1 00:00:01,572 --> 00:00:04,004 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,004 --> 00:00:05,736 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:05,736 --> 00:00:08,179 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,179 --> 00:00:10,081 CASTLE. CASTLE. 5 00:00:10,081 --> 00:00:12,543 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:12,543 --> 00:00:14,485 AND I'VE FOUND MINE. I'M DETECTIVE KATE BECKETT. 7 00:00:14,485 --> 00:00:16,047 BECKETT. AAH! 8 00:00:16,047 --> 00:00:18,389 BECKETT? COULD YOU GET SOME BACKUP, PLEASE? 9 00:00:18,389 --> 00:00:20,391 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:20,391 --> 00:00:22,053 I GET TO BE ON HER CASE. OH! 11 00:00:22,053 --> 00:00:24,655 DO I LOOK LIKE A KILLER TO YOU? YES, YOU KILL MY PATIENCE. 12 00:00:24,655 --> 00:00:27,798 AND TOGETHER, WE CATCH KILLERS. 13 00:00:27,798 --> 00:00:29,800 I HATE THIS CASE. I KNOW. ISN'T IT GREAT? 14 00:00:29,800 --> 00:00:34,205 ♪♪♪ 15 00:00:38,769 --> 00:00:39,810 WHOA! 16 00:00:39,810 --> 00:00:42,613 ♪♪♪ 17 00:00:42,613 --> 00:00:44,115 OH,DUDE. 18 00:00:44,115 --> 00:00:46,117 OH! 19 00:00:46,117 --> 00:00:49,049 (wheel clicking) 20 00:00:49,049 --> 00:00:52,183 DUDE. 21 00:00:52,183 --> 00:00:53,384 DUDE. 22 00:00:53,384 --> 00:00:55,386 (wheel clicks and squeaks) 23 00:00:55,386 --> 00:00:58,189 (wheel squeaking) AW. SCIENCE PROJECT? 24 00:00:58,189 --> 00:00:59,730 NO, IT'S A PET. 25 00:00:59,730 --> 00:01:01,462 SAY HELLO TO THEODORE, DAD. 26 00:01:01,462 --> 00:01:03,694 I'M RAT-SITTING HIM FOR ASHLEY. HELLO, THEODORE. 27 00:01:03,694 --> 00:01:06,167 HOW GOES THE RAT RACE? DID YOU KNOW 28 00:01:06,167 --> 00:01:08,369 THE AVERAGE LIFE SPAN OF A RAT IS TWO TO THREE YEARS? 29 00:01:08,369 --> 00:01:09,840 ASHLEY'S HAD THEODORE FOR FIVE. 30 00:01:09,840 --> 00:01:13,073 AND THIS IS THE FIRST TIME HE'S LEFT HIM WITH ANYONE. 31 00:01:13,073 --> 00:01:15,106 TRUSTING YOU WITH A TREASURED PET... 32 00:01:15,106 --> 00:01:19,110 THAT'S A BIG STEP IN A RELATIONSHIP. YEAH, I GUESS IT KIND OF IS. 33 00:01:19,110 --> 00:01:20,851 I MUST SAY, THE LITTLE PLAGUE PUSHER 34 00:01:20,851 --> 00:01:23,284 IS NOT VERY DILIGENT ABOUT HIS EXERCISE. 35 00:01:23,284 --> 00:01:27,188 I DON'T KNOW. I-I THINK IT'S JUST THOSE BEADY LITTLE EYES. 36 00:01:27,188 --> 00:01:29,620 IT'S A RAT, MOTHER. THEY ALL HAVE BEADY EYES. 37 00:01:29,620 --> 00:01:31,562 THAT'S WHERE THE PHRASE COMES FROM. MM. 38 00:01:31,562 --> 00:01:34,595 DAD, THOSE ARE FOR THEODORE. HE HAS A VERY SPECIFIC DIET 39 00:01:34,595 --> 00:01:37,528 I'M SUPPOSED TO FOLLOW. WELL, UNLESS HE'S BEN, I'M SURE HE WON'T HOLD IT AGAINST ME. 40 00:01:37,528 --> 00:01:39,870 IF ANYONE NEEDS ME, 41 00:01:39,870 --> 00:01:42,873 I'LL BE IN THE PARK WITH A DEAD BODY. AH. 42 00:01:42,873 --> 00:01:44,735 WHO'S BEN? 43 00:01:44,735 --> 00:01:47,138 KILLER RAT MOVIE. BEFORE YOUR TIME. 44 00:01:47,138 --> 00:01:48,839 (Theodore squeaks) 45 00:01:50,641 --> 00:01:52,783 YOU KNOW, I UNDERSTAND FERRETS AS A PET-- 46 00:01:52,783 --> 00:01:54,785 SNAKES, SPIDERS, EVEN A HAIRLESS MOLE. 47 00:01:54,785 --> 00:01:56,287 BUT A RAT? 48 00:01:56,287 --> 00:01:58,519 PROBABLY KIDS IN THIS CITY WHO KEEP COCKROACHES AS PETS. 49 00:01:58,519 --> 00:01:59,890 YOU'RE PROBABLY RIGHT. 50 00:01:59,890 --> 00:02:01,892 WHAT'S THE STRANGEST PET YOU'VE EVER HAD? 51 00:02:01,892 --> 00:02:03,694 YOU. HEY, LANIE. 52 00:02:03,694 --> 00:02:05,856 WHAT'S THIS, A HIT-AND-RUN? 53 00:02:05,856 --> 00:02:08,329 (Lanie) IN A MANNER OF SPEAKING. 54 00:02:08,329 --> 00:02:10,901 TWO BMX BIKERS RODE OVER THE BODY, THEN CALLED IT IN. 55 00:02:10,901 --> 00:02:14,335 BUT THE CAUSE OF DEATH ARE THE GUNSHOT WOUNDS-- 56 00:02:14,335 --> 00:02:15,906 ONE TO THE CHEST, 57 00:02:15,906 --> 00:02:18,269 AND TWO MORE IN THE BACK. 58 00:02:18,269 --> 00:02:20,671 SO HE'S WOUNDED ON BOTH SIDES? 59 00:02:20,671 --> 00:02:23,344 MAYBE THERE WERE TWO SHOOTERS, HE WAS CAUGHT IN THE CROSS FIRE? 60 00:02:23,344 --> 00:02:26,217 WON'T KNOW TILL I GET HIM BACK TO THE LAB. YOU GOT AN I.D.? 61 00:02:26,217 --> 00:02:29,580 LEONARD LEVITT, OZONE PARK, QUEENS. 62 00:02:29,580 --> 00:02:31,582 WALLET, CASH, KEYS-- EVERYTHING STILL HERE. (keys jangle) 63 00:02:31,582 --> 00:02:33,854 WHICH MEANS IT WASN'T THEFT. 64 00:02:33,854 --> 00:02:35,286 NO. 65 00:02:35,286 --> 00:02:38,829 SOMETHING MUCH MORE NEFARIOUS. 66 00:02:38,829 --> 00:02:41,432 A FEATHER. 67 00:02:41,432 --> 00:02:42,933 (camera shutter clicking) 68 00:02:42,933 --> 00:02:44,695 ALTERNATING STRIPES, UNIFORM COLOR... 69 00:02:44,695 --> 00:02:46,537 (sniffs) 70 00:02:46,537 --> 00:02:47,868 (spits) 71 00:02:47,868 --> 00:02:50,471 THIS IS NO ORDINARY PIGEON FEATHER. 72 00:02:50,471 --> 00:02:52,943 THIS... THIS IS FROM A BIRD OF PREY. 73 00:02:52,943 --> 00:02:55,206 SO WHAT ARE YOU SUGGESTING, CASTLE, 74 00:02:55,206 --> 00:02:57,208 THAT A BIRD SHOT HIM THREE TIMES? 75 00:02:57,208 --> 00:02:59,210 NOT JUST ANY BIRD. 76 00:02:59,210 --> 00:03:01,252 THIS IS THE CALLING CARD OF A MURDERER 77 00:03:01,252 --> 00:03:04,585 KNOWN ONLY AS... THE FALCON KILLER. 78 00:03:04,585 --> 00:03:06,857 OR MAYBE BEFORE GETTING SHOT, 79 00:03:06,857 --> 00:03:09,560 HE JUST BENT DOWN AND PICKED UP THE FEATHER. 80 00:03:09,560 --> 00:03:11,862 SEE, THAT'S WHY YOU'LL NEVER BE A BEST-SELLING NOVELIST. 81 00:03:11,862 --> 00:03:14,765 (whispers) NO SENSE OF DRAMA. 82 00:03:14,765 --> 00:03:16,767 I FIND THAT DEAD BODIES ARE USUALLY ENOUGH. 83 00:03:16,767 --> 00:03:18,769 (jangles keys) THANKS, LANIE. 84 00:03:18,769 --> 00:03:20,671 MM-HMM. 85 00:03:20,671 --> 00:03:22,933 YO. SO WE RAN BACKGROUND ON YOUR VIC. 86 00:03:22,933 --> 00:03:24,435 IT'S PRETTY THIN. 87 00:03:24,435 --> 00:03:26,437 HE WAS A NEW YORK CITY TRANSIT EMPLOYEE. 88 00:03:26,437 --> 00:03:28,439 WORKED IN THE SUBWAY OUT OF THE 116th STREET STATION. 89 00:03:28,439 --> 00:03:30,441 HE WORKED UPTOWN AND HE LIVED IN QUEENS? 90 00:03:30,441 --> 00:03:32,443 THEN WHAT WAS HE DOING IN THE PARK? 91 00:03:32,443 --> 00:03:34,385 THAT'S PRETTY OUT OF THE WAY. 92 00:03:34,385 --> 00:03:36,387 WELL, WE THOUGHT THAT HE WAS LOOKING TO BUY 93 00:03:36,387 --> 00:03:38,749 SOME WEED OR SOME LOVE, BUT HE HAS NO DRUG HISTORY, 94 00:03:38,749 --> 00:03:40,951 NO CONVICTIONS OF SOLICITATIONS, NO NOTHING. 95 00:03:40,951 --> 00:03:42,623 AND WHAT ABOUT HIS FAMILY? 96 00:03:42,623 --> 00:03:44,625 BOTH PARENTS ARE DECEASED. GUY NEVER MARRIED, 97 00:03:44,625 --> 00:03:47,428 HAS NO CHILDREN. IT'S LIKE HE BARELY EXISTED. MAKING HIM THE PERFECT VICTIM. 98 00:03:47,428 --> 00:03:49,560 MILD-MANNERED CITY EMPLOYEE 99 00:03:49,560 --> 00:03:52,002 LURED INTO A CONVENIENTLY WOODED AREA, 100 00:03:52,002 --> 00:03:53,704 STRUCK DOWN BY A MURDERER 101 00:03:53,704 --> 00:03:56,737 WITH THE SPEED AND CUNNING OF A BIRD OF PREY. 102 00:03:56,737 --> 00:03:58,869 DON'T ASK. YOU GUYS GO TO HIS APARTMENT. 103 00:03:58,869 --> 00:04:02,443 FIND OUT WHO HE IS AND WHAT HE WAS DOING IN THE PARK. RIGHT. 104 00:04:02,443 --> 00:04:04,445 LIVIDITY AND TEMPERATURE PUTS TIME OF DEATH 105 00:04:04,445 --> 00:04:06,447 BETWEEN 5:00 AND 7:00 P.M. 106 00:04:06,447 --> 00:04:09,450 THE VICTIM ALSO HAS A BROKEN WRIST. 107 00:04:09,450 --> 00:04:11,452 COULD BE POSTMORTEM FROM THOSE BMXers 108 00:04:11,452 --> 00:04:13,253 PLAYING X GAMES ON HIS CORPSE. 109 00:04:13,253 --> 00:04:15,586 WHAT ABOUT THE GUNSHOT WOUNDS? AL THREE ENTRY WOUNDS 110 00:04:15,586 --> 00:04:17,588 WERE MADE BY THE SAME WEAPON-- A .45. 111 00:04:17,588 --> 00:04:19,490 THERE WAS ONLY ONE SHOOTER. 112 00:04:19,490 --> 00:04:21,492 SO THE SAME PERSON SHOT HIM IN THE FRONT, 113 00:04:21,492 --> 00:04:24,495 AND THEN SHOT HIM IN THE BACK? DIDN'T MAKE ANY SENSE TO ME EITHER, 114 00:04:24,495 --> 00:04:26,937 SO I DECIDED TO TAKE SOME MEASUREMENTS. 115 00:04:26,937 --> 00:04:30,000 TURNS OUT, THE WOUNDS ARE OF DIFFERENT DEPTHS. 116 00:04:30,000 --> 00:04:32,573 THE ONE ON HIS CHEST ISVERYSHALLOW, 117 00:04:32,573 --> 00:04:34,945 INDICATING THE SHOT CAME FROM A DISTANCE. 118 00:04:34,945 --> 00:04:36,777 HOW FAR? ABOUT 150 FEET. 119 00:04:36,777 --> 00:04:38,779 THAT'S QUITE AN ACCURATE SHOT WITH A HANDGUN. 120 00:04:38,779 --> 00:04:41,912 MM. YEAH, I'D SAY YOUR KILLER HAD SOME SHOOTING EXPERIENCE. 121 00:04:41,912 --> 00:04:44,915 BUT THE NEXT TWO SHOTS IN THE BACK WERE CLOSE RANGE, 122 00:04:44,915 --> 00:04:48,018 INSIDE 6 FEET, MAYBE. 123 00:04:48,018 --> 00:04:50,020 SO HE GOT SHOT IN THE CHEST AT LONG RANGE, 124 00:04:50,020 --> 00:04:52,062 TURNED AROUND TO RUN... BUT HE'S WOUNDED. 