1 00:00:02,002 --> 00:00:03,174 ♪ GIVE ME THE THING THAT I LOVE ♪ 2 00:00:03,174 --> 00:00:05,136 ♪ I'LL TURN THE LIGHTS ON ♪ 3 00:00:05,136 --> 00:00:06,677 OH, MY GOD. I THINK THAT'S HER CAR. 4 00:00:08,379 --> 00:00:10,781 ALL, RIGHT, GUYS! KEEP IT CLEAR. 5 00:00:10,781 --> 00:00:13,484 DON'T YOU HAVE ANYTHING BETTER TO DO? 6 00:00:13,484 --> 00:00:14,715 MANDY, MANDY! 7 00:00:14,715 --> 00:00:16,617 ♪ APPLAUSE, APPLAUSE, APPLAUSE ♪ 8 00:00:16,617 --> 00:00:18,489 ♪ I LIVE FOR THE APPLAUSE-PLAUSE ♪ 9 00:00:18,489 --> 00:00:20,151 MANDY, HAVE YOU--HAVE YOU SPOKEN TO ZACH SINCE THE BREAKUP? 10 00:00:20,151 --> 00:00:22,193 ♪ LIVE FOR THE... ♪ 11 00:00:22,193 --> 00:00:24,095 DO YOU REGRET CHEATING ON HIM? 12 00:00:24,095 --> 00:00:25,456 IS THERE ANY TRUTH TO THE RUMOR 13 00:00:25,456 --> 00:00:27,027 THAT YOU'RE GOING BACK INTO REHAB? 14 00:00:27,027 --> 00:00:28,799 ♪ A-R-T-P-O-P ♪ 15 00:00:28,799 --> 00:00:31,132 CASTLE? 16 00:00:31,132 --> 00:00:32,463 HMM? 17 00:00:32,463 --> 00:00:33,804 SHOULD I BE WORRIED 18 00:00:33,804 --> 00:00:35,806 ABOUT YOUR COMMITMENT TO OUR ENGAGEMENT? 19 00:00:37,568 --> 00:00:39,170 NO. WHY? 20 00:00:39,170 --> 00:00:40,241 'CAUSE IT SAYS RIGHT HERE 21 00:00:40,241 --> 00:00:41,342 THAT YOU'RE GETTING BACK TOGETHER WITH YOUR EX-WIFE. 22 00:00:41,342 --> 00:00:43,074 WHAT? RIGHT HERE. PAGE SIX. 23 00:00:45,276 --> 00:00:47,478 "CASTLE CAUGHT CUDDLING WITH EX-WIFE PUBLISHER." 24 00:00:47,478 --> 00:00:49,180 NO, NO, THIS WAS A BUSINESS LUNCH. 25 00:00:49,180 --> 00:00:50,681 WE WERE DISCUSSING HEAT AND STORM BOOKS. 26 00:00:50,681 --> 00:00:52,653 OH, SO, UM, YOU WEREN'T... 27 00:00:52,653 --> 00:00:55,126 "GAZING LOVINGLY INTO HER EYES"? 28 00:00:55,126 --> 00:00:58,129 SHE HAD SPINACH IN HER TEETH. THAT'S JUST--OKAY. 29 00:00:58,129 --> 00:01:00,131 I DON'T--SEE, THIS WOULDN'T HAPPEN IF YOU JUST 30 00:01:00,131 --> 00:01:01,332 LET ME ANNOUNCE OUR ENGAGEMENT. 31 00:01:01,332 --> 00:01:02,633 WE ALREADY TALKED ABOUT THIS. 32 00:01:02,633 --> 00:01:04,265 EVERYONE THAT'S IMPORTANT TO US ALREADY KNOWS. 33 00:01:04,265 --> 00:01:06,097 YES, AND JUST BECAUSE I'M A PUBLIC FIGURE 34 00:01:06,097 --> 00:01:08,499 DOESN'T MEAN YOU NEED TO BE ONE, TOO. I KNOW. EXACTLY. 35 00:01:08,499 --> 00:01:10,171 WELL... 36 00:01:10,171 --> 00:01:11,642 AS LONG AS YOU DON'T MIND THIS SORT OF THING HAPPENING. 37 00:01:11,642 --> 00:01:13,144 I DON'T. 'CAUSE IT'S NOT TRUE. 38 00:01:13,144 --> 00:01:14,375 AND IT ONLY GIVES ME MORE MATERIAL... 39 00:01:14,375 --> 00:01:16,407 TO TORTURE YOU WITH. 40 00:01:16,407 --> 00:01:17,478 MM, AND THE STUDENT BECOMES THE MASTER. 41 00:01:20,451 --> 00:01:22,583 WHO RINGS THE DOORBELL AT 6:45 IN THE MORNING? 42 00:01:22,583 --> 00:01:25,085 HEY, MR. C.! HOPE I DIDN'T WAKE YA. 43 00:01:25,085 --> 00:01:26,117 NO. 44 00:01:26,117 --> 00:01:27,188 I WAS JUST ON MY WAY TO WORK, 45 00:01:27,188 --> 00:01:28,559 THOUGHT I WOULD PICK UP MY LETTER OF RECOMMENDATION. 46 00:01:28,559 --> 00:01:31,122 RIGHT! FOR YOUR GRANT, UH, APPLICATION. 47 00:01:31,122 --> 00:01:32,863 REALLY APPRECIATE YOU DOING IT. 48 00:01:32,863 --> 00:01:34,425 I KNOW I TOLD ALEXIS I WAS FINISHED, 49 00:01:34,425 --> 00:01:36,727 BUT I-I HADN'T REALLY QUITE, UM... 50 00:01:36,727 --> 00:01:39,170 I'M STILL TWEAKING IT. THIS--I'M GETTING IT JUST RIGHT. 51 00:01:39,170 --> 00:01:40,731 YOU'RE A PERFECTIONIST, LIKE ME. 52 00:01:40,731 --> 00:01:43,704 WELL, TAKE YOUR TIME-- NOT TOO MUCH TIME. 53 00:01:43,704 --> 00:01:45,136 DEADLINE'S TONIGHT. 54 00:01:45,136 --> 00:01:46,677 I'LL HAVE IT DONE BY LUNCH. 55 00:01:46,677 --> 00:01:48,509 THANKS, MR. C.! 56 00:01:48,509 --> 00:01:50,241 YOU'RE THE BEST! I KNOW. 57 00:01:50,241 --> 00:01:51,712 HI! HI, PI! 58 00:01:51,712 --> 00:01:53,344 BYE! 59 00:01:53,344 --> 00:01:55,186 YOU HAVEN'T WRITTEN A WORD, HAVE YOU? 60 00:01:55,186 --> 00:01:58,149 NO. BUT IN MY DEFENSE, WHAT AM I SUPPOSED TO WRITE? 61 00:01:58,149 --> 00:01:59,550 IT'S PI. SO THEN WHY'D YOU OFFER? 62 00:01:59,550 --> 00:02:03,154 I DIDN'T. ALEXIS ASKED. I CAN'T SAY NO. 63 00:02:03,154 --> 00:02:06,457 BUT NO MORE EXCUSES. I'M GONNA DO IT RIGHT NOW. 64 00:02:08,699 --> 00:02:11,202 UNLESS THAT'S A MURDER. 65 00:02:11,202 --> 00:02:13,164 THIS IS HARVEY STRYKER WITH celebgazer.com. 66 00:02:13,164 --> 00:02:14,335 WE'RE GETTING UNCONFIRMED REPORTS THAT 67 00:02:14,335 --> 00:02:17,308 POP DIVA MANDY SUTTON IS DEAD AT 22. 68 00:02:17,308 --> 00:02:19,840 MANDY SUTTON? OH, NO. 69 00:02:19,840 --> 00:02:22,273 ALEXIS USED TO LOVE HER KIDS SHOW, "MANDY MELODY." 70 00:02:22,273 --> 00:02:23,644 SHE WAS A REGULAR TEEN BY DAY 71 00:02:23,644 --> 00:02:25,716 AND A CRIME-FIGHTING POP STAR BY NIGHT. 72 00:02:25,716 --> 00:02:26,777 BUT NO ONE RECOGNIZED HER AT SCHOOL 73 00:02:26,777 --> 00:02:28,179 BECAUSE SHE WORE GLASSES. 74 00:02:28,179 --> 00:02:29,580 WELL, IT LOOKS LIKE SHE COULD'VE USED THAT TRICK 75 00:02:29,580 --> 00:02:31,422 IN REAL LIFE. 76 00:02:31,422 --> 00:02:33,654 I MEAN, LOOK AT THIS. NO WONDER SHE WAS SUCH A MESS. 77 00:02:33,654 --> 00:02:35,256 DETECTIVE! 78 00:02:35,256 --> 00:02:37,288 CAN YOU CONFIRM FOR US THAT MANDY SUTTON'S DEAD? I, YOU KNOW... 79 00:02:37,288 --> 00:02:38,859 CAN YOU GIVE US ANY DETAILS ABOUT HOW SHE DIED? I GOTTA GO. I HAVE WORK TO DO. SORRY. 80 00:02:38,859 --> 00:02:40,661 OH, HEY, RICHARD CASTLE. IS IT TRUE 81 00:02:40,661 --> 00:02:42,263 THAT YOU'RE GETTING BACK TOGETHER WITH YOUR EX 82 00:02:42,263 --> 00:02:44,495 THIS ISN'T ABOUT ME TODAY. 83 00:02:45,936 --> 00:02:47,268 UH, CASTLE? 84 00:02:47,268 --> 00:02:48,669 HOW COME YOU DIDN'T DENY IT? 85 00:02:48,669 --> 00:02:50,841 WHAT DO YOU MEAN? BACK THERE MM-HMM. 86 00:02:50,841 --> 00:02:52,703 YEAH, IF I DENY THAT, THEN THEY THINK IT'S TRUE. 87 00:02:52,703 --> 00:02:54,905 I THOUGHT THAT STUFF DIDN'T BOTHER YOU. IT DOESN'T. 88 00:02:54,905 --> 00:02:56,307 HEY. 89 00:02:56,307 --> 00:02:58,779 SO MANDY LIVED IN THIS BUILDING? YEAH, PENTHOUSE. 90 00:02:58,779 --> 00:03:00,881 DOORMAN FOUND HER JUST BEFORE 6:00 THIS MORNING. 91 00:03:00,881 --> 00:03:04,685 O.D.? GIVEN HER LIFESTYLE, YOU'D THINK. 92 00:03:04,685 --> 00:03:06,617 BUT THIS IS PLAIN OLD-FASHIONED MURDER-- 93 00:03:06,617 --> 00:03:08,859 BLUNT-FORCE TRAUMA TO THE BACK OF THE HEAD, 94 00:03:08,859 --> 00:03:11,692 THE FACIAL LACERATIONS PROBABLY HAPPENED WITH THE FALL. 95 00:03:11,692 --> 00:03:12,823 OKAY, WHEN DID THIS HAPPEN? 96 00:03:12,823 --> 00:03:15,526 LIVIDITY PUTS IT BETWEEN 9:00 AND 11:00 LAST NIGHT. 97 00:03:15,526 --> 00:03:17,398 WELL, WE CAN CUT THAT TIME FRAME IN HALF. 98 00:03:17,398 --> 00:03:19,300 DOORMAN SAID THAT THE LIMO DROPPED HER OFF 99 00:03:19,300 --> 00:03:20,831 TO THE LOBBY LAST NIGHT AT 10:00 P.M. 100 00:03:20,831 --> 00:03:23,234 SHE WAS KILLED WITHIN AN HOUR OF RETURNING HOME? 101 00:03:23,234 --> 00:03:24,575 WHAT WAS SHE DOING BACK HERE? 102 00:03:24,575 --> 00:03:26,237 DOORMAN DIDN'T KNOW. BUT HE SAID THAT 103 00:03:26,237 --> 00:03:27,538 SHE USES THAT DOOR SOMETIMES 104 00:03:27,538 --> 00:03:29,840 WHEN SHE WANTS TO AVOID THE CROWD. 105 00:03:29,840 --> 00:03:31,982 SO MAYBE SHE WAS SNEAKING OUT OR MEETING SOMEONE? 106 00:03:31,982 --> 00:03:33,744 IF SO, IT WAS PROBABLY SOMEONE SHE KNEW. 107 00:03:33,744 --> 00:03:34,985 GATES ARE LOCKED ON BOTH SIDES. 108 00:03:34,985 --> 00:03:36,747 YOU NEED AN ACCESS CODE TO GET IN. 109 00:03:36,747 --> 00:03:38,349 IS THERE ANY SECURITY CAM FOOTAGE WE CAN PULL? 110 00:03:38,349 --> 00:03:39,550 NOT BACK HERE. 111 00:03:39,550 --> 00:03:40,951 IRONIC, SEEING AS HOW SHE SPENT HER ENTIRE LIFE 112 00:03:40,951 --> 00:03:42,222 IN FRONT OF CAMERAS. 113 00:03:42,222 --> 00:03:43,394 PAPARAZZI WAS OUT FRONT LAST NIGHT. 114 00:03:43,394 --> 00:03:45,225 LET'S SEE IF WE CAN GET COPIES OF THEIR PHOTOS. 115 00:03:45,225 --> 00:03:47,628 WHOEVER WAS BEHIND THIS MIGHT'VE BEEN IN THAT CROWD. 116 00:03:47,628 --> 00:03:48,959 AND NO TALKING TO THE PRESS, 117 00:03:48,959 --> 00:03:50,931 NOT UNTIL WE KNOW WHAT'S GOING ON. 118 00:03:50,931 --> 00:03:52,903 WHERE IS SHE? OH, MY GOD, MANDY! 119 00:03:52,903 --> 00:03:54,004 MA'AM? MANDY! 120 00:03:54,004 --> 00:03:56,907 MA'AM, THIS IS A CRIME SCENE. YOU CAN'T BE BACK HERE. 121 00:03:56,907 --> 00:03:58,869 I--YOU DON'T UNDERSTAND. I'M HER PERSONAL ASSISTANT. 122 00:03:58,869 --> 00:04:00,371 YOU STILL CAN'T BE BACK HERE. 123 00:04:00,371 --> 00:04:01,742 BUT WE WILL NEED TO TAKE YOU TO THE STATION 124 00:04:01,742 --> 00:04:02,973 TO GET A STATEMENT. 125 00:04:02,973 --> 00:04:04,845 DO YOU HAVE CONTACT INFORMATION FOR HER NEXT OF KIN? 126 00:04:04,845 --> 00:04:07,278 THAT WOULD BE HER-- HER MANAGER. 127 00:04:07,278 --> 00:04:08,719 I MEAN, HER MOTHER. 128 00:04:10,281 --> 00:04:11,622 HOW DID THIS HAPPEN? 129 00:04:11,622 --> 00:04:14,655 WHAT WAS SHE EVEN DOING IN THAT ALLEY? 130 00:04:14,655 --> 00:04:15,756 DO YOU KNOW OF ANYONE 131 00:04:15,756 --> 00:04:17,428 THAT WOULD'VE WANTED TO HARM YOUR DAUGHTER? 132 00:04:17,428 --> 00:04:18,959 YEAH. 133 00:04:18,959 --> 00:04:21,862 A LOT OF PEOPLE DISLIKED HER, WHO SHE BECAME, 134 00:04:21,862 --> 00:04:24,535 HER PROVOCATIVE CLOTHES, AND DANCING. 