1 00:00:02,303 --> 00:00:04,075 (wheels squeak) 2 00:00:08,209 --> 00:00:09,310 (wheels clatter and squeak) 3 00:00:12,343 --> 00:00:15,386 (emits high-pitched beep) 4 00:00:15,386 --> 00:00:17,188 (clicks) 5 00:00:17,188 --> 00:00:19,050 (beep) (click) 6 00:00:19,050 --> 00:00:20,121 (beep) 7 00:00:20,121 --> 00:00:21,322 (click) 8 00:00:21,322 --> 00:00:23,124 (beep) 9 00:00:24,295 --> 00:00:26,097 (beep) 10 00:00:27,298 --> 00:00:28,359 (beeps) 11 00:00:35,136 --> 00:00:38,309 (zipping sound) 12 00:00:49,150 --> 00:00:53,284 ♪♪♪ 13 00:00:53,284 --> 00:00:57,288 (indistinct conversations) 14 00:00:57,288 --> 00:00:59,430 ♪♪♪ 15 00:00:59,430 --> 00:01:01,362 MR. McHUGH, MRS. McHUGH, 16 00:01:01,362 --> 00:01:03,334 YOUR SUPPORT HAS HELPED US 17 00:01:03,334 --> 00:01:06,197 MAKE THIS A WORLD-CLASS INSTITUTION. 18 00:01:06,197 --> 00:01:08,399 WE HAVE SUCH AMAZING PLANS FOR THE NEW SEASON. 19 00:01:08,399 --> 00:01:11,202 I'LL HAVE MR. HAYES TELL YOU ALL ABOUT 20 00:01:11,202 --> 00:01:12,403 THE EXCITING EXHIBITS STILL AVAILABLE 21 00:01:12,403 --> 00:01:14,074 FOR SPONSORSHIP. 22 00:01:14,074 --> 00:01:15,075 ♪♪♪ 23 00:01:15,075 --> 00:01:16,207 (lowered voice) WHERE IS HE? 24 00:01:16,207 --> 00:01:17,408 (mouths words) 25 00:01:17,408 --> 00:01:19,110 GO GET HIM. 26 00:01:19,110 --> 00:01:20,181 (mouths words) 27 00:01:20,181 --> 00:01:23,184 I'M SURE MR. HAYES WILL BE HERE ANY SECOND. 28 00:01:23,184 --> 00:01:25,216 MYRNA IS FREAKING OUT, OWEN. 29 00:01:25,216 --> 00:01:26,417 WHERE IS MR. HAYES? 30 00:01:26,417 --> 00:01:28,119 (Owen) He's not in the west gallery. 31 00:01:28,119 --> 00:01:29,420 I'm about to look in the men's room. 32 00:01:29,420 --> 00:01:31,162 Just keep looking for him. 33 00:01:31,162 --> 00:01:33,224 UH, EXCUSE ME... (gasps) 34 00:01:33,224 --> 00:01:35,126 OH! 35 00:01:41,432 --> 00:01:43,103 DARLING. 36 00:01:43,103 --> 00:01:44,235 ONE SECOND. 37 00:01:44,235 --> 00:01:48,108 I'M JUST ABOUT TO TOSS A GUY OFF THE BROOKLYN BRIDGE. 38 00:01:48,108 --> 00:01:51,442 OH, I AM SURE THAT... 39 00:01:51,442 --> 00:01:54,445 "CARTER DAMON" WOULD APPRECIATE A SHORT REPRIEVE. 40 00:01:54,445 --> 00:01:56,387 (clicks keyboard key) TOO LATE. HE JUST WENT KERSPLAT. 41 00:01:56,387 --> 00:01:58,149 NOW HOW CAN I HELP YOU? 42 00:01:58,149 --> 00:01:59,320 I HAVE INVITED MY ACTING CLASS 43 00:01:59,320 --> 00:02:00,491 TO COME HERE FRIDAY NIGHT 44 00:02:00,491 --> 00:02:03,123 TO DO THE NORA SCENES FROM "A DOLL'S HOUSE." 45 00:02:03,123 --> 00:02:04,195 THANK YOU FOR THE WARNING. 46 00:02:04,195 --> 00:02:05,356 (whispers) I WILL MAKE MYSELF SCARCE. 47 00:02:05,356 --> 00:02:06,457 NO, NO, NO. 48 00:02:06,457 --> 00:02:09,200 NO, NO, DARLING, THIS CLASS COULD REALLY BENEFIT 49 00:02:09,200 --> 00:02:11,362 FROM YOUR PERSPECTIVE AS A--AS A WRITER. 50 00:02:11,362 --> 00:02:13,334 NO, YOU--YOU DEFINITELY SHOULD BE HERE. 51 00:02:13,334 --> 00:02:14,365 (normal voice) MOTHER, WHAT'S GOING ON? 52 00:02:16,207 --> 00:02:17,438 THERE'S A LOVELY GIRL IN THE CLASS... 53 00:02:17,438 --> 00:02:19,240 OH, MOTHER... AND I JUST THOUGHT MAYBE-- 54 00:02:19,240 --> 00:02:20,511 YOU'RE NOT TRYING TO FIX ME UP AGAIN. 55 00:02:20,511 --> 00:02:23,344 HAVEN'T YOU LEARNED YOUR LESSON AFTER THE LAST FIASCO? 56 00:02:23,344 --> 00:02:25,446 FIASCO? YOU MARRIED HER. 57 00:02:25,446 --> 00:02:27,318 YES, AND HOW DID THAT MARRIAGE END? 58 00:02:27,318 --> 00:02:30,181 HONEY, I AM JUST TRYING TO HELP YOU. 59 00:02:30,181 --> 00:02:32,152 YOU HAVE TO ADMIT THAT YOUR SOCIAL LIFE HAS BEEN 60 00:02:32,152 --> 00:02:33,384 A BIT ANEMIC AS OF LATE. 61 00:02:33,384 --> 00:02:35,526 NOW I WANT TO THROW MYSELF OFF THE BROOKLYN BRIDGE. 62 00:02:35,526 --> 00:02:37,358 OH, DARLING. 63 00:02:37,358 --> 00:02:39,390 ALL YOU HAVE BEEN DOING FOR THE LAST FEW MONTHS 64 00:02:39,390 --> 00:02:41,362 IS WRITING AND WORKING WITH BECKETT. 65 00:02:41,362 --> 00:02:44,435 NOW I THINK A FIX UP IS IN ORDER. 66 00:02:44,435 --> 00:02:45,436 UNLESS... 67 00:02:45,436 --> 00:02:47,438 UNLESS? 68 00:02:47,438 --> 00:02:51,242 YOU HAVE SOME REASON FOR NOT PUTTING YOURSELF OUT THERE. 69 00:02:51,242 --> 00:02:52,543 (cell phone rings) 70 00:02:54,345 --> 00:02:56,277 (beeps) 71 00:02:56,277 --> 00:02:58,549 (sighs) 72 00:02:58,549 --> 00:03:02,383 (police radio chatter) 73 00:03:09,520 --> 00:03:11,191 (camera shutter clicks) 74 00:03:11,191 --> 00:03:12,563 GETTING READY FOR YOUR CLOSE-UP, CASTLE? 75 00:03:12,563 --> 00:03:16,196 NO, JUST TRYING TO DISCERN THE HIDDEN MEANING. 76 00:03:16,196 --> 00:03:18,198 IS IT ABOUT THE RISE OF TECHNOLOGY, 77 00:03:18,198 --> 00:03:19,470 RAMPANT NARCISSISM, 78 00:03:19,470 --> 00:03:21,502 OR DID SOMEONE JUST HAVE A LOT OF EXTRA TVs? 79 00:03:21,502 --> 00:03:24,204 WELL, SOMETIMES YOU DON'T NEED TO KNOW WHAT IT'S ABOUT. 80 00:03:24,204 --> 00:03:26,337 SOMETIMES IT'S JUST... ART. 81 00:03:26,337 --> 00:03:28,409 WHY, DETECTIVE BECKETT, HOW VERY EXISTENTIAL OF YOU. 82 00:03:28,409 --> 00:03:30,541 LET ME GUESS. ART THEORY IN COLLEGE. 83 00:03:30,541 --> 00:03:33,344 NO. THE CLOSEST I EVER CAME TO TAKING AN ART CLASS 84 00:03:33,344 --> 00:03:35,215 WAS POSING FOR ONE AS A MODEL. 85 00:03:35,215 --> 00:03:36,216 WAIT. 86 00:03:36,216 --> 00:03:37,288 POSING IN? 87 00:03:37,288 --> 00:03:38,419 NOT A STITCH. 88 00:03:38,419 --> 00:03:39,550 (lowered voice)OHH. 89 00:03:39,550 --> 00:03:42,222 MEET BRYAN HAYES, 39. 90 00:03:42,222 --> 00:03:43,554 EXECUTIVE DIRECTOR OF THE MUSEUM. 91 00:03:43,554 --> 00:03:45,456 LOOKS LIKE SOMEBODY GAVE HIM LIBERTY AND GAVE HIM DEATH. 92 00:03:45,456 --> 00:03:48,228 ANY IDEA WHEN THIS HAPPENED? 93 00:03:48,228 --> 00:03:50,301 HAYES WAS LAST SEEN AT 10:00 BY A MYRNA RAMSEY, 94 00:03:50,301 --> 00:03:51,502 THE MUSEUM'S DEVELOPMENT DIRECTOR. 95 00:03:51,502 --> 00:03:53,564 HIS BODY WAS DISCOVERED AROUND 10:21. 96 00:03:53,564 --> 00:03:56,307 SO THE KILLER MUST HAVE STRUCK SOMETIME WITHIN THAT WINDOW. 97 00:03:56,307 --> 00:03:57,468 KILLING HIM DURING THE GALA, 98 00:03:57,468 --> 00:03:59,440 THAT'S PRETTY BALLSY. 99 00:03:59,440 --> 00:04:01,241 MY MONEY'S ON HE WALKED IN ON THE OTHER CRIME 100 00:04:01,241 --> 00:04:02,573 BEING COMMITTED HERE TONIGHT. 101 00:04:02,573 --> 00:04:04,315 (radio chatter continues) 102 00:04:04,315 --> 00:04:05,616 (Myrna) IT'S CALLED THE "FIST OF CAPITALISM." 103 00:04:05,616 --> 00:04:09,249 A SEARING INDICTMENT OF OUR CONSUMER-DRIVEN CULTURE. 104 00:04:09,249 --> 00:04:11,482 (lowered voice) SOMEBODY STOLE THE FIST OF CAPITALISM? 105 00:04:11,482 --> 00:04:13,384 ANYONE CHECK UP THE ASS OF SOCIALISM? 106 00:04:13,384 --> 00:04:15,386 HOW MUCH WAS IT WORTH, MRS. RAMSEY? 107 00:04:15,386 --> 00:04:16,427 $50 MILLION. 108 00:04:16,427 --> 00:04:19,390 THE DIAMONDS ALONE WERE WORTH 30. 109 00:04:19,390 --> 00:04:21,261 THE FIST WAS ON LOAN TO US. 110 00:04:21,261 --> 00:04:24,264 MR. HAYES ASSURED THE OWNERS IT WOULD BE SAFE. 111 00:04:24,264 --> 00:04:26,397 Y-YOU KNOW, I NOTICE THAT YOU HAVE CAMERAS, 112 00:04:26,397 --> 00:04:28,339 SO THERE'S OBVIOUSLY A SECURITY SYSTEM. 113 00:04:28,339 --> 00:04:30,270 WHY WASN'T THE ALARM TRIGGERED? 114 00:04:30,270 --> 00:04:32,272 IT SHOULD'VE BEEN, THE MOMENT ANYONE STEPPED INTO THIS ROOM. 115 00:04:32,272 --> 00:04:35,376 MY SECURITY TEAM IS TRYING TO DETERMINE WHY IT WASN'T. 116 00:04:35,376 --> 00:04:36,507 OKAY, WELL, WE'LL NEED A LIST OF ALL THE PEOPLE 117 00:04:36,507 --> 00:04:37,578 WHO ATTENDED THE GALA 118 00:04:37,578 --> 00:04:39,380 ALONG WITH THE VIDEOS FROM THE CAMERAS. 119 00:04:39,380 --> 00:04:40,511 OF COURSE. 120 00:04:40,511 --> 00:04:42,583 WE'LL ALSO NEED TO TALK TO WHOEVER FOUND THE BODY. 121 00:04:42,583 --> 00:04:45,456 I CAN'T BELIEVE THIS. 122 00:04:45,456 --> 00:04:48,359 THIS IS THE WORST DAY OF MY LIFE. 123 00:04:48,359 --> 00:04:49,620 WERE YOU CLOSE TO MR. HAYES, ALYSSA? 124 00:04:49,620 --> 00:04:51,592 WE WORKED TOGETHER. 125 00:04:51,592 --> 00:04:53,424 I HELPED HIM CURATE THIS EXHIBIT. 126 00:04:53,424 --> 00:04:55,366 HE WAS A LOVELY MAN 127 00:04:55,366 --> 00:04:58,399 AND VERY SUPPORTIVE OF YOUNG ARTISTS LIKE ME. 128 00:04:58,399 --> 00:04:59,600 OH, SO YOU'RE AN ARTIST? 129 00:04:59,600 --> 00:05:01,472 THIS IS MY DAY JOB. 130 00:05:01,472 --> 00:05:02,633 ART IS MY PASSION. 131 00:05:02,633 --> 00:05:05,336 MR. HAYES EVEN PUT ONE OF MY SCULPTURES IN THE EXHIBIT. 132 00:05:05,336 --> 00:05:07,508 DID MR. HAYES HAVE ANY FAMILY? 133 00:05:07,508 --> 00:05:09,680 A MOTHER IN IDAHO, I THINK. 134 00:05:09,680 --> 00:05:11,412 SO MR. HAYES 135 00:05:11,412 --> 00:05:12,683 WAS SUPPOSED TO WORK THE CROWD TONIGHT, RIGHT? 136 00:05:12,683 --> 00:05:14,685 WHAT DO YOU THINK HE WAS DOING OVER HERE? 137 00:05:14,685 --> 00:05:18,389 I KNOW HE WAS WORRIED ABOUT THE "FIST OF CAPITALISM," 138 00:05:18,389 --> 00:05:19,620 ESPECIALLY WITH THE GALA 139 00:05:19,620 --> 00:05:23,323 AND THE PEOPLE AND ALL THE DISTRACTIONS-- 140 00:05:23,323 --> 00:05:24,655 WAIT. ARE YOU SAYING THAT HE WAS WORRIED 141 00:05:24,655 --> 00:05:26,557 SOMEONE MIGHT STEAL THE FIST? 142 00:05:26,557 --> 00:05:28,359 EVER SINCE IT GOT HERE. 143 00:05:28,359 --> 00:05:29,560 HE EVEN REVIEWED 144 00:05:29,560 --> 00:05:31,362 THE SECURITY VIDEO OF THE FIST, 145 00:05:31,362 --> 00:05:32,503 GOING BACK TWO WEEKS, 146 00:05:32,503 --> 00:05:34,535 TO WHEN WE FIRST PUT IT ON DISPLAY. 147 00:05:34,535 --> 00:05:36,567 I THOUGHT HE WAS BEING PARANOID, 148 00:05:36,567 --> 00:05:39,640 BUT... I GUESS HE KNEW SOMETHING I DIDN'T. 149 00:05:39,640 --> 00:05:41,712 (Castle) $50 MILLION? 