1 00:00:01,422 --> 00:00:04,335 ♪♪ 2 00:00:10,091 --> 00:00:11,302 [ PANTING ] 3 00:00:11,302 --> 00:00:12,763 [ TWIG SNAPS ] 4 00:00:15,976 --> 00:00:18,689 YOU GOT ME! 5 00:00:18,689 --> 00:00:21,021 I GIVE UP. 6 00:00:21,021 --> 00:00:23,144 [ FOOTSTEPS APPROACHING ] 7 00:00:25,025 --> 00:00:26,026 [ SCREAMING ] 8 00:00:26,026 --> 00:00:27,027 [ CRUNCH ] 9 00:00:33,324 --> 00:00:35,035 ♪♪ 10 00:01:00,441 --> 00:01:03,354 OH, BOY, OH, BOY! SHE'S FINALLY HERE! 11 00:01:03,354 --> 00:01:07,898 ♪♪ 12 00:01:10,111 --> 00:01:12,953 [ STYROFOAM SQUEAKING ] 13 00:01:17,538 --> 00:01:21,662 Lucy: HELLO. I'M YOUR NEW HOME-OPERATING SYSTEM. 14 00:01:21,662 --> 00:01:24,084 MY NAME IS LUCY. WHAT'S YOURS? 15 00:01:24,084 --> 00:01:28,759 UH, MY NAME IS RICK CASTLE, AND... 16 00:01:28,759 --> 00:01:31,172 AND... 17 00:01:31,172 --> 00:01:33,594 MY WIFE JUST LEFT ME. 18 00:01:33,594 --> 00:01:36,807 YIKES. SUCKS TO BE YOU, RICK. 19 00:01:40,641 --> 00:01:43,063 [ GRUNTING ] 20 00:01:47,067 --> 00:01:48,319 CAN'T YOU HIT ANY HARDER THAN THAT? 21 00:01:48,319 --> 00:01:50,070 [ GRUNTING ] 22 00:01:50,070 --> 00:01:51,111 OH! 23 00:01:53,113 --> 00:01:55,115 OH. I'LL TAKE THAT AS A YES. 24 00:01:55,115 --> 00:01:56,497 COME ON. 25 00:01:56,497 --> 00:01:59,700 [ BOTH BREATHING HEAVILY ] 26 00:01:59,700 --> 00:02:03,584 LISTEN. YOU CAN STILL BACK OUT. 27 00:02:03,584 --> 00:02:06,337 I CAN DO THIS ON MY OWN. NOT A CHANCE. 28 00:02:06,337 --> 00:02:08,839 I'D BE DEAD IF NOT FOR YOU, WHICH MEANS I OWE YOU. 29 00:02:08,839 --> 00:02:10,461 BESIDES, I ALWAYS WANTED 30 00:02:10,461 --> 00:02:13,844 TO BE A DIGITAL INVESTIGATOR FOR THE NYPD. 31 00:02:13,844 --> 00:02:15,055 IT'S A REAL JOB, VIKRAM. 32 00:02:15,055 --> 00:02:17,057 YOU'LL BE HELPING THE 12th SOLVE HOMICIDES. 33 00:02:17,057 --> 00:02:18,309 BY DAY. 34 00:02:18,309 --> 00:02:20,060 BY NIGHT, I'LL WEAR A CAPE 35 00:02:20,060 --> 00:02:21,562 AND TRACK DOWN THE MYSTERIOUS VILLAIN 36 00:02:21,562 --> 00:02:23,063 WHO SENT A HIT SQUAD TO KILL US 37 00:02:23,063 --> 00:02:25,025 AND SCAPEGOAT-MURDERED ALLISON HYDE. 38 00:02:25,025 --> 00:02:26,687 WOULD YOU TAKE THIS SERIOUSLY, PLEASE? 39 00:02:26,687 --> 00:02:29,650 I JUST BLEW UP MY MARRIAGE TO GO DOWN THIS PATH. 40 00:02:29,650 --> 00:02:32,112 I'M SORRY. 41 00:02:32,112 --> 00:02:34,325 HELL, I SHOULD BE GIVING YOU THE CHANCE TO BACK OUT. 42 00:02:34,325 --> 00:02:35,826 NO. 43 00:02:35,826 --> 00:02:37,618 IF I DON'T GET JUSTICE FOR RACHEL AND FOR EVERYONE ELSE, 44 00:02:37,618 --> 00:02:38,449 NO ONE WILL. 45 00:02:38,449 --> 00:02:39,450 WE JUST GOT TO DO THIS FAST. 46 00:02:39,450 --> 00:02:42,122 FAST IS THE ONE SPEED WE CAN'T MOVE. 47 00:02:42,122 --> 00:02:43,454 WE NEED STEALTH. 48 00:02:43,454 --> 00:02:44,835 IF THIS TAKES ANY LONGER, 49 00:02:44,835 --> 00:02:46,086 THEN CASTLE IS GONNA FIGURE OUT WHAT WE'RE DOING. 50 00:02:46,086 --> 00:02:47,588 AND IF HE DOES? 51 00:02:47,588 --> 00:02:51,001 HE'S GONNA STEP IN, AND HE'S GONNA PUT HIMSELF IN DANGER. 52 00:02:51,001 --> 00:02:52,793 THEN MAKE SURE HE STAYS AWAY. 53 00:02:52,793 --> 00:02:55,506 Ryan: HAS BECKETT TOLD YOU ANYTHING ABOUT THE BREAKUP YET? 54 00:02:55,506 --> 00:02:57,758 NOT A WORD. YOU TALKED TO CASTLE ABOUT IT? 55 00:02:57,758 --> 00:03:00,010 NO. AND I'VE LEFT HIM A BUNCH OF MESSAGES. 56 00:03:00,010 --> 00:03:01,262 SHAKES YOUR FAITH. 57 00:03:01,262 --> 00:03:03,514 I GUESS NOTHING IN LIFE IS PERMANENT. 58 00:03:03,514 --> 00:03:04,515 TELL THAT TO THE VICTIM. 59 00:03:05,936 --> 00:03:06,937 OH, HEY. 60 00:03:06,937 --> 00:03:08,018 CAPTAIN BECKETT. 61 00:03:08,018 --> 00:03:09,730 WHAT BRINGS YOU OUT INTO THE FIELD? 62 00:03:09,730 --> 00:03:11,021 WORK. 63 00:03:11,021 --> 00:03:12,233 WHAT, DO YOU THINK I'M GONNA BE STUCK IN THE OFFICE 64 00:03:12,233 --> 00:03:13,984 JUST 'CAUSE I'M CAPTAIN? WE-- 65 00:03:13,984 --> 00:03:15,816 SO, WHO'S OUR FUGITIVE? Esposito: NO I.D. YET. 66 00:03:15,816 --> 00:03:18,028 BUT THE JUMPSUIT IS STANDARD ISSUE AT RIKERS. 67 00:03:18,028 --> 00:03:20,781 BUT THEY SAY THAT NONE OF THEIR PRISONERS HAVE GONE MISSING. 68 00:03:20,781 --> 00:03:22,162 WE HAD THEM LOCK DOWN THE FACILITY, 69 00:03:22,162 --> 00:03:24,285 BUT A 14,000-INMATE HEAD COUNT IS GONNA TAKE SOME TIME. 70 00:03:24,285 --> 00:03:26,086 YOU RUN HIS PRINTS? YEAH. SO FAR, NOTHING. 71 00:03:26,086 --> 00:03:30,040 NOTHING? THE GUY'S A CONVICTED FELON. 72 00:03:30,040 --> 00:03:31,131 HIS FINGERPRINTS ARE ON FILE. 73 00:03:31,131 --> 00:03:32,793 PROBABLY A GLITCH. 74 00:03:32,793 --> 00:03:33,924 YOU KNOW, THOSE PORTABLE SCANNERS -- 75 00:03:33,924 --> 00:03:35,005 SOMETIMES THEY'RE WONKY. YEAH. 76 00:03:35,005 --> 00:03:37,137 IS THERE ANY CHANCE THAT THIS WASN'T A HOMICIDE? 77 00:03:37,137 --> 00:03:38,138 NONE. 78 00:03:38,138 --> 00:03:39,139 IT TOOK BRUTE FORCE 79 00:03:39,139 --> 00:03:41,141 TO PUNCTURE THE VICTIM'S BODY WITH THAT BRANCH. 80 00:03:41,141 --> 00:03:42,433 SOMEONE HAD TO SHOVE HIM ONTO IT. 81 00:03:44,265 --> 00:03:46,937 SO HOW DOES AN ESCAPED CONVICT FROM RIKERS ISLAND 82 00:03:46,937 --> 00:03:48,899 END UP IN THE MIDDLE OF CENTRAL PARK 83 00:03:48,899 --> 00:03:50,351 WITHOUT ANYONE SEEING HIM? 84 00:03:50,351 --> 00:03:51,272 IT WAS LATE. 85 00:03:51,272 --> 00:03:52,653 LIVIDITY PUTS THE TIME OF DEATH 86 00:03:52,653 --> 00:03:54,985 BETWEEN MIDNIGHT AND 2:00 A.M. 87 00:03:54,985 --> 00:03:56,196 ALL RIGHT, KEEP RUNNING PRINTS. 88 00:03:56,196 --> 00:03:57,027 I'M GONNA WALK AROUND AND SEE WHAT I CAN FIND. 89 00:03:57,988 --> 00:03:59,159 HEY. 90 00:03:59,159 --> 00:04:01,201 YOU DIDN'T CALL ME BACK. 91 00:04:01,201 --> 00:04:03,033 YEAH, I'M -- I'M SORRY ABOUT THAT. 92 00:04:03,033 --> 00:04:06,457 OH, THAT'S OKAY. BUT ARE YOU OKAY? 93 00:04:06,457 --> 00:04:07,958 [ CHUCKLES ] 94 00:04:07,958 --> 00:04:08,959 I'M FINE. 95 00:04:08,959 --> 00:04:10,331 I'M JUST A-A LITTLE LOST 96 00:04:10,331 --> 00:04:13,043 AND TAKING SOME SPACE SO I CAN FIGURE THINGS OUT. 97 00:04:13,043 --> 00:04:16,046 I JUST HOPE THAT I HAVEN'T HURT HIM TOO MUCH. 98 00:04:16,046 --> 00:04:17,137 GIRL, PLEASE. 99 00:04:17,137 --> 00:04:18,799 CASTLE IS A GROWN-ASS MAN, 100 00:04:18,799 --> 00:04:21,342 AND HE KNOWS THAT YOU LOVE HIM VERY MUCH. 101 00:04:21,342 --> 00:04:22,593 I'M SURE HE'S OKAY. 102 00:04:25,686 --> 00:04:28,148 I JUST DON'T KNOW WHAT TO DO, LUCY. 103 00:04:28,148 --> 00:04:29,600 [ GLASS SHATTERS ] 104 00:04:29,600 --> 00:04:32,102 I'VE COMPILED A LIST OF TOP-RANKED DIVORCE ATTORNEYS. 105 00:04:32,102 --> 00:04:33,564 NO! I DON'T WANT A DIVORCE. 106 00:04:33,564 --> 00:04:36,066 I WANT MY WIFE BACK. HOW DO I DO THAT? 107 00:04:36,066 --> 00:04:37,237 I DON'T KNOW. 108 00:04:37,237 --> 00:04:39,360 HOW DID YOU GET HER IN THE FIRST PLACE, RICK? 109 00:04:39,360 --> 00:04:41,362 ♪♪ 110 00:04:49,039 --> 00:04:50,461 HAS BECKETT TALKED TO YOU? 111 00:04:50,461 --> 00:04:51,672 [ SCOFFS ] 112 00:04:51,672 --> 00:04:53,414 GIVE US A MINUTE. 113 00:04:53,414 --> 00:04:57,257 YOU KNOW BETTER THAN TO THINK I WOULD BETRAY HER CONFIDENCE. 114 00:04:57,257 --> 00:04:58,509 DAMN IT, LANIE, TELL ME -- 115 00:04:58,509 --> 00:05:00,130 WHY IS BECKETT KEEPING ME IN THE DARK? 116 00:05:00,130 --> 00:05:02,633 THE MAN WHO WENT HOUDINI FOR TWO MONTHS LAST YEAR? 117 00:05:02,633 --> 00:05:04,765 WHOA. I DIDN'T HOUDINI. I WAS HOUDINIED. 118 00:05:04,765 --> 00:05:06,056 DOESN'T MATTER. 119 00:05:06,056 --> 00:05:08,769 WHEN YOU CAME BACK, SHE ACCEPTED YOU WITHOUT QUESTION, 120 00:05:08,769 --> 00:05:11,101 SO YOU CAN DAMN WELL GIVE HER SOME SPACE NOW. 121 00:05:11,101 --> 00:05:12,102 I CAN'T LOSE HER. 122 00:05:12,102 --> 00:05:13,564 I KNOW. 123 00:05:13,564 --> 00:05:14,815 IS THAT FROM THE 12th? 124 00:05:18,108 --> 00:05:19,900 CASTLE. 125 00:05:21,612 --> 00:05:25,996 ESCAPED PRISONER. YOUNG -- MAYBE 21, 22? 126 00:05:25,996 --> 00:05:26,997 IS THAT... 127 00:05:26,997 --> 00:05:27,998 IRON FENCE? 128 00:05:27,998 --> 00:05:30,290 TREE BRANCH. OUCH. 129 00:05:30,290 --> 00:05:31,502 GOT AN I.D. YET? 130 00:05:31,502 --> 00:05:32,623 I'M NOT TELLING YOU. 131 00:05:33,714 --> 00:05:37,127 I'VE SEEN THIS DEVIL BEFORE. 132 00:05:37,127 --> 00:05:38,338 JUST STOP. 133 00:05:38,338 --> 00:05:41,592 WORKING MURDERS IS NOT YOUR JOB ANYMORE. 