1 00:00:23,274 --> 00:00:25,606 Castle: HEY, SO, YOU WANT TO GO TO LINCOLN CENTER 2 00:00:25,606 --> 00:00:26,777 AND HEAR SOME JAZZ TONIGHT? 3 00:00:26,777 --> 00:00:28,239 WYNTON MARSALIS IS PLAYING. 4 00:00:28,239 --> 00:00:29,740 OH, I WOULD LOVE TO, BUT I CAN'T. 5 00:00:29,740 --> 00:00:31,952 I'VE GOT THAT DINNER WITH MY OLD FRIEND FROM HIGH SCHOOL. 6 00:00:31,952 --> 00:00:34,325 YOU DON'T SOUND VERY THRILLED ABOUT GOING. 7 00:00:34,325 --> 00:00:35,576 YEAH, YOU KNOW, IT'S JUST 8 00:00:35,576 --> 00:00:37,418 CARLY'S ALWAYS BEEN REALLY COMPETITIVE, 9 00:00:37,418 --> 00:00:40,371 TALKING ABOUT HER FABULOUS LIFE NONSTOP. 10 00:00:40,371 --> 00:00:41,872 I BET NO ONE'S BASING A CHARACTER 11 00:00:41,872 --> 00:00:43,334 IN THEIR BEST-SELLING MYSTERIES ON HER. 12 00:00:43,334 --> 00:00:46,167 TRUE, BUT THE LAST TIME I TALKED TO HER, 13 00:00:46,167 --> 00:00:48,379 SHE HAD JUST CAME BACK FROM THE FRENCH RIVIERA 14 00:00:48,379 --> 00:00:50,551 WITH A COUNT THAT SHE MET IN MONACO. 15 00:00:50,551 --> 00:00:52,473 AND NOW I HEAR SHE'S MARRIED 16 00:00:52,473 --> 00:00:54,475 TO SOME BIG-SHOT, EUROPEAN BUSINESSMAN 17 00:00:54,475 --> 00:00:56,307 THAT SHE MET ON A YOGA RETREAT, 18 00:00:56,307 --> 00:00:58,309 AND SHE'S EMBRACED THE SPIRITUAL LIFE. 19 00:00:58,309 --> 00:01:00,141 WELL, YOU WANT ME TO TAG ALONG 20 00:01:00,141 --> 00:01:03,234 AND REGALE HER WITH TALES OF OUR CRIME 21 00:01:03,234 --> 00:01:05,356 DEFINITELY NOT. YOU ARE EXACTLY HER TYPE. 22 00:01:05,356 --> 00:01:07,738 AND THE LAST THING I NEED IS TO WATCH SOMEONE FROM MY PAST 23 00:01:07,738 --> 00:01:09,360 TRYING TO SEDUCE MY FIANCé 24 00:01:09,360 --> 00:01:11,322 WHILE TALKING ABOUT THE GODDESS THAT LIVES IN HER HOO-HA. 25 00:01:12,403 --> 00:01:14,905 SHE DID ASK FOR A SIGNED BOOK, THOUGH. 26 00:01:14,905 --> 00:01:16,747 WHO DID? CARLY OR THE GODDESS? 27 00:01:17,958 --> 00:01:19,079 BECKETT. 28 00:01:19,079 --> 00:01:20,251 PLEASE, CASTLE, YOU HAVE TO PROMISE ME 29 00:01:20,251 --> 00:01:22,082 IF YOU DON'T HEAR FROM ME BY 10:00, 30 00:01:22,082 --> 00:01:23,914 YOU WILL CALL ME AND GET ME OUT OF THERE. 31 00:01:23,914 --> 00:01:25,336 I AM SETTING AN ALARM RIGHT NOW. 32 00:01:25,336 --> 00:01:27,878 SEE, THIS IS WHAT HAVING A PARTNER IN LIFE IS ALL ABOUT. 33 00:01:27,878 --> 00:01:29,170 HEY, GUYS. 34 00:01:29,170 --> 00:01:31,262 SO, I HOPE YOU'RE UP FOR A PRETTY STRANGE ONE. 35 00:01:31,262 --> 00:01:33,674 WAREHOUSE WORKER FOUND OUR VIC THIS MORNING. 36 00:01:33,674 --> 00:01:36,427 PERLMUTTER SAID THAT SHE DIED AROUND 3:00 A.M. 37 00:01:36,427 --> 00:01:38,979 HER PASSPORT SAYS THAT HER NAME IS JADE YAMATA. 38 00:01:38,979 --> 00:01:39,980 PASSPORT? SHE A TOURIST? 39 00:01:39,980 --> 00:01:41,772 NO, SHE'S A JAPANESE CITIZEN. 40 00:01:41,772 --> 00:01:44,104 STAMP INDICATES SHE'S BEEN IN THE COUNTRY FOR SIX MONTHS. 41 00:01:44,104 --> 00:01:45,986 OKAY, WE HAVE TO NOTIFY THE JAPANESE CONSULATE. 42 00:01:45,986 --> 00:01:47,568 I'LL PUT IN A CALL. THANKS. 43 00:01:49,360 --> 00:01:51,732 WHAT IS SHE DOING DOWN HERE ALL DRESSED UP? 44 00:01:51,732 --> 00:01:53,534 THERE'S NO NIGHT LIFE IN THIS AREA. 45 00:01:53,534 --> 00:01:54,905 AND HER CLOTHES ARE HIGHER-END. 46 00:01:54,905 --> 00:01:56,327 I'M GUESSING SHE'S NOT A WORKING GIRL. 47 00:01:56,327 --> 00:01:58,078 LOOKS LIKE SHE WAS STABBED WITH A KNIFE. 48 00:01:58,078 --> 00:01:59,870 MM. 49 00:01:59,870 --> 00:02:01,542 TO THE UNTRAINED EYE, PERHAPS. 50 00:02:01,542 --> 00:02:04,004 BUT WHAT YOU DON'T KNOW ABOUT POST-MORTEM ANALYSIS 51 00:02:04,004 --> 00:02:06,417 COULD FILL A BOOK, MR. CASTLE. 52 00:02:06,417 --> 00:02:09,210 I-IN FACT, IT HAS. NUMEROUS TIMES. 53 00:02:09,210 --> 00:02:11,422 FINE. SO IT WAS NOT A KNIFE. 54 00:02:11,422 --> 00:02:13,133 AH, WRONG AGAIN. IT WAS A KNIFE. 55 00:02:13,133 --> 00:02:17,718 BUT "STABBED" IMPLIES THE BLADE WAS THRUST INTO THE VICTIM, 56 00:02:17,718 --> 00:02:20,221 WHEREAS THIS WOUND WAS PRODUCED 57 00:02:20,221 --> 00:02:22,523 BY IT BEING HURLED INTO HER CHEST. 58 00:02:22,523 --> 00:02:24,024 WHAT IS THIS, "LAST OF THE MOHICANS"? 59 00:02:24,024 --> 00:02:25,396 WHAT KIND OF KNIFE IS IT? 60 00:02:25,396 --> 00:02:27,898 UH, ONE WITH A HILT THAT MATCHES THESE SMALL BRUISES 61 00:02:27,898 --> 00:02:29,570 ON EITHER SIDE OF THE WOUND. 62 00:02:29,570 --> 00:02:31,482 IT KILLED HER INSTANTLY, 63 00:02:31,482 --> 00:02:33,484 SEVERING THE LEFT ANTERIOR DESCENDING ARTERY. 64 00:02:33,484 --> 00:02:35,576 OKAY, SO, EITHER THAT'S THE LUCKIEST KNIFE TOSS 65 00:02:35,576 --> 00:02:37,578 IN THE WORLD -- 66 00:02:37,578 --> 00:02:39,580 OR SHE WAS KILLED BY A CIRCUS KNIFE THROWER. 67 00:02:39,580 --> 00:02:41,202 LIKE THE GREAT THROWDINI. 68 00:02:43,043 --> 00:02:45,206 RYAN, DO WE HAVE ANY WITNESSES THAT SAW THE GREAT THROWDINI 69 00:02:45,206 --> 00:02:46,957 OR ANYONE ELSE IN THE AREA? 70 00:02:46,957 --> 00:02:49,049 UH...NO, NOT SO FAR. 71 00:02:49,049 --> 00:02:52,253 BUT WE DID FIND THIS NEXT TO OUR DEAD BODY. 72 00:02:52,253 --> 00:02:54,004 IF IT'S NOT JADE'S, IT MIGHT BE OUR KILLER'S. 73 00:02:54,004 --> 00:02:56,427 WHAT IS IT? IT'S A DROP KEY. 74 00:02:56,427 --> 00:02:57,508 YEAH, I USED TO SCAVENGE STUFF LIKE THIS 75 00:02:57,508 --> 00:02:58,679 FROM OLD BUILDINGS WHEN I WAS A KID. 76 00:02:58,679 --> 00:03:00,471 YEAH, BUILDINGS WOULD KEEP THEM ON HAND 77 00:03:00,471 --> 00:03:02,303 TO, UH, MANUALLY OPEN ELEVATOR DOORS, 78 00:03:02,303 --> 00:03:03,854 SOMETHING LIKE THAT, IN CASE OF AN EMERGENCY. 79 00:03:03,854 --> 00:03:06,267 I'LL HAVE TECH TRY TO TRACE IT AND SEE WHAT IT'S MADE FOR. 80 00:03:06,267 --> 00:03:07,768 LONG SHOT, BUT YOU NEVER KNOW. 81 00:03:07,768 --> 00:03:09,690 AND WHAT ABOUT HER PURSE? IS THERE ANY CONTACT INFORMATION 82 00:03:09,690 --> 00:03:12,403 OR AN ADDRESS OF WHERE SHE WAS STAYING? 83 00:03:12,403 --> 00:03:13,614 NO, BUT I DID LOOK THROUGH HER CELL. 84 00:03:13,614 --> 00:03:14,905 BASED ON HER CALLS AND TEXTS, 85 00:03:14,905 --> 00:03:16,617 SHE HAD A BOYFRIEND NAMED DEAN BEDFORD. 86 00:03:18,369 --> 00:03:21,782 I CAN'T BELIVE JADE IS GONE. 87 00:03:23,083 --> 00:03:24,825 DEAN, DO YOU HAVE ANY IDEA 88 00:03:24,825 --> 00:03:27,288 WHY SHE WOULD BE IN THE WAREHOUSE DISTRICT? NO. 89 00:03:27,288 --> 00:03:29,209 SHE TOLD ME SHE WAS GOING TO REHEARSALS 90 00:03:29,209 --> 00:03:31,211 AND THEN STRAIGHT BACK TO THE DORMS. 91 00:03:31,211 --> 00:03:32,673 SO SHE WAS A STUDENT? 92 00:03:32,673 --> 00:03:35,256 SHE WAS A DANCER AT THE NEW YORK BALLET CONSERVATORY. 93 00:03:35,256 --> 00:03:37,298 SHE LIVED THERE, TOO. 94 00:03:37,298 --> 00:03:39,219 YEAH, WE'RE PATRONS OF THE CONSERVATORY. 95 00:03:39,219 --> 00:03:41,802 THAT'S WHERE SHE AND DEAN MET. 96 00:03:41,802 --> 00:03:44,605 Beckett: A PROFESSIONAL BALLET COMPANY IS PRETTY COMPETITIVE -- 97 00:03:44,605 --> 00:03:46,477 DID SHE HAVE PROBLEMS WITH ANYONE THERE? 98 00:03:46,477 --> 00:03:48,479 UH, NO. JUST THE USUAL JEALOUSY. 99 00:03:48,479 --> 00:03:50,271 SHE ROSE UP THE RANKS PRETTY FAST. 100 00:03:50,271 --> 00:03:52,403 ANY ISSUES WITH ANYONE BACK IN JAPAN? 101 00:03:52,403 --> 00:03:54,695 SHE DIDN'T TALK MUCH ABOUT HER LIFE THERE. 102 00:03:54,695 --> 00:03:57,408 UM...IT'S LIKE SHE WANTED A FRESH START. 103 00:03:57,408 --> 00:03:58,659 I HAVE TO TELL HER FAMILY. 104 00:03:58,659 --> 00:04:00,451 I DON'T -- I DON'T EVEN KNOW HOW TO REACH THEM. 105 00:04:00,451 --> 00:04:02,993 WELL, THE CONSULATE WILL TAKE CARE OF THAT. 106 00:04:02,993 --> 00:04:04,365 RIGHT NOW, THE BEST WAY FOR YOU TO HELP 107 00:04:04,365 --> 00:04:07,247 IS TO TELL US WHAT YOU KNOW ABOUT JADE. 108 00:04:07,247 --> 00:04:08,869 NOW, WE FOUND THIS AT THE CRIME SCENE. 109 00:04:08,869 --> 00:04:10,170 DO YOU RECOGNIZE IT? 110 00:04:10,170 --> 00:04:12,583 NO, I'VE NEVER SEEN THAT BEFORE. 111 00:04:12,583 --> 00:04:15,926 DEAN, HOW WELL DID YOU KNOW JADE? 112 00:04:15,926 --> 00:04:18,509 DID SHE SOCIALIZE WITH OTHER PEOPLE? 113 00:04:18,509 --> 00:04:21,261 NO, SHE WAS PRETTY FOCUSED. WHY? 114 00:04:21,261 --> 00:04:23,143 WELL, IT'S JUST, WHEN WE FOUND HER, 115 00:04:23,143 --> 00:04:24,305 SHE WAS DRESSED TO GO OUT. 116 00:04:24,305 --> 00:04:27,348 OUT? 117 00:04:27,348 --> 00:04:29,149 Esposito: IF SHE WAS MEETING SOMEONE ON THE SLY 118 00:04:29,149 --> 00:04:31,151 IT DIDN'T SHOW UP IN HER PHONE RECORDS. 119 00:04:31,151 --> 00:04:34,315 PRETTY MUCH EVERY CALL SHE MADE WAS TO DEAN AND THE BALLET. 