1 00:00:01,001 --> 00:00:04,335 ♪♪♪ 2 00:00:19,290 --> 00:00:21,222 (man) YOU WERE TOLD WHAT WOULD HAPPEN 3 00:00:21,222 --> 00:00:24,095 IF YOU CAME BACK HERE. 4 00:00:34,065 --> 00:00:35,406 HMM. THE LAST TIME I SAW YOU IN YOUR P.J.s 5 00:00:35,406 --> 00:00:37,238 AFTER 8:00 A.M., I THINK YOU WERE 4. 6 00:00:37,238 --> 00:00:38,339 WE'RE OFF TODAY. 7 00:00:38,339 --> 00:00:39,340 TEACHERS' RETREAT. 8 00:00:39,340 --> 00:00:40,371 OH. 9 00:00:40,371 --> 00:00:42,173 I DIDN'T FEEL LIKE GETTING DRESSED. 10 00:00:42,173 --> 00:00:45,246 THIS WOULDN'T HAVE ANYTHING TO DO WITH ASHLEY, WOULD IT? 11 00:00:47,047 --> 00:00:48,419 DID I DO THE RIGHT THING, 12 00:00:48,419 --> 00:00:50,081 BREAKING UP WITH HIM? 13 00:00:50,081 --> 00:00:51,152 OH, SWEETIE. I DON'T KNOW. 14 00:00:51,152 --> 00:00:53,224 THAT'S SOMETHING ONLY YOU CAN ANSWER. 15 00:00:53,224 --> 00:00:54,355 IT SUCKS. 16 00:00:54,355 --> 00:00:56,287 I MISS HIM A LOT. 17 00:00:56,287 --> 00:00:58,058 YEAH, WELL, YOU'RE NOT DOING YOURSELF ANY FAVORS, 18 00:00:58,058 --> 00:00:59,260 SITTING AROUND READING "PRIDE AND PREJUDICE." 19 00:00:59,260 --> 00:01:00,391 THAT'S JUST GONNA MAKE IT WORSE. 20 00:01:00,391 --> 00:01:02,333 YOU MIGHT AS WELL BE LISTENING TO ADELE. 21 00:01:02,333 --> 00:01:06,237 HEY, SHE TOTALLY GETS IT, AND SO DOES JANE AUSTEN. 22 00:01:06,237 --> 00:01:07,438 YOU KNOW WHAT YOU NEED? 23 00:01:07,438 --> 00:01:08,439 A NEW LIFE? 24 00:01:08,439 --> 00:01:10,241 A DISTRACTION. 25 00:01:10,241 --> 00:01:12,143 AND IT JUST SO HAPPENS, I KNOW 26 00:01:12,143 --> 00:01:14,275 THE PERFECT POST-BREAKUP ROUTINE. 27 00:01:14,275 --> 00:01:15,406 TONIGHT YOU AND I 28 00:01:15,406 --> 00:01:17,308 GO GET CHILI-CHEESE DOGS FROM GRAY'S PAPAYA. 29 00:01:17,308 --> 00:01:20,411 WE SMUGGLE THEM INTO A DOUBLE FEATURE AT THE ANGELIKA. 30 00:01:20,411 --> 00:01:22,213 I KNOW YOU MEAN WELL, 31 00:01:22,213 --> 00:01:24,385 BUT I DON'T THINK GOING OUT WITH MY DAD IS GOING TO... 32 00:01:24,385 --> 00:01:26,217 MAKE ME FEEL BETTER. 33 00:01:26,217 --> 00:01:28,219 WELL, HOW ABOUT JUST A LOW-KEY EVENING WITH YOUR GIRLFRIENDS? 34 00:01:28,219 --> 00:01:29,420 YOU GUYS CAN HAVE A JOHN HUGHES' MARATHON 35 00:01:29,420 --> 00:01:31,192 AND FILL OUT A "COSMO" QUIZ. 36 00:01:31,192 --> 00:01:33,394 DAD, THE '80s JUST CALLED. IT WANTS ITS PLAN BACK. 37 00:01:33,394 --> 00:01:35,396 COME ON. GRAM'S UPSTATE. 38 00:01:35,396 --> 00:01:37,398 SHE'S DOING SOME SPA RETREAT. SHE'LL BE OUT OF YOUR HAIR. 39 00:01:37,398 --> 00:01:39,200 AND I CAN MAKE MYSELF SCARCE. 40 00:01:39,200 --> 00:01:42,333 A FEW OF MY FRIENDS HAVE BEEN SUGGESTING A GIRLS' NIGHT. 41 00:01:42,333 --> 00:01:44,104 MAYBE I'LL CALL 'EM. 42 00:01:44,104 --> 00:01:45,306 NO MAYBE. YOU'RE GOING TO CALL THEM, 43 00:01:45,306 --> 00:01:47,238 AND YOU'RE GOING TO HAVE A GREAT TIME. 44 00:01:47,238 --> 00:01:48,479 (cell phone rings) 45 00:01:48,479 --> 00:01:51,111 AND IF THAT'S THE '80s, TELL THEM THEY CAN HAVE "COSMO"... 46 00:01:51,111 --> 00:01:52,443 (ring) BUT I'M KEEPING JOHN HUGHES. 47 00:01:52,443 --> 00:01:54,285 AND IF IT'S BECKETT? 48 00:01:54,285 --> 00:01:57,148 (camera shutter clicking) 49 00:01:57,148 --> 00:02:00,151 (police radio chatter) 50 00:02:00,151 --> 00:02:03,123 (clicking continues) 51 00:02:03,123 --> 00:02:04,395 THANK YOU. 52 00:02:04,395 --> 00:02:07,398 OOH. THE SAPPHIRE. IN ATLANTIC CITY? 53 00:02:07,398 --> 00:02:09,500 I LOVE THAT PLACE. ALL RIGHT. WHO'S OUR VICTIM? 54 00:02:09,500 --> 00:02:11,502 IS IT A SHOWGIRL, SOME BIG-MONEY HIGH ROLLER? 55 00:02:11,502 --> 00:02:14,305 NO, OUR VICTIM IS SAM SIEGEL, 56 00:02:14,305 --> 00:02:16,207 CO-OWNER OF THE SAPPHIRE, 57 00:02:16,207 --> 00:02:18,209 WHERE YOU'RE ALWAYS A WINNER. 58 00:02:18,209 --> 00:02:20,211 YEAH, NOT ALWAYS, BY THE LOOKS OF THINGS. 59 00:02:20,211 --> 00:02:21,412 (Lanie) GUY CASHED IN HIS CHIPS 60 00:02:21,412 --> 00:02:23,344 BETWEEN 9:00 AND 11:00. 61 00:02:23,344 --> 00:02:24,475 TOOK A SMALL CALIBER TO THE CHEST. 62 00:02:24,475 --> 00:02:27,248 MUZZLE FLASH BURNED HIS SHIRT AT THE POINT OF ENTRY. 63 00:02:27,248 --> 00:02:28,479 THE SHOOTER WAS STANDING CLOSE. 64 00:02:28,479 --> 00:02:30,481 MM-HMM. CLOSE ENOUGH TO GIVE HIM A BLOODY LIP 65 00:02:30,481 --> 00:02:32,353 BEFORE PULLING THE TRIGGER. 66 00:02:32,353 --> 00:02:34,355 SO WHAT'S A GUY LIKE SIEGEL DOING IN 67 00:02:34,355 --> 00:02:35,486 AN ABANDONED DELIVERY DOCK IN NEW YORK CITY 68 00:02:35,486 --> 00:02:37,358 AT THAT TIME OF NIGHT? (clicking continues) 69 00:02:37,358 --> 00:02:38,429 MUST HAVE BEEN SOMETHING IMPORTANT ENOUGH 70 00:02:38,429 --> 00:02:40,160 FOR HIM TO DRIVE DOWN FROM ATLANTIC CITY. 71 00:02:40,160 --> 00:02:42,433 (Castle) YOU KNOW, THE MAN OWNED A CASINO. 72 00:02:42,433 --> 00:02:44,535 A GUY LIKE THAT, YOU'D THINK HE'D HAVE A DRIVER. 73 00:02:44,535 --> 00:02:46,397 ESPECIALLY SINCE HE WAS EXPECTING TROUBLE. 74 00:02:46,397 --> 00:02:47,498 HE CAME HEAVY. 75 00:02:47,498 --> 00:02:49,400 IT'S A .357 MAGNUM 76 00:02:49,400 --> 00:02:51,442 WITH ALL SIX STILL ASLEEP IN THE CYLINDER. 77 00:02:51,442 --> 00:02:53,244 (Ryan) HE DIDN'T EVEN PULL IT OUT OF THE GLOVE BOX. 78 00:02:53,244 --> 00:02:55,175 IF HE DID. WE'D BE STANDING OVER THE OTHER GUY. 79 00:02:55,175 --> 00:02:56,307 YEAH, YOU GOTTA KNOW WHEN TO HOLD 'EM 80 00:02:56,307 --> 00:02:57,448 AND KNOW WHEN TO FOLD 'EM. 81 00:02:57,448 --> 00:03:00,411 KNOW WHEN TO WALK AWAY, AND KNOW WHEN TO RUN. 82 00:03:00,411 --> 00:03:02,283 GOT IT. (Lanie) DETECTIVE ESPOSITO, 83 00:03:02,283 --> 00:03:04,485 A LITTLE RESPECT, PLEASE. I MEAN, THERE IS A DEAD BODY HERE. 84 00:03:04,485 --> 00:03:06,257 WHAT'D I DO? 85 00:03:06,257 --> 00:03:08,188 (police radio chatter) 86 00:03:08,188 --> 00:03:09,360 YOU BROKE UP WITH HER. 87 00:03:09,360 --> 00:03:11,322 WE BROKE UP WITH EACH OTHER. THAT'S DIFFERENT. 88 00:03:11,322 --> 00:03:12,463 YEAH, YOU'D THINK IT'D BE DIFFERENT, 89 00:03:12,463 --> 00:03:14,325 BUT NO. WILL YOU TELL HIM? 90 00:03:14,325 --> 00:03:17,368 NO, I TOLD YOU. I'M STAYING OUT OF THIS ONE. 91 00:03:17,368 --> 00:03:18,499 ALL RIGHT, GUYS, 92 00:03:18,499 --> 00:03:20,371 CALL THE SAPPHIRE, GET SOME BACKGROUND ON SIEGEL, 93 00:03:20,371 --> 00:03:22,303 AND LOOK FOR SURVEILLANCE CAMERAS 94 00:03:22,303 --> 00:03:24,305 OR SECURITY GUARDS THAT MIGHT HAVE SEEN SOMETHING. 95 00:03:24,305 --> 00:03:25,476 WOMEN. 96 00:03:25,476 --> 00:03:27,378 YOU SURE YOU WANT TO SPEND THE REST OF YOUR LIFE WITH ONE? 97 00:03:27,378 --> 00:03:29,209 UH, YEAH. MINE LIKES ME. 98 00:03:29,209 --> 00:03:31,412 (laughs) OOH, SPEAKING OF ATLANTIC CITY, 99 00:03:31,412 --> 00:03:34,445 PERFECT PLACE FOR A BACHELOR PARTY. 100 00:03:34,445 --> 00:03:36,247 OOH. THAT'S WHAT I'M TALKING ABOUT, BRO. 101 00:03:36,247 --> 00:03:37,448 WE COULD RENT ONE OF THESE RIGHT HERE, 102 00:03:37,448 --> 00:03:39,290 HIT THE CASINO, MAYBE THE CLUB. 103 00:03:39,290 --> 00:03:42,253 UH, I-I WAS THINKING MORE ALONG THE LINES OF... 104 00:03:42,253 --> 00:03:43,354 CAMPING TRIP. 105 00:03:43,354 --> 00:03:44,525 HUH? (laughs) 106 00:03:44,525 --> 00:03:46,357 OH, YOU WERE... OH. 107 00:03:46,357 --> 00:03:47,598 UH, FIRST OF ALL, 108 00:03:47,598 --> 00:03:48,599 NO. 109 00:03:48,599 --> 00:03:50,531 SECOND, IT'S NOT UP TO YOU. 110 00:03:50,531 --> 00:03:52,433 THE BACHELOR PARTY IS STRICTLY 111 00:03:52,433 --> 00:03:54,305 BEST MAN TERRITORY. 112 00:03:54,305 --> 00:03:56,367 AND BY THE WAY, YOUR BIG DATE IS WHAT, 113 00:03:56,367 --> 00:03:57,508 LIKE TWO MONTHS AWAY? 114 00:03:57,508 --> 00:03:59,540 SO YOU NEED TO OFFICIALLY TELL THE GUY 115 00:03:59,540 --> 00:04:03,243 SO THAT HE CAN START PLANNING SOMETHING. 116 00:04:03,243 --> 00:04:04,375 I STILL GOT SOME TIME. 117 00:04:04,375 --> 00:04:07,278 UM, I-I'M GONNA GO CHECK ON THOSE CAMERAS. 118 00:04:07,278 --> 00:04:08,479 WHAT THE... 119 00:04:08,479 --> 00:04:10,551 DID YOU SEE THAT? 120 00:04:10,551 --> 00:04:12,383 HE JUST SIDESTEPPED ME. 121 00:04:12,383 --> 00:04:14,285 WHAT'S THAT ABOUT? 122 00:04:14,285 --> 00:04:15,486 IT'S ALMOST AS THOUGH THE THOUGHT OF MARRIAGE 123 00:04:15,486 --> 00:04:18,329 FILLS HIM WITH AN IMPENDING SENSE OF DOOM. 124 00:04:18,329 --> 00:04:20,260 (laughs) OH, NO, WAIT. THAT'S ME. 125 00:04:20,260 --> 00:04:21,332 (laughs) 126 00:04:21,332 --> 00:04:22,593 (radio chatter continues) 127 00:04:22,593 --> 00:04:24,495 (camera shutter clicks) 128 00:04:24,495 --> 00:04:26,567 (radio chatter continues) 129 00:04:26,567 --> 00:04:27,568 NAV SYSTEM? 130 00:04:27,568 --> 00:04:28,639 (beeps) 131 00:04:28,639 --> 00:04:30,571 YEAH, AND IT LOOKS LIKE SIEGEL MADE A STOP 132 00:04:30,571 --> 00:04:33,304 JUST BEFORE HE GOT HERE. (beep) 133 00:04:33,304 --> 00:04:34,605 537 WEST END AVENUE. 134 00:04:34,605 --> 00:04:37,448 (Castle) LOOKS LIKE SAM'S GOT A FRIEND HERE IN MANHATTAN. 135 00:04:37,448 --> 00:04:39,450 SAM SIEGEL, 46 YEARS OLD, 136 00:04:39,450 --> 00:04:41,482 GOT HIS START IN REAL ESTATE DEVELOPMENT, 137 00:04:41,482 --> 00:04:42,613 AND THEN HE WENT ON TO LAUNCH 138 00:04:42,613 --> 00:04:44,615 THE SAPPHIRE COAST RESORT AND CASINO IN 1999. 139 00:04:44,615 --> 00:04:46,357 YOU DON'T COME TO BE A CASINO OWNER 140 00:04:46,357 --> 00:04:47,418 WITHOUT MAKING ENEMIES. 141 00:04:47,418 --> 00:04:48,659 LOOK AT MOE GREENE IN "THE GODFATHER." 142 00:04:48,659 --> 00:04:50,391 AND THIS GUY SEEMS TO BE A STAND-UP CITIZEN. 143 00:04:50,391 --> 00:04:52,493 HE HAS A FOUNDATION THAT GIVES MONEY TO 144 00:04:52,493 --> 00:04:53,624 CHARITIES AND PUBLIC SCHOOLS. 