1 00:00:01,532 --> 00:00:03,404 PREVIOUSLY ON "CASTLE"... TELL ME WHAT I DON'T KNOW 2 00:00:03,404 --> 00:00:05,676 ABOUT MY MOM'S MURDER, DETECTIVE RAGLAN. 3 00:00:05,676 --> 00:00:08,008 19 YEARS AGO, I... I MADE A BAD MISTAKE, 4 00:00:08,008 --> 00:00:10,041 AND THAT STARTED THE DOMINOS FALLING, 5 00:00:10,041 --> 00:00:12,283 AND ONE OF 'EM WAS YOUR MOM. (gunshot) 6 00:00:12,283 --> 00:00:14,415 (woman screams) YOU WOKE THE DRAGON, 7 00:00:14,415 --> 00:00:17,418 AND THIS ISSOMUCH BIGGER THAN YOU REALIZE. 8 00:00:17,418 --> 00:00:19,690 WE GOTTA FIND THAT SHOOTER. (Ryan) OUR SHOOTER IS HAL LOCKWOOD. 9 00:00:19,690 --> 00:00:23,454 (Lockwood) I NEED TO KNOW EXACTLY WHAT YOU KNOW ABOUT ME 10 00:00:23,454 --> 00:00:25,126 AND MY EMPLOYER. 11 00:00:26,527 --> 00:00:28,129 (grunts) 12 00:00:28,129 --> 00:00:29,730 (both grunt) 13 00:00:29,730 --> 00:00:33,264 I WILL BE BACK HERE WEEK AFTER WEEK 14 00:00:33,264 --> 00:00:37,168 TO ASK YOU WHO HIRED YOU. 15 00:00:37,168 --> 00:00:39,170 HEY, GUYS, I COULD USE A HAND. 16 00:00:39,170 --> 00:00:40,411 (applause) 17 00:00:40,411 --> 00:00:42,143 THANK YOU. THANKS. THAT'S VERY FUNNY. 18 00:00:42,143 --> 00:00:44,675 JUST FOR THAT, YOU WILL NOT BE GETTING AN AUTOGRAPHED COPY 19 00:00:44,675 --> 00:00:47,448 OF MY NEW GRAPHIC NOVEL. 20 00:00:47,448 --> 00:00:50,551 YOU WROTE A GRAPHIC NOVEL? NOT TECHNICALLY, BUT IT IS BASED ON 21 00:00:50,551 --> 00:00:53,324 ONE OF THE GREATEST CHARACTERS I EVER CREATED. 22 00:00:53,324 --> 00:00:55,326 YOU SEE, WOLVERINE, BATMAN, BETTY, VERONICA-- 23 00:00:55,326 --> 00:00:57,558 SURE, THEY WERE FINE FOR THEIR DAY. 24 00:00:57,558 --> 00:01:00,731 BUT THERE IS A NEW SHERIFF ON THE SPINNER RACK, 25 00:01:00,731 --> 00:01:02,433 AND HIS NAME IS... 26 00:01:02,433 --> 00:01:04,165 DERRICK STORM. 27 00:01:04,165 --> 00:01:06,537 ADVANCE ART FOR "A DEADLY STORM," 28 00:01:06,537 --> 00:01:08,539 THE NEW GRAPHIC NOVEL. WOW. 29 00:01:08,539 --> 00:01:11,142 IT'S PRETTY COOL. IT'S EPIC COOL IS WHAT IT IS. 30 00:01:11,142 --> 00:01:14,405 WHERE'S BECKETT? I WANT TO SHOW HER THIS. MAKING HER WEEKLY PILGRIMAGE 31 00:01:14,405 --> 00:01:16,407 OUT TO THE PRISON TO INTERVIEW LOCKWOOD. 32 00:01:16,407 --> 00:01:17,578 OH. 33 00:01:17,578 --> 00:01:19,180 (clatters) 34 00:01:19,180 --> 00:01:20,711 RIGHT. 35 00:01:25,816 --> 00:01:29,460 (man speaks indistinctly) 36 00:01:29,460 --> 00:01:32,163 (man speaking indistinctly over p.a.) 37 00:01:32,163 --> 00:01:34,695 (buzzer sounds, latch clicks, hinges squeak) 38 00:01:34,695 --> 00:01:36,697 THANK YOU. (man) YOU'RE WELCOME. 39 00:01:36,697 --> 00:01:38,699 WELCOME BACK, DETECTIVE BECKETT. 40 00:01:38,699 --> 00:01:40,301 OFFICER RYKER. 41 00:01:40,301 --> 00:01:42,303 OUR SPECIAL TODAY IS SERIAL ARSONIST. (laughs) 42 00:01:42,303 --> 00:01:44,305 (door buzzes, latch clicks) (laughs) NO, THANK YOU. 43 00:01:44,305 --> 00:01:47,278 PERHAPS I CAN INTEREST YOU IN AN ARMED ROBBER 44 00:01:47,278 --> 00:01:50,141 COVERED IN GANG TATS AND PROTESTING HIS INNOCENCE? UH, YOU KNOW, I THINK I'LL JUST TAKE THE USUAL-- 45 00:01:50,141 --> 00:01:52,543 HAL LOCKWOOD. THAT'S AN EXCELLENT CHOICE, MADAM. 46 00:01:52,543 --> 00:01:55,546 I'LL HAVE SOMEONE BRING HIM DOWN. THANK YOU. 47 00:01:55,546 --> 00:01:59,190 IT'S RYKER. I'VE GOT A VISITOR FOR LOCKWOOD. 48 00:01:59,190 --> 00:02:02,423 AD-SEG 3-4-6-1-7. 49 00:02:02,423 --> 00:02:03,694 YEAH. 50 00:02:03,694 --> 00:02:05,296 (emergency radio chatter) 51 00:02:05,296 --> 00:02:07,428 WHAT DO YOU MEAN? 52 00:02:07,428 --> 00:02:08,829 (receiver clatters) 53 00:02:08,829 --> 00:02:12,303 LOCKWOOD'S NO LONGER IN ADMINISTRATIVE SEGREGATION. 54 00:02:12,303 --> 00:02:15,366 WHERE IS HE? HE WAS TRANSFERRED TO GENERAL POPULATION 55 00:02:15,366 --> 00:02:17,238 ABOUT AN HOUR AGO. WHAT? 56 00:02:17,238 --> 00:02:18,639 (indistinct conversations) 57 00:02:18,639 --> 00:02:20,841 (Beckett) HE WAS IN AG-SEG FOR A REASON. 58 00:02:20,841 --> 00:02:23,874 YOU GOTTA GET HIM OUTTA THERE. NOW. WHY? WHAT'S THE BIG DEAL? 59 00:02:23,874 --> 00:02:26,747 (inmates shouting indistinctly) 60 00:02:26,747 --> 00:02:28,719 (Beckett) THERE IS A PRISONER 61 00:02:28,719 --> 00:02:31,422 IN THE GENERAL POPULATION-- GARY McCALLISTER. 62 00:02:31,422 --> 00:02:33,884 LOCKWOOD IS GOING TO KILL HIM THE FIRST CHANCE HE GETS. 63 00:02:33,884 --> 00:02:36,887 (inmates shouting indistinctly) 64 00:02:42,863 --> 00:02:46,897 YOU KNOW, I WAS WONDERING WHEN HE WAS GONNA GET AROUND TO ME. 65 00:02:46,897 --> 00:02:49,169 IT'S OKAY IF YOU WANT A MINUTE. 66 00:02:49,169 --> 00:02:50,571 (buzzer sounds) 67 00:02:50,571 --> 00:02:53,244 (man) MOVE! MOVE! GET OUT OF THE WAY! 68 00:02:53,244 --> 00:02:55,576 (alarm blaring) 69 00:02:55,576 --> 00:02:58,749 (inmates shouting indistinctly) 70 00:03:06,717 --> 00:03:10,461 DON'T MAKE A MESS OF IT, OKAY? 71 00:03:10,461 --> 00:03:14,194 I NEVER DO. 72 00:03:18,299 --> 00:03:22,303 ♪♪♪ 73 00:03:32,843 --> 00:03:35,446 (clatters) 74 00:03:35,446 --> 00:03:36,887 GO. 75 00:03:38,919 --> 00:03:41,592 (metal rattles) 76 00:03:41,592 --> 00:03:44,655 (handcuffs click) 77 00:03:46,627 --> 00:03:49,730 (Castle) HOW DID HE EVEN GET INTO THE GENERAL POPULATION? 78 00:03:49,730 --> 00:03:51,602 ESPOSITO'S RUNNING IT DOWN NOW, 79 00:03:51,602 --> 00:03:53,564 BUT I'M GUESSING IT WASN'T AN ACCIDENT. 80 00:03:53,564 --> 00:03:55,566 I'M SORRY. 81 00:03:55,566 --> 00:03:58,309 FOR WHAT? 82 00:03:58,309 --> 00:04:02,473 WELL, LOCKWOOD KILLS RAGLAN, THEN HE SHANKS McCALLISTER, 83 00:04:02,473 --> 00:04:03,974 BOTH OF THEM EX-COPS 84 00:04:03,974 --> 00:04:05,976 WHO HAD SOMETHING TO DO WITH YOUR MOTHER'S MURDER. 85 00:04:05,976 --> 00:04:07,978 HE'S CUTTING OFF ALL AVENUES OF YOUR INVESTIGATION. 86 00:04:07,978 --> 00:04:11,021 CASTLE, HE'S NOT CUTTING THEM OFF. HE'S GIVING ME NEW ONES. 87 00:04:11,021 --> 00:04:13,023 I'VE BEEN GOING TO THAT PRISON 88 00:04:13,023 --> 00:04:15,025 EVERY WEEK FOR THE LAST FOUR MONTHS 89 00:04:15,025 --> 00:04:17,027 TO HAVE A STARING CONTEST WITH THE DEVIL, 90 00:04:17,027 --> 00:04:18,729 AND THE DEVIL JUST BLINKED. 91 00:04:18,729 --> 00:04:21,462 THIS IS EXACTLY WHAT I'VE BEEN LOOKING FOR. 92 00:04:21,462 --> 00:04:22,993 HEY, DEPARTMENT OF CORRECTIONS 93 00:04:22,993 --> 00:04:25,596 SAYS THE SIGNATURE USED ON THE TRANSFER ORDER WAS FORGED. 94 00:04:25,596 --> 00:04:28,599 AND THE ONLY PEOPLE WITH ACCESS TO THOSE DOCUMENTS AT THE PRISON 95 00:04:28,599 --> 00:04:31,602 ARE CORRECTIONAL OFFICERS AND AUTHORIZED CLERICAL STAFF. WHICH MEANS BRIBE OR BLACKMAIL. 96 00:04:31,602 --> 00:04:34,375 I WANT A FULL FINANCIAL WORKUP OF EVERY EMPLOYEE 97 00:04:34,375 --> 00:04:36,347 IN THAT PRISON, SWORN AND CIVILIAN. 98 00:04:36,347 --> 00:04:38,349 I WANT TO KNOW WHO WAS LATE ON THEIR MORTGAGE, 99 00:04:38,349 --> 00:04:40,351 WHO WAS BEHIND ON THEIR CHILD SUPPORT. 100 00:04:40,351 --> 00:04:42,713 SOMEBODY TOOK A HELL OF A RISK CUTTING LOCKWOOD THIS TRANSFER, 101 00:04:42,713 --> 00:04:45,716 AND THEY HAD TO HAVE BEEN PRETTY DESPERATE. YOU GOT IT. 102 00:04:45,716 --> 00:04:47,988 SEE? NOW WE GOT A TRAIL. SO WHERE ARE WE GOING? 103 00:04:47,988 --> 00:04:49,720 TO LOCKWOOD'S ARRAIGNMENT. 104 00:04:49,720 --> 00:04:52,393 I WANT TO SEE IF WE CAN RATTLE HIS CAGE. 105 00:04:52,393 --> 00:04:54,395 LOCKWOOD DOESN'T SEEM LIKE THE RATTLING TYPE. 106 00:04:54,395 --> 00:04:57,498 NOT LOCKWOOD. WHOEVER'S HOLDING HIS LEASH. 107 00:04:57,498 --> 00:04:59,600 (chains rattle) 108 00:04:59,600 --> 00:05:01,632 (hinges squeak) 109 00:05:03,334 --> 00:05:05,336 FIRST RAGLAN AND NOW McCALLISTER. 