120 00:04:34,315 --> 00:04:35,736 Beckett: WELL, THAT'S WHERE SHE LIVED AND TRAINED, 121 00:04:35,736 --> 00:04:37,568 SO MAYBE SOMEONE THERE KNOWS WHY SHE WENT OUT LAST NIGHT. 122 00:04:37,568 --> 00:04:39,950 TIME TO GO TO THE BALLET. 123 00:04:39,950 --> 00:04:41,241 UH, WELL, YOU MIGHT WANT TO POSTPONE YOUR TRIP 124 00:04:41,241 --> 00:04:42,743 WHEN YOU HEAR THIS. 125 00:04:42,743 --> 00:04:45,115 DID YOU GET A LEAD ON THE DROP KEY? MORE THAN A LEAD. 126 00:04:45,115 --> 00:04:48,118 TECH CONFIRMED THAT THE KEY WAS USED TO OPEN AN ELEVATOR. 127 00:04:48,118 --> 00:04:49,370 NOT ONLY THAT, BUT THEY WERE 128 00:04:49,370 --> 00:04:52,333 ABLE TO GET A NAME OFF THE BRASS -- MARIGOLD. 129 00:04:52,333 --> 00:04:55,125 AS IN THE FLOWER? NO, AS IN THE MARIGOLD COOKIE COMPANY. 130 00:04:55,125 --> 00:04:56,627 THE FACTORY'S BEEN SHUT DOWN FOR YEARS 131 00:04:56,627 --> 00:04:58,679 AND THE BUILDING IS ABANDONED, BUT THE ABANDONED BUILDING 132 00:04:58,679 --> 00:05:00,721 IS TWO BLOCKS FROM WHERE JADE'S BODY WAS FOUND. 133 00:05:13,233 --> 00:05:17,608 THIS PLACE IS SERIOUSLY CREEPY FOR A COOKIE FACTORY. 134 00:05:17,608 --> 00:05:20,200 MAYBE THE KILLER LURED JADE HERE AND SHE ESCAPED, 135 00:05:20,200 --> 00:05:23,404 BUT SHE WAS UNABLE TO OUTRUN THE FLYING DAGGER OF DOOM. 136 00:05:23,404 --> 00:05:25,205 THAT DOESN'T MAKE ANY SENSE, CASTLE. 137 00:05:25,205 --> 00:05:26,326 HOW SO? 138 00:05:26,326 --> 00:05:29,790 BECAUSE LOOK AT THIS PLACE. IT'S FILTHY. 139 00:05:29,790 --> 00:05:32,413 THERE'S NO WAY JADE WOULD SET FOOT IN HERE, 140 00:05:32,413 --> 00:05:34,375 NOT WITH THE CLOTHES THAT SHE WAS WEARING. 141 00:05:34,375 --> 00:05:37,418 HERE'S SOMETHING ELSE THAT DOESN'T MAKE SENSE -- 142 00:05:37,418 --> 00:05:39,219 THERE'S NO ELECTRICITY. 143 00:05:39,219 --> 00:05:40,721 WHY WOULD THE KILLER HAVE A KEY TO AN ELEVATOR 144 00:05:40,721 --> 00:05:42,673 IF THERE'S NO POWER TO MAKE IT WORK? LET'S GO FIND OUT. 145 00:05:51,812 --> 00:05:54,435 THERE'S ANOTHER ROOM BACK HERE. 146 00:06:13,544 --> 00:06:16,757 THIS MUST BE HIS LAIR. 147 00:06:16,757 --> 00:06:20,380 YEAH, AND THAT'S SOME KIND OF A SHRINE. 148 00:06:20,380 --> 00:06:22,262 A SHRINE TO MURDER. 149 00:06:22,262 --> 00:06:25,055 CHECK THIS OUT. 150 00:06:25,055 --> 00:06:27,307 THE DESIGN OF THIS HILT 151 00:06:27,307 --> 00:06:28,769 MATCHES THE BRUISES WE SAW. 152 00:06:28,769 --> 00:06:30,431 AND I'M BETTING THERE'S TRACES OF BLOOD ON HERE, TOO. 153 00:06:32,272 --> 00:06:33,774 SOMEONE'S HERE. 154 00:06:50,030 --> 00:06:52,743 Castle: BECKETT? 155 00:06:52,743 --> 00:06:55,536 CASTLE, WHAT HAPPENED? 156 00:06:55,536 --> 00:06:56,707 A... 157 00:06:56,707 --> 00:07:00,921 NINJA... STOLE THE MURDER WEAPON. 158 00:07:06,967 --> 00:07:08,969 YEAH. 159 00:07:18,268 --> 00:07:19,730 YOU WERE ATTACKED BY A NINJA, AND YOU WITNESSED IT? 160 00:07:19,730 --> 00:07:22,483 UH, NO, SIR. NOT EXACTLY. 161 00:07:22,483 --> 00:07:24,945 BECAUSE HE MADE A SOUND AND DREW HER AWAY. 162 00:07:24,945 --> 00:07:27,407 NINJAS ARE MASTERS OF THE SURPRISE ATTACK. 163 00:07:27,407 --> 00:07:29,780 I-IN ANY CASE, WE THINK THAT HE'S OUR KILLER BECAUSE 164 00:07:29,780 --> 00:07:30,781 THE KNIFE THAT HE TOOK FROM CASTLE 165 00:07:30,781 --> 00:07:32,332 APPEARS TO BE OUR MURDER WEAPON. 166 00:07:32,332 --> 00:07:35,996 SO WHAT YOU'RE SAYING IS THAT -- OUR KILLER IS A NINJA. 167 00:07:35,996 --> 00:07:39,580 OR HE IS JUST AN ATHLETIC PERSON WITH A HOODED TRACK SUIT. 168 00:07:39,580 --> 00:07:42,422 YEAH, WHO DISAPPEARED IN A PUFF OF SMOKE. 169 00:07:42,422 --> 00:07:44,044 YES, WHICH I COULD DO IF I HAD A SMOKE BOMB. 170 00:07:44,044 --> 00:07:45,506 WHATEVER THE MAN IS, 171 00:07:45,506 --> 00:07:48,428 DO YOU HAVE ANY SENSE AS TO WHY HE WOULD KILL JADE YAMATA? 172 00:07:48,428 --> 00:07:50,010 NO, SIR. WE DON'T HAVE MOTIVE YET. 173 00:07:50,010 --> 00:07:51,512 BUT WE'RE LOOKING INTO THE OBJECTS ON THE SHRINE 174 00:07:51,512 --> 00:07:53,183 JUST IN CASE THEY'RE CONNECTED TO OUR VICTIM. 175 00:07:53,183 --> 00:07:55,055 WHERE ARE WE ON I.D.ing THE SUSPECT? 176 00:07:55,055 --> 00:07:56,517 THERE'S NO SECURITY VIDEO 177 00:07:56,517 --> 00:07:58,438 EITHER FROM THE BUILDING OR THE STREET CAMS -- 178 00:07:58,438 --> 00:08:00,601 NOT THAT ANY SELF-RESPECTING NINJA WOULD BE CAUGHT ON VIDEO. 179 00:08:00,601 --> 00:08:03,604 BUT CSU IS SWEEPING THE PLACE FOR PRINTS, FOR EVIDENCE. 180 00:08:03,604 --> 00:08:05,906 WE'VE ALSO GOT A UNIT SITTING ON THE BUILDING, 181 00:08:05,906 --> 00:08:07,487 ON THE OFF CHANCE THAT HE RETURNS. 182 00:08:08,609 --> 00:08:10,571 EXCUSE ME, SIR. UH, DETECTIVE BECKETT, 183 00:08:10,571 --> 00:08:12,573 THIS IS CONSULATE OFFICER AMAYA TAGAMI. 184 00:08:12,573 --> 00:08:14,374 I CAME AS SOON AS I COULD. 185 00:08:15,415 --> 00:08:18,208 JADE YAMATA'S DEATH IS A TERRIBLE LOSS, 186 00:08:18,208 --> 00:08:20,000 AND THE AMBASSADOR HAS ASKED ME TO KEEP HIM INFORMED 187 00:08:20,000 --> 00:08:21,501 OF YOUR PROGRESS ON THIS CASE. 188 00:08:21,501 --> 00:08:23,503 I SPOKE TO JADE'S PARENTS IN KYOTO, 189 00:08:23,503 --> 00:08:26,006 AND THEY, TOO, ARE ANXIOUS FOR NEWS. 190 00:08:26,006 --> 00:08:27,628 ALL WE KNOW IS THAT THE ATTACKER 191 00:08:27,628 --> 00:08:28,969 MAY HAVE A CONNECTION TO JAPAN. 192 00:08:28,969 --> 00:08:32,132 NOW, DID JADE'S PARENTS SAY IF SHE HAD ANY ENEMIES? 193 00:08:32,132 --> 00:08:35,556 NO. THE TRUTH IS, THEY HADN'T SPOKEN TO HER IN WEEKS. 194 00:08:35,556 --> 00:08:37,728 HER MOVING HERE CAUSED A BIT OF A RIFT. 195 00:08:37,728 --> 00:08:39,099 WHY DID SHE MOVE? 196 00:08:39,099 --> 00:08:41,441 WAS SHE TRYING TO GET AWAY FROM SOMEONE 197 00:08:41,441 --> 00:08:42,733 I DON'T THINK SO. 198 00:08:42,733 --> 00:08:45,405 THEY TOLD ME SHE CAME HERE FOR HER BALLET CAREER. 199 00:08:45,405 --> 00:08:47,407 HOW WOULD I GO ABOUT TALKING TO THEM? 200 00:08:47,407 --> 00:08:48,819 I'M AFRAID THEY DON'T SPEAK ENGLISH, 201 00:08:48,819 --> 00:08:51,782 BUT I'M HAPPY TO PASS ALONG ANY QUESTIONS YOU HAVE. 202 00:08:51,782 --> 00:08:53,203 YEAH, THANKS. I MIGHT TAKE YOU UP ON THAT. 203 00:08:53,203 --> 00:08:54,615 BUT IN THE MEANTIME, 204 00:08:54,615 --> 00:08:56,917 COULD YOU TELL US WHAT THIS MEANS? 205 00:08:56,917 --> 00:08:59,539 UH, THIS KANJI IS IZANAMI, 206 00:08:59,539 --> 00:09:02,162 SHINTO GODDESS OF CREATION AND DEATH. 207 00:09:02,162 --> 00:09:04,755 NOW, COULD IT HAVE ANY SINISTER CONNOTATIONS? 208 00:09:04,755 --> 00:09:08,088 MIGHT IT BE FOUND IN THE LAIR OF, SAY, A NINJA? 209 00:09:08,088 --> 00:09:10,510 NO, UH... 210 00:09:10,510 --> 00:09:12,472 THIS IS, UH, VERY COMMON. 211 00:09:12,472 --> 00:09:15,515 UH, PEOPLE USE IT TO HONOR THEIR ANCESTORS. 212 00:09:15,515 --> 00:09:17,097 WHERE DID YOU FIND THIS? 213 00:09:17,097 --> 00:09:20,180 IN A ROOM WHERE WE BELIEVE OUR KILLER SPENT TIME. 214 00:09:20,180 --> 00:09:22,733 WELL, I CAN ASSURE YOU HE'S NOT A NINJA. 215 00:09:22,733 --> 00:09:26,566 THERE ARE NO SUCH THINGS AS NINJAS ANYMORE. 216 00:09:26,566 --> 00:09:28,528 Castle: WHAT DOES SHE KNOW, ANYWAY? 217 00:09:28,528 --> 00:09:30,951 I BET SHE'S NEVER EVEN SEEN "NINJA III: THE DOMINATION." 218 00:09:30,951 --> 00:09:33,363 YEAH, NO, I MEAN, SHE ONLY COMES FROM THE COUNTRY 219 00:09:33,363 --> 00:09:34,785 THAT CREATED THE MYTHOLOGY. 220 00:09:34,785 --> 00:09:37,998 WHICH DOES NOT MAKE HER AN EXPERT. 221 00:09:37,998 --> 00:09:40,751 OUR VICTIM WAS KILLED NINJA-STYLE 222 00:09:40,751 --> 00:09:42,963 FROM A-A KILLER WHO HAD SOME KIND OF MYSTERIOUS SHRINE. 223 00:09:42,963 --> 00:09:45,545 I SWEAR SHE JUST SAID THAT IT WASN'T THAT MYSTERIOUS. 224 00:09:45,545 --> 00:09:47,507 Ryan: YEAH, ABOUT THAT SHRINE -- 225 00:09:47,507 --> 00:09:49,129 CSU DIDN'T FIND ANY PRINTS ON IT ANYWHERE, 226 00:09:49,129 --> 00:09:50,761 OR ANYWHERE ELSE AT THE LAIR. 227 00:09:50,761 --> 00:09:52,382 THE PLACE WAS WIPED. 228 00:09:52,382 --> 00:09:54,845 BECAUSE NINJAS NEVER LEAVE A TRACE. 229 00:09:54,845 --> 00:09:56,306 I KNOW WHAT I SAW. 230 00:09:56,306 --> 00:09:59,479 YOU SHOULD HAVE SEEN THE WAY HE MOVED -- 231 00:09:59,479 --> 00:10:01,682 THE ATHLETICISM, THE GRACE, THE AGILITY. 232 00:10:01,682 --> 00:10:03,103 IT WAS LIKE A -- BALLET DANCER. 233 00:10:03,103 --> 00:10:04,564 N-NO. 234 00:10:04,564 --> 00:10:06,226 YEAH, NO, ACTUALLY, 235 00:10:06,226 --> 00:10:07,527 A BALLET DANCER COULD MOVE LIKE OUR ALLEGED NINJA DID. 236 00:10:07,527 --> 00:10:09,569 Esposito: ONLY NOW WE GOT MOTIVE. 