145 00:04:53,624 --> 00:04:55,626 ALL RIGHT, CHECK WITH THE STAFF AT THE CASINO. 146 00:04:55,626 --> 00:04:58,369 SEE IF HE HAD ANY MEETINGS HERE IN MANHATTAN 147 00:04:58,369 --> 00:05:00,431 AND FIND OUT WHAT TIME HE LEFT ATLANTIC CITY. 148 00:05:00,431 --> 00:05:01,472 ALL RIGHT. 149 00:05:01,472 --> 00:05:03,434 YOU KNOW, IF SOMEONE ASKED TO MEET ME 150 00:05:03,434 --> 00:05:04,605 AT AN ABANDONED WAREHOUSE IN THE DEAD OF NIGHT, 151 00:05:04,605 --> 00:05:06,407 I'D PASS. 152 00:05:06,407 --> 00:05:08,409 I'VE WRITTEN THAT SCENE ENOUGH TIMES TO KNOW HOW IT ENDS. 153 00:05:08,409 --> 00:05:10,681 HEY, THAT ADDRESS THAT WAS ON SIEGEL'S GPS? 154 00:05:10,681 --> 00:05:13,444 TURNS OUT IT'S A BUILDING WHERE HIS EX-WIFE REBECCA LIVES. 155 00:05:13,444 --> 00:05:14,585 HOW LONG HAVE THEY BEEN DIVORCED? 156 00:05:14,585 --> 00:05:15,686 ABOUT SIX MONTHS. 157 00:05:15,686 --> 00:05:17,448 RECENT ENOUGH FOR THERE TO STILL BE HARD FEELINGS. 158 00:05:17,448 --> 00:05:18,489 MM. WELL, ACCORDING TO THE NEIGHBORS, 159 00:05:18,489 --> 00:05:19,590 VERY HARD FEELINGS. 160 00:05:19,590 --> 00:05:21,392 THERE WAS A REPORT OF A LOUD ARGUMENT LAST NIGHT, 161 00:05:21,392 --> 00:05:22,653 AND NEIGHBORS SAID THEY SAW SIEGEL LEAVING HER PLACE 162 00:05:22,653 --> 00:05:24,595 JUST AFTER 8:30. 163 00:05:24,595 --> 00:05:26,397 THAT'S JUST BEFORE HE WAS KILLED. 164 00:05:26,397 --> 00:05:28,699 YEAH, WE ARGUED, BUT I DIDN'T KILL HIM. 165 00:05:28,699 --> 00:05:30,401 (Castle) WAS IT NORMAL FOR HIM 166 00:05:30,401 --> 00:05:31,402 TO COME AND SEE YOU AFTER THE DIVORCE? 167 00:05:31,402 --> 00:05:33,333 NO. 168 00:05:33,333 --> 00:05:34,665 IN FACT, I HADN'T SEEN HIM IN MONTHS. 169 00:05:34,665 --> 00:05:37,337 WE DON'T REALLY GET ALONG ANYMORE. 170 00:05:37,337 --> 00:05:39,570 WHAT WERE THE TWO OF YOU FIGHTING ABOUT? 171 00:05:41,442 --> 00:05:43,343 MS. SIEGEL? 172 00:05:43,343 --> 00:05:45,345 HE SAID HE WAS IN TROUBLE. 173 00:05:45,345 --> 00:05:46,547 WHAT KIND OF TROUBLE? 174 00:05:46,547 --> 00:05:47,678 HE WOULDN'T SAY, 175 00:05:47,678 --> 00:05:50,551 BUT HE WANTED ME TO SIGN OVER AN INVESTMENT PROPERTY 176 00:05:50,551 --> 00:05:52,423 THAT WAS STILL IN BOTH OF OUR NAMES-- 177 00:05:52,423 --> 00:05:53,624 A BUILDING HERE IN QUEENS, 178 00:05:53,624 --> 00:05:55,686 JUST A STORE AND SOME APARTMENTS. 179 00:05:55,686 --> 00:05:57,588 I DON'T KNOW WHY, BUT... 180 00:05:57,588 --> 00:05:59,430 HE WAS VERY WORKED UP ABOUT IT. 181 00:05:59,430 --> 00:06:00,631 HE OFFERED ME $1.5 MILLION 182 00:06:00,631 --> 00:06:04,565 FOR MY SHARE, WHICH IS AS MUCH AS THE WHOLE PLACE WAS WORTH. 183 00:06:04,565 --> 00:06:07,668 HE SAID HIS LIFE DEPENDED ON IT. 184 00:06:07,668 --> 00:06:10,401 SO THIS BUILDING... 185 00:06:10,401 --> 00:06:12,473 HE OFFERED YOU FULL PRICE 186 00:06:12,473 --> 00:06:15,646 OF $1.5 MILLION INSTEAD OF HALF, AND YOU STILL SAID NO? 187 00:06:15,646 --> 00:06:19,580 I DIDN'T KNOW. I THOUGHT HE WAS WORKING AN ANGLE. 188 00:06:19,580 --> 00:06:22,713 I TOLD HIM I COULDN'T SIGN ANYTHING WITHOUT MY LAWYER. 189 00:06:22,713 --> 00:06:24,755 AND AFTER SAM LEFT YOUR PLACE LAST NIGHT, 190 00:06:24,755 --> 00:06:26,457 WHAT'D YOU DID? 191 00:06:26,457 --> 00:06:29,660 I WAS IN MY APARTMENT FOR THE REST OF THE EVENING. 192 00:06:31,462 --> 00:06:34,565 SO THE DOORMAN CONFIRMS THE EX-WIFE'S STORY. 193 00:06:34,565 --> 00:06:36,497 SHE WAS IN HER APARTMENT ALL NIGHT. 194 00:06:36,497 --> 00:06:37,698 (Gates) DETECTIVE BECKETT, 195 00:06:37,698 --> 00:06:40,431 I JUST RECEIVED A CALL FROM THE MAYOR OF ATLANTIC CITY. 196 00:06:40,431 --> 00:06:41,732 MR. SIEGEL'S DEATH IS FRONT-PAGE NEWS. 197 00:06:41,732 --> 00:06:43,434 THEY'RE ASKING ABOUT SUSPECTS. 198 00:06:43,434 --> 00:06:44,535 YES, SIR. SO ARE WE. 199 00:06:44,535 --> 00:06:45,606 WELL, HOW ABOUT THE PROPERTY 200 00:06:45,606 --> 00:06:46,737 HE ASKED HIS EX TO SIGN OVER TO HIM? 201 00:06:46,737 --> 00:06:48,479 ANYTHING ON THAT? 202 00:06:48,479 --> 00:06:50,711 UM, JUST THAT THE VICTIM PURCHASED IT 203 00:06:50,711 --> 00:06:51,782 A YEAR AND A HALF AGO 204 00:06:51,782 --> 00:06:53,514 AND PAID CASH FOR THE FULL AMOUNT. 205 00:06:53,514 --> 00:06:54,685 (Castle) YEAH, THE REAL ESTATE AGENT WAS SURPRISED 206 00:06:54,685 --> 00:06:56,416 ANYONE BOUGHT IT. 207 00:06:56,416 --> 00:06:57,618 IT HAD BEEN ON THE MARKET FOR... QUITE A WHILE. 208 00:06:57,618 --> 00:06:59,550 JUST GOT OFF THE PHONE WITH SAM SIEGEL'S OFFICE. 209 00:06:59,550 --> 00:07:02,593 APPARENTLY, HE DIDN'T LEAVE ATLANTIC CITY ALONE LAST NIGHT. 210 00:07:02,593 --> 00:07:04,625 THERE WAS NO INDICATION OF A PASSENGER IN HIS CAR. 211 00:07:04,625 --> 00:07:05,696 NOT A PASSENGER. 212 00:07:05,696 --> 00:07:07,427 A DRIVER. 213 00:07:07,427 --> 00:07:08,759 AROUND 6:30, 214 00:07:08,759 --> 00:07:10,661 ONE OF SAM'S REGULAR DRIVERS, RALPH MARINO, 215 00:07:10,661 --> 00:07:12,432 PICKED HIM UP IN FRONT OF THE CASINO 216 00:07:12,432 --> 00:07:13,564 AND DROVE HIM TO NEW YORK CITY. 217 00:07:13,564 --> 00:07:14,665 AND WHERE IS HE NOW? 218 00:07:14,665 --> 00:07:16,436 NO ONE KNOWS. HE DIDN'T SHOW UP FOR WORK TODAY. 219 00:07:16,436 --> 00:07:18,509 WHICH MEANS HE'S EITHER FLOATING IN THE HUDSON... 220 00:07:18,509 --> 00:07:19,570 OR HE'S INVOLVED. 221 00:07:19,570 --> 00:07:21,441 WELL, WHAT DO WE KNOW ABOUT MR. MARINO? 222 00:07:21,441 --> 00:07:22,643 WELL, HE'S NO BOY SCOUT, THAT'S FOR SURE. 223 00:07:22,643 --> 00:07:24,444 BACKGROUND CHECK SHOWS FELONY RACKETEERING 224 00:07:24,444 --> 00:07:25,616 AND ASSAULT CHARGES. 225 00:07:25,616 --> 00:07:27,478 PUT OUT AN ALL POINTS ON RALPH MARINO. 226 00:07:27,478 --> 00:07:29,480 I'LL HAVE OUR BRETHREN IN ATLANTIC CITY DO THE SAME. 227 00:07:29,480 --> 00:07:31,482 YOU BOYS HEAD DOWN TO ATLANTIC CITY 228 00:07:31,482 --> 00:07:33,453 TO SIEGEL'S CASINO. 229 00:07:33,453 --> 00:07:34,725 TALK TO MARINO'S FRIENDS AND COWORKERS 230 00:07:34,725 --> 00:07:36,727 AND SEE IF ANY OF THEM CAN SHINE SOME LIGHT ON HIS WHEREABOUTS. 231 00:07:36,727 --> 00:07:38,589 MEANWHILE, BECKETT, 232 00:07:38,589 --> 00:07:41,592 YOU RUN POINT FROM HERE, GET UNIs CANVASSING FOR MARINO, 233 00:07:41,592 --> 00:07:43,734 AND FIGURE OUT WHY IN THE HELL SIEGEL WAS SO DESPERATE 234 00:07:43,734 --> 00:07:45,736 TO GET CONTROL OVER THAT PROPERTY IN QUEENS. 235 00:07:45,736 --> 00:07:47,467 YES, SIR. 236 00:07:47,467 --> 00:07:48,539 COME ON, CASTLE. 237 00:07:48,539 --> 00:07:49,770 OH, UH, CAPTAIN GATES SAID 238 00:07:49,770 --> 00:07:51,502 THE BOYS ARE GOING TO ATLANTIC CITY. 239 00:07:51,502 --> 00:07:52,673 YEAH, I DON'T THINK SHE MEANT YOU. 240 00:07:52,673 --> 00:07:55,475 ACTUALLY, THAT'S MY CALL. 241 00:07:55,475 --> 00:07:56,747 YOU'RE WITH THEM. 242 00:08:00,651 --> 00:08:02,482 BESIDES, DETECTIVE, 243 00:08:02,482 --> 00:08:05,716 I'M LOOKING FORWARD TO SEEING WHAT YOU CAN DO WITHOUT HIM. 244 00:08:07,818 --> 00:08:09,620 (elevator bell dings) 245 00:08:13,524 --> 00:08:14,665 (Esposito) WHAT ARE YOU DOING? 246 00:08:14,665 --> 00:08:16,567 WHAT DOES IT LOOK LIKE? 247 00:08:16,567 --> 00:08:18,569 DID YOU THINK I WAS GONNA PASS UP A ROAD TRIP 248 00:08:18,569 --> 00:08:20,701 TO THE BOARDWALK EMPIRE, 249 00:08:20,701 --> 00:08:23,503 THE EAST COAST EPICENTER OF DANCING, GAMBLING, 250 00:08:23,503 --> 00:08:24,705 SHOWGIRLS, AND SIN? 251 00:08:24,705 --> 00:08:25,736 YOU DO REALIZE, WE'RE GOING THERE TO INVESTIGATE A MURDER, 252 00:08:25,736 --> 00:08:26,777 DON'T YOU? 253 00:08:26,777 --> 00:08:27,838 GENTLEMEN, 254 00:08:27,838 --> 00:08:29,580 IF I HAVE LEARNED ONE THING, 255 00:08:29,580 --> 00:08:31,511 IT'S TO NOT LET A LITTLE THING LIKE MURDER 256 00:08:31,511 --> 00:08:33,584 GET IN THE WAY OF HAVING A GOOD TIME. 257 00:08:33,584 --> 00:08:34,585 (ding) 258 00:08:34,585 --> 00:08:41,792 AND ALSO, SHOTGUN. 259 00:08:45,996 --> 00:08:47,197 HEY, ALEXIS. I HOPE YOU'RE NOT ANSWERING 260 00:08:47,197 --> 00:08:49,199 BECAUSE YOU ARE BUSY PLANNING YOUR GIRLS' NIGHT. 261 00:08:49,199 --> 00:08:51,862 ANYWAY, I'M GOING OUT OF TOWN ON A CASE, 262 00:08:51,862 --> 00:08:53,904 AND WE MAY JUST BE SPENDING THE NIGHT. 263 00:08:53,904 --> 00:08:54,965 YEAH. SO I'LL CALL AND I'LL CHECK ON YOU. 264 00:08:54,965 --> 00:08:56,036 (high-pitched voice) LOVE YOU. BYE. 265 00:08:56,036 --> 00:08:58,108 COME ON, CASTLE. WE ARE NOT SPENDING THE NIGHT. 266 00:08:58,108 --> 00:08:59,910 (laughs) (normal voice) HOW CAN YOU SAY THAT? 267 00:08:59,910 --> 00:09:01,141 AND MAYBE RALPH MARINO WILL BE VERY DIFFICULT TO FIND, 268 00:09:01,141 --> 00:09:03,243 AND I THINK WE SHOULD START LOOKING AT THE CRAPS TABLES. 269 00:09:03,243 --> 00:09:05,015 YEAH. 270 00:09:05,015 --> 00:09:07,047 OH, I'M STARTING TO UNDERSTAND WHY YOU DITCHED BECKETT. 271 00:09:07,047 --> 00:09:08,949 A-AND FOR THE RECORD, THE ONE GUY IN THIS CAR 272 00:09:08,949 --> 00:09:11,251 WHO'S NOT A REAL COP IS NOT ALLOWED TO CALL SHOTGUN. 273 00:09:11,251 --> 00:09:12,252 CALLED IT FAIR AND SQUARE. 274 00:09:12,252 --> 00:09:13,954 MAYBE CASTLE'S RIGHT. 275 00:09:13,954 --> 00:09:15,986 I MEAN, IF--SINCE WE'RE GONNA BE THERE, 276 00:09:15,986 --> 00:09:17,958 WE MIGHT AS WELL CONSIDER THE SAPPHIRE 277 00:09:17,958 --> 00:09:19,960 AS A POTENTIAL BACHELOR PARTY VENUE. 278 00:09:19,960 --> 00:09:21,231 I'M SO HAPPY YOU SAID THAT, BECAUSE THERE ARE 279 00:09:21,231 --> 00:09:23,163 A NUMBER OF ESTABLISHMENTS DOWN THERE 280 00:09:23,163 --> 00:09:24,965 THAT CATER TO BACHELOR PARTY EVENTS. 