1 00:00:01,632 --> 00:00:04,004 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,004 --> 00:00:06,137 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,137 --> 00:00:08,139 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,139 --> 00:00:10,081 CASTLE. CASTLE. 5 00:00:10,081 --> 00:00:12,513 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:12,513 --> 00:00:14,515 AND I'VE FOUND MINE. I'M DETECTIVE KATE BECKETT. 7 00:00:14,515 --> 00:00:16,087 BECKETT. AAH! 8 00:00:16,087 --> 00:00:18,349 BECKETT? COULD YOU GET SOME BACKUP, PLEASE? 9 00:00:18,349 --> 00:00:20,351 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:20,351 --> 00:00:22,053 I GET TO BE ON HER CASE. OH! 11 00:00:22,053 --> 00:00:24,695 DO I LOOK LIKE A KILLER TO YOU? YES, YOU KILL MY PATIENCE. 12 00:00:24,695 --> 00:00:26,427 AND TOGETHER, WE CATCH KILLERS. 13 00:00:26,427 --> 00:00:30,131 I HATE THIS CASE. I KNOW. ISN'T IT GREAT? 14 00:00:33,064 --> 00:00:35,636 (panting) 15 00:00:35,636 --> 00:00:37,208 (man) WHERE'D HE GO?! 16 00:00:37,208 --> 00:00:40,040 (man) I LOST HIM. 17 00:00:40,040 --> 00:00:42,313 I THINK HE WENT THROUGH HERE! 18 00:00:42,313 --> 00:00:44,275 (door opens, hinge squeaks) 19 00:00:44,275 --> 00:00:45,346 (door closes) 20 00:00:45,346 --> 00:00:49,150 (gunfire) 21 00:00:53,084 --> 00:00:56,427 (gunfire continues) 22 00:00:59,830 --> 00:01:02,293 (gun clicks) CASTLE, DOWN ON THE GROUND, NOW! 23 00:01:02,293 --> 00:01:03,364 (click) 24 00:01:17,678 --> 00:01:19,350 (man clears throat) 25 00:01:19,350 --> 00:01:21,352 (blows air) COME ON. 26 00:01:21,352 --> 00:01:25,216 (police radio chatter) 27 00:01:30,591 --> 00:01:33,394 (Ryan exhales) 28 00:01:33,394 --> 00:01:36,767 ARE YOU GUYS RE-ENACTING THE HUMPTY DUMPTY CRIME SCENE? 29 00:01:36,767 --> 00:01:39,470 IT'S THE AUTUMNAL EQUINOX TODAY. 30 00:01:39,470 --> 00:01:41,532 YEAH, AND ACCORDING TO MR. WIZARD THERE, 31 00:01:41,532 --> 00:01:43,804 IT'S THE ONLY TIME OF YEAR YOU CAN BALANCE AN EGG ON ITS TIP. 32 00:01:43,804 --> 00:01:46,237 DON'T YOU GUYS HAVE WORK TO DO? NAH. 33 00:01:46,237 --> 00:01:48,809 NO, NOT REALLY. HMM. WELL, NOW YOU DO. 34 00:01:48,809 --> 00:01:51,212 (snaps fingers) 35 00:01:51,212 --> 00:01:54,215 BY THE WAY, THAT WHOLE THING WITH THE EGG 36 00:01:54,215 --> 00:01:55,846 IS JUST URBAN LEGEND. NOT TRUE. 37 00:01:55,846 --> 00:01:58,749 I SAW CASTLE DO IT LAST YEAR. 38 00:02:01,692 --> 00:02:04,355 (lowered voice) WHAT'S WRONG WITH YOU? 39 00:02:04,355 --> 00:02:06,457 (normal voice) STILL NO WORD FROM HIM? 40 00:02:06,457 --> 00:02:08,399 NO. 41 00:02:10,201 --> 00:02:12,433 MAYBE YOU SHOULD CALL HIM. 42 00:02:12,433 --> 00:02:15,135 HE SAID THAT HE WOULD BE BACK IN THE FALL, 43 00:02:15,135 --> 00:02:18,209 AND IT'S FALL, SO CLEARLY, HE HAS BETTER THINGS TO DO. 44 00:02:18,209 --> 00:02:20,211 MAYBE HE'S NOT BACK FROM THE HAMPTONS YET. 45 00:02:20,211 --> 00:02:22,213 MAYBE HE'S STILL WORKING ON HIS BOOK. 46 00:02:22,213 --> 00:02:23,844 (telephone rings) 47 00:02:23,844 --> 00:02:27,348 (ring) 48 00:02:27,348 --> 00:02:30,851 BECKETT. 49 00:02:30,851 --> 00:02:32,523 YEAH. 50 00:02:34,655 --> 00:02:36,657 (man) I NEED YOU PEOPLE TO MOVE BACK, PLEASE. 51 00:02:36,657 --> 00:02:37,928 MA'AM, PLEASE GET BACK. 52 00:02:37,928 --> 00:02:40,891 (camera shutter clicking, siren wailing) 53 00:02:40,891 --> 00:02:43,664 (Ryan) OOH. SPEAKING OF HUMPTY DUMPTY. 54 00:02:43,664 --> 00:02:46,797 MAYBE SOMEBODY TRIED TO STAND HER UP ON HER HEAD. 55 00:02:46,797 --> 00:02:49,370 AFTER ALL, IT IS THE AUTUMNAL EQUINOX. 56 00:02:49,370 --> 00:02:51,942 (Lanie) IT WASN'T THE FALL THAT KILLED HER. 57 00:02:51,942 --> 00:02:53,944 MORE LIKE MULTIPLE GUNSHOT WOUNDS TO THE TORSO 58 00:02:53,944 --> 00:02:56,947 BEFORE DOING A GREG LOUGANIS OUT THAT WINDOW UP THERE. 59 00:02:56,947 --> 00:02:58,909 VICTIM'S NAME IS CHLOE WHITMAN. COUPLE OF PEDESTRIANS 60 00:02:58,909 --> 00:03:01,852 HEARD SHOTS AND SAW THE BODY FALL OUT THE WINDOW, 61 00:03:01,852 --> 00:03:03,854 BUT WHEN UNIFORMS GOT HERE, THE APARTMENT WAS EMPTY. 62 00:03:03,854 --> 00:03:06,517 THERE'S NO DOORMAN ON DUTY, SO, SO FAR, NO ONE RECALLS 63 00:03:06,517 --> 00:03:07,858 SEEING ANYONE FLEE THE SCENE. 64 00:03:07,858 --> 00:03:09,820 ALL RIGHT, HAVE UNIFORMS START KNOCKING ON DOORS. 65 00:03:09,820 --> 00:03:12,893 FIND OUT WHAT ELSE OUR NEIGHBORS DIDN'T SEE. 66 00:03:12,893 --> 00:03:15,966 HEY, IT'S CASTLE. 67 00:03:22,673 --> 00:03:23,834 (exhales) 68 00:03:26,377 --> 00:03:28,539 GUESS HE DID FINISH THAT BOOK. 69 00:03:30,881 --> 00:03:34,585 NICE OF HIM TO SEND US A COPY. 70 00:03:36,417 --> 00:03:38,549 IT LOOKS LIKE HE'S BACK IN TOWN. 71 00:03:38,549 --> 00:03:39,890 NICE OF HIM TO CALL. 72 00:03:39,890 --> 00:03:42,853 ALL RIGHT, GUYS. YOU CAN STOP PINING FOR YOUR GIRLFRIEND. 73 00:03:42,853 --> 00:03:44,995 AFTER ALL, WE GOT A BODY FULL OF HOLES. 74 00:03:44,995 --> 00:03:48,599 SO WHAT ELSE DO WE KNOW ABOUT OUR VICTIM? SHE'S GOT A BOYFRIEND. EVAN MURPHY. HE'S ON HIS WAY. 75 00:03:48,599 --> 00:03:52,903 OKAY, LET'S GO UPSTAIRS AND SEE WHAT ELSE WE CAN FIND. 76 00:03:52,903 --> 00:03:57,508 (police radio chatter) 77 00:04:06,417 --> 00:04:08,449 HE REALLY IS RUGGEDLY HANDSOME. 78 00:04:08,449 --> 00:04:09,780 MM. 79 00:04:09,780 --> 00:04:11,282 (police radio chatter, camera shutter clicks) 80 00:04:11,282 --> 00:04:14,855 FROM THE SPATTER PATTERN, SHE WAS BACKING AWAY FROM THE DOOR. 81 00:04:14,855 --> 00:04:16,987 AFTER THE FIRST BULLET HITS HER, SHE TRIES TO GET AWAY. 82 00:04:16,987 --> 00:04:19,530 GOT NOWHERE TO GO BUT OUT THE WINDOW. 83 00:04:19,530 --> 00:04:20,891 SO LARGE CALIBER GUN. 84 00:04:20,891 --> 00:04:23,764 ROUND GOES THROUGH HER AND BREAKS THE GLASS. 85 00:04:23,764 --> 00:04:25,265 SHE GOES DIVING OUT. 86 00:04:27,838 --> 00:04:29,970 LOOKS LIKE SHE WAS LEAVING TOWN. 87 00:04:29,970 --> 00:04:32,443 (camera shutter clicks) 88 00:04:32,443 --> 00:04:34,405 (radio chatter continues) 89 00:04:34,405 --> 00:04:37,308 WELL, IT WASN'T A ROBBERY. 90 00:04:37,308 --> 00:04:39,310 WOULD YOU CHECK THESE ITEMS FOR FIBERS AND PRINTS? 91 00:04:39,310 --> 00:04:42,483 IF WE'RE LUCKY, THERE WAS A STRUGGLE. SURE. WE'LL TAKE CARE OF IT. 92 00:04:42,483 --> 00:04:45,986 BECKETT, CHLOE'S BOYFRIEND EVAN IS HERE. 93 00:04:45,986 --> 00:04:47,418 (camera shutter clicks) 94 00:04:47,418 --> 00:04:50,991 SO SOMEONE JUST CAME HERE AND SHOT HER FOR NO REASON? 95 00:04:50,991 --> 00:04:53,994 WELL, USUALLY, IN CASES LIKE THESE, THERE IS A REASON. 96 00:04:53,994 --> 00:04:57,297 HOW LONG HAD YOU AND MS. WHITMAN BEEN DATING? 97 00:04:57,297 --> 00:04:58,899 ABOUT SIX MONTHS. 98 00:04:58,899 --> 00:05:01,972 AND WAS THERE ANYONE IN HER LIFE WITH VIOLENT TENDENCIES, 99 00:05:01,972 --> 00:05:04,535 MAYBE ANYONE THAT SHE HAD DISPUTES WITH? 100 00:05:04,535 --> 00:05:05,936 NO. (sniffles) NO, SHE... 101 00:05:05,936 --> 00:05:09,880 THE WORST THING I EVER SAW HER DO WAS JAYWALK. 102 00:05:09,880 --> 00:05:12,883 WHAT DID SHE DO FOR A LIVING? SHE'S A TEACHER. 103 00:05:12,883 --> 00:05:15,315 SHE WAS A TEACHER. 104 00:05:15,315 --> 00:05:16,817 THEY ALL LOVED HER. 105 00:05:16,817 --> 00:05:18,889 WERE YOU EXPECTING HER OVER TONIGHT? 106 00:05:18,889 --> 00:05:21,992 NO. WHY? WELL, SHE PACKED AN OVERNIGHT BAG. 107 00:05:21,992 --> 00:05:25,025 THAT-- THAT DOESN'T MAKE SENSE. 108 00:05:25,025 --> 00:05:26,527 SHE--SHE HAS CLASS TOMORROW. 109 00:05:26,527 --> 00:05:29,900 SHE WOULDN'T JUST LEAVE WITHOUT SAYING ANYTHING. 110 00:05:29,900 --> 00:05:31,001 (police radio chatter) 111 00:05:31,001 --> 00:05:32,833 EXCUSE ME. 112 00:05:32,833 --> 00:05:35,766 (camera shutter clicks) 113 00:05:35,766 --> 00:05:38,409 VICTIM HAD IT IN HER HAND. IT WAS IN HER FINGERS SO TIGHT, 114 00:05:38,409 --> 00:05:40,070 I ALMOST DIDN'T SEE IT. 115 00:05:40,070 --> 00:05:43,374 THIS IS AN ADDRESS IN TRIBECA. COULD BE WHERE SHE WAS GOING. 