1 00:00:03,704 --> 00:00:06,037 (pounding on door) 2 00:00:06,037 --> 00:00:09,210 (man) EMMA RIGGS, N.Y.P.D. OPEN THE DOOR! 3 00:00:13,284 --> 00:00:14,285 (bottle clatters) 4 00:00:14,285 --> 00:00:16,016 (pounding on door) 5 00:00:16,016 --> 00:00:17,518 (man) WE HEAR YOU MOVING AROUND IN THERE! OPEN UP! 6 00:00:22,022 --> 00:00:23,294 (thud) 7 00:00:29,400 --> 00:00:32,263 (static crackles) 33 DAVID TO CENTRAL REQUESTING IMMEDIATE BACKUP. 8 00:00:32,263 --> 00:00:34,165 POSSIBLE HOMICIDE SUSPECT. 9 00:00:34,165 --> 00:00:35,566 WHITE FEMALE, BROWN HAIR, 10 00:00:35,566 --> 00:00:37,238 FLEEING DOWN SOUTHWEST FIRE ESCAPE. 11 00:00:42,743 --> 00:00:45,116 (whistles) STOP HER! 12 00:00:49,120 --> 00:00:52,123 (siren wailing) 13 00:00:58,659 --> 00:01:00,761 AHH! (door slams) 14 00:01:02,333 --> 00:01:04,365 EXCUSE ME? WHAT ARE YOU DOING? NOBODY MOVE! 15 00:01:04,365 --> 00:01:05,636 OH, GOD! 16 00:01:05,636 --> 00:01:09,140 (panting) 17 00:01:10,141 --> 00:01:13,073 (whispers) CASTLE... 18 00:01:13,073 --> 00:01:14,805 ARE YOU ASLEEP? 19 00:01:14,805 --> 00:01:16,607 (whispers) YES. 20 00:01:18,149 --> 00:01:20,211 THEN WHY'D YOU ANSWER ME? 21 00:01:20,211 --> 00:01:22,153 I'M SLEEP-TALKING. 22 00:01:22,153 --> 00:01:24,185 ALSO KNOWN AS SOMNILOQUY. 23 00:01:24,185 --> 00:01:26,617 JUST IGNORE ME. (sighs) 24 00:01:26,617 --> 00:01:28,459 I DON'T KNOW WHAT TO DO. 25 00:01:28,459 --> 00:01:30,090 (normal voice) I HAVE SOME IDEAS. 26 00:01:30,090 --> 00:01:32,323 (normal voice) NO, CASTLE. I'M TALKING ABOUT MY LIFE. 27 00:01:32,323 --> 00:01:34,665 I DON'T KNOW WHAT TO DO ABOUT MY LIFE. 28 00:01:34,665 --> 00:01:37,628 I HAVEN'T BEEN OUT OF WORK SINCE I WAS 15. 29 00:01:37,628 --> 00:01:41,101 I CANNOT BELIEVE THAT THE F.B.I. FIRED ME, 30 00:01:41,101 --> 00:01:43,103 AND I CAN'T GET MY JOB BACK AT THE N.Y.P.D. 31 00:01:43,103 --> 00:01:45,376 BECAUSE OF THE COMMISSIONER'S STUPID HIRING FREEZE. 32 00:01:45,376 --> 00:01:48,479 I MIGHT AS WELL JUST APPLY TO BECOME A MALL COP. 33 00:01:48,479 --> 00:01:50,541 OOH. YOU WOULD LOOK GREAT ON A SEGWAY. 34 00:01:50,541 --> 00:01:51,842 BUT, YOU KNOW, BECKETT, 35 00:01:51,842 --> 00:01:53,614 YOU DON'T HAVE TO DECIDE RIGHT AWAY. 36 00:01:53,614 --> 00:01:55,216 COME ON, CASTLE. WHAT ARE YOU SAYING? 37 00:01:55,216 --> 00:01:58,249 WHAT AM I GONNA DO, JUST SLEEP IN EVERY MORNING 38 00:01:58,249 --> 00:01:59,820 AND SCREW AROUND TILL THE PHONE RINGS? 39 00:01:59,820 --> 00:02:02,253 WHAT KIND OF LIFE IS THAT? MINE. 40 00:02:03,324 --> 00:02:04,425 SORRY. 41 00:02:04,425 --> 00:02:05,896 I JUST MEAN THAT YOU'RE WITH ME NOW. 42 00:02:05,896 --> 00:02:07,198 YOU DON'T HAVE TO WORK. 43 00:02:07,198 --> 00:02:09,260 I DON'T NEED TO WORK? 44 00:02:09,260 --> 00:02:12,203 DOES THAT MEAN YOU'RE MY SUGAR DADDY? 45 00:02:12,203 --> 00:02:15,336 OH. HOLD ON. THAT DIDN'T... COME OUT-- 46 00:02:15,336 --> 00:02:17,268 ACTUALLY, I'M STILL SLEEP-TALKING. 47 00:02:17,268 --> 00:02:18,909 I CAN'T REALLY BE HELD RESPONSIBLE FOR WHATEVER I SAY. (sighs) 48 00:02:18,909 --> 00:02:21,272 WOW. EVEN WHEN YOU'RE FIGHTING, 49 00:02:21,272 --> 00:02:23,674 YOU TWO ARE SUPER CUTE. (sighs) PI. 50 00:02:23,674 --> 00:02:27,178 MORNING, MR. C., MRS. C.-TO-BE. 51 00:02:27,178 --> 00:02:29,149 HEY, UH, DO YOU MIND IF I BORROW A RAZOR? 52 00:02:29,149 --> 00:02:30,481 ALEXIS GETS ALL FIRED UP 53 00:02:30,481 --> 00:02:32,823 WHEN I SHAVE WITH THE ONE SHE USES FOR HER LEGS. 54 00:02:32,823 --> 00:02:35,186 UNDER THE SINK. UNDER THE SINK. YEP. (snaps fingers) COOL. 55 00:02:35,186 --> 00:02:37,188 WHY IS HE STILL SLEEPING ON YOUR COUCH? I DON'T KNOW. 56 00:02:37,188 --> 00:02:39,390 GOOD MORNING, DARLINGS. 57 00:02:39,390 --> 00:02:41,232 DOESN'T ANYONE KNOCK? DOOR WAS OPEN. 58 00:02:41,232 --> 00:02:43,664 DON'T BE AN OLD MAID. NOTHING GOING ON HERE 59 00:02:43,664 --> 00:02:46,767 THAT I HAVEN'T SEEN AND DONE BEFORE. (laughs) 60 00:02:46,767 --> 00:02:48,239 SO HOW CAN I HELP YOU, MOTHER? 61 00:02:48,239 --> 00:02:51,171 AS YOU KNOW, MY STUDIO IS BEING PAINTED, 62 00:02:51,171 --> 00:02:54,275 SO I AM HAVING MY STAGE COMBAT CLASS 63 00:02:54,275 --> 00:02:56,947 IN THE LIVING ROOM IN-- WHOO-HOO--15 MINUTES, 64 00:02:56,947 --> 00:02:58,779 SO, PLEASE, FEEL FREE TO JOIN. 65 00:02:58,779 --> 00:03:01,252 TRIPLE BLADE RAZORS! NICE, MR. C.! (telephone ringing) 66 00:03:01,252 --> 00:03:03,354 YOU KNOW WHAT? I THINK I'M GONNA SLEEP AT MY OLD PLACE TONIGHT. 67 00:03:03,354 --> 00:03:05,356 I THINK I MIGHT JOIN YOU. WHAT IS THIS, A HOUSE MEETING? 68 00:03:05,356 --> 00:03:06,587 NO. NO. 69 00:03:06,587 --> 00:03:08,489 CAPTAIN GATES IS ON THE PHONE. OH! 70 00:03:08,489 --> 00:03:10,221 SHE'S ASKING FOR YOU, DAD. 71 00:03:12,463 --> 00:03:13,564 (beep) 72 00:03:13,564 --> 00:03:15,326 HELLO? 73 00:03:15,326 --> 00:03:16,567 (Gates) THANKS FOR COMING, MR. CASTLE. 74 00:03:16,567 --> 00:03:17,898 YOU, TOO, BECKETT. MM-HMM. 75 00:03:17,898 --> 00:03:20,431 AGAIN, I'M SORRY YOUR REINSTATEMENT DIDN'T WORK OUT. 76 00:03:20,431 --> 00:03:23,634 YEAH. THANKS. SO WHAT DO WE GOT? 77 00:03:23,634 --> 00:03:27,508 ANGELO VáZQUEZ, STABBED TO DEATH IN HIS GIRLFRIEND'S APARTMENT, 78 00:03:27,508 --> 00:03:29,510 AND THIS IS MR. VáZQUEZ. 79 00:03:29,510 --> 00:03:31,342 AND YOU ARE CALLING ON MY EXPERTISE 80 00:03:31,342 --> 00:03:32,643 TO UNMASK THE KILLER. 81 00:03:32,643 --> 00:03:35,286 NO. ACTUALLY, WE'VE ALREADY I.D.'d THE SUSPECT. 82 00:03:35,286 --> 00:03:37,248 SHE'S THE VICTIM'S GIRLFRIEND-- EMMA RIGGS. 83 00:03:37,248 --> 00:03:39,920 HOW DO YOU KNOW IT'S HER? BECAUSE SHE FLED FROM THE SCENE 84 00:03:39,920 --> 00:03:42,293 AND TOOK HOSTAGES IN A DENTAL OFFICE UP THE STREET. 85 00:03:42,293 --> 00:03:44,995 OH, OKAY. SO THIS INVOLVES ME HOW? 86 00:03:44,995 --> 00:03:48,259 HOSTAGE NEGOTIATORS HAVE BEEN TRYING TO TALK TO EMMA, 87 00:03:48,259 --> 00:03:51,332 BUT SHE'S DEMANDING TO SPEAK TO ONLY YOU, MR. CASTLE. 88 00:03:51,332 --> 00:03:53,504 ME? WHY ME? WE WERE HOPING YOU COULD TELL US. 89 00:03:53,504 --> 00:03:55,266 IS SHE FAMILIAR TO YOU? 90 00:03:55,266 --> 00:03:57,738 UH... I'VE NEVER SEEN HER BEFORE. 91 00:03:57,738 --> 00:03:59,770 WHAT DO WE KNOW ABOUT HER? NOT MUCH SO FAR. 92 00:03:59,770 --> 00:04:03,314 EMMA RIGGS, 31, WAITRESS, NO RECORD-- 93 00:04:03,314 --> 00:04:04,645 AT LEAST UNTIL NOW. 94 00:04:04,645 --> 00:04:06,347 SERGEANT? 95 00:04:06,347 --> 00:04:08,979 THIS IS SERGEANT ROMAN FROM THE HOSTAGE NEGOTIATING TEAM. 96 00:04:08,979 --> 00:04:10,651 (cell phone rings) RICHARD CASTLE AND KATE BECKETT. 97 00:04:10,651 --> 00:04:12,252 UH... OOH. DEPUTY CHIEF. 98 00:04:12,252 --> 00:04:13,884 EXCUSE ME. 99 00:04:13,884 --> 00:04:15,826 MR. CASTLE, ARE YOU OPEN TO TALKING TO EMMA 100 00:04:15,826 --> 00:04:18,329 OVER THE PHONE? YEAH, OF COURSE. ANYTHING I CAN DO TO HELP. 101 00:04:18,329 --> 00:04:19,730 SO WHAT'S THE SITUATION INSIDE? 102 00:04:19,730 --> 00:04:21,892 IT'S NOT IDEAL FOR OUR PURPOSES. 103 00:04:21,892 --> 00:04:23,594 THE WINDOWS IN THE OFFICE ARE COVERED, 104 00:04:23,594 --> 00:04:25,566 AND THERE'S ONLY ONE DOOR LEADING IN OR OUT. 105 00:04:25,566 --> 00:04:27,037 CAN'T YOU JUST DRILL IN FIBER OPTICS? 106 00:04:27,037 --> 00:04:29,640 CEMENT'S TOO THICK. BUT WE HAVE ASCERTAINED 107 00:04:29,640 --> 00:04:31,802 THAT SHE'S TAKEN FIVE HOSTAGES-- 108 00:04:31,802 --> 00:04:34,975 THE DENTIST-- DR. ABE KOGAN, 109 00:04:34,975 --> 00:04:36,477 HIS RECEPTIONIST-- SUE WILLIAMS, 110 00:04:36,477 --> 00:04:38,479 PATIENT MICKEY GERHARDT, 111 00:04:38,479 --> 00:04:41,812 AND SUKI CHUNG, WHO'S 9 YEARS OLD, 112 00:04:41,812 --> 00:04:43,684 AND SUKI'S MOTHER LISA. 113 00:04:43,684 --> 00:04:46,286 THERE'S A 9-YEAR-OLD IN THERE? 114 00:04:46,286 --> 00:04:48,589 BUT WHAT IF I SAY THE WRONG THING? 115 00:04:48,589 --> 00:04:50,421 I'LL BE WITH YOU THE WHOLE TIME. 116 00:04:50,421 --> 00:04:52,663 WE'LL MAKE CONTACT, SEE HOW EVERYONE'S DOING, 117 00:04:52,663 --> 00:04:54,995 TAKE EMMA'S TEMPERATURE, FIND OUT WHAT SHE WANTS. 118 00:04:54,995 --> 00:04:56,497 AND THEN WE'LL PUT A PLAN TOGETHER. 119 00:04:56,497 --> 00:04:59,029 ALL YOU HAVE TO DO IS TALK. 120 00:04:59,029 --> 00:05:01,402 WELL, IF THERE'S ONE THING YOU EXCEL AT, CASTLE, 121 00:05:01,402 --> 00:05:03,303 IT'S TALKING. 122 00:05:05,336 --> 00:05:07,007 YOU READY? 123 00:05:07,007 --> 00:05:08,739 NO, BUT LET'S DO THIS ANYWAY. 124 00:05:08,739 --> 00:05:10,080 (button clicks) 125 00:05:11,982 --> 00:05:14,385 (phone rings, beep) 126 00:05:14,385 --> 00:05:16,717 HELLO. HELLO, EMMA. THIS IS RICHARD CASTLE. 127 00:05:16,717 --> 00:05:18,048 I heard you wanted to speak with me. 128 00:05:18,048 --> 00:05:19,450 HOW DO I KNOW IT'S REALLY YOU? 129 00:05:19,450 --> 00:05:21,752 UH, WELL, IF YOU CARE TO STEP OUTSIDE, 130 00:05:21,752 --> 00:05:23,894 I'D BE HAPPY TO SHOW YOU MY DRIVER'S LICENSE. Yeah. 131 00:05:23,894 --> 00:05:25,996 THAT'S NOT GONNA HAPPEN. (mouths word) 132 00:05:25,996 --> 00:05:27,398 Okay, you say you're Richard Castle? 