281 00:09:24,965 --> 00:09:26,937 I THINK MAYBE WE SHOULD TAKE A LITTLE SAMPLING. 282 00:09:26,937 --> 00:09:27,968 NO, NO, NO. (mouths word) 283 00:09:27,968 --> 00:09:30,000 WE ARE NOT SAMPLING ANY CLUBS. 284 00:09:30,000 --> 00:09:31,141 WHAT? 285 00:09:31,141 --> 00:09:33,143 COME ON, BRO. WHY ARE YOU STALLING US ON THIS? 286 00:09:33,143 --> 00:09:35,906 LOOK, JAVIER, I-I... 287 00:09:35,906 --> 00:09:37,147 I GOT SOME BAD NEWS. 288 00:09:38,278 --> 00:09:40,951 I HAD TO ASK JENNY'S HALF-BROTHER NELSON 289 00:09:40,951 --> 00:09:42,953 TO BE MY BEST MAN. 290 00:09:46,216 --> 00:09:49,019 NELSON? 291 00:09:49,019 --> 00:09:51,061 THAT GUY I MET AT YOUR BIRTHDAY PARTY? 292 00:09:51,061 --> 00:09:53,263 16, WITH BRACES, COULDN'T STOP TALKING ABOUT BEING A MATHLETE. 293 00:09:53,263 --> 00:09:56,226 IT WAS A FAMILY THING. I-I DIDN'T HAVE A CHOICE. 294 00:09:56,226 --> 00:09:57,297 YEAH, YOU DID. 295 00:09:57,297 --> 00:09:59,269 NO, ACTUALLY, WHEN IT COMES TO WEDDINGS, 296 00:09:59,269 --> 00:10:00,931 UH, YOU DON'T. 297 00:10:00,931 --> 00:10:02,072 (laughs) TRUST ME. 298 00:10:02,072 --> 00:10:04,174 YOU DO NOT WANT TO START A MARRIAGE WITH A FAMILY FEUD. 299 00:10:08,208 --> 00:10:09,940 THIS SUCKS. 300 00:10:09,940 --> 00:10:11,211 I KNOW. 301 00:10:11,211 --> 00:10:13,283 AND I WAS GONNA GIVE YOU AN AWESOME SEND-OFF, BRO. 302 00:10:13,283 --> 00:10:17,047 (sighs) I KNOW. 303 00:10:17,047 --> 00:10:18,318 WELL, BOYS, I'M SORRY. 304 00:10:18,318 --> 00:10:21,091 I'M SORRY IT HAD TO COME TO THIS. 305 00:10:21,091 --> 00:10:24,024 I DIDN'T WANT IT TO, BUT IT LOOKS LIKE WE HAVE NO CHOICE. 306 00:10:24,024 --> 00:10:26,156 THERE IS NO OTHER WAY. 307 00:10:26,156 --> 00:10:28,058 I.B.P.W.O.C. 308 00:10:28,058 --> 00:10:32,032 IMPROMPTU BACHELOR PARTY WHILE ON CASE. 309 00:10:32,032 --> 00:10:35,035 ♪♪♪ 310 00:10:39,069 --> 00:10:42,012 (Castle) AH, YOU SMELL THAT? 311 00:10:42,012 --> 00:10:43,073 THAT IS THE SMELL OF HOPES, 312 00:10:43,073 --> 00:10:44,274 DREAMS, AND ENDLESS OPPORTUNITIES. 313 00:10:44,274 --> 00:10:46,176 NOT TO BE CONFUSED WITH CIGARETTE SMOKE, 314 00:10:46,176 --> 00:10:47,317 DAY DRINKING, AND DESPERATION. 315 00:10:47,317 --> 00:10:49,179 WELL, THAT'S THE GREAT THING ABOUT CASINOS-- 316 00:10:49,179 --> 00:10:52,122 NO CLOCKS, NO WINDOWS, AND NO JUDGMENTS. 317 00:10:52,122 --> 00:10:54,154 (Esposito) HOW YOU DOIN'? 318 00:10:54,154 --> 00:10:55,225 MAYBE WE SHOULD STAY THE NIGHT. 319 00:10:55,225 --> 00:10:57,227 (clears throat) WHAT? 320 00:10:57,227 --> 00:10:58,989 DETECTIVE RYAN, NYPD. 321 00:10:58,989 --> 00:11:00,260 I'M HERE TO INVESTIGATE MR. SIEGEL'S DEATH. 322 00:11:00,260 --> 00:11:01,992 THE CONCIERGE IS RIGHT OVER THERE. 323 00:11:01,992 --> 00:11:03,133 NADINE. 324 00:11:03,133 --> 00:11:05,195 (indistinct conversations) 325 00:11:05,195 --> 00:11:06,997 GENTLEMEN, WELCOME TO THE SAPPHIRE. 326 00:11:06,997 --> 00:11:08,999 I'M NADINE, THE PERSONAL CONCIERGE. 327 00:11:08,999 --> 00:11:11,201 WE'RE ALL DEVASTATED TO LEARN ABOUT SAM. 328 00:11:11,201 --> 00:11:12,302 WE'RE SUPPOSED TO MEET 329 00:11:12,302 --> 00:11:14,074 SAM'S BUSINESS PARTNER--- CHARLIE TURNER. 330 00:11:14,074 --> 00:11:16,076 WE NEED TO TALK TO HIM ABOUT ONE OF YOUR EMPLOYEES. 331 00:11:16,076 --> 00:11:18,148 HE ASKED ME TO ESCORT YOU TO HIS TABLE. FOLLOW ME. 332 00:11:18,148 --> 00:11:20,110 AND IF YOU HAVE ANY OTHER QUESTIONS ABOUT THE HOTEL, 333 00:11:20,110 --> 00:11:21,281 DON'T HESITATE TO ASK. 334 00:11:21,281 --> 00:11:23,053 UH, ACTUALLY, NOW THAT YOU MENTION IT, 335 00:11:23,053 --> 00:11:26,216 I'M CURIOUS, WHO'S PLAYING ON THE MAIN STAGE? 336 00:11:26,216 --> 00:11:28,318 JUST IN CASE WE HAVE TIME TO SQUEEZE IN A SHOW. 337 00:11:28,318 --> 00:11:30,290 (Nadine laughs) WELL, WE'RE HOSTING 338 00:11:30,290 --> 00:11:32,262 AN ELVIS IMPERSONATORS CONVENTION THIS WEEKEND, 339 00:11:32,262 --> 00:11:34,294 SO WE'RE ONLY FEATURING CARROT TOP. 340 00:11:34,294 --> 00:11:36,226 CARROT TOP? I HAVEN'T SEEN HIM PERFORM 341 00:11:36,226 --> 00:11:38,168 SINCE HIS CRAZY MAKEOVER. 342 00:11:38,168 --> 00:11:39,369 IT'LL BE LIKE A NEW SHOW. 343 00:11:39,369 --> 00:11:41,301 WELL? 344 00:11:41,301 --> 00:11:43,103 UH, NO LUCK SO FAR ON MARINO. 345 00:11:43,103 --> 00:11:45,035 A.C.P.D. SAID THAT HE'S NOT AT HIS APARTMENT, 346 00:11:45,035 --> 00:11:47,107 NOTHING TURNED UP ON THE CANVASS. 347 00:11:47,107 --> 00:11:48,308 WHAT ABOUT THE BUILDING IN QUEENS? 348 00:11:48,308 --> 00:11:50,140 WELL, ONLINE SEARCH 349 00:11:50,140 --> 00:11:51,381 SHOWS THAT THERE'S NO LIENS OR LAWSUITS, 350 00:11:51,381 --> 00:11:54,084 SO THERE DOESN'T SEEM TO BE ANYTHING UNUSUAL ABOUT IT. 351 00:11:54,084 --> 00:11:55,085 KEEP DIGGING. 352 00:11:55,085 --> 00:11:56,146 MM-HMM. 353 00:11:56,146 --> 00:11:58,348 UH, LOOK, DETECTIVE, 354 00:11:58,348 --> 00:12:01,051 I KNOW YOU'RE PROBABLY THINKING THAT I HAVE YOU HERE 355 00:12:01,051 --> 00:12:02,352 AS SOME KIND OF PUNISHMENT. 356 00:12:02,352 --> 00:12:05,095 YOU'RE A GOOD COP, BUT I THINK YOU CAN BE BETTER 357 00:12:05,095 --> 00:12:08,398 IF YOU MINIMIZE THE DISTRACTIONS. 358 00:12:16,066 --> 00:12:17,337 HELL OF A THING, LOSING SAM. 359 00:12:17,337 --> 00:12:20,210 YOU KNOW, HE AND I STARTED OUT IN THIS BUSINESS TOGETHER? 360 00:12:20,210 --> 00:12:21,411 WE BUILT THIS PLACE FROM THE GROUND UP. 361 00:12:21,411 --> 00:12:23,443 DO YOU HAVE ANY IDEA WHAT SAM WAS DOING IN NEW YORK? 362 00:12:23,443 --> 00:12:26,346 WASN'T LIKE HIM. HE HATED THE CITY. 363 00:12:26,346 --> 00:12:28,378 YO, TOMMY. 364 00:12:28,378 --> 00:12:30,120 GOOD TO SEE YOU BACK. 365 00:12:30,120 --> 00:12:31,351 ANYTHING YOU NEED, LET ME KNOW. 366 00:12:31,351 --> 00:12:34,354 YOU KNOW WHAT I NEED? I NEED MY LUCK TO CHANGE. 367 00:12:34,354 --> 00:12:36,086 I'M SURE IT WILL. 368 00:12:37,427 --> 00:12:40,160 BIG WHALE, LOTS OF DOUGH. 369 00:12:40,160 --> 00:12:41,431 WHAT ABOUT SAM'S DRIVER LAST NIGHT--RALPH MARINO? 370 00:12:41,431 --> 00:12:43,393 WHAT CAN YOU TELL US ABOUT HIM? 371 00:12:43,393 --> 00:12:45,395 NOT MUCH. HE DROVE ME A COUPLE OF TIMES. 372 00:12:45,395 --> 00:12:48,298 HERE'S HIS PERSONNEL FILE, LIKE YOU ASKED. 373 00:12:48,298 --> 00:12:51,471 HONESTLY, AFTER WHAT HAPPENED BETWEEN THEM, 374 00:12:51,471 --> 00:12:54,104 I DON'T KNOW WHY SAM KEPT HIM AROUND. 375 00:12:55,175 --> 00:12:56,376 WELL, WHAT HAPPENED? 376 00:12:56,376 --> 00:12:59,349 MR. TURNER, SORRY TO INTERRUPT. 377 00:12:59,349 --> 00:13:01,481 FACIAL RECOGNITION GOT A HIT ON A CARD COUNTER. 378 00:13:01,481 --> 00:13:05,185 TABLE SIX, PURPLE SHIRT. 379 00:13:05,185 --> 00:13:07,287 (Charlie) GENTLEMEN, I'D LIKE YOU TO MEET 380 00:13:07,287 --> 00:13:09,119 MY SECURITY TECH DANIEL SULLIVAN. 381 00:13:09,119 --> 00:13:12,122 THE SAME SOFTWARE YOU GUYS USE TO TRACK TERRORISTS, 382 00:13:12,122 --> 00:13:14,394 WE USE TO TRACK LOW-LIFE THIEVES. 383 00:13:14,394 --> 00:13:16,496 (radio clicks) SECURITY ESCORT, TABLE NUMBER SIX, 384 00:13:16,496 --> 00:13:19,199 PURPLE STRIPED SHIRT-- GUY'S COUNTING CARDS. 385 00:13:19,199 --> 00:13:20,300 (click) 386 00:13:22,302 --> 00:13:23,473 (Castle) WOW. 387 00:13:23,473 --> 00:13:26,206 LOOKS LIKE YOU RUN A TIGHT SHIP. 388 00:13:26,206 --> 00:13:28,308 EVERYBODY THINKS THEY CAN BEAT THE HOUSE. 389 00:13:28,308 --> 00:13:30,410 IF YOU DON'T LAY DOWN THE LAW, THEY'LL ROB YOU BLIND. 390 00:13:30,410 --> 00:13:32,442 WELL, YOU SAID SOMETHING HAPPENED BETWEEN RALPH AND SAM. 391 00:13:32,442 --> 00:13:34,144 WHAT WAS THAT? 392 00:13:34,144 --> 00:13:36,216 ABOUT A WEEK AGO, 393 00:13:36,216 --> 00:13:38,488 THE TWO OF THEM HAD A SCUFFLE AT THE BAR. 394 00:13:38,488 --> 00:13:39,489 ABOUT WHAT? 395 00:13:39,489 --> 00:13:42,492 SAM ASKED THIS DANCER TO, UH... 396 00:13:42,492 --> 00:13:44,294 BLOW ON HIS DICE. 397 00:13:45,425 --> 00:13:47,297 TURNS OUT, SHE WAS RALPH'S GIRL. 398 00:13:47,297 --> 00:13:48,498 OOPS. 399 00:13:48,498 --> 00:13:50,300 YEAH, SAM WAS ALWAYS A LADIES' MAN, 400 00:13:50,300 --> 00:13:52,432 AND A LOT OF THOSE LADIES WERE ALREADY SPOKEN FOR. 401 00:13:52,432 --> 00:13:55,435 IT SEEMS LIKE HE WAS ON A LITTLE HOT STREAK LATELY. 402 00:13:55,435 --> 00:13:57,507 BUT THAT'S THE THING ABOUT LUCK, HUH? 403 00:13:57,507 --> 00:13:59,339 (siren wailing) 404 00:13:59,339 --> 00:14:00,470 (coins clanking) 405 00:14:00,470 --> 00:14:03,213 I WON! 406 00:14:03,213 --> 00:14:05,545 IT CHANGES. (chuckles) 407 00:14:05,545 --> 00:14:07,347 THANK YOU VERY MUCH, MR. TURNER. 408 00:14:07,347 --> 00:14:10,250 WE MAY NEED TO INTERVIEW SOME OF YOUR STAFF WHILE WE'RE HERE. 409 00:14:10,250 --> 00:14:11,351 OF COURSE. 410 00:14:11,351 --> 00:14:13,323 NADINE CAN HELP YOU WITH WHATEVER YOU NEED. 411 00:14:13,323 --> 00:14:14,554 ALL RIGHT. THANKS. 412 00:14:14,554 --> 00:14:16,426 GUYS... 413 00:14:16,426 --> 00:14:20,290 RALPH LISTED--AS HIS EMERGENCY CONTACT--HIS COUSIN. 414 00:14:20,290 --> 00:14:21,531 GUESS WHERE HE LIVES. 415 00:14:21,531 --> 00:14:23,193 WHERE? 416 00:14:23,193 --> 00:14:25,495 NEW YORK CITY. EIGHT BLOCKS FROM OUR CRIME SCENE. 417 00:14:25,495 --> 00:14:27,567 GREAT PLACE FOR RALPH TO HIDE OUT. 418 00:14:31,341 --> 00:14:33,503 GOING SOMEWHERE, MR. MARINO? 419 00:14:33,503 --> 00:14:35,475 HEY! HEY! HOLD IT. 420 00:14:35,475 --> 00:14:37,447 SHOW US YOUR HANDS, NOW. 421 00:14:42,212 --> 00:14:43,453 I KNOW HOW IT LOOKS. 