1 00:00:01,632 --> 00:00:04,305 (Anya Marina) ♪ BENDING SPOONS WITH MY MIND ♪ 2 00:00:04,305 --> 00:00:06,477 ♪ MANIFESTING MEN ♪ 3 00:00:06,477 --> 00:00:09,140 ♪ OF ALL KINDS ♪ 4 00:00:09,140 --> 00:00:12,683 ♪ IN MY SPARE TIME ♪ 5 00:00:12,683 --> 00:00:16,717 ♪ BUT OH, HOW I STRUGGLED IN VAIN ♪ 6 00:00:16,717 --> 00:00:21,552 ♪ TO SOLVE THIS RIDDLE WITH MY BRAIN ♪ 7 00:00:21,552 --> 00:00:24,455 ♪ WHEN THE ANSWER'S IN MY HANDS ♪ 8 00:00:24,455 --> 00:00:28,099 ♪ SO I WANNA MOVE YOU ♪ 9 00:00:28,099 --> 00:00:30,701 ♪ AROUND ♪ 10 00:00:30,701 --> 00:00:34,565 ♪ GOT TO TURN YOU ♪ 11 00:00:34,565 --> 00:00:36,707 ♪ INSIDE OUT ♪ 12 00:00:36,707 --> 00:00:39,140 ♪ YEAH, I WANNA MOVE YOU ♪ 13 00:00:39,140 --> 00:00:43,174 ♪ MOVE YOU AROUND ♪ 14 00:00:43,174 --> 00:00:45,076 ♪ I WANNA MOVE YOU ♪ 15 00:00:45,076 --> 00:00:47,518 ♪ I WANNA MOVE YOU AROUND ♪ 16 00:00:47,518 --> 00:00:50,521 (Esposito) ALL RIGHT, EVERYBODY, LAST HAND FOR THE NIGHT. 17 00:00:50,521 --> 00:00:53,354 AW... PHOOEY. IT'S ONLY... AH! 18 00:00:53,354 --> 00:00:55,456 IT'S NOT EVEN MIDNIGHT. 19 00:00:55,456 --> 00:00:58,529 SOME PEOPLE HAVE JOBS TO GO TO IN THE MORNING. 20 00:00:58,529 --> 00:01:00,831 OH, MY SON, THE WORKING STIFF. 21 00:01:00,831 --> 00:01:03,094 ALL RIGHT. UGH. PHOOEY. 22 00:01:03,094 --> 00:01:04,495 I FOLD. 23 00:01:04,495 --> 00:01:07,568 IF YOU DON'T MIND ME SAYING, MRS. R., YOU FOLD A LOT. 24 00:01:07,568 --> 00:01:10,241 I JUST DON'T BELIEVE IN STRINGING ALONG A BAD HAND. 25 00:01:10,241 --> 00:01:14,345 WHY WASTE TIME? ACTUALLY, MOTHER'S GAME ISN'T REALLY TEXAS HOLD'EM. 26 00:01:14,345 --> 00:01:16,607 IT'S STRIP POKER. KEEPS THINGS HUMMING ALONG, 27 00:01:16,607 --> 00:01:20,251 IF YOU KNOW WHAT I MEAN. WELL, FRANKLY, I PREFER STRIP, BECAUSE EVEN WHEN YOU LOSE, 28 00:01:20,251 --> 00:01:22,753 YOU WIN. RAISE $20. 29 00:01:22,753 --> 00:01:24,815 (Montgomery) CALL. 30 00:01:26,817 --> 00:01:30,521 MAKE IT A HUNDRED. WHOA. 31 00:01:30,521 --> 00:01:32,823 100 BUCKS? MAN UP, BRO. 32 00:01:35,396 --> 00:01:37,097 REALLY? 33 00:01:37,097 --> 00:01:39,170 I'M OUT. SLOP. 34 00:01:39,170 --> 00:01:42,102 WHAT ABOUT YOU, CASTLE? YOU'RE ALREADY IN FOR THE BLIND. 35 00:01:42,102 --> 00:01:46,807 NOT SCARED OF A LITTLE... ACTION, ARE YOU? 36 00:01:46,807 --> 00:01:49,840 "ACTION" IS MY MIDDLE NAME. 37 00:01:49,840 --> 00:01:52,843 (laughter) (Martha) AHH. 38 00:01:52,843 --> 00:01:54,845 DON'T WORRY, SWEETHEART, HE'S BLUFFING. 39 00:01:54,845 --> 00:01:57,848 WHENEVER HE BLINKS TOO MUCH, IT MEANS HE'S GOT A LOUSY HAND. MOTHER. 40 00:01:57,848 --> 00:02:00,521 WELL... ALL RIGHT, HERE WE GO. 41 00:02:04,655 --> 00:02:07,198 (Esposito) THERE IT IS. 42 00:02:09,600 --> 00:02:11,862 UH-OH. WHAT? 43 00:02:11,862 --> 00:02:14,435 HE'S NOT BLINKING, BUT NOW HE'S TAPPING, 44 00:02:14,435 --> 00:02:16,907 WHICH MEANS HE MIGHT HAVE THE NUTS. WHAT'S THE MATTER? 45 00:02:16,907 --> 00:02:20,471 YOU'RE NOT AFRAID OF A LITTLE ACTION, ARE YOU? 46 00:02:23,514 --> 00:02:25,846 ALL IN. 47 00:02:25,846 --> 00:02:27,878 (Esposito) WHOO! (Montgomery) OOH. 48 00:02:27,878 --> 00:02:31,182 TAKE HIM DOWN, BECKETT. YEAH, MAKE HIM PAY. 49 00:02:31,182 --> 00:02:33,924 CAN'T WRITE YOUR WAY OUT OF THIS ONE, HUH, CASTLE? 50 00:02:47,638 --> 00:02:49,370 (laughter) 51 00:02:49,370 --> 00:02:51,372 (Esposito) WAY TO GO, BECKETT. 52 00:02:51,372 --> 00:02:55,175 MAYBE SOMEONE SHOULD CHANGE THEIR MIDDLE NAME TO "LOSER." (laughter) 53 00:02:55,175 --> 00:02:58,779 LOSER. WHAT CAN I SAY? GUESS IT JUST WASN'T MY NIGHT. 54 00:02:58,779 --> 00:03:00,911 AH, SEE, I TOLD YOU HE WAS BLUFFING. (cell phone rings) 55 00:03:00,911 --> 00:03:03,584 IT'S THE... (mutters) IT'S THE BLINKING THING, YEAH, YOU'RE RIGHT. 56 00:03:03,584 --> 00:03:06,757 (laughter) BECKETT. 57 00:03:06,757 --> 00:03:09,320 YEAH, WE'LL BE THERE IN 20. 58 00:03:09,320 --> 00:03:10,921 (closes cell phone) HOMICIDE ON HENRY STREET. 59 00:03:10,921 --> 00:03:13,894 I'LL TAKE CARE OF THIS FOR YOU. THANK YOU. 60 00:03:13,894 --> 00:03:17,668 WELL, AT LEAST YOU GUYS ARE ALREADY DOWNTOWN. BUT IT'S AFTER MIDNIGHT. 61 00:03:17,668 --> 00:03:20,231 MURDER NEVER SLEEPS, MRS. R. YEAH, NEITHER DO WE. 62 00:03:20,231 --> 00:03:22,433 WHOA, WHOA, SOMEONE SAY "MURDER"? 63 00:03:22,433 --> 00:03:25,876 HOLD ON, I'LL GET MY COAT. LOOK AT HIM, ALL EXCITED. 64 00:03:25,876 --> 00:03:27,738 YEAH, LIKE A KID AT CHRISTMAS. 65 00:03:27,738 --> 00:03:29,840 WITH A DEAD BODY UNDER THE TREE. (laughs) 66 00:03:29,840 --> 00:03:35,516 ♪♪ 67 00:03:35,516 --> 00:03:38,949 (siren wailing) 68 00:03:38,949 --> 00:03:42,923 (police radio chatter) 69 00:03:42,923 --> 00:03:45,626 (siren whoops) 70 00:03:45,626 --> 00:03:48,599 IS THAT MOTOR OIL? (Lanie) LOOKS LIKE IT, BUT I'LL HAVE TO 71 00:03:48,599 --> 00:03:51,532 PUMP OUT THE TUB AND RUN SOME TESTS TO BE SURE. 72 00:03:51,532 --> 00:03:53,904 IT'S MOTOR OIL, ALL RIGHT. 10W-40. 73 00:03:53,904 --> 00:03:57,938 EMPTIES IN THE CLOSET. WHAT KIND OF A FREAK DROWNS A WOMAN IN MOTOR OIL? 74 00:03:57,938 --> 00:04:00,711 SOMEONE'S TRYING TO SEND A MESSAGE. 75 00:04:03,944 --> 00:04:05,946 (man) I ALREADY TOLD THE UNIFORMS. 76 00:04:05,946 --> 00:04:07,648 ONCE PEOPLE CHECK IN, 77 00:04:07,648 --> 00:04:09,950 I DON'T WANNA KNOW WHAT THEY DO UP THERE. 78 00:04:09,950 --> 00:04:12,953 HER PURSE WAS MISSING, AND SHE DIDN'T HAVE AN I.D. ON HER. 79 00:04:12,953 --> 00:04:16,487 ANY CHANCE SHE PAID FOR THE ROOM WITH A CREDIT CARD? 80 00:04:16,487 --> 00:04:19,490 ALL I CAN TELL YOU IS, WHOEVER RENTED THE ROOM ON FRIDAY 81 00:04:19,490 --> 00:04:21,292 PAID CASH FOR A 5-DAY STAY. 82 00:04:21,292 --> 00:04:23,434 THEY WERE SUPPOSED TO BE OUT TONIGHT. 83 00:04:23,434 --> 00:04:25,436 SO AT MIDNIGHT, I WENT UP 84 00:04:25,436 --> 00:04:27,938 TO CHECK IF THE PLACE WAS EMPTY AND FOUND HER IN THE TUB. 85 00:04:27,938 --> 00:04:30,841 IT'S GONNA BE A BITCH TO CLEAN IT. SO IF ANYBODY WAS MEETING HER HERE-- 86 00:04:30,841 --> 00:04:33,944 IT'S NOT LIKE THE GUESTS ARRIVE AND I RING THEM UP. 87 00:04:33,944 --> 00:04:35,906 THIS AIN'T THE RITZ. CLEARLY. 88 00:04:35,906 --> 00:04:38,048 WHAT ABOUT TONIGHT? ANYONE STRANGE COMING IN OR GOING OUT? 89 00:04:38,048 --> 00:04:40,010 (deep voice) HEY, BILL. 90 00:04:40,010 --> 00:04:43,013 JASMINE, HOW'S IT HANGIN'? 91 00:04:43,013 --> 00:04:47,758 I THINK YOU JUST DESCRIBED HALF THEIR CLIENTELE. 92 00:04:47,758 --> 00:04:50,721 UNIDENTIFIED WOMAN-- EARLY 40s, GOOD HEALTH. 93 00:04:50,721 --> 00:04:53,764 SHE'S WEARING A WEDDING RING, BUT THERE'S NO INSCRIPTION. 94 00:04:53,764 --> 00:04:55,826 CAUSE OF DEATH? DROWNING. 95 00:04:55,826 --> 00:04:58,829 AND THERE'S A NASTY CONTUSION ON THE BACK OF HER HEAD. 96 00:04:58,829 --> 00:05:01,071 SO SOMEBODY HIT HER HARD ENOUGH TO KNOCK HER OUT 97 00:05:01,071 --> 00:05:04,905 AND THEN GAVE HER A MOTOR OIL BATH. AND I FOUND THIS IN ONE OF HER POCKETS. 98 00:05:04,905 --> 00:05:07,378 TICKET STUB FOR THE METRO-NORTH. 99 00:05:07,378 --> 00:05:09,880 OUR VICTIM TOOK THE TRAIN IN FROM WESTCHESTER 100 00:05:09,880 --> 00:05:12,543 YESTERDAY MORNING. WESTCHESTER TO LOWER MANHATTAN? 101 00:05:12,543 --> 00:05:14,845 THAT'S A LONG WAY TO GO FOR A LUBE JOB. 102 00:05:14,845 --> 00:05:17,047 SEE, WHEN MARRIED LADIES GO TO CHEAP HOTELS, 103 00:05:17,047 --> 00:05:18,749 IT'S ALWAYS ABOUT SEX. 104 00:05:18,749 --> 00:05:20,050 OR DRUGS. 105 00:05:20,050 --> 00:05:22,823 THE SAMPLE IN ONE OF THE WINE GLASSES 106 00:05:22,823 --> 00:05:25,556 TESTED POSITIVE FOR REMIAN. A SLEEPING PILL. 107 00:05:25,556 --> 00:05:28,759 MM-HMM. THIS WAS NOT A CRIME OF PASSION. 108 00:05:28,759 --> 00:05:30,761 THAT ROOM WAS RENTED FOR FIVE DAYS 109 00:05:30,761 --> 00:05:33,063 AND SOMEONE STOCKED THE PLACE UP WITH MOTOR OIL. 110 00:05:33,063 --> 00:05:34,765 THAT TAKES PLANNING. 111 00:05:34,765 --> 00:05:36,066 AND NICE SUBURBAN LADIES 112 00:05:36,066 --> 00:05:38,068 DON'T JUST TAKE THE TRAIN INTO THE CITY 113 00:05:38,068 --> 00:05:40,070 AND NOT RETURN WITHOUT SOMEBODY NOTICING. 