134 00:05:42,463 --> 00:05:45,225 Martha: HE'S GONNA BE AN ABSOLUTE WRECK. 135 00:05:45,225 --> 00:05:47,017 Alexis: AND IT'S OUR JOB NOT TO LET HIM SPIN OUT. 136 00:05:47,017 --> 00:05:49,179 THAT'S WHAT THE C.D.R.K. IS FOR. 137 00:05:49,179 --> 00:05:51,772 "CASTLE DEPRESSION RESCUE KIT." MM-HMM. 138 00:05:51,772 --> 00:05:54,144 VIDEO GAMES, SUMATRAN CIVET COFFEE BEANS, 139 00:05:54,144 --> 00:05:56,567 ENHANCED BLU-RAYS OF THE ORIGINAL "TWILIGHT ZONE," AND... 140 00:05:56,567 --> 00:05:58,689 THIS. 9-WOOF-WOOF? 141 00:05:58,689 --> 00:06:01,111 MM-HMM. PUPPIES AT YOUR DOORSTEP IN 30 MINUTES OR LESS. 142 00:06:01,111 --> 00:06:02,573 AH. PUPPIES. 143 00:06:03,864 --> 00:06:06,156 GOOD MORNING, MY LOVELIES. 144 00:06:06,156 --> 00:06:08,749 ISN'T IT GREAT TO BE ALIVE? 145 00:06:11,121 --> 00:06:13,794 RICHARD, ARE YOU FEELING OKAY? 146 00:06:13,794 --> 00:06:14,995 NEVER BETTER. 147 00:06:14,995 --> 00:06:17,087 BECAUSE I KNOW HOW TO WIN BECKETT BACK. 148 00:06:17,087 --> 00:06:18,879 IS SHE WANTING TO BE WON BACK? 149 00:06:18,879 --> 00:06:22,423 WHEN WE FIRST MET, IT WAS MY ROGUISH CHARM 150 00:06:22,423 --> 00:06:24,885 THAT CAUSED BECKETT TO DROP HER GUARD, 151 00:06:24,885 --> 00:06:26,967 BUT IT WAS MY SHERLOCKIAN SKILLS 152 00:06:26,967 --> 00:06:28,639 THAT MADE HER FALL IN LOVE WITH ME. 153 00:06:28,639 --> 00:06:31,852 I JUST HAVE TO SOLVE A FEW CASES WITH HER 154 00:06:31,852 --> 00:06:35,646 TO SHOW HER THAT, TOGETHER, WE ARE STILL MAGIC. 155 00:06:35,646 --> 00:06:37,067 RICHARD, YOU DO KNOW 156 00:06:37,067 --> 00:06:39,359 THAT YOU CANNOT JUST BARGE YOUR WAY INTO THE PRECINCT 157 00:06:39,359 --> 00:06:41,191 AND TALK YOUR WAY ONTO A CASE ANYMORE. 158 00:06:41,191 --> 00:06:43,864 I AM A LICENSED PRIVATE INVESTIGATOR. 159 00:06:43,864 --> 00:06:46,787 I DON'T NEED A PRECINCT TO SOLVE A CASE. 160 00:06:46,787 --> 00:06:51,241 NOW, THIS TATTOO WAS ON THE BODY OF A DEAD CONVICT 161 00:06:51,241 --> 00:06:53,333 FOUND IN CENTRAL PARK. 162 00:06:53,333 --> 00:06:54,835 I KNOW I'VE SEEN IT SOMEWHERE BEFORE. 163 00:06:54,835 --> 00:06:57,087 I JUST DON'T KNOW WHERE. 164 00:06:58,128 --> 00:06:59,590 I DO. 165 00:07:02,002 --> 00:07:05,095 HEY. UM, RIKERS COMPLETED THEIR HEAD COUNT. 166 00:07:05,095 --> 00:07:07,047 ALL INMATES ARE ACCOUNTED FOR. 167 00:07:07,047 --> 00:07:08,849 SO, WHERE'D THE VIC'S JUMPSUIT COME FROM? 168 00:07:08,849 --> 00:07:09,850 A COSTUME SHOP. 169 00:07:09,850 --> 00:07:11,391 OUR JOHN DOE WAS NOT AN INMATE. 170 00:07:11,391 --> 00:07:12,853 HE WAS A COLLEGE STUDENT. 171 00:07:12,853 --> 00:07:15,766 TATTOO ON HIS SHOULDER IS THE ORIGINAL MASCOT DESIGN 172 00:07:15,766 --> 00:07:17,187 OF THE HUDSON U. RED DEVILS. 173 00:07:17,187 --> 00:07:18,939 NOW, I CHECKED THE COLLEGE WEBSITE. 174 00:07:18,939 --> 00:07:20,440 PETER GARBER. 175 00:07:20,440 --> 00:07:23,063 21 YEARS OLD, MAJORING IN MARKETING. 176 00:07:23,063 --> 00:07:24,905 BUT THAT DOESN'T EXPLAIN THE JUMPSUIT. 177 00:07:26,026 --> 00:07:28,739 YOU GUYS, IT'S OCTOBER. 178 00:07:28,739 --> 00:07:30,991 HALLOWEEN'S BASICALLY A MONTH-LONG PARTY IN COLLEGE. 179 00:07:30,991 --> 00:07:33,574 ♪♪ 180 00:07:33,574 --> 00:07:35,996 AH, THE HALLOWED HALLS OF ACADEMIA. 181 00:07:35,996 --> 00:07:37,838 I REMEMBER THEM WELL. 182 00:07:37,838 --> 00:07:40,130 MORE LIKE THE HALLOWED HALLS OF CRACKHEADS IN MY SCHOOLS. 183 00:07:40,130 --> 00:07:41,421 HEAD OVER TO PETER'S FRAT HOUSE. 184 00:07:41,421 --> 00:07:42,422 INTERVIEW HIS ROOMMATES. 185 00:07:42,422 --> 00:07:43,884 I'M GONNA BREAK THE BAD NEWS TO THE DEAN. 186 00:07:43,884 --> 00:07:45,085 RIGHT. OKAY. 187 00:07:46,136 --> 00:07:47,848 [ BELL DINGS ] HI. I'M CAPTAIN BECKETT. 188 00:07:47,848 --> 00:07:50,140 I NEED TO SPEAK WITH DEAN FELLER, PLEASE. 189 00:07:50,140 --> 00:07:52,052 [ LAUGHTER ] 190 00:07:52,052 --> 00:07:55,265 Dean Feller: IT WILL BE NICE TO HAVE A BEST-SELLING AUTHOR ON THE FACULTY. Castle: OH. 191 00:07:55,265 --> 00:07:57,187 WELCOME TO THE HUDSON FAMILY, MR. CASTLE. 192 00:07:57,187 --> 00:07:59,520 OH, PLEASE, DEAN FELLER, CALL ME "PROFESSOR CASTLE." 193 00:07:59,520 --> 00:08:00,601 [ CHUCKLES ] 194 00:08:00,601 --> 00:08:01,732 OH. 195 00:08:01,732 --> 00:08:03,363 CAPTAIN BECKETT. 196 00:08:03,363 --> 00:08:05,105 FANCY SEEING YOU HERE. 197 00:08:05,105 --> 00:08:07,277 ♪♪ 198 00:08:17,037 --> 00:08:18,118 CASTLE, I KNOW WHAT YOU'RE DOING. 199 00:08:18,118 --> 00:08:19,419 I'M GIVING BACK TO THE COMMUNITY 200 00:08:19,419 --> 00:08:20,420 BY MOLDING YOUNG MINDS? 201 00:08:20,420 --> 00:08:21,582 YOU'RE NOT JOINING THIS CASE. 202 00:08:21,582 --> 00:08:23,213 AREN'T YOU TWO MARRIED? 203 00:08:23,213 --> 00:08:24,835 YES, WE ARE. 204 00:08:24,835 --> 00:08:26,547 DEAN FELLER, MEET CAPTAIN BECKETT OF THE 12th PRECINCT. 205 00:08:26,547 --> 00:08:29,720 YES. AND HUSBAND AND WIFE NEED A MOMENT IN PRIVATE. 206 00:08:29,720 --> 00:08:31,552 [ STAMMERING ] 207 00:08:31,552 --> 00:08:33,223 WHOA, WHOA, HANG ON. WHOA, WHOA, WHOA. 208 00:08:33,223 --> 00:08:34,344 AH. 209 00:08:34,344 --> 00:08:35,936 IT TOOK ME AN HOUR TO TIE THIS. 210 00:08:35,936 --> 00:08:39,099 OH, YOU SAW THE TATTOO AT THE MORGUE, DIDN'T YOU? 211 00:08:39,099 --> 00:08:41,732 I SAW LANIE AT THE MORGUE. 212 00:08:41,732 --> 00:08:44,024 I CAN'T RECALL IF I SAW OTHER THINGS 213 00:08:44,024 --> 00:08:47,147 ON BODIES WITH GRUESOME CHEST WOUNDS. 214 00:08:47,147 --> 00:08:50,450 LET ME ASK YOU -- HOW LARGE OF A DONATION CHECK DID YOU WRITE 215 00:08:50,450 --> 00:08:52,282 IN ORDER TO BECOME A PROFESSOR? 216 00:08:52,282 --> 00:08:53,824 GUEST PROFESSOR. 217 00:08:53,824 --> 00:08:56,366 LOOK -- I HAVE NO DESIRE TO INTERFERE WITH YOUR CASE, 218 00:08:56,366 --> 00:08:59,329 BUT I CAN'T HELP IT IF MY PATH CROSSES WITH YOURS 219 00:08:59,329 --> 00:09:00,420 WHILE I'M TEACHING HERE. 220 00:09:00,420 --> 00:09:02,462 CASTLE, I ASKED FOR TIME. 221 00:09:02,462 --> 00:09:03,924 WHY CAN'T YOU GIVE ME THAT? 222 00:09:03,924 --> 00:09:06,006 BECAUSE YOU NEED ME. 223 00:09:07,377 --> 00:09:09,169 I -- I CAN'T DO THIS RIGHT NOW. 224 00:09:09,169 --> 00:09:11,592 KATE. I'M SORRY TO INTERRUPT, 225 00:09:11,592 --> 00:09:14,264 BUT I REALLY NEED TO KNOW WHY THERE ARE POLICE ON MY CAMPUS. 226 00:09:14,264 --> 00:09:16,176 A STUDENT OF YOURS, PETER GARBER, 227 00:09:16,176 --> 00:09:18,889 WAS FOUND MURDERED IN CENTRAL PARK LAST NIGHT. 228 00:09:18,889 --> 00:09:20,811 THAT'S AWFUL. 229 00:09:20,811 --> 00:09:24,184 HE WAS A WONDERFUL YOUNG MAN -- A MODEL STUDENT. 230 00:09:24,184 --> 00:09:26,066 HE WON THIS YEAR'S FELLOWSHIP AWARD. 231 00:09:26,066 --> 00:09:28,148 WELL, I'LL NEED ACCESS TO ALL OF HIS FILES, 232 00:09:28,148 --> 00:09:29,489 AS WELL AS A DISCREET ROOM 233 00:09:29,489 --> 00:09:30,901 TO INTERVIEW HIS TEACHERS AND FRIENDS. 234 00:09:30,901 --> 00:09:31,902 OF COURSE. 235 00:09:31,902 --> 00:09:34,454 AND AS FOR YOU... 236 00:09:34,454 --> 00:09:37,037 PROFESSOR, THIS IS A POLICE INVESTIGATION. 237 00:09:37,037 --> 00:09:38,328 STAY OUT OF IT. 238 00:09:41,461 --> 00:09:43,754 SHE'S SUCH A KIDDER. 239 00:09:46,006 --> 00:09:48,088 WE GOT SOMETHING. 240 00:09:48,088 --> 00:09:49,589 WHAT'S WRONG? 241 00:09:49,589 --> 00:09:51,261 [ SIGHS ] CASTLE'S HERE. 242 00:09:51,261 --> 00:09:54,264 HE BOUGHT HIMSELF A PhD TO GET IN ON THIS CASE. 243 00:09:54,264 --> 00:09:56,596 YOU GUYS ARE NOT TO WORK WITH HIM IN ANY WAY. 244 00:09:56,596 --> 00:09:57,678 IS THAT UNDERSTOOD? 245 00:09:57,678 --> 00:09:58,809 YEAH. YES. ABSOLUTELY. 246 00:09:58,809 --> 00:10:00,721 OKAY, SO, WHAT DO WE GOT? A SUSPECT. 247 00:10:00,721 --> 00:10:02,813 YEAH? 248 00:10:02,813 --> 00:10:06,106 PETER WAS PLEDGE MASTER AT THE BETA OMEGA RHO FRATERNITY HOUSE. 249 00:10:06,106 --> 00:10:08,438 LET ME GUESS -- HE HAZED SOMEONE AND THEY THREATENED REVENGE? 250 00:10:08,438 --> 00:10:10,150 THE OPPOSITE, ACTUALLY. SCOTT POWELL. 251 00:10:10,150 --> 00:10:12,192 FORMER BETA OMEGA. 252 00:10:12,192 --> 00:10:13,233 SCOTT TERRORIZED A GROUP OF PLEDGES, 253 00:10:13,233 --> 00:10:15,075 GOT ONE OF THEM SENT TO THE HOSPITAL. 254 00:10:15,075 --> 00:10:18,448 SO PETER TURNED SCOTT IN, GOT HIM BOOTED FROM THE FRAT. 255 00:10:18,448 --> 00:10:20,080 OKAY, WELL, THAT SOUNDS LIKE MOTIVE. 