1 00:00:01,172 --> 00:00:02,503 (squeaks) 2 00:00:14,545 --> 00:00:16,787 (Castle) THIS IS STRAIGHT OUT OF A SLASHER FLICK. 3 00:00:16,787 --> 00:00:20,191 USUALLY FIND MURDER VICTIMS AT THE END OF HALLWAYS LIKE THESE. 4 00:00:20,191 --> 00:00:22,053 CANNOT BELIEVE ALEXIS LIVES HERE. 5 00:00:22,053 --> 00:00:24,525 RICHARD, ALEXIS AND PI HAVE INVITED US FOR DINNER. 6 00:00:24,525 --> 00:00:27,158 (siren wailing in distance) THIS IS A BIG STEP FOR THEM. 7 00:00:27,158 --> 00:00:29,160 SO LET US NOT BE JUDGMENTAL. 8 00:00:29,160 --> 00:00:30,431 FINE. 9 00:00:30,431 --> 00:00:32,263 BESIDES... (snickers) 10 00:00:32,263 --> 00:00:34,505 REMEMBER THE HOVEL YOU LIVED IN IN COLLEGE? (chuckles) 11 00:00:34,505 --> 00:00:36,507 ONLY DIFFERENCE IS I WASN'T SHACKING UP WITH PI. 12 00:00:36,507 --> 00:00:38,109 (knocks on door) (sighs) 13 00:00:38,109 --> 00:00:39,170 WELL, IT'S NICE THAT 14 00:00:39,170 --> 00:00:41,272 YOU'RE KEEPING AN OPEN MIND, DEAR. 15 00:00:41,272 --> 00:00:42,513 MM. HI! 16 00:00:42,513 --> 00:00:44,645 HI. YOU'RE HERE! 17 00:00:44,645 --> 00:00:48,079 COME ON IN. I'M SO EXCITED FOR YOU TO SEE OUR PLACE. 18 00:00:48,079 --> 00:00:49,150 COME ON. 19 00:00:51,322 --> 00:00:56,257 OH... MY. YOUR FIRST PLACE. 20 00:00:56,257 --> 00:00:59,130 OH. (laughs) HEY! MR. C.! 21 00:00:59,130 --> 00:01:01,192 WELCOME. AND PREPARE YOURSELF 22 00:01:01,192 --> 00:01:03,334 FOR SOME SAVORY AND SUSTAINABLE DINING. 23 00:01:03,334 --> 00:01:05,796 AH, LET ME GUESS. THERE WILL BE FRUIT. 24 00:01:05,796 --> 00:01:07,198 (Pi laughs) 25 00:01:07,198 --> 00:01:09,300 I'LL MAKE A FRUITARIAN OUT OF YOU YET, MR. C. 26 00:01:09,300 --> 00:01:10,641 GREAT. HUH? 27 00:01:10,641 --> 00:01:13,304 UH, HERE IS A, UM, LITTLE HOUSEWARMING PRESENT. 28 00:01:13,304 --> 00:01:15,276 (Pi) OOH. AND IT NEEDS SUNLIGHT, 29 00:01:15,276 --> 00:01:17,578 AND THERE'S A LITTLE GIFT CARD AS WELL. 30 00:01:17,578 --> 00:01:18,679 THANK YOU, GRAM. 31 00:01:18,679 --> 00:01:20,151 WELL? WHAT DO YOU THINK? 32 00:01:20,151 --> 00:01:21,682 OH, I THINK IT'S ADORABLE. 33 00:01:21,682 --> 00:01:24,155 I LOVE WHAT THE TWO OF YOU HAVE DONE WITH THIS. 34 00:01:24,155 --> 00:01:26,117 YEAH, WE'VE HAD LOTS OF FUN FIXING IT UP. 35 00:01:26,117 --> 00:01:28,219 WE WERE EATING ON A BLANKET ON THE FLOOR, 36 00:01:28,219 --> 00:01:30,221 BUT THEN WE FOUND THIS OLD DOOR AND SET IT UP AS A TABLE. 37 00:01:30,221 --> 00:01:33,093 AND I FOUND THE CHAIRS NEXT TO A RESTAURANT DUMPSTER. 38 00:01:33,093 --> 00:01:35,766 OH! DUMPSTER CHAIRS. THAT'S... 39 00:01:35,766 --> 00:01:36,797 GREAT. 40 00:01:36,797 --> 00:01:38,529 WELL, THERE IS NOTHING LIKE 41 00:01:38,529 --> 00:01:41,532 LA VIE BOHèME TO GET THE BLOOD FLOWING. 42 00:01:41,532 --> 00:01:43,274 I'LL TAKE THAT. 43 00:01:43,274 --> 00:01:45,306 (whispers) BE NICE. 44 00:01:45,306 --> 00:01:46,637 (normal voice) OH, LOOK. 45 00:01:46,637 --> 00:01:48,239 A FUTON. 46 00:01:48,239 --> 00:01:50,711 (laughter) 47 00:01:50,711 --> 00:01:52,483 (Martha) OH, YES. (laughs) 48 00:01:52,483 --> 00:01:54,685 YOU KNOW, IF YOU GUYS WANT SOMETHING REAL TO SIT ON, 49 00:01:54,685 --> 00:01:57,318 I HAVE AN OLD COUCH IN STORAGE. I COULD JUST-- 50 00:01:57,318 --> 00:02:00,251 HMM. UH, I DON'T KNOW, MR. C. UM... 51 00:02:00,251 --> 00:02:01,722 WHAT COLOR IS IT? 52 00:02:01,722 --> 00:02:04,195 FREE. 53 00:02:04,195 --> 00:02:06,257 DAD, WE'RE FINE. WE HAVE EVERYTHING WE NEED. 54 00:02:06,257 --> 00:02:10,331 SO, PI, ALEXIS TELLS ME THAT YOU HAVE A NEW JOB. 55 00:02:10,331 --> 00:02:11,632 I DO INDEED. I AM TRACKING BEE POPULATIONS IN THE CITY 56 00:02:11,632 --> 00:02:13,734 FOR AN N.G.O. UH-HUH. 57 00:02:13,734 --> 00:02:15,466 IT'S A LOT LIKE THE JOB I DID IN COSTA RICA. 58 00:02:15,466 --> 00:02:17,708 WE'RE ASSESSING THE COLONY'S STRENGTH AND NUMBERS. 59 00:02:17,708 --> 00:02:20,611 SO YOU'RE... COUNTING BEES. 60 00:02:20,611 --> 00:02:23,244 WELL, THERE'S A LITTLE MORE TO IT THAN THAT, MR. C., 61 00:02:23,244 --> 00:02:24,345 BUT... YEAH. 62 00:02:24,345 --> 00:02:25,916 AND THAT'S A REAL JOB? 63 00:02:25,916 --> 00:02:28,148 YES, IT'S A REAL JOB. 64 00:02:28,148 --> 00:02:29,880 BEES ARE VITAL TO THE FOOD SUPPLY. 65 00:02:29,880 --> 00:02:31,582 IT'S IMPORTANT WORK. 66 00:02:31,582 --> 00:02:33,284 WELL... 67 00:02:33,284 --> 00:02:35,756 SO LONG AS IT PUTS FRUIT ON THE TABLE. 68 00:02:35,756 --> 00:02:39,430 SPEAKING OF THE TABLE, I AM FAMISHED. 69 00:02:39,430 --> 00:02:41,262 SHALL WE DINE? 70 00:02:41,262 --> 00:02:43,194 (Pi) YES, LET'S DO THAT. 71 00:02:47,198 --> 00:02:49,270 NEEDLESS TO SAY, DINNER WAS A DISASTER, 72 00:02:49,270 --> 00:02:51,442 BUT THE REAL DISASTER IS THAT 73 00:02:51,442 --> 00:02:53,274 ALEXIS HAS MOVED IN WITH THIS GUY. 74 00:02:53,274 --> 00:02:54,575 HE'S JUST SO WRONG FOR HER. 75 00:02:54,575 --> 00:02:56,247 YEAH, WELL, SHE'LL FIGURE IT OUT. 76 00:02:56,247 --> 00:02:57,908 AT LEAST SHE'S NOT LIVING IN SQUALOR. THAT'S GOOD. 77 00:02:57,908 --> 00:03:00,180 NO, IT'S NOT GOOD. I WAS HOPING FOR SQUALOR. 78 00:03:00,180 --> 00:03:02,553 I WAS COUNTING ON SQUALOR. 79 00:03:02,553 --> 00:03:04,585 BECAUSE ALEXIS CANNOT LAST IN SQUALOR. 80 00:03:04,585 --> 00:03:06,587 I WAS JUST HOPING THIS WHOLE THING WOULD BLOW OVER. 81 00:03:06,587 --> 00:03:08,919 SHE WOULD SEE PI FOR THE AMBITION-FREE HIPPIE 82 00:03:08,919 --> 00:03:10,361 THAT HE IS, AND NOW HE'S MORPHED 83 00:03:10,361 --> 00:03:12,623 INTO SOME KIND OF NEW AGE CRUSADER. 84 00:03:12,623 --> 00:03:15,826 IT'S AS THOUGH HE'S TURNED BEING A CHARMING MAN-CHILD 85 00:03:15,826 --> 00:03:16,967 INTO A CAREER. 86 00:03:16,967 --> 00:03:19,500 YEAH, THAT DOESN'T SOUND FAMILIAR, DOES IT? 87 00:03:19,500 --> 00:03:22,202 WHAT I NEED IS A GOOD MURDER SO I CAN STOP OBSESSING. 88 00:03:22,202 --> 00:03:25,276 (Ryan) WELL, WE GOT ONE FOR YOU, CASTLE. (siren wailing) 89 00:03:25,276 --> 00:03:28,309 OUR VICTIM IS SUSANNAH RICHLAND, 28. 90 00:03:28,309 --> 00:03:31,312 BUSINESS CARD SAYS SHE'S AN ACCOUNTANT. 91 00:03:31,312 --> 00:03:33,914 (camera shutter clicking) 92 00:03:37,988 --> 00:03:39,820 HOW DOES AN ACCOUNTANT END UP LIKE THIS? 93 00:03:39,820 --> 00:03:41,352 FREAKY, HUH? 94 00:03:41,352 --> 00:03:44,355 LOOK AT THOSE MARKS ON HER HAND. THEY LOOK LIKE STIGMATA. 95 00:03:44,355 --> 00:03:46,597 YEAH, THE WAY SHE'S POSED MIGHT SUGGEST A CRUCIFIXION. 96 00:03:46,597 --> 00:03:48,359 (Lanie) EXCEPT THE CAUSE OF DEATH 97 00:03:48,359 --> 00:03:50,261 IS PROBABLY THAT STAB WOUND TO THE THROAT 98 00:03:50,261 --> 00:03:53,504 FROM A DOUBLE-EDGED BLADE LIKE A DAGGER. A DAGGER? 99 00:03:53,504 --> 00:03:56,337 MAYBE THIS IS SOME KIND OF RITUALISTIC SACRIFICE. 100 00:03:56,337 --> 00:03:59,410 OR MAYBE THE KILLER WANTED TO MAKE IT LOOK LIKE IT WAS. 101 00:03:59,410 --> 00:04:01,612 NOTE THE LACK OF BLOOD. I'D SAY SHE WAS MOVED HERE 102 00:04:01,612 --> 00:04:04,275 BUT KILLED SOMEWHERE ELSE. 103 00:04:04,275 --> 00:04:06,617 MIGHT I SUGGEST A SACRIFICIAL ALTAR? 104 00:04:06,617 --> 00:04:08,319 NO, YOU MAY NOT. 105 00:04:08,319 --> 00:04:10,351 DO WE HAVE A TIME OF DEATH? 106 00:04:10,351 --> 00:04:12,583 I'M THINKING 10:00 TO MIDNIGHT. 107 00:04:12,583 --> 00:04:14,285 ALL RIGHT, UH, I'LL START A CANVASS 108 00:04:14,285 --> 00:04:15,956 AND START GATHERING SECURITY VIDEO, 109 00:04:15,956 --> 00:04:18,359 SEE IF I CAN FIND SOMEONE WHO WITNESSED THE BODY DROP. 110 00:04:18,359 --> 00:04:19,690 YEAH, AND GET AHOLD OF THE FBI, 111 00:04:19,690 --> 00:04:22,293 SEE IF THEY HAVE ANY OTHER MURDERS WITH THE SAME M.O. 112 00:04:22,293 --> 00:04:24,835 YEAH, OKAY HEY, JUST GOT OFF THE PHONE WITH SUSANNAH'S BOSS. 113 00:04:24,835 --> 00:04:27,037 HE KNOWS OF NOTHING IN HER LIFE THAT WOULD EXPLAIN THIS. 114 00:04:27,037 --> 00:04:29,300 BUT HE DID SAY SHE'D BEEN ACTING ODD LATELY 115 00:04:29,300 --> 00:04:30,401 AND THAT SHE'D ASKED FOR A WEEK OFF 116 00:04:30,401 --> 00:04:32,002 TO HANDLE A PERSONAL MATTER. 117 00:04:32,002 --> 00:04:33,304 AND HE DIDN'T KNOW WHAT IT WAS? 118 00:04:33,304 --> 00:04:34,705 NO. NEITHER DID ANY OF HER CO-WORKERS. 119 00:04:34,705 --> 00:04:35,746 ALL RIGHT, CONTACT HER FAMILY AND FRIENDS. 120 00:04:35,746 --> 00:04:37,308 LET'S SEE IF THEY KNEW. 121 00:04:37,308 --> 00:04:39,550 CASTLE AND I ARE GONNA GO TO HER APARTMENT. ALL RIGHT. 122 00:04:41,051 --> 00:04:42,753 (Castle) DID YOU KNOW OF ANY PERSONAL MATTERS 123 00:04:42,753 --> 00:04:44,054 SHE MIGHT HAVE BEEN DEALING WITH? 124 00:04:44,054 --> 00:04:45,716 NO, BUT SOMETHING WAS UP. 125 00:04:45,716 --> 00:04:48,058 LAST WEEK, SHE STARTED KEEPING ODD HOURS, STAYING OUT TOO LATE. 126 00:04:48,058 --> 00:04:49,660 IT WASN'T LIKE HER. 127 00:04:49,660 --> 00:04:52,062 DID SHE HAVE ANY VISITORS, ANY MEN IN HER LIFE? 128 00:04:52,062 --> 00:04:53,794 NOT THAT I EVER SAW. 129 00:04:53,794 --> 00:04:56,026 (keys jangle, lock turns) BE SURE TO LOCK UP WHEN YOU'RE DONE. 130 00:04:56,026 --> 00:04:57,598 THANKS. 131 00:05:00,300 --> 00:05:02,333 AN APPARENTLY ORDINARY ACCOUNTANT 132 00:05:02,333 --> 00:05:05,005 BRUTALLY SLAIN AND RITUALLY POSED, 133 00:05:05,005 --> 00:05:07,678 ALL WHILE TENDING TO A PERSONAL MATTER 134 00:05:07,678 --> 00:05:08,839 SHROUDED IN SECRECY. 