1 00:00:04,305 --> 00:00:07,308 (siren whoops) 2 00:00:10,511 --> 00:00:13,314 MORNING! GRANDE SKIM LATTE, 3 00:00:13,314 --> 00:00:15,346 TWO PUMPS SUGAR-FREE VANILLA AND A BEAR CLAW. 4 00:00:15,346 --> 00:00:19,150 HOW DID YOU KNOW-- I'M A NOVELIST. IT'S MY JOB TO NOTICE THINGS. 5 00:00:19,150 --> 00:00:20,521 IT'S SUNDAY MORNING. 6 00:00:20,521 --> 00:00:24,055 SHOULDN'T YOU BE SLINKING HOME FROM A SCANDALOUS LIAISON? 7 00:00:24,055 --> 00:00:27,458 WOULD YOU BE JEALOUS IF I WERE? IN YOUR DREAMS. 8 00:00:27,458 --> 00:00:29,760 ACTUALLY, IN MY DREAMS YOU'RE NEVER JEALOUS. 9 00:00:29,760 --> 00:00:32,503 IN MY DREAMS, YOU JUST JOINED IN--MM! 10 00:00:32,503 --> 00:00:34,805 (mouth full) WELL, MONTGOMERY CALLED AND SAID, 11 00:00:34,805 --> 00:00:37,468 "COME DOWN RIGHT AWAY," SO IT MUST BE GRUESOME. TRY NOT TO GET SO GIDDY 12 00:00:37,468 --> 00:00:40,111 EVERY TIME WE GO TO A CRIME SCENE, OKAY? (normal voice) JUST 'CAUSE SOMEBODY'S DEAD 13 00:00:40,111 --> 00:00:42,113 DOESN'T MEAN YOU HAVE TO BE GRUMPY. 14 00:00:42,113 --> 00:00:44,175 OH, DO YOU WANT TO SEE GRUMPY? 15 00:00:44,175 --> 00:00:46,817 HOW ABOUT THE COVER ART FOR YOUR NEW NOVEL? 16 00:00:46,817 --> 00:00:50,381 "NIKKI HEAT" COVER ART? THAT'S ONLY AVAILABLE TO... 17 00:00:50,381 --> 00:00:52,453 OH, MY GOD. YOU SUBSCRIBE TO MY WEB SITE? 18 00:00:52,453 --> 00:00:54,455 WAIT A MINUTE. ARE YOU CastleFreak1-2-1-2? 19 00:00:54,455 --> 00:00:56,827 CastleLover45? 20 00:00:56,827 --> 00:00:59,660 YOU DO REALIZE THAT MOST PEOPLE WOULD BE CREEPED OUT 21 00:00:59,660 --> 00:01:02,593 BY CRAZY, ANONYMOUS FANS? LIKE YOU? 22 00:01:02,593 --> 00:01:05,366 IT WAS STRICTLY PROFESSIONAL CURIOSITY. 23 00:01:05,366 --> 00:01:08,399 SO WHAT DID YOU THINK OF YOUR ALTER EGO NIKKI? 24 00:01:08,399 --> 00:01:11,372 PRETTY SWEET, RIGHT? "SWEET"? SHE'S NAKED! 25 00:01:11,372 --> 00:01:14,245 SHE'S NOT NAKED. SHE'S HOLDING A GUN... 26 00:01:14,245 --> 00:01:16,076 STRATEGICALLY. 27 00:01:16,076 --> 00:01:17,508 YOU KNOW... 28 00:01:17,508 --> 00:01:19,510 I TAKE COMFORT IN THE FACT 29 00:01:19,510 --> 00:01:21,812 THAT IF THEY'RE ALREADY PUBLISHING THE COVER ART, 30 00:01:21,812 --> 00:01:23,514 THEN YOUR BOOK 31 00:01:23,514 --> 00:01:25,716 AND OUR LITTLE PARTNERSHIP 32 00:01:25,716 --> 00:01:28,219 IS ALMOST DONE. 33 00:01:28,219 --> 00:01:30,621 NO COFFEE IN HERE, SIR. 34 00:01:30,621 --> 00:01:33,694 (police radio chatter) 35 00:01:33,694 --> 00:01:36,297 SIR, WHAT'S GOING ON? 2-YEAR-OLD GIRL, ANGELA CANDELA, 36 00:01:36,297 --> 00:01:38,799 REPORTED MISSING BY HER PARENTS ABOUT 8:00 THIS MORNING. 37 00:01:38,799 --> 00:01:41,632 WHERE'D THEY FIND THE BODY? THEY HAVEN'T FOUND HER. SHE WAS ABDUCTED. 38 00:01:41,632 --> 00:01:44,635 FATHER WAS IN THE OTHER ROOM PAINTING. KIDNAPPED FROM HER HOME? 39 00:01:44,635 --> 00:01:47,438 I DON'T UNDERSTAND, SIR. IF THIS ISN'T A MURDER, 40 00:01:47,438 --> 00:01:50,181 WHY AM I HERE? THE FEDS REQUESTED YOU TO BE ON THE TASK FORCE. 41 00:01:50,181 --> 00:01:52,843 FEDS? FBI HAS JURISDICTION OVER CHILD ABDUCTION CASES. 42 00:01:52,843 --> 00:01:55,146 THEN WHY CALL ME? 'CAUSE I LIKE PISSING OFF THE FBI, 43 00:01:55,146 --> 00:01:57,148 AND BECAUSE YOU THINK OUTSIDE THE BOX. 44 00:01:57,148 --> 00:01:59,590 THAT'S SOMETHING THE FEEBS RARELY DO. SIR, WHO'S THE SPECIAL AGENT IN CHARGE? 45 00:01:59,590 --> 00:02:01,822 BECKETT, IT DOESN'T MATTER-- SIR, WHO? 46 00:02:01,822 --> 00:02:03,524 SORENSON. 47 00:02:03,524 --> 00:02:06,827 WHO'S SORENSON? I THOUGHT THAT HE WAS IN-- 48 00:02:06,827 --> 00:02:08,829 IN BOSTON. NOT ANYMORE. HE'S HERE. 49 00:02:08,829 --> 00:02:11,802 WHO'S SORENSON? THIS ISN'T GONNA BE A PROBLEM, IS IT, DETECTIVE? 50 00:02:11,802 --> 00:02:14,435 I MEAN, WE'RE ALL PROFESSIONALS HERE, RIGHT? ACTUALLY, I'M NOT. WHO'S SORENSON? 51 00:02:14,435 --> 00:02:17,508 NO, SIR. NOT A PROBLEM. FOR WHAT IT'S WORTH, 52 00:02:17,508 --> 00:02:19,210 THAT MISSING LITTLE GIRL 53 00:02:19,210 --> 00:02:20,841 DOESN'T CARE ABOUT YOUR HISTORY, 54 00:02:20,841 --> 00:02:22,443 NOR DO HER TERRIFIED PARENTS. 55 00:02:22,443 --> 00:02:24,445 THEY JUST WANT THEIR BABY BACK ALIVE. 56 00:02:24,445 --> 00:02:27,178 (cell phone rings) WHERE IS HE, SIR? 57 00:02:27,178 --> 00:02:29,750 HE'S OVER THERE TALKING TO THE PARENTS. MONTGOMERY. 58 00:02:31,522 --> 00:02:34,255 (man) YEAH, PLEASE. WHATEVER YOU NEED. 59 00:02:34,255 --> 00:02:36,627 EXCUSE ME. 60 00:02:37,828 --> 00:02:40,461 HELLO, KATE. 61 00:02:40,461 --> 00:02:43,534 HELLO, WILL. HOW LONG HAVE YOU BEEN BACK? 62 00:02:43,534 --> 00:02:45,536 A COUPLE MONTHS. 63 00:02:45,536 --> 00:02:47,538 SOMETHING WRONG WITH BOSTON? 64 00:02:47,538 --> 00:02:49,700 FRESH LOBSTER GETS OLD FAST. 65 00:02:51,472 --> 00:02:53,504 YOU LOOK GOOD. 66 00:02:53,504 --> 00:02:55,906 THANKS. I FEEL GOOD. 67 00:02:55,906 --> 00:03:00,281 UH... AGENT SORENSON, THIS IS RICHARD CASTLE. 68 00:03:00,281 --> 00:03:02,213 THE FAMOUS NOVELIST. 69 00:03:02,213 --> 00:03:05,356 WRITER OF WRONGS. SO CAPTAIN MONTGOMERY FILLED ME IN 70 00:03:05,356 --> 00:03:06,857 ON YOUR LITTLE ARRANGEMENT. 71 00:03:06,857 --> 00:03:08,859 I HAVE NO PROBLEM WITH IT 72 00:03:08,859 --> 00:03:11,562 AS LONG AS IT DOESN'T INTERFERE WITH THE INVESTIGATION. 73 00:03:11,562 --> 00:03:13,924 OH, DON'T WORRY ABOUT ME. QUIET AS A MOUSE. 74 00:03:16,427 --> 00:03:19,199 ANGELA CANDELA, 2 YEARS OLD, 75 00:03:19,199 --> 00:03:21,772 ABDUCTED THIS MORNING BETWEEN 7:30 AND 8:00 A.M. 76 00:03:21,772 --> 00:03:24,235 PARENTS WERE HOME AT THE TIME. 77 00:03:24,235 --> 00:03:27,278 HOW DO YOU GET ABDUCTED WHEN YOUR PARENTS ARE HOME? YEAH... 78 00:03:27,278 --> 00:03:30,210 DAD GOT UP WITH THE KID ABOUT 7:00, 79 00:03:30,210 --> 00:03:31,882 LET THE MOM SLEEP IN. 80 00:03:31,882 --> 00:03:34,615 HE PLANTED ANGELA IN FRONT OF THE TUBE 81 00:03:34,615 --> 00:03:36,887 WITH A JUICE BOX AND SOME CEREAL, 82 00:03:36,887 --> 00:03:39,219 THEN HEADED INTO HIS ART STUDIO. 83 00:03:39,219 --> 00:03:40,891 OBVIOUSLY, HE'S A PAINTER. 84 00:03:40,891 --> 00:03:44,795 HE JUST LEFT HIS KID? DID HE HEAR ANYTHING AT LEAST? 85 00:03:44,795 --> 00:03:46,797 HE WAS LISTENING TO HIS iPod. 86 00:03:46,797 --> 00:03:49,760 NOTHING LIKE A LITTLE QUALITY TIME WITH DADDY. 87 00:03:49,760 --> 00:03:55,235 ♪♪ 88 00:03:55,235 --> 00:03:58,469 WHEN I COULDN'T FIND HER, I LOOKED EVERYWHERE FOR HER, 89 00:03:58,469 --> 00:04:00,871 AND THEN I SAW THE WINDOW. 90 00:04:00,871 --> 00:04:03,744 THE LOCK WAS JIMMIED FROM THE OUTSIDE. 91 00:04:03,744 --> 00:04:05,846 I-I RAN OUTSIDE. 92 00:04:05,846 --> 00:04:07,948 I LOOKED FOR HER. OHH. 93 00:04:07,948 --> 00:04:10,921 MR. CANDELA, YOU LIVE ON A GROUND FLOOR APARTMENT 94 00:04:10,921 --> 00:04:13,654 WITH WINDOWS FACING THE ALLEYWAY. 95 00:04:13,654 --> 00:04:16,787 MOST PEOPLE HAVE BARS. WE WERE GOING TO. WE JUST-- 96 00:04:16,787 --> 00:04:18,929 I NEVER GOT AROUND TO IT. WE THINK THE DIRT'S FROM THE OUTSIDE. 97 00:04:18,929 --> 00:04:21,632 HOW COULD THIS HAPPEN IN OUR OWN HOME? 98 00:04:21,632 --> 00:04:23,834 SO OUR SUSPECT CLIMBED IN THROUGH THE WINDOW, 99 00:04:23,834 --> 00:04:27,938 GRABBED ANGELA AND PROBABLY WALKED OUT THE BACK DOOR. JUST LIKE THAT? 100 00:04:27,938 --> 00:04:30,941 WE HAVE HER PHOTO ON THE WIRES AND ARE ISSUING AN AMBER ALERT 101 00:04:30,941 --> 00:04:34,445 TO THE PORT AUTHORITY AND THE TRI-STATE AREA. I'LL HAVE MY GUYS RUN ANY REGISTERED SEX OFFENDERS 102 00:04:34,445 --> 00:04:37,408 AND RESIDENTIAL BURGLARIES. WHAT ABOUT THE PARENTS? 103 00:04:37,408 --> 00:04:41,852 ANYONE THEY CAN THINK OF? NO, NOT THAT EITHER OF THEM CAN THINK STRAIGHT RIGHT NOW. 104 00:04:41,852 --> 00:04:45,456 THIS THING GOES SOUTH, THEY'LL NEVER THINK STRAIGHT AGAIN. AGENT SORENSON? 