1 00:00:01,532 --> 00:00:04,535 ♪♪♪ 2 00:00:17,148 --> 00:00:18,789 WHOA, WHOA, WHOA, WHOA! HEY, PAL, 3 00:00:18,789 --> 00:00:21,222 YOU CAN'T CUT THROUGH HERE. IT'S PRIVATE PROPERTY. SORRY ABOUT THAT. 4 00:00:24,355 --> 00:00:25,556 OH, MY GOD. 5 00:00:33,604 --> 00:00:35,236 OH, CASTLE, 6 00:00:35,236 --> 00:00:37,438 I WISH WE COULD STAY LIKE THIS ALL MORNING. 7 00:00:37,438 --> 00:00:38,439 YEAH. 8 00:00:38,439 --> 00:00:41,072 AMONG OTHER POSITIONS. 9 00:00:41,072 --> 00:00:42,673 DO YOU KNOW WHAT MY FAVORITE POSITION IS? 10 00:00:43,774 --> 00:00:45,276 IN PERSON. 11 00:00:45,276 --> 00:00:48,149 (inhales and sighs) 12 00:00:48,149 --> 00:00:49,450 YEAH, MINE, TOO. 13 00:00:49,450 --> 00:00:51,752 You know what? Maybe I can fly up this weekend 14 00:00:51,752 --> 00:00:54,225 if there's no new cases. I WOULD SO MAKE IT WORTH YOUR WHILE. 15 00:00:54,225 --> 00:00:55,586 (cell phone chimes) 16 00:00:55,586 --> 00:00:58,259 (groans) OH, NO. IT'S THE OFFICE. 17 00:00:58,259 --> 00:00:59,790 I HAVE TO CALL IN. 18 00:00:59,790 --> 00:01:01,132 AND THERE GOES OUR WEEKEND TRYST. 19 00:01:01,132 --> 00:01:03,394 NO, MAYBE NOT. MAYBE IT'S NOT A CASE. 20 00:01:03,394 --> 00:01:05,336 Oh, it's always a case. 21 00:01:05,336 --> 00:01:06,737 HEY, MAYBE, UH, DON'T YOU WANT TO TAKE 22 00:01:06,737 --> 00:01:08,169 A QUICK SHOWER BEFORE WORK? 23 00:01:08,169 --> 00:01:10,341 Maybe you could take the phone in with you. 24 00:01:10,341 --> 00:01:13,244 IT IS WATERPROOF. 25 00:01:13,244 --> 00:01:14,205 MAYBE LATER. 26 00:01:14,205 --> 00:01:15,206 I'LL HOLD YOU TO THAT. 27 00:01:15,206 --> 00:01:16,707 OKAY. (kisses) 28 00:01:19,110 --> 00:01:22,113 (sighs) (cell phone beeps) 29 00:01:22,113 --> 00:01:25,216 (grinding) 30 00:01:25,216 --> 00:01:29,089 (Pi laughing and speaking indistinctly) 31 00:01:29,089 --> 00:01:30,321 PI. 32 00:01:30,321 --> 00:01:33,324 (laughing) (grinding continues) 33 00:01:33,324 --> 00:01:35,526 MORNING, DAD! 34 00:01:35,526 --> 00:01:37,328 I HOPE PI AND I DIDN'T WAKE YOU. 35 00:01:37,328 --> 00:01:39,099 WE'RE MAKING SMOOTHIES. 36 00:01:39,099 --> 00:01:40,701 AND YET FOR ME, NOT SO SMOOTH. 37 00:01:40,701 --> 00:01:42,173 I'LL WHIP ONE UP FOR YOU. 38 00:01:42,173 --> 00:01:44,435 GOOD MORNING, ALL! (Alexis) GOOD MORNING. 39 00:01:44,435 --> 00:01:46,837 AH! PI, I'LL HAVE MY USUAL. 40 00:01:46,837 --> 00:01:48,679 ANTI-AGING. 41 00:01:48,679 --> 00:01:52,343 YOU GOT IT, MRS. R. THANK YOU. 42 00:01:52,343 --> 00:01:55,115 (sighs loudly) 43 00:01:57,618 --> 00:02:00,221 (click) DARLING, COULDN'T YOU JUST PRETEND 44 00:02:00,221 --> 00:02:02,793 TO APPRECIATE PI'S EFFORTS? 45 00:02:02,793 --> 00:02:04,625 WHAT EFFORTS? HALF THE TIME, I DON'T KNOW 46 00:02:04,625 --> 00:02:06,257 IF I'M SMELLING OUR NEW COMPOST BIN 47 00:02:06,257 --> 00:02:07,898 OR MY DAUGHTER'S ROTTING AMBITION. 48 00:02:07,898 --> 00:02:11,402 OH, RICHARD, SHE'S 19 YEARS OLD, AND THAT BOY IS JUST--LOOK. 49 00:02:11,402 --> 00:02:13,264 IT'S GOOD. SHE'LL GET IT OUT OF HER SYSTEM. 50 00:02:13,264 --> 00:02:15,606 I JUST WISH SHE WOULD GET IT OUT OF HER SYSTEM FASTER, 51 00:02:15,606 --> 00:02:17,438 AND OUT OF MY HOUSE. 52 00:02:17,438 --> 00:02:19,470 MAYBE I SHOULD JUST PUT MY FOOT DOWN, 53 00:02:19,470 --> 00:02:21,312 SHOW HER MY STERN DISAPPROVAL. 54 00:02:21,312 --> 00:02:23,814 PLEASE. ALEXIS WILL JUST REBEL, 55 00:02:23,814 --> 00:02:25,676 AND SHE'LL WANT TO BE WITH HIM EVEN MORE. 56 00:02:25,676 --> 00:02:27,718 SO THEN I SHOULD APPROVE? NO, NO, NO. 57 00:02:27,718 --> 00:02:29,580 THAT'LL JUST CEMENT THE RELATIONSHIP. 58 00:02:29,580 --> 00:02:32,223 SHE'LL BE SLEEPING ON THE COUCH WITH HIM. (laughs) 59 00:02:32,223 --> 00:02:33,684 SO WHAT AM I SUPPOSED TO DO? 60 00:02:33,684 --> 00:02:35,586 DRINK YOUR KALE BLAST. 61 00:02:35,586 --> 00:02:37,888 AND JUST RIDE IT OUT, KIDDO. 62 00:02:37,888 --> 00:02:39,630 (female reporter) AT THE RECONSTRUCTION SITE... 63 00:02:39,630 --> 00:02:41,562 IS THAT CHARLIE REYNOLDS? 64 00:02:41,562 --> 00:02:43,764 TURN THAT UP. ...POLICE ARE CURRENTLY INVESTIGATING. 65 00:02:43,764 --> 00:02:45,396 REYNOLDS WAS AN ACTOR, 66 00:02:45,396 --> 00:02:47,568 BEST KNOWN AS THE STAR OF THE '90s TV COMEDY 67 00:02:47,568 --> 00:02:48,939 "2 COOL FOR SCHOOL," 68 00:02:48,939 --> 00:02:51,942 WHERE HE PLAYED LOVABLE NERD DEWEY HANCOCK. OH... 69 00:02:51,942 --> 00:02:53,844 (TV continues indistinctly) HOW AWFUL. 70 00:02:53,844 --> 00:02:56,277 I DID A GUEST SPOT ON THAT SHOW. 71 00:02:56,277 --> 00:02:57,648 THAT WAS A SIMPLER TIME, 72 00:02:57,648 --> 00:02:59,310 WHEN DEWEY'S CATCHPHRASE, "HUBBA, HUBBA," 73 00:02:59,310 --> 00:03:01,181 PASSED AS SPARKLING DIALOGUE. 74 00:03:01,181 --> 00:03:02,653 IN A BIZARRE TWIST, THE BODY WAS FOUND 75 00:03:02,653 --> 00:03:04,455 HANGING FROM THE HOOK OF A CONSTRUCTION CRANE. 76 00:03:04,455 --> 00:03:05,786 OH, GRUESOME. 77 00:03:05,786 --> 00:03:09,260 YES. IF BY "GRUESOME," YOU MEAN AWESOME. 78 00:03:09,260 --> 00:03:11,922 LOOK. THAT'S ESPOSITO AND RYAN. 79 00:03:11,922 --> 00:03:14,625 THIS IS EXACTLY WHAT I NEED. (dialing) 80 00:03:14,625 --> 00:03:18,929 FORMER CHILD STAR LITERALLY GETTING THE HOOK. (line ringing) 81 00:03:18,929 --> 00:03:21,472 HOISTED ON HIS OWN PETARD. 82 00:03:21,472 --> 00:03:22,703 (ringing continues) HUNG OUT TO DRY. 83 00:03:22,703 --> 00:03:24,435 OKAY, I GET IT. (chuckles) 84 00:03:24,435 --> 00:03:26,837 (click) 85 00:03:26,837 --> 00:03:29,980 DID YOU SEE THAT? 86 00:03:29,980 --> 00:03:32,313 HE JUST DECLINED MY CALL. 87 00:03:32,313 --> 00:03:35,716 LOOKS LIKE CHARLIE ISN'T THE ONLY ONE HUNG OUT TO DRY. 88 00:03:38,789 --> 00:03:40,791 (spectators murmuring) OKAY. 89 00:03:40,791 --> 00:03:43,494 (muttering indistinctly) 90 00:03:45,225 --> 00:03:46,597 HEY, I WAS-- 91 00:03:48,228 --> 00:03:49,229 (speaking inaudibly) 92 00:03:52,303 --> 00:03:54,305 (whistles and clicks tongue) UH, SORRY. 93 00:03:54,305 --> 00:03:57,438 ONLY N.Y.P.D. PAST THIS POINT. YOU MUST BE NEW HERE. I'M ACTUALLY-- 94 00:03:57,438 --> 00:03:58,909 I KNOW EXACTLY WHO YOU ARE. 95 00:03:58,909 --> 00:04:01,312 LIKE I SAID, ONLY N.Y.P.D. PAST THIS POINT. 96 00:04:01,312 --> 00:04:02,813 THAT'S--TH-THERE-- RIGHT THERE. 97 00:04:02,813 --> 00:04:04,415 THOSE ARE MY PEOPLE RIGHT HERE. HEY, GUYS-- 98 00:04:04,415 --> 00:04:06,747 IT'S OKAY, SULLY. WE GOT IT. ALL RIGHT. 99 00:04:06,747 --> 00:04:07,948 THANKS. HEY, CASTLE. 100 00:04:07,948 --> 00:04:10,020 (laughs) WHO'S THAT GUY, RIGHT? 101 00:04:10,020 --> 00:04:11,682 UH, THAT IS DETECTIVE GRANT SULLIVAN. 102 00:04:11,682 --> 00:04:13,454 AS MUCH AS WE MISS BECKETT, 103 00:04:13,454 --> 00:04:16,927 IT'S NICE TO HAVE A NEW GUY TO BOSS AROUND. THANKS. 104 00:04:16,927 --> 00:04:20,461 WHAT YOU DOING HERE, BRO? WELL, YOU WOULD KNOW IF YOU WOULD HAVE ANSWERED MY CALL. 105 00:04:20,461 --> 00:04:22,032 I MUST NOT HAVE HEARD IT RING. 106 00:04:22,032 --> 00:04:24,835 YOU REJECTED IT. ON LIVE TELEVISION. 107 00:04:24,835 --> 00:04:27,868 LOOK, GUYS, LOOK, I AM BIG ENOUGH TO OVERLOOK THAT 108 00:04:27,868 --> 00:04:29,400 AND STILL OFFER TO HELP YOU GUYS OUT. 109 00:04:29,400 --> 00:04:32,272 HELP US OUT? THIS IS A HIGH-PROFILE CASE, 110 00:04:32,272 --> 00:04:35,446 AND I AM WILLING TO LET YOU GUYS EXCLUSIVELY BENEFIT 111 00:04:35,446 --> 00:04:38,379 FROM MY OUT-OF-THE-BOX CRIME-SOLVING MIND. 112 00:04:38,379 --> 00:04:40,050 AND WHAT DO YOU GET? 113 00:04:40,050 --> 00:04:41,852 ESCAPE FROM THE LIFE AT THE LOFT. 114 00:04:41,852 --> 00:04:44,415 AH. SORRY, CASTLE. IF GATES WERE TO FIND OUT... 115 00:04:44,415 --> 00:04:45,956 YEAH. SHE WON'T! SHE WON'T FIND OUT. 116 00:04:45,956 --> 00:04:47,958 I HAPPEN TO KNOW SHE'S... 117 00:04:47,958 --> 00:04:50,290 SHE'S AT A CONFERENCE IN FLORIDA, SO... 118 00:04:50,290 --> 00:04:52,323 YOU WON'T EVEN KNOW I'M HERE. 119 00:04:53,694 --> 00:04:55,326 (shutter clicks) 120 00:04:55,326 --> 00:04:57,868 (chuckles) A WASHED-UP SITCOM STAR DANGLING FROM A HOOK? 121 00:04:57,868 --> 00:04:58,999 DOES IT GET ANY BETTER? 122 00:04:58,999 --> 00:05:00,801 I GREW UP WATCHING THAT SHOW. 123 00:05:00,801 --> 00:05:03,073 CHARLIE REYNOLDS IS HIGHLY UNDERRATED AS AN ACTOR. 124 00:05:03,073 --> 00:05:05,075 "2 COOL FOR SCHOOL" IS A TIMELESS GEM. 125 00:05:05,075 --> 00:05:08,839 I SERIOUSLY DOUBT THAT. NOT THAT I'VE EVER WATCHED IT. 126 00:05:08,839 --> 00:05:11,081 MR. CASTLE, YOU'RE BACK. 127 00:05:11,081 --> 00:05:12,943 BUT NOT BY POPULAR DEMAND. 128 00:05:12,943 --> 00:05:14,515 GOOD TO SEE YOU, TOO, PERLMUTTER. 129 00:05:14,515 --> 00:05:16,086 DO YOU HAVE A TIME OF DEATH FOR US? 130 00:05:16,086 --> 00:05:17,948 UH, BETWEEN 7:00 P.M. AND 2:00 A.M. 131 00:05:17,948 --> 00:05:20,951 THE CAUSE IS OBVIOUS. HE PLUMMETED OFF THE ROOF 132 00:05:20,951 --> 00:05:22,923 AND LANDED ON THE HOOK. 133 00:05:22,923 --> 00:05:24,595 POSSIBLE SUICIDE? 134 00:05:24,595 --> 00:05:27,458 BASED ON THE CRANE'S DISTANCE FROM THE BUILDING 135 00:05:27,458 --> 00:05:30,030 AND SIGNS OF STRUGGLE ON THE ROOF... 136 00:05:30,030 --> 00:05:31,462 (pen clicks) HE WAS PUSHED. 137 00:05:33,504 --> 00:05:34,965 WHAT WAS CHARLIE REYNOLDS DOING ON THE ROOF IN THE FIRST PLACE? 138 00:05:34,965 --> 00:05:36,667 THAT'S A GOOD QUESTION. HE ACTUALLY OWNS 139 00:05:36,667 --> 00:05:39,009 AN APARTMENT IN THE BUILDING, BUT HE WASN'T LIVING HERE. 140 00:05:39,009 --> 00:05:40,511 EVERY UNIT'S BEEN STRIPPED DOWN TO THE STUDS, 141 00:05:40,511 --> 00:05:42,012 SO HE WAS STAYING IN A SUBLET. 