135 00:04:24,535 --> 00:04:27,898 THEY JUST WANTED HER TO BE LITTLE "MANDY MELODY" FOREVER. 136 00:04:27,898 --> 00:04:31,271 HAD SHE RECEIVED ANY THREATS RECENTLY? 137 00:04:31,271 --> 00:04:33,003 SURE, SHE'D GET SOME DISTURBING LETTERS. 138 00:04:33,003 --> 00:04:34,505 BUT ANY THAT WERE TOO AGGRESSIVE, 139 00:04:34,505 --> 00:04:35,906 WE'D TURN OVER TO THE SECURITY FIRM. 140 00:04:35,906 --> 00:04:38,479 OKAY, WE'RE GONNA NEED TO SEE ALL OF THOSE LETTERS. 141 00:04:38,479 --> 00:04:40,711 NOW DO YOU KNOW IF SHE WAS PLANNING ON MEETING 142 00:04:40,711 --> 00:04:42,653 WITH ANYONE AT HER APARTMENT LAST NIGHT? 143 00:04:42,653 --> 00:04:45,916 WE HADN'T SPOKEN TO HER IN TWO DAYS. 144 00:04:45,916 --> 00:04:47,388 SHE WAS MISSING? 145 00:04:47,388 --> 00:04:49,059 NO, WE KNEW WHERE SHE WAS. 146 00:04:49,059 --> 00:04:50,491 IT WASN'T HARD TO TRACK HER 147 00:04:50,491 --> 00:04:52,623 ON SOCIAL MEDIA AND GOSSIP SITES. 148 00:04:52,623 --> 00:04:54,525 SHE WAS PARTYING PRETTY HARD. 149 00:04:54,525 --> 00:04:57,898 FOR THE PAST FEW MONTHS, MANDY'D BEEN DOING REALLY GREAT. 150 00:04:57,898 --> 00:05:00,801 SHE STAYED CLEAN SINCE HER LAST STINT IN REHAB. 151 00:05:00,801 --> 00:05:01,972 SHE EVEN MET A NEW GUY 152 00:05:01,972 --> 00:05:04,735 WHILE SHE WAS DOING HER COMMUNITY SERVICE. 153 00:05:04,735 --> 00:05:07,037 ZACH. 154 00:05:07,037 --> 00:05:10,040 HE BUILDS HOUSES FOR THE POOR. 155 00:05:10,040 --> 00:05:12,683 AND THEN A COUPLE NIGHTS AGO, SHE WENT TO A CLUB 156 00:05:12,683 --> 00:05:16,016 FOR SOMEONE'S BIRTHDAY, AND I GUESS... 157 00:05:16,016 --> 00:05:17,918 SHE GOT DRUNK AND SHE STARTED 158 00:05:17,918 --> 00:05:20,020 MAKING OUT WITH AN OLD BOYFRIEND. 159 00:05:20,020 --> 00:05:24,495 AND SOMEONE TOOK A PICTURE. IT HIT ALL THE GOSSIP SITES. 160 00:05:24,495 --> 00:05:27,398 WHEN ZACH SAW... IT WAS TOO MUCH FOR HIM. 161 00:05:27,398 --> 00:05:30,000 THEY GOT INTO A BIG FIGHT, AND HE LEFT HER. 162 00:05:30,000 --> 00:05:32,763 HOW LONG HAD THEY BEEN DATING? 163 00:05:32,763 --> 00:05:34,004 FOUR MONTHS. 164 00:05:34,004 --> 00:05:35,966 WHICH MEANS HE WOULD KNOW HOW TO ACCESS THE ALLEY 165 00:05:35,966 --> 00:05:37,738 BEHIND YOUR DAUGHTER'S BUILDING. 166 00:05:37,738 --> 00:05:39,870 DO YOU KNOW WHERE WE COULD FIND HIM? 167 00:05:41,712 --> 00:05:43,814 IT'S FUNNY. THE FIRST TIME I SAW THIS PICTURE, 168 00:05:43,814 --> 00:05:45,546 I DIDN'T THINK I COULD FEEL ANY WORSE 169 00:05:45,546 --> 00:05:47,718 BUT... NOW THAT SHE'S GONE... 170 00:05:47,718 --> 00:05:50,050 YEAH? EXACTLY HOW BAD DID YOU FEEL? 171 00:05:50,050 --> 00:05:55,025 LOOK, I LOVED HER. I WOULD NEVER HURT HER. 172 00:05:55,025 --> 00:05:56,487 THEN YOU WOULDN'T MIND US ASKING WHERE YOU WERE 173 00:05:56,487 --> 00:05:57,658 BETWEEN 10:00 AND 11:00 LAST NIGHT. 174 00:05:57,658 --> 00:05:59,430 I-I DIDN'T DO THIS, OKAY? 175 00:05:59,430 --> 00:06:01,862 I WAS AT A LUMBERYARD IN FAIRFIELD, NEW JERSEY, 176 00:06:01,862 --> 00:06:03,093 LOADING UP A TRUCK WITH THE REST OF THESE GUYS. 177 00:06:03,093 --> 00:06:04,995 YOU CAN--YOU CAN ASK THEM. 178 00:06:04,995 --> 00:06:06,537 AND THE LAST TIME YOU SAW HER? 179 00:06:06,537 --> 00:06:08,539 TWO DAYS AGO WHEN I BROKE IT OFF. 180 00:06:08,539 --> 00:06:10,541 WHY ARE YOU ASKING ME THESE QUESTIONS? 181 00:06:10,541 --> 00:06:11,742 I'M NOT THE ONE 182 00:06:11,742 --> 00:06:13,444 WITH THE ATTEMPTED MANSLAUGHTER CHARGES. 183 00:06:13,444 --> 00:06:14,645 MANSLAUGHTER CHARGE? 184 00:06:14,645 --> 00:06:15,976 YEAH, HER EX-BOYFRIEND, JESSE JONES-- 185 00:06:15,976 --> 00:06:18,048 THE ONE IN THAT PICTURE. 186 00:06:18,048 --> 00:06:20,911 HE'S THE ONE WHO GOT HER INTO DRUGS IN THE FIRST PLACE. 187 00:06:20,911 --> 00:06:23,784 AND MANDY NEVER TOLD ANYONE THIS, 188 00:06:23,784 --> 00:06:24,955 BUT THE LAST TIME THEY BROKE UP, 189 00:06:24,955 --> 00:06:27,087 HE THREATENED TO KILL HER. 190 00:06:27,087 --> 00:06:28,689 WEAPONS CHARGES. 191 00:06:28,689 --> 00:06:31,592 AGGRAVATED ASSAULT. 192 00:06:31,592 --> 00:06:34,425 THAT'S A HELL OF A RESUME, JESSE. 193 00:06:34,425 --> 00:06:35,926 HOW DOES SOMEONE LIKE YOU 194 00:06:35,926 --> 00:06:39,430 HOOK UP WITH A SUPERSTAR LIKE MANDY? 195 00:06:39,430 --> 00:06:40,731 LIKE ALL THE OTHER PRETTY LITTLE RICH GIRLS 196 00:06:40,731 --> 00:06:41,932 THAT COME TO ME FOR THEIR INK. 197 00:06:41,932 --> 00:06:44,004 SHE WAS LOOKING FOR A LOT MORE THAN A TATTOO. 198 00:06:44,004 --> 00:06:45,876 I WAS HAPPY TO PROVIDE. 199 00:06:45,876 --> 00:06:48,038 SO I READ ONLINE THAT THE TWO OF YOU 200 00:06:48,038 --> 00:06:49,880 WERE STORMY AND IT DIDN'T END WELL. 201 00:06:49,880 --> 00:06:51,011 YOU TRASHED HER APARTMENT 202 00:06:51,011 --> 00:06:52,883 AND MADE SOME PRETTY SERIOUS THREATS. 203 00:06:52,883 --> 00:06:55,586 WATER UNDER THE BRIDGE. 204 00:06:55,586 --> 00:06:56,887 UNTIL TWO NIGHTS AGO, WHEN YOU GUYS HOOKED UP. 205 00:06:56,887 --> 00:06:58,418 HOW'D THAT HAPPEN? 206 00:06:58,418 --> 00:07:01,722 I WAS AT A BAR. SHE CAME IN, 207 00:07:01,722 --> 00:07:02,953 THREW HERSELF AT ME LIKE OLD TIMES, 208 00:07:02,953 --> 00:07:05,055 AND I OBLIGED. 209 00:07:05,055 --> 00:07:05,996 THAT WAS THE LAST TIME I SAW HER. 210 00:07:05,996 --> 00:07:07,528 HOW'D YOU TAKE IT 211 00:07:07,528 --> 00:07:10,701 WHEN RIGHT AFTER THAT PHOTO OF YOU TWO APPEARED, 212 00:07:10,701 --> 00:07:13,203 SHE TOLD "CELEBGAZER" THAT YOU WERE... 213 00:07:13,203 --> 00:07:15,736 HUMAN TRASH... AND THAT THAT NIGHT WAS 214 00:07:15,736 --> 00:07:18,869 "THE BIGGEST MISTAKE OF HER LIFE"? 215 00:07:18,869 --> 00:07:23,043 SHE SEEMED TO LIKE IT OKAY AT THE TIME. 216 00:07:23,043 --> 00:07:26,016 WHERE WERE YOU LAST NIGHT BETWEEN 10:00 AND 11:00? 217 00:07:26,016 --> 00:07:28,819 I WAS AT A POOL HALL IN QUEENS WITH SOME FRIENDS. 218 00:07:34,585 --> 00:07:35,686 NAMES. 219 00:07:37,928 --> 00:07:40,861 LANIE, WHAT'S GOING ON? 220 00:07:40,861 --> 00:07:43,534 WE HAVE A LITTLE PROBLEM HERE. 221 00:07:43,534 --> 00:07:45,465 SO WHAT'S THE PROBLEM? 222 00:07:45,465 --> 00:07:47,137 I'LL TELL YOU WHAT THE PROBLEM IS. 223 00:07:47,137 --> 00:07:49,239 THAT'S NOT MY DAUGHTER. 224 00:07:49,239 --> 00:07:50,871 THAT'S NOT MANDY. 225 00:08:01,151 --> 00:08:04,084 SO MANDY'S MOM IDENTIFIED OUR VICTIM AS... 226 00:08:04,084 --> 00:08:07,688 CLAIRE SAMUELS, 25. SHE WAS AN ASPIRING ACTRESS. 227 00:08:07,688 --> 00:08:09,760 AND MANDY'S DECOY. DECOY? 228 00:08:09,760 --> 00:08:11,161 YEAH, TO FOOL THE PRESS. 229 00:08:11,161 --> 00:08:14,565 IT'S A PRACTICE NOT UNCOMMON IN THIS AGE OF STALKERAZZI. 230 00:08:14,565 --> 00:08:17,167 SO SHE'D DRESS UP AS MANDY. SHE'D PUT ON SUNGLASSES. 231 00:08:17,167 --> 00:08:18,999 SHE'D LET THE HORDES FOLLOW HER 232 00:08:18,999 --> 00:08:21,101 SO THAT MANDY COULD GO ABOUT UNNOTICED. 233 00:08:21,101 --> 00:08:23,704 NOW WE NOTIFIED CLAIRE'S PARENTS. THEY'RE FLYING IN, 234 00:08:23,704 --> 00:08:25,906 AND ESPOSITO'S DIGGING INTO HER LIFE AS WE SPEAK. 235 00:08:25,906 --> 00:08:28,508 SO IF CLAIRE IS OUR ACTUAL VICTIM, 236 00:08:28,508 --> 00:08:30,180 THEN WHERE'S MANDY SUTTON? 237 00:08:30,180 --> 00:08:32,683 WE DON'T KNOW. NO ONE HAS SEEN HER, 238 00:08:32,683 --> 00:08:33,814 AND SHE'S NOT ANSWERING HER PHONE. 239 00:08:33,814 --> 00:08:35,686 GIVEN THAT CLAIRE WAS PRETENDING TO BE MANDY 240 00:08:35,686 --> 00:08:37,918 WHEN SHE WAS KILLED, THEN WE NEED TO CONSIDER 241 00:08:37,918 --> 00:08:40,591 THE VERY REAL POSSIBILITY THAT MANDY SUTTON 242 00:08:40,591 --> 00:08:42,723 WAS OUR KILLER'S INTENDED TARGET, 243 00:08:42,723 --> 00:08:44,795 AND THAT THEY MIGHT BE LOOKING TO FINISH THE JOB. 244 00:08:44,795 --> 00:08:47,628 THEY MAY ALREADY HAVE, WHICH IS WHY WE CAN'T FIND HER. 245 00:08:47,628 --> 00:08:50,300 FOUND HER. SHE'S CHECKED INTO THE WESSEX HOTEL 246 00:08:50,300 --> 00:08:51,632 UNDER ONE OF HER ALIASES. 247 00:08:51,632 --> 00:08:54,264 BUT SHE'S NOT ANSWERING HER ROOM PHONE. 248 00:08:54,264 --> 00:08:56,266 AND SHE'S NOT RESPONDING TO KNOCKS ON THE DOOR. 249 00:09:02,673 --> 00:09:03,944 CASTLE. 250 00:09:15,285 --> 00:09:18,128 THAT'S NOT BLOOD. IT'S WINE. 251 00:09:21,762 --> 00:09:24,294 CLOSING TIME ALREADY? 252 00:09:28,038 --> 00:09:30,170 WHO ARE YOU? 253 00:09:30,170 --> 00:09:32,272 WHAT DO YOU MEAN, I'M DEAD? 254 00:09:32,272 --> 00:09:34,905 CLAIRE SAMUELS WAS KILLED LAST NIGHT, 255 00:09:34,905 --> 00:09:36,877 AND THE WORLD THINKS THAT THAT WAS YOU. 256 00:09:36,877 --> 00:09:38,248 WHO? 257 00:09:38,248 --> 00:09:41,311 CLAIRE SAMUELS-- SHE'S YOUR DECOY. 258 00:09:41,311 --> 00:09:43,083 THE GIRL WE DRESSED TO LOOK LIKE YOU 259 00:09:43,083 --> 00:09:45,255 TO CONFUSE THE PAPARAZZI. 260 00:09:45,255 --> 00:09:48,188 OH. OH, YEAH, UM... 261 00:09:48,188 --> 00:09:50,120 GOD, THAT'S PRETTY HARSH. 262 00:09:50,120 --> 00:09:53,093 DO YOU KNOW WHY SHE WENT TO YOUR APARTMENT LAST NIGHT? 