150 00:05:41,712 --> 00:05:43,714 THAT'S WHY HAYES WAS AWOL FROM THE GALA. 151 00:05:43,714 --> 00:05:45,616 HE CAME TO CHECK ON THE FIST. 152 00:05:45,616 --> 00:05:48,348 BUT THE THIEF WAS ALREADY ON HIS WAY OUT WITH IT... 153 00:05:48,348 --> 00:05:49,720 THROUGH THIS GALLERY, 154 00:05:49,720 --> 00:05:51,722 WHICH PUT HIM ON A COLLISION COURSE WITH HAYES. 155 00:05:51,722 --> 00:05:53,624 SO HAYES CONFRONTS HIM, THEY STRUGGLE, 156 00:05:53,624 --> 00:05:56,427 AND HAYES GET PUSHED INTO THE SPIKES. AND AT THAT MOMENT, 157 00:05:56,427 --> 00:05:57,488 OUR THIEF BECOMES A KILLER. 158 00:05:57,488 --> 00:05:59,359 A KILLER WHO GAINS ACCESS TO THE MUSEUM 159 00:05:59,359 --> 00:06:00,531 THROUGH THE GALA. 160 00:06:00,531 --> 00:06:02,393 (woman) THAT'S NOT LIKELY. (camera shutter clicks) 161 00:06:02,393 --> 00:06:03,394 ALL ARRIVING GUESTS 162 00:06:03,394 --> 00:06:04,495 WERE SCREENED AT TWO SECURITY CHECKPOINTS 163 00:06:04,495 --> 00:06:05,566 AND THEN GREETED BY BOARD MEMBERS 164 00:06:05,566 --> 00:06:06,697 WHO KNEW THEM PERSONALLY. 165 00:06:06,697 --> 00:06:07,698 ODDS ARE 166 00:06:07,698 --> 00:06:09,700 THE THIEF CAME IN THROUGH THE ROOF-- 167 00:06:09,700 --> 00:06:12,603 AN AIR VENT PROBABLY-- AND THEN DISABLED THE ALARMS. 168 00:06:12,603 --> 00:06:14,374 I'M SORRY. WHO ARE YOU? 169 00:06:14,374 --> 00:06:17,508 I'M SERENA KAYE, THE MUSEUM'S INSURANCE INVESTIGATOR. 170 00:06:17,508 --> 00:06:19,580 SO IF THE THIEF GOT IN THROUGH THE VENT, 171 00:06:19,580 --> 00:06:20,651 THEN HOW DID HE GET OUT? 172 00:06:20,651 --> 00:06:21,712 THE LOADING BAY. 173 00:06:21,712 --> 00:06:23,454 THE GUARDS THERE CHECKED EVERYONE ENTERING, 174 00:06:23,454 --> 00:06:24,585 BUT THEY DIDN'T CHECK PEOPLE LEAVING. 175 00:06:24,585 --> 00:06:26,517 PLUS, THE BAY WAS FULL OF CATERING VANS. 176 00:06:26,517 --> 00:06:29,389 HE COULD'VE HAD ONE WAITING FOR HIM AND JUST BLENDED RIGHT IN. 177 00:06:29,389 --> 00:06:30,461 OH, SHE'S GOOD. 178 00:06:30,461 --> 00:06:32,593 AT THEORY, BUT WHAT ABOUT PROOF? 179 00:06:32,593 --> 00:06:34,595 I DON'T NEED PROOF TO KNOW THAT I'M RIGHT. 180 00:06:34,595 --> 00:06:37,397 IT'S MY JOB, AND... 181 00:06:37,397 --> 00:06:38,529 I CAN HELP YOU WITH YOURS. 182 00:06:38,529 --> 00:06:40,400 HOW SO? 183 00:06:40,400 --> 00:06:41,732 I GET A 1% FINDER'S FEE FOR RECOVERING STOLEN OBJECTS. 184 00:06:41,732 --> 00:06:43,534 I WANT THAT FIST. 185 00:06:43,534 --> 00:06:44,735 YOU WANT YOUR MURDERER. 186 00:06:44,735 --> 00:06:46,437 WE HAVE COMMON GOALS. 187 00:06:46,437 --> 00:06:48,579 I COULD CONSULT ON YOUR CASE AND SHARE MY INSIGHT. 188 00:06:48,579 --> 00:06:50,611 YOU KNOW, THAT IS AN INTRIGUING IDEA. 189 00:06:50,611 --> 00:06:51,712 NO, THANK YOU. THAT WON'T BE NECESSARY. 190 00:06:51,712 --> 00:06:53,684 WELL, YOU CAN'T BLAME A GIRL FOR TRYING. 191 00:06:53,684 --> 00:06:55,646 MR. CASTLE, DETECTIVE BECKETT. 192 00:06:58,619 --> 00:07:00,491 YOU KNOW, WE REALLY COULD'VE USED HER. 193 00:07:00,491 --> 00:07:02,553 SHE HAS VALUABLE ASSETS. 194 00:07:02,553 --> 00:07:03,624 NOT THOSE KIND. 195 00:07:03,624 --> 00:07:05,796 CASTLE, SHE'D JUST GET IN THE WAY. 196 00:07:05,796 --> 00:07:07,598 (cell phone keypad beeps) REALLY? 197 00:07:07,598 --> 00:07:09,660 AND WHAT IF SHE'S ON TO SOMETHING? 198 00:07:09,660 --> 00:07:11,562 (police radio chatter) 199 00:07:11,562 --> 00:07:12,733 (cell phone beeps and dials) 200 00:07:12,733 --> 00:07:14,735 (sighs) RYAN, CHECK AND SEE 201 00:07:14,735 --> 00:07:16,707 IF ALL OF THE CATERING VANS ARE ACCOUNTED FOR 202 00:07:16,707 --> 00:07:18,639 AND INTERVIEW ALL THE CATERING STAFF. 203 00:07:18,639 --> 00:07:21,441 SEE IF ANYONE SAW ANYTHING UNUSUAL IN THE LOADING BAY. 204 00:07:21,441 --> 00:07:23,443 (clicks cell phone closed) 205 00:07:23,443 --> 00:07:25,445 NOW WAS THAT SO HARD? 206 00:07:29,820 --> 00:07:31,622 SO FOR REASONS UNKNOWN, 207 00:07:31,622 --> 00:07:34,785 HAYES THOUGHT SOMEONE MIGHT SWIPE THE "FIST OF CAPITALISM." 208 00:07:34,785 --> 00:07:36,827 WE DON'T KNOW WHY, BUT HE GOES TO CHECK ON IT 209 00:07:36,827 --> 00:07:39,459 AND ENDS UP PAYING FOR IT WITH HIS LIFE. 210 00:07:39,459 --> 00:07:41,592 YEAH, EXCEPT AS IT TURNS OUT, 211 00:07:41,592 --> 00:07:43,794 THAT'S NOT WHAT THE SECURITY VIDEO SHOWS. 212 00:07:43,794 --> 00:07:45,496 WHAT DOES IT SHOW? 213 00:07:45,496 --> 00:07:47,638 THE FIST SITTING THERE, UNDISTURBED IN THE GALLERY. 214 00:07:47,638 --> 00:07:49,540 THE THIEF TAPPED INTO THE CAMERA LINES 215 00:07:49,540 --> 00:07:50,771 AND RIGGED A PRERECORDED LOOP. 216 00:07:50,771 --> 00:07:52,503 THERE'S NO PRINTS, 217 00:07:52,503 --> 00:07:54,775 BUT C.S.U. DID FIND WHAT THEY THINK IS HAIR GEL. 218 00:07:54,775 --> 00:07:56,577 HAIR GEL? WHERE WOULD THEY FIND THAT? 219 00:07:56,577 --> 00:07:57,678 IN THE AIR DUCT. 220 00:07:57,678 --> 00:07:58,809 IN THE AIR DUCT? THAT'S JUST WHAT SERENA-- 221 00:07:58,809 --> 00:08:00,511 IT'S A LUCKY GUESS. 222 00:08:00,511 --> 00:08:01,652 (Ryan) SO WAS THE CALL ON THE LOADING BAY. 223 00:08:01,652 --> 00:08:02,813 WHAT DO YOU MEAN? 224 00:08:02,813 --> 00:08:05,686 TWO OF THE CATERERS RECALL SEEING A BLUE ASTRO VAN 225 00:08:05,686 --> 00:08:06,857 PARKED THERE. 226 00:08:06,857 --> 00:08:09,489 SAME COLOR AS THE CATERING VANS, BUT WITHOUT THE COMPANY LOG. 227 00:08:09,489 --> 00:08:10,591 IMAGINE THAT. 228 00:08:10,591 --> 00:08:11,762 DID WE GET A DESCRIPTION ON ANYONE IN THE VAN? 229 00:08:11,762 --> 00:08:13,664 NO, BUT I PUT AN A.P.B. OUT ON IT. 230 00:08:13,664 --> 00:08:14,725 (Gates) BECKETT. 231 00:08:16,627 --> 00:08:17,768 OH, GREAT. WHAT'D YOU DO NOW? 232 00:08:17,768 --> 00:08:20,571 (whispers) SHUT UP. 233 00:08:25,505 --> 00:08:26,577 (sputters) 234 00:08:27,708 --> 00:08:28,839 (Gates) DETECTIVE, 235 00:08:28,839 --> 00:08:30,581 I BELIEVE YOU'VE MET SERENA KAYE. 236 00:08:30,581 --> 00:08:31,712 HELLO AGAIN. 237 00:08:31,712 --> 00:08:34,545 WHAT ARE YOU DOING HERE? 238 00:08:34,545 --> 00:08:37,588 MS. KAYE HAS PRESENTED ME WITH... 239 00:08:37,588 --> 00:08:39,720 A VERY COMPELLING PROPOSAL. 240 00:08:39,720 --> 00:08:42,522 YEAH, I AM FAMILIAR WITH HER PROPOSAL. 241 00:08:42,522 --> 00:08:43,894 DIFFERENCE IS, I LIKE WHAT I HEARD. 242 00:08:43,894 --> 00:08:45,756 UH, CAPTAIN GATES-- SHE HAS EXPERTISE, 243 00:08:45,756 --> 00:08:48,759 WHICH SHE CAN BRING TO BEAR AS A CONSULTANT ON THIS CASE. 244 00:08:48,759 --> 00:08:51,862 SIR, I PREFER WORKING WITH MY TEAM. 245 00:08:51,862 --> 00:08:54,905 WHICH INCLUDES A CONSULTANT WITH NO EXPERTISE AT ANYTHING. 246 00:08:54,905 --> 00:08:59,610 SERENA WILL BE A VALUEADD FOR A CHANGE. 247 00:09:00,741 --> 00:09:12,883 I LOOK FORWARD TO WORKING WITH YOU. 248 00:09:17,057 --> 00:09:18,128 WELL, I WILL GIVE YOU THIS, 249 00:09:18,128 --> 00:09:19,960 YOU'VE GOT SOME GIGANTIC BALLS. 250 00:09:19,960 --> 00:09:23,093 WHAT I SAID ABOUT THE THIEF, DID I TURN OUT TO BE RIGHT? 251 00:09:24,965 --> 00:09:27,968 I'M ABOUT RESULTS, DETECTIVE. 252 00:09:27,968 --> 00:09:30,270 THIS IS THE BEST WAY FOR BOTH OF US TO GET WHAT WE WANT. 253 00:09:30,270 --> 00:09:31,341 THINK OF IT AS A MERGER. 254 00:09:31,341 --> 00:09:34,004 MORE LIKE A HOSTILE TAKEOVER. 255 00:09:34,004 --> 00:09:36,006 I'LL HAVE DETECTIVE RYAN BRING YOU UP TO SPEED. 256 00:09:36,006 --> 00:09:38,278 HE BYPASSED SECURITY CAMERAS HERE, HERE, AND HERE. 257 00:09:38,278 --> 00:09:40,210 THEN NEAR AS WE CAN FIGURE, 258 00:09:40,210 --> 00:09:42,152 UH, HE LEFT VIA THE LOADING BAY 259 00:09:42,152 --> 00:09:43,283 IN A BLUE VAN. 260 00:09:43,283 --> 00:09:45,015 AND, UH, THAT'S... 261 00:09:45,015 --> 00:09:47,187 PRETTY MUCH WHERE WE ARE. 262 00:09:47,187 --> 00:09:49,259 WHAT ABOUT THE SECURITY FOOTAGE 263 00:09:49,259 --> 00:09:52,122 THAT HAYES WAS LOOKING AT FROM TWO WEEKS AGO? 264 00:09:52,122 --> 00:09:54,024 IF THE KILLER HAD CASED OUT THE EXHIBIT, 265 00:09:54,024 --> 00:09:55,365 MAYBE HE'S ON THAT VIDEO. 266 00:09:55,365 --> 00:09:57,297 WELL--WELL, SEE, THAT-- THAT'S THE PROBLEM, 267 00:09:57,297 --> 00:09:59,029 BECAUSE SECURITY DOWNLOADS 268 00:09:59,029 --> 00:10:01,031 ALL THE CAMERA FOOTAGE INTO FLASH DRIVES. 269 00:10:01,031 --> 00:10:02,172 NOW HAYES CHECKED OUT ONE OF THE FLASH DRIVES, 270 00:10:02,172 --> 00:10:03,273 BUT NOW IT'S MISSING. 271 00:10:03,273 --> 00:10:05,005 IT WASN'T IN HIS OFFICE, 272 00:10:05,005 --> 00:10:06,176 AND IT WASN'T ON HIS BODY, EITHER. 273 00:10:06,176 --> 00:10:08,338 MAYBE THE KILLER TOOK IT BECAUSE HE KNEW HE WAS ON IT. 274 00:10:08,338 --> 00:10:10,210 YEAH. 275 00:10:10,210 --> 00:10:12,242 SO WHAT'S OUR NEXT MOVE? 276 00:10:12,242 --> 00:10:14,044 MAJOR CASE SQUAD SENT IN A LIST 277 00:10:14,044 --> 00:10:16,146 OF ALL OF THE FENCES THAT MIGHT BE INTERESTED 278 00:10:16,146 --> 00:10:17,287 IN A PIECE LIKE THE FIST, 279 00:10:17,287 --> 00:10:19,389 AND SO WE ARE LOOKING INTO THAT NOW. 280 00:10:19,389 --> 00:10:22,292 THE FIST IS TOO HOT TO HANDLE NOW THAT THERE'S A BODY ON IT. 281 00:10:22,292 --> 00:10:24,294 SO THE THIEF MAY TRY TO FENCE OFF THE DIAMONDS, 282 00:10:24,294 --> 00:10:26,296 BUT HE WON'T DO BUSINESS WITH ANYONE ON THAT LIST. 283 00:10:26,296 --> 00:10:28,098 ANYONE ON IT'S YESTERDAY'S NEWS. 284 00:10:28,098 --> 00:10:29,299 WELL, DO YOU HAVE A BETTER IDEA? 285 00:10:29,299 --> 00:10:31,031 (Esposito) YO, GUYS. 286 00:10:31,031 --> 00:10:33,203 FOUND SOMETHING. I WAS GOING OVER THE SECURITY S-- 287 00:10:33,203 --> 00:10:34,364 (Castle) OH, DETECTIVE ESPOSITO, THIS IS 288 00:10:34,364 --> 00:10:36,206 SERENA KAYE. 289 00:10:36,206 --> 00:10:37,307 SHE'S WITH US. 290 00:10:40,140 --> 00:10:41,141 OKAY. 291 00:10:41,141 --> 00:10:42,172 ANYHOW... 