1 00:00:05,086 --> 00:00:06,547 [ BOTTLE CLINKS ] 2 00:00:08,679 --> 00:00:10,091 [ BOTTLE CAP OPENS ] 3 00:00:14,095 --> 00:00:14,975 [ RATTLING ] 4 00:00:28,199 --> 00:00:29,200 [ SWITCH CLICKS ] 5 00:00:33,784 --> 00:00:35,286 [ SWITCH CLICKS ] 6 00:00:35,286 --> 00:00:37,288 [ KNIFE PLUNGING ] 7 00:00:39,580 --> 00:00:40,871 YOU COULD HAVE KILLED ME! 8 00:00:40,871 --> 00:00:43,043 HOW MANY TIMES DO I HAVE TO SAY I'M SORRY 9 00:00:43,043 --> 00:00:44,545 FOR SHOOTING YOU IN THE ASS? 10 00:00:44,545 --> 00:00:46,427 IT WAS AN ACCIDENT. WHEN ARE YOU GONNA LET IT GO? 11 00:00:46,427 --> 00:00:49,380 WHEN I CAN SIT ON MY ASS WITHOUT USING A PILLOW. 12 00:00:49,380 --> 00:00:51,342 SO, I TAKE IT THERE'S BEEN LITTLE PROGRESS 13 00:00:51,342 --> 00:00:52,933 SINCE OUR LAST SESSION. [ LAUGHS ] 14 00:00:52,933 --> 00:00:54,345 NO, NOT WITH HIS TRUST ISSUES. 15 00:00:54,345 --> 00:00:56,056 I DON'T HAVE TRUST ISSUES. [ SCOFFS ] 16 00:00:56,056 --> 00:00:57,388 HE HAS JEALOUSY ISSUES. 17 00:00:57,388 --> 00:00:59,730 OKAY, FOR THE LAST TIME, I AM NOT JEALOUS 18 00:00:59,730 --> 00:01:01,852 THAT YOU PASSED THE SERGEANT'S EXAM. 19 00:01:01,852 --> 00:01:03,444 TELL THAT TO THE HOLE IN MY ASS. 20 00:01:05,566 --> 00:01:07,398 THE ONE THAT HE PUT THERE, NOT THE -- I'M SORRY. 21 00:01:07,398 --> 00:01:09,150 DETECTIVES, PLEASE. I'M SORRY. 22 00:01:09,150 --> 00:01:13,244 YOU TWO DEPEND ON EACH OTHER FOR YOUR LIVES OUT THERE. 23 00:01:15,116 --> 00:01:17,698 BUT FROM WHAT I AM SEEING... 24 00:01:17,698 --> 00:01:19,250 I'M SORRY, BUT I AM GOING TO RECOMMEND 25 00:01:19,250 --> 00:01:20,661 THAT THE TWO OF YOU SPLIT UP AS PARTNERS. 26 00:01:20,661 --> 00:01:22,833 NO, NO -- NO. NO, DON'T DO THAT, DOC. NO. 27 00:01:22,833 --> 00:01:24,665 YEAH, THERE'S GOT TO BE SOMETHING ELSE THAT WE CAN TRY. 28 00:01:24,665 --> 00:01:26,877 WELL... [ SIGHS ] 29 00:01:26,877 --> 00:01:28,709 MAYBE YOU COULD USE SOME SORT OF A BUFFER. 30 00:01:28,709 --> 00:01:29,970 A BUFFER? 31 00:01:29,970 --> 00:01:31,802 A BUFFER? 32 00:01:31,802 --> 00:01:34,805 HEY, BOYS! HOW IS IT GOING? 33 00:01:34,805 --> 00:01:36,977 I'M SORRY, CASTLE. MAN, YOU CAN'T WORK THIS CASE WITH US, BRO. 34 00:01:36,977 --> 00:01:39,019 YEAH, I'M NOT HERE ABOUT THE CASE. 35 00:01:39,019 --> 00:01:42,353 TOMORROW IS THE FIRST WEDDING ANNIVERSARY FOR BECKETT AND ME, 36 00:01:42,353 --> 00:01:44,435 AND I WAS JUST HOPING THAT YOU COULD DISTRACT HER 37 00:01:44,435 --> 00:01:46,106 WHILE I SET UP A SURPRISE IN HER OFFICE. 38 00:01:46,106 --> 00:01:47,608 I DON'T KNOW, CASTLE. 39 00:01:47,608 --> 00:01:49,320 BECKETT DOESN'T WANT YOU HANGING AROUND THE PRECINCT. 40 00:01:49,320 --> 00:01:50,571 IT'S JUST A LITTLE SURPRISE. 41 00:01:50,571 --> 00:01:52,323 CASTLE, NOTHING YOU DO IS LITTLE. 42 00:01:52,323 --> 00:01:54,405 YEAH. PROBABLY COME IN RIDING ON AN ELEPHANT. 43 00:01:54,405 --> 00:01:55,906 AND THEN HE TAKES HER AND THE ELEPHANT 44 00:01:55,906 --> 00:01:57,037 UP IN A HOT AIR BALLOON. 45 00:01:57,037 --> 00:01:58,369 [ LAUGHTER ] 46 00:01:58,369 --> 00:01:59,790 WELL, THE FIRST ANNIVERSARY'S PAPER, 47 00:01:59,790 --> 00:02:01,582 BUT OTHERWISE, THAT'S NOT A BAD IDEA. 48 00:02:01,582 --> 00:02:03,544 WAIT A MINUTE. 49 00:02:03,544 --> 00:02:04,745 WE'RE NOT ARGUING. 50 00:02:06,297 --> 00:02:07,628 HE'S OUR BUFFER. HE'S OUR BUFFER. 51 00:02:07,628 --> 00:02:11,302 UH...LET ME GUESS -- A LITTLE TROUBLE IN THERAPY? 52 00:02:11,302 --> 00:02:13,884 YEAH, WELL, WE NEED SOMEONE TO FOLLOW US AROUND 53 00:02:13,884 --> 00:02:15,256 AND KEEP US FROM FIGHTING. 54 00:02:17,258 --> 00:02:20,641 I WOULD LOVE TO, GUYS, BUT MY SCHEDULE IS JUST SO -- 55 00:02:20,641 --> 00:02:22,433 WE'LL HELP YOU WITH YOUR LITTLE SURPRISE. 56 00:02:22,433 --> 00:02:24,725 CONGRATULATIONS. YOU GOT YOURSELF A BUFFER. 57 00:02:24,725 --> 00:02:26,567 LET'S GO SOLVE A CASE. 58 00:02:27,358 --> 00:02:30,531 HELLO, LANIE. YOU ARE LOOKING LOVELY TODAY. 59 00:02:30,531 --> 00:02:32,403 I LOOK LOVELY EVERY DAY, CASTLE. 60 00:02:32,403 --> 00:02:34,365 AND NO, YOU CANNOT SEE THE BODY. 61 00:02:34,365 --> 00:02:36,657 WHY DOES EVERYONE ASSUME I'M HERE ABOUT THE CASE? 62 00:02:36,657 --> 00:02:38,619 IT'S OKAY, LANIE. HE'S WITH US. 63 00:02:38,619 --> 00:02:40,080 SO, WHAT DO WE KNOW ABOUT OUR VICTIM? 64 00:02:40,080 --> 00:02:41,702 NAME'S SCOTT McCOY. 65 00:02:41,702 --> 00:02:44,164 ACCORDING TO NEIGHBORS, HE'S AN UNEMPLOYED ACTOR. 66 00:02:44,164 --> 00:02:45,336 SURE HAD THE LOOKS FOR IT. 67 00:02:45,336 --> 00:02:47,628 AT LEAST THE KILLER SPARED HIS FACE. 68 00:02:47,628 --> 00:02:48,959 HIS BODY, THOUGH -- EUGGH. 69 00:02:48,959 --> 00:02:50,881 NINE SEPARATE ENTRY WOUNDS. 70 00:02:50,881 --> 00:02:53,924 LIVIDITY PUTS THE STABBING BETWEEN MIDNIGHT AND 2:00 A.M. 71 00:02:53,924 --> 00:02:56,597 NINE ENTRY WOUNDS? THAT SOUNDS LIKE A CRIME OF PASSION. 72 00:02:56,597 --> 00:02:57,678 YEAH, EITHER THAT 73 00:02:57,678 --> 00:02:59,640 OR SOMEONE WANTED TO BE REALLY, REALLY SURE. 74 00:02:59,640 --> 00:03:03,604 AND WE MAY HAVE AN IDEA OF WHO THAT SOMEONE IS. 75 00:03:03,604 --> 00:03:06,307 THE WEAPON WAS WIPED CLEAN, BUT CSU FOUND PRINTS 76 00:03:06,307 --> 00:03:08,399 ON THE KNIFE BLOCK WHERE THE KILLER GOT IT. 77 00:03:08,399 --> 00:03:10,271 WAITING TO HEAR IF THEY'RE IN THE SYSTEM. 78 00:03:10,271 --> 00:03:11,862 ALL RIGHT, I'LL FOLLOW UP WITH CSU. 79 00:03:11,862 --> 00:03:14,315 RYAN, WHY DON'T YOU GRAB A COUPLE OF UNIS AND START A CAN...VASS? 80 00:03:14,315 --> 00:03:15,816 WHAT? 81 00:03:15,816 --> 00:03:17,318 [ SIGHS ] 82 00:03:17,318 --> 00:03:18,869 OH, I GET IT. I DIDN'T SAY "PRETTY PLEASE." 83 00:03:18,869 --> 00:03:20,030 I DIDN'T SAY ANYTHING. 84 00:03:20,030 --> 00:03:21,372 YOU DON'T HAVE TO SAY ANYTHING. 85 00:03:21,372 --> 00:03:23,534 YOU JUST MOPE AROUND LIKE YOUR DOG DIED. 86 00:03:23,534 --> 00:03:24,915 CASTLE, YOU'RE SUPPOSED TO BE OUR BUFFER. BUFF. 87 00:03:24,915 --> 00:03:26,627 RIGHT. UM... 88 00:03:26,627 --> 00:03:28,249 OKAY, GUYS, ROLE PLAYING -- 89 00:03:28,249 --> 00:03:30,791 EACH OF YOU TAKE THE OTHER'S POINT OF VIEW. 90 00:03:30,791 --> 00:03:33,213 THIS IS A TIME-TESTED METHOD OF CONFLICT RESOLUTION. 91 00:03:33,213 --> 00:03:34,925 I THINK THAT'S A DUMBASS IDEA. 92 00:03:34,925 --> 00:03:36,507 YOU HAVEN'T EVEN TRIED IT YET. 93 00:03:36,507 --> 00:03:38,138 OH, NO, I-I WAS BEING ESPO. 94 00:03:38,138 --> 00:03:40,050 OH. THAT'S GOOD. 95 00:03:40,050 --> 00:03:41,342 EVEN YOU HAVE TO ADMIT THAT WAS GOOD, ESPO. 96 00:03:41,342 --> 00:03:42,933 ONLY, YOU DIDN'T SAY "YO." 97 00:03:42,933 --> 00:03:45,436 YO, I JUST GOT A HIT ON THOSE PRINTS. 98 00:03:45,436 --> 00:03:47,268 GUY'S NAME IS ANTON FORD -- 99 00:03:47,268 --> 00:03:49,059 IN THE SYSTEM FOR FELONY ASSAULT. 100 00:03:49,059 --> 00:03:51,312 ASSAULT? WELL, JEEPERS. 101 00:03:51,312 --> 00:03:53,814 I HOPE HE'S NOT MEAN TO ME. I'M VERY SENSITIVE. 102 00:03:55,025 --> 00:03:56,697 OH, I GET IT. YEAH, H-HE'S BEING ME. 103 00:03:56,697 --> 00:03:57,858 YEAH, THAT'S PRETTY FUNNY. 104 00:03:57,858 --> 00:03:59,910 HE DID NAIL THE WALK. 105 00:03:59,910 --> 00:04:01,742 YEAH, HIS PHYSICALITY'S PRETTY GOOD. 106 00:04:02,953 --> 00:04:04,325 [ CELLPHONE BEEPS ] 107 00:04:10,581 --> 00:04:12,673 YO, CAP. WE GOT AN UPDATE ON THAT SUSPECT. 108 00:04:12,673 --> 00:04:14,134 ANTON FORD. 109 00:04:14,134 --> 00:04:16,427 NOT ONLY WERE HIS PRINTS ALL OVER THE CRIME SCENE, 110 00:04:16,427 --> 00:04:18,969 BUT HE HAD A HISTORY WITH OUR VIC -- SCOTT McCOY. 111 00:04:18,969 --> 00:04:21,512 SCOTT'S CREDIT CARD MAKES HIM A REGULAR AT A BAR IN MIDTOWN. 112 00:04:21,512 --> 00:04:23,554 WE CHECKED -- THE BOUNCER SAID THAT TWO NIGHTS AGO, 113 00:04:23,554 --> 00:04:25,476 SCOTT AND ANTON GOT INTO A FULL-ON BRAWL. 114 00:04:25,476 --> 00:04:27,308 AND THAT WASN'T THE FIRST TIME THAT THESE TWO WENT AT IT. 115 00:04:27,308 --> 00:04:28,519 LAST MONTH, SAME BAR, 116 00:04:28,519 --> 00:04:30,561 AND IN EACH INSTANCE, IT WAS OVER A WOMAN. 117 00:04:30,561 --> 00:04:32,523 SO, ANTON WAS A LOVER AND A FIGHTER. 118 00:04:32,523 --> 00:04:34,525 YEAH, BUT APPARENTLY, NOT VERY GOOD AT EITHER. 119 00:04:34,525 --> 00:04:36,236 BOTH TIMES, OUR VICTIM KICKED HIS ASS 120 00:04:36,236 --> 00:04:37,778 AND WENT HOME WITH THE GIRL. 121 00:04:37,778 --> 00:04:40,280 WHICH MEANS ANTON COULD HAVE BEEN OUT FOR REVENGE. 122 00:04:40,280 --> 00:04:41,742 YEAH. UNIS ARE BRINGING HIM IN NOW. 123 00:04:41,742 --> 00:04:43,904 [ KNOCK ON DOOR ] HEY. HOW ARE MY FAVORITE CRIME SOLVERS? 124 00:04:43,904 --> 00:04:45,366 HEY! WHAT BRINGS YOU HERE? 125 00:04:45,366 --> 00:04:47,037 OH, YOU SAID THAT I COULD COME BACK, 126 00:04:47,037 --> 00:04:48,909 RETRIEVE THAT STOLEN PAINTING --- REMEMBER? 