263 00:09:53,093 --> 00:09:55,295 NO. WHY? 264 00:09:55,295 --> 00:09:56,697 WELL, I MEAN, WE'RE TRYING TO FIGURE OUT 265 00:09:56,697 --> 00:09:58,068 HOW SHE GOT THERE, AND YOUR MOM SAID 266 00:09:58,068 --> 00:10:00,300 THAT SHE WASN'T SCHEDULED TO WORK YESTERDAY. SO... 267 00:10:00,300 --> 00:10:03,634 YEAH, UH, THE LIMO COMPANY CLAIMS THAT THE CAR 268 00:10:03,634 --> 00:10:05,706 SHE ARRIVED IN WAS ORDERED BY YOU. 269 00:10:05,706 --> 00:10:10,080 I'VE NEVER DRUNK DIALED A LIMO BEFORE. BUT... 270 00:10:10,080 --> 00:10:13,784 NOPE. WASN'T ME. 271 00:10:13,784 --> 00:10:15,315 WHAT ABOUT CLAIRE? DID YOU CALL HER? 272 00:10:15,315 --> 00:10:17,017 NO. I BARELY KNOW HER. 273 00:10:17,017 --> 00:10:19,189 WE DISCOURAGED PERSONAL CONTACT. 274 00:10:19,189 --> 00:10:21,722 IT WOULDN'T MAKE MUCH SENSE TO HAVE A DECOY 275 00:10:21,722 --> 00:10:23,994 IF THEY'RE GONNA BE SEEN HANGING OUT TOGETHER. 276 00:10:23,994 --> 00:10:25,826 CAN I LIE DOWN NOW? 277 00:10:25,826 --> 00:10:27,097 ACTUALLY, MISS SUTTON, WE STILL HAVE A FEW MORE QUESTIONS 278 00:10:27,097 --> 00:10:28,659 FOR YOU ABOUT YOUR LIFE. 279 00:10:28,659 --> 00:10:30,160 MY LIFE? 280 00:10:30,160 --> 00:10:32,863 YEAH, WE THINK YOU MAY HAVE BEEN THE INTENDED TARGET. 281 00:10:32,863 --> 00:10:35,035 OH, YEAH. 282 00:10:35,035 --> 00:10:37,908 THAT DOES MAKE MORE SENSE. OKAY. 283 00:10:37,908 --> 00:10:39,109 SO, UM, DO YOU KNOW 284 00:10:39,109 --> 00:10:41,812 IF ANYONE WOULD HAVE WANTED TO HURT YOU? 285 00:10:41,812 --> 00:10:44,014 DO YOU HAVE ANY ENEMIES? 286 00:10:44,014 --> 00:10:47,147 THE PRESS, BUT... THEY WOULDN'T HURT ME. 287 00:10:47,147 --> 00:10:50,650 WITHOUT ME, WHO WOULD THEY WRITE ALL THOSE BAD THINGS ABOUT? 288 00:10:50,650 --> 00:10:54,224 OKAY, WELL, THE LAST TWO DAYS WHEN YOU WERE OUT... 289 00:10:54,224 --> 00:10:56,827 SOCIALIZING, DID YOU HAVE ANY FIGHTS 290 00:10:56,827 --> 00:10:59,129 OR DID YOU UPSET ANYONE? 291 00:10:59,129 --> 00:11:02,392 PROBABLY. 292 00:11:02,392 --> 00:11:05,265 I'M... 293 00:11:05,265 --> 00:11:08,368 A LITTLE HAZY ON THE DETAILS. 294 00:11:08,368 --> 00:11:10,771 OKAY. 295 00:11:10,771 --> 00:11:12,072 OKAY. THAT IT? 296 00:11:12,072 --> 00:11:14,204 UH, YEAH, FOR NOW. IN THE MEANTIME, 297 00:11:14,204 --> 00:11:16,146 YOU SHOULD PROBABLY GO BACK TO THE HOTEL AND, UH, 298 00:11:16,146 --> 00:11:17,878 LAY LOW IN YOUR ROOM. 299 00:11:17,878 --> 00:11:19,109 SHOULDN'T WE MAKE AN ANNOUNCEMENT? 300 00:11:19,109 --> 00:11:21,381 LET EVERYONE KNOW THAT SHE ISN'T DEAD? WELL, YOU KNOW WHAT? 301 00:11:21,381 --> 00:11:22,452 IF SOMEONE WAS TRYING TO KILL HER, 302 00:11:22,452 --> 00:11:24,114 IT MIGHT BE SAFER TO LET THEM ASSUME 303 00:11:24,114 --> 00:11:26,056 THAT THEY'VE ACTUALLY SUCCEEDED WHILE WE'RE STILL DOING OUR JOB. 304 00:11:26,056 --> 00:11:28,789 HOW LONG? SHE STARTS A TOUR NEXT WEEK. 305 00:11:28,789 --> 00:11:31,191 AND AS HER MANAGER, I CAN'T IMAGINE THAT 306 00:11:31,191 --> 00:11:33,393 IT'S GONNA HELP TICKET SALES IF EVERYONE THINKS SHE'S DEAD. 307 00:11:33,393 --> 00:11:37,067 YEAH, WOULDN'T WANT TO SCREW UP THE BIG COMEBACK TOUR. 308 00:11:37,067 --> 00:11:40,030 SWEETIE, YOU'VE WORKED REALLY HARD ON THOSE NEW SONGS. 309 00:11:40,030 --> 00:11:41,431 WE'RE TALKING ABOUT STAYING OUT OF SIGHT 310 00:11:41,431 --> 00:11:43,774 FOR A DAY, MAYBE LESS. 311 00:11:43,774 --> 00:11:46,176 HOPEFULLY BY THEN WE'LL HAVE A LEAD THAT'LL HELP US 312 00:11:46,176 --> 00:11:47,437 FIGURE OUT WHO'S BEHIND THIS. 313 00:11:47,437 --> 00:11:49,239 UH, BECKETT? 314 00:11:49,239 --> 00:11:51,041 I MIGHT HAVE AN IDEA ABOUT THAT. 315 00:11:51,041 --> 00:11:53,884 WE FOUND THIS ANONYMOUS LETTER IN HER FAN MAIL. 316 00:11:53,884 --> 00:11:57,287 "I'M WATCHING YOU, AND I DON'T LIKE WHAT I SEE." 317 00:11:57,287 --> 00:12:00,190 YEAH, WELL, GET IN LINE. 318 00:12:00,190 --> 00:12:02,252 GUYS... LOOK AROUND. 319 00:12:02,252 --> 00:12:04,224 I GET LETTERS FROM CREEPAZOIDS ALL THE TIME. 320 00:12:04,224 --> 00:12:06,156 BUT IN ADDITION TO THE LETTER, 321 00:12:06,156 --> 00:12:10,130 HE ALSO INCLUDED THESE. OH, MY GOD. 322 00:12:10,130 --> 00:12:12,502 THAT'S MY BEDROOM, WHILE I WAS SLEEPING. 323 00:12:12,502 --> 00:12:15,065 YOUR BUILDING IS SUPPOSED TO BE SECURE. 324 00:12:15,065 --> 00:12:17,067 HOW DID HE GET IN? THAT'S INK-JET PAPER. 325 00:12:17,067 --> 00:12:18,368 MM-HMM. SO? 326 00:12:18,368 --> 00:12:20,140 SO WE MIGHT BE ABLE TO TRACK IT. 327 00:12:20,140 --> 00:12:22,943 HOW? MOST PEOPLE DON'T KNOW THIS, 328 00:12:22,943 --> 00:12:24,274 BUT THE SERIAL NUMBER OF THE PRINTER THAT WAS USED 329 00:12:24,274 --> 00:12:25,515 TO MAKE THESE PHOTOGRAPHS 330 00:12:25,515 --> 00:12:27,477 IS ACTUALLY EMBEDDED INTO THE PICTURE. 331 00:12:27,477 --> 00:12:29,119 IT'S PRINTED IN TINY, LITTLE YELLOW DOTS 332 00:12:29,119 --> 00:12:31,151 INVISIBLE TO THE NAKED EYE. IT'S--IT'S AN FBI THING 333 00:12:31,151 --> 00:12:32,482 USED TO TRACK COUNTERFEITERS. 334 00:12:32,482 --> 00:12:35,786 I DON'T FEEL SO HOT. 335 00:12:35,786 --> 00:12:39,890 YOU KNOW, I-I THINK SOMEONE NEEDS A CUP OF COFFEE. 336 00:12:41,932 --> 00:12:43,163 ALL RIGHT. 337 00:12:43,163 --> 00:12:46,436 HERE IS YOUR 4-SHOT LATTE. 338 00:12:46,436 --> 00:12:48,098 HOW YOU FEELING? 339 00:12:48,098 --> 00:12:51,041 CONSIDERING I'M SUPPOSED TO BE DEAD, 340 00:12:51,041 --> 00:12:52,102 ABOUT RIGHT. 341 00:12:52,102 --> 00:12:53,373 YEAH... 342 00:12:53,373 --> 00:12:56,776 I JUST CAN'T BELIEVE THAT FREAK WAS ACTUALLY IN MY BEDROOM. 343 00:12:56,776 --> 00:12:58,178 WE'LL FIND HIM. 344 00:12:58,178 --> 00:13:00,110 I KNOW HOW TOUGH IT CAN BE-- 345 00:13:00,110 --> 00:13:02,212 THE CRAZY FANS, THE CONSTANT SCRUTINY, 346 00:13:02,212 --> 00:13:04,214 THE PRESSURE OF LIVING YOUR LIFE 347 00:13:04,214 --> 00:13:07,117 UNDER A MICROSCOPE. I MEAN, I CAN RELATE. 348 00:13:07,117 --> 00:13:09,519 ON A SMALLER SCALE, OF COURSE, BUT STILL, IT'S... 349 00:13:09,519 --> 00:13:13,363 WH 350 00:13:13,363 --> 00:13:17,868 ON A MUCH SMALLER SCALE. 351 00:13:17,868 --> 00:13:20,230 DAD. THERE YOU ARE. HEY, ALEXIS. 352 00:13:20,230 --> 00:13:22,002 WHAT ARE YOU DOING HE-- OH, THE, UH, THE LETTER FOR PI-- 353 00:13:22,002 --> 00:13:25,075 THE--I JUST, I'M ABOUT TO-- I JUST GOTTA MAKE A FEW TWEAKS. 354 00:13:25,075 --> 00:13:28,178 YOU HAVEN'T WRITTEN IT. NOT ALL--NOT YET. 355 00:13:28,178 --> 00:13:29,840 I THOUGHT YOU MIGHT NEED SOME HELP... 356 00:13:29,840 --> 00:13:31,111 SO I CAME UP WITH SOME TALKING POINTS FOR YOU. 357 00:13:31,111 --> 00:13:32,913 OH, GOOD. OKAY, UM... 358 00:13:32,913 --> 00:13:35,385 "OUTSTANDING PERSON... NATURAL LEADER." 359 00:13:35,385 --> 00:13:38,018 DAD, I KNOW YOU AND PI DON'T ALWAYS SEE EYE-TO-EYE. 360 00:13:38,018 --> 00:13:39,549 IF YOU DON'T FEEL COMFORTABLE DOING THIS-- 361 00:13:39,549 --> 00:13:41,091 NO, LISTEN, HEY... 362 00:13:41,091 --> 00:13:42,592 HEY, PI AND I SEE EYE-TO-EYE 363 00:13:42,592 --> 00:13:46,096 ON ONE VERY IMPORTANT REDHEADED THING. 364 00:13:46,096 --> 00:13:47,858 I LOVE YOU. I LOVE YOU, TOO. 365 00:13:47,858 --> 00:13:50,100 HEY! CAN YOU BELIEVE THAT ABOUT MANDY SUTTON? 366 00:13:50,100 --> 00:13:52,562 IT'S WEIRD, RIGHT? YES, WEIRD-- 367 00:13:52,562 --> 00:13:54,204 REMEMBER HOW MUCH I LOVED HER SHOW, 368 00:13:54,204 --> 00:13:56,236 AND THOSE SECRET IDENTITY GLASSES? 369 00:13:56,236 --> 00:13:57,968 IF YOU WERE MAD AT ME, I'D WEAR A PAIR OF GLASSES 370 00:13:57,968 --> 00:14:00,110 TO DINNER, AND YOU'D PRETEND LIKE YOU DIDN'T KNOW WHO I WAS? 371 00:14:00,110 --> 00:14:02,142 I REMEMBER, ACTUALLY-- 372 00:14:02,142 --> 00:14:04,174 AND WHOA! I MEAN, HOW DOES THAT HAPPEN TO SOMEONE-- 373 00:14:04,174 --> 00:14:06,476 BECOMING SUCH A HOT MESS? I-- 374 00:14:11,151 --> 00:14:12,923 OH, MY GOD. 375 00:14:14,985 --> 00:14:17,457 I... THOUGHT YOU WERE... YEAH. 376 00:14:17,457 --> 00:14:20,130 ALEXIS, THIS IS MANDY. 377 00:14:20,130 --> 00:14:22,862 WE'RE JUST, UH, KEEPING HER UNDER WRAPS FOR NOW. 378 00:14:22,862 --> 00:14:23,994 THIS IS MY DAUGHTER. 379 00:14:23,994 --> 00:14:25,165 HMM. 380 00:14:25,165 --> 00:14:27,497 IT'S NICE TO MEET YOU. 381 00:14:27,497 --> 00:14:30,070 NO, DAD, IT'S NOT TRUE. 382 00:14:30,070 --> 00:14:32,002 YES, I KNOW WHAT THEY WROTE. 383 00:14:32,002 --> 00:14:33,103 WE'RE STILL ENGAGED. 384 00:14:33,103 --> 00:14:35,275 WHAT DO YOU MEAN AUNT THERESA PUT IT ON HER FACEBOOK? 385 00:14:35,275 --> 00:14:37,477 WELL, T-TELL HER TO TAKE IT DOWN. 386 00:14:37,477 --> 00:14:40,180 I GOTTA GO. I LOVE YOU. 387 00:14:40,180 --> 00:14:41,311 BYE. 388 00:14:41,311 --> 00:14:43,013 HEY, ESPO. 389 00:14:43,013 --> 00:14:44,154 DO YOU BELIEVE EVERYTHING 390 00:14:44,154 --> 00:14:45,615 THAT THEY WRITE IN THE NEWSPAPERS? OH. 391 00:14:45,615 --> 00:14:48,188 HELL, NO. I MEAN, EXCEPT FOR THAT THING 392 00:14:48,188 --> 00:14:51,361 BETWEEN CASTLE AND HIS EX-WIFE. I MEAN, IT'S-- 393 00:14:53,023 --> 00:14:55,225 DID YOU FIND ANYTHING ON CLAIRE? 394 00:14:55,225 --> 00:14:56,896 AS A MATTER OF FACT, I DID. 395 00:14:56,896 --> 00:14:59,199 I WENT INTO THE PHONE RECORDS OF THAT LIMO COMPANY. 396 00:14:59,199 --> 00:15:01,031 IT TURNS OUT THAT CLAIRE WAS THE ONE 397 00:15:01,031 --> 00:15:02,102 WHO ORDERED THAT LIMO LAST NIGHT. 398 00:15:02,102 --> 00:15:04,334 WHY WOULD CLAIRE ORDER A LIMO 399 00:15:04,334 --> 00:15:06,176 TO TAKE HER TO MANDY'S PLACE? I DON'T KNOW. 400 00:15:06,176 --> 00:15:08,008 BUT I JUST GOT OFF THE PHONE WITH CLAIRE'S ROOMMATE. 