422 00:14:43,453 --> 00:14:45,585 BUT I SWEAR TO GOD AND MY MOTHER, I DIDN'T KILL HIM. 423 00:14:45,585 --> 00:14:48,358 THAT'S WHY YOU RUN AWAY FROM ME WITH 9-MILLIMETER 424 00:14:48,358 --> 00:14:51,321 TUCKED IN YOUR PANTS, 'CAUSE YOU'RE INNOCENT? 425 00:14:51,321 --> 00:14:52,522 COME ON, RALPH. 426 00:14:52,522 --> 00:14:54,424 WE KNOW THAT YOU AND SAM WEREN'T ON THE BEST OF TERMS. 427 00:14:54,424 --> 00:14:56,426 HE AND I WERE SQUARE. I WOULD NEVER HURT HIM. 428 00:14:56,426 --> 00:14:59,499 LOOK, ALL I DID WAS DRIVE HIM. I WASN'T THERE WHEN HE WAS SHOT. 429 00:14:59,499 --> 00:15:02,232 WHY NOT? YOU WERE HIS DRIVER. 430 00:15:02,232 --> 00:15:04,504 SO WHAT DID YOU DO, GO FOR A MIDNIGHT STROLL? 431 00:15:04,504 --> 00:15:06,376 AS A MATTER OF FACT, YEAH. 432 00:15:06,376 --> 00:15:09,239 A-AFTER HE SPOKE TO HIS EX, HE TOLD ME TO TAKE HIM OUT 433 00:15:09,239 --> 00:15:11,281 TO THIS ABANDONED WAREHOUSE ON THE OTHER SIDE OF TOWN. 434 00:15:11,281 --> 00:15:13,283 HE SAID THERE WAS SOMEONE HE NEEDED TO MEET. 435 00:15:13,283 --> 00:15:14,544 HE SAID HE NEEDED TO MEET HIM ALONE. 436 00:15:14,544 --> 00:15:16,386 WHO? DON'T KNOW. 437 00:15:16,386 --> 00:15:19,449 SAM GAVE ME 500 BUCKS, TOLD ME TO FIND MY OWN WAY HOME, 438 00:15:19,449 --> 00:15:21,521 SO I-I CRASHED AT MY COUSIN'S PLACE. 439 00:15:21,521 --> 00:15:23,423 AND THIS MORNING, I-- 440 00:15:23,423 --> 00:15:25,395 I HEAR WHAT HAPPENED ON THE RADIO. 441 00:15:25,395 --> 00:15:29,599 I FIGURED, WITH MY RECORD, FOLKS WOULD BE LOOKING AT ME. 442 00:15:29,599 --> 00:15:32,602 DID YOU SEE ANYBODY ELSE THERE BEFORE YOU LEFT? 443 00:15:32,602 --> 00:15:34,404 BLACK S.U.V. DROVE UP TO THE DOCK 444 00:15:34,404 --> 00:15:35,405 JUST AS I WAS LEAVING, 445 00:15:35,405 --> 00:15:36,636 BUT I DIDN'T SEE WHO WAS INSIDE. 446 00:15:36,636 --> 00:15:38,638 BALLISTICS IS CHECKING YOUR 9. 447 00:15:38,638 --> 00:15:41,311 YOU BETTER HOPE IT'S NOT A MATCH. 448 00:15:42,412 --> 00:15:44,274 (sighs) 449 00:15:44,274 --> 00:15:45,545 WHAT DO YOU THINK? 450 00:15:45,545 --> 00:15:48,518 I THINK HE'S NOT STUPID ENOUGH TO KILL SAM, 451 00:15:48,518 --> 00:15:51,351 KNOWING IT'LL JUST POINT RIGHT BACK AT HIM. 452 00:15:51,351 --> 00:15:53,353 SO SAM DROVE UP TO NEW YORK 453 00:15:53,353 --> 00:15:57,357 TO SECURE THE PROPERTY IN QUEENS FROM HIS EX-WIFE 454 00:15:57,357 --> 00:16:01,291 AND THEN WENT TO THE DOCKS TO MEET WITH SOMEONE. 455 00:16:01,291 --> 00:16:03,493 SOUNDS LIKE SOMEONE WAS EXPECTING THE PROPERTY, 456 00:16:03,493 --> 00:16:06,566 AND WHEN SAM COULDN'T DELIVER, THEY KILLED HIM. 457 00:16:06,566 --> 00:16:10,670 WHY? WHAT'S SO SPECIAL ABOUT THAT PROPERTY? 458 00:16:10,670 --> 00:16:12,572 LADIES, THANK YOU SO MUCH. 459 00:16:12,572 --> 00:16:14,544 YOU HAVE NO IDEA. THESE WILL NOT GO TO WASTE. 460 00:16:14,544 --> 00:16:17,307 THANK YOU. ALL RIGHT. ALL RIGHT. 461 00:16:17,307 --> 00:16:19,409 IT WAS NOT EASY, BUT I DID IT. 462 00:16:19,409 --> 00:16:21,511 I MANAGED TO GET THREE FRONT-ROW SEATS 463 00:16:21,511 --> 00:16:22,682 TO THE BURLESQUE SHOW AT THE BORGATA, 464 00:16:22,682 --> 00:16:25,615 ALSO RESERVATIONS AT A PREMIUM TABLE 465 00:16:25,615 --> 00:16:27,557 AT THE X CLUB WITH BOTTLE SERVICE. 466 00:16:27,557 --> 00:16:29,589 SWEET. WHAT'D YOU GUYS COME UP WITH? 467 00:16:29,589 --> 00:16:31,321 WELL, SAM'S ASSISTANT DIDN'T KNOW ANYTHING 468 00:16:31,321 --> 00:16:32,422 ABOUT THE PROPERTY IN QUEENS, 469 00:16:32,422 --> 00:16:34,324 BUT SHE DID REMEMBER SOMETHING ODD ABOUT YESTERDAY. 470 00:16:34,324 --> 00:16:36,666 APPARENTLY, SAM FOLLOWED HIS USUAL MORNING ROUTINE-- 471 00:16:36,666 --> 00:16:39,329 HE HAD A MASSAGE IN THE HOTEL, THEN A MEETING 472 00:16:39,329 --> 00:16:40,430 WITH HIS CASINO MANAGER, 473 00:16:40,430 --> 00:16:42,372 THEN AFTER LUNCH, HE CAME BACK WITH A BLOODY LIP. 474 00:16:42,372 --> 00:16:43,473 HOW'D HE GET IT? 475 00:16:43,473 --> 00:16:45,405 WELL, SAM WAS EVASIVE, BUT HIS ASSISTANT SAID, 476 00:16:45,405 --> 00:16:47,507 IT LOOKED LIKE SOMEONE HIT HIM. 477 00:16:47,507 --> 00:16:48,638 SO SAM GETS PUNCHED, AND SOON AFTER, 478 00:16:48,638 --> 00:16:50,380 HE RUSHES OFF TO NEW YORK, 479 00:16:50,380 --> 00:16:52,612 FRANTICALLY TRYING TO GET THAT PROPERTY. 480 00:16:52,612 --> 00:16:54,414 THEN HE'S SHOT DEAD. 481 00:16:54,414 --> 00:16:55,585 WELL, IT'S GOTTA BE CONNECTED. 482 00:16:55,585 --> 00:16:57,547 THE PROBLEM IS, WE DON'T KNOW WHO THREW THAT PUNCH. 483 00:16:57,547 --> 00:16:58,618 (indistinct conversations) 484 00:16:58,618 --> 00:17:00,520 I THINK I KNOW HOW WE CAN FIND OUT. 485 00:17:00,520 --> 00:17:04,694 (indistinct conversations continue) 486 00:17:04,694 --> 00:17:07,557 (Daniel) YOU SAID YESTERDAY AT 2:00 P.M.? 487 00:17:07,557 --> 00:17:09,499 YEAH, THAT'S CORRECT. 488 00:17:09,499 --> 00:17:11,501 IT'LL TAKE A SECOND FOR FACIAL RECOGNITION 489 00:17:11,501 --> 00:17:14,504 TO PICK OUT MR. SIEGEL IN ALL THE FOOTAGE. (clicks keyboard key) 490 00:17:14,504 --> 00:17:15,665 (beeping) 491 00:17:15,665 --> 00:17:17,607 DO YOU KEEP FORMER GUESTS IN THE SYSTEM? 492 00:17:17,607 --> 00:17:22,372 SURE DO. THAT'S HOW WE FLAG GAMBLERS WITH PRIORS. 493 00:17:22,372 --> 00:17:23,373 WHAT ABOUT ME? 494 00:17:23,373 --> 00:17:24,674 LET'S SEE. RICHARD... 495 00:17:24,674 --> 00:17:25,715 CASTLE. 496 00:17:25,715 --> 00:17:26,716 (clicks keyboard key) 497 00:17:26,716 --> 00:17:27,717 (beeps) 498 00:17:27,717 --> 00:17:29,449 OH, RESIDENT, NEW YORK CITY... 499 00:17:29,449 --> 00:17:30,580 MM-HMM. 500 00:17:30,580 --> 00:17:33,583 DISORDERLY CONDUCT, RESISTING ARREST IN 2003, AND, UH, 501 00:17:33,583 --> 00:17:34,654 WOW. 502 00:17:34,654 --> 00:17:36,486 APPARENTLY LAST TIME YOU WERE AT THE SAPPHIRE, 503 00:17:36,486 --> 00:17:37,687 YOUACCIDENTALLY 504 00:17:37,687 --> 00:17:39,559 SET A MATTRESS ON FIRE, 505 00:17:39,559 --> 00:17:42,432 AND THE DRAPES WERE COVERED IN JAM. 506 00:17:42,432 --> 00:17:44,534 (laughs) 507 00:17:44,534 --> 00:17:46,666 YEAH. THAT WAS A FUN NIGHT. 508 00:17:46,666 --> 00:17:47,697 CHECK. 509 00:17:47,697 --> 00:17:49,399 (beep) AH, HERE HE IS. 510 00:17:49,399 --> 00:17:50,470 THAT'S MR. SIEGEL, 511 00:17:50,470 --> 00:17:52,772 LEAVING THE ELEVATOR AT 2:00 P.M. 512 00:17:52,772 --> 00:17:56,576 HE ALREADY HAS A BLOODY LIP. CAN YOU BACK THAT UP TO EARLIER? 513 00:17:56,576 --> 00:17:58,548 (clicks keyboard key, computer beeps) 514 00:17:59,579 --> 00:18:00,710 SIR, AM I INTERRUPTING? 515 00:18:00,710 --> 00:18:02,452 JUST RUNNING BACKGROUND 516 00:18:02,452 --> 00:18:03,653 ON THE TENANTS IN THE QUEENS BUILDING. 517 00:18:03,653 --> 00:18:07,717 I-I THINK I MIGHT KNOW WHY SOMEONE WANTED SAM DEAD. 518 00:18:07,717 --> 00:18:10,520 ACCORDING TO HIS BANK, SAM WIRED OVER $10 MILLION 519 00:18:10,520 --> 00:18:12,562 OUT OF THE SAPPHIRE'S BUSINESS ACCOUNT YESTERDAY, 520 00:18:12,562 --> 00:18:14,494 WIPING IT CLEAN. 521 00:18:14,494 --> 00:18:17,667 $10 MILLION? WH-WHERE DID HE TRANSFER IT TO? 522 00:18:17,667 --> 00:18:20,500 TO AN OFFSHORE ACCOUNT IN THE CAYMANS. 523 00:18:20,500 --> 00:18:22,732 (cell phone rings) 524 00:18:22,732 --> 00:18:24,674 (ring) BECKETT. 525 00:18:24,674 --> 00:18:26,706 SO HERE HE IS, PARTING WAYS WITH THE PIT BOSS 526 00:18:26,706 --> 00:18:28,608 AT ONE OF THE TABLES. 527 00:18:28,608 --> 00:18:29,809 (clicks keyboard keys, computer beeps) 528 00:18:29,809 --> 00:18:32,582 NO BLOODY LIP YET. LET IT PLAY, PLEASE. 529 00:18:32,582 --> 00:18:35,585 (speaking inaudibly) 530 00:18:37,817 --> 00:18:39,519 OOH. 531 00:18:39,519 --> 00:18:41,551 (Daniel) WOW. IS THERE ANOTHER ANGLE ON THAT? 532 00:18:41,551 --> 00:18:42,592 (clicks keyboard keys, computer chirps) 533 00:18:42,592 --> 00:18:43,593 (beep) 534 00:18:43,593 --> 00:18:44,794 (Ryan) THAT'S CHARLIE TURNER, 535 00:18:44,794 --> 00:18:45,795 SAM'S BUSINESS PARTNER. 536 00:18:45,795 --> 00:18:47,627 WHY WOULD CHARLIE ATTACK SAM? 537 00:18:47,627 --> 00:18:48,658 (Esposito) I THINK I KNOW. 538 00:18:48,658 --> 00:18:49,759 THAT WAS BECKETT. 539 00:18:49,759 --> 00:18:51,661 SAM SIEGEL'S BEEN EMBEZZLING FROM THE CASINO. 540 00:18:51,661 --> 00:18:52,832 HE'S RIPPED 'EM OFF FOR MILLIONS. 541 00:18:52,832 --> 00:18:55,505 SOUNDS LIKE SAM WAS TRYING TO BEAT THE HOUSE. 542 00:18:55,505 --> 00:18:58,508 AND CHARLIE LAID DOWN THE LAW. 543 00:19:02,672 --> 00:19:04,514 (Esposito) SOMETHING YOU FORGOT TO TELL US, CHARLIE? 544 00:19:04,514 --> 00:19:06,376 BUSINESS PARTNERS HAVE DISPUTES. 545 00:19:06,376 --> 00:19:07,677 DOESN'T MEAN ANYTHING. 546 00:19:07,677 --> 00:19:09,579 WHAT WAS IT ABOUT? 547 00:19:09,579 --> 00:19:12,452 THE THREAD COUNT ON THE NEW SHEETS. 548 00:19:12,452 --> 00:19:15,555 NOT THE 10-PLUS MILLION THAT SAM STOLE FROM THE CASINO? 549 00:19:15,555 --> 00:19:17,457 YOU KNEW HE WAS EMBEZZLING. 550 00:19:17,457 --> 00:19:19,329 OKAY, YEAH, I KNEW. SO? 551 00:19:19,329 --> 00:19:20,690 SO IT'S 10 MILLION MOTIVES FOR MURDER. 552 00:19:20,690 --> 00:19:22,492 YOU KNOW, YOU MAY HAVE NOTICED, 553 00:19:22,492 --> 00:19:24,464 WE HAVE A FEW CAMERAS HERE AT THE CASINO. 554 00:19:24,464 --> 00:19:25,595 TAKE A LOOK. 555 00:19:25,595 --> 00:19:28,698 I WAS HERE, NOT IN NEW YORK, KILLING MY PARTNER. 