292 00:10:42,172 --> 00:10:44,214 UH, WE FOUND THESE CLAMPED TO THE WIRES 293 00:10:44,214 --> 00:10:46,046 ON THE SECURITY SYSTEM. 294 00:10:46,046 --> 00:10:47,117 IT BASICALLY CANCELS OUT THE ALARM SIGNALS 295 00:10:47,117 --> 00:10:48,178 BEFORE THEY REACH THE COMPUTER. 296 00:10:48,178 --> 00:10:49,349 IT'S CALLED AN I.S.I. OR-- 297 00:10:49,349 --> 00:10:51,221 AN INDUCTIVE SIGNAL INTERRUPTER. 298 00:10:53,083 --> 00:10:55,225 THIS ONE'S CUSTOM MADE. I RECOGNIZE IT. 299 00:10:55,225 --> 00:10:56,286 FROM WHERE? 300 00:10:56,286 --> 00:10:58,088 FROM A REPORT I READ 301 00:10:58,088 --> 00:11:00,330 ON THE 1992 VERMEER THEFT IN BRUSSELS. 302 00:11:00,330 --> 00:11:03,163 THE SAME THIEF USED THESE TO STEAL A DOZEN OTHER PAINTINGS. 303 00:11:03,163 --> 00:11:05,095 THESE ARE HIS SIGNATURE. I KNOW WHO TOOK THE FIST. 304 00:11:05,095 --> 00:11:06,136 IT'S FALCO. 305 00:11:06,136 --> 00:11:08,268 FALCO WHAT? DOES HE HAVE A LAST NAME? 306 00:11:08,268 --> 00:11:09,369 NO ONE KNOWS. HE'S NEVER BEEN CAUGHT. 307 00:11:09,369 --> 00:11:11,171 HE'S NEVER EVEN BEEN PHOTOGRAPHED. 308 00:11:11,171 --> 00:11:12,402 HE'S A TOP ART THIEF IN EUROPE, 309 00:11:12,402 --> 00:11:14,204 THOUGH HE HASN'T WORKED IN YEARS. 310 00:11:14,204 --> 00:11:16,106 RUMOR WAS, HE'D GOTTEN OUT OF THE GAME. 311 00:11:16,106 --> 00:11:18,178 WELL, NOTHING LIKE $50 MILLION TO PULL YOU OUT OF RETIREMENT. 312 00:11:18,178 --> 00:11:20,210 NOW THAT WE HAVE SOME DIRECTION, I CAN GET US SOME LEADS. 313 00:11:20,210 --> 00:11:22,152 GREAT. LET'S GO. YOU CAN'T COME. 314 00:11:22,152 --> 00:11:23,413 I'M SORRY. YOU MIGHT HAVE MISUNDERSTOOD 315 00:11:23,413 --> 00:11:25,085 THE WORD "CONSULTANT." 316 00:11:25,085 --> 00:11:26,356 THIS IS MY CASE. 317 00:11:26,356 --> 00:11:28,358 THE PEOPLE THERE WON'T TALK TO COPS, 318 00:11:28,358 --> 00:11:30,420 BUT THEY'LL TALK TO ME. 319 00:11:32,192 --> 00:11:33,223 WHERE ARE YOU GOING? 320 00:11:33,223 --> 00:11:36,096 UH, I'M NOT A COP, EITHER... 321 00:11:36,096 --> 00:11:37,197 (inhales deeply) 322 00:11:37,197 --> 00:11:39,269 SO... 323 00:11:39,269 --> 00:11:40,430 FINE. 324 00:11:44,174 --> 00:11:45,335 SHE'S WITH US? 325 00:11:45,335 --> 00:11:46,476 LET'S GET AHOLD OF INTERPOL. 326 00:11:46,476 --> 00:11:49,209 I WANT TO FIND OUT EVERYTHING WE CAN ABOUT FALCO. 327 00:11:49,209 --> 00:11:51,111 YOU'RE AN INTERESTING MAN, MR. CASTLE-- 328 00:11:51,111 --> 00:11:53,143 CRIME FIGHTER BY DAY, MYSTERY WRITER BY NIGHT. 329 00:11:53,143 --> 00:11:55,385 YOU'RE PRETTY INTERESTING YOURSELF. 330 00:11:55,385 --> 00:11:58,118 SO ARE WE MEETING A SECRET INFORMANT? 331 00:11:58,118 --> 00:12:00,220 OH. I GUESS BECKETT DOESN'T JUST KEEP YOU AROUND 332 00:12:00,220 --> 00:12:02,222 FOR YOUR GOOD LOOKS. 333 00:12:02,222 --> 00:12:05,125 THIS PLACE IS AS INFAMOUS AS IT IS ANONYMOUS. 334 00:12:05,125 --> 00:12:06,496 (man) SERENA. 335 00:12:06,496 --> 00:12:09,329 WHY YOU BEEN SUCH A STRANGER? YOU DON'T LOVE ME NO MORE? 336 00:12:09,329 --> 00:12:11,331 OH, VIN. I'VE BEEN BUSY. 337 00:12:11,331 --> 00:12:14,134 BUSY WITH WHAT, JASON BATEMAN OVER HERE? 338 00:12:14,134 --> 00:12:15,405 HEY, THAT GOT ME OUT OF A SPEEDING TICKET ONCE. 339 00:12:15,405 --> 00:12:17,267 HEY, VIN. THIS IS TIME SENSITIVE. 340 00:12:17,267 --> 00:12:18,408 WE CAN PLAY CATCH-UP LATER. 341 00:12:18,408 --> 00:12:19,469 RIGHT NOW I NEED TO KNOW 342 00:12:19,469 --> 00:12:20,470 IF ANYONE'S MOVING D FLAWLESS DIAMONDS, 343 00:12:20,470 --> 00:12:21,471 A LOT OF THEM. 344 00:12:21,471 --> 00:12:23,313 TIME FRAME? 345 00:12:23,313 --> 00:12:25,275 THEY MIGHT HAVE HIT THE MARKET AS EARLY AS LAST NIGHT. 346 00:12:25,275 --> 00:12:26,416 THESE BABIES HOT? 347 00:12:26,416 --> 00:12:28,178 LIKE A SUPERNOVA. 348 00:12:28,178 --> 00:12:30,480 (people speaking indistinctly) 349 00:12:30,480 --> 00:12:32,422 CAN'T HELP YOU. 350 00:12:32,422 --> 00:12:35,425 (indistinct conversations) 351 00:12:39,289 --> 00:12:40,360 WELL... 352 00:12:40,360 --> 00:12:42,392 YOU KNOW, THERE WAS-- THERE WAS A GUY 353 00:12:42,392 --> 00:12:44,434 WHO CAME MY WAY A FEW DAYS AGO, 354 00:12:44,434 --> 00:12:46,396 WAS REAL CAGEY-LIKE. 355 00:12:46,396 --> 00:12:48,468 TRIED TO TAKE MY TEMP ON A PIECE OF ART 356 00:12:48,468 --> 00:12:50,540 COVERED WITH A CRAPLOAD OF FLAWLESS D's. 357 00:12:50,540 --> 00:12:52,302 HMM. 358 00:12:52,302 --> 00:12:54,304 YEAH, SOME SORT OF MARBLE HAND OR SOMETHING. 359 00:12:54,304 --> 00:12:57,277 THIS GUY, WHAT DID HE LOOK LIKE? 360 00:12:57,277 --> 00:12:59,449 SERENA WAS RIGHT. FALCO'S A BADASS. 361 00:12:59,449 --> 00:13:02,182 LOOK HOW FAT HIS INTERPOL FILE IS. 362 00:13:02,182 --> 00:13:04,554 HE LIFTED A RENOIR FROM THE PUSHKIN IN '96 363 00:13:04,554 --> 00:13:06,256 AND A MONET IN '99, 364 00:13:06,256 --> 00:13:07,557 ALWAYS USING AN I.S.I. 365 00:13:07,557 --> 00:13:10,290 DOESN'T LOOK LIKE FALCO'S KILLED ANYBODY BEFORE. 366 00:13:10,290 --> 00:13:12,192 FIRST TIME FOR EVERYTHING, I GUESS. 367 00:13:12,192 --> 00:13:13,363 YEAH, ESPECIALLY WHEN HAYES STOOD BETWEEN HIM 368 00:13:13,363 --> 00:13:14,564 AND $50 MILLION. 369 00:13:14,564 --> 00:13:17,227 THOUGH ACCORDING TO INTERPOL, FALCO DOESN'T STEAL FOR HIMSELF. 370 00:13:17,227 --> 00:13:18,568 HE'S MORE OF A GUN FOR HIRE. 371 00:13:18,568 --> 00:13:20,570 SOMEONE WANTS A PICASSO, HE BOOSTS IT FOR 'EM. 372 00:13:20,570 --> 00:13:22,572 WHICH GIVES US A SECOND PATH TO OUR KILLER. 373 00:13:22,572 --> 00:13:25,435 IF WE CAN'T FIND FALCO, THEN WE LOOK FOR WHOEVER HIRED HIM 374 00:13:25,435 --> 00:13:27,207 TO STEAL THE FIST. 375 00:13:27,207 --> 00:13:29,209 I'LL TELL YOU WHO HIRED HIM. 376 00:13:29,209 --> 00:13:32,282 ANTON McHUGH, MY SON-OF-A-BITCH HUSBAND. 377 00:13:35,315 --> 00:13:37,517 THE FIST BELONGS TO ME AND ANTON. 378 00:13:37,517 --> 00:13:40,290 WE LOANED IT TO THE MUSEUM FROM OUR COLLECTION. 379 00:13:40,290 --> 00:13:42,292 WHY WOULD YOUR HUSBAND STEAL IT? 380 00:13:42,292 --> 00:13:44,254 TO SCREW ME OVER. 381 00:13:44,254 --> 00:13:45,355 RIGHT, BUT YOU SAID THAT HE OWNS IT. 382 00:13:45,355 --> 00:13:47,227 HE OWNS HALF OF IT. 383 00:13:47,227 --> 00:13:49,329 YOU WERE GOING THROUGH A DIVORCE. 384 00:13:49,329 --> 00:13:51,231 OH, WE KEEP UP APPEARANCES, 385 00:13:51,231 --> 00:13:53,333 MOSTLY BECAUSE NEITHER OF US WILL GIVE UP 386 00:13:53,333 --> 00:13:54,534 THE FIFTH AVENUE APARTMENT. 387 00:13:54,534 --> 00:13:55,565 BUT THIS? 388 00:13:55,565 --> 00:13:57,567 THIS TIME, ANTON HAS HIT A NEW LOW. 389 00:13:57,567 --> 00:14:00,270 SO THEN YOU'RE FIGHTING OVER THE FIST? 390 00:14:00,270 --> 00:14:01,571 I THINK IT SHOULD STAY IN THE MUSEUM. 391 00:14:01,571 --> 00:14:03,343 IT'S A WORK OF ART. 392 00:14:03,343 --> 00:14:04,614 IT SHOULD BE ENJOYED BY THE PUBLIC. 393 00:14:04,614 --> 00:14:07,377 RIGHT, BUT YOUR HUSBAND'S NOT ON BOARD. 394 00:14:07,377 --> 00:14:08,518 THERE'S AN UNDERSTATEMENT. 395 00:14:08,518 --> 00:14:10,380 AT OUR LAST MEETING WITH THE DIVORCE ATTORNEYS, 396 00:14:10,380 --> 00:14:12,382 HE SCREAMED AT ME THAT HE WOULD 397 00:14:12,382 --> 00:14:14,554 GET THE FIST BACK BY ANY MEANS NECESSARY. 398 00:14:14,554 --> 00:14:16,426 YEAH, BUT SAYING THAT HE WANTED THE FIST BACK 399 00:14:16,426 --> 00:14:19,289 DOESN'T NECESSARILY MEAN THAT HE HIRED SOMEONE TO STEAL IT. 400 00:14:19,289 --> 00:14:20,490 YES, IT DOES, 401 00:14:20,490 --> 00:14:22,492 BECAUSE HE'S TRIED TO STEAL IT BEFORE. 402 00:14:24,294 --> 00:14:27,397 MR. McHUGH, A CURIOUS INCIDENT HAPPENED TWO WEEKS AGO 403 00:14:27,397 --> 00:14:30,600 WHEN THE "FIST OF CAPITALISM" WAS ON ITS WAY TO THE MUSEUM. 404 00:14:30,600 --> 00:14:32,602 TWO MEN CLAIMING TO BE FROM THE MOVING COMPANY 405 00:14:32,602 --> 00:14:34,574 TRIED TO INTERCEPT IT. 406 00:14:34,574 --> 00:14:36,476 MY UNDERSTANDING IS, THAT WAS 407 00:14:36,476 --> 00:14:38,378 A BIT OF A MIXUP. 408 00:14:39,509 --> 00:14:41,651 NOW THERE WERE NO CHARGES FILED, 409 00:14:41,651 --> 00:14:44,614 BUT BOTH MEN HAD LONG CRIMINAL HISTORIES. 410 00:14:44,614 --> 00:14:47,287 I HAD NOTHING TO DO WITH THIS. 411 00:14:47,287 --> 00:14:50,390 NEVER EVEN SO MUCH AS MADE CONTACT WITH THEM. 412 00:14:50,390 --> 00:14:52,362 BUT INTERESTINGLY, YOUR DIVORCE LAWYER DID. 413 00:14:52,362 --> 00:14:54,294 MADE LOTS OF PHONE CALLS TO THE MEN 414 00:14:54,294 --> 00:14:56,296 RIGHT BEFORE THIS MIXUP. 415 00:14:56,296 --> 00:14:57,367 WHERE'S FALCO? 416 00:14:57,367 --> 00:14:58,498 WHO? 417 00:14:58,498 --> 00:15:01,431 AFTER YOUR FIRST FAILED ATTEMPT TO STEAL THE FIST, 418 00:15:01,431 --> 00:15:03,433 YOU DECIDED TO HIRE A BETTER CLASS OF THIEF. 419 00:15:03,433 --> 00:15:04,504 UNFORTUNATELY, HE ENDED UP 420 00:15:04,504 --> 00:15:05,635 KILLING BRYAN HAYES IN THE PROCESS. 421 00:15:05,635 --> 00:15:08,408 WHICH MAKES YOU AN ACCESSORY TO MURDER. 422 00:15:08,408 --> 00:15:09,639 WHAT? 423 00:15:09,639 --> 00:15:11,381 YOU'RE OUT OF YOUR MIND. 424 00:15:11,381 --> 00:15:12,512 WAIT A SECOND. 425 00:15:12,512 --> 00:15:14,484 I'LL BET JOY IS BEHIND THIS. 426 00:15:14,484 --> 00:15:16,316 TRUST ME, MR. McHUGH, 427 00:15:16,316 --> 00:15:17,647 YOUR DIVORCE IS GONNA BE THE LEAST OF YOUR PROBLEMS 428 00:15:17,647 --> 00:15:19,589 IF YOU DON'T TELL US WHERE FALCO IS. 429 00:15:19,589 --> 00:15:21,521 I NEVER HEARD OF ANY FALCO, 430 00:15:21,521 --> 00:15:23,523 AND I DIDN'T TAKE THE FIST, ALL RIGHT? 431 00:15:23,523 --> 00:15:26,596 THE TRUTH IS, I DIDN'T EVEN WANT THE DAMN THING. 