1 00:00:00,531 --> 00:00:03,474 ♪♪♪ 2 00:00:03,474 --> 00:00:05,036 (men) ♪ WHOA ♪ 3 00:00:05,036 --> 00:00:06,707 (man) ♪ BURN IT ALL ♪ 4 00:00:06,707 --> 00:00:08,409 ♪ WHOA ♪ 5 00:00:08,409 --> 00:00:10,141 ♪ BURN IT OUT! ♪ 6 00:00:10,141 --> 00:00:11,542 ♪ WHOA ♪ 7 00:00:11,542 --> 00:00:14,014 COME ON. LET ME SHOW YOU MY PLACE, HUH? 8 00:00:14,014 --> 00:00:15,416 OH! I GOTTA TWEET THIS. 9 00:00:15,416 --> 00:00:17,418 NO ONE WILL BELIEVE I'M WITH... 10 00:00:17,418 --> 00:00:19,120 THETERRIFIC NICK. 11 00:00:19,120 --> 00:00:21,292 MM. UH, "AUTHENTIC" NICK. (beeps, camera phone shutter clicks) 12 00:00:21,292 --> 00:00:23,254 NOT "TERRIFIC," OKAY? 13 00:00:23,254 --> 00:00:26,257 I MEAN, UH... WE'RE THE BEST. 14 00:00:26,257 --> 00:00:28,259 (laughs) I'LL BET. MM-HMM. 15 00:00:28,259 --> 00:00:30,701 AND IT SMELLS SO GOOD. 16 00:00:30,701 --> 00:00:34,205 IT DOES... SMELL GOOD. 17 00:00:34,205 --> 00:00:35,606 SOMEBODY HERE? 18 00:00:35,606 --> 00:00:37,408 DAD? 19 00:00:37,408 --> 00:00:39,410 IT SMELLS LIKE RIBS. IS THAT BARBECUE PIZZA? 20 00:00:39,410 --> 00:00:41,812 NO, WE DON'T DO BARBECUE PIZZA, ALL RIGHT? 21 00:00:41,812 --> 00:00:44,145 THAT'S FOR THE HACKS LIKE TERRIFIC NICK. 22 00:00:44,145 --> 00:00:45,816 SOMEBODY JUST PROBABLY JUST, UH... 23 00:00:48,549 --> 00:00:51,782 AAH! 24 00:00:51,782 --> 00:00:53,284 (sizzling) 25 00:00:53,284 --> 00:00:55,286 OOH, NICE AND CRISPY. 26 00:00:55,286 --> 00:00:58,829 JUST THE WAY YOU LIKE IT. 27 00:00:58,829 --> 00:01:01,432 YOU EAT IT. I'M NOT HUNGRY. 28 00:01:01,432 --> 00:01:03,794 YOU'VE NEVER SAID NO TO TURKEY BACON. 29 00:01:03,794 --> 00:01:05,396 WHAT'S WRONG? 30 00:01:05,396 --> 00:01:06,567 NOTHING. 31 00:01:06,567 --> 00:01:07,698 SOMETHING. 32 00:01:07,698 --> 00:01:11,342 DON'T MAKE ME TONG YOU. 33 00:01:11,342 --> 00:01:14,575 NOT EVEN A SMILE. MUST BE SERIOUS. 34 00:01:14,575 --> 00:01:17,678 IT'S LAUREN'S BIRTHDAY PARTY. I'M NOT GOING. 35 00:01:17,678 --> 00:01:19,680 WHAT? YOU BEEN TALKING ABOUT THAT PARTY FOR WEEKS. 36 00:01:19,680 --> 00:01:22,483 "IT'S GONNA BE THE PARTY OF THE CENTURY." YESTERDAY LAUREN CAME UP TO ME, 37 00:01:22,483 --> 00:01:25,616 AND IN FRONT OF EVERYBODY, TOLD ME I WAS DISINVITED. 38 00:01:25,616 --> 00:01:28,619 IT WAS HUMILIATING. WHY WOULD LAUREN DO SOMETHING LIKE THAT? 39 00:01:28,619 --> 00:01:31,362 SHE'S ONE OF YOUR BEST FRIENDS. SHEWAS ONE OF MY BEST FRIENDS. 40 00:01:31,362 --> 00:01:33,364 I HAVE NO IDEA WHY SHE'S ACTING LIKE THIS, 41 00:01:33,364 --> 00:01:36,367 AND SHE REFUSES TO TALK TO ME, AND ASHLEY'S STILL INVITED, 42 00:01:36,367 --> 00:01:38,769 AND SO IS EVERYONE ELSE. 43 00:01:38,769 --> 00:01:41,502 AND IT'S LIKE I'M A SOCIAL LEPER. WELL, ASHLEY'S NOT GONNA GO WITHOUT YOU. 44 00:01:41,502 --> 00:01:43,504 JUST BECAUSE I HAVE LEPROSY DOESN'T MEAN HE SHOULD. 45 00:01:43,504 --> 00:01:46,177 WELL, I THINK YOU SHOULD THROW A RIVAL PARTY 46 00:01:46,177 --> 00:01:49,510 AND INVITE ALL YOUR FRIENDS TO THAT ONE INSTEAD. THE PARTY'S TONIGHT, AND SHE HAS A LIVE BAND PERFORMING. 47 00:01:49,510 --> 00:01:52,813 I CAN'T COMPETE WITH THAT. WELL, THEN I'LL CALL LAUREN'S MOM, AND I'LL-- 48 00:01:52,813 --> 00:01:55,146 YOU'RE JOKING, RIGHT? 49 00:01:55,146 --> 00:01:57,548 WHAT, SO I CAN BE A LEPER AND A TATTLETALE? 50 00:01:57,548 --> 00:02:00,421 I'M 17. I CAN DEAL WITH THIS ON MY OWN. 51 00:02:00,421 --> 00:02:02,453 IT'S JUST... EVERY INSTINCT IN MY BODY 52 00:02:02,453 --> 00:02:04,455 IS TELLING ME TO PROTECT HER. 53 00:02:04,455 --> 00:02:06,457 YEAH, BUT WHEN IT COMES TO TEENAGERS, 54 00:02:06,457 --> 00:02:08,799 NOT EVEN YOU CAN PROTECT HER. ALEXIS IS GONNA HAVE TO DEAL 55 00:02:08,799 --> 00:02:10,801 WITH BACKSTABBERS HER WHOLE LIFE. 56 00:02:10,801 --> 00:02:13,704 BUT SHE'S INTELLIGENT ENOUGH TO RISE ABOVE ALL OF THAT. 57 00:02:13,704 --> 00:02:16,707 I DON'T KNOW. SHE LOOKED LIKE SHE WAS READY TO COMMIT MURDER. 58 00:02:16,707 --> 00:02:18,439 SPEAKING OF MURDER. 59 00:02:18,439 --> 00:02:21,442 I THOUGHT TERRIFIC NICK'S ON THE EAST SIDE WAS NUMBER ONE. 60 00:02:21,442 --> 00:02:23,574 UH, NO, THAT'S AUTHENTIC TERRIFIC NICK'S. 61 00:02:23,574 --> 00:02:25,876 THIS IS JUST AUTHENTIC NICK'S. THIS ISN'T TERRIFIC? 62 00:02:25,876 --> 00:02:28,449 NO, JUST AUTHENTIC. IT'S ALSO NOT TERRIFIC AUTHENTIC NICK'S, 63 00:02:28,449 --> 00:02:30,821 BUT THAT'S ACROSS THE STREET. WHAT'S THE DIFFERENCE? 64 00:02:30,821 --> 00:02:33,684 THE DIFFERENCE IS, THIS ONE HAS A DEAD BODY IN THE OVEN. 65 00:02:33,684 --> 00:02:36,357 O-KAY. 66 00:02:37,828 --> 00:02:40,391 THAT IS REALLY... WELL-DONE. 67 00:02:40,391 --> 00:02:41,932 ANOTHER COUPLE OF HOURS, MAYBE, 68 00:02:41,932 --> 00:02:45,196 BUT LUCKILY FOR ME, HE'S ONLY HALF-BAKED. 69 00:02:45,196 --> 00:02:49,440 MALE, MID-40s, THAT'S ABOUT AS MUCH I.D. AS I CAN GIVE YOU. 70 00:02:49,440 --> 00:02:51,942 BASED ON THE OVEN SETTING AND THE BODY'S CORE TEMPERATURE, 71 00:02:51,942 --> 00:02:55,846 I'D SAY HE WENT IN NO SOONER THAN 2:00 A.M. I'M AFRAID TO ASK. CAUSE OF DEATH? 72 00:02:55,846 --> 00:02:58,309 IT WASN'T THE OVEN. THE STAB WOUND THROUGH THE CHEST 73 00:02:58,309 --> 00:03:00,951 SAYS HE WAS DEAD WHEN HE WENT IN. 74 00:03:00,951 --> 00:03:02,753 (Esposito) NO SIGN OF FORCED ENTRY. 75 00:03:02,753 --> 00:03:05,716 BUT WE'RE RUNNING THE PRINTS ON THE DOOR HANDLE JUST THE SAME. 76 00:03:05,716 --> 00:03:07,718 ALL RIGHT. RUN 'EM ON THE OVEN AS WELL. 77 00:03:07,718 --> 00:03:09,560 WHO FOUND HIM? UH, NICK JR. 78 00:03:09,560 --> 00:03:11,222 UNBELIEVABLE. GIVE ME HIS NUMBER. 79 00:03:11,222 --> 00:03:13,564 AUTHENTIC, NOT TERRIFIC. 80 00:03:13,564 --> 00:03:16,567 NO. I GOT NO IDEA WHO HE IS. 81 00:03:16,567 --> 00:03:18,599 I MEAN, I OPEN UP THE OVEN, AND BAM--THERE HE IS. 82 00:03:18,599 --> 00:03:20,931 AND WHO WERE THE LAST ONES HERE LAST NIGHT? MY DAD AND ME. 83 00:03:20,931 --> 00:03:23,203 WE CLOSED AROUND 11:00, 84 00:03:23,203 --> 00:03:24,975 AND THEN I HIT UP THE KAYDAR LOUNGE, 85 00:03:24,975 --> 00:03:27,608 MET UP WITH A LADY FRIEND, AND THEN WE CAME BACK HERE 86 00:03:27,608 --> 00:03:29,640 TO, UH... HAVE A SLICE. 87 00:03:29,640 --> 00:03:31,482 AND WHEN WAS THAT? 88 00:03:31,482 --> 00:03:33,844 I DON'T KNOW. 4:30. 89 00:03:33,844 --> 00:03:36,216 WHERE'S YOUR LADY FRIEND NOW? SHE WAS KINDA THROWING UP A LOT, 90 00:03:36,216 --> 00:03:38,449 SO THE PARAMEDICS HAD TO TAKE HER IN. 91 00:03:38,449 --> 00:03:41,592 OH, BUT I KEPT HER NUMBER. 92 00:03:43,594 --> 00:03:46,797 (grunts) I-I DON'T THINK THERE'S GONNA BE A SECOND DATE. 93 00:03:46,797 --> 00:03:48,499 YEAH, YOU'RE RIGHT. I'M SORRY. 94 00:03:48,499 --> 00:03:51,302 I'M GONNA NEED A LIST OF ALL OF YOUR EMPLOYEES 95 00:03:51,302 --> 00:03:54,305 AND DELIVERY STAFF. YOU DON'T THINK IT WAS ONE OF OUR GUYS IN THE OVEN, DO YOU? 96 00:03:54,305 --> 00:03:56,867 AS SOON AS YOU GET ME THAT LIST, I'LL START MAKING PHONE CALLS. 97 00:03:56,867 --> 00:04:00,711 OHH. (man) I DON'T BELIEVE THIS. 98 00:04:00,711 --> 00:04:03,414 YOU GOTTA BE KIDDING ME. 99 00:04:03,414 --> 00:04:05,276 DAD, THESE ARE THE COPS. 100 00:04:05,276 --> 00:04:07,348 YOU MUST BE AUTHENTIC NICK. 101 00:04:07,348 --> 00:04:09,620 THE ONE AND ONLY. NICK? 102 00:04:09,620 --> 00:04:12,283 I HAVE THE PROPRIETOR LISTED AS RALPH CARBONE. 103 00:04:12,283 --> 00:04:15,356 YEAH, THAT'S ME. EVERYBODY CALLS ME NICK. WHY? 104 00:04:15,356 --> 00:04:17,288 BECAUSE THAT'S WHAT EVERYBODY CALLS ME. 105 00:04:17,288 --> 00:04:20,891 I CAN'T BELIEVE THOSE BASTARDS PUT A BODY IN MY OVEN. 106 00:04:20,891 --> 00:04:22,593 I'M SORRY, MR. CARBONE. 107 00:04:22,593 --> 00:04:24,995 YOU THINK THAT YOU KNOW WHO DID THIS? YEAH, SURE. 108 00:04:24,995 --> 00:04:27,838 I'LL BET IT WAS THAT JACKHOLE. 109 00:04:27,838 --> 00:04:29,440 TERRIFIC AUTHENTIC NICK? 110 00:04:29,440 --> 00:04:32,603 SAL MALAVOLTA. HE USED TO WORK FOR US YEARS AGO BEFORE OPENING 111 00:04:32,603 --> 00:04:36,006 HIS OWN LOUSY PIZZA SHOP RIGHT ACROSS THE STREET. HE STOLE MY FRIGGIN' RECIPES. 112 00:04:36,006 --> 00:04:39,750 IT'S SAL THAT DONE THIS, ALONG WITH THE OTHER TWO. (Beckett) THE OTHER TWO? 113 00:04:39,750 --> 00:04:42,012 YEAH, THAT VULTURE THERE. TERRIFIC NICK? 114 00:04:42,012 --> 00:04:44,985 VINNIE DELFINO. AND THAT DIRTBAG THERE. 115 00:04:44,985 --> 00:04:46,987 AND AUTHENTIC TERRIFIC NICK. (Ralph) LUCA SABALINI. 116 00:04:46,987 --> 00:04:50,321 ALL THREE OF THEM, THEY'RE THIEVES. 117 00:04:50,321 --> 00:04:53,894 THEY LIVE OFF OUR NAME, AND THEY'RE NOT EVEN REAL NICKS. 118 00:04:53,894 --> 00:04:55,966 I'M THE ONLY REAL NICK. AND YOUR REAL NAME IS RALPH. 119 00:04:55,966 --> 00:04:58,469 EXACTLY. THEY BEEN TRYING TO RUN ME OUTTA DODGE FOR YEARS. 120 00:04:58,469 --> 00:05:01,071 AND NOW THIS. WHO'S GONNA BUY MY PIZZA NOW, HUH? 121 00:05:01,071 --> 00:05:04,034 HEY! HEY! YOU HAPPY? I'M OUTTA BUSINESS! 