127 00:04:48,909 --> 00:04:51,912 YEAH, UH, YOU KNOW, YOU'LL JUST HAVE TO GO 128 00:04:51,912 --> 00:04:53,714 TO THE ADMIN CLERK ON THE SECOND FLOOR 129 00:04:53,714 --> 00:04:55,045 TO FILL OUT SOME PAPERWORK. 130 00:04:55,045 --> 00:04:56,717 [ SIGHS ] THANKS. 131 00:04:56,717 --> 00:04:58,218 OH, AND IT'S SO NICE TO SEE 132 00:04:58,218 --> 00:04:59,760 THAT RICK'S BACK WORKING CASES AGAIN. 133 00:05:05,556 --> 00:05:06,807 UM...YEAH. 134 00:05:06,807 --> 00:05:08,559 UH, WHAT MAKES YOU SAY THAT HE'S WORKING CASES? 135 00:05:08,559 --> 00:05:09,640 HMM? 136 00:05:12,933 --> 00:05:14,395 SO, ADMIN CLERK, SECOND FLOOR. 137 00:05:14,395 --> 00:05:15,436 THANK YOU. 138 00:05:18,859 --> 00:05:21,442 HE IS OUR BUFFER. 139 00:05:21,442 --> 00:05:22,783 HE'S YOUR BUFFER? 140 00:05:22,783 --> 00:05:24,535 Anton: GET THE HELL OFF ME! GO ON! TAKE THESE CUFFS OFF! 141 00:05:24,535 --> 00:05:25,576 AND HE'S OUR SUSPECT. 142 00:05:25,576 --> 00:05:27,578 GET THE HELL OFF ME! GET OFF! 143 00:05:27,578 --> 00:05:30,791 GO ON! TAKE THESE CUFFS OFF! SEE HOW TOUGH YOU ARE! 144 00:05:30,791 --> 00:05:32,793 YOU THINK THAT BADGE MAKES YOU SPECIAL?! 145 00:05:32,793 --> 00:05:34,084 THAT'S OUR SUSPECT? 146 00:05:34,084 --> 00:05:35,215 Anton: I DIDN'T DO NOTHING! 147 00:05:35,215 --> 00:05:36,957 HOW DOES THAT MOUNTAIN OF A MAN 148 00:05:36,957 --> 00:05:39,009 GET BEATEN UP BY OUR HUMAN-SIZE SCOTT? 149 00:05:39,009 --> 00:05:40,591 TWICE. 150 00:05:40,591 --> 00:05:41,422 HI, CASTLE. 151 00:05:41,422 --> 00:05:43,053 HEY. 152 00:05:43,053 --> 00:05:44,765 HEY. OH, I'M NOT HERE ABOUT THE CASE. 153 00:05:44,765 --> 00:05:46,387 I'M JUST, UH... 154 00:05:46,387 --> 00:05:47,678 A BUFFER? YEAH. 155 00:05:47,678 --> 00:05:49,640 YEAH, THEY TOLD ME -- SORT OF. 156 00:05:49,640 --> 00:05:51,351 SO, WHAT IS THIS? FOR THERAPY? 157 00:05:51,351 --> 00:05:53,854 -MM-HMM. -OKAY. 158 00:05:53,854 --> 00:05:55,105 WELL, GOOD LUCK ON YOUR INTERVIEW. 159 00:05:55,105 --> 00:05:56,477 [ SNAPS FINGERS ] 160 00:05:56,477 --> 00:05:59,239 OH, HEY, UM, BECKETT, UH, ABOUT THE INTERVIEW -- 161 00:05:59,239 --> 00:06:00,611 WOULD YOU MIND DOING IT WITH ME? 162 00:06:00,611 --> 00:06:03,073 THREE'S A CROWD IN AN INTERROGATION. 163 00:06:05,946 --> 00:06:07,287 SURE. FINE. 164 00:06:12,413 --> 00:06:15,125 WE ARE GO FOR OPERATION BOOYAH. REPEAT -- WE ARE GO. 165 00:06:18,589 --> 00:06:20,380 WOW. 166 00:06:20,380 --> 00:06:23,424 "LITTLE SURPRISE," MY WOUNDED ASS. 167 00:06:29,179 --> 00:06:30,891 Ryan: YOU GOT QUITE THE TEMPER, ANTON. 168 00:06:30,891 --> 00:06:32,563 WHEN PROVOKED. 169 00:06:32,563 --> 00:06:33,474 IS THAT WHAT HAPPENED THE OTHER NIGHT AT THE BAR -- 170 00:06:33,474 --> 00:06:34,274 YOU WERE PROVOKED? 171 00:06:35,606 --> 00:06:37,778 WAIT. I'M -- I'M HERE FOR A BAR FIGHT?! 172 00:06:37,778 --> 00:06:38,939 COME ON, MAN! 173 00:06:38,939 --> 00:06:40,481 IF YOU'RE DRAGGING PEOPLE IN HERE FOR THAT, 174 00:06:40,481 --> 00:06:43,113 YOU'RE GONNA HAVE TO ARREST HALF THE GUYS IN NEW YORK. 175 00:06:43,113 --> 00:06:46,447 EXCEPT HALF THE GUYS IN NEW YORK DIDN'T KILL SCOTT McCOY. 176 00:06:48,028 --> 00:06:51,031 AND GIVEN ALL OF THE WITNESSES WHO SAW HIM BEAT YOU UP... 177 00:06:51,031 --> 00:06:52,993 TWICE. ...YOU HAD MOTIVE. 178 00:06:52,993 --> 00:06:55,245 PLUS, YOUR FINGERPRINTS ARE ALL OVER HIS APARTMENT. 179 00:06:57,628 --> 00:07:00,501 [ Voice breaking ] MY FINGERPRINTS ARE THERE BECAUSE... 180 00:07:00,501 --> 00:07:01,752 BECAUSE...? 181 00:07:03,423 --> 00:07:06,216 BECAUSE WE WERE FRIENDS. 182 00:07:06,216 --> 00:07:08,348 OH, SCOTT. 183 00:07:12,683 --> 00:07:14,725 YO, CASTLE, YOU DONE YET? 184 00:07:14,725 --> 00:07:16,106 Castle: ALMOST. 185 00:07:17,818 --> 00:07:19,820 [ BEEP ] 186 00:07:21,862 --> 00:07:23,904 [ BEEP ] 187 00:07:40,921 --> 00:07:43,584 THE FIGHT WAS STAGED -- BOTH OF THEM. 188 00:07:43,584 --> 00:07:45,425 WHY WERE THEY STAGED? 189 00:07:45,425 --> 00:07:46,887 TO HELP SCOTT PICK UP WOMEN. 190 00:07:48,759 --> 00:07:50,090 YOU NEVER HEARD OF A WINGMAN? 191 00:07:50,090 --> 00:07:52,052 A WINGMAN WHO GETS BEAT UP? 192 00:07:52,052 --> 00:07:53,684 IT WAS JUST ONE OF OUR TACTICS. 193 00:07:53,684 --> 00:07:56,857 SEE, IF THE TARGET SEEMED LIKE SHE WAS INTO MACHO GUYS, 194 00:07:56,857 --> 00:07:59,479 I'D HIT ON HER FIRST, REAL AGGRESSIVE. 195 00:07:59,479 --> 00:08:00,981 AND SCOTT WOULD COME TO HER RESCUE. 196 00:08:00,981 --> 00:08:04,064 YEAH, BY "KICKING MY ASS." 197 00:08:04,064 --> 00:08:05,315 SO HE WAS A PICKUP ARTIST? 198 00:08:05,315 --> 00:08:06,406 YOU COULD CALL IT THAT. 199 00:08:06,406 --> 00:08:08,819 SCOTT WAS INTO RICH, MARRIED WOMEN. 200 00:08:08,819 --> 00:08:10,741 AND WHY WOULD HE TARGET MARRIED WOMEN? 201 00:08:10,741 --> 00:08:11,822 WHAT WAS HIS GAME? 202 00:08:11,822 --> 00:08:13,243 I DON'T KNOW. 203 00:08:13,243 --> 00:08:14,995 HE PAID ME NOT TO ASK. 204 00:08:17,167 --> 00:08:19,790 YOU THINK YOU CAN DESCRIBE ANY OF THESE WOMEN? 205 00:08:24,174 --> 00:08:25,425 I need more time. 206 00:08:25,425 --> 00:08:26,547 OKAY. 207 00:08:28,468 --> 00:08:29,550 HEY. 208 00:08:29,550 --> 00:08:31,131 HOW'D IT GO WITH ANTON? 209 00:08:31,131 --> 00:08:32,222 RYAN WILL FILL YOU IN. 210 00:08:32,222 --> 00:08:34,304 I'D RATHER... HEAR IT FROM YOU. 211 00:08:34,304 --> 00:08:36,436 OH, IT'S THAT BAD BETWEEN THE TWO OF YOU? 212 00:08:36,436 --> 00:08:37,227 YEAH. 213 00:08:38,518 --> 00:08:41,141 SO, UH, WE'RE GONNA LOOK INTO ANTON'S ALIBI, 214 00:08:41,141 --> 00:08:43,273 BUT WE DON'T THINK HE WAS OUR DOER. 215 00:08:43,273 --> 00:08:44,905 TURNS OUT HE WAS ACTUALLY HELPING OUR VIC 216 00:08:44,905 --> 00:08:47,237 PICK UP RICH, MARRIED WOMEN IN BARS. 217 00:08:47,237 --> 00:08:48,609 SO, YOU THINK ONE OF THESE LADIES 218 00:08:48,609 --> 00:08:50,110 GOT AHOLD OF A KNIFE AND WENT ALL PSYCHO ON HIM. 219 00:08:50,110 --> 00:08:51,652 OR ONE OF THEIR JEALOUS HUSBANDS. 220 00:08:51,652 --> 00:08:53,824 YOU KNOW, BECKETT... 221 00:08:53,824 --> 00:08:55,786 ANTON REMEMBERS SOME OF THOSE WOMEN'S FACES, 222 00:08:55,786 --> 00:08:57,708 SO I-I THINK IT WOULD BE A GOOD IDEA 223 00:08:57,708 --> 00:08:59,539 IF WE GOT HIM WITH A SKETCH ARTIST. 224 00:08:59,539 --> 00:09:00,661 DON'T YOU THINK? 225 00:09:00,661 --> 00:09:02,162 YEAH, AND WE WILL DO JUST THAT 226 00:09:02,162 --> 00:09:03,924 JUST AS SOON AS YOU LET ME GET INTO MY OFFICE 227 00:09:03,924 --> 00:09:05,165 SO I CAN MAKE THAT CALL. 228 00:09:05,165 --> 00:09:06,086 RIGHT. NOW, MAY I? 229 00:09:08,168 --> 00:09:11,051 HEY, BECKETT. ONE MORE THING. 230 00:09:11,051 --> 00:09:12,222 YES? 231 00:09:13,974 --> 00:09:15,515 NICE SHOES. 232 00:09:16,597 --> 00:09:18,098 HEY. WHAT'D I MISS? 233 00:09:20,601 --> 00:09:21,682 OH. THAT'S MINE. 234 00:09:21,682 --> 00:09:23,734 IT'S, UH... AUSTRALIAN MONEY. 235 00:09:45,125 --> 00:09:46,086 [ BEEP ] 236 00:10:08,148 --> 00:10:09,820 CASTLE, THIS IS VERY SWEET. 237 00:10:09,820 --> 00:10:12,572 THIS IS...VERY YOU. 238 00:10:12,572 --> 00:10:14,655 BUT... 239 00:10:14,655 --> 00:10:16,406 I DON'T THINK THAT IT WOULD BE A GOOD IDEA. 240 00:10:16,406 --> 00:10:20,661 LOOK, I-I KNOW WE'RE ON A TIME-OUT RIGHT NOW A-AND -- 241 00:10:20,661 --> 00:10:22,833 BUT TOMORROW'S OUR ANNIVERSARY, AND I JUST CAN'T BEAR 242 00:10:22,833 --> 00:10:24,584 THE THOUGHT OF SPENDING IT WITHOUT YOU. 243 00:10:24,584 --> 00:10:26,416 I WOULD LOVE TO. 244 00:10:26,416 --> 00:10:27,587 I REALLY WOULD. 245 00:10:27,587 --> 00:10:30,210 YOU HAVE...NO IDEA HOW MUCH. 246 00:10:30,210 --> 00:10:32,592 BUT I, UM... 247 00:10:32,592 --> 00:10:34,054 I'M WORRIED THAT IT WOULD BE UNFAIR. 248 00:10:35,676 --> 00:10:37,848 BECAUSE NO MATTER HOW GREAT DINNER WOULD BE, 249 00:10:37,848 --> 00:10:40,520 I WOULD STILL NEED OUR TIME-OUT. 250 00:10:40,520 --> 00:10:41,682 NO. NO, I KNOW. 251 00:10:41,682 --> 00:10:43,523 I'M NOT TRYING TO PUT AN END TO THE TIME-OUT. 252 00:10:43,523 --> 00:10:45,395 I'M JUST SAYING, WHAT IF WE COULD... 253 00:10:45,395 --> 00:10:47,147 HAVE A TIME-OUT FROM OUR TIME-OUT? 254 00:10:47,147 --> 00:10:48,228 EXACTLY. 255 00:10:49,770 --> 00:10:51,031 SO, WHAT DO YOU THINK? 256 00:10:53,533 --> 00:10:55,275 I WOULD LOVE TO HAVE DINNER WITH YOU TOMORROW. 257 00:10:56,486 --> 00:10:57,577 [ KNOCK ON DOOR ] GOT A SEC? 258 00:10:57,577 --> 00:10:58,538 HMM? 259 00:10:59,990 --> 00:11:02,492 I FOUND SOMETHING ODD IN OUR VICTIM'S FINANCIALS. 