1 00:00:01,212 --> 00:00:04,045 (dog howls) 2 00:00:18,059 --> 00:00:21,142 (beeping) 3 00:00:23,854 --> 00:00:26,147 LIVING ROOM, 9:03 P.M. 4 00:00:26,147 --> 00:00:29,029 E.M.F. LEVEL SPIKING OFF THE CHART. 5 00:00:29,029 --> 00:00:30,701 (beeping continues) 6 00:00:30,701 --> 00:00:31,702 (creaking) 7 00:00:31,702 --> 00:00:34,205 (electricity crackles) 8 00:00:34,205 --> 00:00:36,367 (beeping continues) 9 00:00:36,367 --> 00:00:38,038 HELLO? 10 00:00:38,038 --> 00:00:40,081 IS ANYONE THERE? 11 00:00:40,081 --> 00:00:41,502 (object clatters and scrapes) 12 00:00:41,502 --> 00:00:43,584 MERCY... 13 00:00:43,584 --> 00:00:47,007 I CAN SEE IT. 14 00:00:47,007 --> 00:00:48,048 MERCY... 15 00:00:48,048 --> 00:00:49,760 (creaking) 16 00:00:49,760 --> 00:00:51,132 NO! 17 00:00:51,132 --> 00:00:52,513 NO! 18 00:00:52,513 --> 00:00:53,594 (screaming) 19 00:00:53,594 --> 00:00:55,096 (both) AAH! 20 00:00:55,096 --> 00:00:56,097 AAH! 21 00:00:56,097 --> 00:00:57,098 AAH! (laughs) 22 00:00:57,098 --> 00:00:58,479 DAD, ARE YOU USING ME AS A SHIELD 23 00:00:58,479 --> 00:01:00,681 AGAINST FLESH-EATING ZOMBIES? NO. 24 00:01:00,681 --> 00:01:02,563 NO. I JUST WANTED YOU TO HAVE A BETTER VIEW. 25 00:01:02,563 --> 00:01:03,564 (screaming and growling) 26 00:01:03,564 --> 00:01:05,106 WHOA. 27 00:01:05,106 --> 00:01:06,317 WHOA, WHOA, WHOA, WHOA. WHERE ARE YOU GOING? I THINK-- 28 00:01:06,317 --> 00:01:07,898 I REALLY THINK WE'RE SAFER IN PAIRS. 29 00:01:07,898 --> 00:01:09,069 SORRY, DAD. YOU'RE GONNA HAVE TO FEND FOR YOURSELF. 30 00:01:09,069 --> 00:01:10,111 I'M SKYPING WITH ASHLEY. 31 00:01:10,111 --> 00:01:12,032 WHAT? 32 00:01:12,032 --> 00:01:13,404 RIGHT IN THE MIDDLE OF FATHER-DAUGHTER ZOMBIE TIME? 33 00:01:13,404 --> 00:01:14,405 CAN'T YOU DO IT LATER? 34 00:01:14,405 --> 00:01:15,906 HE'S NOT AVAILABLE LATER. 35 00:01:15,906 --> 00:01:18,409 HE'S GOT A DORM MEETING AND THEN A SEMINAR AFTER THAT. 36 00:01:18,409 --> 00:01:19,410 I KNOW HE'S BUSY, 37 00:01:19,410 --> 00:01:21,162 AND YOU ARE VERY THOUGHTFUL 38 00:01:21,162 --> 00:01:22,703 TO BE SO ACCOMMODATING, SWEETHEART, 39 00:01:22,703 --> 00:01:26,707 BUT A HEALTHY RELATIONSHIP IS BASED ON MUTUAL RESPECT. 40 00:01:26,707 --> 00:01:28,839 I MEAN, THINK ABOUT WHAT KIND OF SIGNAL YOU'RE SENDING 41 00:01:28,839 --> 00:01:31,262 IF YOU'RE THE ONE ALWAYS REARRANGING YOUR SCHEDULE 42 00:01:31,262 --> 00:01:33,304 AT THE OTHER ONE'S EVERY BECK AND CALL. 43 00:01:33,304 --> 00:01:36,137 I MEAN, IF YOU JUST DROP EVERYTHING... (cell phone rings) 44 00:01:36,137 --> 00:01:37,768 THE VERY MOMENT THAT-- I'M SORRY. 45 00:01:37,768 --> 00:01:38,769 (ring) 46 00:01:38,769 --> 00:01:40,351 OH, HANG ON. 47 00:01:40,351 --> 00:01:41,352 (beeps) 48 00:01:41,352 --> 00:01:42,983 DETECTIVE BECKETT. 49 00:01:42,983 --> 00:01:45,316 I'LL BE RIGHT THERE. 50 00:01:45,316 --> 00:01:47,988 (Castle) I'M WORRIED ABOUT ALEXIS. 51 00:01:47,988 --> 00:01:49,360 I THINK HER NOT GETTING INTO STANFORD 52 00:01:49,360 --> 00:01:52,233 HAS UPSET THE BALANCE OF POWER IN HER RELATIONSHIP WITH ASHLEY. 53 00:01:52,233 --> 00:01:53,904 OH, CASTLE, I WOULDN'T WORRY ABOUT THAT. 54 00:01:53,904 --> 00:01:57,698 I MEAN, ALEXIS IS A GIRL, AND ASHLEY'S A TEENAGE BOY. 55 00:01:57,698 --> 00:02:01,202 I'D SAY SHE STILL HOLDS MOST OF THE POWER. 56 00:02:01,202 --> 00:02:03,204 THE "GHOST WRANGLERS" ARE HERE? 57 00:02:03,204 --> 00:02:06,707 OKAY, THAT'S WHY I LOVE THESE GUYS. 58 00:02:06,707 --> 00:02:08,249 BODY'S NOT EVEN COLD, 59 00:02:08,249 --> 00:02:09,750 THEY'RE ALREADY TRACKING DOWN THE GHOST. 60 00:02:09,750 --> 00:02:11,342 WHY DOESN'T IT SURPRISE ME THAT YOU ACTUALLY WATCH 61 00:02:11,342 --> 00:02:12,713 THAT RIDICULOUS SHOW? 62 00:02:12,713 --> 00:02:14,555 RIDICULOUSLY AWESOME. 63 00:02:14,555 --> 00:02:16,136 JACK SINCLAIR IS HANDS DOWN 64 00:02:16,136 --> 00:02:20,261 AMERICA'S MOST ACCOMPLISHED GHOST HUNTER. 65 00:02:20,261 --> 00:02:22,683 UM, CASTLE... 66 00:02:22,683 --> 00:02:26,187 JACK SINCLAIR IS THE NAME OF OUR VICTIM. 67 00:02:26,187 --> 00:02:29,109 AND THE HUNTER BECOMES THE HUNTED. 68 00:02:29,109 --> 00:02:31,232 HE WAS HERE DOING A SPECIAL ABOUT THE HOUSE, 69 00:02:31,232 --> 00:02:32,903 YOU KNOW, FOR HIS TV SHOW. 70 00:02:32,903 --> 00:02:33,904 WHY THIS PLACE? 71 00:02:33,904 --> 00:02:35,075 IT HAS A BIT OF A HISTORY. 72 00:02:35,075 --> 00:02:36,447 YOU MEAN, PARANORMAL HISTORY? 73 00:02:36,447 --> 00:02:38,239 LOOK, DETECTIVE, I'M NOT SAYING 74 00:02:38,239 --> 00:02:40,281 I BELIEVE IN THAT STUFF, OKAY? 75 00:02:40,281 --> 00:02:41,622 BUT I'VE OWNED THE McCLAREN HOUSE 76 00:02:41,622 --> 00:02:43,374 FOR OVER 20 YEARS, 77 00:02:43,374 --> 00:02:45,165 AND WHEN THE PHONE RINGS ABOUT THIS PLACE, 78 00:02:45,165 --> 00:02:46,747 ODDS ARE, IT'S NOT A BUSTED TOILET. 79 00:02:46,747 --> 00:02:48,379 ANYBODY LIVE IN THERE NOW? 80 00:02:48,379 --> 00:02:49,340 NOT FOR YEARS. 81 00:02:49,340 --> 00:02:51,552 IT'S HARD GETTING TENANTS TO STICK AROUND. 82 00:02:51,552 --> 00:02:53,594 SO WHEN THIS SINCLAIR GUY CALLED, 83 00:02:53,594 --> 00:02:54,595 I FIGURED, WHAT THE HELL? 84 00:02:54,595 --> 00:02:56,217 MAYBE HE COULD CLEAR THE PLACE UP, 85 00:02:56,217 --> 00:02:57,348 MAKE IT RENTABLE. 86 00:02:57,348 --> 00:02:59,560 BUT AFTER WHAT JUST HAPPENED... 87 00:02:59,560 --> 00:03:01,562 WH-WHAT EXACTLY DID JUST HAPPEN? 88 00:03:01,562 --> 00:03:04,225 HIS THROAT WAS SLIT ALMOST FROM EAR TO EAR. (camera shutter clicking) 89 00:03:04,225 --> 00:03:06,687 JUGULAR, SUPERIOR THYROID, 90 00:03:06,687 --> 00:03:08,359 COMMON CAROTID, LEFT AND RIGHT-- 91 00:03:08,359 --> 00:03:10,190 YOU NAME IT, IT'S BEEN SEVERED. 92 00:03:10,190 --> 00:03:11,572 WELL, THAT EXPLAINS ALL THE BLOOD. 93 00:03:11,572 --> 00:03:13,113 HERE'S WHAT I CAN'T EXPLAIN-- 94 00:03:13,113 --> 00:03:15,236 DEPTH AND NATURE OF THE WOUNDS TELL ME 95 00:03:15,236 --> 00:03:17,408 THAT THE KILLER GOT UP CLOSE AND PERSONAL. 96 00:03:17,408 --> 00:03:18,489 SO THEN WHERE ARE THE FOOTPRINTS? 97 00:03:18,489 --> 00:03:20,200 NOT JUST THAT. LOOK AT THE BLOOD SPATTER. 98 00:03:20,200 --> 00:03:22,823 YOU CUT ALL THOSE ARTERIES, 99 00:03:22,823 --> 00:03:24,705 AND THE SPRAY IS GONNA COME FAST 100 00:03:24,705 --> 00:03:26,417 AND IT'S GONNA COME STRONG. 101 00:03:26,417 --> 00:03:28,208 I'LL SAY. IT WENT EVERYWHERE. BUT IT SHOULDN'T HAVE. 102 00:03:28,208 --> 00:03:30,130 SOME OF IT SHOULD'VE LANDED ON THE KILLER. 103 00:03:30,130 --> 00:03:31,332 (clicking continues) 104 00:03:31,332 --> 00:03:34,214 YET EVERY DROP OF IT LANDED ON THE FLOOR. 105 00:03:34,214 --> 00:03:36,096 THIS SPRAY IS COMPLETELY UNOBSTRUCTED. 106 00:03:36,096 --> 00:03:37,258 EXACTLY. 107 00:03:37,258 --> 00:03:38,599 IT DOESN'T MAKE SENSE. 108 00:03:38,599 --> 00:03:42,683 UNLESS THE BLOOD PASSED RIGHT THROUGH THE KILLER. 109 00:03:42,683 --> 00:03:43,684 (clicking continues) 110 00:03:43,684 --> 00:03:45,396 ARE YOU SAYING A GHOST DID THIS? 111 00:03:45,396 --> 00:03:46,647 PLEASE DON'T ENCOURAGE HIM. 112 00:03:46,647 --> 00:03:47,808 I'M SAYING, 113 00:03:47,808 --> 00:03:50,110 MAYBE MR. SINCLAIR FINALLY MET A WRAITH 114 00:03:50,110 --> 00:03:52,353 HE COULDN'T WRANGLE. 115 00:03:52,353 --> 00:03:53,944 LANIE, WHO CALLED THIS IN? 116 00:03:53,944 --> 00:03:56,236 I'M... JACK'S PRODUCER. 117 00:03:56,236 --> 00:03:57,988 I WORKED WITH HIM FOR THE LAST FOUR YEARS. 118 00:03:57,988 --> 00:03:59,450 OKAY, LULU, WE JUST NEED TO KNOW 119 00:03:59,450 --> 00:04:01,532 EVERYTHING THAT HAPPENED BEFORE YOU CALLED 9-1-1. 120 00:04:01,532 --> 00:04:02,703 OKAY. 121 00:04:02,703 --> 00:04:05,125 JACK WENT IN THE HOUSE AT AROUND 7:00. 122 00:04:05,125 --> 00:04:08,459 AND THEN HE WENT ON LOCKDOWN A FEW MINUTES AFTER THAT. 123 00:04:08,459 --> 00:04:10,461 UH, HE LOCKS HIMSELF INTO THE HOUSE FOR THE NIGHT. 124 00:04:10,461 --> 00:04:12,333 IT'S STANDARD PROTOCOL FOR GHOST HUNTERS. 125 00:04:12,333 --> 00:04:14,425 UH-HUH. AND WAS HE IN THERE ALONE? YEAH. 126 00:04:14,425 --> 00:04:16,256 WE ALWAYS DO A CLEAN SWEEP OF THE PLACE 127 00:04:16,256 --> 00:04:17,378 RIGHT BEFORE WE START. 128 00:04:17,378 --> 00:04:20,010 SO HE--HE LOCKED THE DOORS, AND THEN 129 00:04:20,010 --> 00:04:21,722 I WENT INTO THE TECH VAN TO WATCH THE FEED. 130 00:04:21,722 --> 00:04:24,435 AND WERE THE CAMERAS ROLLING THE WHOLE TIME? 131 00:04:24,435 --> 00:04:25,806 (E.M.F. beeping) 132 00:04:25,806 --> 00:04:27,808 THE INFRARED CAMERAS ARE TO DETECT 133 00:04:27,808 --> 00:04:29,440 UNEXPLAINED THERMAL ANOMALIES. 134 00:04:29,440 --> 00:04:30,601 (beeping continues) LIVING ROOM, 135 00:04:30,601 --> 00:04:32,272 9:03 P.M. 136 00:04:32,272 --> 00:04:34,355 E.M.F. LEVELS SPIKING OFF THE CHARTS. 137 00:04:34,355 --> 00:04:36,817 THAT'S AN ELECTROMAGNETIC FIELD METER. 138 00:04:36,817 --> 00:04:38,449 THAT'S A TOOL OF THE GHOST BUSTING TRADE. 139 00:04:38,449 --> 00:04:41,492 IT'S USED TO MEASURE SPIKES IN PARANORMAL ENERGY. 140 00:04:41,492 --> 00:04:43,283 LET'S JUST WATCH. 141 00:04:43,283 --> 00:04:44,745 (creaking) 142 00:04:44,745 --> 00:04:46,827 (object thuds) 143 00:04:46,827 --> 00:04:49,209 (electricity crackles) HELLO? 144 00:04:49,209 --> 00:04:50,250 (beeping continues) 145 00:04:50,250 --> 00:04:51,582 ANYONE THERE? 146 00:04:51,582 --> 00:04:53,043 (object clatters and scrapes) 147 00:04:53,043 --> 00:04:54,375 (beeping continues) 148 00:04:54,375 --> 00:04:55,626 MERCY... 149 00:04:55,626 --> 00:04:56,877 (beeping continues) 150 00:04:56,877 --> 00:04:58,719 I CAN SEE IT. 151 00:04:58,719 --> 00:05:00,841 MERCY... 152 00:05:00,841 --> 00:05:03,303 IT SOUNDS LIKE HE WAS BEGGING HIS KILLER FOR MERCY. 153 00:05:04,975 --> 00:05:05,976 WHAT HAPPENED? 154 00:05:05,976 --> 00:05:07,428 THAT--THAT'S IT. 155 00:05:07,428 --> 00:05:08,889 THAT'S WHEN ALL THE CAMERA SIGNALS CUT OUT AT ONCE. 156 00:05:08,889 --> 00:05:11,141 AND WHAT COULD EXPLAIN THE PICTURE 157 00:05:11,141 --> 00:05:12,933 SUDDENLY GOING OUT LIKE THAT? I DON'T KNOW. IT'S NEVER HAPPENED BEFORE. 158 00:05:12,933 --> 00:05:14,314 WELL, THERE WAS THAT LAST EPISODE 159 00:05:14,314 --> 00:05:15,736 OF "THE SOPRANOS." 160 00:05:15,736 --> 00:05:17,147 NO, THERE'S NO WAY. 161 00:05:17,147 --> 00:05:19,740 JACK HAD TO HAVE BEEN IN THERE WITH SOMEONE ELSE. 162 00:05:19,740 --> 00:05:21,031 DID HE HAVE ANY ENEMIES, 163 00:05:21,031 --> 00:05:23,404 ANYBODY THAT HE WAS HAVING PROBLEMS WITH RECENTLY? 