125 00:04:52,062 --> 00:04:55,065 THE KILLER GOES AFTER HIM TO FINISH WHAT HE STARTED 126 00:04:55,065 --> 00:04:57,868 WITH A DOUBLE TAP TO THE BACK. 127 00:04:57,868 --> 00:04:59,970 HE WASN'T JUST SHOT. HE WAS HUNTED DOWN AND KILLED. 128 00:04:59,970 --> 00:05:02,373 BUT WHY? 129 00:05:04,034 --> 00:05:05,836 (man speaks indistinctly) 130 00:05:09,079 --> 00:05:10,611 (whistles) 131 00:05:10,611 --> 00:05:11,912 WHOA. 132 00:05:11,912 --> 00:05:13,984 WHAT WAS THIS GUY UP TO? 133 00:05:13,984 --> 00:05:16,817 NO IDEA. 134 00:05:16,817 --> 00:05:21,422 (police radio chatter) 135 00:05:21,422 --> 00:05:24,024 WHAT ABOUT THAT? LOOKS LIKE SOME SORT OF COUNTER. 136 00:05:24,024 --> 00:05:27,498 WHAT DO YOU THINK HE WAS COUNTING? NOTHING GOOD. 137 00:05:27,498 --> 00:05:31,001 NIGHT VISION, SPOTTING SCOPE, PARABOLIC MICROPHONE-- 138 00:05:31,001 --> 00:05:32,863 TOP QUALITY, TOO. 139 00:05:32,863 --> 00:05:36,837 WHAT'S A SUBWAY WORKER DOING WITH ALL THIS? I DON'T KNOW. 140 00:05:36,837 --> 00:05:38,338 BUT WHATEVER HE WAS INTO, 141 00:05:38,338 --> 00:05:40,911 IT HAD SOMETHING TO DO WITH THE PARK. LOOK. 142 00:05:40,911 --> 00:05:43,514 THIS IS RIGHT WHERE HIS BODY WAS FOUND. 143 00:05:43,514 --> 00:05:45,446 5:26--THAT'S AROUND OUR TIME OF DEATH. 144 00:05:45,446 --> 00:05:48,379 LOOKS LIKE HE WAS TRACKING SOMETHING OR SOMEONE 145 00:05:48,379 --> 00:05:49,920 WITH THE INITIALS B.H.S. 146 00:05:49,920 --> 00:05:53,023 (Ryan) AND IT LOOKS LIKE THAT SOMEONE FOUND HIM. 147 00:05:53,023 --> 00:05:55,886 (clatters) 148 00:05:55,886 --> 00:05:57,928 SURVEILLANCE EQUIPMENT, CLANDESTINE MEETINGS, 149 00:05:57,928 --> 00:05:59,760 A PROFESSIONAL HIT-- 150 00:05:59,760 --> 00:06:02,062 MIX IN THE SUBWAY, AND WE'RE LOOKING AT 151 00:06:02,062 --> 00:06:04,765 "THE TAKING OF PELHAM 1-2-3," OR BETTER YET, 152 00:06:04,765 --> 00:06:06,637 "MONEY TRAIN." 153 00:06:06,637 --> 00:06:09,470 ANY ONE OF THESE PEOPLE COULD BE A SECRET ACCOMPLICE. 154 00:06:09,470 --> 00:06:12,403 THAT'S WHAT I LOVE ABOUT THE SUBWAY. 155 00:06:12,403 --> 00:06:15,406 DOWN HERE, EVERYONE'S GOT A STORY. SEE, THAT'S THE DIFFERENCE BETWEEN YOU AND ME, CASTLE. 156 00:06:15,406 --> 00:06:17,608 YOU SEE THE SUBWAY AS A PLACE TO PICK UP DIALOGUE 157 00:06:17,608 --> 00:06:20,511 FOR YOUR NOVELS. OR THE OCCASIONAL INVESTMENT BANKER ON HER WAY TO THE GYM. 158 00:06:20,511 --> 00:06:23,514 I, ON THE OTHER HAND, SEE IT AS A WAY OF GETTING 159 00:06:23,514 --> 00:06:25,816 FROM POINT "A" TO POINT "B." 160 00:06:25,816 --> 00:06:27,458 (clatters) 161 00:06:27,458 --> 00:06:29,490 SO LIGHTBULB LEN'S DEAD, HUH? 162 00:06:29,490 --> 00:06:32,162 LIGHTBULB LEN? YEAH, IT WAS HIS JOB TO CHANGE THE LIGHTBULBS 163 00:06:32,162 --> 00:06:34,595 IN THE STATIONS AND TUNNELS ALL OVER NEW YORK. 164 00:06:34,595 --> 00:06:36,497 I FIGURED SOMETHING WAS WRONG. 165 00:06:36,497 --> 00:06:38,899 IT'S THE FIRST TIME HE'S MISSED WORK IN 22 YEARS. 166 00:06:38,899 --> 00:06:41,602 MR. RIVERA, LEN WAS FOUND SHOT TO DEATH IN THE PARK. 167 00:06:41,602 --> 00:06:43,604 ANY IDEA WHAT HE WAS DOING THERE? 168 00:06:43,604 --> 00:06:45,606 THE GUY CHANGED LIGHTBULBS FOR A LIVING. 169 00:06:45,606 --> 00:06:48,609 YOU KNOW, A JOB LIKE THAT, IT'S NOT FOR THE SOCIAL. 170 00:06:48,609 --> 00:06:51,512 I MEAN, IN THE 12 YEARS I WAS HIS SUPERVISOR, 171 00:06:51,512 --> 00:06:53,884 I DON'T THINK WE EVER HAD ONE PERSONAL CONVERSATION. 172 00:06:53,884 --> 00:06:56,617 BUT YOU KNOW WHO YOU SHOULD TALK TO? WHO? 173 00:06:56,617 --> 00:06:59,950 (Beckett) MR. SANSONE? 174 00:06:59,950 --> 00:07:01,792 ARTHUR! 175 00:07:04,995 --> 00:07:07,598 I'M SORRY. IT'S JUST... 176 00:07:07,598 --> 00:07:09,930 WHY WOULD ANYBODY WANT TO SHOOT HIM? 177 00:07:09,930 --> 00:07:12,563 WELL, WE WERE HOPING THAT YOU COULD TELL US THAT. 178 00:07:12,563 --> 00:07:15,566 WELL, THE GUY WAS ONE OF THE UNSUNG HEROES OF THIS CITY. 179 00:07:15,566 --> 00:07:17,668 HE SAVED A LOT OF LIVES. 180 00:07:17,668 --> 00:07:20,010 I'M SORRY. I THOUGHT-- I THOUGHT HE CHANGED LIGHTBULBS. 181 00:07:20,010 --> 00:07:22,643 BAD THINGS HAPPEN IN DARKNESS, MR. CASTLE, 182 00:07:22,643 --> 00:07:24,675 DIMLY LIT TUNNELS, 183 00:07:24,675 --> 00:07:26,747 DARKENED STAIRWELLS. 184 00:07:26,747 --> 00:07:29,750 IF LEN HEARD ABOUT A BLOWN BULB BEFORE SHIFT END, 185 00:07:29,750 --> 00:07:32,753 HE WOULD STAY LATE, ON HIS OWN TIME, TO FIX IT. 186 00:07:32,753 --> 00:07:35,155 AND OF COURSE, THERE WAS HIS RESPONSE 187 00:07:35,155 --> 00:07:37,988 TO THE ABE LIPSCHITZ TRAGEDY. 188 00:07:37,988 --> 00:07:40,491 1989... 189 00:07:40,491 --> 00:07:42,733 AN ELECTROCUTION OF A BULB CHANGER 190 00:07:42,733 --> 00:07:44,665 AT THE BRIGHTON BEACH STATION. 191 00:07:44,665 --> 00:07:48,539 THIS IS A CIRCUIT INTERRUPTER SWITCH. 192 00:07:48,539 --> 00:07:49,900 (crackles) 193 00:07:49,900 --> 00:07:52,743 SHUTS DOWN ALL OF THE POWER INSIDE A TUNNEL 194 00:07:52,743 --> 00:07:56,246 SO THAT ELECTRICAL MAINTENANCE COULD BE PERFORMED SAFELY. 195 00:07:56,246 --> 00:07:58,609 (electricity powers on) 196 00:07:58,609 --> 00:08:00,250 DOWN HERE... 197 00:08:00,250 --> 00:08:02,553 IT'S CALLED THE LENNY BOX... 198 00:08:02,553 --> 00:08:04,655 BECAUSE IT TOOK A VISIONARY 199 00:08:04,655 --> 00:08:06,657 LIKE LEN LEVITT TO DESIGN IT 200 00:08:06,657 --> 00:08:09,489 AND FORCE THE TRANSIT AUTHORITY TO INSTALL ONE IN EVERY STATION 201 00:08:09,489 --> 00:08:12,092 IN THIS CITY. WHAT ABOUT HIGH-TECH GEAR? 202 00:08:12,092 --> 00:08:14,565 DID LENNY EVER USE ANY NIGHT VISION 203 00:08:14,565 --> 00:08:16,266 OR MICROPHONES FOR HIS WORK? 204 00:08:16,266 --> 00:08:17,968 NO. WHY? 205 00:08:17,968 --> 00:08:21,602 HOW ABOUT THE INITIALS B.H.S.? DOES THAT MEAN ANYTHING TO YOU? 206 00:08:21,602 --> 00:08:24,074 MAYBE SOMEONE OR SOMETHING THAT LEN WAS KEEPING TABS ON. 207 00:08:24,074 --> 00:08:26,777 THE ONLY THING LEN LEVITT EVER KEPT TABS ON 208 00:08:26,777 --> 00:08:28,939 WAS EVERY SINGLE BULB HE EVER CHANGED. 209 00:08:28,939 --> 00:08:31,211 DID HE HAVE ANY ENEMIES THAT YOU KNOW OF? 210 00:08:31,211 --> 00:08:33,944 YOU DON'T MAKE WAVES WITHOUT MAKING A FEW ENEMIES. 211 00:08:33,944 --> 00:08:35,245 BECAUSE OF LEN, 212 00:08:35,245 --> 00:08:37,588 WE'RE IN THE MIDDLE OF A SYSTEMWIDE CHANGEOVER 213 00:08:37,588 --> 00:08:39,690 FROM INCANDESCENT TO COMPACT FLUORESCENTS. 214 00:08:39,690 --> 00:08:41,792 NEW TECHNOLOGY COMES IN, 215 00:08:41,792 --> 00:08:44,124 THE CITY ENDS UP WITH A WAREHOUSE FULL OF OLD BULBS. 216 00:08:44,124 --> 00:08:46,126 THAT MAKES SOME GUY IN A SUIT 217 00:08:46,126 --> 00:08:48,128 AT THE OLD BULB FACTORY VERY UNHAPPY. 218 00:08:48,128 --> 00:08:50,100 YOU ASK ME, 219 00:08:50,100 --> 00:08:53,063 CORPORATIONS CONSPIRED TO TAKE LENNY OUT. 220 00:08:53,063 --> 00:08:54,965 "'LENNY BOX.'" 221 00:08:54,965 --> 00:08:57,237 SO THE GUY'S AN INVENTOR? 222 00:08:57,237 --> 00:08:59,940 APPARENTLY HE WAS AN UNDERGROUND RENAISSANCE MAN. 223 00:08:59,940 --> 00:09:02,673 GUESS THAT EXPLAINS ALL THE ELECTRONICS. AND THE COUNTER IN HIS APARTMENT-- 224 00:09:02,673 --> 00:09:04,675 ALL THE LIGHTBULBS HE CHANGED. 225 00:09:04,675 --> 00:09:06,977 SERIOUSLY, THIS GUY CHANGED OVER A MILLION LIGHTBULBS? 226 00:09:06,977 --> 00:09:08,979 THE MAN WAS AN UNSUNG HERO, ALL RIGHT? 227 00:09:08,979 --> 00:09:12,082 CUT DOWN BY THE FORCES OF BIG BULB. BIG BULB? 228 00:09:12,082 --> 00:09:13,754 THE FILAMENT-INDUSTRIAL COMPLEX. 229 00:09:13,754 --> 00:09:16,086 LENNY'S BUDDY IS DELUSIONAL IF HE ACTUALLY THINKS 230 00:09:16,086 --> 00:09:18,058 THAT LENNY WAS KILLED BY A LIGHTBULB CONSPIRACY. 231 00:09:18,058 --> 00:09:21,061 WELL, I WOULDN'T DISMISS OUR SUBTERRANEAN FRIEND JUST YET. 232 00:09:21,061 --> 00:09:23,063 I WAS RUNNING THROUGH LEN'S PHONE RECORDS, 233 00:09:23,063 --> 00:09:25,896 AND ONE JUMPED OUT. THE OUTGOING CALL 234 00:09:25,896 --> 00:09:28,268 TO THE NEW YORK CITY EMPLOYEE TIP LINE? 235 00:09:28,268 --> 00:09:32,272 IT'S WHERE YOU CALL TO RAT OUT YOUR COWORKERS. MUST "RAT" ALWAYS BE USED IN THE PEJORATIVE? 236 00:09:32,272 --> 00:09:34,845 IN THE CHINESE ZODIAC, THE RAT IS AC-- WHAT WAS THE TIP? 237 00:09:34,845 --> 00:09:36,977 WELL, ALL THOSE INCANDESCENT BULBS THEY WERE REPLACING? 238 00:09:36,977 --> 00:09:38,979 LEVITT CLAIMS THAT HE HAD EVIDENCE HIS SUPERVISOR WAS 239 00:09:38,979 --> 00:09:41,852 STEALING THEM AND THEN RESELLING THEM ON THE BLACK MARKET. 240 00:09:41,852 --> 00:09:44,685 YOU MEAN MARIO RIVERA? THE SAME. THE CHARGES PAN OUT, 241 00:09:44,685 --> 00:09:47,057 THE GUY COULD LOSE HIS JOB AND HIS PENSION. 