133 00:05:27,398 --> 00:05:28,959 YOU'RE GONNA HAVE TO PROVE IT, ALL RIGHT? 134 00:05:28,959 --> 00:05:30,631 IN THE "NIKKI HEAT" SERIES, 135 00:05:30,631 --> 00:05:33,664 WHAT'S ROOK AND NIKKI'S WINE OF CHOICE? SANCERRE. 136 00:05:33,664 --> 00:05:36,567 IN "DEADLY HEAT," WHAT'S DOUGLAS SANDMANN'S NICKNAME? 137 00:05:36,567 --> 00:05:37,738 BEDBUG DOUG. 138 00:05:37,738 --> 00:05:38,909 In "Storm Rising," 139 00:05:38,909 --> 00:05:41,341 WHAT'S PIERRE DUBOIS' LAST WORDS? 140 00:05:41,341 --> 00:05:42,573 AH! TRICK QUESTION. (snaps fingers) 141 00:05:42,573 --> 00:05:44,344 Pierre was a Trappist monk. 142 00:05:44,344 --> 00:05:45,746 He took a vow of silence. He never spoke. 143 00:05:45,746 --> 00:05:47,578 BOOM! BELIEVE IT'S ME NOW, EMMA? 144 00:05:47,578 --> 00:05:49,049 BECAUSE I COULD PLAY RICHARD CASTLE TRIVIA WITH YOU 145 00:05:49,049 --> 00:05:51,351 ALL DAY. I WILL CRUSH YOU. 146 00:05:51,351 --> 00:05:53,053 OKAY. IT'S YOU. 147 00:05:53,053 --> 00:05:55,986 SO LET ME ASK YOU A FEW QUESTIONS. No, no, no, no, no, no. 148 00:05:55,986 --> 00:05:57,958 NOT ON THE PHONE. THE COPS ARE LISTENING. 149 00:05:57,958 --> 00:05:59,089 SO? 150 00:05:59,089 --> 00:06:00,891 So I don't trust them, okay? 151 00:06:00,891 --> 00:06:03,394 JUST COME INSIDE THE DENTAL OFFICE AND WE CAN TALK HERE. 152 00:06:03,394 --> 00:06:06,467 YOU'VE GOT TO BE KIDDING. HEY! SHUT UP! 153 00:06:06,467 --> 00:06:09,570 UH, LOOK, EMMA-- WE NEED TO SPEAK FACE-TO-FACE. DO YOU HEAR ME? 154 00:06:09,570 --> 00:06:12,372 It is the only way. 155 00:06:12,372 --> 00:06:15,976 OKAY, BUT ONLY IF YOU SEND OUT SUKI AND HER MOTHER. DEAL? 156 00:06:15,976 --> 00:06:18,078 DEAL. BE OUTSIDE IN FIVE MINUTES. 157 00:06:19,079 --> 00:06:20,751 (button clicks) (sighs) 158 00:06:20,751 --> 00:06:22,813 GOD, CASTLE, WHAT THE HELL WERE YOU THINKING? 159 00:06:22,813 --> 00:06:24,084 I HAVE NO IDEA. 160 00:06:24,084 --> 00:06:25,115 HONESTLY, I DIDN'T THINK SHE WOULD TAKE THE DEAL, 161 00:06:25,115 --> 00:06:26,817 BUT, LOOK, SHE'S A FAN. 162 00:06:26,817 --> 00:06:28,559 OKAY? I KNOW MY FANS. SHE WON'T HURT ME. 163 00:06:28,559 --> 00:06:29,890 YOU DON'T KNOW THAT. 164 00:06:29,890 --> 00:06:31,562 I'M NOT BLIND TO THE RISKS, 165 00:06:31,562 --> 00:06:33,524 BUT I ALREADY GOT HER TO GIVE UP A LITTLE GIRL AND HER MOTHER. 166 00:06:33,524 --> 00:06:34,895 I CAN REACH HER. 167 00:06:34,895 --> 00:06:38,729 (sighs) RIGHT? MAYBE EVEN GET HER TO SURRENDER? 168 00:06:38,729 --> 00:06:40,701 SO LET ME GO IN. 169 00:06:43,804 --> 00:06:46,477 THE GOAL IS TO GET IN AND GET OUT, YOU UNDERSTAND? 170 00:06:46,477 --> 00:06:49,179 GET HER DEMANDS, CHECK THE STATUS OF THE HOSTAGES, 171 00:06:49,179 --> 00:06:50,911 AND MAKE MENTAL NOTES OF WHERE EVERYONE IS. 172 00:06:50,911 --> 00:06:52,583 THAT'LL HELP US IF WE HAVE TO BREACH. 173 00:06:52,583 --> 00:06:55,045 YOU WITH ME SO FAR? DEMANDS, STATUS, MENTAL NOTES--GOT IT. 174 00:06:55,045 --> 00:06:57,047 AND IF ANYTHING-- AND I MEAN ANYTHING-- 175 00:06:57,047 --> 00:06:59,520 SEEMS OFF, TELL EMMA YOU HAVE TO CALL US. 176 00:06:59,520 --> 00:07:01,452 TELL HER IT'S TO MAKE SURE THAT WE'RE NOT GONNA 177 00:07:01,452 --> 00:07:03,554 DO ANYTHING STUPID, OKAY? OKAY. 178 00:07:03,554 --> 00:07:05,125 SO WE'RE GONNA NEED A CODE WORD 179 00:07:05,125 --> 00:07:06,997 THAT TELLS US THAT YOU NEED HELP. 180 00:07:06,997 --> 00:07:09,059 WHAT, UH, WHAT'S YOUR FAVORITE FOOD? 181 00:07:09,059 --> 00:07:12,803 OH. UM... ARE WE TALKING EVERYDAY FOOD, OR FINE DINING? 182 00:07:12,803 --> 00:07:14,635 IF DESSERTS ARE INCLUDED-- CHEESEBURGERS. 183 00:07:14,635 --> 00:07:16,967 HE LOVES CHEESEBURGERS. I DO ENJOY A GOOD CHEESEBURGER. 184 00:07:16,967 --> 00:07:18,869 OKAY. ANYTHING GOES WRONG, 185 00:07:18,869 --> 00:07:21,772 CALL, MENTION CHEESEBURGERS, AND WE'LL COME RUNNING. 186 00:07:21,772 --> 00:07:23,073 GOOD LUCK IN THERE. 187 00:07:23,073 --> 00:07:24,745 THANK YOU. 188 00:07:24,745 --> 00:07:26,777 (under breath) CHEESEBURGERS. 189 00:07:26,777 --> 00:07:29,079 LISTEN... 190 00:07:29,079 --> 00:07:30,551 I'M KINDA LOOKING FORWARD TO SPENDING 191 00:07:30,551 --> 00:07:32,052 THE REST OF MY LIFE WITH YOU, SO... 192 00:07:32,052 --> 00:07:33,183 DON'T DO ANYTHING STUPID IN THERE, OKAY? 193 00:07:33,183 --> 00:07:34,725 HEY, DON'T WORRY. 194 00:07:34,725 --> 00:07:36,757 I THINK I ALREADY HIT MY "STUPID" QUOTA FOR THE DAY. 195 00:08:02,082 --> 00:08:03,614 (door closes) 196 00:08:07,017 --> 00:08:08,619 (huffs) 197 00:08:08,619 --> 00:08:11,121 MY GOD. IT REALLY IS YOU. 198 00:08:11,121 --> 00:08:13,193 SO WE HAVE A DEAL? 199 00:08:13,193 --> 00:08:15,065 (Emma) COME ON. COME ON! 200 00:08:17,628 --> 00:08:18,969 LET'S GO, COME IN! 201 00:08:18,969 --> 00:08:20,901 (pants) 202 00:08:20,901 --> 00:08:22,502 (door closes, lock clicks) 203 00:08:22,502 --> 00:08:24,134 HOW YOU GUYS DOING? HOW THE HELL YOU THINK WE'RE DOING? 204 00:08:24,134 --> 00:08:26,977 HEY! I TOLD YOU TO SHUT UP! OKAY--EMMA--EMMA, EASY! 205 00:08:26,977 --> 00:08:28,979 I'M HERE NOW, ALL RIGHT? SO LET'S TALK. (panting) 206 00:08:28,979 --> 00:08:30,741 YOU WANT TO TELL ME YOUR DEMANDS? 207 00:08:30,741 --> 00:08:32,282 WHAT DO YOU MEAN, DEMANDS? 208 00:08:32,282 --> 00:08:35,215 UH, MONEY, TRANSPORTATION OUTTA HERE? 209 00:08:35,215 --> 00:08:37,047 NO, NO, I-I DON'T-- I DON'T WANT ANY OF THAT. 210 00:08:37,047 --> 00:08:39,519 OKAY, THEN WHAT DO YOU WANT? 211 00:08:39,519 --> 00:08:41,091 YOU. I JUST-- I JUST WANT YOU. 212 00:08:42,152 --> 00:08:43,554 YOU WANT ME? 213 00:08:43,554 --> 00:08:45,095 (voice breaking) MY BOYFRIEND IS DEAD. 214 00:08:45,095 --> 00:08:46,797 AND I KNOW WHAT IT LOOKS LIKE. 215 00:08:46,797 --> 00:08:49,099 I DO. I KNOW IT. IT LOOKS LIKE I KILLED HIM. 216 00:08:49,099 --> 00:08:51,101 BUT I DIDN'T KILL HIM. I DIDN'T. UH-HUH. 217 00:08:51,101 --> 00:08:54,034 SHUT UP! EMMA, PLEASE. 218 00:08:54,034 --> 00:08:55,535 STAY CALM. 219 00:08:55,535 --> 00:08:58,308 I KNOW WHAT YOU'RE CAPABLE OF, 220 00:08:58,308 --> 00:09:00,170 RICHARD CASTLE, 221 00:09:00,170 --> 00:09:02,142 HOW YOU SOLVE MURDERS. 222 00:09:02,142 --> 00:09:06,216 YOU WANT DEMANDS? OKAY. 223 00:09:06,216 --> 00:09:08,819 I WANT YOU TO PROVE MY INNOCENCE. 224 00:09:20,831 --> 00:09:22,833 SO SHE WANTS YOU TO PROVE HER INNOCENCE? Right. 225 00:09:22,833 --> 00:09:24,034 SO I HATE TO BREAK IT TO YOU, 226 00:09:24,034 --> 00:09:25,295 BUT I DON'T THINK THIS IS GOING TO BE 227 00:09:25,295 --> 00:09:28,038 a traditional hostage negotiation. 228 00:09:28,038 --> 00:09:29,299 WHY YOU? 229 00:09:29,299 --> 00:09:31,171 SHE'S READ ALL MY BOOKS, ALL THOSE ARTICLES 230 00:09:31,171 --> 00:09:33,243 ABOUT YOU AND I WORKING HOMICIDES TOGETHER. 231 00:09:33,243 --> 00:09:35,045 SO SHE'S YOUR NUMBER-ONE FAN 232 00:09:35,045 --> 00:09:36,576 AND THIS IS SOME SORT OF HAIL MARY? 233 00:09:36,576 --> 00:09:39,079 PRETTY MUCH. SO LOOK, I THINK WE SHOULD-- 234 00:09:39,079 --> 00:09:40,210 DON'T TELL THEM ANYTHING ELSE. 235 00:09:40,210 --> 00:09:41,581 WHY? 236 00:09:41,581 --> 00:09:42,953 BECAUSE... THEY'RE COPS. 237 00:09:42,953 --> 00:09:44,685 ARE YOU OKAY IN THERE, MR. CASTLE? 238 00:09:44,685 --> 00:09:47,257 YEAH, I'M FINE. I'M JUST-- I'M JUST GONNA TALK TO HER, 239 00:09:47,257 --> 00:09:49,259 AND THEN I'LL CALL YOU BACK. ARE YOU SURE? 240 00:09:49,259 --> 00:09:51,191 YES. NO CHEESEBURGERS. 241 00:09:51,191 --> 00:09:54,364 I REPEAT-- NO CHEESEBURGERS. 242 00:09:54,364 --> 00:09:55,966 (phone beeps) 243 00:09:57,227 --> 00:09:58,999 CUTTING DOWN ON RED MEAT. 244 00:09:58,999 --> 00:10:02,002 SO WHAT DO WE DO NOW? (sighs) WE WAIT. 245 00:10:02,002 --> 00:10:03,203 (cell phone rings) BUT I-- 246 00:10:03,203 --> 00:10:04,675 BUT WHAT? 247 00:10:04,675 --> 00:10:07,307 SIR? EXCUSE ME. YEAH. 248 00:10:07,307 --> 00:10:08,839 (cell phone beeps) 249 00:10:10,711 --> 00:10:12,743 WHAT ARE YOU THINKING? 250 00:10:12,743 --> 00:10:16,316 SIR, ARE YOU SURE THAT THIS WOMAN DOESN'T HAVE A RECORD? WHY? 251 00:10:16,316 --> 00:10:19,189 BECAUSE SHE SEEMS TO HAVE A DEEP MISTRUST OF THE POLICE. 252 00:10:19,189 --> 00:10:20,721 WELL, OBVIOUSLY, THERE'S MORE TO IT 253 00:10:20,721 --> 00:10:21,952 THAN WHAT'S IN THE SYSTEM. 254 00:10:21,952 --> 00:10:24,194 LOOK, I KNOW I'M NOT ON THE JOB ANYMORE, BUT-- 255 00:10:24,194 --> 00:10:25,625 YOU WANT TO WORK THE CRIME SCENE. 256 00:10:25,625 --> 00:10:27,858 IT CAN'T HURT TO HAVE AN EXTRA PAIR OF EYES. 257 00:10:27,858 --> 00:10:30,030 AND THE MORE WE FIND OUT ABOUT EMMA, 258 00:10:30,030 --> 00:10:31,702 THE BETTER CHANCE WE'LL HAVE OF GETTING CASTLE 259 00:10:31,702 --> 00:10:33,063 AND THE HOSTAGES-- GO. 260 00:10:39,339 --> 00:10:40,771 (Castle) ALL RIGHT, EMMA. 261 00:10:40,771 --> 00:10:44,174 SO... YOU DIDN'T KILL YOUR BOYFRIEND. 262 00:10:44,174 --> 00:10:46,316 LET'S FIGURE OUT WHO DID. 263 00:10:46,316 --> 00:10:48,318 AS YOU KNOW, ALL MY STORIES START IN THE SAME PLACE-- 264 00:10:48,318 --> 00:10:51,051 IN THE BEGINNING. SO TELL ME WHAT HAPPENED. 