110 00:05:05,336 --> 00:05:07,878 WHAT ARE YOU DOING, COLLECTING THE WHOLE SET? 111 00:05:07,878 --> 00:05:09,880 YOU'RE A REAL BADASS, LOCKWOOD, 112 00:05:09,880 --> 00:05:11,882 SHANKING AN OLD MAN IN HIS BUNK. 113 00:05:11,882 --> 00:05:13,944 I DON'T KNOW WHAT YOU THINK YOU ACCOMPLISHED, 114 00:05:13,944 --> 00:05:15,946 BUT THIS DOESN'T CHANGE A THING. 115 00:05:15,946 --> 00:05:17,718 YOU HEAR ME? 116 00:05:17,718 --> 00:05:20,050 WHOEVERHIRED YOU... 117 00:05:20,050 --> 00:05:22,593 (whispers) HE CAN'T HIDE FROM ME. 118 00:05:22,593 --> 00:05:24,855 NO, SWEETHEART. 119 00:05:24,855 --> 00:05:27,598 YOU GOT IT ASS BACKWARDS. 120 00:05:27,598 --> 00:05:30,030 YOU CAN'T HIDE FROM HIM. 121 00:05:30,030 --> 00:05:32,933 (man) PLEASE TAKE YOUR SEAT, MA'AM. 122 00:05:32,933 --> 00:05:35,666 (door opens and closes) 123 00:05:35,666 --> 00:05:37,868 (woman) ALL RISE. (chains rattling) 124 00:05:37,868 --> 00:05:41,672 THE COURT'S IN SESSION. 125 00:05:41,672 --> 00:05:44,745 (rattling continues) BE SEATED. 126 00:05:44,745 --> 00:05:47,478 MATTER NUMBER 27 ON THE LIST-- 127 00:05:47,478 --> 00:05:49,480 THE PEOPLE OF THE STATE OF NEW YORK 128 00:05:49,480 --> 00:05:52,753 vs. JOHN DOE, A.K.A. HAROLD LOCKWOOD. 129 00:05:52,753 --> 00:05:54,825 THE MATTER IS ON FOR ARRAIGNMENT. 130 00:05:54,825 --> 00:05:57,488 COUNSEL, FOR THE RECORD AND WHO YOU REPRESENT, PLEASE. 131 00:05:57,488 --> 00:05:59,590 (man) AVERY ZUSSMAN FOR HAROLD LOCKWOOD, YOUR HONOR. 132 00:05:59,590 --> 00:06:01,131 (woman) ON THE MATTER OF 133 00:06:01,131 --> 00:06:03,864 THE PEOPLE OF THE STATE OF NEW YORK... WHAT IS IT? 134 00:06:03,864 --> 00:06:05,996 INDICTMENT NUMBER 2-0-1-1-4-6-0, 135 00:06:05,996 --> 00:06:09,470 THE CHARGE IS PREMEDITATED MURDER... I DON'T KNOW. 136 00:06:09,470 --> 00:06:11,141 WITH A SPECIAL CIRCUMSTANCES ALLEGATION. 137 00:06:11,141 --> 00:06:13,474 MR. LOCKWOOD, DO YOU WAIVE A FORMAL READING 138 00:06:13,474 --> 00:06:16,006 OF THIS INDICTMENT? I DO. 139 00:06:16,006 --> 00:06:19,379 THEY'RE WEARING CHROME COLLAR PINS. 140 00:06:19,379 --> 00:06:21,612 NYPD's ARE BRASS. 141 00:06:21,612 --> 00:06:24,615 AND HOW DO YOU PLEAD? 142 00:06:24,615 --> 00:06:26,657 NOW. 143 00:06:26,657 --> 00:06:28,659 CASTLE, DOWN! 144 00:06:28,659 --> 00:06:31,662 (sound distorts) 145 00:06:37,027 --> 00:06:39,900 (muted screaming) 146 00:06:39,900 --> 00:06:42,473 (static crackles) 147 00:06:42,473 --> 00:06:44,004 (crackles, screams continue) 148 00:06:44,004 --> 00:06:45,736 (voice distorts) ARE YOU OKAY?! 149 00:06:45,736 --> 00:06:47,878 (voice distorts) YEAH, YEAH. 150 00:06:47,878 --> 00:06:51,011 (sound returns to normal volume, woman screams) 151 00:06:52,513 --> 00:06:54,485 WHERE? WHERE? 152 00:06:54,485 --> 00:06:55,616 DOWNSTAIRS. 153 00:06:55,616 --> 00:06:57,948 (grunts) 154 00:06:59,650 --> 00:07:02,923 COME ON. KEEP MOVING. COME ON. LET'S GO. GO. 155 00:07:02,923 --> 00:07:06,627 (helicopter blades whirring) 156 00:07:19,910 --> 00:07:22,072 (gunfire) 157 00:07:33,153 --> 00:07:35,656 ♪♪♪ 158 00:07:42,633 --> 00:07:44,064 (Castle) HOW'S SHE DOING? 159 00:07:44,064 --> 00:07:47,067 LOCKWOOD'S IN THE WIND. EVERYTHING ABOUT HER MOM'S CASE 160 00:07:47,067 --> 00:07:50,200 JUST WENT TO HELL IN A HANDBASKET. HOW YA THINK? 161 00:07:50,200 --> 00:07:52,803 (indistinct conversations) 162 00:07:52,803 --> 00:07:56,807 WHERE ARE WE ON LOCKWOOD'S KNOWN ASSOCIATES? COURTHOUSE SECURITY PERSONNEL WERE SO USED 163 00:07:56,807 --> 00:07:59,650 TO SEEING COPS COME AND GO, NOBODY GAVE 'EM A SECOND LOOK. HE DIDN'T CARE ABOUT ANYBODY SEEING THEIR FACES. 164 00:07:59,650 --> 00:08:02,182 DID FBI RUN 'EM THROUGH FACIAL RECOGNITION? 165 00:08:02,182 --> 00:08:04,615 NO HITS. GUYS ARE GHOSTS. WHAT ABOUT THE CHOPPER? 166 00:08:04,615 --> 00:08:07,017 F.A.A. SAYS THAT THEY FLEW BELOW THE 1,000-FOOT RADAR CEILING. 167 00:08:07,017 --> 00:08:09,890 THEY HAD TO KNOW NYPD WOULD HAVE HELICOPTERS SEARCHING FOR 'EM, 168 00:08:09,890 --> 00:08:12,623 SO THEY'D WANT TO DITCH THEIR CHOPPER AS SOON AS THEY COULD. WE GOT LOCALS ON THE GROUND 169 00:08:12,623 --> 00:08:14,625 CHECKING EVERY SMALL AIRFIELD IN THE TRISTATE AREA. 170 00:08:14,625 --> 00:08:18,168 I GOT NOTHING SO FAR. HEY, BECKETT. WE GOT SOMETHING. 171 00:08:18,168 --> 00:08:20,500 CHECK YOUR IN-BOX. 172 00:08:20,500 --> 00:08:22,502 (computer chirps) 173 00:08:22,502 --> 00:08:24,034 SO PHONE CALLS FROM THE PRISON ARE RECORDED, 174 00:08:24,034 --> 00:08:26,036 AND EVERY INMATE HAS TO MAKE COLLECT CALLS. 175 00:08:26,036 --> 00:08:29,039 APPARENTLY, LOCKWOOD MADE WEEKLY CALLS TO THE SAME NUMBER, 176 00:08:29,039 --> 00:08:32,042 BUT WEEK AFTER WEEK, THE PERSON AT THE END OF THE CALL 177 00:08:32,042 --> 00:08:33,784 REFUSED TO ACCEPT THE CHARGES, 178 00:08:33,784 --> 00:08:35,515 UNTIL FOUR DAYS AGO. 179 00:08:35,515 --> 00:08:37,517 OKAY, HERE IT IS. (chirp) 180 00:08:37,517 --> 00:08:40,190 HOW'S THE FAMILY? (man) Same. How are Charlie and Mike? 181 00:08:40,190 --> 00:08:42,192 GOOD. (line clicks, dial tone drones) 182 00:08:42,192 --> 00:08:44,795 ANYTHING ON THE PHONE NUMBER? BURNER CELL, UNTRACEABLE. 183 00:08:44,795 --> 00:08:46,757 ALL RIGHT, CHECK KNOWN ASSOCIATES NAMED CHARLIE 184 00:08:46,757 --> 00:08:48,759 OR MIKE. THEY'RE NOT TALKING ABOUT PEOPLE. 185 00:08:48,759 --> 00:08:50,901 THAT'S THE PHONETIC ALPHABET, MILITARY JARGON. 186 00:08:50,901 --> 00:08:53,904 "CHARLIE AND MIKE" MEANS CONTINUE MISSION. 187 00:08:53,904 --> 00:08:56,907 (Castle) WELL, WE KNOW THE MISSION WASN'T McCALLISTER. 188 00:08:56,907 --> 00:08:59,309 HE WAS JUST A MEANS TO ESCAPE. THEY COULD'VE PAID OFF ANYONE 189 00:08:59,309 --> 00:09:01,672 IN THE GENERAL POPULATION TO KILL McCALLISTER, BUT IT 190 00:09:01,672 --> 00:09:04,544 HAD TO BE LOCKWOOD BECAUSE THEY NEEDED TO GET HIM OUT. 191 00:09:04,544 --> 00:09:07,317 WHICH MEANS LOCKWOOD WAS AFTER SOMEBODY ELSE. (Ryan) WHO'S LEFT? 192 00:09:07,317 --> 00:09:10,050 ME. LOCKWOOD COULD'VE KILLED YOU IN THE COURTROOM. 193 00:09:10,050 --> 00:09:12,052 YOU'RE NOT A THREAT. YOU DON'T KNOW ANYTHING. 194 00:09:12,052 --> 00:09:14,184 I THINK I KNOW WHO HE'S AFTER. 195 00:09:14,184 --> 00:09:16,687 WE KNOW THAT YOUR MOM WAS KILLED 196 00:09:16,687 --> 00:09:18,789 BECAUSE SHE WAS WORKING TO FREE A MOBSTER 197 00:09:18,789 --> 00:09:21,191 WHO WAS WRONGFULLY CONVICTED OF THE MURDER 198 00:09:21,191 --> 00:09:22,963 OF AN UNDERCOVER FEDERAL OFFICER--BOB ARMEN. 199 00:09:22,963 --> 00:09:24,965 WE KNOW THAT THE REAL KILLERS WERE RENEGADE COPS 200 00:09:24,965 --> 00:09:27,337 WHO WERE PRACTICING THEIR OWN FORM OF STREET JUSTICE 201 00:09:27,337 --> 00:09:29,069 BY KIDNAPPING MOBSTERS FOR RANSOM. 202 00:09:29,069 --> 00:09:32,342 THESE GUYS WERE ALSO WORKING FOR SOMEBODY-- 203 00:09:32,342 --> 00:09:34,344 SOMEBODY BIG, SOMEBODY WHO WILL STOP AT NOTHING 204 00:09:34,344 --> 00:09:37,848 TO KEEP HIS IDENTITY A SECRET. 205 00:09:37,848 --> 00:09:41,081 WHICH MEANS THERE'S STILL ONE LOOSE THREAD OUT THERE. THE THIRD COP. 206 00:09:41,081 --> 00:09:44,855 THE MAN THAT JOE PULGATTI SAW IN THE ALLEY WITH JOHN RAGLAN 207 00:09:44,855 --> 00:09:46,957 AND GARY McCALLISTER THE NIGHT THAT BOB ARMEN WAS KILLED. 208 00:09:46,957 --> 00:09:49,259 WHOEVER THIS GUY IS, IF HE'S STILL AROUND, 209 00:09:49,259 --> 00:09:51,321 HE KNOWS WHO'S BEHIND THIS WHOLE THING. 210 00:09:51,321 --> 00:09:53,263 (Beckett) WHICH MAKES HIM LOCKWOOD'S NEXT TARGET. 211 00:09:53,263 --> 00:09:55,265 BUT WE LOOKED THROUGH THE REPORTS. (cell phone ringing) 212 00:09:55,265 --> 00:09:58,098 THERE'S NO MENTION OF ANY THIRD COP. JUST BECAUSE HE'S NOT MENTIONED IN IT 213 00:09:58,098 --> 00:10:00,701 DOESN'T MEAN HE WASN'T THERE. EXCUSE ME. (beeps) 214 00:10:00,701 --> 00:10:02,703 BECKETT. PUT A DETAIL ON HER. 215 00:10:02,703 --> 00:10:05,135 SHE'S NOT GONNA LIKE THAT. YOU DON'T HAVE TO TELL HER. 216 00:10:05,135 --> 00:10:08,739 IF LOCKWOOD'S GOING AFTER THIS THIRD COP, HE'S STILL IN TOWN. 217 00:10:08,739 --> 00:10:11,181 YOU BOTH KNOW WHAT HE'S CAPABLE OF. 218 00:10:11,181 --> 00:10:13,213 IF YOU GET A CHANCE TO PUT HIM DOWN, DO NOT HESITATE. 