1 00:00:02,333 --> 00:00:05,206 (woman) GAME OVER, AND YOU LOSE, TOM. 2 00:00:05,206 --> 00:00:07,308 DROP IT. PUT DOWN THE GUN, OR I SWEAR, I'LL BLOW HIS HEAD OFF. 3 00:00:07,308 --> 00:00:10,381 YOU KNOW I CAN'T DO THAT, TOM. YOU THINK I'M KIDDING AROUND HERE, DETECTIVE HEAT? 4 00:00:10,381 --> 00:00:12,183 NO, I DON'T. 5 00:00:12,183 --> 00:00:14,315 I THINK YOU FEEL TRAPPED, AND YOU'RE SERIOUS AS HELL. 6 00:00:14,315 --> 00:00:16,117 BUT RIGHT NOW 7 00:00:16,117 --> 00:00:18,389 I NEED YOU TO THINK ABOUT THE PEOPLE WHO LOVE YOU. 8 00:00:18,389 --> 00:00:21,092 AND THEY NEED YOU TO PUT DOWN THAT GUN. 9 00:00:21,092 --> 00:00:23,354 (beeps) (Castle) I CAN'T TAKE IT ANYMORE. 10 00:00:23,354 --> 00:00:25,356 THE CHARACTER OF NIKKI HEAT 11 00:00:25,356 --> 00:00:28,799 IS A SMART, COMPLICATED DETECTIVE 12 00:00:28,799 --> 00:00:31,062 WITH--WITH ENORMOUS DEPTH, 13 00:00:31,062 --> 00:00:34,034 AND THEN... THE STUDIO GOES AND CASTS 14 00:00:34,034 --> 00:00:36,036 THE BRALESS COED IN BLOOD-SOAKED T-SHIRT 15 00:00:36,036 --> 00:00:37,238 FROM "KNIFE II"? 16 00:00:37,238 --> 00:00:40,040 OH, "KNIFE II" MADE A LOT OF MONEY, HONEY, 17 00:00:40,040 --> 00:00:42,213 THANKS IN NO SMALL PART TO NATALIE RHODES. 18 00:00:42,213 --> 00:00:44,375 AND YOUR BOOKS ARE NOT EXACTLY SHAKESPEARE. THANK YOU. 19 00:00:44,375 --> 00:00:46,377 I WAS JUST HOPING TO ELEVATE THEIR STATURE 20 00:00:46,377 --> 00:00:48,249 BY NOT CASTING 21 00:00:48,249 --> 00:00:51,322 THE CHAINSAW WIELDING HOOKER FROM "HALLOWSCREAM." HEY, I LIKE THAT MOVIE. 22 00:00:51,322 --> 00:00:54,054 IF I'D SEEN IT, WHICH I HAVEN'T. 23 00:00:54,054 --> 00:00:56,327 LOOK, THIS IS AN AUDITION TAPE. GIVE THE GIRL A CHANCE. 24 00:00:56,327 --> 00:00:59,330 ACCORDING TO "US WEEKLY," FOR HER MOVIE "HELL'S CRAWL SPACE," 25 00:00:59,330 --> 00:01:02,363 SHE ACTUALLY LIVED IN HER HOUSE'S CRAWL SPACE FOR A WEEK 26 00:01:02,363 --> 00:01:05,266 TO PREPARE FOR THE ROLE. WELL, YOU GOTTA ADMIT, THAT'S, UH, DEDICATION TO THE CRAFT. 27 00:01:05,266 --> 00:01:09,140 HOW ABOUT THAT DIALOGUE? I MEAN, HOW HACKY IS THAT? (Martha and Alexis sigh) 28 00:01:09,140 --> 00:01:12,143 "RIGHT NOW YOU NEED TO THINK ABOUT THE PEOPLE WHO LOVE YOU." 29 00:01:12,143 --> 00:01:14,145 LIKE THAT'S GONNA STOP A MURDERER? 30 00:01:14,145 --> 00:01:17,208 THAT SCREENWRITER NEEDS TO SPEND A WEEK IN A CRAWL SPACE. 31 00:01:17,208 --> 00:01:19,350 OKAY, DARLING, ENOUGH WITH THE COMPLAINING. (cell phone rings) 32 00:01:19,350 --> 00:01:22,082 (ring) IT'S BECKETT. 33 00:01:22,082 --> 00:01:23,354 (ringing) 34 00:01:23,354 --> 00:01:26,086 SHE IS GONNA HATE THE IDEA OF NATALIE RHODES. 35 00:01:26,086 --> 00:01:30,161 PICK IT UP, DAD. A MURDER WILL MAKE YOU FEEL BETTER. 36 00:01:30,161 --> 00:01:32,163 (sirens wailing) 37 00:01:32,163 --> 00:01:33,364 MORNING, BOYS. 38 00:01:33,364 --> 00:01:36,167 EXCUSE ME. HEY, CASTLE. HOW'S IT GOING? 39 00:01:36,167 --> 00:01:38,299 GOOD. WHAT'S UP? 40 00:01:38,299 --> 00:01:40,301 (police radio chatter) 41 00:01:40,301 --> 00:01:43,103 RYAN. 42 00:01:43,103 --> 00:01:45,306 I DON'T KNOW WHAT TO SAY. 43 00:01:45,306 --> 00:01:47,138 I MEAN, I'M FLATTERED, BUT-- 44 00:01:47,138 --> 00:01:49,140 OH, COME ON. IT'S NICE, RIGHT? RIGHT? 45 00:01:49,140 --> 00:01:50,341 JENNY IS A LUCKY GIRL. 46 00:01:50,341 --> 00:01:52,883 SO HOW ARE YOU GONNA POP THE QUESTION-- 47 00:01:52,883 --> 00:01:54,285 HOT AIR BALLOON, SKYWRITER, JUMBOTRON? 48 00:01:54,285 --> 00:01:56,287 UH, I THOUGHT I'D JUST ASK. 49 00:01:56,287 --> 00:01:58,349 NO, NO. YOU CAN'T "JUST ASK." 50 00:01:58,349 --> 00:02:00,891 YOU GOTTA MAKE A STATEMENT. IT'S GOTTA BE BIG. 51 00:02:00,891 --> 00:02:02,893 A HELICOPTER RIDE-- ACTUALLY, MOST GIRLS 52 00:02:02,893 --> 00:02:05,396 PREFER SOMETHING A LITTLE MORE INTIMATE. 53 00:02:05,396 --> 00:02:08,859 WHAT, SO HE'S JUST SUPPOSED TO BE BORING AND ASK, 54 00:02:08,859 --> 00:02:11,162 WILL YOU MARRY ME? 55 00:02:13,164 --> 00:02:15,166 AND HELICOPTER RIDES ARE INTIMATE. 56 00:02:15,166 --> 00:02:18,369 YEAH, SURE, IF YOU WANT TO SHARE THE MOST ROMANTIC MOMENT 57 00:02:18,369 --> 00:02:22,313 OF YOUR LIFE WITH REGGIE THE CHOPPER PILOT. 58 00:02:22,313 --> 00:02:24,245 (mouths words) 59 00:02:24,245 --> 00:02:26,247 (indistinct conversations) 60 00:02:26,247 --> 00:02:29,220 (camera shutter clicks, flash hums) 61 00:02:29,220 --> 00:02:31,222 (clicking) 62 00:02:31,222 --> 00:02:35,856 OUR VICTIM IS STACEY COLLINS. SHE'S 45. 63 00:02:35,856 --> 00:02:39,860 ACCORDING TO HER BUSINESS CARD, SHE'S A HIGH-END MATCHMAKER. LIKE "MILLIONAIRE MATCHMAKER." 64 00:02:39,860 --> 00:02:41,932 WITHOUT THE REALITY SHOW. OR PULSE. 65 00:02:41,932 --> 00:02:44,335 THAT, TOO. DEFENSIVE WOUNDS INDICATE THAT SHE WAS ATTACKED. 66 00:02:44,335 --> 00:02:46,937 WE FOUND HER PURSE WITH WALLET, CREDIT CARD AND CASH INSIDE. 67 00:02:46,937 --> 00:02:49,370 BUT THE THING THAT WAS MISSING WERE HER KEYS. 68 00:02:49,370 --> 00:02:52,203 UNIFORMS ARE ON THEIR WAY TO HER APARTMENT AND OFFICE 69 00:02:52,203 --> 00:02:55,876 TO SEE IF OUR KILLER DECIDED TO USE THEM. YO. SO APPARENTLY OUR VICTIM WAS AT A SURPRISE PARTY 70 00:02:55,876 --> 00:02:57,878 THROWN IN HER HONOR LAST NIGHT 71 00:02:57,878 --> 00:03:00,851 BY ALL THE HAPPY COUPLES THAT SHE'D MATCHED UP. WHERE WAS THE PARTY? 72 00:03:00,851 --> 00:03:03,183 OSCAR'S GRILL, 85th AND THIRD. THAT'S ONLY SEVEN BLOCKS FROM HERE. 73 00:03:03,183 --> 00:03:05,185 COLLINS LEFT THE PARTY JUST BEFORE 10:00. 74 00:03:05,185 --> 00:03:08,188 M.E. ESTIMATES THE TIME OF DEATH BETWEEN 10:00 AND 11:00. 75 00:03:08,188 --> 00:03:10,961 KILLER COULD'VE BEEN AT THE PARTY AND FOLLOWED HER. 76 00:03:10,961 --> 00:03:12,963 GOSH. YOU DON'T THINK A MARRIED PERSON 77 00:03:12,963 --> 00:03:16,897 KILLED THE WOMAN WHO GAVE THEM SUCH HAPPINESS, DO YOU? 78 00:03:16,897 --> 00:03:18,969 YEAH, I'LL START ON BRINGING THEM IN. 79 00:03:18,969 --> 00:03:22,973 (camera shutter clicking) 80 00:03:22,973 --> 00:03:25,906 SURPRISE VISIT FROM THE MAYOR? 81 00:03:25,906 --> 00:03:28,339 BETTER. 82 00:03:28,339 --> 00:03:32,383 ♪♪♪ 83 00:03:32,383 --> 00:03:35,846 (speaking inaudibly) 84 00:03:35,846 --> 00:03:37,348 ♪♪♪ 85 00:03:37,348 --> 00:03:39,850 (Esposito) HOLY SMOKE. 86 00:03:39,850 --> 00:03:42,993 THAT'S NATALIE RHODES. 87 00:03:42,993 --> 00:03:45,256 (Beckett) IT SURE IS. 88 00:03:45,256 --> 00:03:47,398 APPARENTLYSHEIS PLAYING NIKKI HEAT. 89 00:03:47,398 --> 00:03:49,400 WHAT? THAT'SAWESOME. 90 00:03:49,400 --> 00:03:52,303 YEAH, IT'S AWESOME. WHAT IS SHE DOING HERE? SHE CALLED AND ASKED 91 00:03:52,303 --> 00:03:54,865 IF SHE COULD SHADOW ME FOR A LITTLE WHILE. 92 00:03:54,865 --> 00:03:57,268 SHE WANTED TO GET AN AUTHENTIC FEEL FOR WHAT IT'S LIKE 93 00:03:57,268 --> 00:03:59,840 TO BE NIKKI BY FOLLOWING THE PERSON WHO INSPIRED NIKKI. AND YOU SAID YES? 94 00:03:59,840 --> 00:04:01,372 YEAH. 95 00:04:01,372 --> 00:04:04,014 DETECTIVE BECKETT. MY GOD. YOU ARE EXACTLY 96 00:04:04,014 --> 00:04:06,317 WHAT I IMAGINED NIKKI HEAT WOULD LOOK LIKE. 97 00:04:06,317 --> 00:04:08,949 NATALIE, THIS IS RICHARD CASTLE. 98 00:04:08,949 --> 00:04:10,951 AND THIS IS DETECTIVE JAVIER ESPOSITO. 99 00:04:10,951 --> 00:04:11,982 HEY. 100 00:04:11,982 --> 00:04:13,884 JUST SO YOU KNOW, DETECTIVE, 101 00:04:13,884 --> 00:04:15,286 I'M VERY METHOD. 102 00:04:15,286 --> 00:04:17,288 SO IT'S ALL ABOUT GETTING INSIDE OF YOU, 103 00:04:17,288 --> 00:04:19,860 WHICH STARTS WITH OBSERVING AND NOTING. 104 00:04:19,860 --> 00:04:21,862 OKAY. WELL, OBSERVE AND NOTE AWAY. 105 00:04:21,862 --> 00:04:23,864 I'M ALREADY USED TO IT. (laughs) 106 00:04:23,864 --> 00:04:26,867 I'M SORRY. I DON'T THINK YOU HEARD. I'M RICHARD CASTLE. 107 00:04:26,867 --> 00:04:28,869 GREAT. 108 00:04:28,869 --> 00:04:30,901 I-I WROTE "HEAT WAVE." 109 00:04:30,901 --> 00:04:34,305 OH. I THOUGHT YOUR NAME SOUNDED FAMILIAR. 110 00:04:34,305 --> 00:04:38,278 HEY, I JUST GOT OFF THE PHONE WITH THE GUYS AT THE, UH... 111 00:04:38,278 --> 00:04:40,911 HI. 112 00:04:40,911 --> 00:04:43,914 NATALIE, THIS IS DETECTIVE KEVIN RYAN. 113 00:04:43,914 --> 00:04:46,887 UH... HI. 114 00:04:46,887 --> 00:04:49,920 RYAN, THE CALL? 115 00:04:49,920 --> 00:04:51,922 YEAH. LOOKS LIKE OUR KILLER 116 00:04:51,922 --> 00:04:53,924 TOOK OUR VICTIM'S KEYS FOR A REASON. 117 00:04:53,924 --> 00:04:56,867 UNIFORMS JUST GOT TO HER OFFICE. PLACE HAS BEEN TOSSED. 118 00:04:56,867 --> 00:04:59,069 YOU GUYS GO TO THE OFFICE, SEE WHAT THE KILLER WAS AFTER. 119 00:04:59,069 --> 00:05:01,301 WE'LL GO INTERVIEW PARTY GUESTS AND SEE 120 00:05:01,301 --> 00:05:04,405 IF WE CAN SHED SOME LIGHT ON WHAT THIS WAS ALL ABOUT. RIGHT. 