105 00:04:45,456 --> 00:04:49,019 THE PHONE'S OVER THERE. GET A TAP ON IT. 106 00:04:49,019 --> 00:04:51,692 (lowered voice) THIS ONE WILL END BETTER. 107 00:04:51,692 --> 00:04:53,694 I PROMISE. 108 00:05:03,874 --> 00:05:06,076 SIX MONTHS. 109 00:05:06,076 --> 00:05:08,909 SIX MONTHS WHAT? 110 00:05:08,909 --> 00:05:11,742 WE DATED FOR SIX MONTHS. 111 00:05:11,742 --> 00:05:14,084 I DIDN'T ASK. 112 00:05:14,084 --> 00:05:16,487 YEAH, I KNOW. 113 00:05:16,487 --> 00:05:18,689 YOU WERE NOT ASKING VERY LOUDLY. 114 00:05:18,689 --> 00:05:21,021 I KNOW. I'M LIKE A JEDI LIKE THAT. 115 00:05:21,021 --> 00:05:23,924 (elevator bell dings) SO HOW'D YOU MEET? 116 00:05:23,924 --> 00:05:26,597 KIDNAPPING. A 6-YEAR-OLD BOY. 117 00:05:26,597 --> 00:05:29,400 HOW'D IT END? WE GOT THE GUY. 118 00:05:29,400 --> 00:05:31,862 WHAT DO WE GOT ON THE PARENTS? (cell phone dialing) 119 00:05:31,862 --> 00:05:33,904 THERESA AND ALFRED CANDELA-- 120 00:05:33,904 --> 00:05:37,908 MARRIED TEN YEARS, ONE CHILD--ANGELA CANDELA. 121 00:05:37,908 --> 00:05:40,040 WHOA! SORRY. 122 00:05:40,040 --> 00:05:43,013 SORRY ABOUT THAT. TIE TOOK ME A LITTLE BY SURPRISE. 123 00:05:43,013 --> 00:05:44,845 (laughs) 124 00:05:44,845 --> 00:05:48,348 (laughs) OKAY, GET IT ALL OUT. 125 00:05:48,348 --> 00:05:50,421 THIS IS A GIFT FROM MY GIRLFRIEND. GIRLFRIEND? 126 00:05:50,421 --> 00:05:53,083 TODAY'S OUR 2-WEEK ANNIVERSARY. OOH. 127 00:05:53,083 --> 00:05:55,726 OOH, TWO WEEKS. IS THAT THE PAPER OR THE SILK? 128 00:05:55,726 --> 00:05:57,388 I BELIEVE IT'S THE WHIPPED. 129 00:05:57,388 --> 00:06:00,030 GOOD ONE. YEAH, YEAH, YEAH, YEAH, YEAH. 130 00:06:00,030 --> 00:06:02,032 ONE CHILD-- ANGELA CANDELA, AGE 2, ADOPTED. 131 00:06:02,032 --> 00:06:04,535 ADOPTED? YEAH, TWO YEARS AGO. 132 00:06:04,535 --> 00:06:06,497 MOM--THERESA, SHE'S A FUND MANAGER AT KELLER STANTON. 133 00:06:06,497 --> 00:06:08,769 DAD'S A SMALL-TIME ARTIST, SHOWS AT THE GREYSON GALLERY 134 00:06:08,769 --> 00:06:10,771 IN CHELSEA ONCE IN A WHILE. 135 00:06:10,771 --> 00:06:12,803 NEIGHBOR SAYS HE STAYS HOME WITH THE KID. 136 00:06:12,803 --> 00:06:15,976 ALL RIGHT, HERE'S A LIST OF ALL THE PEOPLE 137 00:06:15,976 --> 00:06:17,778 WHO HAD ACCESS TO THE APARTMENT-- 138 00:06:17,778 --> 00:06:19,580 BABYSITTERS, CLEANING LADY, SUPER. 139 00:06:19,580 --> 00:06:20,881 LET'S CROSS-REFERENCE THAT 140 00:06:20,881 --> 00:06:23,414 WITH ANY REGISTERED SEX OFFENDERS IN THE AREA, 141 00:06:23,414 --> 00:06:25,956 SEE IF ANYONE HAD A THING FOR LITTLE GIRLS. YOU'RE THINKING THAT SOME CREEPY-CRAWLY 142 00:06:25,956 --> 00:06:27,458 PROBABLY SCOUTED FROM THE INSIDE? 143 00:06:27,458 --> 00:06:29,059 (telephone ringing) WELL, THE FATHER SAID 144 00:06:29,059 --> 00:06:31,922 WHAT HE DID THIS MORNING WAS PART OF A ROUTINE. 145 00:06:31,922 --> 00:06:35,666 SO EITHER SOMEBODY GOT LUCKY, OR THEY ALREADY KNEW IT. 146 00:06:35,666 --> 00:06:38,869 BECKETT. YEAH, WE'LL BE RIGHT THERE. 147 00:06:38,869 --> 00:06:41,001 LOOKS LIKE IT WASN'T A CREEPY-CRAWLER AFTER ALL. 148 00:06:41,001 --> 00:06:43,003 CANDELAS JUST GOT A RANSOM CALL. 149 00:06:50,781 --> 00:06:53,143 (Theresa) HELLO? (distorted voice) We have your daughter. 150 00:06:53,143 --> 00:06:55,916 PLEASE, SHE'S JUST A CHILD. PLEASE DON'T HURT HER. Whether we hurt her is up to you. 151 00:06:55,916 --> 00:06:58,689 Whether she lives is up to you. You want your daughter? 152 00:06:58,689 --> 00:07:02,953 We want $750,000. You have 24 hours. 153 00:07:02,953 --> 00:07:06,697 I WANT TO SPEAK TO HER. I WANT TO KNOW SHE'S SAFE. (click) 154 00:07:06,697 --> 00:07:10,531 THEY USED AN INTERNET VOICE-OVER-I.P. SERVICE. 155 00:07:10,531 --> 00:07:12,703 MEANING IT'S UNTRACEABLE. 156 00:07:12,703 --> 00:07:14,905 CAN YOU RAISE THE 750? 157 00:07:14,905 --> 00:07:18,709 IT--IT'S EVERYTHING WE HAVE. IF IT MEANS GETTING ANGELA BACK, WE'LL PAY. 158 00:07:18,709 --> 00:07:21,512 THEN YOU SHOULD START GETTING YOUR FINANCIAL RECORDS TOGETHER. 159 00:07:21,512 --> 00:07:22,743 OH! 160 00:07:22,743 --> 00:07:25,075 MRS. CANDELA, IS THERE ANYONE THAT YOU KNOW 161 00:07:25,075 --> 00:07:27,848 THAT CAN HELP YOU--AN ACCOUNTANT OR MAYBE SOMEONE AT YOUR FIRM? 162 00:07:27,848 --> 00:07:29,680 NINA COULD HELP. NINA? 163 00:07:29,680 --> 00:07:32,653 MY SISTER. SHE'S A C.P.A. 164 00:07:32,653 --> 00:07:34,985 BUT EVEN IF WE GIVE THEM THE MONEY, 165 00:07:34,985 --> 00:07:39,890 HOW CAN WE BE SURE WE'LL GET HER BACK? 166 00:07:39,890 --> 00:07:41,562 YOU HAVE TO HAVE HOPE. 167 00:07:41,562 --> 00:07:43,564 YOU HAVE TO IMAGINE YOUR LITTLE GIRL 168 00:07:43,564 --> 00:07:45,566 WALKING THROUGH THAT FRONT DOOR SAFE AND SOUND. 169 00:07:45,566 --> 00:07:47,568 YOUR DAUGHTER NEEDS YOU RIGHT NOW. 170 00:07:47,568 --> 00:07:51,041 SHE NEEDS YOU TO HAVE FAITH, TO BE STRONG. 171 00:07:54,174 --> 00:07:57,177 (indistinct conversations) 172 00:07:59,009 --> 00:08:02,482 YOU DO THIS A LOT-- KIDNAPPINGS? 173 00:08:02,482 --> 00:08:04,955 YOU SEEM TO KNOW WHAT TO SAY. 174 00:08:04,955 --> 00:08:06,957 IT'S NOT ABOUT WHAT YOU SAY. 175 00:08:06,957 --> 00:08:08,218 IT'S ABOUT CONTROLLING THE SITUATION, 176 00:08:08,218 --> 00:08:10,761 CONTROLLING THE EMOTIONS. 177 00:08:10,761 --> 00:08:12,763 YOU REQUESTED YOUR EX-GIRLFRIEND FOR THE TASK FORCE. 178 00:08:12,763 --> 00:08:15,225 THAT DOESN'T INDICATE TO ME A CONTROL OF YOUR EMOTIONS. 179 00:08:15,225 --> 00:08:18,198 I REQUESTED BECKETT BECAUSE SHE'S THE BEST IN THE CITY. 180 00:08:18,198 --> 00:08:20,631 NOT BECAUSE YOU WANTED TO SEE HER AGAIN? 181 00:08:20,631 --> 00:08:23,634 HOW ABOUT YOU, CASTLE? 182 00:08:23,634 --> 00:08:27,037 YOU'VE WRITTEN, WHAT, 20 BEST SELLERS? 183 00:08:27,037 --> 00:08:29,209 (chuckles) WELL, 26, BUT WHO'S COUNTIN'? 184 00:08:29,209 --> 00:08:31,742 WHY THE SUDDEN NEED TO SHADOW A REAL DETECTIVE? 185 00:08:31,742 --> 00:08:34,845 WELL, THE ONES ON TV SEEM ODDLY FIXATED ON THEIR SUNGLASSES. 186 00:08:34,845 --> 00:08:37,948 SO WITH ALL THE FAT, BALDING DETECTIVES IN THE NYPD, 187 00:08:37,948 --> 00:08:40,520 YOU JUST HAPPEN TO END UP SHADOWING HER. 188 00:08:40,520 --> 00:08:42,522 IT MUST BE FATE. 189 00:08:42,522 --> 00:08:43,994 MUST BE. 190 00:08:43,994 --> 00:08:46,597 CANDELAS HAVE PULLED THEIR FINANCIALS. 191 00:08:46,597 --> 00:08:49,630 HER SISTER'S ON THE WAY. ANYTHING ON THE TRANSCRIPTS? 192 00:08:49,630 --> 00:08:51,902 IT'S CLEAR THE RANSOM DEMAND HAS SIGNIFICANCE. 193 00:08:51,902 --> 00:08:55,005 KIDNAPPERS MAKE AN ISSUE ABOUT KNOWING WHAT THE CANDELAS HAVE. 194 00:08:55,005 --> 00:08:57,037 THEY SAID IT'S EVERYTHING THEY HAVE. 195 00:08:57,037 --> 00:08:59,309 WHOEVER MADE THE DEMAND KNOWS THEM WELL ENOUGH 196 00:08:59,309 --> 00:09:01,642 TO KNOW EXACTLY WHAT THEY'RE WORTH. 197 00:09:02,973 --> 00:09:05,545 (Beckett) HOW DOES IT LOOK? 198 00:09:05,545 --> 00:09:09,780 DETECTIVE, AGENT SORENSON, THIS IS MY SISTER NINA. 199 00:09:09,780 --> 00:09:12,753 IT'S DOABLE. WE'LL MARKET THE STOCKS TOMORROW MORNING. 200 00:09:12,753 --> 00:09:14,885 WE'LL HAVE TO WIPE OUT THE RETIREMENT ACCOUNT 201 00:09:14,885 --> 00:09:17,658 AND BOTH PENSIONS, AND YOU'LL HAVE TO PAY PENALTIES. 202 00:09:17,658 --> 00:09:20,060 (Theresa) I DON'T CARE. WHATEVER IT TAKES. 203 00:09:20,060 --> 00:09:23,964 HE PAINTS WHEN HE'S STRESSED. 204 00:09:23,964 --> 00:09:26,296 DOES HE SELL MUCH? 205 00:09:26,296 --> 00:09:27,998 SOME. 206 00:09:27,998 --> 00:09:29,970 THAT'S GENEROUS. 207 00:09:29,970 --> 00:09:31,171 SORRY. 208 00:09:31,171 --> 00:09:33,844 WHY DO YOU ASK? 209 00:09:33,844 --> 00:09:37,047 I DON'T KNOW MANY ARTISTS WITH THEIR OWN PENSION ACCOUNT. 