556 00:19:28,698 --> 00:19:30,500 REALLY? MM-HMM. 557 00:19:30,500 --> 00:19:33,373 'CAUSE THAT RIGHT HOOK KINDA LOOKS LIKE A WARNING TO ME. 558 00:19:33,373 --> 00:19:35,445 (rustles photo) 559 00:19:35,445 --> 00:19:37,507 YEAH, YOU KNOW, THIS TOWN... 560 00:19:37,507 --> 00:19:40,650 IF YOU'RE NOT CAREFUL, IT CORRUPTS YOUR SOUL. 561 00:19:40,650 --> 00:19:42,452 SAM AND I WERE PARTNERS 20 YEARS, 562 00:19:42,452 --> 00:19:44,484 AND STILL, HE THINKS IT'S OKAY TO STEAL FROM ME? 563 00:19:44,484 --> 00:19:47,357 WHEN I SAW HE'D TRANSFERRED THE $10 MILLION OUT, 564 00:19:47,357 --> 00:19:48,558 I FOUND HIM ON THE CASINO FLOOR, 565 00:19:48,558 --> 00:19:50,560 AND HE DENIED EVEN KNOWING ABOUT IT. 566 00:19:50,560 --> 00:19:52,492 CAN YOU BELIEVE IT? SO I PUNCHED HIM, 567 00:19:52,492 --> 00:19:53,693 AND I TOLD HIM, FRIEND OR NO FRIEND, 568 00:19:53,693 --> 00:19:55,495 HE BETTER HAVE THAT MONEY BACK IN MY ACCOUNT, 569 00:19:55,495 --> 00:19:57,427 OR HE'D NEVER WALK AGAIN. 570 00:19:57,427 --> 00:19:58,668 SO I MUST HAVE SCARED HIM, 571 00:19:58,668 --> 00:20:00,670 BECAUSE I GET A CALL A FEW HOURS LATER, AND HE SAID 572 00:20:00,670 --> 00:20:03,573 HE'D HAVE THE MONEY BACK IN MY ACCOUNT TODAY. 573 00:20:03,573 --> 00:20:05,375 AND NOW IT'S TODAY. 574 00:20:05,375 --> 00:20:08,408 AND MY FRIEND IS DEAD, AND THE MONEY'S STILL GONE. 575 00:20:09,539 --> 00:20:10,680 SO THE BOYS CHECKED SECURITY FOOTAGE, 576 00:20:10,680 --> 00:20:13,383 AND THEY SAID THAT CHARLIE WAS ON THE CASINO FLOOR 577 00:20:13,383 --> 00:20:14,644 THE WHOLE NIGHT. 578 00:20:14,644 --> 00:20:16,386 HE COULD'VE PAID SOMEONE. 579 00:20:16,386 --> 00:20:18,548 YEAH, BUT WHY WOULD HE KILL SAM BEFORE HE GOT HIS MONEY? 580 00:20:18,548 --> 00:20:20,390 AND IF SAM ACTUALLY STOLE SOMETHING, 581 00:20:20,390 --> 00:20:22,492 WHY WASN'T HE ON A PLANE TO BARBADOS? 582 00:20:22,492 --> 00:20:24,494 WHY WAS HE WASTING HIS TIME COMING UP TO NEW YORK? 583 00:20:24,494 --> 00:20:27,597 AND HOW IS ALL THIS CONNECTED TO THE PROPERTY IN QUEENS? 584 00:20:27,597 --> 00:20:29,399 I THINK WE'RE MISSING SOMETHING. 585 00:20:29,399 --> 00:20:31,661 THERE'S SOME PIECE OF THE PUZZLE THAT'LL HELP MAKE 586 00:20:31,661 --> 00:20:35,435 ALL OF SAM'S SEEMINGLY RANDOM ACTIONS MAKE SENSE. 587 00:20:35,435 --> 00:20:37,467 ACTUALLY, THAT'S SOMETHING 588 00:20:37,467 --> 00:20:38,768 THAT CASTLE'S PRETTY GOOD AT, 589 00:20:38,768 --> 00:20:40,710 TAKING A LOOK AT WHAT WE HAVE 590 00:20:40,710 --> 00:20:42,742 AND THEN HELPING TO FIND THAT PIECE. 591 00:20:42,742 --> 00:20:44,544 MR. CASTLE LIKES TO THROW 592 00:20:44,544 --> 00:20:46,676 A WHOLE LOT OF CRAZY THEORIES AGAINST THE WALL. 593 00:20:46,676 --> 00:20:49,749 REAL DETECTIVES DON'T HAVE THAT LUXURY. 594 00:20:49,749 --> 00:20:52,552 IT'S OUR JOB TO LOOK AT THE FACTS. 595 00:20:52,552 --> 00:20:54,684 THE BANK REPORT INDICATES THAT SAM MOVED THE MONEY 596 00:20:54,684 --> 00:20:56,526 AT 9:47 A.M. 597 00:20:56,526 --> 00:20:58,628 VIA ELECTRONIC TRANSFER ON THEIR WEB SITE. 598 00:20:58,628 --> 00:21:00,790 NOW IF WE CAN FIND OUT WHO SAM TALKED TO 599 00:21:00,790 --> 00:21:02,592 OR MET WITH RIGHT BEFORE THAT, 600 00:21:02,592 --> 00:21:04,464 WE COULD MAYBE FIGURE OUT WHAT'S GOING ON. 601 00:21:04,464 --> 00:21:06,436 9:47? YES. 602 00:21:06,436 --> 00:21:10,440 SAM'S ASSISTANT HAS HIM... 603 00:21:10,440 --> 00:21:12,572 AT A MASSAGE. 604 00:21:12,572 --> 00:21:15,805 YEAH, MR. SIEGEL HAD AN HOUR SESSION YESTERDAY AT 9:00. 605 00:21:15,805 --> 00:21:16,806 WHY? 606 00:21:16,806 --> 00:21:18,608 WELL, WE NEED TO KNOW IF SAM MADE 607 00:21:18,608 --> 00:21:20,650 OR RECEIVED ANY PHONE CALLS OR PERHAPS ANY VISITORS 608 00:21:20,650 --> 00:21:21,781 DURING HIS SESSION. 609 00:21:21,781 --> 00:21:24,514 NO. HE WAS VERY FOCUSED ON THE SERVICE. 610 00:21:24,514 --> 00:21:26,756 AMBER, WE KNOW HE WENT ONLINE AT 9:47. 611 00:21:26,756 --> 00:21:28,518 WE JUST NEED TO KNOW IF HE MADE CONTACT WITH ANYBODY 612 00:21:28,518 --> 00:21:29,759 RIGHT BEFORE OR RIGHT AFTER. 613 00:21:29,759 --> 00:21:32,662 I TOLD YOU, HE WASN'T ON THE PHONE AND HE WASN'T ONLINE. 614 00:21:32,662 --> 00:21:35,665 WELL, WHAT WITH MOBILE DEVICES BEING SO SMALL AND SLIM, 615 00:21:35,665 --> 00:21:36,726 PERHAPS HE HAD IT IN HIS HAND. 616 00:21:36,726 --> 00:21:39,529 HIS HANDS WERE OTHERWISE OCCUPIED. 617 00:21:45,535 --> 00:21:48,678 OH. OH. (chuckles) I GET IT. 618 00:21:48,678 --> 00:21:50,710 THAT--THAT KIND OF MASSAGE. 619 00:21:50,710 --> 00:21:53,643 SO THEN SAM DIDN'T MAKE THE TRANSFER. 620 00:21:53,643 --> 00:21:55,815 HE DIDN'T STEAL THE MONEY. SOMEBODY STOLE IT FROM HIM. 621 00:21:55,815 --> 00:21:58,488 UH, AMBER, WE NEED TO KNOW IF, UM, 622 00:21:58,488 --> 00:21:59,689 PERHAPS THERE WAS ANYTHING, UH, 623 00:21:59,689 --> 00:22:01,751 MAYBE, UNUSUAL ABOUT THE APPOINTMENT. 624 00:22:01,751 --> 00:22:03,623 THE ONLY THING THAT SEEMED ODD WAS THAT 625 00:22:03,623 --> 00:22:05,825 NADINE CALLED THAT MORNING TO CONFIRM THE APPOINTMENT. 626 00:22:05,825 --> 00:22:07,697 NADINE-- THE PERSONAL CONCIERGE? 627 00:22:07,697 --> 00:22:08,758 MM-HMM. 628 00:22:08,758 --> 00:22:10,560 WHY WAS THAT UNUSUAL? 629 00:22:10,560 --> 00:22:11,761 MR. SIEGEL'S ASSISTANT USUALLY BOOKS THE APPOINTMENT. 630 00:22:11,761 --> 00:22:13,703 THIS WAS THE FIRST TIME NADINE EVER CALLED. 631 00:22:13,703 --> 00:22:14,834 (Gates) WAIT A MINUTE. 632 00:22:14,834 --> 00:22:16,836 DID YOU SAY HER NAME WAS NADINE ESPINOZA? 633 00:22:16,836 --> 00:22:18,768 YEAH, THE CONCIERGE. THAT NAME MEAN ANYTHING TO YOU? 634 00:22:18,768 --> 00:22:20,540 UH, ESPINOZA 635 00:22:20,540 --> 00:22:22,742 IS THE LAST NAME OF ONE OF THE TENANTS 636 00:22:22,742 --> 00:22:24,874 in Sam's building in Queens-- Uh... 637 00:22:24,874 --> 00:22:26,616 TERESA AND JUAN. 638 00:22:26,616 --> 00:22:27,877 THEY RUN THE BODEGA ON THE GROUND FLOOR, 639 00:22:27,877 --> 00:22:29,779 AND THEY HAVE A DAUGHTER NAMED NADINE. 640 00:22:29,779 --> 00:22:31,521 THAT'S OUR CONNECTION. 641 00:22:31,521 --> 00:22:32,652 RYAN, BRING HER IN. 642 00:22:32,652 --> 00:22:34,654 YES, SIR. (cell phone beeps) 643 00:22:34,654 --> 00:22:36,726 NADINE'S SUPERVISOR SAID SHE LEFT HER OFFICE 644 00:22:36,726 --> 00:22:38,758 TEN MINUTES AGO, CLAIMED SHE NEEDED TO GO HOME SICK. 645 00:22:38,758 --> 00:22:41,531 WELL, THERE'S A CHANCE WE CAN CATCH HER OUTSIDE. LET'S GO. 646 00:22:41,531 --> 00:22:43,763 (car door closes) 647 00:22:45,595 --> 00:22:47,537 THERE SHE IS. 648 00:22:47,537 --> 00:22:48,838 (engine revs) 649 00:22:48,838 --> 00:22:49,839 (tires screech) OH, MY GOD! 650 00:22:49,839 --> 00:22:50,840 (Ryan) STOP! HEY! 651 00:22:50,840 --> 00:22:52,672 NO! NO! HELP! 652 00:22:52,672 --> 00:22:53,673 (doors close) 653 00:22:53,673 --> 00:22:54,704 (Esposito) HEY! HEY! 654 00:22:54,704 --> 00:22:55,705 WHAT THE... 655 00:22:55,705 --> 00:22:57,577 (tires squeal) 656 00:22:59,749 --> 00:23:02,782 WE'RE NOT GONNA BE SEEING CARROT TOP TONIGHT, ARE WE? 657 00:23:09,519 --> 00:23:10,720 YEAH, SO, HONEY, IT TURNS OUT 658 00:23:10,720 --> 00:23:13,563 I AM GOING TO BE STUCK HERE FOR THE REST OF THE NIGHT. 659 00:23:13,563 --> 00:23:14,694 (doorbell buzzing) WELL, IS EVERYTHING ALL RIGHT? 660 00:23:14,694 --> 00:23:15,825 Yeah, yeah, just-- 661 00:23:15,825 --> 00:23:19,569 THE CASE JUST GOT A LITTLE COMPLICATED. 662 00:23:19,569 --> 00:23:21,531 BUT I WANT YOU TO HAVE A GREAT TIME TONIGHT 663 00:23:21,531 --> 00:23:22,532 with your girlfriends. 664 00:23:22,532 --> 00:23:23,833 I WILL, IF YOU PROMISE TO BE SAFE. 665 00:23:23,833 --> 00:23:25,735 DEAL. LOVE YOU. 666 00:23:25,735 --> 00:23:27,677 LOVE YOU, TOO. (beeps) 667 00:23:27,677 --> 00:23:30,510 HEY, JULES. COME ON IN. 668 00:23:30,510 --> 00:23:32,782 I'VE GOT MY FAVE "GET OVER A BREAKUP" SNACK, 669 00:23:32,782 --> 00:23:36,586 AND A KICK-ASS CHICK FLICK-- "BRIDESMAIDS," OF COURSE. 670 00:23:36,586 --> 00:23:38,648 OKAY. UH, THE GIRLS ARE ON THEIR WAY, 671 00:23:38,648 --> 00:23:40,550 AND IT TURNS OUT, MY DAD'S OUT OF TOWN, 672 00:23:40,550 --> 00:23:42,552 SO WE HAVE THE WHOLE PLACE TO OURSELVES. 673 00:23:42,552 --> 00:23:43,723 COOL. 674 00:23:43,723 --> 00:23:46,726 BY THE WAY, MENA SAID HER BOYFRIEND MIGHT SWING BY 675 00:23:46,726 --> 00:23:48,558 AND DROP OF HER JACKET. 676 00:23:48,558 --> 00:23:50,600 ISN'T HE FRIENDS WITH BRIAN FROM HOMEROOM? 677 00:23:50,600 --> 00:23:52,902 HOT-AS-HELL BRIAN? YEAH. 678 00:23:52,902 --> 00:23:55,665 I THINK THEY'RE DOING A BROS' NIGHT AT THE MOVIES. 679 00:23:55,665 --> 00:23:57,607 WELL, MAYBE WE COULD INVITE THEM OVER, TOO, 680 00:23:57,607 --> 00:23:59,609 ALL WATCH A MOVIE HERE. 681 00:23:59,609 --> 00:24:00,670 BRIAN? YEAH. 682 00:24:00,670 --> 00:24:02,872 HE'S, LIKE, A TOTAL JOCK. 683 00:24:02,872 --> 00:24:04,844 COMPLETELY THE OPPOSITE OF YOUR TYPE. 684 00:24:04,844 --> 00:24:05,915 I KNOW. 685 00:24:05,915 --> 00:24:07,877 HE'S SO... NOT ASHLEY. 686 00:24:09,549 --> 00:24:11,651 I'LL TEXT MENA. (chuckles) 687 00:24:11,651 --> 00:24:12,822 (clicks keypad key) 688 00:24:12,822 --> 00:24:16,886 SO BECKETT SAYS THE PLATES ON THE S.U.V. CAME BACK AS STOLEN. 689 00:24:16,886 --> 00:24:18,888 MOST LIKELY THE SAME S.U.V. THAT WAS SPOTTED 690 00:24:18,888 --> 00:24:21,661 COMING OUT OF THAT ABANDONED WAREHOUSE WHERE SAM WAS KILLED. 691 00:24:21,661 --> 00:24:23,563 IF IT'S THE SAME CAR, WHY WOULD THEY WANT NADINE? 692 00:24:23,563 --> 00:24:26,736 BECAUSE WHATEVER THIS IS, NADINE IS KNEE-DEEP IN IT. 693 00:24:26,736 --> 00:24:27,937 TRY NECK-DEEP. 694 00:24:27,937 --> 00:24:30,870 A.C.P.D. LET ME CHECK IN TO THAT LAPTOP IN NADINE'S WORK BAG. 695 00:24:30,870 --> 00:24:32,702 I CHECKED HER BROWSER HISTORY. 696 00:24:32,702 --> 00:24:34,644 GUESS WHO PAID A VISIT TO THE NEW RESERVE BANK WEB SITE 697 00:24:34,644 --> 00:24:36,606 YESTERDAY AT 9:47 A.M.? 698 00:24:36,606 --> 00:24:38,678 NADINE'S OUR THIEF? 