219 00:10:13,213 --> 00:10:15,085 THAT SON OF A BITCH DOESN'T NEED 220 00:10:15,085 --> 00:10:17,087 TO SEE THE INSIDE OF ANOTHER COURTROOM. 221 00:10:17,087 --> 00:10:19,049 YOU READ ME? LOUD AND CLEAR. 222 00:10:19,049 --> 00:10:21,121 (beep) (Beckett) THAT WAS THE JERSEY STATE POLICE. 223 00:10:21,121 --> 00:10:22,923 THEY FOUND THE CHOPPER. 224 00:10:22,923 --> 00:10:25,195 (propeller whirring) 225 00:10:25,195 --> 00:10:26,927 (police radio chatter) 226 00:10:26,927 --> 00:10:28,258 YOURS? 227 00:10:28,258 --> 00:10:29,359 YEAH. 228 00:10:29,359 --> 00:10:31,932 (grunts) THAT SMELL-- IS THAT, UH-- 229 00:10:31,932 --> 00:10:35,135 BLEACH IN THE CABIN. THEY WERE DESTROYING D.N.A. EVIDENCE. (Ryan) MECHANIC SAYS 230 00:10:35,135 --> 00:10:37,137 THE CHOPPER MUST HAVE BEEN STOLEN AND RETURNED 231 00:10:37,137 --> 00:10:39,139 BEFORE ANYONE KNEW IT WAS MISSING. 232 00:10:39,139 --> 00:10:41,341 HE SAYS HE WOULDN'T EVEN HAVE KNOWN ANYBODY HAD USED IT 233 00:10:41,341 --> 00:10:43,944 IF IT WEREN'T FOR THE BULLET HOLES. WHO DOES THE HELICOPTER BELONG TO? 234 00:10:43,944 --> 00:10:47,017 HEDGE FUND MANAGER FROM UPSTATE. WHERE IS HE NOW? 235 00:10:47,017 --> 00:10:50,380 SAILING IN THE CARIBBEAN WITH HIS FAMILY. ALL RIGHT, CHECK HIS BACKGROUND AND THE MECHANIC'S, 236 00:10:50,380 --> 00:10:53,353 AND ANYBODY ELSE WHO WORKS HERE. RIGHT. 237 00:10:53,353 --> 00:10:54,955 WHY NOW? 238 00:10:54,955 --> 00:10:56,957 LOCKWOOD WAS IN PRISON FOR MONTHS. 239 00:10:56,957 --> 00:11:00,660 WHY WOULD HE MAKE A MOVE NOW? WELL, THEY HAD HIM TRANSFERRED, 240 00:11:00,660 --> 00:11:02,993 AND THEN THEY BROKE HIM OUT OF A COURTROOM. 241 00:11:02,993 --> 00:11:04,935 THAT TAKES TIME, PLANNING, RESOURCES. 242 00:11:04,935 --> 00:11:07,337 WHAT IF IT WAS SOMETHING ELSE? 243 00:11:07,337 --> 00:11:09,669 WHAT IF THERE'S ANOTHER REASON? 244 00:11:09,669 --> 00:11:11,702 LIKE WHAT? 245 00:11:11,702 --> 00:11:14,204 (camera shutter clicks, police radio chatter) 246 00:11:14,204 --> 00:11:15,946 YOU KNOW, UM... 247 00:11:15,946 --> 00:11:19,349 I THINK I SAW A SURVEILLANCE CAMERA OUTSIDE THE BUILDING. 248 00:11:19,349 --> 00:11:21,081 WE PULL THE SURVEILLANCE, 249 00:11:21,081 --> 00:11:23,353 LOOK FOR A VEHICLE, MAYBE GET AN A.P.B. 250 00:11:23,353 --> 00:11:26,957 YOU OKAY? 251 00:11:26,957 --> 00:11:30,020 YEAH. 252 00:11:33,964 --> 00:11:37,197 (footsteps approach) 253 00:11:37,197 --> 00:11:38,929 BECKETT'S MOM? 254 00:11:38,929 --> 00:11:40,931 YEAH. 255 00:11:40,931 --> 00:11:43,934 I CAN'T IMAGINE WHAT IT MUST BE LIKE FOR HER-- 256 00:11:43,934 --> 00:11:45,335 SOLVING MURDERS 257 00:11:45,335 --> 00:11:47,337 AND BRINGING CLOSURE TO ALL THOSE FAMILIES, 258 00:11:47,337 --> 00:11:49,810 BUT NEVER TO HERSELF. 259 00:11:49,810 --> 00:11:51,341 IT'S EASIER IN MY BOOKS. 260 00:11:51,341 --> 00:11:53,383 THE JUST ARE REWARDED, THE WICKED ARE PUNISHED. 261 00:11:53,383 --> 00:11:57,948 UNFORTUNATELY, REAL LIFE ISN'T THAT EASY. 262 00:11:57,948 --> 00:12:00,720 (doorbell buzzes) 263 00:12:00,720 --> 00:12:02,722 (lock clicks) 264 00:12:02,722 --> 00:12:04,254 CAN I HELP YOU? 265 00:12:04,254 --> 00:12:07,727 I HOPE SO. I'M JIM BECKETT, KATE'S FATHER. 266 00:12:09,359 --> 00:12:11,361 I FEEL LIKE I ALREADY KNOW YOU, RICK. 267 00:12:11,361 --> 00:12:13,363 I'VE HEARD A LOT OF GREAT THINGS ABOUT YOU 268 00:12:13,363 --> 00:12:15,105 FROM KATIE. REALLY? 269 00:12:15,105 --> 00:12:16,967 REALLY. 270 00:12:16,967 --> 00:12:20,070 SO... HOW'S SHE HOLDING UP? 271 00:12:20,070 --> 00:12:23,073 WELL, IT'S KIND OF TOUGH TO TELL WITH HER, YOU KNOW? 272 00:12:23,073 --> 00:12:24,474 SHE DOESN'T FLINCH. 273 00:12:24,474 --> 00:12:26,476 I KNOW. SHE WOULDN'T ACCEPT A NIGHT-LIGHT 274 00:12:26,476 --> 00:12:28,478 WHEN SHE WAS A LITTLE GIRL. 275 00:12:28,478 --> 00:12:30,480 NOT THAT SHE WASN'T AFRAID OF THE DARK, 276 00:12:30,480 --> 00:12:33,223 BUT I THINK SHE JUST FELT IT WAS A POINT OF PRIDE TO, 277 00:12:33,223 --> 00:12:34,955 YOU KNOW, STARE IT DOWN. 278 00:12:34,955 --> 00:12:36,486 (laughs) 279 00:12:36,486 --> 00:12:38,758 (inhales deeply) 280 00:12:38,758 --> 00:12:43,493 THIS... MAN SHE'S CHASING. 281 00:12:43,493 --> 00:12:45,235 HOW DANGEROUS IS HE? 282 00:12:46,837 --> 00:12:48,498 HE'S A TRAINED KILLER. 283 00:12:52,402 --> 00:12:54,404 WHAT HAPPENS WHEN SHE FINDS HIM? 284 00:12:56,877 --> 00:13:01,351 I'VE ALREADY LOST MY WIFE OVER THIS. 285 00:13:01,351 --> 00:13:04,214 I'VE ALREADY LOST... 286 00:13:05,956 --> 00:13:07,958 NOW LOOK, I... IT TOOK ME YEARS, 287 00:13:07,958 --> 00:13:09,960 BUT I'VE MADE MY PEACE WITH THAT. 288 00:13:09,960 --> 00:13:11,561 BUT KATIE? 289 00:13:11,561 --> 00:13:14,164 SHE WON'T LISTEN TO ME AND SHE WON'T BACK DOWN. 290 00:13:14,164 --> 00:13:16,166 NOT UNLESS SOMEONE CAN CONVINCE HER 291 00:13:16,166 --> 00:13:19,429 THAT HER LIFE IS WORTH MORE THAN HER MOTHER'S DEATH. 292 00:13:22,102 --> 00:13:25,235 LOOK, SHE CARES ABOUT YOU, RICK. 293 00:13:25,235 --> 00:13:27,838 AND UNLESS YOU'RE A LOT DUMBER THAN YOU LOOK, 294 00:13:27,838 --> 00:13:30,540 I KNOW YOU CARE ABOUT HER. 295 00:13:30,540 --> 00:13:32,983 DON'T LET HER THROW HER LIFE AWAY. 296 00:13:38,989 --> 00:13:42,953 (indistinct conversations) 297 00:13:42,953 --> 00:13:44,354 HOW'D YOU SLEEP? 298 00:13:44,354 --> 00:13:46,826 I DIDN'T. YEAH. ME NEITHER. 299 00:13:46,826 --> 00:13:48,959 THANK YOU. LISTEN, I WAS WONDERING-- 300 00:13:48,959 --> 00:13:51,361 SO WE RAN FINANCIALS ON EVERYONE ASSOCIATED WITH THE PRISON-- 301 00:13:51,361 --> 00:13:53,964 GUARDS, CIVILIAN EMPLOYEES, MEDICAL STAFF. FOUND A GUARD NAMED RYKER. 302 00:13:53,964 --> 00:13:56,506 HE'S UNDERWATER IN HIS MORTGAGE, HE MAXED OUT HIS CREDIT CARDS, 303 00:13:56,506 --> 00:13:59,970 AND HE WAS ABOUT TO LOSE HIS CONDO. RYKER? I KNOW RYKER. 304 00:13:59,970 --> 00:14:02,973 (Ryan) YOU ONLY THOUGHT YOU KNEW RYKER. THE DAY BEFORE LOCKWOOD 305 00:14:02,973 --> 00:14:05,245 WAS TRANSFERRED TO GENERAL POPULATION, 306 00:14:05,245 --> 00:14:07,377 RYKER RECEIVED A $50,000 WIRE TRANSFER. 307 00:14:07,377 --> 00:14:09,880 AND GUESS WHO DIDN'T SHOW UP FOR WORK TODAY. 308 00:14:12,122 --> 00:14:14,054 NYPD! NYPD! 309 00:14:14,054 --> 00:14:16,386 NYPD! DO NOT MOVE! SHOW US YOUR HANDS, RYKER! 310 00:14:16,386 --> 00:14:19,129 LET'S GO! LET ME SEE YOUR HANDS! 311 00:14:19,129 --> 00:14:20,530 (Ryan) LET'S SEE THOSE HANDS! 312 00:14:20,530 --> 00:14:22,893 (lowered voice) GO. 313 00:14:29,499 --> 00:14:31,271 (pants) 314 00:14:41,111 --> 00:14:43,253 (Lanie) THE BULLET ENTERED THROUGH THE BACK OF THE HEAD, 315 00:14:43,253 --> 00:14:45,655 EXITED THROUGH THE FRONT, AND LANDED IN THE CABINET. 316 00:14:45,655 --> 00:14:49,389 I'M MAKING THE TIME OF DEATH AROUND 9:00 LAST NIGHT. (Castle) RYKER MADE FOUR PHONE CALLS 317 00:14:49,389 --> 00:14:52,392 TO THE SAME BURNER CELL THAT LOCKWOOD CALLED FROM PRISON. 318 00:14:52,392 --> 00:14:54,264 HE WAS NEGOTIATING PRICES. 319 00:14:54,264 --> 00:14:56,666 RYKER HAD NO IDEA WHO HE WAS DEALING WITH. (cell phone beeps) 320 00:14:56,666 --> 00:14:58,268 (Ryan) THAT WAS THE D.O.J. 321 00:14:58,268 --> 00:15:00,130 THE $50,000 WIRE TRANSFER 322 00:15:00,130 --> 00:15:02,272 BOUNCED THROUGH THE UNITED ARAB EMIRATES 323 00:15:02,272 --> 00:15:04,174 BEFORE IT ENDED UP IN RYKER'S ACCOUNT. 