265 00:10:51,051 --> 00:10:53,323 I GOT HOME LATE LAST NIGHT. WHY DID YOU GET HOME LATE? 266 00:10:53,323 --> 00:10:57,327 WELL, AFTER WORK, I-I-- I, UM, I BOUGHT A DRESS. 267 00:10:57,327 --> 00:11:00,090 BECAUSE TODAY'S MY BIRTHDAY. UM... 268 00:11:00,090 --> 00:11:03,864 ANGELO WAS, UH, WAS GONNA TAKE ME OUT TO DINNER TONIGHT. 269 00:11:03,864 --> 00:11:05,996 HE WORKED OUT SOME SORT OF SURPRISE. 270 00:11:05,996 --> 00:11:08,238 SAID IT'D BE A BIRTHDAY I'D NEVER FORGET, SO... (chuckles) 271 00:11:08,238 --> 00:11:10,100 ANY IDEA WHAT THE SURPRISE WAS? 272 00:11:10,100 --> 00:11:12,843 A MARRIAGE PROPOSAL. 273 00:11:12,843 --> 00:11:14,945 AT LEAST I WAS-- THAT'S WHAT I WAS HOPING. 274 00:11:14,945 --> 00:11:16,276 THAT'S WHY I BOUGHT THE DRESS, 275 00:11:16,276 --> 00:11:17,677 EVEN THOUGH I COULDN'T AFFORD IT. 276 00:11:17,677 --> 00:11:19,750 JUST STUPID, HUH? 277 00:11:19,750 --> 00:11:21,912 NO. NOT AT ALL. 278 00:11:21,912 --> 00:11:24,184 SO YOU HAVE YOUR DRESS, AND... 279 00:11:24,184 --> 00:11:25,916 WHEN I GOT HOME, I, UM, 280 00:11:25,916 --> 00:11:28,318 I POURED MY NIGHTLY TWO FINGERS OF SCOTCH. 281 00:11:28,318 --> 00:11:30,861 SCOTCH GIRL? ME, TOO. 282 00:11:30,861 --> 00:11:32,092 BOY. 283 00:11:32,092 --> 00:11:33,824 AND THEN WHAT HAPPENED? 284 00:11:35,766 --> 00:11:37,828 (voice breaking) WHEN I WOKE UP IN THE MORNING, I... 285 00:11:37,828 --> 00:11:40,400 (inhales sharply) 286 00:11:40,400 --> 00:11:42,933 I FOUND ANGELO ON THE FLOOR, 287 00:11:42,933 --> 00:11:44,334 DEAD. 288 00:11:44,334 --> 00:11:47,778 THERE WAS SO MUCH BLOOD. IT WAS... 289 00:11:51,211 --> 00:11:53,313 BUT I DON'T--I DON'T-- I DON'T KNOW WHAT HAPPENED. 290 00:11:53,313 --> 00:11:55,385 I, UM... I DON'T EVEN KNOW 291 00:11:55,385 --> 00:11:57,948 WHY ANGELO WAS AT MY APARTMENT IN THE FIRST PLACE. 292 00:11:57,948 --> 00:12:00,190 WELL, WHAT DID YOU DO? I-I PANICKED. 293 00:12:00,190 --> 00:12:02,322 TRIED TO GET OUT OF THERE, AND THE-- 294 00:12:02,322 --> 00:12:04,324 THE COPS CAME, AND... 295 00:12:06,296 --> 00:12:07,998 HERE I AM. 296 00:12:07,998 --> 00:12:11,832 YEAH, HOLDING US AT GUNPOINT. TALK ABOUT A PSYCHO GIRLFRIEND. 297 00:12:11,832 --> 00:12:14,064 WHAT DID YOU SAY?! ARE YOU TRYING TO GET US KILLED? 298 00:12:14,064 --> 00:12:15,465 OKAY, OKAY. EMMA, RELAX. 299 00:12:15,465 --> 00:12:18,168 IGNORE HIM. JUST FOCUS ON ME, ALL RIGHT? 300 00:12:18,168 --> 00:12:20,010 DID ANGELO HAVE A KEY TO YOUR PLACE? 301 00:12:20,010 --> 00:12:21,471 YES. 302 00:12:21,471 --> 00:12:23,113 BUT YOU DIDN'T MAKE ANY PLANS FOR HIM TO COME OVER LAST NIGHT? 303 00:12:23,113 --> 00:12:24,744 NO. 304 00:12:24,744 --> 00:12:26,746 HOW WERE THINGS GOING IN THE RELATIONSHIP? 305 00:12:26,746 --> 00:12:28,748 NO PROBLEMS? MNH-MNH. NONE. 306 00:12:28,748 --> 00:12:30,921 (Castle) HOW MUCH SCOTCH DID YOU HAVE? 307 00:12:30,921 --> 00:12:32,222 ONE GLASS. THE--THE TWO FINGERS. 308 00:12:32,222 --> 00:12:33,523 OKAY. 309 00:12:35,125 --> 00:12:37,127 I'M GONNA NEED YOU TO WALK ME THROUGH THIS AGAIN. 310 00:12:43,163 --> 00:12:45,465 GIRL, WHAT ARE YOU DOING HERE? 311 00:12:45,465 --> 00:12:47,467 UH, CAPTAIN GATES SAID THAT I COULD COME. 312 00:12:47,467 --> 00:12:49,139 THAT'S NOT WHAT I MEANT. 313 00:12:49,139 --> 00:12:51,341 SHOULDN'T YOU BE OFF LOOKING AT WEDDING VENUES OR SOMETHING? 314 00:12:51,341 --> 00:12:53,173 NO, WE HAVEN'T EVEN SET A DATE. 315 00:12:53,173 --> 00:12:55,175 WE'RE JUST TRYING TO ENJOY OUR ENGAGEMENT. 316 00:12:55,175 --> 00:12:56,907 WHY IS EVERYONE TRYING TO RUSH US? 317 00:12:56,907 --> 00:12:58,909 THINK YOU'RE BEING RUSHED NOW, WAIT UNTIL AFTER THE WEDDING. 318 00:12:58,909 --> 00:13:00,911 NOT TEN MINUTES FROM THE ALTAR, THEY'LL ALL BE LIKE, 319 00:13:00,911 --> 00:13:02,252 "WHEN ARE YOU TWO HAVING A BABY?" 320 00:13:02,252 --> 00:13:04,254 BRO, YOUR WIFE'S HORMONAL BECAUSE SHE'S PREGNANT. 321 00:13:04,254 --> 00:13:05,986 WHAT'S YOUR EXCUSE? 322 00:13:05,986 --> 00:13:08,258 SO I TAKE IT THIS IS EMMA'S BOYFRIEND? 323 00:13:08,258 --> 00:13:10,991 HE WAS, UNTIL SHE STABBED HIM THREE TIMES WITH A KNIFE... 324 00:13:10,991 --> 00:13:12,322 FROM THE KITCHEN BUTCHER BLOCK. 325 00:13:12,322 --> 00:13:13,864 EMMA'S CLAIMING THAT SHE'S INNOCENT. 326 00:13:13,864 --> 00:13:15,565 IS THERE ANY CHANCE THAT SOMEONE ELSE DID THIS? 327 00:13:15,565 --> 00:13:16,927 NO FOREIGN FIBERS OR PRINTS. 328 00:13:16,927 --> 00:13:18,228 ALL EVIDENCE IS POINTING TOWARDS EMMA. 329 00:13:18,228 --> 00:13:20,400 ANY IDEAS ON MOTIVE? OH, YEAH. 330 00:13:20,400 --> 00:13:21,872 THIS IS ANGELO'S CELL PHONE. 331 00:13:21,872 --> 00:13:24,334 CHECK OUT THE TEXT HISTORY BETWEEN HIM AND EMMA. 332 00:13:24,334 --> 00:13:26,536 SHE WAS ACCUSING HIM OF HAVING AN AFFAIR WITH SOME CHICK 333 00:13:26,536 --> 00:13:28,008 UP IN SCARSDALE. 334 00:13:28,008 --> 00:13:29,409 AND WE FOUND THIS IN ANGELO'S POCKET. 335 00:13:29,409 --> 00:13:31,912 "S.H. OFF SAW MILL RIVER PARKWAY." 336 00:13:31,912 --> 00:13:34,384 SAW MILL RIVER PARKWAY IS THE WAY TO SCARSDALE 337 00:13:34,384 --> 00:13:36,186 FROM THE CITY. "S.H." COULD BE 338 00:13:36,186 --> 00:13:38,348 THE INITIALS OF THE LADY HE WAS SEEING ON THE SIDE. 339 00:13:38,348 --> 00:13:39,489 A-AND LISTEN TO THIS-- 340 00:13:39,489 --> 00:13:42,552 EMMA TEXTS ANGELO LAST NIGHT AT 9:47 341 00:13:42,552 --> 00:13:45,856 SAYING SHE'S DRUNK, LONELY, AND WANTS TO SEE HIM. 342 00:13:45,856 --> 00:13:48,098 AND HERE IS AN EMPTY BOTTLE OF SCOTCH. 343 00:13:48,098 --> 00:13:50,360 LADIES AND GENTLEMEN, THIS IS A BOOTY CALL GONE WRONG. 344 00:13:50,360 --> 00:13:51,431 NONE OF THIS MAKES ANY SENSE. 345 00:13:51,431 --> 00:13:53,033 I MEAN, IF SHE ACTUALLY KILLED HIM, 346 00:13:53,033 --> 00:13:54,264 THEN WHY ISN'T SHE ASKING FOR A FLIGHT OUT OF THE COUNTRY? 347 00:13:54,264 --> 00:13:56,836 WHY IS SHE INSISTING THAT SHE'S INNOCENT? 348 00:13:56,836 --> 00:13:59,469 UH, MAYBE BECAUSE SHE'S CRAZY. I FOUND EMMA'S PRESCRIPTIONS-- 349 00:13:59,469 --> 00:14:02,272 CLONAZEPAM AND ARIPIPRAZOLE. 350 00:14:02,272 --> 00:14:03,914 LANIE, AREN'T THOSE ANTIPSYCHOTICS? 351 00:14:03,914 --> 00:14:05,976 ONE IS, THE OTHER ONE'S FOR MOOD DISORDERS. 352 00:14:05,976 --> 00:14:07,878 HEY, YOU KNOW, IF EMMA STOPPED TAKING HER MEDS, 353 00:14:07,878 --> 00:14:09,449 SHE COULD HAVE HAD A PSYCHOTIC BREAK. 354 00:14:09,449 --> 00:14:11,451 WHICH MEANS SHE WOULDN'T REMEMBER WHAT SHE DID. 355 00:14:11,451 --> 00:14:14,054 WE HAVE TO WARN CASTLE. BECKETT, RELAX. 356 00:14:14,054 --> 00:14:15,455 HE'S JUST ON THE PHONE WITH THE WOMAN. 357 00:14:15,455 --> 00:14:17,057 NO. HE WENT IN. 358 00:14:18,358 --> 00:14:21,061 UH-HUH. 359 00:14:21,061 --> 00:14:24,234 OKAY. LET ME CALL YOU BACK. (cell phone beeps) 360 00:14:24,234 --> 00:14:26,236 DID DETECTIVE BECKETT FIND ANYTHING? 361 00:14:26,236 --> 00:14:29,299 EMMA, I CAN'T HELP YOU IF YOU'RE NOT HONEST WITH ME. 362 00:14:29,299 --> 00:14:30,941 BUT I HAVE BEEN HONEST. 363 00:14:30,941 --> 00:14:33,473 YOU SAID EVERYTHING BETWEEN YOU AND ANGELO WAS ALL RIGHT. 364 00:14:33,473 --> 00:14:35,075 YEAH, IT WAS. 365 00:14:35,075 --> 00:14:36,306 SO YOU DIDN'T SUSPECT HIM OF CHEATING? 366 00:14:36,306 --> 00:14:40,180 (breathes unevenly) 367 00:14:40,180 --> 00:14:43,914 NO, IT--IT'S JUST THAT HE KEPT GOING UP TO SCARSDALE 368 00:14:43,914 --> 00:14:45,285 WITHOUT SAYING WHY. 369 00:14:45,285 --> 00:14:47,317 I-I'M SURE IT WAS NOTHING. ARE YOU? 370 00:14:47,317 --> 00:14:51,221 OR COULD IT BE THAT YOU WANTED TO CONFRONT HIM? 371 00:14:51,221 --> 00:14:54,624 AND MAYBE THAT'S WHY YOU TEXTED ANGELO LAST NIGHT 372 00:14:54,624 --> 00:14:57,367 AND INVITED HIM OVER. WHAT ARE YOU TALKING ABOUT? 373 00:14:57,367 --> 00:14:59,229 LOOK AT YOUR PHONE, EMMA. 374 00:15:00,400 --> 00:15:02,002 (sighs) (cell phone beeps) 375 00:15:04,374 --> 00:15:06,636 WAIT, I DON'T... 376 00:15:06,636 --> 00:15:09,009 NO, I DON'T REMEMBER WRITING THESE TEXTS. 377 00:15:09,009 --> 00:15:11,011 JUST BECAUSE YOU DON'T REMEMBER DOESN'T MEAN YOU DIDN'T. 378 00:15:11,011 --> 00:15:13,483 JUST LIKE YOU ONLY REMEMBER HAVING ONE GLASS OF SCOTCH. 379 00:15:13,483 --> 00:15:15,145 BUT WHAT IF YOU HAD MORE? 380 00:15:15,145 --> 00:15:18,448 THEY FOUND YOUR SCOTCH BOTTLE, EMMA. IT WAS EMPTY. 381 00:15:18,448 --> 00:15:21,251 (scoffs) I-I DIDN'T FINISH THE BOTTLE. 382 00:15:21,251 --> 00:15:23,423 MAYBE YOU DID, AND YOU JUST CAN'T REMEMBER. THAT IS RIDICULOUS! 383 00:15:23,423 --> 00:15:26,296 UH, UM, A-ACTUALLY, IT'S NOT. 384 00:15:26,296 --> 00:15:28,458 IF SOMEONE'S HAD TOO MUCH TO DRINK, 385 00:15:28,458 --> 00:15:30,700 THEY CAN SUFFER WHAT'S CALLED AN EN BLOC BLACKOUT. 386 00:15:30,700 --> 00:15:33,463 IT PREVENTS THE BRAIN FROM CREATING NEW MEMORIES. 387 00:15:33,463 --> 00:15:37,237 EMMA, YOU WANTED ME... 388 00:15:37,237 --> 00:15:39,239 TO UNCOVER THE TRUTH. 