699 00:24:38,678 --> 00:24:41,681 YEP, OUR CONCIERGE PULLED QUITE A SCORE. 700 00:24:41,681 --> 00:24:42,882 SHE LOGGED IN WITH SAM'S ACCOUNT INFORMATION 701 00:24:42,882 --> 00:24:44,584 AND TRANSFERRED THE 10 MIL. 702 00:24:44,584 --> 00:24:47,787 SO WHOEVER TOOK HER IS AFTER THE MONEY. 703 00:24:47,787 --> 00:24:49,859 THEY TRIED TO GET IT FROM SAM. WHEN THAT DIDN'T WORK, 704 00:24:49,859 --> 00:24:51,921 THEY KILLED HIM, AND NOW THEY'VE GONE FOR NADINE. 705 00:24:51,921 --> 00:24:53,893 OKAY, BUT WE STILL DON'T KNOW WHO "THEY" ARE. 706 00:24:53,893 --> 00:24:56,966 THERE'S ONLY ONE PERSON WHO MAKES ANY SENSE. 707 00:24:56,966 --> 00:24:58,928 THE GUY WHOSE MONEY IT IS. 708 00:24:58,928 --> 00:25:01,901 WHY WOULD I KIDNAP MY OWN CONCIERGE? 709 00:25:01,901 --> 00:25:03,933 BECAUSE YOU FOUND OUT SHE WAS THE ONE WHO STOLE YOUR MONEY. 710 00:25:03,933 --> 00:25:05,735 NADINE STOLE MY MONEY? 711 00:25:05,735 --> 00:25:07,837 YOU CAN STOP THE THEATRICS. WE KNOW YOU KNOW. 712 00:25:07,837 --> 00:25:09,609 (Esposito) MR. TURNER, 713 00:25:09,609 --> 00:25:11,911 YOUR CASINO MAINTAINS A FLEET OF BLACK S.U.V.s 714 00:25:11,911 --> 00:25:13,943 TO SHUTTLE AROUND YOUR HIGH-ROLLERS. 715 00:25:13,943 --> 00:25:16,846 ALL THE CASINOS DO. THAT DOESN'T PROVE ANYTHING. 716 00:25:16,846 --> 00:25:18,788 WELL, THEN YOU WON'T MIND IF WE INSPECT THEM. 717 00:25:18,788 --> 00:25:20,650 JUST TO MAKE SURE THEY'RE ALL ACCOUNTED FOR. 718 00:25:20,650 --> 00:25:21,891 WE'RE DONE HERE. 719 00:25:21,891 --> 00:25:23,653 EXCUSE ME? 720 00:25:23,653 --> 00:25:25,655 YOU PEOPLE ARE HERE FROM ANOTHER STATE. 721 00:25:25,655 --> 00:25:26,926 YOU HAVE NO JURISDICTION AND YOU HAVE NO WARRANT, 722 00:25:26,926 --> 00:25:29,729 AND I BELIEVE I'VE TOLERATED YOUR PRESENCE LONG ENOUGH. 723 00:25:29,729 --> 00:25:31,631 GET OUT OF MY CASINO. 724 00:25:31,631 --> 00:25:32,632 ARE YOU KIDDING? 725 00:25:32,632 --> 00:25:33,863 DO I LOOK LIKE I'M KIDDING? 726 00:25:33,863 --> 00:25:35,665 I WANT YOU TO LEAVE. NOW. 727 00:25:35,665 --> 00:25:36,766 CAN HE DO THAT? 728 00:25:37,967 --> 00:25:39,839 (door slams) 729 00:25:39,839 --> 00:25:41,711 WHAT? HOW DID YOU GUYS GET KICKED OUT? 730 00:25:41,711 --> 00:25:42,942 (Ryan) Turns out Charlie's version 731 00:25:42,942 --> 00:25:44,974 OF FULL COOPERATION ISN'T ALL THAT FULL. 732 00:25:44,974 --> 00:25:46,716 THE ONLY REASON HE KICKED US OUT 733 00:25:46,716 --> 00:25:47,947 IS BECAUSE HE'S BEHIND THE WHOLE THING. 734 00:25:47,947 --> 00:25:50,650 YEAH, BUT KIDNAP SOMEBODY RIGHT IN FRONT OF HIS CASINO? 735 00:25:50,650 --> 00:25:51,851 THAT'S A BIT BOLD. 736 00:25:51,851 --> 00:25:53,883 If he knew it was her, why would he wait? 737 00:25:53,883 --> 00:25:54,954 WHY DIDN'T HE JUST GRAB HER IN THE CASINO 738 00:25:54,954 --> 00:25:56,656 WHILE SHE WAS ON SHIFT? 739 00:25:56,656 --> 00:25:58,888 YEAH, I MEAN, HE DID SEEM GENUINELY SURPRISED 740 00:25:58,888 --> 00:26:00,730 WHEN WE TOLD HIM IT WAS NADINE. 741 00:26:00,730 --> 00:26:01,861 MAYBE HE DIDN'T KNOW. 742 00:26:01,861 --> 00:26:03,693 YEAH, BUT HE'S THE ONLY ONE WITH MOTIVE. 743 00:26:03,693 --> 00:26:04,764 WELL, NOT NECESSARILY. 744 00:26:04,764 --> 00:26:05,995 WHAT IF SOMEONE ELSE KNEW WHAT NADINE DID 745 00:26:05,995 --> 00:26:07,797 AND WANTED THE MONEY? 746 00:26:07,797 --> 00:26:08,938 HOW WOULD THEY FIND OUT? 747 00:26:08,938 --> 00:26:10,800 Maybe Nadine told 'em. 748 00:26:10,800 --> 00:26:12,872 I MEAN, THAT WOULD EXPLAIN THE PHONE RECORDS. 749 00:26:12,872 --> 00:26:13,873 HOW SO? 750 00:26:13,873 --> 00:26:14,944 Listen, I pulled 751 00:26:14,944 --> 00:26:16,876 HER PHONE HISTORY. SHE CALLED A NUMBER 752 00:26:16,876 --> 00:26:18,878 inside the casino immediately before and after 753 00:26:18,878 --> 00:26:20,680 MAKING THAT TRANSFER AT 9:47. 754 00:26:20,680 --> 00:26:24,784 I TRACKED DOWN THE EXTENSION TO A-A DANIEL SULLIVAN. 755 00:26:24,784 --> 00:26:26,916 DANIEL? THAT'S CHARLIE'S SECURITY GUY. 756 00:26:26,916 --> 00:26:28,017 (Castle) That would explain 757 00:26:28,017 --> 00:26:29,759 how Nadine got ahold of Sam's passwords. 758 00:26:29,759 --> 00:26:30,890 DANIEL IS HER PARTNER. 759 00:26:30,890 --> 00:26:32,762 HE'S GOT EYES AND EARS ALL OVER THAT CASINO. 760 00:26:32,762 --> 00:26:33,763 ALL RIGHT. SEE WHAT HE KNOWS. 761 00:26:33,763 --> 00:26:34,764 WE CAN'T. 762 00:26:34,764 --> 00:26:35,825 HE'S INSIDE THE CASINO, 763 00:26:35,825 --> 00:26:37,767 AND THEIR SECURITY WON'T LET US BACK IN. 764 00:26:38,828 --> 00:26:41,701 OKAY, SIT TIGHT. I'M DRIVING DOWN. 765 00:26:41,701 --> 00:26:42,732 NO. NO, NO. BECKETT, YOU DON'T HAVE TO DO THAT. 766 00:26:42,732 --> 00:26:43,733 NO, NO, WE GOT-- WE REALLY HAVE-- 767 00:26:43,733 --> 00:26:44,834 WE GOT IT. 768 00:26:44,834 --> 00:26:46,836 YEAH, SHE'S GONE. 769 00:26:46,836 --> 00:26:48,037 ♪♪♪ 770 00:26:48,037 --> 00:26:49,939 SO I TOLD COACH, IF I'M OPEN ON THE 3, 771 00:26:49,939 --> 00:26:51,010 THE POINT GUARD BETTER FEED ME. 772 00:26:51,010 --> 00:26:52,982 THAT'S REALLY INTERESTING. 773 00:26:52,982 --> 00:26:55,945 BUT DID YOU HAVE TO INVITE HALF THE TEAM OVER? 774 00:26:55,945 --> 00:26:58,047 I LIKE YOUR HAIR. IT'S... 775 00:26:58,047 --> 00:26:59,989 RED. 776 00:26:59,989 --> 00:27:01,721 (whirring) 777 00:27:01,721 --> 00:27:02,992 (girl) AH! 778 00:27:02,992 --> 00:27:04,754 (whirring continues) 779 00:27:04,754 --> 00:27:07,026 WILL YOU EXCUSE ME FOR A SEC? 780 00:27:07,026 --> 00:27:08,057 ♪♪♪ 781 00:27:08,057 --> 00:27:09,859 HEY, I NEED TO TALK TO YOU. 782 00:27:09,859 --> 00:27:11,100 CAN IT WAIT A SECOND? I THINK SOMEONE JUST BROKE THE BLENDER. 783 00:27:11,100 --> 00:27:12,732 WHO ARE ALL THESE PEOPLE? 784 00:27:12,732 --> 00:27:13,933 JAMIE CRUZ JUST POSTED AN UPDATE ON Facebook 785 00:27:13,933 --> 00:27:14,964 THAT YOU'RE HAVING A PARTY. 786 00:27:14,964 --> 00:27:17,066 WHAT? HE'S KIND OF A LOSER, THOUGH, 787 00:27:17,066 --> 00:27:19,839 SO I'M--I'M SURE HE DOESN'T HAVE THAT MANY FRIENDS. 788 00:27:19,839 --> 00:27:21,070 YEAH. I MEAN, HOW MANY PEOPLE ARE JUST SITTING AT HOME 789 00:27:21,070 --> 00:27:22,842 WAITING TO HEAR ABOUT A PARTY? 790 00:27:22,842 --> 00:27:23,843 (laughs) 791 00:27:23,843 --> 00:27:25,044 (doorbell buzzes) 792 00:27:25,044 --> 00:27:28,077 ♪♪♪ 793 00:27:28,077 --> 00:27:31,751 (all speaking indistinctly) 794 00:27:33,122 --> 00:27:34,884 THIS IS 795 00:27:34,884 --> 00:27:36,956 THE WORST IMPROMPTU BACHELOR PARTY WHILE ON CASE EVER. 796 00:27:36,956 --> 00:27:38,087 THIS IS HUMILIATING. 797 00:27:38,087 --> 00:27:40,760 WE'RE HOMICIDE DETECTIVES WITH THE NYPD. 798 00:27:40,760 --> 00:27:41,961 UNFORTUNATELY, WE'RE IN NEW JERSEY. 799 00:27:41,961 --> 00:27:43,092 AT LEAST WE'RE NOT ON A TICKING CLOCK 800 00:27:43,092 --> 00:27:44,864 BECAUSE A WOMAN'S BEEN KIDNAPPED. 801 00:27:44,864 --> 00:27:46,065 OH, WAIT. WE ARE. 802 00:27:46,065 --> 00:27:48,868 THERE'S GOTTA BE SOME OTHER WAY WE CAN GET IN. 803 00:27:55,104 --> 00:27:58,047 WHAT IF I TOLD YOU, I COULD GET US BACK IN THE HOTEL, 804 00:27:58,047 --> 00:27:59,979 PAST SECURITY,ALL... 805 00:27:59,979 --> 00:28:01,951 WHILE CIRCUMVENTING FACIAL RECOGNITION? 806 00:28:01,951 --> 00:28:03,913 HOW THE HELL ARE YOU GONNA DO THAT? 807 00:28:05,855 --> 00:28:08,858 (Soul Coughing's "Super Bon Bon" playing) 808 00:28:14,794 --> 00:28:17,997 ♪ MOVE ASIDE AND LET THE MAN GO THROUGH ♪ 809 00:28:17,997 --> 00:28:19,799 ♪ LET THE MAN GO THROUGH ♪ 810 00:28:19,799 --> 00:28:21,070 ♪ MOVE ASIDE ♪ 811 00:28:21,070 --> 00:28:22,071 ♪ AND LET THE MAN GO THROUGH ♪ 812 00:28:22,071 --> 00:28:24,073 ♪ LET THE MAN GO THROUGH ♪ 813 00:28:24,073 --> 00:28:27,877 ♪ MOVE ASIDE AND LET THE MAN GO THROUGH ♪ 814 00:28:27,877 --> 00:28:29,078 ♪ LET THE MAN GO THROUGH ♪ 815 00:28:29,078 --> 00:28:32,041 ♪ MOVE ASIDE AND LET THE MAN GO THROUGH ♪ 816 00:28:32,041 --> 00:28:33,843 ♪ LET THE MAN GO THROUGH ♪ 817 00:28:33,843 --> 00:28:35,014 VERY NICE. 818 00:28:35,014 --> 00:28:36,946 (imitates Elvis) THANK YOU. THANK YOU VERY MUCH. 819 00:28:36,946 --> 00:28:38,918 ♪♪♪ 820 00:28:38,918 --> 00:28:40,950 HOW DO YOU KNOW SHE WASN'T TALKING TO ME? (chuckles) WELL-- 821 00:28:40,950 --> 00:28:43,823 WHAT, ELVIS CAN'T BE BROWN? 822 00:28:43,823 --> 00:28:44,894 I'M ELVEZ. 823 00:28:44,894 --> 00:28:47,056 ♪ BY THE PHONE ♪ 824 00:28:47,056 --> 00:28:49,028 HEY. HOW YOU DOIN'? 825 00:28:49,028 --> 00:28:50,900 ♪ YOU GOTTA TAKE THE ELEVATOR THE MEZZANINE ♪ 826 00:28:50,900 --> 00:28:54,133 ♪ CHUMP CHANGE, AND IT'S ON SUPER BON BON ♪ 827 00:28:54,133 --> 00:28:56,165 ♪ SUPER BON BON, SUPER BON BON ♪ 828 00:28:56,165 --> 00:28:58,908 ♪ A SUPER BON BON, SUPER BON BON ♪ 829 00:28:58,908 --> 00:29:01,040 SUPER BON BON ♪ ♪ A SUPER BON BON, 830 00:29:01,040 --> 00:29:03,072 ♪ LET THE MAN GO THROUGH ♪ 831 00:29:03,072 --> 00:29:07,016 ♪ MOVE ASIDE AND LET THE MAN GO THROUGH ♪ 832 00:29:07,016 --> 00:29:09,018 ♪ LET THE MAN GO THROUGH ♪ 833 00:29:09,018 --> 00:29:10,019 WHAT THE HELL? 834 00:29:10,019 --> 00:29:11,921 WE'D LIKE A WORD ABOUT NADINE. 835 00:29:11,921 --> 00:29:14,053 (snickers) YOU'RE JOKING, RIGHT? 836 00:29:14,053 --> 00:29:17,126 DOES IT LOOK LIKE WE'RE JOKING? 837 00:29:20,960 --> 00:29:21,961 OKAY. 838 00:29:21,961 --> 00:29:23,833 WHY ARE YOU GUYS DRESSED LIKE THAT? 839 00:29:23,833 --> 00:29:25,034 A BETTER QUESTION IS, 840 00:29:25,034 --> 00:29:28,898 WHY DID NADINE CALL YOU AT 9:48 YESTERDAY? 841 00:29:28,898 --> 00:29:32,501 YOU KNOW ABOUT THAT? 842 00:29:32,501 --> 00:29:34,073 WE KNOW YOU TWO WERE PARTNERS. 