33:18,627 THE JEWEL THIEF? 704 00:33:20,429 --> 00:33:24,033 I DON'T BELIEVE THIS. THE TWO OF YOU ARE IN ON IT? 705 00:33:24,033 --> 00:33:27,506 DON'T LOOK AT ME. IT WAS HIS IDEA. 706 00:33:27,506 --> 00:33:30,179 YOU REALLY HAD ME GOING, DIDN'T YOU? 707 00:33:30,179 --> 00:33:32,781 THE WINE, THE CHEESE, THE CODE OF CONDUCT-- 708 00:33:32,781 --> 00:33:36,045 AND HERE YOU ARE, MAKING ME LOOK THE FOOL. I JUST WANTED TO HAVE A BIT OF FUN. 709 00:33:36,045 --> 00:33:38,687 FUN? YOU CALL WHAT YOU'RE DOING "FUN"? CASTLE, WHAT'S GOING ON? 710 00:33:38,687 --> 00:33:42,151 THEY'RE IN ON IT TOGETHER. THEY'VE ALL BUT ADMITTED IT. 711 00:33:42,151 --> 00:33:45,794 I AM SO SORRY. I HAD NO IDEA IT WAS SUCH A BIG DEAL. 712 00:33:45,794 --> 00:33:48,026 BIG DE-- TWO PEOPLE ARE DEAD. 713 00:33:48,026 --> 00:33:50,629 DEAD? WHAT'S HE TALKING ABOUT? 714 00:33:50,629 --> 00:33:52,361 GOOD LORD, RICK. 715 00:33:52,361 --> 00:33:54,703 YOU DIDN'T THINK-- 716 00:33:54,703 --> 00:33:57,506 THEN... WHAT WERE YOU TWO WHISPERING ABOUT? 717 00:33:57,506 --> 00:33:59,208 (Rachel, voice amplified) THANK YOU ALL 718 00:33:59,208 --> 00:34:00,809 FOR COMING TONIGHT. 719 00:34:00,809 --> 00:34:04,373 NOW IT'S TIME FOR ALL OF US TO OPEN OUR HEARTS 720 00:34:04,373 --> 00:34:07,146 AS WE AUCTION OFF SOME OF THE CITY'S FINEST ITEMS 721 00:34:07,146 --> 00:34:09,518 FOR ONE OF THE FINEST CAUSES. 722 00:34:09,518 --> 00:34:12,651 TO START THE BIDDING, PLEASE WELCOME MARTHA RODGERS. (applause) 723 00:34:14,083 --> 00:34:17,186 WHAT HAVE YOU DONE? JUST A LITTLE PAYBACK. 724 00:34:17,186 --> 00:34:20,189 (Martha, voice amplified) THANK YOU FOR THAT WARM WELCOME. 725 00:34:20,189 --> 00:34:23,592 THE FIRST ITEM ON OUR LIST IS A SIGNED FIRST EDITION 726 00:34:23,592 --> 00:34:25,394 OF "STORM SEASON," WRITTEN BY... 727 00:34:25,394 --> 00:34:28,167 WELL, BY MY SON. THERE HE IS. 728 00:34:28,167 --> 00:34:30,769 WAVE, DARLING, SO EVERYONE CAN SEE YOU. 729 00:34:30,769 --> 00:34:33,672 OH, ISN'T HE HANDSOME? MY STILL-SINGLE SON, LADIES. 730 00:34:33,672 --> 00:34:37,776 SO AS A SPECIAL BONUS, THE WINNING BIDDER 731 00:34:37,776 --> 00:34:41,510 WILL ALSO RECEIVE AN ENCHANTING EVENING IN HIS COMPANY. 732 00:34:41,510 --> 00:34:44,283 ALL RIGHT, LADIES, THAT'S THE BEST I CAN DO. 733 00:34:44,283 --> 00:34:47,516 THE REST IS UP TO YOU. OKAY, DO WE HAVE AN OPENING BID? $2,500! 734 00:34:47,516 --> 00:34:50,119 (Martha) $2,500--BEAUTIFUL LADY IN BLUE, THANK YOU SO MUCH. 735 00:34:50,119 --> 00:34:52,291 DO WE HEAR $3,000? $3,000? 736 00:34:52,291 --> 00:34:53,722 GIRLS, DON'T BE SHY. 737 00:34:53,722 --> 00:34:57,426 WE HAVE A GENTLEMAN BIDDER. OH, AND ISN'T HE ATTRACTIVE? 