432 00:15:26,596 --> 00:15:28,658 I JUST WANTED JOY TO THINK I WANTED IT. 433 00:15:28,658 --> 00:15:29,659 AND WHY IS THAT? 434 00:15:29,659 --> 00:15:31,331 I THOUGHT IF I MADE JOY 435 00:15:31,331 --> 00:15:32,602 THINK IT MEANT SOMETHING TO ME, 436 00:15:32,602 --> 00:15:34,704 SHE'D GIVE ME THE VINEYARD IN NAPA. 437 00:15:36,536 --> 00:15:38,508 NOW THAT IT'S GONE... (chuckles) 438 00:15:38,508 --> 00:15:40,670 THAT BAG OF BOTOX IS GONNA CLEAN ME OUT. 439 00:15:42,542 --> 00:15:44,414 SO WHAT DO YOU THINK? 440 00:15:44,414 --> 00:15:46,346 YOU BELIEVE HIM? 441 00:15:46,346 --> 00:15:49,349 WELL, E-EITHER WAY, WE DON'T HAVE ENOUGH 442 00:15:49,349 --> 00:15:51,581 TO SUBPOENA THE McHUGHS' FINANCIALS TO, UH-- 443 00:15:51,581 --> 00:15:53,383 DOESN'T LOOK LIKE FALCO IS WORKING WITH McHUGH. 444 00:15:53,383 --> 00:15:54,554 WELL, WHO WAS HE WORKING WITH? 445 00:15:54,554 --> 00:15:56,626 THE MUSEUM'S DIRECTOR-- BRYAN HAYES. 446 00:15:56,626 --> 00:15:58,388 OUR VICTIM? 447 00:15:58,388 --> 00:15:59,689 A MAN MATCHING HAYES' DESCRIPTION MET WITH 448 00:15:59,689 --> 00:16:01,461 SERENA'S CONTACT A FEW DAYS AGO, 449 00:16:01,461 --> 00:16:03,693 ASKING ABOUT D FLAWLESS DIAMONDS. 450 00:16:03,693 --> 00:16:05,435 (Ryan) SO HAYES WAS IN ON THE THEFT? 451 00:16:05,435 --> 00:16:07,537 HE MUST HAVE HIRED FALCO TO STEAL THE FIST. 452 00:16:07,537 --> 00:16:08,698 YEAH, ONLY FALCO DECIDED TO KEEP IT. 453 00:16:08,698 --> 00:16:10,470 SO HE MURDERED HAYES. 454 00:16:10,470 --> 00:16:12,702 IF HAYES WAS A COCONSPIRATOR, THAT MIGHT LEAD US TO FALCO. 455 00:16:12,702 --> 00:16:15,375 LET'S TAKE A LOOK AT HIS, UM, FINANCIALS-- THE USUAL. 456 00:16:15,375 --> 00:16:16,376 (Beckett and Ryan) YEAH. 457 00:16:16,376 --> 00:16:17,377 I'LL WORK SOME OF MY OTHER SOURCES, 458 00:16:17,377 --> 00:16:18,578 SEE IF WE CAN GET A LINE ON HIM. 459 00:16:18,578 --> 00:16:20,680 OH, ANOTHER JAUNT INTO MANHATTAN'S SEEDY UNDERBELLY? 460 00:16:20,680 --> 00:16:22,382 COUNT ME IN. 461 00:16:22,382 --> 00:16:23,613 MM. SORRY. NO NEED FOR A GUY FRIDAY ON THIS ONE. 462 00:16:23,613 --> 00:16:26,456 I'LL JUST BE MAKING PHONE CALLS, BORING STUFF. 463 00:16:26,456 --> 00:16:27,517 BUT I'LL CATCH YOU LATER? 464 00:16:27,517 --> 00:16:28,618 CATCH ME ANYTIME. 465 00:16:32,562 --> 00:16:33,763 KATE... 466 00:16:33,763 --> 00:16:35,725 (people speaking indistinctly) 467 00:16:35,725 --> 00:16:37,597 (snaps fingers) 468 00:16:37,597 --> 00:16:39,669 (whooshing sound) 469 00:16:39,669 --> 00:16:41,401 (Martha) REALLY? 470 00:16:41,401 --> 00:16:42,672 AN INSURANCE INVESTIGATOR? 471 00:16:42,672 --> 00:16:44,674 A SEXY INSURANCE INVESTIGATOR. 472 00:16:44,674 --> 00:16:47,507 I THINK SHE'D MAKE A GREAT CHARACTER FOR MY NEXT BOOK. 473 00:16:47,507 --> 00:16:49,709 WELL, YOU SEEM RATHER TAKEN WITH HER. 474 00:16:49,709 --> 00:16:51,711 I FIND HER... 475 00:16:51,711 --> 00:16:53,613 IMPRESSIVE. 476 00:16:53,613 --> 00:16:55,685 WHAT'S SHE LIKE? 477 00:16:55,685 --> 00:16:57,547 SHE'S AN UNCOOPERATIVE, COCKY, 478 00:16:57,547 --> 00:16:59,619 STUBBORN KNOW-IT-ALL. 479 00:16:59,619 --> 00:17:01,451 BUT SHE IS GOOD AT HER JOB? 480 00:17:01,451 --> 00:17:03,453 YEAH, WELL, CASTLE SEEMS TO THINK SO. 481 00:17:03,453 --> 00:17:04,794 AND THAT BOTHERS YOU. 482 00:17:04,794 --> 00:17:06,756 YES, OF COURSE IT BOTHERS ME. 483 00:17:06,756 --> 00:17:08,728 WHY? 484 00:17:08,728 --> 00:17:11,701 BECAUSE HE'S SUPPOSED TO BE... 485 00:17:17,637 --> 00:17:18,708 (sighs) 486 00:17:18,708 --> 00:17:20,770 BE WHAT? 487 00:17:20,770 --> 00:17:23,573 MY PARTNER. 488 00:17:23,573 --> 00:17:25,575 I MEAN, HE'S SUPPOSED TO BE ON MY TEAM. 489 00:17:25,575 --> 00:17:27,677 HE'S NOT SUPPOSED TO BE ALL SMITTEN. 490 00:17:27,677 --> 00:17:28,748 SMITTEN? 491 00:17:28,748 --> 00:17:31,581 MOTHER, I THINK "INTRIGUED" IS A BETTER WORD. 492 00:17:31,581 --> 00:17:32,752 SO WHAT'S OUR NEXT MOVE? 493 00:17:32,752 --> 00:17:34,584 MOVE? 494 00:17:34,584 --> 00:17:36,586 OH, RICHARD, HONESTLY. 495 00:17:36,586 --> 00:17:38,758 BECKETT HAS MADE IT PLAIN THAT SHE'S NOT AVAILABLE 496 00:17:38,758 --> 00:17:39,759 FOR NOW. 497 00:17:39,759 --> 00:17:41,461 AND NOW YOU'VE MET THIS WOMAN. 498 00:17:41,461 --> 00:17:42,662 SHE'S SMART, SHE'S INCREDIBLY ATTRACTIVE, 499 00:17:42,662 --> 00:17:43,833 YOU'RE INTRIGUED BY HER. 500 00:17:43,833 --> 00:17:46,666 WHY NOT ASK HER OUT? 501 00:17:46,666 --> 00:17:48,538 IT'S COMPLICATED. 502 00:17:48,538 --> 00:17:49,839 WHY IS IT COMPLICATED? 503 00:17:49,839 --> 00:17:51,671 YOU KNOW WHY IT'S COMPLICATED. 504 00:17:51,671 --> 00:17:54,504 ONLY WHAT YOU'VE TOLD ME. 505 00:17:54,504 --> 00:17:55,705 KATE... 506 00:17:55,705 --> 00:17:59,479 WHAT ARE YOU REALLY SCARED OF... 507 00:17:59,479 --> 00:18:02,482 THAT HE WON'T WAIT FOR YOU 508 00:18:02,482 --> 00:18:05,485 OR THAT HE WILL? 509 00:18:05,485 --> 00:18:06,486 (people speaking indistinctly) 510 00:18:06,486 --> 00:18:07,517 (elevator bell dings) 511 00:18:07,517 --> 00:18:10,520 (people continue speaking indistinctly) 512 00:18:17,627 --> 00:18:18,828 HEY. 513 00:18:18,828 --> 00:18:19,829 HEY. 514 00:18:19,829 --> 00:18:21,831 I FIGURED THAT YOU WERE WITH SERENA. 515 00:18:21,831 --> 00:18:23,773 NO. SHE HAD A MEETING WITH HER BOSSES THIS MORNING. 516 00:18:23,773 --> 00:18:25,875 OH. SO YOU ALREADY SAW HER THIS MORNING. 517 00:18:25,875 --> 00:18:28,508 NO. SHE TEXTED ME.OH. 518 00:18:28,508 --> 00:18:29,639 YOU THOUGHT THAT WE WERE-- 519 00:18:29,639 --> 00:18:31,511 YEAH. I MEAN, YOU KNOW, IT'S PRETTY OBVIOUS 520 00:18:31,511 --> 00:18:32,742 THAT SHE REALLY LIKES YOU, SO... 521 00:18:32,742 --> 00:18:35,515 IT IS? MM-HMM. 522 00:18:35,515 --> 00:18:36,746 SO THEN YOU THINK 523 00:18:36,746 --> 00:18:39,519 I SHOULD... 524 00:18:39,519 --> 00:18:41,521 PURSUE IT? 525 00:18:42,852 --> 00:18:44,854 YOU KNOW, I MEAN, SUIT YOURSELF. 526 00:18:44,854 --> 00:18:46,726 (people continue speaking indistinctly) 527 00:18:46,726 --> 00:18:47,797 YO. 528 00:18:47,797 --> 00:18:49,699 THAT, UH, GETAWAY VAN THE THIEF USED? 529 00:18:49,699 --> 00:18:51,801 IT WAS DUMPED IN AN ALLEY IN QUEENS. 530 00:18:51,801 --> 00:18:52,832 ANY PRINTS? 531 00:18:52,832 --> 00:18:54,734 NOPE. WIPED CLEAN. VERY PROFESSIONAL. 532 00:18:54,734 --> 00:18:56,636 BUT C.S.U. DID FIND TRACES OF THAT HAIR GEL 533 00:18:56,636 --> 00:18:57,807 ON THE HEADREST. 534 00:18:57,807 --> 00:18:59,539 THEY'RE TRYING TO I.D. THE MANUFACTURER. 535 00:18:59,539 --> 00:19:01,541 HEY, BECKETT, I GOT THAT STUFF ON HAYES. 536 00:19:01,541 --> 00:19:03,543 WELL, DURING THE PAST YEAR, THE GUY HAS SHELLED OUT 537 00:19:03,543 --> 00:19:05,775 SOME MAJOR CASH TO PAY FOR HIS MOTHER'S LONG-TERM CARE BILLS. 538 00:19:05,775 --> 00:19:07,777 FINANCIALLY, THE MAN WAS DEEP UNDERWATER. 539 00:19:07,777 --> 00:19:09,779 HE PROBABLY THOUGHT THE FIST WAS HIS ONLY SOLUTION. 540 00:19:09,779 --> 00:19:12,582 WE ALSO FOUND SOME SUSPICIOUS E-MAILS ON HIS LAPTOP. 541 00:19:12,582 --> 00:19:14,824 STUFF ABOUT THE MUSEUM'S SECURITY SYSTEM. 542 00:19:14,824 --> 00:19:16,926 TECH TRACED THEM TO AN ANONYMOUS ACCOUNT. 543 00:19:16,926 --> 00:19:18,758 FALCO KNOWS HOW TO COVER HIS TRACKS. 544 00:19:18,758 --> 00:19:21,931 ONE OF THEM MENTIONS A MEETING THE DAY BEFORE THE HEIST. 545 00:19:21,931 --> 00:19:23,663 SO IF WE CAN FIGURE OUT WHERE THEY MET, 546 00:19:23,663 --> 00:19:24,934 IT MIGHT LEAD US TO FALCO'S IDENTITY. 547 00:19:24,934 --> 00:19:26,666 I'M GUESSING IT TOOK PLACE 548 00:19:26,666 --> 00:19:27,867 SOME TIME BETWEEN 12:00 AND 2:00 P.M. 549 00:19:27,867 --> 00:19:29,939 SINCE THAT'S THE ONLY TIME HAYES LEFT THE MUSEUM. 550 00:19:29,939 --> 00:19:32,642 WAIT A MINUTE. I GOT SOMETHING ON HIS PHONE RECORDS 551 00:19:32,642 --> 00:19:33,843 FOR THAT DAY. 552 00:19:33,843 --> 00:19:36,576 11:06 A.M. HE MADE A ONE-MINUTE PHONE CALL 553 00:19:36,576 --> 00:19:38,578 TO ASCANA'S RESTAURANT. 554 00:19:38,578 --> 00:19:39,779 HE WAS MAKING RESERVATIONS. 555 00:19:39,779 --> 00:19:41,851 HOW MUCH YOU WANT TO BET IT WAS FOR TWO-- 556 00:19:41,851 --> 00:19:43,853 HIM AND FALCO? 557 00:19:43,853 --> 00:19:45,915 SURE. I REMEMBER MR. HAYES. 558 00:19:45,915 --> 00:19:47,857 THREE DAYS AGO. THEY SAT IN A CORNER BOOTH. 559 00:19:47,857 --> 00:19:49,659 SO HE WAS HERE WITH SOMEONE? 560 00:19:49,659 --> 00:19:50,790 DEFINITELY. 561 00:19:50,790 --> 00:19:52,792 THE TWO OF THEM WERE HAVING A REAL INTENSE CONVERSATION. 562 00:19:52,792 --> 00:19:55,765 DO YOU REMEMBER WHAT THIS PERSON LOOKED LIKE? 563 00:19:55,765 --> 00:19:57,627 UH, SHE WAS TALL, 564 00:19:57,627 --> 00:19:58,798 BLONDE, 565 00:19:58,798 --> 00:20:00,700 GORGEOUS. 566 00:20:00,700 --> 00:20:02,602 WAIT. HAYES WAS HERE WITH A WOMAN? 567 00:20:02,602 --> 00:20:04,804 THAT'S RIGHT. SHE WAS IN HER 30's, BUT STILL REALLY HOT. 568 00:20:04,804 --> 00:20:06,606 WAIT A MINUTE. (cell phone beeps) 569 00:20:06,606 --> 00:20:07,837 DID SHE LOOK LIKE... 570 00:20:07,837 --> 00:20:08,908 THIS? 571 00:20:08,908 --> 00:20:10,680 YEAH. THAT'S HER. 572 00:20:10,680 --> 00:20:13,613 (people speaking indistinctly) 573 00:20:13,613 --> 00:20:15,645 IT'S SERENA. 574 00:20:15,645 --> 00:20:18,718 SHE'S OUR THIEF. 575 00:20:22,622 --> 00:20:23,723 NO, NO. THANK YOU. 576 00:20:23,723 --> 00:20:25,695 HEY. JUST GOT OFF WITH THE INSURANCE COMPANY. 577 00:20:25,695 --> 00:20:27,697 GUESS WHAT SERENA DID BEFORE SHE WORKED FOR THEM. 578 00:20:27,697 --> 00:20:28,698 KINDERGARTEN TEACHER? 579 00:20:28,698 --> 00:20:29,699 ART THIEF. 580 00:20:29,699 --> 00:20:30,800 ALLEGED ART THIEF. 581 00:20:30,800 --> 00:20:31,831 WHATEVER. 582 00:20:31,831 --> 00:20:33,533 SUSPECTED OF PULLING OFF SOME MAJOR JOBS 583 00:20:33,533 --> 00:20:34,604 BETWEEN '01 AND '06-- 584 00:20:34,604 --> 00:20:36,706 PRADO, UFFIZI, HOUSTON-- 585 00:20:36,706 --> 00:20:38,838 BUT THEY COULD NEVER PIN ANYTHING ON HER. 586 00:20:38,838 --> 00:20:41,471 WELL, HOW THE HELL DID SHE END UP WORKING INSURANCE? 