260 00:11:02,492 --> 00:11:03,493 WHAT? 261 00:11:03,493 --> 00:11:05,495 DIRECT DEPOSITS FROM A SHELL CORP. 262 00:11:05,495 --> 00:11:07,337 THERE'S A BUNCH OF THEM -- 5 GRAND EACH. 263 00:11:12,422 --> 00:11:14,634 THE LAST DEPOSIT WAS MADE THREE DAYS AGO. 264 00:11:14,634 --> 00:11:16,506 THAT'S THE SAME DAY THAT ANTON SAID 265 00:11:16,506 --> 00:11:19,099 HE AND SCOTT WORKED THEIR BIT ON THAT WOMAN IN THE BAR. 266 00:11:19,099 --> 00:11:20,430 [ PAPERS RUSTLE ] 267 00:11:20,430 --> 00:11:21,431 YOU KNOW WHAT? 268 00:11:21,431 --> 00:11:23,063 MOST OF THESE PAYMENTS LINE UP 269 00:11:23,063 --> 00:11:25,065 WITH WHEN ANTON SAID SCOTT HIRED HIM. 270 00:11:25,065 --> 00:11:29,269 SOUNDS LIKE SCOTT WASN'T PICKING UP ON MARRIED WOMEN FOR FUN. 271 00:11:29,269 --> 00:11:31,021 SOUNDS LIKE HE WAS GETTING PAID FOR IT. BUT WHY? 272 00:11:31,021 --> 00:11:32,312 DON'T KNOW. 273 00:11:32,312 --> 00:11:33,984 I HAVEN'T FOUND MUCH ON THE SHELL CORP, 274 00:11:33,984 --> 00:11:37,487 BUT THEY DO LIST AN ADDRESS -- A PRICY APARTMENT UPTOWN. 275 00:11:37,487 --> 00:11:39,449 AND WHEN I CALLED THE BUILDING MANAGER, 276 00:11:39,449 --> 00:11:41,241 HE SAID SCOTT RENTED IT A YEAR AGO. 277 00:11:41,241 --> 00:11:43,623 OKAY, SO, OUR VICTIM IS AN OUT-OF-WORK ACTOR 278 00:11:43,623 --> 00:11:45,826 GETTING MYSTERY MONEY FROM A MYSTERY CORPORATION, 279 00:11:45,826 --> 00:11:47,417 AND NOW THERE'S A MYSTERY APARTMENT. 280 00:11:47,417 --> 00:11:48,829 THAT'S A LOT OF MYSTERIES. 281 00:11:48,829 --> 00:11:50,210 WHAT THE HELL WAS THIS GUY INTO? 282 00:11:50,210 --> 00:11:52,292 WHATEVER IT WAS, IT MIGHT HAVE GOTTEN HIM KILLED. 283 00:12:05,015 --> 00:12:06,767 SURPRISE. 284 00:12:15,856 --> 00:12:17,818 OH! 285 00:12:17,818 --> 00:12:21,411 THIS PLACE IS SO MUCH NICER THAN SCOTT'S OTHER APARTMENT. 286 00:12:21,411 --> 00:12:23,163 BET HE WOULD RATHER HAVE DIED HERE. 287 00:12:23,163 --> 00:12:24,454 YEAH, BUT WHY DID HE NEED IT? 288 00:12:24,454 --> 00:12:25,495 AND WHAT DID IT HAVE TO DO 289 00:12:25,495 --> 00:12:26,917 WITH THAT SHELL CORP THAT WAS PAYING HIM? 290 00:12:29,289 --> 00:12:31,541 Ryan: THESE DRAWERS ARE ALL EMPTY. 291 00:12:31,541 --> 00:12:33,373 STRANGE -- IT'S LIKE HE ONLY WANTED 292 00:12:33,373 --> 00:12:34,925 TO MAKE IT LOOK LIKE HE LIVED HERE. 293 00:12:34,925 --> 00:12:36,506 MAYBE THIS IS WHERE HE WAS KNOCKING BOOTS 294 00:12:36,506 --> 00:12:37,878 WITH THE MARRIED LADIES. 295 00:12:37,878 --> 00:12:39,679 Sherlock Homeboy's got a theory. 296 00:12:39,679 --> 00:12:41,972 I'M SORRY. WHAT DID YOU JUST SAY? 297 00:12:41,972 --> 00:12:44,764 I SAID, "THIS PLACE IS REALLY EERIE." 298 00:12:44,764 --> 00:12:46,516 THAT IS NOT WHAT YOU SAID. OKAY. TIME-OUT. 299 00:12:46,516 --> 00:12:48,388 GUYS, IN MY OFFICIAL CAPACITY AS BUFFER, 300 00:12:48,388 --> 00:12:49,980 I'D LIKE TO RECOMMEND THAT WE TRY SOMETHING. 301 00:12:49,980 --> 00:12:51,601 NO MORE ROLE-PLAYING. 302 00:12:51,601 --> 00:12:53,854 NO, THIS IS SOMETHING MY SECOND WIFE, GINA, AND I 303 00:12:53,854 --> 00:12:55,235 USED TO DO TO AVOID ARGUMENTS. 304 00:12:55,235 --> 00:12:57,567 INSTEAD OF BLURTING OUT WHATEVER WAS ON OUR MINDS, 305 00:12:57,567 --> 00:12:59,529 WE WOULD WRITE IT DOWN TO REVISIT IT LATER. 306 00:12:59,529 --> 00:13:01,241 SO NOTHING'S SAID IN THE HEAT OF THE MOMENT. 307 00:13:01,241 --> 00:13:02,402 EXACTLY. 308 00:13:02,402 --> 00:13:04,074 SEE, WE FOUND, WITH A LITTLE PERSPECTIVE, 309 00:13:04,074 --> 00:13:05,665 WHAT SEEMED SO IMPORTANT TO US AT FIRST 310 00:13:05,665 --> 00:13:07,747 WAS OFTEN QUITE TRIVIAL -- 311 00:13:07,747 --> 00:13:09,369 SORT OF LIKE OUR MARRIAGE. 312 00:13:09,369 --> 00:13:11,121 OKAY. I'M GAME IF YOU ARE. 313 00:13:12,542 --> 00:13:13,463 [ SIGHS ] 314 00:13:15,175 --> 00:13:16,466 Esposito: HEY, I'VE GOT SOMETHING. 315 00:13:26,887 --> 00:13:28,478 Castle: WELL, WELL, WELL. 316 00:13:28,478 --> 00:13:30,560 LOOKS LIKE THIS SHELL CORPORATION 317 00:13:30,560 --> 00:13:32,732 WAS PAYING SCOTT TO SEDUCE RICH, MARRIED WOMEN 318 00:13:32,732 --> 00:13:34,354 AND GET PROOF OF THEIR TRYSTS -- 319 00:13:34,354 --> 00:13:35,695 MOST LIKELY TO BLACKMAIL THEM. 320 00:13:35,695 --> 00:13:36,937 THAT'S QUITE A RACKET. 321 00:13:36,937 --> 00:13:38,238 MAYBE A DEADLY ONE. 322 00:13:38,238 --> 00:13:40,991 LOOKS LIKE SOMEONE DID NOT ENJOY GETTING SCREWED. 323 00:13:40,991 --> 00:13:43,113 OUT OF THEIR MONEY, THAT IS. 324 00:13:43,113 --> 00:13:46,746 THERE'S NO S.D. CARD IN HERE. 325 00:13:46,746 --> 00:13:47,868 IT'S WI-FI-ENABLED. 326 00:13:47,868 --> 00:13:49,249 Ryan: SO'S THIS PRINTER. 327 00:13:49,249 --> 00:13:52,082 MAYBE THE LAST JOB IS STILL IN THE MEMORY. LET'S SEE. 328 00:13:52,082 --> 00:13:54,164 [ PRINTER WHIRRING ] 329 00:13:57,717 --> 00:13:59,049 YEAH, THAT'S SCOTT IN BED WITH A WOMAN, 330 00:13:59,049 --> 00:14:00,961 BUT YOU CAN'T SEE HER FACE. 331 00:14:00,961 --> 00:14:03,013 NO, BUT LOOK WHAT YOU CAN SEE. 332 00:14:04,885 --> 00:14:06,016 I THINK THAT'S HER ELBOW. 333 00:14:06,967 --> 00:14:08,638 NO, NOT THAT. 334 00:14:08,638 --> 00:14:10,390 THE TATTOO ON THE SMALL OF HER BACK -- 335 00:14:10,390 --> 00:14:11,771 IT'S A DRAGONFLY. 336 00:14:11,771 --> 00:14:13,313 WE CAN USE THAT TO I.D. HER. 337 00:14:13,313 --> 00:14:15,936 HOW? ARE WE GONNA DO A BUTT LINEUP? 338 00:14:15,936 --> 00:14:17,107 [ CELLPHONE BEEPS ] 339 00:14:17,107 --> 00:14:19,279 AS FUN AS THAT DOES SOUND, WE MIGHT NOT NEED TO. 340 00:14:19,279 --> 00:14:20,820 ANTON'S SKETCHES JUST CAME IN. 341 00:14:23,533 --> 00:14:25,946 SO, WHERE ARE YOU WITH MATCHING VULCAN SIMMONS' HEROIN 342 00:14:25,946 --> 00:14:27,037 TO CURRENT DEALERS? 343 00:14:27,037 --> 00:14:28,788 NOWHERE. IT'S -- IT'S GONNA TAKE A WHILE. 344 00:14:28,788 --> 00:14:29,910 [ SIGHS ] 345 00:14:29,910 --> 00:14:32,082 WHICH IS WHY I THINK 346 00:14:32,082 --> 00:14:34,254 YOU GOING OUT TO DINNER WITH CASTLE IS A MISTAKE. 347 00:14:34,254 --> 00:14:35,585 I KNOW. 348 00:14:35,585 --> 00:14:36,756 BUT I MISS HIM. 349 00:14:36,756 --> 00:14:38,668 [ SIGHS ] I GET IT. 350 00:14:38,668 --> 00:14:40,921 BUT IF YOU LET HIM IN AND HE FIGURES OUT WHAT WE'RE DOING... 351 00:14:40,921 --> 00:14:42,502 I KNOW THE RISK. [ KNOCK ON DOOR ] 352 00:14:42,502 --> 00:14:43,593 HEY, WE'VE GOT SOMETHING. 353 00:14:47,307 --> 00:14:48,929 USING A SKETCH THAT ANTON PROVIDED, 354 00:14:48,929 --> 00:14:51,011 WE WERE ABLE TO I.D. ONE OF SCOTT'S RECENT TARGETS -- 355 00:14:51,011 --> 00:14:53,143 ANNIKA SMYTHE. 356 00:14:53,143 --> 00:14:55,145 WAIT -- THE SOCIALITE WIFE OF THAT HEDGE-FUND GUY? 357 00:14:55,145 --> 00:14:57,477 ISN'T SHE IN THE TABLOIDS ALL THE TIME? 358 00:14:57,477 --> 00:14:59,399 WHICH IS HOW WE RECOGNIZED HER AND HOW WE KNOW 359 00:14:59,399 --> 00:15:00,900 THAT SHE'S GOING THROUGH A MESSY DIVORCE. 360 00:15:00,900 --> 00:15:02,282 YOU KNOW ANNIKA. 361 00:15:02,282 --> 00:15:04,364 NOW MEET NANCY UNDERWOOD AND CLAIRE STEVENS -- 362 00:15:04,364 --> 00:15:06,156 BOTH LOADED AND GOING THROUGH DIVORCES. 363 00:15:06,156 --> 00:15:08,198 THERE'S A PICTURE OF ALL THREE OF THEM 364 00:15:08,198 --> 00:15:09,579 AT A FUNDRAISER LAST WEEK. 365 00:15:09,579 --> 00:15:10,870 SO THEY KNOW EACH OTHER? 366 00:15:10,870 --> 00:15:12,202 Castle: OH, MORE THAN THAT. 367 00:15:12,202 --> 00:15:13,453 THEY HANG OUT TOGETHER. 368 00:15:13,453 --> 00:15:15,295 MATTER OF FACT, ACCORDING TO ANNIKA'S INSTAGRAM, 369 00:15:15,295 --> 00:15:16,746 THEY'RE GOING TO A SPA LATER. 370 00:15:16,746 --> 00:15:18,378 AND YOU KNOW WHAT THIS MEANS, BECKETT -- 371 00:15:18,378 --> 00:15:20,380 IT'S A MURDEROUS FIRST WIVES CLUB. 372 00:15:20,380 --> 00:15:21,751 YOU THINK THEY DID THIS TOGETHER? 373 00:15:21,751 --> 00:15:23,173 WHY NOT? 374 00:15:23,173 --> 00:15:24,714 SCOTT BLACKMAILS THE LADIES. 375 00:15:24,714 --> 00:15:25,845 WHEN THEY REFUSE TO PAY, 376 00:15:25,845 --> 00:15:27,757 HE SHOWS THE PHOTOS TO THEIR HUSBANDS. 377 00:15:27,757 --> 00:15:29,099 WHO PROMPTLY DIVORCE THEM. 378 00:15:29,099 --> 00:15:31,221 SO ALL THREE WOMEN BAND TOGETHER TO KILL SCOTT 379 00:15:31,221 --> 00:15:32,852 FOR RUINING THEIR MARRIAGES. 380 00:15:32,852 --> 00:15:35,225 IT IS THE PERFECT THEORY. 381 00:15:35,225 --> 00:15:36,726 EXCEPT IT'S COMPLETELY UNSUBSTANTIATED. 382 00:15:36,726 --> 00:15:38,268 THAT IS... 383 00:15:38,268 --> 00:15:39,729 TRUE. 384 00:15:39,729 --> 00:15:41,651 BUT WE CAN JUST HAVE THEM IN FOR QUESTIONING. 385 00:15:41,651 --> 00:15:43,773 BASED ON WHAT -- THE PLOT OF THE "FIRST WIVES CLUB" MOVIE? 386 00:15:43,773 --> 00:15:45,065 [ Laughing ] NO. OF COURSE NOT. 387 00:15:45,065 --> 00:15:46,486 THERE WAS NO MURDER IN THAT. 388 00:15:46,486 --> 00:15:48,488 BUT WHATEVER WE DO, WE'VE GOT TO DO IT FAST -- 389 00:15:48,488 --> 00:15:49,739 BEFORE THEY ALL SCATTER. 390 00:15:49,739 --> 00:15:50,991 ANNIKA HAS BEEN POSTING 391 00:15:50,991 --> 00:15:52,412 ABOUT SHE'S GONNA BE FLYING TO PARIS TONIGHT. 392 00:15:52,412 --> 00:15:53,913 Ryan: WE NEED TO GET SOME HARD EVIDENCE 393 00:15:53,913 --> 00:15:55,745 TYING OUR VIC TO ONE OF THESE WOMEN. 394 00:15:59,959 --> 00:16:02,842 CASTLE, YOU SAID THAT THEY WERE GONNA SPEND THE DAY AT THE SPA? 395 00:16:02,842 --> 00:16:04,794 YES. 396 00:16:04,794 --> 00:16:07,177 WHERE ALL BODY ART WILL BE ON FULL DISPLAY. 