210 00:09:37,047 --> 00:09:39,579 THERESA SET UP THE ACCOUNT FOR HIM 211 00:09:39,579 --> 00:09:42,983 SO HE'D HAVE SOMETHING FOR HIM AND ANGELA, YOU KNOW, 212 00:09:42,983 --> 00:09:44,885 IF SOMETHING-- TELL ME-- 213 00:09:44,885 --> 00:09:47,858 MRS. CANDELA, WE THINK THE SPECIFICITY OF THE AMOUNT 214 00:09:47,858 --> 00:09:50,891 OF THE RANSOM DEMAND SUGGESTS THE KIDNAPPERS 215 00:09:50,891 --> 00:09:53,894 HAD KNOWLEDGE OF YOUR FINANCES. WAS THERE ANYONE WHO MIGHT'VE HAD A GRUDGE AGAINST YOU 216 00:09:53,894 --> 00:09:56,366 OR MAYBE SOMEONE CLOSE TO YOU WHO NEEDED THE MONEY NOW? 217 00:09:56,366 --> 00:09:59,129 NO ONE WHO WOULD DO SOMETHING LIKE THIS. 218 00:09:59,129 --> 00:10:01,932 WHAT ABOUT DOUG ELLERS? 219 00:10:01,932 --> 00:10:05,976 WHO'S DOUG ELLERS? SOMEONE I USED TO WORK WITH, BUT NO, I CAN'T IMAGINE-- 220 00:10:05,976 --> 00:10:08,939 WHAT ABOUT THOSE MESSAGES HE LEFT YOU AT WORK? 221 00:10:08,939 --> 00:10:13,684 REMEMBER, YOU FILED THOSE COMPLAINTS WITH H.R.? I KNOW WHAT HAPPENED, ALFRED. 222 00:10:13,684 --> 00:10:15,946 MRS. CANDELA, I KNOW HOW HARD THIS IS. 223 00:10:15,946 --> 00:10:17,948 IT'S UNDERSTANDABLE TO GET FRUSTRATED. 224 00:10:17,948 --> 00:10:20,951 BUT PLEASE, WE NEED TO KNOW EVERYTHING. 225 00:10:20,951 --> 00:10:24,324 ELLERS RAN AN ASSET MANAGEMENT GROUP. 226 00:10:24,324 --> 00:10:27,898 THEY WEREN'T PERFORMING, SO I LET HIM GO. 227 00:10:27,898 --> 00:10:33,303 DID HE EVER THREATEN YOU? WELL, HE BLAMED ME FOR HIS DIVORCE. 228 00:10:33,303 --> 00:10:38,008 HE SAID HIS WIFE LEFT HIM BECAUSE I FIRED HIM, AND... 229 00:10:38,008 --> 00:10:39,369 AND WHAT? 230 00:10:39,369 --> 00:10:42,012 AND SHE TOOK HIS TWO KIDS. 231 00:10:45,115 --> 00:10:47,377 (Beckett) WHERE'D YOU FIND HIM? (Ryan) IN LINE AT OFF-TRACK BETTING. 232 00:10:47,377 --> 00:10:49,379 (Esposito) E.S.U. JUST HIT HIS APARTMENT. 233 00:10:49,379 --> 00:10:51,682 NO TRACE OF THE KID. THAT'S NOT GOOD. 234 00:10:51,682 --> 00:10:54,424 PRESSURE INTERVIEW? I'LL TAKE THE LEAD. YEAH. 235 00:10:54,424 --> 00:10:57,858 NO. HE'LL BE FINE, WILL. 236 00:10:57,858 --> 00:10:59,990 KATE, I DON'T CARE HOW BIG A FAN OF HIS YOU ARE, 237 00:10:59,990 --> 00:11:02,963 HE DOESN'T COME IN THE ROOM. 238 00:11:02,963 --> 00:11:05,135 FINE. THAT'S FINE. 239 00:11:05,135 --> 00:11:07,137 UH, JUST FOR THE RECORD, THOUGH, 240 00:11:07,137 --> 00:11:09,940 HOW BIG A FAN IS SHE? 241 00:11:09,940 --> 00:11:13,673 COME ON, CASTLE. COME WATCH FROM THE BLEACHERS WITH US, 242 00:11:13,673 --> 00:11:15,305 SEE HOW THE FEEBIES DO IT. 243 00:11:15,305 --> 00:11:18,278 MR. ELLERS, DETECTIVE KATE BECKETT, NYPD. 244 00:11:18,278 --> 00:11:22,082 SPECIAL AGENT SORENSON, FBI. 245 00:11:22,082 --> 00:11:26,216 WHEN WAS YOUR LAST CONTACT WITH THERESA CANDELA? 246 00:11:26,216 --> 00:11:29,319 THERESA CANDELA? WH-WH-WHAT'S GOING ON? 247 00:11:29,319 --> 00:11:31,962 (Beckett) JUST ANSWER THE QUESTION. WHAT DID SHE SAY ABOUT ME? 248 00:11:31,962 --> 00:11:34,094 LET'S TALK ABOUT... 249 00:11:34,094 --> 00:11:37,397 (beeps) WHAT YOU SAID TO HER. 250 00:11:37,397 --> 00:11:40,330 (answering machine beeps) I GAVE YOU SIX YEARS OF MY LIFE. SIX YEARS! 251 00:11:40,330 --> 00:11:43,103 MY PROFITS BUILT YOUR WHOLE DAMN DIVISION. 252 00:11:43,103 --> 00:11:45,836 AND NOW YOU WANT TO BEND ME OVER? 253 00:11:45,836 --> 00:11:48,779 YOU WANT TO CUT ME OUT? WELL, KARMA'S A BITCH, THERESA. 254 00:11:48,779 --> 00:11:50,911 YOU BURNT DOWN MY HOUSE. I'M GONNA BURN YOURS DOWN. 255 00:11:50,911 --> 00:11:52,212 (answering machine beeps) 256 00:11:52,212 --> 00:11:55,385 (recorder beeps) YOU LEFT THAT THREE MONTHS AGO, 257 00:11:55,385 --> 00:11:58,488 JUST AFTER YOUR WIFE LEFT. 258 00:11:58,488 --> 00:12:01,952 YEAH? SO? EVERY WORD OF IT'S TRUE. 259 00:12:01,952 --> 00:12:04,224 IT'S HARASSMENT. 260 00:12:04,224 --> 00:12:07,858 OH, WHAT, IS SHE GONNA PRESS CHARGES NOW? YEAH, KIDNAPPING, ASSAULT, BREAKING AND ENTERING. 261 00:12:07,858 --> 00:12:09,860 WHAT THE HELL ARE YOU TALKING ABOUT? 262 00:12:09,860 --> 00:12:12,032 (Beckett) SOMEBODY KIDNAPPED ANGELA CANDELA THIS MORNING. 263 00:12:12,032 --> 00:12:14,104 WHAT? KIDNAPPED? HURTING SOMEONE ELSE'S CHILD 264 00:12:14,104 --> 00:12:17,037 ISN'T THE WAY TO GET BACK YOUR OWN. NO, NO, NO. 265 00:12:17,037 --> 00:12:20,070 THIS IS NOT ME. THERESA MAY NOT BE MY FAVORITE PERSON, 266 00:12:20,070 --> 00:12:23,013 BUT I WOULD NEVER HARM A CHILD. YOUR EX-WIFE WASN'T SO SURE. 267 00:12:23,013 --> 00:12:24,314 ACCORDING TO YOUR DIVORCE PAPERS, 268 00:12:24,314 --> 00:12:26,446 THERE ARE ALLEGATIONS OF VIOLENCE-- 269 00:12:26,446 --> 00:12:29,249 MY EX-WIFE WAS LOOKING FOR A PAYDAY. THAT'S ALL. 270 00:12:29,249 --> 00:12:32,252 YOU'RE NOT LOOKING FOR A PAYDAY, ARE YOU, MR. ELLERS? 271 00:12:32,252 --> 00:12:34,154 YOU HAVE THE WRONG GUY. 272 00:12:37,988 --> 00:12:42,132 RUN HIM DOWN--WHERE HE WAS ALL MORNING, WHO CAN VOUCH. 273 00:12:42,132 --> 00:12:45,035 PRETTY CLEAR IT WASN'T HIM. YOU A MIND READER, TOO? 274 00:12:45,035 --> 00:12:47,037 COME ON, IF HE WAS YOUR GUY, 275 00:12:47,037 --> 00:12:49,499 HE'D BE DOWNPLAYING HIS FEELINGS FOR THERESA, 276 00:12:49,499 --> 00:12:52,002 NOT WEARING THEM ON HIS SLEEVE. COUPLE DOZEN BEST SELLERS 277 00:12:52,002 --> 00:12:54,845 DOESN'T MAKE YOU A CRIMINOLOGIST. I ALSO DON'T NEED A WEATHERMAN 278 00:12:54,845 --> 00:12:56,847 TO TELL ME THAT THE SKY IS BLUE. OH, FOR GOD SAKES. 279 00:12:56,847 --> 00:12:58,879 WHY DON'T YOU BOTH JUST DROP YOUR PANTS 280 00:12:58,879 --> 00:13:01,551 AND GET IT OVER WITH? I'M GAME. 281 00:13:01,551 --> 00:13:04,554 THE FACT IS, YOU'RE BOTH RIGHT. HE PROBABLY DIDN'T DO IT. 282 00:13:04,554 --> 00:13:07,057 BUT WHEN A CHILD'S LIFE IS AT STAKE, WE HAVE TO BE SURE. 283 00:13:07,057 --> 00:13:09,119 WE HAVE TO QUESTION EVERYTHING WE THINK WE KNOW. 284 00:13:09,119 --> 00:13:11,291 YOU GUYS KEEP ELLERS ON ICE UNTIL WE CAN TRACE 285 00:13:11,291 --> 00:13:13,263 EVERY SECOND OF HIS MORNING. 286 00:13:13,263 --> 00:13:15,265 WILL, YOU AND I ARE GOING BACK TO THE CANDELAS'. 287 00:13:15,265 --> 00:13:18,028 WE'RE GONNA PROFILE ALL OF THEIR ASSOCIATES. 288 00:13:18,028 --> 00:13:20,030 WHAT SHOULD I DO? 289 00:13:22,973 --> 00:13:24,975 I NEED YOU TO GO HOME. 290 00:13:28,278 --> 00:13:29,980 OKAY. 291 00:13:29,980 --> 00:13:33,083 BUT IF YOU NEED ME, CALL... 292 00:13:33,083 --> 00:13:34,985 EVEN IF IT'S JUST TO TALK. 293 00:13:51,261 --> 00:13:54,164 (Martha) TODD, HONEY... 294 00:13:54,164 --> 00:13:57,067 I REALLY, REALLY NEED YOU TO FOCUS 295 00:13:57,067 --> 00:13:59,069 ON CALIBRATING YOUR CREATIVE ENERGY. 296 00:13:59,069 --> 00:14:02,112 NOW BY CREATIVE ENERGY, WHAT DO I MEAN? 297 00:14:02,112 --> 00:14:05,175 I MEAN THE SOURCE OF YOUR POWER. 298 00:14:05,175 --> 00:14:08,548 THE SOURCE OF YOUR POWER, TODD, IS YOU. 299 00:14:08,548 --> 00:14:09,980 HOWDY, MOTHER. 300 00:14:09,980 --> 00:14:14,084 HELLO. YOU'RE... YOU'RE HERE. (chuckles) 301 00:14:14,084 --> 00:14:17,057 UM, I'M JUST FINISHING UP A SESSION 302 00:14:17,057 --> 00:14:19,029 IN MY OFFICE. 303 00:14:19,029 --> 00:14:21,131 I'M SO FLATTERED YOU HAVE MY FRAMED BOOK COVERS 304 00:14:21,131 --> 00:14:23,393 IN YOUR OFFICE. 305 00:14:23,393 --> 00:14:27,067 WELL, A COACH CAN NEVER BE TOO PROUD. 306 00:14:27,067 --> 00:14:30,100 MR. CASTLE, I JUST WANTED TO THANK YOU 307 00:14:30,100 --> 00:14:32,242 FOR BEING SO HONEST ABOUT YOUR STRUGGLE 308 00:14:32,242 --> 00:14:35,375 WITH PERSISTENT AND CHRONIC WRITER'S BLOCK. 