587 00:20:41,471 --> 00:20:42,572 (Esposito) ABOUT FIVE YEARS AGO, 588 00:20:42,572 --> 00:20:44,574 SHE WENT TO THE COMPANY AND SAID SHE WANTED TO MAKE GOOD. 589 00:20:44,574 --> 00:20:46,646 EVEN TOLD 'EM WHERE THEY WERE GOING WRONG WITH THEIR SECURITY. 590 00:20:46,646 --> 00:20:48,648 LET ME GUESS. SHE SUGGESTED THAT THEY ALL WORK TOGETHER. 591 00:20:48,648 --> 00:20:49,849 WELL, AT LEAST SHE'S CONSISTENT. 592 00:20:49,849 --> 00:20:52,522 AND NOSTALGIC. LOOKS LIKE SHE'S BACK TO HER OLD TRICKS AGAIN. 593 00:20:52,522 --> 00:20:54,584 ONLY NOW SHE'S ADDED A NEW ONE--MURDER. 594 00:20:54,584 --> 00:20:56,526 THAT'S WHY SHE KNEW HOW THE THIEF GOT INTO THE MUSEUM. 595 00:20:56,526 --> 00:20:57,627 SHE WAS THE THIEF. 596 00:20:57,627 --> 00:20:58,688 AND THEN SHE PARTNERED UP WITH US TO STEER US 597 00:20:58,688 --> 00:20:59,759 TO THE MYTHICAL FALCO. 598 00:20:59,759 --> 00:21:00,860 SHE PLAYED ME. 599 00:21:00,860 --> 00:21:03,633 DON'T WORRY, CASTLE. YOU'RE NOT THE ONLY ONE. 600 00:21:03,633 --> 00:21:04,694 SHE'S IN ON IT? 601 00:21:04,694 --> 00:21:05,865 UH, WE'RE NOT EXACTLY SURE, SIR, 602 00:21:05,865 --> 00:21:07,637 BUT THE EVIDENCE SUGGESTS-- 603 00:21:07,637 --> 00:21:09,839 I WANT HER IN CUSTODY, DETECTIVE, NOW. 604 00:21:09,839 --> 00:21:11,701 OUR CASE IS CIRCUMSTANTIAL. 605 00:21:11,701 --> 00:21:13,503 GET SOMETHING CONCRETE. 606 00:21:13,503 --> 00:21:15,605 I WILL NOT HAVE THIS DEPARTMENT PUBLICLY HUMILIATED. 607 00:21:15,605 --> 00:21:16,846 YES, SIR. 608 00:21:16,846 --> 00:21:18,708 (people speaking indistinctly) 609 00:21:18,708 --> 00:21:20,580 (door closes) 610 00:21:20,580 --> 00:21:21,751 SO WHERE IS SHE NOW? 611 00:21:21,751 --> 00:21:24,654 AT HER HOTEL. 612 00:21:24,654 --> 00:21:27,557 SHE INVITED ME FOR A DRINK. (Esposito) DID SHE? 613 00:21:27,557 --> 00:21:28,858 DOESN'T LOOK LIKE SHE'S IN A RUSH TO LEAVE TOWN. 614 00:21:28,858 --> 00:21:30,720 WELL... WELL, THEN WE PRESS OUR ONE ADVANTAGE. 615 00:21:30,720 --> 00:21:32,792 SHE DOESN'T KNOW WE'RE ON TO HER, 616 00:21:32,792 --> 00:21:34,764 SO WE MAKE A RUN AT HER WITHOUT HER FINDING OUT. 617 00:21:34,764 --> 00:21:35,765 AND HOW ARE WE GONNA DO THAT? 618 00:21:35,765 --> 00:21:36,796 SIMPLE. 619 00:21:36,796 --> 00:21:40,600 CASTLE ASKS HER OUT ON A DATE. 620 00:21:40,600 --> 00:21:41,901 (Castle) I DO? 621 00:21:41,901 --> 00:21:44,634 IT'S WHAT YOU WANTED, ISN'T IT? 622 00:21:44,634 --> 00:21:47,837 ALL YOU HAVE TO DO IS KEEP HER OUT OF HER ROOM... 623 00:21:49,609 --> 00:21:51,841 AND TAKE HER TO THE RESTAURANT AT THE HOTEL. 624 00:21:51,841 --> 00:21:53,543 THEN... 625 00:21:53,543 --> 00:21:54,684 JUST SHOW HER A GOOD TIME. 626 00:21:54,684 --> 00:21:56,786 THANK YOU. 627 00:21:56,786 --> 00:21:58,918 AND WHILE YOU KEEP HER OCCUPIED... 628 00:21:58,918 --> 00:22:00,890 (beeps) WE GET INTO HER ROOM. 629 00:22:02,592 --> 00:22:03,693 (Castle) SO WHAT AM I DOING ON THIS DATE? 630 00:22:03,693 --> 00:22:04,824 AM I TRYING TO... 631 00:22:04,824 --> 00:22:06,626 TRIP HER UP, GET HER TO BREAK? 632 00:22:06,626 --> 00:22:08,698 NO, JUST STALL HER-- MAKE SOME JOKES, 633 00:22:08,698 --> 00:22:10,600 YOU KNOW, SMALL TALK. 634 00:22:10,600 --> 00:22:12,662 THE IMPORTANT THING IS TO KEEP HER OUT OF HER HOTEL ROOM 635 00:22:12,662 --> 00:22:13,863 SO WE CAN SEARCH IT. 636 00:22:13,863 --> 00:22:15,805 SO WHAT DO YOU SAY, CASTLE? 637 00:22:15,805 --> 00:22:17,737 THINK YOU CAN CHARM HER FOR AN HOUR? 638 00:22:17,737 --> 00:22:19,609 (laughs) (Castle) ARE YOU SERIOUS? 639 00:22:19,609 --> 00:22:20,610 ABSOLUTELY. 640 00:22:20,610 --> 00:22:21,911 I WAS GONNA GIVE YOU ONE MORE DAY. 641 00:22:21,911 --> 00:22:23,743 AND THEN YOU WERE GONNA ASK ME OUT YOURSELF? 642 00:22:23,743 --> 00:22:24,874 MM-HMM. 643 00:22:24,874 --> 00:22:26,816 WELL, I'M A WOMAN WHO BELIEVES IN 644 00:22:26,816 --> 00:22:27,947 GOING AFTER WHAT SHE WANTS. 645 00:22:27,947 --> 00:22:28,948 I CAN SEE THAT. 646 00:22:28,948 --> 00:22:30,950 BESIDES, I HARDLY MADE IT A SECRET 647 00:22:30,950 --> 00:22:32,682 THAT I WAS ATTRACTED TO YOU, 648 00:22:32,682 --> 00:22:33,883 AND I COULD TELL YOU FELT THE SAME WAY ABOUT ME. 649 00:22:33,883 --> 00:22:35,625 WELL, LOOKS LIKE NEITHER ONE OF US 650 00:22:35,625 --> 00:22:37,587 ARE VERY GOOD AT KEEPING SECRETS. 651 00:22:37,587 --> 00:22:39,629 (glasses clink) 652 00:22:39,629 --> 00:22:40,790 NOTHIN' SO FAR. 653 00:22:40,790 --> 00:22:42,692 YOU FIND ANYTHING? 654 00:22:44,894 --> 00:22:46,896 (exhales) NO. 655 00:22:46,896 --> 00:22:48,638 (closes drawer) 656 00:22:48,638 --> 00:22:51,601 HMM. YOU REALLY WANT TO NAIL THIS CHICK, DON'T YOU? 657 00:22:51,601 --> 00:22:52,902 YEAH, WELL, 658 00:22:52,902 --> 00:22:55,805 IT'S WHAT WE DO, ISN'T IT, CATCH BAD GUYS? 659 00:22:55,805 --> 00:22:57,677 YEAH, 660 00:22:57,677 --> 00:22:58,948 BUT... 661 00:22:58,948 --> 00:23:00,980 SEEMS LIKE IT MIGHT BE ABOUT MORE THAN THAT. 662 00:23:02,882 --> 00:23:04,784 JUST KEEP LOOKIN', OKAY? 663 00:23:04,784 --> 00:23:06,886 (Castle) SO WHY CHOOSE TO BE 664 00:23:06,886 --> 00:23:08,618 AN INSURANCE INVESTIGATOR? 665 00:23:08,618 --> 00:23:09,959 IT'S REALLY NOT SOMETHING MOST LITTLE GIRLS 666 00:23:09,959 --> 00:23:11,961 ASPIRE TO BE WHEN THEY GROW UP. 667 00:23:11,961 --> 00:23:13,693 IT'S A RECENT CAREER CHANGE. 668 00:23:13,693 --> 00:23:14,764 REALLY? 669 00:23:14,764 --> 00:23:15,895 MM-HMM. WHAT DID YOU DO BEFORE? 670 00:23:15,895 --> 00:23:17,767 ACTUALLY, I WAS A THIEF. 671 00:23:17,767 --> 00:23:19,969 GET OUT. 672 00:23:19,969 --> 00:23:21,771 WELL, THAT'S WHAT THE MUSEUMS LIKE TO CALL ME. 673 00:23:21,771 --> 00:23:23,973 I PREFER TO THINK OF MYSELF AS AN ART RETRIEVER. 674 00:23:23,973 --> 00:23:25,905 WHAT'S THE DIFFERENCE? 675 00:23:25,905 --> 00:23:27,907 WELL, THE PIECES I TOOK HAD ALREADY BEEN STOLEN 676 00:23:27,907 --> 00:23:29,779 FROM THEIR RIGHTFUL OWNERS-- 677 00:23:29,779 --> 00:23:32,712 TAKEN BY NAZIS, DESPOTS, GOVERNMENTS. 678 00:23:32,712 --> 00:23:33,913 JUST BECAUSE A PIECE IS IN A MUSEUM 679 00:23:33,913 --> 00:23:35,645 DOESN'T MEAN IT BELONGS THERE. 680 00:23:35,645 --> 00:23:36,846 SERIOUSLY? 681 00:23:36,846 --> 00:23:40,720 I SPECIALIZED IN RETURNING ART TO THEIR RIGHTFUL OWNERS, 682 00:23:40,720 --> 00:23:41,921 STARTING WITH A SMALL REMBRANDT 683 00:23:41,921 --> 00:23:43,853 AN S.S. OFFICER TOOK FROM MY GRANDFATHER. 684 00:23:45,655 --> 00:23:47,657 SO YOU WERE KINDA LIKE THE, UH, 685 00:23:47,657 --> 00:23:48,858 FEMALE INDIANA JONES, 686 00:23:48,858 --> 00:23:51,661 ONLY WITHOUT THE HAT AND WHIP. 687 00:23:51,661 --> 00:23:52,862 WELL, WITHOUT THE HAT. 688 00:23:55,004 --> 00:23:57,807 IT'S GETTIN' HOT IN HERE. 689 00:23:57,807 --> 00:23:59,709 (laughs) 690 00:24:08,818 --> 00:24:10,820 (hinge squeaks) 691 00:24:10,820 --> 00:24:11,951 (squeak) 692 00:24:11,951 --> 00:24:14,684 (opens and closes drawers) 693 00:24:15,755 --> 00:24:17,957 (beeps) 694 00:24:26,766 --> 00:24:27,897 I HAVE AN IDEA. 695 00:24:29,699 --> 00:24:31,741 WHY DON'T WE SKIP DESSERT? 696 00:24:31,741 --> 00:24:33,843 OH, WELL... WHAT'S THE RUSH? 697 00:24:33,843 --> 00:24:37,046 I HEAR THE STRAWBERRY SHORTCAKE HERE IS EXCELLENT. 698 00:24:37,046 --> 00:24:39,048 WOULDN'T YOU RATHER COME UP TO MY ROOM 699 00:24:39,048 --> 00:24:40,880 FOR A DRINK? 700 00:24:40,880 --> 00:24:42,752 THE, UH, STRAWBERRIES 701 00:24:42,752 --> 00:24:45,054 ARE SUPPOSED TO BE REALLY FRESH. 702 00:24:45,054 --> 00:24:47,056 WELL, GREAT. 703 00:24:47,056 --> 00:24:50,089 WE CAN ORDER THEM FROM ROOM SERVICE... 704 00:24:50,089 --> 00:24:51,791 WITH EXTRA WHIP CREAM. 705 00:24:51,791 --> 00:24:53,793 MM. 706 00:24:56,726 --> 00:24:58,728 (indistinct conversations) 707 00:24:58,728 --> 00:25:00,069 (beeps) 708 00:25:01,100 --> 00:25:03,002 (beep) 709 00:25:03,002 --> 00:25:04,974 (tablet beeps) 710 00:25:06,075 --> 00:25:08,107 I THINK I FOUND SOMETHING. 711 00:25:08,107 --> 00:25:10,780 (cell phone beeps) 712 00:25:10,780 --> 00:25:13,883 IT'S A MESSAGE BETWEEN SERENA AND A BUNCH OF FENCES. 713 00:25:13,883 --> 00:25:16,816 GUESS WHO'S TRYING TO SELL D FLAWLESS DIAMONDS. 714 00:25:16,816 --> 00:25:19,889 I THINK I FOUND SOMETHING, TOO-- 715 00:25:19,889 --> 00:25:22,121 THE TOOLS OF THE TRADE... 716 00:25:22,121 --> 00:25:24,794 AS WELL AS AN I.S.I. 717 00:25:24,794 --> 00:25:26,826 MM. 718 00:25:29,759 --> 00:25:30,830 THERE IT IS. 719 00:25:30,830 --> 00:25:32,832 THE SKYLINE SUITE. 720 00:25:32,832 --> 00:25:34,834 (latch clicks) 721 00:25:38,768 --> 00:25:39,809 MM. 722 00:25:39,809 --> 00:25:41,010 MM. 723 00:25:41,010 --> 00:25:42,912 (object bangs) (Beckett) HEY! 724 00:25:45,074 --> 00:25:46,976 WHAT--WHAT ARE YOU DOING HERE? 725 00:25:46,976 --> 00:25:49,048 ARRESTING YOU FOR THEFT... 726 00:25:49,048 --> 00:25:50,820 AND MURDER. 727 00:25:59,128 --> 00:26:00,830 WAIT. SO NOW YOU'RE TELLING ME 728 00:26:00,830 --> 00:26:01,891 THAT YOU DON'T BELIEVE SHE'S IN ON THIS? 729 00:26:01,891 --> 00:26:02,892 WHY WOULD SHE TELL ME SHE'S A THIEF? 730 00:26:02,892 --> 00:26:03,963 WHY OFFER THAT UP? 731 00:26:03,963 --> 00:26:05,034 BECAUSE SHE'S FEEDING YOU JUST ENOUGH TRUTH 732 00:26:05,034 --> 00:26:07,797 SO THAT SWALLOWING THE LIES IS EASIER. 733 00:26:07,797 --> 00:26:08,968 I DON'T THINK SHE'S BEHIND THIS. 734 00:26:08,968 --> 00:26:10,840 YEAH, WELL, YOU'RE THINKING WITH THE WRONG BODY PART. 735 00:26:10,840 --> 00:26:11,971 IT WAS ONLY A KISS. 736 00:26:11,971 --> 00:26:14,774 I WAS DOING WHAT YOU TOLD ME TO, KEEPING HER OCCUPIED. 