114 00:05:40,070 --> 00:05:42,773 (Esposito) IRVINGTON P.D. LOGGED A CALL LAST NIGHT 115 00:05:42,773 --> 00:05:44,975 FROM A MICHAEL GOLDMAN WANTING TO REPORT 116 00:05:44,975 --> 00:05:47,918 HIS WIFE ALLISON MISSING. CLOTHING AND DESCRIPTION MATCH. 117 00:05:47,918 --> 00:05:50,921 SAID SHE WENT INTO THE CITY FOR WORK AND NEVER CAME BACK. 118 00:05:50,921 --> 00:05:54,625 SAID HE KNEW THAT SOMETHING WAS WRONG. POOR GUY. UNLESS HE'S THE KILLER... 119 00:05:54,625 --> 00:05:56,887 AND HE'S COVERING HIS TRACKS BY CALLING THE POLICE 120 00:05:56,887 --> 00:05:58,859 BEFORE THE BODY'S DISCOVERED. 121 00:05:58,859 --> 00:06:01,432 HOW ABOUT WE QUESTION HIM BEFORE WE CONVICT HIM? 122 00:06:01,432 --> 00:06:02,863 YOU GOT AN ADDRESS? 123 00:06:02,863 --> 00:06:04,865 THANKS. YEP. 124 00:06:06,467 --> 00:06:08,969 I DON'T UN-UNDERSTAND. 125 00:06:08,969 --> 00:06:12,903 WH-WHERE DID YOU SAY THAT SHE WAS FOUND? AT AN S.R.O. IN THE CITY. 126 00:06:12,903 --> 00:06:16,677 IT'S A SINGLE ROOM OCCUPANCY. IT'S LIKE A TRANSIENT HOTEL. 127 00:06:16,677 --> 00:06:19,009 WHY WOULD SHE BE IN A PLACE LIKE THAT? 128 00:06:19,009 --> 00:06:22,082 CAN YOU THINK OF ANYONE SHE MIGHT'VE BEEN MEETING? NO. 129 00:06:22,082 --> 00:06:24,415 MY WIFE AND I WERE HAPPILY MARRIED, DETECTIVE. 130 00:06:24,415 --> 00:06:27,658 WE HAD NO SECRETS. YOU TOLD POLICE LAST NIGHT THAT YOUR WIFE WENT INTO THE CITY 131 00:06:27,658 --> 00:06:30,791 FOR HER JOB? SHE WAS WORKING PART-TIME. 132 00:06:30,791 --> 00:06:33,924 WE'D HAD SOME FINANCIAL SETBACKS THE LAST FEW YEARS. 133 00:06:33,924 --> 00:06:38,669 I'D BEEN LAID OFF, AND WE HAD TO GIVE UP THE APARTMENT. HOW DID YOUR WIFE HANDLE THE MOVE TO THE SUBURBS? 134 00:06:38,669 --> 00:06:40,831 NOT, UH, NOT TOO WELL. 135 00:06:40,831 --> 00:06:43,403 ALLISON MISSED THE CITY, SO A COUPLE MONTHS AGO, 136 00:06:43,403 --> 00:06:45,405 SHE GOT A JOB WORKING THREE DAYS A WEEK 137 00:06:45,405 --> 00:06:47,407 AT A CLOTHING BOUTIQUE IN MANHATTAN-- 138 00:06:47,407 --> 00:06:49,480 THIS LITTLE PLACE ON 72nd CALLED LEHANE'S. 139 00:06:49,480 --> 00:06:53,043 SHE SAID THAT BEING THERE... 140 00:06:53,043 --> 00:06:56,416 (sighs) 141 00:06:58,919 --> 00:07:00,691 I'M SORRY. 142 00:07:00,691 --> 00:07:02,753 SHE SAID THAT BEING THERE 143 00:07:02,753 --> 00:07:05,956 REMINDED HER OF THE GOOD OLD DAYS. 144 00:07:08,559 --> 00:07:10,731 SO I'M TRYING TO PUT TOGETHER A TIMELINE 145 00:07:10,731 --> 00:07:14,034 OF ALLISON GOLDMAN'S LAST HOURS. FIRST CALL I MAKE 146 00:07:14,034 --> 00:07:17,037 IS TO LEHANE'S, THE STORE WHERE SHE WORKED. 147 00:07:17,037 --> 00:07:19,810 I SAY TO THE OWNER, "GOOD MORNING, SIR, I'D LIKE 148 00:07:19,810 --> 00:07:22,973 TO TALK TO YOU ABOUT YOUR EMPLOYEE--ALLISON GOLDMAN." AND? 149 00:07:22,973 --> 00:07:26,146 AND HE SAYS, "WHO?" ALLISON DIDN'T WORK THERE. 150 00:07:26,146 --> 00:07:28,979 NOT YESTERDAY, NOT EVER. WELL, IF SHE WASN'T GOING INTO THE CITY 151 00:07:28,979 --> 00:07:32,182 THREE TIMES A WEEK FOR A JOB, THEN WHAT WAS SHE DOING THERE? 152 00:07:32,182 --> 00:07:35,025 AND HOW DID SHE COME HOME FRIDAY NIGHT 153 00:07:35,025 --> 00:07:38,829 WITH 400 BUCKS IN CASH FOR THE FAMILY KITTY? MAYBE CASTLE WAS RIGHT. MAYBE THIS WAS ABOUT SEX. 154 00:07:38,829 --> 00:07:42,162 (Esposito) THE LADY WAS A SOCCER MOM. COME BY MY DAUGHTER'S SCHOOL ABOUT 3:30. 155 00:07:42,162 --> 00:07:45,135 THE PLACE IS LIKE HAPPY HOUR. MAYBE SHE HAD A BOYFRIEND. 156 00:07:45,135 --> 00:07:47,998 YES, A BOYFRIEND--SOMEONE SHE MET IN LINE AT ZABAR'S 157 00:07:47,998 --> 00:07:49,900 OR, UH, ONE AFTERNOON AT THE MUSEUM 158 00:07:49,900 --> 00:07:52,903 WHEN SHE, UH, DUCKED IN TO ESCAPE A RAINSTORM. YEAH. 159 00:07:52,903 --> 00:07:55,906 MAYBE IT WAS SOMEONE SHE ALREADY KNEW FROM THE CITY, 160 00:07:55,906 --> 00:07:58,078 SOMEONE WHO REMINDED HER OF WHEN TIMES WERE GOOD, 161 00:07:58,078 --> 00:08:00,180 BEFORE SHE HAD TO GIVE UP THAT CUTE APARTMENT 162 00:08:00,180 --> 00:08:03,614 WITH THE PARTIAL RIVER VIEW. SOMEONE WHO WAS SLIPPING HER A LITTLE CASH 163 00:08:03,614 --> 00:08:05,616 WHILE HE WAS SLIPPING HER SOMETHING ELSE. 164 00:08:05,616 --> 00:08:08,018 YEAH, ALLISON GOLDMAN WOULDN'T HAVE SOME CHEAP AFFAIR. 165 00:08:08,018 --> 00:08:11,491 YEAH. THIS PERSON WOULD'VE HAD TO HAVE MEANT SOMETHING TO HER... 166 00:08:11,491 --> 00:08:14,194 HMM. SOMEONE WHO CARED FOR HER, SOMEONE WHO LISTENED TO HER. 167 00:08:14,194 --> 00:08:16,897 (exhales deeply) ONLY NOW HE WANTED A LITTLE MORE RETURN FOR HIS INVESTMENT, 168 00:08:16,897 --> 00:08:19,229 SOMETHING SHE WASN'T WILLING TO DO. LIKE LEAVE HER HUSBAND. 169 00:08:19,229 --> 00:08:22,603 AND WHEN SHE WOULDN'T, THEN HE GOT VIOLENT. YEP. 170 00:08:22,603 --> 00:08:25,606 YOU KNOW, I FEEL SO STUPID. HERE I AM LOOKING FOR EVIDENCE, 171 00:08:25,606 --> 00:08:28,078 AND ALL I HAD TO DO WAS JUST MAKE SOMETHING UP. 172 00:08:28,078 --> 00:08:30,280 SO THIS IMAGINARY BOYFRIEND KILLER-- 173 00:08:30,280 --> 00:08:33,083 DO YOU THINK THAT HE HAS AN IMAGINARY ADDRESS? 174 00:08:33,083 --> 00:08:36,086 (Michael) DETECTIVE BECKETT? 175 00:08:36,086 --> 00:08:39,089 MR. GOLDMAN, WHAT IS IT? 176 00:08:39,089 --> 00:08:41,792 (sighs) 177 00:08:41,792 --> 00:08:43,754 MY LAWYER CALLED THE SOCIAL SECURITY OFFICE 178 00:08:43,754 --> 00:08:45,055 THIS MORNING 179 00:08:45,055 --> 00:08:48,599 TO LET THEM KNOW THAT ALLISON HAD PASSED AWAY. 180 00:08:48,599 --> 00:08:51,602 HE FAXED THIS TO ME TWO HOURS AGO. 181 00:08:51,602 --> 00:08:53,063 A DEATH CERTIFICATE? 182 00:08:53,063 --> 00:08:55,065 YEAH. FOR ALLISON PORTER. 183 00:08:55,065 --> 00:08:57,237 NOW PORTER WAS MY WIFE'S MAIDEN NAME. 184 00:08:57,237 --> 00:08:58,939 BUT IT SAYS HERE 185 00:08:58,939 --> 00:09:01,712 THAT ALLISON PORTER DIED IN 1963. 186 00:09:01,712 --> 00:09:03,744 WHEN SHE WAS 3 MONTHS OLD. 187 00:09:03,744 --> 00:09:06,016 BUT THIS CHILD'S SOCIAL SECURITY NUMBER 188 00:09:06,016 --> 00:09:08,318 IS THE SAME AS MY WIFE'S. 189 00:09:09,980 --> 00:09:13,924 MY WIFE WASN'T THE WOMAN SHE SAID SHE WAS. 190 00:09:13,924 --> 00:09:16,126 OUR WHOLE LIFE TOGETHER... 191 00:09:16,126 --> 00:09:18,328 WAS A LIE. 192 00:09:31,041 --> 00:09:32,572 SO FOR 20 YEARS, 193 00:09:32,572 --> 00:09:36,807 THIS WOMAN WAS LIVING UNDER A FALSE NAME? 194 00:09:36,807 --> 00:09:39,279 THAT'S CRAZY. YEAH, HER HUSBAND WAS PRETTY SHAKEN UP. 195 00:09:39,279 --> 00:09:42,282 TRUST ME ON THIS ONE, KIDDO. WHEN A WOMAN MARRIES A MAN 196 00:09:42,282 --> 00:09:45,285 AND DOESN'T BOTHER TO TELL HIM WHO SHE IS FOR 20 YEARS, 197 00:09:45,285 --> 00:09:48,759 SHE'S A CRIMINAL-- MATA HARI, SHADY LADY. 198 00:09:48,759 --> 00:09:51,722 IN OTHER WORDS, A VERY GOOD ACTRESS. SPEAKING OF WHICH, 199 00:09:51,722 --> 00:09:54,995 YOU SEEM TO HAVE INHERITED A BIT OF MY TALENT. OH? HOW SO? 200 00:09:54,995 --> 00:09:58,028 THE POKER GAME. YOU LET BECKETT WIN. 201 00:09:58,028 --> 00:10:01,071 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 202 00:10:01,071 --> 00:10:05,005 (laughs) OH, COME ON. I CHECKED YOUR CARDS. 203 00:10:05,005 --> 00:10:06,977 I-I DIDN'T WANT TO TAKE HER MONEY 204 00:10:06,977 --> 00:10:09,680 IN FRONT OF ALL HER FRIENDS. 205 00:10:09,680 --> 00:10:12,042 KATE BECKETT IS NOT SOME BIMBO WHO NEEDS BIG, STRONG YOU 206 00:10:12,042 --> 00:10:14,184 TO LOOK OUT FOR HER. SHE'S A REAL WOMAN. 207 00:10:14,184 --> 00:10:17,117 AND A REAL WOMAN DOES NOT WANT TO BE PATRONIZED. SHE'S RIGHT, DAD. 208 00:10:17,117 --> 00:10:19,189 YEAH. I WAS BEING NICE. 209 00:10:19,189 --> 00:10:20,891 (cell phone rings) 210 00:10:20,891 --> 00:10:22,192 (rings and beeps) 211 00:10:22,192 --> 00:10:25,926 CASTLE. YEAH, I'M ON MY WAY. 212 00:10:25,926 --> 00:10:28,228 ALL RIGHT, I'M ON MY WAY TO THE PRECINCT 213 00:10:28,228 --> 00:10:31,702 TO FIND OUT WHO THIS MATA HARI REALLY WAS. 214 00:10:31,702 --> 00:10:34,104 (Ryan) ALLISON GOLDMAN'S E-MAIL ACCOUNT. 215 00:10:34,104 --> 00:10:35,405 ALLISON WRITES, 216 00:10:35,405 --> 00:10:38,108 "LEE, CAN WE MEET ON TUESDAY INSTEAD THIS WEEK?" 217 00:10:38,108 --> 00:10:40,741 LEE WRITES BACK, "SOUNDS GOOD. THE USUAL PLACE." 218 00:10:40,741 --> 00:10:43,213 TUESDAY. THE DAY THAT SHE WAS MURDERED. 