843 00:29:34,073 --> 00:29:35,504 (Castle) WHO TOOK HER? 844 00:29:35,504 --> 00:29:37,006 WHO WAS IN THE S.U.V.? 845 00:29:37,006 --> 00:29:38,948 (sighs) I DON'T KNOW. 846 00:29:38,948 --> 00:29:41,981 I... THIS WASN'T SUPPOSED TO HAPPEN. 847 00:29:41,981 --> 00:29:44,053 ARE YOU GUYS SAYING THAT YOU ACCIDENTALLY STOLE 848 00:29:44,053 --> 00:29:45,915 $10 MILLION 849 00:29:45,915 --> 00:29:47,516 FROM CHARLIE AND SAM? 850 00:29:47,516 --> 00:29:49,518 NO, WE DIDN'T STEAL IT. 851 00:29:49,518 --> 00:29:51,991 WE WERE--WE WERE USING IT AS LEVERAGE. 852 00:29:51,991 --> 00:29:53,923 TO GET SAM TO HAND OVER 853 00:29:53,923 --> 00:29:55,895 THAT BUILDING IN QUEENS FOR HER PARENTS. 854 00:29:55,895 --> 00:29:58,968 YEAH, BUT IT-- IT'S NOT WHY YOU THINK. 855 00:29:58,968 --> 00:30:01,901 NADINE AND I STARTED DATING A FEW MONTHS AGO. 856 00:30:01,901 --> 00:30:03,102 (chuckles) 857 00:30:03,102 --> 00:30:05,034 WE'RE IN LOVE. 858 00:30:05,034 --> 00:30:07,576 WE WANTED TO START OVER, MOVE SOMEWHERE, 859 00:30:07,576 --> 00:30:09,078 BUT SAM WOULDN'T LET HER GO. 860 00:30:09,078 --> 00:30:10,539 THEY WERE AN ITEM? 861 00:30:10,539 --> 00:30:11,881 NO, ONLY IN HIS MIND. 862 00:30:11,881 --> 00:30:15,915 SHE REFUSED ALL OF HIS ADVANCES, BUT HE WOULDN'T STOP. 863 00:30:15,915 --> 00:30:17,116 WHY DIDN'T SHE REPORT HIM? 864 00:30:17,116 --> 00:30:19,018 BECAUSE THIS WAS HIS CASINO. 865 00:30:19,018 --> 00:30:20,890 NOBODY WOULD'VE TAKEN HER SERIOUSLY. 866 00:30:20,890 --> 00:30:22,591 SHE TRIED TO QUIT ABOUT A YEAR AGO. 867 00:30:22,591 --> 00:30:24,924 THAT'S WHEN HE BOUGHT HER PARENTS' BUILDING 868 00:30:24,924 --> 00:30:28,597 AND THREATENED TO EVICT 'EM IF SHE DIDN'T SLEEP WITH HIM. 869 00:30:28,597 --> 00:30:29,959 I HAD TO DO SOMETHING TO STOP HIM. 870 00:30:29,959 --> 00:30:32,561 SO YOU CAME UP WITH A PLAN TO HOLD THE MONEY HOSTAGE 871 00:30:32,561 --> 00:30:34,033 UNTIL HE TURNED OVER THE DEED? 872 00:30:34,033 --> 00:30:36,035 HE WAS GONNA SIGN IT OVER AS A QUITCLAIM, 873 00:30:36,035 --> 00:30:38,107 AND THEN I WAS GONNA TRANSFER THE MONEY BACK. 874 00:30:38,107 --> 00:30:40,139 AND THEN NADINE WOULD BE FREE. 875 00:30:40,139 --> 00:30:42,972 NONE OF THIS EXPLAINS WHO KILLED SAM. 876 00:30:42,972 --> 00:30:44,974 (sighs) 877 00:30:44,974 --> 00:30:49,048 SOMETHING ABOUT THE MONEY MADE SAM PANIC. 878 00:30:49,048 --> 00:30:50,619 WHAT DO YOU MEAN? 879 00:30:50,619 --> 00:30:53,852 WHEN I CALLED SAM TO GIVE HIM INSTRUCTIONS ABOUT THE DEED, 880 00:30:53,852 --> 00:30:57,126 HE TOLD ME, I STOLE THE WRONG PERSON'S MONEY. 881 00:30:57,126 --> 00:30:59,628 AND HE TOLD ME, 882 00:30:59,628 --> 00:31:02,091 WHEN THEY FOUND OUT, WE'D ALL BE DEAD. 883 00:31:03,592 --> 00:31:04,994 WHO WAS HE TALKING ABOUT? 884 00:31:04,994 --> 00:31:06,896 I DON'T KNOW. 885 00:31:08,067 --> 00:31:10,069 (Esposito) OH, HEY, GUYS. 886 00:31:10,069 --> 00:31:11,870 UH, WE WERE JUST LEAVING. 887 00:31:11,870 --> 00:31:14,143 THIS ISN'T THE BALLROOM. HUH. 888 00:31:18,007 --> 00:31:19,148 ♪♪♪ 889 00:31:19,148 --> 00:31:20,950 LET ME GUESS. Facebook? 890 00:31:20,950 --> 00:31:23,012 TWITTER. YOU MIGHT WANT TO JUST LEAVE THIS OPEN, BY THE WAY. 891 00:31:23,012 --> 00:31:24,613 THERE'S, LIKE, A WHOLE BUNCH OF PEOPLE 892 00:31:24,613 --> 00:31:26,655 LINING UP FOR THE ELEVATOR DOWNSTAIRS. 893 00:31:28,117 --> 00:31:29,959 (mouths word) 894 00:31:29,959 --> 00:31:32,962 ♪♪♪ 895 00:31:32,962 --> 00:31:33,963 (boy) OH! OH! WHAT'S GOING ON?! 896 00:31:33,963 --> 00:31:35,894 ♪♪♪ 897 00:31:35,894 --> 00:31:39,628 (indistinct shouting and laughter) 898 00:31:39,628 --> 00:31:42,671 ♪♪♪ 899 00:31:42,671 --> 00:31:46,075 (indistinct conversations continue) 900 00:31:46,075 --> 00:31:47,076 (object clatters) 901 00:31:47,076 --> 00:31:49,008 JULIE, THIS IS A DISASTER. 902 00:31:49,008 --> 00:31:50,980 CHILL. IT'S JUST A PARTY. 903 00:31:50,980 --> 00:31:52,211 HAVE SOME FUN FOR ONCE. 904 00:31:52,211 --> 00:31:54,913 FUN? I DON'T EVEN KNOW HALF THESE PEOPLE. 905 00:31:54,913 --> 00:31:56,986 OH, WHAT ABOUT, UM... 906 00:31:56,986 --> 00:31:59,048 UH, BRIAN? 907 00:31:59,048 --> 00:32:01,120 HE HAS THE I.Q. OF A SQUIRREL. 908 00:32:01,120 --> 00:32:03,152 ♪♪♪ 909 00:32:03,152 --> 00:32:05,995 OH, GOD. MY DAD'S GONNA KILL ME. 910 00:32:05,995 --> 00:32:08,998 PLEASE. YOU HAVE THE COOLEST DAD EVER. 911 00:32:08,998 --> 00:32:11,700 IF HE WERE TO WALK IN RIGHT NOW, I BET HE WOULDN'T CARE. 912 00:32:11,700 --> 00:32:14,703 YOU'RE RIGHT. HE PROBABLY WOULDN'T CARE. 913 00:32:14,703 --> 00:32:17,206 THE PROBLEM IS, I DO. 914 00:32:17,206 --> 00:32:19,068 ♪♪♪ 915 00:32:19,068 --> 00:32:20,209 (music fades) 916 00:32:20,209 --> 00:32:22,071 (indistinct conversations continue) 917 00:32:22,071 --> 00:32:25,074 (clears throat) EVERYBODY, LISTEN UP. 918 00:32:25,074 --> 00:32:27,146 THE PARTY IS OVER. 919 00:32:27,146 --> 00:32:30,019 THANKS FOR COMING, THANKS FOR SPILLING, 920 00:32:30,019 --> 00:32:32,021 THANKS FOR TELLING EVERYTEENAGER WITH A PULSE. 921 00:32:32,021 --> 00:32:34,053 NOW, EVERYBODY, OUT. 922 00:32:34,053 --> 00:32:36,685 OH, REALLY? REALLY? 923 00:32:36,685 --> 00:32:38,957 IF IT WASN'T ILLEGAL, I'D KICK YOUR ASS. 924 00:32:38,957 --> 00:32:40,990 (sighs) WONDER WHERE THEY TOOK CASTLE. 925 00:32:49,999 --> 00:32:51,200 (Charlie) YOU WERE TOLD WHAT WOULD HAPPEN 926 00:32:51,200 --> 00:32:53,042 IF YOU CAME BACK HERE. 927 00:32:53,042 --> 00:32:55,244 NOW I'M NOT STUPID ENOUGH TO BEAT ON COPS, 928 00:32:55,244 --> 00:32:58,177 BUT YOU, ON THE OTHER HAND, ARE A DIFFERENT STORY. 929 00:32:58,177 --> 00:33:00,049 I WANT MY MONEY, MR. CASTLE, 930 00:33:00,049 --> 00:33:02,211 SO YOU BETTER TELL ME EVERYTHING YOU KNOW. 931 00:33:03,252 --> 00:33:06,015 I KNOW IT'S NOT YOUR MONEY. 932 00:33:09,118 --> 00:33:11,720 HMM. (clicks tongue) WOULD YOU EXCUSE US? 933 00:33:16,165 --> 00:33:19,068 (door hisses closed) 934 00:33:25,074 --> 00:33:27,076 WHO TOLD YOU? 935 00:33:27,076 --> 00:33:29,038 NO ONE TOLD ME. 936 00:33:29,038 --> 00:33:31,009 I PUT THE PIECES TOGETHER. 937 00:33:31,009 --> 00:33:32,241 SAM'S MURDER, NADINE'S KIDNAPPING, 938 00:33:32,241 --> 00:33:35,013 NONE OF IT MAKES ANY SENSE IF IT WAS YOUR MONEY. 939 00:33:35,013 --> 00:33:36,215 YOU KNOW WHAT I THINK? 940 00:33:36,215 --> 00:33:38,187 I THINK THE MONEY NADINE STOLE FROM YOU 941 00:33:38,187 --> 00:33:40,018 ACTUALLY BELONGED TO SOMEONE ELSE. 942 00:33:40,018 --> 00:33:42,091 OTHERWISE, YOU WOULDN'T BE SO DESPERATE. 943 00:33:42,091 --> 00:33:44,153 SO TELL ME, CHARLIE, WHAT HAPPENED, 944 00:33:44,153 --> 00:33:46,125 YOU AND SAM TAKE OUT A LOAN FROM AN INSTITUTION 945 00:33:46,125 --> 00:33:48,097 THAT DOESN'T OFFER FLEXIBLE PAYMENT PLANS? 946 00:33:48,097 --> 00:33:49,298 YOU BORROWED MONEY FROM THE MOB. 947 00:33:49,298 --> 00:33:51,330 THAT'S WHY YOU DIDN'T WANT US SNIFFING AROUND HERE. 948 00:33:51,330 --> 00:33:54,233 WHAT I CAN'T FIGURE OUT IS, HOW COULD YOU BE SO STUPID? 949 00:33:54,233 --> 00:33:56,265 THE BANKS WEREN'T LENDING. 950 00:33:56,265 --> 00:33:59,268 WE NEEDED A CASH INFUSION, OR ELSE WE WOULD'VE HAD TO FOLD. 951 00:33:59,268 --> 00:34:02,040 AND NOW THE MONEY'S GONE. 952 00:34:02,040 --> 00:34:04,813 YOU HAVE ANY IDEA HOW BAD IT IS 953 00:34:04,813 --> 00:34:08,217 TO DEFAULT ON A LOAN FROM THE MOB? 954 00:34:08,217 --> 00:34:09,818 HOW'D THEY FIND OUT ABOUT NADINE? 955 00:34:09,818 --> 00:34:11,320 HELL IF I KNOW. 956 00:34:11,320 --> 00:34:13,782 MAYBE SAM TOLD 'EM. 957 00:34:13,782 --> 00:34:15,284 ALL I KNOW... 958 00:34:15,284 --> 00:34:18,187 IS THAT I NEED MY MONEY BACK. 959 00:34:18,187 --> 00:34:21,130 I CAN GET YOUR MONEY BACK FOR YOU. 960 00:34:21,130 --> 00:34:24,333 BUT I NEED YOU TO DO SOMETHING FOR ME. 961 00:34:24,333 --> 00:34:26,095 WHO ARE THEY? 962 00:34:26,095 --> 00:34:27,196 (laughs) 963 00:34:27,196 --> 00:34:29,067 NO. NO WAY. 964 00:34:29,067 --> 00:34:30,269 COME ON, CHARLIE. 965 00:34:30,269 --> 00:34:32,141 THEY KILLED SAM. 966 00:34:32,141 --> 00:34:34,103 AND UNLESS THEY GET THEIR MONEY BACK, THEY'RE GONNA KILL NADINE 967 00:34:34,103 --> 00:34:35,244 AND THEN YOU. 968 00:34:35,244 --> 00:34:36,375 THOSE ARE YOUR CARDS. 969 00:34:36,375 --> 00:34:39,077 IS THIS REALLY HOW YOU'RE GONNA PLAY 'EM? 970 00:34:45,314 --> 00:34:46,315 OH. 971 00:34:46,315 --> 00:34:49,118 UM... FUNNY STORY? 972 00:34:49,118 --> 00:34:50,189 WE, UH, LOOK, THIS IS... 973 00:34:50,189 --> 00:34:51,220 WE CAN EXPLAIN. 974 00:34:51,220 --> 00:34:53,162 NO, I'M NOT EVEN SURE I WANT TO KNOW. 975 00:34:53,162 --> 00:34:54,293 (both) IT WAS CASTLE'S IDEA. 976 00:34:54,293 --> 00:34:56,365 (Castle) AND IT WORKED. 977 00:34:56,365 --> 00:34:58,167 I KNOW WHO KILLED SAM. 978 00:34:58,167 --> 00:34:59,228 (Beckett, Esposito, and Ryan) WHO? 979 00:34:59,228 --> 00:35:00,369 (beeps) 980 00:35:00,369 --> 00:35:02,231 TOMMY MORETTI. 981 00:35:02,231 --> 00:35:04,833 HE MADE A HARD-MONEY LOAN TO THE SAPPHIRE SIX MONTHS AGO, 982 00:35:04,833 --> 00:35:06,235 AND IT'S DUE. 983 00:35:06,235 --> 00:35:07,836 IT WAS HIS MONEY THAT NADINE STOLE. 984 00:35:07,836 --> 00:35:10,179 FELONY ASSAULT, ATTEMPTED MURDER, RACKETEERING-- 985 00:35:10,179 --> 00:35:12,311 THE FEDS HAVE BEEN TRYING TO GET HIM FOR YEARS. 986 00:35:12,311 --> 00:35:14,313 HE WAS AT THE BAR EARLIER TODAY. 987 00:35:14,313 --> 00:35:16,385 HE TOLD CHARLIE HE NEEDED HIS LUCK TO CHANGE. 988 00:35:16,385 --> 00:35:17,886 (Castle) PROBABLY A VEILED THREAT. 