1 00:00:20,521 --> 00:00:23,554 BUDDY, I'M GONNA HAVE TO ASK YOU TO MOVE ALONG. 2 00:00:44,315 --> 00:00:46,417 HEY THERE! 3 00:00:46,417 --> 00:00:49,750 EXCUSE ME? 4 00:00:51,682 --> 00:00:55,756 THIS IS A RESTRICTED AREA. 5 00:00:58,289 --> 00:01:00,661 MA'AM? 6 00:01:00,661 --> 00:01:04,535 MA'AM? 7 00:01:04,535 --> 00:01:06,267 ARE YOU ALL RIGHT? 8 00:01:17,248 --> 00:01:20,481 WE SHOULD GO SOMEWHERE RELAXING, YOU KNOW, 9 00:01:20,481 --> 00:01:22,383 WHERE WE CAN JUST HANG, DON'T YOU THINK? 10 00:01:22,383 --> 00:01:23,614 BEFORE WE PLAN THE HONEYMOON, 11 00:01:23,614 --> 00:01:26,287 SHOULDN'T WE SET A WEDDING DATE FIRST? NO. 12 00:01:26,287 --> 00:01:27,218 'CAUSE THE DEPARTMENT HASN'T EVEN SAID 13 00:01:27,218 --> 00:01:29,190 IF YOU CAN HAVE TIME OFF YET. 14 00:01:29,190 --> 00:01:31,722 BESIDES, PLANNING A HONEYMOON WILL HELP US SET A DATE. 15 00:01:31,722 --> 00:01:34,225 OKAY. I CAN'T WAIT TO HEAR ABOUT THIS. 16 00:01:34,225 --> 00:01:35,296 WHAT, YOU DON'T WANT TO GO TO THAILAND 17 00:01:35,296 --> 00:01:36,767 DURING MONSOON SEASON, DO YOU? 18 00:01:36,767 --> 00:01:38,269 OR NEW ZEALAND IN THE WINTER? 19 00:01:38,269 --> 00:01:41,172 NO. YOU DECIDE WHERE YOU WANNA GO, 20 00:01:41,172 --> 00:01:42,873 THE BEST TIME TO BE THERE. 21 00:01:42,873 --> 00:01:44,475 BOOM. LOBBY FOR THOSE DATES. 22 00:01:44,475 --> 00:01:45,576 NEW ZEALAND? 23 00:01:45,576 --> 00:01:47,808 CASTLE, ARE YOU USING OUR HONEYMOON 24 00:01:47,808 --> 00:01:50,381 AS AN EXCUSE TO GO AND TOUR MIDDLE 25 00:01:50,381 --> 00:01:52,213 I'M GAME IF YOU ARE. 26 00:01:52,213 --> 00:01:54,245 I WAS HOPING FOR SOMETHING MORE ROMANTIC 27 00:01:54,245 --> 00:01:55,586 AND LESS HOBBIT-Y. 28 00:01:55,586 --> 00:01:57,188 WHY DOES EVERYONE ALWAYS THINK 29 00:01:57,188 --> 00:01:58,549 THOSE TWO ARE MUTUALLY EXCLUSIVE? AND IT SHOULD BE A PLACE 30 00:01:58,549 --> 00:01:59,720 THAT NEITHER OF US HAVE EVER BEEN TO. 31 00:01:59,720 --> 00:02:02,153 AGREED. A PERFECT SPOT THAT WILL BE OURS 32 00:02:02,153 --> 00:02:04,225 AND OURS ALONE. LIKE BARCELONA. 33 00:02:04,225 --> 00:02:05,226 THAT'S WHERE I TOOK MEREDITH. 34 00:02:05,226 --> 00:02:08,199 OKAY. UM... 35 00:02:08,199 --> 00:02:10,431 GALáPAGOS--I'VE ALWAYS WANTED TO GO THERE. 36 00:02:10,431 --> 00:02:11,832 GINA. SERIOUSLY? 37 00:02:11,832 --> 00:02:14,165 YEAH, PART OF OUR WHIRLWIND HONEYMOON TOUR. 38 00:02:14,165 --> 00:02:16,237 FINE. SWISS ALPS. I HEAR THEY'RE BREATHTAKING. 39 00:02:16,237 --> 00:02:17,568 THEY ARE. NO. 40 00:02:17,568 --> 00:02:19,440 YEAH. THAT'S WHERE, UH, MEREDITH AND I USED TO WINTER. 41 00:02:19,440 --> 00:02:21,141 YOU KNOW WHAT? I THINK A BETTER PLAN 42 00:02:21,141 --> 00:02:22,713 WOULD BE FOR YOU TO MAKE A LIST OF ALL THE PLACES IN THE WORLD 43 00:02:22,713 --> 00:02:25,216 THAT YOU'VE NEVER HONEYMOONED, VACATIONED, 44 00:02:25,216 --> 00:02:27,278 OR MARRIED ANY OF YOUR OTHER WIVES. 45 00:02:27,278 --> 00:02:28,779 HOW HARD COULD IT BE? 46 00:02:28,779 --> 00:02:31,822 ALBANIA AND FINLAND-- THAT'S ALL YOU'VE GOT LEFT. 47 00:02:31,822 --> 00:02:33,284 WELL, WE TRAVELED A LOT. 48 00:02:33,284 --> 00:02:34,925 WELL, I'M SURE I CAN THINK OF SOME OTHER PLACES. 49 00:02:34,925 --> 00:02:37,157 YEAH, WELL, MY VOTE'S FOR SOMEPLACE WARMER. AH, MAYBE YOU'RE RIGHT. 50 00:02:37,157 --> 00:02:40,891 MAYBE WE SHOULD JUST... FOCUS ON SETTING A DATE. 51 00:02:42,663 --> 00:02:44,195 HEY, RYAN. 52 00:02:46,767 --> 00:02:48,239 WHAT'S GOING ON WITH LANIE? 53 00:02:48,239 --> 00:02:49,870 UH, THIS CASE JUST HIT A LITTLE CLOSE TO HOME. 54 00:02:49,870 --> 00:02:50,941 WHY 55 00:02:50,941 --> 00:02:53,244 A SECURITY GUARD ON THE NIGHT SHIFT 56 00:02:53,244 --> 00:02:56,247 FOUND THE VICTIM HANGING FROM THAT BEAM. 57 00:02:56,247 --> 00:02:58,349 WE I.D.'d HER AS PAM HODGES, 32. 58 00:02:58,349 --> 00:03:00,311 HANGING, AS IN, BY THE NECK? 59 00:03:00,311 --> 00:03:04,285 YEAH. BUT WHAT'S REALLY BIZARRE IS THE WAY THE VICTIM LOOKS. 60 00:03:06,287 --> 00:03:07,918 WHOA! 61 00:03:07,918 --> 00:03:09,360 IS THAT LANIE'S SISTER? 62 00:03:09,360 --> 00:03:10,821 LANIE DOESN'T HAVE A SISTER. 63 00:03:11,862 --> 00:03:14,225 ARE PAM HODGES AND LANIE RELATED? NOPE. 64 00:03:14,225 --> 00:03:16,297 BUT THEY SAY WE ALL HAVE A TWIN OUT THERE SOMEWHERE. 65 00:03:16,297 --> 00:03:17,928 I GUESS THIS ONE'S MINE. 66 00:03:17,928 --> 00:03:21,272 LANIE, WE CAN DEAL WITH THE PRELIMINARIES LATER. I WAS SHOOK UP AT FIRST, 67 00:03:21,272 --> 00:03:23,804 BUT I'M FINE NOW. SHE DIED BETWEEN 2:00 AND 4:00 A.M. 68 00:03:23,804 --> 00:03:26,707 HER NECK DID NOT BREAK BECAUSE THE KILLER RIGGED THE WIRES 69 00:03:26,707 --> 00:03:28,208 SO HER FEET WERE JUST OFF THE GROUND. 70 00:03:28,208 --> 00:03:29,680 SHE PROBABLY WAS STRANGLED TO DEATH. 71 00:03:29,680 --> 00:03:31,712 HOW DOES A WIRE THAT THIN NOT SNAP? 72 00:03:31,712 --> 00:03:32,843 IT'S HIGH-TEST FISHING LINE, 73 00:03:32,843 --> 00:03:34,245 AVAILABLE AT MOST SPORTING GOODS STORES. 74 00:03:34,245 --> 00:03:35,986 SO THEN... IT WOULD HAVE SEEMED 75 00:03:35,986 --> 00:03:38,619 LIKE SHE WAS JUST STANDING THERE ON THE DOCK. 76 00:03:38,619 --> 00:03:40,351 THAT'S HOW SHE LOOKED WHEN WE ROLLED UP. 77 00:03:40,351 --> 00:03:41,722 IT WAS FREAKY. 78 00:03:41,722 --> 00:03:43,524 IT'S WHAT HER KILLER WAS GOING FOR. 79 00:03:43,524 --> 00:03:46,757 HE PUT HER BODY ON DISPLAY TO CREATE A TABLEAU. 80 00:03:46,757 --> 00:03:48,329 HE'S CONFIDENT... BRAZEN. 81 00:03:48,329 --> 00:03:50,261 YEAH, LIKE HE'D DONE IT BEFORE? 82 00:03:50,261 --> 00:03:51,802 CONTACT THE FBI. 83 00:03:51,802 --> 00:03:54,335 SEE IF THEY HAVE ANY SIMILAR MURDERS IN THEIR DATABASES. 84 00:03:54,335 --> 00:03:56,467 DO WE HAVE ANY WITNESSES? NO, NOT SO FAR. 85 00:03:56,467 --> 00:03:57,868 SECURITY GUARD HAD ROUSTED A HOMELESS GUY 86 00:03:57,868 --> 00:03:59,270 BEFORE HE FOUND THE VICTIM. 87 00:03:59,270 --> 00:04:00,771 UNIFORMS ARE STILL TRYING TO TRACK HIM DOWN, 88 00:04:00,771 --> 00:04:03,274 SEE IF HE SAW ANYTHING. WHAT DO WE KNOW ABOUT PAM HODGES? 89 00:04:03,274 --> 00:04:04,975 SHE'S FROM TAMPA, FLORIDA, WHERE SHE LIVED ON THE FRINGES, 90 00:04:04,975 --> 00:04:07,918 RACKED UP ABOUT A HALF A DOZEN BUSTS FOR SOLICITATION. 91 00:04:07,918 --> 00:04:09,580 THIS IS HER ABOUT A YEAR AGO. 92 00:04:09,580 --> 00:04:10,681 I'D SAY SHE CAME UP IN THE WORLD. 93 00:04:10,681 --> 00:04:11,952 SHE LOOKS A HECK OF A LOT BETTER NOW 94 00:04:11,952 --> 00:04:13,253 THAN SHE DID BACK THEN... 95 00:04:13,253 --> 00:04:15,255 ASIDE FROM THE BEING-DEAD PART. 96 00:04:15,255 --> 00:04:16,887 WHY WAS SHE IN NEW YORK? DON'T KNOW YET. 97 00:04:16,887 --> 00:04:18,589 SHE MOVED HERE SEVEN MONTHS AGO. 98 00:04:18,589 --> 00:04:20,661 NEW YORK DRIVER'S LICENSE WITH A BROOKLYN ADDRESS. ALL RIGHT. 99 00:04:20,661 --> 00:04:22,493 CHECK HER ADDRESS, SEE IF SHE'S GOT ANY FAMILY HERE. 100 00:04:22,493 --> 00:04:24,865 YES, PAM'S MY NIECE. 101 00:04:24,865 --> 00:04:26,036 SHE STAYED AT MY PLACE FOR A FEW WEEKS 102 00:04:26,036 --> 00:04:27,798 WHEN SHE MOVED TO THE CITY. 103 00:04:27,798 --> 00:04:29,740 DO YOU KNOW WHY SHE CAME TO TOWN, MR. HODGES? 104 00:04:29,740 --> 00:04:31,742 WELL, SHE SAID SHE NEEDED A FRESH START 105 00:04:31,742 --> 00:04:34,745 AND SHE HAD A JOB OFFER. DOING WHAT? 106 00:04:34,745 --> 00:04:37,808 I WAS AFRAID PAM WOULD START WORKING THE STREETS AGAIN. 107 00:04:37,808 --> 00:04:39,580 SHE BURNED A LOT OF BRIDGES BY TELLING THE FAMILY 108 00:04:39,580 --> 00:04:41,952 SHE WOULD GO STRAIGHT AND NEVER DOING IT. 109 00:04:41,952 --> 00:04:43,414 BUT THIS TIME WAS DIFFERENT. 110 00:04:43,414 --> 00:04:45,956 PAM MOVED OUT OF MY HOUSE WHEN SHE SAID SHE WOULD. 111 00:04:45,956 --> 00:04:47,818 SHE STARTED WORKING A JOB. 112 00:04:47,818 --> 00:04:50,290 A FEW MONTHS BACK, I MET HER FOR LUNCH. 113 00:04:50,290 --> 00:04:51,492 AND I ALMOST DIDN'T RECOGNIZE HER, 114 00:04:51,492 --> 00:04:54,064 SHE LOOKED SO GOOD. PAM WAS HAPPY. 115 00:04:54,064 --> 00:04:56,927 SHE SAID THIS NEW JOB WAS JUST WHAT SHE NEEDED. 116 00:04:56,927 --> 00:04:58,569 WHAT DO YOU KNOW ABOUT THIS JOB? 117 00:04:58,569 --> 00:05:00,871 WHERE DID SHE WORK? SHE WOULDN'T TALK ABOUT IT MUCH, 118 00:05:00,871 --> 00:05:02,302 EXCEPT TO SAY THAT IT WAS LEGIT 119 00:05:02,302 --> 00:05:04,535 AND THAT SHE WAS BEING TAKEN CARE OF. 120 00:05:04,535 --> 00:05:06,837 DO YOU KNOW WHERE SHE MOVED TO AFTER SHE LEFT YOUR PLACE? 