121 00:05:04,405 --> 00:05:07,338 COME ON. 122 00:05:07,338 --> 00:05:09,009 HELLO. 123 00:05:09,009 --> 00:05:11,041 I'M YOUR CREATOR. 124 00:05:11,041 --> 00:05:12,443 (elevator bell dings) 125 00:05:12,443 --> 00:05:14,445 SO WHO WOULD WANT TO KILL A MATCHMAKER? 126 00:05:14,445 --> 00:05:16,417 WELL, THAT'S WHAT WE HAVE TO FIND OUT. 127 00:05:16,417 --> 00:05:19,319 AND THE FIRST 48 HOURS ARETHEMOST CRITICAL. 128 00:05:19,319 --> 00:05:22,322 AFTER THAT, EVIDENCE GETS CORRUPTED, 129 00:05:22,322 --> 00:05:24,324 WITNESSES GET LESS RELIABLE, 130 00:05:24,324 --> 00:05:26,927 AND... OH. (indistinct whispering) 131 00:05:26,927 --> 00:05:29,930 (laughs) I'M SO SORRY EVERYONE IS STARING. 132 00:05:29,930 --> 00:05:31,862 I ALREADY TALKED TO THEM, BUT IT'S JUST-- 133 00:05:31,862 --> 00:05:34,104 IT'S NOT EVERY DAY WE GET SOMEONE FAMOUS IN HERE. 134 00:05:34,104 --> 00:05:35,906 LISTEN UP, EVERYBODY. 135 00:05:35,906 --> 00:05:37,408 THIS IS NATALIE RHODES. 136 00:05:37,408 --> 00:05:40,340 SHE WILL BE SHADOWING ME FOR A LITTLE WHILE, 137 00:05:40,340 --> 00:05:43,343 SO IF YOU WANT TO GAWK, JUST GET IT OVER WITH 138 00:05:43,343 --> 00:05:46,346 SO WE CAN ALL GET BACK TO WORK. AND IF ANYONE WANTS A PICTURE AND AUTOGRAPH, 139 00:05:46,346 --> 00:05:48,348 JUST COME ON OVER. 140 00:05:48,348 --> 00:05:52,383 (indistinct conversations) 141 00:05:52,383 --> 00:05:55,125 I CAN'T BELIEVE YOU SAID IT WAS OKAY FOR HER TO TAIL US 142 00:05:55,125 --> 00:05:56,927 WITHOUT ASKING ME FIRST. 143 00:05:56,927 --> 00:05:59,059 NOT "US," CASTLE. ME. 144 00:05:59,059 --> 00:06:00,931 OH, MY GOD. 145 00:06:00,931 --> 00:06:03,063 YOU LIKE HER, DON'T YOU? 146 00:06:03,063 --> 00:06:04,965 MM. YEAH. SO? 147 00:06:04,965 --> 00:06:06,967 SO WAS IT HER WORK IN "MUTILATION HIGH" 148 00:06:06,967 --> 00:06:08,999 THAT CHANGED YOUR LIFE, OR PERHAPS "DEMON PATROL"? 149 00:06:08,999 --> 00:06:11,071 WELL, THE WAY THAT SHE BEHEADED THOSE ZOMBIES 150 00:06:11,071 --> 00:06:13,073 WITH THE SAMURAI SWORD WAS PRETTY COOL. 151 00:06:13,073 --> 00:06:16,076 YES, IT WAS COOL, BUT THAT DOES NOT MAKE HER NIKKI HEAT. 152 00:06:16,076 --> 00:06:18,008 NIKKI HEAT... (camera shutter clicks) 153 00:06:18,008 --> 00:06:21,011 IS CLASSY, SHE'S COMPLICATED, SHE'S A... 154 00:06:21,011 --> 00:06:22,413 A THINKING-MAN'S COP. 155 00:06:22,413 --> 00:06:25,416 (click) HI. NICE TO MEET YOU. 156 00:06:25,416 --> 00:06:28,158 YEAH. WELL, YOU CAN'T JUDGE A BOOK BY ITS COVER. 157 00:06:28,158 --> 00:06:31,962 YES. ACTUALLY, YES, I CAN, WHEN IT'S MY BOOK. 158 00:06:31,962 --> 00:06:33,894 AND SHE'S A CIVILIAN. 159 00:06:33,894 --> 00:06:36,427 I MEAN, AREN'T YOU AFRAID SHE'S GONNA GET IN THE WAY 160 00:06:36,427 --> 00:06:40,170 AND MESS UP THE CASE? YOU'RE KIDDING, RIGHT? 161 00:06:40,170 --> 00:06:42,072 RIGHT THIS WAY, PLEASE. 162 00:06:42,072 --> 00:06:46,136 HEY, NATALIE. WANT TO JOIN IN ON YOUR FIRST INTERVIEW? 163 00:06:46,136 --> 00:06:49,009 YEP. BE RIGHT THERE. OKAY, READY? (click) 164 00:06:49,009 --> 00:06:51,011 (man) HEY, THAT LOOKS GREAT! 165 00:06:51,011 --> 00:06:54,144 (whistles) OUR KILLER WAS DEFINITELY AFTER SOMETHING. 166 00:06:54,144 --> 00:06:56,416 "PLEASED TO MEET YOU, MS. RHODES." 167 00:06:56,416 --> 00:06:58,418 HOW HARD IS THAT TO SAY? 168 00:06:58,418 --> 00:07:01,151 (scoffs) NOW SHE THINKS I'M AN IDIOT. YEAH, PROBABLY. 169 00:07:01,151 --> 00:07:03,153 GREAT. AND SHE'S ON MY LIST. WHAT? 170 00:07:03,153 --> 00:07:06,156 MY FREEBIE FIVE. YOU KNOW, THE CELEBRITIES YOU'RE ALLOWED 171 00:07:06,156 --> 00:07:09,159 TO MAKE AN EXCEPTION WITH IF YOU EVER GOT THE CHANCE? 172 00:07:09,159 --> 00:07:11,161 JENNY EVEN KNOWS. I WOULDN'T WORRY ABOUT IT, BRO. 173 00:07:11,161 --> 00:07:14,034 OH, MY GOD. WHAT HAPPENED? 174 00:07:14,034 --> 00:07:16,166 AND YOU ARE? 175 00:07:16,166 --> 00:07:18,909 JULIE TAYLOR, I WORK HERE, FOR STACEY COLLINS. 176 00:07:18,909 --> 00:07:21,472 I'M AFRAID WE HAVE SOME BAD NEWS FOR YOU, MS. TAYLOR. 177 00:07:23,073 --> 00:07:25,976 WELL, I HOPE WE WERE HELPFUL. 178 00:07:25,976 --> 00:07:27,978 (Natalie) WOW. 179 00:07:27,978 --> 00:07:30,050 ARE ALL THE FOLKS YOU INTERVIEW ALWAYS THAT UNHELPFUL? 180 00:07:30,050 --> 00:07:32,052 IT'S A NUMBERS GAME. 181 00:07:32,052 --> 00:07:34,454 YOU TALK TO ENOUGH PEOPLE, SOMETHING USUALLY SHAKES OUT. 182 00:07:34,454 --> 00:07:37,227 THAT IS GOING IN THE MOVIE. (clicks buttons) 183 00:07:37,227 --> 00:07:39,189 YEAH, BEING A COP, IT'S... 184 00:07:39,189 --> 00:07:41,131 KIND OF LIKE BEING A PROSPECTOR. 185 00:07:41,131 --> 00:07:43,133 YOU GOTTA SIFT THROUGH A LOT OF ROCK 186 00:07:43,133 --> 00:07:46,096 BEFORE YOU FINALLY HIT GOLD. NO. HER LINE WAS BETTER. 187 00:07:46,096 --> 00:07:49,169 (clicking buttons) "USUALLY SHAKES OUT." 188 00:07:49,169 --> 00:07:51,171 (continues clicking) 189 00:07:51,171 --> 00:07:53,974 BESIDES CLIENT FILES, WAS THERE ANYTHING OF VALUE HERE? 190 00:07:53,974 --> 00:07:56,476 DID SHE KEEP CASH ON HAND? 191 00:07:56,476 --> 00:07:58,478 NO. I MEAN, ESPECIALLY NOT LATELY. 192 00:07:58,478 --> 00:08:01,912 BUSINESS IS WAY DOWN. DID YOU GUYS TAKE A HIT FROM THE ECONOMY? 193 00:08:01,912 --> 00:08:05,115 MOSTLY IT WAS STACEY. SHE KEPT TURNING DOWN CLIENTS. 194 00:08:05,115 --> 00:08:07,217 WHY WOULD SHE DO THAT? ALL I KNOW IS, 195 00:08:07,217 --> 00:08:09,960 TWO MONTHS AGO, SHE STARTED REJECTING APPLICATIONS, 196 00:08:09,960 --> 00:08:12,222 AND HERE WE ARE, BARELY MAKING IT. 197 00:08:12,222 --> 00:08:14,965 WE THINK THE KILLER MAY HAVE FOLLOWED HER FROM THE EVENT. 198 00:08:14,965 --> 00:08:16,967 DID SHE HAVE ISSUES WITH ANY OF THE GUESTS? 199 00:08:16,967 --> 00:08:19,269 OH, NO. THOSE WERE HER SUCCESS STORIES-- 200 00:08:19,269 --> 00:08:21,131 60 HAPPY COUPLES. 201 00:08:21,131 --> 00:08:23,133 THEY PUT THE PARTY TOGETHER IN HER HONOR. 202 00:08:23,133 --> 00:08:26,276 THEY WANTED HER TO SEE HOW MANY LIVES SHE'D TOUCHED. 203 00:08:26,276 --> 00:08:28,979 YOU KNOW WHAT'S SO SAD? 204 00:08:28,979 --> 00:08:31,912 I DON'T THINK THAT STACEY EVER FOUND A SOUL MATE FOR HERSELF. 205 00:08:31,912 --> 00:08:33,984 IT'S CRAZY. WITHOUT HER, WE WOULDN'T EVEN BE TOGETHER. 206 00:08:33,984 --> 00:08:35,986 HOW CAN SHE BE DEAD? 207 00:08:35,986 --> 00:08:38,118 WAS THERE ANYONE ACTING STRANGELY AT THE PARTY? 208 00:08:38,118 --> 00:08:40,921 (woman) NOT THAT WE NOTICED. 209 00:08:40,921 --> 00:08:42,252 (clicks buttons) 210 00:08:42,252 --> 00:08:46,026 WHAT ABOUT AFTER THE PARTY? DID YOU SEE STACEY LEAVE? 211 00:08:46,026 --> 00:08:47,898 (man) ACTUALLY, YEAH, SOMEONE PICKED HER UP. 212 00:08:47,898 --> 00:08:50,931 ANY IDEA WHO? I DIDN'T SEE. THE CARS WINDOWS WERE TINTED. 213 00:08:50,931 --> 00:08:54,104 WHAT KIND OF VE-- WHAT KIND OF VEHICLE WAS IT? 214 00:08:54,104 --> 00:08:55,906 A SPORTS CAR. 215 00:08:55,906 --> 00:08:57,968 IT WAS A BOXSTER, A SILVER BOXSTER. 216 00:08:57,968 --> 00:08:59,970 DID SHE HAVE ANY ENEMIES, 217 00:08:59,970 --> 00:09:02,172 ANYBODY WHO MIGHT HAVE WANTED TO DO HER HARM? 218 00:09:02,172 --> 00:09:04,174 OH, MAN. WHAT? 219 00:09:04,174 --> 00:09:06,016 BRAD WILLIAMS-- 220 00:09:06,016 --> 00:09:08,018 STACEY'S BOYFRIEND, UNTIL YESTERDAY. 221 00:09:08,018 --> 00:09:09,219 WHAT HAPPENED YESTERDAY? 222 00:09:09,219 --> 00:09:12,022 WHEN I CAME IN IN THE MORNING, THEY WERE FIGHTING. 223 00:09:12,022 --> 00:09:15,025 ABOUT WHAT? I DON'T KNOW, BUT THEY WERE BOTH PRETTY UPSET. 224 00:09:15,025 --> 00:09:18,959 BRAD WAS SCREAMING, AND STACEY JUST TOLD HIM TO LEAVE. 225 00:09:18,959 --> 00:09:20,961 (sighs) I THINK I HEARD HIM SAY 226 00:09:20,961 --> 00:09:23,163 HE WANTED HER TO GIVE HIM SOMETHING BACK. 227 00:09:23,163 --> 00:09:25,996 DO YOU HAVE ANY IDEA WHAT? NO. 228 00:09:25,996 --> 00:09:27,167 (cell phone rings) EXCUSE ME. 229 00:09:27,167 --> 00:09:28,238 (ring) 230 00:09:28,238 --> 00:09:29,970 (ring) 231 00:09:29,970 --> 00:09:32,072 DID BRAD KNOW ABOUT THE PARTY? ESPOSITO. 232 00:09:32,072 --> 00:09:34,274 (Esposito speaking indistinctly) OH, HE WAS GONNA BE THERE, 233 00:09:34,274 --> 00:09:37,107 BUT THEN WHEN THEY SPLIT UP, I HAD TO UNINVITE HIM. 234 00:09:37,107 --> 00:09:39,980 MS. TAYLOR, DOES ANYONE IN STACEY'S LIFE 235 00:09:39,980 --> 00:09:41,952 DRIVE A SILVER BOXSTER? 236 00:09:41,952 --> 00:09:50,260 YEAH. BRAD DOES. 237 00:09:50,260 --> 00:09:52,022 ♪♪♪ 238 00:09:59,970 --> 00:10:02,072 I WAS IN LOVE WITH STACEY. WHAT MAKES YOU THINK 239 00:10:02,072 --> 00:10:05,075 I COULD POSSIBLY KILL HER? IF YOU WERE SO IN LOVE WITH HER, 240 00:10:05,075 --> 00:10:08,078 WHY DID YOU HAVE A SCREAMING MATCH IN HER OFFICE YESTERDAY? 