142 00:05:42,012 --> 00:05:43,474 ANY FAMILY OR NEXT OF KIN? 143 00:05:43,474 --> 00:05:46,116 ON THE TV SHOW, YES. IN REAL LIFE, NOT SO MUCH. 144 00:05:46,116 --> 00:05:47,548 WELL, WHATEVER HE WAS DOING HERE, 145 00:05:47,548 --> 00:05:50,080 I'VE GOT UNIS CANVASSING TO SEE IF ANYONE SAW 146 00:05:50,080 --> 00:05:51,952 HIM OR ANYONE ELSE LAST NIGHT IN THE AREA. 147 00:05:53,053 --> 00:05:54,955 HMM. 148 00:05:54,955 --> 00:05:57,057 I WONDER WHAT THIS MEANS. 149 00:05:57,057 --> 00:05:59,029 NINE DIGITS. 150 00:05:59,029 --> 00:06:01,131 WELL, GIVEN HE WAS PUSHED OFF A ROOF AND LANDED ON A HOOK, 151 00:06:01,131 --> 00:06:02,993 I'M SAYING THAT IS NOT HIS LUCKY NUMBER. 152 00:06:02,993 --> 00:06:04,665 YO, SULLY. 153 00:06:04,665 --> 00:06:05,866 YEAH? 154 00:06:05,866 --> 00:06:07,067 (cell phone beeps) 155 00:06:07,067 --> 00:06:09,139 CHECK OUT THIS NUMBER AND SEE HOW IT CONNECTS 156 00:06:09,139 --> 00:06:10,841 WITH OUR VICTIM, AND LET'S START PIECING TOGETHER 157 00:06:10,841 --> 00:06:12,372 WHERE HE WAS BEFORE HE WOUND UP HERE. 158 00:06:12,372 --> 00:06:14,775 I'M ON IT. IN THE MEANTIME, I CHECKED HIS VOICEMAIL, 159 00:06:14,775 --> 00:06:16,607 AND HE HAD A BUNCH OF ANGRY MESSAGES YESTERDAY 160 00:06:16,607 --> 00:06:18,078 FROM SOME CHICK. 161 00:06:18,078 --> 00:06:20,551 SAID SHE WOULD KILL HIM IF HE DIDN'T CALL HER BACK. 162 00:06:20,551 --> 00:06:22,453 SAID SHE WOULD NOT BE IGNORED. 163 00:06:22,453 --> 00:06:25,516 AHA. A CLASSIC RABBIT BOILER. 164 00:06:25,516 --> 00:06:27,988 STALKER, GENTLEMEN. AN OBSESSED FAN. 165 00:06:27,988 --> 00:06:29,620 DO WE KNOW WHO THE CALLER IS? 166 00:06:29,620 --> 00:06:32,523 UH, I TRACED THE NUMBER TO AN ADDRESS DOWNTOWN. 167 00:06:32,523 --> 00:06:34,094 UH, NAME IS, UH... GERALDINE POWERS. 168 00:06:34,094 --> 00:06:36,026 GER-GERALDINE POWERS. YEAH. 169 00:06:36,026 --> 00:06:39,099 I BET SHE EVEN HAS A CREEPY SHRINE TO HIM. 170 00:06:40,831 --> 00:06:43,574 I DID NOT KILL CHARLIE REYNOLDS! 171 00:06:43,574 --> 00:06:46,106 BUT YOU DID THREATEN TO KILL HIM. REPEATEDLY. 172 00:06:46,106 --> 00:06:50,010 AND YOU DO SEEM TO HAVE MORE THAN A CASUAL INTEREST IN HIM. 173 00:06:50,010 --> 00:06:52,443 (scoffs) WELL, OF COURSE I DO. 174 00:06:52,443 --> 00:06:54,084 I'M THE ONE WHO KEPT HIS SHOW ON THE AIR 175 00:06:54,084 --> 00:06:55,586 FOR SIX SEASONS. 176 00:06:55,586 --> 00:06:57,518 ARE YOU TAKING ANY MEDICATION? 177 00:06:57,518 --> 00:06:59,890 I AM NOT DELUSIONAL. 178 00:06:59,890 --> 00:07:02,422 I AM CHARLIE'S AGENT, NITWIT. 179 00:07:02,422 --> 00:07:04,795 HIS AGENT? 180 00:07:04,795 --> 00:07:06,196 YEAH. 181 00:07:06,196 --> 00:07:10,761 I'VE BEEN RUNNING THE SHOWS NONSTOP SINCE I GOT THE NEWS. 182 00:07:10,761 --> 00:07:13,904 I SIGNED CHARLIE BACK IN '92 183 00:07:13,904 --> 00:07:16,907 WHEN HE WAS ON "2 COOL FOR SCHOOL." 184 00:07:16,907 --> 00:07:18,038 WHAT DO I DO? 185 00:07:18,038 --> 00:07:20,611 PLAY IT COOL. CHICKS DIG MYSTERY. 186 00:07:20,611 --> 00:07:22,843 MYSTERY... OH, HERE SHE COMES. 187 00:07:22,843 --> 00:07:26,046 AFTER THE SHOW WAS CANCELED, THE PHONES STOPPED RINGING. 188 00:07:26,046 --> 00:07:28,979 MOST AGENTS WOULD HAVE DUMPED HIS ASS, BUT ME? 189 00:07:28,979 --> 00:07:31,522 I STUCK WITH HIM. 190 00:07:31,522 --> 00:07:34,685 OH, THIS IS THE SCENE! THIS IS WHERE HISTORY WAS MADE. 191 00:07:34,685 --> 00:07:36,587 HEY, LISA... 192 00:07:37,628 --> 00:07:40,160 (squeak) 193 00:07:40,160 --> 00:07:42,092 HUBBA, HUBBA! 194 00:07:42,092 --> 00:07:44,995 (laughing) (laughing) 195 00:07:44,995 --> 00:07:46,466 (laughter and applause) 196 00:07:46,466 --> 00:07:48,599 A TIMELESS GEM? REALLY? 197 00:07:48,599 --> 00:07:53,143 EH... THAT WAS A VERY... NUANCED PERFORMANCE. 198 00:07:53,143 --> 00:07:55,075 (remote control clicks) NOTHING YOU'RE TELLING ME IS EXPLAINING 199 00:07:55,075 --> 00:07:57,147 WHY YOU THREATENED CHARLIE REYNOLDS. 200 00:07:57,147 --> 00:07:59,079 CHARLIE MOVED INTO A SUBLET 201 00:07:59,079 --> 00:08:01,051 WHILE HIS BUILDING WAS BEING REHABBED. 202 00:08:01,051 --> 00:08:03,113 AND A FEW DAYS AGO, SOME OF HIS MAIL 203 00:08:03,113 --> 00:08:05,556 GOT FORWARDED HERE BY MISTAKE. 204 00:08:05,556 --> 00:08:08,689 HIS BANK STATEMENT SHOWED THAT HE HAD JUST MADE A DEPOSIT 205 00:08:08,689 --> 00:08:11,221 FOR 125 GRAND. 206 00:08:11,221 --> 00:08:13,524 CHARLIE COULD BARELY COVER HIS RENT 207 00:08:13,524 --> 00:08:15,165 WITH THE JOBS I BOOKED. 208 00:08:15,165 --> 00:08:18,529 SO... WHERE'D HE GET THE CASH? 209 00:08:18,529 --> 00:08:21,031 ONLY THING THAT MAKES SENSE IS THAT HE BOOKED A GIG 210 00:08:21,031 --> 00:08:23,934 ON THE SIDE AND CUT ME OUT OF MY COMMISSION. 211 00:08:23,934 --> 00:08:25,936 DO YOU HAVE ANY IDEA WHAT THAT GIG WAS? 212 00:08:25,936 --> 00:08:29,680 NO, BUT... FOR HIM TO PULL IN THAT KIND OF MONEY... 213 00:08:29,680 --> 00:08:32,983 (laughs) IT HAD TO BE SOMETHING BIG. 214 00:08:32,983 --> 00:08:34,785 THE KEY HERE IS THAT MYSTERY GIG. 215 00:08:34,785 --> 00:08:37,147 A DOWN-ON-HIS-LUCK ACTOR BARELY SCRAPING BY? 216 00:08:37,147 --> 00:08:38,989 MAYBE HE GOT INVOLVED IN SOME SHADY DEAL 217 00:08:38,989 --> 00:08:40,520 THAT COST HIM HIS LIFE. 218 00:08:40,520 --> 00:08:42,923 OR SOMEONE RECOGNIZED HIS TRUE ACTING TALENT 219 00:08:42,923 --> 00:08:45,596 AND GAVE HIM A JOB. LIKE SOME C-LIST "WHERE ARE THEY NOW?" REALITY SHOW 220 00:08:45,596 --> 00:08:48,729 WHERE HE HAS TO MUD-WRESTLE DANNY BONADUCE AND WEBSTER 221 00:08:48,729 --> 00:08:50,130 JUST TO GET A JOB WITH DONALD TRUMP. 222 00:08:50,130 --> 00:08:52,933 WH-WHAT HAPPENED TO BECKETT'S DESK? 223 00:08:52,933 --> 00:08:54,004 THAT'S SULLY'S DESK NOW. 224 00:08:54,004 --> 00:08:56,667 OH, UH, MR. CASTLE, 225 00:08:56,667 --> 00:08:59,209 SORRY IF I CAME ON A LITTLE STRONG BACK AT THE SCENE. 226 00:08:59,209 --> 00:09:01,271 I'M STILL TRYING TO GET THE LAY OF THE LAND HERE. 227 00:09:01,271 --> 00:09:04,144 DETECTIVE BECKETT LEFT SOME BIG SHOES TO FILL. 228 00:09:04,144 --> 00:09:06,747 YEAH, SHE DID. I SEE YOU FILLED HER DESK. 229 00:09:06,747 --> 00:09:09,119 MR. CASTLE, WHAT ARE YOU DOING HERE? 230 00:09:09,119 --> 00:09:11,181 CAPTAIN GATES, I'M--I-I-- 231 00:09:11,181 --> 00:09:14,024 I-I THOUGHT YOU WERE AT A CONFERENCE. 232 00:09:14,024 --> 00:09:15,255 IT ENDED A DAY EARLY. 233 00:09:15,255 --> 00:09:17,187 BUT YOU WOULDN'T EVEN KNOW THAT 234 00:09:17,187 --> 00:09:19,559 UNLESS YOU WERE CHECKING UP ON ME. 235 00:09:19,559 --> 00:09:21,131 OH. I SEE WHAT'S HAPPENED HERE. 236 00:09:21,131 --> 00:09:23,934 THIS MAN HAS INSINUATED HIMSELF 237 00:09:23,934 --> 00:09:26,236 INTO THE CHARLIE REYNOLDS INVESTIGATION, HASN'T HE? 238 00:09:26,236 --> 00:09:28,198 AND YOU LET HIM. 239 00:09:28,198 --> 00:09:30,040 WELL, NEWS FOR YOU, MR. CASTLE. 240 00:09:30,040 --> 00:09:32,142 YOU ARE NOT N.Y.P.D. 241 00:09:32,142 --> 00:09:34,845 (elevator bell dings, doors open) AND YOU NO LONGER HAVE A REASON FOR BEING HERE. 242 00:09:34,845 --> 00:09:36,176 (elevator doors close) THIS IS OUR MURDER CASE. 243 00:09:36,176 --> 00:09:39,309 NOT ANYMORE. 244 00:09:39,309 --> 00:09:41,852 BECKETT. THIS IS OUR CASE NOW. 245 00:09:52,623 --> 00:09:53,794 I HAVE A LETTER FROM THE ATTORNEY GENERAL 246 00:09:53,794 --> 00:09:55,095 AUTHORIZING OUR TAKING POINT ON THIS CASE. 247 00:09:55,095 --> 00:09:56,767 MAY I SEE THAT, PLEASE? 248 00:09:56,767 --> 00:09:58,368 (lowered voice) WH-- (lowered voice) WHAT ARE YOU DOING HERE? 249 00:09:58,368 --> 00:10:00,000 (chuckling) ME? WHAT AM I DOING--WHAT ARE YOU DOING HERE? 250 00:10:00,000 --> 00:10:01,201 WHY DIDN'T YOU TELL ME YOU WERE COMING TO TOWN? 251 00:10:01,201 --> 00:10:02,232 I WAS GONNA SURPRISE YOU. 252 00:10:02,232 --> 00:10:03,734 (normal voice) WELL DONE. 253 00:10:03,734 --> 00:10:07,337 THEN PERHAPS YOU SHOULD BRIEF THE TEAM. 254 00:10:07,337 --> 00:10:09,980 GOOD MORNING. I AM AGENT McCORD. 255 00:10:09,980 --> 00:10:12,012 OF COURSE YOU KNOW AGENT BECKETT. 256 00:10:12,012 --> 00:10:14,785 WE ARE JOINING THIS INVESTIGATION, 257 00:10:14,785 --> 00:10:17,648 SO WE NEED ACCESS TO ALL INFORMATION 258 00:10:17,648 --> 00:10:19,319 REGARDING CHARLIE REYNOLDS' DEATH. 259 00:10:19,319 --> 00:10:21,321 WHICH IS FED SPEAK FOR YOU'RE PUSHING US OUT. 260 00:10:21,321 --> 00:10:22,893 NO, YOU'LL CONTINUE TO WORK THE CASE. 261 00:10:22,893 --> 00:10:24,254 YOU'LL JUST BE REPORTING TO US. 262 00:10:24,254 --> 00:10:26,196 UH, WHY IS THE MURDER OF AN EX-SITCOM STAR 263 00:10:26,196 --> 00:10:28,028 A FEDERAL CASE? 264 00:10:30,200 --> 00:10:32,202 WE'RE NOT AT LIBERTY TO SAY. 265 00:10:32,202 --> 00:10:34,164 NO--WAIT, LET ME GET THIS STRAIGHT. 266 00:10:34,164 --> 00:10:36,807 YOU WANT US TO CONTINUE INVESTIGATING, 267 00:10:36,807 --> 00:10:38,208 REPORT EVERYTHING TO YOU, 268 00:10:38,208 --> 00:10:40,370 BUT YOU'RE NOT GOING TO TELL US WHY YOU'RE HERE? 269 00:10:40,370 --> 00:10:41,912 IT'S NEED-TO-KNOW. 270 00:10:41,912 --> 00:10:43,944 WE'LL BE SETTING UP IN THE CONFERENCE ROOM. 271 00:10:43,944 --> 00:10:45,375 WE'LL NEED ANY PRELIMINARY REPORTS 272 00:10:45,375 --> 00:10:48,018 AND ALL OF REYNOLDS' PERSONAL ELECTRONICS-- 273 00:10:48,018 --> 00:10:50,951 PHONES, iPads, COMPUTERS. 