1 00:00:01,572 --> 00:00:04,004 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,004 --> 00:00:05,706 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:05,706 --> 00:00:08,139 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,139 --> 00:00:10,081 CASTLE. CASTLE. 5 00:00:10,081 --> 00:00:12,513 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:12,513 --> 00:00:14,515 AND I'VE FOUND MINE. I'M DETECTIVE KATE BECKETT. 7 00:00:14,515 --> 00:00:16,087 BECKETT. AAH! 8 00:00:16,087 --> 00:00:18,349 BECKETT? COULD YOU GET SOME BACKUP, PLEASE? 9 00:00:18,349 --> 00:00:20,351 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:20,351 --> 00:00:22,053 I GET TO BE ON HER CASE. OH! 11 00:00:22,053 --> 00:00:24,695 DO I LOOK LIKE A KILLER TO YOU? YES, YOU KILL MY PATIENCE. 12 00:00:24,695 --> 00:00:27,798 AND TOGETHER, WE CATCH KILLERS. 13 00:00:27,798 --> 00:00:30,131 I HATE THIS CASE. I KNOW. ISN'T IT GREAT? 14 00:00:45,476 --> 00:00:48,179 (police radio chatter) 15 00:00:55,356 --> 00:00:58,289 (hooves pounding) 16 00:00:58,289 --> 00:01:01,362 (police radio chatter) 17 00:01:04,265 --> 00:01:06,267 (Castle) I HAVE DELICATELY PLACED 18 00:01:06,267 --> 00:01:09,500 ONE GRAHAM CRACKER, EXACTLY SIX MARSHMALLOWS, 19 00:01:09,500 --> 00:01:12,603 ATOP A PERFECTLY MELTED CHOCOLATE BAR. 20 00:01:12,603 --> 00:01:14,375 IN AN OMELET, DARLING, REALLY? 21 00:01:14,375 --> 00:01:16,076 NOT AN OMELET. 22 00:01:16,076 --> 00:01:18,379 A S'MORELET. UH-HUH. 23 00:01:18,379 --> 00:01:20,611 CARE FOR ONE? NO, THANK YOU. 24 00:01:20,611 --> 00:01:22,613 WHAT ABOUT YOU, SWEETHEART? 25 00:01:22,613 --> 00:01:24,615 ARE YOU READY FOR YOUR TASTE BUDS TO BE LAUNCHED 26 00:01:24,615 --> 00:01:27,087 INTO BREAKFAST NIRVANA? SURE, THANKS. 27 00:01:27,087 --> 00:01:29,560 OH, IS IT OKAY IF MY FRIEND ASHLEY COMES OVER TONIGHT? 28 00:01:29,560 --> 00:01:31,822 YES, OF COURSE. NOW EAT. 29 00:01:35,095 --> 00:01:36,597 (fork clatters) 30 00:01:36,597 --> 00:01:38,098 (mouth full) DAD. 31 00:01:38,098 --> 00:01:40,871 (normal voice) ARE THERE MARSHMALLOWS IN THIS? YES. 32 00:01:40,871 --> 00:01:42,533 AND CHOCOLATE? YES. 33 00:01:42,533 --> 00:01:44,635 THAT'S THE POINT. IT'S A S'MORELET. 34 00:01:44,635 --> 00:01:47,808 I... I GOTTA GO. LOVE YOU. 35 00:01:47,808 --> 00:01:49,840 LOVE YOU. BYE, HONEY. 36 00:01:49,840 --> 00:01:51,342 (mouth full) MMM. 37 00:01:51,342 --> 00:01:54,245 THIS IS ALMOST AS GOOD AS MY CHOCOLATE MOUSSE CHIMICHANGA. 38 00:01:54,245 --> 00:01:56,247 (normal voice) AHA. I KNEW YOU'D RECONSIDER. 39 00:01:56,247 --> 00:01:58,249 IT'S KINDA LIKE DAVID HASSELHOFF. 40 00:01:58,249 --> 00:02:00,351 AT FIRST YOU'RE REPULSED, BUT THEN STRANGELY, 41 00:02:00,351 --> 00:02:02,323 YOU'RE DRAWN IN. NO, STILL REPULSED. BYE. 42 00:02:02,323 --> 00:02:04,195 (door opens) MM. 43 00:02:04,195 --> 00:02:06,257 (mouth full) WONDER WHAT'S UP WITH ALEXIS? (door closes) 44 00:02:06,257 --> 00:02:08,629 SHE SEEMS A LITTLE OUT OF IT. ISN'T IT OBVIOUS? 45 00:02:08,629 --> 00:02:11,432 WHAT? OH, SHE'S IN LOVE. 46 00:02:11,432 --> 00:02:14,305 ALEXIS? OH, COME ON, DARLING. 47 00:02:14,305 --> 00:02:17,308 IN CASE YOU HAVEN'T NOTICED, SHE'S NOT A LITTLE GIRL ANYMORE. (normal voice) THANK YOU, MOTHER. 48 00:02:17,308 --> 00:02:20,841 I THINK IF ALEXIS WERE IN LOVE, SHE WOULD'VE TOLD ME. AH, AH, AH, AH. 49 00:02:20,841 --> 00:02:24,144 THE FACT THAT SHE HASN'T TOLD YOU IS HOW WE KNOW IT'S REAL. 50 00:02:24,144 --> 00:02:26,146 MOTHER. 51 00:02:26,146 --> 00:02:30,150 OKAY, AND THE FACT THAT SHE... MENTIONED IT TO ME LAST NIGHT. 52 00:02:30,150 --> 00:02:32,353 WHO IS HE? W-WHERE DID SHE MEET HIM? 53 00:02:32,353 --> 00:02:34,355 I DON'T KNOW. SHE WOULDN'T SAY. 54 00:02:34,355 --> 00:02:36,427 NO, DIVA'S HONOR. SHE DIDN'T TELL ME ANYTHING. 55 00:02:36,427 --> 00:02:38,429 SHE DIDN'T EVEN TELL ME HIS NAME. 56 00:02:38,429 --> 00:02:40,891 I CAN'T BELIEVE SHE TOLD YOU AND NOT ME. 57 00:02:40,891 --> 00:02:42,893 I'M SUPPOSED TO BE HER GO-TO GUY. 58 00:02:42,893 --> 00:02:45,666 OH, DARLING, OF COURSE YOU ARE. 59 00:02:45,666 --> 00:02:47,668 IT'S JUST, YOU KNOW, IT'S FIRST LOVE. 60 00:02:47,668 --> 00:02:49,840 IT'S MAGICAL, ETHEREAL. 61 00:02:49,840 --> 00:02:52,373 IT DEFIES LOGIC. 62 00:02:52,373 --> 00:02:53,944 (cell phone rings) 63 00:02:53,944 --> 00:02:56,607 RICHARD, YOUR PHONE? (ring) 64 00:02:56,607 --> 00:02:58,178 MM. 65 00:02:58,178 --> 00:02:59,350 (ring) 66 00:02:59,350 --> 00:03:02,383 OH, BECKETT. MAYBE IT'S A NICE MURDER, DARLING. 67 00:03:02,383 --> 00:03:05,386 BRIGHTEN YOUR DAY. (ring) 68 00:03:05,386 --> 00:03:07,618 GOOD BOY. 69 00:03:07,618 --> 00:03:09,520 (clicks open and beeps) CASTLE. 70 00:03:09,520 --> 00:03:11,522 (Castle) WHEN ALEXIS TOOK HER FIRST STEPS, 71 00:03:11,522 --> 00:03:14,225 I WAS THERE TO CATCH HER WHEN SHE FELL. 72 00:03:14,225 --> 00:03:16,727 THE FIRST TIME SHE RODE HER BIKE WITHOUT TRAINING WHEELS, 73 00:03:16,727 --> 00:03:18,729 I WAS THE MANIAC CHASING HER DOWN THE STREET 74 00:03:18,729 --> 00:03:20,731 SCREAMING FOR HER TO WATCH OUT 75 00:03:20,731 --> 00:03:22,773 FOR THE OLD LADY WITH THE WALKER. 76 00:03:22,773 --> 00:03:24,775 EVEN HER FIRST WORD-- LET ME GUESS. "DADDY"? 77 00:03:24,775 --> 00:03:26,777 NO, IT WAS "DENOUEMENT." OH. 78 00:03:26,777 --> 00:03:29,580 I STRESSED STORY STRUCTURE FROM AN EARLY AGE. UH-HUH. 79 00:03:29,580 --> 00:03:32,583 ANYWAY, I'M AFRAID THAT THIS IS THE BEGINNING OF THE END 80 00:03:32,583 --> 00:03:34,585 OF OUR SPECIAL THING. 81 00:03:34,585 --> 00:03:36,587 WELL, YOU KNOW, I WOULDN'T WORRY, CASTLE. 82 00:03:36,587 --> 00:03:39,590 I MEAN, I'VE SEEN THE WAY THAT SHE LOOKS AT YOU. 83 00:03:39,590 --> 00:03:42,593 YOUR REAL PROBLEM IS THAT GIRLS WHO ADORE THEIR DADDIES 84 00:03:42,593 --> 00:03:44,725 USUALLY END UP MARRYING GUYS JUST LIKE THEM. 85 00:03:44,725 --> 00:03:46,457 THEY DO? DR. PARISH. 86 00:03:46,457 --> 00:03:48,899 GOOD MORNING. GOT AN I.D.? 87 00:03:48,899 --> 00:03:51,602 NOT YET. HOW COME YOU GUYS NEVER BRING ME COFFEE? 88 00:03:51,602 --> 00:03:54,405 I'M HERE BEFORE YOU DOING ALL THE WORK. 89 00:03:54,405 --> 00:03:57,007 YOU CAN HAVE THE REST OF MINE. ACTUALLY, I DON'T DRINK COFFEE. 90 00:03:57,007 --> 00:03:59,610 BUT WOULD IT KILL YOU TO BRING ME A BEAR CLAW? 91 00:03:59,610 --> 00:04:01,642 SPEAKING OF KILLING. 92 00:04:01,642 --> 00:04:03,574 SINGLE G.S.W. TO THE CHEST, 93 00:04:03,574 --> 00:04:06,246 LARGE CALIBER, PROBABLY A .45. 94 00:04:06,246 --> 00:04:08,749 LIVIDITY SUGGESTS TIME OF DEATH AROUND MIDNIGHT. 95 00:04:08,749 --> 00:04:10,581 HEY. 96 00:04:10,581 --> 00:04:12,653 I HAVE THOSE BOXERS. THOMAS NASH. 97 00:04:12,653 --> 00:04:13,954 VERY PRICEY BRITISH BRAND. 98 00:04:13,954 --> 00:04:16,927 AMAZINGLY SOFT. THEY'RE SILK. 99 00:04:16,927 --> 00:04:18,959 (police radio chatter, camera shutter clicks) 100 00:04:18,959 --> 00:04:21,692 I'M JUST SAYING, HE WAS PROBABLY VERY COMFORTABLE 101 00:04:21,692 --> 00:04:25,336 WHEN HE WAS SHOT AND KILLED. 102 00:04:25,336 --> 00:04:27,498 SO WHAT WAS THIS GUY DOING OUT HERE 103 00:04:27,498 --> 00:04:31,001 PRACTICALLY NAKED AT MIDNIGHT? DON'T BOTHER WITH ANY OF YOUR PERVERTED THEORIES, CASTLE. 104 00:04:31,001 --> 00:04:33,003 I FOUND FIBERS IN THE BULLET HOLE. 105 00:04:33,003 --> 00:04:36,046 WHICH MEANS HE WAS WEARING CLOTHES WHEN HE WAS SHOT. THAT DOESN'T MAKE ANY SENSE. 106 00:04:36,046 --> 00:04:37,748 THE KILLER SHOT HIM 107 00:04:37,748 --> 00:04:40,451 AND THEN HUNG AROUND TO TAKE HIS BLOODY CLOTHES OFF HIM? 108 00:04:40,451 --> 00:04:42,453 WELL, MAYBE THE KILLER WAS WORRIED THAT THERE WAS 109 00:04:42,453 --> 00:04:44,915 FORENSIC EVIDENCE ON THE CLOTHES THAT WOULD CONNECT THEM. 110 00:04:44,915 --> 00:04:47,918 YO. UNI FOUND THIS WALLET OUT IN A GARBAGE CAN NEAR FIFTH. 111 00:04:47,918 --> 00:04:50,621 PHOTO ON THE LICENSE MATCHES CAPTAIN UNDERPANTS HERE. 112 00:04:50,621 --> 00:04:53,794 SORRY. MY NEPHEW LOVES THOSE BOOKS. 113 00:04:53,794 --> 00:04:57,027 DANIEL GOLDSTEIN, 25, LIVES IN SOHO. 114 00:04:57,027 --> 00:04:59,370 YEAH, HE'S ALSO GOT A WORK I.D. FROM BERMAN ROSE 115 00:04:59,370 --> 00:05:01,001 DOWN ON WALL STREET. 116 00:05:01,001 --> 00:05:02,873 SO HE LIVED DOWNTOWN AND HE WORKED DOWNTOWN. 117 00:05:02,873 --> 00:05:06,006 WHAT WAS HE DOING WAY UP HERE? LET'S TAKE THIS DOWN TO THE LAB. 118 00:05:06,006 --> 00:05:08,008 RIGHT. 119 00:05:08,008 --> 00:05:09,510 (Castle) SO I WEAR BOXERS. 120 00:05:09,510 --> 00:05:13,013 WHAT DO YOU WEAR-- THONGS, CHEEKIES? 