401 00:15:08,008 --> 00:15:09,239 SAID CLAIRE'S BEEN GOING THROUGH SOME THINGS 402 00:15:09,239 --> 00:15:11,541 THE LAST COUPLE OF DAYS. SHE'S BEEN UPSET... CRYING. 403 00:15:11,541 --> 00:15:12,912 HEY. 404 00:15:12,912 --> 00:15:14,114 THOSE PHOTOS OF MANDY IN HER BEDROOM-- 405 00:15:14,114 --> 00:15:16,116 I TRACED THE PRINTER'S SERIAL NUMBER 406 00:15:16,116 --> 00:15:17,647 TO AN ELECTRONICS STORE IN MIDTOWN. 407 00:15:17,647 --> 00:15:19,589 ACCORDING TO THE EXTENDED WARRANTY, 408 00:15:19,589 --> 00:15:21,551 IT BELONGS TO A KEN CASTOR. 409 00:15:21,551 --> 00:15:24,955 SO HE'S DONE TIME. FOR AGGRAVATED ASSAULT. AND THEN TWO YEARS AGO, 410 00:15:24,955 --> 00:15:26,226 HE WAS HIT WITH A RESTRAINING ORDER 411 00:15:26,226 --> 00:15:28,298 FOR STALKING... MANDY SUTTON. 412 00:15:28,298 --> 00:15:29,699 OLD HABITS DIE HARD. 413 00:15:29,699 --> 00:15:32,262 AND THOSE PAPARAZZI PHOTOS FROM THE NIGHT THAT SHE WAS KILLED, 414 00:15:32,262 --> 00:15:35,405 I WENT THROUGH THEM. LOOK WHO WAS RIGHT THERE 415 00:15:35,405 --> 00:15:37,107 WHEN CLAIRE STEPPED OUT OF THAT LIMO... 416 00:15:37,107 --> 00:15:39,669 SAME GUY. 417 00:15:41,111 --> 00:15:42,472 POLICE! N.Y.P.D.! 418 00:15:48,518 --> 00:15:49,549 KITCHEN CLEAR. 419 00:15:49,549 --> 00:15:51,151 BEDROOM CLEAR! 420 00:15:51,151 --> 00:15:52,182 HEY. CLOSET. 421 00:15:53,383 --> 00:15:55,555 AAH! 422 00:15:55,555 --> 00:15:56,987 AAH! 423 00:15:56,987 --> 00:15:58,658 LET GO OF ME! 424 00:16:00,160 --> 00:16:02,162 LET GO OF ME! GIMME YOUR ARM! 425 00:16:02,162 --> 00:16:03,433 I DIDN'T DO ANYTHING! 426 00:16:03,433 --> 00:16:06,436 YOU OKAY? YEAH. 427 00:16:08,498 --> 00:16:10,340 I THINK WE GOT OUR GUY. 428 00:16:15,705 --> 00:16:17,447 NO, LISTEN. YOU DON'T UNDERSTAND. 429 00:16:17,447 --> 00:16:18,608 THE HELL WE DON'T. 430 00:16:18,608 --> 00:16:20,010 WE KNOW THAT YOU TOOK THOSE PICTURES, KEN. 431 00:16:20,010 --> 00:16:21,451 WE KNOW THAT YOU WERE IN HER APARTMENT. 432 00:16:21,451 --> 00:16:24,284 BECAUSE SHE NEEDED ME. 433 00:16:24,284 --> 00:16:25,755 NEEDED YOU? 434 00:16:25,755 --> 00:16:26,986 I WAS PROTECTING HER. 435 00:16:26,986 --> 00:16:29,119 I WAS WATCHING OVER HER, AND SHE... 436 00:16:29,119 --> 00:16:30,220 SHE NEEDED THAT. 437 00:16:30,220 --> 00:16:31,661 RIGHT. 438 00:16:31,661 --> 00:16:33,063 'CAUSE SHE DIDN'T HAVE PEOPLE WATCHING HER 439 00:16:33,063 --> 00:16:35,495 AND STARING AT HER ALREADY. THEY DIDN'T CARE. 440 00:16:35,495 --> 00:16:37,697 NOT LIKE ME. THEY-- THEY... 441 00:16:37,697 --> 00:16:39,499 THEY DON'T UNDERSTAND HER. 442 00:16:39,499 --> 00:16:43,233 I MEAN, THEY DROVE HER TO IT, YOU KNOW? 443 00:16:43,233 --> 00:16:45,635 THAT'S WHY I SENT HER THE PICTURES-- 444 00:16:45,635 --> 00:16:48,108 BECAUSE SHE NEEDED TO KNOW THAT SOMEONE CARED. 445 00:16:48,108 --> 00:16:50,480 SHE--SHE NEEDED TO KNOW THAT SOMEONE WAS WATCHING. 446 00:16:50,480 --> 00:16:51,711 IS THAT WHAT YOU WERE DOING 447 00:16:51,711 --> 00:16:54,044 OUTSIDE OF HER APARTMENT LAST NIGHT? 448 00:16:54,044 --> 00:16:57,117 WATCHING? 449 00:16:59,319 --> 00:17:01,391 I-I SHOULD HAVE SAVED HER. 450 00:17:01,391 --> 00:17:03,053 BUT I-I NEVER SAW HER. 451 00:17:03,053 --> 00:17:05,095 I-I-I WAITED FOR THE LIMO, 452 00:17:05,095 --> 00:17:06,696 BUT THEN THAT GIRL CAME OUT-- 453 00:17:06,696 --> 00:17:08,798 THE--THE NOT MANDY, THE OTHER GIRL. 454 00:17:08,798 --> 00:17:12,132 SO I-I WENT AROUND TO THE BACK ALLEY, 455 00:17:12,132 --> 00:17:13,503 AND I WAITED ACROSS THE STREET. 456 00:17:13,503 --> 00:17:15,034 WHEN THE OTHER GIRL GOES IN THE FRONT, 457 00:17:15,034 --> 00:17:16,806 THAT MEANS THAT MANDY GOES IN THE BACK. 458 00:17:16,806 --> 00:17:19,769 BUT... BUT SHE DIDN'T. 459 00:17:19,769 --> 00:17:22,342 WAIT, YOU WAITED FOR MANDY OUT IN BACK? 460 00:17:22,342 --> 00:17:23,473 YEAH. 461 00:17:23,473 --> 00:17:25,375 DID YOU SEE ANYTHING ELSE? 462 00:17:25,375 --> 00:17:27,417 DID YOU SEE ANYONE GO IN OR OUT OF THAT ALLEY? 463 00:17:27,417 --> 00:17:29,649 J-JUST THE MOTORCYCLE. 464 00:17:29,649 --> 00:17:31,381 WAIT A MINUTE. WHAT... 465 00:17:31,381 --> 00:17:32,552 WHAT MOTORCYCLE? 466 00:17:32,552 --> 00:17:35,054 WELL, RIGHT WHEN I WAS GOING IN THE BACK, 467 00:17:35,054 --> 00:17:37,727 THERE WAS A MOTORCYCLE THAT WAS GOING INTO THE-- 468 00:17:37,727 --> 00:17:39,189 THE ALLEY. WHAT TIME 469 00:17:39,189 --> 00:17:41,531 10:07. 470 00:17:41,531 --> 00:17:43,062 I-I-I WROTE IT DOWN. 471 00:17:43,062 --> 00:17:44,734 I-I WRITE EVERYTHING DOWN. 472 00:17:44,734 --> 00:17:47,467 AND THEN AT, UH, 10:12, IT, UH, IT LEFT. 473 00:17:47,467 --> 00:17:49,099 DID YOU GET A LICENSE PLATE? 474 00:17:49,099 --> 00:17:51,271 I COULDN'T WRITE IT DOWN. IT WAS GOING TOO FAST. 475 00:17:51,271 --> 00:17:53,473 WHAT ABOUT THE RIDER? 476 00:17:53,473 --> 00:17:57,747 DID YOU SEE HIS FACE? THEY WERE WEARING A HELMET. 477 00:17:57,747 --> 00:17:59,849 I-I DIDN'T KNOW MANDY WAS BACK THERE. 478 00:17:59,849 --> 00:18:02,652 I MEAN, I-I NEVER SAW HER GO BACK, YOU KNOW? 479 00:18:02,652 --> 00:18:03,853 WHAT ABOUT THE MOTORCYCLE? 480 00:18:03,853 --> 00:18:05,215 COLOR 481 00:18:05,215 --> 00:18:07,157 I WROTE THAT DOWN. 482 00:18:07,157 --> 00:18:09,719 IT WAS--IT WAS RED. IT WAS, UM... 483 00:18:09,719 --> 00:18:11,421 UH... 484 00:18:11,421 --> 00:18:13,523 IT WAS A RED DUCATI 800 SUPERSPORT. 485 00:18:13,523 --> 00:18:15,765 IT HAD GOLD WHEELS, 486 00:18:15,765 --> 00:18:18,728 AND IT HAD A FLAME DECAL ON THE BODY. 487 00:18:22,232 --> 00:18:24,404 WHAT DO YOU THINK? HE'S A NUT JOB. 488 00:18:24,404 --> 00:18:26,536 BUT HE'S PROBABLY NOT OUR KILLER. 489 00:18:26,536 --> 00:18:28,878 YEAH UNLIKE THE PAPARAZZI, 490 00:18:28,878 --> 00:18:30,380 HE KNEW CLAIRE WAS GETTING OUT OF THE LIMO. 491 00:18:30,380 --> 00:18:31,641 SO HE CAN TELL THEM APART. 492 00:18:31,641 --> 00:18:33,183 AND SINCE HE'S OBSESSED WITH MANDY, 493 00:18:33,183 --> 00:18:34,444 THERE WOULD BE NO REASON FOR HIM TO GO AFTER CLAIRE. 494 00:18:34,444 --> 00:18:35,885 WE'LL HOLD HIM. 495 00:18:35,885 --> 00:18:38,448 BUT IF HE'S NOT OUR KILLER, HE'S PROBABLY OUR BEST WITNESS. 496 00:18:38,448 --> 00:18:40,620 WHY DON'T WE GET AHOLD OF TRAFFIC CAM FOOTAGE IN THE AREA? 497 00:18:40,620 --> 00:18:42,892 LET'S SEE IF WE CAN GET A PLATE ON THAT DUCATI. 498 00:18:42,892 --> 00:18:44,494 GOLD WHEELS, A FLAME DECAL ON THE BODY. 499 00:18:44,494 --> 00:18:45,725 IT'S GOTTA BE A CUSTOM JOB. 500 00:18:45,725 --> 00:18:47,827 YEAH. I'LL CHECK WITH BIKE SHOPS IN THE AREA, 501 00:18:47,827 --> 00:18:50,129 SEE IF I CAN FIND THE PLACE THAT DID THAT WORK. 502 00:18:50,129 --> 00:18:51,161 WHERE'S CASTLE? 503 00:18:51,161 --> 00:18:52,602 HE'S HAVING DINNER WITH HIS OTHER EX-WIFE, 504 00:18:52,602 --> 00:18:53,803 SOMETHING ABOUT NOT WANTING HER TO FEEL LEFT OUT. 505 00:18:56,135 --> 00:18:58,238 GOOD ONE. HE'S HOLED UP IN THE BREAK ROOM 506 00:18:58,238 --> 00:18:59,769 WRITING THAT LETTER FOR ALEXIS' BOYFRIEND. 507 00:18:59,769 --> 00:19:01,271 THANK YOU. 508 00:19:04,814 --> 00:19:06,416 WILL YOU STOP WORRYING? 509 00:19:06,416 --> 00:19:08,518 HE'LL HAVE LOTS OF GREAT THINGS TO SAY ABOUT YOU. 510 00:19:08,518 --> 00:19:09,749 I GUARANTEE IT. I DON'T KNOW. 511 00:19:09,749 --> 00:19:11,921 I'M NOT EXACTLY MR. C.'s FAVORITE PERSON. 512 00:19:11,921 --> 00:19:13,723 AND HE IS TAKING AN AWFULLY LONG TIME. 513 00:19:13,723 --> 00:19:15,925 HE DOES HAVE OTHER THINGS TO DO, YOU KNOW. 514 00:19:15,925 --> 00:19:18,157 NO, AL, THAT'S NOT WHAT I MEANT. 515 00:19:18,157 --> 00:19:19,659 MAYBE HE'S DONE BY NOW. 516 00:19:19,659 --> 00:19:21,691 HE SAID HE'D TEXT ME WHEN IT WAS READY. 517 00:19:21,691 --> 00:19:23,463 LET'S SEE. 518 00:19:23,463 --> 00:19:27,197 THAT'S WEIRD. MY PHONE'S OFF. 519 00:19:28,468 --> 00:19:32,342 THAT'S... NOT MY RING. 520 00:19:32,342 --> 00:19:34,844 HELLO? YOU HAVE MY PHONE. 521 00:19:34,844 --> 00:19:36,846 MANDY? HI. 522 00:19:36,846 --> 00:19:38,808 UH, YEAH, I JUST REALIZED. 523 00:19:38,808 --> 00:19:40,810 FUNNY, WE MUST HAVE SWITCHED. 524 00:19:40,810 --> 00:19:42,782 I NEED IT. I'M AT THE WESSEX HOTEL. 525 00:19:42,782 --> 00:19:45,355 OKAY. SURE. OH, IT'S-- 526 00:19:45,355 --> 00:19:47,957 NOT LIKE I TOOK IT ON PURPOSE OR ANYTHING, 527 00:19:47,957 --> 00:19:49,489 JUST A MISUNDERSTANDING. 528 00:19:49,489 --> 00:19:52,292 ROOM 522. 529 00:19:52,292 --> 00:19:54,294 YEAH, SURE. NOT A... 530 00:19:54,294 --> 00:19:55,465 HELLO? 531 00:19:55,465 --> 00:19:59,729 I GUESS I'M BRINGING MANDY HER PHONE. 532 00:19:59,729 --> 00:20:00,830 I-I GOTTA HEAD UPTOWN. 533 00:20:00,830 --> 00:20:02,802 THE BEE PUPAE ARE EMERGING. SEE YOU LATER? 534 00:20:02,802 --> 00:20:04,904 OKAY. BYE. BYE. OH! 535 00:20:04,904 --> 00:20:07,437 MWAH! 536 00:20:10,310 --> 00:20:11,541 HEY. 537 00:20:11,541 --> 00:20:12,912 HEY, SO, UH... 538 00:20:12,912 --> 00:20:13,813 HERE'S YOUR PHONE. 539 00:20:16,786 --> 00:20:18,948 OH. OKAY. 540 00:20:20,890 --> 00:20:23,393 LOOK, I'M SORRY ABOUT THAT WHOLE "HOT MESS" THING 541 00:20:23,393 --> 00:20:24,924 I SAID BEFORE. 542 00:20:24,924 --> 00:20:27,927 SORRY THAT YOU SAID IT, OR SORRY THAT I HEARD IT? 543 00:20:27,927 --> 00:20:31,931 I... SHOULD PROBABLY GO. 544 00:20:33,833 --> 00:20:35,835 IT HAPPENS WHEN YOU'RE NOT LOOKING. 