122 00:05:04,034 --> 00:05:07,408 MR. CARBONE, WHAT MAKES YOU THINK THAT ONE OF THEM DID THIS? 123 00:05:07,408 --> 00:05:09,610 A FEW WEEKS AGO, ONE OF THEM 124 00:05:09,610 --> 00:05:12,543 SNUCK A GALLON OF SOAP INTO MY SECRET SAUCE. 125 00:05:12,543 --> 00:05:15,085 COST ME A WHOLE DAY OF RETURNED PIES. 126 00:05:15,085 --> 00:05:18,088 NOW LOOK, UH, I MAY OR MAY NOT HAVE RETALIATED, 127 00:05:18,088 --> 00:05:19,690 BUT IF I DID, 128 00:05:19,690 --> 00:05:21,692 THEM PUTTING A CADAVER IN MY OVEN 129 00:05:21,692 --> 00:05:24,024 THAT'S, UH, THEM RETALIATING BACK. 130 00:05:24,024 --> 00:05:26,026 MR. CARBONE, THAT'S NOT A CADAVER. 131 00:05:26,026 --> 00:05:27,828 WHAT DO YOU MEAN? IT'S A--THEY BOR-- 132 00:05:27,828 --> 00:05:29,930 THEY--THEY GOT THIS FROM SOME MEDICAL SCHOOL. 133 00:05:29,930 --> 00:05:32,763 NO, THIS ISN'T A PRANK. THIS IS MURDER. 134 00:05:38,409 --> 00:05:42,413 (indistinct conversations) 135 00:05:42,413 --> 00:05:44,815 WE GOT THROUGH TO ALL THEIR EMPLOYEES. 136 00:05:44,815 --> 00:05:47,878 EVERYBODY'S ACCOUNTED FOR. LANIE, WHAT ARE THE CHANCES OF GETTING AN I.D.? 137 00:05:47,878 --> 00:05:50,451 I'M NOT HOPEFUL ON FINGERPRINTS. WE MAY HAVE TO WAIT 138 00:05:50,451 --> 00:05:52,953 FOR A MISSING PERSONS REPORT AND DENTAL RECORDS. WE ALSO STARTED A CANVASS 139 00:05:52,953 --> 00:05:54,925 TO SEE IF ANYBODY SAW ANYTHING LAST NIGHT. 140 00:05:54,925 --> 00:05:56,857 ALL RIGHT, LET'S GET STATEMENTS OFF ALL THE EMPLOYEES, 141 00:05:56,857 --> 00:05:58,589 ESPECIALLY THE ONES WITH KEYS. 142 00:05:58,589 --> 00:06:00,831 I'D LIKE TO KNOW WHAT THEY WERE DOING LAST NIGHT. 143 00:06:00,831 --> 00:06:03,564 SHOULDN'T WE LOOK INTO THE OTHER NICKS, TOO? (Esposito) COME ON, BRO. YOU DON'T REALLY THINK 144 00:06:03,564 --> 00:06:05,566 THIS IS ABOUT SOME KIND OF PIZZA RIVALRY, DO YOU? 145 00:06:05,566 --> 00:06:07,598 COMPETITION TO BE THE BEST IN NEW YORK, CLEAR ANIMOSITY? 146 00:06:07,598 --> 00:06:10,801 CARBONE SAID THEY'D BROKEN IN BEFORE. 147 00:06:10,801 --> 00:06:13,604 IF WE ARE LOOKING INTO EVERYONE WITH ACCESS, 148 00:06:13,604 --> 00:06:17,007 WE SHOULD LOOK INTO THEM AS WELL. HE'S RIGHT, YOU KNOW? PIZZA'S SERIOUS BUSINESS IN THIS TOWN. 149 00:06:17,007 --> 00:06:19,480 ALL RIGHT. GREAT. YOU TALK TO THEM. WAIT. ME? 150 00:06:19,480 --> 00:06:20,911 NO, I... COME ON. 151 00:06:25,756 --> 00:06:27,888 YOU KNOW, YOU HAVE TO ADMIT, A PIZZA OVEN-- 152 00:06:27,888 --> 00:06:30,090 VERY CLEVER WAY TO GET RID OF A BODY. 153 00:06:30,090 --> 00:06:32,693 IN "AT DUSK WE DIE," I HAD MY PSYCHOTIC PARALEGAL 154 00:06:32,693 --> 00:06:35,696 KILL HER ABUSIVE BOSS AND PUT HIM IN A POTTERY KILN. 155 00:06:35,696 --> 00:06:38,028 HE WAS REDUCED TO ASHES IN A MATTER OF HOURS. 156 00:06:38,028 --> 00:06:40,000 OF COURSE, YOU ALREADY KNOW THIS, DON'T YOU? 157 00:06:40,000 --> 00:06:42,002 THAT'S PROBABLY WHAT OUR KILLER PLANNED ON DOING 158 00:06:42,002 --> 00:06:44,004 UNTIL NICK JR. SHOWED UP. DID I HEAR RIGHT? 159 00:06:44,004 --> 00:06:46,076 YOU FOUND A BODY IN THE OVEN AT TERRIFIC NICK'S? 160 00:06:46,076 --> 00:06:48,579 AUTHENTIC NICK'S. AUTHENTICNICK'S? 161 00:06:48,579 --> 00:06:50,811 OH, THANK GOD. THE WIFE LOVES TERRIFIC NICK'S. 162 00:06:50,811 --> 00:06:52,743 I DIDN'T HAVE THE HEART 163 00:06:52,743 --> 00:06:55,015 TO TELL HER IT NOW CAME IN FULL-BODIED FLAVOR. 164 00:06:55,015 --> 00:06:57,618 OH, I LIKED IT. I LIKED IT. 165 00:06:57,618 --> 00:06:58,889 HEY. 166 00:06:58,889 --> 00:07:00,951 SO WE RAN THROUGH ALL OF AUTHENTIC NICK'S EMPLOYEES. 167 00:07:00,951 --> 00:07:04,495 THEY ALIBIED OUT, BUT I DID FIND A BUNCH OF STUFF 168 00:07:04,495 --> 00:07:06,957 ON THE OTHER NICKS. CRIMINAL COMPLAINTS? 169 00:07:06,957 --> 00:07:09,760 YEAH, DOZENS OF THEM FILED BACK AND FORTH BETWEEN 170 00:07:09,760 --> 00:07:12,503 ALL THE NICKS OVER THE YEARS-- BRICKS THROUGH FRONT WINDOWS, 171 00:07:12,503 --> 00:07:16,166 SLASHED DELIVERY CAR TIRES, OOH, FLAMING BAGS OF POO. 172 00:07:16,166 --> 00:07:19,039 THANK YOU. YEP. 173 00:07:19,039 --> 00:07:21,211 WHAT, THAT'S IT? 174 00:07:21,211 --> 00:07:24,775 FLAMING BAGS OF POO, SOAP IN SECRET SAUCES? 175 00:07:24,775 --> 00:07:27,478 COME ON, CASTLE. WHAT DO YOU THINK, 176 00:07:27,478 --> 00:07:29,650 THESE GUYS SUDDENLY GRADUATED FROM FRAT PRANKS TO MURDER? 177 00:07:29,650 --> 00:07:31,552 (telephone rings) BECKETT. 178 00:07:31,552 --> 00:07:34,885 AS EXPECTED, THE BODY WAS TOO BADLY BURNED TO GET ANY PRINTS, 179 00:07:34,885 --> 00:07:36,887 BUT I DID FIND THIS. 180 00:07:36,887 --> 00:07:39,760 YOU SEE HERE WHERE THE SHIN BONE SHOULD BE? 181 00:07:39,760 --> 00:07:41,191 THOSE ARE TITANIUM PLATES. 182 00:07:41,191 --> 00:07:43,193 SO KILLER CYBORG SENT FROM THE FUTURE, 183 00:07:43,193 --> 00:07:45,195 RESISTANCE FIGHTERS INTERCEPT HIS COORDINATES, 184 00:07:45,195 --> 00:07:48,038 REDIRECT HIM INTO A PIZZA OVEN, SAVING HUMANITY. 185 00:07:48,038 --> 00:07:49,770 THE PLATES HAVE SERIAL NUMBERS. 186 00:07:49,770 --> 00:07:51,772 I RAN 'EM THROUGH THE SURGICAL DATABASE 187 00:07:51,772 --> 00:07:53,744 AND GOT AN I.D. 188 00:07:53,744 --> 00:07:55,175 GORDON BURNS. 189 00:07:55,175 --> 00:07:57,047 GORDONBURNS? 190 00:07:57,047 --> 00:07:59,510 YES, CASTLE, BURNS. 191 00:07:59,510 --> 00:08:01,912 GO AHEAD, MAKE YOUR JOKE. GET IT OUT OF YOUR SYSTEM. 192 00:08:01,912 --> 00:08:03,914 GORDON BURNS, AS IN "NEW YORK LEDGER"? YOU KNOW HIM? 193 00:08:03,914 --> 00:08:06,857 WELL, NOT PERSONALLY. HE WAS A REPORTER. 194 00:08:06,857 --> 00:08:08,859 I USED TO LOVE HIS WORK. 195 00:08:08,859 --> 00:08:10,861 DID YOU FIND ANYTHING ELSE ON THE BODY? 196 00:08:10,861 --> 00:08:13,724 A MELTED CELL PHONE BELT CLIP, BUT THERE WAS NO CELL PHONE. 197 00:08:13,724 --> 00:08:15,726 (Beckett) YEAH, IT WASN'T AT THE CRIME SCENE, EITHER. 198 00:08:15,726 --> 00:08:17,828 AND THAT'S HIS WALLET. 199 00:08:17,828 --> 00:08:19,499 SOME CREDIT CARDS, 200 00:08:19,499 --> 00:08:23,173 DRIVER'S LICENSE-- THAT'S ALL MELTED. 201 00:08:23,173 --> 00:08:26,607 GIRLFRIEND, WIFE? 202 00:08:26,607 --> 00:08:29,009 BURNS IS LISTED AS DIVORCED, NO NEXT OF KIN. 203 00:08:29,009 --> 00:08:32,643 HE WAS A WAR CORRESPONDENT, AN INVESTIGATIVE REPORTER. 204 00:08:32,643 --> 00:08:35,015 WHAT WAS HE DOING IN A PIZZA OVEN? 205 00:08:35,015 --> 00:08:38,048 MAYBE HIS EDITOR KNOWS. 206 00:08:38,048 --> 00:08:41,051 WE WERE FRIENDS, SO WHEN I BECAME EDITOR OF THE PAPER, 207 00:08:41,051 --> 00:08:43,824 HE WAS MY FIRST HIRE. THE KINDS OF STORIES HE WROTE, 208 00:08:43,824 --> 00:08:46,757 HE MUST HAVE STEPPED ON HIS FAIR SHARE OF TOES. 209 00:08:46,757 --> 00:08:50,601 NOT FOR YEARS. HE'D BEEN OUT OF THE GAME FOR A WHILE. WHY IS THAT? 210 00:08:50,601 --> 00:08:53,533 HIS KID WAS KILLED IN AN ACCIDENT. 211 00:08:53,533 --> 00:08:56,306 SHE WAS 10. AFTER THAT, HE FINALLY GAVE IN 212 00:08:56,306 --> 00:08:58,208 TO HIS LOVE AFFAIR WITH THE BOTTLE. 213 00:08:58,208 --> 00:09:00,671 WE SEE THAT YOU STILL HAD HIM ON THE PAYROLL. 214 00:09:00,671 --> 00:09:02,943 HE DID THE OCCASIONAL HUMAN INTEREST STORY 215 00:09:02,943 --> 00:09:04,675 FOR OUR LIFESTYLES SECTION. 216 00:09:04,675 --> 00:09:07,678 A WASTE OF HIS TALENT, BUT IT LET HIM MAKE RENT, 217 00:09:07,678 --> 00:09:09,319 KEEP HIS INSURANCE. 218 00:09:09,319 --> 00:09:11,982 MR. SHAW, WAS HE WORKING ON ANYTHING RECENTLY? 219 00:09:11,982 --> 00:09:15,726 JUST A PUFF PIECE I HAD ASSIGNED HIM LAST WEEK. ABOUT WHAT? 220 00:09:15,726 --> 00:09:19,159 THE PIZZA WARS. YOU KNOW, THOSE AUTHENTIC, AMAZING, 221 00:09:19,159 --> 00:09:22,232 TERRIFIC GUYS ALWAYS FIGHTING OVER WHICH ONE'S THE BEST. 222 00:09:22,232 --> 00:09:25,335 IT WASN'T AFGHANISTAN. (laughs) BUT GORDON WAS GORDON. 223 00:09:25,335 --> 00:09:28,138 HE CALLED A FEW DAYS AGO AND SAID IT WAS MUCH BIGGER 224 00:09:28,138 --> 00:09:30,671 THAN I THOUGHT. BIGGER HOW? 225 00:09:30,671 --> 00:09:32,673 HE DIDN'T SAY, BUT I MEAN, IT'S PIZZA WARS. 226 00:09:32,673 --> 00:09:36,677 HOW BIG COULD IT BE? BIG ENOUGH TO KILL FOR. 227 00:09:49,760 --> 00:09:51,622 LET'S DIG DEEPER INTO ALL OF THE NICKS-- 228 00:09:51,622 --> 00:09:53,694 TERRIFIC, AUTHENTIC, AND OTHERWISE, 229 00:09:53,694 --> 00:09:56,066 AND LET'S ALSO RUN BACKGROUND CHECKS 230 00:09:56,066 --> 00:09:59,329 ON ALL OF THEIR EMPLOYEES. YOU KNOW, THIS GUY SURVIVED AFGHANISTAN, 231 00:09:59,329 --> 00:10:01,331 THE INVASION OF IRAQ, EVEN TIANANMEN SQUARE, 232 00:10:01,331 --> 00:10:03,774 TO BE KILLED DOING A PUFF PIECE ON PIZZA? 233 00:10:03,774 --> 00:10:05,335 IT'S LIKE BEING A COP, BRO. 234 00:10:05,335 --> 00:10:08,108 YOU SURVIVE A FIREFIGHT WITH A DOZEN ARMED GANGBANGERS 235 00:10:08,108 --> 00:10:10,110 ONLY TO BE HIT BY A CAR 236 00:10:10,110 --> 00:10:13,043 WHILE WRITING A SPEEDING TICKET ON THE L.I.E. 237 00:10:13,043 --> 00:10:15,045 HEY, I RAN A TRACE ON BURNS' MISSING PHONE. 