242 00:09:47,057 --> 00:09:49,760 OH, AND GET THIS, BEFORE HE WAS IN THE TRANSIT AUTHORITY, 243 00:09:49,760 --> 00:09:51,762 MARIO WAS IN THE MARINE CORPS FOR EIGHT YEARS 244 00:09:51,762 --> 00:09:59,630 WHERE HE WON A WEAPONS MEDAL FOR SHARPSHOOTING. 245 00:10:07,077 --> 00:10:09,079 WHERE WERE YOU LAST NIGHT BETWEEN 5:00 AND 7:00 P.M.? 246 00:10:09,079 --> 00:10:11,211 WORKING. WE CHECKED. YOU CLOCKED OUT AT 4:34. 247 00:10:11,211 --> 00:10:14,885 YOU, UH, HOP THE B OR THE D DOWN TO 59th STREET. 248 00:10:14,885 --> 00:10:17,087 THE EXPRESS ONLY TAKES, WHAT, TEN MINUTES? 249 00:10:17,087 --> 00:10:19,820 PLENTY OF TIME TO GET TO THE PARK, KILL LEN. WHY WOULD I KILL LEN? 250 00:10:19,820 --> 00:10:21,822 BECAUSE HE FILED A REPORT AGAINST YOU 251 00:10:21,822 --> 00:10:23,954 WITH THE TRANSIT AUTHORITY WHEN HE FOUND OUT 252 00:10:23,954 --> 00:10:26,897 ABOUT COSTA RICA. WHAT THE HELL ARE YOU GUYS TALKING ABOUT? 253 00:10:26,897 --> 00:10:29,660 THESE ARE E-MAILS THAT WERE SENT FROM YOU 254 00:10:29,660 --> 00:10:32,032 TO YOUR CONTACT IN COSTA RICA. 255 00:10:34,034 --> 00:10:37,107 THESE ARE MY PRIVATE E-MAILS. 256 00:10:37,107 --> 00:10:39,870 SENT FROM A WORKPLACE COMPUTER, WHICH MEANS WE CAN LOOK. 257 00:10:39,870 --> 00:10:42,713 SO I WAS THINKING ABOUT TAKING A VACATION DOWN THERE. 258 00:10:42,713 --> 00:10:44,014 YEAH, DRINK A FEW CERVEZAS, 259 00:10:44,014 --> 00:10:46,016 MAYBE GO PARASAILING ON THE BEACH, 260 00:10:46,016 --> 00:10:48,879 SELL SOME LIGHTBULBS TO SOME LOCALS. 261 00:10:48,879 --> 00:10:50,180 THE CITY HAS A WAREHOUSE 262 00:10:50,180 --> 00:10:52,182 FULL OF OLD, INCANDESCENT LIGHTBULBS 263 00:10:52,182 --> 00:10:54,184 THAT YOU FIGURED NO ONE WOULD MISS, 264 00:10:54,184 --> 00:10:56,887 SO YOU SOLD THEM TO A WHOLESALER IN COSTA RICA 265 00:10:56,887 --> 00:10:58,889 FOR 20 CENTS A POP. THAT'S 100 GRAND. 266 00:10:58,889 --> 00:11:00,761 (Castle) ONLY SOMEONE DID MISS THEM. 267 00:11:00,761 --> 00:11:03,834 SOMEONE WITH THE WORD "LIGHTBULB" IN HIS NAME. 268 00:11:03,834 --> 00:11:05,836 WHEN YOU FOUND OUT LEN WAS ON TO YOU, 269 00:11:05,836 --> 00:11:07,938 YOU REALIZED YOU COULD LOSE YOUR JOB AND YOUR PENSION. 270 00:11:07,938 --> 00:11:09,940 YOU COULDN'T AFFORD TO LET HIM GO TO THE TRANSIT AUTHORITY 271 00:11:09,940 --> 00:11:12,102 WITH WHAT HE KNEW. 272 00:11:12,102 --> 00:11:14,674 I DIDN'T KILL NOBODY. WELL, THEN WHY DON'T YOU JUST COME CLEAN 273 00:11:14,674 --> 00:11:17,007 WITH WHAT YOU DID LAST NIGHT BETWEEN 5:00 AND 7:00? 274 00:11:17,007 --> 00:11:18,949 THE THING ABOUT MURDERERS, MARIO, 275 00:11:18,949 --> 00:11:22,813 IS THEY TEND TO NOT HAVE SOLID ALIBIS. 276 00:11:22,813 --> 00:11:25,685 GENERALLY BECAUSE THEY'RE MURDERING SOMEBODY. 277 00:11:25,685 --> 00:11:27,387 LOOK... (clears throat) 278 00:11:27,387 --> 00:11:30,060 THOSE OLD LIGHTBULBS WERE JUST GONNA GET DESTROYED 279 00:11:30,060 --> 00:11:32,062 AND END UP IN A LANDFILL. 280 00:11:32,062 --> 00:11:34,124 I WAS DOING THE CITY A FAVOR. 281 00:11:34,124 --> 00:11:36,426 SO I MAKE A LITTLE EXTRA. SO WHO GETS HURT? 282 00:11:36,426 --> 00:11:39,469 UH... I'M GONNA GO WITH LEN. 283 00:11:39,469 --> 00:11:42,032 LAST CHANCE, MARIO. 284 00:11:45,035 --> 00:11:47,978 AFTER WORK, I WENT UP TO THE GRAND CONCOURSE 285 00:11:47,978 --> 00:11:50,981 TO PACK UP A SHIPMENT OF LIGHTBULBS. 286 00:11:50,981 --> 00:11:54,084 THEY WENT OUT TO COSTA RICA LAST NIGHT. 287 00:11:54,084 --> 00:11:56,286 YOU CAN CHECK. 288 00:11:56,286 --> 00:11:58,148 I WAS THERE. 289 00:11:58,148 --> 00:11:59,820 THANKS. 290 00:11:59,820 --> 00:12:03,023 HE'S TELLING THE TRUTH. LEN'S CALL TO THE TIP LINE? 291 00:12:03,023 --> 00:12:05,025 TURNS OUT THAT THE TRANSIT COPS 292 00:12:05,025 --> 00:12:07,027 HAD HIM UNDER SURVEILLANCE ALL LAST WEEK. 293 00:12:07,027 --> 00:12:10,030 HIS TAIL HAS HIM IN THE BRONX LAST NIGHT JUST LIKE HE SAID. CALL THE TRANSIT COPS 294 00:12:10,030 --> 00:12:13,003 AND TELL THEM THAT WE JUST CLOSED THEIR CASE FOR THEM. RIGHT. 295 00:12:13,003 --> 00:12:15,966 SO IF LIGHTBULBS DIDN'T GET LENNY KILLED, THEN WHAT DID? 296 00:12:15,966 --> 00:12:19,169 YOU KNOW, IT CAN'T BE A COINCIDENCE THAT HE WAS KILLED 297 00:12:19,169 --> 00:12:21,972 RIGHT THERE AT ABOUT THE SAME TIME THAT HE HAS WRITTEN DOWN. 298 00:12:21,972 --> 00:12:25,275 AND WHAT DOES "B.H.S." STAND FOR? BRONX HIGH SCHOOL? 299 00:12:25,275 --> 00:12:28,518 HMM. BIG HONKIN' STEREO? 300 00:12:28,518 --> 00:12:31,021 BOYS HAVE SHOES? TRY BYRON H. SINGER. 301 00:12:31,021 --> 00:12:33,453 I FOUND A SMALL VENDOR DECAL ON THE SIDE 302 00:12:33,453 --> 00:12:35,455 OF THE PARABOLIC MICROPHONE WE FOUND IN HIS APARTMENT, 303 00:12:35,455 --> 00:12:38,028 SO I CALLED THE VENDOR TO FIND OUT IF HE KNEW 304 00:12:38,028 --> 00:12:40,030 WHY LEN BOUGHT THE EQUIPMENT. 305 00:12:40,030 --> 00:12:42,062 TURNS OUT, LEN DIDN'T BUY IT AT ALL. 306 00:12:42,062 --> 00:12:45,165 IT WAS PURCHASED TWO MONTHS AGO BY AN INSURANCE ACTUARY 307 00:12:45,165 --> 00:12:47,838 NAMED BYRON H. SINGER. (amplified voice) B.H.S.! 308 00:12:47,838 --> 00:12:49,870 (feedback screeches) SORRY. 309 00:12:49,870 --> 00:12:51,141 (screech) 310 00:12:51,141 --> 00:12:53,944 MR. SINGER, THANK YOU FOR COMING DOWN. 311 00:12:53,944 --> 00:12:56,146 THEY SAID IT WAS IMPORTANT. 312 00:12:56,146 --> 00:12:58,178 DO YOU KNOW A MAN NAMED LEN LEVITT? 313 00:12:58,178 --> 00:13:01,251 WHAT DID THAT BASTARD TELL YOU? HE DIDN'T TELL US ANYTHING. 314 00:13:01,251 --> 00:13:03,954 GOOD, BECAUSE HE'S A LIAR. 315 00:13:03,954 --> 00:13:06,256 HE THOUGHT HE KNEW BETTER THAN ME. 316 00:13:06,256 --> 00:13:08,288 HE THOUGHT HE KNEW BETTER THAN EVERYBODY. MR. SINGER-- 317 00:13:08,288 --> 00:13:10,560 I DON'T CARE IF HE DIDN'T BELIEVE ME. 318 00:13:10,560 --> 00:13:13,964 I DON'T CARE HOW MUCH IT HURT HIM. I KNOW WHAT I SAW. 319 00:13:13,964 --> 00:13:15,295 AND WHAT DID YOU SEE? 320 00:13:15,295 --> 00:13:17,067 THE TWO OF THEM, TOGETHER, 321 00:13:17,067 --> 00:13:20,130 IN THE PARK, LIKE A PAIR OF LOVEBIRDS. 322 00:13:20,130 --> 00:13:22,402 BUT HE ACCUSED ME OF MAKING THE WHOLE THING UP. 323 00:13:22,402 --> 00:13:24,404 I MEAN, WHY WOULD I MAKE SOMETHING LIKE THAT UP? 324 00:13:24,404 --> 00:13:26,036 WHY WOULD ANYBODY? 325 00:13:26,036 --> 00:13:28,979 MR. SINGER, WHAT EXACTLY DID YOU SEE IN THE PARK? 326 00:13:28,979 --> 00:13:30,981 I SAW ENOUGH. 327 00:13:30,981 --> 00:13:34,014 AND BELIEVE ME, I WAS PRETTY SHOCKED TO SEE THEM TOGETHER. 328 00:13:34,014 --> 00:13:37,247 I KNEW I HAD TO TELL LEN BEFORE SOMEBODY ELSE DID. 329 00:13:37,247 --> 00:13:39,920 LEN MUST HAVE BEEN VERY ANGRY WHEN YOU TOLD HIM. 330 00:13:39,920 --> 00:13:42,292 VERY ANGRY AND JEALOUS, BUT I HAD FOLLOWED THEM 331 00:13:42,292 --> 00:13:43,954 AND FOUND THEIR SECRET SPOT. 332 00:13:43,954 --> 00:13:46,957 AND I TOLD HIM WHERE AND WHEN TO FIND THEM. 333 00:13:46,957 --> 00:13:48,959 I EVEN LENT HIM SOME OF MY EQUIPMENT 334 00:13:48,959 --> 00:13:52,933 SO HE COULD SPY ON THEM HIMSELF. SO LEN GOES TO THE PARK, AND HE SEES FOR HIMSELF. 335 00:13:52,933 --> 00:13:55,065 AND THEN HE CONFRONTS THEM IN A JEALOUS RAGE, 336 00:13:55,065 --> 00:13:57,367 AND THEY KILL HIM. THEY DO WHAT NOW? 337 00:13:57,367 --> 00:14:00,140 THEY KILL HIM--THE CHEATING GIRLFRIEND AND THE LOVER. 338 00:14:00,140 --> 00:14:03,443 WHAT ARE YOU TALKING ABOUT? (Beckett and Castle) WHAT ARE YOU TALKING ABOUT? 339 00:14:03,443 --> 00:14:06,016 UH... WHO DID YOU SEE IN THE PARK THAT NIGHT? 340 00:14:06,016 --> 00:14:08,048 THE RED-TAILED HAWKS. 341 00:14:08,048 --> 00:14:10,050 OH. THERE HAVEN'T BEEN A NESTING PAIR IN THE PARK 342 00:14:10,050 --> 00:14:11,551 FOR 40 YEARS. 343 00:14:11,551 --> 00:14:13,984 YOU MEAN, THIS IS ABOUT BIRDS? 344 00:14:13,984 --> 00:14:16,026 NOT JUST BIRDS. THE RED-TAILED HAWKS. 345 00:14:16,026 --> 00:14:18,959 LEN OVERSEES THE LOG IN THE CENTRAL PARK BOATHOUSE, 346 00:14:18,959 --> 00:14:21,191 WHERE ALL THE SIGHTINGS ARE OFFICIALLY RECORDED. 347 00:14:21,191 --> 00:14:24,064 BUT HE REFUSED TO ACKNOWLEDGE MY SIGHTING. 348 00:14:24,064 --> 00:14:26,266 SO I TOLD HIM, IF HE DIDN'T BELIEVE ME, 349 00:14:26,266 --> 00:14:28,969 HE SHOULD GO OUT TO THE PARK AND SEE FOR HIMSELF. 350 00:14:28,969 --> 00:14:30,971 THEY NEST AT DUSK. 351 00:14:30,971 --> 00:14:32,973 MR. SINGER, WERE YOU IN THE PARK YESTERDAY 352 00:14:32,973 --> 00:14:35,305 BETWEEN 5:00 AND 7:00 P.M.? 353 00:14:35,305 --> 00:14:39,379 USUALLY I AM, BUT YESTERDAY I WAS IN MY OFFICE, WORKING. 