164 00:05:23,404 --> 00:05:24,995 NO, NOT THAT I KNOW OF. 165 00:05:24,995 --> 00:05:28,118 HE... HE DID SHOW UP TO LOCKDOWN UPSET. 166 00:05:28,118 --> 00:05:30,250 DO YOU KNOW WHERE HE WAS COMING FROM? NO. 167 00:05:30,250 --> 00:05:31,832 HE PULLED UP IN A CAB AND GRABBED HIS GEAR 168 00:05:31,832 --> 00:05:33,714 AND JUST WENT INSIDE. 169 00:05:33,714 --> 00:05:36,086 DID ANYONE ELSE HAVE KEYS TO THIS PLACE? 170 00:05:36,086 --> 00:05:37,378 JUST JACK AND BARRY B. 171 00:05:37,378 --> 00:05:38,959 BARRY BAVETTA. THAT'S JACK'S CAMERAMAN. 172 00:05:38,959 --> 00:05:40,340 WHERE IS BARRY? 173 00:05:40,340 --> 00:05:42,383 DOESN'T HE USUALLY DO LOCKDOWN WITH JACK? 174 00:05:42,383 --> 00:05:44,134 HE AND JACK HAD AN ARGUMENT THIS AFTERNOON. 175 00:05:44,134 --> 00:05:46,807 THINGS GOT PRETTY HEATED, AND THEN BARRY JUST QUIT. 176 00:05:46,807 --> 00:05:48,348 COULD HE HAVE PROGRAMMED THE CAMERAS 177 00:05:48,348 --> 00:05:49,930 TO TURN OFF LIKE THAT? 178 00:05:49,930 --> 00:05:52,232 ACTUALLY... YEAH, HE COULD. 179 00:05:53,604 --> 00:05:55,105 (receiver clatters) 180 00:05:55,105 --> 00:05:57,357 BARRY BAVETTA CHECKED OUT OF HIS HOTEL IN A HURRY AT 7:30. 181 00:05:57,357 --> 00:05:58,979 MM. THAT'S ENOUGH TIME TO MAKE IT BACK TO THE HOUSE 182 00:05:58,979 --> 00:06:00,741 BY 9:00 WHEN JACK WAS KILLED. 183 00:06:00,741 --> 00:06:02,443 BARRY'S PHONE IS STILL GOING STRAIGHT TO VOICE MAIL. 184 00:06:02,443 --> 00:06:03,784 (beeping) 185 00:06:03,784 --> 00:06:05,446 WELL, THE MANAGER GAVE ME HIS CREDIT CARD INFO, 186 00:06:05,446 --> 00:06:06,867 SO IF WE'RE LUCKY HE'S OUT THERE USING IT. 187 00:06:06,867 --> 00:06:07,868 ALL RIGHT, I'M GONNA START SCRUBBING THIS FOOTAGE 188 00:06:07,868 --> 00:06:09,540 FROM INSIDE OF THE HOUSE. 189 00:06:09,540 --> 00:06:11,201 MAYBE THERE'S SOMETHING IN THERE THAT CAN IMPLICATE THIS GUY. 190 00:06:11,201 --> 00:06:13,083 RIGHT. HEY. 191 00:06:13,083 --> 00:06:14,204 WE'RE STILL ON FOR DINNER TOMORROW NIGHT, RIGHT? 192 00:06:14,204 --> 00:06:15,586 OH, YEAH. JENNY'S TOTALLY PSYCHED. 193 00:06:15,586 --> 00:06:17,458 SHE'S NEVER REALLY HUNG OUT WITH LANIE BEFORE, SO COOL. 194 00:06:17,458 --> 00:06:19,800 WELL, JUST TO LET YOU KNOW, LANIE'S GONNA BE GETTING OFF 195 00:06:19,800 --> 00:06:20,801 A DOUBLE SHIFT, 196 00:06:20,801 --> 00:06:22,052 SO SHE COULD BE A LITTLE CRANKY. 197 00:06:22,052 --> 00:06:23,884 OH. MAYBE WE SHOULD RESCHEDULE. 198 00:06:23,884 --> 00:06:25,135 I MEAN, ISN'T THE WHOLE POINT 199 00:06:25,135 --> 00:06:27,137 FOR JENNY AND LANIE TO GET ALONG? 200 00:06:27,137 --> 00:06:28,509 NAH, SHE'LL BE COOL. 201 00:06:28,509 --> 00:06:30,641 JUST, YOU KNOW, DON'T SAY ANYTHING CONTROVERSIAL. 202 00:06:30,641 --> 00:06:32,392 LIKE WHAT? 203 00:06:32,392 --> 00:06:34,515 WHAT'S CONTROVERSIAL? (beep) 204 00:06:34,515 --> 00:06:35,726 BINGO. 205 00:06:35,726 --> 00:06:37,478 BINGO? DON'T TALK ABOUT BINGO? 206 00:06:37,478 --> 00:06:40,481 BARRY BAVETTA'S BEEN BUSY, AND SO HAS HIS LAP. 207 00:06:40,481 --> 00:06:41,822 DUDE HAS RACKED UP 208 00:06:41,822 --> 00:06:43,614 A HELL OF A TAB AT A STRIP CLUB 209 00:06:43,614 --> 00:06:45,325 BY THE AIRPORT. 210 00:06:45,325 --> 00:06:47,407 FIRST CHARGE, AN HOUR AFTER THE MURDER. 211 00:06:47,407 --> 00:06:49,239 SORRY TO INTERRUPT YOUR FUN, BARRY. 212 00:06:49,239 --> 00:06:51,241 WE HEARD YOU WERE RACKING UP QUITE A BILL. 213 00:06:51,241 --> 00:06:54,955 OR IS THAT BILLING QUITE A RACK? 214 00:06:54,955 --> 00:06:57,167 SO WHAT, GETTING A LAP DANCE IS ILLEGAL NOW? 215 00:06:57,167 --> 00:06:58,669 LOOK, I WAS JUST BLOWING OFF SOME STEAM. 216 00:06:58,669 --> 00:07:00,591 HAVEN'T HAD THE BEST DAY. 217 00:07:00,591 --> 00:07:01,752 YEAH, SO WE HEARD. 218 00:07:01,752 --> 00:07:03,754 YOUR PRODUCER SAID THAT YOU AND JACK SINCLAIR 219 00:07:03,754 --> 00:07:04,965 HAD A FALLING OUT TODAY. 220 00:07:04,965 --> 00:07:06,927 (chuckles) SO THIS IS ABOUT JACK? YEAH. 221 00:07:06,927 --> 00:07:08,178 WE GOT INTO IT. 222 00:07:08,178 --> 00:07:09,600 WASN'T THE FIRST FIGHT WE EVER HAD, 223 00:07:09,600 --> 00:07:12,513 BUT I MADE SURE IT'LL BE THE LAST. 224 00:07:12,513 --> 00:07:14,515 WHY DON'T YOU TELL US WHAT HAPPENED, BARRY? 225 00:07:14,515 --> 00:07:16,517 JACK SCREWED ME OVER IS WHAT HAPPENED. 226 00:07:16,517 --> 00:07:18,268 HE TOLD ME LAST-MINUTE 227 00:07:18,268 --> 00:07:19,820 I WASN'T GOING WITH HIM ON LOCKDOWN TONIGHT. 228 00:07:19,820 --> 00:07:21,191 ANY REASON? 229 00:07:21,191 --> 00:07:23,403 THE ONLY ONE HE GAVE WAS, HE'S THE BOSS. 230 00:07:23,403 --> 00:07:25,616 BUT... (chuckles) IT'S 'CAUSE HE'S JEALOUS. 231 00:07:25,616 --> 00:07:28,158 WORRIED I'M GONNA WALK OFF WITH ALL THE CREDIT. 232 00:07:28,158 --> 00:07:29,369 WHY IS THAT? 233 00:07:29,369 --> 00:07:30,450 BECAUSE THE EPISODE WE'RE DOING TONIGHT, 234 00:07:30,450 --> 00:07:32,873 THE McCLAREN HOUSE, WAS MY IDEA. 235 00:07:32,873 --> 00:07:34,164 I DID ALL THE RESEARCH. 236 00:07:34,164 --> 00:07:35,836 JACK DIDN'T EVEN WANT TO DO THE DAMN SHOW. 237 00:07:35,836 --> 00:07:37,377 WHY WOULDN'T JACK WANT TO DO 238 00:07:37,377 --> 00:07:38,789 A SHOW ABOUT A HAUNTED MANSION IN NEW YORK? 239 00:07:38,789 --> 00:07:40,460 THAT SOUNDS LIKE RATINGS GOLD. 240 00:07:40,460 --> 00:07:42,212 JACK'S WEIRD ABOUT NEW YORK. 241 00:07:42,212 --> 00:07:43,383 HE WAS BROUGHT UP HERE, BUT HE'S GOT 242 00:07:43,383 --> 00:07:44,885 SOME STRANGE AVERSION TO COMING BACK. 243 00:07:44,885 --> 00:07:46,466 HE TRIED TO TORPEDO THE WHOLE THING, 244 00:07:46,466 --> 00:07:48,218 SAID HE WOULDN'T BE CAUGHT DEAD IN THAT HOUSE. 245 00:07:48,218 --> 00:07:50,641 AND YOU DECIDED TO PROVE HIM WRONG? 246 00:07:50,641 --> 00:07:52,092 WHAT? 247 00:07:52,092 --> 00:07:54,595 JACK SINCLAIR WAS KILLED IN THE McCLAREN HOUSE TONIGHT. 248 00:07:54,595 --> 00:07:56,266 KILLED? 249 00:07:56,266 --> 00:07:59,059 BARRY, WHY DIDN'T YOU GIVE YOUR KEYS BACK TO THE OWNER? 250 00:07:59,059 --> 00:08:01,481 UH, I'M--I WAS-- 251 00:08:01,481 --> 00:08:03,313 I WAS, UH, UPSET. I FORGOT. 252 00:08:03,313 --> 00:08:04,484 IS--IS--IS HE REALLY DEAD? 253 00:08:04,484 --> 00:08:07,197 YOU WERE THE ONE WHO SET UP THE CAMERAS, RIGHT? 254 00:08:07,197 --> 00:08:08,779 YEAH. 255 00:08:08,779 --> 00:08:09,990 SO? 256 00:08:09,990 --> 00:08:11,491 SO YOU KNEW EXACTLY WHERE THEY WERE PLACED 257 00:08:11,491 --> 00:08:13,493 AND HOW TO AVOID THEM WHEN YOU SNUCK BACK IN THE HOUSE. 258 00:08:13,493 --> 00:08:15,415 YOU EVEN KNEW HOW TO PROGRAM THEM 259 00:08:15,415 --> 00:08:17,377 TO TURN OFF AT A CERTAIN POINT. 260 00:08:17,377 --> 00:08:19,540 WHOA, WHOA. I DID NOT KILL JACK. 261 00:08:19,540 --> 00:08:21,542 I WASN'T EVEN THERE. 262 00:08:21,542 --> 00:08:23,333 I GOT STUCK IN THE SECURITY LINE AND MISSED MY FLIGHT TO L.A. 263 00:08:23,333 --> 00:08:25,546 I WENT TO THE STRIP CLUB RIGHT AFTER THAT. 264 00:08:25,546 --> 00:08:26,967 YOU CAN CHECK THAT. 265 00:08:26,967 --> 00:08:28,629 SO T.S.A. HAS BARRY 266 00:08:28,629 --> 00:08:31,682 GOING THROUGH SECURITY AT 9:15 AT J.F.K. 267 00:08:31,682 --> 00:08:33,554 THERE'S NO WAY THAT HE WAS IN THE HOUSE 268 00:08:33,554 --> 00:08:35,435 AT THE TIME OF THE MURDER. 269 00:08:35,435 --> 00:08:36,557 (mouths words) 270 00:08:36,557 --> 00:08:37,728 PLUS, TECH CHECKED OUT THOSE CAMERAS. 271 00:08:37,728 --> 00:08:39,560 THEY WEREN'T PROGRAMMED TO TURN OFF. 272 00:08:39,560 --> 00:08:41,021 THE ONLY THING BARRY'S GUILTY OF KILLING 273 00:08:41,021 --> 00:08:43,523 IS TIME AT THAT STRIP CLUB. SO... 274 00:08:43,523 --> 00:08:45,105 IF BARRY'S NOT OUR GUY, 275 00:08:45,105 --> 00:08:46,567 I THINK IT'S TIME WE REVISIT THE POSSIBILITY 276 00:08:46,567 --> 00:08:48,148 THAT OUR KILLER'S A-- 277 00:08:48,148 --> 00:08:50,240 IF YOU SAY GHOST, I'M SENDING YOU HOME. 278 00:08:52,032 --> 00:08:53,994 APPARITION-AMERICAN. 279 00:08:53,994 --> 00:08:55,535 HAVE YOU FIGURED OUT 280 00:08:55,535 --> 00:08:57,708 ANOTHER WAY TO EXPLAIN THE BLOOD SPATTER? 281 00:08:57,708 --> 00:08:59,660 NO, I HAVEN'T, BUT I WILL. 282 00:08:59,660 --> 00:09:01,662 APPARENTLY JACK SINCLAIR WAS VERY UPSET 283 00:09:01,662 --> 00:09:03,083 WHEN HE ARRIVED IN A TAXI CAB TONIGHT, 284 00:09:03,083 --> 00:09:04,625 SO LET'S FIND OUT WHERE THAT CAB PICKED HIM UP 285 00:09:04,625 --> 00:09:05,796 AND WHAT HE WAS DOING THERE. 286 00:09:05,796 --> 00:09:07,217 ROGER THAT. 287 00:09:07,217 --> 00:09:09,089 YOU'LL SEE, CASTLE. THIS WILL TURN OUT JUST LIKE 288 00:09:09,089 --> 00:09:10,510 EVERY OTHER MURDER INVESTIGATION. 289 00:09:10,510 --> 00:09:12,092 ONCE WE FIND OUT MORE ABOUT OUR VICTIM'S LIFE, 290 00:09:12,092 --> 00:09:13,844 THE DETAILS SURROUNDING HIS DEATH, 291 00:09:13,844 --> 00:09:15,726 EVERYTHING WILL BE EXPLAINED. 292 00:09:15,726 --> 00:09:16,597 UM... 293 00:09:16,597 --> 00:09:18,939 MAYBE NOT EVERYTHING. 294 00:09:18,939 --> 00:09:20,941 I WAS REVIEWING THE FOOTAGE SHOT INSIDE THE HOUSE TONIGHT 295 00:09:20,941 --> 00:09:22,773 LOOKING FOR SIGNS THAT SOMEONE ELSE WAS THERE-- 296 00:09:22,773 --> 00:09:24,144 A-A SHADOW, A REFLECTION, SOMETHING. 297 00:09:24,144 --> 00:09:26,607 INSTEAD, I FOUND, UH, 298 00:09:26,607 --> 00:09:30,280 WELL, YOU BETTER SEE FOR YOURSELF. 299 00:09:30,280 --> 00:09:32,322 SO I SLOWED DOWN THE VIDEO. 300 00:09:32,322 --> 00:09:34,284 WATCH THE TRIPOD IN THE BACKGROUND. 301 00:09:34,284 --> 00:09:35,866 (beeping) 302 00:09:37,367 --> 00:09:39,039 THERE. YOU SEE IT. 303 00:09:39,039 --> 00:09:40,200 OH. 304 00:09:44,504 --> 00:09:46,376 (Beckett) WH--UM... 305 00:09:46,376 --> 00:09:48,629 I'M SURE THERE'S A PERFECTLY SIMPLE EXPLANATION 306 00:09:48,629 --> 00:09:49,920 FOR ALL OF THAT. 307 00:09:49,920 --> 00:09:51,762 THERE IS. 308 00:09:53,634 --> 00:10:01,682 (singsongy) THEY'RE HERE. 309 00:10:05,605 --> 00:10:07,277 WHOA. DID YOU GET ANY SLEEP? 310 00:10:07,277 --> 00:10:09,439 NOT A WINK, BUT IT WAS WORTH IT. 311 00:10:09,439 --> 00:10:12,232 AFTER RESEARCHING THE HISTORY OF THE McCLAREN MANSION, 312 00:10:12,232 --> 00:10:13,864 I THINK I KNOW WHAT HAPPENED 313 00:10:13,864 --> 00:10:15,946 TO OUR VICTIM, GHOST HUNTER JACK SINCLAIR. 314 00:10:15,946 --> 00:10:18,288 THAT COFFEE'S FOR YOU, BY THE WAY. OH. 315 00:10:18,288 --> 00:10:20,540 OH, THE--THE OTHER ONE. THAT'S... 316 00:10:20,540 --> 00:10:21,832 THAT'S-- 317 00:10:21,832 --> 00:10:23,373 I'LL MAKE YOU A-- I'LL MAKE YOU ONE. 318 00:10:23,373 --> 00:10:26,086 UM, SINCE THE McCLAREN MANSION WAS BUILT 319 00:10:26,086 --> 00:10:27,958 IN 1898, 320 00:10:27,958 --> 00:10:29,459 BODIES HAVE BEEN PILING UP 321 00:10:29,459 --> 00:10:31,091 FASTER THAN A TARANTINO MOVIE. 