1 00:00:02,473 --> 00:00:05,076 [ SIGHS ] DID YOU SEE THAT TUNIC 2 00:00:05,076 --> 00:00:07,778 PROFESSOR JABLONSKI WAS WEARING YESTERDAY 3 00:00:07,778 --> 00:00:10,141 IN ADVANCED DRAPING? I KNOW. 4 00:00:10,141 --> 00:00:12,243 IT WAS VERY "SAD CAT LADY MEETS DAVID BOWIE." 5 00:00:12,243 --> 00:00:15,586 THIS IS WHAT IT'S COME TO -- DUMPSTER-DIVING TO FIND FABRIC 6 00:00:15,586 --> 00:00:17,688 FOR OUR MIDTERM HAUTE COUTURE PROJECT. 7 00:00:17,688 --> 00:00:19,250 WELL, YOU KNOW WHAT THEY SAY. 8 00:00:19,250 --> 00:00:21,192 ONE MAN'S TRASH IS ANOTHER MAN'S -- [ GASPS ] 9 00:00:21,192 --> 00:00:24,225 I THINK I FOUND SOMETHING. OH! ME TOO! 10 00:00:24,225 --> 00:00:26,097 OOH! IT'S STUCK. 11 00:00:26,097 --> 00:00:27,798 THAT'S BECAUSE WE'RE BOTH TUGGING ON IT. 12 00:00:27,798 --> 00:00:30,201 LET GO. I HAD IT FIRST. 13 00:00:31,762 --> 00:00:35,266 OH, THIS FABRIC IS JUST TO DIE FOR. 14 00:00:35,266 --> 00:00:36,607 THE LACE, THE DéCOLLETAGE -- 15 00:00:36,607 --> 00:00:39,039 THIS WOULD LOOK STUNNING ON YOU -- JUST STUNNING. 16 00:00:39,039 --> 00:00:40,811 UH, YOU KNOW, I TH-- I -- 17 00:00:40,811 --> 00:00:44,615 MOTHER, WHAT ARE YOU TRYING TO FORCE ON MY LOVELY FIANCéE? NO, NO, NO, NO, NO. 18 00:00:44,615 --> 00:00:46,577 I AM JUST TRYING TO EXPOSE KATHERINE 19 00:00:46,577 --> 00:00:49,820 TO THE GLORIOUS WORLD OF WEDDING MAGAZINES. 20 00:00:49,820 --> 00:00:53,284 THEY ARE ALL VERY GIRLY, WITH A LOT OF GAUZY PHOTOS 21 00:00:53,284 --> 00:00:56,056 OF LOVE-STRUCK BRIDES LOOKING OFF INTO THE DISTANCE. 22 00:00:56,056 --> 00:00:58,629 PERHAPS THEY'RE CONTEMPLATING THE 50% DIVORCE RATE. 23 00:00:58,629 --> 00:01:00,060 YOU KNOW WHAT? 24 00:01:00,060 --> 00:01:02,133 YOU NEED TO GET BEYOND THE FAIRYTALE-TREACLE ASPECT 25 00:01:02,133 --> 00:01:04,665 OF THESE MAGAZINES AND SEE THEM FOR WHAT THEY ARE -- 26 00:01:04,665 --> 00:01:07,698 A SOURCE OF IDEAS AS YOU PLAN YOUR WEDDING. 27 00:01:07,698 --> 00:01:08,769 YEAH. 28 00:01:08,769 --> 00:01:11,442 LIKE THIS PLACE. 29 00:01:11,442 --> 00:01:12,703 THE CORDOVA HOUSE? 30 00:01:12,703 --> 00:01:15,806 UH, "A LANDMARK SPANISH REVIVAL MANSION 31 00:01:15,806 --> 00:01:19,210 WITH AN ELEGANT CARRIAGE-HOUSE EXTERIOR." 32 00:01:19,210 --> 00:01:20,611 "IT WAS BUILT AT THE TURN OF THE CENTURY, 33 00:01:20,611 --> 00:01:22,253 "REMAINS AN ENDURING LEGACY OF ARCHITECTURAL BEAUTY 34 00:01:22,253 --> 00:01:23,814 IN THE HEART OF MANHATTAN." 35 00:01:23,814 --> 00:01:27,518 AHA. I REMEMBER THE CORDOVA HOUSE. 36 00:01:27,518 --> 00:01:30,661 IT WAS LIKE A CULTURAL VENUE FOR THE ARTS IN THE '70s. 37 00:01:30,661 --> 00:01:32,123 I THINK I WENT TO A PARTY THERE. 38 00:01:32,123 --> 00:01:35,626 OF COURSE, IT WAS THE '70s, SO I CAN'T BE SURE. 39 00:01:35,626 --> 00:01:36,727 THIS SAYS IT'S BEEN REFURBISHED 40 00:01:36,727 --> 00:01:37,868 AND THEY'VE STARTED TO BOOK WEDDINGS. 41 00:01:37,868 --> 00:01:39,600 I LOVE IT. IT'S GORGEOUS. 42 00:01:41,232 --> 00:01:43,304 COULD IT BE THAT WE'VE STUMBLED UPON A VENUE 43 00:01:43,304 --> 00:01:44,405 WE ACTUALLY AGREE ON? 44 00:01:44,405 --> 00:01:46,837 YEAH! I MEAN, I'M GOOD WITH IT. ARE YOU? 45 00:01:47,878 --> 00:01:50,441 [ GIGGLES ] [ CHUCKLES ] 46 00:01:50,441 --> 00:01:51,642 [ SIGHS ] 47 00:01:51,642 --> 00:01:52,783 YOU'RE WELCOME. 48 00:01:52,783 --> 00:01:54,445 AH! THANK YOU. YEAH, THANK YOU. SORRY. 49 00:01:54,445 --> 00:01:55,716 I'M JUST GONNA -- 50 00:01:55,716 --> 00:01:57,518 I'M GONNA MAKE, UM... SOME INQUIRIES RIGHT NOW. 51 00:01:57,518 --> 00:02:00,321 UH, YOU'RE GONNA HAVE TO DO IT WHILE WE'RE WORKING A CASE. 52 00:02:02,293 --> 00:02:04,595 OKAY. THANK YOU. I APPRECIATE IT. ALL RIGHT. 53 00:02:04,595 --> 00:02:06,397 APPARENTLY, WE AREN'T THE ONLY ONES WHO READ THAT ARTICLE. 54 00:02:06,397 --> 00:02:08,159 THE EVENT PLANNER AT THE CORDOVA HOUSE 55 00:02:08,159 --> 00:02:09,530 SAID THEY'VE BEEN SWAMPED WITH CALLS. 56 00:02:09,530 --> 00:02:11,131 OKAY. WHEN'S THEIR NEXT AVAILABLE DATE? 57 00:02:11,131 --> 00:02:12,563 SHE SAID SHE'S GONNA CALL ME BACK. 58 00:02:12,563 --> 00:02:14,305 HEY, ESPO, WHAT HAVE WE GOT? 59 00:02:14,305 --> 00:02:16,167 A BODY FOUND BY TWO FASHION STUDENTS 60 00:02:16,167 --> 00:02:17,438 DUMPSTER-DIVING FOR FABRIC. 61 00:02:17,438 --> 00:02:19,340 VICTIM'S NAME IS ELLA HAYES. SHE'S 26. 62 00:02:19,340 --> 00:02:21,312 ACCORDING TO HER DRIVER'S LICENSE, 63 00:02:21,312 --> 00:02:22,613 SHE HAS AN APARTMENT IN BROOKLYN. 64 00:02:22,613 --> 00:02:24,275 WHAT'S SHE DOING DOWN HERE IN THE GARMENT DISTRICT? 65 00:02:24,275 --> 00:02:25,746 COULD BE SOMETHING WORK-RELATED. 66 00:02:25,746 --> 00:02:28,919 HER BUSINESS CARD SAYS THAT SHE WORKS FOR MODERN FASHION. 67 00:02:28,919 --> 00:02:30,581 SHE'S AN ASSISTANT TO THE EDITOR-IN-CHIEF. 68 00:02:30,581 --> 00:02:32,183 YEAH, THAT WOULD BE MATILDA KING. 69 00:02:33,584 --> 00:02:35,556 OKAY. SERIOUSLY? 70 00:02:35,556 --> 00:02:37,358 YOU'VE NEVER HEARD OF MATILDA KING? 71 00:02:37,358 --> 00:02:39,290 I'M BETTING THAT MOST REAL MEN HAVEN'T. 72 00:02:39,290 --> 00:02:41,892 MM, YES, IF BY "REAL" YOU MEAN "UNINFORMED." WHATEVER. 73 00:02:41,892 --> 00:02:44,164 MATILDA KING IS A LEGEND IN THE FASHION INDUSTRY. 74 00:02:44,164 --> 00:02:46,897 OR INFAMOUS -- DEPENDS ON YOUR POINT OF VIEW. 75 00:02:46,897 --> 00:02:49,940 YES. FORMER ASSISTANTS OF HERS HAVE WRITTEN BOOKS ABOUT HOW TOUGH SHE IS. 76 00:02:49,940 --> 00:02:52,803 A DRAGON LADY -- CHEWS PEOPLE UP AND SPITS THEM OUT. 77 00:02:52,803 --> 00:02:53,944 DOES SHE ALSO STRANGLE 'EM? 78 00:02:53,944 --> 00:02:55,776 'CAUSE THAT'S HOW LANIE SAID OUR VIC DIED. 79 00:02:55,776 --> 00:02:57,548 HEY, LANIE. HEY. 80 00:02:57,548 --> 00:03:01,181 SO, THE MURDER WEAPON WAS A SCARF, A SASH, OR SOMETHING. 81 00:03:01,181 --> 00:03:05,656 OKAY. WHEN DID THIS HAPPEN? BASED ON LIVIDITY, BETWEEN 12:00 AND 2:00 A.M. 82 00:03:05,656 --> 00:03:07,858 I ALSO RECOVERED SOME BLUE HAIRS ON HER NECK 83 00:03:07,858 --> 00:03:09,590 LEFT BY THE ATTACKER. 84 00:03:09,590 --> 00:03:11,191 Castle: BLUE HAIRS? 85 00:03:11,191 --> 00:03:12,563 SO SHE WAS KILLED BY A LITTLE OLD LADY? 86 00:03:12,563 --> 00:03:14,625 OR...KATY PERRY. 87 00:03:16,267 --> 00:03:19,300 ANIMAL HAIRS THAT WERE DIED BLUE, CASTLE. 88 00:03:19,300 --> 00:03:21,532 OR... A DR. SEUSS CHARACTER. 89 00:03:21,532 --> 00:03:23,904 I DON'T RECALL ANY OF THEM BEING HOMICIDAL. 90 00:03:23,904 --> 00:03:26,507 THAT'S TRUE. I NEED A NEW THEORY. 91 00:03:26,507 --> 00:03:27,408 WELL, I'VE GOT ONE. 92 00:03:27,408 --> 00:03:28,839 OUR KILLER WAS STRONG, 93 00:03:28,839 --> 00:03:31,242 AND HE OR SHE WAS ABLE TO LIFT THE BODY INTO THE DUMPSTER. 94 00:03:31,242 --> 00:03:32,413 ESPO, CAN YOU GET UNIFORMS 95 00:03:32,413 --> 00:03:33,984 TO CANVASS THE AREA FOR ANY WITNESSES? 96 00:03:33,984 --> 00:03:35,446 CASTLE AND I WILL GO TO HER WORK. 97 00:03:35,446 --> 00:03:36,847 YOU AND RYAN HEAD OFF TO HER PLACE -- 98 00:03:36,847 --> 00:03:38,589 SEE IF THERE'S ANYTHING THERE 99 00:03:38,589 --> 00:03:40,421 THAT'LL INDICATE WHY SHE WAS HERE LAST NIGHT. Esposito: RIGHT ON. 100 00:03:43,554 --> 00:03:45,456 ELLA AND I WENT TO PARSONS TOGETHER. 101 00:03:45,456 --> 00:03:46,827 [ SNIFFLES ] 102 00:03:46,827 --> 00:03:48,759 AND THEN WE'VE BEEN ROOMMATES FOR THE PAST TWO YEARS. 103 00:03:48,759 --> 00:03:50,601 I STILL CAN'T BELIEVE THIS. 104 00:03:50,601 --> 00:03:53,934 [ SIGHS ] WHEN WAS THE LAST TIME YOU SAW HER? 105 00:03:53,934 --> 00:03:55,466 UM... YESTERDAY MORNING. 106 00:03:55,466 --> 00:03:58,339 SHE WAS UP AT 5:00, LIKE ALWAYS, AND THEN OUT THE DOOR 107 00:03:58,339 --> 00:04:00,571 TO GET MATILDA'S COFFEE AND CRANBERRY SCONE 108 00:04:00,571 --> 00:04:01,812 ON HER WAY TO THE OFFICE. 109 00:04:01,812 --> 00:04:03,374 WHAT ABOUT AFTER WORK -- DID YOU SEE HER THEN? 110 00:04:03,374 --> 00:04:04,675 UH, NO. 111 00:04:04,675 --> 00:04:06,747 I'M A BUYER AT SAKS, SO I DON'T GET HOME TILL LATE. 112 00:04:06,747 --> 00:04:09,880 DID ELLA HAVE A BOYFRIEND OR A RELATIONSHIP? 113 00:04:09,880 --> 00:04:10,951 [ SCOFFS ] NO. 114 00:04:10,951 --> 00:04:12,553 SHE WAS ON CALL FOR MATILDA 24/7, 115 00:04:12,553 --> 00:04:14,925 SO SHE DIDN'T HAVE TIME FOR RELATIONSHIPS... 116 00:04:14,925 --> 00:04:17,658 OR FOR THE ONE THING THAT SHE REALLY WANTED TO DO. 117 00:04:17,658 --> 00:04:20,391 WHICH WAS WHAT? DESIGN. 118 00:04:24,034 --> 00:04:25,666 SHE HOPED WORKING AT MODERN FASHION 119 00:04:25,666 --> 00:04:26,867 WOULD OPEN DOORS FOR HER. 120 00:04:26,867 --> 00:04:30,401 WAS ELLA HAVING ANY PROBLEMS THAT YOU KNOW OF? 121 00:04:30,401 --> 00:04:31,802 UM... SHE HAD BEEN STRESSED LATELY, 122 00:04:31,802 --> 00:04:32,743 A LITTLE MORE THAN USUAL. 123 00:04:32,743 --> 00:04:34,305 I ASKED HER. 124 00:04:34,305 --> 00:04:36,777 SHE SAID IT WAS WORK, BUT SHE DIDN'T GO INTO DETAILS. 125 00:04:36,777 --> 00:04:38,549 LILIAN, IF YOU DON'T MIND, 126 00:04:38,549 --> 00:04:40,581 I'D LIKE TO HAVE AN OFFICER COME BY AND TAKE YOUR STATEMENT. 