256 00:10:20,080 --> 00:10:21,411 LET'S BRING HIM IN FOR QUESTIONING. 257 00:10:21,411 --> 00:10:23,003 YEAH, THAT MIGHT NOT BE THE RIGHT APPROACH. 258 00:10:23,003 --> 00:10:24,665 SCOTT'S DAD IS A DEFENSE ATTORNEY. 259 00:10:24,665 --> 00:10:26,506 WHEN THE UNIVERSITY TRIED TO EXPEL SCOTT, 260 00:10:26,506 --> 00:10:27,587 DADDY THREATENED TO SUE. 261 00:10:27,587 --> 00:10:29,129 SO SCOTT'S NOT GONNA TALK TO US. 262 00:10:29,129 --> 00:10:31,752 UNLESS WE CAN GET HIM TO TALK 263 00:10:31,752 --> 00:10:33,513 WITHOUT HIM REALIZING THAT HE'S TALKING? 264 00:10:33,513 --> 00:10:35,806 HOW DO YOU PLAN ON DOING THAT? 265 00:10:35,806 --> 00:10:37,597 [ RAP MUSIC PLAYS ] 266 00:10:37,597 --> 00:10:39,429 ♪ COME ON ♪ 267 00:10:39,429 --> 00:10:42,102 ♪ WHEN THE SHOTS GO OFF ♪ 268 00:10:42,102 --> 00:10:44,224 ♪ EVERYBODY GET DOWN ♪ 269 00:10:44,224 --> 00:10:45,686 ♪ EVERYBODY GET DOWN ♪ 270 00:10:45,686 --> 00:10:47,227 ♪ WHEN THE SHOTS GO OFF ♪ 271 00:10:47,227 --> 00:10:48,228 ♪ WHEN THE SHOTS GO OFF ♪ 272 00:10:48,228 --> 00:10:50,650 ♪ EVERYBODY GET DOWN ♪ 273 00:10:50,650 --> 00:10:51,982 ♪ EVERYBODY GET DOWN ♪ 274 00:10:51,982 --> 00:10:53,984 ♪ WHEN THE SHOTS GO OFF ♪ 275 00:10:53,984 --> 00:10:56,036 ♪ WHEN THE SHOTS GO OFF ♪ 276 00:10:56,036 --> 00:10:57,698 ♪ EVERYBODY GET DOWN ♪ 277 00:10:57,698 --> 00:11:00,951 SO, HOW'S THE TALENT IN YOUR MARKETING CLASS? 278 00:11:00,951 --> 00:11:03,243 OH, SOLID. ESPECIALLY THIS HOT BLONDE NAMED JENNY. 279 00:11:03,243 --> 00:11:04,584 AW, FOR REAL? YEAH. 280 00:11:04,584 --> 00:11:07,087 HEY, DID YOU SEE THAT THAT FRAT BOY GOT MURDERED 281 00:11:07,087 --> 00:11:08,088 LAST NIGHT IN THE PARK? 282 00:11:08,088 --> 00:11:10,590 AW, YEAH. I HEARD HE GOT IMPALED. 283 00:11:10,590 --> 00:11:13,213 AH, WAS IT PETER, UH...SOMETHING. 284 00:11:13,213 --> 00:11:14,795 WHAT HOUSE WAS HE IN? 285 00:11:14,795 --> 00:11:16,346 I HAVE NO IDEA. 286 00:11:16,346 --> 00:11:18,719 HEY, BRO, YOU KNOW WHAT FRAT THE DEAD DUDE'S FROM? 287 00:11:18,719 --> 00:11:21,261 NO, OFFICER, I SURE DON'T. 288 00:11:21,261 --> 00:11:23,013 [ RECORD SCRATCHING ] WHAT? 289 00:11:23,013 --> 00:11:24,014 WE AIN'T COPS, MAN. 290 00:11:24,014 --> 00:11:25,355 DUDE, YOU LOOK LIKE YOU'RE 40. 291 00:11:25,355 --> 00:11:28,108 BITCH, PLEASE. I GOT CARDED LAST WEEK. 292 00:11:28,108 --> 00:11:29,519 YEAH, FOR YOUR AARP CARD. 293 00:11:29,519 --> 00:11:32,692 AND YOUR PARTNER'S GROWING EAR HAIR IN FRONT OF MY EYES. 294 00:11:34,865 --> 00:11:36,156 ALL RIGHT, FUNNY MAN. 295 00:11:36,156 --> 00:11:38,078 WE HEARD THAT YOU HAD A HATE-ON FOR PETER GARBER. 296 00:11:38,078 --> 00:11:39,699 SO YOU WANT TO TELL US WHERE YOU WERE LAST NIGHT? 297 00:11:39,699 --> 00:11:41,281 NO. BUT YOU CAN CALL MY LAWYER. 298 00:11:41,281 --> 00:11:43,583 HE'S GONNA GET A REAL KICK OUT OF YOU GUYS. 299 00:11:43,583 --> 00:11:44,704 HAVE A NICE DAY. 300 00:11:44,704 --> 00:11:48,789 OH, AND REMEMBER -- FIBER'S YOUR FRIEND. 301 00:11:52,132 --> 00:11:54,214 I DON'T REALLY HAVE OLD-MAN EAR HAIR, DO I? 302 00:11:54,214 --> 00:11:55,756 GUYS. 303 00:11:55,756 --> 00:11:57,007 YOU DIDN'T REALLY THINK 304 00:11:57,007 --> 00:11:59,139 YOU COULD "JUMP STREET" THE PRIME SUSPECT, DID YOU? 305 00:11:59,139 --> 00:12:00,720 CASTLE, WHAT ARE YOU DOING HERE? 306 00:12:00,720 --> 00:12:03,183 I HEARD ABOUT THE SCOTT POWELL HAZING INCIDENT. 307 00:12:03,183 --> 00:12:06,306 I THOUGHT I'D OFFER THE NYPD MY P.I. SERVICES. NO, THANKS. 308 00:12:06,306 --> 00:12:07,307 FREE OF CHARGE. NO, THANKS. 309 00:12:07,307 --> 00:12:08,558 ALL RIGHT, FINE. 310 00:12:08,558 --> 00:12:12,232 I GUESS I'LL JUST USE MY NEWFOUND FACULTY PRIVILEGES 311 00:12:12,232 --> 00:12:13,273 TO TALK TO SCOTT ON MY OWN. 312 00:12:13,273 --> 00:12:16,066 HE'S GOT A CONTEMPORARY-LIT CLASS IN 30 MINUTES. 313 00:12:16,066 --> 00:12:18,068 THEY HAVE A VERY SPECIAL GUEST SPEAKER -- 314 00:12:18,068 --> 00:12:22,452 A CERTAIN RUGGEDLY HANDSOME BEST-SELLING AUTHOR. 315 00:12:24,074 --> 00:12:25,745 HE JUST MIGHT BE THE ANGLE WE NEED 316 00:12:25,745 --> 00:12:27,247 TO GET THIS GUY SCOTT TO TALK. 317 00:12:27,247 --> 00:12:29,369 BECKETT GAVE US A DIRECT ORDER. 318 00:12:29,369 --> 00:12:30,871 WILL SHE BE MORE UPSET 319 00:12:30,871 --> 00:12:32,963 WHEN SHE FINDS OUT CASTLE SOLVED THIS CASE BEFORE US, 320 00:12:32,963 --> 00:12:35,005 OR WHEN SHE FINDS OUT WE'VE BEEN COOPERATING WITH HIM? 321 00:12:35,005 --> 00:12:40,140 PERHAPS MY SECRET WEAPON IS THE LOOPHOLE YOU'RE LOOKING FOR. 322 00:12:40,140 --> 00:12:42,052 WHAT SECRET WEAPON? 323 00:12:42,052 --> 00:12:44,054 ♪♪ 324 00:12:47,888 --> 00:12:49,559 ANYBODY SITTING THERE? 325 00:12:49,559 --> 00:12:50,770 UH, YOU ARE. 326 00:12:52,893 --> 00:12:54,564 THANKS. YEAH. 327 00:12:54,564 --> 00:12:56,156 UH, I'M SCOTT. 328 00:12:56,156 --> 00:12:57,157 CLARA. 329 00:12:57,157 --> 00:13:00,200 SO, YOU KNOW ANYTHING ABOUT THIS RICHARD CASTLE GUY? 330 00:13:00,200 --> 00:13:01,451 A LITTLE. 331 00:13:01,451 --> 00:13:04,204 HE'S AN IRREVERENT CRIME NOVELIST WITH A CAREFREE SPIRIT 332 00:13:04,204 --> 00:13:06,746 AND A HATRED OF EXCLAMATION MARKS. 333 00:13:06,746 --> 00:13:08,498 OR SO I HEAR. 334 00:13:08,498 --> 00:13:09,709 HMM. 335 00:13:09,709 --> 00:13:11,791 WELL, I SAW AN INTERVIEW WITH HIM A FEW YEARS AGO. 336 00:13:11,791 --> 00:13:13,413 HE WAS TRYING WAY TOO HARD TO BE COOL. 337 00:13:13,413 --> 00:13:15,125 I'M SURE HE'S MELLOWED WITH AGE. 338 00:13:15,125 --> 00:13:17,087 [ DRAMATIC MUSIC PLAYING ] 339 00:13:17,087 --> 00:13:21,381 Castle: "TO DIE, TO SLEEP... 340 00:13:21,381 --> 00:13:24,344 TO SLEEP, PERCHANCE TO DREAM." 341 00:13:24,344 --> 00:13:25,515 OR NOT. 342 00:13:25,515 --> 00:13:28,638 "AYE, FOR THERE'S THE RUB. 343 00:13:28,638 --> 00:13:31,191 FOR IN THIS SLEEP OF DEATH, WHAT DREAMS MAY COME?" 344 00:13:31,191 --> 00:13:34,064 WILLIAM SHAKESPEARE, THE BARD. 345 00:13:34,064 --> 00:13:37,858 A MAN AS INTIMATE WITH VIOLENCE AND MURDER AS ANY IN HISTORY. 346 00:13:37,858 --> 00:13:42,822 WHO CAN TELL ME THE CLASSIC MOTIVATIONS FOR MURDER? 347 00:13:45,245 --> 00:13:46,616 [ LAUGHS ] 348 00:13:46,616 --> 00:13:49,119 YOU, IN THE PRINTED NON-IRONIC TEE 349 00:13:49,119 --> 00:13:51,501 BESIDE THE TOO-FRIENDLY BLONDE. 350 00:13:51,501 --> 00:13:53,123 OH, ME? 351 00:13:53,123 --> 00:13:54,454 YES. 352 00:13:54,454 --> 00:13:56,716 WHAT MIGHT DRIVE A PERSON TO MURDER? 353 00:13:56,716 --> 00:13:58,258 I DON'T KNOW. REVENGE? 354 00:13:58,258 --> 00:13:59,419 REVENGE. 355 00:13:59,419 --> 00:14:02,342 A MAN WRONGED, HIS REPUTATION BESMIRCHED, 356 00:14:02,342 --> 00:14:04,554 SO HE STRIKES OUT IN PASSION. 357 00:14:04,554 --> 00:14:08,228 SOME MIGHT CONSIDER HIS ACTIONS JUSTIFIED. 358 00:14:08,228 --> 00:14:12,232 WHAT ELSE MIGHT DRIVE A PERSON TO KILL? 359 00:14:12,232 --> 00:14:13,934 BEING FORCED TO READ ONE OF YOUR BOOKS? 360 00:14:13,934 --> 00:14:15,855 [ STUDENTS MURMURS ] 361 00:14:15,855 --> 00:14:19,239 THOUGH THAT'S PROBABLY MORE OF A MOTIVE FOR SUICIDE. 362 00:14:19,239 --> 00:14:20,190 [ STUDENTS GASPING ] 363 00:14:20,190 --> 00:14:21,281 [ CHUCKLES ] 364 00:14:21,281 --> 00:14:23,323 AND, UH, WHAT WAS THE LAST BOOK YOU READ -- 365 00:14:23,323 --> 00:14:25,575 "ZEN AND THE ART OF HAZING HIPSTERS"? 366 00:14:25,575 --> 00:14:27,197 [ LAUGHTER ] 367 00:14:27,197 --> 00:14:29,449 OH, I LOVE HOW YOU COME IN HERE QUOTING SHAKESPEARE 368 00:14:29,449 --> 00:14:31,291 LIKE IT'S JUST GONNA MAGICALLY ELEVATE 369 00:14:31,291 --> 00:14:33,493 THAT TREADMILL FICTION YOU WRITE. 370 00:14:33,493 --> 00:14:35,205 TREADMILL FI-- 371 00:14:35,205 --> 00:14:36,166 [ SCOFFS ] 372 00:14:36,166 --> 00:14:37,958 GET OUT. 373 00:14:37,958 --> 00:14:39,339 NOW. 374 00:14:39,339 --> 00:14:42,172 WORKS FOR ME. 375 00:14:49,219 --> 00:14:50,430 ARE YOU OKAY? 376 00:14:50,430 --> 00:14:52,012 WHAT THE HELL? 377 00:14:52,012 --> 00:14:54,184 FIRST THE COPS TRY AND FRONT ME, AND THEN THAT CLOWN. 378 00:14:54,184 --> 00:14:55,435 COPS? 379 00:14:55,435 --> 00:14:59,109 A GUY FROM MY OLD FRAT GOT KILLED LAST NIGHT. 380 00:14:59,109 --> 00:15:00,780 PETER GARBER. 381 00:15:00,780 --> 00:15:02,072 THEY THINK I HATED HIM 382 00:15:02,072 --> 00:15:04,824 'CAUSE HE GOT ME KICKED OUT FOR HAZING SOME NEWBIES. 383 00:15:04,824 --> 00:15:06,786 BUT I SPENT THE LAST SEMESTER TRYING TO MAKE AMENDS. 