238 00:10:15,045 --> 00:10:17,147 IT'S EITHER OUT OF BATTERY OR TURNED OFF. 239 00:10:17,147 --> 00:10:20,090 ALL RIGHT, RUN L.U.D.s AND FINANCIALS. I WANT TO 240 00:10:20,090 --> 00:10:23,093 FIND OUT WHERE HE WAS AND WHAT HE WAS DOING LAST NIGHT. ON IT. 241 00:10:23,093 --> 00:10:24,825 THIS HAS TO BE 242 00:10:24,825 --> 00:10:27,157 ABOUT SOMETHING BIGGER THAN WHO HAS THE BEST PIZZA. 243 00:10:27,157 --> 00:10:29,159 YOU KNOW, BURNS PROBABLY HAD NOTES 244 00:10:29,159 --> 00:10:31,361 AND DRAFTS OF HIS STORY IN HIS APARTMENT. 245 00:10:31,361 --> 00:10:33,363 IF WE CAN FIND THEM, WE CAN FIGURE OUT 246 00:10:33,363 --> 00:10:36,366 WHAT HE WAS UP TO LAST NIGHT. (Castle) LET'S GO. 247 00:10:38,268 --> 00:10:41,912 DOOR'S BEEN KICKED OPEN. 248 00:10:41,912 --> 00:10:43,914 (creaks) 249 00:10:48,278 --> 00:10:49,980 ROOM'S CLEAR. 250 00:10:49,980 --> 00:10:52,052 THIS PLACE IS TRASHED. 251 00:10:52,052 --> 00:10:54,254 I'M GONNA CHECK WITH THE NEIGHBORS, 252 00:10:54,254 --> 00:10:56,256 SEE IF ANYBODY HEARD ANYTHING. OKAY. 253 00:10:57,988 --> 00:10:59,790 THESE DRAWERS HAVE BEEN EMPTIED. 254 00:10:59,790 --> 00:11:02,292 IF THERE WERE FILES OR NOTES, THEY'RE GONE NOW. 255 00:11:02,292 --> 00:11:04,935 WELL, WHATEVER HE WAS WORKING ON, 256 00:11:04,935 --> 00:11:08,298 SOMEONE DIDN'T WANT US TO FIND IT. 257 00:11:11,802 --> 00:11:13,874 YOU OKAY? 258 00:11:13,874 --> 00:11:15,405 YEAH. NO, YEAH. 259 00:11:15,405 --> 00:11:17,748 UM, I THINK I MET HER. 260 00:11:17,748 --> 00:11:20,450 I WENT TO A BOOK SIGNING OF HIS, THE ONE HE DID ON THE, UH, 261 00:11:20,450 --> 00:11:22,412 SARAJEVO SNIPERS. 262 00:11:22,412 --> 00:11:24,755 SHE WAS... 263 00:11:24,755 --> 00:11:28,819 COLORING NEXT TO HIM WHILE HE WAS SIGNING BOOKS. 264 00:11:28,819 --> 00:11:32,793 HE MUST HAVE BEEN A GOOD WRITER FOR YOU TO STAND IN LINE. 265 00:11:32,793 --> 00:11:34,394 YEAH. HE WAS. 266 00:11:34,394 --> 00:11:36,326 COME ON. LET'S GO GET C.S.U. 267 00:11:36,326 --> 00:11:39,029 HEY. I GOT SOMETHING WEIRD. 268 00:11:39,029 --> 00:11:41,201 BURNS' NEIGHBOR, SHE SAYS SHE'S BEEN HOLDING 269 00:11:41,201 --> 00:11:43,774 HIS MAIL FOR THE LAST WEEK. APPARENTLY BURNS TOLD HER 270 00:11:43,774 --> 00:11:46,937 HE WAS GOING OUT OF THE COUNTRY FOR A WHILE. OUT OF THE COUNTRY? WE KNOW HE'S BEEN HERE. 271 00:11:46,937 --> 00:11:49,880 YOU KNOW, THAT'S THE KIND OF LIE THAT YOU TELL PEOPLE 272 00:11:49,880 --> 00:11:52,813 WHEN YOU DON'T WANT ANYONE LOOKING FOR YOU. AND IF HE'S BEEN STAYING SOMEWHERE ELSE, 273 00:11:52,813 --> 00:11:55,215 THERE'S A CHANCE WE COULD STILL FIND HIS NOTES. I'M GONNA TO GET AHOLD OF HIS EDITOR, 274 00:11:55,215 --> 00:11:59,019 FIND OUT WHERE HE MIGHT HAVE BEEN STAYING. HOW DOES A STORY ABOUT PIZZA SEND SOMEBODY INTO HIDING? 275 00:11:59,019 --> 00:12:01,351 (cell phone rings) OR GET THEM KILLED? BECKETT. 276 00:12:01,351 --> 00:12:03,353 HEY. JUST GOT THE C.S.U. REPORT BACK. 277 00:12:03,353 --> 00:12:05,956 THE BACK DOORKNOB OF THE PIZZA SHOP WAS WIPED CLEAN, 278 00:12:05,956 --> 00:12:08,829 BUT THEY DID FIND NICK'S PRINTS ALL OVER THE PIZZA OVEN. 279 00:12:08,829 --> 00:12:11,231 WELL, THAT'S TO BE EXPECTED. I MEAN, HE WORKED THERE. 280 00:12:11,231 --> 00:12:14,064 Not Authentic Nick. These prints belong to 281 00:12:14,064 --> 00:12:17,337 HIS NEIGHBOR ACROSS THE STREET-- TERRIFIC AUTHENTIC NICK. 282 00:12:17,337 --> 00:12:19,339 (Beckett) SO, NICK, OR SHOULD I SAY SAL? 283 00:12:19,339 --> 00:12:21,341 KNOW THIS GUY? YEAH, I KNOW HIM. 284 00:12:21,341 --> 00:12:24,474 THAT'S THE REPORTER DOING THE STORY ON US. 285 00:12:24,474 --> 00:12:26,476 AND WHAT DID THE TWO OF YOU TALK ABOUT? 286 00:12:26,476 --> 00:12:28,078 WHO'S THE REAL NICK, 287 00:12:28,078 --> 00:12:30,080 AND I TOLD HIM ABOUT MY GRANDPA NICK 288 00:12:30,080 --> 00:12:32,082 AND HOW HE WAS AN AUTHENTIC ELLIS ISLAND IMMIGRANT 289 00:12:32,082 --> 00:12:34,084 WHO WAS FLIPPING HIS TERRIFIC DOUGH 290 00:12:34,084 --> 00:12:36,086 ON MOTT STREET THE VERY DAY HE ARRIVED. 291 00:12:36,086 --> 00:12:39,860 WHAT ELSE? THAT'S IT. WHY? 292 00:12:39,860 --> 00:12:42,362 JUST DOESN'T SEEM LIKE A GOOD ENOUGH REASON TO KILL. 293 00:12:42,362 --> 00:12:45,836 KILL? WE FOUND YOUR FINGERPRINTS, SAL, ALL OVER THE OVEN. 294 00:12:45,836 --> 00:12:47,397 YOU FOUNDMYPRINTS? 295 00:12:47,397 --> 00:12:49,439 YEAH. 296 00:12:49,439 --> 00:12:53,003 SO WHY DON'T WE BACK UP? AND YOU TELL US WHY YOU KILLED BURNS. 297 00:12:53,003 --> 00:12:55,806 AND THIS TIME, HOLD THE EXTRA CHEESE. I-I CAN EXPLAIN. 298 00:12:55,806 --> 00:12:59,109 I WAS THERE, BUT I DIDN'T KILL NOBODY. 299 00:12:59,109 --> 00:13:01,211 RALPH THOUGHT I WAS SOAPING HIS SAUCE, 300 00:13:01,211 --> 00:13:03,213 SO HE BROKE INTO MY PLACE 301 00:13:03,213 --> 00:13:05,916 AND TOOK ALL THE BREAKERS OUT OF MY ELECTRICAL PANEL. 302 00:13:05,916 --> 00:13:08,558 NOW HE'S ALWAYS BRAGGING ABOUT HIS OVEN, SO I THOUGHT I'D-- 303 00:13:08,558 --> 00:13:11,091 PUT A BODY IN IT. 304 00:13:11,091 --> 00:13:13,563 NO, STEAL IT. I WENT OVER THERE A COUPLE NIGHTS AGO 305 00:13:13,563 --> 00:13:16,126 TO SEE WHAT I NEED TO GET IT OUT. YOU'RE KIDDING ME, RIGHT? 306 00:13:16,126 --> 00:13:18,829 I WAS IN O'MEARY'S ON STATEN ISLAND LAST NIGHT, 307 00:13:18,829 --> 00:13:20,470 TILL CLOSING. 308 00:13:20,470 --> 00:13:23,033 OKAY? IT WAS DART NIGHT. I TOOK THIRD PLACE. 309 00:13:23,033 --> 00:13:26,036 YOU WANT TO LOOK AT SOMEBODY, LOOK AT RALPH. WHY RALPH? 310 00:13:26,036 --> 00:13:29,539 WHAT DO YOU THINK, HE MAKES THAT MONEY WITH HIS CRAPPY PIZZA? 311 00:13:29,539 --> 00:13:31,481 HE'S CONNECTED. THAT'S WHY I LEFT. 312 00:13:31,481 --> 00:13:34,244 ALL HE CARES ABOUT IS LAUNDERING MONEY FOR HIS WISE GUY PALS. 313 00:13:34,244 --> 00:13:38,148 YOU DIDN'T HAPPEN TO MENTION THIS TO BURNS, DID YOU? 314 00:13:38,148 --> 00:13:41,121 AS A MATTER OF FACT, I DID. 315 00:13:41,121 --> 00:13:43,393 (laughs) MONEY LAUNDERING? WHOA. 316 00:13:43,393 --> 00:13:45,395 WE RAN YOU THROUGH THE FEDERAL DATABASE. 317 00:13:45,395 --> 00:13:47,457 WE KNOW ABOUT THE FBI INVESTIGATION IN THE '90s 318 00:13:47,457 --> 00:13:50,330 AND ABOUT YOUR CONNECTION TO THE SPOLANO CRIME FAMILY. 319 00:13:50,330 --> 00:13:52,032 MY CONNECTION? 320 00:13:52,032 --> 00:13:54,905 HE'S MY SECOND COUSIN ONCE REMOVED. 321 00:13:54,905 --> 00:13:57,207 I SEE HIM AT THANKSGIVING ONCE EVERY FIVE YEARS. 322 00:13:57,207 --> 00:14:00,270 AND THE FEDS NEVER FOUND ANYTHING. THE FEDS DIDN'T, 323 00:14:00,270 --> 00:14:01,972 BUT MAYBE BURNS DID. 324 00:14:01,972 --> 00:14:05,946 SO WHAT HAPPENED, RALPH? DID HE THREATEN TO EXPOSE YOU? 325 00:14:05,946 --> 00:14:09,479 YOU MAKE HIM... DISAPPEAR UNTIL YOUR--YOUR KID SHOWED UP 326 00:14:09,479 --> 00:14:12,983 BEFORE THAT OVEN YOU'RE SO PROUD OF COULD FINISH THE JOB? 327 00:14:12,983 --> 00:14:15,525 I MAKE MONEY WITH MY PIZZA. 328 00:14:15,525 --> 00:14:18,128 YOU WANT TO LOOK AT MY BOOKS? GO AHEAD. 329 00:14:18,128 --> 00:14:21,531 YOU'RE GONNA FIND EXACTLY THE SAME THING THE FEDS FOUND-- 330 00:14:21,531 --> 00:14:23,533 NADA, ZIP, ZILCH. 331 00:14:23,533 --> 00:14:27,938 SAL PUT YOUS TWO UP TO THIS, RIGHT? 332 00:14:27,938 --> 00:14:29,869 SAL'S THE ONE BROUGHT THE FEDS IN 333 00:14:29,869 --> 00:14:32,472 IN THE FIRST PLACE, TRYING TO SHUT ME DOWN. 334 00:14:32,472 --> 00:14:34,374 YOU SHOULD BE LOOKING AT HIM. 335 00:14:34,374 --> 00:14:36,907 SAL HAD AN ALIBI FOR LAST NIGHT. 336 00:14:36,907 --> 00:14:38,979 WHAT ABOUT YOU, MR. CARBONE? 337 00:14:38,979 --> 00:14:40,981 I'M AT HOME IN BED. YOU COULD ASK MY WIFE. 338 00:14:40,981 --> 00:14:44,654 AND THAT REPORTER, ALL HE ASKED ME ABOUT WAS PIZZA. 339 00:14:46,116 --> 00:14:49,159 (sighs) THAT GUY IS GUILTY OF SOMETHING. 340 00:14:49,159 --> 00:14:51,221 NOT UNTIL WE HAVE PROOF. 341 00:14:51,221 --> 00:14:54,624 HEY, RYAN. ANY LUCK ON WHERE OUR VICTIM WAS LAST NIGHT? 342 00:14:54,624 --> 00:14:57,227 WELL, WE'RE STILL WAITING FOR INFO FROM HIS BANK, 343 00:14:57,227 --> 00:15:00,270 BUT I GOT HIS LUDs. NOTHING LAST NIGHT, 344 00:15:00,270 --> 00:15:04,634 AND ONLY A FEW CALLS TO HIS EDITOR IN THE PREVIOUS DAYS. A REPORTER CHASING DOWN A STORY? 345 00:15:04,634 --> 00:15:07,437 NO, THERE SHOULD BE DOZENS OF CALLS. WELL, MAYBE HE WAS MAKING THEM FROM WHEREVER HE WAS STAYING. 346 00:15:07,437 --> 00:15:10,380 ANY LEADS ON THE GIRL IN THE PHOTO? NO. 347 00:15:10,380 --> 00:15:12,382 BUT I GOT IN TOUCH WITH BURNS' EX IN PORTLAND. 348 00:15:12,382 --> 00:15:15,585 THEY HADN'T SEEN EACH OTHER IN YEARS. YO. PAY DIRT. 349 00:15:15,585 --> 00:15:18,388 I CANVASSED BURNS' BUILDING. AT FIRST, IT WAS ALL, 350 00:15:18,388 --> 00:15:20,490 "HE'S SO QUIET. HE JUST KEEPS TO HIMSELF." 351 00:15:20,490 --> 00:15:22,352 BUT THIS OTHER NEIGHBOR WHO JUST CAME HOME 352 00:15:22,352 --> 00:15:24,354 SAID THAT SHE SAW BURNS AND ANOTHER GUY HAVING 353 00:15:24,354 --> 00:15:26,496 A KNOCK-DOWN, DRAG-OUT YELLING MATCH JUST BEFORE HE LEFT. 354 00:15:26,496 --> 00:15:29,429 ABOUT WHAT? ALL SHE REMEMBERS IS THE OTHER GUY YELLING, 355 00:15:29,429 --> 00:15:32,332 "IF YOU TRY TO PRINT THAT, I SWEAR TO GOD, I'LL KILL YA!" 356 00:15:32,332 --> 00:15:34,664 DID YOU GET A DESCRIPTION? 