738 00:34:57,426 --> 00:34:59,768 OH, MY GOODNESS, AREN'T WE BROAD-MINDED? (woman shouts) 739 00:34:59,768 --> 00:35:02,801 OH! THERE WE HAVE IT--$4,000. ALL RIGHT, LADIES, 740 00:35:02,801 --> 00:35:06,335 THE GAUNTLET IS DOWN. ALL RIGHT, THIS IS THE MOST WITTY... NOW WE'RE EVEN. 741 00:35:06,335 --> 00:35:08,837 INTELLIGENT AND CHARMING MAN... LOOK, I HAVE MONEY. 742 00:35:08,837 --> 00:35:12,281 ANYTHING YOU PAY, I'LL PAY YOU BACK. 743 00:35:12,281 --> 00:35:16,114 OH, NOT A CHANCE IN HELL, CASTLE. 744 00:35:16,114 --> 00:35:17,416 HEY, WHOA, LOOK-- 745 00:35:17,416 --> 00:35:19,448 THERE'S DONOR GIRL'S BOYFRIEND. 746 00:35:19,448 --> 00:35:21,420 SO? SO HE'S TAKING PICTURES. 747 00:35:21,420 --> 00:35:24,753 SO? I WOULD, TOO, IF I HAD A CAMERA. OF THE CROWD? 748 00:35:24,753 --> 00:35:27,196 (woman) $7,000! (Martha) $7,000. 749 00:35:27,196 --> 00:35:30,199 OH, GOING ONCE, GOING TWICE... (camera shutter clicks) 750 00:35:30,199 --> 00:35:34,263 SOLD FOR $7,000. 751 00:35:34,263 --> 00:35:35,804 REYNOLDS. PAUL REYNOLDS. 752 00:35:35,804 --> 00:35:38,136 IT'S PERFECT. HE I.D.'s THE JEWELS 753 00:35:38,136 --> 00:35:40,269 AND THEN USES HIS GIRLFRIEND'S RESEARCH 754 00:35:40,269 --> 00:35:42,841 TO BUILD PROFILES ON THE VICTIMS. YO! YAHTZEE. 755 00:35:42,841 --> 00:35:44,843 PAUL REYNOLDS, A.K.A. CHAD NELLIS. 756 00:35:44,843 --> 00:35:46,815 HE SERVED ON CHECK FRAUD, EMBEZZLEMENT, 757 00:35:46,815 --> 00:35:49,918 FORGERY AND GRAND LARCENY. 758 00:35:49,918 --> 00:35:52,181 WELL, IT DOES NO GOOD TO BE COY. 759 00:35:52,181 --> 00:35:55,254 I'VE SEEN THE LOOKS YOU'VE BEEN THROWING ME ALL NIGHT. (Castle) SHOPPING, ARE WE? 760 00:35:55,254 --> 00:35:57,326 (Beckett) PAUL REYNOLDS, YOU'RE UNDER ARREST 761 00:35:57,326 --> 00:36:00,329 ON SUSPICION OF THEFT AND CONSPIRACY TO COMMIT MURDER. (Esposito) LET'S GO. 762 00:36:00,329 --> 00:36:01,830 WHERE WAS THE BADGE? 763 00:36:01,830 --> 00:36:03,332 DON'T ASK. 764 00:36:12,341 --> 00:36:13,872 YO. B&E, FIREARMS-- 765 00:36:13,872 --> 00:36:15,874 DEFINITELY A STEP UP FOR THIS GUY. 766 00:36:15,874 --> 00:36:17,906 HE'S JUST A FOOT SOLDIER. 767 00:36:17,906 --> 00:36:20,849 WE'RE LOOKING FOR HIS GENERAL. WHAT HAPPENED TO THE DRESS? 768 00:36:20,849 --> 00:36:25,854 YOU DIDN'T THINK I WAS GONNA INTERROGATE HIM IN IT, DID YOU? WE WERE KINDA HOPING... 769 00:36:25,854 --> 00:36:28,357 OUTTA MY CHAIR, CASTLE. 770 00:36:28,357 --> 00:36:29,558 YES. 771 00:36:29,558 --> 00:36:31,690 (Beckett) SO YOU KNOW HIM? 772 00:36:31,690 --> 00:36:34,192 WE MET IN GREEN HAVEN PRISON. A GUY LIKE ME-- 773 00:36:34,192 --> 00:36:36,565 YOU KNOW THEY'VE WOULD'VE EATEN ME ALIVE IN THERE. 774 00:36:36,565 --> 00:36:38,767 BUT HE LOOKED OUT FOR ME IN THE YARD. 775 00:36:38,767 --> 00:36:40,899 THEY--THEY WERE ALL AFRAID OF HIM, EVEN THE GUARDS. 