121 00:05:06,837 --> 00:05:08,909 WELL, SHE AND I SHARED A CAB THAT DAY, 122 00:05:08,909 --> 00:05:10,511 AND IT DROPPED HER OFF AT A BUILDING 123 00:05:10,511 --> 00:05:12,913 OFF THE WEST SIDE HIGHWAY. 124 00:05:12,913 --> 00:05:16,747 I'LL TELL YOU THIS-- PAM TOOK A BIG STEP UP. 125 00:05:19,089 --> 00:05:22,052 A BIG STEP UP? 126 00:05:22,052 --> 00:05:24,054 THIS IS A GIANT LEAP. 127 00:05:24,054 --> 00:05:27,398 THIS IS A--THIS IS A VAULT INTO THE STRATOSPHERE. 128 00:05:27,398 --> 00:05:30,661 HOW DOES A FORMER STREETWALKER FROM TAMPA 129 00:05:30,661 --> 00:05:32,663 AFFORD A PLACE LIKE THIS? 130 00:05:32,663 --> 00:05:34,505 SHE EVER GET ANY VISITORS? 131 00:05:34,505 --> 00:05:38,068 POSSIBLE THAT SHE, UH, WORKED OUT OF THE HOME? NO, SIR. 132 00:05:38,068 --> 00:05:39,710 THAT IS NOT POSSIBLE. 133 00:05:39,710 --> 00:05:41,372 WELL, THEN WHO PAID FOR RENT? 134 00:05:41,372 --> 00:05:46,016 DETECTIVE, WE HAVE A WELL-EARNED REPUTATION FOR DISCRETION... 135 00:05:46,016 --> 00:05:47,818 AND GUARDING THE PRIVACY OF OUR CLIENTS. 136 00:05:47,818 --> 00:05:49,720 PRIVACY ENDS WHEN MURDER BEGINS. 137 00:05:49,720 --> 00:05:52,082 NOW I WANT THE NAME OF WHOEVER IS PAYING FOR THIS UNIT. 138 00:05:52,082 --> 00:05:56,356 AND IF YOU DON'T HAVE THAT, THEN GO GET IT. 139 00:05:57,758 --> 00:05:59,930 I LOVE WHEN YOU GET ANGRY. 140 00:05:59,930 --> 00:06:01,732 I MEAN, AT OTHER PEOPLE, BESIDES ME. 141 00:06:01,732 --> 00:06:03,694 CASTLE, LOOK AT THESE COATS. 142 00:06:03,694 --> 00:06:06,136 THERE'S AT LEAST 20 GRAND HANGING HERE. 143 00:06:06,136 --> 00:06:08,769 SO WHOEVER WAS PAYING HER RENT BOUGHT HER WARDROBE, TOO. 144 00:06:08,769 --> 00:06:13,073 THESE COATS, THIS INSANE PLACE, HER HISTORY AS A HOOKER, 145 00:06:13,073 --> 00:06:15,946 AND NOW THIS JOB WHERE SHE'S WELL TAKEN CARE OF? 146 00:06:15,946 --> 00:06:17,077 ALL POINTS TO ONE THING. 147 00:06:17,077 --> 00:06:18,979 SHE WAS SOMEONE'S MISTRESS. 148 00:06:18,979 --> 00:06:20,511 AND HER SUGAR DADDY HASN'T COME FORWARD 149 00:06:20,511 --> 00:06:22,853 OR REPORTED HER MISSING. AT THE VERY LEAST, 150 00:06:22,853 --> 00:06:24,054 HE KNOWS ABOUT HER LIFE. 151 00:06:24,054 --> 00:06:25,756 AT THE VERY MOST, HE'S THE ONE WHO TOOK IT. 152 00:06:25,756 --> 00:06:27,117 IF PAM WAS A KEPT WOMAN, 153 00:06:27,117 --> 00:06:29,760 THEN HE'S BEEN TO THIS APARTMENT. 154 00:06:29,760 --> 00:06:31,792 I'M GONNA GET AHOLD OF C.S.U., HAVE THEM SWEEP FOR PRINTS 155 00:06:31,792 --> 00:06:33,063 SO WE CAN FIND OUT WHO'S BEEN HERE. 156 00:06:33,063 --> 00:06:34,865 WHILE WE'RE AT IT, WE SHOULD TAKE A LOOK 157 00:06:34,865 --> 00:06:36,096 AND SEE WHAT'S ON THIS. 158 00:06:36,096 --> 00:06:37,828 SHE MIGHT HAVE TAKEN A PICTURE OF HIM. 159 00:06:37,828 --> 00:06:39,399 IT DOESN'T LOOK LIKE SHE DID. 160 00:06:39,399 --> 00:06:41,972 THESE ARE MOSTLY STANDARD TOURIST SNAPSHOTS OF NEW YORK. 161 00:06:41,972 --> 00:06:45,105 NO PICTURES OF PEOPLE, FRIENDS, BOYFRIENDS? 162 00:06:45,105 --> 00:06:47,538 I HAVEN'T FOUND ANY SO FAR. 163 00:06:47,538 --> 00:06:49,139 KEEP LOOKING, OKAY? 164 00:06:49,139 --> 00:06:51,111 AND CHECK THE FACES IN THE BACKGROUND, 165 00:06:51,111 --> 00:06:52,182 SEE IF ANY OF THEM SHOW UP AGAIN. 166 00:06:52,182 --> 00:06:53,984 THOSE PHOTOS MIGHT BE OUR BEST BET. 167 00:06:53,984 --> 00:06:56,086 THANKS. 168 00:06:56,086 --> 00:06:57,788 I TAKE IT THIS MEANS WE HIT A WALL 169 00:06:57,788 --> 00:06:59,019 ON WHO RENTS THE APARTMENT? 170 00:06:59,019 --> 00:07:01,692 THE LEASE IS HELD AND PAID FOR BY GREGS-BAKER, 171 00:07:01,692 --> 00:07:04,555 WHICH IS A SHELL CORPORATION BASED OUT OF BELIZE, 172 00:07:04,555 --> 00:07:07,528 AND IT WAS SET UP IN SUCH A WAY AS TO MAKE IT UNTRACEABLE. 173 00:07:07,528 --> 00:07:09,099 ALL RIGHT, WELL, WHAT ABOUT PHONE RECORDS AND CREDIT CARDS? 174 00:07:09,099 --> 00:07:11,161 IT MUST POINT TO WHO PAM HODGES WAS SPENDING TIME WITH. 175 00:07:11,161 --> 00:07:12,963 SHE BARELY USED HER PHONE. 176 00:07:12,963 --> 00:07:15,135 AND EVEN THOUGH SHE RACKED UP HUGE CREDIT CARD BILLS, 177 00:07:15,135 --> 00:07:19,009 IT WAS MOSTLY FOR SHOES AND CLOTHES AND HAIR SALONS. 178 00:07:19,009 --> 00:07:21,812 AND IT WAS PAID FOR MONTHLY BY GREGS-BAKER. 179 00:07:21,812 --> 00:07:23,113 WELL, WHAT DID C.S.U. FIND AT HER APARTMENT? 180 00:07:23,113 --> 00:07:25,115 HER PRINTS. NO ONE ELSE'S. 181 00:07:25,115 --> 00:07:26,877 WHAT THE HELL IS GOING ON HERE? I DON'T KNOW. 182 00:07:26,877 --> 00:07:29,449 BUT SOMEONE IS DOING AN INCREDIBLE JOB 183 00:07:29,449 --> 00:07:31,522 OF COVERING THEIR TRACKS. 184 00:07:31,522 --> 00:07:32,523 HEY, LANIE. 185 00:07:32,523 --> 00:07:34,184 KATE... 186 00:07:34,184 --> 00:07:35,956 I NEED YOU TO GET DOWN HERE. 187 00:07:35,956 --> 00:07:36,987 OKAY, WE'RE ON OUR WAY. 188 00:07:36,987 --> 00:07:39,229 NOT CASTLE. JUST YOU. 189 00:07:43,564 --> 00:07:44,795 HEY, WHAT'S GOING ON? 190 00:07:44,795 --> 00:07:48,569 PAM HODGES RECENTLY HAD CHEEK IMPLANTS PUT IN. 191 00:07:48,569 --> 00:07:51,872 IT MADE HER FACE BROADER, LIKE MINE. 192 00:07:51,872 --> 00:07:53,804 OKAY. HER HAIR PRODUCTS, 193 00:07:53,804 --> 00:07:55,806 HER LIPSTICK, HER NAIL POLISH-- 194 00:07:55,806 --> 00:07:57,578 THEY'RE ALL THE SAME AS THE ONES I USE. 195 00:07:57,578 --> 00:07:59,950 LANIE, YOU'RE JUST PICKING UP ON THINGS THAT ARE SIMILAR 196 00:07:59,950 --> 00:08:02,152 WITH THE VICTIM. THAT'S WHAT I KEPT TELLING MYSELF. 197 00:08:02,152 --> 00:08:03,514 THEN I FOUND THIS. 198 00:08:07,918 --> 00:08:09,990 OKAY, ALL RIGHT. I'VE SEEN THIS BEFORE. 199 00:08:09,990 --> 00:08:11,762 IT--IT MEANS "INNER STRENGTH." 200 00:08:11,762 --> 00:08:13,864 I KNOW WHAT IT MEANS, KATE. 201 00:08:13,864 --> 00:08:15,025 LOOK. 202 00:08:16,697 --> 00:08:20,070 I HAVE THE SAME EXACT TATTOO IN THE SAME PLACE. 203 00:08:20,070 --> 00:08:22,202 HOW'S THAT EVEN POSSIBLE? 204 00:08:22,202 --> 00:08:24,104 IT'S NO ACCIDENT WE COULD BE TWINS. 205 00:08:24,104 --> 00:08:27,578 SOMEBODY WENT OUT OF THEIR WAY TO MAKE HER LOOK LIKE ME. 206 00:08:42,052 --> 00:08:43,253 WAIT A MINUTE. SO YOU'RE SAYING 207 00:08:43,253 --> 00:08:44,524 THAT PAM HODGES WAS TRYING TO LOOK LIKE LANIE? 208 00:08:44,524 --> 00:08:45,596 GIVEN THE TATTOO AND THE SURGERY, 209 00:08:45,596 --> 00:08:46,927 I JUST DON'T SEE ANOTHER EXPLANATION. 210 00:08:46,927 --> 00:08:49,129 YEAH, BUT WHY WOULD SHE DO THAT? 211 00:08:49,129 --> 00:08:50,601 BECAUSE HER SUGAR DADDY WANTED HER TO. 212 00:08:50,601 --> 00:08:53,063 MAYBE HE FOUND HER DOWN IN TAMPA, 213 00:08:53,063 --> 00:08:56,136 SHIPPED HER UP HERE, SET HER UP IN STYLE. 214 00:08:56,136 --> 00:08:57,568 I MEAN, TO A STREETWALKER, THAT WOULD SEEM LIKE 215 00:08:57,568 --> 00:08:59,209 THE GREATEST GIG EVER, AND ALL SHE'D HAVE TO DO 216 00:08:59,209 --> 00:09:02,843 IS LET HIM REMAKE HER INTO LANIE. 217 00:09:02,843 --> 00:09:04,745 YEAH, LIKE JIMMY STEWART IN "VERTIGO." 218 00:09:04,745 --> 00:09:06,977 THANKS, L.T. YEAH, BUT EVEN MORE TWISTED. 219 00:09:06,977 --> 00:09:09,019 SO THIS GUY HAS TO KNOW LANIE. 220 00:09:09,019 --> 00:09:10,280 ONLY SHE DOESN'T SEEM TO KNOW HIM. 221 00:09:10,280 --> 00:09:11,922 BUT SHE'S STILL COMING IN TO GIVE US A STATEMENT. 222 00:09:11,922 --> 00:09:13,984 NOW, WHAT ABOUT THE STAFF IN PAM'S BUILDING? 223 00:09:13,984 --> 00:09:15,856 DID THEY GIVE US ANY MORE DETAILS? 224 00:09:15,856 --> 00:09:18,558 NO, NONE OF THEM REMEMBER SEEING ANY GUYS COMING TO SEE HER. 225 00:09:18,558 --> 00:09:19,590 YOU KNOW, THERE MIGHT BE ANOTHER WAY 226 00:09:19,590 --> 00:09:21,331 FOR US TO TRACE THIS GUY. 227 00:09:21,331 --> 00:09:23,734 THE CHEEK IMPLANTS HAVE SERIAL NUMBERS. 228 00:09:23,734 --> 00:09:26,136 MAYBE THAT'LL LEAD US TO PAM'S SURGEON. 229 00:09:26,136 --> 00:09:28,068 THERE MIGHT BE ANOTHER REASON HER SUGAR DADDY'S LAYING LOW. 230 00:09:28,068 --> 00:09:30,240 FBI DATABASE SHOWS TWO OTHER VICTIMS STRANGLED 231 00:09:30,240 --> 00:09:32,773 WITH METAL FISHING LINE AND THEIR BODIES STAGED-- 232 00:09:32,773 --> 00:09:34,975 ONE IN MIAMI, ONE IN FORT LAUDERDALE, 233 00:09:34,975 --> 00:09:37,277 BOTH UNSOLVED, NO SUSPECTS. 234 00:09:37,277 --> 00:09:39,149 WELL, OUR VICTIM'S FROM FLORIDA. MAYBE HE KNEW HER FROM THERE. 