357 00:15:34,664 --> 00:15:36,666 AND I'LL GIVE YOU A HINT. HE'S AUTHENTIC... 358 00:15:36,666 --> 00:15:40,570 AND TERRIFIC. 359 00:15:40,570 --> 00:15:42,572 SO ME AND BURNS ARGUED? SO WHAT? 360 00:15:42,572 --> 00:15:44,344 IT'S A FREE COUNTRY. 361 00:15:44,344 --> 00:15:47,177 FREE SPEECH DOESN'T COVER DEATH THREATS, MR. SABALINI. 362 00:15:47,177 --> 00:15:50,050 OR MURDER. I TOLD YOU, I WAS HOME LAST NIGHT. 363 00:15:50,050 --> 00:15:52,522 YEAH, YOU DID, BUT YOUR WIFE TELLS US A DIFFERENT STORY. 364 00:15:52,522 --> 00:15:55,055 IT SEEMS SHE REMEMBERS YOU SNEAKING OUT BEFORE MIDNIGHT, 365 00:15:55,055 --> 00:15:57,227 AFTER YOU THOUGHT SHE WAS ASLEEP. 366 00:15:57,227 --> 00:15:59,089 SHE TOLD US YOU WERE OFF TO SEE 367 00:15:59,089 --> 00:16:01,391 "THAT WHORE MISTRESS OF HIS OVER IN FLATBUSH," 368 00:16:01,391 --> 00:16:03,633 AND WHEN SHE CONFRONTED YOU ABOUT IT THIS MORNING, 369 00:16:03,633 --> 00:16:05,635 YOU TOLD HER THAT YOU WENT INTO THE CITY 370 00:16:05,635 --> 00:16:08,368 BECAUSE THE STORE ALARM WAS GOING OFF. 371 00:16:08,368 --> 00:16:10,970 WE CHECKED. IT WASN'T. 372 00:16:10,970 --> 00:16:14,074 SO WHO WERE YOU LYING TO, LUCA, ME OR YOUR WIFE? 373 00:16:14,074 --> 00:16:15,605 MY WIFE. 374 00:16:15,605 --> 00:16:19,079 I WAS WITH ANGIE LAST NIGHT. YOU CAN ASK HER. 375 00:16:19,079 --> 00:16:23,083 I COULD. BUT IT DOESN'T MEAN I'M GONNA BELIEVE HER. 376 00:16:23,083 --> 00:16:25,255 WHAT WERE YOU AND BURNS FIGHTING ABOUT? 377 00:16:25,255 --> 00:16:28,118 HE WAS GONNA WRITE SOMETHING ABOUT ME, 378 00:16:28,118 --> 00:16:29,759 DESTROY EVERYTHING I'VE WORKED FOR. 379 00:16:29,759 --> 00:16:32,662 I HAD TO STOP HIM. AND WHAT WAS HE GONNA WRITE? 380 00:16:32,662 --> 00:16:34,394 ABOUT MY PIZZA. 381 00:16:34,394 --> 00:16:37,767 ABOUT WHAT MAKES MY FAT-FREE PIZZA TASTE SO GOOD. 382 00:16:40,670 --> 00:16:42,402 IT'S MADE WITH REAL CHEESE. 383 00:16:42,402 --> 00:16:46,136 THERE'S NOTHING FAT-FREE ABOUT IT. 384 00:16:46,136 --> 00:16:48,778 YOU WERE GONNA KILL FOR THAT? IT'S AN EXPRESSION. 385 00:16:48,778 --> 00:16:50,740 BESIDES, BURNS CALLED ME LAST NIGHT. HE SAID 386 00:16:50,740 --> 00:16:54,344 HE'D CONSIDER NOT RUNNING IT IF I'D DO HIM A FAVOR. WHAT FAVOR? 387 00:16:54,344 --> 00:16:55,745 HEY, HE DIDN'T SAY WHAT. 388 00:16:55,745 --> 00:16:59,089 HE WAS SUPPOSED TO STOP BY TODAY TO TALK ABOUT IT. 389 00:16:59,089 --> 00:17:01,451 YOU SAID THAT HE CALLED YOU YESTERDAY? FROM WHERE? 390 00:17:01,451 --> 00:17:04,724 (Ryan) OKAY, GOT IT. THE INCOMING CALL ON HIS CELL 391 00:17:04,724 --> 00:17:06,796 WAS FROM THE HOTEL BETA IN MIDTOWN. 392 00:17:06,796 --> 00:17:09,799 ALL RIGHT, LET'S GO. 393 00:17:13,203 --> 00:17:15,405 (clicks switch) 394 00:17:17,067 --> 00:17:18,268 THANKS. 395 00:17:18,268 --> 00:17:22,072 PAID IN CASH, SIGNED IN UNDER THE NAME MELVILLE. 396 00:17:22,072 --> 00:17:24,744 THIS GUY'S DEFINITELY FLYING UNDER THE RADAR. 397 00:17:24,744 --> 00:17:27,817 CASTLE, THERE'S HIS COMPUTER. 398 00:17:27,817 --> 00:17:30,350 OKAY. 399 00:17:30,350 --> 00:17:33,083 "NEW YORK'S AUTHENTIC TERRIFIC PIZZA WARS." 400 00:17:33,083 --> 00:17:35,285 SHARP NARRATION, 401 00:17:35,285 --> 00:17:37,287 DELICATE PROSE. 402 00:17:37,287 --> 00:17:39,089 THIS IS NOT AN EXPOSé. 403 00:17:39,089 --> 00:17:41,431 IT'S A PUFF PIECE. WELL, I CAN PRACTICALLY SMELL THE GARLIC, 404 00:17:41,431 --> 00:17:43,163 BUT THERE'S NOTHING IN THERE 405 00:17:43,163 --> 00:17:45,465 THAT'S ABOUT ANYTHING HEAVIER THAN PIZZA. 406 00:17:45,465 --> 00:17:48,568 OR WHAT GOT HIM KILLED. MM, HIS MOST RECENT NOTES. 407 00:17:48,568 --> 00:17:50,270 PIZZA, RECIPES, 408 00:17:50,270 --> 00:17:52,402 INTER-- 409 00:17:52,402 --> 00:17:53,473 WHAT? 410 00:17:53,473 --> 00:17:55,145 LOOK AT THAT. 411 00:17:55,145 --> 00:17:57,277 THAT'S LAST NIGHT. 412 00:17:57,277 --> 00:17:59,479 HE WAS MEETING WITH SOMEONE. 413 00:17:59,479 --> 00:18:02,152 SOMEONE FROM THAT PHONE NUMBER, JUST BEFORE HE WAS KILLED. 414 00:18:02,152 --> 00:18:04,614 I'M GONNA RUN THAT DOWN. YOU HAVE AN APP FOR THAT? 415 00:18:04,614 --> 00:18:06,756 YEAH, NYPD ISSUE. WE JUST GOT IT. 416 00:18:06,756 --> 00:18:08,388 CAN I-- WHOA. 417 00:18:08,388 --> 00:18:09,659 FINE. 418 00:18:09,659 --> 00:18:11,721 THEN YOU DON'T GET TO PLAY MY "ANGRY BIRDS." 419 00:18:11,721 --> 00:18:15,825 (singsongy) AND THEY JUST CAME OUT WITH A NEW ONE. 420 00:18:15,825 --> 00:18:19,729 (normal voice) "JOHNNY FARRELL, SWEDE ANDERSON." 421 00:18:19,729 --> 00:18:22,502 (beeping) HOW DO I KNOW THOSE NAMES? 422 00:18:22,502 --> 00:18:24,434 I DON'T KNOW, BUT RECOGNIZE THIS PERSON? 423 00:18:24,434 --> 00:18:27,537 THAT'S THE WOMAN FROM BURNS' WALLET. 424 00:18:27,537 --> 00:18:29,279 BINGO. MONICA WYATT. 425 00:18:29,279 --> 00:18:31,441 AND IF SHE MET WITH HIM LAST NIGHT, 426 00:18:31,441 --> 00:18:34,714 SHE MIGHT BE THE LAST PERSON TO HAVE SEEN HIM ALIVE. I WONDER IF THEY WENT OUT FOR PIZZA. 427 00:18:42,592 --> 00:18:44,794 LITTLE UPSCALE FOR THE PIZZA WORLD. 428 00:18:44,794 --> 00:18:47,527 UNLESS SHE'S A MIDDLE MAN. 429 00:18:47,527 --> 00:18:49,259 FOR THE MONEY LAUNDERING OPERATION? 430 00:18:49,259 --> 00:18:51,261 SHE TRANSFERS THE ASSETS OUT OF COUNTRY 431 00:18:51,261 --> 00:18:53,433 INTO SWISS BANK ACCOUNTS USING THE NAMES 432 00:18:53,433 --> 00:18:55,165 JOHNNY FARRELL AND SWEDE ANDERSON. 433 00:18:55,165 --> 00:18:58,468 OR SHE'S JUST A REAL ESTATE AGENT AS SHE CLAIMS TO BE. (buzzes doorbell) 434 00:18:58,468 --> 00:19:01,441 OH, THAT'S JUST HER COVER TO AVOID SCRUTINY WITH THE FEDS. 435 00:19:01,441 --> 00:19:05,315 YOU HAD A LOT OF IMAGINARY FRIENDS GROWING UP, DIDN'T YOU? STILL DO. 436 00:19:05,315 --> 00:19:07,377 HI. CAN I HELP YOU? 437 00:19:07,377 --> 00:19:10,320 I CAN'T BELIEVE HE STILL HAD THIS. 438 00:19:10,320 --> 00:19:12,452 HE ACTUALLY TOOK THIS ON OUR FIRST DATE. 439 00:19:12,452 --> 00:19:15,154 AND HOW LONG WERE THE TWO OF YOU TOGETHER? 440 00:19:15,154 --> 00:19:16,686 JUST A COUPLE OF MONTHS, 441 00:19:16,686 --> 00:19:19,829 BUT GOD, THIS HAD TO BE THREE YEARS AGO. 442 00:19:19,829 --> 00:19:24,464 I SAW HIM ONCE OR TWICE AFTER HIS DAUGHTER'S ACCIDENT. 443 00:19:24,464 --> 00:19:27,567 HE WAS DIFFERENT. IT'S LIKE HE JUST DRIFTED AWAY. 444 00:19:27,567 --> 00:19:29,599 WHAT MADE YOU SEE HIM LAST NIGHT? 445 00:19:29,599 --> 00:19:31,641 I-I DIDN'T SEE HIM LAST NIGHT. 446 00:19:31,641 --> 00:19:35,475 WELL, ACCORDING TO HIS NOTES, HE MET UP WITH YOU AT 10:00 P.M. 447 00:19:35,475 --> 00:19:38,408 WELL, THAT WASN'T A MEETING. THAT WAS A DATE. 448 00:19:38,408 --> 00:19:42,712 BUT... HE DIDN'T SHOW. (Castle) YOU SAID YOU HADN'T SEEN HIM IN YEARS. 449 00:19:42,712 --> 00:19:47,186 HOW DID YOU END UP ON A DATE? WE BUMPED INTO EACH OTHER IN THE STREET THE OTHER DAY. 450 00:19:47,186 --> 00:19:48,918 IT WAS WEIRD BECAUSE... 451 00:19:48,918 --> 00:19:51,461 IT WAS IN THE VILLAGE, AND I NEVER GO DOWN THERE, 452 00:19:51,461 --> 00:19:53,793 AND HE SAID HE DOESN'T GO DOWN THERE EITHER, 453 00:19:53,793 --> 00:19:56,966 BUT HE WAS WORKING ON A STORY. DID HE TELL YOU WHAT IT WAS ABOUT? 454 00:19:56,966 --> 00:19:58,428 NO. 455 00:20:00,500 --> 00:20:03,903 HOW DID HE SEEM-- UH, WORRIED, DISTRESSED? 456 00:20:03,903 --> 00:20:05,835 HE SEEMED LIKE HIMSELF, 457 00:20:05,835 --> 00:20:07,707 LIKE HIS OLD SELF, 458 00:20:07,707 --> 00:20:09,779 LIKE HE WAS ON TO SOMETHING. 459 00:20:09,779 --> 00:20:11,781 HE'D JUST COME FROM THE HALL OF RECORDS, 460 00:20:11,781 --> 00:20:15,245 AND WHATEVER HE FOUND, HE WAS REALLY EXCITED ABOUT. 461 00:20:15,245 --> 00:20:16,846 THE HALL OF RECORDS? 462 00:20:16,846 --> 00:20:18,588 YEAH. 463 00:20:18,588 --> 00:20:20,890 MS. WYATT, DO THE NAMES JOHNNY FARRELL 464 00:20:20,890 --> 00:20:23,323 OR SWEDE ANDERSON MEAN ANYTHING TO YOU? 465 00:20:24,994 --> 00:20:26,996 I CAN'T SAY THEY DO. 466 00:20:26,996 --> 00:20:30,400 MONICA WYATT... CHECKS. 467 00:20:30,400 --> 00:20:33,333 HER BROKERAGE HOUSE SAYS THAT SHE COMPLAINS 468 00:20:33,333 --> 00:20:35,335 ABOUT COMMISSIONS MORE THAN THEY'D LIKE, 469 00:20:35,335 --> 00:20:37,307 BUT OTHER THAN THAT, SHE'S CLEAN. 470 00:20:37,307 --> 00:20:39,309 YOU FIND ANYTHING ELSE IN THERE? 471 00:20:39,309 --> 00:20:42,241 NOPE. THE REST IS JUST PIZZA. (Ryan) HEY. 472 00:20:42,241 --> 00:20:44,844 I JUST GOT THROUGH BURNS' FINANCIALS. 473 00:20:44,844 --> 00:20:47,977 ANY ACTIVITY LAST NIGHT? UH, YEAH. SOMETHING ODD. 474 00:20:47,977 --> 00:20:51,621 AT 11:15 P.M., HE USED HIS ATM CARD. 475 00:20:51,621 --> 00:20:53,583 WHERE? A NOT-SO-GOOD NEIGHBORHOOD 476 00:20:53,583 --> 00:20:55,485 ABOUT 15 BLOCKS AWAY FROM AUTHENTIC NICK'S. 477 00:20:55,485 --> 00:20:57,987 BUT HERE'S THE ODD PART--HE NEVER FINISHED THE TRANSACTION. 