127 00:04:40,581 --> 00:04:42,753 OF COURSE. ANYTHING I CAN DO TO HELP. 128 00:04:42,753 --> 00:04:44,054 [ CELLPHONE BEEPS ] 129 00:04:44,054 --> 00:04:45,956 OH, WE DON'T GET CELL RECEPTION IN HERE. 130 00:04:45,956 --> 00:04:49,460 YOU CAN USE MY LANDLINE IF YOU LIKE. THANKS. 131 00:04:49,460 --> 00:04:51,021 HERE'S MY CARD. 132 00:04:51,021 --> 00:04:52,623 IF YOU CAN REMEMBER ANYTHING ELSE, 133 00:04:52,623 --> 00:04:53,594 PLEASE GIVE ME A CALL, OKAY? 134 00:04:53,594 --> 00:04:54,825 YEAH. THANK YOU. 135 00:04:56,567 --> 00:04:59,930 [ Intermittent static ] 136 00:05:01,402 --> 00:05:02,773 [ ELEVATOR BELL DINGS ] 137 00:05:02,773 --> 00:05:04,775 WELL, THIS IS IT -- 138 00:05:04,775 --> 00:05:08,609 THE BIG LEAGUES FOR ANYONE WHO WANTS TO WORK IN FASHION. 139 00:05:08,609 --> 00:05:10,040 WOW. APPARENTLY, YOU HAVE TO BE A TOTAL HOTTIE 140 00:05:10,040 --> 00:05:11,482 JUST TO WORK HERE. 141 00:05:11,482 --> 00:05:13,414 AND I'M SAYING THAT AS A COMPLETELY DETACHED, 142 00:05:13,414 --> 00:05:14,785 SOON-TO-BE-MARRIED OBSERVER. 143 00:05:14,785 --> 00:05:16,817 IT'S OKAY, CASTLE. STARE ALL YOU WANT. REALLY? 144 00:05:17,888 --> 00:05:20,391 ACTUALLY, NO. BUT IT'S KIND OF HARD NOT TO. 145 00:05:20,391 --> 00:05:21,922 I MEAN, MATILDA ONLY HIRES PEOPLE 146 00:05:21,922 --> 00:05:24,955 THAT FIT THE MAGAZINE'S BRAND. YOU HAVE TO...LOOK THE PART. 147 00:05:24,955 --> 00:05:27,828 YOU SEEM TO KNOW A LOT ABOUT MATILDA KING. [ SIGHS ] YEAH, WELL, I'VE PICKED UP A THING OR TWO. 148 00:05:27,828 --> 00:05:30,561 HI. NYPD. WE NEED TO SPEAK WITH MATILDA KING. 149 00:05:30,561 --> 00:05:31,802 [ SIGHS ] DO YOU HAVE AN APPOINTMENT? 150 00:05:31,802 --> 00:05:34,635 D-- OH, I THINK YOU MISSED THE PART ABOUT THE NYPD. 151 00:05:34,635 --> 00:05:35,806 PLEASE. 152 00:05:35,806 --> 00:05:37,368 I JUST TOOK OVER THIS DESK THIS MORNING. 153 00:05:37,368 --> 00:05:40,541 SHE'S GOING TO FREAK OUT IF I ADD YOU TO THE SCHEDULE. 154 00:05:40,541 --> 00:05:42,413 DO YOU HAVE ANY IDEA WHAT HAPPENED TO THE LAST ASSISTANT? 155 00:05:42,413 --> 00:05:44,044 YES. SHE'S DEAD. 156 00:05:44,044 --> 00:05:46,477 DEAD? WHAT DO YOU MEAN? 157 00:05:46,477 --> 00:05:48,879 Matilda: NO, NO, NO, NO. Oh, God. Here she comes. 158 00:05:48,879 --> 00:05:50,481 I WON'T TAKE NO FOR AN ANSWER. 159 00:05:50,481 --> 00:05:52,883 YOU MUST JOIN US ON THE YACHT. 160 00:05:52,883 --> 00:05:55,486 GIORGIO WILL SHOW HIS NEW COLLECTION. 161 00:05:55,486 --> 00:05:56,957 GORDON RAMSAY IS COOKING. 162 00:05:56,957 --> 00:05:59,730 LADY GAGA IS PERFORMING. 163 00:05:59,730 --> 00:06:01,862 PUSHING THE BOUNDARIES OF STYLE -- 164 00:06:01,862 --> 00:06:03,894 NO DOUBT, IN THE WRONG DIRECTION. [ CHUCKLES ] 165 00:06:03,894 --> 00:06:06,467 SO, LET ME KNOW. [ SMOOCHES ] 166 00:06:06,467 --> 00:06:08,769 NEW ASSISTANT. IT'S CARRIE. 167 00:06:08,769 --> 00:06:10,941 I'LL LEARN YOUR NAME WHEN YOU'VE EARNED IT. HERE. 168 00:06:10,941 --> 00:06:12,973 OH, UH, THESE ARE YOUR MESSAGES, 169 00:06:12,973 --> 00:06:15,646 AND JULIAN BRUCKNER IS WAITING IN YOUR OFFICE. 170 00:06:15,646 --> 00:06:16,847 AND WHO IS THIS? 171 00:06:16,847 --> 00:06:19,510 UH...NYPD. 172 00:06:19,510 --> 00:06:20,881 WE NEED TO ASK YOU A FEW QUESTIONS, MS. KING. 173 00:06:22,583 --> 00:06:23,814 KATE BECKETT? 174 00:06:23,814 --> 00:06:27,418 I NEVER COULD FORGET THOSE CHEEKBONES. 175 00:06:27,418 --> 00:06:29,089 UH, WHAT -- YOU TWO KNOW EACH OTHER? 176 00:06:29,089 --> 00:06:31,562 UH...YEAH. YEAH. 177 00:06:31,562 --> 00:06:34,925 WHEN I WAS A MODEL... FOR ABOUT 15 MINUTES. 178 00:06:34,925 --> 00:06:36,967 YOU MODELED FOR MODERN FASHION? 179 00:06:36,967 --> 00:06:40,801 I OFFERED HER A SPREAD IN THE JANUARY '99 ISSUE. 180 00:06:40,801 --> 00:06:42,703 NICOLE KIDMAN WAS ON THE COVER. 181 00:06:42,703 --> 00:06:44,435 AND YOU PASSED. 182 00:06:44,435 --> 00:06:47,938 TO DATE, YOU'RE THE ONLY PERSON TO EVER TELL ME NO. 183 00:06:47,938 --> 00:06:48,839 [ INHALES DEEPLY ] I'M WALL-TO-WALL. 184 00:06:48,839 --> 00:06:50,080 WE'LL HAVE TO RESCHEDULE. 185 00:06:50,080 --> 00:06:52,613 UH, GET READY TO BE TOLD NO AGAIN. 186 00:06:52,613 --> 00:06:53,744 WE NEED TO ASK YOU A FEW QUESTIONS 187 00:06:53,744 --> 00:06:55,546 ABOUT YOUR ASSISTANT, ELLA HAYES. 188 00:06:55,546 --> 00:06:56,186 IT CANNOT WAIT. 189 00:06:57,448 --> 00:06:58,519 WE'LL TALK IN MY OFFICE. 190 00:06:58,519 --> 00:06:59,750 HOLD MY CALLS. 191 00:06:59,750 --> 00:07:02,953 BY THE WAY, ELLA IS MY FORMER ASSISTANT. 192 00:07:09,029 --> 00:07:11,031 BE RIGHT WITH YOU, JULIAN. 193 00:07:11,031 --> 00:07:13,163 OKAY. 194 00:07:13,163 --> 00:07:15,566 UH, SO, WHAT DO YOU MEAN BY "FORMER"? 195 00:07:15,566 --> 00:07:16,867 I FIRED HER YESTERDAY AFTERNOON, 196 00:07:16,867 --> 00:07:19,109 AFTER SHE MADE A SCHEDULING MISTAKE 197 00:07:19,109 --> 00:07:21,912 AND I SHOWED UP TO A BOARD MEETING LATE. 198 00:07:21,912 --> 00:07:24,845 AND THAT WAS AFTER HER MISTAKE LAST WEEK, 199 00:07:24,845 --> 00:07:28,649 WHEN I KEPT THE NEW OWNER OF OUR MAGAZINE WAITING FOR 45 MINUTES. 200 00:07:28,649 --> 00:07:32,022 MATILDA, HAVE YOU SEEN THE PROOFS FROM THE "FAB FIVE" PHOTO SHOOT? 201 00:07:32,022 --> 00:07:33,153 THEY ARE DIVINE. 202 00:07:33,153 --> 00:07:34,985 THEY'D BETTER BE, JULIAN. 203 00:07:34,985 --> 00:07:36,887 SO FAR, EVERYTHING YOU'VE SUBMITTED 204 00:07:36,887 --> 00:07:38,228 HAS BEEN RATHER PEDESTRIAN. 205 00:07:38,228 --> 00:07:40,831 OH, MATILDA, THESE DESIGNERS ARE BARELY OUT OF DIAPERS. 206 00:07:40,831 --> 00:07:42,092 E-EXCUSE ME. SORRY. 207 00:07:42,092 --> 00:07:45,936 WE'RE INVESTIGATING A MURDER HERE. 208 00:07:45,936 --> 00:07:47,798 MURDER? 209 00:07:47,798 --> 00:07:48,899 OF WHOM? 210 00:07:48,899 --> 00:07:51,001 YOUR FORMER ASSISTANT, ELLA. 211 00:07:51,001 --> 00:07:53,874 EL-- ELLA'S DEAD? HOW? 212 00:07:53,874 --> 00:07:55,175 THAT'S WHAT WE'RE TRYING TO FIGURE OUT. 213 00:07:55,175 --> 00:07:57,007 NOW, DO YOU KNOW IF SHE HAD ANY PROBLEMS? 214 00:07:59,209 --> 00:08:00,951 YOU DON'T THINK THIS HAD ANYTHING TO DO 215 00:08:00,951 --> 00:08:02,482 WITH THAT INCIDENT WITH GRACE? 216 00:08:02,482 --> 00:08:03,584 WHAT INCIDENT? 217 00:08:03,584 --> 00:08:04,855 AND WHO'S GRACE? 218 00:08:04,855 --> 00:08:08,619 GRACE IS MY OTHER ASSISTANT, WHOM I FIRED 219 00:08:08,619 --> 00:08:11,562 BECAUSE SHE ALLOWED THE SCHEDULING MISTAKES TO HAPPEN. 220 00:08:11,562 --> 00:08:12,893 AND WHAT WAS THE INCIDENT? 221 00:08:12,893 --> 00:08:14,995 WELL, APPARENTLY, YESTERDAY, WHEN ELLA AND GRACE 222 00:08:14,995 --> 00:08:17,027 WERE ESCORTED OUT OF THE BUILDING BY SECURITY, 223 00:08:17,027 --> 00:08:18,198 THEY LITERALLY GOT INTO A BRAWL, 224 00:08:18,198 --> 00:08:19,930 RIGHT IN THE MIDDLE OF A PHOTO SHOOT. 225 00:08:19,930 --> 00:08:21,902 THE PHOTOGRAPHER, SERGE, HAD TO BREAK IT UP. 226 00:08:21,902 --> 00:08:24,234 Serge: YEAH. THE TWO OF THEM REALLY WENT AT IT. 227 00:08:24,234 --> 00:08:26,276 I MEAN, IT WAS A FULL-ON CATFIGHT. 228 00:08:26,276 --> 00:08:27,938 IT WAS ACTUALLY KIND OF SEXY. 229 00:08:27,938 --> 00:08:29,740 WHAT EXACTLY WAS THE FIGHT ABOUT? 230 00:08:29,740 --> 00:08:31,141 IT WAS ABOUT THE JOB, OKAY? 231 00:08:31,141 --> 00:08:34,014 I OVERHEARD GRACE BLAME ELLA FOR -- FOR GETTING HER FIRED. 232 00:08:34,014 --> 00:08:35,045 Yumi: SERGE! 233 00:08:35,045 --> 00:08:36,246 HOW LONG WILL THIS TAKE? 234 00:08:36,246 --> 00:08:38,118 I'M UP AGAINST A DEADLINE TO FINISH MY DESIGN. 235 00:08:38,118 --> 00:08:40,551 YOU'LL BE HERE AS LONG AS IT TAKES TO MAKE MATILDA HAPPY. 236 00:08:40,551 --> 00:08:41,892 [ SIGHS ] 237 00:08:42,953 --> 00:08:45,055 THE MANTRA WE ALL LIVE BY. 238 00:08:45,055 --> 00:08:47,558 UH, DID YOU REMEMBER ANY OTHER DETAILS ABOUT THE FIGHT? 239 00:08:47,558 --> 00:08:49,600 I CAN DO BETTER THAN THAT. I CAN SHOW YOU SOMETHING. 240 00:08:49,600 --> 00:08:50,831 I WAS SHOOTING AT THE TIME 241 00:08:50,831 --> 00:08:53,533 AND GOT A FEW FRAMES WITH THEM IN THE BACKGROUND. 242 00:08:55,906 --> 00:08:57,067 THERE. CHECK IT OUT. 243 00:08:57,067 --> 00:08:59,269 CAN...YOU ZOOM IN ON THAT? 244 00:08:59,269 --> 00:09:00,170 SURE. 245 00:09:00,941 --> 00:09:03,013 CHECK OUT GRACE'S SCARF. 246 00:09:03,013 --> 00:09:05,946 LANIE SAID SHE FOUND BLUE HAIRS ON ELLA'S NECK 247 00:09:05,946 --> 00:09:07,147 FROM BEING STRANGLED. 248 00:09:07,147 --> 00:09:08,979 LOOKS LIKE GRACE WAS DRESSED TO KILL. 249 00:09:20,260 --> 00:09:23,894 LOOK, I GREW UP READING MODERN FASHION. 250 00:09:23,894 --> 00:09:25,896 WORKING FOR MATILDA KING, THAT WAS MY DREAM. 251 00:09:25,896 --> 00:09:28,568 BUT WHEN MATILDA FIRES SOMEONE, PEOPLE REMEMBER, 252 00:09:28,568 --> 00:09:30,801 WHICH MEANS MY CAREER IN FASHION IS PRETTY MUCH DONE, 253 00:09:30,801 --> 00:09:32,172 THANKS TO ELLA. 254 00:09:32,172 --> 00:09:34,144 BECAUSE YOU BELIEVED IT WAS HER FAULT THAT YOU GOT FIRED. 