274 00:10:50,951 --> 00:10:52,823 THANK YOU FOR YOUR COOPERATION. 275 00:10:52,823 --> 00:10:54,324 (telephone ringing in distance) 276 00:10:54,324 --> 00:10:57,327 WE'LL USE THE VICTIM'S PHONE AND COMPUTER DATA 277 00:10:57,327 --> 00:10:59,389 TO RECONSTRUCT WHAT HE WAS UP TO 278 00:10:59,389 --> 00:11:00,761 IN HIS LAST 24 HOURS. 279 00:11:00,761 --> 00:11:02,192 AND BY THE WAY, D.C. MADE IT CLEAR 280 00:11:02,192 --> 00:11:04,334 THAT THEY WANT US TO SEND IT TO THEM. 281 00:11:04,334 --> 00:11:06,166 WHY DO THEY WANT THE DATA? (typing) 282 00:11:06,166 --> 00:11:08,769 THEY DIDN'T SAY. THEY RARELY DO. 283 00:11:10,200 --> 00:11:12,943 (sighs) THAT'S GOT TO BOTHER YOU. 284 00:11:12,943 --> 00:11:14,204 WE DON'T ALWAYS GET THE WHOLE PICTURE. 285 00:11:14,204 --> 00:11:16,376 COMES WITH THE TERRITORY. 286 00:11:16,376 --> 00:11:18,348 (continues typing) 287 00:11:23,313 --> 00:11:25,886 MAYBE WE SHOULD GO OVER THERE AND JUST 288 00:11:25,886 --> 00:11:27,918 INVITE 'EM IN FOR SOME COFFEE, YOU KNOW? 289 00:11:27,918 --> 00:11:30,160 WE ARE NOT SERVING THEM COFFEE. 290 00:11:30,160 --> 00:11:32,923 YOU BOUGHT THIS ESPRESSO MACHINE FOR THE N.Y.P.D. 291 00:11:32,923 --> 00:11:36,366 THIS IS N.Y.P.D. COFFEE ONLY. COME ON, GUYS. 292 00:11:36,366 --> 00:11:39,229 THAT'S A LITTLE HARSH. HARSH? 293 00:11:39,229 --> 00:11:40,731 BECKETT'S A JUDAS. 294 00:11:40,731 --> 00:11:42,903 HER AND HER PARTNER JUST HIJACKED OUR CASE. 295 00:11:42,903 --> 00:11:44,274 WHOSE SIDE ARE YOU ON? 296 00:11:44,274 --> 00:11:47,707 YOUR SIDE. GUYS, I'M... I'M ON YOUR SIDE. 297 00:11:47,707 --> 00:11:50,380 HEY, RYAN, ISN'T IT A LITTLE WEIRD 298 00:11:50,380 --> 00:11:53,243 THAT CASTLE SHOWS UP THE SAME DAY 299 00:11:53,243 --> 00:11:54,985 THAT AGENT BECKETT TAKES OVER? 300 00:11:54,985 --> 00:11:57,848 YES. IT'S QUITE A COINCIDENCE. 301 00:11:57,848 --> 00:12:00,751 NO. (chuckles) IT'S NOT. IT'S NOT A COINCIDE--THAT-- 302 00:12:00,751 --> 00:12:04,324 YEAH, WELL... NO, ACTUALLY, YES, IT'S A COINCIDENCE. 303 00:12:04,324 --> 00:12:07,297 MAYBE YOU AND BECKETT ARE IN ON THIS TOGETHER. 304 00:12:07,297 --> 00:12:08,728 MAYBE... WHAT? 305 00:12:08,728 --> 00:12:10,200 YOU ARE HER INSIDE MAN. 306 00:12:10,200 --> 00:12:12,332 YOU... ARE JUDAS' JUDAS. 307 00:12:12,332 --> 00:12:15,065 NO--GUYS--NO, I SWE-- (sipping loudly) 308 00:12:15,065 --> 00:12:17,137 I SWEAR. COME ON. YOU KNOW ME. 309 00:12:17,137 --> 00:12:18,408 I'M WATCHING YOU, CASTLE. 310 00:12:18,408 --> 00:12:20,340 (cell phone chimes and beeps) 311 00:12:20,340 --> 00:12:22,913 PERLMUTTER'S GOT SOMETHING FOR US. 312 00:12:22,913 --> 00:12:25,515 LET'S GO. YEAH. 313 00:12:27,848 --> 00:12:30,520 AFTER A COMPLETE EXAMINATION, I WAS ABLE TO NARROW 314 00:12:30,520 --> 00:12:34,484 TIME OF DEATH TO BETWEEN 11:30 AND 1:30. 315 00:12:34,484 --> 00:12:37,888 AND... PERIMORTEM BRUISING ON THE ARM AND SHOULDER 316 00:12:37,888 --> 00:12:39,930 IS CONSISTENT WITH SIGNS OF A STRUGGLE. 317 00:12:39,930 --> 00:12:42,432 SO CHARLIE FOUGHT BACK BEFORE HE WAS THROWN OFF THE ROOF? 318 00:12:42,432 --> 00:12:44,895 YES. BUT... (chuckles) 319 00:12:44,895 --> 00:12:49,940 THE MOST FASCINATING DISCOVERY RESIDES IN HERE. 320 00:12:49,940 --> 00:12:51,071 WHICH IS? 321 00:12:51,071 --> 00:12:52,272 AN UNUSUALLY LARGE QUANTITY 322 00:12:52,272 --> 00:12:55,275 OF FRESH BIRD EXCREMENT THAT I EXTRACTED 323 00:12:55,275 --> 00:12:58,208 FROM THE TREAD OF THE VICTIM'S SHOES. 324 00:12:58,208 --> 00:13:00,450 UH, NO... I'LL TAKE YOUR WORD FOR IT. 325 00:13:00,450 --> 00:13:02,452 OKAY, SO HE STEPPED IN SOME PIGEON-- 326 00:13:02,452 --> 00:13:04,915 SURE. ONLY IT DIDN'T COME FROM PIGEONS. 327 00:13:04,915 --> 00:13:07,057 A PAINSTAKING ANALYSIS PROVES 328 00:13:07,057 --> 00:13:09,920 THAT THIS IS NONE OTHER THAN CHICKEN POOP. 329 00:13:09,920 --> 00:13:12,222 NOT A LOT OF THAT IN MANHATTAN. 330 00:13:12,222 --> 00:13:15,195 MAYBE CHARLIE'S MYSTERY JOB HAD SOMETHING TO DO WITH CHICKENS? 331 00:13:15,195 --> 00:13:19,269 WELL, AFTER "2 COOL FOR SCHOOL," ALMOST ANYTHING IS A STEP UP. 332 00:13:19,269 --> 00:13:21,932 HEY, NOW-- WHAT ELSE YOU GOT FOR US? 333 00:13:21,932 --> 00:13:23,333 I'M AFRAID THAT'S ALL I'M AUTHORIZED 334 00:13:23,333 --> 00:13:24,835 TO TELL YOU AT THIS TIME. 335 00:13:27,237 --> 00:13:29,009 (elevator bell dings) I CAN'T BELIEVE IT. 336 00:13:29,009 --> 00:13:31,211 EVEN PERLMUTTER'S ANSWERING TO THE FEDS NOW. 337 00:13:31,211 --> 00:13:32,582 WE'RE BEING ICED OUT OF OUR OWN CASE. 338 00:13:32,582 --> 00:13:34,885 GUYS, MAYBE THERE'S A PERFECTLY REASONABLE EXPLANATION 339 00:13:34,885 --> 00:13:36,286 FOR ALL THIS SECRECY. 340 00:13:39,319 --> 00:13:42,192 THAT'S-- YOU... GUYS ARE RIGHT. 341 00:13:42,192 --> 00:13:44,424 THIS IS OUTRAGEOUS! 342 00:13:45,856 --> 00:13:49,299 HEY, YO, SULLY, ANY LEADS ON CHARLIE'S MYSTERY JOB? 343 00:13:49,299 --> 00:13:51,601 NOTHING THAT EXPLAINS THAT 125 GRAND. 344 00:13:51,601 --> 00:13:53,263 THE ONLY THING I'VE BEEN ABLE TO DIG UP SO FAR 345 00:13:53,263 --> 00:13:54,564 ARE SOME PERSONAL APPEARANCE TRIPS TO RUSSIA 346 00:13:54,564 --> 00:13:56,606 OVER THE LAST FEW YEARS. RUSSIA? 347 00:13:56,606 --> 00:13:58,608 OH, YEAH. "2 COOL FOR SCHOOL" IS HUGE OVER THERE. 348 00:13:58,608 --> 00:14:01,571 DEWEY IS TO RUSSIA WHAT DAVID HASSELHOFF IS TO GERMANY. 349 00:14:01,571 --> 00:14:03,613 OH, I-I DID CATCH A BREAK OFF HIS CREDIT CARD. 350 00:14:03,613 --> 00:14:05,115 I GOT A LINE ON A CAB 351 00:14:05,115 --> 00:14:06,476 THAT PICKED CHARLIE UP THE DAY HE GOT KILLED. 352 00:14:06,476 --> 00:14:08,218 WHERE'D IT TAKE HIM? HIS SUBLET. BUT HERE'S THE KICKER. 353 00:14:08,218 --> 00:14:09,980 ANOTHER DUDE HOPPED IN THE BACKSEAT, 354 00:14:09,980 --> 00:14:11,381 AND THE TWO OF THEM GOT IN A HUGE FIGHT. 355 00:14:11,381 --> 00:14:14,124 (Ryan) DID YOU GET A DESCRIPTION? UH, NO. BETTER. 356 00:14:14,124 --> 00:14:16,626 I GOT A NAME. HIS FORMER CO-STAR--RAMON RUSSO. 357 00:14:16,626 --> 00:14:18,228 OH, YEAH. HE PLAYED THE JOCK--MARCO--RIGHT? 358 00:14:18,228 --> 00:14:19,559 YEAH. OH. 359 00:14:19,559 --> 00:14:22,062 SO... YOU HAVE SEEN THE SHOW. 360 00:14:22,062 --> 00:14:24,094 JUST CAUGHT IT BY ACCIDENT ONCE. IT WAS... 361 00:14:24,094 --> 00:14:26,336 OH. WELL, THEN AS YOU MIGHT KNOW, 362 00:14:26,336 --> 00:14:28,268 NOT ONLY DID RAMON PLAY MARCO, BUT WORD IS, 363 00:14:28,268 --> 00:14:29,539 THEY HATED EACH OTHER. 364 00:14:29,539 --> 00:14:31,241 MAYBE THAT FEUD LED TO MURDER. 365 00:14:34,104 --> 00:14:36,947 IT WAS AN ACCIDENT. (breathing heavily) 366 00:14:36,947 --> 00:14:40,911 I TRIED TO WALK AWAY, BUT HE PUSHED ME FIRST. 367 00:14:40,911 --> 00:14:43,954 I DIDN'T MEAN TO KILL HIM, I SWEAR. 368 00:14:43,954 --> 00:14:45,585 RAMON RUSSO? 369 00:14:45,585 --> 00:14:50,090 (laughs) MY APOLOGIES, YOU GUYS. 370 00:14:50,090 --> 00:14:52,362 I'M TELLING YOU, THIS HAPPENS TO ME ALL THE TIME, 371 00:14:52,362 --> 00:14:54,164 WHETHER I'M OUT THERE ON THE STREET, 372 00:14:54,164 --> 00:14:55,625 OR HERE TEACHING CLASS. 373 00:14:55,625 --> 00:14:58,128 SO, HOW CAN I HELP YOU FELLAS? 374 00:14:58,128 --> 00:15:00,230 YOU WANT A... AN AUTOGRAPHED PICTURE, WHAT? 375 00:15:00,230 --> 00:15:02,202 HOW ABOUT SOME OF YOUR TIME? 376 00:15:02,202 --> 00:15:04,374 MAYBE EVEN DECADES OF IT. 377 00:15:04,374 --> 00:15:07,407 I'M TELLING YOU, CHARLIE'S DEATH IS A PERSONAL TRAGEDY FOR ME 378 00:15:07,407 --> 00:15:09,239 AND A HUGE LOSS FOR THE ACTING COMMUNITY, 379 00:15:09,239 --> 00:15:11,141 AND I'LL DO ANYTHING I CAN TO HELP YOU FIND 380 00:15:11,141 --> 00:15:12,943 WHOEVER DID THIS TO HIM. 381 00:15:12,943 --> 00:15:15,345 WE UNDERSTAND YOU SHARED A CAB RIDE WITH HIM YESTERDAY. 382 00:15:15,345 --> 00:15:17,447 THAT'S RIGHT. WE... WE LEFT WORK TOGETHER. 383 00:15:17,447 --> 00:15:19,419 OH. YOU WORKED WITH HIM? 384 00:15:19,419 --> 00:15:22,492 ON WHAT? AND DID IT INVOLVE CHICKENS? 385 00:15:22,492 --> 00:15:25,595 CHICKENS? NO! WE WERE DOING "2 COOL FOR SCHOOL." 386 00:15:25,595 --> 00:15:28,258 BUT THAT SHOW'S BEEN OFF THE AIR FOR 20 YEARS. 387 00:15:28,258 --> 00:15:30,230 NO, MAN. WE'RE DOING A REUNION MOVIE. 388 00:15:30,230 --> 00:15:32,262 YOU ARE? (laughs) YEAH. 389 00:15:32,262 --> 00:15:34,064 I MEAN, THIS IS JUST THE FIRST WE'RE HEARING OF IT. 390 00:15:34,064 --> 00:15:36,066 IT'S ON THE DOWN-LOW. YOU KNOW, WE ALL HAD TO SIGN 391 00:15:36,066 --> 00:15:38,238 THOSE CONFIDENTIALITY AGREEMENTS. RIGHT. 392 00:15:38,238 --> 00:15:40,710 BUT TO BE HONEST... (chuckles) 393 00:15:40,710 --> 00:15:42,412 I HAD A LOT OF OTHER PROJECTS IN THE WORKS. 394 00:15:42,412 --> 00:15:44,114 CHARLIE BEGGED ME TO DO IT. 395 00:15:44,114 --> 00:15:45,315 HE SAID, YOU KNOW, IT'D BE FUN 396 00:15:45,315 --> 00:15:47,077 TO GET THE OLD GANG BACK TOGETHER, YOU KNOW? 397 00:15:47,077 --> 00:15:49,079 EVEN WITH ALL THE BAD BLOOD BETWEEN YOU TWO? 398 00:15:49,079 --> 00:15:51,251 I MEAN, WASN'T YOUR CHARACTER-- MARCO-- 399 00:15:51,251 --> 00:15:53,283 ORIGINALLY SUPPOSED TO BE THE STAR OF THE SHOW? 400 00:15:53,283 --> 00:15:56,286 AND THEN DEWEY CAUGHT FIRE, STOLE THE SPOTLIGHT. 401 00:15:56,286 --> 00:15:57,957 STOLE YOUR SPOTLIGHT. 402 00:15:57,957 --> 00:15:59,389 WE WERE KIDS BACK THEN. 403 00:15:59,389 --> 00:16:02,492 I MEAN, THAT SHOW DID A LOT OF GREAT THINGS FOR ALL OF US. 404 00:16:02,492 --> 00:16:04,234 WHATEVER ISSUES WE HAD, 405 00:16:04,234 --> 00:16:06,596 WE BURIED THE HATCHET A LONG TIME AGO. 406 00:16:06,596 --> 00:16:08,498 NOT ACCORDING TO YOUR CABBIE. 