121 00:05:13,013 --> 00:05:14,985 I TOLD YOU MINE. 122 00:05:14,985 --> 00:05:16,417 BLOOMERS? 123 00:05:16,417 --> 00:05:17,948 GRANNY PANTIES? 124 00:05:17,948 --> 00:05:19,790 COMMANDO? 125 00:05:21,822 --> 00:05:23,754 HIS CLOTHES WERE TAKEN? 126 00:05:23,754 --> 00:05:25,896 WHY WOULD ANYONE TAKE HIS CLOTHES? 127 00:05:25,896 --> 00:05:27,898 WE DON'T KNOW, MS. GOLDSTEIN. CAN YOU TELL US 128 00:05:27,898 --> 00:05:31,932 WHAT YOUR BROTHER MIGHT HAVE BEEN DOING IN THE PARK? THAT LATE? I HAVE NO IDEA. 129 00:05:31,932 --> 00:05:33,904 WELL, THE PLACE WHERE DANIEL WAS FOUND 130 00:05:33,904 --> 00:05:35,906 IS KNOWN FOR DRUG ACTIVITY. WAS HE USING? 131 00:05:35,906 --> 00:05:37,438 NO. HE BARELY EVEN DRANK. 132 00:05:37,438 --> 00:05:40,411 DID HE HAVE ANY ENEMIES OR CONFLICTS THAT YOU KNOW OF? 133 00:05:40,411 --> 00:05:42,913 NO, NO. LOOK, NONE OF THIS MAKES ANY SENSE. 134 00:05:42,913 --> 00:05:45,015 IT'S JUST-- IT'S NOT LIKE HIM. 135 00:05:45,015 --> 00:05:47,948 OUR PARENTS BOTH DIED IN A CAR ACCIDENT 136 00:05:47,948 --> 00:05:49,620 WHEN HE WAS 12, 137 00:05:49,620 --> 00:05:52,723 AND SINCE THEN, HE'S ALWAYS BEEN SO CAUTIOUS. 138 00:05:52,723 --> 00:05:55,025 WHAT ABOUT DATING? WAS THERE ANYONE SPECIAL IN HIS LIFE? 139 00:05:55,025 --> 00:05:56,987 OH, HE WISHED, BUT NO. 140 00:05:56,987 --> 00:05:59,960 NO, HE BARELY HAD A SOCIAL LIFE OR SOCIAL SKILLS. 141 00:05:59,960 --> 00:06:01,962 I MEAN, HE WAS SUCH A SWEETHEART, 142 00:06:01,962 --> 00:06:04,134 BUT A DORK, YOU KNOW? 143 00:06:04,134 --> 00:06:06,497 AND HE WAS ALWAYS AT WORK ANYWAY. 144 00:06:06,497 --> 00:06:09,039 AT BERMAN ROSE? WHAT DID HE DO FOR THEM? 145 00:06:09,039 --> 00:06:10,741 CREATED FINANCIAL PRODUCTS. 146 00:06:10,741 --> 00:06:12,743 HE WAS THIS INCREDIBLE MATH GENIUS. 147 00:06:12,743 --> 00:06:14,745 GOT HIS PhD FROM M.I.T. 148 00:06:14,745 --> 00:06:18,048 I THOUGHT FOR SURE HE'D BE A PROFESSOR OR SOMETHING, 149 00:06:18,048 --> 00:06:20,851 BUT THESE HEDGE FUNDS, THEY HIRE GUYS LIKE HIM, 150 00:06:20,851 --> 00:06:23,514 AND THEY PAY THEM OBSCENE AMOUNTS OF MONEY. 151 00:06:23,514 --> 00:06:27,658 25 YEARS OLD--HE BOUGHT MY APARTMENT FOR ME. 152 00:06:27,658 --> 00:06:29,920 (knock on door) 153 00:06:29,920 --> 00:06:31,762 EXCUSE ME. 154 00:06:34,595 --> 00:06:35,896 WHAT'S UP? 155 00:06:35,896 --> 00:06:38,569 LAB GOT A FINGERPRINT OFF OUR VIC'S WALLET. 156 00:06:38,569 --> 00:06:39,870 ANYONE GOOD? 157 00:06:39,870 --> 00:06:41,832 UH... 158 00:06:41,832 --> 00:06:43,904 (clears throat) 159 00:06:43,904 --> 00:06:45,906 (Beckett) AWAITING COURT DATES 160 00:06:45,906 --> 00:06:47,938 ON THREE AGGRAVATED ASSAULT CASES 161 00:06:47,938 --> 00:06:50,811 IN THE PAST MONTH, MR. D'ANDRé. 162 00:06:50,811 --> 00:06:52,983 YOU INFLICTED DOZENS OF BROKEN BONES, 163 00:06:52,983 --> 00:06:55,486 GOUGED OUT ONE OF YOUR VICTIM'S EYES, 164 00:06:55,486 --> 00:06:57,948 BIT OFF PART OF AN EAR OF ANOTHER ONE. 165 00:06:57,948 --> 00:06:59,850 SOUNDS LIKE COMMITTING MURDER WAS INEVITABLE. 166 00:06:59,850 --> 00:07:02,693 I'M JUST CURIOUS. WHY DID YOU TAKE HIS CLOTHES? 167 00:07:02,693 --> 00:07:04,154 WASN'T ME. 168 00:07:04,154 --> 00:07:06,156 WELL, THEN WHY WERE YOUR FINGERPRINTS 169 00:07:06,156 --> 00:07:08,929 ON A DEAD MAN'S WALLET? DID HE JUST HAPPEN TO DROP IT, 170 00:07:08,929 --> 00:07:10,931 AND YOU POLITELY PICKED IT UP FOR HIM? 171 00:07:10,931 --> 00:07:13,003 AND WHY DID MY DETECTIVES FIND 172 00:07:13,003 --> 00:07:16,436 THIS UNREGISTERED .45 IN YOUR APARTMENT, 173 00:07:16,436 --> 00:07:18,438 WHICH JUST HAPPENS TO MATCH 174 00:07:18,438 --> 00:07:21,041 THE SIZE OF THE BULLET HOLE IN MY VICTIM? 175 00:07:21,041 --> 00:07:24,845 HEY. IF YOU'RE SO INNOCENT, MR. D'ANDRé, 176 00:07:24,845 --> 00:07:26,477 WHY DID YOU RESIST ARREST 177 00:07:26,477 --> 00:07:29,980 AND TRY TO PUT ONE OF MY DETECTIVES THROUGH A WALL? 178 00:07:29,980 --> 00:07:32,983 (Beckett) YOUR SILENCE ONLY MAKES YOU LOOK GUILTIER. YOU KNOW, THE RIGHT TURTLENECK, 179 00:07:32,983 --> 00:07:36,957 GIVE ME A REASON... AND NO ONE IS EVEN GONNA NOTICE, BRO. 180 00:07:36,957 --> 00:07:39,730 MAYBE A SCARF. (grunts) 181 00:07:39,730 --> 00:07:42,132 (Beckett) WHY DON'T YOU JUST CONFESS TO THE TRUTH? 182 00:07:42,132 --> 00:07:44,995 IT'S GONNA COME OUT SOONER OR LATER. HE WAS ALREADY DEAD. 183 00:07:44,995 --> 00:07:47,868 WITH A WALLET LYING CONVENIENTLY NEXT TO HIM? 184 00:07:47,868 --> 00:07:50,501 (exhales) (Castle) UH, LOOK, 185 00:07:50,501 --> 00:07:53,143 IF YOU'RE NOT GOING TO ADMIT TO IT, 186 00:07:53,143 --> 00:07:56,176 YOU MIGHT AT LEAST WANT TO TRY COMING UP WITH A STORY 187 00:07:56,176 --> 00:07:59,149 THAT'S A LITTLE MORE CONVINCING. IT'S WHAT HAPPENED! 188 00:08:05,215 --> 00:08:06,917 LIKE YOU WEREN'T SCARED. 189 00:08:06,917 --> 00:08:08,919 I WANT THIS GUY TO FRY, BECKETT. 190 00:08:08,919 --> 00:08:10,561 OH, HE WILL, 191 00:08:10,561 --> 00:08:13,824 AS SOON AS LANIE CONFIRMS THAT THAT BULLET IS A .45. 192 00:08:13,824 --> 00:08:15,896 IT'S NOT A .45. ARE YOU SURE? 193 00:08:15,896 --> 00:08:18,028 I'M POSITIVE. .38? 194 00:08:18,028 --> 00:08:20,601 NOPE. IT'S NOT A .44 OR A .357 195 00:08:20,601 --> 00:08:22,833 OR A .22 OR A 9 MILLIMETER 196 00:08:22,833 --> 00:08:24,835 OR ANY OTHER KIND OF BULLET I'VE EVER SEEN. 197 00:08:24,835 --> 00:08:27,077 (Castle) SO IT'S A NEW KIND OF BULLET. 198 00:08:27,077 --> 00:08:29,880 OH, NO. NOT NEW AT ALL. CHECK IT OUT. 199 00:08:31,642 --> 00:08:33,944 OH, IT'S ROUND. YOU SEE THAT WHITE COATING? 200 00:08:33,944 --> 00:08:36,086 YEAH. WHAT IS IT, OXIDATION? 201 00:08:36,086 --> 00:08:38,619 LEAD OXIDE, TO BE EXACT. RUST? 202 00:08:38,619 --> 00:08:40,621 YEP. BASED ON THE AMOUNT OF IT, 203 00:08:40,621 --> 00:08:42,753 I'D SAY THAT BULLET IS 200 YEARS OLD. 204 00:08:42,753 --> 00:08:47,097 (Castle) A 200-YEAR-OLD BULLET CAN ONLY MEAN ONE THING. 205 00:08:47,097 --> 00:08:48,859 TIME-TRAVELING KILLER. 206 00:09:06,076 --> 00:09:07,778 (elevator bell dings) 207 00:09:07,778 --> 00:09:09,780 ERGO, THE KILLER COULD'VE ENTERED PRESENT TIME 208 00:09:09,780 --> 00:09:11,782 THROUGH A TIME RIPPLE, KILLED GOLDSTEIN, 209 00:09:11,782 --> 00:09:13,784 AND THEN GONE BACK THROUGH THE TIME RIPPLE, 210 00:09:13,784 --> 00:09:15,926 WHICH MEANS WE JUST HAVE TO FIND THE TIME RIPPLE. 211 00:09:15,926 --> 00:09:17,928 COULD YOU PLEASE STOP SAYING "TIME RIPPLE"? 212 00:09:17,928 --> 00:09:19,690 YEAH. IT SOUNDS KINDA DIRTY, DOESN'T IT? 213 00:09:19,690 --> 00:09:21,862 WHAT IF THE RIPPLE CLOSED? 214 00:09:21,862 --> 00:09:23,163 TIME MACHINE. (snaps fingers) 215 00:09:23,163 --> 00:09:25,135 WE NEED A TIME MACHINE. WELL, IN THIS CENTURY, 216 00:09:25,135 --> 00:09:28,038 WE STILL HAVEN'T RULED OUT OUR BIG BUDDY MR. D'ANDRé. 217 00:09:28,038 --> 00:09:31,902 YEAH, HE JUST DOESN'T SEEM LIKE THE TIME-TRAVEL TYPE TO ME. CAN'T BE A TIME-TRAVELING KILLER. 218 00:09:31,902 --> 00:09:34,675 BULLET HAD 200 YEARS OF RUST ON IT. IF THE KILLER HAD BEEN 219 00:09:34,675 --> 00:09:37,577 A TIME TRAVELER, THE BULLET WOULD'VE BEEN BRAND-NEW. UNLESS TIME TRAVEL CAUSES RUST. 220 00:09:37,577 --> 00:09:39,579 ON YOUR BRAIN. HAVE YOU FOLLOWED UP 221 00:09:39,579 --> 00:09:41,581 WITH THE VICTIM'S SISTER REGARDING THE ANTIQUE BULLET? 222 00:09:41,581 --> 00:09:43,854 YEP. SHE HAS NO CLUE ABOUT ANTIQUE BULLETS OR GUNS, 223 00:09:43,854 --> 00:09:45,756 BUT THERE'S SOMEBODY WHO DOES. 224 00:09:45,756 --> 00:09:48,689 ABE SANDRICH--ANTIQUE WEAPONS EXPERT YOU REQUESTED. 225 00:09:48,689 --> 00:09:50,590 THAT REMINDS ME, I'M STARVING. 226 00:09:50,590 --> 00:09:52,092 (siren wailing) 227 00:09:52,092 --> 00:09:54,264 I LIKE .45s. 228 00:09:54,264 --> 00:09:55,926 CATCH THE RIGHT ANGLE, 229 00:09:55,926 --> 00:09:58,769 THIS SUCKER COULD TAKE YOUR HEAD CLEAN OFF. 230 00:09:58,769 --> 00:10:00,070 BUT... (sighs) 231 00:10:00,070 --> 00:10:02,673 IT'S NOT THE GUN YOU'RE LOOKING FOR. 232 00:10:02,673 --> 00:10:05,135 WHY IS THAT? BARREL WOULD'VE HAD TO BE MODIFIED. 233 00:10:05,135 --> 00:10:07,137 THIS ONE'S FACTORY FRESH. (lowered voice) WELL, DO YOU THINK D'ANDRé THE GIANT 234 00:10:07,137 --> 00:10:08,839 WAS TELLING THE TRUTH 235 00:10:08,839 --> 00:10:10,881 WHEN HE SAID HE FOUND THE WALLET IN THE GRASS? 236 00:10:10,881 --> 00:10:12,983 (lowered voice) WELL, THE KILLER DID TAKE GOLDSTEIN'S CLOTHES, 237 00:10:12,983 --> 00:10:14,985 SO IT'S POSSIBLE THAT THE WALLET MIGHT HAVE FALLEN OUT 238 00:10:14,985 --> 00:10:16,987 WHEN HE LEFT THE CRIME SCENE. 