384 00:15:06,786 --> 00:15:08,118 WITH PETER? YEAH. 385 00:15:08,118 --> 00:15:11,031 TOLD HIM I WAS SORRY, YOU KNOW, AND HE SAID WE WERE COOL. 386 00:15:11,031 --> 00:15:12,162 HE EVEN ASKED ME FOR A FAVOR. 387 00:15:12,162 --> 00:15:14,034 SAID HE NEEDED A QUIET PLACE TO STUDY 388 00:15:14,034 --> 00:15:15,035 AWAY FROM THE FRAT HOUSE. 389 00:15:15,035 --> 00:15:16,536 I WORK AT RESIDENTIAL HOUSING, 390 00:15:16,536 --> 00:15:21,001 SO I HOOKED HIM UP WITH AN EMPTY APARTMENT ON THE D.L. 391 00:15:21,001 --> 00:15:22,302 WHY DIDN'T YOU TELL THE COPS? 392 00:15:22,302 --> 00:15:23,503 MY DAD'S A LAWYER, 393 00:15:23,503 --> 00:15:26,136 AND HE TAUGHT ME YOU NEVER TRUST THE POLICE. 394 00:15:26,136 --> 00:15:28,468 ACTUALLY, YOU KNOW, HE ALSO TAUGHT ME 395 00:15:28,468 --> 00:15:30,510 THAT BLONDES ARE MORE FUN. 396 00:15:30,510 --> 00:15:32,262 WHAT SAY WE GO OUT LATER? 397 00:15:32,262 --> 00:15:34,054 MY CREW AND I FOUND THIS GREAT BAR LAST NIGHT CALLED JINX. 398 00:15:34,054 --> 00:15:36,146 I'D LOVE TO, BUT I'M ACTUALLY GETTING FITTED FOR AN IRON LUNG 399 00:15:36,146 --> 00:15:37,227 IN THE MORNING. 400 00:15:37,227 --> 00:15:38,608 BYE. 401 00:15:41,231 --> 00:15:44,024 OKAY, VIKRAM. WHAT HAVE YOU GOT? 402 00:15:44,024 --> 00:15:46,196 I MIGHT HAVE IDENTIFIED ALLISON HYDE'S KILLER. 403 00:15:46,196 --> 00:15:47,697 PULLED FOOTAGE FROM THE HOTEL CAMERAS 404 00:15:47,697 --> 00:15:48,989 AROUND THE TIME HYDE WAS KILLED. 405 00:15:48,989 --> 00:15:52,032 MANAGED TO I.D. EVERYONE, EXCEPT THIS GUY. 406 00:15:55,495 --> 00:15:57,167 LOOK, THIS DOESN'T MEAN ANYTHING. 407 00:15:57,167 --> 00:15:58,378 THERE'S PLENTY OF PEOPLE 408 00:15:58,378 --> 00:16:00,710 WHO AREN'T IN OUR FACIAL-RECOGNITION DATABASE. 409 00:16:00,710 --> 00:16:02,172 DIDN'T JUST USE OURS. 410 00:16:02,172 --> 00:16:03,843 I SNUCK INTO THE NSA, 411 00:16:03,843 --> 00:16:04,924 RAN HIM THROUGH THEIR TOP-SECRET DATABASE. 412 00:16:04,924 --> 00:16:06,466 IT'S A CIVIL-LIBERTIES NIGHTMARE, 413 00:16:06,466 --> 00:16:08,048 BUT VERY COMPREHENSIVE. 414 00:16:08,048 --> 00:16:10,680 OUR WELL-DRESSED MAN IS A TOTAL GHOST. 415 00:16:10,680 --> 00:16:13,393 SO UNLESS YOU KNOW A GHOSTBUSTER, 416 00:16:13,393 --> 00:16:15,055 WE'RE OUT OF LUCK. 417 00:16:15,055 --> 00:16:16,806 [ SIGHS ] 418 00:16:16,806 --> 00:16:18,098 I-I MIGHT KNOW SOMEBODY. 419 00:16:18,098 --> 00:16:20,650 HE'S HELPED ME OUT IN THE PAST, 420 00:16:20,650 --> 00:16:22,312 AND HE'S CONNECTED TO THIS WORLD. 421 00:16:22,312 --> 00:16:23,903 BUT HE'S TECHNICALLY DEAD, 422 00:16:23,903 --> 00:16:26,276 WHICH MEANS YOU'RE GONNA HAVE TO DIG HIM UP. 423 00:16:27,107 --> 00:16:31,371 JUST TO BE CLEAR, YOU MEAN HE FAKED HIS OWN DEATH 424 00:16:31,371 --> 00:16:33,163 AND NOW HE'S HIDING UNDER A NEW IDENTITY 425 00:16:33,163 --> 00:16:34,824 THAT YOU NEED ME TO UNCOVER? 426 00:16:34,824 --> 00:16:36,456 YEAH. 427 00:16:36,456 --> 00:16:38,998 GOOD. 'CAUSE I'M NOT A HUGE FAN OF SHOVELING. 428 00:16:44,084 --> 00:16:47,627 WHAT ARE THE ODDS PETER REALLY WANTED THIS APARTMENT FOR STUDYING? 429 00:16:49,389 --> 00:16:52,762 I'D SAY THOSE ODDS ARE LESS THAN ZERO. 430 00:16:52,762 --> 00:16:55,685 Esposito: NYPD. 431 00:16:59,269 --> 00:17:01,401 I THOUGHT PETER WAS MAJORING IN MARKETING, 432 00:17:01,401 --> 00:17:02,772 NOT MEDIEVAL TORTURE. 433 00:17:02,772 --> 00:17:05,105 THIS STUFF ISN'T FOR TORTURE. IT'S A BDSM DUNGEON. 434 00:17:06,906 --> 00:17:09,609 WHAT? I READ "FIFTY SHADES," AND CLEARLY SO HAD PETER. 435 00:17:09,609 --> 00:17:12,322 OKAY. 436 00:17:13,823 --> 00:17:15,995 I'M THINKING THIS IS A LITTLE LESS "FIFTY SHADES" 437 00:17:15,995 --> 00:17:19,369 AND A LITTLE MORE "FATAL ATTRACTION." 438 00:17:27,046 --> 00:17:29,339 SO, PETER AND HIS BONDAGE-CURIOUS LOVER 439 00:17:29,339 --> 00:17:32,222 SET UP SHOP HERE TO FULFILL ALL THEIR FANTASIES. 440 00:17:32,222 --> 00:17:33,473 MM. ROLE PLAY. 441 00:17:33,473 --> 00:17:35,555 PERHAPS KINKY CONVICT AND WICKED WARDEN. 442 00:17:36,726 --> 00:17:37,727 D-- 443 00:17:37,727 --> 00:17:39,229 ANYWAY, PETER TRIES TO BREAK IT OFF. 444 00:17:39,229 --> 00:17:43,233 THE LOVER, SPURNED, FLIES INTO A MURDEROUS RAGE, 445 00:17:43,233 --> 00:17:44,604 AND THEN IMPALES HIM IN THE PARK. 446 00:17:44,604 --> 00:17:47,237 ALL RIGHT. WE NEED TO FIGURE OUT WHO PETER'S BEEN... 447 00:17:47,237 --> 00:17:48,398 ENTERTAINING HERE. 448 00:17:48,398 --> 00:17:49,989 THAT MEANS WE NEED TO START KNOCKING ON SOME DOORS, 449 00:17:49,989 --> 00:17:52,031 PULLING SURVEILLANCE FOOTAGE. THERE'S AN EASIER WAY. 450 00:17:52,031 --> 00:17:53,283 FRAT BOYS LOVE TO KISS AND TELL. 451 00:17:53,283 --> 00:17:55,195 IF ANYONE KNOWS WHO PETER WAS INVOLVED WITH, 452 00:17:55,195 --> 00:17:56,406 IT WILL BE HIS BROTHERS. 453 00:17:56,406 --> 00:17:58,198 YEAH, BUT THEY WEREN'T EXACTLY FORTHCOMING 454 00:17:58,198 --> 00:18:00,160 WHEN WE INTERVIEWED THEM EARLIER. YEAH. 455 00:18:00,160 --> 00:18:01,911 THAT'S BECAUSE YOU'RE "THE MAN." 456 00:18:01,911 --> 00:18:03,163 BUT I'M NOT. 457 00:18:03,963 --> 00:18:07,507 ♪ S-P-I-R-I-T, SPIRIT ♪ 458 00:18:07,507 --> 00:18:09,419 ♪ LET'S HEAR IT ♪ 459 00:18:09,419 --> 00:18:13,012 ♪ S-P-I-R-I-T, SPIRIT ♪ 460 00:18:13,012 --> 00:18:14,093 ♪ LET'S HEAR IT ♪ 461 00:18:14,093 --> 00:18:16,015 ♪ LET'S GO ♪ 462 00:18:21,521 --> 00:18:22,562 I'M IN. 463 00:18:22,562 --> 00:18:24,103 Castle: SHE'S IN. 464 00:18:24,103 --> 00:18:25,225 Ryan: WE HEARD. 465 00:18:25,225 --> 00:18:28,107 YOU KNOW THIS ISN'T HER FIRST FRAT PARTY, CASTLE. 466 00:18:28,107 --> 00:18:30,109 YOU TRYING TO MAKE ME FEEL BETTER? 467 00:18:30,109 --> 00:18:31,110 YOU KNOW, IT'S UNDERSTANDABLE 468 00:18:31,110 --> 00:18:33,153 IF YOU'RE FEELING A LITTLE OVERPROTECTIVE RIGHT NOW 469 00:18:33,153 --> 00:18:34,904 WITH WHAT'S BEEN HAPPENING WITH BECKETT. 470 00:18:34,904 --> 00:18:37,537 "WHAT'S HAPPENING" IS I'M GETTING HER BACK. 471 00:18:37,537 --> 00:18:39,659 ARE YOU SURE THIS IS THE RIGHT WAY TO DO IT? 472 00:18:39,659 --> 00:18:42,242 SHE WAS PRETTY CLEAR THAT SHE DID NOT WANT YOU WORKING THIS CASE. 473 00:18:42,242 --> 00:18:44,834 WORKING CASES TOGETHER IS WHY SHE FELL IN LOVE WITH ME. 474 00:18:44,834 --> 00:18:47,297 THAT'S WHY I'M GOING TO DO WHATEVER IT TAKES 475 00:18:47,297 --> 00:18:48,508 TO SOLVE THIS CASE. 476 00:18:48,508 --> 00:18:50,420 INCLUDING SENDING YOUR DAUGHTER 477 00:18:50,420 --> 00:18:52,382 INTO A HOUSE FULL OF DRUNKEN FRAT BOYS, 478 00:18:52,382 --> 00:18:54,013 DRESSED LIKE A SLUTTY ANGEL? 479 00:18:56,346 --> 00:18:58,518 [ THUDDING ] OPEN IT. OPEN IT. 480 00:18:58,518 --> 00:19:00,220 IT'S SO SAD ABOUT PETER. 481 00:19:00,220 --> 00:19:01,761 WERE YOU CLOSE WITH HIM? 482 00:19:01,761 --> 00:19:03,933 MMMMMMM. 483 00:19:03,933 --> 00:19:04,974 HE WAS A HOTTIE. 484 00:19:04,974 --> 00:19:06,316 I BET HE HAD A LOT OF GIRLFRIENDS, HUH? 485 00:19:06,316 --> 00:19:08,027 MMMMMMM. 486 00:19:08,027 --> 00:19:09,439 MMMMMMM. 487 00:19:09,439 --> 00:19:10,650 HEY, HEY, HEY. 488 00:19:10,650 --> 00:19:12,652 HER EYES ARE UP HERE. WHAT ARE YOU DOING? 489 00:19:12,652 --> 00:19:14,274 I GOT THIS. DO YOU? 490 00:19:14,274 --> 00:19:16,035 'CAUSE I'M HEARING A WHOLE LOT OF FLIRTING 491 00:19:16,035 --> 00:19:18,198 AND ZERO FACT-FINDING ON WHO PETER WAS DATING. 492 00:19:18,198 --> 00:19:20,159 HEY, BRO. I SAW HER FIRST. 493 00:19:20,159 --> 00:19:21,371 GET YOUR OWN GIRL. 494 00:19:21,371 --> 00:19:22,372 EW. EW. 495 00:19:22,372 --> 00:19:24,744 I MEAN IT. HIT THE ROAD, OLD MAN. 496 00:19:24,744 --> 00:19:25,745 OLD MAN? 497 00:19:25,745 --> 00:19:28,087 THIS OLD MAN IS GONNA KICK YOUR ASS. 498 00:19:32,131 --> 00:19:34,173 AT BEER PONG. 499 00:19:34,173 --> 00:19:36,506 BEER-PONG CHALLENGE, EVERYONE! [ CHEERING ] 500 00:19:36,506 --> 00:19:38,097 WHAT EXACTLY IS YOUR STRATEGY? 501 00:19:38,097 --> 00:19:39,559 TO GET ANY MAN TO CONFIDE IN YOU, 502 00:19:39,559 --> 00:19:41,431 YOU MUST FIRST EARN HIS RESPECT. 503 00:19:41,431 --> 00:19:44,013 TO DO THAT, I NEED TO BRO DOWN. 504 00:19:44,013 --> 00:19:45,225 THANK YOU. 505 00:19:46,806 --> 00:19:48,228 [ SIGHS ] ALL RIGHT. 506 00:19:48,228 --> 00:19:49,229 [ SNIFFS ] 507 00:19:50,730 --> 00:19:52,021 All: OH! 508 00:19:54,113 --> 00:19:55,815 MMM. 509 00:19:55,815 --> 00:19:56,986 CASTLE: Oh. 510 00:19:56,986 --> 00:19:58,117 Ryan: 10 BUCKS ON CASTLE. 