324 00:15:04,174 --> 00:15:06,906 IT CAME FROM THE DUBAI BRANCH OF A SWISS BANK. 325 00:15:06,906 --> 00:15:09,379 (Castle) WHO THE HELL ARE THESE GUYS? WELL, WHOEVER THEY ARE, 326 00:15:09,379 --> 00:15:11,411 THEY'VE BEEN TWO STEPS AHEAD OF US THIS WHOLE TIME. 327 00:15:11,411 --> 00:15:14,414 YOU DON'T GO THROUGH THIS KIND OF TROUBLE TO COVER UP A COUPLE 328 00:15:14,414 --> 00:15:18,518 OF ROGUE COPS KIDNAPPING MOBSTERS IN SOME BACK ALLEY. NO, THIS IS ABOUT SOMETHING ELSE, SOMETHING BIGGER. 329 00:15:18,518 --> 00:15:20,520 IF WE WANT TO CATCH THESE SONS OF BITCHES, 330 00:15:20,520 --> 00:15:23,123 WE'RE GONNA HAVE TO BRING THE FIGHT TO THEM. 331 00:15:23,123 --> 00:15:25,125 NOTIFY RYKER'S NEXT OF KIN. 332 00:15:25,125 --> 00:15:27,527 LET'S TALK TO HIS NEIGHBORS AGAIN, 333 00:15:27,527 --> 00:15:29,459 ANYBODY ELSE THAT KNEW HIM AT THE PRISON. 334 00:15:29,459 --> 00:15:32,602 I WANT TO SEE IF HE MADE ANY NEW FRIENDS LATELY. 335 00:15:32,602 --> 00:15:35,135 HOW LONG DID YOU KNOW RYKER, OFFICER HASKELL? 336 00:15:35,135 --> 00:15:37,137 SINCE HE CAME TO THE PRISON-- ALMOST, UH, 337 00:15:37,137 --> 00:15:40,140 ALMOST TEN YEARS, I GUESS. WAS HE HAVING TROUBLE WITH ANYONE AT THE PRISON? 338 00:15:40,140 --> 00:15:42,712 RYKER WAS STAINLESS. ALL THE OTHER CORRECTIONS OFFICERS 339 00:15:42,712 --> 00:15:45,275 LIKED HIM, AND EVEN THE WORST CONS RESPECTED HIM, 340 00:15:45,275 --> 00:15:47,417 'CAUSE RYKER TREATED THEM WITH RESPECT. 341 00:15:47,417 --> 00:15:50,150 WAS THERE ANYONE NEW IN HIS LIFE, MAYBE A GIRLFRIEND? 342 00:15:50,150 --> 00:15:51,681 UH, NO ONE. 343 00:15:51,681 --> 00:15:55,055 IN FACT, HE'D BEEN WORKING UP THE NERVE FOR WEEKS 344 00:15:55,055 --> 00:15:58,428 TO ASK YOU OUT, DETECTIVE. 345 00:15:58,428 --> 00:16:01,191 UH, DID YOU KNOW, UH, RYKER WAS HAVING FINANCIAL PROBLEMS? 346 00:16:01,191 --> 00:16:04,034 NO. HE NEVER SAID A WORD TO ME. 347 00:16:04,034 --> 00:16:06,396 AND I WAS PROBABLY CLOSER TO HIM THAN ANYONE. 348 00:16:06,396 --> 00:16:08,398 (Ryan) WE'RE GETTING THE SAME THING FROM EVERYONE WE TALK TO. 349 00:16:08,398 --> 00:16:10,040 RYKER WAS A STAND-UP GUY. 350 00:16:10,040 --> 00:16:12,042 NONE OF HIS FRIENDS EVEN KNEW HE HAD FINANCIAL TROUBLE. 351 00:16:12,042 --> 00:16:14,044 AND OTHER THAN CALLS TO THAT BURNER PHONE, 352 00:16:14,044 --> 00:16:15,575 THERE'S NOTHING IN HIS PHONE RECORDS 353 00:16:15,575 --> 00:16:17,577 TO INDICATE ANY NEW CONTACTS IN HIS LIFE. 354 00:16:17,577 --> 00:16:20,150 WE JUST GOT WORD ON THE SECURITY FOOTAGE FROM THE AIRPORT. 355 00:16:20,150 --> 00:16:22,152 CAMERAS DID PICK UP A BLUE LATE-MODEL MALIBU 356 00:16:22,152 --> 00:16:25,155 LEAVING THE AREA, BUT ITS LICENSE PLATE WAS BLACKED OUT. 357 00:16:25,155 --> 00:16:27,157 SO BASICALLY, WE'VE GOT NOTHING STILL, RIGHT? 358 00:16:27,157 --> 00:16:29,119 JUST A BUNCH OF DEAD ENDS. 359 00:16:29,119 --> 00:16:32,392 EVERYWHERE I LOOK, IT'S JUST A BUNCH OF DEAD ENDS. 360 00:16:32,392 --> 00:16:34,664 YOU KNOW, WHOEVER PLANNED THIS ESCAPE FOR LOCKWOOD 361 00:16:34,664 --> 00:16:36,696 KNEW THEY WOULD NEED SOMEONE ON THE INSIDE. 362 00:16:36,696 --> 00:16:39,029 IF RYKER WAS SUCH A STRAIGHT ARROW, 363 00:16:39,029 --> 00:16:42,032 WHY WOULD THEY APPROACH HIM? HE WAS A SOFT TARGET BECAUSE OF HIS FINANCIAL TROUBLES. 364 00:16:42,032 --> 00:16:44,304 HOW WOULD THEY KNOW THAT? 365 00:16:44,304 --> 00:16:46,676 THEY FOUND HIM THE SAME WAY WE DID--FINANCIAL RECORDS. 366 00:16:46,676 --> 00:16:49,008 THEY RAN FINANCIALS ON EVERYBODY IN THAT PRISON. 367 00:16:49,008 --> 00:16:51,181 WHO WOULD HAVE THAT KIND OF AUTHORITY? 368 00:16:51,181 --> 00:16:54,013 A COP OR SOMEONE WHO WAS A COP. 369 00:16:54,013 --> 00:16:56,046 SO THIS THIRD COP WASN'T LOCKWOOD'S TARGET. 370 00:16:56,046 --> 00:16:59,449 THIS THIRD COP WAS THE ONE WHO WAS HOLDING LOCKWOOD'S LEASH. 371 00:16:59,449 --> 00:17:01,551 HE'S THE ONE WHO'S BEHIND THIS WHOLE THING. 372 00:17:01,551 --> 00:17:03,553 OKAY, I WANT US TO PULL REPORTS 373 00:17:03,553 --> 00:17:06,296 WITH RAGLAN AND McCALLISTER'S NAME ON IT. WE DID ALL THAT ALREADY. 374 00:17:06,296 --> 00:17:09,299 MONTHS AGO. THERE'S NOTHING. NO, NO, NO, I'M NOT TALKING ABOUT ARREST REPORTS. 375 00:17:09,299 --> 00:17:11,801 I'M TALKING ABOUT PERFORMANCE EVALUATIONS-- WE WENT THROUGH EVERYTHING. 376 00:17:11,801 --> 00:17:14,404 WE LOOKED AT EVERY COP WE COULD FIND 377 00:17:14,404 --> 00:17:17,407 WHO COULD'VE WORKED WITH THEM. NONE OF 'EM ARE OUR THIRD GUY. WELL, THEN CHECK IT AGAIN. 378 00:17:17,407 --> 00:17:20,670 AND WHEN YOU'RE DONE WITH THAT, CHECK IT AGAIN. BECKETT, WE WANT HIM AS BAD AS YOU. 379 00:17:20,670 --> 00:17:24,614 THE HELL YOU DO. NOBODY WANTS HIM AS BAD AS I DO, OKAY? 380 00:17:24,614 --> 00:17:27,477 NOBODY. SO CHECK IT AGAIN. 381 00:17:29,549 --> 00:17:31,281 (Montgomery) FIND ANYTHING? 382 00:17:31,281 --> 00:17:33,683 HELL, I BET THERE WASN'T EVEN A THIRD COP. 383 00:17:33,683 --> 00:17:37,157 I MEAN, SERIOUSLY, DUBAI, PARAMILITARY EXTRACTION-- 384 00:17:37,157 --> 00:17:40,160 HOW DOES A COP EVEN BEGIN TO MOUNT AN OPERATION LIKE THIS? 385 00:17:40,160 --> 00:17:42,162 THESE GUYS WERE KIDNAPPING MOBSTERS FOR MONTHS, 386 00:17:42,162 --> 00:17:45,064 MAYBE EVEN YEARS BEFORE THINGS WENT SIDEWAYS. 387 00:17:45,064 --> 00:17:47,167 THEY COULD'VE MADE MILLIONS IN RANSOM. 388 00:17:47,167 --> 00:17:49,569 THAT WOULD MEAN THIS THIRD COP WOULD HAVE PLENTY OF CASH 389 00:17:49,569 --> 00:17:52,142 TO HIRE PROFESSIONALS LIKE DICK COONAN AND HAL LOCKWOOD 390 00:17:52,142 --> 00:17:54,304 TO CLEAN UP HIS MESS. 391 00:17:54,304 --> 00:17:56,576 KEEP CHECKING. 392 00:17:56,576 --> 00:17:58,548 SIR. 393 00:17:58,548 --> 00:18:01,811 UH... I KNOW WE'RE STILL OFFICIALLY ON DUTY, BUT-- 394 00:18:01,811 --> 00:18:03,153 AUTHORIZED. 395 00:18:03,153 --> 00:18:04,554 SLáINTE. 396 00:18:04,554 --> 00:18:06,686 NICE WORK. 397 00:18:06,686 --> 00:18:08,688 OOH, THOSE ARE COLD. YEAH. 398 00:18:08,688 --> 00:18:10,290 THOSE ARE REALLY COLD. 399 00:18:10,290 --> 00:18:12,822 YEAH, WE KEEP 'EM IN EVIDENCE-- REFRIGERATED STORAGE. 400 00:18:12,822 --> 00:18:16,366 ISN'T THAT WHERE YOU KEEP THE-- DON'T WORRY ABOUT IT. 401 00:18:17,827 --> 00:18:19,429 HOW IS SHE? 402 00:18:19,429 --> 00:18:21,301 SHE HASN'T RETURNED MY CALLS. 403 00:18:21,301 --> 00:18:25,775 SHE JUST GRABBED THOSE CASE FILES AND RAN OUTTA HERE. SHE'S GETTING LOST. 404 00:18:25,775 --> 00:18:28,478 SHE'S AN INCH AWAY FROM THE RABBIT HOLE. 405 00:18:28,478 --> 00:18:30,180 SHE'LL BE FINE. SHE ALWAYS IS. 406 00:18:30,180 --> 00:18:32,642 WHAT IF WE COME UP EMPTY? 407 00:18:32,642 --> 00:18:36,416 WHO'S NAPOLITANO? OH, HE WORKED WITH RAGLAN ON A COUPLE OF DRUG BUSTS, 408 00:18:36,416 --> 00:18:38,418 BUT HE WAS AT HIS DAUGHTER'S WEDDING 409 00:18:38,418 --> 00:18:41,351 THE NIGHT BOB ARMEN WAS SHOT, SO HE'S NOT OUR THIRD COP. WHERE IS HE NOW? 410 00:18:41,351 --> 00:18:43,823 HE DIED OF HEART FAILURE BACK IN 1993. 411 00:18:43,823 --> 00:18:46,696 WHY ARE YOU ASKING ABOUT NAPOLITANO? UH, HE AND RAGLAN ARE LISTED 412 00:18:46,696 --> 00:18:48,698 AS THE ARRESTING OFFICERS ON THIS REPORT, 413 00:18:48,698 --> 00:18:50,700 BUT THIS HAS BEEN ALTERED. 414 00:18:50,700 --> 00:18:53,163 WHAT? HOW CAN YOU TELL? 415 00:18:53,163 --> 00:18:55,905 BECAUSE I KNOW TYPEWRITERS. 416 00:18:55,905 --> 00:18:59,169 OLDER TYPEWRITERS USE CLOTH RIBBON. 417 00:18:59,169 --> 00:19:01,841 IF YOU LOOK CLOSELY, YOU CAN SEE THE STRIATIONS IN THE TYPEFACE. 418 00:19:01,841 --> 00:19:04,314 NEWER TYPEWRITERS USED FILM RIBBON. 419 00:19:04,314 --> 00:19:06,776 (beeps) SOMEBODY WHITED OUT... 420 00:19:06,776 --> 00:19:09,249 (beeping) THE ASSISTING OFFICER'S NAME ON THIS REPORT, 421 00:19:09,249 --> 00:19:12,322 PHOTOCOPIED IT, AND THEN TYPED IN NAPOLITANO'S NAME. 422 00:19:12,322 --> 00:19:14,184 IT'S A COVER-UP, LITERALLY. 