397 00:16:07,177 --> 00:16:08,638 IF ONE OF THEM HAS THAT TATTOO... 398 00:16:08,638 --> 00:16:09,639 THEN WE CAN BRING THEM IN. 399 00:16:09,639 --> 00:16:11,221 I JUST NEED A PARTNER TO GO WITH ME 400 00:16:11,221 --> 00:16:13,803 INTO THE WOMEN'S LOCKER ROOM. 401 00:16:13,803 --> 00:16:14,934 A FEMALE PARTNER, GUYS. 402 00:16:16,146 --> 00:16:18,768 SO, I GOT THE PAPERWORK FOR THE PAINTING ALL FIGURED OUT. 403 00:16:18,768 --> 00:16:20,600 I JUST NEED YOUR SIGNATURE, AND THEN I'LL BE ON MY -- 404 00:16:20,600 --> 00:16:21,771 WHAT? 405 00:16:21,771 --> 00:16:22,652 YOU LOOK A LITTLE STRESSED. 406 00:16:22,652 --> 00:16:24,104 NO, I DON'T. 407 00:16:24,104 --> 00:16:26,196 WHAT ABOUT A DAY AT THE SPA, COURTESY OF THE NYPD? 408 00:16:30,780 --> 00:16:32,662 DID YOU SEE HOW IT MADE THE NEWS? 409 00:16:32,662 --> 00:16:35,615 YEAH. I BET WE'RE NOT THE ONLY ONES CELEBRATING. 410 00:16:35,615 --> 00:16:38,078 COME ON, GUYS. WE'RE HERE TO RELAX. 411 00:16:40,920 --> 00:16:43,002 THE REGALS HAVE LANDED. 412 00:16:44,584 --> 00:16:46,626 SO, WHICH ONE DO YOU THINK IS OUR TATTOOED LADY? 413 00:16:46,626 --> 00:16:49,629 UH... 414 00:16:49,629 --> 00:16:51,391 THERE'S ONLY ONE WAY TO BE SURE. 415 00:16:54,804 --> 00:16:56,226 [ HAYLEY SIGHS ] 416 00:16:56,226 --> 00:16:58,728 WELL, I THINK THAT YOU AND YOUR HUSBAND ARE JUST IN A RUT. 417 00:16:58,728 --> 00:17:02,312 [ BECKETT SIGHS ] IT'S JUST BECOME COMFORTABLE. 418 00:17:02,312 --> 00:17:04,524 AND I DON'T WANT COMFORT. I WANT EDGE. 419 00:17:04,524 --> 00:17:07,487 OOH. THEN YOU GOT TO SPICE THINGS UP A LITTLE, SWEETIE. 420 00:17:07,487 --> 00:17:08,778 GET YOURSELF A TATTOO. 421 00:17:08,778 --> 00:17:10,360 [ GASPS ] MEN LOVE INK. 422 00:17:10,360 --> 00:17:12,152 MAKES THEM THINK YOU'RE NAUGHTY. 423 00:17:12,152 --> 00:17:13,613 [ LAUGHS ] 424 00:17:13,613 --> 00:17:15,865 OH, COME ON. THAT'S NOT TRUE. 425 00:17:15,865 --> 00:17:18,538 YOU'RE WRONG. TATTOOS ARE HOT. 426 00:17:18,538 --> 00:17:20,870 WE SHOULD INTRODUCE YOU TO IVAN. HE'S A GENIUS. 427 00:17:20,870 --> 00:17:22,162 Beckett: A GENIUS? 428 00:17:22,162 --> 00:17:24,874 I MEAN, THAT SOUNDS LIKE A LITTLE BIT OF A STRETCH. 429 00:17:24,874 --> 00:17:26,836 JUDGE FOR YOURSELF. 430 00:17:26,836 --> 00:17:28,128 WAIT. 431 00:17:28,128 --> 00:17:30,430 DON'T I KNOW YOU FROM SOMEWHERE? 432 00:17:30,430 --> 00:17:33,263 YEAH. YOU'RE MARRIED TO THAT WRITER, AREN'T YOU? 433 00:17:33,263 --> 00:17:35,725 YOU KNOW, I'M SURE YOU'RE CONFUSING ME WITH SOMEBODY ELSE. 434 00:17:35,725 --> 00:17:37,807 NO. SHE'S A COP. 435 00:17:37,807 --> 00:17:39,769 Annika: WHAT'S GOING ON? 436 00:17:39,769 --> 00:17:41,981 AND DON'T PRETEND YOU'RE JUST HERE FOR A STEAM. 437 00:17:41,981 --> 00:17:45,355 ALL RIGHT. FINE. 438 00:17:45,355 --> 00:17:47,107 WE'RE HERE TO ASK YOU A FEW QUESTIONS 439 00:17:47,107 --> 00:17:48,608 ABOUT YOUR RELATIONSHIPS WITH SCOTT McCOY. 440 00:17:51,151 --> 00:17:52,862 CALL OUR LAWYERS, HONEY. 441 00:17:52,862 --> 00:17:55,995 I WILL -- RIGHT AFTER I DRAG YOU DOWN TO THE PRECINCT. 442 00:17:55,995 --> 00:17:57,537 YOU CAN POST A PHOTO ON INSTAGRAM. 443 00:17:57,537 --> 00:17:58,698 Claire: I DON'T THINK SO. 444 00:17:58,698 --> 00:18:00,460 IF YOU REALLY HAD ANYTHING ON US, 445 00:18:00,460 --> 00:18:01,961 YOU WOULDN'T BE DOWN HERE TRYING TO SEE US NAKED. 446 00:18:01,961 --> 00:18:04,294 OH, WE'VE GOT SOMETHING. 447 00:18:04,294 --> 00:18:06,666 OR...RATHER, ONE OF YOU DOES. 448 00:18:06,666 --> 00:18:09,969 AND IT'S TATTOOED ON ONE OF YOUR BUTTS. 449 00:18:12,842 --> 00:18:15,175 [ GROANS ] GOT A WINNER. 450 00:18:15,175 --> 00:18:16,926 YEP. SHE'S RUNNING. IN THE TOWEL. 451 00:18:18,808 --> 00:18:20,640 STOP! STOP HER! 452 00:18:20,640 --> 00:18:22,772 NO! NO, DON'T STOP US! 453 00:18:24,984 --> 00:18:26,646 [ GRUNTS ] 454 00:18:26,646 --> 00:18:28,568 AAH! UGH! 455 00:18:28,568 --> 00:18:29,779 OHHH. 456 00:18:31,191 --> 00:18:32,902 FOUND IT. 457 00:18:32,902 --> 00:18:33,903 MM. 458 00:18:33,903 --> 00:18:35,995 OKAY. 459 00:18:35,995 --> 00:18:38,408 WELL...TIME TO GET DRESSED. SPA DAY'S OVER. 460 00:18:38,408 --> 00:18:40,200 YEAH, BUT BEFORE WE GO, CAN YOU PLEASE GIVE ME 461 00:18:40,200 --> 00:18:41,451 THE NUMBER OF YOUR TATTOO ARTIST? 462 00:18:41,451 --> 00:18:43,333 YOU'RE RIGHT -- THE GUY'S A BLOODY GENIUS. 463 00:18:48,508 --> 00:18:50,510 AND WHEN YOU I.D.'d THE TATTOO, 464 00:18:50,510 --> 00:18:54,674 DID YOU PULL THE TOWEL OFF, OR DID IT JUST...FALL OFF? 465 00:18:54,674 --> 00:18:56,806 WELL, ACTUALLY, KATE PULLED THE TOWEL OFF... 466 00:18:56,806 --> 00:18:59,098 RIGHT. ...BUT I'M NOT QUITE SURE HOW THIS IS RELEVANT. 467 00:18:59,098 --> 00:19:00,470 YOU'RE PATHETIC, BRO. 468 00:19:00,470 --> 00:19:01,721 SOMEBODY'S GOT TO WRITE THIS REPORT. 469 00:19:01,721 --> 00:19:03,183 WOW. 470 00:19:03,183 --> 00:19:05,064 SO, HAYLEY, IT MUST HAVE BEEN PRETTY HARD 471 00:19:05,064 --> 00:19:06,686 FOR YOU GUYS TO CHASE HER 472 00:19:06,686 --> 00:19:08,898 'CAUSE YOU AND BECKETT WERE BOTH WEARING TOWELS, RIGHT? 473 00:19:08,898 --> 00:19:12,151 HEY. OKAY, HERE YOU GO. THIS IS YOUR VOUCHER. 474 00:19:12,151 --> 00:19:15,114 JUST TAKE THAT UP TO EVIDENCE, AND THAT PAINTING IS YOURS. 475 00:19:15,114 --> 00:19:16,826 ALL RIGHT. I'LL SEE YOU PERVERTS LATER. 476 00:19:16,826 --> 00:19:18,157 YES, YOU WILL. 477 00:19:20,830 --> 00:19:23,703 RYAN WAS TRYING TO GET DETAILS ON YOUR WARDROBE MALFUNCTION. 478 00:19:23,703 --> 00:19:25,455 ME? YOU WERE THE ONE ASKING IF BECKETT WAS WEARING A TOWEL. 479 00:19:25,455 --> 00:19:26,956 THAT WAS FOR THE REPORT. 480 00:19:26,956 --> 00:19:29,209 I THOUGHT CASTLE WAS HELPING YOU GUYS RESOLVE THIS CONFLICT. 481 00:19:29,209 --> 00:19:30,790 YEAH. 482 00:19:30,790 --> 00:19:32,502 THEN HE WENT HOME. 483 00:19:32,502 --> 00:19:34,384 WELL, I HAVE A SUSPECT TO INTERVIEW, 484 00:19:34,384 --> 00:19:37,507 AND THE TWO OF YOU NEED TO FIGURE THIS OUT. 485 00:19:38,758 --> 00:19:40,350 [ SNIFFS ] 486 00:19:42,972 --> 00:19:44,183 WHAT ARE YOU DOING? 487 00:19:44,183 --> 00:19:46,266 WHAT CASTLE SAID -- WRITING IT DOWN. 488 00:19:46,266 --> 00:19:48,187 TRUST ME -- I GOT A LOT TO WRITE. 489 00:19:49,148 --> 00:19:51,521 HOPE MY PEN DOESN'T RUN OUT OF INK. 490 00:19:52,902 --> 00:19:55,024 YES, I SLEPT WITH SCOTT. 491 00:19:55,024 --> 00:19:58,408 AND YES, HE TOOK PHOTOS, OBVIOUSLY. 492 00:19:58,408 --> 00:20:00,240 AND THEN HE USED THEM TO BLACKMAIL YOU. 493 00:20:00,240 --> 00:20:02,242 BLACKMAIL? WHERE ARE YOU GETTING THAT FROM? 494 00:20:02,242 --> 00:20:05,034 WELL, HOW ELSE DID YOUR NOW-EX-HUSBAND 495 00:20:05,034 --> 00:20:06,496 END UP WITH THESE PHOTOS? 496 00:20:06,496 --> 00:20:09,629 BECAUSE MY EX HIRED SCOTT TO SLEEP WITH ME. 497 00:20:09,629 --> 00:20:12,252 THE SAME THING HAPPENED WITH ALL OF US -- ANNIKA AND CLAIRE. 498 00:20:12,252 --> 00:20:14,794 YOU SEE, OUR HUSBANDS WANTED TO TRADE US IN 499 00:20:14,794 --> 00:20:16,005 FOR YOUNGER TROPHY WIVES 500 00:20:16,005 --> 00:20:17,887 WITHOUT HAVING TO PAY THROUGH THE NOSE. 501 00:20:17,887 --> 00:20:19,929 OH, BECAUSE YOU GUYS HAD INFIDELITY CLAUSES 502 00:20:19,929 --> 00:20:21,841 IN YOUR PRENUPS. 503 00:20:21,841 --> 00:20:24,264 MY NIGHT WITH SCOTT COST ME $12 MIL. 504 00:20:25,805 --> 00:20:27,186 YOU DO REALIZE 505 00:20:27,186 --> 00:20:29,399 THAT YOU JUST GAVE ME A MOTIVE FOR SCOTT'S MURDER. 506 00:20:30,480 --> 00:20:31,981 I DIDN'T KILL HIM. 507 00:20:31,981 --> 00:20:33,653 HIS NEIGHBOR I.D.'d YOU. 508 00:20:33,653 --> 00:20:35,525 HE SAID THAT YOU WERE STANDING OUTSIDE THE BUILDING 509 00:20:35,525 --> 00:20:37,447 AT MIDNIGHT JUST BEFORE SCOTT WAS KILLED. 510 00:20:37,447 --> 00:20:39,989 SO, DO YOU WANT TO TELL ME WHAT REALLY HAPPENED? 511 00:20:41,621 --> 00:20:44,494 THE NIGHT THAT WE HAD TOGETHER 512 00:20:44,494 --> 00:20:48,998 WAS SOMETHING I HADN'T EXPERIENCED IN A LONG TIME. 513 00:20:48,998 --> 00:20:53,212 AND TO FIND OUT THAT I WAS JUST ANOTHER PAYCHECK... 514 00:20:53,212 --> 00:20:55,795 SO I WENT TO CONFRONT HIM. 515 00:20:55,795 --> 00:20:57,547 BUT I DIDN'T EVEN GET TO YELL AT HIM. 516 00:20:57,547 --> 00:21:00,219 HE APOLOGIZED TO ME BEFORE I COULD GET A WORD OUT, 517 00:21:00,219 --> 00:21:02,972 SAID HE WAS A HORRIBLE HUMAN BEING FOR WHAT HE'D DONE. 518 00:21:02,972 --> 00:21:06,346 AND WHY DID HE HAVE THIS SUDDEN CHANGE OF HEART? 519 00:21:06,346 --> 00:21:08,348 HE SAID THAT HE HAD LEARNED SOMETHING 520 00:21:08,348 --> 00:21:11,351 WORKING HIS LAST JOB -- SOMETHING UPSETTING. 521 00:21:11,351 --> 00:21:13,693 SO, DID HE TELL YOU WHAT HIS LAST JOB WAS? 522 00:21:13,693 --> 00:21:16,696 IT WAS ANOTHER SEDUCTION, BUT HE DIDN'T SAY WHO -- 523 00:21:16,696 --> 00:21:19,198 JUST THAT HE HAD SCREWED OVER A GOOD PERSON 524 00:21:19,198 --> 00:21:21,321 AND HE WANTED TO MAKE IT RIGHT... 