511 00:19:58,117 --> 00:20:00,450 YOU'RE ON. [ Cheering ] 512 00:20:05,955 --> 00:20:07,417 HEY, CAPTAIN. 513 00:20:07,417 --> 00:20:08,998 WHAT ARE YOU DOING HERE? 514 00:20:08,998 --> 00:20:10,129 SURVEILLANCE. CANVASSING. 515 00:20:10,129 --> 00:20:11,921 SURVEILLANCE. CANVASSING. 516 00:20:11,921 --> 00:20:15,044 CASTLE: In your face, Frankenstein. [ Cheering ] 517 00:20:15,044 --> 00:20:17,176 WE CAN EXPLAIN. 518 00:20:17,176 --> 00:20:20,179 I ASK ONE THING OF YOU GUYS. 519 00:20:20,179 --> 00:20:22,762 ALL: Whoo! 520 00:20:22,762 --> 00:20:25,144 [ LAUGHS ] ALL RIGHT, ALL RIGHT. 521 00:20:26,225 --> 00:20:27,687 All: WHOO! 522 00:20:29,349 --> 00:20:30,690 WHOO! 523 00:20:33,062 --> 00:20:33,853 MMM. 524 00:20:37,066 --> 00:20:38,568 TERRIBLE THING ABOUT PETER. 525 00:20:38,568 --> 00:20:40,820 WISH I WOULD HAVE GOTTEN TO KNOW HIM BETTER. 526 00:20:43,202 --> 00:20:44,414 [ CHEERING ] 527 00:20:44,414 --> 00:20:48,127 YOU, UH, SPOKEN TO JULIE? SHE MUST BE DEVASTATED. 528 00:20:48,127 --> 00:20:49,208 WHO'S JULIE? 529 00:20:49,208 --> 00:20:50,710 ISN'T THAT PETER'S GIRLFRIEND'S NAME? 530 00:20:50,710 --> 00:20:52,672 [ CHUCKLES ] PETER WAS ALL ABOUT THIS COUGAR PROFESSOR, 531 00:20:52,672 --> 00:20:53,833 DR. LILLSTROM. 532 00:20:53,833 --> 00:20:56,005 HE SPENT ALL OF HIS FREE TIME WITH HER, 533 00:20:56,005 --> 00:20:57,297 IF YOU KNOW WHAT I MEAN. 534 00:20:57,297 --> 00:20:59,589 OH, SOMEONE DIDN'T SKIP HIS LESSON ON SUBTEXT. 535 00:20:59,589 --> 00:21:01,591 ALL RIGHT, LAST SHOT, PROFESSOR. BRING IT. 536 00:21:04,344 --> 00:21:06,806 THANK YOU. 537 00:21:08,558 --> 00:21:09,559 OOPS. 538 00:21:11,811 --> 00:21:13,313 [ CHEERING ] 539 00:21:13,313 --> 00:21:14,654 DRINK. 540 00:21:16,275 --> 00:21:18,067 ALL RIGHT. PARTY'S OVER. 541 00:21:18,067 --> 00:21:20,990 UNLESS YOU WANT ME TO START CHECKING I.D.s. 542 00:21:20,990 --> 00:21:23,072 THAT WAS A NICE SHOT. WE SHOULD TEAM UP. 543 00:21:23,072 --> 00:21:24,203 WE COULD PONG HUSTLE. 544 00:21:24,203 --> 00:21:26,245 CASTLE, GO HOME. YOU'RE DRUNK. 545 00:21:26,245 --> 00:21:28,498 I'M NOT DRUNK. I'M CASING THE CRACK. 546 00:21:28,498 --> 00:21:29,869 CRACK -- CRACK... 547 00:21:29,869 --> 00:21:30,870 CRACKING THE CASE. 548 00:21:30,870 --> 00:21:32,081 YOU'RE A LIGHTWEIGHT. 549 00:21:32,081 --> 00:21:33,963 COME ON, DAD. TIME TO GO. 550 00:21:33,963 --> 00:21:36,005 OKAY, ANGEL. YOU'RE DRIVING. 551 00:21:39,679 --> 00:21:41,381 YOU'RE PRETTY HOT FOR A COP. 552 00:21:41,381 --> 00:21:42,842 I HAVE A GUN. RIGHT. 553 00:21:42,842 --> 00:21:45,515 [ CELLPHONE RINGS, BEEPS ] 554 00:21:45,515 --> 00:21:47,306 BECKETT. VIKRAM: It's Vikram. 555 00:21:47,306 --> 00:21:50,690 I found your dead guy resurrected in New Jersey. 556 00:21:50,690 --> 00:21:53,022 And I know where you can find him. 557 00:21:53,022 --> 00:21:57,817 ♪♪ 558 00:21:57,817 --> 00:22:01,070 IT'S BEEN A LONG TIME. 559 00:22:04,073 --> 00:22:05,785 WHAT THE HELL ARE YOU DOING HERE? 560 00:22:05,785 --> 00:22:07,997 SORRY TO SHAKE YOUR SNOW GLOBE, BUT YOU HELPED ME ONCE 561 00:22:07,997 --> 00:22:09,999 WHEN I WAS BEING FRAMED FOR VULCAN SIMMONS'S MURDER, 562 00:22:09,999 --> 00:22:11,250 AND I NEED YOUR HELP AGAIN. 563 00:22:11,250 --> 00:22:13,002 FORGET IT. 564 00:22:13,002 --> 00:22:14,293 I PAID ALL MY DEBTS. 565 00:22:14,293 --> 00:22:16,506 THIS MAN KILLED AN ASSISTANT A.G. 566 00:22:16,506 --> 00:22:19,048 CONNECTED TO BRACKEN'S DIRTY-MONEY SCHEME. 567 00:22:19,048 --> 00:22:20,169 I DON'T KNOW HIM. 568 00:22:20,169 --> 00:22:21,671 HE WORKS FOR BRACKEN'S PARTNER, 569 00:22:21,671 --> 00:22:25,054 SOME MYSTERY MAN OR WOMAN DEEP INSIDE THE CIA. 570 00:22:25,054 --> 00:22:27,767 WHY CAN'T YOU JUST LEAVE THIS ALONE? 571 00:22:27,767 --> 00:22:31,060 I WASN'T BUILT THAT WAY. 572 00:22:32,892 --> 00:22:34,734 LOOK, I'VE GOT A GOOD THING HERE. 573 00:22:34,734 --> 00:22:37,647 A WOMAN WHO LOVES ME, A NEW LIFE. 574 00:22:37,647 --> 00:22:42,402 I'M HAPPY. YOU COULD BE, TOO. 575 00:22:42,402 --> 00:22:44,033 YOU JUST HAVE TO LET IT GO. 576 00:22:44,033 --> 00:22:47,036 [ SIGHS ] I CAN'T. 577 00:22:54,163 --> 00:22:56,045 WHAT MAKES YOU THINK THE DRUG SHIPMENTS STOPPED 578 00:22:56,045 --> 00:22:58,207 WITH VULCAN SIMMONS'S DEATH? 579 00:22:58,207 --> 00:23:01,300 EVERY NARCOTIC HAS A SIGNATURE, A FINGERPRINT, IF YOU WILL. 580 00:23:01,300 --> 00:23:06,265 YOU FIND HIS, YOU PICK UP THE TRAIL. 581 00:23:06,265 --> 00:23:08,808 THANK YOU. DON'T. 582 00:23:08,808 --> 00:23:11,511 YOU'RE GONNA GET YOURSELF KILLED. 583 00:23:13,893 --> 00:23:16,355 COME ON, BOY. 584 00:23:21,150 --> 00:23:23,152 [ FIZZING ] 585 00:23:24,824 --> 00:23:26,405 UNH. 586 00:23:26,405 --> 00:23:30,289 Martha: OH. YOU'RE GETTING TOO OLD FOR DRINKING GAMES, KIDDO. 587 00:23:30,289 --> 00:23:31,491 IT WAS FOR THE CASE. 588 00:23:31,491 --> 00:23:34,123 THE ONE THAT KATHERINE KEEPS THROWING YOU OFF OF? 589 00:23:34,123 --> 00:23:36,916 I DIDN'T WIN HER LOVE OVERNIGHT THE FIRST TIME. 590 00:23:36,916 --> 00:23:39,208 I'M MAKING PROGRESS, HUH? 591 00:23:39,208 --> 00:23:40,500 HEY. [ GROANS ] 592 00:23:40,500 --> 00:23:43,132 WHERE ARE WE ON PETER'S FACULTY GIRLFRIEND? 593 00:23:43,132 --> 00:23:44,173 DR. BARBARA LILLSTROM, 594 00:23:44,173 --> 00:23:46,215 HEAD OF THE PSYCH DEPARTMENT AT HUDSON U. 595 00:23:46,215 --> 00:23:47,717 TOP OF HER CLASS AT HARVARD MED SCHOOL. 596 00:23:47,717 --> 00:23:49,258 SHE WAS ADVISING PETER'S SENIOR THESIS. 597 00:23:49,258 --> 00:23:51,761 AND THEY HAD AN ILLICIT STUDENT-FACULTY RELATIONSHIP, 598 00:23:51,761 --> 00:23:54,554 ONE THAT ENDED UGLY ONCE HE REJECTED HER. 599 00:23:54,554 --> 00:23:57,517 YEAH, I'M BETTING PETER WAS EXPECTING A BAD GRADE, 600 00:23:57,517 --> 00:23:58,558 NOT IMPALEMENT. 601 00:23:58,558 --> 00:23:59,939 I CONTACTED THE PSYCH DEPARTMENT. 602 00:23:59,939 --> 00:24:01,060 LILLSTROM'S BEEN OUT ALL WEEK. 603 00:24:01,060 --> 00:24:02,862 SHE COULD BE ON THE RUN. 604 00:24:02,862 --> 00:24:04,193 IF SHE IS, SHE DIDN'T RUN FAR. 605 00:24:04,193 --> 00:24:05,655 OR AT LEAST HER PHONE DIDN'T. 606 00:24:05,655 --> 00:24:07,066 HER CELL SIGNAL WENT DEAD YESTERDAY, 607 00:24:07,066 --> 00:24:08,488 BUT IT LAST PINGED OFF A TOWER 608 00:24:08,488 --> 00:24:10,369 OUTSIDE OF A TENANTLESS BUILDING HERE. 609 00:24:10,369 --> 00:24:12,371 THAT'S FOUR BLOCKS AWAY FROM WHERE PETER WAS KILLED. 610 00:24:12,371 --> 00:24:14,874 YOU KNOW, IF YOU WANT TO CURRY FAVOR WITH KATHERINE 611 00:24:14,874 --> 00:24:16,536 AFTER LAST NIGHT'S LITTLE DEBACLE, 612 00:24:16,536 --> 00:24:17,707 YOU MIGHT TELL HER ABOUT THIS. 613 00:24:17,707 --> 00:24:20,960 NO, FIRST, WE'LL CONFIRM LILLSTROM IS THERE. 614 00:24:20,960 --> 00:24:23,042 THEN WE'LL CALL IN THE CAVALRY. 615 00:24:23,042 --> 00:24:24,964 ♪♪ 616 00:24:30,760 --> 00:24:32,762 TIMES LIKE THIS, I WISH YOU WERE MORE COMFORTABLE 617 00:24:32,762 --> 00:24:35,054 CARRYING A GUN ON YOUR PERSON, NOT JUST IN YOUR DESK. 618 00:24:35,054 --> 00:24:40,099 A GOOD P.I. RELIES ON HIS WITS FIRST, BULLETS SECOND. 619 00:24:47,236 --> 00:24:50,369 AFTER YOUR WITS. 620 00:24:53,613 --> 00:24:56,075 [ MAN SCREAMS ] 621 00:24:56,075 --> 00:24:57,076 WHAT WAS THAT? 622 00:24:57,076 --> 00:24:59,078 ♪♪ 623 00:25:01,711 --> 00:25:03,713 [ CELL DOOR OPENS ] 624 00:25:12,131 --> 00:25:16,015 THIS EXPLAINS PETER'S PRISON JUMPSUIT. 625 00:25:16,015 --> 00:25:17,436 [ DOOR SLAMS SHUT ] 626 00:25:24,443 --> 00:25:25,945 Guard: DON'T MOVE. Castle: EASY THERE, FELLA. 627 00:25:25,945 --> 00:25:26,986 UNLESS YOU'RE A NEW YORK YANKEE, 628 00:25:26,986 --> 00:25:29,068 QUIT TRYING TO STEAL SECOND BASE. 629 00:25:29,068 --> 00:25:30,570 WATCH YOUR MOUTH. 630 00:25:30,570 --> 00:25:32,111 I'M JUST SAYING, BUY ME A DRINK FIRST. 631 00:25:35,705 --> 00:25:37,076 Guard: TAKE THIS. 632 00:25:37,076 --> 00:25:39,118 HERE, OPEN 4. 633 00:25:39,118 --> 00:25:40,830 [ BUZZER ] 634 00:25:43,372 --> 00:25:44,333 NO. WHAT? 635 00:25:47,546 --> 00:25:49,338 ARE YOU SURE ABOUT THIS? 636 00:25:49,338 --> 00:25:50,630 I HAVE TO WARN THE WARDEN. 637 00:25:52,972 --> 00:25:54,173 WHAT KIND OF PRISON IS THIS? 638 00:25:54,173 --> 00:25:57,016 TAKE A LOOK AROUND. 