135 00:05:08,839 --> 00:05:10,641 IT'S NOT SHROUDED IN SECRECY. 136 00:05:10,641 --> 00:05:13,344 WE JUST DON'T KNOW WHAT IT IS YET. YEAH. 137 00:05:13,344 --> 00:05:14,845 MY VERSION HAS MORE DRAMATIC FLAIR. 138 00:05:14,845 --> 00:05:18,349 SHE'S GOT A LOT OF BOOKS HERE ON MEDIEVAL HISTORY. 139 00:05:18,349 --> 00:05:19,620 MAYBE HER DARK SECRET 140 00:05:19,620 --> 00:05:22,322 HAS SOMETHING TO DO WITH THE DARK AGES. 141 00:05:22,322 --> 00:05:23,494 THAT COULD EXPLAIN THE WAY WE FOUND HER BODY. 142 00:05:23,494 --> 00:05:27,097 CASTLE, YOU MIGHT BE ON TO SOMETHING. 143 00:05:27,097 --> 00:05:28,659 LOOK AT THIS. 144 00:05:28,659 --> 00:05:32,332 RELIGIOUS ICONS AND PAGAN SYMBOLS. 145 00:05:32,332 --> 00:05:34,334 THIS FASCINATION OF HERS IS RECENT. 146 00:05:34,334 --> 00:05:36,407 ALL THESE BOOKS WERE CHECKED OUT OF THE LIBRARY THREE DAYS AGO. 147 00:05:36,407 --> 00:05:38,609 OKAY, SO WHAT DOES THAT HAVE TO DO WITH HER MURDER? 148 00:05:38,609 --> 00:05:39,870 I THINK I KNOW THE ANSWER. 149 00:05:39,870 --> 00:05:42,643 THE PENTAGRAM, THE ALL-SEEING EYE-- 150 00:05:42,643 --> 00:05:44,375 BOTH OF THOSE ARE POWER OBJECTS IN DARK MAGIC. 151 00:05:44,375 --> 00:05:46,877 ALL THESE ELEMENTS-- EARTH, AIR, 152 00:05:46,877 --> 00:05:51,081 FIRE, WATER, ETHER-- ALL MEDIEVAL SYMBOLS 153 00:05:51,081 --> 00:05:53,384 THAT ARE SOMETIMES ASSOCIATED WITH SATANIC PRACTICES. 154 00:05:53,384 --> 00:05:54,925 SUSANNAH WAS INTO THE OCCULT. 155 00:05:54,925 --> 00:05:58,058 THE OCCULT? I KNOW MY COUSIN. 156 00:05:58,058 --> 00:06:00,090 NO WAY WAS SHE MIXED UP WITH THAT KIND OF THING. 157 00:06:00,090 --> 00:06:03,864 WELL, WE FOUND THESE SYMBOLS AT HER PLACE, MR. COLLINS, 158 00:06:03,864 --> 00:06:06,937 ALONG WITH SOME BOOKS ON MEDIEVAL HISTORY. 159 00:06:06,937 --> 00:06:08,138 ANY IDEA WHY THEY'D BE THERE? 160 00:06:08,138 --> 00:06:11,902 NO. I MEAN, SHE WAS A HISTORY BUFF, 161 00:06:11,902 --> 00:06:14,445 BUT MORE AMERICAN HISTORY, NOT THAT KIND OF THING. 162 00:06:14,445 --> 00:06:17,077 DID SHE HAVE ANY, UH, ENEMIES IN HER LIFE, MR. COLLINS? 163 00:06:17,077 --> 00:06:18,809 ANY RELATIONSHIP ISSUES? 164 00:06:18,809 --> 00:06:20,150 NOT THAT I KNOW OF. 165 00:06:20,150 --> 00:06:23,083 I JUST--I DON'T UNDERSTAND WHO WOULD DO THIS TO HER. 166 00:06:23,083 --> 00:06:25,486 WHEN WAS THE LAST TIME YOU SAW HER? 167 00:06:25,486 --> 00:06:28,118 MAYBE... THREE WEEKS AGO. 168 00:06:28,118 --> 00:06:29,790 I WAS HER ONLY FAMILY, 169 00:06:29,790 --> 00:06:32,863 SO WE'D GET TOGETHER FOR DINNER EVERY FEW MONTHS. 170 00:06:32,863 --> 00:06:35,065 BUT IT'S STRANGE. (sighs) SHE, UM... 171 00:06:35,065 --> 00:06:38,168 SHE ACTUALLY CALLED ME LAST NIGHT OUT OF THE BLUE. 172 00:06:38,168 --> 00:06:40,431 AND WHAT DID SHE SAY? 173 00:06:40,431 --> 00:06:41,902 THAT SHE HAD SOMETHING 174 00:06:41,902 --> 00:06:44,104 THAT SHE WANTED TO TALK TO ME ABOUT. 175 00:06:44,104 --> 00:06:45,636 WHAT WAS THAT? 176 00:06:45,636 --> 00:06:47,838 I DIDN'T EVEN GET A CHANCE TO ASK. 177 00:06:47,838 --> 00:06:49,009 SHE GOT INTERRUPTED OR SOMETHING, 178 00:06:49,009 --> 00:06:51,181 SAID SHE'D CALL ME RIGHT BACK, 179 00:06:51,181 --> 00:06:54,845 BUT SHE NEVER DID. 180 00:06:54,845 --> 00:06:57,147 BUT NOW I KNOW WHY. 181 00:06:57,147 --> 00:06:59,690 (elevator bell dings) 182 00:06:59,690 --> 00:07:01,922 SO THE FBI DOESN'T HAVE ANY MURDERS IN THEIR DATABASE 183 00:07:01,922 --> 00:07:03,494 THAT MATCH THIS M.O. 184 00:07:03,494 --> 00:07:05,055 WHICH LEAVES US WITH MY THEORY-- 185 00:07:05,055 --> 00:07:07,427 OUR VICTIM WAS DABBLING WITH BLACK MAGIC, 186 00:07:07,427 --> 00:07:08,759 AND SHE CONJURED UP A DEMON. 187 00:07:08,759 --> 00:07:11,862 OR MAYBE SHE RAN AFOUL OF SOME OBSCURE RELIGIOUS SECT, 188 00:07:11,862 --> 00:07:15,135 AND THEY SACRIFICED HER TO THEIR PAGAN DEITY. WHAT ARE YOU DOING? 189 00:07:15,135 --> 00:07:17,067 MAKING STUFF UP, JUST LIKE YOU DO. 190 00:07:17,067 --> 00:07:18,539 YEAH, BECAUSE THAT'S MY JOB. 191 00:07:18,539 --> 00:07:19,910 IT'S YOUR JOB TO FOLLOW THE EVIDENCE. 192 00:07:19,910 --> 00:07:21,612 YOU'RE MESSING WITH THE NATURAL ORDER OF THINGS. 193 00:07:21,612 --> 00:07:23,844 HEY, GUYS? SOMETHING YOU NEED TO SEE. 194 00:07:23,844 --> 00:07:25,976 SO OUR CANVASS COULDN'T COME UP WITH ANYONE 195 00:07:25,976 --> 00:07:28,649 WHO WITNESSED THE BODY DUMP, BUT SUSANNAH HAD 196 00:07:28,649 --> 00:07:30,080 A MetroCard IN HER POCKET. 197 00:07:30,080 --> 00:07:32,182 SO I HAD M.T.A. RUN ITS HISTORY. 198 00:07:32,182 --> 00:07:34,224 HER CARD WAS SWIPED LAST NIGHT ON AN M3 BUS. 199 00:07:34,224 --> 00:07:35,756 SHE GOT ON IT AT 8:45 NEAR HER APARTMENT. 200 00:07:35,756 --> 00:07:37,027 WHERE WAS SHE GOING? 201 00:07:37,027 --> 00:07:39,530 BUS CAM HAS HER EXITING AT WEST 168th STREET, 202 00:07:39,530 --> 00:07:40,891 WASHINGTON HEIGHTS. 203 00:07:40,891 --> 00:07:42,493 THAT'S ABOUT A HALF MILE FROM WHERE HER BODY WAS FOUND. 204 00:07:42,493 --> 00:07:43,594 WHAT WAS SHE DOING WAY UP THERE? 205 00:07:43,594 --> 00:07:44,965 I DON'T KNOW. 206 00:07:44,965 --> 00:07:47,568 BUT I CHECKED TRAFFIC CAM FOOTAGE IN A 10-BLOCK RADIUS, 207 00:07:47,568 --> 00:07:50,541 AND I FOUND SUSANNAH CROSSING ST. NICHOLAS 208 00:07:50,541 --> 00:07:53,844 AT WEST 173rd STREET. 209 00:07:53,844 --> 00:07:57,177 AND IT LOOKS LIKE SHE HAD COMPANY. 210 00:07:57,177 --> 00:08:00,250 A MONK? CHECK OUT THE TIME STAMP-- 10:05, 211 00:08:00,250 --> 00:08:03,053 RIGHT IN OUR TIME-OF-DEATH WINDOW. A POSED BODY, 212 00:08:03,053 --> 00:08:07,087 MYSTERIOUS MEDIEVAL SYMBOLS, AND NOW A MURDEROUS MONK. 213 00:08:07,087 --> 00:08:10,090 IT'S A REAL LIFE "DA VINCI CODE." 214 00:08:19,169 --> 00:08:21,532 DO WE HAVE ANY IDEA WHO THIS GUY IS? 215 00:08:21,532 --> 00:08:23,003 I'LL TELL YOU WHO HE IS. 216 00:08:23,003 --> 00:08:25,175 (cell phone beeps) HE'S PART OF A BROTHERHOOD OF ASSASSINS, 217 00:08:25,175 --> 00:08:27,538 CHOSEN TO GUARD AN ANCIENT SECRET. 218 00:08:27,538 --> 00:08:30,510 CASTLE... STALKING A WOMAN OBSESSED WITH MEDIEVAL SYMBOLS? 219 00:08:30,510 --> 00:08:32,883 THIS IS WHAT THE EVIDENCE SUGGESTS. 220 00:08:32,883 --> 00:08:34,114 CAN WE GET A CLOSER LOOK AT HIS FACE? 221 00:08:34,114 --> 00:08:35,515 HE NEVER TURNS HIS HEAD. 222 00:08:35,515 --> 00:08:39,119 WAIT. ZOOM IN ON HIS SCALP. 223 00:08:39,119 --> 00:08:40,591 (beep) 224 00:08:40,591 --> 00:08:42,993 THERE. YOU SEE THAT? 225 00:08:42,993 --> 00:08:44,154 RITUAL MARKINGS, 226 00:08:44,154 --> 00:08:46,256 LEFT BY SOME UNHOLY INITIATION. 227 00:08:46,256 --> 00:08:47,698 THEY'RE MORE LIKE SURGICAL SCARS. 228 00:08:47,698 --> 00:08:49,529 I'LL SEE IF I CAN LOOK INTO A MEDICAL PROCEDURE 229 00:08:49,529 --> 00:08:51,562 THAT COULD CAUSE THIS. MIGHT HELP US I.D. HIM. 230 00:08:53,533 --> 00:08:58,108 I'M TELLING YOU, OUR MONK, OUR VICTIM, AND THESE SYMBOLS 231 00:08:58,108 --> 00:08:59,640 ARE ALL CONNECTED. 232 00:08:59,640 --> 00:09:01,712 I'M BETTING SUSANNAH RICHLAND DECODED THESE SYMBOLS 233 00:09:01,712 --> 00:09:03,644 AND UNCOVERED SOME DARK, LONG-HELD SECRET, 234 00:09:03,644 --> 00:09:04,945 PAID FOR IT WITH HER LIFE. 235 00:09:04,945 --> 00:09:07,648 LOOK, CASTLE, I AGREE THAT HER RECENT INTEREST 236 00:09:07,648 --> 00:09:08,949 IN ALL THINGS MEDIEVAL 237 00:09:08,949 --> 00:09:11,021 MAY BE RELEVANT, BUT IT DOESN'T MEAN 238 00:09:11,021 --> 00:09:13,253 THAT SHE WAS KILLED IN SOME BAROQUE PLOT. 239 00:09:13,253 --> 00:09:15,786 WELL, I WOULDN'T BE TOO SURE ABOUT THAT. 240 00:09:15,786 --> 00:09:17,628 CASTLE MIGHT BE RIGHT ABOUT THIS "DA VINCI CODE" THING. 241 00:09:17,628 --> 00:09:20,290 DON'T... RUIN IT. 242 00:09:20,290 --> 00:09:21,692 ACCORDING TO SUSANNAH'S PHONE RECORDS, 243 00:09:21,692 --> 00:09:24,234 SHE MADE A CALL TO A PROFESSOR JASON BYFORD 244 00:09:24,234 --> 00:09:26,697 AT HUDSON UNIVERSITY THE DAY BEFORE SHE DIED, 245 00:09:26,697 --> 00:09:27,968 AND GET THIS. 246 00:09:27,968 --> 00:09:30,570 HE'S AN EXPERT IN ANCIENT LANGUAGES AND SYMBOLOGY. 247 00:09:30,570 --> 00:09:32,202 JUST LIKE TOM HANKS IN THE MOVIE. 248 00:09:32,202 --> 00:09:33,874 IT'S NOT A BAROQUE PLOT. IT'S A BESTSELLER PLOT. (cell phone chimes) 249 00:09:33,874 --> 00:09:35,846 WELL, AT THE VERY LEAST, HE SHOULD BE ABLE TO TELL US 250 00:09:35,846 --> 00:09:36,847 WHAT SUSANNAH WAS UP TO. 251 00:09:36,847 --> 00:09:38,679 CASTLE AND I WILL GO TALK TO HIM. 252 00:09:38,679 --> 00:09:40,611 IN THE MEANTIME, I NEED YOU TO GO TO THE MORGUE. 253 00:09:40,611 --> 00:09:42,212 LANIE SAYS SHE HAS SOMETHING. OKAY. 254 00:09:42,212 --> 00:09:46,186 SO I WAS FINALLY ABLE TO IDENTIFY THE MURDER WEAPON. 255 00:09:46,186 --> 00:09:47,257 THOUGHT YOU SAID IT WAS A DAGGER. 256 00:09:47,257 --> 00:09:49,019 I KNOW WHAT I SAID, BUT BASED ON 257 00:09:49,019 --> 00:09:51,792 THE CURVATURE OF THE WOUND AND THE INJURIES TO HER NECK, 258 00:09:51,792 --> 00:09:53,363 OUR VICTIM WAS STABBED WITH A SWORD. 