389 00:15:44,244 --> 00:15:46,246 NO. 390 00:15:46,246 --> 00:15:47,517 NOT YOU. 391 00:15:47,517 --> 00:15:50,250 PLEASE DON'T TELL ME THAT YOU DON'T BELIEVE ME. 392 00:15:50,250 --> 00:15:53,083 I DIDN'T KILL ANGELO, OKAY? 393 00:15:53,083 --> 00:15:55,125 I MEAN, I-I WANTED TO MARRY HIM. 394 00:15:55,125 --> 00:15:57,327 I WOULDN'T DO THIS! 395 00:15:58,989 --> 00:16:00,630 OH, GOD. 396 00:16:03,163 --> 00:16:05,395 (voice breaking) GOD... DID I? I-- 397 00:16:05,395 --> 00:16:07,737 WHAT IF I DID? I DON'T... (gasps) 398 00:16:07,737 --> 00:16:09,969 HUH. 399 00:16:09,969 --> 00:16:11,141 WHAT? 400 00:16:11,141 --> 00:16:12,442 HOW DO YOU TEXT "LOVE YOU"? 401 00:16:12,442 --> 00:16:14,174 WHAT DO YOU MEAN? 402 00:16:14,174 --> 00:16:16,276 WHEN YOU WRITE "LOVE YOU," HOW DO YOU SPELL IT? 403 00:16:16,276 --> 00:16:19,079 DO A SIDEWAYS HEART AND THE LETTER "U." 404 00:16:19,079 --> 00:16:21,151 RIGHT, EXCEPT FOR LAST NIGHT, 405 00:16:21,151 --> 00:16:23,353 WHEN YOU JUST SPELLED IT OUT-- "LOVE YOU." 406 00:16:23,353 --> 00:16:25,555 NO. MNH-MNH. I NEVER SPELL IT OUT. 407 00:16:25,555 --> 00:16:27,387 AND THE VOICE IN THOSE TEXTS FROM LAST NIGHT-- 408 00:16:27,387 --> 00:16:29,359 IT'S--IT'S DIFFERENT FROM THE OTHERS. 409 00:16:29,359 --> 00:16:31,321 AS IF SOMEBODY ELSE WROTE THEM? 410 00:16:31,321 --> 00:16:32,622 MAYBE. I DON'T KNOW. 411 00:16:32,622 --> 00:16:34,094 WELL, IF I DIDN'T WRITE THESE, THAT MEANS 412 00:16:34,094 --> 00:16:36,166 THAT SOMEBODY ELSE DID, RIGHT? 413 00:16:36,166 --> 00:16:38,368 WHICH MEANS THE KILLER USED MY PHONE! 414 00:16:38,368 --> 00:16:40,730 (breathing heavily) (phone clatters) 415 00:16:40,730 --> 00:16:43,333 (sighs) (rattling, thud) 416 00:16:45,004 --> 00:16:46,406 YOU HAVE TO DUST THIS FOR PRINTS. 417 00:16:46,406 --> 00:16:49,339 COME ON. COME ON. YOU HAVE TO FIND THE KILLER. 418 00:16:49,339 --> 00:16:51,141 WAIT, WHAT? YOU'RE NOT LEAVING US, ARE YOU? 419 00:16:51,141 --> 00:16:53,443 NO. I-I'M GONNA GET YOU OUTTA HERE. 420 00:16:53,443 --> 00:16:54,784 LIKE HELL YOU ARE. LOOK, 421 00:16:54,784 --> 00:16:57,147 IF YOU OR THE COPS AREN'T GONNA DO ANYTHING, 422 00:16:57,147 --> 00:16:58,418 I SURE AS HELL AM. SHUT UP! 423 00:16:58,418 --> 00:17:02,052 WHAT ARE YOU WAITING FOR? COME ON! JUST GO, OKAY? 424 00:17:02,052 --> 00:17:05,725 MICKEY, DON'T DO ANYTHING. PLEASE. 425 00:17:08,598 --> 00:17:10,360 (clicks lock) 426 00:17:12,432 --> 00:17:16,406 (siren wailing in distance) 427 00:17:16,406 --> 00:17:17,537 (Beckett) CASTLE! 428 00:17:18,808 --> 00:17:21,441 (door closes) 429 00:17:21,441 --> 00:17:23,773 MR. CASTLE, WHAT HAPPENED? WHAT IS GOING ON IN THERE? 430 00:17:23,773 --> 00:17:25,375 WE GOT PROBLEMS. (panting) 431 00:17:25,375 --> 00:17:28,548 EMMA IS UNSTABLE, TO SAY THE LEAST. 432 00:17:28,548 --> 00:17:30,580 BUT THAT'S NOT THE WORST OF IT. THERE'S A HOSTAGE IN THERE-- 433 00:17:30,580 --> 00:17:32,152 HE'S SEEN "DIE HARD" TOO MANY TIMES. 434 00:17:32,152 --> 00:17:33,723 HE'S GONNA TRY AND BE A HERO. 435 00:17:33,723 --> 00:17:35,255 AND THERE'S SOMETHING ELSE I THINK YOU NEED TO KNOW. WHAT'S THAT? 436 00:17:36,686 --> 00:17:39,689 EMMA MIGHT ACTUALLY BE TELLING THE TRUTH. 437 00:17:39,689 --> 00:17:41,161 THE TRUTH ABOUT WHAT? 438 00:17:41,161 --> 00:17:43,263 BECKETT, I THINK SHE'S BEING FRAMED FOR MURDER. 439 00:17:48,538 --> 00:17:49,599 BUT WHAT IF EMMA IS RIGHT? 440 00:17:49,599 --> 00:17:51,141 WHAT IF SOMEONE ELSE WROTE THOSE TEXTS 441 00:17:51,141 --> 00:17:53,103 AND THIS IS ALL JUST AN ELABORATE FRAME-UP, 442 00:17:53,103 --> 00:17:54,374 AND EMMA'S JUST A PATSY? 443 00:17:54,374 --> 00:17:56,075 SYNTAX, BRO? YOU'RE GONNA BASE EMMA'S INNOCENCE 444 00:17:56,075 --> 00:17:57,577 ON HOW SHE WRITES HER TEXTS? 445 00:17:57,577 --> 00:17:59,409 I'M JUST SAYING, IT'S POSSIBLE. 446 00:17:59,409 --> 00:18:02,812 LOOK, IF WE FOUND D.N.A. OR PRINTS 447 00:18:02,812 --> 00:18:05,585 OR FIBERS AT THE CRIME SCENE, MAYBE. 448 00:18:05,585 --> 00:18:07,757 SULLY, WE GET ANY USABLE PRINTS OFF EMMA'S CELL PHONE? 449 00:18:07,757 --> 00:18:09,159 NO, BUT EVEN IF WE DID, 450 00:18:09,159 --> 00:18:10,460 HOW COULD SOMEONE ELSE HAVE PULLED THIS OFF? 451 00:18:10,460 --> 00:18:12,622 TO USE HER PHONE WITHOUT HER KNOWING, 452 00:18:12,622 --> 00:18:14,164 EMMA WOULD HAVE HAD TO HAVE BEEN UNCONSCIOUS, 453 00:18:14,164 --> 00:18:16,296 SO SOMEONE COULD HAVE KNOCKED HER OUT. 454 00:18:16,296 --> 00:18:17,827 SHE HAS A SCOTCH EVERY NIGHT. 455 00:18:17,827 --> 00:18:19,569 SOMEONE COULD HAVE DOSED HER BOTTLE. 456 00:18:19,569 --> 00:18:21,301 OR MAYBE SHE'S JUST SOME CRAZED FAN, 457 00:18:21,301 --> 00:18:23,403 LIKE KATHY BATES IN "MISERY." 458 00:18:23,403 --> 00:18:26,876 YOU SHOULD BE HAPPY YOU DIDN'T GET HOBBLED. RIGHT? (laughs) 459 00:18:29,309 --> 00:18:30,880 OKAY. THIS IS YOUR INVESTIGATION. 460 00:18:30,880 --> 00:18:32,512 KEEP RUNNING THE CASE ON EMMA. 461 00:18:32,512 --> 00:18:34,113 BUT, CAPTAIN, I'M-- LET ME FINISH. 462 00:18:34,113 --> 00:18:35,745 LOOK, MR. CASTLE, OVER THE YEARS, 463 00:18:35,745 --> 00:18:37,617 I HAVE LEARNED NOT TO DISCOUNT YOUR LITTLE THEORIES, 464 00:18:37,617 --> 00:18:39,589 NO MATTER HOW FANCIFUL. 465 00:18:39,589 --> 00:18:43,223 SO WHY DON'T YOU AND BECKETT WORK WITH DETECTIVE SULLY, 466 00:18:43,223 --> 00:18:44,524 AND LET'S SEE IF THERE'S SOMETHING TO THIS? 467 00:18:44,524 --> 00:18:46,756 THANK YOU, SIR. (Castle) THANK YOU. 468 00:18:46,756 --> 00:18:49,159 SO, WHERE DO WE START? 469 00:18:49,159 --> 00:18:52,862 BY LOOKING INTO OUR VICTIM-- ANGELO VáZQUEZ. 470 00:18:52,862 --> 00:18:55,165 EVERYTHING HERE TELLS THE SAME STORY. 471 00:18:55,165 --> 00:18:57,167 ANGELO WAS A DECENT GUY. 472 00:18:57,167 --> 00:18:59,169 TEN YEARS AGO, AFTER SOME PETTY B&Es, 473 00:18:59,169 --> 00:19:00,510 HE TURNED HIS LIFE AROUND. 474 00:19:00,510 --> 00:19:03,573 HE VOLUNTEERED WITH AT-RISK YOUTH, HE WAS WELL-LIKED. 475 00:19:03,573 --> 00:19:06,176 HE HAD BEEN RECENTLY LAID OFF FROM HIS MECHANIC'S JOB, 476 00:19:06,176 --> 00:19:07,447 BUT HE WAS STILL UPBEAT. 477 00:19:07,447 --> 00:19:09,319 THERE'S NOTHING THAT EXPLAINS WHO KILLED HIM OR WHY, 478 00:19:09,319 --> 00:19:10,650 OTHER THAN EMMA. 479 00:19:10,650 --> 00:19:12,882 CASTLE, YOU'RE FORGETTING ABOUT SCARSDALE. 480 00:19:12,882 --> 00:19:14,424 YOU THINK EMMA'S SUSPICIOUS ARE TRUE, 481 00:19:14,424 --> 00:19:15,755 THAT HE WAS HAVING AN AFFAIR? 482 00:19:15,755 --> 00:19:17,387 THAT SOME WOMAN IN SCARSDALE KILLED HIM? 483 00:19:17,387 --> 00:19:20,260 WELL, SOMETHING WAS GOING ON IN SCARSDALE. LOOK AT THIS. 484 00:19:20,260 --> 00:19:21,931 THREE NIGHTS AGO, 485 00:19:21,931 --> 00:19:25,935 A RESIDENT COMPLAINED ABOUT ANGELO'S CAR. WHY? 486 00:19:27,337 --> 00:19:29,739 HOW DOES SULLY FIND ANYTHING ON THIS DESK? 487 00:19:29,739 --> 00:19:31,241 I DON'T KNOW. HE MUST HAVE A SYSTEM. 488 00:19:31,241 --> 00:19:33,203 I THINK THAT WAS ONCE A BAGEL. OKAY, YOU KNOW WHAT? 489 00:19:33,203 --> 00:19:34,574 (typing) HERE WE GO. 490 00:19:34,574 --> 00:19:36,876 (computer beeps) A SCARSDALE RESIDENT ON OVERLOOK ROAD 491 00:19:36,876 --> 00:19:39,309 REPORTED ANGELO'S LICENSE PLATE TO THE POLICE. 492 00:19:39,309 --> 00:19:43,253 HE SAID THE DRIVER SPENT TWO HOURS DRINKING COFFEE 493 00:19:43,253 --> 00:19:45,515 ALONE IN HIS CAR. 494 00:19:45,515 --> 00:19:47,257 TWO HOURS DRINKING COFFEE ALONE 495 00:19:47,257 --> 00:19:48,658 DOESN'T SOUND LIKE MUCH OF AN AFFAIR. 496 00:19:48,658 --> 00:19:50,560 YEAH, BUT WHAT WAS ANGELO UP TO? 497 00:19:50,560 --> 00:19:53,192 (cell phone rings, beep) BECKETT. 498 00:19:53,192 --> 00:19:54,724 Hey, it's Sully. 499 00:19:54,724 --> 00:19:57,567 THERE WAS NOTHING OF INTEREST AT ANGELO'S APARTMENT, 500 00:19:57,567 --> 00:20:00,530 BUT HIS CAR IS A WHOLE OTHER MATTER. 501 00:20:00,530 --> 00:20:03,933 GET THIS. ANGELO HAD A DUFFEL BAG 502 00:20:03,933 --> 00:20:07,206 FILLED WITH TOOLS OF THE BURGLAR VARIETY, 503 00:20:07,206 --> 00:20:10,980 A FLOOR PLAN TO WHAT LOOKS LIKE A HOUSE... 504 00:20:10,980 --> 00:20:15,315 AND A MANUAL FOR A RAMCO-4700 ALARM SYSTEM. 505 00:20:15,315 --> 00:20:17,817 I DON'T THINK HE WAS INSTALLING HOME SECURITY SYSTEMS. 506 00:20:17,817 --> 00:20:19,519 ANGELO WAS OUT OF WORK. 507 00:20:19,519 --> 00:20:21,751 DO YOU THINK HE WENT BACK TO COMMITTING B&Es? 508 00:20:21,751 --> 00:20:24,694 I ONLY KNOW ONE PERSON WITH THE ANSWER TO THAT QUESTION. 509 00:20:24,694 --> 00:20:27,527 (siren wailing in distance) 510 00:20:39,769 --> 00:20:41,941 (lowered voice) OKAY, HERE'S THE PLAN. 511 00:20:41,941 --> 00:20:44,574 DOC, ACT LIKE YOU'RE HAVING A SEIZURE. 512 00:20:44,574 --> 00:20:46,245 EXCUSE ME? 513 00:20:46,245 --> 00:20:47,947 AND THEN, SUE, YOU SQUIRT OUT A FEW TEARS, 514 00:20:47,947 --> 00:20:49,419 BEG EMMA TO HELP HIM. 515 00:20:49,419 --> 00:20:52,352 WHEN SHE DOES, BOOM, I TAKE HER OUT, WE END THIS, 516 00:20:52,352 --> 00:20:53,883 THEN WE MEET AT THE BAR AROUND THE CORNER, 517 00:20:53,883 --> 00:20:55,385 AND THE FIRST ROUND'S ON ME. 518 00:20:55,385 --> 00:20:56,826 ARE YOU OUT OF YOUR MIND? 519 00:20:56,826 --> 00:20:58,388 (lowered voice) THAT IS THE DUMBEST PLAN EVER. 520 00:20:58,388 --> 00:20:59,629 FINE, I'LL DO IT BY MYSELF. 521 00:21:05,995 --> 00:21:08,267 (knock on door) IT'S CASTLE. 