237 00:10:09,569 --> 00:10:10,651 I TALKED TO THE DANCERS 238 00:10:10,651 --> 00:10:11,862 WHO LIVED WITH JADE BACK AT THE DORMS. 239 00:10:11,862 --> 00:10:13,153 APPARENTLY, THERE WAS SOME MAJOR BAD BLOOD 240 00:10:13,153 --> 00:10:16,536 BETWEEN HER AND A MALE DANCER NAMED LEE TONG. 241 00:10:16,536 --> 00:10:17,617 MAN! 242 00:10:17,617 --> 00:10:20,120 YEAH, BUT IT CAN'T BE A BALLET DANCER. 243 00:10:21,621 --> 00:10:24,004 BECAUSE IT WOULD JUST BE SUCH A HUGE LETDOWN. 244 00:10:24,004 --> 00:10:25,335 OF COURSE. 245 00:10:25,335 --> 00:10:27,918 WE CAN'T LET FACTS GET IN THE WAY OF A GOOD STORY. 246 00:10:27,918 --> 00:10:30,420 WHAT DO YOU MEAN BY "BAD BLOOD"? 247 00:10:30,420 --> 00:10:31,962 IT TURNS OUT THAT LEE HAD A THING FOR JADE, 248 00:10:31,962 --> 00:10:33,253 BUT SHE JUST DIDN'T FEEL THE SAME WAY. 249 00:10:33,253 --> 00:10:34,554 AND THEN THEY BOTH GOT CAST IN "MADAME BUTTERFLY," 250 00:10:34,554 --> 00:10:36,306 WHERE THEY HAD TO PLAY LOVERS. 251 00:10:36,306 --> 00:10:37,517 REHEARSALS TURNED INTO SCREAMING MATCHES. 252 00:10:37,517 --> 00:10:38,889 AND THEN YESTERDAY, ONE OF THE OTHER DANCERS 253 00:10:38,889 --> 00:10:40,891 OVERHEARD LEE THREATENING TO KILL JADE. 254 00:10:40,891 --> 00:10:42,352 AND HE HAS THE SKILLS TO DO IT. 255 00:10:42,352 --> 00:10:44,564 YOU MEAN LIKE HE'S GOT... 256 00:10:44,564 --> 00:10:45,936 MARTIAL 257 00:10:45,936 --> 00:10:48,358 YEAH. BLACK BELTS IN KARATE AND ESCRIMA. 258 00:10:48,358 --> 00:10:50,530 Beckett: WHERE WAS HE LAST NIGHT? Esposito: NOT AT REHEARSAL. 259 00:10:50,530 --> 00:10:51,732 HE AND JADE BOTH LEFT EARLY. 260 00:10:51,732 --> 00:10:53,573 IN FACT, HE WAS OUT ALL NIGHT LONG. 261 00:10:53,573 --> 00:10:56,076 HE DIDN'T RETURN BACK TO THE DORMS TILL AFTER SHE WAS DEAD. 262 00:10:58,408 --> 00:11:00,620 Castle: OKAY, I'M... 263 00:11:00,620 --> 00:11:03,283 WARMING TO THIS IDEA. I-I-I THINK IT WAS HIM. 264 00:11:03,283 --> 00:11:06,586 EVEN THOUGH HE'S A BALLET DANCER AND NOT A NINJA? 265 00:11:06,586 --> 00:11:07,788 HE COULD BE BOTH. 266 00:11:07,788 --> 00:11:11,171 AND...BEING A DANCER COULD JUST BE HIS COVER. 267 00:11:11,171 --> 00:11:14,254 AND THAT WAY, THE LAIR COULD BE LIKE HIS BATCAVE. 268 00:11:14,254 --> 00:11:18,598 AND SOMEHOW HE LURED JADE THERE FOR A LITTLE PRIVATE TIME? RIGHT. 269 00:11:18,598 --> 00:11:21,601 BUT SHE REJECTED HIM, FLED, HE KILLED HER IN A JEALOUS RAGE. 270 00:11:21,601 --> 00:11:22,973 HMM, AND HERE I THOUGHT NINJAS 271 00:11:22,973 --> 00:11:24,684 HAD TOTAL MASTERY OF THEIR EMOTIONS. 272 00:11:24,684 --> 00:11:27,307 LOOK, I'M NOT CLAIMING TO HAVE ALL THE ANSWERS -- YET. 273 00:11:27,307 --> 00:11:29,439 BUT JUST LOOK AT THAT GUY -- 274 00:11:29,439 --> 00:11:31,982 HE'S A NINJA THROUGH AND THROUGH. 275 00:11:33,403 --> 00:11:35,445 AND I'M GONNA PROVE IT. 276 00:11:35,445 --> 00:11:36,817 HOW? 277 00:11:36,817 --> 00:11:38,408 YOU'LL SEE. 278 00:11:40,450 --> 00:11:44,414 MR. TONG, I'M DETECTIVE BECKETT. THIS IS MR. CASTLE. 279 00:11:44,414 --> 00:11:47,417 OH, I BELIEVE WE'VE ALREADY MET. 280 00:11:47,417 --> 00:11:49,589 EARLIER TODAY, IN FACT. 281 00:11:49,589 --> 00:11:52,172 I DON'T THINK SO. WHY AM I HERE? 282 00:11:52,172 --> 00:11:53,754 WE'RE INVESTIGATING JADE YAMATA'S DEATH, 283 00:11:53,754 --> 00:11:55,595 AND WE NEED TO ASK YOU A FEW QUESTIONS. 284 00:11:55,595 --> 00:11:57,137 NOW, I UNDERSTAND THAT THE TWO OF YOU 285 00:11:57,137 --> 00:11:58,759 HAD A REHEARSAL SCHEDULED FOR LAST NIGHT? 286 00:11:58,759 --> 00:12:00,971 YEAH. BUT THEN SHE BAILED ON ME. 287 00:12:00,971 --> 00:12:02,642 AND WHERE DID YOU GO AFTERWARDS? 288 00:12:02,642 --> 00:12:04,514 TO AN ART-HOUSE THEATER DOWNTOWN. 289 00:12:04,514 --> 00:12:06,516 THEY WERE DOING A KUROSAWA RETROSPECTIVE. 290 00:12:06,516 --> 00:12:08,058 CAN ANYONE CORROBORATE THAT? 291 00:12:08,058 --> 00:12:09,519 I DOUBT IT. WHY? 292 00:12:09,519 --> 00:12:13,113 BECAUSE YOU DIDN'T RETURN TO YOUR DORM UNTIL 4:00 A.M. 293 00:12:13,113 --> 00:12:16,736 THAT'S EXACTLY ONE HOUR AFTER JADE WAS MURDERED. 294 00:12:16,736 --> 00:12:18,859 WAIT, YOU THINK I KILLED JADE? 295 00:12:18,859 --> 00:12:20,320 PEOPLE HEARD YOU THREATENING HER. 296 00:12:20,320 --> 00:12:22,412 I DIDN'T MEAN IT. I WAS JUST FRUSTRATED. 297 00:12:22,412 --> 00:12:25,035 SHE KEPT MISSING REHEARSALS, SHOWING UP DISTRACTED. 298 00:12:25,035 --> 00:12:28,368 LOOK, IF SHE FUMBLES A LIFT, I'M THE ONE WHO BLOWS A KNEE. 299 00:12:28,368 --> 00:12:30,540 BUT THAT'S NOT ALL IT WAS, WAS IT? 300 00:12:30,540 --> 00:12:33,924 YOU WERE PUSHING JADE FOR A MORE INTIMATE RELATIONSHIP. 301 00:12:33,924 --> 00:12:36,336 NOT ONCE I GOT TO KNOW HER. 302 00:12:36,336 --> 00:12:38,508 SHE WASN'T AS SERIOUS ABOUT HER CRAFT AS I THOUGHT, 303 00:12:38,508 --> 00:12:40,841 AND I JUST GOT SICK OF DEALING WITH HER. 304 00:12:40,841 --> 00:12:43,383 BUT IT ALL GOT WAY EASIER THE SECOND I KNEW SHE WAS LEAVING. 305 00:12:47,347 --> 00:12:48,598 WHAT ARE YOU DOING? 306 00:12:48,598 --> 00:12:50,480 IT'S NOT HIM. A NINJA WOULD HAVE CAUGHT THE CUP. 307 00:12:50,480 --> 00:12:51,651 I'M NOT A NINJA. 308 00:12:51,651 --> 00:12:53,103 OBVIOUSLY. 309 00:12:53,103 --> 00:12:56,947 AND I'M KOREAN, NOT JAPANESE. WAY TO RACIALLY PROFILE. 310 00:12:56,947 --> 00:12:59,569 WHAT DO YOU MEAN THAT JADE WAS LEAVING? 311 00:12:59,569 --> 00:13:01,952 EVERY NIGHT DURING REHEARSAL, SHE WOULD CUT OUT AT 8:00, 312 00:13:01,952 --> 00:13:03,453 RUN TO THE BODEGA, AND USE THE PAY PHONE. 313 00:13:03,453 --> 00:13:04,494 WHO WAS SHE CALLING? 314 00:13:04,494 --> 00:13:05,956 I HAVE NO IDEA. 315 00:13:05,956 --> 00:13:08,038 BUT I FINALLY LIT INTO HER ABOUT IT LAST NIGHT. 316 00:13:08,038 --> 00:13:10,170 THAT'S WHEN SHE TOLD ME SHE WAS QUITTING THE BALLET COMPANY. 317 00:13:10,170 --> 00:13:11,962 THEN SHE LEFT. WHERE DID SHE GO? 318 00:13:11,962 --> 00:13:13,543 I DON'T KNOW. 319 00:13:13,543 --> 00:13:15,415 SHE CHANGED INTO PARTY CLOTHES AND TOOK OFF. 320 00:13:15,415 --> 00:13:19,179 THAT'S THE LAST I SAW OF HER, I SWEAR. 321 00:13:19,179 --> 00:13:21,842 Castle: JADE WAS QUITTING THE BALLET? 322 00:13:21,842 --> 00:13:23,844 SHE WORKED AND TRAINED ALL HER LIFE 323 00:13:23,844 --> 00:13:26,056 TO COME HERE AND DANCE AT THE NYBC, 324 00:13:26,056 --> 00:13:28,768 AND SUDDENLY SHE'S GONNA GIVE IT ALL UP? 325 00:13:28,768 --> 00:13:30,230 WHAT COULD POSSIBLY HAPPEN 326 00:13:30,230 --> 00:13:32,272 TO SUDDENLY MAKE HER WANT TO DO THAT? 327 00:13:32,272 --> 00:13:34,774 AND WHY AREN'T YOU TALKING, BECKETT? 328 00:13:34,774 --> 00:13:36,526 YOU'RE NOT STILL MAD AT ME ABOUT THE CUP. 329 00:13:36,526 --> 00:13:37,817 I'M NOT? 330 00:13:37,817 --> 00:13:40,820 Ryan: WELL, LEE'S STORY CHECKS OUT. 331 00:13:40,820 --> 00:13:42,242 USHER AT THE MOVIE THEATER 332 00:13:42,242 --> 00:13:44,574 RECALLS HIM SLEEPING THROUGH "DERSU UZALA." 333 00:13:44,574 --> 00:13:45,866 BLASPHEMY. 334 00:13:45,866 --> 00:13:47,447 IN ANY CASE, RECORDS FROM THE BODEGA PAY PHONE 335 00:13:47,447 --> 00:13:48,949 BACK UP LEE'S STORY -- 336 00:13:48,949 --> 00:13:51,661 EVERY NIGHT AT 8:00, CALLS WERE MADE TO THE SAME NUMBER, 337 00:13:51,661 --> 00:13:53,293 A PLACE CALLED MIYAGO. 338 00:13:53,293 --> 00:13:56,296 IT'S A TEA-IMPORT COMPANY NOT FAR FROM WHERE JADE WAS KILLED. 339 00:13:56,296 --> 00:13:57,587 I ASKED HER BOYFRIEND. 340 00:13:57,587 --> 00:13:59,089 HE DIDN'T KNOW ANYTHING ABOUT IT. YES, CASTLE? 341 00:13:59,089 --> 00:14:01,461 WHY WOULD JADE BE CALLING A TEA 342 00:14:01,461 --> 00:14:04,594 MY GUESS WOULD BE THE SAME REASON SHE WAS USING A PAY PHONE 343 00:14:04,594 --> 00:14:07,097 INSTEAD OF HER CELL -- SOMETHING SHADY WAS GOING ON. 344 00:14:07,097 --> 00:14:10,470 WE NEED TO CHECK IT OUT. I SHOULD CANCEL MY PLANS. 345 00:14:10,470 --> 00:14:11,892 OH, NO. HEY, WE GOT THIS. 346 00:14:11,892 --> 00:14:13,523 YEAH, WOULDN'T WANT YOU TO CANCEL YOUR DINNER PLANS 347 00:14:13,523 --> 00:14:16,526 WITH CARLY AND THE GODDESS. 348 00:14:16,526 --> 00:14:18,939 JUST MAKE SURE YOU CALL ME AT 10:00. 349 00:14:22,032 --> 00:14:25,615 THIS DOES NOT LOOK LIKE A TEA-IMPORT COMPANY. 350 00:14:25,615 --> 00:14:27,407 SO WHAT IS THIS PLACE? 351 00:14:27,407 --> 00:14:30,450 AND WHY WOULD JADE BE CALLING HERE? 352 00:14:30,450 --> 00:14:31,871 CHECK IT OUT. 353 00:14:31,871 --> 00:14:36,546 Esposito: WHAT'S A LIMO DOING IN THE WAREHOUSE DISTRICT? 354 00:14:40,300 --> 00:14:43,213 THIS IS DEFINITELY NOT A TEA-IMPORT COMPANY. 