219 00:10:43,213 --> 00:10:47,678 SO ALLISON'S IMAGINARY BOYFRIEND HAS A VERY REAL E-MAIL ACCOUNT. 220 00:10:47,678 --> 00:10:49,850 HE GOES BY THE SCREEN NAME "LWax220." 221 00:10:49,850 --> 00:10:53,023 THE HUSBAND SAID IT DIDN'T SOUND FAMILIAR TO HIM. (Esposito) WE CYBER-TRACKED IT DOWN. 222 00:10:53,023 --> 00:10:56,086 CHECK THIS CASTLE-- THE GUY'S A WRITER. A REAL WRITER 223 00:10:56,086 --> 00:10:58,929 OR AN "I TOOK A COURSE AT THE LEARNING ANNEX" WRITER? 224 00:10:58,929 --> 00:11:01,031 WELL, HIS NAME IS LEE WAX. 225 00:11:01,031 --> 00:11:02,963 HE WRITES TRUE CRIME. 226 00:11:02,963 --> 00:11:05,065 "BOBBY SOCKS AND BLOOD-- 227 00:11:05,065 --> 00:11:07,968 "THE TRUE STORY OF A CHEERLEADER AND EAGLE SCOUT 228 00:11:07,968 --> 00:11:10,240 AND THE MURDER THAT SHOCKED AMERICA." 229 00:11:10,240 --> 00:11:12,242 GIMME A BREAK. WELL, MAYBE HE GOT TIRED 230 00:11:12,242 --> 00:11:14,244 OF WRITING ABOUT OTHER PEOPLE'S MURDERS 231 00:11:14,244 --> 00:11:17,878 AND DECIDED TO COMMIT ONE ON HIS OWN. 232 00:11:20,751 --> 00:11:22,282 (floor indicator beeps) 233 00:11:24,114 --> 00:11:26,086 WHAT'S THIS? 234 00:11:26,086 --> 00:11:28,118 YOUR WINNINGS FROM THE OTHER NIGHT. 235 00:11:28,118 --> 00:11:30,090 I'M NOT AN IDIOT. 236 00:11:30,090 --> 00:11:32,793 I KNOW YOU THREW THE LAST HAND. 237 00:11:32,793 --> 00:11:34,925 HOW DID YOU FIGURE IT OUT? 238 00:11:34,925 --> 00:11:36,927 THAT'S NOT THE POINT. 239 00:11:36,927 --> 00:11:39,429 OH, MY MOTHER CALLED YOU, DIDN'T SHE? 240 00:11:39,429 --> 00:11:43,073 YOU OWE ME A REMATCH. (elevator bell dings) 241 00:11:43,073 --> 00:11:45,105 FINE. YOU WANNA PLAY? LET'S PLAY. 242 00:11:45,105 --> 00:11:46,807 HOW ABOUT TOMORROW NIGHT? 243 00:11:46,807 --> 00:11:49,109 WITH YOUR MYSTERY BUDDIES? (scoffs) WHAT, ARE YOU KIDDING? 244 00:11:49,109 --> 00:11:51,111 NO, NO, NO, THOSE GUYS WOULD EAT YOU ALIVE. 245 00:11:51,111 --> 00:11:53,944 NO, I WAS THINKING OF SOMETHING A LITTLE MORE LOCAL. 246 00:11:53,944 --> 00:11:55,445 MY, UH, GOTHAM CITY CREW. 247 00:11:55,445 --> 00:11:57,447 GUYS I BEAT ON A REGULAR BASIS. 248 00:11:57,447 --> 00:12:00,450 YOUR GOTHAM CITY CREW. YEAH, THE CAPTAIN, THE MAYOR AND JUDGE MARKWAY-- 249 00:12:00,450 --> 00:12:02,452 YOU KNOW, YOUR BOSS, YOUR BOSS' BOSS 250 00:12:02,452 --> 00:12:04,454 AND THE GUY THAT SIGNS YOUR WARRANTS. 251 00:12:04,454 --> 00:12:06,456 OR WOULD THAT MAKE YOU NERVOUS? 252 00:12:06,456 --> 00:12:09,029 I MEAN, I WOULDN'T WANT TO THROW YOUR GAME. 253 00:12:09,029 --> 00:12:13,003 BUT I ALSO DON'T WANT YOU TO FEEL PATRONIZED. JUST SET IT UP AND PREPARE TO GET YOUR ASS KICKED. 254 00:12:13,003 --> 00:12:16,106 (creaking) 255 00:12:21,011 --> 00:12:23,013 (Beckett) HELLO? 256 00:12:27,017 --> 00:12:29,019 HELLO? 257 00:12:46,396 --> 00:12:49,439 LOOK WHO'S STALKING. 258 00:12:49,439 --> 00:12:51,471 STAY HERE. 259 00:12:59,850 --> 00:13:02,953 (distorted sounds) 260 00:13:02,953 --> 00:13:05,916 HEY! WHO THE HELL ARE YOU? WHO THE HELL ARE YOU? 261 00:13:05,916 --> 00:13:09,059 LEE WAX. WHAT ARE YOU DOING IN MY APARTMENT? 262 00:13:09,059 --> 00:13:12,522 YOU'RE A WOMAN. EITHER YOU TELL ME WHO YOU ARE RIGHT NOW, 263 00:13:12,522 --> 00:13:14,895 OR I AM CALLING THE COPS. 264 00:13:14,895 --> 00:13:18,098 I AM THE COPS. MY NAME IS DETECTIVE KATE BECKETT. 265 00:13:18,098 --> 00:13:21,101 UH, WE WOULD LIKE TO ASK YOU SOME QUESTIONS 266 00:13:21,101 --> 00:13:24,905 ABOUT ALLISON GOLDMAN. ALLISON. OH. 267 00:13:24,905 --> 00:13:26,306 JUST... 268 00:13:26,306 --> 00:13:28,308 JUST, UH, LET ME GET MY LAWYER. 269 00:13:28,308 --> 00:13:30,841 WHY DO YOU NEED A LAWYER? 270 00:13:30,841 --> 00:13:32,412 WHY DO YOU THINK? 271 00:13:32,412 --> 00:13:34,044 SO YOU'RE CONFESSING. 272 00:13:34,044 --> 00:13:36,987 NO, I'M NOT CONFESSING TO ANYTHING. IT'S JUST... 273 00:13:36,987 --> 00:13:39,990 MY PUBLISHER INSTRUCTED ME NOT TO TALK TO LAW ENFORCEMENT 274 00:13:39,990 --> 00:13:43,553 UNTIL I HAD A LAWYER PRESENT. YOUR PUBLISHER? 275 00:13:43,553 --> 00:13:46,056 YOU KNOW, I WOULD LIKE TO STATE FOR THE RECORD 276 00:13:46,056 --> 00:13:49,299 THAT I NEVER HARBORED, NOR DID I CONCEAL, A FUGITIVE. 277 00:13:49,299 --> 00:13:51,461 WHAT ARE YOU TALKING ABOUT? ALLISON GOLDMAN. 278 00:13:51,461 --> 00:13:55,465 IF THAT'S WHY YOU'RE HERE, THEN OBVIOUSLY YOU FOUND HER. 279 00:13:55,465 --> 00:13:57,437 YES. MURDERED. 280 00:13:57,437 --> 00:13:59,109 MURDERED? 281 00:13:59,109 --> 00:14:01,111 MURDERED BY WHO? 282 00:14:01,111 --> 00:14:04,344 WELL, GIVEN YOUR UNHEALTHY OBSESSION FOR HER, 283 00:14:04,344 --> 00:14:07,147 I'M GOING TO TAKE A WILD STAB AT... YOU. 284 00:14:07,147 --> 00:14:08,879 ME? 285 00:14:08,879 --> 00:14:11,081 (scoffs) NO, I AM A GHOSTWRITER. 286 00:14:11,081 --> 00:14:13,853 WE WERE WORKING ON HER MEMOIR. MEMOIR? 287 00:14:13,853 --> 00:14:15,956 WHY WOULD ALLISON GOLDMAN NEED A MEMOIR? 288 00:14:15,956 --> 00:14:19,029 WAIT. SO YOU DON'T KNOW WHO SHE REALLY IS? 289 00:14:19,029 --> 00:14:21,191 WE DO NOW. 290 00:14:21,191 --> 00:14:23,363 APPARENTLY, OUR WESTCHESTER HOUSEWIFE 291 00:14:23,363 --> 00:14:26,196 WAS ALSO A FUGITIVE. 292 00:14:35,005 --> 00:14:37,007 (Montgomery) THAT'S ALLISON GOLDMAN? 293 00:14:37,007 --> 00:14:40,050 A.K.A. CYNTHIA DERN. IN 1989, SHE AND TWO FRIENDS SET OFF 294 00:14:40,050 --> 00:14:42,312 A BOMB ON A TANKER OWNED BY A BIG OIL COMPANY. 295 00:14:42,312 --> 00:14:44,314 I REMEMBER THIS. SOME RADICAL ENVIRONMENTALISTS 296 00:14:44,314 --> 00:14:47,217 PROTESTING THE "EXXON VALDEZ"SPILL. YES. ONE WAS KILLED, ONE WAS CAUGHT. 297 00:14:47,217 --> 00:14:49,219 BUT CYNTHIA DERN WAS NEVER FOUND. 298 00:14:49,219 --> 00:14:52,622 LOOKS LIKE HER PAST FINALLY CAUGHT UP WITH HER. 299 00:14:52,622 --> 00:14:54,624 JARED SWANSTROM, UH, BUILT THE BOMB. 300 00:14:54,624 --> 00:14:57,227 SUSAN MAILER AND CYNTHIA SNUCK ONBOARD TO SET IT, 301 00:14:57,227 --> 00:14:58,898 ONLY SOMETHING WENT WRONG. 302 00:14:58,898 --> 00:15:02,032 YOU SEE, THE SHIP WAS SUPPOSED TO BE EMPTY OF OIL AND PEOPLE, 303 00:15:02,032 --> 00:15:05,535 BUT THE CAPTAIN, SAM PIKE, HAD COME BACK. 304 00:15:05,535 --> 00:15:07,507 HE WAS PARALYZED IN THE EXPLOSION. 305 00:15:07,507 --> 00:15:10,180 HOW DID YOU TRACK DOWN CYNTHIA? 306 00:15:10,180 --> 00:15:12,582 I DIDN'T. SHE CONTACTED ME. 307 00:15:12,582 --> 00:15:15,045 CYNTHIA HAD DECIDED TO TURN HERSELF IN, 308 00:15:15,045 --> 00:15:16,546 BUT BEFORE SHE SURRENDERED, 309 00:15:16,546 --> 00:15:19,089 SHE WANTED TO GET HER STORY OUT TO THE PUBLIC 310 00:15:19,089 --> 00:15:22,292 AND EXPRESS HER REMORSE. AND GET PUBLIC OPINION ON HER SIDE. 311 00:15:22,292 --> 00:15:26,526 IT'S A GREAT WAY TO INFLUENCE A POTENTIAL JURY POOL. (Beckett) BUT SHE DID IT, RIGHT? 312 00:15:26,526 --> 00:15:29,929 SO HOW WAS SHE PLANNING ON INFLUENCING THEM? CYNTHIA TOLD ME THAT 313 00:15:29,929 --> 00:15:32,963 ON THE NIGHT OF THE BOMBING, SHE HAD TRIED TO BACK OUT. 314 00:15:32,963 --> 00:15:35,305 WHEN SHE REALIZED THAT THE CAPTAIN WAS ABOARD, 315 00:15:35,305 --> 00:15:38,268 SHE ARGUED WITH SUSAN MAILER TO CALL IT OFF, 316 00:15:38,268 --> 00:15:39,939 BUT SUSAN REFUSED. 317 00:15:39,939 --> 00:15:42,072 SUSAN WENT TO SET THE BOMB HERSELF 318 00:15:42,072 --> 00:15:45,175 AND IRONICALLY, DIED IN THE EXPLOSION. 319 00:15:45,175 --> 00:15:48,578 SHE WAS VAPORIZED. SO WHY WOULD SHE COME OUT OF HIDING NOW? 320 00:15:48,578 --> 00:15:51,051 MONEY. SHE NEEDED THE CASH. 321 00:15:51,051 --> 00:15:52,522 YOU WERE PAYING HER? 322 00:15:52,522 --> 00:15:56,286 A COUPLE HUNDRED A WEEK. IF THE BOOK HAD SOLD WELL... 323 00:15:56,286 --> 00:15:59,659 I DON'T HAVE TO TELL YOU HOW MUCH MONEY WAS AT STAKE. 324 00:16:03,433 --> 00:16:06,366 WHEN WAS THE LAST TIME YOU SAW CYNTHIA? 325 00:16:06,366 --> 00:16:08,368 TUESDAY AFTERNOON. 326 00:16:10,270 --> 00:16:13,273 DID SHE MENTION THAT SHE WAS GOING TO SEE ANYONE ELSE, 327 00:16:13,273 --> 00:16:16,276 MAYBE SOMEONE FROM HER PAST? NO, NO, CYNTHIA WAS REALLY PARANOID 328 00:16:16,276 --> 00:16:18,978 ABOUT BEING DISCOVERED BEFORE THE BOOK CAME OUT. 329 00:16:18,978 --> 00:16:22,152 SHE DIDN'T WANT ME TO GET IN TOUCH WITH ANYONE 330 00:16:22,152 --> 00:16:24,184 FROM HER OLD LIFE. BUT YOU DID, ANYWAY. 