235 00:09:39,149 --> 00:09:41,581 ORDER THE HOMICIDE FILES, CHECK 'EM AGAINST OUR CASE. 236 00:09:41,581 --> 00:09:42,953 IN THE MEANTIME, CANVAS THE STORES 237 00:09:42,953 --> 00:09:44,615 AND THE SALONS PAM WENT TO. 238 00:09:44,615 --> 00:09:45,856 MAYBE SHE CONFIDED IN SOMEONE, 239 00:09:45,856 --> 00:09:47,858 OR SOMEONE MIGHT HAVE SEEN HER WITH THIS GUY. 240 00:09:47,858 --> 00:09:50,691 AN M.E. INVESTIGATES THE MURDER 241 00:09:50,691 --> 00:09:52,092 OF HER OWN DOPPELGANGER. 242 00:09:52,092 --> 00:09:55,095 IT'D BE A GREAT STORY, IF LANIE WEREN'T LIVING IT. 243 00:09:55,095 --> 00:09:57,828 THERE'S SOMETHING THAT WE'RE MISSING HERE, CASTLE. 244 00:09:57,828 --> 00:10:00,130 TWO SIMILAR MURDERS IN FLORIDA. 245 00:10:00,130 --> 00:10:02,332 OUR VICTIM, ALSO FROM FLORIDA. 246 00:10:02,332 --> 00:10:05,375 BUT THEN THERE'S THIS WHOLE LANIE AND HER LOOK-A-LIKE ANGLE. 247 00:10:05,375 --> 00:10:07,738 HOW DOES THAT FIT IN? I HAVE NO IDEA. 248 00:10:07,738 --> 00:10:08,979 HEY... 249 00:10:08,979 --> 00:10:10,881 WE GOT A HIT ON THOSE CHEEK IMPLANTS. 250 00:10:10,881 --> 00:10:12,783 THEY WERE TRACED TO A MANHATTAN COSMETIC SURGEON-- 251 00:10:12,783 --> 00:10:14,314 A DR. KELLY NIEMAN. 252 00:10:14,314 --> 00:10:15,746 WELL, I FOR ONE, AM VERY INTERESTED 253 00:10:15,746 --> 00:10:17,988 IN WHAT DR. NIEMAN HAS TO SAY. 254 00:10:17,988 --> 00:10:19,189 IN THE MEANTIME, 255 00:10:19,189 --> 00:10:22,322 LANIE WANTS TO GIVE HER STATEMENT TO ESPOSITO. 256 00:10:24,094 --> 00:10:26,626 YOU'RE NOT A PERP, LANIE. 257 00:10:26,626 --> 00:10:29,329 IT DOESN'T SEEM RIGHT-- US TALKING IN HERE LIKE THIS. 258 00:10:29,329 --> 00:10:31,001 I WANTED TO BE SOMEWHERE PRIVATE. 259 00:10:31,001 --> 00:10:34,334 SO LET'S GET ON WITH THIS, OKAY? OKAY. 260 00:10:34,334 --> 00:10:38,108 UM... SO CAN YOU THINK OF ANYONE 261 00:10:38,108 --> 00:10:39,209 WHO WOULD DO A THING LIKE THIS? 262 00:10:39,209 --> 00:10:41,041 NO. 263 00:10:44,014 --> 00:10:45,876 WHO HAVE YOU BEEN WITH IN THE LAST SIX MONTHS, 264 00:10:45,876 --> 00:10:47,748 BESIDES ME? I MEAN, I KNOW WE'RE NOT EXCLUSIVE. 265 00:10:47,748 --> 00:10:48,979 NO ONE. 266 00:10:48,979 --> 00:10:51,922 I NEED THE TRUTH-- WHATEVER IT IS. 267 00:10:51,922 --> 00:10:53,924 I'M TELLING YOU THE TRUTH. 268 00:10:53,924 --> 00:10:55,325 THEN HOW DO THEY KNOW ABOUT THE TATTOO? 269 00:10:55,325 --> 00:10:57,788 YOU'VE ONLY HAD IT THREE MONTHS, RIGHT? 270 00:10:57,788 --> 00:10:59,159 NO ONE COULD SEE IT UNLESS YOU'RE NAKED. 271 00:10:59,159 --> 00:11:02,092 WELL, DID YOU HAPPEN TO MENTION IT TO ANYONE? 272 00:11:02,092 --> 00:11:03,263 OF COURSE NOT. 273 00:11:03,263 --> 00:11:05,766 YOU ARE THE ONLY PERSON I EVER SHOWED IT TO. 274 00:11:05,766 --> 00:11:07,397 WAIT. STILL, SOMETHING'S NOT RIGHT. 275 00:11:07,397 --> 00:11:10,100 THIS--THIS DOESN'T MAKE SENSE. 276 00:11:10,100 --> 00:11:12,002 COME ON, LANIE. THINK. 277 00:11:12,002 --> 00:11:14,144 SOMEONE GOT CLOSE TO YOU. 278 00:11:14,144 --> 00:11:16,176 SOMEONE SAW THAT TATTOO. 279 00:11:16,176 --> 00:11:18,779 WHO WAS IT? 280 00:11:18,779 --> 00:11:21,451 OH, MY GOD. 281 00:11:21,451 --> 00:11:22,783 WHAT? 282 00:11:22,783 --> 00:11:27,687 I HAD A WEIRD... NIGHT TWO MONTHS BACK. 283 00:11:27,687 --> 00:11:29,019 WEIRD HOW? 284 00:11:29,019 --> 00:11:30,961 SOMEONE AT WORK GOT PROMOTED, 285 00:11:30,961 --> 00:11:34,124 AND A BUNCH OF US HIT A NIGHTCLUB TO CELEBRATE. 286 00:11:34,124 --> 00:11:37,828 AND SOME HOT JAZZ WAS GOING, SO I STAYED LATE. 287 00:11:37,828 --> 00:11:39,830 WHEN I WOKE UP THE NEXT DAY, 288 00:11:39,830 --> 00:11:42,402 I COULDN'T REMEMBER HOW I GOT HOME. 289 00:11:42,402 --> 00:11:45,435 WA-WAIT, SINCE WHEN DO YOU GO BUSTING YOUR 2 290 00:11:45,435 --> 00:11:47,277 I DON'T, AND I DIDN'T THAT NIGHT EITHER. 291 00:11:47,277 --> 00:11:50,010 WHAT... 292 00:11:50,010 --> 00:11:51,842 WHAT IF THIS IS WHEN IT HAPPENED? 293 00:11:51,842 --> 00:11:53,784 WHAT IF HE PUT SOMETHING IN MY DRINK 294 00:11:53,784 --> 00:11:56,086 AND TOOK ME TO MY PLACE 295 00:11:56,086 --> 00:11:59,089 AND ALL OF THIS STARTED BECAUSE OF ME? 296 00:12:01,752 --> 00:12:02,953 I GOT YOUR MESSAGE. WHAT'D YOU FIND? 297 00:12:02,953 --> 00:12:04,494 NOTHING IN PAM'S PICTURES, 298 00:12:04,494 --> 00:12:06,426 BUT I SCANNED THE CAMERA'S MEMORY CARD, 299 00:12:06,426 --> 00:12:08,398 AND I RECOVERED A DELETED PICTURE FILE. 300 00:12:10,861 --> 00:12:14,004 THAT'S OUR VICTIM. WHEN WAS THIS TAKEN? 301 00:12:14,004 --> 00:12:17,437 BASED ON THE J.P.E.G. DATA, YESTERDAY AFTERNOON. 302 00:12:17,437 --> 00:12:19,009 SO JUST A FEW HOURS BEFORE SHE WAS KILLED. 303 00:12:20,140 --> 00:12:22,312 LET'S LOCATE THAT MARINA AND FIND OUT WHO OWNS THAT BOAT. 304 00:12:24,775 --> 00:12:26,216 N.Y.P.D. I NEED-- 305 00:12:26,216 --> 00:12:29,119 I'M SORRY... DO YOU HAVE AN APPOINTMENT? 306 00:12:29,119 --> 00:12:30,380 WE'RE HERE TO SEE DR. NIEMAN. 307 00:12:30,380 --> 00:12:33,023 CAN I ASK WHAT THIS IS REGARDING? 308 00:12:33,023 --> 00:12:34,454 NO. 309 00:12:34,454 --> 00:12:36,356 I'M SORRY, DR. NIEMAN. 310 00:12:36,356 --> 00:12:37,527 I APOLOGIZE FOR THE INTRUSION. THIS IS-- 311 00:12:37,527 --> 00:12:39,930 DETECTIVE BECKETT. MR. CASTLE. 312 00:12:39,930 --> 00:12:42,432 UH, PLEASE COME IN. HAVE A SEAT. 313 00:12:43,934 --> 00:12:46,396 AS A TIRELESS SELF-PROMOTER, 314 00:12:46,396 --> 00:12:47,898 LET ME OFFER YOU ONE OF MY PENS. 315 00:12:47,898 --> 00:12:49,439 NO, THANK YOU. 316 00:12:49,439 --> 00:12:51,401 WE'RE JUST HERE TO ASK YOU A FEW QUESTIONS. 317 00:12:51,401 --> 00:12:55,145 OH, CAN I JUST SAY, YOU HAVE AN AMAZING FACE, DETECTIVE? 318 00:12:55,145 --> 00:12:57,447 AND WHAT ABOUT, UH... 319 00:12:57,447 --> 00:12:58,448 WHAT ABOUT MY FACE? 320 00:12:58,448 --> 00:13:00,981 UH... AMAZING POTENTIAL. 321 00:13:00,981 --> 00:13:04,084 WHY DON'T WE TALK ABOUT PAM HODGES' FACE 322 00:13:04,084 --> 00:13:05,886 AND THE FACT THAT SHE WAS MURDERED? 323 00:13:05,886 --> 00:13:08,418 JEEZ. WHAT HAPPENED? 324 00:13:08,418 --> 00:13:11,091 SHE WAS ONE OF YOUR PATIENTS. IS THAT CORRECT? 325 00:13:11,091 --> 00:13:14,424 UH, YES. YES, I PERFORMED SOME REFINEMENTS. 326 00:13:14,424 --> 00:13:15,525 AND AT WHOSE BEHEST? 327 00:13:15,525 --> 00:13:17,127 HERS. 328 00:13:17,127 --> 00:13:19,399 SHE ACTUALLY BROUGHT ME A PICTURE OF A FRIEND OF HERS. 329 00:13:19,399 --> 00:13:21,301 THEY HAD SIMILAR FACIAL STRUCTURE, 330 00:13:21,301 --> 00:13:23,433 AND PAM WANTED TO LOOK A BIT MORE LIKE HER FRIEND. 331 00:13:23,433 --> 00:13:25,205 WAIT. LET ME GET THIS STRAIGHT. SO PEOPLE COME IN 332 00:13:25,205 --> 00:13:27,177 AND ASK TO LOOK LIKE OTHER PEOPLE, 333 00:13:27,177 --> 00:13:29,009 AND YOU JUST DO IT? 334 00:13:29,009 --> 00:13:31,882 WELL, IT'S NOT UNUSUAL FOR PATIENTS TO BRING ME PHOTOS-- 335 00:13:31,882 --> 00:13:34,384 USUALLY OF MODELS OR ACTORS-- FOR REFERENCE. 336 00:13:34,384 --> 00:13:36,116 AND THESE PHOTOS SHE SHOWED YOU, 337 00:13:36,116 --> 00:13:37,387 WHERE WERE THEY TAKEN? 338 00:13:37,387 --> 00:13:39,589 THEY LOOKED LIKE SNAPSHOTS FROM A BAR OR A CLUB, 339 00:13:39,589 --> 00:13:41,391 AS I RECALL. 340 00:13:41,391 --> 00:13:44,094 DID SHE EVER COME HERE WITH ANYONE, UM... 341 00:13:44,094 --> 00:13:46,826 DID SHE EVER MENTION ANY OF THE MEN IN HER LIFE? 342 00:13:46,826 --> 00:13:48,598 NO, I'M AFRAID NOT. 343 00:13:48,598 --> 00:13:51,331 AND WHO WAS IT THAT PAID FOR THESE NEW CHEEKS OF HERS? 344 00:13:51,331 --> 00:13:53,433 SHE DID... WITH A COMPANY CHECK. 345 00:13:53,433 --> 00:13:54,865 FROM GREGS 346 00:13:54,865 --> 00:13:57,908 I'D HAVE TO LOOK, BUT THAT-- THAT SOUNDS RIGHT. 347 00:13:57,908 --> 00:13:59,839 UM, EXCUSE ME. 348 00:13:59,839 --> 00:14:03,043 BECKETT. 349 00:14:03,043 --> 00:14:04,344 OKAY. SERIOUSLY? 350 00:14:05,445 --> 00:14:07,077 "AMAZING POTENTIAL"? 351 00:14:07,077 --> 00:14:09,319 AND I'D LOVE TO HELP YOU REALIZE IT. 352 00:14:09,319 --> 00:14:11,321 WOW. 353 00:14:11,321 --> 00:14:14,184 YEAH, HEY. We tracked down that marina from the photo. 354 00:14:14,184 --> 00:14:15,525 IT'S WINDWARD COVE IN LONG ISLAND. 355 00:14:15,525 --> 00:14:17,457 WE'RE HERE RIGHT NOW. WHO'S BOAT WAS PAM ON? 356 00:14:17,457 --> 00:14:19,559 It's registered out of Florida to a Rudy Hollings. 357 00:14:19,559 --> 00:14:21,031 Okay, so what do we know about him? 358 00:14:21,031 --> 00:14:22,492 NOT A DAMN THING, EXCEPT FOR PAM WAS ON HIS BOAT 359 00:14:22,492 --> 00:14:24,234 THE NIGHT SHE WAS MURDERED. 