239 00:10:16,987 --> 00:10:19,389 (normal voice) WHAT KIND OF A PISTOL 240 00:10:19,389 --> 00:10:21,922 WOULD'VE FIRED THAT BULLET? WE USUALLY JUST CALL 'EM LEAD BALLS 241 00:10:21,922 --> 00:10:24,054 FOR, UH, OBVIOUS REASONS. 242 00:10:24,054 --> 00:10:26,056 I'D SAY A WHOLE LOT OF 18th CENTURY FLINTLOCKS-- 243 00:10:26,056 --> 00:10:28,058 TOO MANY BRANDS TO EVEN SPECULATE. 244 00:10:28,058 --> 00:10:30,060 YOU'LL NEED TO FIND THE ACTUAL PISTOL 245 00:10:30,060 --> 00:10:32,002 TO MATCH IT THIS LEAD BALL. 246 00:10:32,002 --> 00:10:35,766 AND HOW MANY PEOPLE WOULD OWN THAT KIND OF ANTIQUE PISTOL? IT'S HARD TO SAY. 247 00:10:35,766 --> 00:10:37,067 THEY'RE CONSIDERED COLLECTIBLES, 248 00:10:37,067 --> 00:10:40,010 SO THEY DON'T HAVE TO BE REGISTERED. 249 00:10:40,010 --> 00:10:43,043 MAKING IT PRETTY SMART TO KILL SOMEONE WITH ONE. OH, YEAH. 250 00:10:43,043 --> 00:10:44,344 THE GUNS MAY BE OLD, 251 00:10:44,344 --> 00:10:47,047 BUT, UH, THEY GOT PLENTY OF KILLING LEFT IN 'EM. 252 00:10:47,047 --> 00:10:49,750 SO IS, UH, D'ANDRé OUR GUY? 253 00:10:49,750 --> 00:10:53,653 I'M AFRAID NOT. W-WHY DID HE GO ALL HULK HOGAN ON ME? 254 00:10:53,653 --> 00:10:56,026 WELL, WHY DID THE SCORPION STING THE FROG? IT'S HIS NATURE. 255 00:10:56,026 --> 00:10:58,028 YEAH, WELL, D'ANDRé WILL BE SEEING NATURE 256 00:10:58,028 --> 00:11:01,391 FROM BEHIND BARS FROM NOW ON FOR ASSAULTING AN OFFICER. 257 00:11:01,391 --> 00:11:04,094 I'LL SEE HE GETS THE MAX, DETECTIVE. THANK YOU, CAPTAIN. 258 00:11:04,094 --> 00:11:07,237 YOU CAN TAKE A COUPLE DAYS IF YOU LIKE, CATCH SOME MOVIES. READ "NAKED HEAT." 259 00:11:07,237 --> 00:11:10,000 NO. NO NEED, SIR. 260 00:11:16,076 --> 00:11:18,749 STILL NO LUCK WITH THE CLOTHES. UNIs LOOKED IN EVERY GARBAGE CAN 261 00:11:18,749 --> 00:11:20,751 WITHIN 5-BLOCK RADIUS OF THE PARK. 262 00:11:20,751 --> 00:11:23,854 WHAT IS SO SPECIAL ABOUT THESE CLOTHES 263 00:11:23,854 --> 00:11:26,116 THAT OUR KILLER WOULD TAKE THEM? 264 00:11:26,116 --> 00:11:28,118 MAYBE THE KILLER CAME THROUGH THE TIME RIPPLE NAKED 265 00:11:28,118 --> 00:11:30,390 AND NEEDED THE CLOTHES... 266 00:11:30,390 --> 00:11:32,062 LIKE IN "THE TERMINATOR." 267 00:11:32,062 --> 00:11:35,295 SADLY, I DON'T HAVE A BETTER THEORY AT THIS POINT. 268 00:11:35,295 --> 00:11:36,967 SO THE QUESTION IS, 269 00:11:36,967 --> 00:11:39,800 WHAT DID A WALL STREET NUMBER CRUNCHER LIKE GOLDSTEIN 270 00:11:39,800 --> 00:11:42,032 GET HIMSELF INTO? 271 00:11:42,032 --> 00:11:44,034 CASTLE AND I WILL GO TO HIS FIRM. 272 00:11:44,034 --> 00:11:46,436 YOU GUYS SEE IF YOU CAN TRACK DOWN ANY ANTIQUE GUN ENTHUSIASTS 273 00:11:46,436 --> 00:11:49,079 ON SOCIAL MEDIA SITES OR LOCAL CLUBS. 274 00:11:49,079 --> 00:11:50,981 MAYBE SOMEONE FROM GOLDSTEIN'S LIFE WILL POP. YOU GOT IT. 275 00:11:50,981 --> 00:11:51,982 (grunts) 276 00:11:51,982 --> 00:11:53,113 (growls) 277 00:11:53,113 --> 00:11:55,485 YOU KNOW, I JUST DON'T GET 278 00:11:55,485 --> 00:11:58,749 HOW SOMEONE COULD SHOOT GOLDSTEIN, STEAL HIS CLOTHES, 279 00:11:58,749 --> 00:12:00,821 AND THEN NOT HANG ON TO HIS WALLET. 280 00:12:00,821 --> 00:12:03,293 IT JUST DOESN'T MAKE ANY SENSE. 281 00:12:03,293 --> 00:12:05,896 NO. 282 00:12:05,896 --> 00:12:09,099 MAYBE GIANT MOTHS KILLED HIM AND THEN ATE HIS CLOTHES. 283 00:12:09,099 --> 00:12:10,831 COULD BE. 284 00:12:10,831 --> 00:12:13,804 HEY, CASTLE. 285 00:12:13,804 --> 00:12:16,736 IF THIS CASE IS BORING FOR YOU, YOU DON'T HAVE TO STAY. NO, I-I'M JUST CHECKING 286 00:12:16,736 --> 00:12:18,738 MY E-MAILS, MY TEXTS, SEE IF ALEXIS CALLED. 287 00:12:18,738 --> 00:12:20,841 I CAN'T BELIEVE SHE TOLD MY MOTHER SHE'S IN LOVE 288 00:12:20,841 --> 00:12:22,472 AND IS HOLDING OUT ON ME. OH. 289 00:12:22,472 --> 00:12:25,846 I'M GONNA CALL HER. NO, NO. YOU HAVE TO LET HER TELL YOU 290 00:12:25,846 --> 00:12:28,748 IN HER OWN TIME, WHEN SHE'S READY. I'M THE COOL DAD. WHY CAN'T SHE BE READY? 291 00:12:28,748 --> 00:12:30,050 LISTEN TO ME. 292 00:12:30,050 --> 00:12:32,482 MY DAD TRIED TO DO THE SAME THING WHEN I WAS HER AGE, 293 00:12:32,482 --> 00:12:34,985 AND I ENDED UP DATING A GRUNGE ROCKER WHO SMELLED LIKE 294 00:12:34,985 --> 00:12:37,227 WET FLANNEL AND CLOVE CIGARETTES FOR SEVEN MONTHS. 295 00:12:37,227 --> 00:12:41,331 YOU DO NOT MESS WITH A TEENAGE GIRL AND HER HORMONES. 296 00:12:41,331 --> 00:12:42,993 YOU'RE RIGHT. 297 00:12:42,993 --> 00:12:45,535 (elevator bell dings) I WON'T CALL HER. 298 00:12:47,197 --> 00:12:48,899 (clicks button) 299 00:12:48,899 --> 00:12:50,901 DID YOU SAY SOMETHING ABOUT A GIANT MOTH? 300 00:12:50,901 --> 00:12:53,303 NOPE. 301 00:12:54,975 --> 00:12:56,847 (man) IN HIS UNDERWEAR? 302 00:12:56,847 --> 00:12:58,979 I'VE BEEN RACKING MY BRAIN EVER SINCE YOU CALLED. 303 00:12:58,979 --> 00:13:02,052 I JUST DON'T KNOW WHAT HE'D HAVE BEEN UP TO IN THE PARK. 304 00:13:02,052 --> 00:13:04,054 HE WASN'T EXACTLY THE OUTDOORS TYPE. 305 00:13:04,054 --> 00:13:05,956 WHAT ABOUT ANTIQUE GUNS, MR. MURPHY? 306 00:13:05,956 --> 00:13:09,089 DO YOU KNOW ANYTHING ABOUT THEM? ANTIQUES? NO. NO, HE WASN'T INTO GUNS AT ALL. 307 00:13:09,089 --> 00:13:11,021 WELL, I UNDERSTAND THAT HE WORKED LONG HOURS. 308 00:13:11,021 --> 00:13:13,023 DO YOU KNOW WHEN HE LEFT LAST NIGHT? 309 00:13:13,023 --> 00:13:15,025 UH, YEAH, RIGHT AROUND 9:30. 310 00:13:15,025 --> 00:13:17,127 OH, HEY. LET ME HELP YOU WITH THAT. 311 00:13:17,127 --> 00:13:19,369 THANKS. (Murphy) THIS IS JULIA FOSTER, DANNY'S ASSISTANT. 312 00:13:19,369 --> 00:13:21,271 THIS IS DETECTIVE BECKETT AND RICHARD CASTLE. 313 00:13:21,271 --> 00:13:22,903 HI. HI. 314 00:13:22,903 --> 00:13:24,905 WERE YOU HERE LAST NIGHT WHEN GOLDSTEIN LEFT? 315 00:13:24,905 --> 00:13:28,438 OF COURSE. ANY IDEA WHERE HE WAS HEADING? 316 00:13:28,438 --> 00:13:31,481 NO, HE JUST SAID GOOD NIGHT. AND WHAT ABOUT DURING THE DAY, 317 00:13:31,481 --> 00:13:33,483 WAS THERE ANYTHING OUT OF THE ORDINARY, 318 00:13:33,483 --> 00:13:35,415 ANY STRANGE PHONE CALLS? 319 00:13:35,415 --> 00:13:39,950 NO, JUST THE USUAL UNHAPPY INVESTOR. ALTHOUGH... 320 00:13:39,950 --> 00:13:41,551 ALTHOUGH WHAT? 321 00:13:41,551 --> 00:13:43,223 THE LOWER TIDE FUND. 322 00:13:43,223 --> 00:13:45,025 (Castle) WHAT'S THAT? 323 00:13:45,025 --> 00:13:47,427 IT WAS ONE OF THE FINANCIAL PRODUCTS DANIEL CREATED FOR US. 324 00:13:47,427 --> 00:13:50,130 A SYNTHETIC C.D.O. CUBED. 325 00:13:50,130 --> 00:13:52,132 ENGLISH? A REALLY BIG BET 326 00:13:52,132 --> 00:13:54,064 THAT PRICES WOULD RETURN TO HISTORICAL NORMS. 327 00:13:54,064 --> 00:13:56,136 (Beckett) SO WHAT HAPPENED? IT TANKED. 328 00:13:56,136 --> 00:13:59,069 HUNDREDS OF MILLIONS OF DOLLARS WERE LOST OVERNIGHT. 329 00:13:59,069 --> 00:14:02,142 WHEN WAS THIS? THREE MONTHS AGO. 330 00:14:02,142 --> 00:14:05,145 THERE MUST HAVE BEEN A LOT OF ANGRY INVESTORS. WE FIELDED SCORES 331 00:14:05,145 --> 00:14:07,047 OF LESS-THAN-COMPLIMENTARY MESSAGES FROM CLIENTS. 332 00:14:07,047 --> 00:14:10,150 MORE LIKE APOPLECTIC, AND A LOT OF THEM BLAMED DANNY. 333 00:14:10,150 --> 00:14:12,382 ALL RIGHT, WELL, I'LL NEED A COPY OF ALL OF THESE MESSAGES 334 00:14:12,382 --> 00:14:15,055 AND A LIST OF ANYONE WHO LOST THEIR MONEY IN THE FUND. 335 00:14:15,055 --> 00:14:18,288 (beeping) 336 00:14:18,288 --> 00:14:20,290 ANY LUCK CONNECTING ANTIQUE GUN OWNERS 337 00:14:20,290 --> 00:14:22,492 TO INVESTORS IN GOLDSTEIN'S FAILED FUND, DETECTIVES? 338 00:14:22,492 --> 00:14:25,465 NAH. SO FAR I'VE SEEN A LOT OF COOL, OLD GUNS 339 00:14:25,465 --> 00:14:28,038 ON THESE SOCIAL MEDIA SITES FOR ANTIQUE GUN LOVERS, 340 00:14:28,038 --> 00:14:31,141 BUT NONE OF THE OWNERS POP IN GOLDSTEIN'S LIFE. 341 00:14:31,141 --> 00:14:33,073 IRWIN "QUICK DRAW" FINKELSTEIN, 342 00:14:33,073 --> 00:14:35,075 PROUD OWNER OF A REMINGTON OUTLAW 343 00:14:35,075 --> 00:14:37,047 MADE IN 1875. 344 00:14:37,047 --> 00:14:39,049 NOW THAT'S A GREAT-LOOKING GUN. MM-HMM. 345 00:14:39,049 --> 00:14:41,211 CHECK IT OUT, ESPOSITO. 346 00:14:41,211 --> 00:14:43,083 (groans) 347 00:14:43,083 --> 00:14:44,554 YEAH, THAT'S NICE. 348 00:14:44,554 --> 00:14:47,317 SEE, BACK THEN, THEY WERE INTO THE ARTISTRY OF IT ALL. 349 00:14:47,317 --> 00:14:50,060 YEAH, THEY'RE LIKE LITTLE SCULPTURES THAT CAN KILL. 350 00:14:50,060 --> 00:14:52,062 WELL, THIS LIST OF LOWER TIDE FUND INVESTORS, 351 00:14:52,062 --> 00:14:55,165 THEY ALL LOST MORE THAN A MILLION BUCKS APIECE. (Montgomery) $1 MILLION? 352 00:14:55,165 --> 00:14:58,198 MM-HMM. IF I HAD THAT KIND OF SCRATCH, I'D PUT IT IN SOMETHING SAFE, 353 00:14:58,198 --> 00:15:00,530 LIKE MY MATTRESS. (chuckles) CHECK IT OUT. 354 00:15:00,530 --> 00:15:02,672 IVAN "YOSEMITE SAM" PODOFSKI. 