241 00:10:08,078 --> 00:10:10,941 WE ARGUE. I'M A PASSIONATE PERSON. OBVIOUSLY. 242 00:10:10,941 --> 00:10:12,943 AND THEN AFTER SHE DUMPED YOU, 243 00:10:12,943 --> 00:10:14,945 YOU COULDN'T HANDLE THE REJECTION, 244 00:10:14,945 --> 00:10:18,048 AND SO YOU KILLED HER. THAT'S NOT TRUE. 245 00:10:18,048 --> 00:10:20,921 WHEN YOU AND STACEY FOUGHT, YOU SAID YOU WANTED SOMETHING BACK. 246 00:10:20,921 --> 00:10:22,953 WHAT WAS IT? MY DIGNITY. 247 00:10:22,953 --> 00:10:26,126 YOU TRASHED HER OFFICE LOOKING FOR YOUR DIGNITY? 248 00:10:26,126 --> 00:10:29,099 I DIDN'T KILL HER AND I DIDN'T TRASH HER OFFICE. 249 00:10:29,099 --> 00:10:33,033 STACEY STEPPED OUT ON ME. THAT'S WHY WE BROKE UP. 250 00:10:33,033 --> 00:10:35,235 AND THAT GIVES YOU EVEN GREATER REASON TO HAVE KILLED HER. 251 00:10:35,235 --> 00:10:38,038 (Natalie) SHE'S AMAZING. YOU THINK THAT I'D TELL YOU THAT... 252 00:10:38,038 --> 00:10:40,140 LOOK AT HER EYE CONTACT. THE WAY SHE WON'T LET GO... 253 00:10:40,140 --> 00:10:42,172 (chuckles) I LOVE THAT. 254 00:10:42,172 --> 00:10:45,045 SO WHAT DID YOU THINK OF "HEAT WAVE"? 255 00:10:45,045 --> 00:10:47,978 ARE YOU KIDDING? I LOVE IT. 256 00:10:47,978 --> 00:10:50,080 SPIKE ROSENBERG IS ONE OF MY FAVORITE SCREENWRITERS. 257 00:10:50,080 --> 00:10:52,022 YOU KNOW, HE DID THE UNCREDITED FINAL PASS 258 00:10:52,022 --> 00:10:54,024 ON "HELL'S CRAWL SPACE." YEAH. (clears throat) 259 00:10:54,024 --> 00:10:56,026 NOT THE--NOT THE SCRIPT, THE BOOK-- 260 00:10:56,026 --> 00:10:57,988 THE--THE--THE REAL "HEAT WAVE." 261 00:10:57,988 --> 00:10:59,990 I HAVEN'T READ IT. 262 00:10:59,990 --> 00:11:02,192 YOU--YOU TOOK THE PART OF NIKKI HEAT 263 00:11:02,192 --> 00:11:05,165 WITHOUT EVEN READING THE BOOK? 264 00:11:05,165 --> 00:11:07,237 WELL, SPIKE MADE A LOT OF CHANGES IN THE SCREENPLAY. 265 00:11:07,237 --> 00:11:09,970 I DIDN'T WANT TO CONFUSE THE CHARACTER IN MY HEAD. 266 00:11:09,970 --> 00:11:12,272 "CHANGES." 267 00:11:14,274 --> 00:11:16,206 WHAT--WHAT CHANGES? 268 00:11:16,206 --> 00:11:19,079 AND THEN TWO MONTHS AGO, SHE STARTED TO PULL AWAY. 269 00:11:19,079 --> 00:11:22,212 NEXT CAME SOME PHONE CALLS AT ODD HOURS FROM SOME GUY. 270 00:11:22,212 --> 00:11:25,215 SHE WOULDN'T SAY WHO. I MEAN, THE SIGNS WERE ALL THERE, 271 00:11:25,215 --> 00:11:28,218 I JUST DIDN'T WANT TO SEE THEM. WELL, JUST BECAUSE SHE WAS GETTING PHONE CALLS 272 00:11:28,218 --> 00:11:30,290 DOESN'T MEAN THAT SHE WAS HAVING AN AFFAIR. 273 00:11:30,290 --> 00:11:33,063 I FOLLOWED HER LAST WEEK, SAW HER MEET THE GUY-- 274 00:11:33,063 --> 00:11:34,294 A REAL LOWLIFE. 275 00:11:34,294 --> 00:11:38,128 WHEN I CONFRONTED HER, SHE DENIED EVERYTHING. 276 00:11:38,128 --> 00:11:41,031 I CALLED HER A LIAR. 277 00:11:41,031 --> 00:11:42,973 AND NOW SHE'S DEAD. 278 00:11:42,973 --> 00:11:46,206 AND THEN PRIOR TO HER DEATH, SHE WAS SEEN GETTING INTO YOUR CAR. 279 00:11:46,206 --> 00:11:49,009 AFTER THE PARTY, I OFFERED HER A RIDE, THINKING WE COULD TALK. 280 00:11:49,009 --> 00:11:50,310 WHERE DID YOU GO? 281 00:11:50,310 --> 00:11:53,243 NOWHERE. SHE WAS BARELY IN THE CAR WHEN HE CALLED AGAIN. 282 00:11:53,243 --> 00:11:55,315 I STARTED TO GET UPSET. SHE JUST GOT OUT. 283 00:11:55,315 --> 00:11:59,019 THEN WHERE'D YOU GO AFTER YOU DROPPED HER OFF? I DIDN'T GO ANYWHERE. 284 00:11:59,019 --> 00:12:01,221 I NOTICED I WAS IN FRONT OF THE NAUTILUS DINER. 285 00:12:01,221 --> 00:12:04,224 I WENT IN AND WAS THERE UNTIL AFTER MIDNIGHT. 286 00:12:04,224 --> 00:12:06,226 THE HOSTESS AT NAUTILUS CONFIRMS BRAD'S STORY. 287 00:12:06,226 --> 00:12:08,999 HAS HIM THERE FROM A FEW MINUTES AFTER 10:00 TILL ABOUT MIDNIGHT, 288 00:12:08,999 --> 00:12:11,101 DROWNING HIS SORROWS IN FIVE ORDERS OF BAKLAVA. 289 00:12:11,101 --> 00:12:13,263 OOH. I LOVE THEIR BAKLAVA. 290 00:12:13,263 --> 00:12:15,265 THE HONEY ACTUALLY OOZES OUT OF THE SIDES... 291 00:12:15,265 --> 00:12:18,939 BUT THE SALIENT POINT HERE 292 00:12:18,939 --> 00:12:21,071 IS THAT BRAD WILLIAMS JUST ALIBIED OUT. 293 00:12:21,071 --> 00:12:22,943 CHECK INTO STACEY'S PHONE RECORDS. 294 00:12:22,943 --> 00:12:25,145 LET'S SEE IF WE CAN FIND THAT NEW BOYFRIEND. RIGHT. 295 00:12:25,145 --> 00:12:27,017 (cell phone chirps and clicks) 296 00:12:27,017 --> 00:12:30,020 OH, C.S.U. FOUND A KEY HIDDEN UNDER A CEILING TILE. 297 00:12:30,020 --> 00:12:32,222 THEY SAY THERE'S NO LOCKBOX IN STACEY'S OFFICE 298 00:12:32,222 --> 00:12:34,224 AND HER ASSISTANT DOESN'T RECOGNIZE IT, 299 00:12:34,224 --> 00:12:36,226 SO C.S.U. IS RUNNING IT DOWN. 300 00:12:36,226 --> 00:12:39,089 WELL, MAYBE THAT'S WHAT THE KILLER WAS LOOKING FOR. 301 00:12:39,089 --> 00:12:41,091 MAYBE IT'S THEKEY 302 00:12:41,091 --> 00:12:43,293 TO UNLOCKING THE MYSTERY OF STACEY'S MURDER. 303 00:12:43,293 --> 00:12:46,166 SO WHAT ARE YOU THINKING ABOUT RIGHT NOW, DETECTIVE? 304 00:12:46,166 --> 00:12:48,098 WHAT'S OUR NEXT MOVE? 305 00:12:48,098 --> 00:12:51,171 I'M THINKING... I NEED A CUP OF COFFEE. 306 00:12:51,171 --> 00:12:53,974 ME, TOO. GOD, WE ARE SO IN SYNC. (snaps fingers) 307 00:12:53,974 --> 00:12:55,175 (laughs) 308 00:12:57,077 --> 00:12:59,980 (Ryan, lowered voice) HEY, CASTLE. 309 00:12:59,980 --> 00:13:02,252 SO I-I... I BOOKED THAT CHOPPER RIDE. 310 00:13:02,252 --> 00:13:04,154 WE'RE EVEN GONNA FLY OVER K.J. McDOOGAL'S. 311 00:13:04,154 --> 00:13:06,256 IT'S THE BAR WHERE JENNY AND I MET. 312 00:13:06,256 --> 00:13:08,959 AND THEN TOMORROW, I'M GOING OUT TO FLUSHING 313 00:13:08,959 --> 00:13:10,991 TO ASK HER PARENTS FOR HER HAND. 314 00:13:10,991 --> 00:13:13,323 I TOLD JENNY I'M PLAYING DARTS WITH ESPOSITO. ALL RIGHT. WELL, YOU'RE ALL SET. 315 00:13:13,323 --> 00:13:15,996 UM, I-I STILL NEED TO PICK A ROMANTIC RESTAURANT 316 00:13:15,996 --> 00:13:18,128 THAT'S NEAR THE WEST SIDE HELIPORT. ANY IDEAS? 317 00:13:18,128 --> 00:13:20,200 (sighs) 318 00:13:20,200 --> 00:13:22,032 DOES SHE LIKE ITALIAN? 319 00:13:22,032 --> 00:13:24,034 YOU ARE AMAZING. OH. 320 00:13:24,034 --> 00:13:26,236 IN FACT, I'VE ALREADY PICKED UP 321 00:13:26,236 --> 00:13:28,338 ON A COUPLE OF YOUR LITTLE SECRETS. OH, REALLY. LIKE WHAT? 322 00:13:28,338 --> 00:13:31,311 THAT THING YOU DO, PUSHING YOUR HAIR BACK BEHIND YOUR EAR, 323 00:13:31,311 --> 00:13:33,343 IT'S A DEVICE TO DISTRACT WHOMEVER YOU'RE TALKING TO. 324 00:13:33,343 --> 00:13:37,087 GIVES YOU AN EXTRA FEW SECONDS TO THINK ABOUT WHAT TO SAY. 325 00:13:37,087 --> 00:13:39,119 HUH. REALLY? I DID NOT KNOW THAT. 326 00:13:39,119 --> 00:13:41,121 YEAH, AND THERE'S THOSE CRAZY 4-INCH SPIKED HEELS. 327 00:13:41,121 --> 00:13:43,153 GOD, THEY MUST BE HELL TO RUN IN. 328 00:13:43,153 --> 00:13:45,155 YOU KNOW, YOU WOULDN'T ADMIT IT, 329 00:13:45,155 --> 00:13:47,227 BUT IT'S TOUGH BEING AN ATTRACTIVE WOMAN 330 00:13:47,227 --> 00:13:49,299 IN SUCH A TESTOSTERONE-FUELED PROFESSION. 331 00:13:49,299 --> 00:13:51,231 THE HEELS GIVE YOU STATURE. WHEN GUYS HAVE TO 332 00:13:51,231 --> 00:13:55,035 LITERALLY LOOK UP TO YOU, IT GIVES YOU A PSYCHOLOGICAL EDGE. 333 00:13:55,035 --> 00:13:57,167 WELL, YOU'RE RIGHT ABOUT THE HEELS AND THE STATURE. 334 00:13:57,167 --> 00:13:59,339 BUT IT'S NOT BECAUSE I NEED IT. I JUST LIKE IT. 335 00:13:59,339 --> 00:14:02,042 YO, BECKETT. 336 00:14:02,042 --> 00:14:04,014 WE GOT SOMETHING. 337 00:14:07,117 --> 00:14:08,318 BRAD WAS RIGHT. 338 00:14:08,318 --> 00:14:10,320 STACEY DID GET A CALL JUST BEFORE SHE WAS KILLED, 339 00:14:10,320 --> 00:14:12,122 FROM ONE DUKE JONES. 340 00:14:12,122 --> 00:14:14,254 GUY'S GOT A SHEET THAT READS LIKE A PRIMER 341 00:14:14,254 --> 00:14:16,126 ON SMALL-TIME CROOKERY. 342 00:14:16,126 --> 00:14:18,128 WE GOT B&Es, RACKETEERING, AND ASSAULT. 343 00:14:18,128 --> 00:14:21,061 WHAT'S A HIGH-CLASS MATCHMAKER DOING WITH A GUY LIKE THAT? 344 00:14:21,061 --> 00:14:23,063 WHATEVER IT IS, I'M GUESSING THAT IT'S COMPLICATED. 345 00:14:23,063 --> 00:14:24,995 ACCORDING TO STACEY'S BANK RECORDS, 346 00:14:24,995 --> 00:14:26,997 SHE WAS MAKING WEEKLY PAYMENTS OF $5,000 TO THE GUY 347 00:14:26,997 --> 00:14:28,298 FOR THE LAST TWO MONTHS. 348 00:14:28,298 --> 00:14:30,170 ANYONE ELSE NOTICE 349 00:14:30,170 --> 00:14:33,303 THAT TWO MONTHS HAS BEEN A RECURRING THEME? WHAT WAS THE MONEY FOR? 350 00:14:33,303 --> 00:14:36,046 I DON'T KNOW. NEITHER DOES HER BOYFRIEND OR HER ASSISTANT. 351 00:14:36,046 --> 00:14:38,248 WELL, IT LOOKS LIKE WE'LL HAVE TO ASK HIM OURSELVES. 352 00:14:38,248 --> 00:14:42,052 READY TO HIT THE BRICKS, NATALIE? YEAH. 353 00:14:42,052 --> 00:14:45,055 JUST HAVE TO PUT ON YOUR BASIC FAMOUS PERSON DISGUISE 354 00:14:45,055 --> 00:14:46,256 SO I'M LESS DISTRACTING. 