331 00:16:24,184 --> 00:16:26,716 ANY TRUE CRIME WRITER WORTH THEIR SALT 332 00:16:26,716 --> 00:16:29,989 IS GONNA CHECK HER STORY WITH OTHER SOURCES. 333 00:16:29,989 --> 00:16:32,992 OKAY, SO I MADE A FEW CALLS. 334 00:16:32,992 --> 00:16:35,325 THESE SOURCES THAT YOU WERE TALKING TO, 335 00:16:35,325 --> 00:16:38,328 DID ANY OF THEM WANT HER DEAD? MAYBE, BUT... 336 00:16:38,328 --> 00:16:40,670 REMEMBER, NOBODY KNEW HOW TO FIND HER. 337 00:16:40,670 --> 00:16:42,672 I MEAN, I DIDN'T EVEN KNOW WHERE SHE LIVED. 338 00:16:42,672 --> 00:16:45,175 I'M GONNA NEED TO SEE YOUR INTERVIEW NOTES 339 00:16:45,175 --> 00:16:47,077 AND YOUR MANUSCRIPT. 340 00:16:49,509 --> 00:16:51,781 YOU CAN HAVE WHATEVER YOU WANT, 341 00:16:51,781 --> 00:16:54,084 BUT IN RETURN, I'D LIKE TO BE KEPT 342 00:16:54,084 --> 00:16:57,217 IN THE LOOP AS THE INVESTIGATION PROCEEDS. WHAT FOR? 343 00:16:57,217 --> 00:16:59,619 MY BOOK. WHOA. YOU'RE GONNA GO THROUGH WITH IT? 344 00:16:59,619 --> 00:17:02,352 BUT CYNTHIA'S DEAD. CORRECTION-- CYNTHIA WAS MURDERED, 345 00:17:02,352 --> 00:17:04,023 WHICH MEANS HER MEMOIR 346 00:17:04,023 --> 00:17:06,226 JUST BECAME A TRUE CRIME STORY, 347 00:17:06,226 --> 00:17:09,059 WHICH IS KIND OF MY FORTE. 348 00:17:09,059 --> 00:17:11,061 YOU'D BE DOING ME A HUGE FAVOR. 349 00:17:11,061 --> 00:17:13,063 YOU KNOW, I-I WOULD LOVE TO. 350 00:17:13,063 --> 00:17:15,065 BUT I HAVE A WHOLE LIST OF WRITERS 351 00:17:15,065 --> 00:17:17,607 WHO ARE HANGING AROUND, LOOKING FOR FAVORS. 352 00:17:17,607 --> 00:17:20,710 SO THANK YOU VERY MUCH, THOUGH, FOR COOPERATING, AND I'LL... 353 00:17:20,710 --> 00:17:23,813 (snaps fingers) CATCH YOU ON THE DARK SIDE. 354 00:17:26,716 --> 00:17:29,179 (door closes) 355 00:17:29,179 --> 00:17:30,680 IT'S A PRETTY SWEET GIG 356 00:17:30,680 --> 00:17:33,353 YOU'VE SCORED FOR YOURSELF, MR. CASTLE. 357 00:17:33,353 --> 00:17:36,126 IS THIS YOUR SECRET TO WRITING BEST SELLERS-- 358 00:17:36,126 --> 00:17:38,128 FOLLOW THE PRETTY COP LADY AROUND 359 00:17:38,128 --> 00:17:40,059 AND TAKE COPIOUS NOTES? 360 00:17:40,059 --> 00:17:42,692 I LIKE TO THINK TALENT PLAYED A SMALL PART. 361 00:17:42,692 --> 00:17:45,165 STILL, THIS IS THE KIND OF ALL-ACCESS PASS 362 00:17:45,165 --> 00:17:49,199 MOST WRITERS WOULD KILL FOR. LET'S GET TO THE PART WHERE YOU TELL ME WHAT YOU WANT. 363 00:17:49,199 --> 00:17:52,602 WELL, MAYBE YOU CAN GIVE ME A CALL SOMETIME... 364 00:17:52,602 --> 00:17:55,675 ONE PROFESSIONAL TO ANOTHER. 365 00:17:55,675 --> 00:17:59,078 OR DO YOU NEED TO CHECK WITH YOUR BOSS LADY? 366 00:17:59,078 --> 00:18:01,151 WHY DON'T YOU GIVE ME YOUR NUMBER, 367 00:18:01,151 --> 00:18:04,554 AND I'LL SEE WHAT I CAN DO? 368 00:18:11,861 --> 00:18:15,195 (Castle) A DOMESTIC TERRORIST WHO CLIPS COUPONS. 369 00:18:15,195 --> 00:18:17,697 I JUST MIGHT BUY THE MOVIE RIGHTS MYSELF. 370 00:18:17,697 --> 00:18:19,699 WELL, THE BOMBING OBVIOUSLY WASN'T 371 00:18:19,699 --> 00:18:21,631 A VERY SOPHISTICATED OPERATION. 372 00:18:21,631 --> 00:18:24,134 SUSAN MAILER WAS KILLED IN THE BLAST, 373 00:18:24,134 --> 00:18:26,105 AND JARED SWANSTROM WAS CAUGHT BY THE FBI 374 00:18:26,105 --> 00:18:29,309 AND SERVED 15 YEARS. ALLISON GOLDMAN, A.K.A. CYNTHIA DERN, 375 00:18:29,309 --> 00:18:31,781 MANAGED TO STAY A FUGITIVE FOR NEARLY TWO DECADES. 376 00:18:31,781 --> 00:18:34,284 AND THEN SHE POKED HER HEAD OUT OF HIDING, 377 00:18:34,284 --> 00:18:36,616 AND A COUPLE MONTHS LATER, SHE'S DEAD. 378 00:18:36,616 --> 00:18:39,189 WELL, WHO WOULD HOLD A GRUDGE FOR 20 YEARS? 379 00:18:41,120 --> 00:18:44,154 HOW ABOUT THE PEOPLE WHOSE LIVES SHE'S RUINED? 380 00:18:47,457 --> 00:18:49,529 (woman) YOU SAY SHE WAS LIVING IN IRVINGTON? 381 00:18:49,529 --> 00:18:52,832 (Beckett) MM-HMM. THAT'S JUST A COUPLE OF MILES AWAY FROM HERE. 382 00:18:52,832 --> 00:18:54,834 IN THE MONTHS LEADING UP TO HER DEATH, 383 00:18:54,834 --> 00:18:57,667 CYNTHIA WAS WORKING WITH A JOURNALIST. 384 00:18:57,667 --> 00:19:00,270 WE SPOKE WITH LEE WAX SEVERAL TIMES. 385 00:19:00,270 --> 00:19:02,872 SHE NEVER TOLD US CYNTHIA WAS INVOLVED. 386 00:19:02,872 --> 00:19:06,216 SHE SHOULD HAVE. 387 00:19:06,216 --> 00:19:09,479 EXCUSE ME, WILL YOU? EXCUSE ME, PLEASE. 388 00:19:12,322 --> 00:19:14,324 THIS IS HARD FOR HIM. 389 00:19:14,324 --> 00:19:17,587 HE'S STILL ANGRY ABOUT WHAT HAPPENED. WE ALL ARE. 390 00:19:17,587 --> 00:19:19,489 THIS YOUR SON? 391 00:19:19,489 --> 00:19:21,261 ADAM. 392 00:19:21,261 --> 00:19:23,863 HE'S A SAILOR, JUST LIKE HIS DAD. THE SETTLEMENT WASN'T ENOUGH 393 00:19:23,863 --> 00:19:26,266 TO COVER ALL OF SAM'S MEDICAL COSTS. 394 00:19:26,266 --> 00:19:28,668 ADAM'S BEEN WORKING AND HELPING OUT 395 00:19:28,668 --> 00:19:30,670 SINCE HE WAS A TEENAGER. 396 00:19:35,205 --> 00:19:38,408 ADAM? I'M DETECTIVE KATE BECKETT. 397 00:19:38,408 --> 00:19:39,949 IS THIS ABOUT HER? 398 00:19:39,949 --> 00:19:43,553 CYNTHIA OR ALLISON OR WHATEVER SHE CALLED HERSELF? 399 00:19:43,553 --> 00:19:46,556 DID YOU HAVE ANY IDEA THAT SHE LIVED SO CLOSE? 400 00:19:46,556 --> 00:19:48,258 DIDN'T KNOW, DIDN'T CARE. 401 00:19:48,258 --> 00:19:50,920 YOU DIDN'T CARE ABOUT THE WOMAN 402 00:19:50,920 --> 00:19:53,223 WHO ALMOST KILLED YOUR FATHER? 403 00:19:53,223 --> 00:19:56,926 I FIND THAT HARD TO BELIEVE. YOU KNOW, MY FAMILY WAITED 20 YEARS 404 00:19:56,926 --> 00:19:58,898 FOR THE COPS TO FIND CYNTHIA DERN 405 00:19:58,898 --> 00:20:01,971 SO MY DAD COULD GET JUST A LITTLE BIT OF JUSTICE. 406 00:20:01,971 --> 00:20:04,604 WELL, IT'S TOO LATE FOR THAT NOW. 407 00:20:04,604 --> 00:20:06,706 SO WHAT DO YOU WANT FROM US? 408 00:20:06,706 --> 00:20:09,579 WELL, I THOUGHT YOU MIGHT WANT TO KNOW HOW CYNTHIA DIED. 409 00:20:09,579 --> 00:20:12,582 SHE WAS DROWNED IN MOTOR OIL. 410 00:20:12,582 --> 00:20:14,284 MOTOR OIL? 411 00:20:14,284 --> 00:20:16,386 IT'S ALMOST AS IF WHOEVER DID IT 412 00:20:16,386 --> 00:20:18,948 HAD A PERSONAL CONNECTION TO THE BOMBING. 413 00:20:18,948 --> 00:20:21,621 ADAM, IF I LOOKED IN YOUR GARAGE RIGHT NOW, 414 00:20:21,621 --> 00:20:23,993 WOULD I FIND MOTOR OIL? (clicks pen) 415 00:20:23,993 --> 00:20:26,756 I OWN A BOAT AND A CAR, DETECTIVE. 416 00:20:26,756 --> 00:20:28,928 AND WHERE WERE YOU LAST TUESDAY? 417 00:20:28,928 --> 00:20:33,232 I BARTEND AT THE FOXTAIL GRILL ON MANCHESTER EVERY TUESDAY. 418 00:20:34,904 --> 00:20:36,506 ARE WE DONE? 419 00:20:36,506 --> 00:20:39,339 YES, FOR NOW. 420 00:20:39,339 --> 00:20:41,711 THANK YOU. 421 00:20:41,711 --> 00:20:43,973 (Castle) YOU KNOW WHAT? 422 00:20:43,973 --> 00:20:47,847 I HOPE HIS ALIBI CHECKS OUT. I HOPE HE DIDN'T DO IT. AND HERE I THOUGHT YOU WOULD BE SAYING 423 00:20:47,847 --> 00:20:50,850 WHAT A GREAT STORY IT WOULD MAKE IF ADAM PIKE DID IT-- 424 00:20:50,850 --> 00:20:54,784 A SON TAKING REVENGE FOR HIS FATHER. IT IS A GOOD STORY. IT'S A GREAT STORY. 425 00:20:54,784 --> 00:20:57,587 PERSONALLY, I WOULD JUST WRITE A HAPPIER ENDING 426 00:20:57,587 --> 00:20:58,928 FOR THAT FAMILY. (Esposito) BECKETT. 427 00:20:58,928 --> 00:21:00,990 FBI FILES ON THE TANKER BOMBING IN '89-- 428 00:21:00,990 --> 00:21:03,763 I'VE BEEN GOING THROUGH THEM. AND? 429 00:21:03,763 --> 00:21:06,936 THREE DAYS AFTER THE BOMBING, THEY CAPTURED JARED SWANSTROM 430 00:21:06,936 --> 00:21:08,938 AT A MOTEL WHERE HE'D BEEN HIDING OUT. 431 00:21:08,938 --> 00:21:11,671 FEDS HAD A TIP LINE. SOME HELPFUL CITIZEN CALLS 432 00:21:11,671 --> 00:21:14,644 AND SAID THEY'D SEEN SWANSTROM AT THE MOTEL. 433 00:21:14,644 --> 00:21:17,347 FEDS GO IN, GRAB HIM UP, EASY PEASY. IT'S PRETTY STANDARD STUFF. 434 00:21:17,347 --> 00:21:19,048 YEAH, UNTIL YOU GET TO THE PART 435 00:21:19,048 --> 00:21:22,612 WHERE THE TIPSTER NEVER COLLECTS ON THE REWARD. AND WHO WAS THE TIPSTER? 436 00:21:22,612 --> 00:21:24,814 THAT'S JUST IT. THE FBI NEVER KNEW 437 00:21:24,814 --> 00:21:26,986 'CAUSE SHE DIDN'T LEAVE A NAME. SHE? 438 00:21:26,986 --> 00:21:29,889 MM-HMM. RECORDS DESCRIBE THE VOICE AS YOUNG AND FEMALE. 