322 00:10:31,091 --> 00:10:32,673 EIGHT KILLINGS IN ALL, 323 00:10:32,673 --> 00:10:34,885 STARTING WITH THE ORIGINAL OWNER, ROBERT PETTIGREW, 324 00:10:34,885 --> 00:10:36,216 STRANGLED, 1903. 325 00:10:36,216 --> 00:10:37,597 ALL THE WAY TO MELANIE BENTON, 326 00:10:37,597 --> 00:10:39,850 HACKED TO PIECES IN 1991. 327 00:10:39,850 --> 00:10:41,892 THE CURRENT OWNER, STEVE FULLER, 328 00:10:41,892 --> 00:10:43,223 TRIED TO HAVE THE HOUSE TORN DOWN, 329 00:10:43,223 --> 00:10:45,065 BUT IT WAS DECLARED A LANDMARK BY THE SOCIETY FOR HISTORIC-- 330 00:10:45,065 --> 00:10:46,066 I'M SORRY, CASTLE. 331 00:10:46,066 --> 00:10:48,188 I APPRECIATE YOUR WORK. I DO. 332 00:10:48,188 --> 00:10:50,070 BUT WHAT DOES THIS HAVE TO DO WITH OUR CASE? 333 00:10:50,070 --> 00:10:52,152 (mouths words) JUST GETTING TO THAT. 334 00:10:52,152 --> 00:10:55,325 IT SEEMS THAT IN ALMOST ALL OF THESE KILLINGS, 335 00:10:55,325 --> 00:10:58,658 THE KILLER CLAIMED THAT THERE WAS A--READY FOR THIS? 336 00:10:58,658 --> 00:11:01,742 THAT A DEMON WAS RESPONSIBLE. 337 00:11:01,742 --> 00:11:04,164 A DEMON? REALLY? 338 00:11:04,164 --> 00:11:06,246 I'M NOT MAKING THIS UP. IT'S IN THE BOOKS. 339 00:11:06,246 --> 00:11:08,338 FINE. A DEMON KILLED JACK SINCLAIR. 340 00:11:08,338 --> 00:11:10,791 SO WHAT'S OUR NEXT STEP? ARE WE GONNA STAKE OUT THE HOUSE, 341 00:11:10,791 --> 00:11:13,173 WAIT FOR THE DEMON TO SHOW UP, ZAP HIM WITH OUR PROTON PACK? 342 00:11:13,173 --> 00:11:15,255 (laughs) 343 00:11:16,466 --> 00:11:18,969 THAT'S NOT A REAL THING, YOU KNOW, 344 00:11:18,969 --> 00:11:21,181 THAT REAL GHOST HUNTERS USE. 345 00:11:21,181 --> 00:11:22,602 REAL GHOST HUNTERS? 346 00:11:22,602 --> 00:11:24,264 ISN'T THAT A CONTRADICTION IN TERMS, BRO? 347 00:11:24,264 --> 00:11:27,267 OKAY. DOES ANYONE HAVE ANYTHING PERTINENT TO OUR CASE? 348 00:11:27,267 --> 00:11:28,268 I DO. 349 00:11:28,268 --> 00:11:29,479 OKAY. 350 00:11:29,479 --> 00:11:31,191 I TRACKED DOWN THAT CAB OUR VIC TOOK LAST NIGHT. 351 00:11:31,191 --> 00:11:32,402 THE DRIVER'S TRIP LOG SAYS 352 00:11:32,402 --> 00:11:35,155 THAT HE PICKED UP JACK ON THE CORNER OF 38th AND 9th. 353 00:11:35,155 --> 00:11:36,907 HAVE UNIFORMS CANVASS THE AREA WITH JACK'S PHOTO. 354 00:11:36,907 --> 00:11:38,158 LET'S SEE WHAT HE WAS UP TO. 355 00:11:38,158 --> 00:11:39,319 OH, AND PHONE RECORDS, TOO. 356 00:11:39,319 --> 00:11:40,951 MAYBE THAT'LL SHED SOME LIGHT ON THINGS. 357 00:11:40,951 --> 00:11:42,322 I THINK I CAN SHED SOME LIGHT 358 00:11:42,322 --> 00:11:43,703 ON WHY JACK DIDN'T WANT TO DO THE SHOW HERE. 359 00:11:43,703 --> 00:11:45,786 TALKED TO AN OLD HIGH SCHOOL PAL 360 00:11:45,786 --> 00:11:47,167 THAT JACK HAD BREAKFAST WITH A COUPLE OF DAYS AGO. 361 00:11:47,167 --> 00:11:50,500 TURNS OUT THAT OUR VIC ACTUALLY USED TO LIVE 362 00:11:50,500 --> 00:11:52,042 RIGHT NEAR THE McCLAREN HOUSE. 363 00:11:52,042 --> 00:11:55,215 SAID THAT HE USED TO WALK A COUPLE BLOCKS OUT OF HIS WAY 364 00:11:55,215 --> 00:11:56,386 JUST TO AVOID WALKING PAST IT. 365 00:11:56,386 --> 00:11:58,839 SAID IT GAVE HIM A CREEPED OUT FEELING. 366 00:11:58,839 --> 00:12:00,300 YOU SEE? I AM TELLING YOU, 367 00:12:00,300 --> 00:12:02,052 THERE IS SOMETHING GOING ON WITH THIS HOUSE. 368 00:12:02,052 --> 00:12:04,264 THE LAST PEOPLE... WELL, TO-- 369 00:12:04,264 --> 00:12:06,266 THE LAST PEOPLE THAT LIVED THERE 370 00:12:06,266 --> 00:12:08,608 MOVED OUT FOUR YEARS AGO IN A HURRY. 371 00:12:08,608 --> 00:12:10,110 WHY? 372 00:12:10,110 --> 00:12:11,441 I DON'T KNOW, BUT I THINK IT'S TIME WE FOUND OUT. 373 00:12:11,441 --> 00:12:12,943 KNOCK YOURSELF OUT, CASTLE. 374 00:12:12,943 --> 00:12:14,314 YOU'RE NOT COMING? NO, I'VE GOT A MURDER TO SOLVE. 375 00:12:14,314 --> 00:12:16,486 I'LL GO. 376 00:12:16,486 --> 00:12:20,620 (people speaking indistinctly) 377 00:12:20,620 --> 00:12:23,123 OOH. THAT'S A LOOK. YEAH. 378 00:12:23,123 --> 00:12:25,285 I GET THESE A LOT. JUST START WALKING. 379 00:12:25,285 --> 00:12:27,077 LET'S GO. FASTER. 380 00:12:30,080 --> 00:12:31,081 (hisses) 381 00:12:31,081 --> 00:12:33,043 OW. 382 00:12:33,043 --> 00:12:34,374 YO. 383 00:12:34,374 --> 00:12:36,336 I JUST SAW RYAN DOWNSTAIRS. 384 00:12:36,336 --> 00:12:37,637 I CAN'T BELIEVE YOU LET HIM GO CHASING GHOSTS WITH CASTLE. 385 00:12:37,637 --> 00:12:40,430 YEAH. MAYBE SHAGGY WILL KEEP SCOOBY OUT OF TROUBLE. 386 00:12:40,430 --> 00:12:41,761 BESIDES, YOU NEVER KNOW. 387 00:12:41,761 --> 00:12:43,183 MAYBE THEY'LL COME UP WITH SOMETHING USEFUL. 388 00:12:43,183 --> 00:12:44,935 OH, YOU WANT USEFUL? 389 00:12:44,935 --> 00:12:47,057 BECAUSE I JUST SPOKE TO C.S.U. 390 00:12:47,057 --> 00:12:48,228 THEY FOUND FINGERPRINTS AT THE SCENE 391 00:12:48,228 --> 00:12:50,270 FROM A REAL LIVE PERSON, SO... 392 00:12:52,192 --> 00:12:54,444 (Esposito) HIS NAME IS RON BERGER. HE LIVES IN QUEENS. 393 00:12:54,444 --> 00:12:56,236 THEY'RE PICKING HIM UP NOW. DOES HE HAVE A RECORD? 394 00:12:56,236 --> 00:12:57,777 YEAH. CHUCKLES DID EIGHT YEARS 395 00:12:57,777 --> 00:13:00,200 FOR ARMED ROBBERY WITHA KNIFE. 396 00:13:00,200 --> 00:13:02,402 HE'S ALSO DABBLED IN B&E, WHICH MAKES 397 00:13:02,402 --> 00:13:03,864 BREAKING INTO A LOCKED HOUSE NO PROBLEM FOR THIS GUY. 398 00:13:03,864 --> 00:13:05,245 WHEN DID HE GET OUT OF PRISON? 399 00:13:05,245 --> 00:13:06,456 FIVE WEEKS AGO. 400 00:13:06,456 --> 00:13:08,458 OHH, FINALLY A LEAD THAT MAKES SENSE. 401 00:13:08,458 --> 00:13:09,669 OH, IT GETS BETTER. 402 00:13:09,669 --> 00:13:11,461 RON HAS A HISTORY WITH OUR VIC. 403 00:13:11,461 --> 00:13:13,623 "GHOST WRANGLERS" DID A PIECE ON FIVE POINTS CORRECTIONAL, 404 00:13:13,623 --> 00:13:15,085 AND RON WAS FEATURED. 405 00:13:15,085 --> 00:13:17,177 CLAIMS HE WAS SHARING HIS CELL WITH A SPIRIT. 406 00:13:17,177 --> 00:13:18,678 WELL, THAT'S PRISON OVERCROWDING FOR YOU. 407 00:13:18,678 --> 00:13:20,800 APPARENTLY, CASPER WAS BEING A LITTLE TOO FRIENDLY, 408 00:13:20,800 --> 00:13:22,762 TOUCHING RON IN ALL THE WRONG PLACES. 409 00:13:22,762 --> 00:13:24,384 MOLESTED BY A GHOST. MM-HMM. 410 00:13:24,384 --> 00:13:26,386 WOW. SOME PEOPLE WILL DO ANYTHING TO GET ON TV. 411 00:13:26,386 --> 00:13:27,687 YEAH, EXCEPT IT BACKFIRED ON HIM. 412 00:13:27,687 --> 00:13:29,559 RON BECAME THE LAUGHINGSTOCK OF THE PRISON YARD. 413 00:13:29,559 --> 00:13:31,191 (beeps) HE GOT ALL PISSED OFF, 414 00:13:31,191 --> 00:13:32,692 AND HE WROTE THE SHOW A LETTER. 415 00:13:32,692 --> 00:13:34,484 (Beckett) "I'M GONNA MAKE JACK SINCLAIR BLEED 416 00:13:34,484 --> 00:13:36,646 FOR WHAT HE DID TO ME." 417 00:13:36,646 --> 00:13:38,198 I WROTE THAT LETTER, YEAH. 418 00:13:38,198 --> 00:13:40,400 BUT THAT WAS AS FAR AS IT WENT. I-I DIDN'T KILL HIM. 419 00:13:40,400 --> 00:13:41,862 WHERE WERE YOU LAST NIGHT AT 9:00 P.M.? 420 00:13:41,862 --> 00:13:44,824 I WAS AT HOME, WATCHING CARTOONS. 421 00:13:44,824 --> 00:13:45,825 HMM. 422 00:13:45,825 --> 00:13:47,407 YOU CAN ASK MY MOM. 423 00:13:47,407 --> 00:13:49,039 WELL, WE HAVE A PROBLEM, RON, BECAUSE WE FOUND 424 00:13:49,039 --> 00:13:51,411 YOUR FINGERPRINTS INSIDE THE McCLAREN HOUSE. 425 00:13:51,411 --> 00:13:52,582 I-I-I CAN EXPLAIN THAT. 426 00:13:52,582 --> 00:13:54,124 I'M WAITING. 427 00:13:54,124 --> 00:13:56,216 I-I CAN'T VIOLATE MY PAROLE. 428 00:13:56,216 --> 00:13:57,797 I CAN'T GO BACK TO FIVE POINTS, 429 00:13:57,797 --> 00:14:00,921 NOT--NOT IN THAT CELL, NOT--NOT WITH THAT... 430 00:14:00,921 --> 00:14:02,222 THING. 431 00:14:02,222 --> 00:14:03,803 YOU'RE WORRIED ABOUT YOUR GHOST? 432 00:14:03,803 --> 00:14:05,805 RON, YOU'RE LOOKING AT MURDER. 433 00:14:05,805 --> 00:14:07,307 YOU'VE GOT A FLIMSY ALIBI. 434 00:14:07,307 --> 00:14:09,309 YOUR FINGERPRINTS ARE ALL OVER THE CRIME SCENE. 435 00:14:09,309 --> 00:14:12,142 YOU HAD MEANS, MOTIVE, AND OPPORTUNITY. 436 00:14:12,142 --> 00:14:13,393 ALL RIGHT, ALL RIGHT. 437 00:14:13,393 --> 00:14:14,935 I WAS THERE. 438 00:14:14,935 --> 00:14:16,316 JUST, UH, NOT LAST NIGHT. 439 00:14:16,316 --> 00:14:17,687 ABOUT A MONTH AGO. 440 00:14:17,687 --> 00:14:19,149 I WAS THERE BECAUSE OF JACK. 441 00:14:19,149 --> 00:14:20,360 HE--HE CALLED ME AFTER I GOT OUT. 442 00:14:20,360 --> 00:14:21,741 JACK SINCLAIR CALLED YOU, 443 00:14:21,741 --> 00:14:23,323 AFTER YOU THREATENED HIM? 444 00:14:23,323 --> 00:14:25,365 TO APOLOGIZE FOR THE PRISON SHOW THING, 445 00:14:25,365 --> 00:14:26,987 AND HE--HE HAD A REQUEST. 446 00:14:26,987 --> 00:14:28,408 WHAT KIND OF A REQUEST? 447 00:14:28,408 --> 00:14:29,950 UH, IT WAS A STRANGE ONE. 448 00:14:29,950 --> 00:14:33,413 HE WANTED ME TO TAKE PICTURES INSIDE THE McCLAREN HOUSE. 449 00:14:33,413 --> 00:14:35,415 WHY YOU? IT WAS LOCKED UP. 450 00:14:35,415 --> 00:14:37,757 SO, UH... I HAD TO BREAK IN. 451 00:14:37,757 --> 00:14:41,421 DID HE GIVE YOU ANY REASON FOR ASKING FOR THOSE PICTURES? 452 00:14:41,421 --> 00:14:43,383 OKAY. WE'RE GONNA NEED TO SEE THE PHOTOS. 453 00:14:43,383 --> 00:14:44,344 HMM. 454 00:14:44,344 --> 00:14:46,716 SO TECH ANALYZED THE S.D. CARD. 455 00:14:46,716 --> 00:14:48,808 TIME/DATE STAMP WAS NOT MESSED WITH. 456 00:14:48,808 --> 00:14:51,431 SO THEN RON WAS TELLING THE TRUTH? WELL, ABOUT THE PHOTOS. 457 00:14:51,431 --> 00:14:53,853 I'M STILL NOT BUYING THE WHOLE "TOUCHED BY A PHANTOM" ROUTINE. 458 00:14:53,853 --> 00:14:56,276 I WONDER WHAT JACK WANTED WITH ALL THESE PHOTOS. 459 00:14:56,276 --> 00:14:58,568 YOU KNOW, ALL OF THE PICTURES ARE OF JUST ONE ROOM-- 460 00:14:58,568 --> 00:15:00,110 THE LIVING ROOM. 461 00:15:00,110 --> 00:15:02,022 THAT'S THE SAME ROOM AS THE CRIME SCENE. 462 00:15:02,022 --> 00:15:04,284 SO JACK HIRED RON BERGER TO TAKE PICTURES 463 00:15:04,284 --> 00:15:07,407 OF THE VERY ROOM HE WAS GONNA DIE IN. 464 00:15:07,407 --> 00:15:09,449 THAT'S CREEPY. 465 00:15:09,449 --> 00:15:11,661 THAT'S NOT CREEPY, CASTLE. 466 00:15:11,661 --> 00:15:13,163 I'M SURE IT CAN ALL BE EXPLAINED 467 00:15:13,163 --> 00:15:14,584 AND I BET YOU THAT LIVING ROOM 468 00:15:14,584 --> 00:15:17,297 HAS ABSOLUTELY NOTHING TO DO WITH GHOSTS OR DEMONS. 469 00:15:17,297 --> 00:15:18,498 THE LIVING ROOM, DEFINITELY. 470 00:15:18,498 --> 00:15:21,501 THAT WAS THE EPICENTER OF THE ACTIVITY. 471 00:15:21,501 --> 00:15:23,923 MS. BOYER, WHEN YOU SAY ACTIVITY... 472 00:15:23,923 --> 00:15:25,095 WE DIDN'T BUY IT EITHER. 473 00:15:25,095 --> 00:15:27,047 WE HAD HEARD ALL ABOUT THE McCLAREN HOUSE, 474 00:15:27,047 --> 00:15:28,048 IT'S HISTORY. 