407 00:16:08,498 --> 00:16:10,300 HE SAID THE TWO OF YOU GOT INTO A BIG FIGHT. 408 00:16:10,300 --> 00:16:12,302 (sighs) YEAH, I LOST MY TEMPER 409 00:16:12,302 --> 00:16:14,374 BECAUSE HE WAS WASTING MY TIME. 410 00:16:14,374 --> 00:16:16,206 HE WAS DISRESPECTING THE CRAFT. 411 00:16:16,206 --> 00:16:18,278 CHARLIE DIDN'T KNOW ANY OF THE LINES. 412 00:16:18,278 --> 00:16:20,550 I MEAN, I'M TELLING YOU, HE WAS NEVER LIKE THAT. 413 00:16:20,550 --> 00:16:22,382 HE WAS--HE WAS ALWAYS REAL GOOD 414 00:16:22,382 --> 00:16:23,713 WITH THAT KIND OF STUFF, YOU KNOW? 415 00:16:23,713 --> 00:16:25,315 YOU'RE SAYING THERE WAS SOMETHING 416 00:16:25,315 --> 00:16:27,117 GOING ON WITH CHARLIE. DEFINITELY. 417 00:16:27,117 --> 00:16:28,458 IT STARTED A COUPLE DAYS AGO. 418 00:16:28,458 --> 00:16:31,261 HE STARTED SHOWING UP ANXIOUS AND TIRED. 419 00:16:31,261 --> 00:16:33,393 AND I ASKED HIM WHAT WAS WRONG, BUT HE WOULDN'T SAY. 420 00:16:35,365 --> 00:16:38,298 WHERE WERE YOU LAST NIGHT BETWEEN 11:30 AND 1:30? 421 00:16:38,298 --> 00:16:41,771 SO RAMON'S GIRLFRIEND YASMINE CONFIRMS THE STORY. 422 00:16:41,771 --> 00:16:43,403 HE WAS HOME ALL NIGHTS RUNNING LINES WITH HER. 423 00:16:43,403 --> 00:16:46,776 LINES LIKE, "I'M THE BIGGEST DEAL TO EVER WALK THESE HALLS." 424 00:16:46,776 --> 00:16:49,109 RAMON SLIPPED ME A SIGNED COPY OF THE SCRIPT-- 425 00:16:49,109 --> 00:16:52,112 "2 COOL FOR SCHOOL: THOSE WHO CAN'T, TEACH." 426 00:16:52,112 --> 00:16:54,244 REALLY? WELL--WELL, WHAT'S THE STORYLINE? 427 00:16:54,244 --> 00:16:57,147 DEWEY AND MARCO ARE BACK AT BAYVIEW HIGH AS FACULTY. 428 00:16:57,147 --> 00:16:59,249 DEWEY IS THE BRAINY SCIENCE TEACHER, 429 00:16:59,249 --> 00:17:00,750 WHILE MARCO IS RELIVING HIS GLORY DAYS 430 00:17:00,750 --> 00:17:02,292 AS THE FOOTBALL COACH. 431 00:17:02,292 --> 00:17:04,324 OH, NO. WHEN DEWEY RUNS INTO 432 00:17:04,324 --> 00:17:06,396 THE SEXY GERMAN TEACHER-- MRS. POZMAN-- 433 00:17:06,396 --> 00:17:08,358 IN THE BREAK ROOM, HE SAYS... 434 00:17:08,358 --> 00:17:09,459 "HUBBA, HUBBA." "HUBBA, HUBBA." 435 00:17:09,459 --> 00:17:11,331 "HUBBA, HUBBA." 436 00:17:11,331 --> 00:17:14,334 (telephone ringing in distance) 437 00:17:14,334 --> 00:17:17,337 ANYWAY, I, UH, TALKED TO THE OFFICE STAFF 438 00:17:17,337 --> 00:17:19,409 AT THE MOVIE SET, AND NOT ONLY 439 00:17:19,409 --> 00:17:20,770 HAS CHARLIE BEEN ACTING WEIRD LATELY, 440 00:17:20,770 --> 00:17:22,442 BUT TWO DAYS AGO, HE SWEET-TALKED THE ACCOUNTANT 441 00:17:22,442 --> 00:17:24,444 INTO LETTING HIM LOOK OVER THE BOOKS. 442 00:17:24,444 --> 00:17:26,446 WHY WOULD THE STAR CARE ABOUT THE BUDGET OF THE SHOW? 443 00:17:26,446 --> 00:17:28,318 I DON'T KNOW, BUT THE ACCOUNTANT TOLD ME 444 00:17:28,318 --> 00:17:30,420 THAT CHARLIE SAID HE'D FOUND IRREGULARITIES. 445 00:17:30,420 --> 00:17:32,252 AND GET THIS. HE MADE HER SWEAR 446 00:17:32,252 --> 00:17:34,284 NOT TO TELL THE FILM'S PRODUCER HANK HARPER 447 00:17:34,284 --> 00:17:35,585 THAT HE'D BEEN POKING AROUND. 448 00:17:35,585 --> 00:17:38,388 HANK HARPER? I'VE HEARD OF HIM. 449 00:17:38,388 --> 00:17:40,190 RUMOR WAS HE CHASED A DIRECTOR OFF SET 450 00:17:40,190 --> 00:17:41,491 WITH A BASEBALL BAT. 451 00:17:41,491 --> 00:17:44,164 CHECK THIS OUT. THOUGH HE'S NEVER BEEN CONVICTED, 452 00:17:44,164 --> 00:17:47,797 HANK HARPER HAS FACED NUMEROUS CHARGES OF EMBEZZLING MONEY 453 00:17:47,797 --> 00:17:49,299 FROM THE FILMS THAT HE'S WORKED ON. 454 00:17:49,299 --> 00:17:50,800 IF CHARLIE WOULD HAVE FOUND OUT THAT HANK 455 00:17:50,800 --> 00:17:52,302 WAS SKIMMING MONEY FROM THE MOVIE... 456 00:17:52,302 --> 00:17:53,703 THEN MAYBE HANK GAVE CHARLIE THE HOOK. 457 00:17:59,149 --> 00:18:00,350 ACCORDING TO THE PRODUCTION OFFICE, 458 00:18:00,350 --> 00:18:01,781 HANK HARPER'S SOMEWHERE HERE ON THIS SET. 459 00:18:01,781 --> 00:18:03,853 WHAT COULD THEY EVEN BE FILMING IF THE STAR IS DEAD? 460 00:18:03,853 --> 00:18:05,485 PROBABLY THE SCENES WITHOUT DEWEY. 461 00:18:05,485 --> 00:18:07,787 OR SCENES THAT EXPLAIN WHY HE'S NOT IN THE WHOLE MOVIE. 462 00:18:07,787 --> 00:18:09,359 OR HE'S BACK FROM THE DEAD. 463 00:18:09,359 --> 00:18:11,621 THE ZOMBIE APOCALYPSE VERSION. NOW THAT I WOULD WATCH. 464 00:18:11,621 --> 00:18:13,092 NO, LOOK, RIGHT THERE. 465 00:18:14,624 --> 00:18:15,795 THERE'S ANOTHER ONE. 466 00:18:15,795 --> 00:18:17,767 (Castle laughs) 467 00:18:17,767 --> 00:18:19,869 THEY MUST BE RE-CASTING THE PART. 468 00:18:19,869 --> 00:18:22,132 WHAT? THERE'S ONLY ONE DEWEY HANCOCK. 469 00:18:22,132 --> 00:18:23,333 YEAH? TELL HIM THAT. 470 00:18:23,333 --> 00:18:24,774 (man) ACTION! 471 00:18:24,774 --> 00:18:27,106 (Russian accent) DEWEY, THANKS FOR GIVING UP A FRIDAY NIGHT 472 00:18:27,106 --> 00:18:28,808 TO CHAPERONE THE DANCE WITH ME. 473 00:18:28,808 --> 00:18:30,780 I'LL SEE YOU THERE. 474 00:18:30,780 --> 00:18:32,142 (weakly) HUBBA, HUBBA. 475 00:18:32,142 --> 00:18:33,813 NO, NO, NO! 476 00:18:33,813 --> 00:18:36,115 "HUBBA, HUBBA" IS NOT JUST A CATCHPHRASE, 477 00:18:36,115 --> 00:18:39,149 IT IS THE ESSENCE OF YOUR CHARACTER. 478 00:18:39,149 --> 00:18:42,121 "HUBBA, HUBBA" COMES FROM HERE, NOT HERE. 479 00:18:42,121 --> 00:18:45,555 AND, SVETLANA, MAKE HIM WORK FOR THE "HUBBA, HUBBA." 480 00:18:45,555 --> 00:18:47,327 NO! NO! 481 00:18:47,327 --> 00:18:49,199 FORGET IT. PLEASE. COME ON. YOU TRIED THIS BEFORE. 482 00:18:49,199 --> 00:18:50,260 THE ANSWER'S NO. HANK HARPER. 483 00:18:50,260 --> 00:18:51,901 (laughs) IT'S TOO LATE, PRETTY BOY. 484 00:18:51,901 --> 00:18:54,834 WE ALREADY CAST THE MUSCULAR P.E. TEACHER. 485 00:18:54,834 --> 00:18:58,368 N.Y.P.D. 486 00:18:58,368 --> 00:18:59,739 WE'RE HERE ABOUT CHARLIE REYNOLDS. 487 00:18:59,739 --> 00:19:02,512 I'M GONNA HAVE TO CALL YOU BACK. (beep) 488 00:19:02,512 --> 00:19:04,814 CHARLIE WAS A GREAT KID, A REAL PRO. 489 00:19:04,814 --> 00:19:07,817 (door closes) WORKING WITH HIM REMINDED ME OF THE PICTURES I DID WITH PACINO. 490 00:19:07,817 --> 00:19:09,819 YOU WORKED WITH AL PACINO? 491 00:19:09,819 --> 00:19:12,652 BARRY PACINO. NO RELATION. 492 00:19:12,652 --> 00:19:14,884 EVERY BIT AS TALENTED, AND TALLER. 493 00:19:14,884 --> 00:19:16,226 IF YOU HAVE SUCH A HIGH OPINION OF CHARLIE, 494 00:19:16,226 --> 00:19:17,387 HOW COME YOU'RE ALREADY REPLACING HIM? 495 00:19:17,387 --> 00:19:18,658 LOOK, YOU GOTTA UNDERSTAND, 496 00:19:18,658 --> 00:19:19,829 THERE'S A LOT OF MONEY AT STAKE HERE. 497 00:19:19,829 --> 00:19:21,831 THE SHOW MUST GO ON. 498 00:19:21,831 --> 00:19:23,563 AH! I'VE BEEN THERE. 499 00:19:23,563 --> 00:19:26,236 MY BOOK "NIKKI HEAT" GOT MADE INTO A MOVIE A FEW YEARS BACK. 500 00:19:26,236 --> 00:19:27,567 DIDN'T THAT GO STRAIGHT TO DVD? 501 00:19:27,567 --> 00:19:29,199 THERE WERE SCRIPT ISSUES. 502 00:19:29,199 --> 00:19:32,342 AND... CASTING ISSUES AND DIRECTING ISSUES. (script thuds) 503 00:19:32,342 --> 00:19:33,873 DID CHARLIE HAVE ANY PROBLEMS WITH ANYONE ON SET? 504 00:19:33,873 --> 00:19:36,376 NOT THAT I'M AWARE OF. (chuckles) 505 00:19:36,376 --> 00:19:38,848 EVERYBODY LOVED HIM. WHAT'S NOT TO LOVE? (chuckles) 506 00:19:38,848 --> 00:19:40,810 HE TOOK A LOOK AT THE ACCOUNTING BOOKS RECENTLY. 507 00:19:40,810 --> 00:19:42,312 ANY IDEA WHY? 508 00:19:42,312 --> 00:19:43,713 CAN'T IMAGINE. HEY, WHOA, WHOA, WHOA. (clanking) 509 00:19:43,713 --> 00:19:45,315 EASY. WELL, WE MIGHT. 510 00:19:45,315 --> 00:19:48,258 MAYBE CHARLIE THOUGHT SOMEBODY WAS SKIMMING MONEY. 511 00:19:48,258 --> 00:19:50,490 YES, WE HEARD ABOUT YOUR PENCHANT 512 00:19:50,490 --> 00:19:51,891 FOR CREATIVE BOOKKEEPING. 513 00:19:51,891 --> 00:19:55,695 WAIT. YOU THINK I KILLED HIM? 514 00:19:55,695 --> 00:19:57,367 WELL, IF CHARLIE FOUND OUT THAT YOU WERE 515 00:19:57,367 --> 00:19:59,869 UP TO YOUR OLD TRICKS, IT WOULD BE MOTIVE. 516 00:19:59,869 --> 00:20:02,902 FIRST OF ALL, I WAS HERE ALL NIGHT DOING SCRIPT CHANGES. 517 00:20:02,902 --> 00:20:05,535 PLUS I MAY HAVE BEEN CAUGHT WITH MY HAND IN THE COOKIE JAR 518 00:20:05,535 --> 00:20:07,206 IN THE PAST, BUT I'M NOT STUPID ENOUGH 519 00:20:07,206 --> 00:20:08,678 TO STEAL FROM THE RUSSIANS. 520 00:20:08,678 --> 00:20:10,610 THE RUSSIANS? 521 00:20:10,610 --> 00:20:11,841 YEAH, THEY'RE FINANCING THIS PICTURE. 522 00:20:11,841 --> 00:20:13,313 THEY WANT TO MAKE THIS INTO A FRANCHISE. 523 00:20:13,313 --> 00:20:14,914 THIS IS MY MEAL TICKET! 524 00:20:14,914 --> 00:20:16,546 SO IF THERE'S ANYTHING HINKY WITH THE BOOKS, 525 00:20:16,546 --> 00:20:17,987 IT'S NOT 'CAUSE OF ME. 526 00:20:17,987 --> 00:20:19,719 YEAH, WELL, WE'RE NOT GONNA TAKE YOUR WORD FOR THAT. 527 00:20:19,719 --> 00:20:21,220 WE'RE GONNA NEED TO SEE THOSE BOOKS. 528 00:20:21,220 --> 00:20:23,523 OH, OH, YEAH. (opens drawer) 529 00:20:23,523 --> 00:20:24,694 THEY'RE ALL YOURS. 530 00:20:24,694 --> 00:20:26,396 THANKS. 531 00:20:26,396 --> 00:20:28,998 WE'RE GONNA NEED ONE OF THESE HATS, TOO. 532 00:20:28,998 --> 00:20:30,700 YOU KNOW WHAT I DON'T GET? 533 00:20:30,700 --> 00:20:32,532 YOU'RE WEARING THAT HAT. THERE'S A LOT YOU DON'T GET. 534 00:20:32,532 --> 00:20:34,003 LET'S SAY HANK DID EMBEZZLE MONEY 535 00:20:34,003 --> 00:20:35,705 AND KILLED CHARLIE TO SILENCE HIM. 536 00:20:35,705 --> 00:20:37,006 WHY ARE THE FEDS INVOLVED? 