525 00:21:21,321 --> 00:21:23,743 OR DIE TRYING. 526 00:21:25,575 --> 00:21:28,368 SO, NANCY'S CAR-SERVICE DRIVER CONFIRMS 527 00:21:28,368 --> 00:21:30,830 THAT OUR VIC WAS ALIVE WHEN NANCY LEFT. 528 00:21:30,830 --> 00:21:33,212 HE HELPED HER INTO THE CAR AT 12:15. 529 00:21:33,212 --> 00:21:36,125 THEN THE DRIVER TOOK NANCY ALL THE WAY OUT TO GREENWICH. 530 00:21:36,125 --> 00:21:37,377 OKAY. SO SHE'S NOT OUR KILLER. 531 00:21:37,377 --> 00:21:39,128 MAYBE SCOTT'S MURDER HAS SOMETHING TO DO 532 00:21:39,128 --> 00:21:40,680 WITH THAT LAST JOB HE WAS WORKING. 533 00:21:40,680 --> 00:21:42,512 LET'S SEE WHO SCOTT SCREWED OVER AND WHAT HE WAS DOING 534 00:21:42,512 --> 00:21:44,554 TO MAKE IT RIGHT THE NIGHT THAT HE WAS KILLED. 535 00:21:44,554 --> 00:21:47,226 AND I THINK I KNOW WHERE TO START LOOKING. 536 00:21:47,226 --> 00:21:49,929 NANCY'S HUSBAND AND HIS FRIENDS ALL USED THE SAME LAWYER 537 00:21:49,929 --> 00:21:51,270 TO BUST UP THEIR PRENUPS -- 538 00:21:51,270 --> 00:21:52,982 SOME HOTSHOT NAMED LINDSEY TRENT. 539 00:21:52,982 --> 00:21:54,934 THE LEDGER JUST DID A PIECE ON HER -- 540 00:21:54,934 --> 00:21:57,737 THE DIVORCE ATTORNEY TO THE RICH AND SHAMELESS. 541 00:21:57,737 --> 00:21:59,529 YOU KNOW, IF SHE WAS THE ONE THAT WAS HIRING SCOTT, 542 00:21:59,529 --> 00:22:01,240 SHE WOULD KNOW WHAT HIS LAST JOB WAS. 543 00:22:01,240 --> 00:22:02,492 WELL, YEAH, BUT THERE'S NO WAY 544 00:22:02,492 --> 00:22:03,943 SHE'S GONNA TALK TO US WITHOUT A WARRANT. 545 00:22:03,943 --> 00:22:06,075 WHICH WE WON'T GET -- NOT UNLESS WE HAVE SOMETHING CONCRETE 546 00:22:06,075 --> 00:22:07,537 TO TIE HER TO ALL THIS. 547 00:22:07,537 --> 00:22:09,248 I'LL CALL THE RIDING D.A. IN THE MORNING. 548 00:22:09,248 --> 00:22:10,950 WE'LL BRAINSTORM ON HOW TO GET A WARRANT. I'LL SEE YOU GUYS. 549 00:22:12,752 --> 00:22:13,873 [ SIGHS ] 550 00:22:13,873 --> 00:22:15,084 WE NEED TO GO AT THIS ANOTHER WAY. 551 00:22:15,084 --> 00:22:17,046 YOU KNOW... 552 00:22:17,046 --> 00:22:20,299 MAYBE THE WAY TO FIND OUT ABOUT SCOTT'S LAST SEDUCTION 553 00:22:20,299 --> 00:22:22,882 IS WITH A SEDUCTION OF OUR OWN. 554 00:22:22,882 --> 00:22:25,014 RIGHT. 555 00:22:26,466 --> 00:22:27,727 I HAVE NO IDEA WHAT YOU MEAN. 556 00:22:27,727 --> 00:22:28,518 OKAY. 557 00:22:30,730 --> 00:22:32,892 SO, LET ME GET THIS STRAIGHT. 558 00:22:32,892 --> 00:22:35,234 YOU WANT ME TO SEE A DIVORCE ATTORNEY -- 559 00:22:35,234 --> 00:22:37,146 TOMORROW, ON MY WEDDING ANNIVERSARY. 560 00:22:37,146 --> 00:22:38,648 TO POSE AS A CLIENT. 561 00:22:38,648 --> 00:22:41,150 Martha: NO, NO, NO. I DON'T THINK SO, RICHARD. 562 00:22:41,150 --> 00:22:42,822 DOES KATHERINE KNOW ABOUT THIS? 563 00:22:42,822 --> 00:22:45,985 UH, NO, NO. AND, UM, SHE'S NOT GOING TO. 564 00:22:45,985 --> 00:22:49,118 BEST TO GIVE HER, UH, PLAUSIBLE DENIABILITY 565 00:22:49,118 --> 00:22:50,580 IN CASE THIS STING GOES SIDEWAYS. 566 00:22:50,580 --> 00:22:51,991 [ BEEPING ] 567 00:22:51,991 --> 00:22:54,203 THOUGH I DO LOVE A GOOD STING. 568 00:22:54,203 --> 00:22:55,755 WHAT WOULD YOU NEED HIM TO DO? 569 00:22:55,755 --> 00:22:57,296 YOU KNOW HOW LAWYERS KEEP A LOG 570 00:22:57,296 --> 00:22:59,048 OF ALL THE HOURS THEY SPEND ON EACH CLIENT? 571 00:22:59,048 --> 00:23:02,211 SURE. THEY KEEP TRACK OF THEIR TIME DOWN TO THE MINUTE. 572 00:23:02,211 --> 00:23:04,764 AND OF EVERY EXPENSE INCURRED ON EACH CASE. 573 00:23:04,764 --> 00:23:06,426 JUST LIKE HIRING SCOTT. 574 00:23:06,426 --> 00:23:08,137 SO IF I GET A LOOK AT THE LAST FEW DAYS 575 00:23:08,137 --> 00:23:10,510 IN THIS LOGBOOK OF LINDSEY'S, 576 00:23:10,510 --> 00:23:12,101 WE CAN FIGURE OUT SCOTT'S LAST JOB. 577 00:23:12,101 --> 00:23:14,223 SO...ARE YOU IN? 578 00:23:21,691 --> 00:23:22,612 Lindsey: RICHARD CASTLE? 579 00:23:22,612 --> 00:23:23,863 YES. 580 00:23:23,863 --> 00:23:25,404 LINDSEY TRENT. NICE TO MEET YOU. 581 00:23:25,404 --> 00:23:27,577 THANK YOU FOR SEEING ME ON SUCH SHORT NOTICE. 582 00:23:27,577 --> 00:23:29,238 WELL, DIVORCE IS STRESSFUL ENOUGH. 583 00:23:29,238 --> 00:23:30,910 FINDING A LAWYER SHOULDN'T BE. 584 00:23:30,910 --> 00:23:32,832 NOW, LET'S GO BACK TO MY OFFICE, 585 00:23:32,832 --> 00:23:34,874 AND WE'LL SEE HOW I CAN HELP YOU. 586 00:23:34,874 --> 00:23:36,796 HOW WAS YOUR DRIVE? DID YOU HIT MUCH TRAFFIC ON THE WAY IN? 587 00:23:36,796 --> 00:23:37,797 UH, NO, SURPRISINGLY... 588 00:23:37,797 --> 00:23:39,338 Ryan: HE'S GOING IN. 589 00:23:39,338 --> 00:23:42,632 FIGURES CASTLE WOULD OWN A PAIR OF LIVE-STREAMING GLASSES. 590 00:23:42,632 --> 00:23:44,504 ACTUALLY, BECKETT GAVE THEM TO HIM. 591 00:23:44,504 --> 00:23:45,505 REALLY? WHAT ABOUT BECKETT? 592 00:23:46,926 --> 00:23:48,468 AND WHAT ARE YOU GUYS DOING IN HERE? 593 00:23:48,468 --> 00:23:50,510 HEY, BECKETT! HOW'S THAT WARRANT COMING? 594 00:23:50,510 --> 00:23:52,972 YOU KNOW, UNFORTUNATELY, THE D.A. SAID 595 00:23:52,972 --> 00:23:55,725 THAT WE DON'T HAVE ENOUGH PROOF TO, UM... 596 00:23:56,856 --> 00:23:58,017 WHAT ARE YOU WATCHING? 597 00:23:58,017 --> 00:23:59,358 HMM? 598 00:23:59,358 --> 00:24:00,149 OH. 599 00:24:00,149 --> 00:24:01,440 JUST... 600 00:24:01,440 --> 00:24:02,522 IT'S PORN. 601 00:24:02,522 --> 00:24:03,523 MM. 602 00:24:03,523 --> 00:24:04,524 YOU DON'T WANT IT. 603 00:24:04,524 --> 00:24:05,735 [ SNAPS FINGERS ] 604 00:24:05,735 --> 00:24:07,196 [ SIGHS ] 605 00:24:10,780 --> 00:24:11,871 HAVE YOU BEEN HERE LONG? 606 00:24:11,871 --> 00:24:12,832 THESE ARE OUR NEW OFFICES... 607 00:24:12,832 --> 00:24:14,373 IS THAT THE LAWYER? 608 00:24:14,373 --> 00:24:17,076 UH, THAT IS THE LIVE STREAM FROM CASTLE'S GLASSES. 609 00:24:17,076 --> 00:24:18,538 I SHOULD TALK TO YOUR DECORATOR. 610 00:24:18,538 --> 00:24:22,211 SO, YOU GUYS SENT CASTLE ON A SURVEILLANCE MISSION 611 00:24:22,211 --> 00:24:25,254 AFTER I TOLD YOU HE WAS NOT TO WORK ANY MORE NYPD CASES. 612 00:24:25,254 --> 00:24:26,756 WE DIDN'T THINK YOU SHOULD KNOW. 613 00:24:26,756 --> 00:24:28,387 WE WERE TRYING TO PROTECT YOU. 614 00:24:28,387 --> 00:24:30,550 BY SENDING MY HUSBAND TO THE CITY'S TOP DIVORCE ATTORNEY? 615 00:24:31,891 --> 00:24:33,392 HAPPY ANNIVERSARY? 616 00:24:33,392 --> 00:24:35,645 DO YOU GUYS HAVE ANY IDEA HOW RISKY THIS IS? 617 00:24:35,645 --> 00:24:37,266 THIS COULD BLOW THE ENTIRE CASE. 618 00:24:37,266 --> 00:24:41,400 OUR INVOLVEMENT IN AND KNOWLEDGE OF THIS OPERATION IS OVER. 619 00:24:41,400 --> 00:24:43,773 SO, TELL ME -- WHAT HAPPENED WITH YOU AND, UH... 620 00:24:43,773 --> 00:24:44,984 KATE BECKETT, RIGHT? 621 00:24:44,984 --> 00:24:46,606 THE NYPD DETECTIVE? 622 00:24:46,606 --> 00:24:48,818 Castle: OH, UH, SHE'S A CAPTAIN, ACTUALLY. 623 00:24:48,818 --> 00:24:51,110 OH. SHE MOVED UP THE LADDER QUICKLY. 624 00:24:51,110 --> 00:24:53,452 YES. WELL, SHE'S VERY GOOD AT WHAT SHE DOES. 625 00:24:53,452 --> 00:24:57,036 AND THAT IS THE ROOT OF YOUR PROBLEM, ISN'T IT? 626 00:24:57,036 --> 00:24:59,378 SHE'S SO FOCUSED ON WORK, 627 00:24:59,378 --> 00:25:01,330 SHE DOESN'T HAVE ANYTHING LEFT FOR YOU? 628 00:25:03,082 --> 00:25:04,834 DON'T LOOK SO SURPRISED. 629 00:25:04,834 --> 00:25:06,505 IT'S A STORY I'VE HEARD 630 00:25:06,505 --> 00:25:07,797 ALL TOO OFTEN. 631 00:25:10,339 --> 00:25:14,093 BUT LIKE THE STORIES YOU WRITE, MR. CASTLE, 632 00:25:14,093 --> 00:25:17,096 YOU GET TO CHOOSE HOW THIS ENDS. 633 00:25:17,096 --> 00:25:20,309 SO, TELL ME -- ARE YOU SET ON DIVORCE? 634 00:25:20,309 --> 00:25:22,101 OR IS THERE STILL HOPE? 635 00:25:26,986 --> 00:25:29,198 WELL, UM... 636 00:25:29,198 --> 00:25:32,912 THAT'S A RATHER UNUSUAL QUESTION FOR A DIVORCE ATTORNEY TO ASK. 637 00:25:32,912 --> 00:25:34,954 WELL, IT'S NOT LIKE I NEED THE BUSINESS. 638 00:25:34,954 --> 00:25:36,205 RIGHT. YES. I'M SURE YOU'RE, UH... 639 00:25:38,618 --> 00:25:39,829 ...SURE YOU'RE VERY BUSY. 640 00:25:39,829 --> 00:25:41,120 [ CLEARS THROAT ] 641 00:25:41,120 --> 00:25:42,752 COULD I -- COULD I GET SOME WATER? 642 00:25:42,752 --> 00:25:43,753 OF COURSE. 643 00:25:43,753 --> 00:25:44,584 THANK YOU. 644 00:25:48,878 --> 00:25:50,299 HERE YOU GO. 645 00:25:50,299 --> 00:25:51,841 THANK YOU. [ Chuckling ] A LITTLE DRY. 646 00:25:53,092 --> 00:25:53,673 OHH! 647 00:25:53,673 --> 00:25:55,054 I AM SO SORRY. 648 00:25:55,054 --> 00:25:56,435 THAT'S OKAY. 649 00:25:56,435 --> 00:25:58,437 UH, TIFFANY, CAN I GET SOME TOWELS? 650 00:25:58,437 --> 00:25:59,438 [ SIGHS ] 651 00:25:59,438 --> 00:26:00,890 TIFF? 652 00:26:00,890 --> 00:26:02,271 IDIOT. 653 00:26:02,271 --> 00:26:03,983 UM, I'M GOING TO GO TO THE RESTROOM 654 00:26:03,983 --> 00:26:05,354 [ CELLPHONE RINGING ] AND JUST GET SOME PAPER TOWELS. 