776 00:36:40,899 --> 00:36:43,572 AND WHEN HE GOT OUT, HE FOUND ME. I DON'T KNOW HOW. 777 00:36:43,572 --> 00:36:46,335 SO IT WAS HIS IDEA TO INFILTRATE THE CHARITY. 778 00:36:46,335 --> 00:36:48,337 I WAS ALREADY SEEING RACHEL AT THE TIME. 779 00:36:48,337 --> 00:36:50,339 I MEAN, I WAS TRYING TO GO STRAIGHT, 780 00:36:50,339 --> 00:36:54,212 BUT HE SAID THAT I OWED HIM. AND SO YOU JUST FED HIM ALL THE TOP DONORS. 781 00:36:54,212 --> 00:36:56,214 EVERYTHING HE NEEDED WAS ALREADY IN THE DOSSIERS-- 782 00:36:56,214 --> 00:36:58,547 NAMES, ADDRESSES. 783 00:36:58,547 --> 00:37:00,889 I TOOK PHOTOGRAPHS OF ALL THEIR JEWELRY, 784 00:37:00,889 --> 00:37:05,223 PUT IT ALL ON A FLASH DRIVE, BUT HE WANTED MORE AND MORE. 785 00:37:05,223 --> 00:37:07,896 DETECTIVE, AFTER HE BEAT THAT GUY TO DEATH, 786 00:37:07,896 --> 00:37:09,998 I TOLD HIM I WANTED OUT. 787 00:37:09,998 --> 00:37:12,731 BUT HE SAID THAT IF I QUIT, 788 00:37:12,731 --> 00:37:17,005 THAT HE'D DO EVERYTHING HE SAVED ME FROM IN PRISON. 789 00:37:17,005 --> 00:37:19,568 HE'D DO IT TO ME AND RACHEL. 790 00:37:19,568 --> 00:37:23,572 THEN TELL ME WHERE I CAN FIND HIM. 791 00:37:28,517 --> 00:37:29,918 (brakes screech) 792 00:37:33,322 --> 00:37:35,654 CASTLE, AS A FRIEND, 793 00:37:35,654 --> 00:37:37,926 I AM ASKING YOU NOT TO LEAVE THIS CAR, 794 00:37:37,926 --> 00:37:40,859 'CAUSE YOUR LITTLE HARDY BOY ACT... IS GONNA GET ME KILLED, I KNOW. 795 00:37:40,859 --> 00:37:43,332 MORE LIKE GET ONE OF THEM KILLED, 796 00:37:43,332 --> 00:37:46,465 AND I CAN'T HAVE THAT ON MY CONSCIENCE. UNDERSTOOD? (gun action clicks) 797 00:37:46,465 --> 00:37:48,967 WHAT IF I HAVE TO PEE? 798 00:37:50,939 --> 00:37:52,901 (whispers) GO, GO, GO. 799 00:38:02,981 --> 00:38:05,954 (bangs door) NYPD! WE HAVE A WARRANT! 800 00:38:19,027 --> 00:38:21,029 (Ryan) LOOK, HIS COFFEE. 801 00:38:21,029 --> 00:38:23,372 STILL WARM. MUST'VE JUST MISSED HIM. 802 00:38:23,372 --> 00:38:25,374 (man on police radio) And roger. 803 00:38:25,374 --> 00:38:27,936 Can I have your, uh, next position after 1-7-0-8? 804 00:38:32,581 --> 00:38:34,743 THIS IS DETECTIVE CASTLE TO ALL UNITS. 805 00:38:34,743 --> 00:38:36,985 THAT'S A NEGATORY ON THE BACKUP. 806 00:38:36,985 --> 00:38:39,317 THIS DIRTBAG'S ALL MINE. 807 00:38:43,492 --> 00:38:46,525 LOOKS LIKE WE GOT THE RIGHT PLACE. 808 00:38:56,004 --> 00:38:57,706 POLICE! POLICE! 809 00:38:57,706 --> 00:38:59,438 AAH! 810 00:38:59,438 --> 00:39:01,740 STOP, POLICE! 