309 00:14:35,375 --> 00:14:37,347 EXCUSE ME? 310 00:14:37,347 --> 00:14:39,349 WELL, TODD IS AN ASPIRING NOVELIST, 311 00:14:39,349 --> 00:14:42,482 SO I SHARED WITH HIM YOUR INSPIRING TALE 312 00:14:42,482 --> 00:14:44,414 OF TRIUMPH OVER ADVERSITY. 313 00:14:44,414 --> 00:14:47,587 WELL, HOW COURAGEOUS OF ME. 314 00:14:47,587 --> 00:14:52,062 GOOD LUCK, TODD. THANKS. I'LL TAKE THE YEAR-LONG PACKAGE. 315 00:14:52,062 --> 00:14:54,064 WAY TO BE DECISIVE, KIDDO. GOOD FOR YOU. 316 00:14:54,064 --> 00:14:57,127 I'LL SEE YOU NEXT WEEK. THANK YOU. NICE TO MEET YOU. 317 00:14:57,127 --> 00:14:59,029 AND REMEMBER, YOU IS WHO YOU IS. RIGHT. 318 00:14:59,029 --> 00:15:02,272 AND IF YOU AIN'T WHO YOU IS, WHO IS YOU? (door opens and closes) 319 00:15:02,272 --> 00:15:05,005 WELL, NICE TO SEE ALL THOSE YEARS AS AN ACTRESS 320 00:15:05,005 --> 00:15:07,037 HAVE REALLY PAID OFF. 321 00:15:07,037 --> 00:15:09,909 "FOCUS ON CALIBRATING YOUR CREATIVE ENERGIES"? 322 00:15:09,909 --> 00:15:13,213 I'LL HAVE YOU KNOW, TODD IS A VERY BRIGHT SPIRIT 323 00:15:13,213 --> 00:15:16,947 IN NEED OF DIRECTION. MOTHER, IT'S BAD ENOUGH THAT YOU'RE SLANDERING ME. 324 00:15:16,947 --> 00:15:18,949 DO YOU HAVE TO COMMANDEER MY OFFICE 325 00:15:18,949 --> 00:15:21,151 TO DO YOUR NEW AGE CODDLE SESSION? 326 00:15:21,151 --> 00:15:23,353 RICHARD, YOU CAN'T EXPECT ME TO PAY MANHATTAN RATES 327 00:15:23,353 --> 00:15:27,097 FOR OFFICE SPACE. WELL, HOW ABOUT THIS? YOU CANNOT BEAT THIS LOCATION. 328 00:15:27,097 --> 00:15:29,629 (sighs) PROXIMITY TO BEVERAGES AND SHARP UTENSILS. 329 00:15:29,629 --> 00:15:32,602 SWEETHEART, AS YOUR LIFE COACH, 330 00:15:32,602 --> 00:15:36,366 I HAVE TO URGE YOU TO SAY NAY TO YOUR INNER NAYSAYER. 331 00:15:36,366 --> 00:15:38,408 I CALL THAT A MARTHA-ISM. 332 00:15:38,408 --> 00:15:40,971 HOW IS IT THAT YOU DON'T KNOW WHO MY FATHER IS, 333 00:15:40,971 --> 00:15:44,314 YOU DON'T KNOW HOW YOUR EX-HUSBAND STOLE ALL YOUR MONEY, 334 00:15:44,314 --> 00:15:48,278 YET YOU ARE GIVING LIFE COACHING ADVICE? MISTAKES ARE THE BUILDING BLOCKS OF WISDOM. 335 00:15:48,278 --> 00:15:51,951 A MARTHA-ISM. BESIDES, FREUD WAS AN ADDICT. 336 00:15:51,951 --> 00:15:53,623 DIDN'T STOP HIM FROM HELPING PEOPLE. 337 00:15:53,623 --> 00:15:56,256 SADLY, FACED WITH HIS MOTHER'S... 338 00:15:56,256 --> 00:15:58,258 TWISTED YET UNIMPEACHABLE LOGIC, 339 00:15:58,258 --> 00:16:00,160 RICHARD CASTLE'S HEAD EXPLODED. 340 00:16:00,160 --> 00:16:02,592 AH, WELL. 341 00:16:02,592 --> 00:16:04,464 SO WHY ARE YOU HOME SO EARLY? 342 00:16:04,464 --> 00:16:06,536 WELL, THOUGHT I'D TAKE A LITTLE BREATHER. 343 00:16:06,536 --> 00:16:09,539 WORKING ON A, UH, KIDNAPPING CASE. A LITTLE GIRL. 344 00:16:09,539 --> 00:16:12,202 NO WONDER YOU'RE SO SURLY. 345 00:16:12,202 --> 00:16:15,145 THOSE POOR PARENTS, HAVING A CHILD RIPPED AWAY... 346 00:16:15,145 --> 00:16:18,148 I CAN'T IMAGINE HOW THEY MUST FEEL. IS ALEXIS HOME? 347 00:16:18,148 --> 00:16:20,010 SHE'S UPSTAIRS. 348 00:16:20,010 --> 00:16:22,052 I'M FEELING A DEEP-SEATED NEED FOR A HUG. 349 00:16:22,052 --> 00:16:24,054 PERFECTLY UNDERSTANDABLE. 350 00:16:24,054 --> 00:16:26,316 AFTER ALL, WE ARE POD-MATES. 351 00:16:26,316 --> 00:16:29,289 ANOTHER MARTHA-ISM. I CALL IT THE PEAPOD BOND-- 352 00:16:29,289 --> 00:16:32,192 YOU KNOW, THE BOND THAT EXISTS BETWEEN PARENT AND CHILD-- 353 00:16:32,192 --> 00:16:34,164 YOU AND ME, YOU AND ALEXIS. 354 00:16:34,164 --> 00:16:36,596 WE'RE ALL PEAS IN A POD, AND WHETHER WE LIKE IT OR NOT, 355 00:16:36,596 --> 00:16:39,769 EVERYONE WHO'S EVER HAD A CHILD IS IN THE POD FOREVER. 356 00:16:39,769 --> 00:16:42,132 THE PEAPOD BOND. (chuckles) 357 00:16:42,132 --> 00:16:43,433 ALEXIS! 358 00:16:43,433 --> 00:16:45,135 THANK YOU, MOTHER. OH! 359 00:16:45,135 --> 00:16:47,437 I'LL DEDUCT MY SESSION FEE FROM YOUR RENT. 360 00:16:47,437 --> 00:16:49,439 WHOA, WHOA, WHOA. YOU MIGHT WANT TO CONSIDER 361 00:16:49,439 --> 00:16:51,481 THE YEAR-LONG PACKAGE. IT'S A BARGAIN! 362 00:16:51,481 --> 00:16:52,782 OOH. OH! (grunts) 363 00:16:52,782 --> 00:16:55,345 (both laugh) 364 00:16:55,345 --> 00:16:59,089 WHAT WAS THAT FOR? JUST A PEAPOD THING. GRAMWILL EXPLAIN. 365 00:17:06,056 --> 00:17:07,527 HEY. 366 00:17:07,527 --> 00:17:09,028 HEY, YOURSELF. 367 00:17:09,028 --> 00:17:10,530 WANT SOME? 368 00:17:10,530 --> 00:17:12,102 YEAH, THANKS. 369 00:17:12,102 --> 00:17:14,604 SO I JUST GOT WORD FROM MY GUYS, 370 00:17:14,604 --> 00:17:16,606 AND ELLERS IS A DEAD END. 371 00:17:16,606 --> 00:17:19,609 THE OWNER OVER AT PARADISE DINER ON EAST 62nd 372 00:17:19,609 --> 00:17:21,111 VOUCHED THAT HE WAS HAVING 373 00:17:21,111 --> 00:17:23,113 HIS USUAL POACHED EGGS THIS MORNING. 374 00:17:23,113 --> 00:17:25,415 HMM. WOULD HAVE BEEN TOO EASY, RIGHT? 375 00:17:25,415 --> 00:17:27,247 HMM. 376 00:17:27,247 --> 00:17:29,619 OR OVER EASY? 377 00:17:32,522 --> 00:17:36,086 THAT'S LIKE SOMETHING CASTLE WOULD SAY. 378 00:17:36,086 --> 00:17:38,228 YOU LIKE HIM. 379 00:17:42,532 --> 00:17:45,195 NO, I JUST, UM... 380 00:17:45,195 --> 00:17:47,267 I DON'T KNOW. 381 00:17:47,267 --> 00:17:49,299 I THINK HE'S INTERESTING. 382 00:17:49,299 --> 00:17:51,471 SO YOU'RE NOT... 383 00:17:51,471 --> 00:17:55,105 TOGETHER? NO. 384 00:17:58,378 --> 00:18:00,810 I MEANT TO CALL. 385 00:18:00,810 --> 00:18:04,284 MUST HAVE PICKED UP THE PHONE A DOZEN TIMES. 386 00:18:06,286 --> 00:18:09,289 YEAH, I KNOW. YOU MEANT TO DO A LOT OF THINGS. 387 00:18:09,289 --> 00:18:12,862 THAT'S WHY YOU LEFT, REMEMBER? 388 00:18:12,862 --> 00:18:16,166 BOSTON WAS A GREAT OPPORTUNITY. 389 00:18:16,166 --> 00:18:18,168 I'M NOT SAYING THAT IT WASN'T. 390 00:18:18,168 --> 00:18:20,670 I'M JUST SAYING, IT WAS A CHOICE... 391 00:18:20,670 --> 00:18:23,303 THAT DIDN'T INCLUDE ME. 392 00:18:23,303 --> 00:18:26,476 YOU COULD HAVE COME. AND THEN DONE WHAT? 393 00:18:26,476 --> 00:18:30,440 JOIN THE BOSTON P.D., AND THEN YOU HAVE TO MOVE TO PHOENIX 394 00:18:30,440 --> 00:18:32,882 AND THEN CLEVELAND, AND THEN YOU'RE BACK HERE? 395 00:18:32,882 --> 00:18:36,115 I MEAN, WE BOTH KNOW WHAT THAT LIFE IS ALL ABOUT. 396 00:18:36,115 --> 00:18:38,248 DIDN'T STOP ME FROM MISSING YOU, 397 00:18:38,248 --> 00:18:40,190 MISSING US. 398 00:18:40,190 --> 00:18:42,892 SUNDAYS IN THE PARK... 399 00:18:42,892 --> 00:18:45,825 THOSE RIDICULOUS NEON ICE SKATES 400 00:18:45,825 --> 00:18:48,158 AT ROCKEFELLER CENTER. 401 00:18:48,158 --> 00:18:52,702 I WILL HAVE YOU KNOW THAT THOSE ICE SKATES ARE AWESOME. 402 00:18:54,764 --> 00:18:57,437 IT WASN'T THE SKATES. 403 00:19:02,141 --> 00:19:03,673 WILL, I-I-- 404 00:19:03,673 --> 00:19:06,376 UM... 405 00:19:09,679 --> 00:19:12,582 OH! I THOUGHT COPS AND FEDS HATED EACH OTHER. 406 00:19:12,582 --> 00:19:14,854 THEY SAY JUSTICE NEVER SLEEPS. I THINK I KNOW WHY. 407 00:19:14,854 --> 00:19:18,528 WE WERE JUST, UH-- BEING CONSENTING ADULTS. I'M NOT JUDGING. 408 00:19:18,528 --> 00:19:20,830 I THOUGHT I TOLD YOU TO GO HOME. I DID GO HOME, 409 00:19:20,830 --> 00:19:25,335 BUT THEN MY MOTHER TOLD ME SOMETHING THAT COULDN'T WAIT. YOU LIVE WITH YOUR MOTHER? 410 00:19:25,335 --> 00:19:27,837 YEAH, APPARENTLY, WE'RE PEAS IN A POD. 411 00:19:27,837 --> 00:19:30,770 BUT THE IMPORTANT POINT IS, ANGELA IS ADOPTED. SO? 412 00:19:30,770 --> 00:19:33,903 SO PRIOR TO GIVING UP HER BABY, THE BIRTH MOTHER WOULD HAVE 413 00:19:33,903 --> 00:19:36,676 BEEN GIVEN BACKGROUND ON THE CANDELAS, 414 00:19:36,676 --> 00:19:39,609 SPECIFICALLY THEIR ABILITY TO SUPPORT THE CHILD. KNOWLEDGE OF THEIR FINANCES. 415 00:19:39,609 --> 00:19:41,611 REALLY, KATE, WE'RE GONNA WASTE TIME 416 00:19:41,611 --> 00:19:44,454 ON THE INSIGHTS OF NANCY DREW HERE? IS THAT SUPPOSED TO BE AN INSULT? 