355 00:15:02,672 --> 00:15:04,174 WAIT A MINUTE. IVAN PODOFSKI? 356 00:15:04,174 --> 00:15:07,507 YEAH, WHAT DO YOU GOT? (groans) 357 00:15:07,507 --> 00:15:09,409 (beeping) 358 00:15:09,409 --> 00:15:11,041 BOOM. 359 00:15:11,041 --> 00:15:14,114 (Montgomery) LOOKS LIKE WE HAVE A WINNER. 360 00:15:14,114 --> 00:15:16,416 YOU'RE RIGHT. HE DOES KINDA LOOK LIKE YOSEMITE SAM. 361 00:15:16,416 --> 00:15:18,118 ON A BAD HAIR DAY. 362 00:15:18,118 --> 00:15:19,419 YEAH, WELL, IN ADDITION 363 00:15:19,419 --> 00:15:22,052 TO HAVING AN ANTIQUE GUN COLLECTION, 364 00:15:22,052 --> 00:15:24,554 MR. PODOFSKI HERE LOST MORE THAN 4 MILLION BUCKS 365 00:15:24,554 --> 00:15:27,557 IN OUR VIC'S LOWER TIDE FUND. HE ALSO LEFT THIS MESSAGE FOR GOLDSTEIN 366 00:15:27,557 --> 00:15:30,400 THE DAY THE FUND FLATLINED. They had a way of handling folks like you 367 00:15:30,400 --> 00:15:32,262 in the old country, Goldstein. 368 00:15:32,262 --> 00:15:34,604 It's called a firing squad. 369 00:15:34,604 --> 00:15:38,538 DO YOU THINK HE OFFERED HIM A BLINDFOLD AND A CIGARETTE? 370 00:15:50,250 --> 00:15:52,522 They had a way of handling folks like you 371 00:15:52,522 --> 00:15:54,684 in the old country, Goldstein. 372 00:15:54,684 --> 00:15:56,556 It's called a firing squad. 373 00:15:56,556 --> 00:15:59,229 I THINK SOME CONTEXT IS IN ORDER. 374 00:15:59,229 --> 00:16:02,132 I HAD ONLY JUST LOST $4 MILLION. 375 00:16:02,132 --> 00:16:03,493 YES, AND IN THAT CONTEXT, 376 00:16:03,493 --> 00:16:05,495 YOU THREATENED TO KILL MR. GOLDSTEIN, 377 00:16:05,495 --> 00:16:09,039 AND THEN HE WAS KILLED. WHERE WERE YOU LAST NIGHT BETWEEN 11:00 AND 1:00? 378 00:16:09,039 --> 00:16:11,641 ASLEEP IN MY BED. AND CAN ANYONE VOUCH FOR THAT? 379 00:16:11,641 --> 00:16:14,444 ME. MYSELF AND I GOT YOUR BACK, TOO? 380 00:16:14,444 --> 00:16:16,446 OKAY, LOOK, I KNOW HOW THIS APPEARS. 381 00:16:16,446 --> 00:16:20,150 BUT I THINK THERE'S, UH, AN EXPLANATION. 382 00:16:20,150 --> 00:16:22,052 FIRE AWAY. 383 00:16:22,052 --> 00:16:26,416 SEVERAL MONTHS AGO, I HAD A CONSULTATION AT BERMAN ROSE. 384 00:16:26,416 --> 00:16:29,419 WHEN I MENTIONED MY GUNS, GOLDSTEIN ASKED IF I KNEW 385 00:16:29,419 --> 00:16:32,422 HOW HE COULD GET AHOLD OF A SHERLOCK HOLMES GUN. 386 00:16:32,422 --> 00:16:35,765 SO YOU'RE POINTING THE FINGER AT SIR ARTHUR CONAN DOYLE? 387 00:16:35,765 --> 00:16:37,767 I'M SAYING THAT GOLDSTEIN CLEARLY HAD AN INTEREST 388 00:16:37,767 --> 00:16:39,769 IN ANTIQUE GUNS. 389 00:16:39,769 --> 00:16:42,702 MAYBE THAT INTEREST GOT HIM KILLED. IF YOU'RE SO CONFIDENT 390 00:16:42,702 --> 00:16:44,604 THAT GOLDSTEIN GOT MIXED UP WITH SOMEONE ELSE, 391 00:16:44,604 --> 00:16:46,676 I'M SURE YOU WON'T MIND SUBMITTING YOUR COLLECTION 392 00:16:46,676 --> 00:16:48,278 FOR TESTING WITH BALLISTICS. 393 00:16:48,278 --> 00:16:50,180 THESE ARE ANTIQUES, DETECTIVE. 394 00:16:50,180 --> 00:16:52,642 WOULD YOU PREFER BEING ARRESTED FOR MURDER? 395 00:16:54,184 --> 00:16:55,685 (snaps) 396 00:16:55,685 --> 00:16:58,348 (Ryan) BALLISTICS HAS TAKEN POSSESSION OF PODOFSKI'S GUNS. 397 00:16:58,348 --> 00:17:01,721 THEY SHOULD HAVE PRELIMINARY RESULTS BY TOMORROW. THEY NEVER PREFER TO BE ARRESTED FOR MURDER. 398 00:17:01,721 --> 00:17:04,354 HMM. ALL RIGHT. KEEP AT IT. YEAH. 399 00:17:04,354 --> 00:17:07,197 YO. JUST GOT A HIT FROM GOLDSTEIN'S CAR 400 00:17:07,197 --> 00:17:09,059 FROM TRAFFIC ENFORCEMENT. 401 00:17:09,059 --> 00:17:10,760 PARKING TICKET FROM LAST NIGHT. 402 00:17:10,760 --> 00:17:13,203 NO WAY. WHAT? 403 00:17:13,203 --> 00:17:15,165 THIS HAS GOTTA BE A JOKE. WHAT ARE YOU TALKING ABOUT, CASTLE? 404 00:17:15,165 --> 00:17:17,267 GOLDSTEIN DRIVES A DeLOREAN. 405 00:17:17,267 --> 00:17:20,340 THE CAR USED AS A TIME MACHINE IN "BACK TO THE FUTURE"? 406 00:17:20,340 --> 00:17:22,412 THERE'S NO WAY THAT'S A COINCIDENCE. 407 00:17:22,412 --> 00:17:24,344 THE TICKET WAS WRITTEN AT 2:00 IN THE MORNING. 408 00:17:24,344 --> 00:17:26,276 THAT'S POSTMORTEM. CAR SHOULD STILL BE THERE. 409 00:17:26,276 --> 00:17:28,448 YEAH, EAST 82nd BETWEEN LEX AND THIRD. 410 00:17:28,448 --> 00:17:32,051 THAT'S A FEW BLOCKS FROM THE PARK. YEAH, BUT IF YOU'RE GONNA PARK ILLEGALLY, 411 00:17:32,051 --> 00:17:34,053 WHY NOT PARK CLOSER? HMM. 412 00:17:34,053 --> 00:17:36,356 BECAUSE HE WAS GOING SOMEWHERE ON THAT BLOCK. 413 00:17:36,356 --> 00:17:39,289 THREE MORE PARKING TICKETS IN THE LAST SEVERAL MONTHS, 414 00:17:39,289 --> 00:17:42,462 ALL ON 82nd BETWEEN LEX AND THIRD. SO HE WAS GOING SOMEWHERE REGULARLY ON THAT BLOCK. 415 00:17:42,462 --> 00:17:45,435 MAYBE A GIRLFRIEND. UNLESS YOU THINK THAT'S WHERE THAT TIME RIPPLE IS. 416 00:17:45,435 --> 00:17:47,597 COULD BE. 417 00:17:47,597 --> 00:17:50,069 LOOK INTO IT. PICK THAT CAR UP. 418 00:17:50,069 --> 00:17:52,842 (Esposito) GOTCHA. 419 00:17:56,176 --> 00:17:58,378 YOU GOTTA BE KIDDING ME. (laughs) 420 00:18:01,581 --> 00:18:04,284 WELL, IT'S DEFINITELY GOLDSTEIN'S CAR... 421 00:18:04,284 --> 00:18:06,686 OR A... TIME MACHINE. 422 00:18:06,686 --> 00:18:09,119 YEP. IF I'M NOT MISTAKEN, THAT'S A FLUX CAPACITOR IN THERE. 423 00:18:09,119 --> 00:18:11,861 AND THAT IS THE REACTOR CORE. 424 00:18:11,861 --> 00:18:13,823 MAYBE CASTLE WAS RIGHT. 425 00:18:13,823 --> 00:18:16,196 GOLDSTEIN CAME BACK TO THE FUTURE, 426 00:18:16,196 --> 00:18:17,497 AND HE GOT WHACKED, HUH? (sighs) 427 00:18:17,497 --> 00:18:20,099 WHY'D HE KEEP COMING HERE? I DON'T KNOW. 428 00:18:20,099 --> 00:18:22,101 MAYBE THERE'S SOMETHING IN THE CAR THAT'LL HELP. 429 00:18:22,101 --> 00:18:24,304 HOPE SO. LOT OF DOORS TO KNOCK ON. 430 00:18:24,304 --> 00:18:26,736 WOW. (inhales sharply) MM. 431 00:18:26,736 --> 00:18:29,479 YO, PATTY. I GOT A VIC'S CAR THAT NEEDS TOWING. 432 00:18:29,479 --> 00:18:32,682 IT'S AT 238 EAST 82nd. 433 00:18:32,682 --> 00:18:35,415 IT'S AN '81 TO '82 DeLOREAN. 434 00:18:35,415 --> 00:18:38,348 NEW YORK PLATES J-L-D-- 435 00:18:38,348 --> 00:18:41,191 HEY, JAVI. 436 00:18:41,191 --> 00:18:43,423 (clatters) 437 00:18:43,423 --> 00:18:45,124 LET ME CALL YOU BACK. 438 00:18:45,124 --> 00:18:46,426 (Ryan) EXCUSE US, SIR. 439 00:18:46,426 --> 00:18:49,199 I'M DETECTIVE RYAN. THIS IS DETECTIVE ESPOSITO. 440 00:18:49,199 --> 00:18:51,501 DO YOU MIND IF WE ASK YOU A FEW QUESTIONS? 441 00:18:51,501 --> 00:18:54,504 (British accent) AH! TOP OF THE MORNING TO YOU, CONSTABLES. 442 00:18:54,504 --> 00:18:56,636 LORD HENRY AT YOUR SERVICE. 443 00:18:56,636 --> 00:18:59,869 UH, THANKS. YOU MIND TELLING US WHERE YOU GOT THOSE CLOTHES? 444 00:18:59,869 --> 00:19:01,871 OH, NOT AT ALL, DEAR BOY. I PICKED THEM UP 445 00:19:01,871 --> 00:19:03,873 AT THE HABERDASHERY ACROSS THE PARK. 446 00:19:03,873 --> 00:19:07,217 WELL, GENTLEMEN, IF THAT IS ALL, 447 00:19:07,217 --> 00:19:09,219 I SHALL BID YOU GOOD DAY. 448 00:19:09,219 --> 00:19:10,820 JUST A SECOND, PAL. 449 00:19:10,820 --> 00:19:14,184 YOU KNOW, WE THINK THOSE CLOTHES MIGHT HAVE BEEN INVOLVED-- I SAID "GOOD DAY." 450 00:19:14,184 --> 00:19:16,186 SIR, WE NEED YOU TO COME DOWN-- GOOD DAY! 451 00:19:16,186 --> 00:19:17,887 WHOA! WHOA! 452 00:19:17,887 --> 00:19:19,359 YA! YA! HEY! 453 00:19:19,359 --> 00:19:20,830 (shouting indistinctly) 454 00:19:20,830 --> 00:19:23,433 (grunts) AH! 455 00:19:23,433 --> 00:19:25,195 YOU ALL RIGHT, BRO? 456 00:19:25,195 --> 00:19:27,367 YOU'RE COMING WITH ME. I'M FINE. 457 00:19:27,367 --> 00:19:29,239 (handcuffs click) UNHAND ME, YOU ROGUE! 458 00:19:29,239 --> 00:19:31,241 (Beckett) ALL RIGHT. THANK YOU, RYAN. 459 00:19:31,241 --> 00:19:33,203 HOW'S ESPOSITO? 460 00:19:33,203 --> 00:19:34,504 AT HOME RESTING. (beeps) 461 00:19:34,504 --> 00:19:36,506 SO OUR LORD HENRY'S STORY CHECKS OUT. 462 00:19:36,506 --> 00:19:39,409 RYAN FOUND A MATCHING ASCOT IN A GARBAGE CAN 463 00:19:39,409 --> 00:19:41,911 WHERE HENRY SAID THAT HE FOUND THE CLOTHES. 464 00:19:41,911 --> 00:19:45,885 OUR GUY MIGHT BE UNSTABLE, BUT HE IS NOT OUR KILLER. 465 00:19:45,885 --> 00:19:50,189 SO WHY WAS GOLDSTEIN WEARING THIS COSTUME? 466 00:19:50,189 --> 00:19:52,722 WELL, IT'S VICTORIAN, ANTIQUE... 467 00:19:52,722 --> 00:19:54,864 KIND OF FITS WITH THE WHOLE TIME TRAVELER THEORY, 468 00:19:54,864 --> 00:19:56,566 DON'T YOU THINK? 469 00:19:56,566 --> 00:19:59,569 I DON'T KNOW WHAT TO THINK, BUT THE PLOT THICKENS. 470 00:19:59,569 --> 00:20:01,571 FORENSICS CAME BACK ON THE CLOTHES? 