655 00:26:05,354 --> 00:26:06,816 OF COURSE. OKAY. 656 00:26:06,816 --> 00:26:07,566 THIS IS LINDSEY. 657 00:26:07,566 --> 00:26:08,608 UH-HUH. 658 00:26:09,609 --> 00:26:11,030 REALLY? 659 00:26:13,572 --> 00:26:15,785 THANKS FOR THE HEADS-UP. 660 00:26:15,785 --> 00:26:17,496 [ CELLPHONE BEEPS ] 661 00:26:17,496 --> 00:26:19,909 THAT WAS A FRIEND OF MINE FROM THE D.A.'s OFFICE. 662 00:26:19,909 --> 00:26:21,370 AND IT, UH, IT TURNS OUT 663 00:26:21,370 --> 00:26:23,703 SOMEONE IS TRYING TO GET A WARRANT FOR MY CLIENT LOG. 664 00:26:23,703 --> 00:26:25,835 AND -- OH, YEAH -- IT'S YOUR WIFE. 665 00:26:25,835 --> 00:26:28,547 [ Chuckling ] REALLY? 666 00:26:28,547 --> 00:26:30,880 THAT IS A CRAZY COINCIDENCE. 667 00:26:33,803 --> 00:26:36,175 [ Chuckling ] SER-- SERIOUSLY, THIS IS JUST A MISUNDERSTANDING. 668 00:26:36,175 --> 00:26:39,428 OKAY, I'M NOT AN IDIOT, BUT OBVIOUSLY, YOU MUST BE. 669 00:26:39,428 --> 00:26:41,600 THERE WAS NO WAY YOU COULD FOOL ME. 670 00:26:41,600 --> 00:26:43,222 QUITE A GRIP YOU HAVE. 671 00:26:43,222 --> 00:26:44,313 STRONG FINGERS. 672 00:26:51,731 --> 00:26:53,322 [ CAMERA CLICKING ] 673 00:27:12,421 --> 00:27:13,512 Esposito: GEORGE KELLER. 674 00:27:13,512 --> 00:27:14,924 Alexis: ACCORDING TO LINDSEY'S LOG BOOK, 675 00:27:14,924 --> 00:27:17,176 HE IS THE LAST PERSON BILLED FOR SCOTT'S SERVICES. 676 00:27:17,176 --> 00:27:19,258 IS HE CONNECTED TO KELLER TOYS? 677 00:27:19,258 --> 00:27:22,561 HE'S THE PRESIDENT OF THE ENTIRE KELLER EMPIRE -- 678 00:27:22,561 --> 00:27:25,474 TOYS, VIDEO GAMES, BOOKS, EDUCATIONAL VIDEOS -- 679 00:27:25,474 --> 00:27:26,816 YOU NAME IT. 680 00:27:26,816 --> 00:27:28,647 IT'S A MULTI-BILLION-DOLLAR COMPANY. 681 00:27:28,647 --> 00:27:30,820 AND A BRAND SYNONYMOUS WITH FAMILY VALUES, 682 00:27:30,820 --> 00:27:33,152 WHICH IS IRONIC SINCE HE'S A RENOWNED PLAYBOY, 683 00:27:33,152 --> 00:27:34,694 ALREADY ON WIFE NUMBER THREE. 684 00:27:34,694 --> 00:27:36,275 YOU SAY THAT LIKE IT'S A BAD THING. 685 00:27:36,275 --> 00:27:38,327 OH, AND HERE'S A FUN FACT -- KELLER'S LAST DIVORCE 686 00:27:38,327 --> 00:27:40,579 FEATURED A PRENUP THAT WAS NULLIFIED BY -- 687 00:27:40,579 --> 00:27:42,912 YOU GUESSED IT -- HIS WIFE'S INFIDELITY. 688 00:27:42,912 --> 00:27:45,705 SO GEORGE KELLER HAS USED SCOTT'S SERVICES BEFORE. 689 00:27:45,705 --> 00:27:48,337 AND IF SCOTT WAS SEDUCING THE CURRENT MRS. KELLER 690 00:27:48,337 --> 00:27:50,209 WHEN HE HAD HIS BIG CHANGE OF HEART... 691 00:27:50,209 --> 00:27:52,591 HE MIGHT HAVE TURNED ON GEORGE AND THREATENED TO EXPOSE HIM. 692 00:27:52,591 --> 00:27:54,633 WHICH WOULD HAVE DAMAGED THE COMPANY'S WHOLESOME REPUTATION, 693 00:27:54,633 --> 00:27:56,846 SO KELLER KILLED SCOTT TO KEEP HIM QUIET. 694 00:27:56,846 --> 00:27:59,969 SCOTT McCOY? 695 00:27:59,969 --> 00:28:02,301 SORRY. I HAVE NO IDEA WHO THAT IS. 696 00:28:02,301 --> 00:28:04,804 WELL, THAT'S FUNNY, BECAUSE YOUR SECOND WIFE DID. 697 00:28:04,804 --> 00:28:06,015 SHE RECOGNIZED HIM 698 00:28:06,015 --> 00:28:07,727 IMMEDIATELY AFTER I SHOWED HER THIS PICTURE. 699 00:28:07,727 --> 00:28:09,308 GUESS IT'S HARD TO FORGET SOMEBODY 700 00:28:09,308 --> 00:28:11,310 WHO COST YOU MILLIONS IN A BROKEN PRENUP. 701 00:28:11,310 --> 00:28:12,982 IT'S NOT MY FAULT SHE SLEPT AROUND. 702 00:28:12,982 --> 00:28:14,653 YOU PAID THE GUY THAT SHE SLEPT WITH, 703 00:28:14,653 --> 00:28:16,405 THEN YOU HIRED HIM AGAIN TO HELP YOU DUMP 704 00:28:16,405 --> 00:28:18,908 YOUR CURRENT TROPHY WIFE AT A DISCOUNTED PRICE. 705 00:28:18,908 --> 00:28:20,369 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 706 00:28:20,369 --> 00:28:21,700 [ DOOR OPENS ] I THINK I DO. 707 00:28:21,700 --> 00:28:22,872 NOT ANOTHER WORD, GEORGE. 708 00:28:22,872 --> 00:28:24,413 YOU NEED TO RELEASE MY CLIENT RIGHT NOW. 709 00:28:24,413 --> 00:28:25,584 I DON'T THINK SO. 710 00:28:25,584 --> 00:28:27,086 ANY EVIDENCE THAT YOU THINK THAT YOU HAVE 711 00:28:27,086 --> 00:28:28,788 HAS BEEN OBTAINED ILLEGALLY, 712 00:28:28,788 --> 00:28:30,880 MAKING ANYTHING THAT MR. KELLER HAS SAID INADMISSIBLE. 713 00:28:30,880 --> 00:28:32,591 WHAT'S GOING ON HERE? 714 00:28:32,591 --> 00:28:34,543 OH, WELL, YOU TELL ME, CAPTAIN. 715 00:28:34,543 --> 00:28:36,966 FIRST, YOU SEND YOUR HUSBAND TO STEAL MY RECORDS, 716 00:28:36,966 --> 00:28:38,758 AND NOW YOUR DETECTIVE IS QUESTIONING MY CLIENT 717 00:28:38,758 --> 00:28:40,139 WITHOUT CAUSE. 718 00:28:40,139 --> 00:28:43,052 YOUR CLIENT HIRED OUR VICTIM TO SLEEP WITH HIS WIFE. 719 00:28:43,052 --> 00:28:45,724 IN FACT, OUR VICTIM SLEPT WITH FOUR OF YOUR CLIENTS' WIVES 720 00:28:45,724 --> 00:28:47,847 IN ORDER TO BLOW UP THEIR PRENUPS. 721 00:28:47,847 --> 00:28:49,728 THAT'S A FACT THAT I'M SURE WOULD BE INTERESTING 722 00:28:49,728 --> 00:28:50,980 TO THE NEW YORK BAR ASSOCIATION. 723 00:28:52,651 --> 00:28:56,695 OKAY. LET'S NOT GET SIDETRACKED HERE. 724 00:28:56,695 --> 00:28:58,818 THE SIMPLE FACT IS, YOU'RE INVESTIGATING A MURDER, 725 00:28:58,818 --> 00:29:01,360 WHICH MY CLIENT HAS NOTHING TO DO WITH. 726 00:29:01,360 --> 00:29:02,782 SO WE SHOULD JUST TAKE YOUR WORD FOR IT. 727 00:29:02,782 --> 00:29:04,163 OF COURSE NOT. 728 00:29:04,163 --> 00:29:06,075 I WILL PROVIDE MY CLIENT'S WHEREABOUTS 729 00:29:06,075 --> 00:29:07,867 THE NIGHT THAT MR. McCOY WAS KILLED. 730 00:29:07,867 --> 00:29:10,539 AND YOU GUYS NEED TO GET YOUR FACTS STRAIGHT. 731 00:29:10,539 --> 00:29:12,461 I'M NOT LOOKING TO DIVORCE MY WIFE. 732 00:29:12,461 --> 00:29:14,423 WE'RE RENEWING OUR VOWS NEXT WEEKEND. 733 00:29:14,423 --> 00:29:16,135 YOU KNOW WE'RE GONNA LOOK INTO THAT, RIGHT? 734 00:29:16,135 --> 00:29:17,216 OH, PLEASE DO. 735 00:29:17,216 --> 00:29:18,217 IN FACT... 736 00:29:18,217 --> 00:29:19,258 GEORGE. 737 00:29:19,258 --> 00:29:21,680 ...I'LL EVEN SEND YOU THE INSURANCE PAPERS 738 00:29:21,680 --> 00:29:24,433 FOR THE $2 MILLION RING I'M GIVING HER. 739 00:29:29,348 --> 00:29:30,940 Esposito: KELLER'S TELLING THE TRUTH. 740 00:29:30,940 --> 00:29:33,232 HE AND HIS THIRD WIFE ARE RENEWING THEIR VOWS 741 00:29:33,232 --> 00:29:34,273 NEXT WEEKEND IN THE CARIBBEAN. 742 00:29:34,273 --> 00:29:35,694 AND THAT $2 MILLION ROCK IS LEGIT. 743 00:29:35,694 --> 00:29:36,946 I WAS JUST ABOUT TO SAY THAT. 744 00:29:36,946 --> 00:29:38,527 OH, REALLY? I THOUGHT YOU WERE ABOUT TO TELL HER 745 00:29:38,527 --> 00:29:40,029 HOW YOU'RE STILL STRUGGLING TO VERIFY KELLER'S ALIBI. 746 00:29:40,029 --> 00:29:41,320 OH, I'M STRUGGLING? YEAH, YOU'RE STRUGGLING. 747 00:29:41,320 --> 00:29:43,202 [ SIGHS ] YOU GUYS, COME ON. 748 00:29:45,204 --> 00:29:45,995 GUYS! 749 00:29:47,536 --> 00:29:50,119 ALL RIGHT. TELL ME ABOUT KELLER'S ALIBI. 750 00:29:51,871 --> 00:29:53,582 I'M STILL TRYING TO CONFIRM 751 00:29:53,582 --> 00:29:55,334 THAT HE WAS AT HIS OFFICE WHEN SCOTT WAS MURDERED. 752 00:29:55,334 --> 00:29:57,176 OKAY, WELL, UNTIL WE CAN VERIFY THAT, 753 00:29:57,176 --> 00:29:58,757 THEN HE IS STILL A SUSPECT, 754 00:29:58,757 --> 00:30:00,679 AND MY GUT SAYS HE'S HIDING SOMETHING, 755 00:30:00,679 --> 00:30:02,011 SO FIND IT. 756 00:30:02,011 --> 00:30:04,263 AND YOUR GUT IS NEVER WRONG. 757 00:30:04,263 --> 00:30:06,185 YOU KNOW, I KNOW SOME PEOPLE IN KELLER'S CIRCLE. 758 00:30:06,185 --> 00:30:07,186 I COULD PUT MY FEELERS OUT. 759 00:30:07,186 --> 00:30:08,387 UH...YEAH. THANKS, CASTLE. 760 00:30:08,387 --> 00:30:09,428 MY PLEASURE. 761 00:30:09,428 --> 00:30:11,891 HOW ARE THINGS BETWEEN THE BOYS? 762 00:30:11,891 --> 00:30:14,483 NOT GOOD, ACTUALLY. I'M KIND OF WORRIED ABOUT THEM. 763 00:30:14,483 --> 00:30:15,524 OH, THEY'LL WORK IT OUT. 764 00:30:15,524 --> 00:30:17,196 THEY'VE BEEN THROUGH WAY TOO MUCH TOGETHER 765 00:30:17,196 --> 00:30:19,698 TO GIVE UP ON WHAT THEY HAVE. 766 00:30:19,698 --> 00:30:23,742 YOU'RE A WISE MAN, CASTLE -- WITH A BIG HEART. 767 00:30:23,742 --> 00:30:25,154 YOU'RE RATHER GOOD-LOOKING, TOO. 768 00:30:25,154 --> 00:30:26,946 YOU MIGHT WANT TO PACE YOURSELF ON THE FLATTERY. 769 00:30:26,946 --> 00:30:27,997 YOU'VE GOT A WHOLE DINNER TO GET THROUGH. 770 00:30:27,997 --> 00:30:29,328 [ ELEVATOR BELL DINGS ] 771 00:30:29,328 --> 00:30:30,950 Ryan: COME ON, JAVI. JUST SAY IT. 772 00:30:30,950 --> 00:30:32,952 Esposito: TRUST ME, YOU DON'T WANT TO HEAR WHAT I REALLY THINK. 773 00:30:32,952 --> 00:30:34,163 OH, BRING IT ON. ALL RIGHT. 774 00:30:34,163 --> 00:30:36,455 YOU'RE A WHINY, INSECURE, JEALOUS LITTLE BABY 775 00:30:36,455 --> 00:30:38,297 WHO SHOT ME IN THE ASS ON PURPOSE! 776 00:30:38,297 --> 00:30:40,880 AND YOU ARE AN ARROGANT, MANSCAPED NEANDERTHAL. 777 00:30:40,880 --> 00:30:41,881 AND IT WASN'T ON PURPOSE. 778 00:30:41,881 --> 00:30:42,962 NEXT TIME, IT'S GONNA BE. 779 00:30:42,962 --> 00:30:44,173 THAT'S IT. I WANT A NEW PARTNER! 