354 00:14:39,379 --> 00:14:41,982 AND CAN ANY OF YOUR COLLEAGUES VERIFY THAT? 355 00:14:41,982 --> 00:14:44,014 I'M SURE THEY CAN, BUT ABOUT THE HAWKS-- 356 00:14:44,014 --> 00:14:46,016 AND I WANT THIS ON THE OFFICIAL RECORD-- 357 00:14:46,016 --> 00:14:50,360 I WOULD NEVER EXAGGERATE OR FABRICATE A BIRD SIGHTING. 358 00:14:50,360 --> 00:14:53,363 IT'S UNTHINKABLE. 359 00:14:53,363 --> 00:14:55,425 THEY'RE THERE, 360 00:14:55,425 --> 00:14:57,998 AND I SAW THEM FIRST. 361 00:14:57,998 --> 00:15:01,431 I'M PUTTING THAT IN THE OFFICIAL RECORD. (slides folder) 362 00:15:01,431 --> 00:15:05,235 SO THE EQUIPMENT, THE PARK, THE FEATHER, AND B.H.S.-- 363 00:15:05,235 --> 00:15:07,407 IT LOOKS LIKE WE'VE EXPLAINED EVERYTHING. 364 00:15:07,407 --> 00:15:10,680 YES, EXCEPT WHY HE WAS KILLED. 365 00:15:15,445 --> 00:15:17,117 MORNING, MOTHER. 366 00:15:17,117 --> 00:15:19,149 MORNING. 367 00:15:20,991 --> 00:15:25,125 SO WHY IS GRAM ON THE TABLE AND WHY ARE YOU ON THE FLOOR? DAD, HE'S GONE. 368 00:15:25,125 --> 00:15:27,998 THEODORE? WHEN I FED HIM HIS QUINOA SALAD WITH WHEAT BERRIES, 369 00:15:27,998 --> 00:15:30,961 I MUST NOT HAVE CLOSED THE CAGE DOOR ALL THE WAY, 370 00:15:30,961 --> 00:15:34,134 AND NOW HE'S GONE, AND ASHLEY'S GOING TO HATE ME. OH, HE'S NOT GONNA HATE YOU. HE'LL UNDERSTAND. 371 00:15:34,134 --> 00:15:37,137 NO, HE WON'T. HE TRUSTED ME, AND I LET HIM DOWN. NO, NOT YET, YOU HAVEN'T. 372 00:15:37,137 --> 00:15:39,569 WE'LL FIND HIM. HAVE YOU LOOKED IN YOUR ROOM? AND IN GRAM'S, TOO. 373 00:15:39,569 --> 00:15:41,541 IF THAT CREATURE ENTERED MY ROOM, 374 00:15:41,541 --> 00:15:44,975 I'M GONNA NEED A NEW BED... AND WARDROBE. 375 00:15:44,975 --> 00:15:47,978 DAD, WHAT IF HE GOT OUT? LIKE "OUT" OUT? ALL RIGHT, THEODORE IS AN UPTOWN RAT. 376 00:15:47,978 --> 00:15:50,280 HE'S HERE SOMEPLACE. OKAY, TO FIND A RODENT, 377 00:15:50,280 --> 00:15:52,552 YOU HAVE TO THINK LIKE A RODENT. 378 00:15:52,552 --> 00:15:55,125 (inhales deeply) YOU ARE THEODORE. 379 00:15:55,125 --> 00:15:58,128 WHAT DO YOU WANT? FOOD. 380 00:15:58,128 --> 00:16:01,031 EH, YOU GOT A PERSONAL CHEF. YOU'RE NOT HUNGRY. 381 00:16:01,031 --> 00:16:03,994 WARMTH. I'D WANT TO STAY WARM AND SAFE. 382 00:16:03,994 --> 00:16:05,996 YEAH, A COZY, QUIET PLACE, OUT OF THE WAY, 383 00:16:05,996 --> 00:16:08,999 WHERE NO ONE'S GONNA STEP ON YOU. FRONT HALL CLOSET. 384 00:16:08,999 --> 00:16:10,300 (Castle) NICE. 385 00:16:13,003 --> 00:16:15,045 YOU SEE HIM? 386 00:16:15,045 --> 00:16:18,048 NO. HE'S NOT HERE. 387 00:16:18,048 --> 00:16:19,709 HE'S NOT HERE. 388 00:16:19,709 --> 00:16:21,081 WHAT? 389 00:16:22,512 --> 00:16:24,454 YOU NEED TO GO. 390 00:16:24,454 --> 00:16:26,586 AND LEAVE YOU RATLESS? 391 00:16:26,586 --> 00:16:29,589 IT'S MY RESPONSIBILITY, DAD. NOT YOURS. 392 00:16:29,589 --> 00:16:31,361 I'LL FIND HIM. 393 00:16:31,361 --> 00:16:34,024 ARE YOU SURE? YEAH. 394 00:16:34,024 --> 00:16:38,298 ALL RIGHT. YOU CALL ME... IF YOU NEED ANYTHING. 395 00:16:38,298 --> 00:16:41,371 JUST SO YOU KNOW, I'M CHECKING INTO THE PLAZA, 396 00:16:41,371 --> 00:16:43,433 AND YOU'RE PAYING. 397 00:16:46,606 --> 00:16:50,110 OKAY, CASTLE, I'M HERE. WHAT WAS SO IMPORTANT? 398 00:16:50,110 --> 00:16:52,182 YOUR FIRST CLUE IS... 399 00:16:52,182 --> 00:16:56,046 THE CURIOUS INCIDENT OF THE DOG IN THE NIGHTTIME. 400 00:16:56,046 --> 00:16:59,319 OH, JEEZ, CASTLE. I HAVEN'T EVEN HAD MY COFFEE YET. 401 00:16:59,319 --> 00:17:01,191 THANK YOU. 402 00:17:01,191 --> 00:17:03,153 FROM THE SHERLOCK HOLMES STORY, "SILVER BLAZE." 403 00:17:03,153 --> 00:17:05,655 HOLMES UNMASKS THE MURDERER BECAUSE OF WHAT DIDN'T HAPPEN. 404 00:17:05,655 --> 00:17:07,757 THE DOG DIDN'T BARK. 405 00:17:07,757 --> 00:17:11,161 THAT'S HOW HE KNEW THE DOG MUST HAVE KNOWN THE KILLER. OKAY. YES, I REMEMBER THE STORY. 406 00:17:11,161 --> 00:17:13,163 THEN YOU KNOW THAT THE HARDEST FORM OF DETECTION 407 00:17:13,163 --> 00:17:16,106 IS LOOKING FOR THE THING THAT ISN'T THERE. 408 00:17:16,106 --> 00:17:19,369 BYRON SAID THAT LEN WAS GOING TO VERIFY THE HAWKS. 409 00:17:19,369 --> 00:17:22,612 VERIFY, AS IN "PROVIDE PROOF," WHICH MEANS... 410 00:17:22,612 --> 00:17:25,145 HE WOULD'VE HAD A CAMERA... WHICH WE DIDN'T FIND. 411 00:17:25,145 --> 00:17:28,448 AND IF HE WAS TAKING PICTURES... WE SHOULD BE ABLE TO FIGURE OUT WHAT HE WAS UP TO. 412 00:17:28,448 --> 00:17:31,081 WE FOUND THE BODY HERE, 413 00:17:31,081 --> 00:17:33,083 WHERE HE TOOK THE LAST TWO BULLETS... 414 00:17:33,083 --> 00:17:34,584 RUNNING AWAY FROM HIS KILLER. 415 00:17:34,584 --> 00:17:36,226 HE HAD A BROKEN WRIST. 416 00:17:36,226 --> 00:17:38,788 FROM THE BMX GUYS RIDING OVER HIS BODY. 417 00:17:38,788 --> 00:17:41,231 OR HE FELL FROM A TREE. 418 00:17:44,364 --> 00:17:45,835 THIS TREE. 419 00:17:45,835 --> 00:17:48,168 THERE'S A FRESH DIVOT. 420 00:17:52,672 --> 00:17:54,804 (clicking mouse) (Beckett) IT'S ALL BIRDS. 421 00:17:54,804 --> 00:17:57,547 (Castle) MM. RED-TAILED HAWKS. 422 00:17:57,547 --> 00:18:00,450 LOOKS LIKE BYRON SINGER WAS TELLING THE TRUTH AFTER ALL. 423 00:18:00,450 --> 00:18:02,512 YEAH, REMIND ME TO NOTIFY THE BIRD POLICE. 424 00:18:02,512 --> 00:18:05,785 BUT I DOUBT IT WAS THE HAWKS THAT KILLED HIM. 425 00:18:05,785 --> 00:18:08,258 WHOA. 426 00:18:08,258 --> 00:18:10,520 LIGHTBULB LEN WITNESSED A CHILD ABDUCTION. 427 00:18:10,520 --> 00:18:12,792 (click) 428 00:18:12,792 --> 00:18:15,425 AND THE LAST THING HE SAW WAS HIS KILLER. 429 00:18:23,773 --> 00:18:25,775 WE DON'T KNOW HIS NAME OR AGE, 430 00:18:25,775 --> 00:18:28,508 BUT WE'RE ESTIMATING BETWEEN 10 AND 12 YEARS OLD. 431 00:18:28,508 --> 00:18:31,641 HE HAS BROWN HAIR, HAZEL EYES, AND WAS LAST SEEN 432 00:18:31,641 --> 00:18:35,114 WEARING SHORTS, SNEAKERS, AND A GRAY AND WHITE JACKET. 433 00:18:35,114 --> 00:18:37,517 NOW OUR KIDNAPPER IS MALE, BROWN HAIR, 434 00:18:37,517 --> 00:18:39,889 BETWEEN 5'10" AND 6". 435 00:18:39,889 --> 00:18:43,523 HE WAS CARRYING A GLOCK .45, 436 00:18:43,523 --> 00:18:45,525 WHICH MATCHES THE SIZE OF THE SLUGS 437 00:18:45,525 --> 00:18:48,198 THAT WE FOUND IN OUR VICTIM'S BODY. 438 00:18:48,198 --> 00:18:50,300 NOW BOTH PHOTOS HAVE TIME STAMPS ON THEM, 439 00:18:50,300 --> 00:18:52,302 SO WE KNOW THAT THE ABDUCTION TOOK PLACE 440 00:18:52,302 --> 00:18:54,304 AT 5:12 P.M. ON TUESDAY. AFTER 48 HOURS, 441 00:18:54,304 --> 00:18:56,666 THE CHANCES OF FINDING A CHILD ABDUCTION VICTIM ALIVE 442 00:18:56,666 --> 00:18:58,368 GO WAY DOWN. 443 00:18:58,368 --> 00:19:02,542 THE ONLY THING THAT MATTERS IS FINDING THAT KID. 444 00:19:02,542 --> 00:19:05,875 (officers speaking indistinctly) 445 00:19:09,649 --> 00:19:11,651 IF HE'S BEEN MISSING FOR 36 HOURS, 446 00:19:11,651 --> 00:19:14,224 HOW COME HIS PARENTS HAVEN'T REPORTED IT? THEY MIGHT NOT KNOW. 447 00:19:14,224 --> 00:19:16,826 OR THEY MIGHT BE UNDER DURESS. 448 00:19:16,826 --> 00:19:18,488 HE WAS WEARING SHORTS, 449 00:19:18,488 --> 00:19:21,731 WHICH PROBABLY MEANS HE KNEW HE WAS GOING TO THE PARK. 450 00:19:21,731 --> 00:19:23,733 WELL, IF HE WASN'T LURED THERE, 451 00:19:23,733 --> 00:19:26,396 MAYBE HE KNEW HIS KIDNAPPER. BUT THEN WHY WOULD THE KIDNAPPER NEED A GUN? 452 00:19:26,396 --> 00:19:29,199 (Ryan) I E-MAILED THE PHOTO TO THE NEW YORK STATE POLICE 453 00:19:29,199 --> 00:19:31,201 AND THE PAROLE DIVISION. THEY'RE LOOKING INTO 454 00:19:31,201 --> 00:19:33,443 ANY KIDNAPPERS WITH THIS ABDUCTION M.O. 455 00:19:33,443 --> 00:19:35,745 AND ESPOSITO IS CANVASSING THAT PART OF THE PARK 456 00:19:35,745 --> 00:19:38,278 LOOKING FOR ANY WITNESSES. WELL, WHAT ABOUT SCHOOLS? 457 00:19:38,278 --> 00:19:40,179 IF THE BOY GOES TO A LOCAL SCHOOL, 458 00:19:40,179 --> 00:19:42,181 THEY'D KNOW HE WAS ABSENT. HAVE UNIFORMS FAX HIS PHOTO 459 00:19:42,181 --> 00:19:44,614 TO ALL SCHOOLS IN THE FIVE BOROUGHS. DONE. 460 00:19:44,614 --> 00:19:48,288 THAT CAR LOOKS TO BE, LIKE, A COMPACT OR A SUBCOMPACT. 461 00:19:48,288 --> 00:19:50,760 CAN WE GET THE MAKE OR MODEL? LAB'S ALREADY LOOKING INTO IT. 462 00:19:50,760 --> 00:19:53,263 WE'RE PULLING VIDEO FROM ALL TRAFFIC CAMERAS ON THE STREETS 463 00:19:53,263 --> 00:19:55,595 LEADING IN AND OUT OF THE PARK ON TUESDAY EVENING. 464 00:19:55,595 --> 00:19:57,967 MAYBE WE'LL CATCH A LICENSE PLATE. OR THE DRIVER'S FACE. 465 00:19:57,967 --> 00:20:01,271 WHAT IF WE WERE TO ENLARGE THIS PART OF THE PHOTO-- 466 00:20:01,271 --> 00:20:04,834 NOT THE FACE, JUST THIS PART OF THE WINDOW? ARE YOU THINKING OF THE REFLECTION? 