475 00:15:28,048 --> 00:15:29,049 WE LAUGHED ABOUT IT. 476 00:15:29,049 --> 00:15:30,470 AT FIRST, EVERYTHING WAS FINE. 477 00:15:30,470 --> 00:15:33,183 THEN IT STARTED-- LIGHTS GOING OFF, 478 00:15:33,183 --> 00:15:36,556 STRANGE NOISES, DOORS SLAMMING. 479 00:15:36,556 --> 00:15:39,359 DID ANYTHING VIOLENT EVER HAPPEN? 480 00:15:39,359 --> 00:15:40,730 ONE NIGHT, UH, 481 00:15:40,730 --> 00:15:41,901 WE HEARD NOISES FROM THE LIVING ROOM, 482 00:15:41,901 --> 00:15:43,483 WE WENT DOWNSTAIRS, 483 00:15:43,483 --> 00:15:44,654 FOUND THE WHOLE ROOM TRASHED. 484 00:15:44,654 --> 00:15:46,566 TABLES FLIPPED OVER, 485 00:15:46,566 --> 00:15:48,698 BOOKS RIPPED APART, PICTURES SMASHED. 486 00:15:48,698 --> 00:15:51,491 OH, MY GOD. THAT'S TERRIBLE. 487 00:15:51,491 --> 00:15:52,912 IS THAT WHEN YOU DECIDED TO MOVE OUT? 488 00:15:52,912 --> 00:15:54,334 (man) NOT WITHOUT A FIGHT. 489 00:15:54,334 --> 00:15:55,535 WE FOUND THIS WOMAN. THIS, UM, 490 00:15:55,535 --> 00:15:56,956 GHOST HUNTER. 491 00:15:56,956 --> 00:15:59,169 SAID SHE WAS THE BEST. 492 00:15:59,169 --> 00:16:02,292 SAID ALL OTHER GHOST HUNTERS CAME TO HER FOR HELP. 493 00:16:02,292 --> 00:16:04,424 BUT SHE TOOK ONE LOOK, AND TOLD US TO RUN LIKE HELL. 494 00:16:04,424 --> 00:16:05,425 YEAH, WHAT WAS HER NAME? 495 00:16:05,425 --> 00:16:06,546 UM... MERCY. 496 00:16:06,546 --> 00:16:09,089 THAT'S RIGHT. MERCY LaGRANDE. 497 00:16:09,089 --> 00:16:11,471 (lowered voice) "MERCY, I CAN SEE IT. MERCY." 498 00:16:11,471 --> 00:16:12,642 (lowered voice) MAYBE JACK SINCLAIR 499 00:16:12,642 --> 00:16:14,224 WASN'T BEGGING FOR MERCY WHEN HE DIED. 500 00:16:14,224 --> 00:16:15,765 HE WAS SAYING HER NAME. 501 00:16:15,765 --> 00:16:17,057 (Beckett) MERCY LaGRANDE, 502 00:16:17,057 --> 00:16:19,059 REAL NAME, MERCEDES KING, 503 00:16:19,059 --> 00:16:23,313 RUNS AN UNLICENSED BUSINESS DOING PARANORMAL CONSULTATIONS. 504 00:16:23,313 --> 00:16:25,315 THERE'S A REASON WHY SHE'S UNLICENSED. 505 00:16:25,315 --> 00:16:26,696 CHECK OUT THIS RAP SHEET. 506 00:16:26,696 --> 00:16:29,659 WE'VE GOT I.D. THEFT, FRAUD, CHECK FRAUD, 507 00:16:29,659 --> 00:16:31,241 AND IMPERSONATING A RELIGIOUS OFFICIAL. 508 00:16:31,241 --> 00:16:34,284 LOOK AT WHERE HER BUSINESS IS LOCATED--38th AND 9th. 509 00:16:34,284 --> 00:16:36,286 THAT'S ON THE SAME BLOCK OUR VIC CAUGHT THAT CAB. 510 00:16:36,286 --> 00:16:37,667 SO JACK PAID MERCY A VISIT, 511 00:16:37,667 --> 00:16:39,919 AND THEN GOES TO THE McCLAREN HOUSE UPSET. 512 00:16:39,919 --> 00:16:41,541 HOURS LATER, 513 00:16:41,541 --> 00:16:43,673 HE SAYS MERCY'S NAME RIGHT BEFORE HE DIES. 514 00:16:43,673 --> 00:16:46,086 SO THE QUESTION IS, HOW IS SHE INVOLVED IN ALL OF THIS? 515 00:16:46,086 --> 00:16:47,467 UH, WELL, YOU KNOW, UH, 516 00:16:47,467 --> 00:16:49,509 RYAN AND I WOULD BE GLAD TO GO CHECK THIS OUT 517 00:16:49,509 --> 00:16:51,511 IF YOU GUYS ARE TOO BUSY SOLVING THAT MURDER. 518 00:16:51,511 --> 00:16:53,053 (Ryan clears throat) 519 00:16:53,053 --> 00:16:55,435 (woman) I DID WHAT I COULD TO HELP HIM, 520 00:16:55,435 --> 00:16:56,686 BUT I'D SAY IT WASN'T ENOUGH. 521 00:16:56,686 --> 00:16:58,938 WHY DID JACK SINCLAIR COME TO SEE YOU? 522 00:16:58,938 --> 00:17:00,480 I'VE BEEN IN THE McCLAREN HOUSE. 523 00:17:00,480 --> 00:17:02,642 HE WAS GOING TO FACE WHATEVER'S IN THERE, 524 00:17:02,642 --> 00:17:04,023 AND HE WANTED MY ADVICE. 525 00:17:04,023 --> 00:17:06,446 WHICH YOU GAVE HIM... FOR A FEE. 526 00:17:06,446 --> 00:17:07,857 I'M NOT A CHARLATAN, DETECTIVE. 527 00:17:07,857 --> 00:17:09,949 SOMEONE WITH JACK SINCLAIR'S EXPERIENCE 528 00:17:09,949 --> 00:17:12,202 WOULDN'T BE SEEKING MY COUNSEL IF I WAS. 529 00:17:12,202 --> 00:17:14,574 PLEASE. 530 00:17:14,574 --> 00:17:18,118 IF HE WAS THAT GOOD, WHY WOULD HE SEEK YOUR HELP? 531 00:17:18,118 --> 00:17:19,919 THIS WAS NOT LIKE ANY OTHER HOUSE TO HIM. 532 00:17:19,919 --> 00:17:22,582 WHEN HE TOOK THE ASSIGNMENT, 533 00:17:22,582 --> 00:17:24,334 THE DREAMS STARTED. 534 00:17:24,334 --> 00:17:25,715 JUST GLIMPSES AT FIRST, 535 00:17:25,715 --> 00:17:27,717 BITS AND PIECES OF A ROOM, 536 00:17:27,717 --> 00:17:31,631 BUT THEN THE DREAMS BECAME NIGHTMARES-- 537 00:17:31,631 --> 00:17:33,723 FIGURES, BODIES. 538 00:17:33,723 --> 00:17:35,595 WHOSE BODIES? 539 00:17:35,595 --> 00:17:36,726 HE DIDN'T KNOW. 540 00:17:36,726 --> 00:17:38,388 BUT THE MORE WE TALKED, 541 00:17:38,388 --> 00:17:41,271 THE MORE IT BECAME CLEAR TO ME, THESE WEREN'T DREAMS. 542 00:17:41,271 --> 00:17:42,852 WELL, WHAT WERE THEY? 543 00:17:42,852 --> 00:17:45,185 MEMORIES. 544 00:17:45,185 --> 00:17:48,398 HE WITNESSED GREAT EVIL. 545 00:17:48,398 --> 00:17:50,400 REPRESSED IT ALL THESE YEARS. 546 00:17:50,400 --> 00:17:51,991 BUT THE MEMORIES WERE TOO STRONG. 547 00:17:51,991 --> 00:17:53,653 THEY WERE COMING BACK. 548 00:17:53,653 --> 00:17:56,246 AND WHAT WAS HE REMEMBERING EXACTLY? 549 00:17:56,246 --> 00:17:58,368 A WOMAN, 550 00:17:58,368 --> 00:18:00,700 A LOT OF BLOOD, A MAN WITH A KNIFE. 551 00:18:00,700 --> 00:18:02,872 WHO WAS THE MAN? 552 00:18:02,872 --> 00:18:06,005 HE SAID THE FACE WAS BLURRED BUT GETTING CLEARER. 553 00:18:06,005 --> 00:18:07,877 I TOLD HIM, 554 00:18:07,877 --> 00:18:09,879 IF HE RETURNED TO THE ROOM WHERE IT HAPPENED, 555 00:18:09,879 --> 00:18:12,842 IT MIGHT ALL COME BACK TO HIM. 556 00:18:12,842 --> 00:18:15,715 "MERCY, I CAN SEE IT." THAT'S THE MURDERER'S FACE. 557 00:18:15,715 --> 00:18:18,178 JACK RECOVERED THE MEMORY JUST BEFORE HE WAS KILLED. 558 00:18:18,178 --> 00:18:21,721 THE LAST MURDER IN THAT HOUSE WAS 20 YEARS AGO. 559 00:18:21,721 --> 00:18:23,483 I READ ABOUT THE CASE. 560 00:18:23,483 --> 00:18:24,724 THERE WERE NO WITNESSES. 561 00:18:24,724 --> 00:18:26,105 OH, THERE WAS ONE. 562 00:18:26,105 --> 00:18:28,067 JACK SINCLAIR WAS THERE 563 00:18:28,067 --> 00:18:30,109 THE NIGHT THAT WOMAN DIED. 564 00:18:31,571 --> 00:18:33,233 HE WAS THERE. 565 00:18:39,739 --> 00:18:40,740 THE PICTURES AREN'T PRETTY. 566 00:18:40,740 --> 00:18:41,741 MELANIE BENTON, 567 00:18:41,741 --> 00:18:42,742 SLICED UP IN THE McCLAREN HOUSE 568 00:18:42,742 --> 00:18:44,164 ON THE NIGHT OF APRIL 20, 1991. 569 00:18:44,164 --> 00:18:46,166 ONE GUESS WHERE SHE WAS FOUND. 570 00:18:46,166 --> 00:18:47,167 THE LIVING ROOM. 571 00:18:47,167 --> 00:18:48,418 GIVE THAT MAN A PRIZE. 572 00:18:48,418 --> 00:18:51,050 SO 1991, JACK SINCLAIR IS WHAT, 11? 573 00:18:51,050 --> 00:18:53,132 MM-HMM. STILL LIVING IN THE NEIGHBORHOOD. 574 00:18:53,132 --> 00:18:55,054 I'M BETTING THIS IS THE MURDER HE WITNESSED. 575 00:18:55,054 --> 00:18:56,926 YEAH, BUT HOW DID HE WITNESS A MURDER 576 00:18:56,926 --> 00:18:58,218 WITHOUT THE KILLER KNOWING? 577 00:18:58,218 --> 00:18:59,759 I DID SOME DIGGING. JACK HAD A PAPER ROUTE, 578 00:18:59,759 --> 00:19:01,391 AND THE McCLAREN HOUSE WAS ON IT. 579 00:19:01,391 --> 00:19:05,104 (Castle) OKAY, SO JACK SHOWS UP, MAYBE TO COLLECT MONEY, 580 00:19:05,104 --> 00:19:07,937 HEARS SCREAMS, AND HE PEERS IN THROUGH THOSE WINDOWS. 581 00:19:07,937 --> 00:19:10,400 HE STARTED HAVING DREAMS ABOUT WHAT HE'D SEEN 582 00:19:10,400 --> 00:19:11,821 ALL THOSE YEARS AGO, AND HE WANTED TO MAKE SENSE OF THEM. 583 00:19:11,821 --> 00:19:13,653 AND THAT'S WHY OUR VIC HIRED RON BERGER TO BREAK IN 584 00:19:13,653 --> 00:19:15,365 AND TAKE PICTURES OF THE LIVING ROOM. 585 00:19:15,365 --> 00:19:17,577 WAS THERE EVER AN ARREST MADE? (Ryan) NO, 586 00:19:17,577 --> 00:19:18,738 WHICH MEANS THE KILLER IS STILL OUT THERE. 587 00:19:18,738 --> 00:19:20,780 SO JACK SINCLAIR IS JUST ABOUT TO RECOVER HIS MEMORY 588 00:19:20,780 --> 00:19:23,042 AND POSSIBLY I.D. OUR KILLER, 589 00:19:23,042 --> 00:19:25,164 AND HE'S SILENCED. 590 00:19:25,164 --> 00:19:26,996 WHO WAS THE INVESTIGATING OFFICER ON THE CASE? 591 00:19:26,996 --> 00:19:28,588 I'VE BEEN RETIRED TEN YEARS, 592 00:19:28,588 --> 00:19:30,460 AND I STILL THINK ABOUT THIS ONE. 593 00:19:30,460 --> 00:19:31,421 I WAS THE FIRST ONE ON THE SCENE, 594 00:19:31,421 --> 00:19:32,632 AND I GOTTA TELL YOU, 595 00:19:32,632 --> 00:19:33,843 THE PICTURES DON'T EVEN DO IT JUSTICE, 596 00:19:33,843 --> 00:19:35,675 WHAT MATT BENTON DID TO HIS POOR WIFE. 597 00:19:35,675 --> 00:19:37,887 MATT BENTON? YOU THINK THAT MELANIE WAS KILLED 598 00:19:37,887 --> 00:19:39,259 BY HER OWN HUSBAND? 599 00:19:39,259 --> 00:19:41,391 WELL, THE NEIGHBORS COMPLAINED ABOUT CONSTANT FIGHTING. 600 00:19:41,391 --> 00:19:42,602 WE PUT OUT AN A.P.B. ON BENTON 601 00:19:42,602 --> 00:19:44,063 THE NIGHT THAT MELANIE WAS MURDERED, 602 00:19:44,063 --> 00:19:45,685 BUT HE GOT AWAY, AND HE'S BEEN ON THE LAM EVER SINCE 603 00:19:45,685 --> 00:19:47,857 SO IT DOESN'T TAKE A GENIUS TO PUT IT TOGETHER. 604 00:19:47,857 --> 00:19:49,439 DID YOU EVER HEAR ANYTHING ABOUT HIS WHEREABOUTS 605 00:19:49,439 --> 00:19:50,690 AFTER HE DISAPPEARED? 606 00:19:50,690 --> 00:19:53,072 WE GOT ONE TIP ONCE ABOUT HIM BEING IN EUROPE. 607 00:19:53,072 --> 00:19:55,775 BUT THAT--THAT'S GOTTA BE A GOOD 15 YEARS AGO NOW. 608 00:19:55,775 --> 00:19:57,196 SO SOMEBODY SPOTTED HIM? 609 00:19:57,196 --> 00:19:58,448 NO, HE SENT POSTCARDS TO HIS BROTHER. 610 00:19:58,448 --> 00:20:00,240 THEY WERE POSTMARKED VIENNA. 611 00:20:00,240 --> 00:20:01,821 WHAT DID THEY SAY? DO YOU REMEMBER? 612 00:20:01,821 --> 00:20:03,453 THEY ALL SAID THE SAME THING-- 613 00:20:03,453 --> 00:20:04,454 BENTON CLAIMED 614 00:20:04,454 --> 00:20:05,705 HE WASN'T RESPONSIBLE FOR HIS WIFE'S DEATH, 615 00:20:05,705 --> 00:20:07,497 SOMETHING ABOUT A DEMON. 616 00:20:07,497 --> 00:20:09,879 REALLY? HE CLAIMED THERE WAS A DEMON INVOLVED? 617 00:20:09,879 --> 00:20:12,712 I KNOW. LIKE ANYONE'S GONNA FALL FOR THAT, RIGHT? 618 00:20:12,712 --> 00:20:16,886 I MEAN, WHAT KIND OF JACKASS DID HE THINK HE WAS DEALING WITH? 619 00:20:16,886 --> 00:20:18,718 DID YOU EVER FOLLOW UP ON ANY OF THOSE POSTCARDS, 620 00:20:18,718 --> 00:20:20,049 DETECTIVE SMITH? 621 00:20:20,049 --> 00:20:21,431 WE GOT INTERPOL INVOLVED, 622 00:20:21,431 --> 00:20:23,263 BUT WITHOUT ANY HARD EVIDENCE AGAINST THE GUY-- 623 00:20:23,263 --> 00:20:25,345 NO MURDER WEAPON, NO WITNESS-- YOU KNOW, 624 00:20:25,345 --> 00:20:27,106 I DON'T THINK THEY EVER TOOK IT TOO SERIOUSLY. 625 00:20:27,106 --> 00:20:28,438 AND WHAT IF A WITNESS CAME FORWARD NOW, 626 00:20:28,438 --> 00:20:30,019 WOULD THAT CHANGE ANYTHING? 