355 00:14:46,256 --> 00:14:48,158 DOES THAT REALLY FOOL PEOPLE? 356 00:14:48,158 --> 00:14:51,021 YEAH. IT WORKS IN L.A. 357 00:14:51,021 --> 00:14:54,024 WHAT ABOUT YOU? DO YOU DO ANYTHING TO HIDE YOUR FAME? 358 00:14:54,024 --> 00:14:56,266 IT DOESN'T REALLY COME UP THAT MUCH. 359 00:15:07,107 --> 00:15:08,238 HI. 360 00:15:08,238 --> 00:15:10,040 CAN I HELP YOU? 361 00:15:10,040 --> 00:15:11,281 YEAH, WE'RE LOOKING FOR DUKE JONES. 362 00:15:11,281 --> 00:15:13,283 ♪ WHO'S LOOKING FOR THE DUKE? ♪ 363 00:15:13,283 --> 00:15:16,086 DETECTIVE BECKETT. NYPD. 364 00:15:16,086 --> 00:15:18,118 OH. CHLOE... 365 00:15:18,118 --> 00:15:22,252 WHY DON'T YOU GET SOME AIR? 366 00:15:22,252 --> 00:15:24,354 WE'RE INVESTIGATING THE DEATH OF STACEY COLLINS. 367 00:15:24,354 --> 00:15:26,156 STACEY'S DEAD? 368 00:15:26,156 --> 00:15:29,129 SHE WAS MURDERED. OOH. 369 00:15:29,129 --> 00:15:32,062 WHAT WAS THE NATURE OF YOUR RELATIONSHIP? I WORK AS A P.I. 370 00:15:32,062 --> 00:15:35,265 SHE HIRED ME TO RUN BACKGROUND CHECKS ON POTENTIAL CLIENTS. 371 00:15:35,265 --> 00:15:38,008 AT 5 GRAND A WEEK? 372 00:15:38,008 --> 00:15:41,171 SEEMS PRETTY STEEP, ESPECIALLY CONSIDERING BUSINESS WAS DOWN. 373 00:15:41,171 --> 00:15:44,044 HEY. YOU GET WHAT YOU PAY FOR. 374 00:15:44,044 --> 00:15:46,176 AND WHAT WAS THAT EXACTLY? 375 00:15:46,176 --> 00:15:49,279 LET'S JUST SAY, I'M NOT AFRAID TO GO DEEP 376 00:15:49,279 --> 00:15:51,181 TO FIND OUT WHO SOMEONE REALLY IS. 377 00:15:51,181 --> 00:15:55,255 AND WHY WOULD STACEY NEED YOUR SERVICES ALL OF A SUDDEN? 378 00:15:55,255 --> 00:15:59,229 SO SHE COULD VET HER CLIENTS. SHE MADE A BAD CALL 379 00:15:59,229 --> 00:16:01,992 ON ONE OF 'EM, AND IT CAME BACK TO BITE HER IN THE ASS. DID SHE TELL YOU WHO? 380 00:16:01,992 --> 00:16:04,134 NO. NATURE OF THE, UH, ASS BITING? 381 00:16:04,134 --> 00:16:07,267 NOT THAT EITHER. YOU CALLED STACEY 20 MINUTES BEFORE SHE WAS KILLED. 382 00:16:07,267 --> 00:16:09,299 WHAT WAS IT ABOUT? 383 00:16:09,299 --> 00:16:11,271 I'D FINISHED A BACKGROUND CHECK. 384 00:16:11,271 --> 00:16:14,104 I WAS JUST GIVING HER THE DOWNLOAD. 385 00:16:14,104 --> 00:16:17,107 AND WHERE WERE YOU LAST NIGHT BETWEEN 10:00 AND 11:00? 386 00:16:17,107 --> 00:16:20,150 OOH. (laughs) I WAS BANGING MY NEIGHBOR. 387 00:16:20,150 --> 00:16:22,282 SHE CAN VOUCH FOR ME. 388 00:16:22,282 --> 00:16:24,354 GREAT. WE'LL BE SURE TO TALK TO HER. 389 00:16:24,354 --> 00:16:25,315 MM. 390 00:16:25,315 --> 00:16:28,058 SO YOU THINK THIS ASS-BITING CLIENT 391 00:16:28,058 --> 00:16:30,260 MIGHT ACTUALLY HAVE SOMETHING TO DO WITH STACEY'S DEATH? 392 00:16:30,260 --> 00:16:32,262 WELL, RECENT CONFLICT IN A VICTIM'S LIFE 393 00:16:32,262 --> 00:16:35,265 IS DEFINITELY A RED FLAG, SO WE GOTTA LOOK IN TO IT. 394 00:16:35,265 --> 00:16:37,127 (cell phone beeps) 395 00:16:37,127 --> 00:16:38,328 EXCUSE ME, GUYS. 396 00:16:38,328 --> 00:16:40,130 ESPOSITO. 397 00:16:40,130 --> 00:16:43,173 YEAH, I NEED YOU TO LOOK IN TO A COUPLE OF STACEY'S CLIENTS. 398 00:16:43,173 --> 00:16:45,105 SHE IS CRAZY SMART. 399 00:16:45,105 --> 00:16:48,208 YOU KNOW, SEXY... COMMANDING. 400 00:16:48,208 --> 00:16:50,080 (scoffs) ON A GOOD DAY, 401 00:16:50,080 --> 00:16:52,082 MAYBE I'M... (chuckles) ONE OUT OF THREE. 402 00:16:52,082 --> 00:16:54,284 WELL, THAT'S WHY YOU'RE HERE, ISN'T IT, 403 00:16:54,284 --> 00:16:57,187 TO LEARN THE WAYS OF BECKETT? (sighs) I'M TRYING. 404 00:16:57,187 --> 00:17:01,091 YOU KNOW, NIKKI IS SUCH A COMPLEX, JUICY CHARACTER. 405 00:17:01,091 --> 00:17:04,154 I JUST REALLY WANT TO GET HER RIGHT, YOU KNOW? 406 00:17:04,154 --> 00:17:07,127 IS IT TRUE YOU LIVED IN YOUR HOUSE'S CRAWL SPACE 407 00:17:07,127 --> 00:17:10,130 FOR A WEEK TO PREPARE FOR "HELL'S CRAWL SPACE"? 408 00:17:10,130 --> 00:17:12,132 NO. 409 00:17:12,132 --> 00:17:14,264 A MONTH. I TOLD THE TABLOIDS A WEEK 410 00:17:14,264 --> 00:17:17,337 'CAUSE I DIDN'T WANT THEM TO THINK I WAS OBSESSIVE. 411 00:17:17,337 --> 00:17:19,339 (Beckett) REALLY? OKAY. THANKS. (beep) 412 00:17:19,339 --> 00:17:23,213 SO C.S.U. HAD A HIT ON STACEY'S HIDDEN KEY. 413 00:17:23,213 --> 00:17:25,215 THE ONE THEY FOUND IN HER OFFICE. 414 00:17:25,215 --> 00:17:26,816 WHAT'S IT FOR? 415 00:17:26,816 --> 00:17:28,278 ALL RIGHT. 416 00:17:28,278 --> 00:17:31,221 STOP THERE. 417 00:17:31,221 --> 00:17:32,352 (lock clicks) 418 00:17:32,352 --> 00:17:34,284 (grunts) 419 00:17:34,284 --> 00:17:38,288 (hinges squeak) 420 00:17:38,288 --> 00:17:41,161 ODD PLACE TO STORE LUGGAGE. 421 00:17:46,236 --> 00:17:47,837 (bag scrapes object) 422 00:17:47,837 --> 00:17:49,199 (grunts) 423 00:17:49,199 --> 00:17:53,803 (people speaking indistinctly) 424 00:17:53,803 --> 00:17:56,376 WHOA. THAT'S A LOT OF CASH. 425 00:17:56,376 --> 00:17:59,279 THAT'S GOTTA BE AT LEAST A COUPLE OF HUNDRED GRAND. 426 00:17:59,279 --> 00:18:02,081 NOW WE KNOW WHAT OUR KILLER WAS LOOKING FOR. 427 00:18:10,390 --> 00:18:13,163 SO ACCORDING TO STACEY'S ASSISTANT, 428 00:18:13,163 --> 00:18:16,095 THE BUSINESS BARELY HAD ANY MONEY, LET ALONE 250 GRAND. 429 00:18:16,095 --> 00:18:17,867 AND AS FOR THIS BERGLIN-EKLOF BAG, 430 00:18:17,867 --> 00:18:21,100 IT'S DEFINITELY NOT STACEY'S. OUR VIC WAS A TUMI GIRL. 431 00:18:21,100 --> 00:18:23,273 WELL, MAYBE THE MONEY BELONGS TO THE PERSON WHO OWNS THE BAG. 432 00:18:23,273 --> 00:18:25,275 YEAH, WELL, GOOD LUCK FINDING THAT PERSON. 433 00:18:25,275 --> 00:18:28,138 YOU CAN'T PULL PRINTS OFF OF THIS KIND OF MATERIAL. YOU CAN JUST CHECK THE REGISTRY. 434 00:18:28,138 --> 00:18:29,339 REGISTRY? 435 00:18:29,339 --> 00:18:31,841 THAT'S A $6,000, HANDCRAFTED GERMAN BAG. 436 00:18:31,841 --> 00:18:34,244 ALL BERGLIN-EKLOFS ARE SIGNED AND NUMBERED. 437 00:18:34,244 --> 00:18:36,816 WHEN YOU BUY IT, YOU REGISTER WITH THE COMPANY 438 00:18:36,816 --> 00:18:39,219 IN CASE YOU LOSE IT OR IT GETS STOLEN. 439 00:18:39,219 --> 00:18:42,892 WHAT KIND OF AN IDIOT WOULD PAY 6 GRAND FOR THIS BAG? 440 00:18:42,892 --> 00:18:46,256 I HAVE A FULL SET. 441 00:18:46,256 --> 00:18:49,329 THERE SHOULD BE A NUMBER SEWN IN THERE SOMEWHERE. 442 00:18:49,329 --> 00:18:52,832 A GUY FROM MUNICH WITH A COLONEL KLINK ACCENT 443 00:18:52,832 --> 00:18:54,834 JUST E-MAILED OVER THE BAG REGISTRATION. 444 00:18:54,834 --> 00:18:58,838 THE OWNER OF THIS BAG IS TONYA WELLINGTON. 445 00:18:58,838 --> 00:19:01,841 YOU KNOW, YOU MIGHT HAVE JUST CRACKED THIS CASE WIDE OPEN. 446 00:19:01,841 --> 00:19:03,413 SERIOUSLY? YEAH. 447 00:19:03,413 --> 00:19:05,415 IT'S ADDICTIVE, RIGHT-- 448 00:19:05,415 --> 00:19:07,847 THAT RUSH YOU GET FROM SOLVING A CRIME? 449 00:19:07,847 --> 00:19:10,380 YEAH. I DIDN'T GET THAT FROM THE SCRIPT. 450 00:19:10,380 --> 00:19:13,283 YEAH. YOU SHOULD REALLY READ THE BOOK. I DEFINITELY WILL. 451 00:19:13,283 --> 00:19:15,325 YO. I KNEW THAT NAME WAS FAMILIAR. 452 00:19:15,325 --> 00:19:17,327 TONYA WELLINGTON AND HER HUSBAND BILL 453 00:19:17,327 --> 00:19:19,329 WERE INVITED TO STACEY'S SURPRISE PARTY. 454 00:19:19,329 --> 00:19:22,262 BUT WE TALKED TO ALL THE GUESTS. I DON'T REMEMBER THAT NAME. 455 00:19:22,262 --> 00:19:24,294 THEY WERE INVITED, BUT THEY DECLINED. 456 00:19:24,294 --> 00:19:27,267 LET'S SEE IF THEY'LL ACCEPT AN INVITATION 457 00:19:27,267 --> 00:19:28,938 TO MY INTERROGATION PARTY. 458 00:19:31,301 --> 00:19:32,902 THAT'S A LITTLE UNCANNY. SPOOKY. 459 00:19:32,902 --> 00:19:34,844 SEXY. 460 00:19:37,377 --> 00:19:39,849 ARE YOU DOING... ME? 461 00:19:39,849 --> 00:19:41,851 I'M JUST WORKING ON YOUR POSTURE. 462 00:19:41,851 --> 00:19:43,313 YOU KNOW, IT CHANGES 463 00:19:43,313 --> 00:19:45,855 DEPENDING WHETHER YOU HAVE A SUSPECT OR NOT. REALLY? 464 00:19:45,855 --> 00:19:47,917 LIKE I SAID, GETTING INSIDE YOUR HEAD. 465 00:19:47,917 --> 00:19:50,320 WHEN I'M DONE, I'LL DO YOU BETTER THAN YOU. 466 00:19:50,320 --> 00:19:52,262 (snaps fingers) 467 00:19:55,865 --> 00:19:58,268 TONYA WELLINGTON. NOW. 468 00:19:58,268 --> 00:19:59,829 RIGHT. 469 00:20:07,977 --> 00:20:10,240 YOU WERE A CLIENT OF STACEY COLLINS, 470 00:20:10,240 --> 00:20:12,842 IS THAT CORRECT, MS. WELLINGTON? 471 00:20:12,842 --> 00:20:14,244 YES. 472 00:20:14,244 --> 00:20:16,916 SHE INTRODUCED ME TO MY HUSBAND BILL. 473 00:20:16,916 --> 00:20:19,319 BUT YOU DIDN'T GO TO HER PARTY LAST NIGHT. 474 00:20:19,319 --> 00:20:21,991 WHY IS THAT? BUT YOU DIDN'T GO TO HER PARTY LAST NIGHT. WHY IS THAT? 475 00:20:21,991 --> 00:20:24,994 THAT WAS A GREAT BECKETT. YEAH. 476 00:20:24,994 --> 00:20:28,858 ALMOST CREEPY GREAT. NOT THAT YOU'RE... CREEPY. 