467 00:20:04,834 --> 00:20:07,707 I'M WONDERING IF MAYBE WE CAN SEE THE KIDNAPPER'S FACE 468 00:20:07,707 --> 00:20:09,709 IN THAT SIDE VIEW MIRROR. IT'S WORTH A SHOT. 469 00:20:09,709 --> 00:20:12,211 (button beeps) 470 00:20:12,211 --> 00:20:14,884 I NEED A C.S.U. PHOTO TECH UP HERE NOW. 471 00:20:14,884 --> 00:20:17,247 (Esposito) YOU SURE YOU HAVEN'T SEEN HIM? 472 00:20:17,247 --> 00:20:18,988 MAN, I SEE SO MANY KIDS EVERY DAY, 473 00:20:18,988 --> 00:20:21,721 I COULDN'T TELL ONE FROM THE NEXT. WHAT ABOUT A BLUE CAR 474 00:20:21,721 --> 00:20:23,793 AROUND THE SAME TIME, SOMEWHERE IN THIS AREA? 475 00:20:23,793 --> 00:20:25,795 TUESDAY ABOUT 5:00? YEAH. 476 00:20:25,795 --> 00:20:29,228 YEAH, AS A MATTER OF FACT, A BLUE SATURN. YOU SURE? 477 00:20:29,228 --> 00:20:32,562 YEAH. PEOPLE I FORGET. THINGS THAT GET IN MY WAY, I REMEMBER. 478 00:20:32,562 --> 00:20:34,864 IT WAS PARKED RIGHT IN FRONT OF MY REGULAR SPOT. 479 00:20:34,864 --> 00:20:37,737 INSTEAD, I GOTTA SET UP AT THE EDGE OF THE ROADWAY. 480 00:20:37,737 --> 00:20:40,870 I ALMOST GET CLIPPED BY A CAB. ANYBODY INSIDE? 481 00:20:40,870 --> 00:20:42,872 NO, BECAUSE I WOULDA YELLED AT THE DRIVER IF THERE WAS. 482 00:20:42,872 --> 00:20:45,915 I DON'T KNOW WHAT'S WRONG WITH PEOPLE IN THIS CITY. YEAH, THANKS. 483 00:20:45,915 --> 00:20:47,617 YEAH. 484 00:20:47,617 --> 00:20:50,019 OUR PRETZEL VENDOR I.D.'ed THE KIDNAPPER'S CAR 485 00:20:50,019 --> 00:20:53,983 AS A BLUE SATURN SEDAN, ANYWHERE FROM '97 TO '02. 486 00:20:53,983 --> 00:20:55,685 THE PROBLEM IS, 487 00:20:55,685 --> 00:20:58,588 THERE ARE 6,000 BLUE SATURNS REGISTERED 488 00:20:58,588 --> 00:21:01,291 IN THE TRISTATE AREA ALONE. 489 00:21:01,291 --> 00:21:04,534 RYAN, WHERE ARE WE ON THE TRAFFIC CAMS? 490 00:21:04,534 --> 00:21:06,536 THE MAKE AND MODEL WILL HELP NARROW IT DOWN, 491 00:21:06,536 --> 00:21:09,038 BUT THERE'S A LOT OF FOOTAGE. 492 00:21:09,038 --> 00:21:11,871 THERE'S ALSO NO CENTRAL DATABASE FOR SCHOOL ABSENCES. 493 00:21:11,871 --> 00:21:14,273 WE CAN'T SORT BY GRADE OR GENDER, 494 00:21:14,273 --> 00:21:16,906 AND THERE'S A BAD COLD MAKING THE ROUNDS, 495 00:21:16,906 --> 00:21:19,979 SO MORE KIDS ARE OUT THAN USUAL. WHAT ABOUT STATE POLICE? 496 00:21:19,979 --> 00:21:21,981 WHOLE LOT OF NADA, AND NOTHING POPPED 497 00:21:21,981 --> 00:21:23,983 ON PAROLEES WITH THE SAME KIDNAPPING M.O. 498 00:21:23,983 --> 00:21:25,655 YES, I'LL CONTINUE TO HOLD. 499 00:21:25,655 --> 00:21:27,917 DETECTIVE, ENHANCED AND ENLARGED. THANK YOU. 500 00:21:29,619 --> 00:21:31,791 OH, THE ENHANCEMENT 501 00:21:31,791 --> 00:21:33,993 ONLY INCREASED THE PIXILATION ON ALL THESE. 502 00:21:33,993 --> 00:21:35,995 YOU CAN'T EVEN SEE THERE'S A SIDE VIEW MIRROR. 503 00:21:35,995 --> 00:21:37,997 WELL, IT'S NOT LIKE ON "24," CASTLE. 504 00:21:37,997 --> 00:21:39,999 IN THE REAL WORLD, 505 00:21:39,999 --> 00:21:42,672 ZOOM AND ENHANCE CAN ONLY GET US SO FAR. YEAH, BUT YOU CAN'T EVEN-- 506 00:21:42,672 --> 00:21:45,475 THERE'S NO REFLECTION. IT'S JUST MUSH. 507 00:21:45,475 --> 00:21:47,306 ARE YOU OKAY? 508 00:21:47,306 --> 00:21:48,638 YEAH. 509 00:21:48,638 --> 00:21:52,512 NO. GOD, THIS KID ISN'T THAT MUCH YOUNGER THAN ALEXIS. 510 00:21:52,512 --> 00:21:54,884 DON'T WORRY. WE'LL FIND HIM. 511 00:21:54,884 --> 00:21:57,647 ALEXIS. 512 00:21:57,647 --> 00:22:00,850 WHAT? I'VE SEEN THIS BEFORE. 513 00:22:00,850 --> 00:22:03,893 YOU'VE SEEN WHAT? THIS MARK ON HIS SOCK. ALEXIS USED TO GET THESE 514 00:22:03,893 --> 00:22:06,926 WHEN SHE PLAYED SOCCER. THEY'RE CLEAT MARKS FROM WHERE 515 00:22:06,926 --> 00:22:09,999 OTHER KIDS KICK HER IN THE SHIN. IF HE WAS PLAYING SOCCER IN THE PARK, 516 00:22:09,999 --> 00:22:13,002 HE MIGHT BE A PART OF AN ORGANIZED TEAM OR A LEAGUE. AND YOUTH LEAGUES HAVE WEB SITES THAT YOU CAN GO TO. 517 00:22:13,002 --> 00:22:15,705 THE PARENTS AND KIDS CAN TRACK SCORES AND STANDINGS. 518 00:22:15,705 --> 00:22:17,707 I SPOKE TO THE LEAGUE COMMISSIONER, 519 00:22:17,707 --> 00:22:19,939 AND ONLY ONE 10- TO 12-YEAR-OLD TEAM PRACTICED ON TUESDAY-- 520 00:22:19,939 --> 00:22:21,941 THE WILDCATS. 521 00:22:21,941 --> 00:22:23,443 (clicks mouse) 522 00:22:24,974 --> 00:22:27,617 (Beckett and Castle) THERE! 523 00:22:27,617 --> 00:22:29,078 (Ryan) TYLER DONEGAL. 524 00:22:29,078 --> 00:22:32,351 HE'S 12. RYAN, LET'S GET EVERYTHING WE CAN ON THIS KID. 525 00:22:32,351 --> 00:22:35,124 THE CLOCK IS TICKING, AND WE GOTTA BRING HIM BACK ALIVE. 526 00:22:44,694 --> 00:22:46,696 TYLER DONEGAL LIVES WITH HIS MOTHER IN WESTCHESTER. 527 00:22:46,696 --> 00:22:48,398 COURT RECORDS SHOW 528 00:22:48,398 --> 00:22:50,740 THAT THE DIVORCE WAS FINALIZED TWO MONTHS AGO. YOU REACH THE PARENTS? 529 00:22:50,740 --> 00:22:52,742 JUST GOT OFF WITH THE MOTHER-- MIRIELLE LEFCOURT. 530 00:22:52,742 --> 00:22:54,744 SHE MOVED OUT OF THE CITY LAST YEAR. 531 00:22:54,744 --> 00:22:57,607 GOT REMARRIED TO AN ANESTHESIOLOGIST LAST MONTH. 532 00:22:57,607 --> 00:23:00,910 SHE SAYS SHE HAS NO IDEA THAT HER SON IS MISSING. 533 00:23:00,910 --> 00:23:03,613 HE WAS SPENDING TWO DAYS IN THE CITY WITH HER EX. 534 00:23:03,613 --> 00:23:06,456 SHE'S ON HER WAY IN NOW. IF THE FATHER HAD CUSTODY, WHERE THE HELL IS HE, 535 00:23:06,456 --> 00:23:08,958 AND WHY DIDN'T HE REPORT THE BOY MISSING? WE'RE WORKING ON THAT, SIR. 536 00:23:08,958 --> 00:23:10,960 THE FATHER'S A MAINTENANCE SUPERVISOR AT HIGH-RISE 537 00:23:10,960 --> 00:23:12,622 ON WEST BROADWAY AND CANAL. 538 00:23:12,622 --> 00:23:14,994 HE LIVES SIX BLOCKS FROM CENTRAL PARK. YO. 539 00:23:14,994 --> 00:23:17,166 DONEGAL CALLED IN SICK FOR WORK YESTERDAY AND TODAY. 540 00:23:17,166 --> 00:23:20,500 DIVORCED PARENTS, ONE CHILD, ONE SPOUSE REMARRIES QUICKLY? 541 00:23:20,500 --> 00:23:23,402 SO SHE DUMPS THE JANITOR IN THE CITY 542 00:23:23,402 --> 00:23:26,836 FOR THE DOCTOR IN THE BURBS. ALL THE FATHER HAS LEFT IS HIS SON. 543 00:23:26,836 --> 00:23:29,579 IT'S GOT ALL THE HALLMARKS OF A CUSTODIAL ABDUCTION. 544 00:23:29,579 --> 00:23:31,941 YOU GOT A PHOTO? 545 00:23:31,941 --> 00:23:33,613 I'LL GET ONE. 546 00:23:35,815 --> 00:23:37,647 (Esposito) DEAN DONEGAL. 547 00:23:37,647 --> 00:23:39,048 5'10", 175... 548 00:23:39,048 --> 00:23:41,691 BROWN HAIR. WELL, THE VITALS MATCH. 549 00:23:41,691 --> 00:23:44,423 YEAH. YEAH, BUT WHY DO YOU NEED A GUN TO KIDNAP YOUR OWN SON? 550 00:23:44,423 --> 00:23:46,526 YOU JUST PUT HIM IN THE CAR, 551 00:23:46,526 --> 00:23:49,629 TELL HIM YOU'RE GOING FOR ICE CREAM. WHAT'S HE DOING? HEY, BECKETT, THE MOTHER'S HERE. 552 00:23:49,629 --> 00:23:52,031 ALL RIGHT, RYAN, YOU GO TO DEAN'S OFFICE. 553 00:23:52,031 --> 00:23:54,033 ESPOSITO, YOU CHECK OUT HIS APARTMENT. 554 00:23:54,033 --> 00:23:57,436 MAYBE SOMETHING ELSE IS GOING ON WITH THAT FAMILY. RIGHT. 555 00:24:00,870 --> 00:24:02,872 WHERE'S MY SON? 556 00:24:02,872 --> 00:24:05,174 THAT'S WHAT WE'RE TRYING TO DETERMINE, MRS. LEFCOURT. 557 00:24:05,174 --> 00:24:08,017 WHEN WAS THE LAST TIME THAT YOU SPOKE WITH HIM? 558 00:24:08,017 --> 00:24:10,850 UH, TWO DAYS AGO WHEN I DROPPED HIM OFF AT HIS FATHER'S. 559 00:24:10,850 --> 00:24:13,723 HE WAS SUPPOSED TO BE WITH DEAN. HAVE YOU TALKED TO DEAN? 560 00:24:13,723 --> 00:24:17,126 WE'RE TRYING TO LOCATE HIM NOW. HE'S NOT AT WORK? HE NEVER MISSES WORK. 561 00:24:17,126 --> 00:24:19,128 CAN YOU TELL ME ABOUT THE DIVORCE? 562 00:24:19,128 --> 00:24:21,060 HOW DID DEAN TAKE THAT? 563 00:24:21,060 --> 00:24:25,595 UM, NOT WELL. HE WAS VERY BITTER AND ANGRY. 564 00:24:25,595 --> 00:24:27,537 DOES HE OWN A GUN? 565 00:24:27,537 --> 00:24:29,539 A HANDGUN. 566 00:24:29,539 --> 00:24:31,871 YES. THERE WERE BREAK-INS IN HIS BUILDING. 567 00:24:31,871 --> 00:24:33,973 DO YOU KNOW WHAT KIND? 568 00:24:33,973 --> 00:24:36,045 WHY ARE YOU ASKING ME ABOUT A-A GUN? 569 00:24:36,045 --> 00:24:39,248 WAS SOMEBODY SHOT? WAS MY SON SHOT? NO, NOBODY WAS SHOT, MRS. LEFCOURT. 570 00:24:39,248 --> 00:24:42,211 IT'S JUST, THE MAN WHO TOOK YOUR SON WAS CARRYING A GUN. 571 00:24:42,211 --> 00:24:45,685 NOW I'M GONNA HAVE TO SHOW YOU THIS PHOTOGRAPH. 572 00:24:45,685 --> 00:24:47,817 (gasps) 573 00:24:47,817 --> 00:24:50,690 DO YOU RECOGNIZE THIS MAN? 574 00:24:50,690 --> 00:24:53,062 I DON'T KNOW. IS THAT DEAN? 575 00:24:53,062 --> 00:24:55,064 I WAS HOPING THAT YOU COULD TELL ME. 576 00:24:55,064 --> 00:24:56,996 WHAT ABOUT THIS CAR? IS THAT HIS CAR? 577 00:24:56,996 --> 00:25:00,199 NO, DEAN DOESN'T OWN A CAR. HE-- HE RENTS ONE AS HE NEEDS ONE. 578 00:25:00,199 --> 00:25:02,001 A GLOCK. 579 00:25:02,001 --> 00:25:04,574 DEAN'S GUN, IT'S A GLOCK. 580 00:25:04,574 --> 00:25:07,937 WE HAD TO ITEMIZE OUR PROPERTY FOR THE DIVORCE. 581 00:25:07,937 --> 00:25:09,939 MRS. LEFCOURT, DOES DEAN HAVE A PLACE 582 00:25:09,939 --> 00:25:11,781 THAT HE LIKES TO TAKE TYLER? 