423 00:19:14,184 --> 00:19:16,626 I'LL BE DAMNED. WHAT ARE YOU DOING? 424 00:19:16,626 --> 00:19:19,229 WELL, DOCUMENTS HAVE A WAY OF DISAPPEARING IN THIS CASE. 425 00:19:19,229 --> 00:19:21,231 (cell phone beeps, second cell phone chimes) 426 00:19:21,231 --> 00:19:24,294 THIS WAY, WE ALL HAVE IT. LET'S SHOW CAP. 427 00:19:24,294 --> 00:19:26,165 SON OF A BITCH WENT THROUGH 428 00:19:26,165 --> 00:19:28,238 A LOT OF TROUBLE TO COVER HIS TRACKS. 429 00:19:28,238 --> 00:19:31,241 WE FOUND TWO OTHER REPORTS WHERE NAPOLITANO'S NAME WAS ADDED ON. WE FIGURE WHOEVER DID THEM 430 00:19:31,241 --> 00:19:34,444 HAD TO HAVE DONE SO AFTER ARMEN'S MURDER. BUT BEFORE WE WENT DIGITAL. 431 00:19:34,444 --> 00:19:36,446 THAT'S OVER TEN YEARS. YOU'RE TALKING ABOUT 432 00:19:36,446 --> 00:19:38,848 THOUSANDS OF OFFICERS WALKING IN AND OUT OF THE RECORDS ROOM. YEAH, BUT WHOEVER TOOK 433 00:19:38,848 --> 00:19:40,850 THEIR NAME OFF THOSE REPORTS WOULD'VE HAD TO GO 434 00:19:40,850 --> 00:19:43,853 PHYSICALLY GET THEM FROM THE RECORDS ROOM. FIND OUT WHO WAS MANNING 435 00:19:43,853 --> 00:19:45,855 THE RECORDS DESK DURING THAT TIME. 436 00:19:45,855 --> 00:19:48,858 MAYBE THAT SOMEONE REMEMBERS LOOKING THE OTHER WAY. (Esposito) RIGHT. 437 00:19:48,858 --> 00:19:50,320 WHAT? 438 00:19:50,320 --> 00:19:53,463 CONTINUE MISSION? 439 00:19:53,463 --> 00:19:55,465 IF LOCKWOOD ISN'T GOING AFTER THE THIRD COP, 440 00:19:55,465 --> 00:19:57,267 THEN WHO'S THE MISSION? 441 00:19:57,267 --> 00:19:59,229 I PUT A PROTECTIVE DETAIL ON HER--PLAINCLOTHES. 442 00:19:59,229 --> 00:20:02,302 THESE GUYS ARE GOOD. GOOD ENOUGH TO STOP LOCKWOOD? 443 00:20:02,302 --> 00:20:05,635 LOOK, SHE'S NOT GONNA STOP, AND THE NEXT TIME HE SEES HER, 444 00:20:05,635 --> 00:20:07,977 ONE OF THEM IS GONNA DIE. 445 00:20:07,977 --> 00:20:10,440 TAKE HER OFF THE CASE. 446 00:20:10,440 --> 00:20:13,583 CASTLE, DID BECKETT EVER TELL YOU HOW WE MET? 447 00:20:13,583 --> 00:20:14,844 NO. 448 00:20:14,844 --> 00:20:18,588 I WAS WORKING LATE ONE NIGHT AND WENT DOWN TO ARCHIVES 449 00:20:18,588 --> 00:20:20,590 TO LOCATE SOME OLD REPORTS. 450 00:20:20,590 --> 00:20:22,592 AND THERE SHE WAS, WITH A FLASHLIGHT 451 00:20:22,592 --> 00:20:24,724 AND A BANKERS BOX OPEN ON HER LAP, 452 00:20:24,724 --> 00:20:26,396 STUDYING THIS UNSOLVED. 453 00:20:26,396 --> 00:20:28,398 SHE WAS A PATROL COP THEN. 454 00:20:28,398 --> 00:20:30,530 SHE WASN'T EVEN AUTHORIZED TO BE DOWN THERE. 455 00:20:30,530 --> 00:20:32,532 WHEN I ASKED HER WHAT THE HELL SHE WAS DOING, 456 00:20:32,532 --> 00:20:34,534 SHE TOLD ME, THIS WAS HER MOTHER'S CASE 457 00:20:34,534 --> 00:20:37,006 AND SHE'D FOUND SOME THINGS THAT DIDN'T ADD UP. 458 00:20:37,006 --> 00:20:40,440 NOW I COULD'VE WRITTEN HER UP RIGHT THEN. WHY DIDN'T YOU? 459 00:20:40,440 --> 00:20:42,442 BECAUSE I KNEW IT WOULDN'T STOP HER. 460 00:20:42,442 --> 00:20:44,444 IT WAS THERE IN HER EYES, MAN, AND I THOUGHT... 461 00:20:44,444 --> 00:20:46,446 (chuckles) WITH THIS KID'S TENACITY AND SOME TRAINING, 462 00:20:46,446 --> 00:20:50,450 I MEAN, SHE'D MAKE A HELL OF A HOMICIDE. THAT TENACITY IS GONNA GET HER KILLED. 463 00:20:50,450 --> 00:20:52,452 I CANNOT... 464 00:20:52,452 --> 00:20:55,585 MAKE BECKETT STAND DOWN, CASTLE. 465 00:20:55,585 --> 00:20:57,327 I NEVER COULD, 466 00:20:57,327 --> 00:21:00,460 AND THE WAY I FIGURE, THE ONLY ONE WHO CAN... 467 00:21:00,460 --> 00:21:02,862 IS YOU. 468 00:21:06,596 --> 00:21:08,368 (knock on door) 469 00:21:08,368 --> 00:21:10,740 (lock clicks) 470 00:21:10,740 --> 00:21:12,902 CAN I COME IN? 471 00:21:12,902 --> 00:21:14,043 YEAH. 472 00:21:14,043 --> 00:21:15,645 SO WE WENT OVER 473 00:21:15,645 --> 00:21:17,947 ALL OF RAGLAN AND McCALLISTER'S OLD ARREST RECORDS, 474 00:21:17,947 --> 00:21:19,549 AND YOU WERE RIGHT. 475 00:21:19,549 --> 00:21:21,551 THERE WAS A THIRD COP THAT WAS WITH THEM 476 00:21:21,551 --> 00:21:23,513 ON A LOT OF THOSE ARRESTS. 477 00:21:23,513 --> 00:21:25,515 BUT THEN SOMEONE WENT BACK INTO THOSE REPORTS 478 00:21:25,515 --> 00:21:28,017 AND REMOVED THEIR NAME, SO RYAN AND ESPOSITO ARE RIGHT NOW 479 00:21:28,017 --> 00:21:31,321 LOOKING INTO WHO WAS RUNNING THE RECORDS ROOM BACK THEN. CASTLE, YOU COULDN'T HAVE JUST CALLED ME 480 00:21:31,321 --> 00:21:33,323 AND TOLD ME THIS OVER THE PHONE? 481 00:21:33,323 --> 00:21:36,065 WELL, YEAH, I... I THOUGHT THAT... 482 00:21:36,065 --> 00:21:39,599 CASTLE, IF YOU GOT SOMETHING TO SAY, JUST PLEASE SAY IT. 483 00:21:41,000 --> 00:21:44,934 BECKETT, EVERYONE ASSOCIATED WITH THIS CASE IS DEAD. 484 00:21:44,934 --> 00:21:46,676 EVERYONE. 485 00:21:46,676 --> 00:21:48,678 FIRST YOUR MOM AND HER COLLEAGUES, 486 00:21:48,678 --> 00:21:50,410 THEN RAGLAN, THEN McCALLISTER. 487 00:21:50,410 --> 00:21:52,882 YOU KNOW THEY'RE COMING FOR YOU NEXT. 488 00:21:52,882 --> 00:21:55,615 CAPTAIN MONTGOMERY'S GOT A PROTECTIVE DETAIL ON ME. 489 00:21:55,615 --> 00:21:59,018 IT WASN'T THAT HARD TO SPOT. THAT'S NOT GONNA BE ENOUGH TO STOP LOCKWOOD. YOU KNOW THAT. 490 00:21:59,018 --> 00:22:01,090 THINK ABOUT WHAT THEY'RE UP AGAINST-- 491 00:22:01,090 --> 00:22:02,692 PROFESSIONAL KILLERS? 492 00:22:02,692 --> 00:22:05,054 I-I'VE BEEN WORKING WITH YOU FOR THREE YEARS. YOU KNOW ME. 493 00:22:05,054 --> 00:22:07,657 I AM THE GUY WHO SAYS WE CAN MOVE THAT RUBBER TREE PLANT. 494 00:22:07,657 --> 00:22:09,058 BUT YOU KNOW WHAT, BECKETT? 495 00:22:09,058 --> 00:22:11,060 I DON'T THINK WE'RE GONNA WIN THIS. 496 00:22:11,060 --> 00:22:14,464 CASTLE, THEY KILLED MY MOTHER. WHAT DO YOU WANT ME TO DO HERE? 497 00:22:14,464 --> 00:22:16,736 WALK AWAY. 498 00:22:18,508 --> 00:22:20,610 THEY'RE GONNA KILL YOU, KATE. 499 00:22:20,610 --> 00:22:23,743 AND IF YOU DON'T CARE ABOUT THAT... 500 00:22:23,743 --> 00:22:25,745 AT LEAST THINK ABOUT HOW THAT'S GONNA AFFECT 501 00:22:25,745 --> 00:22:27,346 THE PEOPLE THAT LOVE YOU. 502 00:22:27,346 --> 00:22:30,079 YOU REALLY WANT TO PUT YOUR DAD THROUGH THAT? 503 00:22:30,079 --> 00:22:33,022 AND WHAT ABOUT JOSH? AND WHAT ABOUT YOU, RICK? 504 00:22:33,022 --> 00:22:35,955 WELL, OF COURSE I DON'T WANT ANYTHING TO HAPPEN TO YOU. 505 00:22:35,955 --> 00:22:39,358 I'M YOUR PARTNER. I'M YOUR FRIEND. IS THAT WHAT WE ARE? 506 00:22:39,358 --> 00:22:42,091 OH, YOU KNOW WHAT? I DON'T KNOWWHATWE ARE. 507 00:22:42,091 --> 00:22:44,564 WE KISS AND THEN WE NEVER TALK ABOUT IT. 508 00:22:44,564 --> 00:22:46,866 WE NEARLY DIE FROZEN IN EACH OTHER'S ARMS, 509 00:22:46,866 --> 00:22:49,138 BUT WE NEVER TALK ABOUT IT, 510 00:22:49,138 --> 00:22:52,001 SO NO, I GOT NO CLUE WHAT WE ARE. 511 00:22:52,001 --> 00:22:56,005 I KNOW I DON'T WANT TO SEE YOU THROW YOUR LIFE AWAY. YEAH, WELL, LAST TIME I CHECKED, IT WAS MY LIFE, 512 00:22:56,005 --> 00:22:57,747 NOT YOUR PERSONAL JUNGLE GYM. 513 00:22:57,747 --> 00:22:59,749 AND FOR THE PAST THREE YEARS, 514 00:22:59,749 --> 00:23:02,782 I HAVE BEEN RUNNING AROUND WITH THE SCHOOL'S FUNNIEST KID. 515 00:23:02,782 --> 00:23:06,816 AND IT'S NOT ENOUGH. YOU KNOW WHAT? THIS ISN'T ABOUT YOUR MOTHER'S CASE ANYMORE. 516 00:23:06,816 --> 00:23:09,018 THIS IS ABOUT YOU NEEDING A PLACE TO HIDE, 517 00:23:09,018 --> 00:23:11,621 BECAUSE YOU'VE BEEN CHASING THIS THING SO LONG, 518 00:23:11,621 --> 00:23:15,024 YOU'RE AFRAID TO FIND OUT WHO YOU ARE WITHOUT IT. YOU DON'T KNOW ME, CASTLE. 519 00:23:15,024 --> 00:23:18,628 YOUTHINKYOU DO, BUT YOU DON'T. I KNOW YOU CRAWLED INSIDE YOUR MOTHER'S MURDER 520 00:23:18,628 --> 00:23:20,500 AND DIDN'T COME OUT. 521 00:23:20,500 --> 00:23:22,802 I KNOW YOU HIDE THERE 522 00:23:22,802 --> 00:23:25,404 THE SAME WAY YOU HIDE IN THESE NOWHERE RELATIONSHIPS 523 00:23:25,404 --> 00:23:27,036 WITH MEN YOU DON'T LOVE. 524 00:23:27,036 --> 00:23:29,609 YOU COULD BE HAPPY, KATE. 525 00:23:29,609 --> 00:23:32,141 YOU DESERVE TO BE HAPPY. 