116 00:05:43,374 --> 00:05:45,376 ONLY ONE WAY TO FIND OUT. 117 00:05:45,376 --> 00:05:48,849 THE ADDRESS IS REGISTERED TO A MAYA SANTORI. 118 00:05:48,849 --> 00:05:50,521 32. SHE'S CLEAN. NO PRIORS. 119 00:05:50,521 --> 00:05:51,922 417? YEAH. 120 00:05:51,922 --> 00:05:55,055 YEAH, RIGHT THERE. 121 00:05:55,055 --> 00:05:56,987 IT'S OPEN. 122 00:05:56,987 --> 00:06:00,030 (gun safeties click) 123 00:06:12,042 --> 00:06:14,905 (door bangs) 124 00:06:19,750 --> 00:06:22,152 (object thuds and shatters) 125 00:06:24,084 --> 00:06:28,088 (object clatters) 126 00:06:28,088 --> 00:06:30,591 (Beckett) NYPD! (Esposito) NYPD! LET ME SEE YOUR HANDS. 127 00:06:30,591 --> 00:06:31,992 DROP IT, NOW! GUN! 128 00:06:31,992 --> 00:06:33,994 (Esposito) NO! (gunshot, plaster crackles) 129 00:06:33,994 --> 00:06:35,966 (Castle) WHOA! 130 00:06:35,966 --> 00:06:36,997 CASTLE? 131 00:06:36,997 --> 00:06:38,729 BECKETT? 132 00:06:38,729 --> 00:06:40,771 WHAT ARE YOU DOING HERE? 133 00:06:40,771 --> 00:06:42,733 I... UH... 134 00:06:42,733 --> 00:06:44,605 DOWN! DOWN! PUT IT DOWN! 135 00:06:44,605 --> 00:06:47,007 DROP THAT GUN NOW! DROP THE GUN, STUPID! DROP THE GUN! 136 00:06:47,007 --> 00:06:48,939 YEAH, NO, NO, IT'S OKAY. DROP IT, SLIMEBAG! 137 00:06:48,939 --> 00:06:51,442 WHOA. OKAY, GUYS, EASY. IT'S NOT WHAT IT LOOKS LIKE. (gun thuds) 138 00:06:51,442 --> 00:06:54,585 IT NEVER IS. TURN AROUND. 139 00:06:54,585 --> 00:06:56,487 CASTLE, TURN AROUND. (handcuffs jangle) 140 00:06:56,487 --> 00:06:59,490 RICHARD CASTLE, YOU'RE UNDER ARREST FOR MURDER. 141 00:07:05,055 --> 00:07:07,658 ♪♪♪ 142 00:07:17,007 --> 00:07:19,169 SOMETHING'S DIFFERENT. 143 00:07:19,169 --> 00:07:21,512 DID YOU REMODEL? 144 00:07:23,974 --> 00:07:26,777 (notebook thuds) 145 00:07:26,777 --> 00:07:29,780 YOU'VE BEEN INFORMED OF YOUR RIGHTS, MR. CASTLE? 146 00:07:29,780 --> 00:07:31,181 REALLY? 147 00:07:31,181 --> 00:07:33,884 YOU'RE NOT EVEN GONNA ASK ME HOW MY SUMMER WAS? 148 00:07:33,884 --> 00:07:36,456 YOU ARE AWARE THAT YOU'RE UNDER ARREST FOR MURDER? 149 00:07:36,456 --> 00:07:39,990 I THOUGHT YOU WERE BEING ROUGH WITH THE CUFFS JUST FOR FUN. 150 00:07:39,990 --> 00:07:41,632 YOU LOOK GOOD. 151 00:07:41,632 --> 00:07:43,734 YOU LOOK GOOD, TOO. 152 00:07:43,734 --> 00:07:44,795 YEAH? 153 00:07:44,795 --> 00:07:47,037 FOR MURDER. WHY ARE YOU SO MAD AT ME? 154 00:07:47,037 --> 00:07:49,039 MAYBE BECAUSE YOU WERE FOUND STANDING OVER A DEAD BODY 155 00:07:49,039 --> 00:07:51,001 WITH A GUN IN YOUR HAND. 156 00:07:51,001 --> 00:07:53,704 YEAH, BUT I TOLD YOU, SHE WAS DEAD WHEN I GOT THERE. 157 00:07:53,704 --> 00:07:55,746 WHY DIDN'T YOU CALL? 158 00:07:57,107 --> 00:08:00,911 I WAS GOING TO CALL YOU. 159 00:08:00,911 --> 00:08:03,684 BUT THEN YOU SHOWED UP BEFORE I COULD. 160 00:08:03,684 --> 00:08:06,517 REALLY? 161 00:08:06,517 --> 00:08:09,860 WELL, THEN WHY DID WE FIND YOU IN OUR VICTIM'S APARTMENT? 162 00:08:09,860 --> 00:08:11,161 WELL, BECAUSE SHE CALLED ME. 163 00:08:11,161 --> 00:08:14,264 OH, SO YOU AND MS. SANTORI WERE IN A RELATIONSHIP. 164 00:08:14,264 --> 00:08:17,027 WELL, I WOULDN'T SAY IT WAS A RELATIONSHIP. 165 00:08:17,027 --> 00:08:19,630 I BOUGHT A COUPLE OF SCULPTURES FROM HER. WERE YOU SLEEPING WITH HER? 166 00:08:19,630 --> 00:08:21,231 HOW IS THAT RELEVANT? MOTIVE. 167 00:08:21,231 --> 00:08:22,903 AH. 168 00:08:22,903 --> 00:08:25,736 NO, I WASN'T SLEEPING WITH HER. 169 00:08:25,736 --> 00:08:27,708 ARE YOU SURE? BEAUTIFUL WOMAN-- 170 00:08:27,708 --> 00:08:29,780 I'M IN A RELATIONSHIP. WITH WHOM? 171 00:08:29,780 --> 00:08:32,012 IS THAT A NEW LIPSTICK? CASTLE. 172 00:08:32,012 --> 00:08:34,945 YOU KNOW WITH WHOM. HOW SHOULD I KNOW? I HAVEN'T SEEN YOU IN MONTHS. 173 00:08:34,945 --> 00:08:36,947 YOU COULD'VE BEEN IN DOZENS OF RELATIONSHIPS 174 00:08:36,947 --> 00:08:39,089 WITH WOMEN SINCE THEN. YOU SOUND JEALOUS. 175 00:08:39,089 --> 00:08:40,951 JEALOUS OF YOU DATING YOUR SECOND EX-WIFE AND PUBLISHER? 176 00:08:40,951 --> 00:08:43,924 TELL ME, DOES SHE MAKE YOU DO EVERYTHING ON A DEADLINE? 177 00:08:43,924 --> 00:08:45,626 SO HOW ABOUT YOU? 178 00:08:45,626 --> 00:08:47,828 YOU STILL WITH THAT, UH, COP BOYFRIEND OF YOURS? 179 00:08:47,828 --> 00:08:49,830 WHAT WAS HIS NAME AGAIN-- DEMMING? 180 00:08:52,162 --> 00:08:53,864 YOU BROKE UP? 181 00:08:53,864 --> 00:08:57,037 THIS VICTIM THAT CALLED YOU, WHAT WAS IT ABOUT? 182 00:08:57,037 --> 00:08:59,039 SHE SAID SHE WAS IN TROUBLE 183 00:08:59,039 --> 00:09:01,972 AND SHE COULDN'T GO TO THE POLICE. SO WHY DID SHE CALL YOU? 184 00:09:01,972 --> 00:09:06,116 BECAUSE MAYA KNEW I HAD A RELATIONSHIP WITH YOU--OOH. 185 00:09:06,116 --> 00:09:07,878 WITH THE NYPD. 186 00:09:07,878 --> 00:09:09,980 SHE THOUGHT I COULD HELP. HELP HOW? 187 00:09:09,980 --> 00:09:12,282 WELL, SHE DIDN'T SAY. SHE JUST TOLD ME TO COME OVER. 188 00:09:12,282 --> 00:09:14,985 WHEN I GOT THERE, THE DOOR WAS OPEN. THE PLACE WAS TRASHED. 189 00:09:14,985 --> 00:09:16,857 SHE WAS DEAD ON THE BED, 190 00:09:16,857 --> 00:09:18,859 AND THERE WAS A GUN ON THE FLOOR. 191 00:09:18,859 --> 00:09:21,692 SO YOU, BEING THE EXPERT VETERAN OF DOZENS OF CRIME SCENES, 192 00:09:21,692 --> 00:09:23,664 DECIDED TO PICK UP THE MURDER WEAPON TO, 193 00:09:23,664 --> 00:09:25,666 WHAT, ENSURE THAT WE HAD YOUR PRINTS? 194 00:09:25,666 --> 00:09:28,669 MAYBE YOU MISSED THE PART WHERE I SAID SHE WAS SHOT DEAD. 195 00:09:28,669 --> 00:09:30,340 WHEN I HEARD THE NOISES COMING FROM THE NEXT ROOM, 196 00:09:30,340 --> 00:09:32,172 I THOUGHT WHOEVER KILLED HER WAS COMING BACK. 197 00:09:32,172 --> 00:09:34,174 SO I PICKED UP THE GUN TO DEFEND MYSELF. 198 00:09:34,174 --> 00:09:37,107 IT SEEMED LIKE A VERY GOOD IDEA AT THE TIME. THAT'S WHEN YOU, 199 00:09:37,107 --> 00:09:39,850 ESPOSITO AND ANNIE OAKLEY COME BURSTING THROUGH THE DOOR. 200 00:09:39,850 --> 00:09:42,082 ANNIE OAKLEY? (Beckett) DETECTIVE ESPOSITO WAS RESPONDING-- 201 00:09:42,082 --> 00:09:45,616 (Castle) I AM NOT A THREAT... I KINDA ALMOST SHOT CASTLE. 202 00:09:45,616 --> 00:09:47,618 WHAT? HE HAD A GUN. 203 00:09:47,618 --> 00:09:49,159 SHOULDA LET YOU SHOOT HIM. 204 00:09:49,159 --> 00:09:51,792 IT WOULD'VE SERVED HIM RIGHT FOR NOT CALLING. (Castle) WE SHOULD BE 205 00:09:51,792 --> 00:09:54,124 AT THE CRIME SCENE LOOKING FOR CLUES. 206 00:09:54,124 --> 00:09:57,197 (Beckett) SO TELL ME, WHY SHOULD I BELIEVE YOU, 207 00:09:57,197 --> 00:10:00,000 CONSIDERING THAT YOU PRETTY MUCH MAKE UP STORIES FOR A LIVING? 208 00:10:00,000 --> 00:10:01,371 BECAUSE YOU KNOW ME. 209 00:10:04,034 --> 00:10:06,006 DO YOU KNOW HER? CHLOE WHITMAN. 210 00:10:06,006 --> 00:10:07,778 SHE WAS SHOT TO DEATH. 211 00:10:07,778 --> 00:10:10,711 YOUR FRIEND'S ADDRESS WAS FOUND IN HER HANDS 212 00:10:10,711 --> 00:10:12,142 AFTER SHE WAS KILLED. 213 00:10:12,142 --> 00:10:14,284 ANOTHER MURDER? WHAT'S THEIR CONNECTION? 214 00:10:14,284 --> 00:10:17,648 I DON'T KNOW. YOU WERE THE ONE WITH THE GUN. YOU TELL ME. 215 00:10:17,648 --> 00:10:19,189 (knock on door) 216 00:10:19,189 --> 00:10:20,851 BECKETT, A WORD. 217 00:10:20,851 --> 00:10:23,794 HEY, CAPTAIN. HOW'S IT GOING? 218 00:10:23,794 --> 00:10:25,295 WHAT? YOU, TOO? 219 00:10:25,295 --> 00:10:26,727 REAL-- 220 00:10:26,727 --> 00:10:28,929 COME ON, GUYS. 221 00:10:30,100 --> 00:10:32,002 C.S.U. RECOVERED THE SLUGS 222 00:10:32,002 --> 00:10:33,964 FROM MAYA SANTORI AND CHLOE WHITMAN'S PLACE. 223 00:10:33,964 --> 00:10:37,007 THE GUN WAS A .45. CASTLE WAS HOLDING A .38. 224 00:10:37,007 --> 00:10:40,971 SO IT MUST HAVE BELONGED TO THE VICTIM FOR SELF-DEFENSE, 225 00:10:40,971 --> 00:10:43,073 WHICH MEANS THAT CASTLE WAS TELLING THE TRUTH. 