439 00:21:29,889 --> 00:21:32,021 IT COULD BE CYNTHIA DERN. 440 00:21:32,021 --> 00:21:35,365 DO YOU THINK SHE WOULD GIVE UP HER FRIENDS TO THE COPS? 441 00:21:35,365 --> 00:21:37,066 DOESN'T MATTER WHAT I THINK. 442 00:21:37,066 --> 00:21:39,068 IT ONLY MATTERS WHAT SWANSTROM THOUGHT. 443 00:21:39,068 --> 00:21:41,070 THE GUY DID 15 YEARS IN PRISON. 444 00:21:41,070 --> 00:21:45,405 THAT'S A LONG TIME TO THINK ABOUT WHO PUT YOU THERE. 445 00:21:56,716 --> 00:21:59,919 JARED SWANSTROM? YEAH? 446 00:21:59,919 --> 00:22:02,392 NYPD. WE'D LIKE TO ASK YOU SOME QUESTIONS 447 00:22:02,392 --> 00:22:03,853 ABOUT CYNTHIA DERN. 448 00:22:03,853 --> 00:22:06,396 WELL, I'M NOT SURE WHAT I CAN TELL YOU. 449 00:22:06,396 --> 00:22:08,898 I HAVEN'T SEEN HER IN 20 YEARS. 450 00:22:08,898 --> 00:22:11,531 BUT YOU KNEW SHE WAS WRITING A BOOK, RIGHT? 451 00:22:11,531 --> 00:22:14,033 YOU SPOKE TO LEE WAX. I SPOKE WITH HER. 452 00:22:14,033 --> 00:22:17,537 I-I TOLD HER TO GIVE CYNTHIA MY REGARDS. SO YOU WEREN'T BEARING ANY OLD GRUDGES? 453 00:22:17,537 --> 00:22:19,769 AGAINST CYNTHIA? WHAT FOR? 454 00:22:19,769 --> 00:22:21,741 FOR TURNING YOU IN. 455 00:22:21,741 --> 00:22:23,973 IT WAS CYNTHIA WHO CALLED THE COPS 456 00:22:23,973 --> 00:22:25,975 THE NIGHT YOU WERE ARRESTED. 457 00:22:25,975 --> 00:22:30,049 WELL, IF THAT'S TRUE, SHE WAS JUST TRYING TO SAVE HERSELF. 458 00:22:30,049 --> 00:22:32,922 RIGHT AFTER THE BOMBING, CYNTHIA WANTED TO RUN-- 459 00:22:32,922 --> 00:22:35,625 YOU KNOW, TRY TO MAKE IT TO CANADA. 460 00:22:35,625 --> 00:22:37,687 BUT I, UH, I FELL APART. WHY? 461 00:22:37,687 --> 00:22:39,689 GUILT. I'M THE ONE WHO BUILT THE BOMB. 462 00:22:39,689 --> 00:22:42,692 I'M THE ONE WHO MESSED IT UP. MESSED IT UP HOW? 463 00:22:42,692 --> 00:22:45,595 THE GIRLS WERE SUPPOSED TO HAVE THREE MINUTES 464 00:22:45,595 --> 00:22:47,997 TO GET OFF THAT SHIP BEFORE IT WENT OFF--THREE MINUTES. 465 00:22:47,997 --> 00:22:50,500 WHEN CYNTHIA GOT BACK IN THE CAR THAT NIGHT, 466 00:22:50,500 --> 00:22:53,042 SHE SAID THAT SOMETHING HAD GONE WRONG, 467 00:22:53,042 --> 00:22:55,645 THAT THE BOMB HAD-- HAD BLOWN EARLY. 468 00:22:55,645 --> 00:22:59,949 I'M THE REASON THAT SUSAN MAILER IS DEAD. 469 00:22:59,949 --> 00:23:02,081 (spraying water) 470 00:23:04,153 --> 00:23:06,886 AT LEAST ONE OF THEM TOOK RESPONSIBILITY 471 00:23:06,886 --> 00:23:08,888 FOR WHAT HAPPENED THAT NIGHT. 472 00:23:08,888 --> 00:23:11,961 YEAH. MAYBE EVEN A LITTLE TOO MUCH RESPONSIBILITY. 473 00:23:11,961 --> 00:23:16,696 YOU DON'T BELIEVE JARED SWANSTROM'S STORY? WELL, THAT'S THE THING. 474 00:23:16,696 --> 00:23:20,399 IT'S NOT HIS STORY. IT'S CYNTHIA'S. YOU WANNA BREAK IT DOWN FOR THOSE OF US 475 00:23:20,399 --> 00:23:22,632 WHO'VE ALREADY HAD A GLASS OF WINE? 476 00:23:22,632 --> 00:23:24,934 CYNTHIA TOLD LEE WAX THAT SHE AND SUSAN MAILER 477 00:23:24,934 --> 00:23:28,407 HAD AN ARGUMENT AS TO WHETHER OR NOT TO SET OFF THE BOMB 478 00:23:28,407 --> 00:23:30,640 ONCE THEY KNEW THE CAPTAIN WAS ONBOARD. 479 00:23:30,640 --> 00:23:31,941 CYNTHIA BACKED OUT. 480 00:23:31,941 --> 00:23:34,484 SUSAN WENT ON TO SET OFF THE BOMB BY HERSELF 481 00:23:34,484 --> 00:23:36,045 AND... BOOM. HUH. 482 00:23:36,045 --> 00:23:38,748 BUT TODAY, JARED SWANSTROM SAID THAT CYNTHIA TOLD HIM 483 00:23:38,748 --> 00:23:40,990 THERE WAS SOMETHING WRONG WITH THE TIMER. 484 00:23:40,990 --> 00:23:44,894 SHE NEVER SAID ANYTHING ABOUT AN ARGUMENT. OH... WELL, THAT IS A RATHER GLARING OMISSION. 485 00:23:44,894 --> 00:23:46,896 YOU KNOW, WHEN I'M WRITING, 486 00:23:46,896 --> 00:23:49,459 I FIND IT'S ALL ABOUT CHOICES-- 487 00:23:49,459 --> 00:23:51,661 WHAT TO PUT IN, WHAT TO LEAVE OUT, 488 00:23:51,661 --> 00:23:53,963 WHEN TO REVEAL SOME INFORMATION, WHEN TO HOLD SOMETHING BACK. 489 00:23:53,963 --> 00:23:56,606 BUT AS SOMEONE ELSE'S GHOSTWRITER, YOU ONLY KNOW 490 00:23:56,606 --> 00:23:59,769 WHAT THEY WANT YOU TO KNOW. BUT LEE WAX ISN'T CYNTHIA'S GHOSTWRITER ANYMORE, RIGHT? 491 00:23:59,769 --> 00:24:02,171 NOW THAT SHE'S DEAD, IT'S NO LONGER A MEMOIR. 492 00:24:02,171 --> 00:24:04,173 IT'S A TRUE CRIME STORY. 493 00:24:04,173 --> 00:24:06,175 AND IT SOUNDS LIKE THE TRUE STORY 494 00:24:06,175 --> 00:24:08,748 IS A WHOLE LOT JUICIER THAN CYNTHIA'S LIES. 495 00:24:16,225 --> 00:24:18,488 GOOD MORNING. 496 00:24:18,488 --> 00:24:20,890 OH. HEY. 497 00:24:20,890 --> 00:24:22,031 SORRY. I'VE JUST... 498 00:24:22,031 --> 00:24:24,594 BEEN GOING OVER LEE WAX'S INTERVIEW NOTES. 499 00:24:24,594 --> 00:24:26,766 (chair wheels clatter) WHEN SHE SPOKE TO JARED SWANSTROM, 500 00:24:26,766 --> 00:24:29,068 HE TOLD HER THE SAME THING HE TOLD US. 501 00:24:29,068 --> 00:24:31,070 CYNTHIA SAID THE BOMB BLEW EARLY, 502 00:24:31,070 --> 00:24:33,072 BUT SHE LEFT THAT VERSION OUT OF HER BOOK. 503 00:24:33,072 --> 00:24:35,575 THAT'S BECAUSE IT CONTRADICTED CYNTHIA'S LATEST STORY, 504 00:24:35,575 --> 00:24:37,907 THAT THE GIRLS ARGUED WHEN THEY DISCOVERED 505 00:24:37,907 --> 00:24:40,079 THAT CAPTAIN PIKE WAS STILL ONBOARD 506 00:24:40,079 --> 00:24:43,052 AND THAT SUSAN SET THE BOMB ALONE. ACCORDING TO THE PUBLISHER, 507 00:24:43,052 --> 00:24:45,555 CYNTHIA HAS FULL APPROVAL OVER EVERYTHING LEE WAX WROTE. 508 00:24:45,555 --> 00:24:47,216 IT WAS HER WAY OR THE HIGHWAY. 509 00:24:47,216 --> 00:24:49,659 YOU TALKED TO THE PUBLISHER? 510 00:24:49,659 --> 00:24:51,991 I AM... SOMEWHAT KNOWN IN THOSE CIRCLES. 511 00:24:51,991 --> 00:24:53,893 ANYWAY, THEY DIDN'T LIKE IT. 512 00:24:53,893 --> 00:24:56,225 THEY WERE LOOKING FOR A TRUE CRIME TELL-ALL, 513 00:24:56,225 --> 00:24:58,227 AND WHAT THEY WERE GETTING 514 00:24:58,227 --> 00:25:00,800 WAS SOME SANITIZED BUNCH OF REMORSEFUL BOOHOOING. 515 00:25:00,800 --> 00:25:03,272 THEY WERE GETTING READY TO PULL THE PLUG. AND NOW? 516 00:25:03,272 --> 00:25:06,075 WELL, NOW THAT CYNTHIA'S MURDER IS ALL OVER THE MEDIA, 517 00:25:06,075 --> 00:25:07,837 THEY'RE BACK ONBOARD, 518 00:25:07,837 --> 00:25:10,109 SO LONG AS THE BOOK TAKES A MORE SENSATIONALIZED ANGLE-- 519 00:25:10,109 --> 00:25:11,811 "KABOOM! THE TRUE STORY 520 00:25:11,811 --> 00:25:14,113 "OF A DOMESTIC TERRORIST TURNED SUBURBAN HOUSEWIFE 521 00:25:14,113 --> 00:25:16,245 AND THE CRIME THAT SHOCKED AMERICA." CATCHY. 522 00:25:16,245 --> 00:25:18,948 THANKS. SO WITH CYNTHIA OUT OF THE WAY, 523 00:25:18,948 --> 00:25:22,151 LEE WAX IS SITTING ON A POTENTIAL BEST SELLER. 524 00:25:22,151 --> 00:25:24,954 PEOPLE HAVE KILLED FOR A LOT LESS. (cell phone rings) 525 00:25:24,954 --> 00:25:26,596 (beep) 526 00:25:26,596 --> 00:25:29,829 BECKETT. 527 00:25:29,829 --> 00:25:31,831 ALL RIGHT, BRING HIM IN. 528 00:25:31,831 --> 00:25:33,132 (closes cell phone) 529 00:25:33,132 --> 00:25:34,964 WHAT? 530 00:25:34,964 --> 00:25:36,936 ADAM PIKE'S ALIBI FELL APART. 531 00:25:36,936 --> 00:25:40,740 HE WAS LYING ABOUT BEING AT WORK ON TUESDAY NIGHT. 532 00:25:40,740 --> 00:25:42,071 I DIDN'T KILL HER. 533 00:25:42,071 --> 00:25:44,243 I DIDN'T EVEN KNOW WHERE SHE WAS. 534 00:25:44,243 --> 00:25:47,947 WE'RE NOT GONNA GET ANYWHERE IF YOU KEEP LYING TO ME. 535 00:25:47,947 --> 00:25:50,249 I KNOW YOU WENT TO WESTCHESTER. 536 00:25:50,249 --> 00:25:52,281 I SPOKE TO CYNTHIA'S HUSBAND. HE REMEMBERS 537 00:25:52,281 --> 00:25:55,284 SEEING A GUY JUST LIKE YOU OUTSIDE THEIR HOUSE 538 00:25:55,284 --> 00:25:57,927 A COUPLE WEEKS BEFORE SHE WAS MURDERED. 539 00:25:57,927 --> 00:26:00,760 DON'T MAKE ME PUT YOU IN THE LINEUP. 540 00:26:00,760 --> 00:26:02,992 I JUST... (sighs) 541 00:26:02,992 --> 00:26:04,994 WANTED TO TALK TO HER. 542 00:26:04,994 --> 00:26:07,697 HOW'D YOU FIND HER? THAT WRITER. 543 00:26:07,697 --> 00:26:10,269 THE WAY SHE KEPT TALKING ABOUT WHAT HAPPENED TO MY DAD-- 544 00:26:10,269 --> 00:26:13,743 SHE KNEW THINGS THAT ONLY SOMEONE ON THAT SHIP COULD KNOW. 545 00:26:13,743 --> 00:26:15,975 SO I... 546 00:26:15,975 --> 00:26:17,977 STARTED FOLLOWING HER AROUND. 547 00:26:17,977 --> 00:26:21,110 EVENTUALLY, SHE LED ME TO CYNTHIA DERN. AND WHY DIDN'T YOU CALL THE POLICE? 548 00:26:21,110 --> 00:26:23,152 BECAUSE I WANTED TO LOOK HER IN THE EYE. 549 00:26:23,152 --> 00:26:25,855 I WANTED TO TELL HER NONE OF IT MATTERED. 