737 00:26:14,774 --> 00:26:15,945 I WAS TRYING TO GIVE YOU ENOUGH TIME 738 00:26:15,945 --> 00:26:17,076 SO THAT YOU COULD SEARCH HER ROOM. 739 00:26:17,076 --> 00:26:18,948 YES, THE ROOM-- THE ROOM WHERE WE FOUND 740 00:26:18,948 --> 00:26:20,950 THE SUITCASE AND THE E-MAIL, 741 00:26:20,950 --> 00:26:23,052 WHICH ALL STANDS AS EVIDENCE AGAINST HER RIGHT NOW. 742 00:26:23,052 --> 00:26:26,015 I JUST THINK WE SHOULD GIVE HER A CHANCE TO EXPLAIN. 743 00:26:26,015 --> 00:26:27,116 WE? NO, THERE IS NO WAY 744 00:26:27,116 --> 00:26:28,888 WE'RE GOING IN ON THE INTERROGATION TOGETHER. 745 00:26:28,888 --> 00:26:30,119 OH, COME ON. 746 00:26:30,119 --> 00:26:31,961 I'M SORRY, CASTLE, BUT RIGHT NOW, 747 00:26:31,961 --> 00:26:34,163 BASED ON THIS CONVERSATION AND YOUR BEHAVIOR IN THAT HOTEL, 748 00:26:34,163 --> 00:26:37,096 IT ISOBVIOUSTHAT YOU HAVE BEEN COMPROMISED. 749 00:26:37,096 --> 00:26:39,028 I WAS ONLY DOING... (door slams) 750 00:26:39,028 --> 00:26:41,801 (lowered voice) WHAT YOU ASKED. 751 00:26:49,879 --> 00:26:51,981 I THOUGHT I'D SIT THIS ONE OUT. 752 00:26:57,186 --> 00:26:58,988 (Beckett) I GOTTA HAND IT TO YOU. 753 00:26:58,988 --> 00:27:01,020 THIS WHOLE LONG CON YOU'VE GOT GOING... 754 00:27:01,020 --> 00:27:02,952 IT'S IMPRESSIVE. 755 00:27:02,952 --> 00:27:04,924 COZYING UP TO INSURANCE COMPANIES, 756 00:27:04,924 --> 00:27:07,026 TELLING THEM THAT YOU WANT TO GO STRAIGHT, 757 00:27:07,026 --> 00:27:08,858 ALL THE WHILE WAITING FOR YOUR NEXT SCORE. 758 00:27:08,858 --> 00:27:10,900 WHAT ARE YOU TALKING ABOUT? 759 00:27:10,900 --> 00:27:13,963 THE ONLY CATCH WAS THAT YOU KNEW YOU NEEDED HAYES 760 00:27:13,963 --> 00:27:15,835 BUT YOU KNEW YOU COULDN'T GET AWAY WITH IT 761 00:27:15,835 --> 00:27:16,966 IF YOU LET HIM LIVE, 762 00:27:16,966 --> 00:27:18,968 SO YOU INSINUATED YOURSELF INTO MY INVESTIGATION 763 00:27:18,968 --> 00:27:21,070 TO COVER YOUR TRACKS. 764 00:27:21,070 --> 00:27:24,013 AND HERE I THOUGHT RICK WAS THE ONLY WRITER ON YOUR TEAM. 765 00:27:24,013 --> 00:27:26,846 RICK? YOU GUYS ON A FIRST-NAME BASIS NOW? 766 00:27:26,846 --> 00:27:27,977 WELL... 767 00:27:27,977 --> 00:27:29,979 HE WAS MAKING OUT WITH HER IN THE HOTEL HALLWAY. 768 00:27:29,979 --> 00:27:31,951 BECKETT TOLD ME TO STALL HER. 769 00:27:31,951 --> 00:27:33,152 SHE ALSO TELL YOU TO USE TONGUE? 770 00:27:33,152 --> 00:27:34,854 (mutters) 771 00:27:34,854 --> 00:27:35,985 (Beckett) I DON'T NEED TO SPIN STORIES. 772 00:27:35,985 --> 00:27:37,186 I'VE GOT YOU MEETING BRYAN HAYES 773 00:27:37,186 --> 00:27:39,929 THE DAY BEFORE THE HEIST. 774 00:27:39,929 --> 00:27:40,990 YES, TO GO OVER SECURITY FOR THE GALA. 775 00:27:40,990 --> 00:27:42,061 HE WAS CONCERNED. 776 00:27:42,061 --> 00:27:43,062 (chuckles) CONCERNED? 777 00:27:43,062 --> 00:27:44,864 HE WAS INVOLVED. 778 00:27:44,864 --> 00:27:46,165 I DIDN'T KNOW THAT IT WAS ALL AN ACT AT THE TIME. 779 00:27:46,165 --> 00:27:47,937 IF THAT MEETING WAS SO INNOCENT, 780 00:27:47,937 --> 00:27:49,198 THEN WHY DIDN'T YOU TELL US ABOUT IT BEFORE? 781 00:27:49,198 --> 00:27:52,001 BECAUSE IT'S NOT LIKE I'M PARTICULARLY PROUD OF THE FACT 782 00:27:52,001 --> 00:27:53,943 THAT I DIDN'T FIGURE OUT WHAT HE WAS UP TO. 783 00:27:53,943 --> 00:27:55,144 IF I HAD, THEN THE SCULPTURE WOULDN'T BE STOLEN, 784 00:27:55,144 --> 00:27:56,245 AND HE MIGHT STILL BE ALIVE. 785 00:27:56,245 --> 00:27:57,907 MAN, SHE'S REALLY SELLING THE WHOLE 786 00:27:57,907 --> 00:27:59,208 "THIEF WITH A HEART OF GOLD" ACT. 787 00:27:59,208 --> 00:28:01,150 MAYBE IT'S NOT AN ACT. 788 00:28:01,150 --> 00:28:02,882 SHE IS BEING REALLY CALM IN THERE. 789 00:28:02,882 --> 00:28:04,083 YEAH, LIKE STRANGELY CALM. 790 00:28:04,083 --> 00:28:06,055 MAYBE SHE DIDN'T DO IT. 791 00:28:06,055 --> 00:28:08,918 EITHER THAT OR SHE'S A PSYCHOPATH, IN WHICH CASE... 792 00:28:08,918 --> 00:28:11,020 (slaps arm) YOU SURE CAN PICK 'EM. 793 00:28:11,020 --> 00:28:12,091 WE FOUND THE TOOLS THAT YOU USED 794 00:28:12,091 --> 00:28:13,122 TO BREAK IN TO THE MUSEUM-- 795 00:28:13,122 --> 00:28:14,894 THE ROPE, GRAPPLING HOOK, 796 00:28:14,894 --> 00:28:15,895 LOCK PICKS. 797 00:28:15,895 --> 00:28:17,066 I SPECIALIZE IN RECOVERY. 798 00:28:17,066 --> 00:28:19,068 THE INSURANCE COMPANIES DON'T CAREHOW 799 00:28:19,068 --> 00:28:20,900 I GET THE PIECES BACK, JUST THAT I DO. 800 00:28:20,900 --> 00:28:22,231 SO BASICALLY, YOU'RE STILL A THIEF. 801 00:28:22,231 --> 00:28:24,904 RECOVERY, NOT THEFT. 802 00:28:24,904 --> 00:28:26,906 AND WHAT PART OF RECOVERY INVOLVES TRYING TO SELL 803 00:28:26,906 --> 00:28:28,938 D FLAWLESS DIAMONDS ON THE BLACK MARKET? 804 00:28:28,938 --> 00:28:30,940 FALCO MAY TRY TO MOVE THOSE STONES. 805 00:28:30,940 --> 00:28:32,942 I WAS TRYING TO FLUSH OUT HIS POSSIBLE FENCES. 806 00:28:32,942 --> 00:28:35,184 LISTEN, I'VE DONE MY HOMEWORK ON YOU, DETECTIVE. 807 00:28:35,184 --> 00:28:37,046 I KNOW THAT YOU'RE A SMART, METHODICAL COP 808 00:28:37,046 --> 00:28:38,117 WITH GREAT INSTINCTS. 809 00:28:38,117 --> 00:28:40,149 AND THOSE INSTINCTS ARE TELLING YOU RIGHT NOW 810 00:28:40,149 --> 00:28:41,991 THAT I'M INNOCENT. 811 00:28:41,991 --> 00:28:43,252 FOR SOME REASON, YOU'RE IGNORING THEM. 812 00:28:43,252 --> 00:28:45,094 WHY IS THAT? 813 00:28:51,000 --> 00:28:54,063 MS. KAYE, YOUR JOB IS RECOVERY, AS YOU CALL IT. 814 00:28:54,063 --> 00:28:56,936 MY JOB IS TO SOLVE THIS HOMICIDE. 815 00:28:56,936 --> 00:28:59,969 THEN WHY DON'T YOU PUT ASIDE YOUR PERSONAL AGENDA 816 00:28:59,969 --> 00:29:01,170 AND ASK ME FOR MY ALIBI 817 00:29:01,170 --> 00:29:03,172 SO WE CAN MOVE ON WITH THIS INVESTIGATION? 818 00:29:03,172 --> 00:29:05,214 FOR THE RECORD, I WAS IN A BUSINESS MEETING 819 00:29:05,214 --> 00:29:08,077 WITH ONE OF MY BOSSES WHEN I GOT THE CALL... 820 00:29:08,077 --> 00:29:10,119 IF YOU WANT TO CHECK. 821 00:29:10,119 --> 00:29:11,981 IF YOU'RE TELLING THE TRUTH, 822 00:29:11,981 --> 00:29:14,083 THEN WHY HAVE YOU BEEN GOING BEHIND OUR BACKS? 823 00:29:14,083 --> 00:29:17,957 BECAUSE IN MY EXPERIENCE, THE POLICE JUST GET IN THE WAY. 824 00:29:17,957 --> 00:29:21,030 MY JOB'S TO RECOVER THE SCULPTURE, NOT PLAY NICE. 825 00:29:21,030 --> 00:29:22,231 BUT YOU'RE RIGHT. 826 00:29:22,231 --> 00:29:24,233 I'VE BEEN TREATING THIS LIKE A REGULAR CASE, AND IT'S NOT. 827 00:29:24,233 --> 00:29:27,236 SO I PROMISE, FROM HERE ON OUT, NO MORE SECRETS. 828 00:29:27,236 --> 00:29:29,038 IT WON'T BE NECESSARY. 829 00:29:29,038 --> 00:29:30,970 WE WON'T BE WORKING TOGETHER ANYMORE. 830 00:29:33,072 --> 00:29:36,105 WOULD IT CHANGE YOUR MIND IF I TOLD YOU, I KNOW WHO FALCO IS? 831 00:29:41,250 --> 00:29:43,112 (computer beeps) WHAT YOU'RE WATCHING RIGHT NOW 832 00:29:43,112 --> 00:29:44,984 IS SECURITY FOOTAGE FROM THE MUSEUM EXHIBIT 833 00:29:44,984 --> 00:29:46,185 FROM TWO WEEKS AGO. 834 00:29:46,185 --> 00:29:48,187 YOU STOLE HAYES' FLASH DRIVE? THAT'S WHY IT WENT MISSING? 835 00:29:48,187 --> 00:29:50,319 REMEMBER, YOU'RE TRYING TO GET US TO TRUST YOU. 836 00:29:50,319 --> 00:29:52,191 AT LEAST I MEANT IT WHEN I KISSED YOU. 837 00:29:52,191 --> 00:29:53,262 IT WOULDN'T HAVE DONE YOU ANY GOOD. 838 00:29:53,262 --> 00:29:56,065 YOU WOULDN'T KNOW WHAT TO LOOK FOR. 839 00:29:56,065 --> 00:29:57,366 YOU SEE THAT GUY RIGHT THERE? (beep) 840 00:29:57,366 --> 00:29:58,367 HE'S CASING THE JOINT. 841 00:29:58,367 --> 00:30:00,069 HOW CAN YOU TELL? 842 00:30:00,069 --> 00:30:01,100 TRUST ME. I CAN TELL. 843 00:30:01,100 --> 00:30:03,002 SO YOU'RE SAYING THAT'S-- FALCO. 844 00:30:03,002 --> 00:30:04,303 WELL, WHY DIDN'T YOU TELL US THIS BEFORE? 845 00:30:04,303 --> 00:30:05,374 WELL, I JUST DIDN'T GET A CHANCE TO SHOW YOU. 846 00:30:05,374 --> 00:30:07,236 I GUESS YOU WERE BUSY. OKAY, OKAY. 847 00:30:07,236 --> 00:30:09,238 PERHAPS WE CAN JUST FOCUS ON GETTING THIS GUY. 848 00:30:09,238 --> 00:30:10,339 WELL, HOW'S THIS SUPPOSED TO HELP? 849 00:30:10,339 --> 00:30:12,141 WE DON'T EVEN KNOW HIS REAL NAME. 850 00:30:12,141 --> 00:30:14,143 WELL, THE ONLY THING WE CAN DO IS SEND PHOTOS OUT TO T.S.A. 851 00:30:14,143 --> 00:30:15,344 AND PUT OUT AN A.P.B. 852 00:30:15,344 --> 00:30:17,146 OTHERWISE, WITHOUT MORE INFORMATION, 853 00:30:17,146 --> 00:30:18,347 IT'S NOT GONNA DO US ANY GOOD. 854 00:30:18,347 --> 00:30:21,090 WHAT IF I COULD TELL YOU WHICH HOTEL HE WAS STAYING AT? 855 00:30:21,090 --> 00:30:23,192 THE GEL IN THE VENTS AND ON THE HEADREST OF THE VAN? 856 00:30:23,192 --> 00:30:25,394 C.S.U. IDENTIFIED IT AS A PROPRIETARY FORMULA 857 00:30:25,394 --> 00:30:27,326 MADE EXCLUSIVELY FOR THE WESSEX HOTEL. 858 00:30:27,326 --> 00:30:29,128 THERE'S ONLY ONE IN THE CITY. 859 00:30:29,128 --> 00:30:30,359 LET'S GET THE PHOTOS OUT TO THE HOTEL EMPLOYEES. 860 00:30:30,359 --> 00:30:32,361 IF ONE OF THEM RECOGNIZES HIM, WE GOT HIM. 861 00:30:32,361 --> 00:30:34,163 RIGHT ON. 862 00:30:37,206 --> 00:30:40,209 (Muzak playing) 863 00:30:45,174 --> 00:30:47,116 NYPD! (Ryan) NYPD! 864 00:30:47,116 --> 00:30:48,217 (Esposito) LET ME SEE YOUR HANDS! LET ME SEE YOUR HANDS RIGHT NOW! 865 00:30:48,217 --> 00:30:49,218 LET ME SEE YOUR HANDS RIGHT NOW! 866 00:30:49,218 --> 00:30:50,349 HANDS, RIGHT NOW! 867 00:30:50,349 --> 00:30:51,420 HELLO, FALCO. 868 00:30:56,986 --> 00:30:58,087 (British accent) FALCO? 869 00:30:58,087 --> 00:31:00,089 I'VE GOT NO IDEA WHAT YOU'RE TALKING ABOUT. 870 00:31:00,089 --> 00:31:02,191 MY NAME IS HOLT. WILLIAM HOLT. 871 00:31:02,191 --> 00:31:04,033 YES, WILLIAM HOLT, BRITISH PASSPORT. 872 00:31:04,033 --> 00:31:06,095 YOU JUST GOT INTO TOWN TWO WEEKS AGO. 873 00:31:06,095 --> 00:31:08,067 YOU ALSO HAPPENED TO BE IN BILBAO 874 00:31:08,067 --> 00:31:10,869 TEN YEARS AGO WHEN THE PISSARRO WENT MISSING, 875 00:31:10,869 --> 00:31:13,943 AND THEN IN BERLIN 15 YEARS AGO 876 00:31:13,943 --> 00:31:15,144 WHEN THAT EL GRECO DISAPPEARED. 