226 00:10:43,073 --> 00:10:46,046 BUT I'D BE HAPPY TO HOLD HIM IF YOU LIKE. 227 00:10:46,046 --> 00:10:47,948 YOU'RE FREE TO GO. 228 00:10:47,948 --> 00:10:49,720 WELL, THAT'S IT? 229 00:10:49,720 --> 00:10:52,923 BULLETS DON'T MATCH YOUR GUN. YOU'RE OFF THE HOOK. 230 00:10:52,923 --> 00:10:55,325 I'M--OOH! 231 00:10:55,325 --> 00:10:57,027 SO WHAT'S OUR NEXT MOVE? 232 00:10:57,027 --> 00:10:59,029 THERE ISN'T ONE, AT LEAST NOT FOR YOU. 233 00:10:59,029 --> 00:11:01,091 YOU'RE GOING HOME. WHOA, WHOA, WHOA. 234 00:11:01,091 --> 00:11:03,393 TWO VICTIMS, ONE OF 'EM AN ACQUAINTANCE OF MINE, 235 00:11:03,393 --> 00:11:06,897 AND YOU'RE SENDING ME HOME? YOU'RE A WITNESS, CASTLE. I CAN'T HAVE YOU INVOLVED. 236 00:11:06,897 --> 00:11:09,039 I'M ALREADY INVOLVED. CASTLE, GO HOME. 237 00:11:09,039 --> 00:11:12,102 GO BACK TO YOUR HAMPTONS, YOUR EX-WIFE, 238 00:11:12,102 --> 00:11:13,804 YOUR BOOK PARTIES. 239 00:11:13,804 --> 00:11:17,778 OKAY? I'VE GOT WORK TO DO. 240 00:11:17,778 --> 00:11:20,050 WHAT DID I DO? 241 00:11:25,055 --> 00:11:27,958 (sighs) 242 00:11:27,958 --> 00:11:29,219 (banjo music playing, blooping noise) 243 00:11:29,219 --> 00:11:30,991 (whooshing sound) 244 00:11:30,991 --> 00:11:32,863 (both laugh) 245 00:11:32,863 --> 00:11:34,765 (door closes) DARLING! 246 00:11:34,765 --> 00:11:37,728 HELLO! OH, YOU MUST SEE THIS VIDEO. 247 00:11:37,728 --> 00:11:40,801 IT'S ABSOLUTELY... (kisses) CHARMING. 248 00:11:40,801 --> 00:11:43,373 A PENGUIN SMACKS ANOTHER PENGUIN INTO AN ICE HOLE. 249 00:11:43,373 --> 00:11:45,075 I'LL SHOW YOU. 250 00:11:45,075 --> 00:11:46,406 AH, MAYBE LATER. 251 00:11:46,406 --> 00:11:50,340 OH, YOU LOOK AS IF SOMEONE SMACKED YOU INTO AN ICE HOLE. 252 00:11:50,340 --> 00:11:53,343 I STOPPED BY THE PRECINCT. 253 00:11:53,343 --> 00:11:56,016 I THOUGHT YOU WEREN'T GOING BACK TILL AFTER THE BOOK TOUR. 254 00:11:56,016 --> 00:11:57,888 YEAH, WELL, FATE INTERVENED. 255 00:11:57,888 --> 00:12:00,250 SOMEONE I KNOW WAS MURDERED TODAY. OH, LORD. 256 00:12:00,250 --> 00:12:01,952 DAD, THAT'S AWFUL. WHO? 257 00:12:01,952 --> 00:12:04,454 MAYA. THE WOMAN WHO MADE THAT SCULPTURE FOR ME. 258 00:12:04,454 --> 00:12:08,158 ANY LEADS? NO, NOT YET. 259 00:12:08,158 --> 00:12:10,300 SO HOW IS EVERYONE? 260 00:12:10,300 --> 00:12:12,933 BECKETT HAVE A NICE SUMMER? 261 00:12:12,933 --> 00:12:15,005 YEAH, EVERYONE'S FINE. 262 00:12:15,005 --> 00:12:17,137 NOW WHY DON'T I BELIEVE YOU? 263 00:12:17,137 --> 00:12:19,269 AREN'T YOU WITH CHET ON TUESDAYS? 264 00:12:19,269 --> 00:12:21,271 OH! THAT WAS NEVER SET IN STONE. 265 00:12:21,271 --> 00:12:23,243 BESIDES, ALEXIS IS IN CRISIS. 266 00:12:23,243 --> 00:12:25,946 THE YOUNG MAN FROM THE SUMMER PROGRAM 267 00:12:25,946 --> 00:12:28,348 STILL HASN'T CALLED HER. DESPITE THE FACT HE SAID WE'D TALK 268 00:12:28,348 --> 00:12:31,281 WHEN HE GOT BACK FROM EUROPE, WHICH HE ALREADY DID. 269 00:12:31,281 --> 00:12:34,254 WELL, IF YOU KNEW HE WAS BACK, WHY DON'T YOU JUST CALL HIM? HE'S THE ONE WHO WENT AWAY. 270 00:12:34,254 --> 00:12:37,287 I MEAN, IF HE STILL CARED, HE WOULD'VE CALLED. MAYBE HE WAS GOING TO, BUT HE DIDN'T KNOW 271 00:12:37,287 --> 00:12:39,459 HOW YOU'D FEEL ABOUT IT. MAYBE HE WAS WORRIED 272 00:12:39,459 --> 00:12:42,332 THAT SOMETHING HAD CHANGED WHILE HE WAS AWAY. 273 00:12:42,332 --> 00:12:44,194 (scoffs) OH, RICHARD CASTLE, 274 00:12:44,194 --> 00:12:46,196 THAT IS THE STUPIDEST THING I EVER HEARD. 275 00:12:46,196 --> 00:12:48,538 HAVE I TAUGHT YOU NOTHING ABOUT RELATIONSHIPS? 276 00:12:48,538 --> 00:12:52,142 YOU'RE A SHINING EXAMPLE. JUST HOW BIG A DEAL IS THIS ANYWAY? 277 00:12:52,142 --> 00:12:55,005 I DON'T KNOW IF I EVEN WANT TO SEE HIM ANYMORE. 278 00:12:55,005 --> 00:12:57,777 OH, COME ON. YOU'RE NOT EVEN GIVING HIM A CHANCE. 279 00:12:57,777 --> 00:13:00,110 WHY ARE YOU SIDING WITH HIM? 280 00:13:00,110 --> 00:13:02,883 I'M NOT. I JU-- MAYBE HE'LL DO SOMETHING 281 00:13:02,883 --> 00:13:04,354 THAT WILL MAKE IT RIGHT. 282 00:13:04,354 --> 00:13:08,058 MAYBE HE'LL JUST-- MAYBE HE'LL SURPRISE YOU. 283 00:13:08,058 --> 00:13:10,490 MAYBE HE MISSED HIS CHANCE. 284 00:13:26,336 --> 00:13:29,279 (chair wheels rattle) 285 00:13:29,279 --> 00:13:32,282 IF YOU ASK ME, YOU SHOULDA LOCKED HIM UP JUST OUTTA SPITE. 286 00:13:32,282 --> 00:13:34,945 NO, THAT'D BE UNETHICAL... 287 00:13:34,945 --> 00:13:37,087 MAKING THE PEOPLE DOWN IN HOLDING DEAL WITH HIM. 288 00:13:37,087 --> 00:13:38,518 TRUE. 289 00:13:38,518 --> 00:13:40,250 (chair wheels rattle) HEY. WHOA. 290 00:13:40,250 --> 00:13:42,092 SO... BALLISTICS RAN A COMPARISON 291 00:13:42,092 --> 00:13:44,094 OF THE SLUGS FROM THE TWO MURDERS. 292 00:13:44,094 --> 00:13:45,956 THEY'RE FROM THE SAME GUN. 293 00:13:45,956 --> 00:13:47,858 ANYTHING ON THE CANVASS? 294 00:13:47,858 --> 00:13:49,930 WELL, WE SHOWED CHLOE'S PHOTOS TO MAYA'S FRIENDS AND NEIGHBORS. 295 00:13:49,930 --> 00:13:52,032 THEY DON'T RECOGNIZE HER. AND CHLOE'S BOYFRIEND 296 00:13:52,032 --> 00:13:54,234 AND HER COLLEAGUES FROM HER PREP SCHOOL, 297 00:13:54,234 --> 00:13:57,037 THEY DON'T KNOW MAYA EITHER. 298 00:14:06,016 --> 00:14:08,979 OKAY, SO WE'VE GOT... 299 00:14:08,979 --> 00:14:10,981 A HIGH SCHOOL CHEMISTRY TEACHER 300 00:14:10,981 --> 00:14:12,282 AND A SCULPTOR 301 00:14:12,282 --> 00:14:14,284 WHO LIVE ON TWO DIFFERENT SIDES OF TOWN 302 00:14:14,284 --> 00:14:17,387 AND BY ALL ACCOUNTS, RUN IN COMPLETELY DIFFERENT CIRCLES. 303 00:14:17,387 --> 00:14:19,389 THEY'RE BOTH KILLED ON THE SAME DAY 304 00:14:19,389 --> 00:14:22,162 AND BY THE SAME PERSON. 305 00:14:22,162 --> 00:14:26,266 THEIR LIVES MUST INTERSECT SOMEHOW. 306 00:14:26,266 --> 00:14:28,238 ALL RIGHT, RUN PHONES AND FINANCIALS. 307 00:14:28,238 --> 00:14:30,240 LET'S SEE IF ANYTHING POPS. 308 00:14:30,240 --> 00:14:32,602 (taps desk) ON IT. 309 00:14:32,602 --> 00:14:35,575 (wheels rattle) 310 00:14:39,349 --> 00:14:43,013 I'M GONNA GO AND SEE LANIE AND SEE IF SHE'S FOUND ANYTHING. 311 00:14:46,156 --> 00:14:48,158 RYAN! 312 00:14:49,119 --> 00:14:50,620 (police radio chatter) 313 00:14:50,620 --> 00:14:52,122 HEY, L.T. 314 00:14:52,122 --> 00:14:54,124 HEY, CASTLE. BACK ON THE BEAT. 315 00:14:54,124 --> 00:14:56,596 YEAH, LOOKING THAT WAY. IS, UH, BECKETT HERE? 316 00:14:56,596 --> 00:14:58,598 FINISHED HER SWEEP ABOUT AN HOUR AGO. 317 00:14:58,598 --> 00:15:00,170 DID SHE FIND ANYTHING? 318 00:15:00,170 --> 00:15:02,332 NOTHING USEFUL. 319 00:15:02,332 --> 00:15:04,334 MIND IF I TAKE A LOOK AROUND? 320 00:15:04,334 --> 00:15:07,337 (police radio chatter) 321 00:15:26,126 --> 00:15:28,098 HEY, BROTHER. 322 00:15:28,098 --> 00:15:30,700 YEAH. LOOKS LIKE YOU MISSED ONE. 323 00:15:30,700 --> 00:15:33,033 OKAY. 324 00:15:38,208 --> 00:15:40,210 HEY. 325 00:15:40,210 --> 00:15:42,512 HEY. I HEAR YOU MADE AN INTERESTING ARREST TODAY. 326 00:15:42,512 --> 00:15:44,514 YOU WANT TO TALK ABOUT IT? 327 00:15:44,514 --> 00:15:47,047 NO. OKAY. 328 00:15:47,047 --> 00:15:49,219 KEEP HOLDING THAT STUFF IN. YOU GON' GET AN ULCER. 329 00:15:49,219 --> 00:15:51,121 ANYTHING UNUSUAL? 330 00:15:51,121 --> 00:15:52,582 YOU MEAN BESIDES THE GUNSHOTS? 331 00:15:52,582 --> 00:15:54,084 YEAH, I'M LOOKING FOR ANYTHING 332 00:15:54,084 --> 00:15:56,086 THAT WILL CONNECT THESE TWO VICTIMS. 333 00:15:56,086 --> 00:15:58,358 THEY BOTH HAD TATTOOS. EVERYONE HAS TATTOOS. 334 00:15:58,358 --> 00:16:00,660 CHLOE WHITMAN, OUR JUMPER, 335 00:16:00,660 --> 00:16:02,262 HAS A ROSE. 336 00:16:02,262 --> 00:16:05,465 AND MS. SANTORI HAS A MERMAID... 337 00:16:05,465 --> 00:16:07,737 ON HER BACK. 338 00:16:07,737 --> 00:16:11,071 LOOKING AT THE WORK, IT COULD BE THE SAME TATTOO ARTIST. 339 00:16:11,071 --> 00:16:12,472 ANYTHING ELSE? 340 00:16:12,472 --> 00:16:14,144 IT MAY BE NOTHING, 341 00:16:14,144 --> 00:16:17,207 BUT I FOUND THIS ON MS. WHITMAN'S HAND. 342 00:16:19,309 --> 00:16:22,112 "2-2-7"? 