537 00:20:37,006 --> 00:20:38,908 MAYBE IT HAS SOMETHING TO DO WITH THE RUSSIANS. 538 00:20:38,908 --> 00:20:40,410 WELL, IF WE KNEW THE FEDS' ANGLE, 539 00:20:40,410 --> 00:20:41,871 WE'D HAVE A LEG UP ON SOLVING THIS. 540 00:20:41,871 --> 00:20:43,513 SORRY, GUYS, I HAVE YET TO COME UP WITH 541 00:20:43,513 --> 00:20:47,377 A CRAZY GENIUS... THEORY YET. 542 00:20:47,377 --> 00:20:48,878 YOU DON'T NEED TO, 543 00:20:48,878 --> 00:20:51,451 NOT WHEN YOU CAN GO DIRECTLY TO THE SOURCE. 544 00:20:51,451 --> 00:20:52,922 GET BECKETT TO GIVE US THE LOWDOWN. 545 00:20:52,922 --> 00:20:54,424 OKAY, WAIT A MINUTE-- 546 00:20:54,424 --> 00:20:55,955 WE GET MUCH-NEEDED CASE INFORMATION, 547 00:20:55,955 --> 00:20:57,957 YOU GET TO CLEAR UP ANY LINGERING DOUBTS 548 00:20:57,957 --> 00:20:59,929 ABOUT YOUR LOYALTY. EVERYBODY WINS. 549 00:20:59,929 --> 00:21:01,931 OKAY, GUYS, NO, I CAN'T DO THAT, ALL RIGHT? 550 00:21:01,931 --> 00:21:04,634 AFTER D.C., WE PROMISED WE WOULDN'T-- 551 00:21:04,634 --> 00:21:06,866 WE DID YOU A SOLID GETTING YOU ON THIS CASE, CASTLE. 552 00:21:06,866 --> 00:21:08,398 IT'S TIME TO PAY UP. 553 00:21:09,599 --> 00:21:11,301 GUYS... 554 00:21:11,301 --> 00:21:13,272 THIS IS MY FIANCéE. 555 00:21:13,272 --> 00:21:15,044 OKAY? WHAT DOES IT SAY ABOUT OUR FUTURE 556 00:21:15,044 --> 00:21:17,607 IF I KEEP PUSHING THE BOUNDARIES? 557 00:21:17,607 --> 00:21:20,279 CASTLE, YOUR WHOLE RELATIONSHIP IS BUILT 558 00:21:20,279 --> 00:21:22,051 ON A FOUNDATION OF YOUR BOUNDARY PUSHING. 559 00:21:24,714 --> 00:21:27,016 GOOD POINT. 560 00:21:28,988 --> 00:21:31,521 MMM. 561 00:21:33,663 --> 00:21:35,625 I GOT YOUR TEXT. HEY. 562 00:21:35,625 --> 00:21:36,866 I JUST WANTED TO CHECK IN WITH YOU. 563 00:21:36,866 --> 00:21:38,328 YOU KNOW, IT MUST BE WEIRD FOR YOU 564 00:21:38,328 --> 00:21:39,799 BEING BACK HERE AT THE PRECINCT, 565 00:21:39,799 --> 00:21:42,001 WORKING A CASE. YEAH. YEAH, IT IS. 566 00:21:42,001 --> 00:21:45,034 YEAH. ESPECIALLY SINCE McCORD'S LITTLE GAG ORDER 567 00:21:45,034 --> 00:21:46,836 PREVENTS YOU FROM ACCESSING 568 00:21:46,836 --> 00:21:48,838 YOUR MOST EFFECTIVE INVESTIGATIVE TOOL... (clatter) 569 00:21:48,838 --> 00:21:50,380 ME. 570 00:21:50,380 --> 00:21:53,082 (laughs) YEAH, YOU ARE A TOOL, ALL RIGHT? 571 00:21:54,414 --> 00:21:56,416 WOW. SO, UH... 572 00:21:56,416 --> 00:21:57,947 (lowered voice) SHE'S NOT HERE RIGHT NOW, 573 00:21:57,947 --> 00:22:00,790 SO WHAT'S THE HARM IN GIVING ME A LITTLE TIDBIT? 574 00:22:04,894 --> 00:22:06,426 THIS IS A BRIBE. 575 00:22:06,426 --> 00:22:09,729 CASTLE, YOU'RE BRIBING ME WITH A LATTE? 576 00:22:09,729 --> 00:22:11,060 NO, I AM NOT. 577 00:22:11,060 --> 00:22:13,032 COME ON. DON'T BE RIDICULOUS. (clatter) 578 00:22:13,032 --> 00:22:14,534 THIS IS LOW, EVEN FOR YOU. 579 00:22:14,534 --> 00:22:16,035 (lowered voice) LOOK, I CAN SOLVE THIS. 580 00:22:16,035 --> 00:22:17,737 I JUST NEED A LITTLE MORE TO GO ON. 581 00:22:17,737 --> 00:22:18,908 CASTLE... (cup clatters) 582 00:22:18,908 --> 00:22:20,570 YOU'RE NOT GONNA CASTLE ME ON THIS ONE. 583 00:22:20,570 --> 00:22:21,941 OKAY, SHE'S COMING. 584 00:22:21,941 --> 00:22:24,013 JUST NOD ONCE IF IT'S ABOUT THE RUSSIANS, 585 00:22:24,013 --> 00:22:25,945 TWICE IF IT'S ABOUT SOMETHING ELSE. 586 00:22:25,945 --> 00:22:27,917 TWICE. ABOUT SOMETHING ELSE. 587 00:22:29,018 --> 00:22:30,550 THREE TIMES. WHAT'S-- 588 00:22:30,550 --> 00:22:31,851 WHAT DOES TH-- WHAT DOES THAT MEAN? 589 00:22:31,851 --> 00:22:33,583 WHAT--HOW COME-- I DON'T KNOW WHAT THAT MEANS. 590 00:22:33,583 --> 00:22:34,824 BECKETT. HMM? 591 00:22:34,824 --> 00:22:37,026 WE GOT A LEAD. LET'S GO. 592 00:22:37,026 --> 00:22:38,428 SEE YOU, CASTLE. 593 00:22:38,428 --> 00:22:41,891 WHAT DOES TH-- WHAT DOES THREE NODS MEAN? 594 00:22:45,965 --> 00:22:47,397 WELL? 595 00:22:47,397 --> 00:22:49,038 I TRIED, BUT... 596 00:22:49,038 --> 00:22:50,800 SHE WON'T TALK TO ME ABOUT THE CASE. 597 00:22:50,800 --> 00:22:52,101 WELL, WHERE DID THE TWO OF THEM GO JUST NOW? 598 00:22:52,101 --> 00:22:53,903 YEAH, SHE WOULDN'T TELL ME THAT, EITHER. (sighs) 599 00:22:53,903 --> 00:22:55,445 HEY, I WAS JUST-- 600 00:22:55,445 --> 00:22:56,946 I CAN'T EVEN LOOK AT YOU RIGHT NOW. 601 00:22:56,946 --> 00:22:58,448 HEY, GUYS, I THINK WE FOUND SOMETHING 602 00:22:58,448 --> 00:23:00,109 IN THESE BOOKS CHARLIE WAS LOOKING INTO. 603 00:23:00,109 --> 00:23:01,881 I WENT OVER THEM, AND THERE'S NO SIGNS 604 00:23:01,881 --> 00:23:03,382 OF ANY FINANCIAL SHENANIGANS. 605 00:23:03,382 --> 00:23:06,115 THE BALANCE SHEET SEEMS KOSHER, BUT, UM, 606 00:23:06,115 --> 00:23:08,017 CHECK OUT THIS LEDGER ENTRY. 607 00:23:08,017 --> 00:23:10,960 THAT IS THE NUMBER WE FOUND IN CHARLIE'S POCKET. 608 00:23:10,960 --> 00:23:13,493 THIS MUST BE THAT IRREGULARITY THAT CHARLIE WAS TALKING ABOUT. 609 00:23:13,493 --> 00:23:14,794 BUT WHAT DOES IT MEAN? 610 00:23:14,794 --> 00:23:16,466 WELL, IT CORRESPONDS TO AN INVOICE NUMBER 611 00:23:16,466 --> 00:23:17,897 FOR A SHIPMENT OF CAMERA EQUIPMENT FOR THE MOVIE 612 00:23:17,897 --> 00:23:18,968 SENT OVER FROM RUSSIA. 613 00:23:18,968 --> 00:23:20,670 WHAT MAKES THAT AN IRREGULARITY? 614 00:23:20,670 --> 00:23:22,031 WELL, FOR ONE THING, IT'D BE A LOT CHEAPER 615 00:23:22,031 --> 00:23:24,003 JUST TO RENT CAMERAS HERE. NOT ONLY THAT, 616 00:23:24,003 --> 00:23:26,035 BUT THE SHIPMENT WAS SENT TO A WAREHOUSE IN BROOKLYN... 617 00:23:26,035 --> 00:23:27,537 WHICH HAPPENS TO BE RIGHT NEXT TO 618 00:23:27,537 --> 00:23:28,908 A CHICKEN PROCESSING PLANT. 619 00:23:28,908 --> 00:23:31,811 WHICH EXPLAINS THE POOP ON CHARLIE'S SHOES. 620 00:23:31,811 --> 00:23:34,043 CHARLIE WENT TO THAT WAREHOUSE RIGHT BEFORE HE WAS KILLED. 621 00:23:34,043 --> 00:23:36,716 MAYBE WHOEVER KILLED HIM CAME FROM THERE. 622 00:23:39,449 --> 00:23:41,190 (Esposito) LOOKS DESERTED. 623 00:23:41,190 --> 00:23:43,192 (Castle) YEAH, THAT DOESN'T MEAN THAT IT IS. 624 00:23:43,192 --> 00:23:46,195 THIS PLACE COULD BE TEEMING WITH BLOODTHIRSTY COSSACKS. 625 00:23:46,195 --> 00:23:48,658 DO YOU HAVE AN EXTRA GUN? NOT FOR YOU. 626 00:23:51,731 --> 00:23:53,803 AT LEAST WE KNOW WE'RE IN THE RIGHT PLACE. 627 00:23:53,803 --> 00:23:56,065 I DEFINITELY STEPPED IN SOMETHING. 628 00:24:02,672 --> 00:24:03,973 (beep) 629 00:24:05,915 --> 00:24:07,076 HEY, GUYS, I FOUND IT. 630 00:24:07,076 --> 00:24:09,218 I FOUND THE SHIPMENT. SAME INVOICE NUMBER. 631 00:24:15,825 --> 00:24:17,957 IT IS JUST CAMERA GEAR. 632 00:24:17,957 --> 00:24:20,790 WAIT A MINUTE. IT'S A FALSE BOTTOM. 633 00:24:20,790 --> 00:24:21,931 ALL RIGHT. 634 00:24:23,733 --> 00:24:25,965 (clatter) OH! 635 00:24:25,965 --> 00:24:29,869 MY MOTHER ALWAYS SAID THAT THE FILM BUSINESS WAS TOUGH. 636 00:24:29,869 --> 00:24:32,171 THAT'S WHY THE RUSSIANS ARE FINANCING THAT DUMBASS MOVIE. 637 00:24:32,171 --> 00:24:34,544 THEY'RE USING THE PRODUCTION TO SMUGGLE IN ILLEGAL WEAPONS. 638 00:24:34,544 --> 00:24:36,576 IT'S LIKE "ARGO," BUT WITH GUNS. 639 00:24:36,576 --> 00:24:38,207 PUT THE GUN DOWN AND SHOW ME YOUR HANDS! 640 00:24:38,207 --> 00:24:40,610 NOW TURN AROUND SLOWLY. 641 00:24:44,884 --> 00:24:46,986 WHAT THE HELL ARE YOU GUYS DOING HERE? 642 00:24:46,986 --> 00:24:49,559 WE'RE FINDING THE GUNS YOU'RE LOOKING FOR. 643 00:24:49,559 --> 00:24:51,761 WHAT GUNS? 644 00:24:51,761 --> 00:24:53,593 YOU DIDN'T KNOW ABOUT THE GUNS? 645 00:24:53,593 --> 00:24:57,567 (sighs) WE CAME HERE TO OBSERVE AND REPORT. 646 00:24:57,567 --> 00:25:00,129 WE DON'T KNOW ANY MORE ABOUT THIS CASE THAN YOU DO. 647 00:25:00,129 --> 00:25:01,931 WELL, THEN HOW DID YOU GUYS GET HERE? 648 00:25:01,931 --> 00:25:03,833 BY RETRACING OUR VICTIM'S MOVEMENTS. 649 00:25:03,833 --> 00:25:05,575 HE CAME HERE THE DAY HE DIED. 650 00:25:05,575 --> 00:25:06,976 HE MUST HAVE COME ACROSS THESE GUNS. 651 00:25:06,976 --> 00:25:09,709 I'LL CONTACT THE A.T.F., HAVE THEM SECURE THE WEAPONS. 652 00:25:09,709 --> 00:25:11,881 NOT SO FAST, CLARICE. 653 00:25:11,881 --> 00:25:14,013 WE'RE THE ONES WHO FOUND 'EM, 654 00:25:14,013 --> 00:25:16,586 SO N.Y.P.D.'s GONNA BE THE ONE BOOKING THESE INTO EVIDENCE. 655 00:25:16,586 --> 00:25:19,048 (man) THAT'S WHERE YOU'RE BOTH WRONG! 656 00:25:19,048 --> 00:25:21,050 THESE GUNS AREN'T GOING ANYWHERE. 657 00:25:25,795 --> 00:25:27,196 PUT YOUR WEAPON DOWN NOW. 658 00:25:27,196 --> 00:25:28,928 YOU'RE THE JOGGER. THE GUY WHO FOUND THE BODY. 659 00:25:28,928 --> 00:25:31,901 JUST PUT THE GUN DOWN. WE'RE FEDERAL AGENTS. 660 00:25:31,901 --> 00:25:33,703 I'M A FEDERAL AGENT, TOO. 661 00:25:33,703 --> 00:25:36,235 NAME'S ETHAN WRIGHT. I'M C.I.A. 662 00:25:36,235 --> 00:25:37,767 HAVE MARIO LOPEZ HERE MAKE THE CALL. 663 00:25:37,767 --> 00:25:40,810 ASSUMING YOU ARE WHO YOU SAY YOU ARE, 664 00:25:40,810 --> 00:25:42,712 WHY WOULD THE C.I.A. BE INVOLVED? 665 00:25:42,712 --> 00:25:44,614 CHARLIE REYNOLDS WAS WORKING FOR US. 666 00:25:44,614 --> 00:25:46,015 I RECRUITED HIM TWO YEARS AGO. 667 00:25:46,015 --> 00:25:47,747 DEWEY WAS A SPY? 668 00:25:47,747 --> 00:25:50,149 WE USED HIM TO INFILTRATE THE FAMILY OF ANTON RENKOV. 669 00:25:50,149 --> 00:25:52,722 ANTON RENKOV? I KNOW THAT NAME. 670 00:25:52,722 --> 00:25:55,154 HE'S THE MOST NOTORIOUS GANGSTER IN ALL RUSSIA. 671 00:25:55,154 --> 00:25:57,787 HE'S ALSO A MAJOR FAN OF "2 COOL FOR SCHOOL." 