478 00:20:57,987 --> 00:20:59,889 YOU MEAN HE CANCELED IT. 479 00:20:59,889 --> 00:21:02,692 NO, NO, HE NEVER FINISHED IT. HE POPPED IN HIS ATM CARD, 480 00:21:02,692 --> 00:21:05,335 BUT THEN AFTER ABOUT A MINUTE OF INACTIVITY, 481 00:21:05,335 --> 00:21:08,438 IT ATE HIS CARD. IT'S ALMOST AS IF-- 482 00:21:08,438 --> 00:21:11,801 SOMETHING HAPPENED. GET ATM SURVEILLANCE. LET'S FIND OUT WHAT. 483 00:21:11,801 --> 00:21:14,404 I'M GONNA GO TO THE HALL OF RECORDS TOMORROW MORNING 484 00:21:14,404 --> 00:21:17,747 AND SEE IF WE CAN FIGURE OUT WHAT BURNS WAS UP TO. 485 00:21:19,709 --> 00:21:22,051 (Martha and Alexis speaking indistinctly) 486 00:21:22,051 --> 00:21:23,413 WELL... 487 00:21:23,413 --> 00:21:24,814 WHAT HAPPENED? 488 00:21:24,814 --> 00:21:27,417 ALEXIS DECIDED TO CRASH LAUREN'S PARTY, 489 00:21:27,417 --> 00:21:29,989 AGAINST OUR BETTER JUDGMENT... 490 00:21:29,989 --> 00:21:31,721 AND I TAKE IT THAT 491 00:21:31,721 --> 00:21:34,324 THE, UH, PARTY CRASHING DIDN'T GO SO WELL? 492 00:21:34,324 --> 00:21:36,626 NONE OF THIS WOULD'VE HAPPENED IF LAUREN WASN'T 493 00:21:36,626 --> 00:21:38,998 THE MOST CONNIVING BITCH IN THE ENTIRE WORLD. WHOA. 494 00:21:38,998 --> 00:21:41,030 IT'S WARRANTED. WHEN THE BAND WAS PERFORMING, 495 00:21:41,030 --> 00:21:43,633 LAUREN BROUGHT ASHLEY UP ON STAGE WITH HER, 496 00:21:43,633 --> 00:21:45,805 AND SHE KISSED HIM IN FRONT OF EVERYONE. 497 00:21:45,805 --> 00:21:48,608 BITCH. HOW COULD SHE DO THIS TO ME, TO ASHLEY? 498 00:21:48,608 --> 00:21:51,781 WHAT DID ASHLEY DO? HE WAS MORTIFIED. HE RAN OFF STAGE, AND WE LEFT. 499 00:21:51,781 --> 00:21:54,043 I MEAN, HE WAS APOLOGIZING A THOUSAND TIMES AND SAID 500 00:21:54,043 --> 00:21:57,417 HE HAD NO IDEA THAT SHE WAS GONNA DO THAT. 501 00:21:57,417 --> 00:22:00,350 IT'S LIKE SHE'S BEEN TRYING TO BREAK US UP THIS WHOLE TIME. 502 00:22:00,350 --> 00:22:02,852 (sniffles) IT'S BEEN HER MASTER PLAN. WELL, SHE DIDN'T SUCCEED, DARLING. 503 00:22:02,852 --> 00:22:04,994 YOU AND ASHLEY ARE STRONGER THAN EVER, 504 00:22:04,994 --> 00:22:07,857 AND--AND SHE LOOKS LIKE A FOOL. YEAH, I WISH THAT WERE TRUE. 505 00:22:07,857 --> 00:22:10,860 BUT ACCORDING TO THE INTERNET, ASHLEY CHEATED ON ME. 506 00:22:10,860 --> 00:22:13,463 SHE ALREADY POSTED THE PICTURES OF THEM KISSING 507 00:22:13,463 --> 00:22:15,465 ALL OVER HER WEB SITE. (sighs) 508 00:22:15,465 --> 00:22:17,567 IT'S A NIGHTMARE. 509 00:22:20,470 --> 00:22:23,042 (indistinct conversations) 510 00:22:23,042 --> 00:22:24,514 (whistles) 511 00:22:24,514 --> 00:22:26,015 WHERE'S BECKETT? 512 00:22:26,015 --> 00:22:27,777 (Ryan) OH, HALL OF RECORDS, 513 00:22:27,777 --> 00:22:30,750 TRACKING DOWN WHAT BURNS WAS LOOKING FOR. GREAT. 514 00:22:30,750 --> 00:22:35,725 LISTEN... IF I GAVE YOU A WEB SITE, 515 00:22:35,725 --> 00:22:38,588 COULD YOU HAVE YOUR FRIENDS AT TECH HACK INTO IT 516 00:22:38,588 --> 00:22:40,359 AND TAKE SOME PICTURES DOWN? 517 00:22:40,359 --> 00:22:42,992 DID SOMEONE FIND NAKED PICTURES OF YOU AGAIN? 518 00:22:42,992 --> 00:22:46,436 NO,IT'S NOT ME. IT'S ALEXIS. 519 00:22:46,436 --> 00:22:48,598 IT'SFORALEXIS. 520 00:22:48,598 --> 00:22:51,871 UH, THIS JUST GOT AWKWARD. WHAT'S THIS ABOUT? 521 00:22:51,871 --> 00:22:53,142 OKAY. 522 00:22:53,142 --> 00:22:56,876 MEAN GIRL AT SCHOOL KISS-AMBUSHED ALEXIS' BOYFRIEND 523 00:22:56,876 --> 00:22:59,609 AND THEN POSTED THE PHOTOGRAPHIC PROOF ON HER WEB SITE. 524 00:22:59,609 --> 00:23:02,151 ALEXIS... VERY UPSET. MM-HMM. 525 00:23:02,151 --> 00:23:04,013 I-I COULD HAVE MY FRIEND TONY 526 00:23:04,013 --> 00:23:06,816 TAKE CARE OF IT, YOU KNOW, OFF THE RECORD. THANKS. 527 00:23:06,816 --> 00:23:09,689 MM-HMM. AND, UH, NO NEED TO MENTION THIS TO BECKETT. 528 00:23:09,689 --> 00:23:11,661 YOU KNOW HOW SHE GETS WITH THESE THINGS. 529 00:23:11,661 --> 00:23:13,893 YEAH. (laughs) 530 00:23:13,893 --> 00:23:15,895 THINGS LIKE ABUSING POLICE RESOURCES 531 00:23:15,895 --> 00:23:19,128 FOR YOUR OWN PERSONAL AGENDA? 532 00:23:19,128 --> 00:23:20,800 (chuckles) WHAT? 533 00:23:20,800 --> 00:23:24,173 THAT'S RIDIC--NO, YOU DON'T-- AB--NO, THAT'S--THAT'S... 534 00:23:24,173 --> 00:23:27,106 SO, UH, WHAT'D YOU FIND? ANYTHING ON NICKS? 535 00:23:27,106 --> 00:23:28,778 UH, NOT EXACTLY. 536 00:23:28,778 --> 00:23:31,110 BURNS REQUESTED FILES RELATING TO THE 2003 MURDER 537 00:23:31,110 --> 00:23:33,643 OF A DRUG TRAFFICKER NAMED HARLEY ROMERO, 538 00:23:33,643 --> 00:23:37,146 A.K.A. HARLEY PLAYFUL, ALSO KNOWN AS HANDSOME HARLEY. 539 00:23:37,146 --> 00:23:40,920 JUDGING FROM THOSE PHOTOS, I'M GUESSING IT WAS IRONIC. WHAT'S A GUY WHO'S BEEN DEAD FOR EIGHT YEARS 540 00:23:40,920 --> 00:23:43,923 HAVE TO DO WITH PIZZA? MM. HEY, RYAN. 541 00:23:43,923 --> 00:23:47,497 YEP. DID YOU GET A CHANCE TO LOOK INTO ALL THE NICKS 542 00:23:47,497 --> 00:23:49,929 AND THEIR EMPLOYEES? OH, YEAH, JUST GOING OVER THE REPORTS RIGHT NOW. 543 00:23:49,929 --> 00:23:52,001 MOSTLY MINOR STUFF. ANY DRUG CHARGES? 544 00:23:52,001 --> 00:23:54,564 NO, NOTHING ABOUT DRUGS. ROMERO? YOU THINK MAYBE 545 00:23:54,564 --> 00:23:57,807 IT'S SOME KIND OF MAFIA TIE-IN WITH AUTHENTIC NICK'S? ACCORDING TO THE FILE, THERE'S NO CONNECTION 546 00:23:57,807 --> 00:23:59,809 TO ANY OF THE FAMILIES. SOMEONE DIDN'T LIKE HIM. 547 00:23:59,809 --> 00:24:01,771 IT SAYS HERE HE WAS SHOT A DOZEN TIMES, 548 00:24:01,771 --> 00:24:04,143 DUMPED IN AN OIL DRUM, AND SET ON FIRE. 549 00:24:04,143 --> 00:24:06,976 YEAH, WORD ON THE STREET WAS THAT A DEALER KILLED HIM 550 00:24:06,976 --> 00:24:09,849 OVER A TURF WAR. SO WHY WAS BURNS LOOKING AT HIM? 551 00:24:09,849 --> 00:24:12,121 YO. BANK JUST SENT OVER SURVEILLANCE FOOTAGE. 552 00:24:12,121 --> 00:24:13,853 YOU GUYS GOTTA SEE THIS. 553 00:24:13,853 --> 00:24:17,487 (video playing without audio) 554 00:24:17,487 --> 00:24:19,959 LOOKS LIKE HE'S RUNNING FROM SOMETHING. 555 00:24:19,959 --> 00:24:22,562 HE'S RUNNING FROM SOMETHING ALL RIGHT. WATCH THIS. 556 00:24:22,562 --> 00:24:26,035 HE KNOWS HE'S ON CAMERA. HE'S TRYING TO TELL US SOMETHING. 557 00:24:26,035 --> 00:24:29,098 (Ryan) HE'S WRITING IT. 558 00:24:29,098 --> 00:24:31,541 WHOA! OKAY, TAKE IT BACK. 559 00:24:31,541 --> 00:24:34,073 (keyboard keys click, computer beeps) 560 00:24:36,075 --> 00:24:38,107 AND FREEZE THERE. 561 00:24:38,107 --> 00:24:40,850 (keyboard key clicks, computer beeps) HE'S GOT A KNIFE. 562 00:24:40,850 --> 00:24:42,912 HE WAS TRYING TO SEND US A MESSAGE, 563 00:24:42,912 --> 00:24:45,685 BUT HE RECORDED HIS OWN MURDER. CLOSE UP ON THE FACE. 564 00:24:45,685 --> 00:24:48,187 (keyboard key clicks, computer beeps) 565 00:24:48,187 --> 00:24:50,790 CASTLE, LOOK AT THAT FACE. 566 00:24:50,790 --> 00:24:53,062 THAT'S HARLEY ROMERO. 567 00:24:53,062 --> 00:24:56,165 AND HE IS VERY MUCH ALIVE. 568 00:25:03,973 --> 00:25:06,536 WHY WOULD HE STOP TO WRITE A MESSAGE? 569 00:25:06,536 --> 00:25:08,908 WHY NOT JUST KEEP RUNNING? WELL, THAT STREET EMPTIES ON TO A BLIND ALLEY. 570 00:25:08,908 --> 00:25:11,180 MAYBE BURNS THOUGHT HE COULDN'T GET AWAY. ANY IDEA WHAT HE WAS WRITING THERE? 571 00:25:11,180 --> 00:25:13,182 WE'RE SEEING IF TECH CAN ENHANCE THE IMAGE, 572 00:25:13,182 --> 00:25:15,184 BUT WE FOUND NO CONNECTION BETWEEN THIS HARLEY 573 00:25:15,184 --> 00:25:17,787 AND THE PIZZA JOINTS. MAYBE PIZZA HAS NOTHING TO DO WITH IT. 574 00:25:17,787 --> 00:25:19,889 MAYBE BURNS KNEW HARLEY FROM AN OLD STORY. 575 00:25:19,889 --> 00:25:23,222 NO. I-I DON'T RECOGNIZE HIM AT ALL. 576 00:25:23,222 --> 00:25:25,224 DID BURNS EVER MENTION THE NAME HARLEY 577 00:25:25,224 --> 00:25:26,956 IN ANY OF HIS STORIES? 578 00:25:26,956 --> 00:25:29,599 NEVER. WHEN THIS GUY SUPPOSEDLY DIED, 579 00:25:29,599 --> 00:25:31,761 GORDON WAS EMBEDDED WITH THE 2nd MARINE DIVISION 580 00:25:31,761 --> 00:25:33,302 IN GULF II. 581 00:25:33,302 --> 00:25:35,635 MR. SHAW, DO THE NAMES JOHNNY FARRELL 582 00:25:35,635 --> 00:25:38,167 OR SWEDE ANDERSON MEAN ANYTHING TO YOU? 583 00:25:38,167 --> 00:25:39,909 YEAH. THEY DO. 584 00:25:39,909 --> 00:25:42,241 THEY'RE BOTH CHARACTERS FROM OLD FILM NOIR MOVIES. RIGHT. 585 00:25:42,241 --> 00:25:45,244 UH, JOHNNY FARRELL FROM THE MOVIE "GILDA," 586 00:25:45,244 --> 00:25:47,817 GLENN FORD'S CHARACTER, AND BURT LANCASTER PLAYED 587 00:25:47,817 --> 00:25:50,780 SWEDE ANDERSON IN "THE KILLERS." AND WHY WOULD THESE TWO NAMES BE IMPORTANT? 588 00:25:50,780 --> 00:25:52,782 THIS GUY--HARLEY--WHAT KIND OF DRUGS WAS HE DEALING? 589 00:25:52,782 --> 00:25:54,553 HEROIN, WHY? 590 00:25:54,553 --> 00:25:56,726 BECAUSE THE ONLY HEROIN STORY BURNS EVER CHASED 591 00:25:56,726 --> 00:25:58,728 WAS THE ONE THAT HE COULD NEVER FINISH, 592 00:25:58,728 --> 00:26:01,761 ABOUT A HIGH-END DISTRIBUTION RING IN NEW YORK 593 00:26:01,761 --> 00:26:04,263 THAT SETS UP SHOP INSIDE LEGITIMATE BUSINESSES. 