355 00:14:43,213 --> 00:14:45,635 LET'S GO. YEAH. 356 00:14:46,506 --> 00:14:48,558 UM... 357 00:14:48,558 --> 00:14:52,512 HEY, GUYS. YOU, UM -- YOU THINK THAT'S WISE? 358 00:14:52,512 --> 00:14:55,565 I MEAN, WE REALLY HAVE NO IDEA WHAT'S BEHIND THAT DOOR. 359 00:14:55,565 --> 00:14:56,776 THERE'S ONLY THREE OF US. 360 00:14:56,776 --> 00:14:59,189 AND TWO OF US ARE COPS. YEAH. 361 00:15:01,571 --> 00:15:03,483 IT'S LOCKED. 362 00:15:07,487 --> 00:15:09,529 OH. 363 00:15:17,247 --> 00:15:19,249 ♪ LET'S GET SEXY IN HERE ♪ 364 00:15:19,249 --> 00:15:20,710 ♪ IN HERE ♪ 365 00:15:20,710 --> 00:15:22,922 ♪ LET, LET'S, LET'S, LET'S GET SEXY IN HERE ♪ 366 00:15:22,922 --> 00:15:24,714 ♪ IN HERE ♪ 367 00:15:24,714 --> 00:15:26,346 ♪ LET'S GET ♪ 368 00:15:26,346 --> 00:15:29,509 ♪ UNH-UNH, I WANT TO FEEL ♪ 369 00:15:29,509 --> 00:15:33,513 ♪ SEX, SEX, SEX, SEXY ♪ 370 00:15:33,513 --> 00:15:35,435 ♪ SEX, SEX, SEX, SEX ♪ 371 00:15:35,435 --> 00:15:37,687 ♪ YOU'RE MAKING ME FEEL ♪ 372 00:15:37,687 --> 00:15:39,899 ♪ SEX, SEX, SEX, SEX ♪ WELL, IF THIS IS A TEA COMPANY, I THINK I WANT A CUP. 373 00:15:39,899 --> 00:15:42,192 ♪ SO AHH, AHH ♪ ♪ YOU'RE MAKING ME FEEL, FEEL, FEEL ♪ 374 00:15:46,366 --> 00:15:47,567 Ryan: WHAT IS THIS PLACE? A GEISHA HOUSE? 375 00:15:47,567 --> 00:15:49,239 Castle: NO. IT IS A JAPANESE HOSTESS BAR, 376 00:15:49,239 --> 00:15:52,162 THE MODERN-DAY EQUIVALENT. 377 00:15:52,162 --> 00:15:53,994 I'VE BEEN TO A FEW OF THESE IN TOKYO, ON A BOOK TOUR. 378 00:15:53,994 --> 00:15:55,705 I BET YOU HAVE. 379 00:15:55,705 --> 00:15:58,208 IT'S ALL A PERFECTLY ACCEPTABLE PART OF DOING BUSINESS 380 00:15:58,208 --> 00:15:59,959 IN THE JAPANESE CULTURE. AND THE GIRLS? 381 00:15:59,959 --> 00:16:01,421 UH, THEY WORK FOR THE CLUB. 382 00:16:01,421 --> 00:16:03,133 THEY FLIRT, THEY GET YOU TO BUY DRINKS, 383 00:16:03,133 --> 00:16:04,384 JUST KEEP THINGS GENERALLY FUN. 384 00:16:04,384 --> 00:16:06,296 NO, NO, NO, THE DRESSES THAT THEY'RE WEARING -- 385 00:16:06,296 --> 00:16:08,298 THE SAME ONES THAT JADE HAD ON WHEN SHE WAS KILLED. 386 00:16:08,298 --> 00:16:09,639 SHE MUST HAVE BEEN WORKING HERE THAT NIGHT. 387 00:16:09,639 --> 00:16:11,221 MOST OF THESE GIRLS ARE DOING IT FOR THE MONEY. 388 00:16:11,221 --> 00:16:13,803 JADE HAD A DREAM JOB AND A WEALTHY BOYFRIEND. 389 00:16:13,803 --> 00:16:16,016 WHY WOULD SHE BE WORKING IN A JAPANESE HOSTESS CLUB? 390 00:16:16,016 --> 00:16:17,437 I DON'T KNOW. 391 00:16:17,437 --> 00:16:19,559 BUT IF THIS PLACE HAD ANYTHING TO DO WITH HER DEATH, 392 00:16:19,559 --> 00:16:22,562 NO ONE'S GONNA TALK TO US IF THEY SO MUCH AS SMELL A BADGE. MM. 393 00:16:22,562 --> 00:16:25,275 WELL, THEN, TONIGHT WE ARE NOT COPS. 394 00:16:25,275 --> 00:16:27,607 WE ARE JUST UPSCALE GENTLEMEN LOOKING FOR A GOOD TIME. 395 00:16:27,607 --> 00:16:29,159 AND IF WE PLAY OUR CARDS RIGHT, 396 00:16:29,159 --> 00:16:32,952 WE'LL PICK UP SOME INFORMATION ALONG THE WAY. 397 00:16:32,952 --> 00:16:36,666 HELLO. HELLO. 398 00:16:36,666 --> 00:16:39,499 KONNICHIWA. AND WELCOME TO MIYAGO. 399 00:16:39,499 --> 00:16:42,122 MAY I OFFER YOU A TABLE? 400 00:16:42,122 --> 00:16:44,214 YOUR VERY BEST. 401 00:16:44,214 --> 00:16:47,297 DOMO. TABLE SEVEN. 402 00:16:47,297 --> 00:16:49,339 Castle: TAKE THAT FOR ME? PERFECT. 403 00:16:51,051 --> 00:16:53,223 ALL RIGHT. OH. 404 00:16:53,223 --> 00:16:55,435 SO, IS THIS YOUR FIRST TIME AT MIYAGO? 405 00:16:55,435 --> 00:16:57,267 YES. NO. 406 00:16:57,267 --> 00:16:59,559 UM...WELL, HE AND I HAVE BEEN HERE BEFORE, 407 00:16:59,559 --> 00:17:01,401 BUT, UM... I'M MARRIED. 408 00:17:01,401 --> 00:17:03,193 THAT'S OKAY. MOST OF THE GUYS HERE ARE. 409 00:17:04,484 --> 00:17:06,696 UH, YEAH, BUT I'M REALLY MARRIED. EH. 410 00:17:06,696 --> 00:17:09,028 Castle: OH, HERE WE GO. YEAH. 411 00:17:09,028 --> 00:17:11,781 HERE YOU ARE. 412 00:17:11,781 --> 00:17:14,154 OH. 413 00:17:14,154 --> 00:17:15,955 IT'S NICER OVER THERE. 414 00:17:15,955 --> 00:17:17,747 YOU KNOW, THE LAST TIME WE WERE HERE, 415 00:17:17,747 --> 00:17:19,249 THERE WAS THAT ONE GIRL... 416 00:17:19,249 --> 00:17:21,121 UM...WITH THE SHORT HAIRCUT, LIKE FROM "PULP FICTION." 417 00:17:21,121 --> 00:17:23,373 YOU MEAN JADE. 418 00:17:23,373 --> 00:17:25,215 JADE, YES. JADE. 419 00:17:25,215 --> 00:17:27,877 SO HAVE YOU GIRLS SEEN HER AROUND LATELY? 420 00:17:29,169 --> 00:17:33,383 UM...WELL, SEE, W-WHAT MY FRIEND ISN'T TELLING YOU 421 00:17:33,383 --> 00:17:35,595 IS THAT HE ACTUALLY HAD A LITTLE CRUSH ON JADE. 422 00:17:35,595 --> 00:17:36,806 MM. 423 00:17:36,806 --> 00:17:38,178 IT WAS JUST... AWW. 424 00:17:38,178 --> 00:17:40,059 WELL... 425 00:17:40,059 --> 00:17:43,022 I'LL MAKE YOU FORGET ALL ABOUT HER. 426 00:17:44,234 --> 00:17:46,025 YOU WANT TO BUY SOME PRIVATE TIME? 427 00:17:46,025 --> 00:17:48,568 OH, NO, THANKS. I'M FINE RIGHT HERE. 428 00:17:48,568 --> 00:17:52,242 I don't think you are. Not if you're asking about jade. 429 00:17:53,783 --> 00:17:55,995 ARE YOU SURE YOU DON'T WANT TO BUY SOME PRIVATE TIME? 430 00:17:55,995 --> 00:17:59,619 YES, I DO WANT TO BUY SOME PRIVATE TIME. 431 00:17:59,619 --> 00:18:01,871 UM, HEY, CASTLE, WHERE YOU GOING? 432 00:18:01,871 --> 00:18:04,124 UH, JUST GONNA GO DO WHAT WE CAME HERE FOR. 433 00:18:04,124 --> 00:18:07,127 YOU GUYS COVER ME. ENTERTAIN THESE BEAUTIFUL LADIES. 434 00:18:07,127 --> 00:18:08,258 WHAT'S HE DOING? 435 00:18:08,258 --> 00:18:11,671 ♪ WILD THING ♪ 436 00:18:15,305 --> 00:18:17,307 OH, OH! UM...UH, WAIT A MINUTE. 437 00:18:17,307 --> 00:18:19,018 I'M FLATTERED, BUT I REALLY -- 438 00:18:19,018 --> 00:18:21,100 PLAY THE PART OR I'LL GET IN TROUBLE. 439 00:18:21,100 --> 00:18:22,482 RIGHT, RIGHT. 440 00:18:22,482 --> 00:18:24,434 OKAY. 441 00:18:24,434 --> 00:18:25,725 WHY ARE YOU ASKING ABOUT JADE? 442 00:18:25,725 --> 00:18:27,106 YOU'RE NOT ONE OF HER CUSTOMERS. 443 00:18:27,106 --> 00:18:29,279 NO. NO, I'M, UH, A FRIEND. 444 00:18:29,279 --> 00:18:30,400 IS SHE OKAY? 445 00:18:31,781 --> 00:18:32,992 UM... 446 00:18:34,784 --> 00:18:35,995 SHE'S DEAD. 447 00:18:35,995 --> 00:18:38,788 I KNEW IT. 448 00:18:38,788 --> 00:18:41,000 I KNEW WHEN SHE DIDN'T COME IN TONIGHT. 449 00:18:41,000 --> 00:18:42,372 THEY GOT TO HER. 450 00:18:42,372 --> 00:18:44,003 WHO? 451 00:18:44,003 --> 00:18:46,166 HEY. WHO GOT TO HER? 452 00:18:46,166 --> 00:18:48,298 LOOK, I TRIED TO WARN HER, BUT SHE WOULDN'T STOP. 453 00:18:48,298 --> 00:18:50,460 STOP WHAT? 454 00:18:51,711 --> 00:18:54,594 SORRY. 455 00:18:54,594 --> 00:18:56,556 I HAVE TO CALL... 456 00:18:56,556 --> 00:18:58,518 IN A MINUTE. 457 00:18:58,518 --> 00:18:59,929 SHE WOULDN'T STOP WHAT? 458 00:18:59,929 --> 00:19:03,102 WHAT THE HELL IS HE DOING BACK THERE? I DON'T KNOW. 459 00:19:03,102 --> 00:19:04,524 HEY, YOU KNOW WHAT, LADIES? UM... 460 00:19:04,524 --> 00:19:07,106 I DON'T REALLY LIKE THIS SAKE. 461 00:19:07,106 --> 00:19:08,438 DO YOU THINK MAYBE WE COULD GET ANOTHER BOTTLE? 462 00:19:08,438 --> 00:19:10,149 SOMETHING BETTER? 463 00:19:10,149 --> 00:19:11,150 MORE EXPENSIVE? MM. 464 00:19:11,150 --> 00:19:12,902 I LIKE THE WAY YOU THINK. 465 00:19:12,902 --> 00:19:15,154 ♪ WILD THING ♪ 466 00:19:15,154 --> 00:19:17,116 BE RIGHT BACK. 467 00:19:17,116 --> 00:19:19,869 ALL RIGHT, HON. I'LL BE RIGHT HERE. 468 00:19:19,869 --> 00:19:21,661 ♪ COME ON, WILD THING ♪ ALL RIGHT. 469 00:19:21,661 --> 00:19:25,455 SOME OF THESE BUSINESSMEN LOOK A LITTLE SHADY. 470 00:19:25,455 --> 00:19:28,788 LOOK, CHECK IT OUT. I SEE TATTOOS, SCARS. 471 00:19:28,788 --> 00:19:31,341 WHY DON'T YOU TAKE A LAP AROUND 472 00:19:31,341 --> 00:19:32,552 AND SEE IF ANYONE LOOKS FAMILIAR? 473 00:19:32,552 --> 00:19:35,345 I'LL STAY HERE AND...ENTERTAIN THE LADIES. 474 00:19:35,345 --> 00:19:36,756 ALL RIGHT. 475 00:19:43,142 --> 00:19:45,895 YEAH, LET'S DO KARAOKE. IT'LL BE FUN. 476 00:19:45,895 --> 00:19:50,109 OH, NO. NO, NO, NO, NO. IT OKAY. REALLY? 477 00:19:50,109 --> 00:19:51,311 UM... HEY! 478 00:19:51,311 --> 00:19:52,151 HEY. 479 00:19:55,114 --> 00:19:57,737 EVER SINCE SHE STARTED HERE, 480 00:19:57,737 --> 00:19:59,739 JADE WOULD ALWAYS FLIRT WITH THIS ONE CLIENT -- 481 00:19:59,739 --> 00:20:00,950 A REGULAR. 482 00:20:00,950 --> 00:20:02,822 THE GIRLS SAY HE HAS A VIOLENT STREAK. 483 00:20:02,822 --> 00:20:05,285 I TOLD HER TO STAY AWAY, BUT SHE WOULDN'T LISTEN. 484 00:20:05,285 --> 00:20:07,497 IT'S LIKE SHE WAS TARGETING HIM. 485 00:20:07,497 --> 00:20:09,088 AND THIS CLIENT, WHAT'S HIS NAME? 486 00:20:09,088 --> 00:20:11,251 WE ONLY KNOW HIM AS MR. SAITO. 