672 00:25:57,787 --> 00:25:59,989 THAT'S WHY CHARLIE WAS TAKING ALL THOSE TRIPS TO RUSSIA. 673 00:25:59,989 --> 00:26:01,560 THAT'S RIGHT. THEY LOVE HIM THERE, 674 00:26:01,560 --> 00:26:03,793 SO I APPROACHED HIM ABOUT USING THOSE TRIPS 675 00:26:03,793 --> 00:26:05,765 TO GATHER INTEL ON RENKOV AND HIS ORGANIZATION. 676 00:26:05,765 --> 00:26:08,267 CHARLIE DIDN'T HESITATE. HE WAS GOOD. 677 00:26:08,267 --> 00:26:10,069 TURNED OUT HE WAS A BETTER ACTOR 678 00:26:10,069 --> 00:26:12,271 THAN MOST PEOPLE GAVE HIM CREDIT FOR. THAT'S WHAT I'VE BEEN SAYING. 679 00:26:12,271 --> 00:26:14,173 YO. THIS GUY CHECKS OUT. 680 00:26:14,173 --> 00:26:15,645 (Ryan whispers) THANK GOD. MY ARM. 681 00:26:15,645 --> 00:26:18,778 SO ANTON RENKOV WAS USING THE MOVIE 682 00:26:18,778 --> 00:26:20,680 AS A FRONT TO SMUGGLE ARMS INTO THE U.S. 683 00:26:20,680 --> 00:26:22,251 FOR THE RUSSIAN MOB, 684 00:26:22,251 --> 00:26:24,654 AND CHARLIE'S JOB WAS TO FIND THOSE GUNS. 685 00:26:24,654 --> 00:26:25,785 MORE OR LESS. 686 00:26:25,785 --> 00:26:27,857 HE CONTACTED ME A COUPLE OF DAYS AGO. 687 00:26:27,857 --> 00:26:29,859 HE TOLD ME THAT HE'D LOCATED THE SHIPMENT. 688 00:26:29,859 --> 00:26:32,862 WE SET UP A MEET SO WE COULD GET HIM A G.P.S. TRACKER 689 00:26:32,862 --> 00:26:34,363 TO ATTACH TO THE GUNS. 690 00:26:34,363 --> 00:26:36,796 WHEN HE DIDN'T CALL, I STARTED LOOKING FOR HIM. 691 00:26:36,796 --> 00:26:38,327 WOULD HAVE BEEN NICE IF YOU TOLD US SOONER. 692 00:26:38,327 --> 00:26:39,929 WHAT CAN I SAY? IT WAS NEED-TO-KNOW. 693 00:26:39,929 --> 00:26:42,331 WE NEEDED YOU TO MONITOR THE INVESTIGATION 694 00:26:42,331 --> 00:26:44,804 SO N.Y.P.D. DIDN'T GET TOO CLOSE TO THE RUSSIANS 695 00:26:44,804 --> 00:26:46,075 TO COMPROMISE OUR OPERATION. 696 00:26:46,075 --> 00:26:47,877 WE ALSO FIGURED YOU MIGHT LEAD US TO THE WEAPONS, 697 00:26:47,877 --> 00:26:49,779 WHICH YOU DID. 698 00:26:49,779 --> 00:26:50,880 SO... WHAT HAPPENS NOW? 699 00:26:50,880 --> 00:26:52,842 WE HOPE THAT RENKOV SENDS THE GUNS ON 700 00:26:52,842 --> 00:26:54,714 TO WHEREVER THEY'RE GOING... 701 00:26:54,714 --> 00:26:56,716 SO WE CAN TRACK THEM. 702 00:26:56,716 --> 00:26:59,048 AND YOU GUYS WALK AWAY. 703 00:26:59,048 --> 00:27:00,750 I CAN'T BELIEVE CHARLIE WAS SPYING 704 00:27:00,750 --> 00:27:03,222 ON ANTON RENKOV AND HIS ORGANIZATION. 705 00:27:03,222 --> 00:27:05,725 ANY OF THEM LOOK FAMILIAR? YEAH. 706 00:27:05,725 --> 00:27:08,227 I SAW ABOUT THREE OF THOSE RUSSIANS ON THE MOVIE SET. 707 00:27:08,227 --> 00:27:09,759 MM-HMM. AND ACCORDING TO INTERPOL, 708 00:27:09,759 --> 00:27:11,731 ALL OF THEM GOT CRIMINAL RECORDS BACK IN THE MOTHERLAND-- 709 00:27:11,731 --> 00:27:13,863 ASSAULT, MURDER, ALL KINDS OF BAD STUFF. 710 00:27:13,863 --> 00:27:15,364 I BET ONE OF THEM FOUND OUT THAT CHARLIE WAS A SPY, 711 00:27:15,364 --> 00:27:16,706 AND THEY KILLED HIM. 712 00:27:16,706 --> 00:27:18,367 ESPECIALLY SINCE WE KNOW THAT CHARLIE 713 00:27:18,367 --> 00:27:20,770 WAS FOLLOWED TO THE WAREHOUSE. 714 00:27:20,770 --> 00:27:22,311 BASED ON WHAT? 715 00:27:22,311 --> 00:27:24,744 WE TRACKED CHARLIE'S MOVEMENTS 716 00:27:24,744 --> 00:27:26,846 BY TRIANGULATING THE CELL TOWERS THAT HIS PHONE PINGED OFF, 717 00:27:26,846 --> 00:27:29,078 AND THEN WE USED THAT TIME STAMP 718 00:27:29,078 --> 00:27:31,881 TO PULL SATELLITE FOOTAGE OF THE WAREHOUSE. 719 00:27:31,881 --> 00:27:33,422 HOW'D YOU GUYS GET THERE? 720 00:27:33,422 --> 00:27:35,324 CHICKEN POOP. 721 00:27:35,324 --> 00:27:37,026 OH. 722 00:27:37,026 --> 00:27:38,327 WELL, WHATEVER WORKS. 723 00:27:38,327 --> 00:27:40,259 POINT IS, SOMEONE WAS FOLLOWING HIM. 724 00:27:40,259 --> 00:27:41,891 THAT'S WHAT I'D INVESTIGATE. 725 00:27:41,891 --> 00:27:44,363 ACTUALLY, WE NEED TO HIT PAUSE ON THE INVESTIGATION. (beep) 726 00:27:44,363 --> 00:27:45,795 WORD JUST CAME DOWN FROM D.C. 727 00:27:45,795 --> 00:27:47,737 WHY? 728 00:27:47,737 --> 00:27:49,238 C.I.A. DOESN'T BELIEVE RENKOV KNOWS CHARLIE WAS A MOLE. 729 00:27:49,238 --> 00:27:51,040 THEY THINK THE RUSSIANS WOULD HAVE MOVED THE WEAPONS 730 00:27:51,040 --> 00:27:53,042 IF THEY KNEW. WELL, WE'RE NOT INTERESTED IN THE WEAPONS. 731 00:27:53,042 --> 00:27:54,804 WE JUST WANT TO SOLVE HIS MURDER. 732 00:27:54,804 --> 00:27:56,145 AND D.C. HAS A PROBLEM WITH THAT. 733 00:27:56,145 --> 00:27:58,277 YOU TALK TO THESE RUSSIANS, IT COULD KICK UP SOME DUST, 734 00:27:58,277 --> 00:28:00,079 SET OFF THEIR ALARMS ABOUT CHARLIE REYNOLDS 735 00:28:00,079 --> 00:28:02,451 AND JEOPARDIZE THE C.I.A. OPERATION. 736 00:28:02,451 --> 00:28:05,815 OKAY. SO BY "PAUSE," WHAT YOU REALLY MEAN IS "STOP." 737 00:28:05,815 --> 00:28:08,117 I KNOW HOW YOU FEEL, 738 00:28:08,117 --> 00:28:12,221 BUT THIS CASE INTERSECTS WITH NATIONAL SECURITY ISSUES. 739 00:28:12,221 --> 00:28:13,823 I'M SORRY, BUT IT'S OVER. 740 00:28:13,823 --> 00:28:16,826 (telephone ringing in distance) 741 00:28:28,377 --> 00:28:29,708 HEY. 742 00:28:29,708 --> 00:28:32,111 GOT YOUR TEXT. WHAT TIME'S YOUR FLIGHT? 743 00:28:32,111 --> 00:28:34,443 TOMORROW MORNING. SO LISTEN. 744 00:28:34,443 --> 00:28:37,316 I'M, UH, SORRY ABOUT THAT WHOLE BRIBE THING. 745 00:28:37,316 --> 00:28:39,248 I SHOULD HAVE KNOWN YOU WERE INCORRUPTIBLE. 746 00:28:39,248 --> 00:28:40,890 YEAH, I WOULDN'T SAY THAT. 747 00:28:40,890 --> 00:28:42,221 HMM. 748 00:28:42,221 --> 00:28:45,494 WELL, THEN ALLOW ME TO TRY AND CORRUPT YOU 749 00:28:45,494 --> 00:28:48,257 A LITTLE LATER AT MY PLACE, 750 00:28:48,257 --> 00:28:52,001 WHERE WE CAN FINALLY HAVE SOME ALONE TIME. 751 00:28:52,001 --> 00:28:55,134 AND BY "ALONE TIME," I MEAN YOU AND ME AND... 752 00:28:55,134 --> 00:29:00,239 MY MOTHER AND ALEXIS AND... PI. 753 00:29:00,239 --> 00:29:02,171 THAT... 754 00:29:02,171 --> 00:29:04,743 THAT SOUNDS... CROWDED. 755 00:29:04,743 --> 00:29:06,375 YEAH. 756 00:29:06,375 --> 00:29:08,377 YOU KNOW WHAT? WHY DON'T YOU JUST GIVE ME A CALL 757 00:29:08,377 --> 00:29:09,819 AFTER YOU GUYS HAVE SOLVED THE CASE? 758 00:29:09,819 --> 00:29:11,951 DIDN'T YOU HEAR McCORD? THE CASE IS WRAPPED. 759 00:29:15,224 --> 00:29:16,455 IS IT? 760 00:29:21,090 --> 00:29:22,491 (elevator doors open) 761 00:29:24,393 --> 00:29:26,395 (Ryan) THIS WHOLE "GREATER GOOD" THING BLOWS. (elevator button clicks) 762 00:29:26,395 --> 00:29:28,137 CHARLIE DIED SERVING HIS COUNTRY. 763 00:29:28,137 --> 00:29:29,768 HE DESERVES JUSTICE. 764 00:29:29,768 --> 00:29:31,400 WHAT HAPPENED TO BECKETT? SHE USED TO UNDERSTAND THAT. 765 00:29:31,400 --> 00:29:33,873 I THINK SHE STILL DOES. 766 00:29:38,777 --> 00:29:40,249 (typing) 767 00:29:40,249 --> 00:29:43,482 (beep, key clicks) THIS MUST BE THE SATELLITE FOOTAGE 768 00:29:43,482 --> 00:29:45,054 BECKETT WAS TALKING ABOUT. 769 00:29:45,054 --> 00:29:47,016 AND THERE'S CHARLIE ENTERING THE WAREHOUSE. 770 00:29:47,016 --> 00:29:49,188 (beep) 771 00:29:49,188 --> 00:29:51,090 (Gates) UH, GENTLEMEN? 772 00:29:51,090 --> 00:29:54,163 I TAKE IT YOU'RE FINISHING UP PAPERWORK ON THE CASE 773 00:29:54,163 --> 00:29:56,325 THAT YOU ARE NO LONGER INVESTIGATING? 774 00:29:56,325 --> 00:29:57,366 YOU BET. 775 00:29:57,366 --> 00:29:59,168 YES, SIR. ABSOLUTELY. 776 00:29:59,168 --> 00:30:01,170 GOOD. CARRY ON. 777 00:30:03,532 --> 00:30:05,935 OKAY. YOU SEE HIM? 778 00:30:05,935 --> 00:30:08,237 BECKETT WAS RIGHT. CHARLIE WAS FOLLOWED. 779 00:30:08,237 --> 00:30:11,941 AND LOOK, HE'S WEARING A BASEBALL CAP TO BE INCOGNITO. (keys click, beep) 780 00:30:11,941 --> 00:30:15,044 NOT INCOGNITO ENOUGH. CHECK OUT THE DESIGN ON THAT HAT. 781 00:30:15,044 --> 00:30:17,116 (beeping) JUST LIKE THE... 782 00:30:17,116 --> 00:30:19,518 "2 COOL FOR SCHOOL" CREW HAT THAT I GOT. 783 00:30:19,518 --> 00:30:21,550 THE ONE YOU MADE FUN OF. 784 00:30:21,550 --> 00:30:24,093 SO WHOEVER FOLLOWED CHARLIE CAME FROM THE MOVIE SET. 785 00:30:24,093 --> 00:30:25,294 UH-HUH. 786 00:30:27,056 --> 00:30:28,427 THANKS FOR YOUR TIME. 787 00:30:28,427 --> 00:30:30,299 GUYS, NOBODY AT THE PRODUCTION OFFICE 788 00:30:30,299 --> 00:30:32,161 SAW CHARLIE BEING FOLLOWED. 789 00:30:32,161 --> 00:30:34,003 BUT SOON AS HE WAS DONE FILMING FOR THE DAY, 790 00:30:34,003 --> 00:30:36,235 A P.A. GAVE HIM A RIDE TO A BODEGA IN BROOKLYN. 791 00:30:36,235 --> 00:30:38,837 THAT BODEGA-- FIVE BLOCKS FROM THE WAREHOUSE. 792 00:30:38,837 --> 00:30:41,510 THIS IS THE SECURITY CAM FOOTAGE FROM OUTSIDE THE BODEGA. 793 00:30:41,510 --> 00:30:42,872 AND BASED ON THE TIME STAMP, 794 00:30:42,872 --> 00:30:44,173 THIS IS WHEN THE P.A. DROPPED CHARLIE OFF. 795 00:30:45,975 --> 00:30:48,277 THAT'S HIM. THERE HE IS. 796 00:30:48,277 --> 00:30:50,479 (Ryan) OKAY... (typing) 797 00:30:50,479 --> 00:30:52,581 AND... (clicks key) 798 00:30:52,581 --> 00:30:54,323 (beep) THERE'S OUR GUY IN THE CREW HAT. 799 00:30:54,323 --> 00:30:56,485 I CAN'T QUITE MAKE OUT HIS FACE. 800 00:30:56,485 --> 00:30:58,257 TRY A DIFFERENT ANGLE. 801 00:30:58,257 --> 00:31:00,589 (keys click, beeps) 802 00:31:00,589 --> 00:31:04,493 AH, I'M GONNA TRY ZOOMING IN. (keys clicking, beeping) 803 00:31:04,493 --> 00:31:06,095 THAT'S THE ACTRESS FROM THE MOVIE. 804 00:31:06,095 --> 00:31:09,468 WAIT A MINUTE. SHE'S NOT JUST AN ACTRESS. 805 00:31:09,468 --> 00:31:11,640 SHE'S ALSO SVETLANA RENKOV. 806 00:31:11,640 --> 00:31:13,502 SHE'S ANTON'S NIECE. 