639 00:25:57,016 --> 00:25:58,267 YOU NOTICE ANY SIMILARITIES... [ BUZZER ] 640 00:25:58,267 --> 00:26:00,019 ...BETWEEN THE GUARDS AND THE INMATES? 641 00:26:00,019 --> 00:26:03,603 WAIT -- THEY'RE ALL MY AGE. EXACTLY. 642 00:26:03,603 --> 00:26:06,145 AND I'M BETTING THEY'RE ALL HUDSON UNIVERSITY STUDENTS. 643 00:26:06,145 --> 00:26:08,567 THEY'RE DOING A RE-ENACTMENT OF THE STANFORD PRISON EXPERIMENT. 644 00:26:08,567 --> 00:26:10,990 THAT THING FROM THE '70s 645 00:26:10,990 --> 00:26:12,612 WHERE THEY STUDIED THE PSYCHOLOGICAL EFFECTS 646 00:26:12,612 --> 00:26:15,154 OF MAKING STUDENTS PRETEND TO BE PRISONERS AND GUARDS? 647 00:26:15,154 --> 00:26:16,365 MAKES SENSE. 648 00:26:16,365 --> 00:26:18,618 DR. LILLSTROM IS HEAD OF THE PSYCH DEPARTMENT. 649 00:26:18,618 --> 00:26:20,039 WHO ELSE IS GONNA HAVE THE KIND OF PULL 650 00:26:20,039 --> 00:26:22,041 TO PUT SOMETHING LIKE THIS TOGETHER? 651 00:26:22,041 --> 00:26:24,413 MAYBE PETER SHAWSHANKED HIS WAY OUT OF HERE. 652 00:26:24,413 --> 00:26:25,915 PETER? 653 00:26:26,966 --> 00:26:28,467 HE ACTUALLY ESCAPED? 654 00:26:28,467 --> 00:26:31,090 YOU KNOW PETER? 655 00:26:31,090 --> 00:26:32,171 HE WAS IN YOUR CELL, 656 00:26:32,171 --> 00:26:35,014 BUT ONE DAY WE WOKE UP AND HE WAS JUST GONE. 657 00:26:35,014 --> 00:26:37,216 WHAT DID THE GUARDS SAY? THEY FREAKED. 658 00:26:37,216 --> 00:26:38,848 HOW'D HE GET OUT OF HIS CELL? 659 00:26:38,848 --> 00:26:41,180 BUT WE -- WE DIDN'T KNOW IF THEY WERE JUST MESSING WITH OUR HEADS, 660 00:26:41,180 --> 00:26:43,062 'CAUSE THAT'S WHAT THEY DO HERE. 661 00:26:43,062 --> 00:26:45,184 DID YOU VOLUNTEER FOR THIS? 662 00:26:45,184 --> 00:26:48,027 I NEEDED THE MONEY, BUT NOW I JUST WANT TO GO HOME. 663 00:26:48,027 --> 00:26:50,489 WAIT A MINUTE. Y-YOU MEAN, THERE'S NO PANIC BUTTON? 664 00:26:50,489 --> 00:26:52,862 THERE'S NO SAFETY MECHANISM IF YOU WANT TO QUIT? 665 00:26:52,862 --> 00:26:54,113 THERE WAS A WHITE FLAG, 666 00:26:54,113 --> 00:26:56,035 BUT THEY REMOVED IT WHEN PETER WAS DEMOTED. 667 00:26:56,035 --> 00:26:57,616 PETER WAS A GUARD BEFORE HE WAS AN INMATE? 668 00:26:57,616 --> 00:27:00,910 HEAD GUARD, RECRUITED BY WARDEN LILLSTROM. 669 00:27:00,910 --> 00:27:02,912 BUT HE WAS NICE TO US. 670 00:27:02,912 --> 00:27:04,954 I THINK THAT'S WHY LILLSTROM TURNED ON HIM. 671 00:27:04,954 --> 00:27:07,837 SHE MADE PETER AN INMATE, FORCED HIM TO SIT IN THE CHAIR. 672 00:27:07,837 --> 00:27:09,709 WHAT CHAIR ARE WE TALKING ABOUT? 673 00:27:09,709 --> 00:27:11,210 OUR DAILY INTERROGATIONS. 674 00:27:11,210 --> 00:27:14,754 WE'RE STRAPPED TO A CHAIR. 675 00:27:14,754 --> 00:27:18,517 LILLSTROM FLASHES IMAGES IN OUR EYES OVER AND OVER. 676 00:27:18,517 --> 00:27:20,930 ALL THESE STRANGE LIGHTS. 677 00:27:21,931 --> 00:27:24,313 WHAT DOES LILLSTROM WANT TO KNOW? 678 00:27:24,313 --> 00:27:27,186 OUR SECRETS. THE DARKER, THE BETTER. 679 00:27:27,186 --> 00:27:29,899 IT'S LIKE SHE'S SLIDING AROUND YOUR BRAIN, 680 00:27:29,899 --> 00:27:31,270 PEEKING INTO YOUR SOUL. 681 00:27:33,402 --> 00:27:35,654 HEY. 682 00:27:35,654 --> 00:27:36,736 COME OPEN THIS CELL. 683 00:27:36,736 --> 00:27:38,447 I GIVE THE ORDERS HERE, INMATE. 684 00:27:38,447 --> 00:27:39,779 AND I GIVE THE GRADES. 685 00:27:39,779 --> 00:27:41,330 YOU SAW MY FACULTY I.D. 686 00:27:41,330 --> 00:27:42,952 SO, HERE'S THE POP QUIZ. 687 00:27:42,952 --> 00:27:44,373 FAILURE TO OPEN THIS CELL 688 00:27:44,373 --> 00:27:46,786 WILL CAUSE AN OH-SO-DISASTROUS END TO YOUR ACADEMIC CAREER -- 689 00:27:46,786 --> 00:27:47,787 TRUE OR FALSE? 690 00:27:47,787 --> 00:27:50,289 ♪♪ 691 00:27:57,717 --> 00:27:58,928 HEY. HERS TOO. 692 00:28:03,262 --> 00:28:06,435 TAKE US TO DR. LILLSTROM RIGHT NOW. 693 00:28:06,435 --> 00:28:11,190 WARDEN. WE, UM, HAVE A PROBLEM. 694 00:28:11,190 --> 00:28:14,573 DAMN RIGHT WE DO -- YEARS OF PLANNING, OF RESEARCH, RUINED! 695 00:28:14,573 --> 00:28:16,655 DO YOU HAVE ANY IDEA OF THE DAMAGE YOU'VE CAUSED? 696 00:28:16,655 --> 00:28:17,777 ASK ME IF I CARE. 697 00:28:17,777 --> 00:28:20,079 WE'RE HERE INVESTIGATING PETER'S MURDER. 698 00:28:20,079 --> 00:28:21,450 PETER'S DEAD? 699 00:28:21,450 --> 00:28:25,124 LOOK, HE BROKE OUT. THAT'S NOT MY RESPONSIBILITY. 700 00:28:25,124 --> 00:28:27,166 NEW YORK'S A DANGEROUS TOWN. 701 00:28:27,166 --> 00:28:29,168 WE KNOW ALL ABOUT YOUR RELATIONSHIP WITH PETER. 702 00:28:29,168 --> 00:28:31,000 [ SCOFFS ] I'M THE ADVISER ON HIS THESIS. 703 00:28:31,000 --> 00:28:33,042 YOU ADVISED HIM ON A LOT MORE THAN THAT. 704 00:28:33,042 --> 00:28:34,043 YOU WERE HAVING AN AFFAIR. 705 00:28:34,043 --> 00:28:35,464 EXCUSE ME? 706 00:28:35,464 --> 00:28:37,296 WE FOUND YOUR LITTLE SEX DUNGEON 707 00:28:37,296 --> 00:28:38,838 AND THE MESSAGE YOU WROTE ON THE MIRROR. 708 00:28:38,838 --> 00:28:40,890 PETER BROKE UP WITH YOU, DIDN'T HE? 709 00:28:40,890 --> 00:28:43,012 SO YOU PUNISHED HIM THE ONLY WAY YOU KNEW HOW -- 710 00:28:43,012 --> 00:28:44,764 BY MAKING HIM YOUR PRISONER. 711 00:28:44,764 --> 00:28:45,895 THEN HE ESCAPED. 712 00:28:45,895 --> 00:28:47,016 IS THAT WHEN YOU DECIDED HE HAD TO DIE, DOCTOR? 713 00:28:47,016 --> 00:28:49,058 [ EXHALES SHARPLY ] YOU KILLED PETER? 714 00:28:49,058 --> 00:28:50,609 I-IT'S NOT TRUE. ANY OF IT. 715 00:28:50,609 --> 00:28:52,231 YOU'RE COMING WITH ME. WHA-- 716 00:28:53,232 --> 00:28:54,774 YOU OPEN THOSE CELLS, 717 00:28:54,774 --> 00:28:57,236 BUT NO ONE LEAVES HERE UNTIL I'VE RETURNED WITH THE POLICE. 718 00:28:57,236 --> 00:28:58,447 DO NOT LISTEN TO HIM. 719 00:28:58,447 --> 00:29:00,529 OH, AND, UH, YOU'RE INDOORS AND IT'S DARK, 720 00:29:00,529 --> 00:29:02,071 SO TAKE OFF THE SUNGLASSES. YOU LOOK STUPID. 721 00:29:02,071 --> 00:29:04,493 [ SIGHS ] 722 00:29:04,493 --> 00:29:05,704 YET ANOTHER CASE CLOSED 723 00:29:05,704 --> 00:29:08,868 COURTESY OF RICHARD CASTLE INVESTIGATIONS. 724 00:29:10,830 --> 00:29:13,002 UM, WHO IS THIS WOMAN? 725 00:29:13,002 --> 00:29:15,084 AND ARE YOU IN HANDCUFFS? 726 00:29:15,084 --> 00:29:16,215 THIS MAN ABDUCTED ME. 727 00:29:16,215 --> 00:29:18,007 IT'S NOT AN ABDUCTION. IT'S A CITIZEN'S ARREST. 728 00:29:18,007 --> 00:29:19,548 PLEASE GET IT STRAIGHT. 729 00:29:19,548 --> 00:29:21,841 BECKETT, PLEASE MEET DR. LILLSTROM. 730 00:29:21,841 --> 00:29:23,722 SHE WAS PETER'S TEACHER -- WITH BENEFITS. 731 00:29:23,722 --> 00:29:24,934 THE REAL KINKY KIND, TOO. 732 00:29:24,934 --> 00:29:26,645 BUT WHEN PETER ENDED THEIR TRYSTS, 733 00:29:26,645 --> 00:29:28,767 SHE LOCKED HIM UP IN A SECRET, UNDERGROUND PRISON EXPERIMENT, 734 00:29:28,767 --> 00:29:29,939 WHICH IS WHERE I CAUGHT HER. 735 00:29:29,939 --> 00:29:31,560 YOU'RE WELCOME, HONEY. 736 00:29:31,560 --> 00:29:33,943 YOU WENT TO AN UNDERGROUND PRISON? 737 00:29:33,943 --> 00:29:35,104 ALONE? 738 00:29:35,104 --> 00:29:36,695 NO, NOT ALONE. I HAD ALEXIS WITH ME. 739 00:29:36,695 --> 00:29:38,777 OH, WELL, SINCE YOU HAD BACKUP. 740 00:29:38,777 --> 00:29:40,900 ARE YOU KIDDING, CASTLE? YOUR DAUGHTER? 741 00:29:40,900 --> 00:29:43,863 WHEN YOU SAY IT IN THAT TONE, I SOUND LIKE A BAD PARENT. 742 00:29:43,863 --> 00:29:46,165 REGARDLESS, DR. LILLSTROM IS A SUSPECT. 743 00:29:46,165 --> 00:29:47,406 TRUST ME. FINE. 744 00:29:47,406 --> 00:29:48,667 [ GRUNTS ] 745 00:29:49,458 --> 00:29:50,669 THANKS. 746 00:29:51,961 --> 00:29:53,792 THERE'S PROTOCOL. YOU KNOW THAT. 747 00:29:53,792 --> 00:29:56,005 IF YOU HAD A LEAD, YOU SHOULD HAVE CALLED US. 748 00:29:56,005 --> 00:29:58,047 OH, BELIEVE ME, I WANTED TO, BUT THEY LOCKED US UP IN A CELL. 749 00:29:58,047 --> 00:29:59,378 NO, I MEAN, YOU SHOULD HAVE CALLED US BE-- 750 00:29:59,378 --> 00:30:01,760 WAIT, THEY LOCKED YOU UP? 751 00:30:01,760 --> 00:30:03,092 YOU KNOW WHAT? NEVER MIND. I DON'T WANT TO KNOW. 752 00:30:03,092 --> 00:30:05,554 JUST GO FIND RYAN AND ESPO AND TAKE THEM TO THE PRISON. 753 00:30:07,056 --> 00:30:09,098 THAT MAN IS INSANE. 754 00:30:09,098 --> 00:30:10,559 I'M INNOCENT. 755 00:30:10,559 --> 00:30:11,931 IF HE SAYS YOU'RE A SUSPECT, 756 00:30:11,931 --> 00:30:13,732 THEN TRUST ME -- YOU ARE FAR FROM INNOCENT. 757 00:30:13,732 --> 00:30:14,693 LET'S GO. 758 00:30:14,693 --> 00:30:16,775 THIS WAY, GUYS. 759 00:30:19,148 --> 00:30:20,399 OH, NO. 760 00:30:22,441 --> 00:30:24,283 OH, NO, NO, NO, NO! 761 00:30:24,283 --> 00:30:26,115 ♪♪ 762 00:30:35,084 --> 00:30:36,755 I TOLD THEM TO STAY. 763 00:30:36,755 --> 00:30:38,587 THEY'RE NOT DOGS, CASTLE. THEY'RE COLLEGE KIDS. 764 00:30:38,587 --> 00:30:39,879 WHAT DID YOU EXPECT? 