343 00:16:22,112 --> 00:16:23,713 COULD BE AN APARTMENT NUMBER, 344 00:16:23,713 --> 00:16:25,985 GYM LOCKER CODE, AND LOOKING HOW FADED IT IS, 345 00:16:25,985 --> 00:16:28,418 I'D SAY SHE WROTE IT ABOUT A WEEK AGO. OKAY. 346 00:16:28,418 --> 00:16:32,422 OH, AND I FOUND THESE IN MS. SANTORI'S POCKETS. 347 00:16:32,422 --> 00:16:34,624 CAB RECEIPTS? 348 00:16:34,624 --> 00:16:36,726 DATED TODAY, JUST A FEW HOURS BEFORE SHE WAS KILLED. 349 00:16:36,726 --> 00:16:38,728 (cell phone ringing) OKAY, I'LL CALL UP THE CAB COMPANY, 350 00:16:38,728 --> 00:16:41,131 SEE IF WE CAN RETRACE HER WHEREABOUTS. 351 00:16:41,131 --> 00:16:43,103 ARE YOU SURE YOU DON'T WANT TO TALK ABOUT IT? 352 00:16:43,103 --> 00:16:45,275 POSITIVE! (beep) 353 00:16:45,275 --> 00:16:46,776 BECKETT. (Esposito) Yo. 354 00:16:46,776 --> 00:16:48,778 WE JUST GOT THE PHONE RECORDS BACK ON OUR VICS. 355 00:16:48,778 --> 00:16:50,510 TURNS OUT THEY DID HAVE A CONNECTION. 356 00:16:50,510 --> 00:16:52,512 THEY BOTH RECEIVED PHONE CALLS FROM THE SAME NUMBER 357 00:16:52,512 --> 00:16:54,514 WITHIN HOURS OF THEIR DEATHS. WERE YOU ABLE TO RUN IT DOWN? 358 00:16:54,514 --> 00:16:56,446 Yeah, it traced back to a Todd McCutchin. 359 00:16:56,446 --> 00:16:58,618 HE'S GOT PRIORS INCLUDING ROBBERY AND DOMESTIC ASSAULT. 360 00:16:58,618 --> 00:17:01,051 YOU GOT AN ADDRESS? YEAH, WE GOT AN ADDRESS. 361 00:17:01,051 --> 00:17:02,752 (Esposito) LET ME SEE YOUR HANDS! 362 00:17:02,752 --> 00:17:05,525 I SAID LET ME SEE YOUR H-- 363 00:17:06,796 --> 00:17:09,199 OH, HI. 364 00:17:11,731 --> 00:17:13,303 (chuckles) 365 00:17:27,817 --> 00:17:30,380 I CAN EXPLAIN. 366 00:17:30,380 --> 00:17:32,782 TURN AROUND. OH, WOULD YOU JUST LISTEN TO ME, PLEASE? 367 00:17:32,782 --> 00:17:34,824 WHY? YOU DON'T LISTEN TO ME. 368 00:17:34,824 --> 00:17:37,527 LOOK, I WAS DOING SOME DIGGING AROUND ON MY OWN. 369 00:17:37,527 --> 00:17:41,091 THAT'S NOT A CRIME, IS IT? NO, BUT CRIMINAL TRESPASSING IS, AND SO IS MURDER. 370 00:17:41,091 --> 00:17:44,063 I WAS JUST TRYING TO HELP. I DON'T NEED YOUR HELP. HOW DID YOU GET HERE ANYWAY? 371 00:17:44,063 --> 00:17:47,066 I WAS FOLLOWING UP A LEAD, SAME AS YOU. OH, REALLY? 372 00:17:47,066 --> 00:17:49,068 SO YOU SUBPOENAED THE VICTIMS' PHONE RECORDS 373 00:17:49,068 --> 00:17:51,841 AND LOOKED FOR COMMONALITIES? NO, NOT EXACTLY. 374 00:17:51,841 --> 00:17:55,175 THEN WHAT? 375 00:17:55,175 --> 00:17:58,148 OW! OKAY! I STAR-6-9'ed. I STAR-6-9'ed. 376 00:17:58,148 --> 00:18:00,410 YOU STAR-69'ed? YES, ON MAYA'S PHONE. 377 00:18:00,410 --> 00:18:02,752 I FIGURED IT WOULD GIVE ME HER LAST CALL. 378 00:18:02,752 --> 00:18:05,615 IT RANG UP McCUTCHIN HERE. I GOT HIS NAME FROM HIS VOICE MAIL, 379 00:18:05,615 --> 00:18:08,458 AND THEN I DID A WEB SEARCH. TELL ME YOU'RE NOT IMPRESSED. 380 00:18:08,458 --> 00:18:10,460 YOU WENT TO AN ACTIVE CRIME SCENE 381 00:18:10,460 --> 00:18:12,622 WITHOUT AUTHORIZATION. 382 00:18:12,622 --> 00:18:14,394 UH... 383 00:18:14,394 --> 00:18:16,095 YEAH. 384 00:18:16,095 --> 00:18:17,427 BUT I WORE GLOVES. 385 00:18:17,427 --> 00:18:18,798 YO, BECKETT. 386 00:18:18,798 --> 00:18:21,471 HIS BODY'S COLD. HE'S BEEN DEAD FOR HOURS. 387 00:18:21,471 --> 00:18:24,774 SEE? I DIDN'T KILL HIM. 388 00:18:24,774 --> 00:18:26,206 SLUGS? 389 00:18:26,206 --> 00:18:28,238 WE'LL HAVE TO RUN BALLISTICS, 390 00:18:28,238 --> 00:18:30,880 BUT THE ENTRY WOUNDS ARE THE SAME SIZE AS OUR OTHER VICS. ODD. 391 00:18:30,880 --> 00:18:33,283 WHAT? WELL, THE GUY'S IN VENDING MACHINES. 392 00:18:33,283 --> 00:18:35,285 NOT AN OBVIOUS CHOICE TO BE RUNNING AROUND 393 00:18:35,285 --> 00:18:37,387 WITH AN ARTIST AND A PREP SCHOOL TEACHER. 394 00:18:37,387 --> 00:18:38,818 HMM. 395 00:18:41,421 --> 00:18:43,423 OKAY, SO LET'S GET C.S.U. DOWN HERE 396 00:18:43,423 --> 00:18:45,295 TO LOOK FOR FIBERS AND PRINTS. 397 00:18:45,295 --> 00:18:47,297 AND HAVE THEM START LOOKING FOR COMMONALITIES 398 00:18:47,297 --> 00:18:49,159 BETWEEN THE THREE CRIME SCENES. 399 00:18:49,159 --> 00:18:50,560 LET'S START DIGGING INTO THEIR LIVES. 400 00:18:50,560 --> 00:18:52,602 IF THEY WERE ON THE SAME DATING SITE, I WANT TO KNOW. 401 00:18:52,602 --> 00:18:55,465 IF THEY WERE IN THE SAME 12-STEP PROGRAM, I WANT TO KNOW. 402 00:18:55,465 --> 00:18:58,238 HOW CAN I HELP? 403 00:18:58,238 --> 00:19:01,241 LOOK, CASTLE, I'M SORRY ABOUT YOUR FRIEND. 404 00:19:01,241 --> 00:19:04,143 I REALLY AM, BUT THAT DOESN'T MEAN THAT YOU CAN JUST SHOW UP 405 00:19:04,143 --> 00:19:06,476 AND ACT LIKE NOTHING HAS HAPPENED. 406 00:19:06,476 --> 00:19:08,848 THE TRUTH IS, IS IF YOU WANTED TO COME BACK, 407 00:19:08,848 --> 00:19:10,850 YOU WOULD'VE ALREADY, BUT YOU DIDN'T. 408 00:19:10,850 --> 00:19:12,822 SO LET'S JUST FACE IT. THE ONLY REASON 409 00:19:12,822 --> 00:19:14,824 THAT YOU'RE HERE RIGHT NOW IS BECAUSE YOU WERE 410 00:19:14,824 --> 00:19:16,926 AT THE WRONG PLACE AT THE WRONG TIME. 411 00:19:16,926 --> 00:19:19,929 YOU EVER STOP AND THINK, MAYBE I WAS WAITING TO HEAR FROM YOU? 412 00:19:19,929 --> 00:19:22,492 DO YOU KNOW WHAT THESE BODIES ARE? A SIGN. 413 00:19:22,492 --> 00:19:23,833 A SIGN? 414 00:19:23,833 --> 00:19:26,566 A SIGN. A SIGN FROM THE UNIVERSE 415 00:19:26,566 --> 00:19:29,199 TELLING US WE NEED TO SOLVE THIS CASE TOGETHER. 416 00:19:29,199 --> 00:19:32,302 YOU DON'T WANT TO LET THE UNIVERSE DOWN, DO YOU? 417 00:19:32,302 --> 00:19:36,306 YOU'RE NOT GONNA GO AWAY NO MATTER WHAT I DO, ARE YOU? 418 00:19:36,306 --> 00:19:39,209 I RESPECT THE UNIVERSE. 419 00:19:39,209 --> 00:19:41,180 OKAY. FINE. 420 00:19:41,180 --> 00:19:43,853 I WILL LET YOU JOIN ME ON THIS ONE CASE 421 00:19:43,853 --> 00:19:46,916 AS LONG AS YOU PROMISE TO DO WHAT I SAY WHEN I SAY IT 422 00:19:46,916 --> 00:19:49,188 AND NOT TO DO ANY INVESTIGATING ON YOUR OWN. 423 00:19:49,188 --> 00:19:51,661 I PROMISE. YOU WON'T REGRET THIS. 424 00:19:51,661 --> 00:19:54,494 I ALREADY DO. STARTING NOW. 425 00:19:58,968 --> 00:20:02,402 WHAT IS IT ABOUT THE REFRIGERATOR? 426 00:20:02,402 --> 00:20:05,475 IS IT THE COLD, THE LIGHT OR THE COMBINATION OF THE TWO? 427 00:20:05,475 --> 00:20:08,238 I CAN'T SLEEP. AH, THE BOY. 428 00:20:08,238 --> 00:20:10,840 HE FINALLY CALLED. GREAT. 429 00:20:10,840 --> 00:20:12,712 I DIDN'T ANSWER. WHY NOT? 430 00:20:12,712 --> 00:20:14,714 I WAS MAD. I THOUGHT HE'D LEAVE A MESSAGE, 431 00:20:14,714 --> 00:20:16,686 BUT HE DIDN'T. SO NOW WHAT DO I DO? 432 00:20:16,686 --> 00:20:19,389 HE KNOWS I KNOW HE CALLED. BUT IF CALL BACK RIGHT AWAY, 433 00:20:19,389 --> 00:20:21,991 THEN CLEARLY I'M ADMITTING I WAS WAITING FOR HIS CALL. 434 00:20:21,991 --> 00:20:24,424 HOW LONG DO I NEED TO WAIT TO CALL HIM BACK, 435 00:20:24,424 --> 00:20:26,426 A DAY, AT LEAST A DAY, MAYBE TWO? 436 00:20:26,426 --> 00:20:29,529 MAYBE YOU SHOULD GET A NEW BOYFRIEND AND START OVER. 437 00:20:29,529 --> 00:20:31,831 YOU'RE NOT VERY GOOD AT THIS, ARE YOU? 438 00:20:31,831 --> 00:20:35,004 APPARENTLY NOT. (opens refrigerator door) 439 00:20:35,004 --> 00:20:38,237 (sighs) 440 00:20:49,419 --> 00:20:51,521 ANYTHING? 441 00:20:51,521 --> 00:20:53,983 UH, WE TRACKED DOWN TODD McCUTCHIN'S FIANCéE. 442 00:20:53,983 --> 00:20:55,425 SHE'S ON HER WAY. 443 00:20:55,425 --> 00:20:58,257 YOU FIND ANYTHING IN THEIR BACKGROUND CHECKS? 444 00:21:00,760 --> 00:21:03,893 WELL, WE WENT AS FAR BACK AS GRADE SCHOOL, 445 00:21:03,893 --> 00:21:06,336 AND NOTHING HAS POPPED YET. 446 00:21:06,336 --> 00:21:08,738 HMM. MAYBE THEY'RE TOP CIA AGENTS 447 00:21:08,738 --> 00:21:10,770 TARGETED FOR TERMINATION, HUH? 448 00:21:10,770 --> 00:21:13,002 CIA's A POPULAR THEORY WITH YOU. 449 00:21:13,002 --> 00:21:15,004 YES, WELL, LAW OF AVERAGES DEMANDS 450 00:21:15,004 --> 00:21:17,477 THAT I'LL EVENTUALLY BE RIGHT. 