780 00:30:44,173 --> 00:30:45,594 ME TOO! 781 00:30:46,966 --> 00:30:49,058 OH, WE CAN'T LEAVE THEM LIKE THIS, CAN WE? 782 00:30:49,058 --> 00:30:50,389 [ SIGHS ] I'LL TALK TO JAVI. 783 00:30:50,389 --> 00:30:51,971 I'LL SEE IF I CAN CALM RYAN DOWN. 784 00:30:51,971 --> 00:30:52,972 RAIN CHECK ON DINNER? 785 00:30:52,972 --> 00:30:54,433 YEAH. 786 00:30:54,433 --> 00:30:55,394 YEAH. 787 00:30:58,237 --> 00:31:00,689 HOW'D IT ALL GO SO WRONG? 788 00:31:00,689 --> 00:31:04,323 I MEAN, ONE DAY, WE'RE A TEAM -- 789 00:31:04,323 --> 00:31:07,616 SIMPATICO, FINISHING EACH OTHER'S SENTENCES. 790 00:31:07,616 --> 00:31:08,867 AND THEN... 791 00:31:08,867 --> 00:31:10,289 YOU SHOT HIM IN THE ASS. 792 00:31:10,289 --> 00:31:12,041 IT WAS AN ACCIDENT, JAV. 793 00:31:12,041 --> 00:31:13,752 OH, WAS IT? YOU SURE ABOUT THAT? 794 00:31:13,752 --> 00:31:15,664 YEAH. AND DEEP DOWN IN YOUR HEART, YOU ARE, TOO. 795 00:31:15,664 --> 00:31:17,086 IT DOESN'T MATTER. 796 00:31:17,086 --> 00:31:19,959 ONCE THE TRUST IS GONE, IT'S REALLY HARD TO GET IT BACK. 797 00:31:19,959 --> 00:31:22,551 NO, THAT'S NOT TRUE. A STRONG RELATIONSHIP CAN SURVIVE ANYTHING. 798 00:31:22,551 --> 00:31:26,425 NO RELATIONSHIP CAN SURVIVE SECRETS OR LIES. 799 00:31:26,425 --> 00:31:28,557 NOW, YOU NEED TO TELL ESPOSITO THE TRUTH -- 800 00:31:28,557 --> 00:31:30,509 THAT YOU WERE HURT AND JEALOUS 801 00:31:30,509 --> 00:31:32,311 THAT HE PASSED THE TEST AND YOU DIDN'T. 802 00:31:32,311 --> 00:31:34,773 FORGET THAT. HE -- HE RUBBED IT IN MY FACE, REMEMBER? 803 00:31:34,773 --> 00:31:36,145 "SERGEANT ESPOSITO." 804 00:31:36,145 --> 00:31:37,686 YOU NEED TO APOLOGIZE. 805 00:31:37,686 --> 00:31:40,109 HELL NO. I AM NOT APOLOGIZING TO HIM. 806 00:31:40,109 --> 00:31:42,441 WHY NOT? EVEN BEFORE HE SHOT ME, 807 00:31:42,441 --> 00:31:44,863 HE COULDN'T BELIEVE THAT I PASSED AND HE DIDN'T. 808 00:31:44,863 --> 00:31:46,445 YOU HAVE TO LET IT GO. 809 00:31:46,445 --> 00:31:47,616 YOU HAVE TO LET IT GO. 810 00:31:47,616 --> 00:31:49,328 I CAN'T. 811 00:31:49,328 --> 00:31:51,120 I CAN'T. 812 00:32:02,881 --> 00:32:04,543 [ CELLPHONE RINGING ] 813 00:32:04,543 --> 00:32:05,674 OH! IT'S MY FRIEND WHO KNOWS GEORGE KELLER. 814 00:32:05,674 --> 00:32:07,046 HEY, FRANCIS. 815 00:32:07,046 --> 00:32:08,097 UH-HUH. 816 00:32:09,048 --> 00:32:11,390 UH-HUH. 817 00:32:11,390 --> 00:32:12,511 UH-HUH! 818 00:32:13,552 --> 00:32:15,764 NO, THAT'S GOOD. THAT'S ALL I NEED. THANK YOU. 819 00:32:15,764 --> 00:32:17,226 BYE. WHAT? 820 00:32:17,226 --> 00:32:19,228 TURNS OUT GEORGE IS INVOLVED 821 00:32:19,228 --> 00:32:21,610 IN A POWER STRUGGLE OVER THE KELLER EMPIRE 822 00:32:21,610 --> 00:32:24,363 WITH PRESENT C.E.O. PENELOPE KELLER. 823 00:32:24,363 --> 00:32:25,694 HIS MOTHER, RIGHT? 824 00:32:25,694 --> 00:32:27,156 SHE FOUNDED THE COMPANY. 825 00:32:27,156 --> 00:32:28,157 YES, SHE DID. 826 00:32:28,157 --> 00:32:29,868 NOW, SHE HAS AN ADVANTAGE OVER GEORGE. 827 00:32:29,868 --> 00:32:31,870 BECAUSE KELLER IS A FAMILY BRAND, 828 00:32:31,870 --> 00:32:34,333 SHE HAS AN IMPECCABLE REPUTATION. 829 00:32:34,333 --> 00:32:35,574 WAIT. YOU DON'T THINK... 830 00:32:35,574 --> 00:32:36,785 OH, YES, I DO. 831 00:32:36,785 --> 00:32:39,999 GEORGE HIRED SCOTT TO HONEYPOT HIS OWN MOTHER. 832 00:32:39,999 --> 00:32:43,582 I HADN'T BEEN WITH ANYONE SINCE MY HUSBAND PASSED LAST YEAR. 833 00:32:43,582 --> 00:32:47,176 IT WAS TIME, AND IT WAS... 834 00:32:47,176 --> 00:32:49,048 LOVELY. 835 00:32:49,048 --> 00:32:51,930 SO YOU HAD NO IDEA THAT YOUR SON HIRED SCOTT 836 00:32:51,930 --> 00:32:53,512 TO SMEAR YOUR REPUTATION? 837 00:32:53,512 --> 00:32:54,513 NONE. 838 00:32:54,513 --> 00:32:56,095 [ CHUCKLES ] 839 00:32:56,095 --> 00:32:57,646 I WISH I COULD TELL YOU I WAS MORE SURPRISED 840 00:32:57,646 --> 00:32:59,098 WHEN YOU TOLD ME, 841 00:32:59,098 --> 00:33:02,441 BUT FAMILY VALUES HAVE NEVER BEEN GEORGE'S STRONG SUIT -- 842 00:33:02,441 --> 00:33:05,234 WHICH IS ACTUALLY WHAT OUR FEUD IS ABOUT. 843 00:33:05,234 --> 00:33:07,236 WHAT DO YOU MEAN BY THAT? 844 00:33:07,236 --> 00:33:10,449 GEORGE WANTS TO SHUT DOWN ALL THE MANUFACTURING OPERATIONS 845 00:33:10,449 --> 00:33:12,661 IN THIS COUNTRY AND SEND THEM OVERSEAS. 846 00:33:12,661 --> 00:33:13,872 TO SAVE MONEY. 847 00:33:13,872 --> 00:33:15,704 BUT THOUSANDS OF WORKERS WOULD LOSE THEIR JOBS. 848 00:33:15,704 --> 00:33:17,706 I CONSIDER THOSE PEOPLE MY FAMILY. 849 00:33:19,168 --> 00:33:20,829 DID YOU EVER MENTION ANY OF THIS TO SCOTT? 850 00:33:20,829 --> 00:33:22,081 YES. 851 00:33:22,081 --> 00:33:23,542 AMONG OTHER THINGS HE DID WELL, 852 00:33:23,542 --> 00:33:25,214 SCOTT WAS A WONDERFUL LISTENER. 853 00:33:25,214 --> 00:33:26,625 WHY? 854 00:33:26,625 --> 00:33:29,888 WELL, IT SEEMS LIKE HE HAD A CRISIS OF CONFIDENCE THAT NIGHT. 855 00:33:29,888 --> 00:33:32,391 SOMETHING HAPPENED THAT MADE HIM WANT TO CHANGE HIS WAYS. 856 00:33:32,391 --> 00:33:33,842 OH, DEAR. 857 00:33:33,842 --> 00:33:36,185 YOU KNOW, THERE WAS SOMETHING ODD -- 858 00:33:36,185 --> 00:33:39,228 THE NEXT DAY, I COULDN'T FIND MY CARD KEY TO THE OFFICE. 859 00:33:39,228 --> 00:33:41,140 I JUST ASSUMED I'D MISPLACED IT. 860 00:33:41,140 --> 00:33:42,691 IS IT POSSIBLE SCOTT TOOK IT? 861 00:33:45,944 --> 00:33:48,607 SO, ACCORDING TO KELLER'S SECURITY CHIEF, 862 00:33:48,607 --> 00:33:50,359 PENELOPE'S CARD KEY WAS USED TO ENTER THE BUILDING 863 00:33:50,359 --> 00:33:51,610 AT 11:30 P.M. 864 00:33:51,610 --> 00:33:54,243 SO SCOTT DID GO THERE THE NIGHT THAT HE WAS KILLED, 865 00:33:54,243 --> 00:33:57,076 AND I AM BETTING YOU IT WAS TO MEET WITH GEORGE. 866 00:33:57,076 --> 00:33:59,418 BUT INSTEAD OF BRINGING X-RATED PHOTOS OF MOM, 867 00:33:59,418 --> 00:34:03,662 SCOTT THREATENED TO EXPOSE GEORGE'S ILLEGAL SMEAR CAMPAIGN. 868 00:34:03,662 --> 00:34:06,044 SO KELLER FOLLOWED SCOTT HOME AND THEN SILENCED HIM. 869 00:34:06,044 --> 00:34:07,296 IT'S A SOLID THEORY. 870 00:34:07,296 --> 00:34:08,967 ONLY, IT DOESN'T MATCH THE FACTS. 871 00:34:08,967 --> 00:34:11,630 IN ORDER TO VERIFY KELLER'S ALIBI, 872 00:34:11,630 --> 00:34:14,433 VIKRAM AND I SCRUBBED SECURITY FOOTAGE FROM HIS OFFICE. 873 00:34:14,433 --> 00:34:16,095 IT SHOWS SCOTT ARRIVING AT 11:30, 874 00:34:16,095 --> 00:34:18,307 BUT THEN SCOTT LEFT 10 MINUTES LATER. 875 00:34:18,307 --> 00:34:19,938 GEORGE KELLER STAYED UNTIL 3:00 A.M. 876 00:34:19,938 --> 00:34:21,730 3:00 A.M. -- THAT'S AN HOUR AFTER SCOTT WAS KILLED. 877 00:34:21,730 --> 00:34:23,021 KELLER'S ALIBI HOLDS. 878 00:34:23,021 --> 00:34:24,483 Beckett: YEAH, BUT YOU KNOW, GUYS, 879 00:34:24,483 --> 00:34:26,355 JUST BECAUSE KELLER DIDN'T FOLLOW SCOTT HOME 880 00:34:26,355 --> 00:34:27,776 DOESN'T MEAN HE'S NOT INVOLVED SOMEHOW. 881 00:34:27,776 --> 00:34:29,398 WELL, IF HE ENLISTED SOMEONE TO KILL SCOTT, 882 00:34:29,398 --> 00:34:31,190 IT WOULD HAVE TO HAVE BEEN AFTER SCOTT SHOWED UP 883 00:34:31,190 --> 00:34:32,361 AND THREATENED HIM. 884 00:34:32,361 --> 00:34:34,363 YOU KNOW, ESPO, YOU DID MANAGE TO GET 885 00:34:34,363 --> 00:34:36,365 SECURITY-CAM FOOTAGE FROM KELLER'S OFFICE. 886 00:34:36,365 --> 00:34:39,118 YOU THINK YOU COULD GET SOME PHONE RECORDS, TOO? 887 00:34:39,118 --> 00:34:40,959 Washington: LINDSEY TRENT? ARE YOU SURE? 888 00:34:40,959 --> 00:34:43,412 YES, SIR, SEEMS LIKE SHE WAS MR. KELLER'S GO-TO PERSON 889 00:34:43,412 --> 00:34:45,294 FOR ALL MANNER OF CRIMINAL ACTIVITIES. 890 00:34:45,294 --> 00:34:47,005 IF LINDSEY WAS OPERATING AN ENTRAPMENT SCAM 891 00:34:47,005 --> 00:34:48,417 FOR ANY OF HER CLIENTS, 892 00:34:48,417 --> 00:34:50,129 IT WAS WITHOUT THE FIRM'S KNOWLEDGE OR APPROVAL. 893 00:34:50,129 --> 00:34:51,590 WELL, THEN I'M SURE YOU'LL BE HAPPY TO HELP US OUT. 894 00:34:51,590 --> 00:34:52,591 ABSOLUTELY. 895 00:34:52,591 --> 00:34:54,012 RYAN, WHY DON'T YOU GO WITH THIS GUY 896 00:34:54,012 --> 00:34:56,054 AND GRAB COPIES OF LINDSEY'S FILES AND PHONE RECORDS? 897 00:34:56,054 --> 00:34:58,477 YEAH, SURE, SARGE. WANT ME TO GET YOU A CUP OF COFFEE, TOO, WHILE I'M AT IT? 898 00:34:58,477 --> 00:35:00,058 OOOOOH. 899 00:35:00,058 --> 00:35:02,351 I AM SO GLAD THIS IS ALMOST OVER. 900 00:35:02,351 --> 00:35:04,433 PUT THIS DAMN PAD AWAY. 901 00:35:04,433 --> 00:35:06,064 ALL RIGHT? 902 00:35:06,064 --> 00:35:08,187 IT DOESN'T MATTER ANYMORE. 903 00:35:10,399 --> 00:35:12,361 YEAH. 904 00:35:12,361 --> 00:35:14,112 SO, WHICH ONE OF YOU GETS THE HOUSE? 905 00:35:14,112 --> 00:35:15,494 [ KNOCK ON DOOR ] 906 00:35:16,785 --> 00:35:18,076 YOU AGAIN. 907 00:35:18,076 --> 00:35:20,329 HERE TO HARASS ME SOME MORE, DETECTIVE? 