487 00:20:11,251 --> 00:20:12,672 BUT HE MUST BE IMPORTANT, 488 00:20:12,672 --> 00:20:14,544 BECAUSE LOTS OF PEOPLE ARE SCARED OF HIM. 489 00:20:14,544 --> 00:20:16,716 SO HE WAS HERE LAST NIGHT AND SHE WAS WITH HIM? 490 00:20:16,716 --> 00:20:18,137 NO. 491 00:20:18,137 --> 00:20:19,509 HE HAS PRIVATE PARTIES SOMETIMES, 492 00:20:19,509 --> 00:20:20,970 AND HIRES GIRLS FROM THE CLUB. 493 00:20:20,970 --> 00:20:22,762 AND EVERY TIME, JADE WOULD CALL MAMA-SAN 494 00:20:22,762 --> 00:20:24,183 AND TRY TO GET ON THE LIST. 495 00:20:24,183 --> 00:20:25,725 AND LAST NIGHT, SHE DID. 496 00:20:25,725 --> 00:20:27,397 WHERE WAS THIS PARTY? 497 00:20:31,311 --> 00:20:34,314 UPPER EAST SIDE. 498 00:20:34,314 --> 00:20:35,985 Ryan: ♪ YEAH ♪ 499 00:20:35,985 --> 00:20:38,988 ♪ KEEP ON WHISPERING IN MY EAR ♪ 500 00:20:38,988 --> 00:20:41,991 ♪ TELL ME ALL THE THINGS THAT I WANT TO HEAR ♪ 501 00:20:41,991 --> 00:20:44,324 ♪ 'CAUSE IT'S TRUE ♪ 502 00:20:44,324 --> 00:20:45,625 ♪ THAT'S WHAT I LIKE ABOUT YOU ♪ 503 00:20:45,625 --> 00:20:47,287 ♪ WHAT I LIKE ABOUT YOU ♪ I'M SINGING. 504 00:20:47,287 --> 00:20:48,628 ♪ THAT'S WHAT I LIKE ABOUT YOU ♪ 505 00:20:48,628 --> 00:20:51,831 ♪ THAT'S WHAT I LIKE ABOUT YOU ♪ WAS IT THAT BAD? 506 00:20:51,831 --> 00:20:53,633 Castle: WHY DO YOU THINK SAITO KILLED HER? 507 00:20:53,633 --> 00:20:55,675 SOMETHING HAPPENED AT THE PARTY LAST NIGHT. 508 00:20:55,675 --> 00:20:56,676 ONE OF THE GIRLS SAID MR. SAITO 509 00:20:56,676 --> 00:20:58,007 FOUND JADE GOING THROUGH HIS THINGS. 510 00:20:58,007 --> 00:21:00,340 HE HIT THE ROOF AND HAD HIS PEOPLE THROW HER OUT. 511 00:21:00,340 --> 00:21:02,972 YOU HAVE ANY IDEA WHICH OF HIS THINGS SHE WAS GOING THROUGH? 512 00:21:09,559 --> 00:21:12,191 PUSHING ME, MAN. 513 00:21:12,191 --> 00:21:13,152 OH. 514 00:21:17,607 --> 00:21:20,820 $6,000?! OW. 515 00:21:20,820 --> 00:21:23,202 $6,000! 516 00:21:23,202 --> 00:21:24,994 COME ON. WE DIDN'T EVEN FINISH THE BOTTLES! 517 00:21:24,994 --> 00:21:26,786 AT LEAST LET US TAKE THEM -- LISTEN, YOU'RE RICH. 518 00:21:26,786 --> 00:21:29,459 Esposito: IT COST YOU 6K, AND WE GOT NOTHING TO SHOW FOR IT. 519 00:21:29,459 --> 00:21:30,790 I WOULDN'T SAY THAT. 520 00:21:30,790 --> 00:21:32,752 I MEAN, BESIDE THE LIPSTICK MARKS ON YOUR SHIRT. 521 00:21:32,752 --> 00:21:34,253 I ACTUALLY GOT A LEAD IN THERE 522 00:21:34,253 --> 00:21:36,175 THAT'S GONNA BLOW THIS CASE WIDE -- OH, WHOA! 523 00:21:36,175 --> 00:21:37,877 WAIT, LIPSTICK MARKS? ON MY SHIRT 524 00:21:37,877 --> 00:21:39,298 BECKETT WILL KILL ME. 525 00:21:39,298 --> 00:21:41,300 OH, MY GOD! I DIDN'T CALL! 526 00:21:41,300 --> 00:21:43,883 YOU GUYS, BECKETT IS GOING TO KILL ME. 527 00:21:46,386 --> 00:21:48,348 NINJA ATTACK. 528 00:22:02,992 --> 00:22:04,364 AAH. 529 00:22:06,746 --> 00:22:08,538 Ryan: CASTLE, LOOK OUT! 530 00:22:14,954 --> 00:22:17,046 DON'T MOVE! 531 00:22:17,046 --> 00:22:20,800 STAY AWAY. 532 00:22:20,800 --> 00:22:22,882 NEXT TIME, YOU DIE. 533 00:22:26,806 --> 00:22:28,558 LET ME SEE YOUR HANDS! 534 00:22:44,323 --> 00:22:46,866 WHERE DID HE GO? 535 00:22:46,866 --> 00:22:48,988 I DON'T KNOW. HE WAS JUST... 536 00:22:48,988 --> 00:22:51,911 WELL, YOU HAD HIM. 537 00:22:51,911 --> 00:22:52,952 NOW THERE ARE TWO NINJAS? 538 00:22:52,952 --> 00:22:54,163 CAPTAIN, I KNOW IT SOUNDS CRAZY -- 539 00:22:54,163 --> 00:22:55,585 YOU BET IT SOUNDS CRAZY. 540 00:22:55,585 --> 00:22:57,587 ONE ATTACKS YOU. 541 00:22:57,587 --> 00:23:00,169 THE OTHER SAVES YOUR LIFE? IT MAKES NO SENSE. 542 00:23:00,169 --> 00:23:01,260 UNLESS... 543 00:23:01,260 --> 00:23:03,883 THEY ARE RIVALS IN AN ANCIENT FEUD. 544 00:23:03,883 --> 00:23:05,505 TWO WARRING CLANS -- 545 00:23:05,505 --> 00:23:07,216 ONE COMMITTED TO THE PATH OF DARKNESS, 546 00:23:07,216 --> 00:23:08,968 THE OTHER SWORN TO FOLLOW THE PATH OF LIGHT. 547 00:23:08,968 --> 00:23:11,140 THIS IS NOT A NINJA MOVIE, MR. CASTLE. 548 00:23:11,140 --> 00:23:12,852 THIS IS A MURDER INVESTIGATION. 549 00:23:12,852 --> 00:23:15,014 I DON'T KNOW WHERE THOSE NINJAS CAME FROM, SIR. 550 00:23:15,014 --> 00:23:16,606 BUT WHAT I DO KNOW IS THAT OUR VICTIM 551 00:23:16,606 --> 00:23:18,478 WAS TRYING TO GET CLOSE TO MR. SAITO. 552 00:23:18,478 --> 00:23:19,979 AND WHEN SHE DID, SHE WAS KILLED 553 00:23:19,979 --> 00:23:21,651 BY A KNIFE THROWN EXPERTLY INTO HER CHEST. 554 00:23:21,651 --> 00:23:22,822 NOW, THE GUY THAT ATTACKED US TONIGHT 555 00:23:22,822 --> 00:23:24,524 HAS THE SKILLS TO THROW THAT KNIFE. 556 00:23:24,524 --> 00:23:26,235 WHAT DO WE KNOW ABOUT THIS SAITO? 557 00:23:26,235 --> 00:23:28,828 NOT MUCH. NO FIRST NAME. 558 00:23:28,828 --> 00:23:31,030 HIS REPUTATION AT THE CLUB IS THAT HE'S DANGEROUS. 559 00:23:31,030 --> 00:23:33,032 AND GIVEN THE FOND FAREWELL THAT WE RECEIVED, 560 00:23:33,032 --> 00:23:35,835 I'M GUESSING THAT THE CLUB IS NOT GONNA SHARE THEIR CLIENT 561 00:23:35,835 --> 00:23:37,837 AND EMPLOYEE RECORDS WITHOUT A WARRANT. 562 00:23:37,837 --> 00:23:39,959 I THOUGHT THIS PARTY WAS ON THE UPPER EAST SIDE? 563 00:23:39,959 --> 00:23:41,340 HAVE YOU LOOKED FOR AN ADDRESS? 564 00:23:41,340 --> 00:23:45,344 UH, YEAH, BUT THE NAME SAITO'S LIKE "SMITH" IN JAPAN. 565 00:23:45,344 --> 00:23:46,425 THERE'S LITERALLY DOZENS OF THEM UP THERE. 566 00:23:46,425 --> 00:23:47,717 WITHOUT ANY INFORMATION, 567 00:23:47,717 --> 00:23:50,099 IT'S GONNA BE VERY HARD TO FIND HIM. 568 00:23:50,099 --> 00:23:51,430 MAYBE NOT. 569 00:23:51,430 --> 00:23:52,762 MR. CASTLE? 570 00:23:52,762 --> 00:23:55,144 WE KNOW HE THREW A PARTY LAST NIGHT. 571 00:23:55,144 --> 00:23:57,937 A GUY LIKE SAITO, HE'S GONNA HAVE IT CATERED. 572 00:23:57,937 --> 00:24:00,820 WE FIND THAT PARTY, WE FIND SAITO. 573 00:24:00,820 --> 00:24:01,981 THEN GET ON IT. 574 00:24:01,981 --> 00:24:02,942 YES, SIR. 575 00:24:09,278 --> 00:24:11,951 UM... 576 00:24:11,951 --> 00:24:13,703 YES? 577 00:24:13,703 --> 00:24:16,956 I -- YEAH, I JUST... CAN I EXPENSE THIS? 578 00:24:21,841 --> 00:24:25,214 DON'T WORRY. I'LL ABSORB THAT. THAT'S NOT...I... 579 00:24:26,966 --> 00:24:29,138 CASTLE, BECKETT'S CALLING FOR YOU. 580 00:24:29,138 --> 00:24:33,352 YOU DIDN'T CALL BECAUSE YOU WERE IN A PRIVATE ROOM 581 00:24:33,352 --> 00:24:35,354 MAKING OUT WITH A GEISHA? 582 00:24:35,354 --> 00:24:37,016 OKAY, WE WERE NOT MAKING OUT. 583 00:24:37,016 --> 00:24:38,598 SHE WAS KISSING ME. 584 00:24:38,598 --> 00:24:41,270 A-AND FOR THE RECORD, SHE WASN'T A GEISHA -- SHE WAS A HOSTESS. 585 00:24:41,270 --> 00:24:42,982 THE DIFFERENCE BEING...? 586 00:24:42,982 --> 00:24:45,364 OKAY. POINT TAKEN. 587 00:24:45,364 --> 00:24:48,447 BUT I WAS UNDERCOVER, AND I DID GET US A LEAD. 588 00:24:48,447 --> 00:24:50,069 OH, YOU KNOW WHAT I WOULD HAVE APPRECIATED 589 00:24:50,069 --> 00:24:52,411 WAS A PHONE CALL ABOUT THIS LEAD SOMEWHERE AROUND 10:00, 590 00:24:52,411 --> 00:24:55,955 BECAUSE "THAT'S WHAT PARTNERS ARE FOR." RIGHT. 591 00:24:55,955 --> 00:24:58,578 AND I WAS ABOUT TO MAKE THAT PHONE CALL, 592 00:24:58,578 --> 00:25:00,830 AND THAT'S WHEN THE NINJAS ATTACKED. 593 00:25:00,830 --> 00:25:04,423 YOU'VE GOT AN EXCUSE FOR EVERYTHING, DON'T YOU? 594 00:25:04,423 --> 00:25:06,425 OKAY, I'M GETTING THE FEELING 595 00:25:06,425 --> 00:25:08,968 THAT THIS IS ABOUT MORE THAN ME NOT CALLING. 596 00:25:11,090 --> 00:25:13,092 WELL... W 597 00:25:13,092 --> 00:25:14,513 OH. 598 00:25:14,513 --> 00:25:16,936 WELL, DID SHE GO ON ABOUT CAMEL TREKS AND YACHT RACES? 599 00:25:16,936 --> 00:25:19,018 OR...DID YOU HAVE A FIGHT WITH THE GODDESS? 600 00:25:19,018 --> 00:25:20,810 MNH-MNH. NO. WORSE. 601 00:25:20,810 --> 00:25:23,603 CARLY WAS BORING. 602 00:25:23,603 --> 00:25:25,064 BORING? 603 00:25:25,064 --> 00:25:26,946 YEAH. ALL SHE DID WAS COMPLAIN ABOUT HER HUSBAND, 604 00:25:26,946 --> 00:25:28,407 SAYING, NOW THAT SHE WAS MARRIED, 605 00:25:28,407 --> 00:25:30,489 THERE'S NO ROMANCE IN HER LIFE. 606 00:25:30,489 --> 00:25:32,862 IT'S JUST AN ENDLESS ROUTINE OF SAMENESS. 607 00:25:32,862 --> 00:25:35,204 SO YOUR FABULOUS FRIEND... 608 00:25:35,204 --> 00:25:37,787 IS NOT SO FABULOUS ANYMORE. AH. 609 00:25:37,787 --> 00:25:40,079 I MEAN, THAT'S NOT GONNA HAPPEN TO US, IS IT? 610 00:25:40,079 --> 00:25:41,460 YOU'VE DONE THIS BEFORE. 611 00:25:41,460 --> 00:25:44,423 MARRIAGE ISN'T GONNA CHANGE US, RIGHT? 612 00:25:44,423 --> 00:25:45,965 WE'RE NOT GONNA BECOME ONE OF THOSE COUPLES 613 00:25:45,965 --> 00:25:47,546 THAT GO TO THE SAME TWO RESTAURANTS 614 00:25:47,546 --> 00:25:48,968 AND ONLY HAVE SEX ON NATIONAL HOLIDAYS? 