583 00:25:11,781 --> 00:25:13,142 ANY, UM, FAVORITE HANGOUTS? 584 00:25:13,142 --> 00:25:15,845 NO, AS FAR AS I KNOW, HE'S NEVER TAKEN HIM ANYWHERE. 585 00:25:15,845 --> 00:25:17,516 THAT'S NOT TRUE. 586 00:25:17,516 --> 00:25:19,989 DEAN'S FAMILY HAS A CABIN IN THE POCONOS. 587 00:25:19,989 --> 00:25:21,691 (receiver clatters) 588 00:25:21,691 --> 00:25:23,653 PENNSYLVANIA STATE POLICE ARE ON THEIR WAY TO THE CABIN. 589 00:25:23,653 --> 00:25:26,956 WITH ANY LUCK, WE'LL FIND TYLER. 590 00:25:26,956 --> 00:25:29,258 YOU OKAY? 591 00:25:29,258 --> 00:25:32,031 I CAN'T IMAGINE HOW TYLER'S MOTHER FEELS. 592 00:25:32,031 --> 00:25:34,133 YEAH, ME NEITHER. 593 00:25:34,133 --> 00:25:36,836 WHEN ALEXIS WAS 4, WE WENT CHRISTMAS SHOPPING 594 00:25:36,836 --> 00:25:39,138 AT SOME MALL IN--IN WHITE PLAINS. 595 00:25:39,138 --> 00:25:41,871 I WAS TRYING ON SOME CHARCOAL FEDORA. 596 00:25:41,871 --> 00:25:45,314 I TURN AROUND, SHE IS GONE, VANISHED. 597 00:25:45,314 --> 00:25:47,617 I LOOKED EVERYWHERE, SO DID MALL SECURITY, 598 00:25:47,617 --> 00:25:48,948 SO DID THE POLICE. 599 00:25:48,948 --> 00:25:52,121 WE SEARCHED FOR AN HOUR. 600 00:25:52,121 --> 00:25:54,123 YOU DON'T HAVE TO BE A NOVELIST 601 00:25:54,123 --> 00:25:56,856 TO THINK OF ALL THE WORST-CASE SCENARIOS. 602 00:25:56,856 --> 00:25:58,628 WHERE'D YOU FIND HER? 603 00:25:58,628 --> 00:26:01,631 BEHIND A RACK OF WINTER COATS. SHE GOT BORED. 604 00:26:01,631 --> 00:26:04,333 SHE CRAWLED UNDERNEATH THERE AND WENT TO SLEEP. 605 00:26:04,333 --> 00:26:05,635 (chuckles) 606 00:26:05,635 --> 00:26:08,567 TO THIS DAY, I STILL DREAM ABOUT THAT. 607 00:26:08,567 --> 00:26:11,901 JUST GOT OFF WITH ESPOSITO. LOOKS LIKE DEAN'S ON THE MOVE. 608 00:26:11,901 --> 00:26:14,974 WHAT DID THEY FIND? IT'S WHAT THEY DIDN'T FIND-- 609 00:26:14,974 --> 00:26:17,777 NO TOOTHBRUSH, NO DEODORANT, NO SHAMPOO IN THE SHOWER. I'LL RUN HIS CREDIT CARD 610 00:26:17,777 --> 00:26:20,209 FOR ANYTHING THAT INDICATES HE'S TRAVELING. 611 00:26:20,209 --> 00:26:21,911 DEAN'S DESK? 612 00:26:21,911 --> 00:26:23,953 YOU CAN'T MISS IT, RIGHT? PICTURES EVERYWHERE. 613 00:26:23,953 --> 00:26:26,686 HE CALLS IT TYLER-PALOOZA. 614 00:26:26,686 --> 00:26:28,217 IS THIS HIS ONLY WORK AREA? 615 00:26:28,217 --> 00:26:29,919 YEAH. UH-HUH. 616 00:26:29,919 --> 00:26:31,921 HOW'D HE SOUND WHEN HE CALLED IN SICK? 617 00:26:31,921 --> 00:26:34,093 DID HE SOUND... STRESSED? 618 00:26:34,093 --> 00:26:36,666 TELL YOU THE TRUTH, DETECTIVE, DEAN DIDN'T CALL IN SICK. 619 00:26:36,666 --> 00:26:38,968 I COVERED FOR HIM. WHY? 620 00:26:38,968 --> 00:26:41,030 HIS EX-WIFE GOT REMARRIED TO SOME RICH DOCTOR 621 00:26:41,030 --> 00:26:43,002 LIKE FIVE MINUTES AFTER THE DIVORCE WAS FINAL. 622 00:26:43,002 --> 00:26:45,004 HE HAD LEGAL BILLS UP THE ASS. I FIGURED, 623 00:26:45,004 --> 00:26:47,036 HE JUST NEEDED TO SPEND A LITTLE TIME WITH HIS SON. 624 00:26:47,036 --> 00:26:48,938 SO WHAT IF HE DIDN'T CALL IN SICK? 625 00:26:48,938 --> 00:26:51,711 I HAD HIS BACK. THAT'S HOW WE DO IT DOWN HERE. 626 00:26:51,711 --> 00:26:53,843 (man) HEY, TERESA! 627 00:26:53,843 --> 00:26:55,785 ALL RIGHT, ALREADY. 628 00:27:00,920 --> 00:27:03,653 WHOA. 629 00:27:03,653 --> 00:27:05,224 (clicks mouse) 630 00:27:07,096 --> 00:27:09,058 WHAT'S IN INDY, DEAN? 631 00:27:09,058 --> 00:27:11,060 MAYBE HE'S GOT FAMILY IN INDIANAPOLIS-- 632 00:27:11,060 --> 00:27:13,062 A-A FRIEND, SOMEBODY HE CAN TRUST, 633 00:27:13,062 --> 00:27:17,106 SOMEONE WHO CAN HIDE HIM. YEAH, BUT THERE WEREN'T ANY AIRLINE TICKETS 634 00:27:17,106 --> 00:27:19,638 PURCHASED IN HIS NAME OR IN TYLER'S. YO, THE CABIN'S EMPTY. 635 00:27:19,638 --> 00:27:21,741 P.A. STATE TROOPERS SAY IT LOOKS LIKE 636 00:27:21,741 --> 00:27:24,744 THERE HASN'T BEEN ANYBODY THERE IN MONTHS. WE JUST GOT A HIT ON DEAN DONEGAL'S FINANCIALS. 637 00:27:24,744 --> 00:27:28,077 AN HOUR AGO, HE BOOKED A MOTEL ROOM IN JAMAICA, QUEENS. THAT'S NOT FAR FROM THE AIRPORT. 638 00:27:28,077 --> 00:27:30,179 HE MIGHT STILL BE TRYING TO GET TYLER OUT OF TOWN. 639 00:27:30,179 --> 00:27:32,081 IF WE'RE LUCKY. HE SHOT SOMEONE, 640 00:27:32,081 --> 00:27:33,923 HE'S ON THE RUN, HE'S UNDER EXTREME DURESS. 641 00:27:33,923 --> 00:27:36,285 LET'S GET HIM BEFORE THIS ENDS BLOODY FOR EVERYONE. 642 00:27:36,285 --> 00:27:37,927 NYPD! 643 00:27:37,927 --> 00:27:40,259 (Esposito) TYLER! TYLER, YOU HERE?! 644 00:27:40,259 --> 00:27:43,062 HANDS! SHOW ME YOUR HANDS! (Esposito and Ryan) TYLER! 645 00:27:43,062 --> 00:27:45,294 BATHROOM'S CLEAR. HE'S NOT HERE. 646 00:27:45,294 --> 00:27:47,266 WHERE'S TYLER? 647 00:27:47,266 --> 00:27:50,269 I DON'T KNOW. THEY TOLD ME TO CHECK INTO A MOTEL 648 00:27:50,269 --> 00:27:52,972 AND WAIT FOR FURTHER INSTRUCTIONS. WHO DID? 649 00:27:52,972 --> 00:27:55,404 I DON'T KNOW. ALL I KNOW IS, THEY TOOK HIM. 650 00:27:55,404 --> 00:27:59,749 AND IF I HELP YOU, THEY'LL KILL MY SON. 651 00:28:06,355 --> 00:28:08,718 WHERE IS TYLER, DEAN? 652 00:28:08,718 --> 00:28:11,120 I TOLD YOU, I DON'T KNOW. WHY WERE YOU GOING TO INDIANAPOLIS? 653 00:28:11,120 --> 00:28:13,322 INDIAN--WHAT ARE YOU TALKING ABOUT? 654 00:28:13,322 --> 00:28:16,796 WE KNOW YOU WERE CHECKING ON AIRFARES. 655 00:28:16,796 --> 00:28:18,798 I WAS RESEARCHING A TRIP FOR THE HOLIDAYS. 656 00:28:18,798 --> 00:28:21,100 WHAT, YOU THINK I TOOK MY OWN SON? YOU WERE IN A HOTEL BY THE AIRPORT. 657 00:28:21,100 --> 00:28:23,833 THAT'S WHERE THEY TOLD ME TO GO. WHO? 658 00:28:23,833 --> 00:28:27,236 PLEASE. THEY SAID, IF I TALK TO THE COPS, HE'S DEAD. 659 00:28:28,978 --> 00:28:31,140 DEAN, IF YOU'RE SON IS IN DANGER, 660 00:28:31,140 --> 00:28:33,843 THEN YOU NEED TO TELL US WHAT YOU KNOW. 661 00:28:35,885 --> 00:28:37,887 I WENT TO PICK HIM UP AFTER PRACTICE. 662 00:28:37,887 --> 00:28:39,949 WHEN HE WASN'T AT THE USUAL SPOT, 663 00:28:39,949 --> 00:28:42,992 I FIGURED HE MUST HAVE WALKED HOME. 664 00:28:42,992 --> 00:28:46,225 WHEN I GOT BACK TO MY APARTMENT, THAT PHONE WAS ON MY DOORMAT. 665 00:28:46,225 --> 00:28:48,828 IT HAD A TEXT ON IT. 666 00:28:48,828 --> 00:28:50,129 (beeps) 667 00:28:50,129 --> 00:28:52,962 "WE HAVE YOUR SON. TELL NO ONE. 668 00:28:52,962 --> 00:28:54,263 USE ONLY THIS PHONE." 669 00:28:54,263 --> 00:28:56,936 CONTACT THE POLICE, AND TYLER DIES." 670 00:28:58,808 --> 00:29:01,811 "STAND BY. WE WILL TELL YOU WHERE TO GO AND WHAT TO DO. 671 00:29:01,811 --> 00:29:05,474 TELL NO ONE. YOUR SON'S LIFE DEPENDS ON IT." 672 00:29:07,246 --> 00:29:10,880 WHAT DO THEY WANT FROM YOU? I HAVE NO IDEA. 673 00:29:13,122 --> 00:29:15,124 DEAN'S GLOCK IS A 9 MILLIMETER. 674 00:29:15,124 --> 00:29:16,986 RIGHT MAKE, WRONG MODEL. 675 00:29:16,986 --> 00:29:19,428 LIGHTBULB LEN WAS KILLED WITH A .45. 676 00:29:19,428 --> 00:29:22,131 THE SIM CARD FROM HIS CELL PHONE IS A BURNER, 677 00:29:22,131 --> 00:29:24,133 AND THE TEXT MESSAGES AREN'T COMING FROM ANOTHER PHONE. 678 00:29:24,133 --> 00:29:26,135 THEY'RE COMING FROM AN INTERNET TEXTING SERVICE 679 00:29:26,135 --> 00:29:28,938 BASED IN THE UKRAINE-- NO I.P. ADDRESS, UNTRACEABLE. 680 00:29:28,938 --> 00:29:31,440 TRACK THE SIM. I WANT A PRINTOUT OF EVERY TEXT MESSAGE. 681 00:29:31,440 --> 00:29:34,073 AND GET THE ELECTRONIC SERIAL NUMBER OFF THAT PHONE. 682 00:29:34,073 --> 00:29:37,546 I WANT TO FIND OUT WHERE IT WAS PURCHASED AND BY WHOM. YOU GOT IT, SIR. 683 00:29:37,546 --> 00:29:40,379 WHAT DO THEY WANT FROM YOU? ARE THEY AFTER A RANSOM? (laughs) ARE YOU KIDDING. 684 00:29:40,379 --> 00:29:42,381 I'M 40 GRAND IN DEBT AFTER MY DIVORCE. 685 00:29:42,381 --> 00:29:45,354 I'M LOOKING UP AT BROKE. WHAT ABOUT YOUR EX-WIFE'S NEW HUSBAND? HE HAS MONEY. 686 00:29:45,354 --> 00:29:47,356 THEY'RE NOT CALLING HIM. THEY'RE CALLING ME. 687 00:29:47,356 --> 00:29:51,190 WHAT IF THEY FIND OUT I'M HERE? I JUST WANT MY SON BACK. 688 00:29:51,190 --> 00:29:53,893 THEN YOUR BEST OPTION IS TO WORK WITH US. 689 00:29:53,893 --> 00:29:56,295 LET US HELP YOU. 690 00:29:56,295 --> 00:29:59,929 I NEED TO GET SOME AIR. 691 00:29:59,929 --> 00:30:02,801 (indistinct conversations) 692 00:30:02,801 --> 00:30:04,033 (exhales deeply) 693 00:30:04,033 --> 00:30:07,236 (indistinct conversations continue) 694 00:30:11,080 --> 00:30:13,082 LOOK, I KNOW THAT THIS IS HARD. 695 00:30:13,082 --> 00:30:17,586 BUT YOU HAVE TO TRUST US. WE WILL FIND HIM. 696 00:30:22,291 --> 00:30:24,053 OKAY. 697 00:30:24,053 --> 00:30:26,055 DON'T LET 'EM HURT MY BOY. 698 00:30:26,055 --> 00:30:29,098 WHERE IS HE? WHERE IS TYLER? 