360 00:14:24,234 --> 00:14:27,297 We're about to board. I'll call you when it's secure. OKAY. 361 00:14:42,052 --> 00:14:44,284 N.Y.P.D.! N.Y.P.D.! 362 00:14:44,284 --> 00:14:46,356 POLICE! GOT A SUSPECT UP AHEAD! 363 00:14:46,356 --> 00:14:47,617 12:00! LET ME SEE YOUR HANDS! 364 00:14:47,617 --> 00:14:49,159 LET ME SEE YOUR HANDS RIGHT NOW! 365 00:14:49,159 --> 00:14:51,391 LET ME SEE YOUR HANDS! SHOW ME YOUR HANDS, RIGHT NOW! 366 00:14:51,391 --> 00:14:55,265 LET ME SEE YOUR HANDS! SHOW US YOUR HANDS NOW! 367 00:15:04,274 --> 00:15:05,635 WHAT? 368 00:15:05,635 --> 00:15:08,108 ESPO, GO OUTSIDE. DON'T LOOK, MAN. WHAT DO YOU MEAN? 369 00:15:08,108 --> 00:15:10,080 WHAT ARE YOU TALKING ABOUT, GO OUTSIDE 370 00:15:10,080 --> 00:15:11,411 LET ME SEE. 371 00:15:16,987 --> 00:15:18,448 IT'S ME. 372 00:15:26,626 --> 00:15:28,258 OUR VICTIM IS DANIEL SANTOS 373 00:15:28,258 --> 00:15:31,361 LIKE PAM HODGES, HE WAS HUNG WITH FISHING LINE. 374 00:15:31,361 --> 00:15:34,664 ALTHOUGH SANTOS SHOWS NO SIGN OF COSMETIC SURGERY, 375 00:15:34,664 --> 00:15:37,607 THIS KILLER-- FOR REASONS UNKNOWN-- 376 00:15:37,607 --> 00:15:40,470 HAS CLEARLY SELECTED TWO VICTIMS 377 00:15:40,470 --> 00:15:42,072 WHO BEAR A DELIBERATE RESEMBLANCE TO MEMBERS 378 00:15:42,072 --> 00:15:44,014 OF OUR OWN POLICE FAMILY. 379 00:15:44,014 --> 00:15:46,116 NOW, WHAT DID THE CRIME SCENE GIVE US? 380 00:15:46,116 --> 00:15:48,078 WELL, THERE'S NO PRINTS OR TRACE EVIDENCE. 381 00:15:48,078 --> 00:15:50,320 ALL WE KNOW IS THAT THE RIG SANTOS WAS HUNG FROM 382 00:15:50,320 --> 00:15:53,023 WAS BUILT FROM STANDARD HARDWARE STORE PIPE, 383 00:15:53,023 --> 00:15:54,384 AND THAT THE FISHING REEL THAT FED THE LINE 384 00:15:54,384 --> 00:15:57,127 WAS BOUGHT FROM A BAIT SHOP IN NORTH CAROLINA IN 2005. 385 00:15:57,127 --> 00:15:58,688 WHERE ARE WE ON THE OWNER OF THE BOAT? 386 00:15:58,688 --> 00:16:01,231 RUDY HOLLINGS--HE'S BEEN IN SPAIN FOR A YEAR. 387 00:16:01,231 --> 00:16:02,962 HE SAID HE HAD NO IDEA WHO WOULD'VE USED HIS BOAT 388 00:16:02,962 --> 00:16:04,294 TO COMMIT A MURDER. 389 00:16:04,294 --> 00:16:06,666 SO SOMEBODY COULD HAVE BEEN AWARE OF HIS TRAVEL PLANS? 390 00:16:06,666 --> 00:16:09,639 IT'S ALSO POSSIBLE IF THE KILLER KNEW BOATS, 391 00:16:09,639 --> 00:16:11,201 UH, THEY WERE LOOKING FOR TELLTALE SIGNS 392 00:16:11,201 --> 00:16:12,402 THE BOAT WASN'T IN USE. 393 00:16:12,402 --> 00:16:14,204 YEAH, THAT'S PROBABLY WHY HE PICKED IT, SIR. 394 00:16:14,204 --> 00:16:16,246 HE KNEW HE COULD KILL DANIEL SANTOS UNDISTURBED. 395 00:16:16,246 --> 00:16:18,348 WELL, WHAT DO WE KNOW ABOUT MR. SANTOS? 396 00:16:18,348 --> 00:16:20,680 HE MOVED HERE FROM GEORGIA ABOUT A YEAR AGO, 397 00:16:20,680 --> 00:16:22,752 UH, I'M STILL TRYING TO FIND A CURRENT ADDRESS. 398 00:16:22,752 --> 00:16:24,214 I DID SPEAK WITH HIS PARENTS. 399 00:16:24,214 --> 00:16:26,016 THEY TOLD ME THAT HE WORKED AS A MALE STRIPPER. 400 00:16:26,016 --> 00:16:27,717 THREE MONTHS AGO, HE CALLED HIS PARENTS 401 00:16:27,717 --> 00:16:29,059 TO TELL THEM THAT HE QUIT STRIPPING, 402 00:16:29,059 --> 00:16:31,521 AND HE HAD LANDED A BIG-TIME GIG. 403 00:16:31,521 --> 00:16:33,163 DID THEY KNOW WHAT THIS GIG WAS? 404 00:16:33,163 --> 00:16:35,465 NO. HE WAS VAGUE, JUST LIKE PAM HODGES. 405 00:16:35,465 --> 00:16:39,129 OKAY. SO I NEED YOU, DETECTIVE ESPOSITO, 406 00:16:39,129 --> 00:16:40,700 AND DR. PARISH TO GO OVER 407 00:16:40,700 --> 00:16:42,432 ALL THE CASES THAT YOU WORKED TOGETHER. 408 00:16:42,432 --> 00:16:46,236 SEE IF ANYONE CONNECTED TO THEM PRESENTS AS A SUSPECT. YES, SIR. 409 00:16:46,236 --> 00:16:49,079 FOR THE SAKE OF THESE VICTIMS-- AND OUR OWN PEOPLE-- 410 00:16:49,079 --> 00:16:52,082 FIND THIS KILLER. 411 00:16:55,245 --> 00:16:58,088 I STILL DON'T GET IT. 412 00:16:58,088 --> 00:17:01,051 WHY WOULD SOMEONE KILL CLONES OF ESPOSITO AND LANIE? 413 00:17:01,051 --> 00:17:02,722 I MEAN, IS IT SOME KIND OF WARNING? 414 00:17:02,722 --> 00:17:05,295 MAYBE IF WE DIG DEEPER INTO DANIEL SANTOS' LIFE, 415 00:17:05,295 --> 00:17:07,026 WE'LL FIGURE IT OUT. 416 00:17:07,026 --> 00:17:09,599 I THINK I'VE GOT A LEAD AS TO WHAT HE WAS UP TO. 417 00:17:09,599 --> 00:17:12,062 ACCORDING TO HIS PRE-PAID DEBIT CARD RECORDS, 418 00:17:12,062 --> 00:17:14,064 HE BOUGHT A LATTE AT THE SAME MIDTOWN BUILDING 419 00:17:14,064 --> 00:17:17,067 EVERY MONDAY, WEDNESDAY, AND FRIDAY AFTERNOON. 420 00:17:17,067 --> 00:17:19,439 AS IF HE WAS KEEPING SOME KIND OF REGULAR APPOINTMENT? HE DID. 421 00:17:19,439 --> 00:17:21,311 ACCORDING TO THE DOORMAN, 422 00:17:21,311 --> 00:17:23,213 HE WAS MEETING WITH A DR. IAN FULLER. 423 00:17:23,213 --> 00:17:24,644 HE'S SOME KIND OF A THERAPIST. 424 00:17:24,644 --> 00:17:26,676 ACTUALLY, I'M A SPEECH THERAPIST. 425 00:17:26,676 --> 00:17:28,618 I SPECIALIZE IN ACCENT REDUCTION. 426 00:17:28,618 --> 00:17:31,221 UH, SO DANIEL WAS FROM GEORGIA. 427 00:17:31,221 --> 00:17:33,823 WAS HE TRYING TO GET RID OF HIS SOUTHERN ACCENT? OH, MORE THAN THAT. 428 00:17:33,823 --> 00:17:36,086 HE WANTED TO CHANGE HIS ENTIRE SPEECH PATTERN. 429 00:17:36,086 --> 00:17:37,187 TO WHAT END? 430 00:17:37,187 --> 00:17:40,130 HE DIDN'T SAY, BUT HE WAS VERY DETERMINED 431 00:17:40,130 --> 00:17:41,591 AND VERY SPECIFIC ABOUT HIS GOALS. 432 00:17:41,591 --> 00:17:43,193 HE EVEN BROUGHT IN AN AUDIO FILE 433 00:17:43,193 --> 00:17:44,434 OF HOW HE WANTED TO SOUND. 434 00:17:44,434 --> 00:17:46,666 DO YOU HAVE TO FILE? YEAH, I HAVE IT RIGHT HERE. 435 00:17:46,666 --> 00:17:49,399 LET ME JUST, UH, PULL IT UP. 436 00:17:50,800 --> 00:17:53,143 IT'S TRUE. 437 00:17:53,143 --> 00:17:55,074 FOR EXAMPLE, I'M FORMER MILITARY, 438 00:17:55,074 --> 00:17:57,147 WHICH MAKES ME AN EXPERT MARKSMAN. 439 00:17:57,147 --> 00:17:58,248 I'M USUALLY FIRST THROUGH THE DOOR. 440 00:17:58,248 --> 00:18:00,180 THAT'S ESPOSITO. 441 00:18:00,180 --> 00:18:01,681 I'M DEFINITELY THE PHYSICAL ONE. THAT'S FROM THE DOCUMENTARY 442 00:18:01,681 --> 00:18:03,613 WE SHOT RIGHT HERE AT THE PRECINCT. I STAY IN SICK SHAPE. 443 00:18:03,613 --> 00:18:05,485 BOOM! HAVE YOU BEEN TO THE GUN SHOW? SANTOS WASN'T JUST A LOOK-ALIKE-- 444 00:18:05,485 --> 00:18:07,357 HE WAS A SOUND-ALIKE. SERIOUSLY THOUGH... 445 00:18:08,688 --> 00:18:11,861 HIS FACE, THE WAY HE CUT HIS HAIR, 446 00:18:11,861 --> 00:18:13,623 AND NOW HE'S TRYING TO TALK LIKE ME, TOO? 447 00:18:13,623 --> 00:18:15,365 WHAT KIND OF SICKO IS DOING THIS? 448 00:18:15,365 --> 00:18:17,327 I WENT THROUGH EVERY CASE WE WORKED ON, 449 00:18:17,327 --> 00:18:18,398 AND NOTHING JUMPED OUT. 450 00:18:18,398 --> 00:18:20,300 YEAH, NOT FOR ME EITHER. 451 00:18:20,300 --> 00:18:21,631 IT'S GOTTA BE-- 452 00:18:21,631 --> 00:18:23,233 IT'S GOTTA BE SOMETHING PERSONAL. 453 00:18:23,233 --> 00:18:25,705 IT'S GOTTA BE SOMEONE WHO KNOWS ABOUT OUR RELATIONSHIP. 454 00:18:25,705 --> 00:18:28,378 WELL, WHOEVER HE IS, HE'S A FREAK. 455 00:18:28,378 --> 00:18:30,480 HE MADE DANIEL SANTOS SUFFER. 456 00:18:30,480 --> 00:18:31,841 LOOK AT THE BLEEDING UNDERNEATH THE SKIN. 457 00:18:31,841 --> 00:18:34,884 THAT WIRE BIT INTO HIS NECK FOR HOURS BEFORE HE DIED. 458 00:18:34,884 --> 00:18:37,487 THE KILLER USED THAT FISHING RAIL 459 00:18:37,487 --> 00:18:38,848 TO KILL HIM SLOWLY. 460 00:18:38,848 --> 00:18:41,351 SO WHO IS HE GONNA GO AFTER NOW-- 461 00:18:41,351 --> 00:18:43,523 YOU AND ME, SOME VERSION OF RYAN AND BECKETT? 462 00:18:43,523 --> 00:18:46,156 WHAT IF THIS IS JUST THE BEGINNING? HEY... 463 00:18:49,659 --> 00:18:51,161 IT'LL BE OKAY. 464 00:18:51,161 --> 00:18:53,233 I PROMISE. 465 00:18:53,233 --> 00:18:54,804 I WON'T LET ANYTHING HAPPEN TO YOU. 466 00:18:54,804 --> 00:18:56,506 YEAH? 467 00:18:56,506 --> 00:18:58,868 WHAT IF SOMETHING HAPPENS TO YOU? 468 00:18:58,868 --> 00:19:00,440 HEY. 469 00:19:00,440 --> 00:19:03,473 DUDE... WE'RE HAVING A MOMENT HERE. 470 00:19:03,473 --> 00:19:04,644 SORRY... 471 00:19:04,644 --> 00:19:06,576 I FOUND THE STRIP CLUB WHERE SANTOS WORKED. 472 00:19:06,576 --> 00:19:09,579 THEY HAD A HOME ADDRESS FOR HIM IN QUEENS. 473 00:19:09,579 --> 00:19:10,680 SO HOW ARE YOU DOING, MAN? 474 00:19:10,680 --> 00:19:12,282 I'M FINE. HOW ARE YOU? 475 00:19:12,282 --> 00:19:13,883 IT'S BIG-- WHAT YOU'RE DEALING WITH. 476 00:19:13,883 --> 00:19:16,426 I JUST WANT TO PUT IT OUT THERE THAT I'M HERE FOR YOU. 477 00:19:16,426 --> 00:19:18,758 GOOD TO KNOW, MAN. 478 00:19:18,758 --> 00:19:21,431 THE POINT IS, SOMETIMES TALKING ABOUT IT HELPS. 