615 00:25:50,089 --> 00:25:51,721 NO, I'M SERIOUS. 616 00:25:51,721 --> 00:25:53,512 'CAUSE THAT PLACE THAT YOU WERE AT TONIGHT, 617 00:25:53,512 --> 00:25:56,095 IT WAS FILLED WITH MARRIED MEN THAT ARE BORED WITH THEIR WIVES. 618 00:25:56,095 --> 00:25:58,557 I DON'T EVER WANT TO BE BORED WITH YOU, 619 00:25:58,557 --> 00:26:01,560 AND I DON'T WANT YOU TO BE BORED WITH ME, EITHER. 620 00:26:01,560 --> 00:26:03,142 OKAY. 621 00:26:03,142 --> 00:26:06,235 WELL, THEN, LET'S, UM, PUT IT INTO OUR VOWS. 622 00:26:06,235 --> 00:26:09,068 A PROMISE TO EACH OTHER THAT, EVEN THOUGH WE'RE MARRIED, 623 00:26:09,068 --> 00:26:11,861 IT DOESN'T MEAN THERE IS NO MORE ROMANCE. 624 00:26:11,861 --> 00:26:16,285 AND WE WILL NEVER, EVER BE BORING. 625 00:26:16,285 --> 00:26:18,077 DEAL? OKAY, DEAL. 626 00:26:20,660 --> 00:26:22,331 DOES THIS MEAN YOU FORGIVE ME FOR NOT CALLING? 627 00:26:22,331 --> 00:26:23,913 MNH-MNH. NOT YET. 628 00:26:23,913 --> 00:26:25,204 WELL... 629 00:26:26,505 --> 00:26:27,837 ...HOW ABOUT NOW? 630 00:26:27,837 --> 00:26:29,879 MM...GETTING THERE. 631 00:26:29,879 --> 00:26:32,421 THIS IS TORTURE. 632 00:26:40,980 --> 00:26:42,852 ARE THOSE CRONUTS? 633 00:26:42,852 --> 00:26:44,684 Ryan: YEAH. HAVE ONE. 634 00:26:45,985 --> 00:26:46,986 HEY. 635 00:26:46,986 --> 00:26:48,357 THEY'RE NOT BOTH FOR ME. 636 00:26:48,357 --> 00:26:49,649 YEAH, SURE THEY'RE NOT. 637 00:26:49,649 --> 00:26:51,070 WHERE'S CASTLE THIS MORNING, ANYWAY? 638 00:26:51,070 --> 00:26:52,822 HE'S WRITING DOWN EVERYTHING HE CAN REMEMBER 639 00:26:52,822 --> 00:26:56,235 ABOUT THE NINJA FIGHT IN HOPES TO USE IT FOR HIS NEXT BOOK. 640 00:26:56,235 --> 00:26:59,238 SO, WHO WENT DOWN TO SOHO TO GET CRONUTS? 641 00:26:59,238 --> 00:27:02,451 WE DID. TURNS OUT THIS BAKERY DELIVERED A 40th BIRTHDAY CAKE 642 00:27:02,451 --> 00:27:06,836 TO OUR SUSPECT AND FINANCIER, MICHIO SAITO, 643 00:27:06,836 --> 00:27:09,008 ON THE UPPER EAST SIDE THE DAY JADE WAS KILLED. 644 00:27:09,008 --> 00:27:11,170 A FINANCIER? 645 00:27:11,170 --> 00:27:13,592 WHAT'S JADE DOING TRYING TO GET CLOSE TO A GUY LIKE THAT? 646 00:27:13,592 --> 00:27:15,845 Esposito: DON'T KNOW. BUT I RAN SAITO'S NAME THROUGH THE SYSTEM -- 647 00:27:15,845 --> 00:27:17,927 IT WAS FLAGGED BY ORGANIZED CRIME. 648 00:27:17,927 --> 00:27:19,849 ORGANIZED CRIME LIKE YAKUZA? YEP. 649 00:27:19,849 --> 00:27:21,851 RUMOR IS HE'S HIGH UP ON THE CHAIN 650 00:27:21,851 --> 00:27:24,063 IN THE IZUMI CLAN OUT OF OKINAWA. 651 00:27:24,063 --> 00:27:26,025 HIS LEGITIMATE BUSINESSES ARE JUST SUSPECTED FRONTS 652 00:27:26,025 --> 00:27:27,937 FOR MONEY LAUNDERING, DRUG TRAFFICKING, AND EXTORTION. 653 00:27:27,937 --> 00:27:31,360 SO WHAT'S A BALLET DANCER DOING GOING AFTER A GUY LIKE THIS? 654 00:27:31,360 --> 00:27:33,402 WHAT COULD SHE POSSIBLY WANT FROM HIM? 655 00:27:33,402 --> 00:27:35,574 WELL, ODDS ARE, WHATEVER IT WAS GOT HER KILLED. 656 00:27:35,574 --> 00:27:37,616 CALL MISS TAGAMI AT THE CONSULATE. 657 00:27:37,616 --> 00:27:39,949 HAVE HER GET AHOLD OF JADE'S FAMILY. 658 00:27:39,949 --> 00:27:42,782 SEE IF THERE'S A LINK BETWEEN JADE AND MICHIO SAITO 659 00:27:42,782 --> 00:27:45,124 OR THE IZUMI CLAN FROM JAPAN. 660 00:27:45,124 --> 00:27:46,706 AND WHY DON'T WE GO AND VISIT THE BIRTHDAY BOY? 661 00:27:49,959 --> 00:27:53,002 MR. SAITO WILL BE WITH YOU IN A MOMENT. 662 00:27:53,002 --> 00:27:55,795 YO, BECKETT. 663 00:27:55,795 --> 00:27:59,008 JUST LIKE THE WEAPONS WE WERE ATTACKED WITH. 664 00:28:00,850 --> 00:28:04,433 Michio: IT IS A 15th-CENTURY SHURIKEN. 665 00:28:04,433 --> 00:28:07,146 VERY RARE. 666 00:28:07,146 --> 00:28:09,018 MR. SAITO, I'M DETECTIVE BECKETT. 667 00:28:09,018 --> 00:28:10,399 THIS IS DETECTIVE ESPOSITO. 668 00:28:10,399 --> 00:28:12,191 WHAT CAN I DO FOR YOU? 669 00:28:13,482 --> 00:28:15,985 DO YOU RECOGNIZE THIS WOMAN? 670 00:28:18,868 --> 00:28:21,660 NO. I'M AFRAID NOT. 671 00:28:21,660 --> 00:28:23,492 Esposito: YOU SURE? 672 00:28:23,492 --> 00:28:24,914 FROM WHAT WE HEAR, THE TWO OF YOU 673 00:28:24,914 --> 00:28:27,036 SPENT A LOT OF TIME TOGETHER AT MIYAGO'S HOSTESS BAR. 674 00:28:28,537 --> 00:28:33,923 I SPEND TIME WITH A LOT OF DIFFERENT GIRLS AT THE CLUB. 675 00:28:33,923 --> 00:28:36,005 THEY'RE NOT ALL VERY MEMORABLE. 676 00:28:36,005 --> 00:28:38,928 WE UNDERSTAND THAT 677 00:28:38,928 --> 00:28:40,509 SHE WAS AT YOUR BIRTHDAY PARTY THE OTHER NIGHT. 678 00:28:40,509 --> 00:28:41,720 WAS SHE? MM. 679 00:28:41,720 --> 00:28:43,262 YOU SAYING YOU DON'T KNOW? 680 00:28:43,262 --> 00:28:46,976 I'M SAYING THERE WERE MANY PEOPLE AT THE PARTY. 681 00:28:46,976 --> 00:28:49,228 WELL, WITNESSES SAID THAT THE TWO OF YOU HAD A FIGHT, 682 00:28:49,228 --> 00:28:51,270 THAT JADE WAS EXPELLED FROM YOUR PARTY. 683 00:28:51,270 --> 00:28:52,982 YOU WANT TO TELL US WHAT HAPPENED? 684 00:28:52,982 --> 00:28:54,693 NO ONE WAS EXPELLED FROM THE PARTY. 685 00:28:54,693 --> 00:28:57,907 IF SHE LEFT, IT WAS BY HER CHOICE. 686 00:28:57,907 --> 00:29:00,069 AND I SUPPOSE IT WAS JUST A COINCIDENCE 687 00:29:00,069 --> 00:29:02,531 THAT SHORTLY AFTER SHE LEFT SHE WAS MURDERED? 688 00:29:02,531 --> 00:29:04,743 I AM NOT RESPONSIBLE FOR WHAT HAPPENS TO HER 689 00:29:04,743 --> 00:29:06,535 OUT ON THE STREET. 690 00:29:06,535 --> 00:29:09,208 ISN'T THAT YOUR JOB, DETECTIVE? 691 00:29:09,208 --> 00:29:12,251 I NEED A LIST OF EVERYONE THAT ATTENDED THAT PARTY. 692 00:29:15,174 --> 00:29:18,928 AND I WILL NEED TO SEE A SEARCH WARRANT. 693 00:29:20,880 --> 00:29:24,723 NOW, IF THERE'S NOTHING ELSE... 694 00:29:26,385 --> 00:29:28,938 ORGANIZED CRIME'S BEEN TRYING TO BUST THIS GUY FOR YEARS. 695 00:29:28,938 --> 00:29:31,020 BUT A MAN LIKE SAITO -- HE'S CAREFUL. 696 00:29:31,020 --> 00:29:33,983 WE NEED SOMEONE TO TALK -- WE NEED TO FIND SOMEONE 697 00:29:33,983 --> 00:29:35,774 WHO WAS ACTUALLY AT THE PARTY THAT NIGHT. 698 00:29:35,774 --> 00:29:38,898 HEY. WE GOT A PROBLEM. 699 00:29:38,898 --> 00:29:40,950 I JUST TRIED TO CONTACT THAT CONSULATE OFFICER, AMAYA TAGAMI, 700 00:29:40,950 --> 00:29:42,491 SEE IF THERE'S ANY CONNECTION 701 00:29:42,491 --> 00:29:44,493 BETWEEN JADE'S FAMILY AND MICHIO SAITO. 702 00:29:44,493 --> 00:29:46,455 ACCORDING TO THE CONSULATE, 703 00:29:46,455 --> 00:29:48,828 MS. TAGAMI'S BEEN ON MATERNITY LEAVE FOR TWO MONTHS. 704 00:29:48,828 --> 00:29:51,080 SO THE WOMAN WHO SHOWED UP HERE... 705 00:29:51,080 --> 00:29:52,621 WAS AN IMPOSTER. 706 00:29:59,048 --> 00:30:00,419 Beckett: WHO IS THIS WOMAN 707 00:30:00,419 --> 00:30:01,720 AND WHY WOULD SHE IMPERSONATE A CONSULATE OFFICER? 708 00:30:01,720 --> 00:30:03,722 MAYBE SHE'S WORKING FOR SAITO. 709 00:30:03,722 --> 00:30:06,475 IF HE IS YAKUZA, HE'D HAVE ALL KINDS OF ASSETS WORKING FOR HIM. 710 00:30:06,475 --> 00:30:07,847 MAKES SENSE. 711 00:30:07,847 --> 00:30:09,688 THAT WAY SHE COULD KEEP TABS ON OUR INVESTIGATION. 712 00:30:09,688 --> 00:30:11,640 AH, SHE WAS DOING MORE THAN THAT. 713 00:30:11,640 --> 00:30:12,561 SHE WAS TRYING TO THROW US OFF TRACK. 714 00:30:12,561 --> 00:30:13,772 DO YOU REMEMBER WHEN SHE SAID 715 00:30:13,772 --> 00:30:16,525 THAT SHE SPOKE WITH JADE'S PARENTS IN JAPAN? 716 00:30:16,525 --> 00:30:19,698 MM-HMM. WELL, JADE DIDN'T HAVE ANY PARENTS. 717 00:30:19,698 --> 00:30:22,821 TURNS OUT SHE WAS RAISED IN AN ORPHANAGE FROM AGE 10. 718 00:30:22,821 --> 00:30:25,034 JADE WAS ORPHANED AT AGE 10? HOW DID THAT HAPPEN? 719 00:30:25,034 --> 00:30:27,036 WELL, I TRIED TO FIND OUT, BUT PRIOR TO THE ORPHANAGE, 720 00:30:27,036 --> 00:30:28,868 CAN'T FIND ANY RECORD OF JADE YAMATA -- 721 00:30:28,868 --> 00:30:30,749 IF THAT'S EVEN HER NAME. 722 00:30:30,749 --> 00:30:31,790 NOT A BIRTH CERTIFICATE, NOTHING. 723 00:30:31,790 --> 00:30:33,332 IT'S LIKE SHE DIDN'T EXIST. 724 00:30:33,332 --> 00:30:36,335 SOUNDS LIKE SOMEONE WAS TRYING TO COVER UP JADE'S HISTORY. 725 00:30:36,335 --> 00:30:37,957 YEAH, WELL, WE'RE GONNA HAVE TO DIG UP WHATEVER THEY WERE TRYING TO HIDE. 726 00:30:37,957 --> 00:30:40,169 IF WE KNOW HER TRUE IDENTITY, 727 00:30:40,169 --> 00:30:41,550 IT MAY LEAD US TO WHY SHE WAS KILLED, 728 00:30:41,550 --> 00:30:43,422 SO FIND OUT EVERYTHING YOU CAN ON JADE. 729 00:30:43,422 --> 00:30:44,633 START WITH THE ORPHANAGE. 