259 00:09:53,363 --> 00:09:58,028 A SWORD? YES, A DOUBLE-EDGED SABRE LIKE THIS... 260 00:09:58,028 --> 00:10:00,671 WITH A HILT THAT LEFT A CRENELATED BRUISING PATTERN 261 00:10:00,671 --> 00:10:01,902 ON HER NECK. 262 00:10:01,902 --> 00:10:03,704 VERY OLD SCHOOL. 263 00:10:03,704 --> 00:10:05,235 I TOOK A CLOSER LOOK AT HER HAND INJURIES, 264 00:10:05,235 --> 00:10:06,707 AND I FOUND SOMETHING. 265 00:10:06,707 --> 00:10:09,279 THERE WAS INK RESIDUE IN THIS WOUND ON HER PALM. 266 00:10:09,279 --> 00:10:12,182 I WAS ABLE TO DRAW IT UP FROM THE LOWER DERMIS. 267 00:10:12,182 --> 00:10:14,685 IT LOOKS LIKE SHE DREW THIS SYMBOL ON HER HAND. 268 00:10:14,685 --> 00:10:16,316 ALL RIGHT. I GOTTA GET THIS TO BECKETT. 269 00:10:16,316 --> 00:10:19,019 (camera shutter clicks) HEAD BACK TO THE PRECINCT. 270 00:10:19,019 --> 00:10:21,692 (man) YES, I MET WITH SUSANNAH. 271 00:10:21,692 --> 00:10:23,393 PEOPLE OFTEN CALL WITH RESEARCH QUESTIONS, 272 00:10:23,393 --> 00:10:24,855 SO I TRY TO BE HELPFUL. 273 00:10:24,855 --> 00:10:26,356 SHE WANTED TO KNOW WHAT THESE SYMBOLS MEANT. 274 00:10:26,356 --> 00:10:28,799 WHAT DID YOU TELL HER? I SAID THAT IT ALL DEPENDS. 275 00:10:28,799 --> 00:10:31,261 SOME OF THESE HAVE EXISTED FOR THOUSANDS OF YEARS. 276 00:10:31,261 --> 00:10:33,964 THEY SIGNIFY DIFFERENT THINGS TO DIFFERENT CULTURES. 277 00:10:33,964 --> 00:10:36,737 ARE ANY OF THEM TIED TO ANYTHING DANGEROUS, LIKE CULTS? 278 00:10:36,737 --> 00:10:38,038 HMM, A FEW, YES, 279 00:10:38,038 --> 00:10:40,140 BUT MOSTLY, THESE ARE ASSOCIATED WITH THE FREEMASONS, 280 00:10:40,140 --> 00:10:43,113 WHICH IS WHY YOU SEE SO MANY ON BUILDINGS AND ICONS IN THE U.S. 281 00:10:43,113 --> 00:10:45,315 A LOT OF OUR FOUNDING FATHERS WERE FREEMASONS. 282 00:10:45,315 --> 00:10:47,347 YES. I SAW "NATIONAL TREASURE." 283 00:10:47,347 --> 00:10:49,319 AS DID I, SADLY. 284 00:10:49,319 --> 00:10:51,221 SOME ODIOUS FACTUAL ERRORS. 285 00:10:51,221 --> 00:10:54,284 THOUGH IT IS TRUE THAT DURING THE AMERICAN REVOLUTION, 286 00:10:54,284 --> 00:10:56,286 SYMBOLS LIKE THESE WERE USED AS MARKERS 287 00:10:56,286 --> 00:10:58,288 FOR WAR SECRETS AND BURIED TREASURE. 288 00:10:58,288 --> 00:11:01,661 OH... TREASURE? 289 00:11:01,661 --> 00:11:03,663 LIKE THE BRITISH GOLD LEFT BEHIND 290 00:11:03,663 --> 00:11:05,335 WHEN THEY LOST THE WAR OR THE MISSING HALF DIMES-- 291 00:11:05,335 --> 00:11:08,268 THE FIRST COINS MINTED BY THE U.S. TREASURY. 292 00:11:08,268 --> 00:11:10,801 PROFESSOR, DID SUSANNAH ASK YOU ABOUT THIS SYMBOL? 293 00:11:11,942 --> 00:11:13,373 UH... 294 00:11:13,373 --> 00:11:14,444 I DON'T BELIEVE SO. WHY? 295 00:11:14,444 --> 00:11:17,147 SHE WAS KILLED LAST NIGHT, 296 00:11:17,147 --> 00:11:19,379 AND WE BELIEVE ALL OF THESE SYMBOLS ARE RELEVANT. 297 00:11:19,379 --> 00:11:21,211 KILLED? 298 00:11:22,682 --> 00:11:23,914 WHAT IS IT? 299 00:11:23,914 --> 00:11:27,888 UH, UM, THERE'S SOMETHING YOU NEED TO SEE. 300 00:11:27,888 --> 00:11:29,720 (computer beeps) SHE HAD THIS LETTER WITH HER. 301 00:11:29,720 --> 00:11:32,322 SHE WANTED TO KNOW IF IT WAS CONNECTED TO THE SYMBOLS. 302 00:11:32,322 --> 00:11:34,324 NOW I'D NEVER SEEN ANYTHING QUITE LIKE IT, 303 00:11:34,324 --> 00:11:36,166 SO I, UH, I, UM, 304 00:11:36,166 --> 00:11:38,198 WELL, I SNUCK A PICTURE OF IT WHILE SHE WASN'T LOOKING. 305 00:11:38,198 --> 00:11:40,100 "I, THEODORE ROSE, OF NEW YORK CITY, 306 00:11:40,100 --> 00:11:42,202 "A LOYAL PATRIOT OF SOUND MIND AND BODY, 307 00:11:42,202 --> 00:11:44,474 DO THE--TO MAKE THIS MY LAST WILL AND TESTAMENT." 308 00:11:44,474 --> 00:11:46,476 THEODORE ROSE WAS AN 18th-CENTURY STONEMASON 309 00:11:46,476 --> 00:11:48,408 OF SOME RENOWN, BUT IT'S MORE THAN A WILL. 310 00:11:48,408 --> 00:11:49,740 KEEP READING. HERE. 311 00:11:49,740 --> 00:11:51,742 "SO I PASS TO THEM STILL LIVING THIS KEY 312 00:11:51,742 --> 00:11:54,044 "WHICH MARKS THE WAY TO OUR GREAT SECRET, 313 00:11:54,044 --> 00:11:55,385 ENSHRINED WITHIN THE CITY." 314 00:11:55,385 --> 00:11:57,247 AND THIS LETTER IS THE KEY TO FINDING IT. 315 00:11:57,247 --> 00:11:58,718 WHERE DID SHE GET IT? 316 00:11:58,718 --> 00:12:01,021 SHE DIDN'T SAY, BUT ACCORDING TO THE DATE AND SEAL, 317 00:12:01,021 --> 00:12:02,853 IT WAS WRITTEN IN 1798. 318 00:12:02,853 --> 00:12:04,424 AND THE LATIN PHRASES-- WHAT DO THEY MEAN? 319 00:12:04,424 --> 00:12:06,426 WELL, I TRANSLATED SOME OF THEM FOR HER. 320 00:12:06,426 --> 00:12:08,198 THEY'RE RIDDLES OF SOME KIND. THIS ONE SAYS 321 00:12:08,198 --> 00:12:11,231 "THE WORLD TURNS BETWEEN THE HEAVENS AND THE ASH HEAP." 322 00:12:11,231 --> 00:12:13,363 THEY'RE NOT RIDDLES. THEY'RE CLUES-- 323 00:12:13,363 --> 00:12:15,735 CLUES LEADING TO SOME GREAT MASONIC TREASURE. 324 00:12:15,735 --> 00:12:18,008 AND THIS LAST LINE COULD BE WHY SHE WAS MURDERED. 325 00:12:18,008 --> 00:12:19,509 "PERICULUM ET DOLOR..." (mumbles in Latin) 326 00:12:19,509 --> 00:12:22,072 MY LATIN IS PRETTY RUSTY, BUT I THINK THAT MEANS 327 00:12:22,072 --> 00:12:25,245 "PERIL AND WOE TO HIM WHO FOLLOWS THIS PATH 328 00:12:25,245 --> 00:12:26,446 WITH A DARK HEART." 329 00:12:29,419 --> 00:12:32,482 (cell phone rings) 330 00:12:32,482 --> 00:12:34,224 (beep) 331 00:12:34,224 --> 00:12:36,186 BECKETT. So that pattern 332 00:12:36,186 --> 00:12:39,089 OF SCARS ON OUR MONK'S DOME WAS FROM A PROCEDURE CALLED 333 00:12:39,089 --> 00:12:41,291 STEREOTACTIC BRAIN SURGERY. 334 00:12:41,291 --> 00:12:42,532 OKAY, CAN THAT GET US AN I.D.? 335 00:12:42,532 --> 00:12:44,364 BECAUSE MEDICAL RECORDS ARE CONFIDENTIAL. 336 00:12:44,364 --> 00:12:45,465 PRISON RECORDS AREN'T. 337 00:12:45,465 --> 00:12:47,297 I TOOK A SHOT THAT OUR GUY DID SOME TIME. 338 00:12:47,297 --> 00:12:49,970 19 men in the system had this surgery, 339 00:12:49,970 --> 00:12:52,242 but only one had scars that were an exact match 340 00:12:52,242 --> 00:12:54,774 TO THE MONK-- BENJAMIN WADE. 341 00:12:54,774 --> 00:12:56,276 HE GOT SURGERY TO REMOVE A TUMOR 342 00:12:56,276 --> 00:12:57,347 WHILE DOING A STRETCH AT GREEN HAVEN 343 00:12:57,347 --> 00:12:58,778 FOR ATTEMPTED MURDER. 344 00:12:58,778 --> 00:13:00,180 (lowered voice) HEAR THAT, CASTLE? 345 00:13:00,180 --> 00:13:03,413 OUR SUSPECT IS AN EX-CON-- A FELONIOUS MONK. 346 00:13:03,413 --> 00:13:06,356 HEY, BECKETT, GOT NO CURRENT ADDRESS ON BENJAMIN WADE, 347 00:13:06,356 --> 00:13:07,858 BUT HE DID HAVE AN APARTMENT IN THE BRONX 348 00:13:07,858 --> 00:13:09,219 BEFORE HE GOT SENT TO THE JOINT. 349 00:13:09,219 --> 00:13:11,391 OKAY, CHECK IT OUT. SEE IF ANYONE KNOWS WHERE HE IS NOW. 350 00:13:14,424 --> 00:13:17,127 I DON'T THINK ANYONE HERE CAN GIVE US A LINE ON WADE. 351 00:13:17,127 --> 00:13:18,999 LOCAL P.D. SAYS THIS PLACE HAS BEEN TAKEN OVER 352 00:13:18,999 --> 00:13:21,401 BY SQUATTERS AND CRACKHEADS. 353 00:13:22,833 --> 00:13:24,434 LOOK AT THIS PLACE. 354 00:13:24,434 --> 00:13:26,276 WE'RE GONNA GET HEPATITIS JUST BREATHING THE AIR. 355 00:13:26,276 --> 00:13:29,239 THIS IS IT. IT'S WHERE WADE USED TO LIVE. 356 00:13:29,239 --> 00:13:30,510 HOME CRACK HOME. 357 00:13:30,510 --> 00:13:31,912 (gun cocks) 358 00:13:31,912 --> 00:13:32,983 (object shatters) 359 00:13:32,983 --> 00:13:34,985 (man shouts indistinctly in distance) 360 00:13:34,985 --> 00:13:36,146 (gun cocks) (man) LEAVE ME ALONE! 361 00:13:36,146 --> 00:13:37,217 (creaks) 362 00:13:37,217 --> 00:13:39,249 (man) I DON'T WANT YOU HERE. 363 00:13:39,249 --> 00:13:41,191 N.Y.P.D. SOMEBODY HELP ME. 364 00:13:41,191 --> 00:13:44,424 (loud clatter) 365 00:13:53,203 --> 00:13:54,204 POLICE! 366 00:13:54,204 --> 00:13:56,336 N.Y.P.D.! DON'T MOVE! 367 00:13:57,837 --> 00:13:59,469 BENJAMIN WADE, YOU'RE UNDER ARREST FOR MURDER. 368 00:14:04,945 --> 00:14:07,177 RECOGNIZE HER, MR. WADE? 369 00:14:10,180 --> 00:14:12,582 (photo rustles) 370 00:14:12,582 --> 00:14:16,326 AND THIS IS YOU, STALKING HER 371 00:14:16,326 --> 00:14:18,288 SHORTLY BEFORE SHE WAS KILLED. 372 00:14:18,288 --> 00:14:20,330 YOU CARE TO EXPLAIN? 373 00:14:23,293 --> 00:14:25,195 MAYBE HE TOOK A VOW OF SILENCE. 374 00:14:25,195 --> 00:14:27,437 YOU KNOW, SILENT BUT DEADLY. 375 00:14:27,437 --> 00:14:29,299 ASSUMING HE'S A REAL MONK. 376 00:14:29,299 --> 00:14:32,202 ACTUALLY, I AM A MONK. 377 00:14:32,202 --> 00:14:35,305 I'VE JUST LEARNED TO THINK BEFORE I SPEAK. 378 00:14:35,305 --> 00:14:37,477 I JOINED THE FRANCISCAN ORDER OF PERPETUAL HOPE 379 00:14:37,477 --> 00:14:38,909 AFTER I LEFT PRISON. 380 00:14:38,909 --> 00:14:40,310 THIS MONASTERY THAT YOU'RE A PART OF-- 381 00:14:40,310 --> 00:14:42,182 DOES IT HAPPEN TO BE IN WASHINGTON HEIGHTS? 382 00:14:42,182 --> 00:14:45,956 BECAUSE THAT'S EXACTLY WHERE WE FOUND SUSANNAH RICHLAND, 383 00:14:45,956 --> 00:14:48,188 AND GIVEN YOUR RECORD-- 384 00:14:48,188 --> 00:14:49,459 NOT THAT GUY ANYMORE. 385 00:14:49,459 --> 00:14:52,993 AFTER MY BRAIN TUMOR, I HAD A SPIRITUAL AWAKENING. 386 00:14:52,993 --> 00:14:55,025 FOUND A PURPOSE. 387 00:14:55,025 --> 00:14:56,426 THEN WHAT WERE YOU DOING IN A CRACK HOUSE? 