417 00:19:44,454 --> 00:19:46,416 BECAUSE NANCY DREW SOLVED EVERY CASE. 418 00:19:46,416 --> 00:19:48,758 LOOK, OKAY, AND I'M QUOTING HERE, 419 00:19:48,758 --> 00:19:51,721 "WHEN A CHILD'S LIFE IS AT STAKE, WE HAVE TO BE SURE, 420 00:19:51,721 --> 00:19:54,364 WHICH MEANS WE HAVE TO QUESTION EVERYTHING WE THINK WE KNOW." 421 00:19:54,364 --> 00:19:56,195 (woman) I WAS A JUNIOR IN HIGH SCHOOL. 422 00:19:56,195 --> 00:19:58,468 WHAT WAS I GONNA DO WITH A BABY? 423 00:19:58,468 --> 00:20:01,931 (Sorenson) IT'S BEEN TWO YEARS, MISS GOMEZ. 424 00:20:01,931 --> 00:20:03,903 TWO YEARS IS STILL A LONG TIME 425 00:20:03,903 --> 00:20:06,906 TO THINK ABOUT A DECISION YOU MADE WHEN YOU WERE 16. 426 00:20:06,906 --> 00:20:08,908 WHAT AM I DOING HERE? WHAT IS THIS ABOUT? 427 00:20:08,908 --> 00:20:10,910 WE'RE TALKING ABOUT THE BABY 428 00:20:10,910 --> 00:20:13,443 AND YOUR REGRETTING YOUR DECISION. 429 00:20:13,443 --> 00:20:18,618 MY DECISION? I DON'T REGRET MY DECISION. THEN WHY DID YOU TRY TO FIND HER? 430 00:20:18,618 --> 00:20:21,351 WHAT ARE YOU TALKING ABOUT? 431 00:20:21,351 --> 00:20:24,554 THIS IS A PETITION THAT YOU FILED WITH THE ADOPTION AGENCY 432 00:20:24,554 --> 00:20:26,556 A COUPLE OF MONTHS AGO. 433 00:20:26,556 --> 00:20:28,858 IT'S A FORM REQUESTING THE IDENTITY 434 00:20:28,858 --> 00:20:32,562 OF THE ADOPTIVE PARENTS OF ANGELA. 435 00:20:32,562 --> 00:20:33,863 A SIGNED FORM. 436 00:20:33,863 --> 00:20:37,637 NO. THAT'S NOT MY SIGNATURE. LUCIA, I'M NOT-- 437 00:20:37,637 --> 00:20:39,939 NO, REALLY. LOOK, YOU CAN SEE FOR YOURSELF. 438 00:20:39,939 --> 00:20:42,942 THAT'S NOT MY SIGNATURE. 439 00:20:42,942 --> 00:20:46,015 WHY? WHAT'S GOING ON? 440 00:20:46,015 --> 00:20:48,848 WHAT HAPPENED TO HER? IS SHE OKAY? 441 00:20:48,848 --> 00:20:52,552 DID ANYONE IN YOUR FAMILY OBJECT TO YOU GIVING UP YOUR BABY? 442 00:20:52,552 --> 00:20:55,285 NO, NO ONE. MY--MY MOM EVEN HELPED ME WITH IT. 443 00:20:55,285 --> 00:20:57,387 AND THE FATHER? 444 00:20:57,387 --> 00:20:59,389 JUAN? 445 00:20:59,389 --> 00:21:02,031 UH, HE WAS IN IRAQ WHEN I HAD HER, 446 00:21:02,031 --> 00:21:03,933 BUT WE TALKED ABOUT IT. 447 00:21:03,933 --> 00:21:06,696 HE WAS COOL. 448 00:21:06,696 --> 00:21:09,869 ARE YOU SURE ABOUT THAT? 449 00:21:09,869 --> 00:21:12,271 HE STILL IN IRAQ? 450 00:21:12,271 --> 00:21:15,004 NO, HE GOT BACK A COUPLE MONTHS AGO. 451 00:21:19,048 --> 00:21:21,511 JUAN RESTREPO? 452 00:21:21,511 --> 00:21:25,655 NYPD. WE'D LIKE TO ASK YOU SOME-- OH! 453 00:21:25,655 --> 00:21:28,688 GO, GO, GO, GO! HEY! 454 00:21:28,688 --> 00:21:31,621 FREEZE! HANDS UP! 455 00:21:31,621 --> 00:21:33,523 (tires screech) 456 00:21:33,523 --> 00:21:35,595 (Sorenson) FREEZE! 457 00:21:35,595 --> 00:21:37,427 KEEP YOUR HANDS UP! 458 00:21:37,427 --> 00:21:39,499 (car door closes) 459 00:21:39,499 --> 00:21:41,531 (Esposito) ON THE GROUND. ON THE GROUND! 460 00:21:41,531 --> 00:21:44,033 HIT THE GROUND! 461 00:21:51,741 --> 00:21:53,042 SO WHY'D YOU RUN? 462 00:21:53,042 --> 00:21:55,745 IN MY NEIGHBORHOOD, WHEN YOU SEE A COP, 463 00:21:55,745 --> 00:21:57,587 THAT'S WHAT YOU DO. (men speaking indistinctly) 464 00:21:57,587 --> 00:22:02,352 WHAT? NO, UH, GOOD COP/BAD FED? 465 00:22:02,352 --> 00:22:04,354 THE GUY DID TWO TOURS IN THE GULF. 466 00:22:04,354 --> 00:22:07,357 I GO OVER THERE, HE'D TURN IT INTO A PISSING MATCH. 467 00:22:07,357 --> 00:22:10,730 BUT KATE, SHE'S GOT A WAY OF SNEAKING UP ON PEOPLE. 468 00:22:10,730 --> 00:22:12,832 YOU MEAN LIKE LAST NIGHT? 469 00:22:12,832 --> 00:22:16,005 (Ryan) UGH! CAN YOU BELIEVE THIS? 470 00:22:16,005 --> 00:22:18,007 DUDE DETAILS CARS FOR A LIVING. 471 00:22:18,007 --> 00:22:21,040 YOU'D THINK HE'D HAVE A LITTLE MORE PRIDE IN HIS RIDE. 472 00:22:21,040 --> 00:22:23,913 I'M JUST SAYING, 473 00:22:23,913 --> 00:22:26,676 IT LOOKED LIKE QUITE A KISS. 474 00:22:26,676 --> 00:22:28,618 YOU JEALOUS, CASTLE? 475 00:22:28,618 --> 00:22:32,051 ME? NO, BUT YOU HAVE TO ADMIT... I WAS RIGHT. 476 00:22:32,051 --> 00:22:35,785 YOU ARE JEALOUS... THAT I HOOKED HER. 477 00:22:35,785 --> 00:22:39,058 WHAT'S THERE TO BE JEALOUS OF? YOU COULDN'T REEL HER IN. 478 00:22:39,058 --> 00:22:41,130 WE'LL SEE ABOUT THAT. 479 00:22:42,962 --> 00:22:46,065 I WAS 18 WHEN LUCIA GOT PREGNANT. 480 00:22:46,065 --> 00:22:49,098 SIX MONTHS IN, I GOT DEPLOYED. 481 00:22:49,098 --> 00:22:52,001 I NEVER EVEN HAD THE CHANCE TO SEE HER. 482 00:22:52,001 --> 00:22:54,544 BUT YOU SIGNED THE ADOPTION PAPERS. 483 00:22:54,544 --> 00:22:56,546 YOU KNOW, WHEN YOU'RE OVER THERE, 484 00:22:56,546 --> 00:22:58,047 YOU SEE SO MANY KIDS. 485 00:22:58,047 --> 00:22:59,549 I JUST... 486 00:22:59,549 --> 00:23:01,911 I NEEDED TO KNOW SHE WAS OKAY. 487 00:23:01,911 --> 00:23:05,485 I-I FILLED OUT THE FORM, AND I PUT LUCIA'S NAME INSTEAD. 488 00:23:05,485 --> 00:23:07,487 YOU GOT AN ADDRESS. 489 00:23:07,487 --> 00:23:09,689 YEAH, DUDE FELT BAD FOR ME. 490 00:23:09,689 --> 00:23:11,861 HE WAS OVER THERE, TOO, IN GULF ONE, 491 00:23:11,861 --> 00:23:14,093 AND HE ONLY LOST AN ARM. AND WHAT DID YOU LOSE? 492 00:23:14,093 --> 00:23:17,026 AN I.E.D. HIT MY HUMVEE. 493 00:23:17,026 --> 00:23:19,929 THE SHRAPNEL TORE THROUGH THE FLOOR. 494 00:23:19,929 --> 00:23:22,932 THE DOC SAYS I'M NEVER GONNA HAVE KIDS OF MY OWN, 495 00:23:22,932 --> 00:23:24,934 SO... YEAH, I GOT AN ADDRESS, 496 00:23:24,934 --> 00:23:27,677 AND I WENT TO GO SEE MY DAUGHTER. 497 00:23:27,677 --> 00:23:30,480 SO YOU KIDNAP HER AND YOU ASK HER ADOPTIVE PARENTS FOR MONEY? 498 00:23:30,480 --> 00:23:32,041 WAIT, "KIDNAP HER"? SHE WAS KIDNAPPED? 499 00:23:32,041 --> 00:23:34,684 AND YOU THINK I DID THAT? 500 00:23:34,684 --> 00:23:38,448 ALL I EVER WANTED TO KNOW WAS THAT SHE WAS OKAY! IS SHE?! 501 00:23:38,448 --> 00:23:40,590 (police radio chatter) 502 00:23:40,590 --> 00:23:43,422 YO. BIRTH DAD? HIS STORY CHECKS OUT. 503 00:23:43,422 --> 00:23:45,725 LIMO COMPANY HAD HIM DOING THEIR FLEET YESTERDAY. 504 00:23:45,725 --> 00:23:48,057 I DON'T CARE. HE HAD MOTIVE AND OPPORTUNITY. 505 00:23:48,057 --> 00:23:50,500 HIS MOTIVE WAS THE INSTINCT OF FATHERHOOD. 506 00:23:50,500 --> 00:23:53,062 IF HE TOOK HER, HE'D HAVE BEEN WITH HER, 507 00:23:53,062 --> 00:23:56,936 NOT AT SOME $12-AN-HOUR DETAILING JOB. DOESN'T MATTER. I WANT E.S.U. ON HIS PLACE. 508 00:23:56,936 --> 00:23:59,709 IT'S NOT HIM, WILL. WE'RE AT SQUARE FREAKIN' ONE, 509 00:23:59,709 --> 00:24:02,041 AND WE'VE GOT NOTHING. YOU CAN SEND E.S.U. 510 00:24:02,041 --> 00:24:04,213 WHEREVER YOU WANT, BUT I'M NOT LOSING THIS ONE. 511 00:24:04,213 --> 00:24:08,447 WHAT DID SHE MEAN, "NOT LOSING THIS ONE"? 512 00:24:08,447 --> 00:24:12,582 THE CASE WE WORKED. 513 00:24:12,582 --> 00:24:14,884 I THOUGHT YOU GOT THE GUY. 514 00:24:14,884 --> 00:24:16,956 WE DID, BUT... 515 00:24:16,956 --> 00:24:19,989 THE KID WAS ALREADY DEAD. 516 00:24:19,989 --> 00:24:23,192 (cell phone rings) 517 00:24:23,192 --> 00:24:25,134 (ring) 518 00:24:25,134 --> 00:24:26,766 SORENSON. 519 00:24:26,766 --> 00:24:29,168 ON MY WAY. 520 00:24:29,168 --> 00:24:32,001 ANOTHER CALL ABOUT THE RANSOM. 521 00:24:32,001 --> 00:24:34,043 (woman) THEY ASKED FOR 75 PACKS OF HUNDREDS, 522 00:24:34,043 --> 00:24:37,076 RANDOMIZED SERIAL NUMBERS AND WARNED AGAINST BAIT MONEY, 523 00:24:37,076 --> 00:24:40,179 DYE PACKS AND TRACKERS. SOUNDS LIKE THEY KNOW YOUR PLAYBOOK. 524 00:24:40,179 --> 00:24:42,752 THEY WERE DETAILED DOWN TO THE MAKE, 525 00:24:42,752 --> 00:24:45,585 MODEL AND COLOR OF THE BACKPACK. DROP INSTRUCTIONS? 