451 00:21:17,477 --> 00:21:19,979 I'VE FORGOTTEN HOW HELPFUL YOUR INSIGHTS CAN BE. 452 00:21:19,979 --> 00:21:21,811 OH, YEAH? 453 00:21:21,811 --> 00:21:24,814 I BET I FIGURE OUT HOW THEY'RE CONNECTED BEFORE YOU DO. 454 00:21:24,814 --> 00:21:26,986 ALL RIGHT. YOU'RE ON. 455 00:21:26,986 --> 00:21:29,989 BUT IF I WIN, YOU HAVE TO PROMISE TO GO AWAY 456 00:21:29,989 --> 00:21:33,663 AND NEVER INTERFERE WITH ANY OF MY CASES AGAIN. 457 00:21:33,663 --> 00:21:37,296 FINE. AND IF I WIN... 458 00:21:37,296 --> 00:21:41,030 YOU HAVE TO TAKE ME BACK AS YOUR PARTNER. DEAL. 459 00:21:43,503 --> 00:21:45,505 WHAT IF THEY FIGURE IT OUT FIRST? 460 00:21:48,678 --> 00:21:50,640 NAH. NAH. 461 00:21:50,640 --> 00:21:53,543 WHAT ARE YOU TWO TALKING ABOUT? 462 00:21:53,543 --> 00:21:55,845 CASTLE WAS JUST APOLOGIZING FOR NOT CALLING. 463 00:22:00,620 --> 00:22:03,393 SO WHAT'D YOU GUYS FIND? 464 00:22:03,393 --> 00:22:04,894 FORENSICS ON THAT BLOOD SMEAR 465 00:22:04,894 --> 00:22:06,896 THAT CASTLE FOUND IN MAYA'S APARTMENT-- 466 00:22:06,896 --> 00:22:08,858 IT'S A MATCH TO TODD McCUTCHIN'S. AND C.S.U. FOUND 467 00:22:08,858 --> 00:22:10,860 SOME OF McCUTCHIN'S BLOOD ON MAYA'S SHOE. 468 00:22:10,860 --> 00:22:13,633 WHICH MEANS THAT YOUR FRIEND WAS AT HIS PLACE 469 00:22:13,633 --> 00:22:16,335 EITHER DURING OR AFTER THE MURDER. RAN DOWN THOSE CAB RECEIPTS FROM HER POCKET. 470 00:22:16,335 --> 00:22:18,337 ACCORDING TO THE TAXI COMPANY, THEY PICKED HER UP 471 00:22:18,337 --> 00:22:19,969 OUTSIDE McCUTCHIN'S APARTMENT YESTERDAY MORNING, 472 00:22:19,969 --> 00:22:21,971 TOOK HER SOMEWHERE IN THE BOWERY. THE BOWERY? 473 00:22:21,971 --> 00:22:23,973 YEAH. THEN 20 MINUTES LATER, 474 00:22:23,973 --> 00:22:26,916 THEY PICKED HER UP AND THEY DROPPED HER OFF AT HOME. 475 00:22:26,916 --> 00:22:29,348 IT WAS JUST AFTER THAT THAT SHE CALLED ME. 476 00:22:29,348 --> 00:22:31,120 BECKETT, McCUTCHIN'S FIANCéE IS HERE. 477 00:22:31,120 --> 00:22:35,455 I'M SORRY. I'VE NEVER SEEN THEM BEFORE. 478 00:22:35,455 --> 00:22:37,987 ARE YOU SURE? YOUR FIANCé HAD A RECORD. 479 00:22:37,987 --> 00:22:41,891 IS IT POSSIBLE HE WAS INVOLVED IN... UH, ANYTHING ILLEGAL? 480 00:22:41,891 --> 00:22:44,033 TODD WAS A GOOD MAN. 481 00:22:44,033 --> 00:22:46,636 I KNOW HE DID SOME BAD THINGS IN THE PAST, BUT... 482 00:22:46,636 --> 00:22:48,838 HE GOT HIMSELF HIS OWN BUSINESS. 483 00:22:48,838 --> 00:22:50,640 HE WAS TOTALLY LEGIT NOW. 484 00:22:50,640 --> 00:22:52,872 ONLY... 485 00:22:52,872 --> 00:22:54,844 ONLY WHAT? 486 00:22:54,844 --> 00:22:58,608 A COUPLE MONTHS AGO, TODD HURT HIS BACK AND COULDN'T WORK. 487 00:22:58,608 --> 00:23:02,081 THE BANK WANTED TO TAKE AWAY HIS BUSINESS, SO... 488 00:23:02,081 --> 00:23:05,084 HE BORROWED SOME MONEY FROM A GUY IN THE NEIGHBORHOOD. 489 00:23:05,084 --> 00:23:07,717 THIS GUY... 490 00:23:07,717 --> 00:23:09,459 HE'S NO GOOD. 491 00:23:09,459 --> 00:23:11,921 DID HE THREATEN TODD? 492 00:23:11,921 --> 00:23:14,894 TODD WAS MAKING PAYMENTS, BUT HE FELL BEHIND. 493 00:23:14,894 --> 00:23:18,397 A COUPLE WEEKS BACK, THE MAN CAME TO THE HOUSE WITH A GUN. 494 00:23:18,397 --> 00:23:20,399 HE SAID HE WAS GONNA KILL TODD 495 00:23:20,399 --> 00:23:23,973 IF HE DIDN'T PAY BACK WHAT HE OWED. 496 00:23:23,973 --> 00:23:27,006 I LOANED HIM MONEY. 15 G's. SO WHAT? 497 00:23:27,006 --> 00:23:29,008 MR. CARBINO, WE HAVE A WITNESS 498 00:23:29,008 --> 00:23:31,981 WHO SAYS THAT YOU THREATENED TO KILL HIM. SO? 499 00:23:31,981 --> 00:23:34,714 SO NOW HE'S DEAD. 500 00:23:34,714 --> 00:23:36,446 YEAH, I COULD SEE THAT. 501 00:23:36,446 --> 00:23:38,488 LOOK, DETECTIVE, FIRST OFF, 502 00:23:38,488 --> 00:23:40,990 15 G's IS NOT AN AMOUNT OF MONEY WORTH KILLING FOR. 503 00:23:40,990 --> 00:23:42,892 NOT UNLESS YOU'VE EXHAUSTED OTHER AVENUES, 504 00:23:42,892 --> 00:23:44,193 TO WHICH I HAD NOT. 505 00:23:44,193 --> 00:23:46,095 AND SECONDLY, AND MORE TO THE POINT, 506 00:23:46,095 --> 00:23:50,530 YOUR BOY HERE, HE PAID ME BACK THE ENTIRE SUM PLUS INTEREST. 507 00:23:50,530 --> 00:23:53,032 DO YOU REALLY EXPECT ME TO BELIEVE THAT? 508 00:23:53,032 --> 00:23:55,034 (scoffs) NO, I DON'T, SWEETHEART. 509 00:23:55,034 --> 00:23:57,436 BUT THAT DON'T MEAN IT AIN'T TRUE. 510 00:23:59,969 --> 00:24:02,542 (receiver clatters) HIS ALIBI CHECKS. 511 00:24:02,542 --> 00:24:04,874 HE WAS IN JERSEY ALL DAY YESTERDAY 512 00:24:04,874 --> 00:24:07,677 SHOPPING AT SHORT HILLS WITH THE MISSUS. 513 00:24:07,677 --> 00:24:10,480 WOW, LUCKY GIRL. DOESN'T MEAN HE DIDN'T DO IT. HE COULDA HIRED SOMEONE. 514 00:24:10,480 --> 00:24:13,452 YEAH, TO KILL McCUTCHIN, BUT WHY MAYA AND CHLOE? 515 00:24:13,452 --> 00:24:16,155 MAYBE THEY WITNESSED THE HIT. MAYBE THEY COSIGNED THE LOAN. 516 00:24:16,155 --> 00:24:18,227 DO WE HAVE McCUTCHIN'S FINANCIALS? 517 00:24:24,994 --> 00:24:27,697 YEAH, THEY SHOULD ALL BE UP SHORTLY. WHY? 518 00:24:27,697 --> 00:24:30,800 UH, WELL, CARBINO SAID THAT, UH, 519 00:24:30,800 --> 00:24:33,472 McCUTCHIN PAID OFF HIS DEBT IN FULL PLUS INTEREST. 520 00:24:33,472 --> 00:24:35,474 I WAS JUST THINKING, THAT'S A LOT OF MONEY... 521 00:24:35,474 --> 00:24:37,476 (lowered voice) FOR A GUY IN THE VENDING MACHINE BUSINESS. 522 00:24:37,476 --> 00:24:40,249 AND I THOUGHT, MAYBE, WHERE DID THAT MONEY COME FROM? 523 00:24:40,249 --> 00:24:43,052 (clears throat) 524 00:24:45,254 --> 00:24:47,957 YOU KNOW, ALL OF McCUTCHIN'S ACCOUNTS WERE OVERDRAWN? 525 00:24:47,957 --> 00:24:52,522 AND THEN SUDDENLY, 2 WEEKS AGO, $9,500 APPEARS IN HIS SAVINGS. 526 00:24:52,522 --> 00:24:54,163 TWO WEEKS AGO? 527 00:24:54,163 --> 00:24:57,196 YEAH. ON THE, UH, THE 7th. 528 00:24:57,196 --> 00:25:00,229 THERE WAS A DEPOSIT MADE IN MAYA SANTORI'S ACCOUNT 529 00:25:00,229 --> 00:25:03,673 ON THE 7th FOR THE SAME AMOUNT. 530 00:25:03,673 --> 00:25:06,736 WHAT ABOUT CHLOE WHITMAN? 531 00:25:06,736 --> 00:25:08,808 $9,500 DEPOSITED ON THE 7th. 532 00:25:08,808 --> 00:25:11,110 WHICH MEANS THEY WERE ALL RECEIVING MONEY 533 00:25:11,110 --> 00:25:14,143 FROM THE SAME SOURCE. AND SPENDING IT IN THE SAME PLACE. 534 00:25:14,143 --> 00:25:16,515 BOTH MAYA SANTORI AND CHLOE WHITMAN 535 00:25:16,515 --> 00:25:19,048 HAD CHARGES ON THEIR CREDIT CARD FOR A PLACE CALLED K.C.B.C.-- 536 00:25:19,048 --> 00:25:21,020 BOTH OF THEM ON THE 9th AND THE 16th, 537 00:25:21,020 --> 00:25:24,954 BOTH OF THEM SMALL AMOUNTS, LESS THAN 20 BUCKS. SAME THING WITH McCUTCHIN. 538 00:25:24,954 --> 00:25:28,057 THE RESTAURANT WHERE THEY MET? ALL RIGHT, CALL UP THE BANK. 539 00:25:28,057 --> 00:25:30,900 LET'S SEE IF THEY CAN HELP US TRACK WHO MADE THOSE DEPOSITS. 540 00:25:30,900 --> 00:25:33,603 AND I'D LIKE TO CONTACT THE CREDIT CARD COMPANY 541 00:25:33,603 --> 00:25:35,935 TO FIND OUT WHAT THIS K.C.B.C. IS. ON IT. 542 00:25:40,840 --> 00:25:44,073 DON'T THINK THAT THIS MEANS THAT YOU WON THE BET. 543 00:25:44,073 --> 00:25:46,045 ALL WE KNOW IS THAT THEY ARE CONNECTED. 544 00:25:46,045 --> 00:25:49,048 WE STILL DON'T KNOW HOW. 545 00:25:49,048 --> 00:25:51,020 I MISSED YOU, TOO. 546 00:25:51,020 --> 00:25:54,253 (papers rustling) 547 00:25:59,989 --> 00:26:04,033 (pen squeaks) 548 00:26:06,135 --> 00:26:07,637 HEY. 549 00:26:07,637 --> 00:26:10,770 BAD NEWS. ACCORDING TO THE BANKS, 550 00:26:10,770 --> 00:26:12,802 OUR VICTIMS' DEPOSITS WERE MADE IN CASH. 551 00:26:12,802 --> 00:26:14,804 THERE'S NO WAY TO TRACE THE PAYMENTS. 552 00:26:14,804 --> 00:26:17,607 AND SINCE THE DEPOSITS WERE LESS THAN $10,000, 553 00:26:17,607 --> 00:26:19,979 THERE WAS NO REPORT MADE TO THE I.R.S. WHICH MEANS THAT OUR VICTIMS 554 00:26:19,979 --> 00:26:23,052 WERE MOST LIKELY INVOLVED IN SOMETHING ILLEGAL. JUST SO YOU KNOW, I GOT THAT FROM "SHOT TO DEATH." 555 00:26:23,052 --> 00:26:24,153 SO? 556 00:26:24,153 --> 00:26:25,885 SO... 557 00:26:25,885 --> 00:26:27,987 WHAT ILLEGAL ACTIVITY INVOLVES VENDING MACHINES, 558 00:26:27,987 --> 00:26:30,289 AN ARTIST AND A HIGH SCHOOL TEACHER? I KNOW. 559 00:26:30,289 --> 00:26:34,323 EVEN THE STUFF I'M MAKING UP IN MY HEAD DOESN'T MAKE SENSE. I TALKED TO THE CREDIT CARD COMPANIES. 