388 00:14:56,426 --> 00:14:59,129 I WAS TENDING TO THE LOST. 389 00:14:59,129 --> 00:15:01,201 WASN'T STALKING THIS WOMAN. I WAS... 390 00:15:01,201 --> 00:15:02,432 I WAS TRYING TO PROTECT HER. 391 00:15:02,432 --> 00:15:03,473 PROTECT HER? 392 00:15:03,473 --> 00:15:05,135 I FOUND HER IN A MONASTERY CHAPEL. 393 00:15:05,135 --> 00:15:07,377 SHE WAS KNEELING BY THE PRAYER CANDLES. 394 00:15:07,377 --> 00:15:10,110 SAID THE PLACE WAS SPECIAL TO HER FAMILY. 395 00:15:10,110 --> 00:15:12,582 SO I LEFT HER TO PRAY IN PEACE, 396 00:15:12,582 --> 00:15:16,286 AND THIS GUY SHOWS UP-- BROWN LONG HAIR, GLASSES. 397 00:15:16,286 --> 00:15:19,319 HE'S WEARING THIS HAT. STARTS ASKING ME QUESTIONS ABOUT HER. 398 00:15:19,319 --> 00:15:21,251 WANTS TO KNOW WHAT SHE'S DOING THERE. HE'S UPSET. 399 00:15:21,251 --> 00:15:22,292 HE SEEMS AGGRESSIVE. 400 00:15:22,292 --> 00:15:25,255 MR. WADE, THAT'S YOU FOLLOWING HER, 401 00:15:25,255 --> 00:15:26,656 NOT SOME OTHER GUY. 402 00:15:26,656 --> 00:15:28,658 I THOUGHT THAT HE WAS GONNA GO AFTER HER. 403 00:15:28,658 --> 00:15:31,301 SO I DID. I FOLLOWED HER UNTIL SHE GOT INTO A CAB, 404 00:15:31,301 --> 00:15:33,203 AND THEN I CAME BACK TO THE MONASTERY. 405 00:15:33,203 --> 00:15:34,464 REALLY? 406 00:15:34,464 --> 00:15:37,267 OKAY. 407 00:15:37,267 --> 00:15:38,368 DESCRIBE THE CAB. 408 00:15:38,368 --> 00:15:40,010 IT WAS A CAB. 409 00:15:40,010 --> 00:15:41,511 LICENSE PLATE. MEDALLION NUMBER. 410 00:15:41,511 --> 00:15:43,273 I DON'T REMEMBER. IT WAS A... 411 00:15:43,273 --> 00:15:45,245 PRIUS, MAYBE. 412 00:15:45,245 --> 00:15:47,047 THERE ARE HUNDREDS OF THOSE. 413 00:15:47,047 --> 00:15:49,049 A GOOD STORYTELLER USES DETAILS. 414 00:15:49,049 --> 00:15:50,450 IT'S WHAT SELLS THE LIE. 415 00:15:50,450 --> 00:15:53,453 IT'S NOT A LIE. THERE WAS AN AD FOR "WICKED" ON TOP OF IT. 416 00:15:53,453 --> 00:15:55,085 "WICKED." 417 00:15:55,085 --> 00:15:58,628 THAT'S NICE. IT'S PRECISE. FREUDIAN LITTLE DETAIL. 418 00:15:58,628 --> 00:16:00,660 BUT STILL A LIE. 419 00:16:00,660 --> 00:16:02,532 SO HERE'S WHAT'S NOT A LIE. 420 00:16:02,532 --> 00:16:04,734 JUST CALLED THE FRANCISCAN ORDER. 421 00:16:04,734 --> 00:16:06,666 TURNS OUT BENJAMIN WADE REALLY IS A MONK. 422 00:16:06,666 --> 00:16:07,967 AND OUR MURDERER. 423 00:16:07,967 --> 00:16:09,239 NOW WE JUST NEED TO PROVE IT. 424 00:16:09,239 --> 00:16:12,002 WAIT. YOU GUYS ARE ON THE SAME PAGE ABOUT THIS GUY? 425 00:16:12,002 --> 00:16:13,373 NOT EXACTLY. I THINK HE'S GUILTY 426 00:16:13,373 --> 00:16:15,205 BECAUSE OF HIS CONTACT WITH THE VICTIM, 427 00:16:15,205 --> 00:16:17,477 THE STALKING, AND HIS HISTORY OF VIOLENCE. 428 00:16:17,477 --> 00:16:20,110 I THINK HE'S GUILTY BECAUSE OF HIS CONTACT WITH THE VICTIM, 429 00:16:20,110 --> 00:16:22,312 THE STALKING, AND HIS ROLE IN A SINISTER CONSPIRACY 430 00:16:22,312 --> 00:16:23,683 INVOLVING FREEMASONS. 431 00:16:23,683 --> 00:16:25,615 I CAN'T BELIEVE YOU'RE REALLY BUYING INTO THAT LETTER. 432 00:16:25,615 --> 00:16:27,187 I CAN'T BELIEVE YOU AREN'T. 433 00:16:27,187 --> 00:16:28,618 I DID A LITTLE RESEARCH INTO THE AUTHOR OF OUR LETTER-- 434 00:16:28,618 --> 00:16:30,160 MR. THEODORE ROSE. 435 00:16:30,160 --> 00:16:33,363 DID YOU KNOW HE WAS A 33rd DEGREE MASTER MASON? 436 00:16:33,363 --> 00:16:36,566 SO THAT MAKES HIM, WHAT, LIKE A FREEMASON BLACK BELT? 437 00:16:36,566 --> 00:16:39,629 WAY BETTER THAN THAT. HE WAS A PATRIOT SPY. 438 00:16:39,629 --> 00:16:42,732 HE WROTE CODES AND CIPHERS DURING THE AMERICAN REVOLUTION, 439 00:16:42,732 --> 00:16:45,335 MEANING THIS LETTER COULD BE THE KEY TO FINDING 440 00:16:45,335 --> 00:16:47,377 THE GREAT SECRET OF THE MASONS, 441 00:16:47,377 --> 00:16:49,279 ENSHRINED SOMEWHERE WITHIN THE CITY. 442 00:16:49,279 --> 00:16:50,380 WHY? BECAUSE YOU WANT IT TO BE? 443 00:16:50,380 --> 00:16:52,212 PARTLY, AND BECAUSE 444 00:16:52,212 --> 00:16:54,084 IT'S THE ONLY STORY THAT MAKES SENSE. 445 00:16:54,084 --> 00:16:56,286 SHADOWY BROTHERHOOD GUARDING ROSE'S SECRET 446 00:16:56,286 --> 00:16:57,617 FOR ALL ETERNITY. 447 00:16:57,617 --> 00:17:00,390 SUSANNAH GOT TOO CLOSE, SO THEY SENT THEIR MONK ASSASSIN 448 00:17:00,390 --> 00:17:01,591 TO KILL HER. 449 00:17:01,591 --> 00:17:04,154 YEAH, ABOUT THAT--UH, WADE'S LAWYER'S HERE. 450 00:17:04,154 --> 00:17:06,426 HE SAYS WE NEED TO CHARGE HIS CLIENT OR LET HIM GO. 451 00:17:06,426 --> 00:17:08,098 WE DON'T HAVE ENOUGH TO CHARGE HIM. 452 00:17:08,098 --> 00:17:10,760 WHY DON'T WE TRY TO KEEP HIM UNTIL WE DO? 453 00:17:10,760 --> 00:17:12,402 PUT WADE IN WITH A SKETCH ARTIST. 454 00:17:12,402 --> 00:17:13,603 HAVE HIM DESCRIBE THAT GUY 455 00:17:13,603 --> 00:17:15,565 THAT WAS SUPPOSEDLY STALKING SUSANNAH. 456 00:17:15,565 --> 00:17:17,607 THAT'LL BUY CASTLE AND I ENOUGH TIME 457 00:17:17,607 --> 00:17:20,540 TO TEAR HIS ALIBI APART, AND JUST TO COVER OUR BASES, 458 00:17:20,540 --> 00:17:22,442 YOU LOOK INTO THAT CAB THAT WADE DESCRIBED. 459 00:17:22,442 --> 00:17:24,214 REALLY? YOU WANT ME TO TRACK DOWN A CAB 460 00:17:24,214 --> 00:17:25,615 OFF A BANNER AD FOR "WICKED"? 461 00:17:25,615 --> 00:17:28,218 IMPRESS ME. 462 00:17:30,580 --> 00:17:34,454 YOU KNOW, THERE ARE TIMES I WISH SHE STAYED IN D.C. 463 00:17:34,454 --> 00:17:37,427 I'M SORRY, DETECTIVE, BUT YOU'RE WRONG. 464 00:17:37,427 --> 00:17:40,290 BROTHER BENJAMIN WAS IN HIS QUARTERS AT THE TIME YOU SAY 465 00:17:40,290 --> 00:17:41,561 THIS YOUNG WOMAN WAS KILLED. 466 00:17:41,561 --> 00:17:43,363 AND CAN ANYONE ELSE VERIFY THAT? 467 00:17:43,363 --> 00:17:46,266 AT LEAST SEVEN OTHER MEMBERS OF OUR ORDER SAW HIM. 468 00:17:46,266 --> 00:17:50,270 AND... WHAT EXACTLY IS THE MISSION OF YOUR ORDER? 469 00:17:50,270 --> 00:17:51,471 TO CARE FOR THOSE IN NEED, 470 00:17:51,471 --> 00:17:54,504 TO LIVE BY AND SHARE THE TEACHINGS OF CHRIST. 471 00:17:54,504 --> 00:17:55,845 I THINK YOU 472 00:17:55,845 --> 00:18:00,510 LEFT OUT THE PART ABOUT PROTECTING A GREAT SECRET. 473 00:18:00,510 --> 00:18:02,852 I'M AFRAID I DON'T UNDERSTAND. 474 00:18:02,852 --> 00:18:03,853 DON'T YOU? 475 00:18:03,853 --> 00:18:05,555 NO, I DON'T. 476 00:18:05,555 --> 00:18:08,858 UH... (stammers) THANK YOU... SO MUCH FOR YOUR TIME. 477 00:18:10,690 --> 00:18:12,392 "THANK YOU FOR YOUR TIME"? THAT'S IT? 478 00:18:12,392 --> 00:18:13,593 YEAH, UNTIL WE GET THE STATEMENTS 479 00:18:13,593 --> 00:18:14,794 FROM THE SEVEN OTHER WITNESSES. 480 00:18:14,794 --> 00:18:16,526 LOOK, THEY'RE ALL GONNA TELL YOU THE SAME THING. 481 00:18:16,526 --> 00:18:18,168 DON'T YOU SEE? 482 00:18:18,168 --> 00:18:21,401 THESE MONKS--THEY'RE IN IT UP TO THEIR HOODS. 483 00:18:21,401 --> 00:18:24,234 UNLESS... UNLESS THEY'RE NOT PROTECTING THE GREAT SECRET 484 00:18:24,234 --> 00:18:26,376 AND THEY'RE ACTUALLY TRYING TO FIND IT, TOO. 485 00:18:26,376 --> 00:18:28,278 BECAUSE, LIKE THE ARK OF THE COVENANT, 486 00:18:28,278 --> 00:18:30,680 IT IS A SOURCE OF ULTIMATE POWER. 487 00:18:30,680 --> 00:18:32,382 CASTLE, THESE MONKS TOOK VOWS 488 00:18:32,382 --> 00:18:34,284 OF POVERTY, CHASTITY, AND OBEDIENCE. 489 00:18:34,284 --> 00:18:36,316 I DON'T SEE THEM TRYING TO TAKE OVER THE WORLD. 490 00:18:36,316 --> 00:18:37,847 WORLD. 491 00:18:37,847 --> 00:18:39,689 WHAT? 492 00:18:39,689 --> 00:18:41,551 THEODORE ROSE'S LETTER. 493 00:18:42,792 --> 00:18:46,356 THERE WAS THAT ONE CLUE IN LATIN. UH... 494 00:18:46,356 --> 00:18:49,299 (paper rustles) "THE WORLD TURNS BETWEEN THE HEAVENS 495 00:18:49,299 --> 00:18:50,860 AND THE ASH HEAP." 496 00:18:50,860 --> 00:18:53,403 IN LATIN, THE WORD FOR "ASH HEAP" 497 00:18:53,403 --> 00:18:54,864 ALSO MEANS "ALTAR." 498 00:18:54,864 --> 00:18:57,637 THE HEAVENS ARE DEPICTED IN THAT STAINED GLASS. 499 00:18:57,637 --> 00:18:59,569 AND THE ALTAR IS RIGHT UNDERNEATH IT. 500 00:18:59,569 --> 00:19:02,312 SO THE CLUES LED HER TO THIS CHAPEL, BUT WHY? 501 00:19:02,312 --> 00:19:03,843 THE PRAYER CANDLES. 502 00:19:07,417 --> 00:19:09,148 SO THIS MUST BE WHERE WADE 503 00:19:09,148 --> 00:19:11,381 SAID HE FOUND SUSANNAH KNEELING. 504 00:19:11,381 --> 00:19:14,324 CASTLE, LOOK. 505 00:19:14,324 --> 00:19:16,426 THERE'S SOMETHING CARVED IN THAT BASE STONE. 506 00:19:16,426 --> 00:19:19,559 (camera shutter beeps and clicks) THAT'S THE SYMBOL SHE DREW ON HER HAND. 507 00:19:19,559 --> 00:19:20,930 SO THESE OTHER CLUES... 508 00:19:20,930 --> 00:19:23,593 MUST LEAD TO OTHER PLACES WHERE THE SYMBOLS ARE HIDDEN, 509 00:19:23,593 --> 00:19:25,365 BUT WHAT ARE THEY FOR? LISTEN TO THIS. 510 00:19:25,365 --> 00:19:30,300 "FOR GODS AND MEN ALIKE DOTH LAME HEPHAESTUS STRIKE." 511 00:19:30,300 --> 00:19:32,342 I KNOW WHAT THAT MEANS. I KNOW WHERE THAT IS. 512 00:19:32,342 --> 00:19:35,305 YOU DO? YEAH. HEPHAESTUS WAS THE GREEK GOD OF BLACKSMITHS. 513 00:19:35,305 --> 00:19:37,277 HIS FORGE WAS IN MOUNT ETNA. 514 00:19:37,277 --> 00:19:39,409 THERE'S AN OLD BLACKSMITH'S SHOP RIGHT HERE IN LOWER MANHATTAN 515 00:19:39,409 --> 00:19:40,350 CALLED ETNA'S FORGE. 516 00:19:40,350 --> 00:19:41,651 IT'S BEEN THERE SINCE THE 1700s. 517 00:19:41,651 --> 00:19:44,254 I KNOW BECAUSE I WAS THERE 518 00:19:44,254 --> 00:19:45,285 WITH... ALEXIS. 