255 00:09:34,144 --> 00:09:35,676 IT WAS HER FAULT. 256 00:09:35,676 --> 00:09:38,248 SHE STARTED MAKING MISTAKES BECAUSE SHE WAS SO BUSY 257 00:09:38,248 --> 00:09:40,110 SUCKING UP TO DESIGNERS LIKE YUMI 258 00:09:40,110 --> 00:09:42,753 AND SHOWING OFF HER SKETCHES, AND I PAID THE PRICE. 259 00:09:42,753 --> 00:09:44,284 WHICH IS WHY YOU KILLED HER. 260 00:09:44,284 --> 00:09:45,816 WHAT ARE YOU EVEN TALKING ABOUT? 261 00:09:45,816 --> 00:09:47,287 WE GOT IN A FIGHT. THAT WAS IT. 262 00:09:47,287 --> 00:09:49,890 OKAY, OKAY. THEN EXPLAIN THIS. 263 00:09:49,890 --> 00:09:53,624 THIS BLUE ALPACA SCARF WAS FOUND AT YOUR APARTMENT. 264 00:09:53,624 --> 00:09:55,095 IT'S AN EXACT MATCH TO THE HAIRS 265 00:09:55,095 --> 00:09:57,597 FOUND ON ELLA'S NECK AFTER SHE WAS STRANGLED. 266 00:09:57,597 --> 00:09:59,169 [ SIGHS ] COME ON. OTHER PEOPLE HAVE THAT SCARF. 267 00:09:59,169 --> 00:10:01,231 YEAH, BUT YOU'RE THE ONLY ONE WITH MOTIVE. 268 00:10:01,231 --> 00:10:03,373 IT WAS THE CHRISTMAS GIFT FROM MODERN FASHION. 269 00:10:03,373 --> 00:10:05,035 WE ALL GOT THE SCARF. 270 00:10:05,035 --> 00:10:08,108 MAYBE ELLA WAS WEARING HERS AND SOMEONE CHOKED HER WITH IT. 271 00:10:09,880 --> 00:10:12,683 WHERE WERE YOU BETWEEN 12:00 AND 2:00 A.M., GRACE? 272 00:10:12,683 --> 00:10:13,944 I'D JUST GOTTEN FIRED. 273 00:10:13,944 --> 00:10:15,946 SOME FRIENDS TOOK ME OUT AND GOT ME DRUNK. 274 00:10:15,946 --> 00:10:17,287 YOU CAN ASK THEM. I WILL. 275 00:10:17,287 --> 00:10:19,249 IN THE MEANTIME, LET'S TALK ABOUT ELLA. 276 00:10:19,249 --> 00:10:21,351 HER ROOMMATE THOUGHT THAT SHE WAS HAVING TROUBLE 277 00:10:21,351 --> 00:10:22,693 AT THE OFFICE. 278 00:10:22,693 --> 00:10:24,224 YOU WORKED WITH HER. YOU KNOW WHAT IT WAS? 279 00:10:24,224 --> 00:10:27,928 ACTUALLY, THERE WAS SOMETHING ELSE. 280 00:10:27,928 --> 00:10:30,130 A FEW DAYS AGO, AT LUNCHTIME, 281 00:10:30,130 --> 00:10:32,632 I SAW HER ARGUING WITH THIS GUY OUTSIDE THE BUILDING. 282 00:10:32,632 --> 00:10:34,264 DID YOU RECOGNIZE HIM? 283 00:10:34,264 --> 00:10:35,766 I'D NEVER SEEN HIM BEFORE. 284 00:10:35,766 --> 00:10:38,038 BUT I OVERHEARD THEM, AND HE WAS THREATENING HER. 285 00:10:38,038 --> 00:10:41,071 HE SAID SHE HAD SOMETHING HE WANTED AND HE WOULDN'T TAKE NO FOR AN ANSWER. 286 00:10:41,071 --> 00:10:43,774 AND WHAT WAS HER REACTION? SHE SAID SHE WAS GONNA CALL THE POLICE 287 00:10:43,774 --> 00:10:47,147 IF HE DIDN'T LEAVE HER THE HELL ALONE, AND THEN HE STORMED OFF. 288 00:10:47,147 --> 00:10:48,879 I-I TRIED TO ASK HER WHAT IT WAS ALL ABOUT, 289 00:10:48,879 --> 00:10:50,250 BUT SHE WOULDN'T TELL ME. 290 00:10:50,250 --> 00:10:52,282 DO YOU REMEMBER HIM WELL ENOUGH TO HELP US WITH A SKETCH? 291 00:10:52,282 --> 00:10:53,854 I THINK SO. 292 00:10:53,854 --> 00:10:56,286 OKAY, THIS IS THE GUY WHO THREATENED ELLA. 293 00:10:56,286 --> 00:10:58,158 SO, YOU BELIEVE GRACE'S STORY? 294 00:10:58,158 --> 00:10:59,830 WELL, HER ALIBI CHECKS OUT, 295 00:10:59,830 --> 00:11:03,333 AND UNIs FOUND TWO WITNESSES THAT SAW HIM ARGUING WITH ELLA. 296 00:11:03,333 --> 00:11:05,395 ELLA WAS BASICALLY A GLORIFIED ASSISTANT. 297 00:11:05,395 --> 00:11:08,168 WHAT COULD SHE POSSIBLY HAVE HAD THAT THIS MAN WANTED? 298 00:11:08,168 --> 00:11:09,840 WELL, THINK ABOUT IT, CASTLE. 299 00:11:09,840 --> 00:11:12,142 MATILDA KING IS THE MOST INFLUENTIAL PERSON IN FASHION, 300 00:11:12,142 --> 00:11:14,174 AND ELLA HAD DIRECT ACCESS TO HER WORLD. 301 00:11:14,174 --> 00:11:16,947 SO YOU'RE SAYING THIS MAN LEVERAGED ELLA 302 00:11:16,947 --> 00:11:21,181 TO FIND OUT WHAT DIRECTION HEMLINES ARE GOING NEXT SEASON? 303 00:11:21,181 --> 00:11:23,213 OOH! I JUST CAME UP WITH A NEW TITLE. 304 00:11:23,213 --> 00:11:25,115 "MURDER IS THE NEW BLACK." 305 00:11:25,115 --> 00:11:26,286 DOES THAT EVEN MAKE SENSE? 306 00:11:26,286 --> 00:11:27,758 Ryan: NO, IT DOESN'T. 307 00:11:27,758 --> 00:11:29,419 AND HERE'S SOMETHING ELSE THAT DOESN'T MAKE SENSE. 308 00:11:29,419 --> 00:11:31,461 DID YOU GUYS FIND SOMETHING AT ELLA'S APARTMENT? YOU COULD SAY THAT. 309 00:11:31,461 --> 00:11:34,194 I WENT TO USE THE LANDLINE, AND I NOTICED SOME STATIC WHEN I GOT NEAR A LAMP. 310 00:11:34,194 --> 00:11:36,266 WHEN WE POPPED THAT LAMP OPEN, LOOK WHAT WE FOUND INSIDE. 311 00:11:36,266 --> 00:11:37,227 A BUG? 312 00:11:38,829 --> 00:11:40,300 WHY WOULD SOMEONE BUG ELLA'S APARTMENT? 313 00:11:40,300 --> 00:11:43,173 BECAUSE...SHE IS "LA FEMME NIKITA," 314 00:11:43,173 --> 00:11:46,106 AND HER JOB AT MODERN FASHION IS JUST A COVER. 315 00:11:46,106 --> 00:11:47,808 SHE'S NOT "LA FEMME NIKITA." 316 00:11:47,808 --> 00:11:51,281 STILL, WIRETAPS, THREATS FROM MYSTERIOUS MEN, MURDER -- 317 00:11:51,281 --> 00:11:53,183 WHATEVER'S GOING ON HERE, IT'S BIGGER THAN FASHION. 318 00:11:53,183 --> 00:11:54,344 OKAY, SEE IF YOU CAN GET A SERIAL NUMBER. 319 00:11:54,344 --> 00:11:56,046 LET'S FIGURE OUT WHO BOUGHT THAT BUG. 320 00:11:56,046 --> 00:11:57,317 YEAH. 321 00:11:59,719 --> 00:12:01,291 ALL RIGHT. THANK YOU VERY MUCH. 322 00:12:01,291 --> 00:12:02,753 HEY. 323 00:12:02,753 --> 00:12:04,995 THAT WAS THE EVENT PLANNER AT THE CORDOVA HOUSE. 324 00:12:04,995 --> 00:12:07,327 THEY SAID THEY STILL HAVE A FEW SPOTS OPEN IN THE FALL. 325 00:12:07,327 --> 00:12:09,029 SHE CAN GIVE US A TOUR TONIGHT. 326 00:12:09,029 --> 00:12:10,901 WHOO-HOO! LET'S DO IT. 327 00:12:10,901 --> 00:12:13,263 SO, WHERE ARE WE ON WATERGATE? SO, THE PLOT THICKENS. 328 00:12:13,263 --> 00:12:15,165 THE BUILDING MANAGER AT ELLA'S APARTMENT 329 00:12:15,165 --> 00:12:17,007 REMEMBERS LETTING AN EXTERMINATOR INTO HER PLACE 330 00:12:17,007 --> 00:12:18,238 ABOUT A MONTH AGO. 331 00:12:18,238 --> 00:12:20,410 USUALLY, EXTERMINATORS GET RID OF BUGS. 332 00:12:20,410 --> 00:12:22,142 ONLY THIS ONE DIDN'T. 333 00:12:22,142 --> 00:12:24,144 THE COMPANY THAT HE WORKED FOR DOESN'T EXIST. 334 00:12:24,144 --> 00:12:26,176 I MEAN, WHAT IS THIS ABOUT, CASTLE? 335 00:12:26,176 --> 00:12:27,848 WHY WOULD SOMEONE TARGET ELLA? 336 00:12:27,848 --> 00:12:30,320 WELL, YOU ALREADY HEARD AND REJECTED MY THEORY. 337 00:12:30,320 --> 00:12:32,752 YEAH, BUT YOUR THEORY DOESN'T EXPLAIN THE LITTLE DETAIL 338 00:12:32,752 --> 00:12:34,424 THAT LANIE JUST FOUND OUT. 339 00:12:34,424 --> 00:12:36,486 THERE'S BLACK CORAL ON THE SOLE OF ELLA'S SHOE, 340 00:12:36,486 --> 00:12:38,088 AND IT WASN'T FROM THE DUMPSTER. 341 00:12:38,088 --> 00:12:39,329 WELL, THAT DOESN'T MAKE ANY SENSE. 342 00:12:39,329 --> 00:12:41,061 BLACK CORAL IS FOUND IN THE TROPICS. 343 00:12:41,061 --> 00:12:42,933 EXACTLY. SO HOW DID THIS END UP ON HER SHOE? 344 00:12:42,933 --> 00:12:44,865 YO, BECKETT. AND CASTLE. 345 00:12:44,865 --> 00:12:46,036 SURE. 346 00:12:46,036 --> 00:12:47,337 SO, NO LUCK ON THE SERIAL NUMBER, 347 00:12:47,337 --> 00:12:50,270 BUT WE GOT A HIT OFF THE CANVASS OF THE CRIME SCENE. 348 00:12:50,270 --> 00:12:51,371 A SEAMSTRESS COMING OFF THE LATE SHIFT 349 00:12:51,371 --> 00:12:52,542 SAW A GUY WAITING ON THE CORNER 350 00:12:52,542 --> 00:12:54,074 RIGHT NEAR THE ALLEY WHERE ELLA WAS KILLED. 351 00:12:54,074 --> 00:12:55,245 WE GET A DESCRIPTION? 352 00:12:55,245 --> 00:12:57,247 YEAH, AND HE MATCHES OUR SKETCH. 353 00:12:58,278 --> 00:13:00,210 YES. THAT'S HIM. 354 00:13:00,210 --> 00:13:01,481 HE WAS STANDING BY THE ALLEY 355 00:13:01,481 --> 00:13:03,453 OUTSIDE THE BROADWAY COFFEE SHOP WHEN I WALKED BY. 356 00:13:03,453 --> 00:13:04,514 AND WHAT TIME WAS THIS? 357 00:13:04,514 --> 00:13:05,916 JUST AFTER MIDNIGHT. 358 00:13:05,916 --> 00:13:08,258 DO YOU RECALL HOW TALL HE WAS, WHAT HE WORE? 359 00:13:08,258 --> 00:13:10,560 FABRIC IS MY BUSINESS. 360 00:13:10,560 --> 00:13:13,393 HE WORE A DARK SUIT -- NICE QUALITY, WOOL BLEND. 361 00:13:13,393 --> 00:13:15,966 OH, AND HE HAD A DISTINCTIVE STRIPED TIE -- 362 00:13:15,966 --> 00:13:19,799 CRIMSON AND NAVY WITH GOLD TRIANGLES ACROSS THE STRIPES. 363 00:13:19,799 --> 00:13:21,431 THAT SOUNDS LIKE A CLUB TIE. 364 00:13:21,431 --> 00:13:23,133 CRIMSON AND NAVY -- YES, I KNOW THAT ONE. 365 00:13:23,133 --> 00:13:25,575 GOLD TRIANGLES. THAT'S THE CARLTON CLUB TIE. 366 00:13:25,575 --> 00:13:28,478 IF WE CAN MATCH THAT SKETCH TO ONE OF ITS MEMBERS, WE GOT OUR I.D. 367 00:13:28,478 --> 00:13:30,110 YEAH, EXCEPT CLUBS LIKE THAT 368 00:13:30,110 --> 00:13:32,442 ARE NOTORIOUSLY PROTECTIVE OF KEEPING THEIR MEMBERS' PRIVACY. 369 00:13:32,442 --> 00:13:34,814 THEY'RE NOT JUST GONNA HAND OVER THAT INFORMATION. 370 00:13:34,814 --> 00:13:38,348 THE CLUB WON'T, NO, BUT ONE OF ITS MEMBERS MIGHT. 371 00:13:39,589 --> 00:13:43,223 AFTER A TOUGH NEGOTIATION THAT INVOLVED MY KNICKS TICKETS 372 00:13:43,223 --> 00:13:45,395 AND NAMING A CHARACTER IN MY NEXT BOOK AFTER HIS NANA, 373 00:13:45,395 --> 00:13:47,998 MY FRIEND CAME UP WITH A NAME -- MARCUS CONWAY. 374 00:13:47,998 --> 00:13:51,962 OKAY, SO, WHAT DO WE KNOW ABOUT HIM? HE IS A LAWYER AT KELLERMAN GOODFRIEND. 