699 00:30:29,098 --> 00:30:31,560 YOU SHOULD'VE BEEN THERE TO PICK HIM UP AT SOCCER PRACTICE! WE'RE DOING EVERYTHING WE CAN. 700 00:30:31,560 --> 00:30:34,233 THIS IS WHY I SHOULD'VE NEVER AGREED TO JOINT CUSTODY. IT'S GONNA BE ALL RIGHT. 701 00:30:34,233 --> 00:30:36,906 HOW COULD YOU LET THIS HAPPEN? STAY OUTTA THIS. YOU'RE NOT FAMILY. 702 00:30:36,906 --> 00:30:38,908 HE'S MY BOY, TOO! SIT DOWN! 703 00:30:38,908 --> 00:30:41,140 THAT'S ENOUGH! 704 00:30:41,140 --> 00:30:43,442 NOW I NEED EVERYONE TO CALM DOWN, COOPERATE, AND THINK. 705 00:30:43,442 --> 00:30:47,076 DEAN, YOU NOTICE ANYONE UNUSUAL HANGING AROUND YOUR SON, 706 00:30:47,076 --> 00:30:49,548 ANYTHING OUT OF THE ORDINARY GOING ON IN HIS LIFE? 707 00:30:49,548 --> 00:30:52,982 NO. I MEAN, I... I DON'T THINK SO. 708 00:30:52,982 --> 00:30:55,124 WHAT ABOUT YOU TWO? 709 00:30:55,124 --> 00:30:57,356 NOTHING COMES TO MIND. NO. 710 00:30:57,356 --> 00:30:59,358 NOW THIS ABDUCTION WAS CLEARLY PLANNED. 711 00:30:59,358 --> 00:31:02,291 SO THE KIDNAPPER HAD TO KNOW WHERE TYLER WAS GONNA BE. (cell phone chimes) 712 00:31:02,291 --> 00:31:05,995 SIR, THIS IS A MESSAGE. IT'S FROM THE KIDNAPPER. 713 00:31:05,995 --> 00:31:08,437 THERE'S A VIDEO ATTACHED. (beep) 714 00:31:08,437 --> 00:31:09,999 HI, DAD. 715 00:31:09,999 --> 00:31:12,141 I KNOW YOU'RE WORRIED, BUT I'M OKAY. 716 00:31:12,141 --> 00:31:14,343 THEY SAY IF YOU DO WHAT THEY ASK, 717 00:31:14,343 --> 00:31:16,205 EVERYTHING WILL BE FINE. 718 00:31:16,205 --> 00:31:18,277 JUST DON'T GO TO THE POLICE. 719 00:31:18,277 --> 00:31:20,479 I'LL SEE YOU SOON, 720 00:31:20,479 --> 00:31:23,382 AND DON'T FORGET TO FEED ACE. 721 00:31:23,382 --> 00:31:25,114 OH, THANK GOD HE'S ALIVE. 722 00:31:25,114 --> 00:31:28,117 (beep) THERE'S A TIME STAMP ON IT--1:31 A.M. 723 00:31:28,117 --> 00:31:31,020 THAT WAS SENT EIGHT MINUTES AGO. IT'S A GOOD THING, MRS. LEFCOURT. 724 00:31:31,020 --> 00:31:33,022 IT'S CALLED A PROOF OF LIFE VIDEO. 725 00:31:33,022 --> 00:31:35,124 THE KIDNAPPER SENT IT TO PROVE YOUR SON'S ALIVE, 726 00:31:35,124 --> 00:31:38,267 AND THAT YOU DO EXACTLY WHAT THEY ASK. OKAY. YOU WILL DO EXACTLY WHAT THEY ASK YOU TO. 727 00:31:38,267 --> 00:31:41,330 DO YOU UNDERSTAND? WAIT. PLAY THAT LAST PART AGAIN. 728 00:31:41,330 --> 00:31:46,005 DON'T FORGET TO FEED ACE. 729 00:31:46,005 --> 00:31:48,137 WHO'S ACE? I DON'T KNOW ANY ACE. 730 00:31:48,137 --> 00:31:50,679 WE DON'T HAVE ANY PETS. HE'S SENDING US A MESSAGE. 731 00:31:50,679 --> 00:31:52,311 HE'S A SMART BOY. 732 00:31:52,311 --> 00:31:54,984 UH, ACE COULD REFER TO A PERSON OR A BUSINESS. 733 00:31:54,984 --> 00:31:56,986 (cell phone chimes) 734 00:31:56,986 --> 00:32:00,189 SIR, THERE'S ANOTHER TEXT. 735 00:32:00,189 --> 00:32:01,991 "680 CANAL STREET. 30 MINUTES." 736 00:32:01,991 --> 00:32:03,522 THAT'S THE BUILDING WHERE I WORK. 737 00:32:03,522 --> 00:32:05,454 WHAT'S THERE, A JEWELRY STORE, A BANK? 738 00:32:05,454 --> 00:32:08,157 NO, JUST OFFICES. WELL, WHY YOU? 739 00:32:08,157 --> 00:32:11,130 WHAT'S SO SPECIAL ABOUT THAT BUILDING THAT THEY NEED YOU? 740 00:32:11,130 --> 00:32:12,931 UH... 741 00:32:12,931 --> 00:32:14,233 OH, GOD. 742 00:32:14,233 --> 00:32:16,235 BECAUSE I HAVE ELEVATOR ACCESS 743 00:32:16,235 --> 00:32:18,237 TO ALL THE FLOORS IN THE BUILDING. 744 00:32:18,237 --> 00:32:20,239 YOU'RE A HUMAN KEY. 745 00:32:22,041 --> 00:32:24,573 SIR, I JUST TALKED TO THE BUILDING'S OWNER. 746 00:32:24,573 --> 00:32:27,276 HE'S E-MAILING BLUEPRINTS AND A TENANT LIST FOR 680 CANAL, 747 00:32:27,276 --> 00:32:30,249 INCLUDING THE SECURE FLOORS. RYAN AND ESPOSITO ARE WITH ME. WE'LL TAKE DEAN TO THE BUILDING. 748 00:32:30,249 --> 00:32:32,251 I'VE ARRANGED TO HAVE AN E.S.U. TEAM STANDING BY 749 00:32:32,251 --> 00:32:34,353 IN STRIKING DISTANCE. SIR, YOU CAN'T TAKE DEAN TO THAT BUILDING. 750 00:32:34,353 --> 00:32:37,156 IT IS WAY TOO DANGEROUS. HE'S A FATHER WHO LOVES HIS SON. 751 00:32:37,156 --> 00:32:39,158 YOU'RE NOT GONNA BE ABLE TO STOP HIM. 752 00:32:39,158 --> 00:32:42,061 AND UNTIL WE FIND THE BOY, WE DON'T HAVE ANY OTHER CHOICE. 753 00:32:42,061 --> 00:32:44,193 SCRUB THE VIDEO. 754 00:32:44,193 --> 00:32:47,466 LOOK FOR ANYTHING THAT COULD LEAD US TO HIM. YES, SIR. 755 00:32:56,575 --> 00:32:59,448 ALL RIGHT. WE'RE A BLOCK AWAY. 756 00:32:59,448 --> 00:33:01,380 WE'LL BE ABLE TO SEE AND HEAR 757 00:33:01,380 --> 00:33:03,452 EVERYTHING THAT'S HAPPENING, OKAY? 758 00:33:03,452 --> 00:33:05,154 AND WE CLONED YOUR PHONE 759 00:33:05,154 --> 00:33:07,186 SO WE'LL BE ABLE TO READ YOUR TEXTS IN REAL TIME. 760 00:33:07,186 --> 00:33:09,658 YOU FOLLOW THE KIDNAPPER'S INSTRUCTIONS TO THE LETTER. 761 00:33:09,658 --> 00:33:12,161 NO COWBOY STUFF, YOU UNDERSTAND ME? YES. 762 00:33:12,161 --> 00:33:14,363 HI, DAD. 763 00:33:14,363 --> 00:33:16,365 I KNOW YOU'RE WORRIED, BUT I'M OKAY. 764 00:33:16,365 --> 00:33:19,368 THEY SAY IF YOU DO WHAT THEY ASK, EVERYTHING WILL BE FINE. 765 00:33:19,368 --> 00:33:22,301 JUST DON'T GO TO THE POLICE. 766 00:33:22,301 --> 00:33:26,035 I'LL SEE YOU SOON, AND DON'T FORGET TO FEED ACE. 767 00:33:26,035 --> 00:33:28,177 THERE ARE NO IDENTIFYING MARKERS IN THE BACKGROUND. 768 00:33:28,177 --> 00:33:30,008 IT'S ALL BLACK. 769 00:33:30,008 --> 00:33:33,082 I DON'T KNOW IF WE'RE GONNA FIND HIM IN TIME. 770 00:33:33,082 --> 00:33:35,514 THE VIDEO WAS TAKEN AT 1:31 A.M. 771 00:33:35,514 --> 00:33:38,187 BUT THEY DIDN'T SEND IT TILL 1:39. 772 00:33:38,187 --> 00:33:40,389 YEAH, WELL, SOMETIMES IT TAKES A WHILE 773 00:33:40,389 --> 00:33:43,792 FOR A TEXT TO GO THROUGH. YEAH, BUT EIGHT MINUTES? 774 00:33:43,792 --> 00:33:45,794 YOU WANT DEAN TO DO SOMETHING FOR YOU. 775 00:33:45,794 --> 00:33:48,597 YOU MAKE A PROOF OF LIFE VIDEO. 776 00:33:48,597 --> 00:33:51,100 BUT YOU WAIT EIGHT MINUTES TO SEND IT. WHY? 777 00:33:51,100 --> 00:33:54,463 WELL, MAYBE THERE WASN'T A SIGNAL OR NOT ENOUGH BARS. 778 00:33:54,463 --> 00:33:57,466 YEAH. MAYBE THEY HAD TO WALK A LONG WAY TO GET A SIGNAL. 779 00:33:57,466 --> 00:34:01,110 MAYBE THEY WERE UNDER A... 780 00:34:01,110 --> 00:34:03,212 UNDERGROUND. 781 00:34:03,212 --> 00:34:04,373 "ACE." 782 00:34:04,373 --> 00:34:06,075 IT'S NOT "ACE." 783 00:34:06,075 --> 00:34:07,376 IT'S A-C-E-- 784 00:34:07,376 --> 00:34:09,518 THE A, C, AND E SUBWAY LINES. 785 00:34:09,518 --> 00:34:11,820 THEY'RE HOLDING TYLER IN THE SUBWAY. 786 00:34:11,820 --> 00:34:14,823 HE MUST HAVE SPOTTED A SIGN. THERE'S HALF A DOZEN STATIONS WHERE THE A, C, AND E STOP. 787 00:34:14,823 --> 00:34:16,825 THAT'S TOO MANY TO SEARCH. 788 00:34:16,825 --> 00:34:19,388 YEAH, BUT THE LAST STOP FOR ALL THREE LINES 789 00:34:19,388 --> 00:34:23,162 IS ON CANAL STREET AND WEST BROADWAY. THAT'S-- RIGHT UNDER DEAN'S BUILDING. 790 00:34:23,162 --> 00:34:26,135 THEY'VE BEEN HOLDING HIM UNDER EVERYONE'S NOSE. LET'S GO. 791 00:34:32,601 --> 00:34:35,404 (police radio chatter) 792 00:34:35,404 --> 00:34:37,706 CHECK EVERY ROOM ON THE EAST END OF THE STATION. 793 00:34:37,706 --> 00:34:40,679 YOU GUYS, CHECK TICKET BOOTHS ON BOTH ENDS. GO. 794 00:34:40,679 --> 00:34:42,351 (man) RIGHT. (woman) GOT IT. 795 00:34:42,351 --> 00:34:44,353 CASTLE, WHAT ARE YOU THINKING? 796 00:34:44,353 --> 00:34:47,356 THE ONLY REASON TO KEEP HIM HERE IS FOR A QUICK GETAWAY, 797 00:34:47,356 --> 00:34:50,119 WHICH IS HELPED BY THE FACT THAT 680 CANAL STREET 798 00:34:50,119 --> 00:34:52,121 HAS ITS OWN ENTRANCE TO THE SUBWAY. 799 00:34:52,121 --> 00:34:54,123 IF IT WERE ME... I'D KEEP CLOSE ENOUGH 800 00:34:54,123 --> 00:34:56,125 TO HOOK UP WITH MY PARTNERS 801 00:34:56,125 --> 00:34:58,697 BUT FAR ENOUGH THAT I WOULD BE OUT OF THE WAY. 802 00:34:58,697 --> 00:35:01,700 WHICH MEANS HE'S HOLDING TYLER ON THE WEST END OF THE TUNNEL. 803 00:35:01,700 --> 00:35:04,133 (Castle) WEST END OF THE TUNNEL? THIS ROOM. 804 00:35:04,133 --> 00:35:06,775 ALL RIGHT. YOU SHOULD STAY BACK. NO CHANCE. 805 00:35:06,775 --> 00:35:09,678 (cell phone chimes) 806 00:35:09,678 --> 00:35:12,481 (beeps) "GO TO THE 37th FLOOR NOW." 807 00:35:12,481 --> 00:35:15,144 THEY SAID 30 MINUTES. IT HASN'T BEEN 30 MINUTES YET. 808 00:35:15,144 --> 00:35:18,187 THEY'RE CHANGING THE TIMETABLE IN CASE YOU WENT TO THE COPS. 809 00:35:18,187 --> 00:35:21,790 WHAT'S ON THE 37th FLOOR? NOTHING. IT'S VACANT. IT'S NOT EVEN SECURE. 810 00:35:21,790 --> 00:35:24,423 TRY BECKETT. (beep) 811 00:35:36,134 --> 00:35:37,806 (lowered voice) NOTHING. 