477 00:20:28,858 --> 00:20:33,333 JUST... GREAT. (laughs) 478 00:20:33,333 --> 00:20:35,004 MS. WELLINGTON, WE FOUND 479 00:20:35,004 --> 00:20:36,966 A BERGLIN-EKLOF BAG REGISTERED TO YOU, 480 00:20:36,966 --> 00:20:38,968 CONTAINING $250,000, 481 00:20:38,968 --> 00:20:41,941 HIDDEN IN STACEY COLLINS' OFFICE. 482 00:20:41,941 --> 00:20:43,943 CAN YOU EXPLAIN WHERE THAT CAME FROM? 483 00:20:43,943 --> 00:20:45,415 I'M AFRAID MS. WELLINGTON CHOOSES 484 00:20:45,415 --> 00:20:47,417 NOT TO ANSWER THAT QUESTION. 485 00:20:47,417 --> 00:20:51,921 DID YOU GIVE STACEY THAT CASH? 486 00:20:51,921 --> 00:20:54,984 WHAT WAS IT FOR? 487 00:20:54,984 --> 00:20:58,858 MS. WELLINGTON, WHO ELSE KNEW THAT SHE HAD IT? 488 00:20:58,858 --> 00:21:01,861 AGAIN, MY CLIENT'S ASSERTING HER RIGHT TO NOT ANSWER. AND I WILL REMIND YOUR CLIENT 489 00:21:01,861 --> 00:21:04,263 THAT THIS IS A MURDER INVESTIGATION, 490 00:21:04,263 --> 00:21:06,396 AND I BELIEVE THAT THAT BAG AND MONEY 491 00:21:06,396 --> 00:21:09,399 ARE AT THE HEART OF THIS CASE. TREAD LIGHTLY, DETECTIVE. MY CLIENT'S HERE AS A COURTESY. 492 00:21:09,399 --> 00:21:11,270 AND HER HUSBAND, BILL WELLINGTON, 493 00:21:11,270 --> 00:21:14,304 IS A POWERFUL MAN. 494 00:21:14,304 --> 00:21:16,876 MS. WELLINGTON... 495 00:21:16,876 --> 00:21:19,048 WHAT HAPPENED TWO MONTHS AGO? 496 00:21:19,048 --> 00:21:21,881 THIS MEETING'S OVER. 497 00:21:21,881 --> 00:21:24,283 (man) MA'AM. 498 00:21:24,283 --> 00:21:26,386 (door opens) 499 00:21:30,059 --> 00:21:33,292 DROP IT. PUT DOWN THE GUN, OR I SWEAR, I'LL BLOW HIS HEAD OFF. 500 00:21:33,292 --> 00:21:35,965 YOU KNOW I CAN'T DO THAT, TOM. YOU THINK I'M KIDDING AROUND HERE, DETECTIVE HEAT? 501 00:21:35,965 --> 00:21:37,967 NO, I DON'T. TORTURING YOURSELF? 502 00:21:37,967 --> 00:21:40,370 I THINK YOU FEEL TRAPPED, AND YOU'RE SERIOUS AS HELL. 503 00:21:40,370 --> 00:21:41,971 (remote beeps) 504 00:21:41,971 --> 00:21:43,973 RECONSIDERING ACTUALLY. 505 00:21:43,973 --> 00:21:46,906 I THINK THERE'S MORE TO HER THAN I THOUGHT. 506 00:21:46,906 --> 00:21:48,908 I THINK SHE MIGHT SURPRISE YOU. 507 00:21:48,908 --> 00:21:50,910 SHE HAD THIS GREAT EMOTIONAL SCENE IN "KNIFE 3-D." 508 00:21:50,910 --> 00:21:52,912 IT WAS ACTUALLY PRETTY MOVING. 509 00:21:52,912 --> 00:21:55,415 IF I'D SEEN IT, WHICH I HAVEN'T. 510 00:21:57,316 --> 00:22:00,319 (indistinct conversations) 511 00:22:04,854 --> 00:22:06,055 THANKS, CASTLE. 512 00:22:06,055 --> 00:22:08,027 THAT--THAT'S--I WAS... 513 00:22:08,027 --> 00:22:09,959 UH, YOU'RE WELCOME. 514 00:22:09,959 --> 00:22:12,331 SO... WHERE ARE WE? 515 00:22:12,331 --> 00:22:14,434 RYAN AND ESPOSITO ARE DIGGING IN TO TONYA WELLINGTON. 516 00:22:14,434 --> 00:22:16,436 MM. WHAT ABOUT DUKE JONES? 517 00:22:16,436 --> 00:22:18,938 HIS NEIGHBOR CONFIRM HIS ROMANTIC EVENING? HE-- 518 00:22:18,938 --> 00:22:21,941 SO DID A COUPLE OF OTHER NEIGHBORS 519 00:22:21,941 --> 00:22:23,342 WHO COMPLAINED ABOUT THE NOISE. 520 00:22:23,342 --> 00:22:25,114 SO IT LOOKS LIKE DUKE JONES ALIBIS OUT. 521 00:22:25,114 --> 00:22:27,016 WHAT SHE SAID. 522 00:22:27,016 --> 00:22:29,449 (inhales deeply) CAN WE TALK FOR A SECOND? 523 00:22:29,449 --> 00:22:31,120 SURE. 524 00:22:36,025 --> 00:22:38,357 SHE TOOK MY COFFEE, CASTLE. 525 00:22:38,357 --> 00:22:40,089 IT'S JUST COFFEE. 526 00:22:40,089 --> 00:22:42,361 THEN WHAT'S NEXT, MY SOUL? 527 00:22:42,361 --> 00:22:44,363 EVERYTHING I DO, SHE DOES. 528 00:22:44,363 --> 00:22:47,397 EVEN WHEN I'M THINKING, I CAN FEEL HER IN MY HEAD, 529 00:22:47,397 --> 00:22:50,039 LIKE SOME KIND OF A BRAIN-EATING PARASITE 530 00:22:50,039 --> 00:22:52,442 FROM ONE OF HER MOVIES. SHE'S A DEDICATED ACTRESS. 531 00:22:52,442 --> 00:22:55,104 SHE JUST WANTS TO DO A GOOD JOB. 532 00:22:55,104 --> 00:22:57,907 HEY. NO UPDATE ON WHAT THAT 250K WAS FOR, 533 00:22:57,907 --> 00:22:59,909 BUT I THINK WE FOUND THAT BAD CLIENT 534 00:22:59,909 --> 00:23:01,380 THAT DUKE JONES MENTIONED. 535 00:23:01,380 --> 00:23:03,983 IT'S TONYA'S HUSBAND-- BILL WELLINGTON. 536 00:23:03,983 --> 00:23:06,155 TURNS OUT, TONYA'S WIFE NUMBER THREE. 537 00:23:06,155 --> 00:23:09,018 BILL DIVORCED THE OTHER TWO JUST BEFORE 538 00:23:09,018 --> 00:23:11,020 THEIR PRENUPS EXPIRED, LEAVING THEM WITHOUT A DIME, 539 00:23:11,020 --> 00:23:13,122 AND GET THIS, HE WAS ABOUT TO DO THE SAME TO TONYA. 540 00:23:13,122 --> 00:23:16,125 HE FILED FOR A DIVORCE TWO MONTHS AGO. SO THAT'S WHY STACEY BECAME MORE SELECTIVE WITH HER CLIENTS. 541 00:23:16,125 --> 00:23:18,167 SHE KNEW TONYA WOULD BE LEFT WITH NOTHING. 542 00:23:18,167 --> 00:23:20,029 NOT EXACTLY NOTHING. 543 00:23:20,029 --> 00:23:22,171 THE WELLINGTONS' PRENUP HAS AN INFIDELITY CLAUSE, 544 00:23:22,171 --> 00:23:24,133 WHICH BILL VIOLATED. 545 00:23:24,133 --> 00:23:26,936 HE OWES TONYA 100 MILLION BUCKS 546 00:23:26,936 --> 00:23:28,407 FOR CHEATING ON HER. 547 00:23:28,407 --> 00:23:30,409 SHE EVEN HAS THE BOUDOIR SHOTS TO PROVE IT. 548 00:23:30,409 --> 00:23:32,882 YOU HAVE THE PHOTOGRAPHS? FROM WHERE? 549 00:23:32,882 --> 00:23:34,884 HER DIVORCE FILE. PRETTY SALACIOUS, TOO. 550 00:23:34,884 --> 00:23:36,446 CAN I SEE? 551 00:23:36,446 --> 00:23:39,148 CASTLE, WE'RE LOOKING INTO A MURDER, NOT DIRTY PHOTOS. 552 00:23:39,148 --> 00:23:41,951 OR MAYBE WE CAN DO BOTH. LOOK FAMILIAR? 553 00:23:41,951 --> 00:23:45,154 THAT'S CHLOE-- DUKE JONES' ASSISTANT. 554 00:23:45,154 --> 00:23:47,957 THAT 250 GRAND, THAT WAS A PAYMENT TO STACEY 555 00:23:47,957 --> 00:23:49,899 TO BREAK UP TONYA'S PRENUP. 556 00:23:49,899 --> 00:23:52,161 SO STACEY HIRED DUKE IN ORDER TO GET PHOTOGRAPHIC EVIDENCE. 557 00:23:52,161 --> 00:23:55,164 MM-HMM, AND DUKE'S ASSISTANT CHLOE HERE WAS THE BAIT. 558 00:23:55,164 --> 00:23:57,166 AND THEN THEY HONEY TRAPPED BILL WELLINGTON 559 00:23:57,166 --> 00:24:00,169 TO BREAK UP THE PRENUP, COSTING HIM $100 MILLION. 560 00:24:00,169 --> 00:24:03,473 MAN, IF I WERE HIM, I'D BE OUT FOR BLOOD. 561 00:24:03,473 --> 00:24:05,144 (photographs rustle) 562 00:24:05,144 --> 00:24:08,147 LET'S BRING HIM IN. 563 00:24:08,147 --> 00:24:09,218 (sighs) 564 00:24:09,218 --> 00:24:11,220 YOU HAVE COPIES OF THAT FILE? 565 00:24:11,220 --> 00:24:13,082 OH, I COPY EVERYTHING. 566 00:24:21,190 --> 00:24:23,192 GUY LOOKS LIKE A PIT BULL. 567 00:24:23,192 --> 00:24:26,135 I COULD SEE HIM STICKING SOMEONE THROUGH A WROUGHT IRON FENCE. YEAH. 568 00:24:26,135 --> 00:24:28,137 STACEY MUST HAVE FELT INCREDIBLY GUILTY, 569 00:24:28,137 --> 00:24:30,139 PUTTING TONYA IN A RELATIONSHIP WITH HIM. 570 00:24:30,139 --> 00:24:32,902 SO SHE DECIDED TO LEVEL THE PLAYING FIELD. 571 00:24:32,902 --> 00:24:34,904 LEGALLY,DOES IT MATTER TO THE CASE 572 00:24:34,904 --> 00:24:37,076 WHY STACEY DID WHAT SHE DID? NO. 573 00:24:37,076 --> 00:24:40,910 GOOD AFTERNOON, MR. WELLINGTON. BUT THAT'S WHAT MAKES BECKETT SUCH A GREAT DETECTIVE. 574 00:24:40,910 --> 00:24:43,052 SHE INVESTS IN THE VICTIM. I'M INVESTIGATING THE MURDER OF STACEY COLLINS. 575 00:24:43,052 --> 00:24:45,054 WHEN WAS THE LAST TIME YOU SAW HER? 576 00:24:45,054 --> 00:24:47,056 YOU THINKIDID THIS TO STACEY COLLINS? 577 00:24:47,056 --> 00:24:48,988 WHAT'S MY MOTIVE? 578 00:24:48,988 --> 00:24:50,990 BECAUSE OF WHAT SHE DID TO YOUR MARRIAGE. 579 00:24:50,990 --> 00:24:54,093 IT'S NOT LIKE SHE PUT A GUN TO MY HEAD AND SAID, 580 00:24:54,093 --> 00:24:56,996 "MARRY THE BEAST." WELL, THAT'S VERY BIG OF YOU, MR. WELLINGTON. 581 00:24:56,996 --> 00:24:58,197 WE ALSO KNOW 582 00:24:58,197 --> 00:25:01,030 THAT YOU WERE HAVING AN AFFAIR WITH THIS WOMAN. 583 00:25:01,030 --> 00:25:03,272 WHAT DOES MY PERSONAL BUSINESS GOT TO DO 584 00:25:03,272 --> 00:25:06,976 WITH THE MURDER OF STACEY COLLINS? I WILL BE ASKING THE QUESTIONS, MR. WELLINGTON. 585 00:25:06,976 --> 00:25:09,178 HOW DID YOU MEET CHLOE? AT THE BAR AT IL MULINO. 586 00:25:09,178 --> 00:25:12,912 SHE LIKED MY WATCH, AND I LIKED HER EYES. 587 00:25:12,912 --> 00:25:16,015 SHE HAD A SUITE AT THE BEAUMONT HOTEL. 588 00:25:16,015 --> 00:25:18,117 IT USED TO BE, A GUY COULD GET A LITTLE ON THE SIDE 589 00:25:18,117 --> 00:25:20,119 WITHOUT WORRYING ABOUT SOME MORON WITH A CAMERA 590 00:25:20,119 --> 00:25:22,121 RUINING HIS LIFE. EXPENSIVE AFFAIR. 591 00:25:22,121 --> 00:25:24,924 I UNDERSTAND THAT IT COST YOU $100 MILLION. 592 00:25:24,924 --> 00:25:27,056 YOU MUST HAVE BEEN PRETTY ANGRY WHEN YOU DISCOVERED 593 00:25:27,056 --> 00:25:29,228 STACEY COLLINS ENGINEERED THE WHOLE THING 594 00:25:29,228 --> 00:25:31,200 IN ORDER TO BREAK YOUR PRENUP. 