730 00:30:44,633 --> 00:30:46,595 CASTLE AND I WILL TALK TO PERLMUTTER, 731 00:30:46,595 --> 00:30:48,928 AND WE'LL SEE IF HER BODY CAN TELL US WHO SHE REALLY WAS. 732 00:30:48,928 --> 00:30:51,730 I CHECKED THE VICTIM FOR ANY IMPLANTS 733 00:30:51,730 --> 00:30:56,525 OR TRACEABLE MEDICAL HARDWARE, BUT I DISCOVERED NOTHING 734 00:30:56,525 --> 00:30:58,687 THAT WOULD AID YOU IN YOUR QUEST. 735 00:30:58,687 --> 00:31:02,691 HOWEVER, I DID FIND A TELLING MARK ON HER BODY. 736 00:31:02,691 --> 00:31:06,245 THIS IS A VERY UNUSUAL SCAR. 737 00:31:06,245 --> 00:31:10,199 UH, MY GUESS IS SHE SUSTAINED THE INJURY 10 OR 12 YEARS AGO. 738 00:31:10,199 --> 00:31:12,081 RIGHT ABOUT THE TIME SHE WAS SENT TO THE ORPHANAGE. 739 00:31:12,081 --> 00:31:14,253 IN WHAT WAY IS THE SCAR UNUSUAL? 740 00:31:14,253 --> 00:31:15,754 UH, SHE TOOK SHRAPNEL. 741 00:31:15,754 --> 00:31:18,707 BASED ON FAINT, SMALL SCARS OVER HER BACK AND LEGS, 742 00:31:18,707 --> 00:31:21,420 IT WAS FROM SOME KIND OF EXPLOSION, LIKE AN I.E.D. 743 00:31:21,420 --> 00:31:24,593 YOU'RE NOT SAYING SHE WAS IN COMBAT AS A 10 744 00:31:24,593 --> 00:31:26,555 UH, IMPROBABLE, BUT THIS MUCH I KNOW -- 745 00:31:26,555 --> 00:31:29,348 SHE WAS TREATED BY A U.S. MILITARY SURGEON. 746 00:31:29,348 --> 00:31:30,559 AND YOU KNOW THAT BASED ON WHAT? 747 00:31:30,559 --> 00:31:33,512 UH, WELL, THIS OPEN-TYPE OF STIPPLED SCARRING 748 00:31:33,512 --> 00:31:34,974 IS THE RESULT OF A TECHNIQUE CALLED DEBRIDING. 749 00:31:34,974 --> 00:31:38,687 UH, MILITARY SURGEONS STARTED USING IT ON BLAST WOUNDS 750 00:31:38,687 --> 00:31:41,570 DURING THE AFGHAN WAR -- SAVED A LOT OF LIVES. 751 00:31:41,570 --> 00:31:43,482 BUT IT WASN'T ADOPTED BY CIVILIAN DOCTORS 752 00:31:43,482 --> 00:31:44,903 UNTIL FAIRLY RECENTLY. 753 00:31:44,903 --> 00:31:46,825 ONLY TWO MILITARY FACILITIES IN JAPAN 754 00:31:46,825 --> 00:31:49,028 WERE DOING THIS SURGERY AT THAT TIME -- 755 00:31:49,028 --> 00:31:51,700 ONE AT A BASE IN YOKOSUKA, AND ONE IN OKINAWA. 756 00:31:51,700 --> 00:31:53,742 OKINAWA? 757 00:31:53,742 --> 00:31:57,536 THAT'S WHERE SAITO'S YAKUZA CLAN CAME FROM. 758 00:31:57,536 --> 00:31:59,418 OKAY, SO, THIS OKINAWA LEAD IS PAYING OFF BIG TIME. 759 00:31:59,418 --> 00:32:03,302 WE DID A SEARCH FOR EXPLOSIONS THERE BACK IN THE DAY. 760 00:32:04,673 --> 00:32:06,805 THIS ARTICLE IS DATED ONE MONTH BEFORE JADE LANDED 761 00:32:06,805 --> 00:32:08,047 IN THAT ORPHANAGE. 762 00:32:08,047 --> 00:32:10,469 WHO ARE THOSE PEOPLE? THAT'S THE OZU FAMILY. 763 00:32:10,469 --> 00:32:11,850 THE DAD IS A BUILDING CONTRACTOR 764 00:32:11,850 --> 00:32:14,763 WHO HAD A RUN-IN WITH THE LOCAL YAKUZA. 765 00:32:14,763 --> 00:32:16,765 THE YAKUZA SETTLED IT BY STABBING HIS WHOLE FAMILY 766 00:32:16,765 --> 00:32:18,767 AND THEN BLOWING UP HIS HOUSE. 767 00:32:18,767 --> 00:32:21,650 AND THIS IS THE MURDER WEAPON THEY FOUND AT THE SCENE. 768 00:32:21,650 --> 00:32:23,652 THAT LOOKS LIKE THE KNIFE THAT WAS USED ON JADE. YEAH. 769 00:32:23,652 --> 00:32:25,114 WAS THERE A SUSPECT IN THE MURDERS? 770 00:32:25,114 --> 00:32:27,326 NO ARREST WAS MADE, BUT RUMOR HAD IT 771 00:32:27,326 --> 00:32:28,907 THE FAMILY WAS MURDERED BY THE GREEN DRAGON. 772 00:32:28,907 --> 00:32:30,329 I TAKE IT HE'S NOT A REPTILE? 773 00:32:30,329 --> 00:32:33,572 REPTILE, NO. MONSTER, YES. 774 00:32:33,572 --> 00:32:35,414 THE GREEN DRAGON WAS A SECRET-NINJA ENFORCER 775 00:32:35,414 --> 00:32:36,575 OF THE YAKUZA. 776 00:32:36,575 --> 00:32:38,337 ALL OF OKINAWA WAS SCARED OF THIS GUY, 777 00:32:38,337 --> 00:32:40,209 AND FOR GOOD REASON -- HE'S A RUTHLESS KILLER. 778 00:32:40,209 --> 00:32:42,041 OKAY, SO WHAT DOES ALL OF THIS HAVE TO DO WITH JADE? 779 00:32:42,041 --> 00:32:45,344 WELL, I THINK THAT JADE WAS THIS LITTLE GIRL. 780 00:32:45,344 --> 00:32:46,755 UM...I THOUGHT YOU SAID THE WHOLE FAMILY 781 00:32:46,755 --> 00:32:47,756 WAS MURDERED BY THE GREEN DRAGON? 782 00:32:47,756 --> 00:32:49,758 I GOT A COPY OF THE POLICE REPORT 783 00:32:49,758 --> 00:32:51,760 FROM THE OKINAWA PREFECTURE, AND I NOTICED THIS. 784 00:32:51,760 --> 00:32:55,594 THE YOUNGER DAUGHTER, HER BIRTHDAY IS THE SAME AS JADE'S. 785 00:32:55,594 --> 00:32:58,357 WHAT IF SHE ACTUALLY SURVIVED THAT ATTACK? 786 00:32:58,357 --> 00:33:00,939 WELL, IF SHE WAS IN THAT EXPLOSION, 787 00:33:00,939 --> 00:33:02,731 THAT WOULD EXPLAIN THE SHRAPNEL WOUNDS. 788 00:33:02,731 --> 00:33:05,154 SOMEONE MUST HAVE FOUND HER AND WANTED TO KEEP HER SAFE. 789 00:33:05,154 --> 00:33:07,606 THAT'S WHY SHE WAS TREATED AT THE MILITARY HOSPITAL. 790 00:33:07,606 --> 00:33:08,777 BECAUSE IF SHE WAS TREATED IN A LOCAL HOSPITAL, 791 00:33:08,777 --> 00:33:09,988 THE YAKUZA WOULD KNOW SHE WAS STILL ALIVE. 792 00:33:09,988 --> 00:33:11,530 AND THAT'S ALSO WHY HER NAME WAS CHANGED 793 00:33:11,530 --> 00:33:12,911 WHEN SHE WAS PUT INTO THE ORPHANAGE -- 794 00:33:12,911 --> 00:33:14,953 TO HIDE HER FROM THE YAKUZA. 795 00:33:14,953 --> 00:33:16,785 SO, THIS IS A CLASSIC REVENGE STORY. 796 00:33:16,785 --> 00:33:19,578 JADE WAS HUNTING DOWN THE MAN THAT KILLED HER FAMILY -- 797 00:33:19,578 --> 00:33:20,959 THE GREEN DRAGON. 798 00:33:20,959 --> 00:33:22,461 Both: SAITO'S THE GREEN DRAGON. 799 00:33:22,461 --> 00:33:23,712 Esposito: THE TIMELINE FITS. 800 00:33:23,712 --> 00:33:25,884 HE IMMIGRATED TO THIS COUNTRY 10 YEARS AGO, 801 00:33:25,884 --> 00:33:27,386 JUST AFTER THE MURDERS. 802 00:33:27,386 --> 00:33:28,547 AND WHEN HE DID, 803 00:33:28,547 --> 00:33:29,718 THE GREEN DRAGON DISAPPEARED FROM OKINAWA. 804 00:33:29,718 --> 00:33:31,390 THAT'S WHAT JADE WAS DOING AT THE PARTY -- 805 00:33:31,390 --> 00:33:34,433 SHE WAS LOOKING FOR PROOF THAT SAITO WAS THE GREEN DRAGON. 806 00:33:34,433 --> 00:33:36,555 HE GOT ONTO HER AND THEN HE KILLED HER. 807 00:33:36,555 --> 00:33:38,397 AND THEN, WHEN YOU GOT CLOSE, HE ATTACKED YOU. 808 00:33:38,397 --> 00:33:39,848 Ryan: HEY, GUYS? 809 00:33:39,848 --> 00:33:41,520 THAT WAS OUR TEAM STAKING OUT THE ABANDONED BUILDING. 810 00:33:41,520 --> 00:33:42,981 THEY JUST SAW SOMEBODY GO INSIDE. 811 00:33:42,981 --> 00:33:46,945 IT'S THE NINJA. SAITO'S RETURNED TO HIS LAIR. 812 00:34:00,789 --> 00:34:03,582 HANDS BEHIND YOUR HEAD AND COME OUT WHERE I CAN SEE YOU. 813 00:34:11,009 --> 00:34:13,222 YOU'RE NOT A NINJA. 814 00:34:13,222 --> 00:34:17,015 NO, BUT YOU DID IMPERSONATE A CONSULATE OFFICER. 815 00:34:17,015 --> 00:34:19,638 ON YOUR KNEES. 816 00:34:21,390 --> 00:34:23,852 THIS IS NOT WHAT YOU THINK, DETECTIVE BECKETT. 817 00:34:23,852 --> 00:34:26,735 YEAH, THAT'S WHAT ALL GUILTY PEOPLE SAY. 818 00:34:32,401 --> 00:34:33,612 IS THIS A BADGE? 819 00:34:33,612 --> 00:34:34,573 YOU'RE A COP? 820 00:34:34,573 --> 00:34:36,365 NOT JUST A COP. 821 00:34:36,365 --> 00:34:38,537 I'M JADE'S SISTER. 822 00:34:47,336 --> 00:34:48,547 Tagami: MY SISTER AND I HID WHEN THE GREEN DRAGON CAME. 823 00:34:48,547 --> 00:34:50,339 BARELY GOT GLIMPSE OF HIM. 824 00:34:50,339 --> 00:34:52,971 HE'S DRESS IN BLACK, FACE COVERED. 825 00:34:52,971 --> 00:34:56,345 WE HEARD OUR PARENTS SCREAMING AND BEGGING FOR THEIR LIVES. 826 00:34:57,516 --> 00:35:00,429 AFTER THE EXPLOSION, MY UNCLE, A POLICEMAN, 827 00:35:00,429 --> 00:35:03,021 HE FOUND US, AND HE GOT US TO SAFETY. 828 00:35:03,021 --> 00:35:05,394 HE FALSIFIED THE REPORT TO SAY THAT WE WERE KILLED 829 00:35:05,394 --> 00:35:07,816 SO THE YAKUZA WOULD NOT LOOK FOR US. 830 00:35:07,816 --> 00:35:10,609 SO THEN YOU BOTH SURVIVED. 831 00:35:10,609 --> 00:35:12,651 UNTIL NOW. 832 00:35:12,651 --> 00:35:15,404 WHAT WERE YOU DOING IN THAT BUILDING? 833 00:35:16,905 --> 00:35:20,329 I KNEW YOU'D GONE THERE IN CONNECTION WITH THE CASE. 834 00:35:20,329 --> 00:35:22,161 WANTED TO MAKE SURE YOU DIDN'T MISS ANYTHING. 835 00:35:22,161 --> 00:35:24,873 WHY DIDN'T YOU JUST TELL US WHO YOU WERE FROM THE START? 836 00:35:24,873 --> 00:35:26,245 WHY THIS WHOLE MASQUERADE? 837 00:35:26,245 --> 00:35:29,127 IF THE GREEN DRAGON KNEW WHO I WAS, HE'D KILL ME. 838 00:35:30,839 --> 00:35:33,462 I TRIED TO PUT WHAT HAPPENED TO MY FAMILY BEHIND ME, 839 00:35:33,462 --> 00:35:36,465 BUT JADE... SHE COULD NOT LET IT GO. 840 00:35:36,465 --> 00:35:38,757 SHE MADE IT HER MISSION TO FIND OUT WHO HE WAS. 841 00:35:38,757 --> 00:35:40,349 IT'S WHY SHE CAME TO NEW YORK. 842 00:35:40,349 --> 00:35:42,721 THREE DAYS AGO, SHE CALLED ME 843 00:35:42,721 --> 00:35:44,853 AND SAID SHE WAS CLOSING IN ON SOMEONE. 844 00:35:44,853 --> 00:35:46,435 DID SHE SAY WHO? NO. 845 00:35:46,435 --> 00:35:49,228 SHE SAID SHE NEEDED TO GET PROOF FIRST. 