479 00:19:21,431 --> 00:19:23,693 SO WHAT, YOU WANT ME TO SHARE MY FEELINGS NOW? 480 00:19:23,693 --> 00:19:25,935 UH, IT'S WHAT A LOT OF PEOPLE WOULD DO. 481 00:19:25,935 --> 00:19:28,568 ALL RIGHT, FINE. 482 00:19:28,568 --> 00:19:29,669 I WANT TO FIND THIS PIECE OF GARBAGE, 483 00:19:29,669 --> 00:19:30,870 STRING HIM UP, AND SEE HOW HE LIKES IT. 484 00:19:30,870 --> 00:19:32,902 THERE... 485 00:19:32,902 --> 00:19:34,944 I SHARED A FEELING. HAPPY NOW? SEE... 486 00:19:34,944 --> 00:19:36,276 DON'T YOU FEEL BETTER? 487 00:19:36,276 --> 00:19:38,948 RYAN... ALL RIGHT. 488 00:19:38,948 --> 00:19:40,810 THE SUPER SAID THAT DANIEL SANTOS 489 00:19:40,810 --> 00:19:42,412 HASN'T BEEN AROUND HERE MUCH LATELY. OH, MY GOD. 490 00:19:43,913 --> 00:19:47,657 DANIEL NO. NO, ACTUALLY, UH, 491 00:19:47,657 --> 00:19:50,920 DETECTIVE JAVIER ESPOSITO, N.Y.P.D. 492 00:19:50,920 --> 00:19:53,793 OH. 493 00:19:53,793 --> 00:19:55,895 IT'S LIKE SEEING A GHOST. 494 00:19:55,895 --> 00:19:56,926 YOU LOOK SO MUCH LIKE HIM. 495 00:19:56,926 --> 00:19:59,369 YEAH, UM, SO YOU KNEW DANIEL? 496 00:19:59,369 --> 00:20:01,501 NOT AS MUCH AS I WANTED TO, 497 00:20:01,501 --> 00:20:02,872 BUT A LITTLE. 498 00:20:02,872 --> 00:20:04,234 ENOUGH TO KNOW THAT HE WAS BETTER 499 00:20:04,234 --> 00:20:05,575 THAN WHAT HE DID FOR A LIVING. 500 00:20:05,575 --> 00:20:07,937 WE--WE HEARD HE QUIT THAT JOB FOR SOME BIG-TIME GIG. 501 00:20:07,937 --> 00:20:09,309 YOU HAVE ANY IDEA WHAT IT WAS? 502 00:20:09,309 --> 00:20:10,940 HE SAID HE COULDN'T TALK ABOUT IT. 503 00:20:10,940 --> 00:20:12,742 UH, DID PEOPLE COME VISIT HIM HERE? 504 00:20:12,742 --> 00:20:14,984 PEOPLE DIDN'T VISIT DANIEL. 505 00:20:14,984 --> 00:20:16,746 IT WAS MORE LIKE THE OTHER WAY AROUND. 506 00:20:16,746 --> 00:20:18,548 MEANING WHAT? 507 00:20:18,548 --> 00:20:19,819 I'D SEE HIM, UH... 508 00:20:19,819 --> 00:20:22,992 LEAVE HERE AND A LIMO WOULD BE WAITING OUT FRONT. 509 00:20:22,992 --> 00:20:24,954 WAS THIS RECENTLY? YEAH. 510 00:20:24,954 --> 00:20:27,257 ONE PICKED HIM UP TWO NIGHTS AGO. 511 00:20:27,257 --> 00:20:28,728 THE SAME NIGHT HE WAS KILLED. 512 00:20:28,728 --> 00:20:30,800 DO YOU REMEMBER WHAT THAT VEHICLE LOOKED LIKE? 513 00:20:30,800 --> 00:20:32,432 IT WAS BLACK. 514 00:20:32,432 --> 00:20:33,963 I MEAN, IT WAS JUST A REGULAR TOWN CAR. 515 00:20:33,963 --> 00:20:38,738 BUT THERE WAS... BLUE AROUND THE LICENSE PLATE. 516 00:20:38,738 --> 00:20:41,611 WAIT A MINUTE. DO YOU MEAN BLUE NEON? YEAH, THAT WAS IT. 517 00:20:41,611 --> 00:20:44,274 BLUE NEON LICENSE PLATE FRAMES-- 518 00:20:44,274 --> 00:20:46,776 THAT'S THE TRADEMARK OF BLUE MOON LIMOS. 519 00:20:46,776 --> 00:20:48,878 THAT WAS THE MANAGER AT THE BLUE MOON. 520 00:20:48,878 --> 00:20:51,281 HE SAID THE LIMO DROPPED DANIEL SANTOS OFF 521 00:20:51,281 --> 00:20:53,723 AT THE APARTMENT OF THE PERSON WHO ORDERED IT. 522 00:20:53,723 --> 00:20:54,954 WELL, WHOEVER IT IS, IS PROBABLY OUR KILLER. 523 00:20:54,954 --> 00:20:55,955 DID HE GIVE YOU A NAME? 524 00:20:55,955 --> 00:20:58,027 YEAH, DR. KELLY NIEMAN. 525 00:20:58,027 --> 00:21:02,532 WELL, I WOULD SAY SHE HAS "AMAZING POTENTIAL"... 526 00:21:02,532 --> 00:21:04,394 AS A MURDERER. 527 00:21:15,375 --> 00:21:18,277 WELL? THE DOORMAN AT HER BUILDING CONFIRMS 528 00:21:18,277 --> 00:21:19,879 THAT SANTOS VISITED TWO NIGHTS AGO. 529 00:21:19,879 --> 00:21:21,851 AND NOT FOR THE FIRST TIME. 530 00:21:21,851 --> 00:21:23,853 HE SAID SANTOS WAS A FREQUENT OVERNIGHT GUEST 531 00:21:23,853 --> 00:21:26,756 OF THE GOOD DOCTOR. WHICH DIRECTLY CONNECTS HER TO BOTH OF OUR VICTIMS. 532 00:21:26,756 --> 00:21:28,858 SO ARE WE TO BELIEVE THAT KELLY NIEMAN 533 00:21:28,858 --> 00:21:31,861 OVERPOWERED SANTOS-- A YOUNG MAN IN HIS PRIME? 534 00:21:31,861 --> 00:21:33,593 WELL, SHE WAS MORE THAN CAPABLE. 535 00:21:33,593 --> 00:21:34,924 ACCORDING TO HER BIO, SHE'S A BLACK BELT 536 00:21:34,924 --> 00:21:36,866 IN BOTH TAE KWON DO AND JIUJITSU. 537 00:21:36,866 --> 00:21:39,529 SHE ALSO HAS BOATING EXPERIENCE AND GREW UP IN FLORIDA. 538 00:21:39,529 --> 00:21:41,701 IN FACT, SHE WAS IN MIAMI AT A CONFERENCE 539 00:21:41,701 --> 00:21:43,302 AT THE TIME OF THE OTHER TWO MURDERS. 540 00:21:43,302 --> 00:21:46,336 DO WE HAVE ANY HARD EVIDENCE LINKING HER TO THESE MURDERS? 541 00:21:46,336 --> 00:21:47,537 IT'S BEEN CLEAR FROM THE BEGINNING 542 00:21:47,537 --> 00:21:49,609 THAT OUR KILLER IS VERY CAREFUL. 543 00:21:49,609 --> 00:21:50,840 SO THE ANSWER IS NO. 544 00:21:54,914 --> 00:21:57,617 THIS ENTIRE CASE IS CIRCUMSTANTIAL, 545 00:21:57,617 --> 00:21:59,789 WHICH MEANS YOU'RE GONNA NEED TO BREAK HER. 546 00:21:59,789 --> 00:22:01,391 AND YOU GOT ONE SHOT. 547 00:22:06,796 --> 00:22:08,798 DR. NIEMAN... 548 00:22:08,798 --> 00:22:10,900 THANK YOU FOR COMING IN. 549 00:22:10,900 --> 00:22:12,632 WAS I OFFERED A CHOICE? 550 00:22:12,632 --> 00:22:14,434 I WANTED TO ASK YOU A FEW QUESTIONS 551 00:22:14,434 --> 00:22:17,467 ABOUT YOUR RELATIONSHIP WITH DANIEL SANTOS. 552 00:22:17,467 --> 00:22:18,808 WELL, I NO LONGER HAVE ONE. 553 00:22:18,808 --> 00:22:20,410 SO YOU ARE AWARE THAT HE'S DEAD. 554 00:22:20,410 --> 00:22:22,412 I WATCH THE NEWS. 555 00:22:22,412 --> 00:22:25,475 YOU DON'T SEEM TERRIBLY UPSET BY IT. 556 00:22:25,475 --> 00:22:29,619 WELL, I SUPPOSE I COULD FAKE IT OR LIE, 557 00:22:29,619 --> 00:22:32,351 BUT THAT'S JUST AS TEDIOUS FOR YOU AS IT IS FOR ME. 558 00:22:32,351 --> 00:22:35,455 IT WAS PURELY PHYSICAL WITH US. 559 00:22:37,356 --> 00:22:39,629 YOU REALLY ARE A BEAUTIFUL WOMAN... 560 00:22:39,629 --> 00:22:42,932 BUT NOT PERFECT. 561 00:22:44,133 --> 00:22:46,866 I COULD FIX YOU. 562 00:22:46,866 --> 00:22:49,869 WHERE DID YOU GO AFTER HE CAME TO YOUR APARTMENT? 563 00:22:49,869 --> 00:22:53,042 HMM. WE STAYED IN. 564 00:22:53,042 --> 00:22:55,044 YOU DIDN'T GO BY A MARINA? 565 00:22:55,044 --> 00:22:56,806 I DON'T HAVE A BOAT. 566 00:22:56,806 --> 00:22:58,778 AND YET HIS BODY WAS FOUND ON ONE. 567 00:22:58,778 --> 00:22:59,879 AND PRIOR TO THAT, 568 00:22:59,879 --> 00:23:01,751 HE WAS AT YOUR APARTMENT. 569 00:23:01,751 --> 00:23:04,714 YES, BUT THEN HE LEFT MY PLACE. WHEN? 570 00:23:04,714 --> 00:23:05,955 AROUND 10:00. 571 00:23:05,955 --> 00:23:08,518 DANIEL SANTOS SPENT HIS LAST DAY WITH YOU. 572 00:23:08,518 --> 00:23:10,620 PAM HODGES WAS A PATIENT OF YOURS. 573 00:23:10,620 --> 00:23:11,821 THEY WERE BOTH MURDERED. 574 00:23:11,821 --> 00:23:15,565 THE ONLY PERSON THAT THEY HAVE IN COMMON IS YOU. 575 00:23:15,565 --> 00:23:17,567 NOW YOU DON'T EXPECT ME TO BELIEVE 576 00:23:17,567 --> 00:23:19,499 THAT THAT'S A COINCIDENCE, DO YOU? 577 00:23:19,499 --> 00:23:21,871 IT'S NOT A COINCIDENCE AT ALL. 578 00:23:21,871 --> 00:23:23,833 DANIEL REFERRED PAM TO ME AS A PATIENT. 579 00:23:23,833 --> 00:23:25,935 SO THEY KNEW EACH OTHER? 580 00:23:25,935 --> 00:23:27,737 WE DON'T HAVE ANY EVIDENCE OF THAT. 581 00:23:27,737 --> 00:23:30,910 WELL, I'M SURE YOU'LL FIND SOME IF YOU KEEP LOOKING. 582 00:23:30,910 --> 00:23:33,713 WHEN PAM CAME IN, SHE SAID THAT HE'D RECOMMENDED HER TO ME. 583 00:23:33,713 --> 00:23:36,115 LET ME ASK YOU SOMETHING. 584 00:23:36,115 --> 00:23:38,618 HAS IT OCCURRED TO YOU THAT I'M BEING SET UP HERE? 585 00:23:38,618 --> 00:23:39,849 SET UP BY WHOM? 586 00:23:39,849 --> 00:23:41,851 MAYBE WHOEVER DID THIS 587 00:23:41,851 --> 00:23:44,123 KNEW OF MY CONNECTION TO DANIEL AND PAM. 588 00:23:44,123 --> 00:23:45,825 MAYBE THIS WAS PART OF THEIR PLAN-- 589 00:23:45,825 --> 00:23:47,857 TO WASTE YOUR TIME AND MINE. 590 00:23:47,857 --> 00:23:49,198 I DOUBT THAT. 591 00:23:51,130 --> 00:23:53,633 YOU'LL NEVER PROVE THAT I WAS AT THOSE DOCKS 592 00:23:53,633 --> 00:23:56,035 OR SOME MARINA, BECAUSE I WASN'T. 593 00:23:56,035 --> 00:23:59,038 BESIDES... WHAT POSSIBLE MOTIVE 594 00:23:59,038 --> 00:24:01,571 WOULD I HAVE FOR KILLING ANYONE? 595 00:24:03,873 --> 00:24:05,845 I'VE DATED LAWYERS. 596 00:24:05,845 --> 00:24:08,147 I KNOW THAT IF YOU DON'T CHARGE ME, 597 00:24:08,147 --> 00:24:10,820 I CAN LEAVE. 598 00:24:13,483 --> 00:24:15,725 NO HARD FEELINGS, DETECTIVE. 599 00:24:15,725 --> 00:24:18,528 WE'RE BOTH PROFESSIONALS. YOU'RE JUST DOING YOUR JOB. 600 00:24:18,528 --> 00:24:21,831 YOU SEEK JUSTICE, AND I SEEK PERFECTION. 