471 00:20:01,571 --> 00:20:04,374 BETWEEN THE GARBAGE CAN AND OUR HOMELESS GUY, 472 00:20:04,374 --> 00:20:06,936 THERE WAS QUITE A LIST OF GROSS-OUT SUBSTANCES, 473 00:20:06,936 --> 00:20:08,978 OF WHICH I WILL SPARE YOU THE DETAILS, BUT I DID FIND 474 00:20:08,978 --> 00:20:11,581 SOMETHING INTERESTING ON THE RIGHT HAND GLOVE 475 00:20:11,581 --> 00:20:13,583 AND THE RIGHT SLEEVE OF THE SHIRT-- 476 00:20:13,583 --> 00:20:16,346 POTASSIUM, NITRATE AND SULFUR. GUNSHOT RESIDUE? 477 00:20:16,346 --> 00:20:18,918 SO GOLDSTEIN DID NOT GO QUIETLY INTO THE NIGHT, 478 00:20:18,918 --> 00:20:21,721 HE HAD A GUN. AND HE FIRED BACK. 479 00:20:21,721 --> 00:20:23,553 (beeping) 480 00:20:23,553 --> 00:20:25,895 (beeping rapidly) 481 00:20:25,895 --> 00:20:27,727 I GOT SOMETHING HERE. 482 00:20:27,727 --> 00:20:29,559 (beeping fades) 483 00:20:32,902 --> 00:20:34,664 BECKETT. 484 00:20:38,838 --> 00:20:41,240 ANOTHER ANTIQUE. 485 00:20:41,240 --> 00:20:43,843 LOOKS EXACTLY LIKE THE ONE THAT KILLED GOLDSTEIN. YES, IT DOES. 486 00:20:46,716 --> 00:20:49,749 LET'S SAY THAT OUR KILLER... 487 00:20:49,749 --> 00:20:52,422 LET'S SAY THAT OUR KILLER IS STANDING... 488 00:20:52,422 --> 00:20:55,024 OVER HERE. 489 00:20:55,024 --> 00:20:57,256 (clears throat) 490 00:20:57,256 --> 00:20:59,689 GOLDSTEIN WAS KILLED ALL THE WAY OVER THERE. 491 00:20:59,689 --> 00:21:02,261 A NICE FLAT AREA BETWEEN THEM. 492 00:21:02,261 --> 00:21:05,335 WHAT ARE YOU GETTING AT, CASTLE, SOME KIND OF GAME? NOT A GAME. 493 00:21:05,335 --> 00:21:08,668 GOLDSTEIN WAS WEARING FORMAL TURN-OF-THE-CENTURY CLOTHES. 494 00:21:08,668 --> 00:21:10,940 HE SHOT AN ANTIQUE BULLET 495 00:21:10,940 --> 00:21:14,003 IDENTICAL TO THE ONE HE WAS KILLED WITH, 496 00:21:14,003 --> 00:21:16,005 PROBABLY FIRED FROM AN IDENTICAL GUN. 497 00:21:16,005 --> 00:21:17,707 (whispers) FOUR, FIVE, SIX, SEVEN. 498 00:21:17,707 --> 00:21:20,450 (normal voice) LANIE SAID HE WAS KILLED AT ABOUT MIDNIGHT? 499 00:21:20,450 --> 00:21:22,482 ST. JAMES CHURCH IS RIGHT OVER THERE-- 500 00:21:22,482 --> 00:21:24,414 THANKS--ON MADISON. 501 00:21:24,414 --> 00:21:26,416 I BET THEY COULD HEAR THE BELLS CHIMING 502 00:21:26,416 --> 00:21:28,287 ALL THE WAY FROM OVER HERE. 503 00:21:28,287 --> 00:21:30,920 (whispers) 39, 40... 504 00:21:30,920 --> 00:21:32,362 ISH. HA. 505 00:21:32,362 --> 00:21:35,795 THEY STOOD AT ABOUT 40 PACES FROM ONE ANOTHER. 506 00:21:35,795 --> 00:21:39,028 IT WASN'T A GAME. 507 00:21:39,028 --> 00:21:40,900 IT WAS AN OLD-FASHIONED DUEL. 508 00:22:06,756 --> 00:22:08,498 (lock clicks) 509 00:22:17,867 --> 00:22:19,669 WHO DARES BESMIRCH... 510 00:22:19,669 --> 00:22:21,741 OH, GOD, DON'T SHOOT! MY HONOR? 511 00:22:21,741 --> 00:22:23,743 IT'S OKAY, ASHLEY. HE'S NOT GONNA SHOOT YOU. 512 00:22:23,743 --> 00:22:25,875 WHAT THE HECK, DAD?! 513 00:22:25,875 --> 00:22:28,047 I MIGHT BE ASKING YOU THE SAME... 514 00:22:28,047 --> 00:22:29,919 ASHLEY? THIS IS ASHLEY? 515 00:22:29,919 --> 00:22:31,921 ASH, THIS IS MY DAD, RICK. 516 00:22:31,921 --> 00:22:35,354 AND I HAVE NO IDEA WHY HE'S WAVING A GUN. SO NICE TO MEET YOU, MR. CASTLE. 517 00:22:35,354 --> 00:22:36,826 YOU, TOO, ASHLEY, 518 00:22:36,826 --> 00:22:39,659 AND I HAVE A PERFECTLY GOOD REASON WHY I'M WAVING A GUN. 519 00:22:39,659 --> 00:22:41,060 EXCUSE US. 520 00:22:43,132 --> 00:22:45,134 (whispers) EXPLAIN YOURSELF. 521 00:22:45,134 --> 00:22:47,667 I GOT THIS GUN FOR RESEARCH FOR A CASE, 522 00:22:47,667 --> 00:22:50,900 WHICH YOU MIGHT KNOW IF YOU HAD CHECKED IN WITH ME TODAY. 523 00:22:50,900 --> 00:22:53,903 WHAT'S THAT SUPPOSED TO MEAN? LET'S JUST SAY, ONE OF US HAS NOTHING TO HIDE. 524 00:22:53,903 --> 00:22:56,746 PERHAPS YOU'D LIKE TO EXPLAIN YOURSELF? WHAT, THAT I WAS KISSING A BOY? 525 00:22:56,746 --> 00:22:58,878 IS THAT A PROBLEM? YOU TELL ME. 526 00:22:58,878 --> 00:23:01,651 DAD, THE ONLY REASON I INVITED ASHLEY OVER TONIGHT 527 00:23:01,651 --> 00:23:03,653 WAS SO YOU COULD MEET HIM. 528 00:23:03,653 --> 00:23:05,114 YES, WELL, ME MEETING ASHLEY 529 00:23:05,114 --> 00:23:07,687 HAS SMEARED THE LIP GLOSS ALL OVER YOUR FACE. 530 00:23:07,687 --> 00:23:10,490 UH, I-I-I REALLY SHOULD BE GOING. 531 00:23:10,490 --> 00:23:13,623 (normal voice) YOU CAN STAY, ASHLEY. 532 00:23:13,623 --> 00:23:15,094 OH, THE GUN. 533 00:23:15,094 --> 00:23:16,926 MY BAD. 534 00:23:16,926 --> 00:23:19,829 PLEASE, ASHLEY, STAY. 535 00:23:19,829 --> 00:23:23,002 YOU CAN CHECK OUT THE GUN. NO, THANKS. 536 00:23:23,002 --> 00:23:25,805 CALL ME LATER? YEAH, IF IT'S OKAY WITH YOUR GUN... 537 00:23:25,805 --> 00:23:27,677 DAD. 538 00:23:27,677 --> 00:23:29,509 YEAH, IT'S OKAY WITH ME. 539 00:23:29,509 --> 00:23:31,010 THANK YOU. 540 00:23:31,010 --> 00:23:33,813 AND I-I-I JUST WANT YOU TO KNOW HOW MUCH I RESPECT ALEXIS. 541 00:23:33,813 --> 00:23:36,916 I MEAN, YOU DON'T HAVE TO WORRY ABOUT ISSUES OF RESPECT. 542 00:23:36,916 --> 00:23:38,988 SHE'S PROBABLY THE MOST RESPECTABLE PERSON I KNOW, 543 00:23:38,988 --> 00:23:41,090 AND I-I RESPECT YOU, TOO. 544 00:23:41,090 --> 00:23:43,723 THAT'S GOOD TO KNOW THAT. 545 00:23:43,723 --> 00:23:45,695 THANK YOU. 546 00:23:45,695 --> 00:23:47,597 (exhales) 547 00:23:55,665 --> 00:23:57,837 I LIKE HIM. 548 00:23:57,837 --> 00:23:59,939 HE'S RESPECTFUL. 549 00:24:08,778 --> 00:24:10,720 GOT IT. THANKS. 550 00:24:10,720 --> 00:24:12,151 HEY. 551 00:24:12,151 --> 00:24:14,153 HEY. SO IVAN PODOFSKI'S ANTIQUE GUN COLLECTION 552 00:24:14,153 --> 00:24:18,057 ALL CLEARED BALLISTICS. WELL, AT LEAST SOME GUY IN BALLISTICS 553 00:24:18,057 --> 00:24:19,989 HAD FUN FIRING 'EM OFF. HMM. 554 00:24:19,989 --> 00:24:23,763 I ALSO CHECKED WITH GOLDSTEIN'S SISTER AND COWORKERS. 555 00:24:23,763 --> 00:24:26,766 NONE OF THEM KNOW ANYTHING ABOUT DUELS OR VICTORIAN CLOTHES 556 00:24:26,766 --> 00:24:29,699 OR WHAT GOLDSTEIN WAS DOING ON EAST 82nd. 557 00:24:29,699 --> 00:24:31,941 SOUNDS LIKE HE HAD A SECRET LIFE. 558 00:24:31,941 --> 00:24:34,243 THAT SOMEHOW LED TO A DUEL. 559 00:24:34,243 --> 00:24:36,746 MAYBE HE FIGURED SOMEONE BESMIRCHED HIS HONOR. 560 00:24:36,746 --> 00:24:39,048 MAYBE IT WAS ABOUT A GIRL. MATTER OF FACT, ALEXIS, 561 00:24:39,048 --> 00:24:42,051 HER NEW BOYFRIEND--WHO HAS A GIRL'S NAME, BY THE WAY-- 562 00:24:42,051 --> 00:24:44,554 HE THOUGHT I WAS GONNA SHOOT HIM LAST NIGHT. 563 00:24:44,554 --> 00:24:46,155 HEY. HEY. HOW'S ESPOSITO? 564 00:24:46,155 --> 00:24:49,619 HE'S SLEEPING IN, MOSTLY BECAUSE HE CAN'T MOVE. DID YOU FIGURE OUT 565 00:24:49,619 --> 00:24:52,221 WHAT GOLDSTEIN WAS DOING ON EAST 82nd? NO, BUT GET THIS. I'M GOING THROUGH GOLDSTEIN'S CAR, 566 00:24:52,221 --> 00:24:54,223 AND I FIND A PILE OF RECEIPTS HE MUST HAVE BEEN PLANNING 567 00:24:54,223 --> 00:24:55,925 TO SUBMIT FOR REIMBURSEMENT, 568 00:24:55,925 --> 00:24:58,227 ONE OF 'EM FROM THREE WEEKS AGO AT A CAFé. 569 00:24:58,227 --> 00:25:00,970 ON IT, HE WROTE "COFFEE WITH TROY KENWORTH," 570 00:25:00,970 --> 00:25:03,603 AND THAT NAME KINDA RINGS A BELL. 571 00:25:03,603 --> 00:25:06,175 ONE OF THE ANGRY LOWER TIDE FUND INVESTORS? 572 00:25:06,175 --> 00:25:08,177 NO, BUT HIS FATHER CHARLES KENWORTH WAS. 573 00:25:08,177 --> 00:25:10,610 GUY LOSES 2 MILLION BUCKS, 574 00:25:10,610 --> 00:25:12,812 AND THEN HE LOSES HIS HOUSE, HIS MARRIAGE, 575 00:25:12,812 --> 00:25:15,715 AND THEN TWO MONTHS AGO, HE KILLED HIMSELF. DID TROY HAVE ANY PRIORS? 576 00:25:15,715 --> 00:25:17,016 YEAH, MORE LIKE AFTERS. 577 00:25:17,016 --> 00:25:18,888 AFTER HIS FATHER COMMITTED SUICIDE, 578 00:25:18,888 --> 00:25:21,250 HE WAS CHARGED WITH ASSAULT IN FOUR SEPARATE BAR FIGHTS. 579 00:25:21,250 --> 00:25:24,053 REVENGE... OLDEST MOTIVE FOR MURDER IN THE BOOK. 580 00:25:24,053 --> 00:25:27,056 MAYBE TROY THOUGHT SOMEONE BESMIRCHED HIS FATHER'S HONOR. 581 00:25:27,056 --> 00:25:31,000 AND THEN HE FORCED GOLDSTEIN TO SETTLE THE SCORE. 582 00:25:31,000 --> 00:25:33,532 YEAH, I WAS THE ONE WHO FOUND HIS BODY. 583 00:25:33,532 --> 00:25:37,266 (Beckett) THE REPORT SAYS THAT HE USED A SHOTGUN. 584 00:25:37,266 --> 00:25:39,969 HEY. 585 00:25:39,969 --> 00:25:41,941 WHY AREN'T YOU IN THERE? 586 00:25:41,941 --> 00:25:45,044 BECKETT'S DOING A MOTHERING THING. 587 00:25:45,044 --> 00:25:47,046 WANTED TO LIMIT THE TESTOSTERONE ON THE ROOM. 588 00:25:47,046 --> 00:25:50,049 I CAN'T IMAGINE WALKING IN ON THAT. 589 00:25:50,049 --> 00:25:51,320 YEAH. 590 00:25:51,320 --> 00:25:54,323 PRETTY MESSY. I TRY NOT TO THINK ABOUT IT. 591 00:25:54,323 --> 00:25:56,255 I UNDERSTAND. 592 00:25:56,255 --> 00:25:58,257 BUT SINCE THEN, MR. KENWORTH, 593 00:25:58,257 --> 00:26:01,591 YOU HAVE CHARGES PENDING IN FOUR ASSAULT CASES. 