846 00:35:49,228 --> 00:35:51,440 I FLEW OUT TO TRY AND STOP HER, BUT... 847 00:35:51,440 --> 00:35:54,032 BY THE TIME I GOT HERE... 848 00:35:55,484 --> 00:35:57,236 HOW DID SHE KNOW THAT THE GREEN DRAGON 849 00:35:57,236 --> 00:35:58,277 WAS IN THE UNITED STATES? 850 00:35:58,277 --> 00:36:00,659 THE DAY OUR FAMILY DIED, 851 00:36:00,659 --> 00:36:03,282 AN AMERICAN BUSINESSMAN CAME TO SEE OUR FATHER. 852 00:36:03,282 --> 00:36:05,334 HE WAS SENT BY THE GREEN DRAGON. 853 00:36:05,334 --> 00:36:08,497 LAST YEAR, JADE RECOGNIZED THAT MAN'S VOICE 854 00:36:08,497 --> 00:36:10,128 FROM A TV INTERVIEW. 855 00:36:10,128 --> 00:36:11,500 SHE TRACKED HIM HERE, 856 00:36:11,500 --> 00:36:13,672 HOPING HE COULD LEAD HER TO OUR PARENTS' KILLER. 857 00:36:13,672 --> 00:36:17,256 DO YOU KNOW THE NAME OF THIS AMERICAN BUSINESSMAN? 858 00:36:17,256 --> 00:36:20,299 Castle: RANDALL BEDFORD? JADE'S BOYFRIEND'S FATHER? 859 00:36:20,299 --> 00:36:21,640 I DON'T BELIEVE IT. 860 00:36:21,640 --> 00:36:23,392 HE LIVED IN OKINAWA FOR NEARLY A DECADE. 861 00:36:23,392 --> 00:36:26,225 JADE MUST HAVE STARTED DATING HIS SON TO GET CLOSE TO HIM, 862 00:36:26,225 --> 00:36:28,437 HOPING THAT HE KNEW THE GREEN DRAGON'S IDENTITY. 863 00:36:28,437 --> 00:36:30,809 RANDALL DIDN'T JUST KNOW THE GREEN DRAGON. HE WAS IN BUSINESS WITH HIM. 864 00:36:30,809 --> 00:36:33,612 WE RAN BACKGROUND ON MR. BEDFORD'S COMPANIES -- 865 00:36:33,612 --> 00:36:35,614 HALF OF THEM WERE CO-OWNED BY SAITO INTERNATIONAL. 866 00:36:37,236 --> 00:36:39,778 DAD, IS IT TRUE? 867 00:36:39,778 --> 00:36:43,201 WE WERE JUST KIDS WHEN WE STARTED, DEAN. 868 00:36:43,201 --> 00:36:44,202 WE WERE PROPERTY DEVELOPERS. 869 00:36:44,202 --> 00:36:46,375 JADE'S FATHER, HE WAS AN ARCHITECT. 870 00:36:46,375 --> 00:36:49,498 I WAS THE BUILDER, AND SAITO WAS THE MONEY GUY. 871 00:36:49,498 --> 00:36:52,711 BUT IT WAS YAKUZA MONEY, AND WHEN JADE'S FATHER 872 00:36:52,711 --> 00:36:55,924 FOUND OUT THAT SAITO WAS YAKUZA, HE WANTED OUT. 873 00:36:55,924 --> 00:36:58,136 BUT THE YAKUZA NEVER LETS ANYONE OUT. 874 00:36:58,136 --> 00:36:59,968 THAT'S WHY I WENT TO THEIR HOUSE THAT DAY -- 875 00:36:59,968 --> 00:37:02,971 TO WARN JADE'S FAMILY THAT SAITO WAS COMING TO KILL THEM. 876 00:37:02,971 --> 00:37:04,723 AND AFTER WHAT SAITO DID TO THEM, 877 00:37:04,723 --> 00:37:06,725 I DECIDED TO GET AS FAR AWAY AS I COULD. 878 00:37:06,725 --> 00:37:08,517 WHEN SAITO MOVED TO NEW YORK, 879 00:37:08,517 --> 00:37:10,349 I KNEW THERE WAS NO ESCAPE, DEAN. 880 00:37:10,349 --> 00:37:12,401 SO, SHE'S DATING ME BECAUSE OF YOU. 881 00:37:12,401 --> 00:37:14,353 I HAD NO IDEA WHO SHE WAS. 882 00:37:14,353 --> 00:37:16,695 I THOUGHT THE WHOLE FAMILY WAS DEAD. 883 00:37:16,695 --> 00:37:18,357 YOU FELL IN LOVE WITH A BALLET DANCER. THAT -- 884 00:37:18,357 --> 00:37:20,198 OH, GOD. 885 00:37:20,198 --> 00:37:21,990 THAT'S ALL I KNEW. 886 00:37:21,990 --> 00:37:24,703 Beckett: MR. BEDFORD, IF SHE HAD ACCESS TO YOUR STUDY, 887 00:37:24,703 --> 00:37:28,287 SHE COULD HAVE GOTTEN INTO YOUR FILES FROM BACK IN OKINAWA. 888 00:37:28,287 --> 00:37:30,289 SHE DID. AND USED THEM TO TRACK DOWN SAITO. 889 00:37:30,289 --> 00:37:33,712 THE NIGHT OF THE PARTY, WHEN HE FOUND OUT WHO SHE WAS, 890 00:37:33,712 --> 00:37:36,335 HE CALLED ME, ENRAGED, AND I-I BEGGED HIM -- 891 00:37:36,335 --> 00:37:37,546 I SAID, "PLEASE, DON'T HURT HER." 892 00:37:37,546 --> 00:37:39,468 WAIT. YOU KNEW SHE WAS IN DANGER? 893 00:37:39,468 --> 00:37:41,470 YOU KNEW AND YOU DID NOTHING? 894 00:37:41,470 --> 00:37:43,512 DEAN, HE WOULD HAVE COME AFTER US. 895 00:37:43,512 --> 00:37:45,724 SHE'S DEAD BECAUSE OF YOU. 896 00:37:48,597 --> 00:37:50,599 HEY, I WAS PROTECTING YOU. 897 00:37:50,599 --> 00:37:52,941 WHAT WAS I SUPPOSED TO DO? 898 00:37:55,273 --> 00:37:58,236 MR. BEDFORD, I'LL TELL YOU WHAT YOU CAN DO -- 899 00:37:58,236 --> 00:38:01,900 YOU CAN HELP US PUT MICHIO SAITO AWAY. 900 00:38:08,577 --> 00:38:09,998 MICHIO SAITO? 901 00:38:09,998 --> 00:38:11,830 YOU CAN'T JUST WALK IN HERE. 902 00:38:11,830 --> 00:38:13,462 WE HAVE A WARRANT FOR YOUR ARREST 903 00:38:13,462 --> 00:38:14,713 FOR THE MURDER OF JADE YAMATA. 904 00:38:14,713 --> 00:38:16,915 YOU CANNOT PROVE I KILLED JADE. 905 00:38:16,915 --> 00:38:18,296 WE SEARCHED YOUR PLACE. 906 00:38:18,296 --> 00:38:20,919 WE FOUND THE DAGGER WITH JADE'S BLOOD ON IT. 907 00:38:20,919 --> 00:38:22,721 WE ALSO HAVE WITNESS TESTIMONY 908 00:38:22,721 --> 00:38:25,724 AFFIRMING THAT YOU ARE THE GREEN DRAGON, 909 00:38:25,724 --> 00:38:27,346 RESPONSIBLE FOR MURDERING JADE'S FAMILY. 910 00:38:27,346 --> 00:38:29,267 THAT GIVES US MOTIVE. 911 00:38:29,267 --> 00:38:33,101 YOU'VE BEEN PLAYED, DETECTIVE. AND I'VE BEEN BETRAYED. 912 00:38:33,101 --> 00:38:37,436 I DID NOT KILL JADE, AND I AM NOT THE GREEN DRAGON. 913 00:38:37,436 --> 00:38:39,818 THAT HONOR BELONGS TO -- 914 00:38:45,113 --> 00:38:47,285 YOU'RE THE GREEN DRAGON. 915 00:38:47,285 --> 00:38:49,287 NO, YOU JUST KILLED THE GREEN DRAGON 916 00:38:49,287 --> 00:38:50,659 IN A HEROIC SHOOTOUT. 917 00:38:50,659 --> 00:38:52,661 THAT'S WHAT THE HEADLINES WILL SAY. 918 00:38:52,661 --> 00:38:54,413 TOO BAD YOU'RE GONNA HAVE TO PAY WITH YOUR LIVES. 919 00:38:58,507 --> 00:39:00,298 Castle: I TOLD YOU THERE WERE TWO NINJAS! 920 00:39:10,929 --> 00:39:13,311 Beckett: CASTLE, GET THE GUN! 921 00:39:19,438 --> 00:39:20,779 WHICH ONE DO I SHOOT? 922 00:39:29,197 --> 00:39:31,199 DROP THE DAGGER! NOW! 923 00:39:38,376 --> 00:39:39,377 BEDFORD?! 924 00:39:43,211 --> 00:39:45,924 SAYA, DROP IT. 925 00:39:45,924 --> 00:39:48,346 ALL THIS TIME, 926 00:39:48,346 --> 00:39:52,350 MY SISTER WAS USING YOU TO GET TO THE GREEN DRAGON, 927 00:39:52,350 --> 00:39:55,393 BUT IT WAS YOU ALL ALONG. 928 00:39:55,393 --> 00:39:57,726 IT'S THE PERFECT NINJA DISGUISE -- 929 00:39:57,726 --> 00:40:00,689 A WHITE AMERICAN WORKING AS A YAKUZA ENFORCER. 930 00:40:00,689 --> 00:40:02,481 HE'S HIDING IN PLAIN SIGHT. 931 00:40:02,481 --> 00:40:05,524 YOU... KILLED MY FAMILY. 932 00:40:05,524 --> 00:40:08,737 SAYA...DROP IT. 933 00:40:08,737 --> 00:40:10,368 HE TOOK EVERYTHING! 934 00:40:10,368 --> 00:40:11,289 I KNOW. 935 00:40:11,289 --> 00:40:12,871 I'VE BEEN THERE. 936 00:40:12,871 --> 00:40:16,795 YOU WANT BLOOD FOR BLOOD, BUT IT'S NOT WORTH IT. 937 00:40:16,795 --> 00:40:19,998 JUST LET HIM LIVE WITH WHO HE REALLY IS. 938 00:40:31,309 --> 00:40:34,473 AND YOU'RE AFRAID WE'RE GONNA BECOME BORING? 939 00:40:37,936 --> 00:40:41,229 I CONTACTED MY COLLEAGUES AT THE U.S. AND JAPANESE EMBASSIES, 940 00:40:41,229 --> 00:40:42,360 MISS OZU. 941 00:40:42,360 --> 00:40:44,062 THEY HAVE DECIDED NOT TO PRESS CHARGES 942 00:40:44,062 --> 00:40:45,524 ON IMPERSONATING A CONSULATE OFFICIAL. 943 00:40:45,524 --> 00:40:48,066 I APPRECIATE THAT, CAPTAIN. 944 00:40:48,066 --> 00:40:49,908 AND I'D LIKE TO OFFER MY PERSONAL CONDOLENCES 945 00:40:49,908 --> 00:40:51,199 ON THE LOSS OF YOUR SISTER. 946 00:40:53,572 --> 00:40:56,414 THANK YOU, DETECTIVE, 947 00:40:56,414 --> 00:40:58,747 FOR HELPING BRING MY FAMILY'S KILLER TO JUSTICE. 948 00:40:58,747 --> 00:41:04,292 WELL, THANK YOU FOR PROTECTING THE PEOPLE THAT I CARE ABOUT. 949 00:41:04,292 --> 00:41:06,464 OH, UM, THERE'S SOMETHING THAT WE HAVE TO GIVE YOU. 950 00:41:10,218 --> 00:41:12,761 HERE YOU GO. IT'S NOT EVIDENCE ANYMORE. 951 00:41:20,358 --> 00:41:24,402 MY SISTER HAD THIS MADE IN OKINAWA. 952 00:41:24,402 --> 00:41:28,066 IT IS A REPLICA OF THE ONE THAT WAS USED TO KILL MY PARENTS. 953 00:41:28,066 --> 00:41:29,868 SO THE PLACE WE FOUND IT, 954 00:41:29,868 --> 00:41:32,030 I'M GUESSING THAT WASN'T THE KILLER'S LAIR? 955 00:41:32,030 --> 00:41:35,453 NO, THAT WAS MY SISTER'S SHRINE. 956 00:41:35,453 --> 00:41:36,785 I TOOK THIS FROM YOU 957 00:41:36,785 --> 00:41:39,247 BECAUSE I THOUGHT I WOULD NEED IT TO AVENGE JADE. 958 00:41:39,247 --> 00:41:41,249 WELL... 959 00:41:41,249 --> 00:41:43,381 I GUESS NINJAS REALLY DO EXIST. 960 00:41:43,381 --> 00:41:46,334 NO, I WAS NOT LYING ABOUT THAT. 961 00:41:46,334 --> 00:41:49,758 THERE ARE NO MORE NINJAS, MR. CASTLE. 962 00:41:49,758 --> 00:41:53,181 I AM MERELY A PRACTITIONER OF THE MARTIAL ARTS. 963 00:41:53,181 --> 00:41:56,184 BUT I'M VERY, VERY GOOD. 964 00:41:56,184 --> 00:41:58,186 I'LL SAY. 965 00:42:01,399 --> 00:42:03,942 THAT'S GONNA BE... 966 00:42:06,695 --> 00:42:08,106 Gates: OW! 967 00:42:08,106 --> 00:42:10,278 MR. CASTLE! 968 00:42:12,280 --> 00:42:14,112 NOT BORING. 969 00:42:14,112 --> 00:42:17,415 NOPE. NOPE, NOT AT ALL.