594 00:26:04,263 --> 00:26:07,296 WHEN SOMEONE NEEDED PRODUCT, THEY'D USE A CODE WORD. 595 00:26:07,296 --> 00:26:11,240 THEIR CODE HAPPENS TO BE NAMES OF CHARACTERS FROM FILM NOIR. 596 00:26:11,240 --> 00:26:13,873 IT'S THAT STORY THAT DESTROYED HIM. 597 00:26:13,873 --> 00:26:16,746 WHY? BECAUSE OF THE GUY WHO WAS BEHIND THE RING. 598 00:26:16,746 --> 00:26:18,978 IT WAS CAVALLO. 599 00:26:18,978 --> 00:26:21,711 GORDON BURNS WAS GUNNING FOR THE PRINCE OF DARKNESS HIMSELF. 600 00:26:21,711 --> 00:26:24,053 WHO'S CAVALLO? 601 00:26:24,053 --> 00:26:27,286 IT'S A-A STREET MYTH, AN URBAN LEGEND. 602 00:26:27,286 --> 00:26:30,289 ANYTIME A DEALER GETS WHACKED, PEOPLE ALWAYS SAY IT'S CAVALLO, 603 00:26:30,289 --> 00:26:33,793 BUT HE'S NOT EVEN REAL. (chuckles) OH, CAVALLO'S REAL. 604 00:26:33,793 --> 00:26:35,725 COME ON, SHAW. WE'VE ALL HEARD THE SCARY STORIES. 605 00:26:35,725 --> 00:26:37,927 I DIDN'T. SO THE STORY GOES 606 00:26:37,927 --> 00:26:39,669 THAT CAVALLO WAS MENTORED 607 00:26:39,669 --> 00:26:41,871 BY THIS BADASS COLOMBIAN DRUG LORD-- 608 00:26:41,871 --> 00:26:44,173 KHAZI "THE CONQUEROR"-- 609 00:26:44,173 --> 00:26:46,736 AND EVENTUALLY HE PUT A BULLET TO HIS BOSS' HEAD, 610 00:26:46,736 --> 00:26:50,680 SLIT ALL OF HIS KIDS' THROATS, AND TOOK OVER THE OPERATION. 611 00:26:50,680 --> 00:26:52,381 BUT I MEAN, IT'S A FAIRY TALE. 612 00:26:52,381 --> 00:26:54,784 NOT TO BURNS. NOT TO HIS DAUGHTER. 613 00:26:54,784 --> 00:26:56,686 BURNS TOLD ME HE HAD A CONTACT 614 00:26:56,686 --> 00:26:58,387 THAT WAS GETTING HIM CLOSE TO CAVALLO. 615 00:26:58,387 --> 00:27:00,189 THE NEXT DAY, HE AND HIS DAUGHTER 616 00:27:00,189 --> 00:27:03,092 ARE CROSSING THE STREET, THIS CAR APPEARS OUT OF NOWHERE. 617 00:27:03,092 --> 00:27:05,755 WHEN HE CAME TO, HIS LEG WAS SHATTERED. 618 00:27:05,755 --> 00:27:07,757 NINA WAS 20 FEET AWAY, BLEEDING OUT, 619 00:27:07,757 --> 00:27:10,199 AND HE COULDN'T EVEN CRAWL OVER TO HOLD HER, 620 00:27:10,199 --> 00:27:13,132 SO DON'T YOU TELL ME CAVALLO ISN'T REAL. 621 00:27:13,132 --> 00:27:17,667 IT SOUNDS LIKE BURNS WAS AHAB AND CAVALLO, HIS WHITE WHALE. 622 00:27:17,667 --> 00:27:20,009 WELL, HE DID SIGN IN TO THE HOTEL AS MELVILLE. 623 00:27:20,009 --> 00:27:22,812 YOU KNOW, IT'S THAT KIND OF SLY HUMOR THAT BURNS WAS KNOWN FOR. 624 00:27:22,812 --> 00:27:25,344 AND WHILE I AM LOATHE TO PROFILE, 625 00:27:25,344 --> 00:27:27,747 THE NAME CAVALLO--ALSO THE ITALIAN WORD FOR "HORSE"-- 626 00:27:27,747 --> 00:27:29,749 MIGHT SUGGEST A LINK BACK TO THE NICKS. 627 00:27:29,749 --> 00:27:32,782 HEY, RYAN. WHEN YOU WERE IN NARCOTICS, 628 00:27:32,782 --> 00:27:36,786 WHEN WAS THE FIRST TIME YOU HEARD THE NAME CAVALLO? I DON'T KNOW. PROBABLY AROUND, UH, '03. 629 00:27:36,786 --> 00:27:39,729 AROUND ALL THAT TIME ALL THOSE DEALERS WERE GETTING WHACKED. WELL, THAT'S RIGHT WHEN HARLEY WAS KILLED. 630 00:27:39,729 --> 00:27:42,161 SO HARLEY STAGES HIS OWN DEATH, 631 00:27:42,161 --> 00:27:43,933 BRUTALLY MURDERS HIS COMPETITION, 632 00:27:43,933 --> 00:27:46,195 AND THEN STARTS A WHISPER CAMPAIGN ON THE STREETS 633 00:27:46,195 --> 00:27:48,197 ABOUT THE NEW DARK PRINCE OF HEROIN... 634 00:27:48,197 --> 00:27:50,900 AND A LEGEND IS BORN. (Esposito) YO. 635 00:27:50,900 --> 00:27:53,302 TECH WAS ABLE TO BLOW UP AND ENHANCE THAT ATM VIDEO. 636 00:27:53,302 --> 00:27:55,044 THEY'RE SENDING IT UP NOW. 637 00:27:55,044 --> 00:27:56,445 (keyboard key clicks) 638 00:27:56,445 --> 00:27:58,948 (sighs) I STILL CAN'T MAKE IT OUT. MNH-MNH. 639 00:27:58,948 --> 00:28:00,710 RUN IT AGAIN. 640 00:28:00,710 --> 00:28:03,082 CAN YOU FLIP IT AND SLOW IT DOWN? 641 00:28:03,082 --> 00:28:05,715 YEAH. WHAT ARE YOU DOING? 642 00:28:05,715 --> 00:28:08,087 WHAT I DO BEST--WRITING. 643 00:28:08,087 --> 00:28:10,419 OKAY, 3... 644 00:28:10,419 --> 00:28:12,091 6... S... 645 00:28:12,091 --> 00:28:15,364 THAT COULD BE A 5. OKAY, S OR A 5... 646 00:28:15,364 --> 00:28:18,467 W-1-2... 7? 647 00:28:18,467 --> 00:28:20,469 IT'S AN ADDRESS. 648 00:28:20,469 --> 00:28:22,331 B... A... S? 649 00:28:22,331 --> 00:28:23,873 BASEMENT. 650 00:28:23,873 --> 00:28:26,275 365 WEST 127th STREET, IN THE BASEMENT. 651 00:28:26,275 --> 00:28:28,077 THAT'S THREE BLOCKS FROM THE ATM. 652 00:28:28,077 --> 00:28:31,380 (crash) POLICE! NOBODY MOVE! 653 00:28:31,380 --> 00:28:33,943 NYPD! 654 00:28:33,943 --> 00:28:36,385 ROOM'S CLEAR. SOMEBODY MOVED OUT IN A HURRY. 655 00:28:36,385 --> 00:28:38,848 COFFEE GRINDERS FOR CUTTING. ENVELOPES FOR PACKAGING. 656 00:28:38,848 --> 00:28:41,020 (Ryan) ALL THE EARMARKS OF A WELL-ORGANIZED 657 00:28:41,020 --> 00:28:44,223 HEROIN PROCESSING HOUSE. (Beckett) GET C.S.U. IN HERE. SWEEP THE AREA. 658 00:28:44,223 --> 00:28:47,857 IF ANYONE SAW ANYTHING, I WANT TO KNOW. 659 00:28:47,857 --> 00:28:50,259 LOOKS LIKE YOUR AHAB FOUND HIS WHITE WHALE. 660 00:28:50,259 --> 00:28:53,262 AND IT TOOK HIM UNDER. 661 00:28:53,262 --> 00:28:55,434 HI, DAD. BYE, DAD. 662 00:28:55,434 --> 00:28:57,767 WHAT, NO KISS? 663 00:29:01,911 --> 00:29:04,073 OH, WHOA, WHOA, WHOA, WHOA. 664 00:29:04,073 --> 00:29:06,916 ALEXIS, WHAT HAPPENED TO YOUR FACE? NOTHING. 665 00:29:06,916 --> 00:29:08,878 THAT'S NOT NOTHING. WHAT HAPPENED? 666 00:29:08,878 --> 00:29:11,150 LAUREN. SHE CORNERED ME IN THE BATHROOMS AT SCHOOL, 667 00:29:11,150 --> 00:29:13,352 SAID I RUINED HER PARTY, 668 00:29:13,352 --> 00:29:16,355 AND THEN SHE ACCUSED ME OF HACKING INTO HER ACCOUNT 669 00:29:16,355 --> 00:29:19,959 AND DELETING THOSE PICTURES SHE TOOK,AS IF. AND--AND THEN WHAT HAPPENED? 670 00:29:19,959 --> 00:29:21,961 WELL, I CALLED HER A BACKSTABBER, 671 00:29:21,961 --> 00:29:24,263 AND THEN SHE SCRATCHED ME, SO I... 672 00:29:24,263 --> 00:29:27,536 YOU WHAT? I PUNCHED HER. 673 00:29:27,536 --> 00:29:30,439 AH. WHAT WERE YOU THINKING? 674 00:29:30,439 --> 00:29:32,441 I DON'T KNOW. THIS ISN'T ME. 675 00:29:32,441 --> 00:29:35,004 I DON'T CRASH PARTIES. I DON'T GET IN FIGHTS WITH PEOPLE. 676 00:29:35,004 --> 00:29:37,907 I... BUT, DAD, SHE MADE ME SO ANGRY. 677 00:29:37,907 --> 00:29:41,010 I KNOW SHE DID, BUT RETALIATION IS NOT THE ANSWER. 678 00:29:41,010 --> 00:29:43,282 YOU GET HER BACK, SHE GETS YOU BACK, 679 00:29:43,282 --> 00:29:46,315 AND THEN ONE DAY, ONE OF YOU ENDS UP DEAD IN A PIZZA OVEN. 680 00:29:46,315 --> 00:29:48,958 IS THAT WHAT YOU WANT? LOOK, THE POINT IS, 681 00:29:48,958 --> 00:29:51,090 YOU'RE GONNA HAVE TO DEAL WITH MEAN, BACKSTABBING GIRLS 682 00:29:51,090 --> 00:29:52,822 YOUR WHOLE LIFE. 683 00:29:52,822 --> 00:29:56,025 YOU NEED TO LEARN TO BE SMART ENOUGH TO RISE ABOVE. 684 00:29:56,025 --> 00:29:57,526 OKAY? 685 00:29:57,526 --> 00:29:59,498 OKAY. 686 00:29:59,498 --> 00:30:01,901 COME HERE. 687 00:30:03,232 --> 00:30:05,334 DID YOU KICK HER ASS? 688 00:30:05,334 --> 00:30:06,906 I KINDA DID. 689 00:30:06,906 --> 00:30:08,437 GOOD GIRL. 690 00:30:08,437 --> 00:30:11,540 I SHOULD'VE GOTTEN INVOLVED MUCH EARLIER. 691 00:30:11,540 --> 00:30:13,542 WHY? LAUREN WOULD'VE STILL FOUND A WAY 692 00:30:13,542 --> 00:30:15,544 TO MAKE ALEXIS' LIFE MISERABLE. 693 00:30:15,544 --> 00:30:17,546 LAUREN ISN'T A CRIMINAL MASTERMIND. 694 00:30:17,546 --> 00:30:19,548 SHE'S JUST A TEENAGER. AH, CASTLE, 695 00:30:19,548 --> 00:30:21,550 NEVER UNDERESTIMATE THE POWER OF A WOMAN ON A MISSION. 696 00:30:21,550 --> 00:30:24,523 NO, I DON'T. AND I HAVE THE ALIMONY CHECKS TO PROVE IT. 697 00:30:24,523 --> 00:30:26,555 BECKETT, JUST HUNG UP WITH THE LAB. 698 00:30:26,555 --> 00:30:28,357 THAT TRACE HEROIN FROM THE PROCESSING HOUSE? 699 00:30:28,357 --> 00:30:31,160 IT MATCHES MOST OF THE DOPE BEING PEDDLED ON THE LOWER EAST. 700 00:30:31,160 --> 00:30:33,863 ANY WORD ON THIS HARLEY? SIR, IF HALF OF THE RUMORS ABOUT THIS GUY ARE TRUE, 701 00:30:33,863 --> 00:30:35,865 THEN HE'S GOT SNITCHES ALL OVER THE FORCE, 702 00:30:35,865 --> 00:30:38,607 SO I WAS THINKING OF HOLDING OFF ON AN A.P.B. UNTIL WE KNEW MORE. 703 00:30:38,607 --> 00:30:40,970 KEEP ME POSTED. YES, SIR. 704 00:30:40,970 --> 00:30:42,972 YOU KNOW, SHAW SAID THAT CAVALLO 705 00:30:42,972 --> 00:30:45,414 IS USING LEGITIMATE BUSINESSES TO DISTRIBUTE PRODUCT. 706 00:30:45,414 --> 00:30:48,547 YOU THINK HE COULD BE OPERATING OUT OF ONE OF THE NICKS'? 707 00:30:48,547 --> 00:30:51,550 YEAH, BUT I CAN'T GET A WARRANT FOR A FISHING EXPEDITION. 708 00:30:51,550 --> 00:30:54,183 WE'RE GONNA HAVE TO HAVE SOMETHING MORE CONCRETE. YO. 709 00:30:54,183 --> 00:30:56,185 C.S.U. SWEPT THE TENEMENT BASEMENT TOP TO BOTTOM, 710 00:30:56,185 --> 00:30:59,628 THERE'S NOT ONE PRINT ANYWHERE. ANY WITNESSES SEE BURNS GETTING CHASED? 711 00:30:59,628 --> 00:31:02,391 (scoffs) IN THAT NEIGHBORHOOD, NOBODY SEES NOTHING. 