594 00:26:01,591 --> 00:26:03,733 I STARTED DRINKING TOO MUCH, LASHED OUT. 595 00:26:03,733 --> 00:26:05,695 BUT THOSE WERE JUST RANDOM PEOPLE AT BARS. 596 00:26:05,695 --> 00:26:07,897 I MEAN, THEY WEREN'T EVEN RESPONSIBLE 597 00:26:07,897 --> 00:26:09,899 FOR YOUR FATHER'S SUICIDE. 598 00:26:09,899 --> 00:26:11,901 BUT GOLDSTEIN... 599 00:26:11,901 --> 00:26:13,903 HE PUT YOUR FATHER IN THE FUND 600 00:26:13,903 --> 00:26:15,905 THAT LOST HIM ALL OF HIS MONEY. 601 00:26:15,905 --> 00:26:18,147 I COULD UNDERSTAND BLAMING HIM. 602 00:26:18,147 --> 00:26:20,910 I DID, BUT THEN I TALKED TO HIM, AND HE SAID 603 00:26:20,910 --> 00:26:22,752 THAT HE WARNED POP TO DIVERSIFY. 604 00:26:22,752 --> 00:26:24,754 AND THE FACT IS, DAD AND MOM 605 00:26:24,754 --> 00:26:26,756 HAVE BEEN HAVING PROBLEMS FOR YEARS. 606 00:26:26,756 --> 00:26:29,258 WHEN WE LOST THE HOUSE, AND I HAD TO DROP OUT OF SCHOOL, 607 00:26:29,258 --> 00:26:31,220 IT WAS THE LAST STRAW, AND MOM LEFT HIM. 608 00:26:31,220 --> 00:26:33,723 THAT'S WHAT PUSHED HIM OVER THE EDGE, 609 00:26:33,723 --> 00:26:36,065 AND EVER SINCE HIS DEATH, MOM'S BEEN STRUGGLING 610 00:26:36,065 --> 00:26:39,228 TO MAKE PAYMENTS ON OUR APARTMENT. IS THAT WHY YOU WENT TO GO SEE GOLDSTEIN THREE WEEKS AGO? 611 00:26:39,228 --> 00:26:42,231 I WANTED TO FIND OUT IF ANY MONEY WAS LEFT IN THE ACCOUNT. AND WHAT DID GOLDSTEIN TELL YOU? 612 00:26:42,231 --> 00:26:44,073 THE TRUTH. ALL THE MONEY'S GONE. 613 00:26:44,073 --> 00:26:46,305 WELL, THAT MUST HAVE MADE YOU PRETTY ANGRY. 614 00:26:46,305 --> 00:26:48,307 OKAY, I KNOW WHAT YOU'RE GETTING AT, 615 00:26:48,307 --> 00:26:50,309 BUT THAT MEETING IS WHAT TURNED ME AROUND. 616 00:26:50,309 --> 00:26:52,311 I HAVEN'T HAD A DRINK SINCE, 617 00:26:52,311 --> 00:26:54,984 MOM AND I HAVE BEEN ABLE TO STAY IN OUR PLACE. 618 00:26:54,984 --> 00:26:56,986 I MIGHT EVEN GO BACK TO SCHOOL NEXT SEMESTER. 619 00:26:56,986 --> 00:26:59,989 ALL BECAUSE DANNY'S A STAND-UP GUY, AND HE GAVE ME A JOB. 620 00:26:59,989 --> 00:27:03,723 THAT'S WHERE I WAS THE NIGHT HE GOT KILLED. AT BERMAN ROSE? 621 00:27:03,723 --> 00:27:05,895 UH, NO. 622 00:27:05,895 --> 00:27:08,728 WHAT KIND OF A JOB DID DANNY GIVE YOU? I CAN'T SAY. 623 00:27:08,728 --> 00:27:10,960 LOOK, I HAD TO SIGN A CONFIDENTIALITY AGREEMENT. 624 00:27:10,960 --> 00:27:13,362 OKAY? I COULD BE FIRED. OR YOU COULD BE ARRESTED. 625 00:27:13,362 --> 00:27:16,065 IS THIS JOB ON 82nd BETWEEN LEX AND THIRD? 626 00:27:30,649 --> 00:27:32,982 WHAT WAS THE EXACT NUMBER OF POUNDS THAT MR. FOGG BET 627 00:27:32,982 --> 00:27:35,054 THAT HE COULD TRAVEL AROUND THE WORLD IN 80 DAYS? 628 00:27:35,054 --> 00:27:36,956 20,000. CORRECT, SIR. 629 00:27:36,956 --> 00:27:39,729 NAME THE VOLCANO THAT LED TO THE CENTER OF THE EARTH. 630 00:27:39,729 --> 00:27:41,190 OH, I WANT TO SAY-- 631 00:27:41,190 --> 00:27:43,793 NYPD. OPEN THE DAMN DOOR. 632 00:27:43,793 --> 00:27:47,666 (Alec Ounsworth's "Me and You, Watson" playing) 633 00:27:47,666 --> 00:27:50,299 ♪ THE SOUND OF THE FOGHORN, IT TEARS ME FROM MY SLEEP ♪ 634 00:27:50,299 --> 00:27:52,772 ♪ I'M MUCH TOO TIRED FOR THE WAKING ♪ 635 00:27:52,772 --> 00:27:54,303 ♪ BUT TOO WIRED FOR THE SHEEP ♪ 636 00:27:54,303 --> 00:27:56,976 ♪ AND THE ANVIL'S ON THE TABLE ♪ 637 00:27:56,976 --> 00:28:00,109 ♪ THE SWORD IS ON THE DOOR, IT'S TIME TO PICK UP... ♪ 638 00:28:00,109 --> 00:28:02,281 HELLO! 639 00:28:02,281 --> 00:28:05,114 WHERE ARE WE? (man) VICTORIAN LONDON. 640 00:28:05,114 --> 00:28:08,317 WHEN ARE WE? 1892. 641 00:28:08,317 --> 00:28:11,320 WHAT IS THIS PLACE? 642 00:28:11,320 --> 00:28:14,964 THE GASLAMP LEAGUE, A PRIVATE STEAMPUNK SOCIETY. 643 00:28:14,964 --> 00:28:16,265 STRAIGHT AHEAD 644 00:28:16,265 --> 00:28:18,267 YOU'LL FIND OUR CLUB PRESIDENT, OWEN PETERSON. 645 00:28:18,267 --> 00:28:21,330 HE'S ON THE PENNY-FARTHING. 646 00:28:21,330 --> 00:28:23,172 ALL RIGHT THEN. 647 00:28:23,172 --> 00:28:25,174 ♪ AND EMPTY THE CONTENTS OF YOUR PURSE ♪ 648 00:28:25,174 --> 00:28:28,037 ♪ ME AND YOU, WATSON, ME AND YOU... ♪ 649 00:28:28,037 --> 00:28:31,010 OH, IT'S THE TIME MACHINE FROM "TIME AND AWAY." 650 00:28:31,010 --> 00:28:33,082 I LOVE THAT MOVIE. (man) OWEN! 651 00:28:33,082 --> 00:28:34,383 GIVE US A POEM! 652 00:28:34,383 --> 00:28:36,015 STEAMPUNK. 653 00:28:36,015 --> 00:28:38,017 (Castle) IT'S A SUBCULTURE THAT EMBRACES 654 00:28:38,017 --> 00:28:40,019 THE SIMPLICITY AND ROMANCE OF THE PAST 655 00:28:40,019 --> 00:28:43,152 AT THE SAME TIME, COUPLES IT WITH THE HOPE AND PROMISE 656 00:28:43,152 --> 00:28:46,225 AND SHEER SUPER-COOLNESS OF FUTURISTIC DESIGN. 657 00:28:46,225 --> 00:28:49,128 YOU'RE CLONED, YOU SAY? THERE ARE MORE OF YOU? 658 00:28:49,128 --> 00:28:50,960 WELL, THE MORE THE MERRIER! 659 00:28:50,960 --> 00:28:52,962 TO EWES ALL, I'LL BE TRUE. 660 00:28:52,962 --> 00:28:55,965 (all imitate sheep bleating) 661 00:28:55,965 --> 00:28:57,867 (applause) 662 00:28:57,867 --> 00:29:00,940 EXCUSE ME, MR. PETERSON. I'M DETECTIVE-- CAN I TRY THAT? 663 00:29:00,940 --> 00:29:02,772 (laughs) AH. 664 00:29:02,772 --> 00:29:04,774 I DON'T KNOW WHAT TO TELL YOU, DETECTIVE. 665 00:29:04,774 --> 00:29:07,046 WE ALL HEARD ABOUT DANNY YESTERDAY. HARD TO BELIEVE. 666 00:29:07,046 --> 00:29:09,518 WE SAW HIM HERE THE NIGHT BEFORE. WELL, THE WAY YOU AND YOUR FRIENDS WERE YUKKING IT UP 667 00:29:09,518 --> 00:29:11,380 MAKES ME FEEL LIKE YOU WEREN'T SO UPSET. 668 00:29:11,380 --> 00:29:13,082 WE'RE JUST ROMANTICS, DETECTIVE. 669 00:29:13,082 --> 00:29:15,084 LOOK AT THE WORLD, DON'T LIKE WHAT WE SEE, 670 00:29:15,084 --> 00:29:16,385 SO WE RECREATE IT HERE-- 671 00:29:16,385 --> 00:29:19,258 AN OASIS WHERE HUMAN POTENTIAL AND INGENUITY IS LIMITLESS, 672 00:29:19,258 --> 00:29:23,062 WHERE THERE'S POETRY AND WONDER AND MEANING, EVEN IN DEATH. 673 00:29:23,062 --> 00:29:26,135 WHAT TIME DID HE LEAVE THAT NIGHT? AROUND 11:30. 674 00:29:26,135 --> 00:29:28,767 DID HE TELL YOU WHAT HE WAS DOING? NO. 675 00:29:28,767 --> 00:29:31,070 HE WENT TO THE PARK FOR A DUEL. 676 00:29:31,070 --> 00:29:34,043 WHAT DO YOU MEAN, A DUEL? THE KIND WHERE PEOPLE SHOOT AT EACH OTHER. 677 00:29:34,043 --> 00:29:36,045 THEY WERE USING ANTIQUE GUNS. 678 00:29:36,045 --> 00:29:39,048 DO YOU KNOW ANYTHING ABOUT THAT? 679 00:29:39,048 --> 00:29:42,912 (indistinct conversations) 680 00:29:44,814 --> 00:29:46,886 DUELING PISTOLS. 681 00:29:46,886 --> 00:29:49,458 WITH, UH, LEAD BALLS 682 00:29:49,458 --> 00:29:52,021 WITH WHITE COATING? 683 00:29:56,095 --> 00:29:57,997 (sniffs) 684 00:29:57,997 --> 00:30:00,830 THIS HAS BEEN FIRED RECENTLY. 685 00:30:00,830 --> 00:30:03,833 BUT THEY'RE JUST FOR SHOW. 686 00:30:05,204 --> 00:30:07,276 ADAM, STOP! STOP! 687 00:30:07,276 --> 00:30:09,839 OH, MY GOD! OH! (man) OH, GOODNESS! 688 00:30:09,839 --> 00:30:11,941 (grunts) (people speaking indistinctly) 689 00:30:11,941 --> 00:30:15,414 OUT OF THE WAY! GET OUT OF THE WAY! I THINK HE'S GOING FOR THE TIME MACHINE! 690 00:30:15,414 --> 00:30:17,416 IT'S JUST A BUNCH OF INTERVIEWS. 691 00:30:17,416 --> 00:30:20,119 I DON'T KNOW WHY YOU DIDN'T TAKE THE WHOLE DAY OFF. 692 00:30:20,119 --> 00:30:22,051 BECAUSE I'M FINE. 693 00:30:22,051 --> 00:30:23,252 (Beckett) MURPHY! 694 00:30:23,252 --> 00:30:25,524 STOP HIM! 695 00:30:25,524 --> 00:30:28,297 OH! OH! OW! AAH! 696 00:30:28,297 --> 00:30:32,831 (Esposito groans) 697 00:30:32,831 --> 00:30:34,303 HEY, ESPOSITO. 698 00:30:34,303 --> 00:30:36,105 HOW'S YOUR NECK? 699 00:30:36,105 --> 00:30:38,037 (groans) 700 00:30:45,044 --> 00:30:48,077 YEAH, I SHOT HIM. 701 00:30:48,077 --> 00:30:50,279 HE JUST KINDA CRUMPLED OVER BACKWARDS, 702 00:30:50,279 --> 00:30:52,281 BUT I THOUGHT HE WAS KIDDING. 703 00:30:52,281 --> 00:30:55,284 I JOGGED OVER EXPECTING HIM TO JUMP UP ANY SECOND, 704 00:30:55,284 --> 00:30:57,927 BUT HE WAS JUST-- JUST LYING THERE SO STILL, 705 00:30:57,927 --> 00:31:00,089 A-AND THEN I SAW THE BLOOD, AND I HEAR JULIA. 706 00:31:00,089 --> 00:31:02,091 SHE'S ON HER KNEES SCREAMING, "NO. PLEASE, GOD, NO." 707 00:31:02,091 --> 00:31:03,592 I-I-I FREAKED OUT. 708 00:31:03,592 --> 00:31:05,464 WE TOOK HIS CLOTHES, AND--AND I JUST RAN. 709 00:31:05,464 --> 00:31:08,067 JULIA? YOU MEAN GOLDSTEIN'S ASSISTANT? 