811 00:39:05,574 --> 00:39:08,817 FOLLOW HIM OUT BACK! 812 00:39:08,817 --> 00:39:11,820 (humming dramatic music) 813 00:39:15,724 --> 00:39:17,826 AAH! GOD. 814 00:39:17,826 --> 00:39:19,127 (groans) 815 00:39:25,494 --> 00:39:27,936 OUT OF THE CAR! 816 00:39:27,936 --> 00:39:30,439 I--SHE TOLD ME I ACTUALLY HAVE TO STAY IN HERE-- 817 00:39:30,439 --> 00:39:33,572 OUT OF THE CAR NOW! OKAY, OKAY, OKAY, HERE I COME. I'M COMING. 818 00:39:33,572 --> 00:39:34,973 (grunts) 819 00:39:34,973 --> 00:39:37,476 AAH! GOD. 820 00:39:37,476 --> 00:39:40,909 (grunting) 821 00:39:40,909 --> 00:39:42,681 OW! 822 00:39:42,681 --> 00:39:44,713 GO AHEAD... 823 00:39:44,713 --> 00:39:46,455 I NEED THE PRACTICE. 824 00:39:46,455 --> 00:39:49,458 OW. 825 00:39:49,458 --> 00:39:51,019 (groaning) (Esposito) WE GOT HIM. 826 00:39:51,019 --> 00:39:52,691 (handcuffs click) GET UP. 827 00:39:52,691 --> 00:39:55,163 (grunting) 828 00:39:55,163 --> 00:39:58,897 I TRIED TO STAY IN THE CAR. I REALLY DID. 829 00:39:58,897 --> 00:40:02,731 HE HIT ME IN THE FACE, YOU KNOW. YEAH, I SAW THAT. 830 00:40:02,731 --> 00:40:04,933 THAT, UH, "GO AHEAD, I NEED THE PRACTICE"-- 831 00:40:04,933 --> 00:40:08,677 THAT WAS CLASSIC. 832 00:40:08,677 --> 00:40:11,540 (hums dramatic music) (Beckett) CASTLE! 833 00:40:11,540 --> 00:40:12,881 SORRY. 834 00:40:17,015 --> 00:40:19,548 THE OTHER PIECES ARE STILL IN EVIDENCE, 835 00:40:19,548 --> 00:40:23,922 BUT I DON'T SEE THE HARM IN RETURNING THIS. 836 00:40:29,458 --> 00:40:32,631 HOW DO YOU GET OVER IT? 837 00:40:32,631 --> 00:40:35,033 YOU DON'T. 838 00:40:35,033 --> 00:40:37,766 BUT ONE DAY YOU'LL WAKE UP AND YOU'LL FIND 839 00:40:37,766 --> 00:40:40,939 THAT YOU DON'T MIND CARRYING IT AROUND WITH YOU. 840 00:40:40,939 --> 00:40:43,642 AT LEAST THAT'S AS FAR AS I'VE COME. 841 00:40:43,642 --> 00:40:45,644 THANK YOU, DETECTIVE. 842 00:40:45,644 --> 00:40:48,046 MY NAME'S KATE. 843 00:40:48,046 --> 00:40:51,980 IF YOU EVER NEED TO TALK... 844 00:40:55,884 --> 00:40:58,226 (exhales sharply) 845 00:41:09,668 --> 00:41:10,969 (man) ♪ YOU CAN TELL ME ♪ 846 00:41:10,969 --> 00:41:13,972 DARLING, WE HAVE A VISITOR. 847 00:41:13,972 --> 00:41:17,075 OH, PRETTY BUTCH, CASTLE. 848 00:41:17,075 --> 00:41:19,077 I KNOW, RIGHT? COME, GRAB A CHAIR. 849 00:41:19,077 --> 00:41:22,751 OH, NO, I JUST CAME TO RETURN YOUR MOM'S JEWELRY. YOU SAVED MY LIFE. 850 00:41:22,751 --> 00:41:25,914 THE LEAST I CAN DO IS MAKE YOU SOME EGGS. NO, REALLY, I-I HAVE TO GET GOING. 851 00:41:25,914 --> 00:41:27,986 NONSENSE! YOU SIT DOWN RIGHT HERE, 852 00:41:27,986 --> 00:41:31,920 TELL US ALL ABOUT LAST NIGHT. WE'VE ONLY HEARD HIS VERSION. 853 00:41:31,920 --> 00:41:34,492 ALL RIGHT, UM... 854 00:41:34,492 --> 00:41:37,065 SHALL I BEGIN AT THE RED CARPET? YES, PLEASE. 855 00:41:37,065 --> 00:41:38,767 SO WE CAME OUT... 856 00:41:38,767 --> 00:41:40,498 ♪ ...IN CIRCLES ♪