712 00:31:02,391 --> 00:31:04,263 BUT ONE OF OUR UNIFORMS 713 00:31:04,263 --> 00:31:07,496 DID FIND THIS IN A STORM DRAIN NEAR THE ATM. 714 00:31:07,496 --> 00:31:10,599 BURNS' PHONE? DOES IT STRIKE ANYONE ELSE AS STRANGE 715 00:31:10,599 --> 00:31:12,341 THAT A SEASONED WAR CORRESPONDENT 716 00:31:12,341 --> 00:31:14,873 WOULD SUDDENLY DEVELOP BUTTERFINGERS, 717 00:31:14,873 --> 00:31:17,876 DROP HIS PHONE WHILE BEING CHASED? YOU THINK HE PURPOSEFULLY DROPPED IT? 718 00:31:17,876 --> 00:31:20,950 SO THAT WHOEVER WAS CHASING HIM WOULDN'T GET HIS PHONE? OR WHAT WAS ON IT. 719 00:31:20,950 --> 00:31:23,112 (chimes) THE LAST CALL HE MADE WAS 9-1-1 720 00:31:23,112 --> 00:31:24,253 (chirps) 721 00:31:24,253 --> 00:31:26,155 AND HE DIDN'T PRESS SEND. 722 00:31:28,217 --> 00:31:29,989 (beep) 723 00:31:29,989 --> 00:31:32,121 (chirps) (Castle) OUTSIDE THE DRUG LAB. 724 00:31:32,121 --> 00:31:33,892 HE WAS CASING THE JOINT. 725 00:31:33,892 --> 00:31:35,264 (beeps) 726 00:31:35,264 --> 00:31:37,496 (beep) 727 00:31:37,496 --> 00:31:40,669 THAT'S MONICA. SHE'S INVOLVED. 728 00:31:48,007 --> 00:31:50,639 MONICA WYATT, NYPD! OPEN UP! 729 00:31:50,639 --> 00:31:52,982 (object shatters) 730 00:31:52,982 --> 00:31:54,483 AAH! MONICA! 731 00:31:54,483 --> 00:31:56,485 STEP BACK. 732 00:31:56,485 --> 00:31:57,586 NYPD! 733 00:31:59,488 --> 00:32:00,919 MONICA. 734 00:32:00,919 --> 00:32:03,052 HE--HE TRIED TO KILL ME. 735 00:32:03,052 --> 00:32:04,954 (Ryan) WINDOW. 736 00:32:04,954 --> 00:32:07,396 (Esposito) LET'S GO. 737 00:32:07,396 --> 00:32:10,599 MONICA, WHO DID THIS TO YOU? IF I TELL YOU, THEN I'M DEAD. 738 00:32:10,599 --> 00:32:13,162 I THINK WE'RE PAST THAT. WHO DID IT? 739 00:32:13,162 --> 00:32:16,005 CAVALLO. 740 00:32:16,005 --> 00:32:17,536 (exhales deeply) 741 00:32:17,536 --> 00:32:20,539 (wind whistling) 742 00:32:22,311 --> 00:32:24,713 I WASN'T LYING BEFORE ABOUT GORDON. 743 00:32:24,713 --> 00:32:27,516 WE DID DATE YEARS AGO, AND I THOUGHT IT WAS REAL, 744 00:32:27,516 --> 00:32:30,179 BUT HE WAS JUST DOING IT TO GET CLOSE TO CAVALLO. 745 00:32:30,179 --> 00:32:32,181 I NEVER IMAGINED THAT... 746 00:32:32,181 --> 00:32:34,183 WHAT'S A MIDTOWN REAL ESTATE AGENT 747 00:32:34,183 --> 00:32:36,425 DOING MIXED UP WITH HEROIN DEALERS? 748 00:32:36,425 --> 00:32:38,287 THEIR LABS ARE MOBILE. 749 00:32:38,287 --> 00:32:40,059 THEY NEED NEW PLACES 750 00:32:40,059 --> 00:32:42,691 FOR THEIR PROCESSING CENTERS EVERY MONTH OR SO, AND I HAD 751 00:32:42,691 --> 00:32:44,693 ACCESS TO ALL THE INFORMATION THAT THEY NEEDED. 752 00:32:44,693 --> 00:32:48,097 LOOK... THIS IS NOT WHO I AM. 753 00:32:48,097 --> 00:32:51,300 I MEAN, I NEVER MEANT FOR ANYTHING... HOW DID IT START? 754 00:32:51,300 --> 00:32:54,403 I HAD SOME PROBLEMS 755 00:32:54,403 --> 00:32:56,145 A FEW YEARS BACK. 756 00:32:56,145 --> 00:32:58,277 I OWED SOME PEOPLE MONEY. 757 00:32:58,277 --> 00:33:00,109 A MAN CAME TO ME 758 00:33:00,109 --> 00:33:02,681 AND HE TOLD ME THAT HE COULD MAKE IT ALL BETTER. 759 00:33:02,681 --> 00:33:07,056 I JUST... HAD TO DO A FAVOR FOR HIM EVERY NOW AND THEN. 760 00:33:07,056 --> 00:33:11,390 AND AT THE TIME, THAT ACTUALLY SOUNDED HARMLESS. 761 00:33:11,390 --> 00:33:15,294 BUT THIS MAN KNEW THINGS ABOUT ME. 762 00:33:15,294 --> 00:33:17,666 I MEAN THINGS THAT NOBODY COULD POSSIBLY KNOW. 763 00:33:17,666 --> 00:33:19,398 AND I WANTED TO LEAVE, 764 00:33:19,398 --> 00:33:23,302 BUT... AFTER WHAT HAPPENED TO GORDON'S KID, I JUST... 765 00:33:23,302 --> 00:33:25,304 GORDON FOUND ME A COUPLE OF DAYS AGO. 766 00:33:25,304 --> 00:33:27,306 HE SAID HE NEEDED MY HELP. 767 00:33:27,306 --> 00:33:30,309 HE SAID THAT I COULD END THIS, AND THAT WE BOTH COULD BE FREE. 768 00:33:30,309 --> 00:33:33,011 ALL I HAD TO DO WAS TAKE HIM THERE. 769 00:33:33,011 --> 00:33:35,414 AND NOW GORDON IS DEAD, 770 00:33:35,414 --> 00:33:38,687 AND I AM NEXT. 771 00:33:38,687 --> 00:33:42,051 CAVALLO--WHO IS HE? 772 00:33:42,051 --> 00:33:44,253 I'VE NEVER SEEN HIM. DIDN'T HE JUST TRY TO KILL YOU? 773 00:33:44,253 --> 00:33:46,024 IF I KNEW WHO CAVALLO WAS, 774 00:33:46,024 --> 00:33:48,557 DON'T YOU THINK I WOULD'VE TOLD GORDON? 775 00:33:48,557 --> 00:33:51,060 I'VE ONLY EVER DEALT WITH CAVALLO'S RIGHT-HAND MAN BEFORE. 776 00:33:51,060 --> 00:33:54,263 THAT'S WHO WAS HERE TRYING TO KILL ME. AND WHO IS THIS MAN? 777 00:33:54,263 --> 00:33:57,506 HIS NAME IS HARLEY. 778 00:33:59,668 --> 00:34:02,541 HIM? 779 00:34:04,343 --> 00:34:06,815 (Castle) HARLEY IS CAVALLO. 780 00:34:06,815 --> 00:34:09,418 SO CAVALLO IS HIDING RIGHT UNDER EVERYONE'S NOSES. 781 00:34:09,418 --> 00:34:12,281 HOW DO I FIND HIM? HE FINDS ME. 782 00:34:12,281 --> 00:34:14,283 MONICA, GORDON WAS RIGHT. 783 00:34:14,283 --> 00:34:17,286 WE CAN END THIS, BUT WE NEED YOUR HELP. 784 00:34:17,286 --> 00:34:20,589 WE BELIEVE THAT CAVALLO IS TRAFFICKING DRUGS 785 00:34:20,589 --> 00:34:23,492 THROUGH A PIZZERIA, BUT WE NEED TO KNOW WHICH ONE. 786 00:34:23,492 --> 00:34:25,564 I'M SORRY. I DON'T KNOW WHICH ONE. 787 00:34:25,564 --> 00:34:29,498 (Esposito) YO. WE COVERED THE WHOLE AREA. 788 00:34:29,498 --> 00:34:31,640 WHOEVER HE WAS, HE'S IN THE WIND. 789 00:34:31,640 --> 00:34:33,702 ALL RIGHT. WHY DON'T YOU GUYS TAKE MONICA TO THE E.R.? 790 00:34:33,702 --> 00:34:36,845 GET HER CHECKED, AND THEN GET HER OVER TO NARCOTICS. 791 00:34:36,845 --> 00:34:39,308 LET THEM TALK TO HER. ONE LAST QUESTION-- 792 00:34:39,308 --> 00:34:42,681 JOHNNY FARRELL AND SWEDE ANDERSON? 793 00:34:42,681 --> 00:34:47,186 THAT'S HOW GORDON GOT ON TO THIS STORY IN THE FIRST PLACE. 794 00:34:47,186 --> 00:34:49,188 HE HEARD SOMEBODY AT ONE OF THE PIZZA JOINTS 795 00:34:49,188 --> 00:34:52,761 USING THOSE NAMES, AND HE KNEW IT WAS CAVALLO'S CODE. 796 00:34:52,761 --> 00:34:56,425 THOSE WERE LAST WEEK'S NAMES. DO YOU KNOW THIS WEEK'S NAMES? 797 00:34:56,425 --> 00:34:59,368 NO, BUT GORDON SAID THEY WERE FROM HIS FAVORITE FILM-- 798 00:34:59,368 --> 00:35:00,869 "THE MALTESE FALCON." 799 00:35:03,372 --> 00:35:05,374 YOU'RE A SNEAK. WHAT? I'M A WHAT? 800 00:35:05,374 --> 00:35:06,775 (men arguing indistinctly) 801 00:35:06,775 --> 00:35:08,777 I DON'T CARE IF THESE GUYS COULD'VE RECOGNIZED YOU. 802 00:35:08,777 --> 00:35:10,779 YOU HOLD 'EM MUCH LONGER, 803 00:35:10,779 --> 00:35:13,142 THERE'S GONNA BE ANOTHER MURDER ON OUR HANDS. (Beckett) Relax. We're almost done. 804 00:35:13,142 --> 00:35:15,484 WE GOT TWO NICKS DOWN, TWO TO GO. 805 00:35:15,484 --> 00:35:17,446 OKAY. CALL YOU IN A BIT. I WONDER IF I SHOULD'VE USED 806 00:35:17,446 --> 00:35:19,448 SYDNEY GREENSTREET'S CHARACTER-- KASPER GUTMAN. 807 00:35:19,448 --> 00:35:21,450 NOW THERE'S A GUY WHO LOVED HIS PIZZA. 808 00:35:21,450 --> 00:35:23,452 WELL, WE ALREADY PUT OUR MONEY DOWN ON BOGIE, 809 00:35:23,452 --> 00:35:25,494 SO LET'S JUST PLAY THIS THROUGH. 810 00:35:25,494 --> 00:35:27,226 SLICE? 811 00:35:27,226 --> 00:35:30,329 UH, NO, A PICKUP ACTUALLY FOR SPADE-- 812 00:35:30,329 --> 00:35:32,261 SAM SPADE. 813 00:35:32,261 --> 00:35:34,303 OF COURSE, MR. SPADE. 814 00:35:34,303 --> 00:35:36,365 WE HAVE YOUR ORDER RIGHT HERE. 815 00:35:40,839 --> 00:35:43,442 HERE YOU GO, MR. SPADE. 816 00:35:43,442 --> 00:35:45,514 WE PUT IT ON YOUR TAB. 817 00:35:45,514 --> 00:35:47,246 THANK YOU. 818 00:35:51,450 --> 00:35:54,623 (lowered voice) WINNER, WINNER, PIZZA DINNER. 819 00:36:01,830 --> 00:36:03,692 POSSESSION, TRAFFICKING, 820 00:36:03,692 --> 00:36:06,295 CONSPIRACY TO DISTRIBUTE-- THAT RIGHT THERE 821 00:36:06,295 --> 00:36:08,297 IS 30 YEARS, EASY, SAL-- 822 00:36:08,297 --> 00:36:10,299 30 TERRIFIC AUTHENTIC YEARS. 823 00:36:10,299 --> 00:36:13,202 IT'S LIFE IF YOU'RE AN ACCESSORY TO BURNS' MURDER. 824 00:36:13,202 --> 00:36:16,845 NO, I HAD NOTHING TO DO WITH THAT. I SWEAR. YOU SWEAR? SO WHAT ARE YOU TRYING TO TELL ME? 825 00:36:16,845 --> 00:36:19,448 ARE YOU TRYING TO TELL ME THAT HARLEY HAD THE IDEA 826 00:36:19,448 --> 00:36:22,311 TO PUT THE BODY IN YOUR RIVAL'S OVEN? (Castle) YOU'RE A PIZZA MAN, SAL. 827 00:36:22,311 --> 00:36:24,483 BODY IN AN OVEN SOUNDS MORE LIKE YOU'RE SPEED. 828 00:36:24,483 --> 00:36:27,456 NO. NO, NO, NO, IT WAS HIM. IT WASALLHIM. 829 00:36:27,456 --> 00:36:30,219 SO WHAT, NOW YOU'RE A VICTIM? 830 00:36:30,219 --> 00:36:31,890 LOOK, MY PLACE WAS STRUGGLING. 831 00:36:31,890 --> 00:36:34,863 HE CAME TO ME, HE SAID THE MAN THAT HE WORKED FOR COULD HELP. 832 00:36:34,863 --> 00:36:37,596 ALL I HAD TO DO WAS LET HIM USE MY SHOP FOR A COUPLE OF MONTHS, 833 00:36:37,596 --> 00:36:39,568 THEN HE WOULD MAKE... 834 00:36:39,568 --> 00:36:41,700 MY DREAM COME TRUE. 835 00:36:41,700 --> 00:36:43,732 YOUR DREAM? 836 00:36:43,732 --> 00:36:46,204 YEAH, HE SAID, UH, AFTER IT WAS OVER, 837 00:36:46,204 --> 00:36:49,207 THE MAN HE WORKED FOR WOULD, UH... 838 00:36:49,207 --> 00:36:53,282 B-BURN DOWN AUTHENTIC NICK'S. 839 00:36:53,282 --> 00:36:55,213 THIS AIN'T ME. 840 00:36:55,213 --> 00:36:56,845 I NEVER EVEN SMOKED A JOINT. 