601 00:24:24,494 --> 00:24:26,966 IN FACT... 602 00:24:26,966 --> 00:24:29,769 WHENEVER YOU'RE READY TO TAKE THIS TO THE NEXT LEVEL... 603 00:24:32,872 --> 00:24:35,905 YOU COME SEE ME. 604 00:24:46,986 --> 00:24:49,989 I GOT NOTHING, CASTLE. I-- 605 00:24:49,989 --> 00:24:51,961 I CAN'T EVEN TIE HER TO THE FLORIDA MURDERS, 606 00:24:51,961 --> 00:24:53,863 OTHER THAN THE FACT THAT SHE WAS IN THE AREA 607 00:24:53,863 --> 00:24:54,994 WHEN THEY OCCURRED. 608 00:24:54,994 --> 00:24:57,827 CAN I SAY SOMETHING THAT'LL... 609 00:24:57,827 --> 00:24:59,699 PROBABLY ANNOY YOU? 610 00:25:00,770 --> 00:25:02,632 SINCE WHEN DO YOU ASK FOR PERMISSION? 611 00:25:02,632 --> 00:25:03,903 TOUCHé. 612 00:25:03,903 --> 00:25:06,505 WHAT IF DR. NIEMAN ISN'T OUR KILLER? 613 00:25:06,505 --> 00:25:07,937 CASTLE, YOU SAW HER IN THERE. 614 00:25:07,937 --> 00:25:09,809 SHE WAS TOYING WITH ME. 615 00:25:09,809 --> 00:25:11,881 SHE'S INVOLVED IN THIS. 616 00:25:11,881 --> 00:25:13,282 I CAN FEEL IT. 617 00:25:13,282 --> 00:25:15,985 I ADMIT... SHE'S NOT WARM AND CUDDLY. 618 00:25:15,985 --> 00:25:18,017 BUT THAT DOESN'T MAKE HER GUILTY. 619 00:25:18,017 --> 00:25:20,920 HOW CAN YOU OF ALL PEOPLE BUY HER STORY? 620 00:25:20,920 --> 00:25:23,693 BECAUSE AT THIS POINT, IT MAKES MORE SENSE THAN OURS DOES. 621 00:25:23,693 --> 00:25:26,556 JUST... CONSIDER THIS. 622 00:25:26,556 --> 00:25:29,158 ALL ALONG, THIS KILLER HAS BEEN ONE STEP AHEAD OF US-- 623 00:25:29,158 --> 00:25:31,961 NO EVIDENCE, NO WITNESSES, PHANTOM CORPORATIONS. 624 00:25:31,961 --> 00:25:33,232 HE OR SHE HAS US CHASING OUR TAILS. 625 00:25:33,232 --> 00:25:36,265 SO WHY, SUDDENLY, DOES THIS SAME PERSON 626 00:25:36,265 --> 00:25:40,710 ORDER A LIMO PLACING HER WITH SANTOS THE NIGHT HE DIED? 627 00:25:40,710 --> 00:25:41,811 ROOKIE MISTAKE. 628 00:25:41,811 --> 00:25:44,013 OR MAYBE IT'S NOT A MISTAKE AT ALL. 629 00:25:44,013 --> 00:25:47,046 MAYBE KELLY NIEMAN IS PLAYING A MUCH DEEPER GAME. 630 00:25:47,046 --> 00:25:48,317 MAYBE SHE'S SO CONFIDENT 631 00:25:48,317 --> 00:25:49,979 THAT WE CAN'T TIE HER TO THESE MURDERS, 632 00:25:49,979 --> 00:25:53,182 THAT SHE'S LETTING THE TRAIL LEAD STRAIGHT BACK TO HER. 633 00:25:53,182 --> 00:25:55,885 UM... THAT'S LOOKING PRETTY UNLIKELY. 634 00:25:55,885 --> 00:25:57,226 WHY? 635 00:25:57,226 --> 00:25:58,628 HER ALIBI'S IRONCLAD. 636 00:25:58,628 --> 00:26:00,129 SHE'S NO GOOD FOR EITHER OF THE MURDERS. BUT... 637 00:26:00,129 --> 00:26:01,791 WE MIGHT HAVE FOUND SOMEBODY WHO IS. 638 00:26:01,791 --> 00:26:03,893 TOLD YOU. 639 00:26:03,893 --> 00:26:05,034 THIS IS FROM A TRAFFIC CAM 640 00:26:05,034 --> 00:26:07,737 A BLOCK FROM KELLY NIEMAN'S APARTMENT. 641 00:26:07,737 --> 00:26:09,098 THAT'S DANIEL SANTOS. 642 00:26:09,098 --> 00:26:11,270 THE TIMECODE IS 10:07. SO KELLY WAS TELLING THE TRUTH. 643 00:26:11,270 --> 00:26:12,702 HE DID LEAVE AROUND 10:00. 644 00:26:12,702 --> 00:26:14,203 YEAH, NOW WATCH THIS. 645 00:26:19,348 --> 00:26:20,579 CAN WE GET A CLOSER LOOK AT THE DRIVER? 646 00:26:20,579 --> 00:26:21,981 NO, THIS IS OUR ONLY ANGLE. 647 00:26:24,353 --> 00:26:25,785 WELL, WHOEVER HE IS, SANTOS KNOWS HIM. 648 00:26:25,785 --> 00:26:27,186 NOW WE TRIED RUNNING THE PLATE... 649 00:26:27,186 --> 00:26:28,357 BUT IT WAS STOLEN OFF ANOTHER CAR. 650 00:26:28,357 --> 00:26:30,059 SO NO GOOD THERE. 651 00:26:30,059 --> 00:26:32,061 BUT TORY NOTICED A DECAL IN THE BACK WINDOW. 652 00:26:32,061 --> 00:26:33,893 IT'S A PARKING PASS. 653 00:26:33,893 --> 00:26:36,125 FOR "CORAL WAY MARINA" IN MIAMI. 654 00:26:36,125 --> 00:26:37,596 SO WHOEVER HE IS, HE COULD BE CONNECTED 655 00:26:37,596 --> 00:26:39,699 TO OUR FLORIDA MURDERS. I CALLED THE MARINA. 656 00:26:39,699 --> 00:26:40,930 EVEN THOUGH THE PARKING PASS IS EXPIRED, 657 00:26:40,930 --> 00:26:42,902 THEY WERE ABLE TO TELL US WHO IT WAS ISSUED TO-- 658 00:26:42,902 --> 00:26:44,203 ONE CARL MATTHEWS. 659 00:26:44,203 --> 00:26:45,935 AND WHO IS CARL MATTHEWS? 660 00:26:45,935 --> 00:26:47,777 SHOW US THE D.M.V. PHOTO, PLEASE. 661 00:26:47,777 --> 00:26:48,808 RECOGNIZE HIM NOW? 662 00:26:50,339 --> 00:26:52,882 THAT'S THE SECURITY GUARD FROM THE DOCK. 663 00:26:58,848 --> 00:26:59,949 WE NOW BELIEVE THAT CARL MATTHEWS KILLED 664 00:26:59,949 --> 00:27:02,351 BOTH DANIEL SANTOS AND PAM HODGES. 665 00:27:02,351 --> 00:27:03,953 THAT SECURITY MOOK THAT FOUND HER? 666 00:27:03,953 --> 00:27:05,324 HOW DID WE LET HIM SLIP AWAY? 667 00:27:05,324 --> 00:27:07,757 MATTHEWS DIDN'T HAVE A RECORD, AND NOTHING ON HIM POPPED. 668 00:27:07,757 --> 00:27:10,730 NOW THE DAY AFTER MATTHEWS "FOUND" PAM HODGES DEAD, 669 00:27:10,730 --> 00:27:13,102 HE QUIT HIS JOB, SAYING HE WAS TOO UPSET TO WORK. 670 00:27:13,102 --> 00:27:14,764 NOW HE'S IN THE WIND. 671 00:27:14,764 --> 00:27:16,836 I'LL BET THIS SCUMBAG DID THE FLORIDA MURDERS, TOO. 672 00:27:16,836 --> 00:27:18,067 IT LOOKS THAT WAY. 673 00:27:18,067 --> 00:27:20,169 HE CREWED FISHING CHARTERS IN FLORIDA, 674 00:27:20,169 --> 00:27:23,142 WHICH MEANS HE KNOWS HIS WAY AROUND BOATS. 675 00:27:23,142 --> 00:27:26,045 NOW, IN 2010, HE WENT OFF THE GRID, 676 00:27:26,045 --> 00:27:27,947 AND THEN HE RESURFACED ABOUT A YEAR AGO 677 00:27:27,947 --> 00:27:30,119 IN NEW YORK WHEN HE TOOK AT JOB AT THE DOCKS. 678 00:27:30,119 --> 00:27:31,881 WHAT'S YOUR NEXT MOVE? 679 00:27:31,881 --> 00:27:35,955 WE'VE GOT AN ALERT OUT ON MATTHEWS AND HIS CAR, 680 00:27:35,955 --> 00:27:40,059 BUT... OUR BEST BET IS TO GET IN CONTACT WITH HIS FAMILY, 681 00:27:40,059 --> 00:27:41,961 HIS FRIENDS, CO-WORKERS, EX-WIVES. 682 00:27:41,961 --> 00:27:44,163 SOMEONE IN HIS LIFE HAS TO KNOW WHERE HE IS 683 00:27:44,163 --> 00:27:47,666 AND WHAT HIS NEXT MOVE MIGHT BE. 684 00:27:52,271 --> 00:27:53,372 ANY NEWS? 685 00:27:53,372 --> 00:27:55,975 NO, NOT YET, BUT WE'LL FIND HIM. 686 00:27:57,847 --> 00:27:58,878 WHAT'S WRONG? 687 00:28:01,050 --> 00:28:03,983 CARL MATTHEWS IS WRONG. HE DOESN'T FIT THE STORY. 688 00:28:03,983 --> 00:28:05,354 HOW DOESN'T HE FIT? 689 00:28:05,354 --> 00:28:07,717 IN FLORIDA, HE'S BASICALLY A BEACH BUM. 690 00:28:07,717 --> 00:28:09,118 HERE HE'S A SECURITY GUARD. 691 00:28:09,118 --> 00:28:11,821 H-HOW'S A GUY LIKE THAT PULL THIS OFF? 692 00:28:11,821 --> 00:28:13,162 MAYBE HE JUST... 693 00:28:13,162 --> 00:28:15,294 READS MORE INTELLIGENT THAN HE IS ON PAPER. 694 00:28:15,294 --> 00:28:17,326 WHAT ABOUT THE MONEY-- 695 00:28:17,326 --> 00:28:20,099 ENOUGH TO PUT PAM HODGES IN FOR SURGERY? 696 00:28:20,099 --> 00:28:23,032 HE ROBBED A BANK, OR HE WAS DEALING DRUGS. 697 00:28:23,032 --> 00:28:24,834 I-I DON'T KNOW. YOU KNOW, 698 00:28:24,834 --> 00:28:26,475 HE FELL OFF THE GRID AFTER HE LEFT FLORIDA. 699 00:28:26,475 --> 00:28:28,808 SPEAKING OF WHICH, HE'S IN FLORIDA. 700 00:28:28,808 --> 00:28:31,380 HE'S OFF THE GRID. HE'S NEVER BEEN ARRESTED. 701 00:28:31,380 --> 00:28:33,813 WHY THE FIXATION WITH LANIE AND ESPOSITO? 702 00:28:33,813 --> 00:28:35,785 WE DON'T HAVE ALL OF THE ANSWERS, CASTLE, 703 00:28:35,785 --> 00:28:38,187 NOT RIGHT NOW, AT LEAST. 704 00:28:38,187 --> 00:28:39,949 BUT ALL OF THE EVIDENCE IS POINTING TO MATTHEWS. 705 00:28:39,949 --> 00:28:41,190 I AGREE WITH YOU. 706 00:28:41,190 --> 00:28:43,252 I JUST DON'T THINK HE'S WORKING ALONE. 707 00:28:43,252 --> 00:28:44,723 I THINK HE HAS A PARTNER. 708 00:28:46,495 --> 00:28:47,997 LIKE WHO, DR. NIEMAN? 709 00:28:47,997 --> 00:28:50,299 NO. 710 00:28:50,299 --> 00:28:52,201 SOMEONE WE'VE DEALT WITH BEFORE. 711 00:28:54,263 --> 00:28:58,107 3XK? 3XK IS DEAD. IS HE? 712 00:28:58,107 --> 00:28:59,368 AND WHAT IF WE FIND CARL MATTHEWS' NAME 713 00:28:59,368 --> 00:29:01,771 IN HIS CASE FILES? JERRY TYSON FELL OFF THAT BRIDGE. 714 00:29:01,771 --> 00:29:04,043 IT WAS A HUNDRED-FOOT DROP INTO THE WATER. 715 00:29:04,043 --> 00:29:05,014 WAS HIS BODY EVER FOUND? 716 00:29:05,014 --> 00:29:07,076 NOBODY COULD SURVIVE THAT FALL. 717 00:29:07,076 --> 00:29:08,047 JERRY TYSON COULD. 718 00:29:08,047 --> 00:29:09,849 CASTLE, LISTEN TO YOURSELF. 719 00:29:09,849 --> 00:29:11,821 THERE'S NOT A SHRED OF EVIDENCE 720 00:29:11,821 --> 00:29:14,453 THAT TYSON IS ALIVE, LET ALONE INVOLVED IN THIS. 721 00:29:14,453 --> 00:29:15,754 TYSON DOESN'T LEAVE EVIDENCE, 722 00:29:15,754 --> 00:29:17,086 NOT UNLESS HE WANTS US TO FIND IT, 723 00:29:17,086 --> 00:29:18,828 LIKE THAT DELETED PHOTO. 