550 00:26:25,855 --> 00:26:29,759 HER BLOOD MONEY WOULDN'T BUY OUR FORGIVENESS. WHAT MONEY? 551 00:26:29,759 --> 00:26:33,092 WHAT DO YOU MEAN BY "BLOOD MONEY"? AFTER I FOUND OUT WHERE CYNTHIA LIVED, 552 00:26:33,092 --> 00:26:35,094 I WENT AND TOLD MY MOM. 553 00:26:35,094 --> 00:26:37,166 I DIDN'T KNOW IF WE SHOULD CALL THE FEDS OR WHAT. 554 00:26:37,166 --> 00:26:39,799 SHE STARTED CRYING. 555 00:26:39,799 --> 00:26:41,130 SHE TOLD ME 556 00:26:41,130 --> 00:26:43,602 WE'D BEEN GETTING MONEY EVERY MONTH SINCE THE BOMBING. 557 00:26:43,602 --> 00:26:45,604 DIFFERENT AMOUNTS--SOMETIMES MORE, SOMETIMES LESS-- 558 00:26:45,604 --> 00:26:47,076 BUT EVERY MONTH. 559 00:26:47,076 --> 00:26:50,039 AND SHE THOUGHT THAT THE MONEY WAS COMING FROM CYNTHIA DERN? 560 00:26:50,039 --> 00:26:52,041 THE FIRST ENVELOPE, THERE WAS A NOTE. 561 00:26:52,041 --> 00:26:53,342 "PLEASE FORGIVE ME." 562 00:26:53,342 --> 00:26:55,344 SUSAN MAILER WAS DEAD. SWANSTROM WAS IN PRISON. 563 00:26:55,344 --> 00:26:57,316 THERE WASN'T ANYBODY ELSE. 564 00:26:57,316 --> 00:27:00,019 YOU KNOW, WITH THIS KIND OF EVIDENCE, 565 00:27:00,019 --> 00:27:02,922 CYNTHIA COULD'VE BEEN CAUGHT YEARS AGO. MOM SAID WITHOUT THAT MONEY, 566 00:27:02,922 --> 00:27:05,224 WE WOULDN'T HAVE MADE IT, AND SHE FIGURED, 567 00:27:05,224 --> 00:27:08,227 AS LONG AS CYNTHIA WAS FREE, THE MONEY WOULD KEEP COMING. 568 00:27:08,227 --> 00:27:10,229 SO WHY DID YOU LIE TO ME 569 00:27:10,229 --> 00:27:12,732 ABOUT WHERE YOU WERE LAST TUESDAY? 570 00:27:16,005 --> 00:27:18,337 BECAUSE I WAS THERE. 571 00:27:18,337 --> 00:27:21,010 AT THE HOTEL. I FOLLOWED HER. 572 00:27:21,010 --> 00:27:23,142 LOOK, I WAS JUST GONNA TALK TO HER. 573 00:27:23,142 --> 00:27:26,145 I SPENT AN HOUR WALKING UP AND DOWN THAT HALLWAY, 574 00:27:26,145 --> 00:27:29,118 TRYING TO GET UP THE COURAGE TO GO AND KNOCK ON THAT DOOR. 575 00:27:29,118 --> 00:27:31,120 YOU KNOW, I-I WAS GONNA DO IT. 576 00:27:31,120 --> 00:27:33,823 BUT THEN SOMEONE GOT OFF THE ELEVATOR 577 00:27:33,823 --> 00:27:36,756 AND KNOCKED ON HER DOOR INSTEAD. YOU SAW HER KILLER? 578 00:27:36,756 --> 00:27:40,890 I DIDN'T GET A GOOD LOOK, BUT I DID HEAR THEM TALKING. 579 00:27:40,890 --> 00:27:43,733 AND I CAN TELL YOU ONE THING. WHAT? 580 00:27:43,733 --> 00:27:46,936 IT WAS A WOMAN. 581 00:27:46,936 --> 00:27:49,138 LEE WAX. 582 00:27:49,138 --> 00:27:52,271 (banging on window) BECKETT! 583 00:27:52,271 --> 00:27:54,974 IT WAS LEE WAX! 584 00:27:54,974 --> 00:27:57,146 BECKETT? (banging continues) 585 00:27:57,146 --> 00:27:59,008 LEE WAX! 586 00:27:59,008 --> 00:28:00,810 LEE-- 587 00:28:11,961 --> 00:28:13,823 MURDER. ARE YOU PEOPLE CRAZY? 588 00:28:13,823 --> 00:28:16,826 I HAVE AN EYEWITNESS WHO CAN PLACE YOU AT THE S.R.O. 589 00:28:16,826 --> 00:28:19,929 WHERE CYNTHIA'S BODY WAS FOUND. YOU HAD MOTIVE, MEANS AND OPPORTUNITY. 590 00:28:19,929 --> 00:28:22,001 (scoffs) PLEASE. ONLY A NOVELIST COULD COME UP 591 00:28:22,001 --> 00:28:23,903 WITH A TWIST THIS ABSURD. 592 00:28:23,903 --> 00:28:26,806 NOT AS ABSURD AS KILLING A WOMAN TO SALVAGE YOUR STORY. 593 00:28:26,806 --> 00:28:28,107 DROWNING HER IN MOTOR OIL 594 00:28:28,107 --> 00:28:30,109 GAVE YOU JUST THE ENDING YOU NEEDED. 595 00:28:30,109 --> 00:28:32,111 (scoffs) I'M A TRUE CRIME WRITER, 596 00:28:32,111 --> 00:28:35,014 SO I DON'T HAVE YOUR TALENT FOR FICTION. 597 00:28:35,014 --> 00:28:38,918 WE KNOW YOUR PUBLISHER WANTED TO DUMP YOUR CONTRACT. 598 00:28:38,918 --> 00:28:41,720 BECAUSE I TOLD THEM THAT I THOUGHT CYNTHIA WAS LYING. 599 00:28:41,720 --> 00:28:44,093 SO YOU DIDN'T BELIEVE HER REMORSE WAS GENUINE? 600 00:28:44,093 --> 00:28:46,155 WHEN CYNTHIA CRIED, IT WAS FOR HERSELF. 601 00:28:46,155 --> 00:28:49,829 SHE WANTED TO CASH IN AND KEEP HERSELF OUT OF JAIL. THAT'S IT. 602 00:28:49,829 --> 00:28:51,831 WELL, SHE MUST'VE FELT SOME RESPONSIBILITY 603 00:28:51,831 --> 00:28:53,132 FOR WHAT HAPPENED. 604 00:28:53,132 --> 00:28:56,205 AFTER ALL, SHE SENT THE PIKES MONEY YEAR AFTER YEAR. 605 00:28:56,205 --> 00:28:57,807 WHAT MONEY? 606 00:28:57,807 --> 00:28:59,738 EVERY MONTH SINCE THE BOMBING, 607 00:28:59,738 --> 00:29:01,740 THE PIKES HAVE BEEN RECEIVING MONEY, 608 00:29:01,740 --> 00:29:03,412 COURTESY OF CYNTHIA DERN. 609 00:29:03,412 --> 00:29:06,045 ONLY, THERE'S NOTHING ABOUT THAT IN YOUR NOTES. 610 00:29:06,045 --> 00:29:09,779 BECAUSE SHE NEVER TOLD ME. ARE YOU SURE? WE'RE SURE. 611 00:29:09,779 --> 00:29:11,781 LOOK, THE TUESDAY THAT CYNTHIA WAS KILLED, 612 00:29:11,781 --> 00:29:13,783 I WAS OUT TO DINNER WITH MY PUBLISHER 613 00:29:13,783 --> 00:29:15,985 UNTIL AFTER MIDNIGHT, 614 00:29:15,985 --> 00:29:18,357 SO I COULDN'T HAVE KILLED HER. 615 00:29:18,357 --> 00:29:21,060 REMIND ME, IF I EVER DECIDE TO WRITE A MEMOIR, 616 00:29:21,060 --> 00:29:23,833 TO NEVER WRITE A MEMOIR. 617 00:29:23,833 --> 00:29:25,534 OKAY. 618 00:29:25,534 --> 00:29:29,438 (police radio chatter) 619 00:29:29,438 --> 00:29:31,440 WHY NOT? 620 00:29:31,440 --> 00:29:33,772 BECAUSE MEMOIRS ARE ABOUT TRUTH. 621 00:29:33,772 --> 00:29:35,945 AND I'M NOT A VERY TRUTHFUL PERSON. 622 00:29:35,945 --> 00:29:38,948 IT WOULD BE TOO EASY TO MAKE MYSELF LOOK GOOD. 623 00:29:38,948 --> 00:29:41,280 IT MIGHT BE HARDER THAN YOU THINK. MAYBE. 624 00:29:41,280 --> 00:29:43,282 BUT I WOULD SURE START 625 00:29:43,282 --> 00:29:46,285 WITH THE MOST GENEROUS THING I EVER DID. 626 00:29:48,057 --> 00:29:50,059 YOU MEAN, LIKE HOW YOU ANONYMOUSLY SENT MONEY 627 00:29:50,059 --> 00:29:51,360 TO YOUR VICTIMS 628 00:29:51,360 --> 00:29:53,893 BECAUSE YOU FELT SO GUILTY ABOUT WHAT YOU'D DONE? 629 00:29:53,893 --> 00:29:56,195 THE OBJECT OF CYNTHIA'S MEMOIR WAS TO GAIN SYMPATHY. 630 00:29:56,195 --> 00:29:58,027 WHAT COULD BE MORE SYMPATHETIC 631 00:29:58,027 --> 00:30:00,569 THAN SENDING THE PIKES GUILT MONEY FOR 20 YEARS? 632 00:30:00,569 --> 00:30:05,975 IT DOESN'T MAKE SENSE THAT CYNTHIA DIDN'T TELL LEE WAX. UNLESS THE MONEY DIDN'T COME FROM CYNTHIA. 633 00:30:05,975 --> 00:30:08,477 IT HAD TO BE FROM CYNTHIA. SWANSTROM WAS IN PRISON, 634 00:30:08,477 --> 00:30:12,481 AND SUSAN MAILER WAS DEAD. CALL. AND YOU'RE SURE NO ONE ELSE WAS INVOLVED? 635 00:30:12,481 --> 00:30:14,944 NO, JUST THE THREE OF 'EM, ASSUMING YOU BELIEVE THE FBI. 636 00:30:14,944 --> 00:30:17,917 CALL. YOU KNOW, WE DON'T REALLY HAVE TO TALK ABOUT THIS. 637 00:30:17,917 --> 00:30:20,819 ANYTHING TO STOP HIZZONER HERE FROM TALKING 638 00:30:20,819 --> 00:30:22,952 ABOUT BUDGET INITIATIVES. (chuckles) OKAY, JUDGE. 639 00:30:22,952 --> 00:30:25,995 WHO WAS IT THAT APPOINTED YOU AGAIN? (laughter) 640 00:30:25,995 --> 00:30:28,527 NOW THE FBI I BELIEVE. BUT WHY TAKE CYNTHIA DERN'S WORD 641 00:30:28,527 --> 00:30:31,030 FOR ANYTHING THAT HAPPENED THE NIGHT OF THE BOMBING 642 00:30:31,030 --> 00:30:34,003 WHEN HER OWN GHOSTWRITER DIDN'T EVEN TRUST HER? 643 00:30:34,003 --> 00:30:36,906 YOU KNOW, THE JUDGE IS RIGHT. 644 00:30:36,906 --> 00:30:39,939 WHAT DO WE ACTUALLY KNOW ABOUT WHAT HAPPENED? 645 00:30:45,074 --> 00:30:46,976 NOT MUCH. 646 00:30:46,976 --> 00:30:48,978 ACCORDING TO LEE WAX'S NOTES, 647 00:30:48,978 --> 00:30:50,980 CAPTAIN PIKE HEARD TWO WOMEN ARGUING 648 00:30:50,980 --> 00:30:53,152 JUST BEFORE THE EXPLOSION, AND CYNTHIA CLAIMS 649 00:30:53,152 --> 00:30:56,255 THAT SHE WAS TRYING TO CHANGE SUSAN'S MIND. FOLD. 650 00:30:56,255 --> 00:31:00,930 BUT IF WE ASSUME CYNTHIA WAS LYING... THEN MAYBE IT WAS SUSAN THAT WANTED TO SAVE PIKE 651 00:31:00,930 --> 00:31:04,063 AND CYNTHIA THAT WANTED TO RUN. RAISE $20. (chip clinks) 652 00:31:04,063 --> 00:31:06,635 RIGHT. BUT THE BOMB WAS ALREADY SET, 653 00:31:06,635 --> 00:31:11,500 SO THE 3-MINUTE TIMER IS ALREADY TICKING. THE GIRLS ARGUE, WASTING PRECIOUS SECONDS... 654 00:31:11,500 --> 00:31:13,372 SUSAN RUNS TOWARDS THE TICKING BOMB 655 00:31:13,372 --> 00:31:16,275 TO TRY TO SHUT IT DOWN... WHILE CYNTHIA RUNS FOR COVER. 