526 00:24:45,585 --> 00:24:48,217 WE WAIT FOR THEIR CALL. ALL RIGHT, LET'S GET THE MONEY SET, 527 00:24:48,217 --> 00:24:50,890 BE READY TO MAKE THE DROP. 528 00:24:50,890 --> 00:24:54,193 WHY DIDN'T THEY TELL US WHERE TO BRING THE MONEY? THEY'RE TESTING YOU. IT'S NOT UNUSUAL. 529 00:24:54,193 --> 00:24:56,225 WHICH MEANS BEFORE WE MAKE THE DROP, 530 00:24:56,225 --> 00:24:58,227 WE'LL NEED TO TEST THEM. 531 00:24:58,227 --> 00:25:02,001 WE'LL NEED PROOF THAT THEY HAVE ANGELA AND THAT SHE'S OKAY. 532 00:25:02,001 --> 00:25:05,134 WHAT IF THEY DON'T GIVE ANY? WHAT IF THEY REFUSE? HOW CAN YOU THINK THAT? 533 00:25:05,134 --> 00:25:07,276 I'M JUST SAYING-- WHAT, YOU THINK SHE'S DEAD? 534 00:25:07,276 --> 00:25:09,579 NO, OF COURSE NOT. I SHOULD'VE GOTTEN UP. 535 00:25:09,579 --> 00:25:12,081 I SHOULDN'T HAVE LET YOU WATCH HER. DON'T SAY THAT. 536 00:25:12,081 --> 00:25:14,043 DON'T TELL ME WHAT TO SAY! 537 00:25:14,043 --> 00:25:16,686 TELL ME, ALFRED, WAS IT WORTH IT?! 538 00:25:16,686 --> 00:25:19,018 WAS IT WORTH OUR LITTLE GIRL?! 539 00:25:19,018 --> 00:25:21,050 OH! OH, MY... 540 00:25:28,127 --> 00:25:30,900 MRS. CANDELA? 541 00:25:33,102 --> 00:25:34,704 THERESA... 542 00:25:34,704 --> 00:25:37,036 YOU CAN'T GIVE IN TO YOUR FEAR. 543 00:25:37,036 --> 00:25:39,609 NEITHER YOU NOR YOUR HUSBAND IS RESPONSIBLE 544 00:25:39,609 --> 00:25:41,070 FOR WHAT HAPPENED. 545 00:25:41,070 --> 00:25:44,073 (telephone rings) 546 00:25:44,073 --> 00:25:45,745 COME ON. 547 00:25:45,745 --> 00:25:49,148 (ring) 548 00:25:49,148 --> 00:25:51,050 REMEMBER, NO PROOF, NO MONEY. 549 00:25:51,050 --> 00:25:53,723 WE NEED TO BE FIRM ON THAT. (ring) 550 00:25:53,723 --> 00:25:55,785 OKAY? HERE WE GO. (beep) 551 00:25:55,785 --> 00:25:57,286 HELLO. 552 00:25:57,286 --> 00:25:59,228 (distorted voice) Listen carefully. 553 00:25:59,228 --> 00:26:01,961 Any deviation, and your daughter dies. 554 00:26:01,961 --> 00:26:04,093 I UNDERSTAND. 555 00:26:04,093 --> 00:26:06,936 A civilian, not a cop, must make the drop, 556 00:26:06,936 --> 00:26:09,238 or we kill the girl. 557 00:26:09,238 --> 00:26:11,771 We see police or FBI, and she dies. 558 00:26:11,771 --> 00:26:14,974 Do you have the money? YES. 750, LIKE YOU SAID. 559 00:26:14,974 --> 00:26:17,276 Put it in the backpack and bring it 560 00:26:17,276 --> 00:26:20,349 to the northeast corner of 1st Avenue and 47th. 561 00:26:20,349 --> 00:26:23,613 There's a mailbox there with a cell phone taped underneath. 562 00:26:23,613 --> 00:26:26,055 We'll text further instructions once you're there. 563 00:26:26,055 --> 00:26:28,087 When we have the money, 564 00:26:28,087 --> 00:26:30,119 then we'll call with the girl's location. 565 00:26:30,119 --> 00:26:33,092 (whispers) ASK FOR PROOF THAT ANGELA'S OKAY. 566 00:26:33,092 --> 00:26:37,997 YOU WON'T GET ANY MONEY UNTIL I KNOW MY LITTLE GIRL IS OKAY. 567 00:26:37,997 --> 00:26:40,199 (Angela) Mama? (sighs) 568 00:26:40,199 --> 00:26:42,271 HI, SWEETHEART. 569 00:26:42,271 --> 00:26:44,273 (distorted voice) You have one hour. 570 00:26:44,273 --> 00:26:46,005 (line disconnects) 571 00:26:46,005 --> 00:26:48,838 (dial tone drones) 572 00:26:48,838 --> 00:26:50,209 (beep) 573 00:26:50,209 --> 00:26:52,281 ONCE THEY GET PAID, THERE'S NO INCENTIVE 574 00:26:52,281 --> 00:26:54,383 TO KEEP HER ALIVE, SO I'LL MAKE THE DROP. 575 00:26:54,383 --> 00:26:57,016 FIGURE, WE'LL PLACE OUR PEOPLE AT A 1-BLOCK RADIUS 576 00:26:57,016 --> 00:26:58,718 FROM THE MAILBOX. 577 00:26:58,718 --> 00:27:00,990 NO. THEY SAID NO COPS. 578 00:27:00,990 --> 00:27:02,952 IT'S OKAY. I'VE DONE THIS BEFORE. 579 00:27:02,952 --> 00:27:06,095 AND THEY WON'T KNOW I'M AN FBI AGENT. AND IF THEY DO? 580 00:27:06,095 --> 00:27:09,759 MR. CANDELA, WE NEED THIS TO GO AS SMOOTHLY AS POSSIBLE. 581 00:27:09,759 --> 00:27:11,100 SHE'S MY DAUGHTER, 582 00:27:11,100 --> 00:27:13,963 AND WE'RE GONNA FOLLOW THEIR INSTRUCTIONS TO THE LETTER. 583 00:27:13,963 --> 00:27:16,966 THEY SAID NO COPS. 584 00:27:16,966 --> 00:27:21,070 LOOK, I'M HER FATHER, 585 00:27:21,070 --> 00:27:23,913 AND I CAN DO THIS. 586 00:27:26,946 --> 00:27:30,219 DO I MAKE MYSELF CLEAR? 587 00:27:35,855 --> 00:27:38,057 NO WAY WE CAN SEND THE FATHER. 588 00:27:38,057 --> 00:27:40,960 TOO MANY THINGS COULD GO WRONG. HE'S TOO EMOTIONAL. 589 00:27:40,960 --> 00:27:42,992 WHAT CHOICE DO WE HAVE? (Castle) ME. 590 00:27:42,992 --> 00:27:44,734 WHAT? 591 00:27:44,734 --> 00:27:48,037 I'M NOT A COP. I'M CERTAINLY NOT EMOTIONAL. 592 00:27:48,037 --> 00:27:49,739 NO. ABSOLUTELY NOT. 593 00:27:49,739 --> 00:27:52,802 THE NYPD ALREADY HAS A SIGNED WAIVER FROM ME, 594 00:27:52,802 --> 00:27:55,975 AND I DON'T LIKE SAYING THIS, BUT YOU'RE RUNNING OUT OF TIME. 595 00:27:55,975 --> 00:27:59,008 CASTLE'S RIGHT. YOU CAN'T BE SERIOUS. 596 00:27:59,008 --> 00:28:01,050 HE'S BEEN WITH ME ON CASES BEFORE. 597 00:28:01,050 --> 00:28:03,112 HE'S GOOD UNDER PRESSURE. 598 00:28:03,112 --> 00:28:05,785 AND HE'S OUR BEST SHOT. 599 00:28:15,725 --> 00:28:18,197 (laughing) 600 00:28:18,197 --> 00:28:21,901 (man speaking Spanish) 601 00:28:21,901 --> 00:28:23,903 (Alfred) ARE YOU GETTING THIS? 602 00:28:23,903 --> 00:28:25,875 (Theresa) I GOT IT. 603 00:28:25,875 --> 00:28:27,877 LOOK AT HER GO. 604 00:28:27,877 --> 00:28:29,238 (laughs) 605 00:28:33,282 --> 00:28:35,785 (sniffles) 606 00:28:38,988 --> 00:28:41,120 (Beckett) OKAY, SO THIS IS USUALLY THE PART 607 00:28:41,120 --> 00:28:43,993 WHERE I ASK IF YOU'VE THOUGHT THIS THROUGH, 608 00:28:43,993 --> 00:28:47,156 AND THEN I REMEMBERED, YOU DON'T THINK THINGS THROUGH. (gasps) COLD HANDS, COLD HANDS. 609 00:28:47,156 --> 00:28:49,829 THESE PEOPLE ARE DANGEROUS, CASTLE. 610 00:28:49,829 --> 00:28:52,001 YOU NEED TO STAY ALERT AND FOCUSED. 611 00:28:52,001 --> 00:28:54,233 ALERT AND FOCUSED, GOT IT. (gasps) MAYBE IF-- 612 00:28:54,233 --> 00:28:57,006 MAYBE IF YOU JUST RUBBED 'EM TOGETHER FOR A SECOND. 613 00:28:57,006 --> 00:28:59,138 WAIT, WAIT. ALERT AND WHAT? 614 00:28:59,138 --> 00:29:01,270 I'M JUST KIDDING. 615 00:29:01,270 --> 00:29:03,242 YOU'RE GOOD TO GO. THANKS. 616 00:29:03,242 --> 00:29:04,944 HEY, IT'S GONNA BE OKAY. 617 00:29:07,046 --> 00:29:09,819 LOOK, ABOUT... LAST NIGHT, 618 00:29:09,819 --> 00:29:12,381 WHAT HAPPENED IN THE KITCHEN, I-I-I JUST-- 619 00:29:12,381 --> 00:29:15,885 OH, LISTEN, YOU DON'T NEED TO EXPLAIN THAT. THAT'S-- I DON'T? 620 00:29:15,885 --> 00:29:17,286 UNLESS YOU WANT TO. 621 00:29:17,286 --> 00:29:19,528 UH, NO, YOU KNOW, I JU--I JUST FIGURED, 622 00:29:19,528 --> 00:29:21,961 FOR THE CHARACTER, FOR NIKKI HEAT-- 623 00:29:21,961 --> 00:29:24,293 YEAH, YOU--I THINK-- I THINK UNDERSTAND NIKKI HEAT 624 00:29:24,293 --> 00:29:28,297 BETTER THAN YOU THINK I DO. 625 00:29:28,297 --> 00:29:30,970 BE CAREFUL, OKAY? 626 00:29:33,272 --> 00:29:35,975 DO I DETECT ACTUAL CONCERN FOR MY WELL-BEING? 627 00:29:35,975 --> 00:29:37,977 SCREW THIS UP, AND I'LL KILL YOU. 628 00:29:37,977 --> 00:29:39,548 THAT'S MORE LIKE IT. 629 00:29:43,252 --> 00:29:48,317 OKAY, I HAVE EYES ON THE TARGET. OVER. 630 00:29:48,317 --> 00:29:51,120 ARE YOU READING ME? (Beckett) We don't have to read you. 631 00:29:51,120 --> 00:29:53,262 WE CAN SEE YOU. NOW SHUT UP AND FOCUS. 632 00:29:53,262 --> 00:29:56,065 ROGER THAT. FIVE BY FIVE. 633 00:29:56,065 --> 00:29:58,027 HE'S QUITE A GUY. IF HE ONLY KNEW 634 00:29:58,027 --> 00:30:01,330 HOW BIG A FAN YOU REALLY ARE. YEAH, WELL, HE'S NOT GOING TO KNOW. 635 00:30:03,272 --> 00:30:06,275 YOU NEVER TOLD HIM HOW YOU STOOD IN LINE FOR AN HOUR 636 00:30:06,275 --> 00:30:09,078 JUST TO GET YOUR BOOK SIGNED... 637 00:30:09,078 --> 00:30:12,882 HOW HIS NOVELS GOT YOU THROUGH YOUR MOTHER'S DEATH? 638 00:30:12,882 --> 00:30:14,914 IS THERE ANYTHING YOU DON'T REMEMBER? 