765 00:30:39,879 --> 00:30:42,091 THIS PLACE HAS BEEN COMPLETELY CLEARED OUT. 766 00:30:42,091 --> 00:30:44,263 DR. LILLSTROM MUST HAVE HAD A CONTINGENCY PLAN. 767 00:30:44,263 --> 00:30:48,097 THEY TOOK ALL THE EVIDENCE. 768 00:30:48,097 --> 00:30:49,889 AND I LET IT HAPPEN. 769 00:30:51,770 --> 00:30:54,813 ALL BECAUSE I WANTED TO IMPRESS BECKETT. 770 00:30:59,188 --> 00:31:00,189 SORRY, BECKETT. I SCREWED UP. 771 00:31:00,189 --> 00:31:02,071 YEAH, YOU DID. 772 00:31:02,071 --> 00:31:05,114 AND I JEOPARDIZED THE ENTIRE CASE. 773 00:31:05,114 --> 00:31:06,285 AGAIN, YES. 774 00:31:08,077 --> 00:31:09,038 BUT YOU KNOW WHAT? 775 00:31:09,038 --> 00:31:11,080 IF IT WASN'T FOR YOU, THEN WE'D STILL BE THINKING 776 00:31:11,080 --> 00:31:14,493 THAT PETER'S PRISON UNIFORM WAS A HALLOWEEN COSTUME. 777 00:31:14,493 --> 00:31:17,296 SO, I'VE BEEN DIGGING INTO DR. LILLSTROM. 778 00:31:17,296 --> 00:31:19,048 DID YOU KNOW THAT FOR THE PAST DECADE, 779 00:31:19,048 --> 00:31:21,590 SHE'S BEEN CONTRACTING WITH THE ARMY, WORKING PSY OPS? 780 00:31:21,590 --> 00:31:23,502 WAIT A MINUTE. 781 00:31:23,502 --> 00:31:25,764 THE NAVY FUNDED THE FIRST, 782 00:31:25,764 --> 00:31:27,676 THE ORIGINAL STANFORD PRISON EXPERIMENT. 783 00:31:27,676 --> 00:31:28,847 MAYBE THE ARMY IS BEHIND 784 00:31:28,847 --> 00:31:30,309 DR. LILLSTROM'S MODERN-DAY INCARNATION. 785 00:31:30,309 --> 00:31:32,431 THAT WOULD EXPLAIN HOW THE PLACE WAS SCRUBBED SO QUICKLY. 786 00:31:32,431 --> 00:31:34,773 NOW, WHY WOULD THE MILITARY BE INTERESTED 787 00:31:34,773 --> 00:31:37,106 IN A BUNCH OF COLLEGE STUDENTS PLAYING PRISON? 788 00:31:37,106 --> 00:31:38,687 WELL, THE GOVERNMENT'S IN NEED OF 789 00:31:38,687 --> 00:31:40,189 NEW COUNTERTERRORISM TECHNIQUES 790 00:31:40,189 --> 00:31:41,941 AIMED AT THE MILLENNIAL GENERATION -- 791 00:31:41,941 --> 00:31:44,323 HOW TO GET INTO THE MINDS OF YOUNG TERRORISTS AND BREAK THEM. 792 00:31:44,323 --> 00:31:46,115 AND WHAT BETTER SOURCE OF LAB RATS 793 00:31:46,115 --> 00:31:48,157 THAN THE MILLENNIALS HERE AT HOME? 794 00:31:48,157 --> 00:31:49,868 BUT WE'LL NEVER GET THOSE SURVEILLANCE TAPES BACK. 795 00:31:49,868 --> 00:31:51,700 SO HOW DO WE PROVE THAT LILLSTROM LEFT THE PRISON 796 00:31:51,700 --> 00:31:54,033 TO KILL PETER AFTER HE ESCAPED? 797 00:31:54,033 --> 00:31:55,164 WE NEED A CONFESSION. 798 00:31:56,665 --> 00:32:00,589 WELL, THE DOC LIKES MIND GAMES, RIGHT? 799 00:32:00,589 --> 00:32:02,211 [ DOOR OPENS ] 800 00:32:04,093 --> 00:32:05,804 CHARGE ME OR LET ME GO. 801 00:32:07,756 --> 00:32:09,048 WHICH SOUNDS BETTER -- 802 00:32:09,048 --> 00:32:11,260 NEGLIGENT INFLICTION OF EMOTIONAL DISTRESS, 803 00:32:11,260 --> 00:32:13,642 OR GROSS PSYCHOLOGICAL ABUSE? 804 00:32:13,642 --> 00:32:15,224 WHAT ARE YOU DOING? 805 00:32:15,224 --> 00:32:18,147 I'M WRITING AN E-MAIL TO THE ENTIRE HUD U. FACULTY. 806 00:32:18,147 --> 00:32:19,558 FIGURED I'D LET EVERYONE KNOW 807 00:32:19,558 --> 00:32:21,860 THAT YOU WERE CONDUCTING AN UNAUTHORIZED EXPERIMENT 808 00:32:21,860 --> 00:32:23,232 WITH MEMBERS OF THE STUDENT BODY, 809 00:32:23,232 --> 00:32:25,024 SECRETLY FUNDED BY THE U.S. MILITARY. 810 00:32:25,024 --> 00:32:26,485 I'D LOVE TO SEE YOU PROVE IT, 811 00:32:26,485 --> 00:32:28,737 ESPECIALLY BECAUSE EVERY PARTICIPATING STUDENT 812 00:32:28,737 --> 00:32:30,369 SIGNS A NONDISCLOSURE AGREEMENT. 813 00:32:30,369 --> 00:32:33,202 OH. WELL, THEN, I SUPPOSE YOU WON'T MIND IF I SEND THIS. 814 00:32:33,202 --> 00:32:34,873 WAIT! WAIT. 815 00:32:34,873 --> 00:32:37,036 [ SIGHS ] 816 00:32:37,036 --> 00:32:40,129 WHAT WILL IT TAKE FOR YOU NOT TO TELL ANYONE AT HUDSON ABOUT THIS? 817 00:32:40,129 --> 00:32:42,001 THE TRUTH. 818 00:32:42,001 --> 00:32:43,462 DO I HAVE YOUR WORD, CAPTAIN? 819 00:32:43,462 --> 00:32:46,135 HUD U. WILL NEVER HEAR FROM ME. 820 00:32:46,135 --> 00:32:47,386 OKAY. 821 00:32:47,386 --> 00:32:50,389 I DIDN'T KILL PETER, AND I WASN'T SLEEPING WITH HIM. 822 00:32:50,389 --> 00:32:52,931 THAT'S ALL YOU GOT? 823 00:32:54,723 --> 00:32:55,724 WELL, THEN I'M SENDING IT. 824 00:32:55,724 --> 00:32:56,975 LOOK, IT'S THE TRUTH! 825 00:32:56,975 --> 00:32:59,898 THE NIGHT PETER ESCAPED, I WASN'T EVEN AT THE PRISON. 826 00:32:59,898 --> 00:33:01,190 THEN WHERE WERE YOU? 827 00:33:01,190 --> 00:33:03,692 A PIPE BURST IN MY APARTMENT. I WAS DEALING WITH IT ALL NIGHT. 828 00:33:03,692 --> 00:33:04,813 CHECK WITH MY DOORMAN. 829 00:33:06,195 --> 00:33:07,196 BUT IF YOU'RE THINKING 830 00:33:07,196 --> 00:33:10,989 WHOEVER WAS HAVING AN AFFAIR WITH PETER KILLED HIM... 831 00:33:10,989 --> 00:33:12,951 I MIGHT BE ABLE TO HELP. 832 00:33:12,951 --> 00:33:14,613 NOW WE'RE TALKING. 833 00:33:16,115 --> 00:33:18,617 [ SIGHS ] 834 00:33:18,617 --> 00:33:22,501 MY STUDY DEALS WITH EXTRACTING SECRETS FROM UNWILLING SUBJECTS. 835 00:33:22,501 --> 00:33:26,085 AND PETER REVEALED THAT HE WAS HAVING AN AFFAIR? 836 00:33:26,085 --> 00:33:28,087 SO, WHO WAS HE SLEEPING WITH? 837 00:33:28,087 --> 00:33:30,129 SOMEONE ON THAT LIST. 838 00:33:33,342 --> 00:33:37,056 Beckett: DEAN FELLER, I'M SURE YOU KNOW WHY YOU'RE HERE. 839 00:33:37,056 --> 00:33:38,187 ACTUALLY, I DON'T. 840 00:33:38,187 --> 00:33:40,849 WELL, WE FOUND THE STUDIO APARTMENT. 841 00:33:43,062 --> 00:33:44,523 I DON'T -- I DON'T KNOW W-WHAT THAT IS. 842 00:33:44,523 --> 00:33:45,734 REALLY? 843 00:33:45,734 --> 00:33:48,357 BECAUSE WE SHOWED YOUR PHOTO TO THE NEIGHBORS. 844 00:33:48,357 --> 00:33:50,028 THEY WERE ABLE TO TELL US THAT -- OKAY. 845 00:33:50,028 --> 00:33:53,112 LOOK. PETER STOOD ME UP A COUPLE OF NIGHTS IN A ROW. 846 00:33:53,112 --> 00:33:55,994 AND I WAS HURT, SO I WROTE HIM A MESSAGE. 847 00:33:55,994 --> 00:33:59,037 PETER STOOD YOU UP BECAUSE HE WAS TRAPPED 848 00:33:59,037 --> 00:34:00,999 INSIDE OF DR. LILLSTROM'S PRISON EXPERIMENT. 849 00:34:00,999 --> 00:34:03,662 WHAT PRISON EXPERIMENT? 850 00:34:03,662 --> 00:34:05,874 PETER TOLD YOU ABOUT THE HELL THAT HE WAS STUCK IN. 851 00:34:05,874 --> 00:34:08,087 PHONE RECORDS SHOW THAT YOU RECEIVED A COLLECT CALL 852 00:34:08,087 --> 00:34:09,668 FROM A PAYPHONE NEAR THE CRIME SCENE. 853 00:34:09,668 --> 00:34:12,010 YES, PETER CALLED ME. HE WAS PANICKED. 854 00:34:12,010 --> 00:34:13,262 HE TOLD ME TO PICK HIM UP AT THE PARK 855 00:34:13,262 --> 00:34:14,723 AND HE WOULD EXPLAIN EVERYTHING, 856 00:34:14,723 --> 00:34:16,845 BUT HE NEVER SAID ANYTHING ABOUT A PRISON. 857 00:34:16,845 --> 00:34:18,097 HE NEVER SHOWED. 858 00:34:18,097 --> 00:34:19,138 DID PETER TELL YOU 859 00:34:19,138 --> 00:34:21,140 THAT DR. LILLSTROM EXTRACTED THE SECRET OF YOUR AFFAIR? 860 00:34:21,140 --> 00:34:22,641 IS THAT WHY YOU KILLED HIM? 861 00:34:22,641 --> 00:34:25,484 BECAUSE HE WAS THE ONLY ONE WHO COULD VERIFY THE TRUTH? 862 00:34:25,484 --> 00:34:27,236 WHAT? 863 00:34:27,236 --> 00:34:28,987 I DIDN'T KILL PETER. 864 00:34:28,987 --> 00:34:31,069 I WANT A LAWYER RIGHT NOW. 865 00:34:31,069 --> 00:34:33,071 ♪♪ 866 00:34:38,827 --> 00:34:41,250 YOU'RE NOT BUYING THIS, ARE YOU? 867 00:34:41,250 --> 00:34:43,202 NO CONFESSION. NO SMOKING GUN. 868 00:34:43,202 --> 00:34:46,165 IT'S JUST...NOT CLEAN. 869 00:34:46,165 --> 00:34:48,837 WELL, THAT'S HOW HOMICIDES ARE SOMETIMES. 870 00:34:48,837 --> 00:34:50,209 YOU KNOW THAT. 871 00:34:50,209 --> 00:34:51,470 YEAH, BUT SOMETHING'S STILL BOTHERING ME. 872 00:34:51,470 --> 00:34:54,173 THERE'S A PART OF THE MYSTERY THAT HASN'T BEEN SOLVED YET. 873 00:34:54,173 --> 00:34:56,715 WE'RE MISSING PART OF THE STORY. 874 00:34:56,715 --> 00:34:58,347 AND HOW DO YOU SUGGEST WE FIND IT? 875 00:34:58,347 --> 00:35:01,770 THE SAME WAY WE ALWAYS DO. 876 00:35:01,770 --> 00:35:03,061 WE START AT THE BEGINNING, BACK AT THE PRISON. 877 00:35:04,933 --> 00:35:07,146 YOU JUST WANT AN EXCUSE TO GET ME ALONE. 878 00:35:07,146 --> 00:35:09,278 NO, BECKETT, I JUST WANT THE TRUTH. 879 00:35:10,729 --> 00:35:13,071 WHAT REALLY HAPPENED TO PETER THAT NIGHT. 880 00:35:16,495 --> 00:35:21,160 PETER WAS PLACED IN THIS CELL. 881 00:35:21,160 --> 00:35:23,081 AND THEN HE ESCAPED. 