724 00:29:18,828 --> 00:29:20,489 NO EVIDENCE, PLUS METICULOUS PLANNING-- 725 00:29:20,489 --> 00:29:24,093 THAT'S VINTAGE 3XK, AND THIS CASE HAS IT IN SPADES. 726 00:29:24,093 --> 00:29:26,936 CASTLE... AND YOU WANT TO KNOW SOME OTHER 3XK CLASSICS-- 727 00:29:26,936 --> 00:29:29,138 USING PEOPLE THAT LOOK LIKE OTHER PEOPLE. 728 00:29:29,138 --> 00:29:30,239 USING A KILLER TO ACT ON HIS BEHALF. 729 00:29:30,239 --> 00:29:31,941 BECKETT, HOW CAN YOU NOT SEE IT? 730 00:29:31,941 --> 00:29:35,044 WHAT I SEE IS THE GUILT THAT YOU FEEL. 731 00:29:35,044 --> 00:29:36,345 THIS ISN'T ABOUT ME. 732 00:29:36,345 --> 00:29:38,477 LOOK, WHEN TYSON ESCAPED, HE OUTSMARTED ALL OF US. 733 00:29:38,477 --> 00:29:40,109 BUT YOU'VE ALWAYS BLAMED YOURSELF. 734 00:29:40,109 --> 00:29:43,252 BECAUSE I'M TO BLAME... 735 00:29:43,252 --> 00:29:45,184 IT'S HIM-- IT'S JERRY TYSON. 736 00:29:45,184 --> 00:29:47,056 DON'T CHASE GHOSTS, CASTLE. 737 00:29:47,056 --> 00:29:50,089 OKAY? IT'S NOT WORTH IT, TRUST ME. DETECTIVE! 738 00:29:50,089 --> 00:29:52,221 LOOKS LIKE THE 3XK FILES ARE GONE. 739 00:29:52,221 --> 00:29:54,123 WHAT DO YOU MEAN, THEY'RE GONE? 740 00:29:55,464 --> 00:29:58,467 ALL OF THEM 741 00:29:58,467 --> 00:30:00,399 SOMEBODY MUST HAVE SIGNED THEM OUT. 742 00:30:00,399 --> 00:30:02,001 WHO? 743 00:30:02,001 --> 00:30:03,072 WELL, LET ME KNOW IF YOU CAN THINK OF ANYTHING ELSE, 744 00:30:03,072 --> 00:30:06,405 ALL RIGHT? THANKS. 745 00:30:06,405 --> 00:30:08,007 WHERE ARE THE 3XK FILES? 746 00:30:08,007 --> 00:30:09,909 WHAT ARE YOU TALKING ABOUT? 747 00:30:09,909 --> 00:30:10,940 WHAT ARE YOU TALKING ABOUT? 748 00:30:10,940 --> 00:30:12,942 YOUR NAME IS ON THE SIGNATURE SHEET. 749 00:30:12,942 --> 00:30:14,283 NO, IT'S NOT. 750 00:30:14,283 --> 00:30:15,945 YEAH, FROM THREE DAYS AGO. YOU CHECKED THOSE FILES OUT. 751 00:30:15,945 --> 00:30:18,517 I DIDN'T CHECK OUT ANY FILES. SOMEBODY MESSED UP. 752 00:30:22,091 --> 00:30:24,053 OH, MY GOD. 753 00:30:24,053 --> 00:30:26,856 SOMEONE WANT TO TELL US WHAT THE HELL IS GOING ON? 754 00:30:34,333 --> 00:30:38,567 THAT WAS THE HEAD OF THE M.E.'s OFFICE. 755 00:30:38,567 --> 00:30:43,372 REPORTS, LAB WORK, D.N.A., TISSUE SAMPLES 756 00:30:43,372 --> 00:30:46,615 OF EVERY SUSPECTED 3XK VICTIM 757 00:30:46,615 --> 00:30:49,078 WERE CHECKED OUT... BY LANIE. 758 00:30:50,880 --> 00:30:52,081 ONLY NOT THE REAL LANIE. 759 00:30:53,852 --> 00:30:55,184 ARE YOU SAYING THE SON OF A BITCH IS BACK? 760 00:30:55,184 --> 00:30:57,126 THAT EXPLAINS THE LOOK-ALIKES.... 761 00:30:57,126 --> 00:30:59,228 AND WHY SANTOS TRIED TO SOUND LIKE ME. 762 00:30:59,228 --> 00:31:01,060 IT'S NOT ENOUGH THAT JERRY TYSON DISAPPEARED. 763 00:31:01,060 --> 00:31:02,591 HE WANTED HIS MURDERS TO DISAPPEAR, TOO. 764 00:31:02,591 --> 00:31:06,465 AND IT'S NOT JUST EVIDENCE. IT'S HIS M.O.s, 765 00:31:06,465 --> 00:31:08,097 VICTIM PREFERENCES, ALL THE HUNDREDS 766 00:31:08,097 --> 00:31:10,469 OF TINY CASE DETAILS THAT CAN REVEAL PSYCHOLOGY 767 00:31:10,469 --> 00:31:12,301 AS TO WHERE HE IS, WHERE HE MIGHT BE GOING NEXT. 768 00:31:12,301 --> 00:31:15,544 IT'S ALL GONE.... LIKE HE'S GOT A CLEAN SLATE. 769 00:31:15,544 --> 00:31:18,407 MAYBE NOT COMPLETELY CLEAN. 770 00:31:20,149 --> 00:31:21,880 CALL THE PRISON WHERE TYSON DID TIME. 771 00:31:21,880 --> 00:31:25,014 HAVE THEM SECURE HIS RECORDS BEFORE THEY DISAPPEAR, TOO, 772 00:31:25,014 --> 00:31:26,615 AND THEN HAVE THEM SEND US THE COPIES. 773 00:31:26,615 --> 00:31:28,557 OH, I'M ALL OVER IT. 774 00:31:28,557 --> 00:31:30,459 A CRUISER JUST SPOTTED MATTHEWS' CAR 775 00:31:30,459 --> 00:31:33,322 AT THE STARBURST MOTEL IN QUEENS. 776 00:31:33,322 --> 00:31:35,564 THAT'S THE SAME MOTEL WHERE WE PUT UP JERRY TYSON. 777 00:31:44,033 --> 00:31:47,106 THANKS. FRONT DESK SAYS HE'S IN ROOM 47. 778 00:31:47,106 --> 00:31:51,380 THAT'S THE SAME ROOM TYSON WAS IN. YEAH. 779 00:31:57,947 --> 00:31:59,188 THERE'S HIS CAR. 780 00:32:03,452 --> 00:32:05,554 LIGHTS OUT IN ROOM 47. 781 00:32:05,554 --> 00:32:06,956 LISTEN, CASTLE. 782 00:32:06,956 --> 00:32:09,928 WE DON'T KNOW WHAT'S WAITING FOR US UP THERE. 783 00:32:09,928 --> 00:32:11,130 YOU NEED TO STAY HERE, OKAY? 784 00:32:11,130 --> 00:32:12,331 YOU BE CAREFUL. 785 00:32:12,331 --> 00:32:13,362 LET'S GO. 786 00:32:32,521 --> 00:32:35,024 POLICE! N.Y.P.D.! 787 00:32:55,344 --> 00:32:56,475 OW. 788 00:32:56,475 --> 00:32:58,077 WHERE IS 3XK? 789 00:32:58,077 --> 00:32:59,208 WHERE IS HE?! 790 00:33:07,216 --> 00:33:09,658 HOW ARE YOU, DETECTIVE? 791 00:33:09,658 --> 00:33:12,291 DEPENDS ON HOW THINGS GO DOWN WITH CARL MATTHEWS. 792 00:33:15,364 --> 00:33:16,765 I'LL GIVE YOU TWO THE ROOM. 793 00:33:16,765 --> 00:33:18,997 DOCTOR. 794 00:33:18,997 --> 00:33:21,100 SIR. 795 00:33:21,100 --> 00:33:23,272 WHAT KIND OF TWISTED BASTARD 796 00:33:23,272 --> 00:33:25,504 MURDERS TWO PEOPLE FOR SOME FILES? 797 00:33:25,504 --> 00:33:27,206 THAT KIND. 798 00:33:27,206 --> 00:33:30,539 DO WE HAVE PROOF THAT HE KILLED HIM? 799 00:33:30,539 --> 00:33:32,141 NOT ENOUGH. 800 00:33:32,141 --> 00:33:34,583 SO WHAT'S GONNA HAPPEN? 801 00:33:34,583 --> 00:33:37,086 WE MAKE HIM THINK THAT OUR CASE IS STRONGER THAN IT REALLY IS, 802 00:33:37,086 --> 00:33:38,747 GET HIM TO CONFESS. 803 00:33:38,747 --> 00:33:40,449 IT'S OUR ONLY PLAY. 804 00:33:48,097 --> 00:33:50,459 YOU BROKE THREE OF MY RIBS. 805 00:33:50,459 --> 00:33:51,700 OH, I'M SORRY. 806 00:33:51,700 --> 00:33:54,203 I WAS GOING FOR DOUBLE DIGITS. 807 00:33:54,203 --> 00:33:57,136 WE NEED TO HAVE A CANDID CONVERSATION 808 00:33:57,136 --> 00:33:58,537 ABOUT YOUR FUTURE, CARL. 809 00:33:58,537 --> 00:33:59,768 OR LACK THEREOF. 810 00:33:59,768 --> 00:34:01,770 WE FOUND A STEEL FISHING LINE 811 00:34:01,770 --> 00:34:04,273 IN THAT BACKPACK YOU WERE CARRYING. 812 00:34:04,273 --> 00:34:05,474 HERE'S A FUN FACT. 813 00:34:05,474 --> 00:34:07,146 DID YOU KNOW THAT WHEN YOU CUT A WIRE, 814 00:34:07,146 --> 00:34:09,148 IT LEAVES MICROSCOPIC IMPRESSIONS-- 815 00:34:09,148 --> 00:34:11,650 UNIQUE MICROSCOPIC IMPRESSIONS-- IN THE METAL. 816 00:34:11,650 --> 00:34:14,052 THAT'S HOW WE KNEW THE WIRE IN THE PACK 817 00:34:14,052 --> 00:34:15,824 CAME FROM THE SAME SPOOL THAT YOU USED 818 00:34:15,824 --> 00:34:17,756 TO HANG DANIEL SANTOS. 819 00:34:17,756 --> 00:34:20,359 WE CAN ALSO CONNECT YOU TO THE MURDER OF PAM HODGES. 820 00:34:20,359 --> 00:34:22,191 SAME WIRE, SAME CUTTING TOOL. 821 00:34:22,191 --> 00:34:23,832 AND TO THE MURDERS IN FLORIDA. 822 00:34:23,832 --> 00:34:25,734 OH, YES. WHERE YOUR FONDNESS 823 00:34:25,734 --> 00:34:28,537 FOR FISHING LINE WAS ONCE AGAIN ON DISPLAY. 824 00:34:28,537 --> 00:34:30,439 BUT I THINK BY THIS POINT IN THE TRIAL, 825 00:34:30,439 --> 00:34:32,701 THE JURORS WILL HAVE HEARD ENOUGH. 826 00:34:35,474 --> 00:34:39,108 SOUNDS LIKE A LOT OF STICKS AND NO CARROTS. 827 00:34:47,416 --> 00:34:50,319 CONFESS TO ALL THE MURDERS, CARL. 828 00:34:50,319 --> 00:34:53,162 AND FLORIDA WILL TAKE THE DEATH PENALTY OFF THE TABLE. 829 00:34:53,162 --> 00:34:54,763 IT'S THE BEST YOU'RE GONNA GET. 830 00:34:54,763 --> 00:34:57,696 I'M GIVING YOU LIFE. 831 00:34:57,696 --> 00:35:00,599 WHICH IS MORE THAN YOU EVER GAVE YOUR VICTIMS. 832 00:35:10,379 --> 00:35:12,711 ALL RIGHT. 833 00:35:12,711 --> 00:35:15,144 I HAD A GOOD RUN. 834 00:35:18,817 --> 00:35:20,719 HOW MANY ARE THERE? 835 00:35:20,719 --> 00:35:23,722 WAY NORTH OF FOUR, IF THAT'S WHAT YOU'RE ASKING. 836 00:35:23,722 --> 00:35:26,795 TELL ME ABOUT PAM HODGES. 837 00:35:26,795 --> 00:35:28,857 SHE WAS A FIGHTER. 838 00:35:28,857 --> 00:35:30,659 AND THE LOOK ON HER FACE-- 839 00:35:30,659 --> 00:35:34,163 SHE WANTED TO LIVE SO BAD. 840 00:35:34,163 --> 00:35:36,235 BUT I STOOD HER ON A SHIPPING PALLET, 841 00:35:36,235 --> 00:35:38,207 THEN PULLED IT AWAY. 842 00:35:38,207 --> 00:35:42,841 AND HER FEET WERE JUST... JUST OFF THE GROUND. 843 00:35:42,841 --> 00:35:46,144 I REMEMBER THE TOES OF HER SHOES 844 00:35:46,144 --> 00:35:47,676 SCUFFING THE WOOD. 845 00:35:47,676 --> 00:35:52,351 ALL PANICKY AND FAST, AT FIRST. 846 00:35:52,351 --> 00:35:53,852 AND THEN SLOWER. 847 00:35:56,185 --> 00:35:59,188 AND THEN NOT AT ALL. 848 00:35:59,188 --> 00:36:01,460 AND WHAT ABOUT DANIEL SANTOS? 