656 00:31:16,275 --> 00:31:19,448 RIGHT. SUSAN GETS TO THE BOMB, BUT TOO LATE. BOOM. 657 00:31:19,448 --> 00:31:22,982 WHICH MEANS SUSAN MAILER DIDN'T DIE TRYING TO SET THE BOMB. 658 00:31:22,982 --> 00:31:26,185 SHE DIED TRYING TO SAVE AN INNOCENT MAN'S LIFE. FOLD. 659 00:31:26,185 --> 00:31:29,218 IT STILL DOESN'T EXPLAIN WHERE THE MONEY CAME FROM. 660 00:31:29,218 --> 00:31:30,519 FOLD. 661 00:31:30,519 --> 00:31:33,993 WELL, WHAT ABOUT IT, CASTLE? YOU'RE GOOD WITH TWISTS. 662 00:31:33,993 --> 00:31:36,565 WHERE'D THE MONEY COME FROM? I'M THINKING. 663 00:31:36,565 --> 00:31:39,068 YEAH, WELL, YOU MIGHT WANT TO THINK UP SOME CHIPS FOR THE POT, 664 00:31:39,068 --> 00:31:42,131 'CAUSE IT LOOKS LIKE IT'S JUST YOU AND ME. 665 00:31:42,131 --> 00:31:44,173 (Markway) WHOA! (Montgomery) OOH. 666 00:31:44,173 --> 00:31:45,975 (Bob laughs) ALL RIGHT, DETECTIVE BECKETT... 667 00:31:45,975 --> 00:31:48,207 I'M ALL IN. OOH. 668 00:31:48,207 --> 00:31:50,039 OH, WHAT'S THE MATTER? 669 00:31:50,039 --> 00:31:52,181 YOU AFRAID OF A LITTLE ACTION? (laughs) 670 00:31:52,181 --> 00:31:55,184 OH, DO US A FAVOR, DETECTIVE. BEAT HIS PANTS OFF. 671 00:31:55,184 --> 00:31:58,147 YES, PLEASE, BEAT MY PANTS OFF, IF YOU DARE. BECKETT, DO ME PROUD. 672 00:31:58,147 --> 00:32:02,091 TO HELL WITH PROUD, MAKE HIM CRY LIKE A LITTLE GIRL. 673 00:32:04,293 --> 00:32:07,026 ALL RIGHT. 674 00:32:22,111 --> 00:32:24,673 SORRY, FELLAS, IT'S JUST NOT MY NIGHT. 675 00:32:24,673 --> 00:32:26,675 (men groaning and moaning) 676 00:32:26,675 --> 00:32:28,717 OH, WHO'S A GOOD LITTLE BOY? 677 00:32:28,717 --> 00:32:30,719 WHO'S A GOOD LITTLE BOY? 678 00:32:30,719 --> 00:32:33,022 YOU ARE AND YOU ARE AND YOU ARE. 679 00:32:33,022 --> 00:32:36,285 DON'T YOU EVER GET TIRED OF WINNING, CASTLE? (laughs) YOU'D THINK SO, RIGHT? BUT NO. 680 00:32:36,285 --> 00:32:39,088 WELL, I THINK THAT'S IT FOR ME. 681 00:32:39,088 --> 00:32:41,090 DETECTIVE, IT WAS A PLEASURE. 682 00:32:41,090 --> 00:32:44,463 MR. MAYOR. SORRY WE COULDN'T SOLVE YOUR CASE. 683 00:32:44,463 --> 00:32:47,236 AND I'M SORRY I COULDN'T MAKE HIM CRY LIKE A LITTLE GIRL. 684 00:32:47,236 --> 00:32:49,638 MM. (Bob) WELL, IT'S NOT YOUR FAULT, DETECTIVE. 685 00:32:49,638 --> 00:32:52,441 NO MATTER HOW DOWN HE GETS, HE ALWAYS MANAGES TO RISE 686 00:32:52,441 --> 00:32:54,173 FROM THE DEAD. (chuckles) 687 00:32:54,173 --> 00:32:56,405 OH, NOW THAT'D BE A TWIST. WHAT? 688 00:32:56,405 --> 00:32:59,048 THE MONEY HAD TO COME FROM CYNTHIA 689 00:32:59,048 --> 00:33:01,050 BECAUSE SWANSTROM WAS IN JAIL 690 00:33:01,050 --> 00:33:03,482 AND SUSAN MAILER WAS DEAD, RIGHT? RIGHT. 691 00:33:03,482 --> 00:33:08,157 BUT WHAT IF SUSAN MAILER DIDN'T DIE IN THAT EXPLOSION? 692 00:33:08,157 --> 00:33:10,459 WHAT IF SHE'S STILL ALIVE? 693 00:33:21,030 --> 00:33:23,202 SUSAN MAILER? ALIVE? HER BODY WAS NEVER FOUND. 694 00:33:23,202 --> 00:33:26,135 YEAH, BECAUSE SHE WAS VAPORIZED IN THE EXPLOSION. 695 00:33:26,135 --> 00:33:29,308 WELL, MAYBE SHE WAS THROWN CLEAR. WELL, THEN SHE WOULD'VE BEEN BADLY BURNED 696 00:33:29,308 --> 00:33:32,481 AND WOULD'VE NEEDED CARE. AND NO ONE MATCHING HER DESCRIPTION 697 00:33:32,481 --> 00:33:36,014 EVER CHECKED INTO AREA HOSPITALS. MERE DETAILS, MY GOOD MAN. 698 00:33:36,014 --> 00:33:39,248 UM, AROUND HERE WE CALL THEM "FACTS." WELL, THEN LET'S GO GET US SOME FACTS. 699 00:33:41,050 --> 00:33:43,052 PLEASE DON'T THINK LESS OF ME. 700 00:33:43,052 --> 00:33:47,056 I DID WHAT I HAD TO DO TO SURVIVE. 701 00:33:47,056 --> 00:33:49,098 THESE ARE FROM ALL OVER THE PLACE. 702 00:33:49,098 --> 00:33:51,100 UH, NOT THE RECENT ONES. 703 00:33:51,100 --> 00:33:54,503 THE RECENT ONES ARE ALL THE SAME. 704 00:33:54,503 --> 00:33:58,036 LITITZ, PENNSYLVANIA. 705 00:33:58,036 --> 00:34:01,770 IF WE'RE GONNA ROAD-TRIP, I'M GONNA HAVE TO PEE FIRST. 706 00:34:03,672 --> 00:34:06,345 I'VE NEVER SEEN HER BEFORE. ARE YOU POSITIVE? 707 00:34:06,345 --> 00:34:08,477 DIDN'T HE SOUND POSITIVE? CASTLE. 708 00:34:08,477 --> 00:34:10,349 OKAY. 709 00:34:10,349 --> 00:34:12,581 HOW ABOUT HER? 710 00:34:12,581 --> 00:34:15,624 SHE'D BE OLDER NOW. HOW MUCH OLDER? 711 00:34:15,624 --> 00:34:18,627 20 YEARS. 712 00:34:18,627 --> 00:34:21,160 I DON'T THINK SO. 713 00:34:21,160 --> 00:34:24,163 (slaps counter) THAT'S WHAT I GET FOR LISTENING TO A MYSTERY WRITER. 714 00:34:24,163 --> 00:34:26,735 SHE MIGHT HAVE SCARS OR WALK WITH A LIMP. 715 00:34:26,735 --> 00:34:29,538 LIKE SHE'S BEEN IN AN ACCIDENT? 716 00:34:29,538 --> 00:34:32,401 IT COULD BE MARY WRIGHT. 717 00:34:32,401 --> 00:34:34,072 MARY WRIGHT? 718 00:34:34,072 --> 00:34:36,074 SHE COMES IN ONCE A MONTH OR SO. 719 00:34:36,074 --> 00:34:40,249 BUYS A MONEY ORDER TO SEND TO HER RELATIVES IN NEW YORK. 720 00:34:40,249 --> 00:34:43,852 DO YOU HAVE HER ADDRESS? 721 00:34:43,852 --> 00:34:48,417 IT SOUNDS NAIVE NOW, BUT, UM... 722 00:34:48,417 --> 00:34:50,519 EVERYTHING I DID BACK THEN 723 00:34:50,519 --> 00:34:53,292 I DID BECAUSE I THOUGHT IT WOULD HELP. 724 00:34:53,292 --> 00:34:55,524 WE'RE NOT HERE BECAUSE OF THE BOMBING, SUSAN. 725 00:34:55,524 --> 00:34:58,297 WE'RE HERE BECAUSE OF WHAT YOU DID TO CYNTHIA DERN. 726 00:34:58,297 --> 00:35:01,200 HER BODY WAS FOUND IN A TUB OF MOTOR OIL. 727 00:35:01,200 --> 00:35:03,332 BUT YOU ALREADY KNOW THAT. 728 00:35:03,332 --> 00:35:06,205 (Beckett) FORENSICS IS GOING THROUGH THAT ROOM AS WE SPEAK. 729 00:35:06,205 --> 00:35:07,806 AND BELIEVE ME, THEY WILL FIND SOMETHING, 730 00:35:07,806 --> 00:35:10,679 SOMETHING THAT CONNECTS YOU TO CYNTHIA'S DEATH. 731 00:35:10,679 --> 00:35:13,182 (scoffs) SHE SHOULD'VE JUST LEFT IT ALL ALONE. 732 00:35:13,182 --> 00:35:15,444 SHE HAD A HUSBAND AND A GOOD LIFE. 733 00:35:15,444 --> 00:35:18,447 BUT THAT WASN'T CYNTHIA. ONCE SHE DECIDED ON SOMETHING, 734 00:35:18,447 --> 00:35:22,251 WELL, YOU JUST BETTER NOT BE IN HER WAY. LIKE THAT NIGHT ON THE TANKER? 735 00:35:22,251 --> 00:35:24,323 I SAW THE CAPTAIN GO BELOW. 736 00:35:24,323 --> 00:35:27,496 I DON'T KNOW HOW HE GOT BACK ONBOARD WITHOUT US SEEING. 737 00:35:27,496 --> 00:35:29,498 I-I-I TRIED... (man screams) 738 00:35:29,498 --> 00:35:31,700 (sighs) BUT I WAS--I WAS TOO LATE. 739 00:35:31,700 --> 00:35:34,533 WHEN THE BOMB EXPLODED, I WAS THROWN OVERBOARD. 740 00:35:34,533 --> 00:35:36,635 (woman screams, water splashes) 741 00:35:36,635 --> 00:35:40,869 I CAN STILL FEEL THE HEAT ON MY SKIN... 742 00:35:40,869 --> 00:35:43,141 EVEN TODAY. 743 00:35:43,141 --> 00:35:46,315 (Beckett) HOW DID YOU SURVIVE WITHOUT MEDICAL ATTENTION? 744 00:35:51,650 --> 00:35:53,652 UM, A FRIEND TOOK ME IN. 745 00:35:53,652 --> 00:35:56,525 A-A MED STUDENT NURSED ME BACK TO HEALTH. 746 00:35:56,525 --> 00:36:00,189 I GOT A NEW IDENTITY. AND MARY WRIGHT WAS BORN. 747 00:36:00,189 --> 00:36:02,631 IT'S NOT HARD TO LIVE LIKE A GHOST 748 00:36:02,631 --> 00:36:06,495 WHEN EVERYONE YOU LOVE THINKS YOU'RE DEAD. 749 00:36:06,495 --> 00:36:09,698 I NEVER CONTACTED ANYONE FROM MY FORMER LIFE... 750 00:36:09,698 --> 00:36:12,871 NOT EVEN MY PARENTS. 751 00:36:12,871 --> 00:36:15,444 BUT YOU STILL SENT MONEY TO THE PIKES. 752 00:36:15,444 --> 00:36:18,847 THEY HAD A SON... (sighs) MEDICAL BILLS. 753 00:36:18,847 --> 00:36:21,350 I-I-I WAS RESPONSIBLE. 754 00:36:21,350 --> 00:36:25,854 EVERYTHING COULD'VE STAYED JUST THE WAY IT WAS EXCEPT... 755 00:36:25,854 --> 00:36:28,217 EXCEPT CYNTHIA DECIDED TO WRITE A BOOK. 756 00:36:28,217 --> 00:36:31,420 THAT REPORTER PUT A POST ON AN ENVIRONMENTAL BOARD 757 00:36:31,420 --> 00:36:33,422 ASKING FOR INFO ON CYNTHIA. 758 00:36:33,422 --> 00:36:36,765 I E-MAILED, PRETENDING TO BE AN OLD FRIEND OF THE GROUP. 759 00:36:36,765 --> 00:36:39,268 IT DIDN'T TAKE LONG FOR ME TO FIGURE OUT 760 00:36:39,268 --> 00:36:41,900 THAT SHE HAD FOUND CYNTHIA AND CYNTHIA WAS LYING 761 00:36:41,900 --> 00:36:45,203 ABOUT WHAT HAPPENED ON THE SHIP. YOU TRACKED HER DOWN. YOU CONFRONTED HER. 762 00:36:45,203 --> 00:36:47,205 I THREATENED TO TURN MYSELF IN 763 00:36:47,205 --> 00:36:49,538 IF SHE WENT THROUGH WITH THE BOOK-- 764 00:36:49,538 --> 00:36:52,341 GIVE MYSELF UP, TELL THE AUTHORITIES EVERYTHING. 