841 00:36:56,845 --> 00:37:00,249 BUT ALL THOSE OTHER NICKS, THE STUFF THEY WERE DOING, 842 00:37:00,249 --> 00:37:03,252 IT WAS DRIVING ME CRAZY. HOW DID BURNS' BODY GET IN THE OVEN? 843 00:37:03,252 --> 00:37:05,354 HARLEY CALLED ME THAT NIGHT, 844 00:37:05,354 --> 00:37:08,257 SAID HE NEEDED TO THROW SOMETHING IN MY OVEN OVERNIGHT. 845 00:37:08,257 --> 00:37:10,259 HE DIDN'T SAY WHAT IT WAS. 846 00:37:10,259 --> 00:37:13,262 YEAH, BUT YOU KNEW IT WASN'T A TRAY OF LASAGNA. AND I SAID NO WAY. 847 00:37:13,262 --> 00:37:16,505 NO WAY. I NEVER SIGNED UP FOR CREMATION SERVICES. 848 00:37:16,505 --> 00:37:19,408 I NEVER DREAMED WHAT I TURNED AWAY 849 00:37:19,408 --> 00:37:22,641 WOULD END UP IN RALPH CARBONE'S OVEN. 850 00:37:25,944 --> 00:37:28,547 YOU WANT OUR HELP, SAL? 851 00:37:28,547 --> 00:37:32,250 YOU WANT ME TO PUT IN A GOOD WORD WITH THE D.A.? YEAH. 852 00:37:32,250 --> 00:37:33,782 THEN HELP ME FIND HIM. 853 00:37:33,782 --> 00:37:35,984 HELP ME FIND CAVALLO. 854 00:37:35,984 --> 00:37:39,027 (exhales) YOU CAN'T FIND HIM. 855 00:37:39,027 --> 00:37:40,689 HE FINDS YOU. 856 00:37:40,689 --> 00:37:43,632 THAT'S NOT HELPING ME, SAL. YOU DON'T GET IT. 857 00:37:43,632 --> 00:37:46,635 WHEN I RUN OUT OF PRODUCT, I CALL HIM. 858 00:37:46,635 --> 00:37:48,637 HE DELIVERS. 859 00:37:51,540 --> 00:37:54,002 MAKE THE CALL. 860 00:38:00,278 --> 00:38:02,881 (gun clicks) 861 00:38:02,881 --> 00:38:05,314 (guns click) 862 00:38:08,417 --> 00:38:11,720 (Castle) HARLEY ROMERO, A.K.A., THE LEGENDARY CAVALLO. 863 00:38:11,720 --> 00:38:13,722 HE WON'T TALK WITHOUT A LAWYER. 864 00:38:13,722 --> 00:38:16,294 WITH THE EVIDENCE FROM THE ATM VIDEO 865 00:38:16,294 --> 00:38:18,296 AND SAL'S TESTIMONY, HE'S GONNA NEED ONE. 866 00:38:18,296 --> 00:38:20,469 YOU KNOW, IT'S BRILLIANT WHEN YOU THINK ABOUT IT. 867 00:38:20,469 --> 00:38:22,871 THE UNASSUMING MIDDLE MAN DOES ALL THE DIRTY WORK 868 00:38:22,871 --> 00:38:24,603 WHILE EVERYONE STAYS BUSY 869 00:38:24,603 --> 00:38:26,835 LOOKING FOR THE MENACING MYTHIC OVERLORD... 870 00:38:26,835 --> 00:38:28,807 WHO NO ONE EVER MEETS BECAUSE HE'S NOT REALLY REAL. 871 00:38:28,807 --> 00:38:30,479 (Montgomery) WELL, REAL OR NOT, 872 00:38:30,479 --> 00:38:32,681 HE'S GOING AWAY FOR A LONG TIME. GOOD WORK. 873 00:38:32,681 --> 00:38:34,613 (indistinct conversations) 874 00:38:34,613 --> 00:38:36,314 HEY. 875 00:38:36,314 --> 00:38:38,447 NARCOTICS IS FINISHED WITH MONICA WYATT. 876 00:38:38,447 --> 00:38:41,890 SHE COOPERATED FULLY. OKAY, PROCESS HER OUT. 877 00:38:41,890 --> 00:38:44,493 AND PUT A PATROL CAR OUTSIDE HER BUILDING 878 00:38:44,493 --> 00:38:47,456 FOR THE NEXT FEW NIGHTS, JUST IN CASE CAVALLO HAS FRIENDS. 879 00:38:47,456 --> 00:38:48,857 WHAT'S UP? 880 00:38:48,857 --> 00:38:51,860 I WAS JUST THINKING ABOUT BURNS, HOW CLOSE HE CAME TO CATCHING 881 00:38:51,860 --> 00:38:54,863 THE GUY WHO KILLED HIS DAUGHTER ONLY TO COME UP SHORT. 882 00:38:54,863 --> 00:38:57,466 WELL, IF IT'S ANY CONSOLATION, THERE'S JUSTICE NOW. 883 00:38:57,466 --> 00:38:59,938 YEAH. YOU KNOW WHAT'S STILL BUGGING ME? HMM? 884 00:38:59,938 --> 00:39:02,611 THE GUY IS RUNNING FOR HIS LIFE, 885 00:39:02,611 --> 00:39:05,414 WHY DOES HE DITCH HIS PHONE? WELL, HE PROBABLY KNEW THAT HE WAS GONNA GET KILLED, 886 00:39:05,414 --> 00:39:07,946 AND HE WANTED AT LEAST SOMEONE TO KNOW THE TRUTH. WHAT TRUTH? 887 00:39:07,946 --> 00:39:11,019 IT WASN'T LIKE THERE WAS A PICTURE OF CAVALLO ON IT. NO, YOU'RE RIGHT. 888 00:39:11,019 --> 00:39:14,523 THE ONLY PERSON HE HAD A PICTURE OF WAS... 889 00:39:14,523 --> 00:39:16,785 (elevator bell dings) 890 00:39:16,785 --> 00:39:20,128 (indistinct conversations) 891 00:39:20,128 --> 00:39:21,730 (clicks button) 892 00:39:21,730 --> 00:39:23,492 (ding) 893 00:39:23,492 --> 00:39:26,735 (ding) JUST A FEW MORE QUESTIONS, MS. WYATT. 894 00:39:28,667 --> 00:39:31,139 I HAVE BEEN WAITING OVER AN HOUR. 895 00:39:31,139 --> 00:39:34,873 YOU KNOW THE FUNNY THING ABOUT THIS CASE IS THAT 896 00:39:34,873 --> 00:39:37,746 NOBODY IS WHO THEY CLAIM TO BE, NOT EVEN YOU. 897 00:39:37,746 --> 00:39:39,748 (Castle) MONICA WYATT--IT SAYS HERE 898 00:39:39,748 --> 00:39:41,680 YOU MOVED TO NEW YORK IN 2002 FROM L.A. 899 00:39:41,680 --> 00:39:43,882 YEAH, SO? 900 00:39:43,882 --> 00:39:45,884 SO WE DID A LITTLE BIT OF DIGGING, 901 00:39:45,884 --> 00:39:48,487 AND THE ONLY MONICA WYATT THAT WE FOUND 902 00:39:48,487 --> 00:39:51,019 WAS A HEROIN ADDICT WHO WAS SHOT POINT-BLANK 903 00:39:51,019 --> 00:39:54,162 AND THEN DUMPED IN THE L.A. RIVER. 904 00:39:54,162 --> 00:39:56,164 SIX MONTHS LATER, 905 00:39:56,164 --> 00:39:59,027 WORD OF A NEW AND BRUTAL KINGPIN STARTED SWEEPING THE STREETS. 906 00:39:59,027 --> 00:40:01,029 AND YOU'RE SAYING THAT'S ME? 907 00:40:01,029 --> 00:40:02,671 (laughs) 908 00:40:02,671 --> 00:40:05,434 I'M A REAL ESTATE AGENT. HAVE YOU SEEN MY APARTMENT? 909 00:40:05,434 --> 00:40:07,436 OH, YEAH, WE SAW THAT ONE. 910 00:40:07,436 --> 00:40:11,740 BUT ALL OF THE OTHER ONES CAN ONLY BE PREVIEWED ONLINE. 911 00:40:11,740 --> 00:40:13,482 WHAT ARE YOU TALKING ABOUT? 912 00:40:13,482 --> 00:40:16,414 YOUR APARTMENT SALES TO WALTER NEFF, FRANK CHAMBERS, 913 00:40:16,414 --> 00:40:18,687 RICHARD HARLAND--THEY'RE ALL CHARACTERS FROM NOIR FILMS. 914 00:40:18,687 --> 00:40:20,489 THEY AREN'T REAL. 915 00:40:20,489 --> 00:40:23,151 YOU MADE MILLIONS IN HEROIN HOLDINGS, 916 00:40:23,151 --> 00:40:26,024 WHICH YOU TURNED INTO MILLIONS IN REAL ESTATE HOLDINGS, 917 00:40:26,024 --> 00:40:28,957 ALL CLEAN. ALL THE WHILE, 918 00:40:28,957 --> 00:40:31,500 PERPETUATING THE MYTH OF CAVALLO. 919 00:40:31,500 --> 00:40:33,562 GORDON DIDN'T DIE CHASING A MYTH. 920 00:40:33,562 --> 00:40:34,963 OH, YEAH,GORDON. 921 00:40:34,963 --> 00:40:37,165 WELL, THERE'S SOMETHING THAT YOU DIDN'T COMPLETELY LIE ABOUT. 922 00:40:37,165 --> 00:40:39,167 YOU DID MEET HIM A COUPLE OF YEARS AGO, 923 00:40:39,167 --> 00:40:40,769 BUT NOT AS A BOYFRIEND. 924 00:40:40,769 --> 00:40:42,771 HE WAS A PAIN-IN-THE-ASS REPORTER 925 00:40:42,771 --> 00:40:44,913 THAT JUST KEPT GETTING A LITTLE TOO CLOSE. 926 00:40:44,913 --> 00:40:47,045 UNTIL A CAR CAME OUT OF NOWHERE 927 00:40:47,045 --> 00:40:50,649 AND KILLED HIS DAUGHTER. THAT GOT HIM OUT OF YOUR HAIR FOR A COUPLE OF YEARS, 928 00:40:50,649 --> 00:40:53,652 BUT THEN HE CAUGHT YOUR SCENT AGAIN AT NICK'S PIZZA. 929 00:40:53,652 --> 00:40:56,525 AND THAT FORCED YOU TO GET RID OF HIM PERMANENTLY. 930 00:40:56,525 --> 00:40:58,957 AND THEN YOU FED US HARLEY, THE SACRIFICIAL LAMB, 931 00:40:58,957 --> 00:41:01,029 TO THROW US OFF YOUR TRAIL. 932 00:41:01,029 --> 00:41:03,091 HARLEY ATTACKED ME. 933 00:41:03,091 --> 00:41:05,664 OH, YEAH, AND THEN HE MANAGED TO RUN DOWN THE FIRE ESCAPE 934 00:41:05,664 --> 00:41:07,666 WITH SUCH INCREDIBLE SPEED 935 00:41:07,666 --> 00:41:09,998 THAT TWO OF NEW YORK'S FINEST DETECTIVES 936 00:41:09,998 --> 00:41:13,542 WERE INCAPABLE OF SEEING HIM, NEVER MIND CATCHING HIM. 937 00:41:13,542 --> 00:41:15,574 BEATING YOURSELF UP... 938 00:41:15,574 --> 00:41:18,076 WAS A NICE TOUCH. 939 00:41:18,076 --> 00:41:20,078 YOU KNOW WHAT I JUST REALIZED? 940 00:41:20,078 --> 00:41:23,211 ALL THOSE NOIR FILMS THAT CAVALLO DRAWS HIS NAMES FROM, 941 00:41:23,211 --> 00:41:26,184 THEY ALL HAVE ONE THING IN COMMON-- 942 00:41:26,184 --> 00:41:27,916 A FEMME FATALE. 943 00:41:30,789 --> 00:41:33,662 I'D LIKE MY LAWYER NOW. 944 00:41:36,064 --> 00:41:39,768 (Lindsey Ray's "Anchor of Love" playing) 945 00:41:39,768 --> 00:41:42,100 AH, GREAT. 946 00:41:42,100 --> 00:41:43,702 YOU'RE STILL UP. 947 00:41:43,702 --> 00:41:46,504 COULDN'T SLEEP IF I WANTED TO. 948 00:41:46,504 --> 00:41:48,036 THAT MAKES TWO OF US. 949 00:41:48,036 --> 00:41:50,038 IS THAT FROM STEFANO'S? MM-HMM. 950 00:41:50,038 --> 00:41:52,711 YOU WENT ALL THE WAY ACROSS THE BRIDGE FOR A PIZZA? 951 00:41:52,711 --> 00:41:54,242 NOT FOR JUST ANYONE. 952 00:41:54,242 --> 00:41:56,715 FRESH BASIL AND SAUSAGE. 953 00:41:56,715 --> 00:41:58,717 ANY UPDATES ON, UH... 954 00:41:58,717 --> 00:42:00,248 UH, UM... 955 00:42:00,248 --> 00:42:03,191 I CALLED A MEDIATION SESSION 956 00:42:03,191 --> 00:42:04,923 WITH OUR SCHOOL COUNSELOR TODAY. 957 00:42:04,923 --> 00:42:07,055 AND IT TURNS OUT, LAUREN WAS JUST JEALOUS 958 00:42:07,055 --> 00:42:09,658 OF ALL THE TIME I WAS SPENDING WITH ASHLEY. 959 00:42:09,658 --> 00:42:13,201 SHE THOUGHT I HAD DITCHED OUR FRIENDSHIP. SO WHAT'D YOU DO? 960 00:42:13,201 --> 00:42:15,303 WE HUGGED IT OUT. 961 00:42:15,303 --> 00:42:17,666 AND NOW YOU'RE FRIENDS AGAIN? 962 00:42:17,666 --> 00:42:20,208 IT'S TOO SOON TO TELL. 963 00:42:20,208 --> 00:42:22,811 HURTS LIKE THESE... (sighs) 964 00:42:22,811 --> 00:42:24,743 TAKE TIME TO HEAL. 965 00:42:24,743 --> 00:42:26,014 TIME... 966 00:42:26,014 --> 00:42:28,617 AND PIZZA. 967 00:42:28,617 --> 00:42:32,320 (laughs) OHH. OOH, LOOK AT THAT. 968 00:42:32,320 --> 00:42:34,182 (laughs) 969 00:42:34,182 --> 00:42:35,654 CHEERS.