560 00:26:34,323 --> 00:26:36,325 K.C.B.C. BILLS THROUGH 561 00:26:36,325 --> 00:26:38,267 AN INTERNET CARD PROCESSING SERVICE. 562 00:26:38,267 --> 00:26:40,730 THERE'S NO ADDRESS ON FILE. WE CAN'T EVEN TRACK IT DOWN? 563 00:26:40,730 --> 00:26:42,802 I DIDN'T SAY THAT. 564 00:26:42,802 --> 00:26:45,935 THERE'S NO ADDRESS ON FILE, BUT THEY DO REGISTER THE I.S.P. 565 00:26:45,935 --> 00:26:48,938 OF EVERY SWIPED CARD TRANSACTION THAT GOES THROUGH. 566 00:26:48,938 --> 00:26:50,940 SO I HAD TECH TRACK IT DOWN. 567 00:26:50,940 --> 00:26:54,083 WHOEVER RAN THOSE CHARGES DID IT FROM THIS ADDRESS. 568 00:26:54,083 --> 00:26:55,945 I GOT THIS. 569 00:26:55,945 --> 00:26:57,787 CASTLE, ROAD TRIP. 570 00:26:59,088 --> 00:27:02,021 UH, THANK YOU. 571 00:27:02,021 --> 00:27:04,023 (siren wailing) 572 00:27:04,023 --> 00:27:06,025 YOU SURE THIS IS THE PLACE? 573 00:27:06,025 --> 00:27:07,727 AS SURE AS YOU ARE. 574 00:27:07,727 --> 00:27:10,029 THIS DOESN'T LOOK LIKE A CREDIT CARD KIND OF PLACE. 575 00:27:10,029 --> 00:27:11,731 THIS LOOKS MORE LIKE 576 00:27:11,731 --> 00:27:13,733 A "GET SHOT AND ROBBED" KIND OF PLACE. 577 00:27:13,733 --> 00:27:16,005 THERE'S... 578 00:27:16,005 --> 00:27:18,007 (dog barks) 579 00:27:18,007 --> 00:27:20,109 (wailing continues) 580 00:27:20,109 --> 00:27:23,112 (keypad beeping) WHAT ARE YOU DOING? 581 00:27:23,112 --> 00:27:24,944 THAT WAS THE NUMBER ON CHLOE'S HAND. 582 00:27:24,944 --> 00:27:26,776 (keypad beeps, lock clicks) OOH! 583 00:27:26,776 --> 00:27:28,647 SHE WAS HERE. 584 00:27:28,647 --> 00:27:31,681 (Sarah Vaughan, Adam Freeland remix) ♪ YOU GIVE ME FEVER ♪ 585 00:27:34,123 --> 00:27:36,225 (door creaks) 586 00:27:36,225 --> 00:27:40,760 ♪ IN THE MORNING ♪ 587 00:27:40,760 --> 00:27:44,764 ♪ WHAT A LOVELY WAY TO BURN ♪ 588 00:27:44,764 --> 00:27:47,737 ♪ YOU GIVE ME FEVER ♪ 589 00:27:47,737 --> 00:27:53,302 ♪ FEVER, FEVER, FEVER, FEVER, FEVER ♪ 590 00:27:55,104 --> 00:27:56,976 ♪ YOU GIVE ME FEVER ♪ 591 00:27:56,976 --> 00:28:00,349 ♪ NEVER KNOW HOW MUCH I LOVE YOU ♪ 592 00:28:00,349 --> 00:28:04,754 ♪ NEVER KNOW HOW MUCH I CARE ♪ 593 00:28:04,754 --> 00:28:07,086 ♪ WHEN YOU PUT YOUR ARMS AROUND ME ♪ 594 00:28:07,086 --> 00:28:10,119 ♪ I GET A FEVER THAT'S SO HARD TO BEAR ♪ 595 00:28:10,119 --> 00:28:11,961 ♪ YOU GIVE ME FEVER ♪ 596 00:28:11,961 --> 00:28:16,265 THIS PLACE--IT'S LIKE THE CIRCUS WITH ALCOHOL. 597 00:28:16,265 --> 00:28:19,268 HOW HAVE I NEVER BEEN HERE BEFORE? YOU THINK THIS IS CRAZY, 598 00:28:19,268 --> 00:28:21,771 YOU SHOULD SEE SOME OF THE CLUBS I'VE BEEN TO. 599 00:28:21,771 --> 00:28:24,003 ♪♪♪ 600 00:28:24,003 --> 00:28:27,006 ♪ YEAH, YOU GIVE ME FEVER ♪ 601 00:28:27,006 --> 00:28:28,337 WHAT CAN I GET YOU? 602 00:28:28,337 --> 00:28:31,110 INFORMATION. 603 00:28:31,110 --> 00:28:32,481 DO YOU RECOGNIZE THESE PEOPLE? 604 00:28:32,481 --> 00:28:34,944 ♪♪♪ 605 00:28:34,944 --> 00:28:37,486 THEY'RE PART OF KITTY'S BURLESQUE TROUPE. KITTY'S TROUPE? 606 00:28:37,486 --> 00:28:39,488 KITTY CANARY. SHE RUNS THE PLACE. 607 00:28:39,488 --> 00:28:43,122 AND WHERE CAN I FIND THIS THIS KITTY? 608 00:28:43,122 --> 00:28:44,994 ♪♪♪ 609 00:28:44,994 --> 00:28:48,798 ♪ YOU GIVE ME FEVER ♪ 610 00:28:48,798 --> 00:28:52,401 (crowd cheering) 611 00:29:01,070 --> 00:29:02,942 ♪♪♪ 612 00:29:02,942 --> 00:29:04,243 THEY'RE REALLY DEAD? 613 00:29:04,243 --> 00:29:05,945 (Beckett) I'M AFRAID SO. 614 00:29:05,945 --> 00:29:09,178 YOUR BARTENDER SAID THAT THEY WERE A PART OF YOUR TROUPE. 615 00:29:09,178 --> 00:29:11,821 CHLOE WOULD DANCE FROM TIME TO TIME. 616 00:29:11,821 --> 00:29:13,983 TODD HAD A SNAKE ACT. WHAT ABOUT MAYA? 617 00:29:13,983 --> 00:29:16,786 SHE WAS MORE OF A PATRON. SHE CAME FOR INSPIRATION. 618 00:29:16,786 --> 00:29:18,087 HEY, I JUST HEARD. 619 00:29:18,087 --> 00:29:20,159 DETECTIVE, THIS IS MY HUSBAND EARL. 620 00:29:20,159 --> 00:29:22,862 HE RUNS THE BURLESQUE WITH ME. DO YOU KNOW WHAT HAPPENED? 621 00:29:22,862 --> 00:29:24,964 WE'RE LOOKING INTO IT. 622 00:29:24,964 --> 00:29:27,897 RIGHT NOW, THE ONLY CONNECTION THAT WE CAN FIND IS THIS CLUB. 623 00:29:27,897 --> 00:29:30,840 WELL, YOU DON'T THINK SOMEONE HERE KILLED THEM? HOW WELL DID YOU KNOW THEM? 624 00:29:30,840 --> 00:29:34,073 THEY WERE WORK FRIENDS. YOU KNOW, "HI, HOW ARE YOU?" 625 00:29:34,073 --> 00:29:36,075 ALTHOUGH MAYA AND CHLOE DID COME TO THE SHOP ONCE 626 00:29:36,075 --> 00:29:38,177 TO GET TATTOOS. 627 00:29:38,177 --> 00:29:41,780 MY DAY JOB. DID THE THREE OF THEM SPEND A LOT OF TIME TOGETHER? 628 00:29:41,780 --> 00:29:45,414 NO MORE SO THAN ANYBODY ELSE. DID THEY SPEND A LOT OF TIME WITH ANYONE ELSE HERE? 629 00:29:45,414 --> 00:29:49,088 NOT THAT I NOTICED. DO YOU HAVE A MAILING LIST OF YOUR REGULARS? 630 00:29:49,088 --> 00:29:52,121 YES. I CAN GET A COPY IF YOU WANT. YES, AND I'LL ALSO NEED A LIST OF ALL OF YOUR EMPLOYEES 631 00:29:52,121 --> 00:29:54,123 AND ANY OTHER MEMBERS OF YOUR TROUPE. 632 00:29:54,123 --> 00:29:56,425 OF COURSE. CAN YOU THINK OF ANY OTHER CONNECTION 633 00:29:56,425 --> 00:29:58,427 BETWEEN THE THREE OF THEM? 634 00:29:58,427 --> 00:30:01,330 WELL, THERE W-- THERE WAS THE INCIDENT. 635 00:30:01,330 --> 00:30:03,572 ♪♪♪ 636 00:30:03,572 --> 00:30:06,075 A COUPLE OF WEEKS AGO, CHLOE'S BOYFRIEND CAME AROUND. 637 00:30:06,075 --> 00:30:08,077 APPARENTLY, HE DIDN'T LIKE HER DANCING HERE. 638 00:30:08,077 --> 00:30:09,909 HE GOT A LITTLE ROUGH. 639 00:30:09,909 --> 00:30:12,081 BOTH MAYA AND TODD INTERVENED. EVAN WAS DRUNK, 640 00:30:12,081 --> 00:30:14,043 YELLING ALL KINDS OF CRAZY STUFF. 641 00:30:14,043 --> 00:30:16,045 WHAT KIND OF STUFF? 642 00:30:16,045 --> 00:30:18,247 "I KNOW WHAT YOU'RE DOING. I KNOW ALL ABOUT IT." 643 00:30:18,247 --> 00:30:21,050 I GUESS HE THOUGHT SHE WAS SCREWING SOMEONE ELSE. 644 00:30:22,821 --> 00:30:25,824 OKAY, SO I FOLLOWED CHLOE TO THE CLUB THAT NIGHT, 645 00:30:25,824 --> 00:30:28,928 BUT ONLY BECAUSE SHE WAS ACTING WEIRD, SECRETIVE, 646 00:30:28,928 --> 00:30:31,030 AND I THOUGHT SHE WAS SEEING ANOTHER GUY. 647 00:30:31,030 --> 00:30:33,032 MR. MURPHY, WHY DIDN'T YOU TELL US THIS BEFORE? 648 00:30:33,032 --> 00:30:35,434 THAT I'D BEEN FIGHTING WITH MY GIRLFRIEND, 649 00:30:35,434 --> 00:30:37,606 THAT I'D THREATENED HER? I KNOW HOW COPS WORK. 650 00:30:37,606 --> 00:30:39,538 AND WHEN YOU FOUND OUT ABOUT THE OTHER VICTIMS, 651 00:30:39,538 --> 00:30:42,141 THAT THEY WERE ALL THERE AT THE CLUB? I DIDN'T KILL HER. 652 00:30:42,141 --> 00:30:45,875 I DIDN'T KILL ANY OF THEM. WHAT WOULD YOU HAVE DONE? 653 00:30:45,875 --> 00:30:47,576 I WOULD TRY TO HELP FIND HER KILLER. 654 00:30:47,576 --> 00:30:50,579 BUT IF I HAD TOLD YOU THEN WHAT YOU KNOW NOW, 655 00:30:50,579 --> 00:30:52,922 WOULD YOU HAVE LOOKED ANY FURTHER THAN ME? 656 00:30:52,922 --> 00:30:54,884 MR. MURPHY, THE MONEY IN CHLOE'S ACCOUNT, 657 00:30:54,884 --> 00:30:56,926 WHERE DID IT COME FROM? 658 00:30:56,926 --> 00:30:59,128 WHAT MONEY? 659 00:31:01,190 --> 00:31:04,033 SO HE ADMITS TO THE FIGHTS AND THE THREATS, 660 00:31:04,033 --> 00:31:07,536 BUT HE CLAIMS NOT TO KNOW ANYTHING ABOUT THE MONEY... OR HOW OUR VICTIMS ARE CONNECTED 661 00:31:07,536 --> 00:31:09,538 OTHER THAN THE EVENTS OF THAT NIGHT. 662 00:31:09,538 --> 00:31:12,071 DO YOU BELIEVE HIM? IT DOESN'T MATTER WHAT I BELIEVE. 663 00:31:12,071 --> 00:31:13,903 HE'S A VIABLE SUSPECT. HEY, RYAN. 664 00:31:13,903 --> 00:31:17,546 I NEED YOU TO GET A SEARCH WARRANT FOR EVAN MURPHY'S PLACE. 665 00:31:17,546 --> 00:31:19,378 AND, ESPOSITO, HOW ARE THINGS GOING OVER THERE? 666 00:31:19,378 --> 00:31:22,982 WE RAN THE CLUB'S MAILING LIST FOR PEOPLE WITH PRIORS. 