519 00:19:45,285 --> 00:19:47,186 IT WAS... A FIELD TRIP. 520 00:19:47,186 --> 00:19:48,758 THIRD GRADE, BUT THAT-- THAT'S GOTTA BE IT. 521 00:19:48,758 --> 00:19:50,360 OUR VICTIM WAS KILLED WITH A SWORD. 522 00:19:50,360 --> 00:19:51,521 IF THERE'S AN OLD BLACKSMITH SHOP, 523 00:19:51,521 --> 00:19:52,792 THAT COULD BE OUR CRIME SCENE. 524 00:19:52,792 --> 00:19:55,395 A CLUE TRAIL TO A FREEMASON SECRET 525 00:19:55,395 --> 00:19:56,866 THAT PEOPLE WOULD KILL FOR-- 526 00:19:56,866 --> 00:19:59,429 THIS CASE JUST KEEPS GETTING BETTER. 527 00:19:59,429 --> 00:20:02,232 SO MAYBE WHAT BENJAMIN WADE ACTUALLY DID THAT NIGHT 528 00:20:02,232 --> 00:20:04,434 WAS FOLLOW SUSANNAH TO THIS BLACKSMITH SHOP. 529 00:20:04,434 --> 00:20:06,336 CASTLE, WE DON'T EVEN KNOW IF SHE WAS HERE. 530 00:20:06,336 --> 00:20:07,707 OH, SHE WAS HERE, ALL RIGHT, 531 00:20:07,707 --> 00:20:09,339 ON THE VERGE OF SOLVING THE PUZZLE 532 00:20:09,339 --> 00:20:10,540 WHEN HER LIFE WAS CUT TRAGICALLY SHORT. 533 00:20:10,540 --> 00:20:12,542 THIS IS THE PLACE. 534 00:20:12,542 --> 00:20:15,545 I NEVER KNEW THIS WAS HERE. (door creaks) 535 00:20:15,545 --> 00:20:17,287 (door closes) 536 00:20:19,419 --> 00:20:21,391 WOW, THIS IS INCREDIBLE. 537 00:20:21,391 --> 00:20:24,324 SHOULDN'T THERE BE A... DOCENT 538 00:20:24,324 --> 00:20:26,556 OR SOME SWEATY GUY HAMMERING METAL STANDING AROUND? 539 00:20:26,556 --> 00:20:27,757 YEAH. 540 00:20:27,757 --> 00:20:29,529 (imitates British accent) HELLO?! 541 00:20:29,529 --> 00:20:30,960 IS THERE A SMITHY HEREABOUTS? 542 00:20:30,960 --> 00:20:32,862 WE HAVE TRAVELED MANY A MILE TO THE-- 543 00:20:32,862 --> 00:20:34,604 (normal voice) IS THIS ANNOYING? 544 00:20:34,604 --> 00:20:36,706 YEAH. YOU KNOW WHAT? I'M GONNA CHECK IN BACK. 545 00:20:36,706 --> 00:20:38,538 WHY DON'T YOU TAKE A LOOK AROUND HERE? 546 00:20:38,538 --> 00:20:39,869 IF THIS IS OUR CRIME SCENE, 547 00:20:39,869 --> 00:20:41,010 THERE MIGHT BE SIGNS OF STRUGGLE. 548 00:20:41,010 --> 00:20:44,314 RIGHT. (inhales deeply) 549 00:20:44,314 --> 00:20:47,016 OOH. 550 00:20:47,016 --> 00:20:49,018 HAVE IT... 551 00:20:49,018 --> 00:20:50,420 WANT IT... 552 00:20:50,420 --> 00:20:51,921 NEED IT... 553 00:20:51,921 --> 00:20:53,323 GOT IT... NEED IT... 554 00:20:53,323 --> 00:20:54,584 (blade zings) 555 00:20:54,584 --> 00:20:56,886 YOU SHOULD NOT HAVE COME HERE LOOKING FOR THE SIGN, 556 00:20:56,886 --> 00:20:58,388 FOR ONLY DEATH AWAITS YOU. 557 00:21:03,293 --> 00:21:04,934 WELL, NOW... 558 00:21:04,934 --> 00:21:06,766 THAT WOULDN'T HAPPEN TO BE A DOUBLE-EDGED SABER 559 00:21:06,766 --> 00:21:10,370 WITH A CRENELATED HILT, NOW, WOULD IT? 560 00:21:14,043 --> 00:21:15,975 YOU HAVE TRESPASSED INTO SECRETS 561 00:21:15,975 --> 00:21:17,307 BEYOND YOUR COMPREHENSION. 562 00:21:17,307 --> 00:21:18,878 YOU WILL PAY WITH YOUR LIFE. 563 00:21:18,878 --> 00:21:21,611 OKAY. O-OKAY, B-BUT JUST... BEFORE YOU KILL ME, 564 00:21:21,611 --> 00:21:23,553 THERE'S ONE THING YOU SHOULD KNOW. 565 00:21:23,553 --> 00:21:24,954 AND WHAT IS THAT? 566 00:21:24,954 --> 00:21:28,918 I AM REALLY GOOD AT THIS. 567 00:21:28,918 --> 00:21:29,859 (chains rattle) 568 00:21:29,859 --> 00:21:33,463 (clanking) 569 00:21:33,463 --> 00:21:36,596 UHH! YOU'RE NOT SO BAD YOURSELF. 570 00:21:36,596 --> 00:21:37,997 WHO ARE YOU? 571 00:21:37,997 --> 00:21:40,470 AND WHAT DO YOU KNOW ABOUT THE LAST WILL OF THEODORE ROSE? 572 00:21:40,470 --> 00:21:43,973 FOR 200 YEARS, MY PEOPLE HAVE GUARDED THAT SECRET. (clanking) 573 00:21:43,973 --> 00:21:45,805 IT WILL GO WITH ME TO MY GRAVE... OR YOURS! 574 00:21:45,805 --> 00:21:46,836 (whooshing) 575 00:21:46,836 --> 00:21:47,907 (clatter) 576 00:21:47,907 --> 00:21:50,940 (clanking) 577 00:21:50,940 --> 00:21:53,343 (panting) 578 00:21:53,343 --> 00:21:56,616 (clanking resumes) 579 00:22:06,856 --> 00:22:09,799 UHH! 580 00:22:09,799 --> 00:22:12,001 (panting) NOW WHO ARE YOU? 581 00:22:12,001 --> 00:22:14,103 IT'S NOT IMPORTANT WHO I AM. 582 00:22:14,103 --> 00:22:17,737 THE WIN IS YOURS. THE SIGN SHALL BE REVEALED. 583 00:22:17,737 --> 00:22:19,569 (clanks) 584 00:22:23,413 --> 00:22:25,575 THAT'S THE SYMBOL FROM SUSANNAH'S BOARD. 585 00:22:25,575 --> 00:22:28,478 SHE WAS HERE. IT WAS YOU. 586 00:22:28,478 --> 00:22:29,849 YOU'RE THE ONE WHO KILLED HER. 587 00:22:29,849 --> 00:22:31,821 WHOA, WAIT A MINUTE. YOU WON, MAN. 588 00:22:31,821 --> 00:22:33,453 YOU CAN PUT THE SWORD DOWN NOW. 589 00:22:33,453 --> 00:22:34,984 NOT UNTIL YOU TELL ME WHO YOU ARE 590 00:22:34,984 --> 00:22:37,487 AND WHY YOU KILLED SUSANNAH RICHLAND. BECKETT! 591 00:22:37,487 --> 00:22:38,988 I THINK THERE'S BEEN SOME KIND OF MISTAKE HERE. 592 00:22:38,988 --> 00:22:40,490 NO, NO, NO, NO MISTAKE. 593 00:22:40,490 --> 00:22:41,961 SUSANNAH WAS STABBED THROUGH THE THROAT 594 00:22:41,961 --> 00:22:45,535 WITH A DOUBLE-EDGED SABER BY YOU OR ONE OF YOUR PEOPLE. 595 00:22:45,535 --> 00:22:46,566 I'M SORRY. I'M A LITTLE LOST HERE. 596 00:22:46,566 --> 00:22:48,097 DID THEY CHANGE THE SCRIPT? 597 00:22:48,097 --> 00:22:49,869 'CAUSE IF THEY DID, THEY DIDN'T TELL ME. 598 00:22:49,869 --> 00:22:52,602 SCRIPT? (panting) 599 00:22:52,602 --> 00:22:54,544 WHAT SCRIPT? 600 00:22:54,544 --> 00:22:55,945 THE SCAVENGER HUNT. 601 00:22:55,945 --> 00:22:58,147 (footsteps approach) 602 00:23:00,450 --> 00:23:02,452 CASTLE? 603 00:23:02,452 --> 00:23:04,854 WHAT'S GOING ON? 604 00:23:06,886 --> 00:23:08,157 A SCAVENGER HUNT? 605 00:23:08,157 --> 00:23:11,160 SO THE CLUES, THE SYMBOL-- IT'S ALL JUST A GAME? 606 00:23:11,160 --> 00:23:12,592 IT'S A FUND-RAISER 607 00:23:12,592 --> 00:23:14,924 FOR THE NEW YORK HISTORICAL INSTITUTE. 608 00:23:14,924 --> 00:23:16,896 THE CLUES LEAD TO HISTORIC BUILDINGS, 609 00:23:16,896 --> 00:23:19,168 WHERE THE PLAYERS COLLECT THESE OLD SYMBOLS. 610 00:23:19,168 --> 00:23:22,702 THEY HIRE ACTORS LIKE ME TO INTERACT WITH THE CONTESTANTS. 611 00:23:22,702 --> 00:23:24,604 I USUALLY WORK RENAISSANCE FAIRS. 612 00:23:24,604 --> 00:23:27,437 WAS THIS WOMAN ONE OF YOUR CONTESTANTS? 613 00:23:27,437 --> 00:23:30,880 YEAH. SHE CAME THROUGH HERE COUPLE DAYS AGO. 614 00:23:30,880 --> 00:23:31,981 SHE WAS KILLED? 615 00:23:31,981 --> 00:23:33,182 YEAH, WITH A SABER 616 00:23:33,182 --> 00:23:35,445 ALMOST EXACTLY LIKE THE ONE YOU WERE USING. 617 00:23:35,445 --> 00:23:38,187 THAT WAS A STUNT WEAPON. IT'S HARMLESS. THEY ALL ARE. 618 00:23:38,187 --> 00:23:40,720 I DIDN'T KILL ANYBODY. I'M JUST AN ACTOR. 619 00:23:40,720 --> 00:23:42,922 I WASN'T EVEN WORKING HERE LAST NIGHT. 620 00:23:42,922 --> 00:23:45,725 LOOK, PLEASE, CALL THE NEW YORK HISTORICAL INSTITUTE. 621 00:23:45,725 --> 00:23:47,997 TALK TO NOLAN BURNS, THEIR DIRECTOR. 622 00:23:47,997 --> 00:23:49,198 THIS IS ALL JUST A GAME. 623 00:23:49,198 --> 00:23:51,661 OF COURSE IT WAS JUST A GAME. 624 00:23:51,661 --> 00:23:55,204 EVERY YEAR, MORE AND MORE HISTORIC NEW YORK BUILDINGS 625 00:23:55,204 --> 00:23:56,606 ARE BEING TORN DOWN, 626 00:23:56,606 --> 00:23:57,967 AND AS DIRECTOR OF THE HISTORICAL INSTITUTE, 627 00:23:57,967 --> 00:24:00,670 I WAS LOOKING FOR A FUN WAY TO RAISE AWARENESS. 628 00:24:00,670 --> 00:24:02,011 MR. BURNS, THESE SYMBOLS 629 00:24:02,011 --> 00:24:04,113 THAT SUSANNAH RICHLAND TOOK PICTURES OF-- 630 00:24:04,113 --> 00:24:06,846 ARE THOSE ALSO A PART OF THE GAME? 631 00:24:06,846 --> 00:24:09,979 YES, THESE ARE ALL... SYMBOLS USED IN THE GAME. 632 00:24:09,979 --> 00:24:12,181 LOOKS LIKE SHE FOUND THEM ALL. 633 00:24:12,181 --> 00:24:13,783 SHE MIGHT HAVE WON. 634 00:24:13,783 --> 00:24:15,785 IS IT POSSIBLE THAT SOMEONE WOULD HAVE KILLED HER 635 00:24:15,785 --> 00:24:17,186 TO GET A COMPETITIVE EDGE? 636 00:24:17,186 --> 00:24:19,128 PRIZE MONEY IS $2,500. 637 00:24:19,128 --> 00:24:21,090 SOME OF THE CONTESTANTS SPENT MORE THAN THAT 638 00:24:21,090 --> 00:24:22,792 IN TRAVEL EXPENSES. 639 00:24:22,792 --> 00:24:24,994 COULD THESE SYMBOLS MEAN SOMETHING ELSE? 640 00:24:24,994 --> 00:24:26,195 SOMETHING DANGEROUS? 641 00:24:26,195 --> 00:24:27,637 NOT THAT I'M AWARE OF. 642 00:24:27,637 --> 00:24:29,839 I DO KNOW THEY CAN BE FOUND ON BUILDINGS 643 00:24:29,839 --> 00:24:31,671 DATING AS FAR BACK AS THE 1700s, 644 00:24:31,671 --> 00:24:33,042 WHICH IS WHY I USED THEM. 645 00:24:33,042 --> 00:24:34,103 IT'S JUST... (paper rustles) 646 00:24:34,103 --> 00:24:36,145 OUR VICTIM HAD THIS LETTER ON HER. 647 00:24:36,145 --> 00:24:39,609 IT'S FROM AN 18th-CENTURY FREEMASON NAMED THEODORE ROSE. 648 00:24:39,609 --> 00:24:42,882 IN IT, HE SPEAKS OF A GREAT HIDDEN SECRET. 649 00:24:42,882 --> 00:24:44,884 IT'D BE "ENSHRINED IN THE CITY." 650 00:24:44,884 --> 00:24:46,816 THE LETTER WAS PART OF THE GAME. 651 00:24:46,816 --> 00:24:48,858 WE HAD IT HAND-WRITTEN ON PARCHMENT-- 652 00:24:48,858 --> 00:24:50,560 ONE FOR EACH CONTESTANT. 653 00:24:50,560 --> 00:24:51,691 BUT ROSE IS REAL. 654 00:24:51,691 --> 00:24:54,023 HE HAD A PENCHANT FOR CLUES AND CIPHERS. 655 00:24:54,023 --> 00:24:56,996 EXACTLY. HE BROUGHT SOME AUTHENTICITY. 