526 00:23:32,141 --> 00:23:36,486 BUT YOU'RE AFRAID. 527 00:23:36,486 --> 00:23:38,488 YOU KNOW WHAT WE ARE, CASTLE? 528 00:23:38,488 --> 00:23:40,149 WE ARE OVER. 529 00:23:40,149 --> 00:23:42,191 NOW GET OUT. 530 00:24:06,646 --> 00:24:08,117 (grunts) 531 00:24:08,117 --> 00:24:09,519 (clatters) 532 00:24:09,519 --> 00:24:12,151 OH, MY GOD! WHAT THE HELL'S GOING ON HERE? 533 00:24:12,151 --> 00:24:14,183 NOTHING. I'M SORRY. GO BACK TO BED. 534 00:24:14,183 --> 00:24:16,185 THERE'S ONLY ONE PERSON ON THE PLANET 535 00:24:16,185 --> 00:24:18,528 THAT CAN GET YOU THIS PISSED OFF. 536 00:24:18,528 --> 00:24:20,029 (sighs) 537 00:24:20,029 --> 00:24:22,031 SHE'S GOING TO GET HERSELF KILLED. 538 00:24:22,031 --> 00:24:23,763 SHE'S A GROWN WOMAN. 539 00:24:23,763 --> 00:24:25,765 SHE'S A HOMICIDE DETECTIVE, FOR GOD SAKES. 540 00:24:25,765 --> 00:24:27,767 IT'S HER JOB. IT'S HER LIFE. 541 00:24:27,767 --> 00:24:30,640 IF ANYTHING HAPPENS TO HER... 542 00:24:30,640 --> 00:24:32,241 (mutters) 543 00:24:32,241 --> 00:24:33,973 GO ON. 544 00:24:33,973 --> 00:24:35,545 I... 545 00:24:35,545 --> 00:24:37,076 OH, RICHARD, RICHARD. 546 00:24:37,076 --> 00:24:39,679 FOR A MAN WHO MAKES HIS LIVING WITH WORDS, 547 00:24:39,679 --> 00:24:43,052 YOU SURE HAVE A HELL OF A TIME FINDING THEM WHEN IT COUNTS. 548 00:24:43,052 --> 00:24:44,654 DARLING... 549 00:24:44,654 --> 00:24:47,657 LET ME GIVE YOU A WORD OF ADVICE, ALL RIGHT, 550 00:24:47,657 --> 00:24:50,660 FROM SOMEONE WHO'S BETTER THAN HALFWAY THROUGH THE MOVIE. 551 00:24:50,660 --> 00:24:54,764 DON'T WASTE ANOTHER MINUTE OF IT. 552 00:24:54,764 --> 00:24:59,168 ROY, I AM OVER IT. I MEAN IT. I WANT HIM GONE. 553 00:24:59,168 --> 00:25:00,900 OKAY. HE'S GONE. 554 00:25:00,900 --> 00:25:02,632 WHAT? 555 00:25:02,632 --> 00:25:05,074 YOU WANT CASTLE GONE? HE'S GONE. 556 00:25:05,074 --> 00:25:07,076 W--I--WHAT-- WHAT ABOUT THE MAYOR? 557 00:25:07,076 --> 00:25:08,908 (laughs) THIS IS MY HOUSE, KATE. 558 00:25:08,908 --> 00:25:10,910 THE MAYOR DOESN'T CALL THE SHOTS HERE. I DO. 559 00:25:10,910 --> 00:25:13,913 YOU OUGHT TO KNOW THAT BY NOW. 560 00:25:13,913 --> 00:25:16,846 BUT I-I TH-- I COULD'VE KICKED CASTLE TO THE CURB YEARS AGO-- 561 00:25:16,846 --> 00:25:18,848 ANYTIME I WANTED TO. (sighs) 562 00:25:18,848 --> 00:25:20,920 ONLY REASON I KEPT HIM AROUND THIS LONG 563 00:25:20,920 --> 00:25:24,994 WAS BECAUSE I SAW HOW GOOD HE WAS FOR YOU. 564 00:25:24,994 --> 00:25:27,126 KATE... 565 00:25:27,126 --> 00:25:29,128 YOU'RE THE BEST THAT I'VE EVER TRAINED, 566 00:25:29,128 --> 00:25:31,200 MAYBE THE BEST I'VE EVER SEEN. 567 00:25:31,200 --> 00:25:34,764 BUT YOU WEREN'T HAVING ANY FUN BEFORE HE CAME ALONG. 568 00:25:34,764 --> 00:25:37,536 (flask lid rattles) 569 00:25:39,308 --> 00:25:41,911 WE SPEAK FOR THE DEAD. 570 00:25:41,911 --> 00:25:43,843 THAT'S THE JOB. 571 00:25:43,843 --> 00:25:45,845 WE ARE ALL THEY'VE GOT 572 00:25:45,845 --> 00:25:49,048 ONCE THE WICKED ROB THEM OF THEIR VOICES. 573 00:25:49,048 --> 00:25:51,781 WE OWE THEM THAT. 574 00:25:51,781 --> 00:25:54,183 BUT WE DON'T OWE 'EM OUR LIVES. 575 00:25:57,927 --> 00:26:00,129 (whispers) HE SAID THAT WE CAN'T WIN THIS. 576 00:26:00,129 --> 00:26:02,331 HE'S RIGHT. 577 00:26:02,331 --> 00:26:05,134 I'VE SPENT MOST OF MY LIFE WALKING BEHIND THIS BADGE, 578 00:26:05,134 --> 00:26:07,737 AND I CAN TELL YOU THIS FOR A FACT-- 579 00:26:07,737 --> 00:26:09,268 THERE ARE NO VICTORIES. 580 00:26:09,268 --> 00:26:11,570 THERE'S ONLY THE BATTLE. 581 00:26:11,570 --> 00:26:13,572 AND THE BEST THAT YOU COULD HOPE FOR 582 00:26:13,572 --> 00:26:17,647 IS THAT YOU FIND SOMEPLACE WHERE YOU CAN MAKE YOUR STAND. 583 00:26:17,647 --> 00:26:20,309 IF THIS IS YOUR SPOT... 584 00:26:20,309 --> 00:26:24,053 I WILL STAND WITH YOU. 585 00:26:26,055 --> 00:26:28,688 (Ryan) I REALLY DON'T THINK A BADGE IS BEHIND ALL THIS. 586 00:26:28,688 --> 00:26:30,690 NO ONE ON THE JOB HAS THIS KIND OF JUICE. 587 00:26:30,690 --> 00:26:32,692 IF HE WORKED WITH McCALLISTER AND RAGLAN, 588 00:26:32,692 --> 00:26:34,694 HE'S PROBABLY LONG RETIRED BY NOW. 589 00:26:34,694 --> 00:26:37,667 I MEAN, HE COULD BE IN PRIVATE SECURITY, POLITICS, BUSINESS. 590 00:26:37,667 --> 00:26:39,669 MAN, I CAN'T BELIEVE I GOTTA CALL THESE GUYS. 591 00:26:39,669 --> 00:26:42,201 YOU KNOW HOW PENSION GUYS LOVE TO TALK. 592 00:26:42,201 --> 00:26:44,203 I BET I'M GONNA BE ON THE PHONE FOR HOURS 593 00:26:44,203 --> 00:26:46,706 LISTENING TO STORIES ABOUT THE GLORY DAYS. HEY, LISTEN TO THIS-- 594 00:26:46,706 --> 00:26:48,107 MIKE YANAVICH, SERGEANT, 595 00:26:48,107 --> 00:26:50,109 ASSIGNED TO THE RECORDS ROOM FROM '02 TO '05. 596 00:26:50,109 --> 00:26:53,082 IT SAYS HE RAN IT RIGHT UP UNTIL HE RETIRED, 597 00:26:53,082 --> 00:26:55,084 AND YANAVICH GRADUATED FROM THE ACADEMY 598 00:26:55,084 --> 00:26:57,717 IN THE SAME CLASS AS GARY McCALLISTER 599 00:26:57,717 --> 00:27:00,650 AND JOHN RAGLAN. WELL, MAYBE HE'S OUR THIRD COP. WHERE IS HE? 600 00:27:00,650 --> 00:27:03,953 (keyboard keys click) LOOKS LIKE YANAVICH RELOCATED TO MIAMI BEACH AFTER HE RETIRED. 601 00:27:03,953 --> 00:27:05,955 CONTACT MIAMI-DADE P.D. IN THE MORNING. 602 00:27:05,955 --> 00:27:07,927 SEE IF THEY CAN VERIFY HIS ADDRESS. 603 00:27:07,927 --> 00:27:10,199 WE'LL FLY DOWN TO MIAMI TO GET HIM IF WE HAVE TO. 604 00:27:18,237 --> 00:27:19,839 (switch clicks) 605 00:27:19,839 --> 00:27:21,841 HELLO, ROY. 606 00:27:21,841 --> 00:27:24,013 (bottle clanks) 607 00:27:24,013 --> 00:27:26,015 YOU'RE NOT THAT FAST. 608 00:27:26,015 --> 00:27:28,678 BESIDES, THEY'RE ALL UPSTAIRS ASLEEP, 609 00:27:28,678 --> 00:27:30,349 SAFE AND SOUND. 610 00:27:30,349 --> 00:27:32,822 AND THEY'RE NOT ON TONIGHT'S MENU. 611 00:27:32,822 --> 00:27:36,886 BUT IF YOU WAKE 'EM UP, WELL, THEN I GOTTA ORDER OFF THE MENU. 612 00:27:36,886 --> 00:27:38,688 WHAT DO YOU WANT? 613 00:27:38,688 --> 00:27:41,190 HE'S VERY DISAPPOINTED, ROY. 614 00:27:41,190 --> 00:27:43,062 WE ALL ARE. 615 00:27:43,062 --> 00:27:45,064 I MEAN, D-DID YOU NOT UNDERSTAND 616 00:27:45,064 --> 00:27:47,266 THE CONDITIONS OF THE AGREEMENT? 617 00:27:47,266 --> 00:27:51,200 BECKETT STAYS ALIVE AS LONG AS YOU KEEP HER ON A LEASH. 618 00:27:51,200 --> 00:27:53,342 THAT'S THE DEAL THAT YOU MADE WITH HIM. 619 00:27:53,342 --> 00:27:55,344 BUT YOU'RE NOT HOLDING UP YOUR END. 620 00:27:55,344 --> 00:27:57,076 AND THAT'S UNFORTUNATE, 621 00:27:57,076 --> 00:27:59,678 BECAUSE SHE REALLY IS A LOVELY GIRL. 622 00:27:59,678 --> 00:28:02,982 BUT NOW WE'VE REACHED A... CRITICAL STAGE, 623 00:28:02,982 --> 00:28:06,085 AND I HAVE TO CAP THE WELL. 624 00:28:06,085 --> 00:28:08,858 SO HERE'S THE NEWS-- 625 00:28:08,858 --> 00:28:11,861 TOMORROW NIGHT, YOU'RE GONNA CALL OFF THAT PROTECTIVE DETAIL 626 00:28:11,861 --> 00:28:13,262 THAT YOU HAVE ON HER, 627 00:28:13,262 --> 00:28:15,264 AND THEN YOU'RE GONNA GET HER 628 00:28:15,264 --> 00:28:18,227 TO MEET YOU AT THE HANGAR WHERE WE STASHED THE BIRD. 629 00:28:18,227 --> 00:28:21,200 I DON'T CARE HOW YOU DO IT, JUST GET HER THERE, 630 00:28:21,200 --> 00:28:23,973 AND WE'LL HANDLE THE REST. GO TO HELL. 631 00:28:26,976 --> 00:28:29,939 WELL, THEN YOU HAVE A DECISION TO MAKE. 632 00:28:29,939 --> 00:28:32,081 YOU CAN HAVE BECKETT... 633 00:28:32,081 --> 00:28:34,984 OR YOU CAN HAVE YOUR FAMILY. 