595 00:25:31,200 --> 00:25:34,263 THAT BITCH DID WHAT? MR. WELLINGTON-- 596 00:25:34,263 --> 00:25:37,907 ARE YOU TELLING ME THAT THIS PIECE OF TAIL WORKED FOR STACEY, 597 00:25:37,907 --> 00:25:40,910 AND THAT STACEY AND MY WIFE ARRANGED ALL THIS? COST YOU 100 MILLION BUCKS. 598 00:25:40,910 --> 00:25:42,912 I'VE SEEN PEOPLE KILL FOR FAR LESS. 599 00:25:42,912 --> 00:25:44,914 NOW YOU LISTEN TO ME, DETECTIVE. 600 00:25:44,914 --> 00:25:46,916 I HAD NOTHING TO DO WITH THAT MURDER, 601 00:25:46,916 --> 00:25:50,179 BECAUSE HAD I KNOWN, I WOULD'VE KILLED STACEY AND TONYA, 602 00:25:50,179 --> 00:25:52,251 BOTH! 603 00:25:52,251 --> 00:25:55,985 WHERE WERE YOU LAST SUNDAY NIGHT, MR. WELLINGTON? 604 00:25:55,985 --> 00:25:57,987 HONG KONG? HE WAS THERE FOR A WEEK. 605 00:25:57,987 --> 00:26:00,259 HIS JET TOUCHED DOWN AT WESTCHESTER COUNTY AIRPORT 606 00:26:00,259 --> 00:26:03,963 YESTERDAY AFTERNOON. MAYBE HE HIRED SOMEONE. WE SHOULD RECHECK HIS FINANCIALS. 607 00:26:03,963 --> 00:26:06,936 (Esposito) BECKETT, JUST GOT BACK FROM DUKE'S. 608 00:26:06,936 --> 00:26:08,998 THE ENTIRE PLACE IS CLEANED OUT. THERE'S NO FILES, 609 00:26:08,998 --> 00:26:10,940 NO COMPUTERS, NOT EVEN A PAPERCLIP. 610 00:26:10,940 --> 00:26:12,972 CHECKED HIS HOME ADDRESS, TOO. NO SIGN OF HIM. 611 00:26:12,972 --> 00:26:14,944 HE'S GONE. WHAT ABOUT OUR HONEY TRAP CHLOE? 612 00:26:14,944 --> 00:26:16,946 NO CHLOE GRAVES MATCHING HER DESCRIPTION 613 00:26:16,946 --> 00:26:18,207 IN THE TRISTATE AREA. 614 00:26:18,207 --> 00:26:20,209 AND STACEY'S ASSISTANT JULIE NEVER HEARD OF HER 615 00:26:20,209 --> 00:26:22,081 OR DUKE OR HONEY TRAPPING. 616 00:26:22,081 --> 00:26:25,084 WITH HER AND DUKE GONE, THERE'S NO WAY TO TRACK 'EM DOWN. 617 00:26:25,084 --> 00:26:27,086 SO EITHER STACEY'S MURDER SPOOKED THEM BOTH 618 00:26:27,086 --> 00:26:29,158 AND THEY GOT OUT OF DODGE OR-- 619 00:26:29,158 --> 00:26:32,191 OR THEY KILLED STACEY AND NOW THEY'RE ON THE RUN. 620 00:26:34,263 --> 00:26:38,027 WELLINGTON SAID CHLOE HAD A SUITE AT THE BEAUMONT HOTEL. 621 00:26:38,027 --> 00:26:40,269 YOU GUYS SEE WHAT YOU CAN DIG UP. 622 00:26:40,269 --> 00:26:44,073 WE'LL RUN BACKGROUND AND SEE WHAT WE CAN FIND ON DUKE. RIGHT. 623 00:26:44,073 --> 00:26:46,005 (keypad buttons click) 624 00:26:46,005 --> 00:26:48,207 NATALIE RHODES? YES. 625 00:26:51,110 --> 00:26:53,242 WHAT DID YOU GET? 626 00:26:53,242 --> 00:26:55,945 OH, JUST A LITTLE SOMETHING TO HELP WITH MY RESEARCH. 627 00:26:55,945 --> 00:26:57,917 WHERE'S THE LADIES ROOM? 628 00:26:57,917 --> 00:27:00,019 YEAH, OVER-- JUST BY THE ELEVATOR. 629 00:27:00,019 --> 00:27:02,051 GREAT. THANKS. 630 00:27:02,051 --> 00:27:04,253 (elevator bell dings) YEAH, I KNOW HER. THAT'S GRETA. 631 00:27:04,253 --> 00:27:06,055 GRETA? GRETA MORGAN. 632 00:27:06,055 --> 00:27:08,297 AND SHE STAYED HERE ABOUT THREE WEEKENDS AGO. IS THAT RIGHT? 633 00:27:08,297 --> 00:27:10,199 YES, AND CHECKED OUT LAST MONDAY. 634 00:27:10,199 --> 00:27:12,161 2-WEEK STAY, HUH? 635 00:27:12,161 --> 00:27:15,134 DID YOU NOTICE ANYBODY WITH HER? THIS GUY PERHAPS? 636 00:27:15,134 --> 00:27:18,137 YEAH. YEAH, HE MET HER IN THE LOBBY A COUPLE OF TIMES. 637 00:27:18,137 --> 00:27:20,139 SHE MUST REALLY BE IN BIG TROUBLE, HUH? 638 00:27:20,139 --> 00:27:24,043 WHY IS THAT? THERE WAS A COP HERE THE OTHER DAY 639 00:27:24,043 --> 00:27:27,016 ASKING ALL THE SAME QUESTIONS. 640 00:27:27,016 --> 00:27:28,277 (Beckett) DUKE'S ASSISTANT CHLOE-- 641 00:27:28,277 --> 00:27:30,219 GRETA MORGAN. 642 00:27:30,219 --> 00:27:32,321 FORMER EXOTIC DANCER, 643 00:27:32,321 --> 00:27:34,924 PICKED UP A COUPLE OF TIMES FOR SOLICITATION-- 644 00:27:34,924 --> 00:27:37,026 PROBATION AND TIME SERVED. 645 00:27:37,026 --> 00:27:40,990 WELL, IT LOOKS LIKE SHE DECIDED TO GO A LITTLE MORE UPSCALE. HMM. 646 00:27:40,990 --> 00:27:42,992 YOU KNOW, GIVEN HOW MUCH TONYA PAID STACEY 647 00:27:42,992 --> 00:27:46,195 AND HOW LITTLE STACEY PAID DUKE, LOOKS LIKE MONEY IS OUR MOTIVE. 648 00:27:46,195 --> 00:27:48,237 MAYBE. A.P.B.s ARE OUT ON GRETA, 649 00:27:48,237 --> 00:27:50,199 AND I CONTACTED OTHER PRECINCTS TO FIND OUT 650 00:27:50,199 --> 00:27:53,002 WHO ELSE IS INVESTIGATING HER AND FOR WHAT. 651 00:27:53,002 --> 00:27:55,244 TALK TO ENOUGH PEOPLE, SOMETHING USUALLY SHAKES OUT. 652 00:27:55,244 --> 00:27:58,177 (pencil clatters) 653 00:27:58,177 --> 00:28:00,279 JUST LIKE I DREAMED IT. 654 00:28:00,279 --> 00:28:03,953 WH--DID I SAY THAT OUT LOUD? 655 00:28:03,953 --> 00:28:06,215 HERE YOU GO, BECKETT. THANKS, JOHNSON. IT'S JOHNSON, ISN'T IT? 656 00:28:06,215 --> 00:28:10,089 IT'S VELAZQUEZ. AND YOU ARE NOT ME. 657 00:28:10,089 --> 00:28:12,992 NO. 658 00:28:12,992 --> 00:28:14,994 BUT I'M GETTING WARMER. 659 00:28:14,994 --> 00:28:16,926 YOU CERTAINLY ARE. 660 00:28:16,926 --> 00:28:19,128 OKAY. SO THE WORD'S OUT ON GRETA, 661 00:28:19,128 --> 00:28:21,270 AND WE'RE ALREADY TRACKING DUKE'S CREDIT CARDS. (slams hand on table) 662 00:28:21,270 --> 00:28:25,234 WHY DON'T WE JUST CALL IT A NIGHT? WHAT? BUT IT'S STILL EARLY. 663 00:28:25,234 --> 00:28:28,137 YEAH. YEAH, WELL, IT'S A HIGH-STRESS JOB. 664 00:28:28,137 --> 00:28:31,110 AND I WOULDN'T WANT ANYONE TO GET BURNT OUT. 665 00:28:31,110 --> 00:28:35,144 (sighs) ALL RIGHT. I'LL GO PACK UP MY THINGS. 666 00:28:37,146 --> 00:28:40,149 (whispers) YOU CANNOT TELL ME THAT THAT IS NORMAL. 667 00:28:40,149 --> 00:28:43,092 SHE'S JUST COMMITTED TO THE ROLE. 668 00:28:45,024 --> 00:28:46,295 YOU SHOULD BE FLATTERED. 669 00:28:46,295 --> 00:28:49,158 (normal voice) YEAH. SURE. 670 00:28:49,158 --> 00:28:53,302 UNTIL SHE STEALS MY BOYFRIEND AND KILLS ME IN MY SLEEP. 671 00:28:53,302 --> 00:28:55,304 LET ME CARRY THAT FOR YOU. 672 00:28:55,304 --> 00:28:57,336 THANK YOU. 673 00:28:57,336 --> 00:29:00,309 OH, LOOK AT ME. ALL DRESSED UP AND NO CRIME TO SOLVE. (chuckles) YEAH. 674 00:29:00,309 --> 00:29:03,212 AND I HAD MY HEART SET ON DOING RESEARCH TONIGHT. 675 00:29:03,212 --> 00:29:04,974 OH. 676 00:29:04,974 --> 00:29:06,976 SO WHAT DO YOU THINK? 677 00:29:06,976 --> 00:29:08,978 AM I EVERYTHING YOU IMAGINED NIKKI WOULD BE? 678 00:29:08,978 --> 00:29:10,149 UH-HUH. 679 00:29:10,149 --> 00:29:12,151 YOU KNOW, I READ "HEAT WAVE" LAST NIGHT. 680 00:29:12,151 --> 00:29:13,282 REALLY? 681 00:29:13,282 --> 00:29:16,255 YOU'RE RIGHT. IT WAS SO MUCH BETTER THAN THE SCREENPLAY. 682 00:29:16,255 --> 00:29:18,988 I WENT RIGHT OUT AND READ "NAKED HEAT." 683 00:29:18,988 --> 00:29:21,090 YOU KNOW, I REALIZED THE CHARACTER OF JAMESON ROOK 684 00:29:21,090 --> 00:29:23,092 IS BASED ON YOU. WELL, YEAH, I GUESS I DREW 685 00:29:23,092 --> 00:29:25,334 ON MY RELATIONSHIP WITH DETECTIVE BECKETT. EVEN THE SEX SCENES? 686 00:29:25,334 --> 00:29:27,296 NO, THAT WAS JUST-- 687 00:29:27,296 --> 00:29:29,238 FANTASY... 688 00:29:29,238 --> 00:29:31,240 LIKE ME, NOW? 689 00:29:31,240 --> 00:29:34,243 WELL, YOU--YOU KNOW, YOU WANT TO GIVE THE AUDIENCE 690 00:29:34,243 --> 00:29:36,175 WHAT THEY WANT. 691 00:29:36,175 --> 00:29:38,207 OH, YEAH. (elevator bell dings) 692 00:29:38,207 --> 00:29:40,179 (doors open) 693 00:29:40,179 --> 00:29:43,953 YOU KNOW, THE SCRIPT IS SO MUCH ABOUT THE PASSION 694 00:29:43,953 --> 00:29:46,085 BETWEEN NIKKI AND ROOK. 695 00:29:46,085 --> 00:29:49,288 AND IF I WANT TO PLAY NIKKI RIGHT... 696 00:29:49,288 --> 00:29:52,291 I GOTTA FEEL THAT HEAT. 697 00:29:52,291 --> 00:29:54,223 NATALIE, I'M-- 698 00:29:54,223 --> 00:29:56,095 NOT NATALIE. 699 00:29:56,095 --> 00:29:57,296 (whispers) NIKKI. 700 00:30:01,200 --> 00:30:02,271 (thuds) 701 00:30:02,271 --> 00:30:05,104 (thuds) 702 00:30:05,104 --> 00:30:06,976 (ding) 703 00:30:16,185 --> 00:30:17,987 GOOD MORNING, CASTLE. 704 00:30:17,987 --> 00:30:20,249 AH, GOOD MORNING, DETECTIVE. 705 00:30:23,222 --> 00:30:26,125 IS THAT FOR ME OR FOR THE FICTIONAL VERSION OF ME? 706 00:30:26,125 --> 00:30:29,058 OR HAVE YOU ALREADY TAKEN CARE OF HER THIS MORNING? 707 00:30:29,058 --> 00:30:32,061 WHAT IS--WHAT IS THAT SUPPOSED TO MEAN? I -- 708 00:30:32,061 --> 00:30:34,163 (door slams) JENNY! JENNY! WAIT. COULD-- 709 00:30:34,163 --> 00:30:37,036 EXCUSE ME. JENNY! COULD YOU PLEASE-- (elevator bell dings) 710 00:30:37,036 --> 00:30:39,338 SWEETIE, COULD WE JUST TALK ABOUT THIS? 711 00:30:39,338 --> 00:30:41,270 (cries) 712 00:30:41,270 --> 00:30:44,213 I HATE YOU, KEVIN RYAN. (ding) 713 00:30:44,213 --> 00:30:45,344 OOH. 714 00:30:45,344 --> 00:30:47,246 THAT WAS DRAMATIC. 715 00:30:47,246 --> 00:30:50,019 WHAT HAPPENED? 716 00:30:50,019 --> 00:30:52,221 (sighs) I ACCIDENTALLY LEFT MY PHONE AT HOME, 717 00:30:52,221 --> 00:30:55,224 AND SHE BROUGHT IT TO ME, AND WHILE SHE WAS HERE, 718 00:30:55,224 --> 00:30:57,286 SHE ASKED JAVIER HOW DARTS WAS LAST NIGHT. 