375 00:13:51,962 --> 00:13:55,235 THAT'S ONE OF THE CITY'S BIGGEST LAW FIRMS. 376 00:13:55,235 --> 00:13:57,367 WHY IS A HIGH-POWERED LAWYER GOING AFTER ELLA? 377 00:13:57,367 --> 00:13:59,269 MAYBE IT HAS TO DO WITH HER WORK. 378 00:13:59,269 --> 00:14:00,840 TURNS OUT THAT MARCUS CONWAY 379 00:14:00,840 --> 00:14:02,842 IS GENERAL COUNSEL FOR COUTURE CHICK MAGAZINE. 380 00:14:02,842 --> 00:14:04,274 THAT'S "CHIC," AND NOT THAT YOU WOULD KNOW, 381 00:14:04,274 --> 00:14:07,347 BUT THEY ARE MODERN FASHION'S BIGGEST COMPETITOR. 382 00:14:07,347 --> 00:14:09,319 CALL CONWAY'S FIRM. I WANT TO KNOW WHERE HE IS. 383 00:14:11,081 --> 00:14:13,253 DETECTIVE, I WOULD THINK VERY CAREFULLY 384 00:14:13,253 --> 00:14:15,485 BEFORE MAKING THESE KINDS OF ACCUSATIONS. 385 00:14:15,485 --> 00:14:18,128 MR. CONWAY, I AM NOT MAKING ANY ACCUSATIONS. 386 00:14:18,128 --> 00:14:19,459 I AM SIMPLY STATING FACT. 387 00:14:19,459 --> 00:14:22,262 WE HAVE A WITNESS THAT HEARD YOU THREATENING ELLA HAYES 388 00:14:22,262 --> 00:14:24,234 AND ANOTHER ONE THAT SAW YOU NEAR WHERE SHE WAS KILLED. 389 00:14:24,234 --> 00:14:26,466 RIGHT ABOUT THE SAME TIME SHE ENDED UP THAT WAY. 390 00:14:26,466 --> 00:14:28,268 YOU NEED TO EXPLAIN YOURSELF. 391 00:14:28,268 --> 00:14:30,140 Gloria: MARCUS, I HEARD THE POLICE ARE HERE. 392 00:14:30,140 --> 00:14:31,371 WHAT'S GOING ON? 393 00:14:31,371 --> 00:14:32,202 WHO ARE YOU? 394 00:14:32,202 --> 00:14:33,373 GLORIA ROBBINS. 395 00:14:33,373 --> 00:14:35,405 I'M EDITOR-IN-CHIEF OF COUTURE CHIC. 396 00:14:35,405 --> 00:14:39,079 THEY THINK I MURDERED ELLA HAYES. WHAT? THAT'S RIDICULOUS. 397 00:14:39,079 --> 00:14:40,580 SO, YOU KNOW WHO SHE IS? 398 00:14:40,580 --> 00:14:43,213 THIS IS OBVIOUSLY ONE HUGE MISUNDERSTANDING. THEN CLEAR IT UP. 399 00:14:43,213 --> 00:14:44,614 TELL ME WHAT YOU KNOW ABOUT ELLA HAYES. 400 00:14:47,057 --> 00:14:50,360 WE APPROACHED ELLA AND ATTEMPTED TO... 401 00:14:50,360 --> 00:14:52,062 ENGAGE HER SERVICES. 402 00:14:52,062 --> 00:14:53,924 SO, BASICALLY, YOU TRIED TO HIRE HER 403 00:14:53,924 --> 00:14:56,196 TO GET INSIDE INFORMATION ON MODERN FASHION. 404 00:14:56,196 --> 00:14:58,198 I WOULDN'T PUT IT THAT WAY. WELL, I'M PRETTY SURE SHE WOULD, 405 00:14:58,198 --> 00:14:59,599 WHICH IS WHY SHE TURNED YOU DOWN. 406 00:14:59,599 --> 00:15:01,301 AND YOU WOULDN'T TAKE NO FOR AN ANSWER. 407 00:15:01,301 --> 00:15:02,602 LOOK, THIS IS A COMPETITIVE BUSINESS 408 00:15:02,602 --> 00:15:04,404 WITH EVERYONE LOOKING TO GET AN EDGE. 409 00:15:04,404 --> 00:15:06,176 YES, I WAS AGGRESSIVE IN TRYING TO MAKE A DEAL, 410 00:15:06,176 --> 00:15:07,377 BUT WHEN SHE REFUSED, 411 00:15:07,377 --> 00:15:09,579 I ACCEPTED THAT, AND I NEVER CONTACTED HER AGAIN. 412 00:15:09,579 --> 00:15:11,341 THEN WHY WERE YOU LESS THAN A BLOCK AWAY 413 00:15:11,341 --> 00:15:14,144 FROM WHERE SHE WAS KILLED AT ABOUT THE TIME SHE DIED? 414 00:15:14,144 --> 00:15:15,915 BECAUSE SHE CALLED ME. 415 00:15:15,915 --> 00:15:17,988 SHE ASKED ME TO MEET HER LAST NIGHT. 416 00:15:17,988 --> 00:15:19,449 WHY WOULD SHE DO THAT? 417 00:15:19,449 --> 00:15:21,421 PROBABLY BECAUSE MATILDA JUST FIRED HER. 418 00:15:21,421 --> 00:15:23,253 THE BOTTOM LINE IS, SHE SAID SHE HAD 419 00:15:23,253 --> 00:15:25,095 BOMBSHELL INFORMATION ON MODERN FASHION -- 420 00:15:25,095 --> 00:15:27,597 INFORMATION THAT, IF IT GOT OUT, IT WOULD DESTROY THE MAGAZINE. 421 00:15:33,033 --> 00:15:36,406 MR. CONWAY, I TOOK A LOOK AT ELLA'S CELLPHONE RECORDS. 422 00:15:36,406 --> 00:15:38,138 SHE NEVER CALLED YOU LAST NIGHT. 423 00:15:38,138 --> 00:15:40,540 SHE DID CALL, AND I CAN PROVE IT. 424 00:15:40,540 --> 00:15:41,711 SHE LEFT ME A MESSAGE. 425 00:15:41,711 --> 00:15:42,712 [ CELLPHONE BEEPS ] 426 00:15:42,712 --> 00:15:44,044 Hey, it's Ella. 427 00:15:44,044 --> 00:15:45,375 I changed my mind about your offer. 428 00:15:45,375 --> 00:15:46,616 I found out something -- 429 00:15:46,616 --> 00:15:48,448 something that'll ruin Modern Fashion, 430 00:15:48,448 --> 00:15:50,280 take down the whole operation. 431 00:15:50,280 --> 00:15:52,482 Meet me at the Broadway coffee shop in an hour. 432 00:15:52,482 --> 00:15:54,024 I'll see you there. 433 00:15:54,024 --> 00:15:55,955 I WAITED AROUND FOR TWO HOURS, BUT SHE NEVER SHOWED. 434 00:15:55,955 --> 00:15:58,028 WHAT INFORMATION DID SHE WANT TO SHARE? 435 00:15:58,028 --> 00:15:59,059 BELIEVE ME, I WOULD LOVE TO KNOW, 436 00:15:59,059 --> 00:16:00,260 BUT I DON'T HAVE THE FAINTEST IDEA. 437 00:16:00,260 --> 00:16:02,092 WHAT WERE YOU TRYING TO HIRE HER TO FIND OUT? 438 00:16:02,092 --> 00:16:04,234 AS YOU MAY HAVE HEARD, 439 00:16:04,234 --> 00:16:07,097 A TECH-VENTURE CAPITALIST NAMED GLEN CARTER 440 00:16:07,097 --> 00:16:09,199 BOUGHT MODERN FASHION LAST MONTH. 441 00:16:09,199 --> 00:16:10,670 GLEN HAS BIG PLANS 442 00:16:10,670 --> 00:16:12,702 TO DRAG MATILDA'S PRECIOUS LITTLE MAGAZINE 443 00:16:12,702 --> 00:16:14,174 INTO THE DIGITAL AGE. 444 00:16:14,174 --> 00:16:17,177 WHICH ARE? WELL, THAT'S WHAT WE WANTED TO KNOW, 445 00:16:17,177 --> 00:16:18,478 SINCE OUR WEBSITE HAS FAILED TO GENERATE 446 00:16:18,478 --> 00:16:19,979 NEW SUBSCRIPTION BUSINESS. 447 00:16:19,979 --> 00:16:22,252 IF WE COULD GET MODERN FASHION'S NEW PLAYBOOK, 448 00:16:22,252 --> 00:16:26,156 IT COULD HELP US STRATEGIZE AND STAY ONE STEP AHEAD. 449 00:16:26,156 --> 00:16:28,058 SO, YOU WANTED TO HIRE ELLA 450 00:16:28,058 --> 00:16:30,160 SO THAT SHE COULD TELL YOU ABOUT THE NEW DIRECTION 451 00:16:30,160 --> 00:16:33,023 THE MAGAZINE WAS TAKING, AND WHEN SHE TURNED YOU DOWN, 452 00:16:33,023 --> 00:16:34,524 THAT WAS THE EXTENT OF YOUR CONTACT? 453 00:16:34,524 --> 00:16:35,995 UNTIL SHE CALLED LAST NIGHT. 454 00:16:35,995 --> 00:16:37,467 AND WHAT ABOUT THE EAVESDROPPING? 455 00:16:39,629 --> 00:16:42,032 W-WHAT ARE YOU TALKING ABOUT? 456 00:16:42,032 --> 00:16:44,074 WE FOUND A LISTENING DEVICE IN ELLA'S APARTMENT. 457 00:16:44,074 --> 00:16:47,037 THAT WASN'T US. WE HAD NOTHING TO DO WITH THAT. 458 00:16:47,037 --> 00:16:50,110 SO, THESE RECORDS EXPLAIN WHY WE MISSED ELLA'S PHONE CALLS 459 00:16:50,110 --> 00:16:51,411 TO MARCUS CONWAY. 460 00:16:51,411 --> 00:16:53,583 SHE PHONED HIM USING HER ROOMMATE'S LANDLINE. 461 00:16:53,583 --> 00:16:57,047 SO, SHE TOLD CONWAY TO MEET HER IN THE COFFEE SHOP IN AN HOUR. 462 00:16:57,047 --> 00:16:59,149 IT WOULD TAKE HER ABOUT 20 MINUTES TO GET THERE FROM HER APARTMENT, 463 00:16:59,149 --> 00:17:01,691 SO SHE MUST HAVE BEEN KILLED ON THE WAY THERE. 464 00:17:01,691 --> 00:17:03,123 THAT'S A REAL SHAME. 465 00:17:03,123 --> 00:17:06,256 LOOKING AT HER DESIGNS, ELLA ACTUALLY HAD TALENT. 466 00:17:06,256 --> 00:17:09,229 YEAH, WELL, THE QUESTION IS, WHAT DID SHE KNOW, 467 00:17:09,229 --> 00:17:11,201 AND DID SOMEONE KILL HER TO KEEP HER QUIET? 468 00:17:11,201 --> 00:17:12,432 Ryan: WELL, I CAN'T HELP YOU OUT THERE, 469 00:17:12,432 --> 00:17:14,564 BUT I CAN TELL YOU THAT MARCUS CONWAY 470 00:17:14,564 --> 00:17:17,407 WAS TELLING THE TRUTH ABOUT NOT PLANTING THAT BUG. 471 00:17:17,407 --> 00:17:19,069 YEAH, THE SERIAL NUMBER LED US TO A DISTRIBUTOR 472 00:17:19,069 --> 00:17:20,270 NAMED ALTERNATE INTELLIGENCE IN QUEENS. 473 00:17:20,270 --> 00:17:21,471 DO THEY KNOW WHO BOUGHT IT? 474 00:17:21,471 --> 00:17:24,074 JAMES KAVANAUGH PAID FOR THAT LISTENING DEVICE 475 00:17:24,074 --> 00:17:25,715 WITH A CREDIT CARD A MONTH AGO. 476 00:17:25,715 --> 00:17:27,347 AND WHEN DOES IT GET INTERESTING? 477 00:17:27,347 --> 00:17:29,819 WHEN WE FOUND OUT HE WAS FORMER SPECIAL FORCES AND, 478 00:17:29,819 --> 00:17:32,352 NOT TO MENTION, THE HEAD OF SECURITY AT MODERN FASHION. 479 00:17:32,352 --> 00:17:35,355 WAIT A MINUTE -- ELLA WAS BEING SPIED ON BY HER OWN MAGAZINE? 480 00:17:35,355 --> 00:17:36,526 [ CELLPHONE CHIMES ] 481 00:17:36,526 --> 00:17:38,128 OH. 482 00:17:38,128 --> 00:17:39,759 OH, BECKETT, WE HAVE THAT APPOINTMENT AT THE CORDOVA HOUSE. 483 00:17:39,759 --> 00:17:41,561 OH, CASTLE, I'M SORRY. DUTY CALLS. 484 00:17:41,561 --> 00:17:43,093 CAN -- CAN YOU GO WITHOUT ME 485 00:17:43,093 --> 00:17:45,435 AND SEE IF IT'S AS GOOD AS THE PICTURES? 486 00:17:45,435 --> 00:17:47,667 YOU TRUST ME TO MAKE THIS DECISION ON MY OWN? 487 00:17:47,667 --> 00:17:49,799 CAN YOU GO WITH MARTHA? [ CHUCKLES ] 488 00:17:52,071 --> 00:17:53,273 WE HAVE TO BRING JAMES KAVANAUGH IN. 489 00:17:53,273 --> 00:17:54,504 YEAH. 490 00:17:57,076 --> 00:18:00,079 I'M IN THE SECURITY BUSINESS. I BUY LOTS OF EQUIPMENT. 491 00:18:00,079 --> 00:18:02,212 YEAH, WELL, THIS EQUIPMENT WAS A LISTENING DEVICE 492 00:18:02,212 --> 00:18:04,154 THAT YOU INSTALLED IN ELLA HAYES' APARTMENT. 493 00:18:04,154 --> 00:18:07,157 IF YOU THINK THAT, YOU'RE MISTAKEN. 494 00:18:07,157 --> 00:18:08,118 REALLY? 495 00:18:08,118 --> 00:18:09,819 BECAUSE WE SHOWED YOUR PICTURE 496 00:18:09,819 --> 00:18:12,592 TO THE SUPER AT ELLA'S BUILDING, AND HE IDENTIFIED YOU 497 00:18:12,592 --> 00:18:15,795 AS THE EXTERMINATOR HE LET INTO HER APARTMENT. 