656 00:24:56,996 --> 00:24:59,629 AND THE FACT THAT HE WAS A FREEMASON 657 00:24:59,629 --> 00:25:01,000 AND A FRIEND OF GEORGE WASHINGTON'S 658 00:25:01,000 --> 00:25:04,003 MADE ROSE THE PERFECT PERSON ON WHOM TO BASE THE GAME. 659 00:25:04,003 --> 00:25:06,275 SO I DREW FROM HIS WRITINGS, 660 00:25:06,275 --> 00:25:09,038 AND THE REST I PULLED FROM FREEMASON HISTORY. 661 00:25:09,038 --> 00:25:10,680 BUT NONE OF THIS IS REAL. 662 00:25:10,680 --> 00:25:13,112 I DON'T SEE HOW ANY OF THIS WOULD LEAD TO SOMEONE'S DEATH. 663 00:25:13,112 --> 00:25:15,284 REGARDLESS, I'M GONNA NEED THE NAMES 664 00:25:15,284 --> 00:25:16,986 OF ALL OF THE CONTESTANTS. 665 00:25:16,986 --> 00:25:18,147 YOU'LL HAVE TO CHECK 666 00:25:18,147 --> 00:25:19,989 WITH THE EVENT PLANNING COMPANY, GAMES ULTRA. 667 00:25:19,989 --> 00:25:22,221 THEY HANDLED THE REGISTRATION. 668 00:25:22,221 --> 00:25:26,055 CAN'T BELIEVE ALL THIS TIME, IT WAS ALL JUST MAKE-BELIEVE. 669 00:25:26,055 --> 00:25:27,897 CASTLE, YOU DIDN'T REALLY BELIEVE 670 00:25:27,897 --> 00:25:29,258 THAT THIS WAS GONNA LEAD TO SOME 671 00:25:29,258 --> 00:25:31,130 GREAT FREEMASON TREASURE, DID YOU? 672 00:25:31,130 --> 00:25:33,102 NO, OF COURSE NOT. THAT'D BE FOOLISH. 673 00:25:33,102 --> 00:25:35,935 NOW IF YOU'LL EXCUSE ME, I'M GONNA GO HOME 674 00:25:35,935 --> 00:25:38,067 TO WALLOW IN WHAT IS PERHAPS THE MOST DISAPPOINTING DAY 675 00:25:38,067 --> 00:25:39,939 OF MY CRIME-SOLVING CAREER. 676 00:25:39,939 --> 00:25:43,012 OKAY, I'LL COME BY LATER AND TRY TO CHEER YOU UP. 677 00:25:46,916 --> 00:25:49,278 DID WE GET THE LIST OF CONTESTANTS FROM GAMES ULTRA? 678 00:25:49,278 --> 00:25:51,150 YEP, AND THE CONTESTANT APPLICATIONS 679 00:25:51,150 --> 00:25:52,982 HAD TO INCLUDE A PHOTO. TAKE A LOOK AT THIS DUDE. 680 00:25:52,982 --> 00:25:54,584 WHAT ABOUT HIM? 681 00:25:54,584 --> 00:25:57,126 WELL, CHECK OUT THE SKETCH THAT OUR MONK GAVE US OF THE GUY 682 00:25:57,126 --> 00:25:59,959 THAT HE SAYS WAS FOLLOWING SUSANNAH. 683 00:26:01,130 --> 00:26:03,192 WELL, IT'S THE SAME GUY. 684 00:26:03,192 --> 00:26:06,235 (paper rustles) OKAY. SO... WHAT DO WE KNOW 685 00:26:06,235 --> 00:26:08,237 ABOUT TOM STEVENS? 686 00:26:08,237 --> 00:26:09,839 WELL, HIS NAME AND ADDRESS ARE BOGUS. 687 00:26:09,839 --> 00:26:10,900 EVERYTHING ON THE APPLICATION IS. 688 00:26:10,900 --> 00:26:12,071 NONE OF THIS INFORMATION IS REAL. 689 00:26:12,071 --> 00:26:13,773 AND HE HAD TO BE THE GUY WHO KILLED HER. 690 00:26:13,773 --> 00:26:14,904 HE WAS AT THE MONASTERY. 691 00:26:14,904 --> 00:26:16,175 WHY ELSE WOULD HE SIGN UP WITH A FAKE NAME? 692 00:26:16,175 --> 00:26:19,949 WELL, HIS NAME MIGHT BE FAKE, BUT HIS MONEY IS REAL. 693 00:26:19,949 --> 00:26:21,951 AND THERE YOU GO. PAID WITH A CHECK. 694 00:26:21,951 --> 00:26:23,352 IF WE CAN TRACE THAT PAYMENT... 695 00:26:23,352 --> 00:26:24,954 THEN WE MIGHT BE ABLE TO I.D. HIM. 696 00:26:24,954 --> 00:26:26,716 ALL RIGHT, SEE WHERE GAMES ULTRA KEEPS THEIR ACCOUNTS 697 00:26:26,716 --> 00:26:27,787 AND HIT THAT BANK FIRST THING IN THE MORNING. 698 00:26:27,787 --> 00:26:29,058 I WANT THIS GUY FOUND. 699 00:26:29,058 --> 00:26:32,722 (beeping) 700 00:26:32,722 --> 00:26:33,963 (Martha) RICHARD? 701 00:26:33,963 --> 00:26:35,995 RICHARD. 702 00:26:35,995 --> 00:26:36,966 I'M SORRY. WHAT? 703 00:26:36,966 --> 00:26:39,028 WHAT IS ALL THIS? 704 00:26:39,028 --> 00:26:42,031 OH, JUST SOME... GAME. 705 00:26:42,031 --> 00:26:44,003 WELL, YOU MIGHT WANNA PAY ATTENTION TO THE REAL WORLD 706 00:26:44,003 --> 00:26:45,204 FOR A MOMENT. 707 00:26:45,204 --> 00:26:47,907 ALEXIS IS FURIOUS WITH YOU OVER YOUR BEHAVIOR 708 00:26:47,907 --> 00:26:50,980 AT DINNER THE OTHER NIGHT, AND I MUST SAY, I AGREE. 709 00:26:50,980 --> 00:26:52,211 COME ON. IT WASN'T THAT BAD. 710 00:26:52,211 --> 00:26:53,883 YOU INSULTED HER APARTMENT, 711 00:26:53,883 --> 00:26:55,915 YOU MADE FUN OF HER BOYFRIEND'S CAREER. 712 00:26:55,915 --> 00:26:57,647 MOTHER, HE'S COUNTING BEES. 713 00:26:57,647 --> 00:27:00,089 YES, AND IT IS IMPORTANT TO HIM, 714 00:27:00,089 --> 00:27:01,991 AS ALEXIS IS IMPORTANT TO HIM. 715 00:27:01,991 --> 00:27:04,754 I JUST DON'T EVEN UNDERSTAND. WHY IS SHE EVEN WITH HIM? 716 00:27:04,754 --> 00:27:05,955 THIS IS WHAT SHE WANTS. 717 00:27:05,955 --> 00:27:08,057 NOW WILL SHE WANT IT NEXT WEEK OR NEXT MONTH? 718 00:27:08,057 --> 00:27:09,298 WHO KNOWS? 719 00:27:09,298 --> 00:27:11,731 BUT THIS IS WHAT SHE WANTS TODAY, 720 00:27:11,731 --> 00:27:14,633 AND IF YOU WANT HER TO BE A PART OF YOUR LIFE, 721 00:27:14,633 --> 00:27:18,007 THEN YOU ARE GOING TO HAVE TO CHANGE YOUR POINT OF VIEW. 722 00:27:19,739 --> 00:27:21,310 YOU'RE RIGHT, MOTHER. 723 00:27:21,310 --> 00:27:23,272 OF COURSE I'M RIGHT. GOOD. 724 00:27:23,272 --> 00:27:24,974 (footsteps depart) 725 00:27:30,850 --> 00:27:32,121 (under breath) POINT OF VIEW... 726 00:27:35,324 --> 00:27:36,986 (beeps) 727 00:27:42,031 --> 00:27:43,963 THIS ISN'T A GAME. 728 00:27:43,963 --> 00:27:46,365 (beeps) 729 00:27:46,365 --> 00:27:49,739 THIS ISN'T A GAME AT ALL. 730 00:27:52,772 --> 00:27:53,943 NO LUCK. 731 00:27:53,943 --> 00:27:54,974 ACCORDING TO THE BANK, 732 00:27:54,974 --> 00:27:56,445 MR. STEVENS DID PAY WITH A CHECK, 733 00:27:56,445 --> 00:27:59,148 BUT IT WAS A CASHIER'S CHECK, SO THERE'S NO WAY TO TRACE IT. 734 00:27:59,148 --> 00:28:00,309 HIDING HIS IDENTITY, 735 00:28:00,309 --> 00:28:03,312 FOLLOWING OUR VICTIM JUST BEFORE SHE DIED. 736 00:28:03,312 --> 00:28:05,414 THIS HAS GOTTA BE OUR KILLER. 737 00:28:05,414 --> 00:28:08,257 OKAY. I FINALLY TRACKED DOWN THAT CAB 738 00:28:08,257 --> 00:28:09,688 THAT OUR VICTIM GOT INTO-- 739 00:28:09,688 --> 00:28:12,061 THE ONE WITH THE "WICKED" BANNER AD ON TOP. 740 00:28:12,061 --> 00:28:13,422 SO FIRST, I HAD TO CALL THE THEATER 741 00:28:13,422 --> 00:28:14,864 WHERE "WICKED" WAS PLAYING. 742 00:28:14,864 --> 00:28:16,726 THEY DIRECTED ME TO A P.R. FIRM WHO THEN 743 00:28:16,726 --> 00:28:19,198 SENT ME TO AN AD AGENCY 744 00:28:19,198 --> 00:28:21,300 THAT SELLS SPACE ON THE TOP OF CABS, AND FIVE CABS-- 745 00:28:21,300 --> 00:28:23,873 DID YOU TALK TO THE CABBIE OR NOT? YES. 746 00:28:23,873 --> 00:28:27,106 YES, I DID. THE CABBIE CONFIRMED THAT HE PICKED UP SUSANNAH 747 00:28:27,106 --> 00:28:29,338 IN WASHINGTON HEIGHTS AT 10:10 P.M. 748 00:28:29,338 --> 00:28:30,910 SO OUR MONK WAS TELLING THE TRUTH. 749 00:28:30,910 --> 00:28:32,181 OKAY, WHERE DID THE CABBIE TAKE HER? 750 00:28:32,181 --> 00:28:34,243 THAT'S THE ODD PART. HE DIDN'T TAKE HER ANYWHERE. 751 00:28:34,243 --> 00:28:35,444 WHAT DO YOU MEAN? SUSANNAH JUST HAD HIM 752 00:28:35,444 --> 00:28:36,986 DRIVE AROUND THE NEIGHBORHOOD FOR 45 MINUTES 753 00:28:36,986 --> 00:28:38,417 AND DROPPED HER BACK OFF AT THE CHAPEL. 754 00:28:38,417 --> 00:28:39,819 THAT DOESN'T MAKE ANY SENSE. 755 00:28:39,819 --> 00:28:41,490 WHY WOULD SHE GO BACK THERE THE SAME NIGHT? 756 00:28:41,490 --> 00:28:43,452 I'LL TELL YOU WHY. 757 00:28:43,452 --> 00:28:46,926 BECAUSE SUSANNAH REALIZED IT WASN'T JUST A GAME. 758 00:28:46,926 --> 00:28:48,798 CASTLE, PLEASE DON'T TELL ME THAT YOU'RE STILL ON-- 759 00:28:48,798 --> 00:28:49,859 OH, NO, NO. JUST LISTEN. 760 00:28:49,859 --> 00:28:51,260 BURNS TOLD US THAT HE BASED THE GAME 761 00:28:51,260 --> 00:28:53,062 ON SOME OF THE WRITINGS OF THEODORE ROSE. 762 00:28:53,062 --> 00:28:54,934 NOW WHAT IF ROSE'S CLUES WERE REAL 763 00:28:54,934 --> 00:28:56,335 AND ACTUALLY LED SOMEWHERE? 764 00:28:56,335 --> 00:28:59,408 WHAT IF SUSANNAH FIGURED THAT OUT? 765 00:28:59,408 --> 00:29:02,341 HERE ARE ALL OUR SYMBOLS. 766 00:29:02,341 --> 00:29:03,973 THEY DIDN'T SEEM TO RELATE TO EACH OTHER 767 00:29:03,973 --> 00:29:08,177 UNTIL YOU ADD THIS ONE--THE ONE SUSANNAH DREW ON HER HAND. 768 00:29:08,177 --> 00:29:11,450 THE ONE SHE FOUND AT THE CHAPEL THE NIGHT SHE WAS KILLED. 769 00:29:11,450 --> 00:29:13,452 THEY ALL FIT TOGETHER. 770 00:29:13,452 --> 00:29:15,985 FINAL PIECE. WITHOUT IT, THE OTHERS DIDN'T FIT. 771 00:29:15,985 --> 00:29:18,457 THAT'S WHY THE KILLER SCRAPED IT OFF HER HAND. 772 00:29:18,457 --> 00:29:20,329 HE DIDN'T WANT HER OR ANYONE ELSE 773 00:29:20,329 --> 00:29:21,891 TO BE ABLE TO FIGURE IT OUT. 774 00:29:21,891 --> 00:29:23,032 OKAY, SO THE PIECES FIT TOGETHER. 775 00:29:23,032 --> 00:29:24,233 WHAT DO THEY MEAN? 776 00:29:25,835 --> 00:29:27,496 I DON'T KNOW, BUT... 777 00:29:27,496 --> 00:29:30,539 DOES THIS SHAPE LOOK FAMILIAR? 778 00:29:32,071 --> 00:29:34,273 YES, IT DOES. 779 00:29:37,877 --> 00:29:39,778 AMAZING, RIGHT? YEAH. 780 00:29:39,778 --> 00:29:41,250 BUT WHAT DOES IT MEAN? 781 00:29:41,250 --> 00:29:43,853 IT MEANS THAT THIS ISN'T A PART OF ANY GAME. 782 00:29:43,853 --> 00:29:47,456 IF ALL THOSE SYMBOLS PUT TOGETHER INDICATE THIS CARVING, 783 00:29:47,456 --> 00:29:51,090 THEN IT HAS TO HAVE SOME KIND OF SIGNIFICANCE. 