545 00:20:35,835 --> 00:20:38,468 EXCUSE ME? 546 00:20:38,468 --> 00:20:39,969 BEFORE... YOU ASKED HOW IT HAPPENS-- 547 00:20:39,969 --> 00:20:42,672 HOW SOMEONE BECOMES LIKE ME. 548 00:20:42,672 --> 00:20:44,243 IT HAPPENS WHEN YOU'RE NOT LOOKING, 549 00:20:44,243 --> 00:20:46,245 AND BY THE TIME YOU REALIZE IT, 550 00:20:46,245 --> 00:20:47,377 IT'S ALREADY WHO YOU ARE. 551 00:20:47,377 --> 00:20:50,249 LIKE THE CAR CRASH ON THE SIDE OF THE ROAD 552 00:20:50,249 --> 00:20:53,453 EVERYBODY STOPS AND-- AND WATCHES. 553 00:20:53,453 --> 00:20:56,456 THAT DOESN'T MEAN IT'S WHO YOU HAVE TO BE. 554 00:20:56,456 --> 00:20:57,687 YOU CAN ALWAYS CHANGE. 555 00:20:57,687 --> 00:21:00,630 TURNS OUT I DON'T DO CHANGE SO WELL. 556 00:21:00,630 --> 00:21:01,891 BUT... 557 00:21:01,891 --> 00:21:03,993 YOU STEAL A POLICE CAR, 558 00:21:03,993 --> 00:21:06,596 AND YOU SET IT ON FIRE, I'M YOUR GIRL. 559 00:21:06,596 --> 00:21:10,700 OR IF YOU FIND THE GREATEST GUY IN THE WORLD, 560 00:21:10,700 --> 00:21:12,602 FALL MADLY IN LOVE, 561 00:21:12,602 --> 00:21:16,846 AND THEN MESS IT UP BY HOOKING UP WITH MY DIRTBAG EX? 562 00:21:16,846 --> 00:21:18,308 THAT I CAN DO. 563 00:21:18,308 --> 00:21:22,011 YEAH, I... SAW THAT PICTURE ONLINE. 564 00:21:22,011 --> 00:21:25,585 YOU AND THE REST OF THE WORLD. 565 00:21:25,585 --> 00:21:27,887 MAYBE IF YOU DIDN'T DRINK. 566 00:21:27,887 --> 00:21:31,961 IF I DON'T DRINK, THEN I START TO FEEL. 567 00:21:31,961 --> 00:21:34,864 AND I DON'T LIKE WHAT I FEEL. 568 00:21:36,826 --> 00:21:40,730 I WISH I HAD THOSE GLASSES FROM "MANDY MELODY." 569 00:21:40,730 --> 00:21:43,933 I'D JUST PUT 'EM ON AND... 570 00:21:43,933 --> 00:21:45,735 JUST DISAPPEAR. 571 00:21:47,306 --> 00:21:49,879 I KNOW HOW YOU FEEL. 572 00:21:51,981 --> 00:21:55,515 HOW COULD YOU POSSIBLY KNOW HOW I FEEL? 573 00:21:55,515 --> 00:21:58,748 BECAUSE RIGHT NOW, I... 574 00:21:58,748 --> 00:22:01,020 WISH I COULD DISAPPEAR FROM MY LIFE, TOO. 575 00:22:07,096 --> 00:22:09,799 OKAY, THANKS. I'LL CHECK BACK. 576 00:22:09,799 --> 00:22:10,960 HEY. 577 00:22:10,960 --> 00:22:12,732 SO HOW'S PI'S RECOMMENDATION GOING? 578 00:22:12,732 --> 00:22:15,435 IT TOOK ME LESS TIME TO WRITE THE LAST DERRICK STORM NOVEL. 579 00:22:15,435 --> 00:22:16,936 AND ALTHOUGH THEY BOTH ARE WORKS OF FICTION, 580 00:22:16,936 --> 00:22:18,708 AT LEAST THAT ONE WAS BELIEVABLE. 581 00:22:18,708 --> 00:22:19,869 HOW'S THE CASE COMING? 582 00:22:19,869 --> 00:22:21,010 WELL, WE GOT A DESCRIPTION OF THE MOTORCYCLE 583 00:22:21,010 --> 00:22:22,872 THAT LEFT THE CRIME SCENE, AND TECH'S TRYING TO GET 584 00:22:22,872 --> 00:22:26,115 A PLATE OFF OF TRAFFIC CAM FOOTAGE, BUT SO FAR NO LUCK. 585 00:22:26,115 --> 00:22:28,878 OUR LUCK JUST CHANGED. WE GOT THE SON OF A BITCH. 586 00:22:28,878 --> 00:22:30,480 WE FOUND A SHOP THAT OUTFITTED 587 00:22:30,480 --> 00:22:32,952 A RED DUCATI 800 WITH GOLD WHEELS 588 00:22:32,952 --> 00:22:35,655 AND A FLAME DECAL FOR ONE JOSH GREENBERG. 589 00:22:35,655 --> 00:22:36,826 IS THAT OUR GUY? 590 00:22:36,826 --> 00:22:39,529 JOSH GREENBERG HAD A SLIGHT LIQUIDITY PROBLEM. 591 00:22:39,529 --> 00:22:41,961 SO HE SOLD THAT BIKE THREE DAYS AGO FOR CASH 592 00:22:41,961 --> 00:22:43,933 TO... 593 00:22:43,933 --> 00:22:44,864 THIS GUY. 594 00:22:44,864 --> 00:22:46,566 JESSE JONES--MANDY'S EX. 595 00:22:46,566 --> 00:22:48,638 SO HE LIED TO US. HE WAS IN THAT ALLEY. 596 00:22:48,638 --> 00:22:49,769 ALL RIGHT. BRING HIM IN. 597 00:22:49,769 --> 00:22:51,701 WE ALREADY SENT A CAR OVER TO HIS PLACE. 598 00:22:51,701 --> 00:22:53,873 HE'S NOT THERE. MANDY MIGHT BE ABLE TO HELP OUT. 599 00:22:53,873 --> 00:22:54,974 SHE PROBABLY KNOWS HIS HANGOUTS. 600 00:22:54,974 --> 00:22:56,045 ALL RIGHT, GO. 601 00:22:57,146 --> 00:22:59,979 THE THING ABOUT MY BOYFRIEND IS... 602 00:22:59,979 --> 00:23:01,881 I THOUGHT I WAS BEING SO GROWN-UP-- 603 00:23:01,881 --> 00:23:03,052 MOVING IN WITH HIM, GETTING MY OWN PLACE. 604 00:23:03,052 --> 00:23:05,485 BUT NOW IT'S MY WHOLE LIFE. 605 00:23:05,485 --> 00:23:07,617 AND I'M PRETTY SURE I'VE MADE A HUGE MISTAKE. 606 00:23:07,617 --> 00:23:10,720 DO YOU KNOW WHY I'M HELPING HIM WITH HIS GRANT APPLICATION? 607 00:23:10,720 --> 00:23:12,992 BECAUSE IF HE GETS IT, HE'LL HAVE TO TRAVEL. 608 00:23:12,992 --> 00:23:15,965 THAT IS MESSED UP. YOU NEED TO TELL HIM. 609 00:23:15,965 --> 00:23:17,026 TELL HIM WHAT? 610 00:23:17,026 --> 00:23:19,899 THAT I CHANGED MY MIND? I DON'T WANT A RELATIONSHIP? 611 00:23:19,899 --> 00:23:20,930 WE HAVE A LEASE. 612 00:23:20,930 --> 00:23:23,132 THAT'S ROMANTIC. 613 00:23:23,132 --> 00:23:24,804 AND HE DOESN'T DESERVE IT. 614 00:23:24,804 --> 00:23:26,476 HE HASN'T DONE ANYTHING WRONG. 615 00:23:26,476 --> 00:23:27,977 OH! AND THEN THERE'S MY DAD. 616 00:23:27,977 --> 00:23:29,408 WHAT DO I TELL HIM, HUH? 617 00:23:29,408 --> 00:23:30,840 THAT HE WAS RIGHT ALL ALONG, 618 00:23:30,840 --> 00:23:33,483 THAT I WASN'T READY? 619 00:23:33,483 --> 00:23:35,645 I WISH I WOULD HAVE SAID THAT. 620 00:23:35,645 --> 00:23:37,917 I WASN'T READY FOR SO MANY THINGS. 621 00:23:37,917 --> 00:23:39,949 DO YOU EVER LOOK BACK ON SOMETHING YOU'VE DONE 622 00:23:39,949 --> 00:23:42,421 AND... IT'S LIKE SOMEONE ELSE IS DOING IT? 623 00:23:42,421 --> 00:23:44,153 YOU'RE KIDDING, RIGHT? 624 00:23:44,153 --> 00:23:45,895 RIGHT. 625 00:23:45,895 --> 00:23:49,459 SORRY, I... 626 00:23:49,459 --> 00:23:51,430 HAVEN'T HAD ANYONE TO TALK TO. 627 00:23:51,430 --> 00:23:53,002 CLEARLY. 628 00:23:54,834 --> 00:23:56,536 "BE TRUE TO YOURSELF." 629 00:23:56,536 --> 00:23:58,968 THAT'S WHAT ZACH WOULD SAY. 630 00:23:58,968 --> 00:24:01,841 AND IF A SITUATION IS BAD FOR YOU, 631 00:24:01,841 --> 00:24:04,143 LEAVE IT. THAT'S WHAT WE WERE GOING TO DO. 632 00:24:04,143 --> 00:24:05,715 AND THAT'S WHAT YOU SHOULD DO, TOO. 633 00:24:09,018 --> 00:24:12,652 MANDY, IS SOMEONE TEXTING YOU? 634 00:24:12,652 --> 00:24:14,524 WEIRD, SINCE I'M SUPPOSED TO BE DEAD. 635 00:24:15,825 --> 00:24:17,527 OH, IT'S MY FRIEND SAM. 636 00:24:17,527 --> 00:24:18,988 "PRETTY SURE YOU'RE NOT DEAD. 637 00:24:18,988 --> 00:24:20,530 "NEED TO TALK ABOUT GIRL WHO DIED, 638 00:24:20,530 --> 00:24:22,862 SOMETHING YOU NEED TO KNOW"? 639 00:24:23,863 --> 00:24:25,535 WAIT, WHAT-- WHAT ARE YOU DOING? 640 00:24:25,535 --> 00:24:27,767 CALLING HIM? BUT YOU'RE SUPPOSED TO BE LAYING LOW. 641 00:24:27,767 --> 00:24:28,898 NO ONE'S SUPPOSED TO KNOW YOU'RE ALIVE. 642 00:24:28,898 --> 00:24:30,770 HE ALREADY KNOWS I'M ALIVE. 643 00:24:30,770 --> 00:24:32,071 HE THINKS YOU'RE ALIVE. 644 00:24:32,071 --> 00:24:34,003 HE MIGHT BE TRYING TO FIND OUT FOR SURE. 645 00:24:34,003 --> 00:24:35,074 AND WHAT IF IT'S NOT SAM? 646 00:24:35,074 --> 00:24:36,776 IT COULD BE THE KILLER TRYING TO LURE YOU OUT. 647 00:24:36,776 --> 00:24:40,049 WOULD YOU RELAX? IT'S SAM'S NUMBER, OKAY? 648 00:24:40,049 --> 00:24:41,551 AND HE'S NOT ANSWERING, WHICH MEANS 649 00:24:41,551 --> 00:24:42,982 HE'S PROBABLY BARTENDING. 650 00:24:42,982 --> 00:24:45,885 THAT PLACE HE WORKS IS REALLY LOUD. 651 00:24:45,885 --> 00:24:47,687 I HAVE TO GO SEE HIM. 652 00:24:47,687 --> 00:24:49,659 YOU CAN'T GO OUT. WHAT IF SOMEONE SEES YOU? 653 00:24:49,659 --> 00:24:50,920 YOU DON'T GET IT, DO YOU? 654 00:24:50,920 --> 00:24:53,723 I AM THE ONE THAT IS SUPPOSED TO BE DEAD, 655 00:24:53,723 --> 00:24:56,796 NOT CLAIRE. SHE DIED BECAUSE OF ME. 656 00:24:56,796 --> 00:24:58,968 AND I KNOW THAT PEOPLE THINK THAT I DON'T CARE, 657 00:24:58,968 --> 00:24:59,899 BUT I'M NOT A MONSTER. 658 00:24:59,899 --> 00:25:02,572 IF SAM HAS INFORMATION ABOUT CLAIRE'S DEATH, 659 00:25:02,572 --> 00:25:03,933 I NEED TO KNOW WHAT IT IS. 660 00:25:03,933 --> 00:25:06,876 I JUST WANT TO DO ONE THING RIGHT. 661 00:25:09,238 --> 00:25:10,910 MANDY! 662 00:25:10,910 --> 00:25:12,842 YOU SHOULDN'T BE DOING THIS. 663 00:25:12,842 --> 00:25:14,714 YEAH, WELL, YOU'RE NOT GONNA STOP ME. 664 00:25:14,714 --> 00:25:16,085 OKAY, BUT IF YOU'RE GOING TO DO IT, 665 00:25:16,085 --> 00:25:17,246 YOU CAN'T BE RECOGNIZED. 666 00:25:17,246 --> 00:25:18,948 DO YOU UNDERSTAND? YOU'RE GOING TO NEED SOMEONE 667 00:25:18,948 --> 00:25:19,919 TO DO ALL THE TALKING FOR YOU. 668 00:25:19,919 --> 00:25:23,022 COME ON. 669 00:25:33,633 --> 00:25:35,104 MANDY'S GONE 670 00:25:35,104 --> 00:25:36,165 WE'RE NOT SURE. 671 00:25:36,165 --> 00:25:37,637 NO ONE AT THE FRONT DESK SAW HER LEAVE. 672 00:25:37,637 --> 00:25:39,709 ARE THERE ANY SIGNS OF FOUL PLAY? 673 00:25:39,709 --> 00:25:41,571 NAH, IT LOOKS LIKE SHE JUST TOOK OFF. 674 00:25:41,571 --> 00:25:43,542 MAYBE SHE, UH, PICKED UP WHERE SHE LEFT OFF 675 00:25:43,542 --> 00:25:44,914 ON THAT BENDER. YOU GUYS GOTTA COME BACK. 676 00:25:44,914 --> 00:25:46,315 WE HAVE TO COORDINATE A SEARCH. 677 00:25:46,315 --> 00:25:47,947 WE'LL CHECK WITH THE LIMO COMPANY, 678 00:25:47,947 --> 00:25:49,278 SEE IF SHE CALLED FOR A PICKUP. AND I'LL TALK TO HER MOM. 679 00:25:49,278 --> 00:25:51,721 I'LL GET A LIST OF ALL THE PLACES SHE LIKES TO GO TO. 680 00:25:51,721 --> 00:25:53,723 WE HAVE TO FIND HER BEFORE JESSE FIGURES OUT 681 00:25:53,723 --> 00:25:56,125 THAT HE KILLED THE WRONG PERSON. 