522 00:21:08,267 --> 00:21:10,670 (clicks lock) HEY. 523 00:21:10,670 --> 00:21:13,303 AND I BROUGHT DOUGHNUTS. (laughs) HEY. 524 00:21:13,303 --> 00:21:15,405 UM... GLUTEN-FREE? 525 00:21:15,405 --> 00:21:18,277 DUDE, THEY'RE DOUGHNUTS. EITHER YOU'RE IN OR YOU'RE OUT. 526 00:21:18,277 --> 00:21:20,750 (sighs) YOU FIND OUT ANYTHING? 527 00:21:20,750 --> 00:21:23,853 EMMA, WHAT DO YOU KNOW ABOUT ANGELO'S TRIPS TO SCARSDALE? 528 00:21:23,853 --> 00:21:25,485 NOTHING. HE WOULDN'T TELL ME. 529 00:21:25,485 --> 00:21:29,759 IS IT POSSIBLE HE WAS THERE CASING A HOUSE FOR A BURGLARY? 530 00:21:29,759 --> 00:21:32,422 WHA--NO. THAT'S RIDICULOUS. 531 00:21:32,422 --> 00:21:35,064 DO THE INITIALS "S.H." MEAN ANYTHING TO YOU? 532 00:21:35,064 --> 00:21:37,066 UH... 533 00:21:37,066 --> 00:21:39,068 COULD SOMEONE FROM ANGELO'S CRIMINAL PAST HAVE COME BACK? 534 00:21:39,068 --> 00:21:41,801 LOOK, THAT WAS ALL PETTY STUFF WHEN HE WAS A KID, THAT'S ALL. 535 00:21:41,801 --> 00:21:43,032 YES, BUT HE WASN'T A KID ANYMORE. 536 00:21:43,032 --> 00:21:45,805 THE STAKES WERE HIGHER. HE WAS OUT OF WORK. 537 00:21:45,805 --> 00:21:48,438 HE WANTED TO SURPRISE YOU ON YOUR BIRTHDAY, 538 00:21:48,438 --> 00:21:50,079 MAYBE PROPOSE. 539 00:21:50,079 --> 00:21:52,482 WHAT IF HE GOT INTO TROUBLE TRYING TO MAKE THAT HAPPEN? 540 00:21:55,915 --> 00:21:57,417 (pats sides) 541 00:22:01,951 --> 00:22:03,753 YO, BECKETT. 542 00:22:03,753 --> 00:22:05,054 WHERE'S CASTLE? 543 00:22:05,054 --> 00:22:06,556 HE'S NOT IN THERE, IS HE? 544 00:22:06,556 --> 00:22:08,498 WHY? WE FOUND SOMETHING. 545 00:22:08,498 --> 00:22:09,999 SOMETHING ABOUT EMMA. 546 00:22:13,062 --> 00:22:14,834 EMMA. 547 00:22:14,834 --> 00:22:16,966 LET THESE PEOPLE GO. 548 00:22:16,966 --> 00:22:19,108 IT WORKED. 549 00:22:19,108 --> 00:22:20,970 YOU GOT MY ATTENTION. THERE'S HOPE NOW. 550 00:22:20,970 --> 00:22:23,112 (sniffles) NO. 551 00:22:23,112 --> 00:22:26,576 UNH-UNH. NOT UNTIL MY NAME IS CLEARED. NO. (sniffles) 552 00:22:26,576 --> 00:22:29,479 (cell phone rings) 553 00:22:29,479 --> 00:22:30,920 IT'S BECKETT. GO. 554 00:22:30,920 --> 00:22:33,122 (beeps) HEY, BECKETT. 555 00:22:33,122 --> 00:22:34,954 DO NOT REACT TO WHAT I'M ABOUT TO TELL YOU. 556 00:22:34,954 --> 00:22:36,025 OKAY. 557 00:22:36,025 --> 00:22:37,827 EMMA HAS BEEN PLAYING YOU 558 00:22:37,827 --> 00:22:38,988 this whole time. 559 00:22:38,988 --> 00:22:40,590 INTERESTING. CAN YOU ELABORATE? 560 00:22:40,590 --> 00:22:42,992 ANGELO IS NOT HER FIRST VICTIM. SHE'S DONE THIS BEFORE. 561 00:22:42,992 --> 00:22:44,494 She has a sealed juvie record 562 00:22:44,494 --> 00:22:47,497 under her original name-- Emma Jones. 563 00:22:47,497 --> 00:22:48,768 UH-HUH. 564 00:22:48,768 --> 00:22:50,940 WHEN SHE WAS 16, SHE KILLED HER FOSTER BROTHER-- 565 00:22:50,940 --> 00:22:52,101 BILLY KOSS. 566 00:22:52,101 --> 00:22:53,503 APPARENTLY, SHE GOT DRUNK, 567 00:22:53,503 --> 00:22:55,675 lured him into their basement, 568 00:22:55,675 --> 00:22:57,076 and then stabbed him with a knife. 569 00:22:57,076 --> 00:22:58,948 WELL, THAT'S A COINCIDENCE. 570 00:22:58,948 --> 00:23:00,650 ALSO KNOWN AS AN M.O. CASTLE, 571 00:23:00,650 --> 00:23:02,952 IT'S EXACTLY WHAT SHE DID TO ANGELO. 572 00:23:02,952 --> 00:23:05,955 She's unstable. You need to get out of there--now. 573 00:23:05,955 --> 00:23:07,917 (gun cocks) 574 00:23:07,917 --> 00:23:10,560 DON'T SAY ANOTHER WORD. 575 00:23:10,560 --> 00:23:11,991 HANG UP. 576 00:23:11,991 --> 00:23:13,162 (cell phone beeps) 577 00:23:13,162 --> 00:23:15,595 SHE TOLD YOU ABOUT BILLY KOSS, DIDN'T SHE? 578 00:23:20,900 --> 00:23:22,802 LOOK, EMMA-- BACK UP! 579 00:23:22,802 --> 00:23:25,975 I AM NOT A MURDERER. 580 00:23:25,975 --> 00:23:27,737 SAYS THE LADY POINTING A GUN AT ME. 581 00:23:27,737 --> 00:23:29,879 YOU WEREN'T SUPPOSED TO FIND OUT ABOUT BILLY KOSS. 582 00:23:29,879 --> 00:23:32,512 I MEAN, WHAT IS THE POINT OF A SEALED RECORD 583 00:23:32,512 --> 00:23:34,814 WHEN THE COPS CAN OPEN IT WHENEVER THEY FEEL LIKE IT?! 584 00:23:34,814 --> 00:23:36,185 I'M SURE THEY GOT A SUBPOENA FIRST. 585 00:23:36,185 --> 00:23:37,847 AND I'M SURE THEY ALL HAD A LAUGH 586 00:23:37,847 --> 00:23:39,949 OFF ALL THE ADJECTIVES DESCRIBING ME, RIGHT? 587 00:23:39,949 --> 00:23:44,654 MANIC. BIPOLAR. VIOLENT. MURDERER! 588 00:23:44,654 --> 00:23:45,795 WELL, NOT TO BE A STICKLER, 589 00:23:45,795 --> 00:23:47,727 BUT "MURDERER" ISN'T AN ADJECTIVE. 590 00:23:47,727 --> 00:23:49,899 I'M NOT AN IDIOT. SORRY. 591 00:23:49,899 --> 00:23:51,661 I JUST GET SARCASTIC WHEN I'M NERVOUS. 592 00:23:51,661 --> 00:23:53,202 THAT'S NOT WHAT I WAS TALKING ABOUT. 593 00:23:53,202 --> 00:23:54,934 LOOK, I KNEW WHAT YOU WERE GOING TO THINK. 594 00:23:54,934 --> 00:23:58,908 TWO DEATHS HAPPENING THE EXACT SAME WAY? 595 00:23:58,908 --> 00:24:02,071 THAT'S WHY I DIDN'T TELL YOU. BUT I AM INNOCENT! 596 00:24:02,071 --> 00:24:04,043 I DIDN'T KILL ANGELO. I DIDN'T! 597 00:24:04,043 --> 00:24:07,146 IF THAT'S TRUE, EMMA, AND YOU WANT ME TO HELP YOU, 598 00:24:07,146 --> 00:24:10,650 YOU HAVE TO TELL ME EVERYTHING. 599 00:24:18,127 --> 00:24:21,631 (exhales) 600 00:24:21,631 --> 00:24:24,734 WHEN I WAS 16, 601 00:24:24,734 --> 00:24:26,896 I WAS SENT TO THIS FOSTER HOME. 602 00:24:26,896 --> 00:24:29,138 TWIN ORPHANS LIVED THERE-- 603 00:24:29,138 --> 00:24:31,501 THE KOSS BROTHERS. 604 00:24:31,501 --> 00:24:33,503 WARREN AND BILLY. 605 00:24:33,503 --> 00:24:34,844 WHAT HAPPENED? 606 00:24:34,844 --> 00:24:37,907 THOSE TWO BULLIED ME FOR WEEKS. 607 00:24:40,209 --> 00:24:42,211 FOSTER PARENTS WERE IN IT FOR THE MONEY, 608 00:24:42,211 --> 00:24:43,983 SO THEY DIDN'T CARE. 609 00:24:43,983 --> 00:24:46,786 BUT THEN ONE DAY, THE TWINS 610 00:24:46,786 --> 00:24:49,859 WERE NICE TO ME ALL OF A SUDDEN. 611 00:24:49,859 --> 00:24:52,822 (voice breaking) AND I THOUGHT THEY, UM... 612 00:24:52,822 --> 00:24:56,866 I THOUGHT THEY'D FINALLY ACCEPTED ME, YOU KNOW? 613 00:24:56,866 --> 00:24:59,028 SO WE... (sniffles) 614 00:24:59,028 --> 00:25:01,030 WE WENT DOWN TO THE BASEMENT. 615 00:25:01,030 --> 00:25:04,704 WE DRANK SCHNAPPS, AND THEN... 616 00:25:04,704 --> 00:25:06,636 (sniffles) 617 00:25:06,636 --> 00:25:08,007 BILLY PULLED A KNIFE ON ME. 618 00:25:08,007 --> 00:25:11,110 I WAS JUST TRYING TO STOP HIM. 619 00:25:12,281 --> 00:25:14,513 I DIDN'T MEAN TO... 620 00:25:16,546 --> 00:25:18,918 AND THEN WHEN THE COPS CAME... 621 00:25:18,918 --> 00:25:21,751 (sniffles) WARREN LIED. 622 00:25:21,751 --> 00:25:23,723 HE SAID I PULLED THE KNIFE ON THEM, 623 00:25:23,723 --> 00:25:25,755 AND THEY JUST--THEY JUST TOOK HIM AT HIS WORD. 624 00:25:25,755 --> 00:25:27,126 WHICH IS WHY YOU HATE COPS. 625 00:25:29,599 --> 00:25:31,300 BUT I DIDN'T KILL ANGELO. 626 00:25:31,300 --> 00:25:33,963 I DIDN'T. YOU HAVE TO BELIEVE ME. 627 00:25:35,765 --> 00:25:38,037 I DO, EMMA. I BELIEVE YOU. 628 00:25:38,037 --> 00:25:41,911 BUT WHY WERE ANGELO AND BILLY'S DEATHS 629 00:25:41,911 --> 00:25:44,013 STAGED EXACTLY THE SAME WAY? 630 00:25:44,013 --> 00:25:46,115 I HAVE NO IDEA. I DON'T KNOW. 631 00:25:46,115 --> 00:25:48,277 IT HAS TO BE SOMEONE WHO KNEW SOMETHING ABOUT YOUR PAST. 632 00:25:48,277 --> 00:25:52,852 YEAH. I MEAN, I GUESS SO. BUT WHO? 633 00:25:52,852 --> 00:25:54,854 WARREN KOSS. 634 00:25:54,854 --> 00:25:57,657 WHAT BETTER WAY TO GET REVENGE FOR THE DEATH OF HIS BROTHER 635 00:25:57,657 --> 00:25:59,729 THAN BY KILLING YOUR BOYFRIEND 636 00:25:59,729 --> 00:26:01,030 AND PINNING THE MURDER ON YOU? NO, IT'S NOT WARREN. 637 00:26:01,030 --> 00:26:03,032 (sniffles) WARREN'S DOING EIGHT YEARS 638 00:26:03,032 --> 00:26:04,764 UP IN SING SING FOR ASSAULT. 639 00:26:04,764 --> 00:26:07,036 YOU KEPT TRACK OF HIM? OF COURSE. 640 00:26:07,036 --> 00:26:09,038 HE'S THE REASON WHY I CHANGED MY NAME. 641 00:26:09,038 --> 00:26:10,770 I MEAN, I HAVE BEEN REALLY CAREFUL 642 00:26:10,770 --> 00:26:12,071 ABOUT STAYING OFF OF WARREN'S RADAR 643 00:26:12,071 --> 00:26:13,903 EVER SINCE HE TESTIFIED AGAINST ME IN COURT. 644 00:26:13,903 --> 00:26:15,905 HE ALMOST GOT ME THROWN IN PRISON FOR LIFE. 645 00:26:15,905 --> 00:26:17,847 IF IT WASN'T FOR THE SISTERS 646 00:26:17,847 --> 00:26:19,578 OF ST. HELENA'S HOME FOR CHILDREN, I-- 647 00:26:19,578 --> 00:26:21,611 WHOA, WHOA. GO BACK. 648 00:26:21,611 --> 00:26:23,913 ST. HELENA'S HOME FOR CHILDREN--WHERE IS THAT? IN YONKERS. 649 00:26:23,913 --> 00:26:26,786 THE NOTE WE FOUND IN ANGELO'S JACKET 650 00:26:26,786 --> 00:26:30,119 SAID "S.H. OFF SAW MILL RIVER PARKWAY." 651 00:26:30,119 --> 00:26:31,961 "S.H." HAS TO BE ST. HELENA'S. 652 00:26:31,961 --> 00:26:35,224 YONKERS IS OFF SAW MILL RIVER PARKWAY. 653 00:26:35,224 --> 00:26:37,727 SOMEHOW ST. HELENA'S IS CONNECTED TO THIS. 654 00:26:37,727 --> 00:26:41,771 BUT I--HOW? I MEAN, I HAVEN'T BEEN BACK THERE IN YEARS. 655 00:26:41,771 --> 00:26:44,774 I SPOKE WITH SISTER FRANCES AT ST. HELENA'S. 656 00:26:44,774 --> 00:26:46,876 SHE SAID THAT THERE WAS A BREAK-IN THREE NIGHTS AGO. 657 00:26:46,876 --> 00:26:49,809 (Esposito) And they have a Ramco-4700 alarm. 