784 00:29:51,090 --> 00:29:53,893 CASTLE, LOOK AT THIS. 785 00:29:53,893 --> 00:29:57,526 EACH ONE OF THESE SYMBOLS HAS A SMALL LETTER NEXT TO IT-- 786 00:29:57,526 --> 00:30:00,129 R-O-S-I. 787 00:30:00,129 --> 00:30:03,332 ROSI? MAYBE IT'S SUPPOSED TO BE HIS NAME--ROSE. 788 00:30:03,332 --> 00:30:04,934 UH, THAT'S A-- THAT'S AN "I." 789 00:30:04,934 --> 00:30:07,937 UM... MAYBE IT'S "ROIS," LIKE, UH, FRENCH FOR "KING," 790 00:30:07,937 --> 00:30:10,409 OR, UH, "SOIR" FOR EVENING. 791 00:30:10,409 --> 00:30:11,881 OH, NO, WAIT. 792 00:30:11,881 --> 00:30:15,244 EARTH, AIR, WATER, FIRE, ETHER IN THE CENTER. 793 00:30:15,244 --> 00:30:17,486 IN MEDIEVAL ALCHEMY, THESE ARE THE FIVE ELEMENTS 794 00:30:17,486 --> 00:30:18,888 THAT MAKE UP THE UNIVERSE, 795 00:30:18,888 --> 00:30:20,419 BUT THERE'S AN ORDER OF IMPORTANCE-- 796 00:30:20,419 --> 00:30:22,051 EARTH, AIR, WATER, FIRE. 797 00:30:22,051 --> 00:30:23,352 WE PUT THE LETTERS IN THAT ORDER, 798 00:30:23,352 --> 00:30:26,595 IT'S O-R-I... 799 00:30:26,595 --> 00:30:27,596 "S." 800 00:30:30,129 --> 00:30:32,501 "ORIS." 801 00:30:32,501 --> 00:30:34,333 LATIN FOR "MOUTH." 802 00:30:52,621 --> 00:30:54,623 AAH! (gasps) 803 00:30:54,623 --> 00:30:56,886 AAH-HA-HA! I'M JUST KIDDING. CASTLE! 804 00:30:56,886 --> 00:30:58,857 I CAN'T BELIEVE YOU FELL FOR THAT. 805 00:30:58,857 --> 00:31:00,930 (huffs) 806 00:31:00,930 --> 00:31:02,131 THERE IS SOMETHING IN HERE, THOUGH. HANG ON. 807 00:31:03,592 --> 00:31:04,994 (loud clank) 808 00:31:04,994 --> 00:31:07,997 (rumbling) 809 00:31:14,073 --> 00:31:15,104 (switch clicks) 810 00:31:45,234 --> 00:31:48,237 SUSANNAH WAS HERE. 811 00:31:48,237 --> 00:31:50,209 THIS IS OUR CRIME SCENE. 812 00:31:50,209 --> 00:31:51,910 THERE'S OUR MURDER WEAPON. 813 00:31:51,910 --> 00:31:54,913 CASTLE, LOOK AT THIS. THESE MARKS ARE FRESH. 814 00:31:54,913 --> 00:31:57,016 SOMEONE WAS TRYING TO GET INSIDE IT. 815 00:31:57,016 --> 00:31:59,018 SUSANNAH MUST HAVE COME TO THE CHAPEL THAT NIGHT 816 00:31:59,018 --> 00:32:01,190 AND FIGURED OUT HOW TO GET IN HERE JUST LIKE WE DID. 817 00:32:01,190 --> 00:32:02,451 EXCEPT THE KILLER FOUND HER 818 00:32:02,451 --> 00:32:04,523 BEFORE SHE WAS ABLE TO OPEN THE SARCOPHAGUS. 819 00:32:04,523 --> 00:32:05,995 (whispers) WHAT DO YOU THINK'S INSIDE? 820 00:32:05,995 --> 00:32:07,196 I DON'T KNOW, 821 00:32:07,196 --> 00:32:09,458 BUT SOMEONE THOUGHT IT WAS WORTH KILLING FOR. 822 00:32:09,458 --> 00:32:14,233 (grunting) 823 00:32:14,233 --> 00:32:15,704 OKAY. 824 00:32:17,336 --> 00:32:20,669 (straining grunt) OKAY, OKAY. 825 00:32:20,669 --> 00:32:23,312 OKAY. IF IT'S LIKE EVERYTHING ELSE WE'VE BEEN DOING, 826 00:32:23,312 --> 00:32:26,345 WE NEED TO SOLVE A CLUE TO OPEN IT. 827 00:32:26,345 --> 00:32:28,247 HEY, CASTLE, LOOK AT THE WORLD. 828 00:32:28,247 --> 00:32:30,179 IT'S JUST LIKE THE ONE IN THE STAINED GLASS 829 00:32:30,179 --> 00:32:31,550 ABOVE THE ALTAR. 830 00:32:31,550 --> 00:32:34,653 "THE WORLD SPINS BETWEEN THE HEAVENS AND THE ASH HEAP." 831 00:32:34,653 --> 00:32:37,486 ASHES TO ASHES. THE COFFIN COULD BE THE ASH HEAP. 832 00:32:37,486 --> 00:32:38,727 WHICH MEANS, THEN, THAT... 833 00:32:38,727 --> 00:32:41,730 THERE. THOSE ARE HEAVENS. 834 00:32:44,593 --> 00:32:45,694 (exhales) 835 00:32:47,266 --> 00:32:49,668 (clanking) 836 00:32:49,668 --> 00:32:52,641 "THE WORLD TURNS..." 837 00:32:52,641 --> 00:32:54,103 (clanks) 838 00:32:54,103 --> 00:32:58,547 (rumbling) 839 00:33:01,650 --> 00:33:02,751 (clank) 840 00:33:04,383 --> 00:33:05,614 (rumbling stops) 841 00:33:05,614 --> 00:33:08,057 (clink) 842 00:33:11,190 --> 00:33:14,293 "1792." 843 00:33:14,293 --> 00:33:16,725 THESE ARE THE HALF DIMES PROFESSOR BYFORD 844 00:33:16,725 --> 00:33:17,666 JUST TOLD US ABOUT. 845 00:33:17,666 --> 00:33:18,697 THESE ARE THE VERY FIRST COINS 846 00:33:18,697 --> 00:33:20,399 TO BE MINTED BY THE U.S. TREASURY. 847 00:33:20,399 --> 00:33:21,530 THESE ARE WORTH A FORTUNE. 848 00:33:21,530 --> 00:33:22,771 NOW WE HAVE OUR MOTIVE FOR MURDER. 849 00:33:22,771 --> 00:33:25,574 JUST ONE OF THESE WENT FOR AUCTION LAST YEAR. 850 00:33:25,574 --> 00:33:28,437 $1.5 MILLION. 851 00:33:28,437 --> 00:33:29,638 THERE'S GOTTA BE A THOUSAND OF THEM IN HERE. (coin clinks) 852 00:33:29,638 --> 00:33:31,580 DO YOU HAVE ANY IDEA WHAT THAT'S WORTH? 853 00:33:31,580 --> 00:33:33,782 I JUST TOLD YOU WHAT IT'S WORTH. 854 00:33:35,644 --> 00:33:36,785 OHH! (clank) 855 00:33:36,785 --> 00:33:38,247 WHAT WAS THAT? 856 00:33:38,247 --> 00:33:39,488 (loud clanks) 857 00:33:39,488 --> 00:33:41,090 IF I HAD TO GUESS, I WOULD SAY SOMETHING BAD. 858 00:33:41,090 --> 00:33:44,423 (rumbling) 859 00:33:44,423 --> 00:33:45,754 NO, NO. 860 00:33:45,754 --> 00:33:47,626 (rumbling stops) 861 00:33:47,626 --> 00:33:48,757 (sighs) 862 00:33:50,529 --> 00:33:52,030 OOPS. 863 00:33:56,735 --> 00:33:58,807 CASTLE, PUT THE BAG OF COINS BACK IN THE COFFIN. 864 00:33:58,807 --> 00:34:01,270 MAYBE IT'LL OPEN UP THE DOOR AGAIN. 865 00:34:01,270 --> 00:34:03,272 GOOD IDEA. 866 00:34:03,272 --> 00:34:04,743 (coins rattle) 867 00:34:08,247 --> 00:34:10,249 RATS. 868 00:34:10,249 --> 00:34:12,281 THIS IS NOT MY IDEA OF GOING TO THE CHAPEL WITH YOU. 869 00:34:12,281 --> 00:34:13,552 DO YOU HAVE A CELL SIGNAL? 870 00:34:13,552 --> 00:34:15,424 YEAH, IT DOESN'T LOOK LIKE IT. 871 00:34:15,424 --> 00:34:18,157 WELL, THEN THE LETTER WAS RIGHT. 872 00:34:18,157 --> 00:34:19,828 "PERIL AND WOE TO HIM WHO FOLLOWS THIS PATH 873 00:34:19,828 --> 00:34:22,361 WITH A DARK HEART." (inhales deeply) THIS IS IT. 874 00:34:22,361 --> 00:34:24,493 CASTLE, WE'RE NOT GONNA DIE IN HERE. 875 00:34:24,493 --> 00:34:26,395 YOU SAW HOW THICK THOSE WALLS WERE. 876 00:34:26,395 --> 00:34:28,567 THEY'RE MADE OF STONE. WE CAN YELL AND SCREAM 877 00:34:28,567 --> 00:34:30,439 ALL DAY LONG. NO ONE'S GONNA HEAR. 878 00:34:30,439 --> 00:34:32,841 IT'S NOT LIKE THEY STOCKED UP THIS PLACE WITH SUPPLIES. 879 00:34:32,841 --> 00:34:35,574 AND WHAT'S GONNA HAPPEN WHEN WE GET TIRED OF EATING CANDLE WAX? 880 00:34:35,574 --> 00:34:37,446 NO, WE'RE GONNA GET OUT OF HERE. 881 00:34:37,446 --> 00:34:39,108 THERE HAS TO BE A WAY OUT. 882 00:34:39,108 --> 00:34:40,509 OKAY, YEAH, YOU KNOW WHAT? YOU'RE RIGHT. 883 00:34:40,509 --> 00:34:41,780 (knuckles crack) 884 00:34:41,780 --> 00:34:44,513 ALL RIGHT, THIS IS JUST THEODORE ROSE TESTING US. 885 00:34:44,513 --> 00:34:47,216 THERE'S GOTTA BE ANOTHER CLUE, ANOTHER PUZZLE. 886 00:34:47,216 --> 00:34:49,718 SOMETHING TO DO WITH HIS NAME. WHAT IF... 887 00:34:49,718 --> 00:34:51,490 WHAT IF IT'S AN ANAGRAM? 888 00:34:51,490 --> 00:34:55,464 THEODORE ROSE... IS... 889 00:34:55,464 --> 00:34:58,797 HEED OR TOES. 890 00:34:58,797 --> 00:35:01,370 NO. THEODORE ROSE... 891 00:35:01,370 --> 00:35:04,403 HE... DO ROOSTER. (chuckles) 892 00:35:04,403 --> 00:35:05,804 THAT'S INAPPROPRIATE. OKAY. 893 00:35:05,804 --> 00:35:07,376 THEODORE ROSE, THEODORE ROSE. 894 00:35:07,376 --> 00:35:08,677 DEER SHOT OREO. 895 00:35:08,677 --> 00:35:11,410 OH, THEY DIDN'T HAVE OREOS IN THE 1700s. 896 00:35:11,410 --> 00:35:14,843 CASTLE, THERE MIGHT BE ANOTHER WAY OUT OF HERE. I'M ALL EARS. 897 00:35:14,843 --> 00:35:17,216 SUSANNAH'S KILLER KNOWS THAT THE HALF DIMES 898 00:35:17,216 --> 00:35:19,218 ARE STILL IN HERE. 899 00:35:19,218 --> 00:35:21,420 EVENTUALLY, HE'S GONNA HAVE TO COME BACK... 900 00:35:21,420 --> 00:35:22,851 (strained voice) TO GET THEM. 901 00:35:22,851 --> 00:35:25,794 HE MUST BE SOMEBODY WHO KNEW THEY EXISTED IN THE FIRST PLACE. 902 00:35:25,794 --> 00:35:28,627 SOMEONE... WHO KNEW... ALL OF THIS... 903 00:35:31,129 --> 00:35:32,661 WAS REAL. 904 00:35:32,661 --> 00:35:35,604 AND WHO BETTER THAN THE PERSON WHO WANTED EVERYONE TO THINK 905 00:35:35,604 --> 00:35:37,135 THAT THIS WAS JUST A GAME? 906 00:35:37,135 --> 00:35:38,707 (together) NOLAN BURNS. 907 00:35:38,707 --> 00:35:41,710 THE DIRECTOR OF THE HISTORICAL INSTITUTE. 908 00:35:41,710 --> 00:35:44,243 CASTLE, I'VE GOT BARS. 909 00:35:44,243 --> 00:35:45,344 (cell phone beeps) FINALLY. 910 00:35:45,344 --> 00:35:46,445 (line rings and clicks) 911 00:35:46,445 --> 00:35:47,576 (Esposito) What's up, Beckett? 912 00:35:47,576 --> 00:35:49,378 ESPO, YOU NEED TO GET TO THE CHAPEL NOW. 913 00:35:49,378 --> 00:35:52,381 AND TELL RYAN TO PICK UP NOLAN BURNS. 914 00:35:52,381 --> 00:35:54,683 MR. BURNS... 915 00:35:54,683 --> 00:35:58,187 YOU LEFT OUT A FEW DETAILS THE LAST TIME WE SPOKE. 916 00:35:58,187 --> 00:35:59,928 (binder thuds) I DON'T KNOW WHAT YOU MEAN. 917 00:36:03,592 --> 00:36:05,564 YOU FOUND THEM. 918 00:36:09,598 --> 00:36:12,241 SO IT WASN'T JUST A GAME. 919 00:36:14,443 --> 00:36:17,476 (inhales deeply) NO. 920 00:36:17,476 --> 00:36:20,509 THAT... LETTER WE GAVE THE CONTESTANTS 921 00:36:20,509 --> 00:36:21,880 WAS BASED ON AN ACTUAL LETTER 922 00:36:21,880 --> 00:36:24,713 I FOUND HIDDEN IN THE BUILDING I WAS RENOVATING. 923 00:36:24,713 --> 00:36:26,685 I TRIED TO... FOLLOW THE CLUES MYSELF, 924 00:36:26,685 --> 00:36:28,757 BUT I COULDN'T SOLVE THEM ALL. 925 00:36:28,757 --> 00:36:31,920 YOU SET UP A SCAVENGER HUNT TO SOLVE CLUES 926 00:36:31,920 --> 00:36:33,592 THROUGH CROWDSOURCING. 927 00:36:33,592 --> 00:36:35,324 I NEVER THOUGHT ANYONE WOULD GET HURT. 928 00:36:35,324 --> 00:36:37,766 NOT HURT, BURNS. MURDERED. 