719 00:30:57,286 --> 00:31:00,189 UH... OH, YOUR COVER STORY FOR GOING TO SEE HER PARENTS. 720 00:31:00,189 --> 00:31:02,992 (Beckett) OH. YOU SHOULDA TOLD ME, BRO. 721 00:31:02,992 --> 00:31:05,094 SHE THOUGHT YOU LIED TO HER. 722 00:31:05,094 --> 00:31:07,997 YEAH, AND THEN SHE FOUND OUT I WAS WORKING WITH YOU, 723 00:31:07,997 --> 00:31:11,070 WHICH I HADN'T TOLD HER. WHAT'S THE BIG DEAL ABOUT THAT? 724 00:31:11,070 --> 00:31:12,301 YOU'RE ON MY LIST. 725 00:31:12,301 --> 00:31:14,203 WHAT LIST? 726 00:31:14,203 --> 00:31:17,246 MY LIST. MY--MY FREEBIE FIVE. THE--THE FIVE CELEBRITIES 727 00:31:17,246 --> 00:31:20,109 YOU COULD SLEEP WITH IF YOU HAD THE CHANCE TO... 728 00:31:20,109 --> 00:31:23,282 AND, UH, NOW SHE THINKS THAT LAST NIGHT, THAT WE... 729 00:31:23,282 --> 00:31:27,056 AND I-I SHOULD PROBABLY STOP TALKING RIGHT NOW. 730 00:31:27,056 --> 00:31:29,058 I SHOULD CALL HER IS WHAT I SHOULD DO. 731 00:31:29,058 --> 00:31:31,060 EXCUSE ME. (cell phone beeps) 732 00:31:31,060 --> 00:31:33,262 (chuckles) FREEBIE FIVE, HUH? 733 00:31:33,262 --> 00:31:35,064 WONDER WHAT NUMBER I AM? 734 00:31:35,064 --> 00:31:37,126 WHY DOES THAT NOT SURPRISE ME? 735 00:31:37,126 --> 00:31:39,128 SO ANY UPDATE ON OUR HONEY TRAPPER? 736 00:31:39,128 --> 00:31:41,330 UH, YEAH. I HEARD FROM ALL OF THE OTHER PRECINCTS, 737 00:31:41,330 --> 00:31:44,133 AND NONE OF THE OTHER COPS WERE LOOKING FOR 738 00:31:44,133 --> 00:31:47,006 A CHLOE GRAVES/GRETA MORGAN AT THE BEAUMONT. 739 00:31:47,006 --> 00:31:49,108 WELL, SOMEONE WAS. 740 00:31:49,108 --> 00:31:51,110 WHAT ABOUT DUKE? ANY SIGN OF HIM? 741 00:31:51,110 --> 00:31:54,113 WELL, WE ARE LOOKING INTO HIS CREDIT CARDS AND HIS PHONE, 742 00:31:54,113 --> 00:31:56,245 BUT SO FAR, NO HITS. WELL, MAYBE NOT ON DUKE'S CARDS, 743 00:31:56,245 --> 00:31:58,247 BUT I JUST FOUND SOMETHING ON GRETA'S. 744 00:31:58,247 --> 00:32:02,051 SHE PUT HOLDS ON ROOMS AT TWO OTHER PRICEY HOTELS 745 00:32:02,051 --> 00:32:04,323 WITHIN THE LAST WEEK. THE CHARGES WERE REVERSED, 746 00:32:04,323 --> 00:32:07,326 AND THE ROOMS WERE ULTIMATELY PAID FOR ON ANOTHER CREDIT CARD, 747 00:32:07,326 --> 00:32:10,329 A CORPORATE CARD BELONGING TO A STACEY COLLINS, OUR VICTIM. THE LAST WEEK? 748 00:32:10,329 --> 00:32:12,331 THAT WAS LONG AFTER THEY'D GOTTEN 749 00:32:12,331 --> 00:32:14,333 THE EVIDENCE THEY NEEDED ON BILL WELLINGTON. 750 00:32:14,333 --> 00:32:16,335 THEY WERE HONEY TRAPPING OTHER MEN. 751 00:32:16,335 --> 00:32:19,268 SO ONE OF THE OTHER MEN FINDS OUT HE'S BEING SET UP. 752 00:32:19,268 --> 00:32:21,270 HE FOLLOWS GRETA 753 00:32:21,270 --> 00:32:23,312 FROM THE BEAUMONT HOTEL BACK TO STACEY. 754 00:32:23,312 --> 00:32:25,314 HE CONFRONTS HER. THEY GET INTO AN ARGUMENT. 755 00:32:25,314 --> 00:32:28,277 IN A RAGE, HE KILLS HER-- TAKING HER KEYS TO GET RID 756 00:32:28,277 --> 00:32:32,051 OF ANY INCRIMINATING EVIDENCE OF THE AFFAIR AT HER OFFICE. 757 00:32:32,051 --> 00:32:33,252 CHECK THE OTHER HOTELS. 758 00:32:33,252 --> 00:32:36,125 LET'S SEE WHAT WE CAN FIND ON GRETA. RIGHT. 759 00:32:36,125 --> 00:32:38,127 THANKS. I'M GONNA CHECK ON RYAN. 760 00:32:38,127 --> 00:32:40,029 GREAT. 761 00:32:43,132 --> 00:32:46,165 CAN I ASK YOU A QUESTION? SURE. 762 00:32:46,165 --> 00:32:47,236 (slurps) 763 00:32:47,236 --> 00:32:49,068 IS CASTLE GAY? 764 00:32:49,068 --> 00:32:51,300 (spits) 765 00:32:51,300 --> 00:32:54,143 I'M SORRY. WHAT? NO, NO. 766 00:32:54,143 --> 00:32:56,075 THEN YOU TWO ARE AN ITEM, 767 00:32:56,075 --> 00:32:58,077 BUT YOU'RE SWORN TO SECRECY, RIGHT? 768 00:32:58,077 --> 00:33:00,079 NO, WE ARE NOT AN ITEM. WHY? 769 00:33:00,079 --> 00:33:01,250 (sighs) 770 00:33:01,250 --> 00:33:04,153 LAST NIGHT, I INVITED HIM BACK TO MY PLACE. 771 00:33:04,153 --> 00:33:07,016 AND HE SAID SOMETHING TO ME I HAVE NEVER HEARD 772 00:33:07,016 --> 00:33:09,018 FROM A MAN BEFORE. 773 00:33:09,018 --> 00:33:10,159 WHAT? 774 00:33:10,159 --> 00:33:12,191 NO. 775 00:33:12,191 --> 00:33:14,063 NO? 776 00:33:14,063 --> 00:33:15,994 I DON'T GET IT. 777 00:33:15,994 --> 00:33:17,196 HE'S INTO YOU. 778 00:33:17,196 --> 00:33:19,198 BUT YOU'RE DETERMINED NOT TO GIVE IN TO THESE FEELINGS 779 00:33:19,198 --> 00:33:21,370 THAT YOU CLEARLY HAVE FOR HIM. 780 00:33:21,370 --> 00:33:24,303 SO HE FANTASIZES ABOUT YOU THROUGH HIS WRITING. 781 00:33:24,303 --> 00:33:28,307 IT'S LITERALLY... (whispers) VERBAL MASTURBATION. WH--OKAY, SO WHAT DOES THIS ALL HAVE TO DO WITH ME? 782 00:33:28,307 --> 00:33:31,080 (normal voice) I AM NOT WEARING THIS GETUP FOR MY HEALTH. 783 00:33:31,080 --> 00:33:33,082 YOU'RE NIKKI HEAT. HE IS JAMESON ROOK. 784 00:33:33,082 --> 00:33:36,115 I NEED TO SLEEP WITH HIM IN THE NAME OF CHARACTER RESEARCH. 785 00:33:36,115 --> 00:33:39,318 CAN YOU TALK TO HIM? AND SAY WHAT? 786 00:33:39,318 --> 00:33:42,291 I DON'T KNOW. GIVE HIM PERMISSION OR SOMETHING. 787 00:33:42,291 --> 00:33:44,253 (stammers) 788 00:33:44,253 --> 00:33:47,056 (sighs) I NEED TO GO... 789 00:33:47,056 --> 00:33:50,259 OVER THERE. 790 00:33:50,259 --> 00:33:55,104 (marker squeaks against board) 791 00:34:00,809 --> 00:34:03,172 EVERYTHING OKAY? 792 00:34:03,172 --> 00:34:05,344 DO I REALLY DO THAT? 793 00:34:05,344 --> 00:34:08,347 YES. AND IT'S ADORABLE. 794 00:34:08,347 --> 00:34:12,251 IF IT'S SO ADORABLE, WHY DIDN'T YOU SLEEP WITH ME? 795 00:34:12,251 --> 00:34:14,283 HER ME, NOT "ME" ME. 796 00:34:14,283 --> 00:34:15,354 OH. 797 00:34:15,354 --> 00:34:17,356 WELL, A FICTIONAL CHARACTER THAT I WROTE, 798 00:34:17,356 --> 00:34:19,828 BASED ON YOU, PLAYED BY NATALIE RHODES? 799 00:34:19,828 --> 00:34:22,161 THAT'S JUST... 800 00:34:22,161 --> 00:34:24,293 WAY TOO META. 801 00:34:24,293 --> 00:34:27,836 (mouths word) WE REALLY SHOULD HAVE A CODE WORD SO WE ALL KNOW 802 00:34:27,836 --> 00:34:30,239 WHICH BECKETT TO KILL WHEN HER CLONE ARMY ATTACKS. 803 00:34:30,239 --> 00:34:32,241 UNLESS WE MAKE A PREEMPTIVE STRIKE. 804 00:34:32,241 --> 00:34:34,803 MM-HMM. (Castle) GET THROUGH TO JENNY YET? 805 00:34:34,803 --> 00:34:38,147 STILL NOT PICKING UP. NOT TO WORRY. YOU'LL BE LAUGHING ABOUT IT SOON ENOUGH. 806 00:34:38,147 --> 00:34:40,078 WE ARE. (scoffs) THANKS. 807 00:34:40,078 --> 00:34:42,811 SO I'VE BEEN RUNNING THROUGH ALL STACEY'S CLIENT FILES. 808 00:34:42,811 --> 00:34:45,384 THREE COUPLES HAVE FILED FOR DIVORCE WITHIN THE LAST MONTH. 809 00:34:45,384 --> 00:34:48,357 CAN YOU BELIEVE THAT? YOU MARRY THE LOVE OF YOUR LIFE. 810 00:34:48,357 --> 00:34:51,360 NEXT THING YOU KNOW, THEY'RE CHEATING ON YOU WITH SOMEONE-- RYAN. 811 00:34:51,360 --> 00:34:54,193 SORRY. ANYWAYS, TWO OF THE GUYS HAVE ROCK-SOLID ALIBIS 812 00:34:54,193 --> 00:34:56,195 FOR THE TIME OF STACEY'S MURDER. 813 00:34:56,195 --> 00:34:59,128 THE THIRD DIVORCE HAD NOTHING TO DO WITH CHEATING. 814 00:34:59,128 --> 00:35:01,230 WHAT ARE YOU GUYS DOING? 815 00:35:01,230 --> 00:35:03,172 (Ryan) HIDING FROM CREEPY BECKETT. 816 00:35:03,172 --> 00:35:05,404 OH. WE'RE NOT HI--DID YOU FIND ANYTHING ON GRETA MORGAN? 817 00:35:05,404 --> 00:35:07,406 YEAH. I FOUND SOMETHING PRETTY INTERESTING 818 00:35:07,406 --> 00:35:10,379 AT THE MERITAGE HOTEL. WHAT? 819 00:35:10,379 --> 00:35:12,241 GRETA MORGAN. 820 00:35:17,346 --> 00:35:20,319 I DIDN'T KILL HER. I TOLD YOU WHERE I WAS THAT NIGHT. 821 00:35:20,319 --> 00:35:22,321 PEOPLE SAW ME. DOESN'T MATTER. 822 00:35:22,321 --> 00:35:25,123 WE ALREADY HAVE YOU ON PROSTITUTION AND EXTORTION, 823 00:35:25,123 --> 00:35:27,296 SO YOU'RE LOOKING AT TEN YEARS. 824 00:35:27,296 --> 00:35:30,199 BUT IF YOU DECIDE TO HELP US FIND THE TRUTH, 825 00:35:30,199 --> 00:35:32,861 I MIGHT BE INSPIRED TO RECOMMEND THAT THE D.A. 826 00:35:32,861 --> 00:35:35,234 GIVE YOU A SUSPENDED SENTENCE. 827 00:35:35,234 --> 00:35:37,306 WHAT DO YOU WANT TO KNOW? 828 00:35:37,306 --> 00:35:40,309 WERE THERE ANY OTHER MARKS BESIDES BILL WELLINGTON? 829 00:35:40,309 --> 00:35:42,871 STACEY HATED THAT, BECAUSE OF HER, 830 00:35:42,871 --> 00:35:44,873 THESE WOMEN WERE IN RELATIONSHIPS WITH BAD MEN. 831 00:35:44,873 --> 00:35:46,275 SHE FELT AN OBLIGATION 832 00:35:46,275 --> 00:35:48,847 TO GIVE THEM A WAY OUT WITH DIGNITY-- 833 00:35:48,847 --> 00:35:52,251 THE OTHERS. HOW MANY WERE THERE? TWO. 834 00:35:52,251 --> 00:35:54,883 I'M GONNA NEED THEIR NAMES. 835 00:35:57,386 --> 00:35:59,188 THEIR NAMES, GRETA. 836 00:35:59,188 --> 00:36:02,160 NOW. 837 00:36:02,160 --> 00:36:03,832 (sighs) 838 00:36:03,832 --> 00:36:07,866 RICH WEISS AND SCOTT DONNER. 