682 00:25:56,125 --> 00:25:57,627 WHAT? 683 00:25:57,627 --> 00:25:58,628 WHAT HAPPENED? 684 00:25:58,628 --> 00:26:00,860 WHERE'S MANDY? 685 00:26:00,860 --> 00:26:03,593 (Blondfire's "Walking With Giants" playing) 686 00:26:03,593 --> 00:26:06,265 ARE YOU SURE I CAN'T TALK YOU OUT OF THIS? 687 00:26:06,265 --> 00:26:07,997 THERE HE IS. THERE'S SAM. 688 00:26:07,997 --> 00:26:09,568 ARE YOU CRAZY?! WHAT ARE YOU DOING? 689 00:26:09,568 --> 00:26:11,601 THAT'S WHAT I'M HERE FOR. 690 00:26:11,601 --> 00:26:12,772 ♪♪♪ 691 00:26:12,772 --> 00:26:13,873 SAM! 692 00:26:13,873 --> 00:26:16,976 HEY, SAM! 693 00:26:16,976 --> 00:26:21,350 THAT'S NOT GONNA GET THE JOB DONE THERE, RED. 694 00:26:21,350 --> 00:26:23,282 YOU WANT TO LOSE SOME LAYERS? 695 00:26:23,282 --> 00:26:26,656 TAKE OFF GRANDMA'S SCARF. 696 00:26:26,656 --> 00:26:28,587 ♪♪♪ 697 00:26:28,587 --> 00:26:30,089 I HAVE SOMETHING ELSE IN MIND. 698 00:26:30,089 --> 00:26:31,961 SO SHE WAS LIKE, 699 00:26:31,961 --> 00:26:33,993 "CAN YOU BELIEVE IT?" AND I WAS LIKE, 700 00:26:33,993 --> 00:26:36,025 "NO WAY." 701 00:26:36,025 --> 00:26:37,366 I AM SO SORRY. 702 00:26:37,366 --> 00:26:39,629 ARE YOU OKAY? 703 00:26:39,629 --> 00:26:41,270 OH. OH, SAM... 704 00:26:41,270 --> 00:26:43,833 RIGHT? CAN I PLEASE GET HER ANOTHER DRINK? 705 00:26:43,833 --> 00:26:45,104 OH, AND, UM... 706 00:26:45,104 --> 00:26:46,275 THERE'S SOMEONE HERE TO SEE YOU. 707 00:26:46,275 --> 00:26:50,239 ♪♪♪ 708 00:26:50,239 --> 00:26:53,612 MANDY? OH, MY GOD, GIRL, IS THAT YOU? 709 00:26:53,612 --> 00:26:55,114 CAN WE TALK SOMEWHERE MORE PRIVATE? 710 00:26:55,114 --> 00:26:56,385 YEAH, UM... 711 00:26:56,385 --> 00:26:58,788 Y'ALL MEET ME OVER THERE. 712 00:26:58,788 --> 00:27:00,790 ♪♪♪ 713 00:27:00,790 --> 00:27:03,793 YO, I AM SO GLAD THAT YOU'RE OKAY. 714 00:27:03,793 --> 00:27:05,294 YOU HAD ME WORRIED. 715 00:27:05,294 --> 00:27:06,395 I SAW THOSE PICTURES OF YOU AND JESSE, 716 00:27:06,395 --> 00:27:07,927 THEN THE NEXT THING YOU KNOW, EVERYBODY'S SAYING 717 00:27:07,927 --> 00:27:09,729 THAT YOU'RE DEAD? WHAT MADE YOU THINK I WASN'T? 718 00:27:09,729 --> 00:27:10,700 THAT CLIP ON THE NEWS-- 719 00:27:10,700 --> 00:27:12,061 THE ONE OF THE LIMO DROPPING "YOU" OFF 720 00:27:12,061 --> 00:27:14,633 AT YOUR BUILDING LAST NIGHT, EXCEPT THAT GIRL WASN'T YOU. 721 00:27:14,633 --> 00:27:16,065 HOW COULD YOU TELL? 722 00:27:16,065 --> 00:27:17,306 'CAUSE THAT SAME GIRL 723 00:27:17,306 --> 00:27:19,108 WAS IN HERE LAST NIGHT WEARING THE SAME THING 724 00:27:19,108 --> 00:27:20,409 SHE HAD ON AS WHEN SHE GOT OUT OF THAT LIMO. 725 00:27:20,409 --> 00:27:22,812 WAIT A SECOND. CLAIRE WAS HERE LAST NIGHT? 726 00:27:22,812 --> 00:27:25,114 YEAH, YEAH. I THINK THAT'S WHAT HER NAME WAS. 727 00:27:25,114 --> 00:27:26,175 YOU TALKED TO HER? 728 00:27:26,175 --> 00:27:27,677 YEAH, SHE CAME IN LOOKING FOR ME. 729 00:27:27,677 --> 00:27:28,718 SHE HEARD I WAS FRIENDS WITH MANDY. 730 00:27:28,718 --> 00:27:30,119 SHE WANTED HER PRIVATE NUMBER. 731 00:27:30,119 --> 00:27:33,382 WHAT FOR? SHE WAS TRYING TO REACH YOU BECAUSE 732 00:27:33,382 --> 00:27:35,084 SHE THOUGHT SOMEBODY WAS TRYING TO HURT YOU. 733 00:27:35,084 --> 00:27:36,385 WHO? 734 00:27:36,385 --> 00:27:39,058 SHE DIDN'T SAY, BUT SHE GOT WAY MAD 735 00:27:39,058 --> 00:27:41,160 WHEN I WOULDN'T GIVE HER YOUR NUMBER. 736 00:27:41,160 --> 00:27:42,792 YEAH, I... MAN, I THOUGHT THIS GIRL WAS NUTS-- 737 00:27:42,792 --> 00:27:44,433 YOU KNOW, A CRAZY FAN OR SOMETHING. 738 00:27:44,433 --> 00:27:47,266 THEN SHE ASKED ME HOW SHE CAN GET IN TOUCH WITH JESSE. 739 00:27:47,266 --> 00:27:50,139 JESSE? WHAT DOES HE HAVE TO DO WITH THIS? I DON'T KNOW, BUT... 740 00:27:50,139 --> 00:27:51,871 SHE WAS PRETTY HOT TO TALK TO HIM, TOO. 741 00:27:51,871 --> 00:27:54,673 SO I CALLED JESSE, AND I PUT HIM ON WITH HER. 742 00:27:54,673 --> 00:27:55,875 WHAT'D SHE SAY? 743 00:27:55,875 --> 00:27:59,178 I DIDN'T HEAR, BUT SHE WAS PRETTY UPSET. 744 00:27:59,178 --> 00:28:01,711 AND SINCE SHE ENDED UP DEAD, I THOUGHT YOU SHOULD KNOW. 745 00:28:01,711 --> 00:28:02,882 HEY, SAM! 746 00:28:02,882 --> 00:28:04,984 HEY, UH... 747 00:28:04,984 --> 00:28:06,986 WAIT HERE A SECOND. 748 00:28:06,986 --> 00:28:08,387 PEOPLE GETTIN' THIRSTY OVER THERE. 749 00:28:08,387 --> 00:28:11,690 I DON'T GET IT. DID CLAIRE KNOW JESSE? 750 00:28:11,690 --> 00:28:13,692 I DON'T KNOW. I DIDN'T THINK SHE DID. 751 00:28:13,692 --> 00:28:14,794 THERE'S ONLY ONE WAY TO FIND OUT. 752 00:28:14,794 --> 00:28:17,767 I'M CALLING JESSE. WAIT. HE COULD BE INVOLVED. 753 00:28:17,767 --> 00:28:19,168 IF CLAIRE THOUGHT SOMEONE WAS TRYING TO KILL YOU, 754 00:28:19,168 --> 00:28:20,699 DO YOU REALLY THINK IT'S A GOOD IDEA TO CALL-- 755 00:28:20,699 --> 00:28:21,871 ANYBODY EVER TELL YOUR FRIEND 756 00:28:21,871 --> 00:28:23,032 THAT SHE LOOKS LIKE MANDY SUTTON? 757 00:28:23,032 --> 00:28:24,774 YEAH, SHE GETS THAT ALL THE TIME. 758 00:28:24,774 --> 00:28:26,375 IT'S A SHAME WHAT HAPPENED TO MANDY, ISN'T IT? 759 00:28:26,375 --> 00:28:28,177 HEY, THAT IS MANDY. 760 00:28:28,177 --> 00:28:29,939 OH, MY GOD. MANDY SUTTON IS ALIVE. 761 00:28:29,939 --> 00:28:32,782 MANDY SUTTON'S ALIVE! 762 00:28:34,283 --> 00:28:36,285 THERE'S STILL NO WORD ON JESSE'S WHEREABOUTS. 763 00:28:36,285 --> 00:28:38,187 SAME WITH MANDY. BUT GET THIS-- 764 00:28:38,187 --> 00:28:39,488 WHEN I CALLED THE LIMO COMPANY 765 00:28:39,488 --> 00:28:41,720 TO SEE IF SHE ORDERED UP A RIDE FROM HER HOTEL TONIGHT, 766 00:28:41,720 --> 00:28:43,122 THEY SAID SHE DIDN'T, BUT THEY TOLD ME 767 00:28:43,122 --> 00:28:44,423 THAT I WASN'T THE ONLY GUY ASKING THAT QUESTION. 768 00:28:44,423 --> 00:28:46,956 SOMEONE ELSE CALLED? YEAH, SOME GUY WHO SAID 769 00:28:46,956 --> 00:28:49,028 THAT HE WAS WITH HER MANAGEMENT COMPANY. 770 00:28:49,028 --> 00:28:50,729 BUT I CHECKED. NO ONE THERE MADE THAT CALL. 771 00:28:50,729 --> 00:28:53,432 JESSE. MAYBE HE FOUND OUT THAT SHE WAS STILL ALIVE. 772 00:28:53,432 --> 00:28:56,305 LOOKS LIKE EVERYONE JUST DID. 773 00:28:56,305 --> 00:28:58,267 ...THAT MANDY SUTTON, 774 00:28:58,267 --> 00:29:00,770 PRESUMED DEAD, MAY ACTUALLY BE ALIVE. 775 00:29:00,770 --> 00:29:02,741 MANDY WAS REPORTEDLY JUST SPOTTED 776 00:29:02,741 --> 00:29:05,314 AT TRENDY DOWNTOWN NIGHTSPOT THE RAPTOR LOUNGE. 777 00:29:05,314 --> 00:29:08,217 AND NOW HE KNOWS WHERE TO FIND HER. 778 00:29:10,449 --> 00:29:12,952 HELLO? 779 00:29:12,952 --> 00:29:15,955 YEAH. 780 00:29:15,955 --> 00:29:17,756 WHERE? 781 00:29:22,761 --> 00:29:24,233 WE GOTTA GET HER OUT OF THERE. 782 00:29:24,233 --> 00:29:25,394 YEAH. I'LL SEND A CAR TO PICK HER UP. 783 00:29:25,394 --> 00:29:26,966 AND WE HAVE SOME FOOTAGE 784 00:29:26,966 --> 00:29:29,038 FROM THE RAPTOR LOUNGE SHOT JUST MOMENTS AGO 785 00:29:29,038 --> 00:29:31,270 AND POSTED BY ONE OF OUR VIEWERS. 786 00:29:31,270 --> 00:29:32,501 UH... CASTLE, I-ISN'T THAT-- 787 00:29:32,501 --> 00:29:35,504 THAT'S ALE-ALEXIS. 788 00:29:35,504 --> 00:29:37,776 WHAT IS SHE DOING THERE? 789 00:29:39,008 --> 00:29:40,349 MANDY! YES, I AM ALIVE! 790 00:29:40,349 --> 00:29:41,911 DON'T TRAMPLE ME TO DEATH. 791 00:29:44,984 --> 00:29:47,216 MANDY! WE HAVE TO GET OUT OF HERE. UH... 792 00:29:47,216 --> 00:29:49,819 OH! THIS WAY. COME ON. 793 00:29:51,560 --> 00:29:55,394 UM, I'M GONNA CALL MY DAD. 794 00:29:55,394 --> 00:29:56,425 LET'S GET OUT OF HERE FIRST. 795 00:29:56,425 --> 00:30:00,029 SPEAK OF THE DEVIL, AND SHE APPEARS. 796 00:30:00,029 --> 00:30:01,270 I NEED TO TALK TO YOU. 797 00:30:01,270 --> 00:30:03,532 YEAH, SAME HERE. GET IN. 798 00:30:03,532 --> 00:30:04,503 I'M NOT SO SURE THAT'S A GOOD IDEA. 799 00:30:04,503 --> 00:30:07,376 GET IN, BOTH OF YOU. 800 00:30:13,382 --> 00:30:14,984 (gears shift, engine turns off) 801 00:30:14,984 --> 00:30:16,115 GET OUT. 802 00:30:16,115 --> 00:30:18,187 JUST GET OUT. OUT! NOW! 803 00:30:18,187 --> 00:30:19,949 GET OVER HERE! 804 00:30:19,949 --> 00:30:22,321 SORRY I DRAGGED YOU INTO THIS. 805 00:30:22,321 --> 00:30:23,552 WELL... I WANT ANSWERS. 806 00:30:23,552 --> 00:30:25,995 ANSWERS ABOUT WHAT? 807 00:30:25,995 --> 00:30:27,096 SOMEONE IS MESSING WITH ME, 808 00:30:27,096 --> 00:30:28,958 AND I KNOW YOU'RE INVOLVED SOMEHOW. 809 00:30:28,958 --> 00:30:30,930 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 810 00:30:30,930 --> 00:30:33,302 DON'T LIE TO ME! GUYS, LET'S JUST CALM DOWN, OKAY? 811 00:30:33,302 --> 00:30:35,364 I'M SURE WE CAN TALK THIS OUT. 812 00:30:35,364 --> 00:30:36,405 SHUT UP. HEY! 813 00:30:36,405 --> 00:30:38,467 JESSE, LOOK AT ME. 814 00:30:38,467 --> 00:30:40,069 I MADE A MISTAKE. 815 00:30:40,069 --> 00:30:41,840 OKAY, I-IF YOU THOUGHT WHATEVER HAPPENED 816 00:30:41,840 --> 00:30:43,542 THE OTHER NIGHT BETWEEN US MEANT THAT WE WERE 817 00:30:43,542 --> 00:30:44,613 GETTING BACK TOGETHER, I'M SORRY, 818 00:30:44,613 --> 00:30:46,345 BUT THAT'S NOT WHAT'S GONNA HAPPEN. 819 00:30:46,345 --> 00:30:48,277 YOU KNOW THAT WASN'T YOU THE OTHER NIGHT 820 00:30:48,277 --> 00:30:51,180 IN THAT PHOTO. WHAT? 821 00:30:51,180 --> 00:30:52,882 IF IT WASN'T HER, THEN WHO WAS IT? 822 00:30:52,882 --> 00:30:54,884 IT'S THAT CHICK, CLAIRE. 