882 00:35:23,081 --> 00:35:24,413 YEAH, BUT HOW? 883 00:35:24,413 --> 00:35:27,085 THEY SAID ONE MORNING HE WAS JUST GONE. 884 00:35:27,085 --> 00:35:28,877 SO, WHAT ARE YOU THINKING? 885 00:35:28,877 --> 00:35:32,341 HOW PETER ESCAPED HAD SOMETHING TO DO WITH WHO KILLED HIM? 886 00:35:32,341 --> 00:35:34,303 ONLY ONE WAY TO FIGURE IT OUT. 887 00:35:36,305 --> 00:35:38,177 AND GUESS WHAT. 888 00:35:38,177 --> 00:35:40,849 WE'RE GONNA FIGURE IT OUT TOGETHER. 889 00:35:45,854 --> 00:35:47,436 Castle: YOU'RE NOT GONNA GET A SIGNAL. 890 00:35:47,436 --> 00:35:48,647 YOU TRAPPED ME IN HERE ON PURPOSE. 891 00:35:48,647 --> 00:35:49,688 NO, I DIDN'T. 892 00:35:49,688 --> 00:35:50,859 BUT SINCE YOU BROUGHT IT UP, TELL ME -- 893 00:35:50,859 --> 00:35:52,901 WHY DO YOU FEEL TRAPPED IN OUR MARRIAGE? 894 00:35:52,901 --> 00:35:53,902 I DON'T. 895 00:35:53,902 --> 00:35:55,194 THEN WHY DID YOU LEAVE? 896 00:35:56,405 --> 00:35:57,406 IT'S COMPLICATED. 897 00:35:57,406 --> 00:35:59,578 SO IS BREAKING OUT OF A PRISON, 898 00:35:59,578 --> 00:36:01,200 SO WE'VE GOT SOME TIME. 899 00:36:01,200 --> 00:36:03,202 YOU KNOW WHAT? WE'RE NOT HAVING THIS CONVERSATION. 900 00:36:03,202 --> 00:36:04,243 I ASKED YOU FOR SPACE, 901 00:36:04,243 --> 00:36:07,045 AND YOU LITERALLY LOCKED ME UP IN A JAIL CELL. 902 00:36:07,045 --> 00:36:08,337 OKAY. WHOA, WHOA, WHOA -- OKAY. OKAY. 903 00:36:08,337 --> 00:36:09,958 YOU -- I'LL GIVE YOU SPACE. I'LL GIVE YOU SPACE. 904 00:36:09,958 --> 00:36:10,999 YOU KNOW WHAT? 905 00:36:10,999 --> 00:36:12,291 YOU KNOW, IT WOULD BE JUST MY LUCK 906 00:36:12,291 --> 00:36:13,592 IT WOULD RICOCHET AND HIT YOU 907 00:36:13,592 --> 00:36:15,384 AND THEN I'D HAVE TWO MURDERS TO CONTEND WITH. 908 00:36:15,384 --> 00:36:16,595 LOOK, RELAX. 909 00:36:16,595 --> 00:36:20,008 PETER BROKE OUT OF HERE, SO...SO CAN WE. 910 00:36:20,008 --> 00:36:21,099 PROBABLY. 911 00:36:21,099 --> 00:36:22,431 YOU'RE RIGHT. 912 00:36:22,431 --> 00:36:24,803 I MEAN, WE'VE BEEN STUCK IN WORSE PLACES TOGETHER BEFORE. 913 00:36:24,803 --> 00:36:26,935 I LIKE THAT WORD -- TOGETHER. 914 00:36:26,935 --> 00:36:29,728 SO WHAT HAPPENED, KATE? WHAT DID I DO WRONG? 915 00:36:29,728 --> 00:36:32,231 CASTLE, THIS ONE'S NOT ABOUT YOU. 916 00:36:32,231 --> 00:36:33,232 IT'S ON ME. 917 00:36:33,232 --> 00:36:35,023 I LOVE YOU. 918 00:36:36,275 --> 00:36:37,776 I ALWAYS WILL. 919 00:36:37,776 --> 00:36:40,239 THEN LET'S WORK IT OUT -- THERAPY, COUNSELING. 920 00:36:40,239 --> 00:36:41,370 WHATEVER IT TAKES. 921 00:36:41,370 --> 00:36:43,492 I -- I JUST CAN'T. 922 00:36:43,492 --> 00:36:44,283 WHY? 923 00:36:47,666 --> 00:36:48,667 HUH. 924 00:36:48,667 --> 00:36:50,088 "HUH," WHAT? 925 00:36:50,088 --> 00:36:52,170 BEFORE THIS PLACE WAS A PRISON CELL, 926 00:36:52,170 --> 00:36:53,252 IT WAS AN OFFICE BUILDING, RIGHT? 927 00:36:53,252 --> 00:36:54,253 YEAH. 928 00:36:54,253 --> 00:36:55,634 TAKE A LOOK UP. 929 00:36:57,596 --> 00:36:59,548 I BET YOU THAT'S HOW PETER GOT OUT. 930 00:36:59,548 --> 00:37:01,300 COME ON, CASTLE. 931 00:37:10,188 --> 00:37:12,981 UH, THIS IS WHEN YOU BOOST ME UP. 932 00:37:12,981 --> 00:37:14,403 UH, RIGHT. UP. 933 00:37:16,735 --> 00:37:19,778 READY. THERE WE GO. 934 00:37:19,778 --> 00:37:21,660 UH, OKAY. 935 00:37:21,660 --> 00:37:24,202 ♪♪ 936 00:37:25,704 --> 00:37:27,286 [ GRUNTS ] 937 00:37:31,790 --> 00:37:33,251 [ GRUNTS ] 938 00:37:35,374 --> 00:37:37,506 OH, GOT IT. 939 00:37:37,506 --> 00:37:39,087 WHEW. 940 00:37:42,641 --> 00:37:46,685 YOU'RE DOING GREAT, HONEY. N-NOT TO RUSH YOU, BUT... 941 00:37:50,098 --> 00:37:51,390 [ METAL CLANGS ] [ GRUNTS ] 942 00:37:53,191 --> 00:37:56,234 WAIT A MINUTE. SOMETHING'S NOT RIGHT HERE. 943 00:37:56,234 --> 00:37:59,488 HOW DID PETER REACH THE VENT FROM INSIDE THE CELL? 944 00:38:04,202 --> 00:38:05,864 Both: IT WAS A TWO-MAN JOB. 945 00:38:05,864 --> 00:38:07,406 TWO PRISONERS ESCAPED, 946 00:38:07,406 --> 00:38:09,908 BUT ONLY ONE WAS MISSING, WHICH MEANS... 947 00:38:09,908 --> 00:38:11,540 THE KILLER CAME BACK! 948 00:38:15,334 --> 00:38:17,295 I'LL OPEN THE DOOR. 949 00:38:17,295 --> 00:38:18,547 [ SIGHS ] 950 00:38:18,547 --> 00:38:20,589 THANKS FOR COMING DOWN TO THE STATION, EMILY. 951 00:38:20,589 --> 00:38:23,972 WE JUST HAVE A FEW QUESTIONS ABOUT THE PRISON EXPERIMENT... 952 00:38:25,924 --> 00:38:27,556 ...AND HOW YOU HELPED PETER ESCAPE FROM IT. 953 00:38:27,556 --> 00:38:29,848 WHAT ARE YOU TALKING ABOUT? 954 00:38:29,848 --> 00:38:32,481 WELL, PETER REACHED THROUGH THE BARS, AND HE HOISTED YOU UP, 955 00:38:32,481 --> 00:38:34,022 AND YOU BOTH ESCAPED, DIDN'T YOU? 956 00:38:34,022 --> 00:38:36,274 AND THEN YOU KILLED PETER IN THE PARK 957 00:38:36,274 --> 00:38:38,487 AND RETURNED TO THE PRISON, TO YOUR CELL -- 958 00:38:38,487 --> 00:38:39,858 THE PERFECT ALIBI. 959 00:38:39,858 --> 00:38:41,780 THAT'S RIDICULOUS. WHY WOULD I KILL HIM? 960 00:38:41,780 --> 00:38:43,492 EMILY, WE KNOW ABOUT THE SCHOLARSHIP. 961 00:38:43,492 --> 00:38:45,153 YOU NEEDED IT TO STAY IN SCHOOL. 962 00:38:45,153 --> 00:38:46,324 YEAH, BUT HE WON FAIR AND SQUARE. 963 00:38:46,324 --> 00:38:47,826 WE KNOW THAT'S NOT TRUE. 964 00:38:47,826 --> 00:38:49,117 PETER WON THAT SCHOLARSHIP 965 00:38:49,117 --> 00:38:50,869 BECAUSE HE WAS HAVING AN AFFAIR WITH THE DEAN. 966 00:38:50,869 --> 00:38:52,160 AND THEN WHEN YOU FOUND OUT ABOUT IT IN THE PRISON, 967 00:38:52,160 --> 00:38:53,041 YOU TOOK YOUR REVENGE. 968 00:38:53,041 --> 00:38:54,953 IT WASN'T ME. 969 00:38:54,953 --> 00:38:57,215 STOP LYING, EMILY! IT WASN'T! 970 00:38:57,215 --> 00:38:58,417 IT WAS A DIFFERENT ME! 971 00:39:00,589 --> 00:39:03,011 THAT EXPERIMENT MESSED WITH MY HEAD! 972 00:39:03,011 --> 00:39:06,304 AFTER WE ESCAPED, I JUST...SNAPPED. 973 00:39:06,304 --> 00:39:08,637 IT WAS SO UNFAIR. 974 00:39:08,637 --> 00:39:11,390 I HAD WORKED SO HARD, DID EVERYTHING RIGHT. 975 00:39:11,390 --> 00:39:14,893 WHEN PETER RAN INTO THE PARK, 976 00:39:14,893 --> 00:39:16,525 I-I WENT AFTER HIM. 977 00:39:19,478 --> 00:39:21,530 THEN I SAW THAT TREE BRANCH. 978 00:39:23,572 --> 00:39:26,445 WHY DID I DO THAT? 979 00:39:26,445 --> 00:39:28,447 ♪♪ 980 00:39:54,062 --> 00:39:56,184 THANKS FOR MEETING ME. YEAH. 981 00:39:56,184 --> 00:40:00,278 I FINISHED PIECING THIS TOGETHER FOR OUR INVESTIGATION. 982 00:40:05,073 --> 00:40:07,075 YOU'RE HAVING SECOND THOUGHTS. 983 00:40:07,075 --> 00:40:09,117 AREN'T YOU? 984 00:40:09,117 --> 00:40:11,029 YEAH. I JUST KNEW THAT THIS WAS GONNA BE TOUGH. 985 00:40:11,029 --> 00:40:12,951 I DIDN'T THINK IT WAS GONNA BE LIKE THIS. 986 00:40:12,951 --> 00:40:15,123 I GET IT. I DO. 987 00:40:15,123 --> 00:40:19,167 LOOK, MAYBE WE NEED TO STOP BEFORE WE START. 988 00:40:19,167 --> 00:40:23,341 BECKETT, I'LL FOLLOW YOUR LEAD. 989 00:40:25,383 --> 00:40:27,966 WHAT SHOULD WE DO? 990 00:40:35,393 --> 00:40:37,015 LET'S GET TO WORK. 991 00:40:42,521 --> 00:40:46,194 THAT IS... 992 00:40:46,194 --> 00:40:47,325 50-YEAR-OLD SCOTCH. 993 00:40:47,325 --> 00:40:49,327 YEAH. I BOUGHT A CASE OF IT. 994 00:40:49,327 --> 00:40:50,659 ALEXIS, THAT'S EXPENSIVE. 995 00:40:50,659 --> 00:40:52,491 RELAX, DAD. THE COMPANY PAID FOR IT. 996 00:40:52,491 --> 00:40:54,032 OH, OKAY. 997 00:40:54,032 --> 00:40:55,203 W-WAIT. THAT MEANS I PAID FOR IT. 998 00:40:55,203 --> 00:40:55,994 [ ALEXIS CHUCKLES ] 999 00:40:55,994 --> 00:40:58,286 TO CLOSING THE CASE. 1000 00:40:58,286 --> 00:41:00,418 TO GENEROUS EXPENSE ACCOUNTS. 1001 00:41:04,212 --> 00:41:07,385 SO, ANY PROGRESS WITH BECKETT? 1002 00:41:07,385 --> 00:41:14,182 YOU KNOW, AT THE PRISON, WE, UM, SORT OF HAD A MOMENT. 1003 00:41:14,182 --> 00:41:15,724 REALLY? 1004 00:41:15,724 --> 00:41:19,227 YEAH. 1005 00:41:19,227 --> 00:41:22,731 I THINK MY PLAN IS WORKING. 1006 00:41:22,731 --> 00:41:24,062 I MEAN, IT HAS TO, RIGHT? 1007 00:41:30,068 --> 00:41:31,870 UM, YOU KNOW WHAT? 1008 00:41:31,870 --> 00:41:33,371 [ GLASS CLATTERS ] 1009 00:41:33,371 --> 00:41:35,784 WE'RE GONNA START A TRADITION. 1010 00:41:35,784 --> 00:41:38,416 FOR WHEN WE SOLVE A CASE TOGETHER. 1011 00:41:42,000 --> 00:41:44,122 I DON'T SMOKE, AND NEITHER DO YOU. 1012 00:41:44,122 --> 00:41:47,125 WHO SAID ANYTHING ABOUT SMOKING? 1013 00:41:47,125 --> 00:41:48,757 [ LAUGHS ] 1014 00:41:48,757 --> 00:41:52,050 ♪♪