667 00:31:22,982 --> 00:31:25,314 THESE ARE THE ONES THAT HAVE POPPED SO FAR. 668 00:31:25,314 --> 00:31:28,457 ALL RIGHT, RUN 'EM FOR ANY CONNECTIONS WITH OUR VICS. RIGHT ON. 669 00:31:28,457 --> 00:31:30,990 WHAT? 670 00:31:30,990 --> 00:31:33,963 I'VE SEEN THIS GUY'S FACE. 671 00:31:40,469 --> 00:31:43,272 THAT'S THE SAME GUY. 672 00:31:43,272 --> 00:31:46,005 MAYA KNEW HIM. 673 00:31:46,005 --> 00:31:47,476 "XANDER DOYLE." 674 00:31:47,476 --> 00:31:49,939 WEAPONS CHARGES, CONSPIRACY TO DISTRIBUTE, 675 00:31:49,939 --> 00:31:52,641 AND APPARENTLY, HE LIVES IN THE BOWERY. 676 00:31:52,641 --> 00:31:55,644 HOW MUCH YOU WANT TO BET MAYA WAS ON HER WAY TO SEE HIM 677 00:31:55,644 --> 00:31:57,586 AFTER McCUTCHIN'S MURDER? 678 00:31:57,586 --> 00:31:59,088 YEAH, SURE. I KNEW MAYA. 679 00:31:59,088 --> 00:32:01,150 I MET HER AT THE CLUB A FEW MONTHS BACK. 680 00:32:01,150 --> 00:32:04,153 (Beckett) AND WHAT WAS THE NATURE OF YOUR RELATIONSHIP? 681 00:32:04,153 --> 00:32:06,495 SHE SAID SHE LIKED THE WAY I LOOKED. 682 00:32:06,495 --> 00:32:07,997 YOU KNOW HOW IT GOES. 683 00:32:07,997 --> 00:32:10,099 WHEN WAS THE LAST TIME YOU SAW HER? 684 00:32:11,660 --> 00:32:14,033 MR. DOYLE, WE HAVE EVIDENCE THAT INDICATES 685 00:32:14,033 --> 00:32:16,335 THAT MAYA CAME TO SEE YOU THE DAY SHE DIED. 686 00:32:16,335 --> 00:32:19,708 LOOK, SHE SAID SHE WAS IN TROUBLE. SHE NEEDED MY HELP. WHAT KIND OF TROUBLE? 687 00:32:19,708 --> 00:32:21,710 SHE WOULDN'T SAY. 688 00:32:21,710 --> 00:32:23,712 SOMEONE MUST HAVE BEEN AFTER HER. 689 00:32:23,712 --> 00:32:25,714 AND WHY WOULD YOU SAY THAT? 690 00:32:25,714 --> 00:32:27,716 'CAUSE THE REASON SHE CAME TO SEE ME IS, 691 00:32:27,716 --> 00:32:29,718 SHE WANTED TO BORROW A GUN. 692 00:32:29,718 --> 00:32:31,720 (lowered voice) THAT'S WHY SHE WAS ARMED. 693 00:32:31,720 --> 00:32:34,023 SHE SAW WHAT HAPPENED TO McCUTCHIN. 694 00:32:34,023 --> 00:32:36,725 SHE FIGURED SHE'D BE NEXT. MR. DOYLE, DID MAYA GIVE YOU ANY INDICATION 695 00:32:36,725 --> 00:32:39,228 AS TO WHAT SHE MIGHT HAVE BEEN INVOLVED IN? 696 00:32:39,228 --> 00:32:41,290 NO. IF I WAS A BETTING MAN... 697 00:32:41,290 --> 00:32:45,134 I RAN INTO MAYA A FEW WEEKS AGO ON THE STREET. 698 00:32:45,134 --> 00:32:48,037 SHE GAVE ME A HUG. I COULD SMELL IT. 699 00:32:48,037 --> 00:32:50,439 YOU COULD SMELL WHAT? 700 00:32:50,439 --> 00:32:53,202 THAT SICK SMELL--PAINT THINNER, ACETONE, BLEACH. 701 00:32:53,202 --> 00:32:56,075 I GOT A BUDDY WHO SMELLS LIKE THAT. YOU KNOW WHAT HE DOES? 702 00:32:56,075 --> 00:32:59,248 HE MAKES METH. 703 00:32:59,248 --> 00:33:01,550 (Castle) IT'S SO OBVIOUS. 704 00:33:01,550 --> 00:33:04,083 I CAN'T BELIEVE I DIDN'T THINK OF IT SOONER. 705 00:33:04,083 --> 00:33:06,085 DO YOU REALLY THINK IT WAS METH? 706 00:33:06,085 --> 00:33:08,087 IT'S THE ONLY THING THAT MAKES ANY SENSE. 707 00:33:08,087 --> 00:33:10,089 ALL OF OUR VICTIMS WERE STRUGGLING FINANCIALLY. 708 00:33:10,089 --> 00:33:12,391 ONE NIGHT AFTER THE CLUB CLOSES, THEY'RE ALL TOGETHER 709 00:33:12,391 --> 00:33:14,393 TALKING ABOUT THEIR MONEY WOES 710 00:33:14,393 --> 00:33:17,096 UNTIL OUR HIGH SCHOOL CHEMISTRY TEACHER CRACKS A SMILE 711 00:33:17,096 --> 00:33:19,128 AND SAYS, "WELL, WE COULD ALWAYS MAKE METH." (laughs) 712 00:33:19,128 --> 00:33:20,429 BUT THE OTHERS DON'T LAUGH. 713 00:33:20,429 --> 00:33:23,032 THEY SAY, "YEAH, WE COULD MAKE METH." 714 00:33:23,032 --> 00:33:26,135 JUST LIKE THAT CABLE SHOW. 715 00:33:26,135 --> 00:33:28,437 I'M TELLING YOU, IT'S DRUGS. 716 00:33:28,437 --> 00:33:31,009 IT'S NOT DRUGS. ARE YOU SURE? 717 00:33:31,009 --> 00:33:33,242 YES, AND YOUR GUY WAS RIGHT ABOUT THE CHEMICALS. 718 00:33:33,242 --> 00:33:35,244 I FOUND TRACE AMOUNTS OF BLEACH, ACETONE, 719 00:33:35,244 --> 00:33:38,317 SODIUM CHLORIDE AND AMMONIA ON ALL THREE BODIES. 720 00:33:38,317 --> 00:33:41,420 SO HOW CAN YOU TELL IT'S NOT DRUGS? BECAUSE OF WHAT'S MISSING. 721 00:33:41,420 --> 00:33:43,422 IF YOUR GUYS HAD BEEN COOKING UP METH 722 00:33:43,422 --> 00:33:45,054 OR ANY OTHER STREET-LAB DRUGS, 723 00:33:45,054 --> 00:33:47,056 THERE WOULD BE OTHER SUBSTANCES PRESENT, 724 00:33:47,056 --> 00:33:49,628 NOT TO MENTION THE TRACE AMOUNTS OF THE FINISHED PRODUCT. 725 00:33:49,628 --> 00:33:52,461 THAT BEING SAID, THEY DEFINITELY WERE UP TO SOMETHING. (cell phone rings) 726 00:33:52,461 --> 00:33:53,802 HMM. (beeps) 727 00:33:53,802 --> 00:33:55,504 BECKETT. Hey, it's Ryan. 728 00:33:55,504 --> 00:33:57,506 That search warrant on Evan Murphy's place? 729 00:33:57,506 --> 00:33:58,807 It paid off. 730 00:33:58,807 --> 00:34:01,410 WE FOUND THE MURDER WEAPON. 731 00:34:01,410 --> 00:34:05,674 I SWEAR TO GOD, I'VE NEVER SEEN THAT BEFORE IN MY LIFE. THEN WHAT WAS IT DOING IN YOUR PLACE? 732 00:34:05,674 --> 00:34:08,717 I DON'T KNOW! WHAT REALLY HAPPENED THE NIGHT THAT YOU FOLLOWED CHLOE 733 00:34:08,717 --> 00:34:11,250 TO THE CLUB? I TOLD YOU, WE FOUGHT. 734 00:34:11,250 --> 00:34:14,323 ABOUT WHAT? AND DO NOT SAY THE AFFAIR. 735 00:34:14,323 --> 00:34:16,555 WHAT WERE THE FOUR OF YOU INTO? EVAN, WHAT'S THE CONNECTION? 736 00:34:16,555 --> 00:34:18,557 WHY DID YOU KILL THEM? 737 00:34:18,557 --> 00:34:22,060 I WANT A LAWYER. I'M NOT SAYING ANYTHING ELSE WITHOUT A LAWYER. 738 00:34:24,793 --> 00:34:27,796 P.D.'s OFFICE HAS BEEN NOTIFIED. THEY'RE SENDING SOMEONE OVER. 739 00:34:27,796 --> 00:34:30,799 OKAY, NOTIFY THE D.A. MAYBE THEY CAN CUT US A DEAL 740 00:34:30,799 --> 00:34:33,672 AND HELP US FIGURE OUT WHAT WAS REALLY GOING ON. 741 00:34:33,672 --> 00:34:35,674 (indistinct conversations) 742 00:34:35,674 --> 00:34:38,307 (exhales deeply) 743 00:34:38,307 --> 00:34:40,309 I KNOW THAT LOOK. 744 00:34:40,309 --> 00:34:41,810 WHAT LOOK? 745 00:34:41,810 --> 00:34:45,414 THAT "SOMETHING DOESN'T ADD UP" LOOK. 746 00:34:45,414 --> 00:34:48,487 IT'S JUST THE LAB REPORT ON THE MURDER WEAPON. 747 00:34:48,487 --> 00:34:50,589 WHAT ABOUT IT? 748 00:34:50,589 --> 00:34:52,521 THEY DIDN'T FIND ANY FINGERPRINTS. 749 00:34:52,521 --> 00:34:54,863 HE PROBABLY WIPED IT DOWN. 750 00:34:54,863 --> 00:34:57,866 WHY WOULD HE WIPE IT DOWN IF HE WAS GONNA HANG ON TO IT? 751 00:34:57,866 --> 00:35:00,829 MAYBE HE WAS GOING TO DITCH IT BUT DIDN'T GET AROUND TO IT. MM. 752 00:35:00,829 --> 00:35:03,802 DITCHING IT WOULD BE THE FIRST THING THAT HE WOULD DO. MAYBE HE THOUGHT HE STILL NEEDED IT. 753 00:35:03,802 --> 00:35:06,104 TO KILL SOMEONE ELSE? OR PROTECT HIMSELF. 754 00:35:08,106 --> 00:35:10,179 (Esposito) HEY, YO, BECKETT. 755 00:35:10,179 --> 00:35:12,181 FINANCIALS CAME BACK ON YOUR BOY EVAN. 756 00:35:12,181 --> 00:35:15,284 THERE'S NO UNUSUAL ACTIVITY. MAYBE THAT WAS HIS MOTIVE. 757 00:35:15,284 --> 00:35:17,586 WHATEVER IT WAS THEY WERE UP TO, HE DIDN'T GET HIS CUT. 758 00:35:17,586 --> 00:35:20,249 BUT WHAT WAS HIS CUT? I MEAN, WHAT THE HELL WERE THEY INTO? 759 00:35:20,249 --> 00:35:22,251 IT'S LIKE A BAD JOKE-- A SCULPTOR, 760 00:35:22,251 --> 00:35:24,253 A VENDING MACHINE SALESMAN AND A CHEMISTRY TEACHER 761 00:35:24,253 --> 00:35:26,155 WALK INTO A BURLESQUE BAR. 762 00:35:26,155 --> 00:35:28,757 (chuckles) YEAH, ONLY WE DON'T HAVE A PUNCH LINE. 763 00:35:28,757 --> 00:35:32,331 OTHER THAN THEY MADE A BUNCH OF MONEY AND GOT THEMSELVES KILLED. 764 00:35:32,331 --> 00:35:33,862 "MADE A BUNCH OF MONEY." 765 00:35:33,862 --> 00:35:35,734 WHAT? 766 00:35:35,734 --> 00:35:39,168 A SCULPTOR WHO WORKS WITH METAL, A CHEMIST... 767 00:35:39,168 --> 00:35:41,740 AND A VENDING MACHINE OPERATOR... 768 00:35:41,740 --> 00:35:44,743 I THINK I KNOW WHAT OUR VICTIMS WERE UP TO. 769 00:35:44,743 --> 00:35:47,246 DO WE STILL HAVE CHLOE'S PURSE? 770 00:35:49,778 --> 00:35:51,780 (speaking indistinctly) 771 00:35:51,780 --> 00:35:53,282 WHOA. 772 00:35:58,287 --> 00:36:00,929 WHAT ARE YOU LOOKING FOR? 773 00:36:02,691 --> 00:36:04,393 AHA! 774 00:36:04,393 --> 00:36:07,196 TAKE A LOOK AT THE SERIAL NUMBERS 775 00:36:07,196 --> 00:36:09,198 ON THOSE BILLS. 