908 00:35:20,329 --> 00:35:21,740 ACTUALLY, I'M HERE TO TAKE YOU IN. 909 00:35:21,740 --> 00:35:25,744 IF THIS IS YOUR LATEST ATTEMPT TO GET ACCESS TO MY CLIENT LOG, 910 00:35:25,744 --> 00:35:27,125 IT WON'T WORK. 911 00:35:27,125 --> 00:35:29,047 YOU DON'T GET IT, DO YOU? 912 00:35:29,047 --> 00:35:31,800 YOU'RE UNDER ARREST FOR THE MURDER OF SCOTT McCOY. 913 00:35:31,800 --> 00:35:32,801 WHAT? 914 00:35:32,801 --> 00:35:34,012 MM. 915 00:35:34,012 --> 00:35:35,844 WHY WOULD I POSSIBLY DO THAT? 916 00:35:35,844 --> 00:35:37,966 'CAUSE SCOTT WAS ABOUT TO BLOW THE WHISTLE ON GEORGE KELLER, 917 00:35:37,966 --> 00:35:40,179 AND IF YOUR CLIENT'S GOING DOWN FOR CRIMINAL CONSPIRACY, 918 00:35:40,179 --> 00:35:41,930 WELL, YOU WOULD, TOO. 919 00:35:41,930 --> 00:35:43,812 OKAY, THIS IS CRAZY. 920 00:35:43,812 --> 00:35:45,814 YOU HAVE NOTHING ON ME. 921 00:35:45,814 --> 00:35:47,316 YEAH, WELL, YOU CAN TELL THAT TO THE JUDGE 922 00:35:47,316 --> 00:35:48,767 WHO SIGNED THE SEARCH WARRANT FOR YOUR APARTMENT. 923 00:35:48,767 --> 00:35:51,149 CSU's GOING THROUGH IT RIGHT NOW. 924 00:35:51,149 --> 00:35:53,982 NOW, IF YOU'RE INNOCENT, THAT WON'T BE A PROBLEM. 925 00:35:53,982 --> 00:35:55,444 BUT IF YOU STAB A GUY NINE TIMES, 926 00:35:55,444 --> 00:35:57,866 YOU'RE BOUND TO GET SOME BLOOD ON YOU SOMEWHERE. 927 00:35:57,866 --> 00:36:00,659 YOU PROBABLY THREW THE CLOTHES OUT, BUT WHAT ABOUT THE SHOES? 928 00:36:00,659 --> 00:36:01,660 DID YOU GET RID OF THEM? 929 00:36:01,660 --> 00:36:03,041 [ CHUCKLES ] 930 00:36:03,041 --> 00:36:05,664 OR DID YOU JUST TRY TO WIPE THEM OFF? 931 00:36:05,664 --> 00:36:09,378 BECAUSE BLOOD RESIDUE CAN BE ONE STUBBORN SON OF A BITCH. 932 00:36:09,378 --> 00:36:11,089 NOW, LIKE I SAID, I'M TAKING YOU IN -- 933 00:36:13,882 --> 00:36:15,754 LINDSEY, CALM DOWN. [ GUN COCKS ] SHUT UP. 934 00:36:15,754 --> 00:36:18,257 JUST CALM DOWN. SHUT UP AND LET ME THINK! 935 00:36:18,257 --> 00:36:19,598 LISTEN TO ME. 936 00:36:20,849 --> 00:36:22,221 YOU'RE A BRILLIANT LAWYER. 937 00:36:23,932 --> 00:36:25,764 YOU MIGHT STILL BEAT THIS. 938 00:36:25,764 --> 00:36:27,936 BUT IF YOU PULL THAT TRIGGER, YOU'RE GONNA GO AWAY FOREVER. 939 00:36:27,936 --> 00:36:30,188 STAY BACK. JUST STAY AWAY FROM ME. 940 00:36:32,070 --> 00:36:33,151 I CAN'T DO THAT. 941 00:36:33,692 --> 00:36:34,733 JAVI! 942 00:36:37,526 --> 00:36:39,448 [ BREATHING HEAVILY ] 943 00:36:40,579 --> 00:36:42,241 KEVIN! 944 00:36:43,412 --> 00:36:44,953 KEVIN! 945 00:36:53,922 --> 00:36:56,134 [ GASPS ] 946 00:36:56,134 --> 00:36:57,836 [ Strained ] I'M OKAY. 947 00:37:00,138 --> 00:37:01,840 YOUR NOTEPAD STOPPED THE BULLET. 948 00:37:01,840 --> 00:37:03,722 [ CHUCKLES ] HOW ABOUT THAT? 949 00:37:03,722 --> 00:37:04,973 ISN'T THAT WHY YOU PUT IT THERE? 950 00:37:04,973 --> 00:37:07,015 YOU SAVED MY LIFE. 951 00:37:07,015 --> 00:37:08,897 JUST HELP ME UP BEFORE THE PSYCHO BITCH GETS AWAY. 952 00:37:08,897 --> 00:37:10,899 ALL RIGHT. COME ON. 953 00:37:10,899 --> 00:37:12,271 Ryan: STOP! NYPD! 954 00:37:21,320 --> 00:37:23,161 Ryan: DON'T MOVE. I'LL SHOOT YOUR ASS. 955 00:37:23,161 --> 00:37:25,324 HE'LL DO IT, TOO. TRUST ME. 956 00:37:28,747 --> 00:37:30,369 Beckett: I'M STILL SURPRISED 957 00:37:30,369 --> 00:37:32,371 THAT YOU JUMPED IN FRONT OF A BULLET FOR THIS GUY. 958 00:37:32,371 --> 00:37:33,171 Esposito: ME TOO. 959 00:37:33,171 --> 00:37:34,333 I MEAN, NORMALLY, 960 00:37:34,333 --> 00:37:36,295 HIS SLOW-AS-MOLASSES ASS IS NEVER THAT FAST, 961 00:37:36,295 --> 00:37:38,547 BUT HE WAS JUST LIKE -- LIKE "PHOOM!" 962 00:37:38,547 --> 00:37:40,138 [ LAUGHS ] 963 00:37:40,138 --> 00:37:42,260 ALL RIGHT, WHAT -- WHAT ABOUT, UH, GEORGE KELLER? 964 00:37:42,260 --> 00:37:44,433 WE PICKED HIM UP AT THE AIRPORT. 965 00:37:44,433 --> 00:37:47,686 LINDSEY CONFESSED THAT, UH, THEY WERE IN ON IT TOGETHER. 966 00:37:47,686 --> 00:37:49,518 AND HE WAS TRYING TO LEAVE THE COUNTRY IN A PRIVATE JET, 967 00:37:49,518 --> 00:37:51,019 SO THERE YOU GO. 968 00:37:51,019 --> 00:37:53,312 WELL, LOOKS LIKE HE'S GONNA HAVE TO POSTPONE RENEWING HIS VOWS 969 00:37:53,312 --> 00:37:55,193 FOR ANOTHER -- WHAT, 30 TO LIFE? 970 00:37:55,193 --> 00:37:56,815 -RIGHT. [ CHUCKLES ] -OH, YEAH. 971 00:37:58,106 --> 00:37:59,568 ANYWAY, GUYS, I HAVE TO GET GOING. 972 00:37:59,568 --> 00:38:01,109 OH. 973 00:38:01,109 --> 00:38:03,902 UM...UNLESS YOU STILL WANT ME TO PUT IN 974 00:38:03,902 --> 00:38:05,454 THOSE NEW-PARTNER REQUESTS. 975 00:38:05,454 --> 00:38:07,866 UH... 976 00:38:07,866 --> 00:38:09,287 NAH, NOT TONIGHT. 977 00:38:09,287 --> 00:38:11,119 I'M GONNA NEED SOMEBODY EVENTUALLY 978 00:38:11,119 --> 00:38:13,041 WHEN THIS GUY GETS BUMPED UP TO SERGEANT. 979 00:38:13,041 --> 00:38:15,043 WELL, THAT'S NOT GONNA HAPPEN ANYTIME SOON. 980 00:38:15,043 --> 00:38:17,626 I'M NUMBER 279 ON A LIST OF 300, 981 00:38:17,626 --> 00:38:19,878 SO WE'RE GONNA BE STUCK TOGETHER FOR A WHILE. 982 00:38:19,878 --> 00:38:22,010 I LIKE THE SOUND OF THAT. 983 00:38:23,221 --> 00:38:24,222 IF THAT'S COOL WITH YOU. 984 00:38:25,424 --> 00:38:27,095 YEAH. 985 00:38:27,095 --> 00:38:28,016 IF IT'S COOL WITH YOU. 986 00:38:28,016 --> 00:38:29,688 IS IT COOL WITH ME? 987 00:38:31,770 --> 00:38:33,392 BRO, YOU TOOK A BULLET FOR ME. 988 00:38:35,103 --> 00:38:37,195 YOU'VE GOT A WIFE -- A PREGNANT WIFE AT HOME, 989 00:38:37,195 --> 00:38:38,817 YOU GOT A LITTLE GIRL WHO DEPENDS ON YOU, 990 00:38:38,817 --> 00:38:41,069 AND YET, YOU STILL... 991 00:38:42,531 --> 00:38:44,152 COME HERE. 992 00:38:46,495 --> 00:38:48,116 I'M JUST GONNA GIVE YOU GUYS A MOMENT. SORRY. 993 00:38:51,620 --> 00:38:53,752 WANT TO COME OVER, WATCH SOME UFC? 994 00:38:53,752 --> 00:38:55,253 JENNY MADE TOFU. 995 00:38:55,253 --> 00:38:57,626 I LIKE THE SOUND OF THAT -- THE UFC PART. 996 00:39:01,960 --> 00:39:02,761 HEY. 997 00:39:02,761 --> 00:39:04,383 HEY. 998 00:39:04,383 --> 00:39:07,926 UM, HAPPY ANNIVERSARY? A DAY LATE? 999 00:39:07,926 --> 00:39:11,019 YEAH. OR, UM, 364 DAYS EARLY. 1000 00:39:13,141 --> 00:39:14,352 I BROUGHT DINNER FOR US. 1001 00:39:14,352 --> 00:39:15,684 REMY'S. PERFECT. 1002 00:39:15,684 --> 00:39:17,025 [ DOOR CLOSES ] 1003 00:39:17,025 --> 00:39:18,397 UM, RICK, I JUST WANTED -- 1004 00:39:23,361 --> 00:39:24,743 MM. 1005 00:39:24,743 --> 00:39:25,694 MM. WAIT. 1006 00:39:25,694 --> 00:39:26,985 LOOK, THIS DOESN'T MEAN THAT WE'RE -- 1007 00:39:26,985 --> 00:39:28,697 NO. NO, I KNOW. 1008 00:39:28,697 --> 00:39:31,580 NO, THIS IS JUST A... TIME-OUT FROM THE TIME-OUT. 1009 00:39:31,580 --> 00:39:32,831 YEAH. 1010 00:39:32,831 --> 00:39:34,162 YEAH. 1011 00:39:34,162 --> 00:39:35,994 SO... 1012 00:39:35,994 --> 00:39:37,045 TIME IN? 1013 00:39:38,376 --> 00:39:39,458 YEAH. 1014 00:39:39,458 --> 00:39:41,129 YEAH. 1015 00:40:02,020 --> 00:40:04,322 Castle: THAT WAS EVEN BETTER THAN I REMEMBERED. 1016 00:40:04,322 --> 00:40:07,656 YEAH, WELL, I HAD TO LEAVE A FEW MOVES FOR YEAR 2. 1017 00:40:07,656 --> 00:40:08,907 [ BOTH CHUCKLE ] 1018 00:40:10,739 --> 00:40:11,740 RICK? 1019 00:40:11,740 --> 00:40:13,952 MM-HMM? 1020 00:40:13,952 --> 00:40:16,535 WHEN YOU WERE IN THAT DIVORCE LAWYER'S OFFICE, 1021 00:40:16,535 --> 00:40:19,037 I WAS WATCHING. 1022 00:40:19,037 --> 00:40:20,959 WHY, CAPTAIN BECKETT, I HAD NO IDEA. 1023 00:40:20,959 --> 00:40:21,920 I FEEL SO VIOLATED. 1024 00:40:21,920 --> 00:40:23,341 [ LAUGHS ] 1025 00:40:23,341 --> 00:40:25,594 LOOK, I KNOW YOU WERE JUST PLAYING A ROLE, 1026 00:40:25,594 --> 00:40:28,637 BUT... 1027 00:40:28,637 --> 00:40:31,139 WHEN SHE ASKED YOU IF THERE WAS ANY HOPE FOR US 1028 00:40:31,139 --> 00:40:34,102 AND YOU DIDN'T SAY ANYTHING, IT WAS... 1029 00:40:36,054 --> 00:40:37,185 KATE. 1030 00:40:41,019 --> 00:40:44,362 I HAVE NEVER GIVEN UP HOPE. 1031 00:40:44,362 --> 00:40:47,275 NOT SINCE THE DAY WE MET. 1032 00:40:47,275 --> 00:40:50,448 AND THAT'LL NEVER CHANGE UNTIL YOU TELL ME IT SHOULD. 1033 00:40:53,411 --> 00:40:56,535 THEN DON'T CHANGE. 1034 00:40:56,535 --> 00:40:57,415 EVER. 1035 00:40:57,415 --> 00:40:58,537 OKAY. 1036 00:40:58,537 --> 00:40:59,998 OKAY. 1037 00:41:03,632 --> 00:41:05,343 MM. 1038 00:41:05,343 --> 00:41:07,135 I HAVE TO GO. 1039 00:41:07,135 --> 00:41:08,757 I GUESS THE TIME-OUT'S OVER. 1040 00:41:08,757 --> 00:41:09,928 YEAH. 1041 00:41:11,930 --> 00:41:13,642 I'LL BE RIGHT BACK. 1042 00:41:28,106 --> 00:41:30,368 [ CELLPHONE VIBRATES ] 1043 00:41:49,628 --> 00:41:51,840 HEY, I THINK YOUR PHONE BUZZED. 1044 00:41:51,840 --> 00:41:53,932 OH. 1045 00:42:00,939 --> 00:42:02,731 EVERYTHING ALL RIGHT? 1046 00:42:02,731 --> 00:42:03,732 [ CELLPHONE BEEPS ] 1047 00:42:03,732 --> 00:42:04,643 YEAH. FINE. 1048 00:42:06,064 --> 00:42:07,566 OKAY, I'LL SEE YOU AROUND. 1049 00:42:07,566 --> 00:42:08,567 SEE YOU. 1050 00:42:08,567 --> 00:42:09,608 MMM. 1051 00:42:13,742 --> 00:42:15,033 [ DOOR OPENS ] 1052 00:42:16,825 --> 00:42:17,916 [ DOOR CLOSES ]