627 00:20:30,019 --> 00:20:31,811 THAT WOULD CHANGE EVERYTHING. 628 00:20:33,653 --> 00:20:36,025 IT SOUNDS MORE AND MORE LIKE MATT BENTON FOUND OUT ABOUT JACK 629 00:20:36,025 --> 00:20:37,857 AND DECIDED TO KEEP HIM QUIET. 630 00:20:37,857 --> 00:20:39,659 BUT HOW DID MATT FIND OUT 631 00:20:39,659 --> 00:20:41,030 THAT JACK WAS RECOVERING HIS MEMORIES? 632 00:20:41,030 --> 00:20:42,282 I HAVE AN IDEA ABOUT THAT. 633 00:20:42,282 --> 00:20:43,663 I WAS RECHECKING OUR VIC'S PHONE RECORDS. 634 00:20:43,663 --> 00:20:45,495 IT TURNS OUT, A WEEK BEFORE HE DIED, 635 00:20:45,495 --> 00:20:46,826 JACK SINCLAIR CALLED 636 00:20:46,826 --> 00:20:49,289 THE LAW FIRM OF LOCKHART, WHELAN AND BENTON. 637 00:20:49,289 --> 00:20:50,500 BENTON? AS IN-- 638 00:20:50,500 --> 00:20:52,131 PETE BENTON, MATT'S BROTHER. 639 00:20:52,131 --> 00:20:53,873 THAT'S THE BROTHER THAT MATT WAS SENDING 640 00:20:53,873 --> 00:20:56,255 THOSE POSTCARDS TO AND-- PETE COULD HAVE EASILY ALERTED MATT 641 00:20:56,255 --> 00:20:57,677 THAT SOMEONE WAS ASKING QUESTIONS, 642 00:20:57,677 --> 00:20:59,839 THE WRONG KIND OF QUESTIONS. 643 00:21:01,551 --> 00:21:04,344 MY BROTHER SENT ME THOSE POSTCARDS OVER 15 YEARS AGO. 644 00:21:04,344 --> 00:21:06,726 I GAVE THEM TO THE COPS. I HAVEN'T HEARD FROM HIM SINCE. 645 00:21:06,726 --> 00:21:09,599 AND NO CONTACT SINCE THEN, MR. BENTON? 646 00:21:09,599 --> 00:21:10,560 NO. 647 00:21:10,560 --> 00:21:12,692 NOT EVEN AFTER TALKING TO JACK SINCLAIR? 648 00:21:12,692 --> 00:21:13,943 JACK SINCLAIR? 649 00:21:13,943 --> 00:21:15,234 (Castle) THE GHOST HUNTER. 650 00:21:15,234 --> 00:21:17,357 HE WAS KILLED IN THE McCLAREN HOUSE LAST NIGHT. 651 00:21:17,357 --> 00:21:19,659 I NEVER SPOKE TO JACK SINCLAIR. 652 00:21:19,659 --> 00:21:21,611 WELL, HIS PHONE RECORDS SHOW OTHERWISE. 653 00:21:21,611 --> 00:21:23,613 I GET CALLS EVERY YEAR FROM SOME TV PRODUCER 654 00:21:23,613 --> 00:21:25,365 LOOKING TO EXPLOIT MY FAMILY'S TRAGEDY 655 00:21:25,365 --> 00:21:28,037 AND THE LEGEND OF THE McCLAREN MANSION. 656 00:21:28,037 --> 00:21:30,580 LOOK, IT'S A SHAME, WHATEVER HAPPENED TO THIS GUY. 657 00:21:30,580 --> 00:21:34,253 BUT IF HE CALLED HERE, I DID NOT TALK TO HIM. 658 00:21:34,253 --> 00:21:35,875 AND I CERTAINLY HAVEN'T SPOKEN TO MY BROTHER. 659 00:21:35,875 --> 00:21:37,877 SO IF WE CHECK YOUR PHONE RECORDS, 660 00:21:37,877 --> 00:21:39,839 WE WON'T FIND CALLS TO VIENNA? 661 00:21:39,839 --> 00:21:41,681 WE'RE AN INTERNATIONAL LAW FIRM. 662 00:21:41,681 --> 00:21:43,222 WE HAVE CLIENTS ALL OVER EUROPE, INCLUDING VIENNA. 663 00:21:43,222 --> 00:21:45,264 WE'RE GONNA NEED ACCESS TO THOSE PHONE LOGS. 664 00:21:45,264 --> 00:21:46,516 THEN YOU NEED A WARRANT, 665 00:21:46,516 --> 00:21:48,388 AND YOU DON'T HAVE ENOUGH TO GET ONE. 666 00:21:48,388 --> 00:21:49,639 (intercom rings) 667 00:21:49,639 --> 00:21:52,231 (woman) Mr. Benton, your car is downstairs. 668 00:21:52,231 --> 00:21:54,524 THE LAW FIRM'S CAR SERVICE OF CHOICE IS EXECU-DRIVE. 669 00:21:54,524 --> 00:21:55,895 HERE ARE PETE BENTON'S BILLING SLIPS 670 00:21:55,895 --> 00:21:57,397 GOING BACK A MONTH OR SO. 671 00:21:57,397 --> 00:21:58,778 WAS THERE ANY UNUSUAL ACTIVITY? 672 00:21:58,778 --> 00:22:01,280 UH, DAILY ROUTINE'S THE SAME TO AND FROM WORK, 673 00:22:01,280 --> 00:22:02,742 EXCEPT FOR FOUR DAYS AGO, 674 00:22:02,742 --> 00:22:04,994 WHEN PETE AUTHORIZED A PICKUP AT J.F.K., 675 00:22:04,994 --> 00:22:06,996 INTERNATIONAL TERMINAL. 676 00:22:06,996 --> 00:22:08,708 OKAY. SO MAYBE PETE DID HAVE HIS BROTHER ON SPEED DIAL. 677 00:22:08,708 --> 00:22:09,709 WHERE'D THEY GO? 678 00:22:09,709 --> 00:22:11,210 FAIRWYCK HOTEL. 679 00:22:11,210 --> 00:22:13,753 ALL RIGHT, LET'S TAKE THIS DOWN TO THE FAIRWYCK 680 00:22:13,753 --> 00:22:15,755 AND SEE IF ANYBODY RECOGNIZES MATT BENTON. 681 00:22:15,755 --> 00:22:18,588 ACTUALLY, I HAD TECH MOCK UP AN AGED-UP VERSION OF THE PHOTO, 682 00:22:18,588 --> 00:22:20,960 YOU KNOW, MATT 20 YEARS LATER. MM. 683 00:22:20,960 --> 00:22:22,672 WAIT A MINUTE. DON'T YOU GUYS HAVE DINNER PLANS TONIGHT? 684 00:22:22,672 --> 00:22:24,343 UH, WE CAN MOVE IT TO... 685 00:22:24,343 --> 00:22:26,886 SOME NIGHT WHEN LANIE'S NOT COMING OFF A DOUBLE SHIFT. 686 00:22:26,886 --> 00:22:28,768 UH, ACTUALLY, LANIE'S REALLY LOOKING FORWARD TO IT. 687 00:22:28,768 --> 00:22:30,770 YOU KNOW WHAT? NO WORRIES. IT'S ON MY WAY HOME. 688 00:22:30,770 --> 00:22:32,351 (Esposito and Ryan) YOU SURE? 689 00:22:32,351 --> 00:22:33,933 THAT I DON'T WANT TO BE THE ONE TO BLAME 690 00:22:33,933 --> 00:22:36,686 FOR RUINING LANIE'S NIGHT OUT? OH, YEAH. I AM SURE. 691 00:22:36,686 --> 00:22:38,648 (Martha sighs) HONESTLY, RICHARD, 692 00:22:38,648 --> 00:22:40,650 HOW DO YOU PLAN TO SOLVE A 1-DAY-OLD MURDER 693 00:22:40,650 --> 00:22:42,782 BY READING A BOOK ABOUT A 100-YEAR-OLD HOUSE? 694 00:22:42,782 --> 00:22:44,574 YOU SOUND JUST LIKE BECKETT. 695 00:22:44,574 --> 00:22:46,696 THERE HAS TO BE A REASON WHY ALL THESE THINGS HAPPENED 696 00:22:46,696 --> 00:22:47,747 IN THE LIVING ROOM-- 697 00:22:47,747 --> 00:22:48,988 ALL THESE MURDERS, UH, 698 00:22:48,988 --> 00:22:50,660 THE TENANTS WHO HAD THEIR FURNITURE SMASHED, 699 00:22:50,660 --> 00:22:52,662 ALL IN THE SAME ROOM. 700 00:22:52,662 --> 00:22:54,754 MAYBE THAT DEMON OF YOURS 701 00:22:54,754 --> 00:22:56,496 DID NOT LIKE THE FURNITURE. 702 00:22:56,496 --> 00:22:58,628 YOU BRING IN A DECORATOR, SNAZZ UP THE PLACE... 703 00:22:58,628 --> 00:23:00,590 (snaps fingers) ALL THIS NONSENSE MIGHT STOP. 704 00:23:00,590 --> 00:23:02,001 LESS LIKE BECKETT. 705 00:23:02,001 --> 00:23:03,132 OH. 706 00:23:03,132 --> 00:23:05,715 NO NEED OF SNAZZING UP HERE. 707 00:23:05,715 --> 00:23:07,767 LOOK AT YOU. WOW. 708 00:23:07,767 --> 00:23:09,308 YOU'RE REALLY TAKING THESE SKYPE DATES WITH ASHLEY SERIOUSLY. 709 00:23:09,308 --> 00:23:10,810 (chuckles) I'M GOING TO A PARTY. 710 00:23:10,810 --> 00:23:13,392 ASH WAS SUPPOSED TO CALL ME HOURS AGO, 711 00:23:13,392 --> 00:23:15,645 BUT I'M TIRED OF WAITING. 712 00:23:15,645 --> 00:23:16,816 OH, GOOD FOR YOU, SWEETHEART. 713 00:23:16,816 --> 00:23:18,317 HAVE A GOOD TIME. 714 00:23:18,317 --> 00:23:19,689 THANKS, DAD. I'LL BE BACK BY MIDNIGHT. 715 00:23:19,689 --> 00:23:20,980 THANK YOU. 716 00:23:20,980 --> 00:23:22,782 BYE. 717 00:23:22,782 --> 00:23:24,023 WOW. 718 00:23:24,023 --> 00:23:26,235 DID YOU SEE THAT OUTFIT? SHOULD I BE WORRIED? 719 00:23:26,235 --> 00:23:27,737 ASHLEY'S THE ONE WHO SHOULD BE WORRIED. 720 00:23:27,737 --> 00:23:30,289 TRUST ME, IF HE COULD SEE HOW SHE LOOKED GOING OUT NOW, 721 00:23:30,289 --> 00:23:32,291 HE WOULDN'T BE SO QUICK TO LEAVE HER HANGING. 722 00:23:32,291 --> 00:23:33,533 (telephone rings) 723 00:23:33,533 --> 00:23:35,835 OH, ISN'T THIS FUNNY? IT'S ASHLEY. 724 00:23:35,835 --> 00:23:37,296 (beeps) DECLINE. 725 00:23:37,296 --> 00:23:38,538 (chuckles) IT'S ALMOST AS IF 726 00:23:38,538 --> 00:23:41,170 HE WAS LISTENING IN TO OUR CONVERSATION. 727 00:23:41,170 --> 00:23:43,463 LISTENING IN. 728 00:23:43,463 --> 00:23:45,465 THE ARCHITECT FOR THE McCLAREN HOUSE, 729 00:23:45,465 --> 00:23:47,927 HE'S FROM SCOTLAND. 730 00:23:47,927 --> 00:23:49,549 I-IS THAT IMPORTANT? 731 00:23:49,549 --> 00:23:50,930 IT'S THE KEY. 732 00:23:50,930 --> 00:23:52,101 (knock on door) 733 00:23:52,101 --> 00:23:53,763 TWO WORDS-- 734 00:23:53,763 --> 00:23:55,765 LAIRD'S LUG. 735 00:23:56,856 --> 00:23:58,478 LAIRD'S LUG? 736 00:23:58,478 --> 00:24:00,059 LITERALLY "LORD'S EAR." 737 00:24:00,059 --> 00:24:02,692 IT REFERS TO THE HIDDEN ALCOVE ABOVE A DINING HALL 738 00:24:02,692 --> 00:24:03,983 OF MANY SCOTTISH CASTLES. 739 00:24:03,983 --> 00:24:06,616 THE HOST COULD USE IT TO EAVESDROP ON HIS GUESTS. 740 00:24:06,616 --> 00:24:09,368 I THINK I'VE EITHER HAD TOO MUCH WINE OR NOT ENOUGH. 741 00:24:09,368 --> 00:24:11,370 SEAMUS McCLAREN, BUILDER OF THE McCLAREN HOUSE, 742 00:24:11,370 --> 00:24:13,623 GREW UP RIGHT NEXT TO EDINBURGH CASTLE, 743 00:24:13,623 --> 00:24:15,665 NOTABLE FOR ITS LAIRD'S LUG. 744 00:24:15,665 --> 00:24:16,836 THE CONCEPT SO TICKLED HIM, 745 00:24:16,836 --> 00:24:19,248 HE PUT MODERN VERSIONS OF IT INTO SEVERAL OF HIS HOUSES. 746 00:24:19,248 --> 00:24:20,840 SO YOU'RE SAYING THAT THE McCLAREN HOUSE 747 00:24:20,840 --> 00:24:22,291 HAS A HIDDEN ALCOVE? 748 00:24:22,291 --> 00:24:24,083 IT EXPLAINS EVERYTHING. 749 00:24:24,083 --> 00:24:26,085 HOW COME THE KILLINGS ONLY HAPPEN IN THAT ONE ROOM? 750 00:24:26,085 --> 00:24:28,758 HOW DOES THE KILLER SEEMINGLY APPEAR AND DISAPPEAR AT WILL? 751 00:24:28,758 --> 00:24:30,970 ANSWERS THAT HAVE, THUS FAR, REMAINED ELUSIVE. 752 00:24:30,970 --> 00:24:33,052 SPEAKING OF WHICH, HOW DID YOUR CANVASSING GO? 753 00:24:33,052 --> 00:24:34,724 I CAME UP EMPTY. (sets glass down) 754 00:24:34,724 --> 00:24:36,856 THERE'S ABSOLUTELY NO EVIDENCE THAT MATT BENTON 755 00:24:36,856 --> 00:24:38,648 WAS EVER AT THE FAIRWYCK. 756 00:24:38,648 --> 00:24:40,650 MAYBE THE EVIDENCE OF HIS RETURN WILL BE IN THAT ALCOVE. 757 00:24:40,650 --> 00:24:41,691 IT'S WORTH A SHOT. 758 00:24:41,691 --> 00:24:43,232 WE'LL GO FIRST THING IN THE MORNING, 759 00:24:43,232 --> 00:24:44,524 SEE WHAT WE COME UP WITH. 760 00:24:45,905 --> 00:24:47,406 YOU WANT TO GO NOW? 761 00:24:47,406 --> 00:24:49,488 WELL, UNLESS, OF COURSE, YOU'RE AFRAID. 762 00:24:49,488 --> 00:24:51,110 YEAH, RIGHT. NO, I GET IT. 763 00:24:51,110 --> 00:24:52,782 I MEAN, IT IS A HAUNTED HOUSE. 764 00:24:52,782 --> 00:24:55,284 I'M NOT SCARED, CASTLE. NO, NO, YOU'RE RIGHT. 765 00:24:55,284 --> 00:24:57,667 YOU'RE RIGHT. I MEAN, THE DEMON HAS TASTED FRESH BLOOD. 766 00:24:57,667 --> 00:25:00,880 ITS--ITS THIRST MAY NOT BE SLAKED WITH JUST ONE VICTIM. 767 00:25:00,880 --> 00:25:02,081 OKAY, COME ON. 768 00:25:02,081 --> 00:25:03,963 LISTEN, IF-- IF YOU'RE NOT SCARED, 769 00:25:03,963 --> 00:25:05,625 JUST SAY IT. 770 00:25:05,625 --> 00:25:06,716 NO. 771 00:25:06,716 --> 00:25:07,887 COME ON. YOU KNOW YOU WANT TO. 772 00:25:07,887 --> 00:25:10,009 I DON'T WANT TO SAY IT, CASTLE. 773 00:25:10,009 --> 00:25:11,721 FOR ME. PLEASE. 774 00:25:13,392 --> 00:25:15,394 I AIN'T AFRAID A' NO GHOSTS. 775 00:25:15,394 --> 00:25:16,766 (Ray Parker Jr.'s "Ghostbusters" playing) 776 00:25:16,766 --> 00:25:18,397 THANK YOU. 777 00:25:18,397 --> 00:25:21,350 ♪♪♪ 778 00:25:26,566 --> 00:25:27,947 I DON'T KNOW, CASTLE, THERE HAVE BEEN 779 00:25:27,947 --> 00:25:29,238 A LOT OF MURDER INVESTIGATIONS IN HERE OVER THE YEARS, 780 00:25:29,238 --> 00:25:30,990 AND I THINK THEY WOULD'VE FOUND A SECRET ROOM 781 00:25:30,990 --> 00:25:32,361 IF THERE ACTUALLY WAS ONE. 782 00:25:32,361 --> 00:25:34,864 NOT IF IT WAS HIDDEN WELL ENOUGH. 