658 00:26:49,809 --> 00:26:53,643 RAMCO-4700. THAT'S THE MANUAL ANGELO HAD IN HIS CAR. 659 00:26:53,643 --> 00:26:55,044 WHY WOULD HE BREAK INTO MY OLD ORPHANAGE? 660 00:26:55,044 --> 00:26:57,286 WE HAVE A PRETTY GOOD IDEA. 661 00:26:57,286 --> 00:26:58,888 SISTER FRANCES CHECKED THE RECORDS ROOM. 662 00:26:58,888 --> 00:27:01,050 AND EMMA'S SEALED FOSTER CARE FILE IS MISSING. 663 00:27:01,050 --> 00:27:02,922 Looks like Angelo stole it. 664 00:27:02,922 --> 00:27:05,855 WHY WOULD HE DO THAT? TO FIND OUT SOMETHING ABOUT YOU? 665 00:27:05,855 --> 00:27:07,356 NO, I ALREADY TOLD HIM EVERYTHING ABOUT ME. 666 00:27:10,700 --> 00:27:12,762 (voice breaks) OH, GOD. 667 00:27:12,762 --> 00:27:14,664 GUYS, LET ME CALL YOU BACK. 668 00:27:14,664 --> 00:27:16,866 (cell phone beeps) 669 00:27:16,866 --> 00:27:19,739 YOU FIGURED IT OUT? 670 00:27:19,739 --> 00:27:22,641 (clicks tongue) I WAS GIVEN UP FOR ADOPTION 671 00:27:22,641 --> 00:27:24,073 WHEN I WAS BORN. 672 00:27:24,073 --> 00:27:27,777 ANGELO KNEW I ALWAYS WANTED TO FIND OUT WHERE I CAME FROM. 673 00:27:27,777 --> 00:27:30,680 AND THAT FILE HAD YOUR ADOPTION PAPERS 674 00:27:30,680 --> 00:27:32,782 WITH YOUR BIRTH PARENTS' NAMES. 675 00:27:32,782 --> 00:27:34,283 I TRIED TO GET 'EM IN THE PAST, 676 00:27:34,283 --> 00:27:36,826 BUT... THEY WERE SEALED. 677 00:27:36,826 --> 00:27:38,958 THAT'S THE SURPRISE ANGELO WAS GONNA GIVE YOU TONIGHT... 678 00:27:38,958 --> 00:27:41,290 (exhales) AT YOUR BIRTHDAY DINNER. 679 00:27:41,290 --> 00:27:43,933 THE GIFT OF KNOWING WHO YOUR REAL PARENTS ARE. 680 00:27:51,901 --> 00:27:52,942 WATCH OUT. 681 00:27:52,942 --> 00:27:54,944 STOP IT! STOP IT! NO! LISTEN-- 682 00:27:54,944 --> 00:27:57,346 OH! (screams) (shouts indistinctly) 683 00:27:57,346 --> 00:27:58,347 MICKEY! AAH! 684 00:27:58,347 --> 00:27:59,709 DROP IT! 685 00:27:59,709 --> 00:28:01,711 (gunshot) (Emma screams) 686 00:28:01,711 --> 00:28:05,184 ALL UNITS, FULL BREACH! GO, GO, GO! 687 00:28:05,184 --> 00:28:09,088 GOD! OH, MY GOD! I JUST KILLED RICHARD CASTLE! 688 00:28:09,088 --> 00:28:10,920 OH! OH! N.Y.P.D.! LET ME SEE YOUR HANDS! 689 00:28:10,920 --> 00:28:13,192 IT WAS HER! IT WAS HER! IT WAS HER! 690 00:28:13,192 --> 00:28:15,094 (man) GET HIM UP! GET HIM UP! 691 00:28:15,094 --> 00:28:17,366 (man) WE'RE GONNA NEED AN E.M.T. RIGHT AWAY! LET'S GO! CASTLE! 692 00:28:17,366 --> 00:28:19,799 CASTLE! 693 00:28:19,799 --> 00:28:21,370 CHEESEBURGERS! (gasps) 694 00:28:21,370 --> 00:28:23,272 (groaning) CHEESEBURGERS. (gasps) 695 00:28:23,272 --> 00:28:24,703 (groans) 696 00:28:24,703 --> 00:28:27,106 OW! OW, IT WORKED. 697 00:28:27,106 --> 00:28:28,878 SHE DOTTED THE "I"! YEAH! 698 00:28:28,878 --> 00:28:30,940 AAH! CHEST! OOH! 699 00:28:30,940 --> 00:28:33,282 THAT HURTS. SORRY. YEAH, WELL, GETTING HIT BY A PROJECTILE 700 00:28:33,282 --> 00:28:35,785 TRAVELING AT 1,000 FEET PER SECOND'S GONNA STING A BIT. 701 00:28:35,785 --> 00:28:37,186 YEAH, I THINK THAT'S GONNA LEAVE A MARK. 702 00:28:37,186 --> 00:28:38,788 ALL THAT MATTERS IS YOU'RE OKAY NOW. 703 00:28:38,788 --> 00:28:40,349 OH, I'M BETTER THAN OKAY, BECKETT. 704 00:28:40,349 --> 00:28:42,792 (sighs) I KNOW WHO THE KILLER IS. 705 00:28:45,995 --> 00:28:47,126 SHE SHOT YOU IN THE CHEST, 706 00:28:47,126 --> 00:28:48,998 AND YOU STILL THINK SHE'S INNOCENT? 707 00:28:48,998 --> 00:28:50,329 NO, SHE SHOT ME IN THE CHEST, AND NOW I KNOW SHE'S INNOCENT. 708 00:28:50,329 --> 00:28:52,431 THANK YOU. DON'T YOU SEE? 709 00:28:52,431 --> 00:28:54,033 JUST LIKE THAT VEST PROTECTED ME, 710 00:28:54,033 --> 00:28:55,304 EMMA'S ADOPTION PAPERS-- 711 00:28:55,304 --> 00:28:56,866 THEY'RE PROTECTING THE KILLER. 712 00:28:56,866 --> 00:28:59,869 YOU KNOW THAT MADE NO SENSE, RIGHT? 713 00:28:59,869 --> 00:29:02,171 I-I THINK WHAT CASTLE IS SUGGESTING 714 00:29:02,171 --> 00:29:04,173 IS THAT ONE OF EMMA'S BIRTH PARENTS 715 00:29:04,173 --> 00:29:05,314 MAY BE BEHIND ALL OF THIS. 716 00:29:05,314 --> 00:29:08,017 THAT'S WHY ANGELO TOOK THOSE RECORDS-- 717 00:29:08,017 --> 00:29:10,319 TO FIND HER BIRTH PARENTS. WHAT IF HE FOUND ONE OF THEM? 718 00:29:10,319 --> 00:29:13,182 PERHAPS LIVING ON OVERLOOK ROAD IN SCARSDALE. 719 00:29:13,182 --> 00:29:16,856 BUT WHAT IF THAT BIRTH PARENT DIDN'T WANT TO BE FOUND? 720 00:29:16,856 --> 00:29:18,858 WHAT IF EMMA LEARNING THE TRUTH WAS A THREAT SOMEHOW? 721 00:29:18,858 --> 00:29:21,430 (Ryan) CASTLE, THAT'S JUST SPECULATION. 722 00:29:21,430 --> 00:29:23,332 AND IF YOU'RE RIGHT, WE'LL PROBABLY NEVER KNOW. 723 00:29:23,332 --> 00:29:25,434 THE KILLER'S MOST LIKELY DESTROYED THE RECORDS BY NOW. 724 00:29:25,434 --> 00:29:27,797 UNLESS... ANGELO HID THEM. 725 00:29:27,797 --> 00:29:29,799 I MEAN, THEY WERE SUPPOSED TO BE A SURPRISE. 726 00:29:29,799 --> 00:29:32,201 HEAD BACK TO ANGELO'S PLACE. WE NEED TO SEARCH IT AGAIN. 727 00:29:35,444 --> 00:29:37,506 YOU ARE AWARE THAT YOU DON'T ACTUALLY 728 00:29:37,506 --> 00:29:40,349 WORK HERE ANYMORE, RIGHT? 729 00:29:40,349 --> 00:29:42,351 I'M SORRY. OLD HABITS. 730 00:29:42,351 --> 00:29:45,384 OKAY. UH, WE'LL GRAB SULLY... 731 00:29:45,384 --> 00:29:47,786 GO CHECK AGAIN, JUST IN CASE. 732 00:29:47,786 --> 00:29:49,418 BUT NOT BECAUSE YOU ASKED ME TO. 733 00:29:49,418 --> 00:29:51,190 OKAY. (chuckles) 'CAUSE I WAS ACTUALLY ON MY WAY TO... 734 00:29:51,190 --> 00:29:55,194 OKAY. SO LET'S SUPPOSE IT IS ONE OF EMMA'S BIRTH PARENTS. 735 00:29:55,194 --> 00:29:57,466 IF ANGELO'S MURDER WAS A SETUP, 736 00:29:57,466 --> 00:29:59,869 THEN HOW WOULD THEY KNOW HOW TO STAGE IT? 737 00:29:59,869 --> 00:30:01,270 I MEAN, THEY GAVE HER UP FOR ADOPTION, 738 00:30:01,270 --> 00:30:04,073 SO HOW WOULD THEY KNOW ABOUT EMMA'S VIOLENT HISTORY? 739 00:30:04,073 --> 00:30:06,035 NEWSPAPER ARTICLES. NO. I CHECKED. 740 00:30:06,035 --> 00:30:07,436 BECAUSE SHE WAS A MINOR, HER NAME WAS WITHHELD. 741 00:30:07,436 --> 00:30:09,378 SO THEN OUR KILLER HAD TO HAVE HAD ACCESS 742 00:30:09,378 --> 00:30:11,280 TO EMMA'S SEALED JUVIE RECORDS. 743 00:30:11,280 --> 00:30:13,512 AND FOR THAT, YOU NEED A SUBPOENA. 744 00:30:13,512 --> 00:30:15,244 (typing) 745 00:30:15,244 --> 00:30:18,447 (computer beeps) LOOKS LIKE SOMEONE SKIPPED THAT STEP. 746 00:30:18,447 --> 00:30:20,990 EMMA'S SEALED RECORDS WERE OPENED THREE DAYS AGO. 747 00:30:20,990 --> 00:30:22,391 BY WHO? 748 00:30:23,452 --> 00:30:25,855 AH. JULIAN CARTER? 749 00:30:25,855 --> 00:30:28,497 HI. I'M DETECTIVE RYAN. THIS IS KATE BECKETT. 750 00:30:28,497 --> 00:30:30,129 WE'RE FROM THE 12th. DO YOU HAVE A SECOND 751 00:30:30,129 --> 00:30:31,460 TO HELP US OUT WITH SOMETHING? 752 00:30:31,460 --> 00:30:32,561 SURE. WHAT'S UP? 753 00:30:32,561 --> 00:30:34,864 THE SYSTEM TAGGED YOU FOR OPENING A FILE 754 00:30:34,864 --> 00:30:36,265 OF AN EMMA JONES. 755 00:30:36,265 --> 00:30:37,506 YEAH. THAT'S MY JOB. 756 00:30:37,506 --> 00:30:40,209 I OPEN FILES, I CLOSE FILES. 757 00:30:40,209 --> 00:30:42,511 RIGHT NOW I'M FILING FILES. 758 00:30:43,572 --> 00:30:45,444 IS THERE A PROBLEM? 759 00:30:45,444 --> 00:30:48,417 I'M AFRAID SO. YOU SEE, IT WAS A JUVIE FILE, 760 00:30:48,417 --> 00:30:50,880 AND YOU DIDN'T HAVE THE COURT'S PERMISSION TO UNSEAL IT. 761 00:30:50,880 --> 00:30:55,054 WELL, I... SOMETIMES FORGET TO LOG OUT OF MY COMPUTER, 762 00:30:55,054 --> 00:30:56,956 SO MAYBE SOMEBODY-- (sighs) JUST STOP IT. 763 00:30:56,956 --> 00:30:58,958 YOU'VE ALREADY LOST YOUR JOB. NOW THE ONLY QUESTION IS 764 00:30:58,958 --> 00:31:00,489 WHETHER YOU'RE LOSING YOUR FREEDOM, TOO, 765 00:31:00,489 --> 00:31:03,062 BECAUSE I'M ABOUT TWO SECONDS AWAY FROM ARRESTING YOU 766 00:31:03,062 --> 00:31:05,194 FOR ACCESSORY TO MURDER. W-WAIT. WAIT. HOLD ON. 767 00:31:05,194 --> 00:31:08,437 YOU BETTER START TALKING BEFORE HE PULLS OUT HIS CUFFS. 768 00:31:08,437 --> 00:31:10,099 HMM. (clicks tongue) 769 00:31:10,099 --> 00:31:12,101 OKAY. OKAY. OKAY! (rattling) 770 00:31:12,101 --> 00:31:14,173 FROM TIME TO TIME, 771 00:31:14,173 --> 00:31:15,945 I SLIP INFORMATION TO A LAWYER. 772 00:31:15,945 --> 00:31:17,506 WHAT KIND OF INFORMATION? 773 00:31:17,506 --> 00:31:19,448 RAP SHEETS, WITNESS STATEMENTS, THINGS LIKE THAT. 774 00:31:19,448 --> 00:31:20,950 WHAT ABOUT WITH EMMA? 775 00:31:20,950 --> 00:31:22,381 THREE DAYS AGO, THE LAWYER CALLED, 776 00:31:22,381 --> 00:31:24,383 SAID A CLIENT WANTED ALL THE INFORMATION 777 00:31:24,383 --> 00:31:26,355 THAT THE POLICE HAD ON EMMA RIGGS. 778 00:31:26,355 --> 00:31:28,587 WHAT FOR? HE DIDN'T SAY. 779 00:31:28,587 --> 00:31:31,220 BUT WHEN I TOLD HIM THAT EMMA HAD A JUVIE FILE 780 00:31:31,220 --> 00:31:32,461 UNDER A DIFFERENT LAST NAME, 781 00:31:32,461 --> 00:31:34,423 HE PAID ME AN EXTRA GRAND TO UNSEAL IT. 782 00:31:35,594 --> 00:31:37,426 WHAT'S THE NAME OF THIS LAWYER? 783 00:31:37,426 --> 00:31:39,528 NO, I'M HAVING BREAKFAST WITH THE JUDGE-- 784 00:31:39,528 --> 00:31:40,970 HI, MR. VANCE. I'M DETECTIVE RYAN. 785 00:31:40,970 --> 00:31:42,671 UH, HE'S A FRIEND OF A FRIEND. 