823 00:30:54,884 --> 00:30:57,386 I GOT PAID 25 GRAND TO SHOW UP AND SUCK FACE 824 00:30:57,386 --> 00:30:59,058 WITH HER FOR A COUPLE MINUTES. 825 00:30:59,058 --> 00:31:01,390 YOU'RE TELLING ME THAT YOU REALLY DON'T KNOW? NO! 826 00:31:01,390 --> 00:31:04,894 I WAS MESSED UP THAT NIGHT. I DON'T REMEMBER ANYTHING. 827 00:31:04,894 --> 00:31:07,096 I DON'T EVEN REMEMBER GETTING MESSED UP. 828 00:31:07,096 --> 00:31:08,367 MAYBE YOU DIDN'T. 829 00:31:08,367 --> 00:31:10,499 MAYBE SOMEBODY DRUGGED YOU SO YOU WOULDN'T REMEMBER. 830 00:31:10,499 --> 00:31:12,471 AND THEN I-I WOULD SEE THE PHOTOS 831 00:31:12,471 --> 00:31:14,603 AND ASSUME THAT IT WAS ME? JESSE... 832 00:31:14,603 --> 00:31:16,345 HOW COULD YOU DO THAT TO ME? 833 00:31:16,345 --> 00:31:19,178 THIS ISN'T ABOUT YOU, NOT ANYMORE. 834 00:31:19,178 --> 00:31:20,910 WHAT HAPPENED, MANDY? 835 00:31:20,910 --> 00:31:22,551 HMM? WHO KILLED CLAIRE? 836 00:31:22,551 --> 00:31:25,484 I DON'T KNOW. 837 00:31:25,484 --> 00:31:27,016 WHAT DO YOU CARE? 838 00:31:27,016 --> 00:31:30,559 I CARE 'CAUSE THE COPS ARE TRYING TO PIN IT ON ME. 839 00:31:30,559 --> 00:31:32,621 SOMEONE MUST HAVE SEEN ME IN THE ALLEY THAT NIGHT. 840 00:31:32,621 --> 00:31:34,463 WAIT A MINUTE. YOU WERE THERE, 841 00:31:34,463 --> 00:31:37,967 WHEN SHE WAS KILLED? I HAD TO TALK TO HER. 842 00:31:37,967 --> 00:31:40,229 NOW WE WERE SUPPOSED TO GET ANOTHER 25 GRAND 843 00:31:40,229 --> 00:31:41,630 FOR STAGING THAT PHOTO, 844 00:31:41,630 --> 00:31:43,472 IF WE KEPT OUR MOUTH SHUT WHEN THE STORY RAN. 845 00:31:43,472 --> 00:31:46,475 ONLY BITCH GOT A CONSCIENCE, FELT BAD ABOUT EVERYTHING 846 00:31:46,475 --> 00:31:48,407 SHE HAD DONE, ESPECIALLY 'CAUSE THE PICTURES 847 00:31:48,407 --> 00:31:50,609 BROKE UP YOU AND WHAT'S HIS NAME--ZACH. 848 00:31:50,609 --> 00:31:52,511 SHE JUST HAD TO SET THINGS RIGHT. 849 00:31:52,511 --> 00:31:55,244 THAT'S WHY SHE WAS TRYING TO GET IN TOUCH WITH YOU LAST NIGHT. 850 00:31:55,244 --> 00:31:57,486 SHE CALLED ME AND SAID SHE WAS GOING OVER TO YOUR PLACE 851 00:31:57,486 --> 00:31:58,687 TO TELL YOU EVERYTHING. 852 00:31:58,687 --> 00:32:00,519 ONLY THAT MEANS I'M NOT GONNA GET MY MONEY. 853 00:32:00,519 --> 00:32:02,591 SO I GO OVER THERE TO TALK HER OUT OF IT, 854 00:32:02,591 --> 00:32:05,454 THAT'S IT! 855 00:32:05,454 --> 00:32:06,455 AND WHEN I GET THERE, SHE'S DEAD. 856 00:32:06,455 --> 00:32:09,328 JESSE, IF YOU DIDN'T KILL CLAIRE, 857 00:32:09,328 --> 00:32:10,960 THEN PUT THE GUN DOWN. 858 00:32:10,960 --> 00:32:13,062 WE CAN GO TO THE POLICE TOGETHER AND FIGURE THIS OUT. 859 00:32:13,062 --> 00:32:14,363 I PROMISE-- YOU'RE TRYING TO CONFUSE ME! 860 00:32:14,363 --> 00:32:16,635 NOW SHUT UP BEFORE I DO SOMETHING I-- 861 00:32:16,635 --> 00:32:18,467 TURN AROUND RIGHT NOW, JESSE! 862 00:32:18,467 --> 00:32:19,538 DROP THAT GUN, JESSE! 863 00:32:19,538 --> 00:32:21,670 SHOW 'EM! SHOW YOUR HANDS! 864 00:32:21,670 --> 00:32:24,443 DOWN! NOW, NOW! 865 00:32:24,443 --> 00:32:26,675 DAD. HEY. 866 00:32:26,675 --> 00:32:29,348 IT'S OKAY. IT'S OVER. 867 00:32:39,358 --> 00:32:41,290 IF JESSE'S STORY IS TRUE, THEN CLAIRE WAS ABOUT TO REVEAL 868 00:32:41,290 --> 00:32:43,332 THAT THOSE PHOTOS WERE FAKE AND SOMEONE KILLED HER FOR IT. 869 00:32:43,332 --> 00:32:45,334 SO MAYBE CLAIRE SAMUELS 870 00:32:45,334 --> 00:32:48,197 WAS THE INTENDED TARGET AFTER ALL. 871 00:32:48,197 --> 00:32:53,302 IF JESSE'S STORY IS TRUE. THAT'S A BIG "IF." 872 00:32:53,302 --> 00:32:56,175 ALL RIGHT, THANKS, BILL. 873 00:32:56,175 --> 00:32:57,746 SO JESSE WAS TELLING THE TRUTH ABOUT THIS MUCH-- 874 00:32:57,746 --> 00:32:59,048 HE DEPOSITED $25,000 CASH 875 00:32:59,048 --> 00:33:00,409 IN HIS BANK ACCOUNT FIVE DAYS AGO. 876 00:33:00,409 --> 00:33:02,011 ANY MORE ON WHO PAID HIM? 877 00:33:02,011 --> 00:33:03,352 NO, WE GOT A TYPEWRITTEN NOTE 878 00:33:03,352 --> 00:33:05,214 THAT TOLD HIM WHEN TO MEET CLAIRE AT THE BAR 879 00:33:05,214 --> 00:33:07,016 AND WHERE TO FIND THE MONEY AT A DEAD DROP. 880 00:33:07,016 --> 00:33:08,387 WHY WOULD SOMEONE PAY THAT MUCH MONEY 881 00:33:08,387 --> 00:33:09,518 TO STAGE A PHOTO IN THE FIRST PLACE? 882 00:33:09,518 --> 00:33:10,719 AND WHAT WAS SO IMPORTANT ABOUT IT 883 00:33:10,719 --> 00:33:12,321 THAT SOMEONE WOULD KILL CLAIRE 884 00:33:12,321 --> 00:33:15,294 IN ORDER TO KEEP IT FROM BEING EXPOSED AS A FAKE? 885 00:33:15,294 --> 00:33:16,425 I DON'T KNOW, 886 00:33:16,425 --> 00:33:17,466 BUT I COULD THINK OF SOMEONE WHO MIGHT. 887 00:33:17,466 --> 00:33:18,667 GUYS, DID JESSE TELL YOU 888 00:33:18,667 --> 00:33:20,429 WHERE IN THE CLUB THAT PHOTO WAS TAKEN? 889 00:33:20,429 --> 00:33:22,171 SOMEWHERE IN THE BACK HIDDEN FROM VIEW. 890 00:33:22,171 --> 00:33:24,333 COULDN'T BE ANY WITNESSES, OR THE GAG WOULDN'T WORK. 891 00:33:24,333 --> 00:33:27,276 SO THAT PHOTOGRAPHER DIDN'T JUST HAPPEN TO BE THERE. 892 00:33:27,276 --> 00:33:28,777 HE WAS IN ON IT. 893 00:33:28,777 --> 00:33:30,309 SO WHO'S THE PHOTOGRAPHER? 894 00:33:30,309 --> 00:33:33,342 JAMES LOCKHART. HOW YOU DOIN'? 895 00:33:33,342 --> 00:33:36,485 N.Y.P.D. WE GOTTA ASK YOU SOME QUESTIONS, BRO. 896 00:33:36,485 --> 00:33:37,516 LISTEN, CAN YOU GUYS COME BACK A LITTLE LATER? 897 00:33:37,516 --> 00:33:39,448 EXCUSE ME? 898 00:33:39,448 --> 00:33:41,220 THERE'S AN ACTRESS IN THIS CAFE, REESE WELLINGFORD? 899 00:33:41,220 --> 00:33:42,591 I'VE BEEN WAITING AN HOUR FOR HER TO COME OUT. 900 00:33:42,591 --> 00:33:45,094 LISTEN, FOOL, THIS IS A CRIMINAL INVESTIGATION. 901 00:33:45,094 --> 00:33:46,295 WHO PAID YOU TO TAKE 902 00:33:46,295 --> 00:33:47,326 THOSE PICTURES YOU SOLD TO "CELEBGAZER"? 903 00:33:47,326 --> 00:33:48,397 THE ONES WITH JESSE JONES 904 00:33:48,397 --> 00:33:50,129 AND THE GIRL WHO WASN'T MANDY SUTTON? 905 00:33:50,129 --> 00:33:51,430 NOBODY PAID ME. 906 00:33:51,430 --> 00:33:53,062 OH, REALLY? SO YOU JUST ENDED UP IN THAT BACKROOM, 907 00:33:53,062 --> 00:33:55,104 IN THAT BAR WHEN THOSE TWO HOOKED UP? 908 00:33:55,104 --> 00:33:57,035 YEP, JUST LUCKY, I GUESS. HERE SHE IS. 909 00:33:57,035 --> 00:33:59,338 WHERE? I DON'T EVEN-- IS SHE OVER-- WHERE IS IT? 910 00:33:59,338 --> 00:34:01,070 DID YOU SEE HER? I DON'T EVEN SEE HER. IS SHE-- 911 00:34:01,070 --> 00:34:03,472 AM I OH, YOU CAN'T, UH, UM... 912 00:34:03,472 --> 00:34:06,075 OH, HEY! OH, THERE SHE GOES. SHE'S RIGHT THERE. 913 00:34:06,075 --> 00:34:08,377 OH, NO. OH. SHE GOT IN A CAB. 914 00:34:08,377 --> 00:34:11,350 ALL RIGHT, LOOK, I GOT A TIP, OKAY? 915 00:34:11,350 --> 00:34:13,382 THEY SAID SHOW UP AT SUCH AND SUCH TIME, GO IN THE BACK. 916 00:34:13,382 --> 00:34:16,555 I GOT A FEW SHOTS BEFORE SECURITY THREW ME OUT. SO WHO GAVE YOU THAT TIP? 917 00:34:16,555 --> 00:34:18,757 I CAN'T TELL YOU THAT. I THOUGHT WE WERE COOL. 918 00:34:18,757 --> 00:34:20,329 OH, COME ON. YOU THINK I'M GONNA RAT OUT MY SOURCES? 919 00:34:20,329 --> 00:34:22,361 THIS IS MY LIVELIHOOD. 920 00:34:22,361 --> 00:34:24,263 HOW DO YOU THINK YOUR LIVELIHOOD'S GONNA GO 921 00:34:24,263 --> 00:34:26,665 WITH ME AND MY BOY HERE FOLLOWING YOU AROUND ALL DAY? 922 00:34:28,367 --> 00:34:32,601 HARVEY STRYKER FROM celebgazer.com TIPPED HIM OFF? 923 00:34:32,601 --> 00:34:34,573 HE DIDN'T JUST RUN THAT PHOTO ON "CELEBGAZER," 924 00:34:34,573 --> 00:34:36,505 HE SET THE WHOLE THING UP. 925 00:34:36,505 --> 00:34:38,677 BUT WHY? DOESN'T THIS DIRTBAG HAVE ENOUGH SCANDALS 926 00:34:38,677 --> 00:34:40,479 TO REPORT ON WITHOUT HAVING TO MAKE UP HIS OWN? 927 00:34:40,479 --> 00:34:42,481 BECAUSE IT WASN'T JUST ABOUT THE ONE SCANDAL. 928 00:34:42,481 --> 00:34:45,414 FOR YEARS, MANDY HAS BEEN DRAWING MILLIONS OF EYEBALLS 929 00:34:45,414 --> 00:34:47,816 TO "CELEBGAZER," WITH HER PUBLIC MELTDOWNS, 930 00:34:47,816 --> 00:34:50,659 OR DRUNKEN ESCAPADES, THE, UH, TRIPS TO REHAB. 931 00:34:50,659 --> 00:34:52,561 BUT IN THE PAST FEW MONTHS, SHE CALMED DOWN, 932 00:34:52,561 --> 00:34:53,622 GOT HER LIFE BACK IN ORDER. 933 00:34:53,622 --> 00:34:54,763 BECAUSE OF ZACH. 934 00:34:54,763 --> 00:34:56,495 WHICH WAS NO GOOD FOR BUSINESS. 935 00:34:56,495 --> 00:34:58,797 SO HARVEY STAGED THE PHOTO, TURNS MANDY BACK 936 00:34:58,797 --> 00:35:01,470 INTO THE TRAIN WRECK THAT HE GREW TO LOVE AND EXPLOIT. 937 00:35:01,470 --> 00:35:03,402 AND IT WORKED, TOO, UNTIL CLAIRE WAS GONNA RUIN IT ALL 938 00:35:03,402 --> 00:35:04,603 BY CALLING THE PHOTO OUT AS A HOAX, 939 00:35:04,603 --> 00:35:06,605 DESTROYING HARVEY'S REPUTATION. 940 00:35:06,605 --> 00:35:10,139 AND THAT'S WHY HARVEY WAS AT THE APARTMENT. 941 00:35:10,139 --> 00:35:12,141 HE WASN'T WAITING FOR MANDY. HE WAS WAITING FOR CLAIRE. 942 00:35:12,141 --> 00:35:13,742 HE WAS WAITING TO SILENCE HER. 943 00:35:18,487 --> 00:35:19,548 FAKE? NO, NO, NO, NO. 944 00:35:19,548 --> 00:35:20,889 celebgazer.com DOESN'T DO FAKE. 945 00:35:20,889 --> 00:35:22,751 AND YET YOU RAN THAT ONE. 946 00:35:22,751 --> 00:35:24,122 COME ON, HARVEY. 947 00:35:24,122 --> 00:35:25,824 WE KNOW YOU SET THE WHOLE THING UP. 948 00:35:25,824 --> 00:35:28,197 YOU PAID JESSE, THEN YOU PAID CLAIRE. 949 00:35:28,197 --> 00:35:30,128 I DIDN'T PAY ANYONE. AND WHO IS CLAIRE? 