812 00:35:37,806 --> 00:35:39,438 (beeps) IT'S GOING STRAIGHT TO VOICE MAIL. 813 00:35:39,438 --> 00:35:41,910 SHE MUST ALREADY BE IN THE SUBWAY. I GOTTA GO. 814 00:35:41,910 --> 00:35:44,913 REMEMBER, WE CAN SEE AND HEAR EVERYTHING. ANYTHING GOES SOUTH, 815 00:35:44,913 --> 00:35:48,877 A HUNDRED COPS WILL BE ON YOU INSIDE A MINUTE. NOT UNTIL YOU FIND MY SON. 816 00:36:01,890 --> 00:36:03,862 JUST MY LUCK. 817 00:36:03,862 --> 00:36:07,266 PULLED GRAVEYARD TONIGHT. 818 00:36:07,266 --> 00:36:09,238 (police radio chatter) 819 00:36:09,238 --> 00:36:10,899 (Montgomery) ALL RIGHT. HE'S IN. 820 00:36:10,899 --> 00:36:13,642 NOT BAD WITH THE GUARD. GUY'S ALL RIGHT. 821 00:36:13,642 --> 00:36:16,174 CAMERA AND MIC ARE ALL GOOD. 822 00:36:17,676 --> 00:36:19,278 (button clicks, elevator bell dings) 823 00:36:19,278 --> 00:36:21,450 (floor indicator bell dings) 824 00:36:21,450 --> 00:36:23,912 (sighs) 825 00:36:23,912 --> 00:36:27,356 (clicks keyboard keys) 826 00:36:27,356 --> 00:36:30,188 (doors open) 827 00:36:30,188 --> 00:36:33,662 (footsteps sound) 828 00:36:33,662 --> 00:36:35,494 (beeps) 829 00:36:35,494 --> 00:36:36,865 (doors clatter) 830 00:36:36,865 --> 00:36:38,567 (motor whirs) 831 00:36:38,567 --> 00:36:40,599 (floor indicator bell dings) 832 00:36:40,599 --> 00:36:43,772 WHOA. 833 00:36:43,772 --> 00:36:46,905 TAKE US TO THE 39th FLOOR. I WANT TO SEE TYLER FIRST. 834 00:36:46,905 --> 00:36:48,977 JUST FOLLOW INSTRUCTIONS. YOU'LL SEE HIM SOON ENOUGH. 835 00:36:48,977 --> 00:36:50,709 (man speaks indistinctly over radio) 836 00:36:52,381 --> 00:36:54,212 (beeping) 837 00:36:54,212 --> 00:36:55,714 (dings) 838 00:36:55,714 --> 00:36:57,416 (beeps) 839 00:36:57,416 --> 00:36:58,917 WHAT'S ON THE 39th FLOOR? 840 00:36:58,917 --> 00:37:00,489 (clicks keyboard keys, computer beeps) 841 00:37:00,489 --> 00:37:02,491 A FINANCIAL FIRM-- BRESKIN & WRIGHT. 842 00:37:02,491 --> 00:37:04,493 37 WAS JUST A STAGING AREA. 843 00:37:04,493 --> 00:37:07,496 (cell phone beeps) THEY LET HIM SEE THEIR FACES. AS SOON AS THEY GET 844 00:37:07,496 --> 00:37:09,628 WHAT THEY CAME FOR, THEY'RE GONNA KILL HIM. JUST LIKE LIGHTBULB LEN. 845 00:37:09,628 --> 00:37:11,960 BECKETT'S STILL GOING TO VOICE MAIL. CASTLE, TOO. 846 00:37:11,960 --> 00:37:14,433 SIR... WHAT DO YOU WANT TO DO? 847 00:37:14,433 --> 00:37:17,866 IF WE GO IN BEFORE WE FIND THE KID, 848 00:37:17,866 --> 00:37:19,668 WE MIGHT LOSE 'EM BOTH. 849 00:37:26,915 --> 00:37:28,377 BECKETT. 850 00:37:40,289 --> 00:37:42,491 (clicks and beeps) 851 00:37:45,994 --> 00:37:48,637 (camera shutter clicks) 852 00:37:50,669 --> 00:37:53,302 ONE ARMED AND THE KID. 853 00:37:53,302 --> 00:37:55,974 IF I GO IN, HE'LL KILL HIM BEFORE I GET A SHOT OFF. 854 00:37:55,974 --> 00:37:58,577 HE'S HOLDING A FLASHLIGHT. 855 00:37:58,577 --> 00:38:00,649 IF WE KILL THE AMBIENT LIGHT, 856 00:38:00,649 --> 00:38:02,651 HE'LL LIGHT UP LIKE A CHRISTMAS TREE. 857 00:38:02,651 --> 00:38:04,282 WE JUST... 858 00:38:06,054 --> 00:38:08,056 IT'S LIKE IT'S MEANT TO BE. 859 00:38:08,056 --> 00:38:10,058 MAYBE LENNY CAN PREVENT ANOTHER TRAGEDY. 860 00:38:10,058 --> 00:38:12,020 ON MY COUNT. 861 00:38:15,924 --> 00:38:17,766 THREE, TWO... 862 00:38:17,766 --> 00:38:18,827 ONE. 863 00:38:18,827 --> 00:38:20,569 (electricity crackles, door bangs) 864 00:38:20,569 --> 00:38:22,871 (gunfire) 865 00:38:22,871 --> 00:38:24,032 (gunshot) 866 00:38:24,032 --> 00:38:25,734 (elevator bell dings) 867 00:38:27,336 --> 00:38:30,379 HIT P-1. THE SUBWAY. 868 00:38:30,379 --> 00:38:31,710 (clicks and beeps) 869 00:38:31,710 --> 00:38:34,783 I DID WHAT YOU ASKED. NOW WHERE'S TYLER? 870 00:38:34,783 --> 00:38:37,516 YOU'LL SEE HIM IN A MINUTE. 871 00:38:37,516 --> 00:38:40,489 (whirring) 872 00:38:40,489 --> 00:38:43,752 (floor indicator bell dings) 873 00:38:43,752 --> 00:38:45,924 SORRY, DEAN. 874 00:38:45,924 --> 00:38:47,426 LAST STOP. 875 00:38:47,426 --> 00:38:49,898 (electronic female voice) LOBBY. (dings) 876 00:38:49,898 --> 00:38:52,330 WE'RE SUPPOSED TO GO TO SUBWAY LEVEL. 877 00:38:52,330 --> 00:38:55,003 WHY ARE WE STOPPING AT THE LOBBY? (ding) 878 00:38:55,003 --> 00:38:57,335 DON'T LOOK AT ME. 879 00:38:57,335 --> 00:39:00,038 NO, LOOK AT ME. 880 00:39:00,038 --> 00:39:02,971 I SUGGEST YOU DROP YOUR WEAPONS. 881 00:39:02,971 --> 00:39:06,575 WHERE'S TYLER? 882 00:39:25,033 --> 00:39:27,866 (speaks inaudibly) 883 00:39:30,138 --> 00:39:32,901 (speaks inaudibly) 884 00:39:35,043 --> 00:39:37,906 (speaks inaudibly) 885 00:39:44,152 --> 00:39:46,885 THE RINGLEADER WAS ROBERT KINCAID... 886 00:39:46,885 --> 00:39:48,587 FORMER BOND TRADER. 887 00:39:48,587 --> 00:39:51,059 HE'S THE ONE WHO PLANNED THE ENTIRE OPERATION. 888 00:39:51,059 --> 00:39:52,921 THE ECONOMY MIGHT HAVE COLLAPSED, 889 00:39:52,921 --> 00:39:54,923 BUT HE WAS STILL GONNA GET HIS PAYDAY. 890 00:39:54,923 --> 00:39:56,925 MOST OF THEM WERE EX WALL STREETERS. 891 00:39:56,925 --> 00:39:59,968 THEY KNEW THAT THEY NEEDED A BIOMETRIC CLEARANCE IN ORDER 892 00:39:59,968 --> 00:40:01,470 TO GET ON SECURE FLOORS, 893 00:40:01,470 --> 00:40:03,972 AND THEY KNEW THAT DEAN WASN'T GONNA HELP THEM, 894 00:40:03,972 --> 00:40:06,735 SO THEY TOOK TYLER AS LEVERAGE. BUT ALL THEY TOOK WERE FILES. 895 00:40:06,735 --> 00:40:08,737 FINANCIAL FILES, CONTAINING UNPUBLISHED EARNINGS REPORTS. 896 00:40:08,737 --> 00:40:11,139 TO A SAVVY INVESTOR, THEY'D BE WORTH MILLIONS. 897 00:40:11,139 --> 00:40:13,642 WOULD'VE WORKED, TOO, IF LIGHTBULB LEN HADN'T HAVE BEEN 898 00:40:13,642 --> 00:40:15,083 TAKING PICTURES IN THE PARK. 899 00:40:15,083 --> 00:40:17,085 MM. HE HELPED CATCH HIS OWN KILLER. 900 00:40:17,085 --> 00:40:18,917 AND FOILED A KIDNAPPING. 901 00:40:18,917 --> 00:40:20,849 IT'S KIND OF POETIC... 902 00:40:20,849 --> 00:40:24,422 IN AN UNSPEAKABLY TRAGIC SORT OF WAY. 903 00:40:24,422 --> 00:40:26,495 MM. THE GUY YOU SHOT IN THE SUBWAY? 904 00:40:26,495 --> 00:40:28,497 THE THUG KINCAID HIRED TO DO HIS DIRTY WORK. 905 00:40:28,497 --> 00:40:30,499 HE JUST CONFESSED TO KIDNAPPING TYLER, 906 00:40:30,499 --> 00:40:32,501 MURDERING LIGHTBULB LEN, AND NO SURPRISE, 907 00:40:32,501 --> 00:40:34,933 HE RATTED OUT KINCAID IN TWO SECONDS FLAT. (snaps fingers) 908 00:40:34,933 --> 00:40:36,805 OH. SPEAKING OF RATS... 909 00:40:36,805 --> 00:40:38,937 I-I GOTTA--I GOTTA GO. 910 00:40:47,445 --> 00:40:49,447 I'M THE WORST PERSON IN THE WHOLE WORLD. 911 00:40:49,447 --> 00:40:51,680 NO, YOU'RE NOT. 912 00:40:51,680 --> 00:40:53,922 YOU'RE WONDERFUL, AND YOU'RE KIND, 913 00:40:53,922 --> 00:40:55,223 AND YOU'RE SWEET. 914 00:40:55,223 --> 00:40:57,526 I'M A RAT KILLER. 915 00:40:57,526 --> 00:41:00,989 YOU DON'T KNOW THAT. YOU MAY JUST BE A LOSER. 916 00:41:00,989 --> 00:41:04,663 A-A RAT LOSER. THIS DID NOT COME OUT RIGHT. 917 00:41:04,663 --> 00:41:06,935 LOOK... 918 00:41:06,935 --> 00:41:09,998 IF HE CARES, HE'LL UNDERSTAND. 919 00:41:09,998 --> 00:41:12,240 YEAH, HE'LL UNDERSTAND, ALL RIGHT. 920 00:41:12,240 --> 00:41:14,943 WHEN HE SEES ME IN THE HALLS AT SCHOOL, HE'LL THINK, 921 00:41:14,943 --> 00:41:18,006 THERE'S THE AWFUL GIRL THAT LOST MY BEST FRIEND. 922 00:41:18,006 --> 00:41:19,708 (doorbell buzzes) 923 00:41:19,708 --> 00:41:21,079 IT'S HIM. 924 00:41:21,079 --> 00:41:22,681 (sighs) 925 00:41:22,681 --> 00:41:23,982 ♪♪♪ 926 00:41:23,982 --> 00:41:25,514 HI. 927 00:41:25,514 --> 00:41:27,886 HI. I MISSED YOU. 928 00:41:27,886 --> 00:41:30,188 I MISSED YOU, TOO. 929 00:41:30,188 --> 00:41:32,060 W-WHAT'S WRONG? 930 00:41:32,060 --> 00:41:33,892 ♪♪♪ 931 00:41:33,892 --> 00:41:35,994 IT'S ABOUT THEODORE. 932 00:41:35,994 --> 00:41:39,998 WHEN I FED HIM, HE MUST HAVE GOT OUT OF HIS CAGE, AND... 933 00:41:39,998 --> 00:41:43,031 AND HE'S GONE. HE'S GONE? 934 00:41:43,031 --> 00:41:44,933 WE LOOKED EVERYWHERE. I SWEAR. 935 00:41:44,933 --> 00:41:47,906 WE'VE TURNED THIS WHOLE PLACE UPSIDE DOWN. HOW'D HE GET OUT? 936 00:41:47,906 --> 00:41:49,908 I MUST NOT HAVE LOCKED THE CAGE RIGHT. 937 00:41:49,908 --> 00:41:51,880 ASHLEY, I'M SO SORRY. 938 00:41:51,880 --> 00:41:54,212 YOU HAVE EVERY RIGHT TO HATE ME. 939 00:41:54,212 --> 00:41:56,214 COME ON, ALEXIS. I... 940 00:41:56,214 --> 00:41:58,947 I'M--I'M UPSET, BUT I DON'T HATE YOU. 941 00:41:58,947 --> 00:42:00,689 YOU DON'T? 942 00:42:00,689 --> 00:42:03,221 I MEAN, NO, LOOK AT THIS PLACE. 943 00:42:03,221 --> 00:42:06,755 LOOK AT WHAT YOU DID TO TRY TO GET HIM BACK. 944 00:42:06,755 --> 00:42:09,598 WHO ELSE WOULD DO THAT? 945 00:42:09,598 --> 00:42:12,130 YOU CARED ABOUT HIM A LOT. 946 00:42:12,130 --> 00:42:13,832 YEAH, BUT... 947 00:42:13,832 --> 00:42:16,765 I CARE ABOUT YOU MORE. 948 00:42:16,765 --> 00:42:20,769 ♪♪♪ 949 00:42:20,769 --> 00:42:22,741 (Martha screams, objects clatter) 950 00:42:22,741 --> 00:42:24,242 FOUND HIM.