807 00:31:13,502 --> 00:31:15,444 HUBBA, HUBBA. 808 00:31:15,444 --> 00:31:18,277 SO BASICALLY YOUR PEOPLE DID EXACTLY 809 00:31:18,277 --> 00:31:19,578 WHAT I TOLD THEM NOT TO DO? 810 00:31:19,578 --> 00:31:22,311 YOU PUT US IN A DIFFICULT SPOT WHEN YOU DECIDED 811 00:31:22,311 --> 00:31:24,513 THAT THE C.I.A.'s AGENDA WAS MORE IMPORTANT 812 00:31:24,513 --> 00:31:25,654 THAN SOLVING A MURDER? 813 00:31:25,654 --> 00:31:28,187 I DIDN'T DECIDE ANYTHING. ORDERS CAME DOWN. 814 00:31:28,187 --> 00:31:29,618 THIS IS NOT MY FIRST RODEO 815 00:31:29,618 --> 00:31:31,590 DEALING WITH THE FOLKS DOWN IN D.C. 816 00:31:31,590 --> 00:31:33,422 SOON ENOUGH, 817 00:31:33,422 --> 00:31:36,165 THE NAME "CHARLIE REYNOLDS" WILL BE A DISTANT MEMORY FOR YOU. 818 00:31:36,165 --> 00:31:37,426 BUT NOT FOR US. 819 00:31:37,426 --> 00:31:39,598 HE MAY NOT HAVE HAD A GRIEVING MOTHER 820 00:31:39,598 --> 00:31:41,600 OR A WIFE WAITING FOR HIM, 821 00:31:41,600 --> 00:31:44,673 BUT HIS KILLER SHOULD NOT GO UNPUNISHED. 822 00:31:44,673 --> 00:31:46,936 REGARDLESS, 823 00:31:46,936 --> 00:31:50,179 I CAN'T LET YOU TAKE A RUN AT SVETLANA RENKOV. 824 00:31:50,179 --> 00:31:52,181 LOOK, THE WHOLE REASON 825 00:31:52,181 --> 00:31:54,483 THE C.I.A. IS SHUTTING THIS CASE DOWN 826 00:31:54,483 --> 00:31:56,515 IS BECAUSE THEY ARE CONVINCED THAT THE RUSSIANS 827 00:31:56,515 --> 00:31:59,118 DIDN'T REALIZE THAT CHARLIE WAS A SPY. 828 00:31:59,118 --> 00:32:01,490 BUT ANTON'S NIECE FOLLOWING CHARLIE 829 00:32:01,490 --> 00:32:03,252 SEEMS TO CONTRADICT THAT. 830 00:32:03,252 --> 00:32:04,954 AND IF THE RUSSIANS DID GET ON TO CHARLIE, 831 00:32:04,954 --> 00:32:06,395 WOULDN'T THE C.I.A. WANT TO KNOW 832 00:32:06,395 --> 00:32:08,197 THAT THEIR MISSION IS COMPROMISED? 833 00:32:08,197 --> 00:32:10,299 OKAY. 834 00:32:10,299 --> 00:32:13,132 IN THE SPIRIT OF CONTAINMENT... 835 00:32:15,004 --> 00:32:17,606 LET'S TALK TO SVETLANA. 836 00:32:19,508 --> 00:32:21,240 YOU FOLLOWED HIM. 837 00:32:21,240 --> 00:32:22,641 YOU FOLLOWED HIM TO THE WAREHOUSE. 838 00:32:22,641 --> 00:32:24,573 YES. 839 00:32:24,573 --> 00:32:26,315 WHY DID HE GO THERE? 840 00:32:28,077 --> 00:32:30,719 HE WAS LOOKING FOR GUNS. 841 00:32:30,719 --> 00:32:34,153 AND THAT WAS WHEN YOU REALIZED... 842 00:32:34,153 --> 00:32:35,584 HE WAS ABOUT TO BETRAY YOUR FAMILY, 843 00:32:35,584 --> 00:32:37,056 AND SO YOU TOLD THEM. 844 00:32:37,056 --> 00:32:38,457 I TOLD NO ONE. 845 00:32:38,457 --> 00:32:40,529 YOU DIDN'T EVEN TELL YOUR UNCLE ANTON 846 00:32:40,529 --> 00:32:42,231 OR YOUR OTHER RELATIVES? NO. 847 00:32:42,231 --> 00:32:43,562 I KNEW CHARLIE WAS A SPY, 848 00:32:43,562 --> 00:32:45,995 BUT I NEVER SAID SO TO MY FAMILY. 849 00:32:45,995 --> 00:32:47,566 I WOULD DIE FIRST. 850 00:32:47,566 --> 00:32:51,140 WE WERE IN LOVE. 851 00:32:51,140 --> 00:32:53,102 I'M SORRY. WHAT? 852 00:32:53,102 --> 00:32:55,974 I CAN SHOW YOU OUR LOVE LETTERS. 853 00:32:55,974 --> 00:32:57,446 HA! 854 00:32:57,446 --> 00:32:59,278 YOU MOCK DEWEY, BUT NOT ONLY 855 00:32:59,278 --> 00:33:01,610 WAS HE A SECRET AGENT, LOOK AT THAT. 856 00:33:01,610 --> 00:33:03,152 HE WAS A STUD. 857 00:33:03,152 --> 00:33:06,055 IT'S ROMEO AND JULIET... WITH A NERDY ROMEO. 858 00:33:06,055 --> 00:33:08,157 AND A SMOKIN'-HOT RUSSIAN JULIET. 859 00:33:08,157 --> 00:33:10,519 WE FELL IN LOVE THE MOMENT WE MET. 860 00:33:10,519 --> 00:33:12,591 FOR TWO YEARS, I ONLY SAW CHARLIE 861 00:33:12,591 --> 00:33:15,224 WHEN HE CAME TO ANTON'S PARTIES IN RUSSIA. 862 00:33:15,224 --> 00:33:17,596 HE KNEW I WANTED TO GET AWAY-- 863 00:33:17,596 --> 00:33:19,428 AWAY FROM THAT LIFE. 864 00:33:19,428 --> 00:33:21,100 SO WHEN ANTON PAID FOR THE MOVIE, 865 00:33:21,100 --> 00:33:23,272 CHARLIE SAID IT WAS A-A PERFECT CHANCE 866 00:33:23,272 --> 00:33:26,575 FOR ME TO COME HERE, FOR US TO BE TOGETHER. 867 00:33:26,575 --> 00:33:27,776 OKAY, IF ALL OF THAT'S TRUE, 868 00:33:27,776 --> 00:33:29,608 THEN WHY DID YOU TRAIL HIM TO THE WAREHOUSE? 869 00:33:29,608 --> 00:33:32,611 TO BEG HIM NOT TO LOOK FOR THOSE GUNS. 870 00:33:32,611 --> 00:33:35,344 I WAS AFRAID MY FAMILY WOULD FIND OUT. 871 00:33:35,344 --> 00:33:37,046 AND DID THEY? 872 00:33:37,046 --> 00:33:39,488 NO. IF THEY KNEW, I WOULD BE DEAD, TOO. 873 00:33:39,488 --> 00:33:42,321 I TOLD HIM TO STOP, BUT CHARLIE WOULDN'T LISTEN TO ME. 874 00:33:42,321 --> 00:33:45,324 HE SAID HE HAD TO FINISH THIS ONE LAST MISSION 875 00:33:45,324 --> 00:33:47,096 BEFORE WE DISAPPEARED. 876 00:33:47,096 --> 00:33:49,558 WHAT DO YOU MEAN, DISAPPEARED? 877 00:33:49,558 --> 00:33:51,500 WE WERE GOING TO RUN AWAY AND START OVER. 878 00:33:51,500 --> 00:33:53,632 WE WERE SUPPOSED TO LEAVE TODAY, 879 00:33:53,632 --> 00:33:56,465 GET AWAY FROM MY FAMILY, GET A FRESH START. 880 00:33:56,465 --> 00:33:59,468 CHARLIE WANTED TO LEAVE EVERYTHING BEHIND-- 881 00:33:59,468 --> 00:34:02,171 THE SPYING, THE ACTING, 882 00:34:02,171 --> 00:34:04,073 THE STUPID CHARACTER OF DEWEY. 883 00:34:04,073 --> 00:34:06,515 WHAT ABOUT HIS APARTMENT? HE JUST SPENT A LOT OF MONEY 884 00:34:06,515 --> 00:34:07,746 RENOVATING IT. 885 00:34:07,746 --> 00:34:10,479 HE WAS LEAVING THAT, TOO. 886 00:34:10,479 --> 00:34:12,621 (sighs) I MEAN, HE COULD HAVE GONE TO THE ROOF 887 00:34:12,621 --> 00:34:15,624 FOR ONE LAST LOOK AT THE PLACE, SAY GOOD-BYE. 888 00:34:15,624 --> 00:34:18,287 HE DIDN'T HAVE TO. HE KNEW IT WAS IN GOOD HANDS. 889 00:34:18,287 --> 00:34:19,658 HE WAS GIVING IT TO A FRIEND. 890 00:34:19,658 --> 00:34:21,830 THAT'S WHY HE WAS THERE THAT NIGHT. 891 00:34:21,830 --> 00:34:24,163 (McCord) WHO'S THE FRIEND? 892 00:34:26,365 --> 00:34:28,567 (buzzer sounds) 893 00:34:28,567 --> 00:34:29,798 I CAN'T BELIEVE IT. 894 00:34:29,798 --> 00:34:31,400 (speaking Russian) 895 00:34:31,400 --> 00:34:33,172 IT'S NOT WHO I WOULD HAVE EXPECTED. 896 00:34:33,172 --> 00:34:35,504 (continues in Russian, stops) 897 00:34:35,504 --> 00:34:37,476 HE WAS HIDING IN PLAIN SIGHT THIS WHOLE TIME. 898 00:34:37,476 --> 00:34:39,448 (grunts) 899 00:34:43,152 --> 00:34:44,853 RAMON. 900 00:34:47,216 --> 00:34:49,418 YOU'RE UNDER ARREST. 901 00:34:54,263 --> 00:34:55,494 NOW, RAMON, YOU TOLD US 902 00:34:55,494 --> 00:34:58,697 THAT YOU HAD OTHER PROJECTS IN THE WORKS, 903 00:34:58,697 --> 00:35:01,200 THAT YOU DID THE REUNION MOVE AS A FAVOR TO CHARLIE. 904 00:35:01,200 --> 00:35:02,501 (Ramon) FOR OLD TIMES' SAKE. 905 00:35:02,501 --> 00:35:04,173 (chuckling) THAT'S WHAT FRIENDS ARE FOR. 906 00:35:04,173 --> 00:35:06,135 THAT DOESN'T MAKE ME A KILLER. 907 00:35:06,135 --> 00:35:08,207 YEAH. WELL, WE LOOKED INTO THESE, UM, 908 00:35:08,207 --> 00:35:11,380 OTHER PROJECTS, AND, WELL, THIS IS WHAT WE FOUND. 909 00:35:11,380 --> 00:35:12,841 YOU'VE BEEN WORKING THE GRAVEYARD 910 00:35:12,841 --> 00:35:14,383 AT GLOBAL EAST SECURITY FOR FOUR YEARS. 911 00:35:14,383 --> 00:35:15,444 YEAH. 912 00:35:15,444 --> 00:35:18,217 WELL, YOU KNOW, ACTING HAS ITS, UH, 913 00:35:18,217 --> 00:35:19,688 UPS AND DOWNS, YOU KNOW? 914 00:35:19,688 --> 00:35:21,820 I KNEW I'D GET BACK IN THE GAME SOON ENOUGH. 915 00:35:21,820 --> 00:35:24,393 YEAH. ESPECIALLY IF PLAYING THE FOOTBALL COACH 916 00:35:24,393 --> 00:35:25,754 ON "2 COOL FOR SCHOOL" 917 00:35:25,754 --> 00:35:27,456 TURNED OUT TO BE A RECURRING GIG. 918 00:35:27,456 --> 00:35:29,628 PLAN WAS TO MAKE SEQUELS, BUT IF CHARLIE BAILED, 919 00:35:29,628 --> 00:35:31,460 THERE WOULDN'T BE ANY. YEAH. 920 00:35:31,460 --> 00:35:33,462 YOU'D BE BACK TO WORKING SECURITY. 921 00:35:33,462 --> 00:35:36,835 I DIDN'T HURT CHARLIE. I HAVE AN ALIBI. 922 00:35:36,835 --> 00:35:39,438 WELL, YEAH... NOT ANYMORE. 923 00:35:39,438 --> 00:35:41,210 SEE, YOUR GIRLFRIEND ADMITTED TO US 924 00:35:41,210 --> 00:35:42,371 THAT SHE LIED FOR YOU. 925 00:35:42,371 --> 00:35:43,872 SHE ALSO MENTIONED THAT YOU 926 00:35:43,872 --> 00:35:45,544 BORROWED HER CREDIT CARD THAT NIGHT. 927 00:35:45,544 --> 00:35:48,447 YEAH, IT TURNS OUT THAT YOU USED IT TO CHARGE A CAB RIDE... 928 00:35:48,447 --> 00:35:50,148 TO CHARLIE'S BUILDING. 929 00:35:50,148 --> 00:35:51,350 YOU NEVER TOLD US THAT CHARLIE WAS GONNA LET YOU 930 00:35:51,350 --> 00:35:53,852 STAY AT HIS APARTMENT, BECAUSE YOU KNEW 931 00:35:53,852 --> 00:35:56,355 IT CONNECTED YOU TO THE CRIME SCENE. 932 00:35:57,826 --> 00:36:00,659 I CAN EXPLAIN, OKAY? I CAN EXPLAIN EVERYTHING, ALL RIGHT? 933 00:36:00,659 --> 00:36:02,361 IT'S OVER, RAMON. NO, NO, NO, NO, NO. LOOK. 934 00:36:02,361 --> 00:36:04,763 HE WAS DOING A SCENE, AND AFTER THAT, HE TOLD ME HE WAS LEAVING. 935 00:36:04,763 --> 00:36:06,465 AND I DON'T MEAN JUST FOR THE DAY. 936 00:36:06,465 --> 00:36:08,297 HE WAS LEAVING FOR GOOD. 937 00:36:08,297 --> 00:36:09,698 HE WANTED A FRESH START. 938 00:36:09,698 --> 00:36:12,401 HE HAD BEEN OUT OF WORK AS LONG AS ME. 939 00:36:12,401 --> 00:36:15,244 AND NOW WE HAD A SHOT AT DOING THESE MOVIES. 940 00:36:15,244 --> 00:36:17,506 YOU DON'T WALK AWAY FROM THAT KIND OF OPPORTUNITY, 941 00:36:17,506 --> 00:36:19,448 THAT KIND OF MONEY! 942 00:36:19,448 --> 00:36:20,879 HOW DID YOU END UP ON THE ROOF? 943 00:36:20,879 --> 00:36:22,611 'CAUSE HE ASKED ME TO MEET HIM THERE! 