950 00:35:31,400 --> 00:35:32,631 THE GIRL IN THE PHOTO. 951 00:35:33,832 --> 00:35:36,765 THE ONE THAT YOU KILLED RIGHT AFTER SHE THREATENED 952 00:35:36,765 --> 00:35:37,836 TO EXPOSE YOU? 953 00:35:37,836 --> 00:35:39,268 WAIT A MINUTE. 954 00:35:39,268 --> 00:35:41,340 I HAD NOTHING TO DO WITH ANY OF THIS. 955 00:35:41,340 --> 00:35:43,642 SO THEN HOW DID YOU GET THAT PHOTO? 956 00:35:43,642 --> 00:35:45,344 I BOUGHT IT FROM A FREELANCER. 957 00:35:45,344 --> 00:35:46,515 WE SPOKE WITH HIM. 958 00:35:46,515 --> 00:35:48,447 HE SAID THAT YOU SENT HIM TO THAT BAR, 959 00:35:48,447 --> 00:35:52,251 WHICH MEANS YOU KNEW CLAIRE AND JESSE WERE THERE. 960 00:35:52,251 --> 00:35:53,922 HOW DID YOU KNOW? 961 00:35:53,922 --> 00:35:55,824 THE SAME WAY I ALWAYS KNOW. 962 00:35:55,824 --> 00:35:57,556 I WAS TIPPED! 963 00:35:57,556 --> 00:35:58,887 DO YOU ACTUALLY EXPECT US TO BELIEVE THAT? 964 00:35:58,887 --> 00:36:00,559 IT'S TRUE! I SWEAR. 965 00:36:00,559 --> 00:36:01,860 I REMEMBER EXACTLY WHEN IT HAPPENED. 966 00:36:01,860 --> 00:36:03,662 THEY CALLED MY CELL. I CAN SHOW YOU. 967 00:36:03,662 --> 00:36:06,195 YO, THAT PHONE CALL HARVEY GOT CAME FROM A BURNER PHONE 968 00:36:06,195 --> 00:36:07,666 PAID FOR WITH CASH. 969 00:36:07,666 --> 00:36:08,897 SO THEY WERE COVERING THEIR TRACKS. 970 00:36:08,897 --> 00:36:10,939 YEAH, ONLY THEY DIDN'T DO A VERY GOOD JOB OF IT. 971 00:36:10,939 --> 00:36:12,301 THEY FORGOT TO DISABLE THE G.P.S. 972 00:36:12,301 --> 00:36:14,273 WE WERE ABLE TO TRACK THE G.P.S. DATA. 973 00:36:14,273 --> 00:36:15,604 YEAH. THAT PHONE WAS IN THE ALLEY BEHIND MANDY'S BUILDING 974 00:36:15,604 --> 00:36:17,206 THE NIGHT OF THE MURDER. 975 00:36:17,206 --> 00:36:20,449 SO THEN WHOEVER BOUGHT THAT PHONE 976 00:36:20,449 --> 00:36:22,281 IS OUR KILLER. 977 00:36:22,281 --> 00:36:25,183 THANK YOU FOR COMING IN. WE, UH, WE JUST WANTED 978 00:36:25,183 --> 00:36:27,916 TO KEEP YOU UP-TO-DATE ON THE INVESTIGATION. 979 00:36:27,916 --> 00:36:29,418 SO THERE'S BEEN A DEVELOPMENT? 980 00:36:29,418 --> 00:36:31,220 YES, WE HAVE A LEAD. 981 00:36:31,220 --> 00:36:33,962 WE'VE IDENTIFIED THE CELL PHONE OF THE PERSON 982 00:36:33,962 --> 00:36:35,764 THAT SET UP THAT FAKE PHOTO. 983 00:36:35,764 --> 00:36:38,667 AND WE BELIEVE THE SAME PERSON KILLED CLAIRE SAMUELS. 984 00:36:38,667 --> 00:36:39,968 WHO IS IT? 985 00:36:39,968 --> 00:36:41,700 WELL, ACTUALLY, IT WAS A BURNER PHONE. 986 00:36:41,700 --> 00:36:43,872 A BURNER PHONE? 987 00:36:43,872 --> 00:36:45,234 SO IT'S NOT TRACEABLE. 988 00:36:45,234 --> 00:36:46,735 UH, NORMALLY, IT WOULDN'T BE. 989 00:36:46,735 --> 00:36:47,906 BUT THE PERSON WHO BOUGHT THIS PHONE 990 00:36:47,906 --> 00:36:50,339 MADE ONE CRUCIAL MISTAKE. 991 00:36:50,339 --> 00:36:53,211 THEY DIDN'T GET RID OF IT WHEN THEY WERE DONE. 992 00:36:53,211 --> 00:36:55,744 MATTER OF FACT, IT'S STILL ON RIGHT NOW. 993 00:37:02,251 --> 00:37:05,294 MOM? 994 00:37:09,758 --> 00:37:12,761 MOM! 995 00:37:12,761 --> 00:37:15,964 YOU SET UP THAT PHOTO? 996 00:37:15,964 --> 00:37:18,236 YOU DID THIS TO ME? WHY WOULD YOU DO THAT? 997 00:37:18,236 --> 00:37:19,368 WHY DO YOU WANNA RUIN MY LIFE? 998 00:37:19,368 --> 00:37:22,411 IT WAS ZACH WHO WAS RUINING YOUR LIFE. 999 00:37:22,411 --> 00:37:24,273 I WAS SAVING YOU. 1000 00:37:24,273 --> 00:37:26,975 WAIT A MINUTE. WAIT. YOU DID THIS 1001 00:37:26,975 --> 00:37:28,417 TO BREAK ME UP WITH ZACH? 1002 00:37:28,417 --> 00:37:31,420 HE WAS THE BEST THING THAT EVER HAPPENED TO ME. 1003 00:37:31,420 --> 00:37:33,982 HE WAS GONNA TAKE ME AWAY FROM ALL OF THIS. 1004 00:37:33,982 --> 00:37:37,025 THAT'S RIGHT, AWAY FROM EVERYTHING WE'D WORKED FOR-- 1005 00:37:37,025 --> 00:37:38,687 YOUR TOUR, YOUR CAREER, 1006 00:37:38,687 --> 00:37:40,959 HE WAS GONNA COST YOU MILLIONS. 1007 00:37:40,959 --> 00:37:43,392 YOU MEAN COST YOU MILLIONS? 1008 00:37:43,392 --> 00:37:44,833 AND FOR WHAT? 1009 00:37:44,833 --> 00:37:46,365 A CHANCE TO BE NORMAL! 1010 00:37:46,365 --> 00:37:47,566 NORMAL. 1011 00:37:47,566 --> 00:37:49,267 YOU'RE SPECIAL. 1012 00:37:49,267 --> 00:37:50,999 ZACH DIDN'T UNDERSTAND THAT. 1013 00:37:50,999 --> 00:37:54,473 AND NEITHER DID CLAIRE. 1014 00:37:54,473 --> 00:37:57,346 SO YOU... KILLED HER? 1015 00:37:57,346 --> 00:38:00,779 SHE WAS GONNA TELL YOU WHAT I'D DONE. 1016 00:38:00,779 --> 00:38:03,812 SHE WAS GONNA MAKE YOU HATE ME. 1017 00:38:03,812 --> 00:38:06,385 I COULDN'T LET HER DRIVE A WEDGE BETWEEN US. 1018 00:38:06,385 --> 00:38:07,916 I COULDN'T. 1019 00:38:07,916 --> 00:38:09,758 MARILYN SUTTON, PLEASE STAND UP. 1020 00:38:11,920 --> 00:38:13,922 TURN AROUND. 1021 00:38:13,922 --> 00:38:14,963 YOU'RE UNDER ARREST FOR THE MURDER 1022 00:38:14,963 --> 00:38:16,294 OF CLAIRE SAMUELS. 1023 00:38:16,294 --> 00:38:21,069 MANDY, SWEETIE, YOU UNDERSTAND, RIGHT? 1024 00:38:22,571 --> 00:38:26,034 I DID THIS FOR YOU, MANDY. 1025 00:38:26,034 --> 00:38:27,836 EVERYTHING I DID, I DID FOR YOU. 1026 00:38:27,836 --> 00:38:30,979 NO, MOM. 1027 00:38:30,979 --> 00:38:33,081 YOU DID IT FOR YOU. 1028 00:38:35,984 --> 00:38:39,317 LET'S GO. 1029 00:38:41,550 --> 00:38:43,051 JUST WHEN I THOUGHT 1030 00:38:43,051 --> 00:38:45,694 LIFE COULDN'T GET ANY MORE MESSED UP, RIGHT 1031 00:38:45,694 --> 00:38:50,459 AND THE TRAIN WRECK CONTINUES. THE PRESS IS GONNA LOVE THIS. 1032 00:38:50,459 --> 00:38:56,104 SORRY. I'M GONNA GO. 1033 00:38:56,104 --> 00:38:57,706 THANK YOU. 1034 00:38:57,706 --> 00:39:02,771 UM, HEY, MANDY. SORRY, UM, NOT TO PRY, 1035 00:39:02,771 --> 00:39:06,915 BUT, UH, IT WOULD BE REALLY EASY JUST TO RUN AND HIDE 1036 00:39:06,915 --> 00:39:08,717 FROM ALL THIS. 1037 00:39:08,717 --> 00:39:11,079 BUT DON'T. 1038 00:39:11,079 --> 00:39:13,422 THANKS. 1039 00:39:15,384 --> 00:39:20,459 THANK YOU FOR ALL YOU GUYS DID. 1040 00:39:20,459 --> 00:39:23,562 UM, COULD YOU THANK ALEXIS FOR ME, TOO, PLEASE? 1041 00:39:23,562 --> 00:39:24,993 I WILL. YEAH, SHE WAS HERE. 1042 00:39:24,993 --> 00:39:27,466 ACTUALLY, I DON'T KNOW WHERE SHE WENT. THERE'S, OH-- 1043 00:39:27,466 --> 00:39:31,039 I'M BACK, AND I'VE BROUGHT SOMEONE WITH ME. 1044 00:39:31,039 --> 00:39:32,701 HEY, MANDY. 1045 00:39:32,701 --> 00:39:34,673 ZACH. 1046 00:39:41,780 --> 00:39:44,382 ONCE WE REALIZED MANDY HADN'T REALLY CHEATED ON HIM, 1047 00:39:44,382 --> 00:39:46,415 I TRACKED HIM DOWN. 1048 00:39:46,415 --> 00:39:47,756 I THOUGHT HE NEEDED TO KNOW. 1049 00:39:47,756 --> 00:39:50,058 GOOD. 1050 00:39:50,058 --> 00:39:53,061 I HOPE IT WORKS OUT FOR THEM. 1051 00:39:53,061 --> 00:39:55,163 MANDY NEEDS SOMETHING GOOD IN HER LIFE. 1052 00:39:55,163 --> 00:39:56,995 THEY'VE GOT A SHOT. 1053 00:39:56,995 --> 00:40:00,028 THEY SEEM TO REALLY LOVE EACH OTHER 1054 00:40:00,028 --> 00:40:01,530 FOR ALL THE RIGHT REASONS. 1055 00:40:01,530 --> 00:40:04,803 OH, UM, SPEAKING OF BOYFRIENDS... 1056 00:40:06,034 --> 00:40:08,637 PI'S LETTER OF RECOMMENDATION. 1057 00:40:10,639 --> 00:40:13,842 HE DID GET THE DEADLINE EXTENDED, RIGHT? 1058 00:40:13,842 --> 00:40:15,143 NO, HE DID. 1059 00:40:15,143 --> 00:40:17,946 GOOD. 1060 00:40:17,946 --> 00:40:20,048 HOW DID I SPELL "PI"? DID I PUT IT LIKE THE DESSERT? 1061 00:40:20,048 --> 00:40:21,450 'CAUSE THAT WAS JUST-- NO, DAD. 1062 00:40:21,450 --> 00:40:24,853 YOU GOT IT RIGHT. OKAY. 1063 00:40:24,853 --> 00:40:27,856 I'M JUST NOT SURE I DID. 1064 00:40:27,856 --> 00:40:31,099 WHERE 1065 00:40:31,099 --> 00:40:37,005 THERE'S SOMETHING I NEED TO DO. 1066 00:40:37,005 --> 00:40:38,767 HEY, CASTLE, 1067 00:40:38,767 --> 00:40:41,069 LOOKS LIKE YOUR LOVE LIFE MADE THE PAPER AGAIN. 1068 00:40:41,069 --> 00:40:43,071 AH, WHAT? ALL RIGHT. 1069 00:40:43,071 --> 00:40:45,814 ALL RIGHT, WHO AM I HOOKING UP WITH NOW? 1070 00:40:45,814 --> 00:40:48,917 "NOVELIST RICHARD CASTLE AND NEW YORK POLICE DETECTIVE 1071 00:40:48,917 --> 00:40:51,449 "KATHERINE BECKETT, BOTH NATIVE NEW YORKERS, 1072 00:40:51,449 --> 00:40:52,951 ARE PLEASED TO ANNOUNCE THEIR ENGAGEMENT." 1073 00:40:52,951 --> 00:40:55,654 NO, NO, NO, NO, NO, NO, NO, NO. 1074 00:40:55,654 --> 00:40:56,955 I DIDN'T--I DID-- 1075 00:40:56,955 --> 00:40:58,927 I DIDN'T DO THIS. 1076 00:40:58,927 --> 00:41:01,229 ACTUALLY, I DID. 1077 00:41:03,492 --> 00:41:06,194 I THOUGHT YOU... I KNOW, I KNOW, CASTLE. I LIKE MY PRIVACY. 1078 00:41:06,194 --> 00:41:08,667 BUT I DO REALIZE THAT YOU'RE SOMEWHAT FAMOUS. 1079 00:41:08,667 --> 00:41:10,098 SOMEWHAT I-- 1080 00:41:11,039 --> 00:41:13,241 YES. AND IF WE'RE GONNA BE TOGETHER, 1081 00:41:13,241 --> 00:41:15,674 I HAVE TO COME TO TERMS WITH THAT, 1082 00:41:15,674 --> 00:41:17,045 AND IF THEY ARE GONNA WRITE ABOUT YOU, 1083 00:41:17,045 --> 00:41:22,811 I WANT IT TO BE THE TRUTH. I WANT IT TO BE ABOUT US. 1084 00:41:22,811 --> 00:41:24,513 WELL, THERE'S NO ONE I-- 1085 00:41:28,156 --> 00:41:30,218 THERE'S NO ONE I'D RATHER SHARE A HEADLINE WITH. 1086 00:41:30,218 --> 00:41:32,220 BUT JUST FOR THE INTEREST OF ACCURACY... 1087 00:41:34,062 --> 00:41:35,824 DOES IT SAY WE'RE GETTING MARRIED IN SPACE? 1088 00:41:35,824 --> 00:41:37,926 NO, IT'S NOT GONNA HAPPEN, BABE. 1089 00:41:40,729 --> 00:41:44,172 BE PRETTY FUN. 1090 00:41:44,172 --> 00:41:46,174 SPACE.