783 00:25:34,864 --> 00:25:38,327 YOU KNOW, YOU'RE GONNA REGRET IT IF WE ACTUALLY FIND THIS ROOM. 784 00:25:38,327 --> 00:25:39,789 WHY IS THAT? 785 00:25:39,789 --> 00:25:41,000 BECAUSE THEN YOU'RE GONNA HAVE TO ADMIT 786 00:25:41,000 --> 00:25:43,002 THAT THERE IS NO DEMON BEHIND ALL OF THIS. 787 00:25:43,002 --> 00:25:45,334 THAT IT'S NOTHING MORE THAN A BORING OLD PSYCHO KILLER 788 00:25:45,334 --> 00:25:46,926 HIDING IN A ROOM. 789 00:25:46,926 --> 00:25:50,009 WELL, UNLESS IT'S A PSYCHO KILLER POSSESSED BY A DEMON. 790 00:25:50,009 --> 00:25:51,971 WHY ARE YOU SO DETERMINED TO FIND THE SUPERNATURAL 791 00:25:51,971 --> 00:25:53,633 IN ALL THIS? WHY ARE YOU SO DETERMINED NOT TO? 792 00:25:53,633 --> 00:25:55,474 YOU KNOW WHAT? I AM JUST FOLLOWING THE EVIDENCE, 793 00:25:55,474 --> 00:25:56,976 WHEREVER IT MAY LEAD, 794 00:25:56,976 --> 00:25:59,178 AND AS A COP, I'M GOING TO CONSIDER 795 00:25:59,178 --> 00:26:01,440 EVERY POSSIBLE WORLDLY EXPLANATION. 796 00:26:01,440 --> 00:26:02,642 UH-HUH. 797 00:26:02,642 --> 00:26:04,393 AND WHAT IF THERE IS NONE? 798 00:26:04,393 --> 00:26:06,185 WELL, THEN I'M OPEN TO THE ALTERNATIVES. 799 00:26:06,185 --> 00:26:07,446 (laughs) 800 00:26:07,446 --> 00:26:09,028 YOU? 801 00:26:09,028 --> 00:26:10,900 SKEPTICUS MAXIMUS? YOU KNOW WHAT? 802 00:26:10,900 --> 00:26:12,902 JUST BECAUSE I DON'T TALK ABOUT IT NONSTOP 803 00:26:12,902 --> 00:26:14,614 DOESN'T MEAN I DON'T BELIEVE 804 00:26:14,614 --> 00:26:16,535 IN ANOTHER PLANE. 805 00:26:16,535 --> 00:26:17,697 I'VE ACTUALLY HAD MY OWN EXPERIENCES. 806 00:26:17,697 --> 00:26:19,408 GET OUT. LIKE WHAT? 807 00:26:19,408 --> 00:26:21,410 WHEN I WAS A LITTLE GIRL, 808 00:26:21,410 --> 00:26:23,623 MY PARENTS RENTED A CABIN BY A LAKE, 809 00:26:23,623 --> 00:26:27,416 AND ONE NIGHT, I HAD TO GO TO THE BATHROOM... 810 00:26:27,416 --> 00:26:30,339 YOU KNOW WHAT? YOU'RE JUST GONNA THINK I'M CRAZY. 811 00:26:30,339 --> 00:26:31,881 NO, NO, NO. GO AHEAD. TELL ME. 812 00:26:31,881 --> 00:26:35,424 (exhales) AND ON THE WAY THERE, 813 00:26:35,424 --> 00:26:39,518 I HEARD THIS... VOICE WHISPERING... 814 00:26:39,518 --> 00:26:41,681 (whispers) "KATE, KATE." 815 00:26:41,681 --> 00:26:44,563 (normal voice) IT WAS COMING FROM THIS ROOM 816 00:26:44,563 --> 00:26:46,605 THAT THE OWNERS HAD LOCKED UP 817 00:26:46,605 --> 00:26:48,688 AND TOLD MY PARENTS... (whispers) NEVER TO GO IN IT. 818 00:26:48,688 --> 00:26:50,359 (normal voice) EXCEPT THAT NIGHT, 819 00:26:50,359 --> 00:26:52,732 THERE'S THIS WEIRD GLOW UNDERNEATH THE DOOR, 820 00:26:52,732 --> 00:26:55,534 AND THEN I HEARD THE VOICE AGAIN. (whispers) "KATE." 821 00:26:55,534 --> 00:26:58,117 (normal voice) AND SO I WALKED UP TO THE DOOR 822 00:26:58,117 --> 00:26:59,949 AND THIS TIME, IT WASN'T LOCKED. 823 00:26:59,949 --> 00:27:02,001 (whispering) AND I TURNED THE DOORKNOB 824 00:27:02,001 --> 00:27:05,504 AND I OPENED IT UP AND THEN I SAW IT. 825 00:27:05,504 --> 00:27:08,377 (whispers) WHAT WAS IT? WHAT DID YOU SEE? 826 00:27:11,340 --> 00:27:13,803 AH, HA HA. VERY FUNNY. (laughs) 827 00:27:13,803 --> 00:27:14,924 YES, YOU GOT ME. 828 00:27:14,924 --> 00:27:16,555 HOW LONG HAVE YOU KNOWN ME, CASTLE? 829 00:27:16,555 --> 00:27:18,387 OF COURSE I DON'T BELIEVE IN GHOSTS. 830 00:27:18,387 --> 00:27:20,429 (creaks and slams) 831 00:27:20,429 --> 00:27:22,221 WHAT WAS THAT? 832 00:27:22,221 --> 00:27:24,393 (electricity crackles) 833 00:27:24,393 --> 00:27:25,725 WELL, THAT'S ODD. 834 00:27:25,725 --> 00:27:28,187 NO, THAT'S MORE THAN JUST ODD. 835 00:27:28,187 --> 00:27:30,770 THIS IS THE SAME SEQUENCE OF EVENTS 836 00:27:30,770 --> 00:27:32,361 THAT PRECEDED JACK SINCLAIR'S MURDER. 837 00:27:32,361 --> 00:27:34,363 EXCEPT JACK ONLY HAD AN E.M.F. METER. 838 00:27:34,363 --> 00:27:37,947 I'VE GOT A GUN AND A FLASHLIGHT. 839 00:27:37,947 --> 00:27:39,448 WITH DEAD BATTERIES. 840 00:27:39,448 --> 00:27:41,871 I COULD SWEAR I JUST PUT IN NEW ONES. 841 00:27:41,871 --> 00:27:46,045 I KNOW I SAW SOME MATCHES BY ONE OF THESE CANDLES HERE. 842 00:27:46,045 --> 00:27:49,588 (dramatic organ music playing) 843 00:27:49,588 --> 00:27:51,170 (laughs evilly) 844 00:27:51,170 --> 00:27:52,712 WOW, CASTLE. MATURE. RIGHT. SORRY. 845 00:27:52,712 --> 00:27:54,633 YEAH. 846 00:27:54,633 --> 00:27:55,845 HERE WE GO. 847 00:27:55,845 --> 00:27:58,467 (clatters) 848 00:28:05,474 --> 00:28:06,645 CASTLE... 849 00:28:06,645 --> 00:28:08,477 THAT WAS NOT ME. 850 00:28:08,477 --> 00:28:11,981 OKAY. SO MAYBE THERE'S A DRAFT HERE. 851 00:28:11,981 --> 00:28:14,483 RIGHT? 852 00:28:14,483 --> 00:28:16,655 WAIT. I THINK I FEEL IT RIGHT HERE. 853 00:28:16,655 --> 00:28:17,907 GIVE ME A BOOST. 854 00:28:17,907 --> 00:28:18,908 OKAY. 855 00:28:18,908 --> 00:28:20,119 READY? YEAH. 856 00:28:22,531 --> 00:28:24,533 (grunts) 857 00:28:24,533 --> 00:28:26,786 OH, GOD, CASTLE. 858 00:28:26,786 --> 00:28:28,537 OH, YEAH, THIS IS EASY. OHH. 859 00:28:28,537 --> 00:28:29,789 AH. 860 00:28:29,789 --> 00:28:31,330 OH. 861 00:28:31,330 --> 00:28:32,922 (grunts) HEY. 862 00:28:32,922 --> 00:28:34,924 CASTLE, COME ON. JUST HOLD STILL. 863 00:28:34,924 --> 00:28:36,425 JEEZ. 864 00:28:36,425 --> 00:28:37,426 (clatters and scrapes) 865 00:28:37,426 --> 00:28:38,798 (gasps) 866 00:28:38,798 --> 00:28:40,429 THAT'S THE NOISE ON THE TAPE 867 00:28:40,429 --> 00:28:42,301 RIGHT BEFORE JACK SINCLAIR WAS KILLED. 868 00:28:42,301 --> 00:28:43,512 OKAY. 869 00:28:43,512 --> 00:28:46,015 I'M GONNA GO UP. READY? 870 00:28:46,015 --> 00:28:47,767 GRAB MY LEGS. 871 00:28:47,767 --> 00:28:50,519 (gasps) CASTLE, I SAID LEGS. OKAY? 872 00:28:50,519 --> 00:28:51,610 OH, LEGS. 873 00:28:51,610 --> 00:28:52,982 SORRY. (grunts) 874 00:28:52,982 --> 00:28:55,114 NOT AS SORRY AS I WAS. 875 00:28:55,114 --> 00:28:56,856 I'M AROUND DEAD PEOPLE ALL DAY. 876 00:28:56,856 --> 00:28:58,818 WHEN I GET HOME, I WANT A LIVE ONE. 877 00:28:58,818 --> 00:29:00,619 I WAS TIRED. 878 00:29:00,619 --> 00:29:02,241 (all laugh) 879 00:29:02,241 --> 00:29:04,243 I CAN'T BELIEVE WE WAITED THIS LONG TO DO THIS, BABE. 880 00:29:04,243 --> 00:29:07,076 YEAH, YEAH. IT REALLY DID TURN OUT TO BE A PERFECT NIGHT. 881 00:29:07,076 --> 00:29:08,497 ♪♪♪ 882 00:29:08,497 --> 00:29:10,209 I WOULD LIKE TO PROPOSE A TOAST. 883 00:29:10,209 --> 00:29:12,421 I KNOW THAT IT'S KIND OF CORNY, 884 00:29:12,421 --> 00:29:14,133 BUT IT'S ME SO, WELL, THERE WE GO. 885 00:29:14,133 --> 00:29:15,634 UH, TO BEST FRIENDS, 886 00:29:15,634 --> 00:29:16,836 NOW AND FOREVER. 887 00:29:16,836 --> 00:29:17,837 (glasses clink) 888 00:29:17,837 --> 00:29:19,138 CHEERS. 889 00:29:19,138 --> 00:29:20,339 AND TO THE FUTURE NEWLYWEDS. 890 00:29:20,339 --> 00:29:21,340 AWW. 891 00:29:21,340 --> 00:29:22,341 CHEERS. YOU ARE SO THOUGHTFUL. 892 00:29:22,341 --> 00:29:24,053 (Jenny) CHEERS. 893 00:29:24,053 --> 00:29:27,556 YOU KNOW, KEVIN SAID YOU GUYS MADE A GREAT COUPLE, BUT... 894 00:29:27,556 --> 00:29:28,647 I HAD NO IDEA. 895 00:29:28,647 --> 00:29:30,649 SO... 896 00:29:30,649 --> 00:29:32,441 WHEN ARE YOU TWO GETTING MARRIED? 897 00:29:32,441 --> 00:29:36,565 ♪♪♪ 898 00:29:36,565 --> 00:29:39,608 (indistinct conversations) 899 00:29:39,608 --> 00:29:42,071 (Castle, strained voice) ISN'T THIS AWKWARD? 900 00:29:42,071 --> 00:29:43,662 YEAH, WELL, SECRET PASSAGEWAYS 901 00:29:43,662 --> 00:29:46,535 AREN'T SUPPOSED TO BE THE MOST CONVENIENT OF PLACES. 902 00:29:46,535 --> 00:29:47,907 THE KILLER COULD HAVE HUNG UPSIDE DOWN FROM THIS BAR 903 00:29:47,907 --> 00:29:50,669 WHEN HE SLIT JACK SINCLAIR'S THROAT. 904 00:29:50,669 --> 00:29:52,832 THAT WOULD PROVIDE YOU WITH YOUR DEMON-FREE EXPLANATION 905 00:29:52,832 --> 00:29:54,964 OF THE UNDISTURBED BLOOD SPATTER. 906 00:29:54,964 --> 00:29:56,966 LOOK, CASTLE, I APPRECIATE THE ASSIST, 907 00:29:56,966 --> 00:29:58,878 BUT I COULD DO WITHOUT THE MASSAGE. 908 00:29:58,878 --> 00:30:00,549 WHAT ARE YOU TALKING ABOUT? 909 00:30:00,549 --> 00:30:01,881 AREN'T YOU RUBBING MY NECK? (squeaking) 910 00:30:01,881 --> 00:30:03,132 NO. 911 00:30:03,132 --> 00:30:05,014 UGH. EW. 912 00:30:05,014 --> 00:30:06,555 EEK. UGH. (squeaks) 913 00:30:06,555 --> 00:30:07,766 DEEP BREATHS, CASTLE. 914 00:30:07,766 --> 00:30:09,388 IT'S JUST A RAT. 915 00:30:09,388 --> 00:30:10,809 (squeaks) THERE'S SOMETHING OVER THERE. 916 00:30:10,809 --> 00:30:12,731 COME ON. 917 00:30:12,731 --> 00:30:13,732 (electricity crackles) 918 00:30:13,732 --> 00:30:14,894 HIDDEN PASSAGEWAYS, SECRET ROOMS? 919 00:30:14,894 --> 00:30:16,105 I DON'T KNOW, CASTLE. 920 00:30:16,105 --> 00:30:18,147 THE MYSTERY OF THE McCLAREN MANSION'S 921 00:30:18,147 --> 00:30:20,279 LOOKING LESS SUPERNATURAL BY THE MINUTE. 922 00:30:20,279 --> 00:30:22,781 WHAT IS THIS? 923 00:30:22,781 --> 00:30:23,993 (humming) 924 00:30:23,993 --> 00:30:24,994 (clicks) 925 00:30:24,994 --> 00:30:25,995 (electricity crackles) 926 00:30:25,995 --> 00:30:27,786 (clicks) 927 00:30:27,786 --> 00:30:29,578 IT'S A MAGNETIC FIELD GENERATOR 928 00:30:29,578 --> 00:30:32,541 TO KNOCK OUT THE VIDEO FEED TO THE CAMERAS. 929 00:30:32,541 --> 00:30:34,713 BOY, SOMEONE PLANNED VERY CAREFULLY 930 00:30:34,713 --> 00:30:37,296 HOW TO KILL JACK SINCLAIR THE NIGHT HE WAS FILMING HERE. 931 00:30:37,296 --> 00:30:38,627 (hums, electricity crackles) 932 00:30:38,627 --> 00:30:40,419 IT'S TAXING THE POWER SUPPLY. THAT COULD EXPLAIN 933 00:30:40,419 --> 00:30:42,381 THE LIGHTS FLICKERING JUST BEFORE JACK'S DEATH. 934 00:30:42,381 --> 00:30:44,463 YOU KNOW, THE MAGNETIC FIELD WOULD ALSO EXPLAIN 935 00:30:44,463 --> 00:30:46,805 THAT TRIPOD MOVING THAT WE SAW IN THE VIDEO. 936 00:30:46,805 --> 00:30:48,347 CASTLE, LOOK AT THESE MARKS. 937 00:30:48,347 --> 00:30:50,019 THERE WAS A BED HERE. 938 00:30:50,019 --> 00:30:51,430 MATT BENTON COULD'VE BEEN HERE 939 00:30:51,430 --> 00:30:53,852 FOR DAYS BEFORE JACK EVEN SHOWED UP. 940 00:30:53,852 --> 00:30:56,235 YOU KNOW, THIS HOUSE HAS BEEN LARGELY UNOCCUPIED 941 00:30:56,235 --> 00:30:58,187 SINCE THE MELANIE BENTON KILLING. 