786 00:31:42,671 --> 00:31:44,033 (chuckles) 787 00:31:44,033 --> 00:31:46,936 (laughs) YEAH. AND THEN-- 788 00:31:46,936 --> 00:31:48,477 HE'S GONNA NEED TO CALL YOU BACK. (cell phone beeps) 789 00:31:48,477 --> 00:31:51,180 WHAT IS YOUR PROBLEM? ACTUALLY, MR. VANCE, 790 00:31:51,180 --> 00:31:52,511 I'M NOT THE ONE WITH THE PROBLEM. 791 00:31:52,511 --> 00:31:55,284 YOU ARE. OKAY. I'M LISTENING. 792 00:31:55,284 --> 00:31:58,347 ON BEHALF OF A CLIENT, YOU PAID TO HAVE 793 00:31:58,347 --> 00:32:01,050 EMMA RIGGS' JUVENILE RECORDS UNSEALED. 794 00:32:01,050 --> 00:32:03,953 BUYING SECURED POLICE FILES IS ILLEGAL... 795 00:32:03,953 --> 00:32:06,595 AND GROUNDS FOR DISBARMENT. I WOULD NEVER DO THAT. 796 00:32:06,595 --> 00:32:10,229 REALLY? BECAUSE I HAVE AN N.Y.P.D. CIVILIAN EMPLOYEE 797 00:32:10,229 --> 00:32:12,431 WHO BEGS TO DIFFER. HE'S WILLING TO TESTIFY TO IT. 798 00:32:12,431 --> 00:32:16,365 DETECTIVE, I'M NOT SOME AMBULANCE CHASER. 799 00:32:16,365 --> 00:32:19,308 I'M A RESPECTED ATTORNEY AT KIRKPATRICK & YOUNG. 800 00:32:19,308 --> 00:32:22,071 SO UNLESS YOU HAVE ANY REAL PROOF OF THOSE CLAIMS, 801 00:32:22,071 --> 00:32:24,043 GOOD LUCK GETTING ANY COURT TO TAKE THE WORD 802 00:32:24,043 --> 00:32:27,476 OF A DISGRACED CIVILIAN EMPLOYEE. 803 00:32:27,476 --> 00:32:31,350 MR. VANCE, YOU HAVE A CLIENT WHO'S MIXED UP IN A HOMICIDE. 804 00:32:31,350 --> 00:32:33,952 BY WITHHOLDING THEIR NAME, YOU'RE OBSTRUCTING JUSTICE. 805 00:32:33,952 --> 00:32:37,486 EVEN IF I WANTED TO, I CAN'T DISCLOSE MY CLIENT'S NAME. 806 00:32:37,486 --> 00:32:40,489 AS YOU'RE WELL AWARE, THAT FALLS UNDER PRIVILEGED INFORMATION. 807 00:32:40,489 --> 00:32:42,361 (clicks tongue) 808 00:32:43,732 --> 00:32:47,196 HEY. (sighs) 809 00:32:47,196 --> 00:32:48,567 OH, DON'T TELL ME WE STRUCK OUT ON THE LAWYER. 810 00:32:48,567 --> 00:32:50,039 YEAH, I'M AFRAID SO. 811 00:32:50,039 --> 00:32:52,271 SO WHAT DO WE DO NOW? 812 00:32:52,271 --> 00:32:54,203 COME ON, YOU GUYS. IF WE DON'T FIGURE THIS OUT, 813 00:32:54,203 --> 00:32:56,575 EMMA IS GOING AWAY FOR LIFE. 814 00:32:56,575 --> 00:32:59,508 WHAT ABOUT HER SCOTCH BOTTLE? DID THE LAB REPORT COME BACK? 815 00:32:59,508 --> 00:33:01,450 LANIE JUST TEXTED. THERE'S NO EVIDENCE 816 00:33:01,450 --> 00:33:03,382 OF ANY DRUGS OR SEDATIVES. 817 00:33:03,382 --> 00:33:05,214 I'M SORRY. IT LOOKS LIKE WE'RE DEAD IN THE WATER. 818 00:33:05,214 --> 00:33:07,516 NO. FAR FROM IT. GUESS WHAT WE FOUND IN ANGELO'S APARTMENT. 819 00:33:07,516 --> 00:33:09,558 ANGELO'S BIRTHDAY PRESENT TO EMMA. 820 00:33:09,558 --> 00:33:13,262 I MISSED IT BEFORE BECAUSE IT WAS WRAPPED. YOU WANNA GUESS WHAT'S INSIDE? 821 00:33:13,262 --> 00:33:15,624 (under breath) I WAS... I WAS GONNA HAVE THEM GUESS. (under breath) OH, I DIDN'T... 822 00:33:15,624 --> 00:33:17,726 ACCORDING TO THESE ADOPTION PAPERS, 823 00:33:17,726 --> 00:33:21,370 EMMA'S BIRTH MOTHER WAS A WOMAN NAMED STACY MOORE. 824 00:33:21,370 --> 00:33:23,102 SHE DIED TEN YEARS AGO. 825 00:33:23,102 --> 00:33:25,434 AND HER BIRTH FATHER IS... 826 00:33:28,507 --> 00:33:29,738 ESPO, IS THIS RIGHT? 827 00:33:29,738 --> 00:33:32,111 IT'S RIGHT. EMMA'S DAD IS AARON STOKES. 828 00:33:32,111 --> 00:33:34,383 THE REAL ESTATE DEVELOPER? YEAH. 829 00:33:34,383 --> 00:33:36,014 HE'S CONSIDERING TAKING A RUN AT GOVERNOR. 830 00:33:36,014 --> 00:33:37,446 YEAH, AND I WONDER HOW THE GOVERNOR'S MANSION 831 00:33:37,446 --> 00:33:40,018 COMPARES TO HIS BIG HOUSE ON OVERLOOK ROAD IN SCARSDALE. 832 00:33:40,018 --> 00:33:41,520 AND LET ME GUESS. HE'S A CLIENT 833 00:33:41,520 --> 00:33:44,353 OF KIRKPATRICK & YOUNG. THAT'S RIGHT. 834 00:33:44,353 --> 00:33:45,594 LOOKS LIKE MR. STOKES 835 00:33:45,594 --> 00:33:48,657 IS GONNA BE TRADING IN HIS BIG HOUSE FOR THE... 836 00:33:48,657 --> 00:33:50,459 BIG... HOUSE. 837 00:33:50,459 --> 00:33:52,201 (laughs) 838 00:34:00,309 --> 00:34:01,610 YOU ORDERED AARON STOKES IN FOR QUESTIONING? 839 00:34:01,610 --> 00:34:03,272 ARE YOU SERIOUS? 840 00:34:03,272 --> 00:34:05,314 YOU TOLD US TO BUILD OUR CASE, AND MR. STOKES IS WHERE IT WENT. 841 00:34:05,314 --> 00:34:07,176 THIS IS A VERY POWERFUL MAN 842 00:34:07,176 --> 00:34:08,677 WHO HAPPENS TO BE GOLFING BUDDIES 843 00:34:08,677 --> 00:34:10,719 WITH THE POLICE COMMISSIONER! 844 00:34:10,719 --> 00:34:13,082 SO BECAUSE HE HAS A STANDING TEE TIME WITH YOUR BOSS, 845 00:34:13,082 --> 00:34:14,052 HE GETS AWAY WITH MURDER? 846 00:34:14,052 --> 00:34:15,724 I'M HANDLING THE INTERVIEW. 847 00:34:15,724 --> 00:34:17,686 WHAT-- WHAT? NO. SIR! 848 00:34:17,686 --> 00:34:19,288 THIS IS OUR CASE. YES, 849 00:34:19,288 --> 00:34:21,790 AND IT'LL BE YOUR JOBS IF THERE'S ANY BLOWBACK. 850 00:34:21,790 --> 00:34:24,233 I AM NOT GONNA HAVE YOU TWO RISK YOUR CAREERS. 851 00:34:24,233 --> 00:34:25,794 CAPTAIN... 852 00:34:25,794 --> 00:34:27,836 I DON'T HAVE A CAREER TO RISK. 853 00:34:27,836 --> 00:34:29,798 HOW ABOUT I BACK YOU UP IN THERE? 854 00:34:30,799 --> 00:34:32,171 OKAY. 855 00:34:32,171 --> 00:34:35,073 CAPTAIN, I, TOO, HAVE NO CAREER TO RISK. 856 00:34:35,073 --> 00:34:38,147 WHY DON'T I-- MAYBE I SHOULD... 857 00:34:38,147 --> 00:34:39,808 YOU KNOW WHAT I'M GONNA DO, IS I'M GONNA STAY HERE. 858 00:34:39,808 --> 00:34:41,510 I THINK YOU GUYS GOT THIS HANDLED. 859 00:34:41,510 --> 00:34:43,352 (elevator bell dings) 860 00:34:48,757 --> 00:34:50,589 (Stokes) WHY AM I HERE? 861 00:34:50,589 --> 00:34:52,191 DO YOU KNOW WHO I AM? 862 00:34:52,191 --> 00:34:54,863 WHY DO YOU THINK YOU'RE IN THIS ROOM, MR. STOKES? 863 00:34:54,863 --> 00:34:57,366 A ROOM WITH NO RECORDING DEVICES. 864 00:34:57,366 --> 00:34:59,268 OKAY. 865 00:34:59,268 --> 00:35:00,799 SO WHAT DO YOU WANT FROM ME? 866 00:35:00,799 --> 00:35:05,204 WE KNOW THAT WHILE YOU WERE MARRIED TO YOUR WIFE... 867 00:35:05,204 --> 00:35:07,136 (sighs) YOU WERE HAVING AN AFFAIR 868 00:35:07,136 --> 00:35:09,678 WITH STACY MOORE THAT PRODUCED A BABY GIRL. 869 00:35:09,678 --> 00:35:11,180 HER NAME IS EMMA RIGGS. 870 00:35:11,180 --> 00:35:13,342 HAVE YOU BEEN IN TOUCH WITH HER, MR. STOKES? 871 00:35:13,342 --> 00:35:14,613 (exhales) 872 00:35:16,145 --> 00:35:19,117 NO, I'VE--I'VE NEVER SEEN HER BEFORE. 873 00:35:19,117 --> 00:35:22,191 WHAT ABOUT HER BOYFRIEND? ANGELO VáZQUEZ. 874 00:35:22,191 --> 00:35:23,292 HAVE YOU BEEN IN TOUCH WITH HIM? 875 00:35:23,292 --> 00:35:24,823 NO. IS EMMA IN TROUBLE? 876 00:35:24,823 --> 00:35:26,525 (Beckett) WELL, YOU COULD SAY THAT. 877 00:35:26,525 --> 00:35:29,458 SHE'S UNDER ARREST FOR MURDERING ANGELO. 878 00:35:29,458 --> 00:35:31,430 BUT DON'T WORRY. WE KNOW THAT SHE'S BEING FRAMED 879 00:35:31,430 --> 00:35:32,701 FOR THAT MURDER. 880 00:35:32,701 --> 00:35:34,163 WHO'S FRAMING HER? 881 00:35:34,163 --> 00:35:36,205 DID YOU KNOW THAT ANGELO STOLE HER ADOPTION RECORDS 882 00:35:36,205 --> 00:35:38,537 FROM ST. HELENA'S HOME FOR CHILDREN? 883 00:35:38,537 --> 00:35:40,339 ST. HELENA'S? 884 00:35:40,339 --> 00:35:43,612 STACY AND I WENT THERE TO MAKE THE ARRANGEMENTS. 885 00:35:43,612 --> 00:35:46,775 WHAT WAS I SUPPOSED TO DO, TELL MY WIFE 886 00:35:46,775 --> 00:35:50,579 I WAS HAVING A BABY WITH ANOTHER WOMAN? 887 00:35:50,579 --> 00:35:53,822 31 YEARS, AND NOT A DAY HAS GONE BY 888 00:35:53,822 --> 00:35:57,586 WHERE I HAVEN'T SAID TO MYSELF, "I SHOULD TRY TO FIND HER." 889 00:35:57,586 --> 00:36:00,589 AND NOT A DAY HAS GONE BY WHERE I HAVEN'T THEN SAID, 890 00:36:00,589 --> 00:36:02,831 "NO, NO... 891 00:36:02,831 --> 00:36:04,533 MAYBE TOMORROW." 892 00:36:06,935 --> 00:36:09,498 IT'S HER BIRTHDAY. 893 00:36:09,498 --> 00:36:11,340 YOU STILL HAVEN'T ANSWERED MY QUESTION. 894 00:36:11,340 --> 00:36:14,603 DID YOU KNOW THAT ANGELO STOLE THOSE ADOPTION RECORDS? 895 00:36:14,603 --> 00:36:16,805 WHAT ARE YOU TWO GETTING AT? 896 00:36:16,805 --> 00:36:19,378 LOOK AT IT FROM OUR PERSPECTIVE, MR. STOKES. 897 00:36:19,378 --> 00:36:21,650 THE LAST THING YOU NEED RIGHT NOW 898 00:36:21,650 --> 00:36:25,183 IS FOR SOME LOVE CHILD TO EMERGE AND DESTROY YOUR MARRIAGE 899 00:36:25,183 --> 00:36:26,855 AND ANY CHANCE OF RUNNING FOR PUBLIC OFFICE. 900 00:36:26,855 --> 00:36:30,219 ARE YOU SUGGESTING THAT I HAD SOMETHING TO DO WITH THIS? 901 00:36:30,219 --> 00:36:33,191 WE KNOW THAT ANGELO SHOWED UP AT YOUR HOME THREE DAYS AGO. 902 00:36:33,191 --> 00:36:34,493 DID YOU MEET HIM THEN? 903 00:36:34,493 --> 00:36:36,465 I WAS IN CHICAGO THREE DAYS AGO. 904 00:36:36,465 --> 00:36:38,827 IF THAT IS TRUE, THEN WHY DID YOU PAY 905 00:36:38,827 --> 00:36:40,729 TO UNSEAL EMMA'S JUVENILE RECORD? 906 00:36:40,729 --> 00:36:42,901 WHERE ARE YOU GETTING THIS? 907 00:36:42,901 --> 00:36:44,933 FROM YOUR LAWYER, MR. STOKES. 908 00:36:44,933 --> 00:36:46,905 WHAT LAWYER? 909 00:36:46,905 --> 00:36:48,907 OKAY, THIS IS BORDERLINE POLICE HARASSMENT. 