989 00:35:17,886 --> 00:35:19,848 WHAT IF HE KILLS HER? 990 00:35:19,848 --> 00:35:21,390 (Castle) NAH, HE WANTS HIS MONEY TOO MUCH. 991 00:35:21,390 --> 00:35:23,192 JUST STICK TO THE PLAN. 992 00:35:23,192 --> 00:35:24,853 CHARLIE CALLED MORETTI, TOLD HIM TO MEET HIM AT THE CASINO, 993 00:35:24,853 --> 00:35:26,325 FIRST THING IN THE MORNING WHEN THE BANKS OPEN. 994 00:35:26,325 --> 00:35:28,126 ONCE YOU TURN OVER THE $10 MILLION, 995 00:35:28,126 --> 00:35:29,258 HE'LL TURN OVER NADINE. 996 00:35:29,258 --> 00:35:31,129 AND THEN WE'LL ARREST HIM FOR SAM'S MURDER. 997 00:35:31,129 --> 00:35:32,261 AND WHAT IF HE SMELLS A TRAP? 998 00:35:32,261 --> 00:35:35,364 HE WON'T. WE'LL BE READY. 999 00:35:42,371 --> 00:35:44,173 HERE HE COMES. 1000 00:35:44,173 --> 00:35:45,344 (Charlie) TOMMY MORETTI. 1001 00:35:45,344 --> 00:35:48,317 THE GUY IS A SOCIOPATH. 1002 00:35:48,317 --> 00:35:50,379 THE PROBLEM IS, WITH HALF THE CITY ON HIS PAYROLL, 1003 00:35:50,379 --> 00:35:52,321 NO ONE CAN TOUCH HIM. 1004 00:35:52,321 --> 00:35:56,154 YOU GOT SOME PRETTY BIG BALLS, KID, TO STEAL FROM ME. 1005 00:35:56,154 --> 00:35:57,356 LOOK, I-I'M SORRY, MR. MORETTI. 1006 00:35:57,356 --> 00:36:00,489 I HAD NO IDEA YOU WERE INVOLVED. 1007 00:36:00,489 --> 00:36:02,391 I'LL LOG ON AND TRANSFER THE FUNDS 1008 00:36:02,391 --> 00:36:04,263 AS SOON AS I SEE NADINE. 1009 00:36:04,263 --> 00:36:05,464 YOU GOT A LOT OF DEMANDS FOR A KID 1010 00:36:05,464 --> 00:36:08,197 WHO'S LUCKY TO BE SUCKING DOWN AIR RIGHT NOW. 1011 00:36:08,197 --> 00:36:11,470 (indistinct conversations) 1012 00:36:26,415 --> 00:36:28,417 (clicks keyboard keys) 1013 00:36:28,417 --> 00:36:29,418 (beeps) 1014 00:36:29,418 --> 00:36:30,419 (chirps) 1015 00:36:30,419 --> 00:36:32,261 (clicks keyboard key) 1016 00:36:32,261 --> 00:36:34,423 (cell phone beeps) 1017 00:36:40,299 --> 00:36:41,400 YOU SAID YOU'D LET HER GO. 1018 00:36:58,547 --> 00:37:01,320 (cries) 1019 00:37:04,553 --> 00:37:08,397 (Ryan) OKAY, HERE'S WHERE IT GETS INTERESTING. 1020 00:37:09,528 --> 00:37:12,261 FUNNY. SOMEHOW I FIGURED I WASN'T DONE. 1021 00:37:12,261 --> 00:37:13,462 TAKE A SEAT, MR. MORETTI. 1022 00:37:13,462 --> 00:37:16,265 WE GOT A FEW QUESTIONS ABOUT SAM SIEGEL'S MURDER. 1023 00:37:19,468 --> 00:37:22,010 YOU GOT ME IN A COOPERATIVE MOOD, DETECTIVE. 1024 00:37:22,010 --> 00:37:24,343 NOW THAT I GOT MY MONEY BACK, WHAT CAN I DO FOR YOU? 1025 00:37:24,343 --> 00:37:26,275 (Beckett) THE NIGHT OF SAM'S MURDER, 1026 00:37:26,275 --> 00:37:29,348 YOU CHARGED A MEAL AT CARMINE'S. 1027 00:37:29,348 --> 00:37:32,020 THAT'S ABOUT A MILE AWAY FROM THE CRIME SCENE. 1028 00:37:32,020 --> 00:37:35,454 THAT'S A LONG WAY TO GO FOR GOOD CHICKEN PARM. 1029 00:37:35,454 --> 00:37:37,025 I HAD A CRAVING. 1030 00:37:37,025 --> 00:37:38,327 (Castle) FOR GOOD ITALIAN 1031 00:37:38,327 --> 00:37:40,258 OR FOR THE $10 MILLION SAM STOLE FROM YOU? 1032 00:37:40,258 --> 00:37:42,431 COME ON. IF I HAD KILLED SAM, 1033 00:37:42,431 --> 00:37:44,563 YOU THINK YOU WOULD'VE EVER FOUND THE BODY? 1034 00:37:44,563 --> 00:37:46,435 THE GUY YOU'RE LOOKING FOR AIN'T ME. 1035 00:37:46,435 --> 00:37:48,397 BUT YOU WERE THERE. 1036 00:37:48,397 --> 00:37:49,498 (sighs) 1037 00:37:49,498 --> 00:37:51,470 SAM CALLED ME. 1038 00:37:51,470 --> 00:37:53,602 HE SAID HE WAS HAVING TROUBLE REPAYING THE LOAN. 1039 00:37:53,602 --> 00:37:55,374 SO I ARRANGED A MEETING. 1040 00:37:55,374 --> 00:37:56,375 YEAH, 1041 00:37:56,375 --> 00:37:57,546 AT JUST THE KIND OF PLACE 1042 00:37:57,546 --> 00:37:59,548 GUYS LIKE YOU LIKE TO PUT BULLETS INTO GUYS LIKE HIM. 1043 00:37:59,548 --> 00:38:01,610 YOU CAN'T GET MONEY FROM A DEAD GUY. 1044 00:38:01,610 --> 00:38:04,413 I'D HAVE BROKEN HIS LEGS AND TAKEN HIS CASINO FIRST. 1045 00:38:04,413 --> 00:38:06,615 NOW SEE, I KNEW ALL ABOUT THE BLACKMAIL. 1046 00:38:06,615 --> 00:38:08,387 SAM TOLD ME. 1047 00:38:08,387 --> 00:38:09,588 HE SAID I HAD NOTHING TO WORRY ABOUT 1048 00:38:09,588 --> 00:38:12,391 BECAUSE HIS EX-WIFE HAD SIGNED OVER THE PROPERTY 1049 00:38:12,391 --> 00:38:13,592 IN QUEENS. 1050 00:38:13,592 --> 00:38:16,525 THE BLACKMAILERS WERE TRANSFERRING THE 10 MIL BACK. 1051 00:38:16,525 --> 00:38:18,527 HE WAS GONNA DROP OFF THE MONEY IN THE MORNING, 1052 00:38:18,527 --> 00:38:20,298 SO... 1053 00:38:20,298 --> 00:38:22,371 I GAVE HIM AN EXTRA 24 HOURS. 1054 00:38:22,371 --> 00:38:23,602 IT WAS THE LAST I SAW OF HIM. 1055 00:38:23,602 --> 00:38:25,504 EXCEPT SAM LIED. 1056 00:38:25,504 --> 00:38:27,436 HIS EX-WIFE NEVER SIGNED. 1057 00:38:27,436 --> 00:38:29,578 YEAH, SHE DID. 1058 00:38:29,578 --> 00:38:31,510 HE SHOWED ME THE SIGNATURE HIMSELF. 1059 00:38:31,510 --> 00:38:35,083 THAT'S THE REASON I GAVE HIM THE EXTRA TIME. 1060 00:38:38,587 --> 00:38:40,349 I DIDN'T LIE. 1061 00:38:40,349 --> 00:38:42,090 SO THEN WHAT HAPPENED TO THE PAPERWORK 1062 00:38:42,090 --> 00:38:43,622 AFTER SAM LEFT YOUR APARTMENT? 1063 00:38:43,622 --> 00:38:45,454 HE TOOK IT WITH HIM. 1064 00:38:45,454 --> 00:38:47,626 THAT'S ODD. 1065 00:38:47,626 --> 00:38:51,400 I WOULD'VE THOUGHT I WOULD'VE FOUND IT ON HIS BODY. 1066 00:38:51,400 --> 00:38:53,662 BUT WE DIDN'T. 1067 00:38:53,662 --> 00:38:56,435 IT MADE ME WONDER WHERE IT WAS. 1068 00:38:56,435 --> 00:38:59,638 MAYBE THE PERSON WHO KILLED HIM TOOK IT. 1069 00:38:59,638 --> 00:39:02,541 YEAH, MAYBE SHE DID. 1070 00:39:05,674 --> 00:39:09,518 SO UNIFORMS FOUND THIS 1071 00:39:09,518 --> 00:39:11,380 IN YOUR APARTMENT'S TRASH BIN. 1072 00:39:11,380 --> 00:39:12,681 IT HAS YOUR SIGNATURE ON IT. 1073 00:39:15,384 --> 00:39:17,526 YOU DID LIE. 1074 00:39:17,526 --> 00:39:18,657 HE PLEADED WITH ME... 1075 00:39:18,657 --> 00:39:20,589 BEGGED ME 1076 00:39:20,589 --> 00:39:22,661 TO SIGN THAT FORM. 1077 00:39:22,661 --> 00:39:25,664 AND WHEN I SAID NO, 1078 00:39:25,664 --> 00:39:28,136 HE TOOK OUT HIS GUN, PUT IT IN MY MOUTH, 1079 00:39:28,136 --> 00:39:30,138 AND TOLD ME, IF I DIDN'T SIGN THE FORM, 1080 00:39:30,138 --> 00:39:32,671 HE WOULD PAINT THE WALLS WITH MY BRAINS. 1081 00:39:32,671 --> 00:39:34,673 THE ONLY REASON I WAS ABLE TO GET THAT DIVORCE 1082 00:39:34,673 --> 00:39:38,146 WAS BECAUSE HE SAID I HAD GOTTEN OLD, 1083 00:39:38,146 --> 00:39:39,678 THAT HE WAS DONE WITH ME. 1084 00:39:39,678 --> 00:39:41,480 AND I WAS GRATEFUL, 1085 00:39:41,480 --> 00:39:44,713 GRATEFUL FOR A WAY OUT. 1086 00:39:44,713 --> 00:39:48,156 BUT WITH A MAN LIKE SAM... 1087 00:39:48,156 --> 00:39:49,618 YOU'RE NEVER REALLY OUT. 1088 00:39:49,618 --> 00:39:52,661 SO WHEN HE TOLD ME 1089 00:39:52,661 --> 00:39:55,564 THAT SOMEONE WANTED HIM DEAD, 1090 00:39:55,564 --> 00:39:58,467 I THOUGHT, HERE'S MY CHANCE. 1091 00:39:59,498 --> 00:40:01,570 SO THEN WHAT HAPPENED? 1092 00:40:01,570 --> 00:40:04,402 HE MADE A CALL FROM MY PHONE ABOUT THE MEET. 1093 00:40:04,402 --> 00:40:06,475 AFTER HE LEFT, 1094 00:40:06,475 --> 00:40:08,477 I TOOK OUT THE .38 1095 00:40:08,477 --> 00:40:10,709 THAT HE GAVE ME FOR OUR SECOND ANNIVERSARY, 1096 00:40:10,709 --> 00:40:13,442 WENT OUT THE SERVICE EXIT. 1097 00:40:15,444 --> 00:40:19,187 AND I HUNTED HIM DOWN LIKE THE VICIOUS ANIMAL HE WAS. 1098 00:40:24,523 --> 00:40:25,654 I'VE ASKED THE D.A. 1099 00:40:25,654 --> 00:40:27,456 TO LOOK INTO THE MITIGATING CIRCUMSTANCES. 1100 00:40:27,456 --> 00:40:29,528 THEY'LL TAKE HER SITUATION 1101 00:40:29,528 --> 00:40:31,199 INTO ACCOUNT WHEN THEY OFFER HER A PLEA. 1102 00:40:31,199 --> 00:40:33,662 THANK YOU FOR YOUR HELP ON THIS ONE. 1103 00:40:33,662 --> 00:40:37,536 I ENJOY CHECKING OUT THE VIEW FROM THE TRENCHES 1104 00:40:37,536 --> 00:40:38,767 ONCE IN A WHILE. 1105 00:40:38,767 --> 00:40:42,440 YEAH, WELL, IT HELPS TO BE SURROUNDED BY A GOOD TEAM. 1106 00:40:42,440 --> 00:40:44,212 (indistinct conversations) 1107 00:40:44,212 --> 00:40:45,644 YOU MEAN CASTLE. 1108 00:40:45,644 --> 00:40:48,547 YOU SAID IT, NOT ME. 1109 00:40:48,547 --> 00:40:49,618 HE'S NOT A COP. 1110 00:40:49,618 --> 00:40:50,719 YEAH, BUT THAT'S WHAT MAKES HIM SO GOOD. 1111 00:40:50,719 --> 00:40:52,751 (chuckles) WELL, SPEAKING OF WHICH, 1112 00:40:52,751 --> 00:40:54,753 UH, WHERE ARE THEY? 1113 00:40:54,753 --> 00:40:56,755 I GAVE THEM THE AFTERNOON OFF. 1114 00:40:56,755 --> 00:40:59,658 APPARENTLY, RYAN GOT STUCK WITH AN UNDERAGE BEST MAN, 1115 00:40:59,658 --> 00:41:02,691 SO THE BOYS ARE GIVING HIM THE UNOFFICIAL BACHELOR PARTY. 1116 00:41:02,691 --> 00:41:04,563 I TRUST YOU'LL EDIT 1117 00:41:04,563 --> 00:41:08,466 THEIR SIDE OF THE INVESTIGATION IN THE REPORT. 1118 00:41:08,466 --> 00:41:10,699 (indistinct conversations continue) 1119 00:41:29,688 --> 00:41:30,689 (pants) 1120 00:41:30,689 --> 00:41:34,492 (footsteps approaching) 1121 00:41:34,492 --> 00:41:37,265 (lock clicks) 1122 00:41:39,267 --> 00:41:40,669 OHH. 1123 00:41:41,800 --> 00:41:44,633 HEY. 1124 00:41:44,633 --> 00:41:46,775 WHAT HAPPENED TO YOU? 1125 00:41:48,607 --> 00:41:49,778 NOTHING. 1126 00:41:49,778 --> 00:41:51,840 NOTHING. WHAT-- WHAT HAPPENED HERE? 1127 00:41:51,840 --> 00:41:53,812 NOTHING. 1128 00:41:54,813 --> 00:41:56,745 WHERE'S THE, UM... 1129 00:41:56,745 --> 00:41:58,817 WHERE'S THE LITTLE SILVER DOG STATUE 1130 00:41:58,817 --> 00:42:00,689 THAT'S USUALLY ON THE BACK OF THE COUCH? 1131 00:42:00,689 --> 00:42:02,691 OH, I THINK GRAM SAID SHE NEEDED IT 1132 00:42:02,691 --> 00:42:04,623 FOR SET DRESSING FOR HER PLAY. 1133 00:42:04,623 --> 00:42:06,595 AH. 1134 00:42:07,756 --> 00:42:10,759 (groans) 1135 00:42:10,759 --> 00:42:12,831 (exhales)