639 00:30:14,914 --> 00:30:18,187 NOT WHEN IT COMES TO YOU. 640 00:30:28,427 --> 00:30:31,130 (grunts) I FEEL LIKE MICHAEL FINDING THE GUN 641 00:30:31,130 --> 00:30:33,963 TAPED BEHIND THE TOILET. 642 00:30:33,963 --> 00:30:36,265 UH... (cell phone chimes) 643 00:30:36,265 --> 00:30:39,468 YOU MIGHT WANT TO TELL RYAN AND ESPOSITO TO HANG BACK. 644 00:30:39,468 --> 00:30:42,071 THEY JUST SENT A TEXT. IT SAYS, "WE'RE WATCHING YOU." 645 00:30:42,071 --> 00:30:44,243 IT COULD BE JUST A RUSE. 646 00:30:44,243 --> 00:30:47,576 (chime) NOPE. THEY JUST SENT ANOTHER ONE. 647 00:30:47,576 --> 00:30:50,449 IT SAYS, "YOU'RE WEARING A BLACK RAINCOAT." 648 00:30:50,449 --> 00:30:53,422 OKAY, SO THEY CAN SEE YOU. THAT DOESN'T CHANGE ANYTHING. 649 00:30:53,422 --> 00:30:56,986 (cell phone beeping) 650 00:31:01,860 --> 00:31:04,994 TELL HIM TO STOP FOOLING AROUND. LIKE THAT'LL HELP. 651 00:31:04,994 --> 00:31:07,496 (chime) OKAY... 652 00:31:07,496 --> 00:31:11,070 IT SAYS, "CROSS THE STREET, 653 00:31:11,070 --> 00:31:14,343 AND HEAD WEST ON EAST 47th." 654 00:31:14,343 --> 00:31:16,175 (horn blares) THAT'S LEFT, RIGHT? 655 00:31:16,175 --> 00:31:18,177 (both) RIGHT. (Castle) Right, right? 656 00:31:18,177 --> 00:31:20,149 OR RIGHT, LEFT? (both) LEFT. 657 00:31:20,149 --> 00:31:23,082 (horn honking) (man shouting in Spanish) 658 00:31:23,082 --> 00:31:24,914 "1201 1st." 659 00:31:24,914 --> 00:31:26,215 THAT'S JUST AHEAD. 660 00:31:26,215 --> 00:31:30,059 GOT IT. WE SEE HIM. 661 00:31:33,322 --> 00:31:35,894 (cell phone chimes) 662 00:31:35,894 --> 00:31:38,928 THEY WANT ME TO LEAVE THE BAG AT THE SHOESHINE STAND 663 00:31:38,928 --> 00:31:41,070 AND EXIT OUT THE SIDE. 664 00:31:50,009 --> 00:31:51,640 ALL RIGHT. 665 00:31:51,640 --> 00:31:53,382 I'M AT THE STAND. 666 00:31:53,382 --> 00:31:56,215 THEN HAVE HIM MAKE THE DROP. CASTLE, LEAVE THE BAG. 667 00:31:56,215 --> 00:31:59,118 Make the drop and walk away. 668 00:32:01,951 --> 00:32:04,623 COMING IN. DON'T HAVE HIM YET. 669 00:32:04,623 --> 00:32:06,956 I JUST LEFT IT. I'M HEADED OUT. 670 00:32:06,956 --> 00:32:08,157 ESPOSITO, RYAN... 671 00:32:08,157 --> 00:32:10,960 you got eyes? I SEE THE SHOESHINE STAND. 672 00:32:10,960 --> 00:32:13,432 WAIT. I GOT THE BACKPACK. ASIAN MALE... 673 00:32:13,432 --> 00:32:16,005 long hair. I got him, I got him! 674 00:32:16,005 --> 00:32:17,136 (grunts) 675 00:32:17,136 --> 00:32:20,139 WHERE'S THE GIRL? WHERE'S ANGELA? 676 00:32:20,139 --> 00:32:23,042 WHAT GIRL? I DON'T KNOW WHAT YOU'RE TALKING ABOUT! 677 00:32:28,147 --> 00:32:29,648 RYAN! RYAN! 678 00:32:41,560 --> 00:32:44,293 (Beckett) THE KIDNAPPERS POSTED AN AD ON craigslist 679 00:32:44,293 --> 00:32:46,495 AND SAID THAT THIS WAS A PERFORMANCE ART PIECE 680 00:32:46,495 --> 00:32:48,067 FOR YouTube. 681 00:32:48,067 --> 00:32:50,739 THEY SENT OUT NEARLY TWO DOZEN OF THE BACKPACKS. 682 00:32:50,739 --> 00:32:52,741 THE POSTER USED AN I.P. ANONYMIZER, 683 00:32:52,741 --> 00:32:56,605 MAKING IT IMPOSSIBLE TO TRACE. SO WE JUST DO NOTHING? 684 00:32:56,605 --> 00:32:59,008 WELL, I MANAGED TO SLIP THE PHONE THAT THE KIDNAPPERS 685 00:32:59,008 --> 00:33:01,010 GAVE ME INSIDE THE BACKPACK. 686 00:33:01,010 --> 00:33:03,282 I DON'T UNDERSTAND. WELL, BEFORE I DID THAT, 687 00:33:03,282 --> 00:33:07,156 I SENT A TEXT MESSAGE TO DETECTIVE BECKETT. THE PHONE'S UNDER A BULK ACCOUNT, 688 00:33:07,156 --> 00:33:11,190 SO WE CAN'T TRACE ITS OWNER, BUT WE CAN TRACE ITS I.D. SO FAR, WE'VE PINGED THE PHONE 689 00:33:11,190 --> 00:33:13,522 TO A 20-BLOCK RADIUS ON THE LOWER EAST SIDE. 690 00:33:13,522 --> 00:33:16,195 WE'LL NEED ANOTHER FEW HOURS TO NARROW IT DOWN. 691 00:33:16,195 --> 00:33:18,297 IN THE MEANTIME, I'VE MOVED A TEAM INTO THE AREA. 692 00:33:18,297 --> 00:33:20,629 THEY'LL WORK THE STREETS, BE READY TO MOVE 693 00:33:20,629 --> 00:33:22,771 WHEN WE HAVE MORE INFORMATION. 694 00:33:28,177 --> 00:33:30,339 THANKS. MM-HMM. 695 00:33:33,212 --> 00:33:34,713 YOU OKAY? 696 00:33:40,018 --> 00:33:43,622 I KEEP THINKING, IF ONLY I SAW WHO TOOK THAT BAG... 697 00:33:43,622 --> 00:33:45,754 WELL, THAT WASN'T YOUR JOB. 698 00:33:49,458 --> 00:33:52,161 YOU KNOW, I CAN'T IMAGINE ANYTHING LIKE THIS 699 00:33:52,161 --> 00:33:54,103 EVER HAPPENING TO ALEXIS. 700 00:33:56,235 --> 00:33:59,037 WE'LL GET HER BACK SOON. 701 00:33:59,037 --> 00:34:01,210 (Sorenson) NOT AS SOON AS WE HOPED. 702 00:34:01,210 --> 00:34:04,243 THEY MUST'VE FOUND IT, TAKEN THE BATTERIES OUT. 703 00:34:04,243 --> 00:34:07,116 WE JUST LOST THE SIGNAL FROM THE PHONE. 704 00:34:15,684 --> 00:34:18,157 (thunder rumbling, rainfall) 705 00:34:18,157 --> 00:34:20,189 (clicks keyboard key) 706 00:34:20,189 --> 00:34:22,191 (click) 707 00:34:27,065 --> 00:34:33,842 (click) 708 00:34:33,842 --> 00:34:36,105 (click) HEY. 709 00:34:36,105 --> 00:34:37,846 HEY... WHAT ARE YOU DOING UP? 710 00:34:37,846 --> 00:34:39,808 STRESSED ABOUT FINALS? 711 00:34:39,808 --> 00:34:41,680 AMERICAN LIT'S TODAY. 712 00:34:41,680 --> 00:34:44,853 I WAS HAVING NIGHTMARES ABOUT HESTER PRYNNE. 713 00:34:44,853 --> 00:34:47,616 AH. THE IRONY FOR YOU IS NOT GETTING AN "A" 714 00:34:47,616 --> 00:34:49,618 WOULD CAUSE YOU SHAME. 715 00:34:49,618 --> 00:34:52,721 SO WHY ARE YOU UP? LOOKING FOR A WHITE RABBIT. 716 00:34:52,721 --> 00:34:55,124 LEWIS CARROLL OR "THE MATRIX"? 717 00:34:55,124 --> 00:34:56,795 I'M NOT SURE YET. 718 00:34:56,795 --> 00:34:59,298 WHAT DID BECKETT TELL YOU ABOUT TAKING PHONE PHOTOS 719 00:34:59,298 --> 00:35:00,869 AT THE CRIME SCENE? 720 00:35:00,869 --> 00:35:03,232 I DON'T KNOW. I WASN'T LISTENING. 721 00:35:03,232 --> 00:35:06,335 (click) SEE ALL THOSE STUFFED ANIMALS ON THE BED? 722 00:35:06,335 --> 00:35:09,608 AW... IT LOOKS JUST LIKE MINE USED TO. (click) 723 00:35:09,608 --> 00:35:14,213 REMEMBER WHEN I HAD ALL THOSE ANIMALS? IF BY "REMEMBER WHEN," YOU MEAN MONKEY-BONKEY, WHO HAS BEEN 724 00:35:14,213 --> 00:35:18,317 WASHED SO MANY TIMES HE LOOKS LIKE ROADKILL NOW, THEN, YES. I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 725 00:35:18,317 --> 00:35:21,220 OH, THEN YOU WON'T MIND NEXT TIME I SEE HIM 726 00:35:21,220 --> 00:35:23,222 IF I THROW HIM OUT. DON'T YOU DARE! 727 00:35:23,222 --> 00:35:25,554 AH! I WON'T, I WON'T, I WON'T! DON'T. 728 00:35:25,554 --> 00:35:26,895 I WON'T. OKAY. 729 00:35:26,895 --> 00:35:29,198 OKAY. 730 00:35:29,198 --> 00:35:32,201 SO YOU THINK THE BUNNY HAS SOMETHING TO DO WITH THE CASE? (click) 731 00:35:32,201 --> 00:35:35,264 I'LL LET YOU KNOW WHEN I GO DOWN THE RABBIT HOLE. (click) 732 00:35:40,709 --> 00:35:41,810 (clunk) 733 00:35:43,372 --> 00:35:44,873 CASTLE? 734 00:35:44,873 --> 00:35:46,645 GO BACK TO SLEEP. 735 00:35:46,645 --> 00:35:48,547 WHAT ARE YOU DOING? 736 00:35:48,547 --> 00:35:50,379 WHEN ALEXIS WAS LITTLE, 737 00:35:50,379 --> 00:35:53,382 SHE HAD A STUFFED MONKEY THAT SHE COULD NOT LIVE WITHOUT. 738 00:35:53,382 --> 00:35:56,785 ONE TIME WE WENT ON VACATION, SHE FORGOT TO PACK HIM. 739 00:35:56,785 --> 00:35:58,687 I BOUGHT HER ANOTHER ONE, 740 00:35:58,687 --> 00:36:01,690 BUT SHE KNEW IT WAS NOT MONKEY-BONKEY. SO? 741 00:36:01,690 --> 00:36:03,732 SO THERE'S TWO MORE PICTURES OF HER 742 00:36:03,732 --> 00:36:06,195 CLUTCHING THIS BUNNY OUT THERE. 743 00:36:06,195 --> 00:36:08,166 SO WHERE'S THE BUNNY? 744 00:36:08,166 --> 00:36:10,939 YOU THINK WHOEVER TOOK ANGELA KNEW HER WELL ENOUGH 745 00:36:10,939 --> 00:36:12,371 TO TAKE THE BUNNY, TOO? 746 00:36:12,371 --> 00:36:14,773 BUT WE ALREADY CHECKED THE CANDELAS' LIST. 747 00:36:14,773 --> 00:36:17,676 A COUPLE OF TEENAGE BABYSITTERS, A CLEANING LADY... 748 00:36:17,676 --> 00:36:20,879 THEY'VE ALL BEEN CLEARED. ONLY NOT ALL BABYSITTERS ARE TEENAGERS. 