849 00:36:01,460 --> 00:36:03,762 WITH DANIEL, I USED THE REEL. 850 00:36:03,762 --> 00:36:06,795 SO WITH EACH CLICK I DREW IN A QUARTER-INCH OF LINE. 851 00:36:06,795 --> 00:36:08,767 IT GOT TIGHTER... 852 00:36:08,767 --> 00:36:13,242 AND THEN LIFTED HIM BIT... BY BIT. 853 00:36:13,242 --> 00:36:16,745 EVERY TIME I HEAR A CLICK, I'M RIGHT BACK WITH HIM. 854 00:36:18,947 --> 00:36:20,949 HOW LONG DO YOU THINK IT'S GONNA TAKE 855 00:36:20,949 --> 00:36:23,782 BEFORE WE STOP THINKING ABOUT WHAT HE'S DONE? 856 00:36:23,782 --> 00:36:27,286 TILL WE STOP... LOOKING AT EACH OTHER 857 00:36:27,286 --> 00:36:30,759 AND SEEING TWO DEAD PEOPLE? 858 00:36:30,759 --> 00:36:32,461 I DON'T KNOW. 859 00:36:36,865 --> 00:36:40,469 YOU KILLED THEM BOTH FOR JERRY TYSON. 860 00:36:40,469 --> 00:36:44,773 NO, I ADMIRE HIS WORK. BUT NO, I'M MY OWN MAN. 861 00:36:44,773 --> 00:36:46,875 AND AS YOUR OWN MAN, YOU GROOMED THEM, 862 00:36:46,875 --> 00:36:49,738 PAID FOR PAM'S APARTMENT USING THE MONEY 863 00:36:49,738 --> 00:36:51,380 FROM THE GREGS-BAKER ACCOUNT 864 00:36:51,380 --> 00:36:53,542 THAT YOU ESTABLISHED IN THE CAYMANS. 865 00:36:53,542 --> 00:36:55,744 YEAH, THAT'S RIGHT. 866 00:36:57,746 --> 00:36:59,488 YOU'RE LYING. 867 00:36:59,488 --> 00:37:00,849 THAT ACCOUNT WAS OPENED IN BELIZE, 868 00:37:00,849 --> 00:37:02,251 NOT THE CAYMANS. 869 00:37:02,251 --> 00:37:03,822 BUT YOU WOULDN'T KNOW THAT BECAUSE 870 00:37:03,822 --> 00:37:05,894 YOU WEREN'T THE ONE WHO OPENED IT. 871 00:37:05,894 --> 00:37:07,956 WHERE'S JERRY TYSON? 872 00:37:07,956 --> 00:37:10,329 UH, HE'S DEAD IS MY UNDERSTANDING. 873 00:37:10,329 --> 00:37:11,530 SO THEN WHY DID YOU DO 874 00:37:11,530 --> 00:37:13,502 ALL OF THIS TO STEAL THE 3XK FILES? 875 00:37:13,502 --> 00:37:15,304 WHY WOULD YOU USE THE SAME MOTEL? 876 00:37:15,304 --> 00:37:19,338 THE SAME ROOM WHERE JERRY TYSON ESCAPED POLICE CUSTODY? 877 00:37:19,338 --> 00:37:22,571 SOMEONE RECOMMENDED IT. 878 00:37:22,571 --> 00:37:23,712 PLUS IT HAD FREE Wi-Fi. 879 00:37:25,714 --> 00:37:32,281 I'LL CONFESS TO MY KILLS. NO MORE AND NO LESS. 880 00:37:32,281 --> 00:37:37,786 I RECALL EVERY ONE OF THEM IN THE CLEAREST DETAIL. 881 00:37:37,786 --> 00:37:41,690 ALL THOSE MEMORIES. 882 00:37:41,690 --> 00:37:44,663 AND TO ME, I WON'T BE IN A PRISON CELL. 883 00:37:44,663 --> 00:37:48,337 I'LL BE LIVING HERE. 884 00:37:48,337 --> 00:37:52,571 UH, I NEED A GOOD PEN AND A PAD OF PAPER. 885 00:37:52,571 --> 00:37:55,774 UH, SEVERAL PADS, IN FACT. 886 00:37:57,806 --> 00:37:59,908 I KNOW YOU THINK 887 00:37:59,908 --> 00:38:01,610 YOU'VE GOT THIS ALL FIGURED OUT, 888 00:38:01,610 --> 00:38:04,453 BUT YOU DON'T. 889 00:38:16,625 --> 00:38:19,398 WHAT DID HE SAY ABOUT JERRY TYSON? 890 00:38:19,398 --> 00:38:20,699 NOTHING. 891 00:38:20,699 --> 00:38:23,502 HMM. 892 00:38:23,502 --> 00:38:26,875 THE THEFT OF THOSE FILES WAS A MAJOR SECURITY BREACH. 893 00:38:26,875 --> 00:38:28,907 BE AWARE THAT THE DEPARTMENT IS EAGER 894 00:38:28,907 --> 00:38:29,908 TO PUT THAT BEHIND THEM. 895 00:38:29,908 --> 00:38:33,412 IT'S AN EMBARRASSMENT. 896 00:38:33,412 --> 00:38:36,815 SIR, IF A DETECTIVE WERE TO SUGGEST THAT TYSON, 897 00:38:36,815 --> 00:38:39,888 A MAN THAT THE DEPARTMENT'S ALREADY DECLARED DEAD, 898 00:38:39,888 --> 00:38:40,819 MIGHT STILL BE ALIVE-- 899 00:38:40,819 --> 00:38:43,352 AN EVEN BIGGER EMBARRASSMENT. 900 00:38:45,654 --> 00:38:48,056 SO IF YOU'RE GONNA MAKE THAT CLAIM... 901 00:38:48,056 --> 00:38:51,760 MAKE DAMN SURE YOU CAN BACK IT UP. 902 00:38:54,963 --> 00:38:56,765 I WILL KEEP THAT IN MIND, SIR. 903 00:38:59,838 --> 00:39:02,571 WHAT WAS THAT ABOUT? 904 00:39:02,571 --> 00:39:03,872 THAT IF TYSON IS ALIVE, 905 00:39:03,872 --> 00:39:06,344 THE N.Y.P.D. DOESN'T WANNA KNOW ABOUT IT. 906 00:39:06,344 --> 00:39:09,347 AND WHAT ABOUT YOU? DO YOU THINK HE'S BACK? 907 00:39:09,347 --> 00:39:10,949 CASTLE, PEOPLE DON'T JUST RISE FROM THE DEAD. 908 00:39:10,949 --> 00:39:12,521 SO I'M STILL LOOKING AT OTHER EXPLANATIONS. 909 00:39:12,521 --> 00:39:14,623 BUT IF HE IS OUT THERE, WE HAVE TO FIND HIM. 910 00:39:14,623 --> 00:39:16,084 WE'RE NOT GONNA GET ANY MORE OUT OF CARL MATTHEWS. 911 00:39:16,084 --> 00:39:18,487 SO... WHERE DO WE START? 912 00:39:18,487 --> 00:39:20,629 GUYS, I THINK I FOUND SOMETHING IN THOSE PRISON RECORDS 913 00:39:20,629 --> 00:39:22,030 THAT GOT SENT OVER. 914 00:39:22,030 --> 00:39:24,533 DO YOU REMEMBER RIGHT BEFORE HE WAS RELEASED FROM PRISON, 915 00:39:24,533 --> 00:39:25,894 TYSON GOT BEAT UP BY SOME INMATES? 916 00:39:25,894 --> 00:39:27,736 YEAH, THAT'S WHY WE PULLED HIM OUT OF THERE. 917 00:39:27,736 --> 00:39:28,997 WE THOUGHT HIS LIFE WAS IN DANGER, 918 00:39:28,997 --> 00:39:30,869 BUT IT TURNS OUT, HE JUST STAGED THE WHOLE THING. 919 00:39:30,869 --> 00:39:32,641 RIGHT, BUT THE BEAT DOWN WAS REAL. 920 00:39:32,641 --> 00:39:34,002 HE GOT SENT TO THE INFIRMARY. 921 00:39:34,002 --> 00:39:35,874 LOOK WHO WAS ATTENDING HIM. 922 00:39:35,874 --> 00:39:37,075 DR. KELLY NIEMAN? 923 00:39:37,075 --> 00:39:38,807 SHE VOLUNTEERED AS A PRISON DOC. 924 00:39:38,807 --> 00:39:40,609 MORE IMPORTANTLY, SHE STARTED THERE 925 00:39:40,609 --> 00:39:41,850 THE WEEK TYSON ARRIVED, 926 00:39:41,850 --> 00:39:43,582 AND SHE QUIT THE DAY HE WAS RELEASED. 927 00:39:43,582 --> 00:39:44,883 SHE KNEW HIM FROM BEFORE. 928 00:39:44,883 --> 00:39:46,515 SHE TOOK THAT JOB TO BE CLOSE TO HIM. 929 00:39:46,515 --> 00:39:47,816 SHE'S GOTTA BE TYSON'S GIRLFRIEND. 930 00:39:47,816 --> 00:39:49,418 HE TAUGHT HER EVERYTHING HE KNEW. 931 00:39:49,418 --> 00:39:50,559 GET HER BACK HERE. 932 00:39:50,559 --> 00:39:51,920 SHE'S NOT ANSWERING HER CELL. 933 00:39:51,920 --> 00:39:52,961 SHE'S NOT AT HER APARTMENT EITHER. 934 00:40:03,031 --> 00:40:05,474 DAMN IT! THIS EXPLAINS WHY YOU COULDN'T REACH HER. 935 00:40:05,474 --> 00:40:06,535 SHE BOLTED. 936 00:40:06,535 --> 00:40:08,837 AND IF TYSON'S IN THIS, HE DID, TOO. 937 00:40:08,837 --> 00:40:10,038 SEEMS LIKE ONLY YESTERDAY 938 00:40:10,038 --> 00:40:12,110 THIS PLACE WAS A THRIVING MEDICAL PRACTICE, 939 00:40:12,110 --> 00:40:16,545 BUT... IT WAS YESTERDAY. 940 00:40:16,545 --> 00:40:19,548 WE STILL GOTTA CLEAR THE PLACE. 941 00:40:27,796 --> 00:40:29,197 BECKETT? 942 00:40:31,800 --> 00:40:33,131 WHAT IS IT? 943 00:40:47,075 --> 00:40:49,618 OKAY, ALL RIGHT, THANKS. 944 00:40:49,618 --> 00:40:51,620 SO ALL OF THE ELECTRONIC RECORDS 945 00:40:51,620 --> 00:40:54,883 FROM THE 3XK CASES WERE DELETED, TOO. 946 00:40:54,883 --> 00:40:56,685 NOT ONLY THAT, BUT IT LOOKS LIKE OUR VICTIMS 947 00:40:56,685 --> 00:40:59,758 TOOK EVIDENCE AND FILES FROM 26 OTHER UNSOLVED MURDERS. 948 00:40:59,758 --> 00:41:01,730 MORE MURDERS COMMITTED BY TYSON? 949 00:41:01,730 --> 00:41:03,632 OR KELLY NIEMAN. 950 00:41:03,632 --> 00:41:04,933 I DON'T KNOW, CASTLE. 951 00:41:04,933 --> 00:41:06,695 I'M STARTING TO THINK SHE'D BE CAPABLE OF IT, TOO. 952 00:41:06,695 --> 00:41:08,166 TYSON SURE DID PICK THE RIGHT WOMAN. 953 00:41:08,166 --> 00:41:09,798 PLUS SHE CAN CHANGE HIS APPEARANCE. 954 00:41:09,798 --> 00:41:10,869 MAYBE SHE ALREADY HAS. 955 00:41:10,869 --> 00:41:12,801 YOU'RE STILL ASSUMING THAT HE'S ALIVE. 956 00:41:12,801 --> 00:41:14,673 AREN'T YOU? 957 00:41:14,673 --> 00:41:16,044 HE MUST BE. 958 00:41:16,044 --> 00:41:18,006 OTHERWISE, WHY ORCHESTRATE ALL THIS TO STEAL THE FILE? 959 00:41:18,006 --> 00:41:20,649 WELL, MAYBE SHE JUST WANTED TO KEEP HIS MEMORY ALIVE. 960 00:41:20,649 --> 00:41:23,682 OR HIS LEGACY. 961 00:41:23,682 --> 00:41:26,815 AND THAT MAKES HER JUST AS DANGEROUS AS HE IS. 962 00:41:26,815 --> 00:41:28,757 SHE'S STILL OUT THERE SOMEWHERE 963 00:41:28,757 --> 00:41:30,889 WITH JERRY TYSON OR WITHOUT HIM. 964 00:41:41,570 --> 00:41:46,635 ♪ WE'LL MEET AGAIN ♪ 965 00:41:46,635 --> 00:41:49,207 ♪ DON'T KNOW WHERE ♪ 966 00:41:49,207 --> 00:41:51,780 ♪ DON'T KNOW WHEN ♪ 967 00:41:51,780 --> 00:41:56,284 ♪ BUT I KNOW WE'LL MEET AGAIN ♪ 968 00:41:56,284 --> 00:42:03,091 ♪ SOME SUNNY DAY ♪ 969 00:42:03,091 --> 00:42:06,855 ♪ KEEP SMILING THROUGH ♪ 970 00:42:06,855 --> 00:42:09,798 ♪ JUST LIKE YOU ♪ 971 00:42:09,798 --> 00:42:12,601 ♪ ALWAYS DO ♪ 972 00:42:12,601 --> 00:42:15,133 ♪ TILL THE BLUE SKIES ♪ 973 00:42:15,133 --> 00:42:18,066 ♪ DRIVE THE DARK CLOUDS ♪ 974 00:42:18,066 --> 00:42:20,068 ♪ FAR AWAY ♪