839 00:36:10,239 --> 00:36:12,371 TALL WITH DARK HAIR--THEY BOTH MATCH THE DESCRIPTION 840 00:36:12,371 --> 00:36:15,173 OF THE GUY WHO WAS SNIFFING AROUND THE BEAUMONT HOTEL. 841 00:36:15,173 --> 00:36:17,175 WE TALKED TO BOTH OF THOSE GUYS. 842 00:36:17,175 --> 00:36:19,878 YOU'RE SAYING ONE OF THEM MIGHT BE THE KILLER? 843 00:36:19,878 --> 00:36:23,352 YEAH, BUT WHICH ONE DID IT, AND HOW DO WE PROVE IT? BY FIGURING OUT WHICH CHEATER WENT HOME WITH HIS WIFE... 844 00:36:23,352 --> 00:36:25,854 AND WHICH ONE STAYED BEHIND TO COMMIT MURDER. 845 00:36:36,395 --> 00:36:38,367 OKAY. RIGHT. WE NEED THE EXACT TIME. 846 00:36:38,367 --> 00:36:39,968 (Ryan speaks indistinctly) 847 00:36:39,968 --> 00:36:42,371 SO IT COMES TO THIS-- TWO PHONE CALLS TO TWO WIVES, 848 00:36:42,371 --> 00:36:45,374 ONE OF WHOM HAS BEEN SLEEPING WITH A COLD-HEARTED KILLER. 849 00:36:45,374 --> 00:36:48,837 SEE, THIS SHOULD TOTALLY BE IN THE MOVIE. 850 00:36:48,837 --> 00:36:51,980 NO TWISTY THIS, NO MELODRAMATIC THAT. 851 00:36:51,980 --> 00:36:54,243 AH, PEOPLE LOVE TWISTY THISES AND MELODRAMATIC THATS. 852 00:36:54,243 --> 00:36:56,415 THEY LOVE WHAT'S REAL. YOU KNOW, LESS IS MORE. 853 00:36:56,415 --> 00:36:58,987 THE HARDEST THING TO PERFORM AS AN ACTOR-- 854 00:36:58,987 --> 00:37:00,389 DOING NOTHING, 855 00:37:00,389 --> 00:37:03,221 JUST BEING STILL, BEING QUIET. 856 00:37:03,221 --> 00:37:05,294 (snickers, lowered voice) YEAH, I'D LOVE TO SEE THAT. 857 00:37:05,294 --> 00:37:07,926 SO... RICH'S WIFE CONFIRMS THAT AFTER THE PARTY, 858 00:37:07,926 --> 00:37:10,299 THE TWO OF THEM WENT STRAIGHT HOME. 859 00:37:10,299 --> 00:37:12,861 YES, THANK YOU. 860 00:37:12,861 --> 00:37:15,264 SCOTT'S WIFE CONFIRMED THAT THE TWO OF THEM 861 00:37:15,264 --> 00:37:18,867 WENT STRAIGHT HOME AS WELL. 862 00:37:18,867 --> 00:37:21,310 BUTTHEN SCOTT WENT BACK OUT 863 00:37:21,310 --> 00:37:23,312 AND MET HIS COUSIN BENJAMIN FOR A DRINK. 864 00:37:23,312 --> 00:37:25,844 ONLY BENJAMIN DOESN'T REMEMBER HAVING THAT DRINK. 865 00:37:25,844 --> 00:37:27,976 TURNS OUT SCOTT AND HIS WIFE LEFT THE PARTY 866 00:37:27,976 --> 00:37:31,320 AN HOUR BEFORE STACEY LEFT, GIVING HIM PLENTY OF TIME 867 00:37:31,320 --> 00:37:33,382 TO GET BACK THERE AND FOLLOW HER. SO WHAT DO YOU SAY, NATALIE, 868 00:37:33,382 --> 00:37:36,985 YOU WANT TO JOIN US ON YOUR FIRST ARREST? HELL, YEAH. 869 00:37:36,985 --> 00:37:39,428 LET'S TAKE THAT CHEATING DIRTBAG DOWN. 870 00:37:39,428 --> 00:37:41,430 TOO MUCH? 871 00:37:41,430 --> 00:37:43,432 I-I JUST USUALLY SAY, "LET'S GO." 872 00:37:43,432 --> 00:37:45,394 (snaps fingers) SEE? LESS IS MORE. 873 00:37:45,394 --> 00:37:48,937 OKAY. 874 00:37:48,937 --> 00:37:51,340 MR. DONNER, DETECTIVE BECKETT, NYPD. 875 00:37:51,340 --> 00:37:53,972 WE'RE HERE ABOUT STACEY COLLINS' MURDER. 876 00:37:53,972 --> 00:37:55,374 I DON'T UNDERSTAND. 877 00:37:55,374 --> 00:37:58,276 I TOLD YOU EVERYTHING I KNOW DOWN AT THE STATION. 878 00:37:58,276 --> 00:38:00,278 YES, BUT YOU DIDN'T TELL US 879 00:38:00,278 --> 00:38:02,411 WHERE YOU WERE WHEN SHE WAS MURDERED. WE KNOW YOU WEREN'T WITH YOUR WIFE. 880 00:38:02,411 --> 00:38:05,283 OR WITH YOUR COUSIN HAVING A DRINK. YOU LIED ABOUT THAT. 881 00:38:05,283 --> 00:38:08,417 SO WHERE WERE YOU? I WAS-- 882 00:38:08,417 --> 00:38:12,020 WHAT DID YOU STAND TO LOSE, $30, $40 MILLION AFTER THE DIVORCE? 883 00:38:12,020 --> 00:38:15,394 YOU CONFRONTED STACEY AND YOU ASKED HER FOR THOSE PHOTOS. 884 00:38:15,394 --> 00:38:18,427 SHE REFUSED, AND THEN YOU KILLED HER. NO, NO, NO, NO. 885 00:38:18,427 --> 00:38:21,330 MR. DONNER, YOU'RE UNDER ARREST FOR-- NO. 886 00:38:21,330 --> 00:38:22,901 GUN! HEY! 887 00:38:22,901 --> 00:38:24,373 YOU STAY BACK, ALL OF YOU. 888 00:38:24,373 --> 00:38:26,875 YOU DO NOT NEED TO DO THIS, SCOTT. GIVE ME THE GUN. 889 00:38:26,875 --> 00:38:28,937 NO. I DIDN'T MEAN TO KILL HER. 890 00:38:28,937 --> 00:38:30,909 I JUST WANTED THE PICTURES. 891 00:38:30,909 --> 00:38:33,011 SHE TRIED TO BREAK AWAY! 892 00:38:33,011 --> 00:38:35,344 I DIDN'T EVEN SEE THE GATE THERE, 893 00:38:35,344 --> 00:38:39,348 AND THOSE SPIKES. OKAY, FINE. IT WAS AN ACCIDENT. 894 00:38:39,348 --> 00:38:42,421 OH, WHAT DOES IT MATTER? IT'S ALL OVER FOR ME. 895 00:38:42,421 --> 00:38:44,052 SCOTT, GIVE ME THE GUN, 896 00:38:44,052 --> 00:38:46,995 AND I PROMISE YOU, YOU WILL GET A FAIR TRIAL. 897 00:38:46,995 --> 00:38:50,058 YOU THINK I'M FOOLING AROUND HERE, DETECTIVE? NO, I DON'T. 898 00:38:50,058 --> 00:38:54,903 I THINK YOU FEEL TRAPPED, AND YOU'RE SERIOUS AS HELL. 899 00:38:54,903 --> 00:38:59,337 BUT RIGHT NOW YOU NEED TO THINK ABOUT THE PEOPLE WHO LOVE YOU. 900 00:38:59,337 --> 00:39:01,339 AND THEY NEED YOU... 901 00:39:01,339 --> 00:39:03,341 TO PUT DOWN THAT GUN. 902 00:39:09,878 --> 00:39:13,952 (sobs) 903 00:39:13,952 --> 00:39:17,386 (sobbing) 904 00:39:21,390 --> 00:39:23,962 (clicks handcuffs) 905 00:39:23,962 --> 00:39:25,934 (chuckles) 906 00:39:25,934 --> 00:39:29,938 I GUESS THAT SCRIPT WASN'T SO HACKY AFTER ALL. 907 00:39:29,938 --> 00:39:33,141 YOU KNOW, IT'S TRAGIC, REALLY. 908 00:39:33,141 --> 00:39:36,374 ALL STACEY WANTED WAS TO HELP SAVE THESE WOMEN 909 00:39:36,374 --> 00:39:38,376 FROM GETTING SCREWED IN THEIR DIVORCES. 910 00:39:38,376 --> 00:39:40,979 INSTEAD, SHE WINDS UP GETTING KILLED. 911 00:39:40,979 --> 00:39:43,952 WELL, THANKS TO YOU, WE ONLY HAVE ONE DEATH ON OUR HANDS. 912 00:39:43,952 --> 00:39:45,954 I'M JUST GLAD IT ALL WORKED OUT. 913 00:39:45,954 --> 00:39:48,156 BUT I COULD'VE USED ANOTHER TAKE. 914 00:39:48,156 --> 00:39:50,959 I SHOULD'VE ADDED A BEAT IN THAT LAST LINE. 915 00:39:50,959 --> 00:39:53,091 INSTEAD OF "PUT DOWN THAT GUN." 916 00:39:53,091 --> 00:39:55,123 I SHOULD'VE SAID, "PUT DOWN... THAT GUN." 917 00:39:55,123 --> 00:39:57,165 HEAR THE DIFFERENCE? TOTALLY ADDS LAYERS. 918 00:39:57,165 --> 00:39:59,428 SOUNDED GOOD TO ME. SOUNDED JUST LIKE ME. 919 00:39:59,428 --> 00:40:01,399 THANKS FOR EVERYTHING, KATE. 920 00:40:01,399 --> 00:40:03,972 I'LL TRY TO DO YOU AND NIKKI JUSTICE... 921 00:40:03,972 --> 00:40:05,974 EVEN IF I DIDN'T GET TO DO 922 00:40:05,974 --> 00:40:09,077 ALLTHE CHARACTER RESEARCH I'D HOPED. 923 00:40:09,077 --> 00:40:11,409 (metal jangles) 924 00:40:11,409 --> 00:40:13,912 VISIT ME ON SET, CASTLE. 925 00:40:13,912 --> 00:40:15,884 I WOULDN'T MISS IT. 926 00:40:15,884 --> 00:40:17,145 I WOULDN'T. 927 00:40:17,145 --> 00:40:20,088 MM. NATALIE RHODES. 928 00:40:20,088 --> 00:40:23,091 AND I THOUGHT IT WAS COOL WORKING WITH YOU, CASTLE. NICE. 929 00:40:23,091 --> 00:40:25,423 HI, GUYS. 930 00:40:25,423 --> 00:40:27,896 HEY. HEY. 931 00:40:27,896 --> 00:40:29,898 JENNY, I AM SO GLAD TO SEE YOU. 932 00:40:29,898 --> 00:40:32,030 MM. I-I JUST WANTED TO TELL YOU ALL, 933 00:40:32,030 --> 00:40:35,033 I'M SORRY ABOUT BEFORE. I-I MADE A SCENE. 934 00:40:35,033 --> 00:40:37,135 JENNY, IT'S OKAY. 935 00:40:37,135 --> 00:40:39,468 NO. YOU'RE THE BEST THING 936 00:40:39,468 --> 00:40:41,470 THAT'S EVER HAPPENED TO ME, KEVIN. 937 00:40:41,470 --> 00:40:45,043 AND I WANT YOU TO KNOW THAT I TRUST YOU AND I LOVE YOU. 938 00:40:45,043 --> 00:40:46,915 I'M SORRY. 939 00:40:46,915 --> 00:40:49,978 NO, I... 940 00:40:49,978 --> 00:40:51,179 (mouths words) 941 00:40:51,179 --> 00:40:53,021 (sniffs) 942 00:40:53,021 --> 00:40:55,223 NO, I'M THE ONE WHO'S SORRY, BECAUSE... 943 00:40:55,223 --> 00:40:57,125 I LIED TO YOU. 944 00:40:57,125 --> 00:41:00,088 BUT I'M GONNA SET THE RECORD STRAIGHT RIGHT NOW, 945 00:41:00,088 --> 00:41:03,892 BECAUSE YOU DESERVE THE TRUTH, SO WAIT HERE JUST ONE SECOND. 946 00:41:03,892 --> 00:41:05,994 (drawer clatters) WHAT IS HE DOING? 947 00:41:05,994 --> 00:41:06,995 SHH. 948 00:41:06,995 --> 00:41:09,097 (sighs) 949 00:41:09,097 --> 00:41:12,040 I DIDN'T PLAY DARTS 950 00:41:12,040 --> 00:41:14,142 WITH JAVIER LAST NIGHT. 951 00:41:14,142 --> 00:41:16,174 I WENT GO SEE YOUR PARENTS 952 00:41:16,174 --> 00:41:18,977 BECAUSE I HAD A QUESTION FOR THEM. 953 00:41:22,010 --> 00:41:24,252 JENNIFER SCOUT 954 00:41:24,252 --> 00:41:27,055 DUFFY-O'MALLEY... 955 00:41:27,055 --> 00:41:30,058 WILL YOU MAKE ME THE HAPPIEST GUY IN THE WORLD 956 00:41:30,058 --> 00:41:31,920 AND MARRY ME? 957 00:41:31,920 --> 00:41:33,922 OH, MY GOD. 958 00:41:33,922 --> 00:41:36,925 UH, Y-YES. YES! YES. YES? 959 00:41:36,925 --> 00:41:38,266 ♪♪♪ 960 00:41:38,266 --> 00:41:41,069 OH, MY GOSH. THAT WAS BIG. 961 00:41:41,069 --> 00:41:43,071 OH, AND INTIMATE. 962 00:41:43,071 --> 00:41:46,905 (man) ♪ ...IN THE POWER ♪ 963 00:41:46,905 --> 00:41:51,179 ♪ OF LOVE ♪