498 00:18:15,795 --> 00:18:18,498 I HAD NOTHING TO DO WITH WHAT HAPPENED TO ELLA HAYES. 499 00:18:18,498 --> 00:18:21,301 YOU BROKE INTO HER PLACE, YOU WIRED IT FOR SOUND, 500 00:18:21,301 --> 00:18:22,372 AND NOW SHE'S DEAD? 501 00:18:22,372 --> 00:18:23,533 JAMES? 502 00:18:23,533 --> 00:18:25,405 THINK ABOUT HOW THAT LOOKS, BRO. 503 00:18:25,405 --> 00:18:28,178 YOUR BEST BET IS TO TELL US EXACTLY WHAT YOU KNOW. 504 00:18:28,178 --> 00:18:32,812 ALL I DID WAS BUG HER PLACE, OKAY? 505 00:18:32,812 --> 00:18:35,885 I MEAN, ONCE GLEN CARTER BOUGHT THE MAGAZINE, 506 00:18:35,885 --> 00:18:38,848 HOME MONITORING GOT TO BE A COMMON PRACTICE. 507 00:18:38,848 --> 00:18:41,291 SO, GLEN CARTER ORDERED THE SURVEILLANCE? NO. 508 00:18:41,291 --> 00:18:43,723 NO, HE DIDN'T KNOW ANYTHING ABOUT IT. 509 00:18:43,723 --> 00:18:45,255 IT WAS ORDERED BY MATILDA KING. 510 00:18:47,457 --> 00:18:49,759 MATILDA KING. 511 00:18:49,759 --> 00:18:52,332 YOU SURE ABOUT THAT? YES, I'M SURE. 512 00:18:52,332 --> 00:18:56,135 SHE GOT ALL FREAKED OUT ABOUT SOMEONE COMING AFTER HER JOB, 513 00:18:56,135 --> 00:18:58,608 SO SHE SAID SHE DIDN'T KNOW WHO SHE COULD TRUST ANYMORE. 514 00:18:58,608 --> 00:19:01,541 OKAY, SO, WHO MONITORED THE AUDIO FROM ELLA'S APARTMENT? 515 00:19:01,541 --> 00:19:03,813 MATILDA HAD ME SET IT UP 516 00:19:03,813 --> 00:19:07,247 SO THAT IT FED DIRECTLY TO HER COMPUTER. 517 00:19:07,247 --> 00:19:08,318 You realize what this means? 518 00:19:09,379 --> 00:19:11,551 YEAH. 519 00:19:11,551 --> 00:19:14,354 ELLA CALLED MARCUS CONWAY ON THE LANDLINE, 520 00:19:14,354 --> 00:19:16,686 TOLD HIM SHE COULD TAKE DOWN THE MAGAZINE, 521 00:19:16,686 --> 00:19:17,887 AND MATILDA HEARD THE WHOLE THING. 522 00:19:17,887 --> 00:19:20,930 OKAY. THANK YOU VERY MUCH. 523 00:19:20,930 --> 00:19:23,763 SO, THE GUARD IN THE LOBBY OF THE MODERN FASHION BUILDING 524 00:19:23,763 --> 00:19:26,536 SAW MATILDA LEAVE THERE LAST NIGHT AT 11:30, 525 00:19:26,536 --> 00:19:27,867 AND SHE WAS IN A BIG HURRY. 526 00:19:27,867 --> 00:19:29,339 11:30? 527 00:19:29,339 --> 00:19:32,542 WELL, THAT'S RIGHT AFTER ELLA CALLED MARCUS CONWAY. 528 00:19:32,542 --> 00:19:33,943 MATILDA KNEW THAT ELLA WAS ABOUT TO SPILL THE BEANS 529 00:19:33,943 --> 00:19:34,844 AND BRING DOWN THE MAGAZINE. 530 00:19:34,844 --> 00:19:37,877 SO MATILDA WENT TO STOP HER. 531 00:19:37,877 --> 00:19:40,210 SHE'S OUR KILLER. 532 00:19:49,759 --> 00:19:51,521 WAIT, WAIT, WAIT. SHE'S ON A CALL. 533 00:19:51,521 --> 00:19:52,362 SHE CAN CALL BACK. 534 00:19:54,564 --> 00:19:59,229 Matilda: GLEN, THIS MAGAZINE IS NOT ABOUT TWEETS OR LIKES ON FACEBOOK, 535 00:19:59,229 --> 00:20:00,330 FOR GOD'S SAKE! 536 00:20:00,330 --> 00:20:01,731 FOR 57 YEARS, 537 00:20:01,731 --> 00:20:04,904 WOMEN HAVE BEEN PURCHASING THIS MAGAZINE FOR THE FASHION! 538 00:20:04,904 --> 00:20:06,376 GLEN: Matilda, please. 539 00:20:06,376 --> 00:20:09,539 WHENEVER THEY'VE HAD A BAD DAY AT WORK OR AT HOME, 540 00:20:09,539 --> 00:20:10,710 THEY'VE COME TO US! 541 00:20:10,710 --> 00:20:13,883 WE ARE THEIR ESCAPE! WE ARE THEIR FANTASY! 542 00:20:13,883 --> 00:20:16,746 IT'S THE CLOTHING THAT STITCHES IT ALL TOGETHER. 543 00:20:16,746 --> 00:20:18,488 THAT'S WHAT MATTERS. 544 00:20:18,488 --> 00:20:20,320 We're done here. [ Click ] GLEN! 545 00:20:21,851 --> 00:20:24,454 GLEN! 546 00:20:24,724 --> 00:20:25,995 [ GRUNTS ] 547 00:20:28,698 --> 00:20:30,800 OH. I'M SORRY. I DIDN'T SEE YOU THERE. 548 00:20:30,800 --> 00:20:32,962 [ SIGHS ] 549 00:20:32,962 --> 00:20:35,765 YOU'VE GOT A HELL OF A TEMPER, MS. KING. 550 00:20:35,765 --> 00:20:39,439 IT'S NOT TEMPER. IT'S FRUSTRATION. 551 00:20:39,439 --> 00:20:40,740 GLEN CARTER, OUR NEW OWNER, 552 00:20:40,740 --> 00:20:42,872 CARES MORE ABOUT MONEY THAN FASHION. 553 00:20:42,872 --> 00:20:45,675 IS THAT WHY YOU WERE PARANOID HE WAS GONNA REPLACE YOU? 554 00:20:47,246 --> 00:20:50,780 I DON'T KNOW WHAT YOU'VE HEARD, BUT I'M MATILDA KING. 555 00:20:50,780 --> 00:20:54,754 MY NAME IS SYNONYMOUS WITH THIS MAGAZINE. 556 00:20:54,754 --> 00:20:57,487 HE WOULDN'T DARE REPLACE ME. 557 00:20:57,487 --> 00:20:59,258 SO THEN WHY DID YOU ORDER THE MONITORING 558 00:20:59,258 --> 00:21:01,391 OF ALL OF YOUR EMPLOYEES' CONVERSATIONS 559 00:21:01,391 --> 00:21:03,833 THE MOMENT THAT HE BOUGHT THE MAGAZINE? 560 00:21:03,833 --> 00:21:05,695 [ CHUCKLES ] 561 00:21:05,695 --> 00:21:08,698 YOU ARE QUITE THE DETECTIVE. 562 00:21:08,698 --> 00:21:10,740 TAKE A SEAT. 563 00:21:12,902 --> 00:21:14,344 Matilda: YES. 564 00:21:14,344 --> 00:21:17,807 SINCE THE PURCHASE, RUMORS HAVE BEEN SWIRLING. 565 00:21:17,807 --> 00:21:19,749 I'D LIKE TO THINK THAT THEY'RE JUST RUMORS, 566 00:21:19,749 --> 00:21:21,511 BUT I CAN'T AFFORD TO TAKE THAT CHANCE. 567 00:21:21,511 --> 00:21:24,053 I NEED TO KNOW MY PEOPLE ARE LOYAL. 568 00:21:24,053 --> 00:21:26,686 BY BUGGING THEIR HOMES? 569 00:21:27,957 --> 00:21:31,461 WITH THEIR PERMISSION. 570 00:21:31,461 --> 00:21:33,693 WE'VE HAD SOME LOYALTY ISSUES, 571 00:21:33,693 --> 00:21:35,865 SO MY LAWYERS ADDED SOME FINE PRINT 572 00:21:35,865 --> 00:21:37,367 TO THEIR EMPLOYMENT AGREEMENTS. 573 00:21:37,367 --> 00:21:41,531 DO YOU ACTUALLY BELIEVE THAT'S GONNA FLY IN COURT? 574 00:21:41,531 --> 00:21:44,734 MY LAWYERS SEEM TO THINK SO. 575 00:21:44,734 --> 00:21:48,508 NOW, WHAT DOES THIS HAVE TO DO WITH YOUR INVESTIGATION? 576 00:21:48,508 --> 00:21:50,410 LOOK, GIVEN THE RUMORS ABOUT YOUR JOB, 577 00:21:50,410 --> 00:21:52,712 IT MUST HAVE BEEN DISCONCERTING TO FIND OUT ELLA 578 00:21:52,712 --> 00:21:54,684 WAS TAKING DAMAGING INFORMATION ON MODERN FASHION 579 00:21:54,684 --> 00:21:55,885 TO THE COMPETITION. 580 00:21:55,885 --> 00:21:58,448 TO WHAT ARE YOU REFERRING? WHAT INFORMATION? 581 00:21:58,448 --> 00:21:59,889 WE DON'T KNOW THAT, 582 00:21:59,889 --> 00:22:04,394 BUT WHAT WE DO KNOW IS MOMENTS AFTER SHE MADE THE ARRANGEMENTS 583 00:22:04,394 --> 00:22:05,825 TO SELL THAT INFORMATION, 584 00:22:05,825 --> 00:22:07,797 YOU WERE SEEN RUNNING OUT OF HERE. 585 00:22:10,329 --> 00:22:13,963 YOU THINK THAT I RAN OUT OF HERE TO KILL ELLA? 586 00:22:13,963 --> 00:22:16,536 YOUR HEAD OF SECURITY SAYS THAT YOU'RE SET UP 587 00:22:16,536 --> 00:22:19,409 TO LISTEN TO THESE RECORDINGS LIVE ON YOUR COMPUTER. 588 00:22:19,409 --> 00:22:20,970 SOMETHING I DO ON THE WEEKEND. 589 00:22:20,970 --> 00:22:23,813 I'M A LITTLE BUSY RUNNING A MAGAZINE DURING THE WEEK. 590 00:22:23,813 --> 00:22:25,715 YEAH, A POSITION THAT YOU'RE DESPERATE TO DEFEND. 591 00:22:25,715 --> 00:22:27,747 THAT'S MOTIVE AND THAT'S OPPORTUNITY. 592 00:22:27,747 --> 00:22:29,779 I RAN OUT OF MY OFFICE LAST NIGHT 593 00:22:29,779 --> 00:22:32,852 BECAUSE I WAS LATE FOR DRINKS WITH OSCAR DE LA RENTA. 594 00:22:33,883 --> 00:22:36,355 FEEL FREE TO CHECK. 595 00:22:36,355 --> 00:22:40,530 REGARDING ELLA'S THREAT TO THE MAGAZINE, 596 00:22:40,530 --> 00:22:42,432 I NEVER HEARD HER SAY THAT. 597 00:22:42,432 --> 00:22:44,994 AND YOU HAVE NO IDEA WHAT ELLA WAS TAKING TO THE COMPETITION? 598 00:22:44,994 --> 00:22:46,796 NONE. 599 00:22:46,796 --> 00:22:50,039 BUT IF YOU FIND OUT, I'D BE CURIOUS TO KNOW. 600 00:22:51,601 --> 00:22:54,073 ANYTHING ELSE, DETECTIVE? 601 00:22:55,545 --> 00:22:58,107 I'M GONNA NEED THOSE RECORDINGS. 602 00:22:58,107 --> 00:23:00,480 [ SIGHS ] 603 00:23:00,480 --> 00:23:02,782 [ ELEVATOR BELL DINGS ] 604 00:23:02,782 --> 00:23:05,755 HEY, BECKETT. MATILDA'S ALIBI CHECKS OUT. 605 00:23:05,755 --> 00:23:08,788 SHE WAS HAVING DRINKS WITH OSCAR UNTIL ABOUT 2:00 A.M. 606 00:23:08,788 --> 00:23:10,890 SO MATILDA'S NOT OUR KILLER? 607 00:23:10,890 --> 00:23:13,723 AND WE STILL DON'T KNOW WHAT EXPLOSIVE INFORMATION 608 00:23:13,723 --> 00:23:15,765 ELLA WAS TAKING TO THE COMPETITION. RIGHT. 609 00:23:15,765 --> 00:23:17,697 I THINK I MAY HAVE FOUND SOMETHING ON THESE AUDIO FILES 610 00:23:17,697 --> 00:23:19,869 THAT MIGHT SHED LIGHT ON THAT. 611 00:23:19,869 --> 00:23:20,900 SO, I'VE BEEN GOING THROUGH 612 00:23:20,900 --> 00:23:22,772 ABOUT A WEEK OF INANE CONVERSATIONS 613 00:23:22,772 --> 00:23:23,973 BETWEEN ELLA AND HER ROOMMATE, 614 00:23:23,973 --> 00:23:25,775 BUT SHE DID PLACE A CALL ON THE DAY OF THE MURDER 615 00:23:25,775 --> 00:23:26,736 THAT WAS PRETTY STRANGE. 616 00:23:26,736 --> 00:23:27,777 CHECK IT OUT. 617 00:23:27,777 --> 00:23:30,740 [ Dialing, ringing ] 618 00:23:30,740 --> 00:23:32,912 Hey. It's me -- Ella. 619 00:23:32,912 --> 00:23:35,485 Something weird is going on inside Modern Fashion. 