942 00:30:58,187 --> 00:30:59,738 MAYBE THE REASON THEY COULDN'T FIND MATT BENTON 943 00:30:59,738 --> 00:31:01,320 IS BECAUSE HE NEVER LEFT. 944 00:31:01,320 --> 00:31:02,781 HE COULD'VE BEEN LIVING HERE THE WHOLE TIME. 945 00:31:02,781 --> 00:31:04,984 (creaking) 946 00:31:04,984 --> 00:31:07,406 (whispers) AND MAYBE HE'S HERE RIGHT NOW. 947 00:31:07,406 --> 00:31:09,248 (whispers) OPEN THE DOOR. 948 00:31:17,706 --> 00:31:19,338 (squeaking) 949 00:31:19,338 --> 00:31:21,800 (laughs) 950 00:31:21,800 --> 00:31:24,003 (high-pitched voice) OH, MY GOD. MY HEART. 951 00:31:24,003 --> 00:31:26,305 (whispers) I WAS SO SCARED. (creaks) 952 00:31:26,305 --> 00:31:27,306 (door bangs) 953 00:31:27,306 --> 00:31:28,387 (normal voice) WHAT? 954 00:31:28,387 --> 00:31:29,638 (high-pitched voice) AAH! AAH! 955 00:31:29,638 --> 00:31:30,639 AAH! 956 00:31:30,639 --> 00:31:33,682 (normal voice) REALLY?! REALLY? UGH! 957 00:31:33,682 --> 00:31:35,684 (rustles fabric) 958 00:31:35,684 --> 00:31:37,776 I AM THROWING AWAY THIS COAT. 959 00:31:37,776 --> 00:31:40,779 LOOK, HIS CUFFS ARE MONOGRAMMED. 960 00:31:40,779 --> 00:31:42,611 "M.B." 961 00:31:42,611 --> 00:31:44,693 LOOKS LIKE YOU WERE RIGHT, CASTLE. 962 00:31:44,693 --> 00:31:47,616 MATT BENTON NEVER DID LEAVE THE McCLAREN MANSION. 963 00:31:53,662 --> 00:31:54,663 DENTAL RECORDS CONFIRM IT. 964 00:31:54,663 --> 00:31:56,295 THAT'S MATT BENTON. 965 00:31:56,295 --> 00:31:57,957 TECH REALLY NEEDS BETTER SOFTWARE. 966 00:31:57,957 --> 00:31:59,748 CAUSE OF DEATH? DON'T KNOW YET, 967 00:31:59,748 --> 00:32:01,710 BUT I'M GUESSING IT WASN'T THE WORLD'S LONGEST GAME 968 00:32:01,710 --> 00:32:02,711 OF HIDE-AND-SEEK. 969 00:32:02,711 --> 00:32:04,133 HOW LONG WAS HE IN THERE FOR? 970 00:32:04,133 --> 00:32:06,005 STILL WAITING ON THE TEST RESULTS, 971 00:32:06,005 --> 00:32:08,257 BUT THE PRELIM REPORTS ON THE TISSUE SAMPLES SUGGESTS 972 00:32:08,257 --> 00:32:10,009 HE DIED ABOUT 20 YEARS AGO. 973 00:32:10,009 --> 00:32:12,511 OKAY, SO THEN ODDS ARE HE WAS KILLED AT THE SAME TIME 974 00:32:12,511 --> 00:32:13,892 HIS WIFE MELANIE WAS. 975 00:32:13,892 --> 00:32:15,434 SO THE KILLER HIDES MATT'S BODY, 976 00:32:15,434 --> 00:32:17,266 MAKING IT APPEAR AS THOUGH HE FLED, 977 00:32:17,266 --> 00:32:18,857 FRAMING MATT FOR HIS WIFE'S MURDER 978 00:32:18,857 --> 00:32:21,060 ANDTHROWING EVERYONE OFF THE TRAIL OF THE REAL KILLER. 979 00:32:21,060 --> 00:32:22,691 AND IT WORKED, TOO, FOR 20 YEARS. 980 00:32:22,691 --> 00:32:24,693 YEAH, UNTIL JACK SINCLAIR SHOWED UP. 981 00:32:24,693 --> 00:32:26,775 LET ME KNOW ABOUT THE TEST RESULTS. 982 00:32:26,775 --> 00:32:28,197 OKAY. 983 00:32:28,197 --> 00:32:29,408 HEY. 984 00:32:29,408 --> 00:32:32,121 HOW'D THAT DOUBLE DATE GO? 985 00:32:32,121 --> 00:32:33,452 I-I JUST... 986 00:32:35,704 --> 00:32:38,497 YOU GUYS... ONE THING. 987 00:32:38,497 --> 00:32:40,539 IF MATT WAS KILLED 20 YEARS AGO, 988 00:32:40,539 --> 00:32:42,711 THEN HOW'D HE SEND THOSE POSTCARDS 989 00:32:42,711 --> 00:32:44,713 TO PETE 15 YEARS AGO? 990 00:32:44,713 --> 00:32:47,756 I THINK IT'S TIME WE TOOK A HARDER LOOK AT PETE BENTON. 991 00:32:47,756 --> 00:32:50,969 (whispers) DON'T ASK ABOUT THE DATE. 992 00:32:52,261 --> 00:32:54,513 LOOK, I SAID I'M SORRY, OKAY? 993 00:32:54,513 --> 00:32:56,265 I DIDN'T MEAN TO JINX THE DINNER. 994 00:32:56,265 --> 00:32:57,686 (imitates Ryan) "THIS REALLY IS THE PERFECT NIGHT." 995 00:32:57,686 --> 00:32:59,648 JENNY GOT A LITTLE CAUGHT UP IN THE MOMENT. 996 00:32:59,648 --> 00:33:01,270 (imitates Jenny) "WHEN ARE YOU TWO GETTING MARRIED"? 997 00:33:01,270 --> 00:33:02,981 (normal voice) THAT'S A QUESTION YOU DO NOT ASK. 998 00:33:02,981 --> 00:33:04,603 (sighs deeply) 999 00:33:04,603 --> 00:33:06,195 ALL RIGHT, YOU KNOW, IT'S-- 1000 00:33:06,195 --> 00:33:07,906 IT'S NOT ENTIRELY YOU GUYS' FAULT. 1001 00:33:07,906 --> 00:33:09,238 YOU GUYS HAVE A BIG FIGHT AFTER? 1002 00:33:09,238 --> 00:33:10,609 (laughs) BIG FIGHT? NO. 1003 00:33:10,609 --> 00:33:12,201 MEGA FIGHT? YES. 1004 00:33:12,201 --> 00:33:13,992 THE POINT IS... WE, UM, 1005 00:33:13,992 --> 00:33:16,495 WE DECIDED THAT WE'RE GONNA COOL THINGS OFF. 1006 00:33:16,495 --> 00:33:18,707 WHAT, YOU MEAN SPLIT UP? YEAH. 1007 00:33:18,707 --> 00:33:20,829 JUST UNTIL WE BOTH FIGURE OUT WHAT WE WANT. 1008 00:33:20,829 --> 00:33:21,920 MAN, I'M SO SORRY. 1009 00:33:21,920 --> 00:33:23,042 ANYWAY... 1010 00:33:23,042 --> 00:33:25,003 LOOK, BROTHER, IF YOU NEED ME FOR ANYTHING, 1011 00:33:25,003 --> 00:33:26,255 YOU KNOW I'M ALWAYS HERE TO-- 1012 00:33:26,255 --> 00:33:27,256 WHAT? 1013 00:33:28,547 --> 00:33:30,299 WELL, MAYBE NOTHING, BUT... 1014 00:33:30,299 --> 00:33:32,221 THIS LIGHTBULB... 1015 00:33:32,221 --> 00:33:33,472 IS BRAND-NEW. 1016 00:33:33,472 --> 00:33:35,344 (Pete) ARE YOU KIDDING ME? 1017 00:33:35,344 --> 00:33:37,556 DETECTIVE, THIS IS BORDERING ON HARASSMENT. 1018 00:33:37,556 --> 00:33:39,638 I TOLD YOU EVERYTHING I KNOW ABOUT MY BROTHER. 1019 00:33:39,638 --> 00:33:40,689 NOT EVERYTHING. 1020 00:33:40,689 --> 00:33:42,731 YOU WERE ENGAGED ONCE, WEREN'T YOU, MR. BENTON? 1021 00:33:42,731 --> 00:33:43,942 (Castle) TO A MELANIE WENDELL. 1022 00:33:43,942 --> 00:33:45,524 UNTIL MELANIE BROKE IT OFF 1023 00:33:45,524 --> 00:33:48,737 AND MARRIED YOUR BROTHER INSTEAD. 1024 00:33:48,737 --> 00:33:50,649 THINGS DIDN'T WORK OUT FOR US. 1025 00:33:50,649 --> 00:33:53,612 I DIDN'T EXPECT MELANIE TO STAY SINGLE FOREVER. 1026 00:33:53,612 --> 00:33:55,204 BUT YOU NEVER MARRIED, 1027 00:33:55,204 --> 00:33:57,416 BECAUSE YOU NEVER GOT OVER HER, DID YOU? 1028 00:33:57,416 --> 00:33:58,457 WHO REALLY SENT THOSE POSTCARDS, PETE? 1029 00:33:58,457 --> 00:33:59,658 DID YOU SEND 'EM YOURSELF? 1030 00:33:59,658 --> 00:34:00,869 WHAT THE HELL ARE YOU TALKING ABOUT? 1031 00:34:00,869 --> 00:34:02,291 MY BROTHER SENT ME THOSE POSTCARDS. 1032 00:34:02,291 --> 00:34:04,833 YOU AND I BOTH KNOW THAT'S NOT POSSIBLE. 1033 00:34:04,833 --> 00:34:07,546 YOUR BROTHER HAS BEEN DEAD FOR 20 YEARS. 1034 00:34:09,628 --> 00:34:11,009 WHAT? 1035 00:34:11,009 --> 00:34:13,472 WE FOUND HIS REMAINS IN THE McCLAREN HOUSE. 1036 00:34:13,472 --> 00:34:14,883 IT'S OVER. 1037 00:34:14,883 --> 00:34:16,765 YOU THINK I KILLED MY BROTHER? 1038 00:34:16,765 --> 00:34:18,477 YOU THINK I KILLED MELANIE? 1039 00:34:18,477 --> 00:34:19,888 WHERE WERE YOU THAT NIGHT, PETE? 1040 00:34:23,442 --> 00:34:26,605 I'LL TELL YOU EXACTLY WHERE I WAS. 1041 00:34:26,605 --> 00:34:30,239 I WENT TO DINNER WITH MY FRIEND MARIE-- 1042 00:34:30,239 --> 00:34:32,951 7:30, CAFE JOUER. 1043 00:34:32,951 --> 00:34:34,743 WE WERE OUT BY 9:00. 1044 00:34:34,743 --> 00:34:36,785 WE STOPPED AT DORIAN'S FOR A DRINK. 1045 00:34:36,785 --> 00:34:38,617 I HAD A 7 AND 7. 1046 00:34:38,617 --> 00:34:40,789 OUR SERVER WAS PATRICK. 1047 00:34:42,661 --> 00:34:44,253 WHEN SOMETHING LIKE THAT HAPPENS, 1048 00:34:44,253 --> 00:34:45,584 IT'S BURNED INTO YOUR BRAIN, 1049 00:34:45,584 --> 00:34:47,916 EVERY DETAIL OF WHAT HAPPENED THE NIGHT YOU HEARD. 1050 00:34:47,916 --> 00:34:51,210 I COULDN'T FORGET IT IF I TRIED. 1051 00:34:54,513 --> 00:34:56,715 WE'RE GONNA HAVE TO VERIFY YOUR STORY, PETE. 1052 00:34:56,715 --> 00:34:58,717 SO... MY-- 1053 00:34:58,717 --> 00:35:00,679 MY BROTHER DIDN'T KILL MELANIE? 1054 00:35:00,679 --> 00:35:02,391 WE DON'T THINK SO. 1055 00:35:02,391 --> 00:35:04,643 (voice breaking) I'VE ALWAYS ASSUMED THAT HE DID. 1056 00:35:04,643 --> 00:35:06,685 MATT HAD A TERRIBLE TEMPER. 1057 00:35:06,685 --> 00:35:09,278 HE WAS CONVINCED THAT MELANIE WAS CHEATING ON HIM. 1058 00:35:09,278 --> 00:35:10,569 WAS SHE? 1059 00:35:10,569 --> 00:35:12,571 (normal voice) WOULDN'T SURPRISE ME IF SHE WAS. 1060 00:35:12,571 --> 00:35:14,783 MATT THOUGHT IT WAS SOMEBODY AT WORK. 1061 00:35:14,783 --> 00:35:16,285 IT WASN'T SOMEONE MELANIE WORKED WITH. 1062 00:35:16,285 --> 00:35:17,696 I JUST TRACKED DOWN GEORGE BANNER, 1063 00:35:17,696 --> 00:35:19,498 MELANIE'S MANAGER AT FLY-WIDE TRAVEL 1064 00:35:19,498 --> 00:35:20,699 FROM 20 YEARS AGO. 1065 00:35:20,699 --> 00:35:21,790 MM-HMM. 1066 00:35:21,790 --> 00:35:22,911 HE SAID MELANIE HAD TWO COWORKERS, 1067 00:35:22,911 --> 00:35:24,122 BOTH GUYS... UH-HUH. 1068 00:35:24,122 --> 00:35:25,334 MARRIED... STILL. 1069 00:35:25,334 --> 00:35:26,625 TO EACH OTHER. OH. 1070 00:35:26,625 --> 00:35:29,838 WELL, FLY-WIDE WAS IN A HIGH-RISE IN MIDTOWN. 1071 00:35:29,838 --> 00:35:31,590 SO MAYBE IT WAS SOMEONE ELSE IN THE BUILDING. 1072 00:35:31,590 --> 00:35:33,212 LET'S GET A LIST OF ALL THE TENANTS THAT WERE THERE 1073 00:35:33,212 --> 00:35:34,343 WHEN MELANIE WORKED THERE. 1074 00:35:34,343 --> 00:35:35,754 I'M NOT SURE THAT'S NECESSARY. 1075 00:35:35,754 --> 00:35:37,346 REMEMBER THE LIGHTBULB I TOOK FROM THAT SECRET ROOM? 1076 00:35:37,346 --> 00:35:39,638 YEAH. WELL, I TRACED THE SERIAL NUMBER. 1077 00:35:39,638 --> 00:35:41,180 IT BELONGS TO A LOT THAT WAS SOLD BY THE MANUFACTURER 1078 00:35:41,180 --> 00:35:43,932 DIRECTLY TO FULLER ESTATE MANAGEMENT. 1079 00:35:43,932 --> 00:35:45,934 AS IN STEVE FULLER? OWNER OF THE McCLAREN MANSION. 1080 00:35:45,934 --> 00:35:47,566 THAT MEANS THAT FULLER 1081 00:35:47,566 --> 00:35:48,817 KNEW ABOUT THAT ROOM AND DIDN'T TELL US. 1082 00:35:48,817 --> 00:35:53,322 THERE'S ONLY REASON WHY HE WOULDN'T TELL US... 1083 00:35:53,322 --> 00:35:55,113 BECAUSE HE'S THE KILLER. 1084 00:35:55,113 --> 00:35:57,196 MAYBE MATT BENTON WAS RIGHT ABOUT MELANIE HAVING AN AFFAIR, 1085 00:35:57,196 --> 00:35:59,738 ONLY WRONG ABOUT WHO SHE WAS HAVING THE AFFAIR WITH. 1086 00:35:59,738 --> 00:36:01,740 BUT-- AND WHEN THINGS WENT BAD, HE KILLED HER, 1087 00:36:01,740 --> 00:36:03,832 KILLED MATT, AND STASHED HIS BODY IN HIS OWN HOUSE 1088 00:36:03,832 --> 00:36:05,744 WHERE HE KNEW NO ONE WOULD FIND IT. 1089 00:36:05,744 --> 00:36:07,165 AND HE PLANNED ON DESTROYING THE EVIDENCE. 1090 00:36:07,165 --> 00:36:08,747 HE WANTED TO HAVE THE HOUSE TORN DOWN 1091 00:36:08,747 --> 00:36:10,919 RIGHT AFTER THOSE MURDERS, BUT IT WAS DECLARED A LANDMARK. Y-- 1092 00:36:10,919 --> 00:36:12,501 SO HE USED THAT PASSAGEWAY TO SCARE OFF 1093 00:36:12,501 --> 00:36:14,132 TENANTS LIKE THE BOYERS, GROWING THE MANSION'S LEGEND 1094 00:36:14,132 --> 00:36:16,505 SO THAT NO ONE WOULD WANT TO LIVE THERE. (Castle) AND THEN WHEN 1095 00:36:16,505 --> 00:36:18,557 JACK SINCLAIR CAME SNIFFING AROUND, HE HAD TO KILL HIM, TOO. 1096 00:36:18,557 --> 00:36:20,889 YOU GUYS. 1097 00:36:20,889 --> 00:36:22,721 GREAT STORY. THE D.A. WILL NEVER BUY IT. 1098 00:36:22,721 --> 00:36:24,182 IT'S ALL CIRCUMSTANTIAL. 