944 00:36:22,611 --> 00:36:25,384 SO I THOUGHT MAYBE HE'D CHANGED HIS MIND, SO I WENT. 945 00:36:27,556 --> 00:36:30,759 SO THERE WE WERE, LOOKING AT THE GREAT VIEW. 946 00:36:30,759 --> 00:36:34,763 AND HE'S SAYING TO ME THAT I CAN STAY AT HIS PLACE FOR FREE. 947 00:36:34,763 --> 00:36:37,526 I DON'T WANT NO CHARITY! 948 00:36:37,526 --> 00:36:39,898 I DON'T WANT TO BE HOUSE-SITTING. 949 00:36:39,898 --> 00:36:41,970 I WANTED MY CAREER BACK, AND HE RUINED IT! 950 00:36:41,970 --> 00:36:43,432 SO YOU JUST SNAPPED. 951 00:36:43,432 --> 00:36:45,234 YOU KNOW, WHEN I WAS ON THE SHOW, 952 00:36:45,234 --> 00:36:48,377 I HAD MONEY--FOR GIRLS, FOR CARS, FOR CLOTHES, 953 00:36:48,377 --> 00:36:52,441 FOR WHATEVER, AND THEN, BAM, ALL IT'S GONE. 954 00:36:52,441 --> 00:36:56,415 AND NOBODY TELLS YOU HOW IT FEELS WHEN IT'S GONE, YOU KNOW? 955 00:36:58,417 --> 00:37:01,550 PLENTY OF PEOPLE AROUND YOU TO HELP YOU SPEND IT, THOUGH. 956 00:37:09,258 --> 00:37:11,630 I JUST WANTED MY OLD LIFE BACK. 957 00:37:15,404 --> 00:37:17,266 (door opens) 958 00:37:18,467 --> 00:37:20,409 (door closes) 959 00:37:20,409 --> 00:37:21,870 WE'RE GETTING A FULL CONFESSION, 960 00:37:21,870 --> 00:37:24,513 THANKS TO YOU, IN LARGE PART. 961 00:37:26,715 --> 00:37:29,278 (lowered voice) DON'T BE A STRANGER, AGENT BECKETT. 962 00:37:29,278 --> 00:37:30,579 DROP BY AND SEE US SOMETIME. 963 00:37:30,579 --> 00:37:33,251 THANK YOU, SIR. I WILL. 964 00:37:33,251 --> 00:37:36,755 (door opens) 965 00:37:36,755 --> 00:37:38,727 WHY IS SVETLANA STILL HERE? 966 00:37:38,727 --> 00:37:40,559 (door closes) 967 00:37:40,559 --> 00:37:42,661 THE C.I.A. ASKED US TO HOLD HER. 968 00:37:42,661 --> 00:37:44,663 (clicks switch) 969 00:37:44,663 --> 00:37:47,696 SVETLANA, THIS IS YOUR OPPORTUNITY 970 00:37:47,696 --> 00:37:49,598 TO HONOR CHARLIE'S MEMORY, 971 00:37:49,598 --> 00:37:51,670 TO CARRY ON HIS WORK. 972 00:37:51,670 --> 00:37:53,602 YOU ARE ASKING ME TO SPY ON MY FAMILY? 973 00:37:53,602 --> 00:37:56,675 YOU HAVE UNPRECEDENTED ACCESS 974 00:37:56,675 --> 00:37:58,607 TO ANTON RENKOV AND HIS ORGANIZATION. 975 00:37:58,607 --> 00:38:00,549 THAT IS EXTREMELY VALUABLE TO US. 976 00:38:00,549 --> 00:38:02,381 DO YOU KNOW WHAT THEY WILL DO TO ME 977 00:38:02,381 --> 00:38:04,413 WHEN THEY LEARN OF THIS? 978 00:38:04,413 --> 00:38:07,386 THEY COULD LEARN OF THIS RIGHT NOW. 979 00:38:07,386 --> 00:38:10,058 IF WORD SOMEHOW GOT OUT THAT CHARLIE WAS C.I.A., 980 00:38:10,058 --> 00:38:12,391 YOUR FAMILY WOULD ASK SOME PRETTY TOUGH QUESTIONS. 981 00:38:12,391 --> 00:38:14,763 YOU WOULD DO THIS TO ME? 982 00:38:14,763 --> 00:38:16,625 NOT IF YOU HELP US. 983 00:38:18,727 --> 00:38:21,430 (huffs) HE'S BLUFFING. 984 00:38:21,430 --> 00:38:23,932 C.I.A.'s NOT GONNA JUST EXPOSE HER LIKE THAT. 985 00:38:23,932 --> 00:38:27,536 YEAH, WELL, I WOULDN'T BET ON IT. 986 00:38:27,536 --> 00:38:29,307 THE MAN THAT SHE LOVED WAS MURDERED, 987 00:38:29,307 --> 00:38:31,039 AND HE'S GONNA SEND HER ON A SUICIDE MISSION? 988 00:38:31,039 --> 00:38:33,442 LIKE I SAID, 989 00:38:33,442 --> 00:38:35,684 WE DON'T ALWAYS SEE THE WHOLE PICTURE. 990 00:38:39,948 --> 00:38:42,451 I THINK THIS ONE'S PRETTY CLEAR. 991 00:38:44,623 --> 00:38:46,495 YEAH, LOOKS GOOD. YOU KNOW? 992 00:38:46,495 --> 00:38:48,627 HEY, YO, SULLY, NOSTALGIA FILE. 993 00:38:48,627 --> 00:38:50,098 HEY. THANKS, RYAN. 994 00:38:50,098 --> 00:38:51,560 I'M OFF. HEY. 995 00:38:51,560 --> 00:38:53,402 I JUST THOUGHT I'D SAY BYE. GOOD TO SEE YOU. 996 00:38:53,402 --> 00:38:55,063 YEAH. (exhales) 997 00:38:55,063 --> 00:38:56,735 YOU THINK McCORD IS GONNA MISS US? 998 00:38:56,735 --> 00:38:58,066 (sighs) OH, YEAH, DESPERATELY, 999 00:38:58,066 --> 00:38:59,938 BUT I'LL BE THERE TO PICK UP THE PIECES. 1000 00:38:59,938 --> 00:39:02,010 IS THAT C.I.A. SPOOK REALLY FORCING SVETLANA 1001 00:39:02,010 --> 00:39:03,672 TO TAKE CHARLIE'S PLACE? THAT'S NOT RIGHT. 1002 00:39:03,672 --> 00:39:05,474 YEAH, BUT, YOU KNOW, THERE'S NOT MUCH THAT WE CAN DO ABOUT IT, 1003 00:39:05,474 --> 00:39:06,615 BUT, I MEAN, WHAT... 1004 00:39:06,615 --> 00:39:08,016 OH. UH... 1005 00:39:08,016 --> 00:39:09,848 I'M GONNA CLEAN THAT UP, I SWEAR. 1006 00:39:09,848 --> 00:39:12,951 NO. NO. (rustling) 1007 00:39:12,951 --> 00:39:15,524 THIS IS YOUR DESK NOW. 1008 00:39:15,524 --> 00:39:17,085 AND, UH... (rustling continues) 1009 00:39:17,085 --> 00:39:18,527 FROM WHAT I CAN TELL, YOU EARNED IT. 1010 00:39:18,527 --> 00:39:21,430 WELL, THANKS. THAT MEANS A LOT COMING FROM YOU. 1011 00:39:21,430 --> 00:39:22,891 (woman on TV) POLICE HAVE ARRESTED... CHECK THIS OUT. 1012 00:39:22,891 --> 00:39:24,633 FORMER "2 COOL FOR SCHOOL" STAR RAMON RUSSO 1013 00:39:24,633 --> 00:39:26,465 FOR THE MURDER OF CHARLIE REYNOLDS. 1014 00:39:26,465 --> 00:39:28,967 SOURCES CLOSE TO THE CASE SAY RUSSO'S MOTIVE 1015 00:39:28,967 --> 00:39:30,999 MAY BE TIED TO REYNOLDS' RELATIONSHIP 1016 00:39:30,999 --> 00:39:33,442 WITH CO-STAR SVETLANA RENKOV, 1017 00:39:33,442 --> 00:39:35,143 WHO IS CURRENTLY UNDER INVESTIGATION 1018 00:39:35,143 --> 00:39:37,846 FOR HER ALLEGED TIES TO RUSSIAN ORGANIZED CRIME. 1019 00:39:37,846 --> 00:39:39,578 WHOA. WHOA. WHERE'D THEY GET THAT? 1020 00:39:39,578 --> 00:39:41,910 SVETLANA'S NOT UNDER INVESTIGATION. 1021 00:39:41,910 --> 00:39:44,753 MAYBE SOMEONE FED THEM A BAD TIP. 1022 00:39:44,753 --> 00:39:46,755 YOU KNOW, ONCE THAT NEWS HITS HER FAMILY, 1023 00:39:46,755 --> 00:39:48,417 THEY'RE GONNA CUT TIES WITH HER. 1024 00:39:48,417 --> 00:39:50,759 SHE'LL BE NO GOOD TO THE C.I.A., HUH? 1025 00:39:50,759 --> 00:39:52,561 (Ryan snickers) TOO BAD. 1026 00:39:56,925 --> 00:39:58,867 (Castle) PLAYING THE ANONYMOUS SOURCE CARD? 1027 00:39:58,867 --> 00:40:02,000 I MEAN, THAT IS PURE GENIUS. IT... 1028 00:40:02,000 --> 00:40:03,572 IT ACTUALLY MAKES ME LOVE YOU MORE. 1029 00:40:03,572 --> 00:40:05,434 WELL, SHE'S FILING FOR ASYLUM, 1030 00:40:05,434 --> 00:40:06,935 AND THE STATE DEPARTMENT IS GONNA HELP 1031 00:40:06,935 --> 00:40:08,677 RELOCATE HER, SO... 1032 00:40:08,677 --> 00:40:10,579 HOPEFULLY THAT'LL KEEP HER SAFE. 1033 00:40:10,579 --> 00:40:12,911 YEAH, BUT EVEN WORKING FOR THE FEDS, YOU-- 1034 00:40:12,911 --> 00:40:15,083 (sets glass down) YOU FOUND THE ULTIMATE WAY TO HONOR THE VICTIM. 1035 00:40:15,083 --> 00:40:18,587 CHARLIE DIED TRYING TO GET SVETLANA AWAY 1036 00:40:18,587 --> 00:40:19,588 FROM HER DANGEROUS FAMILY. 1037 00:40:19,588 --> 00:40:21,089 YOU COMPLETED HIS MISSION. 1038 00:40:21,089 --> 00:40:23,021 YEAH, BUT YOU WOULD HAVE DONE THE SAME THING, CASTLE. 1039 00:40:23,021 --> 00:40:26,555 YES. YES, AND I WOULD LOVE ME MORE FOR DOING IT, TOO. 1040 00:40:29,027 --> 00:40:31,930 (clicks tongue) UM... 1041 00:40:31,930 --> 00:40:34,763 HEY. 1042 00:40:34,763 --> 00:40:36,765 LISTEN. 1043 00:40:36,765 --> 00:40:38,667 UM... 1044 00:40:38,667 --> 00:40:40,609 WE REALLY HAVE TO TALK ABOUT SOMETHING. 1045 00:40:40,609 --> 00:40:42,140 OKAY. 1046 00:40:42,140 --> 00:40:45,914 WE'VE BEEN DOING THIS LONG-DISTANCE THING 1047 00:40:45,914 --> 00:40:48,517 FOR MONTHS, AND, UH... 1048 00:40:48,517 --> 00:40:51,179 I MEAN, WE NEVER SEE EACH OTHER, 1049 00:40:51,179 --> 00:40:54,452 AND WHEN WE DO, IT'S A-- IT'S A DAY HERE, 1050 00:40:54,452 --> 00:40:57,926 IT'S A-A WEEKEND THERE, AND... 1051 00:40:57,926 --> 00:41:02,491 LET'S FACE IT, I-IT'S NOT... WORKING. 1052 00:41:02,491 --> 00:41:05,764 (sighs) I... I KNOW, CASTLE, 1053 00:41:05,764 --> 00:41:07,936 BUT I DON'T-- 1054 00:41:07,936 --> 00:41:10,068 I DON'T KNOW HOW TO F-FIX THIS. 1055 00:41:10,068 --> 00:41:11,900 I DO. 1056 00:41:15,043 --> 00:41:17,546 (exhales) WHAT IS THAT? 1057 00:41:17,546 --> 00:41:19,477 WELL, IT'S A KEY... 1058 00:41:19,477 --> 00:41:21,950 TO OUR D.C. APARTMENT. 1059 00:41:23,652 --> 00:41:25,483 I MEAN, THE TRUTH IS, I CAN-- 1060 00:41:25,483 --> 00:41:27,586 I CAN WRITE FROM ANYWHERE, SO I FOUND A PLACE 1061 00:41:27,586 --> 00:41:30,589 WITH A LITTLE HOME OFFICE. 1062 00:41:30,589 --> 00:41:33,021 (exhales sharply and stammers) 1063 00:41:33,021 --> 00:41:34,863 LISTEN, IF YOU DON'T LIKE IT WHEN YOU SEE IT, WE CAN-- 1064 00:41:34,863 --> 00:41:37,526 NO. I DON'T NEED TO SEE IT. I LOVE THIS. 1065 00:41:37,526 --> 00:41:39,768 HMM. (laughs) 1066 00:41:39,768 --> 00:41:41,570 (kiss) 1067 00:41:41,570 --> 00:41:42,571 (chuckles) 1068 00:41:42,571 --> 00:41:44,573 (doorbell buzzes) HOLD THAT THOUGHT. 1069 00:41:44,573 --> 00:41:45,704 OKAY. (chuckles) 1070 00:41:45,704 --> 00:41:47,075 I BOUGHT MOTHER, ALEXIS, AND PI 1071 00:41:47,075 --> 00:41:48,607 A OVERNIGHT YOGA RETREAT. 1072 00:41:48,607 --> 00:41:50,208 THEY SHOULD NOT BE HOME EARLY. 1073 00:41:51,780 --> 00:41:53,542 OH. HEY. 1074 00:41:53,542 --> 00:41:55,614 HEY. I THOUGHT OUR FLIGHT WAS AT 8:00 IN THE MORNING. 1075 00:41:55,614 --> 00:41:57,515 (McCord) IT IS. 1076 00:41:57,515 --> 00:42:00,118 THEY KNOW IT WAS YOU THAT TIPPED OFF THE PRESS. 1077 00:42:01,289 --> 00:42:04,753 A PART OF ME REALLY ADMIRES YOU FOR THE CHOICE THAT YOU MADE, 1078 00:42:04,753 --> 00:42:06,224 MAYBE BECAUSE I'D LIKE TO THINK THERE WAS A TIME 1079 00:42:06,224 --> 00:42:07,926 THAT I WOULD HAVE DONE IT. 1080 00:42:07,926 --> 00:42:10,228 BUT THE PEOPLE WE ANSWER TO DON'T FEEL THAT WAY. 1081 00:42:10,228 --> 00:42:12,000 RACHEL, I-I-- 1082 00:42:12,000 --> 00:42:15,904 KATE, YOU'RE ONE OF THE BEST AGENTS I'VE EVER WORKED WITH. 1083 00:42:15,904 --> 00:42:18,567 BUT I'M HERE TO TELL YOU YOU'RE FIRED.