749 00:36:20,879 --> 00:36:22,881 SOMETIMES THEY'RE PEOPLE CLOSE TO US. 750 00:36:22,881 --> 00:36:24,783 SOMETIMES THEY'RE FAMILY. 751 00:36:24,783 --> 00:36:27,786 WHEN DID WE LOSE THE SIGNAL ON THE PHONE? 752 00:36:27,786 --> 00:36:30,419 RIGHT AFTER WE TOLD THE CANDELAS WE WERE TRACKING IT. 753 00:36:30,419 --> 00:36:34,963 THERESA'S SISTER NINA-- YOU GOT AN ADDRESS? 754 00:36:44,773 --> 00:36:47,606 NINA MENDOZA, YOU'RE UNDER ARREST 755 00:36:47,606 --> 00:36:51,410 FOR THE KIDNAPPING OF ANGELA CANDELA. (Esposito) TAKING YOUR OWN NIECE? 756 00:36:51,410 --> 00:36:53,412 PUT YOUR HANDS BEHIND YOUR BACK. 757 00:36:53,412 --> 00:36:55,414 (Ryan) YOU HAVE THE RIGHT TO REMAIN SILENT... 758 00:36:55,414 --> 00:36:58,417 HELLO, ANGELA, I AM SO HAPPY TO SEE YOU. 759 00:36:58,417 --> 00:37:01,690 YOU WANNA GO AND SEE MOMMY? COME ON, BABY. 760 00:37:01,690 --> 00:37:04,253 LOOK AT YOU. HELLO. 761 00:37:04,253 --> 00:37:05,754 HI, BEAUTIFUL. 762 00:37:05,754 --> 00:37:08,957 YOU WANNA GRAB YOUR PINK RABBIT? 763 00:37:08,957 --> 00:37:12,761 OH, LOOK AT THE RABBIT. 764 00:37:12,761 --> 00:37:15,704 (speaking indistinctly) 765 00:37:15,704 --> 00:37:19,568 (police radio chatter) 766 00:37:25,374 --> 00:37:27,916 (Alfred) OH, MY GOD. 767 00:37:27,916 --> 00:37:29,978 ANGIE! 768 00:37:29,978 --> 00:37:32,921 MI CORAZóN. MWAH! 769 00:37:32,921 --> 00:37:37,456 OH! OH! OH! GOD. YOU LOOK PERFECT. 770 00:37:37,456 --> 00:37:40,989 JUST... PERFECT! IS SHE OKAY? SHE'S FINE. YEAH. 771 00:37:40,989 --> 00:37:43,932 HONEY... WHAT ARE YOU DOING? 772 00:37:43,932 --> 00:37:47,666 SHE'S HERE! SHE'S HOME! (chuckles) 773 00:37:47,666 --> 00:37:51,039 WHAT IS IT? WHAT'S WRONG? 774 00:37:59,478 --> 00:38:03,051 WHAT'S GOING ON? 775 00:38:03,051 --> 00:38:07,285 CRAWFORD... CAN YOU TAKE ANGELA? 776 00:38:11,890 --> 00:38:14,823 COME HERE, SWEETIE. 777 00:38:14,823 --> 00:38:17,996 HERE YOU GO, CRAWFORD. THANK YOU. HERE WE GO. 778 00:38:17,996 --> 00:38:21,370 (Angela babbles) 779 00:38:22,901 --> 00:38:24,603 WHAT DID YOU DO? 780 00:38:24,603 --> 00:38:27,976 I WORKED 14-HOUR DAYS, YEAR AFTER YEAR, 781 00:38:27,976 --> 00:38:31,309 KILLING MYSELF SO THAT WE CAN HAVE A LIFE. 782 00:38:31,309 --> 00:38:33,782 AND WHAT DID YOU DO? 783 00:38:33,782 --> 00:38:36,084 OH. YOU PAINTED. 784 00:38:36,084 --> 00:38:38,086 ALL YOU DID WAS PAINT. 785 00:38:38,086 --> 00:38:42,591 THAT'S NOT TRUE. REALLY? WHAT ABOUT THAT JOB YOU SAID THAT YOU WERE GONNA GET 786 00:38:42,591 --> 00:38:45,023 SO THAT I COULD CUT MY HOURS? I WAS TAKING CARE OF ANGELA! 787 00:38:45,023 --> 00:38:47,926 TAKING CARE? YOU LEFT HER THERE... 788 00:38:47,926 --> 00:38:50,799 IN FRONT OF THE TV EVERY DAY! 789 00:38:50,799 --> 00:38:54,463 DO YOU KNOW HOW MANY TIMES I WOKE UP TO HER SCREAMS, 790 00:38:54,463 --> 00:38:57,606 BECAUSE HE WAS IN THAT ROOM BLASTING THE MUSIC IN HIS EARS? 791 00:38:57,606 --> 00:39:00,108 IT DOESN'T GIVE YOU THE RIGHT TO KIDNAP YOUR OWN CHILD. 792 00:39:00,108 --> 00:39:03,111 HOW IS IT KIDNAPPING? SHE'S MY DAUGHTER. 793 00:39:03,111 --> 00:39:05,113 MRS. CANDELA, YOU HAD YOUR SISTER 794 00:39:05,113 --> 00:39:07,776 CLIMB THROUGH THAT WINDOW AND TAKE HER. 795 00:39:07,776 --> 00:39:10,619 I GAVE HER PERMISSION. IT DOESN'T MATTER. 796 00:39:10,619 --> 00:39:12,951 YOU VIOLATED YOUR HUSBAND'S CUSTODIAL RIGHTS. 797 00:39:12,951 --> 00:39:15,424 (scoffs) CUSTODIAL RIGHTS? 798 00:39:15,424 --> 00:39:18,987 HE DIDN'T EVEN NOTICE THAT SHE WAS GONE! 799 00:39:18,987 --> 00:39:23,462 WHAT KIND OF A FATHER DOES THAT TO HIS 2-YEAR-OLD CHILD? 800 00:39:23,462 --> 00:39:25,464 WHY WOULD YOU DO THIS? 801 00:39:25,464 --> 00:39:27,936 WHY WOULD YOU PUT US THROUGH THAT? 802 00:39:27,936 --> 00:39:30,539 I MEAN, FOR GOD SAKE, WHY NOT JUST DIVORCE ME? 803 00:39:30,539 --> 00:39:32,801 OH, SO THAT YOU CAN SUE ME FOR ALIMONY? 804 00:39:32,801 --> 00:39:34,873 SO THAT YOU CAN GET HALF OF EVERYTHING? 805 00:39:34,873 --> 00:39:38,507 SO THAT YOU CAN GET CUSTODY OF ANGELA 806 00:39:38,507 --> 00:39:43,011 BECAUSE I'M AT WORK ALL DAY AND YOU CAN "BE THERE FOR HER"? 807 00:39:43,011 --> 00:39:47,916 NO. I'VE SEEN WHAT HAPPENS TO THE GUYS AT WORK, 808 00:39:47,916 --> 00:39:49,788 WHAT HAPPENED TO DOUG ELLERS. 809 00:39:49,788 --> 00:39:52,020 NO WAY WAS THAT GONNA HAPPEN TO ME! 810 00:39:52,020 --> 00:39:54,793 YOU WERE PAYING THE RANSOM TO YOURSELF. 811 00:39:56,765 --> 00:40:02,501 ONCE ANGELA RETURNED, I WOULD FILE FOR THE PAPERS. 812 00:40:02,501 --> 00:40:05,704 THERE WOULD BE NOTHING LEFT FOR HIM TO TAKE. 813 00:40:05,704 --> 00:40:07,706 AND IF ANGELA WAS KIDNAPPED 814 00:40:07,706 --> 00:40:09,838 WHEN ALFRED WAS TAKING CARE OF HER, THEN-- 815 00:40:09,838 --> 00:40:11,139 THE LAWYER SAID THAT 816 00:40:11,139 --> 00:40:14,182 IF I COULD PROVE HIM NEGLIGENT, I WOULD GET CUSTODY. 817 00:40:14,182 --> 00:40:17,816 I WOULDN'T HAVE TO MOVE OUT OF THE APARTMENT THAT I PAID FOR 818 00:40:17,816 --> 00:40:20,819 SO THAT HE COULD LIVE HERE WITH MY DAUGHTER. 819 00:40:20,819 --> 00:40:24,753 (crying) DO YOU KNOW HOW HARD IT WAS TO ADOPT HER, 820 00:40:24,753 --> 00:40:26,925 HOW MUCH IT COST? 821 00:40:26,925 --> 00:40:29,127 TEN YEARS! 822 00:40:29,127 --> 00:40:32,200 HOW MANY PAINTINGS HAVE YOU SOLD, ALFRED? 823 00:40:32,200 --> 00:40:34,002 HUH? 824 00:40:34,002 --> 00:40:36,635 HOW MANY? 825 00:40:39,037 --> 00:40:41,439 HOW COULD YOU HATE ME SO MUCH? 826 00:40:43,772 --> 00:40:46,715 YOU MADE IT EASY. 827 00:40:57,686 --> 00:41:00,088 SO HOW DO YOU THINK SHE'LL DO? 828 00:41:00,088 --> 00:41:03,692 WELL, IT DEPENDS ON HOW MANY MOTHERS ARE ON THE JURY. 829 00:41:03,692 --> 00:41:06,064 SO... 830 00:41:06,064 --> 00:41:09,197 NOW THAT IT'S OVER... 831 00:41:09,197 --> 00:41:11,970 NOW THAT I'M BACK, I WAS... 832 00:41:11,970 --> 00:41:15,243 THINKING MAYBE WE COULD GIVE IT ANOTHER SHOT. 833 00:41:15,243 --> 00:41:17,676 AND WHEN YOU LEAVE AGAIN? 834 00:41:17,676 --> 00:41:20,008 YOU COME WITH ME. 835 00:41:27,085 --> 00:41:29,117 THINK ABOUT IT. 836 00:41:42,270 --> 00:41:45,503 (Castle) NICE GUY. 837 00:41:45,503 --> 00:41:47,876 I CAN SEE HOW IT WOULDN'T WORK, THOUGH. 838 00:41:47,876 --> 00:41:49,708 REALLY? 839 00:41:49,708 --> 00:41:50,709 SURE. 840 00:41:50,709 --> 00:41:52,210 HUH. 841 00:41:52,210 --> 00:41:54,913 HANDSOME, SQUARE-JAWED, BY-THE-BOOK... 842 00:41:54,913 --> 00:41:58,046 AND THAT'S A BAD THING? YEAH, HE'S LIKE THE MALE YOU. 843 00:41:58,046 --> 00:42:01,089 YIN NEEDS YANG, NOT ANOTHER YIN. 844 00:42:01,089 --> 00:42:03,552 "YIN-YANG" IS HARMONY. 845 00:42:03,552 --> 00:42:06,825 "YIN-YIN" IS... A NAME FOR A PANDA. 846 00:42:06,825 --> 00:42:09,257 ANY MORE WISDOM, OBI-WAN? 847 00:42:09,257 --> 00:42:11,259 NOPE, THAT'S IT FOR TODAY. 848 00:42:11,259 --> 00:42:15,704 WHAT SAY WE CELEBRATE BY GOING OUT FOR A DRINK? I CAN'T. I GOT A DATE. 849 00:42:15,704 --> 00:42:18,967 A DATE? YOU DATE? WHO? 850 00:42:18,967 --> 00:42:21,009 THAT'S WHY IT'S CALLED A "PRIVATE LIFE," 851 00:42:21,009 --> 00:42:22,540 BECAUSE IT'S PRIVATE. 852 00:42:22,540 --> 00:42:25,644 UNLIKE YOU, I DON'T LIVE MY LIFE ON "PAGE SIX." 853 00:42:25,644 --> 00:42:29,978 WELL, YOU'RE A MYSTERIOUS WOMAN, DETECTIVE BECKETT. 854 00:42:29,978 --> 00:42:31,980 MAYBE THERE'S A LITTLE MORE NIKKI HEAT IN ME 855 00:42:31,980 --> 00:42:33,622 THAN YOU THINK. 856 00:42:33,622 --> 00:42:39,728 (Bitter:Sweet) ♪ HOLD THE DOOR WHILE I LET MYSELF IN ♪ 857 00:42:39,728 --> 00:42:42,090 ♪ I'M TIRED, BOY ♪ 858 00:42:42,090 --> 00:42:46,695 ♪ NEED A DRINK, NEED A MAN ♪3