620 00:23:35,485 --> 00:23:36,746 I think someone's targeting me. 621 00:23:36,746 --> 00:23:38,748 I need your help. Call me back. 622 00:23:38,748 --> 00:23:40,990 DO WE KNOW WHO'S ON THE OTHER END OF THAT CALL? 623 00:23:40,990 --> 00:23:42,592 BASED ON THE LANDLINE PHONE RECORDS, 624 00:23:42,592 --> 00:23:44,153 THE CALL WAS PLACED TO SOMEONE AT MODERN FASHION, 625 00:23:44,153 --> 00:23:45,825 BUT IT WAS ROUTED THROUGH A SWITCHBOARD, 626 00:23:45,825 --> 00:23:47,727 SO IT DOESN'T SHOW WHO SHE WAS CONNECTED TO. 627 00:23:47,727 --> 00:23:49,859 THIS DIRECTORY LISTS OVER 100 PEOPLE THAT WORK THERE. 628 00:23:49,859 --> 00:23:51,501 YEAH. 629 00:23:51,501 --> 00:23:52,802 LUCKY I HAVE CRAZY-GOOD HEARING. 630 00:23:52,802 --> 00:23:54,534 LISTEN TO THE BEGINNING AGAIN. 631 00:23:54,534 --> 00:23:56,806 [ Dialing ] 632 00:23:56,806 --> 00:23:58,107 I HAD A TECH ANALYZE THOSE BEEPS 633 00:23:58,107 --> 00:23:59,809 AND CONNECT THEM TO THE CORRESPONDING DIGITS. 634 00:23:59,809 --> 00:24:02,812 THE CALL WAS PLACED TO THIS EXTENSION. 635 00:24:02,812 --> 00:24:04,744 ARMANDO MONTOYA. 636 00:24:04,744 --> 00:24:07,046 HE'S AN I.T. TECH AT MODERN FASHION? MM-HMM. 637 00:24:07,046 --> 00:24:09,649 WHAT WAS ELLA DOING CALLING HIM FOR HELP? 638 00:24:09,649 --> 00:24:10,920 [ SIGHS ] 639 00:24:12,852 --> 00:24:15,485 WE WERE FRIENDS, YOU KNOW? 640 00:24:15,485 --> 00:24:20,660 TO MOST OF THE PEOPLE HERE, I'M INVISIBLE, BUT ELLA SAW ME. 641 00:24:20,660 --> 00:24:21,891 SHE WAS NICE. 642 00:24:21,891 --> 00:24:25,464 WHY DID SHE NEED YOUR HELP THE DAY SHE DIED? 643 00:24:25,464 --> 00:24:27,497 SHE WANTED ME TO LOOK AT MATILDA'S CALENDAR. 644 00:24:28,898 --> 00:24:30,169 WHAT FOR? 645 00:24:30,169 --> 00:24:31,801 BECAUSE MATILDA MISSED SOME IMPORTANT MEETINGS, 646 00:24:31,801 --> 00:24:33,472 BUT ELLA WAS SURE SHE ENTERED THEM 647 00:24:33,472 --> 00:24:35,575 INTO THE CALENDAR CORRECTLY. 648 00:24:35,575 --> 00:24:37,206 SHE WANTED TO KNOW IF THE CALENDAR HAD BEEN TAMPERED WITH. 649 00:24:37,206 --> 00:24:38,778 AND -- AND WAS IT? 650 00:24:38,778 --> 00:24:40,249 YEAH. 651 00:24:40,249 --> 00:24:42,812 SEVERAL ENTRIES HAD BEEN CHANGED OVER THE PAST COUPLE WEEKS -- 652 00:24:42,812 --> 00:24:43,853 ALL IN THE MIDDLE OF THE NIGHT. 653 00:24:43,853 --> 00:24:45,585 WHEN I SHOWED IT TO HER, 654 00:24:45,585 --> 00:24:47,857 SHE WAS CONVINCED THAT SOMEONE WAS TRYING TO SET HER UP. 655 00:24:47,857 --> 00:24:49,819 WELL, WERE YOU ABLE TO TELL WHO MADE THOSE CHANGES? 656 00:24:49,819 --> 00:24:51,591 NO. 657 00:24:51,591 --> 00:24:54,223 I TRACKED THEM ALL TO AN I.P. ADDRESS OUTSIDE MODERN FASHION. 658 00:24:54,223 --> 00:24:55,795 IT'S THE BEST I COULD DO. 659 00:24:55,795 --> 00:24:57,126 I GAVE HER THE INFO, 660 00:24:57,126 --> 00:24:59,899 AND SHE SAID SHE WAS GONNA FIGURE OUT WHO SET HER UP... 661 00:24:59,899 --> 00:25:03,232 AND MAKE THEM PAY. 662 00:25:03,232 --> 00:25:04,974 NEXT I HEAR, SHE'S DEAD. 663 00:25:06,776 --> 00:25:09,679 DO YOU STILL HAVE THAT I.P. ADDRESS? 664 00:25:09,679 --> 00:25:11,180 YEAH. OKAY. I'LL HAVE A TECH RUN IT DOWN. 665 00:25:11,180 --> 00:25:13,643 BUT WHY WOULD ANYONE WANT TO SABOTAGE A FASHION ASSISTANT? 666 00:25:13,643 --> 00:25:14,784 I DON'T KNOW, ESPO. 667 00:25:14,784 --> 00:25:16,616 IF ELLA WENT AFTER WHOEVER'S BEHIND THIS, 668 00:25:16,616 --> 00:25:18,017 MAYBE SHE FOUND THEM. 669 00:25:18,017 --> 00:25:19,889 ALL RIGHT, WELL, I'LL GIVE YOU A CALL WHEN I GET A LOCATION. 670 00:25:19,889 --> 00:25:22,151 OKAY. THANKS. 671 00:25:25,625 --> 00:25:26,796 [ CELLPHONE BEEPS ] 672 00:25:29,859 --> 00:25:31,731 MORE QUESTIONS, DETECTIVE? 673 00:25:31,731 --> 00:25:34,263 [ SIGHS ] ACTUALLY, WE FOUND EVIDENCE THAT SUGGESTS 674 00:25:34,263 --> 00:25:37,667 ELLA WASN'T RESPONSIBLE FOR SCREWING UP YOUR APPOINTMENTS. 675 00:25:37,667 --> 00:25:39,569 SOMEONE ELSE CHANGED YOUR CALENDAR -- 676 00:25:39,569 --> 00:25:40,910 SOMEONE OUTSIDE OF THIS OFFICE. 677 00:25:40,910 --> 00:25:44,113 ARE YOU SAYING THAT I FIRED ELLA FOR NO REASON? 678 00:25:44,113 --> 00:25:45,775 [ SIGHS ] 679 00:25:45,775 --> 00:25:47,947 DO YOU KNOW WHY SOMEONE WOULD HAVE DONE THIS TO HER? 680 00:25:47,947 --> 00:25:50,119 NO. 681 00:25:50,119 --> 00:25:52,882 BUT I DO KNOW WHY SOMEONE WOULD WANT TO DO THIS TO ME. 682 00:25:52,882 --> 00:25:54,924 WHAT DO YOU MEAN? 683 00:25:54,924 --> 00:25:56,185 EVER SINCE GLEN CARTER BOUGHT MODERN FASHION, 684 00:25:56,185 --> 00:25:59,058 THE SHARKS HAVE BEEN CIRCLING. THEY SMELL BLOOD. 685 00:25:59,058 --> 00:26:02,792 SO THE CALENDAR MISTAKES MADE YOU LOOK BAD AT A CRITICAL TIME? 686 00:26:02,792 --> 00:26:03,833 [ CELLPHONE CHIMES ] 687 00:26:03,833 --> 00:26:07,166 [ SIGHS ] EXCUSE ME. 688 00:26:07,166 --> 00:26:09,138 [ SIGHS ] OH, THIS IS JUST WHAT I NEED. 689 00:26:09,138 --> 00:26:10,840 WHAT'S WRONG? 690 00:26:10,840 --> 00:26:12,872 I HAVE TO MAKE A DECISION IN THE NEXT HALF-HOUR 691 00:26:12,872 --> 00:26:15,805 ABOUT A DRESS THIS ISSUE, AND THE MODEL DIDN'T SHOW UP. OH. 692 00:26:18,207 --> 00:26:19,909 DETECTIVE BECKETT. 693 00:26:22,181 --> 00:26:26,616 YOU SAID "NO" TO ME YEARS AGO WHEN I OFFERED YOU A JOB. 694 00:26:26,616 --> 00:26:28,818 MIGHT YOU DO A LITTLE FAVOR FOR ME NOW? 695 00:26:32,862 --> 00:26:36,866 OH, RICHARD, LOOK AT THESE BEAUTIFUL ANTIQUE CHANDELIERS. 696 00:26:36,866 --> 00:26:37,767 OH! 697 00:26:37,767 --> 00:26:39,869 SO, IF YOU'RE INTERESTED, 698 00:26:39,869 --> 00:26:43,002 I HAVE A COUPLE OF SLOTS FOR FALL 2015 STILL OPEN. 699 00:26:44,033 --> 00:26:46,706 EXCUSE ME. DID YOU SAY "FALL 2015"? 700 00:26:46,706 --> 00:26:47,637 THAT'S CORRECT. 701 00:26:47,637 --> 00:26:48,878 WHEN WE SPOKE ON THE PHONE, 702 00:26:48,878 --> 00:26:51,941 I THOUGHT...WE WERE SPEAKING OF...THIS FALL. 703 00:26:51,941 --> 00:26:54,083 [ Chuckling ] NO WAY. THAT'S BEEN BOOKED FOR MONTHS. 704 00:26:54,083 --> 00:26:56,846 UH, EXCUSE ME, BUT I HAVE TO TAKE THIS CALL. 705 00:26:56,846 --> 00:26:59,048 LOOK AROUND, AND I'LL BE RIGHT BACK. 706 00:27:00,750 --> 00:27:03,292 UGH. WELL, IT IS A BEAUTIFUL VENUE. 707 00:27:03,292 --> 00:27:05,094 AND IT'S A LONG TIME TO WAIT. 708 00:27:05,094 --> 00:27:08,758 YEAH, AND A LONG TIME TO PLAN. 709 00:27:08,758 --> 00:27:10,830 I JUST FEEL LIKE I'VE WAITED LONG ENOUGH, MOTHER. 710 00:27:10,830 --> 00:27:12,702 I-I DON'T WANT TO WASTE ANY MORE TIME 711 00:27:12,702 --> 00:27:14,934 BEFORE WE TAKE THE NEXT STEP. 712 00:27:14,934 --> 00:27:16,035 THEN DON'T. 713 00:27:16,035 --> 00:27:19,108 I'M SURE THERE'S ANOTHER VENUE OUT THERE 714 00:27:19,108 --> 00:27:21,841 THAT THE TWO OF YOU WILL JUST FALL IN LOVE WITH. 715 00:27:21,841 --> 00:27:23,813 MM. 716 00:27:23,813 --> 00:27:24,914 THANK YOU. 717 00:27:24,914 --> 00:27:27,917 OKAY. 718 00:27:27,917 --> 00:27:29,679 THIS NEVER HAPPENS, 719 00:27:29,679 --> 00:27:31,921 BUT THE FRIEDMANS JUST CALLED OFF THEIR WEDDING, 720 00:27:31,921 --> 00:27:33,052 AND WE NOW HAVE AN OPENING FOR SPRING. 721 00:27:33,052 --> 00:27:35,855 SPRING...2016? 722 00:27:35,855 --> 00:27:37,426 NO, THIS SPRING. 723 00:27:37,426 --> 00:27:40,259 UH, I HAVE A LONG LIST OF COUPLES 724 00:27:40,259 --> 00:27:42,191 THAT WOULD SNATCH THIS UP IMMEDIATELY, 725 00:27:42,191 --> 00:27:43,933 BUT SINCE YOU'RE HERE... 726 00:27:50,669 --> 00:27:53,042 DO YOU NEED ANY HELP IN THERE? 727 00:27:53,042 --> 00:27:54,303 NO. BUT YOU KNOW WHAT? 728 00:27:54,303 --> 00:27:56,876 WHEN YOU ASKED ME TO TRY ON A DRESS AND I SAID YES, 729 00:27:56,876 --> 00:27:59,909 I HAD NO IDEA IT WAS GONNA BE THIS KIND OF A DRESS. 730 00:28:07,917 --> 00:28:09,759 WHAT DO YOU THINK? 731 00:28:11,260 --> 00:28:12,862 IT'S AMAZING. 732 00:28:12,862 --> 00:28:13,923 YEAH? 733 00:28:18,427 --> 00:28:21,801 THE EMBROIDERY. [ CHUCKLES ] 734 00:28:21,801 --> 00:28:23,773 AND THE AUSTRIAN CRYSTAL. 735 00:28:23,773 --> 00:28:26,335 IT'S JUST -- JUST HEAVENLY. 736 00:28:26,335 --> 00:28:28,778 YEAH. IT IS, ISN'T IT? 737 00:28:29,939 --> 00:28:32,011 COME. 738 00:28:32,011 --> 00:28:33,412 [ SIGHS ] 739 00:28:40,990 --> 00:28:42,952 [ SIGHS ] 740 00:28:44,393 --> 00:28:46,155 [ INHALES SHARPLY ] 741 00:28:48,958 --> 00:28:50,729 WELL, T-THIS PROBABLY WOULD HAVE 742 00:28:50,729 --> 00:28:52,862 LOOKED BETTER ON THE MODEL THAT DIDN'T SHOW UP. 743 00:28:52,862 --> 00:28:56,735 NO, DON'T BE SILLY. IT'S PERFECT ON YOU. 744 00:28:56,735 --> 00:28:57,867 TRUST ME. I'M AN EXPERT. 745 00:28:57,867 --> 00:28:59,839 [ CHUCKLES SOFTLY ] 746 00:28:59,839 --> 00:29:01,140 IN FACT, IF I HAD A DAUGHTER, 747 00:29:01,140 --> 00:29:04,473 THIS IS EXACTLY THE KIND OF DRESS I WOULD WANT FOR HER. 748 00:29:04,473 --> 00:29:08,147 YOU ARE GONNA MAKE A BEAUTIFUL BRIDE SOMEDAY. 749 00:29:08,147 --> 00:29:09,148 THANK YOU. 750 00:29:09,148 --> 00:29:10,850 [ KNOCKS ON DOOR ] MATILDA? 751 00:29:10,850 --> 00:29:13,352 WE'RE READY FOR THE ACCESSORIES SPREAD IN THE CONFERENCE ROOM. 752 00:29:13,352 --> 00:29:16,786 EXCUSE ME. I'LL BE BACK IN FIVE MINUTES. 753 00:29:22,231 --> 00:29:24,233 WOW. 754 00:29:26,235 --> 00:29:27,937 [ CHUCKLES SOFTLY ] 755 00:29:40,349 --> 00:29:41,851 [ CELLPHONE RINGS ] 756 00:29:49,819 --> 00:29:51,961 [ CELLPHONE BEEPS ] 757 00:29:51,961 --> 00:29:55,895 HEY. HOW'S THE VENUE. 