634 00:28:34,984 --> 00:28:38,217 BUT YOU CAN'T HAVE BOTH. 635 00:28:38,217 --> 00:28:39,949 LOOK AT IT THIS WAY-- 636 00:28:39,949 --> 00:28:41,951 IF YOU AND RAGLAN AND McCALLISTER 637 00:28:41,951 --> 00:28:44,854 HADN'T SINNED SO SPECTACULARLY, 638 00:28:44,854 --> 00:28:48,828 THEN GOD WOULDN'T HAVE SENT A PUNISHMENT LIKE ME. 639 00:28:58,838 --> 00:29:01,410 COME ON. WE'RE GONNA BE LATE. COME ON. 640 00:29:01,410 --> 00:29:03,112 WHERE ARE MY GIRLS? (laughs) 641 00:29:03,112 --> 00:29:05,074 COME AND GIVE YOUR OLD MAN A KISS. 642 00:29:05,074 --> 00:29:06,976 MWAH. LOOK AT YOU. 643 00:29:06,976 --> 00:29:09,478 HEY, GET OFF THAT PHONE AND GIVE ME A KISS. 644 00:29:09,478 --> 00:29:11,420 (kisses) 645 00:29:11,420 --> 00:29:14,223 YOU KNOW, I'M SO PROUD OF BOTH OF YOU. 646 00:29:14,223 --> 00:29:15,885 DAD. 647 00:29:15,885 --> 00:29:17,887 COME ON. IN THE CAR, YOU TWO. 648 00:29:17,887 --> 00:29:19,889 COME ON. LET'S GO. BYE, DAD. 649 00:29:19,889 --> 00:29:22,091 BYE-BYE. BYE. 650 00:29:22,091 --> 00:29:25,234 (girls speaking indistinctly) 651 00:29:27,236 --> 00:29:29,168 WHAT'S THAT FOR? 652 00:29:29,168 --> 00:29:32,501 I LOVE YOU. 653 00:29:32,501 --> 00:29:34,243 I KNOW. 654 00:29:42,852 --> 00:29:46,856 ♪♪♪ 655 00:30:14,413 --> 00:30:16,245 (gun clicks) 656 00:30:25,394 --> 00:30:29,258 (cell phone rings) 657 00:30:29,258 --> 00:30:32,101 (ring 658 00:30:32,101 --> 00:30:34,303 (indistinct conversations) 659 00:30:34,303 --> 00:30:35,965 (rings and beeps) 660 00:30:35,965 --> 00:30:37,836 THAT WAS MIAMI-DADE. 661 00:30:37,836 --> 00:30:40,239 APPARENTLY YANAVICH DIDN'T CARE TOO MUCH FOR THE SUN AND SAND. 662 00:30:40,239 --> 00:30:42,972 HE WAS ONLY THERE FOR A YEAR, AND THEN HE MOVED 663 00:30:42,972 --> 00:30:45,975 BACK TO BROOKLYN, BOUGHT THAT COP BAR OUT ON FULTON. 664 00:30:45,975 --> 00:30:48,978 HOW DOES YANAVICH AFFORD A BAR ON A COP'S PENSION? 665 00:30:48,978 --> 00:30:51,250 WHY DON'T WE ASK HIM? 666 00:30:51,250 --> 00:30:53,252 WE BETTER HANDLE THIS, BRO. 667 00:30:53,252 --> 00:30:56,855 LET'S SEE WHAT WE GOT BEFORE WE BRING HER IN ON THIS. 668 00:30:56,855 --> 00:31:00,459 (indistinct conversations continue) 669 00:31:00,459 --> 00:31:04,263 (cell phone rings) 670 00:31:04,263 --> 00:31:07,266 (rings and beeps) 671 00:31:07,266 --> 00:31:09,568 SIR. Beckett, I think we have a lead. 672 00:31:09,568 --> 00:31:11,300 WHAT'D YOU FIND? 673 00:31:11,300 --> 00:31:13,973 MEET ME AT THE HANGAR WHERE WE FOUND THE STOLEN CHOPPER, 674 00:31:13,973 --> 00:31:16,375 AND I'LL EXPLAIN EVERYTHING THERE. OKAY. I'M ON MY WAY. 675 00:31:16,375 --> 00:31:18,577 (phone beeps) 676 00:31:18,577 --> 00:31:20,509 (receiver clatters) 677 00:31:22,381 --> 00:31:24,653 ♪♪♪ 678 00:31:24,653 --> 00:31:26,655 ...MAYBE IN THE HALL OF FAME, WHO KNOWS? 679 00:31:26,655 --> 00:31:29,118 MIKE YANAVICH? THAT'S ME. 680 00:31:29,118 --> 00:31:31,890 DETECTIVE ESPOSITO, AND THIS IS DETECTIVE RYAN. 681 00:31:31,890 --> 00:31:33,993 CAN WE TALK TO YOU FOR A MINUTE? 682 00:31:33,993 --> 00:31:35,394 SURE. WANT A DRINK? 683 00:31:35,394 --> 00:31:37,997 YOU OWN THIS PLACE? FREE AND CLEAR. 684 00:31:37,997 --> 00:31:40,129 HOW DO YOU MANAGE THAT ON A COP'S PENSION 685 00:31:40,129 --> 00:31:43,132 IF YOU DON'T MIND ME ASKING? YOU GET SHOT ON THE JOB, 686 00:31:43,132 --> 00:31:46,005 START DRAWING A DISABILITY PENSION AFTER YOU RETIRE. 687 00:31:46,005 --> 00:31:48,537 YOU WORKED THE RECORDS ROOM AT THE 12th, RIGHT? 688 00:31:48,537 --> 00:31:50,339 DECADE AGO. SO WHAT? 689 00:31:50,339 --> 00:31:52,311 SOME RECORDS WENT MISSING ON YOUR WATCH, 690 00:31:52,311 --> 00:31:54,643 AND SOME GOT ALTERED. 691 00:31:54,643 --> 00:31:56,515 YEAH, WELL, I DON'T DOUBT IT. 692 00:31:56,515 --> 00:31:58,517 I MEAN, UH, IT WASN'T LIKE IT IS TODAY. 693 00:31:58,517 --> 00:32:01,650 WE DIDN'T MAKE A FEDERAL CASE OUT OF EVERYTHING BACK THEN. 694 00:32:01,650 --> 00:32:03,652 YOU GRADUATED FROM THE POLICE ACADEMY 695 00:32:03,652 --> 00:32:06,255 WITH JOHN RAGLAN AND GARY McCALLISTER. 696 00:32:06,255 --> 00:32:09,258 MM-HMM, AND 40 OTHER GUYS. LISTEN, I READ THE PAPERS. 697 00:32:09,258 --> 00:32:12,161 I KNOW RAGLAN AND McCALLISTER ROAD DIRTY, 698 00:32:12,161 --> 00:32:14,663 BUT I DIDN'T HAVE ANY PART OF IT. 699 00:32:14,663 --> 00:32:17,536 I MEAN, I KNEW 'EM TO SAY HI, TALK SOME BASEBALL, 700 00:32:17,536 --> 00:32:19,538 MAYBE BITCH ABOUT THE A.C.L.U. 701 00:32:19,538 --> 00:32:22,011 THEY USED TO DRINK HERE BEFORE I BOUGHT THE PLACE. 702 00:32:22,011 --> 00:32:24,673 DO YOU KNOW IF RAGLAN OR McCALLISTER 703 00:32:24,673 --> 00:32:26,415 WERE TIGHT WITH ANYBODY ELSE? 704 00:32:26,415 --> 00:32:29,418 YEAH. SOME BLACK KID USED TO FOLLOW 'EM AROUND, A ROOKIE. 705 00:32:29,418 --> 00:32:32,321 I GOT A PICTURE OF 'EM SOMEWHERE UP HERE. 706 00:32:32,321 --> 00:32:34,023 ♪♪♪ 707 00:32:34,023 --> 00:32:37,056 YEAH. THAT'S HIM. 708 00:32:37,056 --> 00:32:39,528 THE HELL WAS HIS NAME? 709 00:32:39,528 --> 00:32:41,560 ♪♪♪ 710 00:32:41,560 --> 00:32:43,332 AH. MONTGOMERY. (snaps fingers) 711 00:32:43,332 --> 00:32:45,534 YEAH, McCALLISTER AND RAGLAN TRAINED THAT KID. 712 00:32:45,534 --> 00:32:48,537 MONTGOMERY SAID HE DIDN'T KNOW EITHER OF THESE GUYS. 713 00:32:50,539 --> 00:32:53,272 HEY! WHAT THE HELL'S THE MATTER WITH YOU? 714 00:32:55,544 --> 00:32:57,446 HEY! 715 00:32:57,446 --> 00:33:01,550 YOU KNOW IT'S HIM. MONTGOMERY'S OUR THIRD COP. 716 00:33:01,550 --> 00:33:04,153 HE'S THE ONE WHO ALTERED THOSE RECORDS. 717 00:33:04,153 --> 00:33:07,556 HOW CAN YOU EVEN SAY THAT? HOW COULD YOU EVENTHINKTHAT?! 718 00:33:07,556 --> 00:33:09,688 MONTGOMERY BROUGHT US IN TO HOMICIDE. 719 00:33:09,688 --> 00:33:12,291 WHAT DO WE GOT, A PICTURE?! THINK ABOUT IT. 720 00:33:12,291 --> 00:33:15,264 WHY ELSE DID HE WANT US TO TAKE LOCKWOOD OUT? 721 00:33:15,264 --> 00:33:17,266 BECAUSE LOCKWOOD LEADS US TO HIM. 722 00:33:17,266 --> 00:33:19,268 HE'S BEEN LYING TO US. 723 00:33:19,268 --> 00:33:21,730 HE'S BEEN LYING TO US THE WHOLE TIME. 724 00:33:21,730 --> 00:33:23,572 NO. 725 00:33:23,572 --> 00:33:25,674 HEY! GET OFF ME! 726 00:33:25,674 --> 00:33:27,136 AH. 727 00:33:27,136 --> 00:33:30,339 (both grunting) 728 00:33:30,339 --> 00:33:31,610 AAH! 729 00:33:31,610 --> 00:33:34,143 GO AHEAD! GO AHEAD! 730 00:33:34,143 --> 00:33:37,146 (grunts and pants) 731 00:33:37,146 --> 00:33:39,017 (objects clatter) 732 00:33:39,017 --> 00:33:42,020 (panting) 733 00:33:43,422 --> 00:33:45,154 BECKETT. 734 00:33:51,029 --> 00:33:54,103 CAPTAIN? 735 00:33:55,604 --> 00:33:57,035 CAPTAIN? 736 00:33:57,035 --> 00:33:58,667 OVER HERE. 737 00:33:58,667 --> 00:34:00,809 (cell phone chirps) 738 00:34:00,809 --> 00:34:02,411 (clicks phone open) 739 00:34:02,411 --> 00:34:03,542 (beeps) 740 00:34:03,542 --> 00:34:04,813 (beep) 741 00:34:37,176 --> 00:34:38,847 PUT THE GUN AWAY, ROY. 742 00:34:41,410 --> 00:34:43,552 KATE, I'M NOT GOING TO JAIL FOR THIS. 743 00:34:43,552 --> 00:34:46,155 I CAN'T PUT MY FAMILY THROUGH THAT. 744 00:34:46,155 --> 00:34:47,816 WHY? 745 00:34:47,816 --> 00:34:50,819 I WAS A ROOKIE WHEN IT HAPPENED, KATE. 746 00:34:53,292 --> 00:34:55,294 McCALLISTER AND RAGLAN WERE HEROES TO ME. 747 00:34:55,294 --> 00:34:57,596 I BELIEVED IN WHAT WE WERE DOING. 748 00:34:57,596 --> 00:35:00,369 WE WERE JUST GONNA SNATCH PULGATTI THAT NIGHT. 749 00:35:00,369 --> 00:35:03,632 BOB ARMEN WASN'T EVEN SUPPOSED TO BE THERE. 750 00:35:03,632 --> 00:35:06,835 ARMEN REACHED FOR MY GUN. THAT'S WHEN I HEARD THE SHOT. 751 00:35:06,835 --> 00:35:09,838 I DIDN'T EVEN KNOW IT WAS MY GUN THAT WENT OFF 752 00:35:09,838 --> 00:35:11,580 UNTIL ARMEN WENT DOWN. 753 00:35:11,580 --> 00:35:13,742 THEN McCALLISTER PULLED ME INTO THE VAN. 754 00:35:13,742 --> 00:35:15,484 I REMEMBER HIM SAYING, 755 00:35:15,484 --> 00:35:17,486 "IT'S OKAY, KID. IT'S NOT YOUR FAULT. 