710 00:31:08,067 --> 00:31:09,368 HE WAS IN LOVE WITH HER. 711 00:31:09,368 --> 00:31:12,041 HAD THEY BEEN SEEING EACH OTHER A LONG TIME? 712 00:31:12,041 --> 00:31:14,043 NO, NO, DAN JUST KISSED HER ONCE, 713 00:31:14,043 --> 00:31:16,045 A COUPLE WEEKS AGO OUT AT A BAR, 714 00:31:16,045 --> 00:31:18,507 BUT SHE--SHE WASN'T INTERESTED IN HIM. SO YOU WERE INVOLVED WITH HER? 715 00:31:18,507 --> 00:31:20,509 NOT REALLY INVOLVED, 716 00:31:20,509 --> 00:31:23,052 BUT DAN CAUGHT US FOOLING AROUND IN MY OFFICE 717 00:31:23,052 --> 00:31:24,483 LATE ONE NIGHT LAST WEEK. 718 00:31:24,483 --> 00:31:26,655 AND YOU COULDN'T THINK OF A BETTER WAY OF SETTLING THIS 719 00:31:26,655 --> 00:31:29,388 OTHER THAN A DUEL? WE--WE--WE JUST THOUGHT IT WOULD BE FUNNY. 720 00:31:29,388 --> 00:31:31,620 DANNY SWORE THAT WE COULDN'T GET HURT. SHOOTING AT EACH OTHER? 721 00:31:31,620 --> 00:31:33,622 HE--HE RAN ALL THESE COMPLEX EQUATIONS. 722 00:31:33,622 --> 00:31:36,165 HE SAID--SAID THAT AT 40 PACES, THERE WAS NO CHANCE 723 00:31:36,165 --> 00:31:38,627 THAT WE COULD ACTUALLY HIT EACH OTHER, SOMETHING ABOUT 724 00:31:38,627 --> 00:31:41,530 18th CENTURY GUNS HAVING NO RIFLING IN THE BARREL. 725 00:31:41,530 --> 00:31:43,532 SO IF YOU COULDN'T KILL EACH OTHER, 726 00:31:43,532 --> 00:31:45,534 WHAT WAS THE POINT OF THE DUEL? 727 00:31:45,534 --> 00:31:47,306 (voice breaks) TO IMPRESS JULIA. 728 00:31:47,306 --> 00:31:51,110 (normal voice) SHE WOULD NEVER GET SERIOUS WITH GEEKS LIKE US. 729 00:31:51,110 --> 00:31:54,213 BUT WE FIGURED THAT MAYBE IF-- IF SHE SAW US DUEL OVER HER, 730 00:31:54,213 --> 00:31:58,387 THEN... (crying) MAYBE THAT ONE--THAT ONE OF-- 731 00:31:58,387 --> 00:32:01,991 ONE OF US C-- 732 00:32:01,991 --> 00:32:04,093 (sniffles) 733 00:32:04,093 --> 00:32:07,696 (crying) 734 00:32:07,696 --> 00:32:09,358 JULIA CONFIRMED THAT SHE WAS 735 00:32:09,358 --> 00:32:11,600 THE ONLY OTHER PERSON PRESENT AT THE DUEL. 736 00:32:11,600 --> 00:32:13,102 NO ONE ELSE KNEW. 737 00:32:13,102 --> 00:32:14,633 ALL RIGHT. LET HER GO. 738 00:32:14,633 --> 00:32:16,305 (continues crying) 739 00:32:16,305 --> 00:32:18,307 (Beckett) HOW DO YOU POINT THE GUN AT SOMEONE 740 00:32:18,307 --> 00:32:20,269 AND SHOOT AND NOT EXPECT TO KILL THEM? 741 00:32:20,269 --> 00:32:22,541 WELL, THEY WERE BLINDED BY THE ROMANCE OF IT ALL, 742 00:32:22,541 --> 00:32:24,543 AND GOLDSTEIN DID THE MATH. 743 00:32:24,543 --> 00:32:26,545 WELL, BETWEEN THIS AND THE LOWER TIDE FUND, 744 00:32:26,545 --> 00:32:28,377 MAYBE HE WASN'T SUCH A GENIUS. 745 00:32:28,377 --> 00:32:31,080 OR MAYBE HE'S JUST UNLUCKY. WELL, THEN I'VE GOT A PROBLEM, 746 00:32:31,080 --> 00:32:33,382 BECAUSE I HAVE TO MAKE A RECOMMENDATION TO THE D.A. 747 00:32:33,382 --> 00:32:35,024 BETWEEN MURDER AND MANSLAUGHTER, 748 00:32:35,024 --> 00:32:37,026 THE DIFFERENCE BEING LIFE IN PRISON 749 00:32:37,026 --> 00:32:40,289 OR JUST A COUPLE OF YEARS. 750 00:32:40,289 --> 00:32:43,192 I MEAN, ARE ANTIQUE GUNS REALLY SO INACCURATE? 751 00:32:45,134 --> 00:32:48,067 ONLY ONE WAY TO FIND OUT. 752 00:32:48,067 --> 00:32:51,640 (Nitzer Ebb's "Kiss Kiss Bang Bang" playing) 753 00:32:58,707 --> 00:33:00,209 ♪ KISS KISS ♪ 754 00:33:00,209 --> 00:33:02,511 ♪ BANG BANG KISS KISS ♪ 755 00:33:02,511 --> 00:33:04,983 THAT'S YOUR TARGET. THAT'S MY TARGET. 756 00:33:04,983 --> 00:33:06,285 YEAH, WELL, I-- 757 00:33:06,285 --> 00:33:08,657 SHOOT YOUR TARGET. 758 00:33:08,657 --> 00:33:10,489 ♪ BANG BANG ♪ 759 00:33:10,489 --> 00:33:12,421 ♪ KISS KISS ♪ 760 00:33:12,421 --> 00:33:14,193 ♪ BANG BANG ♪ 761 00:33:14,193 --> 00:33:17,026 ♪ KISS KISS BANG BANG ♪ 762 00:33:17,026 --> 00:33:18,767 ♪ KISS KISS ♪ 763 00:33:18,767 --> 00:33:20,269 ♪ BANG BANG ♪ 764 00:33:20,269 --> 00:33:24,073 ♪ KISS KISS BANG BANG ♪ 765 00:33:24,073 --> 00:33:25,134 (gunfire) 766 00:33:30,139 --> 00:33:32,010 ♪ THERE'S ALWAYS SOMETHING BEHIND ♪ 767 00:33:32,010 --> 00:33:35,684 ♪ YOU THINK I'M DEAF, DUMB AND BLIND ♪ 768 00:33:35,684 --> 00:33:37,516 ♪ A LOVING WORD ♪ 769 00:33:37,516 --> 00:33:39,718 ♪ AND THEN YOU GO BANG BANG ♪ 770 00:33:39,718 --> 00:33:42,151 ♪ KISS KISS, KISS KISS BANG BANG ♪ 771 00:33:42,151 --> 00:33:45,124 (gunfire) 772 00:33:45,124 --> 00:33:47,596 ♪♪♪ 773 00:33:47,596 --> 00:33:49,128 MANSLAUGHTER IT IS. 774 00:33:49,128 --> 00:33:51,200 YEAH. 775 00:33:51,200 --> 00:33:55,464 ♪♪♪ 776 00:33:55,464 --> 00:33:59,108 (creaking and clicking) 777 00:34:00,209 --> 00:34:02,040 HEY, DAD. 778 00:34:04,073 --> 00:34:06,075 HEY, THERE'S MY GIRL. 779 00:34:06,075 --> 00:34:07,616 COME HERE. 780 00:34:07,616 --> 00:34:09,318 (laughs) HEY. 781 00:34:09,318 --> 00:34:10,819 (clicking) MM. OH, UM... 782 00:34:10,819 --> 00:34:13,182 SORRY. HANG ON. 783 00:34:13,182 --> 00:34:15,524 (knob squeaks, valve hisses) OKAY. THERE WE GO. 784 00:34:15,524 --> 00:34:16,685 (laughs) 785 00:34:16,685 --> 00:34:18,787 HEY, ABOUT, UH, LAST NIGHT, 786 00:34:18,787 --> 00:34:21,590 UM, I WAS... IT WAS UNEXPECTED. 787 00:34:21,590 --> 00:34:24,062 YEAH. I'M--I'M SORRY. 788 00:34:24,062 --> 00:34:26,835 I'M SORRY, TOO. I SHOULD'VE TOLD YOU ASHLEY WAS A BOY. 789 00:34:26,835 --> 00:34:30,699 NO, WHY, UH, WHY SPOIL THE SURPRISE? SO I HAVE A QUESTION FOR YOU, 790 00:34:30,699 --> 00:34:32,671 BUT IT'S A LITTLE EMBARRASSING. 791 00:34:32,671 --> 00:34:36,205 OOH. I LOVE WHEN YOU EMBARRASS YOURSELF. DAD. 792 00:34:36,205 --> 00:34:39,178 WELL, HEY, LISTEN, YOU CAN, UH... 793 00:34:39,178 --> 00:34:41,180 YOU CAN ASK ME WHATEVER YOU WANT, 794 00:34:41,180 --> 00:34:43,512 AND... I PROMISE, I'LL DO MY BEST 795 00:34:43,512 --> 00:34:46,285 TO MAKE IT AS UNEMBARRASSING AS POSSIBLE. 796 00:34:48,357 --> 00:34:50,459 HOW DO YOU KNOW WHEN YOU'RE IN LOVE? 797 00:34:50,459 --> 00:34:51,820 I KNOW IT'S AN EMOTION... 798 00:34:51,820 --> 00:34:54,523 WELL-- A FEELING, AND YOU CAN'T EXACTLY DEFINE, 799 00:34:54,523 --> 00:34:56,695 LIKE, TECHNICALLY, HOW YOU KNOW WHEN YOU'RE FEELING IT, 800 00:34:56,695 --> 00:34:58,697 BUT SINCE I'VE NEVER FELT IT BEFORE, 801 00:34:58,697 --> 00:35:00,829 HOW DO I KNOW WHAT I'M FEELING IS EVEN IT AT ALL? 802 00:35:00,829 --> 00:35:02,831 (mutters) EXCEPT, OF COURSE, FOR THE FACT 803 00:35:02,831 --> 00:35:05,504 THAT I'M FEELING ALL THESE THINGS I'VE NEVER FELT BEFORE, 804 00:35:05,504 --> 00:35:08,437 LIKE IN MY STOMACH AND MY THROAT AND EVEN KIND OF IN MY EARS. 805 00:35:08,437 --> 00:35:11,140 I MEAN, WHICH JUST HAS TO MEAN THAT IT'S LOVE, RIGHT? 806 00:35:11,140 --> 00:35:13,142 CONSIDERING I ONLY FEEL THEM WHEN I'M WITH ASHLEY 807 00:35:13,142 --> 00:35:14,743 OR THINKING ABOUT HIM, 808 00:35:14,743 --> 00:35:16,885 I MEAN, THAT'S GOTTA BE LOVE, RIGHT? 809 00:35:16,885 --> 00:35:19,748 IF-- 'CAUSE I'M FEELING ALL THESE THINGS I'VE READ ABOUT IN POEMS 810 00:35:19,748 --> 00:35:22,191 AND HEARD ABOUT IN SONGS BUT NEVER COMPLETELY UNDERSTOOD, 811 00:35:22,191 --> 00:35:23,892 BUT NOW I DO. I UNDERSTAND. AND I'M LISTENING 812 00:35:23,892 --> 00:35:25,894 TO ALL THIS MUSIC AND READING ALL THIS POETRY 813 00:35:25,894 --> 00:35:27,896 IN A COMPLETELY NEW AND GLORIOUS LIGHT, 814 00:35:27,896 --> 00:35:30,128 WHICH I THINK JUST HAS TO MEAN THAT IT'S LOVE. 815 00:35:30,128 --> 00:35:31,830 WHAT DO YOU THINK? I-- 816 00:35:31,830 --> 00:35:34,833 I CAN'T STOP THINKING ABOUT HIM, DADDY. I DON'T EVEN WANT TO, 817 00:35:34,833 --> 00:35:37,336 'CAUSE HE'S THE GREATEST, SWEETEST, MOST ADORABLE GUY, 818 00:35:37,336 --> 00:35:40,839 AND HIS NOSE CRINKLES WHEN HE LAUGHS, AND I'M JUST SO HAPPY. 819 00:35:43,141 --> 00:35:46,375 THANKS, DAD. I LOVE YOU. 820 00:35:48,647 --> 00:35:50,649 I FEEL SO MUCH BETTER NOW. 821 00:35:50,649 --> 00:35:52,251 (laughs) 822 00:35:55,424 --> 00:35:57,426 I'M GLAD WE HAD THAT TALK. 823 00:35:57,426 --> 00:36:00,559 (doorbell buzzes) 824 00:36:00,559 --> 00:36:01,890 BECKETT. 825 00:36:01,890 --> 00:36:04,363 HOW DO YOU KNOW WHEN YOU'RE IN LOVE? 826 00:36:04,363 --> 00:36:06,665 ALL THE SONGS MAKE SENSE. 827 00:36:09,698 --> 00:36:11,840 ADAM MURPHY DIDN'T KILL GOLDSTEIN. 828 00:36:11,840 --> 00:36:13,542 BUT HE CONFESSED. 829 00:36:13,542 --> 00:36:16,705 AND I BELIEVE THAT HE BELIEVES HE DID IT, BUT HE DIDN'T. 830 00:36:16,705 --> 00:36:18,907 DO TELL. IT BOTHERED ME 831 00:36:18,907 --> 00:36:22,511 THAT WE COULDN'T HIT THE TARGET AT THE SHOOTING RANGE, 832 00:36:22,511 --> 00:36:24,953 AND SO I RAN BALLISTICS ON THE DUELING PISTOLS. 833 00:36:24,953 --> 00:36:26,955 THE BULLET THAT HIT DANIEL GOLDSTEIN 834 00:36:26,955 --> 00:36:28,917 DIDN'T MATCH EITHER ONE OF THEM. 835 00:36:28,917 --> 00:36:31,189 ADAM COULDN'T HAVE KILLED HIM. 836 00:36:31,189 --> 00:36:34,363 YOU'RE TALKING FULL-ON, GRASSY KNOLL CONSPIRACY THEORY. 837 00:36:34,363 --> 00:36:35,864 NOT THEORY, FACT. 838 00:36:35,864 --> 00:36:38,727 THERE WAS A THIRD SHOOTER, AND THAT'S OUR KILLER. 