758 00:29:55,895 --> 00:29:58,397 [ CHUCKLES ] AMAZING. YEAH, SO AMAZING. 759 00:29:58,397 --> 00:30:02,501 AND THEY DIDN'T HAVE ANY SPOTS OPEN UNTIL FALL OF 2015, 760 00:30:02,501 --> 00:30:03,973 but a couple just broke up, 761 00:30:03,973 --> 00:30:07,937 AND THEIR UNFORTUNATE MISERY CAN BE OUR LIFELONG JOY. 762 00:30:07,937 --> 00:30:12,141 We can take their spot for the spring. 763 00:30:12,141 --> 00:30:15,414 THE SPRING. WOW. 764 00:30:15,414 --> 00:30:18,347 I know. And there's a lot of couples who want it. 765 00:30:18,347 --> 00:30:21,951 BUT IF I PUT DOWN A DEPOSIT TONIGHT, IT'S OURS. 766 00:30:23,893 --> 00:30:25,895 SO, WHAT DO YOU SAY? 767 00:30:31,360 --> 00:30:32,361 BECKETT, ARE YOU THERE? 768 00:30:34,503 --> 00:30:36,565 YEAH. 769 00:30:44,113 --> 00:30:46,145 OKAY, BUT I-I THOUGHT WE AGREED THAT THE VENUE WAS AMAZING. 770 00:30:46,145 --> 00:30:49,048 YEAH, WE DID. IT'S JUST I STARTED THINKING ABOUT THE DETAILS 771 00:30:49,048 --> 00:30:51,380 AND THE PLANNING THAT WE HAVE TO DO, AND I JUST -- 772 00:30:51,380 --> 00:30:53,052 I DON'T WANT TO RUSH ANY OF THIS. 773 00:30:53,052 --> 00:30:54,383 OKAY. IF YOU'RE SURE THAT'S IT. 774 00:30:54,383 --> 00:30:55,584 YEAH. YEAH, IT IS. 775 00:30:55,584 --> 00:30:57,056 I -- [ SIGHS ] 776 00:30:57,056 --> 00:30:58,988 I MEAN, WE'RE GONNA FIND ANOTHER VENUE, CASTLE. 777 00:30:58,988 --> 00:30:59,989 IT'S GONNA BE GREAT. 778 00:30:59,989 --> 00:31:01,230 LOOK, IF THERE'S -- Esposito: HEY. 779 00:31:02,261 --> 00:31:04,533 SO, A TECH WAS ABLE TO TRACK DOWN THAT I.P. ADDRESS. 780 00:31:04,533 --> 00:31:07,466 WHOEVER CHANGED THAT CALENDAR DID IT FROM A DESIGN STUDIO IN SoHo. 781 00:31:07,466 --> 00:31:09,398 IS THERE ANY CONNECTION BETWEEN THE STUDIO AND MODERN FASHION? 782 00:31:09,398 --> 00:31:11,000 AS A MATTER OF FACT, THERE IS. 783 00:31:11,000 --> 00:31:13,072 IT BELONGS TO ONE OF THE DESIGNERS BEING FEATURED 784 00:31:13,072 --> 00:31:16,575 IN MODERN FASHION'S "FAB FIVE" SPREAD -- YUMI. 785 00:31:16,575 --> 00:31:17,576 YUMI WHAT? 786 00:31:17,576 --> 00:31:19,178 JUST YUMI. IT -- 787 00:31:19,178 --> 00:31:21,010 I GUESS IF YOU DON'T HAVE A LAST NAME, YOU CAN CHARGE MORE. 788 00:31:21,010 --> 00:31:24,453 SO, WHY WOULD HE OR SOMEONE FROM HIS STUDIO 789 00:31:24,453 --> 00:31:25,654 BE CHANGING MATILDA'S CALENDAR? 790 00:31:25,654 --> 00:31:27,516 I DON'T KNOW, BUT I CAN TELL YOU THIS. 791 00:31:27,516 --> 00:31:29,558 IT LOOKS LIKE ELLA MAY HAVE BEEN THERE THE NIGHT SHE WAS KILLED. 792 00:31:29,558 --> 00:31:31,961 HOW DO YOU KNOW THAT? YUMI'S WEBSITE. 793 00:31:31,961 --> 00:31:34,423 THE CURRENT DESIGN LINE BEING PRODUCED AT HIS STUDIO 794 00:31:34,423 --> 00:31:36,966 FEATURES DRESSES EMBELLISHED WITH CORAL, 795 00:31:36,966 --> 00:31:39,598 AND, IN ADDITION TO THE FACT THAT THIS MODEL IS HOT, 796 00:31:39,598 --> 00:31:41,400 SHE'S WEARING BLACK CORAL. 797 00:31:41,400 --> 00:31:43,532 THE SAME KIND OF CORAL THAT LANIE FOUND 798 00:31:43,532 --> 00:31:46,005 STUCK TO THE BOTTOM OF ELLA'S SHOE. LET'S GO. 799 00:31:46,005 --> 00:31:48,437 I'M PROBABLY GONNA HAVE TO CALL HER IN FOR AN INTERROGATION. 800 00:31:48,437 --> 00:31:49,438 Yumi: NO, SWEETIE. 801 00:31:49,438 --> 00:31:51,210 YOU TELL LITTLE MISS ALL THAT 802 00:31:51,210 --> 00:31:53,042 YUMI SAYS THERE'S ONLY ONE DIVA IN THIS ROOM. 803 00:31:53,042 --> 00:31:54,984 IF SHE DOESN'T WANT TO WEAR THE PINK LOUBOUTINS, 804 00:31:54,984 --> 00:31:56,515 SHE IS OUT OF THE SHOW. 805 00:31:56,515 --> 00:31:58,417 [ SIGHS ] MODELS. 806 00:31:58,417 --> 00:32:00,649 THE LACK OF FOOD MAKES THEM SO VERY FRAUGHT. 807 00:32:00,649 --> 00:32:04,093 UH, MR. YUMI -- PLEASE, JUST YUMI. 808 00:32:04,093 --> 00:32:06,595 OKAY. YUMI. 809 00:32:06,595 --> 00:32:08,427 WHEN WAS THE LAST TIME YOU SAW ELLA HAYES? 810 00:32:08,427 --> 00:32:10,029 ELLA HAYES? 811 00:32:10,029 --> 00:32:12,331 MATILDA'S ASSISTANT -- THE GIRL WHO WAS KILLED? 812 00:32:12,331 --> 00:32:14,233 YES, OF COURSE. 813 00:32:14,233 --> 00:32:16,565 WELL, WE HAVE REASON TO BELIEVE THAT SHE WAS HERE LAST NIGHT. 814 00:32:16,565 --> 00:32:19,168 YES. SHE WAS. 815 00:32:19,168 --> 00:32:21,470 WHY WAS SHE HERE? 816 00:32:21,470 --> 00:32:23,212 SHE, UH, SHE CAME TO ASK ME FOR A JOB. 817 00:32:23,212 --> 00:32:24,373 REALLY? 818 00:32:24,373 --> 00:32:25,674 I TOLD HER I WANTED TO HELP, 819 00:32:25,674 --> 00:32:27,446 BUT THERE WAS ABSOLUTELY NOTHING I COULD DO. 820 00:32:27,446 --> 00:32:32,181 WHEN MATILDA KING FIRES SOMEONE, THEY ARE RADIOACTIVE. 821 00:32:32,181 --> 00:32:33,983 DO YOU HAVE ANY IDEA WHY SHE WAS FIRED? 822 00:32:33,983 --> 00:32:35,484 NO. 823 00:32:35,484 --> 00:32:37,086 I THINK YOU DO. 824 00:32:37,086 --> 00:32:40,129 SOMEONE CHANGED MATILDA KING'S CALENDAR. 825 00:32:40,129 --> 00:32:41,960 MATILDA THOUGHT IT WAS ELLA, BUT IT WASN'T ELLA. 826 00:32:41,960 --> 00:32:43,692 IT WAS SOMEONE FROM YOUR STUDIO. 827 00:32:43,692 --> 00:32:45,995 WE TRACED THE I.P. ADDRESS. 828 00:32:45,995 --> 00:32:47,166 SO DID ELLA. 829 00:32:47,166 --> 00:32:48,567 THAT'S WHAT SHE WAS DOING HERE LAST NIGHT. 830 00:32:48,567 --> 00:32:51,400 SHE WASN'T ASKING FOR A JOB. 831 00:32:51,400 --> 00:32:54,603 SHE WAS LOOKING TO FIND WHO MADE THOSE CHANGES -- 832 00:32:54,603 --> 00:32:56,245 WHO RUINED HER CAREER. 833 00:32:56,245 --> 00:32:57,606 AND GIVEN THE FACT THAT YOU JUST LIED TO US, 834 00:32:57,606 --> 00:32:59,448 I AM GUESSING IT WAS YOU. 835 00:32:59,448 --> 00:33:01,450 ME? [ LAUGHS ] 836 00:33:01,450 --> 00:33:04,383 DO YOU HAVE ANY IDEA HOW POWERFUL MATILDA KING IS 837 00:33:04,383 --> 00:33:05,714 IN THE FASHION INDUSTRY? 838 00:33:05,714 --> 00:33:08,487 MY DESIGN IS A "FAB FIVE" WINNER. 839 00:33:08,487 --> 00:33:10,589 MATILDA'S ABOUT TO MAKE ME FAMOUS. 840 00:33:10,589 --> 00:33:13,422 MESSING WITH HER WOULD BE CAREER SUICIDE. 841 00:33:13,422 --> 00:33:16,425 WHAT COULD POSSIBLY BE MY MOTIVE? 842 00:33:16,425 --> 00:33:17,426 OH, IT'S SIMPLE. 843 00:33:17,426 --> 00:33:20,029 YOU NEEDED TO GET HER FIRED. 844 00:33:20,029 --> 00:33:21,730 YOU NEEDED TO DISCREDIT HER. 845 00:33:21,730 --> 00:33:24,503 WHY ON EARTH WOULD I DO THAT? 846 00:33:24,503 --> 00:33:27,076 BECAUSE YOUR WINNING "FAB FIVE" DESIGN... 847 00:33:28,737 --> 00:33:31,710 ...ISN'T YOURS. 848 00:33:31,710 --> 00:33:34,343 FROM ELLA'S SKETCHBOOK. 849 00:33:34,343 --> 00:33:35,644 THEY'RE EXACTLY THE SAME. 850 00:33:35,644 --> 00:33:38,187 ELLA WAS AN ASPIRING DESIGNER. 851 00:33:38,187 --> 00:33:39,548 SHE MUST HAVE COPIED ME. 852 00:33:39,548 --> 00:33:40,749 NO. ELLA'S ROOMMATE 853 00:33:40,749 --> 00:33:43,152 SAW HER MAKING THOSE SKETCHES MONTHS AGO. 854 00:33:43,152 --> 00:33:44,423 OKAY, THEN. 855 00:33:44,423 --> 00:33:46,295 IF YOU FOUND IT IN HER SKETCHBOOK, 856 00:33:46,295 --> 00:33:47,526 THEN HOW DID I GET IT? 857 00:33:47,526 --> 00:33:49,498 WELL, MATILDA'S OTHER ASSISTANT, GRACE, 858 00:33:49,498 --> 00:33:52,461 CONFIRMED SEEING ELLA GIVE YOU COPIES OF HER SKETCHES. 859 00:33:52,461 --> 00:33:54,103 APPARENTLY, YOU HAD THEM ON YOU 860 00:33:54,103 --> 00:33:56,205 WHEN YOU WENT IN ON YOUR "FAB FIVE" PITCH MEETING. 861 00:33:56,205 --> 00:33:58,637 AND FROM THERE, THE STORY WRITES ITSELF. 862 00:33:58,637 --> 00:34:00,539 YOU SHOWED YOUR DESIGNS, 863 00:34:00,539 --> 00:34:02,471 AND THEY JUST WEREN'T GOOD ENOUGH TO MAKE THE CUT, 864 00:34:02,471 --> 00:34:05,514 BUT THEN THE ARTISTIC DIRECTOR SEES THESE IN YOUR BAG -- 865 00:34:05,514 --> 00:34:08,147 THE FRESH, STUNNING, RAW TALENT -- 866 00:34:08,147 --> 00:34:09,648 PERFECT FOR THE "FAB FIVE." 867 00:34:09,648 --> 00:34:11,480 EXCEPT THEY WEREN'T YOUR DESIGNS. 868 00:34:11,480 --> 00:34:14,223 ONLY TWO PEOPLE KNEW THAT -- YOU AND ELLA. 869 00:34:14,223 --> 00:34:16,385 AND BEING A "FAB FIVE" DESIGNER 870 00:34:16,385 --> 00:34:17,626 COULD LITERALLY MAKE YOUR CAREER, 871 00:34:17,626 --> 00:34:18,687 SO YOU MADE A CHOICE. 872 00:34:18,687 --> 00:34:20,529 ONCE YOU WERE CHOSEN FOR THE "FAB FIVE," 873 00:34:20,529 --> 00:34:24,793 YOU REALIZED THAT ELLA WOULD KNOW YOU HAD STOLEN HER DESIGNS. 874 00:34:24,793 --> 00:34:27,136 YOU HAD TO DISCREDIT HER SO THAT NO ONE WOULD BELIEVE HER. 875 00:34:30,539 --> 00:34:32,441 I WANT A LAWYER. 876 00:34:35,374 --> 00:34:38,277 ELLA MUST HAVE CONFRONTED YUMI AT HIS STUDIO. 877 00:34:38,277 --> 00:34:41,079 IF SHE THREATENED TO EXPOSE THE WHOLE SCANDAL, HIS CAREER WOULD BE OVER. 878 00:34:41,079 --> 00:34:43,682 HE HAD TO KILL HER TO HIDE THE TRUTH. YEAH. THAT ALL MAKES SENSE. 879 00:34:43,682 --> 00:34:45,584 NOW WE JUST HAVE TO CONNECT HIM TO THE CRIME SCENE. 880 00:34:45,584 --> 00:34:47,716 ONLY ONE PROBLEM -- YOU CAN'T. 881 00:34:47,716 --> 00:34:48,787 YUMI DIDN'T KILL ELLA. 882 00:34:48,787 --> 00:34:50,319 HOW DO YOU KNOW? 883 00:34:50,319 --> 00:34:52,491 MULTIPLE EMPLOYEES SAW ELLA CONFRONT YUMI, 884 00:34:52,491 --> 00:34:55,394 BUT AFTER SHE TOOK OFF, HE WAS AT THE STUDIO TILL 3:00 A.M. 885 00:34:55,394 --> 00:34:56,325 HE NEVER LEFT. 886 00:34:56,325 --> 00:34:57,596 WAIT. ARE YOU -- ARE YOU SURE? 887 00:34:57,596 --> 00:34:58,797 HIS ALIBI'S ROCK-SOLID. 