756 00:35:17,486 --> 00:35:19,518 HAPPENS IN THIS TOWN EVERY DAY." 757 00:35:19,518 --> 00:35:22,321 McCALLISTER AND RAGLAN TRIED TO DROWN IT, 758 00:35:22,321 --> 00:35:23,852 BUT NOT ME. 759 00:35:23,852 --> 00:35:25,854 I PUT IT ALL INTO THE JOB, KATE. 760 00:35:25,854 --> 00:35:28,827 I BECAME THE BEST COP I COULD BE. 761 00:35:28,827 --> 00:35:32,831 AND THEN WHEN YOU WALKED INTO THE 12th... 762 00:35:32,831 --> 00:35:35,164 I FELT THE HAND OF GOD. 763 00:35:35,164 --> 00:35:37,366 I KNEW HE WAS GIVING ME ANOTHER CHANCE, 764 00:35:37,366 --> 00:35:39,768 AND I THOUGHT, 765 00:35:39,768 --> 00:35:43,912 IF I COULD PROTECT YOU THE WAY I SHOULD'VE PROTECTED HER... 766 00:35:43,912 --> 00:35:45,714 DID YOU KILL MY MOTHER? 767 00:35:45,714 --> 00:35:47,716 NO, THAT WAS YEARS LATER, 768 00:35:47,716 --> 00:35:50,619 BUT SHE DIED BECAUSE OF WHAT WE DID THAT NIGHT. 769 00:35:50,619 --> 00:35:53,582 THEN WHO KILLED HER? I DON'T KNOW HOW, 770 00:35:53,582 --> 00:35:55,924 BUT SOMEHOW, HE FIGURED OUT WHAT WE HAD DONE, 771 00:35:55,924 --> 00:35:57,926 AND HE COULD'VE TURNED US ALL IN. 772 00:35:57,926 --> 00:36:00,789 INSTEAD, HE DEMANDED THE RANSOM MONEY. 773 00:36:00,789 --> 00:36:02,761 HE TOOK THAT MONEY TO BECOME WHAT HE IS, 774 00:36:02,761 --> 00:36:05,694 AND GOD FORGIVE ME, BUT THAT MAY BE MY GREATEST SIN. 775 00:36:05,694 --> 00:36:07,436 GIVE ME A NAME. 776 00:36:07,436 --> 00:36:09,898 YOU OWE ME THAT, ROY. NO, KATE. 777 00:36:09,898 --> 00:36:12,901 I GIVE YOU A NAME, I KNOW YOU. YOU'LL RUN STRAIGHT AT HIM. 778 00:36:12,901 --> 00:36:16,575 I MIGHT AS WELL SHOOT YOU WHERE YOU STAND. THAT'S WHY YOU BROUGHT ME HERE, ISN'T IT, TO KILL ME? 779 00:36:16,575 --> 00:36:19,448 NO, I BROUGHT YOU HERE TO LURE THEM. 780 00:36:19,448 --> 00:36:21,450 YOU BAITED THEM? (vehicle approaches) 781 00:36:21,450 --> 00:36:23,382 AND NOW THEY'RE COMING. 782 00:36:23,382 --> 00:36:25,454 I NEED YOU TO LEAVE. 783 00:36:25,454 --> 00:36:27,856 THEY ARE COMING TO KILL YOU, AND I'M NOT GONNA LET 'EM. 784 00:36:27,856 --> 00:36:30,188 I'M GONNA END THIS. I'M NOT GOING ANYWHERE, SIR. 785 00:36:30,188 --> 00:36:32,721 YES, YOU ARE. CASTLE, GET HER OUTTA HERE. 786 00:36:32,721 --> 00:36:35,394 CAPTAIN, I-- DON'T ARGUE. THAT'S WHY I CALLED YOU. 787 00:36:35,394 --> 00:36:37,666 GET HER OUTTA HERE.NOW. CAPTAIN, PLEASE. 788 00:36:37,666 --> 00:36:39,868 JUST LISTEN TO ME. YOU DON'T HAVE TO DO THIS. 789 00:36:39,868 --> 00:36:43,732 KATE-- NO, PLEASE. NO, SIR... I FORGIVE YOU. 790 00:36:43,732 --> 00:36:45,834 IFORGIVEYOU. 791 00:36:45,834 --> 00:36:48,977 THIS IS MY SPOT, KATE. 792 00:36:48,977 --> 00:36:51,980 THIS IS WHERE I STAND. (voice breaking) NO. 793 00:36:51,980 --> 00:36:54,983 CASTLE. NO, NO, SIR, PLEASE, 794 00:36:54,983 --> 00:36:57,716 LISTEN TO ME. YOU DON'T HAVE TO DO THIS. 795 00:36:57,716 --> 00:36:59,988 CASTLE, GET HER OUTTA HERE NOW! YOU DON'T HAVE TO-- 796 00:36:59,988 --> 00:37:01,890 SIR, PLEASE. KATE. KATE. 797 00:37:01,890 --> 00:37:04,723 NO. GOD, CASTLE, LET ME GO! 798 00:37:04,723 --> 00:37:07,626 NO! 799 00:37:07,626 --> 00:37:09,458 LET ME GO. PLEASE! 800 00:37:09,458 --> 00:37:13,462 NO! (crying) 801 00:37:15,334 --> 00:37:19,007 PLEASE. PLEASE. (sobs) (panting) 802 00:37:19,007 --> 00:37:22,611 (tires screech) 803 00:37:29,578 --> 00:37:31,580 SHH. SHH. OH... (sobbing) 804 00:37:31,580 --> 00:37:33,982 SHH. SHH. (whispers) I'M SORRY. SHH. SHH. 805 00:37:33,982 --> 00:37:38,357 (mouths words) 806 00:37:38,357 --> 00:37:40,729 WHERE IS SHE ROY? 807 00:37:40,729 --> 00:37:42,661 YOU CAN'T HAVE HER. 808 00:37:42,661 --> 00:37:46,765 I TOLD YOU, IT'S HER OR YOUR FAMILY. 809 00:37:49,368 --> 00:37:53,772 DON'T BE STUPID. 810 00:37:53,772 --> 00:37:55,744 YOU CAN'T HIDE HER FROM US, 811 00:37:55,744 --> 00:37:58,347 FROM ME. 812 00:37:58,347 --> 00:38:00,409 YOU GOT THAT ASS BACKWARDS, BOY. 813 00:38:00,409 --> 00:38:02,481 YOU CAN'T HIDE FROM ME. 814 00:38:02,481 --> 00:38:03,882 (gunfire) 815 00:38:03,882 --> 00:38:05,484 (thud) 816 00:38:05,484 --> 00:38:06,785 (pants) 817 00:38:06,785 --> 00:38:09,818 (grunting) 818 00:38:26,875 --> 00:38:28,737 OH! (grunts) 819 00:38:28,737 --> 00:38:30,339 (gasps) 820 00:38:30,339 --> 00:38:32,741 (pants) 821 00:38:32,741 --> 00:38:36,044 AND THAT WAS WHAT, YOUR LAST STAND? 822 00:38:36,044 --> 00:38:38,517 THAT'S JUST SAD, ROY. 823 00:38:38,517 --> 00:38:40,749 I'M JUST GONNA KILL HER ANYWAY. 824 00:38:40,749 --> 00:38:42,020 NO... 825 00:38:42,020 --> 00:38:44,022 YOU'RE NOT... 826 00:38:44,022 --> 00:38:46,094 AND HE'S NOT. 827 00:38:46,094 --> 00:38:47,896 I SAW TO THAT. 828 00:38:47,896 --> 00:38:50,529 YOU'RE DONE, LOCKWOOD. 829 00:38:50,529 --> 00:38:52,461 WE BOTH ARE. 830 00:38:52,461 --> 00:38:55,003 (gunshot) 831 00:38:55,003 --> 00:38:59,608 (panting) 832 00:38:59,608 --> 00:39:01,640 (door opens) 833 00:39:01,640 --> 00:39:03,472 (door closes) 834 00:39:03,472 --> 00:39:05,474 (panting) 835 00:39:05,474 --> 00:39:09,478 (crying) 836 00:39:09,478 --> 00:39:11,349 (sobs) 837 00:39:13,652 --> 00:39:16,655 (crying) 838 00:39:19,888 --> 00:39:22,891 (playing cadence) 839 00:39:31,640 --> 00:39:34,643 (cadence continues) 840 00:39:43,882 --> 00:39:46,615 (Beckett) NO ONE... 841 00:39:46,615 --> 00:39:50,889 NO ONE OUTSIDE OF THIS IMMEDIATE FAMILY 842 00:39:50,889 --> 00:39:53,522 EVERNEEDS TO KNOW ABOUT THIS. 843 00:39:53,522 --> 00:39:56,495 AS FAR AS THE WORLD IS CONCERNED, 844 00:39:56,495 --> 00:39:59,898 ROY MONTGOMERY DIED A HERO. 845 00:40:02,170 --> 00:40:04,172 WE OWE IT TO HIM... 846 00:40:04,172 --> 00:40:06,505 (cadence continues) 847 00:40:06,505 --> 00:40:09,778 ALL OF US. 848 00:40:09,778 --> 00:40:12,781 (cadence continues) 849 00:40:35,764 --> 00:40:38,707 (cadence continues) 850 00:40:41,640 --> 00:40:42,911 (mouths word) 851 00:40:48,917 --> 00:40:51,119 (mouths words) 852 00:40:54,052 --> 00:40:57,656 ♪♪♪ 853 00:41:00,028 --> 00:41:04,092 (Beckett) ROY MONTGOMERY TAUGHT ME 854 00:41:04,092 --> 00:41:06,765 WHAT IT MEANT TO BE A COP. 855 00:41:09,968 --> 00:41:13,041 HE TAUGHT ME THAT WE ARE BOUND BY OUR CHOICES. 856 00:41:15,043 --> 00:41:17,175 BUT WE ARE MORE THAN OUR MISTAKES. 857 00:41:19,177 --> 00:41:21,980 CAPTAIN MONTGOMERY ONCE SAID TO ME 858 00:41:21,980 --> 00:41:24,983 THAT FOR US, THERE IS NO VICTORY. 859 00:41:24,983 --> 00:41:28,256 THERE ARE ONLY BATTLES. 860 00:41:28,256 --> 00:41:31,189 AND IN THE END, THE BEST YOU CAN HOPE FOR 861 00:41:31,189 --> 00:41:34,693 IS TO FIND A PLACE TO MAKE YOUR STAND. 862 00:41:34,693 --> 00:41:37,866 AND IF YOU'RE VERY LUCKY... 863 00:41:37,866 --> 00:41:42,571 YOU FIND SOMEONE WILLING TO STAND WITH YOU. 864 00:41:48,036 --> 00:41:52,180 OUR CAPTAIN WOULD WANT US TO CARRY ON THE FIGHT. 865 00:41:54,643 --> 00:41:56,514 AND EVEN IF THERE IS... 866 00:41:56,514 --> 00:41:58,847 (speaks inaudibly) 867 00:41:58,847 --> 00:42:00,188 (gunshot) KATE! 868 00:42:00,188 --> 00:42:01,790 (grunts) 869 00:42:01,790 --> 00:42:03,051 (screaming) (man) DOWN! EVERYBODY, DOWN! 870 00:42:03,051 --> 00:42:05,253 (Ryan) WHERE'D THE SHOT COME FROM? LANIE, GET DOWN! 871 00:42:05,253 --> 00:42:07,926 (gasping) (man) SHOT CAME FROM THE NORTHEAST! 872 00:42:07,926 --> 00:42:09,928 (man) BECKETT'S DOWN! BECKETT'S DOWN! NO, NO, NO, KATE. 873 00:42:09,928 --> 00:42:11,660 (man) FIND THAT SHOOTER! SHH. 874 00:42:11,660 --> 00:42:13,802 (continues gasping) KATE, PLEASE. 875 00:42:13,802 --> 00:42:15,734 STAY WITH ME, KATE. 876 00:42:15,734 --> 00:42:18,807 DON'T LEAVE ME. PLEASE. (continues gasping) 877 00:42:18,807 --> 00:42:21,039 STAY WITH ME, OKAY? 878 00:42:21,039 --> 00:42:23,712 (continues gasping) KATE... 879 00:42:23,712 --> 00:42:25,774 I LOVE YOU. 880 00:42:25,774 --> 00:42:27,716 I LOVE YOU, KATE.