910 00:36:48,907 --> 00:36:50,839 IF YOU CONTINUE TO HOLD ME HERE AGAINST MY WILL, 911 00:36:50,839 --> 00:36:52,381 YOU EITHER NEED TO-- JUST WAIT. 912 00:36:52,381 --> 00:36:53,842 BEFORE YOU GET ALL LAWYER-Y, 913 00:36:53,842 --> 00:36:56,214 WE ALREADY KNOW EVERYTHING. 914 00:36:56,214 --> 00:36:58,247 STARTING WITH YOU BEING AARON STOKES' SON-IN-LAW. 915 00:36:58,247 --> 00:36:59,748 SO? 916 00:36:59,748 --> 00:37:01,520 SO WHEN YOUR IN-LAWS WERE OUT OF TOWN, 917 00:37:01,520 --> 00:37:03,221 YOU WERE STAYING IN THEIR SCARSDALE HOUSE. 918 00:37:03,221 --> 00:37:05,694 SO WHEN ANGELO WENT TO GO LOOK FOR MR. STOKES, 919 00:37:05,694 --> 00:37:07,225 HE MET YOU INSTEAD. 920 00:37:07,225 --> 00:37:08,857 THAT'S WHEN HE TOLD YOU THE STORY 921 00:37:08,857 --> 00:37:11,700 ABOUT MR. STOKES' LONG-LOST DAUGHTER EMMA. 922 00:37:11,700 --> 00:37:13,832 L-LOOK. YES, 923 00:37:13,832 --> 00:37:15,734 I STAYED AT MY FATHER-IN-LAW'S HOUSE, 924 00:37:15,734 --> 00:37:17,966 BUT I'VE NEVER SEEN THIS GUY BEFORE IN MY LIFE. 925 00:37:17,966 --> 00:37:20,669 ARE YOU SURE? BECAUSE... 926 00:37:20,669 --> 00:37:22,841 WELL, THIS IS SECURITY FOOTAGE... (clicks key) 927 00:37:22,841 --> 00:37:25,374 FROM INSIDE ANGELO'S APARTMENT BUILDING 928 00:37:25,374 --> 00:37:26,915 TAKEN ABOUT AN HOUR AFTER HIS DEATH 929 00:37:26,915 --> 00:37:28,347 DOWN AT EMMA'S PLACE. 930 00:37:28,347 --> 00:37:31,950 NOW WAIT A MINUTE. WHO... WHO IS THAT? 931 00:37:31,950 --> 00:37:34,883 THAT... (button clicks, computer chimes) 932 00:37:34,883 --> 00:37:36,685 THAT'S YOU. 933 00:37:36,685 --> 00:37:37,856 USING ANGELO'S KEYS TO GET IN. 934 00:37:37,856 --> 00:37:39,628 HOW'D YOU GET THOSE? 935 00:37:39,628 --> 00:37:41,330 NOW I CAN ONLY THINK OF ONE REASON 936 00:37:41,330 --> 00:37:43,892 THAT YOU'D BREAK INTO IN HIS, UH, APARTMENT, 937 00:37:43,892 --> 00:37:47,296 AND THAT WOULD BE TO FIND EMMA'S ADOPTION RECORDS 938 00:37:47,296 --> 00:37:50,268 TO COVER UP ANY LINK BACK TO YOUR FAMILY. 939 00:37:50,268 --> 00:37:51,800 (Esposito) NOW ACCORDING TO THIS VIDEO, 940 00:37:51,800 --> 00:37:53,442 YOU WERE INSIDE THAT APARTMENT 941 00:37:53,442 --> 00:37:55,674 SEARCHING FOR A GOOD TWO HOURS. 942 00:37:55,674 --> 00:37:56,905 DAMN... 943 00:37:56,905 --> 00:37:58,947 YOU DIDN'T THINK TO LOOK... 944 00:37:58,947 --> 00:38:02,010 AT THE WRAPPED GIFT FOR EMMA, 945 00:38:02,010 --> 00:38:02,881 DID YOU? 946 00:38:02,881 --> 00:38:04,052 OOPS. 947 00:38:04,052 --> 00:38:06,054 HER ADOPTION RECORDS. 948 00:38:06,054 --> 00:38:07,756 UP UNTIL THEN, YOUR PLAN WAS GOING PERFECTLY. 949 00:38:07,756 --> 00:38:10,519 YOU SPIKED EMMA'S SCOTCH BOTTLE WITH KNOCKOUT DROPS 950 00:38:10,519 --> 00:38:11,890 AND YOU SWAPPED IT OUT FOR AN EMPTY ONE. 951 00:38:11,890 --> 00:38:13,362 TH-THAT WAS PRETTY CLEVER. 952 00:38:13,362 --> 00:38:15,464 BUT NOT SO CLEVER TO THROW THE DOSED BOTTLE AWAY 953 00:38:15,464 --> 00:38:16,995 AT YOUR HOUSE. 954 00:38:16,995 --> 00:38:18,897 YEAH. WE FOUND THE BOTTLE IN YOUR RECYCLE BIN. 955 00:38:18,897 --> 00:38:21,770 IT TESTED POSITIVE FOR CHLORAL HYDRATE. 956 00:38:21,770 --> 00:38:23,332 OOPS AGAIN. 957 00:38:23,332 --> 00:38:25,003 ALL OF THIS IS CIRCUMSTANTIAL. 958 00:38:25,003 --> 00:38:27,536 I MEAN, WHAT COULD POSSIBLY BE MY MOTIVE? 959 00:38:27,536 --> 00:38:29,007 OH, YOUR FATHER-IN-LAW HELPED US OUT WITH THAT ONE. 960 00:38:29,007 --> 00:38:30,909 YOUR LAW FIRM REPRESENTS THE STOKESES. 961 00:38:30,909 --> 00:38:32,981 NOW YOU KNEW THAT THEY WERE ABOUT TO TRANSFER 962 00:38:32,981 --> 00:38:34,513 A MAJORITY OF THEIR WEALTH INTO A TRUST 963 00:38:34,513 --> 00:38:37,586 FOR THEIR DAUGHTER-- YOUR WIFE. 964 00:38:37,586 --> 00:38:39,518 AND YOU DIDN'T WANT SOME LITTLE ORPHAN ANNIE 965 00:38:39,518 --> 00:38:41,890 COMING AROUND, MAKING A CLAIM FOR HALF. 966 00:38:41,890 --> 00:38:45,023 THAT'S WHEN YOU DECIDED TO KILL THE ONE MAN WHO KNEW THE TRUTH 967 00:38:45,023 --> 00:38:46,895 AND FRAME IT ON THE UNKNOWING HEIR. 968 00:38:48,727 --> 00:38:50,899 THERE'S JUST ONE THING THAT WE'RE NOT SO SURE ABOUT. 969 00:38:50,899 --> 00:38:53,031 ARE YOU GONNA MAKE A DEAL AND PLEA TO MURDER? 970 00:38:53,031 --> 00:38:55,333 OR YOU GONNA TAKE YOUR CHANCES IN COURT? 971 00:38:55,333 --> 00:38:56,735 DO LAWYERS HAVE LAWYERS? 972 00:39:00,038 --> 00:39:01,840 EMMA? 973 00:39:01,840 --> 00:39:04,513 HE CONFESSED. 974 00:39:04,513 --> 00:39:06,515 IT'S OVER. 975 00:39:11,520 --> 00:39:12,981 BULLET. 976 00:39:12,981 --> 00:39:15,684 SORRY. SORRY. (gasps and exhales) 977 00:39:15,684 --> 00:39:19,027 UM, I HOPE YOU DON'T MIND, 978 00:39:19,027 --> 00:39:20,829 BUT SOMEONE WANTS TO MEET YOU. 979 00:39:35,904 --> 00:39:37,676 I'M AARON. 980 00:39:38,847 --> 00:39:39,878 EMMA. 981 00:39:41,610 --> 00:39:43,912 HAPPY BIRTHDAY. 982 00:39:43,912 --> 00:39:45,854 (laughs) 983 00:39:55,964 --> 00:39:56,965 (ice cubes rattle) 984 00:39:56,965 --> 00:39:58,897 WELL... 985 00:39:58,897 --> 00:40:00,529 NICE HAVING YOU BACK. 986 00:40:00,529 --> 00:40:03,572 OH, IT WAS NICE TO BE BACK, EVEN IF IT WAS JUST FOR ONE DAY. 987 00:40:03,572 --> 00:40:06,404 (knock on door) 988 00:40:06,404 --> 00:40:10,008 MR. STOKES. WHAT CAN WE DO FOR YOU? 989 00:40:11,409 --> 00:40:14,513 EARLIER, YOU TWO WERE ONLY DOING YOUR JOBS, 990 00:40:14,513 --> 00:40:19,688 BUT I ASSUMED THE WORST, AND I'M... SORRY. 991 00:40:21,690 --> 00:40:23,922 WELL, HOW ARE YOU DOING? NOT REALLY SURE. 992 00:40:23,922 --> 00:40:25,854 BUT I DO KNOW THIS. 993 00:40:25,854 --> 00:40:28,156 I AM GOING TO BE THERE FOR EMMA THIS TIME. 994 00:40:28,156 --> 00:40:30,058 NO MATTER WHAT HAPPENS AT HER TRIAL, 995 00:40:30,058 --> 00:40:32,060 SHE'S NOT GOING TO BE ALONE. 996 00:40:32,060 --> 00:40:34,903 WELL, I SHOULD LEAVE THE BOTH OF YOU TO YOUR WORK. 997 00:40:34,903 --> 00:40:37,766 CAPTAIN, THANK YOU FOR EVERYTHING. 998 00:40:37,766 --> 00:40:39,437 YOU, TOO, DETECTIVE. 999 00:40:39,437 --> 00:40:40,869 UH, ACTUALLY, I'M NOT A DETECTIVE, BUT... 1000 00:40:40,869 --> 00:40:42,611 YOU'RE NOT? 1001 00:40:42,611 --> 00:40:45,674 WELL, SHE SHOULD BE, BUT YOUR GOLFING BUDDY'S 1002 00:40:45,674 --> 00:40:47,976 BUDGET CUTS HAVE GOTTEN IN THE WAY. 1003 00:40:47,976 --> 00:40:49,948 REALLY? 1004 00:40:50,949 --> 00:40:53,051 WOW. 1005 00:40:53,051 --> 00:40:55,123 AND TO THINK YOU BOYS MOCKED ME 1006 00:40:55,123 --> 00:40:57,486 WHEN I HAD THIS MADE FOUR YEARS AGO. 1007 00:40:57,486 --> 00:40:59,157 I THINK I'LL HAVE IT FRAMED. 1008 00:40:59,157 --> 00:41:00,759 HEY, WHAT DOES IT SAY ABOUT YOUR WRITING 1009 00:41:00,759 --> 00:41:01,960 WHEN YOUR NUMBER-ONE FAN TRIES TO KILL YOU? 1010 00:41:01,960 --> 00:41:03,662 THAT WAS AN ACCIDENT. 1011 00:41:03,662 --> 00:41:05,133 BEEN ONE INCH HIGHER, IT WOULD HAVE BEEN A TRAGEDY. 1012 00:41:05,133 --> 00:41:07,766 BUT ON THE BRIGHT SIDE, YOUR AUTOGRAPHED COPIES 1013 00:41:07,766 --> 00:41:09,898 OF "DEADLY HEAT" WOULD BE WORTH WAY MORE. 1014 00:41:09,898 --> 00:41:11,940 NOT FUNNY, CASTLE. LITTLE BIT FUNNY. 1015 00:41:11,940 --> 00:41:15,604 YOU KNOW, BECKETT, DESPITE YOUR FIANCé'S NEAR-DEATH, 1016 00:41:15,604 --> 00:41:18,146 TODAY WAS FUN. YEAH. WE MISS WORKING WITH YOU. 1017 00:41:18,146 --> 00:41:20,178 GOOD. 1018 00:41:20,178 --> 00:41:21,680 'CAUSE I'M BACK. 1019 00:41:21,680 --> 00:41:23,882 WHAT? WHAT HAP--WHAT-- 1020 00:41:23,882 --> 00:41:25,884 WHAT ABOUT THE COMMISSIONER'S HIRING FREEZE? 1021 00:41:25,884 --> 00:41:28,857 MR. STOKES HAD A CONVERSATION WITH THE COMMISSIONER, 1022 00:41:28,857 --> 00:41:30,759 AND APPARENTLY HE FOUND SOME MONEY. 1023 00:41:30,759 --> 00:41:32,691 SO YOU ARE BACK. 1024 00:41:32,691 --> 00:41:35,493 WHICH MEANS... I'M BACK. 1025 00:41:35,493 --> 00:41:36,665 AM--AM I BACK? 1026 00:41:38,126 --> 00:41:41,900 YES. CAPTAIN GATES SAID THAT YOU CAN SERVE AS A CONSULTANT AGAIN. 1027 00:41:41,900 --> 00:41:43,932 BUT HOW DOES THAT-- BECAUSE NOW WE'RE IN A-- 1028 00:41:43,932 --> 00:41:45,604 SO DO WE HAVE TO HIDE OUR RELATIONSHIP, 1029 00:41:45,604 --> 00:41:48,006 TO KEEP IT A SECRET? UH, WELL, THE COMMISSIONER IS AWARE OF IT 1030 00:41:48,006 --> 00:41:50,709 AND SAID THAT IT'S OKAY AS LONG AS WE BEHAVE PROFESSIONALLY 1031 00:41:50,709 --> 00:41:52,681 IN THE WORKPLACE, AND CAPTAIN GATES SAID THAT 1032 00:41:52,681 --> 00:41:54,913 THAT CAN BE OUR ENGAGEMENT GIFT. 1033 00:41:54,913 --> 00:41:57,515 HEY, EVERYBODY, LISTEN UP. 1034 00:41:57,515 --> 00:41:58,917 BECKETT IS BACK! 1035 00:41:58,917 --> 00:42:01,089 (cheers and applause) 1036 00:42:01,089 --> 00:42:02,791 (woman) BECKETT'S BACK! 1037 00:42:02,791 --> 00:42:04,222 (cheering continues) 1038 00:42:04,222 --> 00:42:06,955 AND TONIGHT AT THE OLD HAUNT, DRINKS ARE ON THE HOUSE! 1039 00:42:06,955 --> 00:42:08,226 (speaks inaudibly) (man) ALL RIGHT! 1040 00:42:09,227 --> 00:42:11,630 CONGRATULATIONS. THANK YOU. 1041 00:42:11,630 --> 00:42:13,962 UH--WHOA! ACTUALLY, NO, WE CAN'T, NOT HERE. 1042 00:42:13,962 --> 00:42:16,104 IT'S, UH, INAPPROPRIATE. THIS IS THE WORKPLACE. 1043 00:42:16,104 --> 00:42:18,306 WE GOTTA BE PROFESSIONAL. UH, WELL, YOU KNOW, I'M NOT OFFICIALLY BACK UNTIL TOMORROW. 1044 00:42:18,306 --> 00:42:20,308 I SEE.