888 00:34:58,797 --> 00:35:01,370 BUT WE KNOW SOMEONE CHANGED MATILDA'S CALENDAR 889 00:35:01,370 --> 00:35:02,331 FROM THAT STUDIO. 890 00:35:02,331 --> 00:35:03,772 HE HAS TO BE INVOLVED SOMEHOW. 891 00:35:03,772 --> 00:35:05,434 I THINK SOMEONE ELSE WAS, TOO. 892 00:35:05,434 --> 00:35:07,105 I WENT THROUGH YUMI'S PHONE RECORDS, 893 00:35:07,105 --> 00:35:08,737 AND AFTER ELLA LEFT, 894 00:35:08,737 --> 00:35:11,880 HE MADE HALF A DOZEN PHONE CALLS TO MODERN FASHION. 895 00:35:18,387 --> 00:35:21,119 SUCH BEAUTIFUL DESIGNS. 896 00:35:21,119 --> 00:35:24,193 AFTER ALL THIS TIME, I HAD NO IDEA. 897 00:35:24,193 --> 00:35:26,555 IF SHE KNEW THESE DESIGNS HAD BEEN STOLEN, 898 00:35:26,555 --> 00:35:27,726 WHY DIDN'T SHE COME TO ME? 899 00:35:27,726 --> 00:35:29,558 MAYBE SHE DIDN'T THINK YOU WOULD LISTEN -- 900 00:35:29,558 --> 00:35:31,630 AT LEAST, NOT TO SOMEONE LIKE HER. 901 00:35:31,630 --> 00:35:33,562 MAYBE SHE JUST WANTED REVENGE. 902 00:35:33,562 --> 00:35:35,334 SHE WOULD HAVE GOTTEN IT. 903 00:35:35,334 --> 00:35:39,468 IF COUTURE CHIC EXPOSED THAT OUR "FAB FIVE" LIST WAS CORRUPT, 904 00:35:39,468 --> 00:35:40,639 IT WOULD HAVE COST ME MY JOB. 905 00:35:40,639 --> 00:35:42,641 WHO ELSE STOOD TO LOSE? 906 00:35:42,641 --> 00:35:45,244 EVERYONE INVOLVED, I SUPPOSE. 907 00:35:45,244 --> 00:35:47,145 WELL, JUST AFTER ELLA LEFT YUMI'S STUDIO, 908 00:35:47,145 --> 00:35:49,147 HE MADE A SERIES OF PHONE CALLS 909 00:35:49,147 --> 00:35:51,220 TO SOMEONE HERE AT MODERN FASHION. 910 00:35:51,220 --> 00:35:53,682 SOMEONE WHO MUST HAVE KNOWN YUMI'S SECRET -- 911 00:35:53,682 --> 00:35:55,424 WHO WAS HELPING HIM COVER IT UP. 912 00:35:55,424 --> 00:35:57,186 SOMEONE WHO KNEW THAT IF THE TRUTH GOT OUT, 913 00:35:57,186 --> 00:35:58,527 IT COULD DESTROY THEM BOTH. 914 00:35:58,527 --> 00:36:00,259 [ SIGHS ] 915 00:36:00,259 --> 00:36:03,532 THERE'S ONLY ONE PERSON IT COULD BE. 916 00:36:03,532 --> 00:36:05,464 WHO? 917 00:36:09,438 --> 00:36:11,400 WE GO TO PRINT IN ONE WEEK ON THIS ISSUE, 918 00:36:11,400 --> 00:36:13,502 AND I'M STILL NOT HAPPY WITH THE COVER OPTIONS. 919 00:36:13,502 --> 00:36:16,905 AND WE'RE STILL NOT THERE WITH THE "FAB FIVE" SPREAD! 920 00:36:16,905 --> 00:36:18,847 NOW, GO, PLEASE, MAKE IT BETTER! 921 00:36:21,410 --> 00:36:23,382 JULIAN, A WORD. 922 00:36:24,883 --> 00:36:26,315 [ DOOR CLOSES ] 923 00:36:26,315 --> 00:36:28,287 WHAT WAS YOUR FIRST REACTION 924 00:36:28,287 --> 00:36:30,259 WHEN YOU SAW YUMI'S DESIGN SUBMISSION? 925 00:36:30,259 --> 00:36:31,560 BLOWN AWAY. 926 00:36:31,560 --> 00:36:33,962 I MEAN, THAT'S WHY I NOMINATED HIM. 927 00:36:33,962 --> 00:36:37,226 NOW, IS THERE A REASON WHY YOU DIDN'T COME TO ME 928 00:36:37,226 --> 00:36:39,197 AND TELL ME WHEN HE CONFESSED TO YOU 929 00:36:39,197 --> 00:36:41,730 THAT HE STOLE ELLA'S DESIGN? 930 00:36:41,730 --> 00:36:43,402 WHAT DO YOU MEAN? 931 00:36:43,402 --> 00:36:45,434 I HAD A WORD WITH YUMI THIS MORNING. 932 00:36:45,434 --> 00:36:47,506 HE TOLD ME YOU'VE KNOWN FOR A WHILE. 933 00:36:47,506 --> 00:36:51,280 AND HE ALSO SAID IT WAS YOUR IDEA TO CHANGE MY CALENDAR. 934 00:36:51,280 --> 00:36:52,881 HE'S LYING. 935 00:36:52,881 --> 00:36:56,245 THEN I SPOKE TO MR. CARTER, 936 00:36:56,245 --> 00:36:59,318 AND HE CONFIRMED MY SUSPICION. 937 00:36:59,318 --> 00:37:00,989 YOU'VE BEEN GUNNING FOR MY JOB. 938 00:37:02,521 --> 00:37:03,892 WHAT DOES THAT PROVE? 939 00:37:03,892 --> 00:37:07,225 IT PROVES THAT YOU TRIED TO KILL TWO BIRDS WITH ONE STONE. 940 00:37:07,225 --> 00:37:09,998 YOU CHANGED MY CALENDAR IN ORDER TO DISCREDIT ELLA 941 00:37:09,998 --> 00:37:11,600 AND UNDERMINE ME. 942 00:37:11,600 --> 00:37:15,664 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. DON'T EVEN. 943 00:37:15,664 --> 00:37:16,835 YOU'RE FIRED. 944 00:37:19,708 --> 00:37:23,872 I CAN WALK OUT OF HERE AND GET HIRED AT ANY MAGAZINE I WANT 945 00:37:23,872 --> 00:37:26,244 BY THE END OF THE DAY. 946 00:37:28,547 --> 00:37:31,780 YOU WON'T BE APPLYING FOR A NEW JOB ANYTIME SOON, JULIAN. 947 00:37:31,780 --> 00:37:32,621 [ SCOFFS ] OH, MY... 948 00:37:32,621 --> 00:37:35,484 THIS IS RIDICULOUS. 949 00:37:35,484 --> 00:37:37,025 MATILDA KING -- 950 00:37:37,025 --> 00:37:40,459 SHE TAKES PLEASURE IN TORTURING PEOPLE LIKE THIS. 951 00:37:40,459 --> 00:37:45,534 FACT IS, HER STORY IS AS CRAZY AS SHE IS. 952 00:37:45,534 --> 00:37:48,737 EXCEPT WE SEARCHED THE DUMPSTERS AROUND YOUR APARTMENT, 953 00:37:48,737 --> 00:37:50,739 AND WE FOUND ELLA'S SCARF -- 954 00:37:50,739 --> 00:37:53,271 THE ONE THAT YOU USED TO STRANGLE HER. 955 00:37:53,271 --> 00:37:56,875 THE LAB ALSO FOUND TWO SETS OF DNA ON THAT SCARF -- 956 00:37:56,875 --> 00:37:58,877 ELLA'S AND YOURS. 957 00:38:01,410 --> 00:38:04,052 I'M NOT GONNA SAY ANOTHER WORD UNTIL MY LAWYER'S PRESENT. 958 00:38:08,587 --> 00:38:10,359 Ryan: SO, WHAT DID THE D.A. SAY? 959 00:38:10,359 --> 00:38:12,961 [ SIGHS ] THAT JULIAN'S GONNA PLEAD NOT GUILTY, 960 00:38:12,961 --> 00:38:14,423 TAKE HIS CHANCES AT TRIAL. 961 00:38:14,423 --> 00:38:17,726 THE GOOD NEWS IS YUMI CUT A DEAL TO AVOID CHARGES. 962 00:38:17,726 --> 00:38:20,599 I GUESS MURDER IS NOT HIS TYPE OF ACCESSORY. 963 00:38:20,599 --> 00:38:23,372 YEAH. HE CONFESSED TO TELLING JULIAN 964 00:38:23,372 --> 00:38:24,673 THAT ELLA FIGURED IT ALL OUT 965 00:38:24,673 --> 00:38:27,075 AND JULIAN TOLD HIM THAT HE WOULD TAKE CARE OF HER. 966 00:38:27,075 --> 00:38:28,377 SO, I GUESS THE "FAB FIVE" 967 00:38:28,377 --> 00:38:29,708 IS GONNA BE THE "FAB FOUR" THIS YEAR. 968 00:38:29,708 --> 00:38:31,940 I ALWAYS THOUGHT THE FASHION INDUSTRY SEEMED GLAMOROUS. 969 00:38:31,940 --> 00:38:33,512 TURNS OUT, MOBSTERS ARE MORE ETHICAL. 970 00:38:33,512 --> 00:38:35,083 OH, MY GOSH. WHY DO YOU THINK I QUIT? 971 00:38:35,083 --> 00:38:36,845 I'LL TAKE MURDERERS OVER MODELS ANY DAY. 972 00:38:36,845 --> 00:38:39,047 IF ONLY MURDERERS WERE THIS HOT. 973 00:38:40,419 --> 00:38:42,320 I GOT A BIT OF PAPERWORK TO DO. 974 00:38:42,320 --> 00:38:44,493 AH! BORING PAPERWORK. 975 00:38:44,493 --> 00:38:45,994 THAT IS MY CUE TO LEAVE. 976 00:38:45,994 --> 00:38:47,025 I WILL SEE YOU LATER? 977 00:38:47,025 --> 00:38:50,429 YEAH. YEAH, I'LL SEE YOU WHEN I'M DONE. 978 00:38:50,429 --> 00:38:51,630 [ SIGHS ] 979 00:40:14,483 --> 00:40:17,846 HEY. SHALL I POUR YOU A GLASS? 980 00:40:17,846 --> 00:40:20,719 UH, NO. NOT RIGHT NOW. 981 00:40:20,719 --> 00:40:22,621 EVERYTHING ALL RIGHT? 982 00:40:25,854 --> 00:40:27,656 BABE, WE HAVE TO TALK. 983 00:40:30,058 --> 00:40:33,161 WOW. THAT'S SOMETHING PEOPLE SAY BEFORE THEY DELIVER BAD NEWS. 984 00:40:34,202 --> 00:40:35,934 UM... 985 00:40:38,807 --> 00:40:43,141 ...YOU KNOW WHEN YOU CALLED LAST NIGHT ABOUT THE VENUE? 986 00:40:43,141 --> 00:40:46,214 I WAS WITH MATILDA, AND SHE WANTED ME TO MODEL A DRESS. 987 00:40:48,947 --> 00:40:50,719 AND IT WAS A WEDDING DRESS. 988 00:40:53,622 --> 00:40:55,624 AND WHEN I SAW MYSELF IN IT, I JUST -- 989 00:40:55,624 --> 00:40:57,125 I STARTED TO THINK ABOUT MY MOM. 990 00:40:57,125 --> 00:40:59,928 SHE WOULD HAVE LOVED TO HAVE BEEN A PART OF ALL OF THIS, 991 00:40:59,928 --> 00:41:04,893 TO HELP PICK OUT THE FLOWERS AND TRY ON THE DRESSES AND... 992 00:41:04,893 --> 00:41:07,135 WHEN I LOOKED AT MYSELF IN THE MIRROR, I JUST -- 993 00:41:07,135 --> 00:41:10,739 I-I HALFWAY EXPECTED TO SEE HER RIGHT BEHIND ME... 994 00:41:10,739 --> 00:41:11,900 AND SHE WASN'T THERE. 995 00:41:11,900 --> 00:41:14,843 AND, JUST FOR A MOMENT, I THOUGHT TO MYSELF, 996 00:41:14,843 --> 00:41:17,506 "I DON'T KNOW IF I CAN DO ALL OF THIS WITHOUT HER." 997 00:41:19,147 --> 00:41:22,781 AND THAT'S WHY I SAID NO WHEN YOU ASKED ABOUT THE VENUE. 998 00:41:22,781 --> 00:41:25,153 I'M SO SORRY. IT WAS SO STUPID. 999 00:41:25,153 --> 00:41:27,716 NO. 1000 00:41:27,716 --> 00:41:29,788 NO, NOT STUPID. 1001 00:41:29,788 --> 00:41:31,520 HUMAN. 1002 00:41:34,963 --> 00:41:38,967 DO YOU KNOW WHAT ELSE I WISH SHE COULD EXPERIENCE? 1003 00:41:38,967 --> 00:41:39,868 YOU. 1004 00:41:39,868 --> 00:41:41,730 REALLY? YEAH. 1005 00:41:41,730 --> 00:41:44,102 SHE WOULD HAVE LOVED YOU. 1006 00:41:48,206 --> 00:41:50,679 YOU KNOW, KATE... 1007 00:41:50,679 --> 00:41:51,910 IF YOU NEED MORE TIME -- 1008 00:41:51,910 --> 00:41:54,843 NO. NO, I DON'T -- I DON'T NEED ANY MORE TIME. 1009 00:41:54,843 --> 00:41:57,145 I DON'T EVEN WANT US TO WAIT UNTIL THE FALL. 1010 00:41:57,145 --> 00:41:58,987 I THINK WE CAN FIND A NEW VENUE IN THE SPRING. 1011 00:42:00,589 --> 00:42:02,020 YOU THINK WE CAN PULL IT OFF? 1012 00:42:02,020 --> 00:42:03,992 YEAH. 1013 00:42:03,992 --> 00:42:05,253 I MEAN, I ALREADY HAVE THE DRESS.