765 00:36:52,341 --> 00:36:54,443 SHE BEGGED TO MEET WITH ME FIRST-- 766 00:36:54,443 --> 00:36:57,286 SOMEWHERE WE COULD TALK. THAT'S WHEN YOU RENTED THE ROOM? 767 00:36:57,286 --> 00:36:59,788 OH, NO, CYNTHIA RENTED THE ROOM, NOT ME. 768 00:36:59,788 --> 00:37:02,891 (scoffs) IT WAS ALL PART OF HER PLAN. HER PLAN? 769 00:37:02,891 --> 00:37:05,294 HER PLAN TO MURDER ME. 770 00:37:05,294 --> 00:37:08,957 W-WHEN I GOT THERE, SHE POURED ME A DRINK. 771 00:37:08,957 --> 00:37:11,930 (liquid pouring) "LET'S TOAST TO OLD FRIENDS," SHE SAID. 772 00:37:11,930 --> 00:37:14,303 ONLY, YOU SEE, I DON'T DRINK. 773 00:37:14,303 --> 00:37:16,465 (glasses clink) 774 00:37:16,465 --> 00:37:18,867 I TRIED TO LEAVE. SHE WOULDN'T LET ME. 775 00:37:18,867 --> 00:37:21,870 I-I HID IN THE BATHROOM. (door slams) 776 00:37:21,870 --> 00:37:24,313 THAT'S WHEN I SAW IT... 777 00:37:24,313 --> 00:37:27,776 (liquid bubbling) THE TUB, FULL OF OIL. 778 00:37:27,776 --> 00:37:29,878 (raps table) THEN I UNDERSTOOD. 779 00:37:29,878 --> 00:37:33,552 SHE DIDN'T PLAN TO TALK TO YOU. 780 00:37:33,552 --> 00:37:36,555 SHE PLANNED TO KILL YOU AND MAKE IT LOOK LIKE SUICIDE. 781 00:37:36,555 --> 00:37:38,887 THAT WINE WAS LACED WITH A SLEEPING PILL. 782 00:37:38,887 --> 00:37:42,961 YOU WERE SUPPOSED TO DRINK IT AND THEN DROWN IN THE OIL. 783 00:37:42,961 --> 00:37:45,934 (sniffles) (Beckett) AND THEN THE WORLD WOULD THINK THAT YOU WERE 784 00:37:45,934 --> 00:37:48,637 RACKED WITH GUILT OVER THE PIKES ALL THESE YEARS 785 00:37:48,637 --> 00:37:50,969 AND THAT YOU FINALLY DECIDED TO COMMIT SUICIDE. 786 00:37:50,969 --> 00:37:53,502 ONCE YOUR BODY WAS DISCOVERED, THE PUBLIC WOULD CLAMOR 787 00:37:53,502 --> 00:37:55,474 FOR THE TRUE STORY-- CYNTHIA'S TRUE STORY-- 788 00:37:55,474 --> 00:37:59,708 WITH YOU NOW CAST AS THE VILLAIN. 789 00:38:01,850 --> 00:38:03,882 (women screaming) 790 00:38:03,882 --> 00:38:06,385 WE STRUGGLED. 791 00:38:06,385 --> 00:38:08,887 SHE LOST HER BALANCE AND FELL AGAINST THE SINK AND... 792 00:38:08,887 --> 00:38:10,889 (thud) HIT HER HEAD. 793 00:38:10,889 --> 00:38:12,891 (woman screams) 794 00:38:15,394 --> 00:38:18,427 I SHOULD'VE CALLED FOR HELP, 795 00:38:18,427 --> 00:38:22,300 BUT I JUST WANTED IT TO BE OVER. 796 00:38:22,300 --> 00:38:24,373 SO I... 797 00:38:24,373 --> 00:38:27,976 I DRAGGED HER TO THE TUB AND... 798 00:38:27,976 --> 00:38:30,409 (liquid bubbling) 799 00:38:30,409 --> 00:38:32,981 I... 800 00:38:32,981 --> 00:38:34,913 I PUSHED HER IN. 801 00:38:34,913 --> 00:38:36,585 (bubbling continues) 802 00:38:36,585 --> 00:38:38,887 (voice breaking) YOU SEE, I WAS ALREADY DEAD. 803 00:38:38,887 --> 00:38:41,590 I JUST WANTED TO KEEP IT THAT WAY. 804 00:38:43,892 --> 00:38:46,895 (police radio chatter) 805 00:38:46,895 --> 00:38:51,660 (indistinct conversations) 806 00:39:00,939 --> 00:39:03,341 I HEARD YOU MADE AN ARREST. 807 00:39:03,341 --> 00:39:06,475 YOU CAN HEAR ALL ABOUT IT IN THE MORNING NEWS. 808 00:39:06,475 --> 00:39:09,478 OH, COME ON, AFTER ALL THE HELP I GAVE YOU ON THIS CASE, 809 00:39:09,478 --> 00:39:11,950 YOU CAN'T GIVE ME ANY MORE INFORMATION THAN THAT? 810 00:39:11,950 --> 00:39:14,453 WELL, I COULD, BUT I JUST KEEP THINKING 811 00:39:14,453 --> 00:39:17,025 THAT IF IT WASN'T FOR YOU, THERE WOULDN'T BE A CASE 812 00:39:17,025 --> 00:39:19,758 IN THE FIRST PLACE. WHAT DOES THAT MEAN? 813 00:39:19,758 --> 00:39:21,760 ALL THE PEOPLE FROM CYNTHIA'S PAST 814 00:39:21,760 --> 00:39:23,061 THAT YOU INTERVIEWED-- 815 00:39:23,061 --> 00:39:25,764 HOW DID YOU MANAGE TO LET EVERY ONE OF THEM KNOW 816 00:39:25,764 --> 00:39:28,937 THAT YOU WERE IN CONTACT WITH HER? WHAT ARE YOU IMPLYING? 817 00:39:28,937 --> 00:39:30,639 YOU WANTED SOMEONE 818 00:39:30,639 --> 00:39:32,641 TO PUT TWO AND TWO TOGETHER AND CALL THE COPS. 819 00:39:32,641 --> 00:39:34,142 YOU WANTED CYNTHIA IN PRISON. 820 00:39:34,142 --> 00:39:37,075 THAT WAY, YOU COULD TEAR UP THE CONTRACT YOU HAD WITH HER 821 00:39:37,075 --> 00:39:39,077 AND WRITE THE STORY YOU WANTED TO WRITE 822 00:39:39,077 --> 00:39:42,050 WITH AN ENDING THAT WOULD SELL MORE BOOKS. 823 00:39:42,050 --> 00:39:45,053 I MEAN, YOU COULDN'T CALL THE AUTHORITIES YOURSELF. 824 00:39:45,053 --> 00:39:47,416 WHAT KIND OF STORY WOULD THAT BE? 825 00:39:47,416 --> 00:39:49,588 THAT'S A LOVELY THEORY, 826 00:39:49,588 --> 00:39:52,921 BUT EVEN IF IT'S TRUE, I DIDN'T KILL CYNTHIA DERN. 827 00:39:52,921 --> 00:39:55,764 I DIDN'T EVEN DO ANYTHING ILLEGAL. 828 00:39:55,764 --> 00:39:59,127 OH, NO, NO, NO, IT'S NOT ILLEGAL. 829 00:39:59,127 --> 00:40:01,500 IT'S JUST SLIMY. 830 00:40:01,500 --> 00:40:05,734 SO YOUR, UH, ALL-ACCESS PASS 831 00:40:05,734 --> 00:40:08,437 HAS BEEN REVOKED. 832 00:40:12,040 --> 00:40:14,743 OH, AND ONE MORE THING-- 833 00:40:14,743 --> 00:40:17,946 ONE DAY, AND ONE DAY NOT FAR FROM NOW, 834 00:40:17,946 --> 00:40:20,549 I'M GONNA USE THIS IN A BOOK. 835 00:40:33,061 --> 00:40:36,505 SUSAN MAILER'S IN BOOKING. 836 00:40:36,505 --> 00:40:38,006 HMM. 837 00:40:38,006 --> 00:40:40,509 ALL THESE YEARS, 838 00:40:40,509 --> 00:40:43,572 TRYING TO DO THE RIGHT THING, TRYING TO MAKE AMENDS... 839 00:40:43,572 --> 00:40:46,575 BECAUSE OF CYNTHIA'S GREED, SHE'S GONNA END UP IN JAIL. 840 00:40:46,575 --> 00:40:48,677 IF YOU'RE LOOKING FOR A HAPPY ENDING, 841 00:40:48,677 --> 00:40:50,679 YOU'VE COME TO THE WRONG PLACE. 842 00:40:50,679 --> 00:40:53,151 NEXT TIME, I GUESS I'LL JUST TRY THAT MASSAGE PARLOR 843 00:40:53,151 --> 00:40:55,153 ON 2nd AVENUE. JUST KIDDING. 844 00:40:55,153 --> 00:40:57,756 ACTUALLY, WHO NEEDS A HAPPY ENDING WHEN YOU HAVE A STORY 845 00:40:57,756 --> 00:40:59,758 WITH PEOPLE PRETENDING TO BE DEAD, 846 00:40:59,758 --> 00:41:01,229 LIVING UNDER ASSUMED NAMES, 847 00:41:01,229 --> 00:41:03,762 PLOTTING FAKE SUICIDES AND MURDER FOR REVENGE? 848 00:41:03,762 --> 00:41:06,034 YOU KNOW, I'M GLAD TO SEE THAT YOU'RE ENTERTAINED. 849 00:41:06,034 --> 00:41:08,036 I, HOWEVER, HAVE TO CALL MICHAEL GOLDMAN 850 00:41:08,036 --> 00:41:10,899 AND LET HIM KNOW THAT HIS WIFE WAS A SOCIOPATH. 851 00:41:10,899 --> 00:41:13,241 BUT YOU ALSO GET TO CALL JARED SWANSTROM AND TELL HIM 852 00:41:13,241 --> 00:41:15,944 THAT HE'S NO LONGER RESPONSIBLE FOR SUSAN MAILER'S DEATH. 853 00:41:15,944 --> 00:41:18,907 AS A MATTER OF FACT, SUSAN MAILER'S STILL ALIVE. WHICH IS WHY CYNTHIA IS NOW DEAD. 854 00:41:18,907 --> 00:41:22,080 WOW, YOU ARE ALL ABOUT THE CLOUD, AREN'T YOU? 855 00:41:22,080 --> 00:41:24,482 (scoffs) NEVER THE SILVER LINING. 856 00:41:24,482 --> 00:41:27,586 OKAY. MAYBE THIS MIGHT CHEER YOU UP A LITTLE BIT. 857 00:41:27,586 --> 00:41:29,187 YOUR WINNINGS. 858 00:41:29,187 --> 00:41:31,219 MY WINNINGS? 859 00:41:31,219 --> 00:41:34,222 OH, DON'T PLAY COY WITH ME. YOU THREW YOUR HAND. 860 00:41:34,222 --> 00:41:36,925 ALL RIGHT, I WAS TRYING TO BE NICE. 861 00:41:36,925 --> 00:41:39,928 I DIDN'T WANT TO EMBARRASS YOU IN FRONT OF YOUR FRIENDS. 862 00:41:39,928 --> 00:41:41,229 NOW WE'RE EVEN, 863 00:41:41,229 --> 00:41:43,932 SO WHAT DO YOU SAY TO A LITTLE SHOWDOWN? 864 00:41:43,932 --> 00:41:46,835 HEAD-TO-HEAD. TOE-TO-TOE. 865 00:41:46,835 --> 00:41:48,537 WINNER TAKE ALL. 866 00:41:48,537 --> 00:41:50,879 MANO A MUJER. 867 00:41:50,879 --> 00:41:53,081 "HAND TO WOMAN"? 868 00:41:53,081 --> 00:41:54,713 WHATEVER IT TAKES. 869 00:41:56,715 --> 00:41:58,917 YOU'RE ON. NO MERCY. 870 00:41:58,917 --> 00:42:01,820 I'M GONNA MAKE YOU HURT. OH, YOU'RE GONNA GET HURT. 871 00:42:01,820 --> 00:42:04,122 WHAT ARE WE PLAYING FOR? PRIDE. OR CLOTHING. 872 00:42:04,122 --> 00:42:07,025 I THINK I GOT A BAG OF GUMMY BEARS. 873 00:42:07,025 --> 00:42:08,757 SHUFFLE. 874 00:42:08,757 --> 00:42:09,928 DEAL. 875 00:42:09,928 --> 00:42:12,060 (The Virgins) ♪ WE'LL WALK AROUND ♪ 876 00:42:12,060 --> 00:42:13,932 ♪ PRETENDING ♪ 877 00:42:13,932 --> 00:42:15,934 COMFY WITH TEXAS HOLD'EM? 878 00:42:15,934 --> 00:42:18,937 I'M COMFY SO LONG AS MY CARDS COME FROM THE TOP OF THE DECK. 879 00:42:18,937 --> 00:42:20,939 HUH. WHAT YOU GOT UP YOUR SLEEVES? 880 00:42:20,939 --> 00:42:22,941 ASIDE FROM MY MUSCULAR ARMS? 881 00:42:22,941 --> 00:42:25,614 ♪ YOU'RE SO STUCK-UP ♪