877 00:31:15,144 --> 00:31:17,947 DON'T KNOW ANYTHING ABOUT THAT. 878 00:31:17,947 --> 00:31:19,148 DROP THE ACT, FALCO. 879 00:31:19,148 --> 00:31:21,210 WE'VE GOT A VIDEO OF YOU CASING THE MUSEUM 880 00:31:21,210 --> 00:31:23,012 TWO WEEKS AGO. 881 00:31:23,012 --> 00:31:24,954 THAT IS YOU, ISN'T IT? 882 00:31:24,954 --> 00:31:26,956 WHENEVER I COME TO A NEW TOWN, 883 00:31:26,956 --> 00:31:29,989 I ALWAYS TAKE TIME OUT TO ADMIRE THE CITY'S TREASURES. 884 00:31:29,989 --> 00:31:32,121 IS THAT A CRIME? 885 00:31:32,121 --> 00:31:33,262 NO, NO. 886 00:31:33,262 --> 00:31:36,065 BUT SNEAKING BACK IN AND STEALING THEM IS. 887 00:31:36,065 --> 00:31:37,166 LOOK FAMILIAR? 888 00:31:37,166 --> 00:31:39,068 IT WAS USED TO DISARM 889 00:31:39,068 --> 00:31:41,270 THE SECURITY SYSTEMS IN THE MUSEUM. 890 00:31:41,270 --> 00:31:44,103 THEY ALSO FOUND MATCHING ONES IN BILBAO AND BERLIN. 891 00:31:44,103 --> 00:31:46,035 IF YOU SAY SO. 892 00:31:46,035 --> 00:31:48,277 I, FOR ONE, HAVE NEVER SEEN ANYTHING LIKE THAT. 893 00:31:50,039 --> 00:31:51,981 THE HOTEL THAT YOU'RE STAYING IT, 894 00:31:51,981 --> 00:31:53,983 IT'S NICE, ISN'T IT? 895 00:31:53,983 --> 00:31:56,915 THEY EVEN HAVE THEIR VERY OWN EXCLUSIVE HAIR PRODUCTS. 896 00:31:56,915 --> 00:31:59,148 HAIR PRODUCTS THAT LEFT A TRACE 897 00:31:59,148 --> 00:32:01,090 IN THE AIR DUCT SYSTEM. 898 00:32:01,090 --> 00:32:03,252 AND BY THE WAY, UH... HAIR GEL? 899 00:32:03,252 --> 00:32:05,154 NOT VERY MANLY. 900 00:32:08,157 --> 00:32:11,030 HUNDREDS OF PEOPLE ARE STAYING AT MY HOTEL, 901 00:32:11,030 --> 00:32:14,033 AND I'M PRETTY SURE 902 00:32:14,033 --> 00:32:15,234 YOU DIDN'T FIND PRINTS ON THAT. 903 00:32:15,234 --> 00:32:17,136 SO... 904 00:32:17,136 --> 00:32:20,309 WHAT EXACTLY WERE YOU PLANNING TO BOOK ME ON? 905 00:32:22,211 --> 00:32:26,115 THIS FALCO PERSON YOU'RE CHASING... 906 00:32:26,115 --> 00:32:30,249 ARE YOU SURE HE'S YOUR GUY? 907 00:32:30,249 --> 00:32:34,053 FROM WHAT I KNOW ABOUT HIM, HE'S NO MURDERER. 908 00:32:34,053 --> 00:32:37,256 HE MAY NOT BE AS INVOLVED AS YOU THINK. 909 00:32:41,060 --> 00:32:43,162 (Serena) HE'S TRYING TO TELL US SOMETHING. 910 00:32:43,162 --> 00:32:44,994 YEAH, TO POLITELY GO TO HELL. 911 00:32:44,994 --> 00:32:47,336 NO, HE WENT OUT OF HIS WAY TO TELL US, HE'S NOT THE MURDERER. 912 00:32:47,336 --> 00:32:49,168 WELL, MOST PEOPLE DO THAT IN THE ROOM. 913 00:32:49,168 --> 00:32:51,200 C.S.U. COME BACK WITH ANYTHING FROM THE HOTEL? 914 00:32:51,200 --> 00:32:52,341 NOTHING. 915 00:32:52,341 --> 00:32:55,074 NO EQUIPMENT, NO FIST. 916 00:32:55,074 --> 00:32:56,975 WHAT ARE YOU THINKING? 917 00:32:56,975 --> 00:32:58,077 HE KNOWS SOMETHING. 918 00:32:58,077 --> 00:33:00,009 BUT HE CAN'T TELL US 919 00:33:00,009 --> 00:33:02,081 WITHOUT ADMITTING HE WAS THERE. 920 00:33:02,081 --> 00:33:04,013 LET ME TALK TO HIM. 921 00:33:04,013 --> 00:33:05,114 YOU'RE KIDDING, RIGHT? 922 00:33:05,114 --> 00:33:07,216 HE'S A SUSPECT, AND YOU'RE NOT EVEN A COP. 923 00:33:07,216 --> 00:33:09,358 NO, I'M A THIEF, LIKE HIM. 924 00:33:09,358 --> 00:33:11,290 HE'LL TALK TO ME. 925 00:33:16,325 --> 00:33:17,996 WHOA. 926 00:33:17,996 --> 00:33:19,368 BAD COP STRUCK OUT, 927 00:33:19,368 --> 00:33:21,130 GOOD COP GETS A TURN? 928 00:33:21,130 --> 00:33:22,331 I'M NOT A COP. 929 00:33:22,331 --> 00:33:25,003 THEN WHO ARE YOU? 930 00:33:25,003 --> 00:33:26,004 (inhales) MM. 931 00:33:26,004 --> 00:33:28,006 THAT DEPENDS ON WHO YOU ASK. 932 00:33:28,006 --> 00:33:30,279 I'MDER GEIST IN ZURICH, 933 00:33:30,279 --> 00:33:32,241 PANTERAIN SPAIN. 934 00:33:32,241 --> 00:33:35,144 POLICENATIONALE KNOW ME AS GASTON. 935 00:33:35,144 --> 00:33:37,015 BUT YOU... 936 00:33:37,015 --> 00:33:39,318 PROBABLY KNOW ME AS... 937 00:33:39,318 --> 00:33:41,050 JACKAL. 938 00:33:41,050 --> 00:33:44,093 THE PRADO. 939 00:33:44,093 --> 00:33:45,294 '07? 940 00:33:45,294 --> 00:33:47,296 ARE YOU SAYING THAT WAS YOU? 941 00:33:47,296 --> 00:33:48,357 MM-HMM. 942 00:33:48,357 --> 00:33:51,300 HOW'D YOU GET BY THE SOUND SENSORS? 943 00:33:51,300 --> 00:33:54,363 I HAD THE RUSSIAN BUILD ME A WAVE CANCELLATION BOX. 944 00:33:54,363 --> 00:33:57,236 I HEARD HE BUILT ONE FOR YOU FOR THE BOSTON JOB? 945 00:33:57,236 --> 00:33:59,208 THAT'S NO EASY EXIT, PRADO. 946 00:33:59,208 --> 00:34:01,039 HOW DID YOU GET THE PIECE OUT? 947 00:34:01,039 --> 00:34:02,271 (chuckles) 948 00:34:02,271 --> 00:34:06,075 THE GUARD WAS SO BUSY CHECKING OUT MY ASSETS 949 00:34:06,075 --> 00:34:07,146 THAT HE DIDN'T NOTICE ME 950 00:34:07,146 --> 00:34:08,377 CUT THE TRIP WIRE ON THE GOYA'S BACK. 951 00:34:08,377 --> 00:34:12,181 I CAME IN LATER ON A SKYLINE AND WHIPPED IT RIGHT OUT. 952 00:34:12,181 --> 00:34:14,123 I'LL BE DAMNED. 953 00:34:18,357 --> 00:34:20,329 BUT NOW YOU'RE HERE, 954 00:34:20,329 --> 00:34:22,331 WORKING WITH THE COPS. 955 00:34:22,331 --> 00:34:24,263 SO YOU MUST HAVE GOT CAUGHT. 956 00:34:24,263 --> 00:34:26,064 MM. I GOT SMART. 957 00:34:26,064 --> 00:34:27,196 ONE DAY YOU REALIZE 958 00:34:27,196 --> 00:34:30,068 THAT YOU OR SOMEONE ELSE IS GOING TO GET HURT. 959 00:34:31,340 --> 00:34:33,202 I DIDN'T KILL HIM. 960 00:34:33,202 --> 00:34:36,305 BUT YOU WERE THERE. 961 00:34:43,352 --> 00:34:46,115 THINK SHE'LL GET HIM TO TALK? 962 00:34:46,115 --> 00:34:47,316 WHO KNOWS, CASTLE? 963 00:34:47,316 --> 00:34:49,418 MAYBE SHE'LL KISS IT OUT OF HIM. 964 00:34:49,418 --> 00:34:52,421 (clatters) 965 00:34:52,421 --> 00:34:54,423 I WASN'T HIRED TO STEAL THE FIST. 966 00:34:54,423 --> 00:34:57,095 MY CONTACT TOLD ME THAT I WAS BEING PAID 967 00:34:57,095 --> 00:34:59,198 TO TEST THEIR SECURITY FOR VULNERABILITIES. 968 00:34:59,198 --> 00:35:01,470 I WAS TO BREAK IN, DISABLE THE ALARM, 969 00:35:01,470 --> 00:35:05,103 AND WALK OUT UNDETECTED, ALL BEFORE 10:00 P.M. 970 00:35:05,103 --> 00:35:06,475 AND FOR MY TROUBLE, 971 00:35:06,475 --> 00:35:09,238 I GOT 200 GRAND IN ADVANCE. 972 00:35:09,238 --> 00:35:11,210 WHO HIRED YOU? 973 00:35:11,210 --> 00:35:12,411 OH, CHURCH AND STATE, LOVE. 974 00:35:12,411 --> 00:35:14,213 EVERYTHING GOES THROUGH A THIRD PARTY. 975 00:35:14,213 --> 00:35:15,414 YOU KNOW THAT. IT'S SAFER THAT WAY. 976 00:35:15,414 --> 00:35:17,486 MM. YEAH, UNTIL YOU GET SET UP. 977 00:35:17,486 --> 00:35:20,189 THE REAL THIEF NEEDED YOU TO DISABLE THE ALARMS. 978 00:35:20,189 --> 00:35:22,191 YEAH, APPARENTLY. 979 00:35:22,191 --> 00:35:23,392 WHAT'D YOU SEE? 980 00:35:23,392 --> 00:35:25,294 NOTHING AT FIRST. 981 00:35:25,294 --> 00:35:27,256 I MEAN... 982 00:35:27,256 --> 00:35:28,457 IT HAD ALL BEEN TOO EASY. 983 00:35:28,457 --> 00:35:30,459 I GOT HALFWAY BACK TO THE LOADING BAY 984 00:35:30,459 --> 00:35:32,331 WHEN IT HIT ME-- 985 00:35:32,331 --> 00:35:34,333 I MEAN, I'D ALREADY DISABLED THE ALARMS, RIGHT? 986 00:35:34,333 --> 00:35:37,266 AND IT WAS JUST, OH, SITTING THERE. 987 00:35:37,266 --> 00:35:38,507 YOU WENT BACK FOR THE FIST. 988 00:35:38,507 --> 00:35:43,212 IT'S AN AWFUL LOT OF TEMPTATION, $50 MIL. 989 00:35:43,212 --> 00:35:44,443 WHEN I GOT BACK TO THE ROOM, 990 00:35:44,443 --> 00:35:47,246 THERE WAS A WOMAN WALKING TOWARD THE FIST. 991 00:35:47,246 --> 00:35:49,348 SO I GOT THE BLOODY HELL OUTTA THERE. 992 00:35:49,348 --> 00:35:51,350 THIS WOMAN, WHAT DID SHE LOOK LIKE? 993 00:35:51,350 --> 00:35:53,352 I BARELY GOT A GLIMPSE. 994 00:35:53,352 --> 00:35:55,354 ALL I CAN SAY FOR SURE IS, 995 00:35:55,354 --> 00:35:57,326 SHE WAS WEARING A BLACK DRESS. 996 00:35:59,288 --> 00:36:00,489 (Serena) COME ON, BECKETT. 997 00:36:00,489 --> 00:36:02,291 HE'S GOT NO REASON TO LIE. 998 00:36:02,291 --> 00:36:04,463 HE'S A THIEF. HE'S GOT PLENTY OF REASONS TO LIE. 999 00:36:04,463 --> 00:36:06,235 NOT ABOUT THIS. 1000 00:36:06,235 --> 00:36:07,436 HE KNOWS YOU'VE GOT NOTHING ON HIM. 1001 00:36:07,436 --> 00:36:09,438 ALL HE HAD TO DO WAS WAIT, AND YOU'D HAVE TO RELEASE HIM. 1002 00:36:09,438 --> 00:36:10,469 IF FALCO IS TELLING THE TRUTH, 1003 00:36:10,469 --> 00:36:12,371 THEN WITH HAYES' MONEY TROUBLE, 1004 00:36:12,371 --> 00:36:15,374 THE $200,000 PAYMENT TO FALCO RULES HIM OUT. 1005 00:36:15,374 --> 00:36:17,446 THEN WHY WOULD HE GO TO THE BAR, ASKING ABOUT FENCING DIAMONDS? 1006 00:36:17,446 --> 00:36:18,507 BECAUSE HE WAS PARANOID 1007 00:36:18,507 --> 00:36:20,249 SOMEONE WAS TRYING TO STEAL THE FIST. 1008 00:36:20,249 --> 00:36:21,510 NOT PARANOID. RIGHT. 1009 00:36:21,510 --> 00:36:23,252 WHICH MEANS OUR KILLER'S PROBABLY 1010 00:36:23,252 --> 00:36:25,254 WHOMEVER FALCO SAW GOING IN TO THE ROOM WITH THE FIST. 1011 00:36:25,254 --> 00:36:27,386 AND WHEN HAYES GOT IN THE WAY, SHE SPIKED HIM. 1012 00:36:27,386 --> 00:36:29,418 DID HE SAY ANYTHING ABOUT WHAT THE WOMAN LOOKED LIKE? 1013 00:36:29,418 --> 00:36:31,390 JUST THAT SHE WAS WEARING A BLACK DRESS. 1014 00:36:31,390 --> 00:36:33,492 THERE WERE OVER 200 PEOPLE AT THAT GALA, 1015 00:36:33,492 --> 00:36:36,194 AND HALF OF THOSE WOMEN WERE WEARING BLACK. 1016 00:36:36,194 --> 00:36:37,296 AND MORE IMPORTANTLY, 1017 00:36:37,296 --> 00:36:38,427 IF SHE DIDN'T LEAVE BY THE LOADING DOCK, 1018 00:36:38,427 --> 00:36:41,300 THEN HOW DID SHE GET THE FIST OUT OF THE MUSEUM? 1019 00:36:41,300 --> 00:36:43,272 YEAH. HOW DID SHE? 1020 00:36:43,272 --> 00:36:45,334 SHE WAITS FOR FALCO TO FINISH DISABLING THE SYSTEM, 1021 00:36:45,334 --> 00:36:47,276 AND THEN SHE COMES IN THROUGH THE GALA. 1022 00:36:47,276 --> 00:36:49,308 AND WITH THE ALARM SYSTEM DEACTIVATED, 1023 00:36:49,308 --> 00:36:50,509 SHE GRABS THE FIST. 1024 00:36:50,509 --> 00:36:52,511 BUT HAYES IS PARANOID ABOUT SECURITY, 1025 00:36:52,511 --> 00:36:55,414 SO HE COMES IN TO CHECK ON THE EXHIBIT. 