776 00:36:16,505 --> 00:36:18,707 THEY'RE THE SAME. 777 00:36:18,707 --> 00:36:22,351 THESE BILLS ARE ALL PRE-1998. THAT'S BEFORE THEY REDESIGNED THE CURRENCY. 778 00:36:22,351 --> 00:36:25,314 THAT'S OUR PUNCH LINE. THAT'S HOW THESE PEOPLE ARE CONNECTED. 779 00:36:25,314 --> 00:36:28,487 IN COUNTERFEITING, THE HARDEST THING TO MAKE IS THE PAPER. 780 00:36:28,487 --> 00:36:30,489 BUT THEY HAD ALL THE PAPER THEY NEEDED. 781 00:36:30,489 --> 00:36:33,822 THEY HAD AN UNLIMITED SUPPLY OF $1 BILLS. FROM THE VENDING MACHINES. 782 00:36:33,822 --> 00:36:36,225 AND THOSE CHEMICALS WE FOUND ON OUR VICTIMS' BODIES... 783 00:36:36,225 --> 00:36:38,227 WERE USED TO WHITEWASH THE SINGLES 784 00:36:38,227 --> 00:36:40,899 IN ORDER TO MAKE BLANK BANK NOTES. 785 00:36:40,899 --> 00:36:43,572 A PROCEDURE REQUIRING THE EXPERTISE OF A CHEMIST. 786 00:36:43,572 --> 00:36:45,974 AND WHAT DO COUNTERFEITERS DO WITH BLANK BANK NOTES? 787 00:36:45,974 --> 00:36:47,476 PRINT LARGER DENOMINATIONS, 788 00:36:47,476 --> 00:36:49,478 FOR WHICH THEY NEED A METAL PRESS PLATE. 789 00:36:49,478 --> 00:36:52,681 AND WHO BETTER TO PROVIDE THAT THAN A SCULPTOR? 790 00:36:52,681 --> 00:36:54,643 SO... 791 00:36:54,643 --> 00:36:57,946 PLATES, PAPER... 792 00:36:57,946 --> 00:37:00,449 THERE'S ONLY ONE MISSING INGREDIENT. 793 00:37:00,449 --> 00:37:03,452 (gasps) I KNOW WHO THE KILLER IS! (gasps) I KNOW WHO THE KILLER IS! 794 00:37:10,659 --> 00:37:13,832 COME ON. LET'S GO. 795 00:37:21,940 --> 00:37:23,642 (cash register bell dings) 796 00:37:23,642 --> 00:37:25,614 (metal clatters) 797 00:37:29,678 --> 00:37:31,480 (woman) COME ON! HURRY UP! 798 00:37:31,480 --> 00:37:33,922 (closes cash register drawer) 799 00:37:37,456 --> 00:37:40,889 GET THE PLATES! THE PLATES! 800 00:37:44,733 --> 00:37:46,935 GOING SOMEWHERE? 801 00:37:49,267 --> 00:37:51,440 LET ME SEE YOUR HANDS. 802 00:37:53,402 --> 00:37:56,705 STEP AWAY FROM THE BAGS AND WALK FORWARD. 803 00:38:05,354 --> 00:38:07,956 YEAH, THEY'RE FAKE. 804 00:38:07,956 --> 00:38:09,858 WHAT GAVE ME AWAY? 805 00:38:09,858 --> 00:38:11,560 THE MISSING INGREDIENT. 806 00:38:11,560 --> 00:38:14,993 INK. AND WHO BETTER TO PROVIDE IT THAN A TATTOO ARTIST? 807 00:38:14,993 --> 00:38:16,695 (Beckett) THAT AND EVAN MURPHY. 808 00:38:16,695 --> 00:38:19,828 YOU KNEW THAT WE'D FOLLOW UP AFTER YOU TOLD US THAT STORY, 809 00:38:19,828 --> 00:38:22,471 SO YOU PLANTED THAT GUN, BUT YOU JUST DIDN'T HAVE ENOUGH TIME 810 00:38:22,471 --> 00:38:24,473 TO PUT HIS PRINTS ON IT, DID YOU? 811 00:38:24,473 --> 00:38:26,435 SWEEP THE AREA-- LOOK OUT! 812 00:38:26,435 --> 00:38:27,906 OH! (grunts) 813 00:38:30,839 --> 00:38:33,882 GO! GO! GET HIM! (Esposito) MOVE! MOVE! MOVE! LET'S GO! LET'S GO! COME ON! 814 00:38:33,882 --> 00:38:36,014 HE'S OVER THERE! LET'S GET HIM! COME ON! 815 00:38:36,014 --> 00:38:38,847 WHERE'S KITTY? THE MONEY'S GONE. 816 00:38:38,847 --> 00:38:42,090 YOU STAY HERE. WHAT IF THEY COME BACK? 817 00:38:59,738 --> 00:39:02,871 (footsteps sound) 818 00:39:02,871 --> 00:39:05,914 HEY! HEY! 819 00:39:05,914 --> 00:39:07,916 (grunts) 820 00:39:12,381 --> 00:39:14,983 (Esposito) HE'S OUT HERE. YOU GOT HIM? 821 00:39:14,983 --> 00:39:18,387 (shouts indistinctly) (Ryan) I THINK HE WENT AROUND THIS WAY. 822 00:39:18,387 --> 00:39:21,730 DO YOU SEE HIM? I DON'T SEE HIM. I DON'T SEE HIM. 823 00:39:21,730 --> 00:39:23,992 COME ON! POLICE! POLICE! 824 00:39:23,992 --> 00:39:26,765 SHOW YOURSELF. NYPD. COME OUT. 825 00:39:26,765 --> 00:39:29,898 (creaks and closes) 826 00:39:29,898 --> 00:39:31,800 (gunshot) 827 00:39:31,800 --> 00:39:35,373 (gunfire) 828 00:39:38,907 --> 00:39:42,481 (gunfire continues) 829 00:39:47,816 --> 00:39:50,058 (gun clicks) CASTLE, DOWN ON THE GROUND, NOW! 830 00:39:50,058 --> 00:39:51,089 (click) 831 00:39:58,026 --> 00:39:59,968 AAH! AAH! OH-OHH-OH! 832 00:39:59,968 --> 00:40:02,571 (groaning) (screaming) 833 00:40:02,571 --> 00:40:03,872 OH. 834 00:40:03,872 --> 00:40:05,974 DROP IT. DROP IT. 835 00:40:05,974 --> 00:40:08,937 DON'T MOVE. STAY ON THE GROUND, RIGHT WHERE YOU ARE. 836 00:40:08,937 --> 00:40:13,081 (Kitty and Earl groaning) TURN OVER. STAY WHERE YOU ARE. DON'T TOUCH THE GUN. 837 00:40:13,081 --> 00:40:14,983 YEAH. 838 00:40:14,983 --> 00:40:16,485 (groaning continues) 839 00:40:16,485 --> 00:40:18,987 THEY HATCHED THE PLAN LATE ONE NIGHT AT THE CLUB. 840 00:40:18,987 --> 00:40:21,490 THEY FIGURED, VICTIMLESS CRIME, NOBODY WOULD GET HURT. 841 00:40:21,490 --> 00:40:23,822 KITTY AND EARL WOULD LAUNDER THE BILLS THROUGH THE CLUB 842 00:40:23,822 --> 00:40:25,824 AND THEN MAKE CASH PAYMENTS TO THE OTHERS. 843 00:40:25,824 --> 00:40:27,826 IT SOUNDS LIKE THEY HAD A SWEET DEAL GOING ON. 844 00:40:27,826 --> 00:40:29,828 HOW'D IT ALL GO WRONG? TODD McCUTCHIN. 845 00:40:29,828 --> 00:40:31,830 HE WAS GETTING SQUEEZED BY A LOAN SHARK, FIGURED HE'D TRY 846 00:40:31,830 --> 00:40:33,962 TO MAKE A PAYMENT WITH COUNTERFEIT BILLS. 847 00:40:33,962 --> 00:40:35,964 THE SHARK THREATENED TO RAT HIM OUT 848 00:40:35,964 --> 00:40:37,936 UNLESS HE TURNED OVER THE OPERATION. 849 00:40:37,936 --> 00:40:40,438 MAYA AND CHLOE WERE WILLING, BUT KITTY AND EARL WEREN'T. 850 00:40:40,438 --> 00:40:41,940 AND WHEN TODD CONFRONTED THEM, 851 00:40:41,940 --> 00:40:44,072 HE HAD NO IDEA WHO HE WAS DEALING WITH. 852 00:40:44,072 --> 00:40:45,774 KITTY CANARY, A.K.A. CARLA BREEZER. 853 00:40:45,774 --> 00:40:47,776 SHE WAS A STRIPPER IN SEATTLE. 854 00:40:47,776 --> 00:40:49,778 SHE DID A NICKEL FOR A MANSLAUGHTER CHARGE 855 00:40:49,778 --> 00:40:51,780 FOR TRYING TO RUN OVER HER BOYFRIEND. 856 00:40:51,780 --> 00:40:54,022 WHEN SHE GOT OUT, SHE GOT A NEW NAME, NEW BOYFRIEND 857 00:40:54,022 --> 00:40:56,024 AND EVEN CHANGED COASTS. 858 00:40:56,024 --> 00:40:58,827 SHE WASN'T THE TYPE OF GIRL TO LET TODD TAKE HER DOWN. 859 00:40:58,827 --> 00:41:00,188 THEY HAD EVERYTHING THEY NEEDED-- 860 00:41:00,188 --> 00:41:01,890 THE CHEMICAL FORMULAS, THE PLATES. 861 00:41:01,890 --> 00:41:04,162 ALL THEY HAD TO DO WAS GET RID OF THE OTHERS. 862 00:41:04,162 --> 00:41:06,164 NICE WORK, YOU TWO. VERY IMPRESSIVE. 863 00:41:06,164 --> 00:41:08,166 BUT TOMORROW, I WANT YOU TO TELL ME THE STORY 864 00:41:08,166 --> 00:41:10,869 ABOUT HOW CASTLE GOT YOUR GUN. 865 00:41:12,701 --> 00:41:17,045 SO, UH... I GUESS YOU WON THE BET. 866 00:41:17,045 --> 00:41:18,677 YEAH. 867 00:41:20,048 --> 00:41:22,651 BUT LOOK, IF YOU DON'T WANT ME TO-- 868 00:41:22,651 --> 00:41:26,184 NO, NO, NO. NO. YOU WON FAIR AND SQUARE. 869 00:41:29,217 --> 00:41:31,820 SO... 870 00:41:31,820 --> 00:41:33,992 SEE YOU TOMORROW? 871 00:41:33,992 --> 00:41:35,994 SEE YOU TOMORROW. 872 00:41:35,994 --> 00:41:40,799 (Lucy Schwartz's "Those Days" playing) 873 00:41:40,799 --> 00:41:42,801 SO... 874 00:41:42,801 --> 00:41:44,272 HOW LONG BEFORE CASTLE 875 00:41:44,272 --> 00:41:46,905 DID YOU KNOW THIS WAS ABOUT COUNTERFEITING? 876 00:41:46,905 --> 00:41:49,878 ♪ ACHING, CAUGHT IN A HURRICANE ♪ 877 00:41:49,878 --> 00:41:51,580 ♪ IT'S TAKING ♪ 878 00:41:51,580 --> 00:41:54,843 ♪ EVERY MUSCLE TO MOVE AGAIN ♪ 879 00:41:54,843 --> 00:41:56,845 ♪ AND SLEEPLESS NIGHTS ♪ 880 00:41:56,845 --> 00:41:58,016 (laughs) 881 00:41:58,016 --> 00:41:59,287 ♪ LAZY SUNDAYS ♪ 882 00:41:59,287 --> 00:42:01,049 UH-HUH. THANK YOU. 883 00:42:01,049 --> 00:42:03,552 ♪ HEAVY EYES, IT'S A CASE OF THE MONDAYS ♪ 884 00:42:03,552 --> 00:42:05,053 IS THAT... 885 00:42:05,053 --> 00:42:07,556 YEAH. SHE'S BEEN ON THE PHONE FOR OVER AN HOUR. 886 00:42:07,556 --> 00:42:10,258 SO WHO CALLED WHOM FIRST? WHAT'S IT MATTER... 887 00:42:10,258 --> 00:42:13,562 AS LONG AS THEY CONNECTED? 888 00:42:13,562 --> 00:42:15,564 ♪ DO, DO, DO ♪ 889 00:42:15,564 --> 00:42:18,567 THANK YOU.