1099 00:36:24,182 --> 00:36:25,474 (Esposito) SHE'S RIGHT. 1100 00:36:25,474 --> 00:36:26,855 ANYONE COULD'VE PUT THAT BULB IN THERE. 1101 00:36:26,855 --> 00:36:28,106 WE HAVE NO PROOF. 1102 00:36:28,106 --> 00:36:30,269 (people speaking indistinctly) 1103 00:36:30,269 --> 00:36:31,810 BUT WE WILL. 1104 00:36:31,810 --> 00:36:33,862 AND I THINK I KNOW JUST HOW TO GET MR. FULLER 1105 00:36:33,862 --> 00:36:37,866 TO GIVE UP THE GHOST. 1106 00:36:43,992 --> 00:36:45,584 (Castle) THINK HE'LL SHOW? (Beckett) I DON'T KNOW. 1107 00:36:45,584 --> 00:36:47,826 YOU TOLD HIM ABOUT TOMORROW, RIGHT? YES, CASTLE. 1108 00:36:47,826 --> 00:36:50,419 HE THINKS WE'RE GOING THROUGH THAT WALL IN THE MORNING. 1109 00:36:50,419 --> 00:36:52,421 SO IF FULLER'S OUR GUY, 1110 00:36:52,421 --> 00:36:54,753 HE SHOULD BE COMING FOR MATT BENTON'S BODY TONIGHT. 1111 00:36:54,753 --> 00:36:58,887 IFHE'S OUR GUY. I MEAN, HE MIGHT NOT BE OUR GUY. 1112 00:36:58,887 --> 00:37:00,969 AND YET, THERE HE IS. 1113 00:37:02,301 --> 00:37:05,264 OF COURSE, HE MIGHT JUST BE HERE TO FIX A BUSTED TOILET. 1114 00:37:12,771 --> 00:37:13,982 (clatters and scrapes) 1115 00:37:21,069 --> 00:37:22,030 (gun clicks) 1116 00:37:22,030 --> 00:37:23,952 NEED A HAND WITH THAT, FULLER? 1117 00:37:25,163 --> 00:37:27,245 DETECTIVE SMITH? 1118 00:37:27,245 --> 00:37:30,369 DETECTIVE BECKETT. 1119 00:37:30,369 --> 00:37:32,961 IT WAS... YOU... 1120 00:37:32,961 --> 00:37:34,082 ALL THIS TIME. WHY? 1121 00:37:34,082 --> 00:37:35,674 (sighs) 1122 00:37:35,674 --> 00:37:38,587 YOU KNOW, HE WAS ABUSING HER. 1123 00:37:38,587 --> 00:37:40,088 TERRIBLE THINGS. 1124 00:37:40,088 --> 00:37:41,259 I DON'T THINK A MONTH WENT BY, 1125 00:37:41,259 --> 00:37:42,931 WE DIDN'T GET CALLED UP TO THIS HOUSE. 1126 00:37:42,931 --> 00:37:44,683 AND ONE DAY, I STOPPED BY IN THE AFTERNOON TO CHECK ON HER. 1127 00:37:44,683 --> 00:37:46,345 YOU WERE THE AFFAIR. 1128 00:37:46,345 --> 00:37:48,016 IT WASN'T AN AFFAIR. 1129 00:37:48,016 --> 00:37:49,438 IT WAS LOVE. 1130 00:37:49,438 --> 00:37:50,979 THEN WHY'D YOU KILL HER? 1131 00:37:50,979 --> 00:37:53,191 I DIDN'T MEAN TO. IT JUST... 1132 00:37:53,191 --> 00:37:54,813 SHE WANTED TO CALL IT OFF WITH ME. 1133 00:37:54,813 --> 00:37:56,485 AND I COULDN'T LET THAT HAPPEN. 1134 00:37:56,485 --> 00:37:58,236 AND MATT BENTON? 1135 00:37:58,236 --> 00:38:00,779 THE WAY HE TREATED HER, HE DESERVED WHAT HE GOT. 1136 00:38:00,779 --> 00:38:02,070 AND AS THE LEAD OFFICER, 1137 00:38:02,070 --> 00:38:03,452 YOU KNEW YOU COULD STEER THE INVESTIGATION OFF YOURSELF 1138 00:38:03,452 --> 00:38:05,163 AND ON TO SOMEONE THEY'D NEVER FIND. 1139 00:38:05,163 --> 00:38:06,785 AND THEN YOU SENT THOSE POSTCARDS 1140 00:38:06,785 --> 00:38:08,367 TO KEEP YOUR SUSPECT ALIVE. 1141 00:38:08,367 --> 00:38:10,038 I HAD 'EM THINK THAT HE DID IT. 1142 00:38:10,038 --> 00:38:11,670 IT WAS HIS FAULT ANYWAY. 1143 00:38:11,670 --> 00:38:14,413 WHAT ABOUT JACK SINCLAIR? HOW'D YOU FIND OUT ABOUT HIM? 1144 00:38:14,413 --> 00:38:19,047 I PROMISED FULLER THAT I WOULD SOLVE THIS CASE ONE DAY. 1145 00:38:19,047 --> 00:38:22,130 I ASKED HIM TO KEEP ME INFORMED OF ANY DEVELOPMENTS. 1146 00:38:22,130 --> 00:38:25,053 SO THAT WHEN JACK CONTACTED FULLER ABOUT THE CRIME SCENE, 1147 00:38:25,053 --> 00:38:26,635 HE CALLED YOU. 1148 00:38:26,635 --> 00:38:28,186 AND WHEN WE TOLD FULLER WE WERE GONNA 1149 00:38:28,186 --> 00:38:30,138 CHECK OUT THAT ROOM TOMORROW, 1150 00:38:30,138 --> 00:38:32,100 HE CALLED YOU THEN, TOO. 1151 00:38:32,100 --> 00:38:34,312 YOU'RE BOTH VERY SMART. 1152 00:38:34,312 --> 00:38:36,024 BUT YOU'RE FORGETTING ONE THING. 1153 00:38:36,024 --> 00:38:38,437 THIS HOUSE IS HAUNTED. 1154 00:38:38,437 --> 00:38:39,858 (electricity crackles) 1155 00:38:39,858 --> 00:38:41,029 (thud) 1156 00:38:41,029 --> 00:38:42,200 (exhales) 1157 00:38:42,200 --> 00:38:46,034 THANKS FOR THE GUN, DETECTIVE. I REALLY APPRECIATE IT. 1158 00:38:46,034 --> 00:38:48,907 YOU KNOW, I FELT BAD ABOUT SINCLAIR. I REALLY DID. 1159 00:38:48,907 --> 00:38:51,159 BUT HE KNEW TOO MUCH ABOUT THAT NIGHT, 1160 00:38:51,159 --> 00:38:52,831 STUFF THAT WASN'T IN THE PAPERS. 1161 00:38:52,831 --> 00:38:54,833 SO HE HAD TO GO. 1162 00:38:54,833 --> 00:38:56,294 GET ON YOUR KNEES. 1163 00:38:56,294 --> 00:38:59,087 DON'T WORRY, CASTLE. HE'S NOT GONNA SHOOT US. 1164 00:38:59,087 --> 00:39:00,509 THAT WON'T FIT THE LEGEND. 1165 00:39:03,221 --> 00:39:05,514 ANY MORE HELPFUL HINTS YOU'D CARE TO PASS ALONG 1166 00:39:05,514 --> 00:39:06,765 TO OUR KILLER? 1167 00:39:06,765 --> 00:39:07,926 ON YOUR KNEES. 1168 00:39:07,926 --> 00:39:09,428 I DON'T THINK SO, ADDISON. 1169 00:39:09,428 --> 00:39:10,769 Y-YOU SEE, THE DEMON 1170 00:39:10,769 --> 00:39:13,972 ONLY REALLY KILLS WHEN NO ONE'S LOOKING. 1171 00:39:13,972 --> 00:39:17,396 AND TONIGHT, WE HAVE AN AUDIENCE. 1172 00:39:19,438 --> 00:39:22,110 THEY RECORDED YOUR FULL CONFESSION. 1173 00:39:23,862 --> 00:39:25,113 (guns clicking) 1174 00:39:25,113 --> 00:39:26,284 (police radio chatter) 1175 00:39:26,284 --> 00:39:28,407 (man) YOU HAVE A RIGHT TO REMAIN SILENT. 1176 00:39:28,407 --> 00:39:30,158 (Esposito) SO BUSTED. (handcuffs clicking) 1177 00:39:30,158 --> 00:39:31,450 ...WILL BE USED IN A COURT OF LAW. (Ryan) GHOST BUSTED, 1178 00:39:31,450 --> 00:39:32,831 THANKS TO LULU. 1179 00:39:32,831 --> 00:39:34,332 IT'S THE LEAST I COULD DO FOR HIM, YOU KNOW? 1180 00:39:34,332 --> 00:39:37,165 FOR JACK. 1181 00:39:37,165 --> 00:39:38,457 (people speaking indistinctly) 1182 00:39:38,457 --> 00:39:40,258 SO FULLER HAD NO IDEA ABOUT THAT ROOM? 1183 00:39:40,258 --> 00:39:42,260 WELL, LIKE WE SAID BEFORE, ANYONE COULD'VE GRABBED 1184 00:39:42,260 --> 00:39:45,093 THE LIGHTBULB FROM ANOTHER PART OF THE HOUSE 1185 00:39:45,093 --> 00:39:47,055 AND PLACED IT THERE. I GUESS SMITH DID IT. 1186 00:39:47,055 --> 00:39:49,888 HE'S IN WITH THE D.A. RIGHT NOW WRITING HIS CONFESSION. 1187 00:39:49,888 --> 00:39:51,179 YEAH, WELL, WHAT I DON'T GET IS, 1188 00:39:51,179 --> 00:39:53,181 IF HE WAS SO IN LOVE WITH MELANIE, WHY WOULD HE KILL HER? 1189 00:39:53,181 --> 00:39:55,273 HE SAID THAT A DEMON MADE HIM DO IT. 1190 00:39:55,273 --> 00:39:58,647 JUST LAYING THE GROUNDWORK FOR HIS INSANITY PLEA, I'M SURE. 1191 00:39:58,647 --> 00:39:59,978 PERHAPS. 1192 00:39:59,978 --> 00:40:02,070 OH, COME ON, CASTLE, EVEN YOU HAVE TO ADMIT, 1193 00:40:02,070 --> 00:40:05,233 EVERYTHING--EVERY HAUNTING, EVERY DEATH, 1194 00:40:05,233 --> 00:40:06,865 EVERYTHING EVEN REMOTELY CONNECTED 1195 00:40:06,865 --> 00:40:09,157 TO PARANORMAL ACTIVITY IN THE McCLAREN HOUSE 1196 00:40:09,157 --> 00:40:11,159 CAN BE EXPLAINED BY THAT PASSAGEWAY. 1197 00:40:11,159 --> 00:40:12,531 I DON'T KNOW. 1198 00:40:12,531 --> 00:40:14,162 WHAT ABOUT LAST NIGHT WHEN WE WERE IN THE LIVING ROOM? 1199 00:40:14,162 --> 00:40:17,085 HOW ABOUT THE DOOR, THE LIGHT, THE CANDLE? 1200 00:40:17,085 --> 00:40:19,498 OLD WIRING, DRAFTY HOUSE. 1201 00:40:19,498 --> 00:40:21,249 OR MAYBE IT WAS SOMETHING MORE. 1202 00:40:21,249 --> 00:40:23,251 THINK ABOUT IT, IF YOU HADN'T GONE LOOKING 1203 00:40:23,251 --> 00:40:25,253 FOR THE DRAFT THAT BLEW OUT THE CANDLE 1204 00:40:25,253 --> 00:40:26,885 YOU WOULD NEVER HAVE FOUND THE PASSAGEWAY 1205 00:40:26,885 --> 00:40:28,306 OR MATT BENTON'S BODY. 1206 00:40:28,306 --> 00:40:29,888 SPELL IT OUT FOR THOSE OF US 1207 00:40:29,888 --> 00:40:31,760 THAT ARE PARANORMALLY IMPAIRED. 1208 00:40:31,760 --> 00:40:34,142 MAYBE SOMEONE WANTED US TO FIND THAT PASSAGEWAY. 1209 00:40:34,142 --> 00:40:36,354 MAYBE... 1210 00:40:36,354 --> 00:40:38,517 JACK SINCLAIR'S GHOST 1211 00:40:38,517 --> 00:40:42,521 WAS HELPING SOLVE HIS OWN MURDER. 1212 00:40:42,521 --> 00:40:45,864 (people speaking indistinctly) 1213 00:40:45,864 --> 00:40:48,026 OKAY, I'LL TELL YOU WHAT. 1214 00:40:48,026 --> 00:40:50,198 I WILL ADMIT TO THAT POSSIBILITY 1215 00:40:50,198 --> 00:40:51,950 IF YOU ADMIT THERE IS NO DEMON. 1216 00:40:51,950 --> 00:40:53,161 DONE. 1217 00:40:54,412 --> 00:40:56,995 (elevator bell dings) 1218 00:40:58,126 --> 00:41:00,669 DID ANYONE SEE... 1219 00:41:00,669 --> 00:41:02,631 THAT WAS WEIRD. 1220 00:41:05,754 --> 00:41:07,756 HI, DAD. 1221 00:41:07,756 --> 00:41:09,257 HEY, YOU'RE UP LATE. 1222 00:41:09,257 --> 00:41:11,299 PLAYING SKYPE-TAG WITH ASHLEY? 1223 00:41:11,299 --> 00:41:13,141 NO. WE FINALLY CONNECTED. 1224 00:41:13,141 --> 00:41:15,143 AH. WAS IT EVERYTHING YOU HOPED FOR 1225 00:41:15,143 --> 00:41:17,185 IN A PEER-TO-PEER VIDEO CONFERENCE AND MORE? 1226 00:41:17,185 --> 00:41:19,437 HONESTLY, IT WAS... 1227 00:41:19,437 --> 00:41:20,769 BLAH. 1228 00:41:20,769 --> 00:41:22,981 I MEAN, HE WAS PREOCCUPIED, AND I WAS TIRED. 1229 00:41:22,981 --> 00:41:24,232 AND THIS WHOLE TIME-DIFFERENCE THING 1230 00:41:24,232 --> 00:41:25,734 IS A REAL DRAG. 1231 00:41:25,734 --> 00:41:28,156 NOBODY SAID THAT LONG DISTANCE WAS EASY. 1232 00:41:28,156 --> 00:41:30,529 YEAH, BUT IS IT SUPPOSED TO BE THIS HARD? 1233 00:41:30,529 --> 00:41:33,371 WELL, I CAN TELL YOU THIS... 1234 00:41:33,371 --> 00:41:35,493 ANY RELATIONSHIP 1235 00:41:35,493 --> 00:41:37,576 THAT LASTS LONGER THAN A BREATH MINT 1236 00:41:37,576 --> 00:41:38,957 IS GOING TO HAVE CHALLENGES. 1237 00:41:38,957 --> 00:41:41,249 BUT IF A RELATIONSHIP DOESN'T WORK OUT, 1238 00:41:41,249 --> 00:41:44,042 IT'S USUALLY NOT BECAUSE OF THE CHALLENGES. 1239 00:41:44,042 --> 00:41:45,463 IT'S USUALLY BECAUSE 1240 00:41:45,463 --> 00:41:50,338 THE RELATIONSHIP WASN'T STRONG ENOUGH TO BEGIN WITH. 1241 00:41:50,338 --> 00:41:52,891 DOES THIS HELP? 1242 00:41:52,891 --> 00:41:54,302 NOT REALLY. 1243 00:41:54,302 --> 00:41:55,594 YEAH. 1244 00:41:58,056 --> 00:42:00,308 BUT THIS ALWAYS DOES. 1245 00:42:00,308 --> 00:42:02,310 MM. 1246 00:42:02,310 --> 00:42:04,192 I CAN PROMISE YOU THIS... 1247 00:42:04,192 --> 00:42:05,944 HMM? 1248 00:42:05,944 --> 00:42:07,566 IF TWO PEOPLE BELIEVE IN SOMETHING, 1249 00:42:07,566 --> 00:42:10,068 REALLY BELIEVE, 1250 00:42:10,068 --> 00:42:12,911 ANYTHING, EVEN THE IMPOSSIBLE, 1251 00:42:12,911 --> 00:42:14,953 IS POSSIBLE. 1252 00:42:18,366 --> 00:42:19,417 EVEN... 1253 00:42:19,417 --> 00:42:21,870 FLESH-EATING ZOMBIES? 1254 00:42:21,870 --> 00:42:26,164 OH, ESPECIALLY FLESH-EATING ZOMBIES. 1255 00:42:26,164 --> 00:42:27,335 NOW WHERE WERE WE? 1256 00:42:27,335 --> 00:42:28,797 YEAH, RIGHT THERE. 1257 00:42:28,797 --> 00:42:30,048 (woman screaming)