1026 00:36:55,414 --> 00:36:57,286 HE CATCHES HER... 1027 00:36:57,286 --> 00:36:58,547 AND SHE'S FORCED TO KILL HIM. 1028 00:36:58,547 --> 00:37:00,549 NOW SHE'S IN A HURRY TO LEAVE 1029 00:37:00,549 --> 00:37:03,292 BEFORE SOMEONE DISCOVERS HER WITH THE FIST AND A BODY. 1030 00:37:03,292 --> 00:37:04,493 AH, BUT SHE CAN'T TAKE IT OUT THROUGH THE GALA 1031 00:37:04,493 --> 00:37:06,224 WITHOUT BEING SPOTTED... 1032 00:37:06,224 --> 00:37:07,396 AND SHE CAN'T TAKE IT THROUGH THE LOADING BAY 1033 00:37:07,396 --> 00:37:09,298 WITHOUT ONE OF THE CATERING STAFF 1034 00:37:09,298 --> 00:37:11,229 NOTICING HER DRESSED IN BLACK. 1035 00:37:11,229 --> 00:37:12,531 WELL, THOSE ARE THE ONLY TWO EXITS. 1036 00:37:12,531 --> 00:37:14,463 AND BOTH OF THOSE CHOICES LEAVE TOO MUCH TO CHANCE. 1037 00:37:14,463 --> 00:37:16,505 SHE WOULD'VE EASILY GOTTEN CAUGHT. 1038 00:37:16,505 --> 00:37:17,606 SO IF SHE CAN'T TAKE IT THROUGH THE GALA 1039 00:37:17,606 --> 00:37:19,237 AND SHE CAN'T TAKE IT THROUGH THE LOADING BAY, 1040 00:37:19,237 --> 00:37:20,569 HOW THE HELL DID SHE GET IT OUTTA HERE? 1041 00:37:20,569 --> 00:37:22,240 MAYBE SHE DIDN'T. 1042 00:37:22,240 --> 00:37:23,412 WHAT DO YOU MEAN? 1043 00:37:23,412 --> 00:37:25,474 WHAT I MEAN IS... 1044 00:37:29,247 --> 00:37:30,349 WHAT ARE YOU DOING?! 1045 00:37:30,349 --> 00:37:33,382 (Castle) IT NEVER LEFT THE MUSEUM. 1046 00:37:34,583 --> 00:37:36,425 MR. CASTLE. 1047 00:37:36,425 --> 00:37:38,527 LOOKS LIKE I BROKE THIS CASE WIDE OPEN. 1048 00:37:38,527 --> 00:37:40,258 (chuckles) 1049 00:37:48,767 --> 00:37:50,569 YOU NEEDED TO SEE ME, DETECTIVE? 1050 00:37:50,569 --> 00:37:53,502 YES, WE NEED TO TALK TO YOU ABOUT YOUR INSTALLATION. 1051 00:37:53,502 --> 00:37:54,673 OH, MY GOD. WHAT HAPPENED? 1052 00:37:54,673 --> 00:37:55,674 (Castle) IT'S A NEW INTERPRETATION 1053 00:37:55,674 --> 00:37:56,705 I'M WORKING ON. 1054 00:37:56,705 --> 00:37:58,607 I CALL IT... BUSTED. 1055 00:37:58,607 --> 00:38:00,649 IT'S RUINED. WHO THE HELL DID THIS? 1056 00:38:00,649 --> 00:38:03,582 MORE TO THE POINT, WHO PUT THE FIST IN IT? 1057 00:38:03,582 --> 00:38:04,713 THE FIST WAS INSIDE IT? 1058 00:38:04,713 --> 00:38:06,715 THAT WAY, THE THIEF DIDN'T HAVE TO WORRY 1059 00:38:06,715 --> 00:38:07,786 ABOUT SMUGGLING IT OUT. 1060 00:38:07,786 --> 00:38:10,589 SHE COULD SIMPLY REJOIN THE PARTY. 1061 00:38:10,589 --> 00:38:11,720 SHE? 1062 00:38:11,720 --> 00:38:12,861 WE KNOW THAT WHOEVER STOLE THE FIST 1063 00:38:12,861 --> 00:38:14,623 WAS A WOMAN WEARING A BLACK DRESS-- 1064 00:38:14,623 --> 00:38:16,765 THE SAME WOMAN THAT KILLED MR. HAYES. 1065 00:38:16,765 --> 00:38:18,527 IF I REMEMBER CORRECTLY, 1066 00:38:18,527 --> 00:38:20,669 YOU WERE WEARING A BLACK DRESS THAT NIGHT. 1067 00:38:20,669 --> 00:38:22,771 SO WAS EVERY WOMAN IN HERE. 1068 00:38:22,771 --> 00:38:24,733 YES, BUT ONLY ONE OF THEM KNEW THAT THERE WAS A COMPARTMENT 1069 00:38:24,733 --> 00:38:26,735 INSIDE THAT PIECE NEARBY. 1070 00:38:26,735 --> 00:38:28,537 IT WAS THE PERFECT PLAN 1071 00:38:28,537 --> 00:38:30,909 UNTIL BRYAN HAYES SHOWED UP AND SAW YOU. 1072 00:38:30,909 --> 00:38:32,741 WAIT. I-IT WASN'T ME. 1073 00:38:32,741 --> 00:38:33,912 I SWEAR. 1074 00:38:33,912 --> 00:38:35,844 YOU MEAN, IT WASN'T JUST YOU. 1075 00:38:35,844 --> 00:38:37,586 YOU DIDN'T HAVE THE MONEY TO PAY FALCO, 1076 00:38:37,586 --> 00:38:38,647 BUT YOU DID USE YOUR POSITION 1077 00:38:38,647 --> 00:38:40,789 TO PLACE THE PIECE IN THE EXHIBIT. 1078 00:38:40,789 --> 00:38:42,591 I DIDN'T PLACE ANYTHING. 1079 00:38:42,591 --> 00:38:43,922 MY PIECE WAS SELECTED BY THE BOARD, 1080 00:38:43,922 --> 00:38:45,794 JUST LIKE ALL OF THE ART IN HERE. 1081 00:38:45,794 --> 00:38:47,556 YES, AND WHEN THE EXHIBIT WAS DONE, 1082 00:38:47,556 --> 00:38:48,727 IT WOULD COME BACK TO YOU, 1083 00:38:48,727 --> 00:38:50,799 ONLY WORTH ABOUT $50 MILLION MORE. 1084 00:38:50,799 --> 00:38:52,801 NO, IT WASN'T COMING BACK TO ME. 1085 00:38:52,801 --> 00:38:54,863 I SOLD IT LAST WEEK. IT WAS GOING TO... 1086 00:38:55,904 --> 00:38:57,906 OH, MY GOD. 1087 00:38:59,868 --> 00:39:03,572 I FOUND ALYSSA'S WORK COMPELLING. 1088 00:39:03,572 --> 00:39:06,575 I'M NOT SURE WHY I'M HAVING TO JUSTIFY MY TASTE IN ART. 1089 00:39:06,575 --> 00:39:08,777 BECAUSE THIS PARTICULAR PIECE JUST HAPPENED TO HAVE 1090 00:39:08,777 --> 00:39:10,719 A BRONZE FIST IN IT. 1091 00:39:10,719 --> 00:39:12,721 YOU FOUND MY FIST. 1092 00:39:12,721 --> 00:39:13,882 YES, RIGHT WHERE YOU PUT IT. 1093 00:39:13,882 --> 00:39:16,885 YOU KNOW, RIGHT ABOUT NOW IS WHERE YOU SHOULD BE THINKING 1094 00:39:16,885 --> 00:39:18,927 ABOUT WHETHER PUSHING HAYES WAS AN ACCIDENT OR NOT, 1095 00:39:18,927 --> 00:39:20,729 BECAUSE THAT'S GONNA MAKE 1096 00:39:20,729 --> 00:39:22,731 A 30-YEAR DIFFERENCE IN YOUR PRISON SENTENCE. 1097 00:39:22,731 --> 00:39:24,863 YOU THINK I DID THAT TO BRYAN HAYES? 1098 00:39:24,863 --> 00:39:26,865 NOW WE'VE OBTAINED A WARRANT FOR YOUR FINANCIALS, 1099 00:39:26,865 --> 00:39:29,838 AND WE WILL FIND EVIDENCE OF THE $200,000 1100 00:39:29,838 --> 00:39:31,840 YOU PAID TO WILLIAM HOLT, 1101 00:39:31,840 --> 00:39:34,673 ALSO KNOWN AS FALCO, TO DISABLE SECURITY 1102 00:39:34,673 --> 00:39:36,705 AT THE MUSEUM. 1103 00:39:36,705 --> 00:39:38,677 I'M SORRY, DEAR. YOU'VE LOST ME. 1104 00:39:38,677 --> 00:39:40,949 C.S.U. FOUND YOUR FINGERPRINTS ALL OVER THE FIST. 1105 00:39:40,949 --> 00:39:43,612 OF COURSE THEY DID. IT BELONGS TO ME. 1106 00:39:43,612 --> 00:39:45,754 BLOODY FINGERPRINTS-- HIS BLOOD, 1107 00:39:45,754 --> 00:39:47,756 YOUR PRINTS. 1108 00:39:47,756 --> 00:39:48,887 IT'S OVER. 1109 00:39:48,887 --> 00:39:51,790 YOU KILLED A MAN, MRS. McHUGH. 1110 00:39:53,662 --> 00:39:55,624 YOU DON'T UNDERSTAND. 1111 00:39:55,624 --> 00:39:57,896 MY HUSBAND WAS GOING TO TAKE IT AWAY. 1112 00:39:57,896 --> 00:39:59,968 I JUST TOOK WHAT WAS RIGHTFULLY MINE. 1113 00:39:59,968 --> 00:40:02,831 BRYAN HAYES SHOWED UP OUT OF NOWHERE. 1114 00:40:02,831 --> 00:40:04,833 HE SAW ME WITH THE FIST IN MY HANDS. 1115 00:40:04,833 --> 00:40:06,675 WHAT WAS I SUPPOSED TO DO? 1116 00:40:08,677 --> 00:40:10,879 YOU KNOW WHAT'S IRONIC? 1117 00:40:10,879 --> 00:40:14,713 YOUR HUSBAND WOULD'VE LET YOU HAVE THE FIST. 1118 00:40:14,713 --> 00:40:16,845 HE DIDN'T EVEN WANT IT. 1119 00:40:20,919 --> 00:40:24,723 THE D.A. SAID THAT HER HUSBAND CALLED SEVERAL TIMES, 1120 00:40:24,723 --> 00:40:26,895 BEGGING TO TESTIFY AGAINST HER. 1121 00:40:26,895 --> 00:40:28,927 MM. WHEN CAN I COLLECT THE FIST? 1122 00:40:28,927 --> 00:40:30,759 THE INSURANCE COMPANY'S ASKING. 1123 00:40:30,759 --> 00:40:31,900 WELL, IT'S IN EVIDENCE. 1124 00:40:31,900 --> 00:40:35,904 ONCE THE CASE IS RESOLVED, THEY'LL RELEASE IT. 1125 00:40:35,904 --> 00:40:37,836 I WANT TO THANK YOU. 1126 00:40:37,836 --> 00:40:39,037 I COULDN'T HAVE DONE THIS WITHOUT YOU. 1127 00:40:39,037 --> 00:40:40,839 I'M REALLY GRATEFUL. 1128 00:40:40,839 --> 00:40:43,011 SO DOES THAT MEAN YOU'RE CUTTING ME IN ON THE FINDER'S FEE? 1129 00:40:43,011 --> 00:40:45,013 I'M NOT THAT GRATEFUL. 1130 00:40:45,013 --> 00:40:47,015 WELL, I, UH... 1131 00:40:47,015 --> 00:40:49,778 (espresso machine hissing) 1132 00:40:49,778 --> 00:40:52,851 THINK WE ALL ENDED UP WITH WHAT WE WANTED. 1133 00:40:52,851 --> 00:40:53,952 YEAH. 1134 00:40:53,952 --> 00:40:55,954 UM, YOU KNOW... 1135 00:40:55,954 --> 00:40:58,787 AFTER YOU AND CASTLE WENT ON THAT DATE-- 1136 00:40:58,787 --> 00:41:00,028 MORE LIKE A STING. 1137 00:41:00,028 --> 00:41:03,862 HE... NEVER THOUGHT THAT YOU WERE INVOLVED. 1138 00:41:03,862 --> 00:41:05,063 OH. 1139 00:41:05,063 --> 00:41:06,965 HE BELIEVED IN YOU, 1140 00:41:06,965 --> 00:41:09,037 EVEN WHEN I DIDN'T. 1141 00:41:09,037 --> 00:41:11,870 WHY ARE YOU TELLING ME THIS? 1142 00:41:11,870 --> 00:41:13,802 I JUST--I, I THINK THAT YOU SHOULD KNOW 1143 00:41:13,802 --> 00:41:16,805 WHAT KIND OF PERSON YOU'RE DEALING WITH. 1144 00:41:18,046 --> 00:41:20,849 HERE WE ARE, LADIES. 1145 00:41:20,849 --> 00:41:21,850 THANK YOU. 1146 00:41:21,850 --> 00:41:22,911 THANK YOU. 1147 00:41:23,982 --> 00:41:26,084 ANYTHING WRONG? 1148 00:41:26,084 --> 00:41:27,816 UH, NO. I SHOULD-- 1149 00:41:27,816 --> 00:41:29,758 I'M JUST GONNA GO AND FILE SOME STUFF. 1150 00:41:32,020 --> 00:41:34,863 UH, AND I'M--I'M GOING BACK TO MY HOTEL. 1151 00:41:34,863 --> 00:41:36,064 I WOULD ASK YOU TO COME, 1152 00:41:36,064 --> 00:41:38,066 BUT... IT'S LIKE I SAID, 1153 00:41:38,066 --> 00:41:41,730 I DON'T STEAL THINGS THAT BELONG TO SOMEONE ELSE. 1154 00:41:46,034 --> 00:41:48,006 (sighs) 1155 00:41:50,008 --> 00:41:51,810 YOU GUYS DIDN'T GO OUT? 1156 00:41:51,810 --> 00:41:53,982 NO. 1157 00:41:53,982 --> 00:41:56,014 WHY? 1158 00:41:56,014 --> 00:41:58,086 BECAUSE I CAN'T AFFORD IT. 1159 00:41:58,086 --> 00:42:00,018 THE MUSEUM JUST SLAPPED ME WITH A BILL 1160 00:42:00,018 --> 00:42:01,019 FOR THAT EXHIBIT I BROKE. 1161 00:42:01,019 --> 00:42:02,951 WHOA. 1162 00:42:02,951 --> 00:42:04,823 I KNOW. YOU'D THINK THEY CUT ME SLACK 1163 00:42:04,823 --> 00:42:07,095 AFTER THE WHOLE "HELPING TO SOLVE THE MURDER" THING. 1164 00:42:07,095 --> 00:42:08,997 I GUESS THE LEAST THE NYPD COULD DO 1165 00:42:08,997 --> 00:42:11,860 IS TAKE YOU OUT FOR A HAMBURGER. 1166 00:42:13,031 --> 00:42:14,132 I ACCEPT. 1167 00:42:14,132 --> 00:42:16,104 LET'S GO. 1168 00:42:18,006 --> 00:42:20,809 I COULD PUT ALEXIS THROUGH COLLEGE ON THIS. 1169 00:42:20,809 --> 00:42:22,911 YEAH, AND MED SCHOOL. 1170 00:42:22,911 --> 00:42:24,773 THANK GOD I'M RICH.