839 00:36:38,727 --> 00:36:40,469 (clinks) 840 00:36:53,211 --> 00:36:55,884 HEY, BECKETT! 841 00:36:55,884 --> 00:36:57,886 DID YOU FIND ADAM MURPHY'S BULLET? 842 00:36:57,886 --> 00:36:59,388 LEAD BALL. 843 00:36:59,388 --> 00:37:01,450 YEP. HE DIDN'T KILL GOLDSTEIN. 844 00:37:01,450 --> 00:37:04,423 BUT HE DID KILL SQUIRRELSTEIN. 845 00:37:04,423 --> 00:37:06,925 (blows air) 846 00:37:06,925 --> 00:37:08,797 WHAT ARE THE ODDS, HUH? 847 00:37:08,797 --> 00:37:11,560 OH, NO. THEY TOOK HIS CLOTHES, TOO. 848 00:37:11,560 --> 00:37:13,462 COULD YOU? AWW. 849 00:37:13,462 --> 00:37:15,564 YEAH, I KNOW. I'M SORRY. 850 00:37:15,564 --> 00:37:17,506 (police radio chatter) 851 00:37:17,506 --> 00:37:20,669 OKAY, SO WE KNOW THAT GOLDSTEIN WAS STANDING RIGHT OVER HERE... 852 00:37:20,669 --> 00:37:23,442 (Castle) FACING ADAM, WHO WAS RIGHT OVER THERE. 853 00:37:23,442 --> 00:37:26,345 RIGHT, AND IF OUR KILLER WANTED TO SHOOT HIM 854 00:37:26,345 --> 00:37:28,347 WITHOUT EITHER OF THEM SEEING HIM, 855 00:37:28,347 --> 00:37:31,820 HE WOULD BE STANDING RIGHT OVER... 856 00:37:31,820 --> 00:37:34,423 THERE, BY THAT CLUMP OF TREES. 857 00:37:34,423 --> 00:37:38,387 (police radio chatter continues) 858 00:37:38,387 --> 00:37:40,889 (woman) DETECTIVE, I'VE GOT CLOTHING FIBERS. 859 00:37:40,889 --> 00:37:44,333 (Castle) RIGHT WHERE A SHOOTER WOULD BRACE HIMSELF. 860 00:37:44,333 --> 00:37:45,964 THIS THREAD LOOK FAMILIAR? 861 00:37:45,964 --> 00:37:47,966 OH, I'D RECOGNIZE THAT BURGUNDY VELVET ANYWHERE. 862 00:37:47,966 --> 00:37:49,968 KINDA SAYS "STEAMPUNK," DOESN'T IT? 863 00:37:49,968 --> 00:37:51,900 MATTER OF FACT, 864 00:37:51,900 --> 00:37:53,872 I THINK I KNOW THE MURDER WEAPON. 865 00:37:53,872 --> 00:37:56,875 (speaks indistinctly) VOLCANO IN "JOURNEY TO THE CENTER OF THE EARTH"-- 866 00:37:56,875 --> 00:37:58,407 SNAEFELLS? 867 00:37:58,407 --> 00:37:59,578 CASTLE. 868 00:37:59,578 --> 00:38:00,949 (mouths word) 869 00:38:03,412 --> 00:38:06,355 COULDN'T STAY AWAY, HUH? CAN I GET YOU GUYS SOMETHING? 870 00:38:06,355 --> 00:38:07,856 (Beckett) SURE, TROY. 871 00:38:07,856 --> 00:38:09,718 WE'RE LOOKING FOR A SHOOTER. 872 00:38:09,718 --> 00:38:11,660 ACTUALLY, I THINK WE ALREADY FOUND ONE. 873 00:38:11,660 --> 00:38:12,961 NICE UNIFORM, BY THE WAY. 874 00:38:12,961 --> 00:38:14,893 WE FOUND YOUR FATHER'S SHOTGUN. 875 00:38:14,893 --> 00:38:16,895 WE KNOW THAT YOU MODIFIED IT 876 00:38:16,895 --> 00:38:19,368 IN ORDER TO SHOOT ANTIQUE LEAD BALL BULLETS. 877 00:38:19,368 --> 00:38:20,869 WHAT ARE YOU TALKING ABOUT? 878 00:38:20,869 --> 00:38:22,531 ADAM MURPHY ALREADY CONFESSED, RIGHT? 879 00:38:22,531 --> 00:38:24,533 TURNS OUT ADAM MURPHY COULDN'T HAVE DONE IT. 880 00:38:24,533 --> 00:38:25,904 IT'S A SCIENCEY BALLISTICS THING. 881 00:38:25,904 --> 00:38:28,837 IT WAS PRETTY CLEVER, FIRING YOUR FATHER'S SHOTGUN 882 00:38:28,837 --> 00:38:31,910 AT THE EXACT MOMENT THAT ADAM AND GOLDSTEIN FIRED THEIR GUNS. 883 00:38:31,910 --> 00:38:33,412 (Castle) MAKING ADAM BELIEVE 884 00:38:33,412 --> 00:38:35,514 THAT HE WAS THE ONE THAT KILLED GOLDSTEIN, 885 00:38:35,514 --> 00:38:37,516 RIGHT AS THE CHURCH BELLS CHIMED MIDNIGHT. 886 00:38:37,516 --> 00:38:40,849 ISN'T THAT RIGHT? 887 00:38:40,849 --> 00:38:43,922 ♪♪♪ 888 00:38:46,925 --> 00:38:48,927 SEEING HIM IN HERE EVERY NIGHT 889 00:38:48,927 --> 00:38:52,030 IN THAT RIDICULOUS OUTFIT... 890 00:38:52,030 --> 00:38:54,863 JUST THROWING AROUND ALL THAT MONEY? 891 00:38:54,863 --> 00:38:56,865 WHY SHOULD HE GET TO LIVE LIKE THAT 892 00:38:56,865 --> 00:38:58,867 WHEN MY DAD'S DEAD? 893 00:39:01,870 --> 00:39:04,873 KNOWING THAT OUR SHOOTER WAS A STAFF MEMBER AT THE CLUB 894 00:39:04,873 --> 00:39:08,577 LED US STRAIGHT BACK TO TROY. HE OVERHEARD GOLDSTEIN AND MURPHY PLANNING THE DUEL 895 00:39:08,577 --> 00:39:11,019 AND TOOK HIS OPPORTUNITY. AND THEN TROY'S ALIBI FELL APART 896 00:39:11,019 --> 00:39:13,021 AS SOON AS WE STARTED INTERVIEWING OTHER STAFF MEMBERS 897 00:39:13,021 --> 00:39:15,023 WHO COULDN'T REMEMBER SEEING HIM THERE 898 00:39:15,023 --> 00:39:16,985 HALF AN HOUR BEFORE OR AFTER THE DUEL. 899 00:39:16,985 --> 00:39:19,127 DUELING OVER A GIRL, AVENGING THE DEATH OF A LOVED ONE... 900 00:39:19,127 --> 00:39:21,990 CUTS TO THE HEART OF ROMANCE. AND THE TRAGEDY. 901 00:39:21,990 --> 00:39:24,763 SPEAKING OF TRAGEDY, DID YOU HEAR ABOUT DETECTIVE ESPOSITO? 902 00:39:24,763 --> 00:39:27,135 NO. WHAT ABOUT HIM? 903 00:39:27,135 --> 00:39:28,937 OH. HE... 904 00:39:28,937 --> 00:39:31,870 (metal squeaking) 905 00:39:31,870 --> 00:39:33,642 OH... 906 00:39:33,642 --> 00:39:35,644 (Castle) GOD, NO. 907 00:39:35,644 --> 00:39:38,006 DUDE... WHAT HAPPENED? 908 00:39:38,006 --> 00:39:40,048 NO, NO, I DON'T WANT TO HEAR IT. ESPOSITO... 909 00:39:40,048 --> 00:39:42,851 DUDE, ARE YOU OKAY? NO, I'M OKAY. WHOA! 910 00:39:42,851 --> 00:39:44,583 (Ryan) OH! (laughs) HEY! (laughs) 911 00:39:44,583 --> 00:39:47,416 (laughs) NO, I R-- I REALLY AM FINE, BRO. 912 00:39:47,416 --> 00:39:50,419 WE GOT THIS STUFF FROM STORAGE. OH, YOU SHOULDA SEEN YOUR FACES. 913 00:39:50,419 --> 00:39:53,962 CAPTAIN, YOU REALLY SOLD THAT. "SPEAKING OF TRAGEDY, DID YOU HEAR ABOUT DETECTIVE ESPOSITO?" 914 00:39:53,962 --> 00:39:55,594 HEY. SIR. 915 00:39:55,594 --> 00:39:58,767 (laughs) THAT WAS GOOD. OW! I'M NOT REALLY THAT FINE. 916 00:39:58,767 --> 00:40:02,130 OH, OH, YEAH, LET ME JUST-- SORRY. NECK BRACE, PLEASE. NECK BRACE. 917 00:40:02,130 --> 00:40:04,903 LOCK IT DOWN. LOCK IT DOWN. YEAH, YEAH, YEAH, YEAH. 918 00:40:04,903 --> 00:40:07,906 KATE. JOSH, WHAT ARE YOU DOING HERE? 919 00:40:07,906 --> 00:40:09,938 OH, I GOT YOUR TEXT. 920 00:40:09,938 --> 00:40:12,941 YOU MEAN THE TEXT WHERE I SAID I WAS GONNA PICK YOU UP? 921 00:40:12,941 --> 00:40:16,044 (chuckles) YEAH, I WAS NEARBY. WELL, UH, JOSH, THIS IS CAPTAIN MONTGOMERY, 922 00:40:16,044 --> 00:40:19,918 RICHARD CASTLE, DETECTIVES ESPOSITO AND RYAN. 923 00:40:19,918 --> 00:40:21,950 HEY, BOYS. (Montgomery and Esposito) BOYS? 924 00:40:21,950 --> 00:40:24,653 CATCH ANY BAD GUYS TODAY? EVERY DAY. 925 00:40:24,653 --> 00:40:26,795 (chuckles) YOU ALL SET? YEAH, LET ME JUST GET MY STUFF. 926 00:40:26,795 --> 00:40:27,926 OKAY. 927 00:40:32,160 --> 00:40:33,962 SO... 928 00:40:33,962 --> 00:40:36,164 YOU AND BECKETT? 929 00:40:36,164 --> 00:40:38,136 MM-HMM. WHAT ABOUT US? 930 00:40:38,136 --> 00:40:39,938 YOU TELL ME. 931 00:40:39,938 --> 00:40:42,771 YOU'RE THE WRITER. 932 00:40:42,771 --> 00:40:44,072 YEAH. 933 00:40:44,072 --> 00:40:46,475 YEAH, AND... 934 00:40:46,475 --> 00:40:48,046 AND YOU ARE? 935 00:40:48,046 --> 00:40:51,880 OH, KATE HASN'T TOLD YOU ABOUT ME, HAS SHE? 936 00:40:51,880 --> 00:40:53,952 WHAT'S TO TELL? 937 00:40:53,952 --> 00:40:55,854 (Beckett) HEY. 938 00:40:55,854 --> 00:40:58,987 YOU READY TO GO? 939 00:40:58,987 --> 00:41:01,690 YEAH. HEY, I'LL SEE YOU AROUND. 940 00:41:01,690 --> 00:41:03,692 BYE, GUYS. 941 00:41:03,692 --> 00:41:05,534 LATER. 942 00:41:19,177 --> 00:41:20,849 JUST YOU? 943 00:41:20,849 --> 00:41:22,581 (laughs) YES. 944 00:41:22,581 --> 00:41:25,153 THANKS FOR THAT TALK LAST NIGHT. 945 00:41:25,153 --> 00:41:26,855 I FEEL SO MUCH BETTER. 946 00:41:26,855 --> 00:41:28,817 HEY, YOU CAN, UH... 947 00:41:28,817 --> 00:41:30,819 YOU CAN ALWAYS TALK TO ME... 948 00:41:30,819 --> 00:41:32,691 OR AT ME. 949 00:41:32,691 --> 00:41:33,962 YEAH. 950 00:41:33,962 --> 00:41:35,924 BEING IN LOVE IS EXHAUSTING. 951 00:41:35,924 --> 00:41:37,195 (sighs) 952 00:41:37,195 --> 00:41:40,829 YEAH, YOU GOT THAT RIGHT. 953 00:41:40,829 --> 00:41:42,771 (sighs) 954 00:41:42,771 --> 00:41:45,033 YOU OKAY, DAD? 955 00:41:45,033 --> 00:41:47,005 YOU SEEM DISTRACTED. 956 00:41:47,005 --> 00:41:50,008 WHAT ARE YOU TALKING ABOUT? YOU HAVE MY UNDIVIDED ATTENTION. 957 00:41:50,008 --> 00:41:52,681 GOOD, BECAUSE I WANT TO GO ON A DATE TONIGHT. 958 00:41:52,681 --> 00:41:53,982 HOW'S THAT SOUND? 959 00:41:53,982 --> 00:41:57,085 OF COURSE. GREAT. HAVE A GOOD TIME. 960 00:41:57,085 --> 00:41:59,648 I MEANT WITH YOU, DAD. 961 00:42:02,020 --> 00:42:04,192 YOU'LL ALWAYS BE MY GO-TO GUY. 962 00:42:04,192 --> 00:42:07,055 DID GRAM PUT YOU UP TO THIS? 963 00:42:07,055 --> 00:42:10,999 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 964 00:42:10,999 --> 00:42:12,731 PITY DATE. 965 00:42:12,731 --> 00:42:14,733 I'LL TAKE IT. (laughs) 966 00:42:14,733 --> 00:42:16,735 YOU'RE A TERRIBLE LIAR. 967 00:42:16,735 --> 00:42:18,737 (laughs)