929 00:36:37,766 --> 00:36:39,428 BUT NOT BY ME, I SWEAR. 930 00:36:39,428 --> 00:36:41,930 I-I TOLD YOU, I-I WAS AT HOME WITH MY FAMILY 931 00:36:41,930 --> 00:36:43,402 THE NIGHT SHE DIED. 932 00:36:43,402 --> 00:36:45,974 YOU ALSO TOLD ME THAT YOU DIDN'T KNOW SUSANNAH. 933 00:36:45,974 --> 00:36:48,477 I SPOKE WITH YOUR ASSISTANT. 934 00:36:48,477 --> 00:36:50,509 YOU MET WITH HER THREE MONTHS AGO. 935 00:36:50,509 --> 00:36:52,481 HOW DID YOU FAIL TO MENTION THAT? 936 00:36:52,481 --> 00:36:53,982 'CAUSE I KNEW HOW IT WOULD LOOK! 937 00:36:53,982 --> 00:36:55,844 AND NOW IT LOOKS EVEN WORSE. 938 00:36:55,844 --> 00:36:57,846 NOW WHY DID YOU MEET WITH HER? 939 00:36:57,846 --> 00:37:01,490 BECAUSE I HOPED SHE WOULD SHED SOME LIGHT 940 00:37:01,490 --> 00:37:03,492 ON THE ROSE FAMILY HISTORY. 941 00:37:03,492 --> 00:37:05,654 YOU KNOW, SOMETHING THAT MIGHT HELP SOLVE THAT LAST CLUE, 942 00:37:05,654 --> 00:37:06,895 BUT THAT WAS IT! 943 00:37:06,895 --> 00:37:08,527 WAIT A MINUTE. GO BACK. 944 00:37:08,527 --> 00:37:10,299 SUSANNAH WAS AN ACCOUNTANT. 945 00:37:10,299 --> 00:37:13,832 WHY WOULD SHE KNOW ANYTHING ABOUT THE ROSE FAMILY? 946 00:37:13,832 --> 00:37:16,605 BECAUSE SHE WAS A DIRECT DESCENDANT 947 00:37:16,605 --> 00:37:18,006 OF THEODORE ROSE. 948 00:37:18,006 --> 00:37:20,539 THE LEGEND OF THE MISSING HALF DIMES 949 00:37:20,539 --> 00:37:22,311 WAS FAMILY LORE. 950 00:37:23,942 --> 00:37:26,675 (under breath) FAMILY LORE. 951 00:37:28,947 --> 00:37:31,580 (blinds clatter) 952 00:37:31,580 --> 00:37:34,283 HEY. THEY SAID YOU FOUND SOMETHING OUT 953 00:37:34,283 --> 00:37:35,754 ABOUT MY COUSIN'S MURDER. (door closes) 954 00:37:35,754 --> 00:37:39,428 UH, WE DID. WE, UH, WE JUST NEED TO GO OVER A FEW THINGS FIRST. 955 00:37:39,428 --> 00:37:41,630 NOW ACCORDING TO HER PHONE RECORDS, 956 00:37:41,630 --> 00:37:45,394 SHE CALLED YOU MORE FREQUENTLY OVER THE LAST FEW MONTHS. 957 00:37:45,394 --> 00:37:46,595 IS THERE ANY REASON WHY? 958 00:37:46,595 --> 00:37:48,697 I GOT THE FEELING SHE WAS LONELY. 959 00:37:48,697 --> 00:37:51,900 A-AND DID SHE EVER MENTION THEODORE ROSE? 960 00:37:51,900 --> 00:37:54,042 NO. WHY WOULD SHE? 961 00:37:54,042 --> 00:37:57,506 SO YOU'RE FAMILIAR WITH THE LORE OF THE MISSING HALF DIMES? 962 00:37:57,506 --> 00:37:59,748 YEAH, SURE. IT WAS A BIG FAMILY MYTH. 963 00:37:59,748 --> 00:38:00,809 EXCEPT IT WASN'T. 964 00:38:00,809 --> 00:38:03,512 SUSANNAH ACTUALLY LOCATED THE COINS. 965 00:38:03,512 --> 00:38:05,814 THEY WERE IN A HIDDEN CRYPT. THAT'S WHERE SHE WAS KILLED. 966 00:38:05,814 --> 00:38:07,416 THAT'S TERRIBLE. 967 00:38:07,416 --> 00:38:09,888 DO YOU KNOW WHO DID IT? 968 00:38:09,888 --> 00:38:12,591 MOST LIKELY SOMEONE WHO KNEW WHAT SHE WAS LOOKING FOR. 969 00:38:12,591 --> 00:38:16,625 C.S.U. FOUND TWO SETS OF D.N.A. IN THAT CRYPT. 970 00:38:16,625 --> 00:38:19,768 ONE WAS FROM SUSANNAH. ONE WAS FROM HER KILLER. 971 00:38:19,768 --> 00:38:22,601 NOW ON A HUNCH, I HAD THEM COMPARE THE TWO, 972 00:38:22,601 --> 00:38:25,504 AND THE RESULTS INDICATE THAT SUSANNAH AND HER KILLER 973 00:38:25,504 --> 00:38:26,935 WERE RELATED. 974 00:38:28,877 --> 00:38:32,010 C.S.U. ALSO FOUND A SYNTHETIC HAIR 975 00:38:32,010 --> 00:38:34,543 FOUND IN A WIG NOT UNLIKE THIS ONE. 976 00:38:34,543 --> 00:38:38,717 YOU SIGNED UP FOR THE GAME UNDER A FALSE NAME. 977 00:38:38,717 --> 00:38:41,590 YOU USED A DISGUISE SO YOU COULD TRACK HER PROGRESS. 978 00:38:41,590 --> 00:38:44,893 IT'S OVER, HENRY. WE KNOW IT'S YOU. 979 00:38:44,893 --> 00:38:48,597 MY MOM'S IN ASSISTED LIVING. 980 00:38:48,597 --> 00:38:50,799 I WORK HARD, BUT I BARELY GET BY. 981 00:38:50,799 --> 00:38:53,432 THOSE HALF DIMES WERE GONNA CHANGE MY LIFE. 982 00:38:53,432 --> 00:38:56,535 BUT SUSANNAH SAID THAT SHE WAS GONNA FIND THEM 983 00:38:56,535 --> 00:38:58,737 AND THEN JUST GIVE THEM ALL AWAY. 984 00:38:58,737 --> 00:39:01,069 SAID THEY WERE PART OF HISTORY, 985 00:39:01,069 --> 00:39:03,472 THAT THEY BELONGED TO THE PEOPLE. 986 00:39:03,472 --> 00:39:05,574 SHE CALLED ME THAT NIGHT WITH THE GOOD NEWS, 987 00:39:05,574 --> 00:39:10,649 AND I TRIED TO TALK HER OUT OF IT ONE LAST TIME. 988 00:39:10,649 --> 00:39:12,581 WE ARGUED. 989 00:39:13,982 --> 00:39:16,625 AND THE NEXT THING I KNEW... 990 00:39:20,358 --> 00:39:21,690 (sighs) 991 00:39:28,767 --> 00:39:29,898 WELL, I WAS LOOKING THROUGH THE RECORDS, 992 00:39:29,898 --> 00:39:31,369 AND I FOUND OUT THERE HAVE BEEN 993 00:39:31,369 --> 00:39:34,473 SEVERAL ROSE FAMILY WEDDINGS IN THAT CHAPEL. 994 00:39:34,473 --> 00:39:36,505 SUSANNAH HAD EVEN BEEN THERE ONCE YEARS AGO. 995 00:39:36,505 --> 00:39:38,907 SHE MUST HAVE REMEMBERED SEEING THAT STAINED GLASS WINDOW. 996 00:39:38,907 --> 00:39:40,579 THAT'S HOW SHE WAS ABLE TO FIGURE OUT THAT LAST CLUE 997 00:39:40,579 --> 00:39:42,080 WHEN NO ONE ELSE COULD. 998 00:39:42,080 --> 00:39:43,552 AND WHY HENRY SCRAPED IT OFF HER HAND, 999 00:39:43,552 --> 00:39:44,783 SO HE COULD BE THE ONLY ONE THAT'D EVER FIND IT. 1000 00:39:44,783 --> 00:39:46,655 SO WHAT'S GONNA HAPPEN TO THE HALF DIMES? 1001 00:39:46,655 --> 00:39:47,616 WELL, THEY WERE FOUND IN THE CHAPEL, 1002 00:39:47,616 --> 00:39:49,017 SO THEY BELONG TO THE MONASTERY. 1003 00:39:49,017 --> 00:39:51,760 WELL, THAT'LL PUT THE MONKS' VOW OF POVERTY TO THE TEST. 1004 00:39:51,760 --> 00:39:53,492 THEY'VE ALREADY PASSED THAT WITH FLYING COLORS. 1005 00:39:53,492 --> 00:39:55,524 BECAUSE OF THE HISTORICAL SIGNIFICANCE OF THE COINS, 1006 00:39:55,524 --> 00:39:56,765 THEY'RE DONATING THEM TO THE MET. 1007 00:39:56,765 --> 00:39:58,997 HMM. YOU KNOW... 1008 00:39:58,997 --> 00:40:00,529 HERE WE GO. I GOTTA GO. 1009 00:40:00,529 --> 00:40:02,030 IT IS BELIEVED THAT GEORGE WASHINGTON 1010 00:40:02,030 --> 00:40:05,604 HAD THOSE HALF DIMES MINTED FROM MARTHA WASHINGTON'S SILVER. 1011 00:40:05,604 --> 00:40:07,175 BACK THEN, BEFORE THE REVOLUTION, 1012 00:40:07,175 --> 00:40:09,608 IT WAS ILLEGAL FOR ANYONE BUT A KING TO MINT MONEY. 1013 00:40:09,608 --> 00:40:12,180 SO THOSE COINS ARE WORTH A LOT MORE THAN JUST THEIR SILVER. 1014 00:40:12,180 --> 00:40:15,844 THEY'RE ACTUALLY MORE OF A DECLARATION OF INDEPENDENCE. 1015 00:40:15,844 --> 00:40:16,945 WELL, THEN IT'S RIGHT 1016 00:40:16,945 --> 00:40:18,146 THAT THEY'RE GOING BACK TO THE PEOPLE, 1017 00:40:18,146 --> 00:40:19,618 LIKE SUSANNAH WANTED. 1018 00:40:19,618 --> 00:40:23,121 SPEAKING OF INDEPENDENCE, I GOTTA GO SEE ALEXIS. 1019 00:40:29,828 --> 00:40:32,501 (door creaks) 1020 00:40:32,501 --> 00:40:34,503 HI. 1021 00:40:34,503 --> 00:40:35,834 CAN I COME IN? 1022 00:40:35,834 --> 00:40:38,036 WE CAN TALK HERE. 1023 00:40:40,509 --> 00:40:44,042 LOOK, I'M... SORRY ABOUT HOW I ACTED. 1024 00:40:44,042 --> 00:40:46,615 BEING SORRY ISN'T ENOUGH, DAD. 1025 00:40:48,647 --> 00:40:49,878 THEN WHAT CAN I DO? 1026 00:40:49,878 --> 00:40:52,080 WHAT CAN I DO TO MAKE THIS RIGHT? 1027 00:40:52,080 --> 00:40:55,754 DO YOU KNOW HOW I FOUND OUT YOU HAD PROPOSED TO BECKETT? 1028 00:40:55,754 --> 00:40:59,628 OVER THE PHONE WITH GRAM WHILE I WAS IN COSTA RICA. 1029 00:40:59,628 --> 00:41:01,459 THIS IS ABOUT BECKETT? 1030 00:41:01,459 --> 00:41:04,062 NO, BUT I WAS HURT YOU DIDN'T TELL ME. 1031 00:41:04,062 --> 00:41:05,594 LOOK, I WAS GOING TO TELL YOU. 1032 00:41:05,594 --> 00:41:06,935 IT JUST... 1033 00:41:06,935 --> 00:41:08,466 IT JUST HAPPENED. 1034 00:41:08,466 --> 00:41:11,770 I KNOW IT DID, AND I DON'T KNOW IF IT'S A GOOD IDEA 1035 00:41:11,770 --> 00:41:14,603 OR IF SHE'S REALLY THE ONE, 1036 00:41:14,603 --> 00:41:17,646 BUT YOU KNOW WHAT? I ACCEPT IT. 1037 00:41:17,646 --> 00:41:19,908 YOU KNOW WHY? 1038 00:41:19,908 --> 00:41:21,810 BECAUSE SHE MAKES YOU HAPPY, 1039 00:41:21,810 --> 00:41:24,482 THE SAME WAY PI MAKES ME HAPPY. 1040 00:41:24,482 --> 00:41:27,516 ALL I WANT IS THE SAME THING I'M GIVING YOU-- 1041 00:41:27,516 --> 00:41:29,618 ACCEPTANCE. 1042 00:41:31,920 --> 00:41:34,092 OKAY. I ACCEPT HIM. 1043 00:41:34,092 --> 00:41:35,724 NO, YOU DON'T. 1044 00:41:35,724 --> 00:41:37,125 BECAUSE IT'S NOT ABOUT WHAT YOU SAY. 1045 00:41:37,125 --> 00:41:38,797 IT'S WHAT'S INSIDE. 1046 00:41:38,797 --> 00:41:39,968 I KNOW WHAT'S THERE NOW, 1047 00:41:39,968 --> 00:41:41,800 AND I DON'T WANT PI TO FEEL THAT FROM YOU, 1048 00:41:41,800 --> 00:41:45,574 AND... I DON'T WANNA FEEL THAT EITHER. 1049 00:41:46,905 --> 00:41:50,178 LOOK... 1050 00:41:50,178 --> 00:41:51,580 I'LL WORK ON IT. 1051 00:41:51,580 --> 00:41:52,681 I WILL. 1052 00:41:52,681 --> 00:41:53,942 MEANTIME, 1053 00:41:53,942 --> 00:41:57,245 HOW ABOUT WE GO OUT FOR SOME MAKEUP ICE CREAM? 1054 00:41:57,245 --> 00:41:59,888 OKAY? MY TREAT. 1055 00:41:59,888 --> 00:42:01,620 NO. 1056 00:42:01,620 --> 00:42:03,822 I NEED TIME TO STOP BEING MAD, 1057 00:42:03,822 --